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Speaker 1: Oh, welcome back to another episode of Alchemy. There this

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Speaker 1: COVID nine edition, and I'm your host, Kevin Pollock guest

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Speaker 1: that Kevin, sure, if you want to do the research.

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Speaker 1: I'd love to know where babies come from. Thanks, but

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Speaker 1: I digress. Let's meet, they're aw come to shall we

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Speaker 1: in no particular order? It's time to welcome back the great,

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Speaker 1: the much love, Carla and Costy. I missed you, so missed, Carla,

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Speaker 1: because you can any memory you care to share from

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Speaker 1: your recent cross country drive home. Um uh any, well,

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Speaker 1: I mean if it involves any of Craig's shortcomings, it's

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Speaker 1: going to be a kind of a bonus. Um I

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Speaker 1: would say. You know, actually, Craig was really great because

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Speaker 1: when we were in Denver, I went to visit my

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Speaker 1: best friend in the yard at a distance Craig. Craig said,

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Speaker 1: don't worry, I'll stay with the dogs. So he didn't

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Speaker 1: even get to anybody but me for the whole trip.

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Speaker 1: That's pretty nice, right, I mean, we don't know how

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Speaker 1: he feels about your friends. Oh wait a second, now

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Speaker 1: that makes sense. Well, it's great to have you back

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Speaker 1: and thankfully safe and sound. Hey, there's Chris Alvarado, Hank

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Speaker 1: ten in the den. Are you excited for the return

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Speaker 1: of Captain Lee with the new season of Blow Deck

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Speaker 1: the premiers November two? More than most things? Unfortunately that's

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Speaker 1: all I have these days. Sorry, I keep bringing all

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Speaker 1: these below deck questions. Either way, I have so few

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Speaker 1: people to talk to about. I'm here for you. Hey,

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Speaker 1: there's Patrick Rowland. Second syllable sounds like prick plans for Halloween? Uh?

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Speaker 1: Not really, although my building is having a door decorating contest,

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Speaker 1: and the last year we didn't do it. But you know,

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Speaker 1: since I'm walk then what the hell that's right? Decorate

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Speaker 1: that door? Damn it? Do you live in a dorm? No? Yes, yes,

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Speaker 1: don't the students? Are you in the Clark building? There's

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Speaker 1: an old Simpsons reference, And now here's Craig Kikowski kit cow.

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Speaker 1: What will you have for tricker treaters if they do

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Speaker 1: show up during this very special pandemic fright night? Uh? Ants,

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Speaker 1: we have an Aunt's outbreak and they're welcome to come

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Speaker 1: and and kill a couple of thousands. So the ants

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Speaker 1: have found the candy. There's no candy, though they're looking

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Speaker 1: for it. They're looking for it all over the place. Yeah,

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Speaker 1: oh man, that is awesome. And last, but carve your

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Speaker 1: own damn pumpkin if you think him least, it's Joey Greer,

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Speaker 1: Professor Weird Bottom. What will you be teaching this afternoon?

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Speaker 1: This afternoon, I'm gonna be teaching a mixture of martial

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Speaker 1: arts mm A style grappling as well as uh reading

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Speaker 1: some or so we're just gonna be h talking about that, uh,

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Speaker 1: you know, just being outside, being out doors. All right,

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Speaker 1: let's do a damn show, shall we. All of our

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Speaker 1: scene suggestions to gather from your listener emails or from

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Speaker 1: our Patreon v i P s. To become a Patreon

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Speaker 1: v i P supporter and enjoy exclusive content and other

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Speaker 1: perks like oh, I don't know the video version of

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Speaker 1: what we're doing right now, Just head on over to

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Speaker 1: patreon dot com slash alchemy this. If you'd like to

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Speaker 1: submit a scene suggestion via old time email, please write

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Speaker 1: into the podcast at your name here at alcomy this

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Speaker 1: dot com. That's your name here. Seen one, in fact,

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Speaker 1: comes from listener Audrey, who wrote, oh hi, there, I

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Speaker 1: have four words for you, lunch ladies. The opera, Stay funny,

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Speaker 1: stay safe Audrey five minutes. Five minutes, everybody five minutes.

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Speaker 1: It alright, alright, sit in silence, Sanda Sausa. So so

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Speaker 1: that's my warm out to Assien. So far the purpose

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Speaker 1: of the other party party porpoise? You think that would

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Speaker 1: have given us our own I warned up to appear

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Speaker 1: more confident. Does anybody else feel like this? This grain

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Speaker 1: room is just a little too tight, you know, it's

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Speaker 1: too small, Like we're all here and it's just like

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Speaker 1: I need sometimes you need like that, that private seclusion

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Speaker 1: where I can just you know, just own myself. Henry

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Speaker 1: does relax, Henry relaxed, relaxed, Brea, just breathe the critic

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Speaker 1: from because that is gonna be there. I actually really

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Speaker 1: like how small it is because I enjoy my fellow ensemble,

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Speaker 1: that's you, all, all of you. I enjoy being near you.

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Speaker 1: I enjoyed breathing the same air that you're breathing. Oh,

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Speaker 1: I can't believe we made it on time. That cab

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Speaker 1: was dodging in and out of traffic like crazy. Finally

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Speaker 1: we get City Opera. So excited? What what is this, Marianne?

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Speaker 1: What are we watching? Yep, you don't know, Philip. Look,

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Speaker 1: I know that I make a healthy donation to this

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Speaker 1: opera company every year. I got my box seat and

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Speaker 1: I fall asleep for four hours. Oh you're such a card.

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Speaker 1: You ought to be dealt with. It's lunch, ladies. The opera.

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Speaker 1: Is that Verdi? Or no, no, it's not Verdi. It's Greer.

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Speaker 1: It's Joseph Greer. Joseph Greer is he uh Italian or

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Speaker 1: or French? He's just a Maian. He's Yugoslavian by way

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Speaker 1: of Miami and Cuba. So you're saying this is a

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Speaker 1: contemporary work, not a classic opera. What do you care?

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Speaker 1: You're gonna sleep perform? Hot dogs? Excuse me? Hot dogs

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Speaker 1: up here? Excuse me? I'm hot dogs, Thank you, thank you?

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Speaker 1: There you five dollars, five dollars seven, seven dollars, seven dollars.

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Speaker 1: Jake funk up my beat man. Come on, I just

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Speaker 1: want to hang out, man. Okay, you leave for work.

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Speaker 1: I don't have a job. Man, I just want to

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Speaker 1: hang out with d Come on, look, you're my best friend.

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Speaker 1: I love hanging out with you. Man. I tell you

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Speaker 1: things they don't tell anybody else. We go on a

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Speaker 1: high school physical I like that, but I gotta make

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Speaker 1: the bread. Look come on. I can help you make

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Speaker 1: the bread. Uh, it'll be like one of those rich

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Speaker 1: people do it that those auction houses? Right? You understand

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Speaker 1: that as soon as soon as somebody learned about your

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Speaker 1: prison history, you wouldn't get a job anywhere, not even here. Man.

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Speaker 1: I don't want to hold that over you. I don't

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Speaker 1: want to hold that over you, but I have to.

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Speaker 1: You bring it up all the time time. I barely barely,

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Speaker 1: and some say not enough. Okay me, did I know

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Speaker 1: that those clowns didn't have candy in their stomach? No?

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Speaker 1: I didn't know that, but I had to check. Okay,

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Speaker 1: you tell yourself whenever you need to sleep. Okay, speaking

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Speaker 1: to sleep his faint to face. I hear you getting

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Speaker 1: out today. What do you got planned for your future?

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Speaker 1: I've been thinking about my best friend since Stay one.

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Speaker 1: I'm gonna go stay with him. We're gonna go on hikes,

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Speaker 1: We're gonna go wrestle. Your best friend. This your best

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Speaker 1: friend that you gotta. You gotta reach high a kid.

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Speaker 1: Listen to Johnny. He knows what he's talking about. Reach

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Speaker 1: for the stars kid. I'm telling you right now that

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Speaker 1: my best friend is the stars. I mean, he's like

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Speaker 1: high he's my shining light, He's my north star. Yeah.

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Speaker 1: What's his name? Yeah? His name? Yeah, his name is Sauna, Sauna, Sauna.

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Speaker 1: Does he make you sweat? What do you mean? Not?

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Speaker 1: Just his name? Is his sonna? He's uh he's French

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Speaker 1: switch switcher list from from Yugoslavia. Right. I had an

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Speaker 1: ex girlfriend who was French switcher lists. Yeah, yeahes beautiful

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Speaker 1: cheekbones and as I recall, round, heels a real push

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Speaker 1: over if you know what I mean? Yeah? Real? Did

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Speaker 1: she have a Candian stomach? When I warm up, I

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Speaker 1: appear more professionals. Six minutes, six minutes till the stage,

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Speaker 1: the stage, come, uh, six minutes, thanks, thanks, six minutes

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Speaker 1: to the stage, come six minutes, thank you. I brought

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Speaker 1: presents for everyone tonight, Yeah, because I love my ensemble

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Speaker 1: that much. Should we open now? Is it bad luck?

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Speaker 1: How does this work right now? On account of? For here?

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Speaker 1: You go? What? Two? Three? Banana? White, white powder, white powder, cocaine. Oh,

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Speaker 1: I gave you cocaine, and I gave everybody else bananas. Thank?

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Speaker 1: I want bananas company company. I know that we're five

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Speaker 1: minutes before the premiere, but there's a woman here from

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Speaker 1: nall Uh in a l L the National Association of

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Speaker 1: Lunch Ladies. She's concerned about representation and would like to

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Speaker 1: talk to the cast. Yeah, bring her in, Okay, right

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Speaker 1: this way, Margie balls sack Mall's back does alright, alright,

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Speaker 1: I'm here. I'm sure the guy told you who I am,

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Speaker 1: what I represent. I just want to make sure that

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Speaker 1: everything is on the up, set up. Yeah, my name

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Speaker 1: is Margie. Margie, You're one of the most beautiful creatures

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Speaker 1: I've ever seen in my life. You're blowing smoke up

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Speaker 1: my ass, but I like it. Another cigarette Jesus brought. Yeah,

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Speaker 1: of course, Felix, Yeah, yeah, yeah, because this is yeah

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Speaker 1: representing lunch ladies. Everybody knows lunch ladies have doors, all right,

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Speaker 1: and I don't what if I mean, maybe if we

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Speaker 1: give you a sample of the opening number, it might

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Speaker 1: ease your concerns. Now we're talking, I'm listening. Well, that's

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Speaker 1: all we ask you to do, alright, Lady ladies, m

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Speaker 1: slop Joe slop, Grim spinner Grim Spanish trim spinish and so, so,

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Speaker 1: what's happening there is that all the kids are lining up, right,

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Speaker 1: but we're preparing in our own stations. I'm sloppy Joe. Yeah,

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Speaker 1: oh so yeah. First off, it's very severeo typical to

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Speaker 1: just think that lunch ladies serve sloppy jokes. It's not

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Speaker 1: the eighties. Okay, we've gone past sloppy jokes. We know,

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Speaker 1: we know you so we so you're gonna see this

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Speaker 1: transition into the monitors. It's just like it's a whole

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Speaker 1: fucking mind trips. This whole operation is okay, the whole

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Speaker 1: my operas mind you are cocus something maybe maybe maybe bananas.

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Speaker 1: I can tell you insances east, any of my fears.

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Speaker 1: We hear you, we hear you, we we are you.

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Speaker 1: So I know it's just kind of a weird first day,

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Speaker 1: but I wanted to take you to the opera, you know,

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Speaker 1: and show you I am. I am cultured. There is

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Speaker 1: a sensitive side to me. I usually don't go out

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Speaker 1: with guys who take me places. I'm sorry. Yeah, normally

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Speaker 1: it's just like, okay, come watch me fish or something.

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Speaker 1: Worst over rocks. I haven't really I would really like

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Speaker 1: a brow Worst never had warst guys over your guy,

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Speaker 1: get the beer guy to go away, let's call beer,

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Speaker 1: bottle of beer. Here? Are you getting me too? Bratworst

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Speaker 1: nobody's ever bought me too of the same thing at

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Speaker 1: once before. I just want you show him a sense

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Speaker 1: of guy, and I'm happy to get you two bars

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Speaker 1: at the part of me. Billy Billy, Billy, babcock, teddy

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Speaker 1: ted ted Dick. How are you? Holy wow, holy hell,

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Speaker 1: holy hell. That's that's those are the words. Oh uh, Chelsea,

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Speaker 1: this is Dr tad Dick. Nice to meet you, Doctor

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Speaker 1: tad Dick. Um Marcy, this is uh, this is a lawyer,

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Speaker 1: bad bad cock. Hello, Hello, louder how Hello, Take your seats.

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Speaker 1: The company got places a while ago and they're really

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Speaker 1: they'd really like to start the Okay, well, well Bill,

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Speaker 1: I know that everybody's catching up on old times here

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Speaker 1: and we're trying to sell you know, meat products. But

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Speaker 1: the company would really like to start the opera of course.

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Speaker 1: Just thanks, thanks for mar Are you just talking to

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Speaker 1: us my gangs? For calling me doctor? Come on, Marcy,

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Speaker 1: you're a doctor. A second, let's uh want to tell

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Speaker 1: you Marsa wants to you know what. I'll talk to

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Speaker 1: you later. Interition Did you not hear that? Intertion? Fellas

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Speaker 1: stop cream spinder, no water, no water please, tal and

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Speaker 1: tofoo call and tofu gatherround everyone. The reviews are in.

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Speaker 1: They should be exciting. The first night. Let's get to

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Speaker 1: the first one The New York Times. Here it is

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Speaker 1: the title of the article is oopsie, Well I could

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Speaker 1: go either way. Kid to the body of the review headline,

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Speaker 1: last night I saw something I've never seen before. Well

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Speaker 1: that's positive, lovely. Can we turn the lights down a bit?

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Speaker 1: My god? Wait, are you hungover? I just I don't know.

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Speaker 1: I'm just feel the pleaded a ship. Don't you have

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Speaker 1: more of your present? I did all the cocaine. I

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Speaker 1: have more. Oh God, well give me this, give me,

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Speaker 1: give me this, Peter, I'm scanning too fine, Okay, let

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Speaker 1: me see, let me see O. No, no, no, no no.

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Speaker 1: I'm scanning for names. Oh, here we go, Derek. I

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Speaker 1: see your name here in bold. Um. So it says

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Speaker 1: um some stood out while others did not, Derek being

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Speaker 1: one of them who stood out or who didn't? This

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Speaker 1: is a New York Times review. Did they say anything about,

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Speaker 1: you know, representation, Five men playing women and one woman

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Speaker 1: playing a woman. Do they feel like it was balanced? Oh?

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Speaker 1: I just found a word woman woman. Um. The one

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Speaker 1: woman not so great. Let's just bring your brown child

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Speaker 1: to work Day who wrote this review. He actually has

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Speaker 1: a name on their course. It is the name, of course,

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Speaker 1: it has a name on the well. I'm saying we

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Speaker 1: can find out who this person is. The name is

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Speaker 1: Chuck Mathers. Chuck, Chuck, Chuck. Can I see in my office? Please?

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Speaker 1: Chuck over here? Chuck Chuck up in my office, Chuck.

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Speaker 1: Everyone wants to talk to you, Chuck Chuck. What's going

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Speaker 1: on that has seen one? Everybody? Oh my, oh my.

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Speaker 1: C two comes from Patron v I P. Lance, who wrote, Hey,

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Speaker 1: y'all love the show. You've done a few of my

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Speaker 1: suggestions before, so I won't waste time going on about

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Speaker 1: how great you all are. My scene suggestion is an

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Speaker 1: actor tries to revive his or her career after bombing

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Speaker 1: in some nineteen eighties VHS aerobics videos. Thanks as always

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Speaker 1: for the laughs. Lance from Baltimore. Yeah, let me get it.

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Speaker 1: I don't want any mayonnaise on my sandwich, and uh,

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Speaker 1: you know what, I don't want any manonnaise. I don't

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Speaker 1: want any mustard. I don't want him to make I'm sorry,

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Speaker 1: I'm sorry. Uh, I know you, I know you like

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Speaker 1: I'll get your sandwich in a minute. But I know

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Speaker 1: you You're I'm not your father. No no, no, no

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Speaker 1: no he died yeah, no no no, I have good recordies.

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Speaker 1: You're you're your Chap Benson, Chap Benson. My mom used

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Speaker 1: to have your tapes. I'm not your dad. I agree

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Speaker 1: you're not my dad for many reasons. But good, oh

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Speaker 1: my god. Would would it be too much if I

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Speaker 1: asked for autograph for my mom? Because you're like, all right,

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Speaker 1: if you guys finished this after I get my order in?

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Speaker 1: Is this guy gonna take any longer? What's happening? This

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Speaker 1: is Chap Benson. I don't know, like if you recognize

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Speaker 1: this guy? He made Chip? Did you want to order?

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Speaker 1: Or can I go next? It's Chap is Do you

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Speaker 1: want to fight me? Sure? Can I get my order

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Speaker 1: in first? Because that takes a while. Why don't we

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Speaker 1: both get our orders in and then we can fight.

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Speaker 1: What do you have? Chap? What am I having? I'm

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Speaker 1: I'm having a whole weed sub with no mayonnaise, no tomatoes,

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Speaker 1: no cheese, no pickles, no onions, salam no salt, no vinegar,

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Speaker 1: no oil. Why don't you tell the fellow there what

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Speaker 1: you do want on your whole week? How will you

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Speaker 1: just give me some whole weed and some pepper. Huh. Alright, well,

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Speaker 1: I mean you two are the creatives. This is your

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Speaker 1: pitch session. I'm here just to listen to the project.

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Speaker 1: But if I can, as you know, a potential buyer,

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Speaker 1: if I may tell you a little bit about what

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Speaker 1: we're looking for, that might Yeah. I mean I'm desperate,

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Speaker 1: so I'll write whatever. Don't say that, Diane, I heard. Sorry,

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Speaker 1: We're not desperate. We're just here, walked here because I

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Speaker 1: don't have a because of my car. Got It's fine,

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Speaker 1: don't He doesn't need to know that, Diane. Look, I

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Speaker 1: think we've all agreed that the wave of the of

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Speaker 1: the unknown actor has come and come. Yes, yes, names names.

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Speaker 1: You want names, but not just names? Names? Right, we

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Speaker 1: want we want who was that again? Type names? So

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Speaker 1: not names? Names? Who is that again? Names? Got it? Okay?

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Speaker 1: Look at it. I feel like we're talking to same language.

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Speaker 1: So like um, not like a Paul Rudd, but like

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Speaker 1: us Steve Guttenberg, And can we go even further? Can we?

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Speaker 1: Can you even? Can you go a little further? Bag?

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Speaker 1: I mean, like like deeper into the eighties than than

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Speaker 1: Steve Hutenberg. I mean the next thing you're gonna say,

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Speaker 1: is you want Chap Benson from Chap Benson's Benson Size.

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Speaker 1: I haven't heard that name in a long time. It's

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Speaker 1: my go to joke reference for a lame person from

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Speaker 1: the eighties. This wasn't a joke. My mom lost so

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Speaker 1: much weight doing those tapes because he told people not

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Speaker 1: to eat right, and so she didn't. My mom's not

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Speaker 1: with us anymore. Yeah, her mom died. Her mom died

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Speaker 1: thanks to those videos. Do you two want to water

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Speaker 1: or a coffee or something? I'm so thirsty, I'll take it.

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Speaker 1: I'll take a couple, and I'll put a couple in

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Speaker 1: my bag. Later. I'm gonna have some waters run in here,

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Speaker 1: some coffees too. I want to explore the world of

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Speaker 1: this chap that was That was a joke. Well, no, Dane, Dan,

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Speaker 1: what's your question? I was just wondering if the coffee

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Speaker 1: tastes good reheated. Later. Uh, have your waters and coffee? Great? Oh,

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Speaker 1: and she has a question for you. How's this coffee

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Speaker 1: in a week or so? Diane, don't put it all

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Speaker 1: in your purse? What are you doing? Can you bring more?

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Speaker 1: Of course, I don't know how the chap Chap, Chap, Chap, Chap, Chap, Chap,

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Speaker 1: Chapman of the hour, Chap, Chap, what's going on? How'd

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Speaker 1: you get in my apartment? Uh? It's Lenny, your agent.

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Speaker 1: I mean it's been a while. It's been a while.

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Speaker 1: I mean it's been thirty or seven years. But you

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Speaker 1: look incredible. Can you hear me? Mind? The word sure?

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Speaker 1: Is that your underweard there? They're all over just anyone. Okay,

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Speaker 1: how about this one standing in the corner. Yeah, I

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Speaker 1: work that's just got too much. Starts just something something else? Maybe?

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Speaker 1: Is that what it is? That what we're calling it? Starts? Okay,

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Speaker 1: what do you think? I jig all over my gud

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Speaker 1: damn under world? That's so sniff. That's why I stand

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Speaker 1: up there. Let me what the hell's going on with?

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Speaker 1: That's wrong with? Of course? Start the other thing? What

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Speaker 1: the other thing? That is? Chap? It's so good you're

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Speaker 1: seeing you still have your same spunk, saying go get

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Speaker 1: him your same rip off his head and ask questions later. Attitude. Listen,

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Speaker 1: I got a gig for you. She's the fucking gig.

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Speaker 1: I'm noting a swallow swordsman. Alright, it cut back into

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Speaker 1: your line How would you like to be a star.

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Speaker 1: How would you like to be the star of an opera? Opera? Yeah?

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Speaker 1: French or what? Really? You're gonna comap me with which

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Speaker 1: country of origin? Yeah? I mean it makes a difference.

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Speaker 1: It makes tippitty Iceberg. Not only the opera. I got

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Speaker 1: a Movie of the Week and and After School Special

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Speaker 1: all three. Once the word got out that you were back,

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Speaker 1: the phone just won't stop ringing from the making as. Yeah, yeah,

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Speaker 1: that's the one. Listen, I come back to come back.

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Speaker 1: Who gives a ship? How it happens and you're still alive? Yeah,

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Speaker 1: all right, here's what you gotta do. Put some underwear

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Speaker 1: on that doesn't matter to me? Which one? All right?

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Speaker 1: And come with me to Warner Brothers. Warner Brothers. We

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Speaker 1: had a meeting, but we gotta we gotta kind of

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Speaker 1: pick it up a little. Do you have time to shower?

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Speaker 1: Can you shower? Like in six minutes? My water doesn't work? Um,

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Speaker 1: quick answer. I appreciate quick answers and the answers. No,

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Speaker 1: all right, put on some underwear and maybe a little

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Speaker 1: more closing, and let's go. I'm gonna wait outside because

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Speaker 1: the smell is killing me. Well, man, you broke into

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Speaker 1: my house. Welcome back to Good morning Seattle. We are

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Speaker 1: pleased to have a blast from the past. Everybody. Chap

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Speaker 1: Benson is here. Chap, where the hell have you been?

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Speaker 1: And what's taking you so long to get back to us. Well,

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Speaker 1: you know, a lot of that is not in my control,

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Speaker 1: so you know, my my navy in the industry. That

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Speaker 1: coming back is not really something that I had to

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Speaker 1: say it. But you know, um, it's kind of crazy

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Speaker 1: to be back in the studio and the like show

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Speaker 1: me and you know, and the and the heat, the

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Speaker 1: star meterizing and whatnot. But uh, you know, I uh,

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Speaker 1: you know, I took a leave of haptens from the industry.

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Speaker 1: It just took some time off to do my thing.

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Speaker 1: And some would say the industry took a leave of

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Speaker 1: apttion from you. I can't. But Chap, we've got a

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Speaker 1: special surprise for you. Uh yeah, how do you know?

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Speaker 1: Come on, come on out, Mortimer, Mortimer, Come on out,

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Speaker 1: mort Morty. Huh, Hello on, Hi everyone, it's your son, daddy. Daddy,

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Speaker 1: you look like a hundred damned dollars. Look I know

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Speaker 1: you that right, all right? It was every Christmas with

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Speaker 1: this and then he went away. But hello, pops. All right,

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Speaker 1: this's gotta be a adult male. How are you? Here's

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Speaker 1: your son? We had DNA test done. You know what

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Speaker 1: the fun is? Just I said, I was come on

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Speaker 1: this damn show, and then I get blindsighted the language chap.

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Speaker 1: I'm I'm Curt, I'm the show runner. This is Diane,

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Speaker 1: she's she's my partner and my partner, and well it

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Speaker 1: wasn't like crazy. Yeah, it's just there's a lot going

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Speaker 1: on that I can't sunk up. Okay, man, we just

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Speaker 1: just gonna we don't get paid until the show is complete,

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Speaker 1: so we're there's a lot writing on this. I know

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Speaker 1: that gig. Let me tell you from my life experience.

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Speaker 1: That's how I did all my videos, all that stuff.

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Speaker 1: And let me tell you they didn't give me a

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Speaker 1: god damn scent, all right. They kept on saying that

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Speaker 1: it was always a loss, it never made money. You know,

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Speaker 1: I live in a fucking shoebox apartment. I don't even

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Speaker 1: got running water. Myesofta geo lining is cut from a

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Speaker 1: fucking sword I swallowed six years ago. All right, and

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Speaker 1: I throw up bioble Okay, I mean I'm talking about

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Speaker 1: infected Bible. That's what's going on. Well, well, you are

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Speaker 1: giving us a lot of material, so thank you for that.

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00:26:04,320 --> 00:26:06,119
Speaker 1: Let me say, I just love to talk to you

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00:26:06,119 --> 00:26:09,719
Speaker 1: about the character for for one second. So you're you're

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Speaker 1: playing Chad Bonson and he's a rogue cop with a

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Speaker 1: past mm hmm. And uh, you know, I feel like

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Speaker 1: I'm just gonna wing it. I feel like I just

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Speaker 1: got I wrote a script. We did we wrote it.

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Speaker 1: We wrote a script. We did write it. Diane made

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Speaker 1: some contributions to it. If you want a coffee, by

385
00:26:30,160 --> 00:26:32,600
Speaker 1: the way, Diane is a bunch of her purse, I

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Speaker 1: do here. Oh wait, do you do you want to

387
00:26:36,400 --> 00:26:39,280
Speaker 1: want a bottle of water? Do you like? Do you

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00:26:39,359 --> 00:26:45,439
Speaker 1: like coffee? Yes? Okay, here you go. Here's a cold coffee,

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00:26:45,520 --> 00:26:48,399
Speaker 1: a bottle of water, and a script. And um, I

390
00:26:48,480 --> 00:26:52,120
Speaker 1: have a Subway sandwich in here from my hands. There's

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Speaker 1: no cup for you any of this. That's just well,

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Speaker 1: we just wanted you to feel at home. I just

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Speaker 1: wanted you to feel welcome. All right. Look, I think

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Speaker 1: I'm just gonna wing it. I think I was gonna

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Speaker 1: go in there and do my thing. Uh. This guy,

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00:27:04,720 --> 00:27:08,360
Speaker 1: he's he's a father. He's very paternal and he has

397
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Speaker 1: a lot of kids. No, no, no, no, no, no no.

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Speaker 1: He's a caretaker. He's a caretaker. He's just didn't want

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Speaker 1: to work with this psycho. I brought you. I brought

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Speaker 1: your name up as a joke in our pitch meeting,

401
00:27:23,920 --> 00:27:26,040
Speaker 1: and suddenly I'm saddled with you. Why would you tell

402
00:27:26,080 --> 00:27:30,120
Speaker 1: people not to eat? Calm down. I need this job.

403
00:27:30,240 --> 00:27:33,239
Speaker 1: I need insurance. I gotta have insurance. I haven't been

404
00:27:33,240 --> 00:27:36,320
Speaker 1: to the doctor in twenty two years. Well, I wouldn't

405
00:27:36,320 --> 00:27:37,840
Speaker 1: tell people not to eat. Let me tell why. I

406
00:27:37,840 --> 00:27:42,320
Speaker 1: tell people not to eat, because I saw you lose weight, dumbats. Yeah,

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00:27:42,400 --> 00:27:46,880
Speaker 1: her mom last a much way. She died. Hey what's

408
00:27:46,960 --> 00:27:50,760
Speaker 1: up Instagram? Uh yeah, I'm uh. The guy that knocked

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00:27:50,760 --> 00:27:55,119
Speaker 1: out Chap in front of that subway made him famous again,

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00:27:55,160 --> 00:27:58,200
Speaker 1: which is crazy to me. Um, I think you guys

411
00:27:58,240 --> 00:28:00,399
Speaker 1: want to hear my sad of the story. It's pretty simple.

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00:28:01,080 --> 00:28:03,520
Speaker 1: I was behind him in line, waiting like a normal person,

413
00:28:04,119 --> 00:28:06,399
Speaker 1: and this guy was ordering crazy shit, right. He was

414
00:28:06,600 --> 00:28:08,760
Speaker 1: telling all the things he didn't want in the sandwich.

415
00:28:09,480 --> 00:28:11,560
Speaker 1: I was taking too long, and I nudged him a

416
00:28:11,600 --> 00:28:13,320
Speaker 1: little bit, and then he nudged me a little bit.

417
00:28:13,359 --> 00:28:14,879
Speaker 1: And then I nudged him a little bit, and then

418
00:28:14,920 --> 00:28:16,920
Speaker 1: he nudged me a little bit. But we went rolling

419
00:28:16,960 --> 00:28:20,359
Speaker 1: out right into the front of the subway. And then

420
00:28:20,400 --> 00:28:23,440
Speaker 1: this guy he's sucking bones right, He's like skinniest fuck

421
00:28:23,520 --> 00:28:27,800
Speaker 1: and he's bleeding. That time we stood up. What's up Instagram? Uh,

422
00:28:28,000 --> 00:28:30,840
Speaker 1: it's it's me Johnny. I worked the subway and I

423
00:28:31,040 --> 00:28:34,159
Speaker 1: was like partly responsible for Chap getting fans because I

424
00:28:34,760 --> 00:28:36,880
Speaker 1: was gonna make the sandwich when he was ordering all

425
00:28:36,960 --> 00:28:39,240
Speaker 1: this stuff. And then this guy behind him was like, hey,

426
00:28:39,840 --> 00:28:41,400
Speaker 1: order get out of the way. And I'm just standing

427
00:28:41,440 --> 00:28:43,440
Speaker 1: there just like a deer and headlights because like it's

428
00:28:43,520 --> 00:28:48,080
Speaker 1: chapped fucking fencing, and then uh, he nudges uh the guy.

429
00:28:48,560 --> 00:28:50,640
Speaker 1: The guy nudges chapped and then they go out to

430
00:28:50,720 --> 00:28:53,120
Speaker 1: the street and like, I'm still like, what do you

431
00:28:53,160 --> 00:28:57,960
Speaker 1: want to use sandwich? Anyway? Follow me on the next

432
00:28:58,000 --> 00:29:01,680
Speaker 1: time on TMD, we got all all the people, well,

433
00:29:02,200 --> 00:29:04,200
Speaker 1: anybody that was there at that fight, they're gonna be

434
00:29:04,320 --> 00:29:06,960
Speaker 1: here live and at Harvey. You got you gotta beat

435
00:29:07,000 --> 00:29:08,280
Speaker 1: on one of those guys right now. Looks we got

436
00:29:08,320 --> 00:29:09,600
Speaker 1: a camera out on the field talking to one of

437
00:29:09,640 --> 00:29:13,160
Speaker 1: the one of the Instagram folks. That right, Yeah, I

438
00:29:13,360 --> 00:29:17,120
Speaker 1: think that's true. We have somebody in the field. Let's

439
00:29:17,160 --> 00:29:25,840
Speaker 1: go to them now, all right? Well, yeah you hear me, Harvey. Yeah,

440
00:29:25,840 --> 00:29:28,360
Speaker 1: I saw you. Dr pupman in all mucus died. What

441
00:29:28,440 --> 00:29:31,120
Speaker 1: do you got out there? We're we're here with the

442
00:29:31,280 --> 00:29:37,240
Speaker 1: guy that got into the Benson. I didn't get your name.

443
00:29:37,840 --> 00:29:43,080
Speaker 1: What is it? Nelson? Nelson? Nelson? All right? So that

444
00:29:43,320 --> 00:29:45,720
Speaker 1: just run us through everything we've seen. We've all seen

445
00:29:45,840 --> 00:29:49,360
Speaker 1: the viral. I g live. Yeah, I mean, I don't

446
00:29:49,400 --> 00:29:51,640
Speaker 1: know if I can, you know, give shed any more

447
00:29:51,760 --> 00:29:54,200
Speaker 1: light on what happened in a better way than it's

448
00:29:54,240 --> 00:29:56,600
Speaker 1: already been you know, put out there. But I'll just

449
00:29:56,720 --> 00:29:59,040
Speaker 1: like to tell you I kicked that guy's ass. I

450
00:29:59,200 --> 00:30:02,200
Speaker 1: kicked his ass. Us I kicked that guy's ass. No,

451
00:30:02,640 --> 00:30:05,520
Speaker 1: I kicked that guy's ass after after he tried to

452
00:30:05,600 --> 00:30:07,960
Speaker 1: kick his ass. But I literally kicked his ass, like

453
00:30:08,000 --> 00:30:10,920
Speaker 1: I stuck my foot on his ass and I kicked

454
00:30:12,840 --> 00:30:16,360
Speaker 1: on his ass. Getting this this is this is breaking news,

455
00:30:16,440 --> 00:30:21,800
Speaker 1: Harvey only on TMD. Hey do I get paid for this? Yeah?

456
00:30:22,000 --> 00:30:24,680
Speaker 1: You get paid as much as the field reporter, which

457
00:30:24,800 --> 00:30:28,680
Speaker 1: is pretty close to nothing. Okay, Harvey, I'm gonna put

458
00:30:28,720 --> 00:30:32,360
Speaker 1: you on an all mucus diet. Okay, what do you mean?

459
00:30:33,160 --> 00:30:34,400
Speaker 1: What do you mean? What I mean? We're gonna put

460
00:30:34,400 --> 00:30:37,320
Speaker 1: you on all mucous diet? Now does that work exactly?

461
00:30:37,480 --> 00:30:40,760
Speaker 1: What is the us? Look if I opened this tup

462
00:30:40,840 --> 00:30:44,160
Speaker 1: of where you're going to see about three dozen sluggies. Okay,

463
00:30:44,880 --> 00:30:47,280
Speaker 1: and now I'm gonna let those shlugg ees mucus out

464
00:30:47,400 --> 00:30:51,080
Speaker 1: into your throat, so just hold them over. Harvey, you

465
00:30:51,200 --> 00:30:54,520
Speaker 1: gotta move out. I can't. I can't be. I can't say.

466
00:30:54,920 --> 00:30:58,960
Speaker 1: I can't sleep next to you anymore. I'm sorry. I

467
00:30:59,080 --> 00:31:02,560
Speaker 1: loved you once. What are you saying I'm on the couch. No,

468
00:31:02,680 --> 00:31:06,040
Speaker 1: I'm saying, you gotta leave. You gotta leave this shoebox apartment.

469
00:31:06,800 --> 00:31:09,920
Speaker 1: Hey Doc, Hey Doc, it's uh, it's it's your boy.

470
00:31:10,480 --> 00:31:14,200
Speaker 1: I got some fresh Sluggies. I'm talking fresh sluggies, man,

471
00:31:14,440 --> 00:31:19,240
Speaker 1: And I come to you first. I come to you first. Listen.

472
00:31:19,520 --> 00:31:21,680
Speaker 1: I can't get you back in the medicine, all right,

473
00:31:23,760 --> 00:31:27,640
Speaker 1: I don't have that power. All right, Just by a

474
00:31:27,680 --> 00:31:28,920
Speaker 1: couple of sluggies for me, you know what I mean,

475
00:31:29,000 --> 00:31:31,440
Speaker 1: Help me out a little bit. I'm gonna buy it

476
00:31:31,480 --> 00:31:36,280
Speaker 1: off market sluggies. Yeah, but the quality, the quality SLUGGI

477
00:31:36,400 --> 00:31:38,880
Speaker 1: do you say that? And then I got someone down

478
00:31:38,920 --> 00:31:42,200
Speaker 1: into the sluggy and guess what Their head explodes or door.

479
00:31:42,360 --> 00:31:44,200
Speaker 1: You and I were doormates. We were we were we

480
00:31:44,320 --> 00:31:49,120
Speaker 1: we were we we we we we weren't that closer? Friends?

481
00:31:49,160 --> 00:31:52,680
Speaker 1: All right? We were dorrs. All right to buy one

482
00:31:52,720 --> 00:31:59,880
Speaker 1: slugg once lug Jesus Christ by one eight bucks. There's

483
00:32:00,400 --> 00:32:10,600
Speaker 1: where where opera house. Oh, he's the only way to

484
00:32:10,760 --> 00:32:15,000
Speaker 1: end scenes. Oh the magic comes and then you're present

485
00:32:15,160 --> 00:32:24,560
Speaker 1: or you're not. Three comes from Surgeon. That's su r A. T.

486
00:32:27,160 --> 00:32:32,920
Speaker 1: Sgot who wrote hega highs hope this finds you well.

487
00:32:33,440 --> 00:32:37,120
Speaker 1: I'm absolutely smitten with your podcast and I listened to

488
00:32:37,280 --> 00:32:40,560
Speaker 1: them whenever I can. You know what, Scott, I don't

489
00:32:40,600 --> 00:32:44,200
Speaker 1: know if that's enough. Whenever I can? How often is that?

490
00:32:44,880 --> 00:32:48,320
Speaker 1: Whenever I can? Because I was born without the section

491
00:32:48,360 --> 00:32:51,280
Speaker 1: of my brain that allows me to say the curse words,

492
00:32:51,920 --> 00:32:55,080
Speaker 1: it's always satisfying when you guys, let an f bomb drop.

493
00:32:55,200 --> 00:32:58,040
Speaker 1: What the funk is happening with this email here? It

494
00:32:58,200 --> 00:33:03,720
Speaker 1: is a band consisting of four people. They all wear

495
00:33:04,080 --> 00:33:12,760
Speaker 1: headgear to hide their identity. Uh huh their fans, bed

496
00:33:12,840 --> 00:33:17,440
Speaker 1: on conspiracies about them and adventures in sue. I hope

497
00:33:17,480 --> 00:33:23,000
Speaker 1: that's enough, cheers. Let me get a slice that. You

498
00:33:23,080 --> 00:33:25,840
Speaker 1: know what's crazy? Okay? So they have the new album

499
00:33:25,920 --> 00:33:29,200
Speaker 1: coming out right right, right right. It's just like if

500
00:33:29,240 --> 00:33:32,080
Speaker 1: you look at all the artwork through the decades, you're

501
00:33:32,120 --> 00:33:33,960
Speaker 1: just like, all right, they're trying, they're trying to tell

502
00:33:34,000 --> 00:33:39,640
Speaker 1: us something right, something, And even like the way that

503
00:33:39,800 --> 00:33:43,680
Speaker 1: like um, Mikey wears the headgear on one album cover

504
00:33:43,880 --> 00:33:47,000
Speaker 1: and then how Davy wears the same headgear but like

505
00:33:47,200 --> 00:33:49,560
Speaker 1: upside down on the next one, Like it's clearly what

506
00:33:51,000 --> 00:33:52,680
Speaker 1: what are we supposed to make from that? Upside down

507
00:33:52,760 --> 00:33:55,320
Speaker 1: dumps on up? What? What? What is the why? Let

508
00:33:55,360 --> 00:33:57,320
Speaker 1: me let me get a slice that. And I just

509
00:33:57,480 --> 00:34:00,240
Speaker 1: think like in general, like the bigger picture, this is

510
00:34:00,360 --> 00:34:03,240
Speaker 1: like what not only like what the visuals are saying,

511
00:34:03,600 --> 00:34:12,279
Speaker 1: but like what what did the lyrics say? I mean,

512
00:34:12,400 --> 00:34:16,480
Speaker 1: I know it is laughable. What aren't the words? It's crazy?

513
00:34:17,160 --> 00:34:19,160
Speaker 1: It's crazy. You don't have to pay for all these

514
00:34:19,160 --> 00:34:23,320
Speaker 1: slices that you're taking it. There's a cashier at the

515
00:34:23,400 --> 00:34:26,800
Speaker 1: end of the line. Yeah, of course, mr, no, no,

516
00:34:27,400 --> 00:34:29,600
Speaker 1: you guys are fine. He keeps, he keeps? How many

517
00:34:29,760 --> 00:34:33,040
Speaker 1: slices has he ordered? What's the big He's got seven

518
00:34:33,080 --> 00:34:35,960
Speaker 1: slices on his plate right now? Okay, it's okay, I'll

519
00:34:35,960 --> 00:34:39,360
Speaker 1: buy it this time. My treat, t J, my treat.

520
00:34:39,760 --> 00:34:41,520
Speaker 1: I could not but over here you guys talking about

521
00:34:41,520 --> 00:34:46,799
Speaker 1: the mysterions big fan from way back. Yeah, I saw

522
00:34:46,880 --> 00:34:50,160
Speaker 1: the first gig before the head gear? What what? What

523
00:34:50,239 --> 00:34:57,160
Speaker 1: are you even talking about? Mind blown? Mind blown? Yes? What? What?

524
00:34:58,760 --> 00:35:02,000
Speaker 1: What does it mean? How did you feel well? What

525
00:35:02,120 --> 00:35:05,640
Speaker 1: were you weary? Describe anything? Did you see anything in

526
00:35:05,760 --> 00:35:08,719
Speaker 1: your mind when you were listening? Well? I mean, was

527
00:35:08,800 --> 00:35:12,040
Speaker 1: there any of their music that is translated? What's your shoes? Eyes?

528
00:35:12,719 --> 00:35:15,600
Speaker 1: Were you disappointed once I put headgear on? Look? Look,

529
00:35:15,800 --> 00:35:19,960
Speaker 1: I'm sure this flashback can't answer all your questions. Questions

530
00:35:20,320 --> 00:35:27,080
Speaker 1: what Acron? Are you ready? Ya Acran? Are you Reddy?

531
00:35:28,600 --> 00:35:37,919
Speaker 1: Are you Freddy? Don't just praise answer us? Yes? Thank you? Buck?

532
00:35:39,920 --> 00:35:44,600
Speaker 1: Is the chance of fuck you starting? We're all sitting

533
00:35:44,760 --> 00:35:56,600
Speaker 1: on I'm Marky, I'm Daniel Dan, I'm Davy David. They

534
00:35:56,640 --> 00:35:59,920
Speaker 1: seem to say your name, man, say your name, say

535
00:36:00,000 --> 00:36:07,640
Speaker 1: are nine, I'm Josh. That's crazy. So they just like

536
00:36:07,760 --> 00:36:10,359
Speaker 1: it was going on like that for a while. Yeah. Yeah, Well,

537
00:36:10,560 --> 00:36:12,399
Speaker 1: first of all, they sold out a stadium on their

538
00:36:12,480 --> 00:36:17,440
Speaker 1: first gig, which was incredible. This was before before headgear,

539
00:36:17,800 --> 00:36:22,200
Speaker 1: before the head gear. Actually, you know what, Josh kind

540
00:36:22,239 --> 00:36:25,120
Speaker 1: of had his face half obscured like Fantom of the

541
00:36:25,160 --> 00:36:28,440
Speaker 1: Opera style with a mask, now that I think about it, Uh,

542
00:36:28,640 --> 00:36:36,359
Speaker 1: the other three had the opera what's that? Yeah? Yeah, yeah, yeah,

543
00:36:36,760 --> 00:36:38,719
Speaker 1: what is that you said? You said something about that

544
00:36:38,960 --> 00:36:43,840
Speaker 1: in terms of face covering like a half like a

545
00:36:43,880 --> 00:36:47,200
Speaker 1: half mask like the Phantom and Fanto of the Opera. No,

546
00:36:47,320 --> 00:36:49,600
Speaker 1: we understand what half mask means. And then you keep

547
00:36:49,680 --> 00:36:52,320
Speaker 1: talking about an opera. Okay, well, if you know what

548
00:36:52,400 --> 00:36:55,160
Speaker 1: a half mask, I probably don't need to cite to

549
00:36:55,200 --> 00:36:59,520
Speaker 1: reference them. No you didn't. Good show, guys, good show.

550
00:37:00,320 --> 00:37:05,480
Speaker 1: Oh fucking ohio jesus. I was thinking of maybe we

551
00:37:05,520 --> 00:37:08,200
Speaker 1: could take the band in a different direction. What do

552
00:37:08,280 --> 00:37:12,560
Speaker 1: you mean? Yeah, what do you mean? Well, right now,

553
00:37:12,719 --> 00:37:21,120
Speaker 1: like like Danny, like you get all the girls, yeah yeah,

554
00:37:21,120 --> 00:37:25,200
Speaker 1: and uh and I get all the guys go on

555
00:37:26,440 --> 00:37:31,480
Speaker 1: about me Mikey hold on, well you're a manager, right, yes, okay, yeah,

556
00:37:32,040 --> 00:37:34,480
Speaker 1: it's just kind of a band situation. Sorry, it was

557
00:37:34,520 --> 00:37:38,160
Speaker 1: just a band meeting. No, no, no, you can say

558
00:37:38,160 --> 00:37:40,200
Speaker 1: you say, you say, say I feel that. I feel bad. Now,

559
00:37:40,520 --> 00:37:42,160
Speaker 1: all I'm saying is I'm not just to hear what

560
00:37:42,280 --> 00:37:44,800
Speaker 1: direction we should go. Oh well, it's just it's just

561
00:37:44,920 --> 00:37:46,839
Speaker 1: a thought. Now. I know we're doing great, We're selling

562
00:37:46,920 --> 00:37:49,560
Speaker 1: out like crazy. It's like I don't really get, if

563
00:37:49,600 --> 00:37:52,040
Speaker 1: I'm being honest, I don't get much love. Josh doesn't get.

564
00:37:52,080 --> 00:37:53,640
Speaker 1: I don't see a lot of Josh signs out there,

565
00:37:53,680 --> 00:37:55,880
Speaker 1: and it feels like you're just you're just talking about

566
00:37:56,440 --> 00:38:00,759
Speaker 1: actually kind of appetite. Just then, it's just how he

567
00:38:00,840 --> 00:38:03,280
Speaker 1: saw your name. You know, you got to have energy.

568
00:38:03,719 --> 00:38:09,120
Speaker 1: But maybe maybe a name is just a label that

569
00:38:09,239 --> 00:38:11,960
Speaker 1: we don't need. Is someone not getting enough love from

570
00:38:11,960 --> 00:38:15,560
Speaker 1: their ferraris in their giant house. We are the most

571
00:38:15,640 --> 00:38:20,680
Speaker 1: successful band after one tour ever. We have so much

572
00:38:20,800 --> 00:38:23,560
Speaker 1: money now, Josh, and you just really need to relax.

573
00:38:24,200 --> 00:38:28,000
Speaker 1: Haven't Martini enjoy the ride? Man? What about the art

574
00:38:28,120 --> 00:38:36,320
Speaker 1: of it all? I had Debra make a couple of

575
00:38:36,400 --> 00:38:45,120
Speaker 1: things here, just breaking that try these on, and so

576
00:38:45,320 --> 00:38:49,280
Speaker 1: I know I wasn't there for that backstage conversation story

577
00:38:49,360 --> 00:38:53,719
Speaker 1: to tell. But from all accounts, that's where Josh came

578
00:38:53,800 --> 00:38:56,080
Speaker 1: up with the idea for the help you. So his

579
00:38:56,320 --> 00:39:01,279
Speaker 1: girlfriend gave him the head gear and said take this

580
00:39:01,520 --> 00:39:06,920
Speaker 1: in and show it to your bandmates. And that was

581
00:39:07,000 --> 00:39:13,280
Speaker 1: also the last time that they ever worked with that manager. Logan,

582
00:39:13,440 --> 00:39:15,560
Speaker 1: I you know you're a good guy. You you help

583
00:39:15,640 --> 00:39:17,239
Speaker 1: us serve all these pies and all that stuff. But

584
00:39:17,719 --> 00:39:20,080
Speaker 1: video surveillance show that you were just giving away free

585
00:39:20,120 --> 00:39:23,000
Speaker 1: pizza for the last couple of I was not. I

586
00:39:23,160 --> 00:39:25,120
Speaker 1: was not giving away free pizza. I tried to get

587
00:39:25,160 --> 00:39:27,840
Speaker 1: the guy to pay Logan. I don't know what to

588
00:39:27,880 --> 00:39:29,880
Speaker 1: tell you, man, I mean, third strikes to charm, ring

589
00:39:29,960 --> 00:39:32,520
Speaker 1: the bell. Let's all get the hell? Uh you know,

590
00:39:32,920 --> 00:39:37,120
Speaker 1: so let's uh Logan, we gotta let you go. All right,

591
00:39:37,400 --> 00:39:39,719
Speaker 1: that's how it is. Looks like it's back to the

592
00:39:39,920 --> 00:39:49,120
Speaker 1: X Men for me. Yeah whatever, Logan, just you gotta go, right, Hey, Ben,

593
00:39:49,320 --> 00:39:51,640
Speaker 1: band meeting, band meeting. I gotta say, I think his

594
00:39:51,760 --> 00:39:54,000
Speaker 1: head gear is working. What do you think everybody? I mean,

595
00:39:55,040 --> 00:40:01,600
Speaker 1: it's interesting, Take it off, take it? I feel better.

596
00:40:04,280 --> 00:40:09,360
Speaker 1: Can I make a suggestion about headgear? Who's this? I

597
00:40:09,480 --> 00:40:14,879
Speaker 1: mean to manager Clive? Yes, I understand you guys, don't

598
00:40:14,920 --> 00:40:18,160
Speaker 1: really feel you need management, and we're all in the way.

599
00:40:18,520 --> 00:40:20,960
Speaker 1: I'll get it, and I'll just say a couple of

600
00:40:21,000 --> 00:40:23,279
Speaker 1: words and then pop out again. You won't see me

601
00:40:23,360 --> 00:40:25,719
Speaker 1: for the rest of the tour. If one of you

602
00:40:26,680 --> 00:40:31,040
Speaker 1: each night goes out without headgear, I think you funk

603
00:40:31,080 --> 00:40:33,680
Speaker 1: them up a little bit more with Sellamo tickets. That's

604
00:40:33,719 --> 00:40:37,200
Speaker 1: it for me. Enjoy the tour. Hey, guys, are you

605
00:40:37,320 --> 00:40:40,080
Speaker 1: doing it such as you know? I mean, I'm it

606
00:40:40,200 --> 00:40:46,480
Speaker 1: was infomercials, so up whatever. I look look, uh, look,

607
00:40:46,520 --> 00:40:48,960
Speaker 1: I was just in the crowd. You guys sucking my

608
00:40:49,040 --> 00:40:52,680
Speaker 1: mom My mom loves you, by the way, Look look

609
00:40:52,760 --> 00:40:55,279
Speaker 1: look like uh. I don't think I've ever gonna run

610
00:40:55,280 --> 00:40:56,520
Speaker 1: out of money. I don't think I've ever not going

611
00:40:56,560 --> 00:40:58,440
Speaker 1: to be successful. So what I want to do is

612
00:40:58,480 --> 00:41:07,359
Speaker 1: I want to each give you fifty dollars dollars. What's

613
00:41:07,400 --> 00:41:10,400
Speaker 1: it for though, just giving us money? Just being you?

614
00:41:13,719 --> 00:41:16,120
Speaker 1: So that. Yeah. So then Chaff Benson, the guy from

615
00:41:16,200 --> 00:41:18,800
Speaker 1: the from the aerobics videos shows up. Look, I know

616
00:41:18,880 --> 00:41:21,239
Speaker 1: we're trying to fight Magneto right now, but I really

617
00:41:21,280 --> 00:41:27,479
Speaker 1: want to tell you about about Just help me, help

618
00:41:27,520 --> 00:41:37,840
Speaker 1: me right now, flush I command to wins. This is

619
00:41:37,960 --> 00:41:43,560
Speaker 1: the story Finally storm is doing something worthwhile. I know

620
00:41:43,719 --> 00:41:47,239
Speaker 1: I could control weather, but sometimes you know, it's it's

621
00:41:47,320 --> 00:41:51,440
Speaker 1: too easy. So I make a challenging snow, just a

622
00:41:51,560 --> 00:41:56,200
Speaker 1: little bit to attrobate ladies and gentlemen. Welcome back to

623
00:41:56,680 --> 00:42:02,040
Speaker 1: the Tiny Desk series on NPR. We have with us

624
00:42:02,160 --> 00:42:07,239
Speaker 1: in the studio mysterion Um playing an acoustic set. They'll

625
00:42:07,280 --> 00:42:13,279
Speaker 1: be playing their smash hit three Strikes a charm, Take

626
00:42:13,320 --> 00:42:29,600
Speaker 1: it away, Mysterio. Then they did that Tiny Desk countrys

627
00:42:29,880 --> 00:42:35,759
Speaker 1: clearing their throats for a half hour. The slugg Eas

628
00:42:35,920 --> 00:42:45,000
Speaker 1: or the the Sluggies, the the Sluggies. Yeah I remember that. Yeah, yeah,

629
00:42:45,120 --> 00:42:47,080
Speaker 1: So I mean I'm doing time for cutting up a

630
00:42:47,160 --> 00:42:50,480
Speaker 1: clown stomach and soon if there was you know, in

631
00:42:50,520 --> 00:42:55,879
Speaker 1: a candy inside, what about you too? Uh yeah? I um,

632
00:42:58,840 --> 00:43:03,239
Speaker 1: I I just a loser and I everything bad that

633
00:43:03,320 --> 00:43:05,160
Speaker 1: could have happened to me has happened to me. And

634
00:43:05,920 --> 00:43:08,680
Speaker 1: my car was taken away, and my house was foreclosed on,

635
00:43:08,920 --> 00:43:11,320
Speaker 1: and I sold a script and then they hated it,

636
00:43:11,440 --> 00:43:13,719
Speaker 1: and so they took all their money back and now

637
00:43:13,760 --> 00:43:20,279
Speaker 1: I'm in jail and people with my adamantium claws, what

638
00:43:20,480 --> 00:43:27,560
Speaker 1: the fuck? Yeah, they tracked into my That's what I

639
00:43:27,600 --> 00:43:30,080
Speaker 1: wish I had met you earlier. I could have could

640
00:43:30,120 --> 00:43:33,440
Speaker 1: have written something about you. Maybe I can carve up

641
00:43:33,480 --> 00:43:36,279
Speaker 1: a pizza in no time. By the way, Oh, I

642
00:43:36,360 --> 00:43:40,320
Speaker 1: have a pizza in my back pocket. Anybody wants some coffee?

643
00:43:41,200 --> 00:43:43,560
Speaker 1: Yeah I do. Actually, I carry coffee on my shoe.

644
00:43:44,480 --> 00:43:46,919
Speaker 1: Oh man, I can't wait to see my best friend,

645
00:43:48,360 --> 00:43:54,239
Speaker 1: this best friend again, caring about this guy. You guys

646
00:43:54,280 --> 00:43:57,200
Speaker 1: would love them, You guys would love them. Why again

647
00:43:57,239 --> 00:43:59,520
Speaker 1: would we love him? He's just a good guy, just

648
00:43:59,600 --> 00:44:02,040
Speaker 1: a a right right to them. We're gonna go outside,

649
00:44:03,400 --> 00:44:08,120
Speaker 1: we wrestling, we hike. I just hope I'm out of

650
00:44:08,120 --> 00:44:16,200
Speaker 1: here in time for the next mysterioon tour. Oh yeah, okay,

651
00:44:16,360 --> 00:44:20,160
Speaker 1: Now I want to show you they this is a

652
00:44:20,239 --> 00:44:25,960
Speaker 1: little off your budget. Uh, it's definitely smaller and more expensive,

653
00:44:26,320 --> 00:44:29,600
Speaker 1: so I think you're gonna like it. Uh. It's referred

654
00:44:29,600 --> 00:44:33,640
Speaker 1: to this particular design as a shoe box. But don't

655
00:44:33,880 --> 00:44:36,640
Speaker 1: visualize the kind of box that your shoes that you

656
00:44:36,719 --> 00:44:39,440
Speaker 1: wear coming, because that's not really what it pertains to.

657
00:44:40,080 --> 00:44:42,239
Speaker 1: Let's just go inside and take a look. Are you

658
00:44:42,320 --> 00:44:44,839
Speaker 1: telling me not to actually visualize a shoebox? I am,

659
00:44:45,320 --> 00:44:49,279
Speaker 1: I'm asking you this is what the style is going.

660
00:44:50,719 --> 00:44:53,640
Speaker 1: It does not pertain to the bo I'm actually believing

661
00:44:53,680 --> 00:44:57,400
Speaker 1: that it's the size of a natural shoe box, a

662
00:44:57,480 --> 00:45:02,720
Speaker 1: shoe box to live in, Hilary, you're a card. Okay,

663
00:45:03,880 --> 00:45:06,640
Speaker 1: let's just gold before we get in there. If it's

664
00:45:06,640 --> 00:45:10,240
Speaker 1: an actual fucking shoebox, I'm gonna write, Hey, guys, sorry

665
00:45:10,280 --> 00:45:12,360
Speaker 1: to interrupt. I just wanted to give you this flyer.

666
00:45:12,440 --> 00:45:15,600
Speaker 1: We're doing this door decorating contest for Halloween this year.

667
00:45:15,760 --> 00:45:19,560
Speaker 1: So just like, throw up your best Halloween decorations and

668
00:45:19,640 --> 00:45:24,240
Speaker 1: whoever wins gets free rent for a year. Are you curious?

669
00:45:24,840 --> 00:45:30,160
Speaker 1: Free rent for a year? Crazy talk? All right, that's insane.

670
00:45:30,200 --> 00:45:35,799
Speaker 1: Who runs this apartment? Com Fighting Fighting Fighting, Kappa Bay,

671
00:45:41,120 --> 00:45:45,400
Speaker 1: Finished House? This play bad Chuck No like no like

672
00:45:45,600 --> 00:45:52,440
Speaker 1: play quiet Chuck No like Chuck right, Chuck right, bad review,

673
00:45:53,200 --> 00:45:55,960
Speaker 1: kind of hate The New York Times. Shut up, Meet

674
00:45:56,000 --> 00:46:00,520
Speaker 1: New York Times, Meet New York Times. This is a

675
00:46:00,800 --> 00:46:07,080
Speaker 1: this is a sorority. This is this is a shoe box.

676
00:46:07,280 --> 00:46:11,120
Speaker 1: All right, welcome, Welcome, Capitol Records. Uh people, are you

677
00:46:11,200 --> 00:46:13,600
Speaker 1: all work here? You know what you do here? All right?

678
00:46:13,680 --> 00:46:16,080
Speaker 1: Look this guy, I'm gonna give it to you guys

679
00:46:16,120 --> 00:46:19,880
Speaker 1: straight up. Yeah, all four band members in the Mysterio

680
00:46:19,920 --> 00:46:24,719
Speaker 1: Huns died last night. What the funny, I'm just saying

681
00:46:25,480 --> 00:46:28,359
Speaker 1: they all killed each other. Wait where one of them

682
00:46:28,480 --> 00:46:32,400
Speaker 1: had second? Wait a second? Pull out the album covers.

683
00:46:32,719 --> 00:46:35,160
Speaker 1: I think they might have warned us about this. What

684
00:46:35,480 --> 00:46:37,880
Speaker 1: do you mean? Okay, So here's this one, so that

685
00:46:37,920 --> 00:46:39,880
Speaker 1: I got the other one. That one seems to be

686
00:46:40,040 --> 00:46:42,440
Speaker 1: pointing something at that. I put it together. Wait, move

687
00:46:42,520 --> 00:46:45,319
Speaker 1: this one here, slide the one of the top down

688
00:46:45,360 --> 00:46:47,840
Speaker 1: to the bottom quick, and then I'm gonna play this record,

689
00:46:48,000 --> 00:46:57,840
Speaker 1: this record backwards, I'm gonna kill Okay, it looks like

690
00:46:57,880 --> 00:47:00,759
Speaker 1: we figured it out. But we're not detectives. We are

691
00:47:00,920 --> 00:47:04,600
Speaker 1: music executive. So here's my should be detectives. Maybe you

692
00:47:04,760 --> 00:47:08,200
Speaker 1: should be, Daniel, Maybe you should be by the way.

693
00:47:08,480 --> 00:47:11,040
Speaker 1: And so Capitol Records decided to put out the greatest

694
00:47:11,080 --> 00:47:14,040
Speaker 1: Hits album that was. That was pretty much the end

695
00:47:14,080 --> 00:47:17,880
Speaker 1: of that. Okay, well you're training under us right now.

696
00:47:18,040 --> 00:47:20,240
Speaker 1: So if you could just listen to what we're saying,

697
00:47:20,960 --> 00:47:24,560
Speaker 1: so when the customer comes you always I've worked retail.

698
00:47:24,640 --> 00:47:28,000
Speaker 1: I've worked retail. If it's a popcorn, if they want butter,

699
00:47:28,360 --> 00:47:32,480
Speaker 1: they don't just you don't assume they want butter? Okay,

700
00:47:32,640 --> 00:47:35,160
Speaker 1: all right, and I could just slice up the popcorn

701
00:47:35,320 --> 00:47:40,560
Speaker 1: like this. Sure, Oh my god, it is my hands

702
00:47:41,800 --> 00:47:44,840
Speaker 1: from the X Men. I know it's gonna know that

703
00:47:45,239 --> 00:47:50,560
Speaker 1: the movie theaters are back though, right, people are going

704
00:47:50,600 --> 00:47:54,600
Speaker 1: to the movies again since it's exciting. Yeah, I have

705
00:47:54,840 --> 00:47:57,480
Speaker 1: to do this. I don't want to, but I have

706
00:47:57,680 --> 00:48:02,480
Speaker 1: to stop it with the sad sect ship. You guys

707
00:48:02,560 --> 00:48:07,560
Speaker 1: going out to party after this? No, are you guys

708
00:48:07,600 --> 00:48:09,879
Speaker 1: in a mysterion? Or is that more like boomer music

709
00:48:09,960 --> 00:48:14,120
Speaker 1: to you? Guys? What are you into? I've so many

710
00:48:14,160 --> 00:48:16,520
Speaker 1: anecdotes about mysterion. Some of that I was there for.

711
00:48:16,920 --> 00:48:23,800
Speaker 1: Many of that I was not. Right now I heard it.

712
00:48:24,800 --> 00:48:27,520
Speaker 1: Go ahead and tell us you know it's gonna be sad.

713
00:48:27,560 --> 00:48:33,200
Speaker 1: You're a Saturday night. Oh I gotta go. You guys

714
00:48:33,280 --> 00:48:38,840
Speaker 1: know that I'm two years old and Canadian. It doesn't

715
00:48:38,880 --> 00:48:41,239
Speaker 1: mean you could take a six minute break when you're staying.

716
00:48:41,280 --> 00:48:43,080
Speaker 1: You're taking a five minute break. All right? All right,

717
00:48:45,520 --> 00:48:52,439
Speaker 1: Professor X, what I heard mysterion he's going on tour again. Yeah,

718
00:48:52,520 --> 00:48:56,359
Speaker 1: they're all dead, They're going on tour, So who's behind? Yeah?

719
00:48:56,400 --> 00:49:00,600
Speaker 1: I think that was like an Andy Kaufman stunt. Right,

720
00:49:01,680 --> 00:49:03,800
Speaker 1: I don't think they actually killed themselves, that's my theory.

721
00:49:04,880 --> 00:49:07,759
Speaker 1: Uh huh oh like when they when Msteria all went on,

722
00:49:07,880 --> 00:49:11,160
Speaker 1: Letterman did that fake wrestling thing. Yeah right, right, right

723
00:49:11,320 --> 00:49:15,160
Speaker 1: exactly exactly. It's like they're not they're not actually into wrestling,

724
00:49:15,320 --> 00:49:22,360
Speaker 1: right yeah, yeah, yeah. Well it feels dead today, like people. Look, Logan,

725
00:49:22,440 --> 00:49:23,880
Speaker 1: I'm sorry, but we're gonna have to let you go.

726
00:49:23,960 --> 00:49:28,279
Speaker 1: All right. I'm looking at the CCTV footage and I

727
00:49:28,360 --> 00:49:31,040
Speaker 1: mean you're you're just chopping it up with those thirteen

728
00:49:31,120 --> 00:49:33,600
Speaker 1: ye rolls and you're not working. All right, where I

729
00:49:33,760 --> 00:49:36,120
Speaker 1: let you go. I've never felt so connected to co

730
00:49:36,239 --> 00:49:41,719
Speaker 1: workers ever, Like I I got to be good friends

731
00:49:41,760 --> 00:49:43,640
Speaker 1: with Nightcrawler and then he would just like bamp out

732
00:49:43,680 --> 00:49:47,080
Speaker 1: of the room. You know what I'm talking about. I

733
00:49:47,160 --> 00:49:51,719
Speaker 1: don't know. Look, legally, I have to give you two

734
00:49:51,719 --> 00:49:57,360
Speaker 1: weeks all right. Oh that's good. That's good. Turn around

735
00:49:57,400 --> 00:50:03,800
Speaker 1: the next two weeks. Su Okay, how's business at Regal

736
00:50:03,920 --> 00:50:10,120
Speaker 1: by the way? Ah? Thank you? Uh low Logan? Is

737
00:50:10,160 --> 00:50:15,040
Speaker 1: that right? Is that my reading this correctly? Loan? Logan? Logan, alright,

738
00:50:15,080 --> 00:50:17,640
Speaker 1: so it sits the going over your previous employment here,

739
00:50:18,880 --> 00:50:24,440
Speaker 1: movie theater, the last three jobs, movie theater, pizza piece,

740
00:50:24,960 --> 00:50:31,880
Speaker 1: and the X Men. I'm not I'm a little curious

741
00:50:31,920 --> 00:50:35,399
Speaker 1: what you mean why it says X Men? Uh huh,

742
00:50:36,360 --> 00:50:39,320
Speaker 1: you're familiar with the superhero group of mutants. Clearly not.

743
00:50:39,640 --> 00:50:44,880
Speaker 1: We've saved the world several times. It's it's usually prominently covered.

744
00:50:45,520 --> 00:50:50,000
Speaker 1: And this, you're all right? Opening night of X Men

745
00:50:50,080 --> 00:50:53,799
Speaker 1: the Opera. I think this is gonna go so much better.

746
00:50:54,360 --> 00:51:05,080
Speaker 1: This right, all right? And sleep backstage? Can you direct

747
00:51:05,120 --> 00:51:22,240
Speaker 1: me to my box seat? Right, sir? Somebody having a cocaine. Cocaine,

748
00:51:22,400 --> 00:51:25,840
Speaker 1: I got a banana, open your present. I got presents

749
00:51:25,840 --> 00:51:30,440
Speaker 1: for everyone again, and you're in my box seat. Let

750
00:51:30,480 --> 00:51:41,000
Speaker 1: me sit here, Chuck, sit here, Chuck review Chucker's show. Uh, cemetery.

751
00:51:43,160 --> 00:51:46,200
Speaker 1: Let's thank all of our alchemists, Carla, thank you so

752
00:51:46,719 --> 00:51:50,759
Speaker 1: damn much. Thank you so damn much. Um. Now that

753
00:51:50,880 --> 00:51:53,440
Speaker 1: we see that there are two microphones available in the

754
00:51:53,680 --> 00:51:57,840
Speaker 1: same household, please come back immediately, but love it. Thank you.

755
00:51:58,760 --> 00:52:02,279
Speaker 1: And it's nice to see from behind you that you've

756
00:52:02,400 --> 00:52:11,359
Speaker 1: not yet run out of toilet paper early and often. Yep, yep,

757
00:52:11,560 --> 00:52:14,239
Speaker 1: that's right there next to the dog bags, so yeah,

758
00:52:14,360 --> 00:52:18,759
Speaker 1: we run out of one, then we have together. Um,

759
00:52:19,080 --> 00:52:22,760
Speaker 1: is there any updates on the West Side Comedy Theater

760
00:52:23,239 --> 00:52:27,239
Speaker 1: still out of commission currently but still hopeful to come back.

761
00:52:28,680 --> 00:52:32,399
Speaker 1: So that's where we're at. I believe it will come back,

762
00:52:32,520 --> 00:52:35,000
Speaker 1: damnit you I hope so of course. Yeah no, there's

763
00:52:35,040 --> 00:52:37,040
Speaker 1: just too much talent and too many people who want

764
00:52:37,080 --> 00:52:42,839
Speaker 1: to gather. Yeah, yeah, that's right. So hopefully the world

765
00:52:42,880 --> 00:52:45,359
Speaker 1: doesn't fall apart in the next thirty days. And uh,

766
00:52:45,520 --> 00:52:50,279
Speaker 1: I know right, it'll be a vaccine at an appropriate time,

767
00:52:51,800 --> 00:52:55,120
Speaker 1: tested by far too many to be denied exactly till then,

768
00:52:55,719 --> 00:53:02,959
Speaker 1: no improv Chris Alvarado, Thank you so much, Pal, thank

769
00:53:03,040 --> 00:53:05,720
Speaker 1: you for having me. We're all gonna be okay. Everything's fine.

770
00:53:06,200 --> 00:53:10,560
Speaker 1: That's right, That's exactly right. Um, And where can folks

771
00:53:10,640 --> 00:53:15,759
Speaker 1: find you other than Chris dash Alvarado dot com. I

772
00:53:15,840 --> 00:53:17,440
Speaker 1: mean that's the place. But if you got to check

773
00:53:17,440 --> 00:53:20,239
Speaker 1: out my Instagram I post once every six weeks, I

774
00:53:20,360 --> 00:53:23,480
Speaker 1: think that's at Chris Alvarado unless they want to pop

775
00:53:23,560 --> 00:53:25,840
Speaker 1: over to Sunny's a Good Boy. Oh yeah, Sunny is

776
00:53:25,880 --> 00:53:30,080
Speaker 1: a good boy. Yeah. Well, thanks for being here, Pal,

777
00:53:30,239 --> 00:53:34,759
Speaker 1: I love you, Love you. Patrick Roland, buddy, thank you

778
00:53:34,800 --> 00:53:36,960
Speaker 1: so much for coming back, Thanks for having me, always

779
00:53:36,960 --> 00:53:39,960
Speaker 1: a pleasure. What can where can folks find you out there?

780
00:53:40,600 --> 00:53:42,719
Speaker 1: You can find me on my site Patch Brolan dot

781
00:53:42,800 --> 00:53:46,200
Speaker 1: met And I also just started h the Patrick Roland

782
00:53:46,239 --> 00:53:49,680
Speaker 1: Sketch Show, which you can find on the YouTube and

783
00:53:49,880 --> 00:53:53,880
Speaker 1: also on Instagram at Patrick Brolan Sketch Show and also

784
00:53:54,400 --> 00:53:57,800
Speaker 1: my team as always three Peak Comedy. And so the

785
00:53:57,920 --> 00:54:01,000
Speaker 1: new thing on YouTube or how new is that? Uh,

786
00:54:01,200 --> 00:54:03,960
Speaker 1: we've two weeks in. We're released a new sketch every Monday.

787
00:54:04,040 --> 00:54:08,840
Speaker 1: We meaning me. I saw your back and forth. I

788
00:54:08,920 --> 00:54:14,080
Speaker 1: saw you um as Obama and Kanye. Yeah, that was

789
00:54:14,840 --> 00:54:18,640
Speaker 1: extremely well done. That was so good. Thank you so

790
00:54:18,800 --> 00:54:23,239
Speaker 1: much for that. Really having fun, Yeah, you know, it

791
00:54:23,440 --> 00:54:28,040
Speaker 1: was real fun doing stuff as you Jesus in the building.

792
00:54:30,760 --> 00:54:34,160
Speaker 1: That's what I'm talking about, man, Thank you for that.

793
00:54:34,239 --> 00:54:37,640
Speaker 1: Craig Knkowski, thank you. Hey, my pleasure. I'd like to

794
00:54:37,719 --> 00:54:40,920
Speaker 1: promote something which frankly I'm shocked that Carla did not promote,

795
00:54:40,920 --> 00:54:44,400
Speaker 1: which is the term of the the return of the

796
00:54:44,440 --> 00:54:50,280
Speaker 1: Craigslist podcast for the month ABO. We're horror or horror

797
00:54:50,320 --> 00:54:53,239
Speaker 1: adjacent movies and thirty one days and we're putting out

798
00:54:53,280 --> 00:54:57,120
Speaker 1: some podcasts talking about them. Not one per movie. That

799
00:54:57,160 --> 00:54:59,480
Speaker 1: would be too much. We're putting out one every three

800
00:54:59,600 --> 00:55:01,600
Speaker 1: or four day. Is talking about the movies we watched

801
00:55:01,600 --> 00:55:05,000
Speaker 1: in the interim. First one is out now on Slasher Films.

802
00:55:05,040 --> 00:55:08,080
Speaker 1: We did Halloween, Freddie Thirteenth and Nightmary in Elm Street,

803
00:55:08,120 --> 00:55:12,080
Speaker 1: the Big Three and uh, and then we just watched

804
00:55:12,360 --> 00:55:15,600
Speaker 1: some found footage horror movies and I think he needs

805
00:55:16,040 --> 00:55:22,200
Speaker 1: a palic cleanser of Hocus focus. Next. She's been thoroughly traumatized. Yeah,

806
00:55:22,440 --> 00:55:25,560
Speaker 1: I will say some spoiler alerts up there. I mean, Carl,

807
00:55:25,680 --> 00:55:27,520
Speaker 1: you did post in your Instagram that the last movie

808
00:55:27,560 --> 00:55:29,400
Speaker 1: you watched was a little much for you. Is that

809
00:55:29,400 --> 00:55:33,719
Speaker 1: all right? It's true? Yeah, yeah, Wreck if anybody's seen it?

810
00:55:35,920 --> 00:55:41,040
Speaker 1: Oh yeah, Patrick talk. Are we off track? No, not

811
00:55:41,160 --> 00:55:44,640
Speaker 1: at all. So that's Craigslist wherever you get your podcast

812
00:55:44,840 --> 00:55:47,239
Speaker 1: Craigslist pea cast on Twitter and you can find it

813
00:55:47,320 --> 00:55:53,439
Speaker 1: on iTunes, SoundCloud, Everything Fantastic, can't Wait. And Joey Greer

814
00:55:53,560 --> 00:55:56,719
Speaker 1: exited before he was invited to so we'll say thank

815
00:55:56,760 --> 00:56:02,840
Speaker 1: you to Joey. Hopefully. I down't whether he was kidnapped

816
00:56:03,400 --> 00:56:07,239
Speaker 1: or foul plays a foot stay tuned. Let's thank our

817
00:56:07,280 --> 00:56:11,759
Speaker 1: producer and engineer of the stars, Mr Doug Baine, the

818
00:56:11,800 --> 00:56:16,720
Speaker 1: fine folks that I heart media. I'm your host, Kevin Pollock,

819
00:56:16,760 --> 00:56:19,440
Speaker 1: thanking you all so very damn much. Please continue to

820
00:56:19,480 --> 00:56:21,640
Speaker 1: write to the podcast that your name here at alchemy

821
00:56:21,719 --> 00:56:23,560
Speaker 1: this dot com. I love reading your emails and I'm

822
00:56:23,600 --> 00:56:26,560
Speaker 1: just catching up on replying to you all, so thank

823
00:56:26,560 --> 00:56:28,120
Speaker 1: you for the patience on that, and thanks to all

824
00:56:28,160 --> 00:56:31,480
Speaker 1: the patron members as well. Um, be kind to each other,

825
00:56:31,719 --> 00:56:35,320
Speaker 1: wear a mask when you go outdoors. Until next time,

826
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Speaker 1: remember Alchemy