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Speaker 1: You can watch the original episode We'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max.

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Speaker 2: You can also watch the.

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Speaker 1: Video version of the history of Curby Your Enthusiasm podcast

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Speaker 1: on Max and YouTube as well.

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Speaker 2: Links available in the episode description.

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Speaker 1: Season three, episode three, Club Soda and Salt. And I

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Speaker 1: am Susie Esman, and you are Jeff Garlin, and we

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Speaker 1: have special guests again joining us.

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Speaker 2: I am not Jeff Garland.

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Speaker 1: I am John Hayman, John Hayman, John Hayman, who I'm

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Speaker 1: just gonna say again for those who didn't listen last week.

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Speaker 1: John Hayman is one of our consulting producers on KERB.

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Speaker 1: He's an old friend of all of ours, and he

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Speaker 1: was actually in season three, episode two and episode three.

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Speaker 1: So here we go, Here we go, Pop Soda and Salt.

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Speaker 1: So Larry comes home and role is very obviously she's

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Speaker 1: gonna hummy, chummy, giddy, laughing it up with her acting partner,

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Speaker 1: Brad Right.

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Speaker 3: So my agent calls and and he has an audition

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Speaker 3: for me for a biker. So I'm just psyched and

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Speaker 3: get my Hell's Angels jacket all and my leather and

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Speaker 3: I bust into the room and there's thirty actors with

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Speaker 3: bicycle shorts on the spandex ones, no gloves, and I'm

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Speaker 3: just going, oh, brutal, Hi.

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Speaker 1: Why.

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Speaker 2: Brad? And he's in tennis shorts. They played tennis together.

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Speaker 1: Obviously good looking guy, good looking guy, and you just

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Speaker 1: you could just feel it.

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Speaker 4: You just I thought he was her tennis instructor and

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Speaker 4: was one of these guys. But you know, I really

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Speaker 4: want to be an actor's instructor.

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Speaker 1: I thought, no, no, he's not her tennis instructor. Partners,

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Speaker 1: scene partner, really acting partner. Yeah, the instructor and they

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Speaker 1: play tennis together.

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Speaker 5: This first scene. I don't think Larry's being paranoid.

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Speaker 2: I agree, and I agree in.

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Speaker 5: Subsequent scenes, I think the same thing. He's not being paranoid.

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Speaker 5: Generally Larry would be there's a vibe, there's there's something

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Speaker 5: going on. I mean there's not you're not having an.

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Speaker 2: Affair, but she there's a vibe.

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Speaker 1: Reason, Yes, that's right, suspicious, that's right, And I think

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Speaker 1: it's good for him. Okay, and then you see, uh,

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Speaker 1: you know, Larry's jealous and he says, I'm going to

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Speaker 1: get a single heterosexual.

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Speaker 2: Woman to play golf with. You know, he's going to

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Speaker 2: get her back.

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Speaker 1: And Larry says, he's attracted to you, and Cheryl's like, oh, no,

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Speaker 1: he's not. She's being very coy. No he's not, but

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Speaker 1: she knows that he is. And Larry says, you don't

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Speaker 1: know anything about men, which I think is true. I mean,

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Speaker 1: I think that women are completely oblivious in many ways

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Speaker 1: to how much men constantly think about sex.

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Speaker 2: Oh my god, yes, yeah, so you don't.

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Speaker 1: Know anything about men, and then always says that he'll

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Speaker 1: play tennis with Cheryl.

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Speaker 2: You know, he doesn't want to play tennis with Cheryl.

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Speaker 5: But well, speaking of that, I'm talking about Sari. Sometimes

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Speaker 5: you gotta do what you gotta do. She always wants

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Speaker 5: to go biking, skiing, all this, so sometimes I have

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Speaker 5: to go, Yeah, go biking. I said to her yesterday,

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Speaker 5: let's go for a bike ride. I even suggested it

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Speaker 5: because I know how much that means to her, and

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Speaker 5: you gotta do it. Or when your back's against the wall,

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Speaker 5: like Larry's in this one, he has no choice for

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Speaker 5: to say I don't want that guy playing I'll play

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Speaker 5: tennis with you, But he doesn't say I don't want

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Speaker 5: that guy playing tennis with you. He just very enthused.

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Speaker 1: I think in the beginning of my relationship with Jimmy,

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Speaker 1: I was very clear, I'm not camping on that time.

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Speaker 5: Well, by the way, by the way, you and I

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Speaker 5: should actually be together, and he should be with Sari.

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Speaker 5: Sari's my handyman. Yeah, yeah, well I know that's what

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Speaker 5: I'm saying. Jimmy's the handyman too. No, it's the complete

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Speaker 5: Will you and I enjoy a good nap watching watching Colombo?

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Speaker 5: You know what I mean?

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Speaker 2: It's like Corse.

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Speaker 5: Oh yeah, yeah, for sure.

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Speaker 1: Okay, So next we cut to you and Larry are

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Speaker 1: at the restaurant Bobo's right, and you're drinking. You have

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Speaker 1: a cup of coffee, drinking coffee, and his construction going on?

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Speaker 1: Is luck going on behind you?

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Speaker 2: Guys?

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Speaker 1: And uh, Larry tells you about Brett, the whole thing

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Speaker 1: about Cheryl's little friend Bred and now he's got to

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Speaker 1: play tennis with her.

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Speaker 2: And somebody comes up behind you, bumps into you, and

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Speaker 2: you spill the coffee. Jeff spills the coffee. Yes, And

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Speaker 2: Jim what's his name.

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Speaker 5: Jim Stall Chicago, great guy, And I could swear at

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Speaker 5: the top of that scene. I don't know why I'm thinking.

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Speaker 5: I could swear he's talking to Tim Kazerinski in the

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Speaker 5: best he is.

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Speaker 1: He is, Yes, But we don't see Tim Kazerinski any

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Speaker 1: other time during the episode.

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Speaker 2: I don't believe.

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Speaker 5: No, we don't.

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Speaker 2: He comes up in the next episode.

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Speaker 5: Sarah live second that guy, right.

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Speaker 2: Yeah, but he is I noticed that as well.

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Speaker 1: And Jim, but Jim, I think he's Jim Jensen in

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Speaker 1: this or something like that.

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Speaker 5: Something we love using real first names.

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Speaker 1: Yeah, And Jim talks about this an old restaurant trick

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Speaker 1: club soda and table salt where you pour the club

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Speaker 1: soda on, then you pour the table salt on.

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Speaker 2: It will get any stain out. Okay, it does work,

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Speaker 2: by the way, as a matter of fact, from that

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Speaker 2: show I've done that.

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Speaker 5: It works. No, it does work. But the way stop

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Speaker 5: with the crinkling. I know I threw, but what were

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Speaker 5: well would you do that just for that anyhow? Jim Stall,

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Speaker 5: the way he plays that looking up, he looks like

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Speaker 5: a really sweet doing his job manager. But here's the

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Speaker 5: thing I want to say, and I wanted to say

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Speaker 5: it last episode. I want to say this. The camera

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Speaker 5: work on the show sucks. There's movement, but it's supposed

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Speaker 5: to be cutting in between. There's a lot of shots

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Speaker 5: that start on one person and shipped over to the other.

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Speaker 5: Those are so unsettling. And also so many of the

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Speaker 5: characters are shoulders and heads, which is not comedy. That's

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Speaker 5: emotional shit you don't need. So it's like, I am

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Speaker 5: so confused as how we let that happen. Maybe we

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Speaker 5: didn't know better.

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Speaker 4: It's funny because I did notice it, and just from

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Speaker 4: working on this show for four seasons, I'm aware of

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Speaker 4: all that stuff now that I never just because you know,

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Speaker 4: I'm friends with the camera guys and they tell me

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Speaker 4: the little technical things, you know, And it's funny. On

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Speaker 4: any TV show, everyone looks at it differently. I look

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Speaker 4: at the writing, an actor will look at the actor.

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Speaker 4: The wardrobe person will look at what they're doing. It's

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Speaker 4: not really tunnel vision, but it's what you focus on.

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Speaker 4: And now working on this and also sitting behind Jeff

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Speaker 4: Schaeffer direct and the way it takes are done and

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Speaker 4: what coverages, and I thought, now watching it the episodes,

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Speaker 4: exactly what you did. I went, wow, what the hell

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Speaker 4: is going on here?

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Speaker 5: So we've gotten it down to an exact SI, which

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Speaker 5: really is specific and.

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Speaker 2: It's actually what reason do you think that was that?

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Speaker 5: What that we switched over?

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Speaker 1: Yeah, I would say five, oh, no.

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Speaker 2: After that, we'll see when we come to it.

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Speaker 5: Yeah. By the way, I will let everyone know when

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Speaker 5: we come to it. But it's so I'm gonna use

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Speaker 5: this word. It's jarring it. And by the way, as

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Speaker 5: I told you from the Hour special, I actually noticed

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Speaker 5: these things while it's happening, right, I would always say

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Speaker 5: to Larry, why are we moving the camera from one

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Speaker 5: person to another? Why don't we have a two shot

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Speaker 5: maybe and a single shot and then the next one

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Speaker 5: a single you know what I mean? Why is all

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Speaker 5: this movement? And by the way, I do get dizzy.

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Speaker 5: I can't even go on a swing. It's true. Well

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Speaker 5: from when I had a stroke, I can't do it. Yeah,

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Speaker 5: And so when I watch these I get kind of nauseous.

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Speaker 5: But when did the show switch to high deaf? That's

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Speaker 5: another thing? Are these are these episodes upscaled?

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Speaker 2: Like now when you.

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Speaker 5: Watch they We were shooting with what at the time

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Speaker 5: was the best which was Digi Beta okay, and it

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Speaker 5: was actual tapes Digi Beta okay.

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Speaker 1: So we finished the table salts, Jim does the whole

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Speaker 1: table salt in club soda, and then who walks in

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Speaker 1: saying we need to talk Chef Randy played.

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Speaker 2: By yours truly John Hayman, and you quit. I'm out, guys,

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Speaker 2: I'm out.

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Speaker 5: What are you talking about?

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Speaker 6: What?

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Speaker 2: I can't do this?

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Speaker 5: I can't cook.

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Speaker 2: I can't cook in this restaurant. I'm no good.

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Speaker 5: I suck.

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Speaker 2: Well, that's ridiculous.

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Speaker 5: You cooked that my house less delicious.

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Speaker 2: You don't want me. I'm doing you a big favor,

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Speaker 2: believe me. What is this about? What this is about?

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Speaker 4: That didn't help because a lot of cooks, you know,

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Speaker 4: it's frowned on when they poisoned someone. I had to

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Speaker 4: quit because I used to. But now can I just

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Speaker 4: I know we talked about this before this show.

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Speaker 5: Okay.

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Speaker 4: I am so unhappy about my alleged performance.

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Speaker 5: And I will.

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Speaker 4: Well except why I wasn't because I made the mistake

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Speaker 4: that a lot of actors do when they come on

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Speaker 4: the show. And I had stuff prepared in my head, which,

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Speaker 4: as you know, that absolute thing. Yes, you can possibly do.

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Speaker 4: Excuse me, is there a cough button? Yeah? By the way,

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Speaker 4: the look on your face, how frustrated you were that

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Speaker 4: there wasn't a cough button.

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Speaker 5: Well, because it was by the way, we're in a

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Speaker 5: studio in Hollywood and the iHeartRadio studios on this floor,

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Speaker 5: and the studios were in there kind of look like

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Speaker 5: someone's den that was turned into They're very beage, a

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Speaker 5: lot of beige, but there are no we don't have

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Speaker 5: a well you kind of have a thing in front

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Speaker 5: of you, right, where's the front. Yeah, you're doing it

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Speaker 5: on a computer. The soundship, but you know there'd be

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Speaker 5: a board. You know, we have no boards. We have

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Speaker 5: no cough buttons.

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Speaker 4: So anyhow, if I could do that part again, knowing

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Speaker 4: what I know now, when.

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Speaker 5: You bump on the table, looked at it comes through

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Speaker 5: the microphone, Okay, all right.

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Speaker 4: I wish I could go back, that we could do

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Speaker 4: this and get no what I know now right, But

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Speaker 4: then I just had stuff in my head and it took.

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Speaker 5: Okay, I cannot imagine you, knowing what you know now,

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Speaker 5: being better than you were, because I got to tell

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Speaker 5: you when I was watching it, especially the second episode

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Speaker 5: when you quit it didn't do anything well yet you

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Speaker 5: did you gave me Yeah, there was definitely, but that

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Speaker 5: when you come up to Larry and I and explain

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Speaker 5: about how it's going to be reviewed. I can't do.

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Speaker 2: It celebrity celebrity.

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Speaker 5: And by the way, it felt sublime, it felt perfect.

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Speaker 5: And so it's a lot of times, you know, it's

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Speaker 5: like body dysmorphia. You know you look beautiful, you feel

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Speaker 5: like you know you're shit to yourself.

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Speaker 2: But I think I think all actors do that all

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Speaker 2: the time.

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Speaker 5: I don't. I do well by the way scripted material.

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Speaker 5: I do it all the time when I'm doing something

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Speaker 5: that's really well done and it's scripted. You know what

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Speaker 5: movie I haven't seen and I actually am going to

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Speaker 5: see it in a few weeks Babylon. I've never seen

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Speaker 5: it because A I know I'm going to hate my

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Speaker 5: performance and be I might not like the movie. It's

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Speaker 5: a no win situation.

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Speaker 1: But when I leave set after a day, I lie

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Speaker 1: in bed that night and I think, I wish I

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Speaker 1: could do that over again. I always think yes, I

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Speaker 1: always think, well, I always think that.

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Speaker 5: Larry sometimes he hasn't done it. It's been a few

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Speaker 5: years since he said this to me. He goes that

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Speaker 5: scene would have been better written.

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Speaker 4: Rarely, rarely we know it's the same feeling. I'm sure

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Speaker 4: we've all done this. You go into an audition and

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Speaker 4: you're a little tense, and you know it's an uncomfortable

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Speaker 4: thing for anyone to do, and then the moment you

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Speaker 4: walk out the door, you go, if I could just

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Speaker 4: feel now relieved and relaxed, if I could feel this

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Speaker 4: way before I went in, I would have been good.

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Speaker 5: I tell you a funny story about me auditioning. Is

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Speaker 5: that story. Whenever I think I did great, I've never

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Speaker 5: gotten the part. And whenever I think I sucked up

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Speaker 5: the room, I've gotten the part. So go figure on that.

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Speaker 1: It's kind of you know, well, what that says is

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Speaker 1: is that we have no sense of how we're really performing.

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Speaker 5: I have a high level of self awareness. You know,

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Speaker 5: I'm extra like. I'm always apologizing to you the listener

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Speaker 5: when I ramble, but I forget what I was saying.

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Speaker 1: Okay, all right, So Randy comes in. Randy comes in

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Speaker 1: and says he quits I suck And Larry says, is

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Speaker 1: it about the Peanuts? About the ketchup?

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Speaker 2: And Randy says, no, it's a big celebrity restaurant. I'm

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Speaker 2: going to get lead.

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Speaker 5: That didn't help.

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Speaker 1: That didn't help. Yes, that didn't help. And then Randy

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Speaker 1: walks out, and then they're fucked. They don't have a

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Speaker 1: chef and the restaurant is opening in three weeks.

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Speaker 4: I was by the way that I was telling people, Yeah,

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Speaker 4: I kind of I didn't say it full of myself,

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Speaker 4: and I said, yeah, I acted with ten Dancing, Well,

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Speaker 4: my acting with Ted Danson was yeah, shut up or

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Speaker 4: something like that when I'm leaving, because.

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Speaker 5: You know, it was a really big star that I'm

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Speaker 5: sorry about that.

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Speaker 4: And also, how come that guy does some fucking age?

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Speaker 4: What is going on?

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Speaker 5: He does look the same now as he does.

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Speaker 2: It's just really the hair. I guess. Mostly we'll be

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Speaker 2: right back, stay tuned. Okay, we're back.

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Speaker 1: Ted walks in and they tell him that Randy quit,

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Speaker 1: and Ted said, was it a peanut thing? And Jeff

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Speaker 1: and Larry at the same time no. They get very

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Speaker 1: very uh so it's three weeks away. Who's gonna be

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Speaker 1: the chef? And Ted comes up with the idea that Josh,

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Speaker 1: who cooks for them at home, is a great cook

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Speaker 1: and one should come over and sample it, and then

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Speaker 1: Larry goes over to see the stain and it's all better.

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Speaker 2: The stain is gone.

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Speaker 3: Now.

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Speaker 1: The thing about Josh that I thought of in that

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Speaker 1: moment is somebody who's cooking for a family of four

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Speaker 1: is very different than a chef. I've worked in restaurants

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Speaker 1: for years. Is very different than a chef in a restaurant.

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Speaker 2: You could be a really great cook, but you can't

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Speaker 2: be see it.

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Speaker 5: From the minute the chef is introduced career. The second

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Speaker 5: he's introduced, you're like, this guy could never be a

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Speaker 5: shoe in the restaurant.

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Speaker 2: Wait before we get to that. Larry goes over to

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Speaker 2: see the stain.

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Speaker 1: It's all better, and Jim says, the trick is to

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Speaker 1: get to the stain before it dries.

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Speaker 2: Very important, get to it quickly.

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Speaker 1: Larry and Cheryl are playing tennis and Larry's talking about

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Speaker 1: getting his parents an apartment, and I'm Barrington.

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Speaker 4: By the way, Larry much better at tennis than I mean,

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Speaker 4: he looks like he can play tennis, and.

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Speaker 5: By the way he plays, he's a pretty good athlete.

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Speaker 5: Yeah he is, Yeah, I mean he really is. I

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Speaker 5: mean he plays golf constantly. But yeah, because I don't

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Speaker 5: want to get me playing tennis yet, do we talk

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Speaker 5: about it.

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Speaker 2: We're just getting to it. Now okay, so he's playing tennis.

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Speaker 1: So now they're playing tennis, and Larry's hitting balls, little

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Speaker 1: balls against the fence. He talks about his mother getting

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Speaker 1: treatment at c Pludential.

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Speaker 5: Go home on hold on him hitting balls from three

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Speaker 5: feet away from a fence and almost hitting Cheryl.

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Speaker 2: What I swear to you, I'm going to kill you

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Speaker 2: in that hits me.

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Speaker 5: So my mother was not getting that you treatment at

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Speaker 5: sea to Sinai and hopefully she'll get better and they'll

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Speaker 5: go home. I think I remember when we shot this,

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Speaker 5: being very nervous, very very nervous, and saying, how can

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Speaker 5: you can you control it? I got it, I got it,

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Speaker 5: he did have it.

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Speaker 1: But it's still because then again Larry's a very good athlete.

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Speaker 5: Yeah. And then they run in for the Jets, I

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Speaker 5: believe in the superst did well his name was his

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Speaker 5: football name was Emerson Boozer, number thirty two. Yeah.

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Speaker 2: Then they run into friends of theirs. Larry and Cheryl

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Speaker 2: run into Melanie and Ed and you feel something's awkward.

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Speaker 2: It doesn't feel right.

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Speaker 5: Really feels awkward. Yeah. And by the way, not remembering

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Speaker 5: what that storyline was, I thought that Larry had done

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Speaker 5: something because it seemed like that the vibe was because

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Speaker 5: you never feel people being mad at Cheryl, but they were,

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Speaker 5: but that vibe of like Larry did something to them

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Speaker 5: that he was going to find out. That's what I felt.

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Speaker 1: Yeah, And then Melanie and Ed leave and Cheryl realizes

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Speaker 1: they never got them a wedding gift and it's been

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Speaker 1: over a year and that they're harboring a grudge because

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Speaker 1: they didn't get a present, and Larry's like, we flew

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Speaker 1: to us Chicago, we did this, blah blah blah.

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Speaker 2: Okay.

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Speaker 1: Then they're playing tennis and Cheryl is Monica SELLI sing grunting.

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Speaker 5: Is that good? That was out?

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Speaker 2: Yeah? We're playing doubles. It would have been good.

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Speaker 5: You know what, you got to stop the grunting.

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Speaker 4: What are you talking about?

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Speaker 5: You grunt on every shot, every shot you hit?

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Speaker 2: You you you make this disgusting noise. Ugh, you don't

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Speaker 2: hear it?

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Speaker 5: No, what do you mean though?

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Speaker 3: That's how I played tennis. I didn't even know how's sooner?

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Speaker 2: Well, you grunt every shot.

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Speaker 5: It's really annoying it. It's throwing me off.

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Speaker 2: Oh is that why you're losing?

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Speaker 5: Sounds like picks? Fucking hi? How do you like this,

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Speaker 5: would you like to listen to this?

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Speaker 2: Huhh, I don't mind.

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Speaker 5: It, okay, I don't remember that being in the in

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Speaker 5: the outline, her making the noise. I think that's how

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Speaker 5: she plays ten really, and Larry picked up on it

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Speaker 5: and said, please keep doing that. Yeah.

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Speaker 2: Cut to their home brushing his teeth.

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Speaker 1: Larry's always brushing his teeth, as we know, right John

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Speaker 1: and Larry starts talking about he found the perfect sock

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Speaker 1: and Cheryl is completely bored, which.

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Speaker 5: By the way, first off, who wouldn't be bored when

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Speaker 5: someone says they found I.

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Speaker 2: Finally found the perfect sock.

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Speaker 5: I'm not kidding because it's not exactly white.

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Speaker 2: You don't want a white sock. It's sort of a.

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Speaker 5: Boring you. I don't know.

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Speaker 2: If you said to me I found a perfect pair

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Speaker 2: of socks, I go, no kidding. Where'd you get them?

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Speaker 5: What are they like?

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Speaker 6: Oh?

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Speaker 5: Larry David is the only comedian I know who can

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Speaker 5: enter a scene and comes up with I think I

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Speaker 5: found the perfect sock. I've never been anyone before, seen

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Speaker 5: anyone since who does that. Where it's just it's Alario

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Speaker 5: that that is like extreme you what, and that he's

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Speaker 5: to share the news. It's a non sequator. No, it's

383
00:18:02,280 --> 00:18:05,959
Speaker 5: a secutary. It's a nonsecuator. No, non sequatur means it

384
00:18:06,040 --> 00:18:10,400
Speaker 5: really doesn't make sense. Well it doesn't. Does non secutor mean?

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Speaker 3: No?

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Speaker 5: I'm being serious here, is like that's from left field?

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00:18:14,080 --> 00:18:15,960
Speaker 5: Is that the same thing from not? Because I say

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Speaker 5: non secutars all the time. Yeah, I'll see what Molly

389
00:18:18,520 --> 00:18:22,919
Speaker 5: Ringwold's barbecue or whatever. You know, that's it's just nonsense.

390
00:18:23,240 --> 00:18:25,040
Speaker 5: But he was being sincere.

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Speaker 4: Yeah, but you can be sincere and come up with

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00:18:27,359 --> 00:18:31,040
Speaker 4: a non secretary as it stands alone. Okay, it's uh,

393
00:18:31,200 --> 00:18:33,280
Speaker 4: it's like a secutur, only it's not.

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Speaker 5: Okay, thank you. When I want to know grammar or language,

395
00:18:37,480 --> 00:18:40,720
Speaker 5: I go to John Hayman Teach English. Way you have

396
00:18:40,800 --> 00:18:46,000
Speaker 5: workshops where in Santa Maka Community College, Temecula Temecula Community College. Okay.

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Speaker 1: Then they are talking about Cheryl wants to go to

398
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Speaker 1: Tony and Tina's wedding.

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Speaker 5: And by the way, put a fucking.

400
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Speaker 2: Gun to my head to get me to go to Tony.

401
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Speaker 5: I think Tony and Tina's wedding started in Chicago, if

402
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Speaker 5: I'm not mistaken. And I knew an original cast member

403
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Speaker 5: who maybe had played Tina. That's just a sidebar that

404
00:19:04,840 --> 00:19:08,600
Speaker 5: means nothing. But maybe it was Lake Bell. It was

405
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Speaker 5: not like, by the way talking I'm miscasting for Tony

406
00:19:10,640 --> 00:19:13,560
Speaker 5: and Tina's wedding. That would be chick se Goddess and

407
00:19:13,600 --> 00:19:17,359
Speaker 5: Tony's wedding or Bill Schwartz's wedding anyhow, So again I

408
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Speaker 5: lose my track the minute wedding.

409
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Speaker 2: No, I'm giving you a I'm giving you Tina's wedding.

410
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Speaker 5: The way she's talking about it, she's not even close

411
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Speaker 5: to mentioning who's in it. And you know, damn well,

412
00:19:30,400 --> 00:19:33,199
Speaker 5: it's going to want to go by yourself. She doesn't

413
00:19:33,200 --> 00:19:35,520
Speaker 5: want to go to that, so there is no parents.

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00:19:35,680 --> 00:19:37,480
Speaker 1: Trying to talk him out of it. She's like, the

415
00:19:37,600 --> 00:19:39,679
Speaker 1: characters mix in with the audience, you're not.

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Speaker 2: Gonna like that.

417
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Speaker 1: Well, I enjoyed theater as much as the next guy.

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Speaker 1: And then Larry's like, why do you want to go?

419
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Speaker 1: And then Cheryl says, well, because you know Brad is

420
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Speaker 1: in it.

421
00:19:48,760 --> 00:19:49,840
Speaker 2: She just throws that.

422
00:19:49,840 --> 00:19:54,080
Speaker 1: Away, and Larry's very, very suspicious.

423
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Speaker 5: And by the way, like I'm saying, it's just it's

424
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Speaker 5: unusual for our.

425
00:19:56,920 --> 00:19:59,800
Speaker 2: Show for Cheryl to be that yes.

426
00:19:59,760 --> 00:20:04,199
Speaker 5: But also for Larry, like we always think this is

427
00:20:04,200 --> 00:20:07,679
Speaker 5: insane what he's thinking. But plan he had for me

428
00:20:07,800 --> 00:20:11,040
Speaker 5: yesterday that I carry out with you is crazy.

429
00:20:11,800 --> 00:20:13,479
Speaker 2: But this is not He's right, he is.

430
00:20:16,000 --> 00:20:17,200
Speaker 1: And then he's just said, you know what, I don't

431
00:20:17,240 --> 00:20:18,760
Speaker 1: want to go You and Brad go out and have

432
00:20:18,840 --> 00:20:21,560
Speaker 1: some beers and the Eye and the Wii. And and

433
00:20:21,600 --> 00:20:24,400
Speaker 1: then she does what he does. She starts kissing him

434
00:20:24,400 --> 00:20:27,200
Speaker 1: and seducing him. That's exactly what he does to.

435
00:20:27,160 --> 00:20:28,720
Speaker 5: Her, right, which was great.

436
00:20:29,200 --> 00:20:32,359
Speaker 1: But then Larry takes off his glasses, getting ready to

437
00:20:32,480 --> 00:20:35,879
Speaker 1: have a little sex there, and he puts him on

438
00:20:35,920 --> 00:20:38,439
Speaker 1: the table and he knocks the cranberry juice and he

439
00:20:38,600 --> 00:20:40,600
Speaker 1: runs to get the club soda and salt.

440
00:20:41,600 --> 00:20:44,879
Speaker 2: Oh oh good, all right, Oh, don't worry about you

441
00:20:44,960 --> 00:20:45,119
Speaker 2: know what.

442
00:20:45,200 --> 00:20:46,080
Speaker 4: It's cranberry juice.

443
00:20:46,080 --> 00:20:48,520
Speaker 2: It's not going to come out anyway. Oh no, no,

444
00:20:48,560 --> 00:20:50,159
Speaker 2: wait a second, wait a second, wait a second.

445
00:20:50,400 --> 00:20:52,000
Speaker 5: I saw this thing at the restaurant today.

446
00:20:52,480 --> 00:20:54,720
Speaker 2: Club soda and salt, guts all stay.

447
00:20:54,560 --> 00:20:55,879
Speaker 1: Out, you know what.

448
00:20:55,960 --> 00:20:58,920
Speaker 2: It's an old rug. Don't worry about no, no.

449
00:20:58,720 --> 00:21:00,680
Speaker 5: No, no, no no. Wait till he is this, you're

450
00:21:00,680 --> 00:21:03,760
Speaker 5: going to be amazed. Times are the But what's beautiful

451
00:21:03,800 --> 00:21:06,960
Speaker 5: about this is she is trying to stop him because

452
00:21:06,960 --> 00:21:09,240
Speaker 5: they need to replace the rug. It's a piece of shit.

453
00:21:09,600 --> 00:21:12,600
Speaker 5: She doesn't care. She wants to have sex to get

454
00:21:12,640 --> 00:21:16,880
Speaker 5: her way, and so she is just really upset. And

455
00:21:16,960 --> 00:21:19,919
Speaker 5: all the reasons she gave would make me want to

456
00:21:19,960 --> 00:21:22,399
Speaker 5: stop if I was going off to do that, or

457
00:21:22,440 --> 00:21:25,560
Speaker 5: I would say, hey, can I do an experiment here?

458
00:21:26,000 --> 00:21:27,600
Speaker 5: I just want to see if this really works.

459
00:21:27,680 --> 00:21:28,960
Speaker 2: Well, that was Larry's point of view.

460
00:21:29,000 --> 00:21:31,280
Speaker 1: He's like, oh my god, he was excited about the

461
00:21:31,400 --> 00:21:32,760
Speaker 1: chance to do it exactly.

462
00:21:32,960 --> 00:21:34,560
Speaker 2: And he comes running back in with.

463
00:21:34,560 --> 00:21:38,439
Speaker 1: The massive to pay paper towels, and he does the

464
00:21:38,480 --> 00:21:41,040
Speaker 1: whole routine, and he, you know, tells her you got

465
00:21:41,040 --> 00:21:41,399
Speaker 1: to pull.

466
00:21:41,280 --> 00:21:43,960
Speaker 5: This if I may so. Larry comes to the massive

467
00:21:43,960 --> 00:21:47,119
Speaker 5: paper towels, which you see there's no salt and club

468
00:21:47,560 --> 00:21:50,720
Speaker 5: and there's no club soda. However, in the next cut

469
00:21:50,880 --> 00:21:55,440
Speaker 5: there's very few paper towels and salt and soda on

470
00:21:55,520 --> 00:21:58,160
Speaker 5: the on the counter, which I just love this. But

471
00:21:58,280 --> 00:22:02,080
Speaker 5: if you're really noticing those things, we have failed. Like

472
00:22:02,840 --> 00:22:05,600
Speaker 5: any continuity, if you're noticing, if it's not blatant, it

473
00:22:05,680 --> 00:22:08,080
Speaker 5: takes you out. It takes But here's the thing, though

474
00:22:08,359 --> 00:22:11,000
Speaker 5: we were talking about this. Yes, everything happened yesterday. If

475
00:22:11,040 --> 00:22:14,399
Speaker 5: you pay attention to that and you're not engulfed in

476
00:22:14,480 --> 00:22:18,240
Speaker 5: what's going on the story and the action, it's the

477
00:22:18,280 --> 00:22:19,560
Speaker 5: creator's fault, you know.

478
00:22:19,680 --> 00:22:23,440
Speaker 1: But I still think continuity is important because you don't

479
00:22:23,480 --> 00:22:25,480
Speaker 1: want to take people out of it and want it

480
00:22:25,520 --> 00:22:26,240
Speaker 1: to be jarring.

481
00:22:26,640 --> 00:22:29,560
Speaker 5: I don't find that anything's jarring, including a boom mic.

482
00:22:29,880 --> 00:22:31,960
Speaker 5: As a matter of fact, one of my favorite stories

483
00:22:32,119 --> 00:22:35,040
Speaker 5: I read about an interview with him Aldomovar. He made

484
00:22:35,080 --> 00:22:37,680
Speaker 5: a movie in this one scene with this one actress.

485
00:22:37,720 --> 00:22:40,040
Speaker 5: She went off, and when they were done and they

486
00:22:40,040 --> 00:22:43,800
Speaker 5: needed to reshoot, she cut her hair very short. They

487
00:22:43,880 --> 00:22:46,240
Speaker 5: told him we'll make a wig for He goes, no,

488
00:22:46,560 --> 00:22:48,840
Speaker 5: it won't look good. I don't care. Let her be

489
00:22:49,000 --> 00:22:52,560
Speaker 5: this way. Let her just be same actress, different hair lengths,

490
00:22:52,800 --> 00:22:56,520
Speaker 5: he said. No one has ever mentioned it to him

491
00:22:56,880 --> 00:23:01,040
Speaker 5: or question about that. Yes, because he's a compelling filmmaker.

492
00:23:01,480 --> 00:23:04,720
Speaker 5: He's brilliant, you know, And so I think kurb is

493
00:23:04,880 --> 00:23:07,119
Speaker 5: one of those shows that if you're not following the

494
00:23:07,160 --> 00:23:10,600
Speaker 5: action and having a jaunty time, we've not done our job.

495
00:23:10,800 --> 00:23:11,920
Speaker 5: If continuity takes you.

496
00:23:11,840 --> 00:23:14,080
Speaker 4: Off, well, you know, It's funny you're talking about this,

497
00:23:14,200 --> 00:23:17,280
Speaker 4: because when you're as a writer, when you're pitching stuff,

498
00:23:17,320 --> 00:23:20,600
Speaker 4: you'll notice these things and you wonder should I really

499
00:23:20,640 --> 00:23:23,919
Speaker 4: bother them? In this case, Jeff Schaeffer with, Hey, you know,

500
00:23:24,560 --> 00:23:26,320
Speaker 4: this doesn't really make sense here.

501
00:23:26,520 --> 00:23:30,280
Speaker 5: That's different than continuity. That different. And by the way,

502
00:23:30,760 --> 00:23:33,640
Speaker 5: give me shows I was on whereas an actor, I said,

503
00:23:33,640 --> 00:23:36,600
Speaker 5: this doesn't make sense. Don't logic us, Jeff. And by

504
00:23:36,640 --> 00:23:38,919
Speaker 5: the way, they were all shitty shows, you know, because

505
00:23:39,000 --> 00:23:41,760
Speaker 5: logic is important. And by the way, always point that

506
00:23:41,800 --> 00:23:43,160
Speaker 5: out to Jeff. He does, well.

507
00:23:44,280 --> 00:23:47,080
Speaker 4: It depends on how busy we are. But I'm talking

508
00:23:47,080 --> 00:23:48,400
Speaker 4: about in general, not just Jeff.

509
00:23:48,440 --> 00:23:50,440
Speaker 5: Give me a favor in those situations, come up and

510
00:23:50,440 --> 00:23:56,240
Speaker 5: whisper it to me. I love whispering, don't. By the

511
00:23:56,240 --> 00:23:58,600
Speaker 5: way you do you tell me things jokes as such,

512
00:23:58,840 --> 00:24:00,840
Speaker 5: But yeah, she doesn't want to be whispered. I love

513
00:24:00,880 --> 00:24:03,200
Speaker 5: being whispered to, especially with the sound of your voice

514
00:24:03,200 --> 00:24:03,680
Speaker 5: in my ear.

515
00:24:03,800 --> 00:24:07,119
Speaker 4: But there is there's a name for writers who only

516
00:24:07,200 --> 00:24:09,440
Speaker 4: do that, and I think John Levenstein is a very

517
00:24:09,440 --> 00:24:12,480
Speaker 4: funny writer. He is I believe I have the term right.

518
00:24:12,520 --> 00:24:15,560
Speaker 4: It's a salad dressing writer who only comes up. He

519
00:24:15,600 --> 00:24:17,800
Speaker 4: feels he's got to contribute. He doesn't have any ideas,

520
00:24:17,840 --> 00:24:20,480
Speaker 4: and he goes. You know, in the scene, I think

521
00:24:20,520 --> 00:24:24,960
Speaker 4: the broom was over there. You know, stuff like that.

522
00:24:25,080 --> 00:24:27,879
Speaker 4: And I'm talking about when logic in the scene doesn't understand.

523
00:24:27,880 --> 00:24:31,520
Speaker 4: And by the way, what movie has the most content times?

524
00:24:31,560 --> 00:24:34,639
Speaker 4: I know the Godfather there's more. Guy John knew what

525
00:24:34,680 --> 00:24:36,680
Speaker 4: he's shipping there. And by the way, the first ten

526
00:24:36,760 --> 00:24:39,000
Speaker 4: times you watch it, you don't notice. But then when

527
00:24:39,040 --> 00:24:41,480
Speaker 4: you hear about what they are and you've got to see,

528
00:24:41,960 --> 00:24:43,520
Speaker 4: you see them all. But it doesn't matter. I know

529
00:24:43,560 --> 00:24:45,400
Speaker 4: you've talked about it. Kids, give me one, Just give

530
00:24:45,440 --> 00:24:45,800
Speaker 4: me one.

531
00:24:46,080 --> 00:24:47,200
Speaker 2: I tell you one right now.

532
00:24:47,560 --> 00:24:50,600
Speaker 1: In the very end, when they're they're having the reenactment

533
00:24:50,680 --> 00:24:53,240
Speaker 1: of the birthday cake, they bring in the birthday cake

534
00:24:53,240 --> 00:24:56,320
Speaker 1: for Don Corleon and Godfather too, they cut to another scene.

535
00:24:56,320 --> 00:24:57,119
Speaker 2: The cake's gone.

536
00:24:57,240 --> 00:25:00,399
Speaker 5: Oh there's one. I have another one. When they go

537
00:25:00,520 --> 00:25:05,800
Speaker 5: to strangle Luca Brozi and they they're in the car,

538
00:25:06,160 --> 00:25:07,840
Speaker 5: exterior of the car, it's all modern.

539
00:25:08,080 --> 00:25:10,480
Speaker 1: No no, no, that that's not looking Luca Brozi strangled

540
00:25:10,760 --> 00:25:13,359
Speaker 1: in the restaurant Carlow Carlo.

541
00:25:13,240 --> 00:25:17,120
Speaker 5: Yeah Carlo, right outside of it. There's all these wires,

542
00:25:17,200 --> 00:25:20,680
Speaker 5: it's all modern. There's nothing yes, there's nothing period about it.

543
00:25:20,800 --> 00:25:22,200
Speaker 2: All right, let's get back to our show.

544
00:25:22,280 --> 00:25:24,280
Speaker 5: And also, by the way, in the corner of the

545
00:25:24,280 --> 00:25:26,199
Speaker 5: screen she in the easton singing.

546
00:25:26,560 --> 00:25:30,920
Speaker 4: Okay, Larry finished, James con isn't Swedish, but anyhow.

547
00:25:30,600 --> 00:25:30,960
Speaker 5: Go ahead.

548
00:25:31,600 --> 00:25:34,520
Speaker 1: Larry finishes the whole club soda and salt routine. He

549
00:25:34,640 --> 00:25:37,920
Speaker 1: goes back to Cheryl to resume having sex with her.

550
00:25:38,240 --> 00:25:41,240
Speaker 2: She's done. The way the window has closed for.

551
00:25:41,359 --> 00:25:44,000
Speaker 5: Me to say something is that? I mean, that's true

552
00:25:44,040 --> 00:25:48,240
Speaker 5: for me, either on the instigating end or the receiving end,

553
00:25:48,440 --> 00:25:51,120
Speaker 5: whoever wants it. And there's a delay in some sort,

554
00:25:51,200 --> 00:25:52,280
Speaker 5: it's gone. It's gone.

555
00:25:52,560 --> 00:25:53,960
Speaker 2: The moment.

556
00:25:54,280 --> 00:25:57,640
Speaker 1: Yeah, sometimes you could get it back, but usually I'm just.

557
00:25:59,400 --> 00:26:00,560
Speaker 2: Yes, John.

558
00:26:00,920 --> 00:26:02,399
Speaker 5: They should do a lot of jokes about this on

559
00:26:02,440 --> 00:26:03,520
Speaker 5: Red Skelton Show.

560
00:26:03,440 --> 00:26:05,840
Speaker 2: Keeping The window has slammed closed.

561
00:26:06,280 --> 00:26:09,560
Speaker 1: Cut to Larry and Jeff are a Ted's house for

562
00:26:09,600 --> 00:26:13,320
Speaker 1: dinner and they meet Josh, who looks very innocent and

563
00:26:13,400 --> 00:26:18,560
Speaker 1: young and sweet, Josh being Ted's personal chef, and Josh

564
00:26:18,640 --> 00:26:20,920
Speaker 1: is very excited to be auditioning for them, and Larry's like,

565
00:26:20,920 --> 00:26:22,960
Speaker 1: you shouldn't have told him it's an audition, not a

566
00:26:22,960 --> 00:26:26,679
Speaker 1: good idea to tell us. And then the three of

567
00:26:26,720 --> 00:26:29,720
Speaker 1: them are eating and Larry's clearly not happy with the food.

568
00:26:30,040 --> 00:26:33,200
Speaker 1: He asked for the salt. He sprinkles liberally salt on

569
00:26:33,480 --> 00:26:35,359
Speaker 1: the food. I thought that's what he was going to

570
00:26:35,400 --> 00:26:37,760
Speaker 1: go for in this scene. Was that that he was

571
00:26:37,800 --> 00:26:40,600
Speaker 1: going to make no pun, intended more of a meal

572
00:26:40,840 --> 00:26:43,800
Speaker 1: of he didn't put any salt on this salt.

573
00:26:43,880 --> 00:26:44,640
Speaker 5: I thought that's.

574
00:26:44,440 --> 00:26:45,120
Speaker 2: Where it was going.

575
00:26:45,160 --> 00:26:48,000
Speaker 5: Can I say something right here? Yes, the scene so

576
00:26:48,119 --> 00:26:51,240
Speaker 5: John mentioned earlier, So when we filmed the scene of

577
00:26:51,440 --> 00:26:53,360
Speaker 5: John actually have two stories right now.

578
00:26:54,119 --> 00:27:07,320
Speaker 2: We'll be right back. Stay tuned. Okay, we're back.

579
00:27:08,320 --> 00:27:12,840
Speaker 5: John and I met in South Florida comic strip when

580
00:27:12,840 --> 00:27:15,600
Speaker 5: I first I've known him since I'm twenty years old.

581
00:27:15,880 --> 00:27:18,160
Speaker 5: That's when we first met. So I'm on the set

582
00:27:18,200 --> 00:27:21,320
Speaker 5: and James, my son, who's twenty at the time, is

583
00:27:21,400 --> 00:27:24,760
Speaker 5: working on the show. And I see James talking to

584
00:27:24,880 --> 00:27:27,320
Speaker 5: John at the same age that I was.

585
00:27:28,320 --> 00:27:33,480
Speaker 2: Yes, John was the same age when he met James.

586
00:27:34,640 --> 00:27:36,720
Speaker 5: It was really moving to me. Now. The other thing

587
00:27:36,760 --> 00:27:39,200
Speaker 5: that I want to say, pretending to the show right now,

588
00:27:39,720 --> 00:27:43,720
Speaker 5: is that we shot the thing with Randy quitting after

589
00:27:43,760 --> 00:27:46,639
Speaker 5: we shot this. We shot that. After we shot this scene.

590
00:27:46,720 --> 00:27:49,399
Speaker 5: Now I'd met Ted when we did it was the

591
00:27:49,440 --> 00:27:54,480
Speaker 5: second episode, third episode. He was in the shoe episode. Yeah, yeah,

592
00:27:54,520 --> 00:27:56,440
Speaker 5: So I met Ted and I was like, oh, fuck,

593
00:27:56,560 --> 00:28:00,480
Speaker 5: Ted dancing, How cool is that? But I was that scene,

594
00:28:00,920 --> 00:28:03,520
Speaker 5: I was thinking, oh my god, this is Ted. Gouspum's

595
00:28:03,520 --> 00:28:05,240
Speaker 5: thinking about. Now, Oh my god, I'm in the scene

596
00:28:05,240 --> 00:28:07,639
Speaker 5: with Ted dancing. Oh my god him. I swear I

597
00:28:07,640 --> 00:28:10,000
Speaker 5: couldn't get I didn't say it out loud because then

598
00:28:10,040 --> 00:28:13,560
Speaker 5: Ted would have left. But that being said, it was

599
00:28:13,800 --> 00:28:16,919
Speaker 5: overwhelming to me. And I had that with George Siegel.

600
00:28:16,960 --> 00:28:18,920
Speaker 5: When I worked with George Siegel, I would think, because

601
00:28:18,920 --> 00:28:20,840
Speaker 5: as a kid, I'd go to his movies, and now

602
00:28:20,880 --> 00:28:23,360
Speaker 5: I'm doing a scene with him. What Well, That's how

603
00:28:23,400 --> 00:28:23,720
Speaker 5: I felt.

604
00:28:23,720 --> 00:28:25,159
Speaker 2: Obviously I wasn't doing a scene with him.

605
00:28:25,359 --> 00:28:28,680
Speaker 5: When we had Albert Brooks, I think, right, holy shit,

606
00:28:28,800 --> 00:28:30,920
Speaker 5: By the way, Albert with my comedy hero.

607
00:28:31,119 --> 00:28:32,800
Speaker 1: You know. You know what I always think about Ted,

608
00:28:33,040 --> 00:28:35,200
Speaker 1: not in these early years, but in the later years.

609
00:28:35,480 --> 00:28:39,120
Speaker 1: It always strikes me funny that Ted Danson is such

610
00:28:39,200 --> 00:28:41,080
Speaker 1: close friends with Susie Green.

611
00:28:41,200 --> 00:28:44,440
Speaker 5: Not with me. By the way, it's awesome. And by

612
00:28:44,480 --> 00:28:45,600
Speaker 5: the way, I don't know.

613
00:28:45,600 --> 00:28:48,640
Speaker 2: If I why is Ted so close?

614
00:28:49,480 --> 00:28:53,160
Speaker 5: Hears went on, Larry decided to make Ted a cad.

615
00:28:53,640 --> 00:28:56,000
Speaker 2: Yeah, well he is a little bit deep, a little bit.

616
00:28:55,920 --> 00:28:58,920
Speaker 5: Too, but Larry, and here's the beauty of it. So

617
00:28:59,160 --> 00:29:01,400
Speaker 5: he had been the cat for a while at this point,

618
00:29:01,520 --> 00:29:04,400
Speaker 5: and Ted and I are talking about the scene and

619
00:29:04,440 --> 00:29:06,760
Speaker 5: he doesn't quite understand why he would act that way.

620
00:29:06,880 --> 00:29:09,200
Speaker 5: I said, well, you're you're the cad. You're the bad guy.

621
00:29:09,440 --> 00:29:10,240
Speaker 5: He was shocked.

622
00:29:10,320 --> 00:29:12,000
Speaker 2: He didn't know you really no idea.

623
00:29:12,240 --> 00:29:13,720
Speaker 5: He's like on the bank. I go, yeah, you have,

624
00:29:14,040 --> 00:29:16,880
Speaker 5: and this is pretty This is like for the past

625
00:29:16,880 --> 00:29:21,040
Speaker 5: two seasons, you have been the nemesis of Larry David,

626
00:29:21,280 --> 00:29:24,040
Speaker 5: and there has been one time where you've been right dead.

627
00:29:24,400 --> 00:29:27,520
Speaker 5: Larry's been right every time. I mean he's newman.

628
00:29:27,960 --> 00:29:30,800
Speaker 2: Yes, yes, yes, he wasn't in that first with the.

629
00:29:32,280 --> 00:29:34,960
Speaker 5: But but the restaurant he becomes more.

630
00:29:35,320 --> 00:29:38,160
Speaker 1: And even in which you weren't here for the first episode,

631
00:29:38,920 --> 00:29:41,880
Speaker 1: he's a cad with the uh chest shirt chest shirt

632
00:29:42,200 --> 00:29:45,720
Speaker 1: he was he started that relationship started to evolve.

633
00:29:45,800 --> 00:29:48,480
Speaker 5: There there was a slow build that he didn't even know.

634
00:29:48,920 --> 00:29:50,800
Speaker 2: Them before he started dating share on.

635
00:29:50,880 --> 00:29:53,920
Speaker 5: Right, but he didn't even notice. It was such a

636
00:29:53,960 --> 00:29:56,120
Speaker 5: slow build. It's like when you when you do a

637
00:29:56,160 --> 00:29:59,560
Speaker 5: script for a network or a studio, they note you

638
00:29:59,640 --> 00:30:03,520
Speaker 5: today to where you don't really notice it, but by

639
00:30:03,560 --> 00:30:06,440
Speaker 5: the time you're finished with what they've noted, it is

640
00:30:06,600 --> 00:30:09,880
Speaker 5: unrecognizable for what you set to set out today. God

641
00:30:10,160 --> 00:30:14,360
Speaker 5: so Ted no idea that he was the cad and

642
00:30:14,440 --> 00:30:17,920
Speaker 5: I love that and his reaction that conversation one of

643
00:30:17,920 --> 00:30:18,960
Speaker 5: my favorites of all time.

644
00:30:19,000 --> 00:30:21,600
Speaker 2: He knows it now, Yeah, so Larry's.

645
00:30:21,760 --> 00:30:23,680
Speaker 5: And by the way, I still get that feeling when

646
00:30:23,680 --> 00:30:26,840
Speaker 5: I'm working with Ted. We become great friends. But that

647
00:30:26,920 --> 00:30:29,960
Speaker 5: being said, I still am in awe. People say, who's

648
00:30:29,960 --> 00:30:32,040
Speaker 5: your favorite actor? You've ever worked with Ted Danson?

649
00:30:32,120 --> 00:30:35,000
Speaker 1: There you go, Okay, I love working with Ted. So

650
00:30:35,080 --> 00:30:38,080
Speaker 1: Larry says, passed the salty liberally sprinkled, and then he

651
00:30:38,120 --> 00:30:40,240
Speaker 1: turns to you and he says, nice shirt. And the

652
00:30:40,360 --> 00:30:42,760
Speaker 1: nice shirt is a way of saying, I'm not interested

653
00:30:42,800 --> 00:30:46,480
Speaker 1: in this food whatsoever. Right, Basically, he's not following the food.

654
00:30:46,880 --> 00:30:48,880
Speaker 5: And then my shirt is not so nice.

655
00:30:49,240 --> 00:30:50,600
Speaker 2: It's a weird shirt for you to be wet.

656
00:30:50,640 --> 00:30:54,280
Speaker 5: By the way, my wardrobe through this whole period is

657
00:30:54,360 --> 00:30:57,200
Speaker 5: so insanely strange and ill fitting.

658
00:30:57,440 --> 00:30:58,920
Speaker 2: Well, we had no budget.

659
00:30:58,960 --> 00:31:00,640
Speaker 5: No, no, no, you can still will get a suit

660
00:31:00,680 --> 00:31:05,200
Speaker 5: that fits on low budget okay, ill fitting and bizarre

661
00:31:05,480 --> 00:31:06,440
Speaker 5: okay okay.

662
00:31:06,640 --> 00:31:08,320
Speaker 2: And then Ted asked about does that.

663
00:31:08,280 --> 00:31:11,400
Speaker 5: Every time I points, I'm not okay, We're gonna move on, okay.

664
00:31:11,920 --> 00:31:13,840
Speaker 2: What do you want me to say?

665
00:31:13,200 --> 00:31:17,000
Speaker 1: You want me to just say yes, it's still fitting, yes.

666
00:31:16,800 --> 00:31:19,240
Speaker 2: And and keep on going with that. No, we're moving on.

667
00:31:20,080 --> 00:31:23,120
Speaker 1: We're moving on, okay. And then Ted asked how you

668
00:31:23,160 --> 00:31:24,400
Speaker 1: like the food. Jeff loved the food.

669
00:31:24,480 --> 00:31:27,240
Speaker 2: Of course. Larry makes the face.

670
00:31:27,400 --> 00:31:29,560
Speaker 5: And by the way, he makes his lemon face, and.

671
00:31:29,720 --> 00:31:32,040
Speaker 1: And Ted says, you walked in here with an attitude.

672
00:31:32,320 --> 00:31:34,240
Speaker 1: I just said, yeah, he makes his lemon face.

673
00:31:34,320 --> 00:31:36,560
Speaker 5: Okay, but do people who are listening know what his

674
00:31:36,640 --> 00:31:37,360
Speaker 5: lemon faces?

675
00:31:37,680 --> 00:31:40,480
Speaker 1: I think we've discussed it before, Yes, but Larry's lemon

676
00:31:40,520 --> 00:31:47,160
Speaker 1: facefore of a lemon something. Yeah, because I said, last

677
00:31:47,160 --> 00:31:49,520
Speaker 1: time we had this discussion, to me, it's always like

678
00:31:49,560 --> 00:31:50,680
Speaker 1: he smelled ship face.

679
00:31:51,440 --> 00:31:52,000
Speaker 2: That's the face.

680
00:31:54,400 --> 00:31:57,440
Speaker 1: And you you Jeff disagrees with Larry because Jeff says,

681
00:31:57,560 --> 00:31:59,120
Speaker 1: you weigh like eight pounds.

682
00:31:59,280 --> 00:32:00,960
Speaker 2: How do you know anything? About food.

683
00:32:01,240 --> 00:32:05,440
Speaker 5: The discussion. Yeah, that's a funny discussion about people.

684
00:32:05,520 --> 00:32:09,000
Speaker 2: Fat people. Who knows more about I'm clown fat people.

685
00:32:09,360 --> 00:32:12,480
Speaker 1: There's a case to be made that thin people know

686
00:32:12,600 --> 00:32:14,640
Speaker 1: more because fat people will just.

687
00:32:15,680 --> 00:32:18,000
Speaker 5: Joke about it that in my life I have been

688
00:32:18,040 --> 00:32:19,160
Speaker 5: a human vacuum.

689
00:32:19,480 --> 00:32:21,480
Speaker 1: Right, So that's my point of how it in front

690
00:32:21,480 --> 00:32:24,480
Speaker 1: of people eat more food, so maybe they know more

691
00:32:24,520 --> 00:32:24,920
Speaker 1: about them.

692
00:32:25,000 --> 00:32:28,920
Speaker 5: I don't know what your experience. And one is more present.

693
00:32:28,920 --> 00:32:31,640
Speaker 2: One is more discerning. Maybe present. Yeah.

694
00:32:32,720 --> 00:32:35,320
Speaker 1: The other thing that struck me is the set design

695
00:32:35,600 --> 00:32:39,120
Speaker 1: of this room. There's plates hung up on the walls

696
00:32:39,400 --> 00:32:41,040
Speaker 1: and there's a burgundy.

697
00:32:40,560 --> 00:32:42,440
Speaker 5: Table cross house we got.

698
00:32:42,520 --> 00:32:43,640
Speaker 2: This is not Ted.

699
00:32:43,480 --> 00:32:46,120
Speaker 5: Dances dining room, whatever house we were.

700
00:32:46,000 --> 00:32:49,080
Speaker 1: In, I know, but it is not Ted Dances, and

701
00:32:49,360 --> 00:32:52,440
Speaker 1: it's we've really changed in that the set decoration has

702
00:32:52,480 --> 00:32:53,920
Speaker 1: really changed over the years.

703
00:32:54,000 --> 00:32:56,760
Speaker 5: The only house that I actually loved was our house,

704
00:32:56,960 --> 00:32:58,880
Speaker 5: was the house we lived in in the early episodes.

705
00:32:58,920 --> 00:33:01,440
Speaker 5: I thought that was a cool The cool happen really

706
00:33:01,520 --> 00:33:03,440
Speaker 5: tough to get the trucks up there was on Woodrow

707
00:33:03,480 --> 00:33:06,560
Speaker 5: Wilson and so hard. Where is the house up on

708
00:33:06,640 --> 00:33:07,880
Speaker 5: Woodrow Wilson.

709
00:33:07,560 --> 00:33:09,880
Speaker 2: In the hills, the hills and they couldn't park the

710
00:33:09,880 --> 00:33:11,760
Speaker 2: trucks there. It was the problem, but it was so

711
00:33:12,040 --> 00:33:13,400
Speaker 2: But it just struck.

712
00:33:13,080 --> 00:33:16,360
Speaker 1: Me how different the set design is. Our set decorators

713
00:33:16,400 --> 00:33:19,520
Speaker 1: now would never have that. Well, they would completely reduced

714
00:33:19,640 --> 00:33:19,840
Speaker 1: by the.

715
00:33:19,840 --> 00:33:22,720
Speaker 5: Way I put that off on low budget and them

716
00:33:22,800 --> 00:33:25,120
Speaker 5: just using practical what they had.

717
00:33:25,240 --> 00:33:29,800
Speaker 1: Right, And then Josh comes out and Ted says, gentlemen,

718
00:33:29,840 --> 00:33:30,480
Speaker 1: how was everything?

719
00:33:30,520 --> 00:33:31,560
Speaker 2: Did you enjoy your lamp?

720
00:33:31,880 --> 00:33:34,520
Speaker 5: Wonderful? Wonderful, really wonderful.

721
00:33:34,560 --> 00:33:34,760
Speaker 6: Good.

722
00:33:34,760 --> 00:33:37,320
Speaker 2: Did you enjoy the plumb apricot and mint chutney?

723
00:33:37,480 --> 00:33:40,680
Speaker 5: The chutney was amazing, Thank you, thank you very much. Yes,

724
00:33:41,680 --> 00:33:43,080
Speaker 5: Larry something he wants to tell you.

725
00:33:43,800 --> 00:33:48,800
Speaker 2: Yes, Larry, it was good. I just don't think it's

726
00:33:50,080 --> 00:33:53,440
Speaker 2: it's quite right for the restaurant though. What was wrong

727
00:33:53,480 --> 00:34:01,480
Speaker 2: with that? Saucy? A little too saucy? Saucy, yeah, kind

728
00:34:01,520 --> 00:34:09,120
Speaker 2: of saucy. Is there anything else? Not really, I guess

729
00:34:09,160 --> 00:34:10,320
Speaker 2: desserts out of the question.

730
00:34:11,880 --> 00:34:11,920
Speaker 5: No.

731
00:34:12,080 --> 00:34:13,759
Speaker 1: Also, I'll have to take this at I'll take this

732
00:34:13,880 --> 00:34:14,279
Speaker 1: aert too.

733
00:34:15,080 --> 00:34:17,960
Speaker 5: And by the way, this is very cattish. But I

734
00:34:18,000 --> 00:34:20,560
Speaker 5: think Ted's not even aware that he's being an asshole.

735
00:34:20,640 --> 00:34:23,600
Speaker 5: Oh I think he is really No, look how upset

736
00:34:23,640 --> 00:34:26,120
Speaker 5: he is as he's sitting there. I don't think he's

737
00:34:26,160 --> 00:34:31,240
Speaker 5: being an asshole though, he's just he's made a terrible choice.

738
00:34:31,280 --> 00:34:33,160
Speaker 2: But he's throwing Larry under the bus.

739
00:34:33,200 --> 00:34:35,239
Speaker 5: You don't tell the guy he's auditioning. You just tell

740
00:34:35,280 --> 00:34:38,239
Speaker 5: me dinner and so. And Ted's very upset. Is he

741
00:34:38,320 --> 00:34:39,080
Speaker 5: listening here again?

742
00:34:39,120 --> 00:34:41,600
Speaker 1: But I also think Ted was throwing Larry under the bus.

743
00:34:42,040 --> 00:34:43,440
Speaker 1: Larry has something to say.

744
00:34:43,680 --> 00:34:45,920
Speaker 5: By the way you tell him is definitely.

745
00:34:45,520 --> 00:34:49,360
Speaker 2: And what does Larry say? Too saucy? To saucy?

746
00:34:50,120 --> 00:34:52,840
Speaker 1: But you know what, I understand his point because I

747
00:34:52,880 --> 00:34:55,279
Speaker 1: hate when I go to these restaurants that try too

748
00:34:55,320 --> 00:34:58,080
Speaker 1: hard that you know, the chef wants to the culinary

749
00:34:58,080 --> 00:34:59,760
Speaker 1: institute and he's.

750
00:34:59,600 --> 00:35:02,560
Speaker 5: Making no I'm not going to go in depth on it,

751
00:35:02,600 --> 00:35:06,840
Speaker 5: but we had yesterday at lunch. I knew yesterday at

752
00:35:06,920 --> 00:35:10,040
Speaker 5: lunch caterer like I don't. Their food is too food

753
00:35:10,080 --> 00:35:12,360
Speaker 5: for me. I'm shocked at the crew loves them. And

754
00:35:12,400 --> 00:35:14,799
Speaker 5: the crew does love them. I like them very much.

755
00:35:14,840 --> 00:35:17,200
Speaker 5: They if they hit a home run for me, to me,

756
00:35:17,400 --> 00:35:19,960
Speaker 5: it's either a home run or striking out looking that

757
00:35:20,120 --> 00:35:23,200
Speaker 5: is dead on correct. Yeah, I mean it's like there's

758
00:35:23,280 --> 00:35:25,640
Speaker 5: no way that it's pretty good.

759
00:35:26,120 --> 00:35:29,960
Speaker 1: We are sitting with the two biggest critics of catering

760
00:35:30,200 --> 00:35:30,840
Speaker 1: on the show.

761
00:35:31,080 --> 00:35:32,759
Speaker 5: By the way, I've had how many cater I mean

762
00:35:32,840 --> 00:35:35,360
Speaker 5: in the past, I've had them fired. One time I

763
00:35:35,440 --> 00:35:38,160
Speaker 5: was going to have them fired and Aaron O'Malley said,

764
00:35:38,480 --> 00:35:41,120
Speaker 5: the crew loves them. And I immediately.

765
00:35:40,719 --> 00:35:44,440
Speaker 1: Said, John and Jeff Garland have more complaints about catering

766
00:35:45,760 --> 00:35:48,000
Speaker 1: else than anybody else on set.

767
00:35:48,480 --> 00:35:51,960
Speaker 5: We are the only ones I'm not. But you're right.

768
00:35:52,480 --> 00:35:56,839
Speaker 5: Sometimes it's great, right, and sometimes are you kidding me?

769
00:35:57,200 --> 00:35:59,719
Speaker 5: So yesterday it was asked, what do you want to said?

770
00:36:00,120 --> 00:36:02,319
Speaker 5: You know what, I'm not that hungry. I don't like

771
00:36:02,440 --> 00:36:05,160
Speaker 5: everything was so foodful. I go, oh, macaroni and cheese.

772
00:36:05,320 --> 00:36:10,040
Speaker 5: Get me a bowl of macaroni and cheese. Simple, you know, okay, spicy?

773
00:36:10,360 --> 00:36:15,560
Speaker 5: Who makes spicy macaroni and cheese? Spicy? Spicy? Spicy that

774
00:36:15,719 --> 00:36:17,320
Speaker 5: seasoning seasoning season.

775
00:36:17,200 --> 00:36:19,880
Speaker 4: That's why you were asking me when Crafty had it.

776
00:36:19,920 --> 00:36:22,040
Speaker 4: You get is a spicy and I'm thinking she out

777
00:36:22,080 --> 00:36:25,600
Speaker 4: of his mind? Whoever heard of spicy macaroni? And I

778
00:36:25,640 --> 00:36:29,720
Speaker 4: gave him a taste, literally.

779
00:36:29,760 --> 00:36:32,680
Speaker 2: This is what goes on on set. Everything fed him.

780
00:36:32,600 --> 00:36:35,439
Speaker 5: A little thing of macaroni jokes that ketchup and pop

781
00:36:35,480 --> 00:36:39,040
Speaker 5: tarts are too spicy for me. But that one wasn't spicy.

782
00:36:39,080 --> 00:36:41,480
Speaker 5: I just didn't like it the one later in the day.

783
00:36:41,760 --> 00:36:44,600
Speaker 5: But who makes spicy? This is what I'm saying, leave

784
00:36:44,640 --> 00:36:45,319
Speaker 5: shit out of it.

785
00:36:45,360 --> 00:36:48,560
Speaker 6: Okay, go ahead, okay, So you just me knowledging we

786
00:36:48,560 --> 00:36:49,200
Speaker 6: should stop.

787
00:36:49,400 --> 00:36:50,719
Speaker 5: I said, okay, go ahead.

788
00:36:50,520 --> 00:36:51,160
Speaker 2: Okay, thank you.

789
00:36:51,560 --> 00:36:54,319
Speaker 1: So Larry says it's too saucy, and you just see

790
00:36:54,400 --> 00:36:55,680
Speaker 1: Josh's sad face.

791
00:36:56,120 --> 00:36:57,600
Speaker 5: Josh takes he started crying.

792
00:36:57,719 --> 00:37:01,080
Speaker 1: Oh god, he was so steele. See his face. He's

793
00:37:01,080 --> 00:37:02,120
Speaker 1: about to cry.

794
00:37:03,080 --> 00:37:06,080
Speaker 5: By the way, there's nothing more moving in any movie

795
00:37:06,160 --> 00:37:10,200
Speaker 5: cleaning dramas at the premise of the great work is

796
00:37:10,239 --> 00:37:13,319
Speaker 5: when someone's about to cry, that moment of trying to

797
00:37:13,360 --> 00:37:17,000
Speaker 5: hold it in. That's really great acting, you know, letting

798
00:37:17,040 --> 00:37:20,400
Speaker 5: it loose. Sometimes it calls for it, mostly little kids

799
00:37:20,520 --> 00:37:23,920
Speaker 5: when a horse dies. And on the other side, no emotion.

800
00:37:25,360 --> 00:37:28,279
Speaker 4: That guy was great. It was like you would hurt

801
00:37:28,360 --> 00:37:30,440
Speaker 4: one of his children, I know, or something like that.

802
00:37:30,640 --> 00:37:33,120
Speaker 2: And he really took it personally as it was personal.

803
00:37:33,920 --> 00:37:36,640
Speaker 1: And Josh says, Josh the chef says, I guess dessert

804
00:37:36,680 --> 00:37:39,040
Speaker 1: is out of the question, and Larry says no, off dessert,

805
00:37:39,239 --> 00:37:43,600
Speaker 1: and Jeff of course, yeah, me too, yeah, calf calf.

806
00:37:43,680 --> 00:37:46,000
Speaker 5: I know, by the way, I just want to say this,

807
00:37:46,120 --> 00:37:47,920
Speaker 5: no matter what goes on in the show, Larry and

808
00:37:47,920 --> 00:37:49,960
Speaker 5: I are idiots. I just want to make that clear.

809
00:37:50,000 --> 00:37:52,560
Speaker 5: We're tone deaf idiots. That's all I want to say.

810
00:37:52,600 --> 00:37:59,360
Speaker 6: Okay, now, discussion on that topic. That's true. But you

811
00:37:59,400 --> 00:38:02,320
Speaker 6: know what you are, You're misassumed. You know, people listening

812
00:38:02,320 --> 00:38:04,799
Speaker 6: probably going, what does she think? She thinks everyone knows

813
00:38:04,800 --> 00:38:06,160
Speaker 6: what she's thinking? All right, keep going.

814
00:38:06,239 --> 00:38:10,320
Speaker 1: Okay, So next week, cut to Cheryl and Larry driving

815
00:38:10,560 --> 00:38:13,480
Speaker 1: and they're going to get a wedding present for Melanie

816
00:38:13,520 --> 00:38:16,000
Speaker 1: and Ed and what should we get for a wedding present?

817
00:38:16,040 --> 00:38:18,759
Speaker 1: And Larry is sitting in the passenger seat and he

818
00:38:18,800 --> 00:38:19,840
Speaker 1: doesn't like not driving.

819
00:38:20,040 --> 00:38:21,279
Speaker 2: I knew exactly what he meant.

820
00:38:21,320 --> 00:38:24,960
Speaker 4: I feel like when I go, yeah, you know what,

821
00:38:25,000 --> 00:38:26,120
Speaker 4: He's right, I don't feel no.

822
00:38:26,360 --> 00:38:31,080
Speaker 5: Jackie Gleason, who his step son and Jackie Leeson's wife,

823
00:38:31,080 --> 00:38:33,879
Speaker 5: for I have a lot of Jackie Gleeson's stories from

824
00:38:33,920 --> 00:38:38,440
Speaker 5: my childhood. Jackie never drove, she drove everywhere.

825
00:38:38,440 --> 00:38:40,040
Speaker 2: Did he not have a license? He didn't know how

826
00:38:40,040 --> 00:38:40,359
Speaker 2: to drive.

827
00:38:40,560 --> 00:38:41,920
Speaker 5: I knew how to drive, had a license.

828
00:38:42,080 --> 00:38:42,480
Speaker 2: He liked.

829
00:38:42,640 --> 00:38:45,879
Speaker 5: By the way, I've got it good. Sari only wants

830
00:38:45,920 --> 00:38:48,000
Speaker 5: to drive. She hates the way I drive, So I

831
00:38:48,000 --> 00:38:49,400
Speaker 5: get I love being a passenger.

832
00:38:49,840 --> 00:38:51,759
Speaker 2: How did you feel me driving you here today?

833
00:38:51,800 --> 00:38:54,560
Speaker 5: John? What kind of question is?

834
00:38:54,680 --> 00:38:56,560
Speaker 2: Did you feel okay as a passenger?

835
00:38:56,719 --> 00:38:58,239
Speaker 5: Do you feel safe? Yeah?

836
00:38:58,360 --> 00:39:01,520
Speaker 4: Well, I'm making it because of what I said before. No,

837
00:39:01,719 --> 00:39:04,680
Speaker 4: I if I was in my own car. And aren't

838
00:39:04,680 --> 00:39:05,640
Speaker 4: they in Larry's car?

839
00:39:06,000 --> 00:39:08,919
Speaker 2: Y seen in the problem in Cheryl's car. They're in Cheryl.

840
00:39:10,480 --> 00:39:14,759
Speaker 5: That's hold on a problem here again. Now they're on

841
00:39:15,040 --> 00:39:20,080
Speaker 5: a what's the driving thing called? Yeah, the process? Yeah no, no,

842
00:39:20,120 --> 00:39:23,239
Speaker 5: there wasn't process. They're on the thing that you just

843
00:39:23,360 --> 00:39:27,320
Speaker 5: ride as the truck drives and you okay, they're walking.

844
00:39:27,400 --> 00:39:30,440
Speaker 5: They're driving down a smooth street. All the cars in

845
00:39:30,480 --> 00:39:34,320
Speaker 5: the background that are driving are riding along smooth Suddenly

846
00:39:34,520 --> 00:39:37,920
Speaker 5: Larry and Cheryl are driving through a gravel pit. They're

847
00:39:37,960 --> 00:39:40,440
Speaker 5: shaking the car so much. And then this one, as

848
00:39:40,440 --> 00:39:42,640
Speaker 5: opposed to the other one where I mentioned it, Larry

849
00:39:42,680 --> 00:39:46,719
Speaker 5: and Cheryl are really bouncing around again. And by the way,

850
00:39:46,760 --> 00:39:48,239
Speaker 5: I like the camera angles.

851
00:39:47,960 --> 00:39:48,799
Speaker 2: We'll be right back.

852
00:39:48,840 --> 00:40:05,800
Speaker 1: Stay tuned, and we're back. So Larry doesn't like not driving.

853
00:40:05,880 --> 00:40:08,000
Speaker 1: He feels like he doesn't have a personality in the seat,

854
00:40:08,320 --> 00:40:09,880
Speaker 1: and he's like, you know, well, do you want me

855
00:40:09,920 --> 00:40:11,880
Speaker 1: to sing or turn on the radio? He doesn't know

856
00:40:11,920 --> 00:40:13,719
Speaker 1: what to do with himself. And this is of course

857
00:40:13,760 --> 00:40:16,160
Speaker 1: a setup. Cheryl would rather have the radio than hear

858
00:40:16,280 --> 00:40:19,080
Speaker 1: Larry sing. And we all know Larry sings all day long.

859
00:40:19,160 --> 00:40:22,000
Speaker 1: He loves to sing. And a tape starts to play

860
00:40:22,440 --> 00:40:25,439
Speaker 1: and Larry's like, I thought you're only by CDs, And

861
00:40:25,680 --> 00:40:27,799
Speaker 1: Cheryl says, a friend loaned it to me, and we

862
00:40:27,960 --> 00:40:29,480
Speaker 1: know who that friend is going to be.

863
00:40:31,360 --> 00:40:31,959
Speaker 5: Who is this?

864
00:40:32,760 --> 00:40:36,239
Speaker 2: It's all Green. We'll give you this tip.

865
00:40:37,000 --> 00:40:44,480
Speaker 5: Bred It's good, isn't it. You want to be with me?

866
00:40:44,880 --> 00:40:48,319
Speaker 5: Is that what he's saying? You want to be with me?

867
00:40:49,320 --> 00:40:51,360
Speaker 5: That's what That's what he's singing about.

868
00:40:51,560 --> 00:40:53,879
Speaker 2: The fact that Larry didn't recognize al Green was odd

869
00:40:53,920 --> 00:40:54,080
Speaker 2: to me.

870
00:40:54,200 --> 00:40:56,960
Speaker 5: By the way, if I may, I picked that song

871
00:40:57,480 --> 00:40:59,600
Speaker 5: and he didn't know what I was talking about. Really,

872
00:40:59,640 --> 00:41:02,040
Speaker 5: I said, this is the perfect song and you will

873
00:41:02,080 --> 00:41:03,760
Speaker 5: be able to play off it, and he didn't trust

874
00:41:03,800 --> 00:41:06,399
Speaker 5: it until he was in post, you know, because it's

875
00:41:06,440 --> 00:41:09,319
Speaker 5: not really playing there. And you know where you ought

876
00:41:09,320 --> 00:41:11,239
Speaker 5: to be with me anyhow.

877
00:41:11,120 --> 00:41:12,960
Speaker 2: Al Green singing? You want to be with me?

878
00:41:13,360 --> 00:41:15,160
Speaker 5: And by the way, I want to add one other thing,

879
00:41:15,200 --> 00:41:18,920
Speaker 5: So Larry does sing every day? Yes, he sings, and

880
00:41:18,920 --> 00:41:22,520
Speaker 5: he kills me because they're so random. Okay, by the way,

881
00:41:22,719 --> 00:41:24,920
Speaker 5: that thing, instead of being a non secretary be random

882
00:41:25,160 --> 00:41:26,960
Speaker 5: the socks. Wouldn't that be random?

883
00:41:27,200 --> 00:41:28,040
Speaker 2: No, I don't think.

884
00:41:29,440 --> 00:41:33,120
Speaker 1: Somebody random, but it's not the opposite of non secretary.

885
00:41:33,239 --> 00:41:36,600
Speaker 2: Okay, yeah, okay, what was I talking about? Larry singing?

886
00:41:36,760 --> 00:41:41,000
Speaker 5: Oh, Larry sings every day? Now? What blows my mind?

887
00:41:41,480 --> 00:41:44,840
Speaker 5: To Larry David that I've known for years up until

888
00:41:44,960 --> 00:41:47,440
Speaker 5: a few years back. The first time I remember him

889
00:41:47,440 --> 00:41:50,200
Speaker 5: singing on the show, No, I said to him, we're

890
00:41:50,239 --> 00:41:52,520
Speaker 5: supposed to go to a U two concert and I said,

891
00:41:52,560 --> 00:41:53,839
Speaker 5: do you even know who they are?

892
00:41:54,080 --> 00:41:56,600
Speaker 2: That was the later episode.

893
00:41:57,160 --> 00:42:01,040
Speaker 5: No, he had no idea, you know, And so I've

894
00:42:01,080 --> 00:42:04,640
Speaker 5: never known Larry to know he knows classical music, you know,

895
00:42:06,239 --> 00:42:08,880
Speaker 5: show tunes and Fellini like, which is are what I

896
00:42:11,640 --> 00:42:15,960
Speaker 5: No hold on you're saying that now, But he didn't

897
00:42:15,960 --> 00:42:19,760
Speaker 5: do any of that for years And suddenly one day

898
00:42:20,080 --> 00:42:23,640
Speaker 5: the songbook opens, and they're always different. I mean, they're

899
00:42:23,680 --> 00:42:26,160
Speaker 5: really different in styles of everything, and the fact that

900
00:42:26,160 --> 00:42:28,040
Speaker 5: he knows them. And I will say to him, do

901
00:42:28,080 --> 00:42:30,560
Speaker 5: you know who's saying that song? No, I know, I

902
00:42:30,600 --> 00:42:33,040
Speaker 5: do know the name of that song. No. He just

903
00:42:33,120 --> 00:42:36,560
Speaker 5: for whatever reason, a part of his brain got opened

904
00:42:36,840 --> 00:42:39,080
Speaker 5: and he sings all these songs because they are.

905
00:42:39,640 --> 00:42:42,479
Speaker 1: You know what what I think that a musical brain

906
00:42:42,560 --> 00:42:44,320
Speaker 1: and a comedic brain are very similar.

907
00:42:44,800 --> 00:42:47,279
Speaker 2: There's a rhythm and timing. It's all about that.

908
00:42:47,640 --> 00:42:51,439
Speaker 1: I used jazz and that's part of his you know, yeah,

909
00:42:51,480 --> 00:42:52,799
Speaker 1: but his process he.

910
00:42:52,880 --> 00:42:55,800
Speaker 5: Didn't have it. He never used it. He's recently tapped

911
00:42:55,800 --> 00:42:58,560
Speaker 5: into it. That's my point. It's just so strange, like

912
00:42:58,600 --> 00:43:01,240
Speaker 5: the last ten years ago. Do you remember him singing all.

913
00:43:01,120 --> 00:43:04,800
Speaker 2: The time, Yes, I do remember him whistling a lot, whistling,

914
00:43:04,920 --> 00:43:06,800
Speaker 2: whistling a lot, whistling, whistling.

915
00:43:06,880 --> 00:43:09,359
Speaker 5: Yes, But he knows the words to these songs and

916
00:43:09,360 --> 00:43:12,160
Speaker 5: he doesn't even know what song he's singing. All right, whatever,

917
00:43:12,520 --> 00:43:14,600
Speaker 5: that was not even worth the time it took. So

918
00:43:15,040 --> 00:43:17,560
Speaker 5: I'm acknowledging you. Susie should have cut me off.

919
00:43:17,640 --> 00:43:20,839
Speaker 1: So Cheryl says a friend Loan to this tape, and

920
00:43:20,920 --> 00:43:23,680
Speaker 1: Larry says who, and she says Brad, And then we

921
00:43:23,760 --> 00:43:26,799
Speaker 1: hear Al Green singing you want to be with me,

922
00:43:27,360 --> 00:43:30,239
Speaker 1: very pointed, and he's Larry says, this thing gets worse

923
00:43:30,280 --> 00:43:31,280
Speaker 1: and worse, nobody.

924
00:43:32,000 --> 00:43:34,080
Speaker 5: You ought to be with me. You ought to be

925
00:43:34,239 --> 00:43:34,600
Speaker 5: with me.

926
00:43:35,040 --> 00:43:37,799
Speaker 2: Yeah, and he's right.

927
00:43:38,000 --> 00:43:40,759
Speaker 5: When you're making someone a mixtape, there's implications.

928
00:43:40,920 --> 00:43:46,000
Speaker 1: Yes, just making a mixtape is a very personal thing.

929
00:43:46,080 --> 00:43:48,840
Speaker 5: But you also do it with your close friend anymore, No,

930
00:43:48,960 --> 00:43:51,040
Speaker 5: but back then you did it with your close friends.

931
00:43:51,239 --> 00:43:54,600
Speaker 5: Even when CDs were burned, people still did that on CDs.

932
00:43:54,719 --> 00:43:58,239
Speaker 5: It's long gone now it's playless and making h want

933
00:43:58,239 --> 00:44:00,520
Speaker 5: to play this is not really but anyhow to make

934
00:44:00,560 --> 00:44:02,480
Speaker 5: the tape, put the album on, do the whole thing.

935
00:44:02,680 --> 00:44:04,520
Speaker 5: You do that for your friends, of like, it.

936
00:44:04,600 --> 00:44:05,439
Speaker 2: Takes a lot of time.

937
00:44:05,520 --> 00:44:07,640
Speaker 5: It takes a lot of time, so effort. So if

938
00:44:07,680 --> 00:44:10,640
Speaker 5: it's someone you don't know very well, there's a message there.

939
00:44:10,800 --> 00:44:11,240
Speaker 2: Correct.

940
00:44:11,440 --> 00:44:12,000
Speaker 5: Okay.

941
00:44:12,120 --> 00:44:13,960
Speaker 1: Next, they're in the store and they don't know what

942
00:44:14,000 --> 00:44:17,480
Speaker 1: to buy a nice bowl. They probably have all this stuff,

943
00:44:17,520 --> 00:44:19,480
Speaker 1: and Cheryl says, why don't we just get an expensive

944
00:44:19,480 --> 00:44:24,799
Speaker 1: bottle of wine. Larry's immediately how expensive Cheryl's two hundred fifty.

945
00:44:25,040 --> 00:44:25,960
Speaker 2: They'll know the difference.

946
00:44:25,960 --> 00:44:28,719
Speaker 1: They're wine connoisseurs, and so Cheryl goes to get the

947
00:44:28,719 --> 00:44:30,839
Speaker 1: one and Larry prefers to stay in the store price.

948
00:44:31,200 --> 00:44:32,960
Speaker 5: She's like, You're like, no, I'll just stay here. I'm

949
00:44:32,960 --> 00:44:33,920
Speaker 5: not going to a wine store.

950
00:44:34,000 --> 00:44:39,160
Speaker 1: Yeah, just browsing, And then the salesgirl played by lauras Sarah,

951
00:44:39,400 --> 00:44:42,640
Speaker 1: Sarah's sister, comes up and says, how can I help you?

952
00:44:42,680 --> 00:44:45,879
Speaker 1: And she's rather aggressive. Could we just narrow it down?

953
00:44:45,880 --> 00:44:49,960
Speaker 1: And Larry's no, no, no, no, not can ring it montanga and

954
00:44:50,040 --> 00:44:52,760
Speaker 1: napkin rings a ten percent off? And she starts following

955
00:44:52,800 --> 00:44:54,759
Speaker 1: him around and he's just like, I'm not interested of

956
00:44:54,760 --> 00:44:57,680
Speaker 1: buying anything. He's losing his patience with her. Stop following me.

957
00:44:58,040 --> 00:45:00,920
Speaker 1: You've never heard of browsers. She says, please leave, and

958
00:45:00,960 --> 00:45:03,799
Speaker 1: they have an altercation. Then they go to drop the

959
00:45:03,800 --> 00:45:06,840
Speaker 1: bottle of wine off and Cheryl's phone rings and she's

960
00:45:06,880 --> 00:45:11,480
Speaker 1: on speakerphone and it's Brad and Cheryl says, Larry's.

961
00:45:11,120 --> 00:45:11,720
Speaker 5: In the car.

962
00:45:12,480 --> 00:45:17,520
Speaker 6: Oh hey, hey, Larry, hey Brad, how you doing pretty good?

963
00:45:17,640 --> 00:45:21,759
Speaker 5: By the way, who she said it yeah, was questionable

964
00:45:22,080 --> 00:45:24,200
Speaker 5: because let's say you call me in the phone, and

965
00:45:24,520 --> 00:45:26,879
Speaker 5: I'm riding with one of my sons, and I would

966
00:45:26,880 --> 00:45:28,840
Speaker 5: say to you, Susie, I'm with James.

967
00:45:28,960 --> 00:45:30,840
Speaker 2: You know what I mean, right, and that is protocol.

968
00:45:30,880 --> 00:45:31,640
Speaker 2: You should do that.

969
00:45:31,760 --> 00:45:33,360
Speaker 5: I say it much more casual.

970
00:45:33,520 --> 00:45:33,920
Speaker 2: Correct.

971
00:45:34,000 --> 00:45:38,240
Speaker 1: She was very pointed, Yes, very pointed and basically saying

972
00:45:38,480 --> 00:45:41,319
Speaker 1: what Larry says. Then they say they're both going to

973
00:45:41,320 --> 00:45:44,080
Speaker 1: Tony and Tina's. Are you still looking for a chef?

974
00:45:44,480 --> 00:45:47,600
Speaker 1: And Brad says his friend Paul is the chef at Alsace,

975
00:45:48,200 --> 00:45:50,680
Speaker 1: and let's go there after the show. And they hang

976
00:45:50,760 --> 00:45:53,360
Speaker 1: up and Larry's just like, Larry's in the car.

977
00:45:53,600 --> 00:45:54,839
Speaker 5: Yeah, he says, it's so far.

978
00:45:55,000 --> 00:45:58,279
Speaker 2: Do you plan on doing any dirty talking? Larry's it

979
00:45:58,440 --> 00:46:01,160
Speaker 2: dirty talking. I love that for you. It's journey talking.

980
00:46:01,600 --> 00:46:03,440
Speaker 1: Larry's in the car and Cheryl says she was just

981
00:46:03,480 --> 00:46:07,440
Speaker 1: being polite, and then the cop stopped them. There's a

982
00:46:07,480 --> 00:46:10,560
Speaker 1: report from a young lady that you're following her. And

983
00:46:10,600 --> 00:46:13,360
Speaker 1: then we see Laura Silverman pull up the sales girl.

984
00:46:13,640 --> 00:46:16,760
Speaker 1: You're sick and it's revenge and when my husband finds

985
00:46:16,760 --> 00:46:19,160
Speaker 1: out about this, he's going to kill you, and blah

986
00:46:19,200 --> 00:46:21,239
Speaker 1: blah blah blah blah, blah. Then they say, well, they're

987
00:46:21,280 --> 00:46:23,120
Speaker 1: on their way to Melanie and Eds and they say, well,

988
00:46:23,120 --> 00:46:25,640
Speaker 1: maybe we should have called first. No, And it's fine,

989
00:46:25,640 --> 00:46:27,960
Speaker 1: it's whatever. We're in the neighborhood. It's a three hundred

990
00:46:27,960 --> 00:46:31,239
Speaker 1: dollars bottle of wine. We establish and they ring the

991
00:46:31,239 --> 00:46:34,200
Speaker 1: doorbell and Melanie says, we can't take it, which is

992
00:46:34,200 --> 00:46:36,120
Speaker 1: the most ridiculous thing I've ever heard of. My way,

993
00:46:36,239 --> 00:46:38,359
Speaker 1: after a year, you can't give a gift after a year.

994
00:46:38,400 --> 00:46:39,200
Speaker 5: And they're insulted.

995
00:46:39,280 --> 00:46:42,960
Speaker 1: Yeah, they're insulted. It's an afterthought. It's too late, you know.

996
00:46:43,400 --> 00:46:46,200
Speaker 1: And Larry, immediately you had no problem with the engagement

997
00:46:46,320 --> 00:46:48,880
Speaker 1: faz or the shower, and then we flew to Chicago.

998
00:46:48,920 --> 00:46:52,279
Speaker 1: It cost me fifty five hundred bucks. So, I mean,

999
00:46:52,280 --> 00:46:54,440
Speaker 1: this thing, too, is ridiculous.

1000
00:46:54,440 --> 00:46:57,160
Speaker 5: What she says, all that about he enjoyed it or

1001
00:46:57,200 --> 00:46:59,640
Speaker 5: he wanted to be there, something.

1002
00:46:59,360 --> 00:47:01,799
Speaker 2: Like that, And she says, why did you come then? Yeah,

1003
00:47:02,200 --> 00:47:04,120
Speaker 2: but don't you? I mean, am I alone in this?

1004
00:47:04,160 --> 00:47:06,480
Speaker 2: Is it ridiculous that you can't accept to give?

1005
00:47:07,000 --> 00:47:10,000
Speaker 4: I mean, is it ridiculous? And the show is ridiculous

1006
00:47:10,000 --> 00:47:10,520
Speaker 4: as a thing.

1007
00:47:10,719 --> 00:47:15,000
Speaker 5: As a thing, that's one of the things people love

1008
00:47:15,040 --> 00:47:17,319
Speaker 5: about the show. I have a life, stay fury in

1009
00:47:17,360 --> 00:47:21,200
Speaker 5: my mouth. Okay, well I'm explaining why it sounds silly.

1010
00:47:21,800 --> 00:47:29,120
Speaker 5: I'm silly, but no, people love that Larry attacks these.

1011
00:47:30,640 --> 00:47:31,319
Speaker 2: Rules.

1012
00:47:31,480 --> 00:47:36,360
Speaker 1: Yeah, these social norms that we all adhere to. That

1013
00:47:36,400 --> 00:47:39,240
Speaker 1: he says, I do not adhere to this, and they

1014
00:47:39,320 --> 00:47:40,160
Speaker 1: have a fight with that.

1015
00:47:40,920 --> 00:47:43,160
Speaker 5: When you look up what her name is, because she

1016
00:47:43,320 --> 00:47:44,880
Speaker 5: started she's really funny.

1017
00:47:45,120 --> 00:47:48,200
Speaker 2: Who played Melanie, Yes, and she's friends with Cheryl.

1018
00:47:48,239 --> 00:47:52,640
Speaker 5: She's a Groundlings actress. Cheryl produced the show with her Carrieley.

1019
00:47:53,400 --> 00:47:55,600
Speaker 5: I did a show with her. I guest starred with

1020
00:47:55,640 --> 00:47:59,040
Speaker 5: Sean Hayes on an episode of the show So Funny.

1021
00:47:59,200 --> 00:48:02,680
Speaker 5: It's about two older women in college. It was really funny.

1022
00:48:03,400 --> 00:48:04,440
Speaker 2: We'll have to look that up.

1023
00:48:05,000 --> 00:48:07,040
Speaker 5: Well. By the way, thank you for the effort.

1024
00:48:07,600 --> 00:48:08,240
Speaker 2: You're welcome.

1025
00:48:08,480 --> 00:48:12,279
Speaker 1: Then we're Tony and Tina's wedding, Yes, and Larry's is

1026
00:48:12,440 --> 00:48:14,759
Speaker 1: feeling uncomfortable. I should have won a sports coat. And

1027
00:48:14,840 --> 00:48:16,400
Speaker 1: Larry says, I'm going to the bathroom.

1028
00:48:16,400 --> 00:48:18,279
Speaker 5: This place was on Olympic Avenue, right.

1029
00:48:18,520 --> 00:48:21,160
Speaker 1: He's going to the bathroom, and Brad is in the

1030
00:48:21,160 --> 00:48:25,000
Speaker 1: bathroom and introduces himself as a Manngelo like, acting like.

1031
00:48:24,960 --> 00:48:25,840
Speaker 2: A whole gomba.

1032
00:48:26,040 --> 00:48:27,120
Speaker 5: That's the thing that they do.

1033
00:48:27,320 --> 00:48:31,239
Speaker 1: Yes, he's in character. And Larry's like, all right, Brad,

1034
00:48:31,280 --> 00:48:33,080
Speaker 1: I know he's having none of it.

1035
00:48:33,120 --> 00:48:35,799
Speaker 4: He sus I can't think of anything more annoying than

1036
00:48:37,040 --> 00:48:40,000
Speaker 4: go see it was the Chicago trial.

1037
00:48:40,080 --> 00:48:43,880
Speaker 5: So the Chicago Seven, the Chicago Seven has a play.

1038
00:48:44,560 --> 00:48:48,120
Speaker 5: And when you get there, hippies greet you and they're.

1039
00:48:47,920 --> 00:48:50,160
Speaker 2: Talking to you.

1040
00:48:50,360 --> 00:48:53,400
Speaker 5: I said to them, it's awful. I'm pro hippy and

1041
00:48:53,520 --> 00:48:53,919
Speaker 5: no more.

1042
00:48:54,080 --> 00:48:54,879
Speaker 2: No he's no more.

1043
00:48:54,960 --> 00:48:57,600
Speaker 5: I beg of you, no more. And they by the

1044
00:48:57,600 --> 00:48:59,640
Speaker 5: way they look at you hurt like the chef.

1045
00:49:01,960 --> 00:49:03,080
Speaker 2: He's he's having none of it.

1046
00:49:03,160 --> 00:49:07,440
Speaker 1: But Angelo slash Brad starts going into a whole diet

1047
00:49:07,440 --> 00:49:10,719
Speaker 1: tribe about yeah, she's gonna marry that jerk. Me and

1048
00:49:10,800 --> 00:49:14,360
Speaker 1: Tina have a better understanding. It's all euphemisms for Brad

1049
00:49:14,360 --> 00:49:20,200
Speaker 1: and Seff. Then that cocksucker Tony blah blah blah. One day,

1050
00:49:20,239 --> 00:49:23,000
Speaker 1: me and Tina's gonna end up together. She'll finally slip

1051
00:49:23,000 --> 00:49:25,279
Speaker 1: in the sausage by Vema.

1052
00:49:25,480 --> 00:49:28,200
Speaker 2: And then Larry does his Aian but point.

1053
00:49:28,520 --> 00:49:31,160
Speaker 5: He goes telling him that I know who he is

1054
00:49:31,239 --> 00:49:34,640
Speaker 5: and bullshit has not worked, and Larry goes into his

1055
00:49:34,719 --> 00:49:38,000
Speaker 5: own Italian thing and says, really pointed ship.

1056
00:49:37,880 --> 00:49:40,400
Speaker 2: Back out exactly in the Italian voice.

1057
00:49:40,440 --> 00:49:41,000
Speaker 5: I love that.

1058
00:49:41,120 --> 00:49:44,280
Speaker 1: And then we cut to the restaurant, i'l sace and

1059
00:49:44,440 --> 00:49:47,680
Speaker 1: you're there, and Ted is there, and Jeff just wants

1060
00:49:47,719 --> 00:49:49,040
Speaker 1: to order everything on the menu.

1061
00:49:50,560 --> 00:49:52,680
Speaker 5: By the way, no one had disagree. Let's order everything

1062
00:49:52,719 --> 00:49:55,080
Speaker 5: on the menu because we're testing the chef. Henman goes, yeah,

1063
00:49:55,200 --> 00:49:55,799
Speaker 5: let's do it.

1064
00:49:56,200 --> 00:49:58,520
Speaker 2: And Charff brought the three hundred dollars bottle of wine.

1065
00:49:58,680 --> 00:49:59,280
Speaker 5: Go to toast.

1066
00:49:59,360 --> 00:50:03,520
Speaker 1: Yeah, and she's pouring it and telling the story about

1067
00:50:03,520 --> 00:50:05,920
Speaker 1: the gift and they toast to the lobes.

1068
00:50:05,960 --> 00:50:07,680
Speaker 2: Who is Melanie and Ed and that's why they have

1069
00:50:07,760 --> 00:50:08,480
Speaker 2: the lovely bottle?

1070
00:50:08,600 --> 00:50:10,640
Speaker 1: And a guy comes over and pushes Larry and he

1071
00:50:10,680 --> 00:50:11,880
Speaker 1: spills the wine on Sheriff.

1072
00:50:12,000 --> 00:50:13,560
Speaker 5: Not a guy, it's her husband.

1073
00:50:13,920 --> 00:50:16,960
Speaker 1: Whose husband, Laura Silverman's husband. Oh that's right, that's right,

1074
00:50:17,080 --> 00:50:19,640
Speaker 1: that's right, that's right. Laura Silverman's husband was the one

1075
00:50:19,640 --> 00:50:21,000
Speaker 1: who's going to kick his ass.

1076
00:50:21,280 --> 00:50:23,640
Speaker 4: I'm just going to say she says that earlier, right, Yeah,

1077
00:50:23,840 --> 00:50:24,920
Speaker 4: just way to my husband.

1078
00:50:25,160 --> 00:50:27,719
Speaker 1: Yeah right, And and Brad gets up to get the

1079
00:50:27,719 --> 00:50:30,560
Speaker 1: club soda salt and then we see that it's Laura

1080
00:50:30,600 --> 00:50:31,520
Speaker 1: Silverman's husband.

1081
00:50:31,560 --> 00:50:34,560
Speaker 5: By the way, what's what's going on in this? Is

1082
00:50:34,960 --> 00:50:38,000
Speaker 5: half a dozen things at once, you know, everyone's got

1083
00:50:38,000 --> 00:50:41,160
Speaker 5: a different It's almost like I got the horse ride here.

1084
00:50:41,400 --> 00:50:43,799
Speaker 5: His name is Paul Revere. And when they cross over

1085
00:50:43,840 --> 00:50:48,439
Speaker 5: each other. Yes, it's a comedy few.

1086
00:50:48,640 --> 00:50:50,239
Speaker 2: Yes, have you heard that before?

1087
00:50:50,360 --> 00:50:50,839
Speaker 5: I have not.

1088
00:50:51,160 --> 00:50:53,920
Speaker 2: Yes, well that's what that song is called too. By

1089
00:50:53,960 --> 00:50:58,560
Speaker 2: the way, what a few? Yeah? Yeah, yeah. So the

1090
00:50:58,560 --> 00:50:59,600
Speaker 2: wine is on Cheryl.

1091
00:50:59,800 --> 00:51:03,480
Speaker 1: We see Laura Silverman's husband grabbing Larry by the lapels

1092
00:51:03,520 --> 00:51:06,760
Speaker 1: and choking him. And meanwhile Brad has the club soda

1093
00:51:06,840 --> 00:51:10,200
Speaker 1: insault all over Cheryl's breast, rubbing Cheryff's breast.

1094
00:51:10,200 --> 00:51:12,960
Speaker 5: Oh none, he doesn't start right on her breast. He

1095
00:51:13,080 --> 00:51:16,600
Speaker 5: eventually goes to the breast. And by the way, that

1096
00:51:16,760 --> 00:51:19,080
Speaker 5: was like a note. That might have been the last

1097
00:51:19,120 --> 00:51:21,440
Speaker 5: take because he didn't want the guy, you know, out

1098
00:51:21,480 --> 00:51:23,839
Speaker 5: of respect for Cheryl. They wanted. And then he took

1099
00:51:23,880 --> 00:51:26,759
Speaker 5: Cheryl Cheryl aside and said, will you mind if we

1100
00:51:26,800 --> 00:51:27,000
Speaker 5: did it?

1101
00:51:27,040 --> 00:51:29,600
Speaker 2: And Cheryl, Cheryl, she's a game.

1102
00:51:29,680 --> 00:51:31,759
Speaker 5: She said, yeah, I don't give a ship, let's do it.

1103
00:51:31,920 --> 00:51:36,160
Speaker 5: And then he really is really rubbing on her breast. Yeah.

1104
00:51:36,200 --> 00:51:39,440
Speaker 5: And you see the shot of Ted Danson and I

1105
00:51:39,520 --> 00:51:40,680
Speaker 5: were state of shot.

1106
00:51:40,760 --> 00:51:42,960
Speaker 2: We're glued, Yeah, we're glued, rivoted.

1107
00:51:43,080 --> 00:51:45,759
Speaker 5: Larry's getting the ship kicked out of him. Yeah, and

1108
00:51:46,200 --> 00:51:49,479
Speaker 5: the end, the end. But that's hilarious, funny fugue. Yeah,

1109
00:51:51,000 --> 00:51:53,040
Speaker 5: I never heard that before. That's called a fuse.

1110
00:51:53,160 --> 00:51:55,560
Speaker 2: Well, there you go. It's not a non sequitur.

1111
00:51:56,080 --> 00:51:59,520
Speaker 5: I it's not. If she just had nothing to do

1112
00:51:59,600 --> 00:52:02,239
Speaker 5: with the show, it'd be a non sequitor, that would be.

1113
00:52:02,680 --> 00:52:04,399
Speaker 2: And John, We've enjoyed having you here.

1114
00:52:04,520 --> 00:52:06,880
Speaker 5: And I've had a blast here. John, maybe not a blast.

1115
00:52:06,920 --> 00:52:08,400
Speaker 2: You're going to come back to say that I had

1116
00:52:08,440 --> 00:52:09,640
Speaker 2: a blast like on talk shows.

1117
00:52:09,680 --> 00:52:13,160
Speaker 5: By the way, let's let's let's actually ask you this

1118
00:52:13,480 --> 00:52:15,480
Speaker 5: anything the rest of the day that's going to compare

1119
00:52:15,520 --> 00:52:18,319
Speaker 5: to this. I'm not about the day is young. I'm

1120
00:52:18,360 --> 00:52:20,960
Speaker 5: a pro nap nap beats everything. But I'm in are

1121
00:52:20,960 --> 00:52:22,600
Speaker 5: there any good games on today?

1122
00:52:22,760 --> 00:52:25,400
Speaker 2: Now? There's no sports now, so this is probably the

1123
00:52:25,480 --> 00:52:27,760
Speaker 2: highlight of my Well we have the ride home. John,

1124
00:52:28,000 --> 00:52:28,440
Speaker 2: Let's right.

1125
00:52:28,440 --> 00:52:31,280
Speaker 5: The two of you came from the Santa Monica area,

1126
00:52:31,400 --> 00:52:32,120
Speaker 5: Yes we did.

1127
00:52:32,440 --> 00:52:34,520
Speaker 1: And I'm going so John, you're going to come back

1128
00:52:35,239 --> 00:52:39,720
Speaker 1: later on because you're producing season nine, ten, eleven, twelve. Yeah, okay, sure,

1129
00:52:39,880 --> 00:52:42,200
Speaker 1: so you're coming back. Whether you liked it, whether you

1130
00:52:42,239 --> 00:52:47,000
Speaker 1: had a blast or not, you're coming back. All right,

1131
00:52:47,160 --> 00:52:47,920
Speaker 1: Bye everybody.

1132
00:52:48,040 --> 00:52:49,360
Speaker 5: I thank you for listening.

1133
00:52:49,560 --> 00:52:52,120
Speaker 2: Thanks John, thank you, Thanks Jess.

1134
00:52:52,160 --> 00:52:59,320
Speaker 5: I see you next week.

1135
00:53:00,680 --> 00:53:03,600
Speaker 2: The history of carpentr Enthusiasm is a production of iHeart

1136
00:53:03,719 --> 00:53:06,280
Speaker 2: Radio or podcasts from imort Radio.

1137
00:53:06,560 --> 00:53:10,279
Speaker 1: Visit the iHeart Radio, Apple Podcasts, or wherever you listen

1138
00:53:10,280 --> 00:53:11,200
Speaker 1: to your favorite shows.