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Speaker 1: And That's what You Really Missed with Jenna and Kevin

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Speaker 1: an iHeartRadio podcast.

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Speaker 2: Welcome to and That's What You Really miss Podcast. Today

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Speaker 2: we are celebrating Kevin McHale's.

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Speaker 1: One hundredth episode.

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Speaker 2: Congratulations, thank you so much giving the award for your

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Speaker 2: one hundred one and only.

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Speaker 1: You got me. I did not know you're going to

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Speaker 1: say that. Yep, I did it everyone.

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Speaker 2: Season five, episode twelve. This is one hundred and Kevin

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Speaker 2: is the only one.

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Speaker 1: Yeah. Wow, Kevin, that is an accomplishment. Look at that.

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Speaker 1: Thank you very much. I expect nothing less one hundred

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Speaker 1: straight episodes. Damn boy. Wow.

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Speaker 2: Incredible, well deserved. It makes sense. There's nobody else I

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Speaker 2: would expect this from.

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Speaker 1: That's not true. I would have figured we were all

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Speaker 1: in one hundred episodes. No, I don't think so. I

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Speaker 1: don't think so at all. Like Leah close, close, she's right,

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Speaker 1: She's right behind, Yeah, she's right behind. I'm right behind.

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Speaker 2: Yes, yeah, there's yeah, there's a few of us that

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Speaker 2: should be right behind Chris.

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Speaker 1: Yes, some weird technicality. I became the first one to

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Speaker 1: reach a hundred. I was the only one to reach

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Speaker 1: one hundred straight episodes. That's crazy. And you were still smiling. Yeah.

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Speaker 1: I remember finding that out and I was like, how

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Speaker 1: is that possible? And so then I was like, okay,

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Speaker 1: well can I go to a movie? You guys did ken.

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Speaker 1: I was just trying to get to a hundred, and

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Speaker 1: then I was like a.

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Speaker 2: Happy person, happy to be there. Nice to everybody. Didn't

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Speaker 2: really rock the boat. Sit down, you're rocking the boat

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Speaker 2: at all unless completely necessary or war arrented towards the end.

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Speaker 2: It's very impressive. Congratulations, Thank you very much. This episode aired.

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Speaker 2: This is our one hundredth episode though, and it aired

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Speaker 2: on March eighteen, twenty fourteen. So let's go through the

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Speaker 2: news and then we can get into this whole thing.

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Speaker 1: The number one song in the country is still Happy.

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Speaker 1: That's going to be number one for a hot minute.

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Speaker 1: And do we see it in the show, Yes, we do,

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Speaker 1: which is fun. I love when those things line up.

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Speaker 1: The number one movie is still three hundred Rise of

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Speaker 1: an Empire. And on marketeenth, we celebrated one hundredth episode

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Speaker 1: with the party of the Chateau Marmaut and Los Angeles. Kevin,

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Speaker 1: were you there? I think maybe this is when I

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Speaker 1: was doing the movie. I think you're right. I think

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Speaker 1: you were doing the movie. Yes, I remember seeing you

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Speaker 1: all in photos. Yes, I remember seeing red carpet photos

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Speaker 1: like there was something going on, and yeah, I was

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Speaker 1: not there.

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Speaker 2: Sad fun fact, I was personally going through a breakup

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Speaker 2: as of that day and had my boyfriend ex boyfriend

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Speaker 2: moving out that day and had to go to that

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Speaker 2: party and do a red carpet after coming home to

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Speaker 2: an empty house, and no, wonder you see there's pictures.

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Speaker 2: I have a very smoky eye. It's because my eyes

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Speaker 2: were wild and wildly swollen and red.

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Speaker 1: From crying all day.

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Speaker 2: Jemma, and somehow Patrick did my makeup made it look

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Speaker 2: like I wasn't crying all day.

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Speaker 1: I went.

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Speaker 2: Vanessa was like held my hand the entire night. Vanessa

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Speaker 2: Lengie's the angel she is, and was like, we're gonna

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Speaker 2: get you through this and you're gonna have a fun time.

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Speaker 1: Oh that's so sweet and also so sad.

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Speaker 2: Well, it's like, you know, just see, you just don't

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Speaker 2: know what's going on, Like all these like wonderful celebratory

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Speaker 2: things and you're on the show and you're celebrating one

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Speaker 2: hundred and yet there's like all this shit going down

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Speaker 2: in your you just never know, you know.

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Speaker 1: You never know because all the publicities are these I

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Speaker 1: wasn't going to go and everybody's like, you should just go,

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Speaker 1: you should just go, and yeah, do this for your

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Speaker 1: be around people who love Yeah, and it was great.

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Speaker 2: It was actually I did get through the night like

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Speaker 2: pretty solidly. So this episode was directed by the one

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Speaker 2: and only Paris Barclay. Oh when it was written by

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Speaker 2: Ryan Ian and Brad.

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Speaker 1: How special? I feel like getting to one hundred episodes

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Speaker 1: is such a monumental feat. Yes, like that is absolutely insane.

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Speaker 2: Yeah, I think you had to explain that to some

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Speaker 2: of us. Yeah, that like, not every TV show does this.

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Speaker 1: No, most TV shows do not get to it. I mean,

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Speaker 1: now you know with streaming, yes, most shows do not

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Speaker 1: get to that, just because it would take them ten years.

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Speaker 1: But yeah, you know how quickly shows to get canceled

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Speaker 1: on network television. And the fact that we had been

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Speaker 1: through a lot that year and we still got to

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Speaker 1: onundred episodes. I mean, it's a huge moment for Ryan

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Speaker 1: Ian and Brad to get a show and like, to

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Speaker 1: get a show to one hundred episodes, a musical show.

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Speaker 1: It just reminded me of like all the odds were

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Speaker 1: not in favor. We're stacked against this show, you know, like, yeah,

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Speaker 1: your musical shows did just historically did not work. And

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Speaker 1: not only did it work, it became like a cultural phenomenon.

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Speaker 1: And loved that we had Paris back, we had all

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Speaker 1: the kids back, Gwyneth and Christen were back, all the

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Speaker 1: originals are back, plus Chase Crawford, which is hilarious. Yes,

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Speaker 1: it's fun to have him. It was really fun to

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Speaker 1: have him. And it's also funny that he played such

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Speaker 1: like a prick because he's so nice. I know, we

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Speaker 1: love Chase.

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Speaker 2: It was so funny to have like friends like that

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Speaker 2: coming in one after the other, like I don't know,

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Speaker 2: just like real friends that I was like seeing like

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Speaker 2: on the daily outside in my real life and then

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Speaker 2: coming into our show and just being there and you're like,

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Speaker 2: what is happening?

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Speaker 1: Yeah, but like you already had Phoebe, he had Chase

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Speaker 1: a lot of and it's it was needed. If any

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Speaker 1: season needed like comfort people to be around as guest

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Speaker 1: stars and things, this was the season.

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Speaker 2: And they were like seasoned actress too, had been around,

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Speaker 2: been on big shows before. They understood like what it's

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Speaker 2: like coming into somebody's house, like they all just knew,

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Speaker 2: you know. It was like the right you're like you

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Speaker 2: were saying the right group of people to come in.

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Speaker 1: Correct. And also Kristen and Gwyneth were I mean family

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Speaker 1: by then, and how nice it was to have them back,

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Speaker 1: I mean, what a joy to watch on screen and

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Speaker 1: how funny one ridiculous, so good. I love them. Teaming

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Speaker 1: up happened sooner, I know, why why didn't we think

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Speaker 1: of that?

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Speaker 2: Yeah, this celebration was split into two parts, the second

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Speaker 2: part airing a week later in March twenty fifth.

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Speaker 1: That's right, So these songs were there was like an

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Speaker 1: online poll. I believe that people could vote on the

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Speaker 1: songs in this episode. Whether that's what actually determined what

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Speaker 1: the choice is, what I don't know cannot verify. Okay,

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Speaker 1: So we have Razor Glass performed by April and Will

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Speaker 1: in the new directions, Toxic performed by the Unholy Trinity,

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Speaker 1: Define Gravity performed by Kurt Mercedes and Rachel Love that

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Speaker 1: Paris Paris directed this originally. Oh yeah, right, and he's

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Speaker 1: directing it again.

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Speaker 2: Got it back, Valerie by Britney Santana, and the new

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Speaker 2: directions in some of the.

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Speaker 1: Alums keep holding on by Puck New Directions and Alumni.

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Speaker 2: Never forget that one and happy performer at April Rhods,

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Speaker 2: Holly Holiday, Will New Directions and the alumni.

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Speaker 1: Okay, there's some good fun facts here.

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Speaker 2: So this episode, like we said, Mark's Alardy's one hundredth

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Speaker 2: episodic appearance. Ironically, this is the first episode of season

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Speaker 2: five in which he doesn't sang.

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Speaker 1: What congratulations to me? That's also pretty good. The first

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Speaker 1: episode you have in sang yeah, that's fine. Like there's

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Speaker 1: a lot of people. That's some other people saying. This

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Speaker 1: episode features the return of Quinn, who last appeared in

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Speaker 1: I Do Brittany. Since her last appearance in All or Nothing,

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Speaker 1: she's had a baby in real life, that's right, and

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Speaker 1: then comes back April Rhodes first time since Rumors and

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Speaker 1: Holly Holiday. It's the first time since Anta Neglect. Wow,

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Speaker 1: it's been a while.

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Speaker 2: The song selection for this episode was chosen by the

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Speaker 2: fans through an online poll. There's your Answer, Kevin called

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Speaker 2: Gleek's Choice. Fans had to choose among were a pretty

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Speaker 2: classically performances, so that ten of them would be later

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Speaker 2: featured on the episode.

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Speaker 1: However, only eight songs were released and only seven songs

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Speaker 1: were performed, so fudge the numbers there a little bit.

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Speaker 2: I guess they voted for dog Days because dog Days

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Speaker 2: Are Over was originally gonna be sung in this episode

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Speaker 2: by Holly Holliday. However, it was changed to Happy once Again,

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Speaker 2: Tina Co and Chang's songs getting Side Sweat somehow.

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Speaker 1: Do you think that was because of the number one.

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Speaker 1: It made a lot of sense to me that she

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Speaker 1: was doing this song because it's in the same like

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Speaker 1: musical vein as forget You.

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Speaker 2: Yes, it totally fit her better. I absolutely think that's right.

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Speaker 2: I also think like maybe they were like, you can

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Speaker 2: have happy right now. It's number one on the charts,

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Speaker 2: and they were like, great.

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Speaker 1: We'll do it. Trying to.

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Speaker 2: Get success again like they did was totally understood. But

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Speaker 2: again you can see what I mean.

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Speaker 1: One of my favorite parts of this episode during Fondu

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Speaker 1: for two, Brittany asked Mercedes if it's true that she

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Speaker 1: has been a really good dancer this whole time but

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Speaker 1: just wanted a park and bark and this was a

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Speaker 1: reference to Amber's recent win on Dancing with the Stars.

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Speaker 2: I love that Mike is the only alumnus that doesn't

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Speaker 2: see in this episode. Beck.

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Speaker 1: This is the only episode in season five that doesn't

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Speaker 1: contain any New York scenes.

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Speaker 2: In this episode, Sam states that he is left handed. However,

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Speaker 2: not only is to be shown to be using his

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Speaker 2: writing hand in previous episodes, he's shown to be right

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Speaker 2: handed in this once again continuity.

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Speaker 1: I really love that the weird timing of this school

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Speaker 1: year being drawn out over like a season and the

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Speaker 1: third basically, so this episode is after Nationals, which she

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Speaker 1: would think theoretically would be in twenty thirteen, but Happy

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Speaker 1: didn't come out until November twenty thirteen, and you think

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Speaker 1: Nationals will be at the end of the previous school year.

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Speaker 1: So there's some weird tim timing things. But you know

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Speaker 1: it's Glee. It's timing is different. Well, and the same

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Speaker 1: thing happened with Wrecking Ball or and applause, right, So

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Speaker 1: I think we just have to like, we don't know

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Speaker 1: what's school year. They're Offension of Disbelief. Yeah, and Will

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Speaker 1: says that the lesson is one hundred because it is

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Speaker 1: the one hundred lesson. That doesn't make any sense because

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Speaker 1: in fact, it is the seventy fourth lesson in the series. However,

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Speaker 1: it could be argued that they had offscreen lessons. Fair enough,

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Speaker 1: I'll take that one. Also, it doesn't matter. It's like

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Speaker 1: I think everyone knows what they're getting into here, right.

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Speaker 1: This is like I discount this sort of like a

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Speaker 1: Christmas episode, Like this is a different thing, and the

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Speaker 1: story plot doesn't really matter. It's a celebration and we're

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Speaker 1: getting all everybody together and we're just gonna perform. Yeah,

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Speaker 1: that's how I feel about it.

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Speaker 2: There's like a lot of internal conflict between characters happening

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Speaker 2: within this episode, but it doesn't really move the plot

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Speaker 2: or that it does it have to in any way

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Speaker 2: except for the disbanding of the Glee Club kind of

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Speaker 2: storyline correct.

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Speaker 1: So current past members of New Directions reunite for one

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Speaker 1: final assignment to reinvent their favorite performances. But these new

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Speaker 1: versions of the series most iconic tracks should not be

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Speaker 1: seen as a goodbye to the Glee Club. On the contrary,

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Speaker 1: they are celebrations of what the club has meant to

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Speaker 1: each other and every member. I thought, what was funny

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Speaker 1: about this another like inconsistent thing, which I enjoy. April

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Speaker 1: Roads comes back right and she goes into raise your Glass,

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Speaker 1: which was not one of our songs, and it was

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Speaker 1: it was a warblar song. But she knows it still,

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Speaker 1: she knows it was performed somehow. It was like, oh,

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Speaker 1: she watching Glee, Right, I do enjoy it, but.

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Speaker 2: I like when the Warblers do this song. Oh, I

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Speaker 2: do not have the fondest members of shooting this song.

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Speaker 2: We learned this that day, Yes, in the choirm. We

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Speaker 2: didn't even learn this in the owerhouse or anywhere else.

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Speaker 2: We just learned it there. They're like, get in a line.

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Speaker 2: And of course Kristin Jennathan in the way she does,

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Speaker 2: she learned it as well.

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Speaker 1: In five minutes. Yeah, I see.

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Speaker 2: What we were doing here. We are just commemorating, celebrating, reliving.

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Speaker 2: I don't know that this is my favorite way. But

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Speaker 2: I'm not gonna hate on it, do you know what

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Speaker 2: I mean. I'm just here.

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Speaker 1: I'm gonna let it exist, like co exists this episode. Yeah,

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Speaker 1: there's some that I like.

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Speaker 2: It's way more than others obviously, right, the performances, and

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Speaker 2: I'm not saying they're worse or better in any way,

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Speaker 2: and I'm not. I really don't want to hate on

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Speaker 2: it because it is such a standalone and everybody's back

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Speaker 2: and It's exciting and fun, but it's almost a little

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Speaker 2: like I feel like I was time warped back where

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Speaker 2: everybody's there again and you're like, what is this show again?

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Speaker 2: And why are we doing these numbers again? And what

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Speaker 2: are we doing? Like a little bit of that feeling

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Speaker 2: of like.

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Speaker 1: Where are we? Oh?

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Speaker 2: Just you know.

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Speaker 1: I honestly think if this had happened in season four,

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Speaker 1: I would have really stuck out like a sort thumb. Yeah,

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Speaker 1: but because this season has already been sort of performance heavy,

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Speaker 1: a little all over the place, like I buy it?

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Speaker 1: Is it my favorite episode?

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Speaker 3: No?

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Speaker 1: Do I think any of these versions are better than

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Speaker 1: the original versions? No? But can we all call exist?

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Speaker 2: Yes?

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Speaker 1: Yeah? And I enjoy seeing everybody back together. Yeah, yeah,

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Speaker 1: that's what I'm saying. I enjoy seeing Kristen do anything

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Speaker 1: I like. I actually like this version of the song.

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Speaker 2: I love Pink. I am a huge Pink fan. I

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Speaker 2: love her all of her albums. I love all of

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Speaker 2: her songs. I don't particularly love this Pink song in general.

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Speaker 1: Oh no, I hate this song.

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Speaker 2: Okay, great, I'm glad we're on the same page. It's

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Speaker 2: not my favorite. And then the Warbers are and I

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Speaker 2: was like, Oh, that's a really cool take on it.

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Speaker 2: I love you know, I mean, I'm.

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Speaker 1: Down to here that they had a great I think

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Speaker 1: their version is better than Pink's versions.

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Speaker 2: And then I'm like, but we have to do it

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Speaker 2: again again, we have to do this song again.

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Speaker 1: That was my I think, my feeling about it. That's fair, right,

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Speaker 1: I am overridden by chris like my feelings about how

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Speaker 1: I would normally feel about this song. I'm like, it's

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Speaker 1: fine because she's doing it. She's here when Chrisen walks

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Speaker 1: into a room. Yeah great. Oh she literally is Glinda

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Speaker 1: like it comes down in a bubble. Yeah. Yeah, like

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Speaker 1: she is that yes, yes, and makes everybody happy. And

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Speaker 1: even if I don't really love this song, yeah, like

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Speaker 1: I don't it. Also, it was better that we only

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Speaker 1: learned it that day. It was less time with the song.

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Speaker 1: You're totally right. Actually, I'm grateful for that. Yeah. Yeah.

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Speaker 1: And it's like I remember like the fake champagne yeah

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Speaker 1: and all of that. It was so much fun and yeah,

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Speaker 1: it honestly felt this was maybe like one of the

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Speaker 1: only episodes that the marriage between how it felt behind

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Speaker 1: the scenes and in front of the camera were very similar. Yeah,

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Speaker 1: Like I think in the scene where you see all

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Speaker 1: those people there and you see all of us just

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Speaker 1: like having a good time and cracking up and like

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Speaker 1: running around. That's what it also felt like, even like

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Speaker 1: being at the helm of this right and felt like,

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Speaker 1: you know, our old friends were back. Family. It's a

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Speaker 1: family affair, yeah, and like, yes, let's just see each

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Speaker 1: other perform. I think what I would have really loved

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Speaker 1: is if I was challenged more by these performances, Like

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Speaker 1: I think we're coming off of Nationals where there are

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Speaker 1: some really great numbers. Agreed, let's like spice it up

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Speaker 1: a little, yeah, like if these like how toxic in

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Speaker 1: this episode, yes, sort of goes there where you see

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Speaker 1: them on that stage really doing it. I think I

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Speaker 1: wish all these numbers weren't so stripped down.

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Speaker 2: I I totally agree with you. I totally agree, because Toxic,

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Speaker 2: I think is so good that like.

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Speaker 1: That's what I was missing a little bit, Like if

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Speaker 1: we're going to celebrate, if that's the whole purpose of

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Speaker 1: this episode, because there's not a lot of plot and

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Speaker 1: the Glee club is going out bump it and I

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Speaker 1: get it they don't have money, sure, but like when

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Speaker 1: have we ever? I know, and we had money right exactly, yes, exactly,

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Speaker 1: so like I would have enjoyed that more.

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Speaker 2: I did enjoy seeing the glee Club altogether old and

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Speaker 2: new because it felt like our old friends and our

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Speaker 2: new friends coming together.

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Speaker 1: You know, we've had parts of you know, you have.

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Speaker 2: Mercedes and Mike, or you have Santana, you have Brittany,

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Speaker 2: but like having everybody in that room together in that

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Speaker 2: moment was like really fun.

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Speaker 1: It felt like a field day. It did feel like

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Speaker 1: a field day. April Rhoads.

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Speaker 2: Has a meeting with Sue and Will because Will has

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Speaker 2: told Gratchel April that like the Glee Club is being disbanded,

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Speaker 2: and April reminds Sue that she's the one who saved

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Speaker 2: the auditorium and is paying for the auditorium and she

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Speaker 2: has say over who performs in it. But it actually

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Speaker 2: we find that it turns out that April's money has

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Speaker 2: run out because she's being indicted, which is insane, and

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Speaker 2: all of her money is on lock and so therefore

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Speaker 2: Bigley Club is seemingly actually really over because we have

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Speaker 2: no leverage now that April our last like ditch effort

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Speaker 2: is gone. So she's gonna bring Holly Holiday in but

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Speaker 2: you know, we obviously see April and Tina saying that

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Speaker 2: April taught her.

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Speaker 1: How to steal meat in her vagina. I cannot believe

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Speaker 1: that made that in and then Will gets mad at

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Speaker 1: April because April has lied to Will. I'm not sure that.

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Speaker 2: I feel the getting so angry at April was completely warranted,

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Speaker 2: like does she have to tell Will?

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Speaker 1: That? But I don't know. I I didn't love that

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Speaker 1: because I feel like the tone of this episode like

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Speaker 1: we got we got the gag with like, oh, that

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Speaker 1: does sound true, doesn't it? Like a bro like, Oh,

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Speaker 1: I guess that is true. I guess I am being

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Speaker 1: indicted for all these things, Like I mean that's on you, bro, Yeah,

350
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Speaker 1: Like she's done this every single time she's been here, right,

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Speaker 1: so I don't. I'm like, we're all celebrating here. There's

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Speaker 1: a bunch of hijinks, like let's chill, like we'll figure

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Speaker 1: it out we always do. Before Toxic, we meet Chase Crawford, right,

354
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Speaker 1: of course, I can't ever think of him other than

355
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Speaker 1: Chase Crawford full name, no character name. He's Chase Crawford,

356
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Speaker 1: Biff funny name, does not look like a biff. He

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Speaker 1: doesn't but I buy the character fully, and he comes in.

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Speaker 1: He's like Puck and Quinn are having a moment in

359
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Speaker 1: the hallway. Puck and his like air force garb is

360
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Speaker 1: clearly still has feelings. It's feeling in some type of

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Speaker 1: way about seeing Quinn. And then Biff shows up, and

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Speaker 1: Biff is like hot comes from money, not very friendly, right,

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Speaker 1: And clearly Quinn is presenting herself in a certain way

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Speaker 1: to him, right, And Puck's like, I don't like what's

365
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Speaker 1: going on here, right, And so toxic happens, and Biff,

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Speaker 1: which I also love that, like multiple people in the

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Speaker 1: glee club are noticing, is just on his phone the

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Speaker 1: entire time. When we get a great version of toxic,

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Speaker 1: I mean an an excellent version of Toxic, I must say,

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Speaker 1: are you surprised that this was one of the top

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Speaker 1: ten that people voted for to see? I am surprised.

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Speaker 1: I am too, but I I like this version. I'm

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Speaker 1: not displeased with the fact.

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Speaker 2: No, no, no, I mean they did give thirty so we

375
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Speaker 2: don't know which ones they gave, so could have been

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Speaker 2: a bottom of the barrel either, Like Coxic is great,

377
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Speaker 2: you know, we don't know, but the girls look great

378
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Speaker 2: They sound absolutely crushing, right, And I loved the dream

379
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Speaker 2: sequence on the stage here for it.

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Speaker 1: And I liked it. It was so different than the other.

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Speaker 2: Version we did, Yes and elevated, Like, let's go to

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Speaker 2: those dream sequences. If we can't afford it, put it

383
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Speaker 2: in a dream. I'm great with that. Oh, really really good.

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Speaker 2: Those girls look so good and they sounded really good.

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Speaker 1: But Brittany has his like freak out afterwards, and it's

386
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Speaker 1: like I was off, I'm off my game. Santana's like,

387
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Speaker 1: what is happening? Catches are doing like math equations the

388
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Speaker 1: flash These flashbacks are like her getting tested at like

389
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Speaker 1: m I T or whatever her brain, and I don't

390
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Speaker 1: like seeing her suffer. I don't break my heart. I

391
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Speaker 1: know it's like silly and all these things, but I

392
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Speaker 1: just feel bad for her.

393
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Speaker 2: Yeah, Brittany, let Brittany live leave pretty alone. Yeah, she's

394
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Speaker 2: she's basically a genius. So she's not being utilized in

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Speaker 2: the way or not being able to express herself in

396
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Speaker 2: the way that we are used to seeing Brittany.

397
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Speaker 1: No, and she's like tired. Everything is just an equation

398
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Speaker 1: to her numbers. Everything is just But we do get

399
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Speaker 1: fondue for two out of this God bless America because

400
00:23:35,080 --> 00:23:40,560
Speaker 1: there's like a diva off rumbling yes, and this whole

401
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Speaker 1: thing of the voiceovers of Rachel and Mercedes coming back

402
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Speaker 1: and being like, I'm the big deal here. Why is

403
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Speaker 1: nobody celebrating me? I love that confetti? Why isn't they're

404
00:23:53,640 --> 00:23:57,640
Speaker 1: a big celebration? People screaming their names? They're coming back?

405
00:23:57,800 --> 00:24:01,320
Speaker 2: Is like the most you know, the Broadway Star and

406
00:24:01,440 --> 00:24:06,640
Speaker 2: the recording you know, the recording contract gal like and

407
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Speaker 2: I hollered when Amber says te Leah or Mercedes says

408
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Speaker 2: to Rachel, I'll make my way to the back of

409
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Speaker 2: the bar.

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Speaker 1: Oh yeah, I yeah. They are so good in playing

411
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Speaker 1: these ridiculous.

412
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Speaker 2: Extremes of themselves, of their characters rather like expecting all

413
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Speaker 2: this praise and coming back with all this hubrist and like,

414
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Speaker 2: you know, very ego driven.

415
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Speaker 1: But it's really funny.

416
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Speaker 2: And so yes, there's a diva off that is brewing

417
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Speaker 2: because they both want to do defying gravity with Kurt.

418
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Speaker 1: And we sort of kill two words with one stone here.

419
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Speaker 1: It's like Britney's only release is fond of for two

420
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Speaker 1: outside of I and then we get a great interaction

421
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Speaker 1: between two of these divas right and love a fondue

422
00:25:07,480 --> 00:25:11,480
Speaker 1: for two, I mean, I mean we get the mirror

423
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Speaker 1: ball reference. I also imagine that was probably a joke

424
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Speaker 1: going around set. That's what it fully feels like, just

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Speaker 1: because like we knew Amber could dance, right, but like

426
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Speaker 1: did the writers know that? Did crew know that? Like

427
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Speaker 1: we knew that? And it fully felt like, like, wait,

428
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Speaker 1: she just went dancing with the stars. Why are we

429
00:25:32,840 --> 00:25:34,919
Speaker 1: making all these jokes that like new directions can't dance.

430
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Speaker 1: I don't have her out there dancing like Brittany and Mike. Right,

431
00:25:42,800 --> 00:25:45,760
Speaker 1: It's true, but like we always knew she could dance,

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Speaker 1: so that was not a surprise to me that she

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Speaker 1: wanted that, not as PRIs at all. I think.

434
00:25:53,320 --> 00:25:57,120
Speaker 2: Amber also is like she stands up for herself when

435
00:25:57,160 --> 00:25:59,919
Speaker 2: she needs to. She always she knows how to advocate

436
00:26:00,040 --> 00:26:01,760
Speaker 2: for herself. I think she learned that over time and

437
00:26:01,800 --> 00:26:05,560
Speaker 2: she's evolved in like the most beautiful way. She also

438
00:26:05,680 --> 00:26:09,919
Speaker 2: doesn't throw around her talent, like she is the one

439
00:26:09,960 --> 00:26:12,400
Speaker 2: of the most talented people we ever have ever met. Right,

440
00:26:12,400 --> 00:26:16,520
Speaker 2: we know this as her friends, but and she is

441
00:26:16,720 --> 00:26:19,199
Speaker 2: she She will tell you first I can sing that,

442
00:26:19,280 --> 00:26:21,960
Speaker 2: I can't sing that, like I or rarely does she

443
00:26:21,960 --> 00:26:24,080
Speaker 2: say I can't sing that, but like because she can't,

444
00:26:24,400 --> 00:26:29,840
Speaker 2: but like she doesn't, she just doesn't and like stands

445
00:26:29,920 --> 00:26:33,600
Speaker 2: up for herself, advocates for herself, but like doesn't throw

446
00:26:33,680 --> 00:26:34,879
Speaker 2: around all.

447
00:26:34,760 --> 00:26:36,800
Speaker 1: Of those things. You're right, you're right.

448
00:26:37,200 --> 00:26:39,399
Speaker 2: And so of course we're not going to know because

449
00:26:39,400 --> 00:26:41,399
Speaker 2: we see her in dancers or we see her doing

450
00:26:41,440 --> 00:26:43,800
Speaker 2: all of these things. Yeah, but like how is anybody

451
00:26:43,840 --> 00:26:45,760
Speaker 2: else supposed to know? And she's not like, let me

452
00:26:45,840 --> 00:26:48,000
Speaker 2: just dance for you monkey, you know what I mean.

453
00:26:48,720 --> 00:26:50,199
Speaker 2: It's just very amber of her.

454
00:26:50,920 --> 00:26:52,840
Speaker 1: There was there was quite a few lines in this

455
00:26:52,880 --> 00:26:55,480
Speaker 1: episode that I felt like some of us cast members

456
00:26:55,520 --> 00:26:59,560
Speaker 1: are getting read. Yeah, there was a couple of little

457
00:26:59,560 --> 00:27:01,960
Speaker 1: things that I will not draw people's attention to all

458
00:27:01,960 --> 00:27:02,800
Speaker 1: of them, but I was.

459
00:27:02,800 --> 00:27:07,960
Speaker 2: Like, hmmm, it is also Ian, Ryan and Brad writing this.

460
00:27:08,119 --> 00:27:09,080
Speaker 2: Who knows the best?

461
00:27:09,800 --> 00:27:12,280
Speaker 1: They know a little too well.

462
00:27:13,720 --> 00:27:15,960
Speaker 2: So we get to do we get to define gravity

463
00:27:16,720 --> 00:27:20,200
Speaker 2: Diva off again, which apparently the only Diva off song

464
00:27:20,240 --> 00:27:23,720
Speaker 2: we know how to do is to find Gravity. But

465
00:27:25,840 --> 00:27:28,040
Speaker 2: Paris gets to do it. He gets to revive his

466
00:27:28,119 --> 00:27:31,240
Speaker 2: time with to find Gravity. He brings back the spotlight.

467
00:27:31,680 --> 00:27:33,679
Speaker 2: It looks the same it's.

468
00:27:33,640 --> 00:27:38,479
Speaker 1: Harry does a sort of twenty fourteen version of It's

469
00:27:38,520 --> 00:27:44,280
Speaker 1: switching between people because he had some profiles. Yeah. I

470
00:27:44,359 --> 00:27:47,480
Speaker 1: also was just sort of freaking out that Kristen was

471
00:27:47,520 --> 00:27:52,760
Speaker 1: there in this scene watching defind Gravity. It's like that

472
00:27:52,880 --> 00:27:55,240
Speaker 1: is that's a good point crazy to me. I also

473
00:27:56,359 --> 00:27:59,600
Speaker 1: did not remember this happened. And a couple months ago

474
00:28:00,200 --> 00:28:05,280
Speaker 1: for Amber and I hosted this thing on Amazon Live

475
00:28:05,480 --> 00:28:09,439
Speaker 1: for Wicked, and we took some fan questions and people

476
00:28:09,480 --> 00:28:11,280
Speaker 1: ask like, oh, what song from Wicked would you like

477
00:28:11,280 --> 00:28:14,159
Speaker 1: to sing? And Amber was like, well, I've already done

478
00:28:14,160 --> 00:28:15,720
Speaker 1: tofine Gravity. And I was like, I want to see

479
00:28:15,720 --> 00:28:19,200
Speaker 1: you do define Gravity. She's like, I've done it like twice.

480
00:28:19,359 --> 00:28:22,200
Speaker 1: What what do you mean you've done it. She's like

481
00:28:22,280 --> 00:28:23,960
Speaker 1: I'm like yeah, but like on stage. She's like, I've

482
00:28:23,960 --> 00:28:28,760
Speaker 1: done it on stage. Did not realize I physically saw

483
00:28:28,800 --> 00:28:35,680
Speaker 1: her film it, Like what, that's the memory right there?

484
00:28:35,960 --> 00:28:39,760
Speaker 1: Like I physically watched her sing it for hours? I know.

485
00:28:39,800 --> 00:28:41,640
Speaker 1: And also does it feel weird to me? Because I

486
00:28:41,680 --> 00:28:43,680
Speaker 1: do feel like we were talking before with our producer

487
00:28:43,720 --> 00:28:48,200
Speaker 1: Sam like this feels like Kurt's song in a way

488
00:28:48,240 --> 00:28:52,680
Speaker 1: to me, and just barely in this version of it.

489
00:28:53,160 --> 00:28:55,320
Speaker 1: He is barely in this and it was about him

490
00:28:55,320 --> 00:28:58,440
Speaker 1: because he throws the competition in the first one. In

491
00:28:58,800 --> 00:29:01,000
Speaker 1: it's like not about him this time, but he's It's like,

492
00:29:01,080 --> 00:29:04,520
Speaker 1: either don't be involved at all? Right, does let Rachel

493
00:29:04,560 --> 00:29:05,240
Speaker 1: Mercedes do it?

494
00:29:05,280 --> 00:29:05,440
Speaker 2: Then?

495
00:29:05,960 --> 00:29:06,640
Speaker 1: Yeah?

496
00:29:06,760 --> 00:29:10,120
Speaker 2: Very strange, very very strange. Well, they all want us

497
00:29:10,160 --> 00:29:13,760
Speaker 2: to vote, we're supposed to vote. And then Rachel and Mercedes,

498
00:29:13,800 --> 00:29:17,840
Speaker 2: after all these kind of like frenemy duels that are

499
00:29:17,880 --> 00:29:20,920
Speaker 2: going on, end up having this really nice scene in

500
00:29:20,960 --> 00:29:21,680
Speaker 2: the bathroom.

501
00:29:22,560 --> 00:29:26,280
Speaker 1: But can we talk about the blowout before that or

502
00:29:26,320 --> 00:29:33,440
Speaker 1: blow up? Yeah, because the Santana Rachel commotion has come

503
00:29:33,480 --> 00:29:37,640
Speaker 1: back to Ohio, right, right, of course we've now had

504
00:29:39,360 --> 00:29:43,520
Speaker 1: three episodes of this out of the last four episodes, right,

505
00:29:43,600 --> 00:29:48,440
Speaker 1: and she stands up, Oh my god. And I don't

506
00:29:48,720 --> 00:29:51,280
Speaker 1: know if you remember filming this. I do not, But

507
00:29:51,840 --> 00:29:57,000
Speaker 1: watching it, I was like, oh, yeah, it was bad.

508
00:29:57,320 --> 00:30:03,920
Speaker 1: It felt so charged. Yeah, very mean, very mean, and

509
00:30:03,960 --> 00:30:09,760
Speaker 1: I I yeah, what made it also feel more mean

510
00:30:09,880 --> 00:30:13,680
Speaker 1: was Rachel's reaction in the bathroom afterwards, Like Santana goes

511
00:30:13,680 --> 00:30:17,520
Speaker 1: on this tirade where she just airs it all out,

512
00:30:17,760 --> 00:30:20,160
Speaker 1: like catching everybody up here in Lima. This is what's

513
00:30:20,160 --> 00:30:23,000
Speaker 1: been going on in New York and like lets her

514
00:30:23,200 --> 00:30:27,200
Speaker 1: have it, and it feels again it's like whenever Leah cries,

515
00:30:27,400 --> 00:30:34,880
Speaker 1: it just gets you, gets me real bad. But like

516
00:30:34,960 --> 00:30:37,840
Speaker 1: in the end of that scene into the bathroom scene,

517
00:30:38,400 --> 00:30:41,280
Speaker 1: the bathroom scene felt like I honestly like there was

518
00:30:41,320 --> 00:30:46,200
Speaker 1: a couple of times in this episode with Leah in particular,

519
00:30:46,240 --> 00:30:48,800
Speaker 1: where I felt like I was being privy to something

520
00:30:49,200 --> 00:30:54,880
Speaker 1: I should not have been seeing, Like it felt too real. Hmmm. Interesting,

521
00:30:55,120 --> 00:30:58,840
Speaker 1: And that scene with her and Mercedes was so nice.

522
00:30:59,280 --> 00:31:02,480
Speaker 2: It was, but the lead up to get there was

523
00:31:02,520 --> 00:31:04,960
Speaker 2: actually pretty tough because Santana comes out of here and

524
00:31:05,080 --> 00:31:08,560
Speaker 2: some of the things she says are actually true. That's

525
00:31:08,640 --> 00:31:11,720
Speaker 2: the thing, Like, yes, she's like, you sold half the

526
00:31:11,720 --> 00:31:13,560
Speaker 2: people in this dream down the river more times than

527
00:31:13,600 --> 00:31:14,960
Speaker 2: I can count so that you can get a solo

528
00:31:15,040 --> 00:31:17,320
Speaker 2: or leading musical. And I'm pretty sure that you don't

529
00:31:17,360 --> 00:31:18,400
Speaker 2: know the names on the other.

530
00:31:18,320 --> 00:31:19,280
Speaker 1: Half of the people.

531
00:31:20,520 --> 00:31:27,440
Speaker 2: And while that's true, Santana comes off in a way

532
00:31:27,480 --> 00:31:31,320
Speaker 2: that she normally comes off is not as harsh, but

533
00:31:31,360 --> 00:31:34,720
Speaker 2: not that harsh. This was like like an attack, right,

534
00:31:34,880 --> 00:31:36,000
Speaker 2: It felt like an attack.

535
00:31:36,240 --> 00:31:38,800
Speaker 1: It was what we talked about. The difference between Brie

536
00:31:39,120 --> 00:31:42,760
Speaker 1: and like Kitty or Santia where there's like some like

537
00:31:42,880 --> 00:31:47,480
Speaker 1: humor least in there, where like there's some redeeming quality.

538
00:31:47,520 --> 00:31:49,720
Speaker 2: Here, they're still taking the Bree two point zero from

539
00:31:49,720 --> 00:31:52,040
Speaker 2: this and writing for Santana again. And it got mixed

540
00:31:52,120 --> 00:31:56,840
Speaker 2: up because it really did come for her, like the

541
00:31:56,880 --> 00:32:00,280
Speaker 2: prom queen thing that she throws out there and the

542
00:32:00,360 --> 00:32:04,200
Speaker 2: stubbly you know wo and undergrown little Cretan like it's

543
00:32:04,400 --> 00:32:07,720
Speaker 2: just really cool, like very mean and.

544
00:32:09,880 --> 00:32:13,800
Speaker 1: For some reason hit the hardest to me, right, and

545
00:32:14,120 --> 00:32:19,680
Speaker 1: like Leah's reaction to it, Yeah, it was very surreal.

546
00:32:20,480 --> 00:32:23,680
Speaker 1: It's like what is happening? And then you're right though,

547
00:32:23,800 --> 00:32:29,480
Speaker 1: like the reaction afterwards when Rachel is saying, I feel

548
00:32:29,520 --> 00:32:31,920
Speaker 1: like this is ever. I'm back in high school again

549
00:32:32,160 --> 00:32:34,880
Speaker 1: and this has been every day for me in New York. Yes,

550
00:32:36,240 --> 00:32:36,600
Speaker 1: there is.

551
00:32:36,560 --> 00:32:40,680
Speaker 2: A very traumatic thing for her to be feeling in

552
00:32:40,720 --> 00:32:44,160
Speaker 2: her new life, right, So like that really resonated with me.

553
00:32:44,200 --> 00:32:46,640
Speaker 1: I was like, oh wow, like yeah.

554
00:32:47,200 --> 00:32:50,720
Speaker 2: This so well, it really was. The bathroom was a

555
00:32:50,760 --> 00:32:54,720
Speaker 2: really beautiful scene with the confession of Rachel and then

556
00:32:54,840 --> 00:32:58,400
Speaker 2: like the coming together Mercedes and Rachel and coming out

557
00:32:58,440 --> 00:33:01,400
Speaker 2: and being like we just we're you guys.

558
00:33:01,280 --> 00:33:05,320
Speaker 1: Don't have to vote. At the same time, like Santana's

559
00:33:06,160 --> 00:33:11,200
Speaker 1: like crucifying Rachel, but she's also trying to help Brittany

560
00:33:11,240 --> 00:33:15,360
Speaker 1: and her like restore like get her glimmer beat just

561
00:33:15,360 --> 00:33:20,240
Speaker 1: sweet and pulls her into like forces her into cuts

562
00:33:20,280 --> 00:33:22,800
Speaker 1: Puck off. He is about to do a number and

563
00:33:22,840 --> 00:33:25,120
Speaker 1: I was like, no, no, no, and goes into one

564
00:33:25,160 --> 00:33:27,240
Speaker 1: of the best numbers of all time that we've done

565
00:33:27,280 --> 00:33:29,800
Speaker 1: the show. Valerie bring it back, and we get Brittany

566
00:33:29,840 --> 00:33:33,440
Speaker 1: up and dancing and singing as a duet so sweet.

567
00:33:34,040 --> 00:33:34,880
Speaker 1: I love that part.

568
00:33:35,040 --> 00:33:37,239
Speaker 2: I did love that part, getting Brittany back on her

569
00:33:37,240 --> 00:33:40,240
Speaker 2: feet and like back in her groove and Santana doing

570
00:33:40,240 --> 00:33:44,640
Speaker 2: that and then and then we have these kind of

571
00:33:44,680 --> 00:33:52,160
Speaker 2: tandem scenes happening where Brittany is confessing to Santana that

572
00:33:52,240 --> 00:33:54,240
Speaker 2: she actually still loves her and she wants to be

573
00:33:54,320 --> 00:33:56,840
Speaker 2: with her, in Santatana saying like, please don't do this.

574
00:33:57,320 --> 00:34:01,320
Speaker 2: It's taken so much strength for me to get over you.

575
00:34:01,440 --> 00:34:04,360
Speaker 2: And she's like, well, it's obviously the door is always open,

576
00:34:04,560 --> 00:34:07,320
Speaker 2: so we don't know what's going to happen there. I mean,

577
00:34:07,360 --> 00:34:10,759
Speaker 2: we do, but you know what I mean, And and

578
00:34:10,960 --> 00:34:13,960
Speaker 2: I love that. I love Obviously we're big you know

579
00:34:14,000 --> 00:34:18,799
Speaker 2: Britanna fans here and you know we're shippers, so it

580
00:34:18,880 --> 00:34:20,400
Speaker 2: was nice to see that in this episode.

581
00:34:20,520 --> 00:34:22,399
Speaker 1: And we've got a lot of them, and I really

582
00:34:22,480 --> 00:34:25,399
Speaker 1: it was very satisfying and like they're we haven't seen

583
00:34:25,440 --> 00:34:28,399
Speaker 1: a lot of them in a long time, and that's

584
00:34:28,440 --> 00:34:31,720
Speaker 1: exactly what they like nailed it, Like if they're together,

585
00:34:32,040 --> 00:34:35,000
Speaker 1: give us all of them. Also, like you're having Heather

586
00:34:35,080 --> 00:34:37,480
Speaker 1: come back for the first time in a while and

587
00:34:37,560 --> 00:34:41,680
Speaker 1: like really use her and like give Brittany a juicy storyline,

588
00:34:41,719 --> 00:34:44,319
Speaker 1: and it felt really satisfying. Like as a fan of.

589
00:34:44,280 --> 00:34:56,080
Speaker 3: Them now I understand, I find that the Pucks and

590
00:34:56,200 --> 00:34:59,000
Speaker 3: Quinn and Biff of it all is very sweet.

591
00:34:59,080 --> 00:35:03,879
Speaker 2: I actually didn't mind like the storyline. I enjoyed watching it.

592
00:35:04,000 --> 00:35:08,040
Speaker 2: I I don't know that it was completely necessary because

593
00:35:08,040 --> 00:35:11,000
Speaker 2: we had Britanna and we have this Rachel Mercedes going on,

594
00:35:11,080 --> 00:35:16,160
Speaker 2: which like was satisfying, but it felt like a little

595
00:35:16,280 --> 00:35:19,359
Speaker 2: much to me, like the whole heart choosing and Puck

596
00:35:19,400 --> 00:35:22,120
Speaker 2: wanting to get back with Quinn again, it's like too

597
00:35:22,200 --> 00:35:26,440
Speaker 2: nostalgic almost, so it's like a little forced. But but

598
00:35:26,480 --> 00:35:29,080
Speaker 2: Biff is like not the greatest guy. He's funny and

599
00:35:29,120 --> 00:35:31,120
Speaker 2: he's sweet in some ways, and then he just turns

600
00:35:31,160 --> 00:35:34,640
Speaker 2: out to be a complete asshole and finds out about

601
00:35:34,719 --> 00:35:37,319
Speaker 2: Quinn's past, which she's kind of been like hiding from

602
00:35:37,400 --> 00:35:39,600
Speaker 2: him and not really revealing all of these things, including

603
00:35:39,640 --> 00:35:40,279
Speaker 2: Beth and Pop.

604
00:35:40,400 --> 00:35:45,919
Speaker 1: How can you forget the Ryan's Secrets tattoo? We got

605
00:35:45,960 --> 00:35:49,520
Speaker 1: to bring that back. We are an iHeart podcast after all, truly.

606
00:35:50,840 --> 00:35:54,120
Speaker 2: And Puck ends up trying to sing to Quinn to

607
00:35:54,200 --> 00:35:57,200
Speaker 2: get her to remind herself of the person she was

608
00:35:57,280 --> 00:35:59,640
Speaker 2: and being proud of that and not kind of shying

609
00:35:59,680 --> 00:36:02,279
Speaker 2: away from it. And we do keep holding on and

610
00:36:02,320 --> 00:36:05,200
Speaker 2: I will never forget trying to remember this dance and

611
00:36:05,239 --> 00:36:08,799
Speaker 2: them trying to reteach us this dance, which was almost impossible.

612
00:36:11,280 --> 00:36:14,840
Speaker 2: It was such a weird day of shooting this number.

613
00:36:15,520 --> 00:36:19,120
Speaker 1: It was weird. It was really weird. We also like

614
00:36:19,440 --> 00:36:25,200
Speaker 1: it felt like people were resisting learning this song again. Yes, right,

615
00:36:25,239 --> 00:36:27,640
Speaker 1: And I remember being like why is this so hard?

616
00:36:27,920 --> 00:36:30,919
Speaker 1: Like why is this so hard? Oh my god, thank you.

617
00:36:31,440 --> 00:36:34,360
Speaker 1: I did not remember specifically like watching it, That's the

618
00:36:34,440 --> 00:36:35,279
Speaker 1: feeling I had.

619
00:36:35,719 --> 00:36:39,120
Speaker 2: Yes, we for some reason sounds like that's exactly what

620
00:36:39,160 --> 00:36:41,399
Speaker 2: was happening, nobody wanted to, Like all the new kids

621
00:36:41,440 --> 00:36:43,920
Speaker 2: had to learn and keep holding on from like an iPad.

622
00:36:44,440 --> 00:36:47,680
Speaker 2: It was on the day. Everything about this episode was

623
00:36:47,719 --> 00:36:51,000
Speaker 2: like so last minute on the day, learning it in

624
00:36:51,480 --> 00:36:54,359
Speaker 2: in the mood, in like the on the stage, and

625
00:36:54,400 --> 00:36:55,799
Speaker 2: you're like, I can't.

626
00:36:55,520 --> 00:37:00,800
Speaker 1: Just relearn and keep holding on. That was in season one, early,

627
00:37:02,280 --> 00:37:04,440
Speaker 1: very early, and I was like, oh my god, we're

628
00:37:04,480 --> 00:37:05,520
Speaker 1: really doing this number.

629
00:37:07,200 --> 00:37:09,759
Speaker 2: I love the first version I did. I love doing

630
00:37:09,800 --> 00:37:13,160
Speaker 2: the first version this one again. I was like, oh,

631
00:37:13,400 --> 00:37:18,560
Speaker 2: all right, but it works. And Puck gets you know,

632
00:37:19,040 --> 00:37:22,799
Speaker 2: Quinn to kind of like what is she saying? She

633
00:37:22,840 --> 00:37:25,839
Speaker 2: says emotionally, she's not crying over him. She's crying over

634
00:37:25,920 --> 00:37:29,879
Speaker 2: the fact that we're going to forget everything that happens here.

635
00:37:32,120 --> 00:37:35,120
Speaker 2: It's very like high school ask, which I appreciate, like

636
00:37:35,239 --> 00:37:38,080
Speaker 2: the truth of like kind of when Teen is talking

637
00:37:38,080 --> 00:37:42,720
Speaker 2: about in in trio, like staying in touch with people,

638
00:37:43,239 --> 00:37:47,200
Speaker 2: like the woes of high school steaks and not being

639
00:37:47,239 --> 00:37:51,480
Speaker 2: friends with everybody forever. But I don't know the whole

640
00:37:52,480 --> 00:37:55,520
Speaker 2: I didn't like watching Chase be so mean, and I

641
00:37:55,520 --> 00:37:59,040
Speaker 2: didn't I don't know that I'm so Quinn Puck friendly

642
00:37:59,160 --> 00:38:00,520
Speaker 2: like I don't know that I want to see them

643
00:38:00,560 --> 00:38:03,239
Speaker 2: back together. So I was like, nah, I could do

644
00:38:03,320 --> 00:38:06,040
Speaker 2: about this one, but I didn't mind watching it.

645
00:38:07,239 --> 00:38:10,040
Speaker 1: What I liked about it is showing it's like there's

646
00:38:10,040 --> 00:38:13,560
Speaker 1: always that one person who like comes back to their

647
00:38:13,560 --> 00:38:18,239
Speaker 1: hometown and has fully presented as somebody else to take

648
00:38:18,320 --> 00:38:23,480
Speaker 1: an outsider. What a chance to reinvent themselves. Yeah, I

649
00:38:23,520 --> 00:38:26,279
Speaker 1: get it. I respect it, but I do like the

650
00:38:26,600 --> 00:38:29,640
Speaker 1: like good old like high school trope of that, or

651
00:38:29,719 --> 00:38:33,120
Speaker 1: like going back to the small town trope of I've

652
00:38:33,160 --> 00:38:35,439
Speaker 1: forgotten who I am where I've intentionally trying to hide

653
00:38:35,440 --> 00:38:38,520
Speaker 1: who I am. Right. I liked it more in the

654
00:38:38,560 --> 00:38:40,920
Speaker 1: sense of like Puck as a friend of Quinn who

655
00:38:41,000 --> 00:38:43,400
Speaker 1: has like a deep they have a deep history together,

656
00:38:44,000 --> 00:38:45,479
Speaker 1: of just trying to be like, what are you doing?

657
00:38:45,520 --> 00:38:48,399
Speaker 1: This is not who you are? Totally. I didn't care

658
00:38:48,520 --> 00:38:50,960
Speaker 1: for the romantic aspect of it at all, just like you,

659
00:38:51,040 --> 00:38:52,799
Speaker 1: like I did not. That's a good point, though.

660
00:38:52,840 --> 00:38:54,920
Speaker 2: It could have just been him caring for her because

661
00:38:54,920 --> 00:38:57,920
Speaker 2: they do have a child together, Like you know, I

662
00:38:58,360 --> 00:38:59,400
Speaker 2: totally agree with that.

663
00:38:59,560 --> 00:39:01,799
Speaker 1: Like in what world when she's like running after him

664
00:39:01,800 --> 00:39:05,680
Speaker 1: in that hallway, like I don't need this. Heah, you

665
00:39:05,719 --> 00:39:08,360
Speaker 1: need them to be together. I need Britanna to be together,

666
00:39:08,800 --> 00:39:12,160
Speaker 1: right right. I need Curt and Blaine to be together,

667
00:39:12,480 --> 00:39:16,560
Speaker 1: right But like these two, who's who's asking?

668
00:39:16,960 --> 00:39:21,360
Speaker 2: No, no exactly? Kevin, do you remember shooting that scene in

669
00:39:21,440 --> 00:39:22,399
Speaker 2: the editorium?

670
00:39:22,640 --> 00:39:25,600
Speaker 1: I believe so, and I believe it was something we

671
00:39:25,600 --> 00:39:26,200
Speaker 1: were dreading.

672
00:39:26,880 --> 00:39:29,080
Speaker 2: Yeah, it was a nighttime scene. I think it was

673
00:39:29,080 --> 00:39:31,680
Speaker 2: like the end of the episode. I don't think I

674
00:39:31,719 --> 00:39:33,600
Speaker 2: was expecting it to be that emotional.

675
00:39:33,840 --> 00:39:36,600
Speaker 1: Did we know exactly what they were doing here? See?

676
00:39:36,680 --> 00:39:38,480
Speaker 2: I don't know that we knew it was the plaque

677
00:39:39,680 --> 00:39:42,279
Speaker 2: or where we were going, and it was late at night.

678
00:39:42,320 --> 00:39:44,239
Speaker 2: We had shot a bunch that day. I think we

679
00:39:44,280 --> 00:39:48,320
Speaker 2: did a musical number and we hadn't all been together

680
00:39:48,480 --> 00:39:50,560
Speaker 2: like that, just us m hm.

681
00:39:52,440 --> 00:39:53,560
Speaker 1: And I think we all.

682
00:39:53,400 --> 00:39:56,759
Speaker 2: Accidentally got really emotional, Like I don't think Paris is like,

683
00:39:57,080 --> 00:39:59,440
Speaker 2: just go for it. Feel what you're going to feel

684
00:39:59,440 --> 00:40:01,480
Speaker 2: like I I think it was just we were there,

685
00:40:01,560 --> 00:40:05,839
Speaker 2: we rehearsed it, We're like, oh shit, we did it,

686
00:40:06,640 --> 00:40:09,080
Speaker 2: and it came out like that because that was actually

687
00:40:09,160 --> 00:40:12,560
Speaker 2: the most honest scene in the whole episode, that was

688
00:40:12,680 --> 00:40:15,759
Speaker 2: very real. It came up beautiful, but it was very

689
00:40:15,800 --> 00:40:19,480
Speaker 2: hard to shoot. I remember just and it was quick.

690
00:40:19,719 --> 00:40:22,160
Speaker 2: I remember being very Paris did not spend a lot

691
00:40:22,160 --> 00:40:22,799
Speaker 2: of time on that.

692
00:40:23,719 --> 00:40:28,360
Speaker 1: No, Paris was very respectful of of course. Yeah, the emotions,

693
00:40:28,400 --> 00:40:31,200
Speaker 1: and it also felt like one of those times it

694
00:40:31,239 --> 00:40:34,880
Speaker 1: was like how is Leah doing this? Yeah, like she

695
00:40:35,120 --> 00:40:37,680
Speaker 1: was shot with us, you know what I mean? She

696
00:40:37,840 --> 00:40:40,360
Speaker 1: was like she was with he and she. That's the

697
00:40:40,400 --> 00:40:45,080
Speaker 1: thing like, through all of this time, there was never

698
00:40:45,200 --> 00:40:49,120
Speaker 1: any asking for like special treatment or anything like that.

699
00:40:49,280 --> 00:40:51,080
Speaker 1: She's like she was there when she showed up to work.

700
00:40:51,120 --> 00:40:55,279
Speaker 1: She was doing it. Yeah, And there's that shot of

701
00:40:55,320 --> 00:40:57,759
Speaker 1: her in this scene where it's like, this feels like intrusive.

702
00:40:58,000 --> 00:41:01,200
Speaker 1: I know, I know longer feels.

703
00:41:00,880 --> 00:41:03,360
Speaker 2: But you would do that in to Rachel anyway, you

704
00:41:03,400 --> 00:41:06,120
Speaker 2: know what I mean, Rachel, that you would cut to anyway.

705
00:41:06,200 --> 00:41:09,040
Speaker 2: So I was like, all right, fine, totally. So then

706
00:41:09,080 --> 00:41:11,120
Speaker 2: we cut two, which we've kind of skipped over. But

707
00:41:11,200 --> 00:41:13,480
Speaker 2: Holly Holiday comes in April Roads brings her in his

708
00:41:13,480 --> 00:41:17,759
Speaker 2: back up and Holly Holiday has the most insane reenactment

709
00:41:17,920 --> 00:41:21,840
Speaker 2: scenes and she does oh I cannot with the wig

710
00:41:22,120 --> 00:41:24,799
Speaker 2: and the it is the best one that was.

711
00:41:24,880 --> 00:41:31,239
Speaker 1: Crazy to date. Oh yeah, definitely and like Holly Holiday

712
00:41:31,680 --> 00:41:33,879
Speaker 1: with April roads there at the same time and like, oh,

713
00:41:33,880 --> 00:41:36,520
Speaker 1: thank you for buttering the floor for me, you like

714
00:41:36,560 --> 00:41:39,440
Speaker 1: to make an entrance and having there together and her

715
00:41:39,480 --> 00:41:43,400
Speaker 1: doing happy and having a like, yeah, Quinnith's back just

716
00:41:43,560 --> 00:41:46,440
Speaker 1: feels so good. And I liked that they're teaming up

717
00:41:46,480 --> 00:41:48,879
Speaker 1: together and after that like emotional scene, we like pan

718
00:41:49,000 --> 00:41:52,240
Speaker 1: up to time. This is so good and they're drinking

719
00:41:52,280 --> 00:41:54,880
Speaker 1: wine together and it's so perfect because they are like

720
00:41:54,920 --> 00:41:56,759
Speaker 1: sort of two sides of the same coin in a

721
00:41:56,920 --> 00:42:00,920
Speaker 1: number of ways. Definitely Will has a type and yes,

722
00:42:01,040 --> 00:42:06,080
Speaker 1: totally and their whole I guess, like our cliffhanger for

723
00:42:06,200 --> 00:42:09,440
Speaker 1: this episode, as much as we ever do a cliffhanger,

724
00:42:10,200 --> 00:42:13,359
Speaker 1: is that they're going to figure out how to get

725
00:42:13,360 --> 00:42:16,680
Speaker 1: the Glee Club back, yeah, and save us. It's like

726
00:42:16,719 --> 00:42:18,600
Speaker 1: I trust them to do that. I do do.

727
00:42:19,080 --> 00:42:22,520
Speaker 2: I think they'd figure it out. They're crafty and scrappy,

728
00:42:22,760 --> 00:42:25,719
Speaker 2: you know, they get what they want, Yeah, even if

729
00:42:25,760 --> 00:42:27,520
Speaker 2: they have to go about it in different kind of

730
00:42:27,560 --> 00:42:28,120
Speaker 2: weird ways.

731
00:42:28,320 --> 00:42:30,440
Speaker 1: Yes, alternative ways.

732
00:42:31,320 --> 00:42:35,480
Speaker 2: That's the that's one hundred, Kevin, that's one hundred. It

733
00:42:35,520 --> 00:42:36,680
Speaker 2: is part one, part.

734
00:42:36,440 --> 00:42:39,560
Speaker 1: One, and I when this episode started, I forgot that

735
00:42:39,560 --> 00:42:40,879
Speaker 1: that there's a part one and part two.

736
00:42:42,400 --> 00:42:44,480
Speaker 2: Well here's the funny part. I remember doing Loser like

737
00:42:44,560 --> 00:42:47,280
Speaker 2: knee stripped down, and I.

738
00:42:47,120 --> 00:42:49,400
Speaker 1: Was like, that's not in this episode. So I was like,

739
00:42:49,520 --> 00:42:52,840
Speaker 1: I was expecting where is it? Yeah, yeah, yeah, that's fine.

740
00:42:53,560 --> 00:42:57,640
Speaker 1: So next episode. I'm actually very excited to talk to

741
00:42:57,640 --> 00:43:03,640
Speaker 1: you about Loser like me because there's all of your emotions.

742
00:43:04,200 --> 00:43:09,400
Speaker 1: There's a lot. I I watched I made the mistake.

743
00:43:09,440 --> 00:43:12,640
Speaker 1: And I said this before, but like I I watched

744
00:43:12,719 --> 00:43:15,160
Speaker 1: three in a row. I've never done that as long

745
00:43:15,200 --> 00:43:17,239
Speaker 1: as we've done this, but I just couldn't. I'm like,

746
00:43:17,280 --> 00:43:19,719
Speaker 1: I need to know, like, what's going on in the

747
00:43:19,760 --> 00:43:27,200
Speaker 1: next episode, and it was I got got just nationals,

748
00:43:27,280 --> 00:43:31,799
Speaker 1: I got got n is your graduation. I'm not telling

749
00:43:31,800 --> 00:43:34,799
Speaker 1: you shit. Oh my god, I'm gonna watch it. I'm

750
00:43:34,840 --> 00:43:35,800
Speaker 1: not telling you anything.

751
00:43:36,160 --> 00:43:41,719
Speaker 2: Oh okay, all right, exciting. Let's create some numbers. I

752
00:43:41,760 --> 00:43:43,120
Speaker 2: can't wait for the next episode.

753
00:43:43,120 --> 00:43:46,600
Speaker 1: Okay, raise your glass.

754
00:43:47,480 --> 00:43:47,520
Speaker 3: A.

755
00:43:48,760 --> 00:43:55,960
Speaker 1: I give Kristin an A. I give anything else B plus.

756
00:43:56,040 --> 00:44:02,400
Speaker 2: Okay, I like that. I'll split that grade sick A

757
00:44:02,400 --> 00:44:04,560
Speaker 2: A define gravity.

758
00:44:05,960 --> 00:44:10,120
Speaker 1: A minus not my favorite version. Here's what I'm mad about.

759
00:44:11,239 --> 00:44:18,160
Speaker 1: Since you asked, great, I want to hear Amber wail

760
00:44:18,280 --> 00:44:21,080
Speaker 1: on this song. And I feel like, in an attempt

761
00:44:21,160 --> 00:44:24,920
Speaker 1: to make this a different version, like you know when

762
00:44:24,920 --> 00:44:27,160
Speaker 1: they when we have Santana's version of Don't Ran on

763
00:44:27,200 --> 00:44:29,120
Speaker 1: My Parade, she got to even though it was a

764
00:44:29,120 --> 00:44:32,040
Speaker 1: different version, she got to like really sing on that song.

765
00:44:33,040 --> 00:44:35,200
Speaker 1: Were there some crazy choices and it was like sped

766
00:44:35,280 --> 00:44:39,280
Speaker 1: up and sure whatever. This felt like it was trying

767
00:44:39,320 --> 00:44:41,959
Speaker 1: to do that, but not as successfully. Yeah, yeah, I agree.

768
00:44:42,000 --> 00:44:46,759
Speaker 1: And they were both like optioning down and like yeah

769
00:44:46,880 --> 00:44:50,600
Speaker 1: Amber Kanja straight up belt, So like don't make her run, right,

770
00:44:50,800 --> 00:44:52,880
Speaker 1: we don't need to hear that unless we need to know,

771
00:44:52,960 --> 00:44:55,520
Speaker 1: Like right, I want to hear her do it because

772
00:44:55,520 --> 00:44:58,680
Speaker 1: like she can play Rachel's game totally. She can do

773
00:44:58,719 --> 00:45:01,880
Speaker 1: She's very versatile, very versatile. Yeah, and I see what

774
00:45:01,880 --> 00:45:04,960
Speaker 1: you're saying. I'm a little upset that I get it

775
00:45:05,200 --> 00:45:10,000
Speaker 1: so different, right right, give me something similar, like something

776
00:45:10,400 --> 00:45:14,560
Speaker 1: that she Yeah, I agree, I see what you're saying.

777
00:45:14,600 --> 00:45:19,440
Speaker 1: I see you're saying. Valerie, I mean this is always

778
00:45:19,440 --> 00:45:19,920
Speaker 1: going to be an A.

779
00:45:20,280 --> 00:45:23,560
Speaker 2: Yeah, yeah, I mean the original Valeri is like apps plus,

780
00:45:23,560 --> 00:45:25,719
Speaker 2: so like let's give this an a right kind of thing.

781
00:45:26,160 --> 00:45:29,000
Speaker 1: Yeah. I enjoyed hearing like Heather sing on it with

782
00:45:29,040 --> 00:45:36,479
Speaker 1: her Yeah for sure, keep holding on b Yeah, we've

783
00:45:36,480 --> 00:45:39,920
Speaker 1: already I think that may just because of ours. May

784
00:45:41,040 --> 00:45:42,600
Speaker 1: because do you think it was a good version of it?

785
00:45:42,680 --> 00:45:42,919
Speaker 2: No?

786
00:45:42,920 --> 00:45:43,480
Speaker 1: No, for sure?

787
00:45:44,920 --> 00:45:54,200
Speaker 2: Happy a a yeah, solid solid, Yeah, it's like yeah Chargie.

788
00:45:53,920 --> 00:45:58,360
Speaker 1: Jakes, Okay, so cringe moments. Well, because Paris directed this,

789
00:45:58,360 --> 00:46:00,719
Speaker 1: will call them au cheese. Oh geez.

790
00:46:01,640 --> 00:46:05,160
Speaker 2: I would say Santana coming after Rachel like that was

791
00:46:05,200 --> 00:46:07,040
Speaker 2: actually a little it was a little much for me.

792
00:46:08,120 --> 00:46:12,920
Speaker 2: I wouldn't say it's like inappropriate or some of the

793
00:46:13,160 --> 00:46:16,840
Speaker 2: like some of our prior auchiez, but I just it

794
00:46:16,880 --> 00:46:18,520
Speaker 2: didn't sit right with me.

795
00:46:20,160 --> 00:46:25,080
Speaker 1: I think some of like the illusions of alcoholism with April.

796
00:46:25,840 --> 00:46:32,360
Speaker 1: It's just a little much for me. Even everybody the hooch, Yeah,

797
00:46:32,440 --> 00:46:34,359
Speaker 1: we get it. She's got a problem and we seem

798
00:46:34,400 --> 00:46:39,000
Speaker 1: to be turning a blind eye again forever. Best dance

799
00:46:39,040 --> 00:46:49,680
Speaker 1: move Valerie, Oh toxic hmm, Valerie is so good. But

800
00:46:49,960 --> 00:46:55,880
Speaker 1: shout out to the toxic ladies because also, like how

801
00:46:55,960 --> 00:46:58,920
Speaker 1: much dancing had Heathery been doing since she had a child.

802
00:47:00,040 --> 00:47:13,720
Speaker 1: I mean, she's she's a g Yeah. Best song, Wow, hmmm, stunned.

803
00:47:15,080 --> 00:47:18,080
Speaker 1: I think maybe I'm just gonna do Valerie because of it.

804
00:47:18,440 --> 00:47:20,480
Speaker 2: I was going with the same one. Okay, We'll go

805
00:47:20,520 --> 00:47:23,240
Speaker 2: with Valerie because it's.

806
00:47:23,120 --> 00:47:26,080
Speaker 1: Still so good. Great. Yeah, performance a.

807
00:47:26,160 --> 00:47:34,520
Speaker 2: Prop Holly's costume in her reenactment, the williams Oh my god,

808
00:47:34,680 --> 00:47:37,120
Speaker 2: the wig especially absolutely.

809
00:47:38,320 --> 00:47:42,000
Speaker 1: Also, I think the like the Finn stuff, the plaque

810
00:47:42,120 --> 00:47:45,319
Speaker 1: and the frame jersey there was. I also like to

811
00:47:45,320 --> 00:47:49,839
Speaker 1: point out the scene between Puck and Quinn in front

812
00:47:49,880 --> 00:47:52,920
Speaker 1: of the jersey was really nice. Yes, I really enjoyed

813
00:47:53,440 --> 00:47:56,640
Speaker 1: having so much Finn throughout this. I mean we had

814
00:47:56,880 --> 00:48:00,960
Speaker 1: and nationals. Yeah, that was really moved. They're both really

815
00:48:01,000 --> 00:48:03,440
Speaker 1: great and it's like we had all personally been on

816
00:48:03,520 --> 00:48:08,560
Speaker 1: set every single day, right well, yeah, exactly, and so

817
00:48:08,680 --> 00:48:14,520
Speaker 1: it was like, yeah, here's your chance to acknowledge honor. Yeah,

818
00:48:14,719 --> 00:48:18,279
Speaker 1: talk about it best lines. I mean I do. Okay. So,

819
00:48:18,440 --> 00:48:22,280
Speaker 1: when Sue was on her rant, she says will Shooter's

820
00:48:22,880 --> 00:48:27,120
Speaker 1: profligate spending in his pension for a staging elaborate private

821
00:48:27,520 --> 00:48:33,000
Speaker 1: bachanalia replete with extravagant scenery and costumes not seen since

822
00:48:33,040 --> 00:48:37,080
Speaker 1: the reign of Caligula. I have here a line item

823
00:48:37,160 --> 00:48:39,320
Speaker 1: budget of the jungles that you constructed on stage a

824
00:48:39,360 --> 00:48:41,880
Speaker 1: few weeks ago, a few weeks ago back so the

825
00:48:41,880 --> 00:48:44,560
Speaker 1: Glee Club could perform a Katie Perry song literally just

826
00:48:44,680 --> 00:48:47,799
Speaker 1: for you. He's like, yes, it's always just for a

827
00:48:47,840 --> 00:48:48,399
Speaker 1: part of one.

828
00:48:51,040 --> 00:48:54,080
Speaker 2: I will say Will's speech in the plaque scene.

829
00:48:54,480 --> 00:48:56,400
Speaker 1: I was just about to say that. Yeah, I'm not

830
00:48:56,440 --> 00:48:58,520
Speaker 1: going to say it again, but I'm just you know,

831
00:48:58,760 --> 00:49:02,799
Speaker 1: you know what it is, because it also feels like

832
00:49:02,880 --> 00:49:06,160
Speaker 1: that was also something for us.

833
00:49:06,760 --> 00:49:10,239
Speaker 2: Yeah, yeah, I think that's right. It's very honest. It's

834
00:49:10,400 --> 00:49:11,000
Speaker 2: very honest.

835
00:49:12,040 --> 00:49:16,239
Speaker 1: Honestyne if you haven't noticed when we talk about like

836
00:49:16,320 --> 00:49:19,400
Speaker 1: the writers like knowing us so well and like writing

837
00:49:19,400 --> 00:49:22,880
Speaker 1: ourselves into it. But there's also a dialogue I think

838
00:49:23,600 --> 00:49:28,040
Speaker 1: between them communicating things to us yea through these characters.

839
00:49:28,960 --> 00:49:33,279
Speaker 1: And it's like Will's speech felt like the part of

840
00:49:33,760 --> 00:49:37,520
Speaker 1: very much like Brad you know, saying this to us,

841
00:49:37,680 --> 00:49:40,839
Speaker 1: Ryan saying this to us, to be like we are

842
00:49:40,840 --> 00:49:43,960
Speaker 1: all on the same page here, like this is only

843
00:49:44,080 --> 00:49:46,799
Speaker 1: we know what this feels like, yeah, and we have

844
00:49:46,960 --> 00:49:49,719
Speaker 1: each other and the experience, and like we don't know

845
00:49:49,760 --> 00:49:51,239
Speaker 1: what the future of the show is going to be,

846
00:49:51,920 --> 00:49:56,960
Speaker 1: so like this is this is it? So nice performance,

847
00:49:57,040 --> 00:50:02,839
Speaker 1: MVP Leah, I think, yeah, I'm on board with that one.

848
00:50:03,920 --> 00:50:10,120
Speaker 1: Jenna should we found on TikTok Millie Matthias. I don't

849
00:50:10,120 --> 00:50:14,640
Speaker 1: know I pronounced their last name, so sorry, said am

850
00:50:14,640 --> 00:50:16,799
Speaker 1: I toxic if I say, I kind of ship them

851
00:50:16,880 --> 00:50:21,680
Speaker 1: more than women. And it's Holly Holiday and Schuster. Oh,

852
00:50:21,719 --> 00:50:26,719
Speaker 1: they're like little dates at his house and like their

853
00:50:26,800 --> 00:50:32,799
Speaker 1: chemistry is just undeniable and I don't disagree. And it's

854
00:50:32,840 --> 00:50:38,680
Speaker 1: like this full scene that's funny, and like how good

855
00:50:38,719 --> 00:50:39,440
Speaker 1: they are together.

856
00:50:39,719 --> 00:50:41,800
Speaker 2: Well, a lot of people, a lot of the comments

857
00:50:41,840 --> 00:50:46,200
Speaker 2: are actually that they like Will and Holly together and

858
00:50:46,239 --> 00:50:47,680
Speaker 2: Emma and Carl together.

859
00:50:48,040 --> 00:50:52,319
Speaker 1: Yeah, so I think that's where I think that those

860
00:50:52,320 --> 00:50:56,560
Speaker 1: are right. Wow, wow, wow wow, Okay, I just thought

861
00:50:56,560 --> 00:50:58,920
Speaker 1: it was appropriate, you know, get some more Holly Holiday

862
00:50:58,920 --> 00:51:00,640
Speaker 1: in this Oh okay, Kevin.

863
00:51:02,360 --> 00:51:08,040
Speaker 2: That is one hundred, and we are on our way

864
00:51:08,080 --> 00:51:10,520
Speaker 2: to part two, which I'm about to go watch.

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00:51:11,040 --> 00:51:14,920
Speaker 1: You know what happens next week, don't you? Graduation? Graduation?

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00:51:17,520 --> 00:51:25,200
Speaker 1: That's a lot, is that, chums, Yes, Okay, there's a

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00:51:25,239 --> 00:51:26,600
Speaker 1: lot that happens in this episode.

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00:51:26,640 --> 00:51:30,080
Speaker 2: Yeah, i'd imagine. So if you're talking about graduation alone

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00:51:30,640 --> 00:51:31,560
Speaker 2: and one hundred part two.

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00:51:31,920 --> 00:51:37,080
Speaker 1: That's crazy. Lose it like me. Oh yeah, I'll never that.

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00:51:37,160 --> 00:51:42,480
Speaker 1: My niece loves that version, really loves that's so cute.

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00:51:42,920 --> 00:51:45,920
Speaker 1: I know, I know I also love that version. Well.

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00:51:46,239 --> 00:51:50,320
Speaker 2: Thanks for joining us for Kevin McHale's one hundred episode

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00:51:50,440 --> 00:51:57,200
Speaker 2: of Glee and Glee's one hundredth episode, and tune in

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00:51:57,239 --> 00:51:58,120
Speaker 2: for part two.

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00:51:58,520 --> 00:52:02,040
Speaker 1: And oh god, does that mean I'm gonna have an

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00:52:02,120 --> 00:52:05,600
Speaker 1: STI soon? Yes, very soon? Oh god?

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00:52:06,040 --> 00:52:09,320
Speaker 2: All right, Okay, I'm watching it as an outside viewer

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00:52:09,480 --> 00:52:10,680
Speaker 2: for the rest of this season.

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00:52:11,440 --> 00:52:17,200
Speaker 1: Oh my god, can't wait. No, Jenny, Yeah, okay, and

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00:52:17,280 --> 00:52:20,920
Speaker 1: that's what you really missed. Thanks for listening, and follow

882
00:52:21,000 --> 00:52:23,839
Speaker 1: us on Instagram at and that's what you really miss pod.

883
00:52:24,120 --> 00:52:25,960
Speaker 1: Make sure to write us a review and leave us

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00:52:26,000 --> 00:52:27,520
Speaker 1: five stars. See you next time.