WEBVTT - S1E13 - Morning Star

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<v Speaker 1>Hello Catherine, Hello Dominic, how are you this morning? Good?

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<v Speaker 1>It's not morning time for me, It's almost dinnertime. It's

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<v Speaker 1>early bird special time here in the UK. Well that

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<v Speaker 1>just sounds delicious. Yeah, too ready for me. Can you

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<v Speaker 1>believe we've gone through season one already? I know, honestly,

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<v Speaker 1>it just flew by. Well shall we dive in? We

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<v Speaker 1>absolutely should. Today's episode, at long Last, we are dealing

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<v Speaker 1>with the finale of season one, Season one, episode thirteen,

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<v Speaker 1>entitled morning Star. The air date was April five, two

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<v Speaker 1>thousand sixteen, written by Pete Binswanger, one of our absolute favorites,

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<v Speaker 1>directed by another one of our favorites, j miles Dale,

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<v Speaker 1>and here we are in episode season one, episode thirteen,

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<v Speaker 1>morning Star. The hunt is on Jace, who is still

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<v Speaker 1>reeling from everything that happened, makes hunting down Valentine his

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<v Speaker 1>number one priority, even though he continues to wrestle with

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<v Speaker 1>his conflicted feelings in hopes of finding a way to

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<v Speaker 1>stop Valentine before it's too late. Clarie and Simon must

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<v Speaker 1>find the key to unlocking Jocelyn's coma. But that key

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<v Speaker 1>to unlocking jocelyn spell made just undo the down world

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<v Speaker 1>or peace treaty, Simon's relationship with Raphael and the vampire

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<v Speaker 1>clan in the process, who high stakes? Forgive my high stakes? Interestingly, like,

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<v Speaker 1>this is the highest stakes that we've dealt with in

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<v Speaker 1>season one, and you're like, where do you go from here?

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<v Speaker 1>And then we come back with season two and we're like,

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<v Speaker 1>we'll show you gets much worse. We'll show gets fun

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<v Speaker 1>Facts about episode thirteen season one. The finale shooting ran

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<v Speaker 1>from September to October ninth, two thousand fifteen. Reshoots for

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<v Speaker 1>the season were filmed after this. Did we have Did

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<v Speaker 1>I have any reshoots? I don't think so, or did

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<v Speaker 1>we We did? We added like four scenes at the

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<v Speaker 1>end that we're throughout the season, and I don't know what.

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<v Speaker 1>I don't know if you had any more than just

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<v Speaker 1>pick up shots, but I know I had a whole

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<v Speaker 1>scene with Emerald that was added into like episode five

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<v Speaker 1>or something, and and then Matt had a couple of

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<v Speaker 1>scenes and it was Yeah, it was at the end

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<v Speaker 1>of season one. We had to sort of revisit a

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<v Speaker 1>bunch of stuff because they had the whole season by then,

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<v Speaker 1>and they went, oh, wait, this piece of story is

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<v Speaker 1>missing and we want to connect this relationship a little

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<v Speaker 1>bit more, and we have five extra minutes in this episode,

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<v Speaker 1>and it all kind of just wove together beautifully. Wow,

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<v Speaker 1>I had no IDEA morning Star is a reference to

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<v Speaker 1>the meaning of German translation of Clary and Valentine's last

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<v Speaker 1>names Morgan Stern Morgan meaning morning and Stern meaning star.

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<v Speaker 1>This family is are so created. Its meaning to the

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<v Speaker 1>Bible verse Isaiah fourteen twelve, which states how art thou

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<v Speaker 1>fallen from heaven O Lucifer, son of the Morning? How

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<v Speaker 1>art they cut down to the ground, which diss weaken

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<v Speaker 1>the nation's I don't know if I got that right.

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<v Speaker 1>I hope I did. The first directly refers to Lucifer,

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<v Speaker 1>the fallen Angel. Indeed, it does more on that. In

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<v Speaker 1>season three, Clary says that Camille lives in a Leucard apartments,

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<v Speaker 1>a Leucard Aleucard his Dracula spelled backwards. No, why did

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<v Speaker 1>we not notice this? Not a clue? How did we

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<v Speaker 1>not Clark that? I can imagine he just sitting in

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<v Speaker 1>the writer's room like this is my fun little there, Yeah,

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<v Speaker 1>how funny. Just completely mistakes he did. Yeah, he surely did.

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<v Speaker 1>The only book to screen stuff we can talk about no,

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<v Speaker 1>there's there's actually some really interesting ones in this episode. Um.

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<v Speaker 1>I don't know if you got this from the book stamp,

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<v Speaker 1>but there actually is a boat that Valentine has his

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<v Speaker 1>sort of arc of the Unholy Covenant as it were,

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<v Speaker 1>that that is in the second book or I don't

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<v Speaker 1>know if it's Valentine's. It's Valentine's boat, and then I

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<v Speaker 1>think we take it over at some point. I can't remember.

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<v Speaker 1>There's a boat, but it's in book two, um, and

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<v Speaker 1>we bring it into this episode and it it should

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<v Speaker 1>have been season two for a for a hot minute,

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<v Speaker 1>hot being the key word, and dangerous and just floating

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<v Speaker 1>conductor with the impending lightning storm working its way like

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<v Speaker 1>the fun thing about this So this boat is moored. Uh, well,

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<v Speaker 1>actually we should talk about it when we reached the boat. Um,

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<v Speaker 1>we'll talk about it. And I think I think next

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<v Speaker 1>episode is better to talk about the book. Very possible.

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<v Speaker 1>So the Book of the White. Yes, the Book of

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<v Speaker 1>the White is also directly from the books. And uh,

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<v Speaker 1>there's a similar conversation between Jason Valentine as we've seen

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<v Speaker 1>this episode, um in City of Ashes, which is booked too.

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<v Speaker 1>But again, as we've seen in over and over again.

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<v Speaker 1>In our series, our writers are very smartly taken key

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<v Speaker 1>moments from the books and key plat points and sort

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<v Speaker 1>of rearranged them and shifted them to make our plot

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<v Speaker 1>more conducive to television. Um, and it makes it more

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<v Speaker 1>exciting for people that know the books cover to cover.

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<v Speaker 1>I it does like I've got to do this two

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<v Speaker 1>or three times where you make a choice as a

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<v Speaker 1>character and nobody else is supposed to know your motivations.

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<v Speaker 1>The audience is supposed to like draw their own motivations.

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<v Speaker 1>Had to do it, and Penny Dreadful I did it

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<v Speaker 1>at the end of Shadow Hunters, and like I remember

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<v Speaker 1>doing press for the finale because we were one of

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<v Speaker 1>the very few Netflix shows that aired episodically, so it

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<v Speaker 1>was week by week we had it wasn't a binge

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<v Speaker 1>watching show. And it was interesting because I got a

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<v Speaker 1>lot of questions when we were doing press about like,

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<v Speaker 1>what are your motivations at the end of the season,

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<v Speaker 1>And I was like, that's for me to know. I

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<v Speaker 1>know a miles nose, but that's kind of it, Like

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<v Speaker 1>we and the writers obviously no, but like that's it.

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<v Speaker 1>And I got to a similar thinking Penny, which is

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<v Speaker 1>really cool. Where like his motives, Kurt's motives were known

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<v Speaker 1>to myself and to John Logan, the showrunner, and that's

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<v Speaker 1>kind of it. And I get asked about it a lot,

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<v Speaker 1>what were his motivations? And I'm like, that's on you. You.

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<v Speaker 1>The clues are there if you want to figure it out,

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<v Speaker 1>but draw your own assumptions. Any who, without any further

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<v Speaker 1>ado and no more guilding, rely, shall we jump in

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<v Speaker 1>or is there anything I missed? I don't think there's

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<v Speaker 1>anything we missed because a lot of it I think

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<v Speaker 1>is very spoilery. So we don't want to We don't

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<v Speaker 1>want to dive into soon. Yeah. So we started out

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<v Speaker 1>having just come off the shocking realization that none other

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<v Speaker 1>than our beloved hot Hodge stark Weather is, in fact

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<v Speaker 1>the traderist of traders, bastard bastard indeed, honestly was he

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<v Speaker 1>thinking it's wrong with you? Well, I mean, if you've been,

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<v Speaker 1>you know, promised your freedom after decades of being trapped

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<v Speaker 1>in the Institute, I think all of us after the pandemic,

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<v Speaker 1>having been trapped in our houses, it's not that bad.

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<v Speaker 1>If he'd have stuck it out till season two. The

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<v Speaker 1>Institute actually got really nice. It wasn't such a nightmare.

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<v Speaker 1>In season two, he would have maybe he wouldn't have

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<v Speaker 1>if we'd have left the traitor storyline season two, maybe

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<v Speaker 1>it wouldn't have made sense because they're like, what do

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<v Speaker 1>you mean you're trapped? This place is really nice, Like,

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<v Speaker 1>don't worry about it, whereas in season one, you're like,

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<v Speaker 1>that place looks a bit of a nightmare. I get it,

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<v Speaker 1>but we the shadow Hunters do not yet know that

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<v Speaker 1>Hodges the traitor audience knows, but we don't, and Valentine knows,

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<v Speaker 1>and maybe Jocelyn knows because I think she can hear

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<v Speaker 1>while she's unconscious. I can't really remember what we landed

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<v Speaker 1>on with that, but the audience doesn't know. So what

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<v Speaker 1>we are left with, sorry, the audience does know, We

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<v Speaker 1>don't know. Uh, what we're left with is off the

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<v Speaker 1>sort of reeling magnificence of the end of episode eleven

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<v Speaker 1>and twelve, the big drum bombs that are dropped in

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<v Speaker 1>those episodes. Bla la la, I'll get my lines right, um.

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<v Speaker 1>Jason Clary are left to talk for the first time.

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<v Speaker 1>They have some ship to work through because they were

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<v Speaker 1>falling in love and all of a sudden their brother

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<v Speaker 1>and sister and that's kind of gross. They have to

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<v Speaker 1>discuss it. You, Yeah, Clary sort of drags Jace down

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<v Speaker 1>quasi memory lane. I say quasi because we know what

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<v Speaker 1>happens later. But just in case you don't stay with us, Yeah,

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<v Speaker 1>Cat tell us about what's going on here. So we're

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<v Speaker 1>in Clary's bedroom and as if there wasn't enough emotional

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<v Speaker 1>bag to deal with, Clari's like, hey, just so you know, um,

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<v Speaker 1>I know you're sink. Our mom abandoned you and threw

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<v Speaker 1>you out like yesterday's garbage, but she didn't. And also,

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<v Speaker 1>here's a bunch of your old baby stuff. And now

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<v Speaker 1>they're sitting in Clary's bedroom discussing it. And as with Jace,

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<v Speaker 1>he doesn't handle emotional situations very well, so he gets

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<v Speaker 1>a bit cross. Well, well, well, I think this is

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<v Speaker 1>somewhat the exception of this. Like he's furious. He's furious

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<v Speaker 1>that he's been lied to, he's furious that is adopted

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<v Speaker 1>parents because they were circle members. He's furious at his

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<v Speaker 1>seemingly legitimate parents because he was abandoned and or raised

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<v Speaker 1>slash tortured through the first ten years of his life.

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<v Speaker 1>And as he says, and I agree with him here

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<v Speaker 1>as he says, you know, a little box of trinkets

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<v Speaker 1>doesn't change the fact that you weren't there. Like, oh,

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<v Speaker 1>that's well and good that you watched over me from

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<v Speaker 1>a distance, But like I had to deal with all

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<v Speaker 1>this ship on my own, like I was, you weren't there,

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<v Speaker 1>And I understand why he's angry. Also fun little clue

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<v Speaker 1>for the future. Um, we saw the hair right, there

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<v Speaker 1>was a little like lock of hair in that little

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<v Speaker 1>lock of blonde hair. It's the wrong color it is,

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<v Speaker 1>isn't it, you eagle eyed fans. It's much more I

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<v Speaker 1>want to say, elizabe ethan, but maybe more tutor. Yeah,

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<v Speaker 1>I I agree. I think it does have a very

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<v Speaker 1>tutor esque hue. Who I thought? So wonder who mute?

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<v Speaker 1>Who might? Honestly that sometimes my genius just amazes myself.

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<v Speaker 1>It's crazy, right, it's crazy. Um, but we have to

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<v Speaker 1>wait a whole another half season before any of those

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<v Speaker 1>questions slash horrible clues that we just dropped get answered. Well,

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<v Speaker 1>our lovely angels, if we gave you all the answers

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<v Speaker 1>right away, there would be no show. We have to

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<v Speaker 1>leave something agreed, So now we go, look, we know

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<v Speaker 1>the Book of the White is in Camille's possession, and

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<v Speaker 1>as much as we all hate her, we got to

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<v Speaker 1>talk to her. So who do we go to but

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<v Speaker 1>our resident vampire Bridge, Simon Lewis Simon Lewis, Simon Lewis

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<v Speaker 1>with the answers, which I loved it. In this episode,

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<v Speaker 1>Simon gets a chance to you know, even Jace acknowledges

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<v Speaker 1>the fact that he has a role to play in

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<v Speaker 1>this and that you know, we we Simon has a

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<v Speaker 1>chance to do something, you know, somewhat begrudgingly, but yeah, totally.

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<v Speaker 1>He says something here. I can't remember what it is,

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<v Speaker 1>I've watched it earlier, and it makes me laugh. He goes,

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<v Speaker 1>you say, like, oh, looking for the Book of the

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<v Speaker 1>Y and we found this clue and you hold it

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<v Speaker 1>the bookmark up and he goes the bookmark of the

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<v Speaker 1>White and Jason the back just goes, oh God, I

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<v Speaker 1>hate you, but you are our only chance, so I'm

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<v Speaker 1>gonna let this go. Bed really made me laugh. That

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<v Speaker 1>was really funny. Alberto is so good at like but

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<v Speaker 1>Alberto is so good at it, like he knows he

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<v Speaker 1>knows that Simon ryles up Jay Soon we really like

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<v Speaker 1>plays with it, and it's really fun to do that

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<v Speaker 1>stuff with him. But you're right, it's a nice moment

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<v Speaker 1>that we get to acknowledge the new status that that

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<v Speaker 1>Simon has within the down World. He gets to explore

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<v Speaker 1>being like a dignitary, almost like an ambassador shadow Hunters

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<v Speaker 1>slash vampire ambassador. And it's a hint at this beginning

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<v Speaker 1>that we see of this generation being the generation of

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<v Speaker 1>shadow Hunters and down worlders. That colin the question all

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<v Speaker 1>the ways that things have been done and the rules

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<v Speaker 1>that have been played by everyone in the down World,

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<v Speaker 1>and it's it's a little little whispered to the future.

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<v Speaker 1>Let's of foreshadowing in this episode. My goodness, it's like

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<v Speaker 1>it's a season finale shadowing in this episode. That's what

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<v Speaker 1>I was just about to say, the season finales. That's

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<v Speaker 1>where you've got to start. You've got to start hooking

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<v Speaker 1>fishies to bring them back in, you know what I mean,

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<v Speaker 1>You've got to start hooking him. And that's what we're doing.

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<v Speaker 1>That's what we're throwing lines out, left, right, and center.

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<v Speaker 1>In the first act of this scene with Alec and

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<v Speaker 1>Marri's absolutely breaks my heart because Alec is really trying

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<v Speaker 1>to reach out and even he just gets shut down left,

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<v Speaker 1>right and center. You know what's interesting though, is this

0:12:36.679 --> 0:12:39.600
<v Speaker 1>it's just good storytelling, like you need somewhere to go.

0:12:40.280 --> 0:12:42.160
<v Speaker 1>Um and if they were both just kind of okay

0:12:42.160 --> 0:12:45.600
<v Speaker 1>with it, there's no conflict. Also, like as terrible as

0:12:45.640 --> 0:12:49.320
<v Speaker 1>it is, like this generational thing, I sort of get

0:12:49.360 --> 0:12:52.400
<v Speaker 1>their position there. It's not what Maris says there which

0:12:52.400 --> 0:12:55.360
<v Speaker 1>is interesting. Um, is it's got. It doesn't matter that

0:12:55.480 --> 0:12:58.079
<v Speaker 1>it's that he's a guy. It doesn't matter that he's

0:12:58.120 --> 0:13:01.640
<v Speaker 1>a male. That doesn't matter to me. The sexuality of

0:13:01.679 --> 0:13:05.720
<v Speaker 1>it doesn't matter to me. What matters is you're dating

0:13:05.920 --> 0:13:09.200
<v Speaker 1>like this grand lothario that everyone in the in the

0:13:09.240 --> 0:13:12.160
<v Speaker 1>world has heard of. And I sort of get that

0:13:12.200 --> 0:13:13.720
<v Speaker 1>from a mother's point of view, I sort of get

0:13:13.760 --> 0:13:16.360
<v Speaker 1>this like protective, But then I guess she's not being

0:13:16.400 --> 0:13:18.440
<v Speaker 1>as protective of her son as she is the name,

0:13:18.520 --> 0:13:22.360
<v Speaker 1>the Lightwood name, which is a little dastardly, But I

0:13:22.559 --> 0:13:25.559
<v Speaker 1>choose to think that she's trying to protect him because

0:13:25.600 --> 0:13:27.920
<v Speaker 1>that's sort of where we end up with her story.

0:13:28.200 --> 0:13:30.120
<v Speaker 1>I think she probably is. I just think she can't

0:13:30.160 --> 0:13:32.120
<v Speaker 1>admit it yet, you know what I mean, Like there's

0:13:32.160 --> 0:13:34.680
<v Speaker 1>a bit of her that she can't quite just needs

0:13:34.679 --> 0:13:38.439
<v Speaker 1>a little time. And as you know, Robert Lightwood smartly says,

0:13:38.679 --> 0:13:42.760
<v Speaker 1>which all of our parentals come become very questionable in

0:13:42.800 --> 0:13:45.720
<v Speaker 1>the future. I'm just get bits of story back to me.

0:13:46.520 --> 0:13:49.920
<v Speaker 1>But then, but the question is Lydia is missing. Yes,

0:13:50.080 --> 0:13:52.960
<v Speaker 1>poor Lydia has gone somewhere. We the audience know, We

0:13:53.040 --> 0:13:56.760
<v Speaker 1>the audience know, but she fucking dumb shadow hunters don't

0:13:56.760 --> 0:13:59.520
<v Speaker 1>know because we never know what's going on or where

0:13:59.559 --> 0:14:02.760
<v Speaker 1>anybody is constantly losing people and things, and the most

0:14:02.800 --> 0:14:07.880
<v Speaker 1>important items in the shadow world just go missing. So Alec,

0:14:08.200 --> 0:14:11.280
<v Speaker 1>the hero that he is, is on the hunt, as

0:14:11.280 --> 0:14:14.840
<v Speaker 1>it were, poor lost lady Lydia, and he finds her

0:14:15.280 --> 0:14:20.000
<v Speaker 1>not only unconscious but missing the Mortal Cup, the most

0:14:20.040 --> 0:14:24.480
<v Speaker 1>important of the instruments that we have Slash no of

0:14:24.720 --> 0:14:26.400
<v Speaker 1>because one of them we don't even know, right. We

0:14:26.440 --> 0:14:28.440
<v Speaker 1>don't know what the mirror is, you know, we don't

0:14:28.480 --> 0:14:30.680
<v Speaker 1>know what the mirror is. And the sword I think

0:14:30.680 --> 0:14:33.960
<v Speaker 1>we know it exists, but it's no one really knows.

0:14:34.400 --> 0:14:36.080
<v Speaker 1>We don't know it's an instrument. Yeah, we don't really

0:14:36.120 --> 0:14:38.280
<v Speaker 1>know where it is at this point, Like these instruments

0:14:38.280 --> 0:14:41.760
<v Speaker 1>are kept under Lack and Key brothers have it. Oh,

0:14:41.800 --> 0:14:43.960
<v Speaker 1>that's right, that is the sword. So the sword is

0:14:44.040 --> 0:14:46.040
<v Speaker 1>kept because they poked you in the face in the

0:14:46.080 --> 0:14:48.760
<v Speaker 1>episode two. That's right. And yeah, so we know where

0:14:48.760 --> 0:14:52.360
<v Speaker 1>the sword is and but it's kept under Lack and Key.

0:14:52.400 --> 0:14:54.960
<v Speaker 1>The cup has been missing forever, but now we have it,

0:14:55.040 --> 0:14:57.440
<v Speaker 1>and now you know Big Bad has it. And the

0:14:57.480 --> 0:14:59.560
<v Speaker 1>mirror is a bit of a legend at this point.

0:14:59.680 --> 0:15:02.080
<v Speaker 1>It's no one really knows if it exists or what

0:15:02.200 --> 0:15:05.120
<v Speaker 1>it actually is, to be figured out later on in

0:15:05.160 --> 0:15:08.120
<v Speaker 1>season two. Indeed, we have lydia utter Any thanks to

0:15:08.240 --> 0:15:14.560
<v Speaker 1>a graciously graciously placed painting. One of those one of

0:15:14.560 --> 0:15:17.960
<v Speaker 1>those fortuitous things. I love how we're all still dressed

0:15:18.000 --> 0:15:20.840
<v Speaker 1>for the wedding. It's so funny. It's like, you know,

0:15:21.400 --> 0:15:23.520
<v Speaker 1>we never see the Shadow Hunters stopped to shower or

0:15:23.520 --> 0:15:25.640
<v Speaker 1>eat or cheated. We do see them eat once, but

0:15:25.680 --> 0:15:28.040
<v Speaker 1>not until season three. We do. We had a breakfast

0:15:28.040 --> 0:15:30.080
<v Speaker 1>scene in season three, that's right, and I think the

0:15:30.160 --> 0:15:31.920
<v Speaker 1>only I think that's why they only put it in once,

0:15:31.920 --> 0:15:34.600
<v Speaker 1>because it was a disaster, Like they kept feeding me bacon.

0:15:34.640 --> 0:15:37.320
<v Speaker 1>We're gonna get Drew Potter in at some point, who

0:15:37.440 --> 0:15:40.840
<v Speaker 1>was a camera operator and I he was. I could

0:15:40.880 --> 0:15:43.200
<v Speaker 1>see him like chuckling behind the camera because I had

0:15:43.240 --> 0:15:45.600
<v Speaker 1>a real issue with I was like talking and I

0:15:45.640 --> 0:15:48.480
<v Speaker 1>just couldn't get bacon in my mouth for some reason.

0:15:48.520 --> 0:15:50.840
<v Speaker 1>I've been doing it for you know, almost thirty years

0:15:50.840 --> 0:15:52.560
<v Speaker 1>at this point, and I just couldn't get it in

0:15:52.600 --> 0:15:54.480
<v Speaker 1>my face. So I kept missing and dropping bits and

0:15:54.480 --> 0:15:56.160
<v Speaker 1>then they'd have to come and wipe like bacon off.

0:15:56.520 --> 0:15:58.920
<v Speaker 1>It was a whole night, probably why we didn't do

0:15:59.000 --> 0:16:01.800
<v Speaker 1>very many eating scenes. But here we are, back at

0:16:01.800 --> 0:16:04.560
<v Speaker 1>the monitor. We've got is on the on the case,

0:16:04.880 --> 0:16:08.800
<v Speaker 1>trying to figure out clickity clack, where Valentine is and

0:16:08.960 --> 0:16:13.200
<v Speaker 1>what actually happened because we know Hodges missing, and this

0:16:13.280 --> 0:16:18.280
<v Speaker 1>is where all Hodges missing? Whoa do we know Hodges missing?

0:16:18.360 --> 0:16:21.520
<v Speaker 1>Yet we know no one? We must Yeah, we know

0:16:21.600 --> 0:16:23.360
<v Speaker 1>no one has seen him and we can't find There

0:16:23.360 --> 0:16:25.080
<v Speaker 1>we go. We did a little I assume there's some

0:16:25.160 --> 0:16:26.960
<v Speaker 1>kind of inner Colm got it. There we go, you know,

0:16:26.960 --> 0:16:34.560
<v Speaker 1>paging Hodge to the missions control center, paging Hodge to um, Yeah, right,

0:16:34.600 --> 0:16:38.520
<v Speaker 1>that's how it works. He sure didn't, I think so? Yeah,

0:16:38.640 --> 0:16:40.400
<v Speaker 1>I mean it's never really been alluded to. We just

0:16:40.440 --> 0:16:42.840
<v Speaker 1>sort of turn up where we needed. But yeah, then

0:16:42.880 --> 0:16:45.040
<v Speaker 1>we get to see, you know, a badass John Core

0:16:45.040 --> 0:16:48.680
<v Speaker 1>doing this thing. Unfortunately for nefarious reasons. This was one

0:16:48.680 --> 0:16:51.200
<v Speaker 1>of my favorite episodes with him because we we got

0:16:51.200 --> 0:16:53.560
<v Speaker 1>to like watch him train a couple of times, but

0:16:53.800 --> 0:16:55.760
<v Speaker 1>I wasn't part of it, And then I wasn't there

0:16:55.760 --> 0:16:57.920
<v Speaker 1>the day with the Forsaken either, because I was off

0:16:58.000 --> 0:17:02.200
<v Speaker 1>somewhere else doing a Jason and John is. John came

0:17:02.240 --> 0:17:05.200
<v Speaker 1>in as this like incredibly talented martial artist, and I

0:17:05.600 --> 0:17:08.600
<v Speaker 1>know for a fact since then has has progressed even

0:17:08.640 --> 0:17:11.399
<v Speaker 1>further as a gymnast and as martial artist. But he

0:17:12.720 --> 0:17:15.439
<v Speaker 1>it like got to like I got to play with

0:17:15.520 --> 0:17:17.560
<v Speaker 1>him for the first time in this episode and it

0:17:17.600 --> 0:17:19.359
<v Speaker 1>was like, Wow, I'm really being put through my place

0:17:19.520 --> 0:17:22.720
<v Speaker 1>paces here like this. This guy's really talented. But we

0:17:22.760 --> 0:17:24.359
<v Speaker 1>get to touch on the sea the ring, which we

0:17:24.400 --> 0:17:27.040
<v Speaker 1>talked about last episode, like wait, how did he get

0:17:27.080 --> 0:17:29.800
<v Speaker 1>the ring? Oh? Wait a minute. As always is the

0:17:29.800 --> 0:17:33.800
<v Speaker 1>case of Valentine, nothing happens by a mistake. That random

0:17:33.840 --> 0:17:37.720
<v Speaker 1>forsaken attack not a mistake. The fact that he was

0:17:37.760 --> 0:17:41.080
<v Speaker 1>so easy to take down also not a mistake. It

0:17:41.240 --> 0:17:44.439
<v Speaker 1>was all planned and he wasn't even that easy. It

0:17:44.560 --> 0:17:48.040
<v Speaker 1>was actually quite difficult. He leveled the challenge for the

0:17:48.119 --> 0:17:50.919
<v Speaker 1>amount and the talent of shadow Hunters that was inside

0:17:51.400 --> 0:17:57.439
<v Speaker 1>the institute. And there it is, fights forsaken steals a ring. Hodge,

0:17:57.640 --> 0:18:01.600
<v Speaker 1>how could you, buddy? How could you it too? We

0:18:01.720 --> 0:18:03.679
<v Speaker 1>loved you, man, I mean, we all know from this

0:18:03.840 --> 0:18:06.280
<v Speaker 1>last couple of years that you trapped someone in a

0:18:06.359 --> 0:18:08.680
<v Speaker 1>house for too long. We all go a little stir crazy,

0:18:09.040 --> 0:18:12.280
<v Speaker 1>make decisions that we maybe regret. Who knows. Yeah, well

0:18:13.080 --> 0:18:16.560
<v Speaker 1>there's stir crazy, and then there's giving the nuclear launch

0:18:16.600 --> 0:18:18.480
<v Speaker 1>codes to Hitler, you know what I mean. Like, there's

0:18:18.480 --> 0:18:22.240
<v Speaker 1>a balance there, and I think Hodge stepped over the

0:18:22.280 --> 0:18:25.119
<v Speaker 1>line personally. I don't know if Valentine is a Hitler.

0:18:25.160 --> 0:18:26.720
<v Speaker 1>I don't know if that's a parallel we want to

0:18:26.760 --> 0:18:50.000
<v Speaker 1>make here, but not big bad, big bad key. Yeah,

0:18:50.400 --> 0:18:53.360
<v Speaker 1>And here we are at the boat. Fucking boat, this boat. Man.

0:18:54.280 --> 0:18:56.000
<v Speaker 1>So here's what you should know about the boat. There's

0:18:56.119 --> 0:18:58.280
<v Speaker 1>so much happened on this but so much happens on

0:18:58.320 --> 0:19:01.119
<v Speaker 1>this boat. So yeah, must have been at the end

0:19:01.160 --> 0:19:03.000
<v Speaker 1>of this season and at the beginning of season one

0:19:03.080 --> 0:19:05.399
<v Speaker 1>it was hot. So the top of this boat is

0:19:05.440 --> 0:19:08.880
<v Speaker 1>like a big just a big like a radiating Well

0:19:08.920 --> 0:19:11.480
<v Speaker 1>this was October, oh so this was this was the

0:19:11.480 --> 0:19:13.320
<v Speaker 1>cold day. This is when it was really golden. It

0:19:13.400 --> 0:19:18.400
<v Speaker 1>was cold, right, remember hearing that wasn't there that day. Yeah,

0:19:18.560 --> 0:19:22.560
<v Speaker 1>it's very very cold. But interestingly, so this shot where

0:19:22.640 --> 0:19:24.919
<v Speaker 1>we come up and the boat is on is moored

0:19:25.600 --> 0:19:28.520
<v Speaker 1>at the at the dark. That's how the boat always is.

0:19:28.560 --> 0:19:32.680
<v Speaker 1>It's decommissioned, it doesn't it doesn't sail anymore ever. Um

0:19:33.560 --> 0:19:35.320
<v Speaker 1>so the boat is always in one place. Whenever you

0:19:35.400 --> 0:19:39.280
<v Speaker 1>see that boat out in the water, it's fully c

0:19:39.440 --> 0:19:41.240
<v Speaker 1>g I. They just put it out there. So we

0:19:41.359 --> 0:19:42.760
<v Speaker 1>had and it was a whole of the boat was

0:19:42.760 --> 0:19:44.800
<v Speaker 1>a whole nightmare. When you had to get two background on.

0:19:44.840 --> 0:19:47.399
<v Speaker 1>There was literally one little staircase up theside, which you

0:19:47.400 --> 0:19:49.000
<v Speaker 1>can actually see in the shop when you see the

0:19:49.000 --> 0:19:50.880
<v Speaker 1>big wide of the boat. That was the only way

0:19:50.920 --> 0:19:53.040
<v Speaker 1>to get on and off this boat. It was freezing

0:19:53.119 --> 0:19:56.399
<v Speaker 1>cold and it's it's I was going to say parked,

0:19:56.480 --> 0:19:58.960
<v Speaker 1>it's not parked. It's moored on one of the great lakes,

0:19:59.119 --> 0:20:02.480
<v Speaker 1>Lake Ontario, which is this massive, massive like it looks

0:20:02.520 --> 0:20:06.919
<v Speaker 1>like an ocean massive. So you are just completely at

0:20:06.960 --> 0:20:08.960
<v Speaker 1>the mercy of the elements, like, if it was raining,

0:20:09.000 --> 0:20:10.920
<v Speaker 1>you're gonna get rained on. If it's snowing, you're gonna

0:20:10.960 --> 0:20:13.200
<v Speaker 1>get snowed on. And as we find out in season two,

0:20:13.600 --> 0:20:16.399
<v Speaker 1>if lightnings are coming, you just get to watch lightning

0:20:16.440 --> 0:20:18.200
<v Speaker 1>are coming and you get to see it get closer

0:20:18.280 --> 0:20:21.760
<v Speaker 1>and closer. Just a bit of something. I noticed, this

0:20:21.920 --> 0:20:25.159
<v Speaker 1>is a giant vat of blood that Valancine has just

0:20:25.520 --> 0:20:28.399
<v Speaker 1>just sitting just sitting on there. Does it have to

0:20:28.480 --> 0:20:33.720
<v Speaker 1>be angel blood? I think it does. I mean, that's

0:20:33.760 --> 0:20:35.880
<v Speaker 1>a bit of a thing. But I never thought about

0:20:35.960 --> 0:20:38.240
<v Speaker 1>that's I mean, maybe it's deluded angel blood because that's

0:20:38.240 --> 0:20:40.600
<v Speaker 1>a lot of it's a lot of blood. It's a

0:20:40.680 --> 0:20:42.840
<v Speaker 1>lot of blood. But also Valentine's killed a lot of

0:20:42.840 --> 0:20:45.480
<v Speaker 1>shadow Hunters, so that kind of makes sense. That's true,

0:20:45.840 --> 0:20:49.399
<v Speaker 1>and I guess you couldn't exaglinate person you kill. He

0:20:49.520 --> 0:20:52.160
<v Speaker 1>also says, which I think was quite fun in this scene.

0:20:52.359 --> 0:20:55.040
<v Speaker 1>He says, I'm going to use this cup to purify

0:20:55.160 --> 0:20:57.360
<v Speaker 1>this blood, and it goes like a yellow ea color,

0:20:57.640 --> 0:20:59.879
<v Speaker 1>and I'm like, I don't know if that's pure. I

0:21:00.000 --> 0:21:01.880
<v Speaker 1>don't know if that's better, Like if my Britta filter

0:21:02.000 --> 0:21:04.480
<v Speaker 1>purified my water and it went yellow. I'd be like, mm,

0:21:04.720 --> 0:21:08.080
<v Speaker 1>excuse me, refund please, this is not probably time to

0:21:08.160 --> 0:21:10.960
<v Speaker 1>change the filter at that. But this is so this

0:21:11.280 --> 0:21:15.960
<v Speaker 1>This really speaks to Allan's kind of prowess at playing

0:21:16.119 --> 0:21:20.160
<v Speaker 1>just a great nuanced villain. But there's such a brutality

0:21:20.240 --> 0:21:23.280
<v Speaker 1>to Valentine and such a cunning to him as a

0:21:23.400 --> 0:21:27.119
<v Speaker 1>battle strategist because yeah, he's yeah, Hodge has provided him

0:21:27.160 --> 0:21:29.200
<v Speaker 1>the key that he needs, all well and good, but

0:21:29.960 --> 0:21:33.960
<v Speaker 1>he owes Hodge nothing in his mind because Hodges found

0:21:34.040 --> 0:21:35.679
<v Speaker 1>to be a trader and known to be a trader.

0:21:35.760 --> 0:21:37.840
<v Speaker 1>So why would you want a trader on your team

0:21:37.880 --> 0:21:41.200
<v Speaker 1>if the thing isn't they have this like the bad guys.

0:21:41.800 --> 0:21:45.679
<v Speaker 1>I've always said in Anything and I, my favorite movies

0:21:45.720 --> 0:21:48.760
<v Speaker 1>with a villain are the ones whether like you there's

0:21:48.800 --> 0:21:50.680
<v Speaker 1>a part of you that kind of agrees with the villain,

0:21:50.760 --> 0:21:52.640
<v Speaker 1>Like there's sort of an element where you are like, yeah,

0:21:52.800 --> 0:21:54.480
<v Speaker 1>I get it, Like it's dreadful, but I kind of

0:21:54.520 --> 0:21:57.560
<v Speaker 1>get it though, um, and he's sort of one of them.

0:21:57.600 --> 0:21:59.679
<v Speaker 1>He's like, you want to rid the world of demons

0:21:59.720 --> 0:22:03.040
<v Speaker 1>in your willing to go however far for that to

0:22:03.119 --> 0:22:06.080
<v Speaker 1>be the case, And you're like that's obviously not the

0:22:06.119 --> 0:22:08.000
<v Speaker 1>way to do it. Like, that's obviously not how it

0:22:08.000 --> 0:22:10.520
<v Speaker 1>should be done, but like, isn't that what we're trying

0:22:10.560 --> 0:22:12.920
<v Speaker 1>to do, a shadow answers, we're trying to kill the

0:22:13.000 --> 0:22:15.720
<v Speaker 1>demons and keep the down world safe. Obviously he's overstepping

0:22:15.760 --> 0:22:17.359
<v Speaker 1>by getting rid of the down world as well, and

0:22:17.880 --> 0:22:21.240
<v Speaker 1>but it's that tricky balance of like we're actually fighting

0:22:21.320 --> 0:22:24.639
<v Speaker 1>for the same thing, we're just doing it drastically different ways.

0:22:25.480 --> 0:22:27.200
<v Speaker 1>And that, I think is what's so cool about this

0:22:27.320 --> 0:22:30.200
<v Speaker 1>is there's like there are these elements and again, this

0:22:30.320 --> 0:22:32.000
<v Speaker 1>is what reminded me about it in this scene is

0:22:32.080 --> 0:22:34.960
<v Speaker 1>like Hodge comes up and he's like, well, I'm gonna

0:22:34.960 --> 0:22:36.359
<v Speaker 1>be part of your team now, and he's like, no,

0:22:37.440 --> 0:22:40.000
<v Speaker 1>you're a traitor. I don't want to traitor as part

0:22:40.040 --> 0:22:42.239
<v Speaker 1>of my team. And that's how Jason wuld react, That's

0:22:42.240 --> 0:22:44.440
<v Speaker 1>how Alc would react, Like it's the same thing. There

0:22:44.600 --> 0:22:50.080
<v Speaker 1>there is a world in which you can be you know, rehabilitated,

0:22:50.119 --> 0:22:52.120
<v Speaker 1>I guess if you've done something wrong at some point,

0:22:52.240 --> 0:22:54.920
<v Speaker 1>but if you're a traitor, you're a traitor. Like I

0:22:54.960 --> 0:22:56.960
<v Speaker 1>don't think Jason is going to trust Hodge again. You

0:22:57.000 --> 0:22:58.960
<v Speaker 1>know what I mean like you're a traitor and that's

0:22:59.040 --> 0:23:01.920
<v Speaker 1>kind of the end of it. Um, so again kind

0:23:02.000 --> 0:23:04.879
<v Speaker 1>of get it. Yeah, and Hodge has this horrible realization

0:23:05.080 --> 0:23:08.200
<v Speaker 1>that he thought he'd just gotten his life back, but

0:23:08.359 --> 0:23:11.440
<v Speaker 1>his life is over. There is nowhere for him to go,

0:23:11.720 --> 0:23:14.880
<v Speaker 1>nowhere for him to run, nowhere for him to be safe. Ever,

0:23:16.200 --> 0:23:20.399
<v Speaker 1>he piste off everybody. Yeah, and again it goes back

0:23:20.440 --> 0:23:23.040
<v Speaker 1>to a reputation and honor is such a big thing

0:23:23.119 --> 0:23:26.080
<v Speaker 1>in the Shadow World, and once you lose that, you

0:23:26.200 --> 0:23:29.280
<v Speaker 1>lose that for good, which is interesting because considering that's

0:23:29.400 --> 0:23:33.000
<v Speaker 1>again that's why I think in season four Jason Clary

0:23:33.040 --> 0:23:35.359
<v Speaker 1>would have had such an interesting arc because both of

0:23:35.440 --> 0:23:38.320
<v Speaker 1>them had kind of not of their own will, but

0:23:38.520 --> 0:23:42.919
<v Speaker 1>had destroyed their credibility in a way, and they were

0:23:42.960 --> 0:23:47.640
<v Speaker 1>the only two people that understood that kind of pain

0:23:47.760 --> 0:23:52.320
<v Speaker 1>and guilt and frustration with being burdened with a guilty

0:23:52.520 --> 0:23:55.680
<v Speaker 1>conscience that wasn't of your own free will, and you know,

0:23:55.880 --> 0:23:58.879
<v Speaker 1>having to to reprove themselves to the Shadow world. But anyway,

0:23:58.960 --> 0:24:02.520
<v Speaker 1>I digress, we'll talk about that later. Any who exactly,

0:24:02.800 --> 0:24:06.159
<v Speaker 1>that's for later episodes. This brings us neatly to uh,

0:24:06.680 --> 0:24:10.200
<v Speaker 1>sort of the initial separation of Clary and Ja so

0:24:11.119 --> 0:24:13.680
<v Speaker 1>Jason's motivations. I was just rewatching this and I'm like,

0:24:15.760 --> 0:24:20.120
<v Speaker 1>he's so upset and I'm curious why it turned to Clary,

0:24:20.359 --> 0:24:22.440
<v Speaker 1>and I'm because he could have used her as like

0:24:22.520 --> 0:24:24.879
<v Speaker 1>a confidence and whatever. I think the two things that

0:24:24.920 --> 0:24:26.280
<v Speaker 1>are in my head I had sort of bring myself

0:24:26.320 --> 0:24:28.280
<v Speaker 1>back to where I was in that moment. The two

0:24:28.359 --> 0:24:30.680
<v Speaker 1>things that were in my head were one, I really

0:24:30.720 --> 0:24:32.040
<v Speaker 1>don't even want to look at you right now, Like

0:24:32.040 --> 0:24:34.040
<v Speaker 1>I had feelings for you and that's weird, And I

0:24:34.119 --> 0:24:36.280
<v Speaker 1>don't want to be around you because that. I'm still

0:24:36.280 --> 0:24:40.560
<v Speaker 1>sort of dealing with that, and too, this like anger, resentment,

0:24:40.760 --> 0:24:45.679
<v Speaker 1>jealousy that like you you although Valentine wasn't there, your

0:24:45.800 --> 0:24:49.840
<v Speaker 1>father wasn't there, which I suppose long long, you know,

0:24:50.000 --> 0:24:52.280
<v Speaker 1>long game, that's a good thing. But you still had

0:24:52.359 --> 0:24:56.440
<v Speaker 1>your mother, your biological mother. You had your sort of

0:24:56.440 --> 0:25:01.159
<v Speaker 1>adopted father, you know, surrogate father in in and I

0:25:01.240 --> 0:25:03.520
<v Speaker 1>think there's this element of like, you really don't get

0:25:03.560 --> 0:25:06.639
<v Speaker 1>it because I was raised by the other side of

0:25:06.680 --> 0:25:08.760
<v Speaker 1>that coin. You were kept away from this. I was

0:25:09.200 --> 0:25:12.800
<v Speaker 1>beaten and broken into it and didn't and then come

0:25:12.880 --> 0:25:15.160
<v Speaker 1>to find out that not only were they not my parents,

0:25:15.720 --> 0:25:18.160
<v Speaker 1>but they were my parents and you know this whole

0:25:18.240 --> 0:25:21.000
<v Speaker 1>thing and it was so that I think is an

0:25:21.040 --> 0:25:23.600
<v Speaker 1>element of where this anger is coming from, where it's

0:25:23.600 --> 0:25:26.359
<v Speaker 1>like why you don't get it? And that's really frustrating,

0:25:26.440 --> 0:25:31.440
<v Speaker 1>like you don't understand where this is. Anyway, as you mentioned,

0:25:31.520 --> 0:25:34.040
<v Speaker 1>Jay doesn't deal with his emotions very well. He packs

0:25:34.119 --> 0:25:35.720
<v Speaker 1>up his gear and he's going on the hunt. He's

0:25:35.760 --> 0:25:39.040
<v Speaker 1>ready there, he's ready for blood handful some height say

0:25:41.200 --> 0:25:45.080
<v Speaker 1>oh you honeyman, you and it's it's this is the

0:25:45.160 --> 0:25:47.720
<v Speaker 1>beginning of something else for Jay's that he deals with

0:25:48.080 --> 0:25:51.359
<v Speaker 1>quite a lot going forward, which is this questioning of

0:25:51.560 --> 0:25:54.720
<v Speaker 1>what is what part of him is Valentine? And what

0:25:55.440 --> 0:25:58.280
<v Speaker 1>how does being Valentine's son? You know, what kind of

0:25:58.320 --> 0:26:00.800
<v Speaker 1>effect does that have on who? Here? Maybe that is

0:26:01.359 --> 0:26:04.399
<v Speaker 1>where his hot headedness and his propensity for violence and

0:26:04.680 --> 0:26:08.960
<v Speaker 1>his skill comes from, but at what cost um? And that, Yeah,

0:26:09.160 --> 0:26:11.440
<v Speaker 1>that sort of ends up being the congruent through line

0:26:12.359 --> 0:26:16.440
<v Speaker 1>throughout a lot of Season two for Jasons, that question

0:26:16.520 --> 0:26:22.200
<v Speaker 1>of like who am I? Basically isn't that what we

0:26:22.240 --> 0:26:24.320
<v Speaker 1>all just wanted in the end? Who am I? Who

0:26:24.359 --> 0:26:27.520
<v Speaker 1>am I? But you know, where do we go, except

0:26:27.600 --> 0:26:30.480
<v Speaker 1>we give we give Luke call because again, I love

0:26:30.600 --> 0:26:33.280
<v Speaker 1>seeing this in this episode that we have so much

0:26:33.400 --> 0:26:36.800
<v Speaker 1>to do with coming together with the down World in

0:26:36.920 --> 0:26:40.320
<v Speaker 1>this and using the down World and these alliances that

0:26:40.440 --> 0:26:43.879
<v Speaker 1>we formed essentially also maybe you know, destroying them in

0:26:43.920 --> 0:26:48.760
<v Speaker 1>the process, but we will get to that later. But yeah,

0:26:48.880 --> 0:26:51.840
<v Speaker 1>that's later this episode and then a whole bunch just

0:26:52.000 --> 0:26:54.720
<v Speaker 1>throughout the rest of the show. But Luke is on board.

0:26:55.359 --> 0:26:57.680
<v Speaker 1>I also love this moment that Isaiah has where he's

0:26:57.720 --> 0:27:01.720
<v Speaker 1>like Hodge Stark Weather, find him, hunt him down, find him.

0:27:01.800 --> 0:27:03.639
<v Speaker 1>I want him a lot. He has this voice, he

0:27:03.720 --> 0:27:07.040
<v Speaker 1>has this like presence. Isaiah does stuff sometimes on set

0:27:07.520 --> 0:27:10.520
<v Speaker 1>and you're just like and you just kind of watch

0:27:10.600 --> 0:27:12.800
<v Speaker 1>it happen, and then you're like, a shoot, I was

0:27:12.800 --> 0:27:15.080
<v Speaker 1>supposed to say something or do something. I'm pretty sure

0:27:15.200 --> 0:27:17.680
<v Speaker 1>didn't do it. I was just watching Isaiah over there,

0:27:17.720 --> 0:27:20.639
<v Speaker 1>which is I just messed up whatever it was. But

0:27:20.720 --> 0:27:24.720
<v Speaker 1>he does. He has these moments of like gravitas where

0:27:24.800 --> 0:27:27.280
<v Speaker 1>it really does. You're just like, Wow, that's awesome, that's

0:27:27.320 --> 0:27:30.800
<v Speaker 1>really cool. You're like, oh, you're you're the leader of

0:27:30.840 --> 0:27:33.840
<v Speaker 1>the pack. Anyway, Oh this is now, sorry, it's it's

0:27:33.880 --> 0:27:36.040
<v Speaker 1>so funny. I forget how much in our show because

0:27:36.080 --> 0:27:40.040
<v Speaker 1>we have so many storylines were constantly jumping around as

0:27:40.119 --> 0:27:43.040
<v Speaker 1>things are happening concurrently. So now we have the scene

0:27:43.040 --> 0:27:48.399
<v Speaker 1>where Alan goes by Felicia and sends sends Hodge out

0:27:48.480 --> 0:27:51.520
<v Speaker 1>to pasture as it were, into the wilds of New

0:27:51.560 --> 0:27:54.920
<v Speaker 1>York City. He's in trouble, which brings us neatly to

0:27:55.880 --> 0:28:00.240
<v Speaker 1>the I guess like the vampire deliberation, like I'm and

0:28:00.359 --> 0:28:04.040
<v Speaker 1>is kind of with Rafael, and then is he and

0:28:04.119 --> 0:28:07.080
<v Speaker 1>Clary needs some things. This this sort of vampire like

0:28:07.720 --> 0:28:09.280
<v Speaker 1>I don't even know how you put it, Like, what's

0:28:09.280 --> 0:28:11.240
<v Speaker 1>a good word to describe this, because it's not just

0:28:11.320 --> 0:28:14.200
<v Speaker 1>a meeting. It's more powerful than that, like summit. It's

0:28:14.240 --> 0:28:17.159
<v Speaker 1>like a vampire summit. It's it's yeah, it's just some

0:28:17.359 --> 0:28:19.879
<v Speaker 1>it's about summit with the vampires. It's it's I love it.

0:28:19.960 --> 0:28:22.560
<v Speaker 1>I love to call this Simon the Negotiator Part two. Yeah,

0:28:23.359 --> 0:28:25.719
<v Speaker 1>because we saw it earlier when Jay's needed blood. Now

0:28:25.800 --> 0:28:28.680
<v Speaker 1>it's happening again, much to Rafael's chagrin. But also what

0:28:28.760 --> 0:28:30.440
<v Speaker 1>I love here is you get a little bit of

0:28:30.520 --> 0:28:35.159
<v Speaker 1>foreshadowing of the Clary and Isabelle partnership that happens throughout

0:28:35.200 --> 0:28:37.720
<v Speaker 1>the series. So the first one of the first times

0:28:37.760 --> 0:28:41.360
<v Speaker 1>we see these two team up, and it's a it's

0:28:41.400 --> 0:28:44.120
<v Speaker 1>a nice It's poor Rafael. He doesn't even know what

0:28:44.240 --> 0:28:46.400
<v Speaker 1>he's in, what's coming. The girls will take care of it,

0:28:47.440 --> 0:28:50.360
<v Speaker 1>so much more responsible than the girls. They do such

0:28:50.400 --> 0:28:53.120
<v Speaker 1>a better job at shadow hunting than like Alec and I,

0:28:53.240 --> 0:28:56.520
<v Speaker 1>who are constantly losing things or like dying, oh wait,

0:28:57.320 --> 0:29:01.040
<v Speaker 1>or not dying. Nice covered my us, well done, dumb,

0:29:01.200 --> 0:29:06.200
<v Speaker 1>good job, nice almost dying, putting ourselves at risk of

0:29:06.360 --> 0:29:09.840
<v Speaker 1>potentially dying. That's good, That's very good. Which leads us

0:29:09.880 --> 0:29:12.560
<v Speaker 1>to the scene that I was so I was talking

0:29:12.560 --> 0:29:15.760
<v Speaker 1>about earlier, and I was so excited to talk about this,

0:29:16.480 --> 0:29:19.160
<v Speaker 1>this fight scene with John Corps. I'm glad we got

0:29:19.240 --> 0:29:21.800
<v Speaker 1>rid of the like jewel lightsaber deal because I think

0:29:21.840 --> 0:29:23.320
<v Speaker 1>that looked a little As fun as that was to

0:29:23.400 --> 0:29:25.720
<v Speaker 1>train with, I think it looked a little ridiculous, but

0:29:26.120 --> 0:29:29.120
<v Speaker 1>a lot of fun on the day. Hard work when

0:29:29.160 --> 0:29:31.640
<v Speaker 1>you're hitting. I can't remember what these things were called

0:29:31.680 --> 0:29:34.880
<v Speaker 1>that he fought with sur Akens maybe sort of siddy,

0:29:36.360 --> 0:29:39.520
<v Speaker 1>sure is it? I don't actually know. Oh no, Shurakin's

0:29:39.520 --> 0:29:43.600
<v Speaker 1>a throwing stars. That's wrong. It's it's for those who

0:29:43.680 --> 0:29:46.480
<v Speaker 1>haven't seen it. It's kind of like an axe without

0:29:46.520 --> 0:29:48.960
<v Speaker 1>the handle, you sort of hold onto the middle of

0:29:49.120 --> 0:29:54.720
<v Speaker 1>the axe blade sive type situation. I typed in glade

0:29:54.720 --> 0:29:56.480
<v Speaker 1>because that was in my head, but that's not it either.

0:29:57.040 --> 0:29:59.600
<v Speaker 1>I don't know. Anyway. We got to film this scene

0:30:00.280 --> 0:30:02.960
<v Speaker 1>in weirdly actually the place where we did our first

0:30:03.080 --> 0:30:05.520
<v Speaker 1>ever promo shoot for the show. We did it. It's

0:30:05.560 --> 0:30:08.560
<v Speaker 1>in the same place, except we were here at like

0:30:08.640 --> 0:30:11.080
<v Speaker 1>four in the morning filming this, so it's freezing cold.

0:30:11.720 --> 0:30:13.800
<v Speaker 1>Um and John was such a trooper and he just

0:30:13.960 --> 0:30:16.400
<v Speaker 1>like dove into everything. It was awesome and we really

0:30:16.400 --> 0:30:19.880
<v Speaker 1>got to have this first like Master versus Master fight,

0:30:19.960 --> 0:30:24.120
<v Speaker 1>which was really cool, like two people who like are

0:30:24.240 --> 0:30:28.120
<v Speaker 1>the best at what they do and very much evenly matched,

0:30:28.760 --> 0:30:31.960
<v Speaker 1>and really what what the reason Jace wins is? He

0:30:32.080 --> 0:30:34.520
<v Speaker 1>kind of breaks the rules of engagement, like he there's

0:30:34.640 --> 0:30:38.000
<v Speaker 1>you know, he's one, he's sort of beaten and then

0:30:38.520 --> 0:30:46.200
<v Speaker 1>cut his hand off. Brutal. Brutal for Luke Skywalker mode brutal. Yeah,

0:30:46.520 --> 0:30:49.040
<v Speaker 1>it just goes to show how kind of unhinged Jace

0:30:49.280 --> 0:30:52.560
<v Speaker 1>is and how much he's started a question everything, and

0:30:52.680 --> 0:30:55.680
<v Speaker 1>he's and it It's it's a little terrifying because you

0:30:55.760 --> 0:30:58.240
<v Speaker 1>sort of go, what is Ja's willing to do in

0:30:58.400 --> 0:31:01.320
<v Speaker 1>order to, you know, to exact his his own kind

0:31:01.360 --> 0:31:03.760
<v Speaker 1>of revenge in this moment and sort of make right

0:31:04.440 --> 0:31:06.840
<v Speaker 1>all of these things. I also, something I forgot is

0:31:06.880 --> 0:31:10.239
<v Speaker 1>how acrobatic this fight actually is. And I mean that's

0:31:10.280 --> 0:31:12.960
<v Speaker 1>a testament to to you and John, but really, Jamie,

0:31:13.480 --> 0:31:16.120
<v Speaker 1>don't see a lot of fights like this. On this day.

0:31:16.200 --> 0:31:18.840
<v Speaker 1>I trained and I got it correct. The big one

0:31:18.920 --> 0:31:21.280
<v Speaker 1>is the backflip off the wall. I trained, and I

0:31:21.320 --> 0:31:22.760
<v Speaker 1>got it to a place where I was happy with it.

0:31:22.800 --> 0:31:24.080
<v Speaker 1>And then we got there on the day and we've

0:31:24.120 --> 0:31:26.880
<v Speaker 1>been filming for ten hours already, and they just went, look,

0:31:27.000 --> 0:31:30.360
<v Speaker 1>it's freezing cold, it's solid concrete underneath you. If something

0:31:30.480 --> 0:31:33.840
<v Speaker 1>goes wrong, then the rest of the shooting day is done.

0:31:34.400 --> 0:31:36.120
<v Speaker 1>I was also quite tired at that point, and I

0:31:36.200 --> 0:31:38.440
<v Speaker 1>was like, fair enough, Jamie can do this one, um,

0:31:38.520 --> 0:31:40.560
<v Speaker 1>And Jamie makes it look much more professional than I

0:31:40.680 --> 0:31:42.880
<v Speaker 1>do anyway, So I was happy with it. But John,

0:31:42.960 --> 0:31:45.400
<v Speaker 1>I think did all of his stuff. I'm pretty sure

0:31:45.640 --> 0:31:48.800
<v Speaker 1>this day John did all of the flips and twists

0:31:48.880 --> 0:31:51.080
<v Speaker 1>and back flips and all that fun stuff. I'm pretty

0:31:51.080 --> 0:31:55.440
<v Speaker 1>sure that's John would not surprise me. Also, um something else.

0:31:55.600 --> 0:31:59.640
<v Speaker 1>That hand goes flying and you actually see it's so

0:31:59.800 --> 0:32:04.640
<v Speaker 1>rare in the Yeah, it actually goes nuts. So John,

0:32:05.360 --> 0:32:07.960
<v Speaker 1>this was really tricky and this took some real trust

0:32:08.240 --> 0:32:10.720
<v Speaker 1>on John's part. I had to be really careful with this.

0:32:11.520 --> 0:32:16.320
<v Speaker 1>So he is holding the prosthetic by the wrist underneath

0:32:16.440 --> 0:32:18.960
<v Speaker 1>the sleeve of his hands. He's holding it like this

0:32:19.360 --> 0:32:22.959
<v Speaker 1>right like that there. So I have this space to hit.

0:32:23.480 --> 0:32:26.240
<v Speaker 1>And obviously it would be better to hit like the

0:32:26.400 --> 0:32:28.640
<v Speaker 1>hand and then the hand goes flying off than it

0:32:28.640 --> 0:32:30.840
<v Speaker 1>would be to hit John's hand and do some damage.

0:32:31.280 --> 0:32:33.240
<v Speaker 1>But to make it look correct, you have to slice

0:32:33.280 --> 0:32:36.160
<v Speaker 1>through that very very small gap there. And I remember

0:32:36.600 --> 0:32:38.040
<v Speaker 1>he would hold it as still as he could, and

0:32:38.040 --> 0:32:40.280
<v Speaker 1>I would just sort of almost like a golfer, like

0:32:40.360 --> 0:32:43.120
<v Speaker 1>I would line up this perfect swing to go through

0:32:43.320 --> 0:32:44.840
<v Speaker 1>and then get to that point. And then as soon

0:32:44.920 --> 0:32:48.120
<v Speaker 1>as I'm through, then it's like the performance comes back.

0:32:48.240 --> 0:32:50.840
<v Speaker 1>I get to act into it again. But that the

0:32:50.920 --> 0:32:53.280
<v Speaker 1>whole until I've hit it, I'm just like, don't cut

0:32:53.320 --> 0:32:55.880
<v Speaker 1>off John's fingers, don't cut off John's cut off the

0:32:55.920 --> 0:32:59.200
<v Speaker 1>fake fingers as attached to a fake hand. Don't touch

0:32:59.280 --> 0:33:02.000
<v Speaker 1>the real hand even though that's attached to the fake hand.

0:33:02.360 --> 0:33:04.760
<v Speaker 1>Just do just straight lined on this all you gotta do.

0:33:05.280 --> 0:33:07.200
<v Speaker 1>And that's what we did. And I think we did

0:33:07.240 --> 0:33:10.440
<v Speaker 1>it twice. And the first one I was too too scaredy,

0:33:10.880 --> 0:33:12.520
<v Speaker 1>and I like, I think I hit the top of

0:33:12.560 --> 0:33:14.800
<v Speaker 1>the fingers of the fake hand and it just didn't

0:33:14.840 --> 0:33:16.720
<v Speaker 1>look great. It looked like the hand just tumbles off.

0:33:17.040 --> 0:33:18.800
<v Speaker 1>And then I think the second one, of the third one,

0:33:18.840 --> 0:33:20.520
<v Speaker 1>we got this and we were like, that's the one.

0:33:20.760 --> 0:33:24.000
<v Speaker 1>Let's not do it again. Let's not risk anyone's, anyone's

0:33:24.040 --> 0:33:27.280
<v Speaker 1>fingers because as we find out, actually these ones weren't

0:33:27.320 --> 0:33:29.560
<v Speaker 1>as bad. They still hurt when you got hit, but

0:33:29.720 --> 0:33:32.080
<v Speaker 1>like season two, when you got hitting the fingers, that

0:33:32.320 --> 0:33:35.960
<v Speaker 1>was that was rough. They were. I loved those swords.

0:33:36.400 --> 0:33:39.600
<v Speaker 1>That was split knuckles city, Yeah, split knuckles, a couple

0:33:39.600 --> 0:33:44.040
<v Speaker 1>of fraction bones every now and then, brutal. I loved them.

0:33:44.200 --> 0:33:46.640
<v Speaker 1>Occupational hazard a little known fact that I don't know

0:33:46.680 --> 0:33:48.960
<v Speaker 1>if you remember, dumb um. I was not on set

0:33:49.080 --> 0:33:51.240
<v Speaker 1>for the majority of this day, but this was actually

0:33:51.280 --> 0:33:54.720
<v Speaker 1>Matt d. Daria's birthday and This was the day that

0:33:54.960 --> 0:33:57.040
<v Speaker 1>I don't know if you remember, we all snuck onto

0:33:57.120 --> 0:34:01.880
<v Speaker 1>set and snuck into Matt's trailer and created out happy

0:34:01.960 --> 0:34:03.840
<v Speaker 1>birth thing and sent him a video because he wasn't

0:34:03.840 --> 0:34:06.120
<v Speaker 1>do you remember that, Because he wasn't in his trailer

0:34:06.200 --> 0:34:08.640
<v Speaker 1>on lunch and we were all going to surprise him,

0:34:08.680 --> 0:34:10.360
<v Speaker 1>but he was somewhere else, so we just had to

0:34:10.560 --> 0:34:14.280
<v Speaker 1>make him a video, which then some ended up somewhere

0:34:14.320 --> 0:34:16.880
<v Speaker 1>on social media. There the one where you'll you'll pretended

0:34:16.920 --> 0:34:18.320
<v Speaker 1>to be dead in his trailer as well, and you

0:34:18.360 --> 0:34:21.120
<v Speaker 1>can get it right, Everyone started laughing, Yeah, we're asleep.

0:34:21.239 --> 0:34:24.000
<v Speaker 1>Maybe we're just trying to be you know, as as

0:34:24.600 --> 0:34:28.640
<v Speaker 1>fun times, you know, straight as a Matt Dadario himself.

0:34:28.800 --> 0:34:33.839
<v Speaker 1>But we couldn't have it. Yeah, uh, only Matt can

0:34:33.920 --> 0:34:36.040
<v Speaker 1>do that. It's a real it's a real change, can't

0:34:36.080 --> 0:34:39.279
<v Speaker 1>We can't do the dead Matt. We can't. So the

0:34:39.440 --> 0:34:43.880
<v Speaker 1>end of this scene leads to a handless arrested Hodge

0:34:44.560 --> 0:34:52.240
<v Speaker 1>and a still fairly single minded Jace. Using said hand

0:34:52.640 --> 0:34:56.799
<v Speaker 1>from now handless Hodge, he finds himself a Seli ring,

0:34:56.960 --> 0:35:01.719
<v Speaker 1>a Celia communications ring, which can only communicate to the

0:35:01.760 --> 0:35:06.520
<v Speaker 1>other ring, right it can, so he knows who he's calling. Yeah. Um,

0:35:07.200 --> 0:35:09.839
<v Speaker 1>so with this ring, he finds himself face to face

0:35:09.960 --> 0:35:14.400
<v Speaker 1>once again, not quite in the flesh, but close to Valentine.

0:35:15.840 --> 0:35:20.400
<v Speaker 1>A somewhat morbid foreshadowing promises that I am coming for you,

0:35:21.440 --> 0:35:23.200
<v Speaker 1>and I'm going to make you regret the choices that

0:35:23.239 --> 0:35:25.960
<v Speaker 1>you've made. And what's interesting about this as well, a

0:35:26.000 --> 0:35:28.640
<v Speaker 1>little bit of mythology, is that no one else can

0:35:28.760 --> 0:35:33.279
<v Speaker 1>hear Valentine in this moment, only only the possessor of

0:35:33.320 --> 0:35:35.560
<v Speaker 1>the ring. They can hear your side, but I have

0:35:35.640 --> 0:35:38.440
<v Speaker 1>a feeling you're keeping it rather hush hush, and you

0:35:38.480 --> 0:35:41.560
<v Speaker 1>know they're dealing with well TV hush hush, like three

0:35:41.640 --> 0:35:46.160
<v Speaker 1>or four paces away, complete silence, completely. There's no shadow

0:35:46.239 --> 0:35:49.680
<v Speaker 1>Hunter expert hearing room, and were wolf ears are not

0:35:50.000 --> 0:35:53.440
<v Speaker 1>a thing at this moment. Yeah, not until we use

0:35:53.520 --> 0:35:55.480
<v Speaker 1>them for the first time. We write them into the cannon.

0:35:55.880 --> 0:35:59.000
<v Speaker 1>That's so far We're wolf hearing is cannonless. It's not

0:35:59.120 --> 0:36:00.839
<v Speaker 1>part of our cannon. It's not part of our story

0:36:00.880 --> 0:36:02.880
<v Speaker 1>as of yet, is it. No, we haven't used it

0:36:02.880 --> 0:36:06.160
<v Speaker 1>in season one. Now we have Isabelle the distractor at

0:36:06.200 --> 0:36:12.239
<v Speaker 1>her finest. Isabel being distracting as the Isabel that we

0:36:12.360 --> 0:36:15.560
<v Speaker 1>first met in episode one. She does a wonderful job

0:36:15.640 --> 0:36:19.239
<v Speaker 1>distracting any well. I was going to say, any warm

0:36:19.280 --> 0:36:22.840
<v Speaker 1>blooded creature couldn't help but stop and stare. But apparently

0:36:23.080 --> 0:36:27.040
<v Speaker 1>not just warm bloody creatures, because Raphael caught himself catches

0:36:27.120 --> 0:36:29.880
<v Speaker 1>himself being a little allured by the loveliest another. A

0:36:29.880 --> 0:36:33.840
<v Speaker 1>little bit of foreshadowing, isn't it. I know? Wow, we

0:36:33.920 --> 0:36:35.920
<v Speaker 1>really did drop them all in in this episode, didn't we.

0:36:36.000 --> 0:36:58.120
<v Speaker 1>Well done, Pete Swinger, Oh, I have to tell okay,

0:36:58.200 --> 0:37:00.640
<v Speaker 1>now we have Simon pushing a car then through the

0:37:00.719 --> 0:37:02.840
<v Speaker 1>hotel to morrow. I got to talk about this coffin

0:37:02.920 --> 0:37:05.279
<v Speaker 1>for a minute. I don't. I'm sure you've been, you

0:37:05.360 --> 0:37:08.040
<v Speaker 1>know your vampire days, you've been in a coffin or two.

0:37:08.880 --> 0:37:11.920
<v Speaker 1>I had never been inside a coffin before, and I

0:37:12.040 --> 0:37:14.800
<v Speaker 1>was curious, nervous, wondering what it was going to be like.

0:37:14.880 --> 0:37:17.920
<v Speaker 1>I was fine, completely fine with all of it until

0:37:18.040 --> 0:37:21.200
<v Speaker 1>I accidentally shut my eyes once before they closed the lid.

0:37:21.880 --> 0:37:24.080
<v Speaker 1>So then I opened my eyes and I was shut

0:37:24.200 --> 0:37:27.960
<v Speaker 1>in the coffin, and for some reason, not seeing the

0:37:28.080 --> 0:37:31.120
<v Speaker 1>lid closed what made all the difference, And and the

0:37:31.280 --> 0:37:34.560
<v Speaker 1>sound inside of the coffin because it's all padded, right,

0:37:35.000 --> 0:37:38.239
<v Speaker 1>so you just feel enclosed and a little bit underwater,

0:37:38.480 --> 0:37:41.640
<v Speaker 1>and it's not great. I'll put it that way. I'm

0:37:41.719 --> 0:37:44.520
<v Speaker 1>not I'm not thinking no, I don't like it. I'm

0:37:44.560 --> 0:37:46.759
<v Speaker 1>not thinking that that's where I want to end up,

0:37:47.400 --> 0:37:52.560
<v Speaker 1>you know, eventually, not my choice. It's such an irrational

0:37:52.640 --> 0:37:55.400
<v Speaker 1>fear because the concept of it happening is so slim,

0:37:56.000 --> 0:37:59.560
<v Speaker 1>but being buried alive is a real fear. Like that's

0:37:59.560 --> 0:38:03.640
<v Speaker 1>a real Like I have that nightmare. At least once

0:38:03.719 --> 0:38:05.319
<v Speaker 1>a year. I have the nightmare and I wake up

0:38:05.360 --> 0:38:07.799
<v Speaker 1>with the sweats of like I'm good, I can get

0:38:07.800 --> 0:38:10.160
<v Speaker 1>out and everything's fine, like what I remember once I

0:38:10.239 --> 0:38:12.000
<v Speaker 1>had that nightmare and I woke up with my sheets

0:38:12.280 --> 0:38:15.680
<v Speaker 1>like over my head and the panic like full screwt

0:38:15.760 --> 0:38:18.920
<v Speaker 1>like and then the sheets came off and I was like,

0:38:18.960 --> 0:38:22.560
<v Speaker 1>I'm fine, everything, I'm good. I'm fine. But a little

0:38:22.600 --> 0:38:26.200
<v Speaker 1>bit of a week came out. And that's going to

0:38:26.280 --> 0:38:29.040
<v Speaker 1>be the promo for this episode. I can almost guarantee it. Yeah,

0:38:29.080 --> 0:38:36.040
<v Speaker 1>probably is probably this. God so this this takes us

0:38:36.160 --> 0:38:40.799
<v Speaker 1>So Rafael. Rafael slips is the clutches on his way

0:38:40.880 --> 0:38:47.000
<v Speaker 1>to to stop the impending doom of Clarie and Simon,

0:38:47.640 --> 0:38:50.400
<v Speaker 1>which leads us to Alec and Luke, which again is

0:38:50.719 --> 0:38:52.239
<v Speaker 1>this is what we keep talking about on this on

0:38:52.320 --> 0:38:54.040
<v Speaker 1>this show, and what we used to talk about his

0:38:54.040 --> 0:38:56.040
<v Speaker 1>actors when we were in the show. Fucking hell, the

0:38:56.040 --> 0:38:58.839
<v Speaker 1>shadow Hunters are useless. He literally comes over to Luke

0:38:58.920 --> 0:39:01.200
<v Speaker 1>to say, we just gotta keep bar eyes on jas

0:39:01.239 --> 0:39:03.040
<v Speaker 1>there's something wrong with Jason. We just gotta keep our

0:39:03.080 --> 0:39:04.680
<v Speaker 1>eyes on him no matter what and make sure that

0:39:04.760 --> 0:39:08.279
<v Speaker 1>he's good. Turn around Scooby Doo star and they're like, huh,

0:39:08.960 --> 0:39:13.480
<v Speaker 1>where did we go? They appeared with this beard? Useless,

0:39:13.760 --> 0:39:16.080
<v Speaker 1>completely useless. Jase does it all the time as well.

0:39:16.200 --> 0:39:19.360
<v Speaker 1>Completely useless, honestly, but it works for the story. So

0:39:19.680 --> 0:39:22.520
<v Speaker 1>you know what, I'm into it. I'm into it. Buy it.

0:39:23.040 --> 0:39:25.920
<v Speaker 1>And now we're back to Simon and Clary about to

0:39:26.000 --> 0:39:29.440
<v Speaker 1>unleash Camille. Interestingly, this was the last scene that Alberto.

0:39:29.520 --> 0:39:32.799
<v Speaker 1>This was the last scene that was shot in season one. Um,

0:39:32.960 --> 0:39:35.359
<v Speaker 1>Alberto and I jumped in a car. You came from

0:39:35.440 --> 0:39:37.480
<v Speaker 1>this to New Yeah, yeah, we met you all at

0:39:37.520 --> 0:39:40.239
<v Speaker 1>the airport to fly to New York Comic Con right

0:39:40.280 --> 0:39:45.279
<v Speaker 1>after shooting this scene. Wow. But interestingly enough, there she

0:39:45.560 --> 0:39:48.920
<v Speaker 1>is Camille. He said, WHOA, all right, calm down. You

0:39:49.000 --> 0:39:51.080
<v Speaker 1>know they say people wake up cranky sometimes, but this

0:39:51.200 --> 0:39:55.719
<v Speaker 1>is a whole that. Honestly, I just watched this and

0:39:55.800 --> 0:39:58.680
<v Speaker 1>it's scared. I knew it was happening, but I think

0:39:58.719 --> 0:40:00.279
<v Speaker 1>I was like looking away or whatever, and I looked

0:40:00.320 --> 0:40:01.680
<v Speaker 1>up just as she came up, and it scared the

0:40:01.680 --> 0:40:03.600
<v Speaker 1>shit out of me because I forgot that it was

0:40:03.719 --> 0:40:06.600
<v Speaker 1>quite so like directly into camera. It was so drastic.

0:40:07.280 --> 0:40:11.080
<v Speaker 1>So you guys chat about listen, lady, give us the book.

0:40:11.480 --> 0:40:13.160
<v Speaker 1>That's enough out of you. Just give us a book.

0:40:13.200 --> 0:40:16.360
<v Speaker 1>And she says, no, take me with you. Not like that.

0:40:16.680 --> 0:40:18.480
<v Speaker 1>That's why I didn't get this role when I auditioned

0:40:18.520 --> 0:40:21.239
<v Speaker 1>for Camille, because that's how I did it. Take. I

0:40:21.280 --> 0:40:25.200
<v Speaker 1>think you're a better I think so too. Something interesting

0:40:25.200 --> 0:40:28.000
<v Speaker 1>about this as we get into the concept of the

0:40:28.200 --> 0:40:31.919
<v Speaker 1>vampire sire situation, which we don't We don't play into

0:40:31.960 --> 0:40:35.600
<v Speaker 1>a lot until season two, be I believe when certain

0:40:35.680 --> 0:40:38.600
<v Speaker 1>other characters entered the story who we come to love

0:40:39.719 --> 0:40:44.560
<v Speaker 1>verily as humans, um as a character, but as a person,

0:40:44.600 --> 0:40:46.640
<v Speaker 1>as a character as much, but as a person absolutely.

0:40:46.920 --> 0:40:52.400
<v Speaker 1>But it's this concept of whatever vampire turns a creature,

0:40:52.520 --> 0:40:56.799
<v Speaker 1>a human into a vampire. They are that that new

0:40:57.000 --> 0:41:00.880
<v Speaker 1>fledgling vampire is drawn back to their and linked forever

0:41:01.120 --> 0:41:04.560
<v Speaker 1>to that other vampire. Which it just it's another nail

0:41:04.600 --> 0:41:06.640
<v Speaker 1>in the coffin for lack of a better pun. For

0:41:06.840 --> 0:41:10.600
<v Speaker 1>Simon that he is forever linked to Kneel in the

0:41:10.680 --> 0:41:13.680
<v Speaker 1>same way, sort of paralleling Jason Clary forever being linked

0:41:13.719 --> 0:41:18.000
<v Speaker 1>to Valandine for now. Also John Cole, what an absolute legend.

0:41:18.080 --> 0:41:21.640
<v Speaker 1>So we this kind of what happened this day? Um,

0:41:22.160 --> 0:41:26.120
<v Speaker 1>we find Jason and and Hodge in what looks like

0:41:26.200 --> 0:41:29.480
<v Speaker 1>an abandoned warehouse because it is in fact an abandoned warehouse.

0:41:29.560 --> 0:41:32.680
<v Speaker 1>This is Studio one B. Before it was Studio one B,

0:41:32.960 --> 0:41:35.920
<v Speaker 1>it was just a storage room for like metallic equipment

0:41:36.080 --> 0:41:38.759
<v Speaker 1>next to our studio. And come season two we bought

0:41:38.800 --> 0:41:41.479
<v Speaker 1>it and turned into The Hunter's Moon and Jade Wolf

0:41:41.560 --> 0:41:43.120
<v Speaker 1>and a whole bunch of other stuff, which is right.

0:41:43.600 --> 0:41:47.480
<v Speaker 1>But this day and I can't remember what happened, but

0:41:47.560 --> 0:41:49.120
<v Speaker 1>they came to me this day and they went, hey, man,

0:41:49.840 --> 0:41:52.759
<v Speaker 1>something's changed. We're going to film this scene today. And

0:41:52.840 --> 0:41:56.000
<v Speaker 1>I was like, what do you mean, because you know,

0:41:56.160 --> 0:41:58.839
<v Speaker 1>we prep like we put work into these ahead of time,

0:41:59.480 --> 0:42:01.120
<v Speaker 1>and this was scheduled for sort of a week later

0:42:01.200 --> 0:42:04.359
<v Speaker 1>or whatever, and in my head, I was selfishly thinking

0:42:04.400 --> 0:42:05.959
<v Speaker 1>about me, and what I should have been thinking about

0:42:06.080 --> 0:42:08.239
<v Speaker 1>is like, poor John Core is about to do a

0:42:08.239 --> 0:42:10.480
<v Speaker 1>scene where he's getting tortured. You're just gonna throw this in.

0:42:11.120 --> 0:42:13.680
<v Speaker 1>And he threw himself into it so thoroughly. His stump,

0:42:14.960 --> 0:42:17.239
<v Speaker 1>for lack of a better word, that prosthetic hadn't been

0:42:17.280 --> 0:42:20.040
<v Speaker 1>made yet, so they just folded up some like paper

0:42:20.120 --> 0:42:22.440
<v Speaker 1>around his arm and drew blood on it. And that

0:42:22.640 --> 0:42:25.239
<v Speaker 1>is what this is, like, it's not the prosthetic that

0:42:25.560 --> 0:42:29.000
<v Speaker 1>that's how quickly we rolled into the scene. And John

0:42:29.239 --> 0:42:32.800
<v Speaker 1>just does such an amazing jobs. He's this like powerhouse

0:42:32.880 --> 0:42:36.320
<v Speaker 1>performer and he does this incredible job. But what's interesting

0:42:36.640 --> 0:42:39.000
<v Speaker 1>is it come It has come from nowhere, Like there's

0:42:39.040 --> 0:42:41.560
<v Speaker 1>no prep that went into this. There's no like even

0:42:41.640 --> 0:42:44.200
<v Speaker 1>just like when you're acting, you sort of put yourself

0:42:44.239 --> 0:42:46.239
<v Speaker 1>in the mindset of like I have a light scene

0:42:46.280 --> 0:42:48.440
<v Speaker 1>coming up, or like this is a love scene, romance,

0:42:48.520 --> 0:42:49.800
<v Speaker 1>that's what I have to do, or like this is

0:42:49.840 --> 0:42:51.880
<v Speaker 1>a fight scene, Get into that place, or like this

0:42:52.040 --> 0:42:53.880
<v Speaker 1>is a death scene, get into that place. You just

0:42:53.920 --> 0:42:56.200
<v Speaker 1>sort of put your mindset from the beginning of the

0:42:56.280 --> 0:42:58.799
<v Speaker 1>day roughly where you're going to be. And he had

0:42:58.840 --> 0:43:00.359
<v Speaker 1>to pull this out of his ars, and I think

0:43:00.440 --> 0:43:03.600
<v Speaker 1>he does an amazing job pulling this golden performance out

0:43:03.600 --> 0:43:06.560
<v Speaker 1>of his bottom indeed. But you know, that's part of

0:43:06.640 --> 0:43:10.160
<v Speaker 1>the course with John Core leaving us with the location

0:43:10.239 --> 0:43:14.040
<v Speaker 1>of Valentine. But I have a feeling that Valentine doesn't

0:43:14.080 --> 0:43:17.120
<v Speaker 1>want to looks like it takes us back to sneaky,

0:43:18.200 --> 0:43:23.160
<v Speaker 1>sneaky Simon looking through his little, his little cross shaped window,

0:43:24.400 --> 0:43:27.959
<v Speaker 1>not to be taken any further than twenty ft before

0:43:28.000 --> 0:43:31.600
<v Speaker 1>he has stopped by Raphael. The question then is who

0:43:31.680 --> 0:43:38.800
<v Speaker 1>could possibly save the day? Somebody? Surely que Isabella word.

0:43:40.200 --> 0:43:44.880
<v Speaker 1>Oh no, she doesn't shoot arrows. She does it's a podcast,

0:43:44.960 --> 0:43:49.160
<v Speaker 1>so nobody saw me do that. It's oh yeah, that's

0:43:49.200 --> 0:43:53.279
<v Speaker 1>what she does a little friends. This is like a

0:43:53.560 --> 0:43:55.960
<v Speaker 1>massive air blast of the wall as well as that

0:43:56.120 --> 0:43:57.920
<v Speaker 1>they yeah, they did so the wall. I believe it

0:43:58.120 --> 0:44:01.600
<v Speaker 1>was they had changed out some bricks for foam bricks

0:44:01.719 --> 0:44:03.680
<v Speaker 1>sort of. I think it was. Actually you know when

0:44:03.800 --> 0:44:06.840
<v Speaker 1>flower arrangements, when you have that green stuff at the bottom,

0:44:06.920 --> 0:44:09.400
<v Speaker 1>that's like the really thick phone. I believe it was that.

0:44:09.880 --> 0:44:12.800
<v Speaker 1>And then I don't exactly know how they did it

0:44:12.880 --> 0:44:15.480
<v Speaker 1>with practical effects, but they blew the wall up basically

0:44:15.560 --> 0:44:20.760
<v Speaker 1>but safely, and then through the wall walks the sexy Isabelle,

0:44:20.840 --> 0:44:26.799
<v Speaker 1>lightwood and true glamorous, graceful fashion, bringing the daylight with her,

0:44:27.000 --> 0:44:29.120
<v Speaker 1>bringing the daylight with her, which seems to take weight.

0:44:29.560 --> 0:44:34.160
<v Speaker 1>Wasn't it just nighttime where Jace was? We can say

0:44:34.200 --> 0:44:36.480
<v Speaker 1>it was dawn. We can say it was dawn, the

0:44:36.560 --> 0:44:40.799
<v Speaker 1>coming of dawn. Let's let's call it dawn. We'll call

0:44:40.840 --> 0:44:43.600
<v Speaker 1>it dawn. But that it's interesting because that does answer

0:44:43.640 --> 0:44:47.080
<v Speaker 1>our question from last episode about the daylight and the

0:44:47.160 --> 0:44:49.960
<v Speaker 1>vampires in our world, because it's it would not be

0:44:50.040 --> 0:44:53.000
<v Speaker 1>the ambient daylight then that gets them. They would have

0:44:53.080 --> 0:44:56.600
<v Speaker 1>to be in a direct beam of light in order

0:44:56.680 --> 0:44:59.719
<v Speaker 1>for it to because that this this light comes in,

0:45:00.000 --> 0:45:03.400
<v Speaker 1>but it kind of cuts a separation, allowing our heroes

0:45:03.600 --> 0:45:08.480
<v Speaker 1>and slightly questionable villain type to get away. It does

0:45:08.560 --> 0:45:12.800
<v Speaker 1>answer our question. Very good um taking us to a

0:45:12.880 --> 0:45:16.000
<v Speaker 1>little walk and talk in a hallway that we have

0:45:16.160 --> 0:45:19.200
<v Speaker 1>used before and I'm sure we'll use again. I think

0:45:19.400 --> 0:45:23.120
<v Speaker 1>episode five, episode five we used this in when we

0:45:23.160 --> 0:45:25.239
<v Speaker 1>were escaping the police station. We were underground. It's a

0:45:25.320 --> 0:45:29.760
<v Speaker 1>little walk and talk hallway seven, but we was at seven,

0:45:29.960 --> 0:45:32.000
<v Speaker 1>but we went the other way. We were walking the

0:45:32.080 --> 0:45:35.000
<v Speaker 1>other way. So they're very it could be it could

0:45:35.000 --> 0:45:40.239
<v Speaker 1>be a completely different different. Oh yeah, because yeah, it's brilliant, brilliant,

0:45:40.640 --> 0:45:44.800
<v Speaker 1>what wonderful stuff which takes us to Magnus's apartment. Camille, Magnus, Simon,

0:45:44.880 --> 0:45:48.440
<v Speaker 1>Clary and Izzy are all in Magnus's apartment and I

0:45:48.520 --> 0:45:51.680
<v Speaker 1>can't remember why, well, because we have to find the

0:45:51.680 --> 0:45:54.720
<v Speaker 1>Book of the White So we're questioning. We're questioning Camille.

0:45:55.040 --> 0:45:58.120
<v Speaker 1>She must have said something. I think she does. I

0:45:58.200 --> 0:46:00.680
<v Speaker 1>think she does say like I need to see Magnus Spain.

0:46:01.200 --> 0:46:04.080
<v Speaker 1>We're like, all right, fine, fine, what other errands do

0:46:04.120 --> 0:46:06.360
<v Speaker 1>you need to run? Camille? Do you need? Like, honestly,

0:46:06.520 --> 0:46:09.759
<v Speaker 1>you know, any excuse, any excuse to go and see

0:46:09.760 --> 0:46:12.480
<v Speaker 1>the wonderful Magnus Spain. Were like, let's do let's do

0:46:12.560 --> 0:46:15.359
<v Speaker 1>that sounds great? We don't. He is another one. It's

0:46:15.400 --> 0:46:18.080
<v Speaker 1>so interesting that we don't just any time we need

0:46:18.120 --> 0:46:20.920
<v Speaker 1>to go somewhere or do something, we're not just like, hay, Magnus,

0:46:22.120 --> 0:46:24.880
<v Speaker 1>You're literally all powerful can you just do this thing

0:46:25.000 --> 0:46:27.000
<v Speaker 1>for us please? Like any time we needed to like

0:46:27.560 --> 0:46:32.440
<v Speaker 1>find something or like destroy something, like we never we

0:46:32.560 --> 0:46:34.560
<v Speaker 1>never just went like, hey man, could you would you

0:46:34.600 --> 0:46:38.279
<v Speaker 1>mind just sort of giving us a hand somewhere, you know? Yeah,

0:46:39.320 --> 0:46:43.400
<v Speaker 1>but that brings us to a really lovely um oh,

0:46:43.719 --> 0:46:46.239
<v Speaker 1>because this is what it is. Because Camille demands from

0:46:46.280 --> 0:46:50.719
<v Speaker 1>Simon a writ of transmutation in order to help us.

0:46:51.520 --> 0:46:53.800
<v Speaker 1>And that's that's that's a big thing. I mean, so

0:46:54.000 --> 0:46:57.680
<v Speaker 1>the rid of transmutation. Basically, because Camille broke the accords

0:46:57.760 --> 0:47:03.080
<v Speaker 1>by transforming Simon into a vampire, she is now yeah,

0:47:03.160 --> 0:47:06.400
<v Speaker 1>this writ of transmutation exonerates her, and basically Simon is

0:47:06.520 --> 0:47:10.480
<v Speaker 1>literally signing his soul away and saying, I asked Camille

0:47:10.640 --> 0:47:13.520
<v Speaker 1>to turn me into a vampire. And so it takes

0:47:13.520 --> 0:47:16.680
<v Speaker 1>away any bargaining power that Simon has, and it also

0:47:17.360 --> 0:47:20.960
<v Speaker 1>you know, forces him to sort of claim this as

0:47:21.040 --> 0:47:25.160
<v Speaker 1>something he wanted, which is not it's not easy to do,

0:47:25.600 --> 0:47:28.239
<v Speaker 1>nor is it right in any sense of the word.

0:47:28.360 --> 0:47:32.120
<v Speaker 1>But as we see time and time again, Simon, being

0:47:32.160 --> 0:47:36.600
<v Speaker 1>the hero that he is, chooses to to take it

0:47:36.680 --> 0:47:39.680
<v Speaker 1>on for Jocelyn, for his mom, and for the rest

0:47:39.719 --> 0:47:42.960
<v Speaker 1>of the shadow World. Um, you know, let me see

0:47:43.200 --> 0:47:46.440
<v Speaker 1>a little glimpse of short, redheaded, bad tempered Frey going, yeah,

0:47:46.440 --> 0:47:48.000
<v Speaker 1>I'll hold her down if you want to steak her.

0:47:48.160 --> 0:47:52.640
<v Speaker 1>It's fine, let's do it. But you know, Simon does

0:47:52.680 --> 0:47:57.400
<v Speaker 1>the right thing once again. Alec turns up poorly timed

0:47:58.120 --> 0:48:03.600
<v Speaker 1>bless him, just in time for tricksy, mischievous Camille to

0:48:03.760 --> 0:48:07.480
<v Speaker 1>start pulling it some heartstrings there, to start leaving some

0:48:07.719 --> 0:48:12.200
<v Speaker 1>threads of cliffhangers, some cliffs to be hung on. She

0:48:12.360 --> 0:48:16.320
<v Speaker 1>starts leaving them by slapping a big old kiss on

0:48:16.440 --> 0:48:19.520
<v Speaker 1>her ex boyfriend, Magnus pain brutal right in front of

0:48:19.719 --> 0:48:23.840
<v Speaker 1>his current boyfriend Alec Lightwood. Unacceptable. Community's some really poorly

0:48:23.920 --> 0:48:28.719
<v Speaker 1>timed kisses in this show. You know, it's just or

0:48:28.880 --> 0:48:31.359
<v Speaker 1>well timed, depetting on how you look at it, or yeah,

0:48:31.440 --> 0:48:34.360
<v Speaker 1>well that's the thing. It really does depend on on

0:48:34.480 --> 0:48:38.919
<v Speaker 1>your sort of position there. All about perspective. But there's

0:48:38.960 --> 0:48:43.680
<v Speaker 1>something about this, these ancient beings and these downworlders that

0:48:43.760 --> 0:48:46.120
<v Speaker 1>have existed for hundreds and hundreds of years and have

0:48:46.280 --> 0:48:50.200
<v Speaker 1>this immortality. There's a gravitas to them, but as well

0:48:50.280 --> 0:48:54.320
<v Speaker 1>as a a frivolity to some of their decisions. Because

0:48:54.360 --> 0:48:57.279
<v Speaker 1>they do have all the time in the world's a mischief. Yeah,

0:48:57.480 --> 0:48:59.920
<v Speaker 1>like it's a real mischief because it because who care.

0:49:00.040 --> 0:49:02.439
<v Speaker 1>It's like, if I make this mistake, it doesn't really

0:49:02.520 --> 0:49:06.880
<v Speaker 1>matter because I'm gonna live forever. Literally by definition, if

0:49:06.880 --> 0:49:10.480
<v Speaker 1>you're going to live forever for an entire eternity, you're

0:49:10.520 --> 0:49:14.560
<v Speaker 1>gonna make every mistake because it's eternal, Like eventually, you're

0:49:14.600 --> 0:49:17.480
<v Speaker 1>going to make all the mistakes. So just get this

0:49:17.560 --> 0:49:19.440
<v Speaker 1>one out of the way. I sort of get this,

0:49:19.640 --> 0:49:23.360
<v Speaker 1>like this weird capacity for immortality where you're like, it

0:49:23.440 --> 0:49:26.680
<v Speaker 1>doesn't matter, literally, nothing matters. It doesn't matter. And it

0:49:26.800 --> 0:49:30.560
<v Speaker 1>makes sort of all of the immortals, Camille Magnus, the

0:49:30.680 --> 0:49:34.200
<v Speaker 1>Seely Queen, it makes them all quite tricksy, It makes

0:49:34.280 --> 0:49:36.640
<v Speaker 1>them all quite sort of mischievous, is really is the

0:49:36.680 --> 0:49:38.640
<v Speaker 1>best word for it. And Magnus is really the only

0:49:38.719 --> 0:49:41.120
<v Speaker 1>one that we're like, we like your mischief. You're quite

0:49:41.160 --> 0:49:43.960
<v Speaker 1>good fun. We like you. You're well meaning, you're good hearted,

0:49:44.040 --> 0:49:46.120
<v Speaker 1>you care about other people. The others are really just

0:49:46.280 --> 0:49:49.520
<v Speaker 1>like mischief for mischief's sake, and we'll take advantage of

0:49:49.960 --> 0:49:56.040
<v Speaker 1>us lowly mortals along the way. Which speaking of lowly mortals,

0:49:56.360 --> 0:50:00.439
<v Speaker 1>you have. It's actually it's it's not used to start

0:50:00.480 --> 0:50:02.840
<v Speaker 1>to see this transition, even as short lived as it

0:50:03.000 --> 0:50:07.160
<v Speaker 1>is in Alecan Clary's relationship. It's you get to see

0:50:07.239 --> 0:50:10.600
<v Speaker 1>why they butt heads because they both have the same

0:50:10.719 --> 0:50:14.200
<v Speaker 1>want to, you know, love and protect Jace, but go

0:50:14.280 --> 0:50:16.840
<v Speaker 1>about it in very different ways. And and this is

0:50:16.960 --> 0:50:19.480
<v Speaker 1>one of a few instances where we actually get to

0:50:19.520 --> 0:50:22.279
<v Speaker 1>see them on the same page of going. Oh, no,

0:50:22.680 --> 0:50:24.880
<v Speaker 1>Jason is on the war path. We gotta find him.

0:50:24.880 --> 0:50:27.360
<v Speaker 1>We've got to stop him before he makes a bigger

0:50:27.440 --> 0:50:32.680
<v Speaker 1>mistake than he is aware of. Totally, totally, totally speaking

0:50:32.760 --> 0:50:38.840
<v Speaker 1>of jays making mistakes, the handless stumbling Hodge is dragged

0:50:39.040 --> 0:50:41.560
<v Speaker 1>to where we think the boat is. It's now daytime,

0:50:41.680 --> 0:50:43.400
<v Speaker 1>so I'm assuming it was dawn when we got him,

0:50:45.200 --> 0:50:50.279
<v Speaker 1>only to find no ship, no Valentine, and throws Hodge

0:50:50.280 --> 0:50:53.960
<v Speaker 1>against the shipping container. Was it necessary? We all think so?

0:50:54.640 --> 0:50:58.560
<v Speaker 1>Um So, the plans have been criss crossed. At this point,

0:50:59.080 --> 0:51:01.160
<v Speaker 1>Jason was on the path. He was going to turn

0:51:01.239 --> 0:51:04.399
<v Speaker 1>up a Valentine and do whatever it takes to stop

0:51:04.440 --> 0:51:10.360
<v Speaker 1>this man from doing what he's doing. Unfortunately, Valentine's cotton

0:51:10.480 --> 0:51:15.440
<v Speaker 1>on to Jason's plan disappeared and is going after his friends.

0:51:17.920 --> 0:51:21.680
<v Speaker 1>Run Run, Run. A fun story about this, right, So,

0:51:22.400 --> 0:51:26.520
<v Speaker 1>in true bad guy fashion, So Kinsey, Alex Kinsey, who

0:51:26.520 --> 0:51:28.480
<v Speaker 1>wrote the music for this and there's an incredible musician.

0:51:28.480 --> 0:51:30.399
<v Speaker 1>You should check it out wherever you are, was here

0:51:30.440 --> 0:51:32.839
<v Speaker 1>this day. He was here, when he was here when

0:51:32.880 --> 0:51:36.279
<v Speaker 1>we film this, and watched take after take of me

0:51:36.400 --> 0:51:38.640
<v Speaker 1>sprinting as fast as I could to get to where

0:51:38.680 --> 0:51:42.040
<v Speaker 1>we were going. And finally they say, yeah, we're done

0:51:42.040 --> 0:51:45.040
<v Speaker 1>with that scene. We're gonna move on. And Alex goes,

0:51:45.640 --> 0:51:47.319
<v Speaker 1>you're done with that scene, right, and I go yeah, man.

0:51:47.400 --> 0:51:48.920
<v Speaker 1>He goes, okay, good because you kind of make a

0:51:48.960 --> 0:51:51.759
<v Speaker 1>funny running face. And I was like what. He was like,

0:51:51.800 --> 0:51:53.279
<v Speaker 1>you make a funny running face. I guess not a

0:51:53.280 --> 0:51:54.839
<v Speaker 1>big deal, but you make a funny face when you run.

0:51:54.880 --> 0:51:56.360
<v Speaker 1>I just didn't want to tell you and put you

0:51:56.480 --> 0:51:58.120
<v Speaker 1>off like whilst you were doing it, but like I

0:51:58.239 --> 0:51:59.880
<v Speaker 1>was laughing about it, and I was like, wow, okay.

0:52:00.320 --> 0:52:03.440
<v Speaker 1>And as soon as he finished saying that, miles from

0:52:03.480 --> 0:52:05.640
<v Speaker 1>behind me and I think Pierre from behind me go hey, man,

0:52:05.760 --> 0:52:07.640
<v Speaker 1>we just need to do one more and I'm like,

0:52:08.080 --> 0:52:10.840
<v Speaker 1>oh no, now I'm fully in my head and I

0:52:10.880 --> 0:52:13.480
<v Speaker 1>see Kinsey like sink. He's like, oh no, this is

0:52:13.640 --> 0:52:15.719
<v Speaker 1>so embarrassing. And I did another take of it and

0:52:15.760 --> 0:52:19.320
<v Speaker 1>I'm very obviously like not like intentionally not trying to

0:52:19.360 --> 0:52:22.239
<v Speaker 1>pull the face as I'm running, and they were like that.

0:52:22.520 --> 0:52:24.640
<v Speaker 1>Everyone was sort of like that was really weird. We're

0:52:24.680 --> 0:52:26.400
<v Speaker 1>not going to use that. And I think all of

0:52:26.480 --> 0:52:28.719
<v Speaker 1>the running got cut out of the got cut out

0:52:28.760 --> 0:52:33.000
<v Speaker 1>of this show because of this super embarrassing, super super embarrassing.

0:52:33.080 --> 0:52:34.920
<v Speaker 1>But there you go. It happens to the best. At

0:52:34.960 --> 0:52:37.360
<v Speaker 1>least you didn't trip, you know, I've I've had several

0:52:38.040 --> 0:52:43.080
<v Speaker 1>of those where I just fall, not yet not running.

0:52:43.440 --> 0:52:47.280
<v Speaker 1>No Paris. Actually I had a little trip in Paris,

0:52:47.400 --> 0:52:51.040
<v Speaker 1>but not onto my face. But it's a fun transition

0:52:51.200 --> 0:52:54.840
<v Speaker 1>from like sprinting badass, going to be the hero to like,

0:52:54.960 --> 0:52:57.759
<v Speaker 1>oh dumb, I'm just stumbled and I look at more

0:52:57.760 --> 0:53:20.479
<v Speaker 1>on This moves us quite neatly onto the stage, whether

0:53:20.520 --> 0:53:23.319
<v Speaker 1>it's this room or another room, the stage for sort

0:53:23.360 --> 0:53:26.560
<v Speaker 1>of the finale of what's about to happen for our

0:53:26.880 --> 0:53:30.280
<v Speaker 1>season one. And it's interesting, you know, when you film

0:53:30.360 --> 0:53:34.040
<v Speaker 1>stuff like this, we don't know if we're getting a

0:53:34.120 --> 0:53:37.080
<v Speaker 1>season two. Sometimes shows are very lucky and they get

0:53:37.160 --> 0:53:39.799
<v Speaker 1>told ahead of time, um, that they're going to get

0:53:40.080 --> 0:53:44.360
<v Speaker 1>another season, which I think. Actually, we were told season

0:53:44.440 --> 0:53:46.880
<v Speaker 1>two to season three that we have been picked up,

0:53:46.920 --> 0:53:48.840
<v Speaker 1>were we not. Yeah, we are told season two to

0:53:48.920 --> 0:53:50.919
<v Speaker 1>season three that we did right. Yeah, we got told

0:53:50.960 --> 0:53:53.480
<v Speaker 1>on set, which was nice because then we were able

0:53:53.520 --> 0:53:55.359
<v Speaker 1>to sort of find our lives and have a bit

0:53:55.440 --> 0:53:58.400
<v Speaker 1>of assurance going into our break. But this time we

0:53:58.520 --> 0:54:02.600
<v Speaker 1>didn't know for exactly six months, eight months, something like

0:54:02.880 --> 0:54:05.920
<v Speaker 1>six months, six months to the nose, six months. And

0:54:05.960 --> 0:54:07.920
<v Speaker 1>I know why it was six months because it was

0:54:08.160 --> 0:54:11.439
<v Speaker 1>that was the contractual stipulation. So they when you join

0:54:11.520 --> 0:54:14.359
<v Speaker 1>a show, they have you for a certain amount of time. Um,

0:54:14.760 --> 0:54:17.279
<v Speaker 1>you know, you sign a contract for six years, seven years,

0:54:17.320 --> 0:54:19.080
<v Speaker 1>whatever it is, so if they want to continue making

0:54:19.120 --> 0:54:21.399
<v Speaker 1>the show, contractually you're obliged to go and continue making

0:54:21.440 --> 0:54:23.919
<v Speaker 1>the show. An absolute dream come true for an actor,

0:54:24.000 --> 0:54:25.399
<v Speaker 1>so it's not a big deal. You know, you sign

0:54:25.400 --> 0:54:28.400
<v Speaker 1>away your life, that's totally fine. In between seasons, part

0:54:28.440 --> 0:54:30.400
<v Speaker 1>of your contract says they have a certain amount of

0:54:30.480 --> 0:54:32.640
<v Speaker 1>time to tell you that you're coming back or not

0:54:32.760 --> 0:54:36.160
<v Speaker 1>coming back, and after that amount of time, the contract

0:54:36.280 --> 0:54:38.640
<v Speaker 1>is their null and void. And either if they wanted

0:54:38.640 --> 0:54:41.040
<v Speaker 1>you back, you'd have to resign another contract and renegotiate,

0:54:41.360 --> 0:54:43.719
<v Speaker 1>or you're done with the show and you contractually do

0:54:43.800 --> 0:54:46.279
<v Speaker 1>not have to come back. They I think To the

0:54:46.440 --> 0:54:49.399
<v Speaker 1>Week took their full six months to tell us because

0:54:49.400 --> 0:54:51.920
<v Speaker 1>the contractual cipulation was six months, and I think it

0:54:52.000 --> 0:54:55.080
<v Speaker 1>was to the Week because I was in London between us.

0:54:55.320 --> 0:54:57.920
<v Speaker 1>I was in London auditioning, like I was. I was

0:54:58.480 --> 0:55:00.480
<v Speaker 1>going out for other stuff because I was like, it's

0:55:00.480 --> 0:55:03.360
<v Speaker 1>been five and a half months, and the podcast audience exactly,

0:55:03.800 --> 0:55:05.880
<v Speaker 1>but like it's been five and a half months, Like

0:55:06.880 --> 0:55:09.719
<v Speaker 1>it's not looking great, let's just leave it. But they,

0:55:10.160 --> 0:55:12.120
<v Speaker 1>you know, told us later on that they had had

0:55:12.160 --> 0:55:15.040
<v Speaker 1>this plan forever. But where anyway, I digress. When you

0:55:15.120 --> 0:55:18.200
<v Speaker 1>film scenes like this, you don't know if this is

0:55:18.280 --> 0:55:20.560
<v Speaker 1>you telling the last thing that's going to happen in

0:55:20.600 --> 0:55:23.200
<v Speaker 1>this story, Like we don't know, we have no idea.

0:55:23.280 --> 0:55:25.719
<v Speaker 1>So in theory with us, this is like we're saying

0:55:25.760 --> 0:55:28.160
<v Speaker 1>this is Jason Clary's final goodbye. And it's a weird

0:55:28.400 --> 0:55:30.560
<v Speaker 1>place where you're in because you want to and you

0:55:30.640 --> 0:55:32.560
<v Speaker 1>hope that this is going to be the case that

0:55:32.600 --> 0:55:35.360
<v Speaker 1>you're going to continue but you just don't know, like

0:55:35.520 --> 0:55:38.960
<v Speaker 1>you just have no idea. During this scene, Clary and

0:55:39.000 --> 0:55:41.840
<v Speaker 1>Simon very cleverly find a book of the White indeed

0:55:42.040 --> 0:55:44.640
<v Speaker 1>disguised quite wonderfully as a cookbook. An they're called back

0:55:44.640 --> 0:55:48.440
<v Speaker 1>to the books. It is that chicken catdatory is um

0:55:49.000 --> 0:55:51.120
<v Speaker 1>a big thing in the books. It's Simon's favorite recipe

0:55:51.160 --> 0:55:53.640
<v Speaker 1>that Jocelyn makes and Clary makes it later, and it's

0:55:53.680 --> 0:55:56.160
<v Speaker 1>sort of a thing that they share as a reminder

0:55:56.360 --> 0:55:59.880
<v Speaker 1>of where they came from. And you know, especially considering

0:56:00.440 --> 0:56:03.880
<v Speaker 1>Simon's human for a lot longer in the books, they

0:56:04.080 --> 0:56:06.600
<v Speaker 1>get to live it out a little bit longer. But

0:56:06.680 --> 0:56:09.080
<v Speaker 1>it's interesting, so much used to him now. I also

0:56:09.120 --> 0:56:11.800
<v Speaker 1>wonder if this is a sort of another iteration of

0:56:12.000 --> 0:56:17.600
<v Speaker 1>Jocelyn and Clary's shared power of disguising things in drawings. Um,

0:56:17.840 --> 0:56:20.320
<v Speaker 1>whether this was sort of a or or just a

0:56:20.400 --> 0:56:24.840
<v Speaker 1>regular glamour, I'm not sure, but it's another sort of

0:56:25.600 --> 0:56:30.319
<v Speaker 1>shadow huntry wink and nod to dot who we missed

0:56:30.360 --> 0:56:36.359
<v Speaker 1>very dearly. Mm hmm um. Valentine shows up. Bad news bears.

0:56:36.560 --> 0:56:39.120
<v Speaker 1>It's not great. Valentine shows up with his cronies. He

0:56:39.239 --> 0:56:44.279
<v Speaker 1>has everyone held tied up swords to the throat. I'm

0:56:44.280 --> 0:56:47.719
<v Speaker 1>actually pretty sure, which I think is really clever. They

0:56:47.840 --> 0:56:51.239
<v Speaker 1>have magnus hands tied because the question again, like we

0:56:51.320 --> 0:56:53.520
<v Speaker 1>were talking about earlier, is like why doesn't Magnus just

0:56:53.600 --> 0:56:56.279
<v Speaker 1>snap his fingers and do something? But his magic has

0:56:56.360 --> 0:57:00.040
<v Speaker 1>tied to these motions that he does, you know, and

0:57:00.120 --> 0:57:03.360
<v Speaker 1>they have his hands locked so he can't move his

0:57:03.440 --> 0:57:05.520
<v Speaker 1>hands to do what he needs to do with you know,

0:57:05.960 --> 0:57:09.440
<v Speaker 1>the magic thing that he does. Um, which I thought

0:57:09.520 --> 0:57:11.440
<v Speaker 1>was a clever little like, Oh, we've sort of taken

0:57:11.480 --> 0:57:16.120
<v Speaker 1>care of that question there, which is good. Um. Valentine

0:57:16.200 --> 0:57:20.160
<v Speaker 1>gives Jason choice, come with me, be the lieutenant in

0:57:20.280 --> 0:57:23.680
<v Speaker 1>my new the world is going to end army or

0:57:23.800 --> 0:57:26.439
<v Speaker 1>lose your friends. Not really much of a choice there.

0:57:27.280 --> 0:57:29.439
<v Speaker 1>It's not much of a choice in my head. Again,

0:57:29.480 --> 0:57:31.360
<v Speaker 1>it's one of those things that we never really we

0:57:31.560 --> 0:57:34.160
<v Speaker 1>never really discussed and told to the audience. But the

0:57:34.200 --> 0:57:35.560
<v Speaker 1>show is over now, so I'm going to tell you,

0:57:36.240 --> 0:57:42.280
<v Speaker 1>um explosive. The question was always did Jason leave because

0:57:42.320 --> 0:57:44.480
<v Speaker 1>there's a part of him that knows he has Valentine's

0:57:44.480 --> 0:57:47.160
<v Speaker 1>son and that's where he belongs. Which is there that

0:57:47.640 --> 0:57:49.800
<v Speaker 1>thought is in the back of his head? Or did

0:57:49.920 --> 0:57:53.760
<v Speaker 1>Jason leave because he knows he can be the spy

0:57:54.440 --> 0:57:59.760
<v Speaker 1>now completely completely exonerated in Valentine's eyes, and get the

0:58:00.080 --> 0:58:03.120
<v Speaker 1>up back. Those were the two things going through Jas's head,

0:58:04.040 --> 0:58:06.760
<v Speaker 1>and the way I thought about it when I was him,

0:58:07.040 --> 0:58:08.520
<v Speaker 1>when I was when I was stood there in that

0:58:08.600 --> 0:58:10.200
<v Speaker 1>room and I was looking at my father, and I

0:58:10.280 --> 0:58:12.320
<v Speaker 1>was looking at my best friends and the woman I love,

0:58:12.760 --> 0:58:18.320
<v Speaker 1>It was in my head, I'm going to take the cup.

0:58:18.920 --> 0:58:21.080
<v Speaker 1>I'm gonna kill this man. This threat is going to

0:58:21.160 --> 0:58:23.000
<v Speaker 1>be over. My friends are gonna be safe, the human

0:58:23.040 --> 0:58:24.560
<v Speaker 1>world is going to be safe, the down world is

0:58:24.680 --> 0:58:31.560
<v Speaker 1>going to be safe. And I wonder if this darkness,

0:58:31.920 --> 0:58:37.080
<v Speaker 1>if this anger, if this emotional fragility, I wonder if

0:58:37.120 --> 0:58:39.840
<v Speaker 1>the answers lie with him. I wonder if I'm going

0:58:39.880 --> 0:58:41.640
<v Speaker 1>to have these questions that I've had for the rest

0:58:41.640 --> 0:58:44.040
<v Speaker 1>of them, for the large portion of my life, answered

0:58:44.680 --> 0:58:48.960
<v Speaker 1>by this man. So there is that was his motivations.

0:58:49.640 --> 0:58:56.360
<v Speaker 1>Either way, he says a semi tearful goodbye, or maybe

0:58:56.360 --> 0:58:59.120
<v Speaker 1>asked a manyana as to the way to go to

0:59:00.560 --> 0:59:05.400
<v Speaker 1>his friends, to his family, and leaves with the big

0:59:05.480 --> 0:59:09.280
<v Speaker 1>bad Valentine. And this is there's another again, so many

0:59:09.360 --> 0:59:12.800
<v Speaker 1>nods in this a lovely nod to the Parabatae relationship

0:59:12.960 --> 0:59:18.480
<v Speaker 1>and Alec. You know, Jason knows Alec and knows enough

0:59:18.560 --> 0:59:23.680
<v Speaker 1>to go, I mean it, don't don't try and and

0:59:23.760 --> 0:59:28.560
<v Speaker 1>what is so he would sense that motion, He, like Alec,

0:59:28.600 --> 0:59:30.840
<v Speaker 1>has made the decision, like you have to prethink about

0:59:30.960 --> 0:59:33.080
<v Speaker 1>whatever it is you're going to do. And you know,

0:59:33.360 --> 0:59:36.760
<v Speaker 1>right before his synapses fire and his legs, his fast

0:59:36.800 --> 0:59:39.040
<v Speaker 1>twitch muscle fibers, they're ready to go, and right before

0:59:39.080 --> 0:59:42.600
<v Speaker 1>they fire, Jay senses it and goes, no, seriously, don't,

0:59:43.200 --> 0:59:45.480
<v Speaker 1>don't I mean it because he knows that that's what's

0:59:45.480 --> 0:59:47.960
<v Speaker 1>about to happen. Yeah, And what's lovely about that is

0:59:48.000 --> 0:59:52.760
<v Speaker 1>Alec takes it even a step further and takes over

0:59:52.960 --> 0:59:55.280
<v Speaker 1>for Jason in a way as the leader of this group,

0:59:55.640 --> 1:00:00.600
<v Speaker 1>but also as Clary's protector because he then knows, okay,

1:00:00.880 --> 1:00:03.920
<v Speaker 1>Jason wants Clary to be safe, wants her taking care

1:00:03.960 --> 1:00:05.960
<v Speaker 1>of She's going to need someone now that she doesn't

1:00:06.000 --> 1:00:09.400
<v Speaker 1>have Jace, and he also knows that she's going to

1:00:09.480 --> 1:00:12.000
<v Speaker 1>go running after him with reckless abandoned because that's what

1:00:12.080 --> 1:00:16.600
<v Speaker 1>Clary does. And he literally catches her from jumping into

1:00:16.720 --> 1:00:23.160
<v Speaker 1>limbo from diving into you know, unknown realms of nothingness, nothing,

1:00:24.000 --> 1:00:26.960
<v Speaker 1>and it's it's such a lovely turn where Alec has

1:00:27.040 --> 1:00:31.160
<v Speaker 1>pushed her away for so long and for Jason and

1:00:31.320 --> 1:00:34.000
<v Speaker 1>for this, you know, this relationship that he doesn't ever

1:00:34.080 --> 1:00:37.360
<v Speaker 1>know if he'll see his parabita again. He's taking over

1:00:37.440 --> 1:00:39.600
<v Speaker 1>and taking care of what is his as well. And

1:00:39.720 --> 1:00:42.320
<v Speaker 1>that's it's a really beautiful moment that we you know,

1:00:42.400 --> 1:00:44.800
<v Speaker 1>we don't, we don't, We don't see that sort of

1:00:46.320 --> 1:00:48.800
<v Speaker 1>that side of Alec a lot. And again, who is

1:00:48.800 --> 1:00:53.520
<v Speaker 1>the first person to rush to Clary? It's so lovely, Yeah, yeah, Um,

1:00:55.000 --> 1:00:58.360
<v Speaker 1>we're back at the institute. Jase has gone. Nobody knows where.

1:00:59.000 --> 1:01:01.200
<v Speaker 1>I know where because I've led him and I was there,

1:01:01.280 --> 1:01:03.520
<v Speaker 1>so I know where he's gone, but nobody else knows

1:01:03.560 --> 1:01:07.240
<v Speaker 1>At this moment, we're back at the institute theory with

1:01:07.360 --> 1:01:10.920
<v Speaker 1>all of the tools we need. Ah, poor Hodge, we'll

1:01:10.960 --> 1:01:14.360
<v Speaker 1>see him again later, wink, with all the tools we

1:01:14.480 --> 1:01:18.040
<v Speaker 1>need to wake up the lovely jost to wake up

1:01:18.080 --> 1:01:22.000
<v Speaker 1>Mama faction. First, though, we have a lovely, little, lovely

1:01:22.080 --> 1:01:26.640
<v Speaker 1>but heartbreaking Simon and Clary moment where you know, Clary

1:01:26.680 --> 1:01:29.200
<v Speaker 1>has consoled Simon so many times, and now we get

1:01:29.240 --> 1:01:31.480
<v Speaker 1>this role reversal where Simon actually is the one who

1:01:31.560 --> 1:01:33.400
<v Speaker 1>knows his place in this world, and Simon is the

1:01:33.400 --> 1:01:37.480
<v Speaker 1>one who's on sure footing and shoots a shot in

1:01:37.560 --> 1:01:40.120
<v Speaker 1>a way and and says, I've I've got you. We're

1:01:40.160 --> 1:01:42.640
<v Speaker 1>going to do this, and then we have an exchange

1:01:42.680 --> 1:01:45.400
<v Speaker 1>if I love you, which, again, this is something that

1:01:45.800 --> 1:01:48.720
<v Speaker 1>you know, I thought about a lot because obviously Clary

1:01:48.800 --> 1:01:52.360
<v Speaker 1>knows a bit of how Simon feels about her. She's

1:01:52.480 --> 1:01:56.080
<v Speaker 1>she's aware, but isn't necessarily in a place where she

1:01:56.200 --> 1:02:01.880
<v Speaker 1>can go there. But she needs a friend. And I

1:02:02.000 --> 1:02:04.320
<v Speaker 1>think the the I love you in this sense is

1:02:05.520 --> 1:02:09.080
<v Speaker 1>can be taken a lot of ways, but it's You're

1:02:09.160 --> 1:02:12.280
<v Speaker 1>my family, you are my rock. You are the one

1:02:12.400 --> 1:02:15.040
<v Speaker 1>thing in this world that I'm sure of, So I'd

1:02:15.080 --> 1:02:19.880
<v Speaker 1>love you. But it begs the question because she did

1:02:20.320 --> 1:02:22.160
<v Speaker 1>invite him to the wedding, and there's a part of

1:02:22.240 --> 1:02:24.720
<v Speaker 1>her that goes, Okay, I thought I knew what love was.

1:02:25.080 --> 1:02:28.520
<v Speaker 1>I thought I knew what these emotions were. But if

1:02:28.720 --> 1:02:32.560
<v Speaker 1>I thought that was Jason, Jason's my brother, maybe I

1:02:32.760 --> 1:02:35.320
<v Speaker 1>was wrong about what love was. And maybe that God

1:02:35.400 --> 1:02:37.520
<v Speaker 1>that didn't go on in the show as long as

1:02:37.600 --> 1:02:40.640
<v Speaker 1>it went on in the books, is all I'll say. Um,

1:02:41.120 --> 1:02:47.360
<v Speaker 1>I know here we are, finally, after eleven twelve motherless

1:02:47.400 --> 1:02:53.080
<v Speaker 1>episodes of Shadow answers, Finally, through the magic, blue, sparkly

1:02:53.200 --> 1:02:56.200
<v Speaker 1>fingers of the wonderful Magnus Spain, we are about to

1:02:56.280 --> 1:02:58.760
<v Speaker 1>welcome back Jocelyn Fairchild to the world of the Living,

1:02:58.960 --> 1:03:02.840
<v Speaker 1>out of the green bell of Wragner Fell. Finally, Cat,

1:03:02.840 --> 1:03:04.160
<v Speaker 1>why didn't you tell us about this scene? I don't

1:03:04.160 --> 1:03:06.600
<v Speaker 1>know if I'm even there. You're not. You're on a

1:03:06.680 --> 1:03:10.320
<v Speaker 1>boat with Daddy Valentine. So what we have here we

1:03:10.400 --> 1:03:14.040
<v Speaker 1>have the family, We have the family assembled. We have

1:03:14.920 --> 1:03:19.280
<v Speaker 1>magical warlot godfather Magnus Spain rousing Joscelyn from her coma,

1:03:19.440 --> 1:03:23.920
<v Speaker 1>and again, in a moment of gravitas, Luke catching her

1:03:24.240 --> 1:03:26.560
<v Speaker 1>before she falls to the floor from her magical bubble.

1:03:27.760 --> 1:03:32.520
<v Speaker 1>And we see, we see this moment the family reunited,

1:03:33.920 --> 1:03:36.080
<v Speaker 1>and it's it's actually a really lovely moment. You know,

1:03:36.120 --> 1:03:38.520
<v Speaker 1>there's when Jocelyn wakes up. In the books, their reunion

1:03:38.680 --> 1:03:41.200
<v Speaker 1>is not quite as sweet. They actually kind of go

1:03:41.680 --> 1:03:45.480
<v Speaker 1>head to head almost immediately. Um, But in this moment,

1:03:46.360 --> 1:03:49.760
<v Speaker 1>Clari has been through a lot. Jocelyn immediately apologizes, and

1:03:49.840 --> 1:03:52.280
<v Speaker 1>there's a moment of not not now. We'll talk about

1:03:52.280 --> 1:03:54.400
<v Speaker 1>this later. I don't want to. I don't want to

1:03:54.600 --> 1:03:56.200
<v Speaker 1>talk about the shadow world. I don't want to talk

1:03:56.200 --> 1:03:59.439
<v Speaker 1>about family or Jace or anything. I just need a hug.

1:04:00.880 --> 1:04:02.960
<v Speaker 1>I just need my mom. Just need my mom. Just

1:04:03.040 --> 1:04:06.080
<v Speaker 1>need a hug for my mom. NEUTRAL just need a hug.

1:04:06.200 --> 1:04:11.120
<v Speaker 1>Please hug me. Um. Quick note to arguably the scene

1:04:11.120 --> 1:04:15.160
<v Speaker 1>stealer from this fucking Isaiah's arms, the size of them,

1:04:15.400 --> 1:04:20.480
<v Speaker 1>good lord, Honestly, like he picks up Jocelyn and like

1:04:20.640 --> 1:04:24.560
<v Speaker 1>it's nothing, Like it's nothing, just just like picking up

1:04:24.600 --> 1:04:28.080
<v Speaker 1>a tray of mimosas Why that came to my head,

1:04:28.080 --> 1:04:29.560
<v Speaker 1>I don't know, but that was the first thing that

1:04:29.720 --> 1:04:33.880
<v Speaker 1>was easy to carry that came away. Is easy to carry. Yeah,

1:04:33.960 --> 1:04:36.280
<v Speaker 1>when you've had as much practice as me, do it blindfolded?

1:04:36.280 --> 1:04:37.800
<v Speaker 1>All right? You got to teach me because I do

1:04:37.920 --> 1:04:41.000
<v Speaker 1>not have those skills. Placement is key. Many years as

1:04:41.000 --> 1:04:45.680
<v Speaker 1>a waiter, many dropped mimosa all right, Peter Parker um, which,

1:04:46.000 --> 1:04:51.400
<v Speaker 1>speaking of cups and important precious liquids, brings us to

1:04:52.200 --> 1:04:55.360
<v Speaker 1>the final scene in season one. Yeah, do you want

1:04:55.360 --> 1:04:58.000
<v Speaker 1>to tell us about this one down? Yeah, lots of questions,

1:04:58.640 --> 1:05:00.840
<v Speaker 1>lots of questions. We leave you with lots of questions.

1:05:01.640 --> 1:05:04.320
<v Speaker 1>Somewhere where we're in New York, so heading into the

1:05:06.600 --> 1:05:10.680
<v Speaker 1>River Atlantic, Yes, somewhere heading out into the Lantic Ocean,

1:05:11.560 --> 1:05:17.160
<v Speaker 1>is Valentine stood in front of a fully raised shadow

1:05:17.240 --> 1:05:20.080
<v Speaker 1>Hunter army, ready to do his bidding, asking them to

1:05:20.200 --> 1:05:22.600
<v Speaker 1>join him. He's just a man with his son standing

1:05:22.600 --> 1:05:24.960
<v Speaker 1>in front of an army with Jace asking him to

1:05:25.040 --> 1:05:30.080
<v Speaker 1>asking them to join him with a very very motivationally

1:05:30.160 --> 1:05:34.000
<v Speaker 1>questionable Jace at this moment, join me and my son

1:05:34.920 --> 1:05:38.920
<v Speaker 1>as this army on a floating ops center, unbeknownst to

1:05:38.960 --> 1:05:42.280
<v Speaker 1>anyone else in the Shadow World, sails off into the distance,

1:05:43.080 --> 1:05:46.280
<v Speaker 1>leaving us on one of the biggest cliffhangers we ever

1:05:46.360 --> 1:05:48.880
<v Speaker 1>had on the show. And that is the end of

1:05:49.040 --> 1:05:51.720
<v Speaker 1>season one. That is it? That was the end of

1:05:51.760 --> 1:05:54.760
<v Speaker 1>season one. Wow? Can you imagine if we didn't come back?

1:05:54.880 --> 1:05:57.840
<v Speaker 1>That would have been brutal, brutal if that's how we

1:05:58.000 --> 1:06:01.520
<v Speaker 1>ended it, unbelievable. Also, I do just want to quick

1:06:01.600 --> 1:06:07.720
<v Speaker 1>nod credit to the two hundred background supporting artists extras. However,

1:06:07.760 --> 1:06:10.240
<v Speaker 1>you refer to them in your country. Um, it was

1:06:10.600 --> 1:06:14.640
<v Speaker 1>freezing as cold this day, like freezing, freezing cold, and

1:06:14.840 --> 1:06:17.120
<v Speaker 1>Alan and I had a little space inside and we

1:06:17.200 --> 1:06:18.880
<v Speaker 1>were good and we could just you know, nip into

1:06:18.880 --> 1:06:20.680
<v Speaker 1>the warm and nip back out. But these guys were

1:06:20.720 --> 1:06:22.520
<v Speaker 1>pretty much out there all night. So every single one

1:06:22.560 --> 1:06:24.000
<v Speaker 1>of you, if any of you are listening, thank you

1:06:24.120 --> 1:06:26.280
<v Speaker 1>so much for being troopers. You did an amazing job

1:06:26.440 --> 1:06:28.040
<v Speaker 1>and the show wouldn't have been the same without you.

1:06:28.280 --> 1:06:30.880
<v Speaker 1>It's not an easy job, and it's often a thankless job,

1:06:31.080 --> 1:06:33.560
<v Speaker 1>and it adds so much to the world. And I mean,

1:06:33.640 --> 1:06:36.560
<v Speaker 1>as we've seen also, you know, in this period of COVID,

1:06:36.720 --> 1:06:41.040
<v Speaker 1>folks may not folks at home may not know. Numbers

1:06:41.160 --> 1:06:43.280
<v Speaker 1>of people on set have had to be controlled a

1:06:43.360 --> 1:06:45.360
<v Speaker 1>bit more because it's not you know, there have been

1:06:45.400 --> 1:06:47.600
<v Speaker 1>times during the pandemic, right hasn't been safe to have

1:06:48.240 --> 1:06:51.640
<v Speaker 1>large numbers of people and enclosed spaces, so sets have

1:06:51.720 --> 1:06:56.400
<v Speaker 1>had to get really creative with background essays whatever you

1:06:56.440 --> 1:06:59.600
<v Speaker 1>call them. In your country, as it were, um, by

1:07:00.040 --> 1:07:03.520
<v Speaker 1>not having as many, and it really does change how

1:07:03.640 --> 1:07:05.760
<v Speaker 1>you can tell a story and the sort of effect

1:07:05.840 --> 1:07:08.960
<v Speaker 1>that you can have visually, and it you know, moments

1:07:09.040 --> 1:07:11.600
<v Speaker 1>like this where you look and you see, as you said,

1:07:11.680 --> 1:07:14.200
<v Speaker 1>two hundred extras on a boat in the middle of

1:07:14.280 --> 1:07:17.959
<v Speaker 1>the water wouldn't be possible in the last couple of years.

1:07:18.000 --> 1:07:22.040
<v Speaker 1>And it really does make a huge difference. Um, so

1:07:22.240 --> 1:07:27.240
<v Speaker 1>thank you. I completely agree essays with that, actually wonderful

1:07:27.320 --> 1:07:32.000
<v Speaker 1>notes with some of the unsung heroes of Torontonian film

1:07:32.040 --> 1:07:35.520
<v Speaker 1>and TV making. We're going to say goodbye to season one. Wow,

1:07:35.680 --> 1:07:37.800
<v Speaker 1>that's it. We've made it all the way through season

1:07:37.880 --> 1:07:42.800
<v Speaker 1>one and next up we've got longer hair, different swords,

1:07:42.880 --> 1:07:45.480
<v Speaker 1>different color hair for you, different colored runs. We've got

1:07:45.480 --> 1:07:48.360
<v Speaker 1>a whole bunch of changes, just kind of right from

1:07:48.400 --> 1:07:52.920
<v Speaker 1>the off. In season two, we get darker and edgier,

1:07:53.040 --> 1:07:54.640
<v Speaker 1>the words that we said over and over and over

1:07:54.720 --> 1:07:56.440
<v Speaker 1>when we were during the press tour for season two,

1:07:56.600 --> 1:08:00.280
<v Speaker 1>darker and edgy, a bloodier um, and we dive right

1:08:00.360 --> 1:08:04.040
<v Speaker 1>into some crazy, crazy action quite literally from the off.

1:08:04.120 --> 1:08:09.280
<v Speaker 1>We got doppelgangers, we've got vampires, amazing Dean cop Coff,

1:08:09.360 --> 1:08:11.840
<v Speaker 1>who's going to get a nod, new stunt coordinators. We

1:08:11.960 --> 1:08:15.440
<v Speaker 1>got all of these different amazing things. But for now

1:08:15.480 --> 1:08:18.559
<v Speaker 1>you're gonna have to wait, and I'm sorry about that. Um.

1:08:19.360 --> 1:08:21.960
<v Speaker 1>But as always. Thank you so much for listening, thank

1:08:22.000 --> 1:08:23.439
<v Speaker 1>you for being a part of our journey. Thank you

1:08:23.479 --> 1:08:25.800
<v Speaker 1>for coming along with us. I hope you enjoyed season one.

1:08:25.840 --> 1:08:28.080
<v Speaker 1>I hope you enjoyed us reminiscing about season one and

1:08:28.160 --> 1:08:31.400
<v Speaker 1>talking about season one. UM, if you have any questions

1:08:31.479 --> 1:08:34.840
<v Speaker 1>or thoughts about season one, open line of communication, you know,

1:08:35.040 --> 1:08:37.760
<v Speaker 1>hit us up. We will try and answer or get

1:08:37.880 --> 1:08:39.840
<v Speaker 1>to or at least think about as many as we

1:08:39.880 --> 1:08:42.439
<v Speaker 1>possibly can. But for now we're gonna say goodbye, and

1:08:42.479 --> 1:08:44.439
<v Speaker 1>we love you. Thank you very much. Thank you so

1:08:44.640 --> 1:08:47.680
<v Speaker 1>much for joining us. We love you, angels, and I

1:08:47.760 --> 1:08:50.519
<v Speaker 1>hope you've enjoyed going down memory Lane and back into

1:08:50.560 --> 1:08:53.280
<v Speaker 1>the Fray as much as we have. See you next season.

1:08:54.040 --> 1:09:06.800
<v Speaker 1>Thank you for turning to the Shadow Shutters. Return to

1:09:06.880 --> 1:09:10.040
<v Speaker 1>the Shadows is hosted and executive produced by Katherine McNamara

1:09:10.120 --> 1:09:14.240
<v Speaker 1>and Dominic Sherwood. Our executive producer is Langley. Our senior

1:09:14.280 --> 1:09:17.400
<v Speaker 1>producers are Liz Hayes and Diego Topia, and our producers

1:09:17.439 --> 1:09:20.840
<v Speaker 1>are Hannah Harris and Kristin Vermilia. Original music by Alex

1:09:20.920 --> 1:09:23.720
<v Speaker 1>Kinsey and performed by Alex Kinsey and Katherine McNamara.