1 00:00:01,480 --> 00:00:12,160 Speaker 1: Transmitting what's up. 2 00:00:12,200 --> 00:00:14,000 Speaker 2: Welcome to the show. We got a great week of show. 3 00:00:14,000 --> 00:00:16,239 Speaker 2: If we've got a great day of shows, party is here. 4 00:00:16,320 --> 00:00:18,640 Speaker 2: I guess only one show singular party is here. 5 00:00:18,880 --> 00:00:21,720 Speaker 3: It's gonna be awesome by the morning studio morning. Thank 6 00:00:21,720 --> 00:00:22,000 Speaker 3: you all. 7 00:00:22,079 --> 00:00:23,840 Speaker 2: Let's go to get to know a question to start 8 00:00:23,880 --> 00:00:25,800 Speaker 2: us off. The question is, if you could spend twenty 9 00:00:25,840 --> 00:00:27,360 Speaker 2: four hours with any celebrity, who. 10 00:00:27,240 --> 00:00:27,680 Speaker 3: Would it be? 11 00:00:28,640 --> 00:00:29,840 Speaker 4: Oh that's so good. 12 00:00:29,920 --> 00:00:32,519 Speaker 2: Now, just to clarify, Lunchbox, if you spend time with them, 13 00:00:32,520 --> 00:00:34,120 Speaker 2: you don't get to tell them exactly what to do, 14 00:00:36,520 --> 00:00:38,199 Speaker 2: meaning you can't pick somebody whoinks hot and be like, 15 00:00:38,240 --> 00:00:39,559 Speaker 2: I know what they don't want to do. No, it 16 00:00:39,600 --> 00:00:42,360 Speaker 2: has to like be it they You know, you're picking 17 00:00:42,400 --> 00:00:42,800 Speaker 2: them because you. 18 00:00:42,800 --> 00:00:43,400 Speaker 3: Probably get along. 19 00:00:43,920 --> 00:00:46,600 Speaker 2: But if they hate you, that's showbiz. Because I know 20 00:00:46,640 --> 00:00:48,519 Speaker 2: he's gonna pick some somebody that he. 21 00:00:48,560 --> 00:00:50,200 Speaker 3: Goes and we do stuff. 22 00:00:50,320 --> 00:00:54,000 Speaker 2: Hally Berry, Yes, ah Man, all right, twenty four hours 23 00:00:54,000 --> 00:00:55,319 Speaker 2: with any celebrity, who would it be? 24 00:00:56,560 --> 00:00:57,760 Speaker 3: Eddie Gosh? 25 00:00:57,800 --> 00:01:00,840 Speaker 5: I think I have to go Tom Hanks because he's 26 00:01:00,840 --> 00:01:02,880 Speaker 5: super rich. And then we go through the movie set 27 00:01:02,880 --> 00:01:04,360 Speaker 5: and I kind of see like how he gets into 28 00:01:04,400 --> 00:01:05,440 Speaker 5: his roles and all that. 29 00:01:05,880 --> 00:01:06,880 Speaker 3: I think that'd be really cool. 30 00:01:06,959 --> 00:01:08,920 Speaker 5: Honestly, I wanted to do Jimmy Buffett, but he's no 31 00:01:09,000 --> 00:01:10,839 Speaker 5: longer with us, because that would have been the best 32 00:01:10,880 --> 00:01:12,880 Speaker 5: to live a Jimmy Buffett life for twenty four hours. 33 00:01:13,200 --> 00:01:15,240 Speaker 2: Yeah, but you can't pick anybody dead and even say 34 00:01:15,240 --> 00:01:17,280 Speaker 2: and throw somebody in his kind of cheating, Yeah, it's what. 35 00:01:17,319 --> 00:01:20,200 Speaker 3: He'd be like, well Jesus, Yeah, obviously then obviously. 36 00:01:19,920 --> 00:01:21,320 Speaker 2: That would have been no, no, no, but you can't. 37 00:01:21,319 --> 00:01:23,160 Speaker 2: You can't even mention somebody dead. It's kind of cheating 38 00:01:23,160 --> 00:01:23,560 Speaker 2: the question. 39 00:01:24,000 --> 00:01:26,039 Speaker 3: No, Tom Hanks is my dude. I think that'd be awesome. 40 00:01:26,080 --> 00:01:28,759 Speaker 6: Amy, I'll go Reese Witherspin. 41 00:01:29,200 --> 00:01:30,720 Speaker 3: Same thing to be on the set. 42 00:01:31,000 --> 00:01:32,479 Speaker 6: No, I want a normal day with her. 43 00:01:32,800 --> 00:01:35,120 Speaker 2: We can also, twenty four hours is too long. I know, 44 00:01:35,319 --> 00:01:36,640 Speaker 2: I know the question twenty four hours, but I don't 45 00:01:36,640 --> 00:01:37,279 Speaker 2: want spend twenty. 46 00:01:37,120 --> 00:01:38,120 Speaker 3: Four hours anybody. 47 00:01:38,240 --> 00:01:39,920 Speaker 2: We should have just said, like eight hours, sure, I'm 48 00:01:39,920 --> 00:01:41,240 Speaker 2: not because then you gotta spend. 49 00:01:41,040 --> 00:01:43,000 Speaker 3: The night, and they don't want to spend twenty four hours. 50 00:01:43,480 --> 00:01:45,280 Speaker 2: It's like, what are you saying at their house and 51 00:01:46,600 --> 00:01:48,000 Speaker 2: that breakfast yeah and like that. 52 00:01:48,360 --> 00:01:52,160 Speaker 7: Yeah, but go ahead, like Hi, maybe go ploties, maybe 53 00:01:52,160 --> 00:01:54,400 Speaker 7: go eat and then yeah, run some lines or something. 54 00:01:54,440 --> 00:01:58,320 Speaker 3: Yeah, totally scripts, normal stuff, twenty four hours of Reese. Yeah, 55 00:01:58,400 --> 00:01:59,840 Speaker 3: have coffee, lunchbox. 56 00:02:00,560 --> 00:02:00,800 Speaker 4: Man. 57 00:02:00,840 --> 00:02:03,240 Speaker 8: That's tough because I was gonna say a hottie, but 58 00:02:03,280 --> 00:02:04,360 Speaker 8: you're saying that you can't. 59 00:02:04,560 --> 00:02:06,600 Speaker 2: Well, if you think the hotty would like you, then 60 00:02:06,640 --> 00:02:08,600 Speaker 2: go for it. But you can't demand she does whatever 61 00:02:08,639 --> 00:02:08,959 Speaker 2: you want. 62 00:02:09,280 --> 00:02:12,080 Speaker 8: Well, no one, you can never demand that. I know 63 00:02:12,160 --> 00:02:13,800 Speaker 8: that it's called society. 64 00:02:15,160 --> 00:02:15,799 Speaker 3: Look it up. 65 00:02:18,720 --> 00:02:21,600 Speaker 8: Gosh, I would I almost want to say Taylor Swift 66 00:02:21,639 --> 00:02:24,160 Speaker 8: because she's jet setting everywhere, so to fly private jet 67 00:02:24,240 --> 00:02:27,160 Speaker 8: here go, there go and going all across the world 68 00:02:27,200 --> 00:02:28,160 Speaker 8: would be amazing. 69 00:02:28,440 --> 00:02:30,639 Speaker 2: But I think she might be the most want to say, 70 00:02:30,680 --> 00:02:32,880 Speaker 2: same thing, that's picking somebody dead because you're throwing in 71 00:02:32,960 --> 00:02:36,520 Speaker 2: like a side, like here's my two A good one. 72 00:02:36,680 --> 00:02:40,240 Speaker 8: Can you relax because I'm good, because I'm going to say, 73 00:02:40,480 --> 00:02:43,040 Speaker 8: but I'm going to say Taylor Swift because you. 74 00:02:42,960 --> 00:02:46,000 Speaker 3: Were gonna say I almost want to say, yeah, we 75 00:02:46,160 --> 00:02:46,720 Speaker 3: shifted him. 76 00:02:47,240 --> 00:02:49,560 Speaker 8: No, because I said, my my butt was gonna be 77 00:02:49,639 --> 00:02:50,680 Speaker 8: she's a little bit annoying. 78 00:02:51,200 --> 00:02:53,080 Speaker 4: But I'm gonna have to go with Taylor Swift. 79 00:02:53,280 --> 00:02:54,680 Speaker 3: She's annoying. 80 00:02:54,760 --> 00:02:56,960 Speaker 2: I was gonna say but you guys hate on everything 81 00:02:57,000 --> 00:03:02,560 Speaker 2: I do. I'm gonna go with, Uh, he's kind, that's true. 82 00:03:02,600 --> 00:03:05,880 Speaker 2: Oh he did say tell he's annoying. We gotta go 83 00:03:05,919 --> 00:03:07,560 Speaker 2: to the judges in a minute. 84 00:03:07,560 --> 00:03:08,120 Speaker 3: If that's I. 85 00:03:08,360 --> 00:03:11,200 Speaker 7: Don't think that's rude. If I'm a judge, but I 86 00:03:11,240 --> 00:03:11,959 Speaker 7: don't think it's. 87 00:03:12,120 --> 00:03:16,079 Speaker 2: We have a silent governing body that is. But we'll 88 00:03:16,080 --> 00:03:18,280 Speaker 2: come back to that. Lunch box has to be kind 89 00:03:18,320 --> 00:03:21,320 Speaker 2: for one more week. I'm gonna go with twenty four 90 00:03:21,320 --> 00:03:22,960 Speaker 2: hours any Celebrity'm gonna go with Baker Mayfield. 91 00:03:23,840 --> 00:03:28,840 Speaker 3: Here we go. What you won't answer my message? Maybe 92 00:03:28,880 --> 00:03:30,919 Speaker 3: this is a way to get it. Yeah. 93 00:03:31,120 --> 00:03:32,880 Speaker 2: We used to be a very pro Baker show when 94 00:03:32,880 --> 00:03:35,600 Speaker 2: nobody else was. And now it's like you're handcuffed me, buddy. 95 00:03:35,600 --> 00:03:37,520 Speaker 2: For twenty four hours, I'll show you what's up. Got 96 00:03:37,520 --> 00:03:40,280 Speaker 2: a hundred million bucks, boy, not eve about the money, 97 00:03:40,280 --> 00:03:42,119 Speaker 2: but like you know, you give me a hundred million bucks. 98 00:03:42,120 --> 00:03:43,880 Speaker 3: You who, I'm still gonna talk to all you guys. Oh, 99 00:03:43,960 --> 00:03:44,520 Speaker 3: thank you man. 100 00:03:44,840 --> 00:03:45,760 Speaker 4: I'm not talking to you guys. 101 00:03:45,760 --> 00:03:47,560 Speaker 8: If I get a hundred million bucks, I'll guarantee you 102 00:03:47,600 --> 00:03:49,480 Speaker 8: that you will never hear from me again. 103 00:03:50,520 --> 00:03:53,840 Speaker 2: Why why, though, what do you mean, why why would 104 00:03:53,880 --> 00:03:56,200 Speaker 2: you not talk to us. It's not like you hate 105 00:03:56,560 --> 00:03:58,680 Speaker 2: talking to us now and you're only doing it so 106 00:03:58,720 --> 00:03:59,520 Speaker 2: you can keep your job. 107 00:04:01,320 --> 00:04:05,200 Speaker 4: No, I mean, I just won't have time, guys. 108 00:04:05,200 --> 00:04:07,400 Speaker 8: I will be out like doing my stuff on the 109 00:04:07,440 --> 00:04:09,880 Speaker 8: island now, I'll be out on the island and I 110 00:04:09,920 --> 00:04:13,800 Speaker 8: won't have time for phone calls and like, you know, hey. 111 00:04:13,720 --> 00:04:16,560 Speaker 4: Lunch can I borrow twenty bucks? No, guys, sorry, I'm out. 112 00:04:18,480 --> 00:04:20,360 Speaker 6: How long has the kindest thing been going on? 113 00:04:20,800 --> 00:04:21,120 Speaker 3: A week? 114 00:04:21,240 --> 00:04:24,559 Speaker 7: Okay, this is all making sense now. When I was sick, 115 00:04:24,720 --> 00:04:28,000 Speaker 7: Lunchbox texted check on me. I was like I was. 116 00:04:28,279 --> 00:04:32,839 Speaker 7: I thought it was so sweet and he is thoughtful. 117 00:04:33,000 --> 00:04:36,080 Speaker 7: But now it's coming together that I think maybe he 118 00:04:36,120 --> 00:04:36,359 Speaker 7: did it. 119 00:04:36,400 --> 00:04:38,000 Speaker 6: I don't know why that didn't occur to me. 120 00:04:38,080 --> 00:04:40,480 Speaker 3: Until this moment. I don't think that's why he did it. 121 00:04:40,720 --> 00:04:42,279 Speaker 2: You know that he's trying to be kind hit his 122 00:04:42,279 --> 00:04:44,040 Speaker 2: two week marks so he can drive a Lamborghini that 123 00:04:44,080 --> 00:04:44,560 Speaker 2: will pay for it. 124 00:04:44,720 --> 00:04:47,520 Speaker 7: Like that took me several several days to figure out 125 00:04:47,600 --> 00:04:50,919 Speaker 7: that's the only reason he texted me. And now, lunch Box, 126 00:04:51,320 --> 00:04:52,760 Speaker 7: I thought you were really checking on me. 127 00:04:53,120 --> 00:04:56,400 Speaker 8: Hey, Bobby's will talk about it. I don't know if 128 00:04:56,400 --> 00:04:57,600 Speaker 8: you want to talk about it now you want me 129 00:04:57,640 --> 00:04:58,400 Speaker 8: to no. 130 00:04:58,120 --> 00:04:59,920 Speaker 3: No, hold because I think that's funny. I mean, he's 131 00:05:00,040 --> 00:05:01,039 Speaker 3: sit with that for a minute. 132 00:05:01,640 --> 00:05:05,520 Speaker 6: I just had this revelation for real. I'm sorry, Okay, no, no, no, 133 00:05:05,560 --> 00:05:06,400 Speaker 6: it's fine, it's fine. 134 00:05:06,560 --> 00:05:10,640 Speaker 7: But he's been thoughtful in the years past in that way. 135 00:05:10,240 --> 00:05:13,040 Speaker 2: He's been thoughtful time or two in the all the 136 00:05:13,120 --> 00:05:14,400 Speaker 2: years past combined. 137 00:05:14,440 --> 00:05:17,159 Speaker 6: Well in twenty fourteen exactly, he was. 138 00:05:18,240 --> 00:05:20,760 Speaker 7: He was super thoughtful, like I could. I could list 139 00:05:20,960 --> 00:05:22,200 Speaker 7: several things over the years. 140 00:05:22,440 --> 00:05:25,520 Speaker 3: We'll get to it coming up. Let's open up the 141 00:05:25,520 --> 00:05:28,680 Speaker 3: mail bag. You send the name mail and we read 142 00:05:28,800 --> 00:05:29,880 Speaker 3: it all the air. 143 00:05:29,800 --> 00:05:32,600 Speaker 9: To get something we call Bobby's mailbag. 144 00:05:32,800 --> 00:05:34,240 Speaker 3: Yeah, hello Bobby Bones. 145 00:05:34,240 --> 00:05:35,400 Speaker 2: After a year and a half of d eating, my 146 00:05:35,440 --> 00:05:37,680 Speaker 2: girlfriend and I have finally decided that it's time to 147 00:05:37,720 --> 00:05:38,479 Speaker 2: move in together. 148 00:05:39,279 --> 00:05:39,520 Speaker 3: Now. 149 00:05:39,640 --> 00:05:43,479 Speaker 2: The negotiating has begun and there's definitely a sticking point that, 150 00:05:43,720 --> 00:05:46,880 Speaker 2: believe it or not, could be a deal breaker. She 151 00:05:47,040 --> 00:05:49,080 Speaker 2: likes having a TV in the bedroom to watch as 152 00:05:49,080 --> 00:05:52,279 Speaker 2: she falls asleep into use as a night light. I 153 00:05:52,400 --> 00:05:54,200 Speaker 2: tolerate it when I spend the night at her place, 154 00:05:54,240 --> 00:05:57,480 Speaker 2: but don't want to live like that. Every night, especially 155 00:05:57,520 --> 00:05:58,880 Speaker 2: since I wake up to go to work at five 156 00:05:58,880 --> 00:06:01,240 Speaker 2: am and need to get good sleep. But she is 157 00:06:01,279 --> 00:06:03,240 Speaker 2: not budging on this, and I'm not sure I want 158 00:06:03,279 --> 00:06:05,240 Speaker 2: to either. Is there a solution here that I'm not 159 00:06:05,240 --> 00:06:08,120 Speaker 2: seeing or is it doomed to afford? Even starts signed 160 00:06:08,640 --> 00:06:15,280 Speaker 2: Sleepy Sam. First of all, well no, no, first oh 161 00:06:15,360 --> 00:06:15,719 Speaker 2: my life. 162 00:06:15,800 --> 00:06:16,000 Speaker 1: Yeah. 163 00:06:16,640 --> 00:06:18,000 Speaker 3: I was like, don't be mean to sleepy Sam. 164 00:06:18,120 --> 00:06:19,560 Speaker 2: No, no, no, no, This is what I want to say 165 00:06:19,560 --> 00:06:22,479 Speaker 2: to Sleepy Sam. Regardless of what happens to what you 166 00:06:22,480 --> 00:06:24,479 Speaker 2: decide on, this is not enough of an issue to 167 00:06:24,480 --> 00:06:27,520 Speaker 2: be a deal breaker in life. If the relationship really matters, 168 00:06:27,680 --> 00:06:30,240 Speaker 2: Even if you lose completely on this one, it's not 169 00:06:30,360 --> 00:06:32,680 Speaker 2: enough to be a deal breaker. Even if you win completely, 170 00:06:32,760 --> 00:06:35,200 Speaker 2: it's not enough for her. This is trivial because eventually 171 00:06:35,279 --> 00:06:37,720 Speaker 2: it'll shake itself out. I will say. For me, I 172 00:06:37,760 --> 00:06:39,680 Speaker 2: always slept with the TV on. I never had a 173 00:06:39,680 --> 00:06:41,560 Speaker 2: bedroom growing up, so I slept in the living room 174 00:06:41,760 --> 00:06:43,800 Speaker 2: and the TV was always on. That was comfort to me. 175 00:06:43,839 --> 00:06:46,480 Speaker 2: It felt like someone was there. It felt like when 176 00:06:46,480 --> 00:06:49,440 Speaker 2: I was a kid, That's where I got comfort. My 177 00:06:49,480 --> 00:06:50,960 Speaker 2: wife came and I had the TV on, and she 178 00:06:51,000 --> 00:06:52,760 Speaker 2: was like, I can't sleep with the TV on, and 179 00:06:52,800 --> 00:06:55,320 Speaker 2: I was like, kick rocks. I didn't say that, but 180 00:06:55,400 --> 00:06:57,279 Speaker 2: I was like that, We're just gonna keep it on. 181 00:06:57,360 --> 00:07:00,240 Speaker 2: I can't sleep without it. And then I started to 182 00:07:01,560 --> 00:07:07,040 Speaker 2: after a while really value the time that we had there, 183 00:07:07,120 --> 00:07:09,800 Speaker 2: and it wasn't as important to me because I could 184 00:07:09,800 --> 00:07:11,720 Speaker 2: do other things. I listened to a little podcast to 185 00:07:11,800 --> 00:07:13,480 Speaker 2: keep it low. I tried lots of things until I 186 00:07:13,480 --> 00:07:15,320 Speaker 2: finally figured out something that I could do. And now 187 00:07:15,320 --> 00:07:17,240 Speaker 2: it still annoys her sometimes when she hears Bill Simmons 188 00:07:17,280 --> 00:07:20,960 Speaker 2: at two o'clock in the morning, but the TV's not on. 189 00:07:21,080 --> 00:07:22,720 Speaker 2: So I found ways and when she's gone, I keep 190 00:07:22,760 --> 00:07:26,160 Speaker 2: the TV on sometimes and sometimes I don't even do that. 191 00:07:26,960 --> 00:07:32,360 Speaker 2: But I'm telling you this is not a deal breaker regardless, 192 00:07:33,480 --> 00:07:39,440 Speaker 2: and you can negotiate from this, meaning move in if 193 00:07:39,440 --> 00:07:40,760 Speaker 2: you get there, and she won't try on the TV off, 194 00:07:40,880 --> 00:07:42,640 Speaker 2: like I'm gonna sleep in the other room. Eventually she'll 195 00:07:42,640 --> 00:07:45,400 Speaker 2: get tired, he sleep in the other room. It'll work 196 00:07:45,440 --> 00:07:48,680 Speaker 2: itself out because it's too trivial, not too It's not 197 00:07:48,720 --> 00:07:49,280 Speaker 2: a deal breaker. 198 00:07:49,320 --> 00:07:51,800 Speaker 3: It's not with me. 199 00:07:52,120 --> 00:07:53,480 Speaker 2: I never thought i'd sleep with the TV off. I 200 00:07:53,480 --> 00:07:56,040 Speaker 2: do all the time now. And Ryan were still oning 201 00:07:56,040 --> 00:07:58,440 Speaker 2: Bill Simmons right along with this when they're doing their shows. 202 00:07:58,960 --> 00:08:00,520 Speaker 2: Anything you want to say. I just think this is 203 00:08:00,560 --> 00:08:02,440 Speaker 2: so trivial that it's not an issue that will break 204 00:08:02,440 --> 00:08:02,760 Speaker 2: them up. 205 00:08:03,200 --> 00:08:05,960 Speaker 7: I think that over the course of your relationship you 206 00:08:06,000 --> 00:08:08,480 Speaker 7: may encounter are there things where one of you is 207 00:08:08,560 --> 00:08:10,800 Speaker 7: gonna have to confrimense, You're gonna have to work to 208 00:08:10,800 --> 00:08:13,320 Speaker 7: figure something out. This is a great place to start, Like, 209 00:08:13,320 --> 00:08:15,720 Speaker 7: look at this as an opportunity to practice. 210 00:08:16,720 --> 00:08:17,640 Speaker 6: Figuring something out. 211 00:08:17,720 --> 00:08:20,480 Speaker 2: You want to see her change her mind. You go, 212 00:08:20,680 --> 00:08:21,920 Speaker 2: you guys move in and be like, Hey, I'm gonna 213 00:08:21,920 --> 00:08:24,360 Speaker 2: sleep in the other room. Love you, but since TV's on, 214 00:08:24,360 --> 00:08:25,520 Speaker 2: I get to keep the TV on. I'm gonna sit 215 00:08:25,560 --> 00:08:28,080 Speaker 2: in the other room, like when I get sleepy. That'll change. 216 00:08:28,600 --> 00:08:30,600 Speaker 2: But he's already doing it at her house like two 217 00:08:30,720 --> 00:08:32,760 Speaker 2: times a week or whatever. Just let her have it 218 00:08:32,800 --> 00:08:34,720 Speaker 2: three times a week. But that's not going to be 219 00:08:34,720 --> 00:08:38,719 Speaker 2: what it's about. Yeah, it'll work itself out. Move in, 220 00:08:38,920 --> 00:08:41,240 Speaker 2: live a happy life. You guys will get divorced about 221 00:08:41,240 --> 00:08:41,800 Speaker 2: something else. Not that. 222 00:08:41,920 --> 00:08:44,559 Speaker 3: Oh trust me, Wow, wow, all right that youmail back, 223 00:08:44,559 --> 00:08:45,040 Speaker 3: close it up. 224 00:08:45,200 --> 00:08:48,040 Speaker 9: We got your game mail and we read on her. 225 00:08:48,800 --> 00:08:50,000 Speaker 10: Now let's find it close. 226 00:08:50,160 --> 00:08:51,720 Speaker 9: Bobby failed that yemn. 227 00:08:53,360 --> 00:08:56,200 Speaker 2: Something I get messaged about all the time is the 228 00:08:56,240 --> 00:08:58,040 Speaker 2: basketball that I had signed by Larry Bird. I was 229 00:08:58,040 --> 00:08:59,640 Speaker 2: super excited about it. I left in a bad place. 230 00:08:59,720 --> 00:09:01,920 Speaker 2: Eddie's signed it because we were signing other balls to 231 00:09:01,920 --> 00:09:04,960 Speaker 2: give away. Fine, I've moved on now. It's just funny 232 00:09:04,960 --> 00:09:06,960 Speaker 2: to me. Unfortunate. Yes, I don't want edit it feel 233 00:09:06,960 --> 00:09:09,160 Speaker 2: bad because it was just as much on me. That 234 00:09:09,280 --> 00:09:10,840 Speaker 2: being said, people have been like, here's Ourry Bird's house. 235 00:09:11,240 --> 00:09:14,120 Speaker 2: I'm not going to his house. I appreciate it, but 236 00:09:14,280 --> 00:09:16,679 Speaker 2: so many people have continued to call or go. Can 237 00:09:16,720 --> 00:09:19,120 Speaker 2: I tell you my story about somebody doing something similar. 238 00:09:19,520 --> 00:09:22,760 Speaker 2: This is Karen and Georgia. Hey Karen, welcome to the 239 00:09:22,760 --> 00:09:24,560 Speaker 2: Bobby Bone Show. What do you want to say? 240 00:09:25,080 --> 00:09:29,120 Speaker 11: So back in nineteen ninety two, I was pregnant with 241 00:09:29,240 --> 00:09:31,760 Speaker 11: my first child. My husband and I didn't want to 242 00:09:31,760 --> 00:09:34,400 Speaker 11: know what we were having. We wanted everybody to be excited, 243 00:09:35,440 --> 00:09:39,920 Speaker 11: and so you could bring your tape to the doctor's 244 00:09:39,960 --> 00:09:41,839 Speaker 11: appointment and they would video. 245 00:09:41,559 --> 00:09:42,520 Speaker 3: It like a video camera. 246 00:09:42,640 --> 00:09:45,560 Speaker 11: Back in the day VCR. 247 00:09:45,240 --> 00:09:47,240 Speaker 3: Cape, got it, got it, got it, go ahead. 248 00:09:47,440 --> 00:09:50,600 Speaker 11: Telling my age here, so you could you could bring 249 00:09:50,679 --> 00:09:54,480 Speaker 11: it and they would video or you know, record the 250 00:09:54,640 --> 00:09:58,800 Speaker 11: actual ultrasound and you'd have it, though, I so this 251 00:09:58,960 --> 00:10:01,880 Speaker 11: only ultratime I had, which was halfway through my pregnancy. 252 00:10:02,360 --> 00:10:04,400 Speaker 11: So then the day comes, everybody's the pops of the 253 00:10:04,400 --> 00:10:09,479 Speaker 11: world excited, and then my mom wanted to see the ultrafound, 254 00:10:10,000 --> 00:10:12,319 Speaker 11: so we goes to look at it. My husband was 255 00:10:12,360 --> 00:10:16,480 Speaker 11: big in the mask honor. You see about two seconds 256 00:10:16,520 --> 00:10:19,880 Speaker 11: of the ultrafound and then it goes to the Daytona five. 257 00:10:19,760 --> 00:10:22,200 Speaker 3: Hundred big race. 258 00:10:23,920 --> 00:10:26,480 Speaker 2: So with VCR tapes, couldn't you like pop a tab 259 00:10:27,800 --> 00:10:29,199 Speaker 2: to keep people from recording over it? 260 00:10:29,440 --> 00:10:29,680 Speaker 3: Yeah? 261 00:10:29,880 --> 00:10:32,400 Speaker 2: Isn't that And I don't know enough about it because 262 00:10:32,400 --> 00:10:34,480 Speaker 2: I didn't do it. Isn't that what they would do 263 00:10:34,480 --> 00:10:36,160 Speaker 2: on like the movie release once you get it with 264 00:10:36,200 --> 00:10:37,560 Speaker 2: the tab pops, so you couldn't record over it. 265 00:10:37,640 --> 00:10:39,920 Speaker 5: Yes, but when you were really desperate, though, you get 266 00:10:39,960 --> 00:10:42,560 Speaker 5: a piece of tape and cape over the pop tab 267 00:10:42,720 --> 00:10:43,680 Speaker 5: and you can record. 268 00:10:43,480 --> 00:10:46,280 Speaker 3: Over Johnson, Thank you. 269 00:10:46,440 --> 00:10:48,920 Speaker 2: I appreciate that, Karen, And I'm sorry you only got 270 00:10:48,960 --> 00:10:50,400 Speaker 2: to watch two seconds of that ultrasound. 271 00:10:50,600 --> 00:10:51,520 Speaker 3: Do you know who won the race? 272 00:10:51,640 --> 00:10:51,840 Speaker 6: No? 273 00:10:51,840 --> 00:10:55,680 Speaker 9: No, I have no idea everything here man. 274 00:10:55,880 --> 00:10:58,040 Speaker 3: Thank you, Karen, have a great day. Thank you. 275 00:10:58,520 --> 00:11:01,600 Speaker 2: Let's go over to Sonya in Texasho's on right now. Hey, Sonya, 276 00:11:01,640 --> 00:11:03,000 Speaker 2: you're on the Bobby Bone Show. What's going on? 277 00:11:03,360 --> 00:11:07,120 Speaker 12: So my story is we are a huge Texas longhorn 278 00:11:07,240 --> 00:11:11,760 Speaker 12: stands and when Texas won the National championship all those 279 00:11:11,840 --> 00:11:15,360 Speaker 12: years ago, we went and got the Whedy's box that 280 00:11:15,520 --> 00:11:19,160 Speaker 12: had Matt Brown holding up the you know, the national 281 00:11:19,200 --> 00:11:23,000 Speaker 12: Championship trophy, and so had that box in our house. 282 00:11:23,200 --> 00:11:26,559 Speaker 12: You know, we have a bunch of Texas Longhorns memorabilias 283 00:11:26,640 --> 00:11:29,640 Speaker 12: with all of our memorabilia. And my in laws came 284 00:11:29,679 --> 00:11:32,719 Speaker 12: to town, and my in laws were from Michigan, and 285 00:11:32,920 --> 00:11:34,719 Speaker 12: they got hungry and decided to. 286 00:11:34,679 --> 00:11:35,440 Speaker 13: Eat the Whedies. 287 00:11:36,120 --> 00:11:45,000 Speaker 3: They thought it was straight up that's hilarious. What did 288 00:11:45,000 --> 00:11:47,120 Speaker 3: you say? Did you ever? Were they embarrassed? 289 00:11:47,880 --> 00:11:51,959 Speaker 12: I mean, well, fortunately I'm a planner, so I had 290 00:11:51,960 --> 00:11:54,920 Speaker 12: bought two Wheedy's boxes, so I still have the other ones. 291 00:11:55,440 --> 00:11:57,959 Speaker 12: But so, yeah, I felt bad because I know that 292 00:11:58,080 --> 00:12:00,440 Speaker 12: they felt bad because, like I said, we have an 293 00:12:00,600 --> 00:12:03,400 Speaker 12: entire room in our house dedicated to all things Longhorns. 294 00:12:03,640 --> 00:12:05,360 Speaker 2: They go in to the longer room, ago, well, there's 295 00:12:05,360 --> 00:12:07,000 Speaker 2: some trophy. Should I eat the cereal in here or 296 00:12:07,160 --> 00:12:09,080 Speaker 2: was the cereal next to like the fruit loops? 297 00:12:09,320 --> 00:12:11,760 Speaker 12: No, I mean it was just it was on a shelf. 298 00:12:12,640 --> 00:12:13,160 Speaker 3: That's funny. 299 00:12:13,480 --> 00:12:14,240 Speaker 10: It's been a while. 300 00:12:14,400 --> 00:12:16,880 Speaker 3: So anyway, I appreciate the call. Thank you very much. 301 00:12:16,920 --> 00:12:18,319 Speaker 3: Hope you have a great day. 302 00:12:18,720 --> 00:12:19,040 Speaker 7: You too. 303 00:12:20,080 --> 00:12:20,800 Speaker 3: You another one? 304 00:12:20,880 --> 00:12:25,480 Speaker 2: Yes, Gary and Georgia. Gary is on the Bobby Bone Show. 305 00:12:25,520 --> 00:12:26,160 Speaker 3: What's up? Gary? 306 00:12:26,400 --> 00:12:30,319 Speaker 9: Okay, so this is years ago. Get on a Southwest airplane. 307 00:12:30,320 --> 00:12:32,000 Speaker 9: I'm flying all over the country because I do ask 308 00:12:32,000 --> 00:12:33,760 Speaker 9: the best disabatement, and I can see I get on 309 00:12:33,880 --> 00:12:36,319 Speaker 9: first because I'm always there early. And there's a guy 310 00:12:36,360 --> 00:12:38,199 Speaker 9: on a plane holding up the newspaper all kind of 311 00:12:38,320 --> 00:12:39,880 Speaker 9: pie and I'm like, man, how did he get on there? 312 00:12:39,880 --> 00:12:41,600 Speaker 9: But he's right on the row I always sit on. 313 00:12:42,040 --> 00:12:44,560 Speaker 9: So I sit down. People are coming on, and you 314 00:12:44,559 --> 00:12:46,320 Speaker 9: know how you lean back and you see somebody behind 315 00:12:46,320 --> 00:12:49,200 Speaker 9: the paper. I'm thinking, I know that guy, but I don't. 316 00:12:49,400 --> 00:12:50,760 Speaker 9: I don't know how I know him. And I leaned 317 00:12:50,760 --> 00:12:52,200 Speaker 9: back again, like I know him. Finally he pull up 318 00:12:52,200 --> 00:12:54,840 Speaker 9: a paper forward. He says, I am who you think 319 00:12:54,880 --> 00:12:59,520 Speaker 9: I am, And it was Muhammad Ali. Wow, this is unbelievable. 320 00:13:00,040 --> 00:13:01,920 Speaker 9: Right before we get ready to land, maybe like five 321 00:13:01,920 --> 00:13:03,839 Speaker 9: minus before we get ready to land. To announce it, 322 00:13:04,160 --> 00:13:06,760 Speaker 9: he pulls out the square tab and starts writing down 323 00:13:06,800 --> 00:13:09,720 Speaker 9: Mahmad Ali, Mohamad Ali, Mohammad Ali and signing them. Then 324 00:13:09,720 --> 00:13:12,640 Speaker 9: when he got out and in Chicago, he walked through 325 00:13:12,679 --> 00:13:15,120 Speaker 9: the airplane, passing them out as fast as you walk, 326 00:13:15,160 --> 00:13:17,360 Speaker 9: so he didn't have to stop and sign anything. Bringing down. 327 00:13:17,520 --> 00:13:19,439 Speaker 9: I thought that was pretty cool. But on the plane 328 00:13:19,440 --> 00:13:21,720 Speaker 9: he gave me one, and I think this is awesome. 329 00:13:21,760 --> 00:13:23,439 Speaker 9: So I get home, I put it up like I'm 330 00:13:23,440 --> 00:13:25,520 Speaker 9: gonna frame this thing. I put her on the refrigerator. 331 00:13:25,760 --> 00:13:29,960 Speaker 9: My mom comes over and she scribbles out Muhammad Ali 332 00:13:30,080 --> 00:13:32,880 Speaker 9: and says, I picked up James. And he's with me. 333 00:13:35,040 --> 00:13:37,400 Speaker 3: That's what you do. You put on the refrigerator and 334 00:13:37,480 --> 00:13:38,440 Speaker 3: she's writing out, Oh. 335 00:13:38,320 --> 00:13:40,120 Speaker 4: My gosh, no, no, no, no no. 336 00:13:40,200 --> 00:13:41,640 Speaker 2: Did you ever tell her what happened? Like, did you 337 00:13:41,679 --> 00:13:43,640 Speaker 2: explain to her what she accidentally did? 338 00:13:43,840 --> 00:13:45,959 Speaker 9: Yeah? I told her later, but didn't do no good. 339 00:13:46,000 --> 00:13:47,520 Speaker 9: I mean it was ruined. 340 00:13:47,720 --> 00:13:51,080 Speaker 2: You have a great story, though, Oh my gosh, that 341 00:13:51,080 --> 00:13:52,800 Speaker 2: that's tough. But that's a great story. He sat next 342 00:13:52,800 --> 00:13:55,240 Speaker 2: to Mama Ali that the good news is she got James, 343 00:13:55,400 --> 00:14:00,640 Speaker 2: but also okay, good, yeah, all right, thank you for 344 00:14:00,640 --> 00:14:04,160 Speaker 2: the call. Let's do one more. Maddie in Virginia. 345 00:14:05,960 --> 00:14:06,800 Speaker 10: So I'm talking. 346 00:14:06,559 --> 00:14:11,160 Speaker 13: About a video that got ruined. And basically me and my. 347 00:14:11,120 --> 00:14:13,680 Speaker 10: Brothers when we were younger, we used to like make 348 00:14:13,720 --> 00:14:16,400 Speaker 10: little at home videos of all of our toys, like 349 00:14:17,080 --> 00:14:18,920 Speaker 10: just little skits and stuff, and one was about a 350 00:14:19,000 --> 00:14:24,200 Speaker 10: bear and a talking toilet, and we recorded it over 351 00:14:24,320 --> 00:14:28,480 Speaker 10: top of my dad's last video of his father before 352 00:14:28,520 --> 00:14:33,640 Speaker 10: he died. I know, it was really terrible. 353 00:14:33,840 --> 00:14:35,320 Speaker 8: What happened in the bear and the toilet? Did you 354 00:14:35,320 --> 00:14:37,560 Speaker 8: get flushed down the toilet? I tells the any of that. 355 00:14:37,440 --> 00:14:38,640 Speaker 3: And also how did you find out? 356 00:14:38,640 --> 00:14:40,800 Speaker 2: Like this was your dad going to watch that video 357 00:14:40,800 --> 00:14:42,280 Speaker 2: of his dad and he sees the story of the 358 00:14:42,280 --> 00:14:42,960 Speaker 2: bear and the toilet. 359 00:14:43,240 --> 00:14:45,480 Speaker 13: Yeah, so we were really excited about the video that 360 00:14:45,520 --> 00:14:49,000 Speaker 13: we made and we sow him and then at the 361 00:14:49,120 --> 00:14:55,040 Speaker 13: end was like two seconds of the last video. So yeah, 362 00:14:55,120 --> 00:14:57,200 Speaker 13: he got really he was not excited about our talking 363 00:14:57,200 --> 00:14:57,840 Speaker 13: toilet video. 364 00:14:59,080 --> 00:15:02,920 Speaker 5: That was Hey, it was an accident, man, it happened, 365 00:15:02,960 --> 00:15:04,560 Speaker 5: but hey, it sounds like these people could have been 366 00:15:04,640 --> 00:15:06,760 Speaker 5: YouTube people when they were kids, Like. 367 00:15:08,440 --> 00:15:10,880 Speaker 3: What a show. Thank you for the call. Maddie, hope 368 00:15:10,920 --> 00:15:11,600 Speaker 3: you have an awesome day. 369 00:15:11,720 --> 00:15:12,280 Speaker 13: Thank you too. 370 00:15:13,560 --> 00:15:16,000 Speaker 2: Has become like a three day segment. This makes me 371 00:15:16,040 --> 00:15:17,840 Speaker 2: not feel so angry. I'm not angry at. 372 00:15:17,800 --> 00:15:20,040 Speaker 3: It, and I want all these callers to know that's okay. 373 00:15:20,240 --> 00:15:22,840 Speaker 3: Like it happens, you said, because you did it. I'm 374 00:15:22,920 --> 00:15:24,200 Speaker 3: part of its. 375 00:15:30,360 --> 00:15:33,360 Speaker 5: Seventeen year old Evan Spurrier. He's at home with his 376 00:15:33,440 --> 00:15:36,080 Speaker 5: ten year old sister because the dad went off to 377 00:15:36,160 --> 00:15:38,000 Speaker 5: run some errands. So he's like, you know what I 378 00:15:38,080 --> 00:15:40,760 Speaker 5: want to cook for the family tonight, and he's cooking. 379 00:15:40,920 --> 00:15:42,680 Speaker 5: He's putting a little bit of this on the stove. 380 00:15:42,880 --> 00:15:46,800 Speaker 5: Next thing you know who, the food catches on fire. 381 00:15:46,960 --> 00:15:49,600 Speaker 5: It's spread into the cabinets. It's out of control. He 382 00:15:49,640 --> 00:15:52,520 Speaker 5: looks for a fire extinguisher, he can't find it anywhere. 383 00:15:52,680 --> 00:15:55,080 Speaker 5: Oh my gosh, there the house is going to go. 384 00:15:55,200 --> 00:15:58,480 Speaker 5: So he goes upstairs. His sister was asleep in her room, 385 00:15:58,880 --> 00:16:01,080 Speaker 5: wakes her sister up, takes her out of the house 386 00:16:01,120 --> 00:16:02,000 Speaker 5: because the house is. 387 00:16:02,000 --> 00:16:04,400 Speaker 3: Going in flames. Then he realizes real quick, the dog's 388 00:16:04,400 --> 00:16:04,960 Speaker 3: still in there. 389 00:16:05,080 --> 00:16:08,120 Speaker 5: He leaves his sister outside, runs back inside, gets the dog, 390 00:16:08,360 --> 00:16:10,760 Speaker 5: rescues the dog and his ten year old sister. And 391 00:16:10,800 --> 00:16:13,360 Speaker 5: when the dad gets back, of course he's upset. He's like, 392 00:16:13,400 --> 00:16:16,200 Speaker 5: what's happening to the house. The house is fully engulfed 393 00:16:16,200 --> 00:16:16,720 Speaker 5: at that point. 394 00:16:16,800 --> 00:16:17,680 Speaker 3: Wow, but he's. 395 00:16:17,560 --> 00:16:19,360 Speaker 5: Said, but you know what, the dad was happy anyway 396 00:16:19,400 --> 00:16:20,680 Speaker 5: because his son saved. 397 00:16:20,440 --> 00:16:21,080 Speaker 3: The whole family. 398 00:16:21,360 --> 00:16:23,680 Speaker 2: Boy, there's a point where you have to change your 399 00:16:23,720 --> 00:16:28,040 Speaker 2: mind and go, all right, I can't put this out 400 00:16:28,400 --> 00:16:30,600 Speaker 2: and I'm probably gonna get in trouble or it's gonna 401 00:16:30,600 --> 00:16:33,080 Speaker 2: feel like trouble, and I gotta go save people instead. 402 00:16:34,000 --> 00:16:36,640 Speaker 2: And that's a that's that's just give that's just given 403 00:16:36,680 --> 00:16:39,400 Speaker 2: in right, and to just go I can't, I can't. 404 00:16:39,480 --> 00:16:41,200 Speaker 3: I messed up. I gotta cut my losses and go 405 00:16:41,240 --> 00:16:41,760 Speaker 3: save people. 406 00:16:41,800 --> 00:16:44,280 Speaker 5: And the idea of like once you're out with your sister, 407 00:16:44,400 --> 00:16:45,840 Speaker 5: like I gotta go back in the dog. 408 00:16:46,520 --> 00:16:49,000 Speaker 2: That's tough. I'm looking at it. Yeah, it's not good, 409 00:16:49,480 --> 00:16:52,920 Speaker 2: but people lived. So do you have any fire conversations 410 00:16:52,960 --> 00:16:53,520 Speaker 2: with your kids? 411 00:16:53,600 --> 00:16:55,760 Speaker 5: Yeah, we have a whole fire escape route that's on 412 00:16:55,800 --> 00:16:58,920 Speaker 5: the refrigerator. And then all the boys that are sleeping upstairs, 413 00:16:58,920 --> 00:17:01,080 Speaker 5: they have these ladders they hang out of their rooms. 414 00:17:01,680 --> 00:17:02,520 Speaker 3: That always hang out. 415 00:17:02,600 --> 00:17:04,560 Speaker 5: Now that's in their closets, so I've already teach I 416 00:17:04,560 --> 00:17:06,480 Speaker 5: already taught him how to buckle. 417 00:17:06,280 --> 00:17:07,639 Speaker 3: It and put it on the window. That's how you 418 00:17:07,640 --> 00:17:09,320 Speaker 3: can get out. You also know they're going to be 419 00:17:09,400 --> 00:17:10,800 Speaker 3: leaving the house sneaking out. 420 00:17:11,000 --> 00:17:13,080 Speaker 2: They want to get out using those I know what 421 00:17:13,080 --> 00:17:16,200 Speaker 2: it looks like when it comes apart. Good story. Thanks 422 00:17:16,200 --> 00:17:18,439 Speaker 2: for sharing. Talk to your kids about this. If you're listening, 423 00:17:18,440 --> 00:17:20,160 Speaker 2: all right, there you go. That's what it's all about. 424 00:17:20,720 --> 00:17:22,480 Speaker 4: That was telling me something good. 425 00:17:25,080 --> 00:17:27,879 Speaker 3: On the Bobby Bones Show. Now, could to see a 426 00:17:27,880 --> 00:17:29,680 Speaker 3: buddy you too? How's life good? 427 00:17:30,200 --> 00:17:31,679 Speaker 2: Do you just get random calls going, hey, you know 428 00:17:31,720 --> 00:17:33,119 Speaker 2: the song just wrote, We just cut it and it's 429 00:17:33,200 --> 00:17:34,679 Speaker 2: number one out of nowhere. That's what it feels like 430 00:17:34,680 --> 00:17:37,840 Speaker 2: it's happening for you sometimes. Yeah, remember this song you 431 00:17:37,840 --> 00:17:39,120 Speaker 2: wrote a year and a half ago. Well, this person 432 00:17:39,160 --> 00:17:41,200 Speaker 2: cut it, it's gonna be on the record. Does that happen randomly? 433 00:17:41,400 --> 00:17:41,600 Speaker 1: Yeah? 434 00:17:41,840 --> 00:17:46,280 Speaker 14: Yesterday my Tanner, who's my content guy, uh shot a 435 00:17:46,359 --> 00:17:48,280 Speaker 14: music video and he and I was like, how's it going? 436 00:17:48,320 --> 00:17:51,800 Speaker 15: And he sent me the a clip of like their 437 00:17:51,920 --> 00:17:53,879 Speaker 15: shooting music video? And I was like, oh, I wrote that. 438 00:17:53,880 --> 00:17:55,399 Speaker 15: I wrote that song and I didn't. I didn't even 439 00:17:55,480 --> 00:17:56,760 Speaker 15: know like what they. 440 00:17:56,640 --> 00:17:58,879 Speaker 2: Were shooting a video or that the guy starting So 441 00:17:59,359 --> 00:18:01,600 Speaker 2: I mean it feels like, you know, you move to 442 00:18:01,600 --> 00:18:05,159 Speaker 2: town and you're obviously an artist at the time that 443 00:18:05,280 --> 00:18:08,479 Speaker 2: is so different. But it's what's happened so many times, 444 00:18:08,520 --> 00:18:10,560 Speaker 2: just in my version of Nashville, is that the people 445 00:18:10,560 --> 00:18:13,480 Speaker 2: that are so different end up making creating the path 446 00:18:13,560 --> 00:18:15,800 Speaker 2: for everybody else later to come in and do what 447 00:18:15,840 --> 00:18:18,520 Speaker 2: they're doing. Meaning you have a style that isn't really 448 00:18:18,600 --> 00:18:22,040 Speaker 2: one element and we all actually live those lives. But 449 00:18:22,280 --> 00:18:24,119 Speaker 2: until there's a group of you guys that came that said, hey, 450 00:18:24,119 --> 00:18:27,040 Speaker 2: we're actually a little multifaceted. Now it's pretty common, but 451 00:18:27,040 --> 00:18:29,600 Speaker 2: I would credit you do a lot of that when 452 00:18:29,640 --> 00:18:32,159 Speaker 2: you write. Do you go down a certain road and 453 00:18:32,200 --> 00:18:34,080 Speaker 2: go we're gonna do rock, We're gonna do country, or 454 00:18:34,080 --> 00:18:35,399 Speaker 2: do you just take whatever you write and then go 455 00:18:35,480 --> 00:18:35,920 Speaker 2: this is that. 456 00:18:36,240 --> 00:18:40,199 Speaker 14: Now it's a little more thought out, I think in 457 00:18:40,240 --> 00:18:43,320 Speaker 14: the writing room, especially like if it's for me, Like 458 00:18:43,359 --> 00:18:45,359 Speaker 14: if we're writing a song for me that day, like 459 00:18:45,480 --> 00:18:48,840 Speaker 14: I'll I'll come in and be like and it's just different. 460 00:18:48,880 --> 00:18:50,679 Speaker 14: Like the track guys and stuff these days, like some 461 00:18:50,680 --> 00:18:52,560 Speaker 14: guys will have rock tracks like Pulled Up or whatever. 462 00:18:52,880 --> 00:18:56,200 Speaker 14: But usually if it's a rock thing, it's like, Okay, 463 00:18:56,200 --> 00:18:58,720 Speaker 14: we're writing a rock song today, and this is the idea. 464 00:18:59,040 --> 00:19:00,640 Speaker 3: Was it always like that though? No? 465 00:19:00,480 --> 00:19:01,280 Speaker 15: No, definitely not. 466 00:19:02,119 --> 00:19:03,920 Speaker 14: I mean, dude, no, For eight years, eight or nine, 467 00:19:04,000 --> 00:19:07,800 Speaker 14: ten years, I was just trying to just do something 468 00:19:07,840 --> 00:19:10,760 Speaker 14: cool and like write literally whatever though no, I mean 469 00:19:11,160 --> 00:19:15,040 Speaker 14: just whatever the coolest idea or vibe or whatever is 470 00:19:15,040 --> 00:19:15,840 Speaker 14: in the room that day. 471 00:19:15,840 --> 00:19:18,040 Speaker 15: It's just what we wrote. And I typically still do. 472 00:19:18,040 --> 00:19:20,679 Speaker 14: That unless I have like an adamant about an idea, 473 00:19:20,760 --> 00:19:22,760 Speaker 14: and these days, if it's like for something that I 474 00:19:22,760 --> 00:19:23,359 Speaker 14: would cut. 475 00:19:23,440 --> 00:19:26,240 Speaker 2: But what would in the first Let's say that you're 476 00:19:26,480 --> 00:19:29,359 Speaker 2: three through six, when you're a songwriter and you're just 477 00:19:29,480 --> 00:19:31,520 Speaker 2: kind of getting your feet under you, what kind of 478 00:19:31,520 --> 00:19:33,399 Speaker 2: texture was assigned to you as a writer? Was like 479 00:19:33,400 --> 00:19:35,840 Speaker 2: you could write with Hardy Is before you had any 480 00:19:36,000 --> 00:19:38,320 Speaker 2: like massive, massive success. But are they like Hardy kind 481 00:19:38,320 --> 00:19:39,680 Speaker 2: of leans on the rock. If you want to write 482 00:19:39,680 --> 00:19:41,000 Speaker 2: with Hardy, he kind of writes a certain way. 483 00:19:41,680 --> 00:19:46,000 Speaker 14: I don't know if that came until until like my 484 00:19:46,240 --> 00:19:50,080 Speaker 14: first record came out almost you know, and they. 485 00:19:50,000 --> 00:19:52,760 Speaker 3: Started to know who you were as you presented yourself. 486 00:19:52,760 --> 00:19:54,439 Speaker 15: When I started to kind of know who I was 487 00:19:55,840 --> 00:19:56,240 Speaker 15: before that. 488 00:19:56,320 --> 00:19:57,800 Speaker 14: I mean, I guess i'd have to go listen to 489 00:19:57,840 --> 00:20:00,560 Speaker 14: like old demos and stuff. But me and a lot 490 00:20:00,560 --> 00:20:02,159 Speaker 14: of my buddies that I like cut my teeth on 491 00:20:02,200 --> 00:20:04,040 Speaker 14: like coming up and writing songs, we all loved rock 492 00:20:04,080 --> 00:20:05,520 Speaker 14: and roll. So I'm sure a lot of that stuff 493 00:20:05,560 --> 00:20:07,880 Speaker 14: had like a an edge to it, But I really 494 00:20:07,880 --> 00:20:09,840 Speaker 14: don't think I leaned into it until, like I put 495 00:20:09,840 --> 00:20:13,600 Speaker 14: an EP out My first thing was in twenty eighteen, 496 00:20:14,200 --> 00:20:16,920 Speaker 14: and that had that was like it's like Rednecker was 497 00:20:16,960 --> 00:20:18,000 Speaker 14: on that, but there's a song called. 498 00:20:17,920 --> 00:20:20,120 Speaker 15: Four by four which is like a heavier song. 499 00:20:20,160 --> 00:20:24,119 Speaker 14: And that's when I really like just started embracing that 500 00:20:24,200 --> 00:20:27,080 Speaker 14: part of myself. I think was like when I signed 501 00:20:27,080 --> 00:20:29,000 Speaker 14: a record deal and started putting it out on my own. 502 00:20:29,240 --> 00:20:31,480 Speaker 2: Based on where you come from, being from Mississippi and 503 00:20:31,560 --> 00:20:33,440 Speaker 2: Upper Markets, all the classic rock was a massive part 504 00:20:33,480 --> 00:20:36,600 Speaker 2: of my growing up totally. Like that also was a 505 00:20:36,600 --> 00:20:38,840 Speaker 2: big part of that. Classic rock was country today even 506 00:20:39,640 --> 00:20:40,879 Speaker 2: you know when you look at like the Eagles and 507 00:20:40,880 --> 00:20:41,280 Speaker 2: they kind. 508 00:20:41,160 --> 00:20:42,760 Speaker 15: Of worked Steve Miller band stuff like that. 509 00:20:42,840 --> 00:20:45,560 Speaker 2: A lot of that, Yeah, But how did that influence 510 00:20:45,600 --> 00:20:47,679 Speaker 2: who you were musically? Being from a place where I'm 511 00:20:47,680 --> 00:20:48,919 Speaker 2: sure classic rock was massive. 512 00:20:49,040 --> 00:20:50,000 Speaker 15: Yeah, it was huge. 513 00:20:50,080 --> 00:20:53,040 Speaker 14: I mean one of six point seven it was in 514 00:20:53,119 --> 00:20:56,880 Speaker 14: Jackson still is uh we that was the only classic 515 00:20:56,920 --> 00:20:59,720 Speaker 14: rock station we could pick up. And my I mean 516 00:20:59,720 --> 00:21:03,439 Speaker 14: I my dad from the time I was like I 517 00:21:03,440 --> 00:21:05,840 Speaker 14: don't even know three years old, was just like beating 518 00:21:05,880 --> 00:21:08,639 Speaker 14: that into my brain, like all that stuff. 519 00:21:08,720 --> 00:21:09,640 Speaker 3: Yeah. 520 00:21:09,800 --> 00:21:12,920 Speaker 15: I remember my like, I mean, it was like out 521 00:21:12,960 --> 00:21:13,440 Speaker 15: of a movie. 522 00:21:13,440 --> 00:21:15,600 Speaker 14: He had a cassette and I was I don't I 523 00:21:15,640 --> 00:21:17,520 Speaker 14: had I was so young, but I remember this and 524 00:21:17,520 --> 00:21:19,120 Speaker 14: he was like, check this out. This is a band 525 00:21:19,160 --> 00:21:20,879 Speaker 14: called Pearl Jam And he put the cassette in the 526 00:21:21,440 --> 00:21:24,960 Speaker 14: in the thing in the truck and Alive was like 527 00:21:25,000 --> 00:21:27,119 Speaker 14: the first song. And back then that wasn't a classic 528 00:21:27,200 --> 00:21:28,879 Speaker 14: rock song, but just rock and roll in general. I 529 00:21:28,960 --> 00:21:31,199 Speaker 14: mean I had no choice but to love rock and 530 00:21:31,240 --> 00:21:33,119 Speaker 14: roll because my dad instilled it in me when I 531 00:21:33,119 --> 00:21:33,760 Speaker 14: was really young. 532 00:21:34,640 --> 00:21:39,240 Speaker 2: The generation that had country music but also had digital media, 533 00:21:39,760 --> 00:21:42,800 Speaker 2: which is you know, I was in the napster world. Yeah, 534 00:21:42,840 --> 00:21:46,160 Speaker 2: and so you would see everybody be influenced by things 535 00:21:46,160 --> 00:21:49,120 Speaker 2: that really that area of the country maybe weren't influenced 536 00:21:49,119 --> 00:21:51,879 Speaker 2: by prior. So a lot of the older school country 537 00:21:51,920 --> 00:21:54,359 Speaker 2: folks like, that's not country. It's because really what they 538 00:21:54,359 --> 00:21:59,000 Speaker 2: were offered geographically, yeah, by radio, by what they were selling. 539 00:21:59,160 --> 00:22:02,840 Speaker 2: But it all changed once digital media was allowed to 540 00:22:02,840 --> 00:22:04,879 Speaker 2: be consumed. So you'd have somebody like me to grow 541 00:22:04,960 --> 00:22:06,359 Speaker 2: up country music. But I was like, Okay, now it's 542 00:22:06,359 --> 00:22:08,760 Speaker 2: time for limbiscuit. Now it's time for you know, the 543 00:22:08,800 --> 00:22:11,719 Speaker 2: old snoops. So it didn't make you less country, it 544 00:22:11,760 --> 00:22:12,959 Speaker 2: just made you have you got a computer. 545 00:22:13,200 --> 00:22:15,080 Speaker 3: Yeah, and that was the difference. 546 00:22:15,119 --> 00:22:17,640 Speaker 2: And now you're seeing that generation of like now run 547 00:22:17,680 --> 00:22:19,720 Speaker 2: the format, but you still have the old heads going, yeah, 548 00:22:20,000 --> 00:22:20,720 Speaker 2: that's true. 549 00:22:20,600 --> 00:22:21,159 Speaker 15: That's wild. 550 00:22:21,560 --> 00:22:23,399 Speaker 14: I mean, I remember I've told people this, but like 551 00:22:24,200 --> 00:22:26,560 Speaker 14: I was born in nineteen ninety, but I feel like 552 00:22:27,520 --> 00:22:29,680 Speaker 14: right around like people born around them were the last 553 00:22:29,680 --> 00:22:32,800 Speaker 14: generation to know what it felt like to not have 554 00:22:32,880 --> 00:22:35,320 Speaker 14: access to a song until the next time they heard 555 00:22:35,359 --> 00:22:37,879 Speaker 14: it on the radio, which was like the coolest feeling 556 00:22:37,880 --> 00:22:39,600 Speaker 14: in the world. It was like it was like drugs 557 00:22:39,680 --> 00:22:41,600 Speaker 14: or something that you just like you waited for it 558 00:22:41,600 --> 00:22:42,920 Speaker 14: and waited for it, and then you finally got to 559 00:22:42,960 --> 00:22:45,520 Speaker 14: hear it unless you you know, your parents or you 560 00:22:45,640 --> 00:22:47,800 Speaker 14: or whoever bought it, you know, on a CD or 561 00:22:47,840 --> 00:22:50,959 Speaker 14: a cassette or whatever. But man, you're right about that, 562 00:22:51,040 --> 00:22:53,120 Speaker 14: and it's it's crazy to think that people will never 563 00:22:53,200 --> 00:22:57,560 Speaker 14: know what it's like to only be cornered into hearing 564 00:22:57,600 --> 00:23:00,320 Speaker 14: a certain you know, genre or just a certain. 565 00:23:00,280 --> 00:23:01,280 Speaker 15: Group of music. 566 00:23:01,320 --> 00:23:03,960 Speaker 14: It's wild how how much the Internet that it just 567 00:23:04,000 --> 00:23:05,680 Speaker 14: blew those doors open forever. 568 00:23:05,760 --> 00:23:07,679 Speaker 2: And I think, you know, whatever the divide is of 569 00:23:07,960 --> 00:23:10,680 Speaker 2: and God, I hate it because it's just been proven wrong. 570 00:23:10,720 --> 00:23:13,600 Speaker 2: Every generation, every cycle of what's country and what isn't 571 00:23:13,880 --> 00:23:16,840 Speaker 2: there's always been some sort of medium that has allowed 572 00:23:16,840 --> 00:23:19,640 Speaker 2: that to change. If it's vinyl or CDs we get 573 00:23:19,640 --> 00:23:22,159 Speaker 2: more songs on it now or but digital media was 574 00:23:22,200 --> 00:23:26,280 Speaker 2: when people started to have influences. And if people in 575 00:23:26,320 --> 00:23:28,560 Speaker 2: the forties had digital media, they'd be influenced as well. 576 00:23:28,600 --> 00:23:30,920 Speaker 2: They just didn't happen to have it then. And that's 577 00:23:30,960 --> 00:23:33,240 Speaker 2: the version that we had of country music at that point. 578 00:23:33,320 --> 00:23:34,720 Speaker 2: I spent a lot way too much time thinking about it. 579 00:23:34,720 --> 00:23:36,879 Speaker 15: No so do I mean I always thought like who 580 00:23:37,160 --> 00:23:39,640 Speaker 15: who made the rule? Like what where? Where's the rule 581 00:23:39,640 --> 00:23:41,520 Speaker 15: book on what is anything? 582 00:23:41,560 --> 00:23:43,200 Speaker 14: When it comes to like a genre, and of course 583 00:23:43,240 --> 00:23:48,640 Speaker 14: there are certain things, but country it's like it's country, 584 00:23:49,280 --> 00:23:55,359 Speaker 14: like it's just there's no like true definition of country 585 00:23:55,440 --> 00:23:57,040 Speaker 14: music to me, I don't know. And I used to 586 00:23:57,040 --> 00:23:59,000 Speaker 14: be I used to be the opposite of that. I 587 00:23:59,080 --> 00:24:01,280 Speaker 14: used to be like a the guy that was like 588 00:24:01,320 --> 00:24:02,639 Speaker 14: it has to be like this, or it has to 589 00:24:02,640 --> 00:24:04,080 Speaker 14: sound like this, or it's not country. 590 00:24:04,080 --> 00:24:07,800 Speaker 15: But I don't know. I just the older I get 591 00:24:07,840 --> 00:24:08,600 Speaker 15: and the more I write. 592 00:24:08,440 --> 00:24:12,040 Speaker 14: Music, I I'm very adamant that music just doesn't have 593 00:24:12,160 --> 00:24:15,160 Speaker 14: rules and there they shouldn't be enforced or even talk. 594 00:24:15,240 --> 00:24:17,040 Speaker 14: I mean you can talk about it, I guess, but 595 00:24:18,080 --> 00:24:19,840 Speaker 14: just I don't know. Do what you do, and you 596 00:24:19,840 --> 00:24:21,280 Speaker 14: don't have to call it anything if you don't want to. 597 00:24:21,440 --> 00:24:23,520 Speaker 14: It's art, right, Yeah, in the end, that's all it is. 598 00:24:23,680 --> 00:24:25,439 Speaker 14: If country music, and you could put any you can 599 00:24:25,480 --> 00:24:27,200 Speaker 14: put any kind of music on. But if country music 600 00:24:27,240 --> 00:24:28,560 Speaker 14: stays stagnant, it would die. 601 00:24:29,000 --> 00:24:31,640 Speaker 3: Yeah, with any style of art. 602 00:24:31,680 --> 00:24:35,120 Speaker 2: If it just stays exactly the same, Yeah, nobody's going 603 00:24:35,160 --> 00:24:36,960 Speaker 2: to want to consume it unless it's in the novelty 604 00:24:37,000 --> 00:24:39,640 Speaker 2: way of like we're going to listen to the old school. Yeah, 605 00:24:39,680 --> 00:24:43,720 Speaker 2: so you almost you need people pushing, and you also 606 00:24:43,760 --> 00:24:45,440 Speaker 2: need the people going with any country, you need. 607 00:24:45,280 --> 00:24:46,560 Speaker 3: That battle for it to grow. 608 00:24:46,640 --> 00:24:47,840 Speaker 15: Yeah, that's true, because. 609 00:24:47,600 --> 00:24:49,800 Speaker 2: Otherwise they would run so wild it wouldn't matter. But 610 00:24:50,320 --> 00:24:51,960 Speaker 2: in the end, the person who is consuming the media 611 00:24:51,960 --> 00:24:53,520 Speaker 2: and paying for the media and paying to go to shows, 612 00:24:53,560 --> 00:24:55,000 Speaker 2: they get to decide yeah. 613 00:24:54,960 --> 00:24:55,679 Speaker 15: That No, you're right. 614 00:24:55,720 --> 00:24:58,040 Speaker 14: The people buying the music are the only people that 615 00:24:58,160 --> 00:25:01,560 Speaker 14: I feel like get to just yeah. 616 00:25:00,960 --> 00:25:03,159 Speaker 2: And everybody gets to have their own it's country, it's 617 00:25:03,200 --> 00:25:03,960 Speaker 2: not country who cares. 618 00:25:04,040 --> 00:25:04,680 Speaker 3: Yeah. 619 00:25:04,720 --> 00:25:07,240 Speaker 2: So I got a couple questions that we've talked about 620 00:25:07,280 --> 00:25:09,320 Speaker 2: on the show. Number one, you're what's up with your 621 00:25:09,320 --> 00:25:09,800 Speaker 2: tour name? 622 00:25:10,440 --> 00:25:12,760 Speaker 3: Quit or quit? Like, what is it quit? 623 00:25:12,880 --> 00:25:15,360 Speaker 15: Do you know that it's yeah with two exclamation. 624 00:25:15,000 --> 00:25:16,520 Speaker 3: Yeah, that's why it's like quick we have a call, 625 00:25:16,680 --> 00:25:17,760 Speaker 3: like when we talk about. 626 00:25:17,560 --> 00:25:18,719 Speaker 15: It, do you know that story? 627 00:25:18,800 --> 00:25:20,200 Speaker 3: Have you heard that from you? 628 00:25:20,520 --> 00:25:22,200 Speaker 15: For just I don't know. It kind of went viral 629 00:25:22,320 --> 00:25:23,200 Speaker 15: on the internet. 630 00:25:22,960 --> 00:25:24,080 Speaker 3: I don't know what tell to me. 631 00:25:24,520 --> 00:25:29,000 Speaker 14: In twenty fifteen, I was playing in like the songwriter 632 00:25:29,119 --> 00:25:33,520 Speaker 14: room of the Florabama with like three of my buddies, 633 00:25:33,520 --> 00:25:35,040 Speaker 14: and none of us had any hits, but we were 634 00:25:35,040 --> 00:25:37,800 Speaker 14: playing like original songs that we had written, and we 635 00:25:37,840 --> 00:25:40,280 Speaker 14: had a tip jar and somebody at the end of 636 00:25:40,320 --> 00:25:42,520 Speaker 14: the night we emptied the tip jar. And somebody on 637 00:25:42,560 --> 00:25:45,760 Speaker 14: a bar napkin had written quit and like two exclamation 638 00:25:45,840 --> 00:25:49,520 Speaker 14: points and yeah, and that was my reaction, like I laughed, 639 00:25:49,560 --> 00:25:52,840 Speaker 14: like you know, and but I held on to it. 640 00:25:53,080 --> 00:25:55,199 Speaker 14: I like stuck it in my pocket, and you know, 641 00:25:56,720 --> 00:25:58,560 Speaker 14: God knows how it made it back to Nashville. 642 00:25:58,640 --> 00:26:00,959 Speaker 15: And it's literally a napkin, a cheap one at that 643 00:26:01,080 --> 00:26:02,000 Speaker 15: like a you know what I mean. 644 00:26:02,480 --> 00:26:06,440 Speaker 14: And I I had a map at back in the 645 00:26:06,520 --> 00:26:09,240 Speaker 14: day and where I put like push pins in every city, 646 00:26:09,280 --> 00:26:10,800 Speaker 14: and that like was like I threw it away because 647 00:26:10,960 --> 00:26:12,120 Speaker 14: once you been you know how that is, like, once 648 00:26:12,119 --> 00:26:14,240 Speaker 14: you've been everywhere, there's no you know, there's no point 649 00:26:14,280 --> 00:26:15,000 Speaker 14: in having one anymore. 650 00:26:15,000 --> 00:26:16,520 Speaker 15: But I and that napkin. 651 00:26:16,560 --> 00:26:18,080 Speaker 14: I just when I got back, I stuck it on 652 00:26:18,160 --> 00:26:21,840 Speaker 14: there and to this day, I I have it and 653 00:26:21,880 --> 00:26:25,280 Speaker 14: now I just it sits on all of my awards 654 00:26:25,320 --> 00:26:27,840 Speaker 14: that I've won. And so I put a song out 655 00:26:27,880 --> 00:26:31,160 Speaker 14: called quit that's kind of like spoken word rap ish 656 00:26:31,280 --> 00:26:35,160 Speaker 14: type thing, and uh, it's gonna be the title track 657 00:26:35,160 --> 00:26:36,040 Speaker 14: of my next record. 658 00:26:36,160 --> 00:26:36,679 Speaker 15: Can I say this? 659 00:26:36,720 --> 00:26:38,720 Speaker 14: I guess I can say this. The album is gonna 660 00:26:38,720 --> 00:26:40,840 Speaker 14: be it's a square napkins. So it's good. The album 661 00:26:40,960 --> 00:26:42,960 Speaker 14: is just the napkin, And. 662 00:26:43,480 --> 00:26:44,840 Speaker 3: What do you mean the album is just the napkins? 663 00:26:44,920 --> 00:26:47,439 Speaker 14: So that the square like if it were a vinyl. Yeah, 664 00:26:47,560 --> 00:26:50,920 Speaker 14: it's just an exact like picture of the napkin. So 665 00:26:50,960 --> 00:26:54,280 Speaker 14: that's cool. So we're just chasing that theme for the 666 00:26:54,359 --> 00:26:56,480 Speaker 14: year of Quit. So so it's the actual So the 667 00:26:56,560 --> 00:26:59,639 Speaker 14: way that they wrote it was U I t it 668 00:26:59,760 --> 00:27:02,440 Speaker 14: just the art is the song itself to exclamations? 669 00:27:02,480 --> 00:27:04,320 Speaker 3: Okay, well my question was too. 670 00:27:04,320 --> 00:27:05,760 Speaker 2: We're talking about the tour and we're like, how do 671 00:27:05,800 --> 00:27:07,399 Speaker 2: we say, hey, check them out on quit or check 672 00:27:07,440 --> 00:27:09,520 Speaker 2: them out on quit. We didn't know how she should say, 673 00:27:09,560 --> 00:27:12,280 Speaker 2: like the quit tour or you ulamations? 674 00:27:12,680 --> 00:27:15,040 Speaker 15: Yeah, okay, just get Scuba Steve to scream it. 675 00:27:15,119 --> 00:27:16,000 Speaker 3: Dude. Have you heard that? 676 00:27:16,240 --> 00:27:17,800 Speaker 15: Yeah? I thought it was great. 677 00:27:18,040 --> 00:27:21,119 Speaker 2: Aside from knowing he's here, if someone just sent you 678 00:27:21,119 --> 00:27:22,320 Speaker 2: that you didn't know, would you think that was that 679 00:27:22,359 --> 00:27:22,720 Speaker 2: was cool? 680 00:27:22,920 --> 00:27:25,080 Speaker 15: Absolutely? I love metal though, so. 681 00:27:25,280 --> 00:27:28,560 Speaker 7: But like, if you've ever screamed at your shows in 682 00:27:28,600 --> 00:27:29,440 Speaker 7: any way, shape. 683 00:27:29,240 --> 00:27:32,239 Speaker 14: Or form, like yeah, like screamos, I should probably come 684 00:27:32,280 --> 00:27:33,440 Speaker 14: to a show I've seen you. 685 00:27:33,680 --> 00:27:35,560 Speaker 6: Oh no, but I mean like that. 686 00:27:36,200 --> 00:27:39,560 Speaker 15: Yeah, we're doing it now, man, We're doing the thing. 687 00:27:39,600 --> 00:27:41,200 Speaker 2: Now you can't do the thing where it's like you 688 00:27:41,200 --> 00:27:42,600 Speaker 2: should come do it. How many shows of mine you've 689 00:27:42,600 --> 00:27:42,760 Speaker 2: been to? 690 00:27:43,359 --> 00:27:46,040 Speaker 3: Yeah, I mean exactly. We're both working. 691 00:27:46,119 --> 00:27:46,320 Speaker 1: Man. 692 00:27:46,320 --> 00:27:48,359 Speaker 15: I've been in this room five times. You've been to 693 00:27:48,440 --> 00:27:49,240 Speaker 15: five on my shows. 694 00:27:49,800 --> 00:27:50,160 Speaker 7: This room. 695 00:27:50,200 --> 00:27:51,760 Speaker 3: This isn't count. You're getting promotion here too. 696 00:27:52,560 --> 00:27:54,240 Speaker 15: Well, this is about promotion, sure it is. 697 00:27:54,400 --> 00:27:56,239 Speaker 3: You know why you're in because you're promoting truck Bed 698 00:27:56,320 --> 00:27:58,280 Speaker 3: going number one. That's what they told me. And the 699 00:27:58,400 --> 00:27:59,800 Speaker 3: quit Yeah, and the quit tour. 700 00:28:00,000 --> 00:28:00,680 Speaker 15: That's very true. 701 00:28:02,440 --> 00:28:04,480 Speaker 3: So this is like equal trade true. So I'm just 702 00:28:04,480 --> 00:28:05,360 Speaker 3: saying yeah, yeah, yeah. 703 00:28:05,359 --> 00:28:05,399 Speaker 9: No. 704 00:28:05,440 --> 00:28:08,320 Speaker 14: What I'm just saying like, yeah, I scream a lot now, 705 00:28:08,600 --> 00:28:10,600 Speaker 14: Like I have a rock single out called rock Star, 706 00:28:10,720 --> 00:28:12,960 Speaker 14: and it's like pretty much a matter. 707 00:28:13,040 --> 00:28:16,639 Speaker 15: It's pretty much what we just listened to is that next. 708 00:28:17,000 --> 00:28:19,680 Speaker 3: Uh, you're doing a full rock record next Yeah, that's cool. 709 00:28:19,760 --> 00:28:22,240 Speaker 15: That's the quit record is a rock record. 710 00:28:22,600 --> 00:28:24,600 Speaker 2: Nothing on it that he even could be considered Like 711 00:28:24,600 --> 00:28:25,760 Speaker 2: if I was like, man, this song. 712 00:28:25,760 --> 00:28:27,600 Speaker 15: No, we won't work a song to country radio. 713 00:28:27,680 --> 00:28:29,080 Speaker 2: Now about working though, What if I was like, man, 714 00:28:29,119 --> 00:28:30,719 Speaker 2: this one I could play and people would like it. 715 00:28:30,800 --> 00:28:32,520 Speaker 15: I'm sure because there's a lot of good songs on it. 716 00:28:32,600 --> 00:28:34,960 Speaker 3: But but are they all are they all hard hard? 717 00:28:36,040 --> 00:28:36,359 Speaker 4: Yeah? 718 00:28:36,400 --> 00:28:39,760 Speaker 2: Okay, that's all, yeah, all right, everything else can Yeah, 719 00:28:39,760 --> 00:28:40,239 Speaker 2: I'm good man. 720 00:28:40,440 --> 00:28:41,600 Speaker 3: I'll let you know what I'm playing on the show. 721 00:28:41,600 --> 00:28:42,920 Speaker 3: You come up, you come on, I'll come to your show. 722 00:28:42,920 --> 00:28:44,280 Speaker 15: All right, cool show? 723 00:28:44,320 --> 00:28:46,480 Speaker 2: So well, I've seen him play, but he's like, yeah, 724 00:28:46,480 --> 00:28:48,560 Speaker 2: I've been to a show I'm like called Tremonlfrair. 725 00:28:48,600 --> 00:28:49,320 Speaker 3: You've been to my show. 726 00:28:49,560 --> 00:28:50,960 Speaker 15: But this year, you play a lot more shows than 727 00:28:51,000 --> 00:28:52,120 Speaker 15: you do. Come on, come may break. 728 00:28:52,760 --> 00:28:54,120 Speaker 3: I don't know how many shows you play a year. 729 00:28:54,440 --> 00:28:56,280 Speaker 15: I was around eighty a year. I just cut it 730 00:28:56,320 --> 00:28:57,320 Speaker 15: back to thirty this year. 731 00:28:58,080 --> 00:29:01,920 Speaker 2: I probably did fifty. But doing TV as well, probably 732 00:29:01,960 --> 00:29:02,560 Speaker 2: pretty close. 733 00:29:03,400 --> 00:29:04,400 Speaker 6: It's not a competition. 734 00:29:05,040 --> 00:29:06,120 Speaker 3: He made it a competition. 735 00:29:08,680 --> 00:29:12,080 Speaker 7: I mean, I I have always been entertained by your performance. 736 00:29:12,640 --> 00:29:16,000 Speaker 7: I'm even more intrigued screaming. 737 00:29:16,160 --> 00:29:18,440 Speaker 15: It's that's a huge concern of mine. 738 00:29:18,440 --> 00:29:19,800 Speaker 2: I did a bit trying to scream like that, just 739 00:29:19,800 --> 00:29:21,960 Speaker 2: for just for a second, and it hurt. I was 740 00:29:22,040 --> 00:29:23,160 Speaker 2: gone for like six hours. 741 00:29:23,280 --> 00:29:25,160 Speaker 14: There's a way to do it, like, and I've never 742 00:29:25,200 --> 00:29:27,920 Speaker 14: gone to like the coach or whatever. But you it's 743 00:29:28,000 --> 00:29:32,960 Speaker 14: you push from like really deep. Yeah wow, yeah, There's 744 00:29:33,000 --> 00:29:35,960 Speaker 14: one woman and I bet Steve that she lives in Florida. 745 00:29:36,160 --> 00:29:38,320 Speaker 15: Do you know her name? She's like an older lady. 746 00:29:38,320 --> 00:29:40,520 Speaker 15: She's been doing, she's done like everybody. 747 00:29:41,840 --> 00:29:44,640 Speaker 3: Self taught you get the ear. 748 00:29:45,120 --> 00:29:46,840 Speaker 15: She she teaches you not to blow out your voice. 749 00:29:46,840 --> 00:29:47,960 Speaker 15: But I will say, like. 750 00:29:50,200 --> 00:29:54,000 Speaker 14: It since I've started screaming and shows my voice like 751 00:29:54,200 --> 00:29:57,560 Speaker 14: it's it scares me because like the next weekend it'll 752 00:29:57,560 --> 00:29:59,000 Speaker 14: be weaker, and it's like constantly weaker. 753 00:29:59,120 --> 00:30:02,560 Speaker 2: Are you having to go to do the physically responsible 754 00:30:02,600 --> 00:30:04,520 Speaker 2: things more so now because you're asking more from your 755 00:30:04,520 --> 00:30:05,840 Speaker 2: body or you still. 756 00:30:05,720 --> 00:30:08,960 Speaker 14: You mean, like like yeah, more of that for. 757 00:30:08,920 --> 00:30:11,560 Speaker 2: Sure, because you can do that, but only for a 758 00:30:11,600 --> 00:30:12,920 Speaker 2: bit of time and then you blow it out and 759 00:30:12,920 --> 00:30:15,000 Speaker 2: then you can't perform to the same level. 760 00:30:15,160 --> 00:30:16,240 Speaker 3: Yeah, that is. 761 00:30:16,280 --> 00:30:18,880 Speaker 14: Usually like the Saturday Night show, I'm like freaking out, 762 00:30:19,040 --> 00:30:21,480 Speaker 14: even if I like have behaved all weekend and like 763 00:30:21,560 --> 00:30:23,360 Speaker 14: going to bed and not like talked over a crowd 764 00:30:23,400 --> 00:30:24,000 Speaker 14: and stuff like that. 765 00:30:24,040 --> 00:30:26,320 Speaker 2: After I mean, even like the lead singer syndrome in 766 00:30:26,360 --> 00:30:28,680 Speaker 2: a band where everybody else gets to go party, the 767 00:30:28,760 --> 00:30:30,840 Speaker 2: lead singer shouldn't as much because they have to if 768 00:30:30,880 --> 00:30:32,160 Speaker 2: they're down the whole band can't work. 769 00:30:32,360 --> 00:30:33,480 Speaker 3: Yeah, that's a real thing. 770 00:30:33,640 --> 00:30:36,880 Speaker 15: Yeah, I just saw Disturbed. What's his name, Danny Draymond? 771 00:30:37,000 --> 00:30:38,840 Speaker 3: Is that that's him? 772 00:30:38,920 --> 00:30:40,240 Speaker 15: Yeah, yeah, And he talked about that. 773 00:30:40,320 --> 00:30:42,880 Speaker 14: He's like he he said that it was like the 774 00:30:42,920 --> 00:30:44,680 Speaker 14: way he described it was like lonely. But he but 775 00:30:44,760 --> 00:30:47,040 Speaker 14: he made that that point, he was like, I have 776 00:30:47,080 --> 00:30:49,160 Speaker 14: to go like protect myself and everybody else gets to 777 00:30:49,200 --> 00:30:52,120 Speaker 14: go hang out because no, you know, you're right, like 778 00:30:52,160 --> 00:30:56,040 Speaker 14: if it's if there's no singer, you're done. Like you 779 00:30:56,040 --> 00:30:58,400 Speaker 14: could technically get away with like one less guitar player 780 00:30:58,480 --> 00:30:59,200 Speaker 14: or something like that. 781 00:30:59,280 --> 00:31:01,320 Speaker 15: But yeah, it's different when you're the lead singer. 782 00:31:01,360 --> 00:31:02,600 Speaker 3: It's different because we go to Vegas. 783 00:31:02,640 --> 00:31:04,320 Speaker 2: I'll go to bed early, but Lunchblox will stay aping 784 00:31:04,360 --> 00:31:05,880 Speaker 2: party all night and they come to the show like you 785 00:31:05,880 --> 00:31:07,120 Speaker 2: didn't even talk allergies. 786 00:31:07,200 --> 00:31:11,680 Speaker 3: Allergy Those Vegas allergies are bad. Yeah, Vegas allergies. 787 00:31:13,240 --> 00:31:13,600 Speaker 1: All right. 788 00:31:13,680 --> 00:31:17,640 Speaker 2: So truck Bed hopefully going number one this week. The 789 00:31:18,200 --> 00:31:22,040 Speaker 2: Quit Whole records coming out. Yeah, he's not here for promotion, man, 790 00:31:22,120 --> 00:31:22,800 Speaker 2: you can skip that. 791 00:31:23,320 --> 00:31:25,480 Speaker 3: You know. I demand he take it. I demand he 792 00:31:25,600 --> 00:31:25,920 Speaker 3: take it. 793 00:31:26,120 --> 00:31:30,360 Speaker 2: I mean the the the Dift tape. 794 00:31:30,600 --> 00:31:32,200 Speaker 3: Yeah, I was gonna say that the Hicks tape, but 795 00:31:32,240 --> 00:31:32,880 Speaker 3: it's a diff tape. 796 00:31:32,920 --> 00:31:35,000 Speaker 14: Yeah, it's it's like, yeah, it's a spin off r Yeah. 797 00:31:35,200 --> 00:31:38,360 Speaker 14: So that comes out at the end of UH. That 798 00:31:38,440 --> 00:31:39,040 Speaker 14: comes out this. 799 00:31:39,080 --> 00:31:40,840 Speaker 3: Month, and it's all Joe different songs. 800 00:31:40,960 --> 00:31:41,120 Speaker 2: Yeah. 801 00:31:41,120 --> 00:31:44,440 Speaker 14: Obviously with Dift tape, it's the original recordings with Joe's 802 00:31:44,520 --> 00:31:49,520 Speaker 14: voice on him and Joe's son Parker gave us his blessing, 803 00:31:49,560 --> 00:31:52,520 Speaker 14: their family's blessing to to strip those down, take some 804 00:31:52,600 --> 00:31:54,640 Speaker 14: of his vocals out, and have like, you know, features 805 00:31:54,640 --> 00:31:56,800 Speaker 14: come in, and it's it's gonna be the biggest Uh. 806 00:31:57,040 --> 00:31:57,480 Speaker 15: It's like the. 807 00:31:57,480 --> 00:31:59,360 Speaker 14: Biggest group of features that we've had, so a lot 808 00:31:59,400 --> 00:32:01,440 Speaker 14: of i mean, people really came together for that. 809 00:32:01,480 --> 00:32:02,280 Speaker 15: So it's really exciting. 810 00:32:02,320 --> 00:32:03,600 Speaker 3: What's post Malone like to hang out with? 811 00:32:04,440 --> 00:32:08,640 Speaker 15: He's like the coolest dude. He's like totally normal. Really, Yeah, 812 00:32:09,200 --> 00:32:09,920 Speaker 15: he's just a dude. 813 00:32:10,880 --> 00:32:13,720 Speaker 2: It's it's almost hard to believe it's the one because 814 00:32:13,760 --> 00:32:16,520 Speaker 2: he's so famous, and then two because the amount of 815 00:32:16,560 --> 00:32:18,240 Speaker 2: tattoos on his face, like this different kind of person, 816 00:32:18,240 --> 00:32:19,520 Speaker 2: the tattoos are faced that much. 817 00:32:19,720 --> 00:32:21,360 Speaker 15: Yeah, But I mean, like Jelly Row has him and 818 00:32:21,360 --> 00:32:22,200 Speaker 15: he's a good hang you know. 819 00:32:22,360 --> 00:32:24,320 Speaker 2: Jelly Roll is a good hang now, but he didn't 820 00:32:24,320 --> 00:32:25,640 Speaker 2: even tell you well like. 821 00:32:25,600 --> 00:32:29,160 Speaker 15: Back in the day when he got on Yah. Yeah, yeah, 822 00:32:29,160 --> 00:32:31,640 Speaker 15: it's true. Man. 823 00:32:31,800 --> 00:32:38,720 Speaker 14: I I cannot say enough how respectful and kind, thoughtful 824 00:32:39,080 --> 00:32:43,280 Speaker 14: post Malone is. It's it's mind blowing how just how 825 00:32:43,280 --> 00:32:46,240 Speaker 14: he's held himself together with the level of fame that 826 00:32:46,240 --> 00:32:47,960 Speaker 14: that he's had. 827 00:32:48,040 --> 00:32:49,920 Speaker 2: What about as an artist, because we watched him sing 828 00:32:49,960 --> 00:32:52,080 Speaker 2: America the Beautiful for the super Bowl. That was what 829 00:32:52,120 --> 00:32:55,080 Speaker 2: he's saying on guitar, Like, I think people don't expect 830 00:32:55,120 --> 00:32:57,560 Speaker 2: him to have the musical talent during COVID, I watch 831 00:32:57,600 --> 00:32:58,960 Speaker 2: him do a whole Navana record. 832 00:32:58,720 --> 00:33:02,680 Speaker 14: Right, Yeah, so he's he's he's a really good guitar player. 833 00:33:04,720 --> 00:33:04,880 Speaker 3: Man. 834 00:33:04,960 --> 00:33:06,480 Speaker 14: It's just there's something like when he gets in there 835 00:33:06,520 --> 00:33:08,040 Speaker 14: and he does his vocal, like we've been writing these 836 00:33:08,040 --> 00:33:09,360 Speaker 14: songs and like he'll hop in there and do it 837 00:33:09,400 --> 00:33:11,520 Speaker 14: and you're I don't know, it's just like he has 838 00:33:11,560 --> 00:33:13,280 Speaker 14: a thing. Man, He's got like a voice and not 839 00:33:13,360 --> 00:33:15,920 Speaker 14: just like a singing voice, but he just even just 840 00:33:15,960 --> 00:33:17,800 Speaker 14: in that in that regard, he's just an artist. He 841 00:33:17,800 --> 00:33:20,880 Speaker 14: could sing the phone Book and it's just so different 842 00:33:22,280 --> 00:33:24,520 Speaker 14: to me that it's just I don't know, it's just 843 00:33:25,160 --> 00:33:27,040 Speaker 14: that's it's like art coming out of his mouth. 844 00:33:27,080 --> 00:33:30,000 Speaker 3: What's his name? And your phone as post host deep 845 00:33:30,000 --> 00:33:31,880 Speaker 3: Post just post Post. 846 00:33:31,800 --> 00:33:34,480 Speaker 7: When you meet him though, like obviously you're around a 847 00:33:34,520 --> 00:33:37,840 Speaker 7: lot of really successful people, but someone like post Malone, 848 00:33:38,480 --> 00:33:39,840 Speaker 7: like because he's around. 849 00:33:39,600 --> 00:33:44,240 Speaker 2: You right now, like within like meeting Post like do 850 00:33:44,280 --> 00:33:46,239 Speaker 2: you kind of have to remind yourself like because you know, 851 00:33:46,440 --> 00:33:48,080 Speaker 2: but it's I don't know, post alone. 852 00:33:48,160 --> 00:33:50,120 Speaker 7: He seems like next level, Like do you kind of 853 00:33:50,120 --> 00:33:52,120 Speaker 7: have to be like okay, this could be like we 854 00:33:52,120 --> 00:33:54,640 Speaker 7: could actually be friends. We got to be chill, like 855 00:33:54,640 --> 00:33:56,440 Speaker 7: do you have to talk to yourself about or you're just. 856 00:33:56,400 --> 00:33:58,360 Speaker 15: Like normal everybody poops? 857 00:33:58,600 --> 00:34:00,320 Speaker 3: You know what I mean? My life isn't it? 858 00:34:00,680 --> 00:34:01,400 Speaker 15: She doesn't at all? 859 00:34:01,440 --> 00:34:04,680 Speaker 2: No good for her never once wow first one? Yeah no, yeah, 860 00:34:04,680 --> 00:34:06,280 Speaker 2: that's all I was gonna say. So your theory is wrong. 861 00:34:07,040 --> 00:34:10,959 Speaker 3: All right, look you guys at Hardy and Diff tape. 862 00:34:11,000 --> 00:34:11,720 Speaker 3: It's gonna be awesome. 863 00:34:11,760 --> 00:34:13,839 Speaker 2: You wrote Kenny's latest single too, Yeah yeah, yeah, it's 864 00:34:13,840 --> 00:34:15,040 Speaker 2: on top of the freaking world right now. 865 00:34:15,280 --> 00:34:16,799 Speaker 3: Should go to a show. Maybe you should go to 866 00:34:16,840 --> 00:34:18,719 Speaker 3: a show. That's what I'm taking from this. I need 867 00:34:18,719 --> 00:34:19,439 Speaker 3: to go to a show. 868 00:34:20,120 --> 00:34:24,520 Speaker 2: Congratulations man, I'm a big fan, and congratulations and we'll. 869 00:34:24,360 --> 00:34:26,680 Speaker 3: Have a truck bed go number one and I don't 870 00:34:26,680 --> 00:34:27,280 Speaker 3: know another. 871 00:34:27,080 --> 00:34:28,520 Speaker 15: Trophy, dude, knock on wood? 872 00:34:28,520 --> 00:34:28,759 Speaker 7: All right? 873 00:34:28,840 --> 00:34:29,280 Speaker 15: Is that would? 874 00:34:29,400 --> 00:34:32,000 Speaker 3: Yeah? I know it is fake. All right, there is 875 00:34:32,000 --> 00:34:32,560 Speaker 3: hearty everybody. 876 00:34:32,600 --> 00:34:33,319 Speaker 4: Thank you so much. 877 00:34:34,960 --> 00:34:35,880 Speaker 3: There's a voice in meil we got. 878 00:34:35,960 --> 00:34:38,799 Speaker 16: Yesterday, I was just listening to the podcast like I 879 00:34:38,880 --> 00:34:41,680 Speaker 16: do every day at work and heard that you guys 880 00:34:41,719 --> 00:34:43,840 Speaker 16: are talking about going to South Dakota on the trip, 881 00:34:43,920 --> 00:34:47,680 Speaker 16: and I think that would be awesome for you guys, Lunchbox. 882 00:34:47,760 --> 00:34:51,279 Speaker 16: I know you like Las Vegas for the gambling, and 883 00:34:51,440 --> 00:34:53,560 Speaker 16: you better make sure if you go to stop at 884 00:34:53,560 --> 00:34:58,920 Speaker 16: dead Wood, literally a mini Last Vegas for you and Amy. 885 00:34:59,120 --> 00:35:02,080 Speaker 16: If you ever want a girl's trip and want to 886 00:35:02,440 --> 00:35:04,719 Speaker 16: hit up the hot Springs with a view, come to 887 00:35:04,800 --> 00:35:06,160 Speaker 16: Montana and I'll be your girl. 888 00:35:06,200 --> 00:35:07,760 Speaker 3: Okay, So you don't need to go with us South Dakota. 889 00:35:07,840 --> 00:35:08,680 Speaker 3: Montana be your goal. 890 00:35:08,719 --> 00:35:10,719 Speaker 6: Yeah, yeah, Montana's on my list. 891 00:35:10,760 --> 00:35:12,040 Speaker 3: I've been a Montana. It's awesome. But we don't talking 892 00:35:12,040 --> 00:35:12,840 Speaker 3: about that. What's my sandy? 893 00:35:13,400 --> 00:35:18,040 Speaker 2: South Dakota we had We're not one step closer to that, 894 00:35:18,040 --> 00:35:18,520 Speaker 2: by the way. 895 00:35:18,360 --> 00:35:19,800 Speaker 3: What do you mean Oh, you're right, I haven't a 896 00:35:19,840 --> 00:35:20,680 Speaker 3: masked for permission. 897 00:35:20,800 --> 00:35:23,040 Speaker 2: Yeah, there's been no movement to actually doing it yet. 898 00:35:23,160 --> 00:35:24,799 Speaker 2: I mean as my wife, but I just think that 899 00:35:24,800 --> 00:35:26,680 Speaker 2: would be awesome if we all went to South Dakota 900 00:35:26,719 --> 00:35:29,200 Speaker 2: for a du trip and then Amy can do Montana 901 00:35:29,280 --> 00:35:29,560 Speaker 2: or something. 902 00:35:29,560 --> 00:35:31,600 Speaker 3: You have fun, Amy, good luck, awesome? 903 00:35:31,840 --> 00:35:32,279 Speaker 6: Can't wait? 904 00:35:32,360 --> 00:35:37,840 Speaker 2: Yeah, HITCHI okay, and we'll follow you the whole way 905 00:35:37,560 --> 00:35:39,000 Speaker 2: a pile of stories. 906 00:35:39,480 --> 00:35:42,759 Speaker 7: So I guess March Madness is starting like tomorrow kind of. 907 00:35:43,160 --> 00:35:45,080 Speaker 3: The playing games so earlier in the week. 908 00:35:45,400 --> 00:35:46,000 Speaker 6: Yeah, okay. 909 00:35:46,080 --> 00:35:48,279 Speaker 7: Well, a poll was taken, and this is how much 910 00:35:48,320 --> 00:35:50,320 Speaker 7: time y'all are going to be spending on March Madness. 911 00:35:50,320 --> 00:35:52,560 Speaker 7: It's not just watching basketball. It's like talking about it 912 00:35:52,600 --> 00:35:55,960 Speaker 7: with your friends. It's placing beds, it's reading about it 913 00:35:56,000 --> 00:35:58,040 Speaker 7: online and then also watching highlights. 914 00:35:58,280 --> 00:36:01,520 Speaker 3: Yeah, a million hours. It's a lot of time every hour. 915 00:36:01,600 --> 00:36:04,319 Speaker 3: It's my favorite time of year. Infinity hours. Not my 916 00:36:04,440 --> 00:36:09,040 Speaker 3: favorite time of year, but up there NFL playoffs, College playoffs. 917 00:36:08,640 --> 00:36:12,120 Speaker 2: That's my favorite favorite. But for like so much action 918 00:36:12,200 --> 00:36:14,719 Speaker 2: at once, it's the best. This is cool because you 919 00:36:14,760 --> 00:36:17,560 Speaker 2: can watch basketball during the day. It's so awesome because 920 00:36:17,560 --> 00:36:19,560 Speaker 2: it starts like at eleven o'clock, how many hours we're 921 00:36:19,560 --> 00:36:20,080 Speaker 2: already doing it. 922 00:36:20,560 --> 00:36:24,560 Speaker 7: It says the average person is thirty six hours. So 923 00:36:24,680 --> 00:36:26,359 Speaker 7: I would imagine if you're on the high end, you're 924 00:36:26,400 --> 00:36:28,239 Speaker 7: double that, and then you're on the low end like me, 925 00:36:28,360 --> 00:36:29,799 Speaker 7: like zero, so. 926 00:36:29,760 --> 00:36:31,560 Speaker 3: Then we even know, well. 927 00:36:31,520 --> 00:36:32,880 Speaker 6: Even now, but it must be like the. 928 00:36:32,880 --> 00:36:35,720 Speaker 7: Bigger games, because if y'all are saying if it starts 929 00:36:35,719 --> 00:36:37,919 Speaker 7: tomorrow and in April eighth, I feel like that's way 930 00:36:37,960 --> 00:36:38,440 Speaker 7: more than. 931 00:36:38,760 --> 00:36:39,279 Speaker 4: I would say. 932 00:36:39,320 --> 00:36:42,000 Speaker 2: It's not the bigger games. It's the first weekend whenever 933 00:36:42,120 --> 00:36:43,920 Speaker 2: you have the sixteens in the ones, not so much that, 934 00:36:44,000 --> 00:36:46,800 Speaker 2: but like the the fifteen to two, fourteens and threes, 935 00:36:47,160 --> 00:36:48,319 Speaker 2: you know that kind of thing which you love. 936 00:36:48,400 --> 00:36:49,759 Speaker 3: Upsets. They're all happening at the same time. 937 00:36:49,800 --> 00:36:52,200 Speaker 2: There's usually some game where there's an upset happen because 938 00:36:52,200 --> 00:36:53,319 Speaker 2: there's so many games happening at once. 939 00:36:53,360 --> 00:36:55,160 Speaker 7: What's the one game I should put money on before 940 00:36:55,200 --> 00:36:57,280 Speaker 7: tomorrow the one game or before this weekend? 941 00:36:57,360 --> 00:37:01,440 Speaker 3: Or still no need? I need to dig down. I 942 00:37:01,440 --> 00:37:01,799 Speaker 3: don't know. 943 00:37:02,040 --> 00:37:03,040 Speaker 6: Will you walk me through it? 944 00:37:03,360 --> 00:37:04,480 Speaker 3: Yeah, but even I don't know. 945 00:37:04,600 --> 00:37:06,880 Speaker 7: I'd like to emerge from March madness with some money. 946 00:37:07,000 --> 00:37:09,879 Speaker 2: There we go I won you some money last year 947 00:37:10,040 --> 00:37:11,160 Speaker 2: and it's at in your account for a year. 948 00:37:11,239 --> 00:37:11,879 Speaker 6: It's still in there. 949 00:37:12,520 --> 00:37:12,640 Speaker 4: Yea. 950 00:37:13,040 --> 00:37:15,920 Speaker 2: And by the way, DraftKings a big fan, big sponsor. 951 00:37:16,320 --> 00:37:18,520 Speaker 2: But now in North Carolina, for the first time, you 952 00:37:18,520 --> 00:37:21,200 Speaker 2: can use DraftKings. They just legalized it, all right. 953 00:37:21,200 --> 00:37:24,840 Speaker 7: What else, Well, teachers are begging parents to stop texting 954 00:37:24,880 --> 00:37:28,040 Speaker 7: their kids while they're at school. And it's Monday, start 955 00:37:28,040 --> 00:37:30,839 Speaker 7: of a new week, and I'm gonna take this as 956 00:37:30,840 --> 00:37:33,040 Speaker 7: a little challenge for myself to not text my kids 957 00:37:33,080 --> 00:37:34,879 Speaker 7: while they're a school because I do that. And this 958 00:37:34,960 --> 00:37:36,960 Speaker 7: is the stuff that we're sending, like, Hey, what'd you 959 00:37:36,960 --> 00:37:37,720 Speaker 7: get on your test? 960 00:37:38,120 --> 00:37:40,280 Speaker 6: Do you want hamburgers or chicken for dinner tonight? 961 00:37:40,360 --> 00:37:43,280 Speaker 3: Oh? General question when they need to be focused. 962 00:37:43,320 --> 00:37:45,280 Speaker 5: And this isn't on us though, this is on the student, 963 00:37:45,400 --> 00:37:46,879 Speaker 5: Like you got to know when to check your phone, 964 00:37:47,400 --> 00:37:49,440 Speaker 5: check your you know what I mean. 965 00:37:50,320 --> 00:37:52,120 Speaker 3: Right now, I'm not reading that because I'm committed now 966 00:37:52,520 --> 00:37:54,120 Speaker 3: one year an adult until you are reading that, because 967 00:37:54,120 --> 00:37:54,440 Speaker 3: I see you. 968 00:37:55,000 --> 00:37:56,360 Speaker 7: But also, if you're a kid and you see a 969 00:37:56,360 --> 00:37:58,080 Speaker 7: text from mom or dad, you might be like, oh, 970 00:37:58,160 --> 00:37:59,440 Speaker 7: I need to son. 971 00:37:59,320 --> 00:38:02,560 Speaker 5: Doesn't he doesn't, He doesn't respond anything. If I sees 972 00:38:02,600 --> 00:38:03,920 Speaker 5: it though, the other day, I was picking up fro 973 00:38:03,920 --> 00:38:05,920 Speaker 5: school and I said, hey, I'm here. I waited thirty minutes. 974 00:38:06,239 --> 00:38:09,640 Speaker 3: That's funny, I'm here. Why did not call him? I did? 975 00:38:09,680 --> 00:38:11,280 Speaker 3: Didn't answer, okay. 976 00:38:11,440 --> 00:38:15,040 Speaker 7: And then Kenny Chesney was talking about how Peyton Manning 977 00:38:15,120 --> 00:38:17,200 Speaker 7: would join him on stage at a lot of his 978 00:38:17,320 --> 00:38:19,759 Speaker 7: shows and they would give him a guitar when he 979 00:38:19,800 --> 00:38:22,239 Speaker 7: would walk out there, but they would never plug it in, 980 00:38:22,280 --> 00:38:24,520 Speaker 7: and he was just like fake playing it the whole 981 00:38:24,560 --> 00:38:27,640 Speaker 7: time and people would not know it at first, and 982 00:38:27,680 --> 00:38:29,200 Speaker 7: then they would be like, oh. 983 00:38:29,160 --> 00:38:30,280 Speaker 6: Peg Manning's on stage. 984 00:38:30,320 --> 00:38:32,560 Speaker 7: Everybody, but they kind of thought just a guitar player 985 00:38:32,719 --> 00:38:34,719 Speaker 7: was walking out and I just thought. 986 00:38:34,480 --> 00:38:36,320 Speaker 3: Oh, but it was a guitar, he wrote, guitar like 987 00:38:36,360 --> 00:38:38,680 Speaker 3: we'd like they didn't know. They just but yeah, yeah, yeah, 988 00:38:38,880 --> 00:38:39,680 Speaker 3: all right, thank you. 989 00:38:40,080 --> 00:38:41,120 Speaker 6: I maybe that's my pile. 990 00:38:41,960 --> 00:38:44,040 Speaker 3: That was Amy's pile of stories. 991 00:38:44,400 --> 00:38:51,640 Speaker 2: It's time for the good news, Bobby. I'm not even 992 00:38:51,640 --> 00:38:54,719 Speaker 2: sure what crocheting is. I feel like it's needles and thread. Yeah, yeah, 993 00:38:54,719 --> 00:38:57,520 Speaker 2: when you make like sweaters or but what's the difference 994 00:38:57,640 --> 00:38:58,320 Speaker 2: that in sewing? 995 00:38:59,320 --> 00:38:59,520 Speaker 4: Yeah? 996 00:38:59,719 --> 00:39:03,319 Speaker 3: Big, you were like yarn you use sure about this? No? No, 997 00:39:03,360 --> 00:39:08,560 Speaker 3: I'm not. Okay. See if you declare something like truth, Okay, Morgan, 998 00:39:08,600 --> 00:39:09,360 Speaker 3: what is crocheting? 999 00:39:09,440 --> 00:39:12,399 Speaker 14: Yeah, crochet has bigger needles and you're using like much 1000 00:39:12,440 --> 00:39:14,080 Speaker 14: bigger yarn where you're sewing. 1001 00:39:14,160 --> 00:39:15,960 Speaker 3: It can be a machine or like a little needle. 1002 00:39:16,120 --> 00:39:18,360 Speaker 2: Told you like if you see someone on TV and 1003 00:39:18,400 --> 00:39:21,960 Speaker 2: they're like using the big yes, got it. Well, she's 1004 00:39:22,000 --> 00:39:23,799 Speaker 2: in seventh grade and she crochets, which I never heard 1005 00:39:23,800 --> 00:39:25,680 Speaker 2: of kids doing it. The old people do that me too, 1006 00:39:26,080 --> 00:39:28,120 Speaker 2: because they needed those big old needlesticks. They can't see 1007 00:39:28,160 --> 00:39:31,560 Speaker 2: little needlesticks. So she got pretty good at it. And 1008 00:39:31,640 --> 00:39:33,680 Speaker 2: part of the Girl Scouts project she was doing, she 1009 00:39:33,800 --> 00:39:38,080 Speaker 2: made almost thirty stuffed animals to donate to other kids 1010 00:39:38,520 --> 00:39:41,120 Speaker 2: and all through the police department in North Carolina. And 1011 00:39:41,200 --> 00:39:43,279 Speaker 2: so what she's doing is she's made them all to 1012 00:39:43,280 --> 00:39:44,799 Speaker 2: give to the cops, so the cops can give to 1013 00:39:44,880 --> 00:39:46,080 Speaker 2: kids if they show up at a place. 1014 00:39:46,160 --> 00:39:50,200 Speaker 3: That's so cool and the kids are scared. Yeah, sad. 1015 00:39:51,640 --> 00:39:54,040 Speaker 2: The crocheting thing as a seventh grader, Like, that's awesome 1016 00:39:54,080 --> 00:39:55,880 Speaker 2: to me because I can't imagine other seventh graders are 1017 00:39:55,880 --> 00:39:58,160 Speaker 2: crocheting and she's doing her own thing. And then secondly, 1018 00:39:58,200 --> 00:40:00,160 Speaker 2: why she's doing it and donating all that stuff. That's 1019 00:40:00,160 --> 00:40:02,839 Speaker 2: awesome and she probably learned from like her grandma. Right, well, 1020 00:40:02,840 --> 00:40:04,720 Speaker 2: she's a girl scout. I mean, is that the badge 1021 00:40:04,719 --> 00:40:06,840 Speaker 2: that she chased Shane Badge? 1022 00:40:07,760 --> 00:40:09,680 Speaker 3: I don't know. I don't know either, know. So what's 1023 00:40:09,719 --> 00:40:12,840 Speaker 3: that sport where you hit the ball? Like, uh okay, yeah, 1024 00:40:13,200 --> 00:40:15,080 Speaker 3: oh not the same what I thought that was? Yeah? 1025 00:40:15,640 --> 00:40:16,879 Speaker 3: I thought you're awful. Bit. 1026 00:40:16,920 --> 00:40:20,080 Speaker 2: Yeah, a great story. Good job, Kayden Hudson. That's what 1027 00:40:20,080 --> 00:40:24,839 Speaker 2: it's all about. That was telling me something good. There's 1028 00:40:24,880 --> 00:40:26,960 Speaker 2: a segment that I'm so excited about doing in the 1029 00:40:27,000 --> 00:40:30,640 Speaker 2: next twenty minutes or so. All weekend long, I was like, 1030 00:40:30,680 --> 00:40:33,080 Speaker 2: I cannot wait to talk about this because either way 1031 00:40:34,200 --> 00:40:37,120 Speaker 2: it's either going to be extremely compelling as just us 1032 00:40:37,160 --> 00:40:39,319 Speaker 2: talking about it, people being like wow, or if it's 1033 00:40:39,440 --> 00:40:44,640 Speaker 2: true somebody on the show just luck, not luck, somebody 1034 00:40:44,880 --> 00:40:46,200 Speaker 2: very very very fortunate. 1035 00:40:47,239 --> 00:40:48,080 Speaker 3: I can't wait to. 1036 00:40:48,040 --> 00:40:49,360 Speaker 2: Do this segment. That's all I'm going to tell you 1037 00:40:49,400 --> 00:40:51,240 Speaker 2: because I want to get to the Morning Corny first. 1038 00:40:51,280 --> 00:40:52,680 Speaker 2: Amy Ready, Ready, let's go. 1039 00:40:56,040 --> 00:40:57,520 Speaker 3: The Morning Corny. 1040 00:40:58,000 --> 00:41:01,640 Speaker 7: Why did the employee get fired from the keyboard factory 1041 00:41:01,440 --> 00:41:04,120 Speaker 7: but he wasn't putting in enough shifts. 1042 00:41:13,320 --> 00:41:14,560 Speaker 2: So this is a segment I've been waiting to do 1043 00:41:14,600 --> 00:41:16,280 Speaker 2: because this really happened to someone on the show. 1044 00:41:16,520 --> 00:41:18,560 Speaker 3: Ray, would you mind hitting me with a scam alert? 1045 00:41:19,040 --> 00:41:20,200 Speaker 1: Scam alert. 1046 00:41:21,480 --> 00:41:26,160 Speaker 2: Now we play that when we think someone might be 1047 00:41:26,160 --> 00:41:30,280 Speaker 2: getting scammed. However, this isn't that they are getting scammed. 1048 00:41:30,280 --> 00:41:32,359 Speaker 2: This could possibly be. It's not a scam, and it's 1049 00:41:32,360 --> 00:41:34,080 Speaker 2: the greatest thing to ever happen to this person. 1050 00:41:34,400 --> 00:41:38,759 Speaker 3: Okay. So Eddie is the one that told me about this. Eddie, 1051 00:41:38,800 --> 00:41:42,480 Speaker 3: I need you to tell everybody this is bizarre, dude. 1052 00:41:43,520 --> 00:41:46,520 Speaker 2: I need you to tell everybody what you know and 1053 00:41:46,560 --> 00:41:48,319 Speaker 2: we will kind of talk through it and see if 1054 00:41:48,360 --> 00:41:49,200 Speaker 2: we think it's real or not. 1055 00:41:49,320 --> 00:41:50,320 Speaker 3: Okay, go ahead. 1056 00:41:50,400 --> 00:41:53,600 Speaker 5: So Abby came to me and she said, is do 1057 00:41:53,640 --> 00:41:54,680 Speaker 5: you think this is real? 1058 00:41:54,760 --> 00:41:54,840 Speaker 2: Like? 1059 00:41:54,920 --> 00:41:58,239 Speaker 5: I want your advice. She got a DM on Instagram 1060 00:41:58,480 --> 00:42:02,160 Speaker 5: from someone that says they own racetrack or something and. 1061 00:42:02,040 --> 00:42:03,719 Speaker 3: They wear you know in California. 1062 00:42:03,760 --> 00:42:06,480 Speaker 5: I think Okay, and they want to they want to 1063 00:42:06,520 --> 00:42:09,200 Speaker 5: book some some shows. They want to do shows there. Yeah, 1064 00:42:09,400 --> 00:42:14,319 Speaker 5: and she they ask Abby if she would host a 1065 00:42:14,440 --> 00:42:16,880 Speaker 5: concert there and bring an artist. 1066 00:42:16,719 --> 00:42:19,680 Speaker 3: With her like host perform a couple hosts. 1067 00:42:19,440 --> 00:42:22,600 Speaker 5: Perform a couple and then bring a Nashville artist with her, okay, 1068 00:42:22,600 --> 00:42:25,760 Speaker 5: California to play that venue. And they said the budget 1069 00:42:25,960 --> 00:42:27,520 Speaker 5: is fifty thousand dollars. 1070 00:42:27,680 --> 00:42:30,120 Speaker 2: Oh so they would pay Abby fifty grand if you 1071 00:42:30,160 --> 00:42:33,720 Speaker 2: have to pay the artist a little bit? Yeah, okay, yeah, 1072 00:42:33,800 --> 00:42:38,480 Speaker 2: to sing host and just bring somebody from Nashville. She's 1073 00:42:38,520 --> 00:42:39,799 Speaker 2: not gonna be able to take like alde. It can 1074 00:42:39,800 --> 00:42:41,400 Speaker 2: be anybody, anyone, Abby. 1075 00:42:41,440 --> 00:42:43,759 Speaker 3: So do you feel like this was sent from a 1076 00:42:43,800 --> 00:42:44,640 Speaker 3: reputable source? 1077 00:42:44,920 --> 00:42:48,720 Speaker 17: I really think it is. Like sometimes their profiles look sketchy, 1078 00:42:48,760 --> 00:42:50,120 Speaker 17: they don't have a picture on there. 1079 00:42:50,160 --> 00:42:53,319 Speaker 6: But this is leg a legit lady. It isn't that 1080 00:42:53,400 --> 00:42:55,399 Speaker 6: legit scans have legit photos a. 1081 00:42:55,320 --> 00:42:55,839 Speaker 3: Lot of times. 1082 00:42:55,960 --> 00:42:58,680 Speaker 2: Yeah, they want they want to come host and perform 1083 00:42:58,680 --> 00:43:00,439 Speaker 2: and just bring somebody with you as like an open act. 1084 00:43:01,280 --> 00:43:03,799 Speaker 3: Yes, and you're the headliner. 1085 00:43:04,120 --> 00:43:05,759 Speaker 17: Well, I don't think i'd be the headliner. I think 1086 00:43:05,800 --> 00:43:07,880 Speaker 17: they meant like a bigger artist. Then maybe I just 1087 00:43:07,920 --> 00:43:09,640 Speaker 17: do like a few songs or something like that. That's 1088 00:43:09,640 --> 00:43:10,319 Speaker 17: what I did. 1089 00:43:10,400 --> 00:43:10,880 Speaker 15: She hosts. 1090 00:43:10,960 --> 00:43:13,080 Speaker 2: Yeah, but you're but you have to pay out of 1091 00:43:13,080 --> 00:43:14,160 Speaker 2: that fifty for a big artist? 1092 00:43:14,560 --> 00:43:17,720 Speaker 5: Yes, okay, So how much is a medium artist? 1093 00:43:17,960 --> 00:43:20,120 Speaker 3: You tell me who and I'll give you a good guess, 1094 00:43:20,760 --> 00:43:27,000 Speaker 3: say like h Travis Denny thirty grand. There we go. 1095 00:43:27,239 --> 00:43:29,520 Speaker 3: Wait a minute, so Abby keeps twenty, I get to 1096 00:43:29,560 --> 00:43:32,359 Speaker 3: keep twenty. Let me call him. 1097 00:43:33,800 --> 00:43:36,520 Speaker 2: Because again, if they're gonna pay Abby twenty thousand, if 1098 00:43:36,520 --> 00:43:38,840 Speaker 2: that's the case, they're gonna pay Abby twenty thousand dollars 1099 00:43:39,400 --> 00:43:41,240 Speaker 2: to come out and sing and host. 1100 00:43:41,440 --> 00:43:44,560 Speaker 17: And this is the most insane thing ever. 1101 00:43:44,680 --> 00:43:47,200 Speaker 3: I now, do we think it's real? Lunchbox? 1102 00:43:47,760 --> 00:43:48,440 Speaker 4: No chance? 1103 00:43:49,000 --> 00:43:51,400 Speaker 8: Why they wouldn't go to Abbey. They'd go to Bobby. 1104 00:43:51,520 --> 00:43:53,640 Speaker 8: They would go to someone with actual poll. Abby has 1105 00:43:53,680 --> 00:43:57,600 Speaker 8: no poll. She's a phone screener. But I'm saying she 1106 00:43:57,640 --> 00:44:00,760 Speaker 8: doesn't have connections to artists. Bobby has relationship with the artist. 1107 00:44:00,680 --> 00:44:02,560 Speaker 2: They wanted to perform as well. You don't think she's 1108 00:44:02,560 --> 00:44:03,400 Speaker 2: good enough to sing her? 1109 00:44:04,120 --> 00:44:06,840 Speaker 4: Yeah, answer that, no comment. 1110 00:44:09,719 --> 00:44:12,200 Speaker 3: That's right. He's in his kindness. He's gotta be kind 1111 00:44:12,239 --> 00:44:12,800 Speaker 3: for two weeks. 1112 00:44:12,800 --> 00:44:14,680 Speaker 8: Like they would go to Scuba, they would go to 1113 00:44:14,680 --> 00:44:16,799 Speaker 8: school who's connection to the artists. They'd ask the raging 1114 00:44:16,840 --> 00:44:19,840 Speaker 8: idiots to play and you bring someone for fifty thousand dollars. 1115 00:44:20,160 --> 00:44:25,279 Speaker 8: They're not going to Abby. They see someone vulnerable and 1116 00:44:25,840 --> 00:44:27,080 Speaker 8: like oh this one. 1117 00:44:27,080 --> 00:44:29,360 Speaker 3: Ul Okay, what's the scama? 1118 00:44:29,640 --> 00:44:30,040 Speaker 15: Exactly? 1119 00:44:30,080 --> 00:44:33,320 Speaker 5: So Abby's not paying fifty thousand dollars like called Travis Dinning. 1120 00:44:33,520 --> 00:44:36,440 Speaker 4: Hey, Abby, at what's the venue? What's the venue? 1121 00:44:36,560 --> 00:44:37,400 Speaker 6: It's a racetrack. 1122 00:44:37,440 --> 00:44:38,839 Speaker 4: Well tell me the venue. I'm gonna look it up. 1123 00:44:38,840 --> 00:44:39,920 Speaker 17: Should I say what it is? 1124 00:44:40,200 --> 00:44:42,000 Speaker 3: I don't care the place? Give me the thinks. Do 1125 00:44:42,040 --> 00:44:42,880 Speaker 3: you think it's legitimate? 1126 00:44:42,960 --> 00:44:46,759 Speaker 17: It's Laguna Seca Laguna and then se c a. It's 1127 00:44:46,760 --> 00:44:48,360 Speaker 17: a world renowned racetrack. 1128 00:44:48,560 --> 00:44:50,640 Speaker 3: What have you googled that, Abby? 1129 00:44:50,880 --> 00:44:51,920 Speaker 17: I didn't even google that. 1130 00:44:52,040 --> 00:44:53,799 Speaker 4: No, give me the person's name. Let me find out 1131 00:44:53,800 --> 00:44:54,200 Speaker 4: if they worked. 1132 00:44:54,200 --> 00:44:55,919 Speaker 17: No, No, I'm not gonna look. I don't know her name. 1133 00:44:55,960 --> 00:44:56,960 Speaker 6: It's her mom. 1134 00:44:57,160 --> 00:44:57,839 Speaker 3: They were there. 1135 00:44:58,000 --> 00:44:59,800 Speaker 4: Wait wait wait, wait, wait wait, hold on, hold on. 1136 00:45:01,160 --> 00:45:07,040 Speaker 8: So it's someone's kid. Oh my gosh, guys, this is hysterical. 1137 00:45:07,920 --> 00:45:10,120 Speaker 8: She's got a high schooler saying, hey, my mom works 1138 00:45:10,120 --> 00:45:11,239 Speaker 8: in a place. She doesn't know how. 1139 00:45:11,200 --> 00:45:14,000 Speaker 17: To reach out her daughter, like she's not in high school. 1140 00:45:14,080 --> 00:45:14,880 Speaker 17: She's unmature. 1141 00:45:16,040 --> 00:45:18,840 Speaker 3: Oh my gosh, Oh my gosh, keep going, lunchbox. 1142 00:45:18,880 --> 00:45:19,439 Speaker 6: What you were saying? 1143 00:45:19,520 --> 00:45:20,440 Speaker 3: And how big? 1144 00:45:21,120 --> 00:45:24,080 Speaker 2: Because again I don't know I can call them? Do 1145 00:45:24,160 --> 00:45:25,080 Speaker 2: me call my manager. 1146 00:45:25,640 --> 00:45:27,399 Speaker 3: See who you be willing to do that? Not even 1147 00:45:27,480 --> 00:45:29,800 Speaker 3: that if he thinks it's legit, No he doesn't. 1148 00:45:30,000 --> 00:45:30,879 Speaker 4: I already talked to him. 1149 00:45:30,960 --> 00:45:32,600 Speaker 3: That's a good point because he deals with this stuff 1150 00:45:32,600 --> 00:45:34,439 Speaker 3: all the time and he has he runs a whole 1151 00:45:34,440 --> 00:45:37,560 Speaker 3: management company. What's if he answers, this is Tom. Hey, 1152 00:45:37,600 --> 00:45:40,000 Speaker 3: you're we're on the air, so so don't say can 1153 00:45:40,040 --> 00:45:41,000 Speaker 3: you be on the air for a second? 1154 00:45:41,200 --> 00:45:41,520 Speaker 11: Yeah? 1155 00:45:41,640 --> 00:45:44,000 Speaker 3: Okay, So Abby got a message. He's on the toilet. 1156 00:45:45,680 --> 00:45:48,440 Speaker 2: Abby got a message from someone that says they'll pay 1157 00:45:48,440 --> 00:45:52,320 Speaker 2: her fifty thousand dollars to go out to a racetrack 1158 00:45:52,400 --> 00:45:54,880 Speaker 2: in California and perform and host. But she has to 1159 00:45:54,880 --> 00:45:58,120 Speaker 2: bring a Nashville artist with her, and it's fifty thousand 1160 00:45:58,120 --> 00:46:00,799 Speaker 2: even pick cover that artist and I we were kind 1161 00:46:00,800 --> 00:46:02,120 Speaker 2: of talking about if she wanted to do it, if 1162 00:46:02,120 --> 00:46:05,080 Speaker 2: it was a scam, but we were guessing, like, let's 1163 00:46:05,080 --> 00:46:08,080 Speaker 2: say Travis Dinning and I said, we could probably pay 1164 00:46:08,120 --> 00:46:10,239 Speaker 2: Travis thirty grand if he was open, he'd probably fly 1165 00:46:10,239 --> 00:46:11,120 Speaker 2: out there and do it acoustic. 1166 00:46:11,120 --> 00:46:13,319 Speaker 3: Would you agree with that? I would agree with that. 1167 00:46:13,400 --> 00:46:13,680 Speaker 7: Yes. 1168 00:46:14,320 --> 00:46:17,200 Speaker 2: Also, we thought about George Berge thirty grand and Abby 1169 00:46:17,239 --> 00:46:18,600 Speaker 2: would keep twenty would you agree with that. 1170 00:46:19,200 --> 00:46:20,080 Speaker 13: I would agree with that. 1171 00:46:20,360 --> 00:46:23,400 Speaker 2: So do you think someone would message her in a 1172 00:46:23,480 --> 00:46:25,359 Speaker 2: DM and be like, hey, will you find an artist 1173 00:46:25,400 --> 00:46:26,360 Speaker 2: and I'll give you fifty grand? 1174 00:46:27,640 --> 00:46:36,120 Speaker 3: No, that doesn't seem It feels like it's a catfish scenario. 1175 00:46:36,520 --> 00:46:39,239 Speaker 2: Like she gets there and it's just an old dude 1176 00:46:39,280 --> 00:46:42,319 Speaker 2: in his underwear at the front door, okay. 1177 00:46:42,680 --> 00:46:45,520 Speaker 3: With a backyard barbecue. Yeah, I would be cynical. 1178 00:46:45,719 --> 00:46:50,319 Speaker 9: I would I think vetting that out would be important. 1179 00:46:49,880 --> 00:46:52,160 Speaker 3: If it did turn out to be true. 1180 00:46:52,200 --> 00:46:52,480 Speaker 4: Though. 1181 00:46:52,719 --> 00:46:55,400 Speaker 2: Do you think we could find a pretty decent artist 1182 00:46:55,400 --> 00:46:56,680 Speaker 2: with a couple of hits to go out and do 1183 00:46:56,719 --> 00:46:57,320 Speaker 2: it for twenty. 1184 00:46:57,120 --> 00:47:01,400 Speaker 3: Five particularly acoustic? That really good gig? Okay, that's an 1185 00:47:01,400 --> 00:47:03,360 Speaker 3: easy thing to do. All right, thank you for your input, 1186 00:47:04,000 --> 00:47:06,280 Speaker 3: very good, Happy to hell all right by bye? Okay. 1187 00:47:06,520 --> 00:47:09,400 Speaker 4: So yeah, yeah Abby, what are the dates of the event? 1188 00:47:09,640 --> 00:47:11,360 Speaker 3: Well, I don't have the dates. 1189 00:47:12,000 --> 00:47:15,880 Speaker 8: Whenever you want to come, no show up anytime. Hey, guys, 1190 00:47:15,960 --> 00:47:17,359 Speaker 8: we're not going to tell you a date. We need 1191 00:47:17,360 --> 00:47:19,080 Speaker 8: this artist. You just picked the date and we'll have 1192 00:47:19,120 --> 00:47:19,920 Speaker 8: that fifty thousands. 1193 00:47:20,000 --> 00:47:23,160 Speaker 3: Travis, Travis, just call me back. Oh my gosh, hey 1194 00:47:23,160 --> 00:47:24,160 Speaker 3: you're on the air. Is that okay? 1195 00:47:24,320 --> 00:47:24,960 Speaker 4: That's perfect. 1196 00:47:25,080 --> 00:47:25,480 Speaker 3: Okay. 1197 00:47:25,640 --> 00:47:28,880 Speaker 2: So Abby who is a producer on the show. She 1198 00:47:28,920 --> 00:47:31,040 Speaker 2: answers phone, She does a lot of stuff. She's also 1199 00:47:31,239 --> 00:47:33,960 Speaker 2: I love that, thank you. She's also a sing She sings, 1200 00:47:34,040 --> 00:47:35,760 Speaker 2: but just for fun. She goes to the bars and sings. 1201 00:47:35,880 --> 00:47:40,280 Speaker 2: She got offered to come and sing a couple songs 1202 00:47:40,640 --> 00:47:43,400 Speaker 2: host and they said bring a Nashville artist with you, 1203 00:47:43,520 --> 00:47:46,320 Speaker 2: and and the total budget's fifty thousand dollars. 1204 00:47:46,600 --> 00:47:47,600 Speaker 3: Now okay, perfect. 1205 00:47:47,800 --> 00:47:51,359 Speaker 2: So yeah, if Abby, if the day was open, would 1206 00:47:51,400 --> 00:47:54,520 Speaker 2: you fly out for twenty five thirty thousand play acoustic? 1207 00:47:56,040 --> 00:48:01,279 Speaker 2: Just generally speaking, I mean, okay, so. 1208 00:48:01,400 --> 00:48:03,000 Speaker 4: I mean have you have you seen inflation? 1209 00:48:03,120 --> 00:48:03,440 Speaker 1: Bobby? 1210 00:48:03,520 --> 00:48:06,000 Speaker 2: Yes, I have, and I know but you demand a 1211 00:48:06,000 --> 00:48:09,239 Speaker 2: pretty penny. But I'm asking like, if, first of all, 1212 00:48:09,239 --> 00:48:10,760 Speaker 2: do you think this is real? Has this ever happened 1213 00:48:10,760 --> 00:48:12,359 Speaker 2: to you where someone's like I own a racetrack, come 1214 00:48:12,400 --> 00:48:13,840 Speaker 2: sing for fifty grand I've. 1215 00:48:13,680 --> 00:48:15,000 Speaker 3: Never gotten that phone call. 1216 00:48:15,040 --> 00:48:18,480 Speaker 18: I've definitely played some interesting like private shows like I've 1217 00:48:18,520 --> 00:48:21,080 Speaker 18: played I've played a birthday party. 1218 00:48:20,880 --> 00:48:23,879 Speaker 15: With Riley Green. And this wasn't like a long time ago. 1219 00:48:23,920 --> 00:48:25,319 Speaker 3: It was like last year. 1220 00:48:25,360 --> 00:48:28,200 Speaker 18: We played somebody's backyard in New Jersey. 1221 00:48:28,320 --> 00:48:30,440 Speaker 3: Full like literally full long. 1222 00:48:30,480 --> 00:48:33,120 Speaker 18: They rented a huge pa in stage and they had 1223 00:48:33,200 --> 00:48:35,759 Speaker 18: like three hundred people over in their backyard and it 1224 00:48:35,800 --> 00:48:38,680 Speaker 18: was just me and Riley. So I've I've done some interesting, 1225 00:48:39,360 --> 00:48:42,799 Speaker 18: odd little things like that before, but so can me 1226 00:48:42,880 --> 00:48:44,400 Speaker 18: and Abby sing Abbey together? 1227 00:48:44,560 --> 00:48:46,120 Speaker 3: Absolutely? You can do whatever you want. Cool. 1228 00:48:46,200 --> 00:48:48,000 Speaker 2: But if let's say it did happen she's not being 1229 00:48:48,040 --> 00:48:50,680 Speaker 2: catfished and you had the date open for thirty grand, 1230 00:48:50,680 --> 00:48:51,520 Speaker 2: would you go and do it? 1231 00:48:51,719 --> 00:48:55,320 Speaker 3: Absolutely? Okay, Hey, times are tough. I'll tell you just 1232 00:48:55,320 --> 00:48:55,920 Speaker 3: about anything. 1233 00:48:56,120 --> 00:49:02,320 Speaker 2: Actually, well, they'll say that you're you're negotiating down yeah okay, yeah, yeah, yeah, okay, 1234 00:49:02,480 --> 00:49:03,240 Speaker 2: thank you, Travis. 1235 00:49:03,360 --> 00:49:04,960 Speaker 3: If she's not being catfish we'll let you know. 1236 00:49:05,280 --> 00:49:05,799 Speaker 15: Sounds good. 1237 00:49:05,800 --> 00:49:07,719 Speaker 18: And by the way, I'm currently fishing right now and 1238 00:49:07,760 --> 00:49:08,759 Speaker 18: that's kind of small mouth. 1239 00:49:08,880 --> 00:49:10,280 Speaker 4: Oh oh that's awesome. 1240 00:49:10,719 --> 00:49:15,080 Speaker 3: Okay, we're not. We're at work. So that's up all right, buddy. 1241 00:49:15,080 --> 00:49:17,759 Speaker 3: See letter Abby, you need to get back in touch 1242 00:49:17,760 --> 00:49:18,040 Speaker 3: with them. 1243 00:49:18,080 --> 00:49:20,279 Speaker 17: Okay, So should I just pitch Travis or give them 1244 00:49:20,280 --> 00:49:21,640 Speaker 17: a few you know. 1245 00:49:21,640 --> 00:49:24,120 Speaker 2: You need the date and I can work as but 1246 00:49:24,239 --> 00:49:25,760 Speaker 2: I'm setting this up so it's ten percent? 1247 00:49:26,360 --> 00:49:29,040 Speaker 17: Oh oh is that yeah? 1248 00:49:29,080 --> 00:49:31,359 Speaker 2: Yeah? Yeah, yeah, yeah, this is what I would say, 1249 00:49:31,400 --> 00:49:34,840 Speaker 2: hit them up, see if it's real, Okay, say, depending 1250 00:49:34,880 --> 00:49:38,840 Speaker 2: on the date, Travis Dinning number one hit maker, Travis 1251 00:49:38,840 --> 00:49:41,239 Speaker 2: Dinning and yourself would be happy to come out and 1252 00:49:41,320 --> 00:49:41,719 Speaker 2: do it all. 1253 00:49:41,719 --> 00:49:42,719 Speaker 3: But it's going to cost it. 1254 00:49:43,080 --> 00:49:44,600 Speaker 2: Looking at the budget and travel, it's going to be 1255 00:49:44,600 --> 00:49:47,359 Speaker 2: sixty thousand if you find out it's real, and then 1256 00:49:47,560 --> 00:49:50,880 Speaker 2: you'll probably settle on like fifty five or something. Oh okay, 1257 00:49:51,239 --> 00:49:54,480 Speaker 2: but just say, just find it's a real person. Okay, yes, much? 1258 00:49:54,800 --> 00:49:56,479 Speaker 2: And she makes twenty grand for going out and singing 1259 00:49:56,480 --> 00:49:57,000 Speaker 2: a couple of songs. 1260 00:49:57,040 --> 00:50:00,600 Speaker 4: What will you think I'll volmit though. 1261 00:50:01,239 --> 00:50:03,000 Speaker 3: Yea, No, that's a real real questions. 1262 00:50:03,040 --> 00:50:04,800 Speaker 15: Body react? 1263 00:50:04,880 --> 00:50:08,360 Speaker 6: Would you be happy for me? Would you be happy lunchbox? 1264 00:50:08,520 --> 00:50:08,640 Speaker 9: No? 1265 00:50:09,160 --> 00:50:12,640 Speaker 2: Okay, let's find out Abby, do some due diligence. Have 1266 00:50:12,680 --> 00:50:15,759 Speaker 2: Scuba Steve get on it too, Scuba Steve your finder's feet. 1267 00:50:15,800 --> 00:50:18,040 Speaker 2: If it works from this and it all happens and 1268 00:50:18,080 --> 00:50:20,000 Speaker 2: everybody gets paid, you get five hundred dollars FINDERR fee 1269 00:50:20,000 --> 00:50:20,560 Speaker 2: if it's all legit. 1270 00:50:20,640 --> 00:50:23,520 Speaker 3: Okay, I appreciate it. Thank you, Eddie. 1271 00:50:23,600 --> 00:50:24,560 Speaker 6: Why do you even bring. 1272 00:50:26,160 --> 00:50:28,280 Speaker 3: Yeah, I brought to the show. What's my finders Field? 1273 00:50:28,360 --> 00:50:28,400 Speaker 7: On? 1274 00:50:29,920 --> 00:50:30,640 Speaker 4: Cost money? 1275 00:50:30,760 --> 00:50:33,239 Speaker 2: You couldn't have because you wouldn't have got Travis, because 1276 00:50:33,239 --> 00:50:34,279 Speaker 2: I wouldn't have been able to call him. 1277 00:50:34,440 --> 00:50:36,480 Speaker 3: Sorry about that, Like when I tore. It costs a. 1278 00:50:36,400 --> 00:50:37,759 Speaker 2: Ton of money for me just to get out on 1279 00:50:37,800 --> 00:50:40,200 Speaker 2: the road, much less even before I get paid. 1280 00:50:40,520 --> 00:50:43,560 Speaker 3: So you're gonna be fine. But give me a thousand. 1281 00:50:44,200 --> 00:50:47,040 Speaker 2: Well, you get a segment, you get employee the month, 1282 00:50:47,040 --> 00:50:48,000 Speaker 2: A no from employee the month. 1283 00:50:49,400 --> 00:50:51,200 Speaker 3: Okay, Babby, let us know, let us know. 1284 00:50:51,239 --> 00:50:54,359 Speaker 2: Okay, I will all right, We're gonna do Thomas Rht 1285 00:50:54,400 --> 00:50:56,120 Speaker 2: Morgan Wallen maybe tomorrow. 1286 00:50:56,120 --> 00:50:57,480 Speaker 3: The next day we'll find out if it's really or not. 1287 00:50:59,080 --> 00:51:00,319 Speaker 3: It's time for the Bobby's Few. 1288 00:51:02,160 --> 00:51:05,800 Speaker 2: A survey was done of two thousand Bobby Buncho listeners. 1289 00:51:07,200 --> 00:51:10,360 Speaker 2: We're looking for the top selling the best crunchy snacks 1290 00:51:10,360 --> 00:51:13,720 Speaker 2: from the grocery store. I've written a number down between 1291 00:51:13,760 --> 00:51:18,400 Speaker 2: one and one thousand. Whoever's closest goes first and lunch products. 1292 00:51:19,200 --> 00:51:20,759 Speaker 4: I'll take five hundred. 1293 00:51:20,840 --> 00:51:22,799 Speaker 3: Amy four, it's actually four. 1294 00:51:22,840 --> 00:51:25,239 Speaker 2: I wrote it down. It's four directly on. It's usually 1295 00:51:25,239 --> 00:51:25,759 Speaker 2: always four. 1296 00:51:25,800 --> 00:51:27,080 Speaker 3: But there you go. So I can't I don't have 1297 00:51:27,120 --> 00:51:30,400 Speaker 3: a guess, Okay, go okay, yes, Amy Neldad of one thousand. 1298 00:51:30,640 --> 00:51:34,520 Speaker 2: Okay, Amy, you'll go first, then it'll go Lunchbox, and. 1299 00:51:34,480 --> 00:51:35,720 Speaker 3: Then it goes Eddie. Amy. 1300 00:51:35,840 --> 00:51:38,880 Speaker 2: We're looking at crunchy snacks from the grocery store. The 1301 00:51:38,920 --> 00:51:46,319 Speaker 2: favorite top selling crunchy snacks chips. I'm gonna need more specifically. 1302 00:51:46,480 --> 00:51:51,480 Speaker 7: Oh alrighty, well, which chip do I choose? 1303 00:51:52,120 --> 00:51:53,440 Speaker 6: So there could be lost of chips on there? 1304 00:51:53,600 --> 00:51:54,680 Speaker 3: No, I just need more specific. 1305 00:51:54,760 --> 00:51:58,520 Speaker 7: Yeah, okay, uh oh man Dorito's. 1306 00:51:57,920 --> 00:51:59,320 Speaker 3: Show me Dorito's. 1307 00:52:01,600 --> 00:52:01,880 Speaker 9: Wow. 1308 00:52:02,239 --> 00:52:12,680 Speaker 2: Number one answer, Cheetos, Give me some cheetos. Number six answer, 1309 00:52:12,840 --> 00:52:14,759 Speaker 2: favorite crunchy snacks from the grocery store. 1310 00:52:14,760 --> 00:52:20,480 Speaker 7: Go ahead, okay, uh uh uh tortilla chips. 1311 00:52:20,600 --> 00:52:23,920 Speaker 3: You know like, show me tortilla chips. 1312 00:52:27,320 --> 00:52:28,040 Speaker 6: Is my favorite? 1313 00:52:28,080 --> 00:52:29,919 Speaker 2: You got yourself seven points. There A good job going 1314 00:52:29,920 --> 00:52:32,920 Speaker 2: over to lunchbox. Lunchbox two thousand. Bobby Bone Show listeners 1315 00:52:32,920 --> 00:52:36,839 Speaker 2: were asked, We're looking at your favorite crunchy snack from 1316 00:52:36,840 --> 00:52:37,600 Speaker 2: the grocery store. 1317 00:52:38,600 --> 00:52:42,040 Speaker 4: Yeah, give me cookies, show me. 1318 00:52:42,239 --> 00:52:44,319 Speaker 2: Give me, give me specific because again, it's not gonna 1319 00:52:44,360 --> 00:52:45,120 Speaker 2: be real general stuff. 1320 00:52:45,120 --> 00:52:49,000 Speaker 3: It's gonna be specific stuff. Uh give me Oreos, show 1321 00:52:49,040 --> 00:52:52,240 Speaker 3: me all up, not punching. 1322 00:52:53,400 --> 00:52:53,760 Speaker 1: Coldie? 1323 00:52:54,680 --> 00:52:55,920 Speaker 3: Yeah yeah, maybe not. 1324 00:52:56,520 --> 00:53:01,600 Speaker 2: Eddie, give me captain crunch Cereal, Show me captain crunch Cereal. 1325 00:53:02,920 --> 00:53:06,719 Speaker 2: Oh no, crunch all right, back over to Amy. Round 1326 00:53:06,800 --> 00:53:09,839 Speaker 2: number two. So points are double popcorn? 1327 00:53:13,040 --> 00:53:14,160 Speaker 3: Is that crunchy? 1328 00:53:14,239 --> 00:53:16,400 Speaker 6: Is sean pop crunchy? 1329 00:53:16,440 --> 00:53:18,040 Speaker 3: Are you? I mean? I like one kind of soft 1330 00:53:18,040 --> 00:53:22,359 Speaker 3: and the other, don't. 1331 00:53:21,640 --> 00:53:23,560 Speaker 7: I bet if I put popcorn in my round right now, 1332 00:53:23,600 --> 00:53:24,600 Speaker 7: I'm shot on it. 1333 00:53:24,640 --> 00:53:24,960 Speaker 6: You would be. 1334 00:53:25,480 --> 00:53:27,280 Speaker 3: I'm sure you're right showing popcorn. 1335 00:53:28,960 --> 00:53:29,120 Speaker 2: Right. 1336 00:53:30,640 --> 00:53:31,719 Speaker 3: Lunch Box. 1337 00:53:32,920 --> 00:53:33,880 Speaker 4: Checks mix. 1338 00:53:34,440 --> 00:53:45,239 Speaker 3: That's good, show me check pikes man, Betty. This is tough, 1339 00:53:45,280 --> 00:53:48,880 Speaker 3: but I'm gonna go with a veggie. Give me carrots. Nope, 1340 00:53:50,400 --> 00:53:51,960 Speaker 3: I just say nope. I don't even give it an option. 1341 00:53:52,080 --> 00:53:52,279 Speaker 4: Really. 1342 00:53:53,120 --> 00:53:54,759 Speaker 3: Round three has really been a tough one. 1343 00:53:54,840 --> 00:53:56,320 Speaker 6: I'm pivoting to produce as well. 1344 00:53:57,440 --> 00:54:00,600 Speaker 2: Apple Nope, yes, from produce. 1345 00:54:01,200 --> 00:54:01,799 Speaker 3: Lunch don't do. 1346 00:54:03,320 --> 00:54:12,360 Speaker 2: Snacks, say celery, go ahead, Uh gold Fish, show me 1347 00:54:12,440 --> 00:54:14,200 Speaker 2: gold fish. 1348 00:54:15,239 --> 00:54:16,799 Speaker 3: Triple points. Number nine. 1349 00:54:17,239 --> 00:54:19,960 Speaker 2: Lunchbox has twenty seven points and takes the lead. 1350 00:54:20,320 --> 00:54:24,160 Speaker 4: Thank you day. You know I'm tough. 1351 00:54:24,960 --> 00:54:31,439 Speaker 2: The three off the border, Dorito's, Cheetos and goldfish. 1352 00:54:30,760 --> 00:54:32,200 Speaker 4: You give me. 1353 00:54:36,560 --> 00:54:40,240 Speaker 8: Mixed nuts in your mouth? 1354 00:54:40,480 --> 00:54:41,439 Speaker 3: Mix nuts got. 1355 00:54:45,520 --> 00:54:45,800 Speaker 17: Eddie? 1356 00:54:45,880 --> 00:54:47,080 Speaker 3: Okay, Eddie? 1357 00:54:47,120 --> 00:54:49,120 Speaker 2: You have seven answers left here yeah, I know a 1358 00:54:49,160 --> 00:54:51,680 Speaker 2: lot of tooth from yes, and I've been holding out 1359 00:54:51,680 --> 00:54:52,680 Speaker 2: for the triple points. 1360 00:54:52,840 --> 00:54:53,399 Speaker 4: Are you ready? 1361 00:54:53,480 --> 00:54:54,760 Speaker 3: Lunchbox has twenty seven points? 1362 00:54:54,760 --> 00:54:58,919 Speaker 5: Go ahead, give me saltine crackers. 1363 00:54:59,120 --> 00:55:05,320 Speaker 8: What the normal cracker went, salting cracker, the favorite and 1364 00:55:05,320 --> 00:55:06,080 Speaker 8: the salting cracker. 1365 00:55:06,120 --> 00:55:11,000 Speaker 2: Give me salting cracker. And you got no points? So people, 1366 00:55:11,800 --> 00:55:13,920 Speaker 2: I figure that out? Yeah, no points. Maybe it was 1367 00:55:13,920 --> 00:55:14,560 Speaker 2: too hard a one. 1368 00:55:14,840 --> 00:55:15,799 Speaker 4: It was pretty hard to. 1369 00:55:15,719 --> 00:55:17,040 Speaker 6: Be potato chips. 1370 00:55:17,080 --> 00:55:17,759 Speaker 3: Yeah, number four? 1371 00:55:17,840 --> 00:55:24,520 Speaker 2: Okay, cheese it's yeah, number five? Okay, jesus what number seven? 1372 00:55:24,600 --> 00:55:24,880 Speaker 6: Okay? 1373 00:55:25,280 --> 00:55:27,000 Speaker 3: So when the pressure is off, you guys are rocking. 1374 00:55:27,360 --> 00:55:29,880 Speaker 4: That is I put old gee. 1375 00:55:29,600 --> 00:55:31,520 Speaker 3: No pretzels, Go ahead, White. 1376 00:55:31,360 --> 00:55:33,759 Speaker 8: Lunchbox, I said, I had cheese its and goldfish is 1377 00:55:33,800 --> 00:55:34,359 Speaker 8: the same thing. 1378 00:55:34,640 --> 00:55:35,560 Speaker 3: But it's not because I brain. 1379 00:55:35,680 --> 00:55:36,440 Speaker 4: Well, I get it now. 1380 00:55:36,480 --> 00:55:41,839 Speaker 3: I realized Nestley crunch no heart's booty. No, that's not 1381 00:55:42,160 --> 00:55:44,240 Speaker 3: you already said popcorn. Popcorn is not crunchy. 1382 00:55:44,280 --> 00:55:48,600 Speaker 2: Amy, Well, okay, anybody else want to take a shot. 1383 00:55:48,840 --> 00:55:51,120 Speaker 3: I mean, I don't know what cookie was crunchy none. 1384 00:55:51,160 --> 00:55:52,880 Speaker 3: I just said sended you to be SPECIFICD like cookies. 1385 00:55:52,960 --> 00:55:54,800 Speaker 3: That's not crunchy, okay. 1386 00:55:54,840 --> 00:55:57,960 Speaker 2: On is number two flaming hot Cheeto. 1387 00:55:59,320 --> 00:56:00,840 Speaker 3: Hold off, you got. 1388 00:56:00,680 --> 00:56:03,399 Speaker 2: Cheatos and Cheetos is flaming hot Cheetos. And I said, 1389 00:56:03,440 --> 00:56:08,200 Speaker 2: be specific, it's a whole different chip number three ruffles 1390 00:56:09,280 --> 00:56:13,160 Speaker 2: So they were all chips, no, because well las is four, 1391 00:56:13,239 --> 00:56:20,480 Speaker 2: Jesus five, Cheetos six, Pringle seven, number eight, Funians, chips, 1392 00:56:21,160 --> 00:56:27,960 Speaker 2: number ten, talkies, shit and your winner lunchbox. Whow he 1393 00:56:28,080 --> 00:56:32,520 Speaker 2: is the champ. That's a tough one. Big news is 1394 00:56:32,760 --> 00:56:34,560 Speaker 2: today's Amy's birthday, Happy birthday. 1395 00:56:34,640 --> 00:56:37,760 Speaker 3: And I have a segment coming up in a minute. 1396 00:56:37,760 --> 00:56:41,200 Speaker 2: It's like my top five Amy segments that make me 1397 00:56:41,320 --> 00:56:44,719 Speaker 2: laugh that I can think of pretty quickly. I didn't 1398 00:56:44,719 --> 00:56:46,600 Speaker 2: go through all eighteen years our time together, but the 1399 00:56:46,680 --> 00:56:48,760 Speaker 2: last few years okay, pretty funny. 1400 00:56:49,160 --> 00:56:49,960 Speaker 3: But Samy's birthday. 1401 00:56:50,000 --> 00:56:53,479 Speaker 2: And also I will say this, my wife is also 1402 00:56:53,600 --> 00:56:56,560 Speaker 2: very close with Amy. Sometimes I don't even check in 1403 00:56:56,640 --> 00:56:58,560 Speaker 2: with Amy. I just check in my wife, see Amy's doing. 1404 00:56:59,040 --> 00:57:00,319 Speaker 2: Or I used to call Amy be like what's up? 1405 00:57:00,320 --> 00:57:00,680 Speaker 3: How you been? 1406 00:57:00,719 --> 00:57:04,360 Speaker 2: I just asked Kate, Hey, how's Amy doing? So I 1407 00:57:04,400 --> 00:57:06,800 Speaker 2: asked my wife, because we have a gift for you together, 1408 00:57:07,600 --> 00:57:09,359 Speaker 2: and I said, can I make Amy gamble her gift 1409 00:57:09,360 --> 00:57:09,759 Speaker 2: on the air? 1410 00:57:10,320 --> 00:57:11,799 Speaker 3: What is that, like, we're gonna do with Eddie for 1411 00:57:11,880 --> 00:57:12,680 Speaker 3: his birthday this week? 1412 00:57:12,800 --> 00:57:13,440 Speaker 2: What do you do? 1413 00:57:13,560 --> 00:57:14,280 Speaker 6: What is the gamble? 1414 00:57:14,400 --> 00:57:14,840 Speaker 3: Well, no, I was. 1415 00:57:14,840 --> 00:57:16,200 Speaker 2: Gonna make a game and you got to keep your gift. 1416 00:57:17,600 --> 00:57:20,200 Speaker 2: And she was like, no, we're adults. This is our 1417 00:57:20,200 --> 00:57:20,680 Speaker 2: adult friend. 1418 00:57:20,720 --> 00:57:21,480 Speaker 3: But we're gonna do it. 1419 00:57:21,520 --> 00:57:23,320 Speaker 2: So we have your we have your gift, but she's 1420 00:57:23,440 --> 00:57:26,120 Speaker 2: gonna give it to you in an adult setting or 1421 00:57:26,120 --> 00:57:28,000 Speaker 2: where we are, or however, just not on the show. 1422 00:57:28,080 --> 00:57:29,360 Speaker 2: I thought I'd be hilarious. I want to do the 1423 00:57:29,400 --> 00:57:30,920 Speaker 2: same game that we're doing with Eddie or mat you 1424 00:57:30,960 --> 00:57:34,000 Speaker 2: gamble it. Maybe you want a bigger gift or lesser gift, 1425 00:57:34,920 --> 00:57:35,600 Speaker 2: but we're not doing that. 1426 00:57:35,640 --> 00:57:37,400 Speaker 6: I get it. But happy birthday, it's not my Gift's 1427 00:57:37,400 --> 00:57:37,760 Speaker 6: not a bit. 1428 00:57:39,000 --> 00:57:41,400 Speaker 3: That's pretty accurate. Yeah, but Eddie chose phrase to be 1429 00:57:41,440 --> 00:57:43,800 Speaker 3: a bit. Yeah, because I want the better gift. Yeah, 1430 00:57:43,800 --> 00:57:47,000 Speaker 3: but you could get the worst gift. I don't know. 1431 00:57:47,040 --> 00:57:49,000 Speaker 3: You want to do it? Amy? 1432 00:57:49,240 --> 00:57:50,920 Speaker 2: No, It's okay, Okay, my wife are killing me. It 1433 00:57:51,520 --> 00:57:54,400 Speaker 2: would be a good bit you okay, it's Amy's birthday. 1434 00:57:54,400 --> 00:57:55,960 Speaker 2: Happy birthday. We'll talk about that in a little bit. 1435 00:57:56,200 --> 00:57:56,360 Speaker 1: Now. 1436 00:57:56,400 --> 00:57:57,200 Speaker 3: Time for the news. 1437 00:57:57,560 --> 00:58:04,320 Speaker 2: Bobby's stories Allegedly, Bruno Mars is a fifty million dollar 1438 00:58:04,400 --> 00:58:08,720 Speaker 2: gambling debt with MGM Casino No way from complex. Yeah, 1439 00:58:08,880 --> 00:58:11,440 Speaker 2: Bruno Mars might be in some hot water with MGM. 1440 00:58:11,600 --> 00:58:15,520 Speaker 2: The singer announced a multi year residency in twenty sixteen. However, 1441 00:58:15,840 --> 00:58:18,160 Speaker 2: the relationship between the thirty year old and the hospitality 1442 00:58:18,200 --> 00:58:21,760 Speaker 2: giant may have gone sour, as the singer's gambling debts 1443 00:58:21,800 --> 00:58:25,640 Speaker 2: have allegedly wrecked up post to fifty million dollars. 1444 00:58:26,040 --> 00:58:26,640 Speaker 3: That's crazy. 1445 00:58:27,360 --> 00:58:28,360 Speaker 6: How is that possible? 1446 00:58:29,040 --> 00:58:32,480 Speaker 2: Playing in big, big games over a many many years. 1447 00:58:34,240 --> 00:58:37,560 Speaker 2: He makes one point five million a night performing in Vegas. 1448 00:58:39,120 --> 00:58:42,400 Speaker 2: But and that's if the story were different. If it's 1449 00:58:42,840 --> 00:58:46,040 Speaker 2: Bruno Mars has gambled and lost fifty million dollars, he's 1450 00:58:46,040 --> 00:58:48,680 Speaker 2: already paid for that's one thing. 1451 00:58:49,040 --> 00:58:51,280 Speaker 3: And that's wow. That guy lost a bunch of money. 1452 00:58:52,080 --> 00:58:54,960 Speaker 2: I think the golfer John Daly had that story where 1453 00:58:54,960 --> 00:58:57,080 Speaker 2: he had gambled and lost millions of dollars, But it 1454 00:58:57,120 --> 00:59:00,280 Speaker 2: wasn't that he's still owed millions of dollars. He was 1455 00:59:00,320 --> 00:59:02,600 Speaker 2: responsible in his irresponsibility, if that makes sense. 1456 00:59:03,280 --> 00:59:05,040 Speaker 6: Yeah, it sounds like they were just letting him play. 1457 00:59:05,120 --> 00:59:07,600 Speaker 3: He still was on fifty million let's how you like 1458 00:59:07,640 --> 00:59:09,920 Speaker 3: lose a neat cap or two? Or yeah, do they 1459 00:59:09,960 --> 00:59:10,720 Speaker 3: find you in the desert? 1460 00:59:11,560 --> 00:59:14,040 Speaker 2: I mean, does he or you have a residency until 1461 00:59:14,080 --> 00:59:15,520 Speaker 2: you die, because now you got to pay off the debt. 1462 00:59:16,520 --> 00:59:21,480 Speaker 2: He's like sixty doing twenty four k magic in the Yeah, up, down, 1463 00:59:22,200 --> 00:59:22,840 Speaker 2: give it to you. 1464 00:59:23,920 --> 00:59:25,080 Speaker 3: John Daily the golfer. 1465 00:59:25,320 --> 00:59:27,760 Speaker 2: Over a sixteen year period, he lost almost fifty five 1466 00:59:27,800 --> 00:59:30,680 Speaker 2: million through gambling with a single black jack can, costing 1467 00:59:30,720 --> 00:59:33,120 Speaker 2: him anything from five thousand to fifteen thousand. 1468 00:59:33,160 --> 00:59:37,240 Speaker 3: And that was back then ear what it? 1469 00:59:37,400 --> 00:59:39,760 Speaker 2: I like all Johnna saw a few weeks ago, but 1470 00:59:39,960 --> 00:59:41,960 Speaker 2: I didn't know that version. But man, I had been 1471 00:59:41,960 --> 00:59:44,480 Speaker 2: a fun one to hang out with. That's crazy. If 1472 00:59:44,480 --> 00:59:46,000 Speaker 2: I been, hey, I'll play a couple of year hands 1473 00:59:46,000 --> 00:59:50,080 Speaker 2: too for you. Dang Dad loses his entire savings to 1474 00:59:50,160 --> 00:59:53,600 Speaker 2: a scam email. A father who was looking forward to 1475 00:59:53,600 --> 00:59:56,080 Speaker 2: retirement is now struggling to make ends meet after losing 1476 00:59:56,160 --> 00:59:59,040 Speaker 2: his life savings in a cruel scam. With almost one 1477 00:59:59,120 --> 01:00:01,160 Speaker 2: hundred and fifty thousand dollars in his bank account, he 1478 01:00:01,200 --> 01:00:04,480 Speaker 2: felt safe and financially secure for the next years, but 1479 01:00:05,640 --> 01:00:11,800 Speaker 2: he got a message that somebody had left some inheritance 1480 01:00:11,800 --> 01:00:14,800 Speaker 2: in their will is one of those things. And because 1481 01:00:14,800 --> 01:00:16,360 Speaker 2: somebody had died in the family and he had some 1482 01:00:16,400 --> 01:00:19,080 Speaker 2: family in that area, and so he was entitled to 1483 01:00:19,080 --> 01:00:21,240 Speaker 2: it inheritance about three million bucks. He dec had to 1484 01:00:21,240 --> 01:00:24,560 Speaker 2: provide his details, he replied, and then gave the documents, 1485 01:00:24,840 --> 01:00:26,560 Speaker 2: and he had a cousin of the same name that 1486 01:00:26,600 --> 01:00:30,720 Speaker 2: they said had died, who had died. So all this 1487 01:00:30,760 --> 01:00:32,560 Speaker 2: stuff just happened to work out. It's a numbers game 1488 01:00:32,560 --> 01:00:36,600 Speaker 2: with these and so that's it. They said, I need 1489 01:00:36,600 --> 01:00:38,680 Speaker 2: to open a bank account in the Philippines in order 1490 01:00:38,680 --> 01:00:39,400 Speaker 2: to get my inheritance. 1491 01:00:39,560 --> 01:00:42,560 Speaker 3: That's where I would have stopped. Not me, I'd have 1492 01:00:42,600 --> 01:00:44,360 Speaker 3: been like, what the Philippines. 1493 01:00:44,840 --> 01:00:49,320 Speaker 7: Asking questions about did his cousin have millions of dollars? 1494 01:00:49,360 --> 01:00:50,360 Speaker 6: And they're leaving you three. 1495 01:00:50,600 --> 01:00:54,480 Speaker 2: It sucks because vulnerable people and we're vulnerable in different areas. 1496 01:00:54,320 --> 01:00:55,400 Speaker 3: Of our lives. 1497 01:00:54,760 --> 01:00:58,600 Speaker 2: I'm not saying that he's vulnerable and we're not, but 1498 01:00:58,640 --> 01:01:00,640 Speaker 2: in this area it seems he was probably a bit vulnerable. 1499 01:01:00,680 --> 01:01:03,760 Speaker 3: On his education of money and scams. That really sinks. 1500 01:01:03,880 --> 01:01:06,560 Speaker 2: Oh, I got a good one and I posted it 1501 01:01:06,600 --> 01:01:09,680 Speaker 2: on my Instagram, one that I almost fell for and 1502 01:01:09,720 --> 01:01:12,000 Speaker 2: you can watch because I posted it up the screen 1503 01:01:12,320 --> 01:01:15,080 Speaker 2: that I got to mister Bobby Bones is my Instagram. 1504 01:01:15,320 --> 01:01:17,360 Speaker 3: But it was a scam alert. 1505 01:01:17,240 --> 01:01:21,880 Speaker 2: To where it said so and so has requested money 1506 01:01:21,880 --> 01:01:25,040 Speaker 2: through Venmo and it was automatically taken from your account. 1507 01:01:25,800 --> 01:01:28,680 Speaker 3: If this is wrong, hits it, you know, call us. 1508 01:01:29,240 --> 01:01:30,840 Speaker 2: And I was like, what, I don't know this person, 1509 01:01:30,960 --> 01:01:34,960 Speaker 2: because people always request money. Listeners request money all the 1510 01:01:34,960 --> 01:01:38,720 Speaker 2: time on my Vemo, sometimes being funny, sometimes not. Because 1511 01:01:38,720 --> 01:01:40,440 Speaker 2: we've done things for charity, we're quickly, we're trying to 1512 01:01:40,480 --> 01:01:41,840 Speaker 2: raise money. I'm like, just send it here and I'll 1513 01:01:41,880 --> 01:01:43,959 Speaker 2: send it off to the charity. So it's out there, 1514 01:01:44,360 --> 01:01:47,640 Speaker 2: and for a second, I was like, this is not true. 1515 01:01:47,800 --> 01:01:49,560 Speaker 2: I thought about clicking it and I said, nope, this 1516 01:01:49,640 --> 01:01:50,720 Speaker 2: might be a scam. 1517 01:01:50,960 --> 01:01:53,040 Speaker 3: But it got me. It was close. It was a 1518 01:01:53,040 --> 01:01:54,840 Speaker 3: good one because I used the inmo all the time. 1519 01:01:55,480 --> 01:01:56,840 Speaker 2: So that's on my Instagram if you want to see 1520 01:01:56,840 --> 01:01:58,640 Speaker 2: it so you don't fall for it, mister Bobby Bones. 1521 01:01:58,920 --> 01:01:59,680 Speaker 3: That one's up there. 1522 01:02:00,000 --> 01:02:02,240 Speaker 2: An ailing seven hundred fifty pounds alligator a seat from 1523 01:02:02,240 --> 01:02:04,600 Speaker 2: a New York home after it was swim with the kids. 1524 01:02:04,840 --> 01:02:06,040 Speaker 3: It's a blind alligator. 1525 01:02:06,120 --> 01:02:11,200 Speaker 2: Yep, oh almost the blind or the deaf or whatever 1526 01:02:11,240 --> 01:02:13,080 Speaker 2: the alligator is, doesn't matter when it's seven hundred and 1527 01:02:13,080 --> 01:02:15,760 Speaker 2: fifty pounds and anytime, if it just gets a wild hare, 1528 01:02:15,760 --> 01:02:16,920 Speaker 2: it could kill anybody who's near. 1529 01:02:17,040 --> 01:02:19,040 Speaker 5: Yeah, but I feel like a blind alligator wouldn't just 1530 01:02:19,080 --> 01:02:19,919 Speaker 5: open its mouth and bite. 1531 01:02:20,400 --> 01:02:21,720 Speaker 3: What do you playing Marco Polo the whole time? 1532 01:02:21,800 --> 01:02:23,600 Speaker 2: Yeah, and then all of a sudden, if it gets 1533 01:02:23,680 --> 01:02:25,920 Speaker 2: angry and it knows that someone's like on top of it, 1534 01:02:25,920 --> 01:02:28,080 Speaker 2: it could turn in absolutely and you can't have that. 1535 01:02:28,240 --> 01:02:29,800 Speaker 4: Yeah, do you use it as a raft? Like what's 1536 01:02:29,800 --> 01:02:30,160 Speaker 4: going on? 1537 01:02:30,240 --> 01:02:31,560 Speaker 3: You do it until it eats you? 1538 01:02:31,600 --> 01:02:33,960 Speaker 2: Oh, Mark, But the homeowner allegedly allowed members of the 1539 01:02:33,960 --> 01:02:36,720 Speaker 2: public to get into the water with the alligator and 1540 01:02:36,800 --> 01:02:39,520 Speaker 2: pet it and do all kinds of stuff. Oh, that's 1541 01:02:39,520 --> 01:02:41,400 Speaker 2: from the New York Post. They took the alligator back. 1542 01:02:41,400 --> 01:02:44,280 Speaker 2: The allegators probably be a mystery. If I'm guessing, I'm imagining. 1543 01:02:44,320 --> 01:02:45,600 Speaker 2: That's not the best place for an allegiy. 1544 01:02:45,600 --> 01:02:47,280 Speaker 8: And if you're a parent, you're letting your kid get 1545 01:02:47,280 --> 01:02:48,920 Speaker 8: in the pool with the alligator. 1546 01:02:48,560 --> 01:02:50,960 Speaker 2: You are and just buddy, stop of eye, I guess. 1547 01:02:51,040 --> 01:02:52,720 Speaker 2: And how do you know the alligator's blind? Like, how 1548 01:02:52,720 --> 01:02:54,520 Speaker 2: do you test that? You try fake punch it and 1549 01:02:54,520 --> 01:02:56,400 Speaker 2: if it doesn't punch right. 1550 01:02:56,520 --> 01:02:59,160 Speaker 3: Yeah, that's the only way. Yeah yeah, yep, didn't see 1551 01:02:59,200 --> 01:03:00,360 Speaker 3: that one blind. 1552 01:03:00,520 --> 01:03:03,320 Speaker 2: The top reason one out of three people look forward 1553 01:03:03,320 --> 01:03:04,800 Speaker 2: to their significant other being away. 1554 01:03:04,840 --> 01:03:06,280 Speaker 3: That top reason is because they don't have to share 1555 01:03:06,280 --> 01:03:06,600 Speaker 3: a bed. 1556 01:03:07,080 --> 01:03:09,760 Speaker 2: Their partner sleeping habits consistently wake them up, and they're 1557 01:03:09,800 --> 01:03:12,600 Speaker 2: excited for a RESTful night's sleep. The most common partner 1558 01:03:12,640 --> 01:03:15,200 Speaker 2: sleep disruptors are snoring, playing on the phone, watching TV 1559 01:03:15,280 --> 01:03:17,960 Speaker 2: too loud. I'll turn the TV off. I do stay 1560 01:03:18,000 --> 01:03:19,920 Speaker 2: on my phone sometimes my wife goes to bed. So 1561 01:03:19,960 --> 01:03:23,040 Speaker 2: I've learned again to use the skill that I developed 1562 01:03:23,040 --> 01:03:24,680 Speaker 2: when I was a child of building a pillow fort. 1563 01:03:26,280 --> 01:03:28,960 Speaker 3: Build it because I put it. Now, I put air 1564 01:03:29,000 --> 01:03:29,320 Speaker 3: pods in. 1565 01:03:29,440 --> 01:03:32,080 Speaker 2: Okay, but I'll build a pillow fort over me so 1566 01:03:32,200 --> 01:03:35,160 Speaker 2: the light's not flashing through the room like a tent. Yeah, 1567 01:03:35,200 --> 01:03:38,560 Speaker 2: pillow fort interesting. Yeah. She was gone this weekend. She's 1568 01:03:38,600 --> 01:03:42,120 Speaker 2: back now. And at first is great because I was like, 1569 01:03:42,160 --> 01:03:44,240 Speaker 2: I can do whatever I want, eat whatever I want. 1570 01:03:44,440 --> 01:03:46,720 Speaker 2: I'm the party and we'll watch all the shows. I'll 1571 01:03:46,720 --> 01:03:50,320 Speaker 2: play place. I don't feel party, Yeah great, I don't 1572 01:03:50,320 --> 01:03:54,640 Speaker 2: feel very good today. I almost feel like, now she's 1573 01:03:54,720 --> 01:03:58,280 Speaker 2: needed because I'll go off the rails my version of 1574 01:03:58,280 --> 01:04:01,800 Speaker 2: off the rails. Yeah, yeah, is tough. Green Mattress survey. 1575 01:04:01,840 --> 01:04:04,560 Speaker 2: With that story, Netflix gives Black Mirror a seven season. 1576 01:04:04,600 --> 01:04:06,960 Speaker 2: Maybe my favorite show. It's the greatest show. 1577 01:04:07,240 --> 01:04:10,520 Speaker 3: They're oh, there's six, Yeah, but there's the seven. Yeah, 1578 01:04:10,880 --> 01:04:13,800 Speaker 3: it's it's amazing. It's my amazing. 1579 01:04:14,080 --> 01:04:16,360 Speaker 5: It's not for ever because it has like scenarios of 1580 01:04:16,440 --> 01:04:18,240 Speaker 5: stuff that hasn't happened yet but probably. 1581 01:04:18,040 --> 01:04:19,520 Speaker 3: Will maybe very much. 1582 01:04:19,640 --> 01:04:23,480 Speaker 2: What the darkness the technology can create, it kind of 1583 01:04:23,520 --> 01:04:27,400 Speaker 2: already has started. Yeah, it's it's the best show. That's 1584 01:04:27,400 --> 01:04:31,080 Speaker 2: from Hollywood Reporter. You want to talk about the Riley 1585 01:04:31,120 --> 01:04:34,920 Speaker 2: Strain story a bit. Yes, So this is a national story, 1586 01:04:35,240 --> 01:04:37,960 Speaker 2: the missing University of Missouri student Riley Strain, who was 1587 01:04:38,000 --> 01:04:38,640 Speaker 2: in Nashville. 1588 01:04:38,720 --> 01:04:40,200 Speaker 3: He was at Luke's Bar. 1589 01:04:40,880 --> 01:04:43,760 Speaker 2: There's footage from walking out of it, and then they 1590 01:04:43,800 --> 01:04:45,680 Speaker 2: haven't found him. Still right as of this morning, they 1591 01:04:45,680 --> 01:04:46,240 Speaker 2: haven't found him. 1592 01:04:46,240 --> 01:04:46,560 Speaker 3: Correct. 1593 01:04:47,200 --> 01:04:49,760 Speaker 2: The bar came out over the weekend and said, hey, 1594 01:04:50,000 --> 01:04:52,200 Speaker 2: we've looked at a bunch of footage. We served him 1595 01:04:52,240 --> 01:04:55,720 Speaker 2: one drink and two waters. Yeah, like one alcoholic drink 1596 01:04:55,720 --> 01:04:58,400 Speaker 2: at two waters. So it seems like he was already 1597 01:04:59,240 --> 01:05:01,800 Speaker 2: if what learned is true, pretty gone by the time 1598 01:05:01,800 --> 01:05:03,800 Speaker 2: he got to Luke's bar. Yeah, and then he went walking. 1599 01:05:04,440 --> 01:05:08,080 Speaker 2: And now they have discovered his bank card. 1600 01:05:08,440 --> 01:05:10,680 Speaker 5: Yes, these two girls that are on TikTok, they do 1601 01:05:10,720 --> 01:05:12,800 Speaker 5: like TikTok lives of them just kind of doing the 1602 01:05:12,840 --> 01:05:15,160 Speaker 5: search on their own. They're just kind of walking around 1603 01:05:15,200 --> 01:05:18,320 Speaker 5: that area where he disappeared, because surveillance has picked him 1604 01:05:18,400 --> 01:05:20,720 Speaker 5: up all the way to a certain area that's right 1605 01:05:20,760 --> 01:05:23,000 Speaker 5: by the river downtown, and so they've been kind of 1606 01:05:23,000 --> 01:05:24,280 Speaker 5: walking around just looking for stuff. 1607 01:05:24,320 --> 01:05:25,880 Speaker 3: And they found his bank card by the river. 1608 01:05:25,960 --> 01:05:28,120 Speaker 8: By the river, yeah, and like a homeless camp. And 1609 01:05:28,200 --> 01:05:31,120 Speaker 8: it looks I mean it's like the edge is right there. 1610 01:05:31,160 --> 01:05:33,560 Speaker 8: It looks like it's like straight down if you go 1611 01:05:33,640 --> 01:05:34,400 Speaker 8: another two feet. 1612 01:05:34,480 --> 01:05:36,120 Speaker 2: So what are people thinking that he fell in the 1613 01:05:36,200 --> 01:05:39,439 Speaker 2: river or that somebody got him. 1614 01:05:39,880 --> 01:05:41,600 Speaker 4: I think he fell in the river, like. 1615 01:05:42,640 --> 01:05:44,200 Speaker 2: You guys said that like last week on the show. 1616 01:05:44,240 --> 01:05:46,000 Speaker 2: I mean, it just seems probable. 1617 01:05:45,640 --> 01:05:47,640 Speaker 8: Unless he was at the homeleost camp and the homeless 1618 01:05:47,760 --> 01:05:49,800 Speaker 8: you know what I mean, that you could but his 1619 01:05:49,840 --> 01:05:51,960 Speaker 8: bank card was there the homeless that they were robbing him. 1620 01:05:52,240 --> 01:05:53,880 Speaker 8: I think they would have taken his bank card and 1621 01:05:54,000 --> 01:05:56,680 Speaker 8: used it. I think it's more likely he just dropped 1622 01:05:56,680 --> 01:05:59,680 Speaker 8: it was like holding in his hand, yeah, and then 1623 01:05:59,720 --> 01:06:01,000 Speaker 8: maybe bent over to pick it up. 1624 01:06:01,120 --> 01:06:03,680 Speaker 5: There was even a body found in the river and 1625 01:06:03,720 --> 01:06:05,440 Speaker 5: the police went and it wasn't him. 1626 01:06:05,720 --> 01:06:07,960 Speaker 7: Yeah, yeah, that's what. Right when I saw that headline, 1627 01:06:08,000 --> 01:06:08,560 Speaker 7: I thought. 1628 01:06:08,320 --> 01:06:10,520 Speaker 3: Oh wow, just a random body that they didn't know. 1629 01:06:10,640 --> 01:06:12,240 Speaker 3: It did not match. This could have been washed out 1630 01:06:12,240 --> 01:06:12,880 Speaker 3: from anywhere though. 1631 01:06:13,360 --> 01:06:14,880 Speaker 6: Yeah it was in the Cumberland River. 1632 01:06:15,720 --> 01:06:17,600 Speaker 2: Mega millions from MAYBC News up to eight hundred and 1633 01:06:17,600 --> 01:06:20,120 Speaker 2: seventy five million bucks after another drawing with no winter. 1634 01:06:20,960 --> 01:06:26,000 Speaker 3: So there you go. That is the news. Bobby's Stories. 1635 01:06:28,280 --> 01:06:29,240 Speaker 3: Today's Amy's birthday. 1636 01:06:29,240 --> 01:06:30,800 Speaker 2: We're very happy to have Amy on our show and 1637 01:06:30,840 --> 01:06:32,960 Speaker 2: in our life, and it's a big, big day for her. 1638 01:06:33,520 --> 01:06:36,680 Speaker 2: I have five moments that when I thought, how can 1639 01:06:36,720 --> 01:06:39,040 Speaker 2: I celebrate Amy on the air, and then I just 1640 01:06:39,040 --> 01:06:41,480 Speaker 2: started laughing about moments that maybe weren't a celebration or 1641 01:06:41,520 --> 01:06:42,560 Speaker 2: you and those are the ones I grabbed. 1642 01:06:42,680 --> 01:06:43,600 Speaker 6: Okay, of course that's. 1643 01:06:43,480 --> 01:06:44,760 Speaker 3: What we would do here, right, It's all love. 1644 01:06:44,880 --> 01:06:48,640 Speaker 2: Yeah, yeah, and again this isn't They're not bad stuff. 1645 01:06:48,680 --> 01:06:50,440 Speaker 2: But like number five, the time that you sang with 1646 01:06:50,520 --> 01:06:54,760 Speaker 2: Ryan Hurd, because you were like, oh boy, I remember 1647 01:06:55,080 --> 01:06:57,760 Speaker 2: you were like chasing after you that song. You thought 1648 01:06:57,760 --> 01:06:59,840 Speaker 2: it was in your wheelhouse of singing, because sometimes we'll 1649 01:06:59,840 --> 01:07:00,960 Speaker 2: say in the shower and be like, I'm kind of 1650 01:07:00,960 --> 01:07:01,600 Speaker 2: good at that song. 1651 01:07:01,800 --> 01:07:03,680 Speaker 6: This was in my car. I always felt like it's 1652 01:07:04,320 --> 01:07:05,240 Speaker 6: coming up just right. 1653 01:07:05,400 --> 01:07:07,600 Speaker 2: You have a car, And so Ryan Hurd came up 1654 01:07:07,600 --> 01:07:10,080 Speaker 2: and they performed it together, and was it an Amy's Wilhouse. 1655 01:07:10,240 --> 01:07:12,880 Speaker 3: You go my number five moment. Go ahead, listen. 1656 01:07:14,440 --> 01:07:17,240 Speaker 6: Wish I could quit you, but it feels too good. 1657 01:07:18,120 --> 01:07:20,720 Speaker 7: If I could turn it off, you know I would, 1658 01:07:21,640 --> 01:07:25,640 Speaker 7: But something bout you makes me think we could make 1659 01:07:25,800 --> 01:07:26,880 Speaker 7: it after all. 1660 01:07:28,960 --> 01:07:32,000 Speaker 2: Yeah, I know it's a matter of time to you 1661 01:07:32,160 --> 01:07:35,640 Speaker 2: walk to you walk back out of my lively me. 1662 01:07:35,720 --> 01:07:39,520 Speaker 3: Standing he lone, live, feeling like food. 1663 01:07:42,520 --> 01:07:46,200 Speaker 2: Every time every time you say where you're done, you 1664 01:07:46,280 --> 01:07:47,960 Speaker 2: come back to the love. 1665 01:07:47,920 --> 01:07:50,840 Speaker 3: You were on it from. Don't know why, I don't 1666 01:07:50,840 --> 01:07:51,520 Speaker 3: know why. 1667 01:07:51,600 --> 01:07:56,600 Speaker 5: I'll let you, but a dude, good, I love chasing it, 1668 01:07:57,800 --> 01:07:58,560 Speaker 5: do you? 1669 01:08:13,600 --> 01:08:14,160 Speaker 3: That's good? 1670 01:08:16,240 --> 01:08:16,519 Speaker 15: Thanks? 1671 01:08:16,560 --> 01:08:20,120 Speaker 7: Guys, you are really super supportive at the end, because 1672 01:08:20,120 --> 01:08:22,320 Speaker 7: that is really hard. 1673 01:08:22,080 --> 01:08:22,679 Speaker 6: To hear back. 1674 01:08:22,800 --> 01:08:23,839 Speaker 3: It wasn't terrible. 1675 01:08:23,960 --> 01:08:25,840 Speaker 2: It was pretty terrible. No, I would say it was 1676 01:08:25,960 --> 01:08:28,479 Speaker 2: pretty bad, but it wasn't terrible. And I think when 1677 01:08:28,479 --> 01:08:30,960 Speaker 2: he was singing you actually attached to him and saying, 1678 01:08:31,120 --> 01:08:31,960 Speaker 2: you know, doubled. 1679 01:08:31,680 --> 01:08:32,160 Speaker 3: It pretty much. 1680 01:08:32,320 --> 01:08:34,400 Speaker 6: Obviously the part in the car where I felt. 1681 01:08:34,360 --> 01:08:37,080 Speaker 3: I know that part. Yeah, oh I heard Ryan going 1682 01:08:37,080 --> 01:08:38,439 Speaker 3: down to her level because he didn't know what to do. 1683 01:08:38,560 --> 01:08:42,000 Speaker 3: Is that's number five? That's okay, fun great. 1684 01:08:42,080 --> 01:08:45,439 Speaker 2: Number four the time that she called Rascal flats old 1685 01:08:45,680 --> 01:08:48,679 Speaker 2: like she was interviewing him at the CMA's the fiftieth CMA's, 1686 01:08:49,200 --> 01:08:50,920 Speaker 2: and then she asked a certain question about how many 1687 01:08:50,960 --> 01:08:52,040 Speaker 2: times they had been to the CMA's. 1688 01:08:52,040 --> 01:08:54,160 Speaker 7: Here you go, so it's the fiftieth CMA works. 1689 01:08:54,240 --> 01:08:57,639 Speaker 6: It's like you're forty ninth. Not I'm not saying no, no. 1690 01:08:57,439 --> 01:09:00,519 Speaker 7: No, no, I I want to tell you that's don't know, 1691 01:09:04,040 --> 01:09:04,639 Speaker 7: no no. 1692 01:09:04,439 --> 01:09:05,000 Speaker 6: No no. 1693 01:09:06,560 --> 01:09:08,599 Speaker 15: It cuts like a knife, it really does. 1694 01:09:08,720 --> 01:09:10,080 Speaker 3: I use the fiftieth. 1695 01:09:10,120 --> 01:09:15,560 Speaker 14: It's just your fort Sue. 1696 01:09:16,560 --> 01:09:19,360 Speaker 7: Listen, you have a moment because after that came out 1697 01:09:19,360 --> 01:09:20,800 Speaker 7: of my mouth, I realized how you were going to 1698 01:09:20,840 --> 01:09:21,200 Speaker 7: take it. 1699 01:09:21,640 --> 01:09:24,120 Speaker 3: Forty nine is ill. Yeah, that's pretty funny. 1700 01:09:24,800 --> 01:09:25,800 Speaker 6: I don't know what I was thinking. 1701 01:09:26,080 --> 01:09:28,400 Speaker 2: Actually, one of the most famous clips the time that 1702 01:09:28,439 --> 01:09:31,160 Speaker 2: she glitched, which made me feel like I'm living in 1703 01:09:31,160 --> 01:09:33,160 Speaker 2: a simulation because she just broke in front of me. 1704 01:09:33,520 --> 01:09:35,320 Speaker 3: She was trying to say, macboat. 1705 01:09:35,439 --> 01:09:37,800 Speaker 2: It was a fun fact Friday, and she was trying 1706 01:09:37,800 --> 01:09:42,559 Speaker 2: to read this, there's a mcboat McDonald's location in Germany 1707 01:09:42,840 --> 01:09:45,920 Speaker 2: which has a float through instead of a drive through. 1708 01:09:46,400 --> 01:09:48,400 Speaker 2: You paddle up to the dock, place your order and 1709 01:09:48,439 --> 01:09:50,720 Speaker 2: it's brought to you by the staff. So she was 1710 01:09:50,720 --> 01:09:54,040 Speaker 2: trying to say, there's a mcboat McDonald's location in Germany. 1711 01:09:54,080 --> 01:09:56,040 Speaker 3: Here you go, so you can paddle. 1712 01:09:55,760 --> 01:09:57,479 Speaker 7: Up on a dock, place your order and then it's 1713 01:09:57,479 --> 01:09:59,759 Speaker 7: brought out to you by the staff and it's called 1714 01:10:00,160 --> 01:10:02,920 Speaker 7: note mcmont. 1715 01:10:03,360 --> 01:10:03,880 Speaker 6: I don't know. 1716 01:10:04,120 --> 01:10:06,560 Speaker 3: I don't either. Again, just just a clip. 1717 01:10:07,240 --> 01:10:10,240 Speaker 6: Nick note mcmonte mcmont. 1718 01:10:10,360 --> 01:10:11,400 Speaker 3: Something broke in her brain. 1719 01:10:12,960 --> 01:10:14,920 Speaker 2: It sounds like we took the clip and like flipped it, 1720 01:10:15,000 --> 01:10:17,200 Speaker 2: like like put your thing down, flip it in reverse. 1721 01:10:17,240 --> 01:10:20,160 Speaker 6: It some dang dong, Nick doe mcmont. 1722 01:10:20,600 --> 01:10:22,080 Speaker 3: That's my favorite. That's my favorite. 1723 01:10:22,120 --> 01:10:26,960 Speaker 2: Amy clip Number two very recent, the time that Amy 1724 01:10:27,000 --> 01:10:29,000 Speaker 2: recorded a thirty minute podcast. 1725 01:10:28,560 --> 01:10:33,880 Speaker 3: With the guest Mic Down when she had a guess 1726 01:10:33,920 --> 01:10:34,800 Speaker 3: it's very soon, I know. 1727 01:10:34,760 --> 01:10:37,120 Speaker 2: But I can't stop thinking about it where she had 1728 01:10:37,160 --> 01:10:39,560 Speaker 2: a guest and for thirty minutes she didn't have the 1729 01:10:39,600 --> 01:10:43,720 Speaker 2: guest mic on. The guest mike was basically just a paperweight, 1730 01:10:44,439 --> 01:10:46,599 Speaker 2: and you could only hear the guests through Amy's mike, 1731 01:10:46,600 --> 01:10:47,639 Speaker 2: which is all the way across. 1732 01:10:48,320 --> 01:10:48,880 Speaker 3: And so. 1733 01:10:50,640 --> 01:10:53,840 Speaker 2: Even on top of that, at the top of the podcast, 1734 01:10:53,880 --> 01:10:55,799 Speaker 2: she started it by saying, yeah, we're good with the levels. 1735 01:10:56,479 --> 01:10:58,760 Speaker 2: Fun fact, she was not good with the levels. Here 1736 01:10:58,800 --> 01:11:00,639 Speaker 2: you go, I don't I don't. 1737 01:11:00,439 --> 01:11:02,280 Speaker 6: Even gonna use them. 1738 01:11:02,320 --> 01:11:06,559 Speaker 7: We're good, We're good. It's all the levels are set. 1739 01:11:06,840 --> 01:11:09,080 Speaker 7: We use these all the time. And so this is 1740 01:11:09,080 --> 01:11:11,479 Speaker 7: one from the other day. I don't even believe myself 1741 01:11:11,520 --> 01:11:13,160 Speaker 7: when I say I'll be ready in five minutes. 1742 01:11:13,720 --> 01:11:15,040 Speaker 6: I'm way to everything. 1743 01:11:15,200 --> 01:11:20,200 Speaker 3: Unless it's probably bad to admit. 1744 01:11:20,400 --> 01:11:23,080 Speaker 6: But were you ever sent home? 1745 01:11:23,920 --> 01:11:26,599 Speaker 3: I was never sent but I got to see it again. 1746 01:11:26,960 --> 01:11:29,640 Speaker 2: We had to take that Internet Max because there was 1747 01:11:29,680 --> 01:11:33,320 Speaker 2: no That's so funny. That was like two weeks ago, 1748 01:11:34,760 --> 01:11:37,120 Speaker 2: and it's Amy's birthday, so to celebrate. 1749 01:11:37,400 --> 01:11:42,720 Speaker 7: We're playing Top five most embarrassing memorable. 1750 01:11:42,880 --> 01:11:44,880 Speaker 2: The Ryan Hurt thing was so fun to hear back. 1751 01:11:44,920 --> 01:11:46,240 Speaker 2: It wasn't about it embarrassing. 1752 01:11:46,280 --> 01:11:49,000 Speaker 6: That is a fun memory. Like, that's a cool thing. 1753 01:11:49,080 --> 01:11:49,559 Speaker 3: We get to do. 1754 01:11:49,720 --> 01:11:55,560 Speaker 6: It just is painful to hear, right, mcmont. 1755 01:11:56,600 --> 01:11:58,920 Speaker 2: Number one any idea what I picked is the number 1756 01:11:58,920 --> 01:12:01,720 Speaker 2: one Amy moment. I have a guess you probably will 1757 01:12:01,720 --> 01:12:02,920 Speaker 2: get it as soon as I said you'll get like, 1758 01:12:02,960 --> 01:12:04,000 Speaker 2: oh yeah, of course, go ahead. 1759 01:12:04,240 --> 01:12:10,040 Speaker 3: I'm guessing it's when she almost died of thee So 1760 01:12:11,200 --> 01:12:12,920 Speaker 3: I'm not sure why you had to take the shot. 1761 01:12:13,439 --> 01:12:16,719 Speaker 7: I think my name landed on the wheel, the wheel 1762 01:12:16,760 --> 01:12:18,640 Speaker 7: of death basically. 1763 01:12:18,200 --> 01:12:21,000 Speaker 2: And Amy took the hottest shot, and she just like 1764 01:12:21,040 --> 01:12:22,960 Speaker 2: a champ like she does, she just took it. 1765 01:12:24,240 --> 01:12:27,240 Speaker 3: And then I thought for a second we were all losing. 1766 01:12:27,120 --> 01:12:31,960 Speaker 2: Our jobs because it looked like she was dying. She's 1767 01:12:32,000 --> 01:12:34,520 Speaker 2: like screaming at us. 1768 01:12:35,160 --> 01:12:36,760 Speaker 8: First she was there freaking out, and we all just 1769 01:12:36,800 --> 01:12:39,080 Speaker 8: looked at her, and Bobby goes, someone. 1770 01:12:38,800 --> 01:12:41,320 Speaker 2: Help her, yelp. 1771 01:12:41,880 --> 01:12:42,599 Speaker 3: Like Joe, get her. 1772 01:12:42,640 --> 01:12:44,400 Speaker 2: Okay, here's let me play the clip. We'll address it afterward. 1773 01:12:44,400 --> 01:12:46,559 Speaker 2: Here's the time Amy took the world's hottest shot. She 1774 01:12:46,600 --> 01:12:56,360 Speaker 2: took the shots. Oh, give her some. 1775 01:12:56,280 --> 01:13:01,400 Speaker 3: Water or something. Let's help her, rocks helper, give her 1776 01:13:01,439 --> 01:13:06,519 Speaker 3: some water, give her some water. Let to give her 1777 01:13:06,600 --> 01:13:07,960 Speaker 3: some water from. 1778 01:13:07,920 --> 01:13:12,479 Speaker 4: Hard were gonna have water ready for this here water. 1779 01:13:12,680 --> 01:13:16,760 Speaker 3: Milk shaky, she was shaking, she was going through like convulsions. 1780 01:13:17,200 --> 01:13:17,839 Speaker 6: We were scary. 1781 01:13:18,040 --> 01:13:20,360 Speaker 3: We were scared of death. Now there's definitely a fear 1782 01:13:20,360 --> 01:13:20,920 Speaker 3: in our voices. 1783 01:13:20,960 --> 01:13:24,439 Speaker 8: And not like Eddie says, box help her, like you're 1784 01:13:24,520 --> 01:13:25,799 Speaker 8: closer to running cameras. 1785 01:13:26,240 --> 01:13:28,360 Speaker 3: Eddie was not letting go of his cameras any. 1786 01:13:28,280 --> 01:13:31,240 Speaker 8: In the news guy can't help the victim, gotta gotta film. 1787 01:13:31,479 --> 01:13:32,960 Speaker 3: Uh, But but he did have. 1788 01:13:32,920 --> 01:13:35,000 Speaker 2: Something to do, and you weren't doing anything except standing 1789 01:13:35,040 --> 01:13:36,639 Speaker 2: on the stair at I was watching her man. 1790 01:13:36,560 --> 01:13:39,640 Speaker 5: But even Lunchboks's voices like I don't have anything, I 1791 01:13:39,640 --> 01:13:40,679 Speaker 5: don't know what to do. 1792 01:13:40,960 --> 01:13:43,479 Speaker 7: I think what we learned from that is we need 1793 01:13:43,479 --> 01:13:47,880 Speaker 7: to anticipate. You know what happens when you eat the world's. 1794 01:13:47,520 --> 01:13:49,080 Speaker 6: Hottest one milk. 1795 01:13:49,160 --> 01:13:52,519 Speaker 7: We had nothing to soothe me at all whatsoever. And 1796 01:13:52,520 --> 01:13:54,800 Speaker 7: so then when I went and I was spitting up, 1797 01:13:55,200 --> 01:13:58,720 Speaker 7: the hot shot was then on my face, burning and 1798 01:13:58,760 --> 01:14:01,760 Speaker 7: it felt like a chemical peel, like all around my 1799 01:14:01,880 --> 01:14:03,240 Speaker 7: mouth where you pay. 1800 01:14:03,040 --> 01:14:05,880 Speaker 2: For those you don't want that for free, right and 1801 01:14:05,920 --> 01:14:08,120 Speaker 2: listen to the intensity of her screen. 1802 01:14:08,200 --> 01:14:10,200 Speaker 7: Yeah, that's when it got real, Like I thought, I 1803 01:14:10,400 --> 01:14:12,760 Speaker 7: thought myself like, I I'm going to the hospital. 1804 01:14:13,000 --> 01:14:16,120 Speaker 3: This is really bad. We thought it was really bad too. 1805 01:14:16,680 --> 01:14:19,880 Speaker 3: She took the shot. Oh she's gonna puke. Oh, oh, 1806 01:14:20,040 --> 01:14:28,960 Speaker 3: she's peking. Give her some water or something. Lunchbox helper, 1807 01:14:30,080 --> 01:14:33,479 Speaker 3: lunchbox helper, give her some water, Give her some water. 1808 01:14:36,320 --> 01:14:37,280 Speaker 3: To give her some water. 1809 01:14:39,560 --> 01:14:40,960 Speaker 4: We gotta have water ready for this. 1810 01:14:41,720 --> 01:14:46,960 Speaker 3: Here's water, milk shaking. She was shaking that where she goes. No, 1811 01:14:47,520 --> 01:14:48,880 Speaker 3: it's scary. It was scary. 1812 01:14:49,439 --> 01:14:54,200 Speaker 8: Birthday shots, shot shot. 1813 01:14:54,520 --> 01:14:56,320 Speaker 3: I mean you made it past that though. That's something 1814 01:14:56,360 --> 01:14:57,400 Speaker 3: to celebrate. 1815 01:14:57,880 --> 01:14:58,920 Speaker 6: A lot over the years. 1816 01:15:00,040 --> 01:15:01,040 Speaker 3: What are you doing for your birthday? 1817 01:15:01,320 --> 01:15:04,080 Speaker 7: Well, my daughter has a softball game tonight, So what 1818 01:15:04,080 --> 01:15:05,080 Speaker 7: are you doing for your birthday? 1819 01:15:05,120 --> 01:15:06,360 Speaker 6: Well, I'm going to her. 1820 01:15:06,320 --> 01:15:08,160 Speaker 7: Softball game, which were fun, and then my son will 1821 01:15:08,160 --> 01:15:10,880 Speaker 7: be there and then with the kids will go to eat. 1822 01:15:10,960 --> 01:15:12,920 Speaker 7: And then I think, yeah, some friends that are coming 1823 01:15:12,960 --> 01:15:14,840 Speaker 7: to the game, may we just may all go eat. 1824 01:15:14,920 --> 01:15:17,759 Speaker 7: My best friend from high school's coming in town this weekend, Andrea, 1825 01:15:17,840 --> 01:15:20,800 Speaker 7: which is how Bobby and I met nineteen. 1826 01:15:20,479 --> 01:15:24,439 Speaker 6: Years ago, which is crazy. And uh, we'll probably just 1827 01:15:24,439 --> 01:15:25,840 Speaker 6: do a little something over the weekend. I don't know. 1828 01:15:25,960 --> 01:15:29,679 Speaker 7: She's been like she hates I wanted to get a massages, 1829 01:15:29,760 --> 01:15:31,360 Speaker 7: and I remembered she hates massages. 1830 01:15:31,640 --> 01:15:33,360 Speaker 6: She doesn't like to get touched, but she. 1831 01:15:33,560 --> 01:15:35,800 Speaker 3: Oh your friends from you as a birthday. 1832 01:15:35,840 --> 01:15:39,719 Speaker 2: She's like, you know she hates massages for a birthday. 1833 01:15:39,880 --> 01:15:41,160 Speaker 6: Yeah no, But I kind of thought. 1834 01:15:41,200 --> 01:15:42,960 Speaker 7: I thought that's we maybe have a spa day with 1835 01:15:43,000 --> 01:15:45,080 Speaker 7: some other girlfriends. And I was like, oh, shoot, you know, 1836 01:15:45,160 --> 01:15:47,680 Speaker 7: I'm hosting my best friend and she literally does not 1837 01:15:47,800 --> 01:15:50,680 Speaker 7: like to be touched in that you Yeah, she'll do 1838 01:15:50,840 --> 01:15:52,160 Speaker 7: of course she would do it. But I want to 1839 01:15:52,160 --> 01:15:54,360 Speaker 7: be considered if someone's coming into town to hang out 1840 01:15:54,400 --> 01:15:55,800 Speaker 7: with me, so I don't. 1841 01:15:55,960 --> 01:15:57,000 Speaker 6: I don't know. We'll pivot. 1842 01:15:57,320 --> 01:16:00,280 Speaker 2: Well, we do have you a gift. My I's a 1843 01:16:00,280 --> 01:16:01,280 Speaker 2: part of it. So I'm not going to give it 1844 01:16:01,280 --> 01:16:02,639 Speaker 2: to you on the air because my wife's a part 1845 01:16:02,640 --> 01:16:04,439 Speaker 2: of it. And it's like a serious human gift as 1846 01:16:04,479 --> 01:16:07,120 Speaker 2: opposed to what Eddie's birthday is this later this week, 1847 01:16:07,400 --> 01:16:10,240 Speaker 2: which is a it's a bit but you love to gamble. 1848 01:16:10,320 --> 01:16:13,920 Speaker 3: Amy wouldn't allow me to gamble her gift. I would, 1849 01:16:14,000 --> 01:16:14,920 Speaker 3: though I would allow it. 1850 01:16:14,960 --> 01:16:16,679 Speaker 6: I don't think Caitlin would. 1851 01:16:17,160 --> 01:16:19,040 Speaker 3: You don't want to gamble, Okay, you just don't want 1852 01:16:19,080 --> 01:16:19,439 Speaker 3: to gamble. 1853 01:16:20,360 --> 01:16:21,160 Speaker 6: Is it that good? 1854 01:16:21,400 --> 01:16:22,720 Speaker 2: No, I'm just saying you don't want to gamble it 1855 01:16:22,760 --> 01:16:24,320 Speaker 2: because my wife will kill me and then I won't 1856 01:16:24,320 --> 01:16:25,240 Speaker 2: be good mood when i'm here. 1857 01:16:25,600 --> 01:16:26,000 Speaker 6: Perfect. 1858 01:16:26,080 --> 01:16:30,920 Speaker 2: Yeah. Happy birthday, good times, Yeah, happy birthday. She's twenty nine, man, Wow, 1859 01:16:31,200 --> 01:16:31,720 Speaker 2: you look great. 1860 01:16:31,760 --> 01:16:32,080 Speaker 3: Amy. 1861 01:16:32,160 --> 01:16:34,120 Speaker 6: Hey, I'm forty three and that is okay. 1862 01:16:34,280 --> 01:16:37,200 Speaker 3: And she's been to forty two cmas. 1863 01:16:37,360 --> 01:16:41,519 Speaker 2: All right, Bobby Bones showad sorry up today. 1864 01:16:42,160 --> 01:16:45,639 Speaker 8: This story comes to us from Texas. A sixty nine 1865 01:16:45,680 --> 01:16:47,800 Speaker 8: year old man's at the gym and he really wants 1866 01:16:47,840 --> 01:16:51,000 Speaker 8: to get his leg press on, but someone's on the machine, 1867 01:16:51,120 --> 01:16:52,599 Speaker 8: so he said there. He's like, hey, how many more 1868 01:16:52,640 --> 01:16:55,840 Speaker 8: sets you got? Guys like, oh, two more? Got kesel 1869 01:16:56,320 --> 01:16:58,400 Speaker 8: pushing his weights up with the legs. Sixty nine year 1870 01:16:58,400 --> 01:17:00,000 Speaker 8: old man's like, you're taking too long. 1871 01:17:00,280 --> 01:17:01,479 Speaker 15: Stab stab him? 1872 01:17:02,360 --> 01:17:03,120 Speaker 4: Stab him? 1873 01:17:03,439 --> 01:17:05,040 Speaker 2: Oh my god, where did he hide the knife? We're 1874 01:17:05,040 --> 01:17:06,519 Speaker 2: at the gym, you're in shorts and a T shirt. 1875 01:17:06,600 --> 01:17:08,519 Speaker 8: Yeah yeah, I don't know if he went back to 1876 01:17:08,520 --> 01:17:10,680 Speaker 8: the locker room to go, oh my god, but he 1877 01:17:10,720 --> 01:17:11,720 Speaker 8: stabbed him. 1878 01:17:12,000 --> 01:17:13,920 Speaker 3: Did the guy finish his sets? At least? I don't 1879 01:17:13,960 --> 01:17:15,479 Speaker 3: think so well. I'd pumping out of him. I would 1880 01:17:15,520 --> 01:17:16,760 Speaker 3: Kevin Coogan makes finish. 1881 01:17:16,640 --> 01:17:19,200 Speaker 4: And then he told people who else wants some nobody? 1882 01:17:19,320 --> 01:17:21,760 Speaker 3: It's your machine man. They take a machine home if 1883 01:17:21,760 --> 01:17:22,960 Speaker 3: you want it. Got Lee. 1884 01:17:23,080 --> 01:17:25,720 Speaker 4: Okay, I'm much mins. That's your bonehead story of the day. 1885 01:17:27,400 --> 01:17:30,000 Speaker 2: I'm feeling super great and I think it's my own fault. 1886 01:17:30,040 --> 01:17:31,880 Speaker 2: My wife was out of town all weekend. It's all 1887 01:17:31,880 --> 01:17:32,680 Speaker 2: went hard. 1888 01:17:33,320 --> 01:17:34,280 Speaker 3: I just want stupid. 1889 01:17:34,320 --> 01:17:34,680 Speaker 14: What do you mean? 1890 01:17:34,720 --> 01:17:36,120 Speaker 3: What you do? Ok? I et everything I should and 1891 01:17:36,800 --> 01:17:38,800 Speaker 3: I like play video games all the time. 1892 01:17:39,000 --> 01:17:42,200 Speaker 2: I just don't feel great, and I think it's because 1893 01:17:42,240 --> 01:17:45,000 Speaker 2: of that. I made a video like I was the 1894 01:17:45,000 --> 01:17:46,800 Speaker 2: first of it. It was like early Saturday morning, and I 1895 01:17:46,840 --> 01:17:49,400 Speaker 2: was like, the wife's away, the cat will play. 1896 01:17:50,160 --> 01:17:53,800 Speaker 3: Oh I don't. I'm not good. We'd be losers, dude, 1897 01:17:53,800 --> 01:17:55,200 Speaker 3: we didn't. I'm telling you. 1898 01:17:55,439 --> 01:17:56,800 Speaker 2: There would have been a point where she just because 1899 01:17:56,800 --> 01:17:58,559 Speaker 2: I ordered some cookies called Pink Door cookies. 1900 01:17:58,720 --> 01:18:00,439 Speaker 3: I never heard of Pink Door. But what I did 1901 01:18:00,560 --> 01:18:02,400 Speaker 3: is I ordered dinner and I was like, you can 1902 01:18:02,400 --> 01:18:04,240 Speaker 3: attach it to this, and. 1903 01:18:04,160 --> 01:18:09,280 Speaker 2: So ordered three Golden gram slash like snicker do with 1904 01:18:09,320 --> 01:18:11,680 Speaker 2: cookies and three chocolate chip cookies. And I thought I'll 1905 01:18:11,720 --> 01:18:13,679 Speaker 2: eat one and say, I eight all six of them. 1906 01:18:13,840 --> 01:18:17,040 Speaker 3: Yeah, I just I. 1907 01:18:17,080 --> 01:18:19,760 Speaker 2: Just I'm not feeling good because I think that's that's 1908 01:18:19,760 --> 01:18:22,439 Speaker 2: what happened. But that was my weekend pretty much. I 1909 01:18:22,439 --> 01:18:24,040 Speaker 2: did go out to Eddie's kids basketball games. 1910 01:18:24,120 --> 01:18:26,360 Speaker 3: Yeah, thanks for having me, man fun and the whole day. 1911 01:18:26,360 --> 01:18:27,479 Speaker 3: What was I gonna do? I was like, I'll be 1912 01:18:27,479 --> 01:18:27,840 Speaker 3: out there. 1913 01:18:28,080 --> 01:18:29,280 Speaker 2: I went out and watch two of us son to 1914 01:18:29,280 --> 01:18:32,559 Speaker 2: play basketball at this it's like a center. 1915 01:18:32,560 --> 01:18:34,600 Speaker 5: They got like six six courts there. It's a complex 1916 01:18:34,680 --> 01:18:35,639 Speaker 5: basketball complex. 1917 01:18:35,680 --> 01:18:37,799 Speaker 3: And I go in. It's just kids playing basketball. 1918 01:18:37,800 --> 01:18:39,479 Speaker 2: I don't have any cash on me I usually do, 1919 01:18:40,160 --> 01:18:42,400 Speaker 2: and They're like, that'll be ten dollars and I'm like, what, 1920 01:18:42,760 --> 01:18:45,519 Speaker 2: oh yeah, pay to get in? Yeah dude. 1921 01:18:45,560 --> 01:18:46,840 Speaker 3: And there wasn't an ATM anywhere near. 1922 01:18:46,840 --> 01:18:49,680 Speaker 2: It was kind off and I usually have cash, but 1923 01:18:49,720 --> 01:18:51,479 Speaker 2: I think I would just use it all. And so 1924 01:18:52,560 --> 01:18:55,240 Speaker 2: I'm like it felt very much like when I was 1925 01:18:55,280 --> 01:18:57,120 Speaker 2: twenty four to twenty five years old digging for change 1926 01:18:57,120 --> 01:18:58,439 Speaker 2: in the middle of seats to get a couple of 1927 01:18:58,439 --> 01:19:00,960 Speaker 2: gallons of gas. Was like, oh, here's a dollar. I 1928 01:19:00,960 --> 01:19:02,880 Speaker 2: put a dollar on the table. I went into my bag. 1929 01:19:02,920 --> 01:19:04,519 Speaker 2: I had had like two dollars there. 1930 01:19:04,720 --> 01:19:06,320 Speaker 6: They didn't have a QR code for Venmo. 1931 01:19:06,520 --> 01:19:10,000 Speaker 3: No, it was weird. I know that I had. 1932 01:19:10,120 --> 01:19:12,920 Speaker 2: I had exactly ten dollars. I went out on my 1933 01:19:12,960 --> 01:19:14,640 Speaker 2: butt pulled out an eight an eight dollar bill. I 1934 01:19:14,680 --> 01:19:17,840 Speaker 2: know who knew her, but did that. Stayed for a bit, 1935 01:19:17,960 --> 01:19:22,120 Speaker 2: watched him play, and Eddie has like, it's it's every 1936 01:19:22,120 --> 01:19:22,960 Speaker 2: Saturday and Sunday. 1937 01:19:22,960 --> 01:19:25,120 Speaker 3: Oh it's crazy for the next like five six weeks. 1938 01:19:25,160 --> 01:19:27,479 Speaker 3: This is gonna be my life. Yeah, is there all day? 1939 01:19:27,520 --> 01:19:30,040 Speaker 3: It's wild both days. I told bones to him, like, dude, 1940 01:19:30,040 --> 01:19:31,800 Speaker 3: you already paid the ten bucks. You can come Sunday too. 1941 01:19:31,800 --> 01:19:32,799 Speaker 3: But they give me a bracelet. 1942 01:19:32,920 --> 01:19:34,400 Speaker 6: I was like, I'm going last. 1943 01:19:34,800 --> 01:19:35,200 Speaker 3: I'm good. 1944 01:19:35,479 --> 01:19:37,240 Speaker 2: So and then Amy sent me a video of Hurt 1945 01:19:37,280 --> 01:19:41,599 Speaker 2: the driving range. Oh well, she sent me one swing 1946 01:19:41,680 --> 01:19:42,439 Speaker 2: from each side. 1947 01:19:42,680 --> 01:19:44,280 Speaker 6: I did. I thought that's all you needed, right. 1948 01:19:44,160 --> 01:19:46,519 Speaker 2: And I was like, okay, And you know what, it 1949 01:19:46,560 --> 01:19:48,719 Speaker 2: was a little more athletic than I thought it would be, honestly, 1950 01:19:49,120 --> 01:19:50,880 Speaker 2: But I was like, you can't just send one swing 1951 01:19:51,240 --> 01:19:53,559 Speaker 2: because anybody can get one good swing in Well, I'll 1952 01:19:53,640 --> 01:19:54,040 Speaker 2: quote you. 1953 01:19:54,040 --> 01:19:55,040 Speaker 6: You said that's cheating. 1954 01:19:55,040 --> 01:19:57,400 Speaker 7: Anybody can cherry pick the best swing. And I thought 1955 01:19:57,520 --> 01:19:58,280 Speaker 7: I didn't even. 1956 01:19:58,120 --> 01:19:58,559 Speaker 3: Right, guys. 1957 01:19:58,880 --> 01:20:02,599 Speaker 15: Correct, Yeah, cheating, I could see you find the best. 1958 01:20:02,760 --> 01:20:05,200 Speaker 2: Well, if you're sending here's how good I am that 1959 01:20:05,720 --> 01:20:07,280 Speaker 2: you going here's the absolute best wing I had. 1960 01:20:07,360 --> 01:20:09,200 Speaker 7: All I was trying to show you is that I 1961 01:20:09,200 --> 01:20:11,160 Speaker 7: could swing the same on the right as I can 1962 01:20:11,240 --> 01:20:13,320 Speaker 7: on the left, and it feels comfortable either way. Like, 1963 01:20:13,360 --> 01:20:15,360 Speaker 7: I don't know what to do because actually left feels 1964 01:20:15,360 --> 01:20:17,679 Speaker 7: a little more comfortable, and I'm a right handed person. 1965 01:20:17,840 --> 01:20:19,559 Speaker 2: So I said, send me five swings in a row 1966 01:20:19,880 --> 01:20:22,719 Speaker 2: from each side, and she did, yep. 1967 01:20:23,000 --> 01:20:25,080 Speaker 3: And it's annoying that she can kind of hit the 1968 01:20:25,080 --> 01:20:27,880 Speaker 3: ball party get really both sides. That's not even both sides, 1969 01:20:27,920 --> 01:20:29,000 Speaker 3: it's just that she can hit the ball party. 1970 01:20:29,000 --> 01:20:31,160 Speaker 7: Oh yeah, Well, it doesn't bother you a little bit 1971 01:20:31,200 --> 01:20:32,200 Speaker 7: that I can do both sides. 1972 01:20:32,720 --> 01:20:34,320 Speaker 3: No, a lot of people can. I mean yes, a 1973 01:20:34,320 --> 01:20:34,760 Speaker 3: lot of people. 1974 01:20:34,760 --> 01:20:35,120 Speaker 6: I google. 1975 01:20:35,120 --> 01:20:36,760 Speaker 2: I'm more annoyed by the fact that you can hit 1976 01:20:36,760 --> 01:20:37,800 Speaker 2: the ball pretty good at all. 1977 01:20:38,600 --> 01:20:41,960 Speaker 5: Okay, wait, so she can go play like she's good 1978 01:20:42,040 --> 01:20:42,719 Speaker 5: enough to play around. 1979 01:20:42,720 --> 01:20:43,240 Speaker 3: I don't think so. 1980 01:20:43,400 --> 01:20:45,360 Speaker 2: But if that's and she keeps saying what she wants 1981 01:20:45,400 --> 01:20:47,080 Speaker 2: to meet people on the green to have some business meetings, 1982 01:20:47,439 --> 01:20:50,040 Speaker 2: and nobody says that I say it. 1983 01:20:50,400 --> 01:20:51,599 Speaker 6: I know, so it's fine. 1984 01:20:51,720 --> 01:20:54,240 Speaker 7: I just I get to talk about golf how I 1985 01:20:54,280 --> 01:20:55,320 Speaker 7: want to talk about golf. 1986 01:20:55,560 --> 01:20:56,960 Speaker 2: But then nobody's gonna have business meeting with you if 1987 01:20:56,960 --> 01:20:59,200 Speaker 2: you're talking about golf in a weird way on the green, on. 1988 01:20:59,200 --> 01:21:01,400 Speaker 7: The girlf But I think they might be impressed that 1989 01:21:01,520 --> 01:21:03,000 Speaker 7: compliment you. I can switch hit. 1990 01:21:03,720 --> 01:21:06,439 Speaker 2: I don't think that's what's going to impress people. I 1991 01:21:06,439 --> 01:21:07,840 Speaker 2: think what's going to impress people is that you can 1992 01:21:07,880 --> 01:21:10,559 Speaker 2: hit the ball. Okay, I would pick aside and just 1993 01:21:10,600 --> 01:21:11,599 Speaker 2: focus on that side. 1994 01:21:11,760 --> 01:21:13,759 Speaker 6: Well, I'm going to focus on left because it's more interesting. 1995 01:21:13,960 --> 01:21:15,679 Speaker 2: I would tell you to not focus on left because 1996 01:21:15,680 --> 01:21:17,920 Speaker 2: it's impossible. As a left handed person, it's impossible to 1997 01:21:17,920 --> 01:21:20,519 Speaker 2: find clubs. It's everything's harder left handed. 1998 01:21:20,560 --> 01:21:21,880 Speaker 6: I borrowed one from the golf shop. 1999 01:21:22,320 --> 01:21:23,720 Speaker 3: I hear you, what you're gonna a fine club, you 2000 01:21:23,720 --> 01:21:24,120 Speaker 3: have to buy it. 2001 01:21:24,120 --> 01:21:27,320 Speaker 7: Eventually you're left handed and you have found them. 2002 01:21:27,360 --> 01:21:29,840 Speaker 3: It's so much harder. If you feel better left handed, 2003 01:21:29,920 --> 01:21:30,280 Speaker 3: chase it. 2004 01:21:30,360 --> 01:21:31,360 Speaker 6: I do feel better. 2005 01:21:31,400 --> 01:21:33,880 Speaker 3: And also, left handed sucks. 2006 01:21:33,920 --> 01:21:35,360 Speaker 6: I'll channel my Phil Mickelson. 2007 01:21:36,000 --> 01:21:39,120 Speaker 3: He's a left but he's. 2008 01:21:38,640 --> 01:21:41,559 Speaker 7: Right handed, but he golfs left. And I was like 2009 01:21:41,680 --> 01:21:45,200 Speaker 7: that is me me, he gets me. 2010 01:21:45,280 --> 01:21:47,400 Speaker 2: Yeah, if you're gonna buy clubs though, and we be 2011 01:21:47,520 --> 01:21:49,240 Speaker 2: left handed, and I have to get a right handed 2012 01:21:49,320 --> 01:21:52,280 Speaker 2: golf it's just gloves. 2013 01:21:50,680 --> 01:21:53,200 Speaker 6: But definitely glove. Here's my blister. 2014 01:21:53,439 --> 01:21:54,400 Speaker 3: You didn't use a glove at all? 2015 01:21:54,680 --> 01:21:56,160 Speaker 6: No, because I didn't. I didn't know. 2016 01:21:56,280 --> 01:21:56,800 Speaker 3: I didn't have any. 2017 01:21:57,320 --> 01:21:58,840 Speaker 7: I didn't even I didn't even have a hat. And 2018 01:21:58,920 --> 01:22:00,640 Speaker 7: my scout started to burn. So I went to the 2019 01:22:00,640 --> 01:22:02,519 Speaker 7: golf shop and I bought a hat has a little 2020 01:22:02,520 --> 01:22:04,200 Speaker 7: golf guy on it. And I was like, you're right 2021 01:22:04,240 --> 01:22:07,000 Speaker 7: or left scalped things they're getting officiled officialed. 2022 01:22:07,400 --> 01:22:09,400 Speaker 3: You didn't get a left handed hat then, too? 2023 01:22:10,280 --> 01:22:12,000 Speaker 6: No? Is the hat works? 2024 01:22:12,280 --> 01:22:15,479 Speaker 3: Well, I'm proud of your new hobby. Thanks you're working 2025 01:22:15,520 --> 01:22:15,840 Speaker 3: at it. 2026 01:22:15,840 --> 01:22:16,360 Speaker 6: It was fun. 2027 01:22:16,720 --> 01:22:18,040 Speaker 3: Are you going to post videos of that because I 2028 01:22:18,040 --> 01:22:18,680 Speaker 3: want to see that too? 2029 01:22:18,760 --> 01:22:18,920 Speaker 6: Yeah? 2030 01:22:18,960 --> 01:22:20,280 Speaker 3: I have them. Okay, Well, I. 2031 01:22:20,200 --> 01:22:23,479 Speaker 7: Mean the thing is, I'm so slow at making reels, 2032 01:22:23,520 --> 01:22:25,160 Speaker 7: but I started working on a reel. 2033 01:22:25,160 --> 01:22:26,120 Speaker 6: I just had to finish it. 2034 01:22:26,840 --> 01:22:31,280 Speaker 3: Oh, just push post, send it away, push post. Thank 2035 01:22:31,320 --> 01:22:34,439 Speaker 3: you sees tomorrow. I'm impressed it by you. 2036 01:22:34,479 --> 01:22:37,320 Speaker 2: Amy, Happy birthday, thank you, thank you because you have 2037 01:22:37,360 --> 01:22:39,400 Speaker 2: an awesome day today and we talked about it earlier. But 2038 01:22:39,439 --> 01:22:41,920 Speaker 2: I hope that it's I don't know. I hope you 2039 01:22:41,960 --> 01:22:43,200 Speaker 2: get out of it what you want to get out 2040 01:22:43,200 --> 01:22:43,479 Speaker 2: of it. 2041 01:22:43,840 --> 01:22:45,960 Speaker 7: Yeah, it's it's a seven year for me because I'm 2042 01:22:46,000 --> 01:22:49,040 Speaker 7: forty three four plus three seven. I don't really know 2043 01:22:49,080 --> 01:22:50,880 Speaker 7: what that means. But my friend sent me back, she said, 2044 01:22:50,960 --> 01:22:51,639 Speaker 7: seven is good. 2045 01:22:51,720 --> 01:22:54,160 Speaker 3: I don't know what that means me. Neither tab it 2046 01:22:54,200 --> 01:22:55,920 Speaker 3: in the seven year for a long time. And it's fine. 2047 01:22:56,439 --> 01:22:57,880 Speaker 6: I pretty good. 2048 01:22:57,960 --> 01:22:59,519 Speaker 3: It is what it is, what you get out of it. 2049 01:23:00,040 --> 01:23:00,680 Speaker 6: About to be an eight. 2050 01:23:01,280 --> 01:23:04,880 Speaker 3: Yeah, all right, thank you. We'll see you guys tomorrow. 2051 01:23:05,960 --> 01:23:08,960 Speaker 3: That's that's all. Goodbye, everybody, good Barby Bone Show