WEBVTT - “Burn Down Master’s House” feat. Clay Cane | Angela Rye SoloPod

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<v Speaker 1>Native Lampard is a production of iHeart Radio in partnership

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<v Speaker 1>with Reason Choice Media.

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<v Speaker 2>Welcome Welcome, Welcome, Welcome, Welcome, Welcome, Welcome. Ours into.

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<v Speaker 1>Remembering is indeed an act of resistance. This is Angela

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<v Speaker 1>Riot's Native Lampid. It's the solo pod day on Tuesday, y'all,

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<v Speaker 1>and I am thrilled to be joined today by someone

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<v Speaker 1>who's a dear brother, a gifted writer and author, a

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<v Speaker 1>New York Times bestselling author in fact of the grift.

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<v Speaker 1>He has just released a novel called Burn Down Master's House.

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<v Speaker 1>And y'all know that this is so timely. It is

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<v Speaker 1>my privilege and honor to bring to Native Lampid my

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<v Speaker 1>dear friend Clay Caine.

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<v Speaker 3>What's up. It's such an honor to be here. Thank you.

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<v Speaker 3>I love Native Lampod and Angela, thank you for doing

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<v Speaker 3>this on this pub day release date means so much

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<v Speaker 3>to me. Thank you.

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<v Speaker 2>Oh, I'm so thrilled to do it.

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<v Speaker 1>So first of all, can we talk about how this

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<v Speaker 1>book is prophetic, Like the fact that I don't know

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<v Speaker 1>if you were thinking of all this when you wrote

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<v Speaker 1>it or when you started, but I'd love to know

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<v Speaker 1>when you started and how much of this that we're

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<v Speaker 1>experiencing now, this and I'm saying this, I'm in Minnesota

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<v Speaker 1>right now.

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<v Speaker 2>Yeah, So how much of this were.

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<v Speaker 1>We experiencing when you started writing this incredible novel?

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<v Speaker 3>Well, I began writing it when I was in college,

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<v Speaker 3>like twenty four years ago. So I began writing versions

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<v Speaker 3>of it. But you know how publishing is, Angela, you

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<v Speaker 3>know how media is. People said, no, that's not going

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<v Speaker 3>to work, that's not you know, no one wants to

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<v Speaker 3>read that. So when The Griff came out, I was

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<v Speaker 3>able to have some aton me of what what I

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<v Speaker 3>could do next, and some folks wanted me to do

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<v Speaker 3>like The Griff Part two. I said, no, no, no, no,

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<v Speaker 3>I want to do something different. Because I went to Rutgers.

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<v Speaker 3>My major was Black Studies and I was so inspired

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<v Speaker 3>by historical fiction books. It helped me to learn better,

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<v Speaker 3>to digest this knowledge better. So when I was writing it,

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<v Speaker 3>though in full last year, Trump had just won and

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<v Speaker 3>I just felt like I could see what was happening.

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<v Speaker 3>Because I know our history, the history rhymes. I knew

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<v Speaker 3>at some point people would would rise up, and it

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<v Speaker 3>pretty much happened immediately. And then I'm thinking about what's

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<v Speaker 3>happening right now in Minnesota. And this book ultimately is

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<v Speaker 3>about the people who rise up against their government that's

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<v Speaker 3>enacting hell on them. They're called the terrorists, enslaved people

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<v Speaker 3>who fought back, they were called the domestic terrorists. They

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<v Speaker 3>were called unpatriotic, they said, they were called animals. Right,

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<v Speaker 3>So all of this kind of rhymes. It all kind

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<v Speaker 3>of connects. There's a connectivity there. And the thing is

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<v Speaker 3>is what I've learned from these characters, based on real

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<v Speaker 3>people who have been erased in our history, is if

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<v Speaker 3>they lead you to believe there's no point in fighting back,

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<v Speaker 3>you won't even try. If they convince you that resisting

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<v Speaker 3>is futile, you're going to give up. So in these people,

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<v Speaker 3>in the worst of circumstances, they found radical hope, They

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<v Speaker 3>found a light. And I think that there's so many

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<v Speaker 3>blueprints throughout history. These people that I unearthed from the archives.

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<v Speaker 3>I think they represent that we have to believe that

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<v Speaker 3>we could fight. It starts here in our mind. How

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<v Speaker 3>we're going to burn down Master's House today. Master's House

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<v Speaker 3>is these tech bros, the billionaire CEOs, these rich guys

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<v Speaker 3>at the top. That's Master House right now. And what

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<v Speaker 3>can we do to burn it down, to reinvent it,

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<v Speaker 3>to start from the ashes? So it all made sense,

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<v Speaker 3>and you're right in this moment, it's just hitting me.

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<v Speaker 1>You know, I'm curious because you have on that trailer

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<v Speaker 1>remembering is resistance is a form of resistance, And I'm

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<v Speaker 1>curious to know your thoughts on you know, young people especially,

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<v Speaker 1>you'll say like, I'm not my ancestors, and.

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<v Speaker 2>We like you really not like we see that one way.

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<v Speaker 1>They see it a completely different way that like they're like,

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<v Speaker 1>run up on me if you want to, and we're like,

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<v Speaker 1>you can run up on them either. So I want

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<v Speaker 1>to know for like the young folks who would feel like, oh,

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<v Speaker 1>I'm not inspired by you know, a narrative about an

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<v Speaker 1>ensulaved person. It makes me feel like, you know, I

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<v Speaker 1>can't ever overcome. What do you say to that narrative,

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<v Speaker 1>especially because a lot of that comes from the grifters. Yeah,

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<v Speaker 1>what do you say? What do you say to that?

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<v Speaker 3>Well, you know, listen, that's intentional them to think that way.

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<v Speaker 3>And I'm going to tell you something. I'm forty eight

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<v Speaker 3>years old. When I was a young kid in West Philly,

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<v Speaker 3>I thought the same thing. You know, why because nobody

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<v Speaker 3>taught me anything else. I didn't know about these people.

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<v Speaker 3>Everybody in the world should know who Charity Butler is,

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<v Speaker 3>who's in this book, who Josephine Webb is, who's in

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<v Speaker 3>this book. We should know who these people are. So

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<v Speaker 3>they think that because they've been taught to think that

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<v Speaker 3>white supremacy begins in the home, solidified in the school,

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<v Speaker 3>and etched and stone immedia, you got people on CNN

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<v Speaker 3>fitness influencers babbling about slavery like she knows something. So

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<v Speaker 3>it don't surprise me that some people think I am

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<v Speaker 3>not because you don't know your ancestors. My family was

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<v Speaker 3>enslaved in Gooshland, Virginia. The book begins in Gooshland as

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<v Speaker 3>a tribute to my family. That's where my family was enslaved,

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<v Speaker 3>and I learn so much about me. So my hope

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<v Speaker 3>is with this book is that you will know who

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<v Speaker 3>your ancestors are. It wasn't and you know, we love

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<v Speaker 3>Nat Turner and Denmark VC, but it wasn't just them,

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<v Speaker 3>that's right. It was every day fighting back. So that's

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<v Speaker 3>what I say to that you think that because you

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<v Speaker 3>don't know, and you've been taught to not know, you know,

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<v Speaker 3>you know, we grown Angela. When I was younger, there

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<v Speaker 3>was no Google, there was no Internet, you know what

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<v Speaker 3>I mean. I didn't know a lot of stuff until

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<v Speaker 3>I went to until I went to college at Rutgers University,

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<v Speaker 3>and that changed my life. So then, when you know,

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<v Speaker 3>remembering is an act of resistance, and that's one of

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<v Speaker 3>the themes in the book. The other theme in the book

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<v Speaker 3>is a lie that all the characters say. Don't let

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<v Speaker 3>them take what they can't touch. Don't let them take

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<v Speaker 3>what they can't touch. There are certain things they can't

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<v Speaker 3>touch when you remember. When you know, maybe a nonfiction

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<v Speaker 3>book is too much for you to read. But this

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<v Speaker 3>here through storytelling, which is very ancestral. Using storytelling to teach, right,

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<v Speaker 3>I think it can liberate you. I think it can

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<v Speaker 3>make you say things through a different lens. And speaking

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<v Speaker 3>of grifters, I do have a black Enslaver in this book.

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<v Speaker 3>And let me just say there's some similarities into Congress.

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<v Speaker 3>There are some similarities there. So there's layers in this.

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<v Speaker 3>There's always been a grift, there's always been a hustle,

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<v Speaker 3>even in the worst of times. So I think people

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<v Speaker 3>think that and I thought that once because I just

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<v Speaker 3>didn't know. And I hope this historical fiction does that

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<v Speaker 3>work to teach for the.

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<v Speaker 1>People who, especially in this era right now, are feeling

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<v Speaker 1>hopeless like Okay, well I went out to vote in

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<v Speaker 1>my circumstances didn't change, or they never changed. I didn't

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<v Speaker 1>go to vote this time, and now they're way worse.

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<v Speaker 1>And no matter what, inspite of all of it, my

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<v Speaker 1>ad prices are still too high. When you said, when

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<v Speaker 1>you think about what it means, like the fabric of

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<v Speaker 1>who we are, the tapestry of who we are, don't

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<v Speaker 1>let them take what they can't touch. What are some

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<v Speaker 1>examples of that without giving you know too much away,

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<v Speaker 1>what are some examples of the things that we hold

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<v Speaker 1>that they can't touch? Besides our truths, because you know,

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<v Speaker 1>it's the two hundred and fiftieth anniversary this year of

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<v Speaker 1>the Declaration of independence, So we hold these truths, but

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<v Speaker 1>our truths look a little different.

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<v Speaker 2>So with us, can they.

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<v Speaker 3>Well, one of the things I explain how one flame,

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<v Speaker 3>one spark can light a thousand flop fires. So a

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<v Speaker 3>caller on my Serious XM show said this, that knowledge

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<v Speaker 3>manages terror, seem I'm outraged by what's going on. I'm

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<v Speaker 3>sure you are as well, Angela. But my knowledge manages

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<v Speaker 3>my anxiety and manages my terror. I'm able to see

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<v Speaker 3>the similarities. You know, we know how reconstruction ended, right,

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<v Speaker 3>we know the backlash to the civil rights movement. But

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<v Speaker 3>what I say to people who are upset about, well,

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<v Speaker 3>I voted and it didn't work out. First voting is

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<v Speaker 3>a long game. Just to be clear. You know, when

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<v Speaker 3>I was in Congress, when I'm sorry, when I was

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<v Speaker 3>a kid, there was no Jasmine Crockett, you know, I mean,

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<v Speaker 3>you have backseat waters in there, but she was few

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<v Speaker 3>and far in between. There was no Ayata Presley, there

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<v Speaker 3>was no ilhan Omar. So there is some progress there.

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<v Speaker 3>But you know, what I tell people is that there

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<v Speaker 3>is the long game and believing that things are a

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<v Speaker 3>journey and they kind of come back and forth, right,

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<v Speaker 3>But you also have to not let them believe that

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<v Speaker 3>we're never going to get out of this. It just

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<v Speaker 3>we can't go from there. I get the frustration, but

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<v Speaker 3>the idea that we're never going to get out or

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<v Speaker 3>they've got all this lockdown. The only reason why the

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<v Speaker 3>Civil War ends isn't because good white folks got a

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<v Speaker 3>conscience woke up. It's because black folks said no more.

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<v Speaker 3>The reason why we have a civil rights movement isn't

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<v Speaker 3>because linthe By Johnson was a great guy. He was

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<v Speaker 3>a fucking racist. Black folks said no, we're going to

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<v Speaker 3>hold you a acountable a Philip Randolph by ourd rustin.

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<v Speaker 3>They said no more. The reason why white women got

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<v Speaker 3>the right to vote through the suffrage movement is because

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<v Speaker 3>white women said no more. Right, So it's it's about us.

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<v Speaker 3>It's not the rich guy at the top. There's always

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<v Speaker 3>gonna be somebody pushing back. There's always gonna be somebody

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<v Speaker 3>uh uh saying this, this isn't gonna work. And the

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<v Speaker 3>other thing too, is then we have our internal fissures.

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<v Speaker 3>We have our internal divisions that really tear us apart.

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<v Speaker 3>You saw that with Kamala Harris. I don't got to

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<v Speaker 3>get into all the identity bullshit that went down in

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<v Speaker 3>this book. And this is gonna piss some people off.

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<v Speaker 3>I do have characters in here who we would now

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<v Speaker 3>say are gay or queer, right, And I guess some

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<v Speaker 3>folks think gay folks has popped up when Dinah Ross

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<v Speaker 3>had their first hit song. I don't know, but you

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<v Speaker 3>know what I'm saying, but there are gay people in

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<v Speaker 3>these in these story what we would now call gay,

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<v Speaker 3>and that's important to see, like you said, the tapestry

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<v Speaker 3>of who we are. So I think if we lean

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<v Speaker 3>into all that and not get caught up in these

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<v Speaker 3>fissures and these divisions that divide us, I think that

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<v Speaker 3>can bring us a lot more, a lot more hope,

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<v Speaker 3>that can spark us.

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<v Speaker 2>You know the other thing that came to mind.

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<v Speaker 1>When just thinking about burning down Master's house, which is

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<v Speaker 1>figure TOI yeah, in this day and age, because you

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<v Speaker 1>know that's the meta with the insurrection. So I would

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<v Speaker 1>just say, when you think about actual burning down, I'm

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<v Speaker 1>sure we had ancestors who rebelled and took their power

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<v Speaker 1>back in that way. But where I have heard about

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<v Speaker 1>the burning down of things more often is from the

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<v Speaker 1>bullies from the insurrection. It's the actual domestic terrorists, which

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<v Speaker 1>are you know, slaveholders and the people who were poor

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<v Speaker 1>and white who aided and embedded slaveholders. Of course, there

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<v Speaker 1>were some black folks who did that too, but it's

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<v Speaker 1>few and far between. So I'm curious, you know, how

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<v Speaker 1>do we in this era where we have the opportunity

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<v Speaker 1>to burn something down and by that we mean, take

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<v Speaker 1>something apart that is not serving citizens period, not just

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<v Speaker 1>black folks, but citizens period, and to rebuild and reimagine

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<v Speaker 1>and redevelop and reconstruct something that feels like it is

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<v Speaker 1>more in service to us.

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<v Speaker 3>You know.

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<v Speaker 1>It's like the thing that's the top of mind is

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<v Speaker 1>my good brother Damio Solomon Simmons is represented the Tulsa

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<v Speaker 1>survivors for a long time and their descendants. And of course,

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<v Speaker 1>you know, we just lost mother Fletcher, so there is

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<v Speaker 1>one remaining survivor. They burned that place up, burned it down,

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<v Speaker 1>and we've said that you want to have your own space,

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<v Speaker 1>no problem, we'll create our own space. That isn't sufficient either, culaid.

0:13:07.520 --> 0:13:11.160
<v Speaker 1>So we burn whatever this is down and we go

0:13:11.280 --> 0:13:14.720
<v Speaker 1>to rebuild and reconstruct and reimagine for us. How do

0:13:14.840 --> 0:13:17.160
<v Speaker 1>we preserve it this time? I feel like that's part

0:13:17.200 --> 0:13:20.520
<v Speaker 1>of the lesson. Our folks would want us to inherit,

0:13:20.840 --> 0:13:23.600
<v Speaker 1>you know, and like do something different with.

0:13:24.720 --> 0:13:30.680
<v Speaker 3>You know, it's funny. We I feel like we had

0:13:31.640 --> 0:13:36.439
<v Speaker 3>less power than after the Civil War before the Civil

0:13:36.480 --> 0:13:41.559
<v Speaker 3>War during reconstruction and used our power more. I feel

0:13:41.559 --> 0:13:46.439
<v Speaker 3>like we have more power now and use our power less. Yeah,

0:13:47.040 --> 0:13:52.520
<v Speaker 3>So how can we maintain these things. I think it's

0:13:52.559 --> 0:13:55.439
<v Speaker 3>about knowing your power, even in the margins. I always

0:13:55.480 --> 0:13:58.480
<v Speaker 3>get this stab. In eighteen sixty eight, and this is

0:13:58.520 --> 0:14:02.559
<v Speaker 3>before the fourteenth and fifteenth amendments, but there was reconstruction

0:14:02.679 --> 0:14:05.400
<v Speaker 3>acts that allowed some black folks to vote in the

0:14:05.440 --> 0:14:10.960
<v Speaker 3>former Confederacy only black men. Sadly, we had eighty percent

0:14:11.040 --> 0:14:17.880
<v Speaker 3>black voter turnout. Yes, can you imagine that? Eighty percent

0:14:17.960 --> 0:14:23.080
<v Speaker 3>black in Mississippi, in Louisiana, eighty percent black voter churnout.

0:14:23.200 --> 0:14:29.400
<v Speaker 3>That completely reinvents the South locally locally now. So one

0:14:29.400 --> 0:14:31.000
<v Speaker 3>of the things when I tell people like you were

0:14:31.000 --> 0:14:33.680
<v Speaker 3>saying earlier that things never changed, I said, but we're

0:14:33.720 --> 0:14:37.160
<v Speaker 3>not using our full capacity. We're not even using it

0:14:37.440 --> 0:14:41.880
<v Speaker 3>to the margins. Yeah, right, we're not even So there's

0:14:41.960 --> 0:14:45.640
<v Speaker 3>that element of using our full capacity once you get

0:14:45.680 --> 0:14:51.120
<v Speaker 3>the power. Some people have described the era of Barack

0:14:51.160 --> 0:14:55.600
<v Speaker 3>Obama being a reconstruction type era. You know, I get that,

0:14:55.840 --> 0:14:59.160
<v Speaker 3>But if you believe in that, were you using your

0:14:59.200 --> 0:15:03.560
<v Speaker 3>full capacity during that time? I mean, it's kind of

0:15:03.560 --> 0:15:07.960
<v Speaker 3>hard to fully was he was he using his full capacity?

0:15:08.560 --> 0:15:11.280
<v Speaker 3>Was Eric Holder using his full capacity right during that

0:15:11.400 --> 0:15:13.120
<v Speaker 3>And if they're not, how are you going to hold

0:15:13.160 --> 0:15:16.120
<v Speaker 3>them accountable. So I think the way the reason why

0:15:16.160 --> 0:15:21.280
<v Speaker 3>reconstruction fails isn't because you know, black folks were incompetent,

0:15:21.520 --> 0:15:24.800
<v Speaker 3>of course not. It's because there were powers that be

0:15:24.920 --> 0:15:26.600
<v Speaker 3>that wanted to pull back. And I believe we have

0:15:26.640 --> 0:15:31.640
<v Speaker 3>a better infrastructure now where we can uphold that. And

0:15:31.680 --> 0:15:34.360
<v Speaker 3>this may feel like too much work, whether it's a

0:15:34.360 --> 0:15:38.160
<v Speaker 3>city council meeting, a town hall meeting, your local nonprofit.

0:15:38.520 --> 0:15:41.440
<v Speaker 3>Nonprofits are everything. When I was a kid, I have

0:15:41.520 --> 0:15:45.400
<v Speaker 3>my first HIV test at Planned Parenthood in Philadelphia. These

0:15:45.440 --> 0:15:48.920
<v Speaker 3>things being as involved in our communities as possible, whatever

0:15:48.960 --> 0:15:51.160
<v Speaker 3>way you could do it. You know, for me, this

0:15:51.200 --> 0:15:55.280
<v Speaker 3>book is an act of literary resistance, but I understand

0:15:55.320 --> 0:15:58.040
<v Speaker 3>for other people it could be something else. You got

0:15:58.040 --> 0:16:01.560
<v Speaker 3>to find out what your superpower is. Yes, and listen,

0:16:01.840 --> 0:16:04.520
<v Speaker 3>that don't mean there's going to be casualties. There's going

0:16:04.600 --> 0:16:07.240
<v Speaker 3>to be losses. This country is going to be different.

0:16:07.840 --> 0:16:10.480
<v Speaker 3>But as Sweet Honey in the Rock says, if you

0:16:10.520 --> 0:16:12.760
<v Speaker 3>want change in your life, you got to walk in

0:16:12.760 --> 0:16:15.440
<v Speaker 3>the storm. If you make it out through the other side,

0:16:15.600 --> 0:16:19.720
<v Speaker 3>you're going to be different. Right, So it's all of that,

0:16:19.880 --> 0:16:23.640
<v Speaker 3>and listen, it doesn't mean if we get things back

0:16:23.680 --> 0:16:27.400
<v Speaker 3>to you know, progress, that it's going to stay that

0:16:27.440 --> 0:16:30.600
<v Speaker 3>way forever. I think one of the things that messes

0:16:30.640 --> 0:16:34.560
<v Speaker 3>me up, Angela is that a lot changed during COVID

0:16:34.880 --> 0:16:36.800
<v Speaker 3>and we were and I think I heard Kamala Harris

0:16:36.840 --> 0:16:42.400
<v Speaker 3>say this. One of the steps that we're doing is

0:16:42.440 --> 0:16:43.920
<v Speaker 3>some folks are trying to go back to what it

0:16:43.960 --> 0:16:47.040
<v Speaker 3>was like before COVID, and I'm like, no, I want

0:16:47.040 --> 0:16:49.160
<v Speaker 3>to be innovative. I want to be different, I want

0:16:49.200 --> 0:16:52.440
<v Speaker 3>to move forward. So now we're packing everybody back in

0:16:52.480 --> 0:16:55.600
<v Speaker 3>the office again, knowing that you shouldn't have to drive

0:16:55.640 --> 0:16:57.920
<v Speaker 3>an hour and a half to work and lose time

0:16:57.960 --> 0:17:00.120
<v Speaker 3>with your family and your kids. We're trying to just

0:17:00.280 --> 0:17:02.760
<v Speaker 3>make it how it was before. All I want to

0:17:02.800 --> 0:17:06.760
<v Speaker 3>do is progress. That's why I always say conservatism, what

0:17:06.840 --> 0:17:10.440
<v Speaker 3>are we trying to conserve? How can we progress forward?

0:17:11.119 --> 0:17:14.159
<v Speaker 3>So it's it's so many things there. It's for us

0:17:14.200 --> 0:17:17.720
<v Speaker 3>to work collectively. This book is not one point of view.

0:17:18.000 --> 0:17:23.120
<v Speaker 3>It's a collective of people. And lastly, I'll say as

0:17:23.119 --> 0:17:25.240
<v Speaker 3>far as that, as far as how do we maintain it,

0:17:25.840 --> 0:17:28.280
<v Speaker 3>we have to have radical hope. I know what may

0:17:28.359 --> 0:17:32.680
<v Speaker 3>sound cheesier and easier, said than done. But that is truth.

0:17:33.480 --> 0:17:36.920
<v Speaker 3>We got to have radical hope. Man, We can't we

0:17:37.760 --> 0:17:40.199
<v Speaker 3>how can you? It's like jumping into a relationship. You're like, well,

0:17:40.200 --> 0:17:42.000
<v Speaker 3>this shit ain't gonna work out, and then it falls

0:17:42.000 --> 0:17:44.400
<v Speaker 3>apart in six months. Well, obviously you doomed it from

0:17:44.400 --> 0:17:46.520
<v Speaker 3>the start. We got to have radical hope. And I

0:17:47.040 --> 0:17:49.720
<v Speaker 3>know it's hard, and I have friends who are struggling.

0:17:49.720 --> 0:17:53.440
<v Speaker 3>I have friends who've lost access to medication. It's definitely hard,

0:17:53.560 --> 0:17:55.439
<v Speaker 3>and you should more and be able to grieve and

0:17:55.480 --> 0:17:58.440
<v Speaker 3>go through that process. But where you're going to find

0:17:58.440 --> 0:18:01.760
<v Speaker 3>your hope, Where you're going to find community? Where are

0:18:01.800 --> 0:18:04.280
<v Speaker 3>you going to find that? So it's a collective.

0:18:05.160 --> 0:18:10.399
<v Speaker 1>You mentioned one of your communities a few times in Philadelphia,

0:18:10.640 --> 0:18:15.520
<v Speaker 1>and of course, just this past weekend we saw I

0:18:15.560 --> 0:18:17.640
<v Speaker 1>don't know who these white men were, but they were

0:18:17.760 --> 0:18:25.640
<v Speaker 1>authorized allegedly to take down this these plaques that communicate

0:18:26.080 --> 0:18:30.880
<v Speaker 1>the story of the enslaved people who George Washington owned,

0:18:32.160 --> 0:18:36.600
<v Speaker 1>and a number of other stories related to the Transatlantic

0:18:36.600 --> 0:18:43.520
<v Speaker 1>slave trade and the horrors of slavery. Your book basically

0:18:43.560 --> 0:18:46.720
<v Speaker 1>spits in the eye of the work that they were

0:18:46.760 --> 0:18:50.480
<v Speaker 1>doing to destroy and dismantle our history. I want you

0:18:50.520 --> 0:18:54.480
<v Speaker 1>to talk to the authors who would be scared right

0:18:54.520 --> 0:18:58.000
<v Speaker 1>now to write their conscience right, to really tell the

0:18:58.080 --> 0:18:59.959
<v Speaker 1>stories that we know need to be told for us,

0:19:00.119 --> 0:19:03.000
<v Speaker 1>hold on to that kind of hope that you just

0:19:03.080 --> 0:19:05.439
<v Speaker 1>talked about. They're like, oh, well, if I do this,

0:19:05.480 --> 0:19:07.120
<v Speaker 1>my book is going to be banned. They may come

0:19:07.160 --> 0:19:09.640
<v Speaker 1>after me. I may be black or blacklisted. Maybe they'll

0:19:09.640 --> 0:19:11.840
<v Speaker 1>deport media Uganda. They want to get me out of here,

0:19:12.200 --> 0:19:15.520
<v Speaker 1>which you know, it could happen. Crazier things, Crazier things

0:19:15.560 --> 0:19:17.879
<v Speaker 1>have happened. But what do you say to those folks

0:19:17.880 --> 0:19:20.320
<v Speaker 1>who are like, how can I lean into that type

0:19:20.359 --> 0:19:25.560
<v Speaker 1>of resistance in writing on paper, especially in this hour

0:19:25.600 --> 0:19:26.640
<v Speaker 1>when it is needed so much.

0:19:27.880 --> 0:19:30.040
<v Speaker 3>Well, you have to know your craft. You have to

0:19:30.040 --> 0:19:31.760
<v Speaker 3>know your work. You have to know your history. If

0:19:31.800 --> 0:19:33.560
<v Speaker 3>you're going to lean into this kind of writing, or

0:19:33.600 --> 0:19:39.199
<v Speaker 3>whether it's writing about apartheid or whether it's about the Holocaust,

0:19:39.480 --> 0:19:41.879
<v Speaker 3>you have to know your shit. To be frank, you

0:19:41.920 --> 0:19:43.399
<v Speaker 3>got to know what you're doing. You got to do

0:19:43.480 --> 0:19:46.200
<v Speaker 3>your research. You know, I'm a Black studies major. I've

0:19:46.200 --> 0:19:48.520
<v Speaker 3>been writing about culture and history for a very very

0:19:48.560 --> 0:19:50.320
<v Speaker 3>long time. I have a radio show, So there's that

0:19:50.480 --> 0:19:52.840
<v Speaker 3>you got to know how to sing in tune and

0:19:52.880 --> 0:19:54.480
<v Speaker 3>know what I'm saying, Like, if you're going to try

0:19:54.480 --> 0:19:56.720
<v Speaker 3>to hit some notes, you got to know what you're doing.

0:19:56.760 --> 0:19:59.960
<v Speaker 3>So there's that. There's being able, there's knowing and being informed.

0:20:00.119 --> 0:20:02.320
<v Speaker 3>So you know your shit and you're on it. And

0:20:02.359 --> 0:20:05.600
<v Speaker 3>if anybody tries to, you know, clap back at you,

0:20:05.600 --> 0:20:09.000
<v Speaker 3>you know what you're talking about. So there's that. You

0:20:09.119 --> 0:20:10.800
<v Speaker 3>got to have a passion in the feel for it.

0:20:11.160 --> 0:20:13.840
<v Speaker 3>You know. I love this quote by James Baldwin. You

0:20:13.920 --> 0:20:16.960
<v Speaker 3>have to go the way your blood boils. And if

0:20:16.960 --> 0:20:21.000
<v Speaker 3>you go the way your blood boils, man, then everything

0:20:21.000 --> 0:20:25.240
<v Speaker 3>else will come, an audience will come, and you got

0:20:25.240 --> 0:20:27.720
<v Speaker 3>to be unapologetic about it. There was a fire in

0:20:27.800 --> 0:20:32.520
<v Speaker 3>me with this book, partly because my best friend was

0:20:32.600 --> 0:20:36.520
<v Speaker 3>dying of lupus when I was writing this book and

0:20:36.560 --> 0:20:39.399
<v Speaker 3>she was editing the book. She was an amazing editor.

0:20:39.880 --> 0:20:43.240
<v Speaker 3>She was an English lip major and she was editing

0:20:43.240 --> 0:20:47.800
<v Speaker 3>this book in her hospital bed. And this book is

0:20:47.800 --> 0:20:50.679
<v Speaker 3>out now, and although I'm a New York Times bestseller

0:20:50.720 --> 0:20:53.399
<v Speaker 3>and I have some good credentials, I'm not getting the

0:20:53.480 --> 0:20:57.800
<v Speaker 3>kind of media press that I should get, right because

0:20:57.840 --> 0:21:00.200
<v Speaker 3>of what you just said, Angela, there are people who

0:21:00.200 --> 0:21:04.760
<v Speaker 3>are afraid of the story, right, But in the name

0:21:04.880 --> 0:21:09.359
<v Speaker 3>of my dear friend Alexemonios, I am going to fight

0:21:10.160 --> 0:21:13.720
<v Speaker 3>for this story. I'm going to push this story. Her blood,

0:21:14.119 --> 0:21:18.119
<v Speaker 3>her soil, her root is in this story. And so

0:21:18.200 --> 0:21:20.320
<v Speaker 3>once I go on that path, and if you're an

0:21:20.359 --> 0:21:23.000
<v Speaker 3>author out there or any kind of creator, then I

0:21:23.080 --> 0:21:25.880
<v Speaker 3>just can't go wrong. I just can't go wrong because

0:21:25.880 --> 0:21:27.760
<v Speaker 3>they're always going to find a reason to come after you.

0:21:28.080 --> 0:21:29.959
<v Speaker 3>They're always going to find a reason to be angry

0:21:30.200 --> 0:21:32.720
<v Speaker 3>unless you're tap dance and then you're good. But eventually

0:21:33.440 --> 0:21:36.840
<v Speaker 3>that expires. Look at Kanye West, he's apologizing. Now, Nicki Minajs,

0:21:36.880 --> 0:21:39.000
<v Speaker 3>that's you. In a few years, it's coming, Nikki. You

0:21:39.080 --> 0:21:41.199
<v Speaker 3>see what Kanye just did. You might might be like

0:21:41.240 --> 0:21:46.280
<v Speaker 3>six months and six days, right, Oh, I changed my mind.

0:21:46.760 --> 0:21:51.640
<v Speaker 3>But yeah, so when I'm with that, I just feel unstoppable,

0:21:52.680 --> 0:21:58.560
<v Speaker 3>preight up covered. And like I said, this book is

0:21:58.600 --> 0:22:02.399
<v Speaker 3>based on real people, but all the secondary characters are

0:22:02.520 --> 0:22:07.520
<v Speaker 3>named after my ancestors in Gooselin, Virginia, So there is

0:22:08.119 --> 0:22:10.560
<v Speaker 3>something in there. So if you want to do this work,

0:22:10.800 --> 0:22:13.080
<v Speaker 3>it's a risk. A lot of folks wanted. Like I

0:22:13.080 --> 0:22:15.520
<v Speaker 3>said before the Griff Part two from me. I didn't

0:22:15.520 --> 0:22:17.880
<v Speaker 3>want to do that, but you gotta go the way

0:22:17.920 --> 0:22:22.440
<v Speaker 3>your blood boils. Any other way it'll be inauthentic. Any

0:22:22.480 --> 0:22:26.879
<v Speaker 3>other way, it won't even be real. So that's what

0:22:27.000 --> 0:22:28.719
<v Speaker 3>I say to that, and go for it.

0:22:28.760 --> 0:22:30.560
<v Speaker 2>I love this. I love it, Clay.

0:22:30.640 --> 0:22:33.879
<v Speaker 1>I got to tell you that one I'm going to

0:22:33.960 --> 0:22:36.760
<v Speaker 1>speak into existence that this is going to be a

0:22:36.880 --> 0:22:43.040
<v Speaker 1>Golden Globe winning Oscar winning film. Ryan Coogler holler at us.

0:22:43.080 --> 0:22:46.040
<v Speaker 1>I want to be the connector of these things, like,

0:22:46.119 --> 0:22:48.240
<v Speaker 1>come on, like we might have to rename.

0:22:47.880 --> 0:22:50.960
<v Speaker 2>It so they can get it out from distribution, but we'll.

0:22:50.760 --> 0:22:54.000
<v Speaker 1>Know that it is inspired by right, right right, and

0:22:54.000 --> 0:22:56.640
<v Speaker 1>you're an incredible editor, and we know that the spirit,

0:22:57.000 --> 0:22:59.160
<v Speaker 1>her spirit is going to take you right through.

0:22:59.160 --> 0:23:00.600
<v Speaker 2>And if there's anything we can do.

0:23:00.760 --> 0:23:02.920
<v Speaker 1>Press y'all better pick him up because you're gonna feel

0:23:02.920 --> 0:23:04.879
<v Speaker 1>bad when he's on this New York Times best sellers

0:23:04.880 --> 0:23:07.400
<v Speaker 1>list next week and you missed it. So come on,

0:23:07.560 --> 0:23:10.920
<v Speaker 1>come on, press for y'all at and in the meantime,

0:23:10.960 --> 0:23:13.000
<v Speaker 1>we're gonna definitely lift it up on our page. I

0:23:13.080 --> 0:23:15.000
<v Speaker 1>love this trailer. If y'all miss it. At the top

0:23:15.040 --> 0:23:17.879
<v Speaker 1>of this Live stream. Please check it out. This is

0:23:17.920 --> 0:23:21.399
<v Speaker 1>my dear brother friend Play Caine, and he is talking

0:23:21.440 --> 0:23:23.000
<v Speaker 1>about burning down Master's house.

0:23:23.000 --> 0:23:23.960
<v Speaker 2>That is his new book.

0:23:23.960 --> 0:23:27.000
<v Speaker 1>It is a novel, It is timely, it is prophetic.

0:23:27.280 --> 0:23:29.000
<v Speaker 1>Y'all gotta check it out. And in the meantime, we

0:23:29.000 --> 0:23:31.240
<v Speaker 1>gotta hold on the hope. Play gotta get out of

0:23:31.240 --> 0:23:33.480
<v Speaker 1>here because you gotta sell some books. Until next time,

0:23:33.520 --> 0:23:49.159
<v Speaker 1>Welcome home, y'all. Native Lampard is a production of iHeart

0:23:49.240 --> 0:23:52.720
<v Speaker 1>Radio and partnership with Reising Choice Media. For more podcasts

0:23:52.720 --> 0:23:56.159
<v Speaker 1>from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever

0:23:56.200 --> 0:23:57.960
<v Speaker 1>you listen to your favorite shows.