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Speaker 1: Hi, I'm Jay Farner, CEO of Quicken Loans. Thirty percent

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Speaker 1: A better idea maybe to take cash out of your

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Speaker 1: home with a Quicken Loans thirty year fixed rate mortgage.

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Speaker 1: The rate today in our thirty year fixed rate mortgage

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Speaker 1: is four and a half percent a p R four

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Speaker 1: point seven eight percent. Call us today at eight hundred

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Speaker 1: Quicken or go to Rocket Mortgage dot com rates uping

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Speaker 1: to change a two percent fee. Receive this disconnt rate

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Speaker 1: called for cost information in conditions equal housing landerlace in

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Speaker 1: all fifty states and the last number thirty thirty. He's

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Speaker 1: a legendary Queen's rapper, Hang Sego's a Miami hip hop pioneer.

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Speaker 1: What up is d J e f N? Together they

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Speaker 1: drink it up with some of the biggest players in

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Speaker 1: music and sports. Me the most professional, unprofessional podcast and

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Speaker 1: your number one source for drunk facts. This is drinks

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Speaker 1: Chip Rate. A Wary Day is New Year's eighty and

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Speaker 1: U d J E F and the Drake Chas motherfucking podcast.

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Speaker 1: First off, off top, I gotta say I miss you guys.

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Speaker 1: I haven't seen you guys. I feel like even in

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Speaker 1: the World tour two weeks right, but you know it's crazy.

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Speaker 1: We have episodes holding us now, so the faus don't

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Speaker 1: do that. But the fans is still one out. There's

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Speaker 1: there's a confusing voters. We're gonna, we're gonna, we're gonna

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Speaker 1: clear everything up right now. Oh yeah, like that's clear

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Speaker 1: it up for me. Just tell them because but leading

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Speaker 1: Offensive TV just the problem we keep saying into him.

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Speaker 1: We're thinking it's about to pop off. You know, we're

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Speaker 1: working behind the scenes with Revolt. We got a new

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Speaker 1: deal Revolt. For anybody who doesn't know from previous episodes,

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Speaker 1: I got a new episode deal with Revolts that's gonna launch.

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Speaker 1: Supposed to be launching early July. Turns out we're gonna

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Speaker 1: push it back for more promotion and whatnot. And we

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Speaker 1: are officially ending our terms with CBS. This will be

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Speaker 1: our last episode with CBS. Big up CBS. Want to

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Speaker 1: shout out everybody at CBS. Everybody. We made history with CBS,

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Speaker 1: so let's make some noise and now we're going our

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Speaker 1: audio is going to be coming out through a new company,

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Speaker 1: not a new company, but no, no, no, we want

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Speaker 1: to test them house. No, no, we know, just later

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Speaker 1: once it comes out back in first Yeah, just so

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Speaker 1: you know, miss to the hot Bottles, kill people, Hot bottles,

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Speaker 1: the champagne. Then she got a wig on it. This

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Speaker 1: one blows up. So so yeah, that's that's what we're doing.

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Speaker 1: What's been going on in the hip hop hip hop

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Speaker 1: has been crazy, Like I want to pick up every

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Speaker 1: days struggle to Joe Buttons and DJ Academics was crazy.

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Speaker 1: I thought that was a hilarious that was killed it

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Speaker 1: with the whole means the Prince joints. Yeah, I think

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Speaker 1: I think Joe Button's is doing a great, you know job.

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Speaker 1: Something happened after what everybody saw in the in the

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Speaker 1: video that anything pop off, anything that I don't know,

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Speaker 1: I didn't hear nothing like it ran down Chris Brown. Yeah,

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Speaker 1: but yeah, I gotta show love to Chris Brown, love

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Speaker 1: for his acts. Like he's not even one hund no more.

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Speaker 1: But yeah no, but Crebl's day. You know, he's like Nina,

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Speaker 1: nobody can't have my old big respect that to respect

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Speaker 1: that listen if it was once minds and you in

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Speaker 1: my industry, you should never go around that like I

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Speaker 1: for one of this, like that I'm that petty, So

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Speaker 1: I got a salute Chris Brown pettiness. I respect respects him,

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Speaker 1: you know, I'm that sunny DBT you got or is

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Speaker 1: that the way he's say, caru cha cow Bunker's all

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Speaker 1: great hold or whatever you want to call a collect

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Speaker 1: if you need. But the thing about it is this,

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Speaker 1: obviously he felt. It's a certain type of respect. You know,

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Speaker 1: we're in the same industry. You shouldn't date somebody in

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Speaker 1: the industry. So I kind of respect that, Like I

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Speaker 1: kind of think that if I broke you into this game,

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Speaker 1: nobody to know you, and then now we you should

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Speaker 1: go for a wrestler, you know what, who's this me

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Speaker 1: goals and Chris Brown? But she should have you know.

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Speaker 1: Maybe I'm wrong because I like she's cool Jacob Yorker

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Speaker 1: as a manager. But I see where Chris is coming from.

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Speaker 1: It's like a guy in the same industry, maybe a

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Speaker 1: different genre of music because one is rap, one is

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Speaker 1: R and B, but pretty much it is the same thing.

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Speaker 1: So if Chris is coming from that angle, I gotta

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Speaker 1: understand you know what I mean me personally, but yeah,

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Speaker 1: like I said, she should. Um, you know I got

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Speaker 1: a CEO from UPS. You know what I mean. You

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Speaker 1: gotta relax and stay out the energy. What else been

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Speaker 1: going on in hip hop? I mean, you know, we

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Speaker 1: had some terrible news with the passing the Prodigy friend

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Speaker 1: of yours. Yes, crazy ship is uh and you know

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Speaker 1: what the Champagne I think? So no, Um, well let

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Speaker 1: it cool now, the Crazy Ship is. Come on, come

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Speaker 1: on your taping, that's what. So the Crazy Ship is

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Speaker 1: uh uh. For those that don't know, I've been filming

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Speaker 1: um food show. Right, so when I'm on the running

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Speaker 1: on the right eating you know what I'm saying, I'll

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Speaker 1: blow up. I think they want to do the press

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Speaker 1: release so I won't say who or whatever. Um, So

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Speaker 1: they had to, you know, get me my dates, right,

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Speaker 1: the dates that I was supposed to have. So I

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Speaker 1: picked Las Vegas. They came back because it was E

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Speaker 1: d C weekend the Electronic Ship. So they told me,

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Speaker 1: you know a lot of restaurants didn't want to give

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Speaker 1: it up because you know, they're gonna have a lot

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Speaker 1: of clients and all this stuff. Right, So they said

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Speaker 1: why don't we switch it to New Orleans? And I

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Speaker 1: was like, nah, you know what I mean, I want Vegas.

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Speaker 1: But as soon as I look up the phone with them,

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Speaker 1: I was like, I don't get if you go to

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Speaker 1: New Orleans, like if you know, but I didn't let

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Speaker 1: them know that, so they kept calling back. I was like,

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Speaker 1: na in Vegas. I fought for Vegas, Vegas, Vegas, Vegas, Vegas.

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Speaker 1: We thought we was gonna have no celebrities there, you know.

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Speaker 1: So the last minute, the guy calls me said, you

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Speaker 1: know you're sure you on one Vegas and I said, yeah,

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Speaker 1: I want one Vegas. But but if he would say

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Speaker 1: your please just work with me, like let's go to

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Speaker 1: New Orleans, I would have went. But for some reason,

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Speaker 1: I said Vegas stuck to my guns. Boom Land out there.

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Speaker 1: Come to find out the auto rap toys out there.

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Speaker 1: We're thinking we gotta get talent um the auto rap

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Speaker 1: toys out there. So I had way Kwan, and I said,

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Speaker 1: your way Kwan. I want you to do my food show,

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Speaker 1: and ray goes, of course, but I want you to

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Speaker 1: do my show if I'll be your set. So the

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Speaker 1: day of the show, Raymonds got caught in the air

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Speaker 1: poured or you know, his phone or I don't know.

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Speaker 1: I don't know exactly. So we couldn't get in contact

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Speaker 1: with Ray. So when we were supposed to film him,

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Speaker 1: we replaced Ray and we put iced Tea in a

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Speaker 1: whole different spot and we feel nice Tea that day

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Speaker 1: and so that night, I'm still supposed to perform Ray Kuam,

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Speaker 1: we still didn't speak to him. To that night, to

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Speaker 1: the next day, I didn't speak to Ray Kuam, so

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Speaker 1: no so on access to me. I right, because my

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Speaker 1: food show too. So they said they said the same thing.

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Speaker 1: Ray said, all right, cool, you will do the Food show,

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Speaker 1: but you gotta come out on our set tonight. Being

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Speaker 1: that you ain't coming out with Ray, I said, all right, cool.

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Speaker 1: Onyx came on directly right after Mob Deep. So here's

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Speaker 1: the deal. I wasn't supposed to be in Vegas, supposed

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Speaker 1: to be in the walls, wind up going to Vegas,

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Speaker 1: wind up performing right after them, and the crazy ship

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Speaker 1: is I was on the wrong side of the stage.

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Speaker 1: So I was one of the last twenty people probably

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Speaker 1: in the world to give Prodac your five real ship,

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Speaker 1: and the motherfucker got off stage gave me a five

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Speaker 1: Sunday was right there. I got a five. Gave up

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Speaker 1: five for real, gave up five, um have it. Gave

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Speaker 1: me the fan five, you know, the fan five. And

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Speaker 1: you didn't recommend just giving the duty five. And then

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Speaker 1: he stopped. She was like, oh, ship, it's like yo, Normy.

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Speaker 1: I was like yo. Noise cues from getting y'all both

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Speaker 1: drunk tonight and proud as he said, I got you,

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Speaker 1: I'll be back. I don't feel well. And he walked off.

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Speaker 1: And this was the last time anybody ever seen him,

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Speaker 1: went to the hospital. So what I'm trying to tell

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Speaker 1: you is it was like so it was almost like

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Speaker 1: God wanted me to see see him one more time.

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Speaker 1: You know what I'm saying. We hung out in New

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Speaker 1: Year's you know what I'm saying. We got to chop

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Speaker 1: it up. We got to you know, put everything in

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Speaker 1: the past. But it was crazy, man, it was crazy

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Speaker 1: because I've seen his eyes look white. Now. I can't

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Speaker 1: say that that was a sign, because you know, he

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Speaker 1: has had sickle yes and forever. The heat was unbearable,

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Speaker 1: whole West Coast couldn't It was, yeah, two o'clock in

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Speaker 1: the morning, it was a hundred and nine. It was

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Speaker 1: like I never experience I think at what at one

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Speaker 1: point of the day it hit a hundred and twenty four.

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Speaker 1: It was, Yeah, so we want to say rest in peace.

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Speaker 1: You know what I'm saying the Prodigy man, everybody that's

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Speaker 1: just all chill, have a moment of silence. Were correct?

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Speaker 1: Rest in peace? Pe man? You know so you know, Um,

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Speaker 1: we had drink Tamp. We're gonna celebrate his life, you

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Speaker 1: know what I'm saying, as if we wasn't before, because

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Speaker 1: we were. We celebrate all our hip hop artists. I

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Speaker 1: see master p. That was people are tagging us on

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Speaker 1: because Masterpiece said, damn, you know, like you gotta get

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Speaker 1: these people they flowers And that's been a slow been

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Speaker 1: the whole time, you know what I mean? And that's true.

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Speaker 1: Like that's what Drink Champs is. It's like, you know

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Speaker 1: what I mean to me Carris One and it's one

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Speaker 1: of the best artists in the world. So when I

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Speaker 1: said that on Drink Champs, I wasn't like playing around

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Speaker 1: or trying to, you know, pick up something that I

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Speaker 1: don't believe in. And um, you said, you got ice coming, man,

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Speaker 1: I need to pop this though. Now you got skills

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Speaker 1: if you ain't got the skills. I'm not sure. So

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Speaker 1: so yeah, I loved it with master P. You gotta you, gotta, you,

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Speaker 1: gotta hold it down. It's verious, very very so. For

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Speaker 1: anybody who didn't see the master P thing, Let's explain.

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Speaker 1: He was upset because BT did. I don't even know

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Speaker 1: much of what they did, but they didn't. BET changed

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Speaker 1: the award show just just for him, And he was

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Speaker 1: saying that maybe if this would have been a month ago,

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Speaker 1: a week ago, probably wouldn't be allowed even to go

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Speaker 1: to the BT. I thought that myself. So he's basically saying,

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Speaker 1: what what our slogan is here is honor and and

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Speaker 1: pay homage to to the legends and getting their respect

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Speaker 1: wile they're alive. Go ahead, guar See, go ahead, Gardee

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Speaker 1: went off out here. That's what I'm talking about. Very

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Speaker 1: proud of you, by the way, guard see knocking out

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Speaker 1: videos and all that ship. What's what's gonna see you

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Speaker 1: Instagram again? That gar Sea his world. Make sure you

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Speaker 1: see him. He's coming up in this world. He's about

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Speaker 1: to be the next hype Williams Cheeze, Luise Papa Cheese.

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Speaker 1: Let's still it. But yeah, I loved what Masterpiece said.

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Speaker 1: I thought that he represented hip hop. He did, he did,

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Speaker 1: he said it from the heart too. I thought he

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Speaker 1: represented hip hop, right, Uh, And I thought I thought,

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Speaker 1: I thought that that that's that's kind of a bad thing.

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Speaker 1: Where that's the thing about it. When I've seen all

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Speaker 1: of the love and um respect that he's receiving, I

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Speaker 1: just I just couldn't help but think that that. Man.

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Speaker 1: Maybe I think also it was a shock because it

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Speaker 1: was so unexpected, very unexpected. Hip like hip hop was

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Speaker 1: just shocked by it, you know, didn't expect something like

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Speaker 1: that to happen then. And maybe in other cases, not

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Speaker 1: in all of them, but in some cases you kind

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Speaker 1: of saw it coming, or someone might have been living

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Speaker 1: reckless or something something happens. That wasn't the case with Prodigy,

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Speaker 1: all right, Na, Man, So we want to try to

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Speaker 1: could we gonna try to call a couple of people,

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Speaker 1: you know, a couple of people from the industry and

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Speaker 1: see what set who picks up? Man what I'm saying,

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Speaker 1: But we're gonna celebrate his life tonight. I'm not gonna

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Speaker 1: be let me have a drink. I should have got

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Speaker 1: Penot Greedier. That's what I should always drink one, you've

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Speaker 1: been on your bid should happy lately? And the beer

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Speaker 1: belly showing you know, cross fact pros facts. Yes, we'll

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Speaker 1: try nothing to call And that was Yeah. The social

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Speaker 1: media was flooded with just R and P Prodigy anybody

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Speaker 1: in the account a right, I don't following that many people,

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Speaker 1: but everybody had RP account I mean RP shout out,

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Speaker 1: which which is a great thing. Usually I'd be upset

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Speaker 1: with social media of just you know, kind of people

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Speaker 1: following the trends. But it felt real, genuine like everybody

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Speaker 1: reacted and hip. That's what I felt about BT though,

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Speaker 1: because I think it was different. You know, obviously there's

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Speaker 1: a bunch of people who haven't been to a ward

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Speaker 1: show since two thousand and one. Brother, maybe awards that

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Speaker 1: we went to. No, no, yeah, that was it. That's

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Speaker 1: two thousand four right, that was here in my head.

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Speaker 1: That as the last as the war show I've been

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Speaker 1: invited to. So if something happened to you, whoa you

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Speaker 1: except Marble Terrible got a little? Would it be okay

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Speaker 1: for the show to give you problems? I mean, say something?

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Speaker 1: What are you talking about? So morbid? What do you want? Man? Listen? Man?

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Speaker 1: About it this day. It's not bad to give a

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Speaker 1: person props when he's gone. It's bad that you didn't

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Speaker 1: give him the same amount of when he was here.

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Speaker 1: That's the point we're trying to make. The point you're

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Speaker 1: trying to make is yeah, the artist. It's it's like,

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Speaker 1: it's like you've never seen a person as a vesu W.

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Speaker 1: Every when they at the funeral, they describe him as

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Speaker 1: this this perfect guy, even though he's not a perfect guy.

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Speaker 1: But maybe if somebody ever told that guy that those

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Speaker 1: stoughts that he felt, maybe this guy wouldn't be in

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Speaker 1: this position. And that's just the things that we gotta

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Speaker 1: do in hip hop. We gotta start praising all legends.

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Speaker 1: We gotta start putting cool Hurricane care, arrest one and

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Speaker 1: and rock him. I got to see Busy be on

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Speaker 1: the road. I got to see Curtis blow on the road.

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Speaker 1: I got to see you know what I'm saying. I

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Speaker 1: got to see that and and pay how much to them?

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Speaker 1: And I'm saying to me, I want to do drink

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Speaker 1: lamps And I'm like that's dump. Like I'm like, WHOA,

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Speaker 1: Like you know what I'm saying, Because all I wanna

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Speaker 1: do is just big up the culture. And if if

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Speaker 1: the culture continues to do that, I continue to, you know,

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Speaker 1: say how much I love a granddaddy? Are you? And

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Speaker 1: then people start and that's just what it is. We

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Speaker 1: just have to give love and we have to do that.

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Speaker 1: Why they're here and and and I'm not not to

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Speaker 1: say that it's not to celebrate them when they're when

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Speaker 1: they're not here, but let's just make it. But to say,

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Speaker 1: way off what you're saying, because we got a lot

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Speaker 1: of flak off of the amber Rose episode and a

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Speaker 1: lot of these a lot of our fans don't understand it,

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Speaker 1: and they're like, oh, you guys said legends only in

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Speaker 1: this time, this is what and this is how I

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Speaker 1: saw it, and I'm pretty sure it's how you saw it.

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Speaker 1: We're more valuable to the legends if we're relevant to

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Speaker 1: everybody and a lot of our audience. We're not limiting

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Speaker 1: ourselves to the legends. We are just the home base

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Speaker 1: for them. We're gonna pay homage to them, you know,

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Speaker 1: where where we're they're appreciated, but it's not exclusive to them.

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Speaker 1: That's that way. When they come here, we we we

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Speaker 1: brought in their audience. New people find out about them

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Speaker 1: because their fans come to us, you know what I'm saying.

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Speaker 1: And I just love the fact that, you know, I

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Speaker 1: don't argue with people like when people I know we

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Speaker 1: did say legends only, but you know, at the end

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Speaker 1: of the day, and was a legend in our own right,

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Speaker 1: you know what I mean. Like, maybe it's not a

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Speaker 1: hip hop legends, maybe not with music, but just the

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Speaker 1: fact that she came from not thing and just came

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Speaker 1: and just made it herself something that is. But to me,

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Speaker 1: that is hip hop, taking yourself from nothing and making

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Speaker 1: something out of it. That to me is what hip

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Speaker 1: hop is. Like. You know, I don't I don't know

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Speaker 1: if an artist who came in this game already rich,

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Speaker 1: but um, that's that's the ultimate story, you know what

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Speaker 1: I mean. So let me let me try to make

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Speaker 1: another phone call. Yo, brob Marks when you live with

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Speaker 1: the drink Chance, what's good? What's good? It's good? Glaurie

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Speaker 1: Man said, yes, Man's going whatver? What up? You know?

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Speaker 1: So look, you know this is our tribute episode the Prodigy,

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Speaker 1: So we wanted to get some thoughts on you real

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Speaker 1: quick man. I think privacy is one of the greatest,

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Speaker 1: most influencial on sees to ever do it like. You know,

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Speaker 1: what I hope people really understand is that that brother

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Speaker 1: was dealing with simple sell at some times, like and

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Speaker 1: lived his life and pain and the way he articulated,

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Speaker 1: I mean went when he says rocking on your face,

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Speaker 1: staff your brain with your nose bone like that, that

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Speaker 1: that's him taking his pain. Or I saw it as

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Speaker 1: him taking his pain in his real life and be

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Speaker 1: able to describe it to you, you know, in the

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Speaker 1: most vivid way, you know what I'm saying. So it

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Speaker 1: wasn't just a street. I think people see mar D,

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Speaker 1: people see Pridacy, and they see the street definitely represented

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Speaker 1: the streets. But that brother was a poet to the

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Speaker 1: way he took his own hills and his own life

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Speaker 1: and turned into the soundtracks to our lives. And I

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Speaker 1: hope we never forget that. I hope we never forget

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Speaker 1: that too. But what kind of what kind of hit

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Speaker 1: do you think that hip hop took from this? You know,

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Speaker 1: I think whenever we lose our pioneers, I'll go to

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Speaker 1: It's a storm blow man, to to hip hop man,

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Speaker 1: because you know, hip hop is just now with the

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Speaker 1: age where we're getting old, you know, like like into

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Speaker 1: the rolling Stone years. When you when you see guys

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Speaker 1: like jay Z still doing it, you know, people understand

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Speaker 1: this is this is a genre that everybody said was

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Speaker 1: a fat and wasn't gonna last. And to have a

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Speaker 1: guy like Prodigy, you know, when he was coming up,

336
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Speaker 1: the biggest rappers might have only got three albums. They

337
00:18:11,280 --> 00:18:13,120
Speaker 1: might have had like a five year career or five

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Speaker 1: year run. I prod that he was on the twenty

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Speaker 1: year month he dropped a new album this year, Um

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Speaker 1: the head Gaileyan dialected, you know when he was still

341
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Speaker 1: doing it. So you know when when we was a

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Speaker 1: guy like that, you know, it's a major blow because

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Speaker 1: our pioneers now have twenty year careers and prod of

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00:18:31,040 --> 00:18:34,360
Speaker 1: his career was not over. He was still creating. He's

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Speaker 1: still doing it. So man, it's a major hit. Man,

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Speaker 1: We're a major hit. The funerals today, we hope everybody

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00:18:40,200 --> 00:18:42,000
Speaker 1: go out there and support the brother, you know what

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Speaker 1: I mean? And so what what what? What? What what

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Speaker 1: should Mark Deep fans do from here? Like, um uh,

350
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Speaker 1: should we pressure Havoc you know, like to to have

351
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Speaker 1: another album because you know, I'm sure they got a

352
00:18:52,560 --> 00:18:54,840
Speaker 1: mad material in the thing or should we just let

353
00:18:55,000 --> 00:18:59,200
Speaker 1: let let that music die? Um? You know, I think

354
00:18:59,280 --> 00:19:01,680
Speaker 1: that's for having uh and the pride that she sent

355
00:19:01,800 --> 00:19:06,600
Speaker 1: me too, you know, kind of figure out like they

356
00:19:06,720 --> 00:19:09,119
Speaker 1: know him best. So it's just it's this material, that

357
00:19:09,200 --> 00:19:11,040
Speaker 1: pride that she would have wanted the world to hear.

358
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Speaker 1: And if so, then yeah, hold on, I'm still on

359
00:19:15,040 --> 00:19:17,480
Speaker 1: the bus shout of this New York city. Yes, that's

360
00:19:18,080 --> 00:19:19,760
Speaker 1: that's what's up. That's what's up. We like people on

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Speaker 1: the bus. Nigga, let's go good hood, you know. But no, Um,

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00:19:25,680 --> 00:19:29,159
Speaker 1: you know I think that um, just having and and

363
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Speaker 1: pro family feel like this material ship should come out,

364
00:19:32,560 --> 00:19:34,679
Speaker 1: then it should come out. If it's something that project

365
00:19:34,720 --> 00:19:37,240
Speaker 1: wouldn't want us to here, we should respect that because

366
00:19:37,240 --> 00:19:39,960
Speaker 1: he's given us enough material. But you know, I actually

367
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Speaker 1: spoke to him. He he has albums done, right, he

368
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Speaker 1: has albums of his own. I know for a fact

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Speaker 1: that he had told me was finished and and and

370
00:19:49,200 --> 00:19:55,560
Speaker 1: ready to be released. Um, so hopefully we'll see those man. Yea. Well, Well, well,

371
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Speaker 1: thank you Rob Marksman. Man. You your go in this game.

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Speaker 1: You know, we respect you over here and we appreciate

373
00:20:00,600 --> 00:20:03,399
Speaker 1: you taking your time out. No, no, I love you knowing, man,

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Speaker 1: I don't want to have one thing. If I'm baby,

375
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Speaker 1: then I don't know what you'll discussed, man, because I'm

376
00:20:07,160 --> 00:20:11,639
Speaker 1: just jumping on this conversation. But you know you're and

377
00:20:11,800 --> 00:20:17,000
Speaker 1: proud of these relationship was very very important because I

378
00:20:17,119 --> 00:20:20,040
Speaker 1: think we can all learn your polishes. Relationship is no

379
00:20:20,200 --> 00:20:23,840
Speaker 1: secrets that you would mind him and and then then

380
00:20:24,520 --> 00:20:26,480
Speaker 1: you know, and he had an admiration to you. But

381
00:20:26,560 --> 00:20:29,400
Speaker 1: there was times in your lives like y'all didn't necessarily

382
00:20:29,440 --> 00:20:33,200
Speaker 1: see how I I wasn't clicking. Um. You know, I've

383
00:20:33,240 --> 00:20:36,560
Speaker 1: had personal conversations with you about p and and and

384
00:20:37,320 --> 00:20:40,080
Speaker 1: how you wish things could could be better when they

385
00:20:40,160 --> 00:20:42,720
Speaker 1: weren't better. And I had conversations with me about you.

386
00:20:42,880 --> 00:20:46,479
Speaker 1: And he's expressed to me personally and I don't want

387
00:20:46,520 --> 00:20:49,480
Speaker 1: to portray his confidence rescu peace, but but he did

388
00:20:50,480 --> 00:20:52,320
Speaker 1: expressed to me personally. At least I know that he

389
00:20:52,400 --> 00:20:53,679
Speaker 1: was proud of you when you went out and did

390
00:20:53,720 --> 00:20:57,399
Speaker 1: the strict chats that how your career went, you know,

391
00:20:57,640 --> 00:21:01,280
Speaker 1: and and the fact that when he passed, the fact

392
00:21:01,359 --> 00:21:04,359
Speaker 1: that that you two guys weren't good standard, you know,

393
00:21:04,600 --> 00:21:08,800
Speaker 1: and and and it's important so so everybody listening, man like,

394
00:21:09,480 --> 00:21:11,320
Speaker 1: you don't give the people the flowers, why they can

395
00:21:11,359 --> 00:21:13,280
Speaker 1: still smell them. A lot of the problems that we

396
00:21:13,359 --> 00:21:15,760
Speaker 1: have with each other, maybe Petty and I know you,

397
00:21:16,280 --> 00:21:18,840
Speaker 1: I know you King Petty Noriy, but you know, when

398
00:21:18,880 --> 00:21:21,800
Speaker 1: it's important, we can get past the pettiness, show each

399
00:21:21,840 --> 00:21:23,680
Speaker 1: other love and and the fact that you and him,

400
00:21:24,119 --> 00:21:27,080
Speaker 1: you know, when he passed, were in a good place

401
00:21:28,520 --> 00:21:30,960
Speaker 1: and that that means a lot. So so I was listening,

402
00:21:31,040 --> 00:21:34,040
Speaker 1: man like, getting a good place with your people, man,

403
00:21:34,119 --> 00:21:37,119
Speaker 1: because you never know, bensms not problems, and a lot

404
00:21:37,119 --> 00:21:39,399
Speaker 1: of these problems we can overcome for realm. Yeah, we'll

405
00:21:39,440 --> 00:21:44,840
Speaker 1: make some morse fors marked and everybody'll think you later.

406
00:21:45,520 --> 00:21:50,000
Speaker 1: You got my brother Rescupes prodigy world up. Yeah that

407
00:21:50,160 --> 00:21:51,760
Speaker 1: was that was deep right there. And hold on, hold on,

408
00:21:53,040 --> 00:21:56,480
Speaker 1: get him on the line, all right. But yeah, that

409
00:21:56,560 --> 00:22:00,520
Speaker 1: was deep right there. I liked it that. I liked that, Rob. Yeah,

410
00:22:00,720 --> 00:22:02,399
Speaker 1: you know what's going on, Junker, you live on the

411
00:22:02,480 --> 00:22:10,040
Speaker 1: drink champ. Make it was good following on the drink Champ. Yo, listen,

412
00:22:10,119 --> 00:22:12,120
Speaker 1: you are one of the most requested guests. I don't

413
00:22:12,160 --> 00:22:15,720
Speaker 1: know if you know that. Everybody always say we need

414
00:22:15,920 --> 00:22:18,520
Speaker 1: jungle on there and you're coming up there, I'm gonna

415
00:22:18,520 --> 00:22:21,640
Speaker 1: pull up and then we're gonna chop it up. Yeah,

416
00:22:21,880 --> 00:22:23,560
Speaker 1: we'll be in New York soon, so we're gonna we're

417
00:22:23,560 --> 00:22:26,199
Speaker 1: gonna make that happen. But today's show, you know, obviously

418
00:22:26,240 --> 00:22:28,960
Speaker 1: be picking up a QB legend right now, Prodigy. So

419
00:22:29,040 --> 00:22:32,320
Speaker 1: I just want to get your thoughts on that real quick, man,

420
00:22:32,680 --> 00:22:34,800
Speaker 1: r I P. Prodigy man, you know what I mean?

421
00:22:34,920 --> 00:22:37,159
Speaker 1: We all knew he was sick man, especially a lot

422
00:22:37,200 --> 00:22:40,080
Speaker 1: of people that was close on from Queen's Bridge. You know,

423
00:22:40,400 --> 00:22:42,280
Speaker 1: he was sick. He used to go to the hospital

424
00:22:42,440 --> 00:22:44,560
Speaker 1: sometimes and we we he used to He used to

425
00:22:44,640 --> 00:22:48,399
Speaker 1: talk about himself not having a long lifespan. But you know,

426
00:22:49,160 --> 00:22:51,119
Speaker 1: we knew this ship since we was kids, but we

427
00:22:51,240 --> 00:22:53,360
Speaker 1: never expected the day to come, you know what I mean.

428
00:22:54,359 --> 00:22:59,479
Speaker 1: And I should really fucked everybody up right right right right? So, um,

429
00:22:59,600 --> 00:23:02,320
Speaker 1: I see y'all on the block that day. I think

430
00:23:02,359 --> 00:23:07,000
Speaker 1: it was you, uh that was on Twils Street right

431
00:23:07,040 --> 00:23:10,440
Speaker 1: yeall was yeah, Yeah, I had to go over there

432
00:23:10,520 --> 00:23:12,800
Speaker 1: with the crew. Man. I went out. I just came outside.

433
00:23:12,920 --> 00:23:14,720
Speaker 1: I want to see the bridge. I wanted to go

434
00:23:14,840 --> 00:23:17,920
Speaker 1: on twis you I'm from Vernon forty side. I'm from

435
00:23:17,960 --> 00:23:21,159
Speaker 1: forty side of Vernon, Man, but I know everybody on

436
00:23:21,240 --> 00:23:23,040
Speaker 1: Toss You. I knew having since I was a kid.

437
00:23:23,119 --> 00:23:24,920
Speaker 1: I knew everybody. So you know I wanted to go

438
00:23:25,000 --> 00:23:27,880
Speaker 1: over there and get bent on the block on his book,

439
00:23:27,880 --> 00:23:29,159
Speaker 1: you know what I mean, on the Toil Street, the

440
00:23:29,200 --> 00:23:33,000
Speaker 1: mab Deep Block. One good time for Prodigy. Man. Yeah,

441
00:23:33,040 --> 00:23:36,159
Speaker 1: we respect that man. Great night, no violence, everybody love

442
00:23:36,240 --> 00:23:39,359
Speaker 1: each other. Ship's real man world, Yo, We respect that man.

443
00:23:39,440 --> 00:23:41,639
Speaker 1: We really really appreciate that jump. And you know, I

444
00:23:41,680 --> 00:23:43,680
Speaker 1: can't let you get out of here without you're asking you.

445
00:23:44,080 --> 00:23:46,520
Speaker 1: We keep hearing this NAS album is done, I know

446
00:23:46,680 --> 00:23:50,680
Speaker 1: you know, man. Yeah, yeah that ship. Um about John

447
00:23:50,760 --> 00:23:53,919
Speaker 1: almost he'll grabbing a song with too. We're still grabbing

448
00:23:54,000 --> 00:23:58,280
Speaker 1: some fire, okay. I about hip hop, hip hop list

449
00:23:58,359 --> 00:24:00,679
Speaker 1: whatever man or a big that up and big up

450
00:24:00,720 --> 00:24:02,480
Speaker 1: to them people at Massive Pill Records. We got some

451
00:24:02,560 --> 00:24:06,160
Speaker 1: secret things going on. Secret. Then we can't tell them

452
00:24:06,160 --> 00:24:08,159
Speaker 1: too much, Jungle, We can't tell them too much. We

453
00:24:08,240 --> 00:24:12,680
Speaker 1: gotta relax. We gotta see they're gonna see that. Yo, yo,

454
00:24:12,840 --> 00:24:15,280
Speaker 1: so yo, thank you for calling them man. Rest in peace,

455
00:24:15,320 --> 00:24:18,320
Speaker 1: prodigyally definitely man thanks for having me. No wrest In

456
00:24:18,400 --> 00:24:23,040
Speaker 1: keeps prodigy. Man, Yo, I gotta get on that show though. Man, man,

457
00:24:23,160 --> 00:24:25,760
Speaker 1: we we got you. We're bringing mad hitting that day.

458
00:24:25,840 --> 00:24:30,119
Speaker 1: No I started you drinking. Anybody's down, that's right, That's right,

459
00:24:30,240 --> 00:24:35,000
Speaker 1: my brother, Yes, sir, yes, sir, I get nothing. Got

460
00:24:35,080 --> 00:24:39,000
Speaker 1: to speak to you. Jungle talking to h same here

461
00:24:39,480 --> 00:24:43,040
Speaker 1: all right, hit you up later one. You know what

462
00:24:43,040 --> 00:24:45,480
Speaker 1: I'm saying. That's Jungle nas brother. For those that don't

463
00:24:45,520 --> 00:24:48,320
Speaker 1: know executive, you know over there a massive Pill Records

464
00:24:48,359 --> 00:24:50,800
Speaker 1: doing some heavy things. You know what I'm saying. Um,

465
00:24:51,400 --> 00:24:54,159
Speaker 1: I always wanted Jungle to be a full fledged exactly.

466
00:24:54,160 --> 00:24:56,280
Speaker 1: You know what I'm saying. And I think it's time

467
00:24:56,400 --> 00:24:59,800
Speaker 1: because you know, when you hear the story, he's like hello, shout,

468
00:25:00,119 --> 00:25:01,960
Speaker 1: read what's going on? You live with the drink? Chance

469
00:25:02,080 --> 00:25:09,200
Speaker 1: makes him, Oh, I'm got jesus, He said, is that

470
00:25:09,320 --> 00:25:14,680
Speaker 1: a T and T? He said, who did I see?

471
00:25:14,720 --> 00:25:16,600
Speaker 1: Who did we see in the Atlanta And somebody said

472
00:25:16,640 --> 00:25:19,320
Speaker 1: they see me? Say he said, you're getting ready for drink? Chance?

473
00:25:19,960 --> 00:25:24,200
Speaker 1: What kind of show did they figure? That? Shout? He read?

474
00:25:24,320 --> 00:25:27,639
Speaker 1: My brother in the background, I'm not I'm not a

475
00:25:27,720 --> 00:25:31,600
Speaker 1: show man. We hip hop like a motherfucker. We're hip hop.

476
00:25:31,720 --> 00:25:34,240
Speaker 1: That's what. That's what, that's what I like. Man. Yeah,

477
00:25:34,440 --> 00:25:38,159
Speaker 1: first of all, saluted the whole Jap Chance family. Um

478
00:25:38,400 --> 00:25:41,520
Speaker 1: pick up to my man laugh even asking me to

479
00:25:41,640 --> 00:25:45,000
Speaker 1: call in. Man, this is a big up. I know

480
00:25:45,119 --> 00:25:48,280
Speaker 1: we're joined. That for me, so yeah, a pleasure to

481
00:25:48,359 --> 00:25:51,160
Speaker 1: call yeah, Yo. So let me just ask you, what's

482
00:25:51,160 --> 00:25:56,399
Speaker 1: your earliest memory of Prodigy? This is hip hop? He

483
00:25:56,440 --> 00:26:00,560
Speaker 1: gave me hire. This is hip hop. This little okay, yeah,

484
00:26:01,800 --> 00:26:04,600
Speaker 1: crazy right now and I'm sorry when you at the

485
00:26:04,680 --> 00:26:11,879
Speaker 1: Freshman the Freshman ship EXXL Yeah, vot live on the

486
00:26:11,960 --> 00:26:14,480
Speaker 1: vote makes sure these people tune in, baby, So yeah,

487
00:26:15,040 --> 00:26:17,240
Speaker 1: can you hear us a little better? Shout he read? Yeah,

488
00:26:17,440 --> 00:26:21,959
Speaker 1: it's just perfect. Okay, hold on the last something all right?

489
00:26:22,000 --> 00:26:27,919
Speaker 1: So what's your earliest minute memory of Prodigy? Yo? It's funny, man,

490
00:26:28,000 --> 00:26:32,080
Speaker 1: I was talking to the other day and earliest revery

491
00:26:32,119 --> 00:26:36,840
Speaker 1: year on that little thing and the and the donatory

492
00:26:37,640 --> 00:26:41,280
Speaker 1: and seeing ship cons and being like, yo, what the sender?

493
00:26:42,040 --> 00:26:44,240
Speaker 1: I thtven got there and it was like yo, chillun

494
00:26:44,720 --> 00:26:47,359
Speaker 1: don't see man saying don't see nothing and just a

495
00:26:47,480 --> 00:26:50,960
Speaker 1: nine going everything. That's the first time I saw and

496
00:26:51,280 --> 00:26:56,320
Speaker 1: Um the album came out. I think it was on

497
00:26:56,960 --> 00:26:59,720
Speaker 1: on the Truth Day. I was in the Genius Peace.

498
00:27:00,720 --> 00:27:02,399
Speaker 1: I just wanted to take it to go see the

499
00:27:02,480 --> 00:27:07,840
Speaker 1: movie Friday. It just came out that Friday, and the

500
00:27:08,000 --> 00:27:13,879
Speaker 1: album was absolutely before It's Mad Time to Kill. I

501
00:27:14,000 --> 00:27:18,280
Speaker 1: sat down for the album. They don't pose it like

502
00:27:18,440 --> 00:27:24,679
Speaker 1: f y E and I was negarized there a like really,

503
00:27:26,720 --> 00:27:29,920
Speaker 1: I think, guys, it's like you know, so I didn't

504
00:27:29,920 --> 00:27:34,160
Speaker 1: see it. They take your managination, take your heart. Man.

505
00:27:35,600 --> 00:27:39,280
Speaker 1: It was like, you know, it was so full in

506
00:27:39,400 --> 00:27:43,399
Speaker 1: fact that not so full like Michael Jackson hummies, but

507
00:27:44,080 --> 00:27:47,119
Speaker 1: just so full, like they was just really better in

508
00:27:47,160 --> 00:27:51,520
Speaker 1: their soul and you're not in the same Madge. It

509
00:27:51,640 --> 00:27:55,040
Speaker 1: was like it was just talking about recordtilities. Those are

510
00:27:55,080 --> 00:27:58,600
Speaker 1: the best albums where I feel like I'm the only

511
00:27:58,720 --> 00:28:03,720
Speaker 1: man that that that got to say, wow, man, I

512
00:28:03,880 --> 00:28:07,320
Speaker 1: listened to that, join listening to him to the three

513
00:28:07,400 --> 00:28:11,520
Speaker 1: D of the movie, even like you know cats answer

514
00:28:11,600 --> 00:28:15,960
Speaker 1: the movie, I can't Scott can't turn it off. Let

515
00:28:16,000 --> 00:28:18,160
Speaker 1: me ask you something, Let me ask you something. Shot

516
00:28:18,600 --> 00:28:20,960
Speaker 1: you think it's too quick to jump into like a

517
00:28:21,080 --> 00:28:25,200
Speaker 1: prodigy Mark deep bio pick what's it called bio pick.

518
00:28:27,400 --> 00:28:30,960
Speaker 1: We need it. We needed then. I was certainly gonna

519
00:28:30,960 --> 00:28:33,679
Speaker 1: say it because he was such a fact to man. Man,

520
00:28:33,720 --> 00:28:37,879
Speaker 1: you're looking at you know, you know, you know you

521
00:28:37,960 --> 00:28:40,240
Speaker 1: were closer to Peter I was, but one of the

522
00:28:40,360 --> 00:28:47,840
Speaker 1: most adicated that control to you on any level of anything. Scholar, right,

523
00:28:48,880 --> 00:28:58,200
Speaker 1: but a street ving. Yeah, he was going right. Hedn't

524
00:28:58,200 --> 00:29:00,080
Speaker 1: see me at that TV and he was doing to

525
00:29:00,160 --> 00:29:03,160
Speaker 1: him And you know, everybody, I'm sad because it's like

526
00:29:03,760 --> 00:29:07,560
Speaker 1: the last tides for like three years, and you know

527
00:29:07,640 --> 00:29:10,280
Speaker 1: I was much enough to form a friendship with him

528
00:29:10,320 --> 00:29:13,000
Speaker 1: and have then you know, I'm all sad and all

529
00:29:13,080 --> 00:29:17,400
Speaker 1: that that he like, he like man to this, you know,

530
00:29:17,520 --> 00:29:21,120
Speaker 1: all the crazy ship that I did that it caught

531
00:29:21,240 --> 00:29:26,440
Speaker 1: for He's like it was me. I did it. Yeah,

532
00:29:26,720 --> 00:29:29,280
Speaker 1: they do the crazy thing that I did. So the

533
00:29:29,400 --> 00:29:32,320
Speaker 1: fact that they got me on in here, I didn't stop.

534
00:29:33,360 --> 00:29:35,160
Speaker 1: And that's how he was, man, he was he was

535
00:29:35,320 --> 00:29:39,440
Speaker 1: just a just a stroying do man. I think that's

536
00:29:39,440 --> 00:29:44,560
Speaker 1: why It's death is affecting us so crazy, because we

537
00:29:44,640 --> 00:29:48,080
Speaker 1: don't want to look at peas being invincible. We don't

538
00:29:48,120 --> 00:29:50,560
Speaker 1: know about to sit yourself, but were looking at him

539
00:29:50,560 --> 00:29:55,280
Speaker 1: and just no matter what's going on and can then

540
00:29:55,440 --> 00:29:58,080
Speaker 1: stop to do. You know, it's like when something like

541
00:29:58,200 --> 00:30:02,680
Speaker 1: this comes out of the blue, it's like it feel

542
00:30:02,760 --> 00:30:04,680
Speaker 1: like it feels like when Biggie got Man, I ain't

543
00:30:04,720 --> 00:30:06,960
Speaker 1: gonna lie. A lot of people be saying he rece

544
00:30:07,000 --> 00:30:09,640
Speaker 1: even like pretty much to the same love as Biggie Smalls.

545
00:30:10,000 --> 00:30:11,640
Speaker 1: So we're gonna we're gonna honor him because you know,

546
00:30:11,720 --> 00:30:13,760
Speaker 1: this is drink Champs, So we're gonna do what we

547
00:30:13,840 --> 00:30:15,840
Speaker 1: gotta do. You know what I'm saying, r P Prodigy

548
00:30:15,920 --> 00:30:18,280
Speaker 1: man shout he thank you for calling in man and

549
00:30:18,360 --> 00:30:23,160
Speaker 1: giving those those those beautiful words. Now I appreciated me

550
00:30:23,280 --> 00:30:25,360
Speaker 1: to tell her to tell her stands real quickly. People

551
00:30:25,400 --> 00:30:28,160
Speaker 1: that's watching it, you know, Naughty helped me up out

552
00:30:28,240 --> 00:30:33,320
Speaker 1: so much because they got pe packed away. I was driving,

553
00:30:33,400 --> 00:30:37,320
Speaker 1: I would stop on the Otway brock All. So when

554
00:30:37,360 --> 00:30:40,240
Speaker 1: I got to know was, I pulled over and like

555
00:30:40,760 --> 00:30:45,080
Speaker 1: that said me so hard. I started crying. And Ali

556
00:30:45,360 --> 00:30:47,320
Speaker 1: was the first person I thought the call man. I

557
00:30:47,440 --> 00:30:50,800
Speaker 1: called Laury and I'm you know, I'm meant my parents sad,

558
00:30:50,880 --> 00:30:56,320
Speaker 1: I'm climbing, and Ally just was just with so Jos.

559
00:30:56,440 --> 00:31:00,600
Speaker 1: He's like yellow man. He just got an you know,

560
00:31:00,640 --> 00:31:04,080
Speaker 1: an army you probably had the morning. A lot of

561
00:31:04,160 --> 00:31:06,960
Speaker 1: people in the world where the way he handled it

562
00:31:08,560 --> 00:31:12,240
Speaker 1: in perspective, I'm sitting there crying it back, like, man,

563
00:31:12,680 --> 00:31:17,200
Speaker 1: you gotta put a like see. Yeah, so I say

564
00:31:17,280 --> 00:31:20,600
Speaker 1: death that battery and being been in my back. I'm

565
00:31:20,600 --> 00:31:23,560
Speaker 1: gonna keep rupper for the brother wor Yo, Man, thank

566
00:31:23,600 --> 00:31:26,080
Speaker 1: you so much for calling that RP Prodigy on the

567
00:31:26,200 --> 00:31:31,720
Speaker 1: kunt of three one two three Prodigy. Well all right, shot,

568
00:31:31,760 --> 00:31:33,400
Speaker 1: we're gonna hit you up later. Man, thanks for calling

569
00:31:33,440 --> 00:31:38,680
Speaker 1: the drink champs. Love man up alright one love? So

570
00:31:38,800 --> 00:31:40,360
Speaker 1: let me ask you when was it? When was it

571
00:31:41,320 --> 00:31:44,040
Speaker 1: your oldest memory of prodigy? Like how far back old

572
00:31:44,560 --> 00:31:51,520
Speaker 1: old is memory? One back? Did you know him when

573
00:31:51,560 --> 00:31:53,600
Speaker 1: they when they did out? Did you know that? I

574
00:31:53,680 --> 00:31:55,920
Speaker 1: didn't know him, but I remember him being in section

575
00:31:56,040 --> 00:31:59,640
Speaker 1: five and I remember him having toys and we traded

576
00:31:59,680 --> 00:32:02,240
Speaker 1: toy because he's really from left Frack. Like I didn't

577
00:32:02,280 --> 00:32:03,720
Speaker 1: know him then though, Like you know what I mean,

578
00:32:03,760 --> 00:32:06,600
Speaker 1: I didn't know knowing you're seeing trading toys. This is

579
00:32:06,640 --> 00:32:13,440
Speaker 1: trading this kids, is he? Man? Kids? Real toys, not cars? Toys? Yeah, Like, um, yeah,

580
00:32:13,480 --> 00:32:16,080
Speaker 1: I remember way before Wrap. This is way before Wrap.

581
00:32:16,120 --> 00:32:17,680
Speaker 1: I never leoked at him. I never knew he was

582
00:32:17,720 --> 00:32:20,400
Speaker 1: a rapper until I was actually in jail. I was

583
00:32:20,440 --> 00:32:21,920
Speaker 1: in jail and I see I was like, oh, kid,

584
00:32:22,120 --> 00:32:24,040
Speaker 1: this kid is from Left Frack, Like, well, I should

585
00:32:24,040 --> 00:32:26,640
Speaker 1: see him in Left Frack. Rather, he says it. He

586
00:32:26,720 --> 00:32:29,360
Speaker 1: says it, woll damn. Should I have see called too?

587
00:32:31,160 --> 00:32:36,320
Speaker 1: If he has a memory of Peter, Well, hold on,

588
00:32:37,240 --> 00:32:41,840
Speaker 1: just the wrong see the home. I'm gonna relax, go back,

589
00:32:41,880 --> 00:32:45,800
Speaker 1: go back, because yeah, yeah, I mean this is as

590
00:32:45,920 --> 00:32:50,440
Speaker 1: kids like, and um, I remember, you know, guessing he

591
00:32:50,560 --> 00:32:52,880
Speaker 1: moved away. Maybe that's the time he moved to Queen's Bridge,

592
00:32:52,960 --> 00:32:55,480
Speaker 1: or that's the time he left, yeah, living left he

593
00:32:55,560 --> 00:32:57,960
Speaker 1: lived in Left Frock at one point. Yeah, he says that.

594
00:32:58,440 --> 00:33:02,000
Speaker 1: He says that, yeas. So then when y'all finally like

595
00:33:02,360 --> 00:33:05,480
Speaker 1: see each other, when each other again, he was already

596
00:33:05,480 --> 00:33:08,080
Speaker 1: prodigy the next time I said you already in No,

597
00:33:08,600 --> 00:33:11,200
Speaker 1: you're not yet. No. Remember my first record is l

598
00:33:11,240 --> 00:33:16,600
Speaker 1: A L A so with them? Yeah. So was that

599
00:33:16,680 --> 00:33:18,680
Speaker 1: originally supposed to be a mob deep record? No, it

600
00:33:18,760 --> 00:33:20,640
Speaker 1: was really talked about it a million times. It was

601
00:33:20,720 --> 00:33:24,720
Speaker 1: originally for a bad boy mixtape. Okay, I remember it

602
00:33:24,840 --> 00:33:27,560
Speaker 1: was on the Dog Pounds beat. Yeah, but it was

603
00:33:28,280 --> 00:33:30,320
Speaker 1: we used to go up to Stretch Armstrong so much.

604
00:33:31,480 --> 00:33:34,479
Speaker 1: Stretched Armstrong wanted to pay us back, like that's how

605
00:33:34,520 --> 00:33:35,680
Speaker 1: it was, like, Yeah, we're gonna put you on a

606
00:33:35,720 --> 00:33:38,800
Speaker 1: bad Boy mixtape. Remember bad Boys? Remember was doing some

607
00:33:38,880 --> 00:33:40,720
Speaker 1: of the mixtape. Yeah he was, No, he had this

608
00:33:40,880 --> 00:33:43,360
Speaker 1: is this is because remember it was it was like

609
00:33:43,520 --> 00:33:46,440
Speaker 1: Clue had one version and do I do? I don't know,

610
00:33:46,560 --> 00:33:48,120
Speaker 1: but to do I came later, So it was like

611
00:33:48,240 --> 00:33:52,600
Speaker 1: Clue I think was first, I think, uh, maybe envy

612
00:33:52,720 --> 00:33:56,720
Speaker 1: and then it was Stretched Armstrong's terms and stretched game

613
00:33:56,760 --> 00:33:59,400
Speaker 1: and got us And that's l l l A was

614
00:33:59,400 --> 00:34:01,200
Speaker 1: supposed to be a style at first, and it never

615
00:34:01,280 --> 00:34:04,320
Speaker 1: made the mixtape. No, because because I got it whitely,

616
00:34:04,480 --> 00:34:07,320
Speaker 1: because I told you we said the story on him,

617
00:34:08,160 --> 00:34:10,600
Speaker 1: talk about a bunch of times Big said no. Big

618
00:34:10,680 --> 00:34:14,440
Speaker 1: said no because he didn't want that vibe going on.

619
00:34:14,520 --> 00:34:16,840
Speaker 1: He didn't want that vibe because he knew that everybody

620
00:34:16,880 --> 00:34:21,160
Speaker 1: looked at him like bad boy. And so when y'all

621
00:34:21,200 --> 00:34:23,000
Speaker 1: did that record, that's not the first time y'all real

622
00:34:23,120 --> 00:34:27,160
Speaker 1: nite since he was kids who you and p l

623
00:34:27,200 --> 00:34:32,520
Speaker 1: A Yeah, yeah, I mean, I never never to tell

624
00:34:32,520 --> 00:34:34,600
Speaker 1: you the truth. I never bought that story up to him.

625
00:34:34,640 --> 00:34:37,439
Speaker 1: I never said you was the kid because but I'm saying,

626
00:34:37,640 --> 00:34:39,239
Speaker 1: when you're going to the studio l A l A.

627
00:34:39,320 --> 00:34:41,719
Speaker 1: That's not the first time. Don't each other on the

628
00:34:41,800 --> 00:34:43,800
Speaker 1: on the block plenty of times. And the thing was,

629
00:34:45,400 --> 00:34:48,160
Speaker 1: I don't think that they was really downward it at first,

630
00:34:48,760 --> 00:34:53,720
Speaker 1: but hit him up had dropped. I might be getting confused.

631
00:34:53,760 --> 00:34:57,239
Speaker 1: I might be getting confused where I say, I think

632
00:34:57,280 --> 00:35:00,680
Speaker 1: that we did the record and then think hit him

633
00:35:00,760 --> 00:35:03,200
Speaker 1: up dropped, and that made them want to do the video,

634
00:35:03,480 --> 00:35:08,920
Speaker 1: not the no, it was the whatever record. It was

635
00:35:09,000 --> 00:35:13,560
Speaker 1: where Pop actually addressed marb d it was yeah, and

636
00:35:13,719 --> 00:35:17,439
Speaker 1: that it was a day before. So because at first

637
00:35:17,680 --> 00:35:19,719
Speaker 1: I don't think Prodigy wanted to do the video like,

638
00:35:19,960 --> 00:35:23,360
Speaker 1: but that that pulled him over because his verse was

639
00:35:23,440 --> 00:35:25,600
Speaker 1: the only one that remember, his verse was n y

640
00:35:25,719 --> 00:35:29,280
Speaker 1: C you and I very supremacy, having compete queens nigger,

641
00:35:29,320 --> 00:35:31,680
Speaker 1: so we're seeing to be Mega got word back from

642
00:35:31,760 --> 00:35:34,800
Speaker 1: Noriega JFK on our way to l A. So his

643
00:35:35,000 --> 00:35:37,080
Speaker 1: verse was only like probably the only verse it was

644
00:35:37,320 --> 00:35:40,840
Speaker 1: actually like directly saying something about l A. So now

645
00:35:40,920 --> 00:35:43,239
Speaker 1: that I'm older. I understand why he did that because

646
00:35:43,239 --> 00:35:45,520
Speaker 1: we wasn't. We didn't know if dog was this and

647
00:35:45,640 --> 00:35:50,160
Speaker 1: us we didn't know. He didn't. But after after they

648
00:35:50,600 --> 00:35:52,680
Speaker 1: the video dropped, then he was like, all right, that's how,

649
00:35:52,840 --> 00:35:55,279
Speaker 1: that's how our video. Now when you look at the video,

650
00:35:55,280 --> 00:35:57,560
Speaker 1: it looks like we always thought they was this in us,

651
00:35:57,600 --> 00:35:59,560
Speaker 1: but you know we were confused. That's the truth about it,

652
00:35:59,560 --> 00:36:01,040
Speaker 1: you know what I mean? Hold on, let's see if

653
00:36:01,080 --> 00:36:09,480
Speaker 1: you could get okay, every pretty much? Hold on, Oh,

654
00:36:09,600 --> 00:36:26,239
Speaker 1: let's see really again, James Cruise, what's up? You're live

655
00:36:26,280 --> 00:36:32,399
Speaker 1: on drink chance everybody makes it? N going on? What's

656
00:36:32,440 --> 00:36:35,320
Speaker 1: going on? Listen? Man? You know today's show, James Cruise,

657
00:36:35,480 --> 00:36:39,320
Speaker 1: you're executive at Bad Boy, but people don't know you

658
00:36:39,600 --> 00:36:42,320
Speaker 1: was executive at Violator. You know what I'm saying for

659
00:36:42,480 --> 00:36:45,480
Speaker 1: many many years. So I know that you know Prodigy

660
00:36:45,640 --> 00:36:48,840
Speaker 1: very well. We're right now giving him respect and we

661
00:36:48,960 --> 00:36:52,000
Speaker 1: wanted you to, you know, say something about him real quick. Man.

662
00:36:52,239 --> 00:36:55,840
Speaker 1: You know I met Pete you know way before. You

663
00:36:55,920 --> 00:36:57,880
Speaker 1: know when he was on when he was on was

664
00:36:57,960 --> 00:37:03,359
Speaker 1: it pay Days? Did you ben through through mercury Um

665
00:37:03,600 --> 00:37:06,279
Speaker 1: and he was independent distribute at I used to hear

666
00:37:06,360 --> 00:37:09,200
Speaker 1: the music, you know what I'm saying, And it felt

667
00:37:09,239 --> 00:37:10,880
Speaker 1: like when you played the music the right way, like

668
00:37:11,040 --> 00:37:13,320
Speaker 1: this cat was climbing through your window and with a

669
00:37:13,400 --> 00:37:15,800
Speaker 1: scheme mask going about to come start he had to do.

670
00:37:16,800 --> 00:37:18,960
Speaker 1: And then I met Pete and I'm like, look at

671
00:37:19,000 --> 00:37:23,480
Speaker 1: this little motherfucker. Like he was tiny, but he had

672
00:37:23,520 --> 00:37:26,840
Speaker 1: a big, super human heart, you know what I'm saying,

673
00:37:27,000 --> 00:37:29,440
Speaker 1: Like like he would just command his presence, you know

674
00:37:29,440 --> 00:37:31,080
Speaker 1: what I'm saying. You look at having you know what

675
00:37:31,120 --> 00:37:33,040
Speaker 1: I'm saying, Like you put them, you saying, have it

676
00:37:33,080 --> 00:37:34,680
Speaker 1: go on, peace shoulders. They about as tall as me.

677
00:37:36,760 --> 00:37:39,160
Speaker 1: But you had had these two cats that they just

678
00:37:39,280 --> 00:37:41,840
Speaker 1: had this movement and you had alchemists, you know, and

679
00:37:41,920 --> 00:37:43,759
Speaker 1: this is when the hip hop, like you know it

680
00:37:43,960 --> 00:37:46,240
Speaker 1: was you know, you still had always that white impression

681
00:37:46,320 --> 00:37:48,800
Speaker 1: hip hop, but not from a producer standpoint, you know

682
00:37:48,840 --> 00:37:51,040
Speaker 1: what I'm saying. So you know, Pete was a kind

683
00:37:51,080 --> 00:37:54,400
Speaker 1: of cat with that. He would just catcauvy showing you

684
00:37:54,440 --> 00:37:56,239
Speaker 1: know what I'm saying. He would just kicking with shoe

685
00:37:56,239 --> 00:37:57,799
Speaker 1: and gun done. You know what I'm saying. The way

686
00:37:57,840 --> 00:38:00,319
Speaker 1: he would talk, he had his own language. And then

687
00:38:00,400 --> 00:38:02,319
Speaker 1: you know as I started working with him, I never

688
00:38:02,480 --> 00:38:05,759
Speaker 1: forget I started a violator and Mona Scott brings me

689
00:38:05,840 --> 00:38:10,200
Speaker 1: a stack of contracts for these college dates. They were

690
00:38:10,280 --> 00:38:12,839
Speaker 1: all my peak college dates, and I felt like Mona

691
00:38:12,920 --> 00:38:15,320
Speaker 1: has set me up because I had no idea he

692
00:38:15,560 --> 00:38:18,200
Speaker 1: was ill and when a lot of people don't know too,

693
00:38:18,280 --> 00:38:22,200
Speaker 1: and do you know light he had that too. Yeah,

694
00:38:23,040 --> 00:38:24,920
Speaker 1: a lot of people don't know that. You know, he

695
00:38:25,000 --> 00:38:27,120
Speaker 1: had a less severe version of it, but he was.

696
00:38:27,200 --> 00:38:29,120
Speaker 1: He would still getting ill, which I think is what

697
00:38:29,239 --> 00:38:32,479
Speaker 1: actually bonded P and Lighty in a different way because

698
00:38:32,760 --> 00:38:35,120
Speaker 1: he was helping Pe get healthy all throughout those times

699
00:38:35,160 --> 00:38:36,840
Speaker 1: that the heavy had to see and all that, you

700
00:38:36,880 --> 00:38:39,560
Speaker 1: know what I'm saying, And then when they started to loud,

701
00:38:39,719 --> 00:38:41,920
Speaker 1: you know, like he was doing a and all with them,

702
00:38:41,960 --> 00:38:44,040
Speaker 1: and you know he was really creating this, this this

703
00:38:44,200 --> 00:38:46,200
Speaker 1: real relationship with P and trying to be a big

704
00:38:46,280 --> 00:38:48,799
Speaker 1: brother type. And you know, as P went on, he's

705
00:38:48,840 --> 00:38:51,280
Speaker 1: kept getting sicker and sicker. We have to cancel shows.

706
00:38:51,719 --> 00:38:54,359
Speaker 1: And I remember Edie be into the office one day

707
00:38:54,600 --> 00:38:56,359
Speaker 1: and he was like, man, you gotta start taking care

708
00:38:56,400 --> 00:38:59,360
Speaker 1: of yourself because we can't be losing these dates. Because

709
00:38:59,400 --> 00:39:01,000
Speaker 1: a lot of people don't know. Once you sign a

710
00:39:01,040 --> 00:39:03,400
Speaker 1: contract with the college, don't play with that because you

711
00:39:03,480 --> 00:39:06,239
Speaker 1: will get sued out the ass, you know what I'm saying.

712
00:39:06,680 --> 00:39:08,680
Speaker 1: And I had to learn that, you know, to to

713
00:39:08,880 --> 00:39:11,520
Speaker 1: really advise myself through his health, which taught me a

714
00:39:11,680 --> 00:39:13,920
Speaker 1: very important part of management. It ain't just go out

715
00:39:13,920 --> 00:39:15,480
Speaker 1: and get the check. It ain't just go out and

716
00:39:15,520 --> 00:39:17,520
Speaker 1: get the deals done to get the wreckage played. It's

717
00:39:17,520 --> 00:39:19,799
Speaker 1: also making sure your client is healthy and taking care

718
00:39:19,840 --> 00:39:22,479
Speaker 1: of themselves because you don't. You only have one body,

719
00:39:22,520 --> 00:39:24,840
Speaker 1: it's your temple, you know what I'm saying. And just

720
00:39:25,040 --> 00:39:27,680
Speaker 1: you know about I think it was like nine days

721
00:39:27,800 --> 00:39:32,000
Speaker 1: before he passed, he was at summer him and you know,

722
00:39:32,120 --> 00:39:35,480
Speaker 1: P and I started choking around because you know, DP says,

723
00:39:35,520 --> 00:39:37,960
Speaker 1: your crews, that's that's a nice watch on your wrist.

724
00:39:38,360 --> 00:39:40,239
Speaker 1: And I was like, yo, that's a nice grilling your

725
00:39:40,320 --> 00:39:43,120
Speaker 1: mouth and he lacked pause and he laughed and he goes,

726
00:39:43,440 --> 00:39:45,279
Speaker 1: yeah you too. I said, yeah, people got forty on

727
00:39:45,320 --> 00:39:47,440
Speaker 1: the risk. We both got forty on our teeth. We

728
00:39:47,520 --> 00:39:49,279
Speaker 1: were laughing about it, you know what I'm saying, because

729
00:39:49,280 --> 00:39:51,080
Speaker 1: he got this air of that mob and we were

730
00:39:51,200 --> 00:39:53,279
Speaker 1: laughing about it. But it was just like you know

731
00:39:53,320 --> 00:39:55,160
Speaker 1: how you don't miss a step with somebody like me

732
00:39:55,200 --> 00:39:56,640
Speaker 1: and you get together, we don't miss a step. And

733
00:39:56,920 --> 00:39:58,799
Speaker 1: we were back, you know, doing what we do back

734
00:39:58,800 --> 00:40:01,560
Speaker 1: in the days, like you don't miss a step with Pete.

735
00:40:01,800 --> 00:40:04,920
Speaker 1: He was always himself. There was nothing, there was nothing

736
00:40:04,960 --> 00:40:06,880
Speaker 1: different about him. Every time he saw him he was

737
00:40:06,880 --> 00:40:10,719
Speaker 1: the same too. He had that special queen's thing about him,

738
00:40:10,880 --> 00:40:12,480
Speaker 1: and he had his own language, and he had his

739
00:40:12,600 --> 00:40:15,640
Speaker 1: old love. And as I watched him grow from from

740
00:40:15,680 --> 00:40:17,160
Speaker 1: an m C because he wasn't a rapper, he was

741
00:40:17,200 --> 00:40:20,800
Speaker 1: an MC straight to go from an m C. And

742
00:40:20,840 --> 00:40:23,279
Speaker 1: then when he started like later on in his years,

743
00:40:23,280 --> 00:40:25,760
Speaker 1: he started to become more of an activist and started

744
00:40:25,840 --> 00:40:28,040
Speaker 1: to make points in his own language still but make

745
00:40:28,120 --> 00:40:30,680
Speaker 1: points about how you know, we come up as as

746
00:40:30,760 --> 00:40:34,160
Speaker 1: young African American and Latino man in hippopping on the

747
00:40:34,239 --> 00:40:36,239
Speaker 1: grind and you know what I'm saying. Just to see

748
00:40:36,320 --> 00:40:39,279
Speaker 1: that growth in that transition and him, it was just like, man,

749
00:40:39,360 --> 00:40:41,120
Speaker 1: we lost a good one, you know what I'm saying.

750
00:40:41,239 --> 00:40:43,480
Speaker 1: And it gone too soon, you know what I'm saying.

751
00:40:43,600 --> 00:40:45,959
Speaker 1: And you know we we lost lighty. No I feel

752
00:40:46,000 --> 00:40:48,239
Speaker 1: about that, of course, you know what I mean, so

753
00:40:48,360 --> 00:40:50,480
Speaker 1: it's like when I really sat down and started to

754
00:40:50,560 --> 00:40:53,120
Speaker 1: reflect when I got the news man, like that whole

755
00:40:53,239 --> 00:40:56,480
Speaker 1: Lighty thing came over me again too. You know, isn't

756
00:40:56,520 --> 00:41:02,120
Speaker 1: the way, isn't presaging the same place that Chris Lighty's way? Yeah, yep, tomorrow, Yep,

757
00:41:02,320 --> 00:41:04,239
Speaker 1: yes it is. So it's like, you know, but you

758
00:41:04,320 --> 00:41:06,959
Speaker 1: know they probably they probably up in heaven right around

759
00:41:07,000 --> 00:41:08,880
Speaker 1: in that g wagon. You know, Chris was the hottest

760
00:41:08,920 --> 00:41:12,520
Speaker 1: cateastry with that wagon first. Probably gonna be up in heaven,

761
00:41:12,600 --> 00:41:14,640
Speaker 1: you know, talking mom peep. But you know I went

762
00:41:14,719 --> 00:41:17,080
Speaker 1: to peace thing in l A that Steve Ripken did

763
00:41:17,200 --> 00:41:20,000
Speaker 1: I hear about that? And I really got a chance

764
00:41:20,080 --> 00:41:22,680
Speaker 1: to see photos of p like you never saw before.

765
00:41:22,719 --> 00:41:25,000
Speaker 1: He pulled out the old photos from the photo shoots,

766
00:41:25,040 --> 00:41:27,319
Speaker 1: allowed records, you know what I'm saying. He pulled out stuff,

767
00:41:27,360 --> 00:41:29,640
Speaker 1: and I was just sitting there like wow, like just

768
00:41:29,800 --> 00:41:31,920
Speaker 1: his file, you know what I'm saying, Like like you

769
00:41:32,000 --> 00:41:34,160
Speaker 1: know before before we saw a park with the rag

770
00:41:34,200 --> 00:41:36,080
Speaker 1: around his head, he had that rag around you know

771
00:41:36,080 --> 00:41:37,759
Speaker 1: what I'm saying. That and that on you know what

772
00:41:37,800 --> 00:41:42,160
Speaker 1: I'm saying, Like the Armies for Queens, the size ten

773
00:41:42,280 --> 00:41:46,000
Speaker 1: eggs close, way too big for you know, Tim was

774
00:41:46,080 --> 00:41:47,560
Speaker 1: on you know what I'm saying. It was just like

775
00:41:47,800 --> 00:41:50,520
Speaker 1: just like wow, and I saw these photos and you

776
00:41:50,560 --> 00:41:52,640
Speaker 1: didn't realize, you know what I'm saying, because you always

777
00:41:52,920 --> 00:41:55,480
Speaker 1: the great one of the tops top ten verses, sho

778
00:41:55,640 --> 00:41:57,680
Speaker 1: the top three verses the whole time. For me, we

779
00:41:57,760 --> 00:42:00,320
Speaker 1: shook one, you know what I'm saying. And for me

780
00:42:00,440 --> 00:42:03,600
Speaker 1: to really see how he influenced fashion too, Like I

781
00:42:03,719 --> 00:42:05,400
Speaker 1: really like I didn't even I didn't even catch that

782
00:42:05,520 --> 00:42:07,799
Speaker 1: until I went to rift, you know what I'm saying,

783
00:42:07,920 --> 00:42:09,840
Speaker 1: Like you know that that was Pete And I remember

784
00:42:09,880 --> 00:42:11,800
Speaker 1: when they was running around with fifty engine and it,

785
00:42:11,880 --> 00:42:13,800
Speaker 1: you know what saying, was on tour in Europe, and

786
00:42:14,000 --> 00:42:16,080
Speaker 1: you know, I just I just remember how Pete would

787
00:42:16,120 --> 00:42:19,360
Speaker 1: always stay true to his his queen's roots. You know

788
00:42:19,360 --> 00:42:22,359
Speaker 1: what I'm saying, His Queen's roots has always shoot him

789
00:42:22,360 --> 00:42:24,360
Speaker 1: the way he rocked, the way he the way he dressed,

790
00:42:24,400 --> 00:42:27,319
Speaker 1: the way he spoke. You know what I'm saying. So again, man,

791
00:42:27,400 --> 00:42:29,240
Speaker 1: we lost him too soon. Man, I missed him already,

792
00:42:29,680 --> 00:42:32,239
Speaker 1: you know, but you know God got another angel up there.

793
00:42:32,280 --> 00:42:33,520
Speaker 1: You know what I'm saying, They're gonna have a side

794
00:42:33,560 --> 00:42:37,320
Speaker 1: fling Heaven in a minute, definitely, James, Man, But we

795
00:42:37,400 --> 00:42:39,640
Speaker 1: appreciate you calling it man. You know what I mean.

796
00:42:39,680 --> 00:42:43,160
Speaker 1: On the count of three, RP prodigy one to three,

797
00:42:46,120 --> 00:42:48,120
Speaker 1: you know, and norry why why while we on it?

798
00:42:48,600 --> 00:42:52,160
Speaker 1: I got it? And I'm so proud of your growth. Um,

799
00:42:52,480 --> 00:42:55,399
Speaker 1: I'm so proud of of the man you've become. From

800
00:42:55,560 --> 00:42:57,799
Speaker 1: business standpoint, you always a great at them. You don't

801
00:42:57,800 --> 00:43:00,520
Speaker 1: get going. No, nobody's gonna say any difference me. But

802
00:43:00,640 --> 00:43:03,080
Speaker 1: to watch you grow and to watch you do these

803
00:43:03,120 --> 00:43:05,640
Speaker 1: things and to your deals with the phone, CPS and

804
00:43:05,719 --> 00:43:07,920
Speaker 1: all these things, man like yo, man, ain't nobody ever

805
00:43:08,000 --> 00:43:11,120
Speaker 1: said it? Man? Applause, brother, because you know what, another

806
00:43:11,200 --> 00:43:12,879
Speaker 1: Latino in the business doing it the way you're doing

807
00:43:12,920 --> 00:43:32,200
Speaker 1: it's problems. All. Welcome to play a new podcast network

808
00:43:32,280 --> 00:43:36,800
Speaker 1: featuring radio and TV personalities talking business, sports, tech, entertainment,

809
00:43:36,880 --> 00:43:41,319
Speaker 1: and more. Play it at play dot in We're back

810
00:43:41,440 --> 00:43:44,800
Speaker 1: to Drink Champs Radio with Rapper and R and d

811
00:43:44,960 --> 00:43:52,320
Speaker 1: J E f N. Yeah, man, I don't know about

812
00:43:52,360 --> 00:43:55,680
Speaker 1: that one. That one because because I didn't hit him

813
00:43:55,840 --> 00:43:59,040
Speaker 1: to call and he did know we well, I wanted

814
00:43:59,080 --> 00:44:01,359
Speaker 1: to smoke a bowl gain true life true life, True life,

815
00:44:01,400 --> 00:44:05,560
Speaker 1: True life, true life. You live on Drink Chap what's

816
00:44:05,560 --> 00:44:09,600
Speaker 1: going on? And it was good? Gee? How you do man?

817
00:44:09,680 --> 00:44:16,560
Speaker 1: Drink Champs Shop your true life? Man. I know you

818
00:44:16,640 --> 00:44:18,759
Speaker 1: know in the past, you know, it's been a little

819
00:44:18,840 --> 00:44:21,319
Speaker 1: thing with with P, but y'all squashed it and y'all

820
00:44:21,360 --> 00:44:24,000
Speaker 1: moved on. And you know, today's show, we're dedicating the

821
00:44:24,040 --> 00:44:26,640
Speaker 1: whole show to you know, honor this man. You know

822
00:44:26,680 --> 00:44:29,040
Speaker 1: what I mean. And we wanted to wanted to hear

823
00:44:29,040 --> 00:44:32,800
Speaker 1: you say a couple of things about that facts man. Alright,

824
00:44:32,880 --> 00:44:35,720
Speaker 1: P man Um, you know the boy pe Man definitely

825
00:44:35,800 --> 00:44:38,239
Speaker 1: rest in peace, man, and you know, my condolences go

826
00:44:38,320 --> 00:44:40,400
Speaker 1: out to him and his family. Man. You know, I

827
00:44:40,560 --> 00:44:42,359
Speaker 1: was blessed enough to be able to, you know, get

828
00:44:42,440 --> 00:44:45,360
Speaker 1: up with him man before you know his passing. And

829
00:44:45,480 --> 00:44:48,360
Speaker 1: you know, very hatches man, old old things in the past.

830
00:44:48,480 --> 00:44:50,799
Speaker 1: Man that you know, it was a bunch of nonsense, really, man,

831
00:44:50,880 --> 00:44:52,400
Speaker 1: and we was able to, you know, do it like

832
00:44:52,520 --> 00:44:55,719
Speaker 1: men and put it behind us like man and move forward. Man.

833
00:44:55,800 --> 00:44:57,839
Speaker 1: It We just had a gay conversation that day, man,

834
00:44:57,880 --> 00:44:59,880
Speaker 1: and that ship just stays in my head. That conversation

835
00:45:00,040 --> 00:45:02,320
Speaker 1: he had when we text each other a few times

836
00:45:02,400 --> 00:45:05,000
Speaker 1: back and forth after that. You know, we talked about

837
00:45:05,040 --> 00:45:06,640
Speaker 1: doing a song and I was just like, man, we

838
00:45:06,680 --> 00:45:08,440
Speaker 1: ain't really get to do that. So that was kind

839
00:45:08,480 --> 00:45:11,040
Speaker 1: of you know, messed up, man, because he did body

840
00:45:11,120 --> 00:45:14,160
Speaker 1: me on that first song, man, when I really wasn't

841
00:45:14,480 --> 00:45:16,759
Speaker 1: running the same you know, I really wanted to get

842
00:45:16,800 --> 00:45:18,520
Speaker 1: back in that man small with the man and the

843
00:45:18,600 --> 00:45:22,040
Speaker 1: different way on that on that job and so man

844
00:45:22,160 --> 00:45:25,120
Speaker 1: rest in piece to p man right right? How much

845
00:45:25,200 --> 00:45:29,000
Speaker 1: how much influence you think um that Marb Deep Pad

846
00:45:29,400 --> 00:45:33,279
Speaker 1: and in this game. Oh, they definitely legendary with it,

847
00:45:33,320 --> 00:45:34,960
Speaker 1: you know what I'm saying, be honest with you. Man,

848
00:45:35,040 --> 00:45:36,800
Speaker 1: It was crazy because he was always one of my

849
00:45:36,960 --> 00:45:39,120
Speaker 1: favorite you know, MC is coming up, and what I'm saying,

850
00:45:39,120 --> 00:45:41,560
Speaker 1: I always always funked with his music when they came music.

851
00:45:41,719 --> 00:45:44,080
Speaker 1: He always you know, even though we had a little clash,

852
00:45:44,200 --> 00:45:47,040
Speaker 1: you know, I always respected him on that mic. I've

853
00:45:47,040 --> 00:45:48,840
Speaker 1: always respected what he could do on that mic. You

854
00:45:48,880 --> 00:45:51,040
Speaker 1: know what. I'm so right, right right, that's what's up,

855
00:45:51,160 --> 00:45:52,880
Speaker 1: my brother, That's what's up on the couch. Three. You're

856
00:45:52,880 --> 00:45:57,719
Speaker 1: gonna say, o, p Prodigy one two three, Yeah, but

857
00:45:57,840 --> 00:46:01,239
Speaker 1: your man Peter Prodacy Man fact one hund so true.

858
00:46:01,280 --> 00:46:03,040
Speaker 1: What you got going on? Man? I know you, man,

859
00:46:03,040 --> 00:46:04,600
Speaker 1: I know you were in the lab working man, So

860
00:46:04,719 --> 00:46:07,000
Speaker 1: what's next on you? Yeah, man, I've just been in

861
00:46:07,080 --> 00:46:08,839
Speaker 1: the shot man trying to get it right, man, because

862
00:46:08,840 --> 00:46:10,800
Speaker 1: I felt like when I first came home, I dropped

863
00:46:10,920 --> 00:46:12,759
Speaker 1: one record kind of in the rush. I ain't gonna

864
00:46:12,760 --> 00:46:14,440
Speaker 1: say really in the rush, but I just dropped it,

865
00:46:14,560 --> 00:46:17,200
Speaker 1: you know, the Independent, and just dropped it really without

866
00:46:17,280 --> 00:46:19,840
Speaker 1: knowing the game, you know, not knowing what Spotify was

867
00:46:20,000 --> 00:46:22,560
Speaker 1: but you know Apple Music really was, and not knowing

868
00:46:22,719 --> 00:46:25,840
Speaker 1: streaming and everything else, and just knowing the game. So

869
00:46:25,880 --> 00:46:27,560
Speaker 1: I had to take my time. Really. I know it's

870
00:46:27,560 --> 00:46:29,719
Speaker 1: been a wild people like, damn, what's going on? But

871
00:46:29,800 --> 00:46:31,799
Speaker 1: it's really been like seven months. It's been a year

872
00:46:31,840 --> 00:46:33,320
Speaker 1: that I've been out, but it's been several months that

873
00:46:33,360 --> 00:46:36,320
Speaker 1: I've really been back to a real, real crazy So

874
00:46:36,680 --> 00:46:38,680
Speaker 1: I'm pretty much done. I'm in the middle of closing

875
00:46:38,719 --> 00:46:41,080
Speaker 1: out my note deal right now. It was a partnership deal.

876
00:46:41,160 --> 00:46:42,680
Speaker 1: I don't want to stay but who just yet. But

877
00:46:42,760 --> 00:46:45,239
Speaker 1: it's a major and we can't really do some amazing things.

878
00:46:45,280 --> 00:46:47,040
Speaker 1: And we're gonna drop this first single with me in

879
00:46:47,160 --> 00:46:50,880
Speaker 1: future called Patty that, well, let's make some noise, but

880
00:46:50,960 --> 00:46:55,000
Speaker 1: you life, God, damn it. I don't know if people

881
00:46:55,040 --> 00:46:56,960
Speaker 1: proc he though, Man, I really mean that ship man

882
00:46:57,040 --> 00:46:59,000
Speaker 1: like it ain't it's just fun about them when I

883
00:46:59,080 --> 00:47:01,680
Speaker 1: say that though. Like what I'm saying, I don't know.

884
00:47:02,160 --> 00:47:04,160
Speaker 1: I ain't trying to, you know, just say the boy name,

885
00:47:04,239 --> 00:47:06,920
Speaker 1: just to be saying his name and in vain and

886
00:47:07,000 --> 00:47:08,680
Speaker 1: I like that. Man. I ain't trying to get no

887
00:47:08,760 --> 00:47:10,640
Speaker 1: shine and no ship like that and ride. There's way

888
00:47:10,760 --> 00:47:12,760
Speaker 1: to no kind of way with that, you know. Definitely.

889
00:47:12,880 --> 00:47:15,479
Speaker 1: My condolences go out to him and his family. Before

890
00:47:15,520 --> 00:47:17,279
Speaker 1: he passed, he was telling me about his son doing

891
00:47:17,360 --> 00:47:19,840
Speaker 1: beat and ship like that. Man. So right now I

892
00:47:19,880 --> 00:47:21,680
Speaker 1: would love to grab a beach and his son man

893
00:47:21,719 --> 00:47:23,840
Speaker 1: and body has man just to help him out with that.

894
00:47:24,000 --> 00:47:25,839
Speaker 1: You know what I'm saying. I know that's That's something

895
00:47:25,920 --> 00:47:28,239
Speaker 1: he really wanted, was his son to really pop off

896
00:47:28,320 --> 00:47:31,000
Speaker 1: with his beach. That's hard, that's hard, that's ill. We

897
00:47:31,080 --> 00:47:34,359
Speaker 1: don't know that, man. Thank you very much too, sat Sax.

898
00:47:34,840 --> 00:47:37,120
Speaker 1: No love man, love y'all drink champ. You already know

899
00:47:37,160 --> 00:47:39,480
Speaker 1: what it is, all right, my brother, one love my

900
00:47:39,600 --> 00:47:41,520
Speaker 1: brother pick let me get off this parole thing. Man,

901
00:47:41,560 --> 00:47:43,600
Speaker 1: I'm trying to get off this parole thing exactly. And

902
00:47:43,640 --> 00:47:46,880
Speaker 1: know so I could really do drink champs exactly. I

903
00:47:46,960 --> 00:47:50,920
Speaker 1: really start saying all types of truth exactly, exactly exactly.

904
00:47:51,160 --> 00:47:53,480
Speaker 1: We just want you to stay home, brother, just stay home.

905
00:47:55,160 --> 00:48:01,919
Speaker 1: I love y'all, brother, one love. So that was dope.

906
00:48:02,000 --> 00:48:04,359
Speaker 1: That was the only woman. I'm gonna thank him, I'm saying,

907
00:48:06,239 --> 00:48:09,359
Speaker 1: because that would be interesting. You know he got something

908
00:48:09,360 --> 00:48:27,200
Speaker 1: to say. Okay, cool, cool, Let's try this one, dude, Huh,

909
00:48:27,400 --> 00:48:37,000
Speaker 1: I got it. As you know what's going on this time.

910
00:48:38,360 --> 00:48:40,960
Speaker 1: It was good my brother, no problem. You live on

911
00:48:41,040 --> 00:48:46,960
Speaker 1: the drink chats right now, make some noise for you'll

912
00:48:47,000 --> 00:48:48,719
Speaker 1: tell nity. Man. You know, I don't know if you know,

913
00:48:48,800 --> 00:48:51,680
Speaker 1: but we dedicate this whole show to Prodigy, and we

914
00:48:51,800 --> 00:48:54,120
Speaker 1: know you want of his closest friends. So we wanted

915
00:48:54,160 --> 00:48:58,040
Speaker 1: to get some words from you. Oh man, I love

916
00:48:58,120 --> 00:49:00,480
Speaker 1: my brother man first and foremost. Man, want to thing.

917
00:49:00,920 --> 00:49:03,600
Speaker 1: It's good to even talking to you, even your voice

918
00:49:03,680 --> 00:49:08,239
Speaker 1: right now. Seven team man, my brother Prodigy. Man, Yeah,

919
00:49:08,280 --> 00:49:11,160
Speaker 1: we all here right now. We've been talking enough me

920
00:49:11,400 --> 00:49:15,120
Speaker 1: twinking being no wrong guy. Each chinky little Ali motorhole

921
00:49:15,239 --> 00:49:17,680
Speaker 1: family right here. Man, One thing one with one thing

922
00:49:17,760 --> 00:49:20,880
Speaker 1: for sure. Two things concerning PROD PROD. You don't want

923
00:49:20,920 --> 00:49:23,759
Speaker 1: it to be sad. Don't be like down or nothing. No,

924
00:49:23,760 --> 00:49:26,000
Speaker 1: I mean, he a rock talk. So we're gonna party

925
00:49:26,080 --> 00:49:27,680
Speaker 1: like a rock talk for the homie. But most the

926
00:49:27,719 --> 00:49:30,120
Speaker 1: wall we really hurt though, my brother should I mean,

927
00:49:30,200 --> 00:49:32,800
Speaker 1: we heard too, don't. Yeah, I understand, man. You know

928
00:49:32,920 --> 00:49:34,640
Speaker 1: we've been rocking for years. You know what I'm saying.

929
00:49:34,719 --> 00:49:37,280
Speaker 1: Forget about anything else. But you know, the thing about

930
00:49:37,320 --> 00:49:39,600
Speaker 1: it is, we want to represent this man. We want

931
00:49:39,640 --> 00:49:41,960
Speaker 1: to represent his legacy. So that's what we're gonna continue

932
00:49:42,000 --> 00:49:44,279
Speaker 1: to do, my brother, and so you know I want

933
00:49:44,320 --> 00:49:46,400
Speaker 1: to give I want to give love and my condolences

934
00:49:46,480 --> 00:49:48,799
Speaker 1: to you. Gott e Twin. You know me and Twin

935
00:49:48,920 --> 00:49:50,800
Speaker 1: go back since now ladies and sparfit, you know what

936
00:49:50,840 --> 00:49:54,960
Speaker 1: I mean. So yeah, that world, So you know we're

937
00:49:54,960 --> 00:50:00,200
Speaker 1: gonna be That's what I just said. Yeah, I just said,

938
00:50:00,239 --> 00:50:02,839
Speaker 1: puts one on the phone, Tell to it. What's one

939
00:50:02,920 --> 00:50:04,839
Speaker 1: on the phone right now? Tell me you gonna drink

940
00:50:04,920 --> 00:50:13,000
Speaker 1: chance done? Got he got done? Got he? What up?

941
00:50:13,040 --> 00:50:24,359
Speaker 1: Got it? Yeah? For the more drink that up, yo, yo, twin.

942
00:50:24,480 --> 00:50:26,440
Speaker 1: What's going on? You live on Drenk Chance makes a

943
00:50:26,480 --> 00:50:31,719
Speaker 1: Louis for Twinter? You know how you doing? Done? You

944
00:50:32,640 --> 00:50:37,120
Speaker 1: high man? That's find a whole loan, man, absolutely, you

945
00:50:37,200 --> 00:50:39,239
Speaker 1: know we're dedicating this whole show the product you. We

946
00:50:39,320 --> 00:50:41,239
Speaker 1: had all types of people call up, but you know,

947
00:50:41,360 --> 00:50:43,200
Speaker 1: we gotta get you to say something about p real

948
00:50:43,320 --> 00:50:49,359
Speaker 1: quick please. Man. I never I never forget my first

949
00:50:49,480 --> 00:50:52,680
Speaker 1: my pin. I was like fourteen years old and my

950
00:50:53,080 --> 00:50:57,160
Speaker 1: brother's pizza and we were smoking a Singerrette. He was

951
00:50:57,200 --> 00:50:59,919
Speaker 1: smoking a cigarette. Let me shot because he was so young,

952
00:51:00,120 --> 00:51:06,440
Speaker 1: like man, tell us about from scurity. Were looking at

953
00:51:06,520 --> 00:51:12,440
Speaker 1: him like he was right right man. So that was

954
00:51:12,520 --> 00:51:14,800
Speaker 1: one of the that's one of the ones that really stuck.

955
00:51:15,160 --> 00:51:17,040
Speaker 1: That's when my first met him. From the thing, you

956
00:51:17,080 --> 00:51:20,000
Speaker 1: know what I'm saying, But you know, everything come full

957
00:51:20,080 --> 00:51:22,640
Speaker 1: certain because now I'm into that ship, you know, right right?

958
00:51:22,920 --> 00:51:24,920
Speaker 1: And restu pe to your brother too, man, I know

959
00:51:25,040 --> 00:51:31,600
Speaker 1: they both have it right now, burning it down, no doubt. Yeah, man,

960
00:51:31,680 --> 00:51:34,040
Speaker 1: We thank y'all so much. Man, you ain't talking nitty

961
00:51:34,120 --> 00:51:39,520
Speaker 1: man as God he there too. Yeah. See if God

962
00:51:39,560 --> 00:51:43,799
Speaker 1: he want to say something to drink chaps along, Okay, cool,

963
00:51:48,440 --> 00:51:57,000
Speaker 1: come on, kid, kid all love man, you're listen man

964
00:51:57,120 --> 00:51:59,680
Speaker 1: Twin to Nitty Man, I really appreciate you all taking

965
00:51:59,680 --> 00:52:02,400
Speaker 1: other Uh. We're gonna dedicate this whole should the Prodigy

966
00:52:02,560 --> 00:52:05,239
Speaker 1: and then we want y'all all together, man, and we

967
00:52:05,320 --> 00:52:10,080
Speaker 1: want all y'all together. Yeah, we want all y'all together

968
00:52:10,160 --> 00:52:12,600
Speaker 1: to when you'll get the chance, it's trip around. I'm

969
00:52:12,640 --> 00:52:17,160
Speaker 1: gonna hit trip to its Godfather today right now? Okay,

970
00:52:17,200 --> 00:52:18,880
Speaker 1: all right, cool, I'm gonna hit trip up to man.

971
00:52:19,160 --> 00:52:21,200
Speaker 1: I thank you man to tell to Nitty I said,

972
00:52:21,239 --> 00:52:22,880
Speaker 1: I think him as well. And we're gonna kick it

973
00:52:22,960 --> 00:52:25,080
Speaker 1: off the scenes in a little while. All right, my brother.

974
00:52:29,320 --> 00:52:36,200
Speaker 1: That was to Nitty infamous mall and motherfucking twin infamous mab.

975
00:52:36,320 --> 00:52:38,360
Speaker 1: You know what I'm saying. I'm also trying to get goldfather.

976
00:52:38,520 --> 00:52:42,280
Speaker 1: You know what I'm saying? Or alright, cool, cool, Yeah,

977
00:52:42,360 --> 00:52:47,160
Speaker 1: I'm ready to hit you back. Yes he did. Oh

978
00:52:47,280 --> 00:52:50,480
Speaker 1: the other dude, I didn't, I think because I got

979
00:52:50,560 --> 00:52:54,840
Speaker 1: shied tracted. I've seen that one. That's you don't understand

980
00:53:04,239 --> 00:53:07,280
Speaker 1: he'll trip was going on you live on the drink chance, Godfather.

981
00:53:07,360 --> 00:53:17,319
Speaker 1: Let's make some noise secrets. Yeah yeah, yea you live

982
00:53:17,360 --> 00:53:20,719
Speaker 1: on the drink, chance to hurt you and QB right now, yeah,

983
00:53:21,520 --> 00:53:24,719
Speaker 1: the blood White hand for the first time. Well, you

984
00:53:24,760 --> 00:53:27,479
Speaker 1: know what, you don't throw the back right now? People,

985
00:53:28,440 --> 00:53:30,759
Speaker 1: you know the count of three say you're live on

986
00:53:31,000 --> 00:53:32,520
Speaker 1: you live on the drink, chat on the count three

987
00:53:32,600 --> 00:53:35,120
Speaker 1: gonna say, rest in Peach, Prodigy one and two three,

988
00:53:35,480 --> 00:53:40,160
Speaker 1: Rest in peace, Prodigy. Yeah you know. So look, you'll trip.

989
00:53:40,239 --> 00:53:43,720
Speaker 1: A lot of people don't know when Prodigy actually passed

990
00:53:43,719 --> 00:53:46,840
Speaker 1: away in Las Vegas. Me and you was actually in

991
00:53:47,000 --> 00:53:51,520
Speaker 1: Las Vegas and we saw each other that day because yeah,

992
00:53:52,120 --> 00:54:00,080
Speaker 1: yeah man, and we were pot clean you left that

993
00:54:00,239 --> 00:54:03,080
Speaker 1: last time, you know, y'all together. Yeah, we go that back.

994
00:54:03,160 --> 00:54:04,879
Speaker 1: You know what I'm saying that we got least it wrong.

995
00:54:05,120 --> 00:54:07,640
Speaker 1: Y So listen, I just want to let you know.

996
00:54:07,760 --> 00:54:09,799
Speaker 1: We just had Tod Nitty call in, and we had

997
00:54:09,840 --> 00:54:12,920
Speaker 1: Twin Gambino call in, and we they just gave us

998
00:54:12,960 --> 00:54:15,239
Speaker 1: a privacy story. We need a Prodigy story from the

999
00:54:15,280 --> 00:54:29,359
Speaker 1: guard Father Part three story. Unt any any stories? Yeah, um,

1000
00:54:31,400 --> 00:54:34,120
Speaker 1: a lot of real shi you know, I only want

1001
00:54:34,160 --> 00:54:38,080
Speaker 1: to fight. Yeah, yeah, happy. We were celebrating his life,

1002
00:54:38,120 --> 00:54:41,120
Speaker 1: so a happy story, you're happy story. Yeah. He was

1003
00:54:41,200 --> 00:54:43,600
Speaker 1: a wonderful person. May had a great heart. You know

1004
00:54:43,640 --> 00:54:48,400
Speaker 1: what I'm saying, mentor you know, I'm saying somebody that

1005
00:54:48,520 --> 00:54:53,120
Speaker 1: somebody that you know, gave me information, you know, you know,

1006
00:54:53,400 --> 00:54:56,280
Speaker 1: life like themself. You know what I'm saying. I respect

1007
00:54:56,360 --> 00:54:58,719
Speaker 1: him for that for goding me, you know, in the

1008
00:54:58,800 --> 00:55:00,960
Speaker 1: right correction. You know what I'm saying. And you know

1009
00:55:01,200 --> 00:55:05,000
Speaker 1: what they expect. You know what I'm saying from from

1010
00:55:05,760 --> 00:55:08,640
Speaker 1: don't like yourself? You know I'm saying, what what's skipping tours?

1011
00:55:08,719 --> 00:55:12,440
Speaker 1: You know what? Right man, We're gonna celebrate this man

1012
00:55:12,600 --> 00:55:15,239
Speaker 1: life all night tonight care So I just want you

1013
00:55:15,320 --> 00:55:17,600
Speaker 1: to know, you know, my condolence is once again to you,

1014
00:55:17,800 --> 00:55:21,120
Speaker 1: the family, everybody. We love y'all. We're gonna hold you

1015
00:55:21,120 --> 00:55:22,879
Speaker 1: all down and we want your all on drink Champs

1016
00:55:22,920 --> 00:55:26,239
Speaker 1: together once once everything is you know, you know we

1017
00:55:26,360 --> 00:55:30,399
Speaker 1: got y'all to man. You know, we pat day one

1018
00:55:30,920 --> 00:55:33,680
Speaker 1: day one, So you know, yeah, I'm glad. I'm glad.

1019
00:55:33,680 --> 00:55:36,000
Speaker 1: I was what shoo when I when I pel that

1020
00:55:36,080 --> 00:55:38,080
Speaker 1: bad information? You know, stand so I was with a train,

1021
00:55:38,360 --> 00:55:40,960
Speaker 1: right Dundell. I was glad I was with you too, man.

1022
00:55:41,239 --> 00:55:43,400
Speaker 1: So kind of three we're gonna say r p Prodigy

1023
00:55:43,680 --> 00:55:57,080
Speaker 1: one to three. Hold okay, okay right now, yeah yeah

1024
00:55:57,440 --> 00:56:09,799
Speaker 1: one you know what a right he yeah, all right,

1025
00:56:09,880 --> 00:56:17,960
Speaker 1: trip trip later, my brother man, thank you, thank you

1026
00:56:18,040 --> 00:56:19,960
Speaker 1: my brother one love one Love I hit you later.

1027
00:56:21,239 --> 00:56:26,840
Speaker 1: I picked. That was Trimp god Father Part three. Prodigies Homie,

1028
00:56:27,160 --> 00:56:31,200
Speaker 1: we also called Todd Nitty Prodigies Homie. We also called

1029
00:56:31,239 --> 00:56:36,160
Speaker 1: Twin Prodigy Homie. We also had James Cruise Life later.

1030
00:56:38,160 --> 00:56:41,960
Speaker 1: We got Jungle from qb um Nah's brother and one

1031
00:56:42,000 --> 00:56:45,000
Speaker 1: of the Ellis Exaction hip hop. Who else we spoke

1032
00:56:45,080 --> 00:56:51,080
Speaker 1: to tonight, said Rob Marksman, the Goat, one of the goats,

1033
00:56:51,760 --> 00:56:54,360
Speaker 1: James Cruise as well. Right, we said that already, this

1034
00:56:54,600 --> 00:56:58,759
Speaker 1: this is dope man. You know again, we always wish

1035
00:56:58,840 --> 00:57:01,720
Speaker 1: we could, you know, salute people more while they're alive.

1036
00:57:01,760 --> 00:57:04,960
Speaker 1: And I think we're gonna I think we start doing

1037
00:57:05,040 --> 00:57:07,920
Speaker 1: that like every like once a month. We just dedicate

1038
00:57:08,080 --> 00:57:12,440
Speaker 1: like a whole show to an artist's alive, like a

1039
00:57:12,560 --> 00:57:15,640
Speaker 1: whole like a whole like segment like if you don't

1040
00:57:15,640 --> 00:57:18,040
Speaker 1: even tell them, like they're not on the show, they

1041
00:57:18,080 --> 00:57:21,160
Speaker 1: don't even know what the show, like, like you think

1042
00:57:21,160 --> 00:57:28,400
Speaker 1: about like the way for you right now, We're gonna

1043
00:57:28,680 --> 00:57:31,880
Speaker 1: We're gonna just dedicate like like this is the same

1044
00:57:31,960 --> 00:57:40,680
Speaker 1: way like it? Yeah yeah, damn man, every can't we

1045
00:57:40,760 --> 00:57:48,200
Speaker 1: still show like come on, already picked out my friend

1046
00:57:48,280 --> 00:57:57,000
Speaker 1: room homes, got your plan, but listen, man style, you'd

1047
00:57:57,040 --> 00:57:59,320
Speaker 1: be crazy you while you text someone already. I mean,

1048
00:58:00,120 --> 00:58:02,400
Speaker 1: come on, you just put it all on me everything.

1049
00:58:03,600 --> 00:58:05,920
Speaker 1: This is how it is. I just call some sufficient

1050
00:58:06,040 --> 00:58:11,720
Speaker 1: nets that na. I know what Eb's gonna say, gonna

1051
00:58:11,720 --> 00:58:14,720
Speaker 1: be like, nah, watching tales. I want to come to

1052
00:58:14,840 --> 00:58:18,439
Speaker 1: Earth watching. Hey, has anybody seen yeah, the Last Night show.

1053
00:58:19,080 --> 00:58:21,640
Speaker 1: That's the first one coming on the police because he

1054
00:58:21,840 --> 00:58:25,880
Speaker 1: dropping this some all so yeah he got black cops

1055
00:58:26,320 --> 00:58:31,520
Speaker 1: curling white white. Yes, that's wild see it that way? Yeah,

1056
00:58:31,520 --> 00:58:33,480
Speaker 1: I heard about that. I gotta watch it. I haven't

1057
00:58:33,520 --> 00:58:36,120
Speaker 1: watched it yet. Heard good things get good things. I'm

1058
00:58:36,160 --> 00:58:38,360
Speaker 1: hearing a lot of wild things about Earth that he's

1059
00:58:38,360 --> 00:58:44,400
Speaker 1: looking what focus he's licking? No, looking looking shoulder. The

1060
00:58:44,440 --> 00:58:47,320
Speaker 1: show looks very good. He compromids himself because he's involved

1061
00:58:47,640 --> 00:58:51,760
Speaker 1: as as being in. He's acting. No, he's directed. He's

1062
00:58:51,800 --> 00:58:54,880
Speaker 1: a job. But yes, yes, yes, yes, right right, come on,

1063
00:58:55,440 --> 00:59:02,040
Speaker 1: you're talking all this. I'm not talking over you know

1064
00:59:02,080 --> 00:59:03,960
Speaker 1: what I'm just saying that it looks good, the way

1065
00:59:03,960 --> 00:59:05,880
Speaker 1: he's doing it, the the what he did with the

1066
00:59:05,880 --> 00:59:08,000
Speaker 1: Biggie song. I got a story to tell you. That's

1067
00:59:08,000 --> 00:59:11,480
Speaker 1: the first sped. The first one was the first. I

1068
00:59:11,560 --> 00:59:14,440
Speaker 1: got a pretty tale. I saw a little trailer Tepe bullshit.

1069
00:59:15,360 --> 00:59:26,360
Speaker 1: It's a little Dopetions are amazing the show though, though

1070
00:59:26,520 --> 00:59:29,720
Speaker 1: for Tales for what it is, just rolling in trade

1071
00:59:29,840 --> 00:59:34,520
Speaker 1: from whichever one pick up that man, go out there

1072
00:59:34,560 --> 00:59:37,480
Speaker 1: and watch Tales? Pick that up? Did you watch All

1073
00:59:37,520 --> 00:59:39,960
Speaker 1: Lives on Me? No? I haven't. Man, you know, I

1074
00:59:40,040 --> 00:59:42,000
Speaker 1: went to the movie there. I mean I went to

1075
00:59:42,120 --> 00:59:50,280
Speaker 1: the movie, but man, they tumbo. I didn't even ask

1076
00:59:50,360 --> 00:59:52,920
Speaker 1: because since I got the call, the fire department just

1077
00:59:52,960 --> 00:59:54,880
Speaker 1: shut it down. So I didn't even walk. I was

1078
00:59:54,920 --> 00:59:57,280
Speaker 1: just like, it's over, Like, what am I gonna do?

1079
00:59:57,400 --> 01:00:00,480
Speaker 1: Tell the fire department, I'm sorry, alight, I was invited.

1080
01:00:00,600 --> 01:00:03,240
Speaker 1: They shot the whole building down. I was like, I

1081
01:00:03,360 --> 01:00:06,000
Speaker 1: was like, uh so I didn't. I didn't get a

1082
01:00:06,120 --> 01:00:08,320
Speaker 1: chance to see it. Then I hit the road. That's

1083
01:00:08,360 --> 01:00:10,720
Speaker 1: gonna see the vegas though, you told me yeah, But

1084
01:00:10,840 --> 01:00:19,040
Speaker 1: then vegas I can see. Then I realized at some

1085
01:00:19,240 --> 01:00:25,120
Speaker 1: point the vegas to heat listen that heat was serious.

1086
01:00:25,720 --> 01:00:29,760
Speaker 1: Oh my god. Yeah, big up to people that Vegas

1087
01:00:29,800 --> 01:00:33,600
Speaker 1: my boy Larry from G five cultivation. Big up the

1088
01:00:33,640 --> 01:00:35,960
Speaker 1: guy Joe always give me pre roads. I like his

1089
01:00:36,040 --> 01:00:39,360
Speaker 1: pre that crawfish that you always take us to. We

1090
01:00:39,440 --> 01:00:42,640
Speaker 1: did not go to the cross because they did not

1091
01:00:42,800 --> 01:00:44,400
Speaker 1: give us the rights to film because the E d

1092
01:00:44,560 --> 01:00:50,880
Speaker 1: C weekend, So I felt like, why support them? Wasn't

1093
01:00:50,880 --> 01:01:00,280
Speaker 1: that word he was going, don't remember you don't fun

1094
01:01:00,400 --> 01:01:06,920
Speaker 1: with it, You don't funk with weird want so all

1095
01:01:06,920 --> 01:01:10,280
Speaker 1: you're saying when the seapool was around you, I wasn't that.

1096
01:01:10,400 --> 01:01:16,640
Speaker 1: He's bullshit, bullshittings like a shrimp. Little it's like a

1097
01:01:16,720 --> 01:01:19,920
Speaker 1: little craft crawl fresh is a fish, that raw fish.

1098
01:01:20,680 --> 01:01:27,760
Speaker 1: It's a oh you got ha got to the poor

1099
01:01:27,880 --> 01:01:33,160
Speaker 1: little out, poor little rocket. Yeah, a little close. So

1100
01:01:33,360 --> 01:01:35,320
Speaker 1: Eddie asked you how you've been doing. You mean ass,

1101
01:01:36,400 --> 01:01:38,080
Speaker 1: don't don't don't put the mic too close to your mouth,

1102
01:01:40,360 --> 01:01:43,240
Speaker 1: the microphone and get it. Don't get anything you've been

1103
01:01:43,640 --> 01:01:45,640
Speaker 1: Oh it's you got a new show. You ain't been

1104
01:01:45,680 --> 01:01:48,480
Speaker 1: the service and Sweetness was on the road, was on

1105
01:01:48,600 --> 01:01:55,800
Speaker 1: the road, eat and ash he got after dark after

1106
01:01:58,280 --> 01:02:08,920
Speaker 1: next version of water ran waitresses. Yeah, I like it.

1107
01:02:09,200 --> 01:02:15,040
Speaker 1: I like it around after that waitress work a whole day.

1108
01:02:15,440 --> 01:02:23,240
Speaker 1: I think we could trys on the sign something. Yeah,

1109
01:02:23,880 --> 01:02:28,760
Speaker 1: I like. I can't I say I don't like something.

1110
01:02:29,640 --> 01:02:34,760
Speaker 1: I can exact produced. I can never be on the checking.

1111
01:02:35,240 --> 01:02:38,040
Speaker 1: I'm Jennifer Lopezing and just exact producing like you do

1112
01:02:38,120 --> 01:02:40,920
Speaker 1: with South Beach told he's never on the show. Those

1113
01:02:40,960 --> 01:02:43,560
Speaker 1: camera may gotta be dressed like doctors though ready for surgery.

1114
01:02:44,680 --> 01:02:47,200
Speaker 1: That's gonna be a dirty set. Your by the way,

1115
01:02:47,320 --> 01:02:50,880
Speaker 1: we vall. We love y'all, but I'm now filmed with

1116
01:02:51,000 --> 01:02:59,000
Speaker 1: a will production. But that's you didn't mean it like that.

1117
01:02:59,760 --> 01:03:04,480
Speaker 1: We officially started balls there. We're taking over production. No right,

1118
01:03:04,880 --> 01:03:07,440
Speaker 1: so we expected, like you know, all they do is

1119
01:03:07,520 --> 01:03:09,760
Speaker 1: come and say you're rich, go this way. Now we

1120
01:03:09,840 --> 01:03:13,440
Speaker 1: need start officially. Yeah, we kind of did. I'm gonna stand.

1121
01:03:13,480 --> 01:03:21,400
Speaker 1: They ain't got you gotta yeah, you gotta listen. Man,

1122
01:03:21,520 --> 01:03:24,440
Speaker 1: it's gonna be hard because man, I see the camera.

1123
01:03:24,600 --> 01:03:28,200
Speaker 1: It's a different thing though, it's a different thing. Eight cameras, yeah,

1124
01:03:28,520 --> 01:03:31,720
Speaker 1: and eight cameras, man, we need eight cameras and drink

1125
01:03:31,800 --> 01:03:40,960
Speaker 1: taps for our pillows. We need eight cameras. Man from

1126
01:03:41,000 --> 01:03:44,040
Speaker 1: that one man taking his nose and ship. Yeah, we

1127
01:03:44,120 --> 01:03:46,840
Speaker 1: need all that ship in the background. Yeah, I'm getting

1128
01:03:47,280 --> 01:03:51,880
Speaker 1: Sunny's Hollywood. He's he's he's with film. How he was sleeping.

1129
01:03:53,480 --> 01:04:00,560
Speaker 1: He's like it's boring from the run. He's like, this

1130
01:04:00,640 --> 01:04:03,920
Speaker 1: isn't that good? Yea homie. I didn't get conversation. But

1131
01:04:05,480 --> 01:04:08,000
Speaker 1: they stepped to you. They looked at me. They said

1132
01:04:08,160 --> 01:04:14,120
Speaker 1: you ain't fleet market And what did you say when

1133
01:04:14,160 --> 01:04:18,840
Speaker 1: they said you ain't fleetmaket? They need to relax. Let

1134
01:04:18,920 --> 01:04:23,960
Speaker 1: me the change the fast mother said the days. All right,

1135
01:04:26,280 --> 01:04:31,200
Speaker 1: that's a step going to the last book. You got

1136
01:04:31,280 --> 01:04:35,640
Speaker 1: that first book right there. You're like, baby, rest of all.

1137
01:04:35,800 --> 01:04:41,600
Speaker 1: I never was in the fleet and the first we

1138
01:04:43,560 --> 01:04:47,320
Speaker 1: cut up. You got have to fleet monkey, Jo. We

1139
01:04:47,560 --> 01:04:50,920
Speaker 1: got you on that LANs camera bro. I always went

1140
01:04:51,000 --> 01:04:56,200
Speaker 1: along with it. They got your pictures the moon customer. Yeah, yeah, yeah,

1141
01:04:57,080 --> 01:04:59,760
Speaker 1: you have the mobile fleet. But all I'm saying is

1142
01:05:00,440 --> 01:05:06,440
Speaker 1: them days is old for maybe day. I don't know.

1143
01:05:08,240 --> 01:05:13,520
Speaker 1: Sunny we go, we go. He eats steaks with his hands. Yo,

1144
01:05:13,760 --> 01:05:16,960
Speaker 1: let me tell you something. But telling something. He ate

1145
01:05:17,000 --> 01:05:26,080
Speaker 1: a fucking oyster. The whole show. I'm signing And then

1146
01:05:26,160 --> 01:05:29,600
Speaker 1: I ate four. I was joining eight minutes. That's right,

1147
01:05:29,760 --> 01:05:31,680
Speaker 1: you know what I'm saying. So it was like I

1148
01:05:31,840 --> 01:05:38,920
Speaker 1: wasn't closing. I don't want to. I get my flowers

1149
01:05:39,000 --> 01:05:47,000
Speaker 1: while I come in the head. I got real like

1150
01:05:47,440 --> 01:05:50,080
Speaker 1: at one point it just felt weird because it just

1151
01:05:50,160 --> 01:05:52,880
Speaker 1: felt like the guys, like the production crew said, I

1152
01:05:53,000 --> 01:05:55,520
Speaker 1: think he's the he's the wild one. So they said

1153
01:05:55,760 --> 01:05:58,160
Speaker 1: the section Sunday said I eat the shower, and they

1154
01:05:58,200 --> 01:06:02,480
Speaker 1: were all like, yeah, like wrong. Like I was like,

1155
01:06:04,360 --> 01:06:06,600
Speaker 1: I was gonna have a little bit of pride. Man

1156
01:06:06,720 --> 01:06:11,400
Speaker 1: is like that. I'm like I kind of took it

1157
01:06:11,480 --> 01:06:14,439
Speaker 1: personal because it was like they look but he said

1158
01:06:14,480 --> 01:06:16,160
Speaker 1: he offered. He was like, I'll eat the shower, and

1159
01:06:16,200 --> 01:06:18,640
Speaker 1: I'm like, no, I don't. I don't really think you

1160
01:06:18,720 --> 01:06:21,520
Speaker 1: should be going there, Like, I don't think that's good.

1161
01:06:21,760 --> 01:06:27,160
Speaker 1: You ate it completely, You ate the rib with the

1162
01:06:27,240 --> 01:06:30,720
Speaker 1: bones and the bone. You ain't. You ain't the boom

1163
01:06:31,200 --> 01:06:36,680
Speaker 1: Gotta relix, he did, Steve Hey, that's that reference ship.

1164
01:06:37,160 --> 01:06:39,880
Speaker 1: I didn't eat the whole t bone bone that killed

1165
01:06:39,960 --> 01:06:42,520
Speaker 1: that's what we're talking about. But I didn't eat that

1166
01:06:42,760 --> 01:06:45,120
Speaker 1: forty four. I was joining eight minutes. I saw that

1167
01:06:45,320 --> 01:06:49,000
Speaker 1: instan staff when you shook up the bone. Well, I

1168
01:06:49,160 --> 01:06:56,120
Speaker 1: did some things. You stay tuned to stay tuned, got

1169
01:06:56,160 --> 01:07:01,920
Speaker 1: all hit fifty years of skills. Listen. We got a

1170
01:07:02,000 --> 01:07:05,240
Speaker 1: lot of fun. Listen, man, I think all of you

1171
01:07:05,400 --> 01:07:09,920
Speaker 1: guys that's here, the whole crew. Because I'm out there,

1172
01:07:09,960 --> 01:07:13,520
Speaker 1: I'm not listen to wine. He was great, man. I

1173
01:07:13,640 --> 01:07:20,920
Speaker 1: drank twelve blossards of the y'alla back to you got away.

1174
01:07:21,080 --> 01:07:26,160
Speaker 1: There had the relaxed one. I had everything relaxed one.

1175
01:07:28,480 --> 01:07:30,640
Speaker 1: But you know, we had a lot of fun. We

1176
01:07:30,720 --> 01:07:32,680
Speaker 1: had a lot of fun. It was fun. It was

1177
01:07:32,720 --> 01:07:34,960
Speaker 1: a new experience. But trust me, man, there's a lot

1178
01:07:35,040 --> 01:07:39,440
Speaker 1: of people in here. Call of course Mari crazyhood. I

1179
01:07:39,520 --> 01:07:42,160
Speaker 1: think that. I think all of y'all for that drink.

1180
01:07:42,240 --> 01:07:45,720
Speaker 1: Champs provided the opportunity work and I don't want to

1181
01:07:45,760 --> 01:07:55,240
Speaker 1: bring up I don't want to bring up scared. That's

1182
01:07:57,080 --> 01:08:06,120
Speaker 1: but it's a seven year old lady. Man. Sorry, I

1183
01:08:06,200 --> 01:08:10,760
Speaker 1: didn't mean people and talking. Guys. I'm making a bad thing. Yo.

1184
01:08:10,920 --> 01:08:15,960
Speaker 1: You guys got home. You made it what it was

1185
01:08:16,120 --> 01:08:20,800
Speaker 1: right there. You answer across the street. Bro, oh my god,

1186
01:08:22,800 --> 01:08:28,400
Speaker 1: he take it. Take it? You push the wheelchain. Girls.

1187
01:08:28,439 --> 01:08:40,679
Speaker 1: Just hey, guys, here was night drink. Did he all

1188
01:08:40,720 --> 01:08:46,559
Speaker 1: get into far? Then he also had a teacher. You guys,

1189
01:08:50,360 --> 01:08:54,000
Speaker 1: what nature did you have? Helen? Killers away? What's on

1190
01:08:54,120 --> 01:08:58,800
Speaker 1: a feature? Your hands don't want? You want to get

1191
01:08:58,840 --> 01:09:03,240
Speaker 1: back to the need the worst worship? I love my

1192
01:09:03,360 --> 01:09:06,160
Speaker 1: slide and the state money were with the plastics one

1193
01:09:06,200 --> 01:09:13,640
Speaker 1: about fairrigabo fair goal for you? But you guys, you

1194
01:09:15,320 --> 01:09:19,360
Speaker 1: where'd you get that Becasso shirt? Both with that? Listen,

1195
01:09:22,200 --> 01:09:29,000
Speaker 1: let's talk about the fleet for this one was gonna

1196
01:09:30,200 --> 01:09:35,479
Speaker 1: you he homestaid, he doesn't homestead. You're right the bull show. Yeah,

1197
01:09:35,560 --> 01:09:42,559
Speaker 1: I'm the fleet baker. Game y'all black fast the back,

1198
01:09:42,640 --> 01:09:48,960
Speaker 1: I got a point, that's where you. Let's talk about that. Yeah,

1199
01:09:49,520 --> 01:09:53,360
Speaker 1: the fleet baking this up. I'm back. I'm mad black

1200
01:09:54,040 --> 01:09:57,880
Speaker 1: round check. I need some orange shirts. The pvds already

1201
01:09:57,880 --> 01:10:02,560
Speaker 1: about don't be there were covering for everything. Everything you

1202
01:10:02,640 --> 01:10:07,920
Speaker 1: got maybe out ten ten fullbacks for real, let's talk

1203
01:10:09,040 --> 01:10:12,840
Speaker 1: from the market everything. You're right, You're right, I've never

1204
01:10:13,000 --> 01:10:20,160
Speaker 1: disrespected for your girl. I ain't got you just relaxed.

1205
01:10:20,240 --> 01:10:25,160
Speaker 1: You we relaxed. Please, I'll see. I'm glad we got

1206
01:10:25,240 --> 01:10:27,080
Speaker 1: to do it like this all the way around, you know,

1207
01:10:27,320 --> 01:10:32,560
Speaker 1: because um no, we're dedicating the show to Pee, and

1208
01:10:32,680 --> 01:10:38,360
Speaker 1: I heard some voices, uh you know we dedicated Yeah,

1209
01:10:38,360 --> 01:10:40,120
Speaker 1: I'd about to say that that's about. That's how I

1210
01:10:40,160 --> 01:10:42,840
Speaker 1: was about in the round because we're dedicating this all

1211
01:10:43,600 --> 01:10:46,360
Speaker 1: episode to Pe. But I don't think he would have

1212
01:10:46,439 --> 01:10:50,320
Speaker 1: wanted us to be down on We celebrating his life,

1213
01:10:50,360 --> 01:10:52,200
Speaker 1: you know what I mean, that's what we're doing here tonight.

1214
01:10:52,280 --> 01:10:55,559
Speaker 1: So yeah, I wanted to ask you rememory. I mean,

1215
01:10:56,439 --> 01:10:59,280
Speaker 1: I saw the showcase at How Can I Be Down?

1216
01:10:59,320 --> 01:11:03,960
Speaker 1: Was a convention in Miami. I think Loud Records did

1217
01:11:04,040 --> 01:11:07,640
Speaker 1: a showcase. This is before what I called it the

1218
01:11:07,680 --> 01:11:11,920
Speaker 1: Second Month album because the first Month juven but but

1219
01:11:12,040 --> 01:11:14,439
Speaker 1: their second album is really what What the World Knows

1220
01:11:14,520 --> 01:11:17,720
Speaker 1: Him For? And it was the showcase at Luke. Luke

1221
01:11:17,840 --> 01:11:21,120
Speaker 1: owned the club at the time. Hold. Hold you got

1222
01:11:21,200 --> 01:11:29,840
Speaker 1: somebody h yellow Man Tragic to get down for you

1223
01:11:29,960 --> 01:11:38,680
Speaker 1: live with Drake, your trash were talking about Producy right now.

1224
01:11:38,800 --> 01:11:44,120
Speaker 1: We need we need a story for about Producy right now, Trashed,

1225
01:11:44,240 --> 01:11:49,439
Speaker 1: story about you live on Drake Chance my brother, Yes, sir,

1226
01:11:50,960 --> 01:11:53,800
Speaker 1: you know me, so before give a story by I

1227
01:11:53,840 --> 01:11:56,280
Speaker 1: am a little general story, just give an actual fact

1228
01:11:56,360 --> 01:12:00,519
Speaker 1: you Okay, Bottom line is how you going, little brother?

1229
01:12:01,000 --> 01:12:04,960
Speaker 1: I'm great brother. We just we just eluded prodigy. This

1230
01:12:05,120 --> 01:12:07,080
Speaker 1: is is a prodigy. We're gonna salute him today. You

1231
01:12:07,120 --> 01:12:12,400
Speaker 1: know we're gonna and you know our slogan, Yes, yes,

1232
01:12:13,920 --> 01:12:17,439
Speaker 1: So look what kind of show is this? Man? This

1233
01:12:17,600 --> 01:12:19,280
Speaker 1: is this is a drink camp show or this is

1234
01:12:19,360 --> 01:12:26,160
Speaker 1: like some competation drink just curse. Yeah, let's trash. You

1235
01:12:26,320 --> 01:12:28,880
Speaker 1: want said you want to said you felt like you

1236
01:12:29,000 --> 01:12:32,640
Speaker 1: had to go to Iraq the hood, but then you

1237
01:12:32,760 --> 01:12:35,559
Speaker 1: said all you had to do is getting sadday didn't

1238
01:12:35,600 --> 01:12:37,760
Speaker 1: come to Miami, you know what I'm saying. And you

1239
01:12:37,920 --> 01:12:40,439
Speaker 1: was in the hull right, Yeah, you don't want me

1240
01:12:40,479 --> 01:12:44,280
Speaker 1: to live baby now, but we want you to talk

1241
01:12:44,320 --> 01:12:46,960
Speaker 1: about prodigy. But it's all good. We live, Yeah, we live.

1242
01:12:49,200 --> 01:12:55,760
Speaker 1: Who the fund did that? J Let's cool? Let's go

1243
01:13:00,360 --> 01:13:03,920
Speaker 1: oh I look so what got said? Man? Me and

1244
01:13:04,040 --> 01:13:07,200
Speaker 1: prod of hen always have a level of relationship. Man,

1245
01:13:08,120 --> 01:13:11,240
Speaker 1: But I'm grateful that I had had the opportunity to

1246
01:13:11,520 --> 01:13:13,600
Speaker 1: make a man of the products. That's a man do

1247
01:13:15,479 --> 01:13:19,280
Speaker 1: what because it's the womb of what when you think

1248
01:13:19,320 --> 01:13:23,320
Speaker 1: about use it, when you think about challenge, when you

1249
01:13:23,439 --> 01:13:27,439
Speaker 1: think about ambition, A lot of niggas out here make excuses. Man,

1250
01:13:27,840 --> 01:13:31,280
Speaker 1: The son had a condition, but he rules above that

1251
01:13:31,920 --> 01:13:36,080
Speaker 1: if if not for nothing else, I'll be respectful for

1252
01:13:36,160 --> 01:13:38,439
Speaker 1: that man. You know what I'm saying, That they live

1253
01:13:38,520 --> 01:13:40,280
Speaker 1: more than more than a lot of niggers. Man, and

1254
01:13:40,320 --> 01:13:43,160
Speaker 1: then the road out. Man. You gotta respect his business,

1255
01:13:43,920 --> 01:13:48,240
Speaker 1: you gotta respect the influence he had autistically, and you've

1256
01:13:48,280 --> 01:13:51,439
Speaker 1: got to respect his life. Man, shouldn't a testament to

1257
01:13:51,680 --> 01:13:56,599
Speaker 1: anybody facing challenge and admisity. Man, you know, excuses rods up,

1258
01:13:57,600 --> 01:13:59,560
Speaker 1: That's what I got to say about that man. But

1259
01:14:00,040 --> 01:14:03,479
Speaker 1: for anything, I want to send my deepest regards to

1260
01:14:03,600 --> 01:14:08,080
Speaker 1: his family, his real family, because you know what that's

1261
01:14:08,080 --> 01:14:13,479
Speaker 1: gonna affect their lives. After niggas got the Instagram numbers up,

1262
01:14:13,800 --> 01:14:17,920
Speaker 1: after niggas got their motherfucker's social form numbers up, after

1263
01:14:18,040 --> 01:14:23,799
Speaker 1: niggas gonna throw all of them crazy pastuffy, after the faceship,

1264
01:14:24,439 --> 01:14:26,960
Speaker 1: his family has to live with the fact that a

1265
01:14:27,160 --> 01:14:29,960
Speaker 1: father is gone, a son is gone, the grand sun

1266
01:14:30,080 --> 01:14:32,679
Speaker 1: is gone. But I ain't gonna be sad for my duty.

1267
01:14:32,920 --> 01:14:38,280
Speaker 1: I'm gonna celebrates life. Man. That's that's what we life. Trash.

1268
01:14:38,400 --> 01:14:40,680
Speaker 1: That was well spoken, that's what we're doing right now. Man,

1269
01:14:40,920 --> 01:14:43,120
Speaker 1: we're celebrating his life. Man. On count of three, we're

1270
01:14:43,120 --> 01:14:48,160
Speaker 1: gonna say r P Prodigy one to three on the

1271
01:14:48,280 --> 01:14:54,920
Speaker 1: count three, r r P Prodigy one two three tries

1272
01:14:55,000 --> 01:14:58,680
Speaker 1: the rest in Peace can't run sign yep so trash man.

1273
01:14:59,120 --> 01:15:01,880
Speaker 1: So I'm gonna you. Oh, I'm gonna hit you. I'm

1274
01:15:01,880 --> 01:15:04,040
Speaker 1: gonna hit you. I'm gonna hit you later because we're

1275
01:15:04,040 --> 01:15:05,840
Speaker 1: gonna we're gonna keep the show going. But man, thank

1276
01:15:05,880 --> 01:15:08,040
Speaker 1: you for calling there. We appreciate that. And then we

1277
01:15:08,880 --> 01:15:10,760
Speaker 1: need you up here live. You need to be up here,

1278
01:15:12,560 --> 01:15:17,479
Speaker 1: all right, so before you lay up. Okay, come on, man,

1279
01:15:17,560 --> 01:15:19,640
Speaker 1: we we've been need you on here. Baby. You know

1280
01:15:19,640 --> 01:15:22,160
Speaker 1: what I mean. We're coming to it. Well, how do

1281
01:15:22,160 --> 01:15:23,280
Speaker 1: you want to do it? You want to do it

1282
01:15:23,320 --> 01:15:27,280
Speaker 1: in New York? No, I want to come to Miami.

1283
01:15:28,560 --> 01:15:34,960
Speaker 1: Smart answer, smart answer, smart answer, smart answer, grasshopper, smart answer.

1284
01:15:35,360 --> 01:15:37,519
Speaker 1: I want to come to Miami. Yeah, I want to

1285
01:15:37,560 --> 01:15:42,720
Speaker 1: get now for the for the twentieth anniversary of the

1286
01:15:42,720 --> 01:15:47,880
Speaker 1: war report that be hard. That be hard. For the anniversary,

1287
01:15:48,640 --> 01:15:51,160
Speaker 1: that be hard. That be hard. So look look look

1288
01:15:52,120 --> 01:15:53,679
Speaker 1: you know so look I'm gonna hit you off line

1289
01:15:53,720 --> 01:15:55,600
Speaker 1: so we can finish this. But yo, man, thank you

1290
01:15:55,680 --> 01:16:01,439
Speaker 1: for calling in man once again. My brother, welcome me

1291
01:16:01,479 --> 01:16:05,519
Speaker 1: when you're doing Yeah, I hate yourself? Finished? Was I finished?

1292
01:16:05,560 --> 01:16:11,760
Speaker 1: Hate you up? My brother one law picks my legg

1293
01:16:11,760 --> 01:16:19,960
Speaker 1: is the trashy so who we had called me tonight like, yeah,

1294
01:16:20,000 --> 01:16:23,240
Speaker 1: I love celebrated for my name minute. So we we're

1295
01:16:23,280 --> 01:16:28,320
Speaker 1: looking good. I don't know what that eagles. I don't

1296
01:16:28,360 --> 01:16:36,160
Speaker 1: think that we smoke a bog and come back. We'll

1297
01:16:36,160 --> 01:16:37,760
Speaker 1: come back and talk about the number. Yeah, but come

1298
01:16:37,760 --> 01:16:39,160
Speaker 1: back and talk about the memory. I'm gonna smoke a

1299
01:16:39,200 --> 01:16:43,360
Speaker 1: bog bogie break, remember, I don't want to do it. Actually,

1300
01:16:43,400 --> 01:16:45,880
Speaker 1: I put you one of those things. I got a

1301
01:16:45,920 --> 01:16:50,280
Speaker 1: movie from Back from the Bogey Break another thing that

1302
01:16:50,439 --> 01:16:57,040
Speaker 1: masterpiece said. I want to reiterate, elaborate on elaborate. He said, Um,

1303
01:16:58,120 --> 01:17:02,400
Speaker 1: he's dropping the movie, but he guess his movie might

1304
01:17:02,439 --> 01:17:21,200
Speaker 1: not be good enough. Yeah, this man poured the whole

1305
01:17:21,280 --> 01:17:24,400
Speaker 1: drink on. It shows the whole drink. What did you

1306
01:17:24,520 --> 01:17:30,559
Speaker 1: do like my action? I don't know. I mean, you know, yo,

1307
01:17:31,240 --> 01:17:39,160
Speaker 1: anytime anybody that's a whole what the fuck? Yeah? Yeah,

1308
01:17:40,200 --> 01:17:44,120
Speaker 1: oh my god, I don't know how you lass on

1309
01:17:44,720 --> 01:17:50,719
Speaker 1: on the run eating heat. That is not difficult. Show

1310
01:17:51,040 --> 01:17:53,559
Speaker 1: the drink. It's difficult. The show is not looking good anymore.

1311
01:17:55,680 --> 01:17:58,280
Speaker 1: Agents are nervous right now, I'm not a drink champ.

1312
01:17:58,400 --> 01:18:01,640
Speaker 1: So that's when happens. You're not what happens, that's right,

1313
01:18:02,560 --> 01:18:05,639
Speaker 1: that's what happened when you're not a drink chip. Okay.

1314
01:18:05,680 --> 01:18:09,200
Speaker 1: So another thing that that's the piece said was, um,

1315
01:18:10,040 --> 01:18:11,680
Speaker 1: he's had a movie coming out and the guests is

1316
01:18:11,720 --> 01:18:14,519
Speaker 1: not good enough because he's not dead alive, he's alive. Right.

1317
01:18:14,920 --> 01:18:17,519
Speaker 1: Do you think that is a case in hip hop

1318
01:18:17,640 --> 01:18:22,680
Speaker 1: that sometimes our artists actually become more popular. No, I

1319
01:18:22,760 --> 01:18:25,240
Speaker 1: think that's a problem we have in hip hop. Okay, mean,

1320
01:18:25,439 --> 01:18:27,720
Speaker 1: because look, I'm give you an example and I'm not

1321
01:18:27,760 --> 01:18:30,960
Speaker 1: gonna go to its depth into these movies. But to me,

1322
01:18:31,320 --> 01:18:35,120
Speaker 1: one of the best biopics, I like to say, biopic, biopic,

1323
01:18:35,960 --> 01:18:37,960
Speaker 1: one of the best movies is Straight to Compton and

1324
01:18:38,640 --> 01:18:42,840
Speaker 1: they were are alive and then watched you know, the

1325
01:18:42,960 --> 01:18:47,160
Speaker 1: quality at least quality control, whether you debate how factor everything,

1326
01:18:47,360 --> 01:18:50,280
Speaker 1: the quality of the film was top notch. Because you

1327
01:18:50,360 --> 01:18:52,760
Speaker 1: didn't like the Tupop movie, I thought it could have

1328
01:18:52,800 --> 01:18:56,479
Speaker 1: been better, meaning break it down, I just it could

1329
01:18:56,520 --> 01:18:58,719
Speaker 1: have been better. It could have been better as a film.

1330
01:18:58,960 --> 01:19:01,479
Speaker 1: I wasn't happy with the Big movie either. What did

1331
01:19:01,520 --> 01:19:04,760
Speaker 1: he really douggy in the movie? Yeah? They told me

1332
01:19:04,840 --> 01:19:08,400
Speaker 1: he had a duggie. I didn't even notice that social

1333
01:19:08,439 --> 01:19:11,639
Speaker 1: media as a character. That is really right? Oh the dude,

1334
01:19:14,120 --> 01:19:17,880
Speaker 1: H know that somebody I've seen him. Man, I just think,

1335
01:19:17,960 --> 01:19:21,240
Speaker 1: like a lot of people, And again does that mean me? Me? Me?

1336
01:19:22,120 --> 01:19:24,840
Speaker 1: People like they're They're like, Oh, the reason I think

1337
01:19:24,880 --> 01:19:26,320
Speaker 1: the movie is dope is because I'm a fan, and

1338
01:19:26,439 --> 01:19:28,960
Speaker 1: I'm like, well, as a I mean, if the first

1339
01:19:29,000 --> 01:19:30,439
Speaker 1: thing you should be saying as a fan should be

1340
01:19:30,479 --> 01:19:33,839
Speaker 1: more critical of the film. But I'm just saying in general,

1341
01:19:34,000 --> 01:19:37,200
Speaker 1: what I've noticed the films, well, there's only a few.

1342
01:19:37,240 --> 01:19:39,160
Speaker 1: There's not many in hip hop that have been to

1343
01:19:39,280 --> 01:19:41,760
Speaker 1: this level. The only one to me that has lived

1344
01:19:41,880 --> 01:19:43,680
Speaker 1: up to what it's supposed to be is the n

1345
01:19:43,800 --> 01:19:47,720
Speaker 1: w A film. And these guys are alive, so you

1346
01:19:47,840 --> 01:19:52,800
Speaker 1: are well, you know what I'm saying that somebody from

1347
01:19:52,920 --> 01:19:55,960
Speaker 1: the group, which is more than it was three out

1348
01:19:56,000 --> 01:19:59,240
Speaker 1: of four members, four or five members and Yellow ran

1349
01:20:01,760 --> 01:20:06,760
Speaker 1: Yeah huh no, what I'm saying people alive alive, but

1350
01:20:06,880 --> 01:20:11,080
Speaker 1: live so that that's that's my I don't think if

1351
01:20:11,120 --> 01:20:13,360
Speaker 1: you're alive it makes a difference. It makes a difference,

1352
01:20:13,400 --> 01:20:19,200
Speaker 1: like Frankie Lineman and yeah, yeah, is it who Frankie Lineman? No, No,

1353
01:20:19,320 --> 01:20:30,280
Speaker 1: that's not his name? Was falling on the Jersey Boys, Frankie,

1354
01:20:32,640 --> 01:20:35,960
Speaker 1: I'm thinking of the Jersey Boys? What's the dude from

1355
01:20:35,960 --> 01:20:41,880
Speaker 1: the Jersey Boy's name? New addition, New additions, new adition.

1356
01:20:42,120 --> 01:20:44,679
Speaker 1: But it was but wasn't great as a feature film

1357
01:20:44,880 --> 01:20:47,960
Speaker 1: for what it was as a TV movie. TV episode

1358
01:20:48,400 --> 01:20:52,880
Speaker 1: was an episode? I think it was when you say

1359
01:20:52,920 --> 01:20:55,479
Speaker 1: episodely to my episode, was it the episodes or wasn't one?

1360
01:20:55,720 --> 01:20:57,320
Speaker 1: There was the episode? It was like it was like

1361
01:20:57,439 --> 01:21:00,640
Speaker 1: the sixth episodes, No three, we have a So I

1362
01:21:00,720 --> 01:21:02,840
Speaker 1: think do you think that would have stood as a

1363
01:21:02,920 --> 01:21:07,320
Speaker 1: feature film had that been condensed? I think I think so, Yeah,

1364
01:21:07,600 --> 01:21:12,360
Speaker 1: I think so. I think. Um actually, by them dragging

1365
01:21:12,400 --> 01:21:14,640
Speaker 1: it out and made it, it made it actually more

1366
01:21:14,760 --> 01:21:17,519
Speaker 1: interesting because maybe they couldn't just fit it all in

1367
01:21:17,600 --> 01:21:19,560
Speaker 1: the ninety minutes, you know what I'm saying, Like that

1368
01:21:19,800 --> 01:21:23,320
Speaker 1: their career is really really a lot, you know. I say,

1369
01:21:23,400 --> 01:21:28,120
Speaker 1: our BT also bore um Nas by the same way

1370
01:21:28,160 --> 01:21:31,600
Speaker 1: that they did um new addition, and they did a

1371
01:21:31,640 --> 01:21:34,120
Speaker 1: great job with new addition. I can't lie like I

1372
01:21:34,280 --> 01:21:42,519
Speaker 1: was tuned in like it was not. You want to

1373
01:21:42,560 --> 01:21:45,639
Speaker 1: talk ahead, two sons, Let's go see it the famous

1374
01:21:45,680 --> 01:21:54,360
Speaker 1: director with no sleeves on. Yeah, all right. So what

1375
01:21:54,520 --> 01:21:56,920
Speaker 1: I think when it comes to a feature film, whether

1376
01:21:56,920 --> 01:22:00,360
Speaker 1: it's first off, Tupac had his problems. I haven't seen

1377
01:22:00,400 --> 01:22:01,800
Speaker 1: the film, so I'm not gonna judge it, but it

1378
01:22:01,880 --> 01:22:04,639
Speaker 1: has his problems with just Tupac being so prolific in general,

1379
01:22:04,680 --> 01:22:07,400
Speaker 1: and everybody's old enough to remember what he was. That

1380
01:22:07,800 --> 01:22:09,439
Speaker 1: it was gonna be a real difficult film. I was

1381
01:22:09,439 --> 01:22:11,160
Speaker 1: saying it for years. It's gonna be real difficult to

1382
01:22:11,200 --> 01:22:13,200
Speaker 1: execute that kind of movie. The same thing with Big.

1383
01:22:13,720 --> 01:22:16,479
Speaker 1: But when you look at a film, it lives and

1384
01:22:16,560 --> 01:22:18,880
Speaker 1: dies by the script, you know what I'm saying. So

1385
01:22:19,000 --> 01:22:24,600
Speaker 1: it's like on a biopic, factual or not. If the

1386
01:22:24,720 --> 01:22:30,120
Speaker 1: writing isn't good, it's just not gonna work, you feel me.

1387
01:22:30,520 --> 01:22:32,800
Speaker 1: So it always has to be a really, really great

1388
01:22:32,840 --> 01:22:36,519
Speaker 1: script first. Casting will come second. The director's job is easy.

1389
01:22:36,760 --> 01:22:38,960
Speaker 1: At that point. It's like a car, you know what

1390
01:22:38,960 --> 01:22:41,200
Speaker 1: I'm saying. You can have a Ferrari or you can

1391
01:22:41,280 --> 01:22:43,400
Speaker 1: have a body of a Ferrari with a Honda engine.

1392
01:22:43,400 --> 01:22:45,920
Speaker 1: It looks good, but it ain't got no drive, you

1393
01:22:45,960 --> 01:22:47,400
Speaker 1: know what I'm saying. So that's how you gotta look

1394
01:22:47,439 --> 01:22:49,200
Speaker 1: at the film. So the script sucks, which is probably

1395
01:22:49,240 --> 01:22:52,080
Speaker 1: what happened with a Tupac movie or some of they's

1396
01:22:52,080 --> 01:22:54,679
Speaker 1: TV and then. But to be fair, it's only certain

1397
01:22:54,720 --> 01:22:56,760
Speaker 1: people that say it say it sucks like it's other

1398
01:22:56,800 --> 01:23:00,320
Speaker 1: people who I like a lot, you know what, I

1399
01:23:00,600 --> 01:23:05,680
Speaker 1: have seen the artists. It's always subjective, so it's artist art.

1400
01:23:05,760 --> 01:23:08,599
Speaker 1: But I just I personally think it could have been

1401
01:23:08,680 --> 01:23:11,360
Speaker 1: better personally. I haven't seen the movie personally to judge it.

1402
01:23:11,960 --> 01:23:13,720
Speaker 1: You know, I haven't seen the movie. Who knows. But

1403
01:23:13,840 --> 01:23:15,639
Speaker 1: that also is people had to go through to make

1404
01:23:15,680 --> 01:23:18,560
Speaker 1: this your hang out. We got to actually be with

1405
01:23:19,400 --> 01:23:23,400
Speaker 1: many Booms are great director. What is the after party?

1406
01:23:23,439 --> 01:23:25,400
Speaker 1: It's a whole bunch of West Coast guys that can't

1407
01:23:25,400 --> 01:23:29,519
Speaker 1: perform DJ quick the outlaws. And I actually was front row.

1408
01:23:29,560 --> 01:23:32,080
Speaker 1: I stood right there and and and our love was

1409
01:23:32,160 --> 01:23:36,040
Speaker 1: in the movie. Well, I mean some of that. And

1410
01:23:36,240 --> 01:23:43,120
Speaker 1: wasn't the son and Kadafi's son, I believe, Oh yeah,

1411
01:23:44,720 --> 01:23:48,000
Speaker 1: that's dope. Booms credit just for even doing them. You know,

1412
01:23:48,160 --> 01:23:53,240
Speaker 1: you know what the thing is, Um, I think that, Uh,

1413
01:23:53,880 --> 01:23:57,240
Speaker 1: sometimes we just look at our legends that passed away

1414
01:23:58,000 --> 01:24:02,479
Speaker 1: for us to critique them as being perfect, like all

1415
01:24:02,560 --> 01:24:07,320
Speaker 1: the movies should be perfect. Ah. Sometimes it's just I

1416
01:24:07,479 --> 01:24:10,720
Speaker 1: liked it the Notorious like I liked it. I thought

1417
01:24:10,760 --> 01:24:12,800
Speaker 1: the quality was excellent, but I felt it could have

1418
01:24:12,880 --> 01:24:15,639
Speaker 1: been a better movie as well. I just think these

1419
01:24:16,120 --> 01:24:18,760
Speaker 1: this is a thing. Maybe we're putting these people in

1420
01:24:18,800 --> 01:24:21,400
Speaker 1: such a pedestal that we expect, but I expect the

1421
01:24:21,479 --> 01:24:24,280
Speaker 1: saying that we would give what's homing. They did walk

1422
01:24:24,320 --> 01:24:29,120
Speaker 1: the line Johnny Cash, you know, winning Oscars, like we

1423
01:24:29,680 --> 01:24:32,599
Speaker 1: why can't we do that in hip hop? Why can't

1424
01:24:32,640 --> 01:24:35,200
Speaker 1: we have that level of production? And to you that

1425
01:24:35,400 --> 01:24:38,320
Speaker 1: that wasn't the level I felt I felt it was. Yeah,

1426
01:24:38,360 --> 01:24:41,120
Speaker 1: it was, it was under that. It was it like that,

1427
01:24:41,280 --> 01:24:43,599
Speaker 1: Like I felt like like we just gave the people

1428
01:24:43,680 --> 01:24:46,160
Speaker 1: something because everybody was starving for it, so we gave

1429
01:24:46,240 --> 01:24:49,920
Speaker 1: it to them. And in the Notorious um situation, I

1430
01:24:50,000 --> 01:24:52,280
Speaker 1: felt it was great quality, but I just felt it

1431
01:24:52,439 --> 01:24:55,200
Speaker 1: lacked that just I don't know, I mean, this is

1432
01:24:55,320 --> 01:24:58,719
Speaker 1: my personal thing. I think that I think Notorious maybe

1433
01:24:58,880 --> 01:25:04,160
Speaker 1: came more from the mother's perspective, which which is when

1434
01:25:04,200 --> 01:25:08,160
Speaker 1: it comes from anybody's one perspective, that's when these movies fail.

1435
01:25:08,680 --> 01:25:11,519
Speaker 1: In my opinion, that the same argument can go against

1436
01:25:11,520 --> 01:25:13,439
Speaker 1: you with Straight Out of Company, because the thing is

1437
01:25:13,520 --> 01:25:16,439
Speaker 1: is that it's multiple people's input. Even though they might

1438
01:25:16,479 --> 01:25:19,960
Speaker 1: have manipulated some of the story, it's still too many

1439
01:25:20,040 --> 01:25:23,559
Speaker 1: people's sides that you're gonna get. Yeah, and the end

1440
01:25:23,560 --> 01:25:26,960
Speaker 1: you're gonna get. The thing is about I'm going to

1441
01:25:27,040 --> 01:25:29,560
Speaker 1: stand up and say, Cube is so embedded in the

1442
01:25:29,640 --> 01:25:33,320
Speaker 1: world of Hollywood movie making that I think I heard

1443
01:25:33,439 --> 01:25:35,559
Speaker 1: or I've seen him say that he wasn't gonna ever

1444
01:25:35,920 --> 01:25:39,160
Speaker 1: commit to a movie until he saw an amazing script

1445
01:25:39,560 --> 01:25:42,280
Speaker 1: because he already I think he understood. That goes back

1446
01:25:42,320 --> 01:25:46,720
Speaker 1: to my original script is everything straight up and down.

1447
01:25:47,160 --> 01:25:49,000
Speaker 1: But you know, Benny was an amazing direct. I was

1448
01:25:49,000 --> 01:25:50,559
Speaker 1: happy that he got it because just watching the hip

1449
01:25:50,560 --> 01:25:53,720
Speaker 1: hop music he's done from the done so much s

1450
01:25:53,960 --> 01:25:56,559
Speaker 1: to get that kind of look, you know, it's awesome

1451
01:25:56,840 --> 01:25:59,000
Speaker 1: to me. I just want the best for hip hop

1452
01:25:59,120 --> 01:26:02,320
Speaker 1: person That's that's all I'm saying. So now, being that

1453
01:26:02,479 --> 01:26:07,280
Speaker 1: this show is uh dedicated to Prodigy, is it too

1454
01:26:07,439 --> 01:26:11,280
Speaker 1: soon to think about like working on a Mob Deep

1455
01:26:11,439 --> 01:26:17,479
Speaker 1: or Prodigy. I think that's how how their inner circle feels.

1456
01:26:17,680 --> 01:26:21,400
Speaker 1: If they feel that that's something they feel confident that

1457
01:26:21,479 --> 01:26:23,599
Speaker 1: they want to undertake. Maybe they're not, you know, when

1458
01:26:23,600 --> 01:26:26,639
Speaker 1: they're ready. I think it's on them. But I think

1459
01:26:27,120 --> 01:26:30,400
Speaker 1: such an amazing movie could be made out of their

1460
01:26:30,479 --> 01:26:32,880
Speaker 1: story because it's like what people are saying, Mob Deep

1461
01:26:33,000 --> 01:26:36,760
Speaker 1: is the soundtrack to anybody, especially in our generation of

1462
01:26:36,880 --> 01:26:40,240
Speaker 1: hip hop. You can remember where you were at that

1463
01:26:40,320 --> 01:26:42,800
Speaker 1: point when Mob Deep dropped, you know, shook ones at

1464
01:26:42,840 --> 01:26:46,000
Speaker 1: for example. We that's that marks the time point in

1465
01:26:46,080 --> 01:26:49,120
Speaker 1: all of our lives. That is the soundtrack. So imagine

1466
01:26:49,160 --> 01:26:51,080
Speaker 1: the film that could be made. You could make a

1467
01:26:51,120 --> 01:27:11,680
Speaker 1: movie just probably about one album. Take it out. You

1468
01:27:11,720 --> 01:27:13,439
Speaker 1: should have passed me to ship he should I did

1469
01:27:13,479 --> 01:27:29,880
Speaker 1: it good the first Remember I write yourself. I had

1470
01:27:29,920 --> 01:27:32,519
Speaker 1: a conversation with somebody because I was reading this crazy article.

1471
01:27:32,520 --> 01:27:33,960
Speaker 1: I'm not gonna bring the article right now. I'm not

1472
01:27:33,960 --> 01:27:36,599
Speaker 1: giving nobody props in the show, but this crazy article

1473
01:27:36,600 --> 01:27:38,760
Speaker 1: about Golden age chip hop, and I was talking to

1474
01:27:38,800 --> 01:27:40,840
Speaker 1: someone's like, you know, all these gangster stories out of

1475
01:27:40,880 --> 01:27:44,200
Speaker 1: the twenties in New York like the same could be

1476
01:27:44,680 --> 01:27:46,920
Speaker 1: movies like Mafia movies. The same could be applied to

1477
01:27:47,040 --> 01:27:50,120
Speaker 1: the recording industry in the early nineties, late eighties, and

1478
01:27:50,320 --> 01:27:53,599
Speaker 1: I feel like the Mafia, it's almost like the Mafia

1479
01:27:53,680 --> 01:27:55,840
Speaker 1: didn't die, but it was like the recording industry of

1480
01:27:55,840 --> 01:27:59,200
Speaker 1: the eighties and the nineties. Well, they tried to do

1481
01:27:59,320 --> 01:28:02,160
Speaker 1: it with that one series on HBO and they got cut.

1482
01:28:02,720 --> 01:28:06,759
Speaker 1: Was the one series that that was in the seventies,

1483
01:28:06,800 --> 01:28:11,560
Speaker 1: and that was a great show and that it was

1484
01:28:13,920 --> 01:28:15,800
Speaker 1: he was a part of that, right, Yeah, they were.

1485
01:28:16,400 --> 01:28:21,639
Speaker 1: They were, Yeah, definitely going I guess who are Yeah,

1486
01:28:21,960 --> 01:28:24,479
Speaker 1: I think. I think My point is that the eighties

1487
01:28:24,520 --> 01:28:27,800
Speaker 1: and nineties, the same kind of storylines applyed to like

1488
01:28:27,880 --> 01:28:30,519
Speaker 1: the twenties and thirties gangsters in New York, applies to

1489
01:28:30,560 --> 01:28:32,560
Speaker 1: the eighties and nineties and the crack era and the

1490
01:28:32,640 --> 01:28:35,240
Speaker 1: recording industry and hip hop. But it's almost not even

1491
01:28:35,280 --> 01:28:37,960
Speaker 1: about all the rappers, about everybody was around the rappers

1492
01:28:38,000 --> 01:28:40,920
Speaker 1: and all the politics that get involved in it. Bro

1493
01:28:42,280 --> 01:28:44,840
Speaker 1: a couple of movie ideas for that era. Yeah, So

1494
01:28:44,960 --> 01:28:46,439
Speaker 1: it's just you know, I just think like it's like,

1495
01:28:47,120 --> 01:28:49,160
Speaker 1: I think that that era is really interesting, and I

1496
01:28:49,280 --> 01:28:53,639
Speaker 1: think that the way people idolize Lucky Luciano al Capone,

1497
01:28:53,720 --> 01:28:59,360
Speaker 1: Mayer Lansky there one day idolized Supreme or Leer Cohen

1498
01:28:59,439 --> 01:29:03,080
Speaker 1: how he with the Supreme Star are they are the

1499
01:29:03,200 --> 01:29:07,920
Speaker 1: modern day I mean a modern day to come back down,

1500
01:29:07,920 --> 01:29:09,800
Speaker 1: I think that's the modern day Frank Sinatra. I think

1501
01:29:09,840 --> 01:29:12,559
Speaker 1: it's everybody that's around see no, because I think even

1502
01:29:12,600 --> 01:29:15,839
Speaker 1: though Frank had the aura of being down with the mafia,

1503
01:29:15,960 --> 01:29:21,280
Speaker 1: he didn't do things these My point is, you know,

1504
01:29:21,400 --> 01:29:24,760
Speaker 1: Frank Sinatra was the recording artist of the Mob. So

1505
01:29:24,920 --> 01:29:26,479
Speaker 1: it's like, you know, you look at it, but these

1506
01:29:26,520 --> 01:29:28,880
Speaker 1: guys try to create and I'm not here to drive

1507
01:29:28,920 --> 01:29:30,120
Speaker 1: to this on nowhere, but you look at some of

1508
01:29:30,200 --> 01:29:32,120
Speaker 1: these artists. I'm not gonna you look at some of

1509
01:29:32,120 --> 01:29:34,760
Speaker 1: these artists in their history and who's backing them in

1510
01:29:35,040 --> 01:29:36,680
Speaker 1: the names you don't know, but you might have had

1511
01:29:36,760 --> 01:29:39,560
Speaker 1: a glimpse on the record, maybe somebody said something and

1512
01:29:39,640 --> 01:29:41,479
Speaker 1: drop the name were real quick and blah blah blah.

1513
01:29:41,920 --> 01:29:44,320
Speaker 1: Those are the guys that really are the ill stories

1514
01:29:44,400 --> 01:29:46,120
Speaker 1: that if you really get into it, you're like, yo,

1515
01:29:46,560 --> 01:29:48,880
Speaker 1: like holy crap, there's a real storyline there, and it's

1516
01:29:48,920 --> 01:29:52,200
Speaker 1: real deep and embedded and it's just you know, Rackster

1517
01:29:52,360 --> 01:29:56,040
Speaker 1: Richards always sells Man. America's built on the underdog. So

1518
01:29:56,200 --> 01:29:57,880
Speaker 1: you look at it Man coming from the projects and

1519
01:29:58,000 --> 01:30:00,479
Speaker 1: being a billion millionaire. I got close to a billionaire

1520
01:30:01,160 --> 01:30:03,880
Speaker 1: off hip hop, and he's alive and he came out

1521
01:30:03,960 --> 01:30:08,120
Speaker 1: the eighties early nineties in New Yorker l A. It's crazy.

1522
01:30:08,320 --> 01:30:10,040
Speaker 1: You know, that's a great there's a lot of meat

1523
01:30:10,040 --> 01:30:11,479
Speaker 1: and potatoes. I just hope it gets told right. I

1524
01:30:11,520 --> 01:30:14,280
Speaker 1: think Painted folded a really good assessment of it. Though.

1525
01:30:14,400 --> 01:30:19,800
Speaker 1: Oh yeah, I was in that movie. That makes I

1526
01:30:19,880 --> 01:30:23,400
Speaker 1: think you just sold his book for a movie. Yeah. Yeah,

1527
01:30:24,160 --> 01:30:28,240
Speaker 1: And I know to Life Crew as well as Yeah,

1528
01:30:28,360 --> 01:30:30,200
Speaker 1: we need their side of the story, but they're also

1529
01:30:30,800 --> 01:30:34,760
Speaker 1: working Bee. No, no, definitely not about Beef. I would

1530
01:30:34,800 --> 01:30:37,679
Speaker 1: like my initial when we talked about Luke, I would

1531
01:30:37,720 --> 01:30:40,200
Speaker 1: love to have everybody you know what I'm saying, you know,

1532
01:30:40,400 --> 01:30:52,280
Speaker 1: Mr Mix for the Marquis Luke um Man down right

1533
01:30:54,720 --> 01:31:00,240
Speaker 1: into shut out. He was originally in the first three

1534
01:31:01,360 --> 01:31:04,639
Speaker 1: we talked about this morning. That's why we didn't get frosts.

1535
01:31:05,000 --> 01:31:09,400
Speaker 1: We need not at that script. Is not in that

1536
01:31:09,439 --> 01:31:11,160
Speaker 1: script is sould. I always wanted to make a two

1537
01:31:11,200 --> 01:31:16,840
Speaker 1: Life Crew bio biopic. I like biopic, man like bio

1538
01:31:17,040 --> 01:31:20,840
Speaker 1: watching makes more. I hope I hope they called the

1539
01:31:20,960 --> 01:31:23,400
Speaker 1: movie as nasty as they want to be, And I

1540
01:31:23,520 --> 01:31:25,360
Speaker 1: hope they make the whole movie about the court case,

1541
01:31:25,880 --> 01:31:27,360
Speaker 1: and well, I think that's what. I think, that's what

1542
01:31:27,439 --> 01:31:29,160
Speaker 1: that movie. I think that's where they meet and Potatoes

1543
01:31:29,240 --> 01:31:30,400
Speaker 1: is for that film. I don't know the script. I

1544
01:31:30,400 --> 01:31:31,800
Speaker 1: don't know what they're doing. But if they make the

1545
01:31:31,840 --> 01:31:35,120
Speaker 1: whole ship about the freedom of speech court case, they win.

1546
01:31:35,720 --> 01:31:37,040
Speaker 1: I want to. I want them to go back to

1547
01:31:37,120 --> 01:31:39,360
Speaker 1: the pack jam and talk about that. You could do

1548
01:31:39,439 --> 01:31:42,680
Speaker 1: all that, you could do all that, but if you

1549
01:31:42,760 --> 01:31:44,840
Speaker 1: make the main conflict about them fighting for their freedom

1550
01:31:44,880 --> 01:31:47,040
Speaker 1: of speech, you win. Or give me a documentary because

1551
01:31:47,840 --> 01:31:50,560
Speaker 1: in the footage what you do right there Again we

1552
01:31:50,600 --> 01:31:52,200
Speaker 1: talked about this on the Luke episode, but it was

1553
01:31:52,400 --> 01:31:55,000
Speaker 1: a club that Luke ran. It was it was like

1554
01:31:55,920 --> 01:31:58,400
Speaker 1: everybody like it was this inner city club that just

1555
01:31:58,600 --> 01:32:00,200
Speaker 1: it was a write of passage. In my mean, you

1556
01:32:00,240 --> 01:32:02,559
Speaker 1: had to go ra jam like that was the spot,

1557
01:32:02,680 --> 01:32:04,280
Speaker 1: you know. But what you do with what you do

1558
01:32:04,479 --> 01:32:06,680
Speaker 1: is you give Luke the Larry Flint story basically at

1559
01:32:06,720 --> 01:32:10,200
Speaker 1: that point, definitely, because the package. All the imagery still applies.

1560
01:32:10,520 --> 01:32:12,320
Speaker 1: It's just you gotta have that big conflict and the

1561
01:32:12,360 --> 01:32:14,280
Speaker 1: big conflict of his freedom of speech, and that that's

1562
01:32:14,280 --> 01:32:16,160
Speaker 1: where they win and hopefully hope the guy they write

1563
01:32:16,200 --> 01:32:18,320
Speaker 1: that right. But I don't think it's too early about

1564
01:32:18,360 --> 01:32:26,599
Speaker 1: the Mob Deep movie. I don't think you know, it's

1565
01:32:26,600 --> 01:32:29,880
Speaker 1: only as early as the family feels comfortable to do it. Correct.

1566
01:32:29,880 --> 01:32:33,759
Speaker 1: I'm saying that that that's who counts, the family, trying

1567
01:32:33,840 --> 01:32:36,320
Speaker 1: to see that we keep talking, keep talking, correct. I

1568
01:32:36,400 --> 01:32:43,400
Speaker 1: believe that then well they have to be the whole linory,

1569
01:32:44,400 --> 01:32:51,960
Speaker 1: give a two piece on it. I just support us,

1570
01:32:56,640 --> 01:33:05,360
Speaker 1: keep talking talking. So what happened was remember all right, well,

1571
01:33:06,400 --> 01:33:08,680
Speaker 1: so I'm gonna try to speed it up. Actually, as

1572
01:33:08,800 --> 01:33:12,760
Speaker 1: as a fan of hip hop, I grabbed Juvenile as

1573
01:33:12,760 --> 01:33:26,479
Speaker 1: a cassette tape tape I always do so anyways, I

1574
01:33:26,640 --> 01:33:29,160
Speaker 1: was already a fan of Mob Deep. I had duven O. Hell,

1575
01:33:29,320 --> 01:33:32,160
Speaker 1: you know, Project Halways hit it from the back like

1576
01:33:32,320 --> 01:33:35,320
Speaker 1: I had that, you know that from the back to

1577
01:33:35,439 --> 01:33:40,000
Speaker 1: that record. So that's another person. So but we saw

1578
01:33:40,320 --> 01:33:42,600
Speaker 1: the showcase that was like the new coming out of

1579
01:33:42,680 --> 01:33:45,639
Speaker 1: Mob Deep, and and they performed Shook Ones Part two

1580
01:33:46,320 --> 01:33:51,080
Speaker 1: and It was at Luke's Club I forget the year exactly,

1581
01:33:51,400 --> 01:33:53,479
Speaker 1: and it was showcasing them and that was the first

1582
01:33:53,560 --> 01:33:56,120
Speaker 1: you know, you see and we were like, yo, this

1583
01:33:56,280 --> 01:34:04,400
Speaker 1: is crazy that no fifty it was it was Coca Bongos,

1584
01:34:04,800 --> 01:34:06,960
Speaker 1: but it was called Luke's, it was called Times, it

1585
01:34:07,000 --> 01:34:13,519
Speaker 1: was Coco before. You don't matter. But yeah, but they

1586
01:34:13,600 --> 01:34:16,479
Speaker 1: performed the ship that they performed, they killed it. So

1587
01:34:16,640 --> 01:34:18,960
Speaker 1: that's my first like like seeing them, you know, back

1588
01:34:19,120 --> 01:34:21,000
Speaker 1: back in the mix, and it was it was insane

1589
01:34:21,080 --> 01:34:23,360
Speaker 1: and that became, like I said, the soundtrack of our Lives.

1590
01:34:23,640 --> 01:34:26,200
Speaker 1: And then they were on the tour, Survival of the

1591
01:34:26,240 --> 01:34:32,800
Speaker 1: Fittest Tour, but there was a deaf jam and that's

1592
01:34:33,200 --> 01:34:36,559
Speaker 1: I briefly on my Instagram, I posted a freestyle um

1593
01:34:37,040 --> 01:34:39,120
Speaker 1: that that probably he did too. For me, it was

1594
01:34:39,280 --> 01:34:41,679
Speaker 1: and it's crazy because it was over both over your beats.

1595
01:34:42,280 --> 01:34:45,960
Speaker 1: It was banned from TV and super dug two verses

1596
01:34:46,200 --> 01:34:48,240
Speaker 1: and at the time I was bummed out because he

1597
01:34:48,320 --> 01:34:50,479
Speaker 1: didn't actually freestyle. What he did is he gave me

1598
01:34:50,640 --> 01:34:53,920
Speaker 1: verses for murder music but you know, same ace, but

1599
01:34:54,040 --> 01:34:55,679
Speaker 1: in advance, and I still put it on the taste.

1600
01:34:55,720 --> 01:34:57,439
Speaker 1: But you know, when I heard it later, I was like, oh,

1601
01:34:57,560 --> 01:34:59,080
Speaker 1: you know, because I was just such a hip hop

1602
01:34:59,120 --> 01:35:02,560
Speaker 1: has h But but but now, but the thing is

1603
01:35:02,640 --> 01:35:06,160
Speaker 1: that he did it. You know. Now in retrospect, I'm like, yo,

1604
01:35:06,280 --> 01:35:09,000
Speaker 1: he did it on those beats to to wait, those

1605
01:35:09,040 --> 01:35:11,240
Speaker 1: beats called him to do those verses. Imagined him on

1606
01:35:11,280 --> 01:35:14,040
Speaker 1: Super Thug spaying some of those verses. I got that,

1607
01:35:14,920 --> 01:35:18,320
Speaker 1: you know, and he's saying, Miami niggas, you know, like

1608
01:35:18,400 --> 01:35:20,599
Speaker 1: it's just you know, and it's not so so much

1609
01:35:20,680 --> 01:35:23,240
Speaker 1: more special unfortunately, you know what I'm saying. It was

1610
01:35:23,240 --> 01:35:37,040
Speaker 1: special back then. I put it on too mixed. Tell

1611
01:35:37,040 --> 01:35:40,439
Speaker 1: you why I do it? Pass fat Joy. Wait for

1612
01:35:40,560 --> 01:35:44,080
Speaker 1: twenty one years, but one day finally he just said,

1613
01:35:44,479 --> 01:35:48,519
Speaker 1: I said, oh ship, I keep doing it years I

1614
01:35:48,600 --> 01:35:51,000
Speaker 1: have I have a in my head. There's a time

1615
01:35:51,080 --> 01:35:54,000
Speaker 1: in place that I'm gonna smoke in my head too.

1616
01:35:56,120 --> 01:36:02,560
Speaker 1: That's why I keep trying. But shout out to to

1617
01:36:02,880 --> 01:36:09,080
Speaker 1: to Paul following Kings, drink out to my man, Salt

1618
01:36:09,479 --> 01:36:11,800
Speaker 1: my man Jason, Jason, and that's not your real head.

1619
01:36:11,840 --> 01:36:15,880
Speaker 1: Come over here. Let's just let's just talk about that

1620
01:36:15,960 --> 01:36:23,840
Speaker 1: for a second. Listen little with your cat for a second.

1621
01:36:26,840 --> 01:36:30,840
Speaker 1: We see him like leave it. You got you got nice?

1622
01:36:34,360 --> 01:36:37,240
Speaker 1: What's going over? I mean, like page, I guess you know,

1623
01:36:38,600 --> 01:36:40,920
Speaker 1: I just turned forty, so like let me let me

1624
01:36:40,960 --> 01:36:47,160
Speaker 1: do something. Yeah, my bro, you so what you what

1625
01:36:47,280 --> 01:36:51,479
Speaker 1: you did your hair plugs? Yeah? I feel like I

1626
01:36:51,560 --> 01:36:57,680
Speaker 1: feel like you got the George Jeferson just like, all right,

1627
01:36:57,960 --> 01:37:02,240
Speaker 1: that's my bad. Sald You good. You want kid say

1628
01:37:02,280 --> 01:37:09,839
Speaker 1: with something to drink? Kids in Sald You gotta relax.

1629
01:37:14,439 --> 01:37:17,400
Speaker 1: I gotta get the micro right, say something really? Yeah

1630
01:37:17,600 --> 01:37:27,000
Speaker 1: you know, Jason, hey real, let's just keep you for skateboard. Skateboard. Yeah,

1631
01:37:27,000 --> 01:37:30,679
Speaker 1: that's what I'm d be. Skateboard. Yeah, yeah, I've never

1632
01:37:30,800 --> 01:37:35,519
Speaker 1: heard of that one. That of my people, that's sal Jason.

1633
01:37:35,560 --> 01:37:37,639
Speaker 1: We still we had the sports grill all the time.

1634
01:37:37,720 --> 01:37:39,920
Speaker 1: You know what I'm saying, you can't do. He can't do?

1635
01:37:40,760 --> 01:37:45,000
Speaker 1: Can killing? Man? Mr? A killer? At one point, that's right,

1636
01:37:45,080 --> 01:37:48,080
Speaker 1: that's right. Mr Lee comes say how to the people missing? Come?

1637
01:37:48,200 --> 01:37:52,320
Speaker 1: Mr Lee? Who tried to shoot my What's Mr? Lee?

1638
01:37:52,400 --> 01:37:54,920
Speaker 1: How you doing? You can't shot? For two hours? He

1639
01:37:55,120 --> 01:37:57,920
Speaker 1: called him, He called him some coming to visit the

1640
01:37:57,960 --> 01:38:01,160
Speaker 1: food show. This nigger came for two I had to

1641
01:38:01,280 --> 01:38:04,040
Speaker 1: I had to make it, said where you ask were

1642
01:38:04,120 --> 01:38:09,560
Speaker 1: the airport? What are you talking about? Come smoke what

1643
01:38:10,040 --> 01:38:17,080
Speaker 1: six chick? I went to Orlando with my family and

1644
01:38:17,160 --> 01:38:19,680
Speaker 1: then I went to and then I went back to

1645
01:38:20,200 --> 01:38:22,680
Speaker 1: I just got back. That's a noise, I mean, not

1646
01:38:22,880 --> 01:38:54,800
Speaker 1: really understand. Also understand said yeah, yeah, welcome to play

1647
01:38:55,040 --> 01:39:01,080
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

1648
01:39:01,160 --> 01:39:05,720
Speaker 1: and more. Play it at play dot it. We're back

1649
01:39:05,840 --> 01:39:09,400
Speaker 1: to Drink Chaps Radio with Rapper and R and d J.

1650
01:39:10,040 --> 01:39:14,760
Speaker 1: Then right now, I want to take the time out

1651
01:39:15,600 --> 01:39:18,640
Speaker 1: shout out all the people that came out with us

1652
01:39:18,680 --> 01:39:20,800
Speaker 1: on the running and first off, but you're not done.

1653
01:39:20,920 --> 01:39:24,080
Speaker 1: You're not done yet. We mean record filming. Oh no, no,

1654
01:39:24,240 --> 01:39:29,040
Speaker 1: we four episodes and there's four episodes. Were about somebody Miami,

1655
01:39:29,800 --> 01:39:35,400
Speaker 1: New York. Yeah yeah, so let let's let's everybody's more

1656
01:39:35,400 --> 01:39:37,240
Speaker 1: than worlome to come. You get a lot of money.

1657
01:39:37,320 --> 01:39:41,000
Speaker 1: You have no excuse, you gotta I gotta next to

1658
01:39:41,439 --> 01:39:44,080
Speaker 1: Well all right, so what did we have in at

1659
01:39:44,200 --> 01:39:50,120
Speaker 1: l A? I forgot in l A. We had we

1660
01:39:51,040 --> 01:39:53,920
Speaker 1: don't just doesn't mean we can hear you Just ready

1661
01:39:53,960 --> 01:39:59,880
Speaker 1: to my food show that ambrose um. That's it. That's

1662
01:39:59,920 --> 01:40:09,720
Speaker 1: a Atlanta at a Come on, So we definitely had Amber,

1663
01:40:10,040 --> 01:40:19,040
Speaker 1: you know, the only thing this guy remembers. Remember who

1664
01:40:19,120 --> 01:40:24,000
Speaker 1: else we had? But listen, here's the crazy ship we have.

1665
01:40:24,640 --> 01:40:28,080
Speaker 1: Have Amber Rows on the Fud Show again right now. Me,

1666
01:40:28,360 --> 01:40:32,680
Speaker 1: I'm personally mad at my cousin. He personally embarrassed me.

1667
01:40:33,040 --> 01:40:38,160
Speaker 1: You know, has it a sound studio. He was taping

1668
01:40:38,320 --> 01:40:42,840
Speaker 1: pictures of Amber's ass, and I didn't like on the snap.

1669
01:40:42,960 --> 01:40:45,200
Speaker 1: I didn't like that, you know what I mean. And

1670
01:40:45,520 --> 01:40:49,240
Speaker 1: we're both complained about him. When they complained about this

1671
01:40:49,400 --> 01:40:54,080
Speaker 1: is just throwing it out there. But now I got

1672
01:40:54,240 --> 01:40:57,680
Speaker 1: Amber right, we're in there. You know, it's cool. We

1673
01:40:57,840 --> 01:41:03,320
Speaker 1: do the food show and this this expensive restaurant. The

1674
01:41:03,680 --> 01:41:10,320
Speaker 1: owner of the restaurant did the carline though you got

1675
01:41:11,160 --> 01:41:37,800
Speaker 1: the hook, dad got squeet shots. Yea interview, it's like

1676
01:41:50,640 --> 01:41:54,200
Speaker 1: the restaurant. Yo. It sucked me up because that's a damn.

1677
01:41:54,240 --> 01:41:56,280
Speaker 1: Maybe I was a little hard on my cousin. I

1678
01:41:56,360 --> 01:42:02,000
Speaker 1: think I think so, And I mind you, I don't

1679
01:42:02,120 --> 01:42:04,880
Speaker 1: peep it because I'm doing my own thing, you know,

1680
01:42:05,840 --> 01:42:09,040
Speaker 1: and peoples taking pictures to all people, you know whatever.

1681
01:42:09,720 --> 01:42:12,240
Speaker 1: She's we love, but she's a great girl with a

1682
01:42:12,280 --> 01:42:18,280
Speaker 1: great sport. So, um, how Secarity peeps it? So I

1683
01:42:18,400 --> 01:42:21,400
Speaker 1: Secarity lets everybody take a picture but the owner. And

1684
01:42:21,479 --> 01:42:24,240
Speaker 1: then I'm saying to myself, I don't remember if he

1685
01:42:24,320 --> 01:42:26,439
Speaker 1: paid this guy. He gave it to us for free.

1686
01:42:28,439 --> 01:42:34,080
Speaker 1: I don't you know the details and the details. I'm like,

1687
01:42:34,560 --> 01:42:37,439
Speaker 1: I do know he's the owner. So they're like, you

1688
01:42:37,560 --> 01:42:39,040
Speaker 1: can I have a picture of what the older dude

1689
01:42:39,080 --> 01:42:41,720
Speaker 1: or a younger dude. Actually he's younger, probably younger than me.

1690
01:42:52,240 --> 01:43:11,880
Speaker 1: Why don't go about some white open for that one dummy?

1691
01:43:12,680 --> 01:43:17,519
Speaker 1: But he looked today to describe this guy he had shot,

1692
01:43:18,280 --> 01:43:24,320
Speaker 1: he had him the super Yeah, he had like a

1693
01:43:24,760 --> 01:43:28,160
Speaker 1: very nice sports car, forget what it was outside, and

1694
01:43:28,240 --> 01:43:31,840
Speaker 1: he owned the restaurant. But to see him with the

1695
01:43:32,000 --> 01:43:38,040
Speaker 1: same face it's called the video when he filmed. No,

1696
01:43:38,240 --> 01:43:40,639
Speaker 1: I didn't see the video. I just seen to him

1697
01:43:45,200 --> 01:43:51,439
Speaker 1: come back. I'm glad we got your signatures, so it's

1698
01:43:51,439 --> 01:43:56,600
Speaker 1: all good. But it was shocking to me because it

1699
01:43:56,720 --> 01:44:07,680
Speaker 1: was the same face. It was the same the dedicated

1700
01:44:09,360 --> 01:44:14,120
Speaker 1: were celebrating his life, celebrated it was here right now

1701
01:44:14,160 --> 01:44:18,080
Speaker 1: what he was doing? Yes, real quick? Really did the

1702
01:44:18,160 --> 01:44:20,160
Speaker 1: times you saw him recently? Did y'all ever talk about

1703
01:44:20,240 --> 01:44:22,599
Speaker 1: him to a drink always wanted to do drink chance,

1704
01:44:22,640 --> 01:44:26,280
Speaker 1: but I just wanted to you saw that at ox Place, Yes,

1705
01:44:26,400 --> 01:44:28,040
Speaker 1: and what I wanted to do. I just wanted to

1706
01:44:28,080 --> 01:44:30,320
Speaker 1: make sure we're just really because you know drink cams,

1707
01:44:30,360 --> 01:44:32,559
Speaker 1: you gotta be really real loose to be on here.

1708
01:44:32,960 --> 01:44:35,200
Speaker 1: Like I think he had a great time. I feel

1709
01:44:35,200 --> 01:44:37,040
Speaker 1: like I had a great, great time. But it was crazy,

1710
01:44:37,120 --> 01:44:44,000
Speaker 1: y'all in Atlanta day ago, Aliey's makes and he something

1711
01:44:45,479 --> 01:44:49,559
Speaker 1: and he goes tell Nori, I'm getting ready for drink

1712
01:44:49,640 --> 01:44:54,640
Speaker 1: lamps like like like people feel like I don't know

1713
01:44:54,760 --> 01:45:01,000
Speaker 1: what they figures like happen. But I don't think we're

1714
01:45:01,040 --> 01:45:05,400
Speaker 1: gonna relax because people were like you just get just

1715
01:45:05,479 --> 01:45:10,560
Speaker 1: going drink bad have to start the show in this

1716
01:45:10,800 --> 01:45:16,800
Speaker 1: quarter you're listening. So for artists, for artists out there,

1717
01:45:16,920 --> 01:45:19,400
Speaker 1: you don't have to prepare to be on drink champs.

1718
01:45:19,560 --> 01:45:26,360
Speaker 1: You just you good sports, relax, have fun, be good sports. Actually,

1719
01:45:26,360 --> 01:45:28,200
Speaker 1: the more when you lose or where you gonna happen

1720
01:45:28,320 --> 01:45:31,760
Speaker 1: marijuana and what you do, Yeah, because the scary you

1721
01:45:31,840 --> 01:45:33,519
Speaker 1: get the heart of that. I don't know they're working

1722
01:45:33,560 --> 01:45:35,559
Speaker 1: out their minds. You know what I'm saying. No, yeah,

1723
01:45:35,560 --> 01:45:37,080
Speaker 1: I would give you an ear fit on this one.

1724
01:45:37,200 --> 01:45:41,560
Speaker 1: They're working out their minds. Look at that asked for

1725
01:45:41,680 --> 01:45:49,800
Speaker 1: ice for the black and Filipino listeners. He acts twice. Yo,

1726
01:45:50,479 --> 01:45:52,280
Speaker 1: I just want to get very I got to be out.

1727
01:45:52,360 --> 01:45:54,080
Speaker 1: I want to give you a bot prost. But yeah,

1728
01:45:54,120 --> 01:45:56,200
Speaker 1: it's kind of shirt up all the time. By the way,

1729
01:45:56,280 --> 01:46:04,200
Speaker 1: right now, yeah, oh you got How could we not

1730
01:46:04,439 --> 01:46:09,240
Speaker 1: point that out? I just want you to know something

1731
01:46:09,280 --> 01:46:11,639
Speaker 1: that's very important before you leave out here. Guards here.

1732
01:46:12,120 --> 01:46:16,120
Speaker 1: I could have very easily called Having text him that.

1733
01:46:16,760 --> 01:46:18,720
Speaker 1: But this is the respect that I want to give

1734
01:46:18,840 --> 01:46:26,120
Speaker 1: the family is I I didn't feel comfortable, you know,

1735
01:46:26,320 --> 01:46:29,880
Speaker 1: calling Having I see with b T did. Let's respect

1736
01:46:29,960 --> 01:46:32,479
Speaker 1: with b T ded, Let's respect Having being out there

1737
01:46:32,880 --> 01:46:36,120
Speaker 1: for me being personally involved. I didn't want to. I

1738
01:46:36,240 --> 01:46:40,000
Speaker 1: want to, you know, speak to the other folks because

1739
01:46:40,040 --> 01:46:42,120
Speaker 1: I know when you see Having and he has the

1740
01:46:42,160 --> 01:46:45,120
Speaker 1: b T wards with the all black glasses on, you

1741
01:46:45,240 --> 01:46:48,719
Speaker 1: know that sends a message like I'm here to srap

1742
01:46:48,840 --> 01:46:51,760
Speaker 1: my man. But I don't really want to be here.

1743
01:46:51,920 --> 01:46:59,000
Speaker 1: Because he was at the b teacher yeah prodigy and

1744
01:46:59,520 --> 01:47:03,320
Speaker 1: Kim said piece and the piece Yeah, so you know

1745
01:47:04,680 --> 01:47:07,040
Speaker 1: that's some real ship, you know what I'm saying. And uh,

1746
01:47:08,120 --> 01:47:13,759
Speaker 1: we always you know, want to salute a great sway

1747
01:47:13,800 --> 01:47:15,679
Speaker 1: they are alive. That's what the whole show is about.

1748
01:47:16,240 --> 01:47:19,320
Speaker 1: Giving them the flowers where they could smell them, giving

1749
01:47:19,360 --> 01:47:22,880
Speaker 1: them the trees where they can hell them, you know

1750
01:47:22,920 --> 01:47:24,640
Speaker 1: what I mean, and having fun while we do it,

1751
01:47:24,760 --> 01:47:27,000
Speaker 1: and having fun while because now we're not just here

1752
01:47:27,040 --> 01:47:29,680
Speaker 1: trying to be all serious like we want them to

1753
01:47:29,760 --> 01:47:33,880
Speaker 1: have fun. The relevant because they are relevant, you know

1754
01:47:33,920 --> 01:47:37,960
Speaker 1: what I'm saying. Right whoever says they're not relevant? Right? Yeah?

1755
01:47:38,040 --> 01:47:42,240
Speaker 1: Yea and and and so that's what we're doing on

1756
01:47:42,439 --> 01:47:46,160
Speaker 1: drink Champs and we want to say Western Peace prodigy,

1757
01:47:47,120 --> 01:47:50,639
Speaker 1: you know what I'm saying. And uh, I was so lucky.

1758
01:47:50,680 --> 01:47:53,360
Speaker 1: I don't know if people know the history, you know,

1759
01:47:53,520 --> 01:47:57,479
Speaker 1: but for me and Tire, they need to be on

1760
01:47:57,600 --> 01:48:02,160
Speaker 1: the same phone in the sun each other. No, yeah,

1761
01:48:02,240 --> 01:48:04,200
Speaker 1: we don't want to you know, that's not what that

1762
01:48:04,400 --> 01:48:11,400
Speaker 1: is about. Man for us Dotnity twin golf all the

1763
01:48:11,560 --> 01:48:16,600
Speaker 1: Part three Jungle. This is that's real historic ship that

1764
01:48:16,840 --> 01:48:20,080
Speaker 1: lets you know that if that's the legacy that Pete

1765
01:48:20,200 --> 01:48:23,680
Speaker 1: left behind and tragedy called, then True Life called then

1766
01:48:24,240 --> 01:48:27,160
Speaker 1: you know, we had a couple of different perspectives shining

1767
01:48:27,240 --> 01:48:32,439
Speaker 1: read Rob Marks Uh jungle Jungle Man said that. Well,

1768
01:48:32,560 --> 01:48:34,000
Speaker 1: you know, you know I want to hear from b

1769
01:48:34,200 --> 01:48:37,519
Speaker 1: dot Man. You think, yeah, please man, even Elliott Man,

1770
01:48:37,560 --> 01:48:39,880
Speaker 1: if you can get Elliott on the phone, you think

1771
01:48:39,920 --> 01:48:41,519
Speaker 1: he gives. Yeah. I don't think it's never gonna come

1772
01:48:41,520 --> 01:48:45,200
Speaker 1: to Dream Champs anywhere that man. I think that man

1773
01:48:46,080 --> 01:48:49,840
Speaker 1: just set them It was always loved man, just competition

1774
01:48:50,000 --> 01:48:51,760
Speaker 1: thinking this is some private ship right now, and not

1775
01:48:51,840 --> 01:49:01,200
Speaker 1: even competition. We don't care about the same things. Let's see,

1776
01:49:01,479 --> 01:49:07,560
Speaker 1: this is bed for rat Radar. Let's seev asks. We

1777
01:49:07,680 --> 01:49:09,559
Speaker 1: know Elliott's not gonna ask, but I try that too.

1778
01:49:09,600 --> 01:49:12,519
Speaker 1: It's well, I think you would. We don't mean to

1779
01:49:12,560 --> 01:49:15,360
Speaker 1: set them up like that. But all queens is Queen's

1780
01:49:15,439 --> 01:49:18,559
Speaker 1: right now, this is love right now. They're probably had

1781
01:49:18,560 --> 01:49:22,600
Speaker 1: the whole party though, I'm gonna be honest. You know

1782
01:49:22,680 --> 01:49:30,479
Speaker 1: they title supertitles Queen did happen? Just leave a dream

1783
01:49:30,520 --> 01:49:32,760
Speaker 1: chance message the next person you call, we leaveing a

1784
01:49:32,800 --> 01:49:36,559
Speaker 1: dream chance message. Elliott. Yeah, We're gonna let Paul say

1785
01:49:36,600 --> 01:49:42,880
Speaker 1: something to them. Pol you ready, I think you're clowning me. Man,

1786
01:49:43,240 --> 01:49:46,200
Speaker 1: you know, wait, yeah this keep this, keep it. You

1787
01:49:46,240 --> 01:49:57,559
Speaker 1: can't keep it if nobody's here. Slappy never happened? Whoa?

1788
01:50:01,240 --> 01:50:08,639
Speaker 1: You know how you think I don't know? We're crazy

1789
01:50:08,840 --> 01:50:16,080
Speaker 1: for nothing? Yeah, Paula's I got real killed. Nori slapped

1790
01:50:16,080 --> 01:50:23,880
Speaker 1: me all the same, definitely killed me. He killed you

1791
01:50:24,000 --> 01:50:31,840
Speaker 1: and up Homo. I love both of y'all. Man, Why

1792
01:50:31,880 --> 01:50:35,080
Speaker 1: can't we just just say let me just say pause?

1793
01:50:36,479 --> 01:50:39,080
Speaker 1: Do you? Paul A real man can tell a man.

1794
01:50:40,000 --> 01:50:45,000
Speaker 1: I agree to him. See you're saying, I love you, man,

1795
01:50:45,160 --> 01:50:47,120
Speaker 1: I love you. Gonna see it a lot. A matter

1796
01:50:47,120 --> 01:50:51,479
Speaker 1: of fact, you have Rose black biggest song. I think

1797
01:50:51,520 --> 01:50:55,640
Speaker 1: it's tone vision right. Hey, my brother gonna see it.

1798
01:50:55,680 --> 01:50:58,599
Speaker 1: Shot it? He did. That's beautiful. That's a beautiful thing.

1799
01:50:58,640 --> 01:51:01,719
Speaker 1: When I saw that, I said, hold on. He wished,

1800
01:51:01,760 --> 01:51:06,200
Speaker 1: actually he wished he was casting it in though I

1801
01:51:06,240 --> 01:51:11,719
Speaker 1: don't want to be. It's a thing. Come on, guys,

1802
01:51:12,880 --> 01:51:16,800
Speaker 1: we're reaching out with an olive bridge. No, no, that's

1803
01:51:17,160 --> 01:51:19,680
Speaker 1: it's all. You know. I understand I didn't see him

1804
01:51:19,720 --> 01:51:21,840
Speaker 1: a text. I send anybody else a text prior to that.

1805
01:51:22,560 --> 01:51:26,000
Speaker 1: But uh, look about somebody see me at paper? So

1806
01:51:26,280 --> 01:51:29,800
Speaker 1: just drawing? Should I try to cook cabin hard. I

1807
01:51:29,840 --> 01:51:33,439
Speaker 1: think you're hard. We already I was lying. I was like, now,

1808
01:51:33,520 --> 01:51:47,519
Speaker 1: but pretend to call him everybody savage savage. Yeah yeah man,

1809
01:51:47,560 --> 01:51:51,599
Speaker 1: but drink chance man. You know so yeah again, once again,

1810
01:51:51,640 --> 01:51:55,479
Speaker 1: we'll talk to our fucking fans and tell them let

1811
01:51:55,560 --> 01:51:59,639
Speaker 1: him turn into a TV shows. The last CBS I'm

1812
01:51:59,640 --> 01:52:05,040
Speaker 1: trying to best the last CBS episode for the record,

1813
01:52:05,560 --> 01:52:08,680
Speaker 1: big up, CBS made history with CBS. We ain't got

1814
01:52:08,760 --> 01:52:11,200
Speaker 1: no problems with them, so we love them. Shout out

1815
01:52:11,200 --> 01:52:14,559
Speaker 1: to everybody over there's a lot of people, Regina buying, Greg,

1816
01:52:15,160 --> 01:52:19,120
Speaker 1: all of them, everybody everybody over there that I'm not saying,

1817
01:52:19,200 --> 01:52:21,880
Speaker 1: but we love y'all. Shout out to God, Free Game,

1818
01:52:21,920 --> 01:52:24,960
Speaker 1: Attack Radio for for making the link as well. We

1819
01:52:25,080 --> 01:52:32,519
Speaker 1: just want ot masters. That's why we're leaving. Buddy, I

1820
01:52:32,680 --> 01:52:35,160
Speaker 1: loved them, and then you know, boom, We're gonna come

1821
01:52:35,240 --> 01:52:40,320
Speaker 1: to the next pot Boom. I gotta relax, and they revote.

1822
01:52:40,360 --> 01:52:43,200
Speaker 1: We got to deal with Revolte Bigger the vault. Explaining

1823
01:52:43,200 --> 01:52:44,840
Speaker 1: the deal with Revote for people who don't understand it,

1824
01:52:44,960 --> 01:52:47,040
Speaker 1: definitely too drunk to explain it. I feel like you

1825
01:52:47,240 --> 01:52:51,519
Speaker 1: you can do that. Maybe Paul could explain what we're

1826
01:52:51,520 --> 01:53:05,679
Speaker 1: gonna do it Thursday Thursdays. So cuss that's a little

1827
01:53:05,720 --> 01:53:12,439
Speaker 1: CBS right. We're dropping this whole episode tomorrow on CBS paying.

1828
01:53:12,960 --> 01:53:15,280
Speaker 1: Just for the record, make sure you check us on

1829
01:53:15,400 --> 01:53:20,000
Speaker 1: drink Champs dot com if anything stays consistent, Champs dot com.

1830
01:53:20,800 --> 01:53:23,479
Speaker 1: Drink Champs dot com and buy that drink Champs of Power.

1831
01:53:23,520 --> 01:53:25,280
Speaker 1: I've been seeing a lot of it. Man out on

1832
01:53:25,360 --> 01:53:28,080
Speaker 1: the road. I've been very impressed to drink Champs Power.

1833
01:53:28,960 --> 01:53:40,080
Speaker 1: I was like that, And you know what, we gotta

1834
01:53:40,080 --> 01:53:44,200
Speaker 1: get pros to detail are the STORYTL carry drink Champs

1835
01:53:44,280 --> 01:53:48,360
Speaker 1: merch now. And that's like the Maryland DC Baltimore area.

1836
01:53:48,920 --> 01:53:51,280
Speaker 1: So if you're in the Maryland D SEE Baltimore area,

1837
01:53:51,760 --> 01:53:55,280
Speaker 1: that's that's your version of Jimmy Jazz like in New York.

1838
01:53:55,439 --> 01:53:57,519
Speaker 1: So you know, you know, thank you all. You know

1839
01:53:57,520 --> 01:54:01,720
Speaker 1: what I mean. It's like, yeah, that's dope. Yeah. The

1840
01:54:01,760 --> 01:54:08,120
Speaker 1: flea market for Sunny Yeah, no, same bast to the

1841
01:54:08,240 --> 01:54:09,840
Speaker 1: same place. And he would go every day to the

1842
01:54:10,760 --> 01:54:13,160
Speaker 1: Lets tell y'all something, I gotta tell yall something. Lee

1843
01:54:13,240 --> 01:54:17,879
Speaker 1: walking him back. We downstairs earlier in the morning. We're smoking,

1844
01:54:18,320 --> 01:54:23,720
Speaker 1: we're drinking Snigger's sunny walked the corners. It looked like

1845
01:54:24,880 --> 01:54:31,160
Speaker 1: his ankles had a fight with sand paper. That's Friday said, Yo,

1846
01:54:31,439 --> 01:54:39,680
Speaker 1: please put some you relax, y'all. He was right here.

1847
01:54:39,680 --> 01:54:43,800
Speaker 1: You don't just blame like Yo, I'm not light skin, bro.

1848
01:54:44,080 --> 01:54:51,640
Speaker 1: He black his hell ks Ever, god ankles is light skin.

1849
01:54:52,240 --> 01:55:00,480
Speaker 1: Oh my god. So it's not minutes put that ship

1850
01:55:00,600 --> 01:55:07,720
Speaker 1: on there. I just spoke up the expiration. They'd already

1851
01:55:07,760 --> 01:55:15,720
Speaker 1: expie shine, yo, since don't make you feel a little better.

1852
01:55:15,840 --> 01:55:16,960
Speaker 1: I don't know where we were. We were in the

1853
01:55:17,040 --> 01:55:21,560
Speaker 1: hot ass motherfucking place. Eddie Gigs got baby oil and

1854
01:55:21,680 --> 01:55:27,040
Speaker 1: put it on like it was sunscreen in the world

1855
01:55:32,720 --> 01:55:39,600
Speaker 1: chicken where we asked. We had a two hundred hours

1856
01:55:41,440 --> 01:55:45,400
Speaker 1: winning the b to the female baby deserved that. She

1857
01:55:45,520 --> 01:55:47,840
Speaker 1: went up there, she spit some bars. I felt like

1858
01:55:47,960 --> 01:55:51,160
Speaker 1: that was so hip hop. I didn't care for the

1859
01:55:51,280 --> 01:55:55,000
Speaker 1: fact that you know, she she spoke about um Nicki Minaj,

1860
01:55:55,120 --> 01:55:56,600
Speaker 1: if that was it or not. I just felt like

1861
01:55:56,680 --> 01:55:59,240
Speaker 1: that was hip hop and I didn't care if she

1862
01:55:59,400 --> 01:56:01,520
Speaker 1: was dissing on not. That was ill to win the

1863
01:56:01,560 --> 01:56:05,240
Speaker 1: award and just spit a verse that there's no more

1864
01:56:05,360 --> 01:56:07,640
Speaker 1: hip hop than that. You know what I'm saying, and

1865
01:56:07,840 --> 01:56:11,040
Speaker 1: I applaud that. I apployed everything that's going on in

1866
01:56:11,080 --> 01:56:13,720
Speaker 1: the hip hop. I didn't get to see the whole

1867
01:56:14,160 --> 01:56:18,120
Speaker 1: BT Awards, like Aja said, you don't get to see. Right.

1868
01:56:18,800 --> 01:56:23,360
Speaker 1: We're busy, man, We drink Colombia, working on it. We're

1869
01:56:23,360 --> 01:56:25,480
Speaker 1: trying about coming home Colombia, trying to finish that so

1870
01:56:25,600 --> 01:56:28,280
Speaker 1: we can make some some of these festivals. Man. So

1871
01:56:28,400 --> 01:56:30,320
Speaker 1: we're working on it really fast. I'm just telling you,

1872
01:56:30,480 --> 01:56:32,760
Speaker 1: like a lot of people that you brought out, there

1873
01:56:32,840 --> 01:56:35,000
Speaker 1: was s living coke behind your back. It's a lot.

1874
01:56:39,520 --> 01:56:54,680
Speaker 1: It was a wonderfum yeah, maybe because you never that

1875
01:56:55,120 --> 01:57:00,200
Speaker 1: movie was the movie? Um uh no, no, you know

1876
01:57:00,440 --> 01:57:03,800
Speaker 1: it's the He's a pop star, rock star, Oh my god,

1877
01:57:03,960 --> 01:57:11,600
Speaker 1: doctor fake documentary ship, yeah, pop star. I think at

1878
01:57:11,800 --> 01:57:15,000
Speaker 1: the fake Tyler Creator, Tyler the creator, like maybe I

1879
01:57:15,040 --> 01:57:22,800
Speaker 1: did shop won't stop, never stopping, and that bullshit would

1880
01:57:23,400 --> 01:57:27,040
Speaker 1: do from the little Yallo the League, cop star, I

1881
01:57:27,080 --> 01:57:36,040
Speaker 1: don't know if Alright, dude, Adam Sandberg, he plays like

1882
01:57:36,120 --> 01:57:39,000
Speaker 1: a boy band like Justin Peter pop star and he

1883
01:57:39,120 --> 01:57:43,160
Speaker 1: makes like a fake documentary his career. That's everybody around him.

1884
01:57:43,160 --> 01:57:45,920
Speaker 1: Its real. So like Nas comes out and I was like, y'all.

1885
01:57:45,960 --> 01:57:51,760
Speaker 1: He's like that they got a character on it. It's

1886
01:57:51,800 --> 01:57:54,200
Speaker 1: like a fake of the creator. So he just all

1887
01:57:54,280 --> 01:57:59,120
Speaker 1: he does is great jokes. This is a scene. He

1888
01:57:59,280 --> 01:58:03,680
Speaker 1: gets down and he has no dick. Yeah, because they

1889
01:58:03,840 --> 01:58:08,200
Speaker 1: they taped ship to the back. So there he goes.

1890
01:58:08,720 --> 01:58:11,480
Speaker 1: He said, Yo, did you pull this trick? Because they

1891
01:58:11,560 --> 01:58:18,480
Speaker 1: pranking each other the whole time? You disrespected they bringing

1892
01:58:18,600 --> 01:58:20,720
Speaker 1: each other the whole time. So that he goes, So

1893
01:58:20,840 --> 01:58:23,000
Speaker 1: they said, did you do this to me? He goes,

1894
01:58:25,720 --> 01:58:30,760
Speaker 1: Maybe I did. Maybe I didn't. I don't think I

1895
01:58:30,920 --> 01:58:36,680
Speaker 1: did a couple of times. That's pretty larious, Like yeah, yeah,

1896
01:58:36,800 --> 01:58:41,720
Speaker 1: so that's that's what happened. Man, video, I get it.

1897
01:58:41,840 --> 01:58:43,880
Speaker 1: I get it, but I don't get it. It's terrible.

1898
01:58:44,360 --> 01:58:48,600
Speaker 1: They're like talking about the BT wards a second ago. Yeah,

1899
01:58:48,640 --> 01:58:51,920
Speaker 1: I don't know how we got it. Come home come yeah,

1900
01:58:52,200 --> 01:58:55,880
Speaker 1: maybe cop Columbia people do a couple of any back

1901
01:58:56,160 --> 01:59:00,880
Speaker 1: he said, maybe they didn't. Maybe did it. Someone's that's

1902
01:59:00,960 --> 01:59:04,000
Speaker 1: not doing cooke right now? Is that it was called

1903
01:59:05,800 --> 01:59:10,640
Speaker 1: come on going one? Yeah, I got he tell me

1904
01:59:10,720 --> 01:59:16,520
Speaker 1: that you can tell me singing? You canna tell me?

1905
01:59:17,240 --> 01:59:22,680
Speaker 1: Are you fire? Right now? You're talking about you're on

1906
01:59:22,720 --> 01:59:25,800
Speaker 1: the microphone, but get the cooking phone police. I'm I'm

1907
01:59:25,800 --> 01:59:28,760
Speaker 1: not gonna say anything. You just said a lot of things.

1908
01:59:31,000 --> 01:59:35,720
Speaker 1: We gotta never last wipe that out, you know, but

1909
01:59:35,840 --> 01:59:39,280
Speaker 1: it wasn't You're not the worst the fifth, you're guilty.

1910
01:59:39,640 --> 01:59:44,040
Speaker 1: It was the third or so you're not the fit

1911
01:59:45,040 --> 01:59:52,960
Speaker 1: a snitch. But what does it mean somebody else hectic coke? Hey, man,

1912
01:59:53,320 --> 01:59:57,120
Speaker 1: I saw it on FaceTime. I got about that. I

1913
01:59:57,200 --> 02:00:05,040
Speaker 1: gotta right we say we're talking about Oh my god,

1914
02:00:05,720 --> 02:00:08,360
Speaker 1: he was on facetop was just doing lines. Hey, nobody

1915
02:00:08,440 --> 02:00:12,920
Speaker 1: said that. Brother. Wait wait, wait, wait, wait a minute,

1916
02:00:15,080 --> 02:00:19,680
Speaker 1: us waiting? He got that? You think crocket and tubs

1917
02:00:19,880 --> 02:00:24,320
Speaker 1: on faceside? It's on on faceside. He saw on faceside.

1918
02:00:24,880 --> 02:00:29,880
Speaker 1: I could have saw on their face. Wait, wait this

1919
02:00:30,000 --> 02:00:33,640
Speaker 1: time we're gonna do it? Wait? Good god? What good?

1920
02:00:35,000 --> 02:00:38,840
Speaker 1: Can I give up? Geta I want to give a

1921
02:00:38,920 --> 02:00:45,120
Speaker 1: memory of pology that never man, but hold, let me

1922
02:00:45,200 --> 02:00:49,760
Speaker 1: tell you something. But you were teaming we have I

1923
02:00:49,800 --> 02:00:55,120
Speaker 1: want to give memory that. I think there's millions of

1924
02:00:55,160 --> 02:00:57,280
Speaker 1: people that would like to say they relate to his literally,

1925
02:00:57,440 --> 02:01:00,120
Speaker 1: and that sounds so I'm a fan. So I'm want

1926
02:01:00,160 --> 02:01:03,800
Speaker 1: to speak for everybody, because I had an emotion one day, right,

1927
02:01:03,840 --> 02:01:16,800
Speaker 1: pauls right, Okay, he spent running, he spent and I

1928
02:01:16,880 --> 02:01:19,120
Speaker 1: listened to everything he said. But at that moment I

1929
02:01:19,280 --> 02:01:21,640
Speaker 1: was a Red Man fan. I was a Keith Murray

1930
02:01:21,720 --> 02:01:25,440
Speaker 1: fan because because I'm from Jersey. But and then when

1931
02:01:25,720 --> 02:01:28,400
Speaker 1: then when, and then when he dropped the album, he said,

1932
02:01:28,480 --> 02:01:30,600
Speaker 1: I'm not into that galactic ship. You need to get

1933
02:01:30,640 --> 02:01:33,120
Speaker 1: punched in the face, right, I just recently heard that.

1934
02:01:33,200 --> 02:01:37,600
Speaker 1: It was really I didn't really realize back then when

1935
02:01:37,840 --> 02:01:40,400
Speaker 1: when he said I didn't realize that was a kid

1936
02:01:40,480 --> 02:01:42,280
Speaker 1: where he was like, you know, I'll stab you in

1937
02:01:42,360 --> 02:01:44,600
Speaker 1: the club, and he's like, I'm I'm not on that

1938
02:01:44,680 --> 02:01:47,840
Speaker 1: galactic ship. You know, I'm on real ship. And at

1939
02:01:47,880 --> 02:01:51,040
Speaker 1: that moment, I said, that's real. But I was upset

1940
02:01:51,280 --> 02:01:53,760
Speaker 1: because I was done with Redman and Keith, and Keith

1941
02:01:53,840 --> 02:01:56,760
Speaker 1: used to say that whole and to GALECTI molecting the

1942
02:01:56,920 --> 02:01:59,720
Speaker 1: way he used to spit. But then when he came

1943
02:01:59,760 --> 02:02:02,720
Speaker 1: out with l A l A, and I had heard

1944
02:02:02,840 --> 02:02:06,440
Speaker 1: component Norri's of songs that was always to the heart,

1945
02:02:06,720 --> 02:02:08,640
Speaker 1: and then when they came up, and then when he said,

1946
02:02:09,400 --> 02:02:16,200
Speaker 1: right now, go outside, man, I'm gone. But when he

1947
02:02:16,280 --> 02:02:19,760
Speaker 1: said that run in l A l A, I was

1948
02:02:19,840 --> 02:02:23,600
Speaker 1: with it and the most of you go through and

1949
02:02:23,640 --> 02:02:25,640
Speaker 1: listen to your friends. I was just saying, don't like

1950
02:02:25,840 --> 02:02:27,600
Speaker 1: what you did in the last time more than on

1951
02:02:27,680 --> 02:02:35,640
Speaker 1: the current albums. I know, and I'm man, you know

1952
02:02:35,720 --> 02:02:37,440
Speaker 1: what I mean? Something to me, goes Joe Buddy on

1953
02:02:37,560 --> 02:02:39,760
Speaker 1: my first one background, I was like, noise face like

1954
02:02:40,160 --> 02:02:48,840
Speaker 1: ship ship, said yeah, because you know it's like going

1955
02:02:48,920 --> 02:02:54,480
Speaker 1: to the fleet by son for the fleet to day

1956
02:02:55,160 --> 02:02:58,720
Speaker 1: and then you take that ship say signs forty, but

1957
02:02:58,800 --> 02:03:01,400
Speaker 1: it feels like a thirty four ship, so you're going

1958
02:03:01,440 --> 02:03:03,160
Speaker 1: to bring it back in the day and the fleeting

1959
02:03:03,240 --> 02:03:08,800
Speaker 1: either my tumble like no refu. You have to relax.

1960
02:03:08,880 --> 02:03:14,960
Speaker 1: I'm not gonna like how really great? It not real.

1961
02:03:19,560 --> 02:03:27,080
Speaker 1: I'm not even fish my dog man to put everything

1962
02:03:27,160 --> 02:03:31,360
Speaker 1: in perspective. Because DJ here, we had a group and

1963
02:03:31,440 --> 02:03:34,160
Speaker 1: crazy fool called the Alliance and Paul is a part

1964
02:03:34,200 --> 02:03:36,640
Speaker 1: of it. His name in the group is MC. Name

1965
02:03:36,760 --> 02:03:43,480
Speaker 1: is weird because I never I can never I get

1966
02:03:43,560 --> 02:03:55,640
Speaker 1: h the name because I can't explain play were spread, Bro,

1967
02:03:56,040 --> 02:04:00,920
Speaker 1: you made no goddamn center, perfect sense, dude, the I'm saying,

1968
02:04:01,040 --> 02:04:11,520
Speaker 1: but I know we left. Man. Listen, man, you got

1969
02:04:11,720 --> 02:04:13,680
Speaker 1: what you get what you get out that it's a

1970
02:04:13,760 --> 02:04:17,920
Speaker 1: coming day. I had it. He's save that he was

1971
02:04:17,960 --> 02:04:20,960
Speaker 1: the prod when he said that about the intergalacting whatever,

1972
02:04:21,120 --> 02:04:24,560
Speaker 1: and then he liked him. Then he said in so

1973
02:04:24,640 --> 02:04:28,240
Speaker 1: why did he just say that because I says he

1974
02:04:28,280 --> 02:04:30,000
Speaker 1: didn't like him when he was beat from a death squad.

1975
02:04:30,360 --> 02:04:33,120
Speaker 1: But then after what he just said that, I don't

1976
02:04:33,160 --> 02:04:37,760
Speaker 1: know he did. But in Paul's language like that, let's

1977
02:04:37,760 --> 02:04:45,920
Speaker 1: just you have fluiding, I want to say I didn't

1978
02:04:45,960 --> 02:04:50,120
Speaker 1: know product obviously, just your motives. Shook Ones was one

1979
02:04:50,120 --> 02:04:52,000
Speaker 1: of the first videos that ever inspired me to want

1980
02:04:52,000 --> 02:04:55,400
Speaker 1: to do music videos. I used to wake up at

1981
02:04:55,440 --> 02:04:57,400
Speaker 1: fourteen years old in Miami with there was no hip

1982
02:04:57,440 --> 02:04:58,760
Speaker 1: hop on the radio and watch you on two be

1983
02:04:58,800 --> 02:05:01,120
Speaker 1: Wraps on Saturday telling them on it. And I remember

1984
02:05:01,160 --> 02:05:03,960
Speaker 1: watching Shook Ones and watching probably on the old school

1985
02:05:04,000 --> 02:05:06,160
Speaker 1: BMW on the Keenings Queen's Bearers, all the Killers and

1986
02:05:06,160 --> 02:05:08,760
Speaker 1: a hundred dollar Builders. When he came out in the alley,

1987
02:05:08,800 --> 02:05:10,120
Speaker 1: that's all when I know the video, when he came

1988
02:05:10,120 --> 02:05:12,120
Speaker 1: out the alley with the backs too. He had the

1989
02:05:12,160 --> 02:05:15,080
Speaker 1: blue Hennessey jersey, having had the red Hennessey jersey. I

1990
02:05:15,200 --> 02:05:17,240
Speaker 1: might have that reverse, but they both had Hennessey jerseys.

1991
02:05:17,520 --> 02:05:20,960
Speaker 1: Drinking Hennessey. That was one of the most illness icono

1992
02:05:20,960 --> 02:05:25,120
Speaker 1: because I'm a real fan of the nineties. Just garage hardware,

1993
02:05:25,720 --> 02:05:29,560
Speaker 1: d videos. You got your stuff off the DNS. You

1994
02:05:29,720 --> 02:05:34,960
Speaker 1: heard of us? Richard Queen rich Murder comes to quiveryware

1995
02:05:35,120 --> 02:05:37,840
Speaker 1: on my Croyd family. Who got up shots and ship?

1996
02:05:38,280 --> 02:05:46,200
Speaker 1: All who of roads are rich? You won in the trees?

1997
02:05:46,280 --> 02:05:51,920
Speaker 1: Does it? Every man for itself? Maybe running cruise running

1998
02:05:51,920 --> 02:05:56,080
Speaker 1: it ain't they come around. They never come close to

1999
02:05:57,120 --> 02:06:00,640
Speaker 1: side of your face. Here the wrong place, Carol's out.

2000
02:06:00,680 --> 02:06:03,600
Speaker 1: You look at your whole body, lays up the bull,

2001
02:06:03,640 --> 02:06:06,400
Speaker 1: the holes and such street the wrong words, man, and

2002
02:06:06,600 --> 02:06:09,280
Speaker 1: you will get touched. You here, put your whole army

2003
02:06:09,560 --> 02:06:12,280
Speaker 1: against the team, and I guarantee you to be here

2004
02:06:12,400 --> 02:06:14,960
Speaker 1: at the last time breathing, he said the words. You

2005
02:06:15,240 --> 02:06:18,680
Speaker 1: don't move me. You're lighting major your more. Winning the

2006
02:06:18,800 --> 02:06:21,320
Speaker 1: game is don't desert to be your player. Don't only

2007
02:06:21,360 --> 02:06:24,960
Speaker 1: have to call your name out, you little shot to

2008
02:06:25,080 --> 02:06:27,880
Speaker 1: make you left the take Cody nine team on my mind.

2009
02:06:28,000 --> 02:06:31,400
Speaker 1: It's old and went to get a room. That's cold,

2010
02:06:31,520 --> 02:06:34,480
Speaker 1: another nigg of the seats, another story. You're told it

2011
02:06:34,600 --> 02:06:38,400
Speaker 1: ain't not really and you're gonna stop the fairly hear

2012
02:06:38,480 --> 02:06:41,920
Speaker 1: my mind out of yo back there want the love.

2013
02:06:42,040 --> 02:06:44,920
Speaker 1: I don't don't go faking me. While back and queens

2014
02:06:44,960 --> 02:06:49,480
Speaker 1: of real business validation, and I heard you a better location,

2015
02:06:49,760 --> 02:06:52,440
Speaker 1: he said, by the trade you feel a burning sensation,

2016
02:06:52,600 --> 02:06:55,440
Speaker 1: ain't close to the guard and then a tight situation.

2017
02:06:55,600 --> 02:06:58,960
Speaker 1: Now tell your words backing thing it too over the

2018
02:06:59,080 --> 02:07:02,800
Speaker 1: next time I it might be about you shock and

2019
02:07:02,920 --> 02:07:06,840
Speaker 1: he know, shuch say he's halfway crooks, it's ain't dead.

2020
02:07:06,920 --> 02:07:09,920
Speaker 1: Is scared? Look it shuck because there ain't no such

2021
02:07:10,040 --> 02:07:13,640
Speaker 1: things halfway crooks. Since here the death is getting a

2022
02:07:13,720 --> 02:07:23,400
Speaker 1: little color. Dree two three hardly what two three hardy?

2023
02:07:23,840 --> 02:07:28,680
Speaker 1: Holleeen dree chance we love you baby? What's hallo open?

2024
02:07:29,480 --> 02:07:32,800
Speaker 1: You take this half point crooks if you don't make them,

2025
02:07:33,320 --> 02:07:34,200
Speaker 1: can't tell you. Kriel