1
00:00:02,560 --> 00:00:17,840
Speaker 1: Two Teas and a Pod with Teddy Mellancap and Camerage Edge.

2
00:00:19,440 --> 00:00:21,560
Speaker 2: Hi guys, welcome to another episode of Two Teas and

3
00:00:21,560 --> 00:00:21,880
Speaker 2: a Pod.

4
00:00:21,920 --> 00:00:24,680
Speaker 3: But it's myself and Gerty and we are doing housewive

5
00:00:24,760 --> 00:00:26,800
Speaker 3: headlines and recapping Potoma.

6
00:00:26,920 --> 00:00:27,800
Speaker 4: Ge u nit.

7
00:00:30,440 --> 00:00:32,920
Speaker 2: I Yeah, I've always what died to do that, you know,

8
00:00:33,479 --> 00:00:33,920
Speaker 2: the fan.

9
00:00:34,159 --> 00:00:36,120
Speaker 3: The fact that you haven't shared your fan once and

10
00:00:36,159 --> 00:00:39,519
Speaker 3: I'm gonna full sweat is a little bit Hold.

11
00:00:39,360 --> 00:00:41,440
Speaker 4: On, I know, girl, this is what happens when you

12
00:00:41,520 --> 00:00:43,600
Speaker 4: go to a surgical minopause.

13
00:00:44,400 --> 00:00:46,000
Speaker 2: Well, I'm in perimenopause.

14
00:00:46,840 --> 00:00:49,519
Speaker 3: Yeah, because after my stuff, I'm not allowed to be

15
00:00:49,520 --> 00:00:53,160
Speaker 3: on hormones anymore. Yeah, so I'm right now, boo boo,

16
00:00:53,600 --> 00:00:55,320
Speaker 3: right now, I'm sweating through my jeans.

17
00:00:56,400 --> 00:00:57,880
Speaker 2: First, tell me about what you did last night.

18
00:00:58,320 --> 00:01:02,280
Speaker 4: So about last night hash tag. I was at the

19
00:01:02,280 --> 00:01:07,160
Speaker 4: directivey Oscar streaming party and I walk in. I see

20
00:01:07,200 --> 00:01:12,399
Speaker 4: Sutton Meredith, Mark's obviously Erica mo Jane obsessed with her,

21
00:01:12,760 --> 00:01:17,320
Speaker 4: and my girl Lisa Milan from Dubai Baby and and

22
00:01:17,720 --> 00:01:20,480
Speaker 4: now the whole Trader's household was there too. It was

23
00:01:20,480 --> 00:01:21,240
Speaker 4: so fabulous.

24
00:01:21,360 --> 00:01:25,200
Speaker 3: So do you have any scoop to share Vicky Gundlesen

25
00:01:25,360 --> 00:01:25,680
Speaker 3: was there.

26
00:01:25,760 --> 00:01:27,959
Speaker 4: She looks so good and then I was like, what

27
00:01:28,120 --> 00:01:30,240
Speaker 4: is keeping that body is so good? And she goes

28
00:01:30,280 --> 00:01:34,759
Speaker 4: my man. I say, okay, now I need.

29
00:01:34,640 --> 00:01:36,840
Speaker 2: To know so good?

30
00:01:37,080 --> 00:01:38,240
Speaker 4: Oh I like that Victoria.

31
00:01:38,880 --> 00:01:44,360
Speaker 2: Yeah, that Victoria Gunfelson. So who'd you have the most?

32
00:01:44,400 --> 00:01:46,760
Speaker 3: If you could pick one person that's not from Miami

33
00:01:46,800 --> 00:01:49,560
Speaker 3: that you hung out with or this could be Ravocon

34
00:01:49,760 --> 00:01:53,880
Speaker 3: anything okay, that you'd actually be friends with in real

35
00:01:53,920 --> 00:01:56,720
Speaker 3: life or I'm friends with or would be would be

36
00:01:57,800 --> 00:02:00,240
Speaker 3: that's not No, we can't talk to any Miami.

37
00:02:00,120 --> 00:02:00,480
Speaker 2: No, no, no.

38
00:02:00,520 --> 00:02:02,800
Speaker 4: I mean Lisa Milan is like my really good friend

39
00:02:03,240 --> 00:02:04,960
Speaker 4: and she has a house in Miami actually, and so

40
00:02:05,000 --> 00:02:07,280
Speaker 4: we we're hanging out after this. Lisa is a really

41
00:02:07,320 --> 00:02:10,040
Speaker 4: good friend. Erica Jane and I see each other all

42
00:02:10,040 --> 00:02:11,560
Speaker 4: the time. I wish I had more time with her.

43
00:02:11,600 --> 00:02:15,680
Speaker 4: I think that she's fascinating. Yeah, I mean I think

44
00:02:15,720 --> 00:02:17,200
Speaker 4: that there's so many.

45
00:02:17,080 --> 00:02:19,240
Speaker 2: Has anyone been rude to you?

46
00:02:19,280 --> 00:02:21,720
Speaker 4: No, I mean we've already been through that whole thing

47
00:02:21,760 --> 00:02:24,200
Speaker 4: and we cleared it up. You know a long time ago.

48
00:02:24,360 --> 00:02:27,239
Speaker 4: The Kenya think was, but you know, Brava con, we're

49
00:02:27,240 --> 00:02:29,440
Speaker 4: all so busy and are like in our different lanes

50
00:02:29,480 --> 00:02:30,960
Speaker 4: and it was kind of like a past like girl,

51
00:02:31,120 --> 00:02:31,920
Speaker 4: like who are you okay?

52
00:02:31,960 --> 00:02:32,240
Speaker 3: Girl?

53
00:02:32,600 --> 00:02:35,680
Speaker 4: It was literally like we're really are fine now and

54
00:02:35,880 --> 00:02:38,680
Speaker 4: we saw each other the past Prava con hugged it out. Amazing.

55
00:02:38,800 --> 00:02:40,760
Speaker 4: She supports me with the cancer. She's been texting me.

56
00:02:40,880 --> 00:02:41,200
Speaker 4: Dmm me.

57
00:02:41,400 --> 00:02:43,640
Speaker 3: You were part of my awkward exchange this year at

58
00:02:43,639 --> 00:02:45,120
Speaker 3: Bravo Con with Ashley Darby.

59
00:02:46,160 --> 00:02:46,680
Speaker 4: What happened?

60
00:02:46,680 --> 00:02:47,360
Speaker 2: I don't remember.

61
00:02:48,560 --> 00:02:50,639
Speaker 3: We were walking in like I was, you know where

62
00:02:50,639 --> 00:02:52,600
Speaker 3: they have like the Bravo Con check in for the

63
00:02:52,880 --> 00:02:54,359
Speaker 3: Yes part of Bravo Con.

64
00:02:54,680 --> 00:02:56,760
Speaker 2: So you were walking this way, I was walking this way.

65
00:02:56,800 --> 00:02:59,520
Speaker 3: We started chatting, laughing ha ha, and then Ashley Darby

66
00:02:59,560 --> 00:03:01,919
Speaker 3: walked out and started talking to you and then didn't

67
00:03:02,480 --> 00:03:05,760
Speaker 3: address me as a human being. Well that's what I thought.

68
00:03:05,800 --> 00:03:07,360
Speaker 3: So then I talked about it on the pod and

69
00:03:07,400 --> 00:03:09,160
Speaker 3: I said, what is it Ashley Darby and she goes,

70
00:03:09,200 --> 00:03:10,119
Speaker 3: I didn't know it was you.

71
00:03:10,440 --> 00:03:13,280
Speaker 2: Well, here's the thing. I love Ashley Darby. So her

72
00:03:13,320 --> 00:03:15,480
Speaker 2: last night too, did she say anything about me?

73
00:03:16,240 --> 00:03:18,840
Speaker 4: She looks fabulous, her hair was stabby. She didn't but

74
00:03:18,919 --> 00:03:20,200
Speaker 4: keep going, keep going, But.

75
00:03:20,200 --> 00:03:23,040
Speaker 2: No, that was really it, Like she just completely snubbed me.

76
00:03:23,000 --> 00:03:25,600
Speaker 4: Like, we're so in a different mindset at Bravo Con

77
00:03:25,639 --> 00:03:29,360
Speaker 4: that I hate to judge anyone for who they are there,

78
00:03:29,520 --> 00:03:31,640
Speaker 4: because it really is like a passing ships in the night.

79
00:03:31,680 --> 00:03:33,840
Speaker 3: It was the second offense, though, Oh god, let me

80
00:03:33,880 --> 00:03:34,519
Speaker 3: get the fan out.

81
00:03:34,880 --> 00:03:37,240
Speaker 2: Second offense. The first one.

82
00:03:37,240 --> 00:03:39,560
Speaker 3: We'd both been hired to do an Okay party and

83
00:03:40,640 --> 00:03:43,120
Speaker 3: we were doing the red carpet together and we were

84
00:03:43,120 --> 00:03:46,000
Speaker 3: both taking photos at the same time, and then she said,

85
00:03:46,600 --> 00:03:47,040
Speaker 3: does this.

86
00:03:46,960 --> 00:03:48,280
Speaker 2: Fan want to take a picture with me?

87
00:03:48,800 --> 00:03:54,560
Speaker 4: No, stop your nye right now, take you back. And

88
00:03:54,600 --> 00:03:59,560
Speaker 4: then you said, bitch, I've been on this broady.

89
00:04:00,320 --> 00:04:03,800
Speaker 2: It was like I was cracking up and where I'm

90
00:04:03,800 --> 00:04:05,920
Speaker 2: with all like my girlfriends. I you know.

91
00:04:05,960 --> 00:04:07,120
Speaker 3: It was one of those things where they fly you

92
00:04:07,160 --> 00:04:09,520
Speaker 3: to Okay, like to New York to do Okay Magazine, Like,

93
00:04:10,640 --> 00:04:11,000
Speaker 3: I mean.

94
00:04:11,320 --> 00:04:12,120
Speaker 4: Do you know who I am?

95
00:04:12,720 --> 00:04:12,800
Speaker 3: No?

96
00:04:13,000 --> 00:04:15,840
Speaker 2: I was like, sure, No you didn't.

97
00:04:16,480 --> 00:04:17,599
Speaker 4: That's actually even more loud.

98
00:04:17,960 --> 00:04:19,599
Speaker 2: Yeah no, I was like yeah sure.

99
00:04:20,080 --> 00:04:21,560
Speaker 4: And then later on I was like, I'll.

100
00:04:21,400 --> 00:04:23,120
Speaker 2: Do anything for fifteen thousand dollars.

101
00:04:23,360 --> 00:04:26,599
Speaker 4: Do you know what? Love it? Love it? Hashtag ad

102
00:04:26,800 --> 00:04:29,880
Speaker 4: hashtag Okay Magazine partners.

103
00:04:29,400 --> 00:04:33,919
Speaker 3: Hashtag hashtag you got multiple franchises in one shot.

104
00:04:34,240 --> 00:04:35,839
Speaker 4: You're welcome, You're welcome.

105
00:04:36,200 --> 00:04:37,000
Speaker 2: This fan did.

106
00:04:37,120 --> 00:04:39,320
Speaker 4: That's full shock.

107
00:04:39,400 --> 00:04:40,360
Speaker 2: But no, I do love her.

108
00:04:40,360 --> 00:04:42,360
Speaker 3: I think she's hilarious. I do think it's too much

109
00:04:42,360 --> 00:04:45,200
Speaker 3: Flora this season, but I'm gonna work through it. Yeah,

110
00:04:45,240 --> 00:04:47,080
Speaker 3: it's like New Happy all the time.

111
00:04:47,680 --> 00:04:50,000
Speaker 2: Do you think she's still with Michael Darby. No, I

112
00:04:50,000 --> 00:04:50,479
Speaker 2: don't think so.

113
00:04:51,640 --> 00:04:53,960
Speaker 4: No, I definitely don't think so.

114
00:04:54,520 --> 00:04:56,160
Speaker 2: All right, Well we'll get onto that when we get

115
00:04:56,160 --> 00:04:57,240
Speaker 2: to Do you think so?

116
00:04:57,640 --> 00:05:00,400
Speaker 3: Yeah, huh, I think she's still I think they always

117
00:05:00,400 --> 00:05:03,200
Speaker 3: had an open relationship and that's just continued to be open.

118
00:05:03,680 --> 00:05:06,320
Speaker 2: He's just no longer wanting to purchase on the show. Yeah,

119
00:05:06,480 --> 00:05:07,599
Speaker 2: because it was being judged.

120
00:05:08,080 --> 00:05:09,800
Speaker 4: You're smart, steady.

121
00:05:10,760 --> 00:05:12,559
Speaker 2: Maybe I'm using my big brain today.

122
00:05:12,600 --> 00:05:13,400
Speaker 4: That's a good angle.

123
00:05:13,960 --> 00:05:14,680
Speaker 2: I can see it.

124
00:05:15,640 --> 00:05:16,280
Speaker 4: I could see it.

125
00:05:16,400 --> 00:05:17,279
Speaker 2: You see what I'm saying.

126
00:05:17,640 --> 00:05:20,640
Speaker 4: But she was dating this guy from that Winterhouse.

127
00:05:20,880 --> 00:05:22,760
Speaker 3: But that's the point, that's what And I'm sure he's

128
00:05:22,800 --> 00:05:24,159
Speaker 3: hooking up with a lot of people too.

129
00:05:25,240 --> 00:05:28,839
Speaker 4: But now she gets her nice like suburban home relationships things.

130
00:05:28,839 --> 00:05:33,719
Speaker 4: I am not that because Russell is not open for business, bitch.

131
00:05:33,920 --> 00:05:37,400
Speaker 3: Listen, Edwin's not even open to not take his find

132
00:05:37,440 --> 00:05:38,640
Speaker 3: my location off.

133
00:05:38,600 --> 00:05:41,920
Speaker 4: Exactly, like, no, I know, we share everything we were.

134
00:05:41,920 --> 00:05:44,000
Speaker 3: I'm going to open this iPad right now and it's

135
00:05:44,040 --> 00:05:46,239
Speaker 3: our entire eye cloud of all of our things.

136
00:05:46,279 --> 00:05:47,960
Speaker 2: Like there's absolutely there's no secret.

137
00:05:48,640 --> 00:05:50,960
Speaker 3: If there is, then I will go down every rabbit

138
00:05:50,960 --> 00:05:54,600
Speaker 3: hole to figure them out, and then I'll embarrass myself afterwards.

139
00:05:54,600 --> 00:05:58,080
Speaker 2: I'll be like, who's this recently happened? You're gonna die.

140
00:05:58,760 --> 00:06:01,120
Speaker 3: So recently he was on a trip and he kept

141
00:06:01,480 --> 00:06:05,159
Speaker 3: at like nine pm it said share my location with Misha.

142
00:06:05,800 --> 00:06:10,880
Speaker 2: Oh oh, who is mishaped?

143
00:06:10,920 --> 00:06:14,680
Speaker 4: And I'm like, cupcakes and a cupcakes? Well, I know.

144
00:06:15,440 --> 00:06:16,720
Speaker 2: I'm all down the rabbit hole.

145
00:06:16,720 --> 00:06:18,760
Speaker 3: Reach out to our social media guy and I'm like,

146
00:06:19,279 --> 00:06:22,159
Speaker 3: does that I don't follow anyone named Misha on on

147
00:06:22,279 --> 00:06:24,400
Speaker 3: the business account because I don't know what this is.

148
00:06:24,680 --> 00:06:26,640
Speaker 3: So then he calls me that night to like do

149
00:06:26,720 --> 00:06:29,120
Speaker 3: his nightly check in. I don't answer. Then he calls

150
00:06:29,120 --> 00:06:31,800
Speaker 3: me the next to get babe, what's going on?

151
00:06:31,920 --> 00:06:32,520
Speaker 2: Don't answer.

152
00:06:32,600 --> 00:06:36,040
Speaker 3: He finally gets I'm now googled the entire internet trying

153
00:06:36,080 --> 00:06:36,719
Speaker 3: to find Misha.

154
00:06:38,279 --> 00:06:41,720
Speaker 4: Literally, like I crazy person, but this is.

155
00:06:41,680 --> 00:06:44,680
Speaker 3: Me, my entire life, and like, if you could google

156
00:06:44,760 --> 00:06:47,080
Speaker 3: my childhood, you can pretty much assume why I.

157
00:06:47,000 --> 00:06:47,680
Speaker 2: Have these issues.

158
00:06:47,720 --> 00:06:48,400
Speaker 4: Okay, go ahead.

159
00:06:48,880 --> 00:06:52,800
Speaker 3: So then he gets home and I'm like, okay, so

160
00:06:52,960 --> 00:06:55,000
Speaker 3: I need I'm just gonna have to ask you.

161
00:06:56,560 --> 00:06:58,599
Speaker 2: Who's Misha? And he's like.

162
00:07:00,080 --> 00:07:04,200
Speaker 3: Tears welling up, cracking up, and there's this big german

163
00:07:04,279 --> 00:07:10,840
Speaker 3: man and solar and we called We called me Sha on.

164
00:07:10,800 --> 00:07:20,920
Speaker 4: The phone short from Mechelle and I'm from what So

165
00:07:21,080 --> 00:07:22,320
Speaker 4: then I'm.

166
00:07:22,160 --> 00:07:24,440
Speaker 3: Like, all right, now that we know that this is

167
00:07:24,520 --> 00:07:27,280
Speaker 3: Misha and we've confirmed and I found him online all

168
00:07:27,360 --> 00:07:29,280
Speaker 3: the things I said. Now, I want you to go

169
00:07:29,320 --> 00:07:31,640
Speaker 3: through the text messages that I just read where it

170
00:07:31,720 --> 00:07:32,640
Speaker 3: was like, hey.

171
00:07:32,480 --> 00:07:33,080
Speaker 2: What room are you?

172
00:07:33,080 --> 00:07:35,920
Speaker 3: And he's like and Misha responds, I'm not telling you

173
00:07:36,000 --> 00:07:37,280
Speaker 3: there's no trust there yet.

174
00:07:37,400 --> 00:07:40,080
Speaker 4: And I'm not telling you there's no trust there yet.

175
00:07:40,640 --> 00:07:42,920
Speaker 4: He likes the right.

176
00:07:43,520 --> 00:07:45,120
Speaker 2: All right, cool, then are we going to meet at

177
00:07:45,160 --> 00:07:45,440
Speaker 2: the bar?

178
00:07:47,440 --> 00:07:49,880
Speaker 4: The text will be like lost translation. Yeah, I was.

179
00:07:49,960 --> 00:07:52,600
Speaker 2: I thought myself. My panties were on a twist. I

180
00:07:52,720 --> 00:07:53,200
Speaker 2: was ready.

181
00:07:53,240 --> 00:07:54,640
Speaker 4: I was like, we didn't turn your on and you

182
00:07:54,680 --> 00:07:57,880
Speaker 4: were like, oh no no.

183
00:07:58,120 --> 00:08:00,520
Speaker 3: But then what I didn't realize is when you say

184
00:08:00,680 --> 00:08:01,760
Speaker 3: when you send your location.

185
00:08:01,920 --> 00:08:03,200
Speaker 2: So let's say he sent it.

186
00:08:03,280 --> 00:08:05,400
Speaker 3: I forget exactly what time was, but then it was

187
00:08:05,640 --> 00:08:07,920
Speaker 3: twelve hours later it turned off, which was the middle

188
00:08:07,960 --> 00:08:08,440
Speaker 3: of the night.

189
00:08:08,560 --> 00:08:11,000
Speaker 2: And that's what set me because it said.

190
00:08:10,920 --> 00:08:14,760
Speaker 3: Ed has stopped sharing his location with with Misha.

191
00:08:14,880 --> 00:08:19,720
Speaker 4: And I was like, m there you go to get out? Yeah,

192
00:08:19,760 --> 00:08:21,480
Speaker 4: and he was a man named Misha.

193
00:08:21,600 --> 00:08:23,800
Speaker 3: It's a man named Misha who now has heard all

194
00:08:23,840 --> 00:08:25,800
Speaker 3: the text messages I've releved.

195
00:08:26,120 --> 00:08:27,040
Speaker 4: Putting him on blast.

196
00:08:27,240 --> 00:08:31,320
Speaker 3: Yeah, hi Misha, Misha, if you're listening, Yeah, I'm sure.

197
00:08:32,120 --> 00:08:34,600
Speaker 2: And then I was like Edwin like he goes, you

198
00:08:34,679 --> 00:08:35,800
Speaker 2: were so nuts that you do that?

199
00:08:35,920 --> 00:08:37,880
Speaker 4: He goes like he he thought, like she loves me.

200
00:08:38,120 --> 00:08:41,000
Speaker 2: Yeah, he wasn't offended at all. But if you were angry,

201
00:08:41,080 --> 00:08:41,640
Speaker 2: it would.

202
00:08:41,800 --> 00:08:43,839
Speaker 4: Then know who they married, right, Like Russell knows I'm

203
00:08:43,880 --> 00:08:46,520
Speaker 4: a complete crazy person, like every day where I'm like,

204
00:08:46,520 --> 00:08:48,560
Speaker 4: you know I'm crazy, right, So okay, bye, have a

205
00:08:48,600 --> 00:08:49,000
Speaker 4: good day.

206
00:08:49,120 --> 00:08:51,560
Speaker 2: I'm like nuts, no, but like and then would never

207
00:08:52,840 --> 00:08:55,160
Speaker 2: Edwin isn't with me? I'm like, should I be offended?

208
00:08:55,840 --> 00:08:58,320
Speaker 4: But he's also doesn't with me either until he is,

209
00:08:58,400 --> 00:09:00,120
Speaker 4: and he's kind of like sexy. I love it, Like

210
00:09:00,160 --> 00:09:04,000
Speaker 4: when Russell was like be respectful and I was like this,

211
00:09:04,080 --> 00:09:06,160
Speaker 4: I'm like, what do you want it? In the bath through?

212
00:09:06,200 --> 00:09:07,600
Speaker 4: I was like, yeah, my I still turn to Like

213
00:09:07,679 --> 00:09:09,240
Speaker 4: Russell doesn't speak, but when he.

214
00:09:09,120 --> 00:09:13,360
Speaker 3: Does, it's like the only thing Edwin doesn't like is

215
00:09:13,400 --> 00:09:17,319
Speaker 3: if we're walking through somewhere like like a club or something,

216
00:09:17,720 --> 00:09:19,640
Speaker 3: and if I were to like make eye contact with

217
00:09:19,720 --> 00:09:20,520
Speaker 3: someone else.

218
00:09:20,440 --> 00:09:23,640
Speaker 2: Or anything, not even meaning threatening, it's like disrespect.

219
00:09:23,679 --> 00:09:25,680
Speaker 3: Like the way he looks you think, you know, is

220
00:09:25,720 --> 00:09:27,679
Speaker 3: that he'll care about He would never like look at

221
00:09:27,679 --> 00:09:30,200
Speaker 3: my like he's on the cloud. I don't think he's like,

222
00:09:30,320 --> 00:09:33,240
Speaker 3: hold on, who's that mat Teddy's texting with?

223
00:09:33,480 --> 00:09:35,640
Speaker 4: Oh, But isn't it funny how like women get to

224
00:09:35,720 --> 00:09:38,480
Speaker 4: like triple quadruple more like, you know, hate when they

225
00:09:38,559 --> 00:09:40,680
Speaker 4: cheat versus men when they cheat. Like it's such a

226
00:09:40,720 --> 00:09:43,360
Speaker 4: weird dynamic on how people view things like that, and

227
00:09:43,600 --> 00:09:46,360
Speaker 4: it's you know, there's not equality in the cheating world yet,

228
00:09:46,360 --> 00:09:47,480
Speaker 4: but who am I to.

229
00:09:47,480 --> 00:09:50,960
Speaker 2: Judge our way to talk about that? There you go

230
00:09:51,400 --> 00:09:53,560
Speaker 2: perfectly said, well, this is not cheating.

231
00:09:53,640 --> 00:09:55,840
Speaker 3: But back to our headline, because apparently we're having hard

232
00:09:55,880 --> 00:10:00,680
Speaker 3: time staying focused. Erica Jane is just how having fun?

233
00:10:00,760 --> 00:10:03,840
Speaker 3: According to the real Housewives Zone Instagram.

234
00:10:04,040 --> 00:10:05,160
Speaker 2: I love the source here.

235
00:10:06,559 --> 00:10:11,440
Speaker 3: A source tells page six exclusively that she is hanging

236
00:10:11,480 --> 00:10:13,760
Speaker 3: out with her personal trainer, Keith Hodge.

237
00:10:14,040 --> 00:10:18,920
Speaker 2: There's pictures. He's hot, he's hot, he's hot younger.

238
00:10:19,320 --> 00:10:23,680
Speaker 3: I would assume he's doing things like bringing groceries coming

239
00:10:23,720 --> 00:10:24,320
Speaker 3: and going.

240
00:10:24,840 --> 00:10:26,679
Speaker 2: If this is the case, I think.

241
00:10:26,520 --> 00:10:28,880
Speaker 4: Good for absolutely. I mean why not?

242
00:10:29,240 --> 00:10:29,640
Speaker 2: Why not?

243
00:10:29,920 --> 00:10:32,720
Speaker 3: I mean the way that they're confirming that they're together,

244
00:10:32,800 --> 00:10:35,800
Speaker 3: because it's a similar gait that the pop Rods is taking.

245
00:10:38,360 --> 00:10:39,160
Speaker 4: Is in the same building.

246
00:10:40,120 --> 00:10:43,640
Speaker 3: I don't know, it's possibly, but the same gate this,

247
00:10:43,840 --> 00:10:46,240
Speaker 3: like the gate to the front of her house is

248
00:10:46,320 --> 00:10:46,880
Speaker 3: the picture.

249
00:10:47,040 --> 00:10:55,640
Speaker 2: Like, I got it. It's taking you quite a time.

250
00:10:57,320 --> 00:11:00,480
Speaker 4: Squatted out, baby, Look at the squats. Look at that. Yeah,

251
00:11:00,520 --> 00:11:01,479
Speaker 4: he's very flexible.

252
00:11:01,800 --> 00:11:03,640
Speaker 2: Well look at those arms there he.

253
00:11:03,679 --> 00:11:06,920
Speaker 4: Goes a right. She likes it. I love it.

254
00:11:07,520 --> 00:11:10,360
Speaker 2: You know what. I feel like, Vernon's gotta run for

255
00:11:10,440 --> 00:11:11,120
Speaker 2: his money now.

256
00:11:11,280 --> 00:11:13,760
Speaker 4: Yeah, I mean she's she's a whole lot of woman, honey.

257
00:11:13,840 --> 00:11:15,400
Speaker 4: But she's very flexible too.

258
00:11:15,960 --> 00:11:18,360
Speaker 3: But you know who I'm referencing when I'm referencing Vernon,

259
00:11:18,679 --> 00:11:20,559
Speaker 3: the personal trainer from Potomac.

260
00:11:20,640 --> 00:11:23,520
Speaker 4: But I know exactly who you're talking about I'm trying

261
00:11:23,559 --> 00:11:27,400
Speaker 4: to like but in good segue Teddy, Yes, Vernon seems

262
00:11:27,440 --> 00:11:30,000
Speaker 4: to be the non personal trainer personal trainer.

263
00:11:30,120 --> 00:11:32,600
Speaker 2: But do we think that Vernon and Ashley have hooked up.

264
00:11:33,559 --> 00:11:35,560
Speaker 4: The way she was insinuating it, like the whole the

265
00:11:35,760 --> 00:11:37,360
Speaker 4: let me get to the bathroom, Oh my god, like

266
00:11:37,400 --> 00:11:39,080
Speaker 4: the whole thing seems as if they kind of, like,

267
00:11:39,120 --> 00:11:41,080
Speaker 4: you know, play play tag.

268
00:11:41,760 --> 00:11:42,960
Speaker 2: At least they play doctor.

269
00:11:44,240 --> 00:11:48,600
Speaker 4: They're playing a personal trainer to you know, student and apprentice.

270
00:11:48,679 --> 00:11:50,319
Speaker 4: They're playing apprentice, Baby.

271
00:11:50,679 --> 00:11:51,320
Speaker 2: I'm okay.

272
00:11:51,559 --> 00:11:57,040
Speaker 3: The next headline is Brandy Glanville says, it's been hard. Yes,

273
00:11:57,280 --> 00:12:00,000
Speaker 3: and I've been conflicted and it was hard to speak out.

274
00:12:00,160 --> 00:12:02,880
Speaker 3: But a woman can only take being pummeled so much.

275
00:12:03,200 --> 00:12:07,000
Speaker 3: It may I know it may be unpopular to speak

276
00:12:07,080 --> 00:12:10,720
Speaker 3: up against a powerful institution. I may have a wild side,

277
00:12:10,720 --> 00:12:12,800
Speaker 3: but I'm not a liar. The truth hurts. It is

278
00:12:12,880 --> 00:12:14,360
Speaker 3: hurting me and now hurting Bravo.

279
00:12:14,679 --> 00:12:17,560
Speaker 4: We don't know the full background story of how the

280
00:12:17,679 --> 00:12:20,480
Speaker 4: dynamic works were the other games that were okay and

281
00:12:20,520 --> 00:12:22,000
Speaker 4: then he got to a point where all of a sudden,

282
00:12:22,040 --> 00:12:24,480
Speaker 4: it is not okay. So I don't know the only

283
00:12:24,480 --> 00:12:27,040
Speaker 4: thing I know about Andy Cohen, and I've said it,

284
00:12:27,040 --> 00:12:29,560
Speaker 4: and I even commented on the page six you know posts,

285
00:12:30,360 --> 00:12:33,480
Speaker 4: he's only been hospitable to me. The only thing he's

286
00:12:33,520 --> 00:12:37,320
Speaker 4: offered to me was hospitality. Nothing else. No cooke, no, no,

287
00:12:37,400 --> 00:12:40,560
Speaker 4: not even no drink. Okay, So it literally I think

288
00:12:40,600 --> 00:12:44,280
Speaker 4: that everyone has their own experiences. But to be honest,

289
00:12:44,520 --> 00:12:48,640
Speaker 4: Andy's work and his aura as a person speaks for itself,

290
00:12:48,960 --> 00:12:53,120
Speaker 4: and over all these years, I think he really speaks

291
00:12:53,120 --> 00:12:54,720
Speaker 4: for it. He speaks for himself and.

292
00:12:54,920 --> 00:12:57,800
Speaker 3: He likes I mean, look, if you go to his Instagram,

293
00:12:57,880 --> 00:13:01,640
Speaker 3: he doesn't follow one housewife purpose Yeah, because he doesn't

294
00:13:01,679 --> 00:13:07,000
Speaker 3: want to cross those boundaries. But I am curious why

295
00:13:07,360 --> 00:13:10,600
Speaker 3: her legal representation would say it's a good idea for

296
00:13:10,640 --> 00:13:11,720
Speaker 3: her to continue tweeting.

297
00:13:12,160 --> 00:13:13,880
Speaker 4: I don't know, my friend, but you know what I

298
00:13:13,920 --> 00:13:16,200
Speaker 4: think that you know, Brandy's been in a lot of

299
00:13:16,200 --> 00:13:18,560
Speaker 4: crosshairs over the years, you know, and so this is

300
00:13:18,600 --> 00:13:21,640
Speaker 4: another one. And you know, I'm not negating what her

301
00:13:22,000 --> 00:13:24,280
Speaker 4: allegations are because I don't know them. But again, what

302
00:13:24,360 --> 00:13:26,600
Speaker 4: I do know is the other side of it, of

303
00:13:26,640 --> 00:13:29,280
Speaker 4: the spectrum, which is that you know, Andy Cohen is

304
00:13:29,320 --> 00:13:31,440
Speaker 4: definitely someone who's I think has shown to be a

305
00:13:31,480 --> 00:13:34,160
Speaker 4: champion of women, pushing women stories forward. I mean, look

306
00:13:34,160 --> 00:13:36,079
Speaker 4: at my story. You know a lot of people wanted

307
00:13:36,080 --> 00:13:38,760
Speaker 4: me to hide and say no, you should stop filming.

308
00:13:39,200 --> 00:13:42,480
Speaker 4: Why that's the problem. People say, you have cancer, go rest,

309
00:13:42,600 --> 00:13:45,720
Speaker 4: you're too sick. No, we need to stop being put

310
00:13:45,720 --> 00:13:48,120
Speaker 4: into a corner and we're we need to be able

311
00:13:48,160 --> 00:13:50,040
Speaker 4: to share these stories. And this is a big story.

312
00:13:50,080 --> 00:13:53,760
Speaker 4: And I think that Bravo allowing it shows how passionate

313
00:13:53,760 --> 00:13:58,120
Speaker 4: they are about real, raw stories that affect everyone.

314
00:13:58,360 --> 00:14:00,920
Speaker 2: Yeah. I don't think they want fakes lines either.

315
00:14:00,960 --> 00:14:04,400
Speaker 3: They want regardless if it's yes, of course they like

316
00:14:04,480 --> 00:14:07,520
Speaker 3: seeing conflict, like the highs and lows of things life.

317
00:14:07,520 --> 00:14:08,240
Speaker 2: But that's life.

318
00:14:08,280 --> 00:14:11,280
Speaker 3: And it's when people try to pretend that that doesn't exist,

319
00:14:11,360 --> 00:14:15,600
Speaker 3: whether it's in marriage and health and friendships, it does exactly.

320
00:14:15,679 --> 00:14:17,319
Speaker 4: So when people are like everything's perfect all the time

321
00:14:17,360 --> 00:14:19,960
Speaker 4: of perfect, No, No, I'm exposing that it's not to

322
00:14:20,080 --> 00:14:22,800
Speaker 4: stop living in delusional land no more. Yeah, and that's

323
00:14:22,800 --> 00:14:25,320
Speaker 4: what that's literally, My whole thing is like, be real.

324
00:14:25,640 --> 00:14:27,520
Speaker 4: We are adults. This is not like you're a two

325
00:14:27,640 --> 00:14:29,480
Speaker 4: year old dealing with a forty five year old. This

326
00:14:29,560 --> 00:14:31,600
Speaker 4: is everyone is an adult in the room, so you

327
00:14:31,680 --> 00:14:34,560
Speaker 4: have decisions that you can make. Yes, no, this is

328
00:14:34,560 --> 00:14:37,200
Speaker 4: not acceptable. You build your own perimeters and you in

329
00:14:37,200 --> 00:14:38,920
Speaker 4: your box. So at the end of the day you

330
00:14:38,920 --> 00:14:41,640
Speaker 4: can't say, oh my god, I can't I can't look

331
00:14:41,680 --> 00:14:44,040
Speaker 4: at this, but I wanted to look only a one, two, three,

332
00:14:44,080 --> 00:14:46,760
Speaker 4: but not a four or five six. That's the thing

333
00:14:46,880 --> 00:14:49,640
Speaker 4: is that we need to draw the lines properly, and.

334
00:14:50,080 --> 00:14:51,400
Speaker 2: You can also put up boundaries that.

335
00:14:51,440 --> 00:14:53,200
Speaker 3: Even when it came to my kids and filming the show,

336
00:14:53,200 --> 00:14:55,080
Speaker 3: I said, listen, of course I'll film my kids going

337
00:14:55,080 --> 00:14:57,400
Speaker 3: to activities, doing whatever. The one thing I don't want

338
00:14:57,400 --> 00:14:59,280
Speaker 3: to film doing with my kids is putting them to bed.

339
00:15:00,120 --> 00:15:03,880
Speaker 3: That is our time where like I feel.

340
00:15:03,760 --> 00:15:05,840
Speaker 4: And I remember, so you already know. And my oldest son,

341
00:15:05,880 --> 00:15:08,160
Speaker 4: by the way, you hardly see Miles in the shot.

342
00:15:08,520 --> 00:15:10,200
Speaker 4: He told me he doesn't want to film, but then

343
00:15:10,240 --> 00:15:12,160
Speaker 4: once in a while he'll pop out. When he pops out,

344
00:15:12,160 --> 00:15:15,080
Speaker 4: we let him come in. If he doesn't, it's not happening, right,

345
00:15:15,120 --> 00:15:18,400
Speaker 4: And the producers never said if he doesn't come, never

346
00:15:18,640 --> 00:15:20,680
Speaker 4: was there a conditioned place. And like he doesn't even

347
00:15:20,720 --> 00:15:23,600
Speaker 4: want he's sixteen, he's a teenager. The hormones are talking. Yeah,

348
00:15:23,640 --> 00:15:26,840
Speaker 4: and Liam is like, hey, what about me? And and

349
00:15:26,880 --> 00:15:28,400
Speaker 4: Miles does not, and that's the way it is.

350
00:15:28,440 --> 00:15:31,520
Speaker 3: So yeah and so and they know never once we're like,

351
00:15:31,560 --> 00:15:32,880
Speaker 3: well we have to found bad time.

352
00:15:32,920 --> 00:15:35,120
Speaker 2: Then they were like, okay, never's.

353
00:15:34,720 --> 00:15:35,760
Speaker 4: They're working around you.

354
00:15:35,880 --> 00:15:36,080
Speaker 2: Yeah.

355
00:15:36,120 --> 00:15:37,720
Speaker 4: So and we all know that.

356
00:15:37,640 --> 00:15:40,000
Speaker 3: Now we are, we're gonna take a quick break and

357
00:15:40,000 --> 00:15:41,840
Speaker 3: then we'll come back and talk about Potomac.

358
00:15:52,120 --> 00:15:54,240
Speaker 2: Now that Gertie's earcuff is back on.

359
00:15:56,960 --> 00:15:58,640
Speaker 4: Out of fashion moment.

360
00:15:58,400 --> 00:16:01,280
Speaker 3: Fashion moment. My are so chat for being in the

361
00:16:01,320 --> 00:16:03,880
Speaker 3: desert desert all weekend. I'm like, I feel like the

362
00:16:03,920 --> 00:16:07,080
Speaker 3: lizard from like whatever that movie is, or get go

363
00:16:07,120 --> 00:16:13,600
Speaker 3: the Crango. I'm like, sorry, sorry, if you're listening, all right,

364
00:16:13,640 --> 00:16:16,040
Speaker 3: we're back to talk about the episode. But Bravo airing

365
00:16:16,080 --> 00:16:23,840
Speaker 3: this episode on Oscar night. Mm hmmm, how did you

366
00:16:23,880 --> 00:16:25,520
Speaker 3: feel about this episode in general?

367
00:16:26,760 --> 00:16:32,720
Speaker 4: Well, I want to make sure that Charis is okay. Charise,

368
00:16:32,760 --> 00:16:37,480
Speaker 4: if you're listening, I love you and your special You're kind,

369
00:16:38,160 --> 00:16:39,280
Speaker 4: you're beautiful.

370
00:16:42,760 --> 00:16:43,560
Speaker 1: That was a lot.

371
00:16:44,200 --> 00:16:47,320
Speaker 4: That was a lot. Yeah, the emotions were really high

372
00:16:47,760 --> 00:16:48,720
Speaker 4: during that crab.

373
00:16:49,400 --> 00:16:52,480
Speaker 2: I have to say, the crabs didn't look great to me.

374
00:16:52,920 --> 00:16:55,360
Speaker 4: I didn't get on TV with the hands and the

375
00:16:55,400 --> 00:16:57,040
Speaker 4: finger and the sucking of the middle.

376
00:16:57,520 --> 00:17:01,480
Speaker 3: I love listen. I'm from South Carolina. We love like

377
00:17:02,280 --> 00:17:05,720
Speaker 3: an oyster roast crab bank. We love it. But those

378
00:17:05,720 --> 00:17:08,160
Speaker 3: were the smallest little crabs I really have seen. It

379
00:17:08,200 --> 00:17:10,760
Speaker 3: wasn't all in all the best episode. To me, I

380
00:17:10,800 --> 00:17:12,760
Speaker 3: feel like we're I don't mean.

381
00:17:12,680 --> 00:17:15,960
Speaker 4: It's it's it's not about being the best of episodes

382
00:17:16,119 --> 00:17:18,960
Speaker 4: the same episode. That's the thing. The issue. I saw

383
00:17:18,960 --> 00:17:22,119
Speaker 4: this last week, and I've seen and the way before that.

384
00:17:22,280 --> 00:17:24,760
Speaker 4: Don't tell me Robin and Kennis won't be speaking to

385
00:17:24,800 --> 00:17:28,640
Speaker 4: each other or not Ga and Wendy won't be speaking

386
00:17:28,680 --> 00:17:29,720
Speaker 4: to each It's like or.

387
00:17:29,720 --> 00:17:32,439
Speaker 3: Wendy's not gonna attend this event or so and so

388
00:17:32,480 --> 00:17:33,040
Speaker 3: it's not gonna do it.

389
00:17:33,119 --> 00:17:35,320
Speaker 2: It's the same thing over and over again.

390
00:17:35,600 --> 00:17:39,040
Speaker 3: The only part of this episode that I was like, Okay, great,

391
00:17:39,119 --> 00:17:41,280
Speaker 3: I thought this was gonna get good because they were

392
00:17:41,280 --> 00:17:44,120
Speaker 3: going to open up where was Jacqueline and Mia?

393
00:17:44,440 --> 00:17:46,399
Speaker 2: But then it didn't really go out.

394
00:17:46,280 --> 00:17:50,080
Speaker 4: There understand exactly what happened last summer. That's what That's

395
00:17:50,080 --> 00:17:52,040
Speaker 4: the way I'm gonna quote this, like the whole thing.

396
00:17:52,600 --> 00:17:55,199
Speaker 4: I mean, I'm obviously pointing to the movie as a

397
00:17:55,200 --> 00:17:57,560
Speaker 4: way of saying symbolically, I don't know exactly what the

398
00:17:57,600 --> 00:18:00,280
Speaker 4: kings are of that relationship. I do understand that obviously

399
00:18:00,320 --> 00:18:03,040
Speaker 4: there was an abuse happened. I think that Jacqueline left

400
00:18:03,040 --> 00:18:05,119
Speaker 4: her somewhere that was not a safe place for Mia,

401
00:18:05,400 --> 00:18:08,000
Speaker 4: and Mia is resentful of Jacqueline because of that.

402
00:18:08,000 --> 00:18:09,040
Speaker 2: That was in their youth.

403
00:18:09,280 --> 00:18:10,879
Speaker 4: That's deep, and that was in the youth. And I

404
00:18:10,920 --> 00:18:13,639
Speaker 4: think that that's actually a topic that maybe a lot

405
00:18:13,640 --> 00:18:15,359
Speaker 4: of people can relate with in a sense of like

406
00:18:15,400 --> 00:18:18,040
Speaker 4: friendship and dynamics and how somebody hurt someone and the

407
00:18:18,119 --> 00:18:20,040
Speaker 4: getting over could be hard, and then.

408
00:18:20,119 --> 00:18:22,080
Speaker 2: You where you get into a punishment stage.

409
00:18:22,080 --> 00:18:28,159
Speaker 3: But until last night, Mia didn't realize that Jacqueline didn't

410
00:18:28,160 --> 00:18:31,520
Speaker 3: know that it happened years after because it was allegedly

411
00:18:31,640 --> 00:18:32,680
Speaker 3: Jacqueline's boyfriend.

412
00:18:32,840 --> 00:18:38,000
Speaker 2: Yep, right house or something like that. Yes, but I

413
00:18:38,080 --> 00:18:39,040
Speaker 2: do think.

414
00:18:40,480 --> 00:18:42,440
Speaker 3: I don't know because I don't fight with my sister,

415
00:18:43,480 --> 00:18:46,040
Speaker 3: but because they grew up together, I do think certain

416
00:18:46,160 --> 00:18:47,840
Speaker 3: you know, of course, some sisters really.

417
00:18:47,640 --> 00:18:48,879
Speaker 2: Fight like I fought with my sister.

418
00:18:49,119 --> 00:18:49,439
Speaker 4: Girls.

419
00:18:49,480 --> 00:18:52,080
Speaker 3: I mean, yeah, I fought with my sister as a kid,

420
00:18:52,080 --> 00:18:54,199
Speaker 3: but now we don't really fight we'll just we'll just

421
00:18:54,200 --> 00:18:55,600
Speaker 3: shut each other out the healthy way.

422
00:18:55,640 --> 00:18:58,000
Speaker 4: But I mean, you know, there's there's dynamic differences and

423
00:18:58,000 --> 00:19:00,159
Speaker 4: the way your parents treat you and or the there

424
00:19:00,200 --> 00:19:02,639
Speaker 4: and so remember me, I grew up with her, and

425
00:19:02,640 --> 00:19:05,320
Speaker 4: and so maybe Mia, there's there's layers on how she

426
00:19:05,359 --> 00:19:08,200
Speaker 4: maybe she felt she was treated maybe different from Jackline herself.

427
00:19:08,520 --> 00:19:10,160
Speaker 4: There's so many things in that friendship that I think

428
00:19:10,280 --> 00:19:13,360
Speaker 4: still need to be uncovered that were hopefully I get more.

429
00:19:13,800 --> 00:19:16,760
Speaker 3: I enjoy seeing Jacqueline on screen. I don't think she

430
00:19:16,960 --> 00:19:19,800
Speaker 3: tries too hard. She doesn't she's not a try hard

431
00:19:19,880 --> 00:19:22,320
Speaker 3: or she doesn't which is I'm sorry erse.

432
00:19:24,119 --> 00:19:24,159
Speaker 4: M.

433
00:19:24,640 --> 00:19:27,679
Speaker 2: It was when they did the side by side of.

434
00:19:27,560 --> 00:19:29,960
Speaker 3: Her flipping out at the last at the last trip,

435
00:19:30,119 --> 00:19:32,680
Speaker 3: and it was the same exact mannerisms.

436
00:19:33,560 --> 00:19:35,439
Speaker 4: Well, I mean that was her and Karen, and you

437
00:19:35,480 --> 00:19:36,840
Speaker 4: know they have it out for each other. So I

438
00:19:36,840 --> 00:19:40,400
Speaker 4: can understand that categorically, and at this time was kind

439
00:19:40,440 --> 00:19:42,640
Speaker 4: of like, you keep it.

440
00:19:42,560 --> 00:19:44,840
Speaker 2: Down, but also, what are you this upset about?

441
00:19:44,920 --> 00:19:48,280
Speaker 4: You was triggered for something? You know, like I said,

442
00:19:48,480 --> 00:19:50,960
Speaker 4: you don't know what people are going through something you.

443
00:19:51,000 --> 00:19:53,399
Speaker 2: Know what I think she's going through wanting to be

444
00:19:53,440 --> 00:19:54,160
Speaker 2: back on the show.

445
00:19:55,560 --> 00:19:57,920
Speaker 4: I mean, but I mean I think that I think

446
00:19:57,920 --> 00:20:00,400
Speaker 4: she's insinuated. Maybe it was a champagne camp paying too.

447
00:20:00,400 --> 00:20:02,280
Speaker 4: Maybe it was a you know, we've all slipped up on.

448
00:20:02,880 --> 00:20:06,520
Speaker 3: I don't know, but the flashback to Giselle's banks really.

449
00:20:10,160 --> 00:20:13,679
Speaker 4: The champagne campaign. I mean, you know, she loves she

450
00:20:13,800 --> 00:20:17,280
Speaker 4: loves above VeVe Clico, and I think that maybe it

451
00:20:17,359 --> 00:20:19,280
Speaker 4: was like three great you know, three glasses and was

452
00:20:19,320 --> 00:20:20,600
Speaker 4: kind of like enough, I want to have fun type

453
00:20:20,600 --> 00:20:22,080
Speaker 4: of things. So I think she was like slamming, he's

454
00:20:22,160 --> 00:20:23,560
Speaker 4: my party and I can cry if I want to,

455
00:20:23,760 --> 00:20:25,600
Speaker 4: That's what he was. And you know what, Cheri's you

456
00:20:25,680 --> 00:20:38,440
Speaker 4: can because you are the hostess with the mostest.

457
00:20:39,440 --> 00:20:43,080
Speaker 3: I did text Robin because I'm fraid with Robin. I

458
00:20:43,119 --> 00:20:43,679
Speaker 3: love Robin.

459
00:20:44,000 --> 00:20:45,639
Speaker 4: Are you trying to say enough friends with Candace?

460
00:20:45,920 --> 00:20:46,000
Speaker 1: No?

461
00:20:46,119 --> 00:20:46,879
Speaker 2: I love Candace.

462
00:20:46,920 --> 00:20:48,760
Speaker 4: Okay, so I'm friends with Candiady, you're friends with Robin,

463
00:20:48,800 --> 00:20:49,320
Speaker 4: so let's talk.

464
00:20:49,359 --> 00:20:50,359
Speaker 2: We're friends with both.

465
00:20:51,000 --> 00:20:54,920
Speaker 3: But what I realized about this episode is they, by they,

466
00:20:55,080 --> 00:20:58,400
Speaker 3: I mean the producers, Yes, made it seem like whatever

467
00:20:58,680 --> 00:21:03,359
Speaker 3: Robin sent to the blogger or the podcast or whatever

468
00:21:03,440 --> 00:21:07,400
Speaker 3: it was was something terrible, like this is.

469
00:21:07,359 --> 00:21:10,800
Speaker 2: A life ruining situation, right, So.

470
00:21:10,960 --> 00:21:15,159
Speaker 3: I asked her and send it to you too. Now, no,

471
00:21:15,600 --> 00:21:17,520
Speaker 3: she actually didn't release.

472
00:21:17,640 --> 00:21:18,840
Speaker 4: Here's what the text said.

473
00:21:19,119 --> 00:21:21,520
Speaker 3: It's I'm not gonna fully read the text, but I

474
00:21:21,560 --> 00:21:22,119
Speaker 3: just don't want to.

475
00:21:22,200 --> 00:21:23,119
Speaker 4: So you do have the text.

476
00:21:23,440 --> 00:21:25,119
Speaker 2: No, no, no, I'm not going to fully read her

477
00:21:25,119 --> 00:21:25,639
Speaker 2: text to me.

478
00:21:25,960 --> 00:21:31,680
Speaker 3: But essentially she's like, uh, the blogger asked. The blogger

479
00:21:31,720 --> 00:21:35,320
Speaker 3: had asked if she had ignored candice last text message

480
00:21:35,359 --> 00:21:39,239
Speaker 3: to her, and okay, she just sent proof that they

481
00:21:39,280 --> 00:21:41,160
Speaker 3: had responded back and forth from one another.

482
00:21:41,160 --> 00:21:46,160
Speaker 4: Okay, like who cares? No, no, no, but let's let's go back.

483
00:21:46,480 --> 00:21:48,840
Speaker 3: Let's for example, But real quick, I want to point

484
00:21:48,840 --> 00:21:51,680
Speaker 3: out something. If I don't immediately text you back, I'm

485
00:21:51,680 --> 00:21:53,240
Speaker 3: probably not because I've forgotten.

486
00:21:53,200 --> 00:21:55,000
Speaker 4: You're probably busy, and then you forgot to and then

487
00:21:55,560 --> 00:21:57,760
Speaker 4: and then open it is unread, and then you forget

488
00:21:57,800 --> 00:21:58,919
Speaker 4: to reply, and then it goes.

489
00:21:58,920 --> 00:22:02,199
Speaker 2: And it was from November twenty twenty three. And now

490
00:22:02,280 --> 00:22:03,160
Speaker 2: here we are, and.

491
00:22:03,080 --> 00:22:08,119
Speaker 4: There's a spoken agreement amongst housewives when we do this

492
00:22:08,320 --> 00:22:10,560
Speaker 4: text thing and do all that stuff, like if you

493
00:22:10,640 --> 00:22:12,760
Speaker 4: and I had lunch and next thing, you know, you

494
00:22:12,800 --> 00:22:14,920
Speaker 4: had your ray bands that had the camera on them,

495
00:22:14,960 --> 00:22:17,280
Speaker 4: and then you videotape in the whole conversation, and then

496
00:22:17,280 --> 00:22:20,800
Speaker 4: you put my shit on blast on your show. That's

497
00:22:20,840 --> 00:22:23,920
Speaker 4: the type of stuff. I think it's like invasion of

498
00:22:23,960 --> 00:22:26,640
Speaker 4: privacy maybe of like we had a text behind closed door,

499
00:22:26,800 --> 00:22:29,600
Speaker 4: off camera, and you put it on and blasted it

500
00:22:29,640 --> 00:22:31,960
Speaker 4: out to whatever. So I don't think it's about the text.

501
00:22:32,040 --> 00:22:35,480
Speaker 4: It's about the context of like, you broke my trust, right,

502
00:22:35,520 --> 00:22:37,240
Speaker 4: you have to understand that, right. So that's where I

503
00:22:37,320 --> 00:22:39,240
Speaker 4: think this could be coming from. There's a lot of

504
00:22:39,240 --> 00:22:41,440
Speaker 4: time I want to show proof and receipts and I'm like, shit,

505
00:22:41,600 --> 00:22:44,119
Speaker 4: let me just not because I'm like, that's invasion of privacy.

506
00:22:44,200 --> 00:22:45,399
Speaker 4: Or that was between the two of us and she

507
00:22:45,480 --> 00:22:47,320
Speaker 4: told me not to share because I know how to

508
00:22:47,400 --> 00:22:48,320
Speaker 4: keep her secret.

509
00:22:49,400 --> 00:22:50,080
Speaker 2: I don't.

510
00:22:51,600 --> 00:22:55,560
Speaker 4: Now I know, thank you, but I think I'm pretty

511
00:22:55,600 --> 00:22:58,320
Speaker 4: good at see about the Yeah, it was more about

512
00:22:58,400 --> 00:23:00,480
Speaker 4: the you put that on blast. It was a text

513
00:23:00,480 --> 00:23:02,720
Speaker 4: between you and I, and it was about the actual content.

514
00:23:02,840 --> 00:23:03,400
Speaker 4: That's what I think.

515
00:23:03,520 --> 00:23:04,520
Speaker 2: I also want to know.

516
00:23:04,640 --> 00:23:07,600
Speaker 3: I feel like I need more information on when somebody

517
00:23:07,600 --> 00:23:10,160
Speaker 3: says a blogger or podcast or is it somebody you're

518
00:23:10,200 --> 00:23:12,960
Speaker 3: friends with, because you know in the Bravo world, there

519
00:23:13,000 --> 00:23:15,520
Speaker 3: are people that become your actual friend.

520
00:23:15,560 --> 00:23:17,600
Speaker 2: You see each other, you hang out here all the parties.

521
00:23:17,800 --> 00:23:19,840
Speaker 2: But there are also the people that you have no

522
00:23:19,920 --> 00:23:20,720
Speaker 2: idea what's.

523
00:23:20,560 --> 00:23:23,520
Speaker 3: Behind that little tiny like icon on the Instagram or

524
00:23:24,040 --> 00:23:27,920
Speaker 3: like so she just sending it to keep her hands clean,

525
00:23:28,119 --> 00:23:30,399
Speaker 3: or is this somebody she's developed a relationship with.

526
00:23:30,600 --> 00:23:32,760
Speaker 4: I don't know. I mean, the point is is that

527
00:23:33,320 --> 00:23:36,320
Speaker 4: what was the intent behind it? So I think for Candice,

528
00:23:36,400 --> 00:23:38,960
Speaker 4: back to this point is that she may have felt

529
00:23:38,960 --> 00:23:41,399
Speaker 4: that it was about the principle that if you had

530
00:23:41,400 --> 00:23:43,320
Speaker 4: shared that test, what was the intent you were trying

531
00:23:43,320 --> 00:23:45,120
Speaker 4: to like make it seem like I'm a liar and

532
00:23:45,119 --> 00:23:47,920
Speaker 4: insinuating that, you know, is that I'm right, She's wrong.

533
00:23:48,400 --> 00:23:50,879
Speaker 4: That's it's It's bigger than just the text or whatever.

534
00:23:50,960 --> 00:23:52,400
Speaker 2: Most of them have been in the wrong.

535
00:23:52,520 --> 00:23:54,320
Speaker 4: I have egos, you know. The problem is that the

536
00:23:54,359 --> 00:23:57,040
Speaker 4: reason why my marriage works Tip number one Gerdi fied

537
00:23:57,840 --> 00:24:02,520
Speaker 4: is that we try our very best to not have egos.

538
00:24:02,840 --> 00:24:05,400
Speaker 4: That's always the start of an argument, and that will

539
00:24:05,440 --> 00:24:08,399
Speaker 4: always be the end of an argument. Drop the ego.

540
00:24:08,800 --> 00:24:10,399
Speaker 4: And that's the problem with all these friendships on The

541
00:24:10,480 --> 00:24:12,920
Speaker 4: Potomac Show, to be honest, the egos are way too high.

542
00:24:13,280 --> 00:24:15,400
Speaker 2: Well, none of them were friends at this point anymore.

543
00:24:15,400 --> 00:24:17,560
Speaker 4: Why I mean, I don't know what I'm watching anymore.

544
00:24:17,880 --> 00:24:18,520
Speaker 2: Well, I don't know.

545
00:24:18,640 --> 00:24:19,760
Speaker 4: I'm a survivor.

546
00:24:20,359 --> 00:24:22,520
Speaker 3: It was already a lot for me at the beginning

547
00:24:22,520 --> 00:24:24,960
Speaker 3: of the episode when they were eating cheese and crackers

548
00:24:24,960 --> 00:24:26,440
Speaker 3: and fruit and then sushi.

549
00:24:29,119 --> 00:24:32,760
Speaker 2: You had me at sushi like, I don't know that combination.

550
00:24:32,880 --> 00:24:36,080
Speaker 4: I'm a party pane extraordinary, So do not get me started.

551
00:24:36,320 --> 00:24:39,240
Speaker 5: Is that a combination of items that you would I

552
00:24:39,280 --> 00:24:43,000
Speaker 5: can't confirm or deny next question, and you're not gonna

553
00:24:43,000 --> 00:24:45,560
Speaker 5: get me in trouble over the Potomac Girls, not a

554
00:24:45,800 --> 00:24:48,840
Speaker 5: Bravo con squash the beef be sitting in that chair.

555
00:24:49,080 --> 00:24:49,280
Speaker 4: Well.

556
00:24:49,840 --> 00:24:53,280
Speaker 3: Also, I could have appreciated knowing ahead of time before

557
00:24:53,440 --> 00:24:56,240
Speaker 3: Karen and Giselle were filming together that it was the

558
00:24:56,280 --> 00:24:58,720
Speaker 3: same day that they were gonna go film.

559
00:24:58,480 --> 00:24:59,840
Speaker 2: That night at Saresa's house.

560
00:25:00,160 --> 00:25:02,040
Speaker 3: All of a sudden, Hezell's in the same outfit, and

561
00:25:02,080 --> 00:25:03,480
Speaker 3: I'm like, what's that hold on?

562
00:25:04,280 --> 00:25:07,080
Speaker 4: I know it somebody got lazy in production.

563
00:25:07,760 --> 00:25:10,160
Speaker 3: You guys should have had her change outfits like that

564
00:25:10,320 --> 00:25:12,320
Speaker 3: is such a big tell they didn't say like later

565
00:25:12,440 --> 00:25:13,440
Speaker 3: that day.

566
00:25:13,200 --> 00:25:16,359
Speaker 4: Tip number two certified, always have a change of clothes

567
00:25:16,400 --> 00:25:16,920
Speaker 4: in your car.

568
00:25:17,560 --> 00:25:23,640
Speaker 3: What about Naka walking in with her crown. You're gonna

569
00:25:23,640 --> 00:25:26,399
Speaker 3: have to answer here because listen.

570
00:25:26,840 --> 00:25:29,479
Speaker 4: The fact that actually the show is called Potomac and

571
00:25:29,520 --> 00:25:33,640
Speaker 4: only one person is from living in the zip code

572
00:25:34,280 --> 00:25:35,760
Speaker 4: and they had to Crown. And by the way, I

573
00:25:35,800 --> 00:25:38,439
Speaker 4: don't even live in Miami proper anymore, but bitch, I

574
00:25:38,560 --> 00:25:42,320
Speaker 4: love bitch. Wait a minute, I lived in Miami for

575
00:25:42,400 --> 00:25:45,159
Speaker 4: the past thirty plus years and I just moved like

576
00:25:45,200 --> 00:25:48,679
Speaker 4: when Miles was wet two. So I am from Miami, honey,

577
00:25:48,720 --> 00:25:51,399
Speaker 4: I am not Miami ish. So now back to Potomac.

578
00:25:51,760 --> 00:25:54,240
Speaker 4: It's kind of weird that no one's from the town

579
00:25:54,600 --> 00:25:56,280
Speaker 4: this hold. And then the fact that Gisel made it

580
00:25:56,359 --> 00:25:58,280
Speaker 4: known like it was shade to Karen big time. By

581
00:25:58,280 --> 00:26:00,600
Speaker 4: the way, it was all about like Karen, dumb, what

582
00:26:01,119 --> 00:26:04,320
Speaker 4: you look? We have something? So Necka was kind of

583
00:26:04,400 --> 00:26:06,480
Speaker 4: used as a pond, like let's name her because she actually,

584
00:26:06,359 --> 00:26:08,280
Speaker 4: we gotta zip code in, we gotta dip.

585
00:26:08,080 --> 00:26:09,879
Speaker 2: Cote in, we have a zip code in, but not

586
00:26:09,960 --> 00:26:11,000
Speaker 2: one piece of furniture.

587
00:26:11,160 --> 00:26:14,600
Speaker 4: Lord of Mercy let him ask, But no, she is furnishing.

588
00:26:14,720 --> 00:26:16,399
Speaker 4: It's a new house that I like that. And you

589
00:26:16,400 --> 00:26:18,439
Speaker 4: know what, for Mecca, I wish we would have she

590
00:26:18,440 --> 00:26:21,480
Speaker 4: would have led in with her own storyline of like,

591
00:26:21,600 --> 00:26:23,439
Speaker 4: look at me, I got my man, we're trying to

592
00:26:23,440 --> 00:26:26,320
Speaker 4: have a baby, look at my house. Zip code is Potomac,

593
00:26:26,600 --> 00:26:29,359
Speaker 4: you know approved, and then I'm furnishing, I'm doing this.

594
00:26:29,440 --> 00:26:32,240
Speaker 4: It should have been led in by that versus like

595
00:26:33,240 --> 00:26:37,920
Speaker 4: your family is trying to take me to the right.

596
00:26:39,640 --> 00:26:46,520
Speaker 3: The thron the shrine I died and your mom's big mistakes,

597
00:26:47,200 --> 00:26:47,800
Speaker 3: big mistake.

598
00:26:47,840 --> 00:26:49,440
Speaker 4: She should have led in with her own story. That

599
00:26:49,520 --> 00:26:51,760
Speaker 4: think that's the number one rule for anyone trying to

600
00:26:51,760 --> 00:26:55,040
Speaker 4: be a housewife. Don't lead in with like a somebody

601
00:26:55,240 --> 00:26:56,000
Speaker 4: with somebody.

602
00:26:55,680 --> 00:26:58,840
Speaker 2: I remember she didn't actually is the one that brought

603
00:26:58,880 --> 00:26:59,240
Speaker 2: that up.

604
00:27:00,240 --> 00:27:03,520
Speaker 4: Yeah, but you know, you know how production it's all coordinated,

605
00:27:03,520 --> 00:27:05,320
Speaker 4: like Okay, let's do this, let's do that, and you know,

606
00:27:05,480 --> 00:27:07,480
Speaker 4: and you're right, Actually, you know what, I actually that

607
00:27:07,520 --> 00:27:09,000
Speaker 4: was my blind spot because I've been talking a lot

608
00:27:09,040 --> 00:27:10,679
Speaker 4: of shit about it and I've been kind of like

609
00:27:10,680 --> 00:27:12,879
Speaker 4: team Wendy on the whole thing. But I think that

610
00:27:12,920 --> 00:27:17,000
Speaker 4: it just perpetuated itself into just becoming the storyline versus

611
00:27:17,040 --> 00:27:21,040
Speaker 4: her having her own storyline. Unfortunately, it's a missed opportunity

612
00:27:21,040 --> 00:27:22,000
Speaker 4: and that it is what it is.

613
00:27:22,080 --> 00:27:22,960
Speaker 2: But do you like Mekka?

614
00:27:23,480 --> 00:27:25,560
Speaker 4: I think she's super cool. I think that now that

615
00:27:25,600 --> 00:27:27,760
Speaker 4: I saw her last episode, actually I now see a

616
00:27:27,760 --> 00:27:30,359
Speaker 4: little bit more of her personality, which I like. In

617
00:27:30,400 --> 00:27:32,080
Speaker 4: the beginning was I felt like it was kind of

618
00:27:32,080 --> 00:27:34,000
Speaker 4: like still a little awkward, but now she's getting into

619
00:27:34,000 --> 00:27:34,280
Speaker 4: the groove.

620
00:27:34,400 --> 00:27:34,919
Speaker 2: What about Wen?

621
00:27:35,440 --> 00:27:38,080
Speaker 4: I love Wendy. I think I like wend You're a lot.

622
00:27:38,119 --> 00:27:39,800
Speaker 4: I think that Wendy is an.

623
00:27:39,640 --> 00:27:41,520
Speaker 2: Evidence I have to take a deep breath and.

624
00:27:41,920 --> 00:27:44,400
Speaker 4: I saw your face. Girl. I like Wendy a lot

625
00:27:44,440 --> 00:27:47,000
Speaker 4: because you know what, listen to me when you're trying

626
00:27:47,000 --> 00:27:50,080
Speaker 4: to look for a housewife. I think that right now

627
00:27:50,119 --> 00:27:53,399
Speaker 4: a lot of the checklists are being blurred, but a

628
00:27:53,520 --> 00:27:57,080
Speaker 4: checklist needs to be kept right. What are the credentials,

629
00:27:57,119 --> 00:28:00,280
Speaker 4: what are the criterias? And I think that Wendy is

630
00:28:00,480 --> 00:28:04,040
Speaker 4: across all boards a representative of her true housewife. That's

631
00:28:04,080 --> 00:28:04,600
Speaker 4: that's what I think.

632
00:28:04,680 --> 00:28:07,040
Speaker 2: Why haven't we been singing happy Eddie at all?

633
00:28:07,640 --> 00:28:10,639
Speaker 4: We just signed with this little the weed thing. We

634
00:28:10,800 --> 00:28:15,280
Speaker 4: just saw his weed gird Bye. You know why they

635
00:28:15,320 --> 00:28:18,359
Speaker 4: did the Regonal thing. Now, it was like, I can't

636
00:28:18,640 --> 00:28:22,880
Speaker 4: because it was not legal that they had the party.

637
00:28:22,680 --> 00:28:25,000
Speaker 2: Have a rolling contest without any part.

638
00:28:25,160 --> 00:28:26,679
Speaker 4: I'm trying to find an excuse.

639
00:28:26,840 --> 00:28:29,720
Speaker 2: I don't know. I'm sorry. You could not have gratified

640
00:28:29,760 --> 00:28:33,480
Speaker 2: that with Oregan. What did they what did they even.

641
00:28:33,240 --> 00:28:36,040
Speaker 4: Tell us that he was? Just pretend if I have

642
00:28:36,119 --> 00:28:39,040
Speaker 4: them pretend they're high on Oregonal, couldn't wouldn't it be fun?

643
00:28:39,120 --> 00:28:39,760
Speaker 4: It's all if you.

644
00:28:39,800 --> 00:28:41,000
Speaker 2: Take gummies And then.

645
00:28:41,560 --> 00:28:42,040
Speaker 4: There you go.

646
00:28:42,520 --> 00:28:43,240
Speaker 2: I can't.

647
00:28:43,480 --> 00:28:45,160
Speaker 4: I can't either grow, but I don't know what to

648
00:28:45,200 --> 00:28:45,520
Speaker 4: tell you.

649
00:28:46,520 --> 00:28:50,320
Speaker 2: That was what a we Candice? Now we sing.

650
00:28:53,200 --> 00:28:53,600
Speaker 4: And then.

651
00:28:56,040 --> 00:28:56,520
Speaker 2: I love it.

652
00:28:56,560 --> 00:28:57,080
Speaker 4: I love it.

653
00:28:57,560 --> 00:29:00,360
Speaker 2: Well, guys, it pretty much ends when it's.

654
00:29:01,840 --> 00:29:05,800
Speaker 3: Cherise blowing up and going outside, which I'm assuming allegedly

655
00:29:05,880 --> 00:29:06,840
Speaker 3: is to smoke a seg.

656
00:29:07,160 --> 00:29:10,520
Speaker 4: Because why else I don't know, to take a sip?

657
00:29:11,440 --> 00:29:13,720
Speaker 2: Well, like you could, like what else? Like you? She

658
00:29:13,800 --> 00:29:16,440
Speaker 2: needed a moment to breathe. Production she has or she's

659
00:29:16,480 --> 00:29:17,280
Speaker 2: like exact.

660
00:29:17,000 --> 00:29:17,480
Speaker 4: Good for her?

661
00:29:17,800 --> 00:29:24,320
Speaker 2: Yeah, and then she was tracking. I just don't know

662
00:29:24,400 --> 00:29:24,720
Speaker 2: by what.

663
00:29:25,960 --> 00:29:29,040
Speaker 4: It's in her house. It's people yelling, and you know,

664
00:29:29,280 --> 00:29:30,080
Speaker 4: but the.

665
00:29:30,000 --> 00:29:34,240
Speaker 2: Only person yelling was her.

666
00:29:35,040 --> 00:29:35,720
Speaker 4: Let us pray.

667
00:29:37,240 --> 00:29:40,440
Speaker 2: I don't remember anyone else yelling. I remember Teddy.

668
00:29:40,600 --> 00:29:45,320
Speaker 4: Hold everyone accountable. I got you girls, keep going.

669
00:29:45,840 --> 00:29:49,480
Speaker 3: Well, then Jacqueline telling me, Oh my gosh, my favorite part,

670
00:29:49,840 --> 00:29:54,320
Speaker 3: Jacqueline telling on me about lying about Gordon's age me

671
00:29:54,440 --> 00:29:55,440
Speaker 3: and be lying again.

672
00:29:55,600 --> 00:29:58,160
Speaker 4: Now, wow, what's the point of that. What's the point

673
00:29:58,160 --> 00:30:00,520
Speaker 4: of that? I mean when I tell you me? Yeah? Like,

674
00:30:00,520 --> 00:30:04,120
Speaker 4: like who said that Wendy Mia literally has a story

675
00:30:04,440 --> 00:30:07,120
Speaker 4: for everything. It's that she is quite an interesting person.

676
00:30:07,360 --> 00:30:09,800
Speaker 3: Well, I think Mia is an excellent Like I feel

677
00:30:09,800 --> 00:30:11,600
Speaker 3: like I could have the most fun with Mia, Like,

678
00:30:11,680 --> 00:30:13,000
Speaker 3: let's go do all the things.

679
00:30:13,160 --> 00:30:13,840
Speaker 2: You're amazing.

680
00:30:13,920 --> 00:30:16,160
Speaker 4: She holds us up accountable, and she you know, she

681
00:30:16,160 --> 00:30:17,080
Speaker 4: doesn't take herself to she.

682
00:30:17,360 --> 00:30:20,320
Speaker 3: Doesn't mind that she's doing a polite line exactly, Like

683
00:30:20,360 --> 00:30:23,080
Speaker 3: it doesn't really burn any skin off my ass if

684
00:30:23,120 --> 00:30:24,680
Speaker 3: he's sixty five or seventy two.

685
00:30:25,960 --> 00:30:29,360
Speaker 2: All right, Well, it ends. This episode ends.

686
00:30:29,560 --> 00:30:33,200
Speaker 3: Now Candas is crying, she leaves, and then Neka brings

687
00:30:33,280 --> 00:30:35,640
Speaker 3: up that Jacqueline told her that there was a positive

688
00:30:35,720 --> 00:30:39,000
Speaker 3: movement between her and Mia, and then Jacqueline says, it's

689
00:30:39,040 --> 00:30:40,440
Speaker 3: a step in the right direction.

690
00:30:40,200 --> 00:30:42,600
Speaker 4: Which I can sit hug it out. She was like,

691
00:30:42,760 --> 00:30:43,760
Speaker 4: I'm not ready for the hug.

692
00:30:44,360 --> 00:30:47,080
Speaker 3: She was still keeping her boundaries, But I think that

693
00:30:47,120 --> 00:30:48,640
Speaker 3: means that we're gonna see more Jacqueline.

694
00:30:48,680 --> 00:30:50,440
Speaker 4: I want to, I want to.

695
00:30:50,800 --> 00:30:52,600
Speaker 2: For more from two Teas in a Pod, make sure

696
00:30:52,600 --> 00:30:53,080
Speaker 2: that you tune in.

697
00:30:53,200 --> 00:30:55,400
Speaker 3: Later this week, I will be recapping Real Housewives of

698
00:30:55,440 --> 00:30:59,480
Speaker 3: Beverly Hills with Carlos and I will also have special guest.

699
00:31:00,160 --> 00:31:03,720
Speaker 2: Some Milan on to talk all things Dubai that we're

700
00:31:03,720 --> 00:31:04,640
Speaker 2: allowed to talk about.

701
00:31:05,040 --> 00:31:11,600
Speaker 3: Thanks guys, and thank you Gerty Boom