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Speaker 1: Welcome to pod meets Twirled, the Dancing with the Stars

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Speaker 1: recap hosted by two guys who can't dance don't want

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Speaker 1: to dance. Friend Danielle has joined the cast for season

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Speaker 1: thirty four. We're going all in. We are wil Fredell

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Speaker 1: and Ryder Strong aka the two dudes standing next to

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Speaker 1: Topanga aka daniel Fishal's backup aka the dan Yettes. Hi,

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Speaker 1: Hi rider, how are you good? I see you've opened

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Speaker 1: your shirt this morning?

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Speaker 2: Well, I feel that since we're going to be judging,

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Speaker 2: we have to have one of us anyway has to

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Speaker 2: be the really good looking one, right, and the other

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Speaker 2: one needs to be you sure?

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Speaker 3: So I figured that's the best way to go.

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Speaker 1: Are you going to stand up every time after we

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Speaker 1: cover a dance? Because you notice Bruno whenever he's judging,

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Speaker 1: like just to take control.

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Speaker 2: Oh wow, you really have the shirt open? Went there's

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Speaker 2: one button at the bottom. And I'll be honest with you.

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Speaker 2: With the shape I'm in, it's holding on for dear life.

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Speaker 1: All right. So we watched this show. We watched this

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Speaker 1: episode twice, once live in person for our first Dancing

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Speaker 1: with the Stars. Let's talk about that experience. It was

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Speaker 1: it was amazing.

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Speaker 2: Well, the first thing you get is an email inviting

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Speaker 2: you to come. And the thing that shocked me was

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Speaker 2: it's like they ask for formal attire, right, so it

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Speaker 2: was dress cocktail dressed, and men they want in jackets

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Speaker 2: and ties and the women in and Sue and I

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Speaker 2: were looking at each other like, oh, I guess cocktail attire?

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Speaker 1: Do you have cocktail attire? I love that though. That

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Speaker 1: immediately put me in the right mindset. I was like,

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Speaker 1: all right, we're not going to some sleazy Hollywood dance show.

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Speaker 1: This is classy. They might kick you out if you

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Speaker 1: don't show up with.

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Speaker 3: A jacket exactly.

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Speaker 1: I really appreciated that. I did too.

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Speaker 3: I did not have a problem with that.

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Speaker 2: There's nothing with the caron with occasionally dressing up for

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Speaker 2: a Hollywood event.

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Speaker 1: Except that it was ninety five degrees and we got

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Speaker 1: stuck outside waiting for a while.

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Speaker 2: We did, we did, and our spouses were not on

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Speaker 2: the list to get in, so they just apparently seat

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Speaker 2: four C was there was no plus one for there

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Speaker 2: was no seat five C. So you they just waved

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Speaker 2: you in with Alex right, yeah, yeah, okay, of course

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Speaker 2: we had like we were we were too We waited

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Speaker 2: in line for forty five minutes.

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Speaker 1: We got there. We were supposed to be there at

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Speaker 1: three thirty.

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Speaker 2: We got there at like three forty, right, and so

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Speaker 2: the yeah, we waited in line, and then they pulled

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Speaker 2: us out of line to stand there, and then they

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Speaker 2: had to so this is not a joke. The woman

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Speaker 2: who was helping us, there's people in red shirts everywhere

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Speaker 2: with the little microphones that are helping everybody. And she

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Speaker 2: turned to me and she said, yes, what's your name?

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Speaker 2: I said it's will for Dell. She said, oh okay,

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Speaker 2: oh yeah, it's right here. They had, like I've never

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Speaker 2: seen before, everything done alphabetically by first name, which I've

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Speaker 2: never seen done before. So there, I am no plus one.

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Speaker 2: Susan's not on the list. So they say you have

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Speaker 2: to step aside, and she grabs the microphone and she says, yes, Carol,

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Speaker 2: I'm here with will Fredell will Fredell.

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Speaker 3: Will Ford. And then she turns me.

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Speaker 2: She goes, sorry, she's on the dance floor right now

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Speaker 2: and death And I went, well, then, what why the microphone?

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Speaker 1: She so yeah.

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Speaker 3: So then they finally got word that we were allowed in.

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Speaker 2: Justa's friend, yeah, exactly.

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Speaker 1: The other guy from.

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Speaker 3: The show just let him on, not to Panga.

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Speaker 1: So we walked into this stage and having never seen

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Speaker 1: the show, I didn't have this reaction. But I feel

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Speaker 1: like a lot of people are like, oh, it's smaller

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Speaker 1: in real life. Yeah, but it's still felt pretty overwhelming

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Speaker 1: to me. Just the sheer number of crew members and dancers,

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Speaker 1: and it's beautiful. It's like deck to the nines. There's

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Speaker 1: little like tables. We had great seats. We were amazing

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Speaker 1: court side. What do you call it, Yeah, that would

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Speaker 1: be called dance ball side.

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Speaker 2: I mean three feet away. I mean the Flamenco sweat

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Speaker 2: was hit us in the chest. It was that close

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Speaker 2: to the action.

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Speaker 1: Lance Bass was there, yeplan Danielle's X blocking us. So

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Speaker 1: we were never seen by cameras, which is good. Well,

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Speaker 1: I got I was on camera because I got.

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Speaker 2: I got people sending me screenshots and of course all

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Speaker 2: the screenshots are like mid clap, so it's me like

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Speaker 2: and they're all brilliant. But yeah, no, the the other

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Speaker 2: thing now, So my parents asked this because of course

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Speaker 2: everybody's watching to support Danielle at this point.

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Speaker 3: How many guests do you think were there?

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Speaker 2: Like if the entire audience there from it was what

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Speaker 2: multi tiered, two different tiers, So the bottom there's kind

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Speaker 2: of stadium seating and then the top there's like a balcony.

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Speaker 3: People can stand around three hundred.

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Speaker 2: People, yeah, two or two or three hundred people, and

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Speaker 2: so in not that big a space, right.

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Speaker 1: Well, because you also have probably about two hundred crew

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Speaker 1: members at least, it was an army. Got live. Television

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Speaker 1: is such a different beast than we are used to.

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Speaker 1: I mean when we would did our tapings of Boy

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Speaker 1: Meets World, there was an energy, but but it was

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Speaker 1: also kind of relaxing. You know, you're like, oh, cut

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Speaker 1: and everybody's you know, talking, there's never a moment like

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Speaker 1: you always have a big clock ticking down, somebody announcing

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Speaker 1: we're back. In ninety seconds, we're back and five four applause.

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Speaker 1: Yet so there's so.

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Speaker 2: Much energy going into this and well I'm in between

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Speaker 2: all that yelling, a DJ constantly playing music, so there's

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Speaker 2: no quiet, there's no calm, there's no Yeah, I it

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Speaker 2: made me so nervous.

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Speaker 1: Yeah, I was just really anxious. And then if I

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Speaker 1: we saw Danielle like from a distance a couple of times,

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Speaker 1: totally calm. Yeah, totally seems like in charge, looking beautiful. Yeah,

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Speaker 1: so I think the right person is doing dances with us.

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Speaker 3: That's what I was gonna say.

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Speaker 2: But I wanted to ask her because you know, we

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Speaker 2: watched it live and then we watched it back on camera,

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Speaker 2: and watching it back on camera and knowing Danielle.

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Speaker 3: I could see how nervous she was really for the

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Speaker 3: first time.

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Speaker 2: Yet there was some There was some like obviously her

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Speaker 2: mouth was dry, so there was some like lipsmacking things

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Speaker 2: that you recognize in another criticizing Danielle.

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Speaker 1: What we do it here, that's.

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Speaker 3: Why we're here.

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Speaker 2: We're here to just we're not even gonna talk about

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Speaker 2: any of the other performers. It's just criticizing Danielle and

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Speaker 2: her dancing. No, So it was no, But it's just

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Speaker 2: because I've known her for thirty years, so she she

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Speaker 2: can and fake it's not the right word.

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Speaker 1: She's just a professional.

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Speaker 2: So's she can entertain even it's like a good entertainer.

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Speaker 2: It doesn't matter what you're feeling inside, you go out

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Speaker 2: and you entertain. And that's Danielle. So I know Danielle

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Speaker 2: well enough to know like, oh, she's nervous, But that

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Speaker 2: was it.

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Speaker 1: Nobody else would have picked it up. Yeah, she seemed

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Speaker 1: totally cool to me. All right, So what did you

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Speaker 1: know about Dancing with the Stars before going to the show.

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Speaker 2: Probably as much as you. I knew it was a

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Speaker 2: very popular television show on ABC.

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Speaker 1: I think I knew it was on ABC.

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Speaker 2: I knew that celebrities, athletes, and social media stars go on.

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Speaker 2: I know a little bit of it because my other podcast,

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Speaker 2: Magical Rewind, my co host was a big celebrity dancer,

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Speaker 2: Subrin Bryan.

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Speaker 3: She was also it was, I guess, a big.

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Speaker 2: To do because no one thought she should be kicked

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Speaker 2: off when she was kicked off, like, she only made

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Speaker 2: it like six or seven weeks and that was a

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Speaker 2: big thing. So I knew a little bit about it,

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Speaker 2: but other than that, nothing I knew exactly what you did.

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Speaker 2: I didn't know how they scored it. I didn't know

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Speaker 2: any of the stuff they do. I still don't entirely

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Speaker 2: know how they score it or what. Don't either how

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Speaker 2: they help people off like that.

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Speaker 1: I'm what the relationship between the judges numbers and the

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Speaker 1: votes are, like, Yeah, they added up together, do the

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Speaker 1: votes ultimately counting? The judges numbers are just there as

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Speaker 1: like a guide. This is what the professionals think, but

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Speaker 1: you can just it's so. Is it just a popularity contest?

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Speaker 1: I don't know. How.

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Speaker 2: Then the sub question asking this to add to the

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Speaker 2: to some fuel to the fire. How are our critiques

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Speaker 2: gonna gonna you know, match in with the judges critiques

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Speaker 2: and the audience critiques, because now this is going to

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Speaker 2: be the pre eminent judge.

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Speaker 1: Major That's what I'm saying.

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Speaker 2: So so you can trust us as the new experts exactly.

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Speaker 2: That's all it takes is a you know, a microphone

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Speaker 2: and a smile.

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Speaker 1: Now we're the experts too. So okay, so let's talk

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Speaker 1: about your experience with dancing. Have you ever done ballroom dancing?

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Speaker 1: Do you know anything about ballroom dance?

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Speaker 2: I back in the day, when I was a kid,

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Speaker 2: I think I took a ballroom dancing class. When I

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Speaker 2: mean kid, like ten eleven years old. And then, strangely enough,

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Speaker 2: one of the ways jokingly that Danielle and I would

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Speaker 2: pass the time behind the set of Boymants World is

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Speaker 2: I would grab her and we would fake tango or

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Speaker 2: fake salsa or fake cha chaws.

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Speaker 1: So you were her coach.

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Speaker 2: So I essentially taught Danielle. He was essentially okay, okay,

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Speaker 2: so correct. You know, he's the sense, right, and she

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Speaker 2: I was gonna say, I'm the hand, she's the clay,

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Speaker 2: and I'm only as good as the clay that I have,

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Speaker 2: and the clay that I had back in the nineties

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Speaker 2: not that great, right. So I think with the some

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Speaker 2: of the dancers she's working with now, we'll probably pull

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Speaker 2: a little more out of her than I could. But

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Speaker 2: that's only because I was working on such a higher

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Speaker 2: level of dance at the time that.

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Speaker 1: Yeah.

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Speaker 2: No, I think I've drunkenly danced at maybe two weddings. Yeah,

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Speaker 2: and then I was told about it later, So I

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Speaker 2: don't even remember doing that. So not a dancer, never

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Speaker 2: been a dancer. How about you, what's your level of dance, Expolis?

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Speaker 1: Yeah, no, no, nothing. I have been to the ballet

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Speaker 1: twice in my life and loved it.

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Speaker 3: Yeah, both times I went.

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Speaker 1: And why don't I do this all the time, because

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Speaker 1: it's gorgeous, it's amazing, and when it's you know, telling

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Speaker 1: a story, especially like I just get so so. But

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Speaker 1: I just never think about it. I never think like, oh,

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Speaker 1: I should get tickets to the latest ballet, which I

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Speaker 1: now I really want to start doing. All right, Well,

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Speaker 1: the extent of my experience is having seen the movie

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Speaker 1: Strictly Ballroom in the nineties. That's that's my knowledge of

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Speaker 1: actual ballroom dancing. Yeah, all right, So let's get into

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Speaker 1: the opening episode of season thirty four of Dancing with

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Speaker 1: the Stars. Yes, opens with a big dance number done

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Speaker 1: by these incredible dancers. We got to see it twice

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Speaker 1: because they do a rehearsal first and then they do

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Speaker 1: it again. I was amazed. Immediately thought, these people are incredible.

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Speaker 1: Seems that there's so many of them. They're moving everywhere.

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Speaker 1: I don't understand how they're not bumping into cameras, bumping

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Speaker 1: into each other. It's insane.

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Speaker 2: Well, I was just about to say, and I didn't

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Speaker 2: know if we should save this to the end, but

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Speaker 2: they're the best dancer of the night by far. Was

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Speaker 2: the steady cam up steady cam operator. You never saw

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Speaker 2: because I watched this back last night. You never watched

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Speaker 2: catch a glimpse of this guy. Nope, you never see

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Speaker 2: him on camera. He is up in the he's in

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Speaker 2: the dances. He is there with this giant.

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Speaker 1: Rig running around them in circles and doing all the

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Speaker 1: amazing shots which I could see what was happening while

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Speaker 1: we were there. I could see this guy working so

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Speaker 1: hard carrying this heavy camera rig. But then to watch

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Speaker 1: back the episode, it was just beautiful and you realize,

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Speaker 1: like this guy or this team, you know, all these

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Speaker 1: camera people are making the show so much better than

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Speaker 1: it would be if it was just like a static

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Speaker 1: you know, stage camera or whatever. It's incredible. It gives

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Speaker 1: it so much energy, and I found my interpretations of

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Speaker 1: the dances really changed. See I'm seeing them on camera

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Speaker 1: is a very different experience and being in the room.

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Speaker 2: It is so different seeing and so one of the

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Speaker 2: things I noticed because when I was looking at the

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Speaker 2: judges a lot of the time, obviously your eyes are

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Speaker 2: over there to see what they know, and they're staring down.

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Speaker 2: They're not looking either either standing up looking close or

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Speaker 2: they're staring down. So they must have monitors right in

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Speaker 2: front of them connected directly to the camera. That is

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Speaker 2: that they're watching all the little stuff going on, because

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Speaker 2: they clearly saw that in a different way.

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Speaker 1: All right, So after the opening number, we get introduced

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Speaker 1: to our first dance couple, Jordan Chiles and Ezra Sosa. Yes,

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Speaker 1: I will state clearly now I did not know who

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Speaker 1: anybody was. I don't know who any of the dancers

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Speaker 1: are except Corey Feldman similar generational actor, and Andy Richter.

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Speaker 1: I don't think I've ever seen Andy in anything other

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Speaker 1: than movies, but I knew who he was, right, yeah, yeah,

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Speaker 1: So those are the two. Not quite the same way.

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Speaker 2: I knew Jordan Chiles because I like the Olympics, and

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Speaker 2: obviously I knew gymnastics is big in the Olympics. So yes,

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Speaker 2: i'd heard her name, so I'd certainly seen her perform,

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Speaker 2: But I'm kind of in the same boat with you.

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Speaker 2: None of the dancers. Obviously, I didn't know a single

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Speaker 2: dancer there.

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Speaker 1: But so Jordan Chiles made headlines at the twenty twenty

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Speaker 1: four Olympics when the bronze medal she won on the

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Speaker 1: floor exercise final in Paris was stripped by the Court

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Speaker 1: of Arbitration for Sport following a challenge by Romania Crazy.

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Speaker 1: She still holds two Olympic medals, a team goald from

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Speaker 1: the twenty twenty four Games and a team silver from

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Speaker 1: the delayed twenty twenty Olympic Games in Tokyo. They danced

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Speaker 1: the salsa to the song Break My Soul by Beyonce.

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Speaker 1: I was pretty much blown away. I also I I've

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Speaker 1: always wondered about the line between gymnastics and dancing, because well,

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Speaker 1: that's what I want to talk about, please, Because you know,

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Speaker 1: I've always watched floor routines and gymnastics and been like,

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Speaker 1: they're dancing. They're just doing so much more athletic, you know, right,

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Speaker 1: flips and whatnot. But to see this dance and to

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Speaker 1: see some of that work integrated in and then to

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Speaker 1: hear the judge's response, which was not super positive about

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Speaker 1: all nos was was kind of jarring for me because

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Speaker 1: I was like, but come on, she can do these things.

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Speaker 3: Right, but that dancing.

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Speaker 1: No. I guess that's the question, this question what this

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Speaker 1: whole show is judging. I was like, yes, Bruno, Derek, guys,

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Speaker 1: calm down. The woman just flew through the air and

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Speaker 1: did all these crazy flips. Could you do that? But

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Speaker 1: it doesn't.

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Speaker 2: Matter no exactly If the show is called Magic with

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Speaker 2: the Stars and I'm awesome at juggling, did I do

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Speaker 2: magic or did I juggle? So that's the thing is,

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Speaker 2: it's like I watched it back and again knowing nothing

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Speaker 2: of Salza other than it's phenomenal on chips.

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Speaker 1: You could.

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Speaker 2: It was one of those things where I was like, oh,

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Speaker 2: she's she's doing cool gymnastics, but is this also dancing?

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Speaker 1: So that gets to the heart of like my conflict

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Speaker 1: with the show is just not understanding enough about dance.

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Speaker 1: But I'm getting better. I feel like, having watched it

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Speaker 1: twice now, I'm like I could see what they were

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Speaker 1: saying this time around. I was like, oh, yeah, it

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Speaker 1: was just a little something was a little off. It

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Speaker 1: was a little stiffer or more stilted than it should be.

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Speaker 1: But I thought it was still so impressive. But I

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Speaker 1: guess it gets into this question of like the difference

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Speaker 1: between entertainment or just doing a show and doing a

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Speaker 1: dance right correctly doing a dance specifically.

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Speaker 2: Yeah, it's not just some Yeah, I think we also

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Speaker 2: have to throw in and this is a real thing.

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Speaker 2: They were first on the first episode of a brand

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Speaker 2: new season. It's like, you're there talk about nerve wracking.

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Speaker 2: You're the first one to go. That's got to be really,

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Speaker 2: really tough. So the question, and now I'm going to

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Speaker 2: throw this question out at you every week, would you

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Speaker 2: rather go first and get it over with or would

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Speaker 2: you rather sit there and watch other teams? And then

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Speaker 2: I think I'd rather go first to get it Yes,

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Speaker 2: I agree, I agree.

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Speaker 1: Sitting backstage for the whole time, just holding freaking out, yes,

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Speaker 1: freaking the same, same. Okay, So they did their dance

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Speaker 1: the judges. I noticed Bruno's standing to judge. I really

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Speaker 1: like his energy. He's funny, he's great, he's great. But

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Speaker 1: they both give amazing notes. Actually, like especially watching it

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Speaker 1: back a second time, I was like, yeah, this is

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Speaker 1: really good feedback. They are super positive. And then they

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Speaker 1: said that they were going to be harsh because it's

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Speaker 1: the first episode.

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Speaker 2: So the number they want to give themselves somewhere to go, right, Yes,

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Speaker 2: which made sense. Yeah, So they both only only gave

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Speaker 2: this dance a five each, so it was a solid

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Speaker 2: ten I want amaze.

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Speaker 1: Yeah, no out of.

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Speaker 2: Thirty technically, because because the thing was judge, we missed

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Speaker 2: the third judge. The third judge, and apparently, from what

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Speaker 2: everybody said is you and I have never seen the show,

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Speaker 2: but apparently the third judge of the woman brings a

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Speaker 2: whole different level to everything. It balances out the judges

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Speaker 2: and it's really different way.

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Speaker 3: I kind of them.

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Speaker 1: He wanted a little on a third voice, because these

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Speaker 1: guys were kind of in agreement. They have different energies,

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Speaker 1: but they were kind of in agreement with each other,

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Speaker 1: and they seemed very I mean, maybe this is everybody,

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Speaker 1: but they seem very focused on like dance and timing

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Speaker 1: and like less less blown away by somebody's ability to entertain,

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Speaker 1: which is actually pretty great and kind of important.

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Speaker 2: So yes, well it is. It's part you know, I

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Speaker 2: was taught. I think this would this would fit. I

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Speaker 2: was talking to you guys keep going back to magicians,

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Speaker 2: but I was talking to a magician yesterday who said,

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Speaker 2: it's so much easier to take an entertainer and teach

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Speaker 2: them magic than it is to take a magician and

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Speaker 2: teach them how to entertain.

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Speaker 1: Wow.

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Speaker 2: So I wonder if it's easier to take an entertainer

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Speaker 2: and teach them how to dance than take a dancer

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Speaker 2: and teach them how to light up and entertain on

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Speaker 2: the floor.

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Speaker 1: So, because they tend to agree with you, but then

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Speaker 1: after watching the show again, I don't know the ones

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Speaker 1: who were professional dancers when they were younger really stood out.

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Speaker 1: There's something about here. They have it in their bones

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Speaker 1: in a way that even people like Danielle, who was amazing,

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Speaker 1: they don't. She doesn't have it yet, you know, she

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Speaker 1: doesn't have a certain dancer thing. So I was kind

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Speaker 1: of I'm surprised by the fact that they allow ex

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Speaker 1: professional dancers to even be one of the stars. It

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Speaker 1: seems like kind of counter to the whole point of

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Speaker 1: the show, which is these people are not pros. But right,

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Speaker 1: I guess you know everybody, it's going to be interesting

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Speaker 1: to watch this journey me too.

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Speaker 2: Wait before we move on to our next pair, which

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Speaker 2: we have to do quickly, do you agree with the

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Speaker 2: judges scoring and would you have changed it in any way,

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Speaker 2: shape or form.

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Speaker 3: Would you also have given them the same amount.

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Speaker 1: In the room, I was like, no, she deserved a

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Speaker 1: six or seven, like at least for and but then

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Speaker 1: watching it back, yeah, I think five was a good

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Speaker 1: way to go if we're keeping the first episode like

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Speaker 1: low to like give them room to improve. Yeah, she

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Speaker 1: should know that, Like she can't get away with just that,

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Speaker 1: you know, the athleticism, it's it's impressive.

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Speaker 2: Integrate it better. Maybe agreed one hundred percent? All right,

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Speaker 2: so we're both in agreement with the first ten.

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Speaker 1: Yeah, yeah, all right, go all right. Then we had

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Speaker 1: Dylan Efron and Daniella car Gootch. So Dylan Efron is

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Speaker 1: Zac Efron's brother.

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Speaker 3: He was in middle school middle school musical which nobody

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Speaker 3: saw one.

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Speaker 1: Season three of a show called Traders, which I've also

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Speaker 1: never heard of, but apparently is a big deal.

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Speaker 3: We keep saying that we're everyone's saying we're supposed to

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Speaker 3: watch this.

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Speaker 1: Okay. So I felt I felt for Dylan because in

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Speaker 1: his pre show package he was talking about how he's

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Speaker 1: really brave about doing adventurous stuff like outdoorsy stuff, but

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Speaker 1: the idea of dancing scares the crap out of him,

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Speaker 1: and that's why he's doing it. And I was like, yes,

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Speaker 1: near my guy, Near my guy. And given that, I

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Speaker 1: really enjoyed his dance because, you know, I was like, dude,

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Speaker 1: you're doing it. You're you're you're out there, you're putting

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Speaker 1: yourself out there. She was probably the best dancer of

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Speaker 1: the night for me. She was incredible, incredible, Believe how

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Speaker 1: good she was.

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Speaker 3: Yeah, and uh.

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Speaker 1: Part of that is because I think she was working

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Speaker 1: very hard to compensate, which I guess is kind of

408
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Speaker 1: the balance, right, Like these people because she was just

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Speaker 1: giving it everything and it was so impressive. For me.

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Speaker 1: It was like, oh, is this That's like the level

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Speaker 1: that we can achieve. And actually I don't think anybody

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Speaker 1: really beat her. For me, I thought Danielle Karagoch was

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Speaker 1: like the most amazing dnswer of the night.

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Speaker 3: She was great.

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Speaker 2: They yet but you could tell that he again, I

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Speaker 2: don't know if it's nervous or whatever, but it was

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Speaker 2: a stilted kind of he just seemed very stiff in

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Speaker 2: the room.

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Speaker 1: Though I enjoyed it a lot more watching it back again,

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Speaker 1: I was like, Oh, he didn't I know, but there's

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Speaker 1: something about him on camera, like when he jumped on

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Speaker 1: the table. In person, it was fantastic start and I

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Speaker 1: was like, oh, he's doing it. When I watched it

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Speaker 1: on TV, I was like, uh, you're trying a little hard.

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Speaker 1: But yep, so agree, it's an in person energy that

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Speaker 1: was very different.

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Speaker 3: It is very different.

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Speaker 2: But yeah, I feel I fell for him too, and

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Speaker 2: I agree with the judges score.

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Speaker 1: And they were doing the Chacha shaw to a song

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Speaker 1: called Milkshake, which just didn't feel completely integrated. There's something

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Speaker 1: a little yeah, And the judges said that essentially and

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Speaker 1: gave them both. They both gave fives. So at this point,

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Speaker 1: I'm like, are we just going to give fives for

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Speaker 1: the whole night?

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Speaker 4: What?

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Speaker 2: You know? What you could see because when the judges

438
00:20:00,760 --> 00:20:03,200
Speaker 2: said your timing was way off, when I was watching

439
00:20:03,200 --> 00:20:04,719
Speaker 2: it there, I was like, it didn't seem way off,

440
00:20:04,720 --> 00:20:06,000
Speaker 2: And then watching it on a camera, I was like, no,

441
00:20:06,119 --> 00:20:07,800
Speaker 2: the timing was off. He was doing one thing, she

442
00:20:07,880 --> 00:20:10,160
Speaker 2: was doing another. So yeah it was the timing was off.

443
00:20:10,240 --> 00:20:14,119
Speaker 1: Get out your metronome, ye, Dylan, all right, so we

444
00:20:14,160 --> 00:20:18,840
Speaker 1: agree with the scores? Yes, yeah, yeah, I mean yeah,

445
00:20:19,000 --> 00:20:21,080
Speaker 1: Actually watching it back, I feel like they could have

446
00:20:21,240 --> 00:20:23,040
Speaker 1: could have been a little lower, a little harsher, but

447
00:20:23,080 --> 00:20:23,840
Speaker 1: I don't think they were.

448
00:20:23,880 --> 00:20:25,639
Speaker 2: They're trying to do that. And then they did that

449
00:20:25,680 --> 00:20:27,360
Speaker 2: for some people. I was like, oh, they are going

450
00:20:27,400 --> 00:20:29,920
Speaker 2: lower than five. So yeah, it was yeah, I agree.

451
00:20:31,240 --> 00:20:35,000
Speaker 1: And next up we had Elaine Hendrix and Alan Burston.

452
00:20:35,600 --> 00:20:38,679
Speaker 1: Elaine is not Ellen Burston. I had to look that up.

453
00:20:38,720 --> 00:20:43,439
Speaker 1: Totally different person in person. Elaine is an actor. She

454
00:20:43,600 --> 00:20:46,879
Speaker 1: was in The Parent Trap. She played Meredith Blake in that.

455
00:20:47,320 --> 00:20:49,959
Speaker 1: She's also appeared on Dynasty, Sex and Drugs and Rock

456
00:20:50,000 --> 00:20:51,919
Speaker 1: and Roll and Joan of Arcadia. I did not know

457
00:20:51,960 --> 00:20:54,280
Speaker 1: who she was, but when I saw her face was like, oh, yeah,

458
00:20:54,280 --> 00:20:56,920
Speaker 1: I think I've seen seen her around. They danced a

459
00:20:57,040 --> 00:21:02,960
Speaker 1: chat chaw to chat cha cha to woman and I

460
00:21:03,000 --> 00:21:06,640
Speaker 1: thought this was like really the first like, oh, this

461
00:21:06,720 --> 00:21:08,400
Speaker 1: is a great dance. She knew what she was doing.

462
00:21:08,440 --> 00:21:10,600
Speaker 1: She knew what she was doing. Turns out she was

463
00:21:10,640 --> 00:21:12,359
Speaker 1: a dancer in the past, so that.

464
00:21:12,280 --> 00:21:14,040
Speaker 3: God had to give it up because she got hit

465
00:21:14,080 --> 00:21:14,680
Speaker 3: by a car.

466
00:21:16,040 --> 00:21:19,000
Speaker 2: So she's got the chops and the story because I

467
00:21:19,000 --> 00:21:22,159
Speaker 2: think this the personal story is also hugely important for

468
00:21:22,520 --> 00:21:24,639
Speaker 2: because you're voting, so I mean, you have to keep

469
00:21:24,680 --> 00:21:26,119
Speaker 2: in mind that this is for the country, and I

470
00:21:26,119 --> 00:21:28,000
Speaker 2: think the story of a woman who wanted to be

471
00:21:28,000 --> 00:21:29,600
Speaker 2: a dancer and then got hit by a car, had

472
00:21:29,600 --> 00:21:31,440
Speaker 2: to give it up and then can still do that,

473
00:21:31,920 --> 00:21:33,800
Speaker 2: I think she's going to go pretty far in this competition.

474
00:21:33,880 --> 00:21:37,480
Speaker 1: Yeah, she really, she did great. She was great so

475
00:21:37,520 --> 00:21:41,840
Speaker 1: the judges. Actually, Derek said something about her performance. He

476
00:21:41,880 --> 00:21:45,160
Speaker 1: said it has a Broadway quality, and I thought that's

477
00:21:45,240 --> 00:21:48,600
Speaker 1: really accurate, you know, for it was an actor dancing

478
00:21:49,440 --> 00:21:51,280
Speaker 1: and I could tell that she was more of an actor.

479
00:21:51,840 --> 00:21:54,600
Speaker 1: But I liked that she was doing all these faces

480
00:21:54,920 --> 00:21:57,359
Speaker 1: and like twiddling her fingers and then they did that

481
00:21:57,400 --> 00:21:59,399
Speaker 1: one like handshake at one point where they did like

482
00:21:59,480 --> 00:22:02,840
Speaker 1: the you know, the up down thing. Yes, it was great.

483
00:22:03,119 --> 00:22:07,520
Speaker 1: So I was thoroughly entertained. And they the judges gave

484
00:22:07,520 --> 00:22:10,640
Speaker 1: them a six and a six. I think I would

485
00:22:10,640 --> 00:22:11,480
Speaker 1: have given them a seven.

486
00:22:11,680 --> 00:22:13,720
Speaker 2: I agree on hundred percent. I agree on hundred percent.

487
00:22:13,760 --> 00:22:16,440
Speaker 2: I thought she was great. It reminded me of like, oh,

488
00:22:16,480 --> 00:22:19,000
Speaker 2: that's the person you cast in Chicago the movie or

489
00:22:19,280 --> 00:22:21,280
Speaker 2: one of these kind of big dance number of movies,

490
00:22:21,320 --> 00:22:24,320
Speaker 2: because she had the whole package. The outfit looked great,

491
00:22:24,359 --> 00:22:27,160
Speaker 2: the start with the big hat, her partner was awesome.

492
00:22:27,480 --> 00:22:30,960
Speaker 2: She was just so happy to be there. She was

493
00:22:30,960 --> 00:22:33,440
Speaker 2: was there and now, Yes, so it was.

494
00:22:33,400 --> 00:22:36,639
Speaker 1: She's a contender, She's up. Definitely. She had me.

495
00:22:36,680 --> 00:22:38,159
Speaker 2: She was she was great, and I agree with you

496
00:22:38,160 --> 00:22:39,879
Speaker 2: one hundred percent. I think they could have gone a

497
00:22:39,880 --> 00:22:40,840
Speaker 2: little bit higher.

498
00:22:40,560 --> 00:22:43,760
Speaker 1: With her score. So next up we had Whitney Levitt

499
00:22:43,760 --> 00:22:47,679
Speaker 1: and Mark Ballas. Whitney is a social media influencer and

500
00:22:47,840 --> 00:22:51,200
Speaker 1: entrepreneur who stars alongside the fellow Dancing with a Star

501
00:22:51,240 --> 00:22:54,960
Speaker 1: season forecast member Jen Affleck on the secret lives of

502
00:22:55,000 --> 00:22:57,880
Speaker 1: Mormon wives She is a mom of three. She has

503
00:22:57,920 --> 00:23:00,760
Speaker 1: over two point five million followers on Tip Ta Geez.

504
00:23:01,160 --> 00:23:04,159
Speaker 1: But she is also a dancer. I thought she was

505
00:23:04,560 --> 00:23:09,080
Speaker 1: really good to the tango to the song Golden from

506
00:23:09,280 --> 00:23:12,760
Speaker 1: K Pop Demon Hunters, which is just like the best

507
00:23:12,760 --> 00:23:14,920
Speaker 1: song of the night, and it's like it was such

508
00:23:14,960 --> 00:23:17,199
Speaker 1: a good selection because it's so of the moment, like

509
00:23:17,240 --> 00:23:19,919
Speaker 1: this is the song my kid is listening to. Every

510
00:23:19,960 --> 00:23:22,800
Speaker 1: everybody's kid is listening to. It's been super smart.

511
00:23:22,880 --> 00:23:26,399
Speaker 2: Apparently her partner Mark Ballas is like, this is the

512
00:23:26,440 --> 00:23:29,439
Speaker 2: guy who's won a whole bunch of times. He is

513
00:23:29,480 --> 00:23:32,800
Speaker 2: the man when it comes to the dancers, apparently. And

514
00:23:32,840 --> 00:23:35,359
Speaker 2: I guess he had left the show. By the way,

515
00:23:35,440 --> 00:23:37,880
Speaker 2: producer Tara, if anything we're saying is completely and totally wrong,

516
00:23:37,880 --> 00:23:39,760
Speaker 2: and you know the answer, please jump in with this stuff,

517
00:23:39,960 --> 00:23:42,800
Speaker 2: because I but I think he like left the show

518
00:23:43,040 --> 00:23:46,439
Speaker 2: under some kind of It wasn't controversy, but it was

519
00:23:46,440 --> 00:23:48,240
Speaker 2: more like he just wanted to take off. And then

520
00:23:48,320 --> 00:23:50,359
Speaker 2: he's recently come back, so I think this was kind

521
00:23:50,400 --> 00:23:52,360
Speaker 2: of a big deal, right, Yeah.

522
00:23:52,160 --> 00:23:55,240
Speaker 5: So he basically he's been on His first ever partner

523
00:23:55,280 --> 00:23:58,760
Speaker 5: was Sabrina and Bryan. Oh yes, and that was his

524
00:23:58,760 --> 00:24:01,399
Speaker 5: first season and he left he had an injury. I

525
00:24:01,440 --> 00:24:03,160
Speaker 5: think it was I can't remember what kind of injury,

526
00:24:03,160 --> 00:24:05,720
Speaker 5: but he had an injury. So he wasn't dancing regularly

527
00:24:05,720 --> 00:24:07,919
Speaker 5: because it's very hard on your body. Yeah, but he

528
00:24:08,000 --> 00:24:11,639
Speaker 5: came back and won with Charlie Dmilio, and he just

529
00:24:11,880 --> 00:24:15,640
Speaker 5: he basically talked about that he's been healing and taking

530
00:24:15,640 --> 00:24:17,120
Speaker 5: care of his body and he wanted to come back.

531
00:24:17,160 --> 00:24:18,399
Speaker 5: So there was no controversy.

532
00:24:18,440 --> 00:24:19,360
Speaker 1: It was just okay.

533
00:24:19,400 --> 00:24:21,399
Speaker 2: But he was like, am I wrong that he was

534
00:24:21,440 --> 00:24:23,399
Speaker 2: like the face of the male dancers for Dancing with

535
00:24:23,440 --> 00:24:24,120
Speaker 2: the Stars for a while.

536
00:24:24,160 --> 00:24:25,080
Speaker 3: He was like the guy right.

537
00:24:25,320 --> 00:24:28,760
Speaker 5: It was always like him and Derek were on at

538
00:24:28,760 --> 00:24:29,400
Speaker 5: the same time.

539
00:24:29,600 --> 00:24:31,680
Speaker 3: Derek, right, who's the who's the judge?

540
00:24:31,880 --> 00:24:32,080
Speaker 4: Yes?

541
00:24:32,320 --> 00:24:35,680
Speaker 5: And then we have Max whose VAL's brother. There was

542
00:24:35,720 --> 00:24:37,440
Speaker 5: a lot of those key players.

543
00:24:37,600 --> 00:24:40,639
Speaker 1: Yeah, man, all right, this this this one with Whitney

544
00:24:40,680 --> 00:24:44,000
Speaker 1: and Mark was like, I was like, oh, it's going

545
00:24:44,040 --> 00:24:46,880
Speaker 1: to keep getting better, Like this was, oh, the last

546
00:24:46,920 --> 00:24:48,640
Speaker 1: one was the best of the night. Now it took

547
00:24:48,640 --> 00:24:50,960
Speaker 1: it to even the next level. I was like, well,

548
00:24:51,000 --> 00:24:54,080
Speaker 1: this is great. The judges gave him a seven and

549
00:24:54,200 --> 00:24:57,119
Speaker 1: an eight in a weird controversial moment.

550
00:24:57,400 --> 00:24:59,439
Speaker 3: Yes, apparently, yeah, you have to.

551
00:24:59,480 --> 00:25:01,919
Speaker 2: It's one thing apparently, and they we heard the voice

552
00:25:01,920 --> 00:25:04,560
Speaker 2: over the loudspeaker saying yet, which they cut out from

553
00:25:04,560 --> 00:25:05,120
Speaker 2: the live show.

554
00:25:05,200 --> 00:25:07,040
Speaker 3: You have to lock Oh no, they had it in

555
00:25:07,080 --> 00:25:07,520
Speaker 3: the live show.

556
00:25:07,640 --> 00:25:09,800
Speaker 2: You have to lock in your number first, So apparently

557
00:25:09,800 --> 00:25:12,000
Speaker 2: the judges they have to literally hit a button to

558
00:25:12,040 --> 00:25:14,200
Speaker 2: lock in their number and then pick up their paddle.

559
00:25:14,640 --> 00:25:17,240
Speaker 2: He locked in an eight, but picked up a seven.

560
00:25:17,640 --> 00:25:22,119
Speaker 2: So when they then cut later to Julianne Huff talking

561
00:25:22,119 --> 00:25:24,000
Speaker 2: about it, she got a message in your euro pier

562
00:25:24,000 --> 00:25:26,240
Speaker 2: saying no, they actually put an eight, so that was

563
00:25:26,280 --> 00:25:28,960
Speaker 2: a fourteen and then went up to a fifteen because

564
00:25:28,960 --> 00:25:31,520
Speaker 2: apparently he had locked in the eight button, so which.

565
00:25:31,359 --> 00:25:35,840
Speaker 1: I think it deserved. I feel like pretty much overall

566
00:25:35,880 --> 00:25:38,320
Speaker 1: this was the highest scoring dance of the night from

567
00:25:38,320 --> 00:25:41,160
Speaker 1: the judges point of view, I think it was probably

568
00:25:41,600 --> 00:25:43,040
Speaker 1: top top three.

569
00:25:43,080 --> 00:25:45,080
Speaker 2: It was one of the top agreed one hundred percent.

570
00:25:45,080 --> 00:25:46,840
Speaker 2: I don't think it was the best. But I also

571
00:25:46,880 --> 00:25:49,040
Speaker 2: have the question for you, which we're going to have

572
00:25:49,080 --> 00:25:52,480
Speaker 2: to talk about as the show progresses, especially, is the

573
00:25:52,600 --> 00:25:56,440
Speaker 2: balance between stage props.

574
00:25:56,119 --> 00:25:59,280
Speaker 3: And flashy stuff going on just dancing.

575
00:25:59,359 --> 00:26:02,320
Speaker 1: Who makes these decisions I think they do okay, because

576
00:26:02,359 --> 00:26:04,840
Speaker 1: there were some that had such high production value and

577
00:26:04,880 --> 00:26:09,040
Speaker 1: then others like Danielle Fishel would just very straightforward and

578
00:26:09,119 --> 00:26:12,399
Speaker 1: just think about the dance and in the room, I

579
00:26:12,560 --> 00:26:14,359
Speaker 1: was like, well, we should be having all the fire,

580
00:26:14,520 --> 00:26:16,160
Speaker 1: but then watching it back, I was like, no, there's

581
00:26:16,160 --> 00:26:20,000
Speaker 1: some too being classy and yes, dude, and also you

582
00:26:20,000 --> 00:26:20,600
Speaker 1: can grow.

583
00:26:21,000 --> 00:26:24,679
Speaker 4: This game is strategy, yes, yes, And there's strategy involved

584
00:26:24,680 --> 00:26:27,720
Speaker 4: in every decision that's made on this show. And Danielle

585
00:26:27,760 --> 00:26:30,520
Speaker 4: and Pasha and all the dancers that you saw are

586
00:26:30,520 --> 00:26:32,679
Speaker 4: making decisions based on what they want on the stage,

587
00:26:32,680 --> 00:26:34,359
Speaker 4: what they want their creative to be. They all have

588
00:26:34,440 --> 00:26:35,160
Speaker 4: their hands in it.

589
00:26:35,359 --> 00:26:38,040
Speaker 1: Right, and they're telling a story in such an interesting

590
00:26:38,080 --> 00:26:40,960
Speaker 1: way because like when I you know, I have watched

591
00:26:40,960 --> 00:26:44,800
Speaker 1: American Idol for years. I've watched other competition shows where

592
00:26:44,840 --> 00:26:48,720
Speaker 1: they spend more time with the contestants behind the scenes,

593
00:26:48,880 --> 00:26:51,720
Speaker 1: where you the part of the storytelling is like getting

594
00:26:51,720 --> 00:26:54,560
Speaker 1: to know them as people or like their families or whatever.

595
00:26:54,840 --> 00:26:57,360
Speaker 1: There's very little of that in this show. We get

596
00:26:57,359 --> 00:27:00,160
Speaker 1: the like one minute package to introduce each one of them,

597
00:27:00,280 --> 00:27:02,800
Speaker 1: and I'm very curious to see how that happens every week.

598
00:27:02,640 --> 00:27:05,720
Speaker 2: Like because it'll grow because as if people get kicked off,

599
00:27:05,720 --> 00:27:07,440
Speaker 2: the package is going to get longer because then there's

600
00:27:07,480 --> 00:27:10,280
Speaker 2: only six people. So I imagine the dance gets longer and

601
00:27:10,320 --> 00:27:13,240
Speaker 2: the package goes longer. I would think, Yeah, So I

602
00:27:13,280 --> 00:27:15,960
Speaker 2: guess what I'm saying is the dancing is.

603
00:27:16,200 --> 00:27:18,399
Speaker 1: The storytelling, right, do you know what I mean? So

604
00:27:18,520 --> 00:27:21,080
Speaker 1: watching these people now that we've like sort of taken

605
00:27:21,119 --> 00:27:25,200
Speaker 1: notes and watching them progress is going to earn more appreciation,

606
00:27:25,720 --> 00:27:27,480
Speaker 1: you know, So like, yes, that's going to be very

607
00:27:27,560 --> 00:27:30,080
Speaker 1: interesting to see somebody who probably out of the gate

608
00:27:30,280 --> 00:27:33,080
Speaker 1: was just a solid dancer and then maybe stays there

609
00:27:33,400 --> 00:27:35,800
Speaker 1: over the course of the season, and the people who

610
00:27:35,840 --> 00:27:38,480
Speaker 1: get better and better, and I feel like, yeah, I'm

611
00:27:38,480 --> 00:27:41,400
Speaker 1: going to be invested in those those stories without even

612
00:27:41,400 --> 00:27:44,320
Speaker 1: knowing anything about you know, them as people or really

613
00:27:44,359 --> 00:27:46,680
Speaker 1: seeing them like hanging out that much, or like I

614
00:27:46,720 --> 00:27:49,080
Speaker 1: can tell you really cool, that's something I care about this, I.

615
00:27:49,000 --> 00:27:51,960
Speaker 2: Agree, But watching watching it back and watching just the

616
00:27:52,000 --> 00:27:54,640
Speaker 2: people that danced without all the pageantry on the stage,

617
00:27:54,920 --> 00:27:57,480
Speaker 2: it made me think they have a place to go

618
00:27:57,560 --> 00:27:59,879
Speaker 2: with this. They can grow from here. Whereas if you

619
00:28:00,080 --> 00:28:03,000
Speaker 2: started at ten, I know, where do you go it's like.

620
00:28:02,960 --> 00:28:04,040
Speaker 1: Okay, that's amazing.

621
00:28:04,080 --> 00:28:06,080
Speaker 2: You killed it on the first night when nobody's going

622
00:28:06,119 --> 00:28:08,560
Speaker 2: to be kicked off, But where you know, you got

623
00:28:08,600 --> 00:28:09,760
Speaker 2: to ramp this up every week?

624
00:28:09,800 --> 00:28:09,960
Speaker 1: Now?

625
00:28:10,000 --> 00:28:10,760
Speaker 3: How do you do that?

626
00:28:11,080 --> 00:28:14,359
Speaker 4: So my question to you then is strategically about Dancing

627
00:28:14,359 --> 00:28:16,520
Speaker 4: with the stars. If you're given the opportunity to have

628
00:28:16,560 --> 00:28:19,560
Speaker 4: a car on your stage or something like that, and

629
00:28:19,600 --> 00:28:21,480
Speaker 4: you can do it in week one, do you say

630
00:28:21,520 --> 00:28:23,960
Speaker 4: no because week two and three you don't have it anymore,

631
00:28:24,359 --> 00:28:25,560
Speaker 4: or you can't do that every week?

632
00:28:25,640 --> 00:28:26,080
Speaker 3: I say no.

633
00:28:26,240 --> 00:28:29,959
Speaker 2: I start exactly how Danielle started, which is two people

634
00:28:30,119 --> 00:28:32,919
Speaker 2: dancing to great music with great costumes.

635
00:28:32,960 --> 00:28:35,480
Speaker 4: And I will make I will make this is no

636
00:28:35,600 --> 00:28:37,720
Speaker 4: inside Baseball because I would have noticed this just by

637
00:28:37,760 --> 00:28:42,840
Speaker 4: watching the show. But Mark and Pasha and Val are

638
00:28:42,920 --> 00:28:47,040
Speaker 4: three of the most seasoned veterans on the male side.

639
00:28:47,800 --> 00:28:51,400
Speaker 4: Two of the three had no nothing on the stage,

640
00:28:51,800 --> 00:28:55,480
Speaker 4: and the Val had Alex Earl the influencer, and he

641
00:28:55,560 --> 00:28:58,320
Speaker 4: put a lot on the stage with fire and bring

642
00:28:58,320 --> 00:29:01,000
Speaker 4: a fire, and I think she needs that because she

643
00:29:01,080 --> 00:29:04,920
Speaker 4: is a very showy celebrity. But you notice the other too,

644
00:29:04,960 --> 00:29:06,880
Speaker 4: strategically did not do it. So we'll see.

645
00:29:07,080 --> 00:29:07,240
Speaker 1: Well.

646
00:29:07,280 --> 00:29:09,520
Speaker 2: I also have a question when it comes to the

647
00:29:09,560 --> 00:29:13,080
Speaker 2: actual dance aspect of the show. So, if you're a

648
00:29:13,160 --> 00:29:16,040
Speaker 2: male professional dancer on the show and Danielle Fischel is

649
00:29:16,080 --> 00:29:19,240
Speaker 2: your partner, great, you come on, I'm going to teach

650
00:29:19,280 --> 00:29:19,960
Speaker 2: you how to dance.

651
00:29:20,120 --> 00:29:22,600
Speaker 3: I'm the man, so I lead. That's traditionally how it.

652
00:29:22,560 --> 00:29:26,400
Speaker 2: Works when the woman is the professional dancer, is the

653
00:29:26,480 --> 00:29:28,600
Speaker 2: woman leading or is the woman not.

654
00:29:28,560 --> 00:29:31,320
Speaker 1: Only teaching the dance but teaching the man to lead.

655
00:29:32,880 --> 00:29:36,320
Speaker 1: Does anybody know it's all of it? It's both. Yeah,

656
00:29:36,360 --> 00:29:38,320
Speaker 1: I mean I think, I mean, you can see that

657
00:29:38,360 --> 00:29:41,400
Speaker 1: they're working with what they've got right, But no, I

658
00:29:41,400 --> 00:29:45,320
Speaker 1: think technically the man always has to lead, so that

659
00:29:45,360 --> 00:29:48,120
Speaker 1: determines whose arm is, which arm and which direction.

660
00:29:48,600 --> 00:29:50,400
Speaker 2: Yes, because it's like, not only do I have to

661
00:29:50,440 --> 00:29:52,360
Speaker 2: teach you how to dance, but I have to teach

662
00:29:52,360 --> 00:29:53,480
Speaker 2: you how to lead me.

663
00:29:53,840 --> 00:29:56,240
Speaker 4: This is a whole strategy though, because it's all plays

664
00:29:56,240 --> 00:29:58,720
Speaker 4: in it. Because I think it's easier for the men

665
00:29:59,040 --> 00:30:03,000
Speaker 4: because dancing ballroom dancing has a focus on the female

666
00:30:03,000 --> 00:30:05,160
Speaker 4: and you're mostly looking at the female in any case

667
00:30:05,160 --> 00:30:11,080
Speaker 4: where he's the frame, so it's harder. You could argue

668
00:30:11,080 --> 00:30:14,200
Speaker 4: both ways, it's easier for the male celebrity, or it's.

669
00:30:14,000 --> 00:30:15,920
Speaker 1: More I don't know if I mean, I definitely think

670
00:30:15,920 --> 00:30:18,680
Speaker 1: they're leading, but I'm not sure if leading necessarily means

671
00:30:18,720 --> 00:30:21,080
Speaker 1: that it takes more skill, right, you know what I mean,

672
00:30:21,120 --> 00:30:22,200
Speaker 1: It's just a different skill.

673
00:30:22,280 --> 00:30:24,240
Speaker 2: Did you also notice in most of the dances, which

674
00:30:24,240 --> 00:30:26,000
Speaker 2: of course we do not see when we're on the stage,

675
00:30:26,200 --> 00:30:29,320
Speaker 2: there are many a time, especially with the women, where

676
00:30:29,360 --> 00:30:32,800
Speaker 2: the women professional dancers, where they are speaking to the

677
00:30:32,960 --> 00:30:34,360
Speaker 2: dancers as the.

678
00:30:34,360 --> 00:30:35,160
Speaker 3: Dance is going on.

679
00:30:35,400 --> 00:30:37,320
Speaker 2: Like at one point for the Corey Felman dance, she

680
00:30:37,440 --> 00:30:39,360
Speaker 2: says to him before he does his own thing, and

681
00:30:39,400 --> 00:30:42,440
Speaker 2: I rewound it and rewound it and kept reading her lips.

682
00:30:42,560 --> 00:30:45,440
Speaker 2: I'm pretty sure she says, do it. They love you,

683
00:30:46,280 --> 00:30:49,040
Speaker 2: and so she's like pumping him up before. So I

684
00:30:49,080 --> 00:30:51,320
Speaker 2: think the women are really trying to like, yeah, smile.

685
00:30:51,400 --> 00:30:54,000
Speaker 2: You saw smile a lot because you're probably in your

686
00:30:54,000 --> 00:30:56,360
Speaker 2: head trying to think of the dance steps.

687
00:30:56,440 --> 00:30:57,680
Speaker 3: Yes, and so it's like smile.

688
00:30:58,040 --> 00:31:00,120
Speaker 2: So the women, especially, we're really leading the man and

689
00:31:00,200 --> 00:31:02,560
Speaker 2: with like okay, smart, you can do it. You're And

690
00:31:02,600 --> 00:31:04,280
Speaker 2: it was amazing to watch that back. You could really

691
00:31:04,320 --> 00:31:05,840
Speaker 2: see them talking to them while they're dancing.

692
00:31:18,040 --> 00:31:18,360
Speaker 4: All right.

693
00:31:18,360 --> 00:31:23,200
Speaker 1: Next up was Baron Davis and Britt Stewart. Barons. Yeah,

694
00:31:23,240 --> 00:31:28,040
Speaker 1: he's a basketball player. Apparently. I really liked him his energy.

695
00:31:28,120 --> 00:31:32,000
Speaker 1: They sang h are they They danced the too you

696
00:31:32,040 --> 00:31:36,040
Speaker 1: Can't Touch This by mc ammer. So yeah, so this

697
00:31:36,240 --> 00:31:39,920
Speaker 1: was the first like, ah, now I'm watching somebody who really, yeah,

698
00:31:40,440 --> 00:31:45,080
Speaker 1: really is like stretching us. Yeah, exactly, you know, as

699
00:31:45,160 --> 00:31:48,040
Speaker 1: much as as as Dylan Efron was sort of saying

700
00:31:48,080 --> 00:31:50,800
Speaker 1: that he was uncomfortable, like you know, Baron was also

701
00:31:50,840 --> 00:31:54,000
Speaker 1: dealing with an older body and like an injuries and

702
00:31:54,000 --> 00:31:58,040
Speaker 1: everything between being an athlete, you know, and then being

703
00:31:58,040 --> 00:32:00,760
Speaker 1: a dancer where it's like it's a whole different thing

704
00:32:01,040 --> 00:32:04,680
Speaker 1: and you're using your body differently, And he was visibly uncomfortable,

705
00:32:04,720 --> 00:32:07,160
Speaker 1: but he gave it as all. I thought it was

706
00:32:07,200 --> 00:32:08,920
Speaker 1: fine and super entertaining.

707
00:32:09,520 --> 00:32:11,320
Speaker 2: He was really there's a couple of times and he

708
00:32:11,360 --> 00:32:13,720
Speaker 2: wasn't the only one where there you could really tell

709
00:32:13,760 --> 00:32:16,760
Speaker 2: that somebody has no dance experience, probably does not how

710
00:32:17,520 --> 00:32:19,240
Speaker 2: cannot move particularly gracefully.

711
00:32:19,240 --> 00:32:19,760
Speaker 1: This would be me.

712
00:32:20,480 --> 00:32:22,040
Speaker 2: And so it's one of those things where it's like

713
00:32:22,520 --> 00:32:25,280
Speaker 2: you're essentially gonna move a little bit and hold.

714
00:32:25,080 --> 00:32:27,200
Speaker 1: Your hands up and I'm going to dance around you exactly.

715
00:32:27,280 --> 00:32:30,920
Speaker 1: And that's what Britt was like Daniella just killing it, yes,

716
00:32:30,920 --> 00:32:35,320
Speaker 1: and fantastic, Hared He's kind of static while she's like

717
00:32:35,400 --> 00:32:38,080
Speaker 1: spinning all around him and like kept giving him time

718
00:32:38,120 --> 00:32:40,840
Speaker 1: to like do like little moves on his own. Yeah.

719
00:32:43,480 --> 00:32:47,840
Speaker 2: Right, I don't know I would say no, no, no, yes, Yeah.

720
00:32:47,920 --> 00:32:51,600
Speaker 2: It was just and again, you're right, this is where

721
00:32:51,360 --> 00:32:55,200
Speaker 2: we're trying to balance the younger. You've got somebody like

722
00:32:55,280 --> 00:32:59,000
Speaker 2: Jordan Childs who's also a an athlete like Baron Davis is,

723
00:32:59,280 --> 00:33:01,840
Speaker 2: but somebody who's an athlete who is probably still in

724
00:33:01,880 --> 00:33:04,360
Speaker 2: her twenties, who's been flipping all over the place as

725
00:33:04,400 --> 00:33:08,040
Speaker 2: a gymnast, so it's like it's easier to cover maybe

726
00:33:08,080 --> 00:33:11,200
Speaker 2: you don't have the dance aspect when you're doing splits

727
00:33:11,240 --> 00:33:13,160
Speaker 2: in mid air and all this other stuff where he's

728
00:33:13,200 --> 00:33:16,760
Speaker 2: probably like, I'm fifty something years old and my body's

729
00:33:16,760 --> 00:33:18,800
Speaker 2: a little bit wrecked. So yeah, I'm going to do

730
00:33:18,840 --> 00:33:21,120
Speaker 2: the running Man, which was kind of cool, And it's

731
00:33:21,200 --> 00:33:23,520
Speaker 2: more that's more about the personality and the entertainment than

732
00:33:23,520 --> 00:33:25,200
Speaker 2: anything else. Right now, we have to see if they

733
00:33:25,280 --> 00:33:26,760
Speaker 2: progress actually as dancers.

734
00:33:26,840 --> 00:33:29,040
Speaker 1: I know, I'm really hoping they do, because I did

735
00:33:29,040 --> 00:33:30,400
Speaker 1: find it entertaining, it was fun.

736
00:33:30,520 --> 00:33:32,560
Speaker 2: I did too, But he's also on my list of

737
00:33:32,600 --> 00:33:35,760
Speaker 2: it's real possible that he's on the bubble to go. Yeah,

738
00:33:36,000 --> 00:33:37,200
Speaker 2: And this is where we're going to see if it's

739
00:33:37,200 --> 00:33:39,320
Speaker 2: about dancing or it's about a personality contest, because there's

740
00:33:39,320 --> 00:33:41,760
Speaker 2: two or three. If it's just about dancing, where it's like, okay,

741
00:33:41,760 --> 00:33:43,560
Speaker 2: they're clearly not dancers, you know.

742
00:33:44,080 --> 00:33:46,360
Speaker 1: They both got fives from the judges, giving them a

743
00:33:46,360 --> 00:33:51,120
Speaker 1: total score of ten, which seemed like a.

744
00:33:49,600 --> 00:33:50,320
Speaker 3: Bit of a gift.

745
00:33:50,440 --> 00:33:52,440
Speaker 2: Yes, and a bit of a gift since later people

746
00:33:52,480 --> 00:33:54,840
Speaker 2: got a little bit lower that easily could have been lower,

747
00:33:54,840 --> 00:33:56,720
Speaker 2: but I think his personality pushed it over the edge.

748
00:33:57,120 --> 00:34:02,120
Speaker 1: Next up we had Alex Earl and Val Schmerkovski. Alex

749
00:34:02,320 --> 00:34:06,480
Speaker 1: is an online influencer. Her effect has been dubbed the

750
00:34:06,520 --> 00:34:10,360
Speaker 1: Alex Earl Effect, referring to her ability to make products

751
00:34:10,400 --> 00:34:11,040
Speaker 1: go viral.

752
00:34:11,880 --> 00:34:13,640
Speaker 2: She has an effect. She's big enough to have her

753
00:34:13,640 --> 00:34:19,720
Speaker 2: own effect, I guess. So they danced to Britney Spears Circus.

754
00:34:20,640 --> 00:34:24,879
Speaker 2: This was a This was the biggest set of the night.

755
00:34:25,080 --> 00:34:26,560
Speaker 3: The big fire boobies behind you.

756
00:34:26,440 --> 00:34:29,600
Speaker 1: You see the fire boobies circle, but they did. When

757
00:34:29,600 --> 00:34:30,960
Speaker 1: you look at it straight on, it looked like two

758
00:34:30,960 --> 00:34:32,799
Speaker 1: pairs of fire boobies. Really, I thought it was just

759
00:34:32,880 --> 00:34:34,960
Speaker 1: one circle. What are you talking about? No, this was

760
00:34:35,000 --> 00:34:35,600
Speaker 1: fire boobies.

761
00:34:35,600 --> 00:34:37,759
Speaker 2: In the BacT, there's two things like spinning that looked

762
00:34:37,800 --> 00:34:38,759
Speaker 2: like she started.

763
00:34:38,480 --> 00:34:42,160
Speaker 1: On a little stand with a whip. It was. There

764
00:34:42,200 --> 00:34:45,600
Speaker 1: was a lot going on, and frankly, I don't think

765
00:34:45,600 --> 00:34:48,120
Speaker 1: they needed it. I think she I think she was

766
00:34:48,160 --> 00:34:54,120
Speaker 1: a very good dancer. But going back to like what

767
00:34:54,120 --> 00:34:57,719
Speaker 1: what what Elaine Hendrix brought to her performance, this was

768
00:34:57,719 --> 00:35:00,279
Speaker 1: like the opposite of that. I felt like she was

769
00:35:00,360 --> 00:35:03,799
Speaker 1: kind of stiff. Stiff. I agree, we're doing all the

770
00:35:03,840 --> 00:35:08,239
Speaker 1: moves right, but you under dead inside. It was, yes,

771
00:35:08,280 --> 00:35:11,200
Speaker 1: there's no soul like it was a little bit soulless,

772
00:35:11,280 --> 00:35:14,359
Speaker 1: like it was technically very good, but there was kind

773
00:35:14,360 --> 00:35:16,560
Speaker 1: of no soul behind it. And I feel like all

774
00:35:16,600 --> 00:35:19,600
Speaker 1: the fireworks and fires and whips was all an attempt

775
00:35:19,640 --> 00:35:23,560
Speaker 1: to kind of distract from that. So the judges gave

776
00:35:23,600 --> 00:35:25,520
Speaker 1: them a seven and a six.

777
00:35:25,760 --> 00:35:29,319
Speaker 3: Fire boobies do it every time, and.

778
00:35:29,280 --> 00:35:31,319
Speaker 1: It's it's interesting because you know, I feel a little

779
00:35:31,400 --> 00:35:34,560
Speaker 1: unfair because we're saying, you know, but by the criteria

780
00:35:34,600 --> 00:35:36,959
Speaker 1: and of like was I was watching or going, well, yeah,

781
00:35:37,000 --> 00:35:39,239
Speaker 1: you can dance, but I don't know if I want

782
00:35:39,239 --> 00:35:40,400
Speaker 1: to keep watching you dance.

783
00:35:40,640 --> 00:35:43,040
Speaker 3: Isn't that weird? It's not fully entertaining.

784
00:35:43,560 --> 00:35:46,120
Speaker 2: And also I noticed this like fire Boobies is a

785
00:35:46,120 --> 00:35:48,279
Speaker 2: perfect example, which I'm going to keep saying as often

786
00:35:48,320 --> 00:35:48,759
Speaker 2: as I can.

787
00:35:49,680 --> 00:35:51,440
Speaker 1: It's a perfect example of when we were watching.

788
00:35:51,440 --> 00:35:54,400
Speaker 2: When I was watching it back on TV, I was

789
00:35:54,440 --> 00:35:56,920
Speaker 2: watching all the stuff going on around her, all the

790
00:35:57,000 --> 00:35:59,279
Speaker 2: fire in the flames and everything else, and then I

791
00:35:59,280 --> 00:36:01,680
Speaker 2: was like, oh, that's right, concentrate on her dancing. It

792
00:36:01,760 --> 00:36:04,560
Speaker 2: was secondary to everything else that was happening on stage.

793
00:36:04,760 --> 00:36:07,680
Speaker 3: So I, yeah, it's there's a lot going on. There's

794
00:36:07,680 --> 00:36:08,239
Speaker 3: a lot going on.

795
00:36:08,600 --> 00:36:12,520
Speaker 1: Yeah, all right, So you would you have kept the no?

796
00:36:12,520 --> 00:36:14,120
Speaker 3: I would have They gave it one, gave us seven,

797
00:36:14,160 --> 00:36:14,879
Speaker 3: and one gave us six.

798
00:36:14,960 --> 00:36:17,160
Speaker 2: I would have probably done dual sixes or maybe even

799
00:36:17,200 --> 00:36:18,160
Speaker 2: a five and a six. Yeah.

800
00:36:18,200 --> 00:36:20,640
Speaker 1: I think they're really reacting to the dancing more than

801
00:36:20,640 --> 00:36:24,120
Speaker 1: the game. Yes, all right. Next up, we had Scott

802
00:36:24,120 --> 00:36:28,080
Speaker 1: Hoyne and Riley Arnold. Uh. Scott is a Grammy and

803
00:36:28,080 --> 00:36:31,840
Speaker 1: an Emmy Award winning musician from the group Pentatonics.

804
00:36:32,040 --> 00:36:33,600
Speaker 3: Yeah, this on our Christmas playlist.

805
00:36:33,640 --> 00:36:36,520
Speaker 2: Their Little drummer Boy brings the house down, my friend,

806
00:36:36,680 --> 00:36:37,920
Speaker 2: their real life pitch perfect.

807
00:36:37,960 --> 00:36:39,960
Speaker 1: Yeah, I want to check them out. They've they've sold

808
00:36:40,360 --> 00:36:43,000
Speaker 1: over thirteen million albums, thirty.

809
00:36:42,719 --> 00:36:43,520
Speaker 3: Two billion albums.

810
00:36:43,560 --> 00:36:43,719
Speaker 1: Yeah.

811
00:36:43,800 --> 00:36:44,000
Speaker 2: Wow.

812
00:36:44,040 --> 00:36:44,520
Speaker 4: They did the.

813
00:36:44,480 --> 00:36:49,279
Speaker 1: Tango to Abercadabra by Lady Gaga. You could tell in

814
00:36:49,719 --> 00:36:53,839
Speaker 1: his package, his pre dance package that he was uncomfortable

815
00:36:54,080 --> 00:36:57,040
Speaker 1: and kind of an awkward dancer, and he said this

816
00:36:57,080 --> 00:37:00,600
Speaker 1: thing about being more vulnerable than singing, which I found

817
00:37:00,680 --> 00:37:02,480
Speaker 1: really interesting. I was like, do I feel that way,

818
00:37:02,480 --> 00:37:04,719
Speaker 1: because singing is also very vulnerable.

819
00:37:04,520 --> 00:37:06,080
Speaker 2: Right, but not when you're He's in a group with

820
00:37:06,120 --> 00:37:08,759
Speaker 2: like six other people doing harmony, so it's like you're

821
00:37:08,800 --> 00:37:10,760
Speaker 2: there with your friends. Like when I go on stage

822
00:37:10,760 --> 00:37:12,960
Speaker 2: by myself, I'm terrified. When I'm there with you and Danielle,

823
00:37:13,000 --> 00:37:14,560
Speaker 2: I'm totally completely relaxed.

824
00:37:14,640 --> 00:37:17,280
Speaker 1: Yeah true. So yeah, So what'd you think of the dance?

825
00:37:17,920 --> 00:37:19,920
Speaker 2: I thought he was clunky and a bit stiff, and

826
00:37:20,760 --> 00:37:22,360
Speaker 2: she was over compensating a little.

827
00:37:23,640 --> 00:37:25,200
Speaker 3: Dred percent. She was trying hard.

828
00:37:25,680 --> 00:37:28,200
Speaker 2: And I think one of the things we also never

829
00:37:28,280 --> 00:37:30,880
Speaker 2: talk about and should never in the history of this show,

830
00:37:31,040 --> 00:37:33,960
Speaker 2: by the way, we're halfway through our first episode, that

831
00:37:34,120 --> 00:37:37,240
Speaker 2: the professional dancers have to be pretty, you know, pretty

832
00:37:37,400 --> 00:37:40,600
Speaker 2: nervous as well. So I felt for the first time

833
00:37:40,600 --> 00:37:42,759
Speaker 2: that the professional dancer was a little bit nervous and that,

834
00:37:43,120 --> 00:37:45,279
Speaker 2: like you said, pushing it a little bit, and it

835
00:37:45,400 --> 00:37:47,040
Speaker 2: was not my favorite dance of the night.

836
00:37:47,200 --> 00:37:49,760
Speaker 1: What a hard job to be these dancers. I couldn't imagine.

837
00:37:49,760 --> 00:37:51,319
Speaker 1: I mean, you no idea what you're dealing with, what

838
00:37:51,360 --> 00:37:53,000
Speaker 1: you're going to get, and you have to work with

839
00:37:53,040 --> 00:37:55,080
Speaker 1: what you've got, right, Yeah, So when you when when

840
00:37:55,400 --> 00:37:59,680
Speaker 1: you know, Baron shows up and he's wanting to do

841
00:38:00,120 --> 00:38:03,080
Speaker 1: something like hip hop related, but you're trying to do

842
00:38:03,440 --> 00:38:05,360
Speaker 1: you know, like that's a challenge.

843
00:38:05,040 --> 00:38:07,680
Speaker 3: Or I'm so sure Sue and I were talking about this.

844
00:38:07,760 --> 00:38:10,279
Speaker 2: I'm sure that when they find out who their celebrity is,

845
00:38:10,280 --> 00:38:11,600
Speaker 2: there's a bunch of them that are like, oh, I'm

846
00:38:11,640 --> 00:38:13,080
Speaker 2: not going to win this year, Like there's.

847
00:38:12,920 --> 00:38:14,799
Speaker 1: No because I think winning is a big deal for

848
00:38:14,880 --> 00:38:15,480
Speaker 1: the dancers.

849
00:38:15,920 --> 00:38:18,040
Speaker 2: So it's I think there's times where they get paired

850
00:38:18,040 --> 00:38:20,000
Speaker 2: with somebody where they're like, Okay, well it'll be fun,

851
00:38:20,000 --> 00:38:21,400
Speaker 2: they'll be nice, but there's no way.

852
00:38:21,239 --> 00:38:23,759
Speaker 1: We're going to win anything this year. So, yeah, the

853
00:38:23,840 --> 00:38:25,480
Speaker 1: judges gave them five and five.

854
00:38:25,840 --> 00:38:26,719
Speaker 3: I thought it was fair.

855
00:38:26,760 --> 00:38:29,800
Speaker 2: It could have gone a little lower, agreed, lower it agreed,

856
00:38:29,840 --> 00:38:31,280
Speaker 2: but I thought it was fair, but lower.

857
00:38:32,200 --> 00:38:35,320
Speaker 1: Next up, the one and only one. Let's gip this, Daniel,

858
00:38:35,480 --> 00:38:37,200
Speaker 1: we should just skip this one. Let's just skip this one.

859
00:38:37,280 --> 00:38:40,839
Speaker 1: Daniel Fisher and Pasha Pashkov. If you don't know who

860
00:38:40,920 --> 00:38:41,880
Speaker 1: Danielle is, look her up.

861
00:38:42,280 --> 00:38:42,480
Speaker 2: Yeah.

862
00:38:43,640 --> 00:38:48,000
Speaker 1: I thought these guys killed it. Yes, we're obviously biased,

863
00:38:48,440 --> 00:38:50,560
Speaker 1: but for all the reasons we've already sort of talked about.

864
00:38:50,640 --> 00:38:55,880
Speaker 1: It was stripped down, it was focused, it was delightful.

865
00:38:56,160 --> 00:38:59,520
Speaker 1: I in the room, I liked it a lot. Seeing

866
00:38:59,560 --> 00:39:02,240
Speaker 1: it back, I liked it even more. One hundred percent

867
00:39:02,280 --> 00:39:05,840
Speaker 1: agree they had Uh so they did the tango too

868
00:39:05,880 --> 00:39:10,040
Speaker 1: Stronger by Kelly Clarkson. They had for the first time

869
00:39:10,320 --> 00:39:14,000
Speaker 1: I felt, and maybe like the truly the most of anybody,

870
00:39:14,239 --> 00:39:15,840
Speaker 1: a real connection as dancers.

871
00:39:16,680 --> 00:39:19,480
Speaker 2: It was well, did you also notice it started with

872
00:39:19,800 --> 00:39:22,480
Speaker 2: the most Danielle thing you'll ever see in your life?

873
00:39:22,680 --> 00:39:23,719
Speaker 1: What? Well?

874
00:39:23,800 --> 00:39:26,400
Speaker 2: It started and the lights come up and she fixes

875
00:39:26,440 --> 00:39:29,680
Speaker 2: his suit. Really, Yeah, it's the first thing she did

876
00:39:29,800 --> 00:39:31,719
Speaker 2: was pat his shoulders down and fix his suit like

877
00:39:31,760 --> 00:39:34,480
Speaker 2: the mom. And Danielle is always there tak care of

878
00:39:34,480 --> 00:39:36,520
Speaker 2: her partner. And that's so the first thing. I was like,

879
00:39:36,560 --> 00:39:37,919
Speaker 2: that's the most Danielle thing in the world.

880
00:39:37,960 --> 00:39:41,400
Speaker 1: They felt so alive, they felt like they were having fun. Ye,

881
00:39:42,040 --> 00:39:46,720
Speaker 1: it was like sexy and like it was still technically good,

882
00:39:46,800 --> 00:39:49,640
Speaker 1: but it felt human. It felt like they were owning

883
00:39:49,680 --> 00:39:51,920
Speaker 1: it like only these two people could. And that to

884
00:39:51,960 --> 00:39:53,319
Speaker 1: me is like the greatest that's it.

885
00:39:53,480 --> 00:39:55,839
Speaker 2: And they were just dancing. There's no fire, there's no thing.

886
00:39:56,000 --> 00:39:58,080
Speaker 2: When she's grabbing the back of his head and looking

887
00:39:58,160 --> 00:40:00,400
Speaker 2: him in the eye. You believed that almost more than

888
00:40:00,400 --> 00:40:02,799
Speaker 2: you did anybody else who was dancing tonight, one hundred percent.

889
00:40:03,239 --> 00:40:06,160
Speaker 1: So the judges gave them six and six gave her

890
00:40:06,160 --> 00:40:09,400
Speaker 1: a note about her shoulders, which I didn't notice, but

891
00:40:09,440 --> 00:40:12,680
Speaker 1: I guess is a common note, and I took a

892
00:40:13,080 --> 00:40:17,040
Speaker 1: only note ya, do your shoulders things okay?

893
00:40:17,239 --> 00:40:19,279
Speaker 2: And they even said they commented on how they're going

894
00:40:19,360 --> 00:40:20,520
Speaker 2: to say that all season long.

895
00:40:20,520 --> 00:40:24,280
Speaker 1: Shoulders shoulder, shoulders, shoulder, that's a thing. Yeah, I think

896
00:40:24,480 --> 00:40:26,880
Speaker 1: I think Derek should have probably given them a seven.

897
00:40:26,960 --> 00:40:27,719
Speaker 1: I'm not sure why.

898
00:40:27,880 --> 00:40:29,160
Speaker 3: I don't disagree with you.

899
00:40:29,239 --> 00:40:30,600
Speaker 1: I thought they were absolutely wonderful.

900
00:40:30,680 --> 00:40:33,279
Speaker 2: But I also thought, you know a word I love

901
00:40:33,400 --> 00:40:38,480
Speaker 2: George Bush word strategery, thinking of strategicy. They have a

902
00:40:38,480 --> 00:40:40,799
Speaker 2: lot of places to go now with where they can.

903
00:40:40,840 --> 00:40:43,799
Speaker 2: I'd also like to take a very brief pause here,

904
00:40:43,880 --> 00:40:46,359
Speaker 2: because I'm going to be introducing a little segment here

905
00:40:46,440 --> 00:40:49,480
Speaker 2: every week that I am calling.

906
00:40:49,480 --> 00:40:53,040
Speaker 1: Will his history of dance? Oh please?

907
00:40:53,280 --> 00:40:56,440
Speaker 2: Now, yes, because you know I don't dance myself. But

908
00:40:56,520 --> 00:40:58,400
Speaker 2: the other thing you might not know is all I

909
00:40:58,480 --> 00:41:00,640
Speaker 2: do is read and study it out dancing.

910
00:41:01,040 --> 00:41:02,960
Speaker 1: Really, so all of this is off the top of

911
00:41:02,960 --> 00:41:03,359
Speaker 1: my head.

912
00:41:03,960 --> 00:41:04,840
Speaker 3: I just want you to know.

913
00:41:04,920 --> 00:41:07,000
Speaker 2: So every week I'm going to be doing a very

914
00:41:07,160 --> 00:41:09,720
Speaker 2: very small and brief history of the dance that Danielle

915
00:41:09,760 --> 00:41:11,560
Speaker 2: is doing, unless she doubles up, and then we'll pick

916
00:41:11,600 --> 00:41:13,520
Speaker 2: on something. If she does the tango again, we'll do

917
00:41:13,560 --> 00:41:15,160
Speaker 2: something else. But we're going to get everybody the brief

918
00:41:15,200 --> 00:41:17,160
Speaker 2: history of dance. So, just off the top of my head,

919
00:41:17,160 --> 00:41:19,160
Speaker 2: I wanted you to know that tango originated in the

920
00:41:19,200 --> 00:41:22,000
Speaker 2: late nineteenth century in the Rio de la Plata region

921
00:41:22,000 --> 00:41:25,000
Speaker 2: of Buenos Aires, Argentina and Montevideo, Uruguay.

922
00:41:25,400 --> 00:41:27,759
Speaker 1: You're not reading this. This is this is I just

923
00:41:27,800 --> 00:41:28,680
Speaker 1: figured you'd want to know this.

924
00:41:28,719 --> 00:41:31,600
Speaker 2: I'm not reading this, reading it as a fusion of

925
00:41:31,680 --> 00:41:35,880
Speaker 2: musical and dance traditions from European immigrants and African rhythms. Initially,

926
00:41:36,000 --> 00:41:38,759
Speaker 2: this is interesting the expression of immigrants and outcasts in

927
00:41:38,800 --> 00:41:41,839
Speaker 2: the slums and bordellos. Tango gained popularity by the turn

928
00:41:41,880 --> 00:41:44,160
Speaker 2: of the twentieth century, spreading to the middle class, into

929
00:41:44,160 --> 00:41:47,239
Speaker 2: the upper class, and then eventually becoming a global phenomenon,

930
00:41:47,320 --> 00:41:53,000
Speaker 2: notably in Paris. Today, encomasses various styles, with Argentine tango

931
00:41:53,080 --> 00:41:57,080
Speaker 2: remaining a cherist cultural tradition alongside ballroom and North American variations.

932
00:41:57,680 --> 00:42:00,279
Speaker 1: Do you regularly just throw the word bordellos into I do?

933
00:42:00,880 --> 00:42:03,840
Speaker 2: I was gonna say brothels, that's but you know I

934
00:42:03,840 --> 00:42:05,640
Speaker 2: I thought everybody would want to know that again, just

935
00:42:06,239 --> 00:42:08,920
Speaker 2: t oh baby, top of the head. I thought everybody

936
00:42:08,960 --> 00:42:10,319
Speaker 2: should know what was going on. We're gonna do that

937
00:42:10,320 --> 00:42:12,720
Speaker 2: every week because I have it all in the dome.

938
00:42:12,880 --> 00:42:18,120
Speaker 1: So I'll just let you know, okay. Next up, Jen

939
00:42:18,200 --> 00:42:23,160
Speaker 1: Affleck and Jan Ravnik. Jen is the other secret Mormon

940
00:42:23,200 --> 00:42:27,279
Speaker 1: wive wife. Why wife? Are they all married to the

941
00:42:27,320 --> 00:42:27,840
Speaker 1: same person?

942
00:42:27,960 --> 00:42:28,360
Speaker 3: No?

943
00:42:28,160 --> 00:42:31,040
Speaker 1: No, that's not. They're not polygamous.

944
00:42:31,040 --> 00:42:33,799
Speaker 2: There's just and I think there is something comical about

945
00:42:33,840 --> 00:42:35,640
Speaker 2: the fact that there's multiple Mormon wives.

946
00:42:37,880 --> 00:42:41,360
Speaker 1: They're dancing, all right. They danced the salsa to Nueva

947
00:42:41,440 --> 00:42:44,839
Speaker 1: Yold by Bad Bunny. I thought this was pretty good.

948
00:42:44,920 --> 00:42:46,200
Speaker 3: I did too. I did too.

949
00:42:46,280 --> 00:42:49,000
Speaker 2: I thought they were actually dancing this alsa. Yes, it

950
00:42:49,040 --> 00:42:50,040
Speaker 2: wasn't a bunch of fluff.

951
00:42:50,040 --> 00:42:52,120
Speaker 1: It was dancing this. In the pre show bagage, they

952
00:42:52,160 --> 00:42:56,240
Speaker 1: announced that she had just had a baby eight weeks ago. Yeah,

953
00:42:56,280 --> 00:42:59,680
Speaker 1: what isn't that crazy? Like we thought Danielle was taking

954
00:42:59,680 --> 00:43:02,320
Speaker 1: on a lot doing this, Like seriously, She's has three kids,

955
00:43:02,360 --> 00:43:05,560
Speaker 1: all under three, and she took this on. I thought

956
00:43:05,719 --> 00:43:09,360
Speaker 1: she was incredible, amazing, not even just even if I

957
00:43:09,440 --> 00:43:11,279
Speaker 1: hadn't known that, but knowing that it makes it even

958
00:43:11,719 --> 00:43:15,600
Speaker 1: more incredible. Yeah, I could tell that it was a

959
00:43:15,640 --> 00:43:20,320
Speaker 1: bigger production. Again, she was being tossed around a lot. Yes,

960
00:43:20,680 --> 00:43:23,280
Speaker 1: but that kind of makes sense. She had a baby

961
00:43:23,320 --> 00:43:24,000
Speaker 1: eight weeks ago.

962
00:43:24,400 --> 00:43:24,799
Speaker 2: Ye. So.

963
00:43:25,520 --> 00:43:28,480
Speaker 1: But the judges actually commented on the lifts, the amount

964
00:43:28,520 --> 00:43:31,080
Speaker 1: of lifts, slowing down the flow, which I did feel.

965
00:43:31,760 --> 00:43:32,839
Speaker 3: I got that as well.

966
00:43:32,880 --> 00:43:35,600
Speaker 2: But I also thought there was something interesting about seeing

967
00:43:35,600 --> 00:43:37,799
Speaker 2: what I imagine and again I could be wrong. A

968
00:43:37,840 --> 00:43:41,680
Speaker 2: traditional salsa. The music there, the costumes, the pageantry. It

969
00:43:41,719 --> 00:43:44,680
Speaker 2: seemed like this is what traditional salsa is. And again

970
00:43:44,719 --> 00:43:46,560
Speaker 2: I could be wrong, but that's what I It seemed

971
00:43:46,600 --> 00:43:48,840
Speaker 2: like to me, right, and it was as hugely entertaining.

972
00:43:49,080 --> 00:43:52,319
Speaker 1: Well, the judges gave it six and six, so that's fair.

973
00:43:52,400 --> 00:43:53,080
Speaker 3: I think that was fair.

974
00:43:53,120 --> 00:43:56,480
Speaker 1: Really, I'm wondering if it was a little high. Really, yeah,

975
00:43:56,640 --> 00:43:58,960
Speaker 1: because if we're going with the first week, you know,

976
00:43:59,520 --> 00:44:02,520
Speaker 1: challenge your self mentality. I think I think one of

977
00:44:02,520 --> 00:44:05,839
Speaker 1: them could have probably given them a five. Interesting cut

978
00:44:05,840 --> 00:44:08,359
Speaker 1: them on their toes, fair enough, all right? Next up

979
00:44:08,960 --> 00:44:12,920
Speaker 1: Corey Feldman and Jenna Johnson. Cory. You know, I've actually

980
00:44:13,000 --> 00:44:17,200
Speaker 1: never met Corey, we haven't. Is an interesting dude. Yeah, yeah,

981
00:44:17,280 --> 00:44:19,560
Speaker 1: So he was a child star in the eighties from

982
00:44:19,640 --> 00:44:22,680
Speaker 1: stand By Me, the Goonies, Lost Boys, Tene mun Ninja,

983
00:44:22,680 --> 00:44:25,839
Speaker 1: Turtles in the nineties and he's been a musician, uh

984
00:44:26,160 --> 00:44:30,319
Speaker 1: lately and is has this dance history, but it's all

985
00:44:30,520 --> 00:44:34,279
Speaker 1: very Michael Jackson, straight up like Michael. So they danced

986
00:44:34,280 --> 00:44:37,880
Speaker 1: the tango too. It's still rock and roll to me. Yeah, this,

987
00:44:38,120 --> 00:44:40,240
Speaker 1: you know, this was one of those examples of somebody

988
00:44:40,400 --> 00:44:44,120
Speaker 1: bringing a lot of personality, bringing a certain skill set,

989
00:44:44,239 --> 00:44:45,800
Speaker 1: but is it the tango.

990
00:44:46,200 --> 00:44:49,440
Speaker 2: Also, I was not a huge fan you're talking about personality.

991
00:44:49,480 --> 00:44:51,680
Speaker 2: Wasn't a huge fan of some of his facial expressions.

992
00:44:51,680 --> 00:44:53,879
Speaker 2: I thought it was a little much at times. Okay,

993
00:44:54,000 --> 00:44:55,520
Speaker 2: I thought it was a little bit much. And yes,

994
00:44:55,560 --> 00:44:58,279
Speaker 2: he's he talked about how he has scoliosis, so you know,

995
00:44:58,320 --> 00:45:01,680
Speaker 2: I'm sure he can't there. Mobility is probably an issue

996
00:45:01,680 --> 00:45:05,000
Speaker 2: with some of it, especially since every single dance ends

997
00:45:05,000 --> 00:45:06,759
Speaker 2: with the woman bent over and the guy holding her

998
00:45:06,800 --> 00:45:09,600
Speaker 2: for some reason, every single dance the whole night. But yeah,

999
00:45:09,600 --> 00:45:12,479
Speaker 2: this was one of those kind of stiff, a little

1000
00:45:12,520 --> 00:45:13,319
Speaker 2: cringey ones for me.

1001
00:45:13,360 --> 00:45:15,160
Speaker 1: Yeah, the judges gave it a four and five. This

1002
00:45:15,239 --> 00:45:16,520
Speaker 1: was the first four of the night.

1003
00:45:17,160 --> 00:45:18,000
Speaker 3: I thought that was fair.

1004
00:45:18,480 --> 00:45:20,560
Speaker 1: You see. I didn't at the time when we were alive,

1005
00:45:20,600 --> 00:45:23,920
Speaker 1: because I was like, come on, the guy is doing

1006
00:45:24,040 --> 00:45:26,680
Speaker 1: everything he can. But when I watched it back, I

1007
00:45:26,719 --> 00:45:29,000
Speaker 1: was like, yeah, it's not. It's I want to see

1008
00:45:29,040 --> 00:45:32,840
Speaker 1: you actually pull off the dance moves, I agree, not

1009
00:45:33,280 --> 00:45:35,080
Speaker 1: just do your little Michael Jackson's stuff.

1010
00:45:35,160 --> 00:45:37,680
Speaker 2: Yes, so yeah, and she was talking to him the

1011
00:45:37,680 --> 00:45:40,920
Speaker 2: whole time. Yeah, she's talking to him the whole time. Yep.

1012
00:45:41,239 --> 00:45:41,560
Speaker 4: All right.

1013
00:45:41,600 --> 00:45:45,040
Speaker 1: Then we had Lauren Hereggie and Brandon Armstrong. Lauren is

1014
00:45:45,040 --> 00:45:51,000
Speaker 1: a singer known for the girl group Fifth Harmony. This

1015
00:45:51,160 --> 00:45:54,399
Speaker 1: was incredible. I thought this was probably the best dance

1016
00:45:54,400 --> 00:45:56,319
Speaker 1: of the night. She's up there.

1017
00:45:56,360 --> 00:45:58,840
Speaker 3: It's not my favorite one, but she's certainly up there.

1018
00:45:58,840 --> 00:46:01,440
Speaker 1: As I mean, well, you're in the back for Irwin,

1019
00:46:01,480 --> 00:46:01,799
Speaker 1: aren't you.

1020
00:46:02,040 --> 00:46:03,160
Speaker 3: I could not how do you?

1021
00:46:03,320 --> 00:46:05,120
Speaker 1: How can you not be? I mean the guy brought

1022
00:46:05,120 --> 00:46:07,320
Speaker 1: the hose down at the end. It was so good.

1023
00:46:07,560 --> 00:46:09,080
Speaker 3: But there's a problem with that, which we'll get to.

1024
00:46:09,160 --> 00:46:13,600
Speaker 3: But yes, no, she was. She was great, uh all

1025
00:46:13,640 --> 00:46:13,880
Speaker 3: of it.

1026
00:46:14,080 --> 00:46:17,400
Speaker 2: I mean it was super entertaining and yeah she was

1027
00:46:17,640 --> 00:46:21,839
Speaker 2: personable and the yeah, great, great, totally great.

1028
00:46:22,239 --> 00:46:22,560
Speaker 4: All right.

1029
00:46:22,600 --> 00:46:26,439
Speaker 1: The judges gave uh seven and six and it could

1030
00:46:26,440 --> 00:46:28,239
Speaker 1: have been double seven's. I think it could have been

1031
00:46:28,280 --> 00:46:31,680
Speaker 1: double sevens agreed, I agreed, yep, this could have been higher. Agreed,

1032
00:46:31,680 --> 00:46:35,040
Speaker 1: one hundred percent. All right. Next up we had Andy

1033
00:46:35,120 --> 00:46:39,200
Speaker 1: Richter and Emma Slater. So this was another example of

1034
00:46:39,640 --> 00:46:43,160
Speaker 1: a non dancing man well known for comedy coming out

1035
00:46:43,200 --> 00:46:47,839
Speaker 1: and uh doing his best. I felt the age, which

1036
00:46:47,880 --> 00:46:50,000
Speaker 1: is a bummer he said he was worried about his

1037
00:46:50,120 --> 00:46:52,239
Speaker 1: legs holding up, and you could feel that tension to

1038
00:46:52,280 --> 00:46:54,239
Speaker 1: tell it, you could tell, and you know, he was

1039
00:46:54,760 --> 00:46:59,279
Speaker 1: so entertaining to watch. His faces were great. He had

1040
00:46:59,760 --> 00:47:04,200
Speaker 1: a you know, this sort of fun mugging quality, maybe

1041
00:47:04,320 --> 00:47:07,200
Speaker 1: we'll call it, but it totally worked for me. But

1042
00:47:07,480 --> 00:47:09,960
Speaker 1: I wanted to see him pushing his body a little

1043
00:47:10,000 --> 00:47:12,319
Speaker 1: bit farther, which I don't know if he can.

1044
00:47:12,719 --> 00:47:15,360
Speaker 3: He also lost it in the interview.

1045
00:47:16,680 --> 00:47:18,520
Speaker 2: Because they asked him why are you here, and the

1046
00:47:18,560 --> 00:47:20,839
Speaker 2: first thing he answered was a paycheck? And when you

1047
00:47:20,920 --> 00:47:22,960
Speaker 2: say that, even as a joke, you're going to turn

1048
00:47:23,000 --> 00:47:25,359
Speaker 2: off some people, right, So I feel like he kind

1049
00:47:25,360 --> 00:47:27,759
Speaker 2: of might have lost it in the well, he's on

1050
00:47:27,800 --> 00:47:28,160
Speaker 2: the bubble.

1051
00:47:28,200 --> 00:47:31,200
Speaker 1: To me, he's a comedian, right, so he's used to

1052
00:47:31,280 --> 00:47:35,080
Speaker 1: a sort of level of irony that probably doesn't feel

1053
00:47:35,120 --> 00:47:37,719
Speaker 1: appropriate to this show. This show feels very earnest. You know,

1054
00:47:37,760 --> 00:47:40,560
Speaker 1: this show is very much like beautiful people are doing

1055
00:47:40,560 --> 00:47:44,120
Speaker 1: beautiful things, and like it takes seriously Yeah, and I

1056
00:47:44,120 --> 00:47:47,040
Speaker 1: think if you try and like do that in any

1057
00:47:47,080 --> 00:47:50,600
Speaker 1: sort of ironic or mocking or you know, self even

1058
00:47:50,880 --> 00:47:53,799
Speaker 1: somewhat self deprecating way, I don't know if it works. No,

1059
00:47:53,880 --> 00:47:54,759
Speaker 1: I don't think so either.

1060
00:47:54,920 --> 00:47:58,880
Speaker 2: Self deprecating is fine, but this is they want you

1061
00:47:59,000 --> 00:48:00,759
Speaker 2: to stand up there and say, I'm so happy to

1062
00:48:00,800 --> 00:48:01,080
Speaker 2: be here.

1063
00:48:01,160 --> 00:48:03,120
Speaker 3: I was, you know, this has been a struggle for me.

1064
00:48:03,200 --> 00:48:03,960
Speaker 3: That's what they're looking for.

1065
00:48:04,000 --> 00:48:06,879
Speaker 2: They're looking for that open, honest and so even kind

1066
00:48:06,880 --> 00:48:08,760
Speaker 2: of making light of like, well, I'm here for the paycheck,

1067
00:48:09,040 --> 00:48:09,439
Speaker 2: we thought.

1068
00:48:09,480 --> 00:48:10,280
Speaker 3: I think it's funny.

1069
00:48:10,280 --> 00:48:11,920
Speaker 2: We know where he's coming from because we live in

1070
00:48:12,000 --> 00:48:13,000
Speaker 2: kind of a world of comedy.

1071
00:48:13,040 --> 00:48:15,160
Speaker 1: But for the voters, I'm not sure that was the

1072
00:48:15,200 --> 00:48:15,640
Speaker 1: way to go.

1073
00:48:16,239 --> 00:48:16,600
Speaker 2: All right.

1074
00:48:16,640 --> 00:48:20,239
Speaker 1: They ended up with a score of nine. Next up

1075
00:48:20,360 --> 00:48:24,600
Speaker 1: was Laria Baldwin and Gleb Suchenko. So, Alaria Baldwin is

1076
00:48:25,120 --> 00:48:29,560
Speaker 1: Alec Baldwin's wife, and she's a yoga instructor, podcaster, an author.

1077
00:48:29,840 --> 00:48:33,680
Speaker 1: They have seven kids. Seven kids? How many children people have? Yep?

1078
00:48:34,160 --> 00:48:34,440
Speaker 3: Wow.

1079
00:48:35,120 --> 00:48:38,600
Speaker 1: And apparently was a dancer and had an injury and

1080
00:48:38,640 --> 00:48:42,040
Speaker 1: had to take take a long time off that came

1081
00:48:42,080 --> 00:48:44,920
Speaker 1: back with the Chacha chaw Let's get loud by j

1082
00:48:45,080 --> 00:48:49,279
Speaker 1: Lo And this was just wonderful. She was incredible And

1083
00:48:49,760 --> 00:48:53,760
Speaker 1: this is like clearly like the beginning of a return

1084
00:48:53,920 --> 00:48:55,880
Speaker 1: for her to something that she's really good.

1085
00:48:55,719 --> 00:48:57,200
Speaker 3: At Yeah, I think so too.

1086
00:48:57,920 --> 00:49:03,080
Speaker 2: I think there's between her and Elaine. I think the

1087
00:49:03,160 --> 00:49:04,839
Speaker 2: two of them are probably going to go very far.

1088
00:49:04,920 --> 00:49:06,800
Speaker 2: And you can tell these are people with dance experience.

1089
00:49:06,840 --> 00:49:08,000
Speaker 1: I mean you can you know.

1090
00:49:08,200 --> 00:49:10,560
Speaker 2: It's the whole show is about race racing cars, and

1091
00:49:10,560 --> 00:49:11,719
Speaker 2: two of them used to race cars.

1092
00:49:11,840 --> 00:49:12,919
Speaker 1: You're going to be able to tell.

1093
00:49:13,440 --> 00:49:15,600
Speaker 2: So it's you know, they used to dance, and you

1094
00:49:15,600 --> 00:49:18,040
Speaker 2: can tell that they used to dance, and it was great.

1095
00:49:18,400 --> 00:49:20,640
Speaker 1: Can she win them back? If she's good enough and

1096
00:49:20,719 --> 00:49:24,120
Speaker 1: humble enough, can she? Her story is pretty great. You

1097
00:49:24,160 --> 00:49:27,480
Speaker 1: know that she's rediscovering her dance self is pretty That

1098
00:49:27,600 --> 00:49:28,240
Speaker 1: is a good story.

1099
00:49:28,480 --> 00:49:30,880
Speaker 2: It is, I would argue it's a good story if

1100
00:49:31,000 --> 00:49:33,640
Speaker 2: you don't know the backstory. And since I didn't really

1101
00:49:33,719 --> 00:49:35,520
Speaker 2: know the full backstory until my wife let me in

1102
00:49:35,560 --> 00:49:37,719
Speaker 2: on it, then it's kind of like, oh, so, yeah,

1103
00:49:37,760 --> 00:49:39,600
Speaker 2: I don't Again, Jensen's right, it's going to be.

1104
00:49:39,719 --> 00:49:40,279
Speaker 1: It's going to be.

1105
00:49:40,520 --> 00:49:42,759
Speaker 2: If it's a popularity contest, you got to see what's

1106
00:49:42,760 --> 00:49:45,319
Speaker 2: going to happen, right right, So, but yes, the dance

1107
00:49:45,400 --> 00:49:47,279
Speaker 2: was wonderful and I thought they deserved the scores they got.

1108
00:49:47,520 --> 00:49:51,040
Speaker 1: Frankly, ut final Dance of the Night, Robert Irwin and

1109
00:49:51,080 --> 00:49:57,120
Speaker 1: Whitney Carson. Yeah. So Robert Irwin is the son of

1110
00:49:57,280 --> 00:50:01,000
Speaker 1: Steve Irwin and he's a global advocate for life and conservation.

1111
00:50:01,280 --> 00:50:04,759
Speaker 1: Sister one d one season twenty one. I can't believe

1112
00:50:04,760 --> 00:50:08,120
Speaker 1: how many repeat people in groups, Like everybody, everybody feels

1113
00:50:08,160 --> 00:50:11,040
Speaker 1: like they already have some relationship to the show, which

1114
00:50:11,040 --> 00:50:14,160
Speaker 1: I guess makes sense. They did the jive, which I

1115
00:50:14,360 --> 00:50:16,160
Speaker 1: don't even didn't even know was a type.

1116
00:50:16,239 --> 00:50:16,879
Speaker 3: I didn't either.

1117
00:50:17,239 --> 00:50:20,200
Speaker 1: I didn't to want to be wild by Steppenwolf, and Yeah,

1118
00:50:20,200 --> 00:50:22,640
Speaker 1: this just blew the house down. It was amazing, And

1119
00:50:22,719 --> 00:50:25,720
Speaker 1: watching it back, he was really good. He was great.

1120
00:50:26,000 --> 00:50:30,000
Speaker 1: He felt like he was her equal, Yeah, which I

1121
00:50:30,120 --> 00:50:31,920
Speaker 1: won't I don't think I can say about any of

1122
00:50:32,000 --> 00:50:32,520
Speaker 1: the other men.

1123
00:50:32,800 --> 00:50:36,440
Speaker 2: No, he also felt like he was so excited to

1124
00:50:36,480 --> 00:50:38,560
Speaker 2: be there, that he's wanted to do this for years

1125
00:50:38,640 --> 00:50:40,719
Speaker 2: and he just couldn't wait to get out there.

1126
00:50:40,800 --> 00:50:44,879
Speaker 1: He's also, what nineteen something like that, twenty one. He's

1127
00:50:44,880 --> 00:50:48,160
Speaker 1: so young, and you feel like, oh, there's a part

1128
00:50:48,160 --> 00:50:49,960
Speaker 1: of dancing that's just a young man's.

1129
00:50:49,680 --> 00:50:51,520
Speaker 3: Game, and directors just jumping off a car.

1130
00:50:51,680 --> 00:50:54,560
Speaker 1: No, your body has to be going for it, and

1131
00:50:54,600 --> 00:50:58,879
Speaker 1: he has not only the physical capability but also that energy. Yeah,

1132
00:50:58,920 --> 00:51:03,000
Speaker 1: he can hurl it body around, you know, safely.

1133
00:51:03,560 --> 00:51:06,160
Speaker 2: So he's also did this last I mean he had

1134
00:51:06,200 --> 00:51:08,040
Speaker 2: to sit there all night and watch everybody else go

1135
00:51:08,160 --> 00:51:09,799
Speaker 2: and the nerves could have gotten to you, and he

1136
00:51:10,000 --> 00:51:13,800
Speaker 2: just everybody jumped to their feet when we were Where's

1137
00:51:13,800 --> 00:51:14,560
Speaker 2: he got to go from?

1138
00:51:14,480 --> 00:51:15,240
Speaker 3: That's the question.

1139
00:51:15,320 --> 00:51:17,000
Speaker 2: If you start out of this one goes to eleven,

1140
00:51:17,080 --> 00:51:18,359
Speaker 2: Well that's great, where do you.

1141
00:51:18,320 --> 00:51:20,200
Speaker 1: Go from there to eleven?

1142
00:51:20,280 --> 00:51:22,480
Speaker 3: But this goes to eleven? But yeah, it's this.

1143
00:51:23,200 --> 00:51:25,400
Speaker 2: He was amazing and incredible, and it seemed like this

1144
00:51:25,400 --> 00:51:28,320
Speaker 2: should have been a fourth or fifth week performance.

1145
00:51:28,680 --> 00:51:29,040
Speaker 4: I see.

1146
00:51:29,040 --> 00:51:31,760
Speaker 1: I wonder if that's all part of an actual strategy

1147
00:51:31,760 --> 00:51:33,560
Speaker 1: where you blow it out and then you can sort

1148
00:51:33,600 --> 00:51:34,959
Speaker 1: of take it easy for a little while.

1149
00:51:35,000 --> 00:51:37,000
Speaker 3: Man, just show a dance or something next time.

1150
00:51:37,200 --> 00:51:41,440
Speaker 1: I mean, watching it back like, his rhythm is perfect,

1151
00:51:41,800 --> 00:51:44,439
Speaker 1: his physicality is really spot on, and like I said,

1152
00:51:44,480 --> 00:51:46,120
Speaker 1: he kept up with her to where I felt like

1153
00:51:46,200 --> 00:51:49,200
Speaker 1: I was watching two pros agree in the opening dance number.

1154
00:51:49,239 --> 00:51:50,480
Speaker 1: You have all the people that I was like, oh,

1155
00:51:50,480 --> 00:51:53,000
Speaker 1: he fits in with this crew. So in the night,

1156
00:51:53,080 --> 00:51:55,520
Speaker 1: in my opinion, he won the night. For all the reasons,

1157
00:51:55,880 --> 00:51:58,480
Speaker 1: pageantry or not, he won the night. It was just

1158
00:51:58,760 --> 00:52:01,080
Speaker 1: it was really entertaining to watch.

1159
00:52:01,239 --> 00:52:03,840
Speaker 2: And somebody who has no dance background, knows nothing of dance,

1160
00:52:03,840 --> 00:52:06,040
Speaker 2: doesn't like dance, whatever you want to say, would watch

1161
00:52:06,040 --> 00:52:06,600
Speaker 2: that and be like.

1162
00:52:06,520 --> 00:52:07,600
Speaker 1: All right, that was entertaining.

1163
00:52:07,760 --> 00:52:10,239
Speaker 4: I will say, my wife is on the show he had.

1164
00:52:10,400 --> 00:52:11,080
Speaker 1: He's number one.

1165
00:52:11,440 --> 00:52:14,080
Speaker 4: I don't have any any doubts about that. I just

1166
00:52:14,160 --> 00:52:16,040
Speaker 4: wonder the position he's put himself in.

1167
00:52:16,360 --> 00:52:18,640
Speaker 1: That's exactly interesting because we want to see him grow.

1168
00:52:18,680 --> 00:52:20,640
Speaker 1: That's what I mean. Everybody else has room to grow,

1169
00:52:21,000 --> 00:52:23,120
Speaker 1: and part of the journey is going to be watching

1170
00:52:23,160 --> 00:52:25,280
Speaker 1: them tell that story through the dance.

1171
00:52:26,520 --> 00:52:28,680
Speaker 4: I mean, you, guys, can you not imagine? I can.

1172
00:52:28,760 --> 00:52:31,799
Speaker 4: I can give you an exact wording. A judge might say,

1173
00:52:31,960 --> 00:52:34,080
Speaker 4: you know, I'm not sure you've captured what you had

1174
00:52:34,080 --> 00:52:36,600
Speaker 4: that first week. Yes, the exact sentence.

1175
00:52:36,480 --> 00:52:37,000
Speaker 1: Yes, yeah.

1176
00:52:37,160 --> 00:52:39,160
Speaker 2: But the thing is, if he does grow every week

1177
00:52:39,160 --> 00:52:40,440
Speaker 2: and that's where he started, no.

1178
00:52:40,400 --> 00:52:41,080
Speaker 1: One's going to catch you.

1179
00:52:41,120 --> 00:52:43,040
Speaker 3: Well, then he's Ben Vereen at the end exactly.

1180
00:52:43,160 --> 00:52:43,920
Speaker 1: That's what I'm saying.

1181
00:52:44,360 --> 00:52:47,720
Speaker 2: So Ben Karen, oh my god, come on, Gregory, heines

1182
00:52:48,360 --> 00:52:54,320
Speaker 2: Ben Gregory Hines Verst of that name, Rishtikov No dance.

1183
00:52:54,360 --> 00:52:55,440
Speaker 4: Have you heard of dance.

1184
00:52:56,719 --> 00:53:02,680
Speaker 2: Dance ESK Dance's man, Yeah, no, that was It was

1185
00:53:02,719 --> 00:53:04,000
Speaker 2: a way to break. It was a great way to

1186
00:53:04,080 --> 00:53:06,760
Speaker 2: end the show. I just wonder if he just started

1187
00:53:06,800 --> 00:53:07,759
Speaker 2: too heavy out of the game.

1188
00:53:07,800 --> 00:53:09,920
Speaker 1: Okay, so let's talk about who we expect to get

1189
00:53:09,960 --> 00:53:11,320
Speaker 1: kicked off and our top five.

1190
00:53:12,560 --> 00:53:17,000
Speaker 2: I think on the bubble, you're gonna have Feldman. It's

1191
00:53:17,000 --> 00:53:18,560
Speaker 2: going to be Corey Feldman's going to be on the bubble.

1192
00:53:18,600 --> 00:53:21,040
Speaker 2: I think you're going to have Andy Richter is going

1193
00:53:21,120 --> 00:53:24,799
Speaker 2: to be on the bubble. And hot take. I was

1194
00:53:24,840 --> 00:53:27,280
Speaker 2: talking about this with Sue last night after watching it again.

1195
00:53:27,400 --> 00:53:30,400
Speaker 2: Hot take, I think Jordan Chiles might be on the bubble.

1196
00:53:30,640 --> 00:53:34,000
Speaker 2: Those those are my three possible on the bubble. I

1197
00:53:34,080 --> 00:53:37,000
Speaker 2: think because of his personality, Baron Davis is going to

1198
00:53:37,040 --> 00:53:40,359
Speaker 2: get through. I think, really, I don't think so. I

1199
00:53:40,400 --> 00:53:42,719
Speaker 2: think people I think his personality is going to be

1200
00:53:42,760 --> 00:53:43,600
Speaker 2: enough to get him through.

1201
00:53:43,960 --> 00:53:45,239
Speaker 3: That's my guess.

1202
00:53:45,760 --> 00:53:49,160
Speaker 1: I feel like just picking you can't touch this also

1203
00:53:49,280 --> 00:53:50,560
Speaker 1: aged him up a little bit.

1204
00:53:50,760 --> 00:53:52,360
Speaker 2: But that I think you want to play into the

1205
00:53:52,400 --> 00:53:54,480
Speaker 2: fact that let people know, man, let's give him another

1206
00:53:54,520 --> 00:53:55,520
Speaker 2: time he's older.

1207
00:53:56,280 --> 00:53:58,560
Speaker 3: So yeah, if.

1208
00:53:57,360 --> 00:53:59,440
Speaker 1: You're a deeper cut, do you know what I mean,

1209
00:53:59,600 --> 00:54:02,439
Speaker 1: like to do like the big mainstream hit from when

1210
00:54:02,440 --> 00:54:04,640
Speaker 1: you were a teenager or whenever it was cool to

1211
00:54:04,719 --> 00:54:07,080
Speaker 1: dance to this song ages you up and maybe it

1212
00:54:07,360 --> 00:54:08,319
Speaker 1: felt like you know.

1213
00:54:08,840 --> 00:54:10,600
Speaker 2: So then he's he's so who's going home? Those are

1214
00:54:10,640 --> 00:54:11,880
Speaker 2: my three on the bubble. Who do you think is

1215
00:54:11,920 --> 00:54:12,160
Speaker 2: going on?

1216
00:54:12,280 --> 00:54:14,320
Speaker 1: Yeah? I agree with you. I think Corey Feldman is

1217
00:54:14,320 --> 00:54:15,480
Speaker 1: going to stick around for another week.

1218
00:54:15,560 --> 00:54:17,640
Speaker 2: So so you think it's going to be Baron Davis

1219
00:54:17,640 --> 00:54:19,879
Speaker 2: and Andy Richter that are going to go Yeah, very

1220
00:54:20,160 --> 00:54:22,440
Speaker 2: very I think the women clearly did better than the men.

1221
00:54:22,760 --> 00:54:28,640
Speaker 2: I think even the quote unquote older women had dance experience,

1222
00:54:28,640 --> 00:54:30,400
Speaker 2: and you could tell they had dance experience, where the

1223
00:54:30,400 --> 00:54:32,799
Speaker 2: older men Andy richteror Baron Davis clearly did not.

1224
00:54:33,120 --> 00:54:35,080
Speaker 1: I think we're going to see some real shine from

1225
00:54:35,160 --> 00:54:37,200
Speaker 1: Dylan Efron as the show goes on, because I think

1226
00:54:37,280 --> 00:54:39,000
Speaker 1: so too. I think he's gonna now he got it

1227
00:54:39,040 --> 00:54:41,239
Speaker 1: out of a system, and I think he's going to

1228
00:54:41,280 --> 00:54:42,880
Speaker 1: be like, oh I can do this, I'm going to

1229
00:54:42,920 --> 00:54:44,200
Speaker 1: figure this out. Yeah.

1230
00:54:44,360 --> 00:54:46,480
Speaker 3: So I think Lauren. I think Lauren has a lot

1231
00:54:46,520 --> 00:54:47,480
Speaker 3: of potential.

1232
00:54:47,920 --> 00:54:49,840
Speaker 2: I think both the Mormon wives have a lot of

1233
00:54:49,840 --> 00:54:53,600
Speaker 2: potentially very good I think Danielle.

1234
00:54:53,280 --> 00:54:58,320
Speaker 1: Has positioned herself perfectly perfect. That she displayed an ability

1235
00:54:58,360 --> 00:55:01,000
Speaker 1: to do the actual dance what it's supposed to do,

1236
00:55:01,560 --> 00:55:05,560
Speaker 1: and have personality and really draw you in to the

1237
00:55:06,440 --> 00:55:09,360
Speaker 1: dance itself. So she's I think she's a great position.

1238
00:55:09,560 --> 00:55:10,319
Speaker 1: I think she's a.

1239
00:55:12,080 --> 00:55:15,120
Speaker 2: Soft four strong five position right now, and I think

1240
00:55:15,120 --> 00:55:17,760
Speaker 2: that's kind of exactly where you want to be after

1241
00:55:17,760 --> 00:55:18,839
Speaker 2: the first week.

1242
00:55:19,040 --> 00:55:21,920
Speaker 4: Gives you to grow a fair number. That's a fair number.

1243
00:55:22,040 --> 00:55:22,960
Speaker 3: Yeah, I think that's.

1244
00:55:23,160 --> 00:55:28,160
Speaker 4: Between soft three, probable four, you know, very low.

1245
00:55:28,000 --> 00:55:30,280
Speaker 3: Five yeah, high five Yeah.

1246
00:55:30,080 --> 00:55:33,840
Speaker 2: Yeah, No, she's and that's again room to grow. So amazing,

1247
00:55:34,239 --> 00:55:36,879
Speaker 2: Uh she did. We couldn't have been prouder of her.

1248
00:55:36,880 --> 00:55:40,160
Speaker 2: It was because this it be really easy for us

1249
00:55:40,200 --> 00:55:41,520
Speaker 2: to sit here and do the show and be like,

1250
00:55:41,920 --> 00:55:44,160
Speaker 2: Danielle wasn't great, but she was.

1251
00:55:44,440 --> 00:55:45,560
Speaker 1: We don't have to lie.

1252
00:55:45,800 --> 00:55:49,319
Speaker 2: It's awesome because she killed it and she had such

1253
00:55:49,360 --> 00:55:52,440
Speaker 2: a strong connection with her partner. It showed she trusts.

1254
00:55:52,440 --> 00:55:54,840
Speaker 2: They trust each other, you can tell. And it was

1255
00:55:54,960 --> 00:55:57,399
Speaker 2: just it seemed like this was their fourth or fifth dance,

1256
00:55:57,440 --> 00:55:58,120
Speaker 2: not their first one.

1257
00:55:58,320 --> 00:55:59,880
Speaker 1: Yep, that's awesome.

1258
00:56:01,360 --> 00:56:02,880
Speaker 2: There is one more thing that I'd like to do

1259
00:56:03,000 --> 00:56:05,839
Speaker 2: rider before we end here, and it's another little segment

1260
00:56:05,880 --> 00:56:08,680
Speaker 2: I'm going to be doing every week called the Strong Incentive.

1261
00:56:09,800 --> 00:56:11,279
Speaker 2: And now what we're going to do is we're going

1262
00:56:11,360 --> 00:56:14,920
Speaker 2: to start low and then we're going to keep adding

1263
00:56:14,960 --> 00:56:18,520
Speaker 2: every week, and the point of this is to see

1264
00:56:18,560 --> 00:56:22,000
Speaker 2: what it would take to get you right or strong

1265
00:56:22,360 --> 00:56:25,000
Speaker 2: to be a contestant on Dancing with the Stars.

1266
00:56:25,760 --> 00:56:28,240
Speaker 1: Oh god, I don't think there's a price.

1267
00:56:28,440 --> 00:56:30,359
Speaker 3: Well, we're going to find out.

1268
00:56:30,920 --> 00:56:33,480
Speaker 2: We're going to start this week with just a price,

1269
00:56:34,080 --> 00:56:36,400
Speaker 2: but then every week we're going to add on to

1270
00:56:36,560 --> 00:56:39,120
Speaker 2: that price, not just with money, but with other strong

1271
00:56:39,200 --> 00:56:42,480
Speaker 2: incentives to see if what it would take to get

1272
00:56:42,480 --> 00:56:44,360
Speaker 2: you on Dancing with the Stars. So we're going to

1273
00:56:44,440 --> 00:56:48,879
Speaker 2: start just very easily. Someone knocks on your door, they

1274
00:56:48,880 --> 00:56:51,600
Speaker 2: put down a briefcase. It's got five hundred thousand dollars

1275
00:56:51,640 --> 00:56:54,200
Speaker 2: in cash. Would you go on Dancing with the Stars?

1276
00:56:54,480 --> 00:56:54,719
Speaker 1: Hell?

1277
00:56:55,080 --> 00:56:57,560
Speaker 2: No, Okay, Well we will see you again next week

1278
00:56:57,719 --> 00:56:58,440
Speaker 2: and add to.

1279
00:56:58,400 --> 00:57:03,320
Speaker 1: The Yeah, that's just no, it's not because it's not money.

1280
00:57:03,400 --> 00:57:05,759
Speaker 1: It's it's like it would just be so painful.

1281
00:57:06,560 --> 00:57:10,279
Speaker 2: I mean, god, Well, we'll see it's gonna take and

1282
00:57:10,520 --> 00:57:11,400
Speaker 2: I take it to the next.

1283
00:57:11,320 --> 00:57:13,439
Speaker 1: Level of like will you're being selfish because that money

1284
00:57:13,480 --> 00:57:17,080
Speaker 1: could go to whatever you want, like charity if you want. Well,

1285
00:57:17,120 --> 00:57:17,560
Speaker 1: there you go.

1286
00:57:18,320 --> 00:57:20,680
Speaker 2: That's week one. It's gonna get harder. I can tell

1287
00:57:20,680 --> 00:57:22,000
Speaker 2: you I wouldn't go on the show for one reason

1288
00:57:22,040 --> 00:57:23,600
Speaker 2: because there is not a dancer in the world that

1289
00:57:23,640 --> 00:57:24,600
Speaker 2: could teach me how to dance.

1290
00:57:24,640 --> 00:57:25,760
Speaker 1: And that's the honest truth.

1291
00:57:26,160 --> 00:57:29,120
Speaker 2: But the strong incentive we are starting at five hundred

1292
00:57:29,160 --> 00:57:31,320
Speaker 2: kN cash and that is a hard no from Rider

1293
00:57:31,360 --> 00:57:31,760
Speaker 2: or Strong.

1294
00:57:32,320 --> 00:57:35,000
Speaker 1: Let's keep this up people, all right, that's it for

1295
00:57:35,120 --> 00:57:38,000
Speaker 1: this first episode of Podmeates Tworld. Join us next week

1296
00:57:38,000 --> 00:57:40,320
Speaker 1: as we continue watching season thirty four of Dancing with

1297
00:57:40,360 --> 00:57:43,200
Speaker 1: the Stars, a journey that's teaching us way more about

1298
00:57:43,200 --> 00:57:46,240
Speaker 1: sequence and sambas than we ever expected. But in the end,

1299
00:57:46,520 --> 00:57:48,880
Speaker 1: mostly it's reminding us what we already knew back in

1300
00:57:48,920 --> 00:57:51,840
Speaker 1: Phoenie's class. Daniel Fishle is the star of the show.

1301
00:57:53,800 --> 00:57:56,480
Speaker 1: Pod Meats World is an iHeart podcast producer hosted by

1302
00:57:56,520 --> 00:58:00,520
Speaker 1: Daniel Fischl, Wilfredell and Ryder Strong executive producers, and Karp

1303
00:58:00,560 --> 00:58:03,720
Speaker 1: and Amy Sugarman, Executive in charge of Production, Danielle Romo,

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00:58:03,920 --> 00:58:07,560
Speaker 1: producer and editor, Taras Subasch, producer, Mattie Moore, engineer and

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Speaker 1: Boy Meets World Superman Easton Allen. Our theme song is

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Speaker 1: by Kyle Morton of Typhoon. Follow us on Instagram at

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Speaker 1: Podmets World Show or email us at Podmeats Worldshow at

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Speaker 1: gmail dot com