1 00:00:15,640 --> 00:00:19,520 Speaker 1: What's up. It's Granger Smith. This is the Granger Smith Podcast, 2 00:00:19,960 --> 00:00:24,720 Speaker 1: Episode one, five fifteen. Thank y'all for caring enough to 3 00:00:24,800 --> 00:00:29,280 Speaker 1: listen to me on a podcast. I put out episode 4 00:00:29,320 --> 00:00:32,600 Speaker 1: fourteen in October, and for those of you keeping score, 5 00:00:32,680 --> 00:00:36,880 Speaker 1: it is January nineteenth, and that's been a long time, 6 00:00:36,920 --> 00:00:40,080 Speaker 1: so I'm sorry. I've had a lot of people telling 7 00:00:40,120 --> 00:00:42,800 Speaker 1: me and meeting greets when I talked to him saying 8 00:00:43,680 --> 00:00:47,880 Speaker 1: when your next podcast, And in my defense, a lot 9 00:00:47,960 --> 00:00:52,280 Speaker 1: has gone on since the last podcast I have. Of course, 10 00:00:52,320 --> 00:00:57,680 Speaker 1: the holiday season, I had hey documentary that came out 11 00:00:57,760 --> 00:01:01,280 Speaker 1: called They Were There, which I'm very proud of. And 12 00:01:02,200 --> 00:01:06,319 Speaker 1: we've been making some new music which I'm so excited 13 00:01:06,319 --> 00:01:09,039 Speaker 1: to play you guys very soon. Can't do it today, 14 00:01:09,080 --> 00:01:13,240 Speaker 1: but very soon. But I do have some loose ends 15 00:01:13,240 --> 00:01:16,480 Speaker 1: to tie up on that last episode fourteen. I have 16 00:01:16,600 --> 00:01:18,440 Speaker 1: to finish that story. I have to talk about the 17 00:01:18,480 --> 00:01:20,919 Speaker 1: current tour that I'm on. I have to talk about 18 00:01:20,959 --> 00:01:23,080 Speaker 1: what I think twenty nineteen is going to bring to 19 00:01:23,120 --> 00:01:29,040 Speaker 1: you from me. Here we go. I'm in Norman, Oklahoma today. 20 00:01:29,080 --> 00:01:31,840 Speaker 1: It is a Saturday in the parking lot. I'm in 21 00:01:31,880 --> 00:01:35,000 Speaker 1: the back of my bus wild Flower, and it is 22 00:01:35,120 --> 00:01:38,800 Speaker 1: really cold. It's like nineteen degrees outside, which is cold 23 00:01:38,840 --> 00:01:42,440 Speaker 1: for a Central Texas boy. We are at the University 24 00:01:42,520 --> 00:01:46,840 Speaker 1: of Oklahoma and we're playing in the basketball arena on 25 00:01:46,920 --> 00:01:49,800 Speaker 1: the Cane Brown Lift Forever Tour. And this is for 26 00:01:49,920 --> 00:01:53,920 Speaker 1: me right now, the end of the second week of 27 00:01:53,960 --> 00:01:57,280 Speaker 1: this tour. And I'll tell you what. This has been 28 00:01:58,680 --> 00:02:03,880 Speaker 1: a really really good tour for me. I have theories 29 00:02:03,960 --> 00:02:08,440 Speaker 1: on why it's so good. And fan wise, this has 30 00:02:08,480 --> 00:02:11,960 Speaker 1: been the loudest compared to Florida Georgia Line Tour that 31 00:02:12,000 --> 00:02:14,120 Speaker 1: I was on two years ago and then last year 32 00:02:14,160 --> 00:02:17,880 Speaker 1: the Luke Bryan Tour, this has been the loudest, fans, 33 00:02:18,600 --> 00:02:21,760 Speaker 1: the most accepting, the most people in their seats when 34 00:02:21,800 --> 00:02:24,240 Speaker 1: I start, I'm talking sold out everyone in their seat. 35 00:02:24,800 --> 00:02:27,639 Speaker 1: That's the testament to EE nation. That's also a testament 36 00:02:27,680 --> 00:02:30,200 Speaker 1: to Cane Round fans that don't know me, that hopefully 37 00:02:30,240 --> 00:02:34,040 Speaker 1: do now what a blast this has been. Let me 38 00:02:34,080 --> 00:02:37,520 Speaker 1: talk about this documentary. It's called they Were There, a 39 00:02:37,560 --> 00:02:43,120 Speaker 1: Heroes documentary, and I've taken a lot of time to 40 00:02:43,240 --> 00:02:47,359 Speaker 1: make this documentary. It took about three years and the 41 00:02:47,440 --> 00:02:51,000 Speaker 1: concept of it goes way beyond that. It goes back 42 00:02:51,080 --> 00:02:53,560 Speaker 1: all the way to two thousand and seven when I 43 00:02:53,639 --> 00:02:58,080 Speaker 1: took my first entertainment tour in Iraq. After coming back 44 00:02:58,160 --> 00:03:00,880 Speaker 1: from that tour, I was so motivated. I wanted to 45 00:03:00,880 --> 00:03:03,480 Speaker 1: go to Iraq and play music. And I think I've 46 00:03:03,480 --> 00:03:05,919 Speaker 1: talked about this in a previous podcast, but I wanted 47 00:03:05,919 --> 00:03:08,840 Speaker 1: to bring a little piece of home to the soldiers 48 00:03:09,240 --> 00:03:12,680 Speaker 1: to tell them thank you for allowing me to play music. 49 00:03:13,639 --> 00:03:15,360 Speaker 1: But what I got out of it was so much more. 50 00:03:15,840 --> 00:03:19,960 Speaker 1: What I got was this vision of who these men 51 00:03:20,000 --> 00:03:22,680 Speaker 1: and women are, what they're doing twenty four to seven, 52 00:03:23,280 --> 00:03:28,320 Speaker 1: no breaks, no holidays. The sacrifice became real to me 53 00:03:28,520 --> 00:03:30,560 Speaker 1: when I saw it over there in the desert. So 54 00:03:30,600 --> 00:03:33,200 Speaker 1: I came back and immediately wanted to go and go 55 00:03:33,280 --> 00:03:36,120 Speaker 1: back to Iraq again. So I went back two more times. 56 00:03:36,120 --> 00:03:38,840 Speaker 1: I went back twice in two thousand and eight. One 57 00:03:38,880 --> 00:03:40,920 Speaker 1: of those was a Christmas in New Year's When I 58 00:03:40,960 --> 00:03:44,720 Speaker 1: got home to Texas after that third trip to Iraq, 59 00:03:45,480 --> 00:03:48,600 Speaker 1: I was motivated to bring that feeling that I had 60 00:03:48,640 --> 00:03:52,360 Speaker 1: that was an addicting feeling, to help out the cause, 61 00:03:52,440 --> 00:03:55,120 Speaker 1: to say thank you to these men and women. And 62 00:03:55,200 --> 00:03:57,720 Speaker 1: I wanted other civilians to feel that same thing that 63 00:03:57,800 --> 00:04:01,080 Speaker 1: I had, So I decided on a whim, you know, 64 00:04:01,200 --> 00:04:03,400 Speaker 1: one crazy day, that I was going to walk one 65 00:04:03,440 --> 00:04:06,560 Speaker 1: hundred miles in combat boots over the course of five 66 00:04:06,640 --> 00:04:11,920 Speaker 1: days from South Austin up to Fort Hood, Texas. I 67 00:04:11,960 --> 00:04:14,680 Speaker 1: had never done anything like this. It just, you know, 68 00:04:14,720 --> 00:04:16,919 Speaker 1: I just thought, you know, we'll walk one hundred miles 69 00:04:17,000 --> 00:04:20,440 Speaker 1: and I'll create awareness and morale and patriotism and say 70 00:04:20,480 --> 00:04:22,280 Speaker 1: thank you and raise some money for a charity called 71 00:04:22,320 --> 00:04:28,000 Speaker 1: Boot Campaign for returning Soldiers re entering civilian life. That 72 00:04:28,200 --> 00:04:32,479 Speaker 1: was so fun that first Boot walk. We had so 73 00:04:32,560 --> 00:04:35,520 Speaker 1: many volunteers that came out and walked with me. I 74 00:04:35,600 --> 00:04:38,160 Speaker 1: camped on the side of the road. It went along 75 00:04:38,360 --> 00:04:40,200 Speaker 1: along with a song that I had called Sleeping on 76 00:04:40,200 --> 00:04:43,880 Speaker 1: the Intercede at the time, and that led the year two. 77 00:04:44,279 --> 00:04:46,320 Speaker 1: That year led the year three, and year four. I 78 00:04:46,400 --> 00:04:48,400 Speaker 1: did that four years in a row where I walked 79 00:04:48,440 --> 00:04:50,599 Speaker 1: one hundred miles from South Austin up to Fort Hood. 80 00:04:51,720 --> 00:04:55,360 Speaker 1: But after the fourth time, I lost my dad. He 81 00:04:55,400 --> 00:05:00,080 Speaker 1: died of a heart attack in March twenty fourteen, and 82 00:05:00,120 --> 00:05:03,599 Speaker 1: it changed my perspective on a lot of things. It 83 00:05:03,760 --> 00:05:06,360 Speaker 1: changed the way I looked at heroes because my dad 84 00:05:06,440 --> 00:05:10,760 Speaker 1: was my hero. And when he died, I felt like 85 00:05:12,160 --> 00:05:16,760 Speaker 1: that would die along with him, that what made him 86 00:05:16,800 --> 00:05:19,799 Speaker 1: a hero would be lost, and I wanted to retell 87 00:05:19,800 --> 00:05:23,240 Speaker 1: that story, and I realized that I really couldn't, and 88 00:05:23,320 --> 00:05:26,960 Speaker 1: I wanted to tell everybody, the whole world, what he 89 00:05:27,040 --> 00:05:32,800 Speaker 1: meant to me. It was through that grieving process that 90 00:05:33,760 --> 00:05:38,800 Speaker 1: really opened my eyes to fallen soldiers, the heroes that 91 00:05:38,839 --> 00:05:42,279 Speaker 1: they were, and that if I felt like that about 92 00:05:42,279 --> 00:05:45,360 Speaker 1: my dad, who was my hero, how should we feel 93 00:05:45,360 --> 00:05:51,320 Speaker 1: as Americans about soldiers, fallen soldiers that died volunteering to 94 00:05:51,400 --> 00:05:56,159 Speaker 1: protect our freedom, to allow us to live the American dream? 95 00:05:56,920 --> 00:06:01,840 Speaker 1: How did those families feel that have lost that soldier, forgotten, lost, 96 00:06:02,720 --> 00:06:09,000 Speaker 1: unable to tell the world who this man or woman was. Probably, Yeah, 97 00:06:10,360 --> 00:06:13,800 Speaker 1: that was the perspective I had, And so I thought, 98 00:06:13,880 --> 00:06:15,960 Speaker 1: you know what, this one hundred mile walk that I've 99 00:06:15,960 --> 00:06:19,280 Speaker 1: done for four years needs to change a little bit. 100 00:06:20,040 --> 00:06:23,520 Speaker 1: I want to I want to honor soldiers. You know. 101 00:06:23,560 --> 00:06:26,799 Speaker 1: My first thought was to honor one hundred fallen soldiers 102 00:06:27,200 --> 00:06:30,800 Speaker 1: one per mile. And I was talking to one of 103 00:06:30,800 --> 00:06:33,920 Speaker 1: my friends, a wounded warrior himself named Joey Jones, and 104 00:06:34,000 --> 00:06:35,800 Speaker 1: I was excited. I said, I want to honor a 105 00:06:35,880 --> 00:06:39,000 Speaker 1: hundred soldiers and walk one hundred miles and each mile 106 00:06:39,040 --> 00:06:43,840 Speaker 1: marker will represent one soldier. And he said, man, I 107 00:06:43,880 --> 00:06:48,080 Speaker 1: appreciate your inspiration, but let me be honest with you. 108 00:06:48,120 --> 00:06:51,280 Speaker 1: I think you would be better suited to represent five 109 00:06:51,560 --> 00:06:54,799 Speaker 1: soldiers one each day. That way you could you could 110 00:06:54,960 --> 00:06:59,159 Speaker 1: really concentrate on who they were, the lives that they lived, 111 00:06:59,560 --> 00:07:04,880 Speaker 1: and spend an entire day talking about the soldier that 112 00:07:05,040 --> 00:07:08,200 Speaker 1: he was right. It was a great idea. And so 113 00:07:08,960 --> 00:07:12,880 Speaker 1: what I wanted to do was not know anything about 114 00:07:13,160 --> 00:07:17,280 Speaker 1: a soldier and learn about them during the course of 115 00:07:17,280 --> 00:07:26,040 Speaker 1: the day. So the families would send me a care package, letters, 116 00:07:26,480 --> 00:07:29,120 Speaker 1: anything that I needed to know about this soldier that 117 00:07:29,880 --> 00:07:32,800 Speaker 1: would would let me understand more about the hero that 118 00:07:32,840 --> 00:07:36,040 Speaker 1: they were, the lives that they lived, the hometowns, the mothers, 119 00:07:36,080 --> 00:07:41,520 Speaker 1: the wives, the families, the brothers, the friends. And that's 120 00:07:41,520 --> 00:07:43,600 Speaker 1: what we did. I decided to go to West Texas 121 00:07:44,280 --> 00:07:46,880 Speaker 1: Big Ben National Park, a place I had never been 122 00:07:46,920 --> 00:07:51,960 Speaker 1: as a Texan, went out there and picked five days 123 00:07:52,160 --> 00:07:55,360 Speaker 1: and walked about the still the equivalent of one hundred miles. 124 00:07:55,800 --> 00:07:58,560 Speaker 1: Even though it was more of a hike and it 125 00:07:58,800 --> 00:08:02,880 Speaker 1: was a religious experience for me, it was unbelievable, and 126 00:08:02,920 --> 00:08:06,840 Speaker 1: we filmed a documentary. This all started when I went 127 00:08:06,880 --> 00:08:10,960 Speaker 1: to social media and asked for gold Star families to 128 00:08:11,000 --> 00:08:16,320 Speaker 1: submit their stories, and we got over three hundred submissions 129 00:08:16,400 --> 00:08:19,520 Speaker 1: of fallen soldiers and we had to go through and 130 00:08:20,040 --> 00:08:23,600 Speaker 1: pick five, which was difficult. And it wasn't like we 131 00:08:23,640 --> 00:08:28,120 Speaker 1: went and picked the most dramatic, craziest stories. We decided 132 00:08:28,160 --> 00:08:32,560 Speaker 1: to pick five stories that represented the whole, that represented 133 00:08:32,720 --> 00:08:35,720 Speaker 1: the greater group, which was very difficult. It was including 134 00:08:35,760 --> 00:08:40,040 Speaker 1: one suicide. It was very appropriate to add a suicide 135 00:08:40,080 --> 00:08:44,760 Speaker 1: to this list because that's a big part of fallen 136 00:08:44,800 --> 00:08:51,080 Speaker 1: soldiers today with PTSD. And so we took these names 137 00:08:51,400 --> 00:08:54,760 Speaker 1: and I stayed away from anything beyond the name until 138 00:08:54,840 --> 00:08:57,560 Speaker 1: that day in Big Ben. I'd wake up, I would 139 00:08:57,600 --> 00:09:01,040 Speaker 1: call the family. Sometimes it was a wife, sometimes it 140 00:09:01,080 --> 00:09:05,160 Speaker 1: was a father, a mother, and I would FaceTime them 141 00:09:05,480 --> 00:09:08,760 Speaker 1: and I would just tell them how excited I was 142 00:09:08,800 --> 00:09:11,839 Speaker 1: to start the day and that this day would be 143 00:09:11,880 --> 00:09:16,840 Speaker 1: all about their son or husband. And I learned, as 144 00:09:16,840 --> 00:09:22,160 Speaker 1: the viewer learned, just who they were. And I'm so 145 00:09:22,360 --> 00:09:26,000 Speaker 1: proud of this film. I hope that a lot of 146 00:09:26,040 --> 00:09:29,240 Speaker 1: y'all have watched it. If you haven't, I also made 147 00:09:29,280 --> 00:09:35,920 Speaker 1: this as easy as possible to watch. It's not subscription based. 148 00:09:35,960 --> 00:09:38,000 Speaker 1: You don't have to pay for it. You don't have 149 00:09:38,040 --> 00:09:41,600 Speaker 1: to do anything but go to YouTube and search Granger Smith. 150 00:09:41,960 --> 00:09:46,480 Speaker 1: They Were There, a hero's documentary. It's for free, and 151 00:09:46,520 --> 00:09:48,000 Speaker 1: I wanted it to be like that. I wanted it 152 00:09:48,000 --> 00:09:51,000 Speaker 1: to be where everyone if they wanted to check this out. 153 00:09:51,040 --> 00:09:53,720 Speaker 1: It's about forty five minutes long. I wanted you to 154 00:09:53,800 --> 00:09:56,200 Speaker 1: go and be able, on your own time, on your 155 00:09:56,240 --> 00:10:00,640 Speaker 1: own couch at your own house, to go to YouTube 156 00:10:00,960 --> 00:10:04,120 Speaker 1: and check this out. And I encourage you to watch 157 00:10:04,920 --> 00:10:07,560 Speaker 1: three or four minutes. And I hope that if you 158 00:10:07,679 --> 00:10:09,400 Speaker 1: just dedicate three or four minutes to it, then you're 159 00:10:09,400 --> 00:10:11,640 Speaker 1: gonna get sucked into it and ended up watching the 160 00:10:12,480 --> 00:10:14,959 Speaker 1: entire film and then let me know what you think. 161 00:10:15,840 --> 00:10:19,120 Speaker 1: It's a very very important project to me. I've been 162 00:10:19,160 --> 00:10:22,080 Speaker 1: playing the theme song called They Were There that I 163 00:10:22,080 --> 00:10:24,640 Speaker 1: wrote with some of my great friends, including Mitchell Timpenny 164 00:10:24,640 --> 00:10:27,200 Speaker 1: and an awesome artist himself. I've been playing that song 165 00:10:27,280 --> 00:10:30,920 Speaker 1: live when this came round tour, and last night when 166 00:10:30,920 --> 00:10:34,520 Speaker 1: we played it in Memphis, it just kind of kind 167 00:10:34,520 --> 00:10:37,080 Speaker 1: of brought the house down. It was just crazy, everyone 168 00:10:37,120 --> 00:10:39,480 Speaker 1: lifting up their phones and the lights on their phones. 169 00:10:39,520 --> 00:10:43,280 Speaker 1: And it's a powerful song with a different message than 170 00:10:43,320 --> 00:10:46,920 Speaker 1: any other soldier song, because this is from the civilian perspective. 171 00:10:46,960 --> 00:10:51,000 Speaker 1: This is a song about while we were here, living 172 00:10:51,000 --> 00:10:55,679 Speaker 1: our lives, doing these mundane things, all the while, there 173 00:10:55,679 --> 00:10:59,760 Speaker 1: are people over there right now paying for this freedom. 174 00:11:00,559 --> 00:11:13,199 Speaker 1: Here's a song called they were there. We were here, 175 00:11:13,200 --> 00:11:18,200 Speaker 1: blowing out birthdaycads, riding our bikes, jumping in legs, feeling 176 00:11:18,280 --> 00:11:22,440 Speaker 1: butterflies on our first dates, and stealing our old man's beard. 177 00:11:23,000 --> 00:11:25,880 Speaker 1: We were here back home and the home and the bridge, 178 00:11:25,920 --> 00:11:29,280 Speaker 1: but the breath ain't home. There's been notion away doing 179 00:11:29,360 --> 00:11:33,280 Speaker 1: their job and keeping us safe. While we were here, 180 00:11:33,920 --> 00:11:37,120 Speaker 1: they were there, fighting back on the front line, strapping 181 00:11:37,280 --> 00:11:41,160 Speaker 1: up their boots before the sun rites, keeping their mamas 182 00:11:41,320 --> 00:11:46,120 Speaker 1: up full night in field. They were there in the 183 00:11:46,200 --> 00:11:49,360 Speaker 1: name of a hometown of the last name that was 184 00:11:49,480 --> 00:11:53,760 Speaker 1: passed down every day, every night, every moment we were here, 185 00:11:55,720 --> 00:12:08,240 Speaker 1: they were there. They were there. We were here, singing 186 00:12:08,320 --> 00:12:11,200 Speaker 1: the floods of the league and repeating those words, not 187 00:12:11,440 --> 00:12:15,760 Speaker 1: knowing their meaning, taking for granted all our freedoms in 188 00:12:15,840 --> 00:12:20,480 Speaker 1: the land of the free. We were here bitching batmanimum wage, 189 00:12:20,800 --> 00:12:23,880 Speaker 1: splitting ourselves in the Red and Blue states, we still 190 00:12:23,920 --> 00:12:27,280 Speaker 1: sat down hot food on the plate. Yeah hour, we 191 00:12:27,280 --> 00:12:31,200 Speaker 1: were here. They were there, fatting back on the front lines, 192 00:12:31,320 --> 00:12:35,719 Speaker 1: coming up their boots before the sunrise, keeping the marbles 193 00:12:35,880 --> 00:12:40,640 Speaker 1: up at night in seeing. They were there in the 194 00:12:40,760 --> 00:12:43,880 Speaker 1: name of a hotwn of the last name that was 195 00:12:44,000 --> 00:12:48,280 Speaker 1: passed down every day, every night, every morning. We were here. 196 00:12:50,280 --> 00:13:06,079 Speaker 1: They were there. They were there. They were there, given everything, man, God, 197 00:13:06,679 --> 00:13:11,240 Speaker 1: they were there. Some came home in a pine wood 198 00:13:11,360 --> 00:13:18,320 Speaker 1: box with those stars and strips on top. They were there, 199 00:13:18,520 --> 00:13:21,720 Speaker 1: fatting back on the fun line, scrapping out there Bruce 200 00:13:21,840 --> 00:13:26,480 Speaker 1: before the sun lights, keeping their mama's up phone nine feed. 201 00:13:28,480 --> 00:13:31,439 Speaker 1: They were there in the name of a hometown, of 202 00:13:31,559 --> 00:13:35,040 Speaker 1: a last name that was passed down every day, every 203 00:13:35,200 --> 00:13:45,080 Speaker 1: night of the malling we working. They were there. They 204 00:13:45,160 --> 00:14:05,640 Speaker 1: were there, and you can watch this full documentary on YouTube. 205 00:14:06,240 --> 00:14:09,079 Speaker 1: Just searched. They were there. Granger Smith, I hope you 206 00:14:09,240 --> 00:14:11,480 Speaker 1: like it, and please give me your feedback. It's important 207 00:14:11,480 --> 00:14:21,479 Speaker 1: to me. Hey, thank you for listening to this podcast. 208 00:14:21,920 --> 00:14:23,240 Speaker 1: If you want to help, if you want to hear 209 00:14:23,280 --> 00:14:25,320 Speaker 1: more of these, then I'll tell you exactly how you 210 00:14:25,320 --> 00:14:28,280 Speaker 1: could help. Me, tell your friends about it, and go 211 00:14:28,360 --> 00:14:31,880 Speaker 1: on at whatever streaming device you're using. Give it a 212 00:14:31,880 --> 00:14:35,560 Speaker 1: good rating. That helps me. This podcast is brought to 213 00:14:35,560 --> 00:14:40,360 Speaker 1: you by EEEE Energy. That's my official, unofficial energy drink. 214 00:14:41,160 --> 00:14:43,200 Speaker 1: I'm actually drinking one right now and I will be 215 00:14:43,600 --> 00:14:46,320 Speaker 1: tonight before the show. As I always like to point out, 216 00:14:46,400 --> 00:14:48,200 Speaker 1: this is an energy drink that my brothers and I 217 00:14:48,360 --> 00:14:52,600 Speaker 1: made from scratch. We took several different recipes and we 218 00:14:52,680 --> 00:14:57,120 Speaker 1: kind of decided the best one for us that we liked. Actually, 219 00:14:57,160 --> 00:14:59,080 Speaker 1: people were asking me last night was it taste like 220 00:14:59,120 --> 00:15:01,960 Speaker 1: Red Bull or Mass And I said, it's not tanging 221 00:15:02,080 --> 00:15:05,000 Speaker 1: like Red Bull, and it's not as fruity as Monster. 222 00:15:05,320 --> 00:15:08,840 Speaker 1: I like to think that it's just right the Goldilocks drink. 223 00:15:09,560 --> 00:15:12,880 Speaker 1: Check it out at eye energy dot com or Amazon Prime. 224 00:15:14,240 --> 00:15:17,560 Speaker 1: At the end of episode fourteen, and by the way, 225 00:15:17,680 --> 00:15:19,640 Speaker 1: I'm still kind of telling my story of where I 226 00:15:19,680 --> 00:15:22,120 Speaker 1: came from and how I got to where I am now, 227 00:15:22,600 --> 00:15:26,040 Speaker 1: and it's collectively through all these past episodes. So if 228 00:15:26,040 --> 00:15:28,760 Speaker 1: you're brand new to this podcast and you're just starting 229 00:15:29,280 --> 00:15:32,520 Speaker 1: right now with episode fifteen, you might have to catch 230 00:15:32,600 --> 00:15:35,280 Speaker 1: up just a little bit, because at the end of 231 00:15:35,320 --> 00:15:39,400 Speaker 1: episode fourteen, the timeline of the story I was telling 232 00:15:39,480 --> 00:15:43,320 Speaker 1: was in about twenty eleven, and I was talking about 233 00:15:43,360 --> 00:15:46,440 Speaker 1: how I put out a record called Poets and Prisoners. 234 00:15:46,560 --> 00:15:49,880 Speaker 1: I was very proud of it. I still love that album. 235 00:15:50,360 --> 00:15:53,200 Speaker 1: It's still such a time piece for me at the 236 00:15:53,240 --> 00:15:56,680 Speaker 1: time and where I was in my life, as all 237 00:15:56,720 --> 00:16:01,560 Speaker 1: my albums are, but that particular one wasn't doing great. 238 00:16:01,640 --> 00:16:04,760 Speaker 1: It wasn't getting a lot of attention. I think people 239 00:16:04,840 --> 00:16:07,000 Speaker 1: liked it, but they did not a lot of people 240 00:16:07,080 --> 00:16:09,320 Speaker 1: knew about it, and no one really bought it, and 241 00:16:09,360 --> 00:16:12,280 Speaker 1: no one was coming to the shows. It wasn't translating 242 00:16:12,320 --> 00:16:16,560 Speaker 1: to ticket sales, and all that was about to change 243 00:16:17,040 --> 00:16:20,800 Speaker 1: with one show. And that's how I ended episode fourteen, 244 00:16:20,920 --> 00:16:24,600 Speaker 1: was saying that, and that is true. Now three things 245 00:16:24,760 --> 00:16:27,520 Speaker 1: were about to happen for me in this twenty eleven window. 246 00:16:27,960 --> 00:16:31,880 Speaker 1: These are three major things that started moving my career 247 00:16:31,920 --> 00:16:36,520 Speaker 1: at a rapid pace. Number One, I recorded a live record. 248 00:16:37,920 --> 00:16:40,960 Speaker 1: It was in College Station, Texas, one of my favorite 249 00:16:40,960 --> 00:16:46,120 Speaker 1: old historic bars called the Dixie Chicken. I decided to 250 00:16:46,160 --> 00:16:49,960 Speaker 1: call it Live at the Chicken. I was so nervous 251 00:16:50,040 --> 00:16:53,800 Speaker 1: about this because you only get one chance. But I 252 00:16:53,840 --> 00:16:57,600 Speaker 1: had my entire band travel with me to a hotel 253 00:16:57,720 --> 00:17:01,120 Speaker 1: in the middle of nowhere the night before, just so 254 00:17:01,200 --> 00:17:03,560 Speaker 1: that they wouldn't go party too hard and be too 255 00:17:03,600 --> 00:17:08,240 Speaker 1: hungover to play a good record. It might have been overkill, 256 00:17:09,160 --> 00:17:25,600 Speaker 1: but they did really good, and I was really proud 257 00:17:25,640 --> 00:17:28,200 Speaker 1: of how this record turned out. I mean, we brought 258 00:17:28,200 --> 00:17:30,720 Speaker 1: all this gear and recording stuff into this little bitty 259 00:17:30,800 --> 00:17:33,440 Speaker 1: wooden bar and packed it out with some of our 260 00:17:33,480 --> 00:17:36,160 Speaker 1: best fans that knew exactly what we were doing that day, 261 00:17:36,680 --> 00:17:39,880 Speaker 1: and just have a really good memory and an album 262 00:17:40,200 --> 00:17:42,120 Speaker 1: to show for it. And still to this day, it's 263 00:17:42,160 --> 00:17:45,439 Speaker 1: the only live album I've ever done. I didn't know 264 00:17:45,520 --> 00:17:49,080 Speaker 1: it then, but that album Live at the Chicken That 265 00:17:49,160 --> 00:17:51,840 Speaker 1: kind of marks the end of an era for me, 266 00:17:52,400 --> 00:17:57,720 Speaker 1: because things were changing rapidly for me. I was writing songs. 267 00:17:59,000 --> 00:18:01,400 Speaker 1: As I talked about in at the end of episode fourteen, 268 00:18:02,000 --> 00:18:04,200 Speaker 1: I had talked to a couple of indie rock record 269 00:18:04,280 --> 00:18:07,520 Speaker 1: labels that wanted to sign me. And when I really 270 00:18:07,560 --> 00:18:11,639 Speaker 1: thought about everything and kind of dove into where I 271 00:18:11,760 --> 00:18:14,879 Speaker 1: was in my career, I realized I could possibly be 272 00:18:15,000 --> 00:18:18,959 Speaker 1: on a misleading path. I was a country artist. I 273 00:18:19,000 --> 00:18:21,200 Speaker 1: loved country music, and that's what I wanted to do. 274 00:18:22,000 --> 00:18:26,119 Speaker 1: And so it was time to solidify myself as a 275 00:18:26,160 --> 00:18:29,560 Speaker 1: country music artist without a shadow of a doubt, to 276 00:18:29,680 --> 00:18:33,760 Speaker 1: make sure that my music and my lyrics screamed country, 277 00:18:35,320 --> 00:18:39,080 Speaker 1: because that's who I was. And I could pinpoint the 278 00:18:39,160 --> 00:18:43,679 Speaker 1: exact time when all of that became very real to 279 00:18:43,720 --> 00:18:46,560 Speaker 1: me in my head. It's because I was at a 280 00:18:46,560 --> 00:18:48,399 Speaker 1: place when I was ready to write songs. I was 281 00:18:48,440 --> 00:18:51,399 Speaker 1: ready for a new album. I was ready for the 282 00:18:51,840 --> 00:18:54,280 Speaker 1: granger that was going to bust through, that was going 283 00:18:54,359 --> 00:18:57,080 Speaker 1: to finally have a lot of fans. And so I 284 00:18:57,119 --> 00:18:59,560 Speaker 1: was in that mindset and we played this show at 285 00:18:59,600 --> 00:19:03,119 Speaker 1: private party. It was in the middle of nowhere. The 286 00:19:03,160 --> 00:19:06,120 Speaker 1: closest town was bass Drop, Texas, but it was still 287 00:19:06,160 --> 00:19:10,439 Speaker 1: about fifty miles from bass Drop, And it was this 288 00:19:10,560 --> 00:19:14,120 Speaker 1: tiny dance hall that was used only for private parties. 289 00:19:15,840 --> 00:19:18,679 Speaker 1: And there was no bars, there was no hockey tonks, 290 00:19:18,720 --> 00:19:22,240 Speaker 1: there was no dance halls open to the public anywhere 291 00:19:22,240 --> 00:19:26,959 Speaker 1: near this place. And during the party, one of these 292 00:19:27,000 --> 00:19:29,760 Speaker 1: guys was talking to me and I said, man, what 293 00:19:29,800 --> 00:19:31,879 Speaker 1: do you around here? What do you guys do for fun? 294 00:19:32,080 --> 00:19:33,359 Speaker 1: What do you I mean, where do you go? And 295 00:19:33,400 --> 00:19:35,520 Speaker 1: I'm thinking, where do you go drink beer? You know you. 296 00:19:35,600 --> 00:19:40,640 Speaker 1: Where do you go? Dance with the girls? And it shows. 297 00:19:40,680 --> 00:19:42,960 Speaker 1: It just shows that I had been touring so long 298 00:19:43,240 --> 00:19:45,199 Speaker 1: in this van and trailer, I'd been beating up this 299 00:19:45,240 --> 00:19:48,600 Speaker 1: honky tonk circuit that I had forgotten my roots. I 300 00:19:48,640 --> 00:19:51,000 Speaker 1: had forgotten what I did in high school. I've forgotten 301 00:19:51,040 --> 00:19:53,359 Speaker 1: what I did in college. All I knew was where 302 00:19:53,359 --> 00:19:55,440 Speaker 1: I was currently playing, and that was so ingrained in 303 00:19:55,480 --> 00:19:57,920 Speaker 1: my mind. This guy looked at me like I was crazy, 304 00:19:58,200 --> 00:20:01,119 Speaker 1: and he said, where do we go? We do it 305 00:20:01,160 --> 00:20:20,159 Speaker 1: in the field, in the little Betty town between min dots. 306 00:20:20,240 --> 00:20:23,680 Speaker 1: We don't tell get in a parking lot. We bump 307 00:20:23,760 --> 00:20:27,880 Speaker 1: down their roads and jack dump trucks. Far from the 308 00:20:27,920 --> 00:20:32,400 Speaker 1: bars and smoky nightclubs. We do it in a field, 309 00:20:32,840 --> 00:20:37,480 Speaker 1: rocking all night until the sun comes up. We got 310 00:20:37,480 --> 00:20:41,160 Speaker 1: a hundred blue Cans sitting all ice on the back 311 00:20:41,200 --> 00:20:44,800 Speaker 1: of my club and George Stream playing it in a 312 00:20:45,000 --> 00:20:49,240 Speaker 1: chevro Laine. We're opening on the doors wide and let 313 00:20:49,240 --> 00:20:52,920 Speaker 1: it play. We do it in a field, rocking all 314 00:20:53,080 --> 00:21:00,159 Speaker 1: night until the sun comes up. A few days for 315 00:21:00,200 --> 00:21:02,359 Speaker 1: that conversation, I wrote, we do it in the field, 316 00:21:03,600 --> 00:21:06,920 Speaker 1: And to whoever that was that I talked to that day, you, sir, 317 00:21:07,520 --> 00:21:11,159 Speaker 1: saved my life. And you know, in this business, in 318 00:21:11,200 --> 00:21:15,360 Speaker 1: this career, it has taken several times. There's many times 319 00:21:15,400 --> 00:21:16,919 Speaker 1: like this in my life where I needed to get 320 00:21:17,000 --> 00:21:19,399 Speaker 1: hit in the head with a hammer to remember just 321 00:21:19,440 --> 00:21:22,600 Speaker 1: what the hell I'm supposed to be doing, because as 322 00:21:22,640 --> 00:21:24,439 Speaker 1: all of us, in all of our lives, we can 323 00:21:24,480 --> 00:21:27,560 Speaker 1: get so micro focused on what we think is right. 324 00:21:28,200 --> 00:21:30,399 Speaker 1: And as they say, you could start climbing the ladder 325 00:21:30,560 --> 00:21:32,320 Speaker 1: and then once you get to the top, you realize 326 00:21:32,400 --> 00:21:35,240 Speaker 1: the ladder was leaning on the wrong building. That's kind 327 00:21:35,240 --> 00:21:37,600 Speaker 1: of what I was doing. So thank you, buddy for 328 00:21:37,920 --> 00:21:40,000 Speaker 1: clocking me in ahead. I needed that. One Are we 329 00:21:40,000 --> 00:21:42,440 Speaker 1: Doing in a Field? Ended up being the exact identity 330 00:21:42,640 --> 00:21:45,360 Speaker 1: that I was stepping into, and it would soon be 331 00:21:45,720 --> 00:21:48,720 Speaker 1: the lead single off of a brand new project of mine. 332 00:21:49,680 --> 00:21:52,360 Speaker 1: So all I had was this song, and so many 333 00:21:52,400 --> 00:21:54,640 Speaker 1: of the other songs off of what would become Dirt 334 00:21:54,680 --> 00:21:57,479 Speaker 1: Road Driveway kind of started falling into my lap I was, 335 00:21:57,520 --> 00:22:00,320 Speaker 1: I was writing them, and in the meantime, as I 336 00:22:00,440 --> 00:22:04,239 Speaker 1: was kind of recording and getting ready, Tyler and I 337 00:22:04,359 --> 00:22:07,920 Speaker 1: my brother who's my manager still is still the best 338 00:22:07,920 --> 00:22:10,879 Speaker 1: manager in country music. He might get mad if I 339 00:22:10,920 --> 00:22:14,240 Speaker 1: say that the best manager in music, he would probably prefer. 340 00:22:14,840 --> 00:22:19,479 Speaker 1: But we're going over ways to launch the new me, 341 00:22:19,880 --> 00:22:23,000 Speaker 1: the you know, the how do we launch outside of 342 00:22:23,040 --> 00:22:25,560 Speaker 1: our small, tiny region that we're living in. How do 343 00:22:25,680 --> 00:22:29,000 Speaker 1: we become more than just poets and prisoners? How do 344 00:22:29,080 --> 00:22:33,919 Speaker 1: we reach people? So we had a vision of going 345 00:22:34,080 --> 00:22:36,880 Speaker 1: viral on YouTube and not you know, no one wanted 346 00:22:36,880 --> 00:22:38,720 Speaker 1: to see me sit there and talk on YouTube, So 347 00:22:39,480 --> 00:22:43,000 Speaker 1: we wanted to do some serious stuff, some of the 348 00:22:43,000 --> 00:22:47,280 Speaker 1: stuff from Bootwalk in Iraq, some music videos, and some 349 00:22:47,320 --> 00:22:52,600 Speaker 1: funny videos. And a lot of the funny videos although 350 00:22:52,640 --> 00:22:55,399 Speaker 1: it's me is you know in the video it's Tyler 351 00:22:56,040 --> 00:23:00,600 Speaker 1: uh with the vision and what's you need about some 352 00:23:00,640 --> 00:23:03,520 Speaker 1: of these funny videos that we started doing was that 353 00:23:03,560 --> 00:23:05,840 Speaker 1: they if you notice, they don't play any music at all. 354 00:23:06,560 --> 00:23:10,080 Speaker 1: It's just it's some kind of silly skit and at 355 00:23:10,080 --> 00:23:13,240 Speaker 1: the end it just tags really quick grangersmith dot com, 356 00:23:13,480 --> 00:23:16,160 Speaker 1: so that if it goes viral and it spreads, then 357 00:23:16,160 --> 00:23:20,679 Speaker 1: people would ultimately say that's kind of funny. Well is 358 00:23:20,680 --> 00:23:23,920 Speaker 1: there more? Oh there's a website, click on that. Oh 359 00:23:23,960 --> 00:23:27,199 Speaker 1: it's a musician and he sings songs and hopefully that 360 00:23:27,320 --> 00:23:29,920 Speaker 1: you like them. You know that was the goal, and 361 00:23:30,280 --> 00:23:33,159 Speaker 1: we set our sights on one million views. That was 362 00:23:33,200 --> 00:23:36,600 Speaker 1: so far then past anything we had ever done. We'd 363 00:23:36,600 --> 00:23:38,760 Speaker 1: put out a lot of videos up until this point, 364 00:23:38,800 --> 00:23:40,840 Speaker 1: but nothing even close to a million, But that was 365 00:23:40,880 --> 00:23:43,000 Speaker 1: the goal. We knew it was going to take one 366 00:23:43,080 --> 00:23:47,119 Speaker 1: million views on YouTube to make a dent remotely and 367 00:23:47,560 --> 00:23:50,879 Speaker 1: to even think about going back and relating to the music. 368 00:23:51,320 --> 00:23:53,480 Speaker 1: So that's what we wanted, and that's what we dug 369 00:23:53,520 --> 00:23:56,840 Speaker 1: our heels into. And if you search YouTube for me, 370 00:23:57,280 --> 00:23:59,240 Speaker 1: you could find all kinds of old videos, like Live 371 00:23:59,280 --> 00:24:01,480 Speaker 1: with Lionel. That was a really funny one. I thought 372 00:24:01,480 --> 00:24:05,080 Speaker 1: that was really funny. He says a super awkward interview guy, 373 00:24:05,640 --> 00:24:07,400 Speaker 1: and it didn't get it didn't get a whole lot 374 00:24:07,400 --> 00:24:12,439 Speaker 1: of exposure. We had a Mexican restaurant owner named Freddie, 375 00:24:13,240 --> 00:24:15,439 Speaker 1: and I loved Freddy. I still love Freddy. I think 376 00:24:15,480 --> 00:24:18,439 Speaker 1: he's an absolute rock star. I actually think we're going 377 00:24:18,520 --> 00:24:21,199 Speaker 1: to see more from Freddy in the future. But he 378 00:24:21,640 --> 00:24:24,440 Speaker 1: didn't get a lot of views. We had Don't Touch 379 00:24:24,480 --> 00:24:28,640 Speaker 1: the Turtles, which is this old redneck guy that has 380 00:24:28,640 --> 00:24:32,600 Speaker 1: an affinity for saving sea turtles. We like that one. 381 00:24:33,040 --> 00:24:34,800 Speaker 1: I thought that was funny. Once again didn't get that 382 00:24:34,800 --> 00:24:37,640 Speaker 1: many views, and we had Cribs. We had an episode 383 00:24:37,680 --> 00:24:41,639 Speaker 1: of Cribs where I'm in this old, broke down house, 384 00:24:42,119 --> 00:24:44,560 Speaker 1: and that one did pretty good. Actually, that didn't get 385 00:24:44,560 --> 00:24:46,480 Speaker 1: close to a million. I think it has over a 386 00:24:46,560 --> 00:24:49,320 Speaker 1: million now, but back then it was kind of another 387 00:24:49,400 --> 00:24:54,000 Speaker 1: slow growth video. All this was leading into what you 388 00:24:54,000 --> 00:24:57,680 Speaker 1: guys are probably thinking. Yes, what you're thinking is right. 389 00:24:58,760 --> 00:25:02,440 Speaker 1: I didn't know it. But during this time, during this 390 00:25:02,680 --> 00:25:06,920 Speaker 1: experimental time filming a lot of videos, usually Tyler be 391 00:25:07,000 --> 00:25:09,240 Speaker 1: on the camera and I would take the footage and 392 00:25:09,280 --> 00:25:11,600 Speaker 1: go back on my little laptop and edit all these 393 00:25:11,640 --> 00:25:17,919 Speaker 1: by myself. I was barreling towards a huge career explosion 394 00:25:19,000 --> 00:25:22,840 Speaker 1: and things. That might be an understatement, because things absolutely 395 00:25:22,920 --> 00:25:26,000 Speaker 1: blew up for me because of what we were about 396 00:25:26,040 --> 00:25:31,359 Speaker 1: to do. And as far as I know, it was 397 00:25:31,760 --> 00:25:35,120 Speaker 1: such a simple idea. As far as I know, it 398 00:25:35,160 --> 00:25:37,720 Speaker 1: was just a voice that I had. I had talked 399 00:25:37,720 --> 00:25:42,600 Speaker 1: in this voice. Tyler called it the country guy, and 400 00:25:42,880 --> 00:25:47,960 Speaker 1: he represented some family members of mine, you distant cousins. 401 00:25:49,400 --> 00:25:52,720 Speaker 1: We had some friends that talked like this. We interacted 402 00:25:52,760 --> 00:25:55,880 Speaker 1: with bar owners and the honky Tonk circuit that were 403 00:25:55,920 --> 00:25:57,639 Speaker 1: like this guy. And he was kind of a combination 404 00:25:57,720 --> 00:26:01,119 Speaker 1: of all of them put together. But what he became 405 00:26:01,440 --> 00:26:04,040 Speaker 1: and what we shot that day out there at my parents' 406 00:26:04,080 --> 00:26:08,879 Speaker 1: place in Central Texas changed everything for me. In fact, 407 00:26:08,880 --> 00:26:11,720 Speaker 1: it's probably the reason you're listening to this podcast is 408 00:26:11,760 --> 00:26:14,960 Speaker 1: because somewhere along the line, the chain reaction started with 409 00:26:15,000 --> 00:26:19,359 Speaker 1: this video. It's crazy. All right, don't get mad at me. 410 00:26:19,880 --> 00:26:21,840 Speaker 1: You're gonna get mad at me. But I'm going to 411 00:26:21,920 --> 00:26:26,679 Speaker 1: end the podcast here because this next episode, episode sixteen, 412 00:26:27,160 --> 00:26:29,840 Speaker 1: has a lot of information and I want to dedicate 413 00:26:29,880 --> 00:26:32,320 Speaker 1: the whole thing to it because it was a part 414 00:26:32,320 --> 00:26:35,440 Speaker 1: of my career that I like to call an intentional accident. 415 00:26:35,920 --> 00:26:38,199 Speaker 1: We knew exactly what we were doing. We wanted a 416 00:26:38,200 --> 00:26:41,160 Speaker 1: million views on YouTube. We knew exactly how to do that. 417 00:26:41,440 --> 00:26:43,199 Speaker 1: We just didn't know that this was going to be 418 00:26:43,200 --> 00:26:44,879 Speaker 1: the way that did it. And I'll tell you all 419 00:26:44,960 --> 00:26:49,920 Speaker 1: about it next episode. Happ Inside out of the Blue 420 00:26:50,119 --> 00:26:57,920 Speaker 1: scat in last Yeah, when it happenside nothing to you, Judy, 421 00:26:58,240 --> 00:27:02,040 Speaker 1: even dude, the keeper round til the moon goes down 422 00:27:02,119 --> 00:27:05,480 Speaker 1: in your back at your house, one thing with another, 423 00:27:05,600 --> 00:27:08,680 Speaker 1: you love each other when looking you never look back. 424 00:27:08,960 --> 00:27:12,800 Speaker 1: It happens like that Thanks for listening. If you want 425 00:27:12,800 --> 00:27:15,320 Speaker 1: to support me or any other artist, the best way 426 00:27:15,359 --> 00:27:17,919 Speaker 1: is to see us on tour. Go to grangersmith dot 427 00:27:17,960 --> 00:27:20,359 Speaker 1: com backslash tour, See you down the road.