1 00:00:02,279 --> 00:00:16,239 Speaker 1: Radio radio Radio, He's a myth and Bullshit a radio 2 00:00:16,320 --> 00:00:24,200 Speaker 1: phonic novella Local Radio hosted by Malamo La Locamoris. Welcome 3 00:00:24,239 --> 00:00:28,440 Speaker 1: back to season six of local radio podcast Us next Door. 4 00:00:29,280 --> 00:00:32,479 Speaker 1: Local Radio is a radio phonic novella, which is just 5 00:00:32,520 --> 00:00:37,080 Speaker 1: a very extra way of saying a podcast. I'm Fiosa 6 00:00:37,600 --> 00:00:43,760 Speaker 1: and I am mala. Thanks for tuning in one thirty two. 7 00:00:44,680 --> 00:00:48,040 Speaker 1: Last time on local Radio, we had a little cool 8 00:00:48,040 --> 00:00:52,560 Speaker 1: down episode. We talked about our travels, we talked about 9 00:00:52,840 --> 00:00:55,560 Speaker 1: standard comedy, and we talked about l a cool girls. 10 00:00:55,920 --> 00:00:58,480 Speaker 1: Thank you for tuning in, Leave us a rating, a review, 11 00:00:58,680 --> 00:01:03,800 Speaker 1: and share with a friend. Just some quick updates y'all 12 00:01:03,840 --> 00:01:07,240 Speaker 1: know the drill. A quick reminder to follow us across 13 00:01:07,319 --> 00:01:13,600 Speaker 1: all social Instagram, Twitter, Facebook, TikTok everywhere. And if you 14 00:01:13,720 --> 00:01:16,119 Speaker 1: happen to be in the market for a brand new 15 00:01:16,200 --> 00:01:19,640 Speaker 1: syndom drain and maybe have once aspired to be our 16 00:01:19,720 --> 00:01:22,600 Speaker 1: human wallet, you can escort yourself to our venmo at 17 00:01:22,600 --> 00:01:26,760 Speaker 1: look a Dash Radio. Remember this is still as of 18 00:01:26,800 --> 00:01:36,880 Speaker 1: this recording, an indie podcast and your support is ever appreciated. Also, 19 00:01:37,000 --> 00:01:39,839 Speaker 1: if you want to support Latino owned makeup brand Viva 20 00:01:39,920 --> 00:01:43,119 Speaker 1: Cosmetics and one of our favorite makeup brands. You can 21 00:01:43,160 --> 00:01:46,080 Speaker 1: use our affiliate code. A look at a Radio fifteen 22 00:01:46,400 --> 00:01:51,440 Speaker 1: had Viva Cosmetics dot com. Another update, make sure that 23 00:01:51,520 --> 00:01:53,720 Speaker 1: if you're in the market for new glass you hit 24 00:01:53,840 --> 00:01:58,120 Speaker 1: up Multi Glass and you can use our affiliate code. 25 00:01:58,480 --> 00:02:02,520 Speaker 1: Might wantaa P four key for a discount Veteran owned 26 00:02:02,680 --> 00:02:07,280 Speaker 1: Latino owned Multa glass for your next bong purchase. If 27 00:02:07,320 --> 00:02:11,760 Speaker 1: you are a marijuana listening um, I do have an update. 28 00:02:11,800 --> 00:02:15,480 Speaker 1: Our next Jokes and Tokes is August. We are back 29 00:02:15,600 --> 00:02:19,560 Speaker 1: at the Studio Lounge in West Hollywood for Jokes and Tokes. 30 00:02:19,560 --> 00:02:22,640 Speaker 1: Our event is sponsored by UMO, which is a Mexican 31 00:02:22,680 --> 00:02:26,640 Speaker 1: American owned Salinasprace flower brand. We're gonna have free bomb 32 00:02:26,720 --> 00:02:30,840 Speaker 1: rips at the Umta Glass Bomb Bar. Um The Artistry 33 00:02:30,880 --> 00:02:33,680 Speaker 1: Studio Lounge has food to order to your tables. It's 34 00:02:33,680 --> 00:02:37,480 Speaker 1: a dispensary and consumption lounge, the only legal consumption lounge 35 00:02:37,480 --> 00:02:39,880 Speaker 1: in l A, so you can smoke there. I'm producing 36 00:02:39,880 --> 00:02:43,880 Speaker 1: a stand up comedy show. I'm hosting. DJ Gouda a 37 00:02:44,000 --> 00:02:47,320 Speaker 1: k a. Crystal is gonna be DJing for us, So 38 00:02:47,400 --> 00:02:52,280 Speaker 1: you can look out for tickets on event right and 39 00:02:52,320 --> 00:02:56,760 Speaker 1: then look us Liberal News shout out to all my 40 00:02:56,919 --> 00:03:01,560 Speaker 1: Sylvia fans. We are reading Daughter of Dr Moreau this 41 00:03:01,680 --> 00:03:04,680 Speaker 1: month for August. August Book of the Month is her 42 00:03:04,720 --> 00:03:07,399 Speaker 1: new release, So you can join us on Patreon dot 43 00:03:07,400 --> 00:03:12,160 Speaker 1: com slash look at Underscore Productions to join locals botlibos 44 00:03:12,200 --> 00:03:14,680 Speaker 1: and read along and join the discussion at the end 45 00:03:14,720 --> 00:03:20,640 Speaker 1: of the month. And now for the gardnet of today's episode. 46 00:03:20,720 --> 00:03:25,000 Speaker 1: This episode is kind of the end of an era 47 00:03:25,320 --> 00:03:27,840 Speaker 1: in any ways. I mean, it's the end of season 48 00:03:27,919 --> 00:03:31,560 Speaker 1: six podcast at us next Door. This is our season finale, 49 00:03:32,200 --> 00:03:35,320 Speaker 1: but we're gonna be super duper annoying and cryptic this 50 00:03:35,720 --> 00:03:40,000 Speaker 1: entire episode and hinting at the ways that another sort 51 00:03:40,040 --> 00:03:43,520 Speaker 1: of chapter in our podcasting lives is coming to a close, 52 00:03:43,600 --> 00:03:47,800 Speaker 1: but only to lead to new chapters. So to kind 53 00:03:47,800 --> 00:03:49,839 Speaker 1: of get into it, we're going to talk about all 54 00:03:49,880 --> 00:03:54,360 Speaker 1: the podcasts, radio shows, programs that we have outlived as 55 00:03:54,480 --> 00:03:57,080 Speaker 1: look at our radio because a lot of people are 56 00:03:57,120 --> 00:04:00,920 Speaker 1: not making it, you guys, Like summer has been brutal. 57 00:04:01,400 --> 00:04:05,480 Speaker 1: We're gonna start with everybody's favorite, The Bodega Boys. They're 58 00:04:05,520 --> 00:04:08,280 Speaker 1: gone there put we were in shock? Were you in shock? 59 00:04:08,360 --> 00:04:10,800 Speaker 1: I was in shock? Like when you found out I 60 00:04:10,840 --> 00:04:15,839 Speaker 1: was in shock when the Bodega Boys ended, like very 61 00:04:15,920 --> 00:04:20,520 Speaker 1: publicly and very cryptically in a similar way that we're 62 00:04:20,600 --> 00:04:24,360 Speaker 1: kind of alluding to um there. There had been rumors 63 00:04:24,440 --> 00:04:26,840 Speaker 1: because they hadn't put an episode out in over a year, 64 00:04:26,920 --> 00:04:29,760 Speaker 1: and maybe this was naive of me, but I was 65 00:04:29,839 --> 00:04:31,880 Speaker 1: kind of like, you know, my thought was like, you know, 66 00:04:31,920 --> 00:04:35,400 Speaker 1: maybe they're a negotiation with a network or their transitioning 67 00:04:35,560 --> 00:04:38,400 Speaker 1: and they can't put anything out like that happens, and 68 00:04:38,480 --> 00:04:42,920 Speaker 1: so I was personally thinking like things were still like coming, 69 00:04:43,360 --> 00:04:46,880 Speaker 1: new art was dropping, but you know, it turned out 70 00:04:46,880 --> 00:04:50,600 Speaker 1: it's actually the Bodega Boys daily Twitter account that kind 71 00:04:50,600 --> 00:04:54,240 Speaker 1: of broke the news. And so they had shared a 72 00:04:54,320 --> 00:05:00,359 Speaker 1: screenshot of the Kid Marrow on Reddit and he's like 73 00:05:00,400 --> 00:05:03,799 Speaker 1: basically saying, like, the podcast is done. It's a rap. 74 00:05:04,200 --> 00:05:07,560 Speaker 1: Enjoy the back catalog. My pals and Jesus like response 75 00:05:07,640 --> 00:05:11,239 Speaker 1: to the tweet are to the picture of the reddit 76 00:05:11,320 --> 00:05:16,720 Speaker 1: on Twitter saying I tried, y'all, and like everything exploded, 77 00:05:17,320 --> 00:05:21,440 Speaker 1: like you know, everyone was. There were so many speculations, speculations, 78 00:05:21,520 --> 00:05:25,120 Speaker 1: conspiracy theories. There's been like a ton of you know, 79 00:05:25,279 --> 00:05:28,520 Speaker 1: he said this, and he said that, but nobody really 80 00:05:28,520 --> 00:05:31,920 Speaker 1: knows we're now getting like the very diplomatic responses from 81 00:05:31,920 --> 00:05:35,680 Speaker 1: both Jesus and Marrow. So we have our own theories. 82 00:05:36,760 --> 00:05:39,720 Speaker 1: Lots of the Bodega Hive have their own theories as well. 83 00:05:40,240 --> 00:05:42,880 Speaker 1: There are a lot of theories out there. There was 84 00:05:42,920 --> 00:05:46,080 Speaker 1: an article that came out that said that there was 85 00:05:46,120 --> 00:05:48,839 Speaker 1: a difference of opinion between Jesus and Marrow over the 86 00:05:48,920 --> 00:05:53,200 Speaker 1: handling of their manager, Victor Lopez, was that his name, 87 00:05:53,520 --> 00:05:57,800 Speaker 1: am I making up that name, that's his name, his journalism, 88 00:05:57,880 --> 00:06:03,040 Speaker 1: and that apparently there were complaints from like studio staff 89 00:06:03,760 --> 00:06:09,440 Speaker 1: about the manager and his treatment of people working on 90 00:06:09,480 --> 00:06:12,520 Speaker 1: the show behind the scenes, and that it got to 91 00:06:12,560 --> 00:06:17,920 Speaker 1: the point where Victor's behavior led the studio to request 92 00:06:18,040 --> 00:06:23,240 Speaker 1: that Victor no longer be present for recording sessions. And evidently, 93 00:06:24,000 --> 00:06:26,800 Speaker 1: according to this article, we'll pull it up. I don't 94 00:06:26,800 --> 00:06:29,480 Speaker 1: remember who wrote this, but we saw it on Twitter. 95 00:06:30,040 --> 00:06:36,359 Speaker 1: A journalist wrote it. But um, but apparently Jesus was 96 00:06:36,440 --> 00:06:39,040 Speaker 1: basically like, we need to get rid of Victor. This 97 00:06:39,160 --> 00:06:41,600 Speaker 1: is not cool. And then apparently Mara was like, he's 98 00:06:41,600 --> 00:06:44,800 Speaker 1: been with us since the beginning, like loyalty, and that 99 00:06:44,800 --> 00:06:48,840 Speaker 1: that was also a cause of the friction. My whole 100 00:06:48,880 --> 00:06:51,880 Speaker 1: thing is I feel like if that's the case, Jesus 101 00:06:51,960 --> 00:06:54,920 Speaker 1: is going to go on to like be a big 102 00:06:54,920 --> 00:06:58,440 Speaker 1: time comedy writer, maybe of a venture to stand up. 103 00:06:58,839 --> 00:07:01,920 Speaker 1: And I feel like Marrow will go on to like 104 00:07:02,000 --> 00:07:05,359 Speaker 1: do more acting and it's going to maybe like do 105 00:07:05,480 --> 00:07:09,520 Speaker 1: more hosting. And I hope that Marrow is sticking with 106 00:07:09,600 --> 00:07:15,920 Speaker 1: this manager doesn't negatively affect Marrow's trajectory. Yeah, I agree. 107 00:07:16,000 --> 00:07:20,240 Speaker 1: I also saw folks like say in their opinion that 108 00:07:20,760 --> 00:07:23,880 Speaker 1: Jesus had sold out and that he had gone very Hollywood, 109 00:07:24,160 --> 00:07:28,960 Speaker 1: and like, I think that that's really unfair because they 110 00:07:29,000 --> 00:07:31,920 Speaker 1: sold a show to Showtime, like they had like a 111 00:07:31,920 --> 00:07:36,160 Speaker 1: four season late night comedy show on Showtime, and it's 112 00:07:36,200 --> 00:07:39,800 Speaker 1: almost like the trajectory was towards Hollywood. So to say that, 113 00:07:39,880 --> 00:07:41,840 Speaker 1: like only one of them sold out, and I don't 114 00:07:41,880 --> 00:07:43,800 Speaker 1: think either of them sold out, but to say that, 115 00:07:43,920 --> 00:07:46,640 Speaker 1: like DeSUS sold out because he moved to l A, like, 116 00:07:47,200 --> 00:07:50,560 Speaker 1: I think it's really unfair because don't we want our 117 00:07:50,640 --> 00:07:54,920 Speaker 1: favorite artists, comedians, writers to do well, Like does that 118 00:07:55,320 --> 00:07:58,320 Speaker 1: mean that they're selling out because they're suddenly booking a 119 00:07:58,320 --> 00:08:01,760 Speaker 1: lot of gigs or host Jimmy Kimmel, Like I think 120 00:08:01,800 --> 00:08:05,520 Speaker 1: it's super unfair and disingenuous, like to be likely sold out. 121 00:08:06,280 --> 00:08:08,680 Speaker 1: It's some hater ship. I have to say, no, you 122 00:08:08,680 --> 00:08:10,240 Speaker 1: know what, you know what we want, you know what 123 00:08:10,280 --> 00:08:12,720 Speaker 1: we really want at our core as a society. We 124 00:08:12,800 --> 00:08:18,360 Speaker 1: want to bring back like the poper artist class. We 125 00:08:18,440 --> 00:08:23,040 Speaker 1: want to bring back stratified classes that you cannot escape from. 126 00:08:23,320 --> 00:08:26,560 Speaker 1: If you're an artist, that's where you live. And starving artists, 127 00:08:26,560 --> 00:08:30,520 Speaker 1: you're the starving artists. You will starve, you know. Um. 128 00:08:30,600 --> 00:08:32,480 Speaker 1: The one thing I will say about the Internet is 129 00:08:32,520 --> 00:08:36,240 Speaker 1: it has allowed so many otherwise starving artists to get 130 00:08:36,280 --> 00:08:39,280 Speaker 1: a foothold to get an audience, claim that I p 131 00:08:39,559 --> 00:08:43,200 Speaker 1: claimed the copyright of what you're making, and launch a 132 00:08:43,280 --> 00:08:47,800 Speaker 1: show that could turn into The Bodega Boys, you know, 133 00:08:48,040 --> 00:08:51,080 Speaker 1: which I think is incredible and I think, like, to me, 134 00:08:51,200 --> 00:08:53,839 Speaker 1: what's really sad is that they were the blueprint in 135 00:08:53,880 --> 00:08:55,960 Speaker 1: so many ways, and I can like, I think there 136 00:08:55,960 --> 00:08:59,720 Speaker 1: were definitely parallels between their relationship and ours, where they 137 00:08:59,760 --> 00:09:02,920 Speaker 1: like met on Twitter, we met online. You know, they 138 00:09:02,920 --> 00:09:06,160 Speaker 1: had this indie podcast. They were like doing things like 139 00:09:06,200 --> 00:09:08,360 Speaker 1: they would talk about on their show, like Jesus was 140 00:09:08,400 --> 00:09:10,760 Speaker 1: at an event, like uploading the a new episode to 141 00:09:10,800 --> 00:09:13,679 Speaker 1: the RSS feed while they were at this biggest event, 142 00:09:13,800 --> 00:09:16,839 Speaker 1: and I was like same, like that's us. And then 143 00:09:16,880 --> 00:09:19,320 Speaker 1: to see them get this really big showtime deal and 144 00:09:19,360 --> 00:09:21,280 Speaker 1: win all these awards and go on to interview like 145 00:09:21,320 --> 00:09:24,480 Speaker 1: incredible people like it very much felt like this is attainable. 146 00:09:24,640 --> 00:09:27,199 Speaker 1: This is like something that I could see us doing. 147 00:09:27,559 --> 00:09:29,840 Speaker 1: And then to see it end so abruptly without like 148 00:09:29,880 --> 00:09:33,360 Speaker 1: a farewell, without a goodbye episode, I think it's to 149 00:09:33,440 --> 00:09:36,120 Speaker 1: me is like really disheartening and sad for the high 150 00:09:36,240 --> 00:09:40,040 Speaker 1: for the fans very much, so very much so I 151 00:09:40,120 --> 00:09:44,479 Speaker 1: will say that I feel like men just handle things 152 00:09:44,600 --> 00:09:48,200 Speaker 1: very poorly. And I also say this because there was 153 00:09:48,280 --> 00:09:53,160 Speaker 1: another podcast recently, and I will not name the specific 154 00:09:53,200 --> 00:09:55,600 Speaker 1: podcast just because I don't need that drama in my 155 00:09:55,679 --> 00:09:59,800 Speaker 1: life right now. There's another podcast, very popular, very viral 156 00:09:59,840 --> 00:10:04,839 Speaker 1: on TikTok, doing super well, and within the co hosts, 157 00:10:05,880 --> 00:10:08,360 Speaker 1: they had this big blow up, this big issue, and 158 00:10:08,480 --> 00:10:11,840 Speaker 1: literally from like one hour to the next, went from 159 00:10:11,880 --> 00:10:16,640 Speaker 1: having this cohesive show with this big audience, growing numbers, 160 00:10:16,800 --> 00:10:22,199 Speaker 1: growing virility two one host locking the other hosts out 161 00:10:22,200 --> 00:10:26,040 Speaker 1: of all of their social media accounts, changing all the passwords, 162 00:10:26,800 --> 00:10:31,080 Speaker 1: and then completely blasting them on all of their channels 163 00:10:31,160 --> 00:10:33,560 Speaker 1: and the RSS feed that they had all built together. 164 00:10:34,000 --> 00:10:36,320 Speaker 1: And I don't know, I just see some of these 165 00:10:36,360 --> 00:10:38,920 Speaker 1: things happen and I look back and I think, like 166 00:10:39,080 --> 00:10:42,680 Speaker 1: there is for podcasters where you're all you're doing is talking. 167 00:10:42,920 --> 00:10:45,839 Speaker 1: You suckers do not know how to communicate. You guys 168 00:10:45,920 --> 00:10:48,800 Speaker 1: talk for a living hours and hours and hours, and 169 00:10:48,840 --> 00:10:51,160 Speaker 1: you don't to each other and you don't know how 170 00:10:51,160 --> 00:10:54,640 Speaker 1: to communicate. And it's astounding to me. I think we're 171 00:10:54,640 --> 00:10:57,920 Speaker 1: pretty decent with our communication. I think we're really looking 172 00:10:58,000 --> 00:11:01,760 Speaker 1: great at our communication. Yeah, I think we are. And 173 00:11:01,800 --> 00:11:04,520 Speaker 1: I think that that's an example of like men talking 174 00:11:04,559 --> 00:11:08,040 Speaker 1: when not saying anything, because how can you be talking 175 00:11:08,640 --> 00:11:11,160 Speaker 1: so much to each other but you're not saying anything 176 00:11:12,720 --> 00:11:17,920 Speaker 1: of substance, anything meaningful. It's very strange. Um. But Yeah, 177 00:11:17,960 --> 00:11:20,600 Speaker 1: So we have outlived the Bodega Boys and a number 178 00:11:20,600 --> 00:11:26,360 Speaker 1: of other notable podcasts. So cheers to us, and we're 179 00:11:26,400 --> 00:11:29,200 Speaker 1: gonna leave flowers at the podcast graveyard. There's been a 180 00:11:29,200 --> 00:11:32,280 Speaker 1: lot of Latin X programming that has just ended, and 181 00:11:32,320 --> 00:11:35,160 Speaker 1: we're going to go through the list. Yeah, but before 182 00:11:35,160 --> 00:11:38,000 Speaker 1: we get to the Latin X specific more so film 183 00:11:38,000 --> 00:11:40,760 Speaker 1: and television. Um, there have been. You know, some of 184 00:11:40,760 --> 00:11:42,920 Speaker 1: our favorite podcasts that have ended over the years. R 185 00:11:42,960 --> 00:11:47,600 Speaker 1: I peach those, we love them. We're sad that they're gone, 186 00:11:47,880 --> 00:11:49,800 Speaker 1: you know. But we're going to talk more about that 187 00:11:49,800 --> 00:11:51,800 Speaker 1: in a bit, but before, like, we also want to 188 00:11:52,679 --> 00:11:58,199 Speaker 1: share about another shift that we saw, The Breakfast Club. Personally, 189 00:11:58,320 --> 00:12:00,760 Speaker 1: I am not a fan of The Breakfast Love. I 190 00:12:00,840 --> 00:12:04,840 Speaker 1: cannot get behind Charlemagne. I really can't his treatment of 191 00:12:05,000 --> 00:12:08,040 Speaker 1: black women, the way he shows up super unprepared when 192 00:12:08,040 --> 00:12:10,280 Speaker 1: he interviews black women, Like, it's just really hard for 193 00:12:10,280 --> 00:12:12,840 Speaker 1: me to get behind. We're not we're not talking about 194 00:12:12,920 --> 00:12:15,400 Speaker 1: that today. I don't. I don't want it to be like, oh, 195 00:12:15,440 --> 00:12:17,360 Speaker 1: they they're vouching for the Breakfast Club. No, what we 196 00:12:17,360 --> 00:12:20,320 Speaker 1: want to talk about specifically is like Angela Eat tweeted 197 00:12:20,320 --> 00:12:25,319 Speaker 1: out something very cryptic and she's tweeted the Breakfast Club 198 00:12:25,440 --> 00:12:28,439 Speaker 1: as you know, it is coming to an end, drama 199 00:12:29,600 --> 00:12:32,840 Speaker 1: and that was it, right, And this came after the 200 00:12:32,880 --> 00:12:37,880 Speaker 1: Bodego Boys news. These are two very notable shows that 201 00:12:38,040 --> 00:12:41,000 Speaker 1: lots of people are tuning into. Yeah, and the Breakfast 202 00:12:41,000 --> 00:12:45,000 Speaker 1: Club is a syndicated show like It's Yeah, and it's 203 00:12:45,080 --> 00:12:47,800 Speaker 1: wildly successful. Hate it or love it? It is very 204 00:12:47,840 --> 00:12:52,079 Speaker 1: successful and everybody goes to the Breakfast Club like they 205 00:12:52,120 --> 00:12:57,360 Speaker 1: really interviewed like they interviewed AOC, right, I don't know 206 00:12:57,400 --> 00:13:00,280 Speaker 1: about AOC. I don't want to say yes, but really 207 00:13:00,320 --> 00:13:03,240 Speaker 1: like the interviewed Janet mos Janet Mack was on there. 208 00:13:03,320 --> 00:13:06,839 Speaker 1: That was a very big thing that happened back in 209 00:13:08,480 --> 00:13:11,440 Speaker 1: um and they've interviewed a lot of notable people. It 210 00:13:11,520 --> 00:13:13,960 Speaker 1: is one of those things where like if you are 211 00:13:14,280 --> 00:13:18,160 Speaker 1: someone trying to get the support of the black community, 212 00:13:18,200 --> 00:13:20,920 Speaker 1: like you want to go on their show. Joe Biden 213 00:13:21,040 --> 00:13:25,520 Speaker 1: was on The Breakfast Club via like virtual recording back 214 00:13:25,520 --> 00:13:29,560 Speaker 1: when he was campaigning. That's when he said like quote 215 00:13:29,600 --> 00:13:31,760 Speaker 1: like if you don't vote for Joe, you ain't black 216 00:13:31,880 --> 00:13:35,040 Speaker 1: or something along the lines of that, like very crazy. 217 00:13:35,200 --> 00:13:37,440 Speaker 1: He said that on their show, which the oh god, 218 00:13:37,920 --> 00:13:43,800 Speaker 1: god why But anyway, Angelie states that the Breakfast Club 219 00:13:44,120 --> 00:13:46,319 Speaker 1: as we know it will no longer be the same. 220 00:13:46,360 --> 00:13:50,200 Speaker 1: It's changing and that's because she's leaping. So the duo 221 00:13:50,280 --> 00:13:54,439 Speaker 1: of the trio of Charletamagne, dj Envy and Angelie is 222 00:13:54,480 --> 00:13:58,960 Speaker 1: no longer because Angelie. Angelie is leaving to start her 223 00:13:59,000 --> 00:14:03,160 Speaker 1: own show, her own podcast series with some with some 224 00:14:03,240 --> 00:14:08,520 Speaker 1: other network. Yeah, it's exciting to see quick fact check. 225 00:14:09,360 --> 00:14:13,600 Speaker 1: AOC was on The Breakfast Club, which so you know, 226 00:14:14,920 --> 00:14:17,000 Speaker 1: and and this is the thing, this is the dichotomy 227 00:14:17,040 --> 00:14:19,360 Speaker 1: of media so so often, right, Like I feel like 228 00:14:19,400 --> 00:14:23,400 Speaker 1: folks want, um, I don't know, celebs and figureheads to 229 00:14:23,480 --> 00:14:26,400 Speaker 1: be like squeaky clean and perfect, Like Charlottagne is somebody who, 230 00:14:26,640 --> 00:14:29,720 Speaker 1: in addition to all the horrible things that Giosa has listed, 231 00:14:30,040 --> 00:14:31,720 Speaker 1: he had this episode where he went on there and 232 00:14:31,720 --> 00:14:35,160 Speaker 1: he was like, oh, well, by definition, if you really 233 00:14:35,160 --> 00:14:37,000 Speaker 1: think about it, like the first time I had sexted 234 00:14:37,000 --> 00:14:40,040 Speaker 1: with my wife, I raped her Like that was like 235 00:14:40,080 --> 00:14:42,240 Speaker 1: a direct quote of Charlottagne's and that was making the 236 00:14:42,320 --> 00:14:45,120 Speaker 1: rounds at one point, right, and a lot of reality. 237 00:14:46,160 --> 00:14:50,520 Speaker 1: And that was years ago. But AOC was also on 238 00:14:50,600 --> 00:14:54,000 Speaker 1: the show, you know, and I'm like, yeah, the comments 239 00:14:54,160 --> 00:14:56,120 Speaker 1: and I'm seeing like the very first one that I'm seeing, 240 00:14:56,160 --> 00:14:57,960 Speaker 1: like a couple of weeks ago, I had no idea 241 00:14:58,040 --> 00:15:00,520 Speaker 1: what Americans were talking about when we referring to AOC, 242 00:15:01,240 --> 00:15:04,040 Speaker 1: But like now I know, like who you know. So 243 00:15:04,120 --> 00:15:06,880 Speaker 1: it's just so it's just this is not a sign 244 00:15:06,960 --> 00:15:08,560 Speaker 1: off or a good or a bat or a yes 245 00:15:08,680 --> 00:15:11,960 Speaker 1: or no it's just like, this is the media landscape, 246 00:15:12,000 --> 00:15:14,280 Speaker 1: and when it comes to getting a message out, like 247 00:15:14,600 --> 00:15:17,400 Speaker 1: when a show has that reach, folks who are trying 248 00:15:17,440 --> 00:15:19,240 Speaker 1: to get their message across are going to stop by 249 00:15:19,280 --> 00:15:22,080 Speaker 1: the show you want to get on it. Yeah, that's 250 00:15:22,080 --> 00:15:26,160 Speaker 1: just like that's just factual, like you know it is, 251 00:15:26,560 --> 00:15:30,680 Speaker 1: It's just how it works. So yeah, so we look 252 00:15:30,680 --> 00:15:34,120 Speaker 1: forward to seeing what Angelie does and tuning into her 253 00:15:34,160 --> 00:15:36,400 Speaker 1: new show. She has a lot of projects going on, 254 00:15:36,840 --> 00:15:40,480 Speaker 1: and she's like, I guess, the one sort of anchor 255 00:15:40,520 --> 00:15:43,720 Speaker 1: in the Breakfast Club that brings in some semblance of 256 00:15:43,760 --> 00:15:49,840 Speaker 1: like researchant research, some semblance, some modicum of research. I'm 257 00:15:49,840 --> 00:15:53,000 Speaker 1: not saying she doesn't research, right, right, she brings in 258 00:15:53,200 --> 00:15:56,120 Speaker 1: some level of research. She also, I feel like she 259 00:15:56,200 --> 00:15:59,040 Speaker 1: tries to do like the devil's advocate, where like Charlemagne 260 00:15:59,080 --> 00:16:01,400 Speaker 1: and dj Envy are like going off on something, She's like, 261 00:16:01,400 --> 00:16:03,480 Speaker 1: well what about if we look at it this way? 262 00:16:04,120 --> 00:16:07,280 Speaker 1: You know? And so I think she's definitely that voice 263 00:16:07,320 --> 00:16:09,760 Speaker 1: the freezing. Whether you agree or not with her, I 264 00:16:09,800 --> 00:16:12,760 Speaker 1: think she does play that role. And so I'm interested 265 00:16:12,800 --> 00:16:16,440 Speaker 1: to see how they're going to fill that spot because 266 00:16:16,840 --> 00:16:19,760 Speaker 1: even though the Breakfast Club is not ending we have 267 00:16:19,880 --> 00:16:26,240 Speaker 1: technically still outlived their current model. So the cast YEP, yes, 268 00:16:26,880 --> 00:17:04,639 Speaker 1: So R I P to that and m m m 269 00:17:08,040 --> 00:17:19,200 Speaker 1: m of it and little ship. We just keep going, 270 00:17:19,320 --> 00:17:24,880 Speaker 1: We just keep trucking another. R I P. The Chronicles 271 00:17:25,119 --> 00:17:28,040 Speaker 1: HBO Max super cute show. I did tune in. I 272 00:17:28,080 --> 00:17:30,800 Speaker 1: did watch it, very funny. I thought it was clever. 273 00:17:31,480 --> 00:17:34,960 Speaker 1: I thought that Google was like, really well cast, that 274 00:17:35,320 --> 00:17:39,199 Speaker 1: lead actress is hilarious and so charming. Um. I was 275 00:17:39,240 --> 00:17:44,040 Speaker 1: surprised to see that it was canceled. I think everyone 276 00:17:44,160 --> 00:17:46,960 Speaker 1: was surprised because it was one of those shows where 277 00:17:47,000 --> 00:17:51,320 Speaker 1: you couldn't even blame the ratings, like it was critically acclaimed. 278 00:17:51,640 --> 00:17:56,480 Speaker 1: It had great ratings, so it was like why, like 279 00:17:56,640 --> 00:18:01,719 Speaker 1: why why are y'all like canceling the show? It doesn't 280 00:18:01,720 --> 00:18:05,240 Speaker 1: make sense. And then after we hear about Gorita Chronicles 281 00:18:05,280 --> 00:18:09,320 Speaker 1: being canceled, we hear that who's what's the studio? Who 282 00:18:09,400 --> 00:18:11,760 Speaker 1: is it? They're not going to release Bad Girl? Yeah, 283 00:18:12,000 --> 00:18:15,879 Speaker 1: HBO No sorry, hold on, let me go back, let 284 00:18:15,880 --> 00:18:19,800 Speaker 1: me google that real quick? Is it Warner Brothers? Warner Brothers, 285 00:18:19,840 --> 00:18:25,119 Speaker 1: Because there's some merger happening between these studios and such 286 00:18:25,560 --> 00:18:29,320 Speaker 1: such that it's like money wise and tax wise and 287 00:18:29,320 --> 00:18:33,399 Speaker 1: budget wise makes more sense for them somehow to release 288 00:18:33,480 --> 00:18:38,480 Speaker 1: Back Girl. Yeah, so it was for HBO Max distributed 289 00:18:38,520 --> 00:18:41,560 Speaker 1: by Warner Brothers. All that gets kind of confusing, I know. 290 00:18:41,680 --> 00:18:46,240 Speaker 1: But Back Girl is, you know, was a superhero film 291 00:18:46,320 --> 00:18:48,920 Speaker 1: based on the DC comics, and it was really exciting 292 00:18:49,000 --> 00:18:56,240 Speaker 1: because Leslie Grace was cast. She is a Dominican singer actress. 293 00:18:56,440 --> 00:19:00,639 Speaker 1: She like got so much praise for her role in 294 00:19:00,640 --> 00:19:03,080 Speaker 1: In the Heights and then was cast as back Girl, 295 00:19:03,119 --> 00:19:07,119 Speaker 1: and so people were really excited. She's a black Latina. 296 00:19:07,359 --> 00:19:10,600 Speaker 1: It would have been like such a fucking huge win. 297 00:19:11,359 --> 00:19:13,800 Speaker 1: It would have been so amazing for her to have 298 00:19:13,840 --> 00:19:16,240 Speaker 1: the superhero role. And then for it to not even 299 00:19:16,280 --> 00:19:20,000 Speaker 1: be released, not even like on streaming services, but just 300 00:19:20,080 --> 00:19:25,199 Speaker 1: completely pooled was super heartbreaking and so disrespectful to all 301 00:19:25,240 --> 00:19:30,160 Speaker 1: the people that worked on the film. Yeah, it's strange 302 00:19:30,320 --> 00:19:34,600 Speaker 1: and it's like it doesn't make sense. And I'm sure 303 00:19:34,760 --> 00:19:40,919 Speaker 1: that in their abacus and in there, you know, their calculators, 304 00:19:40,960 --> 00:19:45,280 Speaker 1: their numbers somehow work for them, But it doesn't translate 305 00:19:45,480 --> 00:19:49,439 Speaker 1: that you spend all these millions making the thing and 306 00:19:49,480 --> 00:19:53,080 Speaker 1: then you don't It doesn't cost you to not put 307 00:19:53,119 --> 00:19:54,640 Speaker 1: it out or you don't need to put it out, 308 00:19:54,680 --> 00:19:56,919 Speaker 1: like you're not prepeted, Like it doesn't I don't get it. 309 00:19:57,280 --> 00:20:00,280 Speaker 1: I don't get it either. I mean, I'm not a 310 00:20:00,359 --> 00:20:03,920 Speaker 1: film executive, a streaming service executive, but that just doesn't 311 00:20:03,960 --> 00:20:06,560 Speaker 1: seem like good math to me. I don't understand. I 312 00:20:06,640 --> 00:20:10,840 Speaker 1: don't understand it. But hopefully we'll see more of Leslie Grace. 313 00:20:10,920 --> 00:20:14,360 Speaker 1: I'm sure we will hopefully back girl. You know sometimes 314 00:20:14,400 --> 00:20:17,439 Speaker 1: these things like the news is the news today and 315 00:20:17,480 --> 00:20:20,399 Speaker 1: then it's completely different in a week, like these people 316 00:20:20,480 --> 00:20:24,720 Speaker 1: change their mind, Like I don't know what so see, 317 00:20:25,040 --> 00:20:28,200 Speaker 1: we'll see what happens. We'll see. I mean, as of now, 318 00:20:28,359 --> 00:20:31,800 Speaker 1: there is a graveyard of Latin X TV shows, some 319 00:20:31,920 --> 00:20:35,400 Speaker 1: of our faves, you know, and like some of our 320 00:20:35,400 --> 00:20:38,399 Speaker 1: faiths that deserved to not be canceled. You know that 321 00:20:38,440 --> 00:20:42,880 Speaker 1: we're super incredible, We're super amazing. We're you know, shifting 322 00:20:43,080 --> 00:20:46,520 Speaker 1: the narrative. And I think that at this moment that 323 00:20:46,640 --> 00:20:49,760 Speaker 1: we're living in as a country, like it's really important 324 00:20:49,800 --> 00:20:52,560 Speaker 1: to tell our stories when there's like a particular narrative 325 00:20:52,680 --> 00:20:56,800 Speaker 1: being said about Latinos, Latin X folks, immigrant communities, Like 326 00:20:56,880 --> 00:20:59,800 Speaker 1: it's really important that we control our narratives and our 327 00:21:00,000 --> 00:21:02,480 Speaker 1: stories and they're not letting us, so like how do 328 00:21:02,560 --> 00:21:06,359 Speaker 1: we do it ourselves? Then yeah, totally. There is another 329 00:21:06,400 --> 00:21:08,399 Speaker 1: show that just and this is the thing is like 330 00:21:08,440 --> 00:21:11,000 Speaker 1: it seems like the shows are getting made, but they're 331 00:21:11,040 --> 00:21:14,920 Speaker 1: giving us one to two season caps. So like another show, 332 00:21:15,800 --> 00:21:19,239 Speaker 1: it's Crumbs, just here you go, Buckden, and then we're 333 00:21:19,240 --> 00:21:22,159 Speaker 1: going to cancel it. Yes you can start it, we 334 00:21:22,200 --> 00:21:24,040 Speaker 1: will not let you finish it though, Like it's not 335 00:21:24,080 --> 00:21:26,000 Speaker 1: going to grow, it's not going to get legs. It's 336 00:21:26,000 --> 00:21:30,600 Speaker 1: I'm gonna get its fan base. Like Friends is not 337 00:21:30,960 --> 00:21:35,040 Speaker 1: more clever or well written, or more beautifully shot or 338 00:21:35,119 --> 00:21:39,200 Speaker 1: more engaging than any of these shows, but they gave 339 00:21:39,280 --> 00:21:42,840 Speaker 1: Friends just years and years and years to become what 340 00:21:42,920 --> 00:21:46,720 Speaker 1: it is, this iconic show, whether or not it's actually 341 00:21:47,000 --> 00:21:51,080 Speaker 1: the stuff like of icons, you know, that's not really 342 00:21:51,119 --> 00:21:53,560 Speaker 1: the point. It's like you've got to give something room 343 00:21:54,119 --> 00:21:56,720 Speaker 1: to breathe and people to get to know it. I 344 00:21:56,760 --> 00:22:02,800 Speaker 1: mean another example, I haven't seen Ships Ships Creek so funny, 345 00:22:02,880 --> 00:22:06,080 Speaker 1: but what someone told me was like the first season 346 00:22:06,160 --> 00:22:09,240 Speaker 1: and maybe even the second season, like aren't great, but 347 00:22:09,320 --> 00:22:11,199 Speaker 1: like you have to like grow, you have to like 348 00:22:11,280 --> 00:22:15,560 Speaker 1: watch it and then it gets so good like these 349 00:22:15,560 --> 00:22:17,880 Speaker 1: other these other shows are really good from season one, 350 00:22:17,960 --> 00:22:20,520 Speaker 1: episode one, but they're not given that same grace to 351 00:22:20,640 --> 00:22:23,320 Speaker 1: like grow and get better. It's just like it has 352 00:22:23,359 --> 00:22:27,400 Speaker 1: to be so fucking monumental, amazing, groundbreaking from episode one, 353 00:22:28,359 --> 00:22:30,359 Speaker 1: and not that I'm not not The Ship's Creek is 354 00:22:30,359 --> 00:22:33,159 Speaker 1: is like mediocre, but it's like there are mediocre shows 355 00:22:33,200 --> 00:22:37,239 Speaker 1: that are getting like ten seasons, seven seasons, what have you, 356 00:22:37,359 --> 00:22:40,720 Speaker 1: and these these Latin shows aren't getting more than two seasons, 357 00:22:40,720 --> 00:22:43,600 Speaker 1: three seasons at most. It's true, and you know, it's 358 00:22:43,640 --> 00:22:46,800 Speaker 1: like I think there's also this expectation. Is the show 359 00:22:47,119 --> 00:22:51,920 Speaker 1: episode one week one doing numbers? Is it top ten streaming? When, 360 00:22:52,119 --> 00:22:54,520 Speaker 1: like you were saying, going back to Ship's Creek, Ship's 361 00:22:54,520 --> 00:22:58,639 Speaker 1: Creek being a little show on pop TV where it 362 00:22:58,800 --> 00:23:01,920 Speaker 1: started first of all, like who's even heard of pop TV? 363 00:23:02,200 --> 00:23:04,800 Speaker 1: That's where One Day at a Time ended up after 364 00:23:04,920 --> 00:23:08,440 Speaker 1: losing its streamer, um, but Ship Screen started on pop 365 00:23:08,480 --> 00:23:11,240 Speaker 1: TV and it wasn't even until like like you're saying, 366 00:23:11,320 --> 00:23:14,199 Speaker 1: the third or fourth season that anyone was talking about it, 367 00:23:14,240 --> 00:23:16,760 Speaker 1: that it got any attention, or that it was getting 368 00:23:16,760 --> 00:23:20,480 Speaker 1: nominated for things. And that's Eugene Levy, Like that's a 369 00:23:20,520 --> 00:23:26,639 Speaker 1: major A list, you know. Yeah, so fascinating to see. Um, 370 00:23:26,680 --> 00:23:29,199 Speaker 1: I think we can think about like Penthified one day 371 00:23:29,200 --> 00:23:32,600 Speaker 1: at a time. On my block, there are other shows, 372 00:23:32,840 --> 00:23:36,600 Speaker 1: um to join that go to Meet the Chronicles is 373 00:23:36,680 --> 00:23:39,600 Speaker 1: joining them in the TV show Graveyard? Yeah, well on 374 00:23:39,720 --> 00:23:42,959 Speaker 1: my block, did I think that one had an actual 375 00:23:43,119 --> 00:23:45,919 Speaker 1: like clothes like that one didn't get canceled, but the 376 00:23:46,000 --> 00:23:50,000 Speaker 1: rest definitely did. And we're still sad about it years later, 377 00:23:50,680 --> 00:23:54,360 Speaker 1: totally totally sad and um so of course when these 378 00:23:54,400 --> 00:23:56,320 Speaker 1: things happened, Oh, I did want to shout out, there 379 00:23:56,359 --> 00:23:58,480 Speaker 1: is a new show out on Hulu. Watch it or 380 00:23:58,520 --> 00:24:01,240 Speaker 1: they'll cancel it. It's called This Fool and it's like 381 00:24:01,960 --> 00:24:06,120 Speaker 1: l A comic. Chris Astrada, Frankie a k A. Chill 382 00:24:06,160 --> 00:24:08,720 Speaker 1: O Fit Creeper is also in it. It is hilarious, 383 00:24:08,840 --> 00:24:12,960 Speaker 1: it is hysterical. It is so funny. Um, if you're 384 00:24:13,000 --> 00:24:15,359 Speaker 1: from l A. If there's a lot of like l 385 00:24:15,400 --> 00:24:18,240 Speaker 1: A specific stuff in there that you haven't necessarily seen 386 00:24:18,240 --> 00:24:23,119 Speaker 1: in other shows, which I appreciate, so go watch it. Um. Yeah, 387 00:24:23,240 --> 00:24:25,840 Speaker 1: And then we had a Patty Rodriguez tweet. I think 388 00:24:25,840 --> 00:24:29,479 Speaker 1: in light of all these cancelations, I think that Patty 389 00:24:29,560 --> 00:24:34,800 Speaker 1: has been inspired to write this tweet. Yeah. So, Patty 390 00:24:34,880 --> 00:24:39,240 Speaker 1: Rodriguez is formerly of Kiss FM on air with Ryan Seacrest. 391 00:24:39,359 --> 00:24:42,840 Speaker 1: She's the one of the founders of Little Evitals. She 392 00:24:42,920 --> 00:24:45,080 Speaker 1: even has her own day in l A. Y'all like 393 00:24:45,520 --> 00:24:49,280 Speaker 1: Patty is like in SPO role model for us. She's 394 00:24:49,320 --> 00:24:52,080 Speaker 1: been doing it for years. She now has her own 395 00:24:52,080 --> 00:24:55,240 Speaker 1: podcast and production studios called See Me Atto, so you 396 00:24:55,320 --> 00:24:57,560 Speaker 1: might know her as like Seeing Me Atole Productions or 397 00:24:57,600 --> 00:25:00,440 Speaker 1: see Me Ato. She had a jewelry line, So we're 398 00:25:00,800 --> 00:25:04,520 Speaker 1: mega fans and whenever she like tweets at us or 399 00:25:04,520 --> 00:25:07,119 Speaker 1: engages with us, we're always super proud and happy. And 400 00:25:07,160 --> 00:25:10,760 Speaker 1: so she tweeted um at us and said, you know 401 00:25:10,800 --> 00:25:16,040 Speaker 1: where we're not erasing Latinos. Look at our radio and 402 00:25:16,040 --> 00:25:19,479 Speaker 1: it's and it's true, and it's true. We're not true. 403 00:25:19,920 --> 00:25:22,879 Speaker 1: We will not erase ourselves. And that is our promise 404 00:25:22,960 --> 00:25:26,840 Speaker 1: to you. We know. First of all, I think we're 405 00:25:26,840 --> 00:25:32,760 Speaker 1: too vain to erase ourselves. Sec Second of all, there's 406 00:25:32,800 --> 00:25:38,280 Speaker 1: an audio archive of now hundreds of Latino X artists, 407 00:25:38,960 --> 00:25:45,320 Speaker 1: culture shifters, culture makers, musicians, poets, writers in the RSS 408 00:25:45,400 --> 00:25:49,639 Speaker 1: feed hundreds now over a hundred, so like we cannot 409 00:25:49,640 --> 00:25:54,399 Speaker 1: erase ourselves and we are not erasing our people, our community. No, 410 00:25:54,400 --> 00:25:58,920 Speaker 1: no way, Jose, I'm not gonna do it. So once again, 411 00:25:59,000 --> 00:26:02,199 Speaker 1: thank you all for tuning in. UM. It makes a 412 00:26:02,240 --> 00:26:07,640 Speaker 1: big difference to have such supportive listeners who engage. They 413 00:26:07,720 --> 00:26:10,760 Speaker 1: leave us ratings, You guys leave us reviews, you share, 414 00:26:11,080 --> 00:26:13,720 Speaker 1: you tweet, tweet about us, you tag us, you post 415 00:26:13,720 --> 00:26:16,720 Speaker 1: about us, and all of that gives us motivation to 416 00:26:16,880 --> 00:26:20,240 Speaker 1: keep going. And as we were sitting down to write 417 00:26:20,240 --> 00:26:24,760 Speaker 1: the script for today's episode, we were starting to ask ourselves, like, well, 418 00:26:24,760 --> 00:26:27,359 Speaker 1: why have we outlived all these shows? Like why have 419 00:26:27,480 --> 00:26:34,000 Speaker 1: we persevered recording from home? Recording? Indeed, no budgets, small budgets, 420 00:26:34,760 --> 00:26:39,440 Speaker 1: two person team, you know, like what is in the sauce? 421 00:26:41,960 --> 00:26:47,120 Speaker 1: And we figured it out. It's it's y'all. It's y'all, 422 00:26:47,160 --> 00:26:49,760 Speaker 1: It really is. It really is because y'all show up 423 00:26:49,760 --> 00:26:52,080 Speaker 1: for us in all the ways that Mama already listed, 424 00:26:52,600 --> 00:26:55,280 Speaker 1: and it really is what keeps us going, even like 425 00:26:55,640 --> 00:26:58,440 Speaker 1: you may not even know it, but like since day one, 426 00:26:58,680 --> 00:27:00,679 Speaker 1: and let me tell you why, Because when Mom and 427 00:27:00,680 --> 00:27:04,560 Speaker 1: I sat down in Boil Hights, to plan. Look at 428 00:27:04,560 --> 00:27:07,440 Speaker 1: the our radio where we conceptualize the name. We literally 429 00:27:07,480 --> 00:27:11,879 Speaker 1: said verbatim, we can do a podcast episode once a month. 430 00:27:12,520 --> 00:27:14,720 Speaker 1: That was the idea for this show. It was a 431 00:27:14,760 --> 00:27:18,880 Speaker 1: one episode a month show because this was a passion project. 432 00:27:19,720 --> 00:27:22,920 Speaker 1: The way that y'all our listeners came out in waves 433 00:27:23,000 --> 00:27:27,160 Speaker 1: after episode one and within the first weekend we grew 434 00:27:27,200 --> 00:27:30,320 Speaker 1: like our following to a thousand followers listens to a 435 00:27:30,400 --> 00:27:33,440 Speaker 1: thousand listens, a thousand downloads in the first the first day, 436 00:27:34,000 --> 00:27:37,439 Speaker 1: we were like, oh my god, like this is bigger 437 00:27:37,440 --> 00:27:40,359 Speaker 1: than we realized. This is bigger than we thought, and 438 00:27:40,400 --> 00:27:43,760 Speaker 1: that pushed us to become to do two episodes a month. 439 00:27:44,000 --> 00:27:48,280 Speaker 1: We eventually did a weekly show, scaled back to twice 440 00:27:48,560 --> 00:27:51,760 Speaker 1: twice a month again, and now we're like undergoing like 441 00:27:51,840 --> 00:27:54,439 Speaker 1: a new transformation and like y'all have rocked with us 442 00:27:54,480 --> 00:27:58,560 Speaker 1: season after season, theme after theme, party after party, concept 443 00:27:58,600 --> 00:28:03,200 Speaker 1: after concept. All have been here, you know, whether whether 444 00:28:03,240 --> 00:28:05,919 Speaker 1: you've been listening since or you're a new listener, but 445 00:28:06,000 --> 00:28:08,800 Speaker 1: you started like an episode one, like y'all have been here, 446 00:28:08,920 --> 00:28:12,080 Speaker 1: and like you have no idea like how that really 447 00:28:12,160 --> 00:28:15,240 Speaker 1: key has kept us going because this ship is hard, 448 00:28:15,440 --> 00:28:18,880 Speaker 1: like doing things by yourself, and by yourself I mean 449 00:28:18,920 --> 00:28:23,000 Speaker 1: with us, like like without a budget, like without any 450 00:28:23,040 --> 00:28:26,040 Speaker 1: type of financial backing or support. When we fundraised, y'all 451 00:28:26,080 --> 00:28:29,280 Speaker 1: helped us rate fifteen dollars and that helped us launched Mariana. 452 00:28:29,400 --> 00:28:34,440 Speaker 1: That helped us become look at productions like, we don't 453 00:28:34,480 --> 00:28:37,199 Speaker 1: forget that, we know that, like this is the reason. 454 00:28:38,360 --> 00:28:41,760 Speaker 1: Oh yeah, and what a lot of shows. I mean 455 00:28:42,080 --> 00:28:45,080 Speaker 1: they're obviously operating at a different scale. They have million 456 00:28:45,120 --> 00:28:48,760 Speaker 1: dollar budgets there on HBO, Max there and Hulu, but 457 00:28:49,760 --> 00:28:55,480 Speaker 1: they are dependent on studios and budgets and executives and 458 00:28:55,600 --> 00:28:58,760 Speaker 1: green lights or cancelations. And as long as we want 459 00:28:58,840 --> 00:29:01,840 Speaker 1: to keep going, we can keep going, like we're the 460 00:29:01,920 --> 00:29:05,920 Speaker 1: only ones who can stop us. And so you guys 461 00:29:06,040 --> 00:29:09,440 Speaker 1: just are that fuel that tells us, yes, we will 462 00:29:09,520 --> 00:29:12,040 Speaker 1: keep going in fact, and we're just gonna keep growing. 463 00:29:12,320 --> 00:29:14,719 Speaker 1: So we want to thank you guys, and of course 464 00:29:15,000 --> 00:29:18,240 Speaker 1: we want to party with you. Um. We obviously have 465 00:29:18,320 --> 00:29:21,800 Speaker 1: an opportunity for us to get together and dance. We 466 00:29:21,840 --> 00:29:25,040 Speaker 1: can close out season six, we can close out the 467 00:29:25,120 --> 00:29:28,440 Speaker 1: end of this era. We can launch Hispanic Heritage Month. 468 00:29:28,720 --> 00:29:31,840 Speaker 1: We have two parties coming up in September two iterations 469 00:29:31,840 --> 00:29:35,360 Speaker 1: of Beata. We have a day party on September eleven 470 00:29:35,520 --> 00:29:38,560 Speaker 1: called why to Slight. I wanted to name it bom Ba, 471 00:29:38,600 --> 00:29:41,640 Speaker 1: but Chrissal told me no, so it's Why to Sleigh 472 00:29:42,280 --> 00:29:44,760 Speaker 1: nine eleven. You can come again in party with us 473 00:29:44,840 --> 00:29:49,200 Speaker 1: the night of September se at Resident Downtown l A. 474 00:29:50,000 --> 00:29:53,880 Speaker 1: We're drinking, we're eating, We're dancing. You can find tickets 475 00:29:53,920 --> 00:29:56,840 Speaker 1: on event bright. But yeah, until then, thank you guys 476 00:29:56,920 --> 00:29:59,040 Speaker 1: so much for tuning in. This is the last episode 477 00:29:59,080 --> 00:30:02,920 Speaker 1: of season six. Is our season finale. This is our 478 00:30:02,960 --> 00:30:06,479 Speaker 1: season finale and also the end of an era. We 479 00:30:06,520 --> 00:30:09,400 Speaker 1: are coming back at the end of September, so you 480 00:30:09,440 --> 00:30:13,760 Speaker 1: can look out for our trailers September with a big 481 00:30:13,880 --> 00:30:18,920 Speaker 1: update of Big Surprise and our first episode of season seven. 482 00:30:19,040 --> 00:30:25,120 Speaker 1: Can you believe it launches October five, So mark your calendars. 483 00:30:25,880 --> 00:30:28,400 Speaker 1: There is a new era of look at that our 484 00:30:28,480 --> 00:30:33,600 Speaker 1: radio coming and we cannot wait to share more. That's 485 00:30:33,600 --> 00:31:02,440 Speaker 1: its us. M M M M M and and send 486 00:31:02,800 --> 00:31:08,440 Speaker 1: Elly Rong and and and and Telly Rong and and 487 00:31:08,440 --> 00:31:18,000 Speaker 1: and rom from from from from from from from from 488 00:31:16,520 --> 00:31:23,600 Speaker 1: from from from away, and the shad from