1 00:00:03,360 --> 00:00:05,040 Speaker 1: What's up? Its way up for Angela. 2 00:00:05,120 --> 00:00:07,440 Speaker 2: He and you know, I'm excited because Kailani is here 3 00:00:07,520 --> 00:00:11,320 Speaker 2: with me today, a fresh off putting out a brand 4 00:00:11,320 --> 00:00:13,480 Speaker 2: new album that everybody's talking about Crash. 5 00:00:14,000 --> 00:00:16,600 Speaker 1: So first of all, congratulations. 6 00:00:15,720 --> 00:00:16,920 Speaker 3: Thank you, I appreciate it. 7 00:00:17,120 --> 00:00:17,880 Speaker 1: How are you feeling. 8 00:00:18,239 --> 00:00:19,680 Speaker 3: I'm good. I'm happy to be here. I did a 9 00:00:19,720 --> 00:00:22,720 Speaker 3: really cool signing yesterday and it was like probably the 10 00:00:22,760 --> 00:00:25,239 Speaker 3: craziest turnout of my career in New York. Yeah, it 11 00:00:25,280 --> 00:00:26,640 Speaker 3: was crazy. It was super crazy. 12 00:00:26,760 --> 00:00:29,400 Speaker 2: I saw people saying, you don't even have to buy anything, 13 00:00:29,600 --> 00:00:31,960 Speaker 2: She's gonna sign for you, because you know, sometimes you 14 00:00:32,000 --> 00:00:34,000 Speaker 2: go to signings and like, okay, we got to push 15 00:00:34,040 --> 00:00:36,440 Speaker 2: these sales. You gotta buy this, you gotta buy this, 16 00:00:36,600 --> 00:00:38,680 Speaker 2: you know, merchant, you gotta buy the album. 17 00:00:38,720 --> 00:00:41,320 Speaker 1: And then but you were signing everything for everybody. 18 00:00:41,440 --> 00:00:43,000 Speaker 3: Yeah, and also people can just come hang out and 19 00:00:43,040 --> 00:00:45,960 Speaker 3: take pictures. I feel like it's always been my thing 20 00:00:46,080 --> 00:00:49,680 Speaker 3: for me to be fan focused. That's the most important 21 00:00:49,720 --> 00:00:52,320 Speaker 3: thing for me, honestly. Like the sales are cool, charts 22 00:00:52,360 --> 00:00:55,400 Speaker 3: are cool, that's all all right, But for me, it's 23 00:00:55,400 --> 00:00:57,640 Speaker 3: getting to see my impact in person and getting to 24 00:00:57,720 --> 00:00:59,720 Speaker 3: like exchange the energy with people. Who feel like I've 25 00:00:59,720 --> 00:01:00,640 Speaker 3: done thing for them. 26 00:01:00,680 --> 00:01:03,720 Speaker 2: So I think people are very connected to you because 27 00:01:04,200 --> 00:01:05,960 Speaker 2: of the things that you talk about in your music. 28 00:01:06,000 --> 00:01:07,039 Speaker 1: It's very honest. 29 00:01:08,840 --> 00:01:11,679 Speaker 2: But this album, by the way, and I've seen you 30 00:01:11,680 --> 00:01:13,679 Speaker 2: talk about it, and it's called Crash, and I know 31 00:01:13,720 --> 00:01:15,280 Speaker 2: there has to be a reason for it because it. 32 00:01:15,200 --> 00:01:16,720 Speaker 1: Feels like a lot of things. 33 00:01:16,720 --> 00:01:17,480 Speaker 3: It's a lot going on there. 34 00:01:18,680 --> 00:01:21,080 Speaker 1: Let's talk about it, cra you know. 35 00:01:21,160 --> 00:01:24,040 Speaker 3: I actually realized after watching interviews that I did before 36 00:01:24,080 --> 00:01:25,800 Speaker 3: the album came out that I was trying so hard 37 00:01:25,840 --> 00:01:27,880 Speaker 3: not to spoil anything that I feel like I didn't 38 00:01:27,920 --> 00:01:32,320 Speaker 3: explain it properly. But to me, it's just who I 39 00:01:32,360 --> 00:01:34,440 Speaker 3: am emotionally, It's who I am as a person. I 40 00:01:34,480 --> 00:01:36,560 Speaker 3: am all over the place, I am chaotic. I do 41 00:01:36,640 --> 00:01:38,520 Speaker 3: have a bunch of different emotions going on. I have 42 00:01:38,600 --> 00:01:41,160 Speaker 3: highs and lows and ups and downs, and it was 43 00:01:41,200 --> 00:01:44,039 Speaker 3: important for me to just stand in that and embrace that. 44 00:01:44,160 --> 00:01:47,640 Speaker 3: And also, to me, this was my pivotal moment where 45 00:01:47,680 --> 00:01:49,440 Speaker 3: I got to show like you couldn't put me in 46 00:01:49,440 --> 00:01:51,760 Speaker 3: a box musically, and I feel like I just kept 47 00:01:51,800 --> 00:01:55,800 Speaker 3: getting people wanting me to make two albums Ago again 48 00:01:56,080 --> 00:01:58,640 Speaker 3: or my first mixtape again, and just be stuck in 49 00:01:58,680 --> 00:02:01,960 Speaker 3: this like same sign, you know situation. But if I 50 00:02:02,000 --> 00:02:03,640 Speaker 3: wanted to be able to grow as an artist, I 51 00:02:03,640 --> 00:02:06,440 Speaker 3: had to make something that was polarizing and some people 52 00:02:06,480 --> 00:02:08,320 Speaker 3: really hate it and some people really love it, and 53 00:02:08,400 --> 00:02:10,639 Speaker 3: I think that's exactly what I wanted to accomplid. 54 00:02:10,760 --> 00:02:12,680 Speaker 1: Some people will say I like certain songs on. 55 00:02:12,760 --> 00:02:15,240 Speaker 3: Here, yeah, yeah, and they may not like everything, but 56 00:02:15,680 --> 00:02:17,800 Speaker 3: I'm excited to see how tour is gonna go. You know. 57 00:02:17,880 --> 00:02:19,960 Speaker 1: It kind of reminds me of I'm gonna say, like 58 00:02:20,000 --> 00:02:21,480 Speaker 1: iHeart Festival. When we do that. 59 00:02:21,560 --> 00:02:24,560 Speaker 2: It's a lot of different genres coming together in one space. 60 00:02:24,720 --> 00:02:27,000 Speaker 2: But I appreciate and enjoy that because sometimes it makes 61 00:02:27,040 --> 00:02:30,120 Speaker 2: you listen to things that maybe you wouldn't have ordinarily 62 00:02:30,160 --> 00:02:32,840 Speaker 2: listened to. Like you have some country feel, you have 63 00:02:32,919 --> 00:02:35,079 Speaker 2: some rock fil you have some dance feel, but then 64 00:02:35,080 --> 00:02:37,960 Speaker 2: you have the R and B type of Kailani and 65 00:02:38,000 --> 00:02:39,919 Speaker 2: so I think that was nice for you. The other 66 00:02:39,960 --> 00:02:41,720 Speaker 2: thing that we can put in a box with you is, 67 00:02:41,880 --> 00:02:43,680 Speaker 2: I don't know if you want to be committed, if 68 00:02:43,720 --> 00:02:45,880 Speaker 2: you want to not be committed, if you want. 69 00:02:45,760 --> 00:02:48,280 Speaker 1: To say do your thing and I do mine, or 70 00:02:48,320 --> 00:02:49,200 Speaker 1: if you're jealous. 71 00:02:49,320 --> 00:02:51,799 Speaker 2: I have no idea, Like when it comes to that, 72 00:02:52,320 --> 00:02:54,640 Speaker 2: you know, it feels like you're kind of just flowing 73 00:02:54,680 --> 00:02:55,080 Speaker 2: with things. 74 00:02:55,080 --> 00:02:57,160 Speaker 1: But then I also feel like you're a little jealous me. 75 00:02:57,520 --> 00:03:02,000 Speaker 3: Yeah, I won't say I think I'm I think I'm 76 00:03:02,040 --> 00:03:05,760 Speaker 3: competitive by nature to myself where I'm always challenging, like 77 00:03:06,040 --> 00:03:08,200 Speaker 3: how better I can show up in whatever you know 78 00:03:08,320 --> 00:03:11,760 Speaker 3: space I'm in, Like, dang, you're not going to be 79 00:03:11,760 --> 00:03:13,760 Speaker 3: a better person for me than my person. That's that. 80 00:03:13,919 --> 00:03:15,960 Speaker 3: But it's not like I'm jealous. I also really want 81 00:03:16,000 --> 00:03:17,840 Speaker 3: people to have the best for them, whatever that means. 82 00:03:18,240 --> 00:03:21,280 Speaker 3: But I wouldn't say jealous. I think there's there's probably 83 00:03:21,280 --> 00:03:24,480 Speaker 3: an interesting word I can't figure out, but not jealous. 84 00:03:24,480 --> 00:03:27,880 Speaker 3: I want everybody. Yeah, hello, that is just that was 85 00:03:28,040 --> 00:03:31,040 Speaker 3: That's a respect song. Okay, Yeah, that's about being like 86 00:03:31,080 --> 00:03:32,600 Speaker 3: I don't want to catch you doing some stuff that's 87 00:03:32,600 --> 00:03:33,400 Speaker 3: gonna embarrass me. 88 00:03:33,880 --> 00:03:34,920 Speaker 1: All right, I can get that. 89 00:03:35,000 --> 00:03:36,680 Speaker 3: I don't like being embarrassed. I'm tourist. 90 00:03:36,960 --> 00:03:39,160 Speaker 1: Oh well, yeah, I have. 91 00:03:39,040 --> 00:03:41,960 Speaker 2: To understand, like it's you. So if anybody does something 92 00:03:42,000 --> 00:03:43,920 Speaker 2: it's gonna make it's gonna blow up. 93 00:03:44,120 --> 00:03:44,760 Speaker 3: I hate it. 94 00:03:44,880 --> 00:03:46,520 Speaker 2: Just have you ever gotten like one of those d 95 00:03:46,680 --> 00:03:49,600 Speaker 2: ms where it's like, yeah, such and such as absolutely. 96 00:03:49,600 --> 00:03:51,480 Speaker 3: Not such and such as with me, but I've gotten 97 00:03:51,680 --> 00:03:54,360 Speaker 3: Oh I was out here tonight and I saw such 98 00:03:54,360 --> 00:03:56,440 Speaker 3: and such with such and such at the club. I 99 00:03:56,480 --> 00:03:59,160 Speaker 3: just thought you should know, girl, are you from fans? 100 00:03:59,520 --> 00:04:03,240 Speaker 3: I was like, amazing to the person. 101 00:04:03,800 --> 00:04:05,640 Speaker 1: So what I learned is you read your fandems? 102 00:04:05,760 --> 00:04:08,480 Speaker 3: Uh huh I do. I do. It's some amazing stuff 103 00:04:08,480 --> 00:04:10,040 Speaker 3: in there, some pretty hilarious stuff too. 104 00:04:10,080 --> 00:04:12,560 Speaker 2: So all right now I want to talk about the 105 00:04:12,600 --> 00:04:15,960 Speaker 2: song Chapel for a second. And clearly you love Vegas. 106 00:04:16,080 --> 00:04:18,800 Speaker 2: I do, yeah, And so do you see yourself? Like 107 00:04:18,880 --> 00:04:21,360 Speaker 2: one day, just randomly, I used to think that's how 108 00:04:21,360 --> 00:04:24,000 Speaker 2: I was gonna get married today, just like randomly being like, 109 00:04:24,080 --> 00:04:26,160 Speaker 2: let me just go ahead and you know, get married 110 00:04:26,240 --> 00:04:27,080 Speaker 2: like on a whim. 111 00:04:27,600 --> 00:04:29,760 Speaker 3: I think if I felt it, yeah, I think if 112 00:04:29,800 --> 00:04:32,120 Speaker 3: it made sense, it made sense. I think I'm fun 113 00:04:32,120 --> 00:04:33,440 Speaker 3: in that way where it could happen. 114 00:04:33,680 --> 00:04:36,120 Speaker 1: But later on you'd be like, what what's that doing? 115 00:04:36,279 --> 00:04:38,159 Speaker 3: Potentially? Potentially? 116 00:04:39,000 --> 00:04:41,080 Speaker 1: And then you have your daughter on the album too. 117 00:04:41,120 --> 00:04:42,840 Speaker 1: She's five now, yeah, oh my god. 118 00:04:43,080 --> 00:04:44,919 Speaker 3: I know it's crazy. 119 00:04:44,560 --> 00:04:46,120 Speaker 2: And she's been on the road with you, but it 120 00:04:46,160 --> 00:04:47,800 Speaker 2: sounds like she really could hold a note. 121 00:04:47,920 --> 00:04:51,280 Speaker 3: Oh she can really sing. We I wasn't like playing 122 00:04:51,360 --> 00:04:52,880 Speaker 3: to put her on the album. She was at the 123 00:04:52,960 --> 00:04:55,520 Speaker 3: studio and she was singing and she sounded amazing, and 124 00:04:55,560 --> 00:04:57,320 Speaker 3: I was like, if you want, because I don't force 125 00:04:57,360 --> 00:04:59,560 Speaker 3: her to do anything. I'm not like trying to be 126 00:04:59,600 --> 00:05:02,080 Speaker 3: a state mom, Like I don't like if she wants 127 00:05:02,080 --> 00:05:04,240 Speaker 3: to be a brain surgeon, that's you know. I want 128 00:05:04,240 --> 00:05:06,160 Speaker 3: her to do what she wants to do. And she 129 00:05:06,279 --> 00:05:07,480 Speaker 3: was singing, and I was like, you know, if you 130 00:05:07,520 --> 00:05:09,000 Speaker 3: want to go sing it, you can sing it. At 131 00:05:09,000 --> 00:05:10,680 Speaker 3: first she was shy, and then she went in there 132 00:05:11,200 --> 00:05:13,200 Speaker 3: and she smacked it and that was the first take. 133 00:05:13,279 --> 00:05:14,640 Speaker 3: Like she only did one take and. 134 00:05:14,880 --> 00:05:16,880 Speaker 1: Sings better than me. I'll tell you that she might sing. 135 00:05:16,720 --> 00:05:19,560 Speaker 3: Better than me. I'm not gonna hold you like it's crazy. 136 00:05:19,800 --> 00:05:21,720 Speaker 2: So does she sing at home? Like do you help 137 00:05:21,760 --> 00:05:24,479 Speaker 2: her harmonize and do things? If you see her doing that, 138 00:05:24,560 --> 00:05:26,000 Speaker 2: are you like, come on now do. 139 00:05:25,960 --> 00:05:27,640 Speaker 1: It like this or no? 140 00:05:27,800 --> 00:05:31,039 Speaker 3: Because it's really I really want her to step into 141 00:05:31,120 --> 00:05:34,680 Speaker 3: whatever she's doing with the autonomy to ask me if 142 00:05:34,680 --> 00:05:36,560 Speaker 3: that's what she wants. I don't ever want her to 143 00:05:36,640 --> 00:05:38,920 Speaker 3: like start I don't want to plant these seeds of 144 00:05:38,960 --> 00:05:42,560 Speaker 3: like comparing or like training, just anything that her mind 145 00:05:42,560 --> 00:05:45,640 Speaker 3: could go like, oh, you're trying to you know, she's 146 00:05:45,680 --> 00:05:47,839 Speaker 3: just very hr like. But if she asked me, like 147 00:05:47,880 --> 00:05:50,039 Speaker 3: sometimes she comes to rehearsals and she wants to dance 148 00:05:50,080 --> 00:05:51,840 Speaker 3: on the stage, or she comes to the shows and 149 00:05:51,880 --> 00:05:54,360 Speaker 3: gets on stage because she wants to. So it's more 150 00:05:54,440 --> 00:05:56,400 Speaker 3: like that kind of stuff that's still fun for her. 151 00:05:56,640 --> 00:05:58,720 Speaker 2: Now, is this scary for you to put out an 152 00:05:58,760 --> 00:06:02,160 Speaker 2: album like this where you know normally it's a genre 153 00:06:02,279 --> 00:06:04,400 Speaker 2: like this is an R and B album? I mean, 154 00:06:04,440 --> 00:06:06,080 Speaker 2: and you've been able to do a lot of different 155 00:06:06,080 --> 00:06:09,560 Speaker 2: things like you've done pop, you've done R and B, 156 00:06:10,080 --> 00:06:11,880 Speaker 2: you've done like a rock that You've done a lot 157 00:06:11,880 --> 00:06:13,840 Speaker 2: of great collapse. One of my favorites has always been 158 00:06:13,880 --> 00:06:16,080 Speaker 2: the Pink Sweat, the feature that you did with him 159 00:06:16,120 --> 00:06:16,760 Speaker 2: at my best. 160 00:06:16,960 --> 00:06:19,120 Speaker 1: I love the lyrics to that too, I mean at 161 00:06:19,120 --> 00:06:19,520 Speaker 1: my worst. 162 00:06:19,560 --> 00:06:23,760 Speaker 2: Sorry, But when you thought about doing this right, what 163 00:06:23,839 --> 00:06:26,320 Speaker 2: was the reaction from your team and what thought went 164 00:06:26,360 --> 00:06:26,840 Speaker 2: behind it? 165 00:06:27,440 --> 00:06:29,839 Speaker 3: Man? All the collaborators I worked with were so important 166 00:06:29,839 --> 00:06:32,279 Speaker 3: because they were like, we know what you listen to, 167 00:06:32,360 --> 00:06:34,560 Speaker 3: we know what you're excited about. We were in the 168 00:06:34,600 --> 00:06:37,760 Speaker 3: studio and you're watching things that people wouldn't expect you 169 00:06:37,760 --> 00:06:39,680 Speaker 3: to watch, or listening to things people wouldn't expect you 170 00:06:39,720 --> 00:06:43,919 Speaker 3: to listen to, and for some reason, everybody expects just 171 00:06:44,000 --> 00:06:47,040 Speaker 3: expects this one, you know, push from you. And it's 172 00:06:47,080 --> 00:06:49,920 Speaker 3: always like, we want heartbroken R and B, or we 173 00:06:49,960 --> 00:06:52,480 Speaker 3: want like somber dark R and B, or we want 174 00:06:52,480 --> 00:06:54,800 Speaker 3: like the same inspirational song of the coming of age 175 00:06:54,839 --> 00:06:57,400 Speaker 3: inspirational song, over and over and over again. And I 176 00:06:57,520 --> 00:06:59,520 Speaker 3: just was like, you know, I have to take a 177 00:06:59,640 --> 00:07:02,000 Speaker 3: leap because I'm gonna be thirty next year. By the 178 00:07:02,240 --> 00:07:04,120 Speaker 3: next album I drop, I will be thirty years old. 179 00:07:04,160 --> 00:07:07,080 Speaker 2: You're still so young, which is amazing because honestly, you've 180 00:07:07,120 --> 00:07:08,400 Speaker 2: been in this for so long. 181 00:07:08,560 --> 00:07:09,159 Speaker 3: Oh I'm. 182 00:07:10,600 --> 00:07:12,880 Speaker 1: About to be thirty, and this is but your fourth album. 183 00:07:12,960 --> 00:07:17,440 Speaker 3: It's my fourth album in my sixth project, my seventh project. 184 00:07:18,600 --> 00:07:20,560 Speaker 3: I have no idea, And I guess that brings me 185 00:07:20,600 --> 00:07:24,280 Speaker 3: to my point of like, by project seven, I should 186 00:07:24,280 --> 00:07:26,880 Speaker 3: be pivoting. I should be doing something that scary, I 187 00:07:26,920 --> 00:07:29,120 Speaker 3: should be doing something that maybe makes people go I 188 00:07:29,160 --> 00:07:31,120 Speaker 3: don't even know if I like this person anymore, but 189 00:07:31,240 --> 00:07:33,960 Speaker 3: brings this whole other group of people that go, Wow, 190 00:07:34,160 --> 00:07:36,920 Speaker 3: I'm seeing people say it's my worst album. I'm seeing 191 00:07:36,960 --> 00:07:39,200 Speaker 3: people say it's my best album. And I'm seeing people 192 00:07:39,240 --> 00:07:42,400 Speaker 3: say I never even liked Kaylani until this album. I 193 00:07:42,400 --> 00:07:46,000 Speaker 3: didn't know she could do this. So if I dropped 194 00:07:46,040 --> 00:07:48,280 Speaker 3: another R and B album, I just wouldn't be true 195 00:07:48,320 --> 00:07:51,600 Speaker 3: to being an artist, I think. So that was important 196 00:07:51,600 --> 00:07:53,760 Speaker 3: for me to just like have that moment in my 197 00:07:53,880 --> 00:07:57,280 Speaker 3: career to say, like I was able to artistically just 198 00:07:57,440 --> 00:07:59,680 Speaker 3: completely say F the box. 199 00:08:00,240 --> 00:08:03,120 Speaker 2: Yeah, I mean you have a country music on here, 200 00:08:03,160 --> 00:08:05,680 Speaker 2: and I feel like that's been kind of a thing. 201 00:08:05,600 --> 00:08:06,760 Speaker 3: Like I've been brewing a little bit. 202 00:08:06,840 --> 00:08:08,600 Speaker 1: Yeah, it's been brewing, which I love. 203 00:08:08,720 --> 00:08:11,360 Speaker 2: Now when you think about that, right, was this something 204 00:08:11,400 --> 00:08:13,800 Speaker 2: that you already had planned and then Beyonce comes out 205 00:08:13,840 --> 00:08:14,760 Speaker 2: with the country album? 206 00:08:15,320 --> 00:08:16,440 Speaker 3: It was already a country song. 207 00:08:16,560 --> 00:08:18,280 Speaker 1: Yeah, it was already done, Okay, it was. 208 00:08:18,560 --> 00:08:20,600 Speaker 3: It was an interlude that was just like these little 209 00:08:20,680 --> 00:08:22,920 Speaker 3: like clickie sounds and like a little bit of a 210 00:08:22,920 --> 00:08:25,320 Speaker 3: guitar strum, and I said we should turn it into 211 00:08:25,320 --> 00:08:27,280 Speaker 3: a country song because it already kind of had this 212 00:08:27,440 --> 00:08:29,760 Speaker 3: like twang to it, And so I went back in, 213 00:08:29,800 --> 00:08:31,480 Speaker 3: we got to reproduce, and then we made it the 214 00:08:31,520 --> 00:08:34,440 Speaker 3: country song, and then obviously Cowboy Carter came out, but 215 00:08:34,520 --> 00:08:36,960 Speaker 3: I was thinking of like, in my last album, there's 216 00:08:37,000 --> 00:08:40,120 Speaker 3: all these like really guitar led twangy songs, and on 217 00:08:40,200 --> 00:08:42,160 Speaker 3: my first album there's a bunch of those two. So 218 00:08:42,559 --> 00:08:46,280 Speaker 3: it's not an orthodox And also, my grandmother only listens 219 00:08:46,320 --> 00:08:49,200 Speaker 3: to country music, and she's told me so many times 220 00:08:49,280 --> 00:08:51,280 Speaker 3: she can't listen to any of my music because of 221 00:08:51,320 --> 00:08:53,680 Speaker 3: the subject matter because it's not country, and she's like, 222 00:08:53,720 --> 00:08:55,360 Speaker 3: I respect it, but like, you know what I love. 223 00:08:55,400 --> 00:08:56,920 Speaker 3: And I got to play this for her before it 224 00:08:56,960 --> 00:08:59,080 Speaker 3: came out and she cried and was like I finally 225 00:08:59,160 --> 00:09:01,320 Speaker 3: have something to listen to. So like I accomplished it 226 00:09:01,360 --> 00:09:02,160 Speaker 3: with that from. 227 00:09:01,960 --> 00:09:03,160 Speaker 1: My person to the lyrics too. 228 00:09:03,480 --> 00:09:04,840 Speaker 3: She did and she was like, you know, I don't 229 00:09:04,880 --> 00:09:07,240 Speaker 3: like that you're saying this and this and this, but 230 00:09:07,800 --> 00:09:09,680 Speaker 3: it's one of the cleaner Yeah, it's one of the 231 00:09:09,720 --> 00:09:11,920 Speaker 3: cleaner songs on the album. For sure. 232 00:09:12,480 --> 00:09:14,600 Speaker 2: That's interesting to think about. I never thought about that, 233 00:09:14,640 --> 00:09:17,160 Speaker 2: like what's your family things? Because, like I said, you 234 00:09:17,240 --> 00:09:19,600 Speaker 2: are very open and honestly, and this is an album 235 00:09:19,679 --> 00:09:22,320 Speaker 2: I have seen personally a lot of people embracing and 236 00:09:22,400 --> 00:09:24,840 Speaker 2: being really excited about you know, I agree with eight. 237 00:09:25,000 --> 00:09:29,800 Speaker 2: You know, but but yeah, what do they say, like 238 00:09:29,960 --> 00:09:31,720 Speaker 2: your family are they like we can't? 239 00:09:31,960 --> 00:09:34,560 Speaker 3: Oh, my family? You know what was really cool shout 240 00:09:34,600 --> 00:09:36,880 Speaker 3: out my little sister. She actually junior A and R 241 00:09:36,960 --> 00:09:39,480 Speaker 3: this album. It was really cool to see her step 242 00:09:39,520 --> 00:09:42,640 Speaker 3: into that role because she has a really crazy ear, 243 00:09:42,720 --> 00:09:45,480 Speaker 3: like always has. Like there are songs that blow up 244 00:09:45,480 --> 00:09:47,160 Speaker 3: and I promise you my sister showed me them six 245 00:09:47,200 --> 00:09:49,920 Speaker 3: months ago, like she like, it was really cool to 246 00:09:49,920 --> 00:09:51,400 Speaker 3: be able to see her step in the room and 247 00:09:51,440 --> 00:09:54,360 Speaker 3: like command that. And she always she loves hip hop 248 00:09:54,360 --> 00:09:56,520 Speaker 3: and she like really loves rat but like she always 249 00:09:56,559 --> 00:10:00,800 Speaker 3: has the ear for like the coolest most alternative song 250 00:10:00,880 --> 00:10:03,520 Speaker 3: on every album of mine, it's her favorite. So for 251 00:10:03,640 --> 00:10:05,880 Speaker 3: this one, getting to see her be like wow, like 252 00:10:06,000 --> 00:10:07,720 Speaker 3: all of this is this and it sounds like this 253 00:10:07,760 --> 00:10:09,760 Speaker 3: and it feels like this. It was really cool. And 254 00:10:09,800 --> 00:10:12,120 Speaker 3: the rest of my family like, honestly, they're just stoked 255 00:10:12,160 --> 00:10:14,040 Speaker 3: to see me happy and excited to see me like 256 00:10:14,120 --> 00:10:15,760 Speaker 3: make things I care about and they want to come 257 00:10:15,760 --> 00:10:16,800 Speaker 3: to the shows and turn up. 258 00:10:16,840 --> 00:10:19,000 Speaker 1: And your daughter's executive producer on the album. 259 00:10:19,200 --> 00:10:21,400 Speaker 3: She executive produced every album since she since she's been 260 00:10:21,400 --> 00:10:22,920 Speaker 3: born a game. 261 00:10:23,000 --> 00:10:24,040 Speaker 1: She gonna be paid for life. 262 00:10:24,040 --> 00:10:24,960 Speaker 3: I absolutely hope. 263 00:10:25,000 --> 00:10:27,360 Speaker 1: So does she know that? Like did you do you 264 00:10:27,400 --> 00:10:27,840 Speaker 1: tell her? 265 00:10:27,840 --> 00:10:31,680 Speaker 3: Like? Nah, no, you know, I really try to keep 266 00:10:31,720 --> 00:10:35,280 Speaker 3: my daughter in her world of like regular. 267 00:10:34,960 --> 00:10:37,160 Speaker 1: Kid until she's on tour and she's like. 268 00:10:37,600 --> 00:10:39,640 Speaker 3: Yeah, and even then she can't really connect it. Like 269 00:10:39,679 --> 00:10:42,640 Speaker 3: we went to the aquarium the other day and we 270 00:10:42,679 --> 00:10:44,840 Speaker 3: walked past people and they were like, oh my god, Kaylanie, 271 00:10:44,880 --> 00:10:47,240 Speaker 3: and she was like, I thought, you don't talk to strangers. 272 00:10:47,280 --> 00:10:48,800 Speaker 3: She was like, why do those people know your name? 273 00:10:48,920 --> 00:10:50,440 Speaker 3: Like I was like, they like my music, and she 274 00:10:50,520 --> 00:10:52,480 Speaker 3: was like, then why didn't you talk back? If I 275 00:10:52,480 --> 00:10:55,000 Speaker 3: can't talk to strangers. And sometimes that is really hard 276 00:10:55,040 --> 00:10:55,959 Speaker 3: to navigate. 277 00:10:55,559 --> 00:10:57,600 Speaker 1: Because you're like it's a great question, Dang, what do 278 00:10:57,679 --> 00:10:58,040 Speaker 1: I say? 279 00:10:58,040 --> 00:11:00,360 Speaker 3: Because I also have to tell her people know your 280 00:11:00,440 --> 00:11:03,440 Speaker 3: name and people might say hi to you, and people 281 00:11:03,559 --> 00:11:05,160 Speaker 3: might say, hey, I da come here, can I get 282 00:11:05,200 --> 00:11:07,800 Speaker 3: a hug? And like, you know, separate the boundaries between that. 283 00:11:07,960 --> 00:11:08,959 Speaker 3: So that's always like. 284 00:11:10,040 --> 00:11:12,480 Speaker 2: You know, I remember you said you've always known that 285 00:11:12,559 --> 00:11:15,800 Speaker 2: you wanted to be a mom. Yeah, so where did 286 00:11:15,800 --> 00:11:18,120 Speaker 2: that come from, like as a kid or you know, 287 00:11:18,160 --> 00:11:20,280 Speaker 2: even growing up, like knowing that like I want to 288 00:11:20,280 --> 00:11:22,160 Speaker 2: have a baby. So and you have been so honest 289 00:11:22,200 --> 00:11:25,079 Speaker 2: about that journey too, of wanting that, because sometimes that's 290 00:11:25,120 --> 00:11:27,240 Speaker 2: hard for people to express because you do never know 291 00:11:27,800 --> 00:11:29,920 Speaker 2: what will end up happening. You know, as a woman, 292 00:11:29,960 --> 00:11:31,719 Speaker 2: there's so many things that about you you. 293 00:11:31,640 --> 00:11:35,840 Speaker 3: Can absolutely absolutely I always said like, whatever God wants 294 00:11:35,840 --> 00:11:37,480 Speaker 3: to bless me with, you know that I hope it 295 00:11:37,559 --> 00:11:39,280 Speaker 3: was going to be a child or more than one, 296 00:11:39,320 --> 00:11:41,880 Speaker 3: but whatever God wants to bless me with. And she 297 00:11:42,280 --> 00:11:45,320 Speaker 3: is more than I could have ever expected in any 298 00:11:45,360 --> 00:11:47,559 Speaker 3: kind of way. And I got exactly what I dreamed 299 00:11:47,559 --> 00:11:52,040 Speaker 3: about and more. And she honestly it's her world. It's 300 00:11:52,080 --> 00:11:54,400 Speaker 3: really her world, and like we all just like rock 301 00:11:54,480 --> 00:11:57,320 Speaker 3: behind her. But as far as like being open and 302 00:11:57,360 --> 00:12:00,320 Speaker 3: honest about the journey with motherhood is just I think 303 00:12:00,320 --> 00:12:03,360 Speaker 3: people need to understand that motherhood looks different first in 304 00:12:03,440 --> 00:12:05,440 Speaker 3: so many ways for so many different people, and we're 305 00:12:05,480 --> 00:12:09,360 Speaker 3: breaking so many molds of like hundreds of years of 306 00:12:09,440 --> 00:12:12,560 Speaker 3: like what motherhood is supposed to be. And it's just 307 00:12:12,600 --> 00:12:15,400 Speaker 3: been cool to see like like young moms come up 308 00:12:15,440 --> 00:12:17,079 Speaker 3: to me with their kids at like meet and greets 309 00:12:17,160 --> 00:12:18,960 Speaker 3: or signings and be like, you know, this made me 310 00:12:18,960 --> 00:12:20,520 Speaker 3: feel like I could still go to work. I could 311 00:12:20,559 --> 00:12:22,640 Speaker 3: I could pursue my dreams. I could do music. I 312 00:12:22,640 --> 00:12:24,120 Speaker 3: can be an artist, and I could be a kick 313 00:12:24,160 --> 00:12:24,600 Speaker 3: ass mom. 314 00:12:24,679 --> 00:12:26,640 Speaker 1: So right, and I have a six pack. 315 00:12:28,200 --> 00:12:30,240 Speaker 3: And a six pack yeah, and go to the gym. 316 00:12:31,240 --> 00:12:33,520 Speaker 2: Now, how has that helped you? I know for a 317 00:12:33,520 --> 00:12:35,439 Speaker 2: lot of people like going to the gym, it's really there. 318 00:12:35,480 --> 00:12:39,000 Speaker 3: It's so mental. It's so it is so mental, like 319 00:12:39,679 --> 00:12:42,360 Speaker 3: I always say, like to people who are always being like, 320 00:12:42,400 --> 00:12:44,280 Speaker 3: I want to start going to the gym. At some 321 00:12:44,400 --> 00:12:47,080 Speaker 3: point when it switches from a physical goal to like 322 00:12:47,240 --> 00:12:49,959 Speaker 3: I have to do this to stay sane, I feel 323 00:12:49,960 --> 00:12:53,320 Speaker 3: like that's when you unlock like how important fitness is 324 00:12:53,360 --> 00:12:55,600 Speaker 3: to you, because you get past the whole like I 325 00:12:55,640 --> 00:12:57,320 Speaker 3: have a goal of like what I want to look like, 326 00:12:57,400 --> 00:12:59,440 Speaker 3: but if I missed the days in which I have 327 00:12:59,480 --> 00:13:01,880 Speaker 3: because we've been on this like promo run and I'm like, 328 00:13:02,000 --> 00:13:04,480 Speaker 3: I'm itching to get back to go to the gym show. 329 00:13:05,400 --> 00:13:07,840 Speaker 2: And I saw that you said that you were renting 330 00:13:07,880 --> 00:13:10,360 Speaker 2: Airbnbs while you were doing this album and surfing. 331 00:13:11,320 --> 00:13:12,680 Speaker 1: You must have had a really good time. 332 00:13:12,760 --> 00:13:14,679 Speaker 3: I had a blast. Hopefully it sounds. 333 00:13:14,400 --> 00:13:17,120 Speaker 2: Like I was gonna say, it sounds like ya, even 334 00:13:17,200 --> 00:13:21,439 Speaker 2: from listening to like earlier singles like after Hours, which 335 00:13:21,440 --> 00:13:24,480 Speaker 2: had the Nina Sky type of feel that felt like 336 00:13:24,520 --> 00:13:27,120 Speaker 2: a really fun song, and I think that people had 337 00:13:27,120 --> 00:13:30,440 Speaker 2: an anticipation of okay or club banger album. 338 00:13:30,600 --> 00:13:33,640 Speaker 3: Yeah, I kind of messed up and said that early on. 339 00:13:33,679 --> 00:13:36,240 Speaker 3: I was like, we're outside, we're dancing, because there are 340 00:13:36,320 --> 00:13:39,640 Speaker 3: some like club dancing moments on there. But I just 341 00:13:39,679 --> 00:13:43,040 Speaker 3: didn't want to spoil anything else. So I just kept saying, 342 00:13:43,080 --> 00:13:46,320 Speaker 3: whatever you're expecting, it's not what you're expecting. And that's 343 00:13:46,360 --> 00:13:48,800 Speaker 3: about all I was able to say. But we actually 344 00:13:48,800 --> 00:13:51,760 Speaker 3: made After Hours in San Diego and we were surfing 345 00:13:51,800 --> 00:13:54,000 Speaker 3: that whole trip, and I walked in the room and 346 00:13:54,040 --> 00:13:56,679 Speaker 3: I was like, what is a song that as soon 347 00:13:56,679 --> 00:14:00,800 Speaker 3: as it comes on for like our generation, like everybody 348 00:14:00,880 --> 00:14:03,640 Speaker 3: is like whoa, and like everybody dances, and I was 349 00:14:03,679 --> 00:14:05,880 Speaker 3: like okay instantly Nina Sky. And so I told the 350 00:14:05,880 --> 00:14:09,720 Speaker 3: producer to make it and sorry, hello, hey, sorry about 351 00:14:10,360 --> 00:14:14,120 Speaker 3: no you're good. But we made it. And I remember 352 00:14:14,160 --> 00:14:15,640 Speaker 3: going and getting in the spinner to go to the 353 00:14:15,679 --> 00:14:18,760 Speaker 3: club that night, and the whole sprinter of everybody who 354 00:14:18,760 --> 00:14:22,080 Speaker 3: worked on the album and like dancing, singing the words 355 00:14:22,120 --> 00:14:23,520 Speaker 3: and we were like, okay, we might got one. 356 00:14:23,560 --> 00:14:26,680 Speaker 2: I think so, yeah, that's like a real celebratory in 357 00:14:26,720 --> 00:14:28,720 Speaker 2: the club. I feel like people don't go to clubs 358 00:14:28,760 --> 00:14:31,440 Speaker 2: like they used to. It's a different it's something different 359 00:14:31,480 --> 00:14:33,720 Speaker 2: that's happening now though. I feel like it's more of 360 00:14:33,760 --> 00:14:38,360 Speaker 2: a lounge restaurant type of experience. And I've never lived 361 00:14:38,360 --> 00:14:40,400 Speaker 2: I know, you live in La now and our house 362 00:14:40,440 --> 00:14:41,240 Speaker 2: party is still a thing. 363 00:14:41,480 --> 00:14:45,800 Speaker 3: No, Honestly, it's just too much. It's too much weirdness 364 00:14:46,320 --> 00:14:50,040 Speaker 3: that that happens, and like a lot of untrustworthy I 365 00:14:50,080 --> 00:14:53,400 Speaker 3: think dynamics and just people being like I don't know 366 00:14:53,400 --> 00:14:55,400 Speaker 3: what this means, and people being so afraid of like 367 00:14:56,120 --> 00:14:58,400 Speaker 3: cameras and. 368 00:14:57,760 --> 00:15:01,600 Speaker 1: Even posting where you are. It's like not until do 369 00:15:01,680 --> 00:15:03,080 Speaker 1: not let people know you're gonna be out. 370 00:15:02,960 --> 00:15:03,840 Speaker 3: Of town exactly. 371 00:15:03,880 --> 00:15:05,240 Speaker 1: You know, it's a real thing. 372 00:15:05,320 --> 00:15:07,440 Speaker 3: It's a real thing. But I feel like that's why 373 00:15:07,440 --> 00:15:09,360 Speaker 3: it's important for me. I feel like to do these 374 00:15:09,440 --> 00:15:12,000 Speaker 3: after parties and these release parties and the parties for 375 00:15:12,080 --> 00:15:15,480 Speaker 3: after hours because party culture at its core is something 376 00:15:15,480 --> 00:15:18,240 Speaker 3: that really does bring people together and really does feel good. 377 00:15:18,560 --> 00:15:21,440 Speaker 3: And they use there was parties using revolution, there was 378 00:15:21,480 --> 00:15:24,320 Speaker 3: there's joy and dance and music using revolution, and that's 379 00:15:24,360 --> 00:15:27,600 Speaker 3: imperative for people to be joyous and to be together, 380 00:15:27,720 --> 00:15:29,880 Speaker 3: especially in really tough times in the world where like 381 00:15:29,960 --> 00:15:35,240 Speaker 3: we're crazily separated. So we're having a party tonight to 382 00:15:35,280 --> 00:15:38,440 Speaker 3: celebrate this album and we need that. Yeah, absolutely needed 383 00:15:38,480 --> 00:15:39,520 Speaker 3: for sunately need that. 384 00:15:39,760 --> 00:15:41,760 Speaker 2: And you know, since you talk about everything that's going 385 00:15:41,800 --> 00:15:43,640 Speaker 2: on in the world, and I know that you've said, 386 00:15:43,680 --> 00:15:46,360 Speaker 2: like as far as you being really vocal about support 387 00:15:46,400 --> 00:15:50,480 Speaker 2: for Palestine, which is a humanitarian thing, right, not political. Right, 388 00:15:50,520 --> 00:15:51,560 Speaker 2: it's not a political thing. 389 00:15:51,600 --> 00:15:54,360 Speaker 1: It is. It is awful to see what's been happening. 390 00:15:54,800 --> 00:15:57,520 Speaker 2: But do you really feel like people were kind of 391 00:15:57,560 --> 00:16:00,280 Speaker 2: distancing themselves because it is hard sometimes for art is 392 00:16:00,400 --> 00:16:02,760 Speaker 2: to take a stand. But I'm glad that you did 393 00:16:02,880 --> 00:16:05,120 Speaker 2: because I do feel it's important if it's something that 394 00:16:05,480 --> 00:16:08,560 Speaker 2: touches your heart. But people are watching and paying attention, 395 00:16:08,600 --> 00:16:11,520 Speaker 2: and sometimes people are learning that way too that may 396 00:16:11,520 --> 00:16:13,080 Speaker 2: not have ordinarily paid attention. 397 00:16:13,480 --> 00:16:15,880 Speaker 3: Yeah, And there was a clip of me on Instagram 398 00:16:15,920 --> 00:16:18,080 Speaker 3: Live that went viral with me being like every single 399 00:16:18,080 --> 00:16:22,080 Speaker 3: person and I like that was me super caffeinated talking 400 00:16:22,120 --> 00:16:24,360 Speaker 3: on that like early in the morning, just yapping about 401 00:16:24,360 --> 00:16:25,160 Speaker 3: a bunch of different. 402 00:16:24,920 --> 00:16:26,560 Speaker 1: Stuff with the see exactly. 403 00:16:26,600 --> 00:16:30,000 Speaker 3: There's so much context of that. There's there's huge teams 404 00:16:30,040 --> 00:16:32,520 Speaker 3: that are behind artists. It also wasn't every single feature. 405 00:16:32,520 --> 00:16:34,600 Speaker 3: There was certain things that were like, especially like my 406 00:16:34,800 --> 00:16:37,640 Speaker 3: age peers that were like timing was an issue. They 407 00:16:37,640 --> 00:16:41,120 Speaker 3: had albums coming out or things like that. But there 408 00:16:41,280 --> 00:16:43,400 Speaker 3: was people that I that I very much looked up 409 00:16:43,400 --> 00:16:45,240 Speaker 3: to and that I very much you know, asked to 410 00:16:45,280 --> 00:16:46,720 Speaker 3: be a part of it, and like they have a 411 00:16:46,760 --> 00:16:49,720 Speaker 3: team member that was like, we don't like her at all, 412 00:16:49,840 --> 00:16:52,040 Speaker 3: or they were just like and then I looked into 413 00:16:52,040 --> 00:16:55,560 Speaker 3: their politics and then like there was some comments slid 414 00:16:55,600 --> 00:16:57,400 Speaker 3: on the way here and there. I wouldn't just pull 415 00:16:57,440 --> 00:16:59,320 Speaker 3: that out of my ass and just like make that 416 00:16:59,480 --> 00:17:02,760 Speaker 3: up because at this point, what's going to happen is 417 00:17:02,800 --> 00:17:04,560 Speaker 3: gonna happen. What I've lost is what I've lost, and 418 00:17:04,640 --> 00:17:06,280 Speaker 3: things that have you know, what I've gained is what 419 00:17:06,280 --> 00:17:10,679 Speaker 3: I've gained. Like, I will never regret ever being vocal 420 00:17:10,720 --> 00:17:13,600 Speaker 3: about any injustice that ever existed. This isn't specific to 421 00:17:13,840 --> 00:17:17,200 Speaker 3: a country or a place. This is specific to innocent 422 00:17:17,359 --> 00:17:20,320 Speaker 3: lives being lost on a massive scale. I would defend 423 00:17:20,520 --> 00:17:24,159 Speaker 3: any single place in the whole entire planet, any people 424 00:17:24,200 --> 00:17:26,880 Speaker 3: that this happened to. So I don't have any regrets here. 425 00:17:27,119 --> 00:17:29,399 Speaker 2: And it's also about raising money to make sure that 426 00:17:29,440 --> 00:17:32,879 Speaker 2: you can show what you've done also, But I do 427 00:17:32,960 --> 00:17:35,800 Speaker 2: appreciate that because some artists will say, I don't talk 428 00:17:35,800 --> 00:17:37,359 Speaker 2: about things like that in my music. 429 00:17:37,480 --> 00:17:38,000 Speaker 1: I don't want to. 430 00:17:38,400 --> 00:17:41,600 Speaker 2: But you've been, you know, and I think that's important 431 00:17:41,600 --> 00:17:43,520 Speaker 2: for people to see that and do that. I actually 432 00:17:43,560 --> 00:17:46,200 Speaker 2: like when comedians, I like when artists. I like when 433 00:17:46,240 --> 00:17:49,840 Speaker 2: actors can take a stand and really firmly believe in 434 00:17:49,880 --> 00:17:51,880 Speaker 2: something and support that and be on the right side 435 00:17:51,880 --> 00:17:52,360 Speaker 2: of things too. 436 00:17:52,560 --> 00:17:54,639 Speaker 3: I mean it's because it's key to history. I mean, 437 00:17:54,640 --> 00:17:57,480 Speaker 3: if you look at every single revolution and history, the 438 00:17:57,480 --> 00:17:59,919 Speaker 3: Beatles were a major part of shifting out of the 439 00:18:00,040 --> 00:18:02,320 Speaker 3: Vietnam War and like healing all of the things that 440 00:18:02,440 --> 00:18:04,520 Speaker 3: was going on there. Then we have Nina Simone with 441 00:18:04,560 --> 00:18:07,720 Speaker 3: Strange Fruit, we have James Baldwin, we have Like art 442 00:18:07,920 --> 00:18:11,160 Speaker 3: is part of revolution, it's also key to stamping these 443 00:18:11,160 --> 00:18:14,200 Speaker 3: times in history. For me, the album was already finished. 444 00:18:14,800 --> 00:18:17,840 Speaker 3: It had been finished before October. I said, not only 445 00:18:17,880 --> 00:18:20,200 Speaker 3: do I feel really crazy about dropping an album during 446 00:18:20,200 --> 00:18:22,840 Speaker 3: this time, I'm gonna feel extra crazy about dropping visuals 447 00:18:22,840 --> 00:18:25,880 Speaker 3: and nothing attributes to anything that I'm being vocal about 448 00:18:25,960 --> 00:18:28,960 Speaker 3: or believing in. I didn't want to go cheesy make 449 00:18:29,040 --> 00:18:33,080 Speaker 3: a song like I won't make a we Are the World. 450 00:18:33,160 --> 00:18:36,760 Speaker 3: I don't, And to be honest, I really understand that 451 00:18:36,800 --> 00:18:40,439 Speaker 3: people would call that corny. People don't want that. So 452 00:18:40,560 --> 00:18:42,040 Speaker 3: what did I do? I really had a knowledge of 453 00:18:42,080 --> 00:18:43,480 Speaker 3: my audience and said, I'm going to give them an 454 00:18:43,560 --> 00:18:46,239 Speaker 3: R and B song because that's what they want from 455 00:18:46,240 --> 00:18:48,239 Speaker 3: me right now. That's what they love, that's what they know. 456 00:18:48,640 --> 00:18:51,639 Speaker 3: And I'm going to sneak an initiative in there, drop 457 00:18:51,760 --> 00:18:54,880 Speaker 3: a T shirt with a Palestinian designer and a company 458 00:18:54,880 --> 00:18:58,240 Speaker 3: in Palestine, have them which is supporting their families and 459 00:18:58,280 --> 00:19:00,680 Speaker 3: their company, and have them all get make the money. 460 00:19:00,680 --> 00:19:02,600 Speaker 3: I have nothing to do with it except for pointing 461 00:19:02,720 --> 00:19:05,520 Speaker 3: people in the direction. That's it. That's all I wanted 462 00:19:05,520 --> 00:19:07,840 Speaker 3: to do. I made no money from that. I got 463 00:19:07,880 --> 00:19:10,000 Speaker 3: a whole lot of a whole lot of crazy shit 464 00:19:10,040 --> 00:19:12,560 Speaker 3: from it. But I'm glad we were able to pair 465 00:19:13,359 --> 00:19:16,560 Speaker 3: something with something that already existed, because if I just 466 00:19:16,600 --> 00:19:19,800 Speaker 3: smacked a revolutionary song on this album and nowhere, that 467 00:19:19,840 --> 00:19:20,680 Speaker 3: would have been opportunity. 468 00:19:20,720 --> 00:19:22,200 Speaker 1: Yes, that would have been very and then you would 469 00:19:22,200 --> 00:19:23,160 Speaker 1: have been like in the middle of. 470 00:19:23,200 --> 00:19:26,080 Speaker 3: Us, Yeah, and just opportunistic. Like I didn't want it 471 00:19:26,119 --> 00:19:28,359 Speaker 3: to be that. I just knew I had things coming out. 472 00:19:28,400 --> 00:19:31,679 Speaker 3: And there's a way to pair initiatives with anything that 473 00:19:31,720 --> 00:19:35,199 Speaker 3: you do. We did. We did food drives on my 474 00:19:35,320 --> 00:19:37,840 Speaker 3: last tour. We did. I did a deal with Fashionova, 475 00:19:37,840 --> 00:19:39,320 Speaker 3: and I said, I'll do this deal with you if 476 00:19:39,359 --> 00:19:42,119 Speaker 3: you donate money to all these LGBTQ centers. There's a 477 00:19:42,160 --> 00:19:45,000 Speaker 3: way as artists that we can recognize our audience and 478 00:19:45,080 --> 00:19:47,600 Speaker 3: pair them and point them in a direction towards an 479 00:19:47,720 --> 00:19:50,960 Speaker 3: organization or a cause that already exists. And therefore we 480 00:19:51,000 --> 00:19:53,000 Speaker 3: don't have to take up space. We can just amplify. 481 00:19:53,200 --> 00:19:55,880 Speaker 2: That's dope. I appreciate you for that for sure. Now 482 00:19:55,960 --> 00:19:58,840 Speaker 2: let's talk about this song Sussia. Yeah, and you got 483 00:19:58,920 --> 00:20:02,520 Speaker 2: a Sussi a tattooing I did. I had that tattoo already. 484 00:20:02,680 --> 00:20:04,360 Speaker 1: I had it already. I had it. 485 00:20:04,320 --> 00:20:09,720 Speaker 3: Already and I spot yeah, a little Susia spot Okay. 486 00:20:10,680 --> 00:20:13,480 Speaker 3: I had got this tattoo actually during the New York 487 00:20:14,520 --> 00:20:16,600 Speaker 3: camp for Crash that I did here, I did in 488 00:20:16,640 --> 00:20:18,760 Speaker 3: Harlem and we stayed for like a week and made 489 00:20:18,840 --> 00:20:21,800 Speaker 3: music here and I got the tattoo, and then in 490 00:20:21,880 --> 00:20:24,679 Speaker 3: Vegas we made this song and because it opens with 491 00:20:24,800 --> 00:20:27,960 Speaker 3: me saying a Spanish word, I was like, perfect, this 492 00:20:28,000 --> 00:20:29,920 Speaker 3: can be a little dirty song. It can be Sussia. 493 00:20:30,400 --> 00:20:33,359 Speaker 3: And I remember being like, well, every I feel like 494 00:20:33,400 --> 00:20:35,840 Speaker 3: all my fans know this, but Jill Scott classifies is 495 00:20:35,920 --> 00:20:36,919 Speaker 3: my favorite rapper. 496 00:20:37,160 --> 00:20:38,880 Speaker 1: Okay, okay, I'm not mad at. 497 00:20:38,760 --> 00:20:42,160 Speaker 3: That, Like I'm sorry, but Jill Scott rapping I need 498 00:20:42,240 --> 00:20:44,880 Speaker 3: I think maybe she classifies us. It's more like spoken word, 499 00:20:44,960 --> 00:20:49,119 Speaker 3: like poetry, but like singing or rapping, like she's the 500 00:20:49,160 --> 00:20:50,840 Speaker 3: bars are there forever. 501 00:20:51,000 --> 00:20:52,280 Speaker 1: I mean, I love her opening. 502 00:20:52,600 --> 00:20:55,439 Speaker 3: It's perfect and I had and I really like, I 503 00:20:55,440 --> 00:20:58,080 Speaker 3: had to really sit there and tell her, like you 504 00:20:58,200 --> 00:20:59,800 Speaker 3: have no idea how much this means to me and 505 00:20:59,800 --> 00:21:01,920 Speaker 3: how much just means to like everybody. We put the 506 00:21:01,960 --> 00:21:05,520 Speaker 3: track list up and people were like, Jill Scott let me. 507 00:21:06,119 --> 00:21:08,520 Speaker 3: And then to be able to like mix it with 508 00:21:08,640 --> 00:21:11,360 Speaker 3: Young Migo was also really cool to me because that's 509 00:21:11,440 --> 00:21:13,200 Speaker 3: just two worlds. At first, I was like, people are 510 00:21:13,200 --> 00:21:15,280 Speaker 3: gonna be like, what the hell you were. 511 00:21:15,200 --> 00:21:21,240 Speaker 1: Like crash, that's what that's the album. Absolutely, that's so funny. 512 00:21:21,480 --> 00:21:25,000 Speaker 2: That's a really beautiful sex sexy song. I have to 513 00:21:25,040 --> 00:21:27,639 Speaker 2: ask you, like because even me listening to the album, 514 00:21:27,640 --> 00:21:29,480 Speaker 2: because when it came out on Friday, I listened to it. 515 00:21:29,520 --> 00:21:30,879 Speaker 2: Then I listened to it in a car because now 516 00:21:30,920 --> 00:21:33,320 Speaker 2: I'm sitting in traffic for hours every day. 517 00:21:33,240 --> 00:21:33,960 Speaker 1: Because I'm moved. 518 00:21:34,280 --> 00:21:37,720 Speaker 2: But so but it does give me an opportunity to 519 00:21:37,880 --> 00:21:41,199 Speaker 2: listen to music more, you know, because I used to 520 00:21:41,280 --> 00:21:43,040 Speaker 2: drive to work when I did mornings, it take me 521 00:21:43,080 --> 00:21:45,280 Speaker 2: fifteen minutes by the time I get there, and I 522 00:21:45,280 --> 00:21:46,200 Speaker 2: heard two songs that' said. 523 00:21:46,200 --> 00:21:47,720 Speaker 1: But now I get to hear like a whole album 524 00:21:47,760 --> 00:21:48,680 Speaker 1: on the plus side. 525 00:21:48,440 --> 00:21:50,840 Speaker 2: Of things, and every single time, it would be something 526 00:21:50,880 --> 00:21:54,600 Speaker 2: different that I like the best. I love that now 527 00:21:54,680 --> 00:21:57,679 Speaker 2: for you, does that happen when you're listening to this 528 00:21:57,760 --> 00:21:59,760 Speaker 2: where you like, this is my favorite, like this is 529 00:21:59,800 --> 00:22:01,959 Speaker 2: my baby? Yeah, and then it switches up. 530 00:22:02,000 --> 00:22:03,879 Speaker 3: They keep asking me what my favorite song is, and 531 00:22:04,000 --> 00:22:06,440 Speaker 3: it just it keeps changing, and I know even more 532 00:22:06,480 --> 00:22:08,840 Speaker 3: so it'll change as I'm performing them, and it'll change 533 00:22:08,880 --> 00:22:11,480 Speaker 3: as I like I'm meeting people and they're explaining like 534 00:22:11,560 --> 00:22:14,919 Speaker 3: what each song means to them. And every time we 535 00:22:14,960 --> 00:22:16,760 Speaker 3: made a new song and decided it was on the album. 536 00:22:16,800 --> 00:22:17,800 Speaker 3: It became my favorite song. 537 00:22:17,840 --> 00:22:18,760 Speaker 1: How many songs did you do? 538 00:22:19,320 --> 00:22:20,080 Speaker 3: Oh my god? 539 00:22:21,680 --> 00:22:22,200 Speaker 1: So many? 540 00:22:22,280 --> 00:22:25,879 Speaker 3: This album started as myself titled okay, so it was 541 00:22:25,920 --> 00:22:29,200 Speaker 3: supposed to be the Kailanie album, and I was like, man, 542 00:22:29,240 --> 00:22:31,600 Speaker 3: I have all these like really strong R and B 543 00:22:31,760 --> 00:22:33,600 Speaker 3: ideas that I want to do and things like that. 544 00:22:33,640 --> 00:22:36,760 Speaker 3: And then it just kept shape shifting and we kept 545 00:22:36,760 --> 00:22:39,000 Speaker 3: going to all these different cities and I kept like 546 00:22:39,200 --> 00:22:40,840 Speaker 3: being like, no, I want to challenge myself in this 547 00:22:40,880 --> 00:22:42,120 Speaker 3: way and I want to do this and I want 548 00:22:42,119 --> 00:22:44,479 Speaker 3: to do this, and it just took its own life, 549 00:22:45,160 --> 00:22:46,840 Speaker 3: like it really did, and we ended up naming the 550 00:22:46,880 --> 00:22:48,960 Speaker 3: album after the song crash was made. 551 00:22:49,119 --> 00:22:51,920 Speaker 1: Oh okay, so the is oka yeah yeah yeah. 552 00:22:51,960 --> 00:22:54,480 Speaker 3: And then I don't know, nobody could. It was hard 553 00:22:54,520 --> 00:22:56,639 Speaker 3: to even decide what was coming out after after hours, 554 00:22:56,640 --> 00:22:58,800 Speaker 3: because after hours was obvious to all of us. We 555 00:22:58,800 --> 00:23:00,760 Speaker 3: were like, duh, this is a single, but we had 556 00:23:00,800 --> 00:23:03,920 Speaker 3: no idea what to come out next, because I didn't 557 00:23:03,920 --> 00:23:05,440 Speaker 3: know how to paint the picture of what this world 558 00:23:05,520 --> 00:23:07,720 Speaker 3: was going to be because it is crazy. 559 00:23:07,440 --> 00:23:08,159 Speaker 1: Yeah, and it is. 560 00:23:08,720 --> 00:23:11,080 Speaker 2: I mean, it's perfectly titled. I feel like, thank you 561 00:23:11,560 --> 00:23:13,520 Speaker 2: you ended up to lose my wife, which was an 562 00:23:13,520 --> 00:23:17,959 Speaker 2: interesting choice. And that's what makes me feel like, can 563 00:23:18,119 --> 00:23:20,400 Speaker 2: Kayleannie be in a relationship? 564 00:23:20,520 --> 00:23:23,800 Speaker 3: I'm screaming, who knows? Can? 565 00:23:23,800 --> 00:23:26,520 Speaker 2: I listening to that song, I was like, yeah, you 566 00:23:26,560 --> 00:23:29,280 Speaker 2: gotta go. Just the stuff that you were doing. 567 00:23:29,560 --> 00:23:32,240 Speaker 3: The verse was very purposeful. I said, you know what 568 00:23:32,359 --> 00:23:35,480 Speaker 3: I have not. I have not written a classically toxic 569 00:23:35,560 --> 00:23:38,840 Speaker 3: Kai Lannie playful kind of trifling verse in a little 570 00:23:38,840 --> 00:23:41,919 Speaker 3: while on this project. And I just I slipped that 571 00:23:41,960 --> 00:23:44,680 Speaker 3: one in there. That was not a true story. Yeah, 572 00:23:44,680 --> 00:23:46,600 Speaker 3: that was not a true story. That was just a 573 00:23:46,640 --> 00:23:48,960 Speaker 3: me purposeful like I'm gonna say something cheeky because I 574 00:23:48,960 --> 00:23:50,960 Speaker 3: think people know I'm cheeky and that's their jams, So 575 00:23:50,960 --> 00:23:51,959 Speaker 3: I'm gonna just slide it in there. 576 00:23:52,000 --> 00:23:54,320 Speaker 1: Well, that came from somewhere, you know, I was gonna say. 577 00:23:54,200 --> 00:23:55,480 Speaker 3: Deep in the subconscious. 578 00:23:55,600 --> 00:23:57,960 Speaker 1: Yeah, So what about a tour? Now? What does a 579 00:23:58,000 --> 00:24:00,000 Speaker 1: tour look like for this? For this album? 580 00:24:00,000 --> 00:24:01,760 Speaker 3: Oh my god, it's gonna be nuts. It's gonna be 581 00:24:01,880 --> 00:24:05,159 Speaker 3: so nuts. I have so many ideas. I made this 582 00:24:05,240 --> 00:24:08,960 Speaker 3: album specifically to tour. Okay, that's why there's so many sounds, 583 00:24:09,000 --> 00:24:11,400 Speaker 3: That's why the production was so important because I made 584 00:24:11,440 --> 00:24:13,560 Speaker 3: this specifically to have fun. I learned a lot on 585 00:24:13,560 --> 00:24:16,880 Speaker 3: my last tour touring a very like sweet and Light 586 00:24:16,920 --> 00:24:20,240 Speaker 3: and Airy album and maybe like the first two weeks 587 00:24:20,240 --> 00:24:23,399 Speaker 3: in we ended up playing majority of the album before 588 00:24:23,480 --> 00:24:25,560 Speaker 3: that because there was so much more energy on that one, 589 00:24:25,600 --> 00:24:28,359 Speaker 3: and you start realizing, like, what kind of world do 590 00:24:28,400 --> 00:24:30,040 Speaker 3: you want to cultivate in the space? 591 00:24:30,119 --> 00:24:32,679 Speaker 2: That was a beautiful album too, though everything is just 592 00:24:32,760 --> 00:24:33,359 Speaker 2: so different. 593 00:24:33,400 --> 00:24:35,359 Speaker 3: It's like you said, I hope I never make the 594 00:24:35,359 --> 00:24:36,520 Speaker 3: same album twice. 595 00:24:36,359 --> 00:24:38,480 Speaker 2: And man, we definitely cannot put you in a box. 596 00:24:38,640 --> 00:24:40,160 Speaker 2: I love just having experience. 597 00:24:40,160 --> 00:24:42,320 Speaker 3: You heard that here first, Thank you. 598 00:24:42,640 --> 00:24:44,520 Speaker 2: But that is scary because most artists would be like, 599 00:24:44,600 --> 00:24:47,520 Speaker 2: and most labels will tell you, yeah, you have to 600 00:24:47,800 --> 00:24:50,679 Speaker 2: make this album because how are they gonna what genre 601 00:24:50,720 --> 00:24:51,760 Speaker 2: is it going to be in? But I feel like 602 00:24:51,760 --> 00:24:55,520 Speaker 2: streaming helps with people being able to stream singles and 603 00:24:55,640 --> 00:24:58,919 Speaker 2: so what's so? I guess after hours I hear that 604 00:24:58,960 --> 00:25:03,119 Speaker 2: all the time I was written this article about artists 605 00:25:03,160 --> 00:25:05,240 Speaker 2: and how they feel about streaming. What are your thoughts 606 00:25:05,480 --> 00:25:06,240 Speaker 2: about streaming? 607 00:25:06,280 --> 00:25:09,760 Speaker 3: About streaming, honestly, I'm not like I really stay out 608 00:25:09,800 --> 00:25:11,919 Speaker 3: of the world of all that because so much has 609 00:25:11,960 --> 00:25:16,000 Speaker 3: been conflated with just things that I have no idea about, 610 00:25:16,040 --> 00:25:20,520 Speaker 3: like buying streams and placing things strategically here and how 611 00:25:20,560 --> 00:25:22,480 Speaker 3: this works and this works. And I will always say 612 00:25:22,520 --> 00:25:26,840 Speaker 3: impact matters more than you know anything anything in life. 613 00:25:27,320 --> 00:25:31,080 Speaker 3: You may have no idea. I this album may stream horrible, 614 00:25:31,200 --> 00:25:33,680 Speaker 3: this may sell horrible, this may place horrible. But when 615 00:25:33,680 --> 00:25:35,440 Speaker 3: you come to the show, the energy in the room 616 00:25:35,520 --> 00:25:39,080 Speaker 3: is probable. You know it's it is you walk away 617 00:25:39,119 --> 00:25:41,280 Speaker 3: with something crazy, people are gonna leave and be like, 618 00:25:41,440 --> 00:25:44,360 Speaker 3: what was that? People had such a great the shows 619 00:25:44,400 --> 00:25:47,080 Speaker 3: were so big on the last tour that people were like, oh, 620 00:25:47,119 --> 00:25:49,480 Speaker 3: I actually had no idea that this. Many people even 621 00:25:49,560 --> 00:25:52,600 Speaker 3: fucked with Kilnie like they had no idea. And I 622 00:25:52,640 --> 00:25:55,760 Speaker 3: think that it's I'm in a unique situation that I 623 00:25:55,800 --> 00:25:58,439 Speaker 3: never really take for granted because it isn't dependent on that. 624 00:25:58,520 --> 00:26:01,359 Speaker 3: I've always had such a strong bond with my fans, 625 00:26:01,359 --> 00:26:03,359 Speaker 3: where you see how they show up in the street 626 00:26:03,400 --> 00:26:05,520 Speaker 3: for me at the signing, you see how they come 627 00:26:05,520 --> 00:26:07,199 Speaker 3: on tour, you see how much it means to them, 628 00:26:07,240 --> 00:26:09,320 Speaker 3: and like that is the only thing that matters. I'm 629 00:26:09,400 --> 00:26:10,439 Speaker 3: super focused on that. 630 00:26:10,920 --> 00:26:14,520 Speaker 2: How were the writers' camps for you? And for people listening, 631 00:26:14,600 --> 00:26:16,399 Speaker 2: like tell us some of the things that goes on 632 00:26:16,440 --> 00:26:18,280 Speaker 2: in these writers camps, Like you said you did one 633 00:26:18,680 --> 00:26:21,320 Speaker 2: here in New York, but then you traveled all over yeah, 634 00:26:21,359 --> 00:26:22,639 Speaker 2: and did different riding camps. 635 00:26:22,640 --> 00:26:24,399 Speaker 1: Like how does that help you? How does that inspire you? 636 00:26:24,440 --> 00:26:26,800 Speaker 2: What are some things that went on during yours that 637 00:26:26,800 --> 00:26:27,719 Speaker 2: it's memorable to you. 638 00:26:27,920 --> 00:26:30,320 Speaker 3: Well, basically, we started in San Diego. We went in 639 00:26:30,359 --> 00:26:32,480 Speaker 3: San Diego twice one at the beginn't want the end, 640 00:26:33,119 --> 00:26:36,119 Speaker 3: and I bonded so hard with what technically we started 641 00:26:36,119 --> 00:26:37,720 Speaker 3: in the Bay and then we went to San Diego. 642 00:26:37,760 --> 00:26:40,760 Speaker 3: But I ended up like kind of rocking with the 643 00:26:40,800 --> 00:26:43,919 Speaker 3: little group that we had formulated early on, and we 644 00:26:43,960 --> 00:26:47,359 Speaker 3: just kept like moving everybody. We did the Bay, we 645 00:26:47,359 --> 00:26:50,040 Speaker 3: did San Diego, we went to New York, we went 646 00:26:50,080 --> 00:26:53,119 Speaker 3: to Dominican Republic, we went to Vegas, we went back 647 00:26:53,160 --> 00:26:55,560 Speaker 3: to San Diego, and we just it happened on accident 648 00:26:55,640 --> 00:26:58,280 Speaker 3: because we started at a studio in the Bay and 649 00:26:58,359 --> 00:27:01,679 Speaker 3: like nothing was working, like like the equipment wasn't working, 650 00:27:02,359 --> 00:27:04,800 Speaker 3: like the studio engineer there was just it was like 651 00:27:04,880 --> 00:27:06,920 Speaker 3: thing after thing after thing. But we had already brought 652 00:27:06,920 --> 00:27:09,000 Speaker 3: everyone from LA and put them in hotels. So it 653 00:27:09,080 --> 00:27:10,640 Speaker 3: was like, what do we do? I said, you know what, 654 00:27:11,320 --> 00:27:13,080 Speaker 3: Let's just run a bunch of equipment. Let's set up 655 00:27:13,119 --> 00:27:15,200 Speaker 3: in a house, and let's put everybody in different rooms 656 00:27:15,240 --> 00:27:18,000 Speaker 3: and let everybody just cross walk around back and forth. 657 00:27:18,040 --> 00:27:21,120 Speaker 3: So I kept visiting each producer pocket in each room 658 00:27:21,160 --> 00:27:22,679 Speaker 3: and just being like, I like a little bit of that. 659 00:27:22,720 --> 00:27:24,320 Speaker 3: I like a little bit of that, let's mix it. 660 00:27:24,640 --> 00:27:27,399 Speaker 3: And I had really incredible collaborate collaborators. My A and 661 00:27:27,520 --> 00:27:30,360 Speaker 3: R is absolutely incredible. All of my producers are really incredible. 662 00:27:30,359 --> 00:27:33,240 Speaker 3: Everybody I wrote with this really incredible. And how much 663 00:27:33,280 --> 00:27:35,320 Speaker 3: we all ended up being able to genuinely say like 664 00:27:35,480 --> 00:27:38,880 Speaker 3: I love you guys as a family during this process, 665 00:27:38,920 --> 00:27:41,639 Speaker 3: to where celebrating the final studio sessions and playing the 666 00:27:41,680 --> 00:27:44,160 Speaker 3: album over and over and over again felt like this 667 00:27:44,240 --> 00:27:46,720 Speaker 3: thing that we all did. It didn't feel like my album. 668 00:27:46,760 --> 00:27:50,159 Speaker 3: It felt like, y'all, we made it here. My visual 669 00:27:50,200 --> 00:27:52,400 Speaker 3: team was sitting there putting up all these mood boards, 670 00:27:52,400 --> 00:27:54,879 Speaker 3: downloading millions of photos and going from the computer to 671 00:27:54,960 --> 00:27:57,439 Speaker 3: the kinks to printing it out and back and gluing 672 00:27:57,440 --> 00:27:59,800 Speaker 3: it on the wall, and everybody was so invested in 673 00:27:59,800 --> 00:28:03,440 Speaker 3: this process, and it just feels like one big familial 674 00:28:03,680 --> 00:28:06,080 Speaker 3: like gift and offering. Then it could ever feel like 675 00:28:06,280 --> 00:28:08,880 Speaker 3: that's it was the best? 676 00:28:09,119 --> 00:28:11,720 Speaker 1: What do you listen to like outside so much? 677 00:28:12,320 --> 00:28:15,520 Speaker 2: So curious, like when Kailani's in the gym working out, 678 00:28:15,560 --> 00:28:17,119 Speaker 2: is there a different playlist than when you're in the 679 00:28:17,119 --> 00:28:18,720 Speaker 2: car driving then when you're going surfing. 680 00:28:18,800 --> 00:28:20,800 Speaker 3: Then I promise, I don't say this would be cool. 681 00:28:20,840 --> 00:28:22,680 Speaker 3: I say this to be that I'm a Pisce's moon. 682 00:28:22,720 --> 00:28:24,639 Speaker 3: I'm really delusional. But I listened to a lot of 683 00:28:24,640 --> 00:28:27,199 Speaker 3: classical in the gym. Wow, because it really makes you 684 00:28:27,320 --> 00:28:30,840 Speaker 3: like zone out. And something about the really turned like 685 00:28:31,160 --> 00:28:35,360 Speaker 3: h makes me a little like anxious, plus the pre workout, 686 00:28:35,440 --> 00:28:38,480 Speaker 3: so I have to find like a balance of something 687 00:28:38,480 --> 00:28:40,800 Speaker 3: that makes everything really cinematic. So I listened to a 688 00:28:40,840 --> 00:28:42,960 Speaker 3: lot of like classical. I listened to a lot of jazz. 689 00:28:42,960 --> 00:28:45,360 Speaker 3: I listened to a lot of Boston Nova. I listened 690 00:28:45,360 --> 00:28:47,520 Speaker 3: to a lot of Spanish music. I listened to rock. 691 00:28:47,760 --> 00:28:52,600 Speaker 3: I listen to a lot of like electronic, whatever genre 692 00:28:52,640 --> 00:28:57,640 Speaker 3: we consider like attament, Paula, there's so much. I listened 693 00:28:57,640 --> 00:28:58,600 Speaker 3: to rabbitlus to R and B. 694 00:28:59,040 --> 00:29:01,080 Speaker 1: I don't I like music. 695 00:29:01,120 --> 00:29:02,640 Speaker 3: I was in I was in a band for six 696 00:29:02,720 --> 00:29:05,800 Speaker 3: years in my life, so I'm very instrument led versus 697 00:29:05,880 --> 00:29:08,200 Speaker 3: like words or vocals. 698 00:29:08,320 --> 00:29:11,360 Speaker 2: And then you also have an afrobeats artist. Yeah you know, 699 00:29:11,760 --> 00:29:13,680 Speaker 2: yeah om Ale, I love him, which is said, but 700 00:29:13,760 --> 00:29:16,320 Speaker 2: that didn't feel like an afrobeats vibe. 701 00:29:16,680 --> 00:29:17,520 Speaker 1: Like did you think it was? 702 00:29:17,600 --> 00:29:19,800 Speaker 3: It didn't start as an afrobeks at all. There was 703 00:29:19,880 --> 00:29:22,520 Speaker 3: just like this crazy piano part. And then my A 704 00:29:22,640 --> 00:29:26,760 Speaker 3: and R, who's absolutely incredible, went to Guilty Beats, who 705 00:29:26,880 --> 00:29:29,560 Speaker 3: is and am a piano producer, and had him kind 706 00:29:29,560 --> 00:29:34,760 Speaker 3: of like put those classic A piano undertones like underneath 707 00:29:34,800 --> 00:29:37,480 Speaker 3: it to make it go that way, and then we 708 00:29:37,560 --> 00:29:39,080 Speaker 3: send it to him and he sent it back so 709 00:29:39,160 --> 00:29:41,120 Speaker 3: quickly and he actually did two versions for me, Like 710 00:29:41,200 --> 00:29:42,920 Speaker 3: he's He's incredible. We love him. 711 00:29:42,960 --> 00:29:46,280 Speaker 1: I learned about h my piano from listening to Uncle Waffles. 712 00:29:46,400 --> 00:29:47,680 Speaker 3: I love Uncle Waffles. 713 00:29:48,160 --> 00:29:50,720 Speaker 2: I love Traveling really does open up your mind to 714 00:29:50,800 --> 00:29:52,680 Speaker 2: so much when it comes to music. And I can 715 00:29:52,720 --> 00:29:56,600 Speaker 2: tell from this album that you've been, you know, doing 716 00:29:56,640 --> 00:29:59,040 Speaker 2: a lot in different oh yeah places worldwide. 717 00:29:59,120 --> 00:30:01,000 Speaker 1: Yeah sure, but I I think that's the beautiful thing 718 00:30:01,000 --> 00:30:01,320 Speaker 1: about it. 719 00:30:01,520 --> 00:30:02,040 Speaker 3: Thank you. 720 00:30:02,120 --> 00:30:03,880 Speaker 1: I do definitely want to thank you for coming through. 721 00:30:03,920 --> 00:30:07,400 Speaker 2: I know you got a lot that you have going on, 722 00:30:07,800 --> 00:30:09,600 Speaker 2: and I'm glad you can because I honestly I know 723 00:30:09,640 --> 00:30:11,400 Speaker 2: you before you were like interviews, you were kind of 724 00:30:11,400 --> 00:30:11,720 Speaker 2: off of it. 725 00:30:11,760 --> 00:30:13,080 Speaker 1: But I'm glad that. 726 00:30:13,400 --> 00:30:14,560 Speaker 3: No, we're good. We're in a good place. 727 00:30:14,600 --> 00:30:15,600 Speaker 1: Okay, good, I'm glad. 728 00:30:15,680 --> 00:30:17,440 Speaker 2: I'm happy to thank you because I was like, she 729 00:30:17,520 --> 00:30:18,760 Speaker 2: better come up here one day. 730 00:30:18,920 --> 00:30:20,880 Speaker 3: Ah. No, I'm in a really good place. 731 00:30:21,120 --> 00:30:23,760 Speaker 2: You seem like it. Thank you, So congratulations. Make su'all 732 00:30:23,880 --> 00:30:27,240 Speaker 2: y'all buy Crash, go get your record signed. 733 00:30:27,040 --> 00:30:27,880 Speaker 3: Yea, and come to tour. 734 00:30:28,000 --> 00:30:30,400 Speaker 1: Come to tour, but say stream it, but now we can. 735 00:30:30,440 --> 00:30:32,160 Speaker 2: You know it still sounds weird when we say bye, 736 00:30:32,200 --> 00:30:33,720 Speaker 2: but make sure you go get it. 737 00:30:33,840 --> 00:30:36,040 Speaker 1: And when where can people get information on the tour? 738 00:30:37,120 --> 00:30:39,280 Speaker 3: The tour information is going to drop super soon. Just 739 00:30:39,280 --> 00:30:41,320 Speaker 3: stay just keep up times with all my different various 740 00:30:41,360 --> 00:30:44,440 Speaker 3: social media's it's all at Kailanie, and just get. 741 00:30:44,320 --> 00:30:47,520 Speaker 2: A little scoop like, yeah, they're not gonna come soon, 742 00:30:47,560 --> 00:30:48,160 Speaker 2: don't worry. 743 00:30:48,280 --> 00:30:49,560 Speaker 1: Okay, do we know where we're starting? 744 00:30:50,400 --> 00:30:53,360 Speaker 3: Somewhere in the Midwest. I think I just found that out. Actually, 745 00:30:53,400 --> 00:30:55,840 Speaker 3: maybe like an hour ago there. 746 00:30:55,800 --> 00:30:56,840 Speaker 1: We got a little spoiler. 747 00:30:57,160 --> 00:30:58,840 Speaker 3: Yeah, come on, teasers. 748 00:30:59,000 --> 00:31:00,840 Speaker 2: Well, thank y'all so well, thank you so much for 749 00:31:00,920 --> 00:31:03,680 Speaker 2: joining me, Kailani. And you know, I just love who 750 00:31:03,720 --> 00:31:05,680 Speaker 2: you are as a person, so I appreciate it. 751 00:31:05,760 --> 00:31:09,000 Speaker 3: Thank you well,