1 00:00:00,760 --> 00:00:01,280 Speaker 1: Gorge. 2 00:00:01,639 --> 00:00:07,040 Speaker 2: Oh, listen to the Black Guy Who Tips podcast because. 3 00:00:08,520 --> 00:00:11,200 Speaker 1: Rown and Caring are hord. 4 00:00:13,640 --> 00:00:16,400 Speaker 3: Hey, welcome to the Blackout to his podcast. I'm your 5 00:00:16,400 --> 00:00:18,959 Speaker 3: host Rod, joined us always by my. 6 00:00:19,000 --> 00:00:22,239 Speaker 1: Co host Karen, and we are live on. 7 00:00:22,320 --> 00:00:26,800 Speaker 3: A Sunday afternoon, ready to do some podcasting. Find us 8 00:00:26,800 --> 00:00:30,040 Speaker 3: everywhere you get podcasts. The official weapon of the show 9 00:00:30,160 --> 00:00:33,000 Speaker 3: is phone chair and the unofficial sport pull a bow 10 00:00:33,240 --> 00:00:36,760 Speaker 3: and bullet ball extreme. Leave us five star reviews on 11 00:00:36,800 --> 00:00:39,000 Speaker 3: Apple Podcasts. You don't even have to be have an 12 00:00:39,000 --> 00:00:41,440 Speaker 3: iPhone or a tablet or MacBook pro A. 13 00:00:41,640 --> 00:00:44,559 Speaker 1: You got no excuses, use your computer. 14 00:00:44,800 --> 00:00:48,880 Speaker 3: You love the show, you love us, Leave us five stars. 15 00:00:49,080 --> 00:00:50,840 Speaker 4: It's been a while since we got one. 16 00:00:51,159 --> 00:00:53,120 Speaker 1: It's anybody. It's too many of y'all listening. 17 00:00:53,240 --> 00:00:55,920 Speaker 5: For everybody listening that have gave us the five star review, 18 00:00:55,920 --> 00:00:56,560 Speaker 5: I don't believe it. 19 00:00:56,640 --> 00:00:58,160 Speaker 3: And you don't want to turn the show into five 20 00:00:58,160 --> 00:01:00,200 Speaker 3: minutes of begging for five star reviews when we be 21 00:01:00,240 --> 00:01:03,840 Speaker 3: talking about the baby. 22 00:01:04,040 --> 00:01:07,279 Speaker 4: So make sure you guys do all of that as well. 23 00:01:07,520 --> 00:01:10,400 Speaker 3: Of course, live show tickets in the show notes, they're 24 00:01:10,440 --> 00:01:16,680 Speaker 3: on sale. Uh listen, Okay, the premium the VIP tickets 25 00:01:16,680 --> 00:01:20,679 Speaker 3: is sold out. I'm gonna email them tomorrow and y'all 26 00:01:20,800 --> 00:01:24,840 Speaker 3: be all drinks on me to open up more. I 27 00:01:24,880 --> 00:01:27,880 Speaker 3: have to have a conversation with how many more can 28 00:01:27,920 --> 00:01:31,160 Speaker 3: we add? But but but yeah, we're gonna have to 29 00:01:31,200 --> 00:01:34,000 Speaker 3: open up some more because y'all really prefer those tickets. 30 00:01:34,440 --> 00:01:35,240 Speaker 4: But all the. 31 00:01:35,160 --> 00:01:36,960 Speaker 3: Seats in the house are good and we want to 32 00:01:36,959 --> 00:01:40,360 Speaker 3: see your faces there. And of course there's virtual tickets 33 00:01:40,360 --> 00:01:42,360 Speaker 3: as well, So if you can't make it in person 34 00:01:42,640 --> 00:01:44,520 Speaker 3: and we see y'all buying the tickets, thank you. 35 00:01:44,720 --> 00:01:45,280 Speaker 4: Everybody. 36 00:01:45,360 --> 00:01:47,640 Speaker 3: We get like a little email every midnight to be 37 00:01:47,680 --> 00:01:50,000 Speaker 3: like this. I mean, tickets you sold today, we see 38 00:01:50,120 --> 00:01:53,000 Speaker 3: tickets moving. It's February to twenty eighth, the blackest day 39 00:01:53,000 --> 00:01:56,240 Speaker 3: of Black History Month, So make sure that y'all are 40 00:01:56,680 --> 00:01:59,080 Speaker 3: there anything. 41 00:01:58,640 --> 00:01:59,480 Speaker 4: Else I need to say? 42 00:01:59,520 --> 00:01:59,760 Speaker 1: Karen? 43 00:01:59,800 --> 00:02:00,640 Speaker 4: Do you have any banter? 44 00:02:00,800 --> 00:02:01,120 Speaker 1: I do? 45 00:02:01,360 --> 00:02:02,680 Speaker 4: Okay, all right, here we go. 46 00:02:03,720 --> 00:02:09,640 Speaker 3: Do you have any talk to me? Do you have any. 47 00:02:12,560 --> 00:02:13,240 Speaker 6: Talk to me? 48 00:02:14,720 --> 00:02:20,680 Speaker 3: Do you have any banter? Banter? Banter? Banter, banter? Do 49 00:02:20,720 --> 00:02:32,640 Speaker 3: you have any banter? Talk to me? Do you have 50 00:02:32,680 --> 00:02:37,440 Speaker 3: any banter? Banter? All right, Karen, banter is away. 51 00:02:39,520 --> 00:02:42,880 Speaker 5: I have been listening to like all types of music, 52 00:02:43,000 --> 00:02:46,480 Speaker 5: and I found some music that was in another language 53 00:02:46,520 --> 00:02:49,000 Speaker 5: and I and it was my jam. I have no 54 00:02:49,080 --> 00:02:51,520 Speaker 5: idea what the people are saying in the song, but 55 00:02:51,560 --> 00:02:53,720 Speaker 5: the song goes and it's a bop. So I wonder 56 00:02:53,760 --> 00:02:56,359 Speaker 5: does anybody else out there have like music that they 57 00:02:56,400 --> 00:02:59,000 Speaker 5: love and they enjoy. But if anybody asked you what 58 00:02:59,080 --> 00:03:01,440 Speaker 5: it meant, you go out. I have no idea what 59 00:03:01,480 --> 00:03:04,160 Speaker 5: they say or what is meant. I can't translate it. 60 00:03:04,200 --> 00:03:06,399 Speaker 5: All I know is that it goes. 61 00:03:06,919 --> 00:03:11,800 Speaker 3: I feel like if you're over forty, then you actually 62 00:03:11,800 --> 00:03:15,079 Speaker 3: have some American music like that, like it is, it's 63 00:03:15,080 --> 00:03:17,400 Speaker 3: not technically in another language or yeah, but I know 64 00:03:17,480 --> 00:03:21,040 Speaker 3: y'all don't speak this mumbling rap that these rappers is 65 00:03:21,080 --> 00:03:22,200 Speaker 3: doing out of Atlanta right now. 66 00:03:22,200 --> 00:03:24,160 Speaker 4: I know y'all don't know what promethazine is. 67 00:03:24,200 --> 00:03:25,480 Speaker 1: I know y'all have no idea. 68 00:03:25,560 --> 00:03:26,239 Speaker 4: Yeah, y'all. 69 00:03:26,320 --> 00:03:27,960 Speaker 3: So I feel like a lot of time, if you 70 00:03:28,000 --> 00:03:31,320 Speaker 3: listen to the future, you know you you kind of 71 00:03:31,480 --> 00:03:33,400 Speaker 3: know the vibes, but you don't necessarily know what you're 72 00:03:33,400 --> 00:03:33,959 Speaker 3: talking about. 73 00:03:34,000 --> 00:03:37,000 Speaker 4: So I can kind of see that. Can now. 74 00:03:37,040 --> 00:03:38,920 Speaker 3: Of course, you know, people are gonna ask who the 75 00:03:39,000 --> 00:03:40,440 Speaker 3: artist is and what the song is. 76 00:03:40,600 --> 00:03:41,800 Speaker 1: Okay, hold on, let me go find it. 77 00:03:41,880 --> 00:03:44,000 Speaker 4: Primary is the name of the our artists. 78 00:03:44,000 --> 00:03:47,720 Speaker 3: Thank You Number two is the name of the album, 79 00:03:47,960 --> 00:03:52,000 Speaker 3: and the name of the song, because you know, some 80 00:03:52,080 --> 00:03:53,600 Speaker 3: of us have to be prepared for the show. 81 00:03:54,160 --> 00:03:54,960 Speaker 1: Be ready. 82 00:03:55,760 --> 00:03:59,000 Speaker 3: The name of the song is Tonight I believe, so 83 00:04:00,080 --> 00:04:02,280 Speaker 3: y'all can check that out. I would play it, but 84 00:04:02,320 --> 00:04:06,600 Speaker 3: they'll probably try to monetize our own feed off of 85 00:04:06,600 --> 00:04:09,280 Speaker 3: off of YouTube if I play that ship. But yeah, 86 00:04:09,480 --> 00:04:11,680 Speaker 3: it's a bop. You know how to understand music, to 87 00:04:11,880 --> 00:04:14,680 Speaker 3: like like the words, to understand the vibe. 88 00:04:15,440 --> 00:04:15,920 Speaker 1: I agreed. 89 00:04:16,920 --> 00:04:20,200 Speaker 3: I like listening to Sometimes I listen to too many Zoos, 90 00:04:21,560 --> 00:04:22,480 Speaker 3: which is just like. 91 00:04:24,000 --> 00:04:24,440 Speaker 4: They sound. 92 00:04:24,560 --> 00:04:26,960 Speaker 3: They sound like if you when we were in d C. 93 00:04:27,080 --> 00:04:32,520 Speaker 3: They sound like the horns and the drums of the 94 00:04:32,560 --> 00:04:35,279 Speaker 3: bands that play on the seat street by the subway 95 00:04:35,880 --> 00:04:37,440 Speaker 3: where you just like get on that joint. 96 00:04:37,520 --> 00:04:40,279 Speaker 4: They just be jamming and the whole thing is high energy. 97 00:04:41,200 --> 00:04:44,760 Speaker 3: So I started listening to their newest album the other day, 98 00:04:45,080 --> 00:04:47,640 Speaker 3: which I think is called Retail Therapy, but let me 99 00:04:47,680 --> 00:04:50,320 Speaker 3: make sure that that's right. And there's too many zoos 100 00:04:50,440 --> 00:04:55,800 Speaker 3: with uh it's t o O many z o o 101 00:04:56,080 --> 00:04:59,600 Speaker 3: Z so too many zoos with a Z on the end, 102 00:05:00,240 --> 00:05:05,120 Speaker 3: and yeah, Retail Therapy is the latest latest album. Yeah, 103 00:05:05,120 --> 00:05:07,440 Speaker 3: I love, I love, but yeah it has no words 104 00:05:07,480 --> 00:05:09,600 Speaker 3: and it's good to me. It's good for reading, it's 105 00:05:09,600 --> 00:05:13,640 Speaker 3: good for stuff like treadmill lifting weights when you just 106 00:05:13,680 --> 00:05:15,839 Speaker 3: need to count in your head to ten or twelve 107 00:05:15,880 --> 00:05:16,800 Speaker 3: or whatever number. 108 00:05:16,560 --> 00:05:19,359 Speaker 4: You're going to. So yeah, I love means some music 109 00:05:19,400 --> 00:05:21,560 Speaker 4: without the I don't need to know the words. 110 00:05:22,160 --> 00:05:23,159 Speaker 3: That's true too. 111 00:05:24,400 --> 00:05:25,440 Speaker 1: Oh my last thing. 112 00:05:27,200 --> 00:05:29,200 Speaker 5: When we are in the public, sometimes Roger will meet 113 00:05:29,200 --> 00:05:31,320 Speaker 5: people and things like that, and people that he knows 114 00:05:31,400 --> 00:05:32,200 Speaker 5: and I don't actually know. 115 00:05:32,200 --> 00:05:35,080 Speaker 1: They were just fine. I think one day we was at. 116 00:05:35,800 --> 00:05:37,599 Speaker 5: On his game and it was somebody you know, he 117 00:05:37,760 --> 00:05:40,159 Speaker 5: probably for a while whatever he spoken out Jay, Yeah, 118 00:05:40,160 --> 00:05:43,200 Speaker 5: and it was somebody that was with him and I 119 00:05:43,400 --> 00:05:45,440 Speaker 5: before I could even throw my hands up and say hey, 120 00:05:45,480 --> 00:05:47,480 Speaker 5: they walked away. I was like, Okay, I guess you 121 00:05:47,560 --> 00:05:49,600 Speaker 5: didn't want to say. I was like, oh, I would say, 122 00:05:49,640 --> 00:05:51,599 Speaker 5: sometimes people just don't be in the move the talks. 123 00:05:53,240 --> 00:05:55,280 Speaker 4: I think he didn't see you coming over. 124 00:05:56,120 --> 00:05:58,960 Speaker 5: No, this is another incident, not that time, but it 125 00:05:59,000 --> 00:06:01,320 Speaker 5: was like another time we met somebody kind of Indian 126 00:06:01,360 --> 00:06:04,240 Speaker 5: arena and I just thought because I wanted to acknowledge 127 00:06:04,240 --> 00:06:06,599 Speaker 5: the person that was with them, but they just walked away. 128 00:06:06,640 --> 00:06:08,320 Speaker 1: So I was like, oh, oh. 129 00:06:07,920 --> 00:06:10,000 Speaker 3: So not the person I was talking to, the person 130 00:06:10,000 --> 00:06:12,000 Speaker 3: that was with them. Yes, oh yeah, see, I don't 131 00:06:12,000 --> 00:06:13,159 Speaker 3: be knowing nobody business. 132 00:06:13,760 --> 00:06:14,159 Speaker 4: I don't. 133 00:06:14,560 --> 00:06:17,800 Speaker 3: I just if they don't introduce them to me, or 134 00:06:17,800 --> 00:06:20,479 Speaker 3: they don't introduce themselves, I leave myself out of it, 135 00:06:20,520 --> 00:06:23,279 Speaker 3: because that could be the side check, that could be 136 00:06:23,560 --> 00:06:24,040 Speaker 3: a date. 137 00:06:24,320 --> 00:06:27,040 Speaker 1: Okay, argue, that's what I started thinking. I was like, okay. 138 00:06:27,120 --> 00:06:28,280 Speaker 1: I was like, I ain't got nothing to do with that. 139 00:06:28,279 --> 00:06:31,279 Speaker 3: Ain't my business, it's not I'm not right, no head cannon, 140 00:06:31,360 --> 00:06:34,159 Speaker 3: that that makes me the bad guy. So because I'm 141 00:06:34,200 --> 00:06:37,080 Speaker 3: totally awesome and willing to be introduced to people, So 142 00:06:38,000 --> 00:06:39,960 Speaker 3: if you didn't feel the need to introduce them, assum 143 00:06:39,960 --> 00:06:42,560 Speaker 3: it's your business. And now I'm not gonna assume the worst. 144 00:06:42,600 --> 00:06:45,720 Speaker 3: But whatever's up, it's not for me to know, not. 145 00:06:45,680 --> 00:06:47,000 Speaker 5: My big I'm not gonna be you out of the 146 00:06:47,000 --> 00:06:48,800 Speaker 5: back because I don't know what's happening. But I just 147 00:06:48,839 --> 00:06:51,200 Speaker 5: thought I was like, oh okay. 148 00:06:50,839 --> 00:06:53,360 Speaker 1: But yeah, I gotta remember, I'm just so used to 149 00:06:53,360 --> 00:06:54,159 Speaker 1: speaking to everybody. 150 00:06:54,200 --> 00:06:57,279 Speaker 4: I was like, oh okay, all right, Yeah, it was interesting. 151 00:06:57,360 --> 00:07:00,520 Speaker 3: Last night we went out for dinner and and uh 152 00:07:01,240 --> 00:07:05,360 Speaker 3: literally like just complete weird happenstance. A person who was 153 00:07:05,400 --> 00:07:07,920 Speaker 3: a fan of our podcast got sat next to us, 154 00:07:09,400 --> 00:07:12,200 Speaker 3: and you know us. We were sitting there reading comic 155 00:07:12,200 --> 00:07:15,840 Speaker 3: books and Kindle or whatever, eating our food. We had 156 00:07:15,920 --> 00:07:18,400 Speaker 3: just done a podcast with mister Span so we was 157 00:07:18,480 --> 00:07:22,040 Speaker 3: all talked out or whatever. But it was cool, like 158 00:07:22,280 --> 00:07:27,280 Speaker 3: she sat down and you know, I think was asking 159 00:07:27,320 --> 00:07:31,080 Speaker 3: about your Empire shrimp Emperor shrimp or something which and 160 00:07:31,080 --> 00:07:33,160 Speaker 3: seeing if that had good dumplings and stuff, because you know, 161 00:07:33,200 --> 00:07:36,560 Speaker 3: I love I'm a dumpling slut. I love some dumplings. Okay, 162 00:07:36,640 --> 00:07:40,160 Speaker 3: they'll fly out for dumplings, but they got some good 163 00:07:40,240 --> 00:07:42,720 Speaker 3: dumplings at this place we went. I don't think it's 164 00:07:42,720 --> 00:07:45,440 Speaker 3: called fuck good Time or something anyway, So we went 165 00:07:45,800 --> 00:07:47,320 Speaker 3: there and then she asked out the dumbling. 166 00:07:47,360 --> 00:07:49,440 Speaker 4: But then she was like, are y'all roding Caaren. 167 00:07:49,800 --> 00:07:53,320 Speaker 3: I was like, oh wow, okay, yeah we are, and 168 00:07:53,480 --> 00:07:55,440 Speaker 3: it's nice to meet you. And we talked a little bit. 169 00:07:55,480 --> 00:07:57,680 Speaker 3: She was very polite, very sweet, like it wasn't like 170 00:07:57,840 --> 00:08:01,400 Speaker 3: intrusive or whatever. You know, even though I'm an introvert, 171 00:08:01,440 --> 00:08:05,760 Speaker 3: I'm not socially whatever it is that make like I'm 172 00:08:05,800 --> 00:08:06,320 Speaker 3: not standing up. 173 00:08:06,360 --> 00:08:08,080 Speaker 4: I'm not like get away from me people. 174 00:08:08,840 --> 00:08:11,360 Speaker 3: So it was just kind of like, uh, you know, 175 00:08:11,480 --> 00:08:13,360 Speaker 3: she talked about like the show a little bit and 176 00:08:13,480 --> 00:08:15,560 Speaker 3: like in our movie reviews and stuff, and then Karen 177 00:08:15,640 --> 00:08:17,440 Speaker 3: was like, you want to get a picture, And I 178 00:08:17,480 --> 00:08:20,120 Speaker 3: was like in my mind thinking, like, I hope now 179 00:08:20,200 --> 00:08:22,679 Speaker 3: we aren't the weird those that have overstepped our bounds 180 00:08:23,400 --> 00:08:25,760 Speaker 3: because like what she's supposed to say, you know, no, 181 00:08:25,840 --> 00:08:28,920 Speaker 3: I'm good, you know, like okay, sure you would have 182 00:08:29,200 --> 00:08:31,720 Speaker 3: or or you know, because I don't know what's going 183 00:08:31,760 --> 00:08:34,200 Speaker 3: on in other people's head, they could be like, now 184 00:08:34,240 --> 00:08:36,640 Speaker 3: I'm turning y'all down because y'all want the picture, And 185 00:08:36,679 --> 00:08:39,400 Speaker 3: I'm like, I was fine either way, but Karen brought 186 00:08:39,400 --> 00:08:41,960 Speaker 3: it up, and but she she was cool, and we 187 00:08:42,000 --> 00:08:43,960 Speaker 3: took a picture. The waitress took it for us on 188 00:08:44,040 --> 00:08:48,120 Speaker 3: Karen's blurry phone because she never wipes off the the. 189 00:08:47,520 --> 00:08:49,240 Speaker 1: Hey, don't call me out. 190 00:08:50,320 --> 00:08:52,320 Speaker 3: That's why you may see pictures of us at the 191 00:08:52,320 --> 00:08:55,559 Speaker 3: Hornets game, and some of us may look clearer than 192 00:08:55,559 --> 00:08:58,640 Speaker 3: the other people because some of us politely wipe off 193 00:08:58,880 --> 00:09:01,559 Speaker 3: the lenses when it's their turn to take a picture 194 00:09:01,600 --> 00:09:04,319 Speaker 3: of their wife, and some people just have you looking 195 00:09:04,360 --> 00:09:08,160 Speaker 3: like you're going to the great heavenly glory. But but 196 00:09:08,400 --> 00:09:10,120 Speaker 3: you know, I mean, if you like pictures of me 197 00:09:10,640 --> 00:09:13,880 Speaker 3: looking like I'm so I want to know what I 198 00:09:13,920 --> 00:09:17,720 Speaker 3: look like if you have a stigmatism, sure sure. 199 00:09:17,600 --> 00:09:20,680 Speaker 1: Don't embarrassing to me and my found it off. 200 00:09:20,559 --> 00:09:22,720 Speaker 3: Right now, it's not as embarrassing as you know, taking 201 00:09:22,760 --> 00:09:23,520 Speaker 3: the picture with me. 202 00:09:24,480 --> 00:09:25,440 Speaker 4: I think it's more. 203 00:09:25,320 --> 00:09:28,080 Speaker 1: Embarrassing the glory. 204 00:09:28,320 --> 00:09:30,679 Speaker 3: But but now we had a good time and it 205 00:09:30,800 --> 00:09:33,280 Speaker 3: was pleasure meeting her and that was like a cool 206 00:09:33,800 --> 00:09:38,600 Speaker 3: thing of introducing public. But once again, you never know 207 00:09:38,679 --> 00:09:40,760 Speaker 3: the situation, like she could have been on a day, 208 00:09:41,040 --> 00:09:42,760 Speaker 3: she could have been. That could be her friend, that 209 00:09:42,800 --> 00:09:45,760 Speaker 3: could be I don't know. You know, the other guy 210 00:09:45,760 --> 00:09:47,360 Speaker 3: I don't think is a fan, was a fan of 211 00:09:47,400 --> 00:09:49,560 Speaker 3: the show. He mightn't even know who the hell we. 212 00:09:49,360 --> 00:09:52,760 Speaker 5: Was, Like you talking some strangers, who the hell is day? 213 00:09:52,920 --> 00:09:56,240 Speaker 3: So you know, I'm never gonna awkwardly push my way 214 00:09:56,280 --> 00:09:58,760 Speaker 3: in to be like and you, sir, what is your name? 215 00:09:58,920 --> 00:10:00,880 Speaker 4: Gentle Like it's just like like, hey, I don't know 216 00:10:00,920 --> 00:10:01,760 Speaker 4: what the deal is. 217 00:10:01,800 --> 00:10:05,480 Speaker 3: That could be the sneaky link it's all everybody businesses 218 00:10:05,520 --> 00:10:07,800 Speaker 3: their own business and they want it to be mine. 219 00:10:07,880 --> 00:10:11,560 Speaker 5: Yeah, yeah, yeah, I stay out your business. 220 00:10:11,679 --> 00:10:11,920 Speaker 4: Yeah. 221 00:10:12,000 --> 00:10:15,360 Speaker 3: So it's a fine line between you know, being friendly 222 00:10:15,400 --> 00:10:17,600 Speaker 3: and minding your business in public and so it but 223 00:10:17,640 --> 00:10:19,640 Speaker 3: it but no, it was fun and it was nice 224 00:10:19,640 --> 00:10:22,560 Speaker 3: to meet her and uh get that background story, like 225 00:10:22,600 --> 00:10:26,040 Speaker 3: her brother put her onto the show. Family that listens 226 00:10:26,080 --> 00:10:30,720 Speaker 3: together stays together. All right, that's it for your banter. 227 00:10:31,280 --> 00:10:36,079 Speaker 3: All right, well let's get into some show stuff. I'll 228 00:10:36,160 --> 00:10:38,280 Speaker 3: just play some random music and then we'll just get 229 00:10:38,280 --> 00:10:40,800 Speaker 3: into a random uh some of this. Oh, we'll get 230 00:10:40,840 --> 00:10:46,480 Speaker 3: into some of this Trump news. I always forget this 231 00:10:46,520 --> 00:11:26,959 Speaker 3: beat takes you. All right, get into this news. Actually 232 00:11:27,000 --> 00:11:28,720 Speaker 3: I was gonna start with Trump, but then I realized 233 00:11:28,720 --> 00:11:30,640 Speaker 3: I can't start with Trump. Guys, that's crazy. 234 00:11:31,440 --> 00:11:35,839 Speaker 4: The biggest news to me Drake put out another freestyle. 235 00:11:38,360 --> 00:11:39,480 Speaker 1: I haven't even listened to it. 236 00:11:39,520 --> 00:11:40,520 Speaker 4: You haven't even listened to it. 237 00:11:41,640 --> 00:11:44,840 Speaker 3: Not taking a lot of shots Caaren and I'm that 238 00:11:44,920 --> 00:11:46,400 Speaker 3: and they're not all of Kendrick Lamar. 239 00:11:47,880 --> 00:11:50,000 Speaker 5: Yeah, he loved for other people to catch strays and 240 00:11:50,040 --> 00:11:51,200 Speaker 5: ain't got ship to do with it. 241 00:11:51,800 --> 00:11:55,880 Speaker 3: Yeah, like you would think at this point if you're 242 00:11:55,920 --> 00:11:59,800 Speaker 3: gonna be rapping at all about this beef. It's gonna 243 00:11:59,880 --> 00:12:04,320 Speaker 3: just be all about Kenny and some type of comeback. 244 00:12:05,200 --> 00:12:06,560 Speaker 4: But he's still kind of afraid to. 245 00:12:06,559 --> 00:12:09,439 Speaker 3: Say that man three names, like uh, say his name 246 00:12:09,480 --> 00:12:10,199 Speaker 3: three times. 247 00:12:09,920 --> 00:12:12,600 Speaker 4: Like candy Man. 248 00:12:13,160 --> 00:12:16,240 Speaker 3: But yeah, he came back and he rapped, And honestly, 249 00:12:16,320 --> 00:12:19,199 Speaker 3: I think they've actually taken it off of YouTube and stuff. 250 00:12:19,200 --> 00:12:21,840 Speaker 4: I'm sure it's still up somewhere. 251 00:12:22,000 --> 00:12:23,720 Speaker 1: Yeah, in there forever. You can get it if you 252 00:12:23,760 --> 00:12:24,160 Speaker 1: want it. 253 00:12:24,480 --> 00:12:28,800 Speaker 3: Yeah, it says here play on Amazon Music unlimited. Is 254 00:12:28,840 --> 00:12:34,720 Speaker 3: that even possible? Why would Amazon have it? That's a 255 00:12:35,000 --> 00:12:37,280 Speaker 3: that's a weird place to put this song because I 256 00:12:37,280 --> 00:12:40,240 Speaker 3: don't think you're allowed to legally have this song because 257 00:12:40,320 --> 00:12:43,600 Speaker 3: UMG was taking this ship off of the off of 258 00:12:43,920 --> 00:12:46,680 Speaker 3: YouTube fast as hell, like you will not. 259 00:12:48,160 --> 00:12:50,200 Speaker 4: Yeah, I'll see if I can find it on Twitter. 260 00:12:50,840 --> 00:12:53,120 Speaker 1: It was like you are suing us, no, sir, And 261 00:12:53,200 --> 00:12:54,160 Speaker 1: I just so y'all. 262 00:12:53,920 --> 00:12:57,120 Speaker 3: Can hear the tone of it, because it's very much. 263 00:12:59,080 --> 00:13:01,360 Speaker 4: Yeah, I found it. It's very much to me. 264 00:13:02,720 --> 00:13:05,280 Speaker 3: It sounds defeated, and I know what he's trying to 265 00:13:05,320 --> 00:13:07,600 Speaker 3: do is sound cool and laid back, like I don't 266 00:13:07,640 --> 00:13:11,000 Speaker 3: even really care. But at this point if you're still 267 00:13:11,080 --> 00:13:17,160 Speaker 3: dropping a freestyle and it's been months, you do care, yes, 268 00:13:18,000 --> 00:13:21,120 Speaker 3: And it kind of destroys the illusion that his fans 269 00:13:22,080 --> 00:13:25,040 Speaker 3: have built for him online, which is that he's so unbothered. 270 00:13:25,160 --> 00:13:28,800 Speaker 3: You guys are so like you guys are so trying 271 00:13:28,800 --> 00:13:30,880 Speaker 3: to make this a thing with Kendrick Lamar, but like 272 00:13:30,960 --> 00:13:34,360 Speaker 3: Drake doesn't even really like care. He's just moved on. Guys, 273 00:13:34,400 --> 00:13:39,200 Speaker 3: Come on, he's the champagne poppy Okay's and it's like, 274 00:13:39,240 --> 00:13:41,280 Speaker 3: I don't know, he makes a lot of weird moves 275 00:13:41,280 --> 00:13:44,000 Speaker 3: that shows he does care, you know, going and being 276 00:13:44,000 --> 00:13:46,520 Speaker 3: a streamer and still taking shots a Kendrick but refusing 277 00:13:46,520 --> 00:13:47,240 Speaker 3: to hop in the booth. 278 00:13:47,400 --> 00:13:48,320 Speaker 4: It says a lot. 279 00:13:49,200 --> 00:13:54,079 Speaker 3: So here's the song. Now once again, I'm a need 280 00:13:54,320 --> 00:13:55,839 Speaker 3: y'all in the chat to let me know you can 281 00:13:55,880 --> 00:13:57,480 Speaker 3: hear this because if not, then I have to put 282 00:13:57,520 --> 00:13:58,080 Speaker 3: it on screen. 283 00:13:58,760 --> 00:13:59,800 Speaker 4: So let me. 284 00:14:02,240 --> 00:14:04,080 Speaker 3: I mean, I just put it on screen anyway, Fuck 285 00:14:04,120 --> 00:14:06,760 Speaker 3: it that way you have to do that part of 286 00:14:06,840 --> 00:14:07,199 Speaker 3: the debate. 287 00:14:07,840 --> 00:14:08,760 Speaker 4: Uh, So this is it. 288 00:14:11,480 --> 00:14:17,520 Speaker 3: He's great, So some type of like he's smoking a cigar. 289 00:14:17,600 --> 00:14:20,120 Speaker 4: He's so laid back, guys, he's. 290 00:14:20,000 --> 00:14:24,880 Speaker 3: A woman clearly is recording him and he's sipping on 291 00:14:24,960 --> 00:14:26,560 Speaker 3: wine and he's about to go in. 292 00:14:26,760 --> 00:14:30,120 Speaker 4: Guys, he's in front of fireplace. No lights are on. 293 00:14:32,440 --> 00:14:35,240 Speaker 3: Uh, And it's customary for a Drake freestyle. He has 294 00:14:35,280 --> 00:14:38,320 Speaker 3: to pull it up so you can read it because 295 00:14:38,560 --> 00:14:40,200 Speaker 3: he still doesn't go off the top of the head. 296 00:14:40,240 --> 00:14:42,760 Speaker 3: He has to go off the phone because I don't 297 00:14:42,760 --> 00:14:45,880 Speaker 3: know if like Daylight wrote it for him or what. 298 00:14:49,040 --> 00:14:52,520 Speaker 7: Yeah, the summer is over, missed it. Baron was smoking. 299 00:14:52,560 --> 00:14:54,600 Speaker 7: I kissed the fair showed us to brend Us from 300 00:14:54,600 --> 00:14:57,240 Speaker 7: Texas and some realistic cut him to check. It's that 301 00:14:57,360 --> 00:14:59,160 Speaker 7: he's reviewing the budgets and limits. 302 00:15:00,320 --> 00:15:02,960 Speaker 3: The reason I wanted y'all to see and hear it 303 00:15:03,080 --> 00:15:07,320 Speaker 3: for yourselves. The vibe of it is very defeated to me. 304 00:15:08,040 --> 00:15:10,040 Speaker 3: You see what I'm saying, Like it's I know he's 305 00:15:10,080 --> 00:15:12,960 Speaker 3: trying to be like I'm laid back, but it's giving 306 00:15:13,120 --> 00:15:17,200 Speaker 3: more like I'm afraid to put in effort because if 307 00:15:17,240 --> 00:15:19,640 Speaker 3: I fail again and I was trying, then it becomes 308 00:15:19,720 --> 00:15:22,640 Speaker 3: more laughable than if I. 309 00:15:22,000 --> 00:15:24,280 Speaker 4: Looked like I didn't even really care. Anyway, God, I 310 00:15:24,320 --> 00:15:24,880 Speaker 4: didn't care. 311 00:15:25,400 --> 00:15:27,280 Speaker 3: You know, the same thing happened with the Hard Part 312 00:15:27,320 --> 00:15:30,160 Speaker 3: six that he did, where it was like, oh, you 313 00:15:30,240 --> 00:15:33,040 Speaker 3: feil for our trick. I actually planted out the information 314 00:15:33,200 --> 00:15:35,920 Speaker 3: ha ha ha. But also tell me who leaked the information, 315 00:15:36,040 --> 00:15:38,320 Speaker 3: because somebody is in my camp is leaking and I 316 00:15:38,320 --> 00:15:40,880 Speaker 3: don't trust these people around me. We've already talked about 317 00:15:40,880 --> 00:15:44,600 Speaker 3: that before, but this is even more laid back. And 318 00:15:44,640 --> 00:15:46,480 Speaker 3: the fact that it's not produced. She didn't go to 319 00:15:46,480 --> 00:15:47,359 Speaker 3: the studio. 320 00:15:47,120 --> 00:15:49,680 Speaker 5: Yet, did not go to this studid cause I was like, yeah, boy, 321 00:15:50,080 --> 00:15:53,640 Speaker 5: don't this don't sound like it was recorded in like 322 00:15:53,760 --> 00:15:56,520 Speaker 5: the top not because you know, because you were balanced 323 00:15:56,520 --> 00:15:58,840 Speaker 5: the voice in the music so that it was sound right, 324 00:15:59,240 --> 00:16:02,520 Speaker 5: sound like he owned a snowball mic and somebody said 325 00:16:02,800 --> 00:16:05,080 Speaker 5: throw my phone up there, so I can't hear the sound. 326 00:16:05,360 --> 00:16:08,400 Speaker 3: Yeah, I think it's not mixed and master my guess 327 00:16:08,520 --> 00:16:11,920 Speaker 3: is I think and maybe he. I don't think he 328 00:16:11,960 --> 00:16:14,520 Speaker 3: will cop to this, and I don't think it's necessary 329 00:16:14,600 --> 00:16:17,520 Speaker 3: something he is even aware of. But I truly think 330 00:16:17,560 --> 00:16:19,960 Speaker 3: he's like the less I tried, the less likely Kendrick 331 00:16:20,120 --> 00:16:23,840 Speaker 3: is to come back with an actual response. So going 332 00:16:23,880 --> 00:16:26,880 Speaker 3: on the stream and being like h F Kendrick or whatever, 333 00:16:27,120 --> 00:16:29,240 Speaker 3: Kendrick's not gonna make a whole new song about your 334 00:16:29,280 --> 00:16:34,600 Speaker 3: ass because you went on Adam Ross's stream and said something. Right, 335 00:16:35,080 --> 00:16:37,840 Speaker 3: if you put this out, I don't think Kendrick's gonna 336 00:16:37,840 --> 00:16:39,880 Speaker 3: give it an actual response because it's not really an 337 00:16:39,920 --> 00:16:43,320 Speaker 3: actual song. And most people, unless they're just extremely big 338 00:16:43,440 --> 00:16:45,840 Speaker 3: Drake fans, will not see this as a thing anyone 339 00:16:45,880 --> 00:16:46,960 Speaker 3: needs to truly respond to. 340 00:16:47,160 --> 00:16:48,760 Speaker 1: Are just. 341 00:16:50,640 --> 00:16:51,720 Speaker 8: The world fell in love. 342 00:16:51,600 --> 00:16:52,240 Speaker 4: With a gimmicks. 343 00:16:52,280 --> 00:16:55,120 Speaker 7: Even my brothers got tickets, seemed like they loved every minute. 344 00:16:55,360 --> 00:16:57,240 Speaker 7: Just know the shit is personal to us, and it 345 00:16:57,360 --> 00:16:57,800 Speaker 7: wasn't just. 346 00:16:57,800 --> 00:16:59,520 Speaker 8: Business analyzing behavior. 347 00:17:00,160 --> 00:17:02,440 Speaker 7: It's someone suspicious niggas was never. 348 00:17:02,360 --> 00:17:05,720 Speaker 3: Happening, So you know that's the whole The whole thing 349 00:17:05,840 --> 00:17:06,360 Speaker 3: is like that. 350 00:17:07,119 --> 00:17:09,880 Speaker 4: Now I'll go through some of the lyrics. 351 00:17:09,560 --> 00:17:11,800 Speaker 3: Because I do find this stuff interesting, and I know 352 00:17:11,880 --> 00:17:15,680 Speaker 3: that some of y'all find it interesting when I talk 353 00:17:15,760 --> 00:17:19,080 Speaker 3: about and break down some of these lyrics. Now, with Drake, 354 00:17:19,400 --> 00:17:21,480 Speaker 3: it normally don't. You don't need to do a deep 355 00:17:21,520 --> 00:17:23,600 Speaker 3: dive like Kendrick. I don't need to know any extra 356 00:17:23,640 --> 00:17:27,119 Speaker 3: references or history or nothing, because for the most part 357 00:17:27,359 --> 00:17:30,280 Speaker 3: is blatantly on his face what he's trying to say, 358 00:17:30,760 --> 00:17:33,640 Speaker 3: maybe slightly clever. Every once in a while he will 359 00:17:33,720 --> 00:17:35,560 Speaker 3: reference some shit that like, you need to be in 360 00:17:35,640 --> 00:17:38,679 Speaker 3: the know, but I'm not always in the know with 361 00:17:39,160 --> 00:17:42,600 Speaker 3: Drake's personal happenings and shit, I don't if I just 362 00:17:42,640 --> 00:17:44,200 Speaker 3: listen to the music and that's about it. 363 00:17:45,960 --> 00:17:48,600 Speaker 4: But yeah, so it takes a turn. 364 00:17:48,680 --> 00:17:54,080 Speaker 3: The first part is really him being sad and hurt 365 00:17:54,160 --> 00:17:58,440 Speaker 3: that his friends were at to pop out Demart de 366 00:17:58,600 --> 00:18:01,800 Speaker 3: rose in Russell Westbroon James. 367 00:18:01,680 --> 00:18:05,280 Speaker 1: Cause he really think that they were his friends. 368 00:18:05,480 --> 00:18:09,400 Speaker 3: Yeah, even the rappers that he had and their industry 369 00:18:09,400 --> 00:18:10,800 Speaker 3: friends I'm putting in clothes. 370 00:18:10,600 --> 00:18:12,840 Speaker 1: Yes, yes, industry friends, yes, but. 371 00:18:12,880 --> 00:18:16,679 Speaker 3: DeMar de Rosen was his friend. Friend, like Jamar de 372 00:18:16,760 --> 00:18:19,520 Speaker 3: Rosen was depressed. He went through a big ass breakup 373 00:18:19,560 --> 00:18:23,360 Speaker 3: with his I think with his girl and with his 374 00:18:23,400 --> 00:18:27,840 Speaker 3: team Toronto. I know Kevin Durant like kicks it with 375 00:18:27,920 --> 00:18:30,680 Speaker 3: him for real, for real at his crib like. So 376 00:18:31,080 --> 00:18:34,240 Speaker 3: I'm sure there's a level of betrayal that he's felt from, 377 00:18:34,359 --> 00:18:38,800 Speaker 3: you know, looking around at the biggest viral hit of 378 00:18:38,880 --> 00:18:43,280 Speaker 3: the year and watching everybody there because it was undeniable 379 00:18:43,560 --> 00:18:46,119 Speaker 3: and even if you thought guys were like Switzerland, like, 380 00:18:46,119 --> 00:18:48,480 Speaker 3: I'm not picking a side. Well, when you look up, 381 00:18:48,600 --> 00:18:50,840 Speaker 3: Steph Curry is dancing to not like us. He's not 382 00:18:50,960 --> 00:18:54,040 Speaker 3: dancing to family matters. He's you know what I'm saying, 383 00:18:54,040 --> 00:18:57,760 Speaker 3: so like it. It becomes like a It becomes a 384 00:18:57,760 --> 00:18:59,479 Speaker 3: point that you don't need to make. You don't need 385 00:18:59,480 --> 00:19:01,040 Speaker 3: to tell me you picked a side when I see 386 00:19:01,040 --> 00:19:04,520 Speaker 3: you saying mouthing all the words to all the Kendrick 387 00:19:04,600 --> 00:19:09,320 Speaker 3: Lamarinus songs and not mine. You know so he says, 388 00:19:11,960 --> 00:19:15,000 Speaker 3: the world fell in love with the gimmicks, like Kendrick 389 00:19:15,160 --> 00:19:19,639 Speaker 3: was using gimmicks to take him down, not actual substance. 390 00:19:20,160 --> 00:19:23,000 Speaker 3: Even my brothers got tickets, seemed like they loved every 391 00:19:23,080 --> 00:19:26,199 Speaker 3: minute of the pop out. Just know this shit is 392 00:19:26,240 --> 00:19:29,800 Speaker 3: personal to us. It wasn't just business, which is funny 393 00:19:30,320 --> 00:19:33,560 Speaker 3: knowing that Drake's whole thing before all this was it's 394 00:19:33,680 --> 00:19:35,160 Speaker 3: just business, is not personal. 395 00:19:35,280 --> 00:19:37,520 Speaker 5: I even give a fuck, Yes, sir, that was the 396 00:19:37,600 --> 00:19:40,720 Speaker 5: whole That was his whole thing, and a ha ha 397 00:19:40,720 --> 00:19:42,280 Speaker 5: hai you taking it serious? 398 00:19:42,480 --> 00:19:43,119 Speaker 1: I am not. 399 00:19:43,440 --> 00:19:45,640 Speaker 3: And when you look at how much of this stuff 400 00:19:45,960 --> 00:19:47,840 Speaker 3: backfired on him is even more. 401 00:19:48,240 --> 00:19:49,920 Speaker 4: It's so you don't. 402 00:19:50,160 --> 00:19:52,240 Speaker 3: I'm gonna put this in a context that you can't 403 00:19:52,280 --> 00:19:55,280 Speaker 3: avoid the accountability of it, right, because I think that's 404 00:19:55,280 --> 00:19:57,600 Speaker 3: what people are missing when they just say, oh, man, 405 00:19:57,640 --> 00:20:00,280 Speaker 3: you had some bars in this one, right, but let's 406 00:20:00,280 --> 00:20:02,840 Speaker 3: put it in the pattern of what he've been talking about. 407 00:20:03,080 --> 00:20:06,360 Speaker 3: Analyze in behavioral patterns is somewhat suspicious. I think he's 408 00:20:06,359 --> 00:20:09,760 Speaker 3: trying to say, like when Kendrick was breaking down his 409 00:20:09,960 --> 00:20:12,560 Speaker 3: behaviors and like, yo, you gamble, you don't take care 410 00:20:12,560 --> 00:20:15,840 Speaker 3: of your fucking kids. It's like, oh, that's real suspicious 411 00:20:15,880 --> 00:20:18,800 Speaker 3: that you would talk about my parents and my family 412 00:20:18,840 --> 00:20:21,160 Speaker 3: and me having a secret daughter and not like, why 413 00:20:21,160 --> 00:20:23,800 Speaker 3: are you paying so much attention to my behavioral patterns? 414 00:20:23,840 --> 00:20:26,160 Speaker 4: That's kind of suspicious, right, But. 415 00:20:26,200 --> 00:20:29,520 Speaker 3: Keep in mind this man had put out family matters 416 00:20:30,520 --> 00:20:35,200 Speaker 3: me and he was causing saying talking about Kendricks behaviors 417 00:20:35,200 --> 00:20:37,840 Speaker 3: and personal So because his didn't land, he likes to 418 00:20:37,880 --> 00:20:39,840 Speaker 3: pretend that he didn't throw that punch, right. 419 00:20:40,600 --> 00:20:41,960 Speaker 4: You know. It's one of the things I hate. 420 00:20:42,000 --> 00:20:46,359 Speaker 3: It's kind of an internet victimization culture that happens a lot. 421 00:20:46,960 --> 00:20:48,680 Speaker 4: It's like when this is a perfect example. 422 00:20:48,720 --> 00:20:51,240 Speaker 3: It's like when you're on social media and you know 423 00:20:51,280 --> 00:20:54,000 Speaker 3: someone has a lot of people that follow them, and 424 00:20:54,080 --> 00:21:00,679 Speaker 3: so someone will say something completely fucking disrespectful to that person, like, oh, fuck. 425 00:21:00,480 --> 00:21:01,919 Speaker 4: You, your piece of shit or whatever. 426 00:21:02,440 --> 00:21:05,720 Speaker 3: When that person replies back and goes shut your ugly 427 00:21:05,760 --> 00:21:08,639 Speaker 3: ass up, the person that talked the shit will be like, 428 00:21:08,680 --> 00:21:11,199 Speaker 3: you have more followers than me, Yes, how can you 429 00:21:11,240 --> 00:21:14,439 Speaker 3: talk to somebody like that? That's not so so I 430 00:21:14,480 --> 00:21:17,359 Speaker 3: got I'm ugly. Now, wow, you're gonna body shamey or 431 00:21:17,400 --> 00:21:21,159 Speaker 3: something like that. And it's like, no, no. 432 00:21:20,600 --> 00:21:22,200 Speaker 4: No, that's not how that works. 433 00:21:22,320 --> 00:21:25,000 Speaker 3: As people from the nineties and the eighties and the seventies, 434 00:21:25,240 --> 00:21:27,280 Speaker 3: people that used to come outside, people that had to 435 00:21:27,280 --> 00:21:30,440 Speaker 3: throw hands in person. Right, you don't get to be 436 00:21:30,600 --> 00:21:33,080 Speaker 3: the pip squeak once you don't throw that punch. 437 00:21:33,600 --> 00:21:36,240 Speaker 5: Yeah, it's just a fight. Yes, you get hit back. 438 00:21:36,280 --> 00:21:38,359 Speaker 5: And now you wanna act like you didn't have you 439 00:21:38,480 --> 00:21:40,640 Speaker 5: Now you wanna act like I just walked up. 440 00:21:40,560 --> 00:21:43,240 Speaker 1: And sucker punch you. And I didn't exchange no words. 441 00:21:43,280 --> 00:21:45,200 Speaker 3: But you knew I was bigger than you and better 442 00:21:45,240 --> 00:21:46,680 Speaker 3: than you before you threw that point. 443 00:21:46,600 --> 00:21:48,760 Speaker 5: Right, you just thought I wasn't gonna punch back, and 444 00:21:48,800 --> 00:21:49,960 Speaker 5: I was gonna be your punch it back. 445 00:21:50,000 --> 00:21:51,600 Speaker 1: And I was like, bitch, not today, and you was 446 00:21:51,640 --> 00:21:52,760 Speaker 1: like out you punched me. 447 00:21:53,359 --> 00:21:56,879 Speaker 3: So that's why I say analyze it. It's somewhat suspicious. 448 00:21:56,960 --> 00:21:59,600 Speaker 3: You did that, you tried to do that, but yeah, 449 00:21:59,640 --> 00:22:01,480 Speaker 3: he did a better job of it than you did. 450 00:22:02,080 --> 00:22:04,000 Speaker 4: And now you're like, wow, I can't believe he would 451 00:22:04,040 --> 00:22:04,280 Speaker 4: do that. 452 00:22:04,600 --> 00:22:06,760 Speaker 3: Niggas was never happy for me when I'd run up 453 00:22:06,800 --> 00:22:10,360 Speaker 3: them digits or when I'm breaking world records still as 454 00:22:10,400 --> 00:22:13,359 Speaker 3: I guzzle again, it's trying to say, basically, like y'all, 455 00:22:13,400 --> 00:22:16,040 Speaker 3: wasn't even celebrating me when I was getting out of 456 00:22:16,640 --> 00:22:19,119 Speaker 3: out selling Michael Jackson and shit, in addition to not 457 00:22:19,200 --> 00:22:22,080 Speaker 3: being true like motherfuckers was congratulating him and celebrating them. 458 00:22:23,960 --> 00:22:26,320 Speaker 3: The other part of that is like you made a 459 00:22:26,359 --> 00:22:29,240 Speaker 3: lot of enemies in the industry talking down on people, 460 00:22:30,280 --> 00:22:34,600 Speaker 3: coming at people's necks, trying to fuck people's girl, like 461 00:22:34,640 --> 00:22:37,520 Speaker 3: you did a lot of that to yourself. And what 462 00:22:37,600 --> 00:22:41,800 Speaker 3: happened was I think Kendrick just made it. He just 463 00:22:41,840 --> 00:22:44,399 Speaker 3: made it okay for people that already weren't really fucking 464 00:22:44,440 --> 00:22:46,600 Speaker 3: with Drake to be like, you know what, actually I 465 00:22:46,600 --> 00:22:47,600 Speaker 3: don't really fuck with this guy. 466 00:22:47,880 --> 00:22:50,640 Speaker 5: Yeah, yeah, cause you know, truth be told, A lot 467 00:22:50,640 --> 00:22:53,280 Speaker 5: of people was keeping quiet because I was like, well, 468 00:22:53,359 --> 00:22:55,359 Speaker 5: I don't mind working with him, he making me money, 469 00:22:55,359 --> 00:22:57,359 Speaker 5: But I really don't like that nigga. And when Kenji 470 00:22:57,520 --> 00:22:59,760 Speaker 5: was like, no, no, no, no, I don't like him, other 471 00:22:59,760 --> 00:23:02,800 Speaker 5: people don't like him, I'm. 472 00:23:02,359 --> 00:23:03,840 Speaker 1: Gonna say the quiet part out. 473 00:23:03,720 --> 00:23:07,119 Speaker 3: Loud, Yeah, you fell out with Future, And that's really 474 00:23:07,240 --> 00:23:10,119 Speaker 3: Future to me is the one that gets kind of 475 00:23:10,160 --> 00:23:13,240 Speaker 3: lost in the sauce on this because Future, even though 476 00:23:13,320 --> 00:23:15,760 Speaker 3: all he was really mad about is like Drake trying 477 00:23:15,760 --> 00:23:16,879 Speaker 3: to fuck some girl. 478 00:23:16,680 --> 00:23:20,440 Speaker 4: That he liked or some shit whatever. Future was the one. 479 00:23:20,200 --> 00:23:25,560 Speaker 3: Who, as a cool rapper, keeper of the culture type nigga. 480 00:23:26,200 --> 00:23:30,480 Speaker 3: When he basically let Kendrick hop on like that and 481 00:23:30,520 --> 00:23:34,920 Speaker 3: say whatever he needed to say, I think it made 482 00:23:34,960 --> 00:23:39,360 Speaker 3: it more of a bigger cultural moment of like, hey, Kendrick, 483 00:23:40,720 --> 00:23:43,040 Speaker 3: go ahead and get them. I'm not gonna protect him 484 00:23:43,040 --> 00:23:46,080 Speaker 3: no more. And a lot of people, I think, stepped back. 485 00:23:46,240 --> 00:23:49,240 Speaker 3: And when everybody stepped back, they let them two dudes fight. 486 00:23:49,600 --> 00:23:52,600 Speaker 3: They don't think I don't think. They didn't jump on him, 487 00:23:52,640 --> 00:23:55,200 Speaker 3: they didn't pal on him right away. They basically said, 488 00:23:55,200 --> 00:23:58,639 Speaker 3: we're gonna let y'all fight, Yes, Drake. If everybody can 489 00:23:58,680 --> 00:24:01,760 Speaker 3: remember back back at go back to the time Drake's 490 00:24:01,760 --> 00:24:07,200 Speaker 3: first salvo that was really like coming at Kendrick. It's 491 00:24:07,359 --> 00:24:09,200 Speaker 3: that was the one that named all these other people 492 00:24:09,240 --> 00:24:11,880 Speaker 3: that hadn't said shit yet. Remember it was like Rick 493 00:24:12,040 --> 00:24:15,800 Speaker 3: Ross and fucking uh the weekend. 494 00:24:15,640 --> 00:24:17,719 Speaker 1: And that's what I'm talking about. People that didn't have 495 00:24:17,880 --> 00:24:21,840 Speaker 1: anything to do with anything. You just people a randomly 496 00:24:22,160 --> 00:24:23,040 Speaker 1: one thing about Drake. 497 00:24:23,160 --> 00:24:27,160 Speaker 5: Drake people randomly take strays and then they're like, what 498 00:24:27,200 --> 00:24:29,320 Speaker 5: do I got to do? I'm trying to literally stay 499 00:24:29,320 --> 00:24:31,280 Speaker 5: out of this now. Don't pick size because I got 500 00:24:31,320 --> 00:24:32,359 Speaker 5: hit by a fucking bullet. 501 00:24:32,480 --> 00:24:35,639 Speaker 3: And I genuinely think that the reason he did that, 502 00:24:35,720 --> 00:24:37,720 Speaker 3: and I said that at the time, but just to reiterate, 503 00:24:38,200 --> 00:24:39,880 Speaker 3: I think the reason he came in all those people 504 00:24:39,880 --> 00:24:42,160 Speaker 3: because he just didn't have enough ammunition on Kendrick Lamar. 505 00:24:42,280 --> 00:24:45,440 Speaker 3: So it was like, let me throw in five six 506 00:24:45,480 --> 00:24:48,920 Speaker 3: other rappers who also I know have problems with me 507 00:24:48,960 --> 00:24:51,240 Speaker 3: because I've said and done shit to them in the past. 508 00:24:51,560 --> 00:24:53,280 Speaker 3: I know they're gonna pop up on me in the 509 00:24:53,320 --> 00:24:56,080 Speaker 3: middle of this beef, so let me have a preemptive strike. 510 00:24:56,080 --> 00:24:57,879 Speaker 4: I'm gonna say something about these guys for they can 511 00:24:57,920 --> 00:24:58,280 Speaker 4: get to me. 512 00:24:59,440 --> 00:25:02,160 Speaker 3: But it anyway, right, it kind of backfired because now 513 00:25:02,200 --> 00:25:07,119 Speaker 3: the whole culture Kendrick's now speaking for everybody. But this 514 00:25:07,280 --> 00:25:09,560 Speaker 3: idea that they didn't celebrate Drake when he was getting 515 00:25:09,600 --> 00:25:10,760 Speaker 3: those numbers, that's not true. 516 00:25:11,000 --> 00:25:11,680 Speaker 4: They did. 517 00:25:11,920 --> 00:25:15,080 Speaker 3: They just what it is, and he may have gotten 518 00:25:15,080 --> 00:25:17,240 Speaker 3: to the truth of this. They may have just been 519 00:25:17,240 --> 00:25:21,080 Speaker 3: celebrating but never really been that happy for you in particular, 520 00:25:21,119 --> 00:25:23,360 Speaker 3: because like, yeah, we don't really respect you, but hey, 521 00:25:23,359 --> 00:25:26,320 Speaker 3: congrats you did it. Or when I get my fifth 522 00:25:26,320 --> 00:25:29,360 Speaker 3: may back because the color is different. Remember we trading watches. 523 00:25:30,400 --> 00:25:32,960 Speaker 3: We traded watches. I gave you Arabic dial, you gave 524 00:25:33,000 --> 00:25:39,199 Speaker 3: me a numbered edition. I'm sure that's Those lines in 525 00:25:39,240 --> 00:25:44,399 Speaker 3: particular are not about rappers. Those lines right there about 526 00:25:44,480 --> 00:25:49,680 Speaker 3: Lebron James. Lebron James not a rapper. 527 00:25:50,280 --> 00:25:50,640 Speaker 1: Mm hmm. 528 00:25:53,160 --> 00:26:01,119 Speaker 3: So apparently Lebron and Drake arebo watch enthusiasts. They've like taking, 529 00:26:01,280 --> 00:26:04,000 Speaker 3: you know, and so it's like the suspicion then becomes like, 530 00:26:04,119 --> 00:26:08,399 Speaker 3: so you're talking about Lebron giving you a watch, and 531 00:26:08,440 --> 00:26:11,479 Speaker 3: now you're feeling kind of betrayed because right before this 532 00:26:11,960 --> 00:26:16,200 Speaker 3: freestyle came out, there's a video of Lebron James, who 533 00:26:16,280 --> 00:26:18,480 Speaker 3: just celebrated his fortieth birthday. 534 00:26:20,760 --> 00:26:25,160 Speaker 4: And he was matter of fact, I could pull it up. 535 00:26:26,520 --> 00:26:29,360 Speaker 3: He was having a good time and dressed in all 536 00:26:29,440 --> 00:26:35,280 Speaker 3: black and rapping along to his you know, favorite song 537 00:26:35,440 --> 00:26:39,920 Speaker 3: or whatever and or a song I guess favorite song 538 00:26:39,960 --> 00:26:43,480 Speaker 3: at a time or whatever. And uh, do you know 539 00:26:43,480 --> 00:26:44,560 Speaker 3: what song he chose, Karen? 540 00:26:45,359 --> 00:26:46,440 Speaker 1: Is it not like us? 541 00:26:46,640 --> 00:26:46,720 Speaker 5: No? 542 00:26:47,280 --> 00:26:49,960 Speaker 3: No, it's kind of even worse. It's a new Kendrick 543 00:26:50,040 --> 00:26:56,200 Speaker 3: Lamar song called Man at the Garden. Oh and here's 544 00:26:56,280 --> 00:27:05,120 Speaker 3: here's Now what's particular about this The cameras focused on him, 545 00:27:05,560 --> 00:27:08,639 Speaker 3: the beat is playing, he's in all blacks, got his wine. 546 00:27:09,720 --> 00:27:13,920 Speaker 3: But it's what's most important in this look at his mouth. 547 00:27:14,640 --> 00:27:15,919 Speaker 4: He knows all the words. 548 00:27:15,960 --> 00:27:17,320 Speaker 1: Oh yeah, he've been listening to him. 549 00:27:24,640 --> 00:27:27,840 Speaker 3: And now why that's important is as a pop culture enthusiast, 550 00:27:28,119 --> 00:27:30,880 Speaker 3: Lebron James don't be knowing the words. It's ship Lebron 551 00:27:31,119 --> 00:27:34,840 Speaker 3: will fuck some lyrics up, Lebron and don't mind recording 552 00:27:34,880 --> 00:27:36,960 Speaker 3: himself and putting it up anyway, Like he'll. 553 00:27:36,760 --> 00:27:39,720 Speaker 5: Just it's just like how you said, old man. 554 00:27:40,200 --> 00:27:42,240 Speaker 3: It's like he always read the first chapter of a 555 00:27:42,280 --> 00:27:44,000 Speaker 3: book and we never see him read in like the 556 00:27:44,119 --> 00:27:47,520 Speaker 3: end of a book. We see the pages thumb, the 557 00:27:47,560 --> 00:27:50,440 Speaker 3: pages are turned at the beginning or his thumb is 558 00:27:50,560 --> 00:27:52,359 Speaker 3: in the front and you're like, I don't think he 559 00:27:52,440 --> 00:27:55,320 Speaker 3: finishing these books. He do that with rap too, like 560 00:27:55,400 --> 00:27:57,440 Speaker 3: he'll start off and like I know he had he 561 00:27:57,520 --> 00:27:59,680 Speaker 3: knew all glow Real's lyrics, So I think he does 562 00:27:59,760 --> 00:28:03,560 Speaker 3: take criticism and feedback. But like you put up many 563 00:28:03,560 --> 00:28:05,760 Speaker 3: a time where it's like you don't know the words, 564 00:28:05,760 --> 00:28:07,680 Speaker 3: it is, he know the words. 565 00:28:07,720 --> 00:28:08,240 Speaker 4: It is. 566 00:28:17,480 --> 00:28:20,359 Speaker 3: It's insane, like he could be doing like a TikTok 567 00:28:20,560 --> 00:28:23,440 Speaker 3: voice that that thing where they do though, like I 568 00:28:23,560 --> 00:28:27,280 Speaker 3: forget what it's called now whatever whatever that Sarah Lady 569 00:28:27,280 --> 00:28:31,280 Speaker 3: got popular for that that took jail cove and seank uh. 570 00:28:31,440 --> 00:28:33,160 Speaker 4: He could be doing that. 571 00:28:33,160 --> 00:28:34,040 Speaker 3: That's how good he is. 572 00:28:34,080 --> 00:28:34,359 Speaker 9: It is. 573 00:28:38,040 --> 00:28:42,040 Speaker 4: I think that's Savannah getting in. Savannah know the words. 574 00:28:43,720 --> 00:28:47,160 Speaker 3: They be listening to this ship and if you listen 575 00:28:47,160 --> 00:28:48,720 Speaker 3: to the words, because Man in the Garden had to 576 00:28:48,720 --> 00:28:49,080 Speaker 3: grow on me. 577 00:28:49,080 --> 00:28:49,840 Speaker 4: I'm not gonna lie. 578 00:28:49,920 --> 00:28:52,080 Speaker 3: I know it's a tribute to one mic by Nas, 579 00:28:52,080 --> 00:28:53,520 Speaker 3: but I'm not even a fan of one mic By 580 00:28:53,640 --> 00:28:54,320 Speaker 3: Nads that much. 581 00:28:54,520 --> 00:28:57,280 Speaker 4: And I'm not some like Nads hater either, I just 582 00:28:58,160 --> 00:28:59,720 Speaker 4: that for that's not one of the ones. 583 00:28:59,720 --> 00:29:00,120 Speaker 9: For me. 584 00:29:00,280 --> 00:29:03,160 Speaker 3: It's like it's cool. Well whatever man in the garden 585 00:29:03,240 --> 00:29:08,480 Speaker 3: grew on me though listening to it, and especially after 586 00:29:08,520 --> 00:29:12,680 Speaker 3: this video, because when you listen to this, it's like, oh, 587 00:29:12,880 --> 00:29:17,720 Speaker 3: this is actually you talking your shit. It just sounds calm. 588 00:29:18,000 --> 00:29:21,560 Speaker 3: It sounds like a mantra. That's like, you know, like 589 00:29:21,640 --> 00:29:22,520 Speaker 3: I deserve it all. 590 00:29:22,760 --> 00:29:23,240 Speaker 4: Look at me. 591 00:29:23,560 --> 00:29:28,400 Speaker 3: Okay, I'm nice, I'm smart, and I and people like me, 592 00:29:28,520 --> 00:29:31,200 Speaker 3: you know. But really, when you get towards the end, 593 00:29:31,720 --> 00:29:35,200 Speaker 3: it turns kind of angry, like like I did shit 594 00:29:35,280 --> 00:29:37,840 Speaker 3: with integrity and niggas still dry hate on me. I 595 00:29:37,920 --> 00:29:38,640 Speaker 3: deserve this shit. 596 00:29:38,760 --> 00:29:39,440 Speaker 4: Nigga fucked out. 597 00:29:39,480 --> 00:29:40,960 Speaker 3: Tell me why you deserve to me the greatest of 598 00:29:40,960 --> 00:29:41,360 Speaker 3: our time? 599 00:29:41,400 --> 00:29:43,959 Speaker 4: Motherfuckers Like, oh yeah, that's not that's one. 600 00:29:44,600 --> 00:29:48,520 Speaker 3: Lebron James Lebron James from seventeen years old has been 601 00:29:48,560 --> 00:29:51,240 Speaker 3: told why he ain't the greatest of all seventeen Yes, 602 00:29:51,600 --> 00:29:55,520 Speaker 3: and he has built a resume that most people that 603 00:29:55,640 --> 00:29:57,880 Speaker 3: even hate on him or just think he ain't the 604 00:29:57,920 --> 00:30:02,280 Speaker 3: greatest would still put top five, top two, top ten, 605 00:30:02,480 --> 00:30:05,160 Speaker 3: Like you ain't got him at the bottom, bitch, He 606 00:30:05,240 --> 00:30:07,960 Speaker 3: got at the bottom. And but they but the amount 607 00:30:08,000 --> 00:30:10,320 Speaker 3: of disdain they have for those that put him at 608 00:30:10,320 --> 00:30:14,280 Speaker 3: the top, of course, his ego and his of course, 609 00:30:14,280 --> 00:30:16,920 Speaker 3: when we heard this song the first time, he thought 610 00:30:16,960 --> 00:30:18,800 Speaker 3: this was the Lebron James song. 611 00:30:19,040 --> 00:30:21,880 Speaker 1: Yes, the anthem right, because you have to think. 612 00:30:22,280 --> 00:30:25,280 Speaker 5: Lebron James has been in the league long enough where 613 00:30:25,920 --> 00:30:29,200 Speaker 5: he has record for the youngest person doing shit, to 614 00:30:29,320 --> 00:30:32,120 Speaker 5: now he has records for the oldest person doing shit. 615 00:30:32,840 --> 00:30:35,120 Speaker 1: And some are some of some records. He broke his 616 00:30:35,240 --> 00:30:36,200 Speaker 1: own record. 617 00:30:36,560 --> 00:30:39,760 Speaker 4: And he tired of people saying why don't he just retire? 618 00:30:39,880 --> 00:30:42,160 Speaker 3: Why just because I can play the game at a 619 00:30:42,200 --> 00:30:44,600 Speaker 3: high level and I love doing it and you know 620 00:30:44,680 --> 00:30:45,400 Speaker 3: what else I love? 621 00:30:45,600 --> 00:30:47,720 Speaker 4: I love. Y'all ain't gonna give me no credit. 622 00:30:47,960 --> 00:30:50,560 Speaker 3: That's fine. You already made your decision. Then it shouldn't 623 00:30:50,600 --> 00:30:53,360 Speaker 3: even bother you that I got all the records. I 624 00:30:53,440 --> 00:30:55,880 Speaker 3: deserve all the records. I want the youngest records. I 625 00:30:55,880 --> 00:30:58,160 Speaker 3: want the oldest records, because some of these records gonna 626 00:30:58,160 --> 00:30:59,920 Speaker 3: be broken. But every time they broken, they're gonna be 627 00:30:59,960 --> 00:31:03,920 Speaker 3: like and who held it? Lebron James, like that ship 628 00:31:04,040 --> 00:31:06,800 Speaker 3: is gonna be a thing for the next forty years. 629 00:31:06,960 --> 00:31:09,360 Speaker 3: Every time when beyond it, if he can stay healthy enough, 630 00:31:10,000 --> 00:31:11,800 Speaker 3: every time he break one of these new records. We're 631 00:31:11,800 --> 00:31:15,440 Speaker 3: gonna be like, who had that before Lebron? Those games 632 00:31:15,480 --> 00:31:18,600 Speaker 3: of twenty five, five, five and three? Oh it is 633 00:31:18,680 --> 00:31:22,760 Speaker 3: Lebron or whatever the fuck is gonna be so yeah, 634 00:31:22,800 --> 00:31:25,320 Speaker 3: so it makes sense that this is his ship. Drake 635 00:31:25,360 --> 00:31:28,120 Speaker 3: Ain't never wrote no song that can make Lebron feel 636 00:31:28,160 --> 00:31:33,680 Speaker 3: like this, right, well, it feels like it's about him, 637 00:31:37,520 --> 00:31:38,160 Speaker 3: but yeah. 638 00:31:37,960 --> 00:31:40,480 Speaker 4: He know all the words and low key. 639 00:31:40,520 --> 00:31:44,160 Speaker 3: This season, he took off like thirteen days in the 640 00:31:44,200 --> 00:31:46,960 Speaker 3: middle of the season because he had started having a 641 00:31:47,000 --> 00:31:49,960 Speaker 3: bad streak. He was missing shots, he was looking washed. 642 00:31:50,320 --> 00:31:52,760 Speaker 3: He took off like thirteen days. He had made a 643 00:31:52,800 --> 00:31:54,880 Speaker 3: goal to try to play every single game this season 644 00:31:54,920 --> 00:31:56,880 Speaker 3: at forty which is insane, right. 645 00:31:58,760 --> 00:32:00,200 Speaker 4: Joelan b was like, you. 646 00:32:00,080 --> 00:32:02,760 Speaker 1: Could do that, yeah, for the your knees child. 647 00:32:02,640 --> 00:32:05,600 Speaker 3: Right, So he took a break, but he came back 648 00:32:05,840 --> 00:32:10,040 Speaker 3: and he's balling again, and everyone was like, oh, he 649 00:32:10,080 --> 00:32:12,800 Speaker 3: took a break for a bunch of different reasons. The 650 00:32:12,840 --> 00:32:16,920 Speaker 3: speculation and all kinds of conspiracy theories and stuff. I 651 00:32:16,960 --> 00:32:19,720 Speaker 3: think he took the time off to learn the lyrics 652 00:32:19,720 --> 00:32:22,800 Speaker 3: to the Man in the Garden because what the fuck. 653 00:32:22,680 --> 00:32:24,880 Speaker 1: Remember I said for his birthday, he was like, my 654 00:32:24,920 --> 00:32:26,640 Speaker 1: brother to come. I'm gonna know these song I'm gonna 655 00:32:26,640 --> 00:32:27,280 Speaker 1: know these lyrics. 656 00:32:27,280 --> 00:32:30,240 Speaker 3: I'm pretty sure he took he took all this time 657 00:32:30,320 --> 00:32:33,239 Speaker 3: off just to be in the mirror getting it like 658 00:32:33,400 --> 00:32:36,320 Speaker 3: and I'm gonna say it like this, and I deserve 659 00:32:36,360 --> 00:32:39,520 Speaker 3: the accholades. No, he said aculades, aculades like he got 660 00:32:39,520 --> 00:32:39,800 Speaker 3: it right? 661 00:32:39,880 --> 00:32:41,280 Speaker 1: What the word say? Baby? 662 00:32:41,440 --> 00:32:44,160 Speaker 4: Right as Savanna come in here, saman even know it? 663 00:32:44,320 --> 00:32:47,520 Speaker 5: Yes, as his kids and ship, I love it. She 664 00:32:47,760 --> 00:32:49,480 Speaker 5: was like, the shirt is nice. He was like, fuck it, 665 00:32:49,480 --> 00:32:50,320 Speaker 5: I don't need a shirt. 666 00:32:50,840 --> 00:32:53,160 Speaker 3: But back to these lyrics because lowd that you know 667 00:32:53,680 --> 00:32:58,560 Speaker 3: that this ain't about Kendrick. It's this is another reason 668 00:32:58,600 --> 00:33:01,440 Speaker 3: I don't I don't think. I think Drake is low 669 00:33:01,520 --> 00:33:04,240 Speaker 3: key doing shit like this because it's stuff that Kendrick 670 00:33:04,280 --> 00:33:07,360 Speaker 3: won't respond to. This is a dist of Lebron James. 671 00:33:07,440 --> 00:33:11,720 Speaker 3: Now that's a completely different fucking point. Yes, why now? 672 00:33:11,760 --> 00:33:12,760 Speaker 3: Why am I in it? 673 00:33:13,440 --> 00:33:15,000 Speaker 1: What now? Why am I in it? 674 00:33:15,560 --> 00:33:16,960 Speaker 4: You go fight that man? 675 00:33:17,240 --> 00:33:18,360 Speaker 1: Yes, go fight him. 676 00:33:18,680 --> 00:33:20,920 Speaker 3: Get in the booth. I ain't got with y'all. 677 00:33:21,000 --> 00:33:22,400 Speaker 4: Wrap beef. Okay. 678 00:33:22,480 --> 00:33:24,240 Speaker 3: You know I'm forty and I can't rap. 679 00:33:24,960 --> 00:33:25,200 Speaker 9: Right. 680 00:33:25,480 --> 00:33:27,960 Speaker 3: That's like if Lebron James was like, come play me 681 00:33:28,000 --> 00:33:32,760 Speaker 3: one on one. Then Drake like, what hey, Drake, I 682 00:33:32,800 --> 00:33:35,040 Speaker 3: went to Toronto the other day and they the Raptors 683 00:33:35,040 --> 00:33:37,360 Speaker 3: beat us, so I would like to play you one 684 00:33:37,400 --> 00:33:40,440 Speaker 3: on one since you from Toronto. It's like those two 685 00:33:40,480 --> 00:33:43,240 Speaker 3: things don't go together. Beat them niggas on the court, 686 00:33:43,440 --> 00:33:45,000 Speaker 3: and that's the court for Drake. 687 00:33:45,080 --> 00:33:47,400 Speaker 4: Is that booth? Go if you want to fight Kendrick, 688 00:33:47,440 --> 00:33:48,240 Speaker 4: go fight Kendrick. 689 00:33:48,360 --> 00:33:51,240 Speaker 3: Yes, stop being on the internet, off sad sipping wine, 690 00:33:51,240 --> 00:33:56,440 Speaker 3: smoking cigar, heright parachute pants, doing sad freestyles about how 691 00:33:56,560 --> 00:34:00,600 Speaker 3: Lebron James had too much time partying on with Keny. 692 00:34:00,880 --> 00:34:01,960 Speaker 1: Was you mad you wuldn't invited? 693 00:34:02,040 --> 00:34:06,480 Speaker 3: I don't know, God, this guy's a whole bitch. What's 694 00:34:06,480 --> 00:34:09,279 Speaker 3: wrong with him? I don't understand this guy. 695 00:34:10,080 --> 00:34:10,640 Speaker 1: He was so. 696 00:34:12,200 --> 00:34:14,680 Speaker 4: The fact that he was had a run for this 697 00:34:14,880 --> 00:34:16,879 Speaker 4: long and that. 698 00:34:19,040 --> 00:34:22,359 Speaker 3: He's had always shown like signs of being just a 699 00:34:22,520 --> 00:34:27,239 Speaker 3: very whack dude. But I always felt like he kind 700 00:34:27,239 --> 00:34:30,359 Speaker 3: of he had more good than bad. When it came 701 00:34:30,480 --> 00:34:32,600 Speaker 3: to like his wackness, it was like, yeah, but he 702 00:34:32,680 --> 00:34:36,279 Speaker 3: can rap, and a lot of the songs are jams, 703 00:34:36,320 --> 00:34:39,320 Speaker 3: like I just skipped over the stuff. That I wouldn't 704 00:34:39,320 --> 00:34:42,640 Speaker 3: identify with. I'll never identify with Marvin's room. That's I'm 705 00:34:42,680 --> 00:34:45,160 Speaker 3: not that kind of person. I think it's kind of 706 00:34:45,160 --> 00:34:48,239 Speaker 3: a weird version of like his version of missogyny is 707 00:34:48,280 --> 00:34:51,080 Speaker 3: like a different type of missogy. But I'm used to 708 00:34:51,120 --> 00:34:53,600 Speaker 3: misogynists in rap I don't. It's not like I'm turning 709 00:34:54,080 --> 00:34:56,400 Speaker 3: the misogyny off for being missogy. I'm just turned off 710 00:34:56,440 --> 00:34:58,759 Speaker 3: because it's kind of weak. It's it's like, girl, how 711 00:34:58,760 --> 00:35:01,000 Speaker 3: you gonna dress like that? Go out with this guy? 712 00:35:01,600 --> 00:35:04,239 Speaker 3: Even though I'm fucking seven other women. That's fucked up. 713 00:35:04,400 --> 00:35:06,000 Speaker 3: You're supposed to be waiting on me. I thought you 714 00:35:06,080 --> 00:35:09,080 Speaker 3: was a good girl, you know whatever. And it's just like, damn, bro, 715 00:35:09,120 --> 00:35:11,560 Speaker 3: you kind of sound are you crying or some shit? 716 00:35:11,680 --> 00:35:12,640 Speaker 1: Like get out of here? 717 00:35:13,080 --> 00:35:15,600 Speaker 3: Like can't you just listen. We're not saying it's good, 718 00:35:15,640 --> 00:35:17,640 Speaker 3: but can't you just call him bitches? 719 00:35:17,640 --> 00:35:18,960 Speaker 4: Like snoop? Like why are we doing it? 720 00:35:19,000 --> 00:35:20,120 Speaker 3: Let me go straight to the point. 721 00:35:20,160 --> 00:35:21,600 Speaker 1: Why are we fucking around? Yeah? 722 00:35:21,719 --> 00:35:22,719 Speaker 3: Like why are we doing that? 723 00:35:22,800 --> 00:35:23,560 Speaker 1: Speditiously? 724 00:35:23,880 --> 00:35:26,279 Speaker 3: Yeah, stop trying to make me feel sad for the 725 00:35:26,280 --> 00:35:28,880 Speaker 3: fact that she won't let you cheat on it. I don't. 726 00:35:28,719 --> 00:35:30,120 Speaker 4: Know what to tell you on that one, you know. 727 00:35:31,800 --> 00:35:36,440 Speaker 3: But yeah, so he goes on to say, cause, like 728 00:35:36,480 --> 00:35:39,719 Speaker 3: I said, this switch from Kendrick, like, oh you analyze 729 00:35:39,760 --> 00:35:44,480 Speaker 3: my behavior to By the way, Lebron, we traded watches, 730 00:35:44,800 --> 00:35:46,840 Speaker 3: you called, You said you would even check up on 731 00:35:46,880 --> 00:35:50,440 Speaker 3: my son like a pediatrician, like used to call and 732 00:35:50,520 --> 00:35:53,520 Speaker 3: check and see how my son was doing. Uh. Since 733 00:35:53,560 --> 00:35:56,560 Speaker 3: sure convinced the gang the game this shit was rooted 734 00:35:56,600 --> 00:35:59,480 Speaker 3: in love. When it isn't showed me how different we are. 735 00:35:59,560 --> 00:36:02,239 Speaker 3: That's bleas since of just the position, I guess now 736 00:36:02,280 --> 00:36:04,360 Speaker 3: you boys gotta abandon your summer tradition. 737 00:36:06,600 --> 00:36:10,480 Speaker 4: This is because Lebron normally comes. 738 00:36:10,160 --> 00:36:15,280 Speaker 3: In to Ovo Fest, which is Drake's thing in Canada. 739 00:36:15,760 --> 00:36:17,399 Speaker 3: So he's like, I guess you ain't coming up here. 740 00:36:17,400 --> 00:36:20,480 Speaker 3: No more cold shoulders. I give in the Hamptons. I 741 00:36:20,520 --> 00:36:25,040 Speaker 3: gave it the Hamptons. It can come with the distance. Figure, 742 00:36:25,120 --> 00:36:27,840 Speaker 3: we was always gonna be close, like ovens and kitchens. 743 00:36:28,640 --> 00:36:29,319 Speaker 8: That's not. 744 00:36:31,880 --> 00:36:33,279 Speaker 3: I'm not I'll say less about that. 745 00:36:33,600 --> 00:36:36,759 Speaker 4: Well, you know, you know he's been through a lot 746 00:36:36,760 --> 00:36:37,120 Speaker 4: of guys. 747 00:36:37,160 --> 00:36:39,560 Speaker 3: Okay, maybe not every line is gonna be I'm not 748 00:36:39,600 --> 00:36:44,160 Speaker 3: putting you know. It's my fault I'm putting overlap, overlapping 749 00:36:44,160 --> 00:36:46,640 Speaker 3: this with like Kendrick's level of lyricism. That's not fair. 750 00:36:46,840 --> 00:36:47,600 Speaker 1: You're not gonna get it. 751 00:36:47,719 --> 00:36:49,240 Speaker 4: Yeah, that's not fair to him anyway. 752 00:36:49,320 --> 00:36:52,000 Speaker 3: Like ovens and kitchens, I was sadly mistaken. The loyalty 753 00:36:52,120 --> 00:36:54,840 Speaker 3: wasn't a given. I also feel like I would be 754 00:36:55,120 --> 00:37:00,279 Speaker 3: more positive about this freestyle if he actually had like 755 00:37:00,560 --> 00:37:02,319 Speaker 3: rap rapped like. 756 00:37:02,600 --> 00:37:03,920 Speaker 4: The way he said the lines. 757 00:37:04,040 --> 00:37:05,880 Speaker 3: You know, coach shoulders, I gave in the handle and 758 00:37:05,920 --> 00:37:08,239 Speaker 3: they came with a distance figure. We always gonna be 759 00:37:08,239 --> 00:37:10,960 Speaker 3: close like others in kitchens. I was sadly mistaken. The 760 00:37:11,000 --> 00:37:14,160 Speaker 3: loyalty wasn't a given. Then he'll like stop, sip on 761 00:37:14,160 --> 00:37:17,520 Speaker 3: his drink, sound good, so good, and then get back 762 00:37:17,560 --> 00:37:20,080 Speaker 3: And I'm like, I feel like this shit would hit 763 00:37:20,160 --> 00:37:23,480 Speaker 3: different if you was like wrapping it like started from 764 00:37:23,520 --> 00:37:26,320 Speaker 3: the bottom, you know what I mean, Like coach shoulders, 765 00:37:26,320 --> 00:37:28,520 Speaker 3: I gave in their handles. It came with a distance figure. 766 00:37:28,560 --> 00:37:30,720 Speaker 3: We was always gonna be close like others and kitchens. 767 00:37:30,800 --> 00:37:33,440 Speaker 3: I was sadly mistaken. The loyalty wasn't a given. Like 768 00:37:33,480 --> 00:37:34,400 Speaker 3: if he would have been. 769 00:37:34,880 --> 00:37:36,960 Speaker 5: Like that, it's like not trying funny. It's one of 770 00:37:37,000 --> 00:37:43,200 Speaker 5: those things where I'm looking at you like be serious, 771 00:37:43,239 --> 00:37:45,720 Speaker 5: because you're not taking it seriously. Go to a booth, 772 00:37:46,480 --> 00:37:50,440 Speaker 5: get some people in there, let them mix your shit. 773 00:37:50,080 --> 00:37:52,319 Speaker 1: And make you sound like you professional. 774 00:37:52,800 --> 00:37:55,520 Speaker 5: I don't want to hear your YouTube version of a 775 00:37:55,640 --> 00:37:59,400 Speaker 5: fucking rap beef this. I cannot take this song seriously. 776 00:37:59,560 --> 00:38:01,880 Speaker 3: Yeah, it reminds me of like if y'all have ever 777 00:38:02,080 --> 00:38:04,759 Speaker 3: dealt with a narcissist, which I don't know if y'all 778 00:38:04,800 --> 00:38:06,279 Speaker 3: have or not, but I feel like at this point 779 00:38:06,280 --> 00:38:10,840 Speaker 3: everyone has. They can mimic certain things even though they 780 00:38:10,840 --> 00:38:13,360 Speaker 3: don't necessarily experience emotions the same as everyone else, they 781 00:38:13,400 --> 00:38:17,560 Speaker 3: can mimic certain emotions, and this feels like someone's manipulative, 782 00:38:19,480 --> 00:38:24,799 Speaker 3: like mimicry of someone who's depressed. Like, guys, i'mself sad, 783 00:38:24,840 --> 00:38:26,920 Speaker 3: and y'all should feel bad for me. Y'all should be 784 00:38:26,920 --> 00:38:29,799 Speaker 3: on my side, and so I'm supposed to forget like 785 00:38:30,040 --> 00:38:33,239 Speaker 3: you started a fight, got your ass whop, and I'm 786 00:38:33,280 --> 00:38:36,920 Speaker 3: supposed to feel like you got jumped, when really you 787 00:38:37,040 --> 00:38:40,319 Speaker 3: just kicked the horneous ness of all the rappers and 788 00:38:40,360 --> 00:38:44,000 Speaker 3: people and all the blacks and called us slaves and shit, 789 00:38:44,080 --> 00:38:46,600 Speaker 3: and it was like Wow, I can't believe y'all got 790 00:38:46,680 --> 00:38:49,879 Speaker 3: mad at me. I'm so sad. I'm so yeah, y'all 791 00:38:49,880 --> 00:38:51,799 Speaker 3: turned y'all back on me. What I'm supposed to do now, 792 00:38:52,719 --> 00:38:54,840 Speaker 3: he says, the niggas cried the blues for you, saying 793 00:38:54,880 --> 00:38:58,439 Speaker 3: it wasn't malicious talking about we family. Well now, well, 794 00:38:58,480 --> 00:39:01,440 Speaker 3: I'm not the cousin to visit. I think this is 795 00:39:01,440 --> 00:39:08,960 Speaker 3: about either either Lebron or DeMar de Rosen, because DeMar 796 00:39:08,960 --> 00:39:12,879 Speaker 3: de Rosen has been very public about his depression. He's 797 00:39:12,920 --> 00:39:16,560 Speaker 3: one of the first rap first NBA athletes I saw 798 00:39:16,600 --> 00:39:20,080 Speaker 3: even publicly talk about being depressed, and like I said, 799 00:39:20,200 --> 00:39:22,920 Speaker 3: Drake and him got through a heart like through a 800 00:39:22,960 --> 00:39:26,840 Speaker 3: hard time for him, Like Damarin Rosen was down just 801 00:39:26,920 --> 00:39:29,799 Speaker 3: in life, and that was his homie. I actually kind 802 00:39:29,800 --> 00:39:32,080 Speaker 3: of understand why Drake would feel the level of betrayal 803 00:39:32,160 --> 00:39:36,160 Speaker 3: for DeMar de Rozen being in that fucking video because 804 00:39:36,680 --> 00:39:40,560 Speaker 3: like y'all actually was pretty close publicly, and shit, god forbid, 805 00:39:40,600 --> 00:39:42,960 Speaker 3: we ever got to tarnish your public image. 806 00:39:43,760 --> 00:39:45,520 Speaker 4: Now that line, I think. 807 00:39:45,400 --> 00:39:48,879 Speaker 3: It's about Lebron, so not that first part. First part 808 00:39:48,960 --> 00:39:50,640 Speaker 3: might be about Tomorrow or Lebron. 809 00:39:50,680 --> 00:39:51,120 Speaker 4: I don't know. 810 00:39:51,600 --> 00:39:53,800 Speaker 3: Niggas crowd the blues to you, saying it wasn't malicious 811 00:39:53,800 --> 00:39:54,600 Speaker 3: talking about we family. 812 00:39:54,640 --> 00:39:55,799 Speaker 4: Well, I'm not the cousin to visit. 813 00:39:56,200 --> 00:39:59,600 Speaker 3: God forbid we ever got to tarnish your public image. 814 00:40:00,040 --> 00:40:02,279 Speaker 3: I loved how he switches to the verb to we 815 00:40:02,800 --> 00:40:07,600 Speaker 3: instead of me, like I like, I'm gonna do this 816 00:40:07,640 --> 00:40:10,640 Speaker 3: to you now it's we, god forbid, we ever got 817 00:40:10,640 --> 00:40:12,920 Speaker 3: a like now it's now, it's out of my hands. Guys, 818 00:40:13,400 --> 00:40:15,960 Speaker 3: all that brother talkers, If I really discovered the siblings 819 00:40:15,960 --> 00:40:20,239 Speaker 3: six degrees, my memories, my memories retrieving our humble beginnings, 820 00:40:21,000 --> 00:40:24,000 Speaker 3: niggas wanted trouble, grabbing a shovel and dug up some ditches, 821 00:40:24,320 --> 00:40:25,800 Speaker 3: cover my blody in the dirt. 822 00:40:25,840 --> 00:40:27,279 Speaker 4: But that wasn't me. That wasn't me. 823 00:40:27,400 --> 00:40:29,480 Speaker 3: And the way he says it is like that wasn't me, 824 00:40:29,800 --> 00:40:34,240 Speaker 3: that wasn't me. Keep in mind, I'm reading these harder 825 00:40:34,239 --> 00:40:38,960 Speaker 3: than he wrapped these. So yeah, yes, I mean, just 826 00:40:39,239 --> 00:40:41,080 Speaker 3: I forget to be. I don't have a very basic voice. 827 00:40:41,120 --> 00:40:44,160 Speaker 3: I just I'm just saying I'm reading these hard. He 828 00:40:44,200 --> 00:40:46,800 Speaker 3: wraps him like he don't care, like these are offhanded comics. 829 00:40:47,920 --> 00:40:50,719 Speaker 3: Cover my body in dirt, but that wasn't me. That 830 00:40:50,880 --> 00:40:53,759 Speaker 3: wasn't me. Uh, that was a body double. And we've 831 00:40:53,760 --> 00:40:56,799 Speaker 3: been we've been done dozens of switches. So I think 832 00:40:56,800 --> 00:40:58,719 Speaker 3: he's trying to say everybody thought I was dead, but 833 00:40:58,760 --> 00:41:01,320 Speaker 3: you didn't kill the real me. That was fake, because 834 00:41:01,320 --> 00:41:04,080 Speaker 3: he's still trying to be on this Moriarty super villain 835 00:41:04,080 --> 00:41:09,000 Speaker 3: shit of you know, I didn't I didn't lose the battle, guys. 836 00:41:09,800 --> 00:41:12,319 Speaker 3: I let you thought I lose the battle, but I 837 00:41:12,400 --> 00:41:16,160 Speaker 3: won the battle. Because I say so. Niggas tried to 838 00:41:16,280 --> 00:41:18,440 Speaker 3: like the front Gate up, it wasn't for Christmas. 839 00:41:18,520 --> 00:41:19,719 Speaker 4: That's definitely him. 840 00:41:19,719 --> 00:41:25,000 Speaker 3: In the weekend when the Weekend allegedly the Weekends people 841 00:41:25,120 --> 00:41:29,400 Speaker 3: shot up Drake's security in front. 842 00:41:29,239 --> 00:41:31,919 Speaker 1: Of his thing and they were cutting up on top 843 00:41:31,920 --> 00:41:33,839 Speaker 1: of the border at the Drake. 844 00:41:33,920 --> 00:41:38,359 Speaker 3: People supposedly shot up the Weekends security person. So I 845 00:41:38,360 --> 00:41:40,880 Speaker 3: said a prayer that morning for Sean. It wasn't religious. 846 00:41:40,920 --> 00:41:43,920 Speaker 3: That's his bodyguard that got shot. It came from a 847 00:41:43,960 --> 00:41:47,319 Speaker 3: place of desperation and utter submission. I don't even really 848 00:41:47,400 --> 00:41:51,759 Speaker 3: know what that line means, to be honest, So I 849 00:41:51,760 --> 00:41:55,680 Speaker 3: don't know, But like I don't, I guess he's trying 850 00:41:55,719 --> 00:41:57,960 Speaker 3: to say he's not a religious person or something. I 851 00:41:57,960 --> 00:42:04,600 Speaker 3: don't know what that exactly means. He says rapping was 852 00:42:04,640 --> 00:42:06,960 Speaker 3: over for now. It came like a sudden decision. I 853 00:42:07,000 --> 00:42:10,799 Speaker 3: don't give a fuck about you snakes or these other musicians. 854 00:42:11,200 --> 00:42:14,720 Speaker 3: So I think he's saying after the shooting, he stopped 855 00:42:14,800 --> 00:42:17,840 Speaker 3: rapping for a while, and then he don't give a 856 00:42:17,840 --> 00:42:21,040 Speaker 3: fuck about the weekend and all these people or whatever. 857 00:42:22,200 --> 00:42:26,160 Speaker 3: We know, we figured it out. They also don't give 858 00:42:26,160 --> 00:42:28,920 Speaker 3: a fuck about you. Apparently niggas started fucking with my family. 859 00:42:28,920 --> 00:42:31,760 Speaker 3: I'm going to prison and we all crashing out together. 860 00:42:31,880 --> 00:42:34,720 Speaker 3: My brother's complicit who put a pipe bomb in your trunk? 861 00:42:34,800 --> 00:42:38,799 Speaker 3: It wasn't exhibit, so I don't know, Like I know 862 00:42:39,000 --> 00:42:43,839 Speaker 3: Exhibit the rapper from Pimp My Ride. So he's like, 863 00:42:44,840 --> 00:42:47,879 Speaker 3: he's I think he's literally trying to say someone put 864 00:42:47,920 --> 00:42:52,160 Speaker 3: a pipe bomb in someone's car or something, or. 865 00:42:52,120 --> 00:42:54,200 Speaker 4: He's alluding to he was willing to put a. 866 00:42:54,160 --> 00:42:57,600 Speaker 3: Pipe bomb in someone's car, like my like I'm a 867 00:42:58,000 --> 00:43:00,279 Speaker 3: manipulate your A card and the way that they nipple 868 00:43:00,320 --> 00:43:01,319 Speaker 3: a cars on Pimp My Ride. 869 00:43:01,360 --> 00:43:02,480 Speaker 4: I don't know my p Diddy. 870 00:43:02,520 --> 00:43:03,080 Speaker 1: I don't know. 871 00:43:03,320 --> 00:43:05,959 Speaker 3: I don't think he's talking about P Diddy, But it's 872 00:43:06,040 --> 00:43:12,279 Speaker 3: just Are you really gonna do that, Drake, Like, is 873 00:43:12,280 --> 00:43:14,240 Speaker 3: that really where we're gonna take it? Are you actually 874 00:43:14,280 --> 00:43:16,680 Speaker 3: going to blow some shit up? Because I don't think so. 875 00:43:17,200 --> 00:43:18,759 Speaker 3: But he said, I'm trying to blow the doors off 876 00:43:18,800 --> 00:43:21,640 Speaker 3: that bitch when you touch the ignition. But then I 877 00:43:21,640 --> 00:43:25,279 Speaker 3: gotta remember who made this shit come to fruition, So 878 00:43:25,400 --> 00:43:28,160 Speaker 3: I I it sounds like a threat, but. 879 00:43:28,120 --> 00:43:28,759 Speaker 4: I'm just. 880 00:43:30,280 --> 00:43:33,760 Speaker 3: I'm just guessing that he doesn't. I'm he can't really 881 00:43:33,800 --> 00:43:37,800 Speaker 3: mean this. He's not going to kill DeMar de Rosen 882 00:43:37,880 --> 00:43:40,000 Speaker 3: or Lebron James and Kendrick Glamar with a pipe bomb 883 00:43:40,040 --> 00:43:42,560 Speaker 3: in the car. It's just but I guess sometimes he 884 00:43:42,560 --> 00:43:44,920 Speaker 3: wraps about shooting people and shit. Kendrick grabs about shooting 885 00:43:44,960 --> 00:43:45,879 Speaker 3: people and shit. 886 00:43:46,040 --> 00:43:47,640 Speaker 4: So who knows. I don't think either one of. 887 00:43:47,640 --> 00:43:50,840 Speaker 3: Them are those kind of guys, But we'll see, uh 888 00:43:51,080 --> 00:43:55,000 Speaker 3: third verse at these like it's me, it's me who 889 00:43:55,040 --> 00:43:57,120 Speaker 3: got the most to lose, and who's in that other 890 00:43:57,160 --> 00:44:00,719 Speaker 3: position signal convert conversations. Well, I hope they got the 891 00:44:00,800 --> 00:44:04,279 Speaker 3: double encryption. I'd hate to see the Empire crouble on 892 00:44:04,400 --> 00:44:10,359 Speaker 3: judges convictions. I don't I'm not. I guess he's trying 893 00:44:10,400 --> 00:44:12,600 Speaker 3: to say as Kendrick or something, but I don't know 894 00:44:12,600 --> 00:44:16,359 Speaker 3: if this is about Kendrick or Lebron. I think it's 895 00:44:16,400 --> 00:44:18,400 Speaker 3: back to Kendrick, though, because the next line says, this 896 00:44:18,480 --> 00:44:20,520 Speaker 3: nigga pulled a rabit out the hat, and y'all love 897 00:44:20,560 --> 00:44:23,600 Speaker 3: a magician. It's funny to see you all rejoicing, hugging 898 00:44:23,600 --> 00:44:26,600 Speaker 3: and kissing. So I think it's like Kendrick is the 899 00:44:26,640 --> 00:44:28,759 Speaker 3: nigga that like he did a magic trick to beat me, 900 00:44:29,440 --> 00:44:32,400 Speaker 3: but he didn't really beat me, and y'all all happy 901 00:44:32,440 --> 00:44:35,760 Speaker 3: about the shit? Why y'all happy about it? It's funny 902 00:44:35,800 --> 00:44:38,920 Speaker 3: to watch y'all be happy about some bullshit like this. Uh, 903 00:44:39,239 --> 00:44:40,240 Speaker 3: what are we celebrating? 904 00:44:40,239 --> 00:44:41,800 Speaker 1: You don't sound like it's funny. 905 00:44:42,680 --> 00:44:45,239 Speaker 3: Yeah, yeah, for you to be putting out this sadass song, 906 00:44:45,320 --> 00:44:48,680 Speaker 3: It don't sound like you are really taking this, Like right, 907 00:44:48,840 --> 00:44:51,439 Speaker 3: what are we celebrating? I rent out the club at edition. 908 00:44:53,680 --> 00:44:56,560 Speaker 3: Nothing was the same with all you bitches, and nothing's forgiven. 909 00:44:57,040 --> 00:44:59,880 Speaker 3: But next I think nothing was the same as one 910 00:45:00,160 --> 00:45:01,759 Speaker 3: his albums or something like that. 911 00:45:02,120 --> 00:45:02,440 Speaker 9: It is. 912 00:45:03,880 --> 00:45:07,279 Speaker 3: I think he's trying to say that, But basically, I 913 00:45:07,280 --> 00:45:09,200 Speaker 3: don't forgive any of y'all to side it with Kendrick. 914 00:45:09,640 --> 00:45:11,880 Speaker 3: But the next time bury me in gold. My blood 915 00:45:11,920 --> 00:45:15,440 Speaker 3: is Egyptian. So back to the metaphor of you know 916 00:45:16,280 --> 00:45:19,760 Speaker 3: you buried the wrong body, but now in this metaphor, 917 00:45:19,920 --> 00:45:24,080 Speaker 3: it was his body, but he should be buried in gold. 918 00:45:24,120 --> 00:45:26,720 Speaker 3: The Dennis Jeans come out when the vodka is flooding 919 00:45:26,800 --> 00:45:29,000 Speaker 3: my system. I don't have a drinking problem. I got 920 00:45:29,040 --> 00:45:34,239 Speaker 3: a subtle addiction. This is definitely because Kendrick said you 921 00:45:34,560 --> 00:45:37,359 Speaker 3: are have a drinking and drug problem in this song 922 00:45:38,880 --> 00:45:43,799 Speaker 3: about what was it Meet the Graunds, So like now 923 00:45:43,840 --> 00:45:46,080 Speaker 3: he's like, actually, don't have a drinking problem. I can 924 00:45:46,160 --> 00:45:49,480 Speaker 3: quit any time I want. Thank you, Kendrick. I have 925 00:45:49,520 --> 00:45:52,080 Speaker 3: a subtle addiction. I don't get drunk. I just like 926 00:45:52,120 --> 00:45:58,360 Speaker 3: to constantly stay drinking. I got my father's habits and 927 00:45:58,400 --> 00:46:02,319 Speaker 3: I got my mother's permission, which is this line is. 928 00:46:02,280 --> 00:46:04,480 Speaker 4: The weird one of the weirder lines in here. 929 00:46:04,560 --> 00:46:07,319 Speaker 3: But here's why it's weird because I have friends who 930 00:46:07,480 --> 00:46:09,200 Speaker 3: are like, is he admitting to be a pedophile? 931 00:46:09,280 --> 00:46:10,360 Speaker 4: Was like, no, I don't think. 932 00:46:10,760 --> 00:46:12,800 Speaker 3: No, that's a ridiculous thing, and he would never admit 933 00:46:12,840 --> 00:46:15,799 Speaker 3: to that if that was even true. No, what he 934 00:46:16,000 --> 00:46:20,479 Speaker 3: is I think admitting to is this like, uh, yeah, 935 00:46:20,719 --> 00:46:25,160 Speaker 3: I drink yeah, gamble, yeah, I'm a womanizer. But my dad, 936 00:46:25,280 --> 00:46:29,800 Speaker 3: my black dad, was also this way and my mom 937 00:46:30,239 --> 00:46:32,880 Speaker 3: never really seen the care. And the reason that that 938 00:46:33,040 --> 00:46:36,080 Speaker 3: is a weird fucking line to pull up is that 939 00:46:36,080 --> 00:46:40,400 Speaker 3: that is actually a fucking line that Kendrick alluded to 940 00:46:41,760 --> 00:46:51,080 Speaker 3: and and meet the Grahams when he was addressing Drake's mom. 941 00:46:51,400 --> 00:46:54,640 Speaker 3: Dear Sandra, your son got some bad habits. I hope 942 00:46:54,680 --> 00:47:00,000 Speaker 3: you don't undermine them like once it does he listen 943 00:47:00,120 --> 00:47:02,959 Speaker 3: into what Kendrick be saying or not, because why would 944 00:47:02,960 --> 00:47:05,799 Speaker 3: you give him this win? You're essentially being like you right, 945 00:47:07,000 --> 00:47:10,600 Speaker 3: that is exactly what happened. I have bad I do 946 00:47:10,719 --> 00:47:14,120 Speaker 3: bad shit, and my mom's okay with it. Oh anyway, 947 00:47:14,680 --> 00:47:17,479 Speaker 3: not a big chest with God. I guess my dad 948 00:47:17,520 --> 00:47:19,880 Speaker 3: has another child. I told him that wasn't. My sister 949 00:47:20,560 --> 00:47:24,040 Speaker 3: grew up with dozens of Jews churches with dozens of Christians. 950 00:47:24,239 --> 00:47:26,560 Speaker 3: I don't know why the Jews is up in it. 951 00:47:26,920 --> 00:47:29,480 Speaker 3: I also develop a deep respect for the Muslim religion. 952 00:47:29,520 --> 00:47:31,560 Speaker 3: I'm staring at my daddy while y'all tell me I 953 00:47:31,680 --> 00:47:35,200 Speaker 3: wasn't that nigga. Basically, I have a black dad. So 954 00:47:35,320 --> 00:47:37,880 Speaker 3: I am black, Kendrick. You can't call me not black. 955 00:47:38,239 --> 00:47:41,520 Speaker 3: Stop calling me white boy, Rick Ross if my dad, 956 00:47:41,600 --> 00:47:43,120 Speaker 3: if I'm not black, wise my dad black. 957 00:47:44,280 --> 00:47:45,040 Speaker 4: Leave me alone. 958 00:47:45,120 --> 00:47:46,560 Speaker 1: Who cares about the Kakis? 959 00:47:46,680 --> 00:47:48,680 Speaker 3: And I'm pretty sure that this line before, if I 960 00:47:48,719 --> 00:47:51,719 Speaker 3: grew up with dozens of Jews churches, it's because during 961 00:47:51,760 --> 00:47:54,680 Speaker 3: all this battleshit motherfuckers went to the archives and put 962 00:47:54,760 --> 00:47:58,880 Speaker 3: up you know, the old Drake clips when he was 963 00:48:00,040 --> 00:48:03,480 Speaker 3: lack of a better term, Jewish, Well, he was before 964 00:48:03,520 --> 00:48:11,040 Speaker 3: he started developing this like blackness American appropriation, for lack 965 00:48:11,080 --> 00:48:14,080 Speaker 3: of a better term, Before he started doing that, he 966 00:48:14,320 --> 00:48:15,239 Speaker 3: was kind of on the. 967 00:48:15,160 --> 00:48:16,120 Speaker 4: Opposite side of that. 968 00:48:16,239 --> 00:48:19,160 Speaker 3: And then he also thought black people in America were 969 00:48:19,160 --> 00:48:21,680 Speaker 3: the real racist and all this type of shit, And 970 00:48:21,719 --> 00:48:24,960 Speaker 3: so I think those things really did hurt him. I 971 00:48:24,960 --> 00:48:28,880 Speaker 3: think it really did bother him a lot. And so 972 00:48:30,040 --> 00:48:33,319 Speaker 3: that's I think now you're all caught up that he 973 00:48:33,320 --> 00:48:36,279 Speaker 3: put out a freestyle and I think he's talking about 974 00:48:36,320 --> 00:48:39,800 Speaker 3: Lebron James, and I think. 975 00:48:39,680 --> 00:48:40,600 Speaker 4: He's just very hurt. 976 00:48:42,040 --> 00:48:45,800 Speaker 3: He's very hurt that the world, Yeah, that the world 977 00:48:45,880 --> 00:48:47,200 Speaker 3: just decided that we're not. 978 00:48:47,440 --> 00:48:49,919 Speaker 1: With you, and he wouldn't number one, no more. 979 00:48:50,080 --> 00:48:51,320 Speaker 4: Yeah, and I think he doesn't. 980 00:48:51,640 --> 00:48:54,360 Speaker 3: He'll never come out and flatly say that, but this 981 00:48:54,440 --> 00:48:56,080 Speaker 3: is the closest he's gonna get to it. 982 00:48:56,120 --> 00:48:59,160 Speaker 5: Right, because he consistently would brag about any time anybody 983 00:48:59,200 --> 00:49:03,120 Speaker 5: would say anything to him his thing, he would consistently say, 984 00:49:03,160 --> 00:49:05,480 Speaker 5: who gives a fuck about what y'all say. I'm breaking 985 00:49:05,520 --> 00:49:09,080 Speaker 5: these records, I'm selling these albums. I'm number one, like 986 00:49:08,800 --> 00:49:12,240 Speaker 5: like he wrote on that, So before it didn't matter, 987 00:49:12,360 --> 00:49:13,480 Speaker 5: but now it does. 988 00:49:13,960 --> 00:49:20,359 Speaker 3: Right, So you know, I I don't think Kendrick's gonna 989 00:49:20,360 --> 00:49:22,600 Speaker 3: respond it as mostly just because I don't think it. 990 00:49:22,840 --> 00:49:24,480 Speaker 3: I think Drake did a lot of stuff to make 991 00:49:24,480 --> 00:49:26,760 Speaker 3: sure this was a song you don't respond to, agreed, 992 00:49:27,680 --> 00:49:29,440 Speaker 3: you know. I think I think he went out of 993 00:49:29,440 --> 00:49:32,799 Speaker 3: his way to be like, I'm not going to this 994 00:49:32,840 --> 00:49:35,440 Speaker 3: won't be on an album, this won't be streaming. 995 00:49:35,680 --> 00:49:38,600 Speaker 4: You's gonna make me take it down? I won't. I'm 996 00:49:38,640 --> 00:49:39,759 Speaker 4: not gonna master it. 997 00:49:39,920 --> 00:49:43,279 Speaker 3: I'm not gonna like like everything to make Kendrick and 998 00:49:43,320 --> 00:49:46,160 Speaker 3: everybody and for the record, rest of us. No, no 999 00:49:46,200 --> 00:49:49,719 Speaker 3: one I've seen expects Kendrick. If Kendrick responds, he responds, 1000 00:49:49,760 --> 00:49:52,200 Speaker 3: But no one's like Kendrick gott to hop in the booth. 1001 00:49:52,920 --> 00:49:54,879 Speaker 3: Everybody's like, Okay, I guess. 1002 00:49:54,719 --> 00:49:58,239 Speaker 4: You know, back to business usual. But yeah, that was the. 1003 00:49:58,160 --> 00:50:03,600 Speaker 3: Big news for whatever of a bowl. Yeah, so uh, 1004 00:50:04,280 --> 00:50:05,640 Speaker 3: good luck to him or whatever. 1005 00:50:06,800 --> 00:50:07,879 Speaker 1: Good luck to you all. 1006 00:50:08,160 --> 00:50:11,200 Speaker 3: Really what you would have really, if you're gonna bring it, 1007 00:50:11,239 --> 00:50:12,160 Speaker 3: I just want you to bring it. 1008 00:50:12,320 --> 00:50:13,800 Speaker 1: Yeah. If not, you could have kept it. 1009 00:50:13,680 --> 00:50:15,600 Speaker 3: And also stopped trying to make me feel sorry for 1010 00:50:15,640 --> 00:50:19,680 Speaker 3: you. You started to fight and you lost you y'all. He 1011 00:50:19,800 --> 00:50:24,359 Speaker 3: literally started to fight. He literally was like, say something, mon, 1012 00:50:24,520 --> 00:50:27,640 Speaker 3: just say something. You're quiet. You're quiet. 1013 00:50:27,719 --> 00:50:31,400 Speaker 1: You ain't saying nothing because you scared. Drop drop drop, 1014 00:50:32,080 --> 00:50:34,839 Speaker 1: like right, and it's one of those things where and that. 1015 00:50:34,920 --> 00:50:37,879 Speaker 3: Was like thirteen people forget that was like thirteen days 1016 00:50:37,880 --> 00:50:41,040 Speaker 3: between him doing push ups and Kendrick dropping a song 1017 00:50:41,920 --> 00:50:46,360 Speaker 3: and everybody was like talking shit like Kendrick gotta say something. Kendrick, 1018 00:50:46,400 --> 00:50:50,000 Speaker 3: the one who's scared, Kendrick won't do well dropped in. Kendrick, 1019 00:50:50,239 --> 00:50:53,960 Speaker 3: you better give him something. And now it's like, wow, will 1020 00:50:54,080 --> 00:50:57,480 Speaker 3: was Kendrick gonna let this go? Come on, guys, grow up. 1021 00:50:57,800 --> 00:50:58,959 Speaker 1: You literally started to fight. 1022 00:50:59,040 --> 00:51:02,560 Speaker 5: You You was like, uh, running up on somebody who 1023 00:51:02,640 --> 00:51:04,920 Speaker 5: was like mine of their business, and y'all know. 1024 00:51:04,920 --> 00:51:06,920 Speaker 1: These people who they couldn't. 1025 00:51:07,239 --> 00:51:10,320 Speaker 4: It's worst, car, it's worse. I'm sorry. It's not somebody 1026 00:51:10,320 --> 00:51:13,000 Speaker 4: who's mind their business. It's somebody that. 1027 00:51:13,080 --> 00:51:15,920 Speaker 3: Secretly I was hoping you would fuck with them the 1028 00:51:15,960 --> 00:51:16,520 Speaker 3: whole time. 1029 00:51:17,239 --> 00:51:21,799 Speaker 5: Okay, yes, work, Yes that's different, Yes, yes that's you 1030 00:51:21,840 --> 00:51:23,200 Speaker 5: didn't know though. 1031 00:51:23,200 --> 00:51:25,520 Speaker 1: They was minding their business, but like this, they wasn't. 1032 00:51:25,600 --> 00:51:28,279 Speaker 5: Drake thought that you were minding your business, and you 1033 00:51:28,440 --> 00:51:30,680 Speaker 5: was like, well, I really don't like you, but if 1034 00:51:30,680 --> 00:51:33,319 Speaker 5: you keep fucking with me, you're gonna you're gonna. 1035 00:51:33,040 --> 00:51:35,080 Speaker 1: Force me to whoop your ass. I know, I coulhoop 1036 00:51:35,120 --> 00:51:35,520 Speaker 1: your ass. 1037 00:51:35,520 --> 00:51:38,080 Speaker 5: I really don't want to whoop your ass and embarrassing 1038 00:51:38,120 --> 00:51:40,840 Speaker 5: you in front of everybody. But if you keep running 1039 00:51:40,880 --> 00:51:43,759 Speaker 5: your mouth, you know, it's like they been like, say something, 1040 00:51:43,760 --> 00:51:45,959 Speaker 5: you be like, nah, gonna head, go ahead, now gonna 1041 00:51:46,000 --> 00:51:46,799 Speaker 5: have It's that time. 1042 00:51:46,880 --> 00:51:48,920 Speaker 1: I don't see no fights. Gonahead now. I told you 1043 00:51:48,920 --> 00:51:50,080 Speaker 1: don't get up and face now. 1044 00:51:50,280 --> 00:51:52,080 Speaker 3: It's that time that I beat up that kid in 1045 00:51:52,080 --> 00:51:55,480 Speaker 3: middle school. But he had been picking on me and 1046 00:51:55,560 --> 00:51:58,480 Speaker 3: I and I was I set them up. I was 1047 00:51:58,520 --> 00:52:01,239 Speaker 3: waiting on him and I was like he didn't know 1048 00:52:01,280 --> 00:52:02,640 Speaker 3: I was waiting on him. He thought it was just 1049 00:52:02,640 --> 00:52:05,160 Speaker 3: gonna be another day of picking on me. And he 1050 00:52:05,200 --> 00:52:07,920 Speaker 3: came in that locker room, and when I pulled him 1051 00:52:07,920 --> 00:52:10,719 Speaker 3: over that bench and gave him the beats, it was 1052 00:52:11,520 --> 00:52:13,360 Speaker 3: suddenly like, you know, get off of me. 1053 00:52:13,640 --> 00:52:14,760 Speaker 4: You know, it went from. 1054 00:52:14,719 --> 00:52:17,839 Speaker 3: Drop drop dropped, it like really, God, seriously, you're gonna 1055 00:52:17,880 --> 00:52:18,799 Speaker 3: keep punching me in my face. 1056 00:52:19,200 --> 00:52:21,360 Speaker 1: Y'all, y'all everybody go sit and watch me getting my 1057 00:52:21,400 --> 00:52:23,600 Speaker 1: ass whooped. It was like, well, you wanted to fight, 1058 00:52:23,640 --> 00:52:24,359 Speaker 1: didn't you? Right? 1059 00:52:25,000 --> 00:52:28,600 Speaker 3: So yeah, anyway, let's get to some other news. That's 1060 00:52:28,600 --> 00:52:32,080 Speaker 3: the that's the Kindrick and Drake of it all. Guys. 1061 00:52:31,360 --> 00:52:34,960 Speaker 3: I enjoy breaking these things down and shout out to 1062 00:52:35,000 --> 00:52:36,840 Speaker 3: Drake for giving us something else to talk about. 1063 00:52:36,880 --> 00:52:40,040 Speaker 4: I still think he needs to stop being scared. If 1064 00:52:40,080 --> 00:52:40,799 Speaker 4: you really just. 1065 00:52:40,680 --> 00:52:42,719 Speaker 3: Gonna keep coming at this man, you need to keep 1066 00:52:42,719 --> 00:52:44,239 Speaker 3: doing it. You need to get in the fucking booth, 1067 00:52:44,480 --> 00:52:46,600 Speaker 3: or you need to let it go right. You can't 1068 00:52:46,600 --> 00:52:48,800 Speaker 3: have it both you know you can have it both ways. 1069 00:52:49,000 --> 00:52:53,120 Speaker 3: Only your most hardcore dick riders are going to praise 1070 00:52:53,160 --> 00:52:56,080 Speaker 3: this shit, are gonna think that And now that you're 1071 00:52:56,120 --> 00:52:59,840 Speaker 3: crashing out on Lebron James and shit, you're not beating 1072 00:52:59,880 --> 00:53:01,360 Speaker 3: the not like us allegations. 1073 00:53:01,400 --> 00:53:04,680 Speaker 4: I'll tell you that much like Lebron James is. 1074 00:53:05,000 --> 00:53:10,080 Speaker 3: I mean literally Royalty King James to American blacks, like 1075 00:53:10,120 --> 00:53:12,160 Speaker 3: even though that just love Michael Jordan to be on 1076 00:53:12,200 --> 00:53:15,960 Speaker 3: his dick, they don't love Lebron. They don't hate Lebron 1077 00:53:16,040 --> 00:53:20,640 Speaker 3: James and love you right like that. That's a small 1078 00:53:20,719 --> 00:53:23,439 Speaker 3: VN diagram of people that's like, I hate Lebron, I 1079 00:53:23,560 --> 00:53:26,160 Speaker 3: love Drake. Like there's a lot of people that's like, 1080 00:53:26,160 --> 00:53:28,000 Speaker 3: I love Lebron and I love Drake. There's a lot 1081 00:53:28,040 --> 00:53:30,960 Speaker 3: of people that like, I love I hate Lebron, I 1082 00:53:31,000 --> 00:53:33,080 Speaker 3: hate Drake. But I don't think you got it. You 1083 00:53:33,040 --> 00:53:35,600 Speaker 3: you're playing a real thin line of people. 1084 00:53:35,400 --> 00:53:36,760 Speaker 1: A small percentage of people. 1085 00:53:37,040 --> 00:53:39,319 Speaker 3: But I hear though you're going through a time over there, 1086 00:53:39,320 --> 00:53:41,400 Speaker 3: and it's hard to get through. 1087 00:53:43,560 --> 00:53:49,480 Speaker 4: It's hard to get through the fire. All right. That 1088 00:53:49,600 --> 00:53:52,160 Speaker 4: was a long thing, but I enjoyed that. 1089 00:53:52,280 --> 00:53:56,239 Speaker 3: Let's get into another segment and I'll play some some 1090 00:53:56,280 --> 00:54:26,960 Speaker 3: different music, so we put commercials here later, keeping it 1091 00:54:27,040 --> 00:54:31,320 Speaker 3: rap related. Azalea Bank calls doc A d I hired 1092 00:54:31,360 --> 00:54:38,360 Speaker 3: her later latest Twitter rent Azalea Banks has dropped another 1093 00:54:39,120 --> 00:54:42,480 Speaker 3: Twitter thread because she don't drop albums. 1094 00:54:42,719 --> 00:54:45,120 Speaker 5: Jesus not dropped me to chi. I don't eve think 1095 00:54:45,160 --> 00:54:48,799 Speaker 5: I've heard out one damn song for this lady. She's 1096 00:54:49,840 --> 00:54:51,919 Speaker 5: but I know when you post something on Twitter though. 1097 00:54:53,040 --> 00:54:55,640 Speaker 3: Uh. She was in the middle of going off about 1098 00:54:55,680 --> 00:54:59,960 Speaker 3: another artist who was allegedly fucking for beads a fan chise. 1099 00:55:00,120 --> 00:55:02,480 Speaker 3: Then it said okay, but can you agree Doci is 1100 00:55:02,840 --> 00:55:04,520 Speaker 3: one of the hardest rappers out git there. 1101 00:55:05,040 --> 00:55:06,640 Speaker 4: This seemingly set off. 1102 00:55:08,080 --> 00:55:12,080 Speaker 3: Azealjah Banks, who said absolutely not laughing my ass off. 1103 00:55:12,120 --> 00:55:16,200 Speaker 3: She got deaf poetry, slam, new Yorrikan cafe music, tde 1104 00:55:16,360 --> 00:55:21,960 Speaker 3: writing campshit, it's given DEI higher. Everybody has convinced themselves 1105 00:55:21,960 --> 00:55:24,640 Speaker 3: she's good because she's dark skin and if you tell 1106 00:55:24,680 --> 00:55:29,360 Speaker 3: the truth and admit she's born or automatic, you're automatically colorless. 1107 00:55:30,400 --> 00:55:30,920 Speaker 4: Whatever. 1108 00:55:31,719 --> 00:55:36,040 Speaker 3: But she looks horboring them outfits, the hyper pigmentation around 1109 00:55:36,120 --> 00:55:40,200 Speaker 3: her kouchie and butt's so crunchy, but she loves showing it. 1110 00:55:40,320 --> 00:55:41,439 Speaker 4: Laughed my ass off. 1111 00:55:41,880 --> 00:55:45,719 Speaker 3: Honestly, all that simplethy accolade she's getting could have gone 1112 00:55:45,760 --> 00:55:48,960 Speaker 3: to Asian Doll. Asian Doll is dark skin and gorgeous, 1113 00:55:49,000 --> 00:55:51,719 Speaker 3: and her music is fired Asian bit hot for a minute, 1114 00:55:51,800 --> 00:55:53,879 Speaker 3: the girls don't want to give her her tens because 1115 00:55:53,880 --> 00:55:55,040 Speaker 3: they're all jealous of her. 1116 00:55:55,160 --> 00:55:57,799 Speaker 1: She's fucking fab until you turn on her too. 1117 00:56:00,120 --> 00:56:02,960 Speaker 3: How did hip hop really overlook Cupcake and asent doll 1118 00:56:03,040 --> 00:56:05,960 Speaker 3: for Ice Spice and Docy be serious, y'all. 1119 00:56:05,960 --> 00:56:06,279 Speaker 4: Come on. 1120 00:56:06,440 --> 00:56:09,879 Speaker 3: I'm definitely a hater, but I'm not a liar. I'm 1121 00:56:09,920 --> 00:56:12,160 Speaker 3: not gonna lie to you and tell you DOCI got 1122 00:56:12,200 --> 00:56:15,040 Speaker 3: one song that is some corny ass Easter ray playlist, 1123 00:56:15,080 --> 00:56:17,440 Speaker 3: black girl, magic algorithm, unexcitingness. 1124 00:56:18,120 --> 00:56:19,319 Speaker 4: She does nothing for me. 1125 00:56:19,520 --> 00:56:22,239 Speaker 3: Someone at TD sucks some dick for that Grammy non 1126 00:56:22,320 --> 00:56:24,400 Speaker 3: because no one knows any of them songs. 1127 00:56:24,520 --> 00:56:24,920 Speaker 6: Lol. 1128 00:56:25,320 --> 00:56:28,640 Speaker 3: Plus I really fuck with flow Milly too. Plenty of fabulous, 1129 00:56:28,719 --> 00:56:32,360 Speaker 3: dark skinned girls getting getting overlooked for not being ugly 1130 00:56:32,480 --> 00:56:34,160 Speaker 3: enough to give sympathy support. 1131 00:56:34,640 --> 00:56:36,800 Speaker 5: Ma'am, you have a whole lot of words for somebody 1132 00:56:36,840 --> 00:56:37,799 Speaker 5: who I don't know. 1133 00:56:38,600 --> 00:56:39,319 Speaker 4: I don't know you. 1134 00:56:39,400 --> 00:56:41,320 Speaker 5: I don't know a song, I don't know an album. 1135 00:56:41,600 --> 00:56:44,480 Speaker 5: Everybody tell me you a rapper, but you got shit 1136 00:56:44,560 --> 00:56:46,640 Speaker 5: to say. Well in rap, bitch rap, get in the 1137 00:56:46,680 --> 00:56:49,200 Speaker 5: book you like. I treat Drake getting the booth from rap. 1138 00:56:49,520 --> 00:56:51,600 Speaker 3: I really wish she was fast so I could agree 1139 00:56:51,680 --> 00:56:54,160 Speaker 3: with all with you all insane. I'm a hater, but 1140 00:56:54,280 --> 00:56:56,960 Speaker 3: I'm not. It's not giving and all the cunts in 1141 00:56:57,000 --> 00:56:59,520 Speaker 3: the industry agree. Laugh my ass off the gaze be 1142 00:56:59,600 --> 00:57:04,719 Speaker 3: saying you look like a bag of rocks. I think 1143 00:57:04,760 --> 00:57:06,920 Speaker 3: what's interesting is the slighterhead and a lot of people 1144 00:57:06,960 --> 00:57:09,680 Speaker 3: do this with their criticism of music when they're about 1145 00:57:09,680 --> 00:57:14,000 Speaker 3: to like basically unabashedly hate on somebody trying to throw 1146 00:57:14,040 --> 00:57:17,160 Speaker 3: these other artists up in our face as if a 1147 00:57:17,440 --> 00:57:19,720 Speaker 3: you really go up for them, like because this you know, 1148 00:57:19,800 --> 00:57:22,360 Speaker 3: this is that thing where sometimes people do this with 1149 00:57:22,440 --> 00:57:26,720 Speaker 3: our show. They'll say, Man, I don't know why people 1150 00:57:26,760 --> 00:57:29,120 Speaker 3: listen to blank show that they don't like because that 1151 00:57:29,160 --> 00:57:31,240 Speaker 3: show just says something controversial and fucked. 1152 00:57:31,040 --> 00:57:33,640 Speaker 4: Up the black guy who tips at the show. 1153 00:57:33,680 --> 00:57:36,080 Speaker 3: And it's like, that's not really the same as just 1154 00:57:36,120 --> 00:57:38,560 Speaker 3: liking our show and sharing it. Are you just sharing 1155 00:57:38,600 --> 00:57:41,040 Speaker 3: it any other time where we're just talking regular normal shit, 1156 00:57:41,360 --> 00:57:43,840 Speaker 3: or just just you just bringing us up because. 1157 00:57:43,640 --> 00:57:45,520 Speaker 1: To be beat somebody else upside of the head. 1158 00:57:45,400 --> 00:57:47,800 Speaker 3: The actual favorite show said something you didn't like, So 1159 00:57:47,920 --> 00:57:49,720 Speaker 3: now you gotta pull us out the pocket. 1160 00:57:49,960 --> 00:57:52,400 Speaker 4: And it's fine. We don't have to be for everybody. 1161 00:57:52,440 --> 00:57:55,120 Speaker 3: But like a fan is a person that just listened 1162 00:57:55,120 --> 00:57:57,160 Speaker 3: to us on a Tuesday and just share the shit 1163 00:57:57,200 --> 00:57:59,000 Speaker 3: on their social media because they like, I like what 1164 00:57:59,040 --> 00:58:02,560 Speaker 3: they said today or whatever. I don't need to be 1165 00:58:02,920 --> 00:58:05,120 Speaker 3: used as a cudgel to beat somebody else down. And 1166 00:58:05,160 --> 00:58:10,200 Speaker 3: I and I feel like Cupcake Flow, Millie Asian Doll 1167 00:58:10,240 --> 00:58:13,480 Speaker 3: whose music I do like. None of those, None of those. Mother, 1168 00:58:13,720 --> 00:58:16,400 Speaker 3: You're doing the same thing. You're holding them up as 1169 00:58:16,480 --> 00:58:19,160 Speaker 3: dark skinned people that you don't talk about any other time, 1170 00:58:19,520 --> 00:58:22,320 Speaker 3: you don't give them their flowers any other day, just 1171 00:58:22,360 --> 00:58:24,000 Speaker 3: so you can beat this woman down to be like, 1172 00:58:24,000 --> 00:58:25,520 Speaker 3: but I'm not because it's color is. 1173 00:58:25,560 --> 00:58:27,080 Speaker 4: It's just because I I. 1174 00:58:27,040 --> 00:58:29,120 Speaker 3: Do like dark skinned women, just not this one that's 1175 00:58:29,280 --> 00:58:30,760 Speaker 3: currently being very successful. 1176 00:58:31,560 --> 00:58:33,640 Speaker 4: So I do think it's kind of but you know, 1177 00:58:33,880 --> 00:58:34,600 Speaker 4: I feel like it's. 1178 00:58:34,440 --> 00:58:39,640 Speaker 3: A badger honor for Dochi because you really nobody until 1179 00:58:39,640 --> 00:58:41,760 Speaker 3: Isaiah Banks is hating no you, She's hated on some of. 1180 00:58:41,760 --> 00:58:45,040 Speaker 1: The greatest and some of the some of the greatest. 1181 00:58:44,680 --> 00:58:47,480 Speaker 3: And turn around, She'll turn around thirty days from now 1182 00:58:47,560 --> 00:58:48,400 Speaker 3: and be on your dick. 1183 00:58:48,480 --> 00:58:49,880 Speaker 1: Like yes in them. 1184 00:58:50,480 --> 00:58:52,880 Speaker 3: She used to say all that shit about Beyonce, and 1185 00:58:52,920 --> 00:58:56,200 Speaker 3: then a couple of days later some shit and she'd 1186 00:58:56,240 --> 00:58:57,920 Speaker 3: be like, I love you, she the greatest and she 1187 00:58:57,960 --> 00:59:00,720 Speaker 3: acts like she never said the other ship before. But uh, 1188 00:59:00,880 --> 00:59:06,640 Speaker 3: keeping it rap news okay or music news. Rick Ross 1189 00:59:07,320 --> 00:59:11,800 Speaker 3: mm hmm. He has a message for over sleepers okay, okay, 1190 00:59:11,960 --> 00:59:15,280 Speaker 3: some of y'all be over sleeping okay, and Rick Ross 1191 00:59:15,280 --> 00:59:17,720 Speaker 3: apparently is not a fan of that. At this point, 1192 00:59:17,760 --> 00:59:19,960 Speaker 3: He's like, y'all gotta stop all this over sleeping. 1193 00:59:23,000 --> 00:59:24,760 Speaker 8: I'll try to play to the money Hustling. 1194 00:59:24,920 --> 00:59:27,440 Speaker 3: Pretty sure the ad is gonna play when I do this, 1195 00:59:27,560 --> 00:59:29,200 Speaker 3: but let's try to see if I can play it, 1196 00:59:30,560 --> 00:59:33,480 Speaker 3: just because the website of mall follow alert dot com 1197 00:59:33,640 --> 00:59:35,560 Speaker 3: always try to slideer add in there when you hit play. 1198 00:59:35,880 --> 00:59:36,600 Speaker 3: So let's see the. 1199 00:59:36,600 --> 00:59:40,520 Speaker 9: Fucker your motherfucking ass up. It's motherfucker's round the world 1200 00:59:40,600 --> 00:59:43,080 Speaker 9: getting to the money hustling. Its motherfuckers who ain't got 1201 00:59:43,200 --> 00:59:45,680 Speaker 9: nothing this motherfuckers who got it all, and you're still 1202 00:59:45,760 --> 00:59:49,120 Speaker 9: in the bed. If you gonna get your motherfucking ass 1203 00:59:49,160 --> 00:59:52,320 Speaker 9: out to bed and put them dirty feet on the 1204 00:59:52,440 --> 00:59:56,400 Speaker 9: motherfucking flow and start running towards your goals. 1205 00:59:56,480 --> 00:59:59,480 Speaker 8: Ricky Rose gonna put his foot in your ass. 1206 01:00:00,440 --> 01:00:02,560 Speaker 5: It's not like a personal message you need. You need 1207 01:00:02,600 --> 01:00:05,680 Speaker 5: to talk to whoever was late to a meeting. 1208 01:00:05,560 --> 01:00:08,280 Speaker 3: Out thing his kids forgot to get up and do 1209 01:00:08,400 --> 01:00:09,240 Speaker 3: like some chores. 1210 01:00:09,520 --> 01:00:12,120 Speaker 5: Something happened, somebody made him mad. They was late for 1211 01:00:12,400 --> 01:00:14,960 Speaker 5: something and it was not me. Take me out the 1212 01:00:14,960 --> 01:00:15,760 Speaker 5: group chat, sir. 1213 01:00:15,960 --> 01:00:18,560 Speaker 3: This feels like a cameo, you know those cameo things. 1214 01:00:18,600 --> 01:00:21,400 Speaker 3: Or you can have a celebrity say something and then 1215 01:00:21,440 --> 01:00:23,520 Speaker 3: they you send a video to your friend, you know, 1216 01:00:23,600 --> 01:00:25,040 Speaker 3: like happy birthday, so and so. 1217 01:00:25,800 --> 01:00:27,280 Speaker 4: This feels like a cameo. 1218 01:00:27,440 --> 01:00:29,800 Speaker 3: Somebody specifically sending it, getting Rick Ross to say to 1219 01:00:29,880 --> 01:00:33,520 Speaker 3: send to their friend, like Rick Ross is their favorite rapper. 1220 01:00:33,560 --> 01:00:36,360 Speaker 3: But this motherfucker was lazy as shit. What we're gonna 1221 01:00:36,360 --> 01:00:38,440 Speaker 3: get him for his birthday? Rick Ross telling him to 1222 01:00:38,440 --> 01:00:42,760 Speaker 3: stop being lazy, but yeah, shout out to him. I 1223 01:00:42,760 --> 01:00:46,200 Speaker 3: appreciate Rick Ross's motivation. I might put I'm gonna put 1224 01:00:46,200 --> 01:00:48,600 Speaker 3: that on repeat in my life. So every time I 1225 01:00:48,640 --> 01:00:51,240 Speaker 3: want to sleep in, I'm gonna hear him telling me 1226 01:00:51,280 --> 01:00:54,160 Speaker 3: get my dirty ass feet or something off the on 1227 01:00:54,240 --> 01:01:02,320 Speaker 3: the floor and run towards my goals. T Dramoses, who 1228 01:01:03,000 --> 01:01:05,000 Speaker 3: I was waiting on it, Okay, I thought you was 1229 01:01:05,040 --> 01:01:05,720 Speaker 3: gonna keep going. 1230 01:01:05,800 --> 01:01:08,200 Speaker 1: I was like, you know, I don't know who that is. T. 1231 01:01:08,360 --> 01:01:11,760 Speaker 3: Tramoses classed back and threatens fan over criticism of her 1232 01:01:11,880 --> 01:01:12,680 Speaker 3: R Kelly praise. 1233 01:01:12,800 --> 01:01:14,080 Speaker 4: I will slap piss from you. 1234 01:01:16,360 --> 01:01:18,840 Speaker 3: So tder Moses went on the R and B Money podcast, 1235 01:01:18,920 --> 01:01:21,800 Speaker 3: which is tanks podcast. We talked about this last night 1236 01:01:21,840 --> 01:01:25,120 Speaker 3: on Missus Spann's podcast, which I just said podcasts a 1237 01:01:25,120 --> 01:01:27,400 Speaker 3: lot of times, but I don't know if it's out yet, 1238 01:01:27,400 --> 01:01:29,080 Speaker 3: but if it's out, you check us out there too. 1239 01:01:29,640 --> 01:01:33,760 Speaker 3: But she went on there and they had to stay 1240 01:01:33,800 --> 01:01:37,360 Speaker 3: with her, like name your top five greatest songs, LA 1241 01:01:37,520 --> 01:01:41,720 Speaker 3: top five greatest artists, and most people go on there, 1242 01:01:42,200 --> 01:01:45,720 Speaker 3: and I guess, up until now avoid bringing up R Kelly, 1243 01:01:46,360 --> 01:01:47,840 Speaker 3: even though technically. 1244 01:01:48,720 --> 01:01:51,000 Speaker 4: R Kelly did have a huge era of hip hop 1245 01:01:51,040 --> 01:01:51,360 Speaker 4: that I. 1246 01:01:51,320 --> 01:01:54,160 Speaker 3: Mean of R and B that he ran, And at 1247 01:01:54,160 --> 01:01:56,640 Speaker 3: this point, I assume most of us are omitting him 1248 01:01:56,680 --> 01:02:01,960 Speaker 3: from our greatest list, not based on like the merit 1249 01:02:02,000 --> 01:02:04,120 Speaker 3: of like what's the tracks good, but more on the 1250 01:02:04,160 --> 01:02:05,880 Speaker 3: merit of, like, you know, it seems to be a 1251 01:02:05,920 --> 01:02:08,960 Speaker 3: horrible person. And I don't feel like dealing with the blowback. 1252 01:02:09,040 --> 01:02:12,720 Speaker 3: I'm saying this guy's is either music I still listen 1253 01:02:12,720 --> 01:02:14,400 Speaker 3: to or music that I want to continue to give 1254 01:02:14,440 --> 01:02:14,840 Speaker 3: credit to. 1255 01:02:15,240 --> 01:02:16,960 Speaker 4: I'm not judging one way or the other. 1256 01:02:17,040 --> 01:02:19,680 Speaker 3: To be honest, all the money from playing his tracks 1257 01:02:19,800 --> 01:02:25,560 Speaker 3: goes to survivors of his abuse. So if y'all want 1258 01:02:25,560 --> 01:02:29,480 Speaker 3: to listen to that shit, listen away. I'm not one 1259 01:02:29,560 --> 01:02:31,360 Speaker 3: to honestly judge it. I know there's plenty of people 1260 01:02:31,400 --> 01:02:34,040 Speaker 3: that will judge. Is why people aren't listening. I don't 1261 01:02:34,080 --> 01:02:38,600 Speaker 3: listen to it personally, and it's just honest to fucking God, 1262 01:02:38,720 --> 01:02:41,440 Speaker 3: cannot listen to that music and not think. 1263 01:02:41,360 --> 01:02:43,520 Speaker 4: About what he did. If I could, I would listen 1264 01:02:43,560 --> 01:02:45,360 Speaker 4: to it. I really would. I'm not trying to pretend 1265 01:02:45,400 --> 01:02:46,360 Speaker 4: to be better than anybody. 1266 01:02:46,840 --> 01:02:49,720 Speaker 3: There's plenty of artists that just don't rap about or 1267 01:02:49,880 --> 01:02:52,080 Speaker 3: sing about the crimes they did, and I listen to 1268 01:02:52,120 --> 01:02:52,480 Speaker 3: they shit. 1269 01:02:53,000 --> 01:02:54,400 Speaker 4: You know, I listened to James Brown. 1270 01:02:54,520 --> 01:02:57,040 Speaker 3: James Brown apparently was beating the shit out of his wife. 1271 01:02:57,120 --> 01:02:57,280 Speaker 5: Right. 1272 01:02:58,160 --> 01:03:00,480 Speaker 3: None of the songs sound like it. Well, they all 1273 01:03:00,520 --> 01:03:03,120 Speaker 3: sound aggressive, but they don't. These songs aren't like I 1274 01:03:03,200 --> 01:03:06,040 Speaker 3: beat the shit out your ass away. I have a 1275 01:03:06,080 --> 01:03:09,040 Speaker 3: hard time listening to mystical them songs sound like a 1276 01:03:09,160 --> 01:03:11,760 Speaker 3: rapist song, you know what I mean. So it just 1277 01:03:11,880 --> 01:03:14,720 Speaker 3: varies by artists, and R Kelly's just one of those 1278 01:03:14,720 --> 01:03:18,200 Speaker 3: guys I can't get past. But I but once again, 1279 01:03:18,240 --> 01:03:21,440 Speaker 3: I'm not I have no problem with this. I actually 1280 01:03:21,480 --> 01:03:22,880 Speaker 3: don't have a problem with her saying this is one 1281 01:03:22,920 --> 01:03:25,760 Speaker 3: of my favorite songs. So she said one of her 1282 01:03:25,840 --> 01:03:29,560 Speaker 3: top five greatest RB songs to her is the Greatest Sex, 1283 01:03:30,040 --> 01:03:33,000 Speaker 3: which is from two thousand. The problem I have with 1284 01:03:33,160 --> 01:03:36,360 Speaker 3: that is one that is not even one of R 1285 01:03:36,440 --> 01:03:37,800 Speaker 3: Kelly's top songs. 1286 01:03:37,960 --> 01:03:40,840 Speaker 5: Now it's her favorite, that's her list, right, that's the list, 1287 01:03:40,880 --> 01:03:41,600 Speaker 5: her personal list. 1288 01:03:41,680 --> 01:03:44,680 Speaker 3: But like, I'm shocked that is in your top five. 1289 01:03:44,720 --> 01:03:46,760 Speaker 3: I feel like he got bigger hits than that. 1290 01:03:46,560 --> 01:03:47,440 Speaker 4: That was better than that. 1291 01:03:47,600 --> 01:03:49,400 Speaker 1: Yes he does, But okay. 1292 01:03:49,160 --> 01:03:51,600 Speaker 4: You want to throw it all away for this. The 1293 01:03:51,640 --> 01:03:52,800 Speaker 4: real problem is. 1294 01:03:54,720 --> 01:03:57,880 Speaker 3: The blowback to it, which I don't know how you 1295 01:03:57,920 --> 01:04:03,440 Speaker 3: don't anticipate it is the internet. Motherfuckers are constantly minding 1296 01:04:03,480 --> 01:04:08,040 Speaker 3: these podcasts for fodder and making comments on social media 1297 01:04:08,080 --> 01:04:12,240 Speaker 3: and being outraged. Somebody went on Twitter tricksy to Pixie 1298 01:04:12,280 --> 01:04:14,560 Speaker 3: and said, Okay, I did watch the R and B 1299 01:04:14,600 --> 01:04:18,080 Speaker 3: Money podcast tder Moses, She added her tcher Moses, and 1300 01:04:18,120 --> 01:04:20,920 Speaker 3: I read sincerely would like to say fuck her. I 1301 01:04:20,960 --> 01:04:23,520 Speaker 3: don't know how many times we had to repeat that 1302 01:04:23,800 --> 01:04:26,880 Speaker 3: Robert Kelly was writing songs about sex with teenagers and 1303 01:04:26,920 --> 01:04:28,840 Speaker 3: the reason why it's so visual is because it is 1304 01:04:28,880 --> 01:04:32,720 Speaker 3: teaching kids how to fuck. Because TD Moses and her 1305 01:04:32,720 --> 01:04:35,000 Speaker 3: praise as the song said, it's one of the greatest 1306 01:04:35,000 --> 01:04:36,680 Speaker 3: songs because you can close your eyes. 1307 01:04:36,400 --> 01:04:38,400 Speaker 4: And see everything that he's saying. 1308 01:04:38,520 --> 01:04:40,680 Speaker 3: And he's one of the greatest songwriters ever, even though 1309 01:04:40,800 --> 01:04:44,520 Speaker 3: we know he don't write or read. So a few 1310 01:04:44,600 --> 01:04:49,080 Speaker 3: days later, tder Moses went on Twitter replied and she 1311 01:04:49,240 --> 01:04:52,960 Speaker 3: later deleted these So that's not necessarily a good sign 1312 01:04:53,000 --> 01:04:55,200 Speaker 3: that you're standing on business if you have to delete it. 1313 01:04:55,720 --> 01:04:57,240 Speaker 4: But she said, fuck you, you. 1314 01:04:57,240 --> 01:04:59,480 Speaker 3: Ugly bitch, and I ain't blocking you because I got 1315 01:04:59,520 --> 01:05:02,200 Speaker 3: time the new year to bless you with these words 1316 01:05:02,920 --> 01:05:06,920 Speaker 3: three exclamation full exclamation points, four of them three, three 1317 01:05:07,080 --> 01:05:11,280 Speaker 3: or four four. You don't know me, but those that 1318 01:05:11,360 --> 01:05:14,560 Speaker 3: do know what I'm about. Go play with your support dog, bitch. 1319 01:05:14,600 --> 01:05:15,400 Speaker 4: Don't play with. 1320 01:05:15,280 --> 01:05:18,040 Speaker 3: Me coming on this app with that bullshit. I will 1321 01:05:18,080 --> 01:05:23,440 Speaker 3: slap piss from you two xclamation points. Someone replied, just fy, 1322 01:05:23,520 --> 01:05:25,520 Speaker 3: when you say, oh, I love R Kelly, I don't care. 1323 01:05:25,880 --> 01:05:28,400 Speaker 3: What you're saying is I love niggas who raping fuck kids, 1324 01:05:28,400 --> 01:05:30,840 Speaker 3: and I don't care at Tiger Moses and then Tder 1325 01:05:30,920 --> 01:05:33,520 Speaker 3: quoted that that's what you are saying. I'm not the 1326 01:05:33,560 --> 01:05:35,600 Speaker 3: person you could put words in their mouth. I like 1327 01:05:35,760 --> 01:05:38,920 Speaker 3: R Kelly music. He had mad, amazing art. I like 1328 01:05:38,920 --> 01:05:43,400 Speaker 3: like many other horrible character people. Go start your bullshit 1329 01:05:43,480 --> 01:05:45,800 Speaker 3: with a bitch that don't stand ten toes on who 1330 01:05:45,800 --> 01:05:52,160 Speaker 3: she is. I have compassion for all victims. Well you 1331 01:05:52,200 --> 01:05:54,959 Speaker 3: know what that last one was, Uh, I'm not in front. 1332 01:05:55,200 --> 01:05:57,320 Speaker 3: That was pretty good comeback. The last one was a 1333 01:05:57,360 --> 01:06:01,720 Speaker 3: good comeback. The first one, I don't know. The last one. 1334 01:06:02,520 --> 01:06:05,600 Speaker 3: She didn't say nice. But this woman did say fuck 1335 01:06:05,640 --> 01:06:06,800 Speaker 3: you to start the conversation. 1336 01:06:07,280 --> 01:06:09,160 Speaker 1: Right. You came in on ten right. 1337 01:06:09,920 --> 01:06:13,360 Speaker 3: But I understand the sentiment of what she's saying, which 1338 01:06:13,440 --> 01:06:17,120 Speaker 3: is you're trying to say that that's what I am supporting. 1339 01:06:17,240 --> 01:06:20,520 Speaker 3: I'm telling you I'm not supporting that. I like this song. 1340 01:06:20,680 --> 01:06:23,080 Speaker 3: I think it's a great song. I do not support 1341 01:06:23,080 --> 01:06:25,280 Speaker 3: this guy being a rapist. I'm not a rape denier. 1342 01:06:25,480 --> 01:06:29,840 Speaker 3: I'm not defending his sexual assaults. This motherfucker is a 1343 01:06:29,880 --> 01:06:34,280 Speaker 3: horrible person who made a dope ass song that I like. Yeah, 1344 01:06:34,280 --> 01:06:38,400 Speaker 3: So I be honest, I'm not that outraged, all right, 1345 01:06:38,800 --> 01:06:40,080 Speaker 3: care nothing to say, all. 1346 01:06:40,080 --> 01:06:46,320 Speaker 5: Right, because it is one of those things where it's 1347 01:06:46,360 --> 01:06:49,120 Speaker 5: a reason why, because I've listened to taking the podcasts, 1348 01:06:49,160 --> 01:06:50,840 Speaker 5: so it's a reason why they and they asked this 1349 01:06:51,080 --> 01:06:53,360 Speaker 5: just about every show, having listened to all the shows 1350 01:06:53,360 --> 01:06:56,400 Speaker 5: with the Axis and most people, and it's a lot 1351 01:06:56,440 --> 01:06:59,280 Speaker 5: of people that they ask within various different genres and 1352 01:06:59,320 --> 01:06:59,840 Speaker 5: things like that. 1353 01:07:00,000 --> 01:07:00,920 Speaker 1: I'ma have worked through him. 1354 01:07:00,920 --> 01:07:02,320 Speaker 5: A lot of people have worked through him because he 1355 01:07:02,400 --> 01:07:04,800 Speaker 5: was so prolific for a certain period of time that 1356 01:07:04,880 --> 01:07:07,840 Speaker 5: if you were up, if you are of a certain agent, 1357 01:07:07,920 --> 01:07:09,960 Speaker 5: you are still in the industry. You worked with him, 1358 01:07:09,960 --> 01:07:12,000 Speaker 5: and you literally worked with him at some period of 1359 01:07:12,000 --> 01:07:14,720 Speaker 5: time being small and different, and a lot of those 1360 01:07:14,720 --> 01:07:16,920 Speaker 5: people they don't bring him up, but they don't bring 1361 01:07:16,960 --> 01:07:17,720 Speaker 5: him up for a reason. 1362 01:07:17,880 --> 01:07:23,320 Speaker 1: You chose not to. You chose to bring him up. 1363 01:07:23,840 --> 01:07:26,120 Speaker 5: So it's one of those things where if you choose 1364 01:07:26,120 --> 01:07:28,160 Speaker 5: to bring him up, you're gonna deal with the backlash 1365 01:07:28,200 --> 01:07:31,040 Speaker 5: of bringing him up. Could they have talked better nicely 1366 01:07:31,080 --> 01:07:33,600 Speaker 5: to her. Yes, but it is the internet, and the 1367 01:07:33,640 --> 01:07:35,400 Speaker 5: internet's gonna do what the in that is gonna do. 1368 01:07:35,640 --> 01:07:37,960 Speaker 3: Like she probably is better off not responding at all, 1369 01:07:38,080 --> 01:07:42,880 Speaker 3: but that's pretty much everybody right. And yeah, the person 1370 01:07:42,960 --> 01:07:45,720 Speaker 3: did kind of put words in her mouth, which is 1371 01:07:45,760 --> 01:07:48,640 Speaker 3: a complete you know, shout out. The conflict is not abuse. 1372 01:07:48,720 --> 01:07:49,800 Speaker 3: I know I bring this book up. 1373 01:07:49,720 --> 01:07:53,840 Speaker 4: A lot, but it is. That is what happened. 1374 01:07:54,280 --> 01:07:58,040 Speaker 3: Tejer Moses was not on that podcast saying R Kelly 1375 01:07:58,680 --> 01:08:00,240 Speaker 3: but he good or whatever, like. 1376 01:08:00,320 --> 01:08:02,840 Speaker 4: It wasn't that he innocent. It wasn't. 1377 01:08:03,520 --> 01:08:07,720 Speaker 3: And I think that's important here because what what I 1378 01:08:07,760 --> 01:08:12,160 Speaker 3: think she's mad about is this person mischaracter is mischaracterizing 1379 01:08:12,720 --> 01:08:19,400 Speaker 3: what was said and and and being disrespectful and and 1380 01:08:19,400 --> 01:08:21,479 Speaker 3: and I think it doesn't really come across well on 1381 01:08:21,479 --> 01:08:25,080 Speaker 3: the internet, which is probably why it's deleted. And because 1382 01:08:25,080 --> 01:08:26,880 Speaker 3: it should have never really you should have just never 1383 01:08:26,920 --> 01:08:28,960 Speaker 3: applied to it, because it validates it when you apply 1384 01:08:29,080 --> 01:08:29,360 Speaker 3: to it. 1385 01:08:29,320 --> 01:08:31,479 Speaker 4: And everyone goes and you're mentioned, yes. 1386 01:08:33,080 --> 01:08:35,360 Speaker 3: As opposed to as a and they start going by 1387 01:08:35,360 --> 01:08:38,400 Speaker 3: what people are saying, you're saying and not what you're saying. Uh. 1388 01:08:38,640 --> 01:08:41,599 Speaker 3: I think she's I think her stance is a reasonable 1389 01:08:41,600 --> 01:08:44,400 Speaker 3: stance that we've seen many a time, which is I 1390 01:08:44,560 --> 01:08:48,320 Speaker 3: like ex artists, I don't support ex artist's action. 1391 01:08:49,240 --> 01:08:50,559 Speaker 4: Yeah, whatever they is. 1392 01:08:50,640 --> 01:08:50,880 Speaker 1: Yeah. 1393 01:08:50,880 --> 01:08:55,200 Speaker 5: And also we're leaving the era now where if you personally, 1394 01:08:55,320 --> 01:08:58,000 Speaker 5: you you've made a decision that I don't like this artist, 1395 01:08:58,040 --> 01:09:00,360 Speaker 5: I can't support this artist, blah blah blah. That's a 1396 01:09:00,400 --> 01:09:03,920 Speaker 5: personal decision that you have made. You cannot take whatever 1397 01:09:04,000 --> 01:09:07,599 Speaker 5: your personal decisions on the artist is and apply back 1398 01:09:07,640 --> 01:09:08,600 Speaker 5: to everybody. 1399 01:09:08,640 --> 01:09:10,559 Speaker 1: The shit don't work that way. 1400 01:09:10,920 --> 01:09:14,280 Speaker 3: Yeah, I think you know, Yeah, I think context is 1401 01:09:14,400 --> 01:09:19,280 Speaker 3: very important here, and Tjer Moses approached it with a 1402 01:09:19,320 --> 01:09:21,720 Speaker 3: lot of complex simplicity, which is a good album that 1403 01:09:21,760 --> 01:09:24,160 Speaker 3: she made. And I never understood why she didn't become 1404 01:09:25,200 --> 01:09:28,360 Speaker 3: a bigger star, but maybe behind the scenes she was. 1405 01:09:29,000 --> 01:09:30,799 Speaker 4: She was one of these people it's like, I gotta. 1406 01:09:30,640 --> 01:09:31,200 Speaker 1: Keep it real. 1407 01:09:31,640 --> 01:09:33,559 Speaker 3: R Kelly is still the goat, and they was like, 1408 01:09:33,680 --> 01:09:35,800 Speaker 3: you know what, maybe we don't put Tjer on this track. 1409 01:09:35,840 --> 01:09:40,320 Speaker 3: I don't know what happened behind the scenes, but yeah, 1410 01:09:40,400 --> 01:09:42,800 Speaker 3: I don't know. I saw the internet being outraged at that, 1411 01:09:42,920 --> 01:09:45,360 Speaker 3: but not that I read it in context. It's really 1412 01:09:45,360 --> 01:09:47,360 Speaker 3: gonna see that outrageous to me, no. 1413 01:09:47,439 --> 01:09:49,960 Speaker 5: But like you said, the internet does what the internet does, 1414 01:09:49,960 --> 01:09:54,599 Speaker 5: and the whole thing everything's about context. Everything's about things 1415 01:09:54,800 --> 01:09:58,439 Speaker 5: like a lot of shit, Like you say, when something happened, 1416 01:09:58,439 --> 01:10:00,720 Speaker 5: nobody sees the first punch. Everybody he looks up when 1417 01:10:00,720 --> 01:10:03,080 Speaker 5: the second punch is thrown and want to throw flags. 1418 01:10:03,160 --> 01:10:07,000 Speaker 3: And you're the celebrity, so they want to already attack you, 1419 01:10:07,439 --> 01:10:09,080 Speaker 3: even if you want to, and even if it's just 1420 01:10:09,080 --> 01:10:11,360 Speaker 3: a clown her level of celebrity, like a lot of 1421 01:10:11,400 --> 01:10:14,160 Speaker 3: people you know, doing what you did who and she 1422 01:10:14,160 --> 01:10:16,439 Speaker 3: ain't nobody and all this shit you that's why you 1423 01:10:16,479 --> 01:10:20,240 Speaker 3: ain't make no album what you know? So she ends 1424 01:10:20,280 --> 01:10:22,960 Speaker 3: up catching a lot of heat and not that's not 1425 01:10:23,000 --> 01:10:26,439 Speaker 3: really initially based on what she said, right, she probably 1426 01:10:26,439 --> 01:10:30,360 Speaker 3: would have been better off going on her podcast, making 1427 01:10:30,400 --> 01:10:34,320 Speaker 3: an ig post or literally just ignoring it. Because once 1428 01:10:34,360 --> 01:10:39,000 Speaker 3: somebody says you said something you didn't say, there's almost 1429 01:10:39,040 --> 01:10:40,519 Speaker 3: nothing you can fucking do on Twitter. 1430 01:10:41,200 --> 01:10:42,080 Speaker 4: It's really nothing. 1431 01:10:42,920 --> 01:10:46,360 Speaker 3: Motherfuckers will have more fun pretending you said something you 1432 01:10:46,400 --> 01:10:49,559 Speaker 3: didn't say then, and they definitely don't want to approach 1433 01:10:49,600 --> 01:10:52,920 Speaker 3: the nuance of what you said, which is, uh, it's 1434 01:10:52,960 --> 01:10:55,400 Speaker 3: like how I said, I think Spotify rap numbers went 1435 01:10:55,479 --> 01:10:57,840 Speaker 3: down because I think a lot of people had Draking 1436 01:10:57,880 --> 01:10:59,960 Speaker 3: the top five and they just stopped sharing the Drake ones. 1437 01:11:00,120 --> 01:11:02,719 Speaker 3: I believe, like, I don't think that less people wanted 1438 01:11:02,720 --> 01:11:04,559 Speaker 3: to share it. I think less people people was like, 1439 01:11:04,640 --> 01:11:06,240 Speaker 3: I don't want to deal with the backlash of everybody 1440 01:11:06,320 --> 01:11:07,840 Speaker 3: been like, you listen to Drake that much? 1441 01:11:08,760 --> 01:11:11,120 Speaker 1: Like, so not as many people shared this shit read. 1442 01:11:11,120 --> 01:11:13,679 Speaker 3: That's my guess. It's an anecdotal but I'm just joking, 1443 01:11:13,760 --> 01:11:16,960 Speaker 3: but kind of serious. Nicki Minaja's Bigfoot got crowned one 1444 01:11:16,960 --> 01:11:18,479 Speaker 3: of the worst songs of twenty twenty. 1445 01:11:18,280 --> 01:11:21,240 Speaker 4: Four by Variety. Now who is Variety of magazine? 1446 01:11:21,479 --> 01:11:23,599 Speaker 3: Probably made by white people, who knows if they really 1447 01:11:23,600 --> 01:11:25,880 Speaker 3: count for the culture, But in this case. 1448 01:11:26,040 --> 01:11:29,439 Speaker 5: They was dead on that song was not good. They 1449 01:11:29,600 --> 01:11:32,400 Speaker 5: was right, and she thought she was clever too. 1450 01:11:32,800 --> 01:11:33,559 Speaker 4: It was bad. 1451 01:11:34,000 --> 01:11:37,320 Speaker 1: It was really bad. You thought you had a hit girl. 1452 01:11:37,479 --> 01:11:39,880 Speaker 3: It was bad, and you should feel bad for making 1453 01:11:39,920 --> 01:11:40,439 Speaker 3: that song. 1454 01:11:42,000 --> 01:11:44,200 Speaker 4: Oh man, that's crazy twenty twenty four. 1455 01:11:44,400 --> 01:11:50,439 Speaker 3: So while that we honestly forgot the making, we honestly 1456 01:11:50,479 --> 01:11:54,000 Speaker 3: forgot the Meghan Stallion Nicki Minaj part of the beef. 1457 01:11:54,520 --> 01:11:57,760 Speaker 5: It really got passed over making fun as somebody that 1458 01:11:57,880 --> 01:12:01,320 Speaker 5: got shot get out of here, ma'am, speaking of making 1459 01:12:01,320 --> 01:12:03,839 Speaker 5: fun of Megan the Stallion for getting shot. Zel records 1460 01:12:04,040 --> 01:12:09,479 Speaker 5: revealed payments from Tory Lane's father to blogger malagro amid 1461 01:12:09,640 --> 01:12:11,840 Speaker 5: Meghan the Stallion harassment allegations. 1462 01:12:12,360 --> 01:12:16,719 Speaker 1: Good because Meghan. I believed Meghan the whole time. 1463 01:12:17,800 --> 01:12:22,040 Speaker 5: From by my heart, I really think he would have 1464 01:12:22,120 --> 01:12:25,320 Speaker 5: got away with shooting her if he would have kept 1465 01:12:25,400 --> 01:12:28,519 Speaker 5: his motherfucking mouth shut and just left that woman alone. 1466 01:12:29,160 --> 01:12:31,759 Speaker 5: But for the fact that he kept going and going 1467 01:12:31,840 --> 01:12:35,840 Speaker 5: and going and paying people and slendering her name, she 1468 01:12:35,960 --> 01:12:38,000 Speaker 5: got fucking tired of it. This would have never went 1469 01:12:38,040 --> 01:12:41,080 Speaker 5: to court. He would have never got jail time. Like 1470 01:12:41,160 --> 01:12:43,479 Speaker 5: you know, so when people come out house like y'all 1471 01:12:43,479 --> 01:12:46,439 Speaker 5: do know that. She initially was going to let the 1472 01:12:46,479 --> 01:12:51,639 Speaker 5: shit go, but he was kept going and eventually, like, 1473 01:12:51,800 --> 01:12:54,920 Speaker 5: you know, people are human, whatever, like you gonna quit 1474 01:12:55,080 --> 01:12:56,760 Speaker 5: talking about my name. 1475 01:12:56,880 --> 01:12:59,080 Speaker 3: She wouldn't go to the police, She wouldn't cooperate with 1476 01:12:59,120 --> 01:13:03,639 Speaker 3: the police. It wasn't until he started talking shit and saying, 1477 01:13:03,920 --> 01:13:05,880 Speaker 3: you know, I don't even know what the fuck she 1478 01:13:05,880 --> 01:13:06,320 Speaker 3: talking about. 1479 01:13:06,280 --> 01:13:06,759 Speaker 4: She's lying. 1480 01:13:07,240 --> 01:13:10,080 Speaker 3: That's when she started being like, you did shoot me, toy, 1481 01:13:10,240 --> 01:13:14,400 Speaker 3: you know what you did. But yeah, it's the bigger 1482 01:13:14,400 --> 01:13:16,479 Speaker 3: part of this is some of the people that have 1483 01:13:16,520 --> 01:13:19,479 Speaker 3: conspiracy theories about making the stallion, people that think Tory 1484 01:13:19,560 --> 01:13:22,479 Speaker 3: Lane is innocent and all this other shit, they will 1485 01:13:23,280 --> 01:13:25,200 Speaker 3: absolutely ignore the. 1486 01:13:25,320 --> 01:13:27,559 Speaker 4: Very real discovery that. 1487 01:13:29,040 --> 01:13:31,720 Speaker 3: Tory Lane's daddy, who said it was a conspiracy to 1488 01:13:31,800 --> 01:13:36,040 Speaker 3: get his son locked up, was paying bloggers to then 1489 01:13:36,320 --> 01:13:39,720 Speaker 3: side with his son. Why are you paying bloggers to 1490 01:13:39,800 --> 01:13:42,240 Speaker 3: sir with your son? How is this any different than 1491 01:13:42,240 --> 01:13:44,879 Speaker 3: the Blake Lively thing, the Johnny Depp thing. 1492 01:13:46,520 --> 01:13:46,720 Speaker 5: Like this? 1493 01:13:46,960 --> 01:13:49,080 Speaker 3: And they know that you can depend on us hating 1494 01:13:49,120 --> 01:13:52,240 Speaker 3: women because as many people hate women, but. 1495 01:13:52,160 --> 01:13:53,400 Speaker 4: Nobody thinks they do. 1496 01:13:54,280 --> 01:13:55,840 Speaker 3: And they and all they got to do is be 1497 01:13:55,880 --> 01:13:59,160 Speaker 3: like something about this woman is off and will go yeah, bitch. 1498 01:13:59,040 --> 01:14:03,040 Speaker 5: Crazy, Yeah, the same man, and you played the recording 1499 01:14:03,400 --> 01:14:06,880 Speaker 5: who they recorded him, I think outside of the courtroom, 1500 01:14:07,040 --> 01:14:09,600 Speaker 5: out there holling and acting my rock and food in 1501 01:14:09,640 --> 01:14:13,160 Speaker 5: the suit talking about how it was a fucking conspiracy 1502 01:14:13,160 --> 01:14:15,719 Speaker 5: against his goddamn son that committed a crime. 1503 01:14:16,640 --> 01:14:19,679 Speaker 3: The blogger is accused of sharing deep fake pornographic images 1504 01:14:19,720 --> 01:14:22,800 Speaker 3: of Megan, further intensified the league on personal conflict. The 1505 01:14:22,840 --> 01:14:27,559 Speaker 3: Houston rapper has also alleged that Milagro has harassed her 1506 01:14:27,560 --> 01:14:31,000 Speaker 3: for years. Following twenty twenty shooting incident with Lanez was convicted, 1507 01:14:31,040 --> 01:14:32,759 Speaker 3: where he was convicted of shooting her in the foot. 1508 01:14:33,000 --> 01:14:35,800 Speaker 3: Milagro is frequently targeted Megan, accusing her a lot about 1509 01:14:35,840 --> 01:14:38,559 Speaker 3: the incident. During one of Lane's court hearings, Milagro referred 1510 01:14:38,600 --> 01:14:42,520 Speaker 3: to him as brother as he walked past her demonstrated 1511 01:14:42,520 --> 01:14:43,680 Speaker 3: her public. 1512 01:14:43,360 --> 01:14:46,240 Speaker 4: Support for her. What else is interesting in this too? 1513 01:14:46,400 --> 01:14:49,479 Speaker 3: I want to say Malagro was in the documentary I 1514 01:14:49,560 --> 01:14:53,200 Speaker 3: saw that was like Tory Lanes versus Meghan the Stallion 1515 01:14:53,240 --> 01:14:59,000 Speaker 3: or whatever, Max, And that documentary did so much to 1516 01:14:59,240 --> 01:15:01,840 Speaker 3: let me know how bullshit that I was. And it's 1517 01:15:01,920 --> 01:15:04,479 Speaker 3: not the it's not the MEGANE Stallion documentary, Like this 1518 01:15:04,560 --> 01:15:07,240 Speaker 3: is not the one on Amazon that's from her perspective. Okay, 1519 01:15:07,479 --> 01:15:09,639 Speaker 3: this is the one where they tell you two sides 1520 01:15:09,680 --> 01:15:13,640 Speaker 3: of a different story and be like y'all pick. So 1521 01:15:13,680 --> 01:15:17,360 Speaker 3: one of the documentaries is like sympathetic towards her, the 1522 01:15:17,479 --> 01:15:21,120 Speaker 3: other documentary is sympathetic towards Tory Lanes. But the one 1523 01:15:21,160 --> 01:15:25,040 Speaker 3: is sympathetic towards Tory Lanes. There's no evidence like the 1524 01:15:26,280 --> 01:15:28,479 Speaker 3: one for Megan thee Stallion. It's like, here's the evidence 1525 01:15:28,479 --> 01:15:32,320 Speaker 3: submitting the court, here's the here's the recording, here's video, 1526 01:15:32,680 --> 01:15:36,920 Speaker 3: here's this, here's that. When it's the one for Tory Lanes, 1527 01:15:37,040 --> 01:15:40,320 Speaker 3: it's like, here's a blogger saying like, well, we don't 1528 01:15:40,360 --> 01:15:43,960 Speaker 3: know what happened, and it's like that's not the same 1529 01:15:44,080 --> 01:15:47,720 Speaker 3: level of like scrutiny that was applied to her. 1530 01:15:48,080 --> 01:15:50,960 Speaker 5: Yeah, where's the truth, where's the documentation? Like, I don't 1531 01:15:50,960 --> 01:15:52,599 Speaker 5: want to take some random bloggers word. 1532 01:15:53,800 --> 01:15:56,320 Speaker 3: So just days ago, Lane's legal team claimed that he 1533 01:15:56,360 --> 01:15:59,160 Speaker 3: has not made he had not made payments to Milagro. 1534 01:15:59,320 --> 01:16:02,200 Speaker 4: However, ze reconsentdicate otherwise showing. 1535 01:16:01,960 --> 01:16:04,800 Speaker 1: Them telling on you, because they'll go to your bank account. 1536 01:16:05,000 --> 01:16:08,840 Speaker 3: Showing that between October twenty, twenty twenty and March third, 1537 01:16:08,880 --> 01:16:14,080 Speaker 3: twenty twenty two, Malagro received six payments totaling three thousand 1538 01:16:14,080 --> 01:16:15,160 Speaker 3: dollars from Lane's father. 1539 01:16:15,640 --> 01:16:17,480 Speaker 4: That's all it takes to pay somebody. 1540 01:16:17,280 --> 01:16:20,040 Speaker 5: 'all, that's all it takes. Zilling cash. App gonna take 1541 01:16:20,080 --> 01:16:21,800 Speaker 5: y'all down. Y'all know they have to keep records of 1542 01:16:21,800 --> 01:16:22,160 Speaker 5: that shit. 1543 01:16:23,120 --> 01:16:25,920 Speaker 3: Yeah, but I'm it's more surprising than me. It's just 1544 01:16:25,960 --> 01:16:26,880 Speaker 3: three thousand. 1545 01:16:26,560 --> 01:16:28,920 Speaker 1: Dollars, yeah, which is not a lot of money. 1546 01:16:29,080 --> 01:16:30,840 Speaker 3: That's not a lot of money to be out here 1547 01:16:30,920 --> 01:16:35,520 Speaker 3: lying on somebody. But I mean, you can't beat those rates, 1548 01:16:35,960 --> 01:16:37,439 Speaker 3: So you gotta give it to that. Shout out to 1549 01:16:37,439 --> 01:16:40,000 Speaker 3: Meghan the lawyer who'll be on the top of shit 1550 01:16:40,080 --> 01:16:44,960 Speaker 3: on Twitter. She literally got the screenshot of the of 1551 01:16:45,000 --> 01:16:46,120 Speaker 3: the Zel payments. 1552 01:16:47,720 --> 01:16:50,759 Speaker 4: Well damn yeah. That was presented in court evidence. 1553 01:16:50,840 --> 01:16:56,280 Speaker 3: Meghan's lawyer also evidence that show Lane's father, SunStar Carlile 1554 01:16:56,400 --> 01:17:01,000 Speaker 3: John Peterson, paid Malagro three thousand dollars amount between those dates. 1555 01:17:01,000 --> 01:17:04,000 Speaker 3: I told y'all, it's six payments between two hundred and 1556 01:17:04,560 --> 01:17:09,719 Speaker 3: one thousand dollars. So just crazy, man. And what's funny 1557 01:17:09,800 --> 01:17:12,320 Speaker 3: is I know there are people who fail for this shit. 1558 01:17:12,400 --> 01:17:15,160 Speaker 3: We're manipulated by these bloggers that these tactics worked on. 1559 01:17:15,520 --> 01:17:18,880 Speaker 3: And there's two things that are interesting. Number One, you'll 1560 01:17:18,880 --> 01:17:22,759 Speaker 3: never question why they worked on you, right, and you'll 1561 01:17:22,800 --> 01:17:25,960 Speaker 3: never go back and go out. Apparently I was wrong 1562 01:17:26,320 --> 01:17:32,240 Speaker 3: and Megan's innocent, and Tory Lanez probably shot her. And 1563 01:17:32,320 --> 01:17:36,280 Speaker 3: that's what's so powerful about this time we live in, 1564 01:17:37,360 --> 01:17:39,960 Speaker 3: because how do you convince a person who is wrong 1565 01:17:40,760 --> 01:17:43,439 Speaker 3: and has all the evidence of being wrong and was 1566 01:17:43,479 --> 01:17:46,880 Speaker 3: literally using this using the same type of evidence they 1567 01:17:46,880 --> 01:17:49,200 Speaker 3: would have said made the other person guilty to be like, 1568 01:17:49,840 --> 01:17:52,240 Speaker 3: there's nothing to see here. I don't even know what 1569 01:17:52,280 --> 01:17:54,200 Speaker 3: you do with a person like that, because none of 1570 01:17:54,280 --> 01:17:55,720 Speaker 3: them are going to stop and be like, maybe I 1571 01:17:55,760 --> 01:17:56,240 Speaker 3: hate women. 1572 01:17:56,320 --> 01:17:56,559 Speaker 8: Shit. 1573 01:17:57,439 --> 01:17:59,519 Speaker 3: Damn, that was easy to get me to believe that bullshit. 1574 01:18:00,040 --> 01:18:03,559 Speaker 3: Oh yeah, we just gotta pretend that that this doesn't 1575 01:18:03,560 --> 01:18:08,800 Speaker 3: matter to them. So anyway, but yeah, I guess Rock 1576 01:18:08,880 --> 01:18:14,559 Speaker 3: Nation will not crumble and the conspiracy is actually involving 1577 01:18:14,600 --> 01:18:15,080 Speaker 3: your ass. 1578 01:18:16,680 --> 01:18:18,559 Speaker 4: So how about that about that? 1579 01:18:18,640 --> 01:18:18,880 Speaker 8: Dog? 1580 01:18:19,760 --> 01:18:21,720 Speaker 3: Let's see, we'll do one more thing before we get 1581 01:18:21,760 --> 01:18:24,320 Speaker 3: out of here, and we're coming back throughout the week. 1582 01:18:26,040 --> 01:18:28,920 Speaker 4: What do I want to do from a last thing? 1583 01:18:30,960 --> 01:18:32,240 Speaker 4: You know what when we do some. 1584 01:18:33,120 --> 01:18:36,960 Speaker 3: Guess the race? Uh before we get out of here. 1585 01:18:36,960 --> 01:18:38,960 Speaker 3: Guy's been a minute since we did guess the race. 1586 01:18:39,920 --> 01:18:41,280 Speaker 4: Uh, here we go. 1587 01:18:48,560 --> 01:18:54,479 Speaker 8: It's time to guess the race. It's time. It's time. 1588 01:18:56,560 --> 01:18:58,320 Speaker 8: It's time to guess the race. 1589 01:18:59,120 --> 01:18:59,960 Speaker 4: Guess the race. The game. 1590 01:19:00,040 --> 01:19:01,800 Speaker 3: We go around the globe, find different articles guess the 1591 01:19:01,880 --> 01:19:05,400 Speaker 3: race about the people involved. Karen plays along the chat 1592 01:19:05,439 --> 01:19:08,519 Speaker 3: room plays and they're all racist, all right, forget everything 1593 01:19:08,520 --> 01:19:10,040 Speaker 3: we said earlier about racism. 1594 01:19:10,400 --> 01:19:17,479 Speaker 4: Now it's okay, all right, our first story, let me 1595 01:19:17,520 --> 01:19:18,400 Speaker 4: refresh real quick. 1596 01:19:19,240 --> 01:19:30,120 Speaker 3: A woman fueled by drugs damages multiple upstate properties. Okay, Spartanburg, 1597 01:19:30,240 --> 01:19:33,800 Speaker 3: South Carolina, Sucker Luca. Oh, let me see if I 1598 01:19:33,840 --> 01:19:36,479 Speaker 3: could play this audio up street? 1599 01:19:36,960 --> 01:19:40,200 Speaker 1: Yeah, when going on? You're okay? 1600 01:19:40,200 --> 01:19:42,200 Speaker 4: First of all, can y'all hear this commercial. 1601 01:19:42,479 --> 01:19:46,400 Speaker 1: Explore the trails in a past? 1602 01:19:46,680 --> 01:19:49,160 Speaker 3: Okay, if y'all can hear that, then I'll keep playing it. 1603 01:19:49,200 --> 01:19:51,639 Speaker 3: If not, I'm just gonna read this artist. Yes, okay, 1604 01:19:52,000 --> 01:19:54,280 Speaker 3: all right, So here we go. Here's the audio of it. 1605 01:19:54,400 --> 01:19:57,439 Speaker 10: That a woman was arrested after damaging several properties in 1606 01:19:57,439 --> 01:20:00,599 Speaker 10: the Spartanburg County area. The Sheriff's South It says within 1607 01:20:00,680 --> 01:20:04,600 Speaker 10: three hours Friday, deputies responded to two attempted burglaries and 1608 01:20:04,640 --> 01:20:07,719 Speaker 10: a duy or told a woman ran her car into 1609 01:20:07,720 --> 01:20:10,960 Speaker 10: a garage door, broke many windows, and was seen on 1610 01:20:11,040 --> 01:20:13,679 Speaker 10: video attempting to rip an entire porch from a house. 1611 01:20:14,080 --> 01:20:17,080 Speaker 10: Officials say she lifted the porch off the ground several times. 1612 01:20:17,560 --> 01:20:20,920 Speaker 10: R time later, deputies pulled the woman over for erratic driving. 1613 01:20:21,320 --> 01:20:24,280 Speaker 10: Natalie Woodrooff told deputies she was quote too high for 1614 01:20:24,320 --> 01:20:26,719 Speaker 10: that when they tried to perform a field sobriety test. 1615 01:20:27,040 --> 01:20:30,880 Speaker 10: Authority say that Woodrooff was charged with multiple different things. 1616 01:20:31,240 --> 01:20:33,080 Speaker 10: You can go to our website wwife at four dot 1617 01:20:33,080 --> 01:20:34,320 Speaker 10: com to learn about that. 1618 01:20:35,560 --> 01:20:38,240 Speaker 3: All right, care, guess the race of Natalie Woodrooff, which 1619 01:20:38,360 --> 01:20:40,759 Speaker 3: I mean it gotta be the drugs if you can 1620 01:20:41,640 --> 01:20:42,920 Speaker 3: lift a whole porch. 1621 01:20:43,360 --> 01:20:46,000 Speaker 1: It was it PCP, some good drugs. 1622 01:20:46,040 --> 01:20:46,799 Speaker 4: What was the drugs? 1623 01:20:46,840 --> 01:20:50,040 Speaker 3: I'm gonna go white, Kara's gonna go white for Natalie Woodriff. 1624 01:20:50,120 --> 01:20:53,000 Speaker 4: Okay, let's check the chat room see what they believe. 1625 01:20:53,640 --> 01:20:54,599 Speaker 1: Hell of the drugs? 1626 01:20:54,840 --> 01:20:59,000 Speaker 3: White says trade, white, says Bridget White. Gotta be crackhead, 1627 01:20:59,080 --> 01:21:00,719 Speaker 3: mestrong white. 1628 01:21:01,600 --> 01:21:01,840 Speaker 4: Wow. 1629 01:21:02,000 --> 01:21:05,559 Speaker 3: White, definitely black says d definitely black. 1630 01:21:05,600 --> 01:21:06,960 Speaker 4: Wow. I can you be so sure? 1631 01:21:07,680 --> 01:21:08,080 Speaker 1: Uh? 1632 01:21:08,400 --> 01:21:14,120 Speaker 4: Super Karen, she too high on that method? White? Uh? White? 1633 01:21:14,120 --> 01:21:17,800 Speaker 3: And Susan strong white with them white people drugs? The 1634 01:21:17,880 --> 01:21:22,639 Speaker 3: correct answer is everybody with white except one person, and 1635 01:21:23,040 --> 01:21:25,240 Speaker 3: the correct answer is black. 1636 01:21:25,320 --> 01:21:38,479 Speaker 4: You all got it wrong. One person got it right, 1637 01:21:38,520 --> 01:21:39,519 Speaker 4: So you get the golf clap. 1638 01:21:39,680 --> 01:21:45,679 Speaker 1: Wow. I'm shocked. 1639 01:21:46,200 --> 01:21:49,680 Speaker 3: I am shocked as well, and I saw the picture. Yeah, like, 1640 01:21:49,800 --> 01:21:50,839 Speaker 3: how is that possible? 1641 01:21:51,040 --> 01:21:54,000 Speaker 4: How there's not a white woman under in black face? 1642 01:21:54,840 --> 01:21:55,000 Speaker 9: Right? 1643 01:21:55,080 --> 01:21:55,799 Speaker 1: What's happening? 1644 01:21:56,000 --> 01:21:56,640 Speaker 4: Who does that? 1645 01:21:57,880 --> 01:22:00,240 Speaker 3: All right, let's go to the next one is the 1646 01:22:00,240 --> 01:22:02,439 Speaker 3: black guy who tipped. So we had to cover this story. 1647 01:22:02,640 --> 01:22:07,200 Speaker 3: It's only fair. A customer stabbed over delivery tip. 1648 01:22:08,760 --> 01:22:13,320 Speaker 4: Oh no, that's how it goes. 1649 01:22:14,720 --> 01:22:17,240 Speaker 3: Angry that she only received a two dollars tip on 1650 01:22:17,320 --> 01:22:20,000 Speaker 3: a thirty three dollars order of pizza and chicken wings. 1651 01:22:20,439 --> 01:22:23,759 Speaker 3: A delivery driver allegedly clocked out of work and returned 1652 01:22:23,800 --> 01:22:28,680 Speaker 3: later in the night to stab the female customer fourteen times. 1653 01:22:27,360 --> 01:22:34,240 Speaker 3: Oh yeah, now what I ne't doing on the clock apparently? Yeah, 1654 01:22:34,439 --> 01:22:37,400 Speaker 3: you know, Domino's ain't I covered here. What I do 1655 01:22:37,560 --> 01:22:40,960 Speaker 3: like about this story is, in addition to her responsibility 1656 01:22:41,000 --> 01:22:43,559 Speaker 3: of clocking out to do this, she clocked out, then 1657 01:22:43,560 --> 01:22:48,720 Speaker 3: she crashed out. In addition to that, what I like 1658 01:22:48,800 --> 01:22:54,599 Speaker 3: about this story is it'll never happen to me because 1659 01:22:54,600 --> 01:22:55,040 Speaker 3: I tip. 1660 01:22:56,320 --> 01:22:59,799 Speaker 4: I overtipped, so I will be fine the rest of your. 1661 01:23:00,000 --> 01:23:02,280 Speaker 5: Some times we get our food quick sometimes, particularly if 1662 01:23:02,320 --> 01:23:04,200 Speaker 5: it's a place we ordering, the drivers kind of know 1663 01:23:04,360 --> 01:23:07,360 Speaker 5: us that child that I think they put our shit 1664 01:23:07,400 --> 01:23:09,240 Speaker 5: on top sometimes. 1665 01:23:08,800 --> 01:23:10,799 Speaker 4: I'm just saying, be careful. 1666 01:23:11,080 --> 01:23:13,920 Speaker 1: Yeah, we overtipped, so we we ain't gonna hie this problem. 1667 01:23:13,960 --> 01:23:16,479 Speaker 3: This is a nightmare I'll never have. I sleep sleep 1668 01:23:16,520 --> 01:23:18,920 Speaker 3: fine in my bed every night. Right knowing I took 1669 01:23:18,960 --> 01:23:20,760 Speaker 3: care of the delivery driver, even if they did a 1670 01:23:20,800 --> 01:23:22,080 Speaker 3: bad job, I'll be like, well, it's not. 1671 01:23:22,080 --> 01:23:22,839 Speaker 4: The tip problem. 1672 01:23:22,960 --> 01:23:24,160 Speaker 1: He it ain't the tip problem. 1673 01:23:24,320 --> 01:23:28,919 Speaker 3: Brianna Alvello twenty two, was working Sunday evening at Marco's 1674 01:23:28,960 --> 01:23:32,120 Speaker 3: Pizza Marcos, they probably don't want me to sing it now, 1675 01:23:32,360 --> 01:23:36,280 Speaker 3: all right, don't associate us with this when she was 1676 01:23:36,400 --> 01:23:40,400 Speaker 3: dispatched around ten pm nearby the rivera motel to deliver 1677 01:23:40,479 --> 01:23:45,120 Speaker 3: food ordered by Melinda Irozari twenty six. Irozari, her boyfriend 1678 01:23:45,200 --> 01:23:47,320 Speaker 3: Bobby Brooks, and a couple's five year old daughter were 1679 01:23:47,400 --> 01:23:52,280 Speaker 3: celebrating book's birthday, as alleged in an arrest Affidavid. When 1680 01:23:52,320 --> 01:23:56,120 Speaker 3: Irizari handed over fifty dollars for the food, Alavero began 1681 01:23:56,200 --> 01:23:58,439 Speaker 3: walking away with the money and Melinda had to stop 1682 01:23:58,479 --> 01:23:59,599 Speaker 3: her and ask for the change. 1683 01:24:00,280 --> 01:24:00,599 Speaker 4: It was. 1684 01:24:00,920 --> 01:24:03,000 Speaker 3: It was already told the cops she did not want 1685 01:24:03,040 --> 01:24:05,400 Speaker 3: to leave such a large tip. Now, I can't understand 1686 01:24:05,400 --> 01:24:09,439 Speaker 3: that if it was thirty three dollars, you gave someone 1687 01:24:09,520 --> 01:24:12,439 Speaker 3: a fifty and they went seventeen dollars of this is 1688 01:24:12,439 --> 01:24:16,080 Speaker 3: my tip with just the assumption, not even the offer 1689 01:24:16,120 --> 01:24:19,360 Speaker 3: of change, that is a bit egregious. And I can 1690 01:24:19,400 --> 01:24:20,320 Speaker 3: definitely if. 1691 01:24:20,240 --> 01:24:22,760 Speaker 5: They'd be like change, do you go keep it? That's 1692 01:24:22,760 --> 01:24:24,280 Speaker 5: a whole that's totally right. 1693 01:24:24,280 --> 01:24:26,840 Speaker 3: But assuming that you were getting seventeen on the thirty 1694 01:24:26,840 --> 01:24:27,800 Speaker 3: three is a lot. 1695 01:24:27,920 --> 01:24:30,800 Speaker 4: That's what. I don't even know. A percentage that is sick. 1696 01:24:31,000 --> 01:24:34,040 Speaker 3: Twenty percent is six dollars on that, oh a little 1697 01:24:34,400 --> 01:24:36,719 Speaker 3: so twenty percent would be seven dollars on that basically, 1698 01:24:37,400 --> 01:24:41,880 Speaker 3: So seventeen is uh that that's like a forty percent 1699 01:24:41,880 --> 01:24:43,920 Speaker 3: tip or some shit or whatever like the thirty three 1700 01:24:43,960 --> 01:24:44,479 Speaker 3: percent tip. 1701 01:24:45,280 --> 01:24:47,200 Speaker 4: After rooting around for smaller bills. 1702 01:24:46,920 --> 01:24:50,560 Speaker 3: Irizari and Brooks tipped her two dollars, Melinda explaining the 1703 01:24:50,600 --> 01:24:53,080 Speaker 3: female rolled her eyes or walked away without saying anything. 1704 01:24:53,439 --> 01:24:56,960 Speaker 3: Police charged that Alva had a mail accomplished. Both dressed 1705 01:24:56,960 --> 01:24:58,840 Speaker 3: in black and wearing face masks, showed up at the 1706 01:24:58,840 --> 01:25:01,760 Speaker 3: hotel ninety minutes at the food delivery. Upon hearing a 1707 01:25:01,760 --> 01:25:04,200 Speaker 3: loud knocking, Izari open the door and the two visitors 1708 01:25:04,200 --> 01:25:06,360 Speaker 3: burst in the mail and true to brandish a gun 1709 01:25:06,400 --> 01:25:11,040 Speaker 3: while the woman, whom Costs later identified as Alvello, began 1710 01:25:11,160 --> 01:25:14,080 Speaker 3: rummaging through the purse and the family's belongings, and even 1711 01:25:14,080 --> 01:25:15,799 Speaker 3: smashed the child's Nintendo switched. 1712 01:25:15,960 --> 01:25:16,920 Speaker 4: God damn, what. 1713 01:25:16,880 --> 01:25:19,160 Speaker 1: The baby gotta do with it? The baby took aim 1714 01:25:19,240 --> 01:25:20,000 Speaker 1: for no reason. 1715 01:25:20,200 --> 01:25:23,600 Speaker 3: When Alvelo pulled out a knife, Irozari turned away to 1716 01:25:23,680 --> 01:25:29,280 Speaker 3: shield her daughter. That's when she Alvello began striking Irozari 1717 01:25:29,400 --> 01:25:32,320 Speaker 3: multiple times with the knife. It was discovered Melinda was 1718 01:25:32,360 --> 01:25:34,600 Speaker 3: stabbed fourteen times of different areas of the body and 1719 01:25:34,720 --> 01:25:36,320 Speaker 3: just found out from the hospital that she was a 1720 01:25:36,320 --> 01:25:37,280 Speaker 3: few weeks pregnant. 1721 01:25:37,640 --> 01:25:40,000 Speaker 1: God damn, she try to kill that woman. 1722 01:25:40,360 --> 01:25:43,799 Speaker 3: A brief police probe identified our Alvelo as a suspect 1723 01:25:43,840 --> 01:25:46,559 Speaker 3: in the attack. Yeah, it's not really gonna be a 1724 01:25:46,640 --> 01:25:50,040 Speaker 3: murder mystery, you know, like, this is not this is 1725 01:25:50,080 --> 01:25:52,000 Speaker 3: not gonna be crime of the Week on CSI. This 1726 01:25:52,080 --> 01:25:54,120 Speaker 3: is gonna be solved in the opening before they get 1727 01:25:54,160 --> 01:25:56,600 Speaker 3: to the credit, the opening credits. 1728 01:25:57,120 --> 01:25:59,120 Speaker 5: Right, this is gonna be like five minutes, but thirty 1729 01:25:59,120 --> 01:25:59,919 Speaker 5: minute episode. 1730 01:26:00,160 --> 01:26:01,160 Speaker 4: Yeah, that's weird. 1731 01:26:01,240 --> 01:26:03,400 Speaker 3: You smell like peace and you look like the woman 1732 01:26:03,479 --> 01:26:05,920 Speaker 3: that I gave a two dollar tip till that rolled 1733 01:26:05,960 --> 01:26:09,599 Speaker 3: her eyes and said I'll be back. Bitch became she 1734 01:26:09,640 --> 01:26:12,960 Speaker 3: became upset about the tip she received. She was charged 1735 01:26:12,960 --> 01:26:15,040 Speaker 3: with the tempt to murder, aggravator of salt kidnapping at 1736 01:26:15,040 --> 01:26:17,280 Speaker 3: home invasion with a fire arm. Her mail opinion has 1737 01:26:17,360 --> 01:26:20,519 Speaker 3: not been identified. But she a real one for keeping 1738 01:26:20,560 --> 01:26:23,439 Speaker 3: his thing because he he'll ride a die person. I'm 1739 01:26:23,439 --> 01:26:24,080 Speaker 3: not going with you. 1740 01:26:25,040 --> 01:26:25,559 Speaker 4: I knew. 1741 01:26:27,000 --> 01:26:29,439 Speaker 1: You come talking about we about the committed crime, but 1742 01:26:29,680 --> 01:26:30,280 Speaker 1: you got it. 1743 01:26:30,280 --> 01:26:32,320 Speaker 3: And so you about to go to jail forever of 1744 01:26:32,320 --> 01:26:35,400 Speaker 3: a two dollar tip and you need a ride. I 1745 01:26:35,400 --> 01:26:36,000 Speaker 3: don't think so. 1746 01:26:36,320 --> 01:26:39,200 Speaker 4: M all right, Karen guessed the race? 1747 01:26:39,360 --> 01:26:40,479 Speaker 1: Who are we guessing the race of? 1748 01:26:40,880 --> 01:26:45,200 Speaker 3: Obviously the stabber Breonna Alavello Latino. 1749 01:26:45,400 --> 01:26:48,040 Speaker 4: All right, let's check the Latina. All right, let's check 1750 01:26:48,080 --> 01:26:48,559 Speaker 4: the chat room. 1751 01:26:48,640 --> 01:26:52,840 Speaker 3: See what they believe white because she was entitled and 1752 01:26:52,920 --> 01:26:54,840 Speaker 3: could do math to know it should have what it 1753 01:26:54,880 --> 01:26:58,880 Speaker 3: should have been. Alicia, that's so racist, magnafeat, that's ten 1754 01:26:58,920 --> 01:27:00,439 Speaker 3: out of ten racism. 1755 01:27:01,240 --> 01:27:05,400 Speaker 4: Only white people can count. Hispanic. She's done this before. 1756 01:27:05,439 --> 01:27:10,360 Speaker 3: Latina, you order extra topping, Senorita Latina Hispanic Latina angerl 1757 01:27:10,439 --> 01:27:14,280 Speaker 3: latinix Latina. She should she getting deported Latina the correct 1758 01:27:14,400 --> 01:27:20,320 Speaker 3: Oh nough. We laugh because it's because it's true. The 1759 01:27:20,360 --> 01:27:34,439 Speaker 3: correct answer is Latina. And while Alicia was very racist, 1760 01:27:34,479 --> 01:27:35,599 Speaker 3: she was also wrong. 1761 01:27:35,760 --> 01:27:36,400 Speaker 8: She missed it. 1762 01:27:42,520 --> 01:27:47,040 Speaker 1: Man that fourteen times you met that shit. 1763 01:27:48,080 --> 01:27:51,800 Speaker 3: Yeah, you definitely took it up. She took it there, 1764 01:27:52,320 --> 01:27:53,360 Speaker 3: you took it down that one. 1765 01:27:53,360 --> 01:27:55,080 Speaker 1: Now I feel bad for Nintendo's wish. 1766 01:27:55,120 --> 01:27:58,920 Speaker 2: Took al for no reason. Yeah, baby notock Mario down 1767 01:27:58,960 --> 01:28:02,120 Speaker 2: for no reason. That's fucked up, right. The baby on 1768 01:28:02,160 --> 01:28:04,720 Speaker 2: the switch is just that's needless. You didn't need to 1769 01:28:04,720 --> 01:28:08,080 Speaker 2: go there, all right. Well, Carrie, your two for your 1770 01:28:08,080 --> 01:28:10,439 Speaker 2: one for two, your one for two. Yes, So let's 1771 01:28:10,479 --> 01:28:12,559 Speaker 2: go to the bonus round. 1772 01:28:18,520 --> 01:28:24,680 Speaker 8: It's time to the race. It's time. It's time to 1773 01:28:24,800 --> 01:28:28,240 Speaker 8: guess the race. It's time to catch the race. 1774 01:28:29,280 --> 01:28:32,440 Speaker 4: All right, it's time for the bonus round. 1775 01:28:33,720 --> 01:28:38,600 Speaker 3: Last story, a bear spotted still in Christmas presence in 1776 01:28:38,840 --> 01:28:42,920 Speaker 3: esther Roe Gated Community. Residents of the Stonybrook Gated Community 1777 01:28:42,920 --> 01:28:45,200 Speaker 3: and estro overceive to unrespect the Christmas visitor this year, 1778 01:28:45,240 --> 01:28:46,320 Speaker 3: and it wasn't Santa Claus. 1779 01:28:47,040 --> 01:28:48,759 Speaker 4: A Florida bear was caught. 1780 01:28:48,600 --> 01:28:51,799 Speaker 3: On camera rummaging through trash and even snagging a present 1781 01:28:52,160 --> 01:28:53,919 Speaker 3: to take back to its den late. 1782 01:28:53,680 --> 01:28:57,240 Speaker 1: In the evening, bell celebrate Christmas too. 1783 01:28:57,439 --> 01:29:00,080 Speaker 3: It's the Grinch, said Christian to Nudo, a young man 1784 01:29:00,120 --> 01:29:02,400 Speaker 3: who spotted the bear alongside his father. The father and 1785 01:29:02,439 --> 01:29:05,280 Speaker 3: son duo, originally from Chicago, say they heard tales of 1786 01:29:05,320 --> 01:29:07,680 Speaker 3: bears in southwest Florida, but never expected to see one 1787 01:29:07,800 --> 01:29:10,680 Speaker 3: so close, especially in that community. 1788 01:29:10,479 --> 01:29:13,840 Speaker 5: They had tales of bears, bitch if they particularly in Florida, 1789 01:29:13,880 --> 01:29:15,880 Speaker 5: they tell you it's beastly demigate a bitch day there. 1790 01:29:16,800 --> 01:29:18,640 Speaker 3: We've been here about three and a half years, and 1791 01:29:18,640 --> 01:29:19,839 Speaker 3: we were all kind of shocked. 1792 01:29:19,640 --> 01:29:20,479 Speaker 4: To see it that close. 1793 01:29:20,880 --> 01:29:23,280 Speaker 3: Yeah, I get it, though they don't normally go into 1794 01:29:23,360 --> 01:29:27,960 Speaker 3: inhabit it like neighborhoods. Okay, and I could see that 1795 01:29:28,320 --> 01:29:31,680 Speaker 3: some quick thinking lad The camera phone footage showing the 1796 01:29:31,720 --> 01:29:33,840 Speaker 3: bear tearing in the trash bags and picking through the 1797 01:29:33,880 --> 01:29:38,240 Speaker 3: breeze at scene reminiscent of Whosville Holidays, chaos and how 1798 01:29:38,280 --> 01:29:40,920 Speaker 3: to grint stole Christmas is actually look kind of cute, 1799 01:29:40,920 --> 01:29:43,880 Speaker 3: said Christian. Going going from house to house despite the 1800 01:29:43,880 --> 01:29:46,200 Speaker 3: fun and games and counter experts warn the fir visits 1801 01:29:46,280 --> 01:29:48,839 Speaker 3: or anything but friendly you see a bear. Our inclination 1802 01:29:48,920 --> 01:29:50,519 Speaker 3: is to take a picture, but we really need to 1803 01:29:50,560 --> 01:29:52,960 Speaker 3: get first, get into a safe space, and then make 1804 01:29:53,040 --> 01:29:54,519 Speaker 3: lots of noise to the tur that bear. 1805 01:29:55,040 --> 01:29:57,760 Speaker 4: Local wildlife experts urged residents to secure. 1806 01:29:57,400 --> 01:29:59,920 Speaker 3: That trash and avoiding food outside discourage bears from linger 1807 01:30:00,080 --> 01:30:02,519 Speaker 3: in the area. You see a Florida bear outside of 1808 01:30:02,560 --> 01:30:06,280 Speaker 3: his natural habit habitat can contact Florida Fish and Wildlife Commission. 1809 01:30:06,320 --> 01:30:07,080 Speaker 4: Karen gets the race. 1810 01:30:07,000 --> 01:30:07,360 Speaker 8: Of the bear. 1811 01:30:08,680 --> 01:30:09,559 Speaker 1: I'm gonna go black. 1812 01:30:09,920 --> 01:30:11,960 Speaker 3: Karen's going with black bear, all right, just check the 1813 01:30:12,000 --> 01:30:12,479 Speaker 3: chat room. 1814 01:30:13,040 --> 01:30:14,240 Speaker 4: See what they believe. 1815 01:30:14,040 --> 01:30:15,160 Speaker 1: In the white neighborhood. 1816 01:30:15,240 --> 01:30:18,040 Speaker 4: Because child, black bear, white neighborhood. Okay, I'll hear you. 1817 01:30:19,080 --> 01:30:27,400 Speaker 3: I'm leaving with something. Denzel bearrings in. Black Negro, says Ramsey. 1818 01:30:27,439 --> 01:30:34,920 Speaker 3: Djingis brown bear, says Nerdy descend say black Negro, Beardi higher. 1819 01:30:35,040 --> 01:30:36,320 Speaker 4: I don't know what race that is? 1820 01:30:36,320 --> 01:30:40,880 Speaker 3: Cash okay, lieutenants brown bear, says kg H. White because 1821 01:30:40,920 --> 01:30:43,800 Speaker 3: they called it cute instead of a thug. They didn't 1822 01:30:43,800 --> 01:30:45,360 Speaker 3: say if it was drinking a Coca cola or not, 1823 01:30:45,479 --> 01:30:47,880 Speaker 3: so I don't know he's a dark he says June. 1824 01:30:47,960 --> 01:30:52,840 Speaker 4: The correct answer is, Karen, you said black bear. You 1825 01:30:52,920 --> 01:30:53,479 Speaker 4: got it right. 1826 01:30:56,040 --> 01:31:08,439 Speaker 3: I'm sorry. Some of y'all said brown bear or white bear. 1827 01:31:08,520 --> 01:31:09,280 Speaker 4: You got it wrong. 1828 01:31:20,880 --> 01:31:25,000 Speaker 3: So that's the bear there, and yeah it was black. Okay, 1829 01:31:26,200 --> 01:31:28,800 Speaker 3: you hate to see it. But at the same time, 1830 01:31:30,240 --> 01:31:32,080 Speaker 3: stop leaving it out if you don't want the bear 1831 01:31:32,120 --> 01:31:35,720 Speaker 3: to show up. Let's get into the final story of 1832 01:31:35,800 --> 01:31:38,760 Speaker 3: the day. We have to spread awareness about these swords. 1833 01:31:38,800 --> 01:31:40,880 Speaker 3: It's sort of ratchetness time. 1834 01:31:41,160 --> 01:32:03,559 Speaker 6: Everyone. 1835 01:32:04,680 --> 01:32:08,560 Speaker 3: Argument escalates when man visits neighbor with sword and firebomb. 1836 01:32:11,760 --> 01:32:15,640 Speaker 3: A war words among neighbors turned terrifying when an offended 1837 01:32:15,680 --> 01:32:17,600 Speaker 3: man showed up in someone's driveway with a sword in 1838 01:32:17,640 --> 01:32:19,640 Speaker 3: one hand and a homemade bomb in the other in 1839 01:32:19,720 --> 01:32:26,800 Speaker 3: southwest Florida, having at two am Sunday, December twenty. December eighth, 1840 01:32:27,680 --> 01:32:30,080 Speaker 3: the victim stated that a neighbor threatened him while holding 1841 01:32:30,120 --> 01:32:32,240 Speaker 3: a glass bottle with a cloth wrapped around his top, 1842 01:32:32,280 --> 01:32:35,639 Speaker 3: claiming it was a Molotov cocktail. He threatened to throw 1843 01:32:35,680 --> 01:32:37,960 Speaker 3: it at one of the vehicles in the driveway and 1844 01:32:38,040 --> 01:32:40,240 Speaker 3: light it on fire. He also pulled out a sword 1845 01:32:40,800 --> 01:32:43,960 Speaker 3: and taped the windshield of a vehicle. Tap the windshield 1846 01:32:44,000 --> 01:32:46,519 Speaker 3: of a vehicle while threatening the vehicle. A ring doorbell 1847 01:32:46,560 --> 01:32:49,920 Speaker 3: camera recorded the encounter. The man is gone was gone 1848 01:32:49,960 --> 01:32:52,120 Speaker 3: when police arrived, but was located as home on the 1849 01:32:52,120 --> 01:32:52,639 Speaker 3: next block. 1850 01:32:53,360 --> 01:32:53,879 Speaker 4: They interviewed. 1851 01:32:53,880 --> 01:32:56,160 Speaker 3: The thirty six year old man confirmed that he was 1852 01:32:56,240 --> 01:32:58,840 Speaker 3: using a bottle with some gasoline and brandishing the sword 1853 01:32:58,880 --> 01:32:59,960 Speaker 3: to make a point. 1854 01:33:00,080 --> 01:33:02,679 Speaker 1: He said, make a point. 1855 01:33:02,760 --> 01:33:05,719 Speaker 4: Point made is the point. I'm crazy. 1856 01:33:06,560 --> 01:33:08,920 Speaker 3: The suspect said he went to the residents and to 1857 01:33:08,960 --> 01:33:11,840 Speaker 3: send a message regarding disrespect to a family member. He 1858 01:33:11,920 --> 01:33:15,080 Speaker 3: was arrested in charge of manufacturing, possession and send their device. 1859 01:33:17,400 --> 01:33:20,800 Speaker 3: So yeah, there you go, sword and the firebomb. They 1860 01:33:21,000 --> 01:33:24,160 Speaker 3: escalating over here, God apparently, so y'all, be y'all be 1861 01:33:24,240 --> 01:33:24,960 Speaker 3: safe out here. 1862 01:33:25,080 --> 01:33:26,839 Speaker 1: Please be safe out here in these streets. 1863 01:33:26,880 --> 01:33:28,639 Speaker 3: I want nothing to happen to you. All right, y'all, 1864 01:33:28,680 --> 01:33:31,280 Speaker 3: that's it for today's episode. Thank you for listening. We'll 1865 01:33:31,280 --> 01:33:35,400 Speaker 3: be back throughout the week. Until next time, I love you.