1 00:00:07,160 --> 00:00:10,039 Speaker 1: You know reggaeton, but do you know the whole story? 2 00:00:11,000 --> 00:00:11,160 Speaker 2: Hi? 3 00:00:11,480 --> 00:00:14,960 Speaker 3: I'm Genie Montaibo, senior producer and sound designer of Loud 4 00:00:15,040 --> 00:00:16,120 Speaker 3: The History of Reggaeton? 5 00:00:16,720 --> 00:00:18,280 Speaker 1: Did you hear the news? 6 00:00:18,320 --> 00:00:21,680 Speaker 3: Loud is backed by a popular demand. Listen to all 7 00:00:21,720 --> 00:00:24,960 Speaker 3: ten episodes that break down the beats, politics, and power 8 00:00:25,000 --> 00:00:30,320 Speaker 3: behind the genre, hosted by herself Evie Queen. Listen now 9 00:00:30,480 --> 00:00:34,280 Speaker 3: only on Spotify. 10 00:00:40,000 --> 00:00:45,400 Speaker 2: Judy made at the making an entrance with your biceps. 11 00:00:45,800 --> 00:00:47,880 Speaker 1: I'm working on it. I'm trying, mate, I'm trying. 12 00:00:48,120 --> 00:00:52,160 Speaker 4: You got it? Can I just say something? 13 00:00:52,560 --> 00:00:53,760 Speaker 1: Say something? Yeah? 14 00:00:53,840 --> 00:00:56,240 Speaker 4: Why you're so cute? Man? You are so cute. 15 00:00:56,440 --> 00:00:59,600 Speaker 1: It's lighting, No. 16 00:00:59,560 --> 00:01:01,800 Speaker 5: But it's look at Bassa's and I never say this 17 00:01:01,840 --> 00:01:04,880 Speaker 5: to you, but like, you're gorgeous and you always look 18 00:01:05,040 --> 00:01:06,560 Speaker 5: amazing on camera. 19 00:01:06,840 --> 00:01:08,240 Speaker 1: I'm adorable. 20 00:01:16,520 --> 00:01:20,240 Speaker 4: From Futuro Media. It's Latino Usa. I'm Mariano Posa. 21 00:01:20,680 --> 00:01:25,000 Speaker 5: Today I speak with the adorable and talented actor Judy 22 00:01:25,120 --> 00:01:29,200 Speaker 5: ray Is. We talk free speech, motherhood and how Judy 23 00:01:29,319 --> 00:01:35,000 Speaker 5: ray Is is having a moment. Does the name Judy 24 00:01:35,120 --> 00:01:38,080 Speaker 5: ray Is ring a bell? Well, she's the kind of 25 00:01:38,120 --> 00:01:41,399 Speaker 5: actor that you might not know by name, but believe me, 26 00:01:42,120 --> 00:01:44,240 Speaker 5: you know exactly who she is. 27 00:01:45,920 --> 00:01:48,160 Speaker 2: I've had it to here, so let me make it 28 00:01:48,320 --> 00:01:53,040 Speaker 2: very clear us for the last time, sir, I'm Dominican. 29 00:01:54,440 --> 00:01:58,320 Speaker 5: She's Dominican from the Bronx, and she's been gracing our 30 00:01:58,400 --> 00:02:03,040 Speaker 5: screens for decad Aids. First as Nurse Carla on the 31 00:02:03,120 --> 00:02:04,560 Speaker 5: sitcom Scrubs. 32 00:02:04,840 --> 00:02:08,919 Speaker 1: Hi, I'm Carla, You're handsome. Be careful, Mike's brown man, 33 00:02:09,280 --> 00:02:10,880 Speaker 1: we both do kill me. 34 00:02:11,320 --> 00:02:14,040 Speaker 4: She was Zoila on Devious Maids. 35 00:02:14,280 --> 00:02:16,519 Speaker 2: Soila, you must know someone who's strapped for cash in 36 00:02:16,560 --> 00:02:19,959 Speaker 2: a barrio Santovius. 37 00:02:19,480 --> 00:02:24,560 Speaker 4: Oh good, give him a call. Quiet Anne on clause. 38 00:02:24,560 --> 00:02:27,040 Speaker 2: Wouldn't even be in this position if you weren't some 39 00:02:27,440 --> 00:02:29,960 Speaker 2: dusty old hag Hey. 40 00:02:30,560 --> 00:02:34,840 Speaker 5: And these days she's playing Lieutenant Selena Soto on the 41 00:02:34,960 --> 00:02:37,400 Speaker 5: true crime comedy High Potential. 42 00:02:37,600 --> 00:02:41,280 Speaker 1: She's not a cop. She certainly didn't sign up for this, Selena. 43 00:02:41,320 --> 00:02:41,600 Speaker 5: Stop. 44 00:02:42,240 --> 00:02:45,160 Speaker 4: Judy is really having a moment. 45 00:02:45,520 --> 00:02:47,639 Speaker 2: That's when you figure out you're having a moment, right, 46 00:02:47,639 --> 00:02:49,799 Speaker 2: because I've been doing this for over twenty something years 47 00:02:49,800 --> 00:02:51,400 Speaker 2: and I've never done Good Morning America. 48 00:02:51,639 --> 00:02:53,519 Speaker 4: Back now with Dodgres Judy Rays she's. 49 00:02:53,400 --> 00:02:56,720 Speaker 1: No stranger, so you're like, oh snap. 50 00:02:57,360 --> 00:03:00,800 Speaker 5: The second season of High Potential is now one, and 51 00:03:00,880 --> 00:03:04,760 Speaker 5: a reboot of Scrubs is on the way. And before 52 00:03:04,800 --> 00:03:08,720 Speaker 5: we start, well, full disclosure, Judy and I have been 53 00:03:08,919 --> 00:03:10,800 Speaker 5: friends for over twenty years. 54 00:03:11,280 --> 00:03:12,000 Speaker 4: So here we go. 55 00:03:13,960 --> 00:03:17,200 Speaker 5: Judy, it's so wonderful to have you on Latino USA. 56 00:03:17,280 --> 00:03:19,160 Speaker 1: Thank you, thank you very much. 57 00:03:19,639 --> 00:03:21,680 Speaker 5: All Right, So what we're going to do to open 58 00:03:21,960 --> 00:03:23,519 Speaker 5: is three rapid fire questions. 59 00:03:23,560 --> 00:03:24,440 Speaker 1: Okay, okay. 60 00:03:24,680 --> 00:03:27,200 Speaker 5: Number one, what is the most embarrassing thing that has 61 00:03:27,200 --> 00:03:28,400 Speaker 5: ever happened to you on set? 62 00:03:28,840 --> 00:03:29,000 Speaker 3: Oh? 63 00:03:29,120 --> 00:03:32,680 Speaker 2: I know exactly the third or fourth episode for Scrubs 64 00:03:32,840 --> 00:03:35,680 Speaker 2: when Carla and Turk become a love interest and we 65 00:03:35,720 --> 00:03:38,120 Speaker 2: have a kissing scene and I just shove my tongue 66 00:03:38,120 --> 00:03:38,920 Speaker 2: in his mouth. 67 00:03:39,240 --> 00:03:42,720 Speaker 1: And he say, oh, you still lattice? I was like, 68 00:03:42,920 --> 00:03:43,640 Speaker 1: what you know? 69 00:03:43,960 --> 00:03:44,280 Speaker 6: Character? 70 00:03:50,200 --> 00:03:52,120 Speaker 1: I was mortified. Everybody was laughing at me. 71 00:03:52,600 --> 00:03:54,080 Speaker 4: Sounds like an honest mistake. 72 00:03:55,080 --> 00:04:00,000 Speaker 5: I would say, Number two, what is the most frustrating 73 00:04:00,080 --> 00:04:02,560 Speaker 5: thing that you've ever experienced while acting? 74 00:04:03,280 --> 00:04:08,800 Speaker 2: That's tricky, I think, having to remind a certain creative 75 00:04:09,280 --> 00:04:10,320 Speaker 2: So what am I? 76 00:04:10,560 --> 00:04:10,640 Speaker 5: So? 77 00:04:10,760 --> 00:04:14,240 Speaker 2: Am I really a Mexican because I'm Dominican and immediately 78 00:04:14,240 --> 00:04:16,800 Speaker 2: get defensive. I was like, no, no, no, I just I 79 00:04:16,839 --> 00:04:19,960 Speaker 2: want to be able to deliver the correct accent. It 80 00:04:20,040 --> 00:04:23,159 Speaker 2: was a thing of having to communicate that consistently. That 81 00:04:23,279 --> 00:04:24,480 Speaker 2: kind of thing is frustrating. 82 00:04:25,080 --> 00:04:28,839 Speaker 4: Finally, your fondest memory of Scrubs. 83 00:04:29,240 --> 00:04:32,599 Speaker 2: Wow, we did this musical that was one of my 84 00:04:32,640 --> 00:04:34,880 Speaker 2: favorite moments and I got to sing. 85 00:04:36,279 --> 00:04:37,320 Speaker 1: For the last time. 86 00:04:41,560 --> 00:04:44,640 Speaker 4: Don't make a big to do. I was simply testing you. 87 00:04:44,960 --> 00:04:48,560 Speaker 2: Then why'd you tell jd R Baby's Black Second? That 88 00:04:48,720 --> 00:04:51,320 Speaker 2: was the story by the way, about the frustrating moment 89 00:04:51,400 --> 00:04:54,159 Speaker 2: was on there. And my favorite thing about Scrubs is 90 00:04:54,160 --> 00:04:57,720 Speaker 2: that Bill and team always respond to the concerns or 91 00:04:57,760 --> 00:05:01,240 Speaker 2: the worries with some humor or a really speaking to 92 00:05:01,400 --> 00:05:04,080 Speaker 2: whatever it is that you're asking for. But we did 93 00:05:04,080 --> 00:05:07,040 Speaker 2: a musical that I got to sing and dance on, So. 94 00:05:07,800 --> 00:05:11,679 Speaker 1: Card When will you be back? 95 00:05:13,000 --> 00:05:15,400 Speaker 3: Not for one long? 96 00:05:25,360 --> 00:05:29,000 Speaker 2: And we did an adaptation of The Princess Bride, So 97 00:05:29,120 --> 00:05:30,880 Speaker 2: those things to be part of. Things like that are 98 00:05:31,000 --> 00:05:34,520 Speaker 2: like my favorite things, which are musicals. And The Princess 99 00:05:34,560 --> 00:05:36,600 Speaker 2: Bride is a dream come true. 100 00:05:37,040 --> 00:05:37,760 Speaker 4: Being an actor. 101 00:05:37,880 --> 00:05:40,640 Speaker 5: Even though it's very glamorous, it can be very lonely 102 00:05:40,760 --> 00:05:44,760 Speaker 5: and scary, right, But I want to ask you, Ma 103 00:05:44,920 --> 00:05:47,440 Speaker 5: meet that what it feels like to be having this 104 00:05:47,680 --> 00:05:52,400 Speaker 5: moment because you're doing Scrubs, You're doing high potential, a 105 00:05:52,480 --> 00:05:55,640 Speaker 5: major comedy drama on ABC. 106 00:05:56,279 --> 00:05:57,920 Speaker 4: You're a producer in your own right. 107 00:05:58,160 --> 00:06:01,760 Speaker 5: You're an amazing mom and a amazing and I was 108 00:06:02,160 --> 00:06:04,400 Speaker 5: traveling someplace when I saw it. Oh my god, Judy's 109 00:06:04,760 --> 00:06:06,719 Speaker 5: full here and makeup doing Good Morning America. 110 00:06:06,920 --> 00:06:09,839 Speaker 4: Okay, go Judy. What does it feel like? 111 00:06:10,320 --> 00:06:11,080 Speaker 1: I'll tell you this. 112 00:06:11,920 --> 00:06:16,560 Speaker 2: Ever since Scrubs, I've worked pretty consistently, and I'm proud 113 00:06:16,600 --> 00:06:19,400 Speaker 2: of that, and I've had the opportunity and create the 114 00:06:19,440 --> 00:06:23,320 Speaker 2: opportunity to do a whole bunch of different things. But 115 00:06:23,440 --> 00:06:25,919 Speaker 2: when I start hearing that people are crazy about the 116 00:06:25,960 --> 00:06:28,279 Speaker 2: show and my mother and my sisters are texting me 117 00:06:28,320 --> 00:06:31,120 Speaker 2: about how much they love the show, is like, Okay. 118 00:06:30,839 --> 00:06:31,880 Speaker 1: Something's happening here. 119 00:06:31,960 --> 00:06:34,560 Speaker 4: I texted you know you did. 120 00:06:36,040 --> 00:06:39,600 Speaker 2: That's when I think I really stepped outside of myself 121 00:06:39,600 --> 00:06:41,120 Speaker 2: and saw this thing is getting big. 122 00:06:41,839 --> 00:06:42,919 Speaker 1: You know, I've been. 123 00:06:42,880 --> 00:06:45,960 Speaker 2: Up until recently able to just like get around everywhere 124 00:06:45,960 --> 00:06:46,880 Speaker 2: without oh my god. 125 00:06:47,320 --> 00:06:49,599 Speaker 4: Don't tell me you're getting those things where you like 126 00:06:49,720 --> 00:06:50,400 Speaker 4: just go to get. 127 00:06:50,279 --> 00:06:51,800 Speaker 1: It makes me really nervous. 128 00:06:52,040 --> 00:06:55,760 Speaker 2: It makes me really nervous because I usually don't even notice, 129 00:06:55,960 --> 00:06:58,200 Speaker 2: you know, but I get self conscious sometimes I'm like, 130 00:06:58,520 --> 00:07:00,000 Speaker 2: am I really going to have to put on makeup 131 00:07:00,120 --> 00:07:00,360 Speaker 2: to go. 132 00:07:00,320 --> 00:07:00,920 Speaker 1: To the store. 133 00:07:02,080 --> 00:07:10,320 Speaker 5: That's what it ultimately comes down to, right, Isn't that tragic? Okay, 134 00:07:10,640 --> 00:07:13,960 Speaker 5: now let's talk about high potential. 135 00:07:14,520 --> 00:07:16,240 Speaker 4: The cleaning ladies were arranging my boards. 136 00:07:16,360 --> 00:07:20,160 Speaker 1: You see a cleaning lady, I see more. Morgan is 137 00:07:20,280 --> 00:07:20,920 Speaker 1: high potential. 138 00:07:21,000 --> 00:07:23,320 Speaker 5: So the plot is that it's a single mom with 139 00:07:23,360 --> 00:07:28,280 Speaker 5: an exceptional mind. She's recruited by you, Lieutenant Selina Soto. 140 00:07:28,880 --> 00:07:31,040 Speaker 5: You're the boss of all of the detectives, and I 141 00:07:31,160 --> 00:07:33,040 Speaker 5: just wonder what it's been like for you to play 142 00:07:33,040 --> 00:07:36,920 Speaker 5: a Latina in a leadership role when you know, like 143 00:07:37,040 --> 00:07:40,280 Speaker 5: a lot of the media that we're seeing is about 144 00:07:40,760 --> 00:07:41,280 Speaker 5: white men. 145 00:07:42,120 --> 00:07:44,720 Speaker 2: I mean, it's what an incredible opportunity for everything that 146 00:07:44,760 --> 00:07:45,360 Speaker 2: you just said. 147 00:07:45,520 --> 00:07:46,560 Speaker 1: It's all about women. 148 00:07:46,680 --> 00:07:49,760 Speaker 2: It's a mom, it's her kid, her kid is biracial, 149 00:07:50,400 --> 00:07:52,960 Speaker 2: and it's a really diverse group of people at a 150 00:07:53,000 --> 00:07:58,640 Speaker 2: time where it's literally very slowly being erased for lack 151 00:07:58,640 --> 00:08:00,600 Speaker 2: of a better term. And I know it sounds dramatic, 152 00:08:00,680 --> 00:08:04,320 Speaker 2: but it's happening right before our eyes. The director of 153 00:08:04,360 --> 00:08:07,760 Speaker 2: the pilot was a woman, and I had a really good, 154 00:08:07,880 --> 00:08:10,920 Speaker 2: authentic communication with her about how I wanted to be 155 00:08:11,040 --> 00:08:15,280 Speaker 2: who is this. I don't want to be token leadership, 156 00:08:15,320 --> 00:08:17,600 Speaker 2: you know. And she was like, Oh no, that's not 157 00:08:17,640 --> 00:08:21,320 Speaker 2: going to happen. And that created space for me. And 158 00:08:21,440 --> 00:08:25,760 Speaker 2: they were relentless about addressing concerns or changes or tweaks. 159 00:08:25,840 --> 00:08:29,360 Speaker 2: It's a constant project. I mean, when does that happens? 160 00:08:30,320 --> 00:08:33,520 Speaker 2: I'm saying it's a moment in time. How rare this is. 161 00:08:33,880 --> 00:08:37,360 Speaker 2: You know, if you're going to bring in subversive personalities 162 00:08:37,400 --> 00:08:40,960 Speaker 2: like a Caitlin, you're already a little bit off right 163 00:08:41,160 --> 00:08:44,040 Speaker 2: in terms of following the law or doing the right thing. 164 00:08:44,440 --> 00:08:50,040 Speaker 1: Me work with cops. You got a dead body, you 165 00:08:50,040 --> 00:08:50,400 Speaker 1: gotta go. 166 00:08:52,559 --> 00:08:54,560 Speaker 2: Which is why it makes it a little bit more 167 00:08:54,600 --> 00:08:59,600 Speaker 2: interesting pursuing these really complex and dark and strange cases. 168 00:09:00,559 --> 00:09:04,040 Speaker 2: I am wide open and actually inquisitive about using what's 169 00:09:04,040 --> 00:09:08,959 Speaker 2: happening now. You can't avoid the hest and Latino situation forever. 170 00:09:09,080 --> 00:09:11,480 Speaker 2: You have an audience to appeal to, so that you 171 00:09:11,559 --> 00:09:15,000 Speaker 2: have to have some kind of a balance. But I 172 00:09:15,040 --> 00:09:16,920 Speaker 2: don't know that we can get away with it for 173 00:09:16,960 --> 00:09:20,280 Speaker 2: too long. But in the meantime, the opportunity is there 174 00:09:20,280 --> 00:09:25,520 Speaker 2: and taken advantage of to have like multicultural casting before 175 00:09:25,559 --> 00:09:27,200 Speaker 2: AI takes over, so to speak. 176 00:09:27,920 --> 00:09:31,240 Speaker 5: So from the profession of acting to the politics of 177 00:09:31,280 --> 00:09:34,760 Speaker 5: the moment, we are living through censorship by the government 178 00:09:34,920 --> 00:09:41,000 Speaker 5: towards media companies, corporations, journalists. As an actor, you're affiliated 179 00:09:41,080 --> 00:09:45,760 Speaker 5: with a major television network, ABC, and I'm wondering, how 180 00:09:45,800 --> 00:09:49,080 Speaker 5: are you processing all of this? Are you thinking about 181 00:09:49,080 --> 00:09:51,000 Speaker 5: what you can and can't say? You know when you 182 00:09:51,120 --> 00:09:54,120 Speaker 5: see what happened to Stephen Colbert and to Jimmy Kimmel. 183 00:09:54,640 --> 00:09:57,200 Speaker 5: So how are you kind of managing this moment on 184 00:09:57,280 --> 00:10:01,600 Speaker 5: the question of our First Amendment and being able to 185 00:10:01,800 --> 00:10:02,839 Speaker 5: survive at this time? 186 00:10:05,320 --> 00:10:12,400 Speaker 2: What an excellent and difficult question, because I find myself 187 00:10:12,440 --> 00:10:17,840 Speaker 2: to the point of me having a moment, having had 188 00:10:17,880 --> 00:10:21,200 Speaker 2: the blessing and the opportunity to work pretty consistently all 189 00:10:21,240 --> 00:10:24,560 Speaker 2: the way up until now, up until this moment. For me, 190 00:10:24,760 --> 00:10:29,040 Speaker 2: the message is that I'm here to serve additional purposes, 191 00:10:29,160 --> 00:10:33,640 Speaker 2: right in terms of using whatever you want to call it, 192 00:10:33,679 --> 00:10:38,040 Speaker 2: the achievement and the notoriety or the celebrity or the 193 00:10:38,080 --> 00:10:42,560 Speaker 2: fame to really communicate to fans or two people who 194 00:10:42,600 --> 00:10:46,320 Speaker 2: will listen that things are pretty fucked up right now, 195 00:10:46,800 --> 00:10:50,240 Speaker 2: and that you know everything we are. Everything that I 196 00:10:50,280 --> 00:10:52,360 Speaker 2: am as an Afro Latina, as an actor, as a 197 00:10:52,400 --> 00:10:57,320 Speaker 2: middle aged woman, mother of a queer kid, creative, everything 198 00:10:57,360 --> 00:10:59,320 Speaker 2: that I am is being threatened. 199 00:11:00,040 --> 00:11:02,680 Speaker 1: And yet here I am. 200 00:11:01,960 --> 00:11:05,040 Speaker 2: So is the answer to not say something or to 201 00:11:05,080 --> 00:11:08,480 Speaker 2: say something, and I struggle with it constantly. You get 202 00:11:08,520 --> 00:11:12,680 Speaker 2: that survivor's guilt. As a Latino, I have two huge jobs, 203 00:11:12,800 --> 00:11:15,840 Speaker 2: I'm making incredible money, I'm living in LA I'm all right. 204 00:11:16,160 --> 00:11:17,800 Speaker 4: Oh, I see what you and I don't want to 205 00:11:17,800 --> 00:11:18,720 Speaker 4: not that I say. 206 00:11:18,840 --> 00:11:21,400 Speaker 2: I'm all right in that guilt where I'm doing better 207 00:11:21,440 --> 00:11:24,520 Speaker 2: as most actors and the most Latinos. You know what 208 00:11:24,600 --> 00:11:27,560 Speaker 2: I'm saying, and you want to be able to make 209 00:11:27,640 --> 00:11:30,439 Speaker 2: something out of it, to make some kind of a contribution, 210 00:11:31,559 --> 00:11:37,240 Speaker 2: and to. 211 00:11:34,520 --> 00:11:36,400 Speaker 1: To stay silent is not an option. 212 00:11:42,320 --> 00:11:45,560 Speaker 5: Coming up on Latino USA, I continue my conversation with 213 00:11:45,720 --> 00:11:47,960 Speaker 5: actress and producer Judy Reyes. 214 00:11:48,400 --> 00:11:51,319 Speaker 2: The second you stand up, and it's that's what's been 215 00:11:51,360 --> 00:11:55,199 Speaker 2: happening over this version of the Trump administration. The second 216 00:11:55,240 --> 00:11:57,559 Speaker 2: you stand up for yourself, they back. 217 00:11:57,400 --> 00:12:22,079 Speaker 5: Off with us. Yes, hey, we're back, And I'm speaking 218 00:12:22,120 --> 00:12:25,720 Speaker 5: with Judy Reyes about her acting career, but also about 219 00:12:25,760 --> 00:12:28,720 Speaker 5: how she's processing the political moment that our country is 220 00:12:28,800 --> 00:12:33,559 Speaker 5: living through. You were raised in the Bronx, you are 221 00:12:34,040 --> 00:12:36,680 Speaker 5: a Hollywood girl now, and we want to get into 222 00:12:37,320 --> 00:12:41,600 Speaker 5: LA and the politics of LA. I mean, it's kind 223 00:12:41,640 --> 00:12:45,840 Speaker 5: of crazy what we've been living through incessantly in these times. 224 00:12:46,280 --> 00:12:49,920 Speaker 5: And I think back actually to the protests outside of 225 00:12:50,000 --> 00:12:51,600 Speaker 5: Disney Studios. 226 00:12:51,360 --> 00:12:54,800 Speaker 6: In the City of Angels. We have worked really hard 227 00:12:55,040 --> 00:12:58,720 Speaker 6: to uplift immigrants and support the Hollywood industry, and we 228 00:12:58,800 --> 00:13:02,640 Speaker 6: will not allow ourselves to be steamrolled by this weak 229 00:13:02,679 --> 00:13:03,800 Speaker 6: person in the White House. 230 00:13:04,280 --> 00:13:08,360 Speaker 5: They were carrying signs that said, you know, defend free speech. 231 00:13:08,760 --> 00:13:11,560 Speaker 5: This is about what happened with Jimmy Kimmel. But then 232 00:13:12,400 --> 00:13:15,599 Speaker 5: they were carrying signs that said ice out of LA 233 00:13:15,760 --> 00:13:18,839 Speaker 5: along with signs that said ABC bends the knee to fascism. 234 00:13:18,920 --> 00:13:22,120 Speaker 5: So I'm just wondering about how you see this intersection 235 00:13:22,240 --> 00:13:26,000 Speaker 5: of politics and entertainment. Are we at a moment where 236 00:13:26,640 --> 00:13:28,840 Speaker 5: artists can and should be political? 237 00:13:29,040 --> 00:13:30,200 Speaker 4: How do you see this moment? 238 00:13:30,840 --> 00:13:35,560 Speaker 2: I think artists have always and should remain political. I mean, 239 00:13:35,640 --> 00:13:38,040 Speaker 2: at the end of the day, when the people can't 240 00:13:38,080 --> 00:13:41,200 Speaker 2: really be spoken to or they're being oppressed, or they're 241 00:13:41,240 --> 00:13:46,800 Speaker 2: being manipulated, or they're being gaslet that through comedy and 242 00:13:46,880 --> 00:13:50,720 Speaker 2: through film and through music you can really communicate and 243 00:13:50,760 --> 00:13:54,120 Speaker 2: connect with people. Do you know, algorithms and all this 244 00:13:54,280 --> 00:13:58,720 Speaker 2: AI madness that I can't keep up with, but because 245 00:13:58,720 --> 00:14:01,640 Speaker 2: it's being owned by media and by like a handful 246 00:14:01,679 --> 00:14:06,400 Speaker 2: of corporations, Ultimately, what is the pursuit is to be 247 00:14:06,440 --> 00:14:14,400 Speaker 2: able to control what people witness, what people consume. Live theater, artists, 248 00:14:14,600 --> 00:14:17,360 Speaker 2: people to express themselves and tell the story through film, 249 00:14:17,400 --> 00:14:21,480 Speaker 2: through comedy, through stand up, through music is our salvation. 250 00:14:21,600 --> 00:14:24,360 Speaker 2: It always has been, and I don't know that you 251 00:14:24,360 --> 00:14:26,200 Speaker 2: can get rid of it. Because the response to Jimmy 252 00:14:26,280 --> 00:14:29,800 Speaker 2: Kimmel was a huge relief because that was terrifying the 253 00:14:29,840 --> 00:14:30,720 Speaker 2: moment it happened. 254 00:14:31,480 --> 00:14:34,960 Speaker 5: Also, it did in fact touch you because you are 255 00:14:35,000 --> 00:14:39,920 Speaker 5: tied to ABC, and therefore it's coming very very close. 256 00:14:40,040 --> 00:14:43,640 Speaker 5: In fact, I want to ask you about what it 257 00:14:43,720 --> 00:14:47,600 Speaker 5: felt like as a Latina, as an Afro Latina to 258 00:14:47,720 --> 00:14:53,160 Speaker 5: be in LA when Donald Trump unleashed ice and also 259 00:14:53,600 --> 00:14:55,400 Speaker 5: a militarization of your city. 260 00:14:56,240 --> 00:14:57,240 Speaker 4: What was going on for you? 261 00:14:57,640 --> 00:15:02,360 Speaker 2: It was terrifying, it's enraging, it's so upsetting. What I 262 00:15:02,440 --> 00:15:07,880 Speaker 2: will say is that it creates and strengthens community. We 263 00:15:07,920 --> 00:15:10,240 Speaker 2: reach out to each other, we talk, We make sure 264 00:15:10,240 --> 00:15:13,840 Speaker 2: that we're all right, extend ourselves to anybody who can 265 00:15:13,880 --> 00:15:17,160 Speaker 2: need help. Because the whole thing is to paralyze you, 266 00:15:17,240 --> 00:15:20,040 Speaker 2: right and to stop you and to silence you, to 267 00:15:20,200 --> 00:15:23,520 Speaker 2: really make you think that you do not have any 268 00:15:23,560 --> 00:15:26,840 Speaker 2: control of the situation, to make you blink first, because 269 00:15:26,840 --> 00:15:30,680 Speaker 2: the second you stand up, and that's what's been happening 270 00:15:30,720 --> 00:15:34,600 Speaker 2: over this version of the Trump administration, the second you 271 00:15:34,680 --> 00:15:38,360 Speaker 2: stand up for yourself, they back off, and it takes 272 00:15:38,360 --> 00:15:42,120 Speaker 2: a lot more because they have more resources, more access 273 00:15:42,200 --> 00:15:45,840 Speaker 2: to keep coming at us. But we have to use 274 00:15:45,880 --> 00:15:48,920 Speaker 2: the rights as they still exist. We have to take 275 00:15:48,960 --> 00:15:51,680 Speaker 2: advantage of them. We have to exploit them, and we 276 00:15:51,760 --> 00:15:55,800 Speaker 2: have to maintain and create community and keep screaming and 277 00:15:55,840 --> 00:16:00,480 Speaker 2: shouting and telling to the upsetting and obnoxious degree that 278 00:16:00,600 --> 00:16:01,800 Speaker 2: oftentimes we are. 279 00:16:02,160 --> 00:16:03,840 Speaker 1: I know, I get sick of it. 280 00:16:04,000 --> 00:16:06,400 Speaker 2: Sometimes I just have to shut down just for my 281 00:16:06,440 --> 00:16:11,040 Speaker 2: own emotional and mental health of workout and meditate, because 282 00:16:11,240 --> 00:16:13,880 Speaker 2: it can be paralyzing, it can be very very depressing. 283 00:16:14,240 --> 00:16:18,520 Speaker 2: But the silence is more upsetting to me. When people 284 00:16:18,560 --> 00:16:23,560 Speaker 2: don't say anything like act like nothing is happening, and 285 00:16:23,760 --> 00:16:27,680 Speaker 2: that I find sickening. 286 00:16:29,600 --> 00:16:34,320 Speaker 5: Can I ask about your kid? You can your kid 287 00:16:34,600 --> 00:16:40,240 Speaker 5: is queer, your kid is trans. I mean, I cannot 288 00:16:40,320 --> 00:16:44,480 Speaker 5: imagine what it is like to be raising a non 289 00:16:44,520 --> 00:16:50,520 Speaker 5: binary child because it's almost impossible now to get healthcare support. 290 00:16:51,720 --> 00:16:54,240 Speaker 5: So I just want to tell you I think what 291 00:16:54,320 --> 00:16:56,720 Speaker 5: you have done is amazing just as a mom, and 292 00:16:56,800 --> 00:16:59,960 Speaker 5: I want to throw you those flowers thank you. 293 00:17:00,160 --> 00:17:02,440 Speaker 2: I will tell you that my kid is an artist. 294 00:17:03,760 --> 00:17:06,960 Speaker 2: They are a singer and an actor and a performer. 295 00:17:06,960 --> 00:17:10,000 Speaker 2: They love everything about this business or they've been around 296 00:17:10,000 --> 00:17:13,360 Speaker 2: it since they were born. And my husband has an 297 00:17:13,520 --> 00:17:15,480 Speaker 2: enormous amount to do with that, since he was the 298 00:17:15,480 --> 00:17:19,119 Speaker 2: primary caregiver while I was off in Atlanta or New 299 00:17:19,240 --> 00:17:23,720 Speaker 2: Orleans in terms of building this incredibly inclusive environment that 300 00:17:23,920 --> 00:17:27,640 Speaker 2: it's awesome to have him around. They're incredibly talented. I'm 301 00:17:27,680 --> 00:17:30,719 Speaker 2: so proud, so proud of them. I learned something from 302 00:17:30,800 --> 00:17:33,920 Speaker 2: him every day. And my thing with my kid and 303 00:17:34,040 --> 00:17:39,360 Speaker 2: this moment is their mental health, their emotional health. Emotionally, 304 00:17:39,440 --> 00:17:41,720 Speaker 2: in the world, there's a lot of anxiety and having 305 00:17:41,760 --> 00:17:47,879 Speaker 2: to do with their sexual identity, reality existence. Emotionally, I 306 00:17:48,000 --> 00:17:52,640 Speaker 2: have to make sure you know that they're okay. 307 00:17:53,840 --> 00:17:55,000 Speaker 4: Let's take a quick break. 308 00:17:55,640 --> 00:18:14,920 Speaker 5: Yes, hey, we're back with Dominican American Hollywood star Judy 309 00:18:15,080 --> 00:18:19,560 Speaker 5: ray Is. Now let's switch back to the reboot of 310 00:18:19,760 --> 00:18:23,240 Speaker 5: another show, which actually I didn't watch, Scrubs. 311 00:18:23,440 --> 00:18:24,280 Speaker 4: I'm sorry, Judy. 312 00:18:27,000 --> 00:18:29,440 Speaker 2: Oh hey, fellas, I'm trying to give somebody evil eye 313 00:18:29,800 --> 00:18:30,240 Speaker 2: over there. 314 00:18:30,280 --> 00:18:32,880 Speaker 1: Would you mind breaking it up so I can you understand? 315 00:18:33,720 --> 00:18:34,200 Speaker 4: Thank you. 316 00:18:38,920 --> 00:18:42,280 Speaker 5: For those people who are mega fans. Tell us a 317 00:18:42,320 --> 00:18:45,199 Speaker 5: little bit about what to expect from Nurse Carla in 318 00:18:45,280 --> 00:18:45,800 Speaker 5: the reboot. 319 00:18:46,000 --> 00:18:46,920 Speaker 1: I'll tell you two things. 320 00:18:46,960 --> 00:18:49,919 Speaker 2: First, the last No Kings March here in La, I 321 00:18:50,000 --> 00:18:53,320 Speaker 2: ran into a young man couldn't have been more than thirty, 322 00:18:54,040 --> 00:18:56,600 Speaker 2: and he was like, excuse me, are you Judy Rayes? 323 00:18:57,119 --> 00:18:59,480 Speaker 2: And he just went bananas over the Karla thing. And 324 00:18:59,480 --> 00:19:02,080 Speaker 2: then his mom comes over. You don't understand he's seen 325 00:19:02,160 --> 00:19:04,919 Speaker 2: the show like four times. And then he pulls up 326 00:19:04,960 --> 00:19:07,480 Speaker 2: his sleeve and his army says, I'm no. 327 00:19:07,480 --> 00:19:13,720 Speaker 1: Superman, I'm no Superman. I was like, wow. And one 328 00:19:13,760 --> 00:19:14,920 Speaker 1: of the things that. 329 00:19:14,840 --> 00:19:20,320 Speaker 2: I that I realized was after COVID and then after 330 00:19:20,359 --> 00:19:22,960 Speaker 2: the strike, a lot of people became hip to the show. 331 00:19:23,040 --> 00:19:26,560 Speaker 2: So it just got an entirely new audience. So there's 332 00:19:26,600 --> 00:19:29,239 Speaker 2: a lot of young people who have like watched it 333 00:19:29,280 --> 00:19:31,840 Speaker 2: over and over and over again, and it speaks very 334 00:19:31,880 --> 00:19:34,240 Speaker 2: much to like the twenties and the thirty somethings of 335 00:19:34,280 --> 00:19:35,040 Speaker 2: this generation. 336 00:19:36,040 --> 00:19:39,160 Speaker 1: We had a wonderful table read. It was really special. 337 00:19:39,200 --> 00:19:39,600 Speaker 4: Oh my god. 338 00:19:39,640 --> 00:19:42,920 Speaker 5: So it's like literally just happening as we speak. Are 339 00:19:42,920 --> 00:19:44,199 Speaker 5: you excited? What's going on? 340 00:19:44,280 --> 00:19:45,159 Speaker 1: Really excitedly? 341 00:19:45,240 --> 00:19:47,600 Speaker 2: They sent us the script and I was like, this 342 00:19:47,640 --> 00:19:48,840 Speaker 2: is really good. 343 00:19:49,560 --> 00:19:51,800 Speaker 1: You know, you always worry because it's a reboot. 344 00:19:51,920 --> 00:19:55,240 Speaker 2: And so we go to the place where we were 345 00:19:55,280 --> 00:19:57,439 Speaker 2: going to do the table read for the for the 346 00:19:57,480 --> 00:19:59,560 Speaker 2: studio and for the writers. We're all there and we're 347 00:19:59,600 --> 00:20:01,960 Speaker 2: all like skipping and hopping and excited to see each 348 00:20:01,960 --> 00:20:05,480 Speaker 2: other and blown away how wonderful the script is and 349 00:20:05,600 --> 00:20:08,440 Speaker 2: running into each other. At least half of the team 350 00:20:08,520 --> 00:20:11,000 Speaker 2: from the original group is there in front of and 351 00:20:11,119 --> 00:20:14,240 Speaker 2: behind the camera. Wow. Carla is still working at the 352 00:20:14,240 --> 00:20:17,200 Speaker 2: hospital and she and Turk have four girls. 353 00:20:17,240 --> 00:20:17,760 Speaker 4: Wow. 354 00:20:18,080 --> 00:20:20,800 Speaker 2: And that's really all I know. You know, we kind 355 00:20:20,800 --> 00:20:25,639 Speaker 2: of reconnect at the hospital. Jad comes back and you know, 356 00:20:25,960 --> 00:20:27,840 Speaker 2: kind of resume where we all left off. 357 00:20:28,920 --> 00:20:31,320 Speaker 5: So Judy, one of the things that I've known about 358 00:20:31,320 --> 00:20:34,440 Speaker 5: you is that you are also very active behind the scenes. 359 00:20:34,960 --> 00:20:38,280 Speaker 5: You are now producing a show which I'm a big 360 00:20:38,280 --> 00:20:44,399 Speaker 5: fan of, freestyle, a love Story. The premise of the 361 00:20:44,440 --> 00:20:46,800 Speaker 5: show is essentially to say, there is a style of 362 00:20:46,920 --> 00:20:50,600 Speaker 5: music that's called freestyle, and if you think you've never 363 00:20:50,680 --> 00:20:53,200 Speaker 5: heard it, oh my god, it's like the greatest hits 364 00:20:53,240 --> 00:20:59,320 Speaker 5: of our youth. Tell me a little bit about why 365 00:20:59,359 --> 00:21:03,840 Speaker 5: you wanted to do this, why elevate freestyle? And you're 366 00:21:03,880 --> 00:21:06,680 Speaker 5: busy enough you're like, yeah, let me produce a show too. 367 00:21:07,200 --> 00:21:07,520 Speaker 1: Well. 368 00:21:07,960 --> 00:21:11,080 Speaker 2: My husband and I have been fans of freestyle since 369 00:21:11,119 --> 00:21:12,959 Speaker 2: we were teenagers, you know, when we used to go 370 00:21:13,000 --> 00:21:16,840 Speaker 2: clubbing in Manhattan where you play freestyle music and the 371 00:21:17,400 --> 00:21:20,800 Speaker 2: icons the stars of that time were George Lemon and 372 00:21:20,880 --> 00:21:25,520 Speaker 2: Judy Torres and Tka and I mean cover girls and it. 373 00:21:25,520 --> 00:21:27,720 Speaker 1: Culminates with like Lisa, Lisa. 374 00:21:28,000 --> 00:21:30,760 Speaker 2: Right right, and when she crosses over and then the 375 00:21:30,840 --> 00:21:32,240 Speaker 2: music just kind of fades away. 376 00:21:33,080 --> 00:21:34,960 Speaker 1: But it was born in the Bronx. 377 00:21:35,080 --> 00:21:38,359 Speaker 2: And it's mostly Latinos, and the fans were all up 378 00:21:38,400 --> 00:21:41,560 Speaker 2: and down the East Coast and some parts of la 379 00:21:41,600 --> 00:21:44,439 Speaker 2: And it dies immediately because parts of the sound have 380 00:21:44,480 --> 00:21:47,959 Speaker 2: been adapted by pop music, so it kind of pushes 381 00:21:48,000 --> 00:21:50,600 Speaker 2: the Latinos out of the scene almost immediately right when 382 00:21:50,680 --> 00:21:53,639 Speaker 2: cross is over. But it was the sound of our 383 00:21:53,680 --> 00:21:56,480 Speaker 2: teen and early twenties that you know, you fall in love, 384 00:21:56,520 --> 00:21:59,440 Speaker 2: you meet somebody in the club, and George and I 385 00:21:59,640 --> 00:22:02,919 Speaker 2: and Ortiz by the way, who's also one of the producers, 386 00:22:03,520 --> 00:22:05,560 Speaker 2: we say, wouldn't it be great if we told the 387 00:22:05,600 --> 00:22:12,359 Speaker 2: story a freestyle And ultimately what it culminated into was 388 00:22:12,520 --> 00:22:15,640 Speaker 2: George Valencia writing a piece about a couple who's going 389 00:22:15,640 --> 00:22:18,639 Speaker 2: to a freestyle reunion concert but ends up having to 390 00:22:18,680 --> 00:22:22,120 Speaker 2: go alone because they're plus ones canceled on them, and 391 00:22:22,160 --> 00:22:25,040 Speaker 2: they both are reminiscing that man, the last time I 392 00:22:25,119 --> 00:22:27,919 Speaker 2: went alone to a club, I met my first wife, 393 00:22:28,119 --> 00:22:31,840 Speaker 2: I met my first husband. So it's an experience in 394 00:22:31,880 --> 00:22:35,800 Speaker 2: which we use rotating casts of Latino actors to kind 395 00:22:35,800 --> 00:22:39,760 Speaker 2: of bring you back in the day and share our experience, 396 00:22:39,800 --> 00:22:43,080 Speaker 2: tell our story, because what people don't understand is that 397 00:22:43,119 --> 00:22:47,120 Speaker 2: freestyle is still huge and it's using that moment at 398 00:22:47,119 --> 00:22:52,800 Speaker 2: the opportunity to tell that story. 399 00:22:53,920 --> 00:22:56,760 Speaker 4: We're going to end with some rapid fire questions, you ready, 400 00:22:57,080 --> 00:23:00,840 Speaker 4: no is your dream role? 401 00:23:01,600 --> 00:23:03,520 Speaker 2: I want to be on stage. I want to be 402 00:23:03,560 --> 00:23:07,240 Speaker 2: in a musical. I would love Hamilton or Wicked. If 403 00:23:07,240 --> 00:23:08,360 Speaker 2: I sang that will. 404 00:23:09,119 --> 00:23:11,600 Speaker 1: All the great ones a chorus line. But I'm not 405 00:23:11,640 --> 00:23:15,480 Speaker 1: a dancer or like a cabaret or something. 406 00:23:15,760 --> 00:23:18,359 Speaker 5: Yes, and if you got that role, you would dance 407 00:23:18,440 --> 00:23:20,520 Speaker 5: and sing your heart out. So don't even tell me 408 00:23:20,600 --> 00:23:22,000 Speaker 5: I'm not a dancer. I'm not a singer. 409 00:23:22,560 --> 00:23:23,440 Speaker 1: Three days. 410 00:23:26,560 --> 00:23:30,240 Speaker 4: Okay, Number two. Who inspires you? 411 00:23:30,640 --> 00:23:33,240 Speaker 1: My kid inspires me. My husband inspires me. 412 00:23:33,280 --> 00:23:36,199 Speaker 2: There's a relentlessness to the two of them that is 413 00:23:36,240 --> 00:23:40,919 Speaker 2: so motivating and so original. It takes a lot of 414 00:23:40,960 --> 00:23:43,600 Speaker 2: courage what people don't realize to be themselves. 415 00:23:44,880 --> 00:23:49,840 Speaker 4: I love that me too. What gives you hope these days? 416 00:23:50,720 --> 00:23:53,119 Speaker 1: My kid and young people. 417 00:23:53,800 --> 00:23:55,920 Speaker 2: I had never thought I would be at the age 418 00:23:55,920 --> 00:23:58,359 Speaker 2: where I would say young people inspire me. I know 419 00:23:58,440 --> 00:24:01,560 Speaker 2: when people try to take away from young people, it's 420 00:24:01,600 --> 00:24:04,520 Speaker 2: because they know what the power is and they have 421 00:24:04,600 --> 00:24:12,040 Speaker 2: it and they have courage, wit, intelligence, persistence, talent, art, 422 00:24:12,840 --> 00:24:15,720 Speaker 2: you know, And I am excited for young people. 423 00:24:19,400 --> 00:24:27,560 Speaker 5: Judy Ray is actor, producer, mom, wife Amiga Gorgasa. 424 00:24:27,840 --> 00:24:29,480 Speaker 1: Thank you for doing what you do. 425 00:24:30,720 --> 00:24:33,400 Speaker 5: Thank you, honey, I'm so happy for you, so proud 426 00:24:33,440 --> 00:25:02,960 Speaker 5: of you, Thank you, I'm proud of you. Get This 427 00:25:03,119 --> 00:25:06,800 Speaker 5: episode was produced by Monica Morales Garcia. It was edited 428 00:25:07,119 --> 00:25:11,480 Speaker 5: by Andrea Lopez Gruzado. It was mixed by Julia Caruso. 429 00:25:11,840 --> 00:25:16,520 Speaker 5: Fernando Echavari is our managing editor. The Latino USA team 430 00:25:16,640 --> 00:25:22,879 Speaker 5: also includes Roxana Guire, Jessica Ellis, Revecca Ibarra, Renaldo Leanos, Junior, 431 00:25:23,240 --> 00:25:29,200 Speaker 5: Luis Luna yorimr Marquez, Julieta Martinelli, JJ Krubin, Adena Rodriguez, 432 00:25:29,240 --> 00:25:33,720 Speaker 5: and Nancy Trujillo. Benedea Mirez and I are executive producers 433 00:25:33,840 --> 00:25:36,919 Speaker 5: and I'm your host Maria no Hoosa. Latino USA is 434 00:25:36,920 --> 00:25:41,520 Speaker 5: part of Iheart's Mike Uldura podcast Network. Executive producers that 435 00:25:41,640 --> 00:25:45,080 Speaker 5: iHeart are Leo Gomez and Arlene Santana. 436 00:25:45,400 --> 00:25:46,840 Speaker 4: Join us again on our next episode. 437 00:25:46,840 --> 00:25:48,719 Speaker 5: In the meantime, I'll see you on all of our 438 00:25:48,760 --> 00:25:53,200 Speaker 5: social media and dear listener, don't forget to join Fuduo plus. 439 00:25:53,680 --> 00:25:54,960 Speaker 4: It's so easy. 440 00:25:55,440 --> 00:25:59,560 Speaker 5: Do it right now. You'll get everything at free plus. 441 00:26:00,119 --> 00:26:02,760 Speaker 5: It Chease me, Joe. 442 00:26:05,240 --> 00:26:10,000 Speaker 1: Latino USA is made possible in part by California Endowment, 443 00:26:10,320 --> 00:26:13,800 Speaker 1: building a strong state by improving the health of all Californians. 444 00:26:14,400 --> 00:26:20,680 Speaker 1: The Heising Simons Foundation Unlocking knowledge, opportunity, and possibilities. More 445 00:26:20,840 --> 00:26:26,440 Speaker 1: at hsfoundation dot org and Skyline Foundation