WEBVTT - The Tomb

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<v Speaker 1>Brought to you by the reinvented twenty twelve Camra. It's ready.

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<v Speaker 1>Are you welcome to stuff you should know from HowStuffWorks

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<v Speaker 1>dot com?

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<v Speaker 2>Heyden, Welcome to the podcast. A very special podcast, right, Chuck,

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<v Speaker 2>A spectacular if you will. Happy Halloween to all of

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<v Speaker 2>you out there. This should come out a couple of

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<v Speaker 2>days before it before, but we wanted to make sure

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<v Speaker 2>that we weren't going to miss it, and so we're

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<v Speaker 2>releasing a special Halloween podcast that's right for this year.

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<v Speaker 3>Little something new.

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<v Speaker 2>Yeah, and what we're doing is not in any way,

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<v Speaker 2>shape or form scientific. It is, in fact pure fiction

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<v Speaker 2>or is it it is? Okay, we're going to read

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<v Speaker 2>just to make sure we scare you guys, good and proper.

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<v Speaker 2>This Halloween and HP Lovecraft short story that was published

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<v Speaker 2>in nineteen twenty two, and it's entitled The Tomb, Right.

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<v Speaker 4>That's right.

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<v Speaker 3>Did you like this?

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<v Speaker 4>It was? It was good.

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<v Speaker 2>I think it's a great short story. It's one of

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<v Speaker 2>my faves.

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<v Speaker 4>Awesome.

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<v Speaker 2>Okay, I should probably preface this with Chuck is uncertain

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<v Speaker 2>about how this is gonna go. So if it goes good,

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<v Speaker 2>that means you're hearing it. If not, it'll be locked

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<v Speaker 2>away forever in a vault of some sort, possibly a tomb.

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<v Speaker 3>Right, tomb?

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<v Speaker 2>Yeah, so, Chuck, are you ready? I am, I'm spooky,

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<v Speaker 2>I'm loose, I'm a little nervous, am I said?

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<v Speaker 3>Oh, yeah, right, all right.

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<v Speaker 2>I'm gonna start. Okay, okay, all right, ready, I'm ready

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<v Speaker 2>the tomb by HP Lovecraft, in relating the circumstances which

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<v Speaker 2>have led to my confinement within this refuge for the demented,

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<v Speaker 2>I am aware that my present position will create a

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<v Speaker 2>natural doubt of the authenticity of my narrative. It is

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<v Speaker 2>an unfortunate fact that the bulk of humanity is too

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<v Speaker 2>limited in its mental vision to weigh with patience and

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<v Speaker 2>intelligence those isolated phenomena seen and felt only by a

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<v Speaker 2>psychologically sensitive few, which lie outside its common experience. Men

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<v Speaker 2>of broader intellect know that there is no sharp distinction

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<v Speaker 2>betwixt the real and the unreal, that all things reappear

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<v Speaker 2>as they do only by virtue of the delicate individual

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<v Speaker 2>physical and mental media through which we are made conscious

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<v Speaker 2>of them. But the prosaic materialism of the majority condemns

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<v Speaker 2>his madness. The flashes of supersight which penetrate the common

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<v Speaker 2>veil of obvious empiricism, so I should probably say right here, Chuck,

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<v Speaker 2>that it.

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<v Speaker 3>Gets a lot better. Okay, Okay.

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<v Speaker 2>My name is Jervis Dudley, and from earliest childhood I

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<v Speaker 2>have been a dreamer and a visionary, wealthy beyond the

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<v Speaker 2>necessity of a commercial life, and temperamentally unfitted for the

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<v Speaker 2>formal studies and social recreations of my acquaintances. I have

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<v Speaker 2>dwelt ever in realms apart from the visible world, spending

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<v Speaker 2>my youth and adolescence in ancient and life little known books,

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<v Speaker 2>and in roaming the fields and groves of the region

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<v Speaker 2>near my ancestral home. I do not think that what

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<v Speaker 2>I read in these books or saw in these fields

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<v Speaker 2>and groves was exactly what other boys read and saw there.

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<v Speaker 2>But of this I must say little, since detailed speech

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<v Speaker 2>would but confirm those cruel slanders upon my intellect, which

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<v Speaker 2>I sometimes overhear from the whispers of the stealthy attendants

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<v Speaker 2>around me. It is sufficient for me to relate events

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<v Speaker 2>without analyzing causes. I have said that I dwelt apart

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<v Speaker 2>from the visible world, but I have not said that

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<v Speaker 2>I dwelt alone. This no human creature may do for

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<v Speaker 2>lacking the fellowship of the living, he inevitably draws upon

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<v Speaker 2>the companionship of the things that are not or are

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<v Speaker 2>no longer living. Close by my home there lies a

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<v Speaker 2>singular wooded hollow, in.

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<v Speaker 3>Whose twilight deeps.

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<v Speaker 2>I spent most of my time, reading, thinking, and dreaming.

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<v Speaker 2>Down its moss covered slopes, my first steps of infancy

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<v Speaker 2>were taken, and around its grotesquely gnarled oaks, my first

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<v Speaker 2>fancies of boyhood were woven. Did I come to know

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<v Speaker 2>the presiding dry heads of those trees? And often have

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<v Speaker 2>I watched their wild dances in the struggling beams of

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<v Speaker 2>waning moon. But of these things I must not now speak.

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<v Speaker 2>I will tell only of the lone tomb in the

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<v Speaker 2>darkest of the hillside thickets, the deserted tomb of the Hides,

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<v Speaker 2>an old and exalted family whose last direct ascendant had

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<v Speaker 2>been laid within the black recesses many decades before my birth.

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<v Speaker 4>Take it, chuck, So there's a family called the Hides. Yeah,

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<v Speaker 4>and there's a tomb.

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<v Speaker 3>Yeah.

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<v Speaker 2>Okay, that's where the Hides are, gotcha?

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<v Speaker 3>Okay?

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<v Speaker 4>The vault to which I refers in ancient granite, weathered

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<v Speaker 4>and discolored by the mists and dampness of generations excavated

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<v Speaker 4>back into the hillside. The structure is visible only at

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<v Speaker 4>the entrance. The door, a ponderous and forbidding slab of stone,

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<v Speaker 4>hangs upon rusted iron hinges, and is fastened a jar

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<v Speaker 4>in a queerly sinister way by means of heavy iron

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<v Speaker 4>chains and padlocks. According to a gruesome fashion of a

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<v Speaker 4>half a century ago, the abode of the race whose

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<v Speaker 4>scions are inurned had once crowned the declivity which holds

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<v Speaker 4>the tomb, but had long since fallen victims to the

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<v Speaker 4>flames which sprang up from a disastrous stroke of lightning

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<v Speaker 4>of the midnight storm which destroyed this gloomy mansion. The

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<v Speaker 4>older inhabitants of the region sometimes speak and hushed and

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<v Speaker 4>uneasy voices alluding to what they call divine wrath, in

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<v Speaker 4>a manner that, in later years vaguely increased the always

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<v Speaker 4>strong fascination which I felt for the forest darkened sepulcher.

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<v Speaker 4>One man only had perished in the fire when the

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<v Speaker 4>last of the hides was buried. In this place of

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<v Speaker 4>shade and stillness. The sad urnful of ashes had come

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<v Speaker 4>from a distant land to which the family had repaired.

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<v Speaker 4>When the mansion burned down. No one remains to lay

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<v Speaker 4>flowers before the granite portal, and few care to brave

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<v Speaker 4>the depressing shadows which seem to linger strangely about the

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<v Speaker 4>water worn stone. I shall never forget the afternoon when

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<v Speaker 4>I first stumbled upon the half hidden House of the Dead.

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<v Speaker 4>It was in midsummer, when the alchemy of nature transmutes

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<v Speaker 4>the Sylvan landscape to one vivid and almost homogeneous mass

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<v Speaker 4>of green. When the senses are well nigh intoxicated with

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<v Speaker 4>the surging seas of moist verdure and the subtly indefinable

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<v Speaker 4>odors of the soil and the vegetation in such surroundings,

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<v Speaker 4>the mind loses its perspective. Time and space become trivial

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<v Speaker 4>and unreal, and echoes of a forgotten, prehistoric pass beat

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<v Speaker 4>insistently upon the enthralled consciousness. All day I had been

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<v Speaker 4>wandering through the mystic groves of the Hollow, thinking thoughts

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<v Speaker 4>I need not discuss, and conversing with things I need

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<v Speaker 4>not name. In years a child of ten, I had

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<v Speaker 4>seen and heard many wonders unknown to the throng, and

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<v Speaker 4>was oddly aged in certain respects. When, upon forcing my

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<v Speaker 4>way between two savage clumps of briars, I suddenly encountered

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<v Speaker 4>the entrance of the vault. I had no knowledge of

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<v Speaker 4>what I had discovered. The dark blocks of granite, the

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<v Speaker 4>door so curiously ajar, and the funeral carvings above the

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<v Speaker 4>arch aroused in me. No associations of mournful or terrible

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<v Speaker 4>character of graves and tombs. I knew and imagined much,

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<v Speaker 4>but had, on account of my peculiar temperament, been kept

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<v Speaker 4>from all personal contact with churchyards and cemeteries. The strange

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<v Speaker 4>stone house on the Woodland slope was to me only

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<v Speaker 4>a source of interest and speculation, and its cold, damp

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<v Speaker 4>interior into which I vainly peered through the aperture so

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<v Speaker 4>tantalizingly left, contained for me no hint of death or decay.

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<v Speaker 4>But in that instant of curiosity was borne the madly

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<v Speaker 4>unreasoning desire which has brought me to this hell of confinement.

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<v Speaker 4>Spurred on by a voice which must have come from

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<v Speaker 4>the hideous soul of the forest, I resolved to enter

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<v Speaker 4>the beckoning gloom in spite of the ponderous change which

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<v Speaker 4>barred my passage in the waning light of day, I

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<v Speaker 4>alternately rattled the rusty impediments with a view to throwing

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<v Speaker 4>wide the stone door, an essay to squeeze my slight

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<v Speaker 4>form through the space already provided. But neither plan met

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<v Speaker 4>with success. At first curious, I was not frantic, and

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<v Speaker 4>when in the thickening twilight I returned to my home,

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<v Speaker 4>I had sworn to the hundred gods of the grove

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<v Speaker 4>that at any cost I would someday force an entrance

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<v Speaker 4>to the black, chilly depths that seemed calling out to me.

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<v Speaker 4>The physician with the iron gray beard who comes each

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<v Speaker 4>day to my room once told a visitor that this

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<v Speaker 4>decision marked the beginnings of a pitiful monomania. But I

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<v Speaker 4>will leave final judgment to my readers when they shall

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<v Speaker 4>have learnt all.

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<v Speaker 2>So, basically where we're at right, Chuck, is that we

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<v Speaker 2>have a little weirdo kid who discovered a family tomb

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<v Speaker 2>that's been abandoned, yes in a grove. Tried to get in,

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<v Speaker 2>and he realized that he can't because he's too puny.

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<v Speaker 2>Yet he's drawn to it so much like his ex caliber.

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<v Speaker 2>Getting into this tomb is like something he's sworn to do.

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<v Speaker 2>Eventually sounds like it, but we find that he is

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<v Speaker 2>in an asylum.

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<v Speaker 4>Well, little Jervis Dudley, Little.

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<v Speaker 3>Jervis Dudley, I'm going to take over now. Okay, okay.

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<v Speaker 2>The months following my discovery were spent in feudal attempts

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<v Speaker 2>to force the complicated padlock of the slightly open vault,

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<v Speaker 2>and in carefully guarded inquiries regarding the nature and history

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<v Speaker 2>of the structure. With the traditionally receptive ears of the

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<v Speaker 2>small boy, I learned much, though an habitual secretiveness caused

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<v Speaker 2>me to tell no one of my information or my resolve.

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<v Speaker 2>It is perhaps worth mentioning that I was not at

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<v Speaker 2>all surprised or terrified on learning the nature of the vault.

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<v Speaker 2>My rather original ideas regarding life and death had caused

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<v Speaker 2>me to associate the cold clay with the breathing body

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<v Speaker 2>in a vague fashion, and I felt that the sinister

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<v Speaker 2>family of the burned down mansion was in some way

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<v Speaker 2>represented within the stone space I sought to explore. Mumbled

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<v Speaker 2>tales of the weird rights and godless revels of bygone

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<v Speaker 2>years in the ancient hall gave to me a new

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<v Speaker 2>and potent interest in the tomb, before whose doors I

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<v Speaker 2>would sit for long hours at a time each day.

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<v Speaker 2>Once I thrust a candle within the nearly closed entrance,

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<v Speaker 2>but could see nothing save a flight of damp stone

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<v Speaker 2>steps leading downward. The odor of the place repelled yet

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<v Speaker 2>bewitched me. I felt I had known it before, in

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<v Speaker 2>a past remote beyond all recollection, beyond even my tendency

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<v Speaker 2>of the body I now possess. The year after I

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<v Speaker 2>first beheld the tomb, I stumbled upon a worm eaten

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<v Speaker 2>translation of Plutarch's lives in the book filled attic of

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<v Speaker 2>my home. Reading the Life of Theseus, I was much

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<v Speaker 2>impressed by that passage telling of the great stone beneath

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<v Speaker 2>which the boyish hero was to find his tokens of

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<v Speaker 2>destiny whenever he should become old enough to lift its

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<v Speaker 2>enormous weight. This legend had the effect of dispelling my

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<v Speaker 2>keenest impatience to enter the vault, for it made me

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<v Speaker 2>feel that the time was not yet ripe. Later, I

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<v Speaker 2>told myself I should grow to a strength and ingenuity

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<v Speaker 2>which might enable me to unfasten the heavily chained door

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<v Speaker 2>with ease. But until till then, I would do better

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<v Speaker 2>by conforming to what seemed the will of fate. Accordingly,

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<v Speaker 2>my watches by the dank portal became less persistent, and

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<v Speaker 2>much of my time was spent in other, though equally

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<v Speaker 2>strange pursuits. I would sometimes rise very quietly in the night,

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<v Speaker 2>stealing out to walk in those churchyards and places of

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<v Speaker 2>burial from which I had been kept by my parents.

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<v Speaker 2>What I did there I may not say, for I

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<v Speaker 2>am not now sure of the reality of certain things.

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<v Speaker 2>But I know that on the day after such a

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<v Speaker 2>nocturnal ramble I would often astonish those about me with

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<v Speaker 2>my knowledge of topics almost forgotten.

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<v Speaker 3>For many generations.

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<v Speaker 2>It was after a night like this that I shocked

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<v Speaker 2>the community with a queer conceit about the burial of

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<v Speaker 2>the rich and celebrated Squire Brewster, a maker of local

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<v Speaker 2>history who was interred in seventeen eleven, and whose slate

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<v Speaker 2>headstone bearing a graven skull and crossbones, was slowly crumbling

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<v Speaker 2>to powder. In a moment of childish imagination, I vowed

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<v Speaker 2>not only that the undertaker, Goodman Simpson, had stolen the

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<v Speaker 2>silver buckled shoes, silken hose, and satin small clothes of

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<v Speaker 2>the deceased before burial, but that the Squire himself not

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<v Speaker 2>fully inanimate, had turned twice in his mound covered coffin

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<v Speaker 2>on the day of internment, So what's going on here?

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<v Speaker 2>So basically, the kid is resolved, like theseus, that his

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<v Speaker 2>destiny still awaits him. He's not ready for it yet,

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<v Speaker 2>so instead he's kind of going around, hanging around churchyard's

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<v Speaker 2>burial places, and he's coming back the next day with

0:12:34.240 --> 0:12:38.199
<v Speaker 2>weird knowledge, Chuck like knowledge. No living human should.

0:12:37.880 --> 0:12:40.679
<v Speaker 4>Have knowledge that Jervis Dudley surely should not have.

0:12:40.880 --> 0:12:43.280
<v Speaker 3>Right, Chuck, have you taken over again?

0:12:43.760 --> 0:12:47.200
<v Speaker 4>I'd like to, Okay, okay, but the idea of entering

0:12:47.240 --> 0:12:51.959
<v Speaker 4>the tomb never left my thoughts. Josh being indeed simulated

0:12:52.000 --> 0:12:56.559
<v Speaker 4>by the unexpected genealogical discover that my own maternal ancestry

0:12:56.559 --> 0:12:59.880
<v Speaker 4>possessed at least a slight link with a supposedly extra

0:13:00.280 --> 0:13:03.640
<v Speaker 4>family of the hides. Last of my paternal race, I was,

0:13:03.760 --> 0:13:06.520
<v Speaker 4>likewise the last of this older and more mysterious line.

0:13:06.880 --> 0:13:10.360
<v Speaker 4>I began to feel that the tomb was mine, and

0:13:10.400 --> 0:13:13.559
<v Speaker 4>to look forward with hot eagerness to the time when

0:13:13.559 --> 0:13:16.400
<v Speaker 4>I might pass within the stone door and down those

0:13:16.440 --> 0:13:20.439
<v Speaker 4>slimy stone steps into the dark. I now formed the

0:13:20.480 --> 0:13:24.280
<v Speaker 4>habit of listening very intently at the slightly open portal,

0:13:25.040 --> 0:13:28.560
<v Speaker 4>choosing my favorite hours of midnight stillness for the odd vigil.

0:13:29.360 --> 0:13:31.400
<v Speaker 4>By the time I came of age, I had made

0:13:31.400 --> 0:13:34.800
<v Speaker 4>a small clearing in the thicket before the mold stained

0:13:34.840 --> 0:13:38.880
<v Speaker 4>facade of the hillside, allowing the surrounding vegetation to encircle

0:13:38.920 --> 0:13:42.280
<v Speaker 4>and overhang the space like the walls and roof of

0:13:42.400 --> 0:13:47.800
<v Speaker 4>Sylvan Bower. This bower was my temple Josh, the fastened

0:13:47.800 --> 0:13:51.080
<v Speaker 4>door my shrine, and here I would lie outstretched on

0:13:51.080 --> 0:13:55.000
<v Speaker 4>the mossy ground, thinking strange thoughts and dreaming of strange dreams.

0:13:55.920 --> 0:13:58.480
<v Speaker 4>The night of the First Revelation was a sultry one.

0:13:58.920 --> 0:14:01.320
<v Speaker 4>I must have fallen asleep from fatigue, for it was

0:14:01.360 --> 0:14:03.960
<v Speaker 4>with a distinct sense of awakening that I heard the

0:14:04.040 --> 0:14:08.320
<v Speaker 4>voices of those tones and accents. I hesitate to speak

0:14:08.559 --> 0:14:12.199
<v Speaker 4>of their quality. I will not speak, but I may

0:14:12.280 --> 0:14:16.920
<v Speaker 4>say that they presented certain uncanny differences in vocabulary, pronunciation,

0:14:17.040 --> 0:14:20.680
<v Speaker 4>of mode, and utterance. Every shade of the New England dialect,

0:14:20.840 --> 0:14:23.960
<v Speaker 4>from the uncouth syllables of the Puritan colonists to the

0:14:24.000 --> 0:14:27.320
<v Speaker 4>precise rhetoric of fifty years ago, seemed represented in that

0:14:27.400 --> 0:14:30.600
<v Speaker 4>shadowy colloquy, though it was only later that I noticed

0:14:30.640 --> 0:14:34.320
<v Speaker 4>the fact. At the time, indeed, my attention was distracted

0:14:34.320 --> 0:14:38.080
<v Speaker 4>from this matter by another phenomenon, a phenomenon so fleeting

0:14:38.120 --> 0:14:41.080
<v Speaker 4>that I could not take oath upon its reality. I

0:14:41.160 --> 0:14:44.600
<v Speaker 4>barely fancied that as I awoke, a light had been

0:14:44.680 --> 0:14:49.440
<v Speaker 4>hurriedly extinguished within the sunken sepulcher. I do not think

0:14:49.440 --> 0:14:52.640
<v Speaker 4>I was either astounded or panic stricken, but I know

0:14:52.720 --> 0:14:56.120
<v Speaker 4>that I was greatly and permanently changed. That night, upon

0:14:56.200 --> 0:14:59.240
<v Speaker 4>returning home, I went with much directness to a rotting

0:14:59.320 --> 0:15:01.840
<v Speaker 4>chest in the attic, wherein I found the key, which

0:15:01.880 --> 0:15:05.080
<v Speaker 4>next day unlocked with ease the barrier I had so

0:15:05.240 --> 0:15:08.880
<v Speaker 4>long stormed in vain. The dude has a key in

0:15:08.920 --> 0:15:11.360
<v Speaker 4>his attic to this tomb, and he went directly to it.

0:15:11.960 --> 0:15:14.120
<v Speaker 3>After this big nut.

0:15:14.200 --> 0:15:16.680
<v Speaker 4>Is his heat up. It was in the soft glow

0:15:16.720 --> 0:15:19.120
<v Speaker 4>of the late afternoon that I first entered the vault

0:15:19.240 --> 0:15:22.320
<v Speaker 4>on the abandoned slope. A spell was upon me, and

0:15:22.400 --> 0:15:26.440
<v Speaker 4>my heart leaped with an exultation I can but ill describe.

0:15:27.080 --> 0:15:29.080
<v Speaker 4>As I closed the door behind me and descended the

0:15:29.160 --> 0:15:32.400
<v Speaker 4>dripping steps by the light of my lone candle, I

0:15:32.400 --> 0:15:35.040
<v Speaker 4>seemed to know the way, and though the candle sputtered

0:15:35.080 --> 0:15:39.160
<v Speaker 4>with the stifling reek of the place, I felt singularly

0:15:39.200 --> 0:15:43.360
<v Speaker 4>at home in the musty charnel house air. Looking about me,

0:15:43.440 --> 0:15:46.800
<v Speaker 4>I beheld many marble slabs bearing coffins, or the remains

0:15:46.800 --> 0:15:49.640
<v Speaker 4>of coffins. Some of these were sealed and intact, but

0:15:49.720 --> 0:15:53.040
<v Speaker 4>others had nearly vanished, leaving the silver handles and plates

0:15:53.040 --> 0:15:57.120
<v Speaker 4>isolated amidst certain curious heaps of whitish dust. Upon one

0:15:57.120 --> 0:16:01.000
<v Speaker 4>plate I read the name Sir Jeffrey Hyde, who had

0:16:01.000 --> 0:16:03.400
<v Speaker 4>come from Sussex in sixteen forty and died here a

0:16:03.400 --> 0:16:07.040
<v Speaker 4>few years later. And a conspicuous alcove was one fairly

0:16:07.040 --> 0:16:10.720
<v Speaker 4>well preserved and untenanted casket, adorned with a single name,

0:16:10.720 --> 0:16:13.240
<v Speaker 4>which brought to me both a smile and a shudder.

0:16:14.080 --> 0:16:17.280
<v Speaker 4>An odd impulse caused me to climb upon the broad slab,

0:16:17.800 --> 0:16:21.080
<v Speaker 4>extinguish my candle, and lie down within the vacant box.

0:16:27.480 --> 0:16:29.560
<v Speaker 2>So this guy is totally off his night at this point,

0:16:29.680 --> 0:16:33.920
<v Speaker 2>he's lying down in a coffin in the tune.

0:16:34.040 --> 0:16:35.760
<v Speaker 4>In the gray light of dawn, I staggered from the

0:16:35.800 --> 0:16:37.640
<v Speaker 4>vault and locked the chain of the door behind me.

0:16:38.000 --> 0:16:40.440
<v Speaker 4>I was no longer a young man, though, but twenty

0:16:40.480 --> 0:16:44.200
<v Speaker 4>one winters had chilled my bodily frame. Early rising villagers

0:16:44.200 --> 0:16:47.840
<v Speaker 4>who observed my homeward progress looked at me strangely and

0:16:47.960 --> 0:16:51.600
<v Speaker 4>marveled at the signs of ribald revelry, which they saw

0:16:51.640 --> 0:16:54.200
<v Speaker 4>in one whose life was known to be a sober

0:16:54.240 --> 0:16:58.360
<v Speaker 4>and solitary one. I did not appear before my parents

0:16:58.400 --> 0:17:00.320
<v Speaker 4>till after a long and refreshing sleap.

0:17:01.560 --> 0:17:05.280
<v Speaker 2>You're good at this, Chuck, Thanks, you're good.

0:17:06.000 --> 0:17:08.480
<v Speaker 3>So you get what's going on here? Right? Yeah?

0:17:08.520 --> 0:17:10.280
<v Speaker 4>I think audible dot Com was gonna be calling us

0:17:10.280 --> 0:17:10.960
<v Speaker 4>any minute.

0:17:10.760 --> 0:17:12.000
<v Speaker 3>Now and say please stop.

0:17:12.560 --> 0:17:16.399
<v Speaker 4>Yeah, we'll sue you, all right, Chuck, you ready? So

0:17:16.480 --> 0:17:18.199
<v Speaker 4>what's going on? Is this kid is lying down in

0:17:18.200 --> 0:17:20.840
<v Speaker 4>this tomb. He leaves the tomb. Is he older now?

0:17:21.520 --> 0:17:22.400
<v Speaker 3>He's twenty one? Now?

0:17:22.440 --> 0:17:24.640
<v Speaker 2>Remember he first found the tomb at age ten ten,

0:17:25.320 --> 0:17:29.520
<v Speaker 2>couldn't open it, resolved to figure out, you know, basically

0:17:29.560 --> 0:17:31.959
<v Speaker 2>just turned into a weirdo in other ways. And then finally,

0:17:32.040 --> 0:17:37.720
<v Speaker 2>when he's twenty one, he sees a light in this place. Yeah,

0:17:37.720 --> 0:17:40.040
<v Speaker 2>one night is changed. When he wakes up, he goes

0:17:40.080 --> 0:17:43.520
<v Speaker 2>directly to his own attic, his own attic finds the key,

0:17:43.720 --> 0:17:44.600
<v Speaker 2>finds the key.

0:17:44.560 --> 0:17:48.280
<v Speaker 4>Gets in, lays down in the coffin, pretty new coffin.

0:17:48.680 --> 0:17:51.399
<v Speaker 2>Wakes up the next day, stumbles back home in the

0:17:51.400 --> 0:17:53.840
<v Speaker 2>morning and it looks like he'd been partying all night.

0:17:53.920 --> 0:17:55.360
<v Speaker 4>Yeah, and people are looking at him like he's weird,

0:17:55.359 --> 0:17:57.280
<v Speaker 4>which I can't figure out. This all seems very normal

0:17:57.320 --> 0:17:57.520
<v Speaker 4>to me.

0:17:58.840 --> 0:18:03.520
<v Speaker 2>All right, you ready, May I please do? Henceforward? I

0:18:03.600 --> 0:18:07.320
<v Speaker 2>haunted the tomb each night, seeing, hearing, and doing things

0:18:07.440 --> 0:18:12.800
<v Speaker 2>I must never reveal. My speech, always susceptible to environmental influences,

0:18:13.160 --> 0:18:15.600
<v Speaker 2>was the first thing to succumb to the change. He

0:18:15.720 --> 0:18:18.560
<v Speaker 2>must have a thick tongue too, and my suddenly acquired

0:18:18.720 --> 0:18:22.639
<v Speaker 2>archaism of diction was soon remarked upon. Later, a queer

0:18:22.640 --> 0:18:26.480
<v Speaker 2>boldness and recklessness came into my demeanor, till I unconsciously

0:18:26.520 --> 0:18:28.919
<v Speaker 2>grew to possess the bearing of a man of the world.

0:18:29.000 --> 0:18:33.400
<v Speaker 2>Despite my lifelong seclusion. My former silent tongue waxed voluble

0:18:33.440 --> 0:18:36.200
<v Speaker 2>with the easy grace of a Chesterfield, with a godless

0:18:36.200 --> 0:18:39.440
<v Speaker 2>cynicism of a Rochester. I know you get that, Chuck.

0:18:40.440 --> 0:18:45.160
<v Speaker 2>I displayed a peculiar erudition, utterly unlike the fantastic Monkish

0:18:45.200 --> 0:18:47.520
<v Speaker 2>lore over which I had poured in my youth, and

0:18:47.560 --> 0:18:50.480
<v Speaker 2>covered the fly leaves of my books with facile, impromptu

0:18:50.600 --> 0:18:54.399
<v Speaker 2>epigrams which brought up suggestions of gay prior and the

0:18:54.440 --> 0:18:58.920
<v Speaker 2>sprightliest of Augustine wits and rhymsters. One morning at breakfast,

0:18:59.000 --> 0:19:03.760
<v Speaker 2>I came close to de z by declaiming impalpably licorice accents,

0:19:04.000 --> 0:19:07.520
<v Speaker 2>an effusion of eighteenth century Bacchanalian mirth, a bit of

0:19:07.600 --> 0:19:11.080
<v Speaker 2>Georgian playfulness never recorded in a book. So basically what

0:19:11.160 --> 0:19:13.360
<v Speaker 2>he's saying is he sounds like he's drunk in the mornings,

0:19:13.400 --> 0:19:18.439
<v Speaker 2>even though he's like a very sober, solitary, kind of

0:19:18.760 --> 0:19:23.080
<v Speaker 2>a reclusive kid, but he's starting to kind of change

0:19:23.119 --> 0:19:24.720
<v Speaker 2>into a party boy.

0:19:25.680 --> 0:19:26.000
<v Speaker 4>Nice.

0:19:26.359 --> 0:19:29.199
<v Speaker 2>Now here, there's a few passages that we're not going

0:19:29.280 --> 0:19:30.600
<v Speaker 2>to read. We're gonna skip over these.

0:19:30.520 --> 0:19:32.800
<v Speaker 4>Okay, yeah, the poetry.

0:19:32.880 --> 0:19:37.480
<v Speaker 2>We're actually editing Lovecraft right now. Yeah, about this time

0:19:37.560 --> 0:19:41.480
<v Speaker 2>I conceived my present fear of fire and thunderstorms. Previously

0:19:41.520 --> 0:19:44.800
<v Speaker 2>indifferent to such things, I had now an unspeakable horror

0:19:44.880 --> 0:19:47.560
<v Speaker 2>of them, and would retire to the innermost recesses of

0:19:47.600 --> 0:19:52.320
<v Speaker 2>the house whenever the heavens threaten an electrical display. Yes,

0:19:52.760 --> 0:19:54.800
<v Speaker 2>a favorite haun of mine during the day was the

0:19:54.920 --> 0:19:57.879
<v Speaker 2>ruined cellar of the mansion that had burned down. Remember that,

0:19:58.320 --> 0:20:02.399
<v Speaker 2>Oh yeah, that's above the tomb, and in fancy I

0:20:02.440 --> 0:20:05.719
<v Speaker 2>would picture the structure as it had been in its prime.

0:20:06.480 --> 0:20:09.160
<v Speaker 2>On one occasion, I startled a villager by leading him

0:20:09.160 --> 0:20:12.399
<v Speaker 2>confidently to a shallow sub seller, of whose existence I

0:20:12.440 --> 0:20:14.600
<v Speaker 2>seemed to know, in spite of the fact that it

0:20:14.640 --> 0:20:19.240
<v Speaker 2>had been unseen and forgotten for many generations. At last

0:20:19.320 --> 0:20:22.320
<v Speaker 2>came that which I had long feared. My parents, alarmed

0:20:22.359 --> 0:20:24.720
<v Speaker 2>at the altered manner and appearance of their only son,

0:20:25.000 --> 0:20:28.720
<v Speaker 2>commenced to exert over my movements, a kindly espionage which

0:20:28.800 --> 0:20:32.000
<v Speaker 2>threatened to result in disaster. I had told no one

0:20:32.040 --> 0:20:34.600
<v Speaker 2>of my visits to the tomb, having guarded my secret

0:20:34.600 --> 0:20:38.000
<v Speaker 2>purpose with religious zeals since childhood. But now I was

0:20:38.040 --> 0:20:40.520
<v Speaker 2>forced to exercise care in threading the mazes of the

0:20:40.560 --> 0:20:43.760
<v Speaker 2>wooded hollow, that I might throw off a possible pursuer.

0:20:44.520 --> 0:20:46.520
<v Speaker 2>My key to the vault I kept suspended from a

0:20:46.560 --> 0:20:49.159
<v Speaker 2>cord about my neck, its presence known only to me.

0:20:49.880 --> 0:20:52.159
<v Speaker 2>I never carried out of the sepulcher any of the

0:20:52.200 --> 0:20:55.919
<v Speaker 2>things I came upon whilst within its walls. I like

0:20:55.960 --> 0:20:58.440
<v Speaker 2>that word, sepulcher. You've got twice, that was my first one.

0:20:58.720 --> 0:20:59.640
<v Speaker 4>So what's going on here?

0:21:00.359 --> 0:21:00.600
<v Speaker 3>Kids?

0:21:00.680 --> 0:21:02.119
<v Speaker 4>Fraid of lightning and thunder?

0:21:02.720 --> 0:21:06.600
<v Speaker 2>Remember that house? Yeah, this cellar of which he's visiting

0:21:07.040 --> 0:21:10.159
<v Speaker 2>was struck by lightning and burned out and one person

0:21:10.320 --> 0:21:13.639
<v Speaker 2>perished in it. And this is in the eighteenth century.

0:21:13.720 --> 0:21:16.280
<v Speaker 2>I think, yeah, long before this kid's running around, because

0:21:16.320 --> 0:21:18.680
<v Speaker 2>this was supposed to be contemporary in like the nineteen twenties.

0:21:18.760 --> 0:21:23.840
<v Speaker 4>Right, okay, okay, Cherry's in there laughing. You ready my turn?

0:21:23.920 --> 0:21:24.560
<v Speaker 3>I'm ready, Bud.

0:21:25.119 --> 0:21:27.479
<v Speaker 4>One morning, as I emerged from the damp tomb and

0:21:27.520 --> 0:21:30.400
<v Speaker 4>fastened the chain of the portal with no too steady hand,

0:21:30.880 --> 0:21:34.280
<v Speaker 4>I beheld an adjacent thicket the dreaded face of a watcher.

0:21:35.320 --> 0:21:36.159
<v Speaker 4>See that's creepy.

0:21:36.560 --> 0:21:36.840
<v Speaker 3>Damn.

0:21:37.200 --> 0:21:39.760
<v Speaker 4>Surely the end was near, for my bower was discovered

0:21:39.800 --> 0:21:42.879
<v Speaker 4>and the objective of my nocturnal journey is revealed. The

0:21:42.960 --> 0:21:45.719
<v Speaker 4>man did not accost me, so I hastened home in

0:21:45.720 --> 0:21:47.840
<v Speaker 4>an effort to overhear what he might report to my

0:21:48.320 --> 0:21:51.760
<v Speaker 4>care worn father. Were my sojourns beyond the chain door

0:21:51.800 --> 0:21:55.320
<v Speaker 4>about to be proclaimed to the world imagine my delighted

0:21:55.320 --> 0:21:58.840
<v Speaker 4>astonishment on hearing the spy inform my parents in cautious

0:21:58.840 --> 0:22:01.480
<v Speaker 4>whisper that I had spent the night in the bower

0:22:01.600 --> 0:22:06.199
<v Speaker 4>outside the tomb. My sleep filmed eyes fixed upon the

0:22:06.200 --> 0:22:10.040
<v Speaker 4>crevice where the padlocked portal stood. Ajar By what miracle

0:22:10.080 --> 0:22:13.679
<v Speaker 4>had the watcher thus deluded? I was now convinced that

0:22:13.760 --> 0:22:17.680
<v Speaker 4>a supernatural agency protected me. Made bold by this heaven

0:22:17.720 --> 0:22:21.240
<v Speaker 4>since circumstance, I began to resume perfect openness in going

0:22:21.240 --> 0:22:24.159
<v Speaker 4>to the vault, confident that no one would witness my entrance.

0:22:25.560 --> 0:22:27.919
<v Speaker 4>For a week, I tasted to the full the joys

0:22:27.960 --> 0:22:32.160
<v Speaker 4>of that charnal conviviality, which I must not describe. When

0:22:32.280 --> 0:22:37.800
<v Speaker 4>the thing happened and I was borne away to this

0:22:37.920 --> 0:22:40.280
<v Speaker 4>accursed abode of sorrow and monotony.

0:22:40.960 --> 0:22:43.440
<v Speaker 3>So did you get what just happened? Uh?

0:22:43.520 --> 0:22:48.000
<v Speaker 4>Yeah? He basically the guy said, this kid hasn't been going.

0:22:47.800 --> 0:22:49.879
<v Speaker 3>In there, he's just been sleeping outside of it.

0:22:50.000 --> 0:22:52.439
<v Speaker 4>Yeah, but he feels like he's going in there. Sure

0:22:52.880 --> 0:22:56.439
<v Speaker 4>he's losing it or has he lost it? Or is he?

0:22:57.040 --> 0:22:57.600
<v Speaker 4>Or will he.

0:22:59.160 --> 0:23:00.800
<v Speaker 3>Find out? Right now?

0:23:01.080 --> 0:23:02.840
<v Speaker 4>I should not have ventured out that night, for the

0:23:02.880 --> 0:23:06.960
<v Speaker 4>taint of thunder was in the clouds, and hellish phosphorescence

0:23:07.040 --> 0:23:09.719
<v Speaker 4>rose from the rank swamp at the bottom of the hollow.

0:23:10.119 --> 0:23:12.720
<v Speaker 4>The call of the dead, too was different. Instead of

0:23:12.760 --> 0:23:15.359
<v Speaker 4>the hillside tomb, it was the charred cellar on the

0:23:15.400 --> 0:23:18.639
<v Speaker 4>crest of the slope, whose presiding damon beckoned me with

0:23:18.840 --> 0:23:23.920
<v Speaker 4>unseen fingers. As I emerged from the intervening grove upon

0:23:24.000 --> 0:23:27.359
<v Speaker 4>the plain before the ruin, I beheld, in the misty moonlight,

0:23:27.400 --> 0:23:31.280
<v Speaker 4>a thing I had always vaguely expected. The mansion, gone

0:23:31.320 --> 0:23:34.240
<v Speaker 4>for a century, once more reared its stately height to

0:23:34.400 --> 0:23:37.879
<v Speaker 4>the raptured vision, every window ablaze with a splendor of

0:23:37.920 --> 0:23:41.000
<v Speaker 4>many candles. Up the long drive rolled the beaches of

0:23:41.040 --> 0:23:45.200
<v Speaker 4>the Boston gentry, whilst on foot came a numerous assemblage

0:23:45.240 --> 0:23:50.200
<v Speaker 4>of powdered exquisites from the neighboring mansions. With this throng

0:23:50.240 --> 0:23:53.120
<v Speaker 4>I mingled, though I knew I belong with the hosts

0:23:53.200 --> 0:23:56.679
<v Speaker 4>rather than the guests. Inside the hall were music, laughter,

0:23:56.840 --> 0:24:00.480
<v Speaker 4>and wine on every hand. Several faces I reckoned eyes,

0:24:00.920 --> 0:24:02.840
<v Speaker 4>though I should have known them better, had they been

0:24:02.960 --> 0:24:06.679
<v Speaker 4>shriveled or eaten away by death and decomposition. Amidst a

0:24:06.720 --> 0:24:09.760
<v Speaker 4>wild and reckless throng. I was the wildest and most abandoned.

0:24:10.320 --> 0:24:14.119
<v Speaker 4>Gay blasphemy poured in torrents from my lips and in

0:24:14.200 --> 0:24:18.160
<v Speaker 4>my shocking sallies. I heeded no law of God, man

0:24:18.280 --> 0:24:23.080
<v Speaker 4>or nature. Suddenly a peal of thunder resonant even above

0:24:23.119 --> 0:24:26.280
<v Speaker 4>the din of the Swinish revelry clave the very roof,

0:24:26.280 --> 0:24:29.160
<v Speaker 4>and laid a hush fear upon the boisterous company. Red

0:24:29.200 --> 0:24:31.320
<v Speaker 4>tongues of flame and searing gust of heat and gulf

0:24:31.440 --> 0:24:34.600
<v Speaker 4>the house, and the roisterers struck with terror. The descent

0:24:34.640 --> 0:24:37.040
<v Speaker 4>of a calamity, which seemed to transcend the bounds of

0:24:37.160 --> 0:24:41.199
<v Speaker 4>un guided nature, fled shrieking into the night. I alone

0:24:41.200 --> 0:24:44.600
<v Speaker 4>remained josh riveted to my seat by a groveling fear

0:24:44.600 --> 0:24:47.359
<v Speaker 4>which I had never felt before. And then a second

0:24:47.400 --> 0:24:50.480
<v Speaker 4>horror took possession of my soul. Burnt alive, the ashes

0:24:50.560 --> 0:24:53.600
<v Speaker 4>my body dispersed by the four winds. I might never

0:24:53.720 --> 0:24:56.399
<v Speaker 4>lie in the tomb of the hides. Was not my

0:24:56.480 --> 0:25:00.360
<v Speaker 4>coffin prepared for me? Had I not a right arrest

0:25:00.440 --> 0:25:05.680
<v Speaker 4>till eternity amongst the descendants of Sir Jeoffrey Hyde, I

0:25:05.680 --> 0:25:08.199
<v Speaker 4>I would claim my heritage of death, even though my

0:25:08.280 --> 0:25:11.120
<v Speaker 4>soul would go seeking through the ages for another corporeal

0:25:11.200 --> 0:25:13.879
<v Speaker 4>tenement to represent it on that vacant slab and the

0:25:13.880 --> 0:25:17.600
<v Speaker 4>alcove of the vault. Jervis Hide should never share the

0:25:17.680 --> 0:25:20.199
<v Speaker 4>sad fate of Palarinus.

0:25:20.680 --> 0:25:21.360
<v Speaker 3>Nice.

0:25:21.760 --> 0:25:24.480
<v Speaker 4>He's Scottish. All of a sudden, yeah or whatever that was?

0:25:25.080 --> 0:25:25.600
<v Speaker 3>You ready?

0:25:25.760 --> 0:25:28.119
<v Speaker 4>Well, what's going on here? Is he clearly saw the

0:25:28.160 --> 0:25:31.840
<v Speaker 4>mansion and yeah, I mean it was rebuilt. There were guests,

0:25:31.880 --> 0:25:34.840
<v Speaker 4>ghostly guest and he went and partied as a host.

0:25:34.880 --> 0:25:36.960
<v Speaker 4>He felt like as a hide, Yeah, as a hide.

0:25:37.040 --> 0:25:37.480
<v Speaker 3>Yeah.

0:25:37.520 --> 0:25:40.879
<v Speaker 4>And then what lightning came and took care of business

0:25:40.920 --> 0:25:41.440
<v Speaker 4>all over again.

0:25:41.520 --> 0:25:43.760
<v Speaker 2>Yeah, he was at the party on the night that

0:25:43.800 --> 0:25:48.080
<v Speaker 2>it went down, that whole sad, ghastly business went down.

0:25:48.400 --> 0:25:48.960
<v Speaker 4>Is he mad?

0:25:49.680 --> 0:25:52.480
<v Speaker 3>Oh, let's find out all right? You ready? Yeah? May

0:25:52.520 --> 0:25:53.160
<v Speaker 3>I take it home?

0:25:53.400 --> 0:25:56.040
<v Speaker 4>Yeah? The exciting conclusion of the tomb.

0:25:56.280 --> 0:25:59.080
<v Speaker 2>As the phantom of the Burning House faded, I found

0:25:59.080 --> 0:26:02.520
<v Speaker 2>myself screaming and struggling madly in the arms of two men,

0:26:02.840 --> 0:26:04.760
<v Speaker 2>one of whom was the spy who had followed me

0:26:04.840 --> 0:26:07.679
<v Speaker 2>to the tomb. Rain was pouring down in Torrents, and

0:26:07.760 --> 0:26:10.600
<v Speaker 2>upon the southern horizon were flashes of the lightning that

0:26:10.640 --> 0:26:13.879
<v Speaker 2>had so lately passed over our heads. My father, his

0:26:14.040 --> 0:26:16.879
<v Speaker 2>face lined with sorrow, stood by as I shouted my

0:26:16.960 --> 0:26:20.119
<v Speaker 2>demands to be laid within the tomb, frequently admonishing my

0:26:20.160 --> 0:26:22.760
<v Speaker 2>captors to treat me as gently as they could. A

0:26:22.800 --> 0:26:25.640
<v Speaker 2>blackened circle on the floor of the ruined cellar told

0:26:25.640 --> 0:26:28.359
<v Speaker 2>of a violent stroke from the heavens, and from this

0:26:28.520 --> 0:26:32.000
<v Speaker 2>spot a group of curious villagers with lanterns were prying

0:26:32.040 --> 0:26:35.479
<v Speaker 2>a small box of antique workmanship, which the thunderbolt had

0:26:35.520 --> 0:26:39.240
<v Speaker 2>brought to light, ceasing my futile and now objectless writhing.

0:26:39.520 --> 0:26:42.439
<v Speaker 2>I watched the spectators as they viewed the treasure trove,

0:26:42.720 --> 0:26:45.840
<v Speaker 2>and was permitted to share in their discoveries. The box,

0:26:46.040 --> 0:26:49.200
<v Speaker 2>whose fastenings were broken by the stroke which unearthed it

0:26:49.240 --> 0:26:52.520
<v Speaker 2>contained many papers and objects of value, but I had

0:26:52.600 --> 0:26:55.960
<v Speaker 2>eyes for one thing alone. It was the porcelain miniature

0:26:55.960 --> 0:26:58.280
<v Speaker 2>of a young man in a smartly curled bag wig

0:26:58.640 --> 0:27:01.800
<v Speaker 2>and bore the initials J H. The face was such

0:27:01.800 --> 0:27:04.120
<v Speaker 2>that as I gazed, I might as well have been

0:27:04.200 --> 0:27:05.240
<v Speaker 2>studying my mirror.

0:27:06.640 --> 0:27:08.080
<v Speaker 3>You got the a's messed up.

0:27:08.640 --> 0:27:10.680
<v Speaker 2>On the following day, I was brought to this room

0:27:10.720 --> 0:27:13.480
<v Speaker 2>with the barred windows but I have been kept informed

0:27:13.520 --> 0:27:17.000
<v Speaker 2>of certain things through an aged and simple minded servitor,

0:27:17.359 --> 0:27:20.080
<v Speaker 2>for whom I bore a fondness in infancy, and who,

0:27:20.200 --> 0:27:23.200
<v Speaker 2>like me, loves the churchyard. What I have dared relate

0:27:23.240 --> 0:27:25.960
<v Speaker 2>of my experiences within the vault has brought me only

0:27:26.040 --> 0:27:30.480
<v Speaker 2>pitying smiles. My father, who visits me frequently, declares that

0:27:30.560 --> 0:27:33.320
<v Speaker 2>at no time did I pass the chained portal, and

0:27:33.440 --> 0:27:36.000
<v Speaker 2>swears that the rusted padlock had not been touched for

0:27:36.040 --> 0:27:36.800
<v Speaker 2>fifty years.

0:27:36.640 --> 0:27:37.600
<v Speaker 3>When he examined it.

0:27:38.160 --> 0:27:40.199
<v Speaker 2>He even says that all the village knew of my

0:27:40.280 --> 0:27:42.639
<v Speaker 2>journeys to the tomb, and that I was often watched

0:27:42.640 --> 0:27:45.320
<v Speaker 2>as I slept in the bower outside the grim facade,

0:27:45.480 --> 0:27:48.320
<v Speaker 2>my half open eyes fixed on the crevice that leads

0:27:48.400 --> 0:27:52.200
<v Speaker 2>to the interior. Against these insertions, I have no tangible

0:27:52.240 --> 0:27:54.920
<v Speaker 2>proof to offer, since my key to the padlock was

0:27:55.000 --> 0:27:57.800
<v Speaker 2>lost in the struggle on that night of horrors. The

0:27:57.840 --> 0:27:59.840
<v Speaker 2>strange things of the past which I learned during the

0:28:00.200 --> 0:28:03.439
<v Speaker 2>nocturnal meetings with the dead, he dismisses as the fruits

0:28:03.480 --> 0:28:07.360
<v Speaker 2>of my lifelong and omnivorous browsing amongst the ancient volumes

0:28:07.400 --> 0:28:10.359
<v Speaker 2>of the family library. Had it not been for my

0:28:10.400 --> 0:28:13.520
<v Speaker 2>old servant, Hiram. I should have by this time become

0:28:13.600 --> 0:28:17.439
<v Speaker 2>quite convinced of my madness. But Hiram, loyal to the last,

0:28:17.760 --> 0:28:20.240
<v Speaker 2>has held faith in me and has done that which

0:28:20.280 --> 0:28:23.080
<v Speaker 2>impels me to make public at least part of my story.

0:28:23.600 --> 0:28:26.399
<v Speaker 2>A week ago he burst open the lock which changed

0:28:26.440 --> 0:28:29.600
<v Speaker 2>the door of the tomb perpetually Ajar, and descended with

0:28:29.680 --> 0:28:32.920
<v Speaker 2>a lantern into the murky depths. On a slab in

0:28:33.000 --> 0:28:36.160
<v Speaker 2>an alcove, he found an old but empty coffin, whose

0:28:36.240 --> 0:28:40.880
<v Speaker 2>tarnished plate bears the single word jervis. In that coffin

0:28:41.160 --> 0:28:44.600
<v Speaker 2>and in that vault, they have promised me I shall

0:28:44.640 --> 0:28:45.640
<v Speaker 2>be buried.

0:28:50.160 --> 0:28:52.320
<v Speaker 4>The end and scene.

0:28:52.480 --> 0:28:55.280
<v Speaker 2>Wow, the tomb HP Lovecraft.

0:28:55.280 --> 0:28:59.280
<v Speaker 4>Pretty good, huh, i'd very creepy. Yeah, absolutely different time

0:28:59.360 --> 0:29:02.240
<v Speaker 4>back then, well much creepier obviously.

0:29:02.480 --> 0:29:02.680
<v Speaker 3>Yeah.

0:29:02.760 --> 0:29:05.440
<v Speaker 2>Yeah, I think this might have been in Amazing Stories

0:29:05.480 --> 0:29:05.840
<v Speaker 2>at first.

0:29:05.920 --> 0:29:07.720
<v Speaker 3>You're Weird Stories, one of the two.

0:29:08.080 --> 0:29:09.520
<v Speaker 4>In the TV show Amazing Stories.

0:29:09.600 --> 0:29:13.520
<v Speaker 2>No, No, the old pulp comic book. Oh okay, yeah,

0:29:13.760 --> 0:29:15.880
<v Speaker 2>so hopefully that creeped.

0:29:15.560 --> 0:29:17.880
<v Speaker 4>Everybody out right, Chuck, I'm creeped out.

0:29:18.040 --> 0:29:19.480
<v Speaker 2>I'm creeped out too. What are you going to be

0:29:19.480 --> 0:29:20.000
<v Speaker 2>for Halloween?

0:29:20.880 --> 0:29:22.840
<v Speaker 4>I don't know. The band is playing a gig and

0:29:23.080 --> 0:29:26.840
<v Speaker 4>we're all gonna dress alike, so something I'm lobbing for

0:29:26.880 --> 0:29:31.520
<v Speaker 4>something with mustaches, okay? Or maybe the taint of the thundercloud?

0:29:31.920 --> 0:29:33.920
<v Speaker 3>Yes, which took?

0:29:34.280 --> 0:29:34.960
<v Speaker 4>What are you going to be?

0:29:35.040 --> 0:29:37.080
<v Speaker 3>Eight times? Eight takes for.

0:29:37.120 --> 0:29:41.400
<v Speaker 4>Me to read that? Or are you laughing or Jerry laughing?

0:29:41.720 --> 0:29:43.680
<v Speaker 3>Yeah? It was something messed that up.

0:29:43.720 --> 0:29:47.400
<v Speaker 4>We should release the outtakes of the begin so U

0:29:48.400 --> 0:29:49.840
<v Speaker 4>I guess that's it. I got nothing.

0:29:50.000 --> 0:29:53.640
<v Speaker 2>Happy Halloween to everybody, Thank you care very much. Yeah, yes,

0:29:53.720 --> 0:29:56.120
<v Speaker 2>be safe out there. Remember if you're wearing an all

0:29:56.160 --> 0:29:59.600
<v Speaker 2>black costume, don't be stupid. Put some sort of reflective

0:29:59.600 --> 0:30:02.320
<v Speaker 2>material on it. Be careful of kids if you're driving,

0:30:02.480 --> 0:30:04.680
<v Speaker 2>Be careful of cars if you're a kid. And have

0:30:04.760 --> 0:30:08.440
<v Speaker 2>a happy, happy Halloween. And ta linus sitting in the

0:30:08.440 --> 0:30:11.240
<v Speaker 2>great Pumpkin Patch. There's always next to your pal.

0:30:16.120 --> 0:30:18.680
<v Speaker 1>For more on this and thousands of other topics, visit

0:30:18.680 --> 0:30:20.280
<v Speaker 1>housetuffworks dot com.

0:30:20.720 --> 0:30:22.040
<v Speaker 4>Want more house stuff.

0:30:21.760 --> 0:30:24.320
<v Speaker 1>Works, check out our blogs on the house stuff works

0:30:24.360 --> 0:30:29.560
<v Speaker 1>dot com home page. Brought to you by the reinvented

0:30:29.600 --> 0:30:32.680
<v Speaker 1>twenty twelve Camri. It's ready, are you