WEBVTT - Sensationalized After Death | Roseann Quinn

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<v Speaker 1>You're listening to Facing Evil, a production of iHeartRadio and

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<v Speaker 1>for everyone. Listener discretion is advised.

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<v Speaker 2>Hi, everyone, welcome back to Facing Evil from Tenderfoot TV

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<v Speaker 2>and iHeartRadio. We are your host.

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<v Speaker 3>I'm a veg and tee Lay and I'm her baby sister,

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<v Speaker 3>Rashia Piccuerrero, and as always, our favorite Texan Trevor Young

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<v Speaker 3>is here as well.

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<v Speaker 1>Hello, Hello, welcome back.

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<v Speaker 3>I wish we were all together still, but I do

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<v Speaker 3>love that we're virtually together. I have a question for

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<v Speaker 3>you all. So I am not the biggest book reader

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<v Speaker 3>like I used to be, and I think with social

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<v Speaker 3>media and with screens and everything, I feel like I

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<v Speaker 3>kind of let that get away from me. But lately

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<v Speaker 3>I've been reading a ton of autobiographies and right now

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<v Speaker 3>I am obsessed with Simu Liu's book and Semu Liu.

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<v Speaker 3>For those of you who don't know, he is Marvel's

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<v Speaker 3>superhero Shang Chi and he has a book out called

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<v Speaker 3>We Were Dreamers, an immigrant superhero origin story, and it's

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<v Speaker 3>so like just beautiful to see what his parents went through,

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<v Speaker 3>you know, they immigrated from China to Canada. And then

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<v Speaker 3>of course he's here now in America. But I want

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<v Speaker 3>to know, what are the two of you reading? What

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<v Speaker 3>inspires you when you're not here with me on Facing Evil?

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<v Speaker 2>Well, you know, I really love books. I love to

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<v Speaker 2>hold them. I like the smell of them, and especially

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<v Speaker 2>during the pandemic. Like, I've read so many different autobiographies,

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<v Speaker 2>but the book that I am on right now is

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<v Speaker 2>viol Davis, which is called Finding Me. And you know,

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<v Speaker 2>I've always been a huge fan of hers, but to

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<v Speaker 2>read her story and where she came from and where

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<v Speaker 2>she is now is truly inspiring. What about you, Trevor.

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<v Speaker 1>So, I've got about three books I'm in the middle of.

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<v Speaker 1>I'm one of those people who's like reading a bunch

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<v Speaker 1>of different stuff at once and like puts one down

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<v Speaker 1>for a couple of days and moves on to another.

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<v Speaker 3>Of course you are, I love it.

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<v Speaker 1>Yeah, So on my mantle, I've got a collection of

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<v Speaker 1>stories by J. R. R. Tolkien. It's The Unfinished Tales,

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<v Speaker 1>which is, as the name implies, a bunch of unfinished

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<v Speaker 1>stories that he had written that kind of fit into

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<v Speaker 1>the world of Middle Earth, which is Lord of the

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<v Speaker 1>Rings for this, Yeah, I'm also reading a biography of

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<v Speaker 1>Anthony Bourdain which is really good and then love it. Yeah,

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<v Speaker 1>I miss him. And then I'm also reading the fourth

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<v Speaker 1>installment of Frank Kurbert's doing series. Dune is one of

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<v Speaker 1>my favorite sci fi series, and I'm almost about the

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<v Speaker 1>fourth book, which is called God Emperor of Dune.

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<v Speaker 3>How many books are there in Dune?

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<v Speaker 1>So there are six main books that Frank Herbert Rose

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<v Speaker 1>the primary author. His son Brian Herbert has kind of

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<v Speaker 1>carried on his legacy writing a bunch of spinoff series

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<v Speaker 1>in prequel series. A lot of the fans of the

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<v Speaker 1>Dune series don't super love those books, so I kind

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<v Speaker 1>of take a grain of salt with the spinoffs. But

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<v Speaker 1>if we're talking like core canon, it's just those six books.

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<v Speaker 3>The six so there could potentially be six movies, got it?

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<v Speaker 1>Or more because they're very long.

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<v Speaker 3>Right right, right, right, right right?

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<v Speaker 2>With that being said, Trevor, will you take us through

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<v Speaker 2>today's case.

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<v Speaker 1>Roseanne Quinn was a twenty eight year old woman who

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<v Speaker 1>was killed on New Year's Day of nineteen seventy three.

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<v Speaker 1>She was a school teacher and a single woman who

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<v Speaker 1>lived by herself in New York City. On the evening

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<v Speaker 1>of January first, she went to a bar in her neighborhood.

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<v Speaker 1>There she met a man named John Wayne Wilson, and

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<v Speaker 1>the two went back to her apartment together. When she

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<v Speaker 1>didn't show up for work a few days later, a

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<v Speaker 1>coworker went to go check in on her. They found

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<v Speaker 1>Roseanne Quinn dead, stabbed to death in her own apartment.

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<v Speaker 1>A manhunt began for Wilson, who was eventually found and arrested,

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<v Speaker 1>but while in jail, he hanged himself, and so no

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<v Speaker 1>charges were ever officially filed in the murder of Roseanne Quinn.

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<v Speaker 1>After Roseanne was killed, many criticized her sexual proclivities, suggesting

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<v Speaker 1>a so called promiscuous lifestyle was the reason for her murder,

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<v Speaker 1>but since then feminist scholars have pointed out that this

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<v Speaker 1>rhetoric was both false and harmful. The events also inspired

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<v Speaker 1>a popular novel and subsequent movie, Looking for Mister Goodbar

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<v Speaker 1>and So. Who was Roseanne Quinn? What were the actual

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<v Speaker 1>events surrounding her death and how did those of create

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<v Speaker 1>the perfect conditions for a national media frenzy.

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<v Speaker 3>So when I think about this case, I think about

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<v Speaker 3>us needing to flip the script, right, Like I feel

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<v Speaker 3>like Roseanne was portrayed a certain way, and you know

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<v Speaker 3>what happened to her is one of those things that like,

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<v Speaker 3>it's all of our worst nightmare, right Eve, Like, yeah,

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<v Speaker 3>you know going home with someone or in this case,

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<v Speaker 3>you're bringing them into your own home and then you

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<v Speaker 3>end up getting murdered. I mean, it's horrible to even

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<v Speaker 3>think about. I know this happened, you know with Angela's

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<v Speaker 3>Simota that we just spoke about not that long ago.

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<v Speaker 3>But it's yeah, the worst worst thing you can imagine happening, right,

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<v Speaker 3>just you.

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<v Speaker 2>Know, coming home from a night of dancing or partying

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<v Speaker 2>and you know, going to your safe space at home.

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<v Speaker 2>It you know, it's just, yeah, it's really devastating. And

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<v Speaker 2>this is one of those cases in which the true

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<v Speaker 2>story of what happened to Rosennu in nineteen seventy three,

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<v Speaker 2>it has almost been overshadowed by this book that I

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<v Speaker 2>was speaking of earlier and the movie Russia. Did you

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<v Speaker 2>ever see the movie Looking for Mister Goodbar?

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<v Speaker 3>You know, I never did, And you know, I always

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<v Speaker 3>try to watch documentaries or movies or anything about all

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<v Speaker 3>of the cases that we're covering so that it can

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<v Speaker 3>kind of get into my brain even more. I mean,

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<v Speaker 3>on top of all the research that are amazing researcher

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<v Speaker 3>Claudia helps us with, but I couldn't even find it.

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<v Speaker 3>I mean, I know that Diane Keaton starred in it,

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<v Speaker 3>but I couldn't even get a snippet of it on YouTube.

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<v Speaker 2>Well, I mean, you know, you can get like snippets

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<v Speaker 2>of it, but it's so hard to find the entire movie,

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<v Speaker 2>you know, in its entirety, like unless you go out

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<v Speaker 2>and probably rent it somewhere. But I don't even know.

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<v Speaker 2>Are there Blockbuster? Are there Idyot? Those video plays?

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<v Speaker 3>I think left? Yeah, ever have you seen the movie?

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<v Speaker 1>I have not seen the movie, though I've read quite

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<v Speaker 1>a bit about it, and my understanding is that it

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<v Speaker 1>didn't have the most tasteful representation of what Roseanne went

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<v Speaker 1>through or how best to portray her. I mean, I

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<v Speaker 1>think that flipped the script thing that you mentioned earlier.

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<v Speaker 1>Rashia is a big part of the story, and we're

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<v Speaker 1>going to talk about it a lot today. But you know,

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<v Speaker 1>the fact that she, essentially, according to the media, wasn't

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<v Speaker 1>allowed to do this thing that is very natural and,

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<v Speaker 1>at least in today's world, considered to be an expectation

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<v Speaker 1>for anybody who has a social life. Right, that that

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<v Speaker 1>was somehow, you know, her fault for pursuing any sort

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<v Speaker 1>of relationship outside of a domestic family situation. So again,

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<v Speaker 1>I haven't seen the movie, but my understanding is that

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<v Speaker 1>it didn't portray that very well. So I guess I'm

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<v Speaker 1>a little bit turned off by it, but maybe I'll

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<v Speaker 1>change my mind on that.

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<v Speaker 3>Yeah, Trevor, what you're saying, I can totally see that,

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<v Speaker 3>because this happened at a time in history that there

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<v Speaker 3>was this huge cultural flashpoint, right, an era of a revolution.

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<v Speaker 3>This was the second wave of the feminist movement, and

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<v Speaker 3>the purpose of that feminist movement was to champion reproductive

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<v Speaker 3>and workplace rights and to redefine the expectations of women's

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<v Speaker 3>personal and political lives.

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<v Speaker 1>Yeah, it's interesting timing wise that this was this case

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<v Speaker 1>happened right in the middle of this second wave feminist movement.

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<v Speaker 1>But generally what you are seeing is that, you know,

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<v Speaker 1>it's more common to have more single career women and

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<v Speaker 1>it's more common for you know, women to not settle

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<v Speaker 1>down super fast and have children and want to get

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<v Speaker 1>married and all those things. And this is all happening

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<v Speaker 1>in the sixties and seventies, as you know, all sorts

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<v Speaker 1>of other things are happening with the cultural revolutions. So

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<v Speaker 1>you also get expanded access to birth control. The pill

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<v Speaker 1>was first approved by the FDA in nineteen sixty, but

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<v Speaker 1>it took the Supreme Court case in nineteen seventy two

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<v Speaker 1>for it to become legal for unmarried women. Wow.

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<v Speaker 3>Wow, I didn't know that.

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<v Speaker 2>I mean, that is just crazy. But the next year,

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<v Speaker 2>of course, you have Roe versus Wade, and that's legalizing abortion.

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<v Speaker 2>And this was a huge time and we can get

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<v Speaker 2>into a whole discussion about this, you know.

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<v Speaker 3>Ye a whole nother cantor we won't.

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<v Speaker 2>Yeah.

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<v Speaker 3>But meanwhile, you know, there are a lot more women

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<v Speaker 3>working outside of the home, you know, so they were

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<v Speaker 3>moving into a space where they could control their own bodies,

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<v Speaker 3>do their own thing, both professionally and sexually. And the

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<v Speaker 3>idea of casual sex was you know, i'd say, gaining

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<v Speaker 3>more acceptance, especially during you know, the sixties and the seventies,

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<v Speaker 3>and during this time, but you know, not everywhere, but

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<v Speaker 3>in places like New York absolutely, Like I think it

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<v Speaker 3>was definitely more acceptable. Think so, yeah, And I think

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<v Speaker 3>that brings us back to Roseanne Quinn and that's where

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<v Speaker 3>she was living in New York.

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<v Speaker 2>Absolutely, she was She was born and raised in the

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<v Speaker 2>Bronx and this was in nineteen forty four. She was

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<v Speaker 2>a big part of a Catholic family of five, and

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<v Speaker 2>you know, she grew up in this very nice middle

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<v Speaker 2>class upbringing, and then the family eventually moved to New

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<v Speaker 2>Jersey and she graduated high school in nineteen sixty two

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<v Speaker 2>and she got a degree in elementary education. So of

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<v Speaker 2>course she becomes a teacher, which is obviously a very

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<v Speaker 2>traditional job, you know, for a female at the time,

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<v Speaker 2>right at the time, but she began teaching at Saint

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<v Speaker 2>Joseph's School for the Death in the Bronx and she

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<v Speaker 2>taught eight year old kids, and from what we understand,

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<v Speaker 2>she was apparently just be loved by her students and

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<v Speaker 2>her fellow teachers, So it seems like she had really

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<v Speaker 2>found her calling. She really enjoyed, you know, teaching the

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<v Speaker 2>deaf kids.

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<v Speaker 3>Yeah, and earlier that year, in May, she moved into

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<v Speaker 3>her very own two bedroom apartment on the Upper west

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<v Speaker 3>Side in a building that's actually still there.

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<v Speaker 2>Yeah. I was going to say, you know, now on

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<v Speaker 2>the Upper west Side, you know, to have a teacher's salary,

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<v Speaker 2>you could not touch that. It would be untouched odly now, right,

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<v Speaker 2>But back then, you know, she's living on her own

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<v Speaker 2>on the Upper west Side, Like, what a life.

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<v Speaker 1>Yeah, I'm sure it's a very nice apartment, but yeah,

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<v Speaker 1>I doubt she could afford that today, right, Yeah, Well,

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<v Speaker 1>according to the New York Times story about this crime,

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<v Speaker 1>she chose that apartment for quote, the comparative security of

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<v Speaker 1>the building and the street. So I guess there's a

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<v Speaker 1>bit of sad irony there that that ended up not

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<v Speaker 1>really helping her. But yeah, in general, yeah, it does

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<v Speaker 1>seem that Roseanne Quinn had a pretty nice life going

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<v Speaker 1>for herself. She was twenty eight years old at the time,

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<v Speaker 1>She had a job that she really liked where she

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<v Speaker 1>was respected, and she was living in Manhattan. She also

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<v Speaker 1>had a very active social life, lots of friends. She

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<v Speaker 1>was often spotted reading books at bars on the West Side.

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<v Speaker 1>So yeah, it sounds like a pretty pleasant life up

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<v Speaker 1>until disaster strikes.

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<v Speaker 3>Right.

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<v Speaker 2>Something that you said really makes me think about the

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<v Speaker 2>movie that was made, you know, based on this crime,

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<v Speaker 2>and that's the movie Looking for Mister Goodbar with Diane

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<v Speaker 2>Keaton's character. You know, they portray her as a fairly happy,

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<v Speaker 2>go lucky person. Obviously you two haven't seen the movie yet,

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<v Speaker 2>but you know they give her the same job and

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<v Speaker 2>she is a teacher for death children. But in the contrast,

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<v Speaker 2>you know, the real Roseanne Quinn like always right, you

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<v Speaker 2>never see her on the phone, like talking to her friends,

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<v Speaker 2>or meeting up with the teachers, or you know, for

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<v Speaker 2>drinks like what you just said, Like what you just described.

0:12:58.440 --> 0:13:02.280
<v Speaker 2>You don't see that in the movie. There are always

0:13:02.280 --> 0:13:06.240
<v Speaker 2>these shots of her where she's like sitting alone in

0:13:06.280 --> 0:13:10.840
<v Speaker 2>this big, dark, empty apartment, and she's always alone at bars.

0:13:11.520 --> 0:13:14.600
<v Speaker 2>But I did find myself saying out loud to the screen,

0:13:14.679 --> 0:13:17.840
<v Speaker 2>like where where are all your friends? Like you know,

0:13:18.280 --> 0:13:19.880
<v Speaker 2>why are you always by yourself?

0:13:20.320 --> 0:13:22.920
<v Speaker 3>Yeah, So it sounds like the movie was trying to

0:13:22.960 --> 0:13:26.920
<v Speaker 3>set up a picture of a woman or a girl

0:13:26.960 --> 0:13:31.000
<v Speaker 3>who was a loner, and as if to say, maybe

0:13:31.000 --> 0:13:33.040
<v Speaker 3>that's why she goes home with all of these men.

0:13:33.080 --> 0:13:34.120
<v Speaker 3>Is that what I'm hearing you say?

0:13:34.920 --> 0:13:38.240
<v Speaker 2>Yes, But there's even this dramatic scene where she, you know,

0:13:38.320 --> 0:13:41.960
<v Speaker 2>she leaves her family behind, she moves to New York

0:13:42.760 --> 0:13:47.880
<v Speaker 2>and there's this feminist movement that's happening, and it leads

0:13:47.920 --> 0:13:51.040
<v Speaker 2>you to believe that, Okay, well, women are you know,

0:13:51.480 --> 0:13:54.760
<v Speaker 2>being taken away from their their safety nets, their families,

0:13:54.800 --> 0:13:58.800
<v Speaker 2>and they're going off to live in this dangerous solitude,

0:13:58.920 --> 0:14:01.559
<v Speaker 2>you know, in New York City, I mean a.

0:14:01.520 --> 0:14:02.920
<v Speaker 3>Big, scary New York City.

0:14:03.080 --> 0:14:05.200
<v Speaker 2>I guess that's what they're trying to portray there.

0:14:05.559 --> 0:14:10.560
<v Speaker 1>Yeah, it seems to me to be a rather surface

0:14:10.640 --> 0:14:15.640
<v Speaker 1>level attempted trying to understand feminism, you know, and also

0:14:15.679 --> 0:14:18.920
<v Speaker 1>trying to imply that Rosanne herself was like an avowed feminist,

0:14:19.400 --> 0:14:21.720
<v Speaker 1>when in reality, I don't think we have any way

0:14:21.720 --> 0:14:24.760
<v Speaker 1>to know that. I don't really think she considered herself

0:14:24.760 --> 0:14:27.440
<v Speaker 1>a feminist. I think she was just a normal person

0:14:27.480 --> 0:14:30.040
<v Speaker 1>trying to like live her life right right, didn't really

0:14:30.040 --> 0:14:34.600
<v Speaker 1>fit in with the normal expected lifestyle that was being

0:14:34.600 --> 0:14:37.400
<v Speaker 1>impressed upon her. And really I really think it's that simple.

0:14:37.480 --> 0:14:40.640
<v Speaker 1>But the movie, I guess, has to try and tell

0:14:40.680 --> 0:14:42.840
<v Speaker 1>a story or create a narrative that you know, makes

0:14:42.840 --> 0:14:43.240
<v Speaker 1>a point.

0:14:43.760 --> 0:14:46.560
<v Speaker 3>Yes, you are so right, Trevor, you know, but she

0:14:46.680 --> 0:14:50.760
<v Speaker 3>definitely lived with that kind of freedom that came from

0:14:50.760 --> 0:14:53.120
<v Speaker 3>the feminist movement. Like I don't think she could have

0:14:53.600 --> 0:14:56.200
<v Speaker 3>done that ten years before, like living on her own,

0:14:56.320 --> 0:15:01.040
<v Speaker 3>having her own job and being unmarried and doing what

0:15:01.080 --> 0:15:05.800
<v Speaker 3>she did. But anyway, she did have friends and she

0:15:06.040 --> 0:15:11.000
<v Speaker 3>was seemingly happy. But you know, shocker, she takes men

0:15:11.040 --> 0:15:15.080
<v Speaker 3>home to sleep with despite all of that, And it's

0:15:15.080 --> 0:15:18.560
<v Speaker 3>almost as if she's a normal, well adjusted young woman

0:15:18.840 --> 0:15:22.480
<v Speaker 3>who likes to have sex, like sex is aoka in mind.

0:15:22.520 --> 0:15:24.520
<v Speaker 2>She's just living her life.

0:15:24.840 --> 0:15:28.000
<v Speaker 3>Yeah, Trevor said that, just living her life, yep.

0:15:28.160 --> 0:15:30.760
<v Speaker 1>And so this is what she's trying to do. On

0:15:30.880 --> 0:15:34.480
<v Speaker 1>New Year's Day of nineteen seventy three, on that day,

0:15:34.600 --> 0:15:37.280
<v Speaker 1>Roseanne Quinn goes to a bar just across the street

0:15:37.280 --> 0:15:40.360
<v Speaker 1>from her apartment, and that's a place called Wm Tweeds.

0:15:41.400 --> 0:15:43.200
<v Speaker 1>And we know that there were two men there that

0:15:43.320 --> 0:15:45.600
<v Speaker 1>night who were friends with each other and their names

0:15:45.600 --> 0:15:49.240
<v Speaker 1>were John Wayne Wilson and Gary Guests. So at about

0:15:49.280 --> 0:15:53.520
<v Speaker 1>eleven that night, Guests leaves the bar, and a bit later,

0:15:53.920 --> 0:15:58.040
<v Speaker 1>Roseanne Quinn takes John Wayne Wilson home to her apartment.

0:15:58.040 --> 0:16:01.720
<v Speaker 3>And that's the last time that anyone will see Roseanne

0:16:01.760 --> 0:16:02.680
<v Speaker 3>Quinn alive.

0:16:03.720 --> 0:16:05.840
<v Speaker 1>And we'll hear more about that after we take a

0:16:05.920 --> 0:16:06.440
<v Speaker 1>quick break.

0:16:10.680 --> 0:16:14.160
<v Speaker 3>On New Year's Day, nineteen seventy three, Roseanne Quinn leaves

0:16:14.200 --> 0:16:17.320
<v Speaker 3>the neighborhood bar with a stranger. That man is named

0:16:17.400 --> 0:16:20.800
<v Speaker 3>John Wayne Wilson, and Roseanne Quinn invites him back to

0:16:20.840 --> 0:16:24.440
<v Speaker 3>her home, an apartment on the seventh floor across the street.

0:16:25.000 --> 0:16:29.560
<v Speaker 3>Once they're there, the two reportedly smoked some pocololo or

0:16:29.600 --> 0:16:35.360
<v Speaker 3>marijuana and attempted to have sex. Wilson later told authorities

0:16:35.400 --> 0:16:39.400
<v Speaker 3>that when he failed to perform, Roseanne mocked him for

0:16:39.440 --> 0:16:41.920
<v Speaker 3>it and told him to leave. This is when an

0:16:42.040 --> 0:16:45.680
<v Speaker 3>argument ensued and he took a knife, and he ended

0:16:45.760 --> 0:16:51.080
<v Speaker 3>up stabbing her fourteen times. Afterwards, he covered up her

0:16:51.120 --> 0:16:55.040
<v Speaker 3>body with a bathroom, cleaned himself up in her shower,

0:16:55.800 --> 0:17:00.000
<v Speaker 3>and wiped down her entire apartment before leaving. This is

0:17:00.160 --> 0:17:02.360
<v Speaker 3>all what he says happened.

0:17:02.840 --> 0:17:07.159
<v Speaker 2>Yeah, that's just disgusting, you know. But of course, you know,

0:17:07.200 --> 0:17:11.359
<v Speaker 2>we have to pause here for a moment because we

0:17:11.560 --> 0:17:15.119
<v Speaker 2>really don't know exactly how it went down. You know,

0:17:15.320 --> 0:17:20.280
<v Speaker 2>he he makes this classic excuse, right that she mocked

0:17:20.359 --> 0:17:24.439
<v Speaker 2>him for you know, not being able to perform his

0:17:24.600 --> 0:17:30.320
<v Speaker 2>manly sexual duties, you know, and that somehow justifies this

0:17:30.520 --> 0:17:34.480
<v Speaker 2>anger and then murder. Right, And also I have to

0:17:34.480 --> 0:17:37.560
<v Speaker 2>go back to the movie, and again we don't know,

0:17:38.119 --> 0:17:41.119
<v Speaker 2>we don't know what happened, but in the movie, you know,

0:17:41.280 --> 0:17:47.920
<v Speaker 2>they portray him to be possibly gay in the movie closeted,

0:17:48.240 --> 0:17:51.240
<v Speaker 2>closeted gay. So but again I don't know if that

0:17:51.440 --> 0:17:55.120
<v Speaker 2>is true or not. But the thing about this is

0:17:55.280 --> 0:18:01.119
<v Speaker 2>the police actually buy this excuse, you know, not being

0:18:01.160 --> 0:18:04.000
<v Speaker 2>able to get it up exactly, of not being able

0:18:04.000 --> 0:18:06.680
<v Speaker 2>to perform. Are you joking or.

0:18:06.600 --> 0:18:10.720
<v Speaker 1>That the rage is justified as a result, right, I

0:18:10.800 --> 0:18:13.520
<v Speaker 1>mean different times, But that's wild. I mean this kind

0:18:13.520 --> 0:18:16.040
<v Speaker 1>of goes back to the Dominique dun case. Yeah, we

0:18:16.080 --> 0:18:18.960
<v Speaker 1>looked at a few episodes ago. Obviously that was twelve

0:18:19.040 --> 0:18:22.359
<v Speaker 1>years later, but we had a judge sympathizing with a

0:18:22.400 --> 0:18:25.159
<v Speaker 1>guy who strangled his girlfriend, saying he was caught up

0:18:25.160 --> 0:18:27.320
<v Speaker 1>in the heat of passion because she'd angered him in

0:18:27.359 --> 0:18:30.359
<v Speaker 1>some way, right, And he was only found guilty of

0:18:30.640 --> 0:18:33.760
<v Speaker 1>voluntary manslaughter as a result. So I really don't think

0:18:33.800 --> 0:18:37.560
<v Speaker 1>you're wrong. I think again, in both cases, law enforcement

0:18:37.640 --> 0:18:41.280
<v Speaker 1>or the legal system is citing with the men in

0:18:41.320 --> 0:18:44.800
<v Speaker 1>these situations and saying that their justifications are totally valid.

0:18:45.920 --> 0:18:49.520
<v Speaker 1>You know, maybe Roseanne Quinn did actually mock Jane Wayne Wilson,

0:18:49.640 --> 0:18:52.120
<v Speaker 1>but do we really think that gave him a right

0:18:52.240 --> 0:18:55.320
<v Speaker 1>to harm her physically and then kill her? Absolutely not, No,

0:18:55.440 --> 0:18:58.840
<v Speaker 1>of course, obviously not. It's wild that anybody would ever

0:18:59.480 --> 0:19:00.400
<v Speaker 1>take that perspective.

0:19:00.640 --> 0:19:02.560
<v Speaker 3>Absolutely, absolutely, no way.

0:19:03.440 --> 0:19:03.640
<v Speaker 1>No.

0:19:04.000 --> 0:19:07.440
<v Speaker 3>So after he leaves Roseanne Quinn's apartment, Wilson then goes

0:19:07.480 --> 0:19:10.480
<v Speaker 3>to his friend Gary Guests, and that's the same friend

0:19:10.520 --> 0:19:12.840
<v Speaker 3>who he'd been with at the bar the night before,

0:19:13.600 --> 0:19:17.080
<v Speaker 3>and he ends up confessing to Geary Guests what he

0:19:17.119 --> 0:19:20.920
<v Speaker 3>had done to Rozanne, but Guests did not believe him

0:19:20.960 --> 0:19:23.879
<v Speaker 3>and thought he was just trying to get money home

0:19:24.280 --> 0:19:27.320
<v Speaker 3>for a flight to Miami. So anyway, he bought him

0:19:27.600 --> 0:19:32.080
<v Speaker 3>the plane ticket home, and Wilson flew to Miami, where

0:19:32.160 --> 0:19:36.159
<v Speaker 3>he picked up his wife. I have no clue what

0:19:36.240 --> 0:19:38.880
<v Speaker 3>he actually told his wife, but the two of them

0:19:39.520 --> 0:19:42.679
<v Speaker 3>then flew together to Indiana, where Wilson's mother was living.

0:19:43.080 --> 0:19:45.040
<v Speaker 2>I just have to stop you there, and you think about,

0:19:45.080 --> 0:19:48.199
<v Speaker 2>like if you have a friend who comes back and

0:19:48.359 --> 0:19:52.159
<v Speaker 2>tells you that, like, what wouldn't you kill you someone,

0:19:52.240 --> 0:19:55.919
<v Speaker 2>what wouldn't you be Like what did you say? Like right,

0:19:56.040 --> 0:19:57.159
<v Speaker 2>wouldn't you want to know?

0:19:57.880 --> 0:19:59.960
<v Speaker 3>Like you wouldn't pay for them to get out of town?

0:20:00.760 --> 0:20:04.600
<v Speaker 2>Not at all. So anyhow, meanwhile, back in New York,

0:20:04.800 --> 0:20:08.920
<v Speaker 2>Rosanne Quinn, you know, her friends and her colleagues, they're

0:20:09.240 --> 0:20:13.200
<v Speaker 2>getting extremely worried. She hadn't showed up to school where

0:20:13.240 --> 0:20:17.480
<v Speaker 2>she taught, and so on January third, a fellow teacher

0:20:18.119 --> 0:20:21.800
<v Speaker 2>went to her apartment and of course, when she didn't

0:20:21.840 --> 0:20:25.280
<v Speaker 2>answer the door, he had the building superintendent open it,

0:20:25.680 --> 0:20:27.320
<v Speaker 2>and that's when they found her. Sadly.

0:20:27.720 --> 0:20:31.000
<v Speaker 1>Yeah, so it's a bit of a gruesome crime scene.

0:20:31.160 --> 0:20:34.520
<v Speaker 1>So she's laid out on her fold out bed. Not

0:20:34.560 --> 0:20:37.440
<v Speaker 1>only had she been stabbed fourteen times, but she had

0:20:37.440 --> 0:20:41.080
<v Speaker 1>also been raped, and the murderer had placed on top

0:20:41.119 --> 0:20:44.600
<v Speaker 1>of her face a sculpted bust of another woman.

0:20:45.200 --> 0:20:49.480
<v Speaker 3>Oh that's a lot to intake, as all of you know,

0:20:49.520 --> 0:20:52.840
<v Speaker 3>the murder scenes are, of course, but this is really

0:20:52.880 --> 0:20:55.800
<v Speaker 3>when the press frenzy begins.

0:20:56.480 --> 0:20:58.439
<v Speaker 1>Yeah, I mean you can imagine like that kind of

0:20:58.440 --> 0:21:02.399
<v Speaker 1>story is to blow up very fast, right for a

0:21:02.440 --> 0:21:07.600
<v Speaker 1>lot of reasons. But the immediate news coverage following Roseanne's

0:21:07.640 --> 0:21:13.239
<v Speaker 1>murder doesn't really focus on this woman getting killed, but

0:21:13.280 --> 0:21:15.840
<v Speaker 1>more about how scandalous the whole thing appears to be.

0:21:16.720 --> 0:21:19.520
<v Speaker 1>So the daily news headline takes up three quarters of

0:21:19.520 --> 0:21:23.159
<v Speaker 1>the page and reads, in all caps, quote teacher found

0:21:23.480 --> 0:21:26.480
<v Speaker 1>nude and slain. And I'd say that's pretty typical of

0:21:26.520 --> 0:21:28.160
<v Speaker 1>a lot of like news coverage of the time, right,

0:21:28.240 --> 0:21:32.119
<v Speaker 1>Like I think outlets really made a point to like

0:21:32.200 --> 0:21:35.320
<v Speaker 1>talk about her physical appearance, like how pretty she was,

0:21:35.359 --> 0:21:38.400
<v Speaker 1>talk about how young she was, and then of course

0:21:38.440 --> 0:21:41.119
<v Speaker 1>all like the weird extreme violence and the bust and

0:21:41.119 --> 0:21:44.439
<v Speaker 1>all that stuff. But it was weird. It was like

0:21:44.480 --> 0:21:48.720
<v Speaker 1>her status as this attractive young woman who was killed

0:21:48.760 --> 0:21:51.320
<v Speaker 1>after a sexual encounter. You know, it was portrayed as

0:21:51.359 --> 0:21:54.000
<v Speaker 1>almost like titillating, right, like it was just for the

0:21:54.400 --> 0:21:57.040
<v Speaker 1>tabloids exactly.

0:21:57.080 --> 0:21:58.280
<v Speaker 2>That's what I was going to say. And I was

0:21:58.320 --> 0:22:01.000
<v Speaker 2>going to say, it's just it's so so sad, you know,

0:22:01.160 --> 0:22:04.720
<v Speaker 2>because again, as we said, she's just this independent woman

0:22:04.760 --> 0:22:07.720
<v Speaker 2>who's living her life, having a great time. She's a teacher,

0:22:08.080 --> 0:22:10.800
<v Speaker 2>she has people who love her, and then to be

0:22:11.600 --> 0:22:15.080
<v Speaker 2>you know, blasted right all over the newspapers in this

0:22:15.760 --> 0:22:21.520
<v Speaker 2>sensationalism and titillation, you know, especially by using that word nude,

0:22:21.960 --> 0:22:24.399
<v Speaker 2>you know, and the pictures that they showed, Like, just

0:22:24.440 --> 0:22:27.800
<v Speaker 2>how awful is that, you know, for her family and

0:22:27.880 --> 0:22:30.560
<v Speaker 2>all of the people that knew her. You know, just

0:22:30.600 --> 0:22:33.520
<v Speaker 2>think about her student and the student. That's exactly what

0:22:33.560 --> 0:22:34.960
<v Speaker 2>I was going to say, her students.

0:22:35.440 --> 0:22:38.520
<v Speaker 3>So it's interesting. There's an essay by Susan Brown Miller.

0:22:38.760 --> 0:22:42.000
<v Speaker 3>And Susan Brown Miller wrote the famous book Against Our Will,

0:22:42.200 --> 0:22:45.400
<v Speaker 3>and that book helped change the way we talk about rape.

0:22:45.720 --> 0:22:48.439
<v Speaker 3>But in this essay she talks about the headline that

0:22:48.480 --> 0:22:54.400
<v Speaker 3>you mentioned, Trevor teacher found nude and slain. She writes, quote,

0:22:54.920 --> 0:22:59.240
<v Speaker 3>the introduction of the operative word nude was significant. No

0:22:59.320 --> 0:23:03.240
<v Speaker 3>longer simply a victim of male violence, Roseanne Quinn had

0:23:03.280 --> 0:23:07.760
<v Speaker 3>been transmogrified in death into an object of sexual fantasy.

0:23:08.400 --> 0:23:13.280
<v Speaker 3>A teacher was not even naked, but nude, nude the

0:23:13.280 --> 0:23:17.040
<v Speaker 3>way strippers are nude, the way prostitutes are nude, the

0:23:17.040 --> 0:23:21.520
<v Speaker 3>way statues are nude, the way lovers are nude. Any

0:23:21.560 --> 0:23:26.080
<v Speaker 3>man could now fully fantasize about Rosanne Quinn's nude body

0:23:26.400 --> 0:23:28.960
<v Speaker 3>on her disheveled bed end.

0:23:29.040 --> 0:23:29.480
<v Speaker 1>Quote.

0:23:29.920 --> 0:23:33.960
<v Speaker 3>You know, so that really says something right about how

0:23:34.320 --> 0:23:39.320
<v Speaker 3>rape and violence against women were thought of as kind

0:23:39.359 --> 0:23:43.880
<v Speaker 3>of titillation for a long time, and it's just sickening.

0:23:43.800 --> 0:23:46.400
<v Speaker 2>It is, and it's something that we will still continue

0:23:46.440 --> 0:23:49.160
<v Speaker 2>to push back against. And you know, I have to say,

0:23:50.400 --> 0:23:52.679
<v Speaker 2>you know, one of my all time favorite movies was

0:23:53.600 --> 0:23:56.200
<v Speaker 2>It's called The Accused, which is done in nineteen ninety

0:23:56.200 --> 0:24:00.000
<v Speaker 2>eight with Jodie Foster, and it's you know, similar but different.

0:24:00.320 --> 0:24:03.720
<v Speaker 2>But you know, Jodie Foster's character was you know, she

0:24:04.280 --> 0:24:06.520
<v Speaker 2>was at a bar, she was having a good time,

0:24:06.760 --> 0:24:10.439
<v Speaker 2>and you know, they tried to turn it around. You know,

0:24:10.520 --> 0:24:12.960
<v Speaker 2>she ended up getting gang raped in the movie, but

0:24:13.440 --> 0:24:16.240
<v Speaker 2>they tried to flip the switch and say, well it

0:24:16.359 --> 0:24:19.960
<v Speaker 2>was because she was dressed like this, you know, like

0:24:20.000 --> 0:24:22.400
<v Speaker 2>she was asking for it. And again, like I said,

0:24:22.440 --> 0:24:25.800
<v Speaker 2>we will we will always continue to push back against this.

0:24:26.280 --> 0:24:30.000
<v Speaker 1>Yeah, moving on with the story here. One other thing

0:24:30.040 --> 0:24:33.720
<v Speaker 1>that the New York Papers publish is a sketch of

0:24:33.760 --> 0:24:36.880
<v Speaker 1>who they believe the perpetrator is given to them by

0:24:36.960 --> 0:24:40.760
<v Speaker 1>police based on accounts from people at the bar that night.

0:24:41.760 --> 0:24:44.720
<v Speaker 1>But the sketch was not of John Wayne Wilson, the

0:24:44.800 --> 0:24:48.320
<v Speaker 1>man we know who killed her, but instead of Gary Guest,

0:24:48.600 --> 0:24:49.280
<v Speaker 1>the friend.

0:24:49.840 --> 0:24:51.600
<v Speaker 3>Yeah, and this was the guy who was there at

0:24:51.600 --> 0:24:56.560
<v Speaker 3>the bar that night with Wilson, who later bought him

0:24:56.560 --> 0:24:57.680
<v Speaker 3>that ticket out of town.

0:24:57.720 --> 0:24:59.679
<v Speaker 1>Right, yeah, the guy that he confessed to.

0:25:00.160 --> 0:25:02.680
<v Speaker 2>Right, he didn't believe his story, Yeah exactly.

0:25:02.760 --> 0:25:06.879
<v Speaker 1>So Gary Guest, as you can imagine, sees this in

0:25:06.920 --> 0:25:12.120
<v Speaker 1>the newspaper and is terrified, right right, So he's obviously

0:25:12.160 --> 0:25:15.000
<v Speaker 1>worried that he's going to get implicated in Roseanne's murder.

0:25:15.280 --> 0:25:17.280
<v Speaker 1>So the first thing he does is go straight to

0:25:17.320 --> 0:25:21.000
<v Speaker 1>the police. He tells them that Wilson actually is the

0:25:21.000 --> 0:25:23.240
<v Speaker 1>one who confessed to the crime and went home with

0:25:23.280 --> 0:25:23.800
<v Speaker 1>her that night.

0:25:23.920 --> 0:25:26.240
<v Speaker 3>Oh now, he tells him, right exactly.

0:25:26.760 --> 0:25:28.040
<v Speaker 1>I mean, it could have been that that was the

0:25:28.080 --> 0:25:30.800
<v Speaker 1>first time he had seen that Roseanne was murdered. And

0:25:30.840 --> 0:25:33.800
<v Speaker 1>he puts two and two together, but I'm not sure.

0:25:33.760 --> 0:25:37.360
<v Speaker 3>Finally believes them. Maybe yeah, yeah.

0:25:36.800 --> 0:25:40.040
<v Speaker 1>Either way. He gives them Wilson's location in exchange for

0:25:40.040 --> 0:25:44.560
<v Speaker 1>your immunity. So the NYPD then flies to Indiana with

0:25:44.600 --> 0:25:46.920
<v Speaker 1>the goal of arresting John Wayne Wilson for the murder

0:25:46.960 --> 0:25:50.200
<v Speaker 1>of Roseanne Quinn. And we'll talk about what happened next

0:25:50.280 --> 0:25:51.760
<v Speaker 1>after we take another quick break.

0:25:56.160 --> 0:26:00.720
<v Speaker 3>So having been alerted by his friend Gary, Guest then

0:26:00.800 --> 0:26:04.960
<v Speaker 3>flew to Indiana, where they promptly arrested Wilson at his

0:26:05.080 --> 0:26:10.119
<v Speaker 3>mother's home. He is then incarcerated at the Manhattan Detention Complex,

0:26:10.160 --> 0:26:14.679
<v Speaker 3>which is also famously known as the Tombs. From there,

0:26:15.000 --> 0:26:18.360
<v Speaker 3>he is sent to Bellevue Hospital Center for testing, and

0:26:18.520 --> 0:26:20.959
<v Speaker 3>the reason he was sent there is because his lawyer

0:26:21.520 --> 0:26:24.399
<v Speaker 3>wanted to see if he had suffered brain damage as

0:26:24.440 --> 0:26:28.720
<v Speaker 3>a child in order to support an insanity defense. I'm sorry,

0:26:28.800 --> 0:26:31.520
<v Speaker 3>it just baffles me to even say those words.

0:26:31.880 --> 0:26:34.880
<v Speaker 2>You hear about the insanity defense every now and then,

0:26:34.960 --> 0:26:38.679
<v Speaker 2>and you definitely hear about it in movies, right, But

0:26:38.840 --> 0:26:40.719
<v Speaker 2>how common is it really?

0:26:41.440 --> 0:26:43.440
<v Speaker 1>I mean, it feels like we hear about it a lot, right.

0:26:43.760 --> 0:26:48.240
<v Speaker 1>It feels like anytime there's one of these murders motivated

0:26:48.240 --> 0:26:52.919
<v Speaker 1>by anger, that the defense lawyer's default to this insanity

0:26:52.960 --> 0:26:56.359
<v Speaker 1>defense plea. But according to the numbers anyway, it's actually

0:26:56.440 --> 0:27:00.399
<v Speaker 1>not that common. In fact, only about one percent of

0:27:00.440 --> 0:27:03.280
<v Speaker 1>all felony cases in the US involve the use of

0:27:03.320 --> 0:27:08.080
<v Speaker 1>the insanity defense, and it's very rarely successful. So the

0:27:08.119 --> 0:27:11.000
<v Speaker 1>thing to remember here is that the so called insanity

0:27:11.040 --> 0:27:13.679
<v Speaker 1>defense is just a legal concept. It's not like a

0:27:13.760 --> 0:27:18.040
<v Speaker 1>medical concept, right, So you won't find doctors or psychiatrists

0:27:18.080 --> 0:27:21.720
<v Speaker 1>like using it in their office. So it's really just

0:27:21.760 --> 0:27:23.879
<v Speaker 1>based on the idea that at the time of the crime,

0:27:24.400 --> 0:27:28.880
<v Speaker 1>the defendant was experiencing quote severe mental illness like temporarily

0:27:29.040 --> 0:27:32.160
<v Speaker 1>and is therefore incapable of understanding the difference between right

0:27:32.200 --> 0:27:35.399
<v Speaker 1>and wrong, and because of this there of course not

0:27:35.440 --> 0:27:38.640
<v Speaker 1>accountable for the crime. But just having a mental disorder

0:27:38.880 --> 0:27:41.280
<v Speaker 1>is not enough to make someone not accountable for a crime,

0:27:41.359 --> 0:27:43.880
<v Speaker 1>at least so you would think, and most logical people

0:27:43.880 --> 0:27:46.520
<v Speaker 1>would think that. At any rate, it's really like hard

0:27:46.560 --> 0:27:49.960
<v Speaker 1>to determine what legal insanity is, and it's even harder

0:27:50.000 --> 0:27:52.119
<v Speaker 1>to defend it in court. So even though you do

0:27:52.200 --> 0:27:53.920
<v Speaker 1>sometimes kind of hear about it, it's really only in

0:27:54.000 --> 0:27:57.120
<v Speaker 1>high profile cases kind of as a hail Mary, right,

0:27:57.200 --> 0:27:59.720
<v Speaker 1>Like it's almost impossible.

0:27:59.160 --> 0:28:02.160
<v Speaker 3>To back right, like a last ditch effort.

0:28:02.840 --> 0:28:06.320
<v Speaker 2>Right. Well, so in this case, did it work.

0:28:06.440 --> 0:28:09.320
<v Speaker 1>No, it definitely did not work. You know, there was

0:28:09.440 --> 0:28:12.600
<v Speaker 1>really no chance for it really to even be investigated

0:28:13.119 --> 0:28:17.680
<v Speaker 1>or attempted. So shortly after his visit to Bellevue, Wilson

0:28:17.720 --> 0:28:20.520
<v Speaker 1>got into an argument with a guard at the tombs,

0:28:21.280 --> 0:28:25.440
<v Speaker 1>and that guard mockingly encouraged Wilson to kill himself and

0:28:25.520 --> 0:28:28.479
<v Speaker 1>he even tossed him some bed sheets into his chamber.

0:28:28.800 --> 0:28:29.200
<v Speaker 3>Wow.

0:28:29.359 --> 0:28:32.760
<v Speaker 1>And in fact, Wilson did kill himself. He hanged himself

0:28:32.760 --> 0:28:34.880
<v Speaker 1>in his cell using those very sheets.

0:28:35.280 --> 0:28:38.960
<v Speaker 2>Whoa, I mean, so that really is the end of

0:28:39.040 --> 0:28:42.960
<v Speaker 2>the case, you know, with him committing suicide. I mean,

0:28:43.000 --> 0:28:44.840
<v Speaker 2>that's that's heavy.

0:28:45.240 --> 0:28:46.440
<v Speaker 1>Yeah, that's kind of it, right.

0:28:46.480 --> 0:28:48.760
<v Speaker 3>Gosh, it makes me think about her family, like do

0:28:48.800 --> 0:28:51.400
<v Speaker 3>they feel like they got any justice or like you

0:28:51.440 --> 0:28:53.640
<v Speaker 3>wonder if they feel like they were robbed of something

0:28:53.920 --> 0:28:56.480
<v Speaker 3>because they have no reason and don't know why he

0:28:56.520 --> 0:28:59.680
<v Speaker 3>did what he did right, Yeah, yeah, maybe?

0:28:59.760 --> 0:29:01.800
<v Speaker 1>I mean yeah, I mean I sometimes wonder that in

0:29:01.840 --> 0:29:05.000
<v Speaker 1>cases where the perpetrator gets killed before they're able to

0:29:05.000 --> 0:29:08.960
<v Speaker 1>stand trial. It's not unheard of, and it's definitely complex,

0:29:09.040 --> 0:29:11.680
<v Speaker 1>but you know, at least they are pretty sure, pretty

0:29:11.680 --> 0:29:16.000
<v Speaker 1>confident that he did it right, Like they have Roseanne's body,

0:29:16.120 --> 0:29:17.680
<v Speaker 1>they know who did it. I mean, that's a lot

0:29:17.680 --> 0:29:20.040
<v Speaker 1>of things that a lot of people don't get a

0:29:20.040 --> 0:29:21.560
<v Speaker 1>lot of families don't even get that much.

0:29:21.720 --> 0:29:23.840
<v Speaker 2>So definitely very true, Trevor.

0:29:24.200 --> 0:29:29.080
<v Speaker 3>Yeah, it's definitely a piece of closure. For sure. So

0:29:30.240 --> 0:29:35.000
<v Speaker 3>you know, Roseanne Quinn is eventually buried in Saint Mary's Cemetery,

0:29:35.680 --> 0:29:38.440
<v Speaker 3>just a mile away from her family's home in New Jersey.

0:29:39.760 --> 0:29:42.480
<v Speaker 3>So three years later, the novel that we've been talking

0:29:42.560 --> 0:29:44.840
<v Speaker 3>about and the movie we've been talking about, Looking for

0:29:44.960 --> 0:29:49.080
<v Speaker 3>Mister Goodbar ends up getting published as a novel casting

0:29:49.120 --> 0:29:53.000
<v Speaker 3>its main character as a self destructive young woman who

0:29:53.160 --> 0:29:57.080
<v Speaker 3>seeks men that would harm her. And then five years

0:29:57.160 --> 0:30:01.720
<v Speaker 3>later is when the movie is made Diane Keaton, and

0:30:02.840 --> 0:30:06.880
<v Speaker 3>when Roger Ebert reviewed the movie, he called it a

0:30:07.000 --> 0:30:12.280
<v Speaker 3>quote cautionary lesson that promiscuous young women who frequent pickup

0:30:12.280 --> 0:30:15.280
<v Speaker 3>bars and go home with strangers are likely to get

0:30:15.320 --> 0:30:16.719
<v Speaker 3>into trouble end quote.

0:30:17.360 --> 0:30:20.400
<v Speaker 1>Yeah, and I read that sometimes wondering if he was

0:30:20.440 --> 0:30:25.320
<v Speaker 1>being kind of sarcastic or being literal right in either case.

0:30:25.560 --> 0:30:29.760
<v Speaker 1>The media took that message very literally, and they really

0:30:29.880 --> 0:30:32.320
<v Speaker 1>drive that home, especially after the movie comes out, so

0:30:32.680 --> 0:30:34.640
<v Speaker 1>they focus on the fact that she would come home

0:30:34.680 --> 0:30:38.520
<v Speaker 1>with men late at night who would stay over. There

0:30:38.560 --> 0:30:41.720
<v Speaker 1>was even one neighbor who told a reporter that there

0:30:41.760 --> 0:30:43.680
<v Speaker 1>was a night that Roseanne and a man she brought

0:30:43.720 --> 0:30:46.719
<v Speaker 1>home got into a fight and that they had to

0:30:46.920 --> 0:30:50.120
<v Speaker 1>go intervene in the fight, and when they did, they

0:30:50.120 --> 0:30:53.160
<v Speaker 1>found Roseanne sobbing with two black eyes as though she

0:30:53.200 --> 0:30:57.600
<v Speaker 1>had been beaten. Right, So it seems like everybody's painting

0:30:57.680 --> 0:31:01.680
<v Speaker 1>Roseanne as somebody who's getting into trouble unnecessarily.

0:31:01.160 --> 0:31:03.320
<v Speaker 2>Right, painting her as like a charlatan.

0:31:03.440 --> 0:31:03.600
<v Speaker 1>Right.

0:31:04.480 --> 0:31:07.440
<v Speaker 3>It is good though that that neighbor was there during

0:31:07.440 --> 0:31:11.120
<v Speaker 3>that particular incident to help Roseanne out, But we could

0:31:11.160 --> 0:31:13.880
<v Speaker 3>definitely do without all the slutshaming that was going on, right,

0:31:14.040 --> 0:31:18.240
<v Speaker 3>I mean, hello, yeah, there, of course there is a

0:31:18.320 --> 0:31:21.240
<v Speaker 3>risk to bringing someone that you don't know very well

0:31:21.400 --> 0:31:25.880
<v Speaker 3>to your home, absolutely no doubt about it. But it

0:31:25.960 --> 0:31:30.160
<v Speaker 3>does not mean that you, in any way, shape or form,

0:31:30.680 --> 0:31:34.040
<v Speaker 3>deserve violence or harm full stop.

0:31:34.240 --> 0:31:38.080
<v Speaker 2>Yeah, I agree. I mean you can dress, you can

0:31:38.160 --> 0:31:41.239
<v Speaker 2>have as much sex as you want. You can, you know,

0:31:41.360 --> 0:31:44.280
<v Speaker 2>have whoever you want come into your home. I mean

0:31:44.280 --> 0:31:46.960
<v Speaker 2>that is your right, that is your choice, you know,

0:31:47.080 --> 0:31:50.960
<v Speaker 2>but it does not give anybody the right to be

0:31:51.280 --> 0:31:56.720
<v Speaker 2>killed or raped because of nope, their lifestyle that they're living. Again,

0:31:56.840 --> 0:32:00.560
<v Speaker 2>she was, you know, an independent woman who has an

0:32:00.600 --> 0:32:03.520
<v Speaker 2>amazing job. We can go on and on, right, like

0:32:03.560 --> 0:32:04.520
<v Speaker 2>people loved her.

0:32:04.800 --> 0:32:07.080
<v Speaker 1>Yeah, I mean all that said, I think it's not

0:32:07.120 --> 0:32:10.040
<v Speaker 1>surprising to me that, you know, tabloid papers in the

0:32:10.120 --> 0:32:14.080
<v Speaker 1>nineteen seventies and you know, moving book adaptations in the

0:32:14.160 --> 0:32:18.240
<v Speaker 1>nineteen seventies would take this kind of approach to this story.

0:32:19.280 --> 0:32:21.360
<v Speaker 1>You know, it's just a different time. I mean, obviously

0:32:21.480 --> 0:32:24.720
<v Speaker 1>you're all correct this was not okay and that you know,

0:32:24.760 --> 0:32:28.120
<v Speaker 1>there are realities to this that should have been better represented.

0:32:28.160 --> 0:32:31.480
<v Speaker 1>But you know, I think since then, there's been a

0:32:31.560 --> 0:32:34.280
<v Speaker 1>lot of work done and you know, and sometimes we

0:32:34.400 --> 0:32:39.200
<v Speaker 1>need bad representations, you know, we need misrepresentations to know

0:32:39.280 --> 0:32:41.080
<v Speaker 1>that that was wrong and we're going to do it

0:32:41.080 --> 0:32:44.200
<v Speaker 1>better next time. Yeah, yeah, sure, so we can work

0:32:44.240 --> 0:32:48.040
<v Speaker 1>on this as a society and like, you know, do better.

0:32:48.080 --> 0:32:49.760
<v Speaker 1>And you know, I hate to say that, like this

0:32:49.920 --> 0:32:52.560
<v Speaker 1>was an example to be made of some sort, but

0:32:52.640 --> 0:32:55.280
<v Speaker 1>it was just like something that I think a lot

0:32:55.320 --> 0:32:57.400
<v Speaker 1>of feminist scholars would look back on and be like,

0:32:58.160 --> 0:33:00.160
<v Speaker 1>you know, this was a crucial point and hiss for

0:33:00.200 --> 0:33:02.120
<v Speaker 1>you because we learned what not to do.

0:33:02.320 --> 0:33:05.280
<v Speaker 2>Yeah, right, right, you know.

0:33:05.360 --> 0:33:08.120
<v Speaker 3>To piggyback on that, Trevor, I actually found a Slate

0:33:08.240 --> 0:33:12.120
<v Speaker 3>article that talks, you know, about that time and like

0:33:12.120 --> 0:33:14.600
<v Speaker 3>you said, like I think we've come a long way

0:33:14.640 --> 0:33:16.720
<v Speaker 3>in our society today, but that was a different time

0:33:16.800 --> 0:33:20.760
<v Speaker 3>back then. And this particular Slate article it points out

0:33:20.840 --> 0:33:24.040
<v Speaker 3>that quote much of the public discussion centered on Quinn's

0:33:24.040 --> 0:33:27.200
<v Speaker 3>private life. Wilson wasn't the first man she'd brought home.

0:33:27.680 --> 0:33:31.240
<v Speaker 3>Neighbors had heard fighting in her apartment before. Was this

0:33:31.480 --> 0:33:34.680
<v Speaker 3>rough sex gone wrong? Was she suicidal? Had she wanted

0:33:34.720 --> 0:33:38.160
<v Speaker 3>all the sex in the world with no consequences? Was

0:33:38.240 --> 0:33:42.360
<v Speaker 3>she what Gloria steinem was going to the barricades for?

0:33:43.200 --> 0:33:45.440
<v Speaker 3>End quote, And it goes on to say in that

0:33:45.520 --> 0:33:49.760
<v Speaker 3>same article, quote, the reason Rosanne Quinn's death terrified people

0:33:50.200 --> 0:33:53.120
<v Speaker 3>wasn't that she was a freak or a hippie. It

0:33:53.200 --> 0:33:57.280
<v Speaker 3>was that she was steadily employed, modestly dressed, well liked.

0:33:57.520 --> 0:34:01.400
<v Speaker 3>She was normal, but she was a new normal one

0:34:01.440 --> 0:34:05.600
<v Speaker 3>that decades later, we're still trying to deny or scare away.

0:34:06.000 --> 0:34:07.160
<v Speaker 3>End quote.

0:34:07.600 --> 0:34:10.280
<v Speaker 2>Yeah, you know, we could say that she was ahead

0:34:10.280 --> 0:34:14.160
<v Speaker 2>of her time, right, that people they just weren't ready

0:34:14.200 --> 0:34:18.040
<v Speaker 2>for her. And again, I mean it's absolutely not over.

0:34:18.760 --> 0:34:21.360
<v Speaker 3>You know, any case that we choose to do on

0:34:21.440 --> 0:34:25.640
<v Speaker 3>facing evil, Eva and I and now Trevor, we're always

0:34:25.680 --> 0:34:30.600
<v Speaker 3>looking for that Emua, right, like that what that theme

0:34:30.719 --> 0:34:33.520
<v Speaker 3>is throughout the entire episode, like why are we telling

0:34:33.520 --> 0:34:36.560
<v Speaker 3>this story? And I really believe that we're telling Roseanne

0:34:36.600 --> 0:34:41.000
<v Speaker 3>Quinn's story because we need to flip the script right.

0:34:41.520 --> 0:34:45.799
<v Speaker 3>She was vilified as a victim just because of the

0:34:45.840 --> 0:34:49.560
<v Speaker 3>way she dressed, who she slept with, being by herself,

0:34:49.719 --> 0:34:54.600
<v Speaker 3>you know, being an independent young woman. And we are

0:34:54.680 --> 0:34:59.240
<v Speaker 3>here to tell you that it doesn't matter how you dress,

0:34:59.640 --> 0:35:04.280
<v Speaker 3>what under you identify as, where you are in your life,

0:35:04.320 --> 0:35:06.840
<v Speaker 3>if you like having sex, if you don't, if you're asexual,

0:35:06.960 --> 0:35:11.719
<v Speaker 3>doesn't matter. You do not deserve to be harmed. You

0:35:11.719 --> 0:35:15.840
<v Speaker 3>don't deserve violence. You do not deserve to be murdered.

0:35:16.640 --> 0:35:21.080
<v Speaker 3>And I want to highlight some great things about who

0:35:21.160 --> 0:35:24.400
<v Speaker 3>Roseanne Quinn was as a human being before she was

0:35:24.440 --> 0:35:29.080
<v Speaker 3>a victim. So just a few facts, little few nuggets

0:35:29.080 --> 0:35:33.440
<v Speaker 3>to know about Roseanne. She suffered from polio as a child,

0:35:33.560 --> 0:35:35.759
<v Speaker 3>and she walked with a slight limp, but she never

0:35:35.840 --> 0:35:39.560
<v Speaker 3>let that bother her. She enjoyed going on ski trips.

0:35:40.160 --> 0:35:44.080
<v Speaker 3>She was very dedicated to her work and to the

0:35:44.200 --> 0:35:48.759
<v Speaker 3>children that she got to teach American Sign language too.

0:35:49.440 --> 0:35:53.239
<v Speaker 3>She often brought breakfast in for her students because they

0:35:53.239 --> 0:35:56.000
<v Speaker 3>didn't have time to eat at home because they were

0:35:56.040 --> 0:35:59.520
<v Speaker 3>catching the school bus. And of course Rosanne probably wasn't

0:35:59.520 --> 0:36:02.640
<v Speaker 3>a saint, but but I'm sorry, no one is, and

0:36:02.680 --> 0:36:05.200
<v Speaker 3>I'm sure she was a very complex person, but she

0:36:06.160 --> 0:36:13.040
<v Speaker 3>above all deserved to live and she is way more

0:36:13.960 --> 0:36:15.960
<v Speaker 3>than her victimhood.

0:36:15.480 --> 0:36:19.280
<v Speaker 2>Or the way that she died. Amen to that, Rasha, Amen,

0:36:19.760 --> 0:36:24.080
<v Speaker 2>absolutely absolutely, you know, and again I can just add

0:36:24.120 --> 0:36:28.560
<v Speaker 2>in there she was truly ahead of her time. You know.

0:36:28.880 --> 0:36:32.000
<v Speaker 2>She was, like we've said in so many cases, she

0:36:32.160 --> 0:36:34.799
<v Speaker 2>was living out loud, and she was doing all the

0:36:34.840 --> 0:36:38.600
<v Speaker 2>things that she loved to do, and the way that

0:36:38.760 --> 0:36:42.000
<v Speaker 2>her life was taken is just tragic.

0:36:41.880 --> 0:36:42.160
<v Speaker 1>You know.

0:36:42.280 --> 0:36:45.560
<v Speaker 2>And we have to remember that gender based violence is

0:36:45.960 --> 0:36:50.600
<v Speaker 2>a real thing, and it's the system that perpetuates this

0:36:50.719 --> 0:36:55.359
<v Speaker 2>harm that we need to challenge every single day, and

0:36:55.400 --> 0:36:59.200
<v Speaker 2>not the people who find themselves victims of these crimes,

0:37:00.160 --> 0:37:09.879
<v Speaker 2>but the people who are actually doing the crimes. And

0:37:09.920 --> 0:37:12.719
<v Speaker 2>that brings us to this week's EMUA.

0:37:13.239 --> 0:37:16.440
<v Speaker 3>We'd like to dedicate this week's final message of hope

0:37:16.480 --> 0:37:20.120
<v Speaker 3>and healing to Roseanne Quinn and to all of the

0:37:20.200 --> 0:37:22.760
<v Speaker 3>other women who have been targets of violence.

0:37:23.560 --> 0:37:26.440
<v Speaker 2>And so with that we will keep working to point

0:37:26.480 --> 0:37:31.400
<v Speaker 2>out the ways that our unconscious bias feeds a harmful system.

0:37:31.920 --> 0:37:34.759
<v Speaker 2>And for you out there who are soldiering through your

0:37:34.880 --> 0:37:38.279
<v Speaker 2>days in a world that would box you in, that

0:37:38.360 --> 0:37:42.399
<v Speaker 2>would label you and harm you, we see you, we

0:37:42.480 --> 0:37:46.560
<v Speaker 2>support you, and we are right there with you. Onward

0:37:47.080 --> 0:37:57.520
<v Speaker 2>and upward. Emua emua. Well, that is our show for today,

0:37:57.600 --> 0:38:00.200
<v Speaker 2>and we'd love to hear what you thought about today

0:38:00.320 --> 0:38:03.680
<v Speaker 2>discussion and if there is a case that you would

0:38:03.719 --> 0:38:04.239
<v Speaker 2>like us to.

0:38:04.239 --> 0:38:07.640
<v Speaker 3>Cover, find us on social media or email us at

0:38:07.680 --> 0:38:11.960
<v Speaker 3>Facingevil pod at tenderfoot dot tv. And one request, if

0:38:12.000 --> 0:38:15.160
<v Speaker 3>you haven't already, please find us on iTunes and give

0:38:15.239 --> 0:38:17.120
<v Speaker 3>us a review in good rating. If you like what

0:38:17.160 --> 0:38:19.640
<v Speaker 3>we do, your support is always cherished.

0:38:20.239 --> 0:38:21.280
<v Speaker 2>Until next time.

0:38:22.040 --> 0:38:30.759
<v Speaker 3>Aloha.

0:38:38.440 --> 0:38:42.240
<v Speaker 1>Facing Evil is a production of iHeartRadio and Tenderfoot TV.

0:38:43.040 --> 0:38:46.080
<v Speaker 1>The show is hosted by Russia pacquerero In Avet Gentile,

0:38:46.880 --> 0:38:50.600
<v Speaker 1>Matt Frederick, and Alex Williams, our executive producers on behalf

0:38:50.640 --> 0:38:55.400
<v Speaker 1>of iHeartRadio, with producers Trevor Young and Jesse Funk, Donald

0:38:55.440 --> 0:38:58.680
<v Speaker 1>Albright and Payne Lindsay, our executive producers on behalf of

0:38:58.719 --> 0:39:04.560
<v Speaker 1>Tenderfoot TV, alongside producer Tracy Kaplan. Our researcher is Claudia Dafrico.

0:39:05.440 --> 0:39:09.040
<v Speaker 1>Original music by Makeup and Vanity Set. Find us on

0:39:09.120 --> 0:39:13.800
<v Speaker 1>social media or email us at facingevilpod at tenderfoot dot tv.

0:39:14.719 --> 0:39:18.680
<v Speaker 1>For more podcasts from iHeartRadio or Tenderfoot TV, visit the

0:39:18.719 --> 0:39:22.799
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:39:22.800 --> 0:39:24.200
<v Speaker 1>favorite shows.