WEBVTT - Pod Meets Twirl'd: DWTS 3401

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<v Speaker 1>Welcome to pod meets Twirled, the Dancing with the Stars

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<v Speaker 1>recap hosted by two guys who can't dance don't want

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<v Speaker 1>to dance. Friend Danielle has joined the cast for season

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<v Speaker 1>thirty four. We're going all in. We are wil Fredell

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<v Speaker 1>and Ryder Strong aka the two dudes standing next to

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<v Speaker 1>Topanga aka daniel Fishal's backup aka the dan Yettes. Hi,

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<v Speaker 1>Hi rider, how are you good? I see you've opened

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<v Speaker 1>your shirt this morning?

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<v Speaker 2>Well, I feel that since we're going to be judging,

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<v Speaker 2>we have to have one of us anyway has to

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<v Speaker 2>be the really good looking one, right, and the other

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<v Speaker 2>one needs to be you sure?

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<v Speaker 3>So I figured that's the best way to go.

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<v Speaker 1>Are you going to stand up every time after we

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<v Speaker 1>cover a dance? Because you notice Bruno whenever he's judging,

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<v Speaker 1>like just to take control.

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<v Speaker 2>Oh wow, you really have the shirt open? Went there's

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<v Speaker 2>one button at the bottom. And I'll be honest with you.

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<v Speaker 2>With the shape I'm in, it's holding on for dear life.

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<v Speaker 1>All right. So we watched this show. We watched this

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<v Speaker 1>episode twice, once live in person for our first Dancing

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<v Speaker 1>with the Stars. Let's talk about that experience. It was

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<v Speaker 1>it was amazing.

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<v Speaker 2>Well, the first thing you get is an email inviting

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<v Speaker 2>you to come. And the thing that shocked me was

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<v Speaker 2>it's like they ask for formal attire, right, so it

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<v Speaker 2>was dress cocktail dressed, and men they want in jackets

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<v Speaker 2>and ties and the women in and Sue and I

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<v Speaker 2>were looking at each other like, oh, I guess cocktail attire?

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<v Speaker 1>Do you have cocktail attire? I love that though. That

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<v Speaker 1>immediately put me in the right mindset. I was like,

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<v Speaker 1>all right, we're not going to some sleazy Hollywood dance show.

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<v Speaker 1>This is classy. They might kick you out if you

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<v Speaker 1>don't show up with.

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<v Speaker 3>A jacket exactly.

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<v Speaker 1>I really appreciated that. I did too.

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<v Speaker 3>I did not have a problem with that.

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<v Speaker 2>There's nothing with the caron with occasionally dressing up for

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<v Speaker 2>a Hollywood event.

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<v Speaker 1>Except that it was ninety five degrees and we got

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<v Speaker 1>stuck outside waiting for a while.

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<v Speaker 2>We did, we did, and our spouses were not on

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<v Speaker 2>the list to get in, so they just apparently seat

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<v Speaker 2>four C was there was no plus one for there

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<v Speaker 2>was no seat five C. So you they just waved

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<v Speaker 2>you in with Alex right, yeah, yeah, okay, of course

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<v Speaker 2>we had like we were we were too We waited

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<v Speaker 2>in line for forty five minutes.

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<v Speaker 1>We got there. We were supposed to be there at

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<v Speaker 1>three thirty.

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<v Speaker 2>We got there at like three forty, right, and so

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<v Speaker 2>the yeah, we waited in line, and then they pulled

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<v Speaker 2>us out of line to stand there, and then they

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<v Speaker 2>had to so this is not a joke. The woman

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<v Speaker 2>who was helping us, there's people in red shirts everywhere

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<v Speaker 2>with the little microphones that are helping everybody. And she

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<v Speaker 2>turned to me and she said, yes, what's your name?

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<v Speaker 2>I said it's will for Dell. She said, oh okay,

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<v Speaker 2>oh yeah, it's right here. They had, like I've never

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<v Speaker 2>seen before, everything done alphabetically by first name, which I've

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<v Speaker 2>never seen done before. So there, I am no plus one.

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<v Speaker 2>Susan's not on the list. So they say you have

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<v Speaker 2>to step aside, and she grabs the microphone and she says, yes, Carol,

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<v Speaker 2>I'm here with will Fredell will Fredell.

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<v Speaker 3>Will Ford. And then she turns me.

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<v Speaker 2>She goes, sorry, she's on the dance floor right now

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<v Speaker 2>and death And I went, well, then, what why the microphone?

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<v Speaker 1>She so yeah.

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<v Speaker 3>So then they finally got word that we were allowed in.

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<v Speaker 2>Justa's friend, yeah, exactly.

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<v Speaker 1>The other guy from.

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<v Speaker 3>The show just let him on, not to Panga.

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<v Speaker 1>So we walked into this stage and having never seen

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<v Speaker 1>the show, I didn't have this reaction. But I feel

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<v Speaker 1>like a lot of people are like, oh, it's smaller

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<v Speaker 1>in real life. Yeah, but it's still felt pretty overwhelming

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<v Speaker 1>to me. Just the sheer number of crew members and dancers,

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<v Speaker 1>and it's beautiful. It's like deck to the nines. There's

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<v Speaker 1>little like tables. We had great seats. We were amazing

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<v Speaker 1>court side. What do you call it, Yeah, that would

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<v Speaker 1>be called dance ball side.

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<v Speaker 2>I mean three feet away. I mean the Flamenco sweat

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<v Speaker 2>was hit us in the chest. It was that close

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<v Speaker 2>to the action.

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<v Speaker 1>Lance Bass was there, yeplan Danielle's X blocking us. So

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<v Speaker 1>we were never seen by cameras, which is good. Well,

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<v Speaker 1>I got I was on camera because I got.

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<v Speaker 2>I got people sending me screenshots and of course all

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<v Speaker 2>the screenshots are like mid clap, so it's me like

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<v Speaker 2>and they're all brilliant. But yeah, no, the the other

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<v Speaker 2>thing now, So my parents asked this because of course

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<v Speaker 2>everybody's watching to support Danielle at this point.

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<v Speaker 3>How many guests do you think were there?

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<v Speaker 2>Like if the entire audience there from it was what

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<v Speaker 2>multi tiered, two different tiers, So the bottom there's kind

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<v Speaker 2>of stadium seating and then the top there's like a balcony.

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<v Speaker 3>People can stand around three hundred.

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<v Speaker 2>People, yeah, two or two or three hundred people, and

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<v Speaker 2>so in not that big a space, right.

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<v Speaker 1>Well, because you also have probably about two hundred crew

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<v Speaker 1>members at least, it was an army. Got live. Television

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<v Speaker 1>is such a different beast than we are used to.

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<v Speaker 1>I mean when we would did our tapings of Boy

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<v Speaker 1>Meets World, there was an energy, but but it was

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<v Speaker 1>also kind of relaxing. You know, you're like, oh, cut

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<v Speaker 1>and everybody's you know, talking, there's never a moment like

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<v Speaker 1>you always have a big clock ticking down, somebody announcing

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<v Speaker 1>we're back. In ninety seconds, we're back and five four applause.

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<v Speaker 1>Yet so there's so.

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<v Speaker 2>Much energy going into this and well I'm in between

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<v Speaker 2>all that yelling, a DJ constantly playing music, so there's

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<v Speaker 2>no quiet, there's no calm, there's no Yeah, I it

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<v Speaker 2>made me so nervous.

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<v Speaker 1>Yeah, I was just really anxious. And then if I

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<v Speaker 1>we saw Danielle like from a distance a couple of times,

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<v Speaker 1>totally calm. Yeah, totally seems like in charge, looking beautiful. Yeah,

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<v Speaker 1>so I think the right person is doing dances with us.

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<v Speaker 3>That's what I was gonna say.

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<v Speaker 2>But I wanted to ask her because you know, we

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<v Speaker 2>watched it live and then we watched it back on camera,

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<v Speaker 2>and watching it back on camera and knowing Danielle.

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<v Speaker 3>I could see how nervous she was really for the

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<v Speaker 3>first time.

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<v Speaker 2>Yet there was some There was some like obviously her

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<v Speaker 2>mouth was dry, so there was some like lipsmacking things

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<v Speaker 2>that you recognize in another criticizing Danielle.

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<v Speaker 1>What we do it here, that's.

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<v Speaker 3>Why we're here.

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<v Speaker 2>We're here to just we're not even gonna talk about

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<v Speaker 2>any of the other performers. It's just criticizing Danielle and

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<v Speaker 2>her dancing. No, So it was no, But it's just

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<v Speaker 2>because I've known her for thirty years, so she she

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<v Speaker 2>can and fake it's not the right word.

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<v Speaker 1>She's just a professional.

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<v Speaker 2>So's she can entertain even it's like a good entertainer.

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<v Speaker 2>It doesn't matter what you're feeling inside, you go out

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<v Speaker 2>and you entertain. And that's Danielle. So I know Danielle

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<v Speaker 2>well enough to know like, oh, she's nervous, But that

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<v Speaker 2>was it.

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<v Speaker 1>Nobody else would have picked it up. Yeah, she seemed

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<v Speaker 1>totally cool to me. All right, So what did you

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<v Speaker 1>know about Dancing with the Stars before going to the show.

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<v Speaker 2>Probably as much as you. I knew it was a

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<v Speaker 2>very popular television show on ABC.

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<v Speaker 1>I think I knew it was on ABC.

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<v Speaker 2>I knew that celebrities, athletes, and social media stars go on.

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<v Speaker 2>I know a little bit of it because my other podcast,

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<v Speaker 2>Magical Rewind, my co host was a big celebrity dancer,

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<v Speaker 2>Subrin Bryan.

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<v Speaker 3>She was also it was, I guess, a big.

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<v Speaker 2>To do because no one thought she should be kicked

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<v Speaker 2>off when she was kicked off, like, she only made

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<v Speaker 2>it like six or seven weeks and that was a

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<v Speaker 2>big thing. So I knew a little bit about it,

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<v Speaker 2>but other than that, nothing I knew exactly what you did.

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<v Speaker 2>I didn't know how they scored it. I didn't know

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<v Speaker 2>any of the stuff they do. I still don't entirely

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<v Speaker 2>know how they score it or what. Don't either how

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<v Speaker 2>they help people off like that.

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<v Speaker 1>I'm what the relationship between the judges numbers and the

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<v Speaker 1>votes are, like, Yeah, they added up together, do the

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<v Speaker 1>votes ultimately counting? The judges numbers are just there as

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<v Speaker 1>like a guide. This is what the professionals think, but

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<v Speaker 1>you can just it's so. Is it just a popularity contest?

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<v Speaker 1>I don't know. How.

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<v Speaker 2>Then the sub question asking this to add to the

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<v Speaker 2>to some fuel to the fire. How are our critiques

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<v Speaker 2>gonna gonna you know, match in with the judges critiques

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<v Speaker 2>and the audience critiques, because now this is going to

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<v Speaker 2>be the pre eminent judge.

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<v Speaker 1>Major That's what I'm saying.

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<v Speaker 2>So so you can trust us as the new experts exactly.

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<v Speaker 2>That's all it takes is a you know, a microphone

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<v Speaker 2>and a smile.

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<v Speaker 1>Now we're the experts too. So okay, so let's talk

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<v Speaker 1>about your experience with dancing. Have you ever done ballroom dancing?

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<v Speaker 1>Do you know anything about ballroom dance?

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<v Speaker 2>I back in the day, when I was a kid,

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<v Speaker 2>I think I took a ballroom dancing class. When I

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<v Speaker 2>mean kid, like ten eleven years old. And then, strangely enough,

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<v Speaker 2>one of the ways jokingly that Danielle and I would

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<v Speaker 2>pass the time behind the set of Boymants World is

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<v Speaker 2>I would grab her and we would fake tango or

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<v Speaker 2>fake salsa or fake cha chaws.

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<v Speaker 1>So you were her coach.

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<v Speaker 2>So I essentially taught Danielle. He was essentially okay, okay,

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<v Speaker 2>so correct. You know, he's the sense, right, and she

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<v Speaker 2>I was gonna say, I'm the hand, she's the clay,

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<v Speaker 2>and I'm only as good as the clay that I have,

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<v Speaker 2>and the clay that I had back in the nineties

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<v Speaker 2>not that great, right. So I think with the some

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<v Speaker 2>of the dancers she's working with now, we'll probably pull

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<v Speaker 2>a little more out of her than I could. But

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<v Speaker 2>that's only because I was working on such a higher

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<v Speaker 2>level of dance at the time that.

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<v Speaker 1>Yeah.

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<v Speaker 2>No, I think I've drunkenly danced at maybe two weddings. Yeah,

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<v Speaker 2>and then I was told about it later, So I

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<v Speaker 2>don't even remember doing that. So not a dancer, never

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<v Speaker 2>been a dancer. How about you, what's your level of dance, Expolis?

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<v Speaker 1>Yeah, no, no, nothing. I have been to the ballet

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<v Speaker 1>twice in my life and loved it.

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<v Speaker 3>Yeah, both times I went.

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<v Speaker 1>And why don't I do this all the time, because

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<v Speaker 1>it's gorgeous, it's amazing, and when it's you know, telling

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<v Speaker 1>a story, especially like I just get so so. But

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<v Speaker 1>I just never think about it. I never think like, oh,

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<v Speaker 1>I should get tickets to the latest ballet, which I

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<v Speaker 1>now I really want to start doing. All right, Well,

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<v Speaker 1>the extent of my experience is having seen the movie

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<v Speaker 1>Strictly Ballroom in the nineties. That's that's my knowledge of

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<v Speaker 1>actual ballroom dancing. Yeah, all right, So let's get into

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<v Speaker 1>the opening episode of season thirty four of Dancing with

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<v Speaker 1>the Stars. Yes, opens with a big dance number done

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<v Speaker 1>by these incredible dancers. We got to see it twice

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<v Speaker 1>because they do a rehearsal first and then they do

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<v Speaker 1>it again. I was amazed. Immediately thought, these people are incredible.

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<v Speaker 1>Seems that there's so many of them. They're moving everywhere.

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<v Speaker 1>I don't understand how they're not bumping into cameras, bumping

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<v Speaker 1>into each other. It's insane.

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<v Speaker 2>Well, I was just about to say, and I didn't

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<v Speaker 2>know if we should save this to the end, but

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<v Speaker 2>they're the best dancer of the night by far. Was

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<v Speaker 2>the steady cam up steady cam operator. You never saw

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<v Speaker 2>because I watched this back last night. You never watched

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<v Speaker 2>catch a glimpse of this guy. Nope, you never see

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<v Speaker 2>him on camera. He is up in the he's in

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<v Speaker 2>the dances. He is there with this giant.

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<v Speaker 1>Rig running around them in circles and doing all the

0:10:43.280 --> 0:10:46.480
<v Speaker 1>amazing shots which I could see what was happening while

0:10:46.480 --> 0:10:48.200
<v Speaker 1>we were there. I could see this guy working so

0:10:48.400 --> 0:10:51.560
<v Speaker 1>hard carrying this heavy camera rig. But then to watch

0:10:51.600 --> 0:10:55.080
<v Speaker 1>back the episode, it was just beautiful and you realize,

0:10:55.120 --> 0:10:57.600
<v Speaker 1>like this guy or this team, you know, all these

0:10:57.600 --> 0:11:01.840
<v Speaker 1>camera people are making the show so much better than

0:11:01.880 --> 0:11:03.840
<v Speaker 1>it would be if it was just like a static

0:11:04.240 --> 0:11:07.080
<v Speaker 1>you know, stage camera or whatever. It's incredible. It gives

0:11:07.080 --> 0:11:10.560
<v Speaker 1>it so much energy, and I found my interpretations of

0:11:10.600 --> 0:11:14.400
<v Speaker 1>the dances really changed. See I'm seeing them on camera

0:11:14.600 --> 0:11:16.559
<v Speaker 1>is a very different experience and being in the room.

0:11:16.720 --> 0:11:19.240
<v Speaker 2>It is so different seeing and so one of the

0:11:19.280 --> 0:11:22.120
<v Speaker 2>things I noticed because when I was looking at the

0:11:22.400 --> 0:11:24.480
<v Speaker 2>judges a lot of the time, obviously your eyes are

0:11:24.480 --> 0:11:27.559
<v Speaker 2>over there to see what they know, and they're staring down.

0:11:27.640 --> 0:11:30.000
<v Speaker 2>They're not looking either either standing up looking close or

0:11:30.000 --> 0:11:32.120
<v Speaker 2>they're staring down. So they must have monitors right in

0:11:32.120 --> 0:11:35.560
<v Speaker 2>front of them connected directly to the camera. That is

0:11:35.600 --> 0:11:37.839
<v Speaker 2>that they're watching all the little stuff going on, because

0:11:37.840 --> 0:11:39.680
<v Speaker 2>they clearly saw that in a different way.

0:11:40.400 --> 0:11:43.439
<v Speaker 1>All right, So after the opening number, we get introduced

0:11:43.520 --> 0:11:49.480
<v Speaker 1>to our first dance couple, Jordan Chiles and Ezra Sosa. Yes,

0:11:50.600 --> 0:11:53.040
<v Speaker 1>I will state clearly now I did not know who

0:11:53.120 --> 0:11:55.440
<v Speaker 1>anybody was. I don't know who any of the dancers

0:11:55.480 --> 0:12:01.040
<v Speaker 1>are except Corey Feldman similar generational actor, and Andy Richter.

0:12:01.559 --> 0:12:05.560
<v Speaker 1>I don't think I've ever seen Andy in anything other

0:12:05.600 --> 0:12:07.559
<v Speaker 1>than movies, but I knew who he was, right, yeah, yeah,

0:12:07.559 --> 0:12:10.040
<v Speaker 1>So those are the two. Not quite the same way.

0:12:10.040 --> 0:12:13.640
<v Speaker 2>I knew Jordan Chiles because I like the Olympics, and

0:12:13.720 --> 0:12:17.160
<v Speaker 2>obviously I knew gymnastics is big in the Olympics. So yes,

0:12:17.240 --> 0:12:20.120
<v Speaker 2>i'd heard her name, so I'd certainly seen her perform,

0:12:20.600 --> 0:12:21.880
<v Speaker 2>But I'm kind of in the same boat with you.

0:12:21.960 --> 0:12:23.959
<v Speaker 2>None of the dancers. Obviously, I didn't know a single

0:12:24.080 --> 0:12:25.360
<v Speaker 2>dancer there.

0:12:25.440 --> 0:12:27.840
<v Speaker 1>But so Jordan Chiles made headlines at the twenty twenty

0:12:27.840 --> 0:12:29.800
<v Speaker 1>four Olympics when the bronze medal she won on the

0:12:29.800 --> 0:12:32.840
<v Speaker 1>floor exercise final in Paris was stripped by the Court

0:12:32.840 --> 0:12:36.360
<v Speaker 1>of Arbitration for Sport following a challenge by Romania Crazy.

0:12:37.280 --> 0:12:39.480
<v Speaker 1>She still holds two Olympic medals, a team goald from

0:12:39.480 --> 0:12:41.520
<v Speaker 1>the twenty twenty four Games and a team silver from

0:12:41.559 --> 0:12:44.800
<v Speaker 1>the delayed twenty twenty Olympic Games in Tokyo. They danced

0:12:44.920 --> 0:12:47.840
<v Speaker 1>the salsa to the song Break My Soul by Beyonce.

0:12:49.520 --> 0:12:54.320
<v Speaker 1>I was pretty much blown away. I also I I've

0:12:54.360 --> 0:12:58.559
<v Speaker 1>always wondered about the line between gymnastics and dancing, because well,

0:12:58.559 --> 0:13:00.680
<v Speaker 1>that's what I want to talk about, please, Because you know,

0:13:00.720 --> 0:13:03.360
<v Speaker 1>I've always watched floor routines and gymnastics and been like,

0:13:03.400 --> 0:13:07.839
<v Speaker 1>they're dancing. They're just doing so much more athletic, you know, right,

0:13:08.160 --> 0:13:12.480
<v Speaker 1>flips and whatnot. But to see this dance and to

0:13:12.520 --> 0:13:15.400
<v Speaker 1>see some of that work integrated in and then to

0:13:15.440 --> 0:13:18.760
<v Speaker 1>hear the judge's response, which was not super positive about

0:13:18.760 --> 0:13:21.000
<v Speaker 1>all nos was was kind of jarring for me because

0:13:21.000 --> 0:13:24.080
<v Speaker 1>I was like, but come on, she can do these things.

0:13:24.000 --> 0:13:25.800
<v Speaker 3>Right, but that dancing.

0:13:25.960 --> 0:13:28.720
<v Speaker 1>No. I guess that's the question, this question what this

0:13:28.800 --> 0:13:32.120
<v Speaker 1>whole show is judging. I was like, yes, Bruno, Derek, guys,

0:13:32.160 --> 0:13:34.600
<v Speaker 1>calm down. The woman just flew through the air and

0:13:34.640 --> 0:13:37.360
<v Speaker 1>did all these crazy flips. Could you do that? But

0:13:37.400 --> 0:13:38.280
<v Speaker 1>it doesn't.

0:13:37.920 --> 0:13:40.840
<v Speaker 2>Matter no exactly If the show is called Magic with

0:13:40.920 --> 0:13:43.760
<v Speaker 2>the Stars and I'm awesome at juggling, did I do

0:13:43.920 --> 0:13:46.840
<v Speaker 2>magic or did I juggle? So that's the thing is,

0:13:46.840 --> 0:13:49.480
<v Speaker 2>it's like I watched it back and again knowing nothing

0:13:49.480 --> 0:13:51.680
<v Speaker 2>of Salza other than it's phenomenal on chips.

0:13:51.800 --> 0:13:52.319
<v Speaker 1>You could.

0:13:53.679 --> 0:13:55.760
<v Speaker 2>It was one of those things where I was like, oh,

0:13:55.800 --> 0:13:59.959
<v Speaker 2>she's she's doing cool gymnastics, but is this also dancing?

0:14:00.120 --> 0:14:02.600
<v Speaker 1>So that gets to the heart of like my conflict

0:14:02.600 --> 0:14:05.400
<v Speaker 1>with the show is just not understanding enough about dance.

0:14:05.800 --> 0:14:07.880
<v Speaker 1>But I'm getting better. I feel like, having watched it

0:14:07.920 --> 0:14:09.600
<v Speaker 1>twice now, I'm like I could see what they were

0:14:09.600 --> 0:14:12.200
<v Speaker 1>saying this time around. I was like, oh, yeah, it

0:14:12.280 --> 0:14:14.760
<v Speaker 1>was just a little something was a little off. It

0:14:14.800 --> 0:14:17.920
<v Speaker 1>was a little stiffer or more stilted than it should be.

0:14:19.160 --> 0:14:21.760
<v Speaker 1>But I thought it was still so impressive. But I

0:14:21.760 --> 0:14:23.800
<v Speaker 1>guess it gets into this question of like the difference

0:14:23.840 --> 0:14:28.080
<v Speaker 1>between entertainment or just doing a show and doing a

0:14:28.200 --> 0:14:30.760
<v Speaker 1>dance right correctly doing a dance specifically.

0:14:30.840 --> 0:14:33.480
<v Speaker 2>Yeah, it's not just some Yeah, I think we also

0:14:33.640 --> 0:14:35.680
<v Speaker 2>have to throw in and this is a real thing.

0:14:36.320 --> 0:14:40.880
<v Speaker 2>They were first on the first episode of a brand

0:14:40.880 --> 0:14:43.920
<v Speaker 2>new season. It's like, you're there talk about nerve wracking.

0:14:43.920 --> 0:14:46.920
<v Speaker 2>You're the first one to go. That's got to be really,

0:14:46.960 --> 0:14:48.760
<v Speaker 2>really tough. So the question, and now I'm going to

0:14:48.800 --> 0:14:50.960
<v Speaker 2>throw this question out at you every week, would you

0:14:51.080 --> 0:14:53.080
<v Speaker 2>rather go first and get it over with or would

0:14:53.120 --> 0:14:55.160
<v Speaker 2>you rather sit there and watch other teams? And then

0:14:55.560 --> 0:14:58.320
<v Speaker 2>I think I'd rather go first to get it Yes,

0:14:58.400 --> 0:14:59.440
<v Speaker 2>I agree, I agree.

0:15:00.080 --> 0:15:03.440
<v Speaker 1>Sitting backstage for the whole time, just holding freaking out, yes,

0:15:03.640 --> 0:15:05.960
<v Speaker 1>freaking the same, same. Okay, So they did their dance

0:15:05.960 --> 0:15:09.280
<v Speaker 1>the judges. I noticed Bruno's standing to judge. I really

0:15:09.360 --> 0:15:12.640
<v Speaker 1>like his energy. He's funny, he's great, he's great. But

0:15:12.920 --> 0:15:16.920
<v Speaker 1>they both give amazing notes. Actually, like especially watching it

0:15:16.960 --> 0:15:18.560
<v Speaker 1>back a second time, I was like, yeah, this is

0:15:18.640 --> 0:15:21.720
<v Speaker 1>really good feedback. They are super positive. And then they

0:15:21.760 --> 0:15:23.640
<v Speaker 1>said that they were going to be harsh because it's

0:15:23.640 --> 0:15:24.760
<v Speaker 1>the first episode.

0:15:24.800 --> 0:15:27.360
<v Speaker 2>So the number they want to give themselves somewhere to go, right, Yes,

0:15:27.440 --> 0:15:31.440
<v Speaker 2>which made sense. Yeah, So they both only only gave

0:15:31.480 --> 0:15:34.520
<v Speaker 2>this dance a five each, so it was a solid

0:15:34.520 --> 0:15:36.360
<v Speaker 2>ten I want amaze.

0:15:36.840 --> 0:15:37.640
<v Speaker 1>Yeah, no out of.

0:15:37.600 --> 0:15:40.640
<v Speaker 2>Thirty technically, because because the thing was judge, we missed

0:15:40.680 --> 0:15:42.640
<v Speaker 2>the third judge. The third judge, and apparently, from what

0:15:42.640 --> 0:15:44.440
<v Speaker 2>everybody said is you and I have never seen the show,

0:15:44.600 --> 0:15:47.000
<v Speaker 2>but apparently the third judge of the woman brings a

0:15:47.040 --> 0:15:50.680
<v Speaker 2>whole different level to everything. It balances out the judges

0:15:50.760 --> 0:15:52.000
<v Speaker 2>and it's really different way.

0:15:52.000 --> 0:15:53.000
<v Speaker 3>I kind of them.

0:15:53.520 --> 0:15:55.640
<v Speaker 1>He wanted a little on a third voice, because these

0:15:55.680 --> 0:15:58.160
<v Speaker 1>guys were kind of in agreement. They have different energies,

0:15:58.320 --> 0:16:00.000
<v Speaker 1>but they were kind of in agreement with each other,

0:16:00.160 --> 0:16:03.120
<v Speaker 1>and they seemed very I mean, maybe this is everybody,

0:16:03.120 --> 0:16:05.640
<v Speaker 1>but they seem very focused on like dance and timing

0:16:05.720 --> 0:16:10.600
<v Speaker 1>and like less less blown away by somebody's ability to entertain,

0:16:10.640 --> 0:16:13.560
<v Speaker 1>which is actually pretty great and kind of important.

0:16:13.600 --> 0:16:15.640
<v Speaker 2>So yes, well it is. It's part you know, I

0:16:15.720 --> 0:16:17.840
<v Speaker 2>was taught. I think this would this would fit. I

0:16:17.880 --> 0:16:19.640
<v Speaker 2>was talking to you guys keep going back to magicians,

0:16:19.640 --> 0:16:21.600
<v Speaker 2>but I was talking to a magician yesterday who said,

0:16:22.000 --> 0:16:25.640
<v Speaker 2>it's so much easier to take an entertainer and teach

0:16:25.680 --> 0:16:28.120
<v Speaker 2>them magic than it is to take a magician and

0:16:28.160 --> 0:16:29.320
<v Speaker 2>teach them how to entertain.

0:16:29.920 --> 0:16:30.200
<v Speaker 1>Wow.

0:16:30.240 --> 0:16:33.320
<v Speaker 2>So I wonder if it's easier to take an entertainer

0:16:33.320 --> 0:16:35.280
<v Speaker 2>and teach them how to dance than take a dancer

0:16:35.360 --> 0:16:37.480
<v Speaker 2>and teach them how to light up and entertain on

0:16:37.560 --> 0:16:37.960
<v Speaker 2>the floor.

0:16:38.600 --> 0:16:41.440
<v Speaker 1>So, because they tend to agree with you, but then

0:16:41.560 --> 0:16:43.920
<v Speaker 1>after watching the show again, I don't know the ones

0:16:43.960 --> 0:16:47.080
<v Speaker 1>who were professional dancers when they were younger really stood out.

0:16:47.480 --> 0:16:50.720
<v Speaker 1>There's something about here. They have it in their bones

0:16:50.760 --> 0:16:54.600
<v Speaker 1>in a way that even people like Danielle, who was amazing,

0:16:55.040 --> 0:16:56.800
<v Speaker 1>they don't. She doesn't have it yet, you know, she

0:16:56.840 --> 0:16:59.840
<v Speaker 1>doesn't have a certain dancer thing. So I was kind

0:16:59.840 --> 0:17:02.880
<v Speaker 1>of I'm surprised by the fact that they allow ex

0:17:02.920 --> 0:17:05.560
<v Speaker 1>professional dancers to even be one of the stars. It

0:17:05.600 --> 0:17:07.639
<v Speaker 1>seems like kind of counter to the whole point of

0:17:07.680 --> 0:17:10.400
<v Speaker 1>the show, which is these people are not pros. But right,

0:17:10.800 --> 0:17:13.159
<v Speaker 1>I guess you know everybody, it's going to be interesting

0:17:13.160 --> 0:17:14.640
<v Speaker 1>to watch this journey me too.

0:17:14.960 --> 0:17:17.400
<v Speaker 2>Wait before we move on to our next pair, which

0:17:17.400 --> 0:17:19.919
<v Speaker 2>we have to do quickly, do you agree with the

0:17:20.000 --> 0:17:21.920
<v Speaker 2>judges scoring and would you have changed it in any way,

0:17:21.920 --> 0:17:22.360
<v Speaker 2>shape or form.

0:17:22.440 --> 0:17:24.640
<v Speaker 3>Would you also have given them the same amount.

0:17:24.480 --> 0:17:27.280
<v Speaker 1>In the room, I was like, no, she deserved a

0:17:27.359 --> 0:17:30.560
<v Speaker 1>six or seven, like at least for and but then

0:17:30.640 --> 0:17:32.960
<v Speaker 1>watching it back, yeah, I think five was a good

0:17:32.960 --> 0:17:35.359
<v Speaker 1>way to go if we're keeping the first episode like

0:17:35.440 --> 0:17:37.600
<v Speaker 1>low to like give them room to improve. Yeah, she

0:17:37.640 --> 0:17:40.000
<v Speaker 1>should know that, Like she can't get away with just that,

0:17:40.160 --> 0:17:42.080
<v Speaker 1>you know, the athleticism, it's it's impressive.

0:17:42.640 --> 0:17:45.320
<v Speaker 2>Integrate it better. Maybe agreed one hundred percent? All right,

0:17:45.520 --> 0:17:47.160
<v Speaker 2>so we're both in agreement with the first ten.

0:17:47.320 --> 0:17:49.760
<v Speaker 1>Yeah, yeah, all right, go all right. Then we had

0:17:50.560 --> 0:17:55.080
<v Speaker 1>Dylan Efron and Daniella car Gootch. So Dylan Efron is

0:17:55.200 --> 0:17:56.200
<v Speaker 1>Zac Efron's brother.

0:17:56.880 --> 0:17:59.600
<v Speaker 3>He was in middle school middle school musical which nobody

0:17:59.600 --> 0:18:01.560
<v Speaker 3>saw one.

0:18:01.640 --> 0:18:04.480
<v Speaker 1>Season three of a show called Traders, which I've also

0:18:04.520 --> 0:18:06.080
<v Speaker 1>never heard of, but apparently is a big deal.

0:18:06.200 --> 0:18:08.200
<v Speaker 3>We keep saying that we're everyone's saying we're supposed to

0:18:08.240 --> 0:18:08.560
<v Speaker 3>watch this.

0:18:08.840 --> 0:18:15.159
<v Speaker 1>Okay. So I felt I felt for Dylan because in

0:18:15.200 --> 0:18:17.960
<v Speaker 1>his pre show package he was talking about how he's

0:18:18.200 --> 0:18:22.199
<v Speaker 1>really brave about doing adventurous stuff like outdoorsy stuff, but

0:18:22.280 --> 0:18:24.680
<v Speaker 1>the idea of dancing scares the crap out of him,

0:18:24.680 --> 0:18:26.600
<v Speaker 1>and that's why he's doing it. And I was like, yes,

0:18:26.840 --> 0:18:30.640
<v Speaker 1>near my guy, Near my guy. And given that, I

0:18:30.720 --> 0:18:33.000
<v Speaker 1>really enjoyed his dance because, you know, I was like, dude,

0:18:33.000 --> 0:18:35.600
<v Speaker 1>you're doing it. You're you're you're out there, you're putting

0:18:35.600 --> 0:18:40.040
<v Speaker 1>yourself out there. She was probably the best dancer of

0:18:40.040 --> 0:18:43.160
<v Speaker 1>the night for me. She was incredible, incredible, Believe how

0:18:43.160 --> 0:18:43.760
<v Speaker 1>good she was.

0:18:43.880 --> 0:18:45.600
<v Speaker 3>Yeah, and uh.

0:18:45.680 --> 0:18:47.480
<v Speaker 1>Part of that is because I think she was working

0:18:47.600 --> 0:18:50.280
<v Speaker 1>very hard to compensate, which I guess is kind of

0:18:50.280 --> 0:18:53.000
<v Speaker 1>the balance, right, Like these people because she was just

0:18:53.200 --> 0:18:56.760
<v Speaker 1>giving it everything and it was so impressive. For me.

0:18:56.840 --> 0:18:59.160
<v Speaker 1>It was like, oh, is this That's like the level

0:18:59.200 --> 0:19:01.879
<v Speaker 1>that we can achieve. And actually I don't think anybody

0:19:02.160 --> 0:19:05.520
<v Speaker 1>really beat her. For me, I thought Danielle Karagoch was

0:19:05.600 --> 0:19:07.320
<v Speaker 1>like the most amazing dnswer of the night.

0:19:07.480 --> 0:19:08.200
<v Speaker 3>She was great.

0:19:08.320 --> 0:19:11.720
<v Speaker 2>They yet but you could tell that he again, I

0:19:11.720 --> 0:19:13.679
<v Speaker 2>don't know if it's nervous or whatever, but it was

0:19:14.119 --> 0:19:16.840
<v Speaker 2>a stilted kind of he just seemed very stiff in

0:19:16.880 --> 0:19:17.200
<v Speaker 2>the room.

0:19:17.240 --> 0:19:19.639
<v Speaker 1>Though I enjoyed it a lot more watching it back again,

0:19:19.800 --> 0:19:22.360
<v Speaker 1>I was like, Oh, he didn't I know, but there's

0:19:22.400 --> 0:19:24.480
<v Speaker 1>something about him on camera, like when he jumped on

0:19:24.480 --> 0:19:27.439
<v Speaker 1>the table. In person, it was fantastic start and I

0:19:27.480 --> 0:19:29.439
<v Speaker 1>was like, oh, he's doing it. When I watched it

0:19:29.480 --> 0:19:31.720
<v Speaker 1>on TV, I was like, uh, you're trying a little hard.

0:19:31.760 --> 0:19:34.480
<v Speaker 1>But yep, so agree, it's an in person energy that

0:19:34.600 --> 0:19:35.240
<v Speaker 1>was very different.

0:19:35.400 --> 0:19:36.320
<v Speaker 3>It is very different.

0:19:36.320 --> 0:19:38.320
<v Speaker 2>But yeah, I feel I fell for him too, and

0:19:38.359 --> 0:19:39.760
<v Speaker 2>I agree with the judges score.

0:19:39.800 --> 0:19:42.120
<v Speaker 1>And they were doing the Chacha shaw to a song

0:19:42.160 --> 0:19:47.760
<v Speaker 1>called Milkshake, which just didn't feel completely integrated. There's something

0:19:47.840 --> 0:19:52.440
<v Speaker 1>a little yeah, And the judges said that essentially and

0:19:52.840 --> 0:19:56.120
<v Speaker 1>gave them both. They both gave fives. So at this point,

0:19:56.119 --> 0:19:57.720
<v Speaker 1>I'm like, are we just going to give fives for

0:19:57.760 --> 0:19:58.320
<v Speaker 1>the whole night?

0:19:58.359 --> 0:19:58.439
<v Speaker 4>What?

0:19:58.600 --> 0:20:00.719
<v Speaker 2>You know? What you could see because when the judges

0:20:00.760 --> 0:20:03.200
<v Speaker 2>said your timing was way off, when I was watching

0:20:03.200 --> 0:20:04.719
<v Speaker 2>it there, I was like, it didn't seem way off,

0:20:04.720 --> 0:20:06.000
<v Speaker 2>And then watching it on a camera, I was like, no,

0:20:06.119 --> 0:20:07.800
<v Speaker 2>the timing was off. He was doing one thing, she

0:20:07.880 --> 0:20:10.160
<v Speaker 2>was doing another. So yeah it was the timing was off.

0:20:10.240 --> 0:20:14.119
<v Speaker 1>Get out your metronome, ye, Dylan, all right, so we

0:20:14.160 --> 0:20:18.840
<v Speaker 1>agree with the scores? Yes, yeah, yeah, I mean yeah,

0:20:19.000 --> 0:20:21.080
<v Speaker 1>Actually watching it back, I feel like they could have

0:20:21.240 --> 0:20:23.040
<v Speaker 1>could have been a little lower, a little harsher, but

0:20:23.080 --> 0:20:23.840
<v Speaker 1>I don't think they were.

0:20:23.880 --> 0:20:25.639
<v Speaker 2>They're trying to do that. And then they did that

0:20:25.680 --> 0:20:27.360
<v Speaker 2>for some people. I was like, oh, they are going

0:20:27.400 --> 0:20:29.920
<v Speaker 2>lower than five. So yeah, it was yeah, I agree.

0:20:31.240 --> 0:20:35.000
<v Speaker 1>And next up we had Elaine Hendrix and Alan Burston.

0:20:35.600 --> 0:20:38.679
<v Speaker 1>Elaine is not Ellen Burston. I had to look that up.

0:20:38.720 --> 0:20:43.439
<v Speaker 1>Totally different person in person. Elaine is an actor. She

0:20:43.600 --> 0:20:46.879
<v Speaker 1>was in The Parent Trap. She played Meredith Blake in that.

0:20:47.320 --> 0:20:49.959
<v Speaker 1>She's also appeared on Dynasty, Sex and Drugs and Rock

0:20:50.000 --> 0:20:51.919
<v Speaker 1>and Roll and Joan of Arcadia. I did not know

0:20:51.960 --> 0:20:54.280
<v Speaker 1>who she was, but when I saw her face was like, oh, yeah,

0:20:54.280 --> 0:20:56.920
<v Speaker 1>I think I've seen seen her around. They danced a

0:20:57.040 --> 0:21:02.960
<v Speaker 1>chat chaw to chat cha cha to woman and I

0:21:03.000 --> 0:21:06.640
<v Speaker 1>thought this was like really the first like, oh, this

0:21:06.720 --> 0:21:08.400
<v Speaker 1>is a great dance. She knew what she was doing.

0:21:08.440 --> 0:21:10.600
<v Speaker 1>She knew what she was doing. Turns out she was

0:21:10.640 --> 0:21:12.359
<v Speaker 1>a dancer in the past, so that.

0:21:12.280 --> 0:21:14.040
<v Speaker 3>God had to give it up because she got hit

0:21:14.080 --> 0:21:14.680
<v Speaker 3>by a car.

0:21:16.040 --> 0:21:19.000
<v Speaker 2>So she's got the chops and the story because I

0:21:19.000 --> 0:21:22.159
<v Speaker 2>think this the personal story is also hugely important for

0:21:22.520 --> 0:21:24.639
<v Speaker 2>because you're voting, so I mean, you have to keep

0:21:24.680 --> 0:21:26.119
<v Speaker 2>in mind that this is for the country, and I

0:21:26.119 --> 0:21:28.000
<v Speaker 2>think the story of a woman who wanted to be

0:21:28.000 --> 0:21:29.600
<v Speaker 2>a dancer and then got hit by a car, had

0:21:29.600 --> 0:21:31.440
<v Speaker 2>to give it up and then can still do that,

0:21:31.920 --> 0:21:33.800
<v Speaker 2>I think she's going to go pretty far in this competition.

0:21:33.880 --> 0:21:37.480
<v Speaker 1>Yeah, she really, she did great. She was great so

0:21:37.520 --> 0:21:41.840
<v Speaker 1>the judges. Actually, Derek said something about her performance. He

0:21:41.880 --> 0:21:45.160
<v Speaker 1>said it has a Broadway quality, and I thought that's

0:21:45.240 --> 0:21:48.600
<v Speaker 1>really accurate, you know, for it was an actor dancing

0:21:49.440 --> 0:21:51.280
<v Speaker 1>and I could tell that she was more of an actor.

0:21:51.840 --> 0:21:54.600
<v Speaker 1>But I liked that she was doing all these faces

0:21:54.920 --> 0:21:57.359
<v Speaker 1>and like twiddling her fingers and then they did that

0:21:57.400 --> 0:21:59.399
<v Speaker 1>one like handshake at one point where they did like

0:21:59.480 --> 0:22:02.840
<v Speaker 1>the you know, the up down thing. Yes, it was great.

0:22:03.119 --> 0:22:07.520
<v Speaker 1>So I was thoroughly entertained. And they the judges gave

0:22:07.520 --> 0:22:10.640
<v Speaker 1>them a six and a six. I think I would

0:22:10.640 --> 0:22:11.480
<v Speaker 1>have given them a seven.

0:22:11.680 --> 0:22:13.720
<v Speaker 2>I agree on hundred percent. I agree on hundred percent.

0:22:13.760 --> 0:22:16.440
<v Speaker 2>I thought she was great. It reminded me of like, oh,

0:22:16.480 --> 0:22:19.000
<v Speaker 2>that's the person you cast in Chicago the movie or

0:22:19.280 --> 0:22:21.280
<v Speaker 2>one of these kind of big dance number of movies,

0:22:21.320 --> 0:22:24.320
<v Speaker 2>because she had the whole package. The outfit looked great,

0:22:24.359 --> 0:22:27.160
<v Speaker 2>the start with the big hat, her partner was awesome.

0:22:27.480 --> 0:22:30.960
<v Speaker 2>She was just so happy to be there. She was

0:22:30.960 --> 0:22:33.440
<v Speaker 2>was there and now, Yes, so it was.

0:22:33.400 --> 0:22:36.639
<v Speaker 1>She's a contender, She's up. Definitely. She had me.

0:22:36.680 --> 0:22:38.159
<v Speaker 2>She was she was great, and I agree with you

0:22:38.160 --> 0:22:39.879
<v Speaker 2>one hundred percent. I think they could have gone a

0:22:39.880 --> 0:22:40.840
<v Speaker 2>little bit higher.

0:22:40.560 --> 0:22:43.760
<v Speaker 1>With her score. So next up we had Whitney Levitt

0:22:43.760 --> 0:22:47.679
<v Speaker 1>and Mark Ballas. Whitney is a social media influencer and

0:22:47.840 --> 0:22:51.200
<v Speaker 1>entrepreneur who stars alongside the fellow Dancing with a Star

0:22:51.240 --> 0:22:54.960
<v Speaker 1>season forecast member Jen Affleck on the secret lives of

0:22:55.000 --> 0:22:57.880
<v Speaker 1>Mormon wives She is a mom of three. She has

0:22:57.920 --> 0:23:00.760
<v Speaker 1>over two point five million followers on Tip Ta Geez.

0:23:01.160 --> 0:23:04.159
<v Speaker 1>But she is also a dancer. I thought she was

0:23:04.560 --> 0:23:09.080
<v Speaker 1>really good to the tango to the song Golden from

0:23:09.280 --> 0:23:12.760
<v Speaker 1>K Pop Demon Hunters, which is just like the best

0:23:12.760 --> 0:23:14.920
<v Speaker 1>song of the night, and it's like it was such

0:23:14.960 --> 0:23:17.199
<v Speaker 1>a good selection because it's so of the moment, like

0:23:17.240 --> 0:23:19.919
<v Speaker 1>this is the song my kid is listening to. Every

0:23:19.960 --> 0:23:22.800
<v Speaker 1>everybody's kid is listening to. It's been super smart.

0:23:22.880 --> 0:23:26.399
<v Speaker 2>Apparently her partner Mark Ballas is like, this is the

0:23:26.440 --> 0:23:29.439
<v Speaker 2>guy who's won a whole bunch of times. He is

0:23:29.480 --> 0:23:32.800
<v Speaker 2>the man when it comes to the dancers, apparently. And

0:23:32.840 --> 0:23:35.359
<v Speaker 2>I guess he had left the show. By the way,

0:23:35.440 --> 0:23:37.880
<v Speaker 2>producer Tara, if anything we're saying is completely and totally wrong,

0:23:37.880 --> 0:23:39.760
<v Speaker 2>and you know the answer, please jump in with this stuff,

0:23:39.960 --> 0:23:42.800
<v Speaker 2>because I but I think he like left the show

0:23:43.040 --> 0:23:46.439
<v Speaker 2>under some kind of It wasn't controversy, but it was

0:23:46.440 --> 0:23:48.240
<v Speaker 2>more like he just wanted to take off. And then

0:23:48.320 --> 0:23:50.359
<v Speaker 2>he's recently come back, so I think this was kind

0:23:50.400 --> 0:23:52.360
<v Speaker 2>of a big deal, right, Yeah.

0:23:52.160 --> 0:23:55.240
<v Speaker 5>So he basically he's been on His first ever partner

0:23:55.280 --> 0:23:58.760
<v Speaker 5>was Sabrina and Bryan. Oh yes, and that was his

0:23:58.760 --> 0:24:01.399
<v Speaker 5>first season and he left he had an injury. I

0:24:01.440 --> 0:24:03.160
<v Speaker 5>think it was I can't remember what kind of injury,

0:24:03.160 --> 0:24:05.720
<v Speaker 5>but he had an injury. So he wasn't dancing regularly

0:24:05.720 --> 0:24:07.919
<v Speaker 5>because it's very hard on your body. Yeah, but he

0:24:08.000 --> 0:24:11.639
<v Speaker 5>came back and won with Charlie Dmilio, and he just

0:24:11.880 --> 0:24:15.640
<v Speaker 5>he basically talked about that he's been healing and taking

0:24:15.640 --> 0:24:17.120
<v Speaker 5>care of his body and he wanted to come back.

0:24:17.160 --> 0:24:18.399
<v Speaker 5>So there was no controversy.

0:24:18.440 --> 0:24:19.360
<v Speaker 1>It was just okay.

0:24:19.400 --> 0:24:21.399
<v Speaker 2>But he was like, am I wrong that he was

0:24:21.440 --> 0:24:23.399
<v Speaker 2>like the face of the male dancers for Dancing with

0:24:23.440 --> 0:24:24.120
<v Speaker 2>the Stars for a while.

0:24:24.160 --> 0:24:25.080
<v Speaker 3>He was like the guy right.

0:24:25.320 --> 0:24:28.760
<v Speaker 5>It was always like him and Derek were on at

0:24:28.760 --> 0:24:29.400
<v Speaker 5>the same time.

0:24:29.600 --> 0:24:31.680
<v Speaker 3>Derek, right, who's the who's the judge?

0:24:31.880 --> 0:24:32.080
<v Speaker 4>Yes?

0:24:32.320 --> 0:24:35.680
<v Speaker 5>And then we have Max whose VAL's brother. There was

0:24:35.720 --> 0:24:37.440
<v Speaker 5>a lot of those key players.

0:24:37.600 --> 0:24:40.639
<v Speaker 1>Yeah, man, all right, this this this one with Whitney

0:24:40.680 --> 0:24:44.000
<v Speaker 1>and Mark was like, I was like, oh, it's going

0:24:44.040 --> 0:24:46.880
<v Speaker 1>to keep getting better, Like this was, oh, the last

0:24:46.920 --> 0:24:48.640
<v Speaker 1>one was the best of the night. Now it took

0:24:48.640 --> 0:24:50.960
<v Speaker 1>it to even the next level. I was like, well,

0:24:51.000 --> 0:24:54.080
<v Speaker 1>this is great. The judges gave him a seven and

0:24:54.200 --> 0:24:57.119
<v Speaker 1>an eight in a weird controversial moment.

0:24:57.400 --> 0:24:59.439
<v Speaker 3>Yes, apparently, yeah, you have to.

0:24:59.480 --> 0:25:01.919
<v Speaker 2>It's one thing apparently, and they we heard the voice

0:25:01.920 --> 0:25:04.560
<v Speaker 2>over the loudspeaker saying yet, which they cut out from

0:25:04.560 --> 0:25:05.120
<v Speaker 2>the live show.

0:25:05.200 --> 0:25:07.040
<v Speaker 3>You have to lock Oh no, they had it in

0:25:07.080 --> 0:25:07.520
<v Speaker 3>the live show.

0:25:07.640 --> 0:25:09.800
<v Speaker 2>You have to lock in your number first, So apparently

0:25:09.800 --> 0:25:12.000
<v Speaker 2>the judges they have to literally hit a button to

0:25:12.040 --> 0:25:14.200
<v Speaker 2>lock in their number and then pick up their paddle.

0:25:14.640 --> 0:25:17.240
<v Speaker 2>He locked in an eight, but picked up a seven.

0:25:17.640 --> 0:25:22.119
<v Speaker 2>So when they then cut later to Julianne Huff talking

0:25:22.119 --> 0:25:24.000
<v Speaker 2>about it, she got a message in your euro pier

0:25:24.000 --> 0:25:26.240
<v Speaker 2>saying no, they actually put an eight, so that was

0:25:26.280 --> 0:25:28.960
<v Speaker 2>a fourteen and then went up to a fifteen because

0:25:28.960 --> 0:25:31.520
<v Speaker 2>apparently he had locked in the eight button, so which.

0:25:31.359 --> 0:25:35.840
<v Speaker 1>I think it deserved. I feel like pretty much overall

0:25:35.880 --> 0:25:38.320
<v Speaker 1>this was the highest scoring dance of the night from

0:25:38.320 --> 0:25:41.160
<v Speaker 1>the judges point of view, I think it was probably

0:25:41.600 --> 0:25:43.040
<v Speaker 1>top top three.

0:25:43.080 --> 0:25:45.080
<v Speaker 2>It was one of the top agreed one hundred percent.

0:25:45.080 --> 0:25:46.840
<v Speaker 2>I don't think it was the best. But I also

0:25:46.880 --> 0:25:49.040
<v Speaker 2>have the question for you, which we're going to have

0:25:49.080 --> 0:25:52.480
<v Speaker 2>to talk about as the show progresses, especially, is the

0:25:52.600 --> 0:25:56.440
<v Speaker 2>balance between stage props.

0:25:56.119 --> 0:25:59.280
<v Speaker 3>And flashy stuff going on just dancing.

0:25:59.359 --> 0:26:02.320
<v Speaker 1>Who makes these decisions I think they do okay, because

0:26:02.359 --> 0:26:04.840
<v Speaker 1>there were some that had such high production value and

0:26:04.880 --> 0:26:09.040
<v Speaker 1>then others like Danielle Fishel would just very straightforward and

0:26:09.119 --> 0:26:12.399
<v Speaker 1>just think about the dance and in the room, I

0:26:12.560 --> 0:26:14.359
<v Speaker 1>was like, well, we should be having all the fire,

0:26:14.520 --> 0:26:16.160
<v Speaker 1>but then watching it back, I was like, no, there's

0:26:16.160 --> 0:26:20.000
<v Speaker 1>some too being classy and yes, dude, and also you

0:26:20.000 --> 0:26:20.600
<v Speaker 1>can grow.

0:26:21.000 --> 0:26:24.679
<v Speaker 4>This game is strategy, yes, yes, And there's strategy involved

0:26:24.680 --> 0:26:27.720
<v Speaker 4>in every decision that's made on this show. And Danielle

0:26:27.760 --> 0:26:30.520
<v Speaker 4>and Pasha and all the dancers that you saw are

0:26:30.520 --> 0:26:32.679
<v Speaker 4>making decisions based on what they want on the stage,

0:26:32.680 --> 0:26:34.359
<v Speaker 4>what they want their creative to be. They all have

0:26:34.440 --> 0:26:35.160
<v Speaker 4>their hands in it.

0:26:35.359 --> 0:26:38.040
<v Speaker 1>Right, and they're telling a story in such an interesting

0:26:38.080 --> 0:26:40.960
<v Speaker 1>way because like when I you know, I have watched

0:26:40.960 --> 0:26:44.800
<v Speaker 1>American Idol for years. I've watched other competition shows where

0:26:44.840 --> 0:26:48.720
<v Speaker 1>they spend more time with the contestants behind the scenes,

0:26:48.880 --> 0:26:51.720
<v Speaker 1>where you the part of the storytelling is like getting

0:26:51.720 --> 0:26:54.560
<v Speaker 1>to know them as people or like their families or whatever.

0:26:54.840 --> 0:26:57.360
<v Speaker 1>There's very little of that in this show. We get

0:26:57.359 --> 0:27:00.160
<v Speaker 1>the like one minute package to introduce each one of them,

0:27:00.280 --> 0:27:02.800
<v Speaker 1>and I'm very curious to see how that happens every week.

0:27:02.640 --> 0:27:05.720
<v Speaker 2>Like because it'll grow because as if people get kicked off,

0:27:05.720 --> 0:27:07.440
<v Speaker 2>the package is going to get longer because then there's

0:27:07.480 --> 0:27:10.280
<v Speaker 2>only six people. So I imagine the dance gets longer and

0:27:10.320 --> 0:27:13.240
<v Speaker 2>the package goes longer. I would think, Yeah, So I

0:27:13.280 --> 0:27:15.960
<v Speaker 2>guess what I'm saying is the dancing is.

0:27:16.200 --> 0:27:18.399
<v Speaker 1>The storytelling, right, do you know what I mean? So

0:27:18.520 --> 0:27:21.080
<v Speaker 1>watching these people now that we've like sort of taken

0:27:21.119 --> 0:27:25.200
<v Speaker 1>notes and watching them progress is going to earn more appreciation,

0:27:25.720 --> 0:27:27.480
<v Speaker 1>you know, So like, yes, that's going to be very

0:27:27.560 --> 0:27:30.080
<v Speaker 1>interesting to see somebody who probably out of the gate

0:27:30.280 --> 0:27:33.080
<v Speaker 1>was just a solid dancer and then maybe stays there

0:27:33.400 --> 0:27:35.800
<v Speaker 1>over the course of the season, and the people who

0:27:35.840 --> 0:27:38.480
<v Speaker 1>get better and better, and I feel like, yeah, I'm

0:27:38.480 --> 0:27:41.400
<v Speaker 1>going to be invested in those those stories without even

0:27:41.400 --> 0:27:44.320
<v Speaker 1>knowing anything about you know, them as people or really

0:27:44.359 --> 0:27:46.680
<v Speaker 1>seeing them like hanging out that much, or like I

0:27:46.720 --> 0:27:49.080
<v Speaker 1>can tell you really cool, that's something I care about this, I.

0:27:49.000 --> 0:27:51.960
<v Speaker 2>Agree, But watching watching it back and watching just the

0:27:52.000 --> 0:27:54.640
<v Speaker 2>people that danced without all the pageantry on the stage,

0:27:54.920 --> 0:27:57.480
<v Speaker 2>it made me think they have a place to go

0:27:57.560 --> 0:27:59.879
<v Speaker 2>with this. They can grow from here. Whereas if you

0:28:00.080 --> 0:28:03.000
<v Speaker 2>started at ten, I know, where do you go it's like.

0:28:02.960 --> 0:28:04.040
<v Speaker 1>Okay, that's amazing.

0:28:04.080 --> 0:28:06.080
<v Speaker 2>You killed it on the first night when nobody's going

0:28:06.119 --> 0:28:08.560
<v Speaker 2>to be kicked off, But where you know, you got

0:28:08.600 --> 0:28:09.760
<v Speaker 2>to ramp this up every week?

0:28:09.800 --> 0:28:09.960
<v Speaker 1>Now?

0:28:10.000 --> 0:28:10.760
<v Speaker 3>How do you do that?

0:28:11.080 --> 0:28:14.359
<v Speaker 4>So my question to you then is strategically about Dancing

0:28:14.359 --> 0:28:16.520
<v Speaker 4>with the stars. If you're given the opportunity to have

0:28:16.560 --> 0:28:19.560
<v Speaker 4>a car on your stage or something like that, and

0:28:19.600 --> 0:28:21.480
<v Speaker 4>you can do it in week one, do you say

0:28:21.520 --> 0:28:23.960
<v Speaker 4>no because week two and three you don't have it anymore,

0:28:24.359 --> 0:28:25.560
<v Speaker 4>or you can't do that every week?

0:28:25.640 --> 0:28:26.080
<v Speaker 3>I say no.

0:28:26.240 --> 0:28:29.959
<v Speaker 2>I start exactly how Danielle started, which is two people

0:28:30.119 --> 0:28:32.919
<v Speaker 2>dancing to great music with great costumes.

0:28:32.960 --> 0:28:35.480
<v Speaker 4>And I will make I will make this is no

0:28:35.600 --> 0:28:37.720
<v Speaker 4>inside Baseball because I would have noticed this just by

0:28:37.760 --> 0:28:42.840
<v Speaker 4>watching the show. But Mark and Pasha and Val are

0:28:42.920 --> 0:28:47.040
<v Speaker 4>three of the most seasoned veterans on the male side.

0:28:47.800 --> 0:28:51.400
<v Speaker 4>Two of the three had no nothing on the stage,

0:28:51.800 --> 0:28:55.480
<v Speaker 4>and the Val had Alex Earl the influencer, and he

0:28:55.560 --> 0:28:58.320
<v Speaker 4>put a lot on the stage with fire and bring

0:28:58.320 --> 0:29:01.000
<v Speaker 4>a fire, and I think she needs that because she

0:29:01.080 --> 0:29:04.920
<v Speaker 4>is a very showy celebrity. But you notice the other too,

0:29:04.960 --> 0:29:06.880
<v Speaker 4>strategically did not do it. So we'll see.

0:29:07.080 --> 0:29:07.240
<v Speaker 1>Well.

0:29:07.280 --> 0:29:09.520
<v Speaker 2>I also have a question when it comes to the

0:29:09.560 --> 0:29:13.080
<v Speaker 2>actual dance aspect of the show. So, if you're a

0:29:13.160 --> 0:29:16.040
<v Speaker 2>male professional dancer on the show and Danielle Fischel is

0:29:16.080 --> 0:29:19.240
<v Speaker 2>your partner, great, you come on, I'm going to teach

0:29:19.280 --> 0:29:19.960
<v Speaker 2>you how to dance.

0:29:20.120 --> 0:29:22.600
<v Speaker 3>I'm the man, so I lead. That's traditionally how it.

0:29:22.560 --> 0:29:26.400
<v Speaker 2>Works when the woman is the professional dancer, is the

0:29:26.480 --> 0:29:28.600
<v Speaker 2>woman leading or is the woman not.

0:29:28.560 --> 0:29:31.320
<v Speaker 1>Only teaching the dance but teaching the man to lead.

0:29:32.880 --> 0:29:36.320
<v Speaker 1>Does anybody know it's all of it? It's both. Yeah,

0:29:36.360 --> 0:29:38.320
<v Speaker 1>I mean I think, I mean, you can see that

0:29:38.360 --> 0:29:41.400
<v Speaker 1>they're working with what they've got right, But no, I

0:29:41.400 --> 0:29:45.320
<v Speaker 1>think technically the man always has to lead, so that

0:29:45.360 --> 0:29:48.120
<v Speaker 1>determines whose arm is, which arm and which direction.

0:29:48.600 --> 0:29:50.400
<v Speaker 2>Yes, because it's like, not only do I have to

0:29:50.440 --> 0:29:52.360
<v Speaker 2>teach you how to dance, but I have to teach

0:29:52.360 --> 0:29:53.480
<v Speaker 2>you how to lead me.

0:29:53.840 --> 0:29:56.240
<v Speaker 4>This is a whole strategy though, because it's all plays

0:29:56.240 --> 0:29:58.720
<v Speaker 4>in it. Because I think it's easier for the men

0:29:59.040 --> 0:30:03.000
<v Speaker 4>because dancing ballroom dancing has a focus on the female

0:30:03.000 --> 0:30:05.160
<v Speaker 4>and you're mostly looking at the female in any case

0:30:05.160 --> 0:30:11.080
<v Speaker 4>where he's the frame, so it's harder. You could argue

0:30:11.080 --> 0:30:14.200
<v Speaker 4>both ways, it's easier for the male celebrity, or it's.

0:30:14.000 --> 0:30:15.920
<v Speaker 1>More I don't know if I mean, I definitely think

0:30:15.920 --> 0:30:18.680
<v Speaker 1>they're leading, but I'm not sure if leading necessarily means

0:30:18.720 --> 0:30:21.080
<v Speaker 1>that it takes more skill, right, you know what I mean,

0:30:21.120 --> 0:30:22.200
<v Speaker 1>It's just a different skill.

0:30:22.280 --> 0:30:24.240
<v Speaker 2>Did you also notice in most of the dances, which

0:30:24.240 --> 0:30:26.000
<v Speaker 2>of course we do not see when we're on the stage,

0:30:26.200 --> 0:30:29.320
<v Speaker 2>there are many a time, especially with the women, where

0:30:29.360 --> 0:30:32.800
<v Speaker 2>the women professional dancers, where they are speaking to the

0:30:32.960 --> 0:30:34.360
<v Speaker 2>dancers as the.

0:30:34.360 --> 0:30:35.160
<v Speaker 3>Dance is going on.

0:30:35.400 --> 0:30:37.320
<v Speaker 2>Like at one point for the Corey Felman dance, she

0:30:37.440 --> 0:30:39.360
<v Speaker 2>says to him before he does his own thing, and

0:30:39.400 --> 0:30:42.440
<v Speaker 2>I rewound it and rewound it and kept reading her lips.

0:30:42.560 --> 0:30:45.440
<v Speaker 2>I'm pretty sure she says, do it. They love you,

0:30:46.280 --> 0:30:49.040
<v Speaker 2>and so she's like pumping him up before. So I

0:30:49.080 --> 0:30:51.320
<v Speaker 2>think the women are really trying to like, yeah, smile.

0:30:51.400 --> 0:30:54.000
<v Speaker 2>You saw smile a lot because you're probably in your

0:30:54.000 --> 0:30:56.360
<v Speaker 2>head trying to think of the dance steps.

0:30:56.440 --> 0:30:57.680
<v Speaker 3>Yes, and so it's like smile.

0:30:58.040 --> 0:31:00.120
<v Speaker 2>So the women, especially, we're really leading the man and

0:31:00.200 --> 0:31:02.560
<v Speaker 2>with like okay, smart, you can do it. You're And

0:31:02.600 --> 0:31:04.280
<v Speaker 2>it was amazing to watch that back. You could really

0:31:04.320 --> 0:31:05.840
<v Speaker 2>see them talking to them while they're dancing.

0:31:18.040 --> 0:31:18.360
<v Speaker 4>All right.

0:31:18.360 --> 0:31:23.200
<v Speaker 1>Next up was Baron Davis and Britt Stewart. Barons. Yeah,

0:31:23.240 --> 0:31:28.040
<v Speaker 1>he's a basketball player. Apparently. I really liked him his energy.

0:31:28.120 --> 0:31:32.000
<v Speaker 1>They sang h are they They danced the too you

0:31:32.040 --> 0:31:36.040
<v Speaker 1>Can't Touch This by mc ammer. So yeah, so this

0:31:36.240 --> 0:31:39.920
<v Speaker 1>was the first like, ah, now I'm watching somebody who really, yeah,

0:31:40.440 --> 0:31:45.080
<v Speaker 1>really is like stretching us. Yeah, exactly, you know, as

0:31:45.160 --> 0:31:48.040
<v Speaker 1>much as as as Dylan Efron was sort of saying

0:31:48.080 --> 0:31:50.800
<v Speaker 1>that he was uncomfortable, like you know, Baron was also

0:31:50.840 --> 0:31:54.000
<v Speaker 1>dealing with an older body and like an injuries and

0:31:54.000 --> 0:31:58.040
<v Speaker 1>everything between being an athlete, you know, and then being

0:31:58.040 --> 0:32:00.760
<v Speaker 1>a dancer where it's like it's a whole different thing

0:32:01.040 --> 0:32:04.680
<v Speaker 1>and you're using your body differently, And he was visibly uncomfortable,

0:32:04.720 --> 0:32:07.160
<v Speaker 1>but he gave it as all. I thought it was

0:32:07.200 --> 0:32:08.920
<v Speaker 1>fine and super entertaining.

0:32:09.520 --> 0:32:11.320
<v Speaker 2>He was really there's a couple of times and he

0:32:11.360 --> 0:32:13.720
<v Speaker 2>wasn't the only one where there you could really tell

0:32:13.760 --> 0:32:16.760
<v Speaker 2>that somebody has no dance experience, probably does not how

0:32:17.520 --> 0:32:19.240
<v Speaker 2>cannot move particularly gracefully.

0:32:19.240 --> 0:32:19.760
<v Speaker 1>This would be me.

0:32:20.480 --> 0:32:22.040
<v Speaker 2>And so it's one of those things where it's like

0:32:22.520 --> 0:32:25.280
<v Speaker 2>you're essentially gonna move a little bit and hold.

0:32:25.080 --> 0:32:27.200
<v Speaker 1>Your hands up and I'm going to dance around you exactly.

0:32:27.280 --> 0:32:30.920
<v Speaker 1>And that's what Britt was like Daniella just killing it, yes,

0:32:30.920 --> 0:32:35.320
<v Speaker 1>and fantastic, Hared He's kind of static while she's like

0:32:35.400 --> 0:32:38.080
<v Speaker 1>spinning all around him and like kept giving him time

0:32:38.120 --> 0:32:40.840
<v Speaker 1>to like do like little moves on his own. Yeah.

0:32:43.480 --> 0:32:47.840
<v Speaker 2>Right, I don't know I would say no, no, no, yes, Yeah.

0:32:47.920 --> 0:32:51.600
<v Speaker 2>It was just and again, you're right, this is where

0:32:51.360 --> 0:32:55.200
<v Speaker 2>we're trying to balance the younger. You've got somebody like

0:32:55.280 --> 0:32:59.000
<v Speaker 2>Jordan Childs who's also a an athlete like Baron Davis is,

0:32:59.280 --> 0:33:01.840
<v Speaker 2>but somebody who's an athlete who is probably still in

0:33:01.880 --> 0:33:04.360
<v Speaker 2>her twenties, who's been flipping all over the place as

0:33:04.400 --> 0:33:08.040
<v Speaker 2>a gymnast, so it's like it's easier to cover maybe

0:33:08.080 --> 0:33:11.200
<v Speaker 2>you don't have the dance aspect when you're doing splits

0:33:11.240 --> 0:33:13.160
<v Speaker 2>in mid air and all this other stuff where he's

0:33:13.200 --> 0:33:16.760
<v Speaker 2>probably like, I'm fifty something years old and my body's

0:33:16.760 --> 0:33:18.800
<v Speaker 2>a little bit wrecked. So yeah, I'm going to do

0:33:18.840 --> 0:33:21.120
<v Speaker 2>the running Man, which was kind of cool, And it's

0:33:21.200 --> 0:33:23.520
<v Speaker 2>more that's more about the personality and the entertainment than

0:33:23.520 --> 0:33:25.200
<v Speaker 2>anything else. Right now, we have to see if they

0:33:25.280 --> 0:33:26.760
<v Speaker 2>progress actually as dancers.

0:33:26.840 --> 0:33:29.040
<v Speaker 1>I know, I'm really hoping they do, because I did

0:33:29.040 --> 0:33:30.400
<v Speaker 1>find it entertaining, it was fun.

0:33:30.520 --> 0:33:32.560
<v Speaker 2>I did too, But he's also on my list of

0:33:32.600 --> 0:33:35.760
<v Speaker 2>it's real possible that he's on the bubble to go. Yeah,

0:33:36.000 --> 0:33:37.200
<v Speaker 2>And this is where we're going to see if it's

0:33:37.200 --> 0:33:39.320
<v Speaker 2>about dancing or it's about a personality contest, because there's

0:33:39.320 --> 0:33:41.760
<v Speaker 2>two or three. If it's just about dancing, where it's like, okay,

0:33:41.760 --> 0:33:43.560
<v Speaker 2>they're clearly not dancers, you know.

0:33:44.080 --> 0:33:46.360
<v Speaker 1>They both got fives from the judges, giving them a

0:33:46.360 --> 0:33:51.120
<v Speaker 1>total score of ten, which seemed like a.

0:33:49.600 --> 0:33:50.320
<v Speaker 3>Bit of a gift.

0:33:50.440 --> 0:33:52.440
<v Speaker 2>Yes, and a bit of a gift since later people

0:33:52.480 --> 0:33:54.840
<v Speaker 2>got a little bit lower that easily could have been lower,

0:33:54.840 --> 0:33:56.720
<v Speaker 2>but I think his personality pushed it over the edge.

0:33:57.120 --> 0:34:02.120
<v Speaker 1>Next up we had Alex Earl and Val Schmerkovski. Alex

0:34:02.320 --> 0:34:06.480
<v Speaker 1>is an online influencer. Her effect has been dubbed the

0:34:06.520 --> 0:34:10.360
<v Speaker 1>Alex Earl Effect, referring to her ability to make products

0:34:10.400 --> 0:34:11.040
<v Speaker 1>go viral.

0:34:11.880 --> 0:34:13.640
<v Speaker 2>She has an effect. She's big enough to have her

0:34:13.640 --> 0:34:19.720
<v Speaker 2>own effect, I guess. So they danced to Britney Spears Circus.

0:34:20.640 --> 0:34:24.879
<v Speaker 2>This was a This was the biggest set of the night.

0:34:25.080 --> 0:34:26.560
<v Speaker 3>The big fire boobies behind you.

0:34:26.440 --> 0:34:29.600
<v Speaker 1>You see the fire boobies circle, but they did. When

0:34:29.600 --> 0:34:30.960
<v Speaker 1>you look at it straight on, it looked like two

0:34:30.960 --> 0:34:32.799
<v Speaker 1>pairs of fire boobies. Really, I thought it was just

0:34:32.880 --> 0:34:34.960
<v Speaker 1>one circle. What are you talking about? No, this was

0:34:35.000 --> 0:34:35.600
<v Speaker 1>fire boobies.

0:34:35.600 --> 0:34:37.759
<v Speaker 2>In the BacT, there's two things like spinning that looked

0:34:37.800 --> 0:34:38.759
<v Speaker 2>like she started.

0:34:38.480 --> 0:34:42.160
<v Speaker 1>On a little stand with a whip. It was. There

0:34:42.200 --> 0:34:45.600
<v Speaker 1>was a lot going on, and frankly, I don't think

0:34:45.600 --> 0:34:48.120
<v Speaker 1>they needed it. I think she I think she was

0:34:48.160 --> 0:34:54.120
<v Speaker 1>a very good dancer. But going back to like what

0:34:54.120 --> 0:34:57.719
<v Speaker 1>what what Elaine Hendrix brought to her performance, this was

0:34:57.719 --> 0:35:00.279
<v Speaker 1>like the opposite of that. I felt like she was

0:35:00.360 --> 0:35:03.799
<v Speaker 1>kind of stiff. Stiff. I agree, we're doing all the

0:35:03.840 --> 0:35:08.239
<v Speaker 1>moves right, but you under dead inside. It was, yes,

0:35:08.280 --> 0:35:11.200
<v Speaker 1>there's no soul like it was a little bit soulless,

0:35:11.280 --> 0:35:14.359
<v Speaker 1>like it was technically very good, but there was kind

0:35:14.360 --> 0:35:16.560
<v Speaker 1>of no soul behind it. And I feel like all

0:35:16.600 --> 0:35:19.600
<v Speaker 1>the fireworks and fires and whips was all an attempt

0:35:19.640 --> 0:35:23.560
<v Speaker 1>to kind of distract from that. So the judges gave

0:35:23.600 --> 0:35:25.520
<v Speaker 1>them a seven and a six.

0:35:25.760 --> 0:35:29.319
<v Speaker 3>Fire boobies do it every time, and.

0:35:29.280 --> 0:35:31.319
<v Speaker 1>It's it's interesting because you know, I feel a little

0:35:31.400 --> 0:35:34.560
<v Speaker 1>unfair because we're saying, you know, but by the criteria

0:35:34.600 --> 0:35:36.959
<v Speaker 1>and of like was I was watching or going, well, yeah,

0:35:37.000 --> 0:35:39.239
<v Speaker 1>you can dance, but I don't know if I want

0:35:39.239 --> 0:35:40.400
<v Speaker 1>to keep watching you dance.

0:35:40.640 --> 0:35:43.040
<v Speaker 3>Isn't that weird? It's not fully entertaining.

0:35:43.560 --> 0:35:46.120
<v Speaker 2>And also I noticed this like fire Boobies is a

0:35:46.120 --> 0:35:48.279
<v Speaker 2>perfect example, which I'm going to keep saying as often

0:35:48.320 --> 0:35:48.759
<v Speaker 2>as I can.

0:35:49.680 --> 0:35:51.440
<v Speaker 1>It's a perfect example of when we were watching.

0:35:51.440 --> 0:35:54.400
<v Speaker 2>When I was watching it back on TV, I was

0:35:54.440 --> 0:35:56.920
<v Speaker 2>watching all the stuff going on around her, all the

0:35:57.000 --> 0:35:59.279
<v Speaker 2>fire in the flames and everything else, and then I

0:35:59.280 --> 0:36:01.680
<v Speaker 2>was like, oh, that's right, concentrate on her dancing. It

0:36:01.760 --> 0:36:04.560
<v Speaker 2>was secondary to everything else that was happening on stage.

0:36:04.760 --> 0:36:07.680
<v Speaker 3>So I, yeah, it's there's a lot going on. There's

0:36:07.680 --> 0:36:08.239
<v Speaker 3>a lot going on.

0:36:08.600 --> 0:36:12.520
<v Speaker 1>Yeah, all right, So you would you have kept the no?

0:36:12.520 --> 0:36:14.120
<v Speaker 3>I would have They gave it one, gave us seven,

0:36:14.160 --> 0:36:14.879
<v Speaker 3>and one gave us six.

0:36:14.960 --> 0:36:17.160
<v Speaker 2>I would have probably done dual sixes or maybe even

0:36:17.200 --> 0:36:18.160
<v Speaker 2>a five and a six. Yeah.

0:36:18.200 --> 0:36:20.640
<v Speaker 1>I think they're really reacting to the dancing more than

0:36:20.640 --> 0:36:24.120
<v Speaker 1>the game. Yes, all right. Next up, we had Scott

0:36:24.120 --> 0:36:28.080
<v Speaker 1>Hoyne and Riley Arnold. Uh. Scott is a Grammy and

0:36:28.080 --> 0:36:31.840
<v Speaker 1>an Emmy Award winning musician from the group Pentatonics.

0:36:32.040 --> 0:36:33.600
<v Speaker 3>Yeah, this on our Christmas playlist.

0:36:33.640 --> 0:36:36.520
<v Speaker 2>Their Little drummer Boy brings the house down, my friend,

0:36:36.680 --> 0:36:37.920
<v Speaker 2>their real life pitch perfect.

0:36:37.960 --> 0:36:39.960
<v Speaker 1>Yeah, I want to check them out. They've they've sold

0:36:40.360 --> 0:36:43.000
<v Speaker 1>over thirteen million albums, thirty.

0:36:42.719 --> 0:36:43.520
<v Speaker 3>Two billion albums.

0:36:43.560 --> 0:36:43.719
<v Speaker 1>Yeah.

0:36:43.800 --> 0:36:44.000
<v Speaker 2>Wow.

0:36:44.040 --> 0:36:44.520
<v Speaker 4>They did the.

0:36:44.480 --> 0:36:49.279
<v Speaker 1>Tango to Abercadabra by Lady Gaga. You could tell in

0:36:49.719 --> 0:36:53.839
<v Speaker 1>his package, his pre dance package that he was uncomfortable

0:36:54.080 --> 0:36:57.040
<v Speaker 1>and kind of an awkward dancer, and he said this

0:36:57.080 --> 0:37:00.600
<v Speaker 1>thing about being more vulnerable than singing, which I found

0:37:00.680 --> 0:37:02.480
<v Speaker 1>really interesting. I was like, do I feel that way,

0:37:02.480 --> 0:37:04.719
<v Speaker 1>because singing is also very vulnerable.

0:37:04.520 --> 0:37:06.080
<v Speaker 2>Right, but not when you're He's in a group with

0:37:06.120 --> 0:37:08.759
<v Speaker 2>like six other people doing harmony, so it's like you're

0:37:08.800 --> 0:37:10.760
<v Speaker 2>there with your friends. Like when I go on stage

0:37:10.760 --> 0:37:12.960
<v Speaker 2>by myself, I'm terrified. When I'm there with you and Danielle,

0:37:13.000 --> 0:37:14.560
<v Speaker 2>I'm totally completely relaxed.

0:37:14.640 --> 0:37:17.280
<v Speaker 1>Yeah true. So yeah, So what'd you think of the dance?

0:37:17.920 --> 0:37:19.920
<v Speaker 2>I thought he was clunky and a bit stiff, and

0:37:20.760 --> 0:37:22.360
<v Speaker 2>she was over compensating a little.

0:37:23.640 --> 0:37:25.200
<v Speaker 3>Dred percent. She was trying hard.

0:37:25.680 --> 0:37:28.200
<v Speaker 2>And I think one of the things we also never

0:37:28.280 --> 0:37:30.880
<v Speaker 2>talk about and should never in the history of this show,

0:37:31.040 --> 0:37:33.960
<v Speaker 2>by the way, we're halfway through our first episode, that

0:37:34.120 --> 0:37:37.240
<v Speaker 2>the professional dancers have to be pretty, you know, pretty

0:37:37.400 --> 0:37:40.600
<v Speaker 2>nervous as well. So I felt for the first time

0:37:40.600 --> 0:37:42.759
<v Speaker 2>that the professional dancer was a little bit nervous and that,

0:37:43.120 --> 0:37:45.279
<v Speaker 2>like you said, pushing it a little bit, and it

0:37:45.400 --> 0:37:47.040
<v Speaker 2>was not my favorite dance of the night.

0:37:47.200 --> 0:37:49.760
<v Speaker 1>What a hard job to be these dancers. I couldn't imagine.

0:37:49.760 --> 0:37:51.319
<v Speaker 1>I mean, you no idea what you're dealing with, what

0:37:51.360 --> 0:37:53.000
<v Speaker 1>you're going to get, and you have to work with

0:37:53.040 --> 0:37:55.080
<v Speaker 1>what you've got, right, Yeah, So when you when when

0:37:55.400 --> 0:37:59.680
<v Speaker 1>you know, Baron shows up and he's wanting to do

0:38:00.120 --> 0:38:03.080
<v Speaker 1>something like hip hop related, but you're trying to do

0:38:03.440 --> 0:38:05.360
<v Speaker 1>you know, like that's a challenge.

0:38:05.040 --> 0:38:07.680
<v Speaker 3>Or I'm so sure Sue and I were talking about this.

0:38:07.760 --> 0:38:10.279
<v Speaker 2>I'm sure that when they find out who their celebrity is,

0:38:10.280 --> 0:38:11.600
<v Speaker 2>there's a bunch of them that are like, oh, I'm

0:38:11.640 --> 0:38:13.080
<v Speaker 2>not going to win this year, Like there's.

0:38:12.920 --> 0:38:14.799
<v Speaker 1>No because I think winning is a big deal for

0:38:14.880 --> 0:38:15.480
<v Speaker 1>the dancers.

0:38:15.920 --> 0:38:18.040
<v Speaker 2>So it's I think there's times where they get paired

0:38:18.040 --> 0:38:20.000
<v Speaker 2>with somebody where they're like, Okay, well it'll be fun,

0:38:20.000 --> 0:38:21.400
<v Speaker 2>they'll be nice, but there's no way.

0:38:21.239 --> 0:38:23.759
<v Speaker 1>We're going to win anything this year. So, yeah, the

0:38:23.840 --> 0:38:25.480
<v Speaker 1>judges gave them five and five.

0:38:25.840 --> 0:38:26.719
<v Speaker 3>I thought it was fair.

0:38:26.760 --> 0:38:29.800
<v Speaker 2>It could have gone a little lower, agreed, lower it agreed,

0:38:29.840 --> 0:38:31.280
<v Speaker 2>but I thought it was fair, but lower.

0:38:32.200 --> 0:38:35.320
<v Speaker 1>Next up, the one and only one. Let's gip this, Daniel,

0:38:35.480 --> 0:38:37.200
<v Speaker 1>we should just skip this one. Let's just skip this one.

0:38:37.280 --> 0:38:40.839
<v Speaker 1>Daniel Fisher and Pasha Pashkov. If you don't know who

0:38:40.920 --> 0:38:41.880
<v Speaker 1>Danielle is, look her up.

0:38:42.280 --> 0:38:42.480
<v Speaker 2>Yeah.

0:38:43.640 --> 0:38:48.000
<v Speaker 1>I thought these guys killed it. Yes, we're obviously biased,

0:38:48.440 --> 0:38:50.560
<v Speaker 1>but for all the reasons we've already sort of talked about.

0:38:50.640 --> 0:38:55.880
<v Speaker 1>It was stripped down, it was focused, it was delightful.

0:38:56.160 --> 0:38:59.520
<v Speaker 1>I in the room, I liked it a lot. Seeing

0:38:59.560 --> 0:39:02.240
<v Speaker 1>it back, I liked it even more. One hundred percent

0:39:02.280 --> 0:39:05.840
<v Speaker 1>agree they had Uh so they did the tango too

0:39:05.880 --> 0:39:10.040
<v Speaker 1>Stronger by Kelly Clarkson. They had for the first time

0:39:10.320 --> 0:39:14.000
<v Speaker 1>I felt, and maybe like the truly the most of anybody,

0:39:14.239 --> 0:39:15.840
<v Speaker 1>a real connection as dancers.

0:39:16.680 --> 0:39:19.480
<v Speaker 2>It was well, did you also notice it started with

0:39:19.800 --> 0:39:22.480
<v Speaker 2>the most Danielle thing you'll ever see in your life?

0:39:22.680 --> 0:39:23.719
<v Speaker 1>What? Well?

0:39:23.800 --> 0:39:26.400
<v Speaker 2>It started and the lights come up and she fixes

0:39:26.440 --> 0:39:29.680
<v Speaker 2>his suit. Really, Yeah, it's the first thing she did

0:39:29.800 --> 0:39:31.719
<v Speaker 2>was pat his shoulders down and fix his suit like

0:39:31.760 --> 0:39:34.480
<v Speaker 2>the mom. And Danielle is always there tak care of

0:39:34.480 --> 0:39:36.520
<v Speaker 2>her partner. And that's so the first thing. I was like,

0:39:36.560 --> 0:39:37.919
<v Speaker 2>that's the most Danielle thing in the world.

0:39:37.960 --> 0:39:41.400
<v Speaker 1>They felt so alive, they felt like they were having fun. Ye,

0:39:42.040 --> 0:39:46.720
<v Speaker 1>it was like sexy and like it was still technically good,

0:39:46.800 --> 0:39:49.640
<v Speaker 1>but it felt human. It felt like they were owning

0:39:49.680 --> 0:39:51.920
<v Speaker 1>it like only these two people could. And that to

0:39:51.960 --> 0:39:53.319
<v Speaker 1>me is like the greatest that's it.

0:39:53.480 --> 0:39:55.839
<v Speaker 2>And they were just dancing. There's no fire, there's no thing.

0:39:56.000 --> 0:39:58.080
<v Speaker 2>When she's grabbing the back of his head and looking

0:39:58.160 --> 0:40:00.400
<v Speaker 2>him in the eye. You believed that almost more than

0:40:00.400 --> 0:40:02.799
<v Speaker 2>you did anybody else who was dancing tonight, one hundred percent.

0:40:03.239 --> 0:40:06.160
<v Speaker 1>So the judges gave them six and six gave her

0:40:06.160 --> 0:40:09.400
<v Speaker 1>a note about her shoulders, which I didn't notice, but

0:40:09.440 --> 0:40:12.680
<v Speaker 1>I guess is a common note, and I took a

0:40:13.080 --> 0:40:17.040
<v Speaker 1>only note ya, do your shoulders things okay?

0:40:17.239 --> 0:40:19.279
<v Speaker 2>And they even said they commented on how they're going

0:40:19.360 --> 0:40:20.520
<v Speaker 2>to say that all season long.

0:40:20.520 --> 0:40:24.280
<v Speaker 1>Shoulders shoulder, shoulders, shoulder, that's a thing. Yeah, I think

0:40:24.480 --> 0:40:26.880
<v Speaker 1>I think Derek should have probably given them a seven.

0:40:26.960 --> 0:40:27.719
<v Speaker 1>I'm not sure why.

0:40:27.880 --> 0:40:29.160
<v Speaker 3>I don't disagree with you.

0:40:29.239 --> 0:40:30.600
<v Speaker 1>I thought they were absolutely wonderful.

0:40:30.680 --> 0:40:33.279
<v Speaker 2>But I also thought, you know a word I love

0:40:33.400 --> 0:40:38.480
<v Speaker 2>George Bush word strategery, thinking of strategicy. They have a

0:40:38.480 --> 0:40:40.799
<v Speaker 2>lot of places to go now with where they can.

0:40:40.840 --> 0:40:43.799
<v Speaker 2>I'd also like to take a very brief pause here,

0:40:43.880 --> 0:40:46.359
<v Speaker 2>because I'm going to be introducing a little segment here

0:40:46.440 --> 0:40:49.480
<v Speaker 2>every week that I am calling.

0:40:49.480 --> 0:40:53.040
<v Speaker 1>Will his history of dance? Oh please?

0:40:53.280 --> 0:40:56.440
<v Speaker 2>Now, yes, because you know I don't dance myself. But

0:40:56.520 --> 0:40:58.400
<v Speaker 2>the other thing you might not know is all I

0:40:58.480 --> 0:41:00.640
<v Speaker 2>do is read and study it out dancing.

0:41:01.040 --> 0:41:02.960
<v Speaker 1>Really, so all of this is off the top of

0:41:02.960 --> 0:41:03.359
<v Speaker 1>my head.

0:41:03.960 --> 0:41:04.840
<v Speaker 3>I just want you to know.

0:41:04.920 --> 0:41:07.000
<v Speaker 2>So every week I'm going to be doing a very

0:41:07.160 --> 0:41:09.720
<v Speaker 2>very small and brief history of the dance that Danielle

0:41:09.760 --> 0:41:11.560
<v Speaker 2>is doing, unless she doubles up, and then we'll pick

0:41:11.600 --> 0:41:13.520
<v Speaker 2>on something. If she does the tango again, we'll do

0:41:13.560 --> 0:41:15.160
<v Speaker 2>something else. But we're going to get everybody the brief

0:41:15.200 --> 0:41:17.160
<v Speaker 2>history of dance. So, just off the top of my head,

0:41:17.160 --> 0:41:19.160
<v Speaker 2>I wanted you to know that tango originated in the

0:41:19.200 --> 0:41:22.000
<v Speaker 2>late nineteenth century in the Rio de la Plata region

0:41:22.000 --> 0:41:25.000
<v Speaker 2>of Buenos Aires, Argentina and Montevideo, Uruguay.

0:41:25.400 --> 0:41:27.759
<v Speaker 1>You're not reading this. This is this is I just

0:41:27.800 --> 0:41:28.680
<v Speaker 1>figured you'd want to know this.

0:41:28.719 --> 0:41:31.600
<v Speaker 2>I'm not reading this, reading it as a fusion of

0:41:31.680 --> 0:41:35.880
<v Speaker 2>musical and dance traditions from European immigrants and African rhythms. Initially,

0:41:36.000 --> 0:41:38.759
<v Speaker 2>this is interesting the expression of immigrants and outcasts in

0:41:38.800 --> 0:41:41.839
<v Speaker 2>the slums and bordellos. Tango gained popularity by the turn

0:41:41.880 --> 0:41:44.160
<v Speaker 2>of the twentieth century, spreading to the middle class, into

0:41:44.160 --> 0:41:47.239
<v Speaker 2>the upper class, and then eventually becoming a global phenomenon,

0:41:47.320 --> 0:41:53.000
<v Speaker 2>notably in Paris. Today, encomasses various styles, with Argentine tango

0:41:53.080 --> 0:41:57.080
<v Speaker 2>remaining a cherist cultural tradition alongside ballroom and North American variations.

0:41:57.680 --> 0:42:00.279
<v Speaker 1>Do you regularly just throw the word bordellos into I do?

0:42:00.880 --> 0:42:03.840
<v Speaker 2>I was gonna say brothels, that's but you know I

0:42:03.840 --> 0:42:05.640
<v Speaker 2>I thought everybody would want to know that again, just

0:42:06.239 --> 0:42:08.920
<v Speaker 2>t oh baby, top of the head. I thought everybody

0:42:08.960 --> 0:42:10.319
<v Speaker 2>should know what was going on. We're gonna do that

0:42:10.320 --> 0:42:12.720
<v Speaker 2>every week because I have it all in the dome.

0:42:12.880 --> 0:42:18.120
<v Speaker 1>So I'll just let you know, okay. Next up, Jen

0:42:18.200 --> 0:42:23.160
<v Speaker 1>Affleck and Jan Ravnik. Jen is the other secret Mormon

0:42:23.200 --> 0:42:27.279
<v Speaker 1>wive wife. Why wife? Are they all married to the

0:42:27.320 --> 0:42:27.840
<v Speaker 1>same person?

0:42:27.960 --> 0:42:28.360
<v Speaker 3>No?

0:42:28.160 --> 0:42:31.040
<v Speaker 1>No, that's not. They're not polygamous.

0:42:31.040 --> 0:42:33.799
<v Speaker 2>There's just and I think there is something comical about

0:42:33.840 --> 0:42:35.640
<v Speaker 2>the fact that there's multiple Mormon wives.

0:42:37.880 --> 0:42:41.360
<v Speaker 1>They're dancing, all right. They danced the salsa to Nueva

0:42:41.440 --> 0:42:44.839
<v Speaker 1>Yold by Bad Bunny. I thought this was pretty good.

0:42:44.920 --> 0:42:46.200
<v Speaker 3>I did too. I did too.

0:42:46.280 --> 0:42:49.000
<v Speaker 2>I thought they were actually dancing this alsa. Yes, it

0:42:49.040 --> 0:42:50.040
<v Speaker 2>wasn't a bunch of fluff.

0:42:50.040 --> 0:42:52.120
<v Speaker 1>It was dancing this. In the pre show bagage, they

0:42:52.160 --> 0:42:56.240
<v Speaker 1>announced that she had just had a baby eight weeks ago. Yeah,

0:42:56.280 --> 0:42:59.680
<v Speaker 1>what isn't that crazy? Like we thought Danielle was taking

0:42:59.680 --> 0:43:02.320
<v Speaker 1>on a lot doing this, Like seriously, She's has three kids,

0:43:02.360 --> 0:43:05.560
<v Speaker 1>all under three, and she took this on. I thought

0:43:05.719 --> 0:43:09.360
<v Speaker 1>she was incredible, amazing, not even just even if I

0:43:09.440 --> 0:43:11.279
<v Speaker 1>hadn't known that, but knowing that it makes it even

0:43:11.719 --> 0:43:15.600
<v Speaker 1>more incredible. Yeah, I could tell that it was a

0:43:15.640 --> 0:43:20.320
<v Speaker 1>bigger production. Again, she was being tossed around a lot. Yes,

0:43:20.680 --> 0:43:23.280
<v Speaker 1>but that kind of makes sense. She had a baby

0:43:23.320 --> 0:43:24.000
<v Speaker 1>eight weeks ago.

0:43:24.400 --> 0:43:24.799
<v Speaker 2>Ye. So.

0:43:25.520 --> 0:43:28.480
<v Speaker 1>But the judges actually commented on the lifts, the amount

0:43:28.520 --> 0:43:31.080
<v Speaker 1>of lifts, slowing down the flow, which I did feel.

0:43:31.760 --> 0:43:32.839
<v Speaker 3>I got that as well.

0:43:32.880 --> 0:43:35.600
<v Speaker 2>But I also thought there was something interesting about seeing

0:43:35.600 --> 0:43:37.799
<v Speaker 2>what I imagine and again I could be wrong. A

0:43:37.840 --> 0:43:41.680
<v Speaker 2>traditional salsa. The music there, the costumes, the pageantry. It

0:43:41.719 --> 0:43:44.680
<v Speaker 2>seemed like this is what traditional salsa is. And again

0:43:44.719 --> 0:43:46.560
<v Speaker 2>I could be wrong, but that's what I It seemed

0:43:46.600 --> 0:43:48.840
<v Speaker 2>like to me, right, and it was as hugely entertaining.

0:43:49.080 --> 0:43:52.319
<v Speaker 1>Well, the judges gave it six and six, so that's fair.

0:43:52.400 --> 0:43:53.080
<v Speaker 3>I think that was fair.

0:43:53.120 --> 0:43:56.480
<v Speaker 1>Really, I'm wondering if it was a little high. Really, yeah,

0:43:56.640 --> 0:43:58.960
<v Speaker 1>because if we're going with the first week, you know,

0:43:59.520 --> 0:44:02.520
<v Speaker 1>challenge your self mentality. I think I think one of

0:44:02.520 --> 0:44:05.839
<v Speaker 1>them could have probably given them a five. Interesting cut

0:44:05.840 --> 0:44:08.359
<v Speaker 1>them on their toes, fair enough, all right? Next up

0:44:08.960 --> 0:44:12.920
<v Speaker 1>Corey Feldman and Jenna Johnson. Cory. You know, I've actually

0:44:13.000 --> 0:44:17.200
<v Speaker 1>never met Corey, we haven't. Is an interesting dude. Yeah, yeah,

0:44:17.280 --> 0:44:19.560
<v Speaker 1>So he was a child star in the eighties from

0:44:19.640 --> 0:44:22.680
<v Speaker 1>stand By Me, the Goonies, Lost Boys, Tene mun Ninja,

0:44:22.680 --> 0:44:25.839
<v Speaker 1>Turtles in the nineties and he's been a musician, uh

0:44:26.160 --> 0:44:30.319
<v Speaker 1>lately and is has this dance history, but it's all

0:44:30.520 --> 0:44:34.279
<v Speaker 1>very Michael Jackson, straight up like Michael. So they danced

0:44:34.280 --> 0:44:37.880
<v Speaker 1>the tango too. It's still rock and roll to me. Yeah, this,

0:44:38.120 --> 0:44:40.240
<v Speaker 1>you know, this was one of those examples of somebody

0:44:40.400 --> 0:44:44.120
<v Speaker 1>bringing a lot of personality, bringing a certain skill set,

0:44:44.239 --> 0:44:45.800
<v Speaker 1>but is it the tango.

0:44:46.200 --> 0:44:49.440
<v Speaker 2>Also, I was not a huge fan you're talking about personality.

0:44:49.480 --> 0:44:51.680
<v Speaker 2>Wasn't a huge fan of some of his facial expressions.

0:44:51.680 --> 0:44:53.879
<v Speaker 2>I thought it was a little much at times. Okay,

0:44:54.000 --> 0:44:55.520
<v Speaker 2>I thought it was a little bit much. And yes,

0:44:55.560 --> 0:44:58.279
<v Speaker 2>he's he talked about how he has scoliosis, so you know,

0:44:58.320 --> 0:45:01.680
<v Speaker 2>I'm sure he can't there. Mobility is probably an issue

0:45:01.680 --> 0:45:05.000
<v Speaker 2>with some of it, especially since every single dance ends

0:45:05.000 --> 0:45:06.759
<v Speaker 2>with the woman bent over and the guy holding her

0:45:06.800 --> 0:45:09.600
<v Speaker 2>for some reason, every single dance the whole night. But yeah,

0:45:09.600 --> 0:45:12.479
<v Speaker 2>this was one of those kind of stiff, a little

0:45:12.520 --> 0:45:13.319
<v Speaker 2>cringey ones for me.

0:45:13.360 --> 0:45:15.160
<v Speaker 1>Yeah, the judges gave it a four and five. This

0:45:15.239 --> 0:45:16.520
<v Speaker 1>was the first four of the night.

0:45:17.160 --> 0:45:18.000
<v Speaker 3>I thought that was fair.

0:45:18.480 --> 0:45:20.560
<v Speaker 1>You see. I didn't at the time when we were alive,

0:45:20.600 --> 0:45:23.920
<v Speaker 1>because I was like, come on, the guy is doing

0:45:24.040 --> 0:45:26.680
<v Speaker 1>everything he can. But when I watched it back, I

0:45:26.719 --> 0:45:29.000
<v Speaker 1>was like, yeah, it's not. It's I want to see

0:45:29.040 --> 0:45:32.840
<v Speaker 1>you actually pull off the dance moves, I agree, not

0:45:33.280 --> 0:45:35.080
<v Speaker 1>just do your little Michael Jackson's stuff.

0:45:35.160 --> 0:45:37.680
<v Speaker 2>Yes, so yeah, and she was talking to him the

0:45:37.680 --> 0:45:40.920
<v Speaker 2>whole time. Yeah, she's talking to him the whole time. Yep.

0:45:41.239 --> 0:45:41.560
<v Speaker 4>All right.

0:45:41.600 --> 0:45:45.040
<v Speaker 1>Then we had Lauren Hereggie and Brandon Armstrong. Lauren is

0:45:45.040 --> 0:45:51.000
<v Speaker 1>a singer known for the girl group Fifth Harmony. This

0:45:51.160 --> 0:45:54.399
<v Speaker 1>was incredible. I thought this was probably the best dance

0:45:54.400 --> 0:45:56.319
<v Speaker 1>of the night. She's up there.

0:45:56.360 --> 0:45:58.840
<v Speaker 3>It's not my favorite one, but she's certainly up there.

0:45:58.840 --> 0:46:01.440
<v Speaker 1>As I mean, well, you're in the back for Irwin,

0:46:01.480 --> 0:46:01.799
<v Speaker 1>aren't you.

0:46:02.040 --> 0:46:03.160
<v Speaker 3>I could not how do you?

0:46:03.320 --> 0:46:05.120
<v Speaker 1>How can you not be? I mean the guy brought

0:46:05.120 --> 0:46:07.320
<v Speaker 1>the hose down at the end. It was so good.

0:46:07.560 --> 0:46:09.080
<v Speaker 3>But there's a problem with that, which we'll get to.

0:46:09.160 --> 0:46:13.600
<v Speaker 3>But yes, no, she was. She was great, uh all

0:46:13.640 --> 0:46:13.880
<v Speaker 3>of it.

0:46:14.080 --> 0:46:17.400
<v Speaker 2>I mean it was super entertaining and yeah she was

0:46:17.640 --> 0:46:21.839
<v Speaker 2>personable and the yeah, great, great, totally great.

0:46:22.239 --> 0:46:22.560
<v Speaker 4>All right.

0:46:22.600 --> 0:46:26.439
<v Speaker 1>The judges gave uh seven and six and it could

0:46:26.440 --> 0:46:28.239
<v Speaker 1>have been double seven's. I think it could have been

0:46:28.280 --> 0:46:31.680
<v Speaker 1>double sevens agreed, I agreed, yep, this could have been higher. Agreed,

0:46:31.680 --> 0:46:35.040
<v Speaker 1>one hundred percent. All right. Next up we had Andy

0:46:35.120 --> 0:46:39.200
<v Speaker 1>Richter and Emma Slater. So this was another example of

0:46:39.640 --> 0:46:43.160
<v Speaker 1>a non dancing man well known for comedy coming out

0:46:43.200 --> 0:46:47.839
<v Speaker 1>and uh doing his best. I felt the age, which

0:46:47.880 --> 0:46:50.000
<v Speaker 1>is a bummer he said he was worried about his

0:46:50.120 --> 0:46:52.239
<v Speaker 1>legs holding up, and you could feel that tension to

0:46:52.280 --> 0:46:54.239
<v Speaker 1>tell it, you could tell, and you know, he was

0:46:54.760 --> 0:46:59.279
<v Speaker 1>so entertaining to watch. His faces were great. He had

0:46:59.760 --> 0:47:04.200
<v Speaker 1>a you know, this sort of fun mugging quality, maybe

0:47:04.320 --> 0:47:07.200
<v Speaker 1>we'll call it, but it totally worked for me. But

0:47:07.480 --> 0:47:09.960
<v Speaker 1>I wanted to see him pushing his body a little

0:47:10.000 --> 0:47:12.319
<v Speaker 1>bit farther, which I don't know if he can.

0:47:12.719 --> 0:47:15.360
<v Speaker 3>He also lost it in the interview.

0:47:16.680 --> 0:47:18.520
<v Speaker 2>Because they asked him why are you here, and the

0:47:18.560 --> 0:47:20.839
<v Speaker 2>first thing he answered was a paycheck? And when you

0:47:20.920 --> 0:47:22.960
<v Speaker 2>say that, even as a joke, you're going to turn

0:47:23.000 --> 0:47:25.359
<v Speaker 2>off some people, right, So I feel like he kind

0:47:25.360 --> 0:47:27.759
<v Speaker 2>of might have lost it in the well, he's on

0:47:27.800 --> 0:47:28.160
<v Speaker 2>the bubble.

0:47:28.200 --> 0:47:31.200
<v Speaker 1>To me, he's a comedian, right, so he's used to

0:47:31.280 --> 0:47:35.080
<v Speaker 1>a sort of level of irony that probably doesn't feel

0:47:35.120 --> 0:47:37.719
<v Speaker 1>appropriate to this show. This show feels very earnest. You know,

0:47:37.760 --> 0:47:40.560
<v Speaker 1>this show is very much like beautiful people are doing

0:47:40.560 --> 0:47:44.120
<v Speaker 1>beautiful things, and like it takes seriously Yeah, and I

0:47:44.120 --> 0:47:47.040
<v Speaker 1>think if you try and like do that in any

0:47:47.080 --> 0:47:50.600
<v Speaker 1>sort of ironic or mocking or you know, self even

0:47:50.880 --> 0:47:53.799
<v Speaker 1>somewhat self deprecating way, I don't know if it works. No,

0:47:53.880 --> 0:47:54.759
<v Speaker 1>I don't think so either.

0:47:54.920 --> 0:47:58.880
<v Speaker 2>Self deprecating is fine, but this is they want you

0:47:59.000 --> 0:48:00.759
<v Speaker 2>to stand up there and say, I'm so happy to

0:48:00.800 --> 0:48:01.080
<v Speaker 2>be here.

0:48:01.160 --> 0:48:03.120
<v Speaker 3>I was, you know, this has been a struggle for me.

0:48:03.200 --> 0:48:03.960
<v Speaker 3>That's what they're looking for.

0:48:04.000 --> 0:48:06.879
<v Speaker 2>They're looking for that open, honest and so even kind

0:48:06.880 --> 0:48:08.760
<v Speaker 2>of making light of like, well, I'm here for the paycheck,

0:48:09.040 --> 0:48:09.439
<v Speaker 2>we thought.

0:48:09.480 --> 0:48:10.280
<v Speaker 3>I think it's funny.

0:48:10.280 --> 0:48:11.920
<v Speaker 2>We know where he's coming from because we live in

0:48:12.000 --> 0:48:13.000
<v Speaker 2>kind of a world of comedy.

0:48:13.040 --> 0:48:15.160
<v Speaker 1>But for the voters, I'm not sure that was the

0:48:15.200 --> 0:48:15.640
<v Speaker 1>way to go.

0:48:16.239 --> 0:48:16.600
<v Speaker 2>All right.

0:48:16.640 --> 0:48:20.239
<v Speaker 1>They ended up with a score of nine. Next up

0:48:20.360 --> 0:48:24.600
<v Speaker 1>was Laria Baldwin and Gleb Suchenko. So, Alaria Baldwin is

0:48:25.120 --> 0:48:29.560
<v Speaker 1>Alec Baldwin's wife, and she's a yoga instructor, podcaster, an author.

0:48:29.840 --> 0:48:33.680
<v Speaker 1>They have seven kids. Seven kids? How many children people have? Yep?

0:48:34.160 --> 0:48:34.440
<v Speaker 3>Wow.

0:48:35.120 --> 0:48:38.600
<v Speaker 1>And apparently was a dancer and had an injury and

0:48:38.640 --> 0:48:42.040
<v Speaker 1>had to take take a long time off that came

0:48:42.080 --> 0:48:44.920
<v Speaker 1>back with the Chacha chaw Let's get loud by j

0:48:45.080 --> 0:48:49.279
<v Speaker 1>Lo And this was just wonderful. She was incredible And

0:48:49.760 --> 0:48:53.760
<v Speaker 1>this is like clearly like the beginning of a return

0:48:53.920 --> 0:48:55.880
<v Speaker 1>for her to something that she's really good.

0:48:55.719 --> 0:48:57.200
<v Speaker 3>At Yeah, I think so too.

0:48:57.920 --> 0:49:03.080
<v Speaker 2>I think there's between her and Elaine. I think the

0:49:03.160 --> 0:49:04.839
<v Speaker 2>two of them are probably going to go very far.

0:49:04.920 --> 0:49:06.800
<v Speaker 2>And you can tell these are people with dance experience.

0:49:06.840 --> 0:49:08.000
<v Speaker 1>I mean you can you know.

0:49:08.200 --> 0:49:10.560
<v Speaker 2>It's the whole show is about race racing cars, and

0:49:10.560 --> 0:49:11.719
<v Speaker 2>two of them used to race cars.

0:49:11.840 --> 0:49:12.919
<v Speaker 1>You're going to be able to tell.

0:49:13.440 --> 0:49:15.600
<v Speaker 2>So it's you know, they used to dance, and you

0:49:15.600 --> 0:49:18.040
<v Speaker 2>can tell that they used to dance, and it was great.

0:49:18.400 --> 0:49:20.640
<v Speaker 1>Can she win them back? If she's good enough and

0:49:20.719 --> 0:49:24.120
<v Speaker 1>humble enough, can she? Her story is pretty great. You

0:49:24.160 --> 0:49:27.480
<v Speaker 1>know that she's rediscovering her dance self is pretty That

0:49:27.600 --> 0:49:28.240
<v Speaker 1>is a good story.

0:49:28.480 --> 0:49:30.880
<v Speaker 2>It is, I would argue it's a good story if

0:49:31.000 --> 0:49:33.640
<v Speaker 2>you don't know the backstory. And since I didn't really

0:49:33.719 --> 0:49:35.520
<v Speaker 2>know the full backstory until my wife let me in

0:49:35.560 --> 0:49:37.719
<v Speaker 2>on it, then it's kind of like, oh, so, yeah,

0:49:37.760 --> 0:49:39.600
<v Speaker 2>I don't Again, Jensen's right, it's going to be.

0:49:39.719 --> 0:49:40.279
<v Speaker 1>It's going to be.

0:49:40.520 --> 0:49:42.759
<v Speaker 2>If it's a popularity contest, you got to see what's

0:49:42.760 --> 0:49:45.319
<v Speaker 2>going to happen, right right, So, but yes, the dance

0:49:45.400 --> 0:49:47.279
<v Speaker 2>was wonderful and I thought they deserved the scores they got.

0:49:47.520 --> 0:49:51.040
<v Speaker 1>Frankly, ut final Dance of the Night, Robert Irwin and

0:49:51.080 --> 0:49:57.120
<v Speaker 1>Whitney Carson. Yeah. So Robert Irwin is the son of

0:49:57.280 --> 0:50:01.000
<v Speaker 1>Steve Irwin and he's a global advocate for life and conservation.

0:50:01.280 --> 0:50:04.759
<v Speaker 1>Sister one d one season twenty one. I can't believe

0:50:04.760 --> 0:50:08.120
<v Speaker 1>how many repeat people in groups, Like everybody, everybody feels

0:50:08.160 --> 0:50:11.040
<v Speaker 1>like they already have some relationship to the show, which

0:50:11.040 --> 0:50:14.160
<v Speaker 1>I guess makes sense. They did the jive, which I

0:50:14.360 --> 0:50:16.160
<v Speaker 1>don't even didn't even know was a type.

0:50:16.239 --> 0:50:16.879
<v Speaker 3>I didn't either.

0:50:17.239 --> 0:50:20.200
<v Speaker 1>I didn't to want to be wild by Steppenwolf, and Yeah,

0:50:20.200 --> 0:50:22.640
<v Speaker 1>this just blew the house down. It was amazing, And

0:50:22.719 --> 0:50:25.720
<v Speaker 1>watching it back, he was really good. He was great.

0:50:26.000 --> 0:50:30.000
<v Speaker 1>He felt like he was her equal, Yeah, which I

0:50:30.120 --> 0:50:31.920
<v Speaker 1>won't I don't think I can say about any of

0:50:32.000 --> 0:50:32.520
<v Speaker 1>the other men.

0:50:32.800 --> 0:50:36.440
<v Speaker 2>No, he also felt like he was so excited to

0:50:36.480 --> 0:50:38.560
<v Speaker 2>be there, that he's wanted to do this for years

0:50:38.640 --> 0:50:40.719
<v Speaker 2>and he just couldn't wait to get out there.

0:50:40.800 --> 0:50:44.879
<v Speaker 1>He's also, what nineteen something like that, twenty one. He's

0:50:44.880 --> 0:50:48.160
<v Speaker 1>so young, and you feel like, oh, there's a part

0:50:48.160 --> 0:50:49.960
<v Speaker 1>of dancing that's just a young man's.

0:50:49.680 --> 0:50:51.520
<v Speaker 3>Game, and directors just jumping off a car.

0:50:51.680 --> 0:50:54.560
<v Speaker 1>No, your body has to be going for it, and

0:50:54.600 --> 0:50:58.879
<v Speaker 1>he has not only the physical capability but also that energy. Yeah,

0:50:58.920 --> 0:51:03.000
<v Speaker 1>he can hurl it body around, you know, safely.

0:51:03.560 --> 0:51:06.160
<v Speaker 2>So he's also did this last I mean he had

0:51:06.200 --> 0:51:08.040
<v Speaker 2>to sit there all night and watch everybody else go

0:51:08.160 --> 0:51:09.799
<v Speaker 2>and the nerves could have gotten to you, and he

0:51:10.000 --> 0:51:13.800
<v Speaker 2>just everybody jumped to their feet when we were Where's

0:51:13.800 --> 0:51:14.560
<v Speaker 2>he got to go from?

0:51:14.480 --> 0:51:15.240
<v Speaker 3>That's the question.

0:51:15.320 --> 0:51:17.000
<v Speaker 2>If you start out of this one goes to eleven,

0:51:17.080 --> 0:51:18.359
<v Speaker 2>Well that's great, where do you.

0:51:18.320 --> 0:51:20.200
<v Speaker 1>Go from there to eleven?

0:51:20.280 --> 0:51:22.480
<v Speaker 3>But this goes to eleven? But yeah, it's this.

0:51:23.200 --> 0:51:25.400
<v Speaker 2>He was amazing and incredible, and it seemed like this

0:51:25.400 --> 0:51:28.320
<v Speaker 2>should have been a fourth or fifth week performance.

0:51:28.680 --> 0:51:29.040
<v Speaker 4>I see.

0:51:29.040 --> 0:51:31.760
<v Speaker 1>I wonder if that's all part of an actual strategy

0:51:31.760 --> 0:51:33.560
<v Speaker 1>where you blow it out and then you can sort

0:51:33.600 --> 0:51:34.959
<v Speaker 1>of take it easy for a little while.

0:51:35.000 --> 0:51:37.000
<v Speaker 3>Man, just show a dance or something next time.

0:51:37.200 --> 0:51:41.440
<v Speaker 1>I mean, watching it back like, his rhythm is perfect,

0:51:41.800 --> 0:51:44.439
<v Speaker 1>his physicality is really spot on, and like I said,

0:51:44.480 --> 0:51:46.120
<v Speaker 1>he kept up with her to where I felt like

0:51:46.200 --> 0:51:49.200
<v Speaker 1>I was watching two pros agree in the opening dance number.

0:51:49.239 --> 0:51:50.480
<v Speaker 1>You have all the people that I was like, oh,

0:51:50.480 --> 0:51:53.000
<v Speaker 1>he fits in with this crew. So in the night,

0:51:53.080 --> 0:51:55.520
<v Speaker 1>in my opinion, he won the night. For all the reasons,

0:51:55.880 --> 0:51:58.480
<v Speaker 1>pageantry or not, he won the night. It was just

0:51:58.760 --> 0:52:01.080
<v Speaker 1>it was really entertaining to watch.

0:52:01.239 --> 0:52:03.840
<v Speaker 2>And somebody who has no dance background, knows nothing of dance,

0:52:03.840 --> 0:52:06.040
<v Speaker 2>doesn't like dance, whatever you want to say, would watch

0:52:06.040 --> 0:52:06.600
<v Speaker 2>that and be like.

0:52:06.520 --> 0:52:07.600
<v Speaker 1>All right, that was entertaining.

0:52:07.760 --> 0:52:10.239
<v Speaker 4>I will say, my wife is on the show he had.

0:52:10.400 --> 0:52:11.080
<v Speaker 1>He's number one.

0:52:11.440 --> 0:52:14.080
<v Speaker 4>I don't have any any doubts about that. I just

0:52:14.160 --> 0:52:16.040
<v Speaker 4>wonder the position he's put himself in.

0:52:16.360 --> 0:52:18.640
<v Speaker 1>That's exactly interesting because we want to see him grow.

0:52:18.680 --> 0:52:20.640
<v Speaker 1>That's what I mean. Everybody else has room to grow,

0:52:21.000 --> 0:52:23.120
<v Speaker 1>and part of the journey is going to be watching

0:52:23.160 --> 0:52:25.280
<v Speaker 1>them tell that story through the dance.

0:52:26.520 --> 0:52:28.680
<v Speaker 4>I mean, you, guys, can you not imagine? I can.

0:52:28.760 --> 0:52:31.799
<v Speaker 4>I can give you an exact wording. A judge might say,

0:52:31.960 --> 0:52:34.080
<v Speaker 4>you know, I'm not sure you've captured what you had

0:52:34.080 --> 0:52:36.600
<v Speaker 4>that first week. Yes, the exact sentence.

0:52:36.480 --> 0:52:37.000
<v Speaker 1>Yes, yeah.

0:52:37.160 --> 0:52:39.160
<v Speaker 2>But the thing is, if he does grow every week

0:52:39.160 --> 0:52:40.440
<v Speaker 2>and that's where he started, no.

0:52:40.400 --> 0:52:41.080
<v Speaker 1>One's going to catch you.

0:52:41.120 --> 0:52:43.040
<v Speaker 3>Well, then he's Ben Vereen at the end exactly.

0:52:43.160 --> 0:52:43.920
<v Speaker 1>That's what I'm saying.

0:52:44.360 --> 0:52:47.720
<v Speaker 2>So Ben Karen, oh my god, come on, Gregory, heines

0:52:48.360 --> 0:52:54.320
<v Speaker 2>Ben Gregory Hines Verst of that name, Rishtikov No dance.

0:52:54.360 --> 0:52:55.440
<v Speaker 4>Have you heard of dance.

0:52:56.719 --> 0:53:02.680
<v Speaker 2>Dance ESK Dance's man, Yeah, no, that was It was

0:53:02.719 --> 0:53:04.000
<v Speaker 2>a way to break. It was a great way to

0:53:04.080 --> 0:53:06.760
<v Speaker 2>end the show. I just wonder if he just started

0:53:06.800 --> 0:53:07.759
<v Speaker 2>too heavy out of the game.

0:53:07.800 --> 0:53:09.920
<v Speaker 1>Okay, so let's talk about who we expect to get

0:53:09.960 --> 0:53:11.320
<v Speaker 1>kicked off and our top five.

0:53:12.560 --> 0:53:17.000
<v Speaker 2>I think on the bubble, you're gonna have Feldman. It's

0:53:17.000 --> 0:53:18.560
<v Speaker 2>going to be Corey Feldman's going to be on the bubble.

0:53:18.600 --> 0:53:21.040
<v Speaker 2>I think you're going to have Andy Richter is going

0:53:21.120 --> 0:53:24.799
<v Speaker 2>to be on the bubble. And hot take. I was

0:53:24.840 --> 0:53:27.280
<v Speaker 2>talking about this with Sue last night after watching it again.

0:53:27.400 --> 0:53:30.400
<v Speaker 2>Hot take, I think Jordan Chiles might be on the bubble.

0:53:30.640 --> 0:53:34.000
<v Speaker 2>Those those are my three possible on the bubble. I

0:53:34.080 --> 0:53:37.000
<v Speaker 2>think because of his personality, Baron Davis is going to

0:53:37.040 --> 0:53:40.359
<v Speaker 2>get through. I think, really, I don't think so. I

0:53:40.400 --> 0:53:42.719
<v Speaker 2>think people I think his personality is going to be

0:53:42.760 --> 0:53:43.600
<v Speaker 2>enough to get him through.

0:53:43.960 --> 0:53:45.239
<v Speaker 3>That's my guess.

0:53:45.760 --> 0:53:49.160
<v Speaker 1>I feel like just picking you can't touch this also

0:53:49.280 --> 0:53:50.560
<v Speaker 1>aged him up a little bit.

0:53:50.760 --> 0:53:52.360
<v Speaker 2>But that I think you want to play into the

0:53:52.400 --> 0:53:54.480
<v Speaker 2>fact that let people know, man, let's give him another

0:53:54.520 --> 0:53:55.520
<v Speaker 2>time he's older.

0:53:56.280 --> 0:53:58.560
<v Speaker 3>So yeah, if.

0:53:57.360 --> 0:53:59.440
<v Speaker 1>You're a deeper cut, do you know what I mean,

0:53:59.600 --> 0:54:02.439
<v Speaker 1>like to do like the big mainstream hit from when

0:54:02.440 --> 0:54:04.640
<v Speaker 1>you were a teenager or whenever it was cool to

0:54:04.719 --> 0:54:07.080
<v Speaker 1>dance to this song ages you up and maybe it

0:54:07.360 --> 0:54:08.319
<v Speaker 1>felt like you know.

0:54:08.840 --> 0:54:10.600
<v Speaker 2>So then he's he's so who's going home? Those are

0:54:10.640 --> 0:54:11.880
<v Speaker 2>my three on the bubble. Who do you think is

0:54:11.920 --> 0:54:12.160
<v Speaker 2>going on?

0:54:12.280 --> 0:54:14.320
<v Speaker 1>Yeah? I agree with you. I think Corey Feldman is

0:54:14.320 --> 0:54:15.480
<v Speaker 1>going to stick around for another week.

0:54:15.560 --> 0:54:17.640
<v Speaker 2>So so you think it's going to be Baron Davis

0:54:17.640 --> 0:54:19.879
<v Speaker 2>and Andy Richter that are going to go Yeah, very

0:54:20.160 --> 0:54:22.440
<v Speaker 2>very I think the women clearly did better than the men.

0:54:22.760 --> 0:54:28.640
<v Speaker 2>I think even the quote unquote older women had dance experience,

0:54:28.640 --> 0:54:30.400
<v Speaker 2>and you could tell they had dance experience, where the

0:54:30.400 --> 0:54:32.799
<v Speaker 2>older men Andy richteror Baron Davis clearly did not.

0:54:33.120 --> 0:54:35.080
<v Speaker 1>I think we're going to see some real shine from

0:54:35.160 --> 0:54:37.200
<v Speaker 1>Dylan Efron as the show goes on, because I think

0:54:37.280 --> 0:54:39.000
<v Speaker 1>so too. I think he's gonna now he got it

0:54:39.040 --> 0:54:41.239
<v Speaker 1>out of a system, and I think he's going to

0:54:41.280 --> 0:54:42.880
<v Speaker 1>be like, oh I can do this, I'm going to

0:54:42.920 --> 0:54:44.200
<v Speaker 1>figure this out. Yeah.

0:54:44.360 --> 0:54:46.480
<v Speaker 3>So I think Lauren. I think Lauren has a lot

0:54:46.520 --> 0:54:47.480
<v Speaker 3>of potential.

0:54:47.920 --> 0:54:49.840
<v Speaker 2>I think both the Mormon wives have a lot of

0:54:49.840 --> 0:54:53.600
<v Speaker 2>potentially very good I think Danielle.

0:54:53.280 --> 0:54:58.320
<v Speaker 1>Has positioned herself perfectly perfect. That she displayed an ability

0:54:58.360 --> 0:55:01.000
<v Speaker 1>to do the actual dance what it's supposed to do,

0:55:01.560 --> 0:55:05.560
<v Speaker 1>and have personality and really draw you in to the

0:55:06.440 --> 0:55:09.360
<v Speaker 1>dance itself. So she's I think she's a great position.

0:55:09.560 --> 0:55:10.319
<v Speaker 1>I think she's a.

0:55:12.080 --> 0:55:15.120
<v Speaker 2>Soft four strong five position right now, and I think

0:55:15.120 --> 0:55:17.760
<v Speaker 2>that's kind of exactly where you want to be after

0:55:17.760 --> 0:55:18.839
<v Speaker 2>the first week.

0:55:19.040 --> 0:55:21.920
<v Speaker 4>Gives you to grow a fair number. That's a fair number.

0:55:22.040 --> 0:55:22.960
<v Speaker 3>Yeah, I think that's.

0:55:23.160 --> 0:55:28.160
<v Speaker 4>Between soft three, probable four, you know, very low.

0:55:28.000 --> 0:55:30.280
<v Speaker 3>Five yeah, high five Yeah.

0:55:30.080 --> 0:55:33.840
<v Speaker 2>Yeah, No, she's and that's again room to grow. So amazing,

0:55:34.239 --> 0:55:36.879
<v Speaker 2>Uh she did. We couldn't have been prouder of her.

0:55:36.880 --> 0:55:40.160
<v Speaker 2>It was because this it be really easy for us

0:55:40.200 --> 0:55:41.520
<v Speaker 2>to sit here and do the show and be like,

0:55:41.920 --> 0:55:44.160
<v Speaker 2>Danielle wasn't great, but she was.

0:55:44.440 --> 0:55:45.560
<v Speaker 1>We don't have to lie.

0:55:45.800 --> 0:55:49.319
<v Speaker 2>It's awesome because she killed it and she had such

0:55:49.360 --> 0:55:52.440
<v Speaker 2>a strong connection with her partner. It showed she trusts.

0:55:52.440 --> 0:55:54.840
<v Speaker 2>They trust each other, you can tell. And it was

0:55:54.960 --> 0:55:57.399
<v Speaker 2>just it seemed like this was their fourth or fifth dance,

0:55:57.440 --> 0:55:58.120
<v Speaker 2>not their first one.

0:55:58.320 --> 0:55:59.880
<v Speaker 1>Yep, that's awesome.

0:56:01.360 --> 0:56:02.880
<v Speaker 2>There is one more thing that I'd like to do

0:56:03.000 --> 0:56:05.839
<v Speaker 2>rider before we end here, and it's another little segment

0:56:05.880 --> 0:56:08.680
<v Speaker 2>I'm going to be doing every week called the Strong Incentive.

0:56:09.800 --> 0:56:11.279
<v Speaker 2>And now what we're going to do is we're going

0:56:11.360 --> 0:56:14.920
<v Speaker 2>to start low and then we're going to keep adding

0:56:14.960 --> 0:56:18.520
<v Speaker 2>every week, and the point of this is to see

0:56:18.560 --> 0:56:22.000
<v Speaker 2>what it would take to get you right or strong

0:56:22.360 --> 0:56:25.000
<v Speaker 2>to be a contestant on Dancing with the Stars.

0:56:25.760 --> 0:56:28.240
<v Speaker 1>Oh god, I don't think there's a price.

0:56:28.440 --> 0:56:30.359
<v Speaker 3>Well, we're going to find out.

0:56:30.920 --> 0:56:33.480
<v Speaker 2>We're going to start this week with just a price,

0:56:34.080 --> 0:56:36.400
<v Speaker 2>but then every week we're going to add on to

0:56:36.560 --> 0:56:39.120
<v Speaker 2>that price, not just with money, but with other strong

0:56:39.200 --> 0:56:42.480
<v Speaker 2>incentives to see if what it would take to get

0:56:42.480 --> 0:56:44.360
<v Speaker 2>you on Dancing with the Stars. So we're going to

0:56:44.440 --> 0:56:48.879
<v Speaker 2>start just very easily. Someone knocks on your door, they

0:56:48.880 --> 0:56:51.600
<v Speaker 2>put down a briefcase. It's got five hundred thousand dollars

0:56:51.640 --> 0:56:54.200
<v Speaker 2>in cash. Would you go on Dancing with the Stars?

0:56:54.480 --> 0:56:54.719
<v Speaker 1>Hell?

0:56:55.080 --> 0:56:57.560
<v Speaker 2>No, Okay, Well we will see you again next week

0:56:57.719 --> 0:56:58.440
<v Speaker 2>and add to.

0:56:58.400 --> 0:57:03.320
<v Speaker 1>The Yeah, that's just no, it's not because it's not money.

0:57:03.400 --> 0:57:05.759
<v Speaker 1>It's it's like it would just be so painful.

0:57:06.560 --> 0:57:10.279
<v Speaker 2>I mean, god, Well, we'll see it's gonna take and

0:57:10.520 --> 0:57:11.400
<v Speaker 2>I take it to the next.

0:57:11.320 --> 0:57:13.439
<v Speaker 1>Level of like will you're being selfish because that money

0:57:13.480 --> 0:57:17.080
<v Speaker 1>could go to whatever you want, like charity if you want. Well,

0:57:17.120 --> 0:57:17.560
<v Speaker 1>there you go.

0:57:18.320 --> 0:57:20.680
<v Speaker 2>That's week one. It's gonna get harder. I can tell

0:57:20.680 --> 0:57:22.000
<v Speaker 2>you I wouldn't go on the show for one reason

0:57:22.040 --> 0:57:23.600
<v Speaker 2>because there is not a dancer in the world that

0:57:23.640 --> 0:57:24.600
<v Speaker 2>could teach me how to dance.

0:57:24.640 --> 0:57:25.760
<v Speaker 1>And that's the honest truth.

0:57:26.160 --> 0:57:29.120
<v Speaker 2>But the strong incentive we are starting at five hundred

0:57:29.160 --> 0:57:31.320
<v Speaker 2>kN cash and that is a hard no from Rider

0:57:31.360 --> 0:57:31.760
<v Speaker 2>or Strong.

0:57:32.320 --> 0:57:35.000
<v Speaker 1>Let's keep this up people, all right, that's it for

0:57:35.120 --> 0:57:38.000
<v Speaker 1>this first episode of Podmeates Tworld. Join us next week

0:57:38.000 --> 0:57:40.320
<v Speaker 1>as we continue watching season thirty four of Dancing with

0:57:40.360 --> 0:57:43.200
<v Speaker 1>the Stars, a journey that's teaching us way more about

0:57:43.200 --> 0:57:46.240
<v Speaker 1>sequence and sambas than we ever expected. But in the end,

0:57:46.520 --> 0:57:48.880
<v Speaker 1>mostly it's reminding us what we already knew back in

0:57:48.920 --> 0:57:51.840
<v Speaker 1>Phoenie's class. Daniel Fishle is the star of the show.

0:57:53.800 --> 0:57:56.480
<v Speaker 1>Pod Meats World is an iHeart podcast producer hosted by

0:57:56.520 --> 0:58:00.520
<v Speaker 1>Daniel Fischl, Wilfredell and Ryder Strong executive producers, and Karp

0:58:00.560 --> 0:58:03.720
<v Speaker 1>and Amy Sugarman, Executive in charge of Production, Danielle Romo,

0:58:03.920 --> 0:58:07.560
<v Speaker 1>producer and editor, Taras Subasch, producer, Mattie Moore, engineer and

0:58:07.600 --> 0:58:10.640
<v Speaker 1>Boy Meets World Superman Easton Allen. Our theme song is

0:58:10.680 --> 0:58:13.800
<v Speaker 1>by Kyle Morton of Typhoon. Follow us on Instagram at

0:58:13.840 --> 0:58:17.240
<v Speaker 1>Podmets World Show or email us at Podmeats Worldshow at

0:58:17.360 --> 0:58:21.640
<v Speaker 1>gmail dot com