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Speaker 1: This is your wake up call, wake up Breakfast Club

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Speaker 1: to show you love to hate from the East to

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Speaker 1: the West Coat dj En Charlomagne, the really show on

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Speaker 1: the planet. This is where I respect this show because

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Speaker 1: this is a voice of society. James in the game.

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Speaker 1: Guys are the coveted morning show. What y'all earning? Exacting

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Speaker 1: the coach up in the morning and stay. Want to

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Speaker 1: hear that Breakfast the world's most dangerous morning show. Wake up,

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Speaker 1: wake up, wake y'all, as this is you're time to

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Speaker 1: get it off your chest, your man or blessed. We

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Speaker 1: want to hear from you on the breakfast block. Hello,

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Speaker 1: who's this? Hello? What's up? Brokeing it off your chest?

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Speaker 1: All right? What up? Envy? What up? Envy? Well you

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Speaker 1: said what up? In twice? Where are you, sir? I'm good,

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Speaker 1: shout man. Listen, I'm blessed and I'm not blessed. I'm both. Listen.

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Speaker 1: My thing is, I'm getting to it and I'm not

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Speaker 1: letting nothing stop me. Right yet, some like I'm talking

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Speaker 1: to these little kids and I'm trying to teach them

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Speaker 1: about gun violence and stopping the violence. You know, I

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Speaker 1: got shot. I'm in a wheelchair, but I can't be

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Speaker 1: active because my wheelchair is broke. You feel me? So

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Speaker 1: I need to help me. He can't move around all right?

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Speaker 1: My my leg on my wheelchair is messed up? Do

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Speaker 1: you feel me? So? I can't really move the way

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Speaker 1: I need. Why you got legs on your wheelchas had wheels? No,

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Speaker 1: got to hold this leg up. I'm trying to be

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Speaker 1: funny ver. I don't know what the leg this leg up? Man? Yeah?

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Speaker 1: I need help. I need a leg kid? Help me,

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Speaker 1: please don't. I don't know what you're talking about. What

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Speaker 1: is a leg on a wheelchair? I'm that serious? You

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Speaker 1: mean this that you? How much is that? Bro? How

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Speaker 1: much is that leg piece? Bro? I don't know. I

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Speaker 1: need a new chair. Oh, you need a new chair.

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Speaker 1: He needs a chair because the leg chair can't Once

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Speaker 1: I get a new chair, I swear to God, I'm

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Speaker 1: gonna be everywhere, like everywhere. I'm not gonna stop him

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Speaker 1: to My name is on school. I hate to be

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Speaker 1: this guy. But how can we prove that you're in

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Speaker 1: a wheelchair? Sir? What you want me to send you

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Speaker 1: pictures of man in a wheelchair? A lot of dudes

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Speaker 1: out here doing a lot of strange things for some change.

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Speaker 1: I'm gonna be host with you. You know, any go

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Speaker 1: fund means I got regular people like sending me go

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Speaker 1: fund me. I'm like, look, Envy, I ain't him the

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Speaker 1: guy that seen you outside of the station at night

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Speaker 1: in a chair. O can't even call. I gave you

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Speaker 1: the flash drop in a wheelchair. Do you remember that, Envy?

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Speaker 1: I don't remember that. When was that? Was it recently?

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Speaker 1: It was like last year in the summertime. I gave

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Speaker 1: you a flash draw last summer I was in a wheelchair.

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Speaker 1: I'm not gonna lie. I run into a lot of

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Speaker 1: people with wheelchairs that raped by anything. I don't need

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Speaker 1: to think about you that I will remember. I was

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Speaker 1: by myself and I had my homeboy. He was well.

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Speaker 1: He was drowning yourself. We're gonna put you on We're

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Speaker 1: gonna put you on hold, and we're gonna talk to you.

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Speaker 1: Many happened them. You have an Instagram page or something.

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Speaker 1: My name on Instagram is Big Underscore Homie eight one

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Speaker 1: as B eight one as B. We're gonna roll at

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Speaker 1: this moment, but we're gonna put you on hold. Why

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Speaker 1: he's never talking to that? Have a good morning. Hold

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Speaker 1: on hold, on. He's stupid. Well, I gotta roll for goodness. Hello,

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Speaker 1: we didn't want you to hang up. He hung up, man,

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Speaker 1: I told him, hold on. I don't know if this

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Speaker 1: is him. Post called back. Bro, We're gonnaee if you

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Speaker 1: get help and there's nothing in a wheelchair on him.

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Speaker 1: Oh god, you never know. I'm telling people doing some

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Speaker 1: screen things with some change nowadays. Bro, my goodness, get

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Speaker 1: it off your chest. Eight hundred five eight five one

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Speaker 1: on five one to breakfast club. Good morning the breakfast club.

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Speaker 1: Pick up the mother mother phone and don this is

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Speaker 1: your time to get it off your chat nother. You're man.

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Speaker 1: We want to hear from you on the Breakfast Club.

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Speaker 1: But he better have the same energy. Hello is this Kira?

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Speaker 1: Hey Kira. I am blessed because, first of all, I

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Speaker 1: loved your show case crews helping me in my husband

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Speaker 1: a lot a love lest service. Thank you. Let's services

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Speaker 1: also off the chain. I will be graduating on Base

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Speaker 1: twenty fifth. I'm a certified surgical technologist, so good glass,

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Speaker 1: what does that mean? Past few years? But we all

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Speaker 1: have jobs in our fields looking before we graduate. I'm

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Speaker 1: also a little upset because I graduated with three point

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Speaker 1: four seven and I needed a three point five to

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Speaker 1: get honored. Any Yeah, what what kind of surgeon are you?

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Speaker 1: What are you going to do? Like? What did that mean?

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Speaker 1: What kind of doctor is that? I'm a surgical technologist,

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Speaker 1: so I work in the operating world. I passed instrument

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Speaker 1: to the surgeon and I set up the sero fields

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Speaker 1: and maintain the sorough field, maintain the blue accounts, different

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Speaker 1: things like that, oh got you got you keep yes. Basically,

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Speaker 1: I make sure that you don't get anything left in

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Speaker 1: your body and like a junior mental good exactly or

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Speaker 1: more instrument than congratulations. Thank you guys. I love you,

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Speaker 1: by the way, we love you your congratulations. Hello. Who's

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Speaker 1: this Gloria? I'm calling from Hampton. Hey, Gloria from the

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Speaker 1: seven five to seven eight h four. What's up? Mama?

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Speaker 1: You mad this morning? Yeah? I need to call my

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Speaker 1: son's father around a kid. He's eleven years old. He

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Speaker 1: hasn't seen this man since he was two years old.

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Speaker 1: And I've been sending the messages on Facebook. Yeah Facebook,

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Speaker 1: Yeah it is not even no no, no, Well you

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Speaker 1: know in nine years you show he's alive. Yeah, he's

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Speaker 1: posting some things on Facebook. I know you're alive. You're

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Speaker 1: posting on Facebook. I know you ain't Dad Craig. Can

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Speaker 1: I say his name? Yeah? What's his name? His name

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Speaker 1: is Philip Evolved. He's in the Mason he is um.

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Speaker 1: I think he lived from South Carolina. Now, I mean

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Speaker 1: I have had the same cell phone number. We live

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Speaker 1: in the same house for I mean all these this

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Speaker 1: kid blight, so it ain't like he'll know where we live,

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Speaker 1: you know, damn? Sorry for now? Yeah? Hello, who's this yo? Yo?

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Speaker 1: Was popping with popping? You bless? Why you mad? Noah? Man? Man,

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Speaker 1: I got baby mama problems right now? Man going down? Man,

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Speaker 1: I think your baby mom just called now she can't

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Speaker 1: called it skaan woke, but he mad as hell though,

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Speaker 1: like you, I think I might end up on Roth Star.

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Speaker 1: I have faked a fight. I fight with my baby

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Speaker 1: mom with somebody else. One of my actors got got

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Speaker 1: kind of crazy on me and she wanted to fight

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Speaker 1: my baby mom. Star hooked her up to fight my

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Speaker 1: home girl who looked like her. And now somebody hopped

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Speaker 1: out a video tape to fight and they was yelling

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Speaker 1: at roth Star. And he don't try to clean it

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Speaker 1: up now, girl, no, no, he said, it was two

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Speaker 1: girls fighting. Were you going to jail for being the

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Speaker 1: dun king of a two girl fight? Nah? Why would

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Speaker 1: you do something like that because I'm trying to figure

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Speaker 1: out like I was trying to I was trying to

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Speaker 1: keep my baby mama out of it and keep the

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Speaker 1: eggs away from the baby mom. Yeah, it doesn't sound right, man,

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Speaker 1: so crazy off and I told her that my baby

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Speaker 1: mama was moving back in. So she wants to fight

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Speaker 1: the baby mom now because it is all your fault. Yeah,

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Speaker 1: it definitely does. Get it off your chest. Eight hundred

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Speaker 1: five eight five one o five one. If you're upset,

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Speaker 1: you need to vent hit this up now. Was the

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Speaker 1: Breakfast Club? Good morning? Everybody is DJ Enviy Angela Yee,

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Speaker 1: Charlomagne the guy. We are the Breakfast Club. We got

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Speaker 1: a special guest in the building. Good morning, welcome back.

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Speaker 1: I'm miss y'all. How are you boo? I am so good. Miss.

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Speaker 1: I can't believe this is your first album because it

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Speaker 1: feels like you didn't had your first My first album,

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Speaker 1: like real life, my first album. No man, EPs, I've

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Speaker 1: got two EPs. I've toured off from my EPs. Gonf

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Speaker 1: I've gone on like three tours off of my EPs. Wow,

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Speaker 1: well congratulate, I mean, listens, it worked. So why Atlantic

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Speaker 1: just decide and now saying, hey, you know what Seven

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Speaker 1: put the album out. You know what, it wasn't Atlantic,

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Speaker 1: It was me. Okay, um, you know, I just I

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Speaker 1: didn't feel like my album was completed. Chet. It was

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Speaker 1: very very very important for me to like, you know,

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Speaker 1: tell all of my truth on this album. It was

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Speaker 1: very important. Well, you started off really just talking about

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Speaker 1: things that you were going through. You said you decided

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Speaker 1: you wanted to call the album girl Disrupted. Yes, but

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Speaker 1: then you said your life really got disrupted? What happened?

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Speaker 1: Kah got disrupted? Um? Okay, I'm sorry, I'm sorry. You

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Speaker 1: know what the thing is, it wasn't necessarily um a man.

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Speaker 1: You know, like I say all the time, man, um,

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Speaker 1: I write a lot about you know, love and when

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Speaker 1: I go through a love and relationship and all of that.

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Speaker 1: But um, I just went through a lot over like

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Speaker 1: the last year and a half of my my life.

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Speaker 1: You know, I silently suffer with depression for like a

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Speaker 1: solid year and a half and didn't tell anybody my

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Speaker 1: mother what happened. So it's a lot of different things

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Speaker 1: in my life that changed, you know. Um, For one,

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Speaker 1: I lost my grandfather. That was extreme heart and we

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Speaker 1: lost them in a week. So that was really really hard. No,

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Speaker 1: thank you, we lost my grandfather in a week. Um.

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Speaker 1: You know, I haven't really told a lot of people,

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Speaker 1: but I found out that, um, you know, my sister

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Speaker 1: that has been my sister all my life for thirty years,

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Speaker 1: found out last Christmas that we have different fathers and

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Speaker 1: that the entire time her mother knew the truth, but

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Speaker 1: none of us knew. So that was really tough to

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Speaker 1: deal with. UM, you know, then dealing with you know,

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Speaker 1: it's still my sister and I still love her, but

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Speaker 1: it was really really tough to deal and it's still

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Speaker 1: really tough to deal with. Um. You know, obviously I

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Speaker 1: was in a very public relationship and so um, you know,

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Speaker 1: just kind of getting over that because I feel like,

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Speaker 1: at the same time, I still lost a friend that

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Speaker 1: was still a friend to me, Bob, that was still

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Speaker 1: my friend. It's not even that I'm just saying like

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Speaker 1: in terms of so it was just a lot of

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Speaker 1: different things. And I'm a cancer, i am. And then

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Speaker 1: on top of that, you know, I pour my everything

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Speaker 1: into my music, my career and anytime you you're working

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Speaker 1: one hundred and twenty percent and you just feel like

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Speaker 1: it's not in a place where you wanted to be. Um,

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Speaker 1: it just takes a toll on you. There were so

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Speaker 1: many different things that, um, you know, that really just

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Speaker 1: got got to me. And you know a couple of

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Speaker 1: people in my life that you know, I needed to um,

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Speaker 1: you know, kind of God separate ways from And that

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Speaker 1: was really tough too. So all of people reach out

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Speaker 1: to me saying that they represent you now as management. Yeah,

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Speaker 1: I was like, I've never known seven to have any

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Speaker 1: other managers other than Tina Davis, Yeah, and Brittany, So

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Speaker 1: that had to be tough for you. Yeah, that that

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Speaker 1: was really really tough. I mean, I definitely I love them.

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Speaker 1: I always loved them. For people who don't know who

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Speaker 1: Tina Davis is, she used to work at death Cham.

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Speaker 1: She found Chris Brown, Brown was sleeping with I don't

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Speaker 1: know anything about that, but she found Chris Brown and

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Speaker 1: was managing seven Street. So you got to a point

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Speaker 1: where you wanted to kill yourself. Yeah, it was a Yeah,

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Speaker 1: it was a lot I dealt with a whole whole

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Speaker 1: lot um and it was it was just a combination

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Speaker 1: of so many things, and um, you know through I

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Speaker 1: have a really great family. My mother is amazing. My

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Speaker 1: mother is a man of My aunt is my past out.

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Speaker 1: He's still married. She was like, I'm having her sister,

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Speaker 1: your mom with a little crap. But you're talking about

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Speaker 1: I have a side booth showing at My dad is

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Speaker 1: a very lucky man. They've been together thirty years. Mama

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Speaker 1: a very lucky man. But no man. But it was

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Speaker 1: just a number of different things, you know what I mean.

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Speaker 1: Like I said, career things, you know, love and type

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Speaker 1: of things. You know that by my sister that was

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Speaker 1: my grandfather. Just so many different things that just it

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Speaker 1: took its toll on me all at once. Did you

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Speaker 1: ever think for a second you was like, damn, like

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Speaker 1: Bill be believes in a flatter If I was giving

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Speaker 1: this man the poom poom? Did that ever bring you

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Speaker 1: down a little bit? Nah? Didn't bring me down for

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Speaker 1: what I mean, you know, those are his beliefs, ain't mine.

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Speaker 1: Did you get a therapy shoot shoes? Sorry? Shoot, I

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Speaker 1: tried it. I did. I tried. I tried it, and

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Speaker 1: I wasn't crazy about it, you know, But that to

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Speaker 1: each his own. It's not for everybody's not for me.

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Speaker 1: What I was you never know is what somebody's going

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Speaker 1: through because you know me, it's seven of friends, and

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Speaker 1: I had no idea. Yeah, like every time you see seven,

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Speaker 1: she's very upbeating. We've had some really fun times and

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Speaker 1: I never would have guessed that you were going through depression.

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Speaker 1: That's time saying you never know. It might look like, Okay,

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Speaker 1: seven came up in we drank with her and got

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Speaker 1: her drunk. Honestly, I have done that before. I definitely have. Um,

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Speaker 1: but I'll come up here. I have a good time

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Speaker 1: with y'all. Keep it light harder, I have a great time.

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Speaker 1: How to get over it? How do you get over everything? Um? Honestly,

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Speaker 1: you know what? Today I feel great good And I

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Speaker 1: mean to say that on the album too. Yeah, you

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Speaker 1: know what I mean. Like today I feel great and um,

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Speaker 1: I'm in a really good space because so many things

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Speaker 1: in my life. I figured out what my triggers were,

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Speaker 1: you know what I mean, And it's very important. I

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Speaker 1: figured out what my triggers were, and um, you know

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Speaker 1: I handled all all of them accordingly and dealt with

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Speaker 1: them and face them. And you know, I have a

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Speaker 1: really great family. Like I said, and they were praying

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Speaker 1: for me even when I didn't want to pray for myself.

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Speaker 1: So you know that always helps. No, that's okay. And

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Speaker 1: then you know, I write, and writing is super duper

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Speaker 1: therapeutic for me, like extremely therapeutic for me. But I

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Speaker 1: look about this album is when I listened to it,

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Speaker 1: I know which I can feel like I know what

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Speaker 1: you're talking about. Yeah, because if you know seven and

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Speaker 1: because she writes, saw her music and write for other people.

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Speaker 1: I'm listening to the music and I'm like, Okay, she's

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Speaker 1: talking about him. He's talking about this to you. Listen,

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Speaker 1: I talk about it all I said. I mean, I

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Speaker 1: would put it on my I G I'm like, look,

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Speaker 1: I'm probably gonna write a song about you at some point,

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Speaker 1: you know, I mean, because I tell all my own

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Speaker 1: business and records, you know what I mean. I just

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Speaker 1: it's it's very therapeutic for me. It works, all right.

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Speaker 1: We got more with Seven Streeted. When we come back.

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Speaker 1: It's the Breakfast Club morning, the Breakfast Club Winding. Everybody

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Speaker 1: is d J Envy, Angela Yee, Charlomagne, the guy we

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Speaker 1: are the breakfast Club. Seventh Streeted is in the building. Charlemagne.

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Speaker 1: Do you deal with colorism in the music industry because

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Speaker 1: we saw it? To Natcher say that you know that

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Speaker 1: we all you know, I always talk about that. Yeah,

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Speaker 1: I've always been very vocal about you know, I can't

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Speaker 1: speak about our experiences. I don't you know, I don't

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Speaker 1: know like that, but my experiences I've been dealing with

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Speaker 1: us since I was fifteen years old, and every and

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Speaker 1: every group that I have, you know, been in. You know,

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Speaker 1: I say it all the time is not coming from

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Speaker 1: a place of arrogance, but honesty when you know that

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Speaker 1: you can write or dance or saying just as well

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Speaker 1: as the next person, but you don't get that opportunity

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Speaker 1: because of you know, them feeling like someone who looks

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Speaker 1: a different type of way can sell you know, can

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Speaker 1: sell a record or sell a group you know better issues. Honestly,

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Speaker 1: I think that you know, the younger you are, the

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Speaker 1: tougher it is to deal with those types of things.

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Speaker 1: And my whole, my whole vibe right now, you just

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Speaker 1: gotta surround yourself with like good positive people. I don't

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Speaker 1: have time for anything else. I just don't you know

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Speaker 1: what I mean. Now, what's the situation with Chris Brown now,

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Speaker 1: because ye are you still like sign I know what

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Speaker 1: was your situation where you were signed to him? Okay,

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Speaker 1: are you still signed to Chris Brown? I believe I am. Honestly,

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Speaker 1: I need to check and see, but I think that

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Speaker 1: I am still signing him. I do, like I mean,

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Speaker 1: I'll be all the way honest and transparent. I love

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Speaker 1: him to death. We haven't worked together in a very

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Speaker 1: long time, you know, and I hate that that's the case.

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Speaker 1: But you know, there are other factors that are out

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Speaker 1: of our control. I don't really think that it necessarily

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Speaker 1: has anything to do with our personal you know, our personalation.

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Speaker 1: I think they're just so many different factors. But you know,

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Speaker 1: I love him. I wish him the best. You know,

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Speaker 1: he looks, he seems happy. He has a beautiful daughter,

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Speaker 1: So I'm happy for him. Nothing about Chris Brown that

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Speaker 1: says executive and I'm not. That's not a dis He

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Speaker 1: just don't seem like he's all the way together to

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Speaker 1: be running other people's career. Um, I will I will

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Speaker 1: say this in terms of my career and his input

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Speaker 1: in my career, He's been very instrumental. Um. You know,

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Speaker 1: like I said, even with it won't stop you know,

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Speaker 1: him getting on that record, him getting on don't kill

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Speaker 1: the fun, Like I sue, I always appreciate that the

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Speaker 1: number one song, Yeah, it was number one song. Like

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Speaker 1: you have artists who do this for years and never

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Speaker 1: get to have a number one record, So I'll always

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Speaker 1: be appreciative. That was Tina Davis that was running his

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Speaker 1: bit inside of those audists at the time, where it

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Speaker 1: wasn't no, that was Chris Yeah, like he was very

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Speaker 1: he was very hands on, like very very hands on,

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Speaker 1: because you know, you got an album up. I mean,

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Speaker 1: I'm I'm sure he does. He posted on the ground.

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Speaker 1: I don't think he has. You know what, Listen, it

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Speaker 1: doesn't matter to me. I'm I'm just really in a

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Speaker 1: good place with my own self. I love my album.

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Speaker 1: My fans are very happy with my album, and that's

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Speaker 1: really all that matters to me. Now, why album time, Like,

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Speaker 1: why was it important for you to put out an

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Speaker 1: album because you put out two EPs already? It was

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Speaker 1: important because, I mean, for one of my fans deserve it,

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Speaker 1: and um too, I've waited my entire life to put

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Speaker 1: out an album. EPs are cool. EPs are fun. I

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Speaker 1: love that lead up to an album, right, They're supposed

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Speaker 1: to lead up to an album. So um, and you

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Speaker 1: just you know, you get to put out more songs,

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Speaker 1: you get to be more creative. Like on this album,

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Speaker 1: I literally got to tell so many different sides of

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Speaker 1: my story. Like I said, I got songs about sex.

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Speaker 1: I got songs about you know, motivating yourself. I have

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Speaker 1: songs about um, you know obviously love and breakups and

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Speaker 1: all that makeups, all that good stuff. So you just

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Speaker 1: get to do lihere y'all a little more freedom. Boy.

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Speaker 1: I am thirty one years old. Um, I told my

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Speaker 1: mama had sex at sixty. Wow, yeah, take it. I mean,

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Speaker 1: like any other mother. She wasn't surprisingly, she wasn't angry

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Speaker 1: because of the way that she found out was through

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Speaker 1: like a hating friend, a girlfriend of mine, and she

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Speaker 1: just so did not appreciate the way that she found out.

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Speaker 1: And she we've always just had a really great relationship,

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Speaker 1: and so we sat down, we talked about it. Um,

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Speaker 1: and you know, unfortunately, the way that it happened for

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Speaker 1: my first time was not, Um, it wasn't that great.

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Speaker 1: It was actually really terrifying for me. Yeah. So nah,

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Speaker 1: it wasn't that. It was just a really uncomfortable situation.

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Speaker 1: Now won't. It's not you know, rape or anything. I

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Speaker 1: want to say. That wasn't that, but it was just

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Speaker 1: very very uncomfortable. Um and I was in a not

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Speaker 1: so great, you know situation. But my mother is has

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Speaker 1: always been very vocal, very transparent, like I never like,

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Speaker 1: you know, hid anything from me. So we've always had

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Speaker 1: the conte I don't think she told him initially. I

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Speaker 1: don't she give you any sex tips. Um. I remember

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Speaker 1: when I was like probably early early twenties. Um, oh,

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Speaker 1: she's gonna kill me, early twenties. But we definitely had

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Speaker 1: a conversation and how she didn't teach me how. No,

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Speaker 1: she didn't teach me how. But um, like I said,

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Speaker 1: she's very like laid all out on the table like

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Speaker 1: when once I became grown, it's like these things are

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Speaker 1: what goes down conversation. Um well, because I was like,

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Speaker 1: oh no, like to those when I was like, yeah,

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Speaker 1: I mean listen, yeah, basically we all been there. We

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Speaker 1: all been there conversation. Of course, I'm not gonna eat

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Speaker 1: the poem poem. I'm not gonna eat that, right, I

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Speaker 1: feel you. Yeah, so your mom, your mom not gonna

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Speaker 1: give you all the tricks till you get married though. Really, Yeah,

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Speaker 1: she's gonna wait till you get married. Open up that

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Speaker 1: water Chester. It is how you keep me for thirty years.

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Speaker 1: I mean, I'm gonna need that. I'm gonna eat all

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Speaker 1: that advice. Mama coming here with her? Fine, so you

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Speaker 1: leave my mama alone moment here? Are getting anybody? Um?

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Speaker 1: It was so stupid. I'm gonna tell my day. Oh

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Speaker 1: you know they watch you in here. Mama. Remember when

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Speaker 1: I was like in my early twenties, you were telling

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Speaker 1: me that sex is a very it's an important part

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Speaker 1: of a relationship. It is you're married. It is different, Mommy.

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Speaker 1: She did not know it was important. Yeah, it was

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Speaker 1: important that it was. You know, it's important to get

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Speaker 1: fla nothing. No, nothing is to foul in the bedroom

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Speaker 1: when you're married. Yeah. So, oh so I told her,

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Speaker 1: I said, you're probably waiting until she gets married to

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Speaker 1: give her all the tricks. Yeah. She won't give me

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Speaker 1: all of me. She won't give me a let me.

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Speaker 1: She kill my daddy for thirty one years now about

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Speaker 1: thirty five, thirty five five, I'm here. Do you like

399
00:20:01,320 --> 00:20:05,040
Speaker 1: the guys that seven days until they hurt her? Because

400
00:20:05,080 --> 00:20:07,159
Speaker 1: I think she can choose. Well, you know, it's just

401
00:20:07,240 --> 00:20:09,119
Speaker 1: they just mess up. When you find out Bill be

402
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Speaker 1: believed in the flatter, what did you think? I'm an educator?

403
00:20:13,160 --> 00:20:14,960
Speaker 1: So hey, I just felt like you need to go

404
00:20:15,000 --> 00:20:19,119
Speaker 1: back to the book. Yeah, because that's not what he

405
00:20:20,320 --> 00:20:23,399
Speaker 1: Oh my gosh, I just think he's a little missing.

406
00:20:23,800 --> 00:20:26,159
Speaker 1: When you see Chris Brown do his antics and stuff.

407
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Speaker 1: Do you ever worry about seven being signed to him?

408
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Speaker 1: Absolutely not, because Chris and his personal life and the

409
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Speaker 1: things that he has experienced never affected her. He's always

410
00:20:39,119 --> 00:20:44,080
Speaker 1: shown her the utmost respect, said always, she's never seen

411
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Speaker 1: him do anything that she's nothing happened around you or

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Speaker 1: I literally can honestly say I've never seen him do

413
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Speaker 1: I relationship boys Seven Street albums out right now? Girls, Yeah, mama,

414
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Speaker 1: we appreciate you coming. Thank you because you gotta hide

415
00:21:04,480 --> 00:21:13,280
Speaker 1: that sign boom because you had married. There you go.

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Speaker 1: It's sand Street, It's the Breakfast Club, good More. It's

417
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Speaker 1: time to shoot your shot. To shoot your shot with

418
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Speaker 1: the Breakfast Club. Want chance, don't mess it up? Mess

419
00:21:29,040 --> 00:21:31,320
Speaker 1: it up, mess it up, mess it up. We got

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00:21:31,359 --> 00:21:34,320
Speaker 1: Manny on the mama. Manny, what's up? Man Hey, what's

421
00:21:34,320 --> 00:21:36,680
Speaker 1: going on? Guys? What's happening? Brother, how are you feeling

422
00:21:36,760 --> 00:21:40,440
Speaker 1: the day? I'm hopefully stilling better after this. Now you

423
00:21:40,440 --> 00:21:41,840
Speaker 1: want to shoot your shot? Who you want to shoot

424
00:21:41,840 --> 00:21:44,120
Speaker 1: your shot with? Bro? With this girl? Name with Rosa?

425
00:21:44,240 --> 00:21:47,280
Speaker 1: Tell Us about tell us about Rosa. I'm not at

426
00:21:47,320 --> 00:21:49,640
Speaker 1: a family party a couple of months ago. I think

427
00:21:49,680 --> 00:21:52,000
Speaker 1: she was like a friend of one of my cousins

428
00:21:52,040 --> 00:21:53,639
Speaker 1: or whatever that I don't get to see that often.

429
00:21:54,480 --> 00:21:57,440
Speaker 1: So things are going good. Got a couple of drinks

430
00:21:57,440 --> 00:21:59,920
Speaker 1: in us. We're out there on the dance floor, She's crying,

431
00:22:00,000 --> 00:22:03,680
Speaker 1: and then you know, everything's going good. I get her,

432
00:22:03,720 --> 00:22:07,800
Speaker 1: I get her her Instagram. I hit her up later on,

433
00:22:08,280 --> 00:22:10,280
Speaker 1: you know, hit her up in the DMS and got

434
00:22:10,280 --> 00:22:14,400
Speaker 1: her number. We started text team. It just hasn't progressed

435
00:22:14,400 --> 00:22:16,320
Speaker 1: from there, you know, I because you don't know how

436
00:22:16,320 --> 00:22:18,960
Speaker 1: to talk. You paused after every other word. You know

437
00:22:18,960 --> 00:22:20,399
Speaker 1: what I'm saying. The best thing for you to do

438
00:22:20,440 --> 00:22:23,439
Speaker 1: is probably text. You're probably a terrible conversational list. Why

439
00:22:23,480 --> 00:22:25,200
Speaker 1: would you want to progress what you did? You ask

440
00:22:25,200 --> 00:22:27,119
Speaker 1: her out mass I've tried to get with her a

441
00:22:27,119 --> 00:22:29,960
Speaker 1: couple of times. Just hasn't worked out. I mean, you

442
00:22:30,000 --> 00:22:34,040
Speaker 1: sound like you steam, you don't believe in yourself. Why

443
00:22:34,040 --> 00:22:36,960
Speaker 1: should she believe in your penis jeeves? Yeah, I believe

444
00:22:37,000 --> 00:22:39,320
Speaker 1: in my penish. Yeah, Manny, we need you to hype

445
00:22:39,320 --> 00:22:41,520
Speaker 1: it up. Man, you can't be kicking games. Sounded like this.

446
00:22:41,680 --> 00:22:43,520
Speaker 1: Look in the mirror and say you're the problem. You

447
00:22:43,600 --> 00:22:45,520
Speaker 1: the reason you can't get No, it seems like you

448
00:22:45,560 --> 00:22:47,520
Speaker 1: work better with liquor in your system. Though, all right,

449
00:22:47,520 --> 00:22:49,600
Speaker 1: that I could be a case. I could agree with that.

450
00:22:49,720 --> 00:22:51,960
Speaker 1: I mean, I what loose a little more? You got

451
00:22:51,960 --> 00:22:54,879
Speaker 1: some looking at the house now? Yeah, I need you

452
00:22:54,880 --> 00:22:56,840
Speaker 1: to take a few shots or something right now? Manny,

453
00:22:56,840 --> 00:22:58,760
Speaker 1: what do you Yeah? And call us back? Manny, what

454
00:22:58,800 --> 00:23:01,879
Speaker 1: are you gonna say to Rosa? Basically, let's get together.

455
00:23:01,920 --> 00:23:06,680
Speaker 1: We've been flirting back and forth. Let's just finally drink now.

456
00:23:08,640 --> 00:23:13,200
Speaker 1: Isnt now you got anything to do today? No, you

457
00:23:13,200 --> 00:23:18,560
Speaker 1: don't gotta drive nowhere nod go poured three shots of liquor,

458
00:23:18,840 --> 00:23:20,720
Speaker 1: shoot them right now. Go do it while you on

459
00:23:20,760 --> 00:23:23,240
Speaker 1: the phone. Go go right now, Hold on, hold on

460
00:23:23,280 --> 00:23:27,359
Speaker 1: hold that we're gonna get a soul's so easily influence.

461
00:23:27,400 --> 00:23:29,440
Speaker 1: I want to him take the shots. We got to

462
00:23:29,480 --> 00:23:31,040
Speaker 1: hear him take the shots. And then we go to

463
00:23:31,080 --> 00:23:33,919
Speaker 1: the song that might be that might be against a

464
00:23:33,960 --> 00:23:37,840
Speaker 1: protocol drinking nickel on air. But he's home, I know,

465
00:23:37,880 --> 00:23:39,640
Speaker 1: but we're not when we get when we get back,

466
00:23:39,720 --> 00:23:42,360
Speaker 1: let's hello, take a couple of Shotny and it will cool.

467
00:23:43,760 --> 00:23:46,200
Speaker 1: You poured the liquor. Oh yeah, let me let me

468
00:23:46,240 --> 00:23:50,320
Speaker 1: how you drink one? Okay, I don't believe him. He

469
00:23:50,400 --> 00:23:54,960
Speaker 1: was sucking. It's all good, brother, it's all good. We

470
00:23:55,040 --> 00:23:56,679
Speaker 1: want to come back. Let's play. So let him take

471
00:23:56,680 --> 00:23:58,720
Speaker 1: the shot. Go Rose it don't move. It's to breakfast club.

472
00:23:58,720 --> 00:24:02,199
Speaker 1: Good morning. Remember shoot shot. We have Manny on the line. Now,

473
00:24:02,240 --> 00:24:14,240
Speaker 1: Manny's gonna call Rosa gat Mannie. Hello, Hey, you don't

474
00:24:14,240 --> 00:24:18,720
Speaker 1: say how are you? It's Mannie O. Hi, Manny, how

475
00:24:18,760 --> 00:24:21,720
Speaker 1: are you? You? Rember me from the from the party

476
00:24:21,800 --> 00:24:24,960
Speaker 1: a couple of months ago. Yeah, I remember what? Um,

477
00:24:24,960 --> 00:24:27,640
Speaker 1: this is a different number. I just you know, I'm

478
00:24:27,720 --> 00:24:30,359
Speaker 1: at my friend's house and okay, I try I give

479
00:24:30,400 --> 00:24:32,840
Speaker 1: you a call. We haven't been able to connect, so

480
00:24:33,000 --> 00:24:39,600
Speaker 1: I was hoping that we could get together soon. Um, Mannie,

481
00:24:39,800 --> 00:24:43,359
Speaker 1: I don't know about this. I feel a little uh

482
00:24:43,600 --> 00:24:50,200
Speaker 1: weird with us talking. Okay, what's the ball? I mean, wait,

483
00:24:50,400 --> 00:24:55,800
Speaker 1: what do you realize that we are um cousin. Oh, well,

484
00:24:55,840 --> 00:25:00,200
Speaker 1: this is not going anywhere. No way, Nanny has gonna

485
00:25:00,200 --> 00:25:05,720
Speaker 1: talk to your cousins. But who is this? This is Manny?

486
00:25:05,760 --> 00:25:08,480
Speaker 1: You have multiple people on the Hello, come on, slow down,

487
00:25:08,480 --> 00:25:15,160
Speaker 1: It's not just multiple people. It's the breakfast club a god. Now, wait,

488
00:25:15,240 --> 00:25:18,560
Speaker 1: what do you mean we're related? So everybody calmed down,

489
00:25:18,640 --> 00:25:21,120
Speaker 1: Calm down. I am from South Carolina. I have experience

490
00:25:21,160 --> 00:25:24,320
Speaker 1: and humping cousins. Let's talk about this. Okay, what number

491
00:25:24,400 --> 00:25:28,440
Speaker 1: cousin are you? First? Second? Third? What is it? Well, Rosa, okay, no,

492
00:25:28,640 --> 00:25:30,639
Speaker 1: you got to notice what is wrong? That's a good question.

493
00:25:31,480 --> 00:25:33,600
Speaker 1: What is it? How does Manny not know this? But

494
00:25:33,760 --> 00:25:36,560
Speaker 1: Rosa knows it because my mom explained to me. I

495
00:25:36,920 --> 00:25:39,399
Speaker 1: had asked her, you know who is Manny to us? Like,

496
00:25:39,560 --> 00:25:41,879
Speaker 1: is he's just a friend, family friend? She's like, no,

497
00:25:42,000 --> 00:25:45,119
Speaker 1: he's your cousin. What kind of cousin? How much of

498
00:25:45,160 --> 00:25:48,760
Speaker 1: a cousin? Manny? You're you're not like blood related to

499
00:25:50,680 --> 00:25:57,640
Speaker 1: a weird So that's so you guys are cousins by marriage? Yeah?

500
00:25:57,960 --> 00:26:01,880
Speaker 1: But by marriage? Are y'all? Good man? You just you wait,

501
00:26:02,000 --> 00:26:04,320
Speaker 1: you didn't use did you know this though? Before all

502
00:26:04,320 --> 00:26:07,320
Speaker 1: the all the dancing and all the all the Texas. Manny,

503
00:26:07,359 --> 00:26:09,239
Speaker 1: you know who's drunk. I was. I did not know

504
00:26:09,359 --> 00:26:12,920
Speaker 1: you from Adam. I wish Manny is drunk right now, Adam, listen.

505
00:26:13,680 --> 00:26:16,040
Speaker 1: I don't think it matters. I've had sex with my

506
00:26:16,080 --> 00:26:18,760
Speaker 1: cousin before and it's one of those things names. Shut up.

507
00:26:19,920 --> 00:26:21,920
Speaker 1: This happened in months corner, South Carolina, and you find

508
00:26:21,960 --> 00:26:23,840
Speaker 1: out after the fact somebody be like, yo, you want

509
00:26:23,880 --> 00:26:25,600
Speaker 1: some older relatives like yo, you know what? That's y'all

510
00:26:25,640 --> 00:26:29,639
Speaker 1: cousin me and curl Rocca. Cousins, well, not like first cousins.

511
00:26:29,680 --> 00:26:32,640
Speaker 1: Second cousins don't really mean nothing unless they like your

512
00:26:32,640 --> 00:26:37,120
Speaker 1: mama's brother sisters, cadge man cattle titles on first cousins

513
00:26:37,160 --> 00:26:39,840
Speaker 1: matter first. Second is a little sketchy. You know what

514
00:26:39,920 --> 00:26:42,840
Speaker 1: I'm saying. Cousins is Okayard cousins, you can get that off.

515
00:26:42,840 --> 00:26:44,600
Speaker 1: I wear a condomy just the case you don't want

516
00:26:44,600 --> 00:26:47,919
Speaker 1: you to. You guys aren't related by blood though, So

517
00:26:48,000 --> 00:26:50,720
Speaker 1: do you just not like Manny? No? I do? I

518
00:26:50,840 --> 00:26:55,320
Speaker 1: like Manny Um? I just it. I did bose fum

519
00:26:55,480 --> 00:26:58,400
Speaker 1: when that happened. When my mom told me you're you're

520
00:26:59,240 --> 00:27:04,680
Speaker 1: you're my cousins. Cousin, Yeah, Rosa, let's start no chair,

521
00:27:04,760 --> 00:27:10,159
Speaker 1: were perfect cattle ten ax, don't contingule? How about we? Uh?

522
00:27:10,640 --> 00:27:12,280
Speaker 1: Can I give you a call later and you'll pick

523
00:27:12,359 --> 00:27:17,399
Speaker 1: up this boy? I would not. Y'all don't need to

524
00:27:17,400 --> 00:27:19,359
Speaker 1: be having no conversations with each other. Y'all just need

525
00:27:19,400 --> 00:27:22,240
Speaker 1: to text each other, right, each other letters. There's nothing

526
00:27:22,280 --> 00:27:24,360
Speaker 1: It might be a great couple. Y'all. You know your

527
00:27:24,440 --> 00:27:27,280
Speaker 1: kids are gonna be the slowest talking kids on the planet.

528
00:27:28,000 --> 00:27:30,840
Speaker 1: They don't talk. That fact. Don't need for you to.

529
00:27:32,119 --> 00:27:34,200
Speaker 1: Your accent is awful. I don't know you sound like

530
00:27:34,240 --> 00:27:40,320
Speaker 1: y'all commas after every word, Oh my god, bye, bye manny?

531
00:27:40,359 --> 00:27:44,200
Speaker 1: And what's the girl name? Rosa? Okay? Have a BLUs

532
00:27:44,680 --> 00:27:50,000
Speaker 1: I sail? We are the black. Why are you quoting Spanish? Spanish? No?

533
00:27:50,320 --> 00:27:54,280
Speaker 1: I know Spanish though? Why Why are they all sure

534
00:27:54,359 --> 00:27:57,800
Speaker 1: they Spanish? Rosa Spanish? Everybody can't really trust that. I

535
00:27:57,800 --> 00:27:59,960
Speaker 1: don't let your a A lot of people faking actually

536
00:28:00,240 --> 00:28:02,399
Speaker 1: listen that since the part hurricane to Puerto Rico, a

537
00:28:02,400 --> 00:28:03,960
Speaker 1: lot of people are faking actings and putting go fund

538
00:28:04,000 --> 00:28:07,439
Speaker 1: me links up. All right, well, we think Rosa Spanish? Okay, anyway,

539
00:28:07,480 --> 00:28:09,760
Speaker 1: when we come back and speaks, you know she does

540
00:28:09,840 --> 00:28:11,879
Speaker 1: speak Spanish? What you mean? Look at I say, you

541
00:28:11,960 --> 00:28:16,760
Speaker 1: said she is Spanish? What was I supposed to say Spanish? Nothing?

542
00:28:18,160 --> 00:28:22,879
Speaker 1: That's the point trying to make lego rumors on the way.

543
00:28:22,880 --> 00:28:27,000
Speaker 1: It's the breakfast What does that mean? Lest anyway, that's

544
00:28:27,000 --> 00:28:29,520
Speaker 1: all I'm swatching egg's determinating. I don't know what the

545
00:28:29,600 --> 00:28:39,960
Speaker 1: hell you quote right, it's the breakfast clogal morning. It's

546
00:28:40,040 --> 00:28:41,920
Speaker 1: time to shoot your shot. To shoot your shot with

547
00:28:42,040 --> 00:28:45,120
Speaker 1: the breakfast club. You want chance? Don't mess it up?

548
00:28:45,400 --> 00:28:47,760
Speaker 1: Mess it up, mess it up, mess it up. We

549
00:28:47,880 --> 00:28:51,280
Speaker 1: have Ashley on the line. Ashley, Hey, Hey, what's up?

550
00:28:51,720 --> 00:28:53,840
Speaker 1: What's up? Ashley? How are you bo what's going on?

551
00:28:54,160 --> 00:28:56,239
Speaker 1: You shave your legs at this morning? Stop it now?

552
00:28:56,320 --> 00:28:58,280
Speaker 1: As who do you want to shoot your shot with

553
00:28:58,760 --> 00:29:02,040
Speaker 1: my ax? You know? Okay? Wh Why did y'all break up?

554
00:29:02,440 --> 00:29:05,920
Speaker 1: You know? I think it was my fault. Anybody listening,

555
00:29:06,040 --> 00:29:09,080
Speaker 1: any lady's out there listening, and your man cheaps know

556
00:29:09,360 --> 00:29:11,200
Speaker 1: that you played a role in it, like I wasn't

557
00:29:11,240 --> 00:29:14,200
Speaker 1: giving him enough attenion. I work all the time. Oh

558
00:29:14,880 --> 00:29:17,400
Speaker 1: like your victim blaming booth so actually he cheated on you,

559
00:29:17,520 --> 00:29:20,040
Speaker 1: but it's your faults. He cheated on you. Yeah, you

560
00:29:20,160 --> 00:29:22,480
Speaker 1: gotta make sure that you take your home first. She

561
00:29:22,600 --> 00:29:24,120
Speaker 1: got a point. I mean, it's just like be for

562
00:29:24,120 --> 00:29:26,480
Speaker 1: a woman. Sometimes women they say they cheating because they

563
00:29:26,480 --> 00:29:28,560
Speaker 1: wasn't getting what they want wanted from a man. So yeah,

564
00:29:28,680 --> 00:29:30,160
Speaker 1: they can work both when it more of a like

565
00:29:30,280 --> 00:29:33,520
Speaker 1: conversation that you guys have of him, maybe perhaps breaking

566
00:29:33,640 --> 00:29:35,840
Speaker 1: up instead of cheating or saying I'm not getting what

567
00:29:35,960 --> 00:29:38,880
Speaker 1: I need. I mean, sometimes that's kind of fuzzy, right.

568
00:29:38,920 --> 00:29:41,120
Speaker 1: I mean, it's a little stuck together for five years,

569
00:29:42,000 --> 00:29:44,280
Speaker 1: and it's not always easy to be like, hey, you

570
00:29:44,360 --> 00:29:47,160
Speaker 1: know what, maybe this isn't working. Sometimes it's just easier

571
00:29:47,240 --> 00:29:52,240
Speaker 1: to just, you know, go be with somebody else real quick. True. True, true,

572
00:29:52,800 --> 00:29:55,480
Speaker 1: of course that's easier. But relationships doesn't always mean taking

573
00:29:55,520 --> 00:29:57,880
Speaker 1: the easy way up. I mean, yeah, I just I

574
00:29:58,000 --> 00:29:59,800
Speaker 1: recognize this hard and all I know is I want

575
00:29:59,840 --> 00:30:02,600
Speaker 1: my back. And it's not like y'all was married. You

576
00:30:02,640 --> 00:30:04,280
Speaker 1: know what I'm saying. You like a car that he

577
00:30:04,400 --> 00:30:06,400
Speaker 1: was test driving. He went to go test driving another

578
00:30:06,440 --> 00:30:08,080
Speaker 1: one to see if he wanted to buy that one.

579
00:30:08,400 --> 00:30:10,680
Speaker 1: You know, I'm just here's the thing Astley. It's fine

580
00:30:10,760 --> 00:30:12,480
Speaker 1: if your boyfriend cheats on you and you want to

581
00:30:12,520 --> 00:30:15,120
Speaker 1: get back together with him. Happens all the time every

582
00:30:15,200 --> 00:30:19,120
Speaker 1: day people stay together. But I don't know about blaming yourself.

583
00:30:19,840 --> 00:30:23,520
Speaker 1: He struggle. Jesus Christ. You shouldn't blame yourself though, Mama.

584
00:30:23,560 --> 00:30:25,840
Speaker 1: But you don't know what she did yet. But what

585
00:30:25,960 --> 00:30:30,440
Speaker 1: she wasn't doing? Hey, what did you always tell women

586
00:30:30,480 --> 00:30:33,320
Speaker 1: what your man don't do, another man will right same thing?

587
00:30:33,680 --> 00:30:35,120
Speaker 1: What does that mean that you would That mean you

588
00:30:35,160 --> 00:30:37,600
Speaker 1: would be justified too, because you weren't spending enough time,

589
00:30:37,720 --> 00:30:40,280
Speaker 1: so therefore he wasn't spending enough time with you. Um,

590
00:30:40,480 --> 00:30:41,920
Speaker 1: you know no, I was just working all the time.

591
00:30:41,920 --> 00:30:44,680
Speaker 1: I'm a nurse. I was just trying to like get

592
00:30:44,720 --> 00:30:47,120
Speaker 1: as much money as possible. And he wasn't working at

593
00:30:47,120 --> 00:30:49,000
Speaker 1: the time. Never. And you ain't never get that man

594
00:30:49,040 --> 00:30:51,160
Speaker 1: a warm scrub down. You ain't never walking there and

595
00:30:51,200 --> 00:30:53,080
Speaker 1: see if he needs some tending to. But you're so

596
00:30:53,200 --> 00:30:55,720
Speaker 1: big watching everybody else. Well, he wasn't even working. He

597
00:30:55,760 --> 00:30:57,600
Speaker 1: could watch himself. Now, what makes him so good that

598
00:30:57,640 --> 00:31:00,760
Speaker 1: you want to back? Mama? You know, love is real.

599
00:31:01,240 --> 00:31:03,960
Speaker 1: I miss him. I don't even come on do it

600
00:31:04,040 --> 00:31:06,320
Speaker 1: for the challenge right now. I know. Come on, come on,

601
00:31:07,080 --> 00:31:09,200
Speaker 1: all right, you know what, Let's just ask you. Let's

602
00:31:09,240 --> 00:31:10,920
Speaker 1: just call him. I want to see all right you

603
00:31:11,040 --> 00:31:13,680
Speaker 1: hold on, okay, okay, now watch You're about to hear

604
00:31:13,680 --> 00:31:16,800
Speaker 1: a whole another story from this guy. Hold on about Ashley.

605
00:31:16,960 --> 00:31:18,920
Speaker 1: Hold on, We're gonna call him when we come back.

606
00:31:18,960 --> 00:31:21,160
Speaker 1: Keep it locked. As to Breakfast Club, Good morning morning.

607
00:31:21,200 --> 00:31:24,560
Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We

608
00:31:24,640 --> 00:31:26,960
Speaker 1: are the Breakfast Club. Now we're in the middle of

609
00:31:27,000 --> 00:31:28,960
Speaker 1: a shoot your shot. We have Ashley on the line,

610
00:31:29,000 --> 00:31:31,120
Speaker 1: and Ashley wants to shoot her shot with her ex.

611
00:31:31,480 --> 00:31:33,800
Speaker 1: His name is Nino. All right, it's up to you, asked,

612
00:31:33,880 --> 00:31:48,240
Speaker 1: Let's call him. Hello? What up? You know? How are you?

613
00:31:49,520 --> 00:31:53,840
Speaker 1: What up? What's good? Due? You? Sounds so cold? You know' listen?

614
00:31:55,240 --> 00:31:57,840
Speaker 1: Come on, man, you already know the deal to doing

615
00:31:57,880 --> 00:32:01,080
Speaker 1: it crazy all the time for real? I mean, okay,

616
00:32:01,360 --> 00:32:03,560
Speaker 1: but I'm off of it. I'm off it. I miss you,

617
00:32:03,920 --> 00:32:08,040
Speaker 1: and I want us to talk about working out. Oh man, See,

618
00:32:08,080 --> 00:32:11,080
Speaker 1: we're gonna go down this road again, right No, I'm no,

619
00:32:11,280 --> 00:32:13,360
Speaker 1: we're not. We're just gonna go down to different roads.

620
00:32:13,440 --> 00:32:16,720
Speaker 1: It's just Listen, we are so good together. And I've

621
00:32:16,760 --> 00:32:19,120
Speaker 1: been out here, I've been by myself, and I don't

622
00:32:19,120 --> 00:32:21,800
Speaker 1: think I'm gonna find anybody this better than you. You

623
00:32:21,960 --> 00:32:24,400
Speaker 1: really just missed the D. That's all it is. No,

624
00:32:24,840 --> 00:32:27,920
Speaker 1: that's not all it is. No that I mean, maybe

625
00:32:27,920 --> 00:32:31,600
Speaker 1: a little bit, but that's not holl ofhead. This guy

626
00:32:31,760 --> 00:32:33,880
Speaker 1: is what it is. You already know that. Let me

627
00:32:33,920 --> 00:32:38,960
Speaker 1: hear you say it. Say it? You really want me

628
00:32:39,040 --> 00:32:42,520
Speaker 1: to say it? Yeah, first you have to tell me

629
00:32:42,680 --> 00:32:45,200
Speaker 1: that we can be back together. This is sex. Not

630
00:32:45,440 --> 00:32:47,480
Speaker 1: first you guys, tell me how much you missed the pipe.

631
00:32:48,720 --> 00:32:52,440
Speaker 1: I miss the D. I can't hear you say it loud.

632
00:32:54,720 --> 00:32:58,800
Speaker 1: I miss you just a little bit of you. Tell

633
00:32:58,880 --> 00:33:00,880
Speaker 1: me how much you missed the pike. Actually tell him

634
00:33:00,920 --> 00:33:02,800
Speaker 1: how much you missed. I told you to do the

635
00:33:02,880 --> 00:33:06,240
Speaker 1: for the D challenge is disgusting. Disgusting. Section it is

636
00:33:06,280 --> 00:33:09,960
Speaker 1: not disgusting. How are you disgusting? First of all, this

637
00:33:10,080 --> 00:33:13,840
Speaker 1: is the Breakfast Club DJ and Angel Charlomagne and god, oh,

638
00:33:13,960 --> 00:33:16,680
Speaker 1: what's the guy's name? Nina? Nino? What's up? Brother? How

639
00:33:16,760 --> 00:33:21,520
Speaker 1: are you so? Nina? You I like your pimping? Yeah,

640
00:33:21,560 --> 00:33:23,160
Speaker 1: he got some good pimper I like your pimpan. You

641
00:33:23,240 --> 00:33:25,080
Speaker 1: know I told her before she called you that she

642
00:33:25,120 --> 00:33:26,840
Speaker 1: should do it for the d Challenge. She won't even

643
00:33:26,880 --> 00:33:29,160
Speaker 1: say it anyway. She did say it, not really, Yes

644
00:33:29,240 --> 00:33:30,960
Speaker 1: she did. She knew he was on the phone. We

645
00:33:31,000 --> 00:33:35,680
Speaker 1: wasn't on the phone. She didn't be like, I love you? No,

646
00:33:35,920 --> 00:33:38,080
Speaker 1: why'd you break up with? Why did you cheat on Ashley?

647
00:33:38,120 --> 00:33:41,800
Speaker 1: And what happened? Yo? Y'all look crazy as hell? Really

648
00:33:42,000 --> 00:33:46,120
Speaker 1: the Breakfast Club? Yes, yes, Nino man good one of

649
00:33:46,160 --> 00:33:49,800
Speaker 1: our listeners. Why did you cheat on Ashley? Yo? Actually

650
00:33:49,880 --> 00:33:52,560
Speaker 1: she'd be wilding out, man, you know, like she gets

651
00:33:52,600 --> 00:33:56,560
Speaker 1: crazy and she'd be accusing me, and so you didn't cheat? Like, Yo,

652
00:33:56,960 --> 00:33:58,520
Speaker 1: if you're going to accuse me, I may as well

653
00:33:58,600 --> 00:34:00,600
Speaker 1: do it. Nina, did you cheat? Has to know though,

654
00:34:01,760 --> 00:34:05,000
Speaker 1: I mean I did. I did. I'm not gonna lie

655
00:34:05,040 --> 00:34:07,720
Speaker 1: I did. But she wants to make her crazy anymore.

656
00:34:07,960 --> 00:34:09,760
Speaker 1: She wants you back, She wants to try it again.

657
00:34:09,880 --> 00:34:13,000
Speaker 1: She wants to start the relationship over and see where

658
00:34:13,040 --> 00:34:15,480
Speaker 1: it could go. It's kind of crazy, man, Like, we

659
00:34:15,560 --> 00:34:17,879
Speaker 1: gotta lay down some ground rules, like all that going

660
00:34:17,960 --> 00:34:21,040
Speaker 1: through my phone when I'm hanging out with my boys,

661
00:34:21,080 --> 00:34:23,440
Speaker 1: accusing me of being with other bitches. Excuse me, I

662
00:34:23,480 --> 00:34:26,120
Speaker 1: mean you have been with other girls. And let's lay

663
00:34:26,120 --> 00:34:28,000
Speaker 1: it down some ground rules for you. All that cheating

664
00:34:30,520 --> 00:34:33,520
Speaker 1: man cheated? How many times have you cheated? Sir? I

665
00:34:33,640 --> 00:34:40,200
Speaker 1: mean you know all that cheating? All right? Will you

666
00:34:40,280 --> 00:34:44,439
Speaker 1: get back together with Askeley's the question. I ain't gonna

667
00:34:44,520 --> 00:34:48,040
Speaker 1: front man. I see it freak, you know, so you know,

668
00:34:48,160 --> 00:34:50,560
Speaker 1: and I do miss her, you know. But also you

669
00:34:50,640 --> 00:34:52,400
Speaker 1: want to do enough? Now you want to do it

670
00:34:52,480 --> 00:34:56,000
Speaker 1: for the challenge. Yeah, I'll give it another shot. There

671
00:34:56,040 --> 00:35:01,480
Speaker 1: you go, all right, ask me, listen, ask judgment. This

672
00:35:01,520 --> 00:35:03,640
Speaker 1: is what y'all should do to make this official. As

673
00:35:03,840 --> 00:35:05,759
Speaker 1: should do it for the D Challenge. Nino should do

674
00:35:05,760 --> 00:35:09,919
Speaker 1: it for the Poom Poom challenge. Right now, actually, happy

675
00:35:13,000 --> 00:35:16,640
Speaker 1: that you got some ball? Happy you know you got

676
00:35:16,680 --> 00:35:21,279
Speaker 1: some balls for that boom boom, Come on, ask she

677
00:35:21,360 --> 00:35:25,200
Speaker 1: got she gotta go first? Though, for real? Well, I

678
00:35:25,280 --> 00:35:31,279
Speaker 1: gotta go first, ladies already said y'all crazy? Why do

679
00:35:31,360 --> 00:35:33,919
Speaker 1: I have to go first? Go ahead? One? Two, three? Girl?

680
00:35:34,040 --> 00:35:42,040
Speaker 1: Go boom? Hit the beat envy? Okay, got you shot

681
00:35:42,120 --> 00:35:49,680
Speaker 1: for that? I can't even live for that. That's your SCD.

682
00:35:51,520 --> 00:35:55,719
Speaker 1: Come on for that club and free style for that.

683
00:35:58,840 --> 00:36:01,600
Speaker 1: I called you up, and I don't know work for that,

684
00:36:02,640 --> 00:36:05,759
Speaker 1: and you know, and I know I ain't with that.

685
00:36:06,120 --> 00:36:10,480
Speaker 1: That gets Trash where you gotta be out of your mind.

686
00:36:10,560 --> 00:36:12,120
Speaker 1: If you think I want you back, you know, I

687
00:36:12,239 --> 00:36:16,279
Speaker 1: just call because I wanted everybody to hear that you

688
00:36:17,040 --> 00:36:26,800
Speaker 1: and your trash as huh wanted me what That's what

689
00:36:26,920 --> 00:36:33,640
Speaker 1: I'm talking about. Oh my god, I questioning, asked for

690
00:36:33,800 --> 00:36:42,560
Speaker 1: asked me as audible was down twenty eight three, and

691
00:36:42,760 --> 00:36:46,240
Speaker 1: she came back and asked, give it up. Oh my god,

692
00:36:46,320 --> 00:36:50,640
Speaker 1: as Nina yet, did Trash give it a fash carti

693
00:36:50,840 --> 00:37:01,319
Speaker 1: cardi cart noom because she dissed you. Trash drove one

694
00:37:01,400 --> 00:37:05,240
Speaker 1: a clue bomb for the heavyweight champion of the world. Astutely,

695
00:37:05,360 --> 00:37:16,080
Speaker 1: God damn it, Lord, nobody that trash Ashley. You're crazy. Absolutely.

696
00:37:16,320 --> 00:37:18,440
Speaker 1: I love you, girl. I don't even know you, and

697
00:37:18,560 --> 00:37:22,320
Speaker 1: I love you. You are my level of petty boot.

698
00:37:22,719 --> 00:37:25,880
Speaker 1: All right, Michelle Obama said, when they go low, we

699
00:37:26,000 --> 00:37:27,719
Speaker 1: go high. But sometimes you gotta take it to the

700
00:37:27,800 --> 00:37:31,080
Speaker 1: floor with him. You took it to the goddamn that's

701
00:37:31,160 --> 00:37:35,920
Speaker 1: the al just now, Oh my god, all right, thank you,

702
00:37:36,760 --> 00:37:40,319
Speaker 1: May God forever bless you. Absolutely stop it. Oh my god,

703
00:37:40,400 --> 00:37:56,279
Speaker 1: Oh my goodness. All right, oh my god, you get you.

704
00:38:02,080 --> 00:38:04,600
Speaker 1: I'm gonna fatten all that around your They want this

705
00:38:04,719 --> 00:38:08,359
Speaker 1: man to donton blowers. Many waited for Charlomagne to tops

706
00:38:09,000 --> 00:38:10,719
Speaker 1: have to make a judgment. Who was going to be

707
00:38:10,800 --> 00:38:13,680
Speaker 1: on the Donkey of the Day. They chose you, the

708
00:38:13,719 --> 00:38:16,399
Speaker 1: Breakfast Club bitch, Who's Donkey of the day to day?

709
00:38:17,560 --> 00:38:19,880
Speaker 1: All right, listen, man, Charlomagne the God here. I'm on

710
00:38:20,040 --> 00:38:22,319
Speaker 1: vacation until twenty and eighteen. I don't give a damn

711
00:38:22,360 --> 00:38:24,680
Speaker 1: what y'all think about that, because I deserve it. Now.

712
00:38:24,800 --> 00:38:26,640
Speaker 1: The Breakfast Club is in eighty plus markets in a

713
00:38:26,640 --> 00:38:28,120
Speaker 1: one hundred and fifty country, so we have a lot

714
00:38:28,160 --> 00:38:30,360
Speaker 1: of new listeners who probably don't even know who Charlomagne

715
00:38:30,400 --> 00:38:33,080
Speaker 1: the God is. So use my time off to catch

716
00:38:33,160 --> 00:38:36,080
Speaker 1: up on some of my past work. Okay, okay, if

717
00:38:36,120 --> 00:38:38,120
Speaker 1: you knew here, I do a segment every day called

718
00:38:38,200 --> 00:38:40,480
Speaker 1: Donkey of to Day donkey as in jackass, and that's

719
00:38:40,520 --> 00:38:42,760
Speaker 1: when I give someone the credit they deserve for being stupid.

720
00:38:42,840 --> 00:38:44,880
Speaker 1: So if you never heard of it, this is new

721
00:38:44,920 --> 00:38:46,400
Speaker 1: to you. But if you are a regular listener, and

722
00:38:46,520 --> 00:38:48,839
Speaker 1: this is an oldie but goody because it's the best

723
00:38:48,920 --> 00:38:51,160
Speaker 1: of the Donkey of the day. Donkey to Day goes

724
00:38:51,200 --> 00:38:53,640
Speaker 1: to sports journalists Jason Lee Whitlocke. If you don't know

725
00:38:53,640 --> 00:38:55,719
Speaker 1: who Jason Whitlocke is, here is the co host of

726
00:38:55,760 --> 00:38:58,080
Speaker 1: a deadly sports TV show that I never heard of

727
00:38:58,200 --> 00:39:01,080
Speaker 1: called Speak for Yourself on Fox Watch one now Fix

728
00:39:01,120 --> 00:39:03,280
Speaker 1: Sports one has been in the news because Colin Coward

729
00:39:03,560 --> 00:39:05,920
Speaker 1: had Laval ball on this showing. Laval got into an

730
00:39:05,960 --> 00:39:09,120
Speaker 1: exchange with Kristen Lahey, also a Fox Sports one played

731
00:39:09,160 --> 00:39:11,640
Speaker 1: that real quick to refresh everyone's memory. Have you sold

732
00:39:11,719 --> 00:39:14,520
Speaker 1: the shoes yet? Yeah? I sold a good amount to me.

733
00:39:14,800 --> 00:39:19,719
Speaker 1: How many stay in your name? I don't even worry

734
00:39:19,719 --> 00:39:24,319
Speaker 1: about her over there every speaking of sault right man? Hey,

735
00:39:24,440 --> 00:39:27,160
Speaker 1: My problem is you are a hate her. I never

736
00:39:27,280 --> 00:39:30,520
Speaker 1: disrespect women. But I tell you what, you act like

737
00:39:30,640 --> 00:39:33,360
Speaker 1: that something's coming to you and it's okay? Do you

738
00:39:33,520 --> 00:39:36,160
Speaker 1: do you think? Wait? Are you threatening me? Okay? Now?

739
00:39:36,239 --> 00:39:38,680
Speaker 1: I gave Christian Lahey Dunky to Day for those comments

740
00:39:38,719 --> 00:39:41,520
Speaker 1: because that is textbook. Let me weaponize my whiteness to

741
00:39:41,600 --> 00:39:44,240
Speaker 1: demonize the black man. Anybody who can't see that doesn't

742
00:39:44,280 --> 00:39:46,120
Speaker 1: want to see it, and I said during Dunky to

743
00:39:46,160 --> 00:39:48,200
Speaker 1: Day that she played the race card by accident. I

744
00:39:48,239 --> 00:39:50,520
Speaker 1: don't even know if she weaponized her whiteness on purpose,

745
00:39:50,600 --> 00:39:53,080
Speaker 1: but that's what she did, and I stand by my statement.

746
00:39:53,280 --> 00:39:55,960
Speaker 1: That's the same kind of energy that got Emmett Tael killed.

747
00:39:56,040 --> 00:39:58,239
Speaker 1: You got these idiots who want to say, how can

748
00:39:58,280 --> 00:40:00,759
Speaker 1: you compare laval Ball to Emmettael. I'm not comparing lava

749
00:40:00,880 --> 00:40:03,719
Speaker 1: Ball to Emmettail. I'm simply saying the same weaponizing of

750
00:40:03,800 --> 00:40:06,800
Speaker 1: whiteness to demonize the black man is what got Emmett

751
00:40:06,800 --> 00:40:09,799
Speaker 1: Till killed. That's the same energy Christine Lahey gave out

752
00:40:10,000 --> 00:40:12,799
Speaker 1: in the middle of that exchange. Yes, that man says

753
00:40:12,880 --> 00:40:15,040
Speaker 1: you're gonna get what's coming to you, Christine Lahy. That's

754
00:40:15,080 --> 00:40:17,720
Speaker 1: him simply saying comment is gonna come your way based

755
00:40:17,719 --> 00:40:19,880
Speaker 1: off the comments you've made about him and how he

756
00:40:20,000 --> 00:40:22,880
Speaker 1: raised his kids. But Christine, by your logic, if you

757
00:40:23,040 --> 00:40:26,759
Speaker 1: think that's a threat, then Jason Whitlock definitely threatened me

758
00:40:26,920 --> 00:40:29,920
Speaker 1: yesterday on Colin Cowwood Show to her, can we play that?

759
00:40:30,239 --> 00:40:35,640
Speaker 1: Charlomagne na God has come at Christine in a totally unprofessional, dangerous,

760
00:40:35,960 --> 00:40:39,040
Speaker 1: irresponsible way. Some of this is fun in a racial

761
00:40:39,160 --> 00:40:42,880
Speaker 1: way that I think it's difficult for white people to handle.

762
00:40:43,160 --> 00:40:46,000
Speaker 1: This is my area of expertise. I'm gonna go at

763
00:40:46,160 --> 00:40:50,360
Speaker 1: Charlomagne the God and all these idiots. The Breakfast Club

764
00:40:50,800 --> 00:40:55,320
Speaker 1: is the most powerful popular urban radio show in America

765
00:40:55,400 --> 00:40:58,040
Speaker 1: in New York, LA based. Yes, but it's a national show.

766
00:40:58,120 --> 00:41:00,640
Speaker 1: It's serious. Exit he needs to be dealt with, and

767
00:41:00,719 --> 00:41:02,880
Speaker 1: he's gonna get dealt with. When I stero sex m with,

768
00:41:03,000 --> 00:41:05,279
Speaker 1: iHeart damn it, I'm gonna be dealt with if I

769
00:41:05,360 --> 00:41:07,720
Speaker 1: need to be dealt with. That is a threat, Jason Whitlock.

770
00:41:07,760 --> 00:41:09,960
Speaker 1: If you think what laval Ball said to your precious

771
00:41:10,040 --> 00:41:12,319
Speaker 1: Christine Lady is a threat, then you see and you're

772
00:41:12,320 --> 00:41:15,000
Speaker 1: gonna deal with me is absolutely a threat. Jason Whitlock

773
00:41:15,080 --> 00:41:17,000
Speaker 1: said that I am spinning this in a racial way

774
00:41:17,040 --> 00:41:18,680
Speaker 1: that is hard for white people to handle. You know

775
00:41:18,680 --> 00:41:21,120
Speaker 1: why it's hard for white people to handle because waste

776
00:41:21,160 --> 00:41:24,080
Speaker 1: of good black skin like you, Jason Whitlock, get around

777
00:41:24,120 --> 00:41:26,800
Speaker 1: these Caucasians and corporate settings and don't tell the truth.

778
00:41:27,239 --> 00:41:29,319
Speaker 1: How it's gonna make racial progress in this country if

779
00:41:29,320 --> 00:41:31,640
Speaker 1: we don't communicate tell him the truth, same way Christian

780
00:41:31,719 --> 00:41:34,680
Speaker 1: Lahey can say what makes her uncomfortable? I can point out,

781
00:41:34,680 --> 00:41:37,120
Speaker 1: as a black man, what makes me uncomfortable? And Christian

782
00:41:37,200 --> 00:41:40,600
Speaker 1: Lahey demonizing laval Ball and weaponizing her whiteness by saying

783
00:41:40,680 --> 00:41:43,120
Speaker 1: this man was threatening her when he clearly wasn't makes

784
00:41:43,160 --> 00:41:45,720
Speaker 1: me uncomfortable. And yes, I use the example of Mtel

785
00:41:45,800 --> 00:41:48,000
Speaker 1: because that's the same kind of energy that got him killed.

786
00:41:48,320 --> 00:41:50,680
Speaker 1: News like that wouldn't be hard for white people to handle.

787
00:41:50,760 --> 00:41:54,000
Speaker 1: Jason Whitlock, if negroes in position like you to tell

788
00:41:54,080 --> 00:41:56,200
Speaker 1: them the truth told him the truth. But you're too

789
00:41:56,239 --> 00:41:59,239
Speaker 1: busy attacking black people and demonizing us that you don't

790
00:41:59,239 --> 00:42:01,440
Speaker 1: seem to understan and that Malcolm X once said, if

791
00:42:01,440 --> 00:42:03,840
Speaker 1: you're not careful, the newspapers will have you hating the

792
00:42:03,840 --> 00:42:06,040
Speaker 1: people who are being impressed and loving the people who

793
00:42:06,080 --> 00:42:08,640
Speaker 1: are doing the oppressing. Well, it's twenty seventeen. If Malcolm

794
00:42:08,760 --> 00:42:11,200
Speaker 1: was alive, he wouldn't say newspaper, he would say media,

795
00:42:11,320 --> 00:42:13,480
Speaker 1: and he would be talking directly the negroes like you.

796
00:42:13,680 --> 00:42:16,160
Speaker 1: Because when Jason Whitlock got on his show Speak for Yourself,

797
00:42:16,400 --> 00:42:19,480
Speaker 1: along with Eric Davis, Chris Bassad and the Damsel and

798
00:42:19,560 --> 00:42:23,040
Speaker 1: distressed Christen Lahy, he said this Charlomagne the God did

799
00:42:23,120 --> 00:42:25,719
Speaker 1: a commentary label in you the donkey of the day,

800
00:42:26,239 --> 00:42:28,600
Speaker 1: and this kind of set me over the top because

801
00:42:28,680 --> 00:42:32,360
Speaker 1: he went as far as to analogize this to what

802
00:42:32,520 --> 00:42:35,839
Speaker 1: happened with Emmett Till. For Charlomagne the Guy to use

803
00:42:35,960 --> 00:42:40,000
Speaker 1: his platform, the most powerful urban hip hop station in

804
00:42:40,080 --> 00:42:43,840
Speaker 1: America with a huge following, to throw that kind of

805
00:42:44,000 --> 00:42:48,359
Speaker 1: heat on you when your intentions weren't malicious at all.

806
00:42:49,200 --> 00:42:52,719
Speaker 1: Your interaction with LaVar Ball was in disrespectful at all.

807
00:42:53,080 --> 00:42:54,600
Speaker 1: For him to throw that kind of heat on you

808
00:42:54,760 --> 00:42:58,120
Speaker 1: and your family, this is ridiculous and it plays into

809
00:42:58,200 --> 00:43:01,440
Speaker 1: a racial politics that has gotten out of handle via

810
00:43:01,560 --> 00:43:06,399
Speaker 1: social media. Charlemagne, stop it, grow up, be a man.

811
00:43:06,840 --> 00:43:10,360
Speaker 1: You don't need that to build your following social media

812
00:43:10,640 --> 00:43:15,000
Speaker 1: people over Twitter. Please stop and think we're being racially

813
00:43:15,080 --> 00:43:19,160
Speaker 1: divided for no reason for the entertainment of people over

814
00:43:19,280 --> 00:43:24,480
Speaker 1: Twitter and Instagram. This needs to stop. This was never

815
00:43:24,640 --> 00:43:27,040
Speaker 1: supposed to be a war, and it's turned into it.

816
00:43:27,280 --> 00:43:29,080
Speaker 1: It was never supposed to work between me and LaVar,

817
00:43:29,440 --> 00:43:32,600
Speaker 1: between me and Charlotte Mene the God, and now it's

818
00:43:32,640 --> 00:43:35,120
Speaker 1: turned into that. It's It's not a war on race.

819
00:43:35,239 --> 00:43:38,840
Speaker 1: It's not a racial discussion. It's not a feminist discussion.

820
00:43:39,000 --> 00:43:42,080
Speaker 1: It was about respect. And to Charlotte Mene the God,

821
00:43:42,400 --> 00:43:44,120
Speaker 1: I would love to go on your show. I've actually

822
00:43:44,200 --> 00:43:46,520
Speaker 1: been a fan of the Breakfast Club and if we

823
00:43:46,640 --> 00:43:48,960
Speaker 1: can have a healthy conversation about this and make them

824
00:43:49,000 --> 00:43:50,920
Speaker 1: good come out of it, let's do it. Put some

825
00:43:51,040 --> 00:43:54,040
Speaker 1: respect on my name. Oh my good. Now, Jason Whitlock

826
00:43:54,120 --> 00:43:56,200
Speaker 1: has the nerve the unmitigated God to say what I

827
00:43:56,239 --> 00:43:59,520
Speaker 1: said was irresponsible, inappropriate, dangerous, out of bounds, even as

828
00:43:59,560 --> 00:44:01,719
Speaker 1: the nerves say that I don't have to demonize someone.

829
00:44:01,920 --> 00:44:04,400
Speaker 1: But not once did you check Christine Lahy for demonides

830
00:44:04,400 --> 00:44:06,879
Speaker 1: and laval Ball. Not once did you tell Christine Lahe

831
00:44:07,000 --> 00:44:09,719
Speaker 1: that her demonization of laval Ball is dangerous. And Eric

832
00:44:09,800 --> 00:44:12,320
Speaker 1: Davis and Christo Sad I'm disappointed in you both because

833
00:44:12,400 --> 00:44:14,360
Speaker 1: not once did either one of you. Need girl speak

834
00:44:14,440 --> 00:44:16,760
Speaker 1: up and try to explain to the damsel in distress

835
00:44:17,000 --> 00:44:18,960
Speaker 1: why she was in the wrong. Even if you feel

836
00:44:19,000 --> 00:44:20,719
Speaker 1: like laval Ball was in the wrong, do you think

837
00:44:20,800 --> 00:44:22,920
Speaker 1: her playing the victim, in positioning herself like she was

838
00:44:22,960 --> 00:44:25,520
Speaker 1: in some sort of danger from the big scary black man,

839
00:44:25,719 --> 00:44:28,160
Speaker 1: was Okay, y'all keep screaming about lack of respect for

840
00:44:28,280 --> 00:44:30,960
Speaker 1: Christine Lahy. But on that show, to her, she's positioned

841
00:44:31,000 --> 00:44:32,600
Speaker 1: in the back of the bus. You want people to

842
00:44:32,640 --> 00:44:34,479
Speaker 1: look her in the eyes and talk to her. How

843
00:44:35,080 --> 00:44:36,920
Speaker 1: what guests has eyes in the back of the head.

844
00:44:36,960 --> 00:44:39,000
Speaker 1: If you respect her so much, position at the way,

845
00:44:39,040 --> 00:44:40,839
Speaker 1: she's a real part of the show and guests don't

846
00:44:40,840 --> 00:44:43,040
Speaker 1: have to break their neck to talk to her. Hey, Christine,

847
00:44:43,160 --> 00:44:44,680
Speaker 1: the last thing I have to say to you is

848
00:44:44,880 --> 00:44:46,759
Speaker 1: the way they have you positions in that room is

849
00:44:46,760 --> 00:44:49,080
Speaker 1: how they feel you should be positions in life. Okay,

850
00:44:49,160 --> 00:44:51,839
Speaker 1: behind the guys, way off to the side. But if

851
00:44:51,960 --> 00:44:54,160
Speaker 1: that it's not about you right now, it's about Jason Whitlock.

852
00:44:54,320 --> 00:44:56,399
Speaker 1: Jason Whitlock, you have the nerve to talk about someone

853
00:44:56,520 --> 00:45:00,520
Speaker 1: being inappropriate, irresponsible, dangerous, out of bounds. Jason Whitlock, have

854
00:45:00,600 --> 00:45:03,719
Speaker 1: you met yourself? Okay? I remember an article you wrote

855
00:45:03,840 --> 00:45:06,920
Speaker 1: about Serena Williams calling her an underachiever. Of Serena Williams

856
00:45:06,960 --> 00:45:09,480
Speaker 1: the greatest tennis player of all time, top five athletes

857
00:45:09,520 --> 00:45:12,560
Speaker 1: of all time, regardless agenda, you said she was an underachiever.

858
00:45:12,840 --> 00:45:15,879
Speaker 1: One of your lines from that article was, seriously, how

859
00:45:16,000 --> 00:45:19,160
Speaker 1: else can Serena fill out her side sixteen shorts without

860
00:45:19,320 --> 00:45:23,480
Speaker 1: grazing at her stall between matches. Jason Whitlock said, Serena

861
00:45:23,520 --> 00:45:26,759
Speaker 1: Williams has chosen to smother her athletic gifts into an

862
00:45:26,880 --> 00:45:30,880
Speaker 1: unsightly layer of thick muscular blubber, a by product of

863
00:45:30,960 --> 00:45:33,719
Speaker 1: her unwillingness to commit to a training regiment and diet.

864
00:45:33,920 --> 00:45:35,680
Speaker 1: All of this is coming from a man who waddles

865
00:45:35,719 --> 00:45:37,839
Speaker 1: when he walks, A man who looks like he has

866
00:45:37,880 --> 00:45:40,399
Speaker 1: to concentrate with every breath he takes, has the nerve

867
00:45:40,520 --> 00:45:43,000
Speaker 1: the body shame Serena Williams. But that's what you do,

868
00:45:43,200 --> 00:45:46,440
Speaker 1: Jason Whitlock. You love tearing down black excellence. You always

869
00:45:46,440 --> 00:45:49,160
Speaker 1: ascribe to demonize black people in the media for absolutely

870
00:45:49,239 --> 00:45:51,560
Speaker 1: no reason. Let's run through a few of him, shall we.

871
00:45:51,840 --> 00:45:54,879
Speaker 1: I just told you about Serena well. Jason Whitlock also

872
00:45:54,960 --> 00:45:58,120
Speaker 1: had something negative to say about Lebron James equality commercial.

873
00:45:58,440 --> 00:45:59,880
Speaker 1: How do you speak out about a man who did

874
00:45:59,920 --> 00:46:03,000
Speaker 1: a commercial encouraging equality. Let's hear what he said about Lebron.

875
00:46:03,320 --> 00:46:07,359
Speaker 1: My point about Lebron James and I don't think people

876
00:46:07,400 --> 00:46:14,600
Speaker 1: are getting his athletic privilege and wealth define him more

877
00:46:15,280 --> 00:46:21,239
Speaker 1: than the poverty and or racism that he experienced growing up.

878
00:46:21,719 --> 00:46:26,600
Speaker 1: And therefore, if you buy that, you'll understand my analogy

879
00:46:26,680 --> 00:46:29,960
Speaker 1: and why I say he's no different than Donald Trump.

880
00:46:30,520 --> 00:46:33,640
Speaker 1: My amatil analogy is crazy. But Lebron is like Donald

881
00:46:33,680 --> 00:46:37,680
Speaker 1: Trump house way. Lebron is about building bridges, bringing people together.

882
00:46:37,760 --> 00:46:40,120
Speaker 1: Donald Trump builds walls. He wants to keep people divided.

883
00:46:40,239 --> 00:46:43,120
Speaker 1: Howard he remotely the same. Jason Whitlock also doesn't think

884
00:46:43,320 --> 00:46:47,279
Speaker 1: Colin Kaepernick is authentic. Let's hear it should have sincerity,

885
00:46:47,640 --> 00:46:51,080
Speaker 1: still be questions, and I think it's fair game. This

886
00:46:51,360 --> 00:46:57,080
Speaker 1: kid was about Instagram models, tattoos, his abs, and building

887
00:46:57,200 --> 00:47:00,440
Speaker 1: up the Colin Kaepernick brand until the very moment he

888
00:47:00,560 --> 00:47:03,960
Speaker 1: loses the starting quarterback job. And now he's out here

889
00:47:04,200 --> 00:47:08,279
Speaker 1: and he's Martin Luther Cornroll. I don't buy it. I

890
00:47:08,360 --> 00:47:10,520
Speaker 1: don't care all he's raising awareness for this or that.

891
00:47:11,440 --> 00:47:13,359
Speaker 1: See that rhetoric is dangerous because it makes it seem

892
00:47:13,360 --> 00:47:15,880
Speaker 1: like the issue that Colin Kaepernick was protesting isn't important.

893
00:47:16,000 --> 00:47:17,719
Speaker 1: If you're making the white people you work with feel

894
00:47:17,760 --> 00:47:20,640
Speaker 1: like Colin Kaepernick's protests aren't important, then by default you're

895
00:47:20,680 --> 00:47:23,360
Speaker 1: making what Colin Kaepernick is actually protesting, which is the

896
00:47:23,440 --> 00:47:26,400
Speaker 1: unarmed killing of people, especially people of colored by the police.

897
00:47:26,520 --> 00:47:29,000
Speaker 1: Seem not important, But Jason Whitlock, this is what you do.

898
00:47:29,480 --> 00:47:31,960
Speaker 1: It's just stick. This is how you get attention, attacking

899
00:47:32,040 --> 00:47:34,520
Speaker 1: demonized folks to a black and prominent in our community.

900
00:47:34,560 --> 00:47:36,880
Speaker 1: I refuse to believe you would come caping for a

901
00:47:36,960 --> 00:47:39,359
Speaker 1: woman of color the way you're caping for Christine. Lady.

902
00:47:39,440 --> 00:47:41,080
Speaker 1: See you keep telling me not to make this a

903
00:47:41,160 --> 00:47:43,520
Speaker 1: race thing, but the same way Christine Lahy used a

904
00:47:43,560 --> 00:47:47,120
Speaker 1: textbook example of weaponizing whiteness and demonizing blackness. You are

905
00:47:47,160 --> 00:47:50,279
Speaker 1: a textbook example of a twisted house slave. You are

906
00:47:50,320 --> 00:47:52,759
Speaker 1: Stephen and Django. You are doing what you have to

907
00:47:52,800 --> 00:47:54,839
Speaker 1: do to keep your white counterparts happy because you think

908
00:47:54,880 --> 00:47:56,919
Speaker 1: it gives you some sort of job security. I mean, look,

909
00:47:57,040 --> 00:47:59,480
Speaker 1: is documented that no black people at ESPN wanted to

910
00:47:59,520 --> 00:48:01,320
Speaker 1: work with you, so you went over to Fox Sports

911
00:48:01,400 --> 00:48:03,640
Speaker 1: one to be the white man's watched up. That's all

912
00:48:03,680 --> 00:48:05,200
Speaker 1: you do is ball can try to bite black people

913
00:48:05,560 --> 00:48:07,399
Speaker 1: on bead for the white man. Because if that wasn't

914
00:48:07,440 --> 00:48:09,880
Speaker 1: your agenda, you would have at least attempted to school

915
00:48:09,960 --> 00:48:13,040
Speaker 1: Christine Layhe on why her rhetoric was dangerous not just

916
00:48:13,160 --> 00:48:16,840
Speaker 1: to lava Ball, but historically why that type of energy

917
00:48:17,040 --> 00:48:19,480
Speaker 1: has been dangerous to black men in this country forever. Now,

918
00:48:19,600 --> 00:48:22,239
Speaker 1: Jason Whitlock, I know you threatened me and said I

919
00:48:22,360 --> 00:48:23,719
Speaker 1: was gonna be dealt with, but I need you to

920
00:48:23,760 --> 00:48:26,320
Speaker 1: have that same enthusiasm when it comes to dealing with

921
00:48:26,400 --> 00:48:28,839
Speaker 1: your obesity. Okay, you need to lose weight, my brother.

922
00:48:29,040 --> 00:48:31,120
Speaker 1: I right, Your first, last, and best love will always

923
00:48:31,160 --> 00:48:33,719
Speaker 1: be self love. And that's why you don't love anyone. Look,

924
00:48:33,800 --> 00:48:35,880
Speaker 1: Jason Whitlock is a house slave, but he don't love

925
00:48:35,920 --> 00:48:37,879
Speaker 1: the white man all. He doesn't tear down black people,

926
00:48:37,920 --> 00:48:39,480
Speaker 1: so we know he doesn't love us. But truth is,

927
00:48:39,560 --> 00:48:42,560
Speaker 1: Jason Whitlock doesn't love himself. If you loved himself, he

928
00:48:42,600 --> 00:48:45,040
Speaker 1: would lose weight. Hurt people, hurt people. And when you

929
00:48:45,120 --> 00:48:48,160
Speaker 1: are built like Cleveland Brown from Family Guy in real life,

930
00:48:48,440 --> 00:48:50,719
Speaker 1: nine times out of ten you're hurt. And you better

931
00:48:50,880 --> 00:48:53,319
Speaker 1: not get on Fox Sports one today and say our

932
00:48:53,400 --> 00:48:56,520
Speaker 1: body shamed you, because damn it, you body shamed Serena.

933
00:48:56,840 --> 00:48:58,799
Speaker 1: And I'm not going back and forth with you because

934
00:48:58,840 --> 00:49:01,239
Speaker 1: I know you eat this kind of attention up. I mean,

935
00:49:01,320 --> 00:49:04,240
Speaker 1: you eat everything up, but you really love dining on attention,

936
00:49:04,400 --> 00:49:06,719
Speaker 1: and I'm not giving you anymore until you lose two

937
00:49:06,840 --> 00:49:09,120
Speaker 1: hundred pounds. I refuse to go back and forth with

938
00:49:09,160 --> 00:49:10,920
Speaker 1: the man who doesn't love himself. Okay, I would not

939
00:49:11,040 --> 00:49:13,680
Speaker 1: take any critique from you serious until you take your

940
00:49:13,719 --> 00:49:16,720
Speaker 1: life serious and lose weight. Jason Whitlock, if you're confused

941
00:49:16,760 --> 00:49:19,040
Speaker 1: on what I'm telling you, it's simple, you're too fat

942
00:49:19,120 --> 00:49:21,680
Speaker 1: for for Dora, and I don't take fat house slaves

943
00:49:21,680 --> 00:49:23,960
Speaker 1: and for Dora seriously. I'm just using this as a

944
00:49:24,040 --> 00:49:26,400
Speaker 1: moment to teach you the white people you work with

945
00:49:26,600 --> 00:49:28,960
Speaker 1: that are confused about a lot of Christian lady. Situation

946
00:49:29,040 --> 00:49:31,640
Speaker 1: with laval Ball is so serious, and it's simply because

947
00:49:31,920 --> 00:49:33,759
Speaker 1: some white women in this country have a history of

948
00:49:33,840 --> 00:49:36,600
Speaker 1: weaponizing their whiteness to demonize the black man. And if

949
00:49:36,680 --> 00:49:39,640
Speaker 1: guys like Jason Whitlock can't convey that message, then guys

950
00:49:39,680 --> 00:49:42,360
Speaker 1: like Charlomagne that God can't please give the fat for

951
00:49:42,480 --> 00:49:45,520
Speaker 1: Dora wearing house slave. Jason Whitlock, the biggest Heath Hall Police,

952
00:49:49,400 --> 00:49:53,200
Speaker 1: the breakfast club. That's right, this is the breakfast club.

953
00:49:53,280 --> 00:49:56,600
Speaker 1: Good morning everybody, DJ M v ANGELI Ye Charlomagne, the

954
00:49:56,680 --> 00:50:00,319
Speaker 1: God now Charlemagne just gave donkey of the date from

955
00:50:00,360 --> 00:50:04,080
Speaker 1: door wearing house slave named Jason whitlock I don't have

956
00:50:04,120 --> 00:50:06,160
Speaker 1: anything else to say. I got my man, Corey Holcome here,

957
00:50:06,280 --> 00:50:10,560
Speaker 1: Cary home, come welcome, Good morning. He's a professional burper

958
00:50:12,560 --> 00:50:16,120
Speaker 1: anywhere from twenty to thirty times a day, um from

959
00:50:16,160 --> 00:50:19,439
Speaker 1: food to alcohol something he burping. Now do you think

960
00:50:19,760 --> 00:50:22,120
Speaker 1: he is what they call Uncle Tom? Were definitely at

961
00:50:22,160 --> 00:50:25,919
Speaker 1: Uncle Tom everything he says. He's looking for approval from

962
00:50:26,400 --> 00:50:30,319
Speaker 1: um Caucasian people. I want, I want to do those

963
00:50:30,360 --> 00:50:32,880
Speaker 1: guys know that Caucasian people see it. They're like, wow,

964
00:50:33,040 --> 00:50:36,360
Speaker 1: you really it's button deal. That's a fact. And you

965
00:50:36,440 --> 00:50:38,719
Speaker 1: know what Caucasian people don't like Uncle Tom's I'm gonna

966
00:50:38,719 --> 00:50:40,600
Speaker 1: tell you why, because if you don't love your own people,

967
00:50:40,719 --> 00:50:42,239
Speaker 1: it's only a matter of time you turn on them.

968
00:50:42,440 --> 00:50:44,680
Speaker 1: All intelligent people know if you don't love yourself that

969
00:50:44,840 --> 00:50:46,160
Speaker 1: you know what I'm saying, you don't love them. So

970
00:50:46,480 --> 00:50:49,279
Speaker 1: no matter how Jason Whitlocke tries to get cool with

971
00:50:49,440 --> 00:50:52,399
Speaker 1: them or whatever, I'm just saying, you're making a food

972
00:50:52,440 --> 00:50:54,360
Speaker 1: out yourself. You're making the food out your people, and

973
00:50:54,400 --> 00:50:55,960
Speaker 1: you're making the food out of everything that has to

974
00:50:56,000 --> 00:50:57,600
Speaker 1: do with it. I watched the people he attacked a

975
00:50:57,680 --> 00:51:02,560
Speaker 1: tack Lebron James Sweena Williams and now Charlomagne and God,

976
00:51:02,600 --> 00:51:04,040
Speaker 1: it just makes him seem like he has a problem

977
00:51:04,120 --> 00:51:07,040
Speaker 1: deep down inside with himself. He cannot stand people who

978
00:51:07,080 --> 00:51:11,400
Speaker 1: can walk up a flight of stairs. He can he

979
00:51:11,560 --> 00:51:14,480
Speaker 1: just if you ever let him go on some stairs

980
00:51:14,560 --> 00:51:17,560
Speaker 1: behind you just look back room fair, you don't see him, Like,

981
00:51:20,520 --> 00:51:23,960
Speaker 1: what's your experience personally with Jason went? One day he

982
00:51:24,000 --> 00:51:25,600
Speaker 1: was in la and he needed a ride to the

983
00:51:25,680 --> 00:51:28,040
Speaker 1: hotel because he knew a friend of mine, and uh,

984
00:51:28,560 --> 00:51:30,360
Speaker 1: you know, he put him off on me, but I

985
00:51:30,520 --> 00:51:33,000
Speaker 1: was nice. I was like, oh that's dude, Okay. I

986
00:51:33,200 --> 00:51:35,560
Speaker 1: dropped him off at the hotel and I saw the

987
00:51:35,680 --> 00:51:38,240
Speaker 1: loneliness in his eye. It was like when we was driving,

988
00:51:38,440 --> 00:51:40,719
Speaker 1: I didn't even have my radio on, but that incredible

989
00:51:40,800 --> 00:51:44,920
Speaker 1: Holk music was playing. Yeah, that same music around around.

990
00:51:47,040 --> 00:51:48,640
Speaker 1: He really wanted me to be like, hey, you want

991
00:51:48,640 --> 00:51:51,320
Speaker 1: to go to the bar zone, But I was just like, no,

992
00:51:51,480 --> 00:51:54,400
Speaker 1: let Menna drop you off, dude. I hope the elevator

993
00:51:54,440 --> 00:51:56,920
Speaker 1: ain't working in the hotel. Are gotta make me get

994
00:51:56,960 --> 00:52:00,279
Speaker 1: out and get my phone? Out. Watch you walk up

995
00:52:00,280 --> 00:52:02,040
Speaker 1: this stair, but I hope you're on the second flow.

996
00:52:02,280 --> 00:52:03,920
Speaker 1: Let's go to the full line. People want to talk.

997
00:52:04,000 --> 00:52:06,799
Speaker 1: Eight hundred five eighty five, one oh five one. Hello,

998
00:52:06,880 --> 00:52:09,239
Speaker 1: who's this? Hey, we're gonna understand. Hey. What do you

999
00:52:09,320 --> 00:52:11,719
Speaker 1: think of Jason with locks commins? Man? What I think

1000
00:52:11,880 --> 00:52:13,680
Speaker 1: is man, I put him on the same level with

1001
00:52:13,800 --> 00:52:16,360
Speaker 1: Ben Carson. He has no idea of what's going on, like,

1002
00:52:16,480 --> 00:52:19,239
Speaker 1: he has no idea what the black community goes through.

1003
00:52:19,560 --> 00:52:22,359
Speaker 1: He doesn't understand what the black community is doing. It's

1004
00:52:22,360 --> 00:52:25,160
Speaker 1: such as LaVar Ball. The only reason you feel that

1005
00:52:25,600 --> 00:52:27,600
Speaker 1: she is right and then is a threat because he

1006
00:52:27,719 --> 00:52:30,120
Speaker 1: went into her. How many shoes he sold? The only

1007
00:52:30,239 --> 00:52:32,400
Speaker 1: way to white man is still straightened. The black man

1008
00:52:32,520 --> 00:52:34,600
Speaker 1: is making money and they didn't know how he's making money.

1009
00:52:34,719 --> 00:52:36,560
Speaker 1: All right, thank you man. What do you think of

1010
00:52:36,640 --> 00:52:38,880
Speaker 1: LaVar Ball? I think he's a cocky guy, but I

1011
00:52:39,000 --> 00:52:41,200
Speaker 1: love what he's doing for his kids. You put it

1012
00:52:41,280 --> 00:52:42,799
Speaker 1: in the you put it, you put it right. Man.

1013
00:52:42,840 --> 00:52:44,880
Speaker 1: I think like if I was his friend, I'll be like, hey,

1014
00:52:44,920 --> 00:52:47,000
Speaker 1: cool out a little bit a little bit. But we

1015
00:52:47,160 --> 00:52:50,400
Speaker 1: behind LaVar Ball. Man. I like his swag. You know,

1016
00:52:50,480 --> 00:52:52,399
Speaker 1: he went on the show, old girl who was trying

1017
00:52:52,400 --> 00:52:55,080
Speaker 1: to get at him with all that negativity and try

1018
00:52:55,120 --> 00:52:56,759
Speaker 1: to hang him in the room making saying like he

1019
00:52:56,840 --> 00:52:58,840
Speaker 1: did something. He was just like this with her, like

1020
00:52:58,920 --> 00:53:01,200
Speaker 1: I would be if she was talking crazy about me, right,

1021
00:53:01,239 --> 00:53:03,319
Speaker 1: I would love him. We see what goes on when

1022
00:53:03,360 --> 00:53:06,400
Speaker 1: somebody tells crazy on your show. We need to get

1023
00:53:06,440 --> 00:53:07,719
Speaker 1: we need to get to go to run up on

1024
00:53:08,239 --> 00:53:15,799
Speaker 1: Jason Whitlock Show one time five five, one to five,

1025
00:53:15,840 --> 00:53:17,960
Speaker 1: when Corey Hole comes in the building, was still taking

1026
00:53:18,000 --> 00:53:21,440
Speaker 1: your phone calls. It's the Breakfast Clo morning. Everybody is

1027
00:53:21,520 --> 00:53:24,600
Speaker 1: DJ Envy, Angela Yee, Charlomagne the guy. We are the

1028
00:53:24,680 --> 00:53:27,480
Speaker 1: breakfast Club now if you just join us. Charlomagne gave

1029
00:53:27,600 --> 00:53:30,279
Speaker 1: Donkey up the day to Jason Whitlock. Yes, sir, I

1030
00:53:30,400 --> 00:53:32,520
Speaker 1: call him a fat for door wearing house slave. And

1031
00:53:32,600 --> 00:53:34,719
Speaker 1: I'm not going back and forth with Jason. I challenged him.

1032
00:53:34,800 --> 00:53:35,920
Speaker 1: If you want to go back and forth with me,

1033
00:53:35,960 --> 00:53:37,759
Speaker 1: you got to lose two hundred pounds. Now, what if

1034
00:53:37,760 --> 00:53:39,640
Speaker 1: they want to come on the show. I don't think

1035
00:53:39,680 --> 00:53:42,120
Speaker 1: that's because now we've talked before about engaging with people

1036
00:53:42,239 --> 00:53:44,680
Speaker 1: who might have a different point of view and kind

1037
00:53:44,719 --> 00:53:48,000
Speaker 1: of having conversations with every If we bring Christin Lady

1038
00:53:48,040 --> 00:53:49,600
Speaker 1: on the show, I got to bring on Angela Ry

1039
00:53:49,719 --> 00:53:52,560
Speaker 1: up here to for woman to woman to tell her

1040
00:53:52,960 --> 00:53:55,719
Speaker 1: why her weaponizing her whiteness to demonize the black man

1041
00:53:55,840 --> 00:53:59,280
Speaker 1: is wrong. Okay Angela, Ye, she could do it exactly.

1042
00:53:59,320 --> 00:54:02,480
Speaker 1: That's why I want to woman exactly. I mean, we

1043
00:54:02,560 --> 00:54:05,320
Speaker 1: were gonna have Tommy Lauren up here before she canceled.

1044
00:54:05,760 --> 00:54:08,560
Speaker 1: God works a mysterious way. She canceled, and we haven't

1045
00:54:08,719 --> 00:54:12,400
Speaker 1: made that mistake yet. Now we have Corey Hole come

1046
00:54:12,440 --> 00:54:14,440
Speaker 1: in to building now, eight hundred and five eighty five

1047
00:54:14,480 --> 00:54:15,800
Speaker 1: one on five one. A lot of people on the

1048
00:54:15,880 --> 00:54:18,839
Speaker 1: line want to give their view on Jason Whitlocks comments, Hello,

1049
00:54:18,920 --> 00:54:23,200
Speaker 1: who's this? What do you think of? John Whitlocks comments

1050
00:54:23,280 --> 00:54:25,880
Speaker 1: Jason Witlox Thommas. But I think, really I think he

1051
00:54:26,040 --> 00:54:27,800
Speaker 1: was just reaching and the fact that he tried to

1052
00:54:27,840 --> 00:54:30,200
Speaker 1: send anything about Charlotae man I really think he was

1053
00:54:30,280 --> 00:54:32,320
Speaker 1: just like, because he was on that show trying to

1054
00:54:32,400 --> 00:54:34,640
Speaker 1: appeal to her, is not really listening to what Charlotte

1055
00:54:34,640 --> 00:54:36,640
Speaker 1: Mane said. He was just trying to admit tick and

1056
00:54:36,760 --> 00:54:39,400
Speaker 1: the whole immag til thing and then just take that

1057
00:54:39,520 --> 00:54:42,759
Speaker 1: and run with it. Basically, he just Okay, you got

1058
00:54:42,800 --> 00:54:48,040
Speaker 1: the attention you wanted them. Sure, Hello, who's this? Hey? Chells?

1059
00:54:48,040 --> 00:54:49,800
Speaker 1: What do you think? What's the comments on Jason Witlock.

1060
00:54:49,960 --> 00:54:52,080
Speaker 1: I just want to shout out charlote Man for really

1061
00:54:52,320 --> 00:54:55,239
Speaker 1: addressing these real issues because the things that he is

1062
00:54:55,320 --> 00:54:59,360
Speaker 1: saying are cries out for attention, like in order to

1063
00:54:59,520 --> 00:55:03,600
Speaker 1: defend Christina, and I feel like Charlomagne broke it down

1064
00:55:03,760 --> 00:55:07,480
Speaker 1: with research and facts to back up his pettiness, to

1065
00:55:07,680 --> 00:55:09,800
Speaker 1: let him know that what he's doing is not okay,

1066
00:55:11,080 --> 00:55:13,680
Speaker 1: it was a little pettiness. He of course, y'all know

1067
00:55:13,760 --> 00:55:16,239
Speaker 1: I'm the petty God. Come on now, I'm petty of course,

1068
00:55:16,360 --> 00:55:19,760
Speaker 1: but God, you have to sometimes you have to because

1069
00:55:19,840 --> 00:55:21,640
Speaker 1: they will get away with the things that they do,

1070
00:55:22,000 --> 00:55:24,080
Speaker 1: and if there's not people like Charlomagne to call you

1071
00:55:24,280 --> 00:55:27,360
Speaker 1: out on the bs that's going on, then it'll just

1072
00:55:27,520 --> 00:55:29,600
Speaker 1: slide by. And I just want to say thank you

1073
00:55:29,719 --> 00:55:32,480
Speaker 1: because for people of color all over the world, like

1074
00:55:32,880 --> 00:55:35,879
Speaker 1: we need somebody defending us, Thank you mama. And that's

1075
00:55:35,880 --> 00:55:37,719
Speaker 1: why it's so crazy when he says it's hard for

1076
00:55:37,800 --> 00:55:40,719
Speaker 1: white people to understand the things that I'm saying. If

1077
00:55:40,800 --> 00:55:42,399
Speaker 1: it wouldn't be if you would just tell the truth

1078
00:55:42,440 --> 00:55:44,279
Speaker 1: to him when you up there. That's real man. He

1079
00:55:44,400 --> 00:55:47,560
Speaker 1: mad because he got that dip in his bed already.

1080
00:55:47,640 --> 00:55:49,440
Speaker 1: Know when you see him walk, Yeah, he got that

1081
00:55:49,520 --> 00:55:51,920
Speaker 1: dip in his bid right in the middle. And it

1082
00:55:52,040 --> 00:55:54,000
Speaker 1: ain't come It ain't come from being with a woman

1083
00:55:55,360 --> 00:55:57,640
Speaker 1: that when he real tired and he falling that bed,

1084
00:55:57,800 --> 00:56:00,719
Speaker 1: that difference ain't going away. And I ain't gonna you

1085
00:56:00,760 --> 00:56:03,759
Speaker 1: gotta start over with a new bed. I want to know,

1086
00:56:04,280 --> 00:56:08,399
Speaker 1: are you an ariz cool? Now? There lots of people

1087
00:56:08,440 --> 00:56:10,000
Speaker 1: might not know because he wasn't in the show. Sorry

1088
00:56:10,040 --> 00:56:12,120
Speaker 1: Oldham got a show called the fifty one fifty Show.

1089
00:56:12,200 --> 00:56:14,799
Speaker 1: Really good show you probably thought. On Tim's the young

1090
00:56:14,840 --> 00:56:17,520
Speaker 1: man named Zoe took off his glasses and swung a

1091
00:56:17,640 --> 00:56:21,759
Speaker 1: hundred punches at Aries probably landed too, said that he

1092
00:56:21,840 --> 00:56:25,880
Speaker 1: was drunk during the interview. Aries came in acting up.

1093
00:56:26,040 --> 00:56:28,520
Speaker 1: He was drunk, and uh, you know he was. He

1094
00:56:28,600 --> 00:56:30,799
Speaker 1: was embarrassed. So that's why I do want to say

1095
00:56:30,840 --> 00:56:32,640
Speaker 1: this because I haven't had a chance to talk to him.

1096
00:56:33,160 --> 00:56:35,279
Speaker 1: But I'm not mad at you. Aries. That threatened the

1097
00:56:35,360 --> 00:56:37,360
Speaker 1: message you left on my phone. I know he was

1098
00:56:37,480 --> 00:56:40,440
Speaker 1: just embarrassed if I if I took if I took

1099
00:56:40,520 --> 00:56:42,640
Speaker 1: him seriously, I'll be looking for him. You know what

1100
00:56:42,680 --> 00:56:44,839
Speaker 1: I'm saying. But I know what I see you at

1101
00:56:45,880 --> 00:56:50,640
Speaker 1: my Goods from Brooklyn. You ain't got no goods. He was,

1102
00:56:51,280 --> 00:56:52,680
Speaker 1: you know when I helped him up off the floor.

1103
00:56:52,760 --> 00:56:56,719
Speaker 1: I just never felt a man so soft. You see,

1104
00:56:56,800 --> 00:56:59,920
Speaker 1: y'all y'all only saw the fight. The video got cut off.

1105
00:57:00,040 --> 00:57:02,720
Speaker 1: He kept hitting him till he failed to the punches.

1106
00:57:04,520 --> 00:57:07,120
Speaker 1: He blocked the punches, he failed to the floor, and

1107
00:57:07,239 --> 00:57:08,840
Speaker 1: I helped him up because I didn't want him to

1108
00:57:08,840 --> 00:57:11,520
Speaker 1: get beat up. But uh, he was just really gooey

1109
00:57:11,640 --> 00:57:13,400
Speaker 1: when I helped him up. I never felt the man

1110
00:57:13,480 --> 00:57:21,840
Speaker 1: that's soft. Wow, you ain't never did him put up? Yeah? Yeah,

1111
00:57:22,320 --> 00:57:24,480
Speaker 1: you didn't cost money to file a law stude. Everyones

1112
00:57:24,520 --> 00:57:27,440
Speaker 1: ain't got money to be fighting no lawsuit about some

1113
00:57:27,640 --> 00:57:30,760
Speaker 1: dude doing a internet show out of storage that people

1114
00:57:30,800 --> 00:57:32,680
Speaker 1: would be like, get out off. And then you talked

1115
00:57:32,680 --> 00:57:34,640
Speaker 1: to Zoe about you know, you gotta let you know

1116
00:57:34,720 --> 00:57:36,800
Speaker 1: the people at your interview say what they want. You

1117
00:57:36,880 --> 00:57:38,960
Speaker 1: just can't beat up everybody. Yeah, yeah, but this is

1118
00:57:39,000 --> 00:57:41,800
Speaker 1: what wasn't said. Just like that lady who they never

1119
00:57:41,880 --> 00:57:43,560
Speaker 1: say what they did. It just like they were just

1120
00:57:43,560 --> 00:57:45,640
Speaker 1: talking about what Charlotte Magne did the whole show. He

1121
00:57:45,720 --> 00:57:49,120
Speaker 1: kept touching them during the breaks. He was very disrespectful,

1122
00:57:49,160 --> 00:57:50,720
Speaker 1: you know, and he was he was just a bad

1123
00:57:50,800 --> 00:57:53,680
Speaker 1: guy while he was up there. So uh, it led

1124
00:57:53,800 --> 00:57:57,480
Speaker 1: up to all that. But we get emotional sometimes you

1125
00:57:57,520 --> 00:57:59,160
Speaker 1: know you're only gonna push this but too far. And

1126
00:57:59,320 --> 00:58:01,480
Speaker 1: I told Zoe Man, I bought this equipment. What if

1127
00:58:01,520 --> 00:58:03,480
Speaker 1: y'all taught this equipment? Because that was the main thing

1128
00:58:03,560 --> 00:58:05,919
Speaker 1: I was working. I was worried about, don't break the desk.

1129
00:58:06,560 --> 00:58:08,120
Speaker 1: You know what I'm saying. But you know, aries I

1130
00:58:08,240 --> 00:58:11,400
Speaker 1: love you, man. Just be for real. If you be

1131
00:58:11,520 --> 00:58:13,440
Speaker 1: for real, you won't have nothing to be embarrassed about it,

1132
00:58:13,440 --> 00:58:15,320
Speaker 1: no matter what happened. If you get beat up for

1133
00:58:15,400 --> 00:58:17,440
Speaker 1: being for real, there's nothing to be embarrassed about real.

1134
00:58:17,680 --> 00:58:20,000
Speaker 1: Right now, How do you feel about these men arounders

1135
00:58:20,800 --> 00:58:23,280
Speaker 1: that He's been very into the rob him they gotta

1136
00:58:23,320 --> 00:58:25,680
Speaker 1: be baggy, Okay, so you're into it if it's baggy,

1137
00:58:26,000 --> 00:58:28,400
Speaker 1: well yeah, if it's baggy, I might pull one off.

1138
00:58:28,440 --> 00:58:31,000
Speaker 1: But I'm weird though I didn't wouldn't wait, no robam

1139
00:58:31,040 --> 00:58:34,560
Speaker 1: cor I we I would wear it just for the

1140
00:58:34,680 --> 00:58:38,480
Speaker 1: response talk about me, because I know how to signify,

1141
00:58:40,120 --> 00:58:43,840
Speaker 1: but I can't win a tight one off, almost like

1142
00:58:43,920 --> 00:58:47,240
Speaker 1: a mechanic or something like that. Lad if you want

1143
00:58:47,240 --> 00:58:49,280
Speaker 1: to get him a gift for Christmas, he's looking for

1144
00:58:49,360 --> 00:58:53,960
Speaker 1: a baggy. We appreciate you for joining us, bro. That's right,

1145
00:58:53,960 --> 00:58:56,120
Speaker 1: and I want to say that all the ladies out there.

1146
00:58:56,560 --> 00:58:59,919
Speaker 1: Real love is taking that burner phone number and earning

1147
00:59:00,080 --> 00:59:03,000
Speaker 1: your way to the real phone. Oh my goodness, all right,

1148
00:59:03,280 --> 00:59:06,240
Speaker 1: let's the Breakfast Club. Good morning, the Breakfast Club.