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Speaker 1: Welcome to This is Important a production of My Heart Radio,

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Speaker 1: the show where we own. We talk about what's obviously

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Speaker 1: most crucially integral to the fabric of our very nature.

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Speaker 1: Today we talk about what's up with my hamorrhoids. I'm drunk. Okay,

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Speaker 1: the dick's out. I'm gonna learn something. The goddamn se quel.

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Speaker 1: It's the sequel. Here we go. Start your engines ring, minging, ming, ming, ming, ming, ming, ming, ming, ming, ming, ming, ming, ming, ming, ming, mink.

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Speaker 1: We made it. I gotta keep it. A hunted can't stop.

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Speaker 1: Blood and blood and blood and okay, let's go. Wow,

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Speaker 1: this is a smash walk down memory lane? Is it? No? No?

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Speaker 1: Should I keep going? Yeah? I'm gonna come. I just

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Speaker 1: want to party, Do not come? Oh shit, bro? What

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Speaker 1: was that dude? I just want to party? Was that

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Speaker 1: yellow Wolf? It was? We made it. We made it,

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Speaker 1: Thank god. No one thought we could do it. No, literally,

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Speaker 1: not even us most listeners. No, I thought we were

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Speaker 1: doing what forty five or something. It's like, this is impressive. Yeah,

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Speaker 1: let go, And remember early on I was like, I

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Speaker 1: bet it'll take a solid forty to get good at this.

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Speaker 1: It looks like it's going to take over a hundred

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Speaker 1: still waiting. Wait, I don't know what we're doing, and God,

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Speaker 1: should we tell everyone we have planned for today? We're

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Speaker 1: live outside of the fountain. Can you hear it in

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Speaker 1: the background. Well, we we had a lot planned. We

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Speaker 1: had tickets, book we had special guests, we have what

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Speaker 1: else did we have? We had like just a lot

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Speaker 1: of secrets lined up, many secrets. I did not know that.

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Speaker 1: Oh yeah, it was so much. Kyle and I were

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Speaker 1: on a flight to Las Vegas. Yes, well I am

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Speaker 1: here right now. How and I not know that? Yeah?

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Speaker 1: How can we? Well? Me and Blake sometimes like just

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Speaker 1: kind of go for it, you know what I mean,

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Speaker 1: Like we just kind of it's a conquered thing. Oh,

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Speaker 1: the conquered way for sure. Water trash. Yeah, it's like

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Speaker 1: I don't think, just like go, you know, like let's go,

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Speaker 1: let's go, let's go, let's go. And so again, what

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Speaker 1: did you do? Well, we had to cancel everything because

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Speaker 1: what there was we had a emergence. Actually we're getting old, guys.

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Speaker 1: I gotta keep it up. And specifically I am I'm yeah,

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Speaker 1: I went I went blind. It was it was the

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Speaker 1: weirdest fucking thing. And we were supposed to record like

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Speaker 1: last week and the day before I just got back

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Speaker 1: into town. I was exhausted, and I like, I was

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Speaker 1: sitting outside reading the script and I looked up and literally,

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Speaker 1: I haven't told I mean, I've texted with you guys,

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Speaker 1: but we haven't talked on the phone. And first, too scary.

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Speaker 1: I looked up. I couldn't see anything. It was like

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Speaker 1: the scariest ship of my life. Like literally my vision

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Speaker 1: was everything was blurred and crossed like in a moment,

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Speaker 1: just all of a sudden, just all of a sudden,

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Speaker 1: and did it go black? This is what I wanted

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Speaker 1: to ask you to go dark? Or you just saw

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Speaker 1: the blur, just the blur, you a zone. And then

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Speaker 1: I had like a crazy headache and I couldn't I

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Speaker 1: could barely keep my eyes open except for to look

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Speaker 1: straight ahead or down, which didn't stop me from like

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Speaker 1: watching three more episodes of Sopranos. You just all I

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Speaker 1: need to do is hear it? Wait a second, one

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Speaker 1: hold on a minute. This is this wasn't in the

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Speaker 1: I had I've had him downloaded. Uh. I was just

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Speaker 1: like laying there being like, well, it's probably you know,

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Speaker 1: I'm probably have a headachres and then but then it's

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Speaker 1: like really scared because it I was like, maybe I've

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Speaker 1: just I'm just exhausted, and it's going to go away

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Speaker 1: in an hour or so. And then it lasted like

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Speaker 1: four hours of me being fucking blind until I finally

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Speaker 1: was like, this sucks. You were watching the Sopranos for

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Speaker 1: four hours while you were blind? No, not the whole

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Speaker 1: time I was in the process. Uh, yeah I was.

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Speaker 1: I watched an episode I was, then I became blind.

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Speaker 1: Then I tried to watch another episode and and was

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Speaker 1: it wasn't working. That was still blind. So it was

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Speaker 1: like radio it wasn't working that well. See, these are

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Speaker 1: the details when we when we get like we get

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Speaker 1: the text that we're not gonna be able to do

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Speaker 1: the podcast because Adam from our manager, because Adam's gone

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Speaker 1: to the hospital because he's gone blind. Well I haven't

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Speaker 1: got I haven't gotten there yet because I had a

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Speaker 1: we're ready to talk about it. Yeah, I hadn't got a.

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Speaker 1: But these are the details that are would have been

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Speaker 1: good to know, where it's like, hey, Adam went blind,

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Speaker 1: but then also watched two more hours of Sopranos. Yeah,

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Speaker 1: well I was. I was like laying there going like, well,

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Speaker 1: what am I gonna do? You know? It was like

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Speaker 1: seven or eight pm. I'm like not ready for bed.

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Speaker 1: I can't fucking see anything, and throw a cold rag

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Speaker 1: over your eyes and lay down. I don't know how

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Speaker 1: to take care of myself, dude, I'm home alone, always

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Speaker 1: not here. I don't know how to take care of myself,

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Speaker 1: and so I'm just like playing there and then I

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Speaker 1: could try to get through that next episode. It didn't

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Speaker 1: really work because I could if I look down or

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Speaker 1: straight ahead, I could focus on one thing. Oh, you

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Speaker 1: could have gone the rest of your life like that,

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Speaker 1: you'd be fine. Yeah, yeah, I could have. I could

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Speaker 1: have will operate that way I thought it went. But

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Speaker 1: as soon as I started to look around, I couldn't

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Speaker 1: see anything and like was dizzy, like I was gonna

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Speaker 1: fall over, and so I went to bed. The next day,

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Speaker 1: I had an appointment because I tore my groin muscle

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Speaker 1: when I shooting the Bumper Show. Because I'm an old

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Speaker 1: man now, you know. Yeah, man, you're falling apart. Yeah

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Speaker 1: you mean you tour it like months like six months ago. Yeah,

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Speaker 1: and then it's still fucking killing me. It feels like

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Speaker 1: someone like kicks me in the fucking nuts all the time.

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Speaker 1: Let me get in there. You need a good massage.

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Speaker 1: When we get in there, I'll get it. I'll get

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Speaker 1: it out. I need a good top massage so much

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Speaker 1: so that I won't I won't let Chloe suck on

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Speaker 1: my balls. I get stop it. And that's one of

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Speaker 1: my favorite activitis. Is she cool with that? She's really

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Speaker 1: cool with it. It's actually like so cool with it. Yeah,

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Speaker 1: that's cool. I'm gonna say it t m I. And

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Speaker 1: then I went to the t m I Nation that

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Speaker 1: should be the name of this show, tm MY Nation

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Speaker 1: that I went to the doctor for the groin I

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Speaker 1: already had a doctor appointment. I haven't been to a

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Speaker 1: doctor in over three years. Go to the doctor's appointment,

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Speaker 1: told him about my groin issue. He was like, okay, yea,

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Speaker 1: I'm gonna look at it. And then I was like, oh, yeah,

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Speaker 1: a weird thing happened last night, and told him about

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Speaker 1: my eyes situation, and they freaked out there, like what

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Speaker 1: you couldn't watch Sopranos? Was it kind of similar to

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Speaker 1: how we're freaking out and you're just talking about how

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Speaker 1: you kept watching TV? Yeah, dude, I mean I'll relay

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Speaker 1: my experience also, but go ahead and so then and

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Speaker 1: so then we're I was like, I mean it was

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Speaker 1: it was really scary. I didn't know what to do,

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Speaker 1: you know, in the moment. And uh and so I

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Speaker 1: was like it was better than next day. From my

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Speaker 1: left eye kept twitching where I couldn't really see out

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Speaker 1: of my left eye all that well, like a horse.

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Speaker 1: But when it twitches, my dogs like a winking butt hole.

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Speaker 1: Not the whole doctor. My eye is like a winking butthole,

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Speaker 1: winking bubble dr If you go to like a cool

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Speaker 1: down and dirty strip club, the buttles will wink. Of course,

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Speaker 1: I do what that's what my eyes is doing. And so, uh,

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Speaker 1: they freaked out. They switched to the hospital. I had

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Speaker 1: to get all these tests at a CT scan. I

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Speaker 1: had uh m l rye done. When it starts to

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Speaker 1: get very serious, I depended any twitch you know you

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Speaker 1: don't normally have to do. It was very very scary.

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Speaker 1: Um yeah, and then essentially they were like I think

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Speaker 1: you you go. Basically the doctor was like he was

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Speaker 1: a bros ar kind of doctor. He's like, yo, sure,

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Speaker 1: it seems like you go too hard in the paint,

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Speaker 1: bro and um, it was it was migraine. It was

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Speaker 1: a migraine. And then did the bros. I feel like,

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Speaker 1: would you like me to suck on your balls just

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Speaker 1: when well my ball is still hurt. That's the issue is.

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Speaker 1: That's not resolved. So Saturday I have to go and

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Speaker 1: get a ultrasound on my nutsack. I'll piss down on

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Speaker 1: my nutsack. Yeah, you could get a two fer the

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Speaker 1: m R. I didn't kind of scan that business too. Now,

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Speaker 1: it was just the knog. MR is the head, right,

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Speaker 1: that's the cranium. That's all it does. Yeah, I don't

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Speaker 1: know that's what that did. Well, you got two heads

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Speaker 1: on your body. Brother, You never know. Maybe ye thought

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Speaker 1: about it, didn't say it. You set I'll go down

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Speaker 1: that road. Uh yeah. So it really sucked. It was

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Speaker 1: really scary, you know, because you never think that you

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Speaker 1: were going to have a stroke or anything like that.

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Speaker 1: To me, wasn't even a possibility. Some people do well,

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Speaker 1: I mean, and then they looked at me and they

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Speaker 1: were like, you couldn't see And I'm like, yeah, no,

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Speaker 1: I really couldn't. It hurt a lot. I was dizzy,

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Speaker 1: and they're they're like, you you might have had a

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Speaker 1: stroke last night, you have to go to the hospital.

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Speaker 1: And I'm like, do I have to? And then the

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Speaker 1: another doctor came in and it was like I just

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Speaker 1: heard what happened. You have to go to the hospital

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Speaker 1: right now. We're calling an ambulance for you. And I'm like,

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Speaker 1: I can drive myself. I can see out of my

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Speaker 1: right eye and they're like, no, we're and then and

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Speaker 1: then I go there. They all know who I am.

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Speaker 1: They've like called ahead and like whispered like this is

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Speaker 1: so they put me under like a a John Doe,

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Speaker 1: but my name was Jem Doe Gemstone. Alright, right, just

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Speaker 1: Jem jem do Jem Doe? Did you gotta get better doctors?

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Speaker 1: And I'm serious, I need funny. How about people that

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Speaker 1: are like, it's Adam Divine, that is his legal name,

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Speaker 1: and we need to get him fixed. No screw ups,

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Speaker 1: no wrong surgeries, no wrong scame. So I can you

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Speaker 1: imagine there's another gem Do Jem Doe. Dude, call him Jim.

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Speaker 1: We got a Jim Doe here and we thought it

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Speaker 1: was a misspelling. He needed a new new leg. Unbelievable.

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Speaker 1: We cut off this man's legs. I love the idea

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Speaker 1: of you like dying and then being like it was

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Speaker 1: a righteous death and you're like, oh, please help me. Yeah,

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Speaker 1: they're very they're very kind in there. But when you

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Speaker 1: sent the text that said you may have had a

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Speaker 1: stroke or a brain hemorrhage, my fucking mind went nuts. Dude.

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Speaker 1: I was like, you're saying you had a stroke or

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Speaker 1: a brain pan. Well that's what they told me. They

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Speaker 1: were like, Kyle, calm down. No, Like I was, I'm

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Speaker 1: not gonna I mean, I'm an emotional guy, but I did,

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Speaker 1: like I walked way into like this other area where

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Speaker 1: I'm like, oh, no, you know what I mean, Like,

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Speaker 1: I let myself feel that for a moment. Did you

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Speaker 1: start writing the letter? No? I did not. I pulled

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Speaker 1: myself and read it on air. Read it on air. No,

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Speaker 1: I pulled myself out after when we kissed that one night,

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Speaker 1: I had a tear. I shed a fucking tear. Thank you, Kyle,

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Speaker 1: Thank you man. It was nice. It was nice. I

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Speaker 1: shed a fucking tear. I did. I sat there on

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Speaker 1: my bench by my pickleball court and I was like

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Speaker 1: reading the text. I'm like, dude, I know this guy

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Speaker 1: took a three minute time out from pickleball. Yeah, I

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Speaker 1: took a moment. You know what, two minute time out. Yeah,

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Speaker 1: I've got a process something real quick. It was hitting

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Speaker 1: the ball extra hard like it. I know it's a

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Speaker 1: good game right now, but I need a break. Give

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Speaker 1: me a minute. Okay, I need a break. I need

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Speaker 1: a two minute break. If I can rally up to twelve,

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Speaker 1: he'll live. If I can't, he'll die. And then I

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Speaker 1: came back and I won the game. So, you know,

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Speaker 1: powered by the sadness of paw sibly losing part of

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Speaker 1: Adam and one day positive. We appreciate that. Yeah, the

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Speaker 1: eight brain cells I have left almost were gone. God,

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Speaker 1: it was so real. When I told Emma had I

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Speaker 1: might have had a stroke, She's like those energy drinks.

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Speaker 1: Oh dude, my family too. It was every little thing.

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Speaker 1: They're like, well, and I don't really drink that many

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Speaker 1: energy drinks anymore, Like I don't care in my regular day,

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Speaker 1: do you have one a day? No? Less than that? Less? Then, yeah,

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Speaker 1: much less. You might be jem dough when every probably

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Speaker 1: drink four a week probably and probably down to four

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Speaker 1: a week on top of coffee, on top of coffee

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Speaker 1: and pre workout, and when two coffees a day at least,

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Speaker 1: right no, no, no, Adam has Adam has fifteen shots

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Speaker 1: of espresso a day. Remember we counted it was like

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Speaker 1: fifteen of espresso. It's not good total total. Okay, well

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Speaker 1: they did the doctor did say I should I should

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Speaker 1: cut back. They always say that, and you are doing

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Speaker 1: pre work. Yeah, I'm doing pretty work out. But they

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Speaker 1: always say cut back on caffeine. I'm gonna cut I'm

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Speaker 1: cutting back. I have I only have had two cups

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Speaker 1: of coffee today. That's it. Caffeine, yes, but you do

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Speaker 1: have a huge goblet of THHC. But what are you

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Speaker 1: drinking right now? No, this is this is a can. Okay,

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Speaker 1: you said it was gojus okay o podas what is

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Speaker 1: that though? That's a slowdown. That's a slowdown. You are

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Speaker 1: doing uppers and downers, bro, Yeah, that's what. That's not good.

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Speaker 1: That's where your brain sells. Dr Kyle. No, the doctor.

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Speaker 1: The doctor basically said it was totally cool. And also

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Speaker 1: the doctor bros Ark was like, yo, listen, fam, that's

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Speaker 1: all good. You gotta get up to get down. You're

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Speaker 1: talking to the guy who shed a fucking tear. I

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Speaker 1: appreciate your tear, Kyle, I really really shed a cheer tier. Right,

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Speaker 1: my wonky eye. Bro, it just been like bloop. We

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Speaker 1: should get that checked out. I asked the doctor about that.

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Speaker 1: He wants to look at it. Which one up Tom

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Speaker 1: and Triss. Yeah, he's like that he might have had

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Speaker 1: a stroke. Yeah me, I'm on the pickle ball car.

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Speaker 1: I'm good, dude, I'm sweating every day. I'm good. There's

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Speaker 1: there's levels to this ship, you know, there's levels to

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Speaker 1: the stroking. I know. Well, dude. The thing is that

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Speaker 1: some of this stuff it's not even like, um, you

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Speaker 1: like your choices, whatever you ingest is a part of it.

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Speaker 1: But some of it is just like it just fucking happened.

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Speaker 1: Yeah you know what I mean. It's like a clogged

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Speaker 1: arbery in your brain or whatever. Yeah. That's where I went.

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Speaker 1: Was like, I wasn't. I wasn't really like. I was like, yeah,

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Speaker 1: he has horrible habits and seems healthy. But I was like, oh,

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Speaker 1: maybe this is one of those things where it's like

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Speaker 1: control mad at me was like the god Quell, it's

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Speaker 1: the sequel, And they yelled at me about I'm like

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Speaker 1: in a hospital bed face timing them. He's yelling at

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Speaker 1: me at me about he also is he's having like

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Speaker 1: teeth issues, so like he has like half of his

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Speaker 1: teeth are just gone. On this side. He waiting for

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Speaker 1: a called a free place. It was like a bridge

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Speaker 1: or something. So it looks insane and he talks like

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Speaker 1: this because so it's just like the goddamn Zeke Will.

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Speaker 1: And I'm like, I can't take you serious. You have

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Speaker 1: no teeth. So man, So I had to ask the

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Speaker 1: doctors about the zeq Will and they all laughed, said,

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Speaker 1: the Zeke Will has nothing to do with it. But

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Speaker 1: here's the thing, here's the thing that's bullshit. I'm gonna

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Speaker 1: call bullshit on the doctors. I'm gonna call bullshit. You

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Speaker 1: don't think that I asked the doctors about. No, I

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Speaker 1: think you did. And I think the doctors also said that.

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Speaker 1: And I think that that's because they can't give you.

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Speaker 1: They're not giving you an actual reason as to what

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Speaker 1: happened to you medically, so they cannot say that that

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Speaker 1: is not that's not involved. They didn't. They said maybe

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Speaker 1: it's a micrain. Well they think it because they think

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Speaker 1: because so there's no fucking science experiment here there. Yeah,

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Speaker 1: I know, Well, they might be right about the migraine.

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Speaker 1: I got. I hope they're right. I hope I didn't

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Speaker 1: just have a stroke. But I mean me too, bro,

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Speaker 1: But they can't say that that doesn't it's not a

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Speaker 1: they can't, Bro, this is your body and we've moved

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Speaker 1: on from the groin or I mean, he didn't know

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Speaker 1: what sucked at my balls and I went back to

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Speaker 1: the doctor. I'm like, just this week ist fucking bizarre

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Speaker 1: because now I'm just going to My guy just goes

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Speaker 1: to doctors all the time. I haven't been for like

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Speaker 1: fucking years. That works back the other day. Yeah, if

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Speaker 1: you don't, you know, fix up your home, your home

300
00:16:34,800 --> 00:16:37,920
Speaker 1: starts to fall apart, or your car. It's so funny,

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Speaker 1: I think because I'm so not uncomfortable about like whipping

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Speaker 1: my dick out. Well too comfortable or not comfortable. Yeah,

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00:16:46,680 --> 00:16:49,480
Speaker 1: I'm pretty comfortable. I don't care, Like it doesn't matter. No,

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Speaker 1: I'm saying, are you too comfortable? Maybe like you come

305
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Speaker 1: in with that. The doctor told me yesterday, He's like, okay,

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Speaker 1: well let's see it. And there's like a little twenty

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Speaker 1: four your old say okay, well let's see it's it,

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Speaker 1: uh like twenty four year old like physicians assistant and

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00:17:06,520 --> 00:17:09,119
Speaker 1: they're taking notes, and I'm like, I guess this is

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00:17:09,160 --> 00:17:11,280
Speaker 1: just like part of part of it, and I just

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00:17:11,320 --> 00:17:16,359
Speaker 1: start whipping it out. She immediately became so uncomfortable and

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00:17:16,520 --> 00:17:21,399
Speaker 1: was like I'll just wait outside. Who really yeah, and

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Speaker 1: like ran outside so you get right back in your science.

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Speaker 1: And I was like, it was like, oh, yeah, I

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00:17:27,280 --> 00:17:29,720
Speaker 1: probably should have excused her and think about it the

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Speaker 1: doctor and I'm like, oh, yeah, probably I did. I

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00:17:32,440 --> 00:17:35,359
Speaker 1: didn't think about it either, and this poor girl just

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Speaker 1: you know, I almost shipped it out. She's in a

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Speaker 1: medical she's I don't know, Yeah, it used to be

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Speaker 1: that way. Yeah, that's you better get feel like just

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00:17:44,760 --> 00:17:47,760
Speaker 1: been like I'm learning, I'm gonna be in here. Yeah,

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00:17:48,359 --> 00:17:50,640
Speaker 1: I'm gonna be in here, and my dick is gonna

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Speaker 1: be out because there's ship going wrong downstairs. Hang on

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Speaker 1: a second. Here's my question though. Legitimately legitimately Okay, let's

325
00:17:58,840 --> 00:18:04,400
Speaker 1: say let's getten mean legitimate. Let's get legitimate. So she

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00:18:04,600 --> 00:18:09,439
Speaker 1: is legitimately a practicing physician or physician in training, probably

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Speaker 1: on an internship or something. Are we really at a

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Speaker 1: point where a person in that position shouldn't feel comfortable

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Speaker 1: seeing somebody's body like this is completely agree with you. Well,

330
00:18:21,800 --> 00:18:27,680
Speaker 1: I was rock hard, rock hard even more so, how

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Speaker 1: did anybody fit in the room? But you know what

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00:18:30,840 --> 00:18:34,320
Speaker 1: I'm saying, like we come. I mean, I'm with you.

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00:18:34,359 --> 00:18:36,040
Speaker 1: I'm with you, and that's why I don't feel I

334
00:18:36,040 --> 00:18:38,760
Speaker 1: didn't feel that uncomfortable. And I wasn't even uncomfortable until

335
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Speaker 1: she was like, na, I gotta go. That's what I'm

336
00:18:41,400 --> 00:18:44,040
Speaker 1: saying is that if what I'm saying is not you,

337
00:18:44,240 --> 00:18:47,960
Speaker 1: I'm saying people who are who are the physicians, Like,

338
00:18:48,480 --> 00:18:50,840
Speaker 1: isn't it their job to be like this is what

339
00:18:50,880 --> 00:18:52,720
Speaker 1: it is? This isn't this is. It doesn't matter, it's

340
00:18:52,760 --> 00:18:55,679
Speaker 1: not it is. You are correct. We're getting into this

341
00:18:55,720 --> 00:18:58,240
Speaker 1: weird context of things where it's like I feel like

342
00:18:58,280 --> 00:19:01,000
Speaker 1: privacy now is such like a big thing. That's my

343
00:19:01,119 --> 00:19:04,800
Speaker 1: point is that, yeah, it's gone to we kind of

344
00:19:04,800 --> 00:19:07,199
Speaker 1: covered it when we talked about like gin of college

345
00:19:07,280 --> 00:19:12,000
Speaker 1: is I think it's like people don't trust doctor, Like

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00:19:12,359 --> 00:19:14,679
Speaker 1: it's it's a little bit of going both ways, like

347
00:19:14,760 --> 00:19:16,719
Speaker 1: doctors are kind of like I want to respect you

348
00:19:16,720 --> 00:19:19,439
Speaker 1: because I could be a creep, so I won't if

349
00:19:19,480 --> 00:19:21,679
Speaker 1: you're a creep. I think if you're in the medical

350
00:19:21,760 --> 00:19:24,359
Speaker 1: profession and you're in that room and you're talking about it.

351
00:19:24,400 --> 00:19:27,080
Speaker 1: You should not be like, Wow, the dick is out.

352
00:19:27,160 --> 00:19:28,920
Speaker 1: You should not be like, oh my god, I mean

353
00:19:29,000 --> 00:19:31,360
Speaker 1: I need to leave. You should just be like, okay,

354
00:19:31,440 --> 00:19:34,639
Speaker 1: holy yeah. You should just be like, Okay, the dick's out.

355
00:19:34,640 --> 00:19:37,760
Speaker 1: I'm gonna learn something. Yeah, But you can't just walk

356
00:19:37,760 --> 00:19:40,159
Speaker 1: into the doctor office and spread your butt cheeks and

357
00:19:40,200 --> 00:19:42,560
Speaker 1: be like, what's my what's up with my hamraid? What's

358
00:19:42,600 --> 00:19:45,320
Speaker 1: my age again? If you're going if you're going there

359
00:19:45,400 --> 00:19:48,400
Speaker 1: for that, you can yes, what's my age again? Read

360
00:19:48,440 --> 00:19:52,439
Speaker 1: the rings. No, but Adam went in for blindness and

361
00:19:52,440 --> 00:19:54,280
Speaker 1: then he whipped his dick out, so of course she's

362
00:19:54,280 --> 00:19:59,359
Speaker 1: gonna go, whoa. These are two separate I went in

363
00:19:59,400 --> 00:20:02,520
Speaker 1: for a girl. Yeah, this was a groin inspection about

364
00:20:02,520 --> 00:20:05,440
Speaker 1: my blindness. Went to the hospital and then a separate day.

365
00:20:05,600 --> 00:20:09,199
Speaker 1: I was discharged from the hospital Tuesday on Saturday, and

366
00:20:09,200 --> 00:20:13,240
Speaker 1: then what did I say, discharge? It's just you're talking

367
00:20:13,280 --> 00:20:17,600
Speaker 1: about dicks and discharging discharge. It was cool as sexual discharge. Yeah, yeah,

368
00:20:17,600 --> 00:20:21,040
Speaker 1: it was sexual. Yeah, kind of helped himself. And then

369
00:20:21,119 --> 00:20:23,720
Speaker 1: yesterday I went to the doctor. So on Monday I

370
00:20:23,760 --> 00:20:26,160
Speaker 1: went into the doctor and was like, hey, I went

371
00:20:26,200 --> 00:20:28,200
Speaker 1: in for this groin thing, and then I told you

372
00:20:28,240 --> 00:20:31,040
Speaker 1: about my blindness, and we never addressed the groin thing.

373
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Speaker 1: So let's can someone look at my nuts for I

374
00:20:36,920 --> 00:20:38,760
Speaker 1: went in for my dick doesn't work, and all I

375
00:20:38,800 --> 00:20:43,560
Speaker 1: got was this stupid migraine. There's the merch. Someone else

376
00:20:43,560 --> 00:20:46,680
Speaker 1: will know what sucks is. It was raining outside. It

377
00:20:46,840 --> 00:20:50,360
Speaker 1: was like poor like trenial downpour, of course, so I'm like,

378
00:20:50,800 --> 00:20:54,600
Speaker 1: my dick was small. It was small, dude? Is that

379
00:20:54,720 --> 00:20:58,440
Speaker 1: the balls were so small? Uh? That? Yeah, rain rains

380
00:20:58,480 --> 00:21:03,320
Speaker 1: the indicator, dude, Maine. Sometimes sunshine will do it because

381
00:21:03,320 --> 00:21:07,600
Speaker 1: that is that brain or humidity. No wind, heavy wind. No,

382
00:21:07,800 --> 00:21:10,199
Speaker 1: my clothes were like soaked. It was. It was like

383
00:21:11,240 --> 00:21:14,600
Speaker 1: a true you were cold. It was really cold. And

384
00:21:15,119 --> 00:21:19,879
Speaker 1: sometimes light just made it so. Yeah, the storms that

385
00:21:20,000 --> 00:21:23,200
Speaker 1: come in my body is retreating into it. Any sort

386
00:21:23,200 --> 00:21:26,359
Speaker 1: of light will make mine so. But but but he

387
00:21:26,400 --> 00:21:29,880
Speaker 1: couldn't the right nut. I'm convinced as a little swollen

388
00:21:30,200 --> 00:21:33,640
Speaker 1: and the coil where the semen is on the back

389
00:21:33,680 --> 00:21:36,119
Speaker 1: side of the nut. I think it's like in large

390
00:21:36,280 --> 00:21:38,639
Speaker 1: oil or coil, coil. Let me get in there. Oil.

391
00:21:38,680 --> 00:21:41,760
Speaker 1: It's it's like the it's the vast deference, right, isn't

392
00:21:41,800 --> 00:21:44,560
Speaker 1: it to the vast deference? Or it is the vast

393
00:21:45,160 --> 00:21:47,240
Speaker 1: Maybe they say it's like a little bag of worms.

394
00:21:47,280 --> 00:21:49,280
Speaker 1: I mean, and that was. It felt a little swollen

395
00:21:49,320 --> 00:21:52,560
Speaker 1: to me, but my nuts were too sunken into my

396
00:21:52,640 --> 00:21:55,680
Speaker 1: body because that was so cold that he could Chloe

397
00:21:55,760 --> 00:21:58,720
Speaker 1: is no longer to suck on your bag of She couldn't.

398
00:21:59,000 --> 00:22:03,640
Speaker 1: She couldn't stuck on the back of worms. Oh your

399
00:22:04,520 --> 00:22:08,399
Speaker 1: the bait bag. So the doctor couldn't even get a

400
00:22:08,400 --> 00:22:11,240
Speaker 1: good feel. It sucked. I was like kept trying, and

401
00:22:11,280 --> 00:22:14,199
Speaker 1: I kept being like, it's really cold. He's like there's raining,

402
00:22:14,359 --> 00:22:16,080
Speaker 1: you know. I'm trying to get a grip over. And

403
00:22:16,080 --> 00:22:20,920
Speaker 1: because we're having awkward conversation about how he couldn't grab

404
00:22:20,960 --> 00:22:23,679
Speaker 1: ahold of, he's coaxing it out like a little like

405
00:22:23,720 --> 00:22:27,399
Speaker 1: a little scared animal. Come on. I would understand, and

406
00:22:27,480 --> 00:22:32,359
Speaker 1: I would understand. She's like, okay, I should leave. She's

407
00:22:32,480 --> 00:22:37,040
Speaker 1: shaking the door knob trying to get She hadn't seen

408
00:22:37,119 --> 00:22:39,320
Speaker 1: I hadn't pulled it out yet. I was just in

409
00:22:39,400 --> 00:22:43,240
Speaker 1: the unbuckled zip phase. I'm gonna go. You hit play

410
00:22:43,320 --> 00:22:45,159
Speaker 1: on this on like an r Kelly song on your

411
00:22:45,160 --> 00:22:47,399
Speaker 1: phone and you're like, well that we didn't have the

412
00:22:47,480 --> 00:22:52,080
Speaker 1: room too, you know, come on, come out, come out.

413
00:22:52,760 --> 00:22:58,480
Speaker 1: There is caffeine in this one, caffeine and can this one?

414
00:22:58,520 --> 00:23:02,000
Speaker 1: Because this is the moth day. I wonder why I

415
00:23:02,040 --> 00:23:07,760
Speaker 1: like this from the Best Wops. Oh my god, yeah,

416
00:23:07,800 --> 00:23:15,920
Speaker 1: I just go blind. Caffeine constricts blood vessels, right, yeah,

417
00:23:16,080 --> 00:23:18,200
Speaker 1: then you have blood vessels in your brain. Are you

418
00:23:18,240 --> 00:23:21,399
Speaker 1: sure that this physician's assistant wasn't drawing a picture of

419
00:23:21,440 --> 00:23:23,760
Speaker 1: your penis? Do you know that for sure? I don't

420
00:23:23,840 --> 00:23:26,080
Speaker 1: know that for sure. Probably the right seemed like a

421
00:23:26,880 --> 00:23:31,160
Speaker 1: sweet person and wanted to, um, respect my privacy, Respect

422
00:23:31,160 --> 00:23:43,439
Speaker 1: my privacy, grandma, Um, what season of Sopranos you're watching?

423
00:23:44,400 --> 00:23:46,800
Speaker 1: There's a little pivot. Never watched that show before you

424
00:23:46,840 --> 00:23:49,119
Speaker 1: went blind? What was the last image you saw? I

425
00:23:49,280 --> 00:23:51,760
Speaker 1: never ever watched that show. Don't spoil it. I just

426
00:23:51,800 --> 00:23:53,320
Speaker 1: watched it last year, so I think it is the

427
00:23:53,359 --> 00:23:56,480
Speaker 1: fifth time I've seen it, the whole thing. Yeah, don't

428
00:23:56,520 --> 00:23:59,560
Speaker 1: spoil it. Chloe hasn't do you like it that much?

429
00:24:00,160 --> 00:24:02,440
Speaker 1: I love it. I think it's great. It's a It's

430
00:24:02,440 --> 00:24:04,720
Speaker 1: a good comfort show for me because I've seen so

431
00:24:04,760 --> 00:24:06,720
Speaker 1: many times. I could just have it on and tune

432
00:24:06,720 --> 00:24:10,199
Speaker 1: in spoil it for me. Please don't spoil it. I

433
00:24:10,240 --> 00:24:13,119
Speaker 1: haven't seen that there's ducks that season one. I'm not

434
00:24:13,160 --> 00:24:15,280
Speaker 1: going to tell you what it is. It does have

435
00:24:15,400 --> 00:24:18,840
Speaker 1: the greatest ending to a show ever. It's the biggest

436
00:24:18,920 --> 00:24:22,520
Speaker 1: fuck you. I laughed so hard when it ended. I

437
00:24:22,560 --> 00:24:27,399
Speaker 1: was like, oh, this is amazing. Yeah, I can't remember

438
00:24:27,400 --> 00:24:29,680
Speaker 1: what the Oh, yeah, it is a great ending. It's okay,

439
00:24:29,680 --> 00:24:31,520
Speaker 1: you can spoil it. I'm never gonna watch it if

440
00:24:31,560 --> 00:24:33,520
Speaker 1: you want to. I don't want to spoil for everyone

441
00:24:33,560 --> 00:24:35,479
Speaker 1: else at home. But like, what do you mean spoil it?

442
00:24:35,520 --> 00:24:37,200
Speaker 1: The show came out like twenty years ago. If you

443
00:24:37,240 --> 00:24:40,280
Speaker 1: didn't watch it by now, funk off. I know. But people,

444
00:24:40,520 --> 00:24:43,560
Speaker 1: I just watched it, so okay, fine. It ends like

445
00:24:43,600 --> 00:24:48,880
Speaker 1: this with this family, they're kind of like they've been

446
00:24:49,040 --> 00:24:51,720
Speaker 1: on the on the on the out for everyone's fighting

447
00:24:51,720 --> 00:24:53,359
Speaker 1: there on the fritz, and they're finally sitting down at

448
00:24:53,359 --> 00:24:56,000
Speaker 1: a restaurant for a good meal. But then there's these

449
00:24:56,080 --> 00:24:59,920
Speaker 1: people who start coming in and maybe or maybe not eyeball,

450
00:25:00,000 --> 00:25:04,600
Speaker 1: and that's the cast of Seinfeld. Yes, maybe or maybe

451
00:25:04,640 --> 00:25:11,359
Speaker 1: not eyeballing. Gandolfini who's becoming hyper anxious about like people

452
00:25:11,400 --> 00:25:13,199
Speaker 1: double crossing him. Is he gonna get killed? You not?

453
00:25:13,840 --> 00:25:16,720
Speaker 1: And then just in the middle of a moment, it

454
00:25:16,760 --> 00:25:20,920
Speaker 1: cuts the black Yeah, and then it's gone, like it's

455
00:25:20,960 --> 00:25:23,399
Speaker 1: just saying it. It just continues or something. Is that

456
00:25:23,400 --> 00:25:25,800
Speaker 1: what it's important? Yeah, yeah, you don't. You don't know

457
00:25:25,840 --> 00:25:30,320
Speaker 1: what happened. It's so it's a non ending. That's fucking

458
00:25:30,359 --> 00:25:34,640
Speaker 1: that's so stupid. It is not even after a moment.

459
00:25:34,920 --> 00:25:37,520
Speaker 1: It is in the middle of a moment that it

460
00:25:37,560 --> 00:25:40,600
Speaker 1: just goes and the lights are out. Yeah. I liked it.

461
00:25:40,640 --> 00:25:41,800
Speaker 1: I thought it was kind of cool. I get what

462
00:25:41,840 --> 00:25:44,160
Speaker 1: they're saying. I love it. I think it's hilarious. Yeah,

463
00:25:44,320 --> 00:25:46,119
Speaker 1: I like ship like that. I actually like it too

464
00:25:46,200 --> 00:25:48,800
Speaker 1: do I like when movies and sad I like when

465
00:25:48,800 --> 00:25:52,600
Speaker 1: movies just end abruptly. That ship. I fucking dig it.

466
00:25:52,800 --> 00:25:57,040
Speaker 1: I like funny movies. I like movies with action. I

467
00:25:57,119 --> 00:26:00,520
Speaker 1: like the gigs, I like the win wins. I like

468
00:26:00,720 --> 00:26:04,520
Speaker 1: when it's dramatic. Guys are well awared of like a

469
00:26:04,520 --> 00:26:08,000
Speaker 1: fantasy element. Don't tell you what I am. You guys

470
00:26:08,080 --> 00:26:10,959
Speaker 1: know that there are like a lot of audience members

471
00:26:11,000 --> 00:26:13,760
Speaker 1: get very pissed if it's not a happy ending, if

472
00:26:13,760 --> 00:26:16,359
Speaker 1: it's ship isn't tied up, that's frowned upon. You know,

473
00:26:16,560 --> 00:26:19,080
Speaker 1: can't blow up a dog in your movie. People will

474
00:26:19,119 --> 00:26:23,040
Speaker 1: get mad. Hello. We did have to rewrite the end

475
00:26:23,080 --> 00:26:26,320
Speaker 1: of Game Over Man because it was a little bit sad,

476
00:26:26,680 --> 00:26:31,440
Speaker 1: even when the heroes immediately murdered that man. Dude, I

477
00:26:31,480 --> 00:26:34,080
Speaker 1: like it when ship ends sad, life and sad bro

478
00:26:34,240 --> 00:26:36,480
Speaker 1: do you how do you guys feel about this? Movies

479
00:26:36,520 --> 00:26:39,840
Speaker 1: have become so formulaic, like there's one way to write

480
00:26:39,840 --> 00:26:43,440
Speaker 1: a movie now, essentially for executives to be for executive

481
00:26:43,600 --> 00:26:48,760
Speaker 1: because I'm for the studio system, yes, for the student streamers, yes,

482
00:26:49,000 --> 00:26:52,719
Speaker 1: And it fucking sucks because you're like, okay, so this

483
00:26:52,800 --> 00:26:54,960
Speaker 1: is the point where they just say outright, the whole

484
00:26:54,960 --> 00:26:57,240
Speaker 1: thing that's missing from their lives. We're gonna have the

485
00:26:57,359 --> 00:27:00,320
Speaker 1: like sentence here that they're gonna say late, like so

486
00:27:00,400 --> 00:27:03,680
Speaker 1: many boxes that need to be checked now so audiences

487
00:27:03,720 --> 00:27:07,600
Speaker 1: feel satisfied. And I just watched that Guillermo del Toro

488
00:27:07,800 --> 00:27:12,120
Speaker 1: movie from last year called Nightmare Alley. Yeah, I didn't

489
00:27:12,160 --> 00:27:16,959
Speaker 1: see that. Did you guys watch it? I didn't? Fucking cool.

490
00:27:17,160 --> 00:27:22,000
Speaker 1: It's really good. Wow, Durst like something, this is huge,

491
00:27:22,400 --> 00:27:24,360
Speaker 1: this is huge. Where did you watch it? Where can

492
00:27:24,359 --> 00:27:28,080
Speaker 1: I see it? On airplane? But it made me uncomfortable

493
00:27:28,119 --> 00:27:31,480
Speaker 1: because it's so non formulaic. I'm like, where's the fucking beat?

494
00:27:31,840 --> 00:27:34,639
Speaker 1: And it nobody watched it. Nobody liked it or not

495
00:27:34,760 --> 00:27:37,800
Speaker 1: liked it, but nobody kind of. It wasn't a critical

496
00:27:38,480 --> 00:27:40,880
Speaker 1: it wasn't a huge thing. It wasn't like a popular

497
00:27:40,960 --> 00:27:45,960
Speaker 1: success because it wasn't the cliche movie Homeboy jumped off though?

498
00:27:46,440 --> 00:27:50,560
Speaker 1: Who's whose homeboy? Whose homeboy? The guy who plays Kanga Conqueror.

499
00:27:50,600 --> 00:27:53,400
Speaker 1: Now he's a very good actor. What the freaking heck

500
00:27:53,480 --> 00:27:56,400
Speaker 1: is his name? Though? I don't know? From Nightmare Alley? Yeah,

501
00:27:56,560 --> 00:28:01,040
Speaker 1: I like movies with cool actors, and I like he's

502
00:28:01,080 --> 00:28:03,520
Speaker 1: a very good act Look up night Raley. I'll see

503
00:28:03,520 --> 00:28:07,119
Speaker 1: who it is. But like Willem Dafoe, isn't it he's amazing?

504
00:28:07,520 --> 00:28:12,080
Speaker 1: Up Bradley Cooper who like Bradley Cooper jumped off from.

505
00:28:12,080 --> 00:28:16,920
Speaker 1: I'm not like a huge Bradley Cooper guy. But Jonathan Majors,

506
00:28:17,840 --> 00:28:21,560
Speaker 1: Oh yeah, who's John Major's She's a fucking up next

507
00:28:21,600 --> 00:28:25,120
Speaker 1: bro Okay, all right, yeah, well he's in that, but anyway,

508
00:28:25,200 --> 00:28:27,680
Speaker 1: like I just and if you watch a movie from

509
00:28:27,720 --> 00:28:30,480
Speaker 1: like the seventies or from another country like where they're

510
00:28:30,600 --> 00:28:33,080
Speaker 1: they don't have to answer to all these executives who

511
00:28:33,080 --> 00:28:35,480
Speaker 1: are like, well, wait, where's the callback thing that we

512
00:28:35,640 --> 00:28:39,280
Speaker 1: set up? And it will blow your mind. You're like, wait,

513
00:28:39,320 --> 00:28:42,560
Speaker 1: movies can be this and it's so refreshable. And that's

514
00:28:42,600 --> 00:28:46,600
Speaker 1: like you watch a movie from the eighties or early

515
00:28:46,720 --> 00:28:51,160
Speaker 1: nineties before they were everything was so formulaic, and you're like, like,

516
00:28:51,280 --> 00:28:53,480
Speaker 1: even now where I grew up with those movies and

517
00:28:53,520 --> 00:28:55,360
Speaker 1: I liked them and never never had a problem with

518
00:28:55,400 --> 00:28:58,160
Speaker 1: them when I was a kid watching that stuff, And

519
00:28:58,200 --> 00:29:01,480
Speaker 1: then now I'm like, god, damn, get to it, because

520
00:29:01,480 --> 00:29:07,360
Speaker 1: we've been conditions and it sucks. It sucks, I get it.

521
00:29:07,360 --> 00:29:10,400
Speaker 1: It's it fucking it's the worst. I just read a script.

522
00:29:10,800 --> 00:29:12,240
Speaker 1: I'm not gonna say what the script is, but I

523
00:29:12,320 --> 00:29:16,560
Speaker 1: just read a script that I had read. But no, no, no,

524
00:29:16,600 --> 00:29:18,960
Speaker 1: it's not yours. It's not yours. But I had read

525
00:29:19,000 --> 00:29:21,480
Speaker 1: it three years ago, and then the pandemic hit and

526
00:29:21,480 --> 00:29:24,440
Speaker 1: it got bounced around from studio to studio to studio,

527
00:29:24,520 --> 00:29:27,880
Speaker 1: and just like everybody's injecting their notes and it was

528
00:29:27,920 --> 00:29:29,760
Speaker 1: cool when I read it three years ago. When I

529
00:29:29,840 --> 00:29:32,480
Speaker 1: just picked it up, I was like, what are all

530
00:29:32,520 --> 00:29:36,240
Speaker 1: of these fucking this is not correct? Like this is

531
00:29:36,280 --> 00:29:39,400
Speaker 1: too much to absorb up top. I'm watching the movie

532
00:29:39,440 --> 00:29:41,840
Speaker 1: to learn this stuff. I'm not watching the movie to

533
00:29:41,960 --> 00:29:45,120
Speaker 1: hear it to hear everybody be so aware of their

534
00:29:45,200 --> 00:29:48,280
Speaker 1: character arcs, Like it's like, what the but you have?

535
00:29:48,400 --> 00:29:50,520
Speaker 1: But they have to say it because the number one note.

536
00:29:50,560 --> 00:29:53,160
Speaker 1: And guys, if you're listening now, this is episode one

537
00:29:53,200 --> 00:29:57,720
Speaker 1: Hunter where we tell you we hate life screenplay. I

538
00:29:57,760 --> 00:30:02,040
Speaker 1: got every executive is like their big whole thing is uh,

539
00:30:02,200 --> 00:30:05,680
Speaker 1: we want the audience can never not know what's going on,

540
00:30:05,880 --> 00:30:09,320
Speaker 1: And it's like the funk are we talking about? Yeah?

541
00:30:09,360 --> 00:30:12,040
Speaker 1: I hate that ship episode A hundred We keep it

542
00:30:12,080 --> 00:30:15,480
Speaker 1: a hundred man, Well, so what is that? Do you

543
00:30:15,520 --> 00:30:19,080
Speaker 1: think that is a response to people thinking the audience

544
00:30:19,240 --> 00:30:21,840
Speaker 1: is dumb as ship or that the audience through fits

545
00:30:21,920 --> 00:30:26,760
Speaker 1: with like movies like ending uh not on a happy note?

546
00:30:26,920 --> 00:30:29,160
Speaker 1: Or no, it's a both, it's both. It's both. I

547
00:30:29,160 --> 00:30:31,840
Speaker 1: think that people think audiences are dumber than they are,

548
00:30:32,040 --> 00:30:35,760
Speaker 1: and I think sometimes audiences are dumb. Sometimes audiences are

549
00:30:35,960 --> 00:30:37,960
Speaker 1: and they want to reach everybody. They don't want it

550
00:30:38,000 --> 00:30:40,360
Speaker 1: to just be some people. They want everyone to get it.

551
00:30:40,400 --> 00:30:43,600
Speaker 1: I'm also going to say that it's the executives themselves. Yeah,

552
00:30:43,640 --> 00:30:45,520
Speaker 1: but and they're trying to cover their assets. It's the

553
00:30:45,600 --> 00:30:50,760
Speaker 1: executives themselves inserting themselves. I'll say that it's executives rock.

554
00:30:50,960 --> 00:30:55,880
Speaker 1: The executives themselves inserting themselves into the creative process in

555
00:30:55,920 --> 00:30:59,840
Speaker 1: a way that is not needed. And he never worked again?

556
00:31:00,600 --> 00:31:03,800
Speaker 1: Did you say? And he never worked again? Funk? Miss

557
00:31:03,840 --> 00:31:08,680
Speaker 1: movies for guys who like movies. You know, I just

558
00:31:08,760 --> 00:31:13,480
Speaker 1: missed movies for guys who like movies. Are you just

559
00:31:13,560 --> 00:31:18,320
Speaker 1: quoting them the script? Now? Yeah? Good should be like movies.

560
00:31:20,160 --> 00:31:22,960
Speaker 1: I don't know, man, but like seeing movies like I

561
00:31:23,040 --> 00:31:26,360
Speaker 1: watched scene Jackie Chan, what the funk with the cop

562
00:31:26,400 --> 00:31:30,440
Speaker 1: cop copper or just no supercop, supercop, supercop the other Dad,

563
00:31:31,520 --> 00:31:34,200
Speaker 1: I'm like, what is this? And even Kyle, hopefully you

564
00:31:34,240 --> 00:31:37,800
Speaker 1: appreciate this. As a director, even the language of directing

565
00:31:37,880 --> 00:31:41,760
Speaker 1: now is so derivative and kind of like, let's let's

566
00:31:41,800 --> 00:31:43,520
Speaker 1: just do this. And you watch a movie from the

567
00:31:43,520 --> 00:31:45,880
Speaker 1: seventies where they're kind of winging it, and you're like, whoa,

568
00:31:45,960 --> 00:31:48,880
Speaker 1: what's that shot, it actually kind of works better even

569
00:31:48,920 --> 00:31:52,360
Speaker 1: though yeah, what they call it, I mean in film

570
00:31:52,560 --> 00:31:55,560
Speaker 1: or in television, it's like you have what your coverage,

571
00:31:55,680 --> 00:31:57,240
Speaker 1: you know what I mean? You have to cover things,

572
00:31:58,240 --> 00:32:02,440
Speaker 1: different shots, different stuff, and has become so formulaic that

573
00:32:02,640 --> 00:32:06,280
Speaker 1: even in the industry, when you're on set, people can say,

574
00:32:06,360 --> 00:32:09,880
Speaker 1: give me the deli menu, like the regular coverage. So

575
00:32:09,920 --> 00:32:11,880
Speaker 1: you can walk into a scene and know the deli

576
00:32:11,920 --> 00:32:15,360
Speaker 1: menu and make that scene work, but it has no vision.

577
00:32:15,640 --> 00:32:19,880
Speaker 1: Well Zosion. Maybe that's it's for the good and the

578
00:32:19,880 --> 00:32:22,959
Speaker 1: bad though, because I think if you give somebody like

579
00:32:23,160 --> 00:32:25,400
Speaker 1: maybe when people start to think too far out of

580
00:32:25,400 --> 00:32:27,320
Speaker 1: the box, then you start to get movies that are

581
00:32:27,400 --> 00:32:29,640
Speaker 1: just like, what the funk am I even watching at

582
00:32:29,640 --> 00:32:31,960
Speaker 1: this point? It does what is what is that for you? Yeah?

583
00:32:32,240 --> 00:32:35,560
Speaker 1: What's what's too far? Like? It requires skill to be

584
00:32:35,640 --> 00:32:39,200
Speaker 1: a good director. But if everybody coming into like serious

585
00:32:39,360 --> 00:32:42,720
Speaker 1: directing school is like, I'm super heavy, I know, and

586
00:32:42,760 --> 00:32:44,640
Speaker 1: then you watch their product and you're kind of like,

587
00:32:45,040 --> 00:32:48,440
Speaker 1: but that's but that's why when you watch a film

588
00:32:48,480 --> 00:32:52,280
Speaker 1: students project, it's usually kind of incoherent and out there.

589
00:32:52,600 --> 00:32:55,280
Speaker 1: But you need these fresh new young minds to take

590
00:32:55,320 --> 00:32:59,520
Speaker 1: these swings so that you can get something fantastic as

591
00:32:59,560 --> 00:33:02,719
Speaker 1: soon as like reel in their skill set and they

592
00:33:02,760 --> 00:33:08,120
Speaker 1: sharpen their tools. Yeah yeah, yeah, Blake, I mean yes, yeah, yeah, right.

593
00:33:08,600 --> 00:33:10,840
Speaker 1: You don't want every film student to be like, hey,

594
00:33:10,880 --> 00:33:14,160
Speaker 1: I got the Deli menu. I'm done exploring the depths

595
00:33:14,200 --> 00:33:17,800
Speaker 1: of filmmaking. There is a certain also super annoying as

596
00:33:17,840 --> 00:33:21,200
Speaker 1: an actor when you're like, you want a director that

597
00:33:21,280 --> 00:33:24,520
Speaker 1: has a vision that isn't just gonna do a million

598
00:33:24,600 --> 00:33:27,520
Speaker 1: takes of coverage. When you're like, you know you're not

599
00:33:27,560 --> 00:33:29,760
Speaker 1: going to use that shot. It's just so when you

600
00:33:29,800 --> 00:33:33,960
Speaker 1: get in the edit, an executive can't say, where's that

601
00:33:34,040 --> 00:33:38,080
Speaker 1: shot out of It's built out of fear, it's not

602
00:33:38,200 --> 00:33:41,200
Speaker 1: built out of a tourship or built out of out

603
00:33:41,240 --> 00:33:44,160
Speaker 1: of like a vision. You know it's not there, And

604
00:33:44,240 --> 00:33:46,560
Speaker 1: I think it is sad. You do need to know

605
00:33:46,760 --> 00:33:49,960
Speaker 1: these rules in order to break them, and should be.

606
00:33:50,120 --> 00:33:52,720
Speaker 1: That's why film students fresh out of film school stuff

607
00:33:52,720 --> 00:33:56,160
Speaker 1: that doesn't click, because they don't necessarily know the rules

608
00:33:56,200 --> 00:34:00,240
Speaker 1: and they're already breaking all the rules. This is and

609
00:34:00,280 --> 00:34:05,760
Speaker 1: we're keeping them before you break over. Hey, sorry industry,

610
00:34:06,960 --> 00:34:13,879
Speaker 1: sorry industry, fuck you, d We're done, Adam. When I

611
00:34:13,960 --> 00:34:16,560
Speaker 1: heard you were dying, I'm like, fuck it, man, fun

612
00:34:16,680 --> 00:34:23,680
Speaker 1: this industry, bro streets, Okay, I hate the deadly menu. Man,

613
00:34:23,760 --> 00:34:28,680
Speaker 1: give me give me a sloppy Joe. Sloppy Joe and

614
00:34:28,719 --> 00:34:31,760
Speaker 1: all this weird show. Give me don't mess with Zohan,

615
00:34:32,320 --> 00:34:36,319
Speaker 1: It's it's funny. Man writing the Workoholics movie, I'm like,

616
00:34:36,520 --> 00:34:39,320
Speaker 1: am I supposed to be hitting all these fucking boxes?

617
00:34:39,360 --> 00:34:41,480
Speaker 1: So it feels like every other movie right now? Am

618
00:34:41,520 --> 00:34:43,840
Speaker 1: I supposed to just write what I know? We dig?

619
00:34:44,040 --> 00:34:47,520
Speaker 1: You know what I mean exactly exactly doesn't turn it.

620
00:34:47,840 --> 00:34:53,719
Speaker 1: So that being said, definitely check all the boxes. Also, yeah,

621
00:34:54,239 --> 00:34:58,520
Speaker 1: give me the art, give me the arts. Too much

622
00:34:58,560 --> 00:35:00,880
Speaker 1: funny for your jersey. I would to get some early

623
00:35:00,960 --> 00:35:04,560
Speaker 1: flowers to you. Just gave us the first fifty six

624
00:35:04,600 --> 00:35:12,680
Speaker 1: pages of our movie. Very exciting and Drsey crush it.

625
00:35:12,760 --> 00:35:17,200
Speaker 1: I'm very happy, very happy. We're gonna get a guy. Listeners,

626
00:35:17,200 --> 00:35:19,480
Speaker 1: We're gonna give you guys a movie and at least

627
00:35:19,520 --> 00:35:23,400
Speaker 1: a year and a half at least. Hey, they wanted

628
00:35:23,440 --> 00:35:29,200
Speaker 1: the update, they got, they got it two years from now. Look,

629
00:35:29,280 --> 00:35:31,520
Speaker 1: and maybe we're gonna about to be start shooting and

630
00:35:31,560 --> 00:35:34,359
Speaker 1: then fucking Adam's eyes go out and we don't know

631
00:35:34,480 --> 00:35:38,120
Speaker 1: what's gonna happen. Worms fall out of the sack. Who knows.

632
00:35:38,200 --> 00:35:40,560
Speaker 1: That's when I really start crying. Bro, we can't make

633
00:35:40,560 --> 00:35:46,120
Speaker 1: the movie. I like doing this ship so much. I

634
00:35:46,160 --> 00:35:50,640
Speaker 1: really love what we do. And uh. I was talking

635
00:35:50,680 --> 00:35:54,279
Speaker 1: with my dad, um uh facetiming from the hospital bed,

636
00:35:54,320 --> 00:35:56,239
Speaker 1: and I was like, man, it just sucks. I you know,

637
00:35:56,920 --> 00:36:00,439
Speaker 1: if I can't see, I won't be able to still

638
00:36:00,440 --> 00:36:02,080
Speaker 1: be an actor, Like I won't be able to do

639
00:36:02,200 --> 00:36:03,680
Speaker 1: all the things that I like to do. And he

640
00:36:03,800 --> 00:36:07,640
Speaker 1: was like, but then okay, but you'll still be blind

641
00:36:07,719 --> 00:36:12,080
Speaker 1: for your whole life. And I'm like, yeah, you're right.

642
00:36:12,239 --> 00:36:15,600
Speaker 1: It does suck beyond beyond just being an actor. It

643
00:36:15,640 --> 00:36:17,759
Speaker 1: would suck for my entire life. But I know I

644
00:36:17,800 --> 00:36:20,200
Speaker 1: know where you're coming from. You this is your passion.

645
00:36:20,239 --> 00:36:22,680
Speaker 1: This is what you wake up for. Uh. This is

646
00:36:23,080 --> 00:36:26,080
Speaker 1: why do you drink Nichle at night. Um, this is

647
00:36:26,120 --> 00:36:30,239
Speaker 1: important caffeine. This is why I chug Red Bull during

648
00:36:30,239 --> 00:36:32,840
Speaker 1: the day. The thing is, you can always do the

649
00:36:32,840 --> 00:36:36,120
Speaker 1: poet's vicious cycle smoke weed. This why you drink Telly

650
00:36:36,160 --> 00:36:42,320
Speaker 1: Blackout vicious vicious cycle. That's why there's gotta be blind

651
00:36:42,360 --> 00:36:45,840
Speaker 1: actors though right there's not many of them. I I

652
00:36:45,840 --> 00:36:50,200
Speaker 1: wouldn't think. I can't think these corporations need to start

653
00:36:50,440 --> 00:36:53,719
Speaker 1: including some blind actors. Yeah, or I'm gonna lose my

654
00:36:53,760 --> 00:36:57,920
Speaker 1: fucking blind actor. And I never saw CODA, but wasn't there?

655
00:36:57,960 --> 00:37:00,680
Speaker 1: It was a blind or dead that's dead, were all deaf? Y?

656
00:37:01,719 --> 00:37:03,520
Speaker 1: I think that's the way to go if you're if

657
00:37:03,560 --> 00:37:06,840
Speaker 1: you're going to have like a impairment. I think I

658
00:37:06,880 --> 00:37:09,799
Speaker 1: think deaf. There's been a couple of movies about that.

659
00:37:09,880 --> 00:37:13,560
Speaker 1: Now you can win, you can still get your Academy award.

660
00:37:13,920 --> 00:37:19,440
Speaker 1: CODA stands for Children of Deaf Adults. Oh, and it's

661
00:37:19,440 --> 00:37:22,360
Speaker 1: also a musical reference because it's a music movie. Was

662
00:37:22,440 --> 00:37:25,560
Speaker 1: the homie in that scary movie actually blind or or No?

663
00:37:25,680 --> 00:37:31,680
Speaker 1: Remember that? That was dude from Avatar love that. What's

664
00:37:31,760 --> 00:37:35,360
Speaker 1: that movie called it was? I don't know. Was it

665
00:37:35,360 --> 00:37:42,319
Speaker 1: called quiet? Oh? Where he had like the spoiler where

666
00:37:42,320 --> 00:37:45,120
Speaker 1: he had been a person in the basement and him

667
00:37:45,120 --> 00:37:48,080
Speaker 1: in the cage. Well, they're sneaking around his house. Yes,

668
00:37:48,440 --> 00:37:52,480
Speaker 1: So the premises there's a blind guy who these kids

669
00:37:52,600 --> 00:37:54,840
Speaker 1: think like has millions of dollars and they're going to

670
00:37:54,920 --> 00:37:56,960
Speaker 1: go into his house to rob him. When they get

671
00:37:57,000 --> 00:37:59,080
Speaker 1: in there, they find out, Oh, this dude was like

672
00:37:59,120 --> 00:38:01,359
Speaker 1: a tactical marine back in the day. It was like

673
00:38:01,520 --> 00:38:04,640
Speaker 1: X Marina. And because he's blind, he can hear better

674
00:38:04,760 --> 00:38:08,319
Speaker 1: and he can smell better. Yeah, I love that. How

675
00:38:08,400 --> 00:38:11,000
Speaker 1: real is that ship? By the way, the movie is amazing.

676
00:38:11,120 --> 00:38:14,200
Speaker 1: The movie is called don't Breathe. Don't breathe. You can

677
00:38:14,320 --> 00:38:16,359
Speaker 1: hear your breath, don't breathe. Yeah, that was a really

678
00:38:16,360 --> 00:38:20,960
Speaker 1: good movie. Like, how real do we think that's? Stuff? Is? Like,

679
00:38:21,400 --> 00:38:26,480
Speaker 1: I'm sure it's tightened a little bit. Like if you

680
00:38:26,600 --> 00:38:33,840
Speaker 1: lose your eyesight, what I your farts? I'm like, oh Jesus,

681
00:38:34,080 --> 00:38:37,560
Speaker 1: you can hear heartbeats. What do you do? Man? Spicy cheetos?

682
00:38:37,680 --> 00:38:39,719
Speaker 1: What is that? You're like, That's exactly what I ate

683
00:38:39,800 --> 00:38:42,680
Speaker 1: through the internet. You smell. If you could smell through

684
00:38:42,680 --> 00:38:45,960
Speaker 1: the internet, I would assume just imagine what your sense

685
00:38:45,960 --> 00:38:48,879
Speaker 1: of feel would be at that point. Oh God, here

686
00:38:48,880 --> 00:38:55,439
Speaker 1: we go. Let your fingers do the walking. I think

687
00:38:55,480 --> 00:38:58,360
Speaker 1: I would rather have I mean, I'm a director of

688
00:38:58,480 --> 00:39:01,359
Speaker 1: visual guy, but I think I would rather lose my

689
00:39:01,520 --> 00:39:06,440
Speaker 1: sense of vision. You want no vision? I think I

690
00:39:06,440 --> 00:39:10,279
Speaker 1: would rather lose my vision and go audio. Why, well,

691
00:39:10,320 --> 00:39:12,560
Speaker 1: then you couldn't ever work again. If you're deaf, you

692
00:39:12,560 --> 00:39:14,520
Speaker 1: could still work. No, I mean I could work in

693
00:39:14,680 --> 00:39:17,080
Speaker 1: radio and stuff. No. No. He would team up with

694
00:39:17,120 --> 00:39:19,560
Speaker 1: someone and he would say I want the shot like this,

695
00:39:20,120 --> 00:39:22,160
Speaker 1: and they'd be like, just do whatever. You just kind

696
00:39:22,200 --> 00:39:27,200
Speaker 1: of deli menu. Just do me, Just do the Deli menu.

697
00:39:27,320 --> 00:39:30,440
Speaker 1: I'll be sitting over here, you know, directing as fucking

698
00:39:30,440 --> 00:39:33,640
Speaker 1: easy as fuck. You just say Deli menu in the movies? Done?

699
00:39:33,880 --> 00:39:36,960
Speaker 1: Do we do that extreme close up? Yeah, we got it?

700
00:39:37,480 --> 00:39:39,600
Speaker 1: Just just go what do you What do you mean, Kyle?

701
00:39:39,680 --> 00:39:41,719
Speaker 1: You could do radio? What does that mean? You'd be

702
00:39:41,760 --> 00:39:46,040
Speaker 1: like a DJ or movie radio making a lot of

703
00:39:46,080 --> 00:39:49,040
Speaker 1: filmmaking and pacing and stuff is based on what you're

704
00:39:49,120 --> 00:39:54,080
Speaker 1: hearing anyways, like a so so, like I think I

705
00:39:54,080 --> 00:39:59,560
Speaker 1: would rather how that then I would rather have that tool.

706
00:40:00,280 --> 00:40:04,120
Speaker 1: Then the visual tool? Is it? Woody Allen? Who who doesn't?

707
00:40:04,200 --> 00:40:07,600
Speaker 1: It's a ton somebody does. Like listen They just listen

708
00:40:07,640 --> 00:40:10,680
Speaker 1: for the rhythm, Yes, exactly, especially in Common. That doesn't

709
00:40:10,680 --> 00:40:13,400
Speaker 1: make sense to me because you're gonna edit later anyway,

710
00:40:13,480 --> 00:40:16,800
Speaker 1: So what are they doing there? They're doing the rhythms

711
00:40:16,840 --> 00:40:20,680
Speaker 1: they're doing rhythms. It's I know, but the rhythm doesn't

712
00:40:20,680 --> 00:40:23,479
Speaker 1: exist then and there. The rhythm exists in the bay,

713
00:40:23,520 --> 00:40:27,320
Speaker 1: the edit bay, the bay. Baby, if your theater director,

714
00:40:27,360 --> 00:40:30,200
Speaker 1: I totally understand it. Well, I don't know, dude, If

715
00:40:30,239 --> 00:40:32,720
Speaker 1: you can get a scene to really work, there's rhythm

716
00:40:32,800 --> 00:40:36,000
Speaker 1: in it. If a well written scene can be very rhythmic,

717
00:40:36,080 --> 00:40:39,040
Speaker 1: especially in comedy, I don't disagree. Sure, in like a

718
00:40:39,160 --> 00:40:41,920
Speaker 1: multicam for sure, but like you know where I'm coming

719
00:40:41,960 --> 00:40:45,000
Speaker 1: from as far as like a single camera, Like, yeah,

720
00:40:45,040 --> 00:40:46,520
Speaker 1: the rhythm can be there on the day, but it

721
00:40:46,520 --> 00:40:49,239
Speaker 1: doesn't matter. But again, though you're you're banking on the

722
00:40:49,239 --> 00:40:51,400
Speaker 1: Delhi menu here. What if you have a shot and

723
00:40:51,440 --> 00:40:52,960
Speaker 1: you need to get it done in the shot, the

724
00:40:53,040 --> 00:40:55,880
Speaker 1: rhythm is super important. What do you mean like it's

725
00:40:55,960 --> 00:40:58,000
Speaker 1: just a two shot? Yeah, what if you just want

726
00:40:58,040 --> 00:40:59,719
Speaker 1: to do it like that, that's your shot, then you

727
00:40:59,800 --> 00:41:01,560
Speaker 1: got to get the rhythms right. It doesn't matter because

728
00:41:01,560 --> 00:41:04,240
Speaker 1: the executives right there saying I want to coverage Kyle,

729
00:41:04,280 --> 00:41:06,520
Speaker 1: but you if you can't see, you can't line up

730
00:41:06,560 --> 00:41:11,359
Speaker 1: the shot. The cinematographer can, well, sure, but cinnamon ptographer.

731
00:41:11,600 --> 00:41:13,239
Speaker 1: I'm just saying I think I could still work. It's

732
00:41:13,280 --> 00:41:15,439
Speaker 1: been calling it cinnamon ptographer. I don't think I could

733
00:41:15,480 --> 00:41:19,000
Speaker 1: work if I didn't have my ears. Okay, so Kyle

734
00:41:19,239 --> 00:41:23,399
Speaker 1: is going sight, So what the five senses? What would

735
00:41:23,440 --> 00:41:25,520
Speaker 1: you guys go without? Oh? I was just going deaf

736
00:41:25,600 --> 00:41:29,480
Speaker 1: or blind. I wasn't doing five taste taste is one?

737
00:41:30,360 --> 00:41:32,560
Speaker 1: How ripped could you get if you couldn't taste it?

738
00:41:33,040 --> 00:41:35,719
Speaker 1: I couldn't taste anything. Come on, ye use that that's

739
00:41:35,719 --> 00:41:37,720
Speaker 1: not fair. That's not what I was. Yeah, yeah, okay,

740
00:41:37,800 --> 00:41:40,919
Speaker 1: let's just go deafer blind then deaf or blind blind deaf.

741
00:41:41,480 --> 00:41:44,120
Speaker 1: I don't need to hear anything, to be honest, but

742
00:41:44,280 --> 00:41:47,000
Speaker 1: like to not see things. So you want your visions

743
00:41:47,160 --> 00:41:50,319
Speaker 1: because by the way, we are more, we rely more

744
00:41:50,360 --> 00:41:53,479
Speaker 1: on site than we do on our ears. For sure,

745
00:41:53,600 --> 00:41:58,560
Speaker 1: you do now, but because you got them both. But

746
00:41:58,680 --> 00:42:00,799
Speaker 1: if you get rid of one, going to relize, but

747
00:42:00,840 --> 00:42:05,400
Speaker 1: then you can't hear music anymore. Music is so essential exactly,

748
00:42:05,480 --> 00:42:07,719
Speaker 1: like how can you live with You can feel it,

749
00:42:07,719 --> 00:42:10,360
Speaker 1: you can feel vibrations. That's how can you live without music?

750
00:42:10,560 --> 00:42:13,080
Speaker 1: You just sit? It's like that. How it's like saving

751
00:42:13,160 --> 00:42:17,799
Speaker 1: parts the Howard Stern movie. You just just to speaker dude,

752
00:42:17,800 --> 00:42:20,120
Speaker 1: to crank it up. Feel the vibration. I hear that.

753
00:42:20,280 --> 00:42:22,680
Speaker 1: I hear that. I think there is some validity to

754
00:42:22,719 --> 00:42:26,120
Speaker 1: that feeling. You got your feeling there, well yeah, I

755
00:42:26,120 --> 00:42:29,799
Speaker 1: mean we still got our feelings. So it's all still

756
00:42:29,840 --> 00:42:32,400
Speaker 1: got our feeling. I should be sitting on a subwoofer

757
00:42:32,560 --> 00:42:35,560
Speaker 1: right now, bro, we should do that when we should

758
00:42:35,560 --> 00:42:40,719
Speaker 1: be sitting on subs because you know, I thought about

759
00:42:40,760 --> 00:42:43,399
Speaker 1: this over the weekend when I thought I was having

760
00:42:43,400 --> 00:42:47,160
Speaker 1: strokes and going blind. I was like, I, first, sure

761
00:42:47,640 --> 00:42:49,799
Speaker 1: you beat off in the hospital. I did not beat

762
00:42:49,840 --> 00:42:52,520
Speaker 1: off in the hospital. Now wait sidebar, we'll revisit the

763
00:42:53,480 --> 00:42:57,000
Speaker 1: I thought about it. I was alone a lot because

764
00:42:57,000 --> 00:42:59,359
Speaker 1: always not here, you know, I did, had no one

765
00:42:59,400 --> 00:43:01,239
Speaker 1: to like hang out with. I was like, well, maybe

766
00:43:01,239 --> 00:43:03,440
Speaker 1: I just But then I'm like, I don't want to

767
00:43:03,440 --> 00:43:04,799
Speaker 1: get I don't want them to knock on the door.

768
00:43:04,840 --> 00:43:06,960
Speaker 1: And then eight people walk in and I'm in the

769
00:43:06,960 --> 00:43:10,239
Speaker 1: middle of a crank sash I'm gonna come so you know,

770
00:43:10,440 --> 00:43:13,879
Speaker 1: I'm closing my eyes moving on. So I didn't. I didn't,

771
00:43:14,120 --> 00:43:17,000
Speaker 1: but but I was taking for sure I would want

772
00:43:17,040 --> 00:43:20,360
Speaker 1: to keep my eyesight because you know, you have kids,

773
00:43:20,360 --> 00:43:22,560
Speaker 1: you want to watch them grow. You want to see

774
00:43:22,600 --> 00:43:25,160
Speaker 1: the person that you're in love with. Don't you hear

775
00:43:25,200 --> 00:43:29,239
Speaker 1: him sing? Though? Haven't you sing? Coda? You put your

776
00:43:29,280 --> 00:43:32,919
Speaker 1: fucking hand on the throat. You're right, I just coda, Yeah,

777
00:43:33,080 --> 00:43:35,440
Speaker 1: you're right, dude. I guess I'm just like, can you

778
00:43:35,480 --> 00:43:39,080
Speaker 1: imagine not even knowing? And by the way, people listening

779
00:43:39,280 --> 00:43:41,319
Speaker 1: to no blind people maybe they know better than this,

780
00:43:41,400 --> 00:43:44,239
Speaker 1: but like, and I'm not trying to fucking make their

781
00:43:44,239 --> 00:43:46,799
Speaker 1: lives sound horrible, but like, you don't even know what

782
00:43:46,960 --> 00:43:50,239
Speaker 1: people look like? Touch but you can touch them, Yeah,

783
00:43:50,280 --> 00:43:52,160
Speaker 1: you can touch them, I know, but I'm talking about

784
00:43:52,440 --> 00:43:55,600
Speaker 1: but in COVID, in COVID times, no, you can't know.

785
00:43:55,719 --> 00:44:00,239
Speaker 1: You can't. You can thank you, Thank you adam with it.

786
00:44:01,480 --> 00:44:05,880
Speaker 1: And I guess I understand that like people, we only

787
00:44:05,920 --> 00:44:08,839
Speaker 1: know people people look like what we can see, right,

788
00:44:09,080 --> 00:44:12,239
Speaker 1: Obviously there's other dimensionalities, so if you can't see them,

789
00:44:12,960 --> 00:44:17,879
Speaker 1: you see differently. Thank you. But I've been closing my eyes.

790
00:44:17,880 --> 00:44:19,640
Speaker 1: I've been closing my eyes for the last minute and

791
00:44:19,680 --> 00:44:22,920
Speaker 1: a half, and I feel I'm hearing better to not

792
00:44:23,040 --> 00:44:26,399
Speaker 1: know what a Chinese sharpei looks like, but you can

793
00:44:26,440 --> 00:44:29,040
Speaker 1: feel the sharp pay can you imagine you can feel it,

794
00:44:29,040 --> 00:44:31,400
Speaker 1: but it's very rough to the touch. But imagine, imagine

795
00:44:31,520 --> 00:44:34,200
Speaker 1: you don't know what sharpay is around, right, and then

796
00:44:34,360 --> 00:44:39,760
Speaker 1: it gets off the least I'm going to hear that, sharpey,

797
00:44:39,880 --> 00:44:42,759
Speaker 1: this sharp page just comes and that you don't you know,

798
00:44:42,880 --> 00:44:46,840
Speaker 1: you don't see an owner anywhere because you can't, and

799
00:44:47,040 --> 00:44:49,319
Speaker 1: all of a sudden, a fucking sharp pay's right next

800
00:44:49,360 --> 00:44:51,960
Speaker 1: to you. I would hear it. You wouldn't know what

801
00:44:52,000 --> 00:44:54,000
Speaker 1: the funk it was. You're like, what is this? You're

802
00:44:54,000 --> 00:44:56,000
Speaker 1: actually startled by it. You're like it could be a

803
00:44:56,000 --> 00:44:58,879
Speaker 1: grim less you kick this sharpay in the face because

804
00:44:58,880 --> 00:45:01,480
Speaker 1: you're terrified. Yeah, I think if you have no sight,

805
00:45:01,560 --> 00:45:04,600
Speaker 1: you're gonna be trusting the world that much more, you

806
00:45:04,600 --> 00:45:08,560
Speaker 1: know what I mean. You tell that to Ray Charles, Okay, yeah,

807
00:45:08,560 --> 00:45:12,640
Speaker 1: my god, that's super scary it. I mean, I'm not

808
00:45:12,719 --> 00:45:15,239
Speaker 1: wishing it upon myself, but if you don't have sight,

809
00:45:15,320 --> 00:45:17,560
Speaker 1: you have to be let around everywhere. It's more of

810
00:45:17,640 --> 00:45:21,319
Speaker 1: a burden on on other people, on your bloods. I

811
00:45:21,360 --> 00:45:24,040
Speaker 1: feel like, if you don't can't hear, you could still

812
00:45:24,080 --> 00:45:26,879
Speaker 1: do most things, you know what I mean. You could

813
00:45:26,880 --> 00:45:30,239
Speaker 1: still drive a car, you could still walk, But you're

814
00:45:30,280 --> 00:45:33,600
Speaker 1: not hearing that sharpay roll up on you. The first

815
00:45:33,640 --> 00:45:35,680
Speaker 1: thing that's happening is you're seeing a sharpay that's in

816
00:45:35,719 --> 00:45:38,200
Speaker 1: your lap. It's the same ship, right, the little claws

817
00:45:38,239 --> 00:45:41,000
Speaker 1: on the floor, Kyle. But when you look down you

818
00:45:41,080 --> 00:45:45,520
Speaker 1: see a sharpay, you don't think a fucking gigantic mutant

819
00:45:45,520 --> 00:45:48,120
Speaker 1: hedgehog is running up on you. And is I'm not

820
00:45:48,239 --> 00:45:50,520
Speaker 1: thinking that either. I'm not. I don't think I'm thinking

821
00:45:50,560 --> 00:45:53,160
Speaker 1: that right. Maybe I am, but I'm over it quickly

822
00:45:53,160 --> 00:45:56,080
Speaker 1: because you don't know. It's this big, wrinkly sort of

823
00:45:56,160 --> 00:45:59,239
Speaker 1: hairless beast. I'm over that quickly because I'm like, what

824
00:45:59,440 --> 00:46:01,520
Speaker 1: is this? And I can hear somebody say it's a

825
00:46:01,560 --> 00:46:05,160
Speaker 1: sharp pay. I can hear the dog part if you're

826
00:46:05,200 --> 00:46:07,880
Speaker 1: listening and not watching. Kyle's had his eyes closed for

827
00:46:07,920 --> 00:46:11,440
Speaker 1: the last several minutes for some reason. I'm just feeling it.

828
00:46:11,600 --> 00:46:15,919
Speaker 1: I'm just feeling I mean, it's it's I'm just feeling it. Yeah,

829
00:46:15,960 --> 00:46:18,160
Speaker 1: what are you feeling? Right? What is it? It's hard

830
00:46:18,160 --> 00:46:32,160
Speaker 1: to keep my eyes closed for this long? Stupid. Let

831
00:46:32,160 --> 00:46:33,759
Speaker 1: me say this though, because this was one of my

832
00:46:33,840 --> 00:46:38,040
Speaker 1: favorite things. Is Uh. When Jamie Foxx was filming Ray,

833
00:46:38,080 --> 00:46:41,080
Speaker 1: they put like prosthetics over his eyes to just keep

834
00:46:41,160 --> 00:46:45,719
Speaker 1: him closed or whatever, and he started freaking out because

835
00:46:45,719 --> 00:46:48,319
Speaker 1: he was just like he lost sense of like where

836
00:46:48,320 --> 00:46:51,560
Speaker 1: he was, his equilibrium and all that um. And then

837
00:46:51,680 --> 00:46:53,560
Speaker 1: just a couple of days ago, gave us the greatest

838
00:46:53,600 --> 00:46:59,120
Speaker 1: Donald Trump impression of all time. Really good. Yeah, God,

839
00:46:59,280 --> 00:47:02,640
Speaker 1: he is so talented, amazing. Excuse me. I feel like

840
00:47:02,680 --> 00:47:05,800
Speaker 1: I liked Jimmie Fox before I met Honors, and then

841
00:47:05,880 --> 00:47:09,799
Speaker 1: after meeting Honors, I become a huge Jamie Fox fan. Yeah,

842
00:47:09,840 --> 00:47:11,880
Speaker 1: you're in the foxhole. Yeah, he's all the way in,

843
00:47:12,360 --> 00:47:15,560
Speaker 1: So in the foxhole, man, the guys the best, He's

844
00:47:15,560 --> 00:47:20,759
Speaker 1: our best. The Trump impression that they posted the other day,

845
00:47:21,360 --> 00:47:24,080
Speaker 1: if you saw it, it's the best one there is.

846
00:47:24,560 --> 00:47:28,080
Speaker 1: And it's fucking crazy, like it is. If your whole

847
00:47:28,120 --> 00:47:30,279
Speaker 1: thing is impressions, aren't you just kind of pissed that

848
00:47:30,280 --> 00:47:33,120
Speaker 1: there's also another guy who, like on the side, can

849
00:47:33,160 --> 00:47:35,960
Speaker 1: do it better than you and then gets oscars. Yeah,

850
00:47:36,000 --> 00:47:37,560
Speaker 1: and he could do it better than you, and then

851
00:47:37,600 --> 00:47:41,319
Speaker 1: also can dance better than you, looks better than you.

852
00:47:41,760 --> 00:47:44,600
Speaker 1: Is a great singer, he could play the piano, also

853
00:47:44,680 --> 00:47:49,680
Speaker 1: has his own pickle. His dancing, his looks, those are

854
00:47:49,680 --> 00:47:54,799
Speaker 1: the first things. He has his own pickleball paddle, his

855
00:47:54,840 --> 00:47:59,560
Speaker 1: own pickleball. You can buy the Jamie Fox pickleball paddle. Yes,

856
00:47:59,560 --> 00:48:04,080
Speaker 1: are you serious? Oh my god? Yeah. I don't know

857
00:48:04,120 --> 00:48:06,200
Speaker 1: what company puts it out, but I saw it on

858
00:48:06,200 --> 00:48:10,320
Speaker 1: on the I g so good. It was maddening, maddening.

859
00:48:11,320 --> 00:48:18,320
Speaker 1: So wait, after after taste, what's the next sense to go? Touch? Smell?

860
00:48:18,640 --> 00:48:22,279
Speaker 1: No smell, those are kind of smell might even be

861
00:48:22,360 --> 00:48:26,239
Speaker 1: one interesting. Oh yeah, smell could go before taste. But

862
00:48:26,280 --> 00:48:29,080
Speaker 1: then but once you lose smell, you lose taste. Smell

863
00:48:29,239 --> 00:48:31,880
Speaker 1: is most of taste, isn't it. Yeah, so it's taste.

864
00:48:31,880 --> 00:48:36,560
Speaker 1: Smells still can taste, but it's not as flavorful, right

865
00:48:37,480 --> 00:48:40,440
Speaker 1: like because you like that? Is it? Right? I don't know,

866
00:48:40,840 --> 00:48:43,640
Speaker 1: it seems real. I don't know what what what did

867
00:48:43,680 --> 00:48:47,400
Speaker 1: COVID do? Did take away your smell or just your taste? Both?

868
00:48:47,560 --> 00:48:51,520
Speaker 1: I think it was both for you? Um it was

869
00:48:51,600 --> 00:48:53,920
Speaker 1: it was definitely me as well. You lost your taste,

870
00:48:53,960 --> 00:48:57,319
Speaker 1: your sense of taste and smell And how was that?

871
00:48:57,560 --> 00:48:59,840
Speaker 1: This is the way it sucked. I couldn't taste for

872
00:49:00,000 --> 00:49:03,520
Speaker 1: smell at my wedding. Yeah, like everyone was like, oh

873
00:49:03,560 --> 00:49:08,439
Speaker 1: the food's great, and I'm like, I bet I'm drunk. Hey,

874
00:49:08,440 --> 00:49:12,200
Speaker 1: the food is great. I'm drunk. I'm black. I'm just

875
00:49:12,400 --> 00:49:15,960
Speaker 1: chugging tequila because I can't taste this water. Is it

876
00:49:16,000 --> 00:49:18,399
Speaker 1: looks like water? Yeah? This water is good. This goes

877
00:49:18,440 --> 00:49:21,800
Speaker 1: on quick, no ice in these little cups of water. Hukay,

878
00:49:22,600 --> 00:49:24,680
Speaker 1: and everybody, take a sip of your beverage and let's

879
00:49:24,760 --> 00:49:30,279
Speaker 1: get back little water break over here. Yeah yeah, hey,

880
00:49:30,320 --> 00:49:34,480
Speaker 1: we're taking another water break. Okay, Adam, you gotta take

881
00:49:34,480 --> 00:49:38,920
Speaker 1: a water break. You gotta hydro alright, let me get

882
00:49:38,960 --> 00:49:41,040
Speaker 1: another shot of water. I don't know. I guess they

883
00:49:41,080 --> 00:49:44,560
Speaker 1: put all their water in these in these glass bottles

884
00:49:44,640 --> 00:49:47,560
Speaker 1: and then they poured them in these tiny little water glasses.

885
00:49:47,640 --> 00:49:52,600
Speaker 1: So I'm just blind because you're also blind. I got

886
00:49:52,640 --> 00:49:55,920
Speaker 1: the long haul COVID. I'm deaf. I'm blind. I can't

887
00:49:56,080 --> 00:50:01,480
Speaker 1: here smell black ass, Blake. Are you in town right now?

888
00:50:01,280 --> 00:50:04,400
Speaker 1: You in l A? I was hoping. I mean, the

889
00:50:04,440 --> 00:50:10,160
Speaker 1: Malibu Triathlon isn't a couple of weeks I'm gonna do it?

890
00:50:10,440 --> 00:50:13,279
Speaker 1: Should you guys run it? Wait? What? My god? Good job?

891
00:50:13,400 --> 00:50:16,640
Speaker 1: You're just saying you're gonna do it or your training

892
00:50:15,800 --> 00:50:19,800
Speaker 1: I started training ten days. Don't be a bit, Blake,

893
00:50:20,200 --> 00:50:23,399
Speaker 1: ten days, that's all I need to get on track. Yes, yeah,

894
00:50:23,560 --> 00:50:26,400
Speaker 1: you're a runner, don't be a bit, just run a triathlon.

895
00:50:26,560 --> 00:50:29,200
Speaker 1: I was like, if Adam was in town, this dude's

896
00:50:29,280 --> 00:50:33,000
Speaker 1: a cycling madman. I know, I know blazers out there

897
00:50:33,040 --> 00:50:37,399
Speaker 1: just running miles, and I was like, we could win

898
00:50:37,920 --> 00:50:41,040
Speaker 1: the like celebrity relay for sure. You think, oh, you

899
00:50:41,080 --> 00:50:46,279
Speaker 1: can do relay? Yeah, what could I do? Techball? And

900
00:50:46,360 --> 00:50:50,080
Speaker 1: you can wait for us at the finish line. You

901
00:50:50,120 --> 00:50:54,359
Speaker 1: can make snacks, Yeah, you can bring archilice, you break

902
00:50:54,400 --> 00:50:56,640
Speaker 1: out a pickleball game at the finish line. Yeah, it's

903
00:50:56,680 --> 00:51:02,080
Speaker 1: called a triathlon. You can try and show up. Um. Yeah,

904
00:51:02,120 --> 00:51:05,800
Speaker 1: but Kyle, just to be clear here, Blake is a

905
00:51:05,880 --> 00:51:09,680
Speaker 1: runner and Adam does cycle and swimming in my background,

906
00:51:10,120 --> 00:51:12,759
Speaker 1: I know it was clear. I stepped in there for

907
00:51:12,800 --> 00:51:15,399
Speaker 1: a joke, a little josh er, you know what I mean.

908
00:51:17,640 --> 00:51:19,920
Speaker 1: There's truth and comedy that isn't there a lot? And

909
00:51:20,000 --> 00:51:22,400
Speaker 1: I did feel left out. How do you like that rhythm?

910
00:51:22,920 --> 00:51:26,120
Speaker 1: The rhythm was good. And all I'm saying is that

911
00:51:26,480 --> 00:51:28,560
Speaker 1: if we are all in town next year, because it

912
00:51:28,560 --> 00:51:30,640
Speaker 1: doesn't look like it's gonna happen this year. Let's do this,

913
00:51:30,840 --> 00:51:33,839
Speaker 1: let's throw down. That would be fantastic. I didn't even

914
00:51:33,880 --> 00:51:36,360
Speaker 1: know that was a thing. What are the what's the mileage?

915
00:51:36,360 --> 00:51:38,280
Speaker 1: What's the distances that you gotta do? You want to try?

916
00:51:38,719 --> 00:51:40,480
Speaker 1: So this is what drives me crazy. So there's like

917
00:51:40,520 --> 00:51:43,600
Speaker 1: a celebrity one. I'm the coach. That's like a shorter distance,

918
00:51:43,640 --> 00:51:45,560
Speaker 1: but not that much shorter. I think it's like eight

919
00:51:45,840 --> 00:51:49,120
Speaker 1: d swim, like a eighteen mile bike, and then a

920
00:51:49,239 --> 00:51:54,600
Speaker 1: four points something mile run, cake miles. I got that.

921
00:51:54,840 --> 00:51:57,560
Speaker 1: I do that every damn day. I'm gonna do the

922
00:51:57,560 --> 00:52:01,920
Speaker 1: Olympic distance, which is one point I've k swim thirty

923
00:52:02,000 --> 00:52:05,440
Speaker 1: k by ten k run. What is thirty k? What

924
00:52:05,600 --> 00:52:09,279
Speaker 1: is that? It's two point eight miles biking? Okay, yeah,

925
00:52:09,400 --> 00:52:12,280
Speaker 1: that's doable. Yeah, dude, are you swimming in the ocean?

926
00:52:12,719 --> 00:52:16,920
Speaker 1: That's right. There's been some great white shark sightings coming around,

927
00:52:16,960 --> 00:52:22,680
Speaker 1: and I'm that's scary. Yeah, you're good. I'm gearing up.

928
00:52:22,680 --> 00:52:25,359
Speaker 1: I'm getting some wetsuits and all that stuff. Wow, this

929
00:52:25,440 --> 00:52:28,080
Speaker 1: is sick man. Yeah, that is cool. Get some chainmail.

930
00:52:28,120 --> 00:52:30,719
Speaker 1: Are you in great shape right now? I can't tell

931
00:52:30,760 --> 00:52:33,800
Speaker 1: if that jaws drooping or not. I think it's pretty tight.

932
00:52:34,080 --> 00:52:38,279
Speaker 1: It's okay, yeah, at he seems like you're Leanders right now.

933
00:52:38,440 --> 00:52:41,640
Speaker 1: I'm alright. He's on cam. He's on cam. Yeah. Usually

934
00:52:41,640 --> 00:52:45,000
Speaker 1: I don't do any camera work. Um, but I've been

935
00:52:45,040 --> 00:52:48,279
Speaker 1: doing some swimming and some running and some cycling. But

936
00:52:48,320 --> 00:52:51,000
Speaker 1: I've I like, we'll have only trained for three some

937
00:52:51,160 --> 00:52:53,799
Speaker 1: weeks for this, but I'm saying, relay, I love it.

938
00:52:53,920 --> 00:52:57,239
Speaker 1: Damn it. We would kill people pop in well, I

939
00:52:57,280 --> 00:53:00,560
Speaker 1: think we could. Well. Adam's gone, huh damn Yeah, when

940
00:53:00,640 --> 00:53:02,439
Speaker 1: is it? When is it? Tell me? I'm I'm coming

941
00:53:02,480 --> 00:53:04,000
Speaker 1: home in a few weeks. I think it's on the

942
00:53:04,960 --> 00:53:09,240
Speaker 1: seventeen of September. I think I think I'm home. Stop.

943
00:53:09,400 --> 00:53:13,560
Speaker 1: I think I'm home stopping. Okay, So Notica Malibu Triathlon.

944
00:53:14,040 --> 00:53:17,919
Speaker 1: We're fucking coming for you, and uh baby, I'm gonna

945
00:53:18,000 --> 00:53:19,800
Speaker 1: I'm gonna do it on my own the day before.

946
00:53:19,880 --> 00:53:22,520
Speaker 1: But if we get our ship together for that Sunday

947
00:53:22,560 --> 00:53:25,760
Speaker 1: when it's like the celebrity joint, we're gonna smoke fools.

948
00:53:27,040 --> 00:53:31,480
Speaker 1: That's a good call. Like your boy zac Efron, I

949
00:53:31,480 --> 00:53:32,840
Speaker 1: don't know if he's doing it this year, but I

950
00:53:32,840 --> 00:53:35,439
Speaker 1: know his brother does it with my homie Connor d Wire,

951
00:53:35,480 --> 00:53:38,680
Speaker 1: who's like an Olympian dude, uh, swimmer guy. They might

952
00:53:38,680 --> 00:53:42,439
Speaker 1: be getting a really together. I think we can. Okay,

953
00:53:42,480 --> 00:53:44,279
Speaker 1: now I'm getting worried. I don't know. Yeah, now I'm

954
00:53:44,280 --> 00:53:47,520
Speaker 1: getting worried. It's not so much of a shoeing, just

955
00:53:47,600 --> 00:53:51,200
Speaker 1: an Olympian and a legit professional try athlete and zac

956
00:53:51,239 --> 00:53:53,680
Speaker 1: Efron who's not like in really good shape. Yeah we're

957
00:53:54,440 --> 00:53:57,879
Speaker 1: we're already in second place. Yeah you lost the god

958
00:53:58,000 --> 00:54:01,879
Speaker 1: Steve Howie's putting together a team. We're fucked. I talked

959
00:54:01,920 --> 00:54:03,879
Speaker 1: to how I talked to you. You know, you know,

960
00:54:03,960 --> 00:54:06,279
Speaker 1: like the cast of like Arrow is going to get

961
00:54:06,280 --> 00:54:09,520
Speaker 1: a squad together teen Wolf, teen Wolves about to tear

962
00:54:09,560 --> 00:54:13,879
Speaker 1: it up. You're referencing shows from ten years ago. They're

963
00:54:13,880 --> 00:54:18,040
Speaker 1: still strong, those guys are We're still going dude, Come on,

964
00:54:18,080 --> 00:54:21,319
Speaker 1: I know Tyler Posey still buff as fuck. Bro, He's

965
00:54:21,440 --> 00:54:23,960
Speaker 1: there's no doubt in my mind. You guys are tasted

966
00:54:24,000 --> 00:54:29,480
Speaker 1: a movie for a Paramount plus where Teen Wolf did?

967
00:54:29,680 --> 00:54:35,520
Speaker 1: How was it? Formulaic? Did not watch it? They really

968
00:54:35,600 --> 00:54:38,440
Speaker 1: like switch it up? That'd be sick right with Jackie

969
00:54:38,520 --> 00:54:43,240
Speaker 1: Chan Operation Condor. This is a and I'm just throwing

970
00:54:43,280 --> 00:54:46,040
Speaker 1: it out. What was the boom? Remember the boo like

971
00:54:46,080 --> 00:54:53,040
Speaker 1: the internet sketch com That was Channel one. I need

972
00:54:53,080 --> 00:54:55,399
Speaker 1: to revisit that was. That was kind of like their

973
00:54:55,480 --> 00:54:58,120
Speaker 1: jump off or what well they won? They won like

974
00:54:58,320 --> 00:55:01,720
Speaker 1: months in months in a row, because that's what it was. Yes,

975
00:55:02,160 --> 00:55:05,360
Speaker 1: they were crushing. What did they win? They won Channel

976
00:55:05,360 --> 00:55:07,400
Speaker 1: one on one, That's what I'm saying. It was Dan Harmon,

977
00:55:07,480 --> 00:55:08,960
Speaker 1: what was and what was Channel one on one? So

978
00:55:09,040 --> 00:55:11,000
Speaker 1: explain what Channel one on one is? Channel one on

979
00:55:11,080 --> 00:55:14,399
Speaker 1: one was Dan Harmon and Shrub and maybe I don't

980
00:55:14,440 --> 00:55:16,920
Speaker 1: know who else was involved, but it was Rob Shrob

981
00:55:18,120 --> 00:55:21,800
Speaker 1: directed some episodes of or Oh Jack Black, of course,

982
00:55:22,080 --> 00:55:24,680
Speaker 1: and they had this was it once a month that

983
00:55:25,200 --> 00:55:29,759
Speaker 1: you would screen your uh web series, an episode from

984
00:55:29,760 --> 00:55:32,000
Speaker 1: your web series, and if it was funny enough and

985
00:55:32,120 --> 00:55:36,320
Speaker 1: you won, you made the next episode of that web series.

986
00:55:36,960 --> 00:55:41,040
Speaker 1: The Boo was famously the Lonely Island like Reigning Champion,

987
00:55:41,239 --> 00:55:44,160
Speaker 1: and it was a spoof on those MTV shows on

988
00:55:44,239 --> 00:55:46,640
Speaker 1: the o C. It was a spoof on where was

989
00:55:46,640 --> 00:55:48,960
Speaker 1: it hell? It was somewhere in Hollywood. I remember we

990
00:55:49,000 --> 00:55:51,840
Speaker 1: went one time and we were like, oh my god,

991
00:55:52,560 --> 00:55:56,319
Speaker 1: this is so cool. Oh my god. It was one

992
00:55:56,320 --> 00:55:59,600
Speaker 1: of those you found your people moments. It was cool

993
00:56:00,000 --> 00:56:02,440
Speaker 1: because they had yacht rock, didn't harmon. Harmon had like

994
00:56:02,520 --> 00:56:04,960
Speaker 1: yacht rock that reigned supreme for a while. Do you

995
00:56:05,000 --> 00:56:07,439
Speaker 1: guys remember that it was harmon part of yacht rock?

996
00:56:08,000 --> 00:56:11,680
Speaker 1: I thought, so. I can't remember exactly, and I can't

997
00:56:11,719 --> 00:56:18,399
Speaker 1: remember anything. I'm blind like this, I'm pretty sure that

998
00:56:18,680 --> 00:56:23,719
Speaker 1: like that that yacht rock the comedy like sketch comedy

999
00:56:23,719 --> 00:56:26,080
Speaker 1: show or whatever. That was the first time yacht rock

1000
00:56:26,200 --> 00:56:28,520
Speaker 1: was ever said. I think we poined that frame. I

1001
00:56:28,760 --> 00:56:33,239
Speaker 1: actually like, yeah, I think that's a thing now them. Yes, yes,

1002
00:56:33,320 --> 00:56:35,840
Speaker 1: I truly think that that that. I feel like I

1003
00:56:35,880 --> 00:56:38,360
Speaker 1: feel like I was saying it in eighth grade. You

1004
00:56:38,400 --> 00:56:47,320
Speaker 1: were saying yacht rock. You he said yellow, I said krunk.

1005
00:56:47,440 --> 00:56:49,920
Speaker 1: I was saying krunk before Little John said krunk. But

1006
00:56:49,960 --> 00:56:52,440
Speaker 1: it was it was the only lunch once. Because everyone's like,

1007
00:56:52,440 --> 00:56:54,799
Speaker 1: there's so many lunches. I go, no, you only lunch once.

1008
00:56:57,200 --> 00:57:00,360
Speaker 1: But I still yell. I was like, did I go, remember,

1009
00:57:01,160 --> 00:57:02,959
Speaker 1: how am I supposed to remember there's only one lunch.

1010
00:57:03,000 --> 00:57:05,520
Speaker 1: I'm like, yolo, you only lunch once? And they go

1011
00:57:05,800 --> 00:57:10,160
Speaker 1: sick dude. And then you gave people points. I actually

1012
00:57:10,160 --> 00:57:15,759
Speaker 1: was the first person. Yes, points um. But this that

1013
00:57:15,880 --> 00:57:20,480
Speaker 1: was about something else too, is important. That was about

1014
00:57:20,600 --> 00:57:22,960
Speaker 1: like fingers I was talking about. They were like, what

1015
00:57:23,000 --> 00:57:25,160
Speaker 1: are these? Like, can we do this? I go, yes,

1016
00:57:25,200 --> 00:57:30,520
Speaker 1: what are these? Wait? You had what are those? You

1017
00:57:30,560 --> 00:57:33,600
Speaker 1: were damn Daniel. They actually I met the guys said

1018
00:57:33,600 --> 00:57:35,360
Speaker 1: what are those? And I go, those are fingers? And

1019
00:57:35,400 --> 00:57:38,439
Speaker 1: he started doing this. I go, yes, points um, they

1020
00:57:38,480 --> 00:57:43,120
Speaker 1: point damn Daniel, yeah, and I he was like cool,

1021
00:57:43,280 --> 00:57:49,120
Speaker 1: damn Daniel. I go it's pronounced honers o my god.

1022
00:57:49,480 --> 00:57:53,160
Speaker 1: And then he said, you got any take backs? Apologies?

1023
00:57:53,240 --> 00:57:59,840
Speaker 1: Epic slams flowers? Wow? What's this one hundred many? Yeah?

1024
00:57:59,840 --> 00:58:02,080
Speaker 1: I want to apologize to the fans for not doing

1025
00:58:02,200 --> 00:58:05,920
Speaker 1: anything remotely special. But guess what, man, my friend almost died,

1026
00:58:06,160 --> 00:58:09,920
Speaker 1: so give me a give worms. Turns out I didn't

1027
00:58:09,920 --> 00:58:13,000
Speaker 1: almost die. I thought I almost died. The worms came

1028
00:58:13,040 --> 00:58:16,000
Speaker 1: out of his sack. My nut sacks still hurts. Still

1029
00:58:16,000 --> 00:58:18,600
Speaker 1: got to get that figured out. I'm telling you, back brain,

1030
00:58:19,160 --> 00:58:21,880
Speaker 1: the low brain, the low worm sack, that's right, and

1031
00:58:22,000 --> 00:58:25,480
Speaker 1: the two heads, two brains, right right. The low brain

1032
00:58:25,600 --> 00:58:29,920
Speaker 1: is malfunctioning and it kept being like, it has to

1033
00:58:29,960 --> 00:58:33,160
Speaker 1: be connected. It has to be. Like the pain that

1034
00:58:33,160 --> 00:58:36,200
Speaker 1: I'm experiencing from my nut sack caused me to go blind,

1035
00:58:36,320 --> 00:58:41,240
Speaker 1: dick pain is connected to the skull buon And they're like, yeah,

1036
00:58:41,320 --> 00:58:43,080
Speaker 1: that's what I thought. And there everyone was like, no,

1037
00:58:43,240 --> 00:58:46,560
Speaker 1: who's everyone? You're you're listening too much to the dustern medicine?

1038
00:58:46,880 --> 00:58:48,840
Speaker 1: You have? How many doctors are in there when you

1039
00:58:48,840 --> 00:58:50,920
Speaker 1: whipped your dick out? Dude, we gotta know was it

1040
00:58:51,480 --> 00:58:55,120
Speaker 1: to have to bring them all just the one doctor,

1041
00:58:55,160 --> 00:58:57,760
Speaker 1: just the one doctor, but the doctors and if you

1042
00:58:57,840 --> 00:59:01,440
Speaker 1: believe they're connected, follow that lead. Go yeah, go listen

1043
00:59:01,480 --> 00:59:04,560
Speaker 1: to your body. I'm going to try to get the

1044
00:59:04,640 --> 00:59:07,480
Speaker 1: nutstack figured out. I'm gonna I'm in the process of

1045
00:59:07,520 --> 00:59:10,320
Speaker 1: trying to figure that out. I'll figure it out when

1046
00:59:10,320 --> 00:59:12,360
Speaker 1: it comes down. Let me take a look out, figure

1047
00:59:12,400 --> 00:59:16,560
Speaker 1: it out. Figure before you figure that out, I'll figure

1048
00:59:16,600 --> 00:59:18,760
Speaker 1: that if you can't. If you can't figure it out,

1049
00:59:19,200 --> 00:59:23,280
Speaker 1: figure it out. Um yeah, I guess what what would

1050
00:59:23,280 --> 00:59:25,680
Speaker 1: mind be a shout out? Or But Adam, that was

1051
00:59:25,800 --> 00:59:29,920
Speaker 1: legitimately scary. It was a reality check. It was, it

1052
00:59:29,960 --> 00:59:32,760
Speaker 1: really was. And you know, we take our health for

1053
00:59:32,880 --> 00:59:36,000
Speaker 1: granted not. It's just fucking ship dude. It shook me

1054
00:59:36,080 --> 00:59:39,920
Speaker 1: up a little bit, but I'm glad you're okay, Thank you, Blakey. Also,

1055
00:59:40,120 --> 00:59:42,479
Speaker 1: we're just you know, it's the hundred episode. We're keeping

1056
00:59:42,480 --> 00:59:46,000
Speaker 1: it a hundred and go rate our podcast like five

1057
00:59:46,040 --> 00:59:50,320
Speaker 1: stars whatever. You're a listener, yeah, Nation, Yeah, yeah, dude.

1058
00:59:50,400 --> 00:59:54,120
Speaker 1: I'd like to call the comments subscribe that were so

1059
00:59:54,200 --> 00:59:58,680
Speaker 1: bad at saying subscribe and like other other podcasts mentioned

1060
00:59:58,720 --> 01:00:00,840
Speaker 1: to do that every pod first they're like, hey, if

1061
01:00:00,880 --> 01:00:04,040
Speaker 1: you like us, subscribe, like give us fight. Hey, let's

1062
01:00:04,040 --> 01:00:08,280
Speaker 1: boost the numbers. Mannis died Man, boost our numbers. Fucking

1063
01:00:08,480 --> 01:00:11,600
Speaker 1: died Man, boost this up man. We never do. I

1064
01:00:11,640 --> 01:00:15,440
Speaker 1: want to compliment Blake on turning that into a promotion

1065
01:00:15,600 --> 01:00:20,200
Speaker 1: for the podcast because we are episodes deep. We did

1066
01:00:20,320 --> 01:00:23,200
Speaker 1: not stop when I thought we would. We're in it.

1067
01:00:23,240 --> 01:00:25,720
Speaker 1: Are an institution. We are in it. So let's like

1068
01:00:25,840 --> 01:00:29,040
Speaker 1: and subscribe out there. Hit the subscribe button, click that bell,

1069
01:00:29,280 --> 01:00:33,240
Speaker 1: and get yourself a notification when it comes out. You know,

1070
01:00:33,920 --> 01:00:36,480
Speaker 1: if you're still listening, if you're loyal t I I

1071
01:00:36,600 --> 01:00:40,160
Speaker 1: Nation go finger blast that subscribe button. Get us up

1072
01:00:40,160 --> 01:00:44,240
Speaker 1: those charts. We want to be number one. Okay, we're

1073
01:00:44,280 --> 01:00:46,440
Speaker 1: going for number one. Yeah, we want to be close

1074
01:00:46,480 --> 01:00:49,080
Speaker 1: to it. I'd be happy with top top twenty. Are

1075
01:00:49,080 --> 01:00:53,160
Speaker 1: we top twenty anymore? We want to be number twenty. No, No,

1076
01:00:53,240 --> 01:00:56,040
Speaker 1: we're so far down. We're not even in the top.

1077
01:00:57,120 --> 01:01:00,480
Speaker 1: But here's my question. Get us in the one. Who

1078
01:01:00,520 --> 01:01:04,680
Speaker 1: who's above us? And why? Because you guys tell us

1079
01:01:04,720 --> 01:01:06,760
Speaker 1: what we can do to improve? Is that what we

1080
01:01:06,800 --> 01:01:10,000
Speaker 1: do for the specialists, they do the deli menu, they

1081
01:01:10,040 --> 01:01:14,600
Speaker 1: do the deli menu, But we have twists in our podcast?

1082
01:01:14,720 --> 01:01:16,800
Speaker 1: Is so good? Dude? Yeah, you never know what the

1083
01:01:16,800 --> 01:01:19,640
Speaker 1: funk we're going to talk about because we don't know. Yea,

1084
01:01:19,800 --> 01:01:21,640
Speaker 1: we have no idea what what the hell we're going

1085
01:01:21,680 --> 01:01:23,920
Speaker 1: to talk about? I gotta keep it hunt exactly. This

1086
01:01:24,000 --> 01:01:27,520
Speaker 1: is this is pod Jazz. This is pod Jazz, Pod

1087
01:01:27,600 --> 01:01:33,360
Speaker 1: Jazz Baby listeners at home, slim and tell us how

1088
01:01:33,400 --> 01:01:36,439
Speaker 1: we can improve the podcast. What do you hate about it?

1089
01:01:36,760 --> 01:01:40,160
Speaker 1: What do you want more? Definitely slide into his DM

1090
01:01:40,320 --> 01:01:43,320
Speaker 1: hit me up. I'm always checking my Instagram. I'm always

1091
01:01:43,400 --> 01:01:46,880
Speaker 1: checking my d M, so hit me up constantly looking

1092
01:01:46,920 --> 01:01:49,560
Speaker 1: at that stuff. Do you do you want like us

1093
01:01:49,600 --> 01:01:53,640
Speaker 1: to answer questions from fans? You want us to interview people.

1094
01:01:53,920 --> 01:01:55,720
Speaker 1: How can we do bed? Do you want us to

1095
01:01:55,800 --> 01:01:59,920
Speaker 1: talk about porno more? Pretend like you're a Hollywood executive

1096
01:02:00,040 --> 01:02:02,680
Speaker 1: and slide into my da and tell me how our

1097
01:02:02,800 --> 01:02:07,000
Speaker 1: show can work better? More? Porno? Talk more? Just talk more?

1098
01:02:07,280 --> 01:02:14,160
Speaker 1: Should Should I mention my wife sucking on my balls? More? More? Less?

1099
01:02:14,360 --> 01:02:19,360
Speaker 1: I'm gonna hear about that. Yeah, I'm gonna hear about that. Wow, Hey,

1100
01:02:19,440 --> 01:02:23,360
Speaker 1: so don't do that again? Yeah that's cool. Hey, how

1101
01:02:23,400 --> 01:02:25,640
Speaker 1: does your wife still listen to leave my name out?

1102
01:02:25,720 --> 01:02:32,360
Speaker 1: Adam's going to be hella quiet on the next episode?

1103
01:02:32,880 --> 01:02:37,480
Speaker 1: What Adam doing good? Over here? And hear about that one? Yeah?

1104
01:02:37,920 --> 01:02:41,400
Speaker 1: Just watching more Sopranos, you guys get into Adam favorite

1105
01:02:41,480 --> 01:02:46,600
Speaker 1: character from Sopranos, Big Pussy. What changes every time? I

1106
01:02:46,640 --> 01:02:53,520
Speaker 1: love Pussy? That cheating line, rat bastard. Don't spoil it

1107
01:02:53,560 --> 01:02:55,920
Speaker 1: for me. I think probably Pauli Walnuts. I get a

1108
01:02:55,920 --> 01:02:59,080
Speaker 1: real kick out of him. He's super funny. R I

1109
01:02:59,160 --> 01:03:02,600
Speaker 1: p read me. There's a character named Polly Walnut. Yeah,

1110
01:03:02,640 --> 01:03:05,880
Speaker 1: he's so sick, he's just uh. And then and then

1111
01:03:06,040 --> 01:03:09,880
Speaker 1: also Chris I. I really his storyline is fucking great.

1112
01:03:10,160 --> 01:03:15,200
Speaker 1: Chris the best Walnuts and Chris I hear that, Chris, Yeah,

1113
01:03:15,640 --> 01:03:21,560
Speaker 1: it's simple, simple name, complex character. Those are those are

1114
01:03:21,560 --> 01:03:24,720
Speaker 1: probably my two fasts, and then Tony. Obviously Tony's for

1115
01:03:24,800 --> 01:03:27,800
Speaker 1: sure the favorite. But that's whacked just to go Tony Blaze.

1116
01:03:27,920 --> 01:03:30,120
Speaker 1: I was a Polly Walnuts guy as well, very I

1117
01:03:30,160 --> 01:03:32,520
Speaker 1: don't even remember Polly Wallace. Really, he was the one

1118
01:03:32,640 --> 01:03:36,240
Speaker 1: with the streaks, the silver hair on the sides. His

1119
01:03:36,320 --> 01:03:39,640
Speaker 1: name is Polly Walnuts. Yeah he just yeah, yes, knows

1120
01:03:39,640 --> 01:03:48,600
Speaker 1: that this Polly. Well, who's your guy? Janice? Okay? Janice.

1121
01:03:48,760 --> 01:03:53,800
Speaker 1: Janice was like pound for pounds, scene for scene, Like

1122
01:03:54,200 --> 01:03:56,960
Speaker 1: she was the greatest character in that series for me.

1123
01:03:58,160 --> 01:04:03,720
Speaker 1: I hate, I mean she would she she's Tony, she's

1124
01:04:03,760 --> 01:04:07,439
Speaker 1: Tony's sister, and she's just and she's so good. Every

1125
01:04:07,440 --> 01:04:09,720
Speaker 1: time she walks in the room, you're like, oh my

1126
01:04:09,920 --> 01:04:19,080
Speaker 1: fucking guy. Yeah, you're like, she's got but yeah, what's

1127
01:04:19,120 --> 01:04:21,440
Speaker 1: her actor name? What's her name? What's her real name?

1128
01:04:21,880 --> 01:04:26,040
Speaker 1: I don't know. You have only seen her there on

1129
01:04:26,040 --> 01:04:27,760
Speaker 1: that chair. I think I worked with her on show

1130
01:04:27,840 --> 01:04:30,760
Speaker 1: The show is Weird, where it's like it's Edie Falco

1131
01:04:31,840 --> 01:04:35,080
Speaker 1: and that was Eddie Gandelfini and those are the only

1132
01:04:35,120 --> 01:04:38,000
Speaker 1: two people that you really knew from the show, like

1133
01:04:38,600 --> 01:04:42,400
Speaker 1: name wise, no one else went on to Meadow. Meadow

1134
01:04:42,440 --> 01:04:45,400
Speaker 1: went on to do some episodes of Honorage. Come on,

1135
01:04:46,360 --> 01:04:50,400
Speaker 1: and uh, don't forget that that that one dude is

1136
01:04:50,560 --> 01:04:54,960
Speaker 1: in said Honorage, that one dude is in Bruce Springsteen's band,

1137
01:04:55,240 --> 01:04:59,200
Speaker 1: which is, oh yeah, bro, you're talking about hammers. You're

1138
01:04:59,200 --> 01:05:06,680
Speaker 1: talking about to Touro, that's what. Yeah. I worked with

1139
01:05:06,680 --> 01:05:09,440
Speaker 1: her on Shadows. She was she was in an episode

1140
01:05:09,440 --> 01:05:11,880
Speaker 1: of Shadows that I did, and she is fucking awesome

1141
01:05:13,200 --> 01:05:16,200
Speaker 1: the best. Love her, love her so much. She is

1142
01:05:16,400 --> 01:05:19,800
Speaker 1: next level on that show, so that that checks out,

1143
01:05:19,840 --> 01:05:22,200
Speaker 1: she's next level in real life. She's awesome. I think

1144
01:05:22,240 --> 01:05:24,720
Speaker 1: I like that nurse that is a deep cut. I

1145
01:05:24,720 --> 01:05:26,360
Speaker 1: think it's just because I like hate her on the

1146
01:05:26,400 --> 01:05:29,080
Speaker 1: show so much that the reason she didn't love top

1147
01:05:29,080 --> 01:05:31,560
Speaker 1: of mind. But she she plays a great uh not

1148
01:05:31,680 --> 01:05:34,200
Speaker 1: even villain, just like a person that it's so real,

1149
01:05:34,320 --> 01:05:35,880
Speaker 1: like a person that you have in your life that

1150
01:05:35,920 --> 01:05:37,919
Speaker 1: you can't cut out of your life. They're into deep

1151
01:05:38,840 --> 01:05:41,439
Speaker 1: but but you're like, she's every time you're there around

1152
01:05:41,480 --> 01:05:45,400
Speaker 1: You're like Jesus Christ and like You're gonna make this

1153
01:05:45,440 --> 01:05:48,640
Speaker 1: worse no matter what the situation, and this actress always

1154
01:05:48,760 --> 01:05:52,080
Speaker 1: you can see the wheels turning in like just off

1155
01:05:52,080 --> 01:05:55,520
Speaker 1: of little looks. You're like, oh my god likes someone

1156
01:05:55,560 --> 01:05:57,480
Speaker 1: else says something and then they cut to her looking

1157
01:05:57,680 --> 01:06:00,600
Speaker 1: and you already know what she thinks. She's right, so

1158
01:06:00,840 --> 01:06:03,560
Speaker 1: she's great. And the fact that she's don John Tutor's sister.

1159
01:06:04,160 --> 01:06:08,720
Speaker 1: I think I know where John got all his moves from.

1160
01:06:09,000 --> 01:06:12,360
Speaker 1: Older Okay, I gotta keep it. That doesn't matter. He

1161
01:06:12,360 --> 01:06:14,080
Speaker 1: can still look at his little sister and go, yeah,

1162
01:06:14,120 --> 01:06:18,400
Speaker 1: it's cool. It's still summoves. She's good. Show show the show.

1163
01:06:18,400 --> 01:06:22,400
Speaker 1: The people are Blink one eighty two shirt Yeah feel that, yeah,

1164
01:06:22,760 --> 01:06:24,840
Speaker 1: Blink two. But that's us. And then what does the

1165
01:06:24,840 --> 01:06:29,160
Speaker 1: back say, Blakey, I like the like the the old

1166
01:06:29,400 --> 01:06:33,000
Speaker 1: blink And now what does that? What does that mean?

1167
01:06:33,960 --> 01:06:36,880
Speaker 1: Tell you to get it? But it's already it's already out.

1168
01:06:36,960 --> 01:06:40,000
Speaker 1: It's shout out to Blink. Also shout out to Baby

1169
01:06:40,080 --> 01:06:42,200
Speaker 1: News for taking that photo. I'm going to give her

1170
01:06:42,400 --> 01:06:45,680
Speaker 1: fours for snapping that on set, hanging around right place

1171
01:06:45,760 --> 01:06:50,720
Speaker 1: with the camera got it the job. But Newchwo for

1172
01:06:50,720 --> 01:06:54,040
Speaker 1: for making my dreams come true. Honestly, I love you guys.

1173
01:06:54,120 --> 01:06:57,440
Speaker 1: The old version. Kyle, did you want to mention the

1174
01:06:57,640 --> 01:06:59,840
Speaker 1: look alike that I sent you? You You sent me a

1175
01:06:59,840 --> 01:07:04,400
Speaker 1: look like what do we call it? The Doppelgangers, dead Ringers,

1176
01:07:06,000 --> 01:07:09,320
Speaker 1: dead Ringers, dead Ringers, dead Ringers. I sent you a

1177
01:07:09,400 --> 01:07:12,960
Speaker 1: guy doing a I can subscribe five stars a motorcycle.

1178
01:07:13,040 --> 01:07:16,520
Speaker 1: Indough that big guy. Oh that was such a sick

1179
01:07:16,600 --> 01:07:19,640
Speaker 1: ass fucking move bro. Yeah, I wish I could look

1180
01:07:19,720 --> 01:07:21,720
Speaker 1: like a big gass Kyle, though he did like an

1181
01:07:21,760 --> 01:07:24,680
Speaker 1: Indo wheelie into a fucking one out I don't even know.

1182
01:07:24,840 --> 01:07:28,880
Speaker 1: To be sure and follow our podcast on Instagram. We're

1183
01:07:28,880 --> 01:07:31,400
Speaker 1: gonna post that right now and go ahead, blaze. And

1184
01:07:31,480 --> 01:07:52,120
Speaker 1: that was the hundredth episode, this hunderfucking buttles under botle.

1185
01:07:52,640 --> 01:07:58,720
Speaker 1: I thought you're gonna do that one blazer. Attention listener,

1186
01:07:58,920 --> 01:08:03,880
Speaker 1: the super sexy Hostsome this is important. We're unknowingly given

1187
01:08:04,000 --> 01:08:07,640
Speaker 1: some false information regarding I Eat a turg Row during

1188
01:08:07,800 --> 01:08:11,520
Speaker 1: today's podcast. I Eat a turn Row is in fact

1189
01:08:12,080 --> 01:08:15,680
Speaker 1: John Turchiero's cousin and not his sister. I heared me

1190
01:08:15,800 --> 01:08:20,360
Speaker 1: to apologizes for spreading this misinformation on any confusion it

1191
01:08:20,479 --> 01:08:24,320
Speaker 1: may have caused you. Apologies to all listeners them this

1192
01:08:24,600 --> 01:08:27,840
Speaker 1: is important and respect to the t i I Nation

1193
01:08:28,280 --> 01:08:31,639
Speaker 1: a k a. The community, and a special shout out

1194
01:08:31,680 --> 01:08:35,639
Speaker 1: to the rout Allois, the Three Points Answers, the Border

1195
01:08:35,800 --> 01:08:40,160
Speaker 1: Patrol and the League of Extraordinary Assholes. Let's go