WEBVTT - How The Middle Of Nowhere Is What Got Me Somewhere

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<v Speaker 1>What's up. It's Granger Smith. This is the Granger Smith Podcast,

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<v Speaker 1>Episode one, five fifteen. Thank y'all for caring enough to

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<v Speaker 1>listen to me on a podcast. I put out episode

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<v Speaker 1>fourteen in October, and for those of you keeping score,

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<v Speaker 1>it is January nineteenth, and that's been a long time,

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<v Speaker 1>so I'm sorry. I've had a lot of people telling

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<v Speaker 1>me and meeting greets when I talked to him saying

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<v Speaker 1>when your next podcast, And in my defense, a lot

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<v Speaker 1>has gone on since the last podcast I have. Of course,

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<v Speaker 1>the holiday season, I had hey documentary that came out

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<v Speaker 1>called They Were There, which I'm very proud of. And

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<v Speaker 1>we've been making some new music which I'm so excited

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<v Speaker 1>to play you guys very soon. Can't do it today,

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<v Speaker 1>but very soon. But I do have some loose ends

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<v Speaker 1>to tie up on that last episode fourteen. I have

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<v Speaker 1>to finish that story. I have to talk about the

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<v Speaker 1>current tour that I'm on. I have to talk about

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<v Speaker 1>what I think twenty nineteen is going to bring to

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<v Speaker 1>you from me. Here we go. I'm in Norman, Oklahoma today.

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<v Speaker 1>It is a Saturday in the parking lot. I'm in

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<v Speaker 1>the back of my bus wild Flower, and it is

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<v Speaker 1>really cold. It's like nineteen degrees outside, which is cold

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<v Speaker 1>for a Central Texas boy. We are at the University

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<v Speaker 1>of Oklahoma and we're playing in the basketball arena on

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<v Speaker 1>the Cane Brown Lift Forever Tour. And this is for

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<v Speaker 1>me right now, the end of the second week of

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<v Speaker 1>this tour. And I'll tell you what. This has been

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<v Speaker 1>a really really good tour for me. I have theories

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<v Speaker 1>on why it's so good. And fan wise, this has

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<v Speaker 1>been the loudest compared to Florida Georgia Line Tour that

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<v Speaker 1>I was on two years ago and then last year

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<v Speaker 1>the Luke Bryan Tour, this has been the loudest, fans,

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<v Speaker 1>the most accepting, the most people in their seats when

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<v Speaker 1>I start, I'm talking sold out everyone in their seat.

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<v Speaker 1>That's the testament to EE nation. That's also a testament

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<v Speaker 1>to Cane Round fans that don't know me, that hopefully

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<v Speaker 1>do now what a blast this has been. Let me

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<v Speaker 1>talk about this documentary. It's called they Were There, a

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<v Speaker 1>Heroes documentary, and I've taken a lot of time to

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<v Speaker 1>make this documentary. It took about three years and the

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<v Speaker 1>concept of it goes way beyond that. It goes back

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<v Speaker 1>all the way to two thousand and seven when I

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<v Speaker 1>took my first entertainment tour in Iraq. After coming back

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<v Speaker 1>from that tour, I was so motivated. I wanted to

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<v Speaker 1>go to Iraq and play music. And I think I've

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<v Speaker 1>talked about this in a previous podcast, but I wanted

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<v Speaker 1>to bring a little piece of home to the soldiers

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<v Speaker 1>to tell them thank you for allowing me to play music.

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<v Speaker 1>But what I got out of it was so much more.

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<v Speaker 1>What I got was this vision of who these men

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<v Speaker 1>and women are, what they're doing twenty four to seven,

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<v Speaker 1>no breaks, no holidays. The sacrifice became real to me

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<v Speaker 1>when I saw it over there in the desert. So

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<v Speaker 1>I came back and immediately wanted to go and go

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<v Speaker 1>back to Iraq again. So I went back two more times.

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<v Speaker 1>I went back twice in two thousand and eight. One

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<v Speaker 1>of those was a Christmas in New Year's When I

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<v Speaker 1>got home to Texas after that third trip to Iraq,

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<v Speaker 1>I was motivated to bring that feeling that I had

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<v Speaker 1>that was an addicting feeling, to help out the cause,

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<v Speaker 1>to say thank you to these men and women. And

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<v Speaker 1>I wanted other civilians to feel that same thing that

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<v Speaker 1>I had, So I decided on a whim, you know,

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<v Speaker 1>one crazy day, that I was going to walk one

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<v Speaker 1>hundred miles in combat boots over the course of five

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<v Speaker 1>days from South Austin up to Fort Hood, Texas. I

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<v Speaker 1>had never done anything like this. It just, you know,

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<v Speaker 1>I just thought, you know, we'll walk one hundred miles

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<v Speaker 1>and I'll create awareness and morale and patriotism and say

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<v Speaker 1>thank you and raise some money for a charity called

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<v Speaker 1>Boot Campaign for returning Soldiers re entering civilian life. That

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<v Speaker 1>was so fun that first Boot walk. We had so

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<v Speaker 1>many volunteers that came out and walked with me. I

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<v Speaker 1>camped on the side of the road. It went along

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<v Speaker 1>along with a song that I had called Sleeping on

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<v Speaker 1>the Intercede at the time, and that led the year two.

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<v Speaker 1>That year led the year three, and year four. I

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<v Speaker 1>did that four years in a row where I walked

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<v Speaker 1>one hundred miles from South Austin up to Fort Hood.

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<v Speaker 1>But after the fourth time, I lost my dad. He

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<v Speaker 1>died of a heart attack in March twenty fourteen, and

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<v Speaker 1>it changed my perspective on a lot of things. It

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<v Speaker 1>changed the way I looked at heroes because my dad

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<v Speaker 1>was my hero. And when he died, I felt like

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<v Speaker 1>that would die along with him, that what made him

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<v Speaker 1>a hero would be lost, and I wanted to retell

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<v Speaker 1>that story, and I realized that I really couldn't, and

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<v Speaker 1>I wanted to tell everybody, the whole world, what he

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<v Speaker 1>meant to me. It was through that grieving process that

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<v Speaker 1>really opened my eyes to fallen soldiers, the heroes that

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<v Speaker 1>they were, and that if I felt like that about

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<v Speaker 1>my dad, who was my hero, how should we feel

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<v Speaker 1>as Americans about soldiers, fallen soldiers that died volunteering to

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<v Speaker 1>protect our freedom, to allow us to live the American dream?

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<v Speaker 1>How did those families feel that have lost that soldier, forgotten, lost,

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<v Speaker 1>unable to tell the world who this man or woman was. Probably, Yeah,

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<v Speaker 1>that was the perspective I had, And so I thought,

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<v Speaker 1>you know what, this one hundred mile walk that I've

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<v Speaker 1>done for four years needs to change a little bit.

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<v Speaker 1>I want to I want to honor soldiers. You know.

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<v Speaker 1>My first thought was to honor one hundred fallen soldiers

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<v Speaker 1>one per mile. And I was talking to one of

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<v Speaker 1>my friends, a wounded warrior himself named Joey Jones, and

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<v Speaker 1>I was excited. I said, I want to honor a

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<v Speaker 1>hundred soldiers and walk one hundred miles and each mile

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<v Speaker 1>marker will represent one soldier. And he said, man, I

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<v Speaker 1>appreciate your inspiration, but let me be honest with you.

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<v Speaker 1>I think you would be better suited to represent five

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<v Speaker 1>soldiers one each day. That way you could you could

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<v Speaker 1>really concentrate on who they were, the lives that they lived,

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<v Speaker 1>and spend an entire day talking about the soldier that

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<v Speaker 1>he was right. It was a great idea. And so

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<v Speaker 1>what I wanted to do was not know anything about

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<v Speaker 1>a soldier and learn about them during the course of

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<v Speaker 1>the day. So the families would send me a care package, letters,

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<v Speaker 1>anything that I needed to know about this soldier that

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<v Speaker 1>would would let me understand more about the hero that

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<v Speaker 1>they were, the lives that they lived, the hometowns, the mothers,

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<v Speaker 1>the wives, the families, the brothers, the friends. And that's

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<v Speaker 1>what we did. I decided to go to West Texas

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<v Speaker 1>Big Ben National Park, a place I had never been

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<v Speaker 1>as a Texan, went out there and picked five days

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<v Speaker 1>and walked about the still the equivalent of one hundred miles.

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<v Speaker 1>Even though it was more of a hike and it

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<v Speaker 1>was a religious experience for me, it was unbelievable, and

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<v Speaker 1>we filmed a documentary. This all started when I went

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<v Speaker 1>to social media and asked for gold Star families to

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<v Speaker 1>submit their stories, and we got over three hundred submissions

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<v Speaker 1>of fallen soldiers and we had to go through and

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<v Speaker 1>pick five, which was difficult. And it wasn't like we

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<v Speaker 1>went and picked the most dramatic, craziest stories. We decided

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<v Speaker 1>to pick five stories that represented the whole, that represented

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<v Speaker 1>the greater group, which was very difficult. It was including

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<v Speaker 1>one suicide. It was very appropriate to add a suicide

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<v Speaker 1>to this list because that's a big part of fallen

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<v Speaker 1>soldiers today with PTSD. And so we took these names

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<v Speaker 1>and I stayed away from anything beyond the name until

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<v Speaker 1>that day in Big Ben. I'd wake up, I would

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<v Speaker 1>call the family. Sometimes it was a wife, sometimes it

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<v Speaker 1>was a father, a mother, and I would FaceTime them

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<v Speaker 1>and I would just tell them how excited I was

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<v Speaker 1>to start the day and that this day would be

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<v Speaker 1>all about their son or husband. And I learned, as

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<v Speaker 1>the viewer learned, just who they were. And I'm so

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<v Speaker 1>proud of this film. I hope that a lot of

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<v Speaker 1>y'all have watched it. If you haven't, I also made

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<v Speaker 1>this as easy as possible to watch. It's not subscription based.

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<v Speaker 1>You don't have to pay for it. You don't have

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<v Speaker 1>to do anything but go to YouTube and search Granger Smith.

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<v Speaker 1>They Were There, a hero's documentary. It's for free, and

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<v Speaker 1>I wanted it to be like that. I wanted it

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<v Speaker 1>to be where everyone if they wanted to check this out.

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<v Speaker 1>It's about forty five minutes long. I wanted you to

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<v Speaker 1>go and be able, on your own time, on your

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<v Speaker 1>own couch at your own house, to go to YouTube

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<v Speaker 1>and check this out. And I encourage you to watch

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<v Speaker 1>three or four minutes. And I hope that if you

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<v Speaker 1>just dedicate three or four minutes to it, then you're

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<v Speaker 1>gonna get sucked into it and ended up watching the

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<v Speaker 1>entire film and then let me know what you think.

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<v Speaker 1>It's a very very important project to me. I've been

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<v Speaker 1>playing the theme song called They Were There that I

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<v Speaker 1>wrote with some of my great friends, including Mitchell Timpenny

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<v Speaker 1>and an awesome artist himself. I've been playing that song

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<v Speaker 1>live when this came round tour, and last night when

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<v Speaker 1>we played it in Memphis, it just kind of kind

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<v Speaker 1>of brought the house down. It was just crazy, everyone

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<v Speaker 1>lifting up their phones and the lights on their phones.

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<v Speaker 1>And it's a powerful song with a different message than

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<v Speaker 1>any other soldier song, because this is from the civilian perspective.

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<v Speaker 1>This is a song about while we were here, living

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<v Speaker 1>our lives, doing these mundane things, all the while, there

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<v Speaker 1>are people over there right now paying for this freedom.

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<v Speaker 1>Here's a song called they were there. We were here,

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<v Speaker 1>blowing out birthdaycads, riding our bikes, jumping in legs, feeling

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<v Speaker 1>butterflies on our first dates, and stealing our old man's beard.

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<v Speaker 1>We were here back home and the home and the bridge,

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<v Speaker 1>but the breath ain't home. There's been notion away doing

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<v Speaker 1>their job and keeping us safe. While we were here,

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<v Speaker 1>they were there, fighting back on the front line, strapping

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<v Speaker 1>up their boots before the sun rites, keeping their mamas

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<v Speaker 1>up full night in field. They were there in the

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<v Speaker 1>name of a hometown of the last name that was

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<v Speaker 1>passed down every day, every night, every moment we were here,

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<v Speaker 1>they were there. They were there. We were here, singing

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<v Speaker 1>the floods of the league and repeating those words, not

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<v Speaker 1>knowing their meaning, taking for granted all our freedoms in

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<v Speaker 1>the land of the free. We were here bitching batmanimum wage,

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<v Speaker 1>splitting ourselves in the Red and Blue states, we still

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<v Speaker 1>sat down hot food on the plate. Yeah hour, we

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<v Speaker 1>were here. They were there, fatting back on the front lines,

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<v Speaker 1>coming up their boots before the sunrise, keeping the marbles

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<v Speaker 1>up at night in seeing. They were there in the

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<v Speaker 1>name of a hotwn of the last name that was

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<v Speaker 1>passed down every day, every night, every morning. We were here.

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<v Speaker 1>They were there. They were there. They were there, given everything, man, God,

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<v Speaker 1>they were there. Some came home in a pine wood

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<v Speaker 1>box with those stars and strips on top. They were there,

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<v Speaker 1>fatting back on the fun line, scrapping out there Bruce

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<v Speaker 1>before the sun lights, keeping their mama's up phone nine feed.

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<v Speaker 1>They were there in the name of a hometown, of

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<v Speaker 1>a last name that was passed down every day, every

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<v Speaker 1>night of the malling we working. They were there. They

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<v Speaker 1>were there, and you can watch this full documentary on YouTube.

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<v Speaker 1>Just searched. They were there. Granger Smith, I hope you

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<v Speaker 1>like it, and please give me your feedback. It's important

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<v Speaker 1>to me. Hey, thank you for listening to this podcast.

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<v Speaker 1>If you want to help, if you want to hear

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<v Speaker 1>more of these, then I'll tell you exactly how you

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<v Speaker 1>could help. Me, tell your friends about it, and go

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<v Speaker 1>on at whatever streaming device you're using. Give it a

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<v Speaker 1>good rating. That helps me. This podcast is brought to

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<v Speaker 1>you by EEEE Energy. That's my official, unofficial energy drink.

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<v Speaker 1>I'm actually drinking one right now and I will be

0:14:43.600 --> 0:14:46.320
<v Speaker 1>tonight before the show. As I always like to point out,

0:14:46.400 --> 0:14:48.200
<v Speaker 1>this is an energy drink that my brothers and I

0:14:48.360 --> 0:14:52.600
<v Speaker 1>made from scratch. We took several different recipes and we

0:14:52.680 --> 0:14:57.120
<v Speaker 1>kind of decided the best one for us that we liked. Actually,

0:14:57.160 --> 0:14:59.080
<v Speaker 1>people were asking me last night was it taste like

0:14:59.120 --> 0:15:01.960
<v Speaker 1>Red Bull or Mass And I said, it's not tanging

0:15:02.080 --> 0:15:05.000
<v Speaker 1>like Red Bull, and it's not as fruity as Monster.

0:15:05.320 --> 0:15:08.840
<v Speaker 1>I like to think that it's just right the Goldilocks drink.

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<v Speaker 1>Check it out at eye energy dot com or Amazon Prime.

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<v Speaker 1>At the end of episode fourteen, and by the way,

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<v Speaker 1>I'm still kind of telling my story of where I

0:15:19.680 --> 0:15:22.120
<v Speaker 1>came from and how I got to where I am now,

0:15:22.600 --> 0:15:26.040
<v Speaker 1>and it's collectively through all these past episodes. So if

0:15:26.040 --> 0:15:28.760
<v Speaker 1>you're brand new to this podcast and you're just starting

0:15:29.280 --> 0:15:32.520
<v Speaker 1>right now with episode fifteen, you might have to catch

0:15:32.600 --> 0:15:35.280
<v Speaker 1>up just a little bit, because at the end of

0:15:35.320 --> 0:15:39.400
<v Speaker 1>episode fourteen, the timeline of the story I was telling

0:15:39.480 --> 0:15:43.320
<v Speaker 1>was in about twenty eleven, and I was talking about

0:15:43.360 --> 0:15:46.440
<v Speaker 1>how I put out a record called Poets and Prisoners.

0:15:46.560 --> 0:15:49.880
<v Speaker 1>I was very proud of it. I still love that album.

0:15:50.360 --> 0:15:53.200
<v Speaker 1>It's still such a time piece for me at the

0:15:53.240 --> 0:15:56.680
<v Speaker 1>time and where I was in my life, as all

0:15:56.720 --> 0:16:01.560
<v Speaker 1>my albums are, but that particular one wasn't doing great.

0:16:01.640 --> 0:16:04.760
<v Speaker 1>It wasn't getting a lot of attention. I think people

0:16:04.840 --> 0:16:07.000
<v Speaker 1>liked it, but they did not a lot of people

0:16:07.080 --> 0:16:09.320
<v Speaker 1>knew about it, and no one really bought it, and

0:16:09.360 --> 0:16:12.280
<v Speaker 1>no one was coming to the shows. It wasn't translating

0:16:12.320 --> 0:16:16.560
<v Speaker 1>to ticket sales, and all that was about to change

0:16:17.040 --> 0:16:20.800
<v Speaker 1>with one show. And that's how I ended episode fourteen,

0:16:20.920 --> 0:16:24.600
<v Speaker 1>was saying that, and that is true. Now three things

0:16:24.760 --> 0:16:27.520
<v Speaker 1>were about to happen for me in this twenty eleven window.

0:16:27.960 --> 0:16:31.880
<v Speaker 1>These are three major things that started moving my career

0:16:31.920 --> 0:16:36.520
<v Speaker 1>at a rapid pace. Number One, I recorded a live record.

0:16:37.920 --> 0:16:40.960
<v Speaker 1>It was in College Station, Texas, one of my favorite

0:16:40.960 --> 0:16:46.120
<v Speaker 1>old historic bars called the Dixie Chicken. I decided to

0:16:46.160 --> 0:16:49.960
<v Speaker 1>call it Live at the Chicken. I was so nervous

0:16:50.040 --> 0:16:53.800
<v Speaker 1>about this because you only get one chance. But I

0:16:53.840 --> 0:16:57.600
<v Speaker 1>had my entire band travel with me to a hotel

0:16:57.720 --> 0:17:01.120
<v Speaker 1>in the middle of nowhere the night before, just so

0:17:01.200 --> 0:17:03.560
<v Speaker 1>that they wouldn't go party too hard and be too

0:17:03.600 --> 0:17:08.240
<v Speaker 1>hungover to play a good record. It might have been overkill,

0:17:09.160 --> 0:17:25.600
<v Speaker 1>but they did really good, and I was really proud

0:17:25.640 --> 0:17:28.200
<v Speaker 1>of how this record turned out. I mean, we brought

0:17:28.200 --> 0:17:30.720
<v Speaker 1>all this gear and recording stuff into this little bitty

0:17:30.800 --> 0:17:33.440
<v Speaker 1>wooden bar and packed it out with some of our

0:17:33.480 --> 0:17:36.160
<v Speaker 1>best fans that knew exactly what we were doing that day,

0:17:36.680 --> 0:17:39.880
<v Speaker 1>and just have a really good memory and an album

0:17:40.200 --> 0:17:42.120
<v Speaker 1>to show for it. And still to this day, it's

0:17:42.160 --> 0:17:45.439
<v Speaker 1>the only live album I've ever done. I didn't know

0:17:45.520 --> 0:17:49.080
<v Speaker 1>it then, but that album Live at the Chicken That

0:17:49.160 --> 0:17:51.840
<v Speaker 1>kind of marks the end of an era for me,

0:17:52.400 --> 0:17:57.720
<v Speaker 1>because things were changing rapidly for me. I was writing songs.

0:17:59.000 --> 0:18:01.400
<v Speaker 1>As I talked about in at the end of episode fourteen,

0:18:02.000 --> 0:18:04.200
<v Speaker 1>I had talked to a couple of indie rock record

0:18:04.280 --> 0:18:07.520
<v Speaker 1>labels that wanted to sign me. And when I really

0:18:07.560 --> 0:18:11.639
<v Speaker 1>thought about everything and kind of dove into where I

0:18:11.760 --> 0:18:14.879
<v Speaker 1>was in my career, I realized I could possibly be

0:18:15.000 --> 0:18:18.959
<v Speaker 1>on a misleading path. I was a country artist. I

0:18:19.000 --> 0:18:21.200
<v Speaker 1>loved country music, and that's what I wanted to do.

0:18:22.000 --> 0:18:26.119
<v Speaker 1>And so it was time to solidify myself as a

0:18:26.160 --> 0:18:29.560
<v Speaker 1>country music artist without a shadow of a doubt, to

0:18:29.680 --> 0:18:33.760
<v Speaker 1>make sure that my music and my lyrics screamed country,

0:18:35.320 --> 0:18:39.080
<v Speaker 1>because that's who I was. And I could pinpoint the

0:18:39.160 --> 0:18:43.679
<v Speaker 1>exact time when all of that became very real to

0:18:43.720 --> 0:18:46.560
<v Speaker 1>me in my head. It's because I was at a

0:18:46.560 --> 0:18:48.399
<v Speaker 1>place when I was ready to write songs. I was

0:18:48.440 --> 0:18:51.399
<v Speaker 1>ready for a new album. I was ready for the

0:18:51.840 --> 0:18:54.280
<v Speaker 1>granger that was going to bust through, that was going

0:18:54.359 --> 0:18:57.080
<v Speaker 1>to finally have a lot of fans. And so I

0:18:57.119 --> 0:18:59.560
<v Speaker 1>was in that mindset and we played this show at

0:18:59.600 --> 0:19:03.119
<v Speaker 1>private party. It was in the middle of nowhere. The

0:19:03.160 --> 0:19:06.120
<v Speaker 1>closest town was bass Drop, Texas, but it was still

0:19:06.160 --> 0:19:10.439
<v Speaker 1>about fifty miles from bass Drop, And it was this

0:19:10.560 --> 0:19:14.120
<v Speaker 1>tiny dance hall that was used only for private parties.

0:19:15.840 --> 0:19:18.679
<v Speaker 1>And there was no bars, there was no hockey tonks,

0:19:18.720 --> 0:19:22.240
<v Speaker 1>there was no dance halls open to the public anywhere

0:19:22.240 --> 0:19:26.959
<v Speaker 1>near this place. And during the party, one of these

0:19:27.000 --> 0:19:29.760
<v Speaker 1>guys was talking to me and I said, man, what

0:19:29.800 --> 0:19:31.879
<v Speaker 1>do you around here? What do you guys do for fun?

0:19:32.080 --> 0:19:33.359
<v Speaker 1>What do you I mean, where do you go? And

0:19:33.400 --> 0:19:35.520
<v Speaker 1>I'm thinking, where do you go drink beer? You know you.

0:19:35.600 --> 0:19:40.640
<v Speaker 1>Where do you go? Dance with the girls? And it shows.

0:19:40.680 --> 0:19:42.960
<v Speaker 1>It just shows that I had been touring so long

0:19:43.240 --> 0:19:45.199
<v Speaker 1>in this van and trailer, I'd been beating up this

0:19:45.240 --> 0:19:48.600
<v Speaker 1>honky tonk circuit that I had forgotten my roots. I

0:19:48.640 --> 0:19:51.000
<v Speaker 1>had forgotten what I did in high school. I've forgotten

0:19:51.040 --> 0:19:53.359
<v Speaker 1>what I did in college. All I knew was where

0:19:53.359 --> 0:19:55.440
<v Speaker 1>I was currently playing, and that was so ingrained in

0:19:55.480 --> 0:19:57.920
<v Speaker 1>my mind. This guy looked at me like I was crazy,

0:19:58.200 --> 0:20:01.119
<v Speaker 1>and he said, where do we go? We do it

0:20:01.160 --> 0:20:20.159
<v Speaker 1>in the field, in the little Betty town between min dots.

0:20:20.240 --> 0:20:23.680
<v Speaker 1>We don't tell get in a parking lot. We bump

0:20:23.760 --> 0:20:27.880
<v Speaker 1>down their roads and jack dump trucks. Far from the

0:20:27.920 --> 0:20:32.400
<v Speaker 1>bars and smoky nightclubs. We do it in a field,

0:20:32.840 --> 0:20:37.480
<v Speaker 1>rocking all night until the sun comes up. We got

0:20:37.480 --> 0:20:41.160
<v Speaker 1>a hundred blue Cans sitting all ice on the back

0:20:41.200 --> 0:20:44.800
<v Speaker 1>of my club and George Stream playing it in a

0:20:45.000 --> 0:20:49.240
<v Speaker 1>chevro Laine. We're opening on the doors wide and let

0:20:49.240 --> 0:20:52.920
<v Speaker 1>it play. We do it in a field, rocking all

0:20:53.080 --> 0:21:00.159
<v Speaker 1>night until the sun comes up. A few days for

0:21:00.200 --> 0:21:02.359
<v Speaker 1>that conversation, I wrote, we do it in the field,

0:21:03.600 --> 0:21:06.920
<v Speaker 1>And to whoever that was that I talked to that day, you, sir,

0:21:07.520 --> 0:21:11.159
<v Speaker 1>saved my life. And you know, in this business, in

0:21:11.200 --> 0:21:15.360
<v Speaker 1>this career, it has taken several times. There's many times

0:21:15.400 --> 0:21:16.919
<v Speaker 1>like this in my life where I needed to get

0:21:17.000 --> 0:21:19.399
<v Speaker 1>hit in the head with a hammer to remember just

0:21:19.440 --> 0:21:22.600
<v Speaker 1>what the hell I'm supposed to be doing, because as

0:21:22.640 --> 0:21:24.439
<v Speaker 1>all of us, in all of our lives, we can

0:21:24.480 --> 0:21:27.560
<v Speaker 1>get so micro focused on what we think is right.

0:21:28.200 --> 0:21:30.399
<v Speaker 1>And as they say, you could start climbing the ladder

0:21:30.560 --> 0:21:32.320
<v Speaker 1>and then once you get to the top, you realize

0:21:32.400 --> 0:21:35.240
<v Speaker 1>the ladder was leaning on the wrong building. That's kind

0:21:35.240 --> 0:21:37.600
<v Speaker 1>of what I was doing. So thank you, buddy for

0:21:37.920 --> 0:21:40.000
<v Speaker 1>clocking me in ahead. I needed that. One Are we

0:21:40.000 --> 0:21:42.440
<v Speaker 1>Doing in a Field? Ended up being the exact identity

0:21:42.640 --> 0:21:45.360
<v Speaker 1>that I was stepping into, and it would soon be

0:21:45.720 --> 0:21:48.720
<v Speaker 1>the lead single off of a brand new project of mine.

0:21:49.680 --> 0:21:52.360
<v Speaker 1>So all I had was this song, and so many

0:21:52.400 --> 0:21:54.640
<v Speaker 1>of the other songs off of what would become Dirt

0:21:54.680 --> 0:21:57.479
<v Speaker 1>Road Driveway kind of started falling into my lap I was,

0:21:57.520 --> 0:22:00.320
<v Speaker 1>I was writing them, and in the meantime, as I

0:22:00.440 --> 0:22:04.239
<v Speaker 1>was kind of recording and getting ready, Tyler and I

0:22:04.359 --> 0:22:07.920
<v Speaker 1>my brother who's my manager still is still the best

0:22:07.920 --> 0:22:10.879
<v Speaker 1>manager in country music. He might get mad if I

0:22:10.920 --> 0:22:14.240
<v Speaker 1>say that the best manager in music, he would probably prefer.

0:22:14.840 --> 0:22:19.479
<v Speaker 1>But we're going over ways to launch the new me,

0:22:19.880 --> 0:22:23.000
<v Speaker 1>the you know, the how do we launch outside of

0:22:23.040 --> 0:22:25.560
<v Speaker 1>our small, tiny region that we're living in. How do

0:22:25.680 --> 0:22:29.000
<v Speaker 1>we become more than just poets and prisoners? How do

0:22:29.080 --> 0:22:33.919
<v Speaker 1>we reach people? So we had a vision of going

0:22:34.080 --> 0:22:36.880
<v Speaker 1>viral on YouTube and not you know, no one wanted

0:22:36.880 --> 0:22:38.720
<v Speaker 1>to see me sit there and talk on YouTube, So

0:22:39.480 --> 0:22:43.000
<v Speaker 1>we wanted to do some serious stuff, some of the

0:22:43.000 --> 0:22:47.280
<v Speaker 1>stuff from Bootwalk in Iraq, some music videos, and some

0:22:47.320 --> 0:22:52.600
<v Speaker 1>funny videos. And a lot of the funny videos although

0:22:52.640 --> 0:22:55.399
<v Speaker 1>it's me is you know in the video it's Tyler

0:22:56.040 --> 0:23:00.600
<v Speaker 1>uh with the vision and what's you need about some

0:23:00.640 --> 0:23:03.520
<v Speaker 1>of these funny videos that we started doing was that

0:23:03.560 --> 0:23:05.840
<v Speaker 1>they if you notice, they don't play any music at all.

0:23:06.560 --> 0:23:10.080
<v Speaker 1>It's just it's some kind of silly skit and at

0:23:10.080 --> 0:23:13.240
<v Speaker 1>the end it just tags really quick grangersmith dot com,

0:23:13.480 --> 0:23:16.160
<v Speaker 1>so that if it goes viral and it spreads, then

0:23:16.160 --> 0:23:20.679
<v Speaker 1>people would ultimately say that's kind of funny. Well is

0:23:20.680 --> 0:23:23.920
<v Speaker 1>there more? Oh there's a website, click on that. Oh

0:23:23.960 --> 0:23:27.199
<v Speaker 1>it's a musician and he sings songs and hopefully that

0:23:27.320 --> 0:23:29.920
<v Speaker 1>you like them. You know that was the goal, and

0:23:30.280 --> 0:23:33.159
<v Speaker 1>we set our sights on one million views. That was

0:23:33.200 --> 0:23:36.600
<v Speaker 1>so far then past anything we had ever done. We'd

0:23:36.600 --> 0:23:38.760
<v Speaker 1>put out a lot of videos up until this point,

0:23:38.800 --> 0:23:40.840
<v Speaker 1>but nothing even close to a million, But that was

0:23:40.880 --> 0:23:43.000
<v Speaker 1>the goal. We knew it was going to take one

0:23:43.080 --> 0:23:47.119
<v Speaker 1>million views on YouTube to make a dent remotely and

0:23:47.560 --> 0:23:50.879
<v Speaker 1>to even think about going back and relating to the music.

0:23:51.320 --> 0:23:53.480
<v Speaker 1>So that's what we wanted, and that's what we dug

0:23:53.520 --> 0:23:56.840
<v Speaker 1>our heels into. And if you search YouTube for me,

0:23:57.280 --> 0:23:59.240
<v Speaker 1>you could find all kinds of old videos, like Live

0:23:59.280 --> 0:24:01.480
<v Speaker 1>with Lionel. That was a really funny one. I thought

0:24:01.480 --> 0:24:05.080
<v Speaker 1>that was really funny. He says a super awkward interview guy,

0:24:05.640 --> 0:24:07.400
<v Speaker 1>and it didn't get it didn't get a whole lot

0:24:07.400 --> 0:24:12.439
<v Speaker 1>of exposure. We had a Mexican restaurant owner named Freddie,

0:24:13.240 --> 0:24:15.439
<v Speaker 1>and I loved Freddy. I still love Freddy. I think

0:24:15.480 --> 0:24:18.439
<v Speaker 1>he's an absolute rock star. I actually think we're going

0:24:18.520 --> 0:24:21.199
<v Speaker 1>to see more from Freddy in the future. But he

0:24:21.640 --> 0:24:24.440
<v Speaker 1>didn't get a lot of views. We had Don't Touch

0:24:24.480 --> 0:24:28.640
<v Speaker 1>the Turtles, which is this old redneck guy that has

0:24:28.640 --> 0:24:32.600
<v Speaker 1>an affinity for saving sea turtles. We like that one.

0:24:33.040 --> 0:24:34.800
<v Speaker 1>I thought that was funny. Once again didn't get that

0:24:34.800 --> 0:24:37.640
<v Speaker 1>many views, and we had Cribs. We had an episode

0:24:37.680 --> 0:24:41.639
<v Speaker 1>of Cribs where I'm in this old, broke down house,

0:24:42.119 --> 0:24:44.560
<v Speaker 1>and that one did pretty good. Actually, that didn't get

0:24:44.560 --> 0:24:46.480
<v Speaker 1>close to a million. I think it has over a

0:24:46.560 --> 0:24:49.320
<v Speaker 1>million now, but back then it was kind of another

0:24:49.400 --> 0:24:54.000
<v Speaker 1>slow growth video. All this was leading into what you

0:24:54.000 --> 0:24:57.680
<v Speaker 1>guys are probably thinking. Yes, what you're thinking is right.

0:24:58.760 --> 0:25:02.440
<v Speaker 1>I didn't know it. But during this time, during this

0:25:02.680 --> 0:25:06.920
<v Speaker 1>experimental time filming a lot of videos, usually Tyler be

0:25:07.000 --> 0:25:09.240
<v Speaker 1>on the camera and I would take the footage and

0:25:09.280 --> 0:25:11.600
<v Speaker 1>go back on my little laptop and edit all these

0:25:11.640 --> 0:25:17.919
<v Speaker 1>by myself. I was barreling towards a huge career explosion

0:25:19.000 --> 0:25:22.840
<v Speaker 1>and things. That might be an understatement, because things absolutely

0:25:22.920 --> 0:25:26.000
<v Speaker 1>blew up for me because of what we were about

0:25:26.040 --> 0:25:31.359
<v Speaker 1>to do. And as far as I know, it was

0:25:31.760 --> 0:25:35.120
<v Speaker 1>such a simple idea. As far as I know, it

0:25:35.160 --> 0:25:37.720
<v Speaker 1>was just a voice that I had. I had talked

0:25:37.720 --> 0:25:42.600
<v Speaker 1>in this voice. Tyler called it the country guy, and

0:25:42.880 --> 0:25:47.960
<v Speaker 1>he represented some family members of mine, you distant cousins.

0:25:49.400 --> 0:25:52.720
<v Speaker 1>We had some friends that talked like this. We interacted

0:25:52.760 --> 0:25:55.880
<v Speaker 1>with bar owners and the honky Tonk circuit that were

0:25:55.920 --> 0:25:57.639
<v Speaker 1>like this guy. And he was kind of a combination

0:25:57.720 --> 0:26:01.119
<v Speaker 1>of all of them put together. But what he became

0:26:01.440 --> 0:26:04.040
<v Speaker 1>and what we shot that day out there at my parents'

0:26:04.080 --> 0:26:08.879
<v Speaker 1>place in Central Texas changed everything for me. In fact,

0:26:08.880 --> 0:26:11.720
<v Speaker 1>it's probably the reason you're listening to this podcast is

0:26:11.760 --> 0:26:14.960
<v Speaker 1>because somewhere along the line, the chain reaction started with

0:26:15.000 --> 0:26:19.359
<v Speaker 1>this video. It's crazy. All right, don't get mad at me.

0:26:19.880 --> 0:26:21.840
<v Speaker 1>You're gonna get mad at me. But I'm going to

0:26:21.920 --> 0:26:26.679
<v Speaker 1>end the podcast here because this next episode, episode sixteen,

0:26:27.160 --> 0:26:29.840
<v Speaker 1>has a lot of information and I want to dedicate

0:26:29.880 --> 0:26:32.320
<v Speaker 1>the whole thing to it because it was a part

0:26:32.320 --> 0:26:35.440
<v Speaker 1>of my career that I like to call an intentional accident.

0:26:35.920 --> 0:26:38.199
<v Speaker 1>We knew exactly what we were doing. We wanted a

0:26:38.200 --> 0:26:41.160
<v Speaker 1>million views on YouTube. We knew exactly how to do that.

0:26:41.440 --> 0:26:43.199
<v Speaker 1>We just didn't know that this was going to be

0:26:43.200 --> 0:26:44.879
<v Speaker 1>the way that did it. And I'll tell you all

0:26:44.960 --> 0:26:49.920
<v Speaker 1>about it next episode. Happ Inside out of the Blue

0:26:50.119 --> 0:26:57.920
<v Speaker 1>scat in last Yeah, when it happenside nothing to you, Judy,

0:26:58.240 --> 0:27:02.040
<v Speaker 1>even dude, the keeper round til the moon goes down

0:27:02.119 --> 0:27:05.480
<v Speaker 1>in your back at your house, one thing with another,

0:27:05.600 --> 0:27:08.680
<v Speaker 1>you love each other when looking you never look back.

0:27:08.960 --> 0:27:12.800
<v Speaker 1>It happens like that Thanks for listening. If you want

0:27:12.800 --> 0:27:15.320
<v Speaker 1>to support me or any other artist, the best way

0:27:15.359 --> 0:27:17.919
<v Speaker 1>is to see us on tour. Go to grangersmith dot

0:27:17.960 --> 0:27:20.359
<v Speaker 1>com backslash tour, See you down the road.