WEBVTT - Favorite 10 BobbyCast Moments of 2022 (Part 2)

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<v Speaker 1>Welcome back to the Top ten Bobby Cast of two.

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<v Speaker 1>My name is Mike d and on part two I

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<v Speaker 1>will be taking you through the top five Bobby cast

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<v Speaker 1>of the year. If you miss part one, just go

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<v Speaker 1>back in the feed and listen to what made it

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<v Speaker 1>into numbers ten through six. But this is the best

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<v Speaker 1>of the best of the year. These were are most downloaded,

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<v Speaker 1>are most interacted with, and the episodes that we encourage

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<v Speaker 1>you if you missed them in their entirety, to go

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<v Speaker 1>back in the feed and listen to these entire hour

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<v Speaker 1>long interviews. So let's kick it off with number five

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<v Speaker 1>from episode three sixty eight. It is Rita Wilson. A

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<v Speaker 1>little behind the scenes. This one probably took a year

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<v Speaker 1>to book because Rita Wilson is rarely in Nashville. But

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<v Speaker 1>I knew if we could make it happen, it would

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<v Speaker 1>make for a great episode, and that proved to be true.

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<v Speaker 1>I think Rita ended up crying twice in this entire interview,

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<v Speaker 1>and this is just a small portion of that. So

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<v Speaker 1>I highly encourage you to go back and listen to

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<v Speaker 1>episode three six eight. Here is Rita Wilson talking about

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<v Speaker 1>being a first generation of American and her parents heroic

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<v Speaker 1>journey to the United States. I do want to go back, though,

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<v Speaker 1>because I'm curious about your roots and even what it

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<v Speaker 1>was like growing up, Like how people turn out the

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<v Speaker 1>way they are. What was your house, like, it's seven

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<v Speaker 1>years old, who's there? Where do you live? That is

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<v Speaker 1>such a great question. Well, I'm a first generation American.

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<v Speaker 1>My mom was Greek and my dad was Bulgarian, and

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<v Speaker 1>they both had to escape their various countries because during

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<v Speaker 1>World War Two, my mom's village was on the border

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<v Speaker 1>of Greece and Albania, and as things got tough, they

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<v Speaker 1>knew they had to leave. So my mom had to

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<v Speaker 1>cross over these mountains by herself in the middle of

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<v Speaker 1>the night to get into Greece, to get to Athens

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<v Speaker 1>to eventually restore her American passport because she was born

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<v Speaker 1>in America. How old was she when when she had

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<v Speaker 1>to do that. She was a nineteen when she left

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<v Speaker 1>by herself, just with this backpack. I call it a backpack,

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<v Speaker 1>but it was something on her back that carried this

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<v Speaker 1>sterling silver flatwear that they had brought from New York.

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<v Speaker 1>Did you ever talk to her about that, Like what

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<v Speaker 1>was going through her mind when she made that decision where,

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<v Speaker 1>because that's a hard decision, even if you know you

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<v Speaker 1>have to do it, it's a hard decision to go. Okay,

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<v Speaker 1>now I have to go. Well, the harder decision was

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<v Speaker 1>that her parents, sorry, her mother was there because her

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<v Speaker 1>dad had died when they went there on a vacation

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<v Speaker 1>at four years old, just a village visit the village

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<v Speaker 1>and um, so her mother was a widow with four

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<v Speaker 1>kids at a very young age, and they were supposed

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<v Speaker 1>to leave altogether, but they got word that there was

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<v Speaker 1>going to be a letter coming. And they knew in

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<v Speaker 1>this small village that if somebody came to deliver a

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<v Speaker 1>letter and no one was there to receive it, that's

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<v Speaker 1>unusual where they go, you know, where everybody is. So

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<v Speaker 1>my mom offered to stay back to get the letter

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<v Speaker 1>so that she could the family could go ahead of her,

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<v Speaker 1>and then there would be no suspicion arouse, like cover exactly.

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<v Speaker 1>And then my dad, he um was born in Grease

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<v Speaker 1>and raised in Bulgaria, and oh my god, his story

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<v Speaker 1>is so I don't know how much time we have. Okay, Okay,

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<v Speaker 1>it's it's who I am. It's exactly who I am,

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<v Speaker 1>and we'll lead back to Christian Bush in a second um.

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<v Speaker 1>But he wanted it's so sad. But he met a woman,

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<v Speaker 1>he had a baby and um they were married, had

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<v Speaker 1>a baby, and on December the baby died. And on December, sorry,

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<v Speaker 1>on a December the baby was born. On December the

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<v Speaker 1>mother died, his wife, and four months later the baby died.

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<v Speaker 1>His name was Emil. I didn't know this at all.

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<v Speaker 1>I did that show Who Do You Think You Are?

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<v Speaker 1>And all of this came out. My dad never told

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<v Speaker 1>me that. So he tried to escape Bulgaria. I think

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<v Speaker 1>just out of sheer unhappiness and my dad really loved

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<v Speaker 1>the idea of America. So tries to escape, gets caught,

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<v Speaker 1>goes They say him, if you try to escape again,

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<v Speaker 1>we're going to make you an enemy of the state

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<v Speaker 1>and we're gonna put you in jail. He does it again,

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<v Speaker 1>He gets caught and they put him in a labor camp.

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<v Speaker 1>And this labor camp was one of the most severe

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<v Speaker 1>labor camps that that at the time. Commun this labor camp,

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<v Speaker 1>he gets a job. It's a coal sort of mining

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<v Speaker 1>labor camp, and he notices that at the night shift

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<v Speaker 1>there are these trains that come in and they pick

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<v Speaker 1>up amounts of coal and they take them away. It's

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<v Speaker 1>the spec and I'm nervous watching the movie and I

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<v Speaker 1>know it's not real, but this is what you're telling

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<v Speaker 1>a story about your dad. Yes, and he um. He

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<v Speaker 1>bribes one of the guards with a carton of cigarettes

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<v Speaker 1>that I guess somebody gave him as a gift on

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<v Speaker 1>visiting day. And uh. He wanted to work the night

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<v Speaker 1>shift because he knew if he worked the night shift

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<v Speaker 1>he had a plan. So he sees the trains come

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<v Speaker 1>in he's working the night shift. He says, hey, can

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<v Speaker 1>we go down and get some more firewood for the

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<v Speaker 1>um fire. They were on a break, It's like two

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<v Speaker 1>in the morning, and the guard says, yeah sure. He says,

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<v Speaker 1>can I take Richard with me, because you know, easier

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<v Speaker 1>to bring more wood back, and goes yeah sure. So

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<v Speaker 1>they go down there and they slotted themselves between the

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<v Speaker 1>trains where they couldn't be seen, and they started running.

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<v Speaker 1>Twenty minutes later they figured it out. He could hear

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<v Speaker 1>the dogs barking, and they just ran and ran and

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<v Speaker 1>ran and ran. Eventually got away, made their way to

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<v Speaker 1>Turkey and trying to make it very slow quick. You

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<v Speaker 1>don't have to make it quick, got on a boat

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<v Speaker 1>that was my dad got a job on a freighter

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<v Speaker 1>boat shoveling coal, and made his way to Philadelphia and

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<v Speaker 1>jumped the ship. But what he did was he took

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<v Speaker 1>Richard with him as a stowaway because there was no

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<v Speaker 1>work for Richard, and so he was stowed away in

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<v Speaker 1>the basically the engine room. And Richard and my dad

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<v Speaker 1>made it to America, and Richard went on to New

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<v Speaker 1>Zealand became a very very successful um businessman. Yeah, and

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<v Speaker 1>so here's the thing about that is that I felt

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<v Speaker 1>like when you said, what's it like it's seven years old.

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<v Speaker 1>I was keenly aware of how lucky my parents felt

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<v Speaker 1>that they were. And they always said things like my

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<v Speaker 1>dad was always God bless America every single day. And

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<v Speaker 1>I felt like, I'm really lucky I live in America,

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<v Speaker 1>you know, like I was really proud, and uh, he

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<v Speaker 1>never took that for granted. And Christian and I wrote

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<v Speaker 1>a song because I thought to myself, I wonder if

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<v Speaker 1>courage is handed down? Does courage get handed down? Do

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<v Speaker 1>we learn that from somewhere? Do people do people? Can

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<v Speaker 1>they do it? And I thought we wrote a song

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<v Speaker 1>called Heart He handed down Christian Bush and I because

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<v Speaker 1>I really thought it was for my children, for my

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<v Speaker 1>my kids like to say this, this guy lives in you.

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<v Speaker 1>You know, he's I'd like to ask a couple of

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<v Speaker 1>questions about your dad, if that's okay, because holy holy moly,

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<v Speaker 1>the fact that he first tried to escape right just

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<v Speaker 1>to just to try to leave for a better life,

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<v Speaker 1>a lot of bravery there. He got caught, I'd probably like,

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<v Speaker 1>you know what, I'm good, I'm good almost. I don't

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<v Speaker 1>want to I don't want to go to jail. I

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<v Speaker 1>don't want to be labeled a terrorists, basically, is what

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<v Speaker 1>they said to him. He does it again, gets caught again. Okay.

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<v Speaker 1>So now though, if they would have caught him a

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<v Speaker 1>third time trying to leave labor camp, oh, he would

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<v Speaker 1>have been shot and killed. I would have killed him, absolutely.

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<v Speaker 1>And when I went back to do that program, they

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<v Speaker 1>took me to the you know, Hall of records, let's say,

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<v Speaker 1>from the Bulgarian government, and he was listed as an

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<v Speaker 1>enemy of the state. He had a number. If they

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<v Speaker 1>ever caught him, he would have been put in jail

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<v Speaker 1>for life. Who knows what else. The other thing I

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<v Speaker 1>wanted to go back to is so his first son, Emil,

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<v Speaker 1>was born in December. Well, my sister, her daughter, firstborn daughter,

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<v Speaker 1>was born in December, and my youngest son, Truman, is

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<v Speaker 1>born in December. And I thought all those birthdays that

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<v Speaker 1>my dad on December he was celebrating his grandchildren and

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<v Speaker 1>also his son. He was there to see them. Yes. Yes,

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<v Speaker 1>he died when he was eighty nine. My mom died

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<v Speaker 1>when she was ninety three. That also is they lived

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<v Speaker 1>to be a wonderfully old age. Yes, all of that.

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<v Speaker 1>And when I asked what you were like at seven,

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<v Speaker 1>and I can move to thirteen now because I see

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<v Speaker 1>the picture of your parents and it's it's it's a

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<v Speaker 1>vague picture, but it's a strong picture, right, Like I

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<v Speaker 1>would assume that the values they taught you, even maybe

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<v Speaker 1>not always purposeful, but just because what was instilled in

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<v Speaker 1>them was like we don't stop like we if it's

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<v Speaker 1>something we're passionate about, that's what we value. That's what

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<v Speaker 1>we asked him. Value were just so big in your

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<v Speaker 1>you know, it was huge. Like my dad was a bartender,

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<v Speaker 1>my mom didn't work, and my parents were not educated,

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<v Speaker 1>but they were very intelligent and they had enormous character,

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<v Speaker 1>and uh, it was. It was really fun because my

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<v Speaker 1>mom also, you know, she did everything she could so cook.

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<v Speaker 1>She made our curtains, our bedspreads, are clothes. Like if

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<v Speaker 1>I went shopping for a pair of jeans, I'd be like, oh,

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<v Speaker 1>these are cute, and she's like, I can make those.

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<v Speaker 1>I'm like, no, Mom, I want a pair of jeans.

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<v Speaker 1>Jeans I can buy in a store. Okay, um, but

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<v Speaker 1>uh I. I really learned that value of hard work

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<v Speaker 1>because I saw how hard my dad worked, and because

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<v Speaker 1>he would get tips, he'd bring the tips home and

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<v Speaker 1>he would bring them home and you know those purple

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<v Speaker 1>felt bags from Crown Royal bottles exactly. He would bring

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<v Speaker 1>his tips home in that the coins we on Saturday mornings,

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<v Speaker 1>we'd take them all out, Separate out the nickels, the dimes,

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<v Speaker 1>the quarters of the pennies. Put him in the little

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<v Speaker 1>paper u holes that you know you take to the

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<v Speaker 1>bank right the account number on and take him that way.

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<v Speaker 1>And I thought to myself, my God, like he raised

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<v Speaker 1>a family of three in Hollywood, never had debt, and

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<v Speaker 1>I didn't even get a credit card until I was

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<v Speaker 1>seventeen because I was like, Dad, I can't get a

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<v Speaker 1>credit card unless you get a credit card, so can

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<v Speaker 1>you please get one so that I can have one

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<v Speaker 1>on your account? And and I think that's amazing because

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<v Speaker 1>you probably can't do that nowadays. You know, that's why

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<v Speaker 1>you're never late. I mean, I mean that's why. And

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<v Speaker 1>we laugh, we honestly we laugh. But that's probably like,

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<v Speaker 1>deep down in your guts, that's like, I'm not late

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<v Speaker 1>because I need to respect the other people that are

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<v Speaker 1>showing up on time because my parents taught me. Like,

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<v Speaker 1>that's a really amazing comeback to that part of the

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<v Speaker 1>conversation here where you're like, yeah, I'm not late. You

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<v Speaker 1>know why you're not late even though you're a big star,

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<v Speaker 1>because your parents have been still this in you and

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<v Speaker 1>it's still sitting with you today. That is so cool.

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<v Speaker 1>That's that's very very nice to think that way. Yeah,

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<v Speaker 1>they were just really good people. And I think having

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<v Speaker 1>parents that um were immigrants and had accents and things

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<v Speaker 1>like that, I remember absolutely feeling like people sort of

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<v Speaker 1>treated them differently. And I don't mean that in a

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<v Speaker 1>positive way, because they just assumed that they weren't smart

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<v Speaker 1>or or not American in that sense, born in America,

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<v Speaker 1>and um, there was something about that I think that

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<v Speaker 1>allowed it. In a way, it teaches you empathy because

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<v Speaker 1>I knew, like, these people are awesome. My parents are

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<v Speaker 1>fantastic people, even though somebody may not be treating them

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<v Speaker 1>that way. So you kind of connect to that in

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<v Speaker 1>a way. So seven years old, I was a really

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<v Speaker 1>happy kid and um and very you know, like it

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<v Speaker 1>was just a very typical child. Even though it was Hollywood, California,

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<v Speaker 1>it was still very typical. Could have been any town, USA.

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<v Speaker 1>At number four is Billy Ray Cyrus from episode three

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<v Speaker 1>hundred and forty. Billy Ray is a very polarizing guy

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<v Speaker 1>when he walks into the room, and he was so

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<v Speaker 1>open and honest throughout this entire interview and even brought

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<v Speaker 1>his guitar with him and was just randomly going into songs.

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<v Speaker 1>So this is definitely one you gotta listen to the

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<v Speaker 1>full episode. But this is Billy Ray Cyrus talking about

0:12:23.840 --> 0:12:26.679
<v Speaker 1>getting his big break right before he thought about giving

0:12:26.760 --> 0:12:29.680
<v Speaker 1>up on music, and the moment he decided to get clean.

0:12:30.679 --> 0:12:35.640
<v Speaker 1>Nineteen eighty nine, nine UM nine and one week. I

0:12:35.760 --> 0:12:38.440
<v Speaker 1>wrote three of the songs off the album Some Gay Ball,

0:12:38.520 --> 0:12:42.679
<v Speaker 1>including Some Gay Ball. I admit a Vietnam veteran in Huntington,

0:12:42.760 --> 0:12:44.720
<v Speaker 1>West Virginia at the Little Bar I played that night,

0:12:44.840 --> 0:12:47.679
<v Speaker 1>and um, that song happened to be the song that

0:12:47.720 --> 0:12:50.600
<v Speaker 1>I played for Harold Ship when after ten years of

0:12:50.679 --> 0:12:53.880
<v Speaker 1>being told no for the first time, somebody said yes.

0:12:54.160 --> 0:12:57.200
<v Speaker 1>And that was the song that made someone go, hey,

0:12:57.600 --> 0:12:59.600
<v Speaker 1>I see like a flicker of something in you right

0:13:00.040 --> 0:13:02.640
<v Speaker 1>him in And uh it was actually I was. I

0:13:02.720 --> 0:13:05.120
<v Speaker 1>was down. That was gonna be my last try. I said,

0:13:05.160 --> 0:13:06.920
<v Speaker 1>if this doesn't work, I better get a job at

0:13:06.960 --> 0:13:10.559
<v Speaker 1>the railroad. I had this song, I've written some gay balls,

0:13:10.600 --> 0:13:12.319
<v Speaker 1>the song I should play. And then he said, I'm

0:13:12.320 --> 0:13:15.720
<v Speaker 1>gonna structure you a little deal, and Mercury Records started

0:13:15.760 --> 0:13:18.200
<v Speaker 1>a process of offering me a record deal. And it

0:13:18.280 --> 0:13:21.400
<v Speaker 1>took a year or two to make that and the record.

0:13:22.200 --> 0:13:24.360
<v Speaker 1>It actually took two weeks to make the record. In

0:13:24.400 --> 0:13:27.840
<v Speaker 1>the summer of two weeks, I was living in my

0:13:27.920 --> 0:13:30.920
<v Speaker 1>car parked in the parking lot of the music Meal

0:13:31.679 --> 0:13:36.080
<v Speaker 1>and we recorded all ten nine tracks during the first

0:13:36.080 --> 0:13:38.559
<v Speaker 1>week of June, and I stuck around and saying all

0:13:38.600 --> 0:13:41.360
<v Speaker 1>my vocals and did all my harmonies and all my overdubs.

0:13:41.360 --> 0:13:44.280
<v Speaker 1>On the second week of June, and then I went

0:13:44.320 --> 0:13:47.440
<v Speaker 1>back to my gig in West Virginia and got fired.

0:13:48.080 --> 0:13:51.600
<v Speaker 1>A big fistbot broke out and and some guns were involved,

0:13:51.640 --> 0:13:54.920
<v Speaker 1>and me and the band stopped playing, and the owner said,

0:13:54.920 --> 0:13:57.559
<v Speaker 1>if you don't keep playing, you're fired. So I out

0:13:57.600 --> 0:13:59.840
<v Speaker 1>of the highest moment of my life came the lowest,

0:14:00.120 --> 0:14:02.920
<v Speaker 1>and I found myself in Richmond, Virginia, at a disco

0:14:03.120 --> 0:14:05.720
<v Speaker 1>where they just hated us. I mean they hated everything

0:14:05.760 --> 0:14:09.240
<v Speaker 1>we did, except for when we would play this new

0:14:09.280 --> 0:14:11.400
<v Speaker 1>song i'd cut called at the time, it was called

0:14:11.440 --> 0:14:13.920
<v Speaker 1>Don't Tell My Heart. And I noticed, no matter how

0:14:14.000 --> 0:14:16.200
<v Speaker 1>bad they hated us, when I played Don't Tell My Heart,

0:14:16.240 --> 0:14:19.080
<v Speaker 1>they packed the dance floor. And and after that I

0:14:19.120 --> 0:14:21.720
<v Speaker 1>told Mercury Record said, man, that one song, don't Tell

0:14:21.800 --> 0:14:24.480
<v Speaker 1>My Heart. Um, it's a dance song. The even the

0:14:24.480 --> 0:14:27.200
<v Speaker 1>boot scooters they'd get out there and scoot them boots

0:14:27.240 --> 0:14:29.360
<v Speaker 1>across the floor. And I said, I think that song

0:14:29.440 --> 0:14:31.840
<v Speaker 1>might be called achy Breaky Heart because they ought the

0:14:31.920 --> 0:14:34.840
<v Speaker 1>drunks or whoever always say play at achy breaky song.

0:14:35.080 --> 0:14:36.960
<v Speaker 1>That's how you suggested it. Because the people at the

0:14:36.960 --> 0:14:40.800
<v Speaker 1>bar were like, playkey break but it was called Don't

0:14:40.840 --> 0:14:43.680
<v Speaker 1>Tell My Heart, and um, don band trist the Vietnam

0:14:43.760 --> 0:14:47.080
<v Speaker 1>veteran who ironically wrote the song. When he came to

0:14:47.120 --> 0:14:50.560
<v Speaker 1>meet me at the music meal, um, I said, hey, uh, sir,

0:14:51.160 --> 0:14:53.400
<v Speaker 1>did you ever think about changing the name of that

0:14:53.520 --> 0:14:56.200
<v Speaker 1>song to Achy breaking Heart? And he said, I don't

0:14:56.200 --> 0:14:58.640
<v Speaker 1>care what you call it, Let's just get it. Get

0:14:58.720 --> 0:15:00.880
<v Speaker 1>him to put it out, and and uh they did,

0:15:00.960 --> 0:15:03.880
<v Speaker 1>and did you think? And I have some questions about

0:15:03.960 --> 0:15:05.920
<v Speaker 1>if you break her in a minute? But some gave all,

0:15:06.840 --> 0:15:08.520
<v Speaker 1>that's that's what you run on my guitar like, and

0:15:08.560 --> 0:15:10.640
<v Speaker 1>also have affinity for that song and for the message

0:15:11.360 --> 0:15:14.800
<v Speaker 1>when you cut that record, which is some gave all,

0:15:14.840 --> 0:15:17.720
<v Speaker 1>that's the title track. Did you feel like that was

0:15:17.880 --> 0:15:20.640
<v Speaker 1>going to be like the song for you that represented

0:15:20.680 --> 0:15:23.120
<v Speaker 1>who you were? First everything was on the line with

0:15:23.240 --> 0:15:25.960
<v Speaker 1>some gay ball because that was big test for me

0:15:26.240 --> 0:15:28.880
<v Speaker 1>and my band. One of the things I had insisted

0:15:28.920 --> 0:15:31.400
<v Speaker 1>on was I wanted to use my band on the session.

0:15:31.520 --> 0:15:33.880
<v Speaker 1>We played every night together and we'd work the songs

0:15:33.920 --> 0:15:37.640
<v Speaker 1>up very similar to the Springsteen E Street sound. We

0:15:37.760 --> 0:15:40.320
<v Speaker 1>just had a band sound. I said, I really want

0:15:40.360 --> 0:15:42.120
<v Speaker 1>to use my band, and Harold Ship said, you know what,

0:15:42.400 --> 0:15:46.680
<v Speaker 1>we will try for one song. On January the third,

0:15:47.280 --> 0:15:49.040
<v Speaker 1>they gave us a test at the meal, and we

0:15:49.120 --> 0:15:50.960
<v Speaker 1>got to cut one song, and we cut some, gave

0:15:51.040 --> 0:15:55.440
<v Speaker 1>all and they said, okay, we love it. Let's do

0:15:55.560 --> 0:15:58.960
<v Speaker 1>nine more. And they scheduled the nine for the June.

0:15:59.240 --> 0:16:01.360
<v Speaker 1>So that's like, oh, man, I gotta live five six

0:16:01.360 --> 0:16:04.120
<v Speaker 1>more months. And that's when Don't Tell My Heart came

0:16:04.160 --> 0:16:06.200
<v Speaker 1>into my life, and I threw off one of my

0:16:06.280 --> 0:16:08.960
<v Speaker 1>songs i'd written and added that one just because it

0:16:09.120 --> 0:16:12.600
<v Speaker 1>felt special. Whenever a break your heart, they come to

0:16:12.600 --> 0:16:13.920
<v Speaker 1>you and go, hey, want this to be the first single.

0:16:14.000 --> 0:16:17.400
<v Speaker 1>Are you like I agree? Or are you like I

0:16:17.480 --> 0:16:20.040
<v Speaker 1>don't know. I have these other songs that I feel

0:16:20.120 --> 0:16:23.000
<v Speaker 1>very passionate about. I felt like there was the one,

0:16:23.200 --> 0:16:26.760
<v Speaker 1>like there was something about it that especially um just

0:16:26.840 --> 0:16:30.120
<v Speaker 1>because when we would play it, you could just feel

0:16:30.160 --> 0:16:32.560
<v Speaker 1>the energy and the dance floors would pack and again.

0:16:32.840 --> 0:16:35.640
<v Speaker 1>By then they I started getting these little jobs at

0:16:35.680 --> 0:16:39.880
<v Speaker 1>country clubs where they a lot of bootscoot dancing and

0:16:39.920 --> 0:16:43.680
<v Speaker 1>that kind of thing, and and that really wasn't my expertise.

0:16:43.840 --> 0:16:46.360
<v Speaker 1>It was more like either I was playing southern rock

0:16:47.320 --> 0:16:50.600
<v Speaker 1>or songs I'd written, or George Jones and Johnny Cash

0:16:50.680 --> 0:16:54.240
<v Speaker 1>and like the standards of country and uh, but when

0:16:54.280 --> 0:16:57.240
<v Speaker 1>I play Aky breaky, they just pack it out and

0:16:57.280 --> 0:16:59.400
<v Speaker 1>it just so that was kind of it felt like

0:16:59.480 --> 0:17:01.960
<v Speaker 1>a hit, obviously breaking out with a massive song. But

0:17:02.040 --> 0:17:05.120
<v Speaker 1>my song was where am I Gonna Live When I get?

0:17:05.200 --> 0:17:09.000
<v Speaker 1>I mean, I loved and that video on CMT that

0:17:09.160 --> 0:17:11.560
<v Speaker 1>song to me is you thank you? And I don't

0:17:11.560 --> 0:17:14.879
<v Speaker 1>know how you feel about that, because I feel you

0:17:14.960 --> 0:17:18.080
<v Speaker 1>have me. I do feel like me again. And that

0:17:18.200 --> 0:17:21.800
<v Speaker 1>was during the month of May of n nine and

0:17:22.040 --> 0:17:25.120
<v Speaker 1>what had happened was the gig got playing West Virginia.

0:17:25.200 --> 0:17:29.400
<v Speaker 1>We'd start on Tuesday night. We played Tuesday, Wednesday, Thursday, Friday, Saturday,

0:17:29.440 --> 0:17:31.880
<v Speaker 1>and Sunday, so five nights a week, four sets a night.

0:17:32.600 --> 0:17:35.600
<v Speaker 1>And on a Tuesday night, I stayed out all night

0:17:35.960 --> 0:17:38.320
<v Speaker 1>up to the next morning. And I was married to

0:17:38.359 --> 0:17:41.960
<v Speaker 1>a very kind lady in Ohio at the time, and

0:17:43.040 --> 0:17:46.399
<v Speaker 1>I didn't come home. It was sunrise Wednesday morning, and

0:17:46.520 --> 0:17:50.280
<v Speaker 1>I probably wreaked of liquor and um, maybe some lipstick

0:17:50.280 --> 0:17:52.560
<v Speaker 1>on my collar. I don't know, but it was ugly

0:17:52.960 --> 0:17:56.080
<v Speaker 1>and I like, the sun's up and my normal neighbors

0:17:56.080 --> 0:17:58.120
<v Speaker 1>that have real jobs are going to work and I'm

0:17:58.160 --> 0:18:00.159
<v Speaker 1>out in front of the house in that red uck,

0:18:00.200 --> 0:18:02.080
<v Speaker 1>that's in the video, and I'm going where am I

0:18:02.080 --> 0:18:03.879
<v Speaker 1>going to live? Where am I gonna live? Where am

0:18:03.880 --> 0:18:06.080
<v Speaker 1>I gonna live? When I get homeless? I wrote it

0:18:06.200 --> 0:18:09.920
<v Speaker 1>right then, Well then I go in, everything goes the crap,

0:18:09.960 --> 0:18:12.880
<v Speaker 1>and but I had the song. And then that night

0:18:13.280 --> 0:18:15.280
<v Speaker 1>I went back to the gig and I was pretty

0:18:15.280 --> 0:18:18.479
<v Speaker 1>down and depressed and sad, and I wrote She's not

0:18:18.520 --> 0:18:22.119
<v Speaker 1>crying Anymore on Wednesday, and then I didn't write anything

0:18:22.119 --> 0:18:25.560
<v Speaker 1>on Thursday, Friday or Saturday. And on Sunday I met

0:18:25.680 --> 0:18:28.840
<v Speaker 1>Sandy Kane and wrote some gay ball. So during that

0:18:28.920 --> 0:18:31.719
<v Speaker 1>one week of May, I wrote three of those songs

0:18:31.760 --> 0:18:34.320
<v Speaker 1>in UH nine eighty nine during that week, all in

0:18:34.359 --> 0:18:38.040
<v Speaker 1>a week. In a week. It's almost Dolly esque when

0:18:38.080 --> 0:18:39.800
<v Speaker 1>she goes, you know, I sat down for this day

0:18:39.840 --> 0:18:42.200
<v Speaker 1>and I wrote these two songs, And you know, you're like, well,

0:18:42.200 --> 0:18:43.480
<v Speaker 1>I know both of those songs you wrote on the

0:18:43.480 --> 0:18:45.880
<v Speaker 1>same day. The fact that you kind of nailed those

0:18:45.920 --> 0:18:49.240
<v Speaker 1>three in that time period, and I feel like, creatively,

0:18:49.400 --> 0:18:51.399
<v Speaker 1>it almost takes things to happen to us to kind

0:18:51.440 --> 0:18:56.000
<v Speaker 1>of um create emotion and share emotion. What was happening

0:18:56.240 --> 0:19:01.280
<v Speaker 1>in your life that had you feeling these feelings? To

0:19:01.280 --> 0:19:03.600
<v Speaker 1>create this dynamic music. You think, I think it was

0:19:03.640 --> 0:19:09.679
<v Speaker 1>an excess of alcohol. Um, but it was probably some

0:19:10.480 --> 0:19:13.639
<v Speaker 1>I hate to even say there was. It was a

0:19:13.680 --> 0:19:17.359
<v Speaker 1>pretty rough time. It was a very excessive alcohol. Just

0:19:17.440 --> 0:19:20.240
<v Speaker 1>leave it to that. When you say excessive. Did you

0:19:20.240 --> 0:19:22.480
<v Speaker 1>know it was a problem? Are we just partying too hard?

0:19:23.040 --> 0:19:25.480
<v Speaker 1>I was actually working. It was like part of my job.

0:19:25.520 --> 0:19:27.280
<v Speaker 1>I always had a rule. I said, Okay, I go

0:19:27.359 --> 0:19:33.120
<v Speaker 1>play the first set completely straight straight up. Could Yeah.

0:19:33.119 --> 0:19:34.920
<v Speaker 1>I felt really good. I always felt like the first

0:19:34.960 --> 0:19:38.400
<v Speaker 1>set was like probably my most correct and then um,

0:19:38.480 --> 0:19:40.880
<v Speaker 1>the second set, Like in between the break, I might

0:19:41.280 --> 0:19:44.479
<v Speaker 1>uh take a little puff and then um, go up

0:19:44.480 --> 0:19:46.600
<v Speaker 1>to the second set and I feel lucid. That's probably

0:19:46.640 --> 0:19:49.000
<v Speaker 1>the best set of the night. But by the third set,

0:19:49.040 --> 0:19:54.679
<v Speaker 1>I'd have a puff uh possibly unfortunately, maybe a snort

0:19:55.359 --> 0:19:59.320
<v Speaker 1>um unfortunately. Like then came like it was part of

0:19:59.600 --> 0:20:02.920
<v Speaker 1>people partying. Would send me drinks and some of those

0:20:03.000 --> 0:20:05.560
<v Speaker 1>drinks would be on fire. Someone would be like double

0:20:05.600 --> 0:20:07.480
<v Speaker 1>shots of who knows what, I don't know what it

0:20:07.520 --> 0:20:09.280
<v Speaker 1>takes the light of drink up and then blow it

0:20:09.280 --> 0:20:10.960
<v Speaker 1>out and drink. But I would do that. It was

0:20:11.280 --> 0:20:14.600
<v Speaker 1>so about third set with rocket pretty hard for set.

0:20:14.720 --> 0:20:22.680
<v Speaker 1>I was probably legally drunk and unfortunately, Um, Keith Whitley

0:20:22.840 --> 0:20:26.120
<v Speaker 1>was from my neck of the woods up there in Kentucky,

0:20:26.119 --> 0:20:29.360
<v Speaker 1>and I was a huge Keith Whitley fan, and um,

0:20:30.080 --> 0:20:32.840
<v Speaker 1>when he died, that had a big impact on me, like,

0:20:33.040 --> 0:20:36.679
<v Speaker 1>I can't finally get to this point where my dreams

0:20:36.720 --> 0:20:40.840
<v Speaker 1>about to come true, but yet I have some issues.

0:20:41.560 --> 0:20:45.919
<v Speaker 1>So him him having his issues and dying, do you

0:20:45.920 --> 0:20:48.399
<v Speaker 1>feel like it was kind of a mirror. He saved

0:20:48.400 --> 0:20:50.960
<v Speaker 1>my life. I mean, there's no other way to say it.

0:20:51.040 --> 0:20:53.960
<v Speaker 1>He saved my life because my manager, Jack McFadden, was

0:20:54.080 --> 0:20:57.520
<v Speaker 1>Keith Whitley's manager, and he was he was like a

0:20:57.600 --> 0:21:00.760
<v Speaker 1>son to Jack and Jack at that point, I was

0:21:00.800 --> 0:21:02.600
<v Speaker 1>on his roster, but he had never seen me play,

0:21:02.720 --> 0:21:05.040
<v Speaker 1>never heard my music, didn't know exactly what it was

0:21:05.080 --> 0:21:08.359
<v Speaker 1>that I did, but he knew it wasn't exactly straight

0:21:08.440 --> 0:21:12.200
<v Speaker 1>up country. And Jack had managed Merle Haggard and Buck

0:21:12.200 --> 0:21:17.280
<v Speaker 1>Owens and Keith Whitley and tragically on May to nine

0:21:17.480 --> 0:21:22.480
<v Speaker 1>and again this is nine, um May to night. Um,

0:21:22.600 --> 0:21:24.600
<v Speaker 1>Jack was gonna take me to Sony Records for the

0:21:24.640 --> 0:21:28.560
<v Speaker 1>first time. Jack was gonna take me anywhere, and again

0:21:28.600 --> 0:21:30.440
<v Speaker 1>I don't think he'd even heard any of my songs.

0:21:30.520 --> 0:21:32.600
<v Speaker 1>But we had an appointment, so I came down on

0:21:32.640 --> 0:21:36.840
<v Speaker 1>the eighth. Tragically, Keith Whitley UH passed away on the

0:21:36.880 --> 0:21:41.520
<v Speaker 1>morning of the ninth, and UH the meeting was canceled, obviously,

0:21:42.440 --> 0:21:45.480
<v Speaker 1>and I drove back home to Huntington, West Virginia, and

0:21:45.640 --> 0:21:48.760
<v Speaker 1>UH played I'm No Stranger to the Rain over and

0:21:48.800 --> 0:21:50.200
<v Speaker 1>over and over and over and over. I bet I

0:21:50.200 --> 0:21:54.119
<v Speaker 1>played a hundred times between here and Huntington's and UM,

0:21:55.040 --> 0:21:58.960
<v Speaker 1>it just had a huge impact on me. And UH, luckily,

0:21:59.080 --> 0:22:05.800
<v Speaker 1>and nineteen and ninety one, when I realized that, hey, Cyrus,

0:22:05.840 --> 0:22:08.800
<v Speaker 1>you're about to get your chance. This this You've got

0:22:08.840 --> 0:22:13.040
<v Speaker 1>the album that everybody seems to really believe something. Well,

0:22:13.280 --> 0:22:15.600
<v Speaker 1>they told me, said, man, hang in there, this is

0:22:15.600 --> 0:22:20.400
<v Speaker 1>about to happen. And I stopped at a bridge down

0:22:20.400 --> 0:22:22.919
<v Speaker 1>here on the harpor somewhere and through all my stuff

0:22:22.960 --> 0:22:28.360
<v Speaker 1>into the river, and I said, I can't do this

0:22:28.960 --> 0:22:33.159
<v Speaker 1>and and not be my very best stuff working your

0:22:33.200 --> 0:22:35.280
<v Speaker 1>stuff do you mean? Do you mean your actual stuff

0:22:35.320 --> 0:22:41.880
<v Speaker 1>are drugs? Cocaine cold turkey? I pulled over and threw

0:22:41.960 --> 0:22:44.760
<v Speaker 1>my damn cocaine out. Would you have considered yourself an

0:22:44.800 --> 0:22:47.919
<v Speaker 1>addict or someone who and I come from a massive

0:22:47.920 --> 0:22:51.000
<v Speaker 1>family of addictions. So were you an addict or are

0:22:51.040 --> 0:22:53.040
<v Speaker 1>you someone who just enjoyed it but could also if

0:22:53.040 --> 0:22:55.320
<v Speaker 1>you needed to stop stop? I don't think I could

0:22:55.400 --> 0:23:00.080
<v Speaker 1>stop stop, especially on alcohol, because I drank said so

0:23:00.160 --> 0:23:04.159
<v Speaker 1>as a kid, and I ain't had a beer sense

0:23:04.359 --> 0:23:07.720
<v Speaker 1>like I mean that I had to stop everything, except

0:23:07.920 --> 0:23:11.520
<v Speaker 1>I did say, you know what, having a little puff

0:23:11.600 --> 0:23:14.720
<v Speaker 1>every now and then, if marijuana helps me, it's medicine

0:23:14.800 --> 0:23:17.240
<v Speaker 1>to me. And uh so I kind of allowed myself

0:23:17.280 --> 0:23:18.960
<v Speaker 1>to say, Okay, if you get rid of these two

0:23:18.960 --> 0:23:22.160
<v Speaker 1>devil alcohol in the cocaine, you can keep a little

0:23:22.160 --> 0:23:24.320
<v Speaker 1>bit of the marijuana because that's kind of your medicine.

0:23:24.600 --> 0:23:33.879
<v Speaker 1>And um, and you never look back at. Number three

0:23:34.000 --> 0:23:38.520
<v Speaker 1>from episode three forty two is Cheryl Crowe. I rarely

0:23:38.600 --> 0:23:41.359
<v Speaker 1>get star struck, but it was so cool having Cheryl

0:23:41.400 --> 0:23:43.800
<v Speaker 1>Crow in to do an episode of The Bobby Cast.

0:23:43.880 --> 0:23:45.840
<v Speaker 1>So this is probably the closest I've been to star

0:23:45.920 --> 0:23:48.040
<v Speaker 1>struck in a very long time. And I had just

0:23:48.160 --> 0:23:51.399
<v Speaker 1>watched her documentary on Showtime and I truly believe she

0:23:51.480 --> 0:23:53.760
<v Speaker 1>is a living legend. So how cool to have Cheryl

0:23:53.800 --> 0:23:56.400
<v Speaker 1>crow just pull up on her own over to Bobby's

0:23:56.400 --> 0:23:58.360
<v Speaker 1>house and sit down to do an interview. So this

0:23:58.440 --> 0:24:01.359
<v Speaker 1>is number three Cheryl Crow talking about the songs she

0:24:01.400 --> 0:24:04.480
<v Speaker 1>doesn't like to perform anymore, working with Michael Jackson, and

0:24:04.560 --> 0:24:08.200
<v Speaker 1>what it's like to be famous, and when it comes

0:24:08.240 --> 0:24:09.920
<v Speaker 1>to those songs. You know, when you walked in, we're

0:24:09.920 --> 0:24:11.919
<v Speaker 1>talking for a second, and you were you to tell

0:24:11.960 --> 0:24:14.480
<v Speaker 1>him something of which is that segment we do? And

0:24:15.720 --> 0:24:17.840
<v Speaker 1>you know, full transparency here. I do that segment so

0:24:17.880 --> 0:24:20.960
<v Speaker 1>many times, and I'm glad it has been a big

0:24:21.000 --> 0:24:23.679
<v Speaker 1>part of our show in the six But I do

0:24:23.760 --> 0:24:25.320
<v Speaker 1>it all the time, and I've done it all the

0:24:25.320 --> 0:24:27.520
<v Speaker 1>time for years and years. You start to go, man,

0:24:27.680 --> 0:24:30.800
<v Speaker 1>I know people love it. I don't gotta keep doing it.

0:24:31.119 --> 0:24:35.159
<v Speaker 1>Do you feel that way about some of those songs? Okay,

0:24:35.200 --> 0:24:37.520
<v Speaker 1>it's funny. I was listening to you guys this morning.

0:24:37.560 --> 0:24:41.640
<v Speaker 1>I was like, your show is always so good and

0:24:41.920 --> 0:24:45.760
<v Speaker 1>fun and funny has emotionalized. I mean, it's just a

0:24:45.800 --> 0:24:47.560
<v Speaker 1>really great show. And I sat there though, I wonder

0:24:47.600 --> 0:24:50.639
<v Speaker 1>if he ever just gets sick of doing that show,

0:24:50.760 --> 0:24:54.120
<v Speaker 1>you know what I mean, and also being being present

0:24:54.320 --> 0:24:56.960
<v Speaker 1>because it's hard work, man, Like, there's some nights where

0:24:57.000 --> 0:24:58.439
<v Speaker 1>I walk it on stage and I have to like

0:24:58.880 --> 0:25:00.600
<v Speaker 1>fake it until I make it, And generally those are

0:25:00.640 --> 0:25:03.480
<v Speaker 1>the best shows. But there was a period where if

0:25:03.560 --> 0:25:05.480
<v Speaker 1>I thought I had to play all I want to

0:25:05.520 --> 0:25:08.280
<v Speaker 1>do one more time, I would just run straight out

0:25:08.280 --> 0:25:11.119
<v Speaker 1>in front of a backdrop. And it took it took

0:25:11.240 --> 0:25:13.280
<v Speaker 1>my I mean part of it is. It took my

0:25:13.359 --> 0:25:15.960
<v Speaker 1>getting sick to really realize. I mean that song took

0:25:16.000 --> 0:25:18.119
<v Speaker 1>me all over all over the Middle East. I mean

0:25:18.160 --> 0:25:20.440
<v Speaker 1>we went to Israel, we went to we went to

0:25:20.440 --> 0:25:23.920
<v Speaker 1>Tokyo to Kuile I'm poor, and we went all over South.

0:25:23.960 --> 0:25:27.280
<v Speaker 1>The people who couldn't speak English sang every word of

0:25:27.320 --> 0:25:32.119
<v Speaker 1>that wordy song. And I had I just embraced a

0:25:32.240 --> 0:25:34.879
<v Speaker 1>full on gratitude and I enjoy playing it now. But

0:25:34.920 --> 0:25:38.080
<v Speaker 1>there were a few years and there I was just like, ah, God,

0:25:38.080 --> 0:25:40.560
<v Speaker 1>I'm sticking this song. You know, I hate this song.

0:25:40.760 --> 0:25:44.359
<v Speaker 1>I hate this song. Um but I love it. You know.

0:25:44.800 --> 0:25:47.240
<v Speaker 1>I think part of what happens is you get older,

0:25:47.280 --> 0:25:50.040
<v Speaker 1>you get really you know, you get sentimental, and you

0:25:50.080 --> 0:25:54.280
<v Speaker 1>get really grateful, and you get really boring. And I

0:25:54.320 --> 0:25:57.879
<v Speaker 1>love being boring. Now. It's cool to reappreciate it is

0:25:58.000 --> 0:26:01.800
<v Speaker 1>it is because I've started to find myself reappreciating not

0:26:01.920 --> 0:26:06.440
<v Speaker 1>just professional things but also personal things. And so it's

0:26:06.520 --> 0:26:08.680
<v Speaker 1>cool that you have because I I live it, and

0:26:08.680 --> 0:26:10.040
<v Speaker 1>one day I'm gonna like do and tell me something

0:26:10.080 --> 0:26:12.359
<v Speaker 1>good again. One day I'm gonna and I don't. You

0:26:12.400 --> 0:26:14.000
<v Speaker 1>can't tell that you don't like it, though, I mean,

0:26:14.000 --> 0:26:16.120
<v Speaker 1>I will say that it's not even that I don't

0:26:16.200 --> 0:26:19.720
<v Speaker 1>like it. It's that as you do. It's just we

0:26:19.800 --> 0:26:23.080
<v Speaker 1>do it four four times a day, five days a week,

0:26:23.600 --> 0:26:27.239
<v Speaker 1>twenty times, and individually all the stories are great, but

0:26:27.320 --> 0:26:31.720
<v Speaker 1>it's like, man, twenty times again this week you hate now? No, No,

0:26:31.960 --> 0:26:36.920
<v Speaker 1>I don't rufus cold cold with me and we go

0:26:37.119 --> 0:26:39.320
<v Speaker 1>places and what's funny. Sometimes I'll go into a place,

0:26:39.359 --> 0:26:41.080
<v Speaker 1>if it's a bar or a restaurant. I'm gonna bars

0:26:41.359 --> 0:26:44.440
<v Speaker 1>as much anymore, but they'll play that song over the

0:26:44.520 --> 0:26:48.040
<v Speaker 1>top like once they see I'm there, and like that's

0:26:48.080 --> 0:26:51.760
<v Speaker 1>so been associated with I'll just bet or a basketball

0:26:51.800 --> 0:26:54.560
<v Speaker 1>game and you're here then and I'll look at me

0:26:54.640 --> 0:26:56.600
<v Speaker 1>like and you'll see the guy running pointing at me,

0:26:56.760 --> 0:27:00.159
<v Speaker 1>like all right, buddy, So did you ever did you

0:27:00.160 --> 0:27:02.080
<v Speaker 1>talk about Stevi Knicks? Did you ever have a relationship

0:27:02.119 --> 0:27:03.920
<v Speaker 1>with her, did you guys, Oh my gosh, Like that

0:27:04.000 --> 0:27:05.920
<v Speaker 1>had to be the coolest thing. I have so many

0:27:06.000 --> 0:27:10.960
<v Speaker 1>weird experiences um with people like that. Okay, So I like,

0:27:12.040 --> 0:27:14.040
<v Speaker 1>if you dig back through the anals of my um

0:27:15.040 --> 0:27:17.879
<v Speaker 1>my school pictures, I had the Stevie Nicks hair do.

0:27:18.200 --> 0:27:20.399
<v Speaker 1>I met her at my first Grammys. I met her

0:27:20.520 --> 0:27:22.200
<v Speaker 1>at an after party and I have a picture with

0:27:22.320 --> 0:27:27.200
<v Speaker 1>her and Anita Pointer and Bonnie Wright and Carly Simon

0:27:27.359 --> 0:27:30.399
<v Speaker 1>and me, and I was the newbie, and She's like,

0:27:30.480 --> 0:27:33.879
<v Speaker 1>I love you. Would you I'm getting ready to do

0:27:34.000 --> 0:27:37.760
<v Speaker 1>some songs for Practical Magic that that movie. Would you

0:27:37.960 --> 0:27:43.040
<v Speaker 1>produce it? And I was like yeah. And she came

0:27:43.080 --> 0:27:46.159
<v Speaker 1>to New York and and she had her posse, you know,

0:27:46.359 --> 0:27:49.399
<v Speaker 1>some bunch of women, and and I produced her and

0:27:49.520 --> 0:27:52.560
<v Speaker 1>it was just it was unbelievable. I can remember looking

0:27:52.600 --> 0:27:56.760
<v Speaker 1>at her out in the recording booth and she looked

0:27:56.880 --> 0:27:59.640
<v Speaker 1>like a fourteen year old. I mean literally, she looked

0:27:59.640 --> 0:28:01.760
<v Speaker 1>like she had aged a day. She looked exactly as

0:28:01.760 --> 0:28:05.760
<v Speaker 1>I remembered her. And she just was like so embracing

0:28:06.000 --> 0:28:10.600
<v Speaker 1>and so general. It's told stories like I imagine that

0:28:10.720 --> 0:28:13.119
<v Speaker 1>we probably talked and hung out for two hours and

0:28:13.160 --> 0:28:15.680
<v Speaker 1>then she'd sing, and then we'd hang out and talk

0:28:15.760 --> 0:28:17.399
<v Speaker 1>for a couple of hours, and then she'd sing and

0:28:17.480 --> 0:28:19.800
<v Speaker 1>it was but it was so glorious. And then she said,

0:28:19.840 --> 0:28:22.040
<v Speaker 1>will you produce the record? And I went up producing

0:28:22.119 --> 0:28:25.440
<v Speaker 1>and going on the road with her, and she's just

0:28:25.560 --> 0:28:28.840
<v Speaker 1>been like very god mom to me. And I don't

0:28:28.840 --> 0:28:31.080
<v Speaker 1>want you to say any names here, but I have

0:28:31.200 --> 0:28:34.800
<v Speaker 1>had experiences where I really was I loved people, got

0:28:34.880 --> 0:28:40.240
<v Speaker 1>to know them, not that goalience people that I would

0:28:40.520 --> 0:28:44.840
<v Speaker 1>and I now I don't really idolize except for like

0:28:45.040 --> 0:28:49.120
<v Speaker 1>hearts yeah yeah, yeah, yeah, yeah yeah. So but there

0:28:49.160 --> 0:28:50.760
<v Speaker 1>have been times where that's happened and I'm like, why,

0:28:50.760 --> 0:28:52.800
<v Speaker 1>I cannot believe I could just spend time we're gonna

0:28:52.840 --> 0:28:54.560
<v Speaker 1>do And then you're like, oh man, I kind of

0:28:54.560 --> 0:28:57.840
<v Speaker 1>wish I wouldn't have, because it's ruined what I cherished,

0:28:57.840 --> 0:29:03.000
<v Speaker 1>which was these beliefs. Yeah, I'm with how massive you got.

0:29:03.080 --> 0:29:05.280
<v Speaker 1>I had to assume that happened to some. I will

0:29:05.320 --> 0:29:07.720
<v Speaker 1>say I've been really lucky. Almost everybody I've met has

0:29:07.800 --> 0:29:11.680
<v Speaker 1>been beyond beyond my wildest dreams. Um, I got a

0:29:11.680 --> 0:29:14.320
<v Speaker 1>few people and introduce you to then yeah, I bet

0:29:14.400 --> 0:29:18.720
<v Speaker 1>you did a few relatives. Interestingly, I worked with Michael

0:29:18.800 --> 0:29:22.600
<v Speaker 1>Jackson before I hit it big. I was a backup singer,

0:29:22.640 --> 0:29:25.160
<v Speaker 1>went on the road with him for eighteen months, and

0:29:25.880 --> 0:29:27.600
<v Speaker 1>there were some things on that tour. I was just like,

0:29:27.720 --> 0:29:30.880
<v Speaker 1>this doesn't make sense. And then later on the documentary

0:29:31.000 --> 0:29:34.760
<v Speaker 1>came out, and um, I mean he was. He was

0:29:34.800 --> 0:29:37.959
<v Speaker 1>already eccentric on that tour. But people asked me all

0:29:37.960 --> 0:29:39.440
<v Speaker 1>the time, are you able to listen to his music?

0:29:39.520 --> 0:29:41.200
<v Speaker 1>And I'm like, man, that was the first album I

0:29:41.240 --> 0:29:42.840
<v Speaker 1>ever owned. I got it from Santa Claus when I

0:29:42.880 --> 0:29:45.640
<v Speaker 1>was five years old. ABC. I grew up watching his

0:29:45.720 --> 0:29:49.600
<v Speaker 1>TV show. I you know all that music was. It

0:29:49.720 --> 0:29:53.040
<v Speaker 1>was important to me and it definitely changed the way

0:29:53.120 --> 0:29:55.440
<v Speaker 1>I felt about him. And but I can still listen

0:29:55.480 --> 0:29:57.440
<v Speaker 1>to the music from when he was a kid because

0:29:57.480 --> 0:30:00.160
<v Speaker 1>I feel like he was who he was then. He

0:30:00.320 --> 0:30:03.239
<v Speaker 1>wasn't who he became. But for the most part, I mean,

0:30:03.320 --> 0:30:05.360
<v Speaker 1>I can't really think of anybody that's just been a

0:30:05.480 --> 0:30:08.160
<v Speaker 1>douche bag, you know what I mean? What I did

0:30:08.240 --> 0:30:11.920
<v Speaker 1>watch the documentary. You have an appearance in it like

0:30:12.120 --> 0:30:16.280
<v Speaker 1>that real you were artist? You're right, But what was

0:30:16.320 --> 0:30:19.280
<v Speaker 1>it like for you? It was whatever I can tell

0:30:19.320 --> 0:30:21.719
<v Speaker 1>you it was worse than that. Whatever you can envision.

0:30:22.080 --> 0:30:25.000
<v Speaker 1>It was absolutely awful. And it makes me sad because

0:30:25.040 --> 0:30:28.239
<v Speaker 1>the first, the very first one, obviously I wasn't at

0:30:28.320 --> 0:30:31.880
<v Speaker 1>The second one was, I mean, euphoric. It was such

0:30:31.920 --> 0:30:35.440
<v Speaker 1>a beautiful celebration of the first one. The next one

0:30:35.600 --> 0:30:38.560
<v Speaker 1>was what was wrong. It was everything with what was

0:30:38.600 --> 0:30:42.960
<v Speaker 1>wrong with what the music business was becoming, which was money, money, money, money,

0:30:43.880 --> 0:30:48.440
<v Speaker 1>and it was degrading to women. It was a demonstration

0:30:48.520 --> 0:30:50.760
<v Speaker 1>of the worst of what's in us, with people throwing

0:30:50.880 --> 0:30:55.960
<v Speaker 1>feces and throwing pennies and water bottles. It was just

0:30:56.200 --> 0:31:00.080
<v Speaker 1>a bizarre experience. And even the bill wasn't It was not.

0:31:00.600 --> 0:31:03.320
<v Speaker 1>It was not a bill that was sensitive to people

0:31:03.400 --> 0:31:08.080
<v Speaker 1>coming together and being a part of something cool and peaceful,

0:31:08.120 --> 0:31:12.080
<v Speaker 1>which is what Woodstock is emblematic is pretty was pretty angry.

0:31:12.080 --> 0:31:14.160
<v Speaker 1>It was like Andy Dick and then Cheryl Crow and

0:31:14.200 --> 0:31:16.320
<v Speaker 1>then the insane clown posse, and it was just like,

0:31:16.600 --> 0:31:19.880
<v Speaker 1>what is happening here? I didn't even finish my set.

0:31:20.000 --> 0:31:25.960
<v Speaker 1>I mean, at which point Pecs landed on my my

0:31:26.160 --> 0:31:30.440
<v Speaker 1>base neck. I was like, yeah, you know what, I

0:31:30.560 --> 0:31:32.760
<v Speaker 1>was like, Yeah, I was I just walked up to

0:31:32.800 --> 0:31:34.480
<v Speaker 1>the mic, and I was like, I'm done. What is

0:31:34.600 --> 0:31:40.160
<v Speaker 1>fame like when you first get just true freaking fame. Yeah,

0:31:40.360 --> 0:31:42.240
<v Speaker 1>when you walk into a restaurant and they have a table,

0:31:42.640 --> 0:31:45.720
<v Speaker 1>or when you um when you never have to pay

0:31:45.760 --> 0:31:48.320
<v Speaker 1>for anything that's always been a weird thing, like they're

0:31:48.320 --> 0:31:51.040
<v Speaker 1>gonna send me clothes why? I mean, I'm happy with

0:31:51.080 --> 0:31:54.920
<v Speaker 1>the stuff I bought it the you know second hand place. Um,

0:31:55.520 --> 0:31:57.360
<v Speaker 1>it's a It does a number on you, for sure,

0:31:57.440 --> 0:31:59.760
<v Speaker 1>And the number it did form did on me was

0:32:00.560 --> 0:32:04.120
<v Speaker 1>this is this is amazing. I don't know if I

0:32:04.200 --> 0:32:06.360
<v Speaker 1>deserve it. So you start questioning yourself. But then the

0:32:06.480 --> 0:32:09.720
<v Speaker 1>other part of it is when you stop getting invited

0:32:09.880 --> 0:32:12.360
<v Speaker 1>or let's just say, in the in the instances where

0:32:12.480 --> 0:32:15.000
<v Speaker 1>you're not the most popular person in the red carpet,

0:32:15.240 --> 0:32:19.520
<v Speaker 1>you start feeling and scare. It's like you get this bright,

0:32:19.600 --> 0:32:22.320
<v Speaker 1>shiny code of paint and then suddenly they're little cracks

0:32:22.360 --> 0:32:24.960
<v Speaker 1>in the veneer, like, well, how do I smooth the

0:32:25.000 --> 0:32:27.600
<v Speaker 1>crack out? So I'm still I'm still the most popular

0:32:27.840 --> 0:32:30.320
<v Speaker 1>and it really totally doesn't number on you. And then

0:32:30.400 --> 0:32:32.800
<v Speaker 1>you start thinking about, Okay, what what do I have

0:32:32.920 --> 0:32:36.200
<v Speaker 1>to write to get to stay in the top ten

0:32:36.280 --> 0:32:38.840
<v Speaker 1>to keep eatting played at radio, and that's no good either.

0:32:39.080 --> 0:32:42.480
<v Speaker 1>You're saying it changes your direction creatively from what do

0:32:42.520 --> 0:32:44.920
<v Speaker 1>I have to say too. There's a difference of what

0:32:45.000 --> 0:32:48.040
<v Speaker 1>do I have to write people will like, not because

0:32:48.080 --> 0:32:49.880
<v Speaker 1>I'm saying it and feeling it, but because I know

0:32:49.960 --> 0:32:51.960
<v Speaker 1>I'm trying to chase what they like. Yeah, and then

0:32:52.800 --> 0:32:55.920
<v Speaker 1>there is that moment where you're about to turn forty

0:32:56.920 --> 0:33:00.720
<v Speaker 1>and you're still popular, but um, everything on the radio

0:33:00.960 --> 0:33:05.240
<v Speaker 1>is Britney Spears and Christian Aguilera and their seventeen and

0:33:05.360 --> 0:33:08.720
<v Speaker 1>they're wearing schoolgirl outfits and you're about to be forty,

0:33:09.040 --> 0:33:12.240
<v Speaker 1>and that doesn't remember because forty doesn't get played at radio.

0:33:12.720 --> 0:33:15.320
<v Speaker 1>It's just a weird thing, you know, there's not anything

0:33:15.440 --> 0:33:18.040
<v Speaker 1>realistic about it. And I do wonder what girls today

0:33:18.160 --> 0:33:21.840
<v Speaker 1>that seemed to be like navigating their own They they're

0:33:21.880 --> 0:33:24.520
<v Speaker 1>in control of their social media. They project their images,

0:33:24.600 --> 0:33:26.560
<v Speaker 1>and the images sometimes they're sexual, or most of the

0:33:26.600 --> 0:33:30.480
<v Speaker 1>time or sexual, and that as long as they're in

0:33:30.600 --> 0:33:33.440
<v Speaker 1>control of that, Like how much of it are they

0:33:33.520 --> 0:33:38.080
<v Speaker 1>able to Because I don't read even a sentence about myself.

0:33:38.200 --> 0:33:42.240
<v Speaker 1>I don't read anything because I'm too sensitive, Like how

0:33:42.360 --> 0:33:45.240
<v Speaker 1>do girls now, especially when you're bringing looks into it,

0:33:45.840 --> 0:33:49.080
<v Speaker 1>embody image and all that. How do they not? How

0:33:49.200 --> 0:33:51.880
<v Speaker 1>is it not demoralizing? Because fame to me was already

0:33:51.960 --> 0:33:56.120
<v Speaker 1>like Okay, I'm a really private person and I'm a

0:33:56.160 --> 0:34:02.200
<v Speaker 1>really nice person. So and everything I'm reading about myself

0:34:02.280 --> 0:34:03.680
<v Speaker 1>is okay, I got my haircut, now I look like

0:34:03.720 --> 0:34:06.600
<v Speaker 1>a soccer moment and just like me and stuff. How

0:34:06.640 --> 0:34:09.480
<v Speaker 1>does anybody navigate it? I don't. I don't know. It

0:34:09.600 --> 0:34:17.719
<v Speaker 1>did a number on me for sure. At number two

0:34:17.920 --> 0:34:21.719
<v Speaker 1>from episode three fifty is Gavin DeGraw. This was a

0:34:21.840 --> 0:34:26.080
<v Speaker 1>really emotional episode, and I left in all of the

0:34:26.360 --> 0:34:29.160
<v Speaker 1>silence that Gavin gave us during the moments where he

0:34:29.239 --> 0:34:33.080
<v Speaker 1>got emotional because talking about this album that he did,

0:34:33.400 --> 0:34:36.240
<v Speaker 1>about his parents and had to talk about them passing away.

0:34:36.400 --> 0:34:39.440
<v Speaker 1>So a lot of emotional moments throughout this entire episode.

0:34:39.680 --> 0:34:43.440
<v Speaker 1>And in addition to being such a great vocalist and songwriter,

0:34:43.640 --> 0:34:46.080
<v Speaker 1>he is a great storyteller, so they's made for an

0:34:46.200 --> 0:34:49.480
<v Speaker 1>excellent episode. This is Gavin DeGraw talking about wanting to

0:34:49.560 --> 0:34:52.440
<v Speaker 1>finish his new album before his dad passed and the

0:34:52.520 --> 0:34:54.840
<v Speaker 1>moment he got to listen to it and his dad's

0:34:54.880 --> 0:34:57.320
<v Speaker 1>reaction to the very first song on this album. So

0:34:57.440 --> 0:35:01.360
<v Speaker 1>here is Gavin DeGraw that the new record is really

0:35:01.440 --> 0:35:03.799
<v Speaker 1>freaking good. Until I told you before we even came

0:35:03.800 --> 0:35:06.440
<v Speaker 1>in here that it's like, this is music that I

0:35:06.600 --> 0:35:08.480
<v Speaker 1>listened to when I just get to listen to music.

0:35:09.000 --> 0:35:13.799
<v Speaker 1>M and you know, that's how how deep this record hit.

0:35:13.880 --> 0:35:17.160
<v Speaker 1>And that's even before I knew the reason you wrote,

0:35:17.360 --> 0:35:20.600
<v Speaker 1>recorded and put the record out when you did. And

0:35:20.680 --> 0:35:22.040
<v Speaker 1>so I want to start there and and you and

0:35:22.239 --> 0:35:24.200
<v Speaker 1>I rarely want to play a song from the front

0:35:24.239 --> 0:35:26.279
<v Speaker 1>of the record because then I feel like people go, well,

0:35:26.320 --> 0:35:28.600
<v Speaker 1>that's just the first song. So but Face the River

0:35:29.440 --> 0:35:31.279
<v Speaker 1>and you know that's the first track. I believe you

0:35:31.360 --> 0:35:34.480
<v Speaker 1>sent it to me on what was this service? SoundCloud?

0:35:34.680 --> 0:35:36.560
<v Speaker 1>I believe this sound to me a SoundCloud the record.

0:35:37.120 --> 0:35:38.600
<v Speaker 1>And so I'm just like car my wife, I'm just

0:35:38.840 --> 0:35:40.640
<v Speaker 1>hitting and face whatever comes on. I'm like, god, damg

0:35:40.680 --> 0:35:42.560
<v Speaker 1>if every song is like this and it was just

0:35:42.640 --> 0:35:45.680
<v Speaker 1>one after the other. And Mike, if you play some

0:35:45.719 --> 0:35:49.680
<v Speaker 1>Face the River before me track one, please to face

0:35:51.320 --> 0:35:59.840
<v Speaker 1>kid wate thing about their I pictured my my, my,

0:36:00.120 --> 0:36:03.800
<v Speaker 1>my mother had already passed, my dad was already diagnosed

0:36:04.960 --> 0:36:09.840
<v Speaker 1>um with glib beast Alma. I visualized my father looking

0:36:09.920 --> 0:36:13.279
<v Speaker 1>across the river at my mother having to face that

0:36:13.560 --> 0:36:19.239
<v Speaker 1>particular point in his in his life. Tough, but but

0:36:19.360 --> 0:36:23.160
<v Speaker 1>I think that it's materialized. I didn't want to shy

0:36:23.200 --> 0:36:26.400
<v Speaker 1>away from I couldn't. I couldn't. I couldn't shy away

0:36:26.440 --> 0:36:30.120
<v Speaker 1>from it because at the time in my life that

0:36:30.200 --> 0:36:36.520
<v Speaker 1>I was writing it, watching you're experiencing these things with

0:36:36.840 --> 0:36:44.000
<v Speaker 1>with these people, um, watching them go through the stage

0:36:44.000 --> 0:36:48.160
<v Speaker 1>of their life that we all know is coming at

0:36:48.200 --> 0:36:54.080
<v Speaker 1>some point. Um. We all we all have some shared destiny.

0:36:55.239 --> 0:37:01.480
<v Speaker 1>And uh um, I couldn't ignore. I couldn't ignore what

0:37:01.600 --> 0:37:04.400
<v Speaker 1>I was seeing and just go off in my corner

0:37:04.520 --> 0:37:07.000
<v Speaker 1>and pretend like there was another world that I could

0:37:07.080 --> 0:37:09.759
<v Speaker 1>focus on that it was happening right in front of me.

0:37:10.440 --> 0:37:17.239
<v Speaker 1>You know, even if it's a car crash, um, you

0:37:17.320 --> 0:37:22.759
<v Speaker 1>know it's uh you have to you have to see it.

0:37:23.600 --> 0:37:28.080
<v Speaker 1>And uh, I know what it is, and you know

0:37:28.160 --> 0:37:29.880
<v Speaker 1>you're hoping that the results aren't going to be as

0:37:29.920 --> 0:37:32.120
<v Speaker 1>bad as they are, but you know, it's a car crash,

0:37:32.960 --> 0:37:38.960
<v Speaker 1>um and uh I had to document it. I had

0:37:39.080 --> 0:37:44.719
<v Speaker 1>to document how how I felt and what I thought

0:37:44.800 --> 0:37:52.480
<v Speaker 1>maybe he felt. Uh. You know, it's art. Man. It

0:37:52.840 --> 0:37:58.320
<v Speaker 1>it's not product, it's it's art. And and it should reflect,

0:37:58.719 --> 0:38:03.480
<v Speaker 1>it should reflect a real moment and time and and

0:38:03.800 --> 0:38:06.960
<v Speaker 1>uh and it's it's called a record, man, you know,

0:38:07.040 --> 0:38:13.160
<v Speaker 1>a record, A record, a documents, something permanent. We should

0:38:14.640 --> 0:38:19.160
<v Speaker 1>make a record of where we're at and have that

0:38:19.320 --> 0:38:22.480
<v Speaker 1>be so it's known. This is what it was, this

0:38:22.520 --> 0:38:25.080
<v Speaker 1>is what happened, you know, just the way you look

0:38:25.120 --> 0:38:29.560
<v Speaker 1>at any piece of history. Um. And then that's what

0:38:29.719 --> 0:38:32.759
<v Speaker 1>it is. You put it his track one. It's such

0:38:32.760 --> 0:38:34.520
<v Speaker 1>a powerful song. And obviously it's the name of the record.

0:38:34.560 --> 0:38:36.719
<v Speaker 1>And you know, sometimes the record is named after the track.

0:38:37.000 --> 0:38:39.640
<v Speaker 1>You know, there's never just a layout of what the

0:38:39.719 --> 0:38:44.680
<v Speaker 1>order is supposed to be meaning. So that is, if

0:38:44.760 --> 0:38:48.160
<v Speaker 1>not the most, one of the most powerful songs on

0:38:48.200 --> 0:38:51.120
<v Speaker 1>the record, and it just you turn you play the

0:38:51.200 --> 0:38:53.239
<v Speaker 1>record for a song boom punch right in the gut,

0:38:53.280 --> 0:38:54.600
<v Speaker 1>a beautiful punch in the guy. I mean in a

0:38:54.640 --> 0:38:58.200
<v Speaker 1>way of like you emotionally are are stung by it.

0:38:59.600 --> 0:39:03.520
<v Speaker 1>Usually that didn't happen on track one. Want you you

0:39:03.640 --> 0:39:06.520
<v Speaker 1>went forward immediately? Was there any sort of symbolism there

0:39:06.560 --> 0:39:10.719
<v Speaker 1>with that? Um? Well, I think the main thing was

0:39:12.440 --> 0:39:14.640
<v Speaker 1>this is a different kind of record, and that was

0:39:14.719 --> 0:39:17.600
<v Speaker 1>the that was the big thing. It was, you know,

0:39:18.160 --> 0:39:21.359
<v Speaker 1>just letting the audience know that this is different, it's

0:39:21.480 --> 0:39:28.560
<v Speaker 1>very different. Um uh, and more preparing them for everything else.

0:39:29.280 --> 0:39:32.600
<v Speaker 1>You know, boy, you did I mean that? And to

0:39:32.719 --> 0:39:35.720
<v Speaker 1>also hear that story because this record not only important

0:39:35.760 --> 0:39:38.000
<v Speaker 1>because it's music, it's art that you're putting into the world.

0:39:38.560 --> 0:39:40.480
<v Speaker 1>But and I know you and I talked about this

0:39:40.520 --> 0:39:42.400
<v Speaker 1>in a in a different place, but you wanted to

0:39:42.480 --> 0:39:44.719
<v Speaker 1>make this, write this record, record this record and have

0:39:44.800 --> 0:39:48.080
<v Speaker 1>it ready, um, for your dad before he passed away.

0:39:49.080 --> 0:39:51.640
<v Speaker 1>Did you have any sort of idea like how fast

0:39:51.760 --> 0:39:55.840
<v Speaker 1>you needed to actually get this done? No, but I

0:39:55.920 --> 0:40:00.279
<v Speaker 1>didn't know it was you know, I knew it was bad. Um.

0:40:03.440 --> 0:40:05.960
<v Speaker 1>But you know there's no there's not ever an exact

0:40:06.040 --> 0:40:11.680
<v Speaker 1>time as you know, um, but it's a limited time.

0:40:11.840 --> 0:40:14.359
<v Speaker 1>And was there a rush on you? Did you feel

0:40:14.360 --> 0:40:16.360
<v Speaker 1>like I gotta work fast? I don't. I just I

0:40:17.080 --> 0:40:19.879
<v Speaker 1>that's a that's a it's a timeline that you've gotta follow,

0:40:20.000 --> 0:40:23.439
<v Speaker 1>but you don't actually know words correct, correct exactly. There's

0:40:23.480 --> 0:40:27.840
<v Speaker 1>no exact deadline that you're aware of, right, Um, you know,

0:40:27.960 --> 0:40:32.800
<v Speaker 1>weeks and weeks earlier he's in the hospital, he says

0:40:32.920 --> 0:40:34.839
<v Speaker 1>to me. It was hard for him to talk because

0:40:34.960 --> 0:40:38.040
<v Speaker 1>the where the tumor was, and he was saying to

0:40:38.120 --> 0:40:42.600
<v Speaker 1>me a bit like marble mouth is how he was

0:40:42.640 --> 0:40:47.680
<v Speaker 1>trying to having to communicate. Unfortunately, um hm, he said,

0:40:47.800 --> 0:40:49.600
<v Speaker 1>you know, I want to hear the music. You know,

0:40:49.680 --> 0:40:51.840
<v Speaker 1>aren't you playing me the music? I said, it's not

0:40:52.000 --> 0:40:53.719
<v Speaker 1>done yet, Dad. I want you to hear it, like I.

0:40:53.800 --> 0:40:56.160
<v Speaker 1>Aren't you hear one it's right. It's really important to

0:40:56.200 --> 0:40:58.440
<v Speaker 1>hear when it's right. You gotta hear one it's right.

0:40:58.640 --> 0:41:03.560
<v Speaker 1>I'm like really uptight about, you know, my job, and um,

0:41:05.000 --> 0:41:08.120
<v Speaker 1>come on, blame me something, blame me something. I'm in

0:41:08.160 --> 0:41:14.600
<v Speaker 1>the hospital with my sister and uh and uh, I said,

0:41:14.680 --> 0:41:16.480
<v Speaker 1>let me okay, okay, let me let me see, let

0:41:16.520 --> 0:41:18.680
<v Speaker 1>me see, let me see you. I reach out to

0:41:18.800 --> 0:41:21.080
<v Speaker 1>Dave Cobb, I say, and my dad's in the hospital.

0:41:21.800 --> 0:41:24.120
<v Speaker 1>He's really really begging me for these songs. Is there

0:41:24.120 --> 0:41:27.759
<v Speaker 1>anyway just to send me a mix of just just

0:41:28.080 --> 0:41:30.239
<v Speaker 1>a couple of songs. I love for him to hear

0:41:30.239 --> 0:41:32.160
<v Speaker 1>a couple of songs, just a couple of songs that

0:41:32.280 --> 0:41:37.960
<v Speaker 1>really help. Yeah, yeah, yeah, yeah sure. So a couple

0:41:38.000 --> 0:41:40.040
<v Speaker 1>of minutes later, he sends me three songs. Sends me

0:41:40.120 --> 0:41:46.920
<v Speaker 1>Face the River and Destiny and uh Summertime and uh

0:41:47.600 --> 0:41:51.800
<v Speaker 1>and uh. Um. So your dad starts crying when he

0:41:51.880 --> 0:41:57.719
<v Speaker 1>hears the first high note of of the chorus of

0:41:58.200 --> 0:42:00.640
<v Speaker 1>Face the River. He's really feel on it right away,

0:42:00.680 --> 0:42:05.960
<v Speaker 1>you know, um, really reacting. And I played the songs,

0:42:06.080 --> 0:42:10.000
<v Speaker 1>the three that I had, and he says, I wish

0:42:10.040 --> 0:42:12.279
<v Speaker 1>your mother could heard these. I wish you could hear

0:42:12.320 --> 0:42:16.719
<v Speaker 1>this right now, this record. And I says she wrote

0:42:16.760 --> 0:42:19.839
<v Speaker 1>the record, that she wrote the record. He says she did.

0:42:20.120 --> 0:42:24.160
<v Speaker 1>She did write the record. So we's go by. I'm

0:42:24.200 --> 0:42:26.600
<v Speaker 1>trying to finish the album because I know the state

0:42:26.719 --> 0:42:36.000
<v Speaker 1>is not good. Um. Album is done. I take it

0:42:36.120 --> 0:42:39.359
<v Speaker 1>to him immediately. I said, dadd you want to hear

0:42:39.360 --> 0:42:42.799
<v Speaker 1>the album, the whole album now. He said yeah, yeah.

0:42:44.600 --> 0:42:48.080
<v Speaker 1>So I put headphones on, turn it up so I

0:42:48.120 --> 0:42:50.480
<v Speaker 1>could hear where it's at, you know, loud enough. He

0:42:50.640 --> 0:42:54.760
<v Speaker 1>likes it loud anyway, And we go straight through the record,

0:42:54.800 --> 0:43:00.640
<v Speaker 1>top of bottom, and he's so moved and mm hmmm.

0:43:02.280 --> 0:43:05.480
<v Speaker 1>I said, you want to hear it again? Played for

0:43:05.560 --> 0:43:08.840
<v Speaker 1>me again. Later, let's do it later. I said, good, okay,

0:43:09.760 --> 0:43:11.319
<v Speaker 1>But my brother and I we hop in the car,

0:43:11.800 --> 0:43:15.160
<v Speaker 1>we take a drive. A half hour later, half hour

0:43:15.200 --> 0:43:21.600
<v Speaker 1>after I finished playing that record, phone rings and my

0:43:21.760 --> 0:43:24.640
<v Speaker 1>dad's having an emergency. They need to take him to

0:43:24.640 --> 0:43:27.880
<v Speaker 1>the hospital immediately. There was some kind of complication and

0:43:28.320 --> 0:43:30.480
<v Speaker 1>so he's taking the hospital and put on heavy drugs

0:43:30.680 --> 0:43:35.200
<v Speaker 1>and you know, for the next day and a half. Um,

0:43:35.920 --> 0:43:38.080
<v Speaker 1>he's just on heavy drugs for that you know, that

0:43:38.239 --> 0:43:43.440
<v Speaker 1>slow boat ride out you know. Um. So however, the

0:43:43.520 --> 0:43:49.000
<v Speaker 1>timing worked out, without exaggeration, got to play him the

0:43:49.120 --> 0:43:56.000
<v Speaker 1>whole record in the nick of time, and um, and it's, uh,

0:43:56.719 --> 0:44:01.719
<v Speaker 1>that's a little bit of closure I get. Um is

0:44:01.840 --> 0:44:05.560
<v Speaker 1>that is that I got to give him that that

0:44:05.760 --> 0:44:12.560
<v Speaker 1>experience and say, you know this is you know your

0:44:12.600 --> 0:44:23.879
<v Speaker 1>dedication you know. So Um, very hard. But but damn

0:44:23.960 --> 0:44:28.960
<v Speaker 1>I hate crying. I mean I appreciate the vulnerability. I mean,

0:44:29.000 --> 0:44:31.520
<v Speaker 1>you could tell the love that you have for your

0:44:31.560 --> 0:44:33.040
<v Speaker 1>mom and your dad. You can also tell when you

0:44:33.120 --> 0:44:35.520
<v Speaker 1>listen to this record. I mean, even if you didn't

0:44:35.560 --> 0:44:37.640
<v Speaker 1>know why, that's just someone just came across this record

0:44:37.680 --> 0:44:41.360
<v Speaker 1>on playlist, not even individual songs. May you may like

0:44:41.960 --> 0:44:43.600
<v Speaker 1>Gavin de Girl Faced the River, I think you would

0:44:43.640 --> 0:44:47.560
<v Speaker 1>listen to this and go, well, something's got him, Yeah,

0:44:47.800 --> 0:44:50.800
<v Speaker 1>like something, because it just feels different. It feels like

0:44:50.920 --> 0:44:57.040
<v Speaker 1>there's there's Yeah, it feels like there is. It feels

0:44:57.120 --> 0:45:06.800
<v Speaker 1>very deliberate in the in the most beautiful way. And

0:45:06.920 --> 0:45:10.600
<v Speaker 1>at number one from episode three hundred and sixty four

0:45:11.440 --> 0:45:14.600
<v Speaker 1>is Ronnie Dunn of Brooks and Dunne. Not only does

0:45:14.719 --> 0:45:17.680
<v Speaker 1>Ronnie have a great singing voice, I also just love

0:45:17.800 --> 0:45:20.400
<v Speaker 1>his speaking voice. He could be talking about his grocery

0:45:20.480 --> 0:45:23.320
<v Speaker 1>list and I would find myself just being sucked into

0:45:23.520 --> 0:45:26.920
<v Speaker 1>every single word that leaves his mouth. So in every essence,

0:45:27.000 --> 0:45:29.560
<v Speaker 1>this entire interview was just fun to listen to. But

0:45:29.719 --> 0:45:33.080
<v Speaker 1>he shared stories that I had no idea about, stories

0:45:33.120 --> 0:45:36.120
<v Speaker 1>that you can't find online anywhere. One of those happened

0:45:36.160 --> 0:45:39.640
<v Speaker 1>to be the time he lived in Johnny Cash's cabin,

0:45:39.760 --> 0:45:42.040
<v Speaker 1>and that's where you're gonna hear in this clip also

0:45:42.120 --> 0:45:45.680
<v Speaker 1>about the origin story of Brooks and Dunn and getting

0:45:45.719 --> 0:45:47.960
<v Speaker 1>the call out of the blue to move to Nashville.

0:45:48.200 --> 0:45:52.200
<v Speaker 1>So the number one Bobby cast of Ronnie Dunn of

0:45:52.320 --> 0:45:58.960
<v Speaker 1>Brooks and Dunn. Scott Hendricks took the type to Tim Dubois,

0:45:59.040 --> 0:46:01.000
<v Speaker 1>who was starting her to records at the time. And

0:46:01.160 --> 0:46:04.839
<v Speaker 1>just trying to fill in a balanced roster. And uh,

0:46:04.960 --> 0:46:07.600
<v Speaker 1>Clive Davis was was behind it. Of course that never

0:46:07.719 --> 0:46:11.759
<v Speaker 1>hurts uh at a time in the business when it

0:46:11.920 --> 0:46:15.400
<v Speaker 1>was not a great, great time to to start a label.

0:46:16.000 --> 0:46:19.120
<v Speaker 1>But tell Clive Davis that. Right. So Tim comes out

0:46:19.200 --> 0:46:22.120
<v Speaker 1>and here and here's me in in Tulsa because he's

0:46:22.160 --> 0:46:25.120
<v Speaker 1>from Grove, Oklahoma. Here's this play and he goes, Okay,

0:46:25.719 --> 0:46:27.560
<v Speaker 1>after we get through, he texting back and he goes, Okay,

0:46:27.600 --> 0:46:30.320
<v Speaker 1>I'm gonna tell you this. He says, hold tide for me.

0:46:30.840 --> 0:46:35.880
<v Speaker 1>He says, just like I'm going somewhere, right, Yeah, right,

0:46:36.280 --> 0:46:38.960
<v Speaker 1>I got the other side of the fence to Wheatie. Uh.

0:46:39.400 --> 0:46:41.399
<v Speaker 1>And he says, I'm I'm putting the record labor together

0:46:41.760 --> 0:46:45.840
<v Speaker 1>all Alan Jackson and Pam tell Us diamond Rio And

0:46:45.920 --> 0:46:47.960
<v Speaker 1>he said, I'm I'm up to something here. She says,

0:46:48.000 --> 0:46:50.120
<v Speaker 1>if you're just just have a little faith in patience

0:46:50.200 --> 0:46:52.520
<v Speaker 1>in me, I'm will go there. So you know, a

0:46:52.640 --> 0:46:55.680
<v Speaker 1>year later, I didn't heard anything from him. Yeah that's

0:46:55.680 --> 0:46:57.800
<v Speaker 1>a lot of patience. Yeah, well, where else do you go?

0:46:57.880 --> 0:47:00.640
<v Speaker 1>I don't have a choice. Yeah, uh as sure enough,

0:47:01.080 --> 0:47:04.960
<v Speaker 1>I Uh, Janine comes down one day and tells me

0:47:05.000 --> 0:47:06.239
<v Speaker 1>to put the weed either down and come up to

0:47:06.239 --> 0:47:07.640
<v Speaker 1>the house get on the phone, and she says, I

0:47:07.719 --> 0:47:09.399
<v Speaker 1>called him to boyd and see what's going on because

0:47:09.440 --> 0:47:11.360
<v Speaker 1>I'm just I'm sure I wouldn't do that, you know,

0:47:12.200 --> 0:47:15.040
<v Speaker 1>And she's not. I called him and he goes, mr.

0:47:15.920 --> 0:47:18.360
<v Speaker 1>He said, this is unreal. Said, I'm sitting here with

0:47:18.520 --> 0:47:21.880
<v Speaker 1>my rollo decks right now looking for your number. And

0:47:22.000 --> 0:47:24.440
<v Speaker 1>I went, no, you're not, and he goes, yes I am,

0:47:24.640 --> 0:47:27.280
<v Speaker 1>because I want to cut boots, goot boogie. I'm thinking

0:47:27.760 --> 0:47:30.839
<v Speaker 1>the flash me with me. He goes with a Sleep

0:47:30.880 --> 0:47:33.479
<v Speaker 1>at the Wheel. So I just signed myself, okay, great,

0:47:33.680 --> 0:47:35.440
<v Speaker 1>you know, knock it out, and he said, come down

0:47:35.480 --> 0:47:37.840
<v Speaker 1>to Nashville. He says, I'm gonna, you know, talk to

0:47:37.960 --> 0:47:40.160
<v Speaker 1>you when we get through and listen to the record.

0:47:40.400 --> 0:47:41.880
<v Speaker 1>So what with? Janine and I got in this car

0:47:41.920 --> 0:47:46.160
<v Speaker 1>and drove to Nashville, and uh it was. He played

0:47:46.160 --> 0:47:48.000
<v Speaker 1>it for us and it's Sleep at the Wheel did

0:47:48.120 --> 0:47:51.680
<v Speaker 1>of course as a swing song, bomp bomb and I

0:47:51.880 --> 0:47:54.040
<v Speaker 1>thought it, I thought, and we both just went Jennie

0:47:54.040 --> 0:47:56.920
<v Speaker 1>and I were like, oh, it's not gonna work. I'm

0:47:57.000 --> 0:48:01.640
<v Speaker 1>gonna fly and uh so they ran through their cycle

0:48:01.719 --> 0:48:05.200
<v Speaker 1>there and then uh, finally Tim said, okay, it's time

0:48:05.239 --> 0:48:07.919
<v Speaker 1>to move here. You know this is your your layters,

0:48:07.960 --> 0:48:10.359
<v Speaker 1>you're after that, he said, time to move here, he said,

0:48:10.480 --> 0:48:13.160
<v Speaker 1>and I'll get you. I'll get you hooked up as

0:48:13.200 --> 0:48:15.440
<v Speaker 1>a as a writer at one of the publishing companies.

0:48:16.000 --> 0:48:18.120
<v Speaker 1>And uh, he just called out all the blue. One

0:48:18.200 --> 0:48:22.839
<v Speaker 1>day after June Carter had already called. Janina said, uh,

0:48:23.120 --> 0:48:25.840
<v Speaker 1>she called her witter witter patch that was that was

0:48:25.920 --> 0:48:29.040
<v Speaker 1>your name is married name. Uh, she's a wider. Uh

0:48:29.400 --> 0:48:33.520
<v Speaker 1>would you mind even Ronnie maybe staying at having written

0:48:33.560 --> 0:48:35.520
<v Speaker 1>one of the cabins up on the mountain, which was

0:48:35.600 --> 0:48:39.800
<v Speaker 1>outside town in Gillittsville. And uh, Janina started crying. She

0:48:39.960 --> 0:48:42.600
<v Speaker 1>was like, oh my god, yes please, I'll be close

0:48:42.680 --> 0:48:44.320
<v Speaker 1>to June as a friend of hers and all this.

0:48:45.040 --> 0:48:50.320
<v Speaker 1>So we did, uh I uh, Tim put kicks and

0:48:50.360 --> 0:48:53.279
<v Speaker 1>now together to write with another another writer in town.

0:48:53.320 --> 0:48:55.960
<v Speaker 1>Don cook, don't don't jump ahead. Hold on, Okay, did

0:48:55.960 --> 0:48:59.080
<v Speaker 1>you ever go meet Johnny Cash? She drove, Yes, she

0:48:59.200 --> 0:49:02.319
<v Speaker 1>brought me into to meet him. Where to his house

0:49:03.320 --> 0:49:05.520
<v Speaker 1>in Hendersonville. Are you nervous? Yeah, I'm scared of death.

0:49:05.520 --> 0:49:07.520
<v Speaker 1>I don't want to meet them and I know they're thinking, hey,

0:49:07.640 --> 0:49:10.759
<v Speaker 1>you know she's bringing you know, I want to be

0:49:10.880 --> 0:49:12.719
<v Speaker 1>singer into my house, just just like what I would

0:49:12.719 --> 0:49:15.839
<v Speaker 1>do with one of my daughters, just like ah please right.

0:49:16.760 --> 0:49:20.640
<v Speaker 1>Uh So June takes her out, and you know, just uh,

0:49:21.600 --> 0:49:25.880
<v Speaker 1>John had just given June a blue on blue rolls

0:49:25.960 --> 0:49:28.440
<v Speaker 1>Royce for her birthday. You know. So we rolled up

0:49:28.480 --> 0:49:31.200
<v Speaker 1>to their house and all this austentatious stuff is outside,

0:49:31.960 --> 0:49:36.759
<v Speaker 1>and uh go in nervous, more nervous as you walk closer. Okay,

0:49:37.560 --> 0:49:41.480
<v Speaker 1>it gets worse. So the girls after after day one,

0:49:41.719 --> 0:49:43.520
<v Speaker 1>you know, we all stopped and eat all this stuff.

0:49:43.680 --> 0:49:46.239
<v Speaker 1>John's real quiet, He's quite at first, you know, and

0:49:46.320 --> 0:49:50.239
<v Speaker 1>he says, she's intimidating anyway, right, And then under those circumstances,

0:49:50.239 --> 0:49:53.120
<v Speaker 1>I'm going, you know, I don't I don't wanna, you know,

0:49:53.360 --> 0:49:57.359
<v Speaker 1>I wanna be here like this. So the next day,

0:49:58.000 --> 0:50:01.960
<v Speaker 1>June and Janine go shopping and leave me and John

0:50:02.560 --> 0:50:05.280
<v Speaker 1>alone at the house. Well, there were two big black

0:50:05.360 --> 0:50:08.000
<v Speaker 1>recliners in front of the TV like on at wall,

0:50:08.719 --> 0:50:13.400
<v Speaker 1>and uh, he's sitting there watching CNN and I just

0:50:13.480 --> 0:50:16.120
<v Speaker 1>sat down with a cover of coffee and I sat there,

0:50:17.440 --> 0:50:19.680
<v Speaker 1>I said, uh, something going on in the news, and

0:50:19.760 --> 0:50:22.479
<v Speaker 1>he goes, I always watch it, always watching. He says,

0:50:23.000 --> 0:50:25.680
<v Speaker 1>I'm an addict. And he says, I'll watch the TV

0:50:26.160 --> 0:50:30.680
<v Speaker 1>until the loop changes. He says, you know that the

0:50:31.000 --> 0:50:33.680
<v Speaker 1>CNN and all that stuff around loops and I'm like no,

0:50:35.320 --> 0:50:39.640
<v Speaker 1>and uh, he goes, I just watched it two loops whatever.

0:50:40.080 --> 0:50:43.240
<v Speaker 1>You know. That was kind of the only thing I remember.

0:50:44.680 --> 0:50:46.239
<v Speaker 1>It just kind of didn't say much. He's like, you

0:50:46.280 --> 0:50:47.759
<v Speaker 1>want to go fishing? What are you doing? You want

0:50:47.760 --> 0:50:51.359
<v Speaker 1>to be in music? Nothing like that. So Janine gets

0:50:51.440 --> 0:50:54.719
<v Speaker 1>back and she's kind of pale. She's kind of like down,

0:50:54.800 --> 0:50:58.040
<v Speaker 1>and that's not like her because she's a chatter. And uh,

0:50:58.520 --> 0:51:00.640
<v Speaker 1>finally we went back to the to the bedroom and

0:51:00.719 --> 0:51:03.239
<v Speaker 1>she she said, how did it go? And she goes, well,

0:51:03.360 --> 0:51:05.200
<v Speaker 1>June just gave she read of me the right act.

0:51:05.360 --> 0:51:07.320
<v Speaker 1>You know. She goes, look, you know, because Rodney and

0:51:07.400 --> 0:51:10.520
<v Speaker 1>Roseanne had been been married, and the girls, Carline and

0:51:10.600 --> 0:51:14.080
<v Speaker 1>all of them, and Junior had her struggles with John too,

0:51:14.480 --> 0:51:17.480
<v Speaker 1>and she said, uh, it's it's it's not a it's

0:51:17.480 --> 0:51:20.960
<v Speaker 1>not a pretty business. She goes, you know, these these boys,

0:51:21.080 --> 0:51:24.040
<v Speaker 1>she they're gonna act up on you, you know, they're

0:51:24.040 --> 0:51:27.959
<v Speaker 1>gonna get out there and theoretically do whatever. And she says,

0:51:28.040 --> 0:51:30.280
<v Speaker 1>you know, it's just not it's not a good life.

0:51:30.480 --> 0:51:32.719
<v Speaker 1>Even if he does make it. She said, the chances are,

0:51:33.080 --> 0:51:36.080
<v Speaker 1>you know, one in a hundred million that they, even

0:51:36.160 --> 0:51:39.839
<v Speaker 1>if they make it, will they last. She's just you don't,

0:51:39.880 --> 0:51:41.400
<v Speaker 1>you don't. You don't want that life. You don't have

0:51:41.480 --> 0:51:44.440
<v Speaker 1>to have that life. So Janice said, I'm you know,

0:51:44.760 --> 0:51:48.439
<v Speaker 1>that's just kind of bummed me out. And I said, well, okay,

0:51:48.520 --> 0:51:52.480
<v Speaker 1>let's let's go. But we didn't. We stayed and and

0:51:52.680 --> 0:51:55.200
<v Speaker 1>and had had had a good time. But that was

0:51:55.280 --> 0:51:57.160
<v Speaker 1>just kind of what we were left with there. But

0:51:57.320 --> 0:52:00.960
<v Speaker 1>at the same time, June was kind enough, uh to

0:52:01.239 --> 0:52:03.439
<v Speaker 1>to do whatever they could to help, and they did.

0:52:03.880 --> 0:52:06.360
<v Speaker 1>And half the time, more than half the time, I

0:52:06.400 --> 0:52:08.759
<v Speaker 1>would go to go up to take the rent or

0:52:08.800 --> 0:52:10.680
<v Speaker 1>play the rent six hundred bucks or something like that.

0:52:10.920 --> 0:52:12.960
<v Speaker 1>This house looked like something did Johnny's house. He would

0:52:12.960 --> 0:52:14.440
<v Speaker 1>take the rent to Johnny Casch's house. Yeah, and just

0:52:14.520 --> 0:52:16.279
<v Speaker 1>drop it away. They had like a hole for the thing.

0:52:16.640 --> 0:52:18.640
<v Speaker 1>They wouldn't take it. No, Junie, I'd like June number

0:52:18.680 --> 0:52:21.359
<v Speaker 1>run over and and leave the rent. And she goes honey,

0:52:21.400 --> 0:52:23.279
<v Speaker 1>don't do that. She said, don't do that. Yeah, you don't.

0:52:23.320 --> 0:52:24.839
<v Speaker 1>There's no need for you to do that. Weren't worried

0:52:24.880 --> 0:52:28.320
<v Speaker 1>about that, uh anyway, so that they wouldn't take it.

0:52:29.160 --> 0:52:32.279
<v Speaker 1>Did they ever take your rent? No? How long did

0:52:32.280 --> 0:52:35.279
<v Speaker 1>you live there? Uh? Year and a half? Two years? No?

0:52:35.400 --> 0:52:39.200
<v Speaker 1>Two years? Did did you ever get closer to Johnny? Uh? Yeah,

0:52:39.360 --> 0:52:41.560
<v Speaker 1>oh yeah, yeah? No. No. Johnny would come up. There

0:52:41.640 --> 0:52:43.520
<v Speaker 1>was another it's a little enclay with cabins and a

0:52:43.560 --> 0:52:45.759
<v Speaker 1>good list on the top of the hill that uh

0:52:46.200 --> 0:52:50.520
<v Speaker 1>they had built real cool and uh. He would come

0:52:50.600 --> 0:52:53.040
<v Speaker 1>up and stay and spend the weekends and stuff sometimes

0:52:53.160 --> 0:52:55.680
<v Speaker 1>up there just to be alone. And he'd stop at

0:52:55.719 --> 0:52:58.680
<v Speaker 1>the house and uh and I told him, right, okay,

0:52:59.480 --> 0:53:02.120
<v Speaker 1>I get a record deal with their stuff as a

0:53:02.200 --> 0:53:05.200
<v Speaker 1>solo artist as well. I'm thinking as a solo artist.

0:53:05.960 --> 0:53:09.560
<v Speaker 1>And I'm still writing and and Tim says, uh, one

0:53:09.600 --> 0:53:11.200
<v Speaker 1>day he goes come over here. He says, we're gonna

0:53:11.239 --> 0:53:12.759
<v Speaker 1>spend the day and I'm gonna take you to every

0:53:12.800 --> 0:53:15.400
<v Speaker 1>publishing company in town. And I had written, like she

0:53:15.440 --> 0:53:18.960
<v Speaker 1>said to Neon moon Boots could hard working man. She's

0:53:19.040 --> 0:53:22.320
<v Speaker 1>be alling that kind of stuff. Uh. No, one actually

0:53:22.360 --> 0:53:25.040
<v Speaker 1>super excited, and he goes, but I'm I'm waiting to

0:53:25.160 --> 0:53:28.240
<v Speaker 1>take you to to Sony a TV for to Donna

0:53:28.320 --> 0:53:30.680
<v Speaker 1>Hilly and he said that that's where I want you.

0:53:31.040 --> 0:53:33.480
<v Speaker 1>He said, that's that's in his period, but the best

0:53:33.520 --> 0:53:37.640
<v Speaker 1>place in town. So, uh sure enough, she calls one

0:53:37.719 --> 0:53:40.799
<v Speaker 1>day and says, hey, I'm gonna give you a deal.

0:53:41.120 --> 0:53:43.440
<v Speaker 1>She said, then I've been how does like you know

0:53:45.120 --> 0:53:47.600
<v Speaker 1>a month sound? And I was like, I'll take it now.

0:53:49.360 --> 0:53:52.399
<v Speaker 1>And uh so I was set up as a writer

0:53:52.640 --> 0:53:56.160
<v Speaker 1>in in in a great spot and uh Tim put

0:53:56.440 --> 0:54:00.399
<v Speaker 1>me and Tim Kicks together and I'm thinking, but you've

0:54:00.440 --> 0:54:03.480
<v Speaker 1>heard this story, but a lot of people have, but uh,

0:54:03.840 --> 0:54:07.080
<v Speaker 1>Kicks just thinking, well, he's writing songs with me for

0:54:07.239 --> 0:54:10.080
<v Speaker 1>my solo deal. Unbeh honest to me, he had been

0:54:10.120 --> 0:54:14.879
<v Speaker 1>working on another duo deal at Aras for him, Yeah,

0:54:15.080 --> 0:54:18.560
<v Speaker 1>him and someone else, Yes, Tim, Tim Nichols's who the

0:54:18.600 --> 0:54:20.600
<v Speaker 1>first one was. And I heard that had I not

0:54:20.800 --> 0:54:24.800
<v Speaker 1>worked out, it was gonna be Leroy Pardell. That's funny,

0:54:24.960 --> 0:54:26.799
<v Speaker 1>how about it? They were shopping Kicks to a lot

0:54:26.880 --> 0:54:28.759
<v Speaker 1>of really good It was like, Kicks, you're half of

0:54:28.840 --> 0:54:32.080
<v Speaker 1>something great. You're gonna be Yeah, You're gonna be buddy.

0:54:32.520 --> 0:54:35.319
<v Speaker 1>You know you want to be in a duo. Uh,

0:54:36.040 --> 0:54:39.239
<v Speaker 1>it sounds like three duos all you know. I don't know.

0:54:39.719 --> 0:54:41.759
<v Speaker 1>You have to ask Kicks. I don't know, but he'll

0:54:41.840 --> 0:54:43.600
<v Speaker 1>he'll tell the same story. He said. Man, I thought,

0:54:43.680 --> 0:54:45.359
<v Speaker 1>you know, he was writing for me and I'm writing

0:54:45.360 --> 0:54:48.440
<v Speaker 1>for him. So, Uh, Tim comes in one day and

0:54:48.560 --> 0:54:52.040
<v Speaker 1>he has everything in his office lined up and uh

0:54:52.200 --> 0:54:54.960
<v Speaker 1>plays plays all of our music together, you know, and

0:54:55.080 --> 0:54:59.560
<v Speaker 1>he goes I think. I think with the first song

0:54:59.640 --> 0:55:03.160
<v Speaker 1>that with that we had written together was a brand

0:55:03.200 --> 0:55:07.200
<v Speaker 1>new man. Uh, and working on my next broken Heart?

0:55:07.400 --> 0:55:11.239
<v Speaker 1>And uh what else? You wrote that in a day

0:55:11.400 --> 0:55:13.720
<v Speaker 1>or in a week, like a couple of days together?

0:55:13.760 --> 0:55:15.520
<v Speaker 1>But you stay together, right for a couple of days. Yeah.

0:55:15.520 --> 0:55:17.480
<v Speaker 1>I'd never co written before, so I didn't know, you know,

0:55:17.640 --> 0:55:21.600
<v Speaker 1>what the protocol was. And uh we did that, put

0:55:21.680 --> 0:55:24.400
<v Speaker 1>the records together and did you know, some work on

0:55:24.480 --> 0:55:27.239
<v Speaker 1>them individually ourselves. Was there a creative chemistry that you

0:55:27.320 --> 0:55:29.520
<v Speaker 1>felt then or was it did you just sound good

0:55:29.640 --> 0:55:31.160
<v Speaker 1>or did you compliment each other in a way that

0:55:31.400 --> 0:55:34.000
<v Speaker 1>you hadn't before? Just it felt good. I liked I

0:55:34.160 --> 0:55:36.000
<v Speaker 1>liked what he had brought to the table. It was

0:55:36.120 --> 0:55:40.440
<v Speaker 1>lost and Found in a couple of songs that were

0:55:40.680 --> 0:55:45.520
<v Speaker 1>like almost Eagles progressive, and I liked that that kind

0:55:45.560 --> 0:55:51.360
<v Speaker 1>of I was really, you know, in my creative zen place,

0:55:51.920 --> 0:55:54.560
<v Speaker 1>thinking if we were gonna market ourselves as kind of

0:55:54.600 --> 0:55:59.280
<v Speaker 1>a southwestern east west of the Mississippi, you know, desert

0:55:59.400 --> 0:56:03.360
<v Speaker 1>kind of, then that's southwest deal? Did you guys, and

0:56:03.480 --> 0:56:05.360
<v Speaker 1>let's we'll just smash forward just a little bit. But

0:56:05.440 --> 0:56:07.920
<v Speaker 1>did you guys ever have other names for the group?

0:56:08.360 --> 0:56:10.440
<v Speaker 1>That for Brooks and Done? Yeah, we sit for a day.

0:56:10.480 --> 0:56:13.040
<v Speaker 1>It was gonna be the Coyote Brothers, you know, the

0:56:13.120 --> 0:56:15.279
<v Speaker 1>Cactus Brothers. We don't know. We sat and filled up

0:56:15.640 --> 0:56:18.160
<v Speaker 1>a notebooks and finally it just you know, I left

0:56:18.200 --> 0:56:21.719
<v Speaker 1>town and came back for after a weekend. Everybody said,

0:56:21.800 --> 0:56:24.520
<v Speaker 1>let's just call it Brooks and Done. Yeah. They were

0:56:24.560 --> 0:56:28.440
<v Speaker 1>just exhausted of all that that desert references. So nothing

0:56:28.480 --> 0:56:32.080
<v Speaker 1>felt right. You know, I don't know, how does it?

0:56:32.080 --> 0:56:36.040
<v Speaker 1>Because you're both singers, and I've been to more than

0:56:36.040 --> 0:56:37.880
<v Speaker 1>a few shows that you guys and kick sings awesome.

0:56:37.920 --> 0:56:40.120
<v Speaker 1>It's too awesome too. And he has he has I

0:56:40.160 --> 0:56:46.719
<v Speaker 1>mean he kicks has. Yes, How how was that his names? First?

0:56:46.760 --> 0:56:48.400
<v Speaker 1>And then you get to sing more songs, or like,

0:56:48.520 --> 0:56:50.440
<v Speaker 1>how does that when you're both good? Here's the name,

0:56:50.480 --> 0:56:52.480
<v Speaker 1>Here's how the name thing worked out, and people go

0:56:52.600 --> 0:56:56.040
<v Speaker 1>how that happened? It's like his brother in law owned

0:56:56.239 --> 0:56:59.239
<v Speaker 1>a big ad company up in Maine. We wanted to

0:56:59.360 --> 0:57:02.400
<v Speaker 1>logo back, so we kind of laid out the basics

0:57:02.600 --> 0:57:04.359
<v Speaker 1>and who came back with the you know the Brooks

0:57:04.400 --> 0:57:09.240
<v Speaker 1>have done because it laid out graphically better. Uh, they're stylist.

0:57:09.480 --> 0:57:11.880
<v Speaker 1>Could be done in Brooks, but Brooks have done. You know,

0:57:12.000 --> 0:57:14.640
<v Speaker 1>by now it just seems natural. You know, the Beatles, right,

0:57:15.120 --> 0:57:17.439
<v Speaker 1>what a freaking name? Really? Who would you call yourself? Yeah?

0:57:17.440 --> 0:57:20.600
<v Speaker 1>It sounds successful, you are normal. The name gets yeah, yeah,

0:57:21.040 --> 0:57:23.040
<v Speaker 1>when did it get the most absurd to you with?

0:57:24.280 --> 0:57:26.160
<v Speaker 1>And again, but you guys are also in their thirties

0:57:26.240 --> 0:57:28.120
<v Speaker 1>right when it started. I wonder if that helped it

0:57:28.240 --> 0:57:29.680
<v Speaker 1>all with a little bit of the absurdity of how

0:57:29.720 --> 0:57:32.320
<v Speaker 1>crazy it got it did it did and a lot

0:57:32.360 --> 0:57:34.240
<v Speaker 1>of the challenges we would have had. You know, you

0:57:34.320 --> 0:57:37.120
<v Speaker 1>kind of helps you like fight through the kind of

0:57:37.160 --> 0:57:40.520
<v Speaker 1>the unspoken ego tension that goes along with with anything

0:57:40.640 --> 0:57:43.640
<v Speaker 1>you're trying to establish. Your turf is you know, are

0:57:43.680 --> 0:57:46.400
<v Speaker 1>you going to be the you know, the lead singer

0:57:46.560 --> 0:57:48.080
<v Speaker 1>or am I going to be the lead singer? Hey,

0:57:48.120 --> 0:57:50.160
<v Speaker 1>we're good to throw it together. We we always have.

0:57:50.640 --> 0:57:53.560
<v Speaker 1>It's just kind of and I think being older helped

0:57:54.320 --> 0:57:57.760
<v Speaker 1>help deal with that. When you're doing these shows and

0:57:57.840 --> 0:58:00.440
<v Speaker 1>they're selling out and you guys are crossing over even

0:58:00.480 --> 0:58:03.000
<v Speaker 1>a bit into not just country music. We got so big,

0:58:04.080 --> 0:58:07.280
<v Speaker 1>like at its most absurd time, do you can you

0:58:07.360 --> 0:58:09.000
<v Speaker 1>look back and appreciate it or was it all such

0:58:09.000 --> 0:58:11.160
<v Speaker 1>a blur? No? We can look back and appreciate it,

0:58:11.920 --> 0:58:15.960
<v Speaker 1>you know. No, No, you you appreciate what you have.

0:58:16.200 --> 0:58:20.160
<v Speaker 1>And and just just from seeing I mean other acts

0:58:20.240 --> 0:58:22.880
<v Speaker 1>come along, you know, countless acts come along. It's like,

0:58:22.960 --> 0:58:24.960
<v Speaker 1>here's the hottest thing in town, here's these guys are

0:58:24.960 --> 0:58:26.680
<v Speaker 1>gonna be monsters and all that stuff, and just like

0:58:26.760 --> 0:58:29.120
<v Speaker 1>boom boom gone. It's like, why are we not boom

0:58:29.160 --> 0:58:32.440
<v Speaker 1>boom gone? I don't know, that's unspoken. Yeah, did you

0:58:32.520 --> 0:58:38.480
<v Speaker 1>ever have what they call, um mike, what is it

0:58:38.560 --> 0:58:42.960
<v Speaker 1>called the imposter syndrome? Where you felt like, you know what,

0:58:43.080 --> 0:58:44.680
<v Speaker 1>we're not as good as some of these guys, yet

0:58:44.720 --> 0:58:47.120
<v Speaker 1>we continue to climb places that they're not like we

0:58:47.160 --> 0:58:52.800
<v Speaker 1>don't really deserve to be here? Do you feel like that? Yeah? Sincerely? Yeah,

0:58:53.600 --> 0:58:55.280
<v Speaker 1>why do you think that? What do you think the

0:58:55.320 --> 0:58:57.360
<v Speaker 1>element was about? You two? What do you think it was?

0:58:57.640 --> 0:59:00.760
<v Speaker 1>I don't thought that. We thought about a billion times.

0:59:01.080 --> 0:59:03.680
<v Speaker 1>That's like me, we you mean kicks. I mean we've

0:59:03.720 --> 0:59:06.160
<v Speaker 1>talked about it. I don't know. I don't know if

0:59:06.760 --> 0:59:09.520
<v Speaker 1>you know. I mean I do. Sometimes I said, I'll

0:59:09.560 --> 0:59:11.360
<v Speaker 1>lay in bed by myself and just go it's just

0:59:12.080 --> 0:59:14.480
<v Speaker 1>I mean, was it because we were involved with Clive

0:59:14.600 --> 0:59:18.640
<v Speaker 1>Davis and Tim. I've asked him Dubo, I said, what

0:59:19.200 --> 0:59:22.000
<v Speaker 1>what made this thing work? And he goes, Mr, I

0:59:22.040 --> 0:59:24.200
<v Speaker 1>don't have a clue. What about the songs? Right? Do

0:59:24.240 --> 0:59:25.840
<v Speaker 1>you ever just fall back and go, yeah, I think

0:59:26.480 --> 0:59:28.919
<v Speaker 1>just could be the songs. Well they say it starts there,

0:59:29.040 --> 0:59:32.120
<v Speaker 1>so it could be just what those songs were, you know,

0:59:32.320 --> 0:59:34.760
<v Speaker 1>and there's obviously other things that go into the stew.

0:59:35.600 --> 0:59:38.920
<v Speaker 1>But if the songs are your meat, that's the foundation

0:59:39.000 --> 0:59:42.320
<v Speaker 1>of it all. That's that's a bar on, That's that's

0:59:42.320 --> 0:59:45.600
<v Speaker 1>where it starts. There, you have it. The Top Ten

0:59:45.720 --> 0:59:50.080
<v Speaker 1>Bobby Cast of two will return next week with brand

0:59:50.120 --> 0:59:53.280
<v Speaker 1>new episodes, and if there's anybody you think we need

0:59:53.400 --> 0:59:56.360
<v Speaker 1>to have on the podcast this year, slide into our

0:59:56.440 --> 0:59:59.600
<v Speaker 1>d m send us Those request were on Instagram at

0:59:59.760 --> 1:00:03.040
<v Speaker 1>the Bobby Cast, also on TikTok at the Bobby Cast.

1:00:03.200 --> 1:00:04.960
<v Speaker 1>And if you're looking for something else to listen to,

1:00:05.200 --> 1:00:08.640
<v Speaker 1>I host a movie podcast called movie Mics. Movie podcast

1:00:08.760 --> 1:00:13.200
<v Speaker 1>with spoiler free reviews, interviews with actors and directors, So

1:00:13.360 --> 1:00:16.240
<v Speaker 1>just search movie Mic wherever you listen to podcasts, or

1:00:16.360 --> 1:00:19.360
<v Speaker 1>find the link in the notes of this episode. My

1:00:19.480 --> 1:00:21.080
<v Speaker 1>name is Mike D and we'll talk to you next

1:00:21.120 --> 1:00:22.560
<v Speaker 1>time here on the Bobby Cast.