WEBVTT - #152 - Kxng Crooked

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<v Speaker 1>We have a special guest on the blulet keV Show today,

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<v Speaker 1>a legend, one of the greatest rappers to ever touch

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<v Speaker 1>a microphone. Thank you, man. I appreciate it when we

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<v Speaker 1>talk about lyricism and we talk about at any given time,

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<v Speaker 1>this guy could be considered the best rapper alive when

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<v Speaker 1>he's just in his pocket. Man, I appreciate that, bro

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<v Speaker 1>Crooked Eye. What up with you, cav Man? Would you

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<v Speaker 1>consider yourself one of the most underrated rappers of all

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<v Speaker 1>time as well? You know? Well, I feel like I

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<v Speaker 1>underrate you. Sometimes when people ask me that question, I

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<v Speaker 1>always go to like Black Thought or Sean Price. I'd

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<v Speaker 1>be like, no, you're one of those guys too. I mean,

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<v Speaker 1>m have posted that in his opinion, I was the

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<v Speaker 1>most underrated in hip hop history. That's a MC you

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<v Speaker 1>know what I'm saying, And a lot of people feel

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<v Speaker 1>that way. Who's it depends on who's doing the rating.

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<v Speaker 1>Mm you feel me? So, if you know you know,

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<v Speaker 1>if you know, you know, No, there's a lot of

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<v Speaker 1>goat contenders, you know what I mean who don't get

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<v Speaker 1>on songs with me? Yeah, I mean listen, I just

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<v Speaker 1>think when it comes to like wordplay, lyrics. I mean,

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<v Speaker 1>the things that make an MC and MC. I just

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<v Speaker 1>I think that when you're in your bag, it's rough.

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<v Speaker 1>I mean, there ain't a lot of people who can

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<v Speaker 1>hang with you. Man, Hey, I appreciate that. I mean,

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<v Speaker 1>that's that's years. That's years. That's years. Man. It's crazy

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<v Speaker 1>too because I just remember back in the day buying

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<v Speaker 1>the Swaying King Tech albums from like the liquor store,

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<v Speaker 1>and that is where I first discovered you from those

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<v Speaker 1>freestyles because they used to have like the best of

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<v Speaker 1>the wake Up Show. And this might have been around

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<v Speaker 1>the time you're on Death ro Er, it might have

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<v Speaker 1>been before, but that was like kind of you know,

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<v Speaker 1>I mean, how many years ago was that, man, I

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<v Speaker 1>was a kid, so that was that was years I

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<v Speaker 1>was a kid too. I mean that was in the

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<v Speaker 1>nineties probably somewhere, you know what I mean. Shout out

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<v Speaker 1>to Swain Tech because they always heard Tech nine for

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<v Speaker 1>the first time too. Yeah, they have their platform. They

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<v Speaker 1>really shared their platform with real lyricists, you know, and

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<v Speaker 1>when their platform was at its hype, you know, syndication

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<v Speaker 1>and you know, they're on one of the biggest stations

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<v Speaker 1>in America. They were letting people come up there and

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<v Speaker 1>drop straight bars. I hope that we get a documentary

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<v Speaker 1>for them, in the same way we got to Stretch

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<v Speaker 1>and Bobido documentary, because I feel like what they did

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<v Speaker 1>was like equals equally as important for guys like Eminem,

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<v Speaker 1>for guys like all these you know, we could go

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<v Speaker 1>on and on. Yeah, I mean, that's the first time

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<v Speaker 1>I ever heard Eminem was on Swing Tech Facts. Well, listen,

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<v Speaker 1>welcome to the show. Obviously, so much we got to

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<v Speaker 1>talk about so much, we got to unpack it'dt you

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<v Speaker 1>got an album coming out with Joel, Yes, sir, Tomorrow Night.

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<v Speaker 1>This is an album that is obviously stirred up a

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<v Speaker 1>lot of controversy. It's stirred up a lot of opinions.

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<v Speaker 1>The records that you guys have out have been great

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<v Speaker 1>so far, and for people who are unaware, this is

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<v Speaker 1>the second time you and Joel have put out a

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<v Speaker 1>joint project. Absolutely, so let's get Let's get for first

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<v Speaker 1>of all, who like the initial idea of theming this

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<v Speaker 1>album around the Rise and Falls Slaughterhouse? Right? Where did

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<v Speaker 1>the idea come from? And how long have you guys

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<v Speaker 1>been working on this body of work? Basically? Man, you

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<v Speaker 1>know I had an opportunity for the whole group Slaughterhouse.

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<v Speaker 1>And you know, let's give us the timeline. How long

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<v Speaker 1>ago was that. This was in August okay, August of

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<v Speaker 1>twenty twenty one. August of twenty twenty one. I had

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<v Speaker 1>an opportunity. I felt it was a good opportunity for

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<v Speaker 1>where Slaughterhouse is today. You know what I mean. We

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<v Speaker 1>kind of dropped off the scene as the streaming era

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<v Speaker 1>took off, you know what I mean. Our last album

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<v Speaker 1>was in twenty twelve. That's ten years ago. Wow, that's

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<v Speaker 1>so great. I'm fucking old man. Yeah, Doug, that's what

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<v Speaker 1>I'm saying. You know what I'm saying. So, our fans

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<v Speaker 1>have been with a glass house. No, the Glasshouse never

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<v Speaker 1>came out, I know, that's right. That was the That

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<v Speaker 1>was the Welcome Dark House with the Celo single and

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<v Speaker 1>all that. Yes, sir, So that was ten years ago,

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<v Speaker 1>and our fans have been waiting on music for ten years,

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<v Speaker 1>you know what I'm saying. So I had this opportunity.

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<v Speaker 1>I thought it was a great opportunity. I spoke to

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<v Speaker 1>a couple other guys about it, and it was brought

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<v Speaker 1>back to me that Joe didn't think that that was

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<v Speaker 1>a good opportunity, you know what I mean, he didn't

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<v Speaker 1>want to do it. So Joe didn't want to do it,

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<v Speaker 1>and Royce said he didn't want to do it. If

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<v Speaker 1>if Joe wasn't doing it, now maybe maybe Royce felt like,

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<v Speaker 1>it's not really slaughter House unless it's all four, you

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<v Speaker 1>know what I mean? Because and so it might not

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<v Speaker 1>just because of Joe per se. It could have just

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<v Speaker 1>been whatever. But I went back to the label and

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<v Speaker 1>I was like, Yo, what could you offer us for

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<v Speaker 1>just us three? You know what I mean? Because Joe

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<v Speaker 1>is retired and he's he doesn't seem interested in this

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<v Speaker 1>deal right here. And they were like, Yo, we're rock

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<v Speaker 1>and roll with you. Let's do it, you know. And

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<v Speaker 1>so when I brought that to Royce, he was like, nah,

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<v Speaker 1>you know, slaughter House needs to be all four of us.

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<v Speaker 1>So when we hung up the phone, met him and Joel.

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<v Speaker 1>Me and Joel got back on the phone the next

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<v Speaker 1>day and was like, yo. I was like, Yo, how'd

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<v Speaker 1>you feel about that conversation? And he said it felt

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<v Speaker 1>like the group was officially over? And I said, yeah,

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<v Speaker 1>it does. You know, spent ten years we bring an

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<v Speaker 1>opportunity to the table. You know, they don't want to

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<v Speaker 1>do it, you know, for whatever reason. You know, they're

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<v Speaker 1>entitled of course to to you know, want to do

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<v Speaker 1>business or not. I was like, man, this shit is

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<v Speaker 1>pretty pretty much over. So, you know, we sat on

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<v Speaker 1>it for a minute, and then I called Joel back

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<v Speaker 1>and I was like, yo, man, let's get back in there.

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<v Speaker 1>He was like, yeah, Man, let's get back in there

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<v Speaker 1>and do something. And it was just a conversation. What

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<v Speaker 1>are we going to talk about? And I was like, man,

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<v Speaker 1>let's talk about all the shit that happened. It's slaughter house.

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<v Speaker 1>Let's talk about the good times the bad times. Let's

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<v Speaker 1>just let's get a fan some closure, you know what

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<v Speaker 1>I'm saying, and let's give ourselves some therapy, you know.

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<v Speaker 1>And uh, that's how the whole concept started rolling out.

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<v Speaker 1>And this was in like I would say, probably after

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<v Speaker 1>September or something like that. October. So the other day

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<v Speaker 1>the IG Live happens with Joe and Royce and then

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<v Speaker 1>Joelle comes on. You were on a flight, right, Yeah,

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<v Speaker 1>I was on a flight. You were in the area.

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<v Speaker 1>You probably would have been on there as well, right.

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<v Speaker 1>I tried to get in there, though I would even

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<v Speaker 1>I would even gather to say that that conversation would

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<v Speaker 1>have probably been a lot more measured if you were

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<v Speaker 1>a part of it, because I feel like you're you're

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<v Speaker 1>kind of I just know you. Yeah. Now, there were

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<v Speaker 1>certain aspects of that conversation where I could kind of

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<v Speaker 1>see everyone's perspective right when we when we think of

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<v Speaker 1>like like, did you guys ever actually hear Joe say no?

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<v Speaker 1>Or was it like some hearsay because he said he

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<v Speaker 1>never turned down the deal? And the thing that Royce

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<v Speaker 1>kept bringing out was when did we When did we

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<v Speaker 1>say no? Over and over and over and then there

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<v Speaker 1>was just a lot of back and forth. Royce is

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<v Speaker 1>calling Joel a liar, Joel's calling them like why are

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<v Speaker 1>y'all lying? What? Like? Is there any chance that there

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<v Speaker 1>was muddled communication or there was, because I mean, all

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<v Speaker 1>four of you guys, from what I know, are stand

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<v Speaker 1>up guys who would not lie on each other. Yea,

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<v Speaker 1>I think that. Can you kind of give me some

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<v Speaker 1>context on where some of the you're a liar? Why

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<v Speaker 1>the fuck are you lying? Well, you're lying? When did

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<v Speaker 1>I turn a depth like that is kind of where

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<v Speaker 1>it's like to me, it's like, Okay, there's a huge

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<v Speaker 1>disconnect on each side of what actually happened, right, and

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<v Speaker 1>it's it's I feel like, to be honest, they were

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<v Speaker 1>kind of put in a position. Who's that Joe and Royce? Okay,

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<v Speaker 1>they didn't know that this album was coming out, so

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<v Speaker 1>I kind of afforded them, you know, a little elbow

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<v Speaker 1>room to be emotional and you know, try to address

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<v Speaker 1>it in the best way that they could being caught

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<v Speaker 1>off guard like that. You know what I'm saying now,

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<v Speaker 1>within that I'm trying to say that, you know, maybe

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<v Speaker 1>that's the reason that the story doesn't add up. You

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<v Speaker 1>see what I'm saying, because it's like, yo, what are

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<v Speaker 1>we going to say? You feel me? But point blank

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<v Speaker 1>no fact, no opinions, no no lies, no just straight facts.

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<v Speaker 1>I brought the deal to the table, Okay. I told

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<v Speaker 1>the guys, I need to get on a phone call

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<v Speaker 1>with all of them. I couldn't get in contact with

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<v Speaker 1>Joe because Joe said he never actually saw a deal, right,

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<v Speaker 1>Joe never called me. So so I got on Twitter

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<v Speaker 1>and I said, hey, guys, cause I talked to my supporters.

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<v Speaker 1>You're very active on Twitter on Twitter very much, so

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<v Speaker 1>I say, hey, guys, I didn't tell him about the deal.

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<v Speaker 1>I'm just like, yo, y'all want to see the gang

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<v Speaker 1>back together. I'm giving everybody forty eight hours to call me. Okay,

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<v Speaker 1>forty eight hours went by. Race hit me, yo, what's

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<v Speaker 1>going on. That's when I say, Yo, this is what's

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<v Speaker 1>going on. I got this deal. It's it's a great

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<v Speaker 1>opportunity for us. That's ownership involved. You know, we're gonna

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<v Speaker 1>be able to do our thing, roll it out how

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<v Speaker 1>we want to roll it out. Everything is laid out,

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<v Speaker 1>you know. We good, all right, we just need to

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<v Speaker 1>all get on the phone. So he calls Joe. All right,

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<v Speaker 1>So Joe, I don't want to do it. Okay, Joe

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<v Speaker 1>calls Joel, Man, what's Crooked doing on Twitter? He got

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<v Speaker 1>everybody in my telling me to call him? Yeah, right right,

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<v Speaker 1>Well he got this deal, Joe, and YadA, YadA, YadA. Well,

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<v Speaker 1>I don't want to do the deal, and I don't

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<v Speaker 1>want to be the one that ship on cook right

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<v Speaker 1>now about this deal. So I'm gonna call I'm gonna

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<v Speaker 1>think about it, but I'm gonna call Crook in a

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<v Speaker 1>couple hours. And that this was related to you from

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<v Speaker 1>Royce from from Joel told me that to expect a

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<v Speaker 1>call from Joe in an hour, and he was gonna

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<v Speaker 1>tell me why he didn't want to do the deal.

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<v Speaker 1>Assuming you never got the call. Never got the call.

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<v Speaker 1>Royce called me a couple of times. I remember, like

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<v Speaker 1>it was yesterday. I was getting the COVID test because

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<v Speaker 1>I was going to Hawaii. I was at the airport

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<v Speaker 1>and he said, Yo, So Joe said, he don't think

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<v Speaker 1>that's a good deal. You know the thing the deal

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<v Speaker 1>memo points that I kind of conveyed to Royce. Royce

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<v Speaker 1>told Joe the advance amount, yeah, all that shit, percentages whatever.

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<v Speaker 1>So I said, well, I'll tell you what. Royce, tell

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<v Speaker 1>Joe to call me. We'll all get on the phone,

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<v Speaker 1>and whatever Joe wants, we'll give it to him. Because

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<v Speaker 1>I got juice like that with the people that I'm

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<v Speaker 1>working with people, so we have full contexts. Who are

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<v Speaker 1>the people that offer the deal. Well, one of my

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<v Speaker 1>business partners has distribution through every major that there is,

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<v Speaker 1>and he's a business partner of mine outside of music too,

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<v Speaker 1>and I've been doing business with him. He's like a

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<v Speaker 1>brother to me. This guy was in a position where

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<v Speaker 1>he wanted it bankroll the situation. He could bankroll it.

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<v Speaker 1>He could if you just wanted to bankroll it yourself,

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<v Speaker 1>you know, you could just use the whatever. So he had,

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<v Speaker 1>but he was going to bankroll it. So based on

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<v Speaker 1>what those deal points where Joe was, Joe said he

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<v Speaker 1>didn't want to do it, okay, And I told Royce

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<v Speaker 1>to give me a call. I can get Joe whatever

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<v Speaker 1>he wants to get put into the paperwork, but I'm

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<v Speaker 1>not going to go back and forth and you know,

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<v Speaker 1>with the attorneys and let's see this, and let's see this.

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<v Speaker 1>Just tell me what you want. We've all been in

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<v Speaker 1>the game past twenty some years. We know what contracts

0:12:13.960 --> 0:12:16.080
<v Speaker 1>look like. Tell me exactly what you want. We'll put

0:12:16.120 --> 0:12:18.200
<v Speaker 1>it in the contract and then we'll start from there.

0:12:18.600 --> 0:12:20.760
<v Speaker 1>We'll start from where you want, Joe, wherever you want,

0:12:21.120 --> 0:12:22.480
<v Speaker 1>you know what I mean. And I was doing that

0:12:22.600 --> 0:12:25.480
<v Speaker 1>honestly as a courtesy to Royce, because I got love

0:12:25.520 --> 0:12:28.160
<v Speaker 1>for Royce, you know what I mean. Already was at

0:12:28.160 --> 0:12:30.520
<v Speaker 1>a point where this was my last time ever trying

0:12:30.559 --> 0:12:33.439
<v Speaker 1>to do business with Joe Button again. So I got

0:12:33.520 --> 0:12:35.160
<v Speaker 1>love for Royce. So I said, you know what, as

0:12:35.160 --> 0:12:37.800
<v Speaker 1>a courtesy, we'll do that, you know what I mean,

0:12:37.920 --> 0:12:40.559
<v Speaker 1>to try to see if we can get the fans

0:12:40.600 --> 0:12:44.880
<v Speaker 1>this last album. So you know, he was like, all right, man, y'all,

0:12:44.920 --> 0:12:47.600
<v Speaker 1>y'all gotta talk about it. I'm like, yeah, because he's

0:12:47.760 --> 0:12:50.240
<v Speaker 1>being the middle man. Joe was using Royce as a

0:12:50.280 --> 0:12:53.560
<v Speaker 1>middleman to communicate with me. I didn't like that because Joe,

0:12:53.559 --> 0:12:56.440
<v Speaker 1>because Royce is a general, and I start feeling like,

0:12:56.520 --> 0:12:57.960
<v Speaker 1>why is he trying to use this man as a

0:12:57.960 --> 0:13:00.199
<v Speaker 1>foot soldier. You know what I'm saying, This do is

0:13:00.240 --> 0:13:02.320
<v Speaker 1>a general. All men are created equal. We all should

0:13:02.320 --> 0:13:04.720
<v Speaker 1>be on the phone together. It's no reason you shouldn't

0:13:04.720 --> 0:13:07.120
<v Speaker 1>be calling me right now. So he didn't call. He

0:13:07.200 --> 0:13:10.000
<v Speaker 1>never called. Weeks went by, months went by, and it

0:13:10.080 --> 0:13:12.480
<v Speaker 1>was like everybody just went back to their corners and

0:13:12.600 --> 0:13:14.840
<v Speaker 1>I never even heard back about the deal, you know,

0:13:14.920 --> 0:13:17.200
<v Speaker 1>none of that stuff. It was just over, man. So

0:13:17.880 --> 0:13:21.480
<v Speaker 1>you know, and once Royce said that he didn't want

0:13:21.480 --> 0:13:24.160
<v Speaker 1>to do it as a three man crew, which he's

0:13:24.200 --> 0:13:27.440
<v Speaker 1>totally entitled to. Right. Once he said that, it was like,

0:13:27.480 --> 0:13:30.599
<v Speaker 1>all right, well, this shit is over. You know what

0:13:30.679 --> 0:13:35.120
<v Speaker 1>I'm saying. I don't think. I don't think that what

0:13:35.240 --> 0:13:39.840
<v Speaker 1>I could have communicated better to Royce because as a friend,

0:13:40.559 --> 0:13:44.080
<v Speaker 1>I could have communicated it better to him that I'm

0:13:44.080 --> 0:13:49.920
<v Speaker 1>only talking to Joe for you. I would prefer to

0:13:50.000 --> 0:13:53.280
<v Speaker 1>move slaughter House forward without Joe because Joe is retired

0:13:53.840 --> 0:13:56.960
<v Speaker 1>and there's been a lot of snags dealing with Joe

0:13:57.040 --> 0:13:59.360
<v Speaker 1>in the business side of things. So I would rather

0:13:59.440 --> 0:14:02.920
<v Speaker 1>move slaughter House for without Joe. But as a courtesy

0:14:02.960 --> 0:14:06.360
<v Speaker 1>to my friend, and I know you fuck with Joe,

0:14:06.840 --> 0:14:09.760
<v Speaker 1>and I know you have a different relationship with Joe. Yeah,

0:14:09.760 --> 0:14:12.600
<v Speaker 1>that's fine, bring Joe to the table, But I don't

0:14:12.600 --> 0:14:15.640
<v Speaker 1>think that as a friend. I don't think that I

0:14:15.840 --> 0:14:20.960
<v Speaker 1>communicated that enough. He knows where I'm at, But I

0:14:20.960 --> 0:14:23.080
<v Speaker 1>feel like he felt like he could massage the situation.

0:14:23.160 --> 0:14:25.120
<v Speaker 1>Crook got love for me, Joe got love for me.

0:14:25.200 --> 0:14:27.520
<v Speaker 1>I could probably be the glue to keep all that

0:14:27.560 --> 0:14:29.600
<v Speaker 1>shit together, you know what I mean. But he didn't

0:14:29.640 --> 0:14:32.680
<v Speaker 1>know that I was at my last final breaking point

0:14:32.760 --> 0:14:35.280
<v Speaker 1>with Joe. With Joe as far as the slaughter House

0:14:35.320 --> 0:14:39.920
<v Speaker 1>situation goes, now, you had said that, to be fair,

0:14:41.440 --> 0:14:45.640
<v Speaker 1>Joe and Royce did not know this album was coming. Yeah,

0:14:45.680 --> 0:14:51.440
<v Speaker 1>they didn't know. Can you take any responsibility in keeping

0:14:51.480 --> 0:14:53.440
<v Speaker 1>them in the loop or did you not feel like

0:14:53.480 --> 0:14:56.280
<v Speaker 1>you needed to because this was not a Slaughterhouse album.

0:14:56.680 --> 0:14:59.440
<v Speaker 1>It's not a Slaughterhouse album. I'm not kept in the

0:14:59.480 --> 0:15:02.440
<v Speaker 1>loop with no of their albums that they dropping. And

0:15:03.120 --> 0:15:06.360
<v Speaker 1>to be honest with you, it was a situation where

0:15:06.440 --> 0:15:08.000
<v Speaker 1>I said, you know what, we need to tell our

0:15:08.040 --> 0:15:11.600
<v Speaker 1>story and we don't need any distractions. We need to go.

0:15:11.760 --> 0:15:15.000
<v Speaker 1>Maybe if you give them the heads up, the distractions

0:15:15.000 --> 0:15:17.200
<v Speaker 1>start coming from behind the scenes and you guys aren't

0:15:17.240 --> 0:15:21.520
<v Speaker 1>able to focus on your task. Absolutely, there's no way.

0:15:22.000 --> 0:15:24.800
<v Speaker 1>We had to take that energy when we got off

0:15:24.840 --> 0:15:28.200
<v Speaker 1>the phone, that heartbreak, that heartbreak, that energy that we

0:15:28.280 --> 0:15:31.360
<v Speaker 1>had that this shit is over. We had to take

0:15:31.400 --> 0:15:34.160
<v Speaker 1>that into the into the booth. That had to go

0:15:34.240 --> 0:15:36.720
<v Speaker 1>into the booth. That was the energy that needed to

0:15:36.720 --> 0:15:38.840
<v Speaker 1>go into the booth to create this for the fans,

0:15:39.280 --> 0:15:43.600
<v Speaker 1>you know what I mean. And all we talked so much,

0:15:43.680 --> 0:15:47.320
<v Speaker 1>Like Willie d say, no more talk. We talked so much.

0:15:47.360 --> 0:15:50.160
<v Speaker 1>It got to the first ten years, it got to

0:15:50.160 --> 0:15:55.440
<v Speaker 1>the point where talking and no actions was just I

0:15:55.480 --> 0:15:57.360
<v Speaker 1>had it up to here, man, I couldn't I couldn't talk.

0:15:57.360 --> 0:16:00.160
<v Speaker 1>I couldn't talk one more time saying with the with

0:16:00.200 --> 0:16:02.560
<v Speaker 1>the slaughter House situation in general, and I'm sure fans

0:16:02.560 --> 0:16:04.400
<v Speaker 1>feel the same way. Fan. I mean, listen, you guys

0:16:04.440 --> 0:16:07.680
<v Speaker 1>have a core fan base that it's there, right, But

0:16:07.720 --> 0:16:10.520
<v Speaker 1>I do feel like over time, the fan base, the

0:16:10.600 --> 0:16:13.040
<v Speaker 1>excitement for a new Slaughterhouse, I'm just getting smaller and

0:16:13.080 --> 0:16:18.560
<v Speaker 1>smaller and smaller because it's just been so long ten years. Brother, Like,

0:16:18.920 --> 0:16:21.720
<v Speaker 1>think about that. Put yourself in the in the fans

0:16:22.600 --> 0:16:24.560
<v Speaker 1>shoes for two seconds. And I don't think this is

0:16:24.600 --> 0:16:27.960
<v Speaker 1>what the group ever did. I don't think they really

0:16:28.600 --> 0:16:31.480
<v Speaker 1>specifically what Joe and Royce are saying. I don't watch

0:16:31.520 --> 0:16:35.920
<v Speaker 1>everything that they say because I'm not about to fall

0:16:35.960 --> 0:16:39.640
<v Speaker 1>into that type of trap and that low vibration energy

0:16:39.720 --> 0:16:43.720
<v Speaker 1>and you know, calling names and you know liars and

0:16:43.800 --> 0:16:45.840
<v Speaker 1>all this type of shit. I'm not even trying to

0:16:45.880 --> 0:16:48.080
<v Speaker 1>fall into noh, none of that. But people send me clips,

0:16:48.120 --> 0:16:50.400
<v Speaker 1>people tell me, hey, this, this is what happened in

0:16:50.440 --> 0:16:53.480
<v Speaker 1>all this. You know, put put yourself in a fan

0:16:53.760 --> 0:16:55.920
<v Speaker 1>put yourself in the fan shoes for a minute. You've

0:16:55.920 --> 0:16:57.880
<v Speaker 1>been waiting on one of your favorite groups in the

0:16:57.920 --> 0:17:02.040
<v Speaker 1>world to drop an album for ten years now. Behind

0:17:02.080 --> 0:17:04.400
<v Speaker 1>the scenes, I've been taking flights to New York go

0:17:04.480 --> 0:17:07.480
<v Speaker 1>talk to Paul Rosenberg. I've been taking flights to Detroit,

0:17:07.560 --> 0:17:10.520
<v Speaker 1>talking to EM, talking to to Royce. How can we

0:17:10.560 --> 0:17:12.880
<v Speaker 1>put this back together? You know what I mean? And

0:17:13.840 --> 0:17:17.119
<v Speaker 1>it's not happened in ten years, So it's like, you

0:17:17.160 --> 0:17:21.960
<v Speaker 1>know what you're telling me, You want me to wait again.

0:17:22.400 --> 0:17:25.480
<v Speaker 1>And then I saw something where roy said that we

0:17:25.480 --> 0:17:28.560
<v Speaker 1>weren't waiting on anybody. That that's a lie. So I

0:17:28.600 --> 0:17:32.200
<v Speaker 1>need to address all this stuff because whenever they say that,

0:17:32.280 --> 0:17:34.119
<v Speaker 1>I just come back with the truth. You know what

0:17:34.160 --> 0:17:37.480
<v Speaker 1>I'm saying, Like, you can attack my character, my integrity,

0:17:37.520 --> 0:17:39.640
<v Speaker 1>you could try to assassinate it and say that I'm

0:17:39.640 --> 0:17:41.520
<v Speaker 1>a liar and I'm doing this for money and all

0:17:41.560 --> 0:17:43.760
<v Speaker 1>this other type of shit, But I'm gonna just keep

0:17:43.760 --> 0:17:47.120
<v Speaker 1>on hitting back with truth. We started off slaughter House

0:17:47.119 --> 0:17:49.359
<v Speaker 1>in the early days, waiting on Joe, you know what

0:17:49.359 --> 0:17:52.879
<v Speaker 1>I'm saying. Like when we first got our deal with Shady,

0:17:52.960 --> 0:17:57.320
<v Speaker 1>we had a song called Session one on one of

0:17:57.359 --> 0:18:00.520
<v Speaker 1>EM's projects. He was trying to, you know, put the

0:18:00.520 --> 0:18:02.280
<v Speaker 1>group on one of his projects. I think it was

0:18:02.280 --> 0:18:04.000
<v Speaker 1>gonna be a bonus cut or something on one of

0:18:04.040 --> 0:18:06.760
<v Speaker 1>the albums, and you know, we're new to the label.

0:18:06.840 --> 0:18:10.880
<v Speaker 1>Let me share my platform with the group. So we

0:18:10.920 --> 0:18:16.280
<v Speaker 1>do Session one and all the Slaughterhouse fans know Joe

0:18:16.280 --> 0:18:18.879
<v Speaker 1>Budden isn't on Session one. Well, why isn't Joe on

0:18:18.920 --> 0:18:23.439
<v Speaker 1>Session one? Joe was signed to another label. He was

0:18:23.440 --> 0:18:27.720
<v Speaker 1>caught up in some paperwork something. He was signed to

0:18:27.760 --> 0:18:35.040
<v Speaker 1>a Malcolm Digital, okay, and they called over to Shady like, hey,

0:18:35.160 --> 0:18:37.080
<v Speaker 1>we have him under contract. You have to get a

0:18:37.119 --> 0:18:40.400
<v Speaker 1>clearance from us to have him appear on that song. Right,

0:18:41.080 --> 0:18:43.960
<v Speaker 1>So we're like, wait a minute, because all of us

0:18:44.560 --> 0:18:48.320
<v Speaker 1>went in as supposedly free agents to sign this deal

0:18:48.359 --> 0:18:52.320
<v Speaker 1>with Shady and come to find out Joe was under paperwork.

0:18:52.640 --> 0:18:56.720
<v Speaker 1>He said that they forged his signature and that wasn't him,

0:18:57.119 --> 0:19:00.000
<v Speaker 1>and the group was put on the shelf for a minute.

0:19:00.080 --> 0:19:04.280
<v Speaker 1>It while he was fighting a Malcolm Digit on court

0:19:05.280 --> 0:19:09.000
<v Speaker 1>and we were waiting on Joe because we couldn't move forward.

0:19:09.040 --> 0:19:10.679
<v Speaker 1>Now here we are with a brand new deal with

0:19:10.720 --> 0:19:14.200
<v Speaker 1>Shady Records, and we can't even really move forward as

0:19:14.240 --> 0:19:16.720
<v Speaker 1>a group because we got to wait on Joe in

0:19:16.960 --> 0:19:20.000
<v Speaker 1>court and that took months. Let me tell you that

0:19:20.119 --> 0:19:26.000
<v Speaker 1>took months. Right So, after the the signature expert determined

0:19:26.040 --> 0:19:28.400
<v Speaker 1>that that was his signature on the on the contract,

0:19:29.160 --> 0:19:31.760
<v Speaker 1>we was able to figure out how you know, to

0:19:31.840 --> 0:19:34.159
<v Speaker 1>matter forward after that, you know what I mean? And

0:19:35.600 --> 0:19:38.040
<v Speaker 1>that was that was the first time waiting on Joe

0:19:38.160 --> 0:19:41.760
<v Speaker 1>to give the fans slaughter house. A lot of other

0:19:42.480 --> 0:19:48.560
<v Speaker 1>scenarios like that kept happening, you feel me, So Joe

0:19:48.560 --> 0:19:52.320
<v Speaker 1>related scenarios where we're waiting on Joe. Okay, So when

0:19:52.359 --> 0:19:54.240
<v Speaker 1>when when Roy says, we don't wait on Joe, Just like,

0:19:54.280 --> 0:19:57.480
<v Speaker 1>wait a minute. What about when we were Glasshouse was

0:19:57.480 --> 0:19:59.840
<v Speaker 1>sitting around collecting dust and we were all on a

0:20:00.080 --> 0:20:03.400
<v Speaker 1>conference call with Paul Rosenberg and all of the Shady staff,

0:20:03.640 --> 0:20:05.360
<v Speaker 1>and we say, hey, guys, when we're gonna get back

0:20:05.359 --> 0:20:08.000
<v Speaker 1>together to do the album. And we're like, okay, let's

0:20:08.040 --> 0:20:10.040
<v Speaker 1>finish the album in the summer. And Joe's like, nah,

0:20:10.119 --> 0:20:12.520
<v Speaker 1>we can't do the summer. You know, I gotta throw

0:20:12.600 --> 0:20:14.680
<v Speaker 1>pool parties and shit and I gotta do this other

0:20:14.720 --> 0:20:17.600
<v Speaker 1>shit and all that. Like okay, so we'll wait on that.

0:20:18.600 --> 0:20:23.360
<v Speaker 1>We'll reconvene in September or October. Hit him September October. Nah,

0:20:23.400 --> 0:20:27.480
<v Speaker 1>I still ain't ready waiting on jail. So everybody was

0:20:27.920 --> 0:20:31.080
<v Speaker 1>on the same page to finish Glasshouse except Joie for

0:20:31.119 --> 0:20:33.760
<v Speaker 1>a while. For a while, you know what, I'm saying

0:20:34.080 --> 0:20:37.600
<v Speaker 1>Royce's studio was always open. See Royce, I feel he's

0:20:37.720 --> 0:20:41.480
<v Speaker 1>always down to work if everybody is on board. But

0:20:41.560 --> 0:20:44.000
<v Speaker 1>if everybody's not on board, he's gonna do his own thing,

0:20:44.040 --> 0:20:47.840
<v Speaker 1>which makes sense, you feel me. I mean, that's just logical.

0:20:50.040 --> 0:20:53.159
<v Speaker 1>It was always us waiting on Joe to be on board.

0:20:53.800 --> 0:20:57.320
<v Speaker 1>And when I brought this last and final opportunity to

0:20:57.359 --> 0:21:00.240
<v Speaker 1>the table, and you're telling me that I got to

0:21:00.280 --> 0:21:03.359
<v Speaker 1>wait on Joe, Joe doesn't like it. He wants to

0:21:03.400 --> 0:21:05.520
<v Speaker 1>do some other kind of deal. Well, what kind of

0:21:05.520 --> 0:21:07.280
<v Speaker 1>deal does Joe want to do? Because all of a

0:21:07.320 --> 0:21:11.439
<v Speaker 1>sudden there's deals that he wants to do. But for

0:21:11.560 --> 0:21:14.320
<v Speaker 1>ten years there's been nothing. It's been crickets. But now

0:21:14.640 --> 0:21:17.760
<v Speaker 1>that I have this, now he wants to do another

0:21:17.880 --> 0:21:19.840
<v Speaker 1>kind of deal. And it's like, okay, well what kind

0:21:19.880 --> 0:21:21.760
<v Speaker 1>of deal does he want to do? He wants to

0:21:21.800 --> 0:21:24.439
<v Speaker 1>finance it. That's what I heard him talking about when

0:21:24.480 --> 0:21:26.520
<v Speaker 1>I did catch a piece of the live They want

0:21:26.560 --> 0:21:29.879
<v Speaker 1>to he wanted to finance it. He's like, Yo, it

0:21:29.960 --> 0:21:32.400
<v Speaker 1>takes a lot of trust to go into that type

0:21:32.440 --> 0:21:35.119
<v Speaker 1>of business with somebody. You know what I'm saying, You

0:21:35.200 --> 0:21:40.280
<v Speaker 1>gotta have like if I was to if we would

0:21:40.280 --> 0:21:43.840
<v Speaker 1>have to all for financing one it could never be

0:21:44.080 --> 0:21:47.680
<v Speaker 1>just one person, and that one person could definitely not

0:21:47.720 --> 0:21:50.560
<v Speaker 1>be mister Joe. But I'm sorry, you know, he don't

0:21:50.560 --> 0:21:53.639
<v Speaker 1>have that type of credit with me when it comes

0:21:53.640 --> 0:21:55.640
<v Speaker 1>to the business. You know what I'm saying now, I'm

0:21:55.680 --> 0:21:58.919
<v Speaker 1>just speaking on slaughter house business. He doesn't have the

0:21:59.040 --> 0:22:02.160
<v Speaker 1>credit with me for me to say, oh yeah, cool,

0:22:02.200 --> 0:22:05.480
<v Speaker 1>you can finance it, Joe. That's not gonna work. So

0:22:06.680 --> 0:22:09.320
<v Speaker 1>I don't know, whatever kind of deal that they envisioned

0:22:09.359 --> 0:22:12.240
<v Speaker 1>for the group, it wasn't gonna work with me anyway.

0:22:12.359 --> 0:22:15.359
<v Speaker 1>So we come to a stalemate. He don't want to

0:22:15.359 --> 0:22:17.199
<v Speaker 1>do the deal I'm bringing, and I'm not doing the

0:22:17.240 --> 0:22:20.720
<v Speaker 1>deal his way. So it all leads to slaughter House

0:22:20.760 --> 0:22:23.399
<v Speaker 1>being over. I think to a lot of people. Got

0:22:23.440 --> 0:22:30.960
<v Speaker 1>to understand it is like, after ten years of conversations,

0:22:31.000 --> 0:22:36.080
<v Speaker 1>hitting a wall that involved one person. Maybe you know,

0:22:36.280 --> 0:22:39.680
<v Speaker 1>under normal circumstances, yourself and Joelle would have at least

0:22:39.720 --> 0:22:42.120
<v Speaker 1>kept Royce in the loop. But at a certain point

0:22:42.160 --> 0:22:46.120
<v Speaker 1>in time when the frustration is at a level where

0:22:46.119 --> 0:22:48.800
<v Speaker 1>it's like, you know what, we know we've done this

0:22:48.880 --> 0:22:51.520
<v Speaker 1>over and over and over. Here we just got to

0:22:51.520 --> 0:22:53.959
<v Speaker 1>do what we gotta do. It just is what it is, like,

0:22:54.400 --> 0:22:56.240
<v Speaker 1>it just is what it is at this point, and

0:22:56.560 --> 0:23:01.120
<v Speaker 1>it's like, you know, I was in my kitchen right

0:23:01.280 --> 0:23:05.200
<v Speaker 1>we were talking, me and Royce and Joel, and I said, Royce,

0:23:05.600 --> 0:23:08.320
<v Speaker 1>if Joe ain't gonna rap, because he's not gonna rap,

0:23:08.359 --> 0:23:11.360
<v Speaker 1>I didn't even believe Joe will rapp. Yeah, I'm like, Yo,

0:23:13.119 --> 0:23:17.960
<v Speaker 1>are you down or do the Three Man Crew? Don't

0:23:17.960 --> 0:23:20.400
<v Speaker 1>say that, crook, don't put that in the universe. He's

0:23:20.440 --> 0:23:22.640
<v Speaker 1>gonna he's gonna be, he's gonna do do the right thing.

0:23:24.240 --> 0:23:26.360
<v Speaker 1>So we keep talking for fifteen twenty minutes and we're

0:23:26.400 --> 0:23:28.200
<v Speaker 1>about to hang up the phone. I say, listen, Rayce,

0:23:28.240 --> 0:23:31.080
<v Speaker 1>I just really need to hear this. I know you said,

0:23:31.119 --> 0:23:32.879
<v Speaker 1>don't put in the universe. I'm not trying to put

0:23:32.920 --> 0:23:37.639
<v Speaker 1>any negativity, no negative vibes out there. But if Joe

0:23:37.720 --> 0:23:41.960
<v Speaker 1>isn't with this, are you gonna do the three Man Crew?

0:23:43.119 --> 0:23:47.119
<v Speaker 1>And He's like, slaughter house is four people, So what

0:23:47.480 --> 0:23:50.000
<v Speaker 1>do you think that means? Call that means no. It

0:23:50.040 --> 0:23:53.920
<v Speaker 1>means no. Without saying no, that means no. He's slarter

0:23:53.920 --> 0:23:56.840
<v Speaker 1>houses for people. So technically, neither of you are lying

0:23:57.119 --> 0:24:01.119
<v Speaker 1>because technically, well, I didn't say, well, I'm gonna tell

0:24:01.119 --> 0:24:06.359
<v Speaker 1>you list like this. I'm Joel was like, no, no, crook.

0:24:06.440 --> 0:24:08.719
<v Speaker 1>He did say Slaughterhouse is not for people. But I

0:24:08.800 --> 0:24:11.280
<v Speaker 1>was on the call he said no, okay, and I

0:24:11.359 --> 0:24:15.600
<v Speaker 1>was like, I was just so clouded and my mind

0:24:15.640 --> 0:24:18.000
<v Speaker 1>got clouded when he said that, because it meant so

0:24:18.160 --> 0:24:22.600
<v Speaker 1>much to me that when he said slaughter house is

0:24:22.640 --> 0:24:26.600
<v Speaker 1>for people, and I'm like, Yo, this is over. So

0:24:26.960 --> 0:24:30.280
<v Speaker 1>I kind of blacked out on the phone, like all

0:24:30.280 --> 0:24:32.399
<v Speaker 1>this fucking work that I put in, all this shit

0:24:32.440 --> 0:24:35.720
<v Speaker 1>that we built together, this shit is really over. Was

0:24:35.800 --> 0:24:41.159
<v Speaker 1>there ever an idea to replace Joe? People always said, hey,

0:24:41.160 --> 0:24:44.080
<v Speaker 1>won't you replace Joe? You know, won't you put him

0:24:44.119 --> 0:24:46.840
<v Speaker 1>in that slot? Let him go? Was the other guy

0:24:46.840 --> 0:24:48.240
<v Speaker 1>who was supposed to be part of the group. Was

0:24:48.280 --> 0:24:50.879
<v Speaker 1>it Nino Blessed? Was that his name? Nino bless I

0:24:50.920 --> 0:24:53.439
<v Speaker 1>remember he was like on that first Slaughterhouse record that

0:24:53.600 --> 0:24:55.880
<v Speaker 1>was like not even a slaughteruse. Yeah, shut out Nino

0:24:55.960 --> 0:24:58.840
<v Speaker 1>bless you know what I mean? Like, he's very instrumental

0:24:58.840 --> 0:25:01.000
<v Speaker 1>into how this whole thing came together. He's part of

0:25:01.000 --> 0:25:03.479
<v Speaker 1>the story, you know what I mean? And I just

0:25:03.520 --> 0:25:07.520
<v Speaker 1>think that. You know, everybody who was part of the

0:25:07.600 --> 0:25:11.560
<v Speaker 1>story needs to mention now, you know. So how about this, Like,

0:25:11.680 --> 0:25:14.240
<v Speaker 1>I know you and Royce better than I know Joelle

0:25:14.280 --> 0:25:16.159
<v Speaker 1>and Joe. I know you guys could be men of

0:25:16.240 --> 0:25:20.080
<v Speaker 1>high integrity, high character. You guys have the longevity you've

0:25:20.080 --> 0:25:23.720
<v Speaker 1>had in this industry for a reason. Never know bullshit

0:25:23.800 --> 0:25:28.919
<v Speaker 1>involving y'all's names, right, you know, I can understand the

0:25:28.960 --> 0:25:33.040
<v Speaker 1>frustration of Royce's side saying, Hey, that's that's our logo

0:25:33.280 --> 0:25:34.800
<v Speaker 1>that you guys are putting on the front of that,

0:25:35.000 --> 0:25:38.760
<v Speaker 1>and you guys just bombard us with this album that

0:25:38.840 --> 0:25:41.600
<v Speaker 1>I had no idea was coming, and it's our logo

0:25:41.760 --> 0:25:45.320
<v Speaker 1>on fire. You know, he has to me, he has

0:25:45.480 --> 0:25:47.879
<v Speaker 1>he has a right to be emotional about that and

0:25:47.960 --> 0:25:51.439
<v Speaker 1>to feel a way about that. Would you agree? Absolutely?

0:25:52.240 --> 0:25:54.800
<v Speaker 1>And and like you guys obviously know that, like you said,

0:25:54.920 --> 0:25:57.320
<v Speaker 1>you said, you said, I I can give I knew

0:25:57.320 --> 0:25:58.960
<v Speaker 1>that this. I didn't give them a heads up, so

0:25:59.000 --> 0:26:01.760
<v Speaker 1>I understood that they that there's gonna be an emotional reaction,

0:26:02.240 --> 0:26:05.080
<v Speaker 1>and you kind of counted for that already, right, No,

0:26:05.240 --> 0:26:08.399
<v Speaker 1>I give them room to react to that. You know

0:26:08.480 --> 0:26:12.520
<v Speaker 1>what I'm saying, you know, I'm watching how I'm watching

0:26:12.600 --> 0:26:16.399
<v Speaker 1>the reactions, you know what I'm saying, because if it

0:26:16.480 --> 0:26:20.199
<v Speaker 1>was me, you know, but I feel differently. But if

0:26:20.240 --> 0:26:22.919
<v Speaker 1>it was me, I don't care. They can use the

0:26:22.920 --> 0:26:25.159
<v Speaker 1>Slaughterhouse logo for whatever they want to use it for,

0:26:25.240 --> 0:26:26.919
<v Speaker 1>you know what I mean. Like I said, I owns

0:26:26.960 --> 0:26:30.639
<v Speaker 1>that logo. Well, what happened was they're saying that ownership

0:26:30.720 --> 0:26:34.240
<v Speaker 1>was relinquished to the group later. I haven't seen no

0:26:34.320 --> 0:26:39.080
<v Speaker 1>paperwork stating that we got jerked in the beginning. You know,

0:26:39.240 --> 0:26:45.040
<v Speaker 1>somebody owned it that was not a part of the group,

0:26:45.880 --> 0:26:48.760
<v Speaker 1>you feel me, So somebody on the management team owned it,

0:26:50.040 --> 0:26:52.800
<v Speaker 1>to my knowledge, someone who was a part of the

0:26:52.840 --> 0:26:55.840
<v Speaker 1>group's management groups management, you know what I mean? So

0:26:57.560 --> 0:26:59.720
<v Speaker 1>right off, rip that should have been that's that's a

0:26:59.800 --> 0:27:02.000
<v Speaker 1>rip flat. But I heard that they made it write

0:27:02.040 --> 0:27:04.520
<v Speaker 1>and relinquished it to the group when we went to Shady.

0:27:04.640 --> 0:27:07.199
<v Speaker 1>I'm not sure. I've never seen the paperwork on that.

0:27:07.720 --> 0:27:10.280
<v Speaker 1>When I go and look look up the trademark, I

0:27:10.320 --> 0:27:14.720
<v Speaker 1>don't see our names anywhere mentioned on the trademark. So

0:27:15.040 --> 0:27:18.240
<v Speaker 1>I don't know who wants it and feel some type

0:27:18.280 --> 0:27:20.320
<v Speaker 1>of way somebody would just see you yeah, and I

0:27:20.400 --> 0:27:22.680
<v Speaker 1>would just take it off the cover and keep going,

0:27:23.480 --> 0:27:25.640
<v Speaker 1>you know what I'm saying, because this story is gonna

0:27:25.640 --> 0:27:27.960
<v Speaker 1>be told. They can't stop it. They can't, you know.

0:27:28.560 --> 0:27:32.080
<v Speaker 1>I feel like they have efforts to try to do

0:27:32.200 --> 0:27:35.480
<v Speaker 1>damage control over something that they haven't even heard yet,

0:27:35.720 --> 0:27:39.159
<v Speaker 1>you know what I mean. And it's like, you know,

0:27:41.040 --> 0:27:44.840
<v Speaker 1>this story needs to be told for us on our fans.

0:27:45.520 --> 0:27:47.480
<v Speaker 1>I think the fans need closure, and I think y'all

0:27:47.480 --> 0:27:49.919
<v Speaker 1>need clothes. I need Hella closure, keV. I'm gonna tell

0:27:49.960 --> 0:27:52.399
<v Speaker 1>you because guess what, every fucking time you do an

0:27:52.440 --> 0:27:55.200
<v Speaker 1>interview or Joelle does an interview, or Royce does an interviewer,

0:27:55.920 --> 0:27:58.480
<v Speaker 1>everyone's asking what's up with what's up with glass House?

0:27:58.480 --> 0:28:01.399
<v Speaker 1>What's up with slaughter House's It'll never go away until

0:28:01.400 --> 0:28:04.159
<v Speaker 1>you just close the chapter and say, burn the book

0:28:04.600 --> 0:28:07.240
<v Speaker 1>you have to. And that's what I had to do, man,

0:28:07.320 --> 0:28:09.320
<v Speaker 1>like a lot of people like you burning the shirts

0:28:09.400 --> 0:28:12.680
<v Speaker 1>up on a video. Now listen, I'm trying to get

0:28:12.680 --> 0:28:15.480
<v Speaker 1>this low vibration shit out of my life forever. I'm

0:28:15.480 --> 0:28:18.159
<v Speaker 1>in a whole nother place. I'm six years sober. I

0:28:18.200 --> 0:28:21.720
<v Speaker 1>haven't I've been, you know, in master classes. I've been

0:28:21.920 --> 0:28:24.359
<v Speaker 1>you know, trying to better myself, get to get myself

0:28:24.359 --> 0:28:27.840
<v Speaker 1>into a better headspace, just be a better human being. Period.

0:28:28.240 --> 0:28:30.720
<v Speaker 1>I need this negative triggering shit the fuck out of

0:28:30.760 --> 0:28:32.840
<v Speaker 1>my life for the forever. I don't want to go

0:28:32.920 --> 0:28:34.800
<v Speaker 1>back to it. They could do whatever they want with it,

0:28:35.119 --> 0:28:37.639
<v Speaker 1>and that was my that was my intention. So just

0:28:38.680 --> 0:28:44.000
<v Speaker 1>me symbolically tearing slaughter House down out of my life,

0:28:44.160 --> 0:28:46.400
<v Speaker 1>you know what I'm saying. Me personally, if they want

0:28:46.400 --> 0:28:48.160
<v Speaker 1>to uphold it and they want to put it on

0:28:48.200 --> 0:28:50.760
<v Speaker 1>a pedestal, they could do that all day and they're

0:28:50.760 --> 0:28:52.040
<v Speaker 1>not gonna hear a peep from me, you know what

0:28:52.080 --> 0:28:54.560
<v Speaker 1>I mean. But me personally, I had to get it

0:28:54.600 --> 0:28:57.040
<v Speaker 1>out of my life because every single time we spoke

0:28:57.080 --> 0:28:59.480
<v Speaker 1>about it, talked about it, try to do it again,

0:28:59.520 --> 0:29:02.160
<v Speaker 1>and it did happen, And all the interviews and the

0:29:02.280 --> 0:29:05.200
<v Speaker 1>post a fucking piece of toast on Instagram and people

0:29:05.240 --> 0:29:07.080
<v Speaker 1>still like, Yo, what's up That toast is cool? But

0:29:07.120 --> 0:29:10.000
<v Speaker 1>what's up with slaughter House? You know? It's just too much. Man,

0:29:10.680 --> 0:29:12.320
<v Speaker 1>I'm over it. It needs to go, you know what

0:29:12.360 --> 0:29:14.479
<v Speaker 1>I'm saying. I mean, listen, I respect it, man, I

0:29:14.520 --> 0:29:16.800
<v Speaker 1>respect it. I think. I mean, like I said, I

0:29:16.880 --> 0:29:21.240
<v Speaker 1>understand everyone's kind of side. I think that you know,

0:29:22.000 --> 0:29:23.920
<v Speaker 1>the one thing I saw, I just saw Rory. Did

0:29:23.920 --> 0:29:27.520
<v Speaker 1>you see Rory and Maul? And so they kind of

0:29:27.880 --> 0:29:32.320
<v Speaker 1>talked about what's going on in their podcast and Mal

0:29:32.480 --> 0:29:35.840
<v Speaker 1>was like, now, fuck that they can they they should

0:29:35.840 --> 0:29:37.400
<v Speaker 1>be able to do that album, like you know what

0:29:37.440 --> 0:29:39.720
<v Speaker 1>I'm saying. And the one thing that like they said,

0:29:39.720 --> 0:29:43.320
<v Speaker 1>and I know that they're probably closer to the situation

0:29:43.400 --> 0:29:46.520
<v Speaker 1>than a lot of people are, right, absolutely, especially Mall.

0:29:48.160 --> 0:29:51.160
<v Speaker 1>You guys weren't friends, is what they said. Them guys

0:29:51.160 --> 0:29:54.080
<v Speaker 1>ain't friends. They were in a group together. That don't

0:29:54.120 --> 0:29:57.440
<v Speaker 1>mean that they're friends. Yeah, I was friends with it

0:29:57.480 --> 0:30:00.520
<v Speaker 1>was it was odd. I was friends with Joe, Joel

0:30:00.600 --> 0:30:03.840
<v Speaker 1>and Royce. You know what I'm saying. Royce was friends

0:30:03.880 --> 0:30:09.080
<v Speaker 1>with me, and Joe saying Joel was friends with me

0:30:09.200 --> 0:30:12.400
<v Speaker 1>and Royce, and then some happened to that dynamic between

0:30:12.440 --> 0:30:14.280
<v Speaker 1>him and Royce. So it was just like me and

0:30:14.560 --> 0:30:18.360
<v Speaker 1>Joel was friends. It was just really really really odd man.

0:30:18.520 --> 0:30:21.200
<v Speaker 1>And it's just it might be the oddest concoction for

0:30:21.240 --> 0:30:24.000
<v Speaker 1>an actual group that toured together, that put albums out

0:30:24.040 --> 0:30:28.760
<v Speaker 1>together in terms of like how it was formed. Right,

0:30:28.920 --> 0:30:31.160
<v Speaker 1>there was really no you guys never had a real

0:30:31.200 --> 0:30:33.000
<v Speaker 1>origin story. It's not like you guys grew up together.

0:30:34.200 --> 0:30:35.880
<v Speaker 1>We think of Grizzela, we think of Wu Tang. All

0:30:35.920 --> 0:30:39.960
<v Speaker 1>these people grew up together, so you know the downfalls

0:30:40.000 --> 0:30:43.080
<v Speaker 1>of those groups. It was a lot of emotional family

0:30:43.120 --> 0:30:46.080
<v Speaker 1>based shit with you guys. It was listen, man, the

0:30:46.080 --> 0:30:49.720
<v Speaker 1>fans wanted this. We did it. Would you say you start?

0:30:49.720 --> 0:30:54.080
<v Speaker 1>Because I think, like I always talked to groups. There's

0:30:54.120 --> 0:30:58.040
<v Speaker 1>a group out of LA called Shoreline Mafia. Yeah, shout

0:30:58.040 --> 0:31:00.800
<v Speaker 1>out to h o Gez And he had said that

0:31:00.880 --> 0:31:03.880
<v Speaker 1>like when they did their first tour together, he started

0:31:03.880 --> 0:31:07.360
<v Speaker 1>to kind of notice the cracks in the foundation because

0:31:07.360 --> 0:31:09.400
<v Speaker 1>they had to be around each other a lot, Right,

0:31:10.240 --> 0:31:12.520
<v Speaker 1>your guys' first tour was it the Tech nine tour?

0:31:12.600 --> 0:31:15.320
<v Speaker 1>I think that was our first victory. Yeah. Did you

0:31:15.440 --> 0:31:18.840
<v Speaker 1>notice back then, just being on the road together that

0:31:18.920 --> 0:31:22.320
<v Speaker 1>there was that there was some red flags? Well, when

0:31:22.360 --> 0:31:25.400
<v Speaker 1>I first we first did our thing at best Buy

0:31:26.200 --> 0:31:28.200
<v Speaker 1>And I don't want listen, I'm not here to assassinate

0:31:28.280 --> 0:31:30.960
<v Speaker 1>Joe character, So i'ma I'm gonna get off Joe. You

0:31:30.960 --> 0:31:33.200
<v Speaker 1>know what I'm saying. I'm gonna just say this. We

0:31:33.240 --> 0:31:36.600
<v Speaker 1>did our when we did our our first n story

0:31:36.640 --> 0:31:40.560
<v Speaker 1>at best Buy on the East Coast. You know, somebody

0:31:40.600 --> 0:31:45.280
<v Speaker 1>told me, whatever you do, don't let Joe be Joe.

0:31:46.160 --> 0:31:48.240
<v Speaker 1>And I didn't know what that meant because we were

0:31:49.120 --> 0:31:52.360
<v Speaker 1>relatively brand new to each other. You know, I didn't

0:31:52.400 --> 0:31:54.400
<v Speaker 1>know what that meant, you know, but I found out,

0:31:55.000 --> 0:31:58.160
<v Speaker 1>you see what I'm saying, yeah, rather quickly, and and

0:31:58.600 --> 0:32:01.440
<v Speaker 1>you just got people who have two different types of vibes,

0:32:01.680 --> 0:32:05.040
<v Speaker 1>two different types of mindsets, two different types of you know,

0:32:05.120 --> 0:32:07.520
<v Speaker 1>what their moral compass is and things of that nature.

0:32:07.520 --> 0:32:09.960
<v Speaker 1>It's just, you know, it is what it is. So

0:32:10.280 --> 0:32:12.840
<v Speaker 1>it was very hard for us to even you know,

0:32:13.000 --> 0:32:16.840
<v Speaker 1>rock like that. And it was almost like a lot

0:32:16.880 --> 0:32:22.800
<v Speaker 1>of times, dog, I stayed I stayed silent because I

0:32:22.840 --> 0:32:25.800
<v Speaker 1>had love for Royce, you know what I mean. So

0:32:26.120 --> 0:32:28.760
<v Speaker 1>a lot of times I was like, yo, I'm a

0:32:28.880 --> 0:32:31.840
<v Speaker 1>chill because I had love for Royce and I understood

0:32:31.840 --> 0:32:34.680
<v Speaker 1>that Royce had a different relationship with Joe. But Royce

0:32:34.720 --> 0:32:36.640
<v Speaker 1>knew because sometimes I was like, Yo, this dude, this

0:32:36.960 --> 0:32:38.920
<v Speaker 1>dude wilding right now, you know what I mean, And

0:32:39.320 --> 0:32:44.000
<v Speaker 1>me and him have a conversation. Glue. He was the

0:32:44.000 --> 0:32:47.120
<v Speaker 1>group for between that between Joe and the rest of

0:32:47.120 --> 0:32:50.360
<v Speaker 1>the group. Yeah, yeah, I mean and the and the

0:32:50.440 --> 0:32:52.720
<v Speaker 1>and the thing is now, don't get me wrong, Joe

0:32:52.720 --> 0:32:58.440
<v Speaker 1>brings a lot to the table. Of course, he rose

0:32:58.520 --> 0:33:00.800
<v Speaker 1>in his bag. He's one of the one, he's one

0:33:00.800 --> 0:33:02.960
<v Speaker 1>of them one. So he brings, he brings, he brings

0:33:03.120 --> 0:33:04.680
<v Speaker 1>all that to the table, you know what I mean.

0:33:04.720 --> 0:33:09.360
<v Speaker 1>But you know that's dope from a fan perspective. But

0:33:09.400 --> 0:33:11.280
<v Speaker 1>when you have to be inside a group of someone

0:33:11.320 --> 0:33:13.040
<v Speaker 1>you have to be doing business. You have to do

0:33:13.120 --> 0:33:15.840
<v Speaker 1>business with somebody, you have to be you know, shared

0:33:15.840 --> 0:33:18.200
<v Speaker 1>the same quarters with somebody, it's different, you know what

0:33:18.200 --> 0:33:21.120
<v Speaker 1>I mean. And and uh, it wasn't gonna work. It

0:33:21.640 --> 0:33:24.360
<v Speaker 1>just wasn't gonna work. So where did you, like, at

0:33:24.360 --> 0:33:26.040
<v Speaker 1>what point in time did you reach your break because

0:33:26.040 --> 0:33:27.680
<v Speaker 1>you had said earlier that you had already had you

0:33:27.760 --> 0:33:29.680
<v Speaker 1>had already reached your breakup point with Joe when you

0:33:29.680 --> 0:33:32.400
<v Speaker 1>would kind of okay, I'm gonna give it one more go.

0:33:32.480 --> 0:33:35.480
<v Speaker 1>When did you initially reach that break up point with Joe? Well,

0:33:36.320 --> 0:33:39.640
<v Speaker 1>Royce wanted everybody to come to Heaven in Detroit, his

0:33:39.760 --> 0:33:48.320
<v Speaker 1>studio and do some joints for Glasshouse, and we all

0:33:48.760 --> 0:33:53.320
<v Speaker 1>scheduled it, said, I will be there. You know. This

0:33:53.520 --> 0:33:57.520
<v Speaker 1>was some years ago too, and I flew out there

0:33:58.200 --> 0:34:02.080
<v Speaker 1>and I was the only one that showed up. Wow,

0:34:03.160 --> 0:34:06.840
<v Speaker 1>you see what I'm saying. And I'm like, where, what's

0:34:06.880 --> 0:34:09.560
<v Speaker 1>going on? Where's everybody else? So I called Joel where

0:34:09.560 --> 0:34:12.759
<v Speaker 1>are you at? He was like, oh, crook man, you

0:34:12.920 --> 0:34:15.000
<v Speaker 1>down there. I should have called you before you jumped

0:34:15.040 --> 0:34:16.839
<v Speaker 1>on the plane. Joe told me he wasn't going, so

0:34:16.880 --> 0:34:18.600
<v Speaker 1>I didn't get on the plane. I'm figuring, if he

0:34:18.719 --> 0:34:21.879
<v Speaker 1>not going with me, waste your time. And I said,

0:34:21.920 --> 0:34:23.799
<v Speaker 1>but why did he say that? And he was like

0:34:23.880 --> 0:34:25.600
<v Speaker 1>He's like, I don't know. He just said he wasn't

0:34:25.600 --> 0:34:28.560
<v Speaker 1>going at the last minute. And I was like, wow.

0:34:28.840 --> 0:34:31.920
<v Speaker 1>So now here I am in Detroit. It's snowing like

0:34:31.960 --> 0:34:34.920
<v Speaker 1>a motherfucker. It's cold as shit, and I'm standing outside

0:34:34.960 --> 0:34:38.280
<v Speaker 1>smoking a fucking cigar with fucking snowflakes on my beard,

0:34:38.280 --> 0:34:40.560
<v Speaker 1>and shit, like, what the fuck am I gonna do now?

0:34:40.640 --> 0:34:43.440
<v Speaker 1>So me and Boyce ended up doing like nine or

0:34:43.440 --> 0:34:48.120
<v Speaker 1>ten joints ourselves, just using the time to create, you

0:34:48.160 --> 0:34:51.480
<v Speaker 1>know what I mean, songs you might not never hear,

0:34:51.600 --> 0:34:53.880
<v Speaker 1>you know what I mean? And uh, that was it

0:34:53.920 --> 0:34:55.799
<v Speaker 1>for me. On my plane ride back. I was like,

0:34:55.840 --> 0:34:58.800
<v Speaker 1>you know what, I'm never doing this. I'm not doing

0:34:58.840 --> 0:35:03.800
<v Speaker 1>this with that type of energy. And I was only willing,

0:35:04.320 --> 0:35:09.239
<v Speaker 1>like I said, for Royce and funny enough, you know,

0:35:09.480 --> 0:35:12.719
<v Speaker 1>I know, I know how Royce feels. I'm very considerate

0:35:12.760 --> 0:35:16.480
<v Speaker 1>of other people's feelings, but sometimes you gotta consider your

0:35:16.480 --> 0:35:20.160
<v Speaker 1>own feelings and it was time for me to shut

0:35:20.239 --> 0:35:24.400
<v Speaker 1>down shop and move on. Yeah, I think, like I said, like,

0:35:24.560 --> 0:35:29.200
<v Speaker 1>I understand the perspective of like Joe and Royce saying, hey,

0:35:29.280 --> 0:35:32.680
<v Speaker 1>that's our logo, Slaughterhouse is ours too. You're kind of

0:35:32.680 --> 0:35:36.600
<v Speaker 1>putting out this album kind of you know, telling his story,

0:35:36.719 --> 0:35:39.560
<v Speaker 1>telling our story for us, and also using telling this

0:35:40.239 --> 0:35:43.080
<v Speaker 1>using the group's imagery, using I'm not telling this story,

0:35:43.200 --> 0:35:45.920
<v Speaker 1>kind of using Slaughterhouse as like the focal point of

0:35:45.960 --> 0:35:49.520
<v Speaker 1>this project. So I understand their perspective. Like in my

0:35:49.719 --> 0:35:53.319
<v Speaker 1>like like I'm sure if I had a fucking the

0:35:53.320 --> 0:35:56.280
<v Speaker 1>bootleg Head podcast and my producer Cook started a podcast

0:35:56.920 --> 0:35:58.799
<v Speaker 1>talking about the behind the scenes and it was like

0:35:58.920 --> 0:36:01.799
<v Speaker 1>my name, my my logo X style, I'd be like, yo,

0:36:01.840 --> 0:36:03.920
<v Speaker 1>what the fuck? But it wasn't. Maybe there was no

0:36:04.000 --> 0:36:08.279
<v Speaker 1>disrespect intended, but I could understand that perspective. But on

0:36:08.320 --> 0:36:12.160
<v Speaker 1>the other hand, it's like if you guys knew, like, look,

0:36:12.320 --> 0:36:15.440
<v Speaker 1>fuck it, whatever happens happens. We're lighting this bitch on fire,

0:36:15.520 --> 0:36:17.520
<v Speaker 1>and I need this shit off of me. I gotta

0:36:17.560 --> 0:36:20.200
<v Speaker 1>get this ship off me. It's like both I think

0:36:20.239 --> 0:36:22.680
<v Speaker 1>both sides. Okay, So tell me this. If you do

0:36:22.719 --> 0:36:26.080
<v Speaker 1>a documentary on Michael Jordan, Scottie Pippen's gonna be in

0:36:26.080 --> 0:36:29.200
<v Speaker 1>that bitch true. And I think that it's kind of

0:36:29.200 --> 0:36:31.520
<v Speaker 1>a similar thing to where you think of like how

0:36:31.520 --> 0:36:34.239
<v Speaker 1>Scotty Pippen got mad about the last dance. Yeah, so

0:36:34.320 --> 0:36:36.600
<v Speaker 1>I understand why he was mad because he didn't really

0:36:36.640 --> 0:36:40.160
<v Speaker 1>get to fully explain what happened. So that's what Scottie

0:36:40.160 --> 0:36:44.800
<v Speaker 1>Pippen goes and makes his last dance. Joe Royce go musically,

0:36:44.880 --> 0:36:47.359
<v Speaker 1>go talk to the fans, right, do do whatever you want.

0:36:47.440 --> 0:36:50.279
<v Speaker 1>Maybe that's what their IG life was. No, man, that's

0:36:50.320 --> 0:36:53.600
<v Speaker 1>not gonna work. It's it's it's art over over live,

0:36:54.120 --> 0:36:56.879
<v Speaker 1>over lives, his art over IG lives. Bro, what did

0:36:56.880 --> 0:36:59.680
<v Speaker 1>you think of IG live in terms of because a

0:36:59.680 --> 0:37:01.839
<v Speaker 1>lot of were making I think a lot of people

0:37:01.880 --> 0:37:03.719
<v Speaker 1>took some of the stuff out of context in terms

0:37:03.760 --> 0:37:06.960
<v Speaker 1>of the headlines. I saw right like Joe saying that

0:37:07.000 --> 0:37:09.000
<v Speaker 1>album can suck my dick. Some people were like, yo,

0:37:09.080 --> 0:37:12.160
<v Speaker 1>he told Joe Ortiz, the suck is dick. Yeah. Well yeah,

0:37:12.360 --> 0:37:14.279
<v Speaker 1>even though he said the album, I just feel like

0:37:14.320 --> 0:37:16.640
<v Speaker 1>that's going too far, you know what I'm saying, Like

0:37:17.000 --> 0:37:19.520
<v Speaker 1>there's certain shit you just don't do. But you know

0:37:20.800 --> 0:37:22.560
<v Speaker 1>what I think of it, I wanted to get in there,

0:37:22.960 --> 0:37:29.440
<v Speaker 1>land landed. I'm in their pressing requests, let me different conversation. Yeah,

0:37:29.440 --> 0:37:31.880
<v Speaker 1>it would have been a different conversation because at that

0:37:32.000 --> 0:37:33.880
<v Speaker 1>point they were saying that there was no deal, and

0:37:33.920 --> 0:37:36.080
<v Speaker 1>then I could have probably got them to admit that

0:37:36.120 --> 0:37:38.680
<v Speaker 1>there was a deal and that point they were saying

0:37:38.680 --> 0:37:41.120
<v Speaker 1>they never said no. And then you know, later on

0:37:41.280 --> 0:37:43.560
<v Speaker 1>Joe did an interview with one of the guys who

0:37:43.600 --> 0:37:46.680
<v Speaker 1>I watch all the time on PSA Hip Hop, and

0:37:46.719 --> 0:37:49.439
<v Speaker 1>he said, you know, it all boiled down to Crook

0:37:49.520 --> 0:37:51.520
<v Speaker 1>wanted to do a deal that Joe didn't want to do.

0:37:51.880 --> 0:37:53.759
<v Speaker 1>You know, Joe didn't want to do the deal, so

0:37:54.520 --> 0:37:56.800
<v Speaker 1>he did say no. He's admitting now that you know

0:37:56.840 --> 0:37:58.279
<v Speaker 1>what I mean, he didn't want to do the deal,

0:37:58.719 --> 0:38:01.400
<v Speaker 1>and we it got caught up in semantics like I

0:38:01.440 --> 0:38:03.680
<v Speaker 1>never said no, there was never a deal, that's all

0:38:03.680 --> 0:38:06.839
<v Speaker 1>I felt like. It felt like themantics. You know there

0:38:06.880 --> 0:38:08.320
<v Speaker 1>was a deal. You know you didn't want to do

0:38:08.360 --> 0:38:10.600
<v Speaker 1>the deal. Let's get past that, because we can't find

0:38:10.640 --> 0:38:13.640
<v Speaker 1>common ground if we don't start off with honesty and truth.

0:38:13.680 --> 0:38:15.640
<v Speaker 1>You know, we got to start at honesty and truth

0:38:15.840 --> 0:38:17.640
<v Speaker 1>and then try to find common ground. If you're going

0:38:17.680 --> 0:38:20.200
<v Speaker 1>to say you know there was no deal, where's the paper?

0:38:20.239 --> 0:38:22.480
<v Speaker 1>Of course there was no paper because I said, have

0:38:22.640 --> 0:38:24.839
<v Speaker 1>Joe hit me? And he never fucking hit me? So

0:38:24.920 --> 0:38:27.920
<v Speaker 1>how can I even put his desires for the deal

0:38:28.000 --> 0:38:30.720
<v Speaker 1>in paperwork for him if he's not even gonna call me?

0:38:31.560 --> 0:38:35.759
<v Speaker 1>So it's impossible. When was the official release of you

0:38:35.800 --> 0:38:38.320
<v Speaker 1>Guys as a group from Shady It was over a

0:38:38.360 --> 0:38:41.400
<v Speaker 1>year ago. Over a year ago. Yeah, and again, who

0:38:41.480 --> 0:38:45.520
<v Speaker 1>do we do that for? For Joe? Right? I mean,

0:38:45.520 --> 0:38:47.960
<v Speaker 1>because really I feel like when Joe was on Everyday

0:38:47.960 --> 0:38:51.279
<v Speaker 1>Struggle talking about Eminemli, obviously some of the things he

0:38:51.320 --> 0:38:54.400
<v Speaker 1>said I didn't necessarily disagree with, right, But you know,

0:38:55.000 --> 0:38:57.560
<v Speaker 1>but if you're Joe Budden and you're signed to your group,

0:38:57.640 --> 0:38:59.799
<v Speaker 1>signed to the label, you you might want to make

0:38:59.800 --> 0:39:03.240
<v Speaker 1>the business decision to just gotta hold hold back a little,

0:39:03.280 --> 0:39:05.719
<v Speaker 1>you know what I'm saying, But especially if if your

0:39:05.719 --> 0:39:09.719
<v Speaker 1>brother Royce is over there trying, you know, to hold

0:39:09.760 --> 0:39:13.440
<v Speaker 1>it together. I was over there too, but let's just

0:39:13.440 --> 0:39:15.959
<v Speaker 1>put it on Royce. If Royce was over there trying

0:39:16.000 --> 0:39:21.080
<v Speaker 1>to he was trying to put Glasshouse out under the

0:39:21.120 --> 0:39:26.160
<v Speaker 1>Shady umbrella the same day when Joe was throwing those

0:39:26.160 --> 0:39:30.640
<v Speaker 1>grenades at everything. He was working during that time period

0:39:30.760 --> 0:39:33.399
<v Speaker 1>to try to get Glasshouse out. Do you think Joe

0:39:33.480 --> 0:39:36.879
<v Speaker 1>knew that? Probably because if he knew that, and yeah,

0:39:36.960 --> 0:39:39.919
<v Speaker 1>I know he probably knew it. You know what I'm saying.

0:39:39.920 --> 0:39:42.200
<v Speaker 1>He probably knew it. He wanted off Shady. Let me

0:39:42.200 --> 0:39:45.200
<v Speaker 1>know if I'm wrong. Glasshouse was supposed to be executive

0:39:45.239 --> 0:39:49.080
<v Speaker 1>pretty Jess Blaze or was it executive produced by just Blaze?

0:39:49.400 --> 0:39:52.239
<v Speaker 1>And we kind of like formulated this slaughterhouse of producers

0:39:52.280 --> 0:39:56.680
<v Speaker 1>of all amazing producers, you know, Justice League, Illmind, Cardiac

0:39:56.840 --> 0:40:01.799
<v Speaker 1>was there, you know, man else was in there. It

0:40:01.840 --> 0:40:04.600
<v Speaker 1>was it was crazy to see them all making beasts

0:40:04.640 --> 0:40:09.200
<v Speaker 1>together like it was just it was amazing. I don't

0:40:09.200 --> 0:40:12.600
<v Speaker 1>know if have any of those songs leaked, Some of

0:40:12.600 --> 0:40:15.840
<v Speaker 1>the songs we've played pieces bits and pieces and things

0:40:15.920 --> 0:40:17.840
<v Speaker 1>like that. But for the most part, there's a whole

0:40:17.840 --> 0:40:20.840
<v Speaker 1>album that nobody really ever heard, you know what I'm saying.

0:40:21.120 --> 0:40:23.200
<v Speaker 1>And it was easy to finish. Yeah, like you had

0:40:23.320 --> 0:40:26.280
<v Speaker 1>enough joints to you could go into what we recorded

0:40:26.280 --> 0:40:28.520
<v Speaker 1>and create an album out of that, you know what

0:40:28.560 --> 0:40:32.839
<v Speaker 1>I'm saying. Hopefully somebody leak conveniently leaks that ship up. Well,

0:40:32.920 --> 0:40:35.360
<v Speaker 1>I thought about the leak man, but it's like, you know,

0:40:35.440 --> 0:40:37.719
<v Speaker 1>those producers worked hard, they didn't get paid, you know

0:40:37.760 --> 0:40:41.680
<v Speaker 1>what I'm saying, and I'm sure wouldn't mind. Well if

0:40:41.719 --> 0:40:44.120
<v Speaker 1>they could reach if they Yeah, if the producers are

0:40:44.160 --> 0:40:46.960
<v Speaker 1>on board, then absolutely, but that's on it, you know.

0:40:47.160 --> 0:40:48.799
<v Speaker 1>But you know, we don't want to We don't want

0:40:48.800 --> 0:40:51.319
<v Speaker 1>to harm anybody business wise. You know, because one of

0:40:51.320 --> 0:40:54.279
<v Speaker 1>the beasts went to Ross. You know what I mean.

0:40:55.960 --> 0:41:02.520
<v Speaker 1>The song is called I Forgot Suggests Blaze Ross Ross Song. Okay,

0:41:02.640 --> 0:41:04.080
<v Speaker 1>you know what I'm saying. So it went one of

0:41:04.120 --> 0:41:07.439
<v Speaker 1>the beats went to Ross. So you know, if those

0:41:07.480 --> 0:41:10.640
<v Speaker 1>producers can still find a way to eat off those beats,

0:41:10.640 --> 0:41:13.480
<v Speaker 1>I would just say someone conveniently who has access to

0:41:13.520 --> 0:41:16.080
<v Speaker 1>the album give it to someone else who just conveniently

0:41:16.200 --> 0:41:18.600
<v Speaker 1>leaks it and honestly online, and then it's on Reddit,

0:41:18.600 --> 0:41:20.000
<v Speaker 1>and then you know, the people who want to hear

0:41:20.000 --> 0:41:22.560
<v Speaker 1>it can hear. Hey, it might leak tonight. They might

0:41:22.560 --> 0:41:24.399
<v Speaker 1>try to They might try to leak. They might try

0:41:24.400 --> 0:41:27.680
<v Speaker 1>to leak it before me and Joel shit drop. Hey

0:41:28.560 --> 0:41:31.719
<v Speaker 1>got some real ship? I could see that. So they

0:41:31.719 --> 0:41:34.440
<v Speaker 1>could change the subject and ship. Yeah, you can't change

0:41:34.440 --> 0:41:37.759
<v Speaker 1>the subject. The fans want closure, bro. I talk to

0:41:37.800 --> 0:41:40.680
<v Speaker 1>them every single day on turn Now you're super active.

0:41:40.760 --> 0:41:44.840
<v Speaker 1>They want closure, bro. They want to know why. How

0:41:45.160 --> 0:41:47.440
<v Speaker 1>you know if we put the fans are the fifth

0:41:47.480 --> 0:41:51.719
<v Speaker 1>member of Slaughterhouse. If we ever put them first, Glasshouse

0:41:51.719 --> 0:41:55.120
<v Speaker 1>would have came out. Everybody put egoing prior first. That's

0:41:55.120 --> 0:41:58.680
<v Speaker 1>why Glasshouse never came out. It's that simple, like if

0:41:58.719 --> 0:42:03.680
<v Speaker 1>you had to really it sounds like and again it's

0:42:03.760 --> 0:42:05.920
<v Speaker 1>just sounds like if it weren't for Joe Budden, the

0:42:05.960 --> 0:42:09.680
<v Speaker 1>album would have been out. Hey, am I crazy? Yo? Listen?

0:42:09.880 --> 0:42:13.480
<v Speaker 1>Joe retired. He said it on his podcast. I can

0:42:13.680 --> 0:42:16.440
<v Speaker 1>go and do whatever I'm trying to tell you. I

0:42:16.480 --> 0:42:21.000
<v Speaker 1>think see. Royce is a music He's a heavy, heavy

0:42:21.120 --> 0:42:25.560
<v Speaker 1>music guy, so in his mind he probably has this album.

0:42:25.640 --> 0:42:29.520
<v Speaker 1>This this crazy album that he knows that we can

0:42:29.560 --> 0:42:33.720
<v Speaker 1>achieve as a group, that he wants to, you know, help,

0:42:35.000 --> 0:42:37.399
<v Speaker 1>He wants to paint this picture. He just probably has

0:42:37.440 --> 0:42:40.319
<v Speaker 1>so many ideas when it comes to Slaughterhouse that he

0:42:40.360 --> 0:42:43.880
<v Speaker 1>wants to do, But what he doesn't understand is is

0:42:43.960 --> 0:42:47.359
<v Speaker 1>that it's not gonna get done. Bro. Yeah, I mean

0:42:48.080 --> 0:42:51.239
<v Speaker 1>it's ten years. Bro. I feel sad every time I

0:42:51.280 --> 0:42:53.560
<v Speaker 1>see him talking about he was gonna get Joe to rap.

0:42:53.600 --> 0:42:56.359
<v Speaker 1>I'm like, dude, he was never gonna rap. I mean, listen,

0:42:56.440 --> 0:42:59.040
<v Speaker 1>race is one of the greatest of all time. Yes, absolutely,

0:42:59.040 --> 0:43:01.960
<v Speaker 1>I think when you're Royce and you put out I

0:43:02.000 --> 0:43:05.200
<v Speaker 1>mean the Book of Ryan and The Alligatory got nominated

0:43:05.200 --> 0:43:08.439
<v Speaker 1>for Rap Album of the Year, probably the two best

0:43:08.440 --> 0:43:12.840
<v Speaker 1>bodies of work of his career. Absolutely, I'm not sure

0:43:12.880 --> 0:43:16.040
<v Speaker 1>like if your Royce like The Headache or the it's

0:43:16.080 --> 0:43:18.160
<v Speaker 1>just a lot, Like it sounds like the whole Slaughterhouse

0:43:18.200 --> 0:43:22.000
<v Speaker 1>thing is a lot. It is and anything when there's

0:43:22.000 --> 0:43:25.040
<v Speaker 1>four moving parts for four people. Ever, you got a manager.

0:43:25.320 --> 0:43:27.160
<v Speaker 1>He's got a manager, he's got a manager. We all

0:43:27.160 --> 0:43:29.919
<v Speaker 1>got four lawyers. It's just it's a lot and and

0:43:29.920 --> 0:43:32.600
<v Speaker 1>and you know, for me, like I just had always

0:43:32.640 --> 0:43:35.080
<v Speaker 1>assumed this ship was a rap forever. When Joe retired,

0:43:35.960 --> 0:43:39.200
<v Speaker 1>I was just like, oh, well, now see you assume that. Yeah,

0:43:39.480 --> 0:43:41.200
<v Speaker 1>well now you you're like, no, we're gonna put an

0:43:41.200 --> 0:43:44.239
<v Speaker 1>album out and let you know it's a rap. Yeah. Yeah,

0:43:44.320 --> 0:43:47.160
<v Speaker 1>I mean because because there's your guys' fans are a

0:43:47.200 --> 0:43:52.240
<v Speaker 1>certain type of cult following where they're they're letting until

0:43:52.280 --> 0:43:54.360
<v Speaker 1>they get the final No, They're going to keep harping

0:43:54.440 --> 0:43:58.440
<v Speaker 1>on the situation. They're very invested in two Slaughterhouse. They

0:43:58.480 --> 0:44:01.319
<v Speaker 1>are very invested, you know what I'm saying. And I

0:44:01.320 --> 0:44:06.239
<v Speaker 1>don't think in this whole Debaco nobody is. Nobody's caring

0:44:06.239 --> 0:44:07.759
<v Speaker 1>about it. I mean, I even heard Joe say the

0:44:07.800 --> 0:44:12.239
<v Speaker 1>fans are idiots. I'm like, Doug, listen, I'm when we

0:44:12.280 --> 0:44:15.440
<v Speaker 1>was on tour, I'm the last man on the tour bus,

0:44:16.160 --> 0:44:19.120
<v Speaker 1>first man off. I'm out there with the fans. We

0:44:19.160 --> 0:44:21.239
<v Speaker 1>get off the stage, I'm taking pictures with them, I'm

0:44:21.280 --> 0:44:23.400
<v Speaker 1>signing art the grounds, I'm doing shots with the fans

0:44:23.800 --> 0:44:25.920
<v Speaker 1>were talking rap. You know what I'm saying, That's just

0:44:25.920 --> 0:44:28.040
<v Speaker 1>who I am. These are the people who love what

0:44:28.120 --> 0:44:29.799
<v Speaker 1>we love. These are the people who put us where

0:44:29.800 --> 0:44:31.960
<v Speaker 1>we are, you know what I mean. And I'm out

0:44:32.000 --> 0:44:34.200
<v Speaker 1>there showing love, having fun with the fans at all times.

0:44:34.239 --> 0:44:36.600
<v Speaker 1>So I've always been that type of person. And it

0:44:36.640 --> 0:44:39.200
<v Speaker 1>doesn't stop because slaughter House stops, you know what I'm saying.

0:44:39.239 --> 0:44:41.520
<v Speaker 1>So when the fans hit me and they're like, yo,

0:44:41.600 --> 0:44:44.080
<v Speaker 1>you we you know I was listening to your song Goodbye,

0:44:44.120 --> 0:44:46.600
<v Speaker 1>and you know my uncle died of cancer too, and man,

0:44:46.640 --> 0:44:48.840
<v Speaker 1>it just really it saved me from wanting to harm

0:44:48.880 --> 0:44:51.239
<v Speaker 1>myself and just know that you're going through the same

0:44:51.280 --> 0:44:53.160
<v Speaker 1>thing and all that. I take that shit to heart.

0:44:53.200 --> 0:44:56.000
<v Speaker 1>That shit ain't just a comment on my fucking script

0:44:56.080 --> 0:44:58.759
<v Speaker 1>on my screen. That's fucking real shit. And I take

0:44:58.800 --> 0:45:00.799
<v Speaker 1>that shit to heart. And when they tell me they

0:45:00.800 --> 0:45:02.319
<v Speaker 1>want to know what the fuck is going on with

0:45:02.400 --> 0:45:04.960
<v Speaker 1>the music and why we ain't putting out no records

0:45:04.960 --> 0:45:07.359
<v Speaker 1>and what happened to Slaughterhouse, I want to give them

0:45:07.360 --> 0:45:09.879
<v Speaker 1>that closure to look, this is what happened. Now. I'm

0:45:09.920 --> 0:45:12.160
<v Speaker 1>not gonna go super deep and dig up all kinds

0:45:12.160 --> 0:45:14.080
<v Speaker 1>of shit and show you where the bodies are. I'm

0:45:14.120 --> 0:45:16.360
<v Speaker 1>just gonna be like, yo, this is what happened. And

0:45:16.920 --> 0:45:19.200
<v Speaker 1>you know, thank you for all your support over the

0:45:19.200 --> 0:45:22.439
<v Speaker 1>fucking years. I'm sorry to be the bad news. I'm

0:45:22.440 --> 0:45:24.560
<v Speaker 1>sorry to be that guy, but this is what the

0:45:24.560 --> 0:45:28.239
<v Speaker 1>fuck happened. It's over and some of the best motherfucking

0:45:28.320 --> 0:45:30.600
<v Speaker 1>movies are based on a true story. This is a

0:45:30.640 --> 0:45:33.840
<v Speaker 1>true story period. Did YO ever feel a type of

0:45:33.840 --> 0:45:37.640
<v Speaker 1>way when you started to do Crook's Corner? Uh? And

0:45:37.680 --> 0:45:41.319
<v Speaker 1>you're like, your your platforms and by the way, you're

0:45:41.320 --> 0:45:44.360
<v Speaker 1>not doing that anymore, are you? Yeah? The YouTube channel? Yeah?

0:45:44.440 --> 0:45:46.239
<v Speaker 1>Are you still like cause I feel like I feel

0:45:46.280 --> 0:45:48.880
<v Speaker 1>like you did. You slowed down a bit on doing it.

0:45:49.360 --> 0:45:52.279
<v Speaker 1>We started doing because you were doing it. Started for

0:45:52.280 --> 0:45:54.160
<v Speaker 1>a while, right, I was doing it with hip Hop

0:45:54.239 --> 0:45:57.160
<v Speaker 1>d X, and then you know, I moved it to

0:45:57.280 --> 0:46:00.400
<v Speaker 1>another to my own channel. I got the eminem interview,

0:46:00.600 --> 0:46:06.319
<v Speaker 1>and you know, my channel got taken deleted for some

0:46:06.320 --> 0:46:09.960
<v Speaker 1>some other stuff. Right, so I started a brand new channel.

0:46:10.800 --> 0:46:12.840
<v Speaker 1>And you know, I started a brand new channel. I

0:46:12.840 --> 0:46:15.080
<v Speaker 1>have a brand new location. We we do Crooks Corner

0:46:15.080 --> 0:46:16.719
<v Speaker 1>and a new location now you know what I mean.

0:46:16.760 --> 0:46:20.360
<v Speaker 1>We got it's a beautiful location. Least that out for

0:46:20.400 --> 0:46:24.279
<v Speaker 1>a year. And you know I've been having guests coming

0:46:24.320 --> 0:46:29.480
<v Speaker 1>in and out shoot man, all kinds of people. So yeah,

0:46:29.520 --> 0:46:32.000
<v Speaker 1>we still we're still doing it. It's still rocking and rolling.

0:46:32.040 --> 0:46:33.800
<v Speaker 1>The new channel is growing right now, you know what

0:46:33.840 --> 0:46:35.800
<v Speaker 1>I mean. I'm very happy at where we are with

0:46:35.880 --> 0:46:38.440
<v Speaker 1>Chris Corner. I think my next episode is gonna be

0:46:38.480 --> 0:46:40.600
<v Speaker 1>with Ice Tea. He dropped some jewels, you know what

0:46:40.640 --> 0:46:43.200
<v Speaker 1>I mean, and uh yeah, shout out to Ice Tea.

0:46:43.320 --> 0:46:46.480
<v Speaker 1>He came in. He killed it, you know, and uh

0:46:47.040 --> 0:46:49.080
<v Speaker 1>you know, I had Chamelionaire on there. He was talking,

0:46:49.200 --> 0:46:53.160
<v Speaker 1>you know, business, he's killing on the tech side. So

0:46:53.160 --> 0:46:57.000
<v Speaker 1>it's going now. To answer your question, I don't know

0:46:57.040 --> 0:46:59.400
<v Speaker 1>how he felt, but I had c Ob Radio before

0:46:59.400 --> 0:47:02.479
<v Speaker 1>he still started the Joe Button podcast already had Cob Radio.

0:47:02.560 --> 0:47:04.480
<v Speaker 1>Me and DJ Ski had I remember, you know what

0:47:04.520 --> 0:47:07.479
<v Speaker 1>I'm saying. So I've always been in this space. It's

0:47:07.560 --> 0:47:09.480
<v Speaker 1>just that I've been juggling shit, you know what I mean,

0:47:09.520 --> 0:47:12.040
<v Speaker 1>because I got a lot of different ventures and businesses

0:47:12.080 --> 0:47:13.960
<v Speaker 1>that I'm a part of. So it's like I have

0:47:14.000 --> 0:47:17.799
<v Speaker 1>to always juggle my time and shit. But now I'm

0:47:17.840 --> 0:47:20.160
<v Speaker 1>planning to you know, I'm in the middle of making

0:47:20.200 --> 0:47:23.200
<v Speaker 1>my retirement album. So once I get that retirement album done,

0:47:23.320 --> 0:47:25.680
<v Speaker 1>I'll be able to focus on Chris Corner. Multimedia and

0:47:25.719 --> 0:47:27.399
<v Speaker 1>we'll be able to just start taking on. So you're

0:47:27.440 --> 0:47:31.560
<v Speaker 1>retiring next Yeah, so you're done. Yeah, I mean I

0:47:31.600 --> 0:47:33.240
<v Speaker 1>don't mind to come out to play for a future.

0:47:33.280 --> 0:47:36.919
<v Speaker 1>I'm not one of these I'm saying, yeah, but making

0:47:37.040 --> 0:47:40.280
<v Speaker 1>making solo albums and you know, and that was another

0:47:40.320 --> 0:47:42.919
<v Speaker 1>reason why this album was so necessary to me, man,

0:47:42.960 --> 0:47:45.279
<v Speaker 1>with me and Joel, because I want to say all

0:47:45.280 --> 0:47:46.959
<v Speaker 1>the things I need to say to the people before

0:47:46.960 --> 0:47:48.800
<v Speaker 1>I turn the mic off. You know, that's such a

0:47:48.880 --> 0:47:51.239
<v Speaker 1>large part of your legacy, man, it's a large part.

0:47:51.320 --> 0:47:53.040
<v Speaker 1>This is you know, people like, well, why did you

0:47:53.080 --> 0:47:55.320
<v Speaker 1>rap about that? Listen, I've been rapping about my life,

0:47:55.360 --> 0:47:58.240
<v Speaker 1>my whole fucking life, and this is something that happened

0:47:58.239 --> 0:48:00.520
<v Speaker 1>in my life. That's why I get when people are like, hey,

0:48:00.800 --> 0:48:03.120
<v Speaker 1>why are you rapping about it? Oh? When I left

0:48:03.120 --> 0:48:05.279
<v Speaker 1>death Row Records, I rapped about it. You know what

0:48:05.280 --> 0:48:09.080
<v Speaker 1>I'm saying. I left Shady Records in Slaughterhouse, I'm rapping

0:48:09.080 --> 0:48:12.160
<v Speaker 1>about it. I'm entitled to rap about it, you know

0:48:12.239 --> 0:48:13.919
<v Speaker 1>what I mean. That's what I've been doing my whole

0:48:13.920 --> 0:48:17.760
<v Speaker 1>fucking life. Some of my fans know my life better

0:48:18.000 --> 0:48:20.200
<v Speaker 1>than people in my family. Would you ever write a

0:48:20.200 --> 0:48:22.840
<v Speaker 1>book for sure, because I feel like you're one of

0:48:22.880 --> 0:48:24.520
<v Speaker 1>the few artists that could say you were a part

0:48:24.520 --> 0:48:28.640
<v Speaker 1>of Death Row and Shady and then also just some

0:48:28.680 --> 0:48:31.839
<v Speaker 1>of the walls you broke down in terms of when

0:48:31.880 --> 0:48:34.640
<v Speaker 1>you were dropping a record every week, that was something

0:48:34.680 --> 0:48:38.880
<v Speaker 1>that you were the first to do. Yes, then everybody everybody,

0:48:38.920 --> 0:48:41.080
<v Speaker 1>I mean that blog era. You were early, like I

0:48:41.160 --> 0:48:43.520
<v Speaker 1>remember like early blog era shit, and you were there,

0:48:43.680 --> 0:48:45.600
<v Speaker 1>but not Rights and the two Dope boys dropping a

0:48:45.600 --> 0:48:48.359
<v Speaker 1>record every fucking week, Yes, sir, And then everybody else

0:48:48.360 --> 0:48:50.640
<v Speaker 1>did it. Everybody else did it, and I think once

0:48:50.680 --> 0:48:53.399
<v Speaker 1>everybody else did it, it it ultimately changed the way all

0:48:53.480 --> 0:48:57.360
<v Speaker 1>fans digest music. It kind of if you think about it,

0:48:57.400 --> 0:49:01.120
<v Speaker 1>you're kind of right because now everyone we used to

0:49:01.120 --> 0:49:03.920
<v Speaker 1>think if I got an album from our favorite artist

0:49:03.920 --> 0:49:07.200
<v Speaker 1>every year and a half or two, I'm that's I'm good. Yeah,

0:49:07.239 --> 0:49:10.280
<v Speaker 1>So now your favorite artists gotta be super active because

0:49:11.120 --> 0:49:13.600
<v Speaker 1>you got it on your phone and yeah, now that's

0:49:13.640 --> 0:49:15.759
<v Speaker 1>some real ship and some real ship. We shifted the

0:49:15.800 --> 0:49:19.200
<v Speaker 1>game with that. So yeah, dog, I'm down to write books.

0:49:19.239 --> 0:49:22.000
<v Speaker 1>You know. I started on a book I had. Actually

0:49:23.320 --> 0:49:26.240
<v Speaker 1>we have this mini series called Foreclosure. Me and Joel

0:49:26.360 --> 0:49:30.040
<v Speaker 1>that's you know that we're advertising the album, how we're

0:49:30.120 --> 0:49:33.959
<v Speaker 1>rolling out the album, right, And that that actually comes

0:49:33.960 --> 0:49:36.439
<v Speaker 1>from a book title because I actually wrote a book

0:49:36.440 --> 0:49:39.200
<v Speaker 1>about Starterous. He wrote a whole book, but I ain't

0:49:39.200 --> 0:49:41.960
<v Speaker 1>finish it, but I got I got hella chapters. It's

0:49:41.960 --> 0:49:45.120
<v Speaker 1>dope too. It's it's really dope. It's a dope ass book. Man.

0:49:45.160 --> 0:49:48.520
<v Speaker 1>It talks about you know, how it all was in

0:49:48.560 --> 0:49:51.840
<v Speaker 1>the beginning, and and and and the the creative process.

0:49:51.960 --> 0:49:54.040
<v Speaker 1>It's just really dope. I just never I haven't finished it.

0:49:54.080 --> 0:49:56.000
<v Speaker 1>But it was called Foreclosure, you know what I'm saying.

0:49:56.280 --> 0:49:58.680
<v Speaker 1>So this is something that's always been on my mind,

0:49:58.800 --> 0:50:01.360
<v Speaker 1>Like you know this, this is something that I needed.

0:50:01.480 --> 0:50:03.920
<v Speaker 1>I needed to get out there and you know, I

0:50:04.000 --> 0:50:06.839
<v Speaker 1>needed that therapy. I needed that medicine. I needed group

0:50:06.880 --> 0:50:09.160
<v Speaker 1>therapy with the fans, the ones who built it with us.

0:50:09.160 --> 0:50:11.560
<v Speaker 1>I needed to tell him what was going on and

0:50:12.000 --> 0:50:14.800
<v Speaker 1>hear feedback. I'm not always right, you know what I'm saying.

0:50:15.120 --> 0:50:18.319
<v Speaker 1>I'm open to the feedback, but you know, just don't

0:50:18.440 --> 0:50:21.600
<v Speaker 1>don't try to don't try to assassinate my character by

0:50:21.640 --> 0:50:23.919
<v Speaker 1>saying that I'm lying about something, because I'm not lying

0:50:23.920 --> 0:50:26.320
<v Speaker 1>about anything. Every time I speak, I want the truth

0:50:26.360 --> 0:50:29.080
<v Speaker 1>to come out. I'm not lying about nothing. There's nothing

0:50:29.120 --> 0:50:31.120
<v Speaker 1>that I've said so far that's false. You know what

0:50:31.120 --> 0:50:32.680
<v Speaker 1>I'm saying. I said that I brought a deal to

0:50:32.719 --> 0:50:34.600
<v Speaker 1>the table. I did. I said that Joe didn't want

0:50:34.640 --> 0:50:36.439
<v Speaker 1>to do it. He didn't. I said that Royce didn't

0:50:36.440 --> 0:50:38.080
<v Speaker 1>want to do the three man group. He didn't want

0:50:38.120 --> 0:50:40.319
<v Speaker 1>to do the three man group. I haven't told one

0:50:40.360 --> 0:50:42.560
<v Speaker 1>lie yet. I don't understand how they can call me

0:50:42.600 --> 0:50:46.480
<v Speaker 1>a liar. Does this album permanently fracture your relationship with Royce?

0:50:48.280 --> 0:50:51.160
<v Speaker 1>In my mind it shouldn't. But you know what I'm saying.

0:50:51.239 --> 0:50:53.000
<v Speaker 1>All I could do is speak for myself. I just

0:50:53.040 --> 0:50:55.560
<v Speaker 1>think of his IG post, you know, like what he said,

0:50:56.000 --> 0:50:58.719
<v Speaker 1>any ig post. Yeah, that's what I'm saying. It's like,

0:50:58.840 --> 0:51:02.560
<v Speaker 1>you know, in my mind, No, it shouldn't, you know

0:51:02.600 --> 0:51:04.880
<v Speaker 1>what I'm saying. In my mind, it shouldn't. You know

0:51:04.920 --> 0:51:11.239
<v Speaker 1>what I mean, because I got love for Royce. You know,

0:51:11.600 --> 0:51:16.520
<v Speaker 1>me and Royce have similar beliefs. You know, we live

0:51:16.600 --> 0:51:18.719
<v Speaker 1>by a similar code. You know what I'm saying. So

0:51:18.760 --> 0:51:22.480
<v Speaker 1>it's like I got love for Royce, no doubt. But

0:51:23.080 --> 0:51:25.799
<v Speaker 1>this is something that had to happen, and you know,

0:51:27.160 --> 0:51:30.600
<v Speaker 1>if he wants to continue to wrap do business with Joe,

0:51:31.480 --> 0:51:33.919
<v Speaker 1>you know, that's great, you know, And I'm just saying, yo, bro,

0:51:34.000 --> 0:51:35.640
<v Speaker 1>I had to get off that bus. I can't. I

0:51:35.680 --> 0:51:37.359
<v Speaker 1>can't be on the bus no more with that. That's

0:51:37.400 --> 0:51:41.920
<v Speaker 1>it's a wrap on that. How close was the reunion

0:51:42.000 --> 0:51:44.799
<v Speaker 1>on the West Side gun Ship from happening? Like, how

0:51:44.800 --> 0:51:47.760
<v Speaker 1>close was that actually going to transpire? Because it seemed

0:51:47.800 --> 0:51:50.400
<v Speaker 1>like everyone was like was everyone on board to do

0:51:50.440 --> 0:51:53.080
<v Speaker 1>that for for Gun? Like? How close? Like like how

0:51:53.120 --> 0:51:56.000
<v Speaker 1>far did those discussions get? Because I think if there's

0:51:56.040 --> 0:51:58.399
<v Speaker 1>anyone who embodies the energy you guys had, it's it's

0:51:58.400 --> 0:52:01.440
<v Speaker 1>Griselda right now. Well, they said that they were going

0:52:01.480 --> 0:52:04.480
<v Speaker 1>to do it, but it became one of those slaughter

0:52:04.520 --> 0:52:08.759
<v Speaker 1>house things. You know, nobody, nobody ended up turning in

0:52:09.280 --> 0:52:12.120
<v Speaker 1>what they had to turn in. And I think I

0:52:12.160 --> 0:52:16.279
<v Speaker 1>think Gun changed his mind or something, and he ended

0:52:16.360 --> 0:52:18.279
<v Speaker 1>up using the same beat that we all got. He

0:52:18.400 --> 0:52:22.359
<v Speaker 1>used that song with us for our Money, Caesar, him

0:52:22.360 --> 0:52:24.919
<v Speaker 1>and Miney Caesar did a joint on there, and once

0:52:24.960 --> 0:52:28.200
<v Speaker 1>that floated out, I threw my verse out as a freestyle,

0:52:28.600 --> 0:52:31.080
<v Speaker 1>and I told my fans and supporters you know, this

0:52:31.160 --> 0:52:33.120
<v Speaker 1>was supposed this was supposed to be to Griselle, the

0:52:33.200 --> 0:52:35.279
<v Speaker 1>joint that we were all gonna do at Slaughterhouse. But

0:52:35.800 --> 0:52:38.440
<v Speaker 1>you know, once again, as soon as they asked me

0:52:38.480 --> 0:52:41.479
<v Speaker 1>to rap I rap, I was, I had a joint

0:52:41.480 --> 0:52:43.719
<v Speaker 1>on there, you know what I'm saying. And it was

0:52:43.719 --> 0:52:46.040
<v Speaker 1>funny when Roy said that because my my fans and

0:52:46.160 --> 0:52:48.480
<v Speaker 1>supporters were in the comments, like, dog, we've been knowing

0:52:48.480 --> 0:52:50.640
<v Speaker 1>that that ship wasn't gonna happen. He was. You know,

0:52:50.920 --> 0:52:54.120
<v Speaker 1>you're pretty transparent with I'm super transparent now now that

0:52:54.160 --> 0:52:57.440
<v Speaker 1>I'm on Discord on Discord at the Discord. Yeah, now

0:52:57.440 --> 0:52:59.799
<v Speaker 1>that I'm on Discord lip, Yeah, it's lit. I got

0:52:59.840 --> 0:53:02.000
<v Speaker 1>the I got the Chris Corner server over there, and

0:53:02.440 --> 0:53:04.680
<v Speaker 1>we we inside our chat room talking all kinds of

0:53:04.680 --> 0:53:06.160
<v Speaker 1>ship to each other, you know what I mean, Like

0:53:06.200 --> 0:53:09.359
<v Speaker 1>we we talk about everything man and and and and

0:53:09.400 --> 0:53:12.480
<v Speaker 1>that's I think that's what separates me from you know

0:53:13.239 --> 0:53:15.120
<v Speaker 1>a lot of people out here, is that we're not

0:53:15.400 --> 0:53:17.920
<v Speaker 1>We're we're on equal footing man with with people who

0:53:18.000 --> 0:53:20.360
<v Speaker 1>support us. Man, unless some people think they rap stars

0:53:20.360 --> 0:53:22.399
<v Speaker 1>and ship and they think they too good to talk

0:53:22.440 --> 0:53:24.439
<v Speaker 1>to people, you know what I mean, even too good

0:53:24.440 --> 0:53:27.120
<v Speaker 1>to return phone calls. But I ain't. You're not that guy.

0:53:27.440 --> 0:53:29.239
<v Speaker 1>I you go do that? Yeah, I'm not that guy.

0:53:30.920 --> 0:53:35.239
<v Speaker 1>This album coming out, your guys, the second album together

0:53:35.360 --> 0:53:38.239
<v Speaker 1>just Hewling and Joel. Is this, uh, something you guys

0:53:38.280 --> 0:53:41.319
<v Speaker 1>are gonna continue obviously the next if you guys do.

0:53:41.400 --> 0:53:44.239
<v Speaker 1>I'm assuming not every album is gonna be based on

0:53:44.520 --> 0:53:47.680
<v Speaker 1>mur Rising Falls Slaughter at all, because the first one wasn't.

0:53:48.960 --> 0:53:50.480
<v Speaker 1>But is this something you guys are gonna keep on

0:53:50.520 --> 0:53:53.040
<v Speaker 1>doing or just yeah? I think me and Joel might

0:53:53.080 --> 0:53:55.359
<v Speaker 1>make another one. I'm not sure. I don't want to really,

0:53:55.440 --> 0:53:58.239
<v Speaker 1>you know, I don't know. But when we did the

0:53:58.280 --> 0:54:01.759
<v Speaker 1>first one, the pandemic just I was in New York.

0:54:01.800 --> 0:54:03.640
<v Speaker 1>We did it Rest in Peace, Fred to God's Son.

0:54:03.680 --> 0:54:06.680
<v Speaker 1>He was He was in every session with us, and

0:54:07.360 --> 0:54:09.640
<v Speaker 1>the pandemic had just hit. So after we I came

0:54:09.680 --> 0:54:13.439
<v Speaker 1>back home, it was very hard to move around because

0:54:13.440 --> 0:54:16.040
<v Speaker 1>the country this was something new to us. People quarantine

0:54:16.360 --> 0:54:18.920
<v Speaker 1>early on. It was impossible. It was impossible, so we

0:54:18.920 --> 0:54:21.200
<v Speaker 1>couldn't really roll the album out like we wanted to. So,

0:54:21.800 --> 0:54:24.560
<v Speaker 1>you know, we took this opportunity to be able to really,

0:54:24.600 --> 0:54:27.040
<v Speaker 1>you know, put our vision out there and show people

0:54:27.080 --> 0:54:29.480
<v Speaker 1>that you know what we do. I mean, shout out

0:54:29.480 --> 0:54:31.960
<v Speaker 1>to my man, Herb, the our true team, our visual

0:54:32.000 --> 0:54:34.480
<v Speaker 1>our visual game ain't playing either for sure, you know

0:54:34.520 --> 0:54:37.160
<v Speaker 1>what I'm saying. So it's like, you know, we we

0:54:37.239 --> 0:54:40.120
<v Speaker 1>have a great team, you know, in place to do

0:54:40.239 --> 0:54:42.120
<v Speaker 1>whatever we want to do. If if he wants to,

0:54:42.920 --> 0:54:45.080
<v Speaker 1>we could do some more music, you know, if not,

0:54:45.480 --> 0:54:47.560
<v Speaker 1>I feel it, you know what I mean. But I'm

0:54:47.600 --> 0:54:50.919
<v Speaker 1>definitely after I'm finished with this album, the retirement, Yeah,

0:54:50.920 --> 0:54:53.879
<v Speaker 1>after I'm done with that. You know, I'm I'm transitioning, man,

0:54:53.920 --> 0:54:55.759
<v Speaker 1>you know what I'm saying. I'm transitioning, but I'm gonna

0:54:55.800 --> 0:54:59.200
<v Speaker 1>leave with a bang, like like this last album, the

0:54:59.239 --> 0:55:02.200
<v Speaker 1>first four joint it's just ridiculous. So I'm like, yo,

0:55:02.239 --> 0:55:03.960
<v Speaker 1>I'm gonna make sure I get out of here and

0:55:04.360 --> 0:55:06.759
<v Speaker 1>say something, you know, the right way, the right way, Yes, sir.

0:55:06.840 --> 0:55:11.600
<v Speaker 1>How's your current relationship with m That's good? You like,

0:55:11.640 --> 0:55:13.319
<v Speaker 1>I feel like if you have a retirement album, I

0:55:13.320 --> 0:55:16.480
<v Speaker 1>feel like Eminem kind of has to be onder. Hey man,

0:55:16.560 --> 0:55:19.280
<v Speaker 1>come on, Marshall. Man, you know I'm getting out of here. Baby,

0:55:20.239 --> 0:55:23.160
<v Speaker 1>I'm just saying it's gonna happen. You know, this is

0:55:23.200 --> 0:55:25.880
<v Speaker 1>the last I talk to him about it. He was like, Man,

0:55:26.239 --> 0:55:30.279
<v Speaker 1>don't retire because he ain't. Because he ain't, you know

0:55:30.320 --> 0:55:33.200
<v Speaker 1>what I'm saying. But I mean, and that dude has

0:55:33.239 --> 0:55:36.160
<v Speaker 1>a hard job, boy, because he's a word smith. He

0:55:36.200 --> 0:55:38.040
<v Speaker 1>gotta go in there every time and try to top

0:55:38.080 --> 0:55:40.600
<v Speaker 1>that last one. You know what I'm saying that that's

0:55:41.080 --> 0:55:43.360
<v Speaker 1>that's what he does. Though he's a gunner. Somebody like

0:55:43.480 --> 0:55:47.000
<v Speaker 1>Ross who kind of used the same blueprint in terms

0:55:47.040 --> 0:55:48.439
<v Speaker 1>of like what you were doing in the early blog

0:55:48.520 --> 0:55:50.160
<v Speaker 1>days to kind of get on just dropping the record

0:55:50.160 --> 0:55:53.640
<v Speaker 1>every week, reaches out to you, get you on the

0:55:53.719 --> 0:55:58.480
<v Speaker 1>chomp ep the first one Stockholm Syndrome. We I mean

0:55:58.480 --> 0:56:01.399
<v Speaker 1>because Russ, I think what he's done with these two

0:56:01.480 --> 0:56:07.560
<v Speaker 1>Chop projects is like pretty special because like, if you

0:56:07.600 --> 0:56:11.200
<v Speaker 1>didn't know better, you would be very surprised to hear Russ,

0:56:11.200 --> 0:56:13.840
<v Speaker 1>who's known for his melodies, and you know he'd be

0:56:13.880 --> 0:56:16.280
<v Speaker 1>saying some fly ship popping and ship but he's really

0:56:17.239 --> 0:56:19.200
<v Speaker 1>throwing punges with the best of the best of these

0:56:19.200 --> 0:56:21.480
<v Speaker 1>two projects. What was that like, like him reaching out

0:56:21.480 --> 0:56:23.600
<v Speaker 1>to you, did he just slide you in the DM

0:56:23.800 --> 0:56:25.399
<v Speaker 1>or yeah, he just hit me on he just hit

0:56:25.440 --> 0:56:27.800
<v Speaker 1>me online? Because you know, we always in the trenches.

0:56:27.880 --> 0:56:30.120
<v Speaker 1>He see me, and a lot of times his name

0:56:30.200 --> 0:56:32.319
<v Speaker 1>used to pop up in my timeline. People be like, yo,

0:56:32.360 --> 0:56:33.960
<v Speaker 1>what do you think of Russ all this? And I'm like, yo,

0:56:34.040 --> 0:56:35.759
<v Speaker 1>I like Russ. You know, Russ is out there doing

0:56:35.760 --> 0:56:38.480
<v Speaker 1>this independent thing. You know, he's giving jewels the up

0:56:38.480 --> 0:56:41.480
<v Speaker 1>and coming artists and lots of jewels. I fuck with Russ,

0:56:41.480 --> 0:56:43.239
<v Speaker 1>so you know, he hit me up and he's like,

0:56:43.320 --> 0:56:45.120
<v Speaker 1>would I do it? I was like, shit, that's nothing,

0:56:45.400 --> 0:56:46.880
<v Speaker 1>you know what I mean, sent it back to him.

0:56:46.920 --> 0:56:48.560
<v Speaker 1>He's like, yo, you killed that shit. I was like,

0:56:48.600 --> 0:56:50.799
<v Speaker 1>you're looking, bro, It's all good, you know. So it's

0:56:50.880 --> 0:56:54.239
<v Speaker 1>real easy. I'm very easy to work with, and I

0:56:54.320 --> 0:56:56.239
<v Speaker 1>liked I liked that kind of environment. I like that

0:56:56.600 --> 0:56:58.600
<v Speaker 1>people who are easy to work with. I like to

0:56:58.680 --> 0:57:01.920
<v Speaker 1>be in good native environments where it's not a lot

0:57:01.960 --> 0:57:05.080
<v Speaker 1>of you know, head button and some people like that

0:57:05.160 --> 0:57:07.880
<v Speaker 1>because that's sometimes that brings out some of the best music,

0:57:08.400 --> 0:57:11.759
<v Speaker 1>you know, super challenges and adversity and all that type

0:57:11.760 --> 0:57:13.080
<v Speaker 1>of shit. But I don't like that. I like the

0:57:13.120 --> 0:57:15.120
<v Speaker 1>good workflow, you know what I'm saying. I had that

0:57:15.280 --> 0:57:16.840
<v Speaker 1>as a as a fucking kid. I've been in the

0:57:16.880 --> 0:57:19.200
<v Speaker 1>game a long time you've been I'm too old for

0:57:19.240 --> 0:57:21.600
<v Speaker 1>all that ship now. I like the Google environment, you know,

0:57:21.720 --> 0:57:23.840
<v Speaker 1>just out of bean bag over here, you chilling you

0:57:23.880 --> 0:57:26.520
<v Speaker 1>sip and lemonade over there? Yo? Pull it beat the alright, cool,

0:57:26.560 --> 0:57:30.080
<v Speaker 1>let's get it cracking. None of that other ship before

0:57:30.240 --> 0:57:31.960
<v Speaker 1>we get out of here. Obviously, the album. By the

0:57:32.040 --> 0:57:33.880
<v Speaker 1>time this comes out, the album will be out. Yeah,

0:57:34.040 --> 0:57:36.720
<v Speaker 1>go get the album. Yes, go run it up, run

0:57:36.760 --> 0:57:39.680
<v Speaker 1>it up. I'm sure is there going to be merch.

0:57:40.160 --> 0:57:43.320
<v Speaker 1>There's merch available, you know, the merch the pre orders

0:57:43.400 --> 0:57:45.480
<v Speaker 1>is looking nice. You know what I'm saying. Run up

0:57:45.520 --> 0:57:51.080
<v Speaker 1>the merch, run up. Maybe a book coming soon, Tireman album.

0:57:51.440 --> 0:57:54.479
<v Speaker 1>What's up with the Horseshoe Gang? Yo? The Shoe Gang man?

0:57:54.720 --> 0:57:58.600
<v Speaker 1>Like am he really loved him too? And you know, uh,

0:57:59.440 --> 0:58:01.880
<v Speaker 1>is everyone Horseshoe Gang related to you? Yeah? That's my

0:58:01.920 --> 0:58:06.040
<v Speaker 1>little brothers. Okay, yeah, yeah, they they masters that They're incredible,

0:58:06.240 --> 0:58:08.720
<v Speaker 1>and you know, they're starting to turn the corner. A

0:58:08.760 --> 0:58:11.280
<v Speaker 1>lot of people are giving them other people want to

0:58:11.280 --> 0:58:14.600
<v Speaker 1>work with them. You know, some super producers want to

0:58:14.600 --> 0:58:16.360
<v Speaker 1>work with them now, so we we we in the

0:58:16.400 --> 0:58:18.760
<v Speaker 1>mix with that right now. Also shout out to Uh.

0:58:18.880 --> 0:58:21.200
<v Speaker 1>I want to shout out Raz Cast's sons because they're

0:58:21.200 --> 0:58:25.120
<v Speaker 1>in a group called Post Contra. I'm trying to get

0:58:25.120 --> 0:58:26.920
<v Speaker 1>them on the show. They they've been opening up on

0:58:26.960 --> 0:58:32.640
<v Speaker 1>the cord A tour. Yeah, they're fucking crazy to those guys.

0:58:33.160 --> 0:58:34.960
<v Speaker 1>I just saw one of their freestyles pop up on

0:58:35.000 --> 0:58:36.720
<v Speaker 1>my ship and I was like, oh my god, who

0:58:36.720 --> 0:58:39.080
<v Speaker 1>are these kids? Yeah? Yeah, them kids dope. And I

0:58:39.080 --> 0:58:41.160
<v Speaker 1>didn't even know I'd reached out d M. And then

0:58:41.200 --> 0:58:43.360
<v Speaker 1>like I saw Raz like repost them and I was like,

0:58:43.400 --> 0:58:45.960
<v Speaker 1>oh shit, those are his sons. The twins are his boys.

0:58:45.440 --> 0:58:48.640
<v Speaker 1>Like that ship is crazy. I love it. Hey, listen, man,

0:58:48.760 --> 0:58:51.680
<v Speaker 1>hip hop is aging, so we're able to see things

0:58:51.680 --> 0:58:56.120
<v Speaker 1>we never seen before. It's a new genre of music,

0:58:56.240 --> 0:59:00.400
<v Speaker 1>relatively new, so we've never got to see the lineage.

0:59:00.040 --> 0:59:02.480
<v Speaker 1>Then we had Chris Rivers sitting right here like a

0:59:02.480 --> 0:59:05.520
<v Speaker 1>couple of weeks ago, and man, that motherfucker went crazy.

0:59:05.560 --> 0:59:07.440
<v Speaker 1>Yeah that's what I'm saying, Chris Rivers, you know what

0:59:07.480 --> 0:59:09.680
<v Speaker 1>I mean, Like, you know, it's just it's dope to

0:59:09.720 --> 0:59:12.680
<v Speaker 1>see the growth. Man, everything is dope. But yeah, well look, man,

0:59:12.680 --> 0:59:14.720
<v Speaker 1>I appreciate you pulling up and giving us some context

0:59:14.760 --> 0:59:16.560
<v Speaker 1>on what the fuck is going on? Yeah, man, you

0:59:16.560 --> 0:59:18.400
<v Speaker 1>know they throwing darts at me, keV. You know what

0:59:18.440 --> 0:59:19.920
<v Speaker 1>I'm saying. I had to come in and set the

0:59:19.960 --> 0:59:22.640
<v Speaker 1>record straight, real quick list. I think it's just important

0:59:22.720 --> 0:59:26.600
<v Speaker 1>to get all of the context, you know, to get

0:59:26.640 --> 0:59:29.760
<v Speaker 1>as much of your side of what's going on. And

0:59:30.680 --> 0:59:32.200
<v Speaker 1>you know, I think that that was a big thing

0:59:32.240 --> 0:59:34.480
<v Speaker 1>that was missed about. You know, some of the headlines

0:59:34.480 --> 0:59:36.000
<v Speaker 1>that were made off of that IG live was you

0:59:36.040 --> 0:59:38.360
<v Speaker 1>really weren't able to speak. I wasn't able to speak,

0:59:38.440 --> 0:59:39.880
<v Speaker 1>you know. I tried to get in there, so I

0:59:39.920 --> 0:59:42.320
<v Speaker 1>did my own live, you know what I mean. And

0:59:42.360 --> 0:59:44.920
<v Speaker 1>you know, I talk to the people myself. But you know,

0:59:45.000 --> 0:59:47.360
<v Speaker 1>it's it's all good. Like like I said, dog, it's

0:59:47.440 --> 0:59:49.880
<v Speaker 1>just getting it out there. The story is out there,

0:59:51.120 --> 0:59:54.680
<v Speaker 1>the fans are getting closure. Leave the slaughterhouse questions behind

0:59:54.720 --> 0:59:58.960
<v Speaker 1>after just go press play for all the fucking questions. Yeah,

0:59:59.000 --> 1:00:00.800
<v Speaker 1>that's all y'all got to do, man, And you'd be

1:00:00.840 --> 1:00:02.160
<v Speaker 1>all right with me, you know what I mean. Here

1:00:02.240 --> 1:00:04.680
<v Speaker 1>it is man, King Crook Crooked. I appreciate you pulling out.

1:00:04.920 --> 1:00:06.800
<v Speaker 1>Thanks for having me. Hey, shout out your YouTube channel

1:00:06.840 --> 1:00:09.080
<v Speaker 1>that you that you know Brooks Corner, Come to Crook's Corner,

1:00:09.080 --> 1:00:10.640
<v Speaker 1>Come mess with me. Man, We've got a lot of

1:00:11.120 --> 1:00:12.760
<v Speaker 1>content over there's beautiful boom