1 00:00:01,520 --> 00:00:07,040 Speaker 1: The Walmost Dangerous Morning Show, The Breakfast Club. What club 2 00:00:07,760 --> 00:00:10,360 Speaker 1: they y'all together? Y'all are like a manga for us. 3 00:00:10,440 --> 00:00:14,880 Speaker 1: Y'all just took over him with is Chris Brown. I've 4 00:00:14,920 --> 00:00:18,040 Speaker 1: officially joined the Breakfast Club. Say something, mother, I'm with it, 5 00:00:18,079 --> 00:00:33,680 Speaker 1: Walmost Dangerous Morning Show, Brinklas Club. Good morning Usa yo 6 00:00:33,760 --> 00:00:35,320 Speaker 1: yo yo yo yo yo yo yo yo yo yo 7 00:00:35,400 --> 00:00:37,080 Speaker 1: yo yo yo yo yo yo yo yo yo yo 8 00:00:37,200 --> 00:00:39,120 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:39,200 --> 00:00:42,240 Speaker 1: yo yo yo yo yo yo yo Good morning angela 10 00:00:42,280 --> 00:00:48,160 Speaker 1: yea Charlomne, the guy Peace of the planet. It is Friday, Yes, 11 00:00:48,360 --> 00:00:51,840 Speaker 1: It's Friday. Yes, man, the weekend is finally here. It's 12 00:00:51,840 --> 00:00:53,840 Speaker 1: been a great week. It has been a great week, 13 00:00:53,920 --> 00:00:56,040 Speaker 1: and I think we ended the week strong today. That's 14 00:00:56,080 --> 00:00:59,200 Speaker 1: where has strong. We have two people joining us this morning. 15 00:00:59,280 --> 00:01:02,480 Speaker 1: We have a zell Your Banks. We have a Zellia Banks. 16 00:01:02,040 --> 00:01:04,480 Speaker 1: Uh dropping a clue bombs for a Zellia Banks. Explaining 17 00:01:04,520 --> 00:01:05,960 Speaker 1: to the people who are zell your Banks is if 18 00:01:05,959 --> 00:01:09,200 Speaker 1: they don't know, because I'm sure an artist from Harlem, 19 00:01:09,600 --> 00:01:13,240 Speaker 1: you know she tours internationally. Um, A lot of people 20 00:01:13,800 --> 00:01:17,520 Speaker 1: focus on what she says. Yeah, her The thing she 21 00:01:17,600 --> 00:01:20,319 Speaker 1: says more than her music sometime, but she still has 22 00:01:20,760 --> 00:01:23,200 Speaker 1: a cult like following of a fan who rock with 23 00:01:23,240 --> 00:01:25,040 Speaker 1: her music. So she'll be here this morning. I never 24 00:01:25,040 --> 00:01:28,080 Speaker 1: met with you guys yesterday. Yeah, I never met the 25 00:01:28,160 --> 00:01:30,400 Speaker 1: young lady. So yeah, I never met her either. It's 26 00:01:30,400 --> 00:01:34,800 Speaker 1: funny because we have a relationship through text and phone calls. Okay, yeah, 27 00:01:34,840 --> 00:01:37,680 Speaker 1: but we never physically met. All right. And also Melissa 28 00:01:37,760 --> 00:01:40,080 Speaker 1: McCarthy will be joining us. She has a movie out 29 00:01:40,120 --> 00:01:42,000 Speaker 1: this weekend. It's called Light for the Party. Yeah, it 30 00:01:42,000 --> 00:01:43,959 Speaker 1: comes out to day. I never met Melissa McCarthy either. 31 00:01:44,000 --> 00:01:46,559 Speaker 1: But Melissa McCarthy's worth sixty million dollars. You are a bird. 32 00:01:46,600 --> 00:01:48,120 Speaker 1: That the first thing you look up when you when 33 00:01:48,160 --> 00:01:50,520 Speaker 1: you see a person's coming. She's the number two highest 34 00:01:50,520 --> 00:01:54,120 Speaker 1: paid actress in Hollywood, I believe. Yeah, Melissa get to 35 00:01:54,120 --> 00:01:56,600 Speaker 1: the money. McCarthy. Here you go, she gets her coins. Well. 36 00:01:56,640 --> 00:01:58,720 Speaker 1: I can't wait to hear these interviews because yesterday I 37 00:01:58,840 --> 00:02:01,320 Speaker 1: was not here. I had to leave early. I had 38 00:02:01,360 --> 00:02:03,960 Speaker 1: to do this Made in New York panel with the 39 00:02:04,000 --> 00:02:05,480 Speaker 1: City of New York, and then I had to host 40 00:02:05,520 --> 00:02:08,160 Speaker 1: the essence upfront, and that's where they present what they 41 00:02:08,200 --> 00:02:12,160 Speaker 1: have coming up this year for advertisers, right, So I 42 00:02:12,160 --> 00:02:13,919 Speaker 1: got to learn a lot about Essence magazine. You know, 43 00:02:13,960 --> 00:02:15,840 Speaker 1: the Essence fast this year is probably going to be 44 00:02:15,880 --> 00:02:18,120 Speaker 1: like the biggest one ever. Are they putting Melissa McCarthy 45 00:02:18,160 --> 00:02:23,480 Speaker 1: on the cover of the new Essence magazine because she's 46 00:02:23,520 --> 00:02:26,919 Speaker 1: not a black woman, But Essence does do a lot 47 00:02:27,000 --> 00:02:30,360 Speaker 1: for black women. Essence is definitely a staple for us 48 00:02:30,400 --> 00:02:32,200 Speaker 1: in our community. So I was honored to be there 49 00:02:32,200 --> 00:02:34,960 Speaker 1: hosting their upfront yesterday. I had a great time. And 50 00:02:35,000 --> 00:02:37,080 Speaker 1: you know, the new owner of Essence is Richard Dennis 51 00:02:37,120 --> 00:02:39,240 Speaker 1: who used to own Shade Moisture, and he was up 52 00:02:39,280 --> 00:02:42,000 Speaker 1: here before and people were giving him a hard time 53 00:02:42,040 --> 00:02:44,560 Speaker 1: for an ad that Shade Moisture had put out and 54 00:02:44,600 --> 00:02:48,760 Speaker 1: then they were managed. Yeah, Richard us he is an 55 00:02:48,760 --> 00:02:52,360 Speaker 1: amazing car collection, like like, and then he sold he 56 00:02:52,400 --> 00:02:55,920 Speaker 1: sold Shade. Most people were so mad, they were like, 57 00:02:55,960 --> 00:02:59,119 Speaker 1: how could you sell Shade Moistures for black people? See 58 00:02:59,120 --> 00:03:01,960 Speaker 1: how black people sell out? But then he went and 59 00:03:00,720 --> 00:03:04,600 Speaker 1: bough and started his own venture capitalist funds to actually 60 00:03:04,600 --> 00:03:07,880 Speaker 1: invest in other companies for people who are doing startups. 61 00:03:07,919 --> 00:03:09,440 Speaker 1: So that's what you do when you have a business. 62 00:03:09,480 --> 00:03:11,560 Speaker 1: When you have a business, sometimes you sell your business, 63 00:03:11,600 --> 00:03:14,320 Speaker 1: and he couldn't talk about what he was doing at 64 00:03:14,320 --> 00:03:18,440 Speaker 1: the time, people thought he just cashed out kids. What 65 00:03:18,520 --> 00:03:20,600 Speaker 1: people thinking like, maybe care because they had an emotional 66 00:03:20,600 --> 00:03:23,320 Speaker 1: connection to the projects of Shade moist just so they 67 00:03:23,400 --> 00:03:25,480 Speaker 1: did care. That's the fact. He just sold it. He 68 00:03:25,560 --> 00:03:26,959 Speaker 1: sold it and then he put out that ad and 69 00:03:27,000 --> 00:03:28,400 Speaker 1: the ad had a lot of white people in it, 70 00:03:28,400 --> 00:03:30,560 Speaker 1: and these about that the ad was. But that's what 71 00:03:30,639 --> 00:03:32,480 Speaker 1: you're supposed to doing business, supposed to build your business 72 00:03:32,600 --> 00:03:34,079 Speaker 1: up to a certain level and then sell it in 73 00:03:34,080 --> 00:03:36,920 Speaker 1: the capitalism keep doing more business and helping your community 74 00:03:36,960 --> 00:03:38,280 Speaker 1: more and more and more. That's what you're supposed to do. 75 00:03:38,280 --> 00:03:39,680 Speaker 1: But I am going to actually get him to come 76 00:03:39,720 --> 00:03:42,800 Speaker 1: up here before Essence Fest and just discuss everything that's 77 00:03:42,800 --> 00:03:44,840 Speaker 1: been going on in his new ventures, because I think 78 00:03:44,840 --> 00:03:46,800 Speaker 1: it's very interesting. So if you have an idea, hit 79 00:03:46,880 --> 00:03:48,640 Speaker 1: him up and pitch it. Bring one of the nice 80 00:03:48,640 --> 00:03:50,360 Speaker 1: cars when he comes too. I respect him because he 81 00:03:50,400 --> 00:03:52,480 Speaker 1: hauled him shaped through all the pressure that he was 82 00:03:53,000 --> 00:03:58,840 Speaker 1: enough to selling Shade Butter Moisture Difference and you know, 83 00:03:58,960 --> 00:04:02,240 Speaker 1: and and let me apologize to all the dump trucks 84 00:04:02,240 --> 00:04:04,120 Speaker 1: and garbage men out there. I thought you about the 85 00:04:04,160 --> 00:04:08,200 Speaker 1: apologize to the bar um, to the dump truck, garment 86 00:04:08,240 --> 00:04:11,960 Speaker 1: with the barn barbs, who cares about the bat the 87 00:04:12,000 --> 00:04:15,800 Speaker 1: garbage trunk and the only people that work sanitation because 88 00:04:15,800 --> 00:04:17,200 Speaker 1: there on my way to work, I was cutting them 89 00:04:17,200 --> 00:04:18,719 Speaker 1: off left and right. They would give me all types 90 00:04:18,720 --> 00:04:22,400 Speaker 1: of fingers. But look, bro, I gotta get the first 91 00:04:22,400 --> 00:04:24,280 Speaker 1: of all. How do you get around garbage trunk? Garbae trucks. 92 00:04:24,279 --> 00:04:26,200 Speaker 1: Don't play them. Garbage trucks will stop in the middle 93 00:04:26,200 --> 00:04:29,760 Speaker 1: of the road and command the whole street. You must 94 00:04:29,760 --> 00:04:31,240 Speaker 1: have never seen me drive. I don't play you that. 95 00:04:31,279 --> 00:04:33,719 Speaker 1: I gotta like I don't care about my car. I 96 00:04:33,760 --> 00:04:37,520 Speaker 1: closed my eyes. I was doing all types of absolutely 97 00:04:37,600 --> 00:04:39,440 Speaker 1: get around. Let him know. I can't see what's going on. 98 00:04:39,480 --> 00:04:41,040 Speaker 1: So if you put your garbage truck in front of me, 99 00:04:41,160 --> 00:04:42,760 Speaker 1: we're gonna be here all day because we're gonna crash 100 00:04:42,800 --> 00:04:44,200 Speaker 1: into each other. And nine times at the time they 101 00:04:44,279 --> 00:04:45,960 Speaker 1: move out the way. But let me apologize because I 102 00:04:46,000 --> 00:04:48,000 Speaker 1: had to get the work. Bro. Sometimes y'all just gotta 103 00:04:48,040 --> 00:04:49,520 Speaker 1: pull over to the right. You know people are late, 104 00:04:49,560 --> 00:04:51,440 Speaker 1: and you know that garbage truck can't do zero to 105 00:04:51,520 --> 00:04:53,800 Speaker 1: sixty and nine seconds, So just move over. To the 106 00:04:53,920 --> 00:04:55,560 Speaker 1: right proper on the clues bars faull of garbage men 107 00:04:55,600 --> 00:05:00,919 Speaker 1: out there. Work has got to I gotta deal with 108 00:05:01,200 --> 00:05:04,599 Speaker 1: assholes like DJ Envy. You can't see that word, you jerk. 109 00:05:04,800 --> 00:05:07,599 Speaker 1: I can't say no, you can't see that. You know, 110 00:05:07,640 --> 00:05:11,200 Speaker 1: you can't say you know what. Let's get a star. 111 00:05:11,440 --> 00:05:13,360 Speaker 1: What's the front page news? What are we talking about? 112 00:05:14,080 --> 00:05:17,240 Speaker 1: We're gonna be talking about waffle house. Another incident. This 113 00:05:17,520 --> 00:05:19,640 Speaker 1: really broke my heart watching and this is just too 114 00:05:19,640 --> 00:05:22,120 Speaker 1: many things happening at waffle house. No more passes for 115 00:05:22,160 --> 00:05:23,920 Speaker 1: waffle House. Will tell you about a young man who 116 00:05:24,000 --> 00:05:26,920 Speaker 1: was coming from the prom and things ended terribly. Now 117 00:05:26,960 --> 00:05:28,920 Speaker 1: this is how he remember his prom night. All right, 118 00:05:28,920 --> 00:05:30,560 Speaker 1: we'll get into all that when we come back. Keep 119 00:05:30,560 --> 00:05:33,000 Speaker 1: it locked it to breakfast club. Good morning, everybody is 120 00:05:33,080 --> 00:05:36,279 Speaker 1: DJ Envy, angela Ye, Charlemagne the guy we all the 121 00:05:36,279 --> 00:05:40,440 Speaker 1: breakfast club. Let's get in some front page news. Now, 122 00:05:40,480 --> 00:05:43,200 Speaker 1: let's talk about what happened at waffle house. Now, I 123 00:05:43,240 --> 00:05:45,719 Speaker 1: hope you guys saw this video yesterday. Now the video 124 00:05:46,000 --> 00:05:49,720 Speaker 1: is of Anthony Wall. He's wearing a tuxedo and he's 125 00:05:49,839 --> 00:05:52,320 Speaker 1: at an outside of the North Carolina waffle House. And 126 00:05:52,360 --> 00:05:55,520 Speaker 1: you can see him being slammed up against the glass 127 00:05:55,560 --> 00:05:58,960 Speaker 1: and then slammed onto the floor, choked. Just a lot 128 00:05:59,000 --> 00:06:01,840 Speaker 1: of excessive for us. And he's screaming to get your 129 00:06:01,839 --> 00:06:08,760 Speaker 1: hands off of me. Listen to how it sounds, but recording, 130 00:06:10,080 --> 00:06:14,520 Speaker 1: he's not supposed to be doing that, get get your 131 00:06:14,520 --> 00:06:24,200 Speaker 1: hands off me. You Unfortunately I saw that video, Yeah 132 00:06:24,279 --> 00:06:26,120 Speaker 1: I got Anthony was twenty two years old, and guess 133 00:06:26,160 --> 00:06:28,400 Speaker 1: what he was doing. He was coming from taking his 134 00:06:28,520 --> 00:06:31,279 Speaker 1: sixteen year old sister to the prom. So he was 135 00:06:31,320 --> 00:06:34,039 Speaker 1: his sixteen year old sister's prom date. He took it 136 00:06:34,080 --> 00:06:37,840 Speaker 1: to waffle house. Afterward, he got into a situation with 137 00:06:38,320 --> 00:06:41,040 Speaker 1: one of the employees because he complained about customer service, 138 00:06:41,480 --> 00:06:45,279 Speaker 1: and apparently they it wasn't anything physical. The employee called 139 00:06:45,279 --> 00:06:48,320 Speaker 1: the police. Why would he expect customer service at waffle house? 140 00:06:48,480 --> 00:06:51,400 Speaker 1: You should expect copect anywhere. Man knock it off and gas. 141 00:06:51,560 --> 00:06:53,920 Speaker 1: You're allowed, you're allowed to complain when the customer. Absolutely, 142 00:06:53,920 --> 00:06:55,279 Speaker 1: that's the point. That's one of the that's one of 143 00:06:55,279 --> 00:06:57,400 Speaker 1: the experiences when you go to waffle house. You will 144 00:06:57,440 --> 00:06:59,760 Speaker 1: complain about customer service at waffle Now that's not known 145 00:07:00,000 --> 00:07:01,880 Speaker 1: at the old wiffle houses and he had his hands 146 00:07:01,920 --> 00:07:03,400 Speaker 1: up at first when the cop first pulled him out, 147 00:07:03,400 --> 00:07:04,839 Speaker 1: he had his hands up. The cop grabbed him by 148 00:07:04,880 --> 00:07:07,200 Speaker 1: his neck and throw the planned him against the glass 149 00:07:07,200 --> 00:07:09,560 Speaker 1: really hard, just banged his head against the glass. Now, 150 00:07:09,560 --> 00:07:11,400 Speaker 1: he says that he was pretty much trying to scream 151 00:07:11,480 --> 00:07:14,480 Speaker 1: for air and trying to breathe because he was holding 152 00:07:14,520 --> 00:07:16,920 Speaker 1: my throat and that's when I got aggressive with him, 153 00:07:16,960 --> 00:07:19,600 Speaker 1: because you are choking me. He also said he wasn't 154 00:07:19,640 --> 00:07:22,760 Speaker 1: fighting the officer because his arms were in the air listening. 155 00:07:22,760 --> 00:07:24,240 Speaker 1: At the end of the day, it's nothing. You might 156 00:07:24,280 --> 00:07:25,760 Speaker 1: have to fight officers back, you know why, because you 157 00:07:25,760 --> 00:07:27,560 Speaker 1: feel like you're fighting for your life, right because you 158 00:07:27,640 --> 00:07:29,200 Speaker 1: once they start putting you in choke holds and all 159 00:07:29,280 --> 00:07:33,120 Speaker 1: kind of exactly start thinking about all of people who 160 00:07:33,160 --> 00:07:35,120 Speaker 1: have been choked out. You won't fight back for your life. 161 00:07:35,160 --> 00:07:37,400 Speaker 1: That's the vibal instant. It's reaction. And let's not forget 162 00:07:37,440 --> 00:07:41,080 Speaker 1: what happened to Taquisa Clemens when she was at waffle house. Also, 163 00:07:41,240 --> 00:07:44,240 Speaker 1: remember you guys saw that video where they had her 164 00:07:44,320 --> 00:07:47,200 Speaker 1: on the ground and then he was basically choking on 165 00:07:47,280 --> 00:07:49,800 Speaker 1: her and her top was slipping off and she was 166 00:07:49,840 --> 00:07:52,000 Speaker 1: trying to cover her self up, and he told her 167 00:07:52,040 --> 00:07:55,000 Speaker 1: that he would break her arm. All these police officers 168 00:07:55,040 --> 00:07:56,720 Speaker 1: are asking too much of human beings. And the reason 169 00:07:56,760 --> 00:07:58,680 Speaker 1: they're asking too much of human beings, it's gonna come 170 00:07:58,720 --> 00:08:00,800 Speaker 1: a point in time when human being survival and things 171 00:08:00,800 --> 00:08:02,800 Speaker 1: are gonna kick in and it's gonna be fight or flight, 172 00:08:02,920 --> 00:08:05,200 Speaker 1: you know, Okay, when we start back, when they start 173 00:08:05,240 --> 00:08:07,560 Speaker 1: fighting back, yelling nobody to blame but yourself, it's just 174 00:08:07,600 --> 00:08:09,440 Speaker 1: not a fair fight because they have guns, they have 175 00:08:09,560 --> 00:08:12,360 Speaker 1: backup officers. But I don't want anybody to get killed. 176 00:08:12,360 --> 00:08:13,960 Speaker 1: You almost gott And I was thinking about this, and 177 00:08:14,000 --> 00:08:16,000 Speaker 1: I do this with my son. Now, I work out 178 00:08:16,080 --> 00:08:17,840 Speaker 1: with my son. But we all have to make sure 179 00:08:18,040 --> 00:08:20,480 Speaker 1: we are fit because the way the way that cop 180 00:08:20,560 --> 00:08:22,760 Speaker 1: man handled that young man that shouldn't happened like that. 181 00:08:22,840 --> 00:08:24,360 Speaker 1: He was choking the shout of him, and what happens 182 00:08:24,360 --> 00:08:26,880 Speaker 1: to a young lady like you did to Jakissa Clements. 183 00:08:26,920 --> 00:08:28,480 Speaker 1: You're right, we gotta start working out and getting out 184 00:08:28,480 --> 00:08:30,480 Speaker 1: bodies right and being just as strong so you're not 185 00:08:30,480 --> 00:08:32,520 Speaker 1: gonna be throwing us around like you're abusing your power. 186 00:08:32,960 --> 00:08:35,120 Speaker 1: It is only a matter of time before people start 187 00:08:35,160 --> 00:08:37,160 Speaker 1: fighting back and clapping back, and you don't got nobody 188 00:08:37,160 --> 00:08:38,600 Speaker 1: to blame. And by the way, there was a second 189 00:08:38,600 --> 00:08:40,679 Speaker 1: police officer involved in this as well, so it's just 190 00:08:40,760 --> 00:08:44,160 Speaker 1: a I But I do believe the waffle House needs 191 00:08:44,160 --> 00:08:46,560 Speaker 1: to actually speak up because they haven't said anything. And 192 00:08:46,600 --> 00:08:49,320 Speaker 1: this is happening at waffle houses and people really go 193 00:08:49,400 --> 00:08:51,480 Speaker 1: to waffle House all the time. Or the patty mill 194 00:08:51,559 --> 00:08:53,360 Speaker 1: played at huddle House is way better than the one 195 00:08:53,360 --> 00:08:56,120 Speaker 1: at Everybody want to boycott Starbucks, but you guys should 196 00:08:56,160 --> 00:08:58,559 Speaker 1: be also boycotting waffle House. Right now, I'm trying to 197 00:08:58,559 --> 00:09:00,000 Speaker 1: figure out when they're going to get an All Stars 198 00:09:00,000 --> 00:09:02,760 Speaker 1: special becomes so dangerous. I've always liked her the house better, 199 00:09:02,760 --> 00:09:04,120 Speaker 1: by the way, because I grew up in Monk's Corner, 200 00:09:04,160 --> 00:09:05,800 Speaker 1: South Carolina. We got a hut of a a house, wifouse. 201 00:09:05,800 --> 00:09:07,079 Speaker 1: You always to go to the hout of house. But y'all, 202 00:09:07,080 --> 00:09:08,199 Speaker 1: I don't need to be going to a a wiffle house 203 00:09:08,200 --> 00:09:09,760 Speaker 1: at all. Right now, ain't no played way better? We 204 00:09:09,760 --> 00:09:11,600 Speaker 1: ain't got wiffle house. A hut of house, yes, y'all 205 00:09:11,600 --> 00:09:13,480 Speaker 1: do it is a hut of house in Jersey? Now? Yes? 206 00:09:13,520 --> 00:09:16,319 Speaker 1: It is right off Exit thirteen in Jersey. Okay, I 207 00:09:16,400 --> 00:09:18,360 Speaker 1: see the sign all but if you're outraged when you've 208 00:09:18,360 --> 00:09:20,360 Speaker 1: seen either one of these videos, then you need to 209 00:09:20,440 --> 00:09:24,319 Speaker 1: actually make sure that Wilfa house they need some training 210 00:09:24,840 --> 00:09:26,960 Speaker 1: in their facilities. It's not hard not to go to 211 00:09:27,000 --> 00:09:28,520 Speaker 1: a Wilfer house, you know what I mean? You know 212 00:09:28,559 --> 00:09:30,720 Speaker 1: what I'm saying. Unless you're out three o'clock, four o'clock 213 00:09:30,720 --> 00:09:33,280 Speaker 1: in the morning, the people are well, stay your ass home, 214 00:09:33,480 --> 00:09:36,120 Speaker 1: all right, the last front page news. Get it off 215 00:09:36,160 --> 00:09:38,120 Speaker 1: your chess eight on drip five eight five one on 216 00:09:38,200 --> 00:09:39,920 Speaker 1: five one. If you're upsets, you need to vent hit 217 00:09:40,000 --> 00:09:43,200 Speaker 1: us up right now. Maybe had a bad night, bad morning, 218 00:09:43,240 --> 00:09:44,800 Speaker 1: whatever it may be. Get it off few chess is 219 00:09:44,840 --> 00:09:50,640 Speaker 1: to breakfast club the morning, the breakfast club. This is 220 00:09:50,679 --> 00:09:52,559 Speaker 1: your time to get it off your chest. Your man, 221 00:09:54,840 --> 00:09:57,120 Speaker 1: get from you on the breakfast club. You got something 222 00:09:57,240 --> 00:10:02,880 Speaker 1: on your mom? Hello? Who's this without this track? North Carolina? Trade? 223 00:10:02,880 --> 00:10:06,920 Speaker 1: What up? Man? Get it off he bro ec hey, Man, 224 00:10:06,920 --> 00:10:10,800 Speaker 1: They lynching dudes in Oklahoma. That was mentioning two thousand 225 00:10:10,800 --> 00:10:12,720 Speaker 1: and eight things I saw that, man. They didn't just 226 00:10:12,800 --> 00:10:14,880 Speaker 1: lynch them, they dismember them and through their body parts 227 00:10:14,880 --> 00:10:17,760 Speaker 1: in the river. Right what so? Okay, I'm I'm a 228 00:10:17,800 --> 00:10:20,680 Speaker 1: convicted felon. You know, I'm approbation not coach carry weapon. 229 00:10:20,840 --> 00:10:23,040 Speaker 1: But at this point, if they lynching people, is it 230 00:10:23,160 --> 00:10:25,520 Speaker 1: really better to get caught with it or without it? 231 00:10:25,600 --> 00:10:27,800 Speaker 1: At this point to protect yourself and your family, My brother, 232 00:10:27,840 --> 00:10:30,000 Speaker 1: you and North Carolina, you can get a concealed weapons permitt. 233 00:10:30,040 --> 00:10:31,480 Speaker 1: Come on, now, you're from the Carolinas. You know you 234 00:10:31,480 --> 00:10:33,520 Speaker 1: can't get some permit to carry your gun even as 235 00:10:33,520 --> 00:10:37,040 Speaker 1: a convicted for life? How long ago you convicted? Papers you? Okay? 236 00:10:37,120 --> 00:10:40,360 Speaker 1: No money to me? So I don't know what happened. 237 00:10:40,440 --> 00:10:42,840 Speaker 1: Black men lynched? Yeah I would I'm for real. I 238 00:10:42,840 --> 00:10:44,520 Speaker 1: would like some more information on it too. If y'all 239 00:10:44,559 --> 00:10:46,760 Speaker 1: find out, you know more, we start getting the thing out. 240 00:10:46,760 --> 00:10:48,320 Speaker 1: They try to figure out they lynching people, and they 241 00:10:48,400 --> 00:10:50,760 Speaker 1: talk about making America great again. That ain't great, bro. Yeah, 242 00:10:50,800 --> 00:10:53,400 Speaker 1: I saw the I saw the article circulating on SO 243 00:10:53,880 --> 00:10:57,120 Speaker 1: saying it was a murder and dismemberment of two African 244 00:10:57,160 --> 00:11:00,920 Speaker 1: American men over a gun sale gone wrong, Gerald Marland 245 00:11:00,920 --> 00:11:03,280 Speaker 1: and ramand Smith. I haven't read the story though, so 246 00:11:03,320 --> 00:11:06,439 Speaker 1: I really don't know the all right, thanks for saying 247 00:11:06,440 --> 00:11:08,079 Speaker 1: like and I want to say my mom won't heir happy? 248 00:11:08,120 --> 00:11:10,640 Speaker 1: Mother's Day. Every day is Mother's Day. Dian Michelle stem 249 00:11:10,679 --> 00:11:12,920 Speaker 1: from Dawnson, Dark Carolina. I love you, MoMA, I love 250 00:11:13,000 --> 00:11:16,200 Speaker 1: I love your mama too. Bro Right, Hello, who's this? Hey? 251 00:11:16,240 --> 00:11:18,640 Speaker 1: What that man? Man? What's up? Broke? Get it off 252 00:11:18,679 --> 00:11:23,600 Speaker 1: her chest? What's going on? Y'all? To the police? Brutality? Man, 253 00:11:23,920 --> 00:11:26,200 Speaker 1: It had never happened to me, But there was one 254 00:11:26,240 --> 00:11:29,079 Speaker 1: time where there was two offices, two white officers. They 255 00:11:29,120 --> 00:11:31,920 Speaker 1: pulled me over and like a dark alley. So they 256 00:11:31,920 --> 00:11:34,800 Speaker 1: asked me for my license, you know, my registration. So 257 00:11:34,840 --> 00:11:36,520 Speaker 1: I asked them, like, you know, can I go to 258 00:11:36,559 --> 00:11:38,280 Speaker 1: my grove department because I don't know what they was 259 00:11:38,320 --> 00:11:40,120 Speaker 1: going through. And they was like, you know why we 260 00:11:40,240 --> 00:11:42,280 Speaker 1: pulled you over. I'm like nah. They was like, oh, 261 00:11:42,320 --> 00:11:45,000 Speaker 1: because you made a turn. I'm like what, I'm like 262 00:11:45,040 --> 00:11:47,040 Speaker 1: all right, cool? And then they gave me back my 263 00:11:47,080 --> 00:11:49,280 Speaker 1: life of registration. I just took off though I don't 264 00:11:49,320 --> 00:11:51,600 Speaker 1: give them no no leaveway, like, I don't give him 265 00:11:51,679 --> 00:11:53,839 Speaker 1: nothing there, you know, yeah, I mean listen, man, And 266 00:11:53,960 --> 00:11:56,120 Speaker 1: my anxiety kicks in. Whenever the police get behind me, 267 00:11:56,280 --> 00:11:58,439 Speaker 1: please get behind me. Down days I pull over on 268 00:11:58,520 --> 00:12:00,400 Speaker 1: the side of the road, I'll pull over the stall. 269 00:12:00,760 --> 00:12:02,400 Speaker 1: I don't want to even I don't want to interact 270 00:12:02,440 --> 00:12:04,360 Speaker 1: with him. And you know what, in front page News 271 00:12:04,400 --> 00:12:06,960 Speaker 1: I had a whole another story about a Kentucky police detective. 272 00:12:07,000 --> 00:12:09,559 Speaker 1: A woman went to go report a rate she was 273 00:12:09,600 --> 00:12:13,600 Speaker 1: sexually assaulted, and you know what happened. That Kentucky police 274 00:12:13,640 --> 00:12:16,800 Speaker 1: detective allegedly offered to drive her home and then he 275 00:12:17,000 --> 00:12:20,200 Speaker 1: ended up raping her again. Oh my goodness, Wow, Wow, 276 00:12:20,520 --> 00:12:23,560 Speaker 1: my goodness. Well a good lord, these young boys. Man, 277 00:12:23,679 --> 00:12:25,679 Speaker 1: just be careful out here, man. I mean, that's the 278 00:12:25,720 --> 00:12:27,400 Speaker 1: only thing my dad used to say. Just make sure 279 00:12:27,440 --> 00:12:29,400 Speaker 1: you get home. Man. You can't do nothing when you're 280 00:12:29,440 --> 00:12:31,040 Speaker 1: locked up a dad, just make sure you get home. 281 00:12:31,200 --> 00:12:33,480 Speaker 1: So you're saying that we need to fight back or 282 00:12:33,520 --> 00:12:34,920 Speaker 1: you need to make sure you get home, because those 283 00:12:34,960 --> 00:12:36,600 Speaker 1: are going to be I want to, I mean, make 284 00:12:36,640 --> 00:12:37,920 Speaker 1: sure you get home. What you gotta make sure you 285 00:12:38,040 --> 00:12:39,120 Speaker 1: live in you know what I mean? If they if 286 00:12:39,440 --> 00:12:41,760 Speaker 1: you can't just choke somebody like that asking too much 287 00:12:41,800 --> 00:12:43,559 Speaker 1: about Yeah, if you watch that video with a brother 288 00:12:43,679 --> 00:12:45,880 Speaker 1: named Anthony, he got threw up against that window and 289 00:12:45,920 --> 00:12:48,520 Speaker 1: the guy the cop put his on run his neck. Immediately, 290 00:12:48,600 --> 00:12:51,200 Speaker 1: his instinct was to fight back. Was going to happen. 291 00:12:51,280 --> 00:12:54,000 Speaker 1: And the whole thing is that he wasn't even nothing 292 00:12:54,120 --> 00:12:55,920 Speaker 1: violent was happening inside of a wiffle house. It's a 293 00:12:56,000 --> 00:12:58,560 Speaker 1: disagreement of a customer service, right, That's not a reason 294 00:12:58,640 --> 00:13:02,480 Speaker 1: for you to be slammed up choking. But I will 295 00:13:02,480 --> 00:13:04,679 Speaker 1: say a young boy, don't expect customer service at Waffa. 296 00:13:04,800 --> 00:13:07,040 Speaker 1: Come on, man, come expect customer service anywhere. You're not 297 00:13:07,280 --> 00:13:09,160 Speaker 1: that Waffa. Yes, all I wanted them to do with 298 00:13:09,200 --> 00:13:12,160 Speaker 1: wear gloves, but they don't even do that. Eight hundred 299 00:13:12,240 --> 00:13:14,360 Speaker 1: five A five one oh five one is the breakfast club. 300 00:13:14,400 --> 00:13:19,600 Speaker 1: God morning, the breakfast club. Pick up the mother mother 301 00:13:19,679 --> 00:13:22,000 Speaker 1: phone and down. This is your time to get it 302 00:13:22,040 --> 00:13:26,080 Speaker 1: off your chat. Whether you're man, we want to hear 303 00:13:26,120 --> 00:13:27,679 Speaker 1: from you on the breakfast club, so we better have 304 00:13:27,760 --> 00:13:31,160 Speaker 1: the same energy. Hello, who's this? This is a time 305 00:13:31,240 --> 00:13:33,280 Speaker 1: from long burn off Carolina. Time come on to get 306 00:13:33,280 --> 00:13:35,640 Speaker 1: it off fat chess bro. First office is about that 307 00:13:35,800 --> 00:13:39,040 Speaker 1: video about the teenage that uh we twenty two year 308 00:13:39,040 --> 00:13:42,160 Speaker 1: old guy at the way yep, yep, all right, cool man. 309 00:13:42,240 --> 00:13:44,760 Speaker 1: First thing first, I want to say, uh, that's not 310 00:13:44,960 --> 00:13:46,559 Speaker 1: I can't keep happening like this man, You know I 311 00:13:46,640 --> 00:13:48,800 Speaker 1: lost my brother back in twenty thirteen. A boy, it 312 00:13:48,840 --> 00:13:51,640 Speaker 1: has a police officer back in favor on North Carolina 313 00:13:51,720 --> 00:13:52,920 Speaker 1: or whatever. You know what I'm saying. He didn't have 314 00:13:52,920 --> 00:13:54,319 Speaker 1: a chance to fight for his life. You know what 315 00:13:54,320 --> 00:13:56,079 Speaker 1: I'm saying. It was just a straight three shots to 316 00:13:56,120 --> 00:13:58,520 Speaker 1: the chest and he dropped bed. So you know, we 317 00:13:58,600 --> 00:14:00,920 Speaker 1: can't keep having it going on. Man like this got 318 00:14:00,960 --> 00:14:03,160 Speaker 1: this guy to stop. Now, Brothers, now, I agree with you. Man. 319 00:14:03,200 --> 00:14:05,200 Speaker 1: Plus they I'm telling you, they're asking too much of us. 320 00:14:05,240 --> 00:14:08,480 Speaker 1: His human beings, our natural instincts are gonna kick, We're 321 00:14:08,480 --> 00:14:10,800 Speaker 1: gonna start fighting back. It's this is just ridiculous at 322 00:14:10,840 --> 00:14:14,080 Speaker 1: this point. Hello, who's this? Hey, Peace and budsons guys. 323 00:14:14,160 --> 00:14:17,840 Speaker 1: Good morning, pot guy. What's up that? I'm good man? Hey, 324 00:14:17,960 --> 00:14:19,960 Speaker 1: Charlot man, you ain't gonna talk with me today? What's 325 00:14:20,040 --> 00:14:23,360 Speaker 1: up my guy? How you? Hey? Eavy? I'm good. Heavy. 326 00:14:23,360 --> 00:14:25,240 Speaker 1: I was listening in a while ago as a garbage 327 00:14:25,240 --> 00:14:28,040 Speaker 1: truck driver, right, I was listening that you're on't show 328 00:14:28,160 --> 00:14:30,120 Speaker 1: the respect to the garbage sever I just say the 329 00:14:30,200 --> 00:14:31,960 Speaker 1: hold up, I said this morning, I was dipping in 330 00:14:32,040 --> 00:14:33,480 Speaker 1: and out. I said, I respect you guys. That's why 331 00:14:33,480 --> 00:14:35,400 Speaker 1: I apologized for dipping in and out. You're listening to 332 00:14:35,480 --> 00:14:38,880 Speaker 1: what I'm saying. Yeah, I am alright. Listen when you 333 00:14:39,000 --> 00:14:41,200 Speaker 1: when you're going around the garbage shrup try to go 334 00:14:41,520 --> 00:14:44,160 Speaker 1: nice and easy because sometimes the people that work on 335 00:14:44,280 --> 00:14:47,000 Speaker 1: the bat sometimes they walking in front of the garbage truck, 336 00:14:47,080 --> 00:14:48,920 Speaker 1: you know what I mean. I've seen incident where people 337 00:14:48,920 --> 00:14:51,400 Speaker 1: are going so fast past the garbage truck that they 338 00:14:51,480 --> 00:14:53,360 Speaker 1: almost hit one of the guys on the back, you 339 00:14:53,400 --> 00:14:55,680 Speaker 1: know what I mean. Yeah, and they're trying to get around, 340 00:14:55,960 --> 00:14:58,840 Speaker 1: and they're not expecting a holes like dj Envy to 341 00:14:58,920 --> 00:15:01,880 Speaker 1: be trying to drive aroun They blocked the streets sometimes 342 00:15:01,920 --> 00:15:03,640 Speaker 1: they know people around and I had to get around. 343 00:15:03,640 --> 00:15:04,760 Speaker 1: I had to get the work. It was either get 344 00:15:04,800 --> 00:15:07,360 Speaker 1: the work late. Sometime we have to block off the 345 00:15:07,440 --> 00:15:09,840 Speaker 1: street because you know, we're trying to get the garbage 346 00:15:10,160 --> 00:15:12,840 Speaker 1: in a timely manner and sometimes people part their cart 347 00:15:12,880 --> 00:15:15,200 Speaker 1: in front of the garbage that we can't even get it. 348 00:15:15,280 --> 00:15:17,720 Speaker 1: So we have to do the type of maneuver just 349 00:15:17,840 --> 00:15:19,720 Speaker 1: to protect the guys that's on the back, you know 350 00:15:19,760 --> 00:15:21,800 Speaker 1: what I mean. Yeah, I need to be safe, man, 351 00:15:21,800 --> 00:15:24,520 Speaker 1: because I love you guys. Man, We love you back brother. Yeah, 352 00:15:24,600 --> 00:15:26,840 Speaker 1: Peace and blessings. So if you don't do anything different 353 00:15:26,880 --> 00:15:28,760 Speaker 1: now when you're driving around the garbage, you actually go 354 00:15:28,920 --> 00:15:29,920 Speaker 1: to that. I was late, I was going to have 355 00:15:30,000 --> 00:15:33,280 Speaker 1: to get the work. Hello, who's this? Amya, amya, good morning, 356 00:15:33,280 --> 00:15:36,360 Speaker 1: to get it off your chest. I just don't like 357 00:15:36,600 --> 00:15:40,440 Speaker 1: how Charlotte Man was being ignorant about the situation. What's 358 00:15:40,480 --> 00:15:43,080 Speaker 1: the kid from the Wiffle House. I would imagine if 359 00:15:43,120 --> 00:15:45,880 Speaker 1: it was his daughter being assaulted by that police, of 360 00:15:46,360 --> 00:15:48,560 Speaker 1: which we have told your child not to go to 361 00:15:48,560 --> 00:15:50,840 Speaker 1: the walf House. Yes, I would tell my child not 362 00:15:50,920 --> 00:15:52,640 Speaker 1: to go to Wafferhouse. No more. What are you talking about? 363 00:15:52,720 --> 00:15:55,040 Speaker 1: Ain't that the whole point? Are we boycotting Wafflehouse? No, 364 00:15:55,160 --> 00:15:57,640 Speaker 1: we need to be so to be ignorant about it 365 00:15:57,720 --> 00:16:00,200 Speaker 1: though if that was your child, seriously, what are you 366 00:16:00,320 --> 00:16:02,480 Speaker 1: talking about? What? How was like ignorant when I specifically saying, 367 00:16:02,520 --> 00:16:04,880 Speaker 1: these cops are asking too much for us and when 368 00:16:04,920 --> 00:16:08,280 Speaker 1: we start fighting back, it's gonna be an issue. You're saying, 369 00:16:08,480 --> 00:16:10,600 Speaker 1: don't go to waffle House? Why not? He just took 370 00:16:10,640 --> 00:16:13,800 Speaker 1: a sistem from from I bet she was home. Why not? 371 00:16:14,160 --> 00:16:15,960 Speaker 1: What do you someone? You know this is not the 372 00:16:16,040 --> 00:16:18,560 Speaker 1: first incident at waffle house, right, And I didn't say 373 00:16:18,560 --> 00:16:20,480 Speaker 1: that little boy shouldn't go in to waffle house. I said, 374 00:16:20,480 --> 00:16:22,440 Speaker 1: don't go to wiff house and expect good customer service. 375 00:16:22,520 --> 00:16:24,920 Speaker 1: Waffle House customer services trash, which is you had another 376 00:16:24,960 --> 00:16:27,880 Speaker 1: reason not to go. Won't you expect the customer You 377 00:16:27,960 --> 00:16:31,160 Speaker 1: go anywhere and expect the customer service because waffle houses, 378 00:16:31,200 --> 00:16:33,360 Speaker 1: waffle House, they don't even wash their hands when they 379 00:16:33,440 --> 00:16:35,920 Speaker 1: cooking your food. They don't wear gloves when they cooking 380 00:16:35,960 --> 00:16:38,000 Speaker 1: your foods. What are you talking about this waffle House? 381 00:16:38,160 --> 00:16:39,680 Speaker 1: When have you ever gone to woff house and got 382 00:16:39,720 --> 00:16:42,840 Speaker 1: great customer service? Seriously all the time. No, you have it? Well, 383 00:16:42,920 --> 00:16:45,840 Speaker 1: thank you for calling mama. Get it off your chest. 384 00:16:45,920 --> 00:16:48,040 Speaker 1: Eight hundred five eight five one on five one. If 385 00:16:48,040 --> 00:16:49,280 Speaker 1: you need to vent, you can hit this up at 386 00:16:49,280 --> 00:16:51,800 Speaker 1: any time. Now you've got rumors on the way. Oh well, yeah, 387 00:16:51,880 --> 00:16:53,880 Speaker 1: this is a crazy story. But we are gonna talk 388 00:16:53,920 --> 00:16:57,080 Speaker 1: about detail. A producer who's working with people like Drake, 389 00:16:57,120 --> 00:17:00,960 Speaker 1: with Khalifa, Beyonce, jay z is being acute physically and 390 00:17:01,120 --> 00:17:03,960 Speaker 1: sexually abusing up and coming female artists, will tell you 391 00:17:04,000 --> 00:17:05,720 Speaker 1: what they had to say. All right, we'll get into 392 00:17:05,720 --> 00:17:07,320 Speaker 1: all that when we come back keep it locked as 393 00:17:07,320 --> 00:17:12,720 Speaker 1: the Breakfast Club. Good morning, the Breakfast Club, all right morning. 394 00:17:12,760 --> 00:17:16,520 Speaker 1: Everybody is DJ Envy and angeluyis Charlomagne. Got what I 395 00:17:16,560 --> 00:17:18,280 Speaker 1: ain't go live in? He hit Google and huddle House 396 00:17:18,400 --> 00:17:21,119 Speaker 1: because you know, I grew up on huddle House. Right now, 397 00:17:21,160 --> 00:17:24,480 Speaker 1: I'm hungry as yeah, because we can't go to waffle House. 398 00:17:24,520 --> 00:17:26,359 Speaker 1: So the only I grew up with one in mont 399 00:17:26,400 --> 00:17:27,639 Speaker 1: Corner side and line up. But then I saw they 400 00:17:27,680 --> 00:17:29,080 Speaker 1: got one in New A, New Jersey, and I'm damn 401 00:17:29,080 --> 00:17:31,960 Speaker 1: what how the house will be franchising, But now I'm starving. 402 00:17:32,160 --> 00:17:34,680 Speaker 1: They hunger? Yes, all right, well, let's get to the rumors. 403 00:17:34,760 --> 00:17:39,240 Speaker 1: Let's talk detail producer. This is the rule of report 404 00:17:39,720 --> 00:17:49,399 Speaker 1: with angela Ye Breakfast Club. Now, these allegations are horrific. Detail. 405 00:17:49,400 --> 00:17:51,720 Speaker 1: Who's a music producer. He actually co wrote and produced 406 00:17:51,760 --> 00:17:54,679 Speaker 1: Little Wayne's single how to Love. He also did Drunken 407 00:17:54,760 --> 00:17:57,800 Speaker 1: Love for Beyonce with the Boys for with Khalifa, worked 408 00:17:57,840 --> 00:18:00,200 Speaker 1: at a lot of different artists and he's now being 409 00:18:00,200 --> 00:18:03,760 Speaker 1: accused of raping and abusing two female artists. One of 410 00:18:03,840 --> 00:18:06,639 Speaker 1: them is a singer. Her name is Christina Buck and 411 00:18:06,800 --> 00:18:09,200 Speaker 1: she says that he raped her back in February after 412 00:18:09,280 --> 00:18:11,760 Speaker 1: a recording session in Miami and forced her to have 413 00:18:11,880 --> 00:18:14,000 Speaker 1: sex with him in front of other people. He got 414 00:18:14,119 --> 00:18:16,320 Speaker 1: violent last week while they were at the Malibu Beach 415 00:18:16,359 --> 00:18:18,560 Speaker 1: in and she says he forcibly grabbed her by the hair, 416 00:18:19,000 --> 00:18:21,480 Speaker 1: hit and choked her, bit her lip during it, and 417 00:18:21,760 --> 00:18:23,520 Speaker 1: she was left for bruises on her arms, head, back 418 00:18:23,560 --> 00:18:26,560 Speaker 1: and legs. Then, a second artist named Peyton Acclee says 419 00:18:26,600 --> 00:18:29,800 Speaker 1: that he made her and Christina his sex slaves and 420 00:18:30,000 --> 00:18:32,040 Speaker 1: she considered him a mentor in the industry, but he 421 00:18:32,119 --> 00:18:35,360 Speaker 1: told her the business was all about sex. Now, according 422 00:18:35,440 --> 00:18:39,280 Speaker 1: to these documents, he walked in on Peyton taken a 423 00:18:39,359 --> 00:18:40,880 Speaker 1: bath and forced to have sex with him in front 424 00:18:40,880 --> 00:18:43,639 Speaker 1: of another producer, and forced her to take nude photos 425 00:18:43,720 --> 00:18:46,679 Speaker 1: while he masturbated, and also forced her to record him 426 00:18:46,720 --> 00:18:49,880 Speaker 1: having sex with Christina. She also says that he got 427 00:18:50,000 --> 00:18:52,800 Speaker 1: violent and slammed her head into a wall and dragged 428 00:18:52,840 --> 00:18:55,240 Speaker 1: her up a flight of stairs. Now, according to TMZ, 429 00:18:55,680 --> 00:18:59,119 Speaker 1: these women did request restraining orders and the judge did 430 00:18:59,200 --> 00:19:02,159 Speaker 1: grant them. Details of this detail case are crazy now. 431 00:19:02,240 --> 00:19:05,320 Speaker 1: Bb rex up posted glad these women came out. It's scary. 432 00:19:05,400 --> 00:19:07,560 Speaker 1: He tried to with me but I literally ran out 433 00:19:07,600 --> 00:19:11,879 Speaker 1: of that studio. Karmen is a bitch. Singer Jesse Reyes 434 00:19:11,960 --> 00:19:14,600 Speaker 1: talks about one night over sixty years ago where he 435 00:19:14,720 --> 00:19:17,600 Speaker 1: tried that on her as well. Antie also says that 436 00:19:17,680 --> 00:19:21,200 Speaker 1: the song that she has about a gatekeeper is actually 437 00:19:21,400 --> 00:19:25,119 Speaker 1: about detail. Check it out. Oh I'm the gatekeeper. Spread 438 00:19:25,160 --> 00:19:28,119 Speaker 1: your legs open up. You could be famous if you 439 00:19:28,320 --> 00:19:32,080 Speaker 1: come up anywhere else Sally racing, drink up its. We 440 00:19:32,320 --> 00:19:35,520 Speaker 1: got champagne by the cases, don't you know? Don't you know? 441 00:19:35,960 --> 00:19:39,159 Speaker 1: We are the gatekeeper. Spread your legs open up, you 442 00:19:39,320 --> 00:19:42,760 Speaker 1: could be famous. You'll know where holding it dreams at 443 00:19:42,800 --> 00:19:49,760 Speaker 1: you're chasing. You'll know you're supposed to get un million 444 00:19:50,119 --> 00:19:53,240 Speaker 1: tallist in a car. Girl, tell your health if you 445 00:19:53,359 --> 00:19:56,879 Speaker 1: want to fisst Off yikes. Well, anybody who calls himself 446 00:19:56,880 --> 00:19:59,240 Speaker 1: a gatekeeper is trash because you're not God. I don't 447 00:19:59,240 --> 00:20:01,119 Speaker 1: know why to do act their God and like they 448 00:20:01,160 --> 00:20:03,960 Speaker 1: can grant blessings now. Jesse Ray's posted fear is a 449 00:20:04,080 --> 00:20:06,520 Speaker 1: real thing. The girls that came out are brave as hell. 450 00:20:06,640 --> 00:20:08,119 Speaker 1: She said, I didn't know what to say or who 451 00:20:08,200 --> 00:20:10,840 Speaker 1: to tell here somewhere from her song, Oh I'm the 452 00:20:10,920 --> 00:20:15,200 Speaker 1: gate keep bush, spread your you could be famous. Wait 453 00:20:15,280 --> 00:20:18,160 Speaker 1: till five years down the road and your failing keeping 454 00:20:18,480 --> 00:20:22,080 Speaker 1: Cofi's regular dudes that are names, don't you know? Don't 455 00:20:22,119 --> 00:20:24,879 Speaker 1: you know that we got the gate keepers? Spread your 456 00:20:24,960 --> 00:20:28,680 Speaker 1: lisping up? You could be famous? Girl on your knees. 457 00:20:28,720 --> 00:20:32,080 Speaker 1: Don't you know what your places got? Cold on? My girl? 458 00:20:32,160 --> 00:20:34,600 Speaker 1: Don't you want to taste? The best thing about the 459 00:20:34,640 --> 00:20:37,240 Speaker 1: industry now is then there are no gates, by the way, 460 00:20:37,520 --> 00:20:40,359 Speaker 1: and then on the side, no, Jesse is dope, She's dope. 461 00:20:40,520 --> 00:20:41,920 Speaker 1: I never heard of this. I never heard it to 462 00:20:42,000 --> 00:20:43,600 Speaker 1: this now, but just what I just heard, she sounds. 463 00:20:43,880 --> 00:20:45,600 Speaker 1: And people always ask how has this been going on? 464 00:20:45,680 --> 00:20:47,679 Speaker 1: For Solon? Because she was talking about an incident over 465 00:20:47,760 --> 00:20:50,439 Speaker 1: six years ago, and like she said, she was scared. 466 00:20:50,760 --> 00:20:52,800 Speaker 1: And so it took for these two women coming forward, 467 00:20:52,880 --> 00:20:55,000 Speaker 1: for other people to feel brave enough to come forward 468 00:20:55,040 --> 00:20:57,080 Speaker 1: and tell their stories as well. Listen, I've never seen 469 00:20:57,160 --> 00:20:58,920 Speaker 1: detail of day in my life, but when I saw 470 00:20:59,000 --> 00:21:00,959 Speaker 1: him yesterday, I will say pictures I was looking at. 471 00:21:01,119 --> 00:21:03,040 Speaker 1: He's got a rape his face, and you know he 472 00:21:03,240 --> 00:21:05,680 Speaker 1: recently also had a lawsuit against Drake saying that his 473 00:21:05,800 --> 00:21:09,320 Speaker 1: security beat him up. If you guys remember that. Yeah, 474 00:21:09,320 --> 00:21:12,280 Speaker 1: they broke his jaw. He's got some really rape features, 475 00:21:12,480 --> 00:21:14,399 Speaker 1: like with the shades on and the big black hatters, like, 476 00:21:14,440 --> 00:21:16,240 Speaker 1: bro what you up to? He looks like a little 477 00:21:16,240 --> 00:21:20,480 Speaker 1: shifty rape Still your poom poom looking individual, don'tly good? Well? 478 00:21:20,520 --> 00:21:23,040 Speaker 1: I commend these women for coming forward and having the 479 00:21:23,119 --> 00:21:25,040 Speaker 1: strength to tell their story. The first picture look a 480 00:21:25,080 --> 00:21:29,960 Speaker 1: little Still what happens to? Still? He's stupid? Image lay 481 00:21:30,040 --> 00:21:32,119 Speaker 1: and that is your rumor report. All right, thank you, 482 00:21:32,200 --> 00:21:35,119 Speaker 1: miss ye. Now when we come back, Hey, we have 483 00:21:35,200 --> 00:21:37,160 Speaker 1: a special guest with us. Yes, she has a movie 484 00:21:37,200 --> 00:21:38,800 Speaker 1: that comes out the day called Life for the Party, 485 00:21:39,040 --> 00:21:42,600 Speaker 1: Life of the Party. She's the second highest paid actress 486 00:21:42,640 --> 00:21:45,360 Speaker 1: in all of Hollywood. She's been in Bridesmaid, she's been 487 00:21:45,560 --> 00:21:48,560 Speaker 1: on S and now she's done the Female when they 488 00:21:48,640 --> 00:21:51,800 Speaker 1: relaunched The Female Ghosts Part two. Yeah, she's been a 489 00:21:51,840 --> 00:21:56,480 Speaker 1: female when they relaunched. When they relaunched, they relaunched on 490 00:21:56,560 --> 00:21:58,880 Speaker 1: your ass. You don't know what'll be coming out your mouth? Oh, 491 00:22:00,359 --> 00:22:02,760 Speaker 1: why are you flirting with me? This morning? Melissa McCarthey 492 00:22:02,760 --> 00:22:04,320 Speaker 1: will be here and we'll talk to when we come back, 493 00:22:04,359 --> 00:22:06,560 Speaker 1: So don't move. It's to Breakfast Club. Of the morning Morning. 494 00:22:06,600 --> 00:22:10,240 Speaker 1: Everybody is DJ Envy Angela yee charl I mean the 495 00:22:10,320 --> 00:22:13,159 Speaker 1: guy we all the breakfast clubby our special guests in 496 00:22:13,240 --> 00:22:16,480 Speaker 1: the building. Yep. You might know her from Bride'smaids or 497 00:22:16,600 --> 00:22:20,840 Speaker 1: Coachbusters or even on S n L. Melissa McCarthey, Hey, 498 00:22:22,000 --> 00:22:24,560 Speaker 1: get to the money McCarthy. Yeah you okay, she's worth 499 00:22:24,680 --> 00:22:28,800 Speaker 1: sixty million dollars your bird. Why are you one of 500 00:22:28,840 --> 00:22:31,919 Speaker 1: the top paid women in Hollywood? Okay, all right, if 501 00:22:32,000 --> 00:22:36,200 Speaker 1: you can locate where that money is that you can 502 00:22:36,280 --> 00:22:38,840 Speaker 1: just let me know with like a code or something. 503 00:22:39,080 --> 00:22:41,280 Speaker 1: The Celebrity Network confused you online. You go look at 504 00:22:41,280 --> 00:22:43,119 Speaker 1: you be like, where's that money? You say? I just 505 00:22:43,160 --> 00:22:45,560 Speaker 1: like a call from my mom. She's like, oh my god, 506 00:22:46,760 --> 00:22:49,320 Speaker 1: how is this possible. I'm like, it's not possible. That's 507 00:22:49,359 --> 00:22:51,200 Speaker 1: a that's the thing. But you are one of the 508 00:22:51,280 --> 00:22:53,960 Speaker 1: top paid women in Hollywood or it's it's kind of weird. 509 00:22:54,000 --> 00:22:56,119 Speaker 1: I mean, I don't I don't know who gets what, 510 00:22:56,400 --> 00:22:58,520 Speaker 1: but I'm just shocked every time I get I actually 511 00:22:58,560 --> 00:23:02,720 Speaker 1: get paid someone. Let's go to work. Okay. I figured 512 00:23:02,720 --> 00:23:03,840 Speaker 1: at the end of the day, they're gonna be like, 513 00:23:04,720 --> 00:23:08,840 Speaker 1: we figured it out. I'm always slightly waiting for somebody 514 00:23:08,880 --> 00:23:10,280 Speaker 1: be like, wait a minute, Wait a minute, wait a minute, 515 00:23:11,000 --> 00:23:13,520 Speaker 1: we're onto you take ahead. I always the one that 516 00:23:13,560 --> 00:23:14,879 Speaker 1: you know about the business though, because you know, in 517 00:23:14,960 --> 00:23:16,800 Speaker 1: this world with a gender wage gap is so real, 518 00:23:16,880 --> 00:23:20,280 Speaker 1: how you been able to get your break? I don't know. 519 00:23:20,480 --> 00:23:22,560 Speaker 1: I mean it's a weird. I mean I think it 520 00:23:22,640 --> 00:23:25,399 Speaker 1: just always fight for like what the project is, and 521 00:23:25,520 --> 00:23:28,200 Speaker 1: I've got you know, okay, could people fighting with me? 522 00:23:28,840 --> 00:23:30,359 Speaker 1: And I think it is. Finally when I was like 523 00:23:30,520 --> 00:23:32,800 Speaker 1: I will say no, I think that was the biggie, 524 00:23:33,359 --> 00:23:36,040 Speaker 1: which is always terrified, especially for somebody who couldn't get 525 00:23:36,080 --> 00:23:38,399 Speaker 1: work for twenty years. It's like when you're finally like 526 00:23:38,600 --> 00:23:41,679 Speaker 1: I'm gonna say no and walk away unless it seems 527 00:23:41,800 --> 00:23:44,680 Speaker 1: right and fair, which is you know, then you go 528 00:23:45,119 --> 00:23:47,080 Speaker 1: cry in your car when you get to that point, 529 00:23:47,440 --> 00:23:53,520 Speaker 1: which fills seriously, let me know where that is? Um No, 530 00:23:53,720 --> 00:23:55,639 Speaker 1: I mean I think pretty early on, I was like, 531 00:23:56,359 --> 00:23:58,119 Speaker 1: you know, it's it's a funny thing. It's like you 532 00:23:58,280 --> 00:24:01,040 Speaker 1: can't make a jump for I'm like almost nothing, And 533 00:24:01,080 --> 00:24:03,320 Speaker 1: I was always like, oh wait, when did you finally 534 00:24:03,400 --> 00:24:05,800 Speaker 1: make the jump that everybody you always hear about. I 535 00:24:05,840 --> 00:24:08,720 Speaker 1: finally was like, I'm just gonna wait it out. It 536 00:24:08,880 --> 00:24:10,920 Speaker 1: wasn't crazy, but I just wanted it to be fair 537 00:24:11,000 --> 00:24:14,520 Speaker 1: of like, well, what's everybody else on it? Making kind 538 00:24:14,520 --> 00:24:18,520 Speaker 1: of even it out? So it worked it off. So 539 00:24:18,640 --> 00:24:20,840 Speaker 1: what made you come to this show? This Rinky Dan show? 540 00:24:20,880 --> 00:24:24,960 Speaker 1: You know? We were yeow what made you come? Yeah? 541 00:24:24,960 --> 00:24:29,360 Speaker 1: Because nobody's listening you guys, keep it up some day 542 00:24:29,440 --> 00:24:34,720 Speaker 1: someone my tune in now? Yeah, yeah, right right, you 543 00:24:34,760 --> 00:24:36,640 Speaker 1: listen to the show. Yes, I listened to the show, 544 00:24:36,680 --> 00:24:39,240 Speaker 1: but like, star, does everybody else in the world? Come on? 545 00:24:40,200 --> 00:24:43,919 Speaker 1: Did you do it? Okay? We're doing Okay, we're not yet, 546 00:24:43,960 --> 00:24:48,960 Speaker 1: but we you know where it is. It was you're 547 00:24:49,040 --> 00:24:53,360 Speaker 1: my only link to it? Are you start? Right? I did? 548 00:24:53,480 --> 00:24:55,960 Speaker 1: Actually really yeah. I started doing stand up when I 549 00:24:56,000 --> 00:25:00,960 Speaker 1: came to New York and like just clueless, um, which 550 00:25:01,080 --> 00:25:03,439 Speaker 1: probably probably good because it's the only reason I got 551 00:25:03,520 --> 00:25:05,760 Speaker 1: up on stage. And somebody's like, oh, do stand up 552 00:25:05,800 --> 00:25:07,960 Speaker 1: tomorrow night, And I'm like, all right, that's it, Like 553 00:25:08,119 --> 00:25:10,680 Speaker 1: no prep, no no common sense about it. But I 554 00:25:10,760 --> 00:25:13,520 Speaker 1: was twenty and I was like I didn't think about like, oh, 555 00:25:13,600 --> 00:25:14,880 Speaker 1: what are you gonna write? What are you gonna say? 556 00:25:14,880 --> 00:25:17,720 Speaker 1: I just kind of jumped up on stage, which now 557 00:25:17,760 --> 00:25:19,840 Speaker 1: I'd be like, there's no way, I'd be too chicken. 558 00:25:19,960 --> 00:25:22,080 Speaker 1: But uh, what was your worst show doing stand up? 559 00:25:22,080 --> 00:25:25,320 Speaker 1: Since you didn't write anything? So so many it's also 560 00:25:25,400 --> 00:25:28,360 Speaker 1: like when there's a heckler, I didn't I didn't want 561 00:25:28,400 --> 00:25:30,960 Speaker 1: to do like a mean show. It just was not 562 00:25:31,080 --> 00:25:33,880 Speaker 1: because that can't be funny, but just because it wasn't 563 00:25:33,920 --> 00:25:36,760 Speaker 1: my thing. I was telling like long, weird stories and 564 00:25:37,840 --> 00:25:39,760 Speaker 1: and you know, especially when you're starting out you only 565 00:25:39,840 --> 00:25:43,400 Speaker 1: have like four minutes, somebody that's like took your chop off. 566 00:25:44,960 --> 00:25:51,000 Speaker 1: Always that was, but that guy in a different way. 567 00:25:51,119 --> 00:25:53,760 Speaker 1: That guy was in every single club to the point 568 00:25:53,800 --> 00:25:57,240 Speaker 1: where we're just like, oh, has that ever worked? Have 569 00:25:57,400 --> 00:25:59,280 Speaker 1: you ever yelled at at a woman and they're like, 570 00:25:59,400 --> 00:26:04,200 Speaker 1: oh my god, I gotta get this thing off. Incredible. Yeah, 571 00:26:04,440 --> 00:26:07,080 Speaker 1: But there is always like in every comedy which is 572 00:26:07,119 --> 00:26:09,879 Speaker 1: why I stept doing standard, Like every comedy club always 573 00:26:09,960 --> 00:26:13,119 Speaker 1: had somebody that was like just yelling crazy stuff. I'm like, 574 00:26:13,840 --> 00:26:15,359 Speaker 1: let me take a guess. It's the guy in the 575 00:26:15,480 --> 00:26:18,320 Speaker 1: corner alone on his like eighth drink. And then you 576 00:26:18,400 --> 00:26:21,240 Speaker 1: have to but you take two minutes of your four 577 00:26:21,359 --> 00:26:24,919 Speaker 1: minute time to like and he really was usually never 578 00:26:25,000 --> 00:26:27,120 Speaker 1: going to shut up until you kind of eviscerated him. 579 00:26:27,600 --> 00:26:29,760 Speaker 1: And then once you get that mean with somebody, which 580 00:26:29,840 --> 00:26:31,399 Speaker 1: I didn't want to do in the first place, then 581 00:26:31,440 --> 00:26:34,760 Speaker 1: just switch back into like, hey, so anyway I'm walking 582 00:26:34,800 --> 00:26:37,200 Speaker 1: to it, like I just said awful things about it, 583 00:26:37,240 --> 00:26:41,360 Speaker 1: like his family while he's alone, you're never gonna find happiness. Hey. 584 00:26:41,640 --> 00:26:43,679 Speaker 1: The craziest thing happened walking down, like did you make 585 00:26:43,760 --> 00:26:46,560 Speaker 1: that switch back? People were like, she's got a mean 586 00:26:46,680 --> 00:26:49,000 Speaker 1: street Like then You'm like, I didn't want to do that, 587 00:26:49,119 --> 00:26:51,240 Speaker 1: so weird to a guy to do, because there's other 588 00:26:51,280 --> 00:26:53,240 Speaker 1: clubs for that. There's plenty of clubs you can go 589 00:26:53,280 --> 00:26:56,920 Speaker 1: to see women taking especially I had like a wig 590 00:26:57,040 --> 00:27:00,360 Speaker 1: on and like weird, like I looked. I looked kind 591 00:27:00,440 --> 00:27:03,600 Speaker 1: of club kid ish. So it wasn't like I think 592 00:27:03,640 --> 00:27:05,679 Speaker 1: it was just anybody who walked up there that they 593 00:27:05,760 --> 00:27:07,840 Speaker 1: probably didn't think it was going to punch them. That 594 00:27:07,960 --> 00:27:10,520 Speaker 1: they would they would probably yell that at it. But 595 00:27:10,640 --> 00:27:14,119 Speaker 1: it was like a absolute consistent which I just was 596 00:27:14,160 --> 00:27:17,320 Speaker 1: always like, I'm just like, come on, Melissa mccafee's here. 597 00:27:17,359 --> 00:27:20,000 Speaker 1: You might know how from Bribes, Med's Goldsbusters or s 598 00:27:20,119 --> 00:27:22,120 Speaker 1: and now, now, how did you lose so much weight? 599 00:27:22,320 --> 00:27:25,920 Speaker 1: You lois ast a lot. Well, it's also like over 600 00:27:26,040 --> 00:27:30,280 Speaker 1: five years, it's not like three weeks ago. Why just 601 00:27:30,359 --> 00:27:32,080 Speaker 1: did Why did you work at it? Why not just 602 00:27:33,920 --> 00:27:42,120 Speaker 1: because well because I figured it would stick, because it's 603 00:27:42,160 --> 00:27:44,440 Speaker 1: like I don't know, because I just wanted I wanted 604 00:27:44,480 --> 00:27:46,960 Speaker 1: to change it without like you know, I don't know. 605 00:27:47,000 --> 00:27:49,439 Speaker 1: I think everybody's always like kind of working on something. 606 00:27:49,520 --> 00:27:51,960 Speaker 1: And I was like, if I can distress and just 607 00:27:52,119 --> 00:27:55,320 Speaker 1: do it slower and stop constantly trying to be on something, 608 00:27:55,880 --> 00:27:58,640 Speaker 1: and then it and it actually worked better, like instead 609 00:27:58,680 --> 00:28:00,680 Speaker 1: of being like I'm gonna not do this and do 610 00:28:00,800 --> 00:28:03,040 Speaker 1: this and only drink this and do it like instead 611 00:28:03,080 --> 00:28:05,440 Speaker 1: of the crazy plan because they started to think about 612 00:28:05,480 --> 00:28:08,200 Speaker 1: it like that's like controlling your breathing all day, like 613 00:28:09,040 --> 00:28:12,320 Speaker 1: fourteen hours in you go that crazy. So I was like, 614 00:28:12,440 --> 00:28:15,520 Speaker 1: I'm just gonna like mellow out, give myself a break. 615 00:28:15,840 --> 00:28:18,600 Speaker 1: And after I had kids, I was just like I can't. 616 00:28:18,600 --> 00:28:20,920 Speaker 1: I have to be realistic, like it's not gonna it's 617 00:28:20,960 --> 00:28:22,800 Speaker 1: not gonna go fast, but I feel I mean, I 618 00:28:22,880 --> 00:28:25,640 Speaker 1: feel great. So it's very rare in Hollywood to lose 619 00:28:25,680 --> 00:28:28,480 Speaker 1: the weight naturally. Well, I just didn't want to. I 620 00:28:28,920 --> 00:28:33,480 Speaker 1: don't know, I'm too chicken maybe maybe being chickens. I'm 621 00:28:33,520 --> 00:28:35,320 Speaker 1: a very for know, I'm not a frightened moment, but 622 00:28:35,480 --> 00:28:38,040 Speaker 1: I just thought, I thought there's gotta be a way. 623 00:28:38,040 --> 00:28:40,840 Speaker 1: And if I wasn't rushing it, I said, you know, 624 00:28:40,960 --> 00:28:42,360 Speaker 1: I was kind of like, what's the hurry? And a 625 00:28:42,520 --> 00:28:44,880 Speaker 1: little guyed and working out? Thank you? What's that old? 626 00:28:45,160 --> 00:28:48,160 Speaker 1: And working out? Yeah? And like stop stop freaking out 627 00:28:48,160 --> 00:28:50,840 Speaker 1: about stuff. Stop looking at the crazy things of like 628 00:28:50,880 --> 00:28:54,160 Speaker 1: who were it better? Where it's like two amazing looking people. 629 00:28:54,200 --> 00:28:56,560 Speaker 1: It's like all that stuff. We're supposed to be fighting 630 00:28:56,600 --> 00:28:59,200 Speaker 1: each other and women are supposed to be in compared 631 00:28:59,200 --> 00:29:00,840 Speaker 1: and stuff. I found it was just like I'm done 632 00:29:00,880 --> 00:29:04,080 Speaker 1: with it. I'm done with it. Like I think when 633 00:29:04,120 --> 00:29:07,400 Speaker 1: you freak your freak your mind out and worry about 634 00:29:07,440 --> 00:29:10,680 Speaker 1: stuff that's not like you're you're not gonna ever get 635 00:29:10,760 --> 00:29:13,600 Speaker 1: healthier that way. And you said you met your husband 636 00:29:14,000 --> 00:29:17,200 Speaker 1: was named Ben Falcolm. He's a director and writer. Y 637 00:29:17,360 --> 00:29:19,600 Speaker 1: y'all done like three films together. The difficult balance and 638 00:29:19,720 --> 00:29:24,360 Speaker 1: the personal and professional it's great, really, oh my god. 639 00:29:24,440 --> 00:29:26,880 Speaker 1: That's how we met. We met at the Groundlings. So 640 00:29:27,160 --> 00:29:29,760 Speaker 1: he was like, my he was my favorite person to 641 00:29:29,840 --> 00:29:37,880 Speaker 1: write with. Its super funny. Yeah he's not gonna puts 642 00:29:37,920 --> 00:29:44,160 Speaker 1: a great guy. No, he's like super funny, super smart 643 00:29:44,280 --> 00:29:47,280 Speaker 1: and just like weird and makes me laugh. And and 644 00:29:47,400 --> 00:29:50,600 Speaker 1: we immediately like we became really good friends right away Groundlings, 645 00:29:50,680 --> 00:29:53,000 Speaker 1: and we were always the ones like we should let's 646 00:29:53,120 --> 00:29:55,280 Speaker 1: just write together because it was easy and fun. And 647 00:29:56,200 --> 00:29:58,280 Speaker 1: then I was pretty sweet on him early and then 648 00:29:58,360 --> 00:30:01,040 Speaker 1: that all worked out and it's just it's easy with him. 649 00:30:01,080 --> 00:30:02,600 Speaker 1: It's like we get to go to work together. It's 650 00:30:02,600 --> 00:30:05,880 Speaker 1: like we're stupid all day. He's like even Stephen and 651 00:30:05,960 --> 00:30:07,720 Speaker 1: so he's like a super mellow guy. So to have 652 00:30:07,880 --> 00:30:10,320 Speaker 1: that as a director, and you know, they're really funny 653 00:30:10,360 --> 00:30:13,320 Speaker 1: and like watching out for you, it's like it's it's 654 00:30:13,440 --> 00:30:15,640 Speaker 1: like the dream. It's never too far. It's never babe, 655 00:30:15,680 --> 00:30:17,720 Speaker 1: do this or never you have to do this. It's 656 00:30:17,880 --> 00:30:20,320 Speaker 1: always fun. No problems now because it's like, oh what 657 00:30:20,440 --> 00:30:22,200 Speaker 1: about this? And then he'll say what about that? It's 658 00:30:22,240 --> 00:30:23,720 Speaker 1: like oh what about green? What about yell? And then 659 00:30:23,760 --> 00:30:27,200 Speaker 1: we're both like ah purple, Like it's a fun it's 660 00:30:27,240 --> 00:30:30,640 Speaker 1: a super fun like collaborative. There's no ego. I also, 661 00:30:30,760 --> 00:30:32,280 Speaker 1: you know, I think if you get into ego stuff, 662 00:30:32,280 --> 00:30:34,680 Speaker 1: you're never gonna make anything funny anyway. Have you ever 663 00:30:34,720 --> 00:30:36,120 Speaker 1: held up a scene because you want to hook up 664 00:30:36,160 --> 00:30:40,680 Speaker 1: in the trailer? No? Is that sad? Listen, it's not 665 00:30:40,760 --> 00:30:47,920 Speaker 1: too late. I'll be right back. We have more with 666 00:30:48,080 --> 00:30:50,360 Speaker 1: Melissa about coffee when we come back. Don't move. She 667 00:30:50,440 --> 00:30:52,720 Speaker 1: has a new flick in theaters this weekend, Life of 668 00:30:52,840 --> 00:30:56,160 Speaker 1: the Party. It's the Breakfast Club. Good morning, the Breakfast Club. 669 00:30:58,200 --> 00:31:01,880 Speaker 1: Everybody is DJ and v Angela, Ye, Chalomagne the guy. 670 00:31:01,960 --> 00:31:04,520 Speaker 1: We all the Breakfast Club. We have Melissa McCarthy in 671 00:31:04,600 --> 00:31:07,960 Speaker 1: the building. You might know how from Bride'smaids S andl 672 00:31:08,440 --> 00:31:11,520 Speaker 1: Ghostbusters And now she has a new flick out this weekend. 673 00:31:11,520 --> 00:31:14,400 Speaker 1: It's called Life for the Party. Melissa McCarthy's here is Chalomagne. 674 00:31:14,520 --> 00:31:15,880 Speaker 1: My Rootolf is one of your close friends too. You 675 00:31:15,920 --> 00:31:18,600 Speaker 1: met her at the ground Links too. Yeah, wow, we 676 00:31:18,760 --> 00:31:22,240 Speaker 1: started We started the Groundlinks together, Christian Wig. It's just 677 00:31:22,440 --> 00:31:25,239 Speaker 1: kind of a crazy It was a crazy group when 678 00:31:25,280 --> 00:31:28,200 Speaker 1: we were in that you know, student student shows together. 679 00:31:28,400 --> 00:31:31,560 Speaker 1: Like it's like you don't get paid there, so you're 680 00:31:31,640 --> 00:31:34,600 Speaker 1: there and you're working so hard, so it's like you've 681 00:31:34,600 --> 00:31:37,040 Speaker 1: gotta love it. You gotta love it, or you wouldn't 682 00:31:37,080 --> 00:31:39,560 Speaker 1: put up with it. But yeah, it was pretty It 683 00:31:39,680 --> 00:31:41,920 Speaker 1: was a pretty crazy group. And she is Maya to 684 00:31:42,040 --> 00:31:44,320 Speaker 1: me is like I would say, one of the top 685 00:31:44,440 --> 00:31:47,600 Speaker 1: five human creatures that are that funny I've ever met 686 00:31:47,600 --> 00:31:50,880 Speaker 1: in my life and like sweet, like all that goodness, 687 00:31:50,920 --> 00:31:53,240 Speaker 1: all that sweetness on top of that kind of funny 688 00:31:53,440 --> 00:31:55,520 Speaker 1: is like mind blowing. Oh, I gotta put I gotta 689 00:31:55,520 --> 00:31:57,240 Speaker 1: ask you who other four before you move on? Ma, 690 00:31:57,360 --> 00:32:01,000 Speaker 1: Maya Tuck, I say, Christian Wig, not just because they're friends, 691 00:32:01,040 --> 00:32:04,160 Speaker 1: but like truly like they're nuts. I think Bill Hayter, 692 00:32:05,000 --> 00:32:08,800 Speaker 1: I don't know, Jamie Fox. Really it's me. Um oh, 693 00:32:08,920 --> 00:32:10,800 Speaker 1: I don't know. I hate. I hate to end the list. 694 00:32:11,040 --> 00:32:13,360 Speaker 1: That's cool. You have people calling your phone later like, oh, 695 00:32:13,360 --> 00:32:16,560 Speaker 1: you don't think I'm talking about thinking about that. I 696 00:32:16,640 --> 00:32:18,320 Speaker 1: was like, you know what, I'm gonna get in trouble 697 00:32:18,360 --> 00:32:20,800 Speaker 1: for this list, And am I is in your new 698 00:32:20,880 --> 00:32:26,400 Speaker 1: movies that I gotta be fine to your friends. It's 699 00:32:26,520 --> 00:32:29,760 Speaker 1: really like it was such a good it's such a 700 00:32:29,880 --> 00:32:33,480 Speaker 1: good group. Like set was just pretty stupid, like, which 701 00:32:33,560 --> 00:32:34,959 Speaker 1: is a pretty good way to go to work when 702 00:32:35,000 --> 00:32:37,440 Speaker 1: you're just like, if we stop laughing long enough to 703 00:32:37,560 --> 00:32:40,080 Speaker 1: like shoot it, like, that's a pretty good that's a 704 00:32:40,080 --> 00:32:42,160 Speaker 1: pretty good way to spend the day. And she is 705 00:32:42,640 --> 00:32:45,440 Speaker 1: she plays my best friend in it, Maya, And uh, 706 00:32:45,760 --> 00:32:48,080 Speaker 1: it was great because we're like, you know, anytime we 707 00:32:48,120 --> 00:32:51,640 Speaker 1: can get to work together, like we're both busy and 708 00:32:51,800 --> 00:32:53,400 Speaker 1: she's you know, we both have kids. It's like you 709 00:32:53,400 --> 00:32:54,920 Speaker 1: don't always see each other. So to be able to 710 00:32:55,120 --> 00:32:58,440 Speaker 1: be at work and just hang out and kind of 711 00:32:58,520 --> 00:33:01,239 Speaker 1: do the like make each other laugh like we did 712 00:33:01,320 --> 00:33:03,600 Speaker 1: when we met, was it's kind of amazing. Yeah, we're 713 00:33:03,600 --> 00:33:05,680 Speaker 1: talking to Melissa McCarthy. Of course, she has a new 714 00:33:05,720 --> 00:33:08,440 Speaker 1: flick life with the party out this weekend. She's from 715 00:33:08,520 --> 00:33:12,600 Speaker 1: Bridesmaids S and now Ghostbusters. Now, you just talked about 716 00:33:12,640 --> 00:33:14,560 Speaker 1: how you used to do stand up. Do you think 717 00:33:14,600 --> 00:33:16,600 Speaker 1: that some of those jokes that you did before, you know, 718 00:33:16,680 --> 00:33:20,360 Speaker 1: comedians could do now. I think it's it's definitely different. 719 00:33:20,440 --> 00:33:23,440 Speaker 1: I think it's different, and I think it's it's definitely 720 00:33:23,840 --> 00:33:26,760 Speaker 1: good that we're becoming more aware. I mean it's kind 721 00:33:26,760 --> 00:33:28,960 Speaker 1: of like about time is on a lot of front 722 00:33:29,040 --> 00:33:31,080 Speaker 1: on a lot of friends. I think it's how you 723 00:33:31,200 --> 00:33:33,320 Speaker 1: do it. I think you still have to poke the bear. 724 00:33:33,480 --> 00:33:35,160 Speaker 1: I think you still have to shine the light and 725 00:33:35,240 --> 00:33:37,800 Speaker 1: hold a mirror up. And I think that's one of 726 00:33:37,880 --> 00:33:41,520 Speaker 1: the great things that comedy and stand up can do. 727 00:33:41,680 --> 00:33:44,800 Speaker 1: It's like it can it can poke at you if 728 00:33:44,840 --> 00:33:47,160 Speaker 1: you don't do it with venom. I think you can 729 00:33:47,280 --> 00:33:51,400 Speaker 1: actually make fun of a situation and what's going on 730 00:33:51,640 --> 00:33:53,479 Speaker 1: and do it in a way that might actually make 731 00:33:53,560 --> 00:33:56,160 Speaker 1: someone realize something. If you just come at someone hard 732 00:33:56,320 --> 00:33:59,640 Speaker 1: and make them feel stupid, then I think people are 733 00:33:59,680 --> 00:34:02,440 Speaker 1: gonna and you're not gonna change anyone's mind. No one's 734 00:34:02,440 --> 00:34:05,240 Speaker 1: gonna be like, huh, like maybe this is dumb. They're 735 00:34:05,240 --> 00:34:07,280 Speaker 1: just gonna get mad at you. You always felt like 736 00:34:07,320 --> 00:34:10,320 Speaker 1: intention madness because even when you watch old comedy shows 737 00:34:10,360 --> 00:34:11,680 Speaker 1: back in the day, and they might have been talking 738 00:34:11,719 --> 00:34:16,880 Speaker 1: about like you know, like like edgy topics, Yeah it 739 00:34:17,000 --> 00:34:20,359 Speaker 1: was fun. And also they were they were the joke, 740 00:34:20,680 --> 00:34:23,120 Speaker 1: like they were somehow even though they were talking about 741 00:34:23,200 --> 00:34:27,200 Speaker 1: if they wanted to like talk about something, they put 742 00:34:27,280 --> 00:34:30,000 Speaker 1: themselves in as the butt of the joke, which immediately 743 00:34:30,120 --> 00:34:33,200 Speaker 1: makes you more able to kind of like take it 744 00:34:33,320 --> 00:34:35,360 Speaker 1: in and like laugh at it and realize maybe this 745 00:34:35,560 --> 00:34:38,680 Speaker 1: is stupid. It's intention for sure, I think, but when 746 00:34:38,760 --> 00:34:41,759 Speaker 1: somebody really is like if you're trying to make a point, 747 00:34:41,800 --> 00:34:43,480 Speaker 1: like I don't think anybody really wants to be preached 748 00:34:43,520 --> 00:34:46,359 Speaker 1: to a good time, And then you go on social media, 749 00:34:46,400 --> 00:34:48,759 Speaker 1: people are just trying to get attention. So everybody's looking 750 00:34:48,800 --> 00:34:51,040 Speaker 1: for that viral moment, even when they're like on stage 751 00:34:51,560 --> 00:34:53,000 Speaker 1: at a show or something. They just want to say 752 00:34:53,040 --> 00:34:55,640 Speaker 1: something that they'll know go viral. And and why it's 753 00:34:55,719 --> 00:34:58,880 Speaker 1: too like whoever can be the like the nastiest in 754 00:34:58,960 --> 00:35:02,759 Speaker 1: the meaness That's what my brain just doesn't work that way. 755 00:35:02,840 --> 00:35:04,840 Speaker 1: I'm always like you put like a quarter of that 756 00:35:05,080 --> 00:35:07,760 Speaker 1: energy and of like if you want to be noticed, 757 00:35:07,800 --> 00:35:11,160 Speaker 1: then like figured out figure out how. But just saying 758 00:35:11,640 --> 00:35:15,759 Speaker 1: really incredibly mean, hateful things, and I was just like, 759 00:35:15,920 --> 00:35:17,960 Speaker 1: what does that person walk around with all day? They 760 00:35:18,040 --> 00:35:21,560 Speaker 1: just like just like toxic. Yeah, they're miserable, and it's 761 00:35:21,560 --> 00:35:24,120 Speaker 1: always like, you know, three thirty two in the morning 762 00:35:24,160 --> 00:35:27,960 Speaker 1: and like Scratton, Pennsylvania and you're like someone's in like 763 00:35:28,040 --> 00:35:30,279 Speaker 1: their parents. You know, that's not someone who's like I 764 00:35:30,400 --> 00:35:32,960 Speaker 1: just had the most amazing day. I'm so happy. Let 765 00:35:33,040 --> 00:35:35,560 Speaker 1: me just write this quick hate mail like no one's 766 00:35:35,600 --> 00:35:40,000 Speaker 1: doing that thugging. That's what we call. That's yeah, And 767 00:35:40,120 --> 00:35:42,720 Speaker 1: misery loves company and social media provides you company twenty 768 00:35:42,800 --> 00:35:44,959 Speaker 1: four seven, three sixty five. I thowt you tell people 769 00:35:45,000 --> 00:35:48,160 Speaker 1: that you like you ignore your online trolls. I just 770 00:35:48,239 --> 00:35:50,640 Speaker 1: don't read any of it. Like I've never tried to 771 00:35:50,719 --> 00:35:55,120 Speaker 1: get better at figuring out like some social stuff because 772 00:35:55,120 --> 00:35:57,400 Speaker 1: I'm just like, I don't want to. It's not going 773 00:35:57,440 --> 00:36:00,279 Speaker 1: to improve me. I'm not gonna like, oh, so and 774 00:36:00,400 --> 00:36:02,759 Speaker 1: so and you know, Indiana hopes I died to night. 775 00:36:02,960 --> 00:36:06,080 Speaker 1: I'm like, you know what that's I'm gonna take that 776 00:36:06,239 --> 00:36:08,560 Speaker 1: note and try to imply it. It's like when it's 777 00:36:08,640 --> 00:36:10,879 Speaker 1: so awful, I'm like, if I'm right with my kids 778 00:36:10,960 --> 00:36:14,239 Speaker 1: and my family, and then I'm okay, Like I'll take 779 00:36:14,320 --> 00:36:18,319 Speaker 1: any creative note or like positive not positive, it can't 780 00:36:18,520 --> 00:36:21,520 Speaker 1: doesn't have to be positive. But like when it's just crazy, 781 00:36:21,680 --> 00:36:23,680 Speaker 1: like ope, you and your family die in your sleep, 782 00:36:23,760 --> 00:36:27,480 Speaker 1: it's like, okay, that did not that did not help 783 00:36:27,520 --> 00:36:29,040 Speaker 1: my situation. Well, after this interview, you can have a 784 00:36:29,040 --> 00:36:30,680 Speaker 1: bunch people with tweeting, you say, and take your top 785 00:36:30,719 --> 00:36:35,960 Speaker 1: of somebody yells yells at at me. Today, I'll be like, 786 00:36:36,160 --> 00:36:41,080 Speaker 1: thank you, thank you so much. I'll consider its Yeah, 787 00:36:41,280 --> 00:36:44,279 Speaker 1: and it was an all male franchise before, clearly was 788 00:36:44,280 --> 00:36:46,000 Speaker 1: all female when y'all did it. Did you learn anything 789 00:36:46,040 --> 00:36:49,480 Speaker 1: new about a sexism in Hollywood when y'all did that? Well, 790 00:36:49,560 --> 00:36:52,799 Speaker 1: just that people need hobbies, people need to fill their 791 00:36:52,920 --> 00:36:57,960 Speaker 1: time with other stuff. Because literally saying like you ruined 792 00:36:58,120 --> 00:37:01,279 Speaker 1: my life, it's like through oh my god, like so 793 00:37:01,480 --> 00:37:04,960 Speaker 1: many people, this was before we started filming, just the 794 00:37:05,160 --> 00:37:08,399 Speaker 1: concept of women doing that thing. There were so many 795 00:37:09,760 --> 00:37:12,000 Speaker 1: like things online that was like, you're ruining my life, 796 00:37:12,040 --> 00:37:15,000 Speaker 1: You're ruining my childhood. I was like, if that's going 797 00:37:15,080 --> 00:37:17,800 Speaker 1: to ruin your childhood, I'm gonna guess it was pretty 798 00:37:17,840 --> 00:37:20,719 Speaker 1: bad to start with. I don't I don't think we 799 00:37:20,920 --> 00:37:23,440 Speaker 1: did it like a sexist and misogynistic. Do you have 800 00:37:23,520 --> 00:37:25,560 Speaker 1: to be to think women can't kill ghosts something that 801 00:37:25,600 --> 00:37:31,520 Speaker 1: we're not even sure it exists? I never really just 802 00:37:31,640 --> 00:37:36,040 Speaker 1: thought about like it's all fake, Like yeah, well I don't. 803 00:37:36,200 --> 00:37:38,200 Speaker 1: I can't say the people saying that are people that 804 00:37:38,360 --> 00:37:42,040 Speaker 1: I'm like, they seem to be really smart. I bet 805 00:37:42,080 --> 00:37:45,160 Speaker 1: they're really really fought this through. Melissa mccarfee still in 806 00:37:45,239 --> 00:37:47,880 Speaker 1: the building, you know how from Bridesmay's ghostbust Is just 807 00:37:47,920 --> 00:37:51,040 Speaker 1: to name a few. Continue Chlamie. Do you believe in ghosts? Hey? 808 00:37:51,160 --> 00:37:53,160 Speaker 1: I do from a small funtime. I'm from the country 809 00:37:53,160 --> 00:37:56,319 Speaker 1: to South Carolina. So you have a saw one growing up? 810 00:37:56,719 --> 00:37:59,839 Speaker 1: I think I said, my great grandmother lived with us, 811 00:38:00,640 --> 00:38:03,719 Speaker 1: and when she passed away, like I know that I 812 00:38:03,800 --> 00:38:06,520 Speaker 1: saw her and my mom came upstairs and I was like, 813 00:38:06,600 --> 00:38:09,080 Speaker 1: grandma was and she was like what. I was like, 814 00:38:09,120 --> 00:38:11,480 Speaker 1: Grandma was in my room and She's like, you were 815 00:38:11,520 --> 00:38:16,160 Speaker 1: in there talking to somebody, So how are you? Like seven? Really? Yeah? 816 00:38:16,760 --> 00:38:18,800 Speaker 1: But it didn't scare him. It didn't scare me or anything. 817 00:38:18,880 --> 00:38:21,399 Speaker 1: It wasn't uh yeah, I just think, who knows where 818 00:38:21,480 --> 00:38:23,920 Speaker 1: we go? Where? You like, I believe in all that? 819 00:38:24,120 --> 00:38:27,000 Speaker 1: What does she tell You're gonna be worse? Sixty say? 820 00:38:27,239 --> 00:38:30,839 Speaker 1: She's like you you are going to be worth now 821 00:38:31,880 --> 00:38:35,120 Speaker 1: do you remember? I know, I don't remember any talking. 822 00:38:35,640 --> 00:38:37,440 Speaker 1: I just know that she was in she was in 823 00:38:37,560 --> 00:38:41,760 Speaker 1: my room and that that's all. And I just remember 824 00:38:41,760 --> 00:38:44,319 Speaker 1: it didn't feel scary. It didn't. And then my other 825 00:38:44,360 --> 00:38:48,279 Speaker 1: grandmother passed away and I was I was driving and 826 00:38:48,840 --> 00:38:50,680 Speaker 1: you know, I was upset. Because she'd like I was 827 00:38:50,760 --> 00:38:52,719 Speaker 1: living out here at the time and just found out, 828 00:38:52,800 --> 00:38:54,759 Speaker 1: like she's just passed away. And I was trying to 829 00:38:54,840 --> 00:38:57,359 Speaker 1: like literally drive somewhere where I could pull over because 830 00:38:57,400 --> 00:39:00,520 Speaker 1: I was crying in the car. And I reached over, 831 00:39:00,760 --> 00:39:02,560 Speaker 1: and you know, you just really reached Its like your 832 00:39:02,600 --> 00:39:06,000 Speaker 1: glove compartment, and I opened it and out flipped a 833 00:39:06,160 --> 00:39:09,719 Speaker 1: picture of my grandma. Wow, that I guess he had 834 00:39:09,760 --> 00:39:11,960 Speaker 1: been in there. I drove it out from Illinois this car. 835 00:39:12,080 --> 00:39:14,480 Speaker 1: I had not opened my glove compartment, nor I have 836 00:39:14,680 --> 00:39:16,160 Speaker 1: no idea why I had a picture of my grandma 837 00:39:16,160 --> 00:39:19,560 Speaker 1: and it literally flipped up and ended up on the 838 00:39:19,640 --> 00:39:23,239 Speaker 1: passenger seat to face up like, and I had not 839 00:39:23,520 --> 00:39:25,680 Speaker 1: opened it. I'd had the car for like three years, 840 00:39:26,360 --> 00:39:27,719 Speaker 1: so it wasn't like, oh, I just put it in 841 00:39:27,800 --> 00:39:30,800 Speaker 1: there because I was thinking, like it came out of nowhere, 842 00:39:30,840 --> 00:39:32,400 Speaker 1: and I just then when I finally pulled over, I 843 00:39:32,520 --> 00:39:34,279 Speaker 1: was like, oh, everything's fine, all right. We have more 844 00:39:34,320 --> 00:39:36,840 Speaker 1: with Melissa McCarthy when we come back, you know her 845 00:39:36,960 --> 00:39:39,759 Speaker 1: from Bridesmaids S and L keep it loft as the 846 00:39:39,760 --> 00:39:44,400 Speaker 1: Breakfast Club. Good morning morning, everybody is DJ Envy angela Ye, Charlemagne, 847 00:39:44,440 --> 00:39:47,040 Speaker 1: the guy we all the Breakfast Club now from Life 848 00:39:47,080 --> 00:39:49,720 Speaker 1: of the Party, which is in theaters this weekend. Melissa 849 00:39:49,840 --> 00:39:53,279 Speaker 1: McCarthy's in the building, Charlemagne. You, you and Tiffany Hatris 850 00:39:53,280 --> 00:39:55,719 Speaker 1: will be starting in a movie together. I just met her. 851 00:39:56,760 --> 00:40:00,680 Speaker 1: I just met her. Yeah, it's u. She's a force 852 00:40:00,760 --> 00:40:04,520 Speaker 1: of nature, like she's a force of good, Like she's 853 00:40:04,600 --> 00:40:10,080 Speaker 1: sweet and it's fun like crazy funny. So yeah, you 854 00:40:10,239 --> 00:40:13,080 Speaker 1: just kind of like I was just in from like 855 00:40:13,200 --> 00:40:16,040 Speaker 1: the second I met her. I'm like, yep, this seems 856 00:40:16,280 --> 00:40:18,799 Speaker 1: this seems like I'm just gonna be like, keep going. 857 00:40:19,560 --> 00:40:22,640 Speaker 1: She's great. We start there tomorrow. Really, wow, why are 858 00:40:22,640 --> 00:40:31,680 Speaker 1: you not somewhere sleeping? I'll just take that up. You guys, 859 00:40:31,719 --> 00:40:34,440 Speaker 1: don't mind if I just not offer a minute. It's 860 00:40:34,440 --> 00:40:36,600 Speaker 1: not a comedy y'all doing right now, No, not at 861 00:40:36,640 --> 00:40:41,560 Speaker 1: all drama. It's a Hell's Kitchen nineteen seventies and uh, 862 00:40:41,719 --> 00:40:43,600 Speaker 1: we kind of take over. We take over the Irish mom. 863 00:40:43,920 --> 00:40:47,000 Speaker 1: You know, nobody's gonna be expecting that you and Tiffany 864 00:40:47,040 --> 00:40:49,000 Speaker 1: Hatters in a movie. They're expecting it to be comedy 865 00:40:49,200 --> 00:40:51,360 Speaker 1: and y'all doing a drama. I know, I wish I 866 00:40:51,480 --> 00:40:53,959 Speaker 1: kind of love. Yeah, I think it's like a great 867 00:40:54,080 --> 00:40:56,959 Speaker 1: it's such a good script, and Elizabeth Moss is doing 868 00:40:57,000 --> 00:40:59,040 Speaker 1: it too. It's just it's a really it's a really 869 00:40:59,120 --> 00:41:01,759 Speaker 1: cool story. But yeah, it's not funny. What advice would 870 00:41:01,760 --> 00:41:03,719 Speaker 1: you give tip, because y'all kind of blew up in 871 00:41:03,840 --> 00:41:06,719 Speaker 1: a similar way you would bribe me her girls trip 872 00:41:06,840 --> 00:41:08,640 Speaker 1: and now you're now you're worth sixty million dollars? So 873 00:41:09,560 --> 00:41:11,680 Speaker 1: what if? What if we call him a bird because 874 00:41:11,680 --> 00:41:17,080 Speaker 1: all he talking about advice where I give her not 875 00:41:17,280 --> 00:41:20,239 Speaker 1: a word? Really, she doesn't need, she does not need. 876 00:41:21,200 --> 00:41:24,640 Speaker 1: She is clear and on a on her path. She knows, 877 00:41:24,760 --> 00:41:27,279 Speaker 1: like you just feel it in her and you when 878 00:41:27,360 --> 00:41:29,719 Speaker 1: she talks about stuff we had we went out to 879 00:41:29,840 --> 00:41:32,800 Speaker 1: dinner and she just had you just know she she 880 00:41:33,040 --> 00:41:36,000 Speaker 1: sees what she wants how to get it. And I 881 00:41:36,080 --> 00:41:38,000 Speaker 1: mean that in a really like good way of like 882 00:41:38,480 --> 00:41:40,600 Speaker 1: a work this way. And she's also like right in 883 00:41:40,680 --> 00:41:43,120 Speaker 1: her element. I always think it's really exciting when you 884 00:41:43,239 --> 00:41:45,920 Speaker 1: find when you meet somebody who's doing something that you're like, 885 00:41:46,920 --> 00:41:49,279 Speaker 1: this is like what if you weren't doing this, Like 886 00:41:49,400 --> 00:41:52,800 Speaker 1: you're so built to do it, and you found it 887 00:41:52,960 --> 00:41:55,640 Speaker 1: and you figured out how to do it better than 888 00:41:56,360 --> 00:41:59,359 Speaker 1: almost everybody else like that. I'm always like I get 889 00:41:59,400 --> 00:42:02,840 Speaker 1: like goosebump, like you found your you found it, and 890 00:42:02,880 --> 00:42:05,279 Speaker 1: like hit it hard. I always think that's really it 891 00:42:05,320 --> 00:42:07,919 Speaker 1: doesn't matter what it is. Could be cooking, could be painting, 892 00:42:08,000 --> 00:42:10,920 Speaker 1: could be music. But when you see someone drop into that, 893 00:42:11,040 --> 00:42:13,440 Speaker 1: you're just like, I don't know, it's it's uh, it's 894 00:42:13,480 --> 00:42:16,520 Speaker 1: pretty exciting. But we feel like who paid for dinner? Yeah, 895 00:42:16,560 --> 00:42:18,560 Speaker 1: both went out for dinner. Oh listen, we let to 896 00:42:18,600 --> 00:42:20,600 Speaker 1: direct your play. We just both walked out there. You 897 00:42:22,120 --> 00:42:24,839 Speaker 1: just dropped it. We dropped their forums and just walked out. 898 00:42:25,000 --> 00:42:27,320 Speaker 1: That took me rad group on on on you. I 899 00:42:27,400 --> 00:42:28,839 Speaker 1: got to root it. I don't pay for dinner. If 900 00:42:28,840 --> 00:42:30,560 Speaker 1: I'm with somebody that got more money than me, I 901 00:42:30,640 --> 00:42:35,680 Speaker 1: think that's consulting. Do you do you say like bake, 902 00:42:35,719 --> 00:42:37,919 Speaker 1: I'd be like, oh I got it. You go out, yeah, 903 00:42:37,960 --> 00:42:41,319 Speaker 1: I think you get to the wallet, Yeah I got 904 00:42:41,360 --> 00:42:42,680 Speaker 1: I got it to be like no, no on me. 905 00:42:42,760 --> 00:42:44,000 Speaker 1: Then they pull out the black card and be like 906 00:42:44,200 --> 00:42:45,879 Speaker 1: if we ever go to dinner, I'm just gonna wait 907 00:42:45,960 --> 00:42:49,319 Speaker 1: it out and be like, oh wait, you can get 908 00:42:49,400 --> 00:42:55,160 Speaker 1: that back pocket. I know you can do. Do you 909 00:42:55,239 --> 00:42:57,960 Speaker 1: feel like women of color women in general and women 910 00:42:58,080 --> 00:43:01,120 Speaker 1: but specifically when the color get overlooked in common for sure. 911 00:43:01,200 --> 00:43:04,680 Speaker 1: I think I think for so long, women in general 912 00:43:05,360 --> 00:43:08,120 Speaker 1: were always kind of like like the parts in the 913 00:43:08,320 --> 00:43:11,480 Speaker 1: in the actual characters were given to men, and then 914 00:43:11,520 --> 00:43:13,360 Speaker 1: the woman was just kind of there to be like 915 00:43:13,440 --> 00:43:19,440 Speaker 1: oh Jack, like that's it, oh Jack, oh Tom, oh Phil. 916 00:43:20,280 --> 00:43:22,160 Speaker 1: I mean it's like there's I always want to put 917 00:43:22,200 --> 00:43:24,600 Speaker 1: together a mom's house. How many actresses had you just 918 00:43:24,680 --> 00:43:27,000 Speaker 1: stay on there and go and always kind of a bummer, 919 00:43:27,120 --> 00:43:28,800 Speaker 1: so they have like a fun husband to the wife's 920 00:43:28,840 --> 00:43:32,600 Speaker 1: always like ah, I was like, why is every woman 921 00:43:32,640 --> 00:43:34,480 Speaker 1: a bummer? And then certainly like women, I call it 922 00:43:34,600 --> 00:43:38,560 Speaker 1: like there's there's such a avoid again it goes back 923 00:43:38,600 --> 00:43:40,680 Speaker 1: to that like I want I want to see the 924 00:43:40,800 --> 00:43:46,400 Speaker 1: real world. It's like it's funnier, it's certainly more interesting. 925 00:43:46,480 --> 00:43:49,600 Speaker 1: It's like when you clean it all up and you know, 926 00:43:49,640 --> 00:43:52,560 Speaker 1: it's like every woman's like done perfectly, and it's like 927 00:43:52,640 --> 00:43:55,279 Speaker 1: I like a hot mess. Like better to see a 928 00:43:55,360 --> 00:43:58,400 Speaker 1: story about somebody real. We're like you can kind of 929 00:43:58,480 --> 00:44:00,520 Speaker 1: relate to them, either you're glad you're not them, or 930 00:44:00,560 --> 00:44:03,719 Speaker 1: you know somebody liked them as opposed to like when 931 00:44:03,760 --> 00:44:06,040 Speaker 1: it's always like the perfect woman and the perfect outfit, 932 00:44:06,080 --> 00:44:08,640 Speaker 1: and I'm like, I don't really know any of those women, right, 933 00:44:09,239 --> 00:44:11,320 Speaker 1: I'm sure they're out there, like they're not my Like, 934 00:44:11,560 --> 00:44:14,200 Speaker 1: I don't relate to that. So but really, why you 935 00:44:14,360 --> 00:44:17,760 Speaker 1: look so successful because people didn't relate. It's been tricky 936 00:44:17,760 --> 00:44:20,520 Speaker 1: because sometimes it's when we did Tammy and I was 937 00:44:20,560 --> 00:44:22,360 Speaker 1: like this, this is a woman who's like it was 938 00:44:22,400 --> 00:44:27,200 Speaker 1: our first movie together with Ben and you know she 939 00:44:27,400 --> 00:44:28,879 Speaker 1: was she was a mess. But I was like, well, 940 00:44:28,880 --> 00:44:31,560 Speaker 1: the characters. The whole point is she's a mess and 941 00:44:31,680 --> 00:44:34,480 Speaker 1: she doesn't have a lot of like she doesn't think 942 00:44:34,520 --> 00:44:36,399 Speaker 1: she's kind of worth a lot of stuff. But people 943 00:44:36,520 --> 00:44:39,399 Speaker 1: were so interesting. There were so many reviewers that were 944 00:44:39,440 --> 00:44:43,520 Speaker 1: like so crude or grotetque. Like one guy kept saying, 945 00:44:43,840 --> 00:44:47,680 Speaker 1: like your grotesque characters and I was like, tesk, it's like, 946 00:44:47,840 --> 00:44:51,839 Speaker 1: what what's grotetque? And he's like, so crude. They kept 947 00:44:51,880 --> 00:44:53,680 Speaker 1: talking about crude, crude, crude, and I was like, can 948 00:44:53,719 --> 00:44:56,640 Speaker 1: I just ask like what you're saying it is if 949 00:44:56,680 --> 00:44:58,600 Speaker 1: I'm agreeing with you, and I keep saying I'm not 950 00:44:58,760 --> 00:45:01,759 Speaker 1: agreeing with that, it's where's the crudeness coming? He goes, well, 951 00:45:01,840 --> 00:45:04,160 Speaker 1: just you know, in general, and I was like, no, 952 00:45:04,239 --> 00:45:05,799 Speaker 1: You've got to tell me what do you mean by 953 00:45:05,880 --> 00:45:10,080 Speaker 1: crude and grotesque as well? How you looked yike? And 954 00:45:10,200 --> 00:45:11,839 Speaker 1: I was like, would you say that to a guy 955 00:45:12,080 --> 00:45:15,520 Speaker 1: playing a character from somebody who's like a total mass 956 00:45:15,560 --> 00:45:18,560 Speaker 1: if he had like, you know, like if he just 957 00:45:18,719 --> 00:45:21,240 Speaker 1: looked kind of terrible because his life was falling apart? 958 00:45:21,440 --> 00:45:24,840 Speaker 1: Like would you ever ask a guy that He goes, no, 959 00:45:25,160 --> 00:45:27,320 Speaker 1: it's just that, you know, you didn't even have makeup on. 960 00:45:27,880 --> 00:45:30,239 Speaker 1: And I was like, there we go wow. But I 961 00:45:30,320 --> 00:45:32,719 Speaker 1: was like, but you use a crude and grotesque about that. 962 00:45:32,880 --> 00:45:34,920 Speaker 1: So I just but that kind of like fueled me 963 00:45:35,040 --> 00:45:38,160 Speaker 1: to be like I can't listen to any of that stuff, 964 00:45:38,280 --> 00:45:40,520 Speaker 1: Like you may hate the story or like the story. 965 00:45:41,280 --> 00:45:44,600 Speaker 1: I love my characters because there they are flawed and 966 00:45:44,680 --> 00:45:46,960 Speaker 1: they never want to I never want to stop doing 967 00:45:46,960 --> 00:45:48,880 Speaker 1: it because I think those are real women. What about 968 00:45:48,880 --> 00:45:50,520 Speaker 1: that critic? Did you write his name down and slip 969 00:45:50,600 --> 00:45:53,800 Speaker 1: it to the Times up? People like it? You know? 970 00:45:53,920 --> 00:45:56,719 Speaker 1: But I do, like, I'm like, well was his name? No? 971 00:45:56,840 --> 00:45:58,320 Speaker 1: But I did call him out on it. This was 972 00:45:58,360 --> 00:46:01,080 Speaker 1: in front of like forty people. He kept saying that. 973 00:46:01,239 --> 00:46:04,160 Speaker 1: I finally was like, you need to explain yourself if 974 00:46:04,200 --> 00:46:06,480 Speaker 1: you're gonna if you're gonna rip me apart, like explain 975 00:46:06,600 --> 00:46:08,719 Speaker 1: what you mean. And then by the time he said, well, 976 00:46:08,760 --> 00:46:11,600 Speaker 1: you weren't even wearing makeup, I was like, and I'm 977 00:46:11,640 --> 00:46:13,640 Speaker 1: done with you. So that's about life. When a party 978 00:46:13,680 --> 00:46:17,000 Speaker 1: comes out May eleven, May eleven, bring your mom's, bring 979 00:46:17,120 --> 00:46:25,719 Speaker 1: your kids. Yeah, I think you may want to make 980 00:46:25,760 --> 00:46:29,759 Speaker 1: some calls a flower shop today. Um No, it's I 981 00:46:30,200 --> 00:46:33,000 Speaker 1: love this movie. It was and I was surrounded. It's 982 00:46:33,040 --> 00:46:36,399 Speaker 1: about I played Diana Miles who's dropping her daughter off 983 00:46:36,760 --> 00:46:39,800 Speaker 1: at college. Kind of emptiness. They're gonna go on second honeymoon. 984 00:46:39,960 --> 00:46:44,040 Speaker 1: It's like mom wife, like really happy life and that 985 00:46:44,239 --> 00:46:47,720 Speaker 1: I was not supposed to rhyme um. And then literally 986 00:46:47,880 --> 00:46:49,880 Speaker 1: the second my daughter's out of the car, my husband 987 00:46:50,200 --> 00:46:52,200 Speaker 1: uh says like I don't of you. I want to 988 00:46:52,280 --> 00:46:55,840 Speaker 1: divorce wow, and just kind of rattles everything that I know, 989 00:46:56,040 --> 00:46:58,760 Speaker 1: like we had our retirements that like all this stuff 990 00:46:58,800 --> 00:47:00,560 Speaker 1: we were supposed to do, and it's just like, nope, 991 00:47:01,200 --> 00:47:04,360 Speaker 1: it's all the rugs pulled out. So after kind of 992 00:47:04,400 --> 00:47:07,400 Speaker 1: a mild a pretty good freak out, I kind of 993 00:47:07,480 --> 00:47:09,640 Speaker 1: realized like, well I was, I was a mom, I 994 00:47:09,760 --> 00:47:11,680 Speaker 1: was a wife, but like where did I go? Like 995 00:47:11,880 --> 00:47:14,680 Speaker 1: what was left for me? And one of the things 996 00:47:14,760 --> 00:47:17,560 Speaker 1: she really regretted was never finishing school. It's a little 997 00:47:17,640 --> 00:47:20,640 Speaker 1: like me, so uh. And it's kind of based on 998 00:47:20,800 --> 00:47:24,239 Speaker 1: my mom just in terms of she's really positive and 999 00:47:24,400 --> 00:47:26,200 Speaker 1: decides to go back to school, but she goes back 1000 00:47:26,239 --> 00:47:29,120 Speaker 1: to college where her daughter's attending. So her daughter's a 1001 00:47:29,160 --> 00:47:32,799 Speaker 1: little like, glad you're getting it together, but maybe not here. 1002 00:47:33,040 --> 00:47:34,360 Speaker 1: I know, you gotta go. Why do you feel like 1003 00:47:34,400 --> 00:47:35,680 Speaker 1: you want to go back to college? What do you 1004 00:47:35,719 --> 00:47:37,680 Speaker 1: feel like you missed? And now I would just love 1005 00:47:37,760 --> 00:47:40,680 Speaker 1: to take like random classes. I wouldn't go back, but 1006 00:47:40,800 --> 00:47:43,200 Speaker 1: the thought of like which I couldn't appreciate at eighteen, 1007 00:47:43,360 --> 00:47:46,120 Speaker 1: like sitting through like a history class, or sitting through 1008 00:47:46,160 --> 00:47:48,480 Speaker 1: anything like an art whatever the classes, I'd be like, 1009 00:47:49,719 --> 00:47:51,719 Speaker 1: this is great, Like I would love to do like 1010 00:47:52,280 --> 00:47:55,279 Speaker 1: random classes. Now at eighteen, I was just like trying 1011 00:47:55,280 --> 00:47:57,200 Speaker 1: to get out because trying to get out. Yeah, I 1012 00:47:57,239 --> 00:47:59,160 Speaker 1: feel like everybody in life should go through the whole face, 1013 00:47:59,440 --> 00:48:01,839 Speaker 1: and most of the time college is like that whole face. 1014 00:48:02,680 --> 00:48:04,239 Speaker 1: Will you just do whatever you want to do section. 1015 00:48:04,920 --> 00:48:08,719 Speaker 1: Oh there's that. I think I've been shooting that. I 1016 00:48:08,840 --> 00:48:14,560 Speaker 1: just wasn't. I just part of the I just wasn't 1017 00:48:14,600 --> 00:48:19,080 Speaker 1: attending classes. I was, I had agreed to get me wrong. 1018 00:48:19,160 --> 00:48:21,480 Speaker 1: I had a lot of fun at college. I just uh, 1019 00:48:21,719 --> 00:48:25,239 Speaker 1: I didn't learn anything. But oh later later I learned. 1020 00:48:25,239 --> 00:48:27,560 Speaker 1: I feel like Groundlings was my college. So but thank you, 1021 00:48:27,680 --> 00:48:30,640 Speaker 1: thank you for giving the name my whole face. We 1022 00:48:30,719 --> 00:48:34,440 Speaker 1: appreciate you for joining us, thank you for coming. Thank you. Yes, 1023 00:48:34,560 --> 00:48:37,680 Speaker 1: like the Portent Theater this weekend. That's right, Melissa McCarthy, 1024 00:48:37,880 --> 00:48:40,080 Speaker 1: your mom and my present. Will you give me alone? 1025 00:48:40,080 --> 00:48:47,800 Speaker 1: You're worth explained. It's the Breakfast Club. The Breakfast Club. 1026 00:48:50,760 --> 00:48:59,920 Speaker 1: It's about this report to angela ye fund to break 1027 00:49:00,080 --> 00:49:06,000 Speaker 1: his club. So people, of course do not want R. 1028 00:49:06,080 --> 00:49:09,560 Speaker 1: Kelly to perform in venues right now, and in North 1029 00:49:09,640 --> 00:49:12,360 Speaker 1: Carolina where he's supposed to be performing today in Greensboro. 1030 00:49:12,440 --> 00:49:15,839 Speaker 1: They're saying that if the show isn't canceled, then they 1031 00:49:15,880 --> 00:49:18,520 Speaker 1: are going to be protesting, standing outside of the arena 1032 00:49:18,640 --> 00:49:22,560 Speaker 1: and protests. So no reason, no word on whether or 1033 00:49:22,600 --> 00:49:24,560 Speaker 1: not they are going to cancel that show, but they 1034 00:49:24,600 --> 00:49:26,440 Speaker 1: said that they're going to keep it going. So we'll 1035 00:49:26,480 --> 00:49:30,960 Speaker 1: see what happens. But in the meantime, Spotify has removed 1036 00:49:31,040 --> 00:49:33,400 Speaker 1: R kelly music from their playlists, all of it. No, 1037 00:49:33,520 --> 00:49:36,719 Speaker 1: so you can still find his music on Spotify, but 1038 00:49:36,800 --> 00:49:39,080 Speaker 1: he's not on any of the curated playlists that they have, 1039 00:49:39,239 --> 00:49:41,520 Speaker 1: So I think that's kind of hypocritical Spotify though, well, 1040 00:49:41,520 --> 00:49:43,000 Speaker 1: we're going to talk about that in a second. We'll 1041 00:49:43,040 --> 00:49:45,200 Speaker 1: tell both sides of the story. Now. They have a 1042 00:49:45,400 --> 00:49:49,560 Speaker 1: new public hate content and Hateful conduct policy. A lot 1043 00:49:49,600 --> 00:49:52,480 Speaker 1: of music that they're putting into effects, so there's flagship 1044 00:49:52,520 --> 00:49:55,800 Speaker 1: playlists like Rap caveat, Discovery Weekly or New Music Friday, 1045 00:49:56,160 --> 00:49:58,800 Speaker 1: so there's all these different genres or mood based playlists. 1046 00:49:58,800 --> 00:50:01,919 Speaker 1: So they're just not active promoting him, but his music 1047 00:50:02,040 --> 00:50:04,800 Speaker 1: is still on Spotify. They're doing the same thing with 1048 00:50:05,040 --> 00:50:08,400 Speaker 1: xxx Tantasion as well. I don't like selective morality though. 1049 00:50:08,400 --> 00:50:10,799 Speaker 1: If you're gonna, you know, express moral outrage, you gotta 1050 00:50:10,840 --> 00:50:12,680 Speaker 1: have it all across the board, because there's plenty of 1051 00:50:12,760 --> 00:50:16,239 Speaker 1: people who have, you know, charges against women, and what 1052 00:50:16,360 --> 00:50:18,759 Speaker 1: about the music that actually degrades women. You're gonna take 1053 00:50:18,800 --> 00:50:22,280 Speaker 1: that down to now. R Kelly has his management team responded. 1054 00:50:22,600 --> 00:50:25,600 Speaker 1: We appreciate Spotify for continuing to make R. Kelly songs 1055 00:50:25,640 --> 00:50:28,760 Speaker 1: accessible to millions of people, although it will stop listing 1056 00:50:28,800 --> 00:50:31,640 Speaker 1: his songs on its official playlist. They said, mister Kelly 1057 00:50:31,680 --> 00:50:34,160 Speaker 1: for thirty years has sung songs about love and passion 1058 00:50:34,239 --> 00:50:36,799 Speaker 1: for women. He's innocent of the false and hurtful accusations 1059 00:50:37,080 --> 00:50:39,920 Speaker 1: and the ongoing smear campaign against him waged by enemies 1060 00:50:39,960 --> 00:50:42,919 Speaker 1: seeking a payoff. He never has been convicted of a crime, 1061 00:50:43,280 --> 00:50:46,000 Speaker 1: nor does he have any pending criminal charges against him. Bro, 1062 00:50:46,160 --> 00:50:48,040 Speaker 1: we saw the tape. But you know what, though, and 1063 00:50:48,600 --> 00:50:50,759 Speaker 1: I think R. Kelly's a piece of fecies for all 1064 00:50:50,760 --> 00:50:53,520 Speaker 1: the things that he's doing. But it's that right because 1065 00:50:53,560 --> 00:50:58,120 Speaker 1: he was found innocent, he said. Meanwhile, though Spotify promotes 1066 00:50:58,200 --> 00:51:01,000 Speaker 1: numerous other artists who are convicted fellas others who have 1067 00:51:01,120 --> 00:51:03,960 Speaker 1: been arrested on charges of domestic violence, and artists who 1068 00:51:04,000 --> 00:51:06,479 Speaker 1: say lyrics that are violent and anti women in nature. 1069 00:51:06,480 --> 00:51:09,439 Speaker 1: That's why I say selective morality is a slippery, slippery slow. 1070 00:51:09,480 --> 00:51:11,319 Speaker 1: It is like you can't, you know, point to blame 1071 00:51:11,360 --> 00:51:14,120 Speaker 1: at two people when it's people other people music that 1072 00:51:14,239 --> 00:51:16,400 Speaker 1: got worse charges, right, you know what I mean, that 1073 00:51:16,520 --> 00:51:18,879 Speaker 1: have been actually found guilty of things right now. Fifty 1074 00:51:18,920 --> 00:51:21,279 Speaker 1: Sam posted Spotify is wrong for what they're doing. The 1075 00:51:21,400 --> 00:51:24,560 Speaker 1: artists like R. Kelly and xxx Tantasion, they're not even 1076 00:51:24,680 --> 00:51:27,239 Speaker 1: convicted of anything. And once again, what about the music 1077 00:51:27,320 --> 00:51:31,279 Speaker 1: that degrades women? What about that? Right? You're not gonna 1078 00:51:31,320 --> 00:51:34,640 Speaker 1: take that down. It's pretty hypocritical if you ask me. 1079 00:51:34,960 --> 00:51:37,360 Speaker 1: In the meantime, though some people still love R. Kelly. 1080 00:51:37,440 --> 00:51:40,239 Speaker 1: This woman wanted to announce to her husband that she 1081 00:51:40,640 --> 00:51:43,399 Speaker 1: is pregnant, and here's how she did it. Guys, I've 1082 00:51:43,440 --> 00:51:46,040 Speaker 1: been waiting to sing the song to you for so long, 1083 00:51:46,880 --> 00:51:51,920 Speaker 1: Heaven A baby, a little boy, a little girl, a 1084 00:51:52,080 --> 00:51:57,120 Speaker 1: little you, little me, a girl. It doesn't matter as 1085 00:51:57,200 --> 00:52:00,200 Speaker 1: long as it's healthy. No, you know, he's all kid 1086 00:52:00,200 --> 00:52:05,680 Speaker 1: a little bit, but it's always thank you. That white 1087 00:52:05,680 --> 00:52:07,400 Speaker 1: woman has no idea what all Kelly has done the 1088 00:52:07,440 --> 00:52:10,680 Speaker 1: little black now. She has no clue. She think, why 1089 00:52:10,719 --> 00:52:13,880 Speaker 1: did this go so viral? She has no clue what 1090 00:52:14,040 --> 00:52:16,600 Speaker 1: all Kelly has done the little black girl? Zoo. All right, 1091 00:52:16,680 --> 00:52:19,280 Speaker 1: well I Mandela yee, and that is your rumor report. 1092 00:52:19,480 --> 00:52:22,399 Speaker 1: All right, thank you, miss ye Charlemain. Yes, we're giving 1093 00:52:22,440 --> 00:52:27,279 Speaker 1: that down CONTU four after the hour, let's talk about it. 1094 00:52:27,360 --> 00:52:29,440 Speaker 1: We'll just just just be here for after that I 1095 00:52:29,520 --> 00:52:31,879 Speaker 1: have a conversation. Let's just have a conversation for after 1096 00:52:31,960 --> 00:52:34,319 Speaker 1: the hour. We'll be here, all right, and to join 1097 00:52:34,520 --> 00:52:36,279 Speaker 1: us next hour. Yeah, all right, so don't move. It's 1098 00:52:36,280 --> 00:52:39,799 Speaker 1: to breakfast club the morning. Don't be at the gate 1099 00:52:41,880 --> 00:52:52,759 Speaker 1: you get drunk, you are, I'm gonna fatten all that 1100 00:52:53,080 --> 00:52:56,040 Speaker 1: around your They want this man's two doten blowers. Man, 1101 00:52:56,080 --> 00:52:58,400 Speaker 1: they're waiting for Charlemagne to top these gloves. Let's go 1102 00:52:58,840 --> 00:53:00,719 Speaker 1: to make a judgment. Was going to be on the 1103 00:53:00,760 --> 00:53:04,479 Speaker 1: Donkey of the day. They chose you the practice club. Bitch. 1104 00:53:04,719 --> 00:53:07,960 Speaker 1: Who's donkey of the day today? Donkey today for Friday 1105 00:53:08,040 --> 00:53:11,359 Speaker 1: May eleventh is nobody. But we have a young woman 1106 00:53:11,400 --> 00:53:13,359 Speaker 1: in here who has received Donkey of Today a couple 1107 00:53:13,400 --> 00:53:15,600 Speaker 1: of times, and she would like to talk about it 1108 00:53:15,719 --> 00:53:18,640 Speaker 1: a little bit, amongst other things. Okay, missus, Zelia Banks 1109 00:53:19,160 --> 00:53:24,760 Speaker 1: Banks Hell, nothing much. It must be a special occasion 1110 00:53:24,800 --> 00:53:27,000 Speaker 1: if you've come out of hiding to show your face 1111 00:53:27,080 --> 00:53:30,879 Speaker 1: and talk. I'm never hiding. I'm never hiding. I guess 1112 00:53:30,920 --> 00:53:33,359 Speaker 1: I just wanted to wait until I had some new music. 1113 00:53:33,640 --> 00:53:37,240 Speaker 1: Got you. You've never been here before, actually never, Charlotte 1114 00:53:37,239 --> 00:53:39,960 Speaker 1: Mane and I have actually known each other via text 1115 00:53:40,080 --> 00:53:43,520 Speaker 1: for three years. Yes, actually never met each other. You know, 1116 00:53:43,600 --> 00:53:45,200 Speaker 1: I was the first time you guys actually met face 1117 00:53:45,200 --> 00:53:47,600 Speaker 1: to face. W Yeah, because you know I've I've had 1118 00:53:47,760 --> 00:53:49,839 Speaker 1: I've had my opinion about it, Dallia Banks over the years, 1119 00:53:49,840 --> 00:53:53,320 Speaker 1: and she's had an opinion about me, my opinion. I 1120 00:53:53,320 --> 00:53:55,800 Speaker 1: actually do. I dig a lot. I think a Zelia 1121 00:53:55,880 --> 00:53:58,759 Speaker 1: is a very misunderstood individual. And I realized that when 1122 00:53:58,800 --> 00:54:02,160 Speaker 1: I started actually having conversations with her, and I say, 1123 00:54:02,200 --> 00:54:04,320 Speaker 1: you know what, I apologize for giving you donkey to 1124 00:54:04,400 --> 00:54:05,800 Speaker 1: day because she told me about a lot of the 1125 00:54:05,880 --> 00:54:07,719 Speaker 1: things that why did you give a donkey to day? 1126 00:54:07,760 --> 00:54:10,359 Speaker 1: Don't remember he gave me donkey of the day, if 1127 00:54:10,400 --> 00:54:14,560 Speaker 1: I remember correctly. For defending myself to TI. I remember 1128 00:54:14,680 --> 00:54:20,480 Speaker 1: during that whole deco and t I said something about 1129 00:54:20,520 --> 00:54:21,920 Speaker 1: me and then I said something back, and then you 1130 00:54:21,960 --> 00:54:23,759 Speaker 1: called me donkey o the day. Yeah, he said something 1131 00:54:23,800 --> 00:54:25,400 Speaker 1: about his wife. I think it was no that was 1132 00:54:25,560 --> 00:54:27,760 Speaker 1: that was way after it. Oh well, I don't remember, 1133 00:54:27,800 --> 00:54:31,160 Speaker 1: but whatever was. I apologize for it, and I apologize again, 1134 00:54:31,239 --> 00:54:34,360 Speaker 1: Miss Spinks. Give thank you. Charlomagne. Did you give you 1135 00:54:34,400 --> 00:54:39,320 Speaker 1: donkey twice? Charlomagne's always giving me donkey. I always the 1136 00:54:39,400 --> 00:54:42,719 Speaker 1: movie thing. Remember no, I wasn't the movie No, no, 1137 00:54:42,960 --> 00:54:45,960 Speaker 1: that she was definitely not the donkey in that situation. Okay, yeah, 1138 00:54:46,080 --> 00:54:49,279 Speaker 1: and she called me a jiggaboo in a coon. I 1139 00:54:49,400 --> 00:54:53,120 Speaker 1: apologize for calling you a jiggabow. It's all good. So 1140 00:54:53,239 --> 00:54:55,440 Speaker 1: you're from Hallom, yes, but I don't think a lot 1141 00:54:55,480 --> 00:54:57,440 Speaker 1: of people, I don't want to say respect, but they 1142 00:54:57,480 --> 00:55:00,400 Speaker 1: don't support you, like an artist from Hallow. Why why 1143 00:55:00,440 --> 00:55:02,120 Speaker 1: do you think that is? Who's a lot of people, 1144 00:55:02,480 --> 00:55:05,120 Speaker 1: A lot of New Yorkers I would say, I would 1145 00:55:05,160 --> 00:55:07,279 Speaker 1: say that they don't support you like I think that 1146 00:55:07,400 --> 00:55:09,600 Speaker 1: they should. Do you agree or though I don't agree 1147 00:55:09,640 --> 00:55:11,840 Speaker 1: that they should support me just because I'm from Harlem 1148 00:55:12,360 --> 00:55:15,080 Speaker 1: and you know, I wouldn't say that people don't respect me. 1149 00:55:15,239 --> 00:55:17,440 Speaker 1: I think that respects a bad word. I think of support, 1150 00:55:17,600 --> 00:55:22,319 Speaker 1: I would say it's bad. Even still, I still think 1151 00:55:22,360 --> 00:55:24,840 Speaker 1: that there are a lot of people who actually do 1152 00:55:25,000 --> 00:55:27,879 Speaker 1: support a Zelia Banks. A very long time, we've been 1153 00:55:28,000 --> 00:55:32,480 Speaker 1: really focused on this, you know, narrative of Azelia Banks, 1154 00:55:32,600 --> 00:55:36,319 Speaker 1: this like music industry villain type of thing. But um, 1155 00:55:36,840 --> 00:55:39,359 Speaker 1: aside from that, I actually do live a normal life. 1156 00:55:39,640 --> 00:55:43,600 Speaker 1: I have friends and pets and fans, and streams on 1157 00:55:43,719 --> 00:55:47,200 Speaker 1: Spotify and plays on YouTube. You know you think you 1158 00:55:47,280 --> 00:55:49,200 Speaker 1: think some of the narrative, of course, you know some 1159 00:55:49,239 --> 00:55:51,480 Speaker 1: of the native you created yourself, of course? Yeah? Yeah. 1160 00:55:51,880 --> 00:55:54,320 Speaker 1: Do you feel like the music industry bad girl or 1161 00:55:54,400 --> 00:55:58,920 Speaker 1: hip hop industry bagirl? No? I feel like I don't know. 1162 00:55:59,000 --> 00:56:01,360 Speaker 1: I don't know how to say it without sounding really ignorant, 1163 00:56:01,440 --> 00:56:04,400 Speaker 1: but just say it, speak freely. I just feel like 1164 00:56:04,480 --> 00:56:08,680 Speaker 1: that dorky black girl who everyone thinks is kind of weird. 1165 00:56:09,560 --> 00:56:12,480 Speaker 1: Do you think you feed into the negativity instead of 1166 00:56:12,520 --> 00:56:15,320 Speaker 1: focusing on your craft more? Sure? Don't we all? This 1167 00:56:15,360 --> 00:56:18,040 Speaker 1: is what gets me about his day. She knows what 1168 00:56:18,239 --> 00:56:21,200 Speaker 1: she's doing, but she won't stop doing it. I think 1169 00:56:21,239 --> 00:56:24,920 Speaker 1: she's to stop doing. What have I? What have I 1170 00:56:25,040 --> 00:56:28,160 Speaker 1: really done? Well? Like, what if I actually really done? 1171 00:56:28,239 --> 00:56:29,799 Speaker 1: You would make a great And I told you before 1172 00:56:29,800 --> 00:56:32,560 Speaker 1: you'd make a great Like personality, you're not afraid to 1173 00:56:32,640 --> 00:56:35,800 Speaker 1: express your opinion. How about I'm a great musician. You 1174 00:56:35,920 --> 00:56:38,680 Speaker 1: definitely are, But being a musician in the music industry 1175 00:56:38,719 --> 00:56:40,160 Speaker 1: and then critiquing other people the way that you do 1176 00:56:40,280 --> 00:56:42,839 Speaker 1: makes other people not want to deal with you. Well, 1177 00:56:43,400 --> 00:56:46,840 Speaker 1: whose problem is that I think that when I offer 1178 00:56:47,040 --> 00:56:49,880 Speaker 1: my opinion or offer my critique or anything like that, 1179 00:56:50,440 --> 00:56:53,160 Speaker 1: it's always in a way for me to digest what 1180 00:56:53,280 --> 00:56:55,440 Speaker 1: I'm seeing. You get what I mean? How do you like? 1181 00:56:55,560 --> 00:56:57,960 Speaker 1: Do you like Nicki Minaj and home music? Yeah? Y'all 1182 00:56:58,040 --> 00:57:00,719 Speaker 1: y'all in a good space now, Yeah, y'all remind me 1183 00:57:00,760 --> 00:57:02,280 Speaker 1: of each other. We went to we went to leguari 1184 00:57:02,640 --> 00:57:04,759 Speaker 1: to leguari each other, which which is not just the 1185 00:57:04,800 --> 00:57:06,120 Speaker 1: way that you speak, in the way that you talk, 1186 00:57:06,280 --> 00:57:09,719 Speaker 1: is it's everything about you that whole all right, LaGuardia 1187 00:57:09,880 --> 00:57:12,680 Speaker 1: actress drama. That's what you do. Y'all remind me of 1188 00:57:12,719 --> 00:57:16,160 Speaker 1: each other. Nice? Thank you. Have y'all spoken outside of 1189 00:57:16,200 --> 00:57:19,200 Speaker 1: social media? Now, sorry, she mentioned you in the interview. 1190 00:57:19,360 --> 00:57:21,880 Speaker 1: I know that was that was that was really good. 1191 00:57:21,960 --> 00:57:23,960 Speaker 1: Thank you, Nikki. You feel like that put you in 1192 00:57:24,120 --> 00:57:27,400 Speaker 1: a good place. Finally, you gotta somebody wasn't afraid to 1193 00:57:27,440 --> 00:57:29,440 Speaker 1: say of the banks is the dope? Are you kidding? 1194 00:57:29,480 --> 00:57:31,200 Speaker 1: People say I'm dope all the time. This is what 1195 00:57:31,360 --> 00:57:35,000 Speaker 1: this is what I'm talking about. This people music industry, 1196 00:57:35,000 --> 00:57:37,040 Speaker 1: people say I'm dope all the time. It seems like 1197 00:57:37,040 --> 00:57:39,840 Speaker 1: you're always getting Kanye West called me the future of music. 1198 00:57:40,040 --> 00:57:42,400 Speaker 1: Nas is like what did not say? He was like, 1199 00:57:42,440 --> 00:57:45,440 Speaker 1: oh yeah, she's got the full package. Solange bikes me 1200 00:57:45,600 --> 00:57:48,400 Speaker 1: up all the time. People like and love and respect 1201 00:57:48,480 --> 00:57:50,919 Speaker 1: of Celia Banks. I don't know why you keep trying 1202 00:57:50,920 --> 00:57:53,840 Speaker 1: to tell people that they don't. So you think it's 1203 00:57:53,880 --> 00:57:56,760 Speaker 1: just that like when you it's you Charlotte Mage and goddamn. 1204 00:57:56,960 --> 00:57:59,320 Speaker 1: But you know, like they pay more attention to things 1205 00:57:59,360 --> 00:58:02,920 Speaker 1: that you say one music. No, they pay more attention 1206 00:58:03,000 --> 00:58:05,720 Speaker 1: to the things you say you give it. I mean, yeah, 1207 00:58:06,200 --> 00:58:08,680 Speaker 1: you you've okay, so you've got say you've got a 1208 00:58:08,800 --> 00:58:12,640 Speaker 1: million listeners every morning, right, and say I've got ten 1209 00:58:12,720 --> 00:58:15,840 Speaker 1: thousand followers on Twitter. If I say something to those 1210 00:58:15,920 --> 00:58:18,760 Speaker 1: ten thousand people, it kind of goes away. But when 1211 00:58:18,880 --> 00:58:22,080 Speaker 1: you guys latch onto it, the media latch onto it, 1212 00:58:22,200 --> 00:58:24,560 Speaker 1: and you guys blow it up, then it becomes a thing. 1213 00:58:24,720 --> 00:58:30,400 Speaker 1: Yeah that's what s that's my fault. Yes, no, absolutely not. 1214 00:58:31,240 --> 00:58:33,320 Speaker 1: It's not my fault because I'll hit you and be like, 1215 00:58:33,400 --> 00:58:35,200 Speaker 1: now you didn't have to say that, so what I 1216 00:58:35,320 --> 00:58:40,720 Speaker 1: said it? So what I said it? Who cares? That's 1217 00:58:40,800 --> 00:58:43,680 Speaker 1: my point? Why do people care? But it's the gift 1218 00:58:43,720 --> 00:58:45,280 Speaker 1: in the cress, right, Like you can't pick and choose 1219 00:58:45,320 --> 00:58:48,400 Speaker 1: what people gravitate towards. You put people who can people 1220 00:58:48,480 --> 00:58:50,840 Speaker 1: can choose. You know a lot of people I see 1221 00:58:50,880 --> 00:58:53,760 Speaker 1: people really stress themselves out in the comment sections over 1222 00:58:53,880 --> 00:58:56,600 Speaker 1: things that I say, and it's just like, yeah, I 1223 00:58:56,880 --> 00:59:01,840 Speaker 1: don't think I could ever imagine being that, you know, pressed, well, 1224 00:59:01,960 --> 00:59:05,120 Speaker 1: not pressed because pressure. I don't know. I'm a very 1225 00:59:05,160 --> 00:59:10,160 Speaker 1: anxious girl, so I'm always in some state of pressedness. 1226 00:59:10,760 --> 00:59:15,120 Speaker 1: But you have anxiety, of course. I think. I think 1227 00:59:15,200 --> 00:59:16,760 Speaker 1: because of that, and you're not gonna like this, but 1228 00:59:16,800 --> 00:59:19,160 Speaker 1: I think because of that, people don't get it actually 1229 00:59:19,480 --> 00:59:25,400 Speaker 1: a chance to meet and understand exact How many times 1230 00:59:25,440 --> 00:59:26,800 Speaker 1: has you been telling me you're gonna set up my 1231 00:59:26,880 --> 00:59:33,840 Speaker 1: podcast and you're never true. I'd be like, let's do it, 1232 00:59:34,040 --> 00:59:38,640 Speaker 1: and I'd be like, hello, hello, Hello. Don't really feel 1233 00:59:38,680 --> 00:59:41,240 Speaker 1: like people misunderstand you, but they will never understand you 1234 00:59:41,240 --> 00:59:43,440 Speaker 1: because they look at the negative things or whatever you say. 1235 00:59:43,520 --> 00:59:46,240 Speaker 1: They're so attached to what you say and not necessarily 1236 00:59:46,360 --> 00:59:48,200 Speaker 1: the things that you do, whether it's the music, whether 1237 00:59:48,240 --> 00:59:51,680 Speaker 1: it's the acting fashion. I don't know why a lot 1238 00:59:51,720 --> 00:59:55,840 Speaker 1: of my opinions are terrible. You know, like, you really 1239 00:59:55,920 --> 00:59:59,160 Speaker 1: should not subscribe to the I'm saying what people do? 1240 00:59:59,440 --> 01:00:01,560 Speaker 1: You know why they're so attached to some of the 1241 01:00:01,840 --> 01:00:05,440 Speaker 1: people that you talk about. Problem. But that's why it's 1242 01:00:05,480 --> 01:00:07,760 Speaker 1: even more iller, because you are an artist. So when 1243 01:00:08,880 --> 01:00:13,400 Speaker 1: people no, no, no, don't subscribe to a Zelia Banks's opinions. Okay, 1244 01:00:13,840 --> 01:00:16,520 Speaker 1: that's it, But they do, you know, when when you 1245 01:00:16,600 --> 01:00:18,360 Speaker 1: talk about some of their favorite artists, that's what they 1246 01:00:18,800 --> 01:00:20,919 Speaker 1: you know, that's what they see. They don't hear the music, 1247 01:00:21,000 --> 01:00:23,360 Speaker 1: they don't see the fashion, they don't see the acting. 1248 01:00:23,440 --> 01:00:26,000 Speaker 1: They see Zelia Banks just said this, and that's what 1249 01:00:26,080 --> 01:00:27,880 Speaker 1: they attached to. And then all of a sudden, you know, 1250 01:00:27,920 --> 01:00:29,840 Speaker 1: people don't understand that you can have an opinion, so 1251 01:00:29,920 --> 01:00:31,920 Speaker 1: they pick sides, and all of a sudden, your side is. 1252 01:00:32,080 --> 01:00:34,880 Speaker 1: Everything you're explaining to me is like people's problems that 1253 01:00:35,040 --> 01:00:38,200 Speaker 1: not a Zelia Banks's problem. I can't control with people. 1254 01:00:39,000 --> 01:00:41,160 Speaker 1: I can only be myself. How did you like your 1255 01:00:41,200 --> 01:00:43,640 Speaker 1: shout out on Atlanta? Oh? I like that when they 1256 01:00:43,720 --> 01:00:46,040 Speaker 1: when they like look like the Zelia Bank's been in 1257 01:00:46,120 --> 01:00:50,800 Speaker 1: his I take it. That was nice. Donald. You still 1258 01:00:50,840 --> 01:00:52,720 Speaker 1: do that with the chickens. I don't know if you 1259 01:00:52,760 --> 01:00:54,800 Speaker 1: put something, Mommy, just now, what was that? What was 1260 01:00:54,840 --> 01:00:59,840 Speaker 1: that look you gave me? Just now? You still you 1261 01:00:59,840 --> 01:01:01,640 Speaker 1: can You're not allowed to talk about it. I'm sure 1262 01:01:01,640 --> 01:01:03,400 Speaker 1: I can talk about it. So do you still do it? 1263 01:01:04,800 --> 01:01:06,520 Speaker 1: Jesus Christ. I don't look at me like that. I 1264 01:01:06,560 --> 01:01:08,800 Speaker 1: don't know if you're putting something on me? Now? All right? 1265 01:01:08,920 --> 01:01:11,600 Speaker 1: You got skincare products too, right? Yes I do? What 1266 01:01:11,800 --> 01:01:13,400 Speaker 1: is the skincare product? But you know she'll hit me 1267 01:01:13,440 --> 01:01:16,600 Speaker 1: and be like, um uh, I can tell you bleaching. 1268 01:01:17,000 --> 01:01:20,000 Speaker 1: I was not a bleaching girl, A five rubber natty cream. 1269 01:01:20,600 --> 01:01:23,440 Speaker 1: Do you think he's bleaching? Charoagne's bleaching. I've never bleached. 1270 01:01:23,800 --> 01:01:26,400 Speaker 1: Both of usn't been accused of skin bleaching, though we're 1271 01:01:26,800 --> 01:01:31,600 Speaker 1: we're bleaching bleaching siblings, Yes we are. That's That's how 1272 01:01:31,880 --> 01:01:36,520 Speaker 1: Charlomagne and I bonded. We were sharing skin skin bleach recipes. 1273 01:01:36,800 --> 01:01:38,280 Speaker 1: Was hitting me with all kind of stuff, telling me 1274 01:01:38,280 --> 01:01:39,560 Speaker 1: you all kind of chemicals. I'm like, I don't know 1275 01:01:39,560 --> 01:01:41,560 Speaker 1: what this is. Oh, shut the fuck up. Come on. 1276 01:01:41,840 --> 01:01:50,800 Speaker 1: Charlomagne's got not nor Lie immediate Claire volume party, Charlomagne's 1277 01:01:50,880 --> 01:01:55,560 Speaker 1: mixing Charlomagne. Charlemagne got a top under the bed. All right, 1278 01:01:55,600 --> 01:01:57,080 Speaker 1: we got more with the zell your Banks. When we 1279 01:01:57,160 --> 01:01:59,280 Speaker 1: come back, donpe move. It's to Breakfast Club. Good morning, 1280 01:02:00,120 --> 01:02:05,960 Speaker 1: Breakfast Club the morning. Everybody is DJ Envy, Angela Yee, 1281 01:02:06,120 --> 01:02:09,000 Speaker 1: Charlemagne the guy. We all the Breakfast Club. We have 1282 01:02:09,200 --> 01:02:12,680 Speaker 1: Azelia Banks in the building. Now, did you really call 1283 01:02:12,840 --> 01:02:17,439 Speaker 1: Cardi b and a literate, untalented rat? I did? Why? 1284 01:02:17,960 --> 01:02:20,240 Speaker 1: I just think that, you know, and this is gonna 1285 01:02:20,320 --> 01:02:24,840 Speaker 1: sound really deep when I look at black women's culture 1286 01:02:25,360 --> 01:02:28,400 Speaker 1: as like a whole thing, right, and then you think 1287 01:02:28,440 --> 01:02:31,720 Speaker 1: about the media and the power that the media has, 1288 01:02:31,840 --> 01:02:34,000 Speaker 1: Like how the media have the power to get rid 1289 01:02:34,040 --> 01:02:36,880 Speaker 1: of me. The media has the power to make anyone 1290 01:02:37,040 --> 01:02:40,360 Speaker 1: like the Forefront. You know this this this is what 1291 01:02:40,600 --> 01:02:43,960 Speaker 1: we're trying to like grab black women's consciousness with right now. 1292 01:02:44,280 --> 01:02:50,080 Speaker 1: You know, I think that it's very concerning to me 1293 01:02:50,880 --> 01:02:55,760 Speaker 1: that this conversation surrounding black women's culture like changes from 1294 01:02:56,320 --> 01:02:58,560 Speaker 1: I don't know, because I feel like maybe two years ago, 1295 01:02:58,760 --> 01:03:01,760 Speaker 1: the conversation surrounding black women's culture was really reaching an 1296 01:03:01,800 --> 01:03:05,440 Speaker 1: all time high, and we were really like discussing, you know, 1297 01:03:05,720 --> 01:03:08,960 Speaker 1: our power amongst ourselves, and you know, Beyonce came out 1298 01:03:09,000 --> 01:03:11,960 Speaker 1: with Lemonade, and like there was just this really really 1299 01:03:12,040 --> 01:03:16,760 Speaker 1: really intelligent conversation going on nationally and then everything just 1300 01:03:16,920 --> 01:03:20,720 Speaker 1: kind of changed. And then it was like you, I mean, 1301 01:03:21,120 --> 01:03:22,960 Speaker 1: you don't think it grew dough, What do you mean 1302 01:03:23,080 --> 01:03:25,760 Speaker 1: grew like it grew? I think I think people took 1303 01:03:26,200 --> 01:03:28,760 Speaker 1: what Beyonce was doing and it grew like in all aspects, 1304 01:03:28,760 --> 01:03:30,720 Speaker 1: because I mean for every cardy B you got a 1305 01:03:30,720 --> 01:03:33,680 Speaker 1: Scissor and you got Esa Rain and you gotta it 1306 01:03:33,800 --> 01:03:37,720 Speaker 1: was Duvenay and you got Tiffany had it her music 1307 01:03:37,800 --> 01:03:39,320 Speaker 1: and what she raps about No no, no, no, no, 1308 01:03:39,520 --> 01:03:42,360 Speaker 1: no no no she did, oh not at all. I'm 1309 01:03:42,400 --> 01:03:46,120 Speaker 1: just talking about like this caricature, you get it. I mean, 1310 01:03:46,240 --> 01:03:49,200 Speaker 1: this charcature of a black woman that black women themselves 1311 01:03:49,280 --> 01:03:51,560 Speaker 1: would never be able to get away with. You know, 1312 01:03:52,120 --> 01:03:55,280 Speaker 1: like if my spelling and grammar was that bad, I'd 1313 01:03:55,320 --> 01:03:57,920 Speaker 1: be canceled. If Nicki Mina spelled like that, just be 1314 01:03:58,080 --> 01:04:00,560 Speaker 1: ragging on her all day. You know, I've been spelling 1315 01:04:00,600 --> 01:04:02,720 Speaker 1: wrong his whole career, and we like that, right, But 1316 01:04:02,840 --> 01:04:06,640 Speaker 1: we're talking about women, you know, so we've we've already 1317 01:04:06,920 --> 01:04:09,720 Speaker 1: established that there's a double standard there. I think that 1318 01:04:10,160 --> 01:04:12,880 Speaker 1: when it comes to this black women's culture thing. I 1319 01:04:12,920 --> 01:04:16,360 Speaker 1: just don't understand how we go from Yance and Lemonade 1320 01:04:16,440 --> 01:04:19,760 Speaker 1: and Solange and all of these like great conversations Black 1321 01:04:19,800 --> 01:04:24,120 Speaker 1: lives matter, all these conversations to like this black women 1322 01:04:24,120 --> 01:04:26,560 Speaker 1: on monolithic though either or I know we're not monolithic, 1323 01:04:26,680 --> 01:04:28,800 Speaker 1: but come on, and you used to like Cardi b. 1324 01:04:29,200 --> 01:04:30,760 Speaker 1: I used to. They had a video of you in 1325 01:04:30,840 --> 01:04:35,040 Speaker 1: the club going crazy to what made you not like her? 1326 01:04:35,120 --> 01:04:36,960 Speaker 1: You know, because I have three daughters. Of course, I 1327 01:04:37,000 --> 01:04:38,760 Speaker 1: don't want my daughter to be a strip. She's a 1328 01:04:38,880 --> 01:04:42,240 Speaker 1: businesswoman now that's employing people. Why she looking like that? 1329 01:04:42,440 --> 01:04:44,320 Speaker 1: Because that's because it's just like I don't know, I 1330 01:04:44,400 --> 01:04:47,000 Speaker 1: feel like you guys just use everything to like make 1331 01:04:47,200 --> 01:04:50,760 Speaker 1: this like bigger than what it is. Yeah, I feel 1332 01:04:50,800 --> 01:04:53,320 Speaker 1: like it's like a little like you call somebody a literate, 1333 01:04:53,640 --> 01:04:57,160 Speaker 1: untalented rat. That's I let the record, Shore, I wasn't 1334 01:04:57,160 --> 01:04:58,720 Speaker 1: even gonna bring it up. By the way, I know 1335 01:04:58,800 --> 01:05:00,960 Speaker 1: you weren't gonna bring it up. I'm asking, I don't don't, 1336 01:05:00,960 --> 01:05:02,400 Speaker 1: I don't know. I really want to know because I'm 1337 01:05:02,400 --> 01:05:04,720 Speaker 1: trying to learn more about you because I've never spoke 1338 01:05:04,760 --> 01:05:06,560 Speaker 1: to you, and this first time I met you, so yeah, 1339 01:05:07,560 --> 01:05:10,920 Speaker 1: saying I want to get to the DAU. I just 1340 01:05:11,120 --> 01:05:16,000 Speaker 1: I just don't understand the like extreme lack of cous 1341 01:05:16,520 --> 01:05:20,520 Speaker 1: You know, I've never seen that at the forefront of 1342 01:05:20,640 --> 01:05:24,840 Speaker 1: female rap. I didn't know that the standards that that 1343 01:05:24,960 --> 01:05:27,760 Speaker 1: the bar would be lowered so much. So it's kind 1344 01:05:27,760 --> 01:05:29,720 Speaker 1: of it was kind of like a culture shock, Like 1345 01:05:29,840 --> 01:05:33,720 Speaker 1: the bar went from Beyonce Lemonade, this very very extremely 1346 01:05:33,800 --> 01:05:36,840 Speaker 1: intelligent conversation to like, but we see that old genres 1347 01:05:36,880 --> 01:05:42,520 Speaker 1: of music, we see that rape. But okay, and that's great, 1348 01:05:42,640 --> 01:05:45,840 Speaker 1: that's great, that's great. But when you're talking about this 1349 01:05:46,280 --> 01:05:49,720 Speaker 1: female rap thing like bitches that really pushed their pen, 1350 01:05:50,160 --> 01:05:52,680 Speaker 1: I just I just feel like it's unfair to like 1351 01:05:52,880 --> 01:05:56,320 Speaker 1: the real institution of female rap. We're talking about this. 1352 01:05:56,400 --> 01:05:59,200 Speaker 1: We're way too long, honestly, I think you. I think 1353 01:05:59,280 --> 01:06:02,520 Speaker 1: you give card Be enough free promotion. Let's talk about 1354 01:06:02,560 --> 01:06:06,120 Speaker 1: Anna Winter. But I love Rhapsody and I love I 1355 01:06:06,280 --> 01:06:09,680 Speaker 1: think CARDIV would love Anna Winter. I think it would 1356 01:06:09,720 --> 01:06:12,560 Speaker 1: make her feel really good. And she listened to Anna Winter, 1357 01:06:12,760 --> 01:06:15,680 Speaker 1: maybe she should put the headphones on her belly and 1358 01:06:15,840 --> 01:06:18,160 Speaker 1: let the baby here Anna Winter. We all, well, let's 1359 01:06:18,160 --> 01:06:19,240 Speaker 1: take it out of Cardi, But do you feel like 1360 01:06:19,280 --> 01:06:21,400 Speaker 1: wait for male music as well? I don't care. I 1361 01:06:21,440 --> 01:06:24,000 Speaker 1: really don't care about male music. Then you used to 1362 01:06:24,000 --> 01:06:25,360 Speaker 1: be in the studio or Kanye back in the day, 1363 01:06:25,520 --> 01:06:27,360 Speaker 1: back in the day day. Yeah, you used to write 1364 01:06:27,640 --> 01:06:29,960 Speaker 1: you help him? Right? Uh? I didn't say all that, oh, 1365 01:06:30,160 --> 01:06:33,080 Speaker 1: which I'll just used to work together. We were just talking. 1366 01:06:34,200 --> 01:06:37,400 Speaker 1: Those conversations very scattered. Do you understand what he's going 1367 01:06:37,480 --> 01:06:40,880 Speaker 1: through now? Ums, you had your your love for Trump moment. Listen, 1368 01:06:40,960 --> 01:06:44,240 Speaker 1: I wanted to tax break, Okay, Like everybody keeps trying 1369 01:06:44,280 --> 01:06:47,680 Speaker 1: to pin this like love for Trump on me that 1370 01:06:47,840 --> 01:06:50,000 Speaker 1: that wasn't the point. I feel like, you know, this 1371 01:06:50,160 --> 01:06:52,160 Speaker 1: was before he was president, by the way, Yeah, I 1372 01:06:52,280 --> 01:06:54,920 Speaker 1: feel like the system is the same on both sides. 1373 01:06:55,040 --> 01:06:58,320 Speaker 1: You know, no matter who you're voting for, the American 1374 01:06:59,280 --> 01:07:04,320 Speaker 1: dream is it rests on a systematically oppressed underclass, be 1375 01:07:04,440 --> 01:07:08,840 Speaker 1: it black people, Latino people, people in jail, people in China. 1376 01:07:09,040 --> 01:07:11,800 Speaker 1: Building for us for cheap, you know, like that's just 1377 01:07:12,000 --> 01:07:14,280 Speaker 1: the name of the game. So either way you go, 1378 01:07:14,560 --> 01:07:17,720 Speaker 1: somebody's getting you know, wouldn't you want to get a 1379 01:07:17,880 --> 01:07:21,760 Speaker 1: couple extra like thirty thousand dollars back on your tax return, 1380 01:07:21,880 --> 01:07:24,800 Speaker 1: like you're getting either way. Now, let's put this in context. 1381 01:07:24,920 --> 01:07:27,000 Speaker 1: She was saying this before he was president. When he 1382 01:07:27,080 --> 01:07:30,040 Speaker 1: became president, she changed her tomb Yeah, because it's like, 1383 01:07:30,120 --> 01:07:33,160 Speaker 1: all right, Trump, you're just cheapening the presidency. Now you're 1384 01:07:33,160 --> 01:07:34,680 Speaker 1: just you know what I mean, Like, now you're just 1385 01:07:34,800 --> 01:07:37,800 Speaker 1: being sloppy. Okay, Because I'm also an American, Like I 1386 01:07:37,880 --> 01:07:40,360 Speaker 1: grew up watching South Park. I love the bullshit, like 1387 01:07:41,240 --> 01:07:44,440 Speaker 1: calling Kim Jong unfat and short. I think he's like 1388 01:07:45,120 --> 01:07:49,880 Speaker 1: the adult human like Eric Cartman, Like he reminds me 1389 01:07:50,000 --> 01:07:52,160 Speaker 1: so much of Eric Cartman. A big part of the 1390 01:07:52,240 --> 01:07:55,280 Speaker 1: reason why I didn't want to vote for Hillary Clinton 1391 01:07:55,720 --> 01:07:59,240 Speaker 1: is because I felt like her movement was just shrouded 1392 01:07:59,320 --> 01:08:03,920 Speaker 1: in so much like white feminism. It just seems like 1393 01:08:04,720 --> 01:08:07,240 Speaker 1: we're just gonna get this woman to the presidency and 1394 01:08:07,440 --> 01:08:10,320 Speaker 1: like completely ignore the fact that her and her husband 1395 01:08:10,360 --> 01:08:13,600 Speaker 1: are the reason that so many black families are divided. Now, 1396 01:08:13,720 --> 01:08:16,160 Speaker 1: like in the nineteen ninety four crime Bill, you get 1397 01:08:16,200 --> 01:08:18,679 Speaker 1: what I mean. That's why it's you know, people going 1398 01:08:18,720 --> 01:08:21,120 Speaker 1: to jail for like a bag of weed and dumb 1399 01:08:21,360 --> 01:08:23,960 Speaker 1: like that. We're like, we're forgetting that this woman called 1400 01:08:24,000 --> 01:08:27,360 Speaker 1: us super predators you know, she's blatantly like trying to 1401 01:08:27,400 --> 01:08:29,599 Speaker 1: pedal to us and talk about she's got hot sauce 1402 01:08:29,640 --> 01:08:31,120 Speaker 1: in her bag and all types of like that. She's 1403 01:08:31,160 --> 01:08:33,439 Speaker 1: like literally talking to us like we're idiots. You know. 1404 01:08:33,960 --> 01:08:36,960 Speaker 1: I always say that I like my racist racist, you know, 1405 01:08:37,800 --> 01:08:42,400 Speaker 1: I don't like any of that covert like and yeah, 1406 01:08:42,520 --> 01:08:45,400 Speaker 1: I felt I just and I feel this way about 1407 01:08:45,439 --> 01:08:49,360 Speaker 1: feminism too. I feel like the conversation or the feminist 1408 01:08:49,439 --> 01:08:53,560 Speaker 1: conversation is always very white, female centric, and I just 1409 01:08:53,720 --> 01:08:56,599 Speaker 1: felt like if Hillary Clinton won, that was just gonna 1410 01:08:56,640 --> 01:08:59,400 Speaker 1: be like a win for white women and just like 1411 01:09:00,120 --> 01:09:02,160 Speaker 1: more losses for black women because that was just going 1412 01:09:02,200 --> 01:09:04,160 Speaker 1: to give them even more of an excuse not to 1413 01:09:04,439 --> 01:09:08,439 Speaker 1: deal with like the intersectionality and all of the different 1414 01:09:08,840 --> 01:09:11,799 Speaker 1: all of the other women that fall under that feminist 1415 01:09:11,920 --> 01:09:14,840 Speaker 1: banner or like you know, should be included in there. 1416 01:09:15,200 --> 01:09:17,479 Speaker 1: So how do women of color become, I guess, all 1417 01:09:17,520 --> 01:09:21,360 Speaker 1: inclusive in that movement? Our duty really want to do? 1418 01:09:21,479 --> 01:09:23,960 Speaker 1: We want to be you know, I mean, like we've 1419 01:09:24,040 --> 01:09:28,479 Speaker 1: seen it with the suffrage. Suffrage movement, black women helped 1420 01:09:28,800 --> 01:09:30,960 Speaker 1: white women get the right to vote, and then they 1421 01:09:31,080 --> 01:09:34,240 Speaker 1: just kind of left us, you know, left us to 1422 01:09:34,320 --> 01:09:37,240 Speaker 1: fend for ourselves. We were the last American citizens to 1423 01:09:37,520 --> 01:09:39,720 Speaker 1: get the right to vote. So yeah, I guess. I 1424 01:09:39,800 --> 01:09:43,519 Speaker 1: guess it's a bit about, you know, realizing that history 1425 01:09:43,640 --> 01:09:46,519 Speaker 1: can and will repeat itself and the fact that Donald 1426 01:09:46,560 --> 01:09:50,240 Speaker 1: Trump was a seemingly a political outsider. I was willing 1427 01:09:50,320 --> 01:09:52,559 Speaker 1: to take the chance. You know, a lot of people were, 1428 01:09:52,920 --> 01:09:54,160 Speaker 1: but you're one of the people that could say I 1429 01:09:54,280 --> 01:09:56,800 Speaker 1: made a mistake voting, but she didn't vote, didn't vote him? 1430 01:09:57,080 --> 01:10:00,200 Speaker 1: Did you vote? Don't look at me like that. You 1431 01:10:01,520 --> 01:10:04,519 Speaker 1: like your racist racist right? Yeah, I like my racist 1432 01:10:04,640 --> 01:10:07,439 Speaker 1: racist What happened until Aviv? Because you said that you'll 1433 01:10:07,439 --> 01:10:10,040 Speaker 1: never go back because I can't. I can't go back 1434 01:10:10,080 --> 01:10:13,560 Speaker 1: to Tel Aviv? No, oh no, I'm not banned for 1435 01:10:13,640 --> 01:10:18,000 Speaker 1: the country. Just everywhere I went there was just looks, looks, looks, looks, looks. 1436 01:10:18,160 --> 01:10:20,599 Speaker 1: Went into a restaurant, people would be like like, I'd 1437 01:10:20,640 --> 01:10:22,599 Speaker 1: come in and they'd be like, oh, hold on a second, 1438 01:10:22,960 --> 01:10:24,720 Speaker 1: showing on their face that they needed to go like 1439 01:10:24,840 --> 01:10:27,840 Speaker 1: get their mind together before they served black people. There 1440 01:10:27,960 --> 01:10:30,960 Speaker 1: was only like we only ate in one restaurant. Every 1441 01:10:31,000 --> 01:10:32,840 Speaker 1: other restaurant we went to, the people were just kind 1442 01:10:32,840 --> 01:10:35,479 Speaker 1: of like h Then in the airport. It was just like, 1443 01:10:35,960 --> 01:10:40,679 Speaker 1: you know, the people like working for the airline were 1444 01:10:40,760 --> 01:10:44,840 Speaker 1: just clearly giving me and my security guard a hard time. 1445 01:10:45,200 --> 01:10:47,920 Speaker 1: I was seeing a lot of people with UK passport, 1446 01:10:47,960 --> 01:10:50,400 Speaker 1: white people with the UK passports just passing through, passing through, 1447 01:10:50,439 --> 01:10:53,800 Speaker 1: passing through, and just the vibe I got was very 1448 01:10:54,479 --> 01:10:57,720 Speaker 1: like unwelcoming. It kind of just gets to the point 1449 01:10:57,760 --> 01:11:00,599 Speaker 1: where you're just like, damn, I'm an here here too, 1450 01:11:02,320 --> 01:11:04,720 Speaker 1: rather just go home and Vietna or at home. All right, 1451 01:11:04,720 --> 01:11:06,519 Speaker 1: we got more with the Zelia Banks. Will we come back. 1452 01:11:06,880 --> 01:11:09,479 Speaker 1: Let's get on her joint right now. It's called Anna Winter, 1453 01:11:09,760 --> 01:11:10,960 Speaker 1: and then let us know what you think about it. 1454 01:11:11,000 --> 01:11:13,080 Speaker 1: It's a matter of fact. Tweet her if you don't. 1455 01:11:13,080 --> 01:11:15,000 Speaker 1: If you like it, Twitter if you don't like it, 1456 01:11:15,080 --> 01:11:17,479 Speaker 1: tweeter that too. All right, all right, it's the Breakfast Club. 1457 01:11:17,520 --> 01:11:21,080 Speaker 1: Good morning, prebody is DJ Envy Angela yee, Charlemagne. The 1458 01:11:21,120 --> 01:11:23,320 Speaker 1: guy we are the breakfast club is Zalla Banks is 1459 01:11:23,360 --> 01:11:26,120 Speaker 1: in the building. Charlemagne. Let me ask you about Riza. 1460 01:11:26,360 --> 01:11:28,360 Speaker 1: He was here and he admitted that Russell Crowe did 1461 01:11:28,600 --> 01:11:31,840 Speaker 1: spit in your direction. You said he's spit on you. Um, 1462 01:11:31,960 --> 01:11:36,120 Speaker 1: do you forgive Risen. Now are you still? Rizzle can 1463 01:11:36,160 --> 01:11:38,120 Speaker 1: call me when he's got some money from me? Ye 1464 01:11:38,160 --> 01:11:40,320 Speaker 1: had y'all? Y'all did a movie together came out early 1465 01:11:40,439 --> 01:11:44,080 Speaker 1: this year, Love Beats, Love Beats Rhymes, and you didn't 1466 01:11:44,080 --> 01:11:45,880 Speaker 1: even want to promote it, I mean, because it was 1467 01:11:45,920 --> 01:11:48,800 Speaker 1: it was embarrassing, you know, all of the all of 1468 01:11:48,840 --> 01:11:52,760 Speaker 1: the things that happened around the movie was really humiliating. 1469 01:11:53,120 --> 01:11:55,719 Speaker 1: What director is gonna throw the star of his movie 1470 01:11:55,800 --> 01:11:59,120 Speaker 1: under the bus like you an idiot? Like we we 1471 01:11:59,720 --> 01:12:01,479 Speaker 1: like Zza and I were the only ones who suffered, 1472 01:12:01,800 --> 01:12:03,479 Speaker 1: you know what I mean? Russell Crowe was the one 1473 01:12:03,520 --> 01:12:06,400 Speaker 1: who choked me, spat me little bit, lands on me 1474 01:12:06,680 --> 01:12:08,800 Speaker 1: like you choke me out, throw me outside the room. 1475 01:12:08,880 --> 01:12:11,920 Speaker 1: And he gets and walk off scott free. And here's 1476 01:12:12,040 --> 01:12:16,120 Speaker 1: me and Rizza arguing out loud, you knowing up both 1477 01:12:16,160 --> 01:12:19,200 Speaker 1: of our reputations for this that he did. If Rizza 1478 01:12:19,320 --> 01:12:21,040 Speaker 1: was smart, he should have just shut the fuck up. 1479 01:12:21,360 --> 01:12:23,800 Speaker 1: Who's gonna want to see a movie in which the 1480 01:12:23,880 --> 01:12:27,640 Speaker 1: director has slandered lead actress like Russell Crowe's already established. 1481 01:12:28,000 --> 01:12:30,680 Speaker 1: You and I are trying to make our play. Why 1482 01:12:30,720 --> 01:12:33,160 Speaker 1: are you defending him? Why did you press charges against 1483 01:12:33,200 --> 01:12:35,960 Speaker 1: Russell Crowe because they bought the tapes, and to be honest, 1484 01:12:36,000 --> 01:12:38,600 Speaker 1: I didn't have the money at the time. Everybody that 1485 01:12:38,720 --> 01:12:40,360 Speaker 1: was there that night, if you if you watch the 1486 01:12:40,439 --> 01:12:45,120 Speaker 1: t the TMZ testimonies, they're all conflicting stories. Everybody was 1487 01:12:45,320 --> 01:12:48,240 Speaker 1: down to lie on Russell's behalf. I was just about 1488 01:12:48,280 --> 01:12:50,640 Speaker 1: to start recording the soundtrack for the movie, you know, 1489 01:12:50,760 --> 01:12:52,960 Speaker 1: and then think think about that, you know, like, God, 1490 01:12:53,040 --> 01:12:55,560 Speaker 1: damn it, Rizza, you were like directing a film with 1491 01:12:55,840 --> 01:12:58,800 Speaker 1: Jill Scott, Common, Azelia Banks and Rizza and you can't 1492 01:12:58,880 --> 01:13:02,400 Speaker 1: manage to forge a soundtrack. Jesus do you think that? Uh? 1493 01:13:03,200 --> 01:13:05,080 Speaker 1: If that would have happened maybe a year later, during 1494 01:13:05,120 --> 01:13:06,920 Speaker 1: the whole Time's Up Me Too movement, people would have 1495 01:13:06,960 --> 01:13:09,600 Speaker 1: heard your voice a little louder. Who gives I'm not 1496 01:13:09,800 --> 01:13:12,559 Speaker 1: like China. He's like, seriously, like, I really don't give 1497 01:13:12,600 --> 01:13:16,120 Speaker 1: a about these two clowns. My My biggest thing is 1498 01:13:16,160 --> 01:13:19,160 Speaker 1: like you guys, my moment up. That was my movie 1499 01:13:19,280 --> 01:13:22,120 Speaker 1: and you sit up Z. Have you reached out to 1500 01:13:22,120 --> 01:13:24,519 Speaker 1: you at all? No? And he better not Russell Crowe. 1501 01:13:25,600 --> 01:13:28,000 Speaker 1: I mean you never know. Now, how does that affect 1502 01:13:28,040 --> 01:13:29,680 Speaker 1: with any other movies that you try to do is 1503 01:13:29,720 --> 01:13:33,840 Speaker 1: that reputation alleged reputation of what happened. Of course it will. Yeah, 1504 01:13:33,920 --> 01:13:36,280 Speaker 1: that was really stupid, Like you the both of us 1505 01:13:36,360 --> 01:13:39,040 Speaker 1: out of a lot of money, peck me weird Russell 1506 01:13:39,080 --> 01:13:43,120 Speaker 1: Crowe's fault, yes, and now now and I for him 1507 01:13:43,200 --> 01:13:45,280 Speaker 1: that was wrong, that's what. And now now you and 1508 01:13:45,400 --> 01:13:47,920 Speaker 1: I Ris are out of a lot of money because 1509 01:13:48,000 --> 01:13:50,720 Speaker 1: nobody went to see the movie. The movie flopped, We 1510 01:13:50,800 --> 01:13:53,080 Speaker 1: didn't have a soundtrack. All of the things that we 1511 01:13:53,160 --> 01:13:55,800 Speaker 1: were supposed to get done we didn't get done. But 1512 01:13:55,960 --> 01:13:58,400 Speaker 1: every time, you know, every every time you're like calling 1513 01:13:58,439 --> 01:13:59,720 Speaker 1: me to go to the studio, I show up to 1514 01:13:59,720 --> 01:14:03,960 Speaker 1: the student on your coped out zzle like he's really 1515 01:14:03,960 --> 01:14:07,240 Speaker 1: a dummy. Don't believe any of that in gong banging 1516 01:14:07,920 --> 01:14:10,840 Speaker 1: and nun chucked throwing he'd be talking about that is 1517 01:14:10,880 --> 01:14:16,760 Speaker 1: a clown man. Seriously, the read oneself help book and 1518 01:14:17,040 --> 01:14:24,080 Speaker 1: like goes like this, you know what, and he thinks 1519 01:14:24,120 --> 01:14:30,280 Speaker 1: he's some you don't want to alleged y alleged, but 1520 01:14:30,760 --> 01:14:33,080 Speaker 1: kim So after the thing happened, he put that whole 1521 01:14:33,240 --> 01:14:35,599 Speaker 1: letter on Facebook and then he was just like oh yeah, 1522 01:14:35,880 --> 01:14:39,639 Speaker 1: Azelia Banks and her psychiatric health, like rizzle was giving 1523 01:14:39,680 --> 01:14:41,640 Speaker 1: me money to go to the psychiatrist, you know what 1524 01:14:41,640 --> 01:14:44,120 Speaker 1: I mean. And he like put that out there as 1525 01:14:44,160 --> 01:14:46,360 Speaker 1: if that was something used against me. There's nothing wrong 1526 01:14:46,360 --> 01:14:48,880 Speaker 1: with therapy, but why like, why why would you like 1527 01:14:49,040 --> 01:14:53,200 Speaker 1: say that? Crazy? But why why when't we have a 1528 01:14:53,280 --> 01:14:56,639 Speaker 1: movie to sell? What are you doing? It's making sure 1529 01:14:56,680 --> 01:14:58,960 Speaker 1: his friendship with Russell Crowe was better. Then listen, let 1530 01:14:59,000 --> 01:15:01,640 Speaker 1: me tell you something. You as Russell crow is never 1531 01:15:01,760 --> 01:15:04,800 Speaker 1: gonna do another movie with you. Okay, everyone saw the 1532 01:15:04,840 --> 01:15:08,400 Speaker 1: man with an iron fist. That was trash. You're not talent. 1533 01:15:08,439 --> 01:15:11,000 Speaker 1: You're not a talented director. You know, he should probably 1534 01:15:11,040 --> 01:15:13,840 Speaker 1: stop wasting people's time and money. I don't know why 1535 01:15:13,840 --> 01:15:15,439 Speaker 1: people don't like it. I don't know. I don't know. 1536 01:15:16,720 --> 01:15:19,599 Speaker 1: In April, Boy, he posted a message on isay seeing 1537 01:15:19,680 --> 01:15:23,040 Speaker 1: that you was drugged and raped, which was concerning Yes, 1538 01:15:23,280 --> 01:15:27,160 Speaker 1: I got gh bead that some white boys. I got 1539 01:15:27,240 --> 01:15:30,920 Speaker 1: ghbad at a bar by yourself. I was staying in 1540 01:15:30,920 --> 01:15:34,160 Speaker 1: a hotel because I was doing some press and I 1541 01:15:34,320 --> 01:15:36,960 Speaker 1: was just drinking and some guy came over and just 1542 01:15:37,000 --> 01:15:40,040 Speaker 1: started buying me drinks. Why of course, and he just 1543 01:15:40,160 --> 01:15:42,640 Speaker 1: buying me drinks and I guess in between then and 1544 01:15:42,720 --> 01:15:45,679 Speaker 1: there he like dropped something into my drink, get upstairs 1545 01:15:45,720 --> 01:15:49,280 Speaker 1: to the room and drinking some more, with drinking some more, 1546 01:15:49,600 --> 01:15:53,120 Speaker 1: and Okay, this is really graphic. I'm just gonna say it. 1547 01:15:53,520 --> 01:15:55,160 Speaker 1: So I keep trying to kick this guy out of 1548 01:15:55,200 --> 01:15:57,400 Speaker 1: my room, but he keeps sticking his tongue in my ass. 1549 01:15:57,880 --> 01:16:00,320 Speaker 1: Your pants were I was like dancing around my room naked, 1550 01:16:00,400 --> 01:16:02,599 Speaker 1: but I was like planning to kick him out. Every 1551 01:16:02,600 --> 01:16:04,360 Speaker 1: time I tried to kick him out, he just went 1552 01:16:04,520 --> 01:16:07,639 Speaker 1: starting ass and one thing led to another, and then 1553 01:16:08,120 --> 01:16:10,880 Speaker 1: I just started getting heavy, like my body just started 1554 01:16:10,920 --> 01:16:12,880 Speaker 1: getting heavy. And then I realized something was wrong and 1555 01:16:13,000 --> 01:16:15,439 Speaker 1: I just started screaming and I kind of like stumbled 1556 01:16:15,439 --> 01:16:17,880 Speaker 1: and kicked him out, and then I collapsed on the 1557 01:16:17,960 --> 01:16:20,320 Speaker 1: bed and cried. Like once I realized that I was 1558 01:16:20,400 --> 01:16:22,280 Speaker 1: like on drugs that I didn't know I was on. 1559 01:16:22,960 --> 01:16:25,479 Speaker 1: The next day, like my whole throat was like burning. 1560 01:16:25,560 --> 01:16:27,800 Speaker 1: I had pins and needles. I could barely swallow. So 1561 01:16:27,920 --> 01:16:30,280 Speaker 1: you got him out, he didn't penetrate. It was so 1562 01:16:30,600 --> 01:16:33,000 Speaker 1: this is this is the thing, Like whatever whatever drugs 1563 01:16:33,040 --> 01:16:36,479 Speaker 1: he put in my drink made myself dry, Like my 1564 01:16:37,040 --> 01:16:39,679 Speaker 1: was just dry. So it was just like a sloppy, 1565 01:16:39,880 --> 01:16:43,360 Speaker 1: dry hump, and you probably would have got with him 1566 01:16:43,400 --> 01:16:46,320 Speaker 1: if he hadn't a drugs an. I don't know. I 1567 01:16:46,479 --> 01:16:51,280 Speaker 1: really don't know he was. That's weird, I know, right, 1568 01:16:51,479 --> 01:16:53,000 Speaker 1: It's like you're gonna just say you're gonna saved your 1569 01:16:53,080 --> 01:16:56,160 Speaker 1: drugs you cause just ate ass. I might have just 1570 01:16:58,400 --> 01:17:01,519 Speaker 1: what's wrong with you? Yo? What's up? Man? Why you 1571 01:17:01,560 --> 01:17:05,800 Speaker 1: got to say things like that? Listen? Now you talking 1572 01:17:05,800 --> 01:17:08,479 Speaker 1: about Kanye? Uh not? Kanye really was paying for your 1573 01:17:08,560 --> 01:17:11,880 Speaker 1: psychiatric therapy. I go to therapy every week. Yeah, you 1574 01:17:12,040 --> 01:17:14,880 Speaker 1: enjoy therapy. I love it. Azelia is one of the 1575 01:17:14,960 --> 01:17:18,760 Speaker 1: people who I talked about therapy with early on. This 1576 01:17:18,880 --> 01:17:21,040 Speaker 1: is therapeutic for her, right now, it's therapeutic for me. 1577 01:17:21,120 --> 01:17:22,760 Speaker 1: This is this is this is great. You told me 1578 01:17:22,840 --> 01:17:26,200 Speaker 1: that I probably needed CBT Kanye to behavior therapy, and 1579 01:17:26,240 --> 01:17:28,200 Speaker 1: he was right. Yeah. But you you've changed a lot. 1580 01:17:28,240 --> 01:17:31,759 Speaker 1: I'm really proud of you. You used to be really rude, 1581 01:17:32,000 --> 01:17:33,960 Speaker 1: and if I'm gonna be honest with you, the reason 1582 01:17:34,160 --> 01:17:36,960 Speaker 1: I like started a problem with you is because of 1583 01:17:37,600 --> 01:17:40,360 Speaker 1: when you made a little mama cry like I feel 1584 01:17:40,400 --> 01:17:43,000 Speaker 1: like I feel like every black girl in the world 1585 01:17:43,160 --> 01:17:46,200 Speaker 1: like hated you in that moment like you just kept 1586 01:17:46,280 --> 01:17:48,360 Speaker 1: going in on her, like she was telling you that 1587 01:17:48,520 --> 01:17:51,320 Speaker 1: her mom had just passed. You kept going in and 1588 01:17:51,400 --> 01:17:54,000 Speaker 1: then then you were calling her ugly, like little Mama's 1589 01:17:54,320 --> 01:17:57,200 Speaker 1: gorgeous ugly. You were like you look like a forty 1590 01:17:57,240 --> 01:18:02,479 Speaker 1: year old man. You did piece of years ago. But 1591 01:18:02,600 --> 01:18:06,800 Speaker 1: it was horrible and as as as like as like 1592 01:18:06,880 --> 01:18:09,720 Speaker 1: a young girl who listened to Little Mama. I was 1593 01:18:09,920 --> 01:18:12,360 Speaker 1: really against you. And you know what I told us 1594 01:18:12,600 --> 01:18:13,920 Speaker 1: when she checked, when she tried to check on that, 1595 01:18:13,960 --> 01:18:16,719 Speaker 1: I said, I know you ain't talking about getting that people. 1596 01:18:16,920 --> 01:18:18,560 Speaker 1: I think y'all see, he sells in each other like 1597 01:18:18,680 --> 01:18:21,600 Speaker 1: I really do. Like y'all, y'all are almost like the 1598 01:18:21,680 --> 01:18:24,600 Speaker 1: same pa, the same tribe. It might be, but you know, 1599 01:18:24,680 --> 01:18:26,800 Speaker 1: me and Little Mama was actually supposed to crack jokes 1600 01:18:26,880 --> 01:18:28,479 Speaker 1: on each other. That was the thing. Yeah, but you 1601 01:18:28,560 --> 01:18:30,760 Speaker 1: made her cry, so you lost. I didn't make her 1602 01:18:31,000 --> 01:18:33,680 Speaker 1: now you lost? Did? You did make her cry? It 1603 01:18:33,840 --> 01:18:35,720 Speaker 1: was disgusting though it was an ugly moment. I hate 1604 01:18:35,720 --> 01:18:45,559 Speaker 1: that anyway. Anna win tour? Oh no, you gonna drop 1605 01:18:45,640 --> 01:18:48,120 Speaker 1: the EP or album? I'm dropping an album in July. 1606 01:18:48,640 --> 01:18:51,879 Speaker 1: It is the second installment of the first Fantasy project, 1607 01:18:52,360 --> 01:18:55,680 Speaker 1: and it's called Fantasy to the second Wave. So I'm 1608 01:18:55,720 --> 01:18:59,040 Speaker 1: going back in my like home Mermaid vibes and doing 1609 01:18:59,080 --> 01:19:01,400 Speaker 1: the sea punk thing. And I was gonna ask that. 1610 01:19:01,479 --> 01:19:04,080 Speaker 1: So for somebody who hasn't heard your music, knows your name, 1611 01:19:04,760 --> 01:19:07,240 Speaker 1: but hasn't heard your music, how would you describe your music? 1612 01:19:07,479 --> 01:19:10,840 Speaker 1: I got something for everybody. I have straight like you know, 1613 01:19:11,200 --> 01:19:14,519 Speaker 1: pure R and B tracks. I have pure hip hop tracks. 1614 01:19:14,640 --> 01:19:17,280 Speaker 1: I have some tracks that are a bit more tropical 1615 01:19:17,520 --> 01:19:19,800 Speaker 1: than I have, like you know, the housey stuff. I 1616 01:19:19,880 --> 01:19:25,280 Speaker 1: have trans music. Trans music is kind of like a 1617 01:19:25,920 --> 01:19:31,840 Speaker 1: it's like techno electro kinda like I said, I should 1618 01:19:31,840 --> 01:19:35,639 Speaker 1: be high when I listened to that, Like, dude, see 1619 01:19:35,680 --> 01:19:38,320 Speaker 1: you he goes to trans cloud. I don't. Didn't you 1620 01:19:38,400 --> 01:19:42,320 Speaker 1: get taken advantage of too by like an early manager? Yeah, 1621 01:19:42,600 --> 01:19:45,360 Speaker 1: but like your boyfriends. Yeah, I was a crazy little girl. 1622 01:19:45,760 --> 01:19:47,599 Speaker 1: I was a crazy lott. He was even worse because 1623 01:19:47,600 --> 01:19:49,800 Speaker 1: he was a grown as man. I know, I was 1624 01:19:49,920 --> 01:19:53,040 Speaker 1: like seventeen dating some like fifty year old white guys, 1625 01:19:53,040 --> 01:19:55,600 Speaker 1: and he like the manager of like disgusting direction of 1626 01:19:55,720 --> 01:19:58,720 Speaker 1: something cold Play. Cold Play. Now now that I look 1627 01:19:58,760 --> 01:20:01,600 Speaker 1: back on it, I'm just like, it's like disgusting, like 1628 01:20:01,680 --> 01:20:06,320 Speaker 1: I can like taste his like old like wrinkly nack. Yeah, 1629 01:20:06,479 --> 01:20:10,200 Speaker 1: but putting his hands on you and stuff that, yeah 1630 01:20:10,760 --> 01:20:12,960 Speaker 1: that like he was yeah yeah yeah. Once once I 1631 01:20:13,000 --> 01:20:15,120 Speaker 1: started blowing up, he started getting like a little like 1632 01:20:15,600 --> 01:20:18,880 Speaker 1: you know, because things changed. I wasn't like his little 1633 01:20:19,120 --> 01:20:22,160 Speaker 1: plaything anymore. I was a Celia Banks the star, and 1634 01:20:22,280 --> 01:20:25,640 Speaker 1: I started demanding more things and wanting more things. And 1635 01:20:26,240 --> 01:20:28,599 Speaker 1: one day, because he was he was like going through 1636 01:20:28,640 --> 01:20:31,280 Speaker 1: this divorce the whole time we were together. So the 1637 01:20:32,040 --> 01:20:34,599 Speaker 1: finally hits the fan. You knew he was married, yeah, 1638 01:20:35,280 --> 01:20:38,760 Speaker 1: but he was younger. I was seventeen eighteen, but he 1639 01:20:38,960 --> 01:20:42,280 Speaker 1: told me that he was separated. He was lying. Then 1640 01:20:42,360 --> 01:20:44,960 Speaker 1: eventually I found out that he's still married. By that time, 1641 01:20:45,000 --> 01:20:47,800 Speaker 1: I'm still I'm already in love with him. What's his name? Like? 1642 01:20:47,840 --> 01:20:50,080 Speaker 1: Wh I protect somebody like that? Because I just I 1643 01:20:50,160 --> 01:20:54,120 Speaker 1: just don't care, you know, I'm up now? What stuff 1644 01:20:54,160 --> 01:20:56,280 Speaker 1: like that would make you hate the industry? Though? Yes, 1645 01:20:56,720 --> 01:20:58,560 Speaker 1: exactly tell him what to follow you on Instagram and 1646 01:20:58,600 --> 01:21:02,439 Speaker 1: all that good stuff at Azelia Banks a Z A 1647 01:21:03,000 --> 01:21:04,920 Speaker 1: L I A B A n K S. And I 1648 01:21:05,000 --> 01:21:08,439 Speaker 1: think Azelia Banks an extremely talented as you can tell 1649 01:21:08,520 --> 01:21:12,599 Speaker 1: she's extremely extremely light skinned. Stop it. I'm so proud 1650 01:21:12,640 --> 01:21:17,800 Speaker 1: of my light skinned brethren. Would you stop, Azelia Banks, 1651 01:21:17,840 --> 01:21:20,679 Speaker 1: ladies and gentlemen, My goodness, Yes, it's the breakfast Club. 1652 01:21:21,000 --> 01:21:30,680 Speaker 1: The morning. The breakfast Club's filling the team. This is 1653 01:21:30,760 --> 01:21:35,639 Speaker 1: the rumor report with Angela Ye on the Breakfast Club. Well, 1654 01:21:35,680 --> 01:21:38,080 Speaker 1: mister Elliott looks incredible and how did she do it? 1655 01:21:38,160 --> 01:21:40,879 Speaker 1: She posted a picture of herself and she said proudly 1656 01:21:41,000 --> 01:21:43,479 Speaker 1: to say, it's been four months. I have only drank water, 1657 01:21:43,600 --> 01:21:46,439 Speaker 1: no other juices or soda, and I cut out bread 1658 01:21:46,720 --> 01:21:49,200 Speaker 1: and Lord knows that's been the hardest for me. See, 1659 01:21:49,200 --> 01:21:51,160 Speaker 1: I've never been a water drinker, but this has helped 1660 01:21:51,200 --> 01:21:53,800 Speaker 1: my skin. It really restored the glow back, and I 1661 01:21:53,880 --> 01:21:56,599 Speaker 1: don't feel sluggish, she said. Next up, if she could 1662 01:21:56,640 --> 01:21:59,120 Speaker 1: only cut out junk food, she said, it's that's my weakness. 1663 01:21:59,320 --> 01:22:01,200 Speaker 1: But if I can get those other things, I'll fight 1664 01:22:01,280 --> 01:22:03,640 Speaker 1: that too. Maybe only two cupcakes a month. I love 1665 01:22:03,760 --> 01:22:05,960 Speaker 1: miss she looks great. What I will say this, I 1666 01:22:06,040 --> 01:22:09,240 Speaker 1: hate when people talk about water as if it's something new, 1667 01:22:09,439 --> 01:22:12,000 Speaker 1: like I just started drinking water, were our body has 1668 01:22:12,000 --> 01:22:14,519 Speaker 1: made of three fossil water? Like what were y'all drinking 1669 01:22:14,560 --> 01:22:18,080 Speaker 1: when y'all was kids, soda. No. When I was a kid, 1670 01:22:18,080 --> 01:22:21,920 Speaker 1: I really didn't drink water outside so we can to 1671 01:22:21,960 --> 01:22:23,840 Speaker 1: play a lot of basketball and run around football. Used 1672 01:22:23,840 --> 01:22:26,760 Speaker 1: to drink out the holes all the time, water holes, water, 1673 01:22:26,960 --> 01:22:28,920 Speaker 1: that's all. I never drink what the host water. But 1674 01:22:29,080 --> 01:22:31,400 Speaker 1: I definitely did not drink water ever growing up. Now, 1675 01:22:31,439 --> 01:22:33,880 Speaker 1: we did when we played basketball and when we played outside, 1676 01:22:33,920 --> 01:22:35,679 Speaker 1: but then when we went inside, there were no water inside. 1677 01:22:35,720 --> 01:22:37,559 Speaker 1: You know what. I drank a lot of fruity juices, 1678 01:22:37,840 --> 01:22:42,640 Speaker 1: lemon mommy, we had we had red kool aid, but 1679 01:22:42,720 --> 01:22:44,760 Speaker 1: that was a treat at dinner. Any other time it 1680 01:22:44,880 --> 01:22:47,000 Speaker 1: was water. Yeah. But you know what, when people doing 1681 01:22:47,040 --> 01:22:49,320 Speaker 1: they've done they actually I was just reading a whole 1682 01:22:49,320 --> 01:22:51,519 Speaker 1: study with somebody. All they did was drink water, just 1683 01:22:51,560 --> 01:22:54,080 Speaker 1: like Missy Elliott says she did. And it really makes 1684 01:22:54,080 --> 01:22:56,000 Speaker 1: such a huge difference when it comes to your skin. 1685 01:22:58,439 --> 01:23:00,799 Speaker 1: So it's easy to say that, but not everybody clearly 1686 01:23:00,960 --> 01:23:02,920 Speaker 1: does that, as miss Elliott just did it now and 1687 01:23:03,000 --> 01:23:05,800 Speaker 1: she's forty six years I love the fact that she 1688 01:23:05,880 --> 01:23:08,360 Speaker 1: posted that picture and said all of that, Hey, guess 1689 01:23:08,400 --> 01:23:10,679 Speaker 1: what else I just started doing? What's that breathing, taking 1690 01:23:10,680 --> 01:23:13,400 Speaker 1: in this oxygen is really good for you. It's easy 1691 01:23:13,439 --> 01:23:15,719 Speaker 1: to say that, but for some people is not so easy. 1692 01:23:16,040 --> 01:23:19,559 Speaker 1: So she said, she said that she hadn't done it before, 1693 01:23:19,600 --> 01:23:21,519 Speaker 1: and now she is and she feels great, and there's 1694 01:23:21,520 --> 01:23:23,920 Speaker 1: a lot of people trust and believe. Everybody doesn't just 1695 01:23:24,000 --> 01:23:27,160 Speaker 1: drink water all the time. Absolutely, all right, Tierra Marie. Now, 1696 01:23:27,200 --> 01:23:30,280 Speaker 1: we all saw that leaked sex clip that was put out. 1697 01:23:30,439 --> 01:23:32,120 Speaker 1: I'm not sure who put it out. Some people were 1698 01:23:32,160 --> 01:23:35,400 Speaker 1: saying she did it herself. She denies that, but here 1699 01:23:35,520 --> 01:23:38,040 Speaker 1: is what she had to say on TMZ. So, yes, 1700 01:23:38,280 --> 01:23:42,479 Speaker 1: I record videos, I did everything, but I don't understand. 1701 01:23:42,760 --> 01:23:45,559 Speaker 1: He threw me under the bus. I don't understand what's 1702 01:23:45,600 --> 01:23:48,080 Speaker 1: going on myself. He keeps telling me that he didn't 1703 01:23:48,120 --> 01:23:50,639 Speaker 1: do it. Was it a bad breakup. It hasn't even 1704 01:23:50,840 --> 01:23:56,280 Speaker 1: been a whole breakup. So yeah, we are well after 1705 01:23:56,400 --> 01:23:58,680 Speaker 1: the whole sex tape. Of course I'm pissed, and of 1706 01:23:58,800 --> 01:24:02,040 Speaker 1: course I still feel away, but we talk every day 1707 01:24:02,160 --> 01:24:05,240 Speaker 1: and we're still like in communication with each other. Now. 1708 01:24:05,320 --> 01:24:07,800 Speaker 1: He says that his phone got hacked, and she doesn't 1709 01:24:07,840 --> 01:24:10,360 Speaker 1: believe him at all. Well, when she was actually with 1710 01:24:10,520 --> 01:24:13,240 Speaker 1: her boyfriend, right, because she's still talking to him. It's 1711 01:24:13,240 --> 01:24:16,240 Speaker 1: not like they ever stopped talking. There's actually pictures. I 1712 01:24:16,320 --> 01:24:18,519 Speaker 1: guess they're trying to say that she smashed his car 1713 01:24:18,640 --> 01:24:23,360 Speaker 1: windows and all of that because of this whole porn situation. Well, 1714 01:24:23,479 --> 01:24:25,840 Speaker 1: here they are together where she he's saying that it's 1715 01:24:25,840 --> 01:24:28,679 Speaker 1: her ex boyfriend that actually posted these videos and pictures. 1716 01:24:29,240 --> 01:24:36,920 Speaker 1: Tell the truth, Tex to everything. I'm me, Pierre, of 1717 01:24:37,000 --> 01:24:38,599 Speaker 1: you and your dude will stopped talking about it, we'd 1718 01:24:38,600 --> 01:24:40,960 Speaker 1: have forgot already, I promise you. I don't know. It 1719 01:24:41,080 --> 01:24:44,639 Speaker 1: was pretty a big story yesterday. Yeah, it was everybody. 1720 01:24:44,720 --> 01:24:46,360 Speaker 1: People was hitting me about it, like do you have 1721 01:24:46,439 --> 01:24:47,920 Speaker 1: the picture? Do you have the video? Where can I 1722 01:24:48,000 --> 01:24:50,559 Speaker 1: find it? All? Right? Now? T I and Tiny it's 1723 01:24:50,560 --> 01:24:52,720 Speaker 1: been a year since their show ended, and rumor is 1724 01:24:52,760 --> 01:24:55,560 Speaker 1: that they could be coming back to television. It seems like, 1725 01:24:55,640 --> 01:24:58,600 Speaker 1: according to the Jasmine Brand, VH one is interested in 1726 01:24:58,760 --> 01:25:02,200 Speaker 1: reviving their show and BT is interested in bringing back 1727 01:25:02,280 --> 01:25:04,800 Speaker 1: Tiny Antoya as well. I want to be mad at 1728 01:25:04,840 --> 01:25:08,960 Speaker 1: that both Tiny Antoya have done a lot. A lot 1729 01:25:09,040 --> 01:25:12,120 Speaker 1: going on at Tinya and what about Ti and Tiny 1730 01:25:12,200 --> 01:25:14,800 Speaker 1: coming back? I always love to see black families on TV. 1731 01:25:15,200 --> 01:25:17,760 Speaker 1: They want to it's been on for a long time, 1732 01:25:17,840 --> 01:25:19,559 Speaker 1: though a long time. It's been on for a year, 1733 01:25:19,720 --> 01:25:21,840 Speaker 1: it's been on. I'm talking about the TI and uh, 1734 01:25:22,360 --> 01:25:24,400 Speaker 1: the TI and Tiny shows right before he got locked up. 1735 01:25:24,439 --> 01:25:27,760 Speaker 1: So at least eight nine seasons that long. Yeah, yeah, 1736 01:25:27,840 --> 01:25:29,479 Speaker 1: maybe I'm not mad at that. Though. They still got 1737 01:25:29,520 --> 01:25:32,040 Speaker 1: a lot going on and their kids are still young. Yeah, 1738 01:25:32,080 --> 01:25:33,360 Speaker 1: if they want to do it, I think that'd be 1739 01:25:33,439 --> 01:25:35,280 Speaker 1: great because I actually used to really watch that show. 1740 01:25:35,400 --> 01:25:37,559 Speaker 1: So and the kids, some of them are so grown now, 1741 01:25:37,720 --> 01:25:39,760 Speaker 1: so it'd be interesting to see how that is. All right, 1742 01:25:39,800 --> 01:25:41,960 Speaker 1: Well I'm angela Ye and that is your rumor report. 1743 01:25:42,040 --> 01:25:45,000 Speaker 1: All right, thank you, miss Yee. Now when we come back, 1744 01:25:45,360 --> 01:25:47,080 Speaker 1: shout to all the moms out there. I'm doing a 1745 01:25:47,160 --> 01:25:49,080 Speaker 1: Mother's Day mix and I'm gonna start it off with 1746 01:25:49,560 --> 01:25:52,840 Speaker 1: first applies the remix to his rock songs, So shout 1747 01:25:52,920 --> 01:25:55,680 Speaker 1: to all the moms. That's the rock and rock for 1748 01:25:55,800 --> 01:25:58,160 Speaker 1: mama's Yes, well not for mamas. He just did a remix. 1749 01:25:58,479 --> 01:26:00,920 Speaker 1: So it's like, your mom is the rocket? Exactly where 1750 01:26:01,160 --> 01:26:03,439 Speaker 1: got you all? Your wife? Who's you know? Moms and 1751 01:26:03,479 --> 01:26:05,720 Speaker 1: all that? What the remix is about your mom? I 1752 01:26:05,760 --> 01:26:07,640 Speaker 1: didn't say that. I just said I'm just dedicating it 1753 01:26:07,680 --> 01:26:12,479 Speaker 1: to the mom, because sometimes dedicate the talk about getting 1754 01:26:12,720 --> 01:26:14,719 Speaker 1: all kind of other stuff, and you dedicated the moms 1755 01:26:14,720 --> 01:26:17,680 Speaker 1: out there. This goes up to my mom. Dad has 1756 01:26:17,680 --> 01:26:21,120 Speaker 1: nothing to do. Yeah, it's nothing to do with that. 1757 01:26:21,360 --> 01:26:23,479 Speaker 1: It's about this song. Is that this song, the remix 1758 01:26:23,560 --> 01:26:25,840 Speaker 1: actually represents for the ladies as well. Now, yeah, Remy 1759 01:26:25,880 --> 01:26:28,080 Speaker 1: Martin's on the remix, remy mom, don't dedicate it to 1760 01:26:28,120 --> 01:26:29,840 Speaker 1: the mom. Let's say, you playing the remix, don't know 1761 01:26:29,880 --> 01:26:31,680 Speaker 1: what your mom could be your rock. You don't know 1762 01:26:31,800 --> 01:26:35,760 Speaker 1: what the content of this I heard the record I'm playing. Okay, okay, 1763 01:26:35,800 --> 01:26:39,920 Speaker 1: Well here's an exclusive. Not only that, but truth is 1764 01:26:40,080 --> 01:26:41,960 Speaker 1: your mom dud got good poom poom to somebody. So 1765 01:26:42,040 --> 01:26:44,720 Speaker 1: if flies does say sweep Saturday, that's for the dad. 1766 01:26:44,800 --> 01:26:46,880 Speaker 1: That's for the dad. There, there you go. And also 1767 01:26:47,200 --> 01:26:49,880 Speaker 1: we're gonna premiere Fat Joe's new record. This one is 1768 01:26:49,880 --> 01:26:52,800 Speaker 1: actually called Mama, and it's featuring Big Sean and it's 1769 01:26:53,160 --> 01:26:55,400 Speaker 1: in dedication to all the moms out there. All right, 1770 01:26:55,439 --> 01:26:57,400 Speaker 1: So we're gonna start the mix off with those two records. 1771 01:26:57,520 --> 01:26:59,439 Speaker 1: Let us know how you feel about that. Revote. We'll 1772 01:26:59,479 --> 01:27:02,120 Speaker 1: see them on Monday. And Happy Mother's Day to the 1773 01:27:02,240 --> 01:27:02,519 Speaker 1: moms