WEBVTT - #Throwback Episode - w/ THE-DREAM | (Ep.106)

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<v Speaker 1>He is drink Chants motherfucking podcast makes know he's a

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<v Speaker 1>legendary Queens rapper.

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<v Speaker 2>He ain't a great as your boy in O R E.

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<v Speaker 2>He's a Miami hip hop and ionaire one of his

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<v Speaker 2>DJ e f N.

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<v Speaker 3>Together they drink it up with some of the biggest players,

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<v Speaker 3>you know what I mean.

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<v Speaker 2>And the most.

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<v Speaker 1>Professional, unprofessional podcast and your number one source for drunk

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<v Speaker 1>drink chants.

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<v Speaker 2>Mothering every day is New Year's e. That's it's time

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<v Speaker 2>for drink champs. Drink up, motherfuck mother.

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<v Speaker 1>Would it could be hopefully when you should be it's

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<v Speaker 1>your boy or one of us d j e FN

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<v Speaker 1>and this motherfucking drink champs happy.

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<v Speaker 2>I will make some and I swear to God, this

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<v Speaker 2>guy we got in the building tonight.

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<v Speaker 1>I really searched and went through his whole catalog and

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<v Speaker 1>I couldn't find an okay record. It always was banging

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<v Speaker 1>this record and make babies to him. No, no, no, no,

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<v Speaker 1>I'm gonna get to that. I want to get to that.

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<v Speaker 1>Everybody gotta make a baby behind this guy. But he

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<v Speaker 1>makes he revolutionary. He revolutionary the hip hop to me

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<v Speaker 1>in a way that excuse me. R and B and

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<v Speaker 1>hip hop because he had melodies. He was right, it

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<v Speaker 1>was almost like.

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<v Speaker 2>He was writing it from a Rackers perspective. But there's

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<v Speaker 2>one hundred I think he I think they're all his children.

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<v Speaker 2>So the people don't know.

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<v Speaker 1>Right now we are talking to the Dream and the building.

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<v Speaker 1>How many babies you think was made to your music?

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<v Speaker 2>He's like three million? You got got as many voted

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<v Speaker 2>for Trump? God got me go there. So look dream, right,

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<v Speaker 2>how did you develop that style?

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<v Speaker 1>Because everybody is kind of somewhat mimicking what you do,

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<v Speaker 1>Like you had melodies first in your music.

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<v Speaker 2>You you appealed, all right, put it like this.

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<v Speaker 1>I'm gonna be honest, right, I really wasn't a big

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<v Speaker 1>R and B fan, right, but there's certain people that's

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<v Speaker 1>certain music.

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<v Speaker 2>It was like they made it for me, not like

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<v Speaker 2>you know. Like what I mean is it was easier

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<v Speaker 2>for me to understand digest, easier for me to digest it.

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<v Speaker 2>And you are one like I never heard a rap

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<v Speaker 2>dream reackon ever? Thank you are you? Sure makes a

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<v Speaker 2>noise that rapper though. My question saying so, yeah, how

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<v Speaker 2>did so how did you develop that style? How do

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<v Speaker 2>you think?

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<v Speaker 4>So?

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<v Speaker 5>Oh man, it's both I think I think I think

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<v Speaker 5>most R and B at the time was more offense.

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<v Speaker 2>I mean, it's more defense, I guess I should say.

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<v Speaker 5>And my and my ship was just more offensive like

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<v Speaker 5>and that's how I kind of what I feel about

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<v Speaker 5>rap Like, I feel like it's just high power offense

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<v Speaker 5>all the time and the repercussions after that. So if

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<v Speaker 5>you put that in football terminologies, it's like, let's have

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<v Speaker 5>a fifty five to fifty game, like no defense, like

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<v Speaker 5>to say, all the ship you need to say, and yeah,

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<v Speaker 5>you're right. A lot of that just came from where

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<v Speaker 5>I was, from West Side Atlanta. We grew up to

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<v Speaker 5>be inspiring, you know, rappers at the time I came

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<v Speaker 5>to nineties was my ship so to No No from.

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<v Speaker 2>Atlanta, Georgia popping out exactly. So you got outcasts popping.

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<v Speaker 5>You got exactly, you got goodie mob and everybody's everybody's

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<v Speaker 5>kind of gravitating towards this Atlanta scene. And at the time,

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<v Speaker 5>you know, freaquently was the biggest thing, like periods because

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<v Speaker 5>it's like the center of the culture was in Atlanta

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<v Speaker 5>for me, and I'm this teenager young growing up.

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<v Speaker 2>Of course I want some champagne.

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<v Speaker 6>So so.

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<v Speaker 2>For me, it was easy to see us.

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<v Speaker 5>Then Jermaine do Pre started riding around in Ferraris and

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<v Speaker 5>ship Dallas Austin was getting it at that particular. A

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<v Speaker 5>lot of people don't even know. And and when you

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<v Speaker 5>saw that, you know, and being on the Bible belt

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<v Speaker 5>is where the music part comes from. Like because you're

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<v Speaker 5>in a place where Baptist Church.

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<v Speaker 2>Is, you know, like we have singing ch anyway.

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<v Speaker 1>I'm gonna say a lot of like l singers. I

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<v Speaker 1>noticed they started out in like church and like choiet

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<v Speaker 1>period the church.

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<v Speaker 2>That's that's your trama, that's your DeLeon, that's your Champagne.

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<v Speaker 2>Cut my head, so get ahead, continued so so.

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<v Speaker 5>So for me, it was just more so about let

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<v Speaker 5>me take a sip. I gotta get Let's get it right.

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<v Speaker 2>Let's get it right.

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<v Speaker 4>M hm.

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<v Speaker 2>That's that leon puff got that ship, you got it right?

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<v Speaker 2>Support black over here?

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<v Speaker 7>What was that?

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<v Speaker 2>Atlanta, Atlanta seen seeing the church choir, the.

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<v Speaker 5>Church choir everybody. So everybody's in the church anyway having

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<v Speaker 5>a Ferrari. Yeah, everybody, everybody. Because because what really happened

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<v Speaker 5>is l A. Reed came down to Atlanta and revolutionized

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<v Speaker 5>what the what the music scene was.

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<v Speaker 2>He he's motherfucker Cincinnati player, but some of us know

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<v Speaker 2>from it's from Sin, He's from sit.

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<v Speaker 5>But he just kind of showed the culture of Atlanta,

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<v Speaker 5>I believe, for me how to get money.

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<v Speaker 2>That was from place. Yes, that was a place because

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<v Speaker 2>he had an infrastructure.

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<v Speaker 5>There wasn't a place we could just go to, you

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<v Speaker 5>know at the time Face when he opened it up,

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<v Speaker 5>it was like whole ship. You take the records over there.

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<v Speaker 5>And although I was too young to take him there,

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<v Speaker 5>still it's like a back signal in the sky.

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<v Speaker 2>It was the only place there. So for us, that

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<v Speaker 2>was our death jam at the time. On the face, yes,

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<v Speaker 2>of course that was the great. Yeah, so everything Atlanta

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<v Speaker 2>came out originally, like in the nineties was like that.

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<v Speaker 2>The face because baby Face is from Babyface is cast,

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<v Speaker 2>came out through the fast, came out through the face.

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<v Speaker 5>Goodie mob man you got and then you got the

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<v Speaker 5>people who came after that. You got the T I

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<v Speaker 5>S and I to get into that, Me and Tip,

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<v Speaker 5>but yeah, definitely yeah, yeah. So but I'm saying in

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<v Speaker 5>my group that was my influence, you know, looking at that,

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<v Speaker 5>and that's what Tip looked at, you know.

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<v Speaker 2>Me and Tip went to elementary school together.

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<v Speaker 5>So so we're we're watching this ship and saying, oh, y'all,

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<v Speaker 5>make hold up, whoa time out. We didn't know you

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<v Speaker 5>could make that type of money from music. You know,

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<v Speaker 5>everybody in New York knew that already, but everybody in

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<v Speaker 5>l A knew that.

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<v Speaker 2>Tip seemed like he only went to English class, he said, school,

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<v Speaker 2>I'm taking English like that. I think I think that right.

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<v Speaker 2>But New York, you know, they had the infrastructures.

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<v Speaker 5>Hollywood is the same way, you know, especially with television

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<v Speaker 5>and movies.

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<v Speaker 2>In Atlanta was just this.

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<v Speaker 5>You know, young church going cultural black thing happening. And

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<v Speaker 5>we just found out that motherfuckers can get ferraris for

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<v Speaker 5>for singing and dancing out.

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<v Speaker 2>So let's go.

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<v Speaker 1>I believe that the first time like people got to

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<v Speaker 1>see your personality, like to show that you was hood

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<v Speaker 1>was a time where you and.

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<v Speaker 2>Jay Z accepted that and it was like you you

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<v Speaker 2>walked up there, you.

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<v Speaker 5>Were just like man, definitely like you, and the whole

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<v Speaker 5>literally a slight joke, gotta be good.

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<v Speaker 2>But he said, I like to think the swamp meat.

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<v Speaker 5>And and that's the and that's the crazy thing about

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<v Speaker 5>like me and his relationship that grew, you know, from

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<v Speaker 5>a certain from from Umbrella, you know, that grew into

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<v Speaker 5>this thing that that it's hard to think that, you know,

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<v Speaker 5>I'm not really the the like this is my guy

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<v Speaker 5>you look on Instagram. I'm not like every time I

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<v Speaker 5>with Jaylen's stefy time, you know, I'm not. I'm not

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<v Speaker 5>referring to him all the time. So so it's a

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<v Speaker 5>little bit different. So when, of course, when we first said,

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<v Speaker 5>everybody's like, damn though, you know, take us.

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<v Speaker 2>I bet you like that, like that's whole, that's whole walk.

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<v Speaker 2>Oh yeah, exactly. I'm like I probably had that coming

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<v Speaker 2>from like five jokes ago.

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<v Speaker 1>But you know, I seen whole one day and Hope

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<v Speaker 1>just stopped me when he came out here, Diggles there

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<v Speaker 1>whole said I.

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<v Speaker 2>Would ask you how you're doing, but your glasses say

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<v Speaker 2>it all.

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<v Speaker 1>And I said, that was some funny shot. I didn't

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<v Speaker 1>say it as good as he said it, but it

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<v Speaker 1>was like, he's really a funny guy.

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<v Speaker 5>I think you the humor at the top is there,

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<v Speaker 5>like I think all of us are just you just

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<v Speaker 5>naturally have to gravitate to a place, you know, ships

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<v Speaker 5>sucked up.

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<v Speaker 2>Out of here. So it's like you know, you better

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<v Speaker 2>have something an album also a little she.

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<v Speaker 1>Made me feel bad for every relationship ever did in life,

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<v Speaker 1>and I just wanted to call people and apologize.

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<v Speaker 2>But she's talking about allot.

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<v Speaker 1>While you crying. She's like she can say he records

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<v Speaker 1>like she was like the way she was breaking down,

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<v Speaker 1>she's like she was hurt.

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<v Speaker 2>And it just made me think of that did in

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<v Speaker 2>the past, like four years ago, and I still just

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<v Speaker 2>want to say I'm sorry, Like are you over there? Took?

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<v Speaker 2>It's R and B as you said earlier, defense, defensive, offensive, offensive,

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<v Speaker 2>and so do you think because like because like it

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<v Speaker 2>was like I remember at one point, like Mary J.

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<v Speaker 1>Blize for example, Like as soon as you heard her

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<v Speaker 1>go through tragedy, everybody would say the album gonna be fire,

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<v Speaker 1>Like do an R and B person have to go

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<v Speaker 1>through drama in order for the music to be like that?

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<v Speaker 4>Man?

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<v Speaker 2>I think.

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<v Speaker 5>Speaking for myself as a songwriter, and I have to

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<v Speaker 5>say that, like it doesn't matter which genre. MA like,

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<v Speaker 5>it's it's a it's an animal that's hard to attain

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<v Speaker 5>because we constantly need things to fuel that, you know, inspiration, Yeah, yeah,

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<v Speaker 5>And it's it's hard because you know, On one hand,

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<v Speaker 5>you're having you know, people wanting you to live everyday

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<v Speaker 5>life the exact same way, and then your life changes

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<v Speaker 5>in multiple ways. First of all, you learn things that

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<v Speaker 5>are that are different, even just from one stretch, going

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<v Speaker 5>from oh, when I grew up, I was in Baptist Church,

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<v Speaker 5>and now I'm questioning everything, everything that everybody does.

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<v Speaker 2>But that's the writer in me.

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<v Speaker 5>Like, and when you write, you don't you're basically you're

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<v Speaker 5>basically inventing. The words are invented, the scenarios and all

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<v Speaker 5>of the things that you're talking about is being invented.

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<v Speaker 5>So you have to invent those situations to even talk about.

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<v Speaker 5>Or you can talk about some ship that's old, which

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<v Speaker 5>then somebody else's strategy. But but I think it's such

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<v Speaker 5>a it's such a hard animal, you know, to tame,

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<v Speaker 5>like like really, you know, I say that with the

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<v Speaker 5>utmost respect for all the great writers. They have to

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<v Speaker 5>go through, You have to go through something. You see

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<v Speaker 5>these movies, you know it's all inspired by something. Yeah, well,

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<v Speaker 5>you can't want, you know, the heart and soul from

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<v Speaker 5>somebody without them pouring out the best because of pain.

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<v Speaker 2>Of course, how did you write Umbrella? It was just

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<v Speaker 2>raining man, no umbrella. You was like, Man, I definitely

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<v Speaker 2>bought after that.

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<v Speaker 1>It don't so because like that always amazes me. You know, one,

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<v Speaker 1>I know about all the most of the songwriter you do.

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<v Speaker 1>And and for you to step out yourself and jump

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<v Speaker 1>into another artist song.

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<v Speaker 2>Not only just any artists of the friend sex. Man,

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<v Speaker 2>how do you do that?

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<v Speaker 7>Oh?

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<v Speaker 2>Man?

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<v Speaker 5>You know it's it's I'm like ninety nine people. My

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<v Speaker 5>my wife witnesses it all the time. I know she

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<v Speaker 5>doesn't really admit it. I know I can be Beyonce

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<v Speaker 5>when I wake up, I'm Rion about three o'clock, I'm

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<v Speaker 5>Jay and pushing about seven or eight, and then nine

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<v Speaker 5>I'm Celene the then twelve, Like, let's write.

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<v Speaker 2>You ever Kanye West? Oh, if you ever went Kanye West?

0:12:26.720 --> 0:12:27.320
<v Speaker 2>Of course.

0:12:29.600 --> 0:12:32.120
<v Speaker 1>It's a joke because because someone said that everybody I

0:12:32.200 --> 0:12:34.040
<v Speaker 1>was trying to you know, it didn't work, It didn't.

0:12:35.800 --> 0:12:38.640
<v Speaker 2>Yeah, But so how did you get that? As on?

0:12:38.800 --> 0:12:40.360
<v Speaker 2>Like what was you doing? I think it was just

0:12:40.480 --> 0:12:42.439
<v Speaker 2>the I think it was just time.

0:12:42.960 --> 0:12:44.720
<v Speaker 5>You know, I had my first daughter at that time,

0:12:45.360 --> 0:12:46.920
<v Speaker 5>and I think it was time for me to start

0:12:47.000 --> 0:12:49.800
<v Speaker 5>fucking and fucking around and playing with myself and where

0:12:49.840 --> 0:12:50.479
<v Speaker 5>I needed.

0:12:50.240 --> 0:12:52.760
<v Speaker 2>To go and I just turned on a different thing.

0:12:53.040 --> 0:12:53.199
<v Speaker 4>You know.

0:12:53.280 --> 0:12:56.000
<v Speaker 2>It's just like a It's like a switch. Just I

0:12:56.120 --> 0:12:58.079
<v Speaker 2>knew how to do what I needed to do.

0:12:58.800 --> 0:13:03.480
<v Speaker 5>But I've always is done better with pressure, and that

0:13:03.720 --> 0:13:06.559
<v Speaker 5>song was just out of pure pressure in life and

0:13:06.679 --> 0:13:09.920
<v Speaker 5>not really just about being broken not having certain things.

0:13:10.000 --> 0:13:12.240
<v Speaker 5>You know, I was okay then I had I can

0:13:12.320 --> 0:13:14.280
<v Speaker 5>say that I had a music career at that particular

0:13:14.360 --> 0:13:14.800
<v Speaker 5>point in time.

0:13:14.840 --> 0:13:16.040
<v Speaker 2>I was getting the game.

0:13:16.080 --> 0:13:18.120
<v Speaker 5>Yeah it's a writer. I was getting checked out of

0:13:18.160 --> 0:13:19.800
<v Speaker 5>the game. I had a publishing deal. But it was

0:13:19.920 --> 0:13:24.079
<v Speaker 5>just one of those things where it clicked and and

0:13:24.440 --> 0:13:26.080
<v Speaker 5>when you can see it, it's almost like having an

0:13:26.080 --> 0:13:27.199
<v Speaker 5>out of body experience.

0:13:27.400 --> 0:13:31.199
<v Speaker 2>I watched myself walk in and write that record, and

0:13:31.440 --> 0:13:33.480
<v Speaker 2>you no.

0:13:33.600 --> 0:13:39.079
<v Speaker 5>The record was wrote originally for Britney Spears. If anybody

0:13:39.200 --> 0:13:45.560
<v Speaker 5>remembers the Umbrella incident, I think it was. I don't

0:13:45.559 --> 0:13:47.320
<v Speaker 5>know if she was If.

0:13:47.240 --> 0:13:50.440
<v Speaker 2>Britney Spears would have fit on Umbro who She's gonna

0:13:50.440 --> 0:13:56.360
<v Speaker 2>put on? Because she who would?

0:13:58.640 --> 0:14:02.160
<v Speaker 5>But you worked on Britain That's where it came from.

0:14:02.200 --> 0:14:04.000
<v Speaker 5>I worked on a record called Me Against the Music

0:14:04.080 --> 0:14:05.640
<v Speaker 5>that featured Madonna at the time.

0:14:05.760 --> 0:14:18.120
<v Speaker 2>Earlier on so We're so happy for you. Brother Michael

0:14:18.160 --> 0:14:21.200
<v Speaker 2>Jackson did the moonwalk in the session. Hilarious.

0:14:22.760 --> 0:14:24.560
<v Speaker 3>No, but but I was.

0:14:25.360 --> 0:14:28.880
<v Speaker 2>It was already a relationship there. So in this game,

0:14:29.080 --> 0:14:32.920
<v Speaker 2>you know, the best chance to be in Brittany Spears record,

0:14:33.040 --> 0:14:34.080
<v Speaker 2>to be on the record.

0:14:33.920 --> 0:14:36.080
<v Speaker 5>Oh, that's a whole another thing. And I sent it

0:14:36.200 --> 0:14:38.040
<v Speaker 5>in a person that is my good friend. Now I

0:14:38.080 --> 0:14:40.280
<v Speaker 5>won't throw her under the bus, but she just I

0:14:40.400 --> 0:14:44.400
<v Speaker 5>sent it to Brittany's people, and one of the people

0:14:44.440 --> 0:14:46.280
<v Speaker 5>who got the record actually is a good.

0:14:46.160 --> 0:14:48.400
<v Speaker 2>Friend of mine. Now we work really really close. But

0:14:48.520 --> 0:14:51.240
<v Speaker 2>at that time told me wasn't a hit record. That

0:14:51.320 --> 0:14:53.360
<v Speaker 2>was the word I got back. I wasn't a hit

0:14:54.840 --> 0:15:01.200
<v Speaker 2>She's not there, he's probably not gonna get that's my

0:15:01.320 --> 0:15:05.000
<v Speaker 2>boot and and it just grew on from there. I'm like,

0:15:05.120 --> 0:15:05.480
<v Speaker 2>fuck that.

0:15:05.640 --> 0:15:07.840
<v Speaker 5>I don't know what she's talking about. She's smoking something

0:15:08.160 --> 0:15:10.480
<v Speaker 5>like she's high, or she's in fear of losing her job.

0:15:10.520 --> 0:15:11.280
<v Speaker 2>I don't know what it is.

0:15:12.920 --> 0:15:16.960
<v Speaker 5>And literally after that the record was heard. It's kind

0:15:17.000 --> 0:15:19.280
<v Speaker 5>of crazy how this story happened. Me and Tricky Stewart

0:15:19.320 --> 0:15:22.760
<v Speaker 5>did the record, but the record got from Atlanta. It

0:15:22.840 --> 0:15:25.200
<v Speaker 5>was just a peep of it and got heard at

0:15:25.280 --> 0:15:29.880
<v Speaker 5>death Jam by La Reed, and he sent a good

0:15:29.920 --> 0:15:32.480
<v Speaker 5>friend of mine now her name is Karen Quaark down

0:15:34.160 --> 0:15:36.800
<v Speaker 5>down to retrieve the record. She's like, who the fuck

0:15:36.920 --> 0:15:37.720
<v Speaker 5>is right this shit?

0:15:37.880 --> 0:15:38.360
<v Speaker 2>Who is it?

0:15:38.800 --> 0:15:40.840
<v Speaker 5>And at the time, you know, I was the young guy,

0:15:40.960 --> 0:15:43.440
<v Speaker 5>didn't have no super big placement, so nobody knew who

0:15:43.440 --> 0:15:45.760
<v Speaker 5>the fuck I was, you know, really just people in

0:15:45.840 --> 0:15:47.760
<v Speaker 5>the city, of course, people in the studio where we

0:15:47.800 --> 0:15:48.880
<v Speaker 5>were working at in Atlanta.

0:15:49.640 --> 0:15:54.760
<v Speaker 2>But that record, of course went from there to La

0:15:54.920 --> 0:15:56.520
<v Speaker 2>and Karen saying, you know who.

0:15:56.520 --> 0:16:01.040
<v Speaker 5>This record would be great on Rihanna, and the record

0:16:01.080 --> 0:16:03.880
<v Speaker 5>got played, and I guess she heard about the record

0:16:04.280 --> 0:16:06.000
<v Speaker 5>at a certain point in time. She's out at the

0:16:06.040 --> 0:16:09.480
<v Speaker 5>Grammys that year earlier in two thousand and seven, and she.

0:16:09.520 --> 0:16:10.320
<v Speaker 2>Heard about the record.

0:16:10.360 --> 0:16:11.640
<v Speaker 5>I guess she had heard it, but we had not

0:16:11.720 --> 0:16:14.080
<v Speaker 5>cut the record yet, and she walked up to my

0:16:14.200 --> 0:16:16.000
<v Speaker 5>manager and said, that's my fucking record.

0:16:17.440 --> 0:16:20.920
<v Speaker 2>No, no, no, Rihanna, just like that, that's my fuck.

0:16:25.600 --> 0:16:31.640
<v Speaker 2>You can't Indian girl, just don't don't do it.

0:16:31.760 --> 0:16:33.720
<v Speaker 5>Of Course, when I heard that she said that in

0:16:33.800 --> 0:16:35.560
<v Speaker 5>that way, I was like, Yeah, that's the motherfucker that

0:16:35.640 --> 0:16:37.440
<v Speaker 5>should have had a record attitude.

0:16:37.680 --> 0:16:41.600
<v Speaker 2>You said you got it, and I was already kind

0:16:41.600 --> 0:16:44.160
<v Speaker 2>of following her. She she already had a couple of

0:16:44.200 --> 0:16:47.040
<v Speaker 2>records that that I felt were great. This record was

0:16:47.080 --> 0:16:50.160
<v Speaker 2>going to go that that that far, how big was

0:16:50.200 --> 0:16:50.560
<v Speaker 2>gonna be?

0:16:50.720 --> 0:16:53.920
<v Speaker 5>I think, I think timing is all based on a

0:16:54.000 --> 0:16:56.440
<v Speaker 5>certain math that we can never really solve. You know,

0:16:56.960 --> 0:16:59.440
<v Speaker 5>lightning in the bottle. Things happened for you, and it's

0:16:59.480 --> 0:17:01.680
<v Speaker 5>a blessing that those things are out of your control.

0:17:01.800 --> 0:17:03.560
<v Speaker 5>You know, the only thing you can do is be prepared.

0:17:04.320 --> 0:17:06.080
<v Speaker 5>So I was prepared for the moment.

0:17:06.440 --> 0:17:08.040
<v Speaker 2>But to say I knew exactly what it would do.

0:17:08.080 --> 0:17:09.920
<v Speaker 5>I knew what it was, you know, I said that

0:17:10.000 --> 0:17:12.800
<v Speaker 5>about it was a good record, and I knew it

0:17:12.880 --> 0:17:14.240
<v Speaker 5>was a better than good record.

0:17:14.560 --> 0:17:17.280
<v Speaker 2>I knew it was a great record. But ship happens, man,

0:17:17.320 --> 0:17:18.560
<v Speaker 2>people ship shot.

0:17:18.440 --> 0:17:21.720
<v Speaker 5>Tim crazy stupid videos to certain songs that I had

0:17:22.160 --> 0:17:23.920
<v Speaker 5>rolled the ship out the wrong way, and you're like,

0:17:24.400 --> 0:17:25.000
<v Speaker 5>what the fuck?

0:17:25.160 --> 0:17:28.040
<v Speaker 8>You know, there's other there's other things that are coming,

0:17:28.200 --> 0:17:30.679
<v Speaker 8>other forces that come into you have a.

0:17:30.800 --> 0:17:33.000
<v Speaker 2>Roller record, And it was like me, take my ship

0:17:33.080 --> 0:17:34.240
<v Speaker 2>back like a roller record.

0:17:34.040 --> 0:17:37.960
<v Speaker 1>For somebody, because I ain't gonna That's why I can't

0:17:37.960 --> 0:17:38.800
<v Speaker 1>write ship with nobody.

0:17:39.119 --> 0:17:41.560
<v Speaker 2>I'm taking my back. I don't should have been doing

0:17:42.200 --> 0:17:44.240
<v Speaker 2>this came out to be a hit, and I find

0:17:44.280 --> 0:17:44.600
<v Speaker 2>the reason.

0:17:44.640 --> 0:17:45.879
<v Speaker 9>I like the person you.

0:17:48.320 --> 0:17:53.200
<v Speaker 2>Before like I didn't want to. I didn't want to

0:17:53.240 --> 0:17:54.800
<v Speaker 2>do it with the person. Get hit the notes right

0:17:54.920 --> 0:18:03.720
<v Speaker 2>or something. Hit the notes the notes. I don't know

0:18:03.800 --> 0:18:07.400
<v Speaker 2>where he took you. Don't don't wake my good. I'm

0:18:07.400 --> 0:18:10.760
<v Speaker 2>trying to trying to stay right there. Made the record,

0:18:10.800 --> 0:18:12.920
<v Speaker 2>and you wrote it for them and then wrote it

0:18:13.000 --> 0:18:14.840
<v Speaker 2>for him, which was Jamie Fox.

0:18:15.040 --> 0:18:17.760
<v Speaker 5>At the time, there was a record called Rocking that Ship.

0:18:18.080 --> 0:18:20.480
<v Speaker 2>Rocking that Ship. Yeah, he so rocked that Ship.

0:18:20.760 --> 0:18:23.560
<v Speaker 5>So it just turned into one of those things where

0:18:23.600 --> 0:18:25.680
<v Speaker 5>I wrote it for him and he was like, I

0:18:25.760 --> 0:18:27.720
<v Speaker 5>think I did like six records on that album.

0:18:28.720 --> 0:18:34.280
<v Speaker 2>The first single ended up being Blaming, which was which

0:18:34.520 --> 0:18:34.720
<v Speaker 2>was a.

0:18:34.800 --> 0:18:38.640
<v Speaker 5>Record that was an interpolation of I Love Your Girl,

0:18:38.680 --> 0:18:43.720
<v Speaker 5>which is my older record at the time. So I'm

0:18:43.800 --> 0:18:46.920
<v Speaker 5>happy either way, like okay, and he's like, this record

0:18:47.000 --> 0:18:48.680
<v Speaker 5>is cool, but dream I need a dream record.

0:18:48.680 --> 0:18:50.440
<v Speaker 2>I need a dream. I'm like this that new ship,

0:18:50.640 --> 0:18:51.600
<v Speaker 2>like do this.

0:18:51.680 --> 0:18:54.359
<v Speaker 5>She's like, nah, I'm good, and so I was kind

0:18:54.359 --> 0:18:55.879
<v Speaker 5>of happy. He said, nah, I'm good, and that she

0:18:56.080 --> 0:18:56.800
<v Speaker 5>was my first eigga.

0:18:57.240 --> 0:18:59.000
<v Speaker 2>The just make some noise with dream being like me

0:18:59.240 --> 0:19:05.320
<v Speaker 2>exactly what I'm exactly like a good night. So what's

0:19:05.359 --> 0:19:07.360
<v Speaker 2>it like being in a session with Kanye.

0:19:08.800 --> 0:19:09.119
<v Speaker 5>For me?

0:19:09.320 --> 0:19:10.760
<v Speaker 2>Pretty pretty tame?

0:19:11.760 --> 0:19:16.920
<v Speaker 5>Yeah, pretty tame is you know, everybody has these, you

0:19:16.960 --> 0:19:19.400
<v Speaker 5>know and Bengals and elephants.

0:19:19.720 --> 0:19:19.879
<v Speaker 4>You know.

0:19:20.000 --> 0:19:23.440
<v Speaker 5>People just have different ideas about people, you know, and

0:19:23.560 --> 0:19:26.119
<v Speaker 5>I think you know, some real nigga ship. It's just

0:19:26.240 --> 0:19:29.480
<v Speaker 5>one of the things that when you people, you people,

0:19:29.760 --> 0:19:32.320
<v Speaker 5>you know, everybody has their their ups, their downs and

0:19:32.359 --> 0:19:36.320
<v Speaker 5>ship that they go through. But most of all, I

0:19:36.440 --> 0:19:40.720
<v Speaker 5>think when you're talking about the creators, they're pretty they're

0:19:40.720 --> 0:19:44.199
<v Speaker 5>pretty loved, you know, individuals.

0:19:43.600 --> 0:19:46.040
<v Speaker 2>By all of us. And it's love coming back, you know,

0:19:46.160 --> 0:19:46.640
<v Speaker 2>our way.

0:19:47.240 --> 0:19:49.760
<v Speaker 5>So when I'm with Kanye, like, I don't see any

0:19:50.400 --> 0:19:53.280
<v Speaker 5>thing other than greatness, you know, and what he's trying

0:19:53.320 --> 0:19:55.640
<v Speaker 5>to get done. Like, I don't see any other noise,

0:19:55.760 --> 0:19:58.320
<v Speaker 5>any other ship, you know, Noise may happen after that,

0:19:58.560 --> 0:20:01.960
<v Speaker 5>but for me, we on one, we like lots of

0:20:02.160 --> 0:20:05.560
<v Speaker 5>synergy between y'all. Yeah, we walk in and we get

0:20:05.600 --> 0:20:08.440
<v Speaker 5>the ship done, you know. And and it's been days

0:20:08.600 --> 0:20:10.840
<v Speaker 5>or we've been nights being off flowing out to Paris,

0:20:10.880 --> 0:20:11.919
<v Speaker 5>and we didn't do ship for like.

0:20:12.160 --> 0:20:17.240
<v Speaker 2>Three four days, and I'm just, you know, cargo exactly.

0:20:19.240 --> 0:20:19.480
<v Speaker 6>Past.

0:20:19.800 --> 0:20:22.520
<v Speaker 1>Yeah, I'm a different type of person in past out

0:20:22.560 --> 0:20:28.440
<v Speaker 1>there right now. He snails, which eats and pasts and

0:20:28.520 --> 0:20:31.080
<v Speaker 1>it's fantastic next to be saying he had a baker

0:20:32.600 --> 0:20:37.760
<v Speaker 1>baking b so single ladies because that's a super Girl

0:20:37.840 --> 0:20:40.720
<v Speaker 1>record and what else.

0:20:41.160 --> 0:20:46.200
<v Speaker 5>At that time, this was the easiest one. Yeah, what

0:20:46.359 --> 0:20:48.359
<v Speaker 5>else would be Yon be singing about.

0:20:49.960 --> 0:20:51.840
<v Speaker 2>To all my single ladies? Is that the way you

0:20:51.880 --> 0:20:54.080
<v Speaker 2>looked at it? And she was in a relationship.

0:20:54.520 --> 0:20:56.639
<v Speaker 5>Nobody knew if Jay was there, y'all don't know what

0:20:56.720 --> 0:21:00.600
<v Speaker 5>it was on tour at the time with Jay and Mary.

0:21:00.600 --> 0:21:02.280
<v Speaker 5>I was opening up for Jay and Mary on the

0:21:02.359 --> 0:21:06.399
<v Speaker 5>tour and I remember Jay coming in and he's like,

0:21:06.480 --> 0:21:07.560
<v Speaker 5>y'all need you need you.

0:21:07.640 --> 0:21:08.720
<v Speaker 2>Doing right with my girl?

0:21:08.960 --> 0:21:11.480
<v Speaker 5>And I was like, all right, cool, bet it's nothing.

0:21:12.119 --> 0:21:14.720
<v Speaker 5>The next thing that popped up is oh cool. So

0:21:15.600 --> 0:21:18.119
<v Speaker 5>you know, you're like an investigator. You're just reporting the news,

0:21:18.240 --> 0:21:21.080
<v Speaker 5>like okay, nobody really knows if you, like, you should

0:21:21.119 --> 0:21:22.240
<v Speaker 5>have put a ring on. It could have meant a

0:21:22.280 --> 0:21:24.520
<v Speaker 5>whole bunch of shit to a lot of people. It's

0:21:24.560 --> 0:21:28.399
<v Speaker 5>a coffee I call it a coffee table conversation. It

0:21:28.560 --> 0:21:30.280
<v Speaker 5>was just one of those things that was an obvious

0:21:30.400 --> 0:21:33.080
<v Speaker 5>theme to write, like and you know, you didn't see

0:21:33.119 --> 0:21:34.160
<v Speaker 5>the ring until the video.

0:21:34.280 --> 0:21:36.040
<v Speaker 2>I was just like, Oh cool, I'm gonna set all

0:21:36.080 --> 0:21:36.560
<v Speaker 2>this ship up.

0:21:37.240 --> 0:21:41.000
<v Speaker 5>And so yeah, what bet a public way to say,

0:21:41.119 --> 0:21:44.520
<v Speaker 5>oh yeah, we actually together together musical teams.

0:21:44.560 --> 0:21:48.840
<v Speaker 2>It's a real moment. That is a real moment. That's

0:21:48.880 --> 0:21:53.000
<v Speaker 2>pretty cool. And you it's like it's like Jay just

0:21:53.119 --> 0:21:55.080
<v Speaker 2>continues to work with you, like they all.

0:21:55.160 --> 0:21:59.200
<v Speaker 1>Like one of the craziest masterminds in the world knows

0:21:59.320 --> 0:21:59.800
<v Speaker 1>that you're the.

0:22:01.440 --> 0:22:05.360
<v Speaker 2>That's crazy, Like, that's that's all. That's that's what, That's

0:22:05.440 --> 0:22:06.480
<v Speaker 2>what kind of matters to me.

0:22:06.600 --> 0:22:10.119
<v Speaker 5>The most of what I do with the people I

0:22:10.280 --> 0:22:12.960
<v Speaker 5>respect and that I work with, is that the greatest

0:22:13.000 --> 0:22:17.800
<v Speaker 5>people who are doing the ship knows, like we think

0:22:17.960 --> 0:22:20.720
<v Speaker 5>we finished with the album, No we're not call that nigga,

0:22:21.480 --> 0:22:23.119
<v Speaker 5>even if you just got to come listen to it,

0:22:23.640 --> 0:22:26.240
<v Speaker 5>even if he adds four bars or he adds three hooks,

0:22:26.280 --> 0:22:28.800
<v Speaker 5>so a whole song, make sure we call him. And

0:22:29.040 --> 0:22:32.120
<v Speaker 5>that's I take the most pride in that because that's

0:22:32.320 --> 0:22:38.679
<v Speaker 5>that's just more more important, you know, to meds are like, yo, like.

0:22:38.760 --> 0:22:41.320
<v Speaker 2>That's the guy. Yeah, yeah, that's that's the way more

0:22:41.359 --> 0:22:42.840
<v Speaker 2>important than me, you know.

0:22:43.040 --> 0:22:49.280
<v Speaker 5>And I've literally sacrificed a certain I guess you can

0:22:49.440 --> 0:22:53.200
<v Speaker 5>say shimmer on my own armor because of that, you know,

0:22:53.320 --> 0:22:56.440
<v Speaker 5>because I I will take that back seat to things

0:22:56.480 --> 0:22:58.440
<v Speaker 5>that I feel like that are more important to me,

0:22:58.560 --> 0:23:00.520
<v Speaker 5>are more important to the world, that they get a

0:23:00.600 --> 0:23:01.520
<v Speaker 5>certain thing out.

0:23:02.800 --> 0:23:08.560
<v Speaker 2>Now justin Bieber, Oh yeah, vote four. His first single

0:23:08.720 --> 0:23:11.840
<v Speaker 2>was the first thing. No, that was not It wasn't.

0:23:12.080 --> 0:23:14.920
<v Speaker 2>I was wrong. Okay, I'm glad you feel like it

0:23:15.040 --> 0:23:17.879
<v Speaker 2>is feel I feel like that birth to you. I

0:23:17.960 --> 0:23:18.800
<v Speaker 2>feel like you birth to them.

0:23:18.880 --> 0:23:24.480
<v Speaker 1>I'm just giving you the proper dream. Just roll with it, Okay, before.

0:23:22.880 --> 0:23:26.640
<v Speaker 2>We just beaber. This is tiger Ball, this is spoiled

0:23:26.680 --> 0:23:29.520
<v Speaker 2>so sauce, this is nothing supposed to be drinking right

0:23:29.560 --> 0:23:32.000
<v Speaker 2>now because this is it's a tradition with the show.

0:23:32.119 --> 0:23:34.960
<v Speaker 1>This go go with my oxy code, because I don't

0:23:34.960 --> 0:23:39.200
<v Speaker 1>think nothing here goes with spe Okay, well let's try.

0:23:39.440 --> 0:23:41.320
<v Speaker 2>Let's see what happened gold On.

0:23:41.520 --> 0:23:43.919
<v Speaker 1>We gott to toast the South, and when you toasted

0:23:44.119 --> 0:23:46.160
<v Speaker 1>all night tonight, we are celebrating the dream.

0:23:46.440 --> 0:23:48.840
<v Speaker 2>We respect you. You are actually first R and B.

0:23:50.840 --> 0:23:52.879
<v Speaker 1>By itself because we did have Drew Hill right, but

0:23:52.960 --> 0:23:54.440
<v Speaker 1>they came they was putting you in.

0:23:54.600 --> 0:23:55.200
<v Speaker 6>That was Hill.

0:23:56.640 --> 0:23:58.800
<v Speaker 2>In Corrupt Dance. We had the last episode and through

0:23:58.880 --> 0:24:00.600
<v Speaker 2>jew Hill in there. It was awkward, but we made

0:24:00.600 --> 0:24:04.600
<v Speaker 2>it work. But we made it work. But tonight we

0:24:04.720 --> 0:24:08.800
<v Speaker 2>are saluting who I considered the new r G king

0:24:09.600 --> 0:24:14.199
<v Speaker 2>RNG that I consider him the king. I consider him the.

0:24:14.200 --> 0:24:16.879
<v Speaker 1>Person that's shape and mold with music sounds like today,

0:24:16.960 --> 0:24:18.200
<v Speaker 1>and we're gonna salute that tonight.

0:24:18.280 --> 0:24:19.320
<v Speaker 2>Let's make some noise to take it.

0:24:24.119 --> 0:24:24.720
<v Speaker 1>He just died.

0:24:25.160 --> 0:24:31.960
<v Speaker 2>It's hard. Did that go? Yeah, you're gonna write seven songs?

0:24:32.000 --> 0:24:34.720
<v Speaker 1>And man, now now.

0:24:36.240 --> 0:24:38.840
<v Speaker 2>We're gonna go back to just and let me go

0:24:38.920 --> 0:24:40.600
<v Speaker 2>back to Justin Bieber. You want me to go back

0:24:40.920 --> 0:24:43.080
<v Speaker 2>after that? There's some country ship right here.

0:24:43.119 --> 0:24:43.320
<v Speaker 4>It is.

0:24:46.320 --> 0:24:50.800
<v Speaker 2>This is the fucking grits. We've never that good with pancakes.

0:24:51.400 --> 0:24:55.720
<v Speaker 2>Let's go good with grits. I've never heard that. What

0:24:55.840 --> 0:25:00.680
<v Speaker 2>didro say? It tastes like she said, betting pemper Steine

0:25:02.600 --> 0:25:07.400
<v Speaker 2>girl like that. Don't take later on we'll go build

0:25:07.480 --> 0:25:10.879
<v Speaker 2>up to it. So who was your funnest session. The

0:25:10.960 --> 0:25:16.440
<v Speaker 2>first sing with my sexual Reaction is first. Gotta gotta

0:25:16.440 --> 0:25:18.879
<v Speaker 2>go through. What was your favorite session you ever had?

0:25:19.000 --> 0:25:20.439
<v Speaker 2>Like you just walked in and.

0:25:20.520 --> 0:25:23.680
<v Speaker 1>Everything was perfect, whether it be you producing, writing all

0:25:23.760 --> 0:25:24.919
<v Speaker 1>your own sessions.

0:25:25.240 --> 0:25:28.200
<v Speaker 5>Man, the favorite session I walked in was the no

0:25:28.400 --> 0:25:32.159
<v Speaker 5>Church in a Wild session. No Church Wow, Yeah, that

0:25:32.240 --> 0:25:33.720
<v Speaker 5>was my favorite session Church.

0:25:33.760 --> 0:25:37.920
<v Speaker 2>And that's the one with Frank Ocean No.

0:25:38.119 --> 0:25:40.720
<v Speaker 5>No, he wrote his own part, okay, but that was

0:25:40.800 --> 0:25:43.399
<v Speaker 5>the That was the best one that record because that

0:25:43.520 --> 0:25:45.600
<v Speaker 5>was based off if you don't know the backstory now.

0:25:45.720 --> 0:25:46.879
<v Speaker 2>At the time, I couldn't say what the.

0:25:46.880 --> 0:25:48.720
<v Speaker 5>Backstory was because it was a huge deal of what

0:25:48.880 --> 0:25:53.119
<v Speaker 5>was happening. But at the at the time, Jay and

0:25:53.200 --> 0:25:57.199
<v Speaker 5>Kanye were finishing up watching The Throne and we were

0:25:57.240 --> 0:25:58.600
<v Speaker 5>listening to it in Paris.

0:25:58.400 --> 0:26:03.800
<v Speaker 2>And you know it easy, there's yeah, but we kind

0:26:03.840 --> 0:26:04.960
<v Speaker 2>of threw a monkey wrench in that.

0:26:05.800 --> 0:26:07.639
<v Speaker 5>I came home because I felt like they had the

0:26:07.720 --> 0:26:09.399
<v Speaker 5>album and they were kind of done with you know

0:26:09.480 --> 0:26:12.359
<v Speaker 5>what it was, and I wrote Holy Grail at the

0:26:12.440 --> 0:26:20.280
<v Speaker 5>time and sitting it back to Jay, so I said

0:26:21.000 --> 0:26:24.359
<v Speaker 5>I said that back to Jay as they're finishing up,

0:26:24.359 --> 0:26:26.120
<v Speaker 5>because I just wanted to get ahead and just start

0:26:26.200 --> 0:26:27.840
<v Speaker 5>working on what his next ship was.

0:26:27.960 --> 0:26:32.280
<v Speaker 2>I knew Stones was with justin Timberlake, right that was

0:26:32.320 --> 0:26:39.080
<v Speaker 2>a that was Washington. Okay, okay, okay, So.

0:26:39.520 --> 0:26:41.359
<v Speaker 5>I said the record, Jay, here's the bag, y'all man,

0:26:41.400 --> 0:26:42.120
<v Speaker 5>it's my first single.

0:26:42.160 --> 0:26:43.480
<v Speaker 2>Home name my album that b B.

0:26:43.640 --> 0:26:45.359
<v Speaker 5>I was like, all right, cool back, let me know

0:26:45.400 --> 0:26:50.200
<v Speaker 5>when it's time to cut. I'm in Newport Beach, California.

0:26:50.640 --> 0:26:52.480
<v Speaker 5>I got a nice boat out there.

0:26:52.520 --> 0:26:53.240
<v Speaker 2>It feels good.

0:26:53.320 --> 0:26:57.400
<v Speaker 5>I'm out there writing some ship. I feel lovely, phones

0:26:57.440 --> 0:27:00.400
<v Speaker 5>blowing up. I don't know what the fun they want

0:27:00.440 --> 0:27:03.000
<v Speaker 5>on the East Coast. I'm in on the suns and

0:27:03.119 --> 0:27:05.119
<v Speaker 5>I'm like, nah, dog, I ain't got time for it.

0:27:05.240 --> 0:27:05.560
<v Speaker 2>Right now.

0:27:06.320 --> 0:27:09.960
<v Speaker 5>I get a call from my good friend Schacka Pilgrim's

0:27:09.960 --> 0:27:10.359
<v Speaker 5>a homie.

0:27:10.400 --> 0:27:10.720
<v Speaker 2>Of course.

0:27:11.640 --> 0:27:15.280
<v Speaker 5>Shaka calls me, I need you at the mercer in

0:27:15.400 --> 0:27:19.680
<v Speaker 5>New York right now. It's like, no, let me think

0:27:19.720 --> 0:27:21.920
<v Speaker 5>I'm play golf at six a m. So I'm good,

0:27:22.040 --> 0:27:23.399
<v Speaker 5>like I'm gonna just stay right here. I'm having a

0:27:23.440 --> 0:27:23.720
<v Speaker 5>good time.

0:27:23.880 --> 0:27:26.320
<v Speaker 2>You play golfice make some more. That's that's more.

0:27:32.960 --> 0:27:33.000
<v Speaker 10>So.

0:27:33.160 --> 0:27:35.679
<v Speaker 5>I don't want to leave, of course, like my boogys,

0:27:36.200 --> 0:27:39.200
<v Speaker 5>so so I'm asking what the deal is.

0:27:39.400 --> 0:27:41.359
<v Speaker 2>She won't tell me over the phone, like what's going on?

0:27:41.520 --> 0:27:44.320
<v Speaker 2>So I kind of get a little sideways idea about

0:27:44.320 --> 0:27:44.840
<v Speaker 2>what's going on.

0:27:45.000 --> 0:27:50.320
<v Speaker 5>It's like, Yo, Jay played Kanye Holy Grail and Kanye

0:27:50.440 --> 0:27:51.640
<v Speaker 5>asked me to put on Wash the Throne.

0:27:51.680 --> 0:27:53.000
<v Speaker 11>He was like, nah, I'm.

0:27:52.920 --> 0:27:56.920
<v Speaker 2>Good, I'm gonna keep this on my album. You said

0:27:57.000 --> 0:27:59.159
<v Speaker 2>we was doing that album, you know, x y Z.

0:27:59.320 --> 0:28:02.840
<v Speaker 5>And so what happened from that is, of course I

0:28:02.920 --> 0:28:06.480
<v Speaker 5>flew into you know, I flew into New York and

0:28:07.040 --> 0:28:08.920
<v Speaker 5>and the main thing was, Oh, we need you to

0:28:08.960 --> 0:28:11.359
<v Speaker 5>write another Holy Girl. And Jay's like, yeah, He's gonna

0:28:11.359 --> 0:28:12.920
<v Speaker 5>go out to the trunk, getting out of the trunk

0:28:12.960 --> 0:28:16.439
<v Speaker 5>and just ring it upstairs boars and even me, as

0:28:16.560 --> 0:28:19.080
<v Speaker 5>as confident as I am, I was thinking the same thing, like, yeah,

0:28:19.359 --> 0:28:21.640
<v Speaker 5>this ship ain't just in my back pocket, Like that's

0:28:21.920 --> 0:28:23.879
<v Speaker 5>that's that's the one that done right there?

0:28:23.920 --> 0:28:25.120
<v Speaker 2>You want to go back to West Coast.

0:28:25.680 --> 0:28:30.159
<v Speaker 5>So short the long story short, I went in it

0:28:30.320 --> 0:28:33.199
<v Speaker 5>was working on No Church in a while. He was like, Yo,

0:28:33.400 --> 0:28:35.240
<v Speaker 5>I need you to put something on this record. I

0:28:35.280 --> 0:28:38.720
<v Speaker 5>went in the next room, blah blah blah blah. Didn't

0:28:38.720 --> 0:28:42.760
<v Speaker 5>think nothing of it and me, Jay and Leonardo DiCaprio

0:28:42.800 --> 0:28:44.280
<v Speaker 5>at that time went went.

0:28:45.040 --> 0:28:48.600
<v Speaker 2>Man, what it's like, it's just talk.

0:28:50.160 --> 0:29:03.160
<v Speaker 12>Sorry, we didn't win the ground in summer sets when

0:29:03.240 --> 0:29:04.400
<v Speaker 12>it grab something to eat.

0:29:04.520 --> 0:29:07.000
<v Speaker 2>Man, I never heard.

0:29:06.920 --> 0:29:09.200
<v Speaker 5>About the regular again after I put something on No

0:29:09.360 --> 0:29:12.120
<v Speaker 5>Church in a While at that time, and I get

0:29:12.160 --> 0:29:15.880
<v Speaker 5>a phone call like months later and shotus on the

0:29:15.920 --> 0:29:18.360
<v Speaker 5>phone was like, yeah, so you don't watch the Throne.

0:29:18.440 --> 0:29:20.240
<v Speaker 2>I was like, no, you're talking about Jay. Shit.

0:29:20.440 --> 0:29:22.320
<v Speaker 5>It's like, I'm not donna watch the Throne. Like I

0:29:22.440 --> 0:29:24.120
<v Speaker 5>just did a listening in New York. You don't fucking

0:29:24.160 --> 0:29:24.840
<v Speaker 5>watch the Thrones.

0:29:24.880 --> 0:29:25.920
<v Speaker 2>Like, no, I'm not.

0:29:26.680 --> 0:29:29.280
<v Speaker 5>You know, Jay just recited your whole verse on No

0:29:29.480 --> 0:29:31.600
<v Speaker 5>Church in a While. You're definitely gonna watch the Throne.

0:29:31.600 --> 0:29:33.440
<v Speaker 5>It was like, what is he talking about? I have

0:29:33.560 --> 0:29:35.880
<v Speaker 5>forgot that I did this piece of the song that

0:29:36.080 --> 0:29:37.200
<v Speaker 5>Kanye ended up keeping.

0:29:38.600 --> 0:29:43.880
<v Speaker 2>Just forget about it. So initially it wasn't even credit

0:29:43.960 --> 0:29:44.920
<v Speaker 2>on there like for it.

0:29:45.000 --> 0:29:46.960
<v Speaker 5>It was just it was just this part, you know

0:29:47.160 --> 0:29:49.920
<v Speaker 5>that because everybody was thinking the same thing, like no,

0:29:50.120 --> 0:29:52.720
<v Speaker 5>that's just Kanye and Jay and Frank Ocean and then

0:29:52.840 --> 0:29:55.080
<v Speaker 5>you know, later on of course put it together. But

0:29:55.480 --> 0:29:57.720
<v Speaker 5>that was the best session I walked into because it

0:29:57.840 --> 0:30:02.280
<v Speaker 5>took me about maybe six minutes to do that part

0:30:02.480 --> 0:30:02.680
<v Speaker 5>and I.

0:30:02.720 --> 0:30:03.520
<v Speaker 2>Got a Grammy for it.

0:30:04.200 --> 0:30:08.320
<v Speaker 4>So it's like, can you say it again? Six minutes

0:30:08.400 --> 0:30:15.560
<v Speaker 4>and the Grammy, So the best six minutes.

0:30:19.800 --> 0:30:25.160
<v Speaker 2>I spent so much time. You mother is taking all

0:30:25.240 --> 0:30:28.160
<v Speaker 2>your time. Six minutes is on your head, your taking

0:30:28.200 --> 0:30:28.680
<v Speaker 2>all your.

0:30:30.040 --> 0:30:34.960
<v Speaker 5>First picking hilarious. No, That's why that's the best session

0:30:36.000 --> 0:30:37.400
<v Speaker 5>in my lifetime to date.

0:30:37.600 --> 0:30:38.640
<v Speaker 2>It was just so easy.

0:30:39.840 --> 0:30:42.400
<v Speaker 5>Over there, I'm like, oh cool, we did, Like this

0:30:42.520 --> 0:30:42.880
<v Speaker 5>is great.

0:30:43.080 --> 0:30:44.400
<v Speaker 2>I'm thinking that nothing.

0:30:44.600 --> 0:30:47.040
<v Speaker 5>Come on, what's art of the cap doing that? Mother

0:30:48.080 --> 0:30:49.840
<v Speaker 5>probably had no idea who the funk I was and

0:30:50.280 --> 0:30:54.200
<v Speaker 5>he was like you just get you, yes, buddy, change guy.

0:30:54.240 --> 0:30:58.280
<v Speaker 5>I guess yeah, you'd be surprised. You'd be surprised they

0:30:58.360 --> 0:30:58.880
<v Speaker 5>know who you are.

0:30:59.440 --> 0:31:02.080
<v Speaker 2>Can you turn humble? But are you on drink champs?

0:31:02.480 --> 0:31:04.640
<v Speaker 2>We don't get to be not humble for you. We

0:31:04.800 --> 0:31:06.560
<v Speaker 2>beat you up all that? All right, this is what

0:31:06.680 --> 0:31:09.840
<v Speaker 2>we do over here. Other We like to respect our artists.

0:31:10.040 --> 0:31:12.920
<v Speaker 1>We look at our artists like they superheroes, and we

0:31:13.040 --> 0:31:15.360
<v Speaker 1>want the world to look at look at our artists

0:31:15.400 --> 0:31:16.440
<v Speaker 1>like superhero because that's true.

0:31:16.560 --> 0:31:16.840
<v Speaker 2>What we do.

0:31:16.960 --> 0:31:20.240
<v Speaker 1>We sacrifice our life. Thank you every day. You know

0:31:20.640 --> 0:31:22.800
<v Speaker 1>you don't stop being an artist. You always being an

0:31:22.880 --> 0:31:24.840
<v Speaker 1>artist every time. So let me ask you what that

0:31:25.000 --> 0:31:28.120
<v Speaker 1>me has said. You have an experience of writing and producing.

0:31:28.200 --> 0:31:32.880
<v Speaker 1>You produce too as well, actually make the bbs and artists.

0:31:33.040 --> 0:31:34.760
<v Speaker 1>If you had a chance to do it all over,

0:31:34.880 --> 0:31:36.080
<v Speaker 1>what's your experience now?

0:31:36.320 --> 0:31:36.440
<v Speaker 3>Right?

0:31:36.760 --> 0:31:39.320
<v Speaker 1>With all the experience now you working with everybody from

0:31:39.360 --> 0:31:41.000
<v Speaker 1>everybody's everybody, and you had.

0:31:40.880 --> 0:31:45.200
<v Speaker 2>A chance to do it all over, and you could

0:31:45.240 --> 0:31:49.480
<v Speaker 2>pick one, writing.

0:31:51.040 --> 0:31:51.720
<v Speaker 4>Or like.

0:31:53.320 --> 0:31:57.160
<v Speaker 2>No, no, writing or being an artist? What would you pick?

0:31:57.920 --> 0:32:02.400
<v Speaker 2>What's your biggest high writing? Writing more than being in

0:32:02.520 --> 0:32:07.360
<v Speaker 2>front of I don't expect that, expect expressing your own writing.

0:32:07.560 --> 0:32:11.239
<v Speaker 5>No, no, because writing just touches more people like It's

0:32:11.320 --> 0:32:14.360
<v Speaker 5>like the spiderweb of effective. When you're an artist, everything

0:32:14.520 --> 0:32:18.040
<v Speaker 5>is mostly singular. You have an ideas you, this is

0:32:18.080 --> 0:32:19.840
<v Speaker 5>what people think of you, and this is how it's

0:32:19.960 --> 0:32:22.840
<v Speaker 5>just gonna sound when it comes out based on you. Right,

0:32:23.160 --> 0:32:25.720
<v Speaker 5>when I'm writing, I get to be celene one day

0:32:26.200 --> 0:32:27.520
<v Speaker 5>and I get to be somebody else.

0:32:27.600 --> 0:32:32.880
<v Speaker 2>You say he could be celene Yah, right, and he

0:32:32.920 --> 0:32:34.600
<v Speaker 2>didn't even hit up with the d on. That's how

0:32:34.640 --> 0:32:35.160
<v Speaker 2>you know, you know.

0:32:40.800 --> 0:32:44.240
<v Speaker 1>And now now, so how do you write for Justin Bieber?

0:32:44.320 --> 0:32:46.120
<v Speaker 1>How do you how do you because he's a kid

0:32:46.160 --> 0:32:48.400
<v Speaker 1>at the time, correct, he's a kid. His baby, his

0:32:48.520 --> 0:32:50.800
<v Speaker 1>baby right right, baby baby.

0:32:55.160 --> 0:32:56.880
<v Speaker 2>Some played that record so much probably you know the

0:32:56.920 --> 0:33:00.760
<v Speaker 2>record more thing, so how do you get in that? Like,

0:33:01.040 --> 0:33:03.080
<v Speaker 2>because that's what I'm saying, that's the psycho part.

0:33:04.880 --> 0:33:07.600
<v Speaker 1>The record was actually a grown man record, but it

0:33:07.680 --> 0:33:11.400
<v Speaker 1>was appropriate for the youth, Like how could you balance that?

0:33:11.520 --> 0:33:11.960
<v Speaker 2>To be weak?

0:33:12.040 --> 0:33:13.840
<v Speaker 5>I was just trying to figure out how to talk

0:33:13.920 --> 0:33:16.520
<v Speaker 5>to a not figure out I remember how to talk

0:33:16.560 --> 0:33:19.040
<v Speaker 5>to a girl when I was sixteen. So it was

0:33:19.240 --> 0:33:21.840
<v Speaker 5>just about saying something that I felt like he needed

0:33:21.920 --> 0:33:26.080
<v Speaker 5>to say to be cool and what like, Because there's

0:33:26.120 --> 0:33:29.800
<v Speaker 5>a point where, you know, especially young acts like they

0:33:29.880 --> 0:33:32.680
<v Speaker 5>don't think about you have to sing this song if

0:33:32.720 --> 0:33:34.960
<v Speaker 5>you can't do a version of this song ten years

0:33:35.000 --> 0:33:37.280
<v Speaker 5>from that point. And I try to think about that

0:33:37.360 --> 0:33:40.560
<v Speaker 5>when I'm working with younger with younger artists, like yo, yeah,

0:33:40.600 --> 0:33:43.560
<v Speaker 5>you're you're eighteen, sixteen, but you need to be able

0:33:43.600 --> 0:33:45.240
<v Speaker 5>to sing this song to that audience that's going to

0:33:45.280 --> 0:33:46.400
<v Speaker 5>grow with you when you're twenty seven.

0:33:46.480 --> 0:33:48.520
<v Speaker 8>You don't need to be the lame a superstar that

0:33:48.640 --> 0:33:51.080
<v Speaker 8>age can't identify with, but you could go back and

0:33:51.160 --> 0:33:53.800
<v Speaker 8>think about yourself at that age and identify with them, right,

0:33:54.000 --> 0:33:55.280
<v Speaker 8>And so that's the psycho part.

0:33:55.840 --> 0:34:00.440
<v Speaker 2>So that's a whole other that's a blessed that that

0:34:00.600 --> 0:34:01.960
<v Speaker 2>can be unraveled.

0:34:02.280 --> 0:34:04.720
<v Speaker 5>That's just something that that I have, you know, in

0:34:05.600 --> 0:34:09.560
<v Speaker 5>jumping into different spaces times and moments and like even

0:34:09.640 --> 0:34:11.920
<v Speaker 5>to be pushing and like just like okay, let's go

0:34:12.239 --> 0:34:16.840
<v Speaker 5>like or or even wrap battling with jay on on

0:34:17.120 --> 0:34:19.600
<v Speaker 5>on text like that's a you know, that's just a

0:34:19.680 --> 0:34:22.440
<v Speaker 5>whole other thing, you know. But I get to beat

0:34:22.480 --> 0:34:25.120
<v Speaker 5>those people and be in that place and it's kind

0:34:25.160 --> 0:34:26.480
<v Speaker 5>of like why I love.

0:34:26.360 --> 0:34:28.960
<v Speaker 2>It so much? Right and j text funny to hit

0:34:29.000 --> 0:34:34.600
<v Speaker 2>you with like three lines and space. I mean, I'll

0:34:34.640 --> 0:34:36.320
<v Speaker 2>be like, yo, he's like I gonna knock all my

0:34:36.360 --> 0:34:37.360
<v Speaker 2>ship out so you don't take me.

0:34:37.680 --> 0:34:39.840
<v Speaker 1>I'll be like, this is a rich text. I always

0:34:39.920 --> 0:34:41.800
<v Speaker 1>saw cooking. Every time you can talk like this is

0:34:41.920 --> 0:34:43.759
<v Speaker 1>rich text, I'll be having to deciphering.

0:34:44.080 --> 0:34:45.320
<v Speaker 2>It's just not it's just it's.

0:34:47.480 --> 0:34:49.239
<v Speaker 1>Just it's like a couple of lives and they got

0:34:49.280 --> 0:34:52.400
<v Speaker 1>spaces space, and then it's more lines.

0:34:52.440 --> 0:34:53.640
<v Speaker 2>Then it's space like.

0:34:53.960 --> 0:34:56.719
<v Speaker 5>It's like three conversations. So he will give you like

0:34:56.800 --> 0:34:58.800
<v Speaker 5>four days to answer the questions and ship.

0:34:59.400 --> 0:35:01.600
<v Speaker 2>Don't hit me the next Thursday. It's ill.

0:35:01.640 --> 0:35:02.400
<v Speaker 3>I look up.

0:35:02.440 --> 0:35:06.319
<v Speaker 2>It's like all right, he asked everything this is I'm sorry,

0:35:06.360 --> 0:35:07.680
<v Speaker 2>I was zoned out. I zoned out.

0:35:07.760 --> 0:35:10.720
<v Speaker 1>So now I asked you about your best studio session

0:35:10.840 --> 0:35:12.080
<v Speaker 1>or your favorite studio session.

0:35:12.600 --> 0:35:15.240
<v Speaker 2>Now we know I gotta go there. What was your worst?

0:35:16.080 --> 0:35:18.279
<v Speaker 2>Oh man? The hold back?

0:35:18.600 --> 0:35:21.680
<v Speaker 5>Oh man, this wasn't a studio session, but the worst

0:35:22.840 --> 0:35:25.440
<v Speaker 5>with a good fairy friend of mine had the worst experience.

0:35:25.560 --> 0:35:26.399
<v Speaker 2>Oh ship man.

0:35:27.200 --> 0:35:29.959
<v Speaker 5>Riella was on tour and we was cutting her whole

0:35:30.000 --> 0:35:32.960
<v Speaker 5>album at this particular time, a whole whole album.

0:35:34.640 --> 0:35:39.680
<v Speaker 2>Recording record.

0:35:39.760 --> 0:35:44.560
<v Speaker 5>Okay, it was mixing, so literally after the concert, we

0:35:44.640 --> 0:35:46.720
<v Speaker 5>would go backstage and cut records.

0:35:47.239 --> 0:35:49.240
<v Speaker 2>She would stay in the venue. We would cut records

0:35:49.280 --> 0:35:51.600
<v Speaker 2>in the venue. That's hard or the.

0:35:51.719 --> 0:35:54.040
<v Speaker 1>Up and coming artists out there that think this ship

0:35:54.160 --> 0:35:54.520
<v Speaker 1>is easy?

0:35:54.600 --> 0:35:55.800
<v Speaker 2>Did you hear what he just said?

0:35:56.200 --> 0:35:59.120
<v Speaker 1>After she performed, they went in the back and recorded

0:35:59.239 --> 0:35:59.720
<v Speaker 1>the record.

0:36:00.040 --> 0:36:02.920
<v Speaker 2>Can go whoa? That's dedication because me, after I get

0:36:02.960 --> 0:36:07.120
<v Speaker 2>on stage, I'm going to sleep. I'm going to sleep.

0:36:07.719 --> 0:36:12.120
<v Speaker 5>So so in return, God decided to figure out how

0:36:12.200 --> 0:36:14.719
<v Speaker 5>boogie and weak I had gotten at this particular point

0:36:14.719 --> 0:36:16.600
<v Speaker 5>in my life, because at this time I'm like, damn,

0:36:16.640 --> 0:36:18.200
<v Speaker 5>there's a lot of zeros in my.

0:36:18.239 --> 0:36:21.759
<v Speaker 2>Bank account, Like I feel good the word I want

0:36:21.800 --> 0:36:21.960
<v Speaker 2>to go.

0:36:22.680 --> 0:36:24.960
<v Speaker 5>And then you find yourself onto one of your great

0:36:25.040 --> 0:36:27.920
<v Speaker 5>friends in the middle of fucking Europe, and you're like,

0:36:28.440 --> 0:36:29.240
<v Speaker 5>where am I staying?

0:36:29.960 --> 0:36:33.440
<v Speaker 2>Man? If you have stayed, you stayed at the Plaza

0:36:33.560 --> 0:36:36.320
<v Speaker 2>Man Manhattan, and you know, you go from ship like that,

0:36:36.920 --> 0:36:39.560
<v Speaker 2>You're like, all right, cool, I got out there on

0:36:39.680 --> 0:36:44.120
<v Speaker 2>the road. Man, we got in this fucking hotel, the motel.

0:36:44.200 --> 0:36:46.399
<v Speaker 2>I don't need this. She's just a tale. It wasn't

0:36:46.400 --> 0:36:56.000
<v Speaker 2>even the more. There's just a tale. Man. I got

0:36:56.080 --> 0:36:58.360
<v Speaker 2>in this move. I opened up the door. Man just

0:36:58.480 --> 0:36:59.279
<v Speaker 2>swim back to me.

0:37:01.760 --> 0:37:02.080
<v Speaker 5>Coming in.

0:37:03.080 --> 0:37:05.880
<v Speaker 2>It was a half of a twin size dad and

0:37:06.000 --> 0:37:07.600
<v Speaker 2>the heater was at the bottom. So they're trying to

0:37:07.640 --> 0:37:09.440
<v Speaker 2>bury your ass up in the bed. So I'm like,

0:37:09.640 --> 0:37:12.600
<v Speaker 2>so do I put that on? Or do I? Man?

0:37:12.640 --> 0:37:15.319
<v Speaker 5>I slept all the poths on and had all all

0:37:15.360 --> 0:37:16.000
<v Speaker 5>my face.

0:37:17.480 --> 0:37:22.880
<v Speaker 2>And I've been that man going man, man I sweart.

0:37:22.920 --> 0:37:23.080
<v Speaker 7>Man.

0:37:23.360 --> 0:37:24.759
<v Speaker 2>I was like oh man, I don't turn into a

0:37:24.800 --> 0:37:25.920
<v Speaker 2>little bit. I used to be there.

0:37:26.120 --> 0:37:27.680
<v Speaker 5>I used to be in the Atlanta niggas like we

0:37:27.719 --> 0:37:32.399
<v Speaker 5>don't give a put me anyway. Nigga woke the next

0:37:32.440 --> 0:37:35.160
<v Speaker 5>morning like look, boom, hey, I need you, I need you.

0:37:35.239 --> 0:37:37.920
<v Speaker 5>Get me the hotel room to this and you know

0:37:38.120 --> 0:37:41.520
<v Speaker 5>she the next one one city over. What was the

0:37:41.560 --> 0:37:45.759
<v Speaker 5>city bay Newcastle? The next city over, that's where it

0:37:45.840 --> 0:37:49.279
<v Speaker 5>made the continue. We got to that spot next after

0:37:49.480 --> 0:37:52.319
<v Speaker 5>we did a show somewhere else before that, and there

0:37:52.400 --> 0:37:54.360
<v Speaker 5>was two tubs in my basket bed room and I was.

0:37:54.360 --> 0:37:59.040
<v Speaker 2>Like, all right, we back, bitch me back. I'm sorry.

0:37:59.440 --> 0:38:01.520
<v Speaker 1>Listen when I I'll tell you two hotel stories. When

0:38:01.520 --> 0:38:05.520
<v Speaker 1>I was coming up, we all it was no hotels.

0:38:05.560 --> 0:38:06.160
<v Speaker 1>It was sold out.

0:38:06.480 --> 0:38:08.919
<v Speaker 2>It's probably like one of them freaking type of things.

0:38:09.320 --> 0:38:13.240
<v Speaker 2>So we went to one hotel. It was the only hotel.

0:38:13.760 --> 0:38:16.080
<v Speaker 2>And we walked in and there was roaches in the hotel.

0:38:16.880 --> 0:38:18.800
<v Speaker 2>And so as good as we was, we was like

0:38:20.000 --> 0:38:25.920
<v Speaker 2>we gotta laat right. It was from the projects.

0:38:25.960 --> 0:38:27.920
<v Speaker 8>So how you was enough?

0:38:28.200 --> 0:38:30.320
<v Speaker 2>How big were they? I ain't gonna even lie to you.

0:38:30.440 --> 0:38:32.200
<v Speaker 2>I just gone. I just left. I was just like

0:38:32.280 --> 0:38:34.080
<v Speaker 2>I just can't do it. We're getting a little money

0:38:34.120 --> 0:38:36.319
<v Speaker 2>at the times of me and going over, so.

0:38:37.800 --> 0:38:40.520
<v Speaker 1>We go downstairs. We got all our clothes on. That's

0:38:40.560 --> 0:38:42.160
<v Speaker 1>why it reminded me of the story. We put all

0:38:42.239 --> 0:38:45.680
<v Speaker 1>our clothing like I ain't even but we still had

0:38:45.719 --> 0:38:46.080
<v Speaker 1>the shower.

0:38:46.200 --> 0:38:46.600
<v Speaker 2>It was enough.

0:38:46.640 --> 0:38:48.439
<v Speaker 1>We had no know so we had to go to sleep,

0:38:48.520 --> 0:38:50.200
<v Speaker 1>wake up, take the shower, and keep it moving. The

0:38:50.280 --> 0:38:52.040
<v Speaker 1>roach is left in the morning, but at night it

0:38:52.080 --> 0:38:53.000
<v Speaker 1>was day it was day block.

0:38:53.320 --> 0:38:55.239
<v Speaker 2>It was day block. We had to give it to them, right.

0:38:56.120 --> 0:38:59.279
<v Speaker 2>That was one story. Now we're getting money. I was

0:38:59.320 --> 0:39:01.600
<v Speaker 2>getting money and a promoter.

0:39:01.719 --> 0:39:05.200
<v Speaker 1>This is my man etn We're in Paris and he

0:39:05.400 --> 0:39:07.359
<v Speaker 1>tries to show me. He's like, I want to show

0:39:07.400 --> 0:39:08.120
<v Speaker 1>you d v B.

0:39:09.640 --> 0:39:12.480
<v Speaker 2>Why don't do that ship by Why don't do that ship?

0:39:12.520 --> 0:39:14.640
<v Speaker 2>Why don't mean to cut you out? I don't want

0:39:14.640 --> 0:39:17.440
<v Speaker 2>to see the real fuck we all want to see

0:39:17.480 --> 0:39:20.359
<v Speaker 2>ship about no real Like that's like, you don't come

0:39:20.400 --> 0:39:22.040
<v Speaker 2>to Atlanta. I want to show you a real Atlanta.

0:39:22.080 --> 0:39:27.640
<v Speaker 2>I'm like, no, I was gonna suck in this area

0:39:27.640 --> 0:39:30.919
<v Speaker 2>and nigga, don't leave out in three on three two cents. Good,

0:39:32.239 --> 0:39:35.360
<v Speaker 2>you fucked up the hotel. But it was Paris, it

0:39:35.480 --> 0:39:37.399
<v Speaker 2>was culture. This was at the time.

0:39:38.239 --> 0:39:40.800
<v Speaker 1>I walked in and you know, I used the bathroom

0:39:41.160 --> 0:39:44.680
<v Speaker 1>and I heard Butch Rob but I knew I was

0:39:44.800 --> 0:39:45.480
<v Speaker 1>on seven.

0:39:45.960 --> 0:39:49.640
<v Speaker 10>He was on DJ DJ, so I was like, hell

0:39:49.680 --> 0:39:52.920
<v Speaker 10>the hell out here. So I'm using the bathroom like yo, Butch,

0:39:53.239 --> 0:39:56.880
<v Speaker 10>He's like, YO, know, I will sit.

0:39:58.960 --> 0:40:01.279
<v Speaker 2>To calling to the more. I said, this is my

0:40:01.360 --> 0:40:11.400
<v Speaker 2>nig I went to Hollywood. I went through too much, somebody,

0:40:12.680 --> 0:40:17.840
<v Speaker 2>I've been through too much. He said that ship flushes

0:40:17.920 --> 0:40:20.880
<v Speaker 2>at the same time, there's one flush for the whole building.

0:40:21.440 --> 0:40:24.719
<v Speaker 2>I'm terrible. I was like, and I t having did.

0:40:24.800 --> 0:40:26.680
<v Speaker 2>I was like, this doesn't mean nothing at this moment,

0:40:28.000 --> 0:40:30.360
<v Speaker 2>you now, I mean, I'm crazy. I can hear and

0:40:30.440 --> 0:40:33.080
<v Speaker 2>then it's crazy. The we talking a nigga played music.

0:40:33.160 --> 0:40:37.120
<v Speaker 2>It's like I was dead, which I'm I'm zowned out.

0:40:37.280 --> 0:40:39.480
<v Speaker 2>But this is the same we went through the ground.

0:40:40.000 --> 0:40:40.960
<v Speaker 2>I didn't. I didn't think I.

0:40:41.000 --> 0:40:41.680
<v Speaker 10>Went through the ground.

0:40:41.719 --> 0:40:44.759
<v Speaker 2>You already been in the ground. I'm good.

0:40:45.400 --> 0:40:47.880
<v Speaker 5>I woke up, went to school, damn bodies and creek like,

0:40:47.920 --> 0:40:50.520
<v Speaker 5>I'm good. I was dumb past. I was past the

0:40:50.600 --> 0:40:54.000
<v Speaker 5>Grinds Park and it was just one of those realizations like, yo, man,

0:40:54.280 --> 0:40:56.360
<v Speaker 5>you got a lot of great ship going on. I

0:40:56.480 --> 0:40:58.359
<v Speaker 5>need you to remember what the funk you came from.

0:40:58.480 --> 0:41:01.000
<v Speaker 5>It was just one of those days, and I remember that,

0:41:01.040 --> 0:41:03.120
<v Speaker 5>and I stayed in the luxury sweet.

0:41:02.840 --> 0:41:06.200
<v Speaker 2>Today's day that was back. I was fine, easy in

0:41:06.320 --> 0:41:08.200
<v Speaker 2>my mind. I don't want to see the real nothing

0:41:08.239 --> 0:41:11.320
<v Speaker 2>of nothing like, no, I don't see that. That's just

0:41:11.360 --> 0:41:14.279
<v Speaker 2>you already done that, like when you're there. You don't

0:41:14.280 --> 0:41:15.920
<v Speaker 2>want to see the real ship. I want to see

0:41:15.920 --> 0:41:17.840
<v Speaker 2>this ship, Trojiany. We grew out of that.

0:41:18.880 --> 0:41:21.680
<v Speaker 5>We grew out of the exactly have you ever like

0:41:22.600 --> 0:41:25.640
<v Speaker 5>Michael Jackson, No crazy story I got for you.

0:41:25.800 --> 0:41:31.160
<v Speaker 2>Mother, Let's go. I got crazy shot before crazy after

0:41:31.280 --> 0:41:32.879
<v Speaker 2>hold on, were gonna do a shot up. I don't

0:41:32.880 --> 0:41:38.839
<v Speaker 2>know if you'll cut yours.

0:41:39.840 --> 0:41:40.360
<v Speaker 6>You can do the.

0:41:42.560 --> 0:41:45.040
<v Speaker 2>Damn you don't want to do it. We gotta.

0:41:46.760 --> 0:41:46.920
<v Speaker 6>Do it.

0:41:46.960 --> 0:41:54.800
<v Speaker 2>Everybody that we don't want to do it. Everybody to

0:41:54.880 --> 0:41:59.919
<v Speaker 2>do that, everybody, everybody, everybody to do that. Everybody gotta

0:41:59.920 --> 0:42:03.320
<v Speaker 2>do a line. No no, no cocaine. That's how he messes.

0:42:03.400 --> 0:42:03.600
<v Speaker 1>Job.

0:42:04.200 --> 0:42:04.960
<v Speaker 2>That's been in your cup.

0:42:05.040 --> 0:42:06.040
<v Speaker 13>Let's cup, that's what.

0:42:06.440 --> 0:42:15.279
<v Speaker 2>Engine only you got doing. Mother lives can't drink and

0:42:15.400 --> 0:42:24.520
<v Speaker 2>you passed me. I can't wait for two lives. O

0:42:24.640 --> 0:42:26.080
<v Speaker 2>my god, and we Miami.

0:42:26.160 --> 0:42:30.279
<v Speaker 5>I know the dog's coach right now, he's trying a

0:42:30.360 --> 0:42:30.920
<v Speaker 5>great cloud.

0:42:31.200 --> 0:42:36.239
<v Speaker 2>Let's do this sun it to him. I'm gonna forget

0:42:36.280 --> 0:42:38.560
<v Speaker 2>the story. What was the story?

0:42:38.680 --> 0:42:43.759
<v Speaker 14>Let's not forget Jackson. Michael Jackson. Michael Jackson. Okay, he

0:42:43.880 --> 0:42:50.400
<v Speaker 14>never met him, but he met him. Oh is it

0:42:50.520 --> 0:42:51.440
<v Speaker 14>like the way I think I.

0:42:51.640 --> 0:42:55.200
<v Speaker 2>Bet Michael Jackson. Yeah, I need this Michael Jackie story.

0:42:57.719 --> 0:43:00.440
<v Speaker 2>It's terrible. Now you're drinking champagne. That's champagne to wash

0:43:00.520 --> 0:43:07.360
<v Speaker 2>it down? What's this blue? Let me smacker?

0:43:07.440 --> 0:43:14.919
<v Speaker 5>Yes, it helps get the get your sus is right. Yeah,

0:43:15.760 --> 0:43:20.880
<v Speaker 5>for the lines. Saw him in Atlanta.

0:43:22.080 --> 0:43:25.319
<v Speaker 2>Mike is working. I started making I May Love Hate and.

0:43:26.920 --> 0:43:29.239
<v Speaker 5>Studio in Vegas at the poems at the time when

0:43:29.280 --> 0:43:33.359
<v Speaker 5>the poem was copping, and I had a certain type

0:43:33.360 --> 0:43:36.120
<v Speaker 5>of magic there. But Michael Jackson was working in.

0:43:36.160 --> 0:43:38.359
<v Speaker 2>The same studio. You know, some people knew, some people

0:43:38.400 --> 0:43:39.440
<v Speaker 2>didn't know. Whatever.

0:43:40.400 --> 0:43:43.720
<v Speaker 5>Good friend of mine's Pat Thrall is there with Michael

0:43:43.760 --> 0:43:46.640
<v Speaker 5>cutting a record, just just cutting the record.

0:43:46.680 --> 0:43:49.840
<v Speaker 2>I don't know what the record was. He hits us

0:43:49.880 --> 0:43:52.480
<v Speaker 2>on the phone. Yeah, I mean, I don't know what

0:43:52.640 --> 0:43:54.560
<v Speaker 2>that story. You know, that's not a part story.

0:43:56.239 --> 0:43:59.440
<v Speaker 5>So Michael hits us back in Atlanta, I mean not

0:43:59.520 --> 0:44:02.960
<v Speaker 5>Michael throw it back and and then like yo, y'all bro,

0:44:03.239 --> 0:44:06.120
<v Speaker 5>and if you know this guy is such a sweet guy, Joe.

0:44:06.080 --> 0:44:10.919
<v Speaker 2>Bro Bro brow gets who the fuck is in here?

0:44:11.680 --> 0:44:13.759
<v Speaker 6>Like, well not me?

0:44:14.000 --> 0:44:18.399
<v Speaker 2>So fucking Michael Jackson's in her right now.

0:44:18.600 --> 0:44:21.440
<v Speaker 5>We're like, well, he working that motherfucker song cool, like

0:44:21.520 --> 0:44:25.200
<v Speaker 5>that nigga in the FaceTime and some ship. Like it's like, yo, bro,

0:44:25.560 --> 0:44:29.800
<v Speaker 5>he's singing your ship right now. Listen, oh ship, this

0:44:29.960 --> 0:44:32.240
<v Speaker 5>motherfucker Mike is in the background singing.

0:44:32.680 --> 0:44:39.680
<v Speaker 2>Fuck. I'm like my new nigga. And I never got

0:44:39.760 --> 0:44:42.480
<v Speaker 2>a chance to meet him. And I was so pissed.

0:44:44.960 --> 0:44:49.239
<v Speaker 5>I was in Atlanta, Okay, Oh my god, I blew

0:44:49.320 --> 0:44:51.919
<v Speaker 5>my mind. I was like, hold this motherfucker singing. First

0:44:51.960 --> 0:44:59.719
<v Speaker 5>of all that nigga, that's one ship Jackson. And so

0:44:59.840 --> 0:45:01.799
<v Speaker 5>he like he's there dancing and ship in my mind,

0:45:02.000 --> 0:45:02.759
<v Speaker 5>like you know.

0:45:02.840 --> 0:45:11.719
<v Speaker 2>He's just chumping it out. I'm like, oh, he's doing

0:45:11.760 --> 0:45:13.920
<v Speaker 2>all the ship in my ship right now. We finna

0:45:13.960 --> 0:45:18.200
<v Speaker 2>get in fuck that bitch, like you know, but but

0:45:18.360 --> 0:45:18.600
<v Speaker 2>that was.

0:45:18.640 --> 0:45:21.400
<v Speaker 5>One of the that was that was a great Michael

0:45:21.520 --> 0:45:23.200
<v Speaker 5>moment for me, even though I didn't get a chance

0:45:23.280 --> 0:45:25.239
<v Speaker 5>to work with him, but that was a great one.

0:45:25.719 --> 0:45:29.120
<v Speaker 2>You know my Michael story. You got a Michael I

0:45:29.200 --> 0:45:31.160
<v Speaker 2>never knew you had a Michael story. No, I ain't

0:45:31.160 --> 0:45:31.719
<v Speaker 2>never met him.

0:45:32.080 --> 0:45:36.120
<v Speaker 1>Oh, but this is what happened when Forrell first It's

0:45:36.200 --> 0:45:42.279
<v Speaker 1>super Thug My record came out and Michael Jackson called.

0:45:42.040 --> 0:45:44.600
<v Speaker 2>For Rell, and Forrell made all this R and B

0:45:44.760 --> 0:45:45.600
<v Speaker 2>ship for him.

0:45:45.880 --> 0:45:47.959
<v Speaker 1>And maybe it's the same guy that you're talking about,

0:45:48.239 --> 0:45:51.040
<v Speaker 1>because Morel called me and said, yo, I just sent

0:45:51.120 --> 0:45:54.600
<v Speaker 1>a whole bunch of beasts to Michael and he called

0:45:54.760 --> 0:45:57.279
<v Speaker 1>He called us back, His manager called us back and said,

0:45:58.200 --> 0:45:59.239
<v Speaker 1>I don't want this ship.

0:45:59.560 --> 0:46:06.320
<v Speaker 2>I want a super dug. Was cool to me, Like,

0:46:06.640 --> 0:46:08.440
<v Speaker 2>how the fuck do I make it hard? You ain't

0:46:08.440 --> 0:46:11.640
<v Speaker 2>getting ship from I said, well, that's why you're a

0:46:11.680 --> 0:46:14.440
<v Speaker 2>good producer and I'm not. You're on your own with

0:46:14.560 --> 0:46:17.600
<v Speaker 2>that one. So at my point, so you look at

0:46:17.640 --> 0:46:20.120
<v Speaker 2>the motherfucker like, nah, they don't like this type of ship.

0:46:20.160 --> 0:46:23.359
<v Speaker 2>Oh no, they like it. Yeah, it'd be crazy, Like yeah,

0:46:23.360 --> 0:46:25.879
<v Speaker 2>it's crazy. So now how do you But now you said,

0:46:25.920 --> 0:46:28.239
<v Speaker 2>fuck that nigga, So how did you break that? Like

0:46:28.719 --> 0:46:30.160
<v Speaker 2>what was in your mom moment?

0:46:30.480 --> 0:46:33.360
<v Speaker 5>That's the offensive part, Like that's just the that's pure

0:46:33.800 --> 0:46:35.360
<v Speaker 5>rap offense, you know that.

0:46:35.480 --> 0:46:37.120
<v Speaker 2>I think that running plays for right now.

0:46:37.360 --> 0:46:39.200
<v Speaker 5>Like still they're like, okay, cool, we just put the

0:46:39.239 --> 0:46:44.520
<v Speaker 5>melody with this shit and fuck everybody. That record wasn't

0:46:45.000 --> 0:46:47.760
<v Speaker 5>about to write that was the last record on the album.

0:46:48.239 --> 0:46:54.040
<v Speaker 5>Actually that record Yeah I Love your girl. La was like, YO,

0:46:54.120 --> 0:46:55.600
<v Speaker 5>give me one more and that was the one more.

0:46:56.200 --> 0:47:00.520
<v Speaker 2>But the original is is fuck that niggah. Yeah, definitely,

0:47:01.520 --> 0:47:03.960
<v Speaker 2>we'll put you in that place all the time.

0:47:04.040 --> 0:47:05.960
<v Speaker 5>I mean, you know when when women look how they

0:47:06.000 --> 0:47:08.560
<v Speaker 5>look and they man, they're doing what they're supposed.

0:47:08.239 --> 0:47:09.800
<v Speaker 2>To be doing, you know, coming from that space.

0:47:10.680 --> 0:47:13.759
<v Speaker 1>You know, it's like he was like, you're saying, man,

0:47:13.880 --> 0:47:16.680
<v Speaker 1>you know you have girls flipping on everybody in the club.

0:47:16.719 --> 0:47:18.359
<v Speaker 2>I just want to throw that out there. Of course,

0:47:18.480 --> 0:47:20.480
<v Speaker 2>like every time a girl was mad at the nigga

0:47:20.480 --> 0:47:23.400
<v Speaker 2>in the club, they just kept ship. Came on.

0:47:26.200 --> 0:47:26.919
<v Speaker 1>That was hard.

0:47:29.040 --> 0:47:31.560
<v Speaker 2>I was thinking about it that way. Oh yeah, yeah,

0:47:31.560 --> 0:47:33.879
<v Speaker 2>you was putting niggas on the spot. That's it came

0:47:33.960 --> 0:47:36.080
<v Speaker 2>on man, You see, man, nigga's face getting read. You're like,

0:47:36.120 --> 0:47:36.839
<v Speaker 2>oh it's girl.

0:47:36.920 --> 0:47:40.640
<v Speaker 5>Yeah she But all the other niggas that didn't come

0:47:40.640 --> 0:47:45.600
<v Speaker 5>with their girls are like, here's just good with their girls.

0:47:45.640 --> 0:47:51.399
<v Speaker 2>They holding hand. Yeah, you come there with your girl.

0:47:51.520 --> 0:47:53.000
<v Speaker 2>Y'all just falled in the call all the way over.

0:47:53.160 --> 0:47:59.080
<v Speaker 2>Oh you fucked up? Now make up bad? Oh wow, now.

0:48:01.160 --> 0:48:05.080
<v Speaker 1>You that's you, you like because my wife is a

0:48:05.200 --> 0:48:08.360
<v Speaker 1>makeup artist, so you may make up that.

0:48:10.840 --> 0:48:14.800
<v Speaker 2>Who was in the zone because girl tell us. I

0:48:14.920 --> 0:48:20.359
<v Speaker 2>think it's just about like being honest with and it's

0:48:20.360 --> 0:48:22.360
<v Speaker 2>gonna sound crazy, but it's just about that.

0:48:23.760 --> 0:48:27.279
<v Speaker 5>It's just the idea that at some particular point, which

0:48:27.360 --> 0:48:29.120
<v Speaker 5>is not even everycent the other day, we.

0:48:29.280 --> 0:48:32.880
<v Speaker 2>All are horrors for some particular reason. Like that's just

0:48:33.000 --> 0:48:33.400
<v Speaker 2>what it is.

0:48:34.640 --> 0:48:38.680
<v Speaker 5>There's a there's a I'm gonna explain, there's something that

0:48:38.840 --> 0:48:41.520
<v Speaker 5>you want and something that you're giving willing to give up.

0:48:43.400 --> 0:48:46.359
<v Speaker 5>That's just life like period. You can classify a different

0:48:46.400 --> 0:48:48.480
<v Speaker 5>way all you want to, but you know, there's there

0:48:48.520 --> 0:48:50.839
<v Speaker 5>are certain songs that that still haven't came out where

0:48:51.040 --> 0:48:53.440
<v Speaker 5>where I've used that analogy and then where we're just

0:48:53.560 --> 0:48:55.320
<v Speaker 5>you know, all holes, we're just out here trying to

0:48:55.360 --> 0:48:59.959
<v Speaker 5>get our you know, get our ship. But being pure

0:49:00.200 --> 0:49:02.880
<v Speaker 5>just isn't a part of it. Like I mean, the

0:49:03.080 --> 0:49:06.640
<v Speaker 5>idea that of the makeup bag itself, whether it's a

0:49:06.719 --> 0:49:08.719
<v Speaker 5>Chanel bag, this bag or whatever it is, that wasn't

0:49:08.719 --> 0:49:11.520
<v Speaker 5>the point. The point was what do you need me

0:49:11.640 --> 0:49:13.160
<v Speaker 5>to do to make it right? Or I can't make

0:49:13.200 --> 0:49:14.680
<v Speaker 5>it right? So we got to make a choice.

0:49:15.120 --> 0:49:17.960
<v Speaker 2>Put that's all it is. He was out here putting

0:49:17.960 --> 0:49:20.960
<v Speaker 2>pressure on niggas good making put it all the way.

0:49:21.080 --> 0:49:23.600
<v Speaker 2>Five texts. First she had she had to have a

0:49:23.680 --> 0:49:29.000
<v Speaker 2>great bag, just extra. I have me hes gonna have

0:49:29.000 --> 0:49:33.040
<v Speaker 2>a makeup bat. Need my knee just now.

0:49:37.400 --> 0:49:42.080
<v Speaker 5>Put some of this gravy on that, Chris, is that

0:49:42.200 --> 0:49:48.680
<v Speaker 5>the it ain't three shot times? But this talk all

0:49:48.760 --> 0:49:49.480
<v Speaker 5>this ship gravy.

0:49:50.200 --> 0:49:57.719
<v Speaker 2>I mean when I come back still rest week, you

0:49:57.920 --> 0:50:02.320
<v Speaker 2>forget about it. You take a call. What's going on

0:50:02.400 --> 0:50:07.959
<v Speaker 2>your guys? What's going on where you are? Hello? Hello?

0:50:08.440 --> 0:50:13.960
<v Speaker 2>Oh he's not Hello. That's the CEO for the Probably Records. Yeah,

0:50:13.960 --> 0:50:16.359
<v Speaker 2>I know Gus. Yes, he's a great guy. So he's

0:50:16.400 --> 0:50:17.440
<v Speaker 2>trying to come out here.

0:50:17.840 --> 0:50:21.799
<v Speaker 1>So you just announced the title of your new album,

0:50:21.880 --> 0:50:24.000
<v Speaker 1>your Ali You just called that that quick.

0:50:25.800 --> 0:50:29.040
<v Speaker 2>He's like we did. Yeah, I'm on point. Give me

0:50:29.120 --> 0:50:31.400
<v Speaker 2>the phone back. I got my notes on there. So

0:50:31.480 --> 0:50:33.759
<v Speaker 2>what is the title? What is the title? You have

0:50:33.880 --> 0:50:35.880
<v Speaker 2>the title? God damn a call.

0:50:38.560 --> 0:50:41.200
<v Speaker 5>It's kind on the end of the love sequels of

0:50:41.400 --> 0:50:44.360
<v Speaker 5>full length already full length. Everybody's been mad at me

0:50:44.440 --> 0:50:46.080
<v Speaker 5>for like six years. And I was supposed to.

0:50:46.120 --> 0:50:49.200
<v Speaker 2>Release its you to drop there.

0:50:49.360 --> 0:50:51.520
<v Speaker 5>And jun Yeah, I was supposed to drop in June

0:50:52.840 --> 0:50:58.080
<v Speaker 5>two thousand and twelve or eleven actually, And so even

0:50:58.080 --> 0:51:00.440
<v Speaker 5>though I gave them like about four records standing there

0:51:00.560 --> 0:51:03.480
<v Speaker 5>just like nah nigga with that record that like you

0:51:03.560 --> 0:51:05.040
<v Speaker 5>realize it's not gonna be the same record now.

0:51:05.120 --> 0:51:10.320
<v Speaker 2>But but finally I've done it and it's about about

0:51:10.360 --> 0:51:11.800
<v Speaker 2>to come out. Who is this?

0:51:11.960 --> 0:51:12.000
<v Speaker 5>What?

0:51:13.960 --> 0:51:17.000
<v Speaker 2>What do you mean? Rock Nation a Rap Nations back

0:51:17.080 --> 0:51:20.560
<v Speaker 2>Nation director. I mean he's rocking the change. He looked

0:51:20.560 --> 0:51:22.880
<v Speaker 2>like rock Nation too. And I have my rose Goal sho,

0:51:23.080 --> 0:51:24.640
<v Speaker 2>I should have my rose Goal magic.

0:51:25.880 --> 0:51:27.919
<v Speaker 1>But no, I'm glad that wear my rose Gold Change

0:51:27.920 --> 0:51:29.440
<v Speaker 1>the mask because you are clearly killing me.

0:51:29.600 --> 0:51:31.800
<v Speaker 2>Oh no, I can look at it like that. No, No, No,

0:51:31.960 --> 0:51:34.800
<v Speaker 2>that's good, that's okay. I love that I couldn't give you.

0:51:34.880 --> 0:51:38.800
<v Speaker 2>I gotta step my ship up. It's all good. I

0:51:38.960 --> 0:51:40.960
<v Speaker 2>am proud of everybody doing it. Let's just make it.

0:51:44.760 --> 0:51:47.719
<v Speaker 2>I swow, I sna come like you. This is why

0:51:47.760 --> 0:51:50.560
<v Speaker 2>we gotta make a new word. Right, nigga's like us.

0:51:51.000 --> 0:51:53.600
<v Speaker 2>It's bougie, right. We like to get a good restaurant.

0:51:54.120 --> 0:51:56.439
<v Speaker 2>We like to, we like to, you know, drive nice ship.

0:51:56.760 --> 0:52:01.560
<v Speaker 2>But we hood so could we make hoogie? Who hoo?

0:52:02.440 --> 0:52:05.319
<v Speaker 2>It's interesting. Let's go. Let's go hoosie. We're gonna make

0:52:05.400 --> 0:52:07.759
<v Speaker 2>the world up right now. Your team, who know you?

0:52:08.120 --> 0:52:13.279
<v Speaker 2>The teams you just go to a house. That's what

0:52:13.560 --> 0:52:16.759
<v Speaker 2>I advance, actually fit into hoosie. We gotta make it

0:52:16.800 --> 0:52:18.279
<v Speaker 2>up right now, dreaming that what I'm saying, this is

0:52:18.280 --> 0:52:19.560
<v Speaker 2>what it's what we're doing right now.

0:52:19.640 --> 0:52:22.879
<v Speaker 1>This is this is a collaboration. This is actually right

0:52:22.920 --> 0:52:27.000
<v Speaker 1>now slaying. Look, we gotta make up the meaning hoosie.

0:52:27.520 --> 0:52:27.680
<v Speaker 6>Right.

0:52:28.719 --> 0:52:34.080
<v Speaker 2>We we spell USI first because way smarter than me.

0:52:34.120 --> 0:52:37.520
<v Speaker 2>I was definitely it's a he spelling TI. I was

0:52:37.560 --> 0:52:42.600
<v Speaker 2>in the same in English class. Spelling. You gotta hoosie?

0:52:42.719 --> 0:52:43.600
<v Speaker 2>Who is it?

0:52:44.239 --> 0:52:44.520
<v Speaker 4>H o?

0:52:45.160 --> 0:52:47.440
<v Speaker 2>And spelling it's it goes wherever you want to go.

0:52:47.640 --> 0:52:50.439
<v Speaker 2>Let's put you in it. So let's go Hu hu

0:52:50.560 --> 0:52:52.520
<v Speaker 2>e for you.

0:52:52.640 --> 0:52:59.319
<v Speaker 1>Definitely we gottahow spect you okay, huge, So what's hood?

0:52:59.480 --> 0:53:03.600
<v Speaker 5>And Hugh Pathmo and color and co makes a little

0:53:03.600 --> 0:53:07.200
<v Speaker 5>color and even got because he's hip hop come all

0:53:07.239 --> 0:53:08.879
<v Speaker 5>the fun. He was the first come here, the first

0:53:08.960 --> 0:53:12.640
<v Speaker 5>rap whatever he shot, the first rap video.

0:53:13.800 --> 0:53:15.239
<v Speaker 2>You your first rap.

0:53:15.400 --> 0:53:17.520
<v Speaker 1>Rap video ever, even though it has no rap playing,

0:53:18.280 --> 0:53:20.280
<v Speaker 1>it was hip hop nigga thiabout.

0:53:20.360 --> 0:53:23.840
<v Speaker 2>I think it's just stay h h O h O

0:53:24.160 --> 0:53:26.680
<v Speaker 2>t B. That's too close to Hooters and Hoosiers. Yeah,

0:53:26.840 --> 0:53:27.319
<v Speaker 2>that's going to.

0:53:27.400 --> 0:53:31.439
<v Speaker 1>Hood, that's true, but whole this is new version of hood.

0:53:31.480 --> 0:53:34.640
<v Speaker 1>We just said, we've been saying already so.

0:53:37.239 --> 0:53:37.680
<v Speaker 2>Beautiful.

0:53:37.719 --> 0:53:40.640
<v Speaker 1>Man, it's been making up English h oh. But you

0:53:40.760 --> 0:53:42.719
<v Speaker 1>never know, we can make up this word in two

0:53:42.800 --> 0:53:46.560
<v Speaker 1>hundred years from now. This could be then the guarantee word.

0:53:46.600 --> 0:53:51.359
<v Speaker 2>That exactly. I think it's h u easy. You are

0:53:51.719 --> 0:53:56.160
<v Speaker 2>hu easy like Hoosi's hos h u.

0:53:56.239 --> 0:53:57.160
<v Speaker 6>E z you.

0:53:59.160 --> 0:54:00.640
<v Speaker 2>You made it like a you made it like a

0:54:00.680 --> 0:54:03.759
<v Speaker 2>foreign life. Definitely English. To look the T shirt, it's

0:54:04.480 --> 0:54:05.399
<v Speaker 2>it's not gonna work.

0:54:06.480 --> 0:54:06.920
<v Speaker 5>How do you know?

0:54:07.360 --> 0:54:09.360
<v Speaker 2>Is it two different spellings or not?

0:54:09.440 --> 0:54:09.600
<v Speaker 1>Nothing?

0:54:10.200 --> 0:54:14.440
<v Speaker 11>The Vietnam bes man, that's hard it's actually gonna that's

0:54:14.440 --> 0:54:19.920
<v Speaker 11>actually appreciate a d J as an artist's stupid and

0:54:20.320 --> 0:54:24.480
<v Speaker 11>graffiti too, like loff, it looks if you're making a shirt,

0:54:24.560 --> 0:54:26.840
<v Speaker 11>it would look who's.

0:54:28.239 --> 0:54:29.120
<v Speaker 2>Just got a trademark?

0:54:29.160 --> 0:54:33.000
<v Speaker 1>But go ahead, Okay, I got it first, Okay, damn,

0:54:33.040 --> 0:54:34.040
<v Speaker 1>I'm my fall all right?

0:54:34.080 --> 0:54:34.279
<v Speaker 6>Cool?

0:54:34.320 --> 0:54:42.320
<v Speaker 2>You gott what a h u e u? And it

0:54:42.360 --> 0:54:44.800
<v Speaker 2>could be a clothing line too, that's my point. You

0:54:44.880 --> 0:54:48.400
<v Speaker 2>got it. Let's got the point? Crazy. This is a

0:54:48.480 --> 0:54:49.359
<v Speaker 2>corporations got them.

0:54:50.560 --> 0:54:51.160
<v Speaker 10>We just did this.

0:54:51.520 --> 0:54:53.960
<v Speaker 2>Guess we just did it. It looks it's okay, I

0:54:54.040 --> 0:54:55.520
<v Speaker 2>did it's.

0:54:55.040 --> 0:54:57.040
<v Speaker 1>Doing my version doing that ship in the song that

0:54:57.200 --> 0:54:59.560
<v Speaker 1>goes because this is an old school story.

0:54:59.400 --> 0:55:01.440
<v Speaker 2>From drinks and the fact that he doesn't agree with

0:55:01.520 --> 0:55:03.080
<v Speaker 2>my story right now, I have to bring it up.

0:55:03.520 --> 0:55:05.400
<v Speaker 2>I have to bring it. I'm gonna go take a

0:55:05.440 --> 0:55:07.640
<v Speaker 2>bathroom break right now. No, you still gotta stay right here.

0:55:08.080 --> 0:55:10.920
<v Speaker 2>This is my man. I'm petty. Where's your man?

0:55:11.040 --> 0:55:11.080
<v Speaker 4>You?

0:55:11.719 --> 0:55:13.920
<v Speaker 1>I'm petty as hell, I am man. I'm petty right,

0:55:13.920 --> 0:55:16.560
<v Speaker 1>and it's better not be the it's going there. It's

0:55:16.680 --> 0:55:21.600
<v Speaker 1>going there stupid, but I don't know it's gonna be

0:55:21.680 --> 0:55:25.000
<v Speaker 1>the thought song. Yes, before he tells us.

0:55:24.880 --> 0:55:26.239
<v Speaker 2>You will tell the story. How about that? I don't know,

0:55:26.640 --> 0:55:29.279
<v Speaker 2>tells it wrong, but god, I'll tell you what he

0:55:29.400 --> 0:55:32.520
<v Speaker 2>tells story. He always gets it wrong. He can't take off.

0:55:32.640 --> 0:55:36.400
<v Speaker 2>It's ok. It's a good advice. Here's the basics of

0:55:36.480 --> 0:55:40.439
<v Speaker 2>the story. He's dating a girl. Okay, I mean yes,

0:55:40.680 --> 0:55:44.160
<v Speaker 2>but how wrong the way you tell it? But he

0:55:46.360 --> 0:55:49.440
<v Speaker 2>he's dating the girl. I can't believe the services now know,

0:55:49.520 --> 0:55:52.279
<v Speaker 2>we gotta bring back old ship. Sometimes it's just just

0:55:52.440 --> 0:55:54.200
<v Speaker 2>because this is drinking. Drink the fans.

0:55:55.800 --> 0:55:59.480
<v Speaker 1>He's daying the girl, right, so the girl she would

0:55:59.520 --> 0:56:03.759
<v Speaker 1>take a shot for Yes, yes, this poor the shot first.

0:56:03.760 --> 0:56:09.200
<v Speaker 2>I'm gonna drinking afterwards. Our grits to go with this

0:56:11.800 --> 0:56:15.279
<v Speaker 2>with you, So listen, I want you to. I want

0:56:15.360 --> 0:56:17.040
<v Speaker 2>you to tell me if he's petty or not one

0:56:17.120 --> 0:56:19.640
<v Speaker 2>hundred percent. I know I'm petty. But before you telling

0:56:19.680 --> 0:56:21.720
<v Speaker 2>him that, I have to tell my version. Put more shot.

0:56:22.000 --> 0:56:24.399
<v Speaker 2>I should have said version first. Let's go. I'm ready

0:56:24.600 --> 0:56:29.560
<v Speaker 2>your versant. Tell you whip say so I can show

0:56:29.640 --> 0:56:31.640
<v Speaker 2>how you fuck up my version. Okay, all right, listen,

0:56:31.680 --> 0:56:34.080
<v Speaker 2>all right, I'm gonna just make the shortest version. He's

0:56:34.160 --> 0:56:38.680
<v Speaker 2>dating the girl. She goes to the Thong song video wrong,

0:56:39.200 --> 0:56:42.000
<v Speaker 2>he cuts off. She went to beg pivvo first.

0:56:42.160 --> 0:56:42.480
<v Speaker 5>All this.

0:56:44.840 --> 0:56:51.160
<v Speaker 6>Something right, there's stacy. He said that right, chronic Okay

0:56:52.840 --> 0:56:56.320
<v Speaker 6>this no, No, the video, the chronological version is wrong.

0:56:56.640 --> 0:56:59.000
<v Speaker 1>The only reason why he cut off off because she

0:56:59.160 --> 0:57:04.600
<v Speaker 1>went to the wrong Okay, wrong, it's terrible.

0:57:05.239 --> 0:57:08.880
<v Speaker 2>I had just say go ahead, okay, let me tell

0:57:08.920 --> 0:57:11.200
<v Speaker 2>you third. You can't go. Are you gonna know my version?

0:57:11.360 --> 0:57:13.239
<v Speaker 2>I want you to have your verse? My version is

0:57:13.320 --> 0:57:16.600
<v Speaker 2>this my girl, She's a inspire love Yoka.

0:57:18.520 --> 0:57:19.960
<v Speaker 9>You killed.

0:57:22.320 --> 0:57:25.640
<v Speaker 2>Killed. She's an inspire model, she wants. And then she

0:57:25.720 --> 0:57:27.600
<v Speaker 2>tells he's an aspiring model.

0:57:27.800 --> 0:57:31.200
<v Speaker 8>Yes, okay, yes, and she starts getting She tells me,

0:57:31.240 --> 0:57:32.920
<v Speaker 8>I'm gonna start doing video gigs.

0:57:33.560 --> 0:57:36.000
<v Speaker 2>I'm gonna inspire. I'm a DJ that inspired. I'm a DJ.

0:57:36.040 --> 0:57:37.600
<v Speaker 2>I'm work meaning, I'm doing my thing. You know, we're

0:57:37.600 --> 0:57:38.040
<v Speaker 2>going down.

0:57:38.120 --> 0:57:41.680
<v Speaker 8>I see what's happening and what you mean on filma

0:57:43.080 --> 0:57:44.760
<v Speaker 8>in the world of music period.

0:57:44.960 --> 0:57:48.600
<v Speaker 2>Okay, I see, I mean a video since so I said,

0:57:48.640 --> 0:57:51.360
<v Speaker 2>you know what I mean. But already at that point

0:57:51.440 --> 0:57:54.360
<v Speaker 2>we are we are we're going apart, period.

0:57:54.520 --> 0:57:55.840
<v Speaker 14>So that's how you That's.

0:57:59.160 --> 0:58:01.160
<v Speaker 2>Because because I gonna tell you right now when I

0:58:01.240 --> 0:58:04.320
<v Speaker 2>say to her, you go pursue your your dreams. I'm

0:58:04.320 --> 0:58:06.520
<v Speaker 2>gonna do my thing. Then it's not gonna be that

0:58:06.600 --> 0:58:09.840
<v Speaker 2>easy if we weren't already going apart. So she goes

0:58:09.880 --> 0:58:12.800
<v Speaker 2>and I'm like, I'm not gonna be with worst radio shot.

0:58:13.680 --> 0:58:16.040
<v Speaker 2>Let's do it together. Let's do it together, because I

0:58:16.080 --> 0:58:18.000
<v Speaker 2>want to know the first video that you said, it's it.

0:58:18.960 --> 0:58:19.160
<v Speaker 6>It was.

0:58:19.320 --> 0:58:24.280
<v Speaker 2>It was like some ill ship. It was like it

0:58:24.440 --> 0:58:31.880
<v Speaker 2>was real. I don't know about. Okay, let's go. That

0:58:31.960 --> 0:58:40.640
<v Speaker 2>went down the rod. Let me relax, No fo, you

0:58:40.720 --> 0:58:43.080
<v Speaker 2>want some more champaion that we give them over.

0:58:43.120 --> 0:58:46.720
<v Speaker 1>Man, we got some rocks of ultramok the best voka

0:58:46.800 --> 0:58:47.320
<v Speaker 1>on the planet.

0:58:49.760 --> 0:58:51.520
<v Speaker 2>I'm gonna suck around and throw up on the stripper.

0:58:53.320 --> 0:58:54.040
<v Speaker 2>That'll be amazing.

0:58:54.520 --> 0:58:58.560
<v Speaker 7>That that was amazing, So go ahead, run video, keep

0:58:58.600 --> 0:59:01.480
<v Speaker 7>it verre like, Okay, don't die n Then we've down

0:59:01.520 --> 0:59:05.520
<v Speaker 7>the wrong pipe. So we just broke up.

0:59:06.520 --> 0:59:10.919
<v Speaker 2>Break up. She went wrong. That's what he's wrong. He said,

0:59:10.960 --> 0:59:15.360
<v Speaker 2>that's it eventuated the wrong bullshit. We broke up.

0:59:15.640 --> 0:59:20.480
<v Speaker 8>But immediately when we broke up, this is immedia tape

0:59:20.560 --> 0:59:23.240
<v Speaker 8>DJ in Miami. I'm the biggest mixtape DJ in my am,

0:59:25.320 --> 0:59:27.440
<v Speaker 8>I go the Thong song. I think it's a thought

0:59:27.480 --> 0:59:30.080
<v Speaker 8>song remix. I'm not really one hundred percent sure. No

0:59:30.240 --> 0:59:32.760
<v Speaker 8>met the man remen I got. They invited me over there.

0:59:32.800 --> 0:59:35.000
<v Speaker 8>They said, yo, come get freestyle from Red and med

0:59:35.840 --> 0:59:39.600
<v Speaker 8>I'm in the tent that far and sponsored the tent getting.

0:59:39.600 --> 0:59:44.240
<v Speaker 2>I got my four track and then I see my Yeah,

0:59:46.360 --> 0:59:56.880
<v Speaker 2>that's how I was getting to. This is the reality.

0:59:57.120 --> 0:59:57.480
<v Speaker 10>You need to have.

0:59:57.880 --> 0:59:59.800
<v Speaker 2>You heard my story. This is the reality.

1:00:00.080 --> 1:00:03.560
<v Speaker 8>So we just broke up where it's fresh like nice

1:00:03.600 --> 1:00:06.640
<v Speaker 8>minutes ago, like like like nine days ago.

1:00:07.080 --> 1:00:07.960
<v Speaker 2>Damn, this is real.

1:00:08.120 --> 1:00:12.600
<v Speaker 8>The the cutting still she's in the Throng song video

1:00:12.800 --> 1:00:16.800
<v Speaker 8>like that, like you said, but I didn't stop there.

1:00:16.920 --> 1:00:20.720
<v Speaker 2>This is ship. The next video was big since she

1:00:20.880 --> 1:00:30.000
<v Speaker 2>was doing a dude She's Telly video. This ghost Wally

1:00:30.040 --> 1:00:32.240
<v Speaker 2>renis of them to wan Oh, that was one of

1:00:32.280 --> 1:00:36.040
<v Speaker 2>the worst ones. She was inspirational. The coustmas Nigga took

1:00:36.080 --> 1:00:47.160
<v Speaker 2>her down. Nobody took the sole saw you're like an artist.

1:00:48.720 --> 1:00:49.360
<v Speaker 2>He is a DJ.

1:00:49.640 --> 1:00:52.080
<v Speaker 1>Yes, he's a DJ that he sitting around seeing what

1:00:52.160 --> 1:00:54.160
<v Speaker 1>the artists do when the artist is wow, because a

1:00:54.440 --> 1:00:55.120
<v Speaker 1>artist ain't wow.

1:00:55.320 --> 1:00:57.720
<v Speaker 8>You said what I mean, the difference between your story

1:00:57.760 --> 1:01:01.200
<v Speaker 8>and my story is I saw that come. No disrespect

1:01:01.280 --> 1:01:05.000
<v Speaker 8>to her, but I said, I can't handle that, Like

1:01:05.640 --> 1:01:08.320
<v Speaker 8>do you. I'm gonna do me And I'm not telling

1:01:08.360 --> 1:01:10.320
<v Speaker 8>you that she went wild like I don't know. I

1:01:10.400 --> 1:01:12.840
<v Speaker 8>don't know the facts. That's the whole point. I'm just saying,

1:01:13.080 --> 1:01:13.960
<v Speaker 8>I can't handle that.

1:01:14.440 --> 1:01:14.720
<v Speaker 6>This is.

1:01:17.120 --> 1:01:19.520
<v Speaker 2>What you're saying. I can't help her be in the

1:01:19.600 --> 1:01:20.480
<v Speaker 2>video shoots like that.

1:01:21.680 --> 1:01:21.960
<v Speaker 4>I know.

1:01:24.240 --> 1:01:28.520
<v Speaker 2>You're working. Okay, that's a great story, but it's a

1:01:28.600 --> 1:01:32.400
<v Speaker 2>great story, und saying, but why can't you handle because

1:01:32.400 --> 1:01:34.080
<v Speaker 2>I want you to finish this story. But it's gonna

1:01:34.080 --> 1:01:40.800
<v Speaker 2>actually dream. Is he drank this dreams with me?

1:01:41.840 --> 1:01:42.160
<v Speaker 13>He knows?

1:01:44.200 --> 1:01:47.200
<v Speaker 2>Is he he got off? Don't you think I'm patty

1:01:47.240 --> 1:01:50.360
<v Speaker 2>for one second? Please dream? You can be honest. This

1:01:50.480 --> 1:01:52.919
<v Speaker 2>is an honest show. This is an honest show thinking

1:01:52.960 --> 1:01:56.560
<v Speaker 2>of reality of what I'm talking about. I just think

1:01:56.640 --> 1:01:58.960
<v Speaker 2>that he wasn't willing to outfuck somebody for his girl.

1:02:01.000 --> 1:02:02.320
<v Speaker 2>It's a very different respective.

1:02:02.840 --> 1:02:03.439
<v Speaker 5>I was a kid.

1:02:03.680 --> 1:02:04.120
<v Speaker 1>I was a kid.

1:02:04.160 --> 1:02:06.800
<v Speaker 15>You're still gonna know the fuck. I'm sorry, Okay, I

1:02:06.880 --> 1:02:09.040
<v Speaker 15>didn't Okay, you're right, I didn't up look at it

1:02:09.120 --> 1:02:15.160
<v Speaker 15>like whatever you're coming home tonight.

1:02:15.240 --> 1:02:17.640
<v Speaker 2>I bet that coming home to what I'm a kid,

1:02:17.720 --> 1:02:19.840
<v Speaker 2>I'm to my mom? How much how old are you

1:02:20.760 --> 1:02:25.920
<v Speaker 2>down at the time? Eighteen seventeen? Man, you do that

1:02:26.080 --> 1:02:28.480
<v Speaker 2>was Hennessy dings. I'm a kid at the time.

1:02:28.800 --> 1:02:32.840
<v Speaker 14>Many behind its counts authority in my car, my pat

1:02:32.920 --> 1:02:34.480
<v Speaker 14>You on to re act into that situation.

1:02:34.840 --> 1:02:37.880
<v Speaker 1>You coming up djaying your girl want to go to

1:02:37.960 --> 1:02:40.280
<v Speaker 1>the Thong so On video? Did she wanted to do

1:02:40.360 --> 1:02:41.960
<v Speaker 1>big Pimpingchi Wiley?

1:02:42.080 --> 1:02:44.480
<v Speaker 8>Come on, man, y'all from number one. If y'all really

1:02:44.640 --> 1:02:47.400
<v Speaker 8>think you wouldn't be in my position.

1:02:47.120 --> 1:02:52.320
<v Speaker 2>And be like, hey, you got all right dream, I'm

1:02:52.360 --> 1:02:55.320
<v Speaker 2>not packing my shiit up. You're not packing what you're doing?

1:02:55.400 --> 1:02:59.160
<v Speaker 2>You going the THO video shoot together? Yeahptain let me

1:02:59.200 --> 1:03:03.320
<v Speaker 2>the gap. No, I'm working out ship. I'm going to

1:03:03.440 --> 1:03:09.920
<v Speaker 2>work thinking I'm gonna go thereat ship for that, I

1:03:10.000 --> 1:03:14.760
<v Speaker 2>got free stuff. But honestly, different, yes, different?

1:03:14.840 --> 1:03:15.080
<v Speaker 6>Could you?

1:03:15.200 --> 1:03:17.640
<v Speaker 2>Could you deal with a could you deal with something

1:03:17.720 --> 1:03:20.280
<v Speaker 2>like that with I think I could? Yeah, yeah, I

1:03:20.360 --> 1:03:22.400
<v Speaker 2>think I could. But you weren't doing what I was doing.

1:03:22.720 --> 1:03:24.920
<v Speaker 8>I'm saying the difference is I'm a DJ and I'm

1:03:24.960 --> 1:03:26.760
<v Speaker 8>there and I'm doing what I was doing my work.

1:03:28.040 --> 1:03:30.680
<v Speaker 8>She's gonna do her work. I'm not there watching her

1:03:30.880 --> 1:03:32.080
<v Speaker 8>and enjoying differentbody.

1:03:32.080 --> 1:03:35.640
<v Speaker 1>If I would have Dame what Dame gash listen Dame

1:03:35.720 --> 1:03:36.560
<v Speaker 1>gass for me and.

1:03:36.640 --> 1:03:40.400
<v Speaker 2>Data waring stuff, but you couldn't be out say we

1:03:43.120 --> 1:03:47.680
<v Speaker 2>das war, she wasn't. It was you know what, actually

1:03:47.800 --> 1:03:51.080
<v Speaker 2>a fanas me show me the video and that wasn't

1:03:51.120 --> 1:03:53.680
<v Speaker 2>my girl? What you doing dream?

1:03:54.360 --> 1:03:57.640
<v Speaker 1>Okay you see this is no Instagram but still Nigga's

1:03:57.680 --> 1:03:59.600
<v Speaker 1>no Dame was like that, bib.

1:04:02.480 --> 1:04:06.880
<v Speaker 2>I'm just well, could you can handle that? I can't

1:04:06.920 --> 1:04:08.760
<v Speaker 2>handle that too, but I know that makes me petty.

1:04:08.880 --> 1:04:11.360
<v Speaker 2>That's a difference between me and him, like I couldn't

1:04:11.360 --> 1:04:14.640
<v Speaker 2>handled it. I'm on your side to answer though what

1:04:14.720 --> 1:04:15.040
<v Speaker 2>I'm saying.

1:04:15.080 --> 1:04:16.920
<v Speaker 1>It's petty because you didn't know she did that just

1:04:17.000 --> 1:04:19.000
<v Speaker 1>because she's at a rap music video.

1:04:19.040 --> 1:04:22.080
<v Speaker 2>What does wait, petty? Your petty is that I broke up?

1:04:22.360 --> 1:04:24.600
<v Speaker 5>I think I think I think my pety will start

1:04:24.640 --> 1:04:28.560
<v Speaker 5>waiting for that for my petty was some minute like

1:04:28.680 --> 1:04:31.160
<v Speaker 5>I'm good. I don't give a fuck like fun well,

1:04:31.240 --> 1:04:35.560
<v Speaker 5>I can't control people, fucking just be what every just busting.

1:04:39.520 --> 1:04:43.160
<v Speaker 2>Cool, just clean yourself up, clean.

1:04:45.600 --> 1:04:50.320
<v Speaker 5>Assholes, you know, Like I said, my pettyess will start

1:04:50.440 --> 1:04:53.440
<v Speaker 5>earlier had the idea that, oh I can't fuck with you,

1:04:53.440 --> 1:04:54.520
<v Speaker 5>you're out of my league.

1:04:54.560 --> 1:04:57.320
<v Speaker 2>From the beginning. She was never out of my league. Yeah,

1:04:57.320 --> 1:05:00.439
<v Speaker 2>if they you up, she definitely was not with dream

1:05:00.480 --> 1:05:00.640
<v Speaker 2>on this.

1:05:00.880 --> 1:05:03.080
<v Speaker 5>Maybe it's using triple A with pro, but you got

1:05:03.760 --> 1:05:06.360
<v Speaker 5>what you went pro and I don't know where we went,

1:05:07.080 --> 1:05:07.480
<v Speaker 5>but this is.

1:05:11.160 --> 1:05:17.400
<v Speaker 2>Baseball. Okay, okay, that's what happened exactly.

1:05:17.720 --> 1:05:23.280
<v Speaker 8>Can you start adding? I am I'm gonna dam right now.

1:05:30.480 --> 1:05:31.680
<v Speaker 8>That was the petty you just said.

1:05:33.600 --> 1:05:36.840
<v Speaker 2>I'll tell you. I mean, let me if anybody in.

1:05:36.880 --> 1:05:41.760
<v Speaker 1>This room, I don't think you're petty, right, I'm not petty,

1:05:41.800 --> 1:05:44.760
<v Speaker 1>but I'm saying if you ever looked at somebody, you

1:05:44.960 --> 1:05:49.680
<v Speaker 1>ever like, what's what, Oh it's cool with you looked at.

1:05:49.600 --> 1:05:53.960
<v Speaker 2>Their graham just to make sure they're doing good, not

1:05:54.120 --> 1:05:57.280
<v Speaker 2>doing not doing good? That makes you petty.

1:05:58.640 --> 1:06:00.680
<v Speaker 1>Like if you was cool with somebody and then you

1:06:00.720 --> 1:06:02.880
<v Speaker 1>stopped sucking with him, and you stopped fucking with each other.

1:06:03.320 --> 1:06:07.120
<v Speaker 2>And then somehow their graham you know, tag you and

1:06:07.160 --> 1:06:11.240
<v Speaker 2>you just look on that they still on the block.

1:06:12.320 --> 1:06:17.800
<v Speaker 1>I'm gonna tell you something, because everybody has somebody that

1:06:17.920 --> 1:06:19.600
<v Speaker 1>they look at their ship just to make sure they

1:06:19.680 --> 1:06:20.200
<v Speaker 1>still fuck.

1:06:20.680 --> 1:06:23.920
<v Speaker 2>There's a great there's a great, great penny.

1:06:24.440 --> 1:06:27.920
<v Speaker 5>That's a great, great fucking pity ass and Yo Yo

1:06:27.960 --> 1:06:30.240
<v Speaker 5>Gotti's new song, but love the fucking depth.

1:06:31.680 --> 1:06:34.240
<v Speaker 2>Shout out the motherfucker. This motherfucker right now, he's on

1:06:34.360 --> 1:06:40.240
<v Speaker 2>the fucking fire. This motherfucker says, your gotty says, my

1:06:40.520 --> 1:06:41.440
<v Speaker 2>ex cheated on me.

1:06:41.560 --> 1:06:46.040
<v Speaker 5>Now she working double ships, petty as I love it,

1:06:47.280 --> 1:06:49.120
<v Speaker 5>say it again, his ex cheated on him?

1:06:49.120 --> 1:06:51.360
<v Speaker 2>Now she was working double ships. Like so she got

1:06:51.440 --> 1:06:55.000
<v Speaker 2>with the lame more like, oh, I'm not fucking do

1:06:55.040 --> 1:06:58.360
<v Speaker 2>you ever go on your fist, Graham and just look

1:06:58.440 --> 1:07:00.560
<v Speaker 2>and make sure she's still doing the dogs on video?

1:07:02.160 --> 1:07:04.360
<v Speaker 2>She's not. Because he's a family woman. This is a

1:07:04.520 --> 1:07:07.480
<v Speaker 2>fan she got, she got, she got. I was worried

1:07:07.720 --> 1:07:09.560
<v Speaker 2>because she's a family woman. I was like that she's

1:07:09.560 --> 1:07:12.200
<v Speaker 2>gonna hear this ship. It wasn't not too long ago.

1:07:12.320 --> 1:07:15.520
<v Speaker 2>What's her name never said that? Remember you never got

1:07:16.560 --> 1:07:20.440
<v Speaker 2>dream a gentleman, dream good. She hit me up. She's like,

1:07:21.200 --> 1:07:24.720
<v Speaker 2>you're talking ship and that's did you go through it?

1:07:24.800 --> 1:07:24.920
<v Speaker 6>Here?

1:07:25.720 --> 1:07:26.240
<v Speaker 2>And you me.

1:07:29.080 --> 1:07:31.200
<v Speaker 1>In my mind like, you know, I'm on her side.

1:07:31.240 --> 1:07:33.720
<v Speaker 1>I felt like she was a good girl just trying

1:07:33.760 --> 1:07:36.400
<v Speaker 1>to go work. That's how I felt she was a

1:07:36.600 --> 1:07:37.080
<v Speaker 1>good girl.

1:07:37.800 --> 1:07:41.400
<v Speaker 2>That's why she worked too much. But yeah, you got

1:07:41.560 --> 1:07:42.640
<v Speaker 2>videos and like.

1:07:44.840 --> 1:07:51.120
<v Speaker 1>Black Pecker's a Miami group. Actually, just why the story gets? Ill, right,

1:07:51.240 --> 1:07:53.880
<v Speaker 1>we're done one hundred episodes right of this ship.

1:07:53.720 --> 1:07:56.960
<v Speaker 2>Man, and this is probably in like twenty right, Okay.

1:07:56.960 --> 1:07:59.160
<v Speaker 1>Here's what the story gets. I don't know cause you

1:07:59.240 --> 1:08:01.560
<v Speaker 1>took it out on him pop because I didn't take

1:08:01.600 --> 1:08:03.360
<v Speaker 1>it out. The girl went to a hip hop video.

1:08:03.840 --> 1:08:06.560
<v Speaker 1>It was like a hip hop but the only person

1:08:06.640 --> 1:08:08.640
<v Speaker 1>you had proof of her dating was.

1:08:08.680 --> 1:08:12.320
<v Speaker 2>Bell BIV de phone. Uh, one of the most that

1:08:13.040 --> 1:08:13.400
<v Speaker 2>goes up.

1:08:13.600 --> 1:08:16.519
<v Speaker 6>Yeah, I went to that.

1:08:18.720 --> 1:08:21.760
<v Speaker 1>Can't be I'm sorry, which one of the niggas was

1:08:22.200 --> 1:08:25.719
<v Speaker 1>actually actually you're Annie Bobby Ricky and I remember the dude,

1:08:26.080 --> 1:08:28.160
<v Speaker 1>the skinny long dude, So.

1:08:29.800 --> 1:08:32.240
<v Speaker 8>Actually that you know, you know what's funny. Sorry, sorry,

1:08:32.479 --> 1:08:34.320
<v Speaker 8>The funny thing is that that was the first thing

1:08:34.360 --> 1:08:37.400
<v Speaker 8>that happened. But you've seen them with Actually we broke

1:08:37.560 --> 1:08:40.880
<v Speaker 8>up and then I went to New Audition because that's

1:08:41.200 --> 1:08:42.120
<v Speaker 8>well that's new audition.

1:08:42.320 --> 1:08:46.280
<v Speaker 2>They's different. Eras, no come on, bro, I'm not that old,

1:08:46.760 --> 1:08:51.760
<v Speaker 2>so what's obvious this? She would have been fucking different. Yeah,

1:08:57.240 --> 1:09:00.240
<v Speaker 2>I'm sorry you're saying stay away from that one. I

1:09:00.320 --> 1:09:03.640
<v Speaker 2>went to the you know, I'm not in v I P.

1:09:04.120 --> 1:09:05.680
<v Speaker 2>But who do I see him? P? I P my

1:09:05.880 --> 1:09:09.120
<v Speaker 2>ex girl with one of those dudes, Ronnie. I think

1:09:09.160 --> 1:09:11.800
<v Speaker 2>it was Ronnie. You know what what you just actually?

1:09:11.840 --> 1:09:13.960
<v Speaker 2>I think I got I got to I solved it.

1:09:14.840 --> 1:09:18.080
<v Speaker 2>So it wasn't petty. It wasn't petty. But what you

1:09:18.200 --> 1:09:23.760
<v Speaker 2>did it was emotional, definitely dream dream don't it wasn't

1:09:23.840 --> 1:09:27.720
<v Speaker 2>pet Would you go see all the hip hopsters? You

1:09:27.760 --> 1:09:28.400
<v Speaker 2>got emotional?

1:09:28.680 --> 1:09:29.160
<v Speaker 6>I ain't.

1:09:30.600 --> 1:09:35.680
<v Speaker 16>Listen people dream he said, it wasn't petty. After you

1:09:36.120 --> 1:09:43.840
<v Speaker 16>found out it was an arm beating nigga national, I

1:09:44.040 --> 1:09:48.760
<v Speaker 16>respect you dream that one was. It was emotional. It

1:09:48.880 --> 1:09:49.479
<v Speaker 16>wasn't petty.

1:09:49.640 --> 1:09:52.240
<v Speaker 2>Like it's hip hop. You know, it's the culture. You

1:09:52.320 --> 1:09:57.400
<v Speaker 2>lost something to the culture. We all knew everything at petty.

1:09:58.000 --> 1:09:59.920
<v Speaker 2>If you would have become a Republican right after that,

1:10:01.360 --> 1:10:04.280
<v Speaker 2>how you gonna shop? That's a ship?

1:10:05.240 --> 1:10:05.600
<v Speaker 5>That's what that?

1:10:07.520 --> 1:10:09.519
<v Speaker 2>Oh you went to that counts?

1:10:10.640 --> 1:10:13.400
<v Speaker 8>But the song then I did go to the club

1:10:13.640 --> 1:10:16.080
<v Speaker 8>shortly after we broke and that's actually you reminded me

1:10:16.160 --> 1:10:16.600
<v Speaker 8>right now of that.

1:10:17.120 --> 1:10:23.040
<v Speaker 17>And I look up at the and she's like roddick boys,

1:10:25.040 --> 1:10:28.960
<v Speaker 17>I'm like bitch, you know.

1:10:29.800 --> 1:10:32.720
<v Speaker 8>And then after that was actually the throng song, and

1:10:32.840 --> 1:10:34.880
<v Speaker 8>then after that was what you wanted.

1:10:35.040 --> 1:10:39.200
<v Speaker 1>And then that God, listen, Wally, the throng song, a

1:10:39.280 --> 1:10:42.960
<v Speaker 1>big pipping, we gotta talk, You've gotta be big like.

1:10:43.080 --> 1:10:44.720
<v Speaker 2>We got here.

1:10:45.040 --> 1:10:47.280
<v Speaker 5>I've heard this story back then. I would have wrote

1:10:47.320 --> 1:10:50.160
<v Speaker 5>the show in this song. If you can write this song, No,

1:10:50.280 --> 1:10:52.120
<v Speaker 5>that's too old. Now that's a great song.

1:10:52.160 --> 1:10:56.200
<v Speaker 2>It's amazing. Right now, we canna make a country song.

1:11:01.560 --> 1:11:06.560
<v Speaker 1>All your albums, right, all your albums, What was the

1:11:06.680 --> 1:11:08.599
<v Speaker 1>most one to you that meant the most?

1:11:09.520 --> 1:11:14.080
<v Speaker 2>Wow? The first one? Love hate meant the most? Why

1:11:14.200 --> 1:11:19.000
<v Speaker 2>is that it was first? It was first introduced people

1:11:19.080 --> 1:11:19.320
<v Speaker 2>to me.

1:11:19.479 --> 1:11:22.920
<v Speaker 5>I was blessed enough for people to hear and make

1:11:23.000 --> 1:11:25.519
<v Speaker 5>my mind up because at that time it wasn't about

1:11:25.600 --> 1:11:27.439
<v Speaker 5>me being an artist and wanted to say, hey man,

1:11:27.479 --> 1:11:29.560
<v Speaker 5>look at me. It was it was a design. It

1:11:29.680 --> 1:11:33.840
<v Speaker 5>was a design play to put my music on showcase.

1:11:34.520 --> 1:11:39.439
<v Speaker 5>So it was it was the idea overall was as

1:11:39.479 --> 1:11:41.280
<v Speaker 5>a writer. Even though you get a record over here,

1:11:41.320 --> 1:11:43.760
<v Speaker 5>you get a record over there, like that's cool, But

1:11:43.920 --> 1:11:45.920
<v Speaker 5>how are they gonna know that you do other shit?

1:11:46.200 --> 1:11:47.400
<v Speaker 2>How they're gonna know how deep?

1:11:47.520 --> 1:11:49.680
<v Speaker 5>You know it goes, because when somebody gets something from you,

1:11:49.800 --> 1:11:52.680
<v Speaker 5>you know, motherfucker won't my umbrella every time, you know.

1:11:52.840 --> 1:11:55.160
<v Speaker 2>So I was able to be the canvas for my

1:11:55.240 --> 1:11:58.000
<v Speaker 2>own art. And that's what it was about.

1:11:59.760 --> 1:11:59.800
<v Speaker 10>That.

1:12:00.439 --> 1:12:02.519
<v Speaker 2>Let me tell you something. That's the crazy shit is

1:12:03.280 --> 1:12:03.960
<v Speaker 2>what you just said.

1:12:04.160 --> 1:12:10.520
<v Speaker 1>Is the curse about having a hit record is everybody

1:12:10.640 --> 1:12:14.439
<v Speaker 1>kind of want to imitate Yep, that record the Moss,

1:12:14.800 --> 1:12:17.280
<v Speaker 1>which is one of the most records that you wrote produced,

1:12:17.400 --> 1:12:18.680
<v Speaker 1>been a part of that.

1:12:18.840 --> 1:12:21.040
<v Speaker 2>People just kept coming to you and it became annoying.

1:12:21.479 --> 1:12:25.920
<v Speaker 2>Like I remember seeing Pharrell one time and we had

1:12:26.640 --> 1:12:30.040
<v Speaker 2>what's the record? Home Boy? I came to party. He

1:12:30.120 --> 1:12:30.640
<v Speaker 2>had to tell me.

1:12:30.680 --> 1:12:33.000
<v Speaker 1>He was like, y'all, I'm tired of everybody telling me

1:12:33.120 --> 1:12:35.880
<v Speaker 1>to give them that same record that I gave you, Laurie.

1:12:36.120 --> 1:12:39.080
<v Speaker 5>I think records are production based when they come to that, though.

1:12:39.520 --> 1:12:41.320
<v Speaker 5>I don't think people was more so asking me.

1:12:41.360 --> 1:12:43.120
<v Speaker 2>For the same song because at that time I had

1:12:43.160 --> 1:12:46.120
<v Speaker 2>written so many different ones. Yeah, yeah, yeah, So the

1:12:46.240 --> 1:12:48.719
<v Speaker 2>tracks was you know, never really stayed the same.

1:12:49.160 --> 1:12:51.719
<v Speaker 5>There was those were changing and my lyricss changing based

1:12:51.760 --> 1:12:54.599
<v Speaker 5>on the emotional melodies or or whatever.

1:12:54.680 --> 1:12:56.320
<v Speaker 2>The tone of the of the actual.

1:12:56.040 --> 1:12:59.479
<v Speaker 5>Song was who the artist is and singing it, which

1:12:59.600 --> 1:13:01.760
<v Speaker 5>was the whole other blessing to be able to give

1:13:01.840 --> 1:13:05.840
<v Speaker 5>Rihanna something and give be a whole separate thing, you know,

1:13:06.000 --> 1:13:08.560
<v Speaker 5>that's you know, I think that was the That was

1:13:08.600 --> 1:13:10.880
<v Speaker 5>the biggest part of it all because most times, you know,

1:13:11.120 --> 1:13:13.280
<v Speaker 5>somebody could do a song for one person and the

1:13:13.360 --> 1:13:15.840
<v Speaker 5>other song still sounds like you know, if I didn't

1:13:15.840 --> 1:13:17.360
<v Speaker 5>tell you I did it on Brotherly and single, A's

1:13:17.439 --> 1:13:19.639
<v Speaker 5>like you wouldn't put it together. It doesn't sound the same.

1:13:19.720 --> 1:13:23.000
<v Speaker 5>But you're producing also as well, like like literally the beats.

1:13:24.520 --> 1:13:27.320
<v Speaker 5>What's the percentage of what you've done that beats and lyrics?

1:13:27.960 --> 1:13:28.720
<v Speaker 13>What do you mean?

1:13:28.840 --> 1:13:32.920
<v Speaker 2>Like just and you wrote the music. Most people understand

1:13:33.000 --> 1:13:34.960
<v Speaker 2>writing is also the beats, right right.

1:13:35.320 --> 1:13:38.160
<v Speaker 8>The layman doesn't know that, Yeah, So when you're writing

1:13:38.280 --> 1:13:40.559
<v Speaker 8>lyrics and the beats, So like Holy Girl.

1:13:40.439 --> 1:13:42.720
<v Speaker 5>For instance, So I did the track and wrote the

1:13:42.760 --> 1:13:44.760
<v Speaker 5>hook and then I gave it to gave it to

1:13:44.840 --> 1:13:50.000
<v Speaker 5>whole and then we brought in timbling to make the.

1:13:50.080 --> 1:13:52.080
<v Speaker 2>Track what it needs to be to your production.

1:13:52.200 --> 1:13:54.280
<v Speaker 5>Yeah, because my idea of writing is exactly what it

1:13:54.400 --> 1:13:56.920
<v Speaker 5>is in the country world. Like it's you know, those

1:13:56.960 --> 1:14:00.000
<v Speaker 5>songs one hundred percent written, Like it's not a beat producer.

1:14:00.080 --> 1:14:02.840
<v Speaker 5>Her is the you know, the producer usually has nothing

1:14:02.920 --> 1:14:05.000
<v Speaker 5>to do with the composition like itself, Like it has

1:14:05.080 --> 1:14:08.759
<v Speaker 5>nothing to do with the melodies, the top lines, the lyric,

1:14:08.960 --> 1:14:10.000
<v Speaker 5>like it has nothing to do with that.

1:14:10.120 --> 1:14:11.960
<v Speaker 2>The writer could be the writer and the producer come

1:14:12.000 --> 1:14:14.640
<v Speaker 2>in after that. It's like Quincy Jones, you know some

1:14:14.720 --> 1:14:17.559
<v Speaker 2>of those he didn't do the track. That track ship

1:14:17.600 --> 1:14:19.400
<v Speaker 2>came from hip hop, right. But that's the thing.

1:14:19.439 --> 1:14:21.400
<v Speaker 9>That's the thing that hip hop wise, when we think

1:14:21.439 --> 1:14:23.479
<v Speaker 9>about producer, we think about the beat paper he goes

1:14:23.520 --> 1:14:26.479
<v Speaker 9>like this, right, and then when think about the writer,

1:14:26.760 --> 1:14:27.719
<v Speaker 9>he's writing the lyrics.

1:14:28.240 --> 1:14:28.360
<v Speaker 2>Right.

1:14:28.800 --> 1:14:31.240
<v Speaker 5>So that's what I'm saying that the difference for you, well,

1:14:31.400 --> 1:14:33.800
<v Speaker 5>it's I mean, it's just a universe. It's it's only

1:14:33.840 --> 1:14:36.400
<v Speaker 5>in this culture where we see that as to you know,

1:14:36.520 --> 1:14:40.280
<v Speaker 5>two different things. For me, producer is actually what it's

1:14:40.320 --> 1:14:42.960
<v Speaker 5>always been. It's the motherfucker that you blame at the

1:14:43.120 --> 1:14:43.559
<v Speaker 5>end when sh it.

1:14:43.600 --> 1:14:47.200
<v Speaker 2>Don't go right. He brings everything together. Yeah, so if

1:14:47.240 --> 1:14:48.080
<v Speaker 2>I don't have the touch.

1:14:47.960 --> 1:14:50.280
<v Speaker 5>Of fucking beat, but I probably steal the producer just

1:14:50.400 --> 1:14:52.400
<v Speaker 5>because you did that ship with me. And if the

1:14:52.439 --> 1:14:56.160
<v Speaker 5>ship ain't right, it's like dream fucked this up. Because

1:14:56.320 --> 1:15:00.160
<v Speaker 5>to produce me is to come up with it right. No,

1:15:01.240 --> 1:15:02.640
<v Speaker 5>I don't care how you came up with it.

1:15:03.479 --> 1:15:05.360
<v Speaker 2>Come up with it. I ain't right now of it.

1:15:05.439 --> 1:15:08.160
<v Speaker 2>I ain't do the track I produced it, though, I'm good.

1:15:08.240 --> 1:15:12.280
<v Speaker 2>I got my whole little well that too, But actually,

1:15:12.280 --> 1:15:14.920
<v Speaker 2>where is my crip? I join at?

1:15:15.520 --> 1:15:18.479
<v Speaker 11>You got crit and white girl cripp crippy we oh

1:15:19.120 --> 1:15:21.360
<v Speaker 11>we haveripety cripp.

1:15:22.960 --> 1:15:25.000
<v Speaker 2>You've been coming to Miami for a long time. I

1:15:25.000 --> 1:15:29.639
<v Speaker 2>don't know what you're gone.

1:15:29.920 --> 1:15:34.960
<v Speaker 5>Crippy white good damn white girls and some even the

1:15:35.000 --> 1:15:36.519
<v Speaker 5>only white girl don't allowed to touch.

1:15:38.320 --> 1:15:48.599
<v Speaker 2>Cheating. Hold on thing. Know where you're going. We're gonna

1:15:48.600 --> 1:15:51.960
<v Speaker 2>have cryptocurrency. No, I'm trying to be trying to get

1:15:52.000 --> 1:15:53.479
<v Speaker 2>better at what I do. Damn, I don't know.

1:15:53.960 --> 1:15:58.360
<v Speaker 8>So when you're producing joints, are you using any certain

1:15:59.120 --> 1:15:59.799
<v Speaker 8>like machines?

1:16:00.479 --> 1:16:02.320
<v Speaker 5>Yeah, this is the NPC. I'm still at lower the

1:16:02.360 --> 1:16:05.960
<v Speaker 5>NPC three thousand. Yeah, I am on logic and you

1:16:06.040 --> 1:16:08.200
<v Speaker 5>know ableton I can. I can move around anything. I

1:16:08.320 --> 1:16:10.679
<v Speaker 5>like the I like to touch shit, though I don't

1:16:10.760 --> 1:16:13.040
<v Speaker 5>like the idea that everything is in the computer or

1:16:13.080 --> 1:16:13.519
<v Speaker 5>whatever it is.

1:16:13.600 --> 1:16:14.280
<v Speaker 2>Like I'll go to a.

1:16:14.240 --> 1:16:17.280
<v Speaker 5>Studio just because they have a big asportmans. Yeah, oh well,

1:16:17.720 --> 1:16:19.800
<v Speaker 5>I've been playing I I started playing trumpet.

1:16:19.479 --> 1:16:20.160
<v Speaker 2>In like third grade.

1:16:20.840 --> 1:16:25.080
<v Speaker 5>So the whole band theory to me was just second nature,

1:16:25.320 --> 1:16:27.200
<v Speaker 5>like it was just something. It was just something that

1:16:27.360 --> 1:16:30.280
<v Speaker 5>we we did in high school. And then at that time,

1:16:30.840 --> 1:16:33.200
<v Speaker 5>if you're in Atlanta, the cool shit wasn't to be

1:16:33.280 --> 1:16:35.080
<v Speaker 5>on the basketball team and the football team. The cool

1:16:35.120 --> 1:16:37.160
<v Speaker 5>shit was being the marching band mm cause you got

1:16:37.240 --> 1:16:38.280
<v Speaker 5>to show your ass at halftime.

1:16:38.400 --> 1:16:40.200
<v Speaker 2>Like that was the That was literally the shit.

1:16:40.400 --> 1:16:42.800
<v Speaker 5>And you at that time you had Florida uh marching

1:16:42.840 --> 1:16:45.679
<v Speaker 5>one hundred, Florida A and m u h, you had Jackson,

1:16:45.800 --> 1:16:48.000
<v Speaker 5>You had all these you know, black colleges, and we were.

1:16:47.960 --> 1:16:49.800
<v Speaker 2>Like putting tapes in Me and my acts.

1:16:49.920 --> 1:16:53.160
<v Speaker 5>My best friend was like putting tapes in studying, like

1:16:53.320 --> 1:16:56.000
<v Speaker 5>what they're doing at halftime, what's the new record that's out?

1:16:56.160 --> 1:16:58.160
<v Speaker 2>Being able to play that at the next football game

1:16:58.240 --> 1:17:01.679
<v Speaker 2>good So for for me, it was. It wasn't music

1:17:01.760 --> 1:17:04.000
<v Speaker 2>as a hustle. It was I was already doing it

1:17:04.120 --> 1:17:06.960
<v Speaker 2>before I understood that you can make money from it.

1:17:07.400 --> 1:17:11.000
<v Speaker 1>M now one of the most things I've expected about you.

1:17:11.120 --> 1:17:13.480
<v Speaker 1>I had to have hit my man Ron Mossman.

1:17:14.360 --> 1:17:14.759
<v Speaker 5>Oh.

1:17:16.800 --> 1:17:17.559
<v Speaker 2>More about Drake.

1:17:18.280 --> 1:17:22.240
<v Speaker 18>So we got genius community member shy Ink. His question

1:17:22.439 --> 1:17:25.280
<v Speaker 18>is what was it like working with Drake early on

1:17:25.320 --> 1:17:27.639
<v Speaker 18>in his career on Shut It Down? And why haven't

1:17:27.640 --> 1:17:28.599
<v Speaker 18>you worked together since?

1:17:32.640 --> 1:17:34.679
<v Speaker 2>No shout out shout out to Drake and when he's

1:17:34.800 --> 1:17:36.640
<v Speaker 2>done with his career. Like I said before, I was.

1:17:36.640 --> 1:17:40.160
<v Speaker 5>Just like a real like student of how these things go.

1:17:40.360 --> 1:17:44.200
<v Speaker 5>And it's and I remember when Drake was putting this

1:17:44.360 --> 1:17:46.479
<v Speaker 5>record together. That's getting calls at the calls at the

1:17:46.560 --> 1:17:48.559
<v Speaker 5>calls like YO, get on this record, Get on this record,

1:17:48.640 --> 1:17:50.800
<v Speaker 5>Like YO, get on this record. I said, I'm gonna

1:17:50.840 --> 1:17:52.880
<v Speaker 5>do the record man, like I'm on tour, like I'm

1:17:52.920 --> 1:17:54.200
<v Speaker 5>gonna do the record as soon as I get took

1:17:54.280 --> 1:17:56.479
<v Speaker 5>like so I'm gonna do it, Drake.

1:17:56.360 --> 1:17:58.680
<v Speaker 2>Call like YO, like this is how I want to

1:17:58.760 --> 1:18:00.920
<v Speaker 2>sound like Drake. I'm gonna do this record how I'm

1:18:00.960 --> 1:18:02.080
<v Speaker 2>gonna do it right.

1:18:02.160 --> 1:18:04.240
<v Speaker 5>I'm gonna give it back to you in the same

1:18:04.280 --> 1:18:05.840
<v Speaker 5>way you sit there with your first I was like,

1:18:05.880 --> 1:18:06.799
<v Speaker 5>I'm i'm'na send.

1:18:06.640 --> 1:18:07.000
<v Speaker 2>It back to you.

1:18:07.080 --> 1:18:10.400
<v Speaker 5>It was like, okay, cool, no problem. And the record

1:18:10.479 --> 1:18:13.400
<v Speaker 5>came out great. You know, I think you know it

1:18:13.479 --> 1:18:15.240
<v Speaker 5>came came out great. What a lot of people do.

1:18:15.400 --> 1:18:17.840
<v Speaker 2>Yeah, it came out great. I think when the next

1:18:17.960 --> 1:18:20.400
<v Speaker 2>album came along. Since somebody wants to know why we

1:18:20.520 --> 1:18:21.200
<v Speaker 2>never worked again.

1:18:21.880 --> 1:18:24.240
<v Speaker 5>I asked him to get on the record, and he

1:18:24.360 --> 1:18:27.200
<v Speaker 5>never got on the record, And so I'm only gonna

1:18:27.240 --> 1:18:30.880
<v Speaker 5>asks you once, especially if I've already done something for you.

1:18:31.120 --> 1:18:35.080
<v Speaker 5>So that went through to these people to directulate to him,

1:18:35.160 --> 1:18:39.120
<v Speaker 5>and whatever that thing was, then that was it. So

1:18:39.280 --> 1:18:42.479
<v Speaker 5>that's the end of the drinking dream era of a record.

1:18:42.600 --> 1:18:45.680
<v Speaker 2>I mean, obviously amazing artist you are. He he's a

1:18:45.760 --> 1:18:47.680
<v Speaker 2>great artist for his own right.

1:18:48.560 --> 1:18:51.840
<v Speaker 5>Collaborations are nice, and collaborations are great, and sometimes I

1:18:52.040 --> 1:18:53.439
<v Speaker 5>just could just be great without you.

1:18:56.840 --> 1:18:59.400
<v Speaker 2>Yeah, Now.

1:19:02.760 --> 1:19:10.680
<v Speaker 1>That's morals. Yeah, that's like old school morals right there.

1:19:11.600 --> 1:19:16.760
<v Speaker 1>Like I've done so many records with people and then

1:19:17.880 --> 1:19:19.640
<v Speaker 1>they not reciprocated the favorite that.

1:19:20.400 --> 1:19:22.960
<v Speaker 5>So it's the it's the it's the most treacherous thing

1:19:23.040 --> 1:19:25.320
<v Speaker 5>that could happen, but I I forgave them.

1:19:25.680 --> 1:19:28.920
<v Speaker 2>Oh well, of course, but so so what w W

1:19:29.120 --> 1:19:30.040
<v Speaker 2>What was going.

1:19:29.840 --> 1:19:32.040
<v Speaker 1>Through your mind at that moment when you because at

1:19:32.040 --> 1:19:33.560
<v Speaker 1>the end of the day, sometimes you could give a

1:19:33.640 --> 1:19:36.639
<v Speaker 1>person a wave. That's what that means, Like you can

1:19:36.720 --> 1:19:39.679
<v Speaker 1>be so hot yourself that when you get on the record,

1:19:40.000 --> 1:19:42.880
<v Speaker 1>they can build a whole audience around your audience that

1:19:42.920 --> 1:19:43.519
<v Speaker 1>you helped.

1:19:43.360 --> 1:19:44.160
<v Speaker 2>Introduce them to.

1:19:44.880 --> 1:19:47.439
<v Speaker 1>And then that person. I'm an artist and one hundred

1:19:47.439 --> 1:19:49.680
<v Speaker 1>percent I I I LA. I didn't look at that

1:19:49.760 --> 1:19:52.280
<v Speaker 1>as a distance drake at all. There's no way, shape,

1:19:52.280 --> 1:19:54.519
<v Speaker 1>form or fashion. I looked at it as a person

1:19:54.600 --> 1:19:55.480
<v Speaker 1>with morals.

1:19:55.680 --> 1:19:58.680
<v Speaker 2>Yeah, so, I mean that's it. It was.

1:19:58.880 --> 1:20:01.479
<v Speaker 5>I had to go to my gravite, like, not because

1:20:01.520 --> 1:20:04.960
<v Speaker 5>it's a personal thing, just because I have to still

1:20:05.200 --> 1:20:06.920
<v Speaker 5>set an example for the ship that I say that

1:20:06.960 --> 1:20:09.800
<v Speaker 5>I'm gonna do, you know, like it's a lot of

1:20:11.160 --> 1:20:13.280
<v Speaker 5>if I ain't do some shit that I want supposed.

1:20:12.920 --> 1:20:15.160
<v Speaker 2>To call me out, let me know, because it made

1:20:15.400 --> 1:20:17.439
<v Speaker 2>it could have been I forgot it could have been.

1:20:17.520 --> 1:20:19.280
<v Speaker 5>You know, whatever it is, it doesn't make it right

1:20:19.400 --> 1:20:21.200
<v Speaker 5>at the end of the day, because that's.

1:20:21.080 --> 1:20:21.960
<v Speaker 2>Not where I come from.

1:20:22.080 --> 1:20:24.120
<v Speaker 5>That's not how I was raised. That's not how I am,

1:20:24.400 --> 1:20:27.599
<v Speaker 5>you know, like, yeah, my word is just just my word.

1:20:27.680 --> 1:20:29.519
<v Speaker 5>However I need to make it up, you know, however

1:20:29.840 --> 1:20:32.519
<v Speaker 5>whatever it is that I need to do so. And

1:20:32.880 --> 1:20:37.080
<v Speaker 5>at the time, I mean, the whole situation was forgiven

1:20:37.160 --> 1:20:39.679
<v Speaker 5>because the ship is petty like that, that would be petty,

1:20:39.800 --> 1:20:42.160
<v Speaker 5>you know, in a way to hold that against somebody

1:20:42.320 --> 1:20:44.559
<v Speaker 5>or whatever was going through and transforming in his own

1:20:44.600 --> 1:20:45.280
<v Speaker 5>life at the time.

1:20:46.640 --> 1:20:50.920
<v Speaker 2>I just I know, probably as you get older, you

1:20:51.000 --> 1:20:52.000
<v Speaker 2>start to think about.

1:20:51.800 --> 1:20:54.519
<v Speaker 5>Things a little bit different though, and say, oh shit,

1:20:54.920 --> 1:20:56.720
<v Speaker 5>now I get why x y Z.

1:20:57.000 --> 1:20:58.280
<v Speaker 2>Yeah we've seen each other.

1:20:58.640 --> 1:21:00.840
<v Speaker 5>He's recorded at my studio on it Atlanta and and

1:21:00.960 --> 1:21:03.760
<v Speaker 5>and everything like and like yo, what's up?

1:21:03.840 --> 1:21:09.360
<v Speaker 2>Like just like literally before that, but after after he

1:21:09.479 --> 1:21:11.439
<v Speaker 2>knew what was what was what was up? Like all

1:21:11.520 --> 1:21:14.200
<v Speaker 2>our camps. This music business isn't that far stretched the

1:21:14.280 --> 1:21:16.839
<v Speaker 2>part where nobody does know what is going on. Everybody

1:21:16.920 --> 1:21:20.160
<v Speaker 2>knows what's going on and for for whatever reasons at

1:21:20.160 --> 1:21:22.760
<v Speaker 2>the end of the day, And niggas know how I am.

1:21:22.800 --> 1:21:23.479
<v Speaker 2>I'm not. I'm not.

1:21:23.960 --> 1:21:27.439
<v Speaker 5>I'm not a bitter person. I think most things, if

1:21:27.479 --> 1:21:29.479
<v Speaker 5>you can control them, control them. What you can't you

1:21:29.600 --> 1:21:31.800
<v Speaker 5>don't like, don't worry about it, just just move the

1:21:31.840 --> 1:21:35.040
<v Speaker 5>fuck on. So it wasn't it wasn't no no ill

1:21:35.280 --> 1:21:37.479
<v Speaker 5>fated thing about that. It was more so about what

1:21:37.640 --> 1:21:40.640
<v Speaker 5>my grandfather taught me. Like, yo, man, you said, you

1:21:40.680 --> 1:21:42.640
<v Speaker 5>go do something, you need to do it, and if

1:21:42.680 --> 1:21:44.360
<v Speaker 5>you don't, you need to show somebody you can live

1:21:44.439 --> 1:21:48.240
<v Speaker 5>without it, you know. And that's that's that's just where

1:21:48.280 --> 1:21:49.720
<v Speaker 5>I am and just where I come from.

1:21:50.760 --> 1:21:53.639
<v Speaker 2>That was that was all, you know what that set

1:21:53.680 --> 1:21:59.400
<v Speaker 2>you the old school morals. And it is petty too,

1:21:59.520 --> 1:22:04.080
<v Speaker 2>But listen, because when somebody going on me, I never

1:22:04.320 --> 1:22:07.320
<v Speaker 2>forget it, like I almost. I'm just being.

1:22:07.240 --> 1:22:13.080
<v Speaker 19>Honest, petty gay, petty gang, I waited, listen, I'm.

1:22:12.160 --> 1:22:14.360
<v Speaker 2>Not really more.

1:22:15.160 --> 1:22:18.400
<v Speaker 5>I'm not really petty in none of the sense of

1:22:18.479 --> 1:22:21.600
<v Speaker 5>that because people go through certain shit and everybody know

1:22:21.720 --> 1:22:24.120
<v Speaker 5>what you know at the time, and everybody doesn't know

1:22:24.240 --> 1:22:25.920
<v Speaker 5>what you know and how to react to what you

1:22:26.040 --> 1:22:28.600
<v Speaker 5>know at that time. They haven't learned it yet to

1:22:28.680 --> 1:22:31.559
<v Speaker 5>make you grown just because you have more money than

1:22:31.600 --> 1:22:35.640
<v Speaker 5>the other person, or oh I'm more experienced because like, no, motherfuckers,

1:22:35.640 --> 1:22:38.000
<v Speaker 5>I got the experience, Like I'm the motherfucker that's in

1:22:38.040 --> 1:22:40.080
<v Speaker 5>the music business that didn't break till he was thirty,

1:22:40.520 --> 1:22:43.560
<v Speaker 5>and they had a regular job with regular people in

1:22:43.680 --> 1:22:47.680
<v Speaker 5>real traffic and shit. So when the bigger percentages of

1:22:47.800 --> 1:22:50.120
<v Speaker 5>the artists that work in this business were able to

1:22:50.200 --> 1:22:52.120
<v Speaker 5>drop what they did and start working in it at

1:22:52.120 --> 1:22:55.240
<v Speaker 5>sixteen seventeen, I'm like, well, fifteen, I lost my mom.

1:22:57.200 --> 1:22:59.840
<v Speaker 2>In nineteen I lost my grandfather. So the parents that

1:23:00.080 --> 1:23:00.599
<v Speaker 2>raise me ain't.

1:23:01.000 --> 1:23:04.439
<v Speaker 5>I had to go completely to the workforce and get here.

1:23:04.680 --> 1:23:06.800
<v Speaker 5>It wasn't because I knew some niggas down the street

1:23:06.840 --> 1:23:09.040
<v Speaker 5>and I got on you know, that's not I had

1:23:09.040 --> 1:23:11.920
<v Speaker 5>to split that time. I had to sleep two hours

1:23:12.120 --> 1:23:15.320
<v Speaker 5>a day for years they only off two hours, to

1:23:15.439 --> 1:23:17.439
<v Speaker 5>the point now I can't even go to sleep, you know.

1:23:17.600 --> 1:23:20.160
<v Speaker 5>So I go to sleep, well, no I want to go.

1:23:23.280 --> 1:23:25.160
<v Speaker 2>I don't try. And this shit just don't work.

1:23:25.240 --> 1:23:25.360
<v Speaker 6>Now.

1:23:25.400 --> 1:23:28.320
<v Speaker 2>The difference what you're saying and I'm saying is sometimes

1:23:28.400 --> 1:23:28.880
<v Speaker 2>you deal with.

1:23:28.920 --> 1:23:31.160
<v Speaker 1>An artist management or you deal with and that's the

1:23:31.240 --> 1:23:33.880
<v Speaker 1>problem is it's different, right, and so now I can

1:23:34.040 --> 1:23:34.960
<v Speaker 1>understand that point.

1:23:35.000 --> 1:23:37.360
<v Speaker 2>But if I ever dealt with you directly, there was

1:23:37.400 --> 1:23:41.479
<v Speaker 2>a phone call with where me and you, I do take.

1:23:41.400 --> 1:23:44.560
<v Speaker 1>It way personal more than I should have like you

1:23:44.680 --> 1:23:47.000
<v Speaker 1>should you know what I'm saying, because I don't care

1:23:47.160 --> 1:23:50.280
<v Speaker 1>what I do in life. Like if you tell me

1:23:50.439 --> 1:23:52.960
<v Speaker 1>something and we have a bond, if you don't have

1:23:53.000 --> 1:23:55.120
<v Speaker 1>a ball, I don't give a fuck. Like I don't

1:23:55.200 --> 1:23:56.479
<v Speaker 1>care if I don't have a ball. But if you

1:23:56.520 --> 1:23:58.599
<v Speaker 1>give me have a bond and you tell me something,

1:23:58.680 --> 1:24:00.680
<v Speaker 1>I expect you to delive because I'm an deliver on

1:24:00.800 --> 1:24:02.680
<v Speaker 1>my part of whatever you ask me.

1:24:02.960 --> 1:24:05.719
<v Speaker 2>I'm so in love with the idea of knowledge.

1:24:06.439 --> 1:24:10.120
<v Speaker 5>I rather sacrifice myself and how I feel about somebody

1:24:10.400 --> 1:24:12.720
<v Speaker 5>or whether I'm mad at them or not if they

1:24:12.800 --> 1:24:16.080
<v Speaker 5>were just to learn it from whatever aspect they learned

1:24:16.080 --> 1:24:18.000
<v Speaker 5>it from, and just you know, wrap it back around

1:24:18.120 --> 1:24:18.360
<v Speaker 5>and just.

1:24:18.360 --> 1:24:20.040
<v Speaker 2>Say, oh cool, I learned that shit that you were

1:24:20.120 --> 1:24:22.760
<v Speaker 2>saying to me or what we went through.

1:24:23.439 --> 1:24:25.760
<v Speaker 5>I'm more in love with that than I am about

1:24:25.840 --> 1:24:28.960
<v Speaker 5>being hasty and just genamous for no reason because it

1:24:29.040 --> 1:24:31.320
<v Speaker 5>doesn't make any sense. And to be in love with

1:24:31.400 --> 1:24:34.560
<v Speaker 5>knowledge is a whole different idea, you know, But to

1:24:34.720 --> 1:24:38.880
<v Speaker 5>watch another person learn something versus.

1:24:38.680 --> 1:24:41.200
<v Speaker 2>Spiting them, like, I'd rather you just know.

1:24:41.439 --> 1:24:43.320
<v Speaker 5>Like even if you did it to me and I'm like,

1:24:43.360 --> 1:24:46.000
<v Speaker 5>you fuck me up, because we like forty fucking g's.

1:24:46.360 --> 1:24:48.720
<v Speaker 5>But you understand what the fuck happened, and you can

1:24:48.800 --> 1:24:50.719
<v Speaker 5>go on in life and do the next shit because

1:24:50.760 --> 1:24:53.000
<v Speaker 5>I'm blessed enough to be able to rebound after that.

1:24:54.439 --> 1:24:59.960
<v Speaker 2>If I wasn't in maybe good forgiving. Yeah, that's blessed.

1:25:00.360 --> 1:25:02.400
<v Speaker 2>That's someone to be able to do that with forty

1:25:06.680 --> 1:25:08.960
<v Speaker 2>You gotta relay. Still thinking about this girl right now.

1:25:08.960 --> 1:25:15.200
<v Speaker 2>I just out there. This is what we do, man dream.

1:25:15.400 --> 1:25:17.599
<v Speaker 2>I don't know if you understand. This is drink Champs.

1:25:18.160 --> 1:25:21.320
<v Speaker 2>We've been doing this. We sually celebrated our hundreds episodes.

1:25:21.760 --> 1:25:22.760
<v Speaker 2>We're still celebrating on.

1:25:22.880 --> 1:25:25.760
<v Speaker 1>We're still celebrating because you know, this is the first

1:25:25.840 --> 1:25:29.640
<v Speaker 1>time people that are a part of the artistry, a

1:25:29.760 --> 1:25:32.760
<v Speaker 1>part of culture, the culture, you know, from a DJ

1:25:33.040 --> 1:25:36.439
<v Speaker 1>mix tape, DJ regular DJ to an artist and you know,

1:25:36.680 --> 1:25:39.719
<v Speaker 1>I'm searching out and gone. I wanted to control all media.

1:25:39.760 --> 1:25:42.080
<v Speaker 1>I wanted to keep you know, I wanted us to

1:25:42.520 --> 1:25:45.200
<v Speaker 1>support us, you know what I mean. When you hear like,

1:25:45.400 --> 1:25:47.240
<v Speaker 1>you know, even the four four four.

1:25:47.200 --> 1:25:51.320
<v Speaker 2>Album and you hear Jay talking about like you know,

1:25:51.800 --> 1:25:55.320
<v Speaker 2>it's like, that's that's what the time is for, That's

1:25:55.400 --> 1:25:56.200
<v Speaker 2>what the time is for.

1:25:56.479 --> 1:26:00.280
<v Speaker 1>So in a weird way you're doing that, like whether

1:26:00.360 --> 1:26:03.200
<v Speaker 1>you was conscious or unconscious of it. I just see

1:26:03.439 --> 1:26:05.639
<v Speaker 1>on the internet at Google and that's at your album

1:26:05.920 --> 1:26:08.800
<v Speaker 1>and I'm hopefully this is the first interview that you did.

1:26:09.120 --> 1:26:11.840
<v Speaker 2>You didn't even know that, right, No, I mean you

1:26:11.880 --> 1:26:14.120
<v Speaker 2>don't revolved, so we you. I mean you have to

1:26:14.160 --> 1:26:16.760
<v Speaker 2>provoke conference so you know, everything is run around. But

1:26:17.240 --> 1:26:19.479
<v Speaker 2>this is what we do over here. But we also

1:26:19.640 --> 1:26:21.800
<v Speaker 2>have fun with our artists, right, and we also say

1:26:21.840 --> 1:26:24.679
<v Speaker 2>that so we have to actually dream, just dream, he asked.

1:26:25.479 --> 1:26:35.200
<v Speaker 2>Of course, all right, damn you asked that question that

1:26:37.120 --> 1:26:40.760
<v Speaker 2>we're Twinter Twin Twin. Let's come over here, Twin Twin,

1:26:40.880 --> 1:26:44.040
<v Speaker 2>come over here, because talk about asking the game, just

1:26:44.160 --> 1:26:44.840
<v Speaker 2>asking the game.

1:26:45.240 --> 1:26:47.240
<v Speaker 1>Listen. Man, he had he got into an accident, but

1:26:47.280 --> 1:26:48.960
<v Speaker 1>he's still out here running the things.

1:26:49.000 --> 1:26:50.559
<v Speaker 3>Come on asking me the mike set the mic up

1:26:50.600 --> 1:26:52.160
<v Speaker 3>for asking listen.

1:26:52.560 --> 1:26:54.680
<v Speaker 2>This is this is this is Twin Eddie to ask you.

1:26:54.880 --> 1:26:56.280
<v Speaker 2>This is Eddie to asking the student.

1:26:56.479 --> 1:26:58.280
<v Speaker 1>We all we have a person on our show called

1:26:58.360 --> 1:27:01.400
<v Speaker 1>Eddie to ask either and he he't make it today,

1:27:01.439 --> 1:27:05.000
<v Speaker 1>but this Twin Twin, tell him, tell him, tell him

1:27:05.040 --> 1:27:05.479
<v Speaker 1>what's going on?

1:27:05.640 --> 1:27:15.600
<v Speaker 2>You radio killer? Yeah, he's just ask any ass. He

1:27:15.720 --> 1:27:17.120
<v Speaker 2>was at the top of the day that.

1:27:17.120 --> 1:27:20.880
<v Speaker 5>Ship with your faces and ass though, that's all he does.

1:27:20.920 --> 1:27:25.439
<v Speaker 2>That is a professional. Now you a professional to tell him? Yeah,

1:27:25.560 --> 1:27:27.479
<v Speaker 2>don you gotta with the click all that ship is

1:27:27.560 --> 1:27:31.160
<v Speaker 2>the same time, you know what I'm saying, while you're

1:27:31.240 --> 1:27:37.639
<v Speaker 2>eating the ass. God damn yeah, you gotta every day man, Yeah, yeah, Okay, guys,

1:27:38.360 --> 1:27:41.040
<v Speaker 2>it's a great as. Actually, I can't tell y'all don't

1:27:41.040 --> 1:27:43.360
<v Speaker 2>have any RN be motherfuckers. You know what I'm saying.

1:27:44.520 --> 1:27:47.560
<v Speaker 2>A part it's ass.

1:27:47.640 --> 1:27:50.160
<v Speaker 1>I didn't know you a professional ass either. The way

1:27:50.200 --> 1:27:52.479
<v Speaker 1>you describing it. You looked at him like, of course

1:27:53.560 --> 1:27:57.760
<v Speaker 1>a post. Of course you do click, that's all I

1:27:57.840 --> 1:27:58.080
<v Speaker 1>got that.

1:27:59.600 --> 1:28:03.160
<v Speaker 2>You just robbed that. You gotta take a shot.

1:28:03.439 --> 1:28:06.080
<v Speaker 8>You don't do no, Twin said, come on, Twin twenty

1:28:06.160 --> 1:28:07.280
<v Speaker 8>recently had an accident.

1:28:07.560 --> 1:28:10.040
<v Speaker 2>He's been on drink Chance since day one. We love

1:28:10.120 --> 1:28:12.559
<v Speaker 2>this guy. I still got ma. I'm good you got

1:28:12.640 --> 1:28:18.240
<v Speaker 2>your non full and you know fifty SI don't even

1:28:18.320 --> 1:28:20.840
<v Speaker 2>drink fifty did full. I'm just throwing that out there.

1:28:21.000 --> 1:28:22.800
<v Speaker 2>We gotta represent for the R and B world. I'm

1:28:22.880 --> 1:28:23.680
<v Speaker 2>just throwing it out there.

1:28:24.120 --> 1:28:26.640
<v Speaker 5>Have some RB people is gonna really I need the

1:28:26.840 --> 1:28:28.120
<v Speaker 5>ass tonight and this ain't gonna help.

1:28:28.200 --> 1:28:33.760
<v Speaker 2>No, it's gonna You don't know what's First of all,

1:28:33.800 --> 1:28:36.360
<v Speaker 2>it's two minute guys saying this at the same time. Okay,

1:28:38.920 --> 1:28:42.400
<v Speaker 2>an the horse going up to more listening everybody on

1:28:42.479 --> 1:28:42.720
<v Speaker 2>the car.

1:28:43.000 --> 1:28:46.760
<v Speaker 5>You're good, can't y'all wonder what y'all trying to get

1:28:46.800 --> 1:28:47.479
<v Speaker 5>me fucking drunk?

1:28:47.520 --> 1:28:54.920
<v Speaker 2>I said, listen, you gotta relax. Drink y'all from the hood, y'all,

1:28:55.040 --> 1:29:00.600
<v Speaker 2>come on, you know what's going y'all. No to a

1:29:00.640 --> 1:29:05.960
<v Speaker 2>white man, you are kind of party. This kind of

1:29:06.040 --> 1:29:06.759
<v Speaker 2>fucking party?

1:29:06.840 --> 1:29:07.360
<v Speaker 5>Is this man?

1:29:07.800 --> 1:29:16.040
<v Speaker 2>Get you here right here here, yo, This is the

1:29:16.160 --> 1:29:17.639
<v Speaker 2>twin Man.

1:29:18.560 --> 1:29:20.800
<v Speaker 18>This is the this is the.

1:29:20.880 --> 1:29:23.479
<v Speaker 2>Dream, the twin Man, High tag boss, the first term

1:29:23.720 --> 1:29:27.920
<v Speaker 2>b dude here right right, you're ahead. Thank you for

1:29:28.000 --> 1:29:28.640
<v Speaker 2>showing love to.

1:29:28.720 --> 1:29:30.200
<v Speaker 12>Twin We can't twin.

1:29:30.720 --> 1:29:33.519
<v Speaker 2>We want you to know that we love you dream.

1:29:33.800 --> 1:29:35.600
<v Speaker 2>We want you to know that everything you did with

1:29:35.720 --> 1:29:39.200
<v Speaker 2>this culture, every time you went in there and made women,

1:29:39.880 --> 1:29:44.639
<v Speaker 2>you know, love men every time. And look, I'm gonna

1:29:44.640 --> 1:29:47.880
<v Speaker 2>telling this shot and I gotta ask you, man, you

1:29:48.000 --> 1:29:50.920
<v Speaker 2>killed that v H one signs ship you scared to

1:29:51.080 --> 1:29:54.479
<v Speaker 2>do it? Hey, no, I feel this is the gifts.

1:29:55.320 --> 1:30:02.679
<v Speaker 2>I went to another show. Gifts. Man, I'm drunk.

1:30:02.720 --> 1:30:07.400
<v Speaker 10>If you kid from the drink your ship take dream?

1:30:07.600 --> 1:30:13.560
<v Speaker 2>Sorry you did you tell this shot? Yeah, let's go.

1:30:14.000 --> 1:30:14.639
<v Speaker 2>Let's go dream.

1:30:14.800 --> 1:30:19.080
<v Speaker 1>Okay, let's go dream ship solo solo solow.

1:30:20.640 --> 1:30:23.240
<v Speaker 2>I don't want to drink it all right? Yeah? I dream?

1:30:24.680 --> 1:30:26.719
<v Speaker 2>Do you make love to your own ship?

1:30:28.720 --> 1:30:28.880
<v Speaker 5>Oh?

1:30:29.680 --> 1:30:32.560
<v Speaker 2>I don't know what you ships so bad? I just

1:30:32.600 --> 1:30:34.320
<v Speaker 2>want to see if the fire shoes gonna come out

1:30:34.320 --> 1:30:34.680
<v Speaker 2>of my mouth.

1:30:34.720 --> 1:30:35.599
<v Speaker 20>But I do you know ship?

1:30:37.920 --> 1:30:40.720
<v Speaker 2>You know you're very You're very smart. Come on, man,

1:30:40.760 --> 1:30:44.320
<v Speaker 2>y'all gotta keep up. But listen, listen. Do you make

1:30:44.439 --> 1:30:46.200
<v Speaker 2>love to your own ship? Because that's a that's a

1:30:46.320 --> 1:30:49.400
<v Speaker 2>real ship, right there. No, I just played it.

1:30:49.640 --> 1:30:52.599
<v Speaker 20>I just played the track by itself and then single

1:30:52.600 --> 1:30:56.280
<v Speaker 20>on top of Oh you killed that, he killed that.

1:30:59.000 --> 1:31:00.880
<v Speaker 20>I'm trying to picture that. That wouldn't work for a

1:31:00.960 --> 1:31:07.640
<v Speaker 20>rapping like yeah, just put the instrumentals in.

1:31:07.800 --> 1:31:11.920
<v Speaker 2>They go from love. Somebody always said, what's your go

1:31:12.040 --> 1:31:19.400
<v Speaker 2>to songs to sing? Go to songs and fancy with Swiss.

1:31:19.479 --> 1:31:22.600
<v Speaker 2>It's not, Oh you know all nigga, You're not a

1:31:22.680 --> 1:31:25.240
<v Speaker 2>fancy nigger. Can please hoot me on.

1:31:25.320 --> 1:31:30.320
<v Speaker 5>I just told you hoosie who we just described the whoshie. Please,

1:31:30.360 --> 1:31:33.400
<v Speaker 5>I need you to play fancy now but cool. We

1:31:33.560 --> 1:31:37.880
<v Speaker 5>were singing for us, please singing ship. We don't play

1:31:38.000 --> 1:31:40.000
<v Speaker 5>music on this bark at a dream we're doing it.

1:31:40.240 --> 1:31:42.519
<v Speaker 2>We can't, we can't, we can't, but I want to.

1:31:42.640 --> 1:31:44.479
<v Speaker 2>I want to hear it out right now. I can't play.

1:31:44.640 --> 1:31:49.920
<v Speaker 1>We can't use it because yeah, come yeah, translation my

1:31:50.040 --> 1:31:53.679
<v Speaker 1>niggas no no, so I can clean.

1:31:56.360 --> 1:31:56.840
<v Speaker 3>Sorry that was.

1:32:00.120 --> 1:32:04.840
<v Speaker 5>Never so.

1:32:06.320 --> 1:32:21.400
<v Speaker 2>Let's say beast everything.

1:32:21.479 --> 1:32:21.880
<v Speaker 3>I can't.

1:32:22.000 --> 1:32:24.320
<v Speaker 2>I'm mad at you right now. I've never heard this moment.

1:32:24.680 --> 1:32:28.240
<v Speaker 2>I'm mad at myself as a dream fan. But let it.

1:32:28.320 --> 1:32:36.759
<v Speaker 2>Let it drop though, let me drop first. I'm trying.

1:32:36.920 --> 1:32:44.320
<v Speaker 2>I'm trying to this. Oh ya as a dream fair

1:32:44.360 --> 1:32:49.519
<v Speaker 2>I'm disappointed. I'm disappointed. I've never heard this. We got

1:32:49.600 --> 1:32:51.080
<v Speaker 2>as Google blade, so they.

1:32:51.040 --> 1:32:51.280
<v Speaker 7>Got for.

1:33:03.400 --> 1:33:18.519
<v Speaker 2>Gus. He was Jesus, Okay, okay, come on home. Listen

1:33:18.800 --> 1:33:28.720
<v Speaker 2>and Dreams Dream Trips to Monaco from head to could

1:33:28.760 --> 1:33:34.080
<v Speaker 2>be five figure listen. By the way, he's about hebroouby

1:33:34.160 --> 1:33:35.320
<v Speaker 2>the only guy that.

1:33:35.439 --> 1:33:37.840
<v Speaker 1>When they hit me, I said, yo, I want dream

1:33:37.880 --> 1:33:40.240
<v Speaker 1>to do the podcast, and then they said, dream do

1:33:40.280 --> 1:33:40.679
<v Speaker 1>the podcast?

1:33:40.720 --> 1:33:43.720
<v Speaker 2>I said, aulso want to dreaming to a record. You're

1:33:43.760 --> 1:33:44.479
<v Speaker 2>the only nigga.

1:33:44.520 --> 1:33:47.200
<v Speaker 1>We got one hundred and five episodes we have in

1:33:47.400 --> 1:33:53.000
<v Speaker 1>on the kids on this episode out five. You're the

1:33:53.120 --> 1:33:55.519
<v Speaker 1>only nigga. I gotta have a dream record. Now, how

1:33:55.880 --> 1:33:58.080
<v Speaker 1>would you do a Norwega record? Let's just describe that?

1:33:58.280 --> 1:34:01.599
<v Speaker 2>Right? We got Empire in the building. Let's how would describe?

1:34:01.600 --> 1:34:04.880
<v Speaker 2>But norma yea like what we want to do. We

1:34:05.000 --> 1:34:08.479
<v Speaker 2>gotta go, we gotta. I got too many he's gonna

1:34:08.479 --> 1:34:11.439
<v Speaker 2>get Let me, let me give you give you. I

1:34:11.520 --> 1:34:15.040
<v Speaker 2>got too many male fans, crazy, got too many male

1:34:15.120 --> 1:34:20.160
<v Speaker 2>fan juices. Right now, I'm here, tell many male fans.

1:34:20.200 --> 1:34:20.880
<v Speaker 2>Tell me your stories.

1:34:21.120 --> 1:34:27.720
<v Speaker 1>Too many male fans. It's a problem female fans. I

1:34:27.760 --> 1:34:28.880
<v Speaker 1>don't know where you're gonna like it.

1:34:29.439 --> 1:34:34.840
<v Speaker 2>I like you. You gotta scratch it. Scratch it. That's

1:34:34.880 --> 1:34:37.880
<v Speaker 2>a horrible scratch that was too easy to make. Now

1:34:37.920 --> 1:34:40.920
<v Speaker 2>we're going club? Are we going club? See?

1:34:41.000 --> 1:34:42.840
<v Speaker 5>I can tell when niggas have damn too. If you

1:34:42.920 --> 1:34:45.880
<v Speaker 5>don't worry about the goddamn club, tell me tell me

1:34:45.920 --> 1:34:46.360
<v Speaker 5>how this will go.

1:34:46.760 --> 1:34:49.600
<v Speaker 2>Let's just make the motherfuckers just how you do you

1:34:49.960 --> 1:34:52.439
<v Speaker 2>like who just how you what you moment You're gonna

1:34:52.439 --> 1:34:58.240
<v Speaker 2>be okay? You getting ready to go? Three phases to

1:34:58.320 --> 1:35:00.840
<v Speaker 2>the song this is it is? Is it getting ready

1:35:00.880 --> 1:35:06.160
<v Speaker 2>to go out? Song? You're out song, ain't back home song?

1:35:06.840 --> 1:35:09.280
<v Speaker 2>This is a three different songs, those songs the harvy

1:35:09.400 --> 1:35:11.240
<v Speaker 2>songs that end because there never be one song for

1:35:11.280 --> 1:35:12.960
<v Speaker 2>all of us. This is so genius.

1:35:13.080 --> 1:35:15.439
<v Speaker 5>It can, but it's not really you know what I'm saying.

1:35:15.520 --> 1:35:17.280
<v Speaker 5>You can, you can kind of smooth one end to

1:35:17.320 --> 1:35:19.800
<v Speaker 5>the others like you can't. But when you get back

1:35:19.840 --> 1:35:22.160
<v Speaker 5>to the house, that song usually belongs to me.

1:35:22.479 --> 1:35:26.840
<v Speaker 2>Oh it turned down, and if it don't, you last

1:35:26.960 --> 1:35:27.840
<v Speaker 2>like thirty three seconds.

1:35:27.880 --> 1:35:30.479
<v Speaker 5>I can't do nothing about that because fancy is six

1:35:30.560 --> 1:35:33.720
<v Speaker 5>minutes and forty seconds to forty seven seconds long. The

1:35:33.880 --> 1:35:36.560
<v Speaker 5>last thing you smoke the blunt a blood but or

1:35:36.560 --> 1:35:39.640
<v Speaker 5>I just do I just do the the whites, you know,

1:35:39.760 --> 1:35:42.479
<v Speaker 5>so right, Yeah, I don't smoke blunts.

1:35:45.360 --> 1:35:49.280
<v Speaker 2>No said, don't smoke buns.

1:35:50.360 --> 1:35:53.760
<v Speaker 5>Yeah, because in my insurance there's a little thing that happen,

1:35:55.080 --> 1:35:58.040
<v Speaker 5>a policy thing that says serious, which has nothing to

1:35:58.080 --> 1:35:58.360
<v Speaker 5>do with the.

1:35:58.360 --> 1:36:02.000
<v Speaker 2>White paper on ok put the tobacco. So yeah, yeah,

1:36:02.000 --> 1:36:04.240
<v Speaker 2>I would if you know something happens to me.

1:36:04.240 --> 1:36:05.840
<v Speaker 5>I would love my kids to get that eighty six

1:36:05.920 --> 1:36:09.120
<v Speaker 5>million those versus saying that tobacco the.

1:36:09.160 --> 1:36:11.280
<v Speaker 2>Same way as it takes tests. In school, I had

1:36:11.560 --> 1:36:17.800
<v Speaker 2>had a system. Yes, no, yes, the Christmas yes, I

1:36:18.080 --> 1:36:20.840
<v Speaker 2>just know there, But everywhere else I had a system.

1:36:21.200 --> 1:36:24.280
<v Speaker 2>You're I was. I was a foul. I'm sorry. In

1:36:24.320 --> 1:36:27.120
<v Speaker 2>school it was different. I'm sorry you guys. Yeah, you

1:36:27.240 --> 1:36:27.720
<v Speaker 2>know what they do.

1:36:28.600 --> 1:36:32.320
<v Speaker 5>So I didn't show up at togethern funeral and Ship,

1:36:32.600 --> 1:36:34.920
<v Speaker 5>well he was leading a bad life. You're smoking tobacco.

1:36:35.560 --> 1:36:38.519
<v Speaker 5>We've seen him on the show. Listen to everybody know

1:36:38.600 --> 1:36:39.519
<v Speaker 5>I ain't smoke Ship.

1:36:39.960 --> 1:36:41.599
<v Speaker 2>Listen, listen. You know why You're gonna live forever?

1:36:41.960 --> 1:36:44.320
<v Speaker 1>Because hip hop and R and B, like you know

1:36:45.479 --> 1:36:49.280
<v Speaker 1>and and like like the legends, sometimes we just live forever.

1:36:49.439 --> 1:36:50.519
<v Speaker 2>Like the niggas in England.

1:36:50.840 --> 1:36:54.880
<v Speaker 19>The niggas in England is nine hundred, but they are

1:36:54.960 --> 1:36:58.720
<v Speaker 19>like they're like like them niggas don't little all the

1:36:58.800 --> 1:37:01.640
<v Speaker 19>rock boots from England and like hip hop is like

1:37:01.680 --> 1:37:02.200
<v Speaker 19>the new rock.

1:37:03.040 --> 1:37:10.439
<v Speaker 21>Yeah, like, hey, he lived he lived with Source, except

1:37:11.240 --> 1:37:14.360
<v Speaker 21>didn't make it tonight Hunter, Oh damn, I forgot about him.

1:37:14.600 --> 1:37:18.320
<v Speaker 21>But you you took focusing on one person. There's all

1:37:18.400 --> 1:37:19.880
<v Speaker 21>of them other niggas is out there.

1:37:19.760 --> 1:37:22.280
<v Speaker 2>And I see that this alcohol is affecting you, but

1:37:22.560 --> 1:37:24.680
<v Speaker 2>it's not affecting me at all. I really love it,

1:37:25.000 --> 1:37:26.880
<v Speaker 2>I know, and I love my job.

1:37:26.960 --> 1:37:28.560
<v Speaker 5>I just wanted to make sure that what it was

1:37:28.600 --> 1:37:31.519
<v Speaker 5>going to do, because no, no, I was doing. Ultimately,

1:37:31.640 --> 1:37:33.040
<v Speaker 5>my wife has to beate a price for this, but

1:37:33.439 --> 1:37:34.040
<v Speaker 5>should be fine.

1:37:34.360 --> 1:37:37.240
<v Speaker 2>She's great. She's great, and you're married.

1:37:37.439 --> 1:37:42.000
<v Speaker 1>Listen you you've always handled your relationships in public.

1:37:43.640 --> 1:37:50.240
<v Speaker 2>Excellent. See somebody finally saying this ship that's thinking like

1:37:51.120 --> 1:37:54.040
<v Speaker 2>like you, you ain't petty at all as zero.

1:37:54.560 --> 1:37:56.800
<v Speaker 5>And and you even just did a record with to

1:37:57.000 --> 1:38:00.560
<v Speaker 5>dollars songs and way, actually I've done like records on

1:38:00.640 --> 1:38:05.280
<v Speaker 5>Wayne's new album, The New Qualified, And that means.

1:38:05.080 --> 1:38:10.360
<v Speaker 2>I'm really not petty for real. Okay, okay, I understand.

1:38:10.680 --> 1:38:12.519
<v Speaker 2>I think that's the most unpetty is you could be.

1:38:13.280 --> 1:38:14.040
<v Speaker 2>Let's make some other.

1:38:17.720 --> 1:38:21.840
<v Speaker 1>All right, you are, I've undercepted you in the petty game,

1:38:22.320 --> 1:38:23.720
<v Speaker 1>and I gotta release.

1:38:27.240 --> 1:38:27.479
<v Speaker 2>Release.

1:38:28.640 --> 1:38:32.080
<v Speaker 1>I'm sorry because that is a real grown man ship.

1:38:32.200 --> 1:38:34.519
<v Speaker 2>Like it's like yo that you know.

1:38:34.600 --> 1:38:37.560
<v Speaker 1>People, relationships got nothing new relationships you whatever, like and

1:38:38.240 --> 1:38:39.519
<v Speaker 1>you tied out of way.

1:38:39.600 --> 1:38:43.160
<v Speaker 5>I saw that we're all just people, and I think

1:38:43.360 --> 1:38:46.000
<v Speaker 5>I think the I think in the end, especially in

1:38:46.080 --> 1:38:48.880
<v Speaker 5>this culture, you know, we're not like this. This isn't

1:38:49.240 --> 1:38:51.559
<v Speaker 5>This isn't us. It's not in us to be this way.

1:38:51.600 --> 1:38:53.320
<v Speaker 5>This country has kind of made us a certain type

1:38:53.320 --> 1:38:55.320
<v Speaker 5>of way, but it's just not in us to be

1:38:55.439 --> 1:38:58.360
<v Speaker 5>that way. I think we're giving when we can give,

1:38:58.840 --> 1:39:01.760
<v Speaker 5>and nobody hours away from a moment to be a hero.

1:39:01.960 --> 1:39:03.840
<v Speaker 5>It's just less and less of those times that we

1:39:04.000 --> 1:39:06.120
<v Speaker 5>get to become one, or that is seen or that

1:39:06.320 --> 1:39:09.160
<v Speaker 5>is celebrated. You know, like nobody wakes up if there's

1:39:09.200 --> 1:39:10.920
<v Speaker 5>a kid in front of a car, doesn't want to

1:39:10.960 --> 1:39:13.280
<v Speaker 5>push the kid out the way, you know, say their life,

1:39:13.320 --> 1:39:16.080
<v Speaker 5>you know, even if it means ends ending your own.

1:39:16.280 --> 1:39:19.560
<v Speaker 5>So there's a hero part to it, you know that

1:39:19.680 --> 1:39:21.640
<v Speaker 5>I think exists in the culture. We just don't get

1:39:21.680 --> 1:39:24.320
<v Speaker 5>to prove it often enough, or it's not shown often

1:39:24.479 --> 1:39:26.320
<v Speaker 5>enough either. Man, it's not shown true.

1:39:26.760 --> 1:39:29.960
<v Speaker 1>God damn it, dream man. I try to try to

1:39:30.160 --> 1:39:32.680
<v Speaker 1>put him in the pretty game. He broke out of it,

1:39:33.400 --> 1:39:34.040
<v Speaker 1>broke out, he.

1:39:35.680 --> 1:39:36.519
<v Speaker 2>Broke out man.

1:39:36.680 --> 1:39:39.120
<v Speaker 1>Listen, look, Coop, we gotta salute you more dream we

1:39:39.240 --> 1:39:42.439
<v Speaker 1>got to this culture, not just.

1:39:42.560 --> 1:39:45.639
<v Speaker 2>Hip hop, R and B, every everything. It's gotta because

1:39:45.760 --> 1:39:49.200
<v Speaker 2>you're one of the greats. Do you recognize yourself as

1:39:49.240 --> 1:39:49.880
<v Speaker 2>one of the greatest?

1:39:51.320 --> 1:39:51.560
<v Speaker 4>Not you?

1:39:52.280 --> 1:39:56.439
<v Speaker 2>Why I got so much more? That's a good answer.

1:39:56.840 --> 1:39:59.200
<v Speaker 2>That's a good answer. That's a great answer. You more? So?

1:39:59.280 --> 1:39:59.640
<v Speaker 2>What did?

1:39:59.760 --> 1:39:59.800
<v Speaker 6>What?

1:40:00.240 --> 1:40:02.679
<v Speaker 2>What do you want to? What is dream?

1:40:03.240 --> 1:40:05.439
<v Speaker 5>I ultimately want these songs that are right for three

1:40:05.479 --> 1:40:07.840
<v Speaker 5>minutes and thirty seconds to last for about.

1:40:07.560 --> 1:40:12.040
<v Speaker 2>An hour and a half. So that's where I'm a

1:40:12.160 --> 1:40:13.679
<v Speaker 2>dyslexic and I was only.

1:40:16.360 --> 1:40:19.360
<v Speaker 5>So I want these songs of three minutes and thirty

1:40:19.439 --> 1:40:23.400
<v Speaker 5>seconds to last four hour and thirty minutes. So I

1:40:23.439 --> 1:40:25.360
<v Speaker 5>just want to take those short stories. The hardest thing

1:40:25.400 --> 1:40:26.760
<v Speaker 5>to do is to put a fucking story in a

1:40:26.920 --> 1:40:32.599
<v Speaker 5>minute and three I'll just be able to elaborate, which

1:40:32.680 --> 1:40:33.160
<v Speaker 5>is easy.

1:40:33.520 --> 1:40:34.200
<v Speaker 2>I mean, it's easy.

1:40:34.360 --> 1:40:36.599
<v Speaker 5>Are treatments, Yeah, it was a treatment because you don't

1:40:36.600 --> 1:40:37.639
<v Speaker 5>have to cut out the details.

1:40:38.040 --> 1:40:39.720
<v Speaker 2>It's like, okay, I'll get a detail this ship.

1:40:39.720 --> 1:40:42.240
<v Speaker 5>If I was writing fucking short about me and fucking

1:40:42.320 --> 1:40:43.920
<v Speaker 5>Nord right now, I get to write the details of

1:40:44.000 --> 1:40:49.040
<v Speaker 5>what the fuck we're going through today here, Please that's

1:40:49.080 --> 1:40:49.800
<v Speaker 5>doing these types.

1:40:51.600 --> 1:40:52.960
<v Speaker 2>Just keep paying the picture. I love it.

1:40:53.720 --> 1:40:56.519
<v Speaker 5>You're gonna here we wake up. Hey, y'all need we

1:40:56.600 --> 1:40:58.400
<v Speaker 5>go meet at the studio. But the truth is we

1:40:58.520 --> 1:41:00.280
<v Speaker 5>never actually gonna make it to the studio at least

1:41:00.280 --> 1:41:01.040
<v Speaker 5>be in this whole day.

1:41:02.120 --> 1:41:02.280
<v Speaker 6>Yea.

1:41:05.600 --> 1:41:08.360
<v Speaker 2>So we spend this whole day trying to get to

1:41:08.479 --> 1:41:12.120
<v Speaker 2>the studio to do fucking song. Okay, that's never happens.

1:41:12.200 --> 1:41:22.320
<v Speaker 2>So it's never happens. Okay, movie doesn't mean it doesn't

1:41:22.360 --> 1:41:23.280
<v Speaker 2>happen in real life.

1:41:23.720 --> 1:41:23.880
<v Speaker 6>You know.

1:41:24.000 --> 1:41:24.880
<v Speaker 2>That's kind of the ploy.

1:41:25.960 --> 1:41:28.679
<v Speaker 5>The idea of it, though, is just trying so hard

1:41:28.760 --> 1:41:31.400
<v Speaker 5>and when you really try to grip tight to do something,

1:41:31.479 --> 1:41:34.000
<v Speaker 5>that ship never comes out right when you try your

1:41:34.080 --> 1:41:36.280
<v Speaker 5>hardest to get it right. So you started they trying

1:41:36.280 --> 1:41:38.280
<v Speaker 5>to get the move right. You go buy a pound

1:41:38.360 --> 1:41:40.880
<v Speaker 5>from so and so over there you get your blood.

1:41:41.320 --> 1:41:43.800
<v Speaker 5>Just ship ain't going right, getting pulled over. You have

1:41:43.920 --> 1:41:46.479
<v Speaker 5>to flush and ship. You all gotta go back and

1:41:46.560 --> 1:41:49.840
<v Speaker 5>do this ship. Your day is long, My day is long.

1:41:50.160 --> 1:41:51.479
<v Speaker 2>R and b ship. Try to get one bitch.

1:41:51.479 --> 1:41:53.320
<v Speaker 5>I'll get another bitch in like, yeah, we gonna meet

1:41:53.320 --> 1:41:55.599
<v Speaker 5>in the studio. Times already fucked up, were sucking it up,

1:41:55.880 --> 1:41:57.920
<v Speaker 5>but we're trying too hard to make the situation right

1:41:58.000 --> 1:41:58.840
<v Speaker 5>and make the right record.

1:41:59.800 --> 1:42:02.600
<v Speaker 2>That's have you read the treatment? No, I'm writing it

1:42:02.680 --> 1:42:07.080
<v Speaker 2>right now like I know you are before. Yes, No,

1:42:07.680 --> 1:42:07.960
<v Speaker 2>you know what.

1:42:08.120 --> 1:42:11.360
<v Speaker 1>My next question was, have you ever gave somebody a

1:42:11.520 --> 1:42:14.639
<v Speaker 1>record and they even came back with the worst video treatment?

1:42:14.880 --> 1:42:21.880
<v Speaker 2>Neighborhood. That's the people over there too. They said that

1:42:23.520 --> 1:42:27.640
<v Speaker 2>they were all down together. He had the vision. I

1:42:27.760 --> 1:42:30.680
<v Speaker 2>just let people, the fans designed what videos? They're like,

1:42:30.920 --> 1:42:32.760
<v Speaker 2>what video you was so mad at?

1:42:33.040 --> 1:42:33.240
<v Speaker 6>You know?

1:42:33.439 --> 1:42:35.960
<v Speaker 2>I tell you that. No, I know, and I don't

1:42:35.960 --> 1:42:38.920
<v Speaker 2>want to throw you tell me just telling them nobody listening.

1:42:40.920 --> 1:42:41.880
<v Speaker 2>I can't say it.

1:42:42.920 --> 1:42:44.960
<v Speaker 5>But there has been times where you're like, you know,

1:42:45.080 --> 1:42:48.640
<v Speaker 5>you have you grow hefty appetite when you humbrella is

1:42:48.680 --> 1:42:50.360
<v Speaker 5>the video that comes back on your song and your

1:42:50.400 --> 1:42:53.120
<v Speaker 5>soul is hot and you're like, oh fuck yes, and

1:42:53.200 --> 1:42:55.599
<v Speaker 5>then somebody goes down from there. It was all fuck,

1:42:56.040 --> 1:42:58.639
<v Speaker 5>fuck my song up the fun Why were you there

1:42:58.640 --> 1:43:00.479
<v Speaker 5>in the swamp doing my fuck this song?

1:43:00.600 --> 1:43:04.519
<v Speaker 2>That's definitely says the beach. It's hits.

1:43:06.280 --> 1:43:08.160
<v Speaker 5>That's why I said it swamp, because I haven't there's

1:43:08.160 --> 1:43:09.120
<v Speaker 5>no videos in the swamp.

1:43:10.000 --> 1:43:10.719
<v Speaker 2>There is no clue.

1:43:11.280 --> 1:43:15.559
<v Speaker 1>He's very swamp. We're not getting him nowhere. He's taking shots.

1:43:15.640 --> 1:43:23.320
<v Speaker 1>It's nothing we can get. That would be greaty, that

1:43:23.360 --> 1:43:25.800
<v Speaker 1>would be awkward if somebody had to be like, we

1:43:25.880 --> 1:43:27.280
<v Speaker 1>wouldn't do that. We're protecting you over.

1:43:27.479 --> 1:43:30.080
<v Speaker 2>I appreciate what we got. You protect me out all

1:43:30.160 --> 1:43:45.400
<v Speaker 2>that outside they got all. So now, what's your favorite liquor?

1:43:45.520 --> 1:43:46.519
<v Speaker 2>This is drink Champs.

1:43:46.560 --> 1:43:51.280
<v Speaker 1>We drink liquor, our favorite liquor to write ahead all anything,

1:43:51.400 --> 1:43:53.560
<v Speaker 1>all the process to write about like what is it?

1:43:53.760 --> 1:43:56.559
<v Speaker 2>Like? What? But back in the day it was patrol.

1:43:56.640 --> 1:43:59.800
<v Speaker 2>Now is that that's a great This makes a noise?

1:44:05.280 --> 1:44:05.439
<v Speaker 5>Man?

1:44:07.040 --> 1:44:07.280
<v Speaker 2>Why?

1:44:07.439 --> 1:44:09.960
<v Speaker 1>Because see I noticed that people that drink to kuilla

1:44:10.760 --> 1:44:15.760
<v Speaker 1>those are people you know, you know for people that

1:44:15.760 --> 1:44:16.719
<v Speaker 1>don't drink to quilla.

1:44:17.240 --> 1:44:19.479
<v Speaker 2>That's straight down to the bottom.

1:44:19.560 --> 1:44:21.880
<v Speaker 1>Like it's like because you can't just drink killer and

1:44:22.000 --> 1:44:24.640
<v Speaker 1>be depends on the tequila though, So what I'm saying is,

1:44:25.200 --> 1:44:29.280
<v Speaker 1>how could you drink tequila and like write these amazing lyrics.

1:44:29.720 --> 1:44:31.479
<v Speaker 5>Oh no, I didn't need to drink to write or

1:44:31.560 --> 1:44:35.320
<v Speaker 5>small Oh you know this ship is the purely your

1:44:35.400 --> 1:44:39.400
<v Speaker 5>celebration of what then has been done. Yeah, I'm like, hi,

1:44:39.560 --> 1:44:40.880
<v Speaker 5>already when I wake up, I'm not.

1:44:41.120 --> 1:44:43.920
<v Speaker 2>I don't need anything that actually just slows me the

1:44:43.960 --> 1:44:48.840
<v Speaker 2>fuck down, that s fucked me up. I can't write.

1:44:49.200 --> 1:44:53.200
<v Speaker 2>I can't write ship without the marijuana. Marijuana, Okay, yeah,

1:44:53.200 --> 1:44:53.760
<v Speaker 2>you man, I don't.

1:44:54.360 --> 1:44:54.639
<v Speaker 3>I don't.

1:44:54.720 --> 1:44:57.240
<v Speaker 2>You don't have to drink. You're the summer chain. I

1:44:57.280 --> 1:44:59.280
<v Speaker 2>don't vocals. I don't drink.

1:45:00.400 --> 1:45:02.519
<v Speaker 1>But when I actually write the vocals, I'll drink all

1:45:02.600 --> 1:45:05.360
<v Speaker 1>day and I'll be I'll be like, I'll be by myself.

1:45:05.400 --> 1:45:07.479
<v Speaker 1>I don't be around nobody, like I just sit there

1:45:07.920 --> 1:45:10.640
<v Speaker 1>but to layer, I will not drink hazard day.

1:45:11.040 --> 1:45:13.479
<v Speaker 2>You know, write I don't drink. And sometimes when I drink.

1:45:13.520 --> 1:45:16.080
<v Speaker 1>The reason why when I drink, I gotta lay it back.

1:45:16.200 --> 1:45:18.880
<v Speaker 1>I gotta redo the vocals so many times that it's

1:45:18.920 --> 1:45:20.560
<v Speaker 1>just not worth it. I just I have all the

1:45:20.600 --> 1:45:25.080
<v Speaker 1>liquor in the studio has a and then I do it.

1:45:25.880 --> 1:45:28.160
<v Speaker 1>I lay it sober, and then we get fucked up.

1:45:28.400 --> 1:45:30.920
<v Speaker 2>Well I didn't. I didn't. I didn't drink or or

1:45:31.280 --> 1:45:35.080
<v Speaker 2>smoke until I was thirty, so you might, yeah, we

1:45:35.680 --> 1:45:36.479
<v Speaker 2>drink or smoke.

1:45:36.640 --> 1:45:39.519
<v Speaker 5>Yeah, there was a path that I that I made,

1:45:39.720 --> 1:45:42.160
<v Speaker 5>you know, with myself and I was just like, I'm

1:45:42.200 --> 1:45:44.040
<v Speaker 5>not drinking or smoke until I got a million dollars.

1:45:44.120 --> 1:45:49.880
<v Speaker 2>So that's when I first son fucking death listen for

1:45:50.000 --> 1:45:56.320
<v Speaker 2>some of us or smoke. They made a million dollars.

1:45:56.400 --> 1:46:00.599
<v Speaker 2>That it is hard. That is hard. I was trying

1:46:00.640 --> 1:46:02.840
<v Speaker 2>to motivate. I don't even want to say I was

1:46:02.840 --> 1:46:04.840
<v Speaker 2>trying to motivate earlier. I was trying to motivate, But

1:46:04.960 --> 1:46:09.040
<v Speaker 2>damn I should have used something like that. That was

1:46:09.520 --> 1:46:11.320
<v Speaker 2>you know, the l O V. He still want to

1:46:11.400 --> 1:46:12.240
<v Speaker 2>fight the system.

1:46:13.160 --> 1:46:13.680
<v Speaker 9>He got out.

1:46:14.120 --> 1:46:17.880
<v Speaker 2>Yeah, yeah, it's not yo. They threw out my case.

1:46:17.920 --> 1:46:19.639
<v Speaker 2>I said, they threw out their case because they think

1:46:19.720 --> 1:46:20.400
<v Speaker 2>you're crazy.

1:46:22.160 --> 1:46:25.200
<v Speaker 1>They think you crazy, You motherfucker like and he's like,

1:46:25.400 --> 1:46:26.360
<v Speaker 1>I want to soothe them.

1:46:26.439 --> 1:46:31.720
<v Speaker 2>Now you're lucky. Don't go back into the swamp with

1:46:31.840 --> 1:46:34.840
<v Speaker 2>the just all.

1:46:36.000 --> 1:46:36.160
<v Speaker 4>You know.

1:46:36.760 --> 1:46:41.240
<v Speaker 2>You know, So, what's your favorite moment in music period?

1:46:41.680 --> 1:46:46.200
<v Speaker 2>All around ninety five MTV Music Awards. I'm like, God, damn,

1:46:46.600 --> 1:46:48.960
<v Speaker 2>what you do? This is the first thing?

1:46:55.040 --> 1:46:55.439
<v Speaker 17>What do you do?

1:46:55.960 --> 1:46:57.720
<v Speaker 2>You remember? Fucking Mike came back and then I got

1:46:57.800 --> 1:46:59.760
<v Speaker 2>damn move Walking ninety five music?

1:47:00.080 --> 1:47:03.080
<v Speaker 5>What I just for the listeners that whole fucking Metalley

1:47:03.160 --> 1:47:05.680
<v Speaker 5>that lasted like forty minutes, and it was like, oh,

1:47:05.760 --> 1:47:08.479
<v Speaker 5>no commercial break again for Michael. He had been gone

1:47:08.560 --> 1:47:10.519
<v Speaker 5>and he left. He did Blood from the Dance Lloyd,

1:47:10.520 --> 1:47:13.120
<v Speaker 5>he did all this ship. He's over your fucking with

1:47:14.640 --> 1:47:17.240
<v Speaker 5>whatever fuck he was doing. And that was the first

1:47:17.280 --> 1:47:19.920
<v Speaker 5>time we really saw him coming. It's like, Yo, Michaels,

1:47:20.200 --> 1:47:22.320
<v Speaker 5>be on here. We got ready all week for that ship, Like,

1:47:22.400 --> 1:47:26.440
<v Speaker 5>oh ship, Mike Finner come out and Nigga did smooth criminals.

1:47:26.120 --> 1:47:29.880
<v Speaker 2>Ship and put the criminal Nigga did the lead came back.

1:47:29.960 --> 1:47:34.519
<v Speaker 2>We're like, oh, ship, Mike's got crazy. That's the first

1:47:34.560 --> 1:47:41.840
<v Speaker 2>time of war was introduced. No come back. He looked

1:47:41.880 --> 1:47:43.639
<v Speaker 2>when he did it. I was jealous.

1:47:45.760 --> 1:47:48.559
<v Speaker 5>He didn't miss the fucking step He missed a fucking

1:47:48.600 --> 1:47:55.559
<v Speaker 5>step mother. Amazing Prince no man story with him, the.

1:47:55.560 --> 1:47:58.320
<v Speaker 2>Story you ain't gonna you ain't got a Prince store. Yeah,

1:48:01.160 --> 1:48:02.960
<v Speaker 2>Prince to death. May you rest in peace for that

1:48:03.040 --> 1:48:07.599
<v Speaker 2>guy that get this. It's a good one. So I'm

1:48:07.640 --> 1:48:11.479
<v Speaker 2>doing this record with Mary J. Blige and it has

1:48:11.520 --> 1:48:12.479
<v Speaker 2>that Prince vibe to it.

1:48:12.640 --> 1:48:15.519
<v Speaker 5>So so at the time, it's just like, all right, cool,

1:48:15.520 --> 1:48:17.320
<v Speaker 5>we're gonna getting over the Prince, you know, like, let

1:48:17.400 --> 1:48:19.120
<v Speaker 5>him take a stab at it, do a couple of things,

1:48:21.000 --> 1:48:22.880
<v Speaker 5>a little bit, you know, do a thing.

1:48:23.400 --> 1:48:24.920
<v Speaker 2>And of course he's like, yeah, you know, I do

1:48:25.000 --> 1:48:26.200
<v Speaker 2>whatever y'all need me to deal with.

1:48:26.360 --> 1:48:29.840
<v Speaker 5>So they send the record over to him and Ship,

1:48:29.880 --> 1:48:32.960
<v Speaker 5>and I'm just actually just saying what I think I

1:48:33.040 --> 1:48:36.200
<v Speaker 5>think the conversation with. So send the record to Prince

1:48:36.280 --> 1:48:38.080
<v Speaker 5>Princess the record record back and Ship.

1:48:38.120 --> 1:48:40.679
<v Speaker 2>He didn't sing none of the parts that Mary wanted

1:48:40.760 --> 1:48:41.200
<v Speaker 2>him to see.

1:48:41.960 --> 1:48:44.880
<v Speaker 5>But he's he's like playing all of the track and

1:48:44.920 --> 1:48:51.240
<v Speaker 5>Ship going crazy, like just going crazy and Ship, but

1:48:51.360 --> 1:48:53.200
<v Speaker 5>in the prince type of way. Lad to death, like

1:48:53.280 --> 1:48:57.160
<v Speaker 5>I said. But so marys me, He's like, yo, man

1:48:59.000 --> 1:49:02.200
<v Speaker 5>sucking Prince record. Man, he's just played all over the ship.

1:49:02.280 --> 1:49:04.680
<v Speaker 2>Man, Like, how do you talk to him?

1:49:04.760 --> 1:49:10.200
<v Speaker 5>I'm like, ship, fucking Prince. You're gonna say, like you

1:49:10.280 --> 1:49:15.639
<v Speaker 5>gotta take the hell? No, you know, I don't even

1:49:15.680 --> 1:49:17.880
<v Speaker 5>think we put the record. We probably stay record.

1:49:19.200 --> 1:49:22.760
<v Speaker 2>So so so she she she got the courage. She's like,

1:49:22.800 --> 1:49:25.599
<v Speaker 2>you know what you eat, I'm just gonna call him.

1:49:25.720 --> 1:49:27.519
<v Speaker 2>I'm gonna call him up. I'm gonna call him right now,

1:49:27.640 --> 1:49:30.479
<v Speaker 2>call you back, all right? Cool? Mary gets out the

1:49:30.520 --> 1:49:30.960
<v Speaker 2>phone with me.

1:49:31.360 --> 1:49:33.840
<v Speaker 5>Your phone, I guess she's calling Prince and this kind

1:49:33.840 --> 1:49:35.000
<v Speaker 5>of how that ship had to go.

1:49:36.439 --> 1:49:44.240
<v Speaker 2>She's like, uh, Prince, yeah I got the I got

1:49:44.320 --> 1:49:44.960
<v Speaker 2>the record back.

1:49:45.040 --> 1:49:48.960
<v Speaker 5>But you know the I just wanted you to do

1:49:49.040 --> 1:49:50.880
<v Speaker 5>this one part of me and sing the you know,

1:49:51.080 --> 1:49:52.800
<v Speaker 5>just just sing a little bit of it and just

1:49:53.040 --> 1:49:54.120
<v Speaker 5>play a little bit at the end.

1:49:55.479 --> 1:49:59.920
<v Speaker 2>What you don't like it? No, it's not really the

1:50:00.040 --> 1:50:01.560
<v Speaker 2>and I don't like you know, I'm just saying. I

1:50:01.680 --> 1:50:04.040
<v Speaker 2>mean because we was over this bitch jamming like a mother.

1:50:05.000 --> 1:50:06.320
<v Speaker 2>That's literally was the conment.

1:50:06.600 --> 1:50:09.519
<v Speaker 5>Me and this bitch jamming like they're playing your ship

1:50:09.600 --> 1:50:11.920
<v Speaker 5>in the back and it says good to them what

1:50:12.080 --> 1:50:16.000
<v Speaker 5>you're saying. You told me that ship I just fell out,

1:50:17.720 --> 1:50:19.160
<v Speaker 5>Like I told you, fucking.

1:50:18.920 --> 1:50:23.639
<v Speaker 2>Prince, like what happened. Yeah, I can just don't call.

1:50:24.040 --> 1:50:26.519
<v Speaker 5>Just let leave a cool whatever you want to do, dog,

1:50:27.080 --> 1:50:28.040
<v Speaker 5>straighten that ship up later.

1:50:28.160 --> 1:50:30.599
<v Speaker 1>Now you have had one of those in the session

1:50:30.720 --> 1:50:33.000
<v Speaker 1>with you where you work with somebody you looked up

1:50:33.080 --> 1:50:35.280
<v Speaker 1>to and they fucking up.

1:50:35.439 --> 1:50:39.760
<v Speaker 2>You gotta be like, can you old?

1:50:40.120 --> 1:50:42.639
<v Speaker 1>Because me, I'll tell you I'm gonna suck come out

1:50:42.800 --> 1:50:46.439
<v Speaker 1>like ship good. This type of nigga I'm like, I

1:50:46.479 --> 1:50:48.160
<v Speaker 1>ain't gonna tell him it ain't.

1:50:47.960 --> 1:50:50.240
<v Speaker 2>Good you you you.

1:50:51.840 --> 1:50:54.880
<v Speaker 5>Know, I mind I been I do catch your release.

1:50:56.040 --> 1:50:59.320
<v Speaker 5>I have no idea what you said to catch your releases?

1:50:59.560 --> 1:51:02.000
<v Speaker 5>When this when you've done did this ship so long

1:51:02.240 --> 1:51:06.040
<v Speaker 5>with some motherfuckers that's just gifted? Don't tell them nothing

1:51:06.080 --> 1:51:06.720
<v Speaker 5>wrong with they song.

1:51:07.080 --> 1:51:10.760
<v Speaker 2>Just I'm talking about like actually like making a song. Yeah,

1:51:10.960 --> 1:51:14.000
<v Speaker 2>oh you're making a song. Even if they're doing something

1:51:14.040 --> 1:51:16.760
<v Speaker 2>that's not to you don't liking and you're in there

1:51:16.800 --> 1:51:24.760
<v Speaker 2>with a great motherfucker. Don't say ship okay, okay, no,

1:51:24.920 --> 1:51:28.479
<v Speaker 2>you just you just that's how you feel like, oh

1:51:28.560 --> 1:51:29.479
<v Speaker 2>ship all right?

1:51:29.600 --> 1:51:32.120
<v Speaker 5>Cool, because they ain't about it being bad when motherfucker's great,

1:51:32.160 --> 1:51:32.559
<v Speaker 5>they're great.

1:51:33.040 --> 1:51:35.320
<v Speaker 2>Sometimes they just just be doing something that's not great.

1:51:36.520 --> 1:51:38.720
<v Speaker 5>You you can do this, no, not like that, just

1:51:38.960 --> 1:51:41.080
<v Speaker 5>just in a way maybe a delivery of something like

1:51:41.400 --> 1:51:42.760
<v Speaker 5>you should have been a little bit softer on that,

1:51:43.080 --> 1:51:44.439
<v Speaker 5>but it ain't critique time.

1:51:44.520 --> 1:51:45.760
<v Speaker 2>As soon as they leave, you have to.

1:51:45.920 --> 1:51:49.080
<v Speaker 5>Just all right, cool, I'm gone go shopping real quick,

1:51:49.120 --> 1:51:50.479
<v Speaker 5>go to Birder, go for good and give me a

1:51:50.520 --> 1:51:53.040
<v Speaker 5>couple of things. Come back, and by the time you

1:51:53.080 --> 1:51:55.720
<v Speaker 5>get back, they're so fucking great. The great ones are

1:51:55.800 --> 1:51:59.960
<v Speaker 5>so fucking great. They answered they fucking question and you're

1:52:00.280 --> 1:52:02.400
<v Speaker 5>you're like, thank god, and you had to bring that

1:52:02.439 --> 1:52:05.880
<v Speaker 5>ship up. And they ain't bad, right because they're great.

1:52:06.000 --> 1:52:08.839
<v Speaker 5>That's how they fucking got there. They already they're already

1:52:08.920 --> 1:52:12.200
<v Speaker 5>picking at themselves at a point and in a certain

1:52:12.240 --> 1:52:14.559
<v Speaker 5>type of way that you can never pick the shit apart.

1:52:14.640 --> 1:52:17.559
<v Speaker 5>You can't tell be saying something like it's fucked up,

1:52:17.680 --> 1:52:20.560
<v Speaker 5>like she knows what, she knows what to do, you know, like,

1:52:20.680 --> 1:52:21.200
<v Speaker 5>so you can't.

1:52:21.680 --> 1:52:24.120
<v Speaker 2>You just have to give them, you know, anybody that time.

1:52:24.600 --> 1:52:27.200
<v Speaker 5>That's great, and they'll come back to their own ship

1:52:27.280 --> 1:52:30.200
<v Speaker 5>and say, I think I could do that hook like this,

1:52:30.400 --> 1:52:32.040
<v Speaker 5>I think that'll be better, and in your mind you

1:52:32.160 --> 1:52:34.479
<v Speaker 5>just like, thank god, I ain't have to say nothing

1:52:34.520 --> 1:52:36.439
<v Speaker 5>about that. And when they need your fucking input, they'll

1:52:36.439 --> 1:52:38.800
<v Speaker 5>ask you. The great ones do it's theill motherfuckers in

1:52:38.840 --> 1:52:43.439
<v Speaker 5>the middle. You can't tell them, motherfucking ship now correct nothing.

1:52:43.479 --> 1:52:46.040
<v Speaker 5>I think this shit dope. It's dope enough for the

1:52:46.160 --> 1:52:48.160
<v Speaker 5>number one ninety eight on the chance.

1:52:48.240 --> 1:52:52.600
<v Speaker 2>But whatever you say, bet, I'm with you. Get my

1:52:52.680 --> 1:52:55.760
<v Speaker 2>money up front. Have you ever been wrong? Have you

1:52:55.800 --> 1:52:59.320
<v Speaker 2>ever gave advice and you was wrong. I'm wrong all

1:52:59.360 --> 1:53:02.599
<v Speaker 2>the time. I'm all right than wrong, though, like ninety

1:53:04.840 --> 1:53:07.479
<v Speaker 2>what's what's something you was wrong on? Like an artist

1:53:07.560 --> 1:53:09.560
<v Speaker 2>wanted to work with you or something or something like that.

1:53:09.640 --> 1:53:11.160
<v Speaker 5>I'm never wrong on that type of ship. I was

1:53:11.200 --> 1:53:13.599
<v Speaker 5>just saying in life in general, Okay, yeah, this music shop,

1:53:13.600 --> 1:53:14.120
<v Speaker 5>I got this ship.

1:53:14.120 --> 1:53:22.439
<v Speaker 2>Don't lock. Let's make some noise for that. I'm just saying, Okay,

1:53:22.720 --> 1:53:25.000
<v Speaker 2>we're gonna take a cigarette break down, the bathroom break

1:53:25.040 --> 1:53:27.080
<v Speaker 2>real quick, you're cool, and then we get five more

1:53:27.120 --> 1:53:31.120
<v Speaker 2>minutes here. I got bathroom breaks this year. Take bathroom

1:53:32.000 --> 1:53:32.680
<v Speaker 2>I ain't gonna lock.

1:53:33.760 --> 1:53:35.680
<v Speaker 5>That's the city player, like, you know, you gotta at

1:53:35.720 --> 1:53:39.519
<v Speaker 5>least take one Bathroomlet.

1:53:40.600 --> 1:53:43.560
<v Speaker 2>Back wrong. So you know this is this is like

1:53:43.640 --> 1:53:46.040
<v Speaker 2>a new part of the show that I'm.

1:53:48.280 --> 1:53:48.400
<v Speaker 6>Run.

1:53:49.320 --> 1:53:52.800
<v Speaker 2>This is you know you'll never run by me. You lead.

1:53:54.280 --> 1:53:56.400
<v Speaker 2>They all have conversations, but no, this is the part

1:53:56.560 --> 1:53:57.800
<v Speaker 2>I'm just seeing. This is gonna work.

1:53:58.439 --> 1:54:02.040
<v Speaker 1>I've pulled up one of your tweets, right it You says,

1:54:02.360 --> 1:54:05.880
<v Speaker 1>aks your favorites, how many times they played me before

1:54:05.960 --> 1:54:09.760
<v Speaker 1>the inspiration kicked in? Then you tagged it meek Mill

1:54:10.800 --> 1:54:13.240
<v Speaker 1>and you said it and then you say said it

1:54:13.439 --> 1:54:14.840
<v Speaker 1>best Jimmy foulon.

1:54:15.200 --> 1:54:18.800
<v Speaker 2>Dream You thought, mm, what did what did that? Tweet? Me?

1:54:19.920 --> 1:54:23.240
<v Speaker 5>Me and me and me and my brother Meek just

1:54:23.320 --> 1:54:25.599
<v Speaker 5>did a record on foul and maybe like a month

1:54:25.600 --> 1:54:30.240
<v Speaker 5>and a half, two months ago, young black American.

1:54:31.760 --> 1:54:36.400
<v Speaker 2>And I'm walking in and let's just say he has

1:54:36.480 --> 1:54:38.720
<v Speaker 2>a certain thing that he he did. He's like, yo, man,

1:54:38.720 --> 1:54:43.800
<v Speaker 2>I will you know I that meet then yea, heak.

1:54:43.640 --> 1:54:45.840
<v Speaker 5>Has a certain you know, he has his dream Chases logo,

1:54:45.920 --> 1:54:48.760
<v Speaker 5>and I got my low logo, which is Radio Killer Records,

1:54:48.760 --> 1:54:52.800
<v Speaker 5>which is the whole Rose Wars thing. And and I

1:54:52.840 --> 1:54:55.360
<v Speaker 5>get ready to walk in. He was like, actually used

1:54:55.360 --> 1:54:56.560
<v Speaker 5>first of that one. He was like, but I put

1:54:56.600 --> 1:54:59.840
<v Speaker 5>that shit on blast, so everybody's seen it. It's like,

1:55:00.120 --> 1:55:00.960
<v Speaker 5>know what your problem is?

1:55:02.040 --> 1:55:02.480
<v Speaker 2>Who said?

1:55:02.520 --> 1:55:04.160
<v Speaker 18>You know me?

1:55:04.280 --> 1:55:06.240
<v Speaker 5>He's like, you know what your problem is? It's like

1:55:06.320 --> 1:55:08.480
<v Speaker 5>you don't put enough light on it. It's like, so

1:55:08.560 --> 1:55:10.600
<v Speaker 5>when you do shit, nobody really knows. He's like, you

1:55:10.600 --> 1:55:12.720
<v Speaker 5>don't talk about that shit, like how you need to

1:55:12.760 --> 1:55:15.800
<v Speaker 5>talk about it, you know, so that motherfuckers know, like

1:55:15.880 --> 1:55:17.080
<v Speaker 5>that certain shit came from you.

1:55:18.560 --> 1:55:21.520
<v Speaker 2>And when I stopped for like two seconds, I was

1:55:21.600 --> 1:55:25.600
<v Speaker 2>like this motherfucker is right. It's like like you know

1:55:25.760 --> 1:55:26.560
<v Speaker 2>and and I don't.

1:55:26.680 --> 1:55:30.440
<v Speaker 5>And that's probably that's probably more leaning to the unartist

1:55:30.520 --> 1:55:36.000
<v Speaker 5>part about me, you know. And there's nothing that I

1:55:36.040 --> 1:55:39.360
<v Speaker 5>would change about that particular thing. I mean, you know,

1:55:39.440 --> 1:55:42.840
<v Speaker 5>at this particular point, once you once your famous, you're famous,

1:55:42.880 --> 1:55:45.560
<v Speaker 5>Like there's no in between. I don't believe in in between,

1:55:45.880 --> 1:55:49.520
<v Speaker 5>Like you know, take the bullshit as a as it amounts.

1:55:49.120 --> 1:55:51.840
<v Speaker 2>And dollars like, and it's just is what it is, like,

1:55:52.280 --> 1:55:53.440
<v Speaker 2>but go all the way, like.

1:55:53.480 --> 1:55:57.560
<v Speaker 5>Don't stop or don't don't cut something short or make

1:55:57.640 --> 1:55:59.760
<v Speaker 5>something half ass or do it half.

1:55:59.600 --> 1:56:02.720
<v Speaker 2>As it to be done. You know, if if you're

1:56:02.760 --> 1:56:04.320
<v Speaker 2>scared of at light, like run all the way to

1:56:04.400 --> 1:56:06.000
<v Speaker 2>the light, you started running there in the first place.

1:56:06.640 --> 1:56:08.640
<v Speaker 2>And that's he just in one.

1:56:08.600 --> 1:56:12.880
<v Speaker 5>Quick second reminded me O O G me, like, yo,

1:56:14.400 --> 1:56:16.120
<v Speaker 5>you don't put enough light on that ship. You gotta

1:56:16.120 --> 1:56:19.120
<v Speaker 5>start talking that ship, you know, because I'm good at

1:56:19.200 --> 1:56:24.640
<v Speaker 5>talking ship. But at a certain point, at certain point,

1:56:24.760 --> 1:56:26.760
<v Speaker 5>it was more so I was talking to myself.

1:56:26.960 --> 1:56:28.760
<v Speaker 2>So what did you adjust after he said that? What

1:56:28.880 --> 1:56:29.520
<v Speaker 2>did you adjust?

1:56:30.080 --> 1:56:32.320
<v Speaker 5>I'm just doing certain shit and showing certain ship now,

1:56:32.480 --> 1:56:35.760
<v Speaker 5>like it's just a it's I'm just gaining a better

1:56:35.920 --> 1:56:36.680
<v Speaker 5>perspective of.

1:56:41.320 --> 1:56:42.440
<v Speaker 2>Inspiring others.

1:56:43.080 --> 1:56:45.360
<v Speaker 5>And when there's a line that that that they both

1:56:45.480 --> 1:56:48.240
<v Speaker 5>like intersect, it's like, be humble with what you have,

1:56:49.200 --> 1:56:50.920
<v Speaker 5>but also you can be so humble that you seem

1:56:51.040 --> 1:56:56.640
<v Speaker 5>silent about certain things you know, versus inspiring somebody else

1:56:56.720 --> 1:56:59.840
<v Speaker 5>to say, you know, because only only gifted and motherfuckers

1:56:59.880 --> 1:57:01.839
<v Speaker 5>that leaving themself gonna take it the right way anyway.

1:57:02.400 --> 1:57:04.800
<v Speaker 5>So now it's just the point of doing shit to

1:57:04.880 --> 1:57:09.000
<v Speaker 5>a certain point that makes somebody say, the motherfucker's roll around.

1:57:09.040 --> 1:57:12.840
<v Speaker 5>This's bitching that fucking ghost like it ain't nothing they

1:57:12.920 --> 1:57:16.640
<v Speaker 5>got ninety nine calls like and feel okay with Like,

1:57:16.720 --> 1:57:18.600
<v Speaker 5>it ain't about me not being humble, Like I know

1:57:18.600 --> 1:57:20.600
<v Speaker 5>where the fuck I came from. I know where my

1:57:20.680 --> 1:57:23.480
<v Speaker 5>ancestors came from. I know more about my tree and

1:57:23.520 --> 1:57:25.960
<v Speaker 5>the slave shift that dropped us off in South Carolina

1:57:26.000 --> 1:57:28.000
<v Speaker 5>than anybody like I know about it. So I know

1:57:28.240 --> 1:57:31.520
<v Speaker 5>exactly what it is, so I have to I didn't

1:57:31.560 --> 1:57:33.600
<v Speaker 5>have to convince myself, but I had to just believe

1:57:33.680 --> 1:57:37.400
<v Speaker 5>that and say, whatever you do have is a testament

1:57:37.600 --> 1:57:41.960
<v Speaker 5>of It is a testament to hard work and being

1:57:42.080 --> 1:57:47.280
<v Speaker 5>able to to persevere through anything. And the real people

1:57:47.320 --> 1:57:49.560
<v Speaker 5>that feel good inside themselfs, they gonna feel like that.

1:57:49.960 --> 1:57:52.880
<v Speaker 2>They want to feel like Yo, you persevered. You need

1:57:52.960 --> 1:57:57.720
<v Speaker 2>to want Champagne was a great champagne call is persever

1:57:59.280 --> 1:58:01.080
<v Speaker 2>It's real. This is champagne.

1:58:01.280 --> 1:58:03.160
<v Speaker 1>You gotta champagne. You got like nine cups over there,

1:58:03.280 --> 1:58:06.680
<v Speaker 1>can give it. You keep it in real dream, Yo, Listen,

1:58:06.880 --> 1:58:09.080
<v Speaker 1>R and B Niggas is never gonna come to ours.

1:58:09.520 --> 1:58:10.360
<v Speaker 1>They're gonna try.

1:58:10.240 --> 1:58:14.400
<v Speaker 2>To top dream and they're gonna gonna be crazy. They're

1:58:14.440 --> 1:58:16.840
<v Speaker 2>gonna die. It's R and B niggas just as tough

1:58:16.840 --> 1:58:19.280
<v Speaker 2>as hip hop niggas, or they y'all might be even

1:58:19.360 --> 1:58:20.120
<v Speaker 2>wilder than us.

1:58:20.800 --> 1:58:24.200
<v Speaker 1>You really even thinking here, like, I don't think it's

1:58:24.360 --> 1:58:27.080
<v Speaker 1>it's a D M X and R and B. That's

1:58:27.120 --> 1:58:30.720
<v Speaker 1>Bobby Brown, right, that's the first that I mean that.

1:58:31.640 --> 1:58:35.000
<v Speaker 1>I mean, let's just keep let's get so all right,

1:58:35.240 --> 1:58:37.920
<v Speaker 1>let's just g R B niggas the rappers right now, right,

1:58:38.760 --> 1:58:41.480
<v Speaker 1>I don't know, this is crazy, This is gonna be right.

1:58:42.520 --> 1:58:46.000
<v Speaker 2>Who's the whole of R and B? Because you let

1:58:46.040 --> 1:58:48.600
<v Speaker 2>the who's you let the quincy who's the whole of

1:58:48.840 --> 1:58:49.160
<v Speaker 2>R and b.

1:58:52.920 --> 1:58:55.320
<v Speaker 5>I don't think anybody's really replaced R. Kelly, to be

1:58:55.400 --> 1:58:56.879
<v Speaker 5>honest when it comes.

1:58:56.680 --> 1:58:58.080
<v Speaker 2>To that, except Kelly.

1:58:59.160 --> 1:58:59.360
<v Speaker 4>You know.

1:59:00.840 --> 1:59:04.040
<v Speaker 2>People, and he's still a man a little bit somewhere.

1:59:08.640 --> 1:59:11.520
<v Speaker 2>As much as as much as we want to like.

1:59:12.800 --> 1:59:17.160
<v Speaker 15>Married, marry the idea that.

1:59:19.800 --> 1:59:24.120
<v Speaker 5>Geniuses in a in a in a conformed world like it.

1:59:24.320 --> 1:59:27.720
<v Speaker 5>It's not about forgiving anybody for anything. Ship is just

1:59:27.880 --> 1:59:31.200
<v Speaker 5>different in that mind, like it has to be, like,

1:59:31.320 --> 1:59:32.760
<v Speaker 5>you can't get that type of ship out of your

1:59:32.800 --> 1:59:35.080
<v Speaker 5>body if you wanted to. The closer you are the

1:59:35.160 --> 1:59:37.320
<v Speaker 5>same is the closer you are to not being gifted.

1:59:39.240 --> 1:59:43.720
<v Speaker 5>So when crazy shit happens, I'm not really like, oh

1:59:43.800 --> 1:59:46.400
<v Speaker 5>my god, the world's gonna end. It's like, to me,

1:59:49.040 --> 1:59:51.080
<v Speaker 5>there's something that takes a certain type of way in

1:59:51.120 --> 1:59:54.440
<v Speaker 5>that individual, you know, whether it be dark or like

1:59:54.920 --> 1:59:57.200
<v Speaker 5>depending on what we want from him. And when we

1:59:57.280 --> 1:59:59.120
<v Speaker 5>get what we want from him, we're kind of good

1:59:59.240 --> 2:00:04.680
<v Speaker 5>and and when we don't, we're upset, you know. But

2:00:05.640 --> 2:00:07.360
<v Speaker 5>that's not to say who a victim is or who

2:00:07.400 --> 2:00:09.280
<v Speaker 5>a victim is not. Like, the point is you still

2:00:09.320 --> 2:00:09.560
<v Speaker 5>live in.

2:00:09.600 --> 2:00:10.960
<v Speaker 2>The real world with real people.

2:00:11.880 --> 2:00:14.200
<v Speaker 5>There are rules there, you know, there are certain things,

2:00:14.640 --> 2:00:17.560
<v Speaker 5>but it also begs the question the idea of time,

2:00:18.560 --> 2:00:22.600
<v Speaker 5>God's religion, like it makes a different the question of

2:00:23.280 --> 2:00:26.080
<v Speaker 5>what's actually real, Like what is it you know you

2:00:26.200 --> 2:00:30.080
<v Speaker 5>come from a my great grandmother gave birth at thirteen.

2:00:31.040 --> 2:00:33.360
<v Speaker 2>It's so faux pat now, but.

2:00:33.480 --> 2:00:36.040
<v Speaker 5>That used to be a thing, like for real, it

2:00:36.120 --> 2:00:39.080
<v Speaker 5>wasn't a law, Like it wasn't a like so what

2:00:39.240 --> 2:00:43.240
<v Speaker 5>are we changing overall? And how far as DNA and

2:00:43.320 --> 2:00:46.280
<v Speaker 5>traits actually playing into that and what they don't because

2:00:46.360 --> 2:00:48.280
<v Speaker 5>most of the times you can do some shit just

2:00:48.360 --> 2:00:50.200
<v Speaker 5>out of habit from what you came from.

2:00:51.040 --> 2:00:54.200
<v Speaker 2>That's just regular fucking science and logic.

2:00:55.040 --> 2:00:57.240
<v Speaker 5>Like you more like your father and your mother than

2:00:57.840 --> 2:00:59.440
<v Speaker 5>even if you want it to not be, like, oh,

2:00:59.480 --> 2:01:01.200
<v Speaker 5>I just don't to be like them, Like yeah, but

2:01:01.320 --> 2:01:01.640
<v Speaker 5>you are.

2:01:02.200 --> 2:01:04.200
<v Speaker 2>You may not be a composed of drug user, but

2:01:04.280 --> 2:01:06.400
<v Speaker 2>you're a gambler. Like you might not be a gambler,

2:01:06.480 --> 2:01:09.240
<v Speaker 2>but you're a sex you know, your sex addict or

2:01:10.360 --> 2:01:12.280
<v Speaker 2>And with all that being.

2:01:12.200 --> 2:01:14.840
<v Speaker 5>Said, then you may be a genius and motherfucker that

2:01:14.960 --> 2:01:18.240
<v Speaker 5>gonna be inventor rit like like you're the same person

2:01:18.320 --> 2:01:20.400
<v Speaker 5>that had to dream or be stupid and crazy and

2:01:20.480 --> 2:01:22.640
<v Speaker 5>courageous enough to say I think.

2:01:22.520 --> 2:01:28.400
<v Speaker 2>I know how to make it like has something to do.

2:01:28.520 --> 2:01:32.800
<v Speaker 2>It's just it's just the idea that we're anything. No,

2:01:33.160 --> 2:01:35.720
<v Speaker 2>well that was just that's just dumb ship that people say,

2:01:35.880 --> 2:01:37.000
<v Speaker 2>like we're just fucking.

2:01:36.800 --> 2:01:40.400
<v Speaker 5>Stupid, Like nobody's condoning anything that's not right, you know,

2:01:41.040 --> 2:01:44.240
<v Speaker 5>like in society or even in your mind, like if

2:01:44.240 --> 2:01:46.600
<v Speaker 5>you need help, get help, Like that's that's that's just

2:01:46.680 --> 2:01:49.200
<v Speaker 5>some whole trickery ass trump ship Like that ship doesn't

2:01:49.280 --> 2:01:54.240
<v Speaker 5>That ship doesn't mean anything. The truth is the the

2:01:54.360 --> 2:01:56.840
<v Speaker 5>body is just more sophisticated than we want to give it.

2:01:57.160 --> 2:01:59.400
<v Speaker 5>Give it credit for it, the body to mind, like

2:01:59.640 --> 2:02:02.680
<v Speaker 5>what get these things from all the way to the

2:02:02.720 --> 2:02:05.000
<v Speaker 5>point of why we're so detrimental to allow us to

2:02:05.120 --> 2:02:08.520
<v Speaker 5>ourselves as a culture and as human beings, Like all

2:02:08.560 --> 2:02:11.200
<v Speaker 5>of those things come down to traits and things that

2:02:11.400 --> 2:02:14.000
<v Speaker 5>if you don't try to understand, you won't understand. Because

2:02:14.000 --> 2:02:16.440
<v Speaker 5>all those days skipping science and shit is the dumb shit.

2:02:17.040 --> 2:02:21.000
<v Speaker 5>You know, it should have never been science versus religion

2:02:21.120 --> 2:02:23.640
<v Speaker 5>in the first place, because you can't figure out a

2:02:23.760 --> 2:02:27.920
<v Speaker 5>mind like an r KL, E R or whoever it is.

2:02:28.160 --> 2:02:30.240
<v Speaker 5>Of course we know in the real world. Okay, that's wrong.

2:02:30.400 --> 2:02:32.680
<v Speaker 5>Like you shouldn't do that, like you should have better

2:02:32.800 --> 2:02:36.080
<v Speaker 5>morals or whatever it is. And then on the flip

2:02:36.160 --> 2:02:38.640
<v Speaker 5>side of that, I don't know what's in your body

2:02:38.680 --> 2:02:41.640
<v Speaker 5>and in your mind. Man, I really just don't know.

2:02:42.360 --> 2:02:44.960
<v Speaker 2>And I don't know whether I can say completely that

2:02:45.920 --> 2:02:49.680
<v Speaker 2>an insane person is insane, because the truth is, there's

2:02:49.800 --> 2:02:54.400
<v Speaker 2>just one word that actually takes you from being insane

2:02:54.440 --> 2:02:57.840
<v Speaker 2>to a genius, and that's success. If you success, you're

2:02:57.840 --> 2:03:00.080
<v Speaker 2>a genius. If you're not, you the crazy on the

2:03:00.120 --> 2:03:00.720
<v Speaker 2>fuck under the.

2:03:00.720 --> 2:03:03.360
<v Speaker 5>Bridge that everybody told, you told everybody your ideas and

2:03:03.400 --> 2:03:06.000
<v Speaker 5>the shit just never took off. So that means I

2:03:06.040 --> 2:03:09.320
<v Speaker 5>could be the same insane motherfucker, or you're gonna be

2:03:09.360 --> 2:03:12.280
<v Speaker 5>sitting here with this nigga who's a genius is like, no, nigga,

2:03:12.280 --> 2:03:12.960
<v Speaker 5>you're a genius?

2:03:13.440 --> 2:03:14.320
<v Speaker 2>Like why success?

2:03:15.160 --> 2:03:16.960
<v Speaker 5>That lightning in the bottle? I couldn't even control it

2:03:16.960 --> 2:03:18.800
<v Speaker 5>in the first place. Beyonce didn't have to be in

2:03:18.960 --> 2:03:22.880
<v Speaker 5>my time period of living, or Rihanna or or j

2:03:23.280 --> 2:03:26.120
<v Speaker 5>or Kunye like all of them. Like that shit was divine,

2:03:26.200 --> 2:03:27.680
<v Speaker 5>that was set up from a different thing that I

2:03:27.800 --> 2:03:30.920
<v Speaker 5>had nothing to do with, you know, So I can't

2:03:31.000 --> 2:03:32.880
<v Speaker 5>really I have to see both out of the play

2:03:32.920 --> 2:03:35.400
<v Speaker 5>the Devil's advocate when it's you're being guided by time

2:03:36.040 --> 2:03:37.240
<v Speaker 5>and in moments.

2:03:37.040 --> 2:03:37.920
<v Speaker 2>Like I don't know.

2:03:38.080 --> 2:03:40.680
<v Speaker 5>I think the time shit just helps you become captile

2:03:40.760 --> 2:03:43.800
<v Speaker 5>and work for society and make money and pay your

2:03:43.840 --> 2:03:46.280
<v Speaker 5>fucking taxes and shit. But if we live by moments,

2:03:46.360 --> 2:03:48.080
<v Speaker 5>then I think people will be better off of them.

2:03:50.000 --> 2:03:55.960
<v Speaker 13>There's no debating people's creativity and how genius they are,

2:03:56.160 --> 2:03:58.400
<v Speaker 13>like r Kelly, But I just want to make sure

2:03:58.480 --> 2:04:01.800
<v Speaker 13>that when we go over No, I'm sorry, I'm sorry, man.

2:04:02.200 --> 2:04:04.840
<v Speaker 2>I think it's very serious when we're talking and.

2:04:04.880 --> 2:04:09.240
<v Speaker 13>Drink champs that nobody could ever violate children or anything

2:04:09.320 --> 2:04:09.480
<v Speaker 13>like that.

2:04:09.600 --> 2:04:10.960
<v Speaker 2>I mean, I know you're not saying that. I'm just

2:04:11.280 --> 2:04:14.080
<v Speaker 2>I'm just putting out there for myself. Yeah, everybody knows

2:04:14.120 --> 2:04:15.960
<v Speaker 2>that I have children and I love them.

2:04:16.000 --> 2:04:18.880
<v Speaker 9>Today No absolutely, I'm just saying, like, like that feel

2:04:18.880 --> 2:04:22.520
<v Speaker 9>awkward because I'm a DJ, and I played arklaf and

2:04:22.560 --> 2:04:24.440
<v Speaker 9>I and I think he's a genius, you know what

2:04:24.440 --> 2:04:27.440
<v Speaker 9>I'm saying. But I found myself in a crossroads when

2:04:27.480 --> 2:04:29.960
<v Speaker 9>you start to see the things that come out and

2:04:30.080 --> 2:04:31.160
<v Speaker 9>you're just like anybody.

2:04:31.320 --> 2:04:33.920
<v Speaker 5>I think the crossroad is the fact that you're surprised,

2:04:34.720 --> 2:04:37.280
<v Speaker 5>why should I not be anything that's on earth, Like,

2:04:37.400 --> 2:04:37.879
<v Speaker 5>I don't.

2:04:37.680 --> 2:04:40.440
<v Speaker 8>Know, I'm definitely not surprised of anything that happens in

2:04:40.480 --> 2:04:43.720
<v Speaker 8>the world. But that happens when you get older.

2:04:43.960 --> 2:04:44.720
<v Speaker 2>When when I'm.

2:04:44.560 --> 2:04:47.120
<v Speaker 3>Originally playing r Kelly, I'm a child as well, you

2:04:47.160 --> 2:04:49.680
<v Speaker 3>know what I'm saying. So so I'm just saying, like

2:04:49.880 --> 2:04:52.120
<v Speaker 3>when we start to grow up and you realize you're like,

2:04:52.760 --> 2:04:55.000
<v Speaker 3>that's unacceptable, Well.

2:04:54.920 --> 2:04:58.960
<v Speaker 8>Yeah, whatever somebody's accused of, whatever, we're thinking of, whatever's

2:04:59.440 --> 2:05:00.560
<v Speaker 8>being told to us.

2:05:00.760 --> 2:05:02.160
<v Speaker 2>Yeah, I mean, if you don't know.

2:05:02.240 --> 2:05:04.400
<v Speaker 5>That, that's just then that's just back to the part

2:05:04.440 --> 2:05:06.760
<v Speaker 5>of society now, like it's just coming since at this

2:05:06.920 --> 2:05:08.000
<v Speaker 5>point from where.

2:05:07.840 --> 2:05:08.560
<v Speaker 6>I grew up.

2:05:09.080 --> 2:05:12.320
<v Speaker 5>But of course motherfuckers that's listening or motherfuckers is looking

2:05:12.360 --> 2:05:13.480
<v Speaker 5>at news and having.

2:05:13.360 --> 2:05:17.520
<v Speaker 2>To be told and controlled. We know, not not you.

2:05:17.680 --> 2:05:20.680
<v Speaker 5>I'm saying, mass people who look to news to figure

2:05:20.720 --> 2:05:23.760
<v Speaker 5>out things. I think that's an important listen and just

2:05:23.920 --> 2:05:26.720
<v Speaker 5>raising kids, like my my child should know coming what

2:05:26.880 --> 2:05:27.600
<v Speaker 5>coming senses.

2:05:28.360 --> 2:05:30.560
<v Speaker 2>Common sense is lacking in the world, which is the

2:05:30.640 --> 2:05:31.800
<v Speaker 2>point why you're over trying.

2:05:31.920 --> 2:05:34.480
<v Speaker 5>You're trying to overiterate what we mean, and like what

2:05:34.640 --> 2:05:37.000
<v Speaker 5>we stand by and what we don't have to because yeah,

2:05:37.000 --> 2:05:39.720
<v Speaker 5>because you feel like you have to because it's stupid.

2:05:39.760 --> 2:05:41.000
<v Speaker 2>Motherfucker's listening right now.

2:05:41.080 --> 2:05:44.080
<v Speaker 5>That's so I think they're actually saying that they agreement,

2:05:44.200 --> 2:05:46.520
<v Speaker 5>like motherfucker, No, you don't get.

2:05:46.440 --> 2:05:48.440
<v Speaker 2>It from don't say bigger you know I love my

2:05:48.520 --> 2:05:55.640
<v Speaker 2>stupid See he said the whole crowd, like, stop stupid listeners.

2:05:55.920 --> 2:05:58.760
<v Speaker 2>But what I'm saying, I'm stupid too, Like I understand,

2:05:59.280 --> 2:06:00.360
<v Speaker 2>I understand.

2:06:03.600 --> 2:06:05.680
<v Speaker 5>That you have to say, like, oh yeah, as much

2:06:05.720 --> 2:06:07.480
<v Speaker 5>as I love my kids, I kill every one of

2:06:07.520 --> 2:06:10.120
<v Speaker 5>you for them, Like I have to actually say that.

2:06:11.480 --> 2:06:14.400
<v Speaker 2>That's fucking nuts, Like what happened to come in sence

2:06:16.680 --> 2:06:20.440
<v Speaker 2>time ago? But unfortunately but now for for four mom

2:06:20.560 --> 2:06:24.360
<v Speaker 2>se me, how did that record come together? Man, tell

2:06:24.360 --> 2:06:25.200
<v Speaker 2>you the truth. That's all.

2:06:25.360 --> 2:06:29.840
<v Speaker 5>Jay Jay had this had this record already and he

2:06:30.000 --> 2:06:32.680
<v Speaker 5>asked me to add lib to to certain things or

2:06:32.680 --> 2:06:39.200
<v Speaker 5>whatever in the in the song, and it was just

2:06:39.360 --> 2:06:43.200
<v Speaker 5>more him being family than anything. It's like, y'all, I

2:06:43.320 --> 2:06:45.080
<v Speaker 5>want you to want you to do these vocals on

2:06:45.160 --> 2:06:47.760
<v Speaker 5>this record, and it wasn't ever about a feature.

2:06:47.800 --> 2:06:49.000
<v Speaker 2>It's about anything. I think.

2:06:49.040 --> 2:06:52.120
<v Speaker 5>It's just the fact that, oh, it's dreams, so it

2:06:52.160 --> 2:06:54.000
<v Speaker 5>should be a feature of whatever it is.

2:06:54.200 --> 2:06:56.600
<v Speaker 2>But for me, it was like, oh yeah, I do

2:06:56.680 --> 2:06:57.400
<v Speaker 2>the fucking background.

2:06:57.560 --> 2:06:59.920
<v Speaker 5>I do so many backgrounds on so many things, like

2:07:00.120 --> 2:07:03.240
<v Speaker 5>period because my whole point is to making sure that.

2:07:05.320 --> 2:07:08.440
<v Speaker 2>An artist gets their story heard, you know.

2:07:08.440 --> 2:07:10.320
<v Speaker 5>And get their point out, like it's not about me,

2:07:10.440 --> 2:07:12.360
<v Speaker 5>it's about And I think that's the great part about

2:07:12.360 --> 2:07:13.120
<v Speaker 5>being a songwriter.

2:07:14.120 --> 2:07:16.000
<v Speaker 2>When it's never about you in the first place. You

2:07:16.080 --> 2:07:19.600
<v Speaker 2>don't mind your artists. You're like, oh, they put my

2:07:19.640 --> 2:07:20.640
<v Speaker 2>feature credit on there.

2:07:20.680 --> 2:07:23.760
<v Speaker 5>You're going to fucking crazy like kick ship, call lawyers

2:07:23.800 --> 2:07:24.640
<v Speaker 5>and do all kinds.

2:07:24.520 --> 2:07:27.080
<v Speaker 2>Of ship that shit. It's like, did you get your

2:07:27.120 --> 2:07:29.880
<v Speaker 2>point out? Did you make a great album? People love it? Awesome?

2:07:29.920 --> 2:07:33.520
<v Speaker 1>I did my ship sot I dream, you know, because

2:07:33.680 --> 2:07:35.640
<v Speaker 1>I am a pettant nigga in a good way.

2:07:36.240 --> 2:07:37.880
<v Speaker 2>I just want to throw that out there that I

2:07:38.000 --> 2:07:40.640
<v Speaker 2>need a dream record, like.

2:07:42.160 --> 2:07:42.520
<v Speaker 9>Got you.

2:07:44.120 --> 2:07:45.800
<v Speaker 2>When you're at you just tell me whatever you I

2:07:45.880 --> 2:07:48.000
<v Speaker 2>fly wherever you at. I don't give before because I

2:07:48.080 --> 2:07:49.640
<v Speaker 2>want to be at your zone. I want to be

2:07:49.760 --> 2:07:52.280
<v Speaker 2>like I want to get crazy. Whatever you want to

2:07:52.320 --> 2:07:54.120
<v Speaker 2>do it like, whatever you want to do if you

2:07:54.200 --> 2:07:55.760
<v Speaker 2>want to be like record somewhere.

2:07:55.760 --> 2:07:58.800
<v Speaker 1>I'm so if I set up to ass eating tables,

2:07:58.840 --> 2:08:02.880
<v Speaker 1>you like, that's the I'm mad I watched though.

2:08:04.600 --> 2:08:08.360
<v Speaker 2>You know I wasn't think like a sushi joints. I

2:08:08.480 --> 2:08:11.280
<v Speaker 2>was thinking about the wives. I wasn't thinking about it'll

2:08:11.320 --> 2:08:13.440
<v Speaker 2>be a dividery ship, so you won't see what I'm doing.

2:08:14.960 --> 2:08:31.080
<v Speaker 2>Listen to music that before you get up your dream

2:08:31.200 --> 2:08:38.760
<v Speaker 2>limited something. You set the standards for the cool R

2:08:38.760 --> 2:08:39.000
<v Speaker 2>and B.

2:08:39.400 --> 2:08:42.240
<v Speaker 1>But in real life, I'm saying you did that. Then

2:08:42.240 --> 2:08:44.600
<v Speaker 1>you did that on drinke Champs. But in real life

2:08:44.640 --> 2:08:45.920
<v Speaker 1>when you contributed to the.

2:08:46.000 --> 2:08:50.560
<v Speaker 2>Game, we have to salute. We have to continue to

2:08:50.600 --> 2:08:52.240
<v Speaker 2>salute as a culture.

2:08:53.800 --> 2:08:56.200
<v Speaker 1>You have to continue to be filled like a king

2:08:56.360 --> 2:08:59.240
<v Speaker 1>and treated like a king, because that's what we are

2:09:00.080 --> 2:09:01.240
<v Speaker 1>in this thing of ours.

2:09:01.640 --> 2:09:04.880
<v Speaker 2>We sacrifice and we give our lives to this game.

2:09:05.680 --> 2:09:10.040
<v Speaker 2>So I want you to always know that even other

2:09:10.120 --> 2:09:15.280
<v Speaker 2>people like me man d J E f N, we

2:09:16.840 --> 2:09:19.120
<v Speaker 2>know what you sacrifice to be in this game. We

2:09:19.240 --> 2:09:23.879
<v Speaker 2>know what you're doing. We understand, and we're gonna salute

2:09:24.000 --> 2:09:28.840
<v Speaker 2>that ship. Your figure. Smell me, yes that I always

2:09:28.840 --> 2:09:42.560
<v Speaker 2>smell you. I say them all. I dropping me done