WEBVTT - P.C. w/ Kathy Griffin

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<v Speaker 1>Of the law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 3>These are our stories, done done.

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<v Speaker 4>Yay, that's messed up.

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<v Speaker 2>An SVU podcast coming to you live JK I am Lee's.

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<v Speaker 1>A Trigger and I'm Kara Klink and we're always in

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<v Speaker 1>a time machine of the little of a small amount,

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<v Speaker 1>you know our podcast. Guys, Unless you're tuning in to

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<v Speaker 1>today's episode, our two hundredth episode for the.

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<v Speaker 4>First time, you know you might be.

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<v Speaker 2>This is a huge day for us, actually runner at

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<v Speaker 2>the episode.

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<v Speaker 1>Huge guests, I'm sure you can assume, yes, if you're

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<v Speaker 1>just tuning in. We talk about we recap an episode

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<v Speaker 1>of SVU, talk about the true crime it's based on,

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<v Speaker 1>and we talked to an amazing guest from the episode.

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<v Speaker 1>Today's no different. But up top, we chat, we rant,

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<v Speaker 1>we talk about what's going on in the world, in

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<v Speaker 1>each other's lives.

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<v Speaker 2>Well, I don't even think we talked about this yet,

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<v Speaker 2>but this is like a fucked up way to start.

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<v Speaker 4>But we are in SU podcast.

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<v Speaker 2>But you obviously heard about this woman that her husband

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<v Speaker 2>was drugging her. Oh, I'm letting the whole town raper.

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<v Speaker 2>And one of the rules is no condoms. People at

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<v Speaker 2>HIV seventy two people in the neighborhood, her neighbor.

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<v Speaker 1>Everyone just was this in France or another country? It

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<v Speaker 1>was in another country? Yeah, yeah, yeah, good yeah, And

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<v Speaker 1>she said, fuck a private trial.

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<v Speaker 2>You see my face. This needs to be like public.

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<v Speaker 2>And I hope they all go to jail. I hope

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<v Speaker 2>he gets the firing squad, and I hope that Why

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<v Speaker 2>isn't this a bigger story?

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<v Speaker 4>Men really need to.

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<v Speaker 2>Like sane if this isn't the most evidence you can

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<v Speaker 2>find of, Like, yes, all men, the whole community was

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<v Speaker 2>against you.

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<v Speaker 4>This man married you and drugging you and let it.

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<v Speaker 4>I just can't. I keep repeating it to try to

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<v Speaker 4>make it make sense. Yeah.

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<v Speaker 1>Sorry, No, a bear is not inviting its friends over

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<v Speaker 1>to take turns on its wife. We're picking the bear again,

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<v Speaker 1>We're picking the bear.

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<v Speaker 4>It's so crazy, it's.

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<v Speaker 1>So great, Like, yeah, I saw that story and that

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<v Speaker 1>was like fritzl level to me almost where I was like,

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<v Speaker 1>oh no, I need to be in a certain space

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<v Speaker 1>to be able to like fully dive into the story.

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<v Speaker 4>It's too grow it's too horrifying, like so bad.

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<v Speaker 2>Yeah, well I'll change the topic just to quickly. But

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<v Speaker 2>I did have I've been waiting for a long time.

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<v Speaker 2>I'm going to go back. I think it's going to

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<v Speaker 2>be my new obsession. But I try to diet coke slushy.

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<v Speaker 1>Ooh yeah, I think I saw that in your story.

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<v Speaker 4>Actually a little DC slush It's perfect.

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<v Speaker 2>It's perfect because I feel like with slurpy is in

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<v Speaker 2>a lot of slush, it's like too overpoweringly sweet, you know,

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<v Speaker 2>uh huh. And this isn't because it's fucking die. I

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<v Speaker 2>had coke and it's not super blendy, so it's still

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<v Speaker 2>little chunk.

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<v Speaker 4>It would like I.

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<v Speaker 2>Am taking the train and walking just to get this,

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<v Speaker 2>like I would do that.

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<v Speaker 4>I love that.

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<v Speaker 1>Wow, a destination diet coke slushie? Where is it? Like,

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<v Speaker 1>I'm sorry, is it like a chain place or just

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<v Speaker 1>some little place you found that hasn't.

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<v Speaker 2>No, I don't know if it's it is little, but

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<v Speaker 2>I think it's doing well. It's called Edith's, okay, But

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<v Speaker 2>I asked when they opened, which was like twenty twenty,

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<v Speaker 2>and they started popping off in like twenty twenty one.

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<v Speaker 2>Is okay, because I lived in that neighborhood for a

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<v Speaker 2>long time and that was not around.

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<v Speaker 1>Got it all right? Yeah, get over there. So excited, Ashy,

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<v Speaker 1>that's exciting. That is exciting. What's going on in La

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<v Speaker 1>Boots on the ground. What's happening here? Well, my birthday

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<v Speaker 1>was last week.

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<v Speaker 4>Oh my god.

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<v Speaker 1>For the b day messages, I wasn't really gonna do

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<v Speaker 1>a big thing or anything because we had just gone

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<v Speaker 1>to Palm Springs for our friends forty and that was

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<v Speaker 1>kind of like the big thing for the month of

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<v Speaker 1>September for me.

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<v Speaker 4>And I was like, you know what, I'm not really

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<v Speaker 4>doing a lot for my birthday.

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<v Speaker 1>But Lisa sent me beautiful flowers in that's messed up

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<v Speaker 1>colors everybody, which I will take a picture of it.

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<v Speaker 2>There was the story you see one hot pink thing

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<v Speaker 2>in there? If I'm going off the photo, but I

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<v Speaker 2>know you like hot pink. I was trying, well, no,

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<v Speaker 2>there was when I saw the picture, Oh okay something. Honestly,

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<v Speaker 2>I feel bad that I said something negative because I do.

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<v Speaker 2>I think the the local floorist in your neighborhood is

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<v Speaker 2>incredible and I was happy I thought they were, And honestly,

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<v Speaker 2>I'll tell you without I'm not complimenting you to for

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<v Speaker 2>any kind of brownie points.

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<v Speaker 1>Rosie goes, this is the best one, and I go

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<v Speaker 1>those are Lisa's. She was definitely weighing in. Although my

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<v Speaker 1>brought me some beautiful flowers my parents. But it was nice.

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<v Speaker 1>But like, so my friend and I we swapped days

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<v Speaker 1>where I watched her kids. So her and her husband

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<v Speaker 1>go out for her birthday a couple weeks before, and

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<v Speaker 1>then she was watching my kids. She knows my kids.

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<v Speaker 1>My kids go to bed. There's the same shit every night.

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<v Speaker 1>Usually Rosie goes right to bed, and Oscar will come

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<v Speaker 1>out a couple times to be like, did.

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<v Speaker 4>You know that alicorns or unicorns that can also fly?

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<v Speaker 1>Like He'll come out with some dumb little thing and

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<v Speaker 1>then you walk them back to bed. He maybe does

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<v Speaker 1>that two or three times, and that's it.

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<v Speaker 4>I go out.

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<v Speaker 1>First of all, you were in the car with me

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<v Speaker 1>when our friend recommended this restaurant to me. She goes,

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<v Speaker 1>go to this restaurant, a Pasiting and it's so fod.

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<v Speaker 2>I'm sorry, Kara, you told me ahead of time that

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<v Speaker 2>there was no reservations, and I know for a fact

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<v Speaker 2>this is not something that you can handle.

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<v Speaker 4>But she got it.

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<v Speaker 1>No, of course it sound like she made it sound like,

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<v Speaker 1>even if you have to wait for forty five minutes,

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<v Speaker 1>you go across the street and get a drink.

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<v Speaker 4>It was a two hour wait, two hour waight that's

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<v Speaker 4>Friday night? Yeah, I know. So I was like I

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<v Speaker 4>should have wait.

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<v Speaker 2>Honestly, I should have been a better friend and been like,

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<v Speaker 2>are you sure you don't want to make a backup preservation?

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<v Speaker 4>Because I know you're right, not for you. And I

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<v Speaker 4>can't believe I did it.

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<v Speaker 1>I think I was just like I didn't want to

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<v Speaker 1>think about anything for the birthday, did it.

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<v Speaker 4>I was just like, yeah, we'll just go try this place.

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<v Speaker 4>If it doesn't work whatever. So we go.

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<v Speaker 1>They're like two hourweight. I'm like, all right, never mind,

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<v Speaker 1>we'll go somewhere else. So I'm on Rezie, I'm trying

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<v Speaker 1>to find another place to go. My friend is texting me, going, hey,

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<v Speaker 1>So they're both screaming for you and it's been fifteen minutes.

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<v Speaker 4>Is there some kind of trick?

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<v Speaker 1>And I go what, like they never do that, They're

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<v Speaker 1>never like, you know, I go out of town. I

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<v Speaker 1>go out all the time, Like they don't. They don't

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<v Speaker 1>ever do that. So I go, let me FaceTime you.

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<v Speaker 1>So I'm on the streets facetiming my kids in.

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<v Speaker 4>The book going we want you? Where are you?

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<v Speaker 1>I go, you, guys, this is my birthday. This is

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<v Speaker 1>not fair. But they're three and five. You can't really

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<v Speaker 1>reason with them like that. And I'm like, okay, I don't.

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<v Speaker 1>They won't stop. They won't stop to listen to me.

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<v Speaker 1>They won't stop. So I go, all right, I guess

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<v Speaker 1>we're coming home. So we go home and the minute

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<v Speaker 1>I walk in the door, I can see them on

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<v Speaker 1>their little cameras. They're asleep. They're both asleep. So I

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<v Speaker 1>walk in the door. My friend is like, I'm so sorry.

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<v Speaker 1>I just there was nothing. They were feeding off each other.

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<v Speaker 1>They wouldn't stop. And I was like, okay, is it

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<v Speaker 1>okay if we go back out? And she was like, no,

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<v Speaker 1>of course, go out. So now it's just an hour

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<v Speaker 1>of the night has been sidetracked. So we ended up

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<v Speaker 1>going out someplace in Silver Lake and it was fun,

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<v Speaker 1>and I was going to go to James o'domian's album

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<v Speaker 1>release and I was like, honestly, I'm a little bit

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<v Speaker 1>emotionally exhausted after but it was at acbar where you

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<v Speaker 1>and I did learn the words bitch, which is a

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<v Speaker 1>gay bar on the What.

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<v Speaker 4>Did you eat? Was this still Italian? What did you have?

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<v Speaker 4>An impossible?

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<v Speaker 2>Yeah?

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<v Speaker 4>So we went to Marco Polo.

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<v Speaker 1>We went to Marco Polo at the Silver Lake Hotel,

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<v Speaker 1>Silver Lake Pool and Hotel or something like that. Yeah,

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<v Speaker 1>and our friend had been there before, so I was like,

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<v Speaker 1>I think, I know, this place seems like pretty good.

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<v Speaker 1>And they had they had vodka pasta. You know, they

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<v Speaker 1>had vodka sauce pasta, and that's kind of my my kryptonite.

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<v Speaker 1>So I was like, we'll go there. So it was

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<v Speaker 1>nice and we were able to like kind of reset

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<v Speaker 1>the night. But I was like, I was like cursing

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<v Speaker 1>my children on my way to the car. It was like,

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<v Speaker 1>these little fuckers are ruining my birthday. And then I

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<v Speaker 1>get home and they're just little sleeping angels.

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<v Speaker 2>Like, well, I thought it. I mean, this is your

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<v Speaker 2>friend doing you a favor, so it's fine. As a

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<v Speaker 2>former professional child's care tape, I would never have called

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<v Speaker 2>the parents after only fifteen minutes of screaming. So I

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<v Speaker 2>hope she's not a listener, because that's my opinion.

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<v Speaker 1>She's not and I was a little bit thinking that,

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<v Speaker 1>but I was also like, I was.

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<v Speaker 4>Here to tell you as a professional. She is there like.

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<v Speaker 1>Her daughter and my daughter are friends. I was kind

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<v Speaker 1>of like, maybe she's being too nice.

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<v Speaker 4>I don't know. I was like, you got to just

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<v Speaker 4>tell them to shut the hell up. I don't know.

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<v Speaker 4>That's obviously not how I disciplined my children.

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<v Speaker 2>Everybody, but like, well, no, because there was one time

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<v Speaker 2>where you had to go, you know, to the Christmas pageants.

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<v Speaker 2>You know, Jared had to be a work something was happening.

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<v Speaker 2>So I stayed with Oscar and everyone was like, I

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<v Speaker 2>don't know, can you do it? And I'm like, yeah,

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<v Speaker 2>I'll ignore him while he screams and he will stop

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<v Speaker 2>and yeah did.

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<v Speaker 4>And he did, Yeah, and he did.

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<v Speaker 2>And I ate my you know McDonald's as I watched

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<v Speaker 2>him scream for a little bit and then he stopped.

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<v Speaker 1>He was quiet, and when I got home, he was

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<v Speaker 1>just sitting there watching TV and glancing at Lisa once

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<v Speaker 1>in a while and having a time.

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<v Speaker 2>It was fine. Yeah, I was totally fine. I just

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<v Speaker 2>feel like if it was an hour, maybe.

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<v Speaker 1>Yeah, I'm sorry, Like, especially because they're three and five,

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<v Speaker 1>like they're verbal It's not like it's like I wouldn't

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<v Speaker 1>let a little tiny baby cry for an hour because

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<v Speaker 1>you do, something could be wrong or whatever. But like

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<v Speaker 1>they're verbal, they can be like my ankle's broken, you know,

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<v Speaker 1>like whatever. So they were just putting on a show

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<v Speaker 1>for her because the next day, you can better believe.

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<v Speaker 1>We had a little family meeting first thing, and I

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<v Speaker 1>was like, that will not happen again, Like you will

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<v Speaker 1>not be doing that. I have to go out sometimes,

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<v Speaker 1>I have to go out and work. They get a

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<v Speaker 1>babysitter every Wednesday when I go out and do my show.

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<v Speaker 1>So I'm like, you guys had a babysitter two nights ago.

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<v Speaker 4>What the hell? They also had a babysitter while we

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<v Speaker 4>were out of town for I know.

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<v Speaker 1>They love that babysitter. This was them putting on a

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<v Speaker 1>little show. They were just kind of like when they

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<v Speaker 1>realize I think that she was gonna FaceTime. Maybe I

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<v Speaker 1>shouldn't have even done the FaceTime, like I just felt

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<v Speaker 1>because it was supposed to be easy, Like when I

0:10:02.559 --> 0:10:04.240
<v Speaker 1>do it for her. Her kids are five and seven,

0:10:04.760 --> 0:10:07.600
<v Speaker 1>I don't even see them. They're not even around. They're

0:10:07.640 --> 0:10:09.120
<v Speaker 1>in bed. When I get there, I watched them and

0:10:09.240 --> 0:10:11.160
<v Speaker 1>I don't know who this is. I don't know if

0:10:11.160 --> 0:10:11.640
<v Speaker 1>you've met her.

0:10:11.720 --> 0:10:15.000
<v Speaker 2>She's like, yeah, I was thinking of a fully different

0:10:15.000 --> 0:10:16.079
<v Speaker 2>friend this whole time.

0:10:16.480 --> 0:10:18.320
<v Speaker 1>Oh yeah, Now I would have told you if it

0:10:18.360 --> 0:10:20.240
<v Speaker 1>was somebody that you know as well. You don't know

0:10:20.280 --> 0:10:22.000
<v Speaker 1>this person, and I don't even think I met them

0:10:22.000 --> 0:10:25.920
<v Speaker 1>in passing, but we do swaps every now and then, and.

0:10:26.960 --> 0:10:28.679
<v Speaker 4>I'm gonna have to. I'm gonna think I'm gonna have

0:10:28.679 --> 0:10:28.960
<v Speaker 4>to give.

0:10:28.840 --> 0:10:31.000
<v Speaker 1>It a little break. She seemed traumatized too. When I

0:10:31.040 --> 0:10:32.800
<v Speaker 1>got home, I was like, are you okay if we

0:10:32.840 --> 0:10:34.800
<v Speaker 1>go back out? She was like, yeahs long? Are they asleep?

0:10:34.840 --> 0:10:36.400
<v Speaker 1>I'm like, they're asleep. I can see them on the

0:10:36.400 --> 0:10:41.280
<v Speaker 1>camp sleep. It's like maybe for birthdays. I only do

0:10:41.360 --> 0:10:44.000
<v Speaker 1>now paid babysitters where I can be like your problem,

0:10:44.000 --> 0:10:45.199
<v Speaker 1>I'm paying you to deal with it.

0:10:45.240 --> 0:10:49.000
<v Speaker 2>But well, because I had a big pasta moment, I

0:10:49.040 --> 0:10:53.080
<v Speaker 2>finally made it to chat Chelsea Cafe. I'm part of

0:10:53.120 --> 0:10:57.000
<v Speaker 2>the Chelsea Hotel and I wanted to try this flat ravioli.

0:10:57.080 --> 0:11:00.680
<v Speaker 1>She saw it on your fucking story and was so,

0:11:00.720 --> 0:11:02.000
<v Speaker 1>I guess so good.

0:11:02.200 --> 0:11:04.720
<v Speaker 2>I guess this is like mac and cheese for kids

0:11:04.760 --> 0:11:07.440
<v Speaker 2>in France is what I heard, Like, this is like

0:11:07.480 --> 0:11:10.800
<v Speaker 2>an afterschool easy dish that the kids eat, but it's

0:11:10.840 --> 0:11:14.640
<v Speaker 2>a ravioli. She and I would say, it's like it

0:11:14.720 --> 0:11:18.679
<v Speaker 2>felt it was the comfort of a buttered noodle.

0:11:19.920 --> 0:11:22.320
<v Speaker 4>And it's a cheese filling. It's a cheesy ravioli.

0:11:22.520 --> 0:11:24.720
<v Speaker 1>Yeah, yeah, yeah. And then I was so good I

0:11:24.720 --> 0:11:26.560
<v Speaker 1>was getting hammered. I had it looks like it has

0:11:26.600 --> 0:11:28.720
<v Speaker 1>like a catch to a pepe sauce on it or something.

0:11:28.800 --> 0:11:30.880
<v Speaker 4>Yeah, it just looked awesome when I saw it.

0:11:34.240 --> 0:11:40.960
<v Speaker 2>So basically I had an insane Saturday where obviously, oh no,

0:11:41.040 --> 0:11:44.640
<v Speaker 2>it wasn't Saturday. Was it was Friday? Not that it

0:11:44.679 --> 0:11:49.160
<v Speaker 2>fucking matters, So like's no Friday. I go to soul

0:11:49.200 --> 0:11:51.240
<v Speaker 2>Cycle in the morning. For some reason, it just took

0:11:51.320 --> 0:11:53.160
<v Speaker 2>to me. I was so tired. I was just like

0:11:53.320 --> 0:11:56.040
<v Speaker 2>I had to nap. So I ended up napping after

0:11:56.120 --> 0:11:58.760
<v Speaker 2>soul Cycle. By the time I woke up in the afternoon,

0:11:59.679 --> 0:12:02.960
<v Speaker 2>I had plans to meet a friend at like fourish,

0:12:03.000 --> 0:12:04.840
<v Speaker 2>so I was like, well, I'm just not gonna eat.

0:12:04.880 --> 0:12:08.000
<v Speaker 2>It's two we're gonna eat in a couple hours. I'll

0:12:08.160 --> 0:12:10.120
<v Speaker 2>just you know, see him when I see him. And

0:12:10.160 --> 0:12:11.880
<v Speaker 2>then my friends are like, we're actually doing a happy

0:12:11.920 --> 0:12:13.480
<v Speaker 2>hour at this other place, and I was like, well,

0:12:13.320 --> 0:12:16.240
<v Speaker 2>we'll meet you later. So I meet my friend at

0:12:16.240 --> 0:12:21.319
<v Speaker 2>an empty stomach. I do have two margaritas immediately and

0:12:20.960 --> 0:12:23.040
<v Speaker 2>we and we smoke a joint. Let's be real, So

0:12:23.160 --> 0:12:26.240
<v Speaker 2>like I meet my friend, we smoke a joint. I

0:12:26.240 --> 0:12:29.960
<v Speaker 2>have two margarita's. I am sauced as fuck. So then

0:12:30.000 --> 0:12:32.360
<v Speaker 2>he needs to go do some shopping errands, and I'm like,

0:12:32.600 --> 0:12:35.760
<v Speaker 2>let's go. So we're like hammered shopping through the streets.

0:12:35.800 --> 0:12:39.120
<v Speaker 2>We need a piece, so we take a shot somewhere.

0:12:39.160 --> 0:12:42.360
<v Speaker 2>I've still not eaten, not not one bit of food,

0:12:42.720 --> 0:12:44.880
<v Speaker 2>and so then I meet our friends at the Commodore

0:12:45.480 --> 0:12:48.319
<v Speaker 2>and then I I finally eat, but I'm also still

0:12:48.360 --> 0:12:52.000
<v Speaker 2>just drinking more so like I'm drinking, I'm eating. And

0:12:52.040 --> 0:12:54.640
<v Speaker 2>then I have four spots that night, one of which

0:12:54.679 --> 0:12:57.880
<v Speaker 2>is at one fifty five am. So it's not like

0:12:58.880 --> 0:13:02.480
<v Speaker 2>and I started early wildly. I usually don't start around nine,

0:13:02.559 --> 0:13:05.640
<v Speaker 2>but like, so it was just sammer.

0:13:05.880 --> 0:13:08.000
<v Speaker 4>I had to run to my first spot at nine.

0:13:08.000 --> 0:13:10.360
<v Speaker 2>So in between like my earlier and my later, I

0:13:10.400 --> 0:13:16.120
<v Speaker 2>had this buttered noodle ravioli coucio Pepe, sheet pepe, whatever.

0:13:16.640 --> 0:13:16.920
<v Speaker 5>I guess.

0:13:17.000 --> 0:13:20.040
<v Speaker 2>I had a food video and I was people are saying,

0:13:20.040 --> 0:13:23.160
<v Speaker 2>I'm misgendering the meat. I didn't know how to say Mortadella.

0:13:24.160 --> 0:13:27.400
<v Speaker 2>I kept saying Mordidella, Mortadello, and I guess.

0:13:27.440 --> 0:13:30.560
<v Speaker 1>Yes, mister hearing the meat Mordandella.

0:13:30.840 --> 0:13:34.199
<v Speaker 2>Yeah, I kept like switching it back and forth.

0:13:34.200 --> 0:13:35.200
<v Speaker 4>I don't know that would tickle you.

0:13:35.280 --> 0:13:38.679
<v Speaker 1>So that's so funny. I'm sorry, that's really funny to me. Yeah,

0:13:41.280 --> 0:13:44.480
<v Speaker 1>you're like, what is this? This sa Salamo Like we're

0:13:44.520 --> 0:13:46.760
<v Speaker 1>just making We're just changing meats here and there.

0:13:46.840 --> 0:13:49.080
<v Speaker 2>I love it, okay, so but yeah, so it was

0:13:49.120 --> 0:13:51.520
<v Speaker 2>like a wild Friday. And then I finally I think

0:13:51.600 --> 0:13:54.640
<v Speaker 2>got home at like two something three in the morning

0:13:55.960 --> 0:13:57.000
<v Speaker 2>from all the spots.

0:13:57.480 --> 0:13:59.960
<v Speaker 1>Wow, and all your spots went well and every day

0:14:00.120 --> 0:14:03.240
<v Speaker 1>because I've been not that you were too too drunk

0:14:03.280 --> 0:14:05.720
<v Speaker 1>because you ate and everything, but like I always remember

0:14:05.720 --> 0:14:07.840
<v Speaker 1>being like, oh god, no, I'm like you get on

0:14:07.880 --> 0:14:10.839
<v Speaker 1>stage and you're like, fuck, I'm drunk, Like, id No.

0:14:10.880 --> 0:14:13.960
<v Speaker 4>I wasn't drunk. I was tired. I was just like tired,

0:14:14.320 --> 0:14:15.360
<v Speaker 4>like yeah, I don't know.

0:14:15.520 --> 0:14:18.000
<v Speaker 2>I was just uh and I was smart and we

0:14:18.160 --> 0:14:21.280
<v Speaker 2>it was just like, uh, my friend I ran into

0:14:21.320 --> 0:14:24.640
<v Speaker 2>that night. He said that I lived my life like

0:14:24.680 --> 0:14:27.760
<v Speaker 2>a teen who just won the lottery or something, or

0:14:27.840 --> 0:14:32.240
<v Speaker 2>like they're like, parents are out of town, it's time

0:14:32.360 --> 0:14:34.480
<v Speaker 2>to live it up. And I'm like, no, I've been

0:14:34.520 --> 0:14:39.000
<v Speaker 2>recuperating for days. Oh god, oh my god, I love it.

0:14:39.320 --> 0:14:41.600
<v Speaker 2>I went to a backgammon night last night.

0:14:41.920 --> 0:14:42.640
<v Speaker 4>Oh you did.

0:14:43.040 --> 0:14:46.240
<v Speaker 2>I finally did. I went by myself. Yeah, I did it.

0:14:47.440 --> 0:14:49.440
<v Speaker 2>You know, I'll go again. I'll go again.

0:14:49.760 --> 0:14:53.320
<v Speaker 1>Backcamm In, you tried to briefly just show me how

0:14:53.320 --> 0:14:55.520
<v Speaker 1>to do it at at the Palm Springs.

0:14:55.520 --> 0:14:56.960
<v Speaker 4>Well, I was like watching you and my ohone.

0:14:57.000 --> 0:14:58.640
<v Speaker 1>You guys were kind of like, well, you just have

0:14:58.680 --> 0:15:00.480
<v Speaker 1>to do this, and I was like, it's not computing

0:15:00.480 --> 0:15:03.040
<v Speaker 1>for me. So I'm like, maybe Domino's is my thing

0:15:03.080 --> 0:15:04.840
<v Speaker 1>that you're gonna actually teach me. And I'm gonna get

0:15:04.920 --> 0:15:06.320
<v Speaker 1>because I don't think. I don't know if I see

0:15:06.360 --> 0:15:09.440
<v Speaker 1>it for backcammon, I see it, I see it. But

0:15:09.480 --> 0:15:10.320
<v Speaker 1>what were you gonna say?

0:15:10.560 --> 0:15:14.800
<v Speaker 2>Cause I don't have actually any fun like tales from backgammon. Well,

0:15:14.840 --> 0:15:17.560
<v Speaker 2>actually it was it was like in midtown it was

0:15:17.840 --> 0:15:21.200
<v Speaker 2>very impossible to get to barricades. Everywhere, cops are everywhere.

0:15:21.600 --> 0:15:23.680
<v Speaker 2>I don't know what's happening. And then afterwards, I was

0:15:23.720 --> 0:15:26.000
<v Speaker 2>a little sauced, called a friend and they figured.

0:15:25.720 --> 0:15:29.000
<v Speaker 4>Out that all the UN world leaders are meeting. Oh

0:15:29.040 --> 0:15:30.440
<v Speaker 4>and I had the UN fuck it.

0:15:30.920 --> 0:15:33.640
<v Speaker 1>Yeah, I was you in General Assembly and there's all

0:15:33.680 --> 0:15:35.560
<v Speaker 1>this stuff about how it's the worst traffic week in

0:15:35.560 --> 0:15:38.320
<v Speaker 1>New York. And I was almost like, I'll text Lisa

0:15:38.400 --> 0:15:39.880
<v Speaker 1>and tell her, like, by the way, it's you in

0:15:39.920 --> 0:15:41.720
<v Speaker 1>General Assembly, Traffic's gonna be bad. And I was like,

0:15:41.800 --> 0:15:43.920
<v Speaker 1>she's gonna be like, she's gonna be like you think

0:15:43.960 --> 0:15:44.520
<v Speaker 1>I don't know that.

0:15:44.600 --> 0:15:47.280
<v Speaker 4>So I didn't text you. No, I had no idea.

0:15:47.320 --> 0:15:50.360
<v Speaker 2>And I had just gotten stopped a few months earlier

0:15:50.480 --> 0:15:53.480
<v Speaker 2>or a month earlier, I don't remember. Time is weird,

0:15:53.600 --> 0:15:57.600
<v Speaker 2>but for Biden's motorcade and we weren't allowed to cross

0:15:57.680 --> 0:15:59.360
<v Speaker 2>or anything. So I was like, no, we're allowed to

0:15:59.360 --> 0:16:02.360
<v Speaker 2>walk on these but it's it was like three full blocks.

0:16:02.400 --> 0:16:05.880
<v Speaker 4>I take the train anyways. But yeah, I was finally, yeah,

0:16:06.000 --> 0:16:06.320
<v Speaker 4>I was.

0:16:06.320 --> 0:16:08.680
<v Speaker 1>It's a crazy weekend in New York, like I remember,

0:16:08.840 --> 0:16:10.280
<v Speaker 1>or days in New York. I don't know, it's like

0:16:10.600 --> 0:16:14.200
<v Speaker 1>how many days it is, but like it's crazy. Oh no,

0:16:14.280 --> 0:16:16.520
<v Speaker 1>I was just gonna say, last night I finished Secret

0:16:16.560 --> 0:16:19.640
<v Speaker 1>Lives of Mormon Wives. Oh wow, So I finished shit

0:16:20.160 --> 0:16:23.040
<v Speaker 1>And yeah, I was really fucking hooked the whole time.

0:16:23.680 --> 0:16:26.920
<v Speaker 1>And I'm still making my way through the Bear. But

0:16:27.040 --> 0:16:31.560
<v Speaker 1>I'm not interested the Bear. I don't think I'm gonna

0:16:31.560 --> 0:16:32.320
<v Speaker 1>watch season three.

0:16:32.920 --> 0:16:35.200
<v Speaker 2>Maybe when season four comes out and that's really good,

0:16:35.240 --> 0:16:38.240
<v Speaker 2>I'll be like, Okay, I have two things to like

0:16:38.360 --> 0:16:40.800
<v Speaker 2>power Through. I didn't like the trailer. I didn't like

0:16:40.840 --> 0:16:42.960
<v Speaker 2>the direction they were going. I'm not interested. I'd rather

0:16:43.040 --> 0:16:46.960
<v Speaker 2>be in the fantasy of season two of like wow,

0:16:47.240 --> 0:16:48.960
<v Speaker 2>they did it like I like that.

0:16:49.560 --> 0:16:52.040
<v Speaker 1>I don't need him becoming a freak. But oh, I

0:16:52.080 --> 0:16:55.440
<v Speaker 1>don't even know. I haven't even seen season three's trailer. Wait,

0:16:55.480 --> 0:16:56.560
<v Speaker 1>what's my watching?

0:16:56.720 --> 0:16:58.600
<v Speaker 4>I don't know. I feel like I've said too much.

0:16:59.480 --> 0:17:02.680
<v Speaker 1>No, what season in my wa not like City premiered

0:17:02.800 --> 0:17:04.840
<v Speaker 1>like that was a big I know when I haven't

0:17:04.920 --> 0:17:05.600
<v Speaker 1>watched it yet.

0:17:05.680 --> 0:17:07.800
<v Speaker 4>It's staying on my DVR, but I'm going to watch it.

0:17:07.880 --> 0:17:08.720
<v Speaker 4>Watched it twice.

0:17:08.800 --> 0:17:12.119
<v Speaker 1>I'm pretty happy I did call Spectrum to quit cable.

0:17:12.160 --> 0:17:14.080
<v Speaker 1>I want everyone to know because everyone's always like, wow,

0:17:14.119 --> 0:17:16.040
<v Speaker 1>you still pay for cable, and I did. I was

0:17:16.080 --> 0:17:18.560
<v Speaker 1>able to, through my threats to quit, talk them down

0:17:18.600 --> 0:17:20.480
<v Speaker 1>to where I'm paying like thirty dollars a month for

0:17:20.520 --> 0:17:23.560
<v Speaker 1>cable now, So I'm staying with cable for a while.

0:17:23.560 --> 0:17:25.240
<v Speaker 1>So I have my own Bravo and I've got my

0:17:25.320 --> 0:17:27.760
<v Speaker 1>DVR so that I won't like lose track of Bravo

0:17:28.440 --> 0:17:31.840
<v Speaker 1>because that is what keeps me on track. That they're

0:17:31.880 --> 0:17:34.800
<v Speaker 1>sitting right there, I'm not watching the Dubai things. Wait,

0:17:35.200 --> 0:17:37.400
<v Speaker 1>Salt Lake's back and is New York back already?

0:17:37.600 --> 0:17:38.000
<v Speaker 4>No?

0:17:38.000 --> 0:17:41.640
<v Speaker 1>No, no, coming up, coming up right. Yeah, we'll give

0:17:41.640 --> 0:17:44.720
<v Speaker 1>you a full lowdown once. Yeah today, Yeah, yeah, I

0:17:44.720 --> 0:17:46.680
<v Speaker 1>guess we can get into our a.

0:17:46.920 --> 0:17:49.000
<v Speaker 4>Yeah, this is our I mean, I don't know what

0:17:49.080 --> 0:17:52.040
<v Speaker 4>else like. I mean, well, thanks everyone for listening.

0:17:52.160 --> 0:17:54.200
<v Speaker 2>Yeah, you're you know a lot of people we meet

0:17:54.240 --> 0:17:57.200
<v Speaker 2>on the road say they're day one listeners. They heard

0:17:57.200 --> 0:17:59.560
<v Speaker 2>the ad on my favorite murder. Some people have just

0:17:59.680 --> 0:18:03.720
<v Speaker 2>joined to some people you know, are watching us to

0:18:03.800 --> 0:18:06.360
<v Speaker 2>be with us starting from the beginning. Let's yeah, it's

0:18:06.400 --> 0:18:10.359
<v Speaker 2>all great. I'm babbling because I'm empty by the listeners. Yes,

0:18:10.680 --> 0:18:12.880
<v Speaker 2>we love We're on tour, come see us live.

0:18:13.840 --> 0:18:17.800
<v Speaker 1>Yes, Yes, it's this episode is coming out on October first,

0:18:17.840 --> 0:18:21.520
<v Speaker 1>and in two weeks basically we start our Spooky season

0:18:21.600 --> 0:18:25.320
<v Speaker 1>tour where we're going to be in Denver, Phoenix, San Diego,

0:18:25.600 --> 0:18:28.639
<v Speaker 1>San Francisco, LA, and Portland. So if you live in

0:18:28.680 --> 0:18:30.560
<v Speaker 1>any of those places, go to That's messed Up live

0:18:30.680 --> 0:18:33.960
<v Speaker 1>dot Com. We just ordered a bunch of very cool

0:18:34.440 --> 0:18:37.919
<v Speaker 1>tour only merch, so it's really fun stuff that you

0:18:37.960 --> 0:18:41.600
<v Speaker 1>can only buy if you come see us live. So yeah,

0:18:41.840 --> 0:18:44.840
<v Speaker 1>come out and see us, and That's messed Up Live

0:18:44.840 --> 0:18:47.320
<v Speaker 1>dot Com also takes you to like our merch page

0:18:47.359 --> 0:18:49.600
<v Speaker 1>and Lisa's tour dates and everything else you need for

0:18:49.640 --> 0:18:52.760
<v Speaker 1>any information about either of us, and yeah, we you.

0:18:53.240 --> 0:18:55.840
<v Speaker 1>Some of you may remember that this episode we're about

0:18:55.880 --> 0:18:58.600
<v Speaker 1>to do today was our very first live show that

0:18:58.640 --> 0:19:02.160
<v Speaker 1>we did at Dynasty Typewriter, So we're doing it again,

0:19:02.359 --> 0:19:04.760
<v Speaker 1>we're doing it different, and we've got a killer guest,

0:19:04.880 --> 0:19:06.040
<v Speaker 1>So don't.

0:19:05.880 --> 0:19:11.000
<v Speaker 4>Go away, guys.

0:19:11.040 --> 0:19:14.880
<v Speaker 1>Today we are doing for our two hundredth episode, Bear

0:19:14.920 --> 0:19:19.720
<v Speaker 1>Bear Bear Beer. We are doing PC a fan favorite.

0:19:19.760 --> 0:19:22.080
<v Speaker 1>You guys have asked us to do this one. We

0:19:22.080 --> 0:19:25.120
<v Speaker 1>were obviously holding out for reasons that you can imagine.

0:19:25.119 --> 0:19:29.440
<v Speaker 1>We're resolved and we've done this episode at a couple

0:19:29.480 --> 0:19:32.040
<v Speaker 1>of live shows, So if you saw it there, I

0:19:32.040 --> 0:19:34.639
<v Speaker 1>would say, still listen today, we've probably got new takes,

0:19:34.680 --> 0:19:39.320
<v Speaker 1>new jokes. And this episode is from season eleven, episode thirteen,

0:19:39.960 --> 0:19:45.080
<v Speaker 1>and yeah, from back in twenty ten, and it starts

0:19:45.160 --> 0:19:47.880
<v Speaker 1>out with a couple stumbling out of a bar, laughing

0:19:48.000 --> 0:19:50.560
<v Speaker 1>like comically loudly. They are having the time in their lives.

0:19:50.560 --> 0:19:54.000
<v Speaker 1>They're like, oh my god, we're young and drunken in love.

0:19:54.040 --> 0:19:56.199
<v Speaker 1>And she's like, Steve, let's take a pick, and she

0:19:56.200 --> 0:19:58.200
<v Speaker 1>whips out her BlackBerry so she can take a cute

0:19:58.240 --> 0:20:00.760
<v Speaker 1>grainy shot to upload a Facebook And just as the

0:20:00.760 --> 0:20:03.240
<v Speaker 1>guy corrects her that his name is Scott, which I love,

0:20:03.280 --> 0:20:05.119
<v Speaker 1>they are absolutely about to go home and fuck and

0:20:05.160 --> 0:20:08.800
<v Speaker 1>I love it until chaos. A man runs by her,

0:20:09.040 --> 0:20:11.600
<v Speaker 1>grabs her phone and takes off. I don't know, it's

0:20:11.640 --> 0:20:14.960
<v Speaker 1>twenty ten. I had a BlackBerry around that time. I

0:20:14.960 --> 0:20:16.679
<v Speaker 1>don't know what you're what the street value is for

0:20:16.720 --> 0:20:19.520
<v Speaker 1>a BlackBerry, but this guy is trying to get it,

0:20:19.560 --> 0:20:21.639
<v Speaker 1>so he runs takes off. A cop happens to be

0:20:21.720 --> 0:20:23.800
<v Speaker 1>right there and he's like, stop, don't move, and he

0:20:24.160 --> 0:20:28.119
<v Speaker 1>gives chase. This police officer is chasing this man through

0:20:28.200 --> 0:20:31.439
<v Speaker 1>alley's a little obstacle. Course, he has his gun drawn,

0:20:31.600 --> 0:20:34.480
<v Speaker 1>and I guess my thing is, yes, robbing people is bad,

0:20:34.520 --> 0:20:36.280
<v Speaker 1>but no one deserves to be shot to death over

0:20:36.320 --> 0:20:38.960
<v Speaker 1>a BlackBerry. And that's kind of where a lot of

0:20:38.960 --> 0:20:41.200
<v Speaker 1>the problem is with the police. Like I would say,

0:20:41.240 --> 0:20:43.520
<v Speaker 1>it's like, yeah, lady, sorry, I ran a couple blocks,

0:20:43.560 --> 0:20:46.800
<v Speaker 1>I couldn't find him. Call your insurance, get a new phone,

0:20:46.960 --> 0:20:48.359
<v Speaker 1>like it's a one hundred bucks.

0:20:48.400 --> 0:20:48.800
<v Speaker 4>Probably.

0:20:49.200 --> 0:20:51.520
<v Speaker 1>As the guy corners the guy in the back of

0:20:51.560 --> 0:20:54.440
<v Speaker 1>the alley behind some gate, the purp actually comes out

0:20:54.480 --> 0:20:57.040
<v Speaker 1>and he goes, okay, okay, I stole the phone, but

0:20:57.119 --> 0:20:59.359
<v Speaker 1>I didn't do that. He drops the phone on the ground,

0:20:59.400 --> 0:21:02.439
<v Speaker 1>and he takes off the cop like has his flashlight,

0:21:02.600 --> 0:21:05.359
<v Speaker 1>looks and he sees a ton of blood splattered on

0:21:05.400 --> 0:21:08.159
<v Speaker 1>this like linoleum floor, and it's leading to the body

0:21:08.240 --> 0:21:11.119
<v Speaker 1>of a dead woman, and he goes, holy god. And

0:21:11.160 --> 0:21:13.480
<v Speaker 1>then he calls for a bus, and just as he

0:21:13.520 --> 0:21:16.880
<v Speaker 1>tells dispatch, I think she's already dead, she gasps for air.

0:21:16.960 --> 0:21:20.240
<v Speaker 1>So fuck, she is actually alive. I do appreciate a

0:21:20.240 --> 0:21:24.479
<v Speaker 1>little trick like that. He asks who did that?

0:21:25.000 --> 0:21:29.680
<v Speaker 2>So that just always reminds me of the sloth guy

0:21:29.840 --> 0:21:30.960
<v Speaker 2>from seven.

0:21:31.520 --> 0:21:35.960
<v Speaker 1>Oh god, yes, when you're like, there's no possible way

0:21:36.000 --> 0:21:39.600
<v Speaker 1>this guy's alive, and then he's like, yeah, oh my god.

0:21:39.720 --> 0:21:39.960
<v Speaker 4>Yes.

0:21:41.440 --> 0:21:44.800
<v Speaker 1>So the guy asked the police officer that with the flashlight,

0:21:44.840 --> 0:21:46.960
<v Speaker 1>who was about to shoot a phone thief, was like.

0:21:47.200 --> 0:21:48.080
<v Speaker 4>Who did this to you?

0:21:48.160 --> 0:21:52.080
<v Speaker 1>And she goes Mitch, Mitch, like she's spattering out the

0:21:52.119 --> 0:21:54.320
<v Speaker 1>word Mitch, and then you know, she can't really say

0:21:54.400 --> 0:21:56.119
<v Speaker 1>much because her throat is fully slashed.

0:21:56.160 --> 0:21:57.080
<v Speaker 4>I don't know if I mentioned that.

0:21:57.640 --> 0:21:59.760
<v Speaker 1>So now we're at the hospital and the cop is

0:22:00.320 --> 0:22:03.040
<v Speaker 1>beson is stable or white, female, mid twenties, no purse,

0:22:03.160 --> 0:22:07.399
<v Speaker 1>no id, panties are gone. Sorry I said that. She

0:22:07.680 --> 0:22:10.000
<v Speaker 1>was found in an empty restaurant, bruising on her thighs.

0:22:10.000 --> 0:22:14.359
<v Speaker 1>Her throat is sliced. And they roll up to uh,

0:22:14.640 --> 0:22:17.520
<v Speaker 1>surfer doctor dude. We've talked about him before. He is

0:22:17.560 --> 0:22:19.639
<v Speaker 1>a doctor who clearly looks like you should be hanging

0:22:19.680 --> 0:22:23.240
<v Speaker 1>ten in Malibu instead, he's a doctor in like the

0:22:23.520 --> 0:22:26.160
<v Speaker 1>er in Manhattan. And he's like, they're like, who talked

0:22:26.160 --> 0:22:28.280
<v Speaker 1>to the victim and he's like, big, done, done, Sorry,

0:22:28.280 --> 0:22:28.600
<v Speaker 1>you can't.

0:22:28.720 --> 0:22:29.280
<v Speaker 4>She is dead.

0:22:29.880 --> 0:22:32.360
<v Speaker 1>So the victim has passed and the detectives all look

0:22:32.440 --> 0:22:33.320
<v Speaker 1>stunned and sad.

0:22:33.440 --> 0:22:34.560
<v Speaker 4>This job never.

0:22:34.440 --> 0:22:38.280
<v Speaker 1>Gets easier, and Marishka does have a long bob, which

0:22:38.600 --> 0:22:41.600
<v Speaker 1>Lisa has mentioned might be one of her favorite hairstyles

0:22:41.720 --> 0:22:46.720
<v Speaker 1>of Marishka's, of Olivia Benson's time, and I'm, you.

0:22:46.640 --> 0:22:49.680
<v Speaker 2>Know, against the patriarchy, but I like most of her

0:22:49.840 --> 0:22:52.480
<v Speaker 2>more feminine hairdoos.

0:22:53.480 --> 0:22:56.800
<v Speaker 1>Yeah, I like it when the locks are flowing and highlighted.

0:22:57.040 --> 0:22:59.840
<v Speaker 1>And yes, I even like a sumher of some hare

0:23:00.240 --> 0:23:02.160
<v Speaker 1>with bangs. You know, I'm like in those days too.

0:23:02.920 --> 0:23:05.399
<v Speaker 1>So top of act one, Benson is Stabler head to

0:23:05.400 --> 0:23:07.480
<v Speaker 1>the scene of the crime. They're looking for the murder weapon.

0:23:08.080 --> 0:23:10.760
<v Speaker 1>The cops couldn't find the underwear. It's literally hanging from

0:23:10.800 --> 0:23:12.520
<v Speaker 1>a chair across the room. So I don't know why

0:23:12.560 --> 0:23:15.920
<v Speaker 1>that was such a big mystery. They're right there, Benson says, Oh,

0:23:16.000 --> 0:23:18.800
<v Speaker 1>Mitch must have been filled with rage, whoever this Mitch

0:23:18.840 --> 0:23:21.359
<v Speaker 1>guy is, and Stabler's like, okay, there's empty beer bottles

0:23:21.400 --> 0:23:23.800
<v Speaker 1>and candles, so Benson's like, do you think maybe it

0:23:23.840 --> 0:23:27.680
<v Speaker 1>started out as a cheap date And then Benson notices

0:23:27.880 --> 0:23:30.880
<v Speaker 1>literally the writing on the wall. There is a pentagram

0:23:31.000 --> 0:23:33.560
<v Speaker 1>that looks like it's written with dripping blood and it's

0:23:33.560 --> 0:23:36.600
<v Speaker 1>like the number six sixty six and upside down cross

0:23:36.640 --> 0:23:37.359
<v Speaker 1>and all that shit.

0:23:37.440 --> 0:23:38.359
<v Speaker 4>Bary Hail Satan.

0:23:38.960 --> 0:23:41.120
<v Speaker 1>So now we're back at the precinct and Finn has

0:23:41.160 --> 0:23:43.360
<v Speaker 1>done some legwork to track down the symbol and it's

0:23:43.359 --> 0:23:44.520
<v Speaker 1>linked to a singer of a.

0:23:44.560 --> 0:23:46.159
<v Speaker 4>Death metal band.

0:23:46.320 --> 0:23:47.800
<v Speaker 1>Like they're like, oh, it's just like heavy metal, and

0:23:47.800 --> 0:23:50.000
<v Speaker 1>he goes, no, like death metal like Black Sabbath or

0:23:50.080 --> 0:23:52.760
<v Speaker 1>Judas Priest, but sicker and more violent. And this is

0:23:53.200 --> 0:23:55.800
<v Speaker 1>kind of a fun little tie in because I see is,

0:23:55.840 --> 0:23:57.920
<v Speaker 1>of course the lead singer of a heavy metal band

0:23:57.960 --> 0:23:59.800
<v Speaker 1>called body Count, so he gets to have a little

0:23:59.800 --> 0:24:04.560
<v Speaker 1>fun talking about metal for a moment. Anyway, they are

0:24:04.560 --> 0:24:06.920
<v Speaker 1>looking at a video of this goth man with vampire

0:24:06.960 --> 0:24:09.679
<v Speaker 1>fangs and his name is Trey Greenway, because what a

0:24:09.720 --> 0:24:14.199
<v Speaker 1>scary vampire named Trey Greenway, and he just uploaded a

0:24:14.280 --> 0:24:17.480
<v Speaker 1>music video that was for sure shot at this crime scene.

0:24:17.600 --> 0:24:19.560
<v Speaker 1>The victim is not to be found in the video,

0:24:19.840 --> 0:24:21.760
<v Speaker 1>but Finn's like, well, she could have been the opening

0:24:21.760 --> 0:24:24.840
<v Speaker 1>act or the cool down, like after he's all, you know,

0:24:25.119 --> 0:24:28.479
<v Speaker 1>revved up from doing his video and stablers like I

0:24:28.600 --> 0:24:30.320
<v Speaker 1>kind of doubt it. This guy looks like he's in

0:24:30.359 --> 0:24:32.600
<v Speaker 1>it for the shock value and the fame, not murder.

0:24:33.240 --> 0:24:36.240
<v Speaker 1>But Trey does have a record, so we could go

0:24:36.320 --> 0:24:39.879
<v Speaker 1>check him out. Melinda's report confirms that there was a

0:24:39.920 --> 0:24:43.199
<v Speaker 1>sexual assault, but no fibers, no prints, no fluids, so

0:24:43.359 --> 0:24:47.560
<v Speaker 1>not great for evidence. Craigan suggests, let's start a face

0:24:47.720 --> 0:24:50.920
<v Speaker 1>union page for our Jane Doe and hope it goes viral.

0:24:51.240 --> 0:24:53.520
<v Speaker 1>What a wild thing to pop up in your people

0:24:53.560 --> 0:24:57.439
<v Speaker 1>you may know section, Just the dead photo of a

0:24:57.480 --> 0:24:59.480
<v Speaker 1>woman that's like, Hi, I'm Jane Doe.

0:25:00.359 --> 0:25:01.399
<v Speaker 4>Want to poke me?

0:25:01.640 --> 0:25:01.760
<v Speaker 1>Like?

0:25:01.800 --> 0:25:05.080
<v Speaker 4>What a weird fucking thing for Craigan to suggest.

0:25:05.240 --> 0:25:08.160
<v Speaker 1>Also feels very old, like let's start a face union

0:25:08.200 --> 0:25:10.520
<v Speaker 1>page and hope it goes viral. People's social media pages

0:25:10.520 --> 0:25:12.879
<v Speaker 1>don't really go viral. I mean, like you know what

0:25:12.880 --> 0:25:15.400
<v Speaker 1>I mean. You get a lot of followers or friends,

0:25:15.480 --> 0:25:16.960
<v Speaker 1>I guess, but that's not the same thing.

0:25:17.400 --> 0:25:19.320
<v Speaker 4>So then Benson says, and Elliot.

0:25:18.960 --> 0:25:21.720
<v Speaker 1>And I will go track down count Chocula, which I

0:25:21.920 --> 0:25:24.959
<v Speaker 1>do think is funny to call this wanna be vampire

0:25:25.000 --> 0:25:27.840
<v Speaker 1>count Chocula. So now they're at Trey Greenway's place in

0:25:27.880 --> 0:25:31.720
<v Speaker 1>Brooklyn and it's a candle explosion, there's candles everywhere, white

0:25:31.760 --> 0:25:34.800
<v Speaker 1>sheets draped everywhere. Benson comes in with another killer line.

0:25:34.840 --> 0:25:37.600
<v Speaker 1>This guy's single handedly keeping Peer one in business, and

0:25:37.640 --> 0:25:41.440
<v Speaker 1>I love that as a former Peer one devotee Rip

0:25:41.600 --> 0:25:45.560
<v Speaker 1>Pier one. They hear intense screaming and whip out their guns,

0:25:45.600 --> 0:25:47.280
<v Speaker 1>and there's a woman in a purple bra and her

0:25:47.359 --> 0:25:48.960
<v Speaker 1>arms are tied up above her head and a man

0:25:49.040 --> 0:25:52.639
<v Speaker 1>is biting her neck. So some vampire sex play is

0:25:52.680 --> 0:25:55.360
<v Speaker 1>happening here. So now we cut to the precinct where

0:25:55.359 --> 0:25:57.880
<v Speaker 1>they're trying to bring Trent in and he's all like, wait,

0:25:58.320 --> 0:26:01.280
<v Speaker 1>a vampire cannot enter a room unless he invited, and

0:26:01.440 --> 0:26:04.200
<v Speaker 1>Stable just shoves him into the room and goes, there's

0:26:04.240 --> 0:26:08.080
<v Speaker 1>your invitation. This episode really is truly full of laughs,

0:26:08.080 --> 0:26:09.800
<v Speaker 1>and we haven't even gotten to the main part yet.

0:26:09.840 --> 0:26:10.359
<v Speaker 4>That's funny.

0:26:13.520 --> 0:26:15.399
<v Speaker 1>This guy thinks he's like a vampire prince and he

0:26:15.440 --> 0:26:18.040
<v Speaker 1>calls Stabler a human like, very disdainfully like.

0:26:18.080 --> 0:26:21.040
<v Speaker 4>He keeps going okay, human like, it's so.

0:26:21.080 --> 0:26:23.399
<v Speaker 1>Funny, and Stabler goes, all right, ask clown, if you

0:26:23.400 --> 0:26:25.399
<v Speaker 1>were a vampire, you couldn't see your reflections and he

0:26:25.440 --> 0:26:27.600
<v Speaker 1>stands him in front of the mirrored glass. Then the

0:26:27.640 --> 0:26:29.800
<v Speaker 1>guy waits like a beat and then he thinks fast

0:26:29.840 --> 0:26:32.080
<v Speaker 1>and he goes, I do not see a reflection, and

0:26:32.119 --> 0:26:36.480
<v Speaker 1>it's like sure, jam. So Benson is with the goth

0:26:36.560 --> 0:26:38.679
<v Speaker 1>girl now in another room. You know, they've got the

0:26:38.720 --> 0:26:41.120
<v Speaker 1>vampire in cement room bars, they've got the poor vampire

0:26:41.160 --> 0:26:46.000
<v Speaker 1>girl victim in Blind's regular room, right, and so filing

0:26:46.040 --> 0:26:47.520
<v Speaker 1>cabinet blinds, what are we calling that room?

0:26:47.560 --> 0:26:48.000
<v Speaker 4>I forgot?

0:26:48.359 --> 0:26:52.960
<v Speaker 1>Benson is like, so, what was going on? And she's like, well,

0:26:53.000 --> 0:26:55.800
<v Speaker 1>he wasn't attacking me. I love it. He's helping me

0:26:55.880 --> 0:26:59.600
<v Speaker 1>transition from CI to sang. Benson kink shames her a

0:26:59.640 --> 0:27:01.439
<v Speaker 1>little bit, and she like, is like, what are you

0:27:01.480 --> 0:27:04.520
<v Speaker 1>talking about. She's like, well, I feed off psychic energy

0:27:04.560 --> 0:27:08.400
<v Speaker 1>of others. But Trey has already elevated to a Sang vampire.

0:27:08.440 --> 0:27:11.639
<v Speaker 1>And Benson's like as in sanguine, which is you know,

0:27:11.720 --> 0:27:14.919
<v Speaker 1>having to do with blood, and she calls him her

0:27:15.000 --> 0:27:17.240
<v Speaker 1>master and she is his willing victim. But she really

0:27:17.240 --> 0:27:19.600
<v Speaker 1>does sound like a scare drone, like she's the girl

0:27:19.680 --> 0:27:21.720
<v Speaker 1>is playing it funny, like she's playing it well, like

0:27:22.040 --> 0:27:24.160
<v Speaker 1>because she's like, no, he.

0:27:24.080 --> 0:27:27.600
<v Speaker 4>Is my master and I'm willing. I'm willing.

0:27:27.680 --> 0:27:29.720
<v Speaker 1>No I want to do this, Like she definitely feels

0:27:29.760 --> 0:27:32.760
<v Speaker 1>like she's like, I'm in too far, but whatever, and

0:27:32.800 --> 0:27:35.680
<v Speaker 1>then in amazing editing, Benson throws down the photo of

0:27:35.760 --> 0:27:38.199
<v Speaker 1>Jane Doe and then it opens up on Stabler like

0:27:38.280 --> 0:27:40.760
<v Speaker 1>also throwing down the photo of Jane Doe, and the

0:27:40.880 --> 0:27:44.840
<v Speaker 1>vampire goes, if you must know human, and then he's like,

0:27:44.920 --> 0:27:47.560
<v Speaker 1>I've never even seen the victim. I wasn't even in

0:27:47.560 --> 0:27:49.800
<v Speaker 1>the building that night. I was auditioning bands for my

0:27:49.880 --> 0:27:52.320
<v Speaker 1>upcoming tour and I was shredding with them in the

0:27:52.359 --> 0:27:56.399
<v Speaker 1>Bronx all night. So the blood from the wall, the

0:27:56.480 --> 0:27:59.520
<v Speaker 1>girl is like, I gave that to him as an offering, and.

0:27:59.440 --> 0:28:01.600
<v Speaker 4>It turns out it's not even her blood. Dude.

0:28:01.920 --> 0:28:04.399
<v Speaker 1>She works at a blood bank and she steals bags

0:28:04.440 --> 0:28:07.240
<v Speaker 1>of blood for this dude, so blood that people are

0:28:07.280 --> 0:28:12.199
<v Speaker 1>donating to give to victims of like car crashes and blood.

0:28:12.520 --> 0:28:13.600
<v Speaker 4>Yeah, I'm giving blood.

0:28:13.640 --> 0:28:15.080
<v Speaker 1>I'm trying to get blood on the rag and if

0:28:15.080 --> 0:28:17.440
<v Speaker 1>some stupid bitch is giving it to her vampire boyfriend,

0:28:17.480 --> 0:28:18.120
<v Speaker 1>I'm pissed.

0:28:18.440 --> 0:28:20.520
<v Speaker 4>The Red Cross better have safeguards against that.

0:28:21.119 --> 0:28:23.400
<v Speaker 1>So Benson like hates this and is like, yo, bitch,

0:28:23.440 --> 0:28:25.560
<v Speaker 1>this is a crime and she's like, I know, but

0:28:26.000 --> 0:28:28.919
<v Speaker 1>he can't bite Randoms because he's really scared of getting HIV.

0:28:29.640 --> 0:28:32.600
<v Speaker 1>And plus the sex is super hot, So we're getting

0:28:32.600 --> 0:28:35.480
<v Speaker 1>to the bottom of why this girl is in this situation.

0:28:35.640 --> 0:28:39.600
<v Speaker 1>This guy, apparently, this vampire has good dick. So back

0:28:39.640 --> 0:28:41.880
<v Speaker 1>at the office, this all checks out and has been

0:28:41.880 --> 0:28:43.560
<v Speaker 1>a total waste of time, except for the fact that

0:28:43.600 --> 0:28:46.560
<v Speaker 1>has been kind of hilarious. Craigimblows and saying that they've

0:28:46.560 --> 0:28:50.040
<v Speaker 1>discovered that the victim had a clotting disorder called Stuart

0:28:50.080 --> 0:28:54.280
<v Speaker 1>Prower deficiency, so the murder itself may have been unintentional.

0:28:54.560 --> 0:28:57.200
<v Speaker 1>There was rust found in the laceration, so it's possible

0:28:57.480 --> 0:28:59.720
<v Speaker 1>that she got cut while she was being yanked into

0:28:59.720 --> 0:29:02.680
<v Speaker 1>the bill and that murder like wasn't the primary motive,

0:29:03.000 --> 0:29:05.920
<v Speaker 1>and Benson's like, well, it still is murder, and then

0:29:06.080 --> 0:29:09.320
<v Speaker 1>gives this horrific example of a girl having an asthma

0:29:09.320 --> 0:29:12.120
<v Speaker 1>attack while being raped and she died, and like, I

0:29:12.200 --> 0:29:15.800
<v Speaker 1>have asthma and now I'm scared of that happening. But suddenly,

0:29:16.480 --> 0:29:19.600
<v Speaker 1>as they're having this conversation, about a dozen women walk

0:29:19.640 --> 0:29:24.520
<v Speaker 1>in silently just holding a picture of the Jane Doe

0:29:24.680 --> 0:29:29.280
<v Speaker 1>flier that says do you know me? And Craigan is like, hey, ladies,

0:29:29.600 --> 0:29:31.720
<v Speaker 1>if there's a problem, we would really help if someone

0:29:31.720 --> 0:29:34.160
<v Speaker 1>could talk. And then we hear a familiar voice from

0:29:34.200 --> 0:29:36.320
<v Speaker 1>the back of the crowd going, you're damn right, there's

0:29:36.320 --> 0:29:41.000
<v Speaker 1>a problem, and it's Kathy Griffin marching forward in bangs

0:29:41.560 --> 0:29:44.560
<v Speaker 1>and an attitude, and she goes, this woman's name is

0:29:44.160 --> 0:29:47.480
<v Speaker 1>Alyssa Davies and she's one more lesbian who is dead

0:29:47.720 --> 0:29:51.360
<v Speaker 1>because of the NYPD. And then dramatic music stings and

0:29:51.400 --> 0:29:56.760
<v Speaker 1>we're like, what is happening? So we open on act two,

0:29:56.920 --> 0:30:00.600
<v Speaker 1>it's Kathy Griffin going quote where Dyke's we're pissed and

0:30:00.640 --> 0:30:03.440
<v Speaker 1>we're not leaving till we get results, which is not

0:30:03.520 --> 0:30:05.920
<v Speaker 1>a good catchphrase. And I really thought lesbians were better

0:30:05.920 --> 0:30:09.040
<v Speaker 1>at rhyming. Craigan goes, so you're the leader, and Kathy

0:30:09.040 --> 0:30:11.760
<v Speaker 1>Griffin goes, nothing gets by you, Curly, I mean, I'm

0:30:11.800 --> 0:30:15.160
<v Speaker 1>already dying calling Cat bald q ball Captain Craig and

0:30:15.240 --> 0:30:19.880
<v Speaker 1>Curly is so funny. She introduces herself as Bab's duffy, President,

0:30:20.040 --> 0:30:25.360
<v Speaker 1>founder and spokeswoman for lesbistrong dot com, which Benson has

0:30:25.400 --> 0:30:27.680
<v Speaker 1>heard of but she made the mistake of calling it

0:30:27.720 --> 0:30:30.200
<v Speaker 1>a gay rights group, and Babs corrects her, it's a

0:30:30.240 --> 0:30:34.240
<v Speaker 1>lesbian rights only no other rights are allowed. Babs calls

0:30:34.280 --> 0:30:36.960
<v Speaker 1>the cops clowns, and Craigan is like, hold up, we

0:30:37.080 --> 0:30:40.800
<v Speaker 1>actually love the LGBT community, and uh oh, he did

0:30:40.800 --> 0:30:43.760
<v Speaker 1>not include the QIA, and Babs is not gonna let

0:30:43.840 --> 0:30:47.840
<v Speaker 1>him forget it. Sabler knows LGBTT, but what's the QIA.

0:30:47.960 --> 0:30:52.440
<v Speaker 1>She fills in questioning intersects and allies and says, stay

0:30:52.480 --> 0:30:55.719
<v Speaker 1>with me. To Bent to Sabler like, I know you're

0:30:55.760 --> 0:30:57.959
<v Speaker 1>a dumb, idiot white man, but here's what they all

0:30:57.960 --> 0:30:58.360
<v Speaker 1>stand for.

0:30:58.800 --> 0:31:01.959
<v Speaker 4>Now. This is something I mentioned in last week's episode

0:31:01.960 --> 0:31:02.240
<v Speaker 4>that we.

0:31:02.120 --> 0:31:04.560
<v Speaker 1>Were talking about. We were talking about kind of older language.

0:31:04.760 --> 0:31:10.080
<v Speaker 1>A is stands for a sexual in LGBTQIA, but I

0:31:10.160 --> 0:31:12.920
<v Speaker 1>remember also thinking that it was allies, and I was like, oh,

0:31:13.040 --> 0:31:15.680
<v Speaker 1>did I make that mistake or did SVU teach me that?

0:31:16.360 --> 0:31:19.760
<v Speaker 1>When did I learn that? And so apparently in the

0:31:19.840 --> 0:31:23.520
<v Speaker 1>eighties A stood for ally among other definitions like a

0:31:23.600 --> 0:31:28.320
<v Speaker 1>sexual agender, so that closeted people could attend rallies, meetings,

0:31:28.320 --> 0:31:31.480
<v Speaker 1>events and stuff without fear. But the community has since

0:31:31.560 --> 0:31:35.720
<v Speaker 1>moved away from that, and nobody wants to include allies

0:31:35.760 --> 0:31:37.560
<v Speaker 1>in Lgbtquia like they're like.

0:31:37.520 --> 0:31:38.760
<v Speaker 4>We're a marginalized community.

0:31:38.800 --> 0:31:41.200
<v Speaker 1>You don't get to be part of our acronym just

0:31:41.240 --> 0:31:44.360
<v Speaker 1>for being nice to gay people. So it apparently no

0:31:44.440 --> 0:31:47.240
<v Speaker 1>longer stands for ally, but a lot of older generations

0:31:47.560 --> 0:31:52.080
<v Speaker 1>still think that. So here we see the beginning of

0:31:52.120 --> 0:31:57.760
<v Speaker 1>a beautiful enemy ship between Babs and Stabler. Okay, Stabler said, yeah,

0:31:57.800 --> 0:31:59.959
<v Speaker 1>I have a tough time keeping up with political correct

0:32:00.600 --> 0:32:02.800
<v Speaker 1>and then Bob goes, all I'm getting from you is

0:32:02.840 --> 0:32:05.120
<v Speaker 1>your pis poor patriarchal attitude. So take it down to

0:32:05.200 --> 0:32:08.560
<v Speaker 1>notch Jack web And I looked up Jack Webb, who

0:32:08.600 --> 0:32:10.640
<v Speaker 1>is an old actor from Dragnet, so I guess this

0:32:10.760 --> 0:32:15.040
<v Speaker 1>is also an extremely old reference. Olivia steps up and

0:32:15.160 --> 0:32:17.960
<v Speaker 1>talks all about the alliances that the NYPD has with

0:32:18.000 --> 0:32:20.880
<v Speaker 1>gay organization, and Babs is like, blah blah blah, it's

0:32:20.920 --> 0:32:23.080
<v Speaker 1>all bullshit and calls Olivia out for being part of

0:32:23.080 --> 0:32:27.000
<v Speaker 1>the heteronormative paradigm. So Babs is on one.

0:32:27.160 --> 0:32:27.560
<v Speaker 4>Okay.

0:32:27.800 --> 0:32:30.360
<v Speaker 1>Then they get back to the victim, Melissa. Babbs explains

0:32:30.480 --> 0:32:34.080
<v Speaker 1>that she is the latest victim in an epidemic of attacks, rapes,

0:32:34.120 --> 0:32:37.000
<v Speaker 1>and murders of lesbians in the city. Craigan and Liver

0:32:37.000 --> 0:32:39.440
<v Speaker 1>are like, well, we have the stats and this isn't

0:32:39.480 --> 0:32:42.400
<v Speaker 1>an epidemic or even a pattern that we've noticed, and

0:32:42.440 --> 0:32:44.760
<v Speaker 1>Bab says, well, I'm here to open your eyes. But

0:32:44.800 --> 0:32:46.840
<v Speaker 1>Stabler wants to cut to the chase. He's like, did

0:32:46.840 --> 0:32:49.560
<v Speaker 1>you know this woman? And Babs goes, oh, yeah, because

0:32:49.600 --> 0:32:52.240
<v Speaker 1>all lesbians are lovers. Because if two lesbians know each other,

0:32:52.280 --> 0:32:54.120
<v Speaker 1>the next thing, they're in their bron panties. Going down

0:32:54.200 --> 0:32:58.120
<v Speaker 1>like the Titanic, I mean, shoot, all the writing Emmys

0:32:58.160 --> 0:33:01.520
<v Speaker 1>over to the cast for season eleven and I'm loving this.

0:33:01.600 --> 0:33:05.600
<v Speaker 4>So well, my thing is it's Kathy. It's Krathy Griffin success.

0:33:05.720 --> 0:33:08.760
<v Speaker 2>So it's like, but it's as to you, it's a

0:33:08.840 --> 0:33:14.800
<v Speaker 2>serious Yeah, so I am curious at the improverse all writing.

0:33:14.960 --> 0:33:17.680
<v Speaker 2>And did Neil Baar play a heavier hand than normal

0:33:17.720 --> 0:33:18.800
<v Speaker 2>in this episode?

0:33:18.880 --> 0:33:19.080
<v Speaker 1>Yeah?

0:33:19.760 --> 0:33:22.840
<v Speaker 4>I have a lot of questions for sure, And yes.

0:33:22.720 --> 0:33:25.720
<v Speaker 1>I have a lot of questions, but going down like

0:33:25.760 --> 0:33:28.360
<v Speaker 1>the Titanic is like a really to me. It's a

0:33:28.440 --> 0:33:30.280
<v Speaker 1>very clever way of being able to also get it

0:33:30.320 --> 0:33:33.080
<v Speaker 1>on NBC because you're not saying going down on each other,

0:33:33.240 --> 0:33:35.440
<v Speaker 1>You're saying going down like the Titanic. Like it's a

0:33:35.480 --> 0:33:37.880
<v Speaker 1>clever way, I think to get talking about oral sex

0:33:38.320 --> 0:33:43.840
<v Speaker 1>very graphically on network television. So Stabler cannot believe this woman,

0:33:43.920 --> 0:33:46.760
<v Speaker 1>and Babs is just staring daggers at him. She says

0:33:46.800 --> 0:33:48.480
<v Speaker 1>she wants to come with them to notify the next

0:33:48.480 --> 0:33:51.040
<v Speaker 1>of Cannon. Stabler's like, fuck, no, we will arrest you

0:33:51.080 --> 0:33:52.880
<v Speaker 1>and then all your followers will hear that you're the

0:33:52.880 --> 0:33:56.520
<v Speaker 1>problem and not the solution. And so Babs finally reveals

0:33:56.800 --> 0:33:59.520
<v Speaker 1>that this woman's girlfriend is a woman named Sharon Harris

0:33:59.560 --> 0:34:02.080
<v Speaker 1>and gives her her exact address with apartment number that

0:34:02.120 --> 0:34:04.680
<v Speaker 1>she has memorized. So in the next scene, and we're

0:34:04.680 --> 0:34:06.920
<v Speaker 1>seeing a video of Alyssa from when she was alive

0:34:07.000 --> 0:34:10.359
<v Speaker 1>and her girlfriend Sharon is watching it looking forlorn as

0:34:10.400 --> 0:34:13.400
<v Speaker 1>fuck and Sharon says, she was the love of my life.

0:34:13.440 --> 0:34:16.160
<v Speaker 1>We were engaged. They asked her, do you know anyone

0:34:16.239 --> 0:34:16.640
<v Speaker 1>named Mitch?

0:34:16.719 --> 0:34:17.120
<v Speaker 4>She doesn't.

0:34:17.400 --> 0:34:19.840
<v Speaker 1>She denies knowing anyone with that name, and she's like,

0:34:19.840 --> 0:34:23.799
<v Speaker 1>I don't know many men. And Sharon tells Olivia that

0:34:23.840 --> 0:34:26.000
<v Speaker 1>she works at a lesbian bar called The Kiddy corner

0:34:26.040 --> 0:34:29.200
<v Speaker 1>and Alyssa stopped in Tuesday night at eight o'clock in

0:34:29.239 --> 0:34:31.600
<v Speaker 1>a great mood. She had some drinks and she left,

0:34:31.920 --> 0:34:34.719
<v Speaker 1>and that was two days ago. And they're like, weren't

0:34:34.760 --> 0:34:37.200
<v Speaker 1>you worried? And she's like, no, because sometimes she would

0:34:37.200 --> 0:34:38.840
<v Speaker 1>just get struck with an idea for a piece of

0:34:38.920 --> 0:34:41.080
<v Speaker 1>jewelry and go to her studio and stay there for

0:34:41.239 --> 0:34:43.600
<v Speaker 1>days until it was perfect. And I thought she was

0:34:43.640 --> 0:34:46.680
<v Speaker 1>honestly there making our wedding bands, so okay, she thought

0:34:46.719 --> 0:34:49.200
<v Speaker 1>she was struck with, like, you know, the artist's way

0:34:49.320 --> 0:34:52.400
<v Speaker 1>or something. But also, I will say that half the

0:34:52.400 --> 0:34:54.960
<v Speaker 1>people in this cast are calling her Alisa and half

0:34:54.960 --> 0:34:57.880
<v Speaker 1>are calling her Alissa, So they first call her Alissa,

0:34:57.880 --> 0:34:59.960
<v Speaker 1>so I'm going with that, but her name does change

0:35:00.239 --> 0:35:03.520
<v Speaker 1>pronunciation from person to person. As they leave, Stabler points

0:35:03.560 --> 0:35:06.160
<v Speaker 1>out to Benson, did you see that Sharon was completely

0:35:06.160 --> 0:35:09.439
<v Speaker 1>ignoring me? And then Babs Duffy shows up right behind

0:35:09.480 --> 0:35:11.120
<v Speaker 1>them in the nick of time, going have you looked

0:35:11.120 --> 0:35:14.719
<v Speaker 1>between your legs lately? And they're like, what are you

0:35:14.800 --> 0:35:16.600
<v Speaker 1>doing here? And she goes, oh, right, because I'm a lesbian,

0:35:16.640 --> 0:35:18.800
<v Speaker 1>I should be home with my cat's sheet rocking my bathroom.

0:35:19.000 --> 0:35:22.239
<v Speaker 4>It's just like it's just hit after hit and I'm

0:35:22.239 --> 0:35:23.760
<v Speaker 4>really enjoying it and.

0:35:23.640 --> 0:35:28.080
<v Speaker 2>That unpacked bits. I mean, yeah, it is like it

0:35:28.200 --> 0:35:30.760
<v Speaker 2>changes the genre of SVO. That's how funny this episode.

0:35:30.760 --> 0:35:31.880
<v Speaker 4>It's so funny.

0:35:32.560 --> 0:35:34.719
<v Speaker 1>This is this was actually I know, we said we've

0:35:34.719 --> 0:35:36.359
<v Speaker 1>done this as live shows. We did this as our

0:35:36.480 --> 0:35:38.600
<v Speaker 1>very first live show because we were like, this has

0:35:38.800 --> 0:35:43.160
<v Speaker 1>the laughs that can sustain a live show. This episode absolutely,

0:35:43.680 --> 0:35:47.239
<v Speaker 1>And so Babs goes, Okay, what's our next move? Like

0:35:47.280 --> 0:35:50.080
<v Speaker 1>she's on team cop now, and they're like, go home, Babs,

0:35:50.120 --> 0:35:52.160
<v Speaker 1>and she's like, what's your problem? Stabler? And he goes,

0:35:52.200 --> 0:35:54.359
<v Speaker 1>have you looked in the mirror lately? And she goes,

0:35:54.480 --> 0:35:56.080
<v Speaker 1>you don't want me as your enemy? And Stable goes,

0:35:56.120 --> 0:35:57.879
<v Speaker 1>I'm pretty sure I don't want you as my friend either,

0:35:58.200 --> 0:36:00.440
<v Speaker 1>and she goes, oh good, because a friend would tell

0:36:00.440 --> 0:36:03.480
<v Speaker 1>you your ass is huge. I'm like, oh my god,

0:36:04.000 --> 0:36:07.320
<v Speaker 1>not Bab's duffy going after Stabler's huge dump truck of

0:36:07.360 --> 0:36:09.560
<v Speaker 1>an ass a full decade before the Internet.

0:36:09.640 --> 0:36:11.440
<v Speaker 4>Like I'm obsessed.

0:36:11.719 --> 0:36:15.520
<v Speaker 1>She starts going in on Stabler's ass until Benson interrupts

0:36:15.560 --> 0:36:18.360
<v Speaker 1>and Babs is like, look, I don't expect Asi mcbig

0:36:18.400 --> 0:36:20.959
<v Speaker 1>pants over here to catch anybody. But Benson, you seem

0:36:21.000 --> 0:36:24.200
<v Speaker 1>pretty on the ball and like they're just getting in

0:36:24.239 --> 0:36:27.000
<v Speaker 1>the call at car ignoring her, and then she pulls

0:36:27.000 --> 0:36:29.359
<v Speaker 1>out her like final card to play that she's been

0:36:29.360 --> 0:36:33.240
<v Speaker 1>working closely with Brooklyn Bias Crimes. Go talk to Omar Ellis,

0:36:33.280 --> 0:36:36.160
<v Speaker 1>He'll back me up. So now Benson and Stabler are

0:36:36.200 --> 0:36:40.240
<v Speaker 1>at Bias Crimes task Force talking to Detective Omar Ellis,

0:36:40.239 --> 0:36:43.000
<v Speaker 1>who says Babs is a nutcase. He's like, she's trying

0:36:43.000 --> 0:36:45.200
<v Speaker 1>to make a connection where there isn't one and threatens

0:36:45.280 --> 0:36:48.560
<v Speaker 1>new media all kinds of exposure, and Stabler thinks she's

0:36:48.600 --> 0:36:51.840
<v Speaker 1>extorting people for constributions to Lesbie Strong and because for

0:36:51.880 --> 0:36:54.839
<v Speaker 1>Babs it's all about Lesbian's twenty four seven. So they

0:36:54.840 --> 0:36:56.600
<v Speaker 1>asked are like, so is there any evidence of a

0:36:56.600 --> 0:36:59.200
<v Speaker 1>trend of lesbian's being attacked? And he's like, not really,

0:36:59.280 --> 0:37:01.680
<v Speaker 1>but these attacks to do the attacks that we do

0:37:01.760 --> 0:37:05.120
<v Speaker 1>see happen near lesbian bars, which is hardly a trend

0:37:05.160 --> 0:37:07.719
<v Speaker 1>because like obviously when people are drinking, you know, there's

0:37:07.760 --> 0:37:11.920
<v Speaker 1>more violence is likely, or people are likely to attack

0:37:12.560 --> 0:37:14.840
<v Speaker 1>people near a lesbian bar if that's something that they're against.

0:37:15.400 --> 0:37:18.359
<v Speaker 1>So where did this attack happen Manhattan forty eighth and tenth,

0:37:18.480 --> 0:37:22.240
<v Speaker 1>So that's Hell's Kitchen, And somebody goes, that's a fast

0:37:22.239 --> 0:37:24.399
<v Speaker 1>growing lesbian area, and I was like, I don't really

0:37:24.440 --> 0:37:27.839
<v Speaker 1>remember any specifically lesbian areas of New York City. Hell's

0:37:27.920 --> 0:37:30.239
<v Speaker 1>Kitchen definitely, at that time was a fast growing gay

0:37:30.320 --> 0:37:32.919
<v Speaker 1>area of the city, like all kinds of gay bars,

0:37:33.000 --> 0:37:37.320
<v Speaker 1>lesbian bars were popping up there. So he recommends asking

0:37:37.360 --> 0:37:41.160
<v Speaker 1>patrons and employees at the Kitty Corner, which sounds like,

0:37:42.480 --> 0:37:44.440
<v Speaker 1>what's the one that Oh, no, the Cubby Hole is

0:37:44.480 --> 0:37:46.239
<v Speaker 1>the lesbian bar that I've been to a bunch of times,

0:37:46.440 --> 0:37:47.320
<v Speaker 1>which I don't know if it's.

0:37:47.160 --> 0:37:50.399
<v Speaker 2>Still there, But the Kidie Corner, it's Andy Cohen's favorite bar.

0:37:50.719 --> 0:37:53.239
<v Speaker 1>Oh the Cubby Hole. Oh great, yeah, I actually one

0:37:53.280 --> 0:37:54.600
<v Speaker 1>time I made out with a guy at the Cubby Hole.

0:37:54.600 --> 0:37:56.920
<v Speaker 1>I don't know how that happened, but I was not

0:37:57.000 --> 0:38:00.680
<v Speaker 1>planning for it. I was quite drunk. So he recommends

0:38:00.800 --> 0:38:02.799
<v Speaker 1>going to check out the Katie Corner. So the next

0:38:02.800 --> 0:38:06.840
<v Speaker 1>scene is we run into Babs's assistant, whose name is Rosemary,

0:38:06.880 --> 0:38:10.080
<v Speaker 1>which is my mother's name, and she is played by

0:38:10.280 --> 0:38:14.640
<v Speaker 1>none other than Broadway Baby Sutton. Foster, who also is

0:38:14.680 --> 0:38:17.640
<v Speaker 1>currently starring in a new revival of Once Upon a Mattress,

0:38:17.640 --> 0:38:19.320
<v Speaker 1>which is a musical that I really enjoy.

0:38:19.520 --> 0:38:21.359
<v Speaker 4>Originally not originally on.

0:38:21.320 --> 0:38:25.759
<v Speaker 1>Broadway, I don't think, but the TV version had Sarah

0:38:25.800 --> 0:38:28.320
<v Speaker 1>Jessica Parker as Fred, the lead character.

0:38:28.400 --> 0:38:29.880
<v Speaker 4>That's who Sutton Foster is playing.

0:38:30.320 --> 0:38:32.720
<v Speaker 1>And she also was the lead of the show Younger,

0:38:33.360 --> 0:38:37.879
<v Speaker 1>where her romantic interest was personal laundry spokesperson and mister

0:38:37.920 --> 0:38:40.240
<v Speaker 1>Mersca Hargate Trevor Langan.

0:38:39.960 --> 0:38:42.280
<v Speaker 4>Aka Peter Herman.

0:38:42.320 --> 0:38:46.680
<v Speaker 1>Excuse me, So she's very connected to the SVU universe

0:38:46.719 --> 0:38:49.640
<v Speaker 1>in this way, Sutton Foster, and she's handing out flyers

0:38:49.680 --> 0:38:51.680
<v Speaker 1>going kill her on the loose, Killer on the loose.

0:38:51.719 --> 0:38:54.719
<v Speaker 1>It's very like it reminds me of like Newsies being

0:38:54.760 --> 0:38:57.160
<v Speaker 1>like extractra come get it, there's a killer on the loose.

0:38:58.040 --> 0:38:58.840
<v Speaker 4>She explains that.

0:38:59.520 --> 0:39:03.760
<v Speaker 2>Chris Bail hated being in Newsies to the point where

0:39:03.880 --> 0:39:07.960
<v Speaker 2>they'll have they'll have like a screening or something like.

0:39:08.000 --> 0:39:10.359
<v Speaker 2>He doesn't go to the reunions. He doesn't talk about it.

0:39:10.400 --> 0:39:13.239
<v Speaker 2>If it's brought up, he like is pissed that it's

0:39:13.239 --> 0:39:17.480
<v Speaker 2>brought up. Like he's really as upset about his Newsy's past.

0:39:17.960 --> 0:39:20.640
<v Speaker 1>I mean, I didn't know that, but he so seems

0:39:20.760 --> 0:39:25.000
<v Speaker 1>so difficult that like, yeah.

0:39:24.880 --> 0:39:26.880
<v Speaker 4>It's like you were young and you did a fun movie.

0:39:26.960 --> 0:39:27.719
<v Speaker 4>Stop but he.

0:39:27.800 --> 0:39:29.360
<v Speaker 1>And it's like a movie that a lot of people

0:39:29.440 --> 0:39:31.400
<v Speaker 1>love and a door and it became a musical that

0:39:31.440 --> 0:39:33.160
<v Speaker 1>people love and a door. I don't know, like, get

0:39:33.200 --> 0:39:36.279
<v Speaker 1>over yourself, go lose a million pounds or gain a

0:39:36.320 --> 0:39:40.919
<v Speaker 1>million pounds for your next role, sir. So she's kill

0:39:40.920 --> 0:39:42.239
<v Speaker 1>her on the loose, Kill her on the loose, and

0:39:42.280 --> 0:39:44.160
<v Speaker 1>then they're talking to her. They're like, what's up, Like,

0:39:44.200 --> 0:39:46.640
<v Speaker 1>give us some background on, like how you're involved in

0:39:46.680 --> 0:39:49.880
<v Speaker 1>this community. She's like, you know, Babs is and she's like,

0:39:49.880 --> 0:39:51.680
<v Speaker 1>I know, Babs comes on a little bit strong, but

0:39:51.719 --> 0:39:54.160
<v Speaker 1>she's helped a whole community of women find their voice.

0:39:54.440 --> 0:39:57.239
<v Speaker 1>Three years ago, I was in the closet. Babs helped

0:39:57.239 --> 0:39:59.839
<v Speaker 1>me come out and because of Babs, I will never

0:39:59.840 --> 0:40:02.120
<v Speaker 1>be afraid to be who I am. Now, could you

0:40:02.120 --> 0:40:04.160
<v Speaker 1>do us a favor and find the bastard who murdered

0:40:04.160 --> 0:40:06.200
<v Speaker 1>our friend. It's like, okay, we got it. Well, let's

0:40:06.200 --> 0:40:08.480
<v Speaker 1>think what we're working on actively right now. So they

0:40:08.480 --> 0:40:12.160
<v Speaker 1>go into the kittie corner. And the bartender is like, yeah,

0:40:12.360 --> 0:40:14.640
<v Speaker 1>a man named Mitch. Haven't seen that many men at

0:40:14.680 --> 0:40:18.360
<v Speaker 1>this lesbian bar I work at, and she this is

0:40:18.400 --> 0:40:21.400
<v Speaker 1>so unhinged of me, But I recognize this woman from

0:40:21.520 --> 0:40:24.399
<v Speaker 1>Instagram because she is friends with people that I'm friends with,

0:40:24.920 --> 0:40:27.280
<v Speaker 1>and she was in Spam a lot with my friend Jimmy,

0:40:27.520 --> 0:40:31.160
<v Speaker 1>who is another exactly right host Bridger Wineger, who has

0:40:31.200 --> 0:40:34.160
<v Speaker 1>an amazing podcast called I Said No Gifts. His boyfriend,

0:40:34.239 --> 0:40:36.440
<v Speaker 1>Jimmy was in Spam a Lot, and I've seen a

0:40:36.480 --> 0:40:38.560
<v Speaker 1>lot of photos of Leslie and Jimmy together, and I go,

0:40:38.640 --> 0:40:39.479
<v Speaker 1>how do I know this woman?

0:40:39.719 --> 0:40:40.239
<v Speaker 4>Looked her up?

0:40:40.239 --> 0:40:43.920
<v Speaker 1>Went toy Instagram, figured out my, figured out the real mystery.

0:40:44.640 --> 0:40:46.720
<v Speaker 1>And so she's like an actress and a Broadway baby

0:40:47.640 --> 0:40:49.480
<v Speaker 1>and played like the female lead in Spam a lot

0:40:49.520 --> 0:40:52.600
<v Speaker 1>this past year. She says she doesn't know Mitch, but

0:40:52.719 --> 0:40:54.640
<v Speaker 1>have you guys talked to Sharon And she looks like

0:40:54.880 --> 0:40:58.359
<v Speaker 1>she's just making like a perfectly good, little like not

0:40:58.560 --> 0:41:01.280
<v Speaker 1>normal face about Sharon, Like it's a little bit scared

0:41:01.320 --> 0:41:03.640
<v Speaker 1>a little bit, just like if you guys talk to Sharon,

0:41:03.800 --> 0:41:05.600
<v Speaker 1>because she's definitely gonna be someone you want to talk to.

0:41:05.960 --> 0:41:07.720
<v Speaker 1>And they're like, oh, yeah, we talked to her this morning,

0:41:07.719 --> 0:41:10.440
<v Speaker 1>and they're like She's like, oh okay, so she hadn't

0:41:10.440 --> 0:41:14.040
<v Speaker 1>fully doctor Jekyl and mister hided yet, like cause she

0:41:14.160 --> 0:41:17.480
<v Speaker 1>explains that daytime Sharon is very different from nighttime Sharon,

0:41:17.640 --> 0:41:19.640
<v Speaker 1>like when she comes to the bar at night to work,

0:41:19.680 --> 0:41:22.239
<v Speaker 1>she's dressed differently, she acts differently, she works the door,

0:41:22.280 --> 0:41:24.759
<v Speaker 1>she keeps everyone in line, and they're like, oh, so

0:41:24.840 --> 0:41:28.239
<v Speaker 1>she's the bouncer and Sharon prefers enforce her. The bartender's like,

0:41:28.280 --> 0:41:31.520
<v Speaker 1>I've seen her kick biker's asses. So she describes an

0:41:31.520 --> 0:41:34.239
<v Speaker 1>incident where Sharon screamed at Alissa, but I think she

0:41:34.280 --> 0:41:37.120
<v Speaker 1>calls her Lisa and shoved her just a couple of

0:41:37.239 --> 0:41:40.799
<v Speaker 1>nights ago, and the patio of this place, which is

0:41:40.800 --> 0:41:42.640
<v Speaker 1>by the way, where Sharon said her and Alissa had

0:41:42.640 --> 0:41:44.480
<v Speaker 1>a couple of drinks, but now this bartender is thing

0:41:44.520 --> 0:41:48.240
<v Speaker 1>they actually had quite a violent altercation involving a shove.

0:41:48.680 --> 0:41:52.640
<v Speaker 1>This whole patio and bar is only a few doors down,

0:41:52.680 --> 0:41:54.920
<v Speaker 1>I think from the alley where she died, So it's

0:41:54.960 --> 0:41:57.440
<v Speaker 1>all very close. How long was Sharon gone. She's like,

0:41:57.480 --> 0:41:59.760
<v Speaker 1>I don't know, maybe ten or fifteen minutes. Again, asking

0:41:59.800 --> 0:42:02.719
<v Speaker 1>these ourtenders to explain, to remember tiny details from a

0:42:02.800 --> 0:42:03.319
<v Speaker 1>night filled with.

0:42:03.320 --> 0:42:04.399
<v Speaker 4>People is always so wild.

0:42:04.800 --> 0:42:07.080
<v Speaker 1>She goes, look, I love a strong woman, but Sharon

0:42:07.120 --> 0:42:10.239
<v Speaker 1>Harris as scary as fuck. She goes, she scares me,

0:42:10.360 --> 0:42:12.400
<v Speaker 1>and you gotta go check her out online. She runs

0:42:12.440 --> 0:42:17.120
<v Speaker 1>a gang called Big Apple Aggressives. Okay, then, of course,

0:42:17.280 --> 0:42:20.360
<v Speaker 1>q doctor Huang to break it down for us. Just

0:42:20.560 --> 0:42:23.880
<v Speaker 1>like any other culture, there are subsets of cultures, and

0:42:24.080 --> 0:42:27.560
<v Speaker 1>aggressives are a specific subset of lesbian culture. They adopt

0:42:27.640 --> 0:42:30.919
<v Speaker 1>aggressive attitudes. Some of them bind their breasts, some take

0:42:31.040 --> 0:42:34.320
<v Speaker 1>hormones so that they can articulate musculature in their face

0:42:34.400 --> 0:42:37.439
<v Speaker 1>or grow facial hair, and he says they're not likely

0:42:37.480 --> 0:42:39.840
<v Speaker 1>to be more violent, though this is case by case,

0:42:40.000 --> 0:42:43.080
<v Speaker 1>which Huang basically says, gays and lesbians are just as

0:42:43.080 --> 0:42:46.200
<v Speaker 1>prone to domestic violent, substance abuse, sexual assault than anyone else.

0:42:46.239 --> 0:42:49.080
<v Speaker 1>It's just more proof that we're all equal and stablers

0:42:49.080 --> 0:42:51.480
<v Speaker 1>are like, hmm, well not according to Babs. And so

0:42:51.920 --> 0:42:54.719
<v Speaker 1>he pulls up the Lesbie Strong website where Babs is.

0:42:54.880 --> 0:42:57.200
<v Speaker 1>There's a live stream coming straight from the website. A

0:42:57.239 --> 0:43:00.360
<v Speaker 1>Bab's addressing a crowd and she's talking right to camera

0:43:00.480 --> 0:43:02.600
<v Speaker 1>telling people to donate to Lesbie Strong because they have

0:43:02.680 --> 0:43:06.279
<v Speaker 1>all these legal resources and counseling resources and stuff. And

0:43:07.200 --> 0:43:10.160
<v Speaker 1>Finn also finds out that Sharon has a history of

0:43:10.160 --> 0:43:12.959
<v Speaker 1>domestic violence. She punched a girl at a street fair

0:43:13.520 --> 0:43:15.439
<v Speaker 1>and told her that someone should rape her to teach

0:43:15.480 --> 0:43:18.080
<v Speaker 1>her a lesson. And Benson goes, and that's not being aggressive,

0:43:18.120 --> 0:43:19.080
<v Speaker 1>that's being a psycho.

0:43:19.480 --> 0:43:21.320
<v Speaker 4>So put it on a T shirt.

0:43:21.560 --> 0:43:24.480
<v Speaker 1>They also found out that her last girlfriend, Janet Burnell,

0:43:24.680 --> 0:43:27.080
<v Speaker 1>got an order of protection from her last year. So

0:43:27.640 --> 0:43:29.799
<v Speaker 1>obviously we're hopping in the Ford tourists and we're on

0:43:29.840 --> 0:43:31.840
<v Speaker 1>our way to go talk to this ex girlfriend and

0:43:31.880 --> 0:43:33.480
<v Speaker 1>they've got a picture of her with a black eye,

0:43:33.520 --> 0:43:36.040
<v Speaker 1>and they show it to her and she's like, yeah,

0:43:36.040 --> 0:43:38.920
<v Speaker 1>that's me. Sharon did that to me. But you know

0:43:39.080 --> 0:43:42.080
<v Speaker 1>black eyes heel. The real shit happened after we broke up.

0:43:42.360 --> 0:43:45.240
<v Speaker 1>She goes, Sharon was fucked up. She hacked my email,

0:43:45.320 --> 0:43:49.000
<v Speaker 1>my voicemail. She did all kinds of shit like erasing calls,

0:43:49.000 --> 0:43:52.799
<v Speaker 1>erasing messages, sabotage my business like it took a serious hit.

0:43:52.840 --> 0:43:54.799
<v Speaker 1>I was about to call the cops on her when

0:43:54.800 --> 0:43:57.440
<v Speaker 1>suddenly it stopped because she goes, I heard she met

0:43:57.480 --> 0:43:59.839
<v Speaker 1>somebody else, and then they go, yeah, the somebody else

0:44:00.120 --> 0:44:03.719
<v Speaker 1>she did, and then she goes, oh, I never thought

0:44:03.760 --> 0:44:06.640
<v Speaker 1>that Mitch would go this far, and they're like, wait, Mitch.

0:44:07.440 --> 0:44:10.239
<v Speaker 1>Janet goes, yeah, Mitch, it's a pet name we used

0:44:10.280 --> 0:44:10.480
<v Speaker 1>to have.

0:44:10.560 --> 0:44:13.480
<v Speaker 4>It stands for my bitch. I mean, it's just getting

0:44:13.520 --> 0:44:15.160
<v Speaker 4>better and better. It's so funny. Okay.

0:44:15.520 --> 0:44:20.040
<v Speaker 1>So they show up at a protest Babs is organizing,

0:44:20.239 --> 0:44:22.840
<v Speaker 1>and Babs is a yelling at a local print shop

0:44:22.840 --> 0:44:26.080
<v Speaker 1>owner nearby because the flyers say Bab's daffy, and she

0:44:26.200 --> 0:44:30.400
<v Speaker 1>thinks it's prejudice, and she's screaming at this guy like

0:44:30.440 --> 0:44:33.319
<v Speaker 1>I want a refund, I want them redone and this

0:44:33.360 --> 0:44:36.560
<v Speaker 1>guy is a bigot, And then the cops are like, listen, babe,

0:44:36.600 --> 0:44:38.799
<v Speaker 1>a typo is not a hate crime. But Babs can

0:44:38.840 --> 0:44:41.800
<v Speaker 1>smell the cameras and jumps right in with a message

0:44:41.800 --> 0:44:45.440
<v Speaker 1>for this lesbian rapist. She says SVU might be dragging

0:44:45.440 --> 0:44:48.799
<v Speaker 1>their asses, but Bab's duffy is on the case, and then.

0:44:48.719 --> 0:44:51.400
<v Speaker 4>They see Sharon, but I also love.

0:44:51.440 --> 0:44:56.080
<v Speaker 2>At one point, Kathy Griffin's character was like, you would

0:44:56.080 --> 0:44:57.800
<v Speaker 2>not fuck these up if I was straight.

0:44:58.640 --> 0:45:02.720
<v Speaker 1>Yeah, I wrote it down somewhere. Yes, yes, she's literally

0:45:02.760 --> 0:45:04.160
<v Speaker 1>like she's just like a.

0:45:04.080 --> 0:45:05.280
<v Speaker 4>Straight person's flyer.

0:45:05.480 --> 0:45:10.319
<v Speaker 1>I doubt it, like she's really over the top, but

0:45:10.640 --> 0:45:13.760
<v Speaker 1>you know it, and it's it's hilarious. They're like, Babe,

0:45:13.800 --> 0:45:16.879
<v Speaker 1>typo is not a hate crime, and she's like, actually so.

0:45:17.400 --> 0:45:20.879
<v Speaker 1>Then the cop sees Sharon in the crowd watching and

0:45:21.000 --> 0:45:23.600
<v Speaker 1>they approach her and Sabler makes the mistake of calling

0:45:23.640 --> 0:45:26.840
<v Speaker 1>her Mitch and then he gets straight up punched in

0:45:26.920 --> 0:45:29.359
<v Speaker 1>the face. And if you've been to some of our

0:45:29.360 --> 0:45:32.160
<v Speaker 1>live shows, I do do a super cut of all

0:45:32.200 --> 0:45:34.680
<v Speaker 1>the times that Stabler has gotten his ass kicked, and

0:45:34.719 --> 0:45:38.120
<v Speaker 1>this is the opening. This is the opening image of

0:45:38.480 --> 0:45:41.399
<v Speaker 1>this woman punching his ass right in the face. I mean,

0:45:41.440 --> 0:45:45.439
<v Speaker 1>she clocks him good. And then they arrest her while

0:45:45.480 --> 0:45:48.759
<v Speaker 1>Babs yells police brutality, police brutality, as if like she

0:45:48.800 --> 0:45:51.720
<v Speaker 1>didn't see the punch just happen, like unfortunately, you cannot

0:45:51.760 --> 0:45:52.319
<v Speaker 1>punch a cop.

0:45:52.840 --> 0:45:53.960
<v Speaker 4>So now post.

0:45:53.640 --> 0:45:56.319
<v Speaker 1>Punch, were at the precinct and Benson's trying to like,

0:45:56.400 --> 0:45:58.799
<v Speaker 1>I don't know, dab the wound. I can't even see

0:45:58.840 --> 0:46:01.840
<v Speaker 1>what's wrong with him, but he's obviously resisting.

0:46:02.160 --> 0:46:05.239
<v Speaker 2>Yeah, think about the right and like that that's who

0:46:05.280 --> 0:46:09.160
<v Speaker 2>they They think we're all Babs Duffy, like Republicans.

0:46:09.400 --> 0:46:12.719
<v Speaker 1>We are all Babs, yes, yes, yes, and we're all

0:46:12.719 --> 0:46:16.600
<v Speaker 1>like this wouldn't have happened to a straight white man. Absolutely,

0:46:16.920 --> 0:46:19.120
<v Speaker 1>that's what I see us, says, that's why we're so

0:46:19.239 --> 0:46:20.120
<v Speaker 1>annoying to them.

0:46:20.160 --> 0:46:22.120
<v Speaker 4>We're just a bunch of the Babs.

0:46:22.440 --> 0:46:25.959
<v Speaker 2>Also, just the name is so crazy, and yeah, it's

0:46:26.080 --> 0:46:26.920
<v Speaker 2>so perfect.

0:46:27.360 --> 0:46:31.520
<v Speaker 1>Yes, Babs Duffy, it's that's for Barbara. Babs is Barbara. Yeah,

0:46:31.560 --> 0:46:36.520
<v Speaker 1>Babs is Barbara. Uh hello, Barbara Streisand I guess yeah, Babs.

0:46:37.160 --> 0:46:39.520
<v Speaker 1>So now, and Sin is like, you know, tending to

0:46:39.520 --> 0:46:41.719
<v Speaker 1>Stabler's wound, and he's all, I'm fine, I'm I'm a

0:46:41.760 --> 0:46:44.879
<v Speaker 1>tough guy whatever, and then they're like what happened here,

0:46:44.880 --> 0:46:46.799
<v Speaker 1>and Finn's making fun of Stabler because he got hit

0:46:46.840 --> 0:46:49.279
<v Speaker 1>by a chick and cabots there being like, well, if

0:46:49.280 --> 0:46:52.120
<v Speaker 1>a suspect punches an officer, charges get filed, and Stabler's

0:46:52.200 --> 0:46:54.480
<v Speaker 1>like downplaying it, being like I'm fine, I'm fine, and

0:46:54.520 --> 0:46:55.960
<v Speaker 1>she goes, well, would you be saying that if a

0:46:56.000 --> 0:46:58.480
<v Speaker 1>man punched you? And it's true, like he would absolutely

0:46:58.520 --> 0:47:01.319
<v Speaker 1>be leveraging it to get her to talk, like if

0:47:01.800 --> 0:47:05.040
<v Speaker 1>that's you know, And so they go to interrogate Mitch

0:47:05.520 --> 0:47:10.200
<v Speaker 1>looking for Lorne again. Mitch is the queen king of

0:47:10.239 --> 0:47:13.160
<v Speaker 1>the Forlorn, looks looking out of the bars in the

0:47:13.200 --> 0:47:16.239
<v Speaker 1>cement bar's room, and she refuses to talk with a

0:47:16.280 --> 0:47:18.480
<v Speaker 1>man in the room, and she basically begs Benson. She's like,

0:47:18.480 --> 0:47:20.160
<v Speaker 1>please tell him to leave and I'll talk to you.

0:47:20.719 --> 0:47:23.960
<v Speaker 1>So then in the squad room, Stabler walks out and

0:47:23.960 --> 0:47:26.600
<v Speaker 1>Cabot's like that was quick, and you know, He's like,

0:47:26.760 --> 0:47:28.880
<v Speaker 1>this woman won't talk to me. So Benson's on it,

0:47:29.280 --> 0:47:33.000
<v Speaker 1>and then Cabot's there. Bab runs in yelling to Stabler,

0:47:33.280 --> 0:47:34.960
<v Speaker 1>you pig headed son of a bitch. But then she

0:47:35.040 --> 0:47:37.600
<v Speaker 1>immediately stops yelling when she gets a load of Cabot,

0:47:37.680 --> 0:47:40.839
<v Speaker 1>like she is full speechless, eyes popping out like oh

0:47:40.960 --> 0:47:44.040
<v Speaker 1>got like the second she sees Cabot, and Cabot's like,

0:47:44.200 --> 0:47:47.080
<v Speaker 1>I'll give you to some privacy of bats goes, you

0:47:47.120 --> 0:47:50.280
<v Speaker 1>don't have to, and then Stabler gohoes, we're talking in private,

0:47:50.360 --> 0:47:52.640
<v Speaker 1>let's go. And it is very funny because she is

0:47:52.719 --> 0:47:56.239
<v Speaker 1>like cartoon lesbian being of course blown away by how

0:47:56.280 --> 0:48:01.600
<v Speaker 1>gorgeous Stephanie marches So Bab's basically is like Sharon couldn't

0:48:01.600 --> 0:48:03.560
<v Speaker 1>have done it, Like she wouldn't kill anyone because she's

0:48:03.600 --> 0:48:06.000
<v Speaker 1>a woman, and women are only violent when threatened, and

0:48:06.040 --> 0:48:10.040
<v Speaker 1>stablers like, I'm sick of this PC crap, So drink

0:48:10.080 --> 0:48:12.799
<v Speaker 1>for the title of the episode, unless you're you know,

0:48:12.880 --> 0:48:15.480
<v Speaker 1>driving or taking care of children. And she's like, you

0:48:15.520 --> 0:48:18.160
<v Speaker 1>don't like us challenging the patriarchy and he's like, no,

0:48:18.400 --> 0:48:21.560
<v Speaker 1>we have probable cause on Sharon. So then we cut

0:48:21.600 --> 0:48:25.560
<v Speaker 1>back to which obviously probable cause another PC. They do

0:48:25.640 --> 0:48:27.520
<v Speaker 1>a lot of wordplay in here where there's other things

0:48:27.560 --> 0:48:31.840
<v Speaker 1>that stand for PC. Cut back to interrogation and Sharon

0:48:31.960 --> 0:48:34.919
<v Speaker 1>is like, I did not kill ALYSSA. Half the cast

0:48:35.000 --> 0:48:36.680
<v Speaker 1>is called oh, I already wrote this. Half the cast

0:48:36.760 --> 0:48:38.960
<v Speaker 1>is calling her Alissa, the other half is calling her Lisa.

0:48:39.080 --> 0:48:41.960
<v Speaker 1>Benson says, you have a serious anger problem, and she

0:48:42.040 --> 0:48:44.719
<v Speaker 1>denies that and is like, you punched my partner, and

0:48:44.880 --> 0:48:46.799
<v Speaker 1>she's like, you've hit people on the street and you've

0:48:46.800 --> 0:48:48.520
<v Speaker 1>been lying to us, and she's like, I did it

0:48:48.640 --> 0:48:50.600
<v Speaker 1>lie And Benson goes, you lied about the bar, you

0:48:50.640 --> 0:48:52.560
<v Speaker 1>lied about her going to her studio. You lied about

0:48:52.640 --> 0:48:55.680
<v Speaker 1>not knowing who Mitch was. She like grips the caged

0:48:55.719 --> 0:48:58.319
<v Speaker 1>windows and she's like, hasn't anyone ever called you by

0:48:58.320 --> 0:49:01.719
<v Speaker 1>a special name? And Olivia's like, not, bitch, and then

0:49:01.800 --> 0:49:04.960
<v Speaker 1>Sharon says, straits never understand people like me. And Benson's like,

0:49:05.040 --> 0:49:07.400
<v Speaker 1>I want to help you. What did Alyssa do to

0:49:07.400 --> 0:49:09.160
<v Speaker 1>make you so angry? What did she do? And then

0:49:09.200 --> 0:49:11.399
<v Speaker 1>she's denying it all and says that they were in love,

0:49:11.800 --> 0:49:13.520
<v Speaker 1>but like She's like, well, why were you yelling at

0:49:13.520 --> 0:49:15.720
<v Speaker 1>her right before she got murdered? And she goes, because

0:49:15.760 --> 0:49:17.880
<v Speaker 1>I get angry about things and I hit people people

0:49:17.920 --> 0:49:19.680
<v Speaker 1>I love and Alyssa knew that, and she got me

0:49:19.719 --> 0:49:22.280
<v Speaker 1>into therapy and she was helping me be a better person.

0:49:23.160 --> 0:49:23.959
<v Speaker 4>Olivia says.

0:49:24.000 --> 0:49:26.680
<v Speaker 1>When the cop asked Alyssa who did this, she said

0:49:26.719 --> 0:49:29.200
<v Speaker 1>Mitch and Sharon says she must have been scared. She

0:49:29.280 --> 0:49:32.080
<v Speaker 1>was asking for me. She loved me, And so Sharon

0:49:32.120 --> 0:49:35.279
<v Speaker 1>starts to cry like she's very upset. Finn interrupts and

0:49:35.400 --> 0:49:38.359
<v Speaker 1>Benson is like, give us a second, and he goes, nah,

0:49:38.400 --> 0:49:41.920
<v Speaker 1>I can't purp struck again. So now we're at Mercy

0:49:41.960 --> 0:49:46.080
<v Speaker 1>General Hospital and sadly our victim is Rosemary aka Sutton Foster,

0:49:46.440 --> 0:49:49.680
<v Speaker 1>but she is alive, but she has been assaulted. Everyone

0:49:49.760 --> 0:49:51.959
<v Speaker 1>went to the bar after the flying, and she wanted

0:49:51.960 --> 0:49:54.200
<v Speaker 1>to go home to update the Lesbie Strong website about

0:49:54.200 --> 0:49:54.760
<v Speaker 1>the rally.

0:49:55.080 --> 0:49:57.320
<v Speaker 4>She was alone. She passed by an empty doorway.

0:49:57.600 --> 0:50:00.680
<v Speaker 2>You should imagine like going home from the and doing

0:50:00.719 --> 0:50:04.680
<v Speaker 2>more rally paperwork at like, I know, take a load off, girl,

0:50:05.000 --> 0:50:06.960
<v Speaker 2>I know, go have a light beer somewhere.

0:50:07.000 --> 0:50:07.800
<v Speaker 4>Girl, it's cool.

0:50:07.880 --> 0:50:11.880
<v Speaker 1>You can update the flat like the website later tomorrow morning. Yeah,

0:50:12.080 --> 0:50:15.480
<v Speaker 1>so wild to rush showman to update the site. Yeah.

0:50:15.719 --> 0:50:18.320
<v Speaker 1>So she was alone, she passed by an empty doorway.

0:50:18.400 --> 0:50:21.000
<v Speaker 1>She was dragged into an empty building. The guy put

0:50:21.000 --> 0:50:22.839
<v Speaker 1>his hands over her mouth, like from behind. She didn't

0:50:22.840 --> 0:50:25.960
<v Speaker 1>see anything. Rosemary doesn't remember anything about the purp, but

0:50:26.040 --> 0:50:29.719
<v Speaker 1>heard his voice saying, quote, you dykes have ruined my neighborhood.

0:50:30.200 --> 0:50:33.640
<v Speaker 1>So she blames herself for not grabbing evidence or DNA,

0:50:33.760 --> 0:50:36.120
<v Speaker 1>and they are like, girl, it's not your fault. You survived.

0:50:36.120 --> 0:50:39.040
<v Speaker 1>You know the usual truth about what they say to victims.

0:50:39.400 --> 0:50:41.560
<v Speaker 1>Then she gets so stressed and jumps up and is like,

0:50:41.600 --> 0:50:43.600
<v Speaker 1>oh my god, oh my god, my phone, my BlackBerry.

0:50:43.600 --> 0:50:46.000
<v Speaker 1>It's been taken and it has all the names and

0:50:46.040 --> 0:50:49.880
<v Speaker 1>addresses of every member of lesbian Lesbie Strong and all

0:50:49.920 --> 0:50:52.960
<v Speaker 1>the lesbians like basically in the neighborhood. Babs runs in

0:50:53.000 --> 0:50:56.160
<v Speaker 1>and Stabler is like, please leave, and then Rosemary reveals

0:50:56.160 --> 0:50:58.720
<v Speaker 1>that the Purp had a message for her. He said,

0:50:58.760 --> 0:51:01.320
<v Speaker 1>tell that bitch bab stuff, I'm coming for her next

0:51:01.600 --> 0:51:05.000
<v Speaker 1>and Babs looks shook, just to Smidge, just a little

0:51:05.000 --> 0:51:08.080
<v Speaker 1>bit shook. In the next scene, she is, of course

0:51:08.120 --> 0:51:10.840
<v Speaker 1>trying to deny protective custody, but the detectives try to

0:51:10.880 --> 0:51:13.960
<v Speaker 1>talk her into it, and Stabler goes, it's protective custody,

0:51:14.040 --> 0:51:17.600
<v Speaker 1>the good kind of PC. So another PC. She says,

0:51:17.840 --> 0:51:21.480
<v Speaker 1>read my perfectly glossed lips. I don't run, okay, bitch?

0:51:21.680 --> 0:51:23.919
<v Speaker 1>Love that, And Benson is like, what are you gonna

0:51:23.920 --> 0:51:26.560
<v Speaker 1>do when you get killed? And then they tap into

0:51:26.600 --> 0:51:28.920
<v Speaker 1>her ego and they're like, what are all these scared

0:51:29.000 --> 0:51:31.760
<v Speaker 1>lesbians gonna do without their leader? And she's like, okay, fine,

0:51:31.800 --> 0:51:33.680
<v Speaker 1>but it has to happen at my apartment and like

0:51:34.000 --> 0:51:36.960
<v Speaker 1>put a detail on my apartment or whatever. So Benson

0:51:37.040 --> 0:51:41.000
<v Speaker 1>goes to Babs's apartment with her, closes her laptop and is.

0:51:40.960 --> 0:51:42.920
<v Speaker 4>Like what did I just say? No internet?

0:51:42.960 --> 0:51:45.240
<v Speaker 1>And she's like, hello, I have to work on my blog.

0:51:45.840 --> 0:51:49.520
<v Speaker 1>She's hilarious, very twenty ten. She's like, I have a

0:51:49.560 --> 0:51:52.520
<v Speaker 1>word press blog. I need to update. There's a rally tomorrow,

0:51:52.560 --> 0:51:54.840
<v Speaker 1>she says. And Benson's like, there's no rally until we

0:51:54.920 --> 0:51:57.359
<v Speaker 1>catch this guy. And there's no secret tweeting either, because

0:51:57.360 --> 0:51:59.960
<v Speaker 1>Babs is like over on her phone kind of like surruptish,

0:52:00.360 --> 0:52:02.680
<v Speaker 1>trying to type out tweets, and Babs is like, I'm

0:52:02.680 --> 0:52:05.040
<v Speaker 1>going crazy, and Benson's like, why don't you just relax?

0:52:05.160 --> 0:52:06.640
<v Speaker 4>And she goes, I never relax.

0:52:06.680 --> 0:52:10.000
<v Speaker 1>I'm always picketing, marketing, I'm always well Marketing's probably right,

0:52:10.200 --> 0:52:13.720
<v Speaker 1>she says, I'm always picketing, marching or planning and marketing basically,

0:52:14.160 --> 0:52:15.879
<v Speaker 1>And she goes, I don't do alone very well.

0:52:15.920 --> 0:52:17.799
<v Speaker 4>And I can relate. This is me. I don't sit

0:52:18.080 --> 0:52:19.319
<v Speaker 4>down and relax very much.

0:52:19.360 --> 0:52:21.440
<v Speaker 1>You know, this is I'm a bab stuffy on the

0:52:21.560 --> 0:52:25.360
<v Speaker 1>scale of you know, virgos. I guess She's like, I

0:52:25.400 --> 0:52:27.279
<v Speaker 1>don't like sitting here while this prick is out there

0:52:27.320 --> 0:52:31.040
<v Speaker 1>attacking my sisters. And Benson says, Stabler is out there

0:52:31.080 --> 0:52:32.799
<v Speaker 1>and he's going to get the perp. He hates when

0:52:32.800 --> 0:52:35.839
<v Speaker 1>people hurt women. Bab says, that's Stabler's got the hots

0:52:35.840 --> 0:52:38.560
<v Speaker 1>for you, and Benson's like, excuse me, like it gives her,

0:52:38.600 --> 0:52:41.520
<v Speaker 1>like gives her like what that thought has never crossed

0:52:41.560 --> 0:52:43.080
<v Speaker 1>my mind? What the fuck are you talking about?

0:52:43.120 --> 0:52:43.359
<v Speaker 4>Face?

0:52:43.800 --> 0:52:46.800
<v Speaker 1>And she goes that's never gonna happen, and then Benson

0:52:47.440 --> 0:52:50.560
<v Speaker 1>changes the subject and is like, so you've been marching

0:52:50.600 --> 0:52:53.040
<v Speaker 1>and active for a while, like, and they start looking

0:52:53.040 --> 0:52:56.080
<v Speaker 1>at a bunch of framed photos of Babs, like all

0:52:56.080 --> 0:52:59.319
<v Speaker 1>over the wall, like at marches, in newspaper articles. She's like, yeah,

0:52:59.320 --> 0:53:01.640
<v Speaker 1>I've been tear gas like she's been a fighter for

0:53:01.760 --> 0:53:04.279
<v Speaker 1>the cause, you know, of lesbian rights. If not a

0:53:04.280 --> 0:53:07.520
<v Speaker 1>little bit closed off, but lesbian writes, at least that's

0:53:07.560 --> 0:53:09.600
<v Speaker 1>why it feels weird to her. She wants to be

0:53:09.600 --> 0:53:12.440
<v Speaker 1>out there kicking ass, not hiding and feeling scared. So

0:53:12.480 --> 0:53:15.000
<v Speaker 1>they're kind of having a bonding moment and Benson is like,

0:53:15.040 --> 0:53:17.040
<v Speaker 1>you'll get through this, I promise, and pats her on

0:53:17.080 --> 0:53:19.480
<v Speaker 1>the shoulder and goes, let's get something to eat. Suddenly

0:53:19.840 --> 0:53:23.560
<v Speaker 1>Babs makes a move and tries to kiss Benson, and

0:53:23.600 --> 0:53:27.280
<v Speaker 1>Benson's like, whoahoo, that's not on the menu, and Bab's

0:53:27.320 --> 0:53:32.120
<v Speaker 1>like immediately is like, is it me like, and Benson's like, no,

0:53:32.200 --> 0:53:34.759
<v Speaker 1>it's me, Like, I'm flattered, but I'm straight, honey, And

0:53:34.800 --> 0:53:37.600
<v Speaker 1>she's like, don't let the haircut and the bootcut jeans

0:53:37.600 --> 0:53:40.680
<v Speaker 1>fool you. I do love Dick, and Bab sells her

0:53:41.120 --> 0:53:44.080
<v Speaker 1>you're like Ellen, Joan Crawford and Calamity Jane all rolled

0:53:44.080 --> 0:53:45.680
<v Speaker 1>into one. And then she goes, if you can balance

0:53:45.719 --> 0:53:48.080
<v Speaker 1>a check book, I'll throw in Sue's orman and you're right,

0:53:48.160 --> 0:53:50.960
<v Speaker 1>this has to be fucking Kathy Griffin, like Kaddey Griffin

0:53:50.960 --> 0:53:54.560
<v Speaker 1>has to be writing this shit like and although Calamity

0:53:54.640 --> 0:53:58.319
<v Speaker 1>Jane and Joan Crawford are specifically I would say Neil

0:53:58.360 --> 0:54:01.080
<v Speaker 1>Bear references like I bet he is a Joan Crawford

0:54:01.200 --> 0:54:04.400
<v Speaker 1>stand and then but the Sue's ormon, I bet is

0:54:04.440 --> 0:54:07.600
<v Speaker 1>a Kathy, But well, we'll find out. Babs like doesn't

0:54:07.600 --> 0:54:09.560
<v Speaker 1>believe her when she says she's straight, and she's like,

0:54:09.600 --> 0:54:11.040
<v Speaker 1>believe me. I know how hard it is to have

0:54:11.080 --> 0:54:14.120
<v Speaker 1>conflicting feelings. But the heart wants what the heart wants.

0:54:14.160 --> 0:54:16.879
<v Speaker 1>And Benson is saved at that moment by a knock

0:54:16.920 --> 0:54:19.319
<v Speaker 1>on the door, and it is a police officer taking

0:54:19.320 --> 0:54:22.040
<v Speaker 1>over the next shift. Benson grabs her coat, leaves, and

0:54:22.080 --> 0:54:23.759
<v Speaker 1>she tells the new cop, who happens to be a

0:54:23.760 --> 0:54:25.719
<v Speaker 1>cute young woman. She goes, if I were you, I'd

0:54:25.719 --> 0:54:29.840
<v Speaker 1>stay outside. Like Babs is alone, scared and horny, she

0:54:29.920 --> 0:54:32.480
<v Speaker 1>might come for you. So at the precinct, Benson and

0:54:32.520 --> 0:54:35.400
<v Speaker 1>Stabler are going now through security footage of Rosemary's attack,

0:54:35.480 --> 0:54:37.880
<v Speaker 1>and Benson, of course spots a tattoo on the purp's

0:54:37.920 --> 0:54:40.560
<v Speaker 1>hand and they're like, yep, I've got morales trying to

0:54:40.600 --> 0:54:42.600
<v Speaker 1>clean it up, even though we've heard now since that

0:54:42.680 --> 0:54:44.640
<v Speaker 1>cleaning up images is kind of impossible.

0:54:44.920 --> 0:54:46.000
<v Speaker 4>They're working on it.

0:54:46.360 --> 0:54:50.440
<v Speaker 1>Benson gets serious and asks Stabler question. She's like, hey, ell,

0:54:50.520 --> 0:54:52.399
<v Speaker 1>can I ask you? Do you ever get a gay

0:54:52.480 --> 0:54:55.160
<v Speaker 1>vibe from me? And Stabler goes, would it matter if

0:54:55.200 --> 0:54:57.880
<v Speaker 1>I did? And she's like, don't avoid the question. And

0:54:57.920 --> 0:54:59.760
<v Speaker 1>he's like, well, you haven't had a luck with guys,

0:55:00.280 --> 0:55:03.120
<v Speaker 1>and she's like, it's called being married to the job, dumbass,

0:55:03.160 --> 0:55:06.839
<v Speaker 1>And then the phone rings, Benson answers and Stabler figures out.

0:55:06.920 --> 0:55:09.480
<v Speaker 4>So it's like Stabler thinks she's a lesbian. It's very confusing.

0:55:09.520 --> 0:55:12.600
<v Speaker 1>She knows he's she's he knows she's dated many many

0:55:12.600 --> 0:55:14.960
<v Speaker 1>guys over the course of the last eleven seasons, so

0:55:16.080 --> 0:55:18.000
<v Speaker 1>maybe he's like, I don't know, maybe give it a shot.

0:55:18.080 --> 0:55:20.000
<v Speaker 4>I don't know what he's saying to her, but the

0:55:20.000 --> 0:55:21.400
<v Speaker 4>phone rings. Benson picks up.

0:55:21.480 --> 0:55:26.359
<v Speaker 1>Sabler's like, okay, Sabler basically figures out because of her

0:55:26.400 --> 0:55:28.239
<v Speaker 1>asking that question that Babbs must have hit on her,

0:55:28.239 --> 0:55:30.560
<v Speaker 1>and he goes, you get hit on I get hit

0:55:31.440 --> 0:55:33.640
<v Speaker 1>So yeah, bitch, that's the dynamic, Like, no one wants

0:55:33.680 --> 0:55:35.680
<v Speaker 1>to hit that beautiful face. People want to hit your

0:55:35.760 --> 0:55:37.400
<v Speaker 1>people want to wipe that shitt, eat and grin off

0:55:37.400 --> 0:55:39.920
<v Speaker 1>your face. As my dad used to say to us children.

0:55:40.520 --> 0:55:43.359
<v Speaker 1>Uh uh oh. Olivia hangs up the phone. The purp

0:55:43.560 --> 0:55:46.400
<v Speaker 1>just got shot at Babs Duffy's apartment. Bump, bum bum.

0:55:46.760 --> 0:55:48.400
<v Speaker 1>They run to the scene of the crime, and the

0:55:48.440 --> 0:55:51.680
<v Speaker 1>officer on duty, who Benson has just left at Bab's apartment,

0:55:51.719 --> 0:55:54.239
<v Speaker 1>is explaining to them what went down. Babs went to bed.

0:55:54.360 --> 0:55:56.080
<v Speaker 1>I was doing a walk around of the building. I

0:55:56.080 --> 0:55:58.360
<v Speaker 1>saw a movement on the fire escape outside of Babs's window,

0:55:58.400 --> 0:55:59.719
<v Speaker 1>and I saw this guy trying to get in.

0:56:00.120 --> 0:56:01.280
<v Speaker 4>I shout it for him to stop.

0:56:01.600 --> 0:56:03.719
<v Speaker 1>He was holding a tire iron, so I shot his

0:56:03.760 --> 0:56:05.920
<v Speaker 1>ass and she literally shot his ass, like he got

0:56:05.960 --> 0:56:08.200
<v Speaker 1>shot in the ass, he fell down and he got

0:56:08.280 --> 0:56:10.800
<v Speaker 1>knocked out in the fall off the fire get again.

0:56:11.360 --> 0:56:13.040
<v Speaker 4>Yeah, you're never gonna keep me down.

0:56:13.480 --> 0:56:16.799
<v Speaker 1>Benson says, good work, and then Babs is wearing a coat.

0:56:16.880 --> 0:56:19.799
<v Speaker 1>She's stressed. She's being consoled by Rosemary. There's a huge

0:56:19.840 --> 0:56:21.520
<v Speaker 1>mob of people yelling and a gurney with.

0:56:21.880 --> 0:56:22.719
<v Speaker 4>A shot perp on it.

0:56:23.120 --> 0:56:27.120
<v Speaker 1>Sharon has been released aka Mitch and is blasting through

0:56:27.160 --> 0:56:30.759
<v Speaker 1>the crowd screaming you killed Alyssa. She starts shaking the

0:56:30.800 --> 0:56:34.239
<v Speaker 1>gurney and then flips it over basically as Babs looks

0:56:34.280 --> 0:56:36.360
<v Speaker 1>onto this whole mob scene, very shaken.

0:56:36.600 --> 0:56:38.840
<v Speaker 4>So shit is getting crazy.

0:56:38.920 --> 0:56:40.719
<v Speaker 1>So now we're at the hospital and we're with the

0:56:40.800 --> 0:56:43.319
<v Speaker 1>dude who's and he's been shot in the ass, and

0:56:43.360 --> 0:56:45.960
<v Speaker 1>Stable's trying to sort of finesse the surfer doc into

0:56:46.040 --> 0:56:48.920
<v Speaker 1>giving away this guy's DNA, like how about we just

0:56:48.960 --> 0:56:51.200
<v Speaker 1>take a swab, right, And the guy's like, yeah, cool,

0:56:51.239 --> 0:56:54.960
<v Speaker 1>as soon as I see a warrant and you know, he's.

0:56:54.719 --> 0:56:57.320
<v Speaker 4>Like worth a shot. So they are kind of trying

0:56:57.320 --> 0:56:58.520
<v Speaker 4>to show how police.

0:56:58.280 --> 0:57:00.120
<v Speaker 1>Do go around the rules a lot of the time

0:57:00.160 --> 0:57:02.480
<v Speaker 1>if they can, but there's some checks and balances, like

0:57:02.520 --> 0:57:05.279
<v Speaker 1>Surfer Doc who don't let them. So they find out

0:57:05.280 --> 0:57:07.440
<v Speaker 1>that this the purp that has been shot, does not

0:57:07.520 --> 0:57:09.480
<v Speaker 1>have a tattoo, which, by the way, they've cleaned up

0:57:09.480 --> 0:57:12.080
<v Speaker 1>and found out it's of a spider. So they examined

0:57:12.120 --> 0:57:14.480
<v Speaker 1>the man's personal effects. They find a license. His name

0:57:14.520 --> 0:57:17.800
<v Speaker 1>is Larry Luft. Plus they find something interesting on his phone.

0:57:18.440 --> 0:57:22.080
<v Speaker 1>Next scene, we're talking to Babs Duffy like uh, look,

0:57:22.160 --> 0:57:24.000
<v Speaker 1>showing her the phone and going looks like you knew

0:57:24.040 --> 0:57:27.080
<v Speaker 1>the perpetrator. She goes, you think this guy is my boyfriend.

0:57:27.480 --> 0:57:30.640
<v Speaker 1>She's like, Olivia, remember last night I tried to make

0:57:30.680 --> 0:57:33.480
<v Speaker 1>out with you. I'm gay, And they're like so. Then

0:57:33.480 --> 0:57:35.360
<v Speaker 1>one of them goes for a man hating lesbian. You

0:57:35.400 --> 0:57:38.320
<v Speaker 1>seem awfully cuddly with Larry, and then Benson flashes a

0:57:38.360 --> 0:57:42.000
<v Speaker 1>pick of Babs and Larry smooching on the phone, and

0:57:42.120 --> 0:57:43.400
<v Speaker 1>Babs is like, fuck.

0:57:43.280 --> 0:57:48.800
<v Speaker 4>What a twist, What a twist? Bab's a glace, yes.

0:57:49.280 --> 0:57:52.880
<v Speaker 1>Babs is like, fuck, all right, listen, I still totally

0:57:52.880 --> 0:57:56.120
<v Speaker 1>love women. Larry is my secret male lover and I

0:57:56.240 --> 0:57:58.600
<v Speaker 1>just developed feelings for him. He came to one of

0:57:58.640 --> 0:58:01.000
<v Speaker 1>our Lesbie Strong meetings and I liked that he was

0:58:01.040 --> 0:58:04.160
<v Speaker 1>an ally I guess and I you know, I it's

0:58:04.200 --> 0:58:05.760
<v Speaker 1>wild that she would even let herself like have a

0:58:05.800 --> 0:58:07.840
<v Speaker 1>conversation with a man, but she ended up, you know,

0:58:07.960 --> 0:58:11.040
<v Speaker 1>getting feelings for him. Stabler's like, I think this whole

0:58:11.120 --> 0:58:13.600
<v Speaker 1>Lesbie Strong thing is a shtick to cover for you

0:58:13.720 --> 0:58:16.440
<v Speaker 1>being in the reverse closet. And She's like, no, you

0:58:16.440 --> 0:58:18.880
<v Speaker 1>cannot let my girls find out about that this. They

0:58:18.880 --> 0:58:20.920
<v Speaker 1>would see it as a betrayal. And it's like, baby,

0:58:20.960 --> 0:58:24.120
<v Speaker 1>you're by nothing to freak out about. And Stabler's like, oh,

0:58:24.120 --> 0:58:26.200
<v Speaker 1>you're gonna come out in a big way. It's like

0:58:26.360 --> 0:58:29.600
<v Speaker 1>fine being by, but when your whole thing is lesbian

0:58:29.760 --> 0:58:35.040
<v Speaker 1>and yeah, and men are ridiculous and yeah. So at

0:58:35.040 --> 0:58:37.640
<v Speaker 1>what feels like the ninth Lesbian rally in this episode,

0:58:37.760 --> 0:58:39.480
<v Speaker 1>Rosemary is addressing the crowd.

0:58:39.920 --> 0:58:41.400
<v Speaker 4>These lesbians have jobs.

0:58:41.560 --> 0:58:44.720
<v Speaker 1>Geez, Seriously, there's so much poster making going on at

0:58:44.760 --> 0:58:49.080
<v Speaker 1>all times. They have so many different rallies, posters and flyers,

0:58:49.120 --> 0:58:53.240
<v Speaker 1>et cetera. Rosemary's addressing the crowd live is scanning and

0:58:53.280 --> 0:58:55.920
<v Speaker 1>looking for a guy with a spider hand tattoo. Babbs

0:58:55.920 --> 0:58:58.280
<v Speaker 1>addresses the crowd now and says, listen, I have to

0:58:58.280 --> 0:59:00.280
<v Speaker 1>tell you guys something. The man they caught is not

0:59:00.360 --> 0:59:03.560
<v Speaker 1>the rapist. She explains, he's someone who I know, and

0:59:04.040 --> 0:59:06.400
<v Speaker 1>I'm in a relationship with this man. So she comes

0:59:06.440 --> 0:59:09.560
<v Speaker 1>out as bisexual. Rosemary is like, looks like she's seen

0:59:09.600 --> 0:59:11.880
<v Speaker 1>a ghost. She's like, is this a joke? She feels

0:59:11.960 --> 0:59:16.200
<v Speaker 1>extremely betrayed, just as Babs predicted she would. The crowd

0:59:16.240 --> 0:59:18.840
<v Speaker 1>starts to turn on her. One lady yells, we still

0:59:18.880 --> 0:59:22.800
<v Speaker 1>love you, Babs. You just I watched with the captions on,

0:59:22.880 --> 0:59:24.800
<v Speaker 1>so you can I really notice it. But I was like,

0:59:24.960 --> 0:59:27.680
<v Speaker 1>One lady goes, not that big of a deal. What's

0:59:27.680 --> 0:59:29.000
<v Speaker 1>the little man? Sometimes?

0:59:29.040 --> 0:59:29.240
<v Speaker 5>You know?

0:59:29.720 --> 0:59:33.040
<v Speaker 1>She promises to now fight for everyone, gay men, trans people,

0:59:33.080 --> 0:59:35.880
<v Speaker 1>by people, and then as she's you know, trying to

0:59:35.880 --> 0:59:39.560
<v Speaker 1>get the crowd to not absolutely kill her, Elliott spots

0:59:39.560 --> 0:59:42.320
<v Speaker 1>the man with a spider tattoo and it's done.

0:59:42.400 --> 0:59:42.680
<v Speaker 5>Done.

0:59:42.800 --> 0:59:46.560
<v Speaker 4>The print shop guy the right. Babs was right, believe

0:59:46.840 --> 0:59:47.840
<v Speaker 4>women right.

0:59:48.320 --> 0:59:48.800
<v Speaker 5>She was right.

0:59:48.800 --> 0:59:51.360
<v Speaker 1>It wasn't a typo, not a fuck up, another flyer

0:59:51.680 --> 0:59:52.080
<v Speaker 1>the type.

0:59:52.080 --> 0:59:53.160
<v Speaker 4>I wasn't hate crime.

0:59:53.800 --> 0:59:56.560
<v Speaker 1>This motherfucker was giving himself away with his typos.

0:59:56.720 --> 0:59:57.640
<v Speaker 4>They go after.

0:59:57.520 --> 1:00:03.000
<v Speaker 1>Him, being like just like an angry fly I maker. Seriously,

1:00:03.840 --> 1:00:07.440
<v Speaker 1>they go after him. He tries to run, they arrest

1:00:07.520 --> 1:00:10.400
<v Speaker 1>him obviously. So now he's in the precinct to This

1:00:10.440 --> 1:00:13.480
<v Speaker 1>guy's name is Ronnie Watley. He's got He's like, I

1:00:13.520 --> 1:00:17.000
<v Speaker 1>got nothing against lesbians. He's acting very innocent. Cabot and

1:00:17.000 --> 1:00:20.280
<v Speaker 1>Olivia are watching this interrogation and Stabler's trying to get

1:00:20.280 --> 1:00:22.840
<v Speaker 1>it out of him, and Cabot's like, why isn't he

1:00:22.960 --> 1:00:24.880
<v Speaker 1>nailing this guy? And Lives like give him a second,

1:00:24.920 --> 1:00:27.880
<v Speaker 1>and Cabot's like, look, there's no DNA, there's no witnesses.

1:00:27.920 --> 1:00:29.920
<v Speaker 1>I really need this guy like barfing his confession all

1:00:29.960 --> 1:00:32.040
<v Speaker 1>over Stabler's shoes and I'm not getting that right now,

1:00:32.240 --> 1:00:34.120
<v Speaker 1>and then Lives like, ooh, I got an idea that

1:00:34.120 --> 1:00:34.920
<v Speaker 1>could really.

1:00:35.320 --> 1:00:36.160
<v Speaker 4>Move things along.

1:00:36.640 --> 1:00:40.240
<v Speaker 1>So Olivia walks into the room like fucking Sandy from

1:00:40.320 --> 1:00:44.640
<v Speaker 1>Grease leather Jacket, basically smoking a cigarette, going what's up stead,

1:00:45.120 --> 1:00:48.800
<v Speaker 1>and she's in like full lesbian cosplay, like swagger in

1:00:48.840 --> 1:00:52.720
<v Speaker 1>her step. She and Elliott immediately go into their sexually

1:00:52.800 --> 1:00:54.960
<v Speaker 1>charged hate play that they love to do, where he's like,

1:00:55.160 --> 1:00:56.080
<v Speaker 1>what do you get out of here?

1:00:56.080 --> 1:00:58.200
<v Speaker 4>And she's like, no, come on, let me let me

1:00:58.240 --> 1:00:59.080
<v Speaker 4>have a shot at the guy.

1:00:59.120 --> 1:01:01.440
<v Speaker 1>And she's like and he goes, this is too personal

1:01:01.480 --> 1:01:04.040
<v Speaker 1>for you, and she goes, big, girls, don't cry, come on,

1:01:04.120 --> 1:01:07.120
<v Speaker 1>let me have him. So then Stabler leaves, Benson takes

1:01:07.120 --> 1:01:09.800
<v Speaker 1>off her leather jacket throws it on the table. You know,

1:01:09.840 --> 1:01:15.160
<v Speaker 1>it's like very hilarious, and then Live starts antagonizing Ronnie going, oh,

1:01:15.240 --> 1:01:17.600
<v Speaker 1>you just like never get any action because you're kind

1:01:17.600 --> 1:01:20.120
<v Speaker 1>of ugly and you have a lame fucking job. And

1:01:20.160 --> 1:01:22.720
<v Speaker 1>she's just like baiting him about how lesbians are out

1:01:22.720 --> 1:01:25.720
<v Speaker 1>there having all the fun, being hot, chilling at the

1:01:25.760 --> 1:01:28.560
<v Speaker 1>kitty corner, having a blast, and they're all having fun

1:01:28.600 --> 1:01:31.200
<v Speaker 1>around him and he's not having any fun. And Benson

1:01:31.200 --> 1:01:33.360
<v Speaker 1>does like everything she can to play into this guy's

1:01:33.360 --> 1:01:35.840
<v Speaker 1>hostility towards lesbian. She's like, I bet you want to

1:01:35.880 --> 1:01:37.880
<v Speaker 1>grab me and bend me over and make me a

1:01:37.920 --> 1:01:38.640
<v Speaker 1>real woman with.

1:01:38.600 --> 1:01:40.240
<v Speaker 4>What's between your legs, it's really weld.

1:01:40.240 --> 1:01:43.080
<v Speaker 1>She's like, she's like very sexually coming on to him

1:01:43.160 --> 1:01:46.520
<v Speaker 1>kind of in a way, and then he finally cracks

1:01:46.600 --> 1:01:49.520
<v Speaker 1>and pushes her hand onto his Dick going and you

1:01:49.720 --> 1:01:51.400
<v Speaker 1>love it just like those other two did.

1:01:51.560 --> 1:01:52.640
<v Speaker 4>Every moment of it.

1:01:52.760 --> 1:01:56.680
<v Speaker 1>Boom, there's a confession and she goes goodbye, Ronnie, and

1:01:56.720 --> 1:01:58.760
<v Speaker 1>then he calls her a bitch a bunch of times

1:01:58.760 --> 1:02:00.720
<v Speaker 1>as she just like sashe is out of the room,

1:02:00.800 --> 1:02:03.680
<v Speaker 1>and it's kind of one of the greatest Olivia Benson scenes,

1:02:03.680 --> 1:02:06.000
<v Speaker 1>I would say of all time. So then Babs enters

1:02:06.040 --> 1:02:08.520
<v Speaker 1>the squad room happy for once, and she's like, you

1:02:08.600 --> 1:02:11.400
<v Speaker 1>got him, and Stabler goes, she got him with one

1:02:11.440 --> 1:02:13.360
<v Speaker 1>hell of a performance, I think.

1:02:13.760 --> 1:02:16.520
<v Speaker 4>So he's still like, I don't know, you might be gay.

1:02:16.720 --> 1:02:19.480
<v Speaker 1>Benson like, he's still like, I guess that was a performance,

1:02:19.480 --> 1:02:22.520
<v Speaker 1>but maybe you love women. And I know you know

1:02:23.760 --> 1:02:26.520
<v Speaker 1>she's a lesbian icon Benson. So it's I think it's

1:02:26.520 --> 1:02:28.640
<v Speaker 1>never too late. We're about to enter season twenty six.

1:02:28.720 --> 1:02:31.720
<v Speaker 1>Make it happen. Benson asks if the lesbians are still

1:02:31.760 --> 1:02:34.120
<v Speaker 1>furious with Babs, and she goes, well, about a tenth

1:02:34.160 --> 1:02:36.320
<v Speaker 1>of them are still cool with me, but Lesbie Strong

1:02:36.360 --> 1:02:38.520
<v Speaker 1>will be back. I'm opening it up to everyone so

1:02:38.560 --> 1:02:43.560
<v Speaker 1>it can be a real LGBTQIA organization, and then Benson goes, well,

1:02:43.600 --> 1:02:45.760
<v Speaker 1>a is for ally, so you can count us in

1:02:45.960 --> 1:02:49.000
<v Speaker 1>and I think probably a lot of LGBBQ people are like, no,

1:02:49.040 --> 1:02:49.360
<v Speaker 1>it's not.

1:02:49.560 --> 1:02:50.600
<v Speaker 4>It's very sexual.

1:02:52.160 --> 1:02:55.920
<v Speaker 1>But Larry unfortunately is no longer an ally and getting

1:02:55.920 --> 1:02:58.400
<v Speaker 1>shot in the ass made him rethink his commitment to Babs,

1:02:58.400 --> 1:03:02.120
<v Speaker 1>so they are no longer an item. And Babs also,

1:03:02.200 --> 1:03:04.760
<v Speaker 1>why are you She couldn't send him a text that's like, hey,

1:03:04.760 --> 1:03:06.600
<v Speaker 1>by the way, there's cops on my door, don't try

1:03:06.640 --> 1:03:10.400
<v Speaker 1>to sneak up my fire escape or whatever. So Babs

1:03:10.400 --> 1:03:13.160
<v Speaker 1>thanks Olivia for making her come clean about who she

1:03:13.240 --> 1:03:13.800
<v Speaker 1>really is.

1:03:14.240 --> 1:03:16.200
<v Speaker 4>She always apologies.

1:03:16.400 --> 1:03:19.680
<v Speaker 1>She also apologizes for the awkward lunge and says my

1:03:19.800 --> 1:03:23.520
<v Speaker 1>gadar must have been off lol, but also tells Benson

1:03:23.560 --> 1:03:26.400
<v Speaker 1>you are incredibly hot and it's like, duh, the show

1:03:26.480 --> 1:03:29.160
<v Speaker 1>is kind of built around that concept, and Benson is like,

1:03:29.880 --> 1:03:32.400
<v Speaker 1>Benson's like, no problem, Babs, We'll see you around and

1:03:32.440 --> 1:03:35.120
<v Speaker 1>Stabler cracks every time we turn on the TV. And

1:03:35.160 --> 1:03:37.720
<v Speaker 1>Babs is like, okay, I guess I owe your huge

1:03:37.760 --> 1:03:40.720
<v Speaker 1>ass and apology as well. I was pretty bitchy to you,

1:03:40.800 --> 1:03:43.120
<v Speaker 1>she says, and he goes right back at you, and

1:03:43.160 --> 1:03:46.440
<v Speaker 1>then she goes Stabler one more thing, Grabs him and

1:03:46.520 --> 1:03:49.200
<v Speaker 1>gives him a long smooch that he does not pull

1:03:49.280 --> 1:03:52.000
<v Speaker 1>away from, by the way, at all. They have more

1:03:52.040 --> 1:03:54.880
<v Speaker 1>than a peck, like a couple of seconds long kiss,

1:03:55.200 --> 1:03:57.600
<v Speaker 1>and then she goes call me sometime and walks out,

1:03:57.840 --> 1:03:59.760
<v Speaker 1>and I admit, I am laughing. I admit that this

1:03:59.840 --> 1:04:02.600
<v Speaker 1>is reverse sexism because if obviously a purp did this

1:04:02.640 --> 1:04:05.160
<v Speaker 1>to Olivia Benson, I would be not a purpose.

1:04:04.760 --> 1:04:07.200
<v Speaker 2>Well and not reverse because she did do it to

1:04:07.200 --> 1:04:08.000
<v Speaker 2>Olivia Benson.

1:04:08.480 --> 1:04:11.440
<v Speaker 1>She tried it on Olivia Benson. Yes, that's true, she tried.

1:04:11.640 --> 1:04:14.040
<v Speaker 1>She did it for both of them, yes, but I

1:04:14.080 --> 1:04:16.440
<v Speaker 1>would say with Olivia she thought it was more of

1:04:16.480 --> 1:04:19.200
<v Speaker 1>a she was actually hitting on her, And with Stabler,

1:04:19.240 --> 1:04:20.960
<v Speaker 1>I think she is doing it to a nerve him,

1:04:21.040 --> 1:04:23.640
<v Speaker 1>like she is doing it to piss him off. So like,

1:04:23.720 --> 1:04:26.160
<v Speaker 1>you know, I wouldn't want like some asshole to do

1:04:26.200 --> 1:04:28.120
<v Speaker 1>that to Benson, but I am laughing that it's happening

1:04:28.120 --> 1:04:30.959
<v Speaker 1>to Stabler. And then as she walks out of the room,

1:04:31.160 --> 1:04:35.000
<v Speaker 1>the camera has Benson just like armed cross like hell yeah,

1:04:35.160 --> 1:04:38.120
<v Speaker 1>nod like and a huge smile and like there goes

1:04:38.160 --> 1:04:40.120
<v Speaker 1>my hero by the foo fighter starts playing in my

1:04:40.160 --> 1:04:43.560
<v Speaker 1>mind and bab Duffy, what an icon. She got to

1:04:43.640 --> 1:04:46.160
<v Speaker 1>kiss Stabler and almost kiss Benson. She got to lunch

1:04:46.200 --> 1:04:47.840
<v Speaker 1>at Benson and kiss Stabler.

1:04:48.000 --> 1:04:53.080
<v Speaker 2>So amazing, say, the funniest performance on SVU, Like because

1:04:53.080 --> 1:04:57.040
<v Speaker 2>even the comics that go on the show, it's serious performances. Yeah,

1:04:57.200 --> 1:05:00.320
<v Speaker 2>serious things didn't happen here, but it was the last

1:05:00.360 --> 1:05:01.240
<v Speaker 2>things happened.

1:05:01.280 --> 1:05:03.800
<v Speaker 1>And I do think she is good in the dramatic

1:05:03.880 --> 1:05:06.440
<v Speaker 1>parts where like she's scared, or like she finds out

1:05:06.440 --> 1:05:08.920
<v Speaker 1>that the rapist has a message short. It was very

1:05:09.000 --> 1:05:13.000
<v Speaker 1>funny too, but in a different in a different way, yeah, yeah,

1:05:13.080 --> 1:05:15.520
<v Speaker 1>yeah yeah. Or we just had Nicol Sullivant and we

1:05:15.600 --> 1:05:17.120
<v Speaker 1>talked to her about how funny she like she was

1:05:17.200 --> 1:05:19.560
<v Speaker 1>still bringing humor to the character, whereas I feel like

1:05:19.960 --> 1:05:24.000
<v Speaker 1>Babs has a lot of one liners. But we also

1:05:24.080 --> 1:05:26.280
<v Speaker 1>found out that this role was essentially created for her,

1:05:26.320 --> 1:05:28.240
<v Speaker 1>which we'll get more into later or I don't know

1:05:28.280 --> 1:05:29.280
<v Speaker 1>if we talk about it now.

1:05:31.200 --> 1:05:33.080
<v Speaker 4>I'll get to the crimes. I'll get to the crimes.

1:05:33.320 --> 1:05:34.360
<v Speaker 4>That's that's what we're here for.

1:05:41.560 --> 1:05:44.800
<v Speaker 2>I know there's people that only listen to our podcasts

1:05:44.840 --> 1:05:46.760
<v Speaker 2>and don't watch the show, but like I would watch

1:05:46.760 --> 1:05:50.720
<v Speaker 2>the Cathy Griffin episode. Yeah, PC because that little goth

1:05:50.840 --> 1:05:53.800
<v Speaker 2>girl in the beginning, which like the sex is really

1:05:53.880 --> 1:05:57.200
<v Speaker 2>good and she's amazing too, like they're all like very

1:05:57.320 --> 1:06:00.600
<v Speaker 2>very good. This is one that if you don't want

1:06:00.680 --> 1:06:03.840
<v Speaker 2>the girl, you know, obviously there's a murder and so

1:06:04.320 --> 1:06:06.160
<v Speaker 2>it's just a little less graphic then.

1:06:06.400 --> 1:06:06.600
<v Speaker 4>Yeah.

1:06:07.280 --> 1:06:12.720
<v Speaker 2>Considering our last episode, dick Wolf even said to Nicole Sullivan, so.

1:06:15.040 --> 1:06:17.520
<v Speaker 1>Okay, and that guy should go down by the way

1:06:17.800 --> 1:06:21.640
<v Speaker 1>for murder because he left her bleeding there, like not

1:06:21.720 --> 1:06:23.680
<v Speaker 1>even an anonymous phone call to nine one one to

1:06:23.760 --> 1:06:25.920
<v Speaker 1>help her, like she was just bleeding, Like he didn't

1:06:25.960 --> 1:06:28.600
<v Speaker 1>mean to kill her, but she just left this poor

1:06:28.640 --> 1:06:30.880
<v Speaker 1>woman like bleeding out and she has a clotting disorder.

1:06:31.400 --> 1:06:33.680
<v Speaker 2>Yeah, he will be charged with murder maybe like second

1:06:33.760 --> 1:06:37.240
<v Speaker 2>degree or something, you know, but I don't think a manslaughter.

1:06:37.440 --> 1:06:39.280
<v Speaker 4>It's like you did want to know her.

1:06:39.400 --> 1:06:41.800
<v Speaker 1>When you kill somebody in the commission of another crime, yeah,

1:06:41.840 --> 1:06:42.960
<v Speaker 1>it's pretty bad.

1:06:43.640 --> 1:06:48.760
<v Speaker 4>Yeah, well all right, now it's time so mean some crimes.

1:06:48.840 --> 1:06:49.120
<v Speaker 5>Baby.

1:06:49.560 --> 1:06:50.320
<v Speaker 4>Well, this isn't crime.

1:06:50.480 --> 1:06:55.880
<v Speaker 2>This is about the Lesbian Avengers feminist organization. So I'll

1:06:56.000 --> 1:06:58.240
<v Speaker 2>just give a quick little overview before I get to

1:06:59.080 --> 1:07:01.600
<v Speaker 2>a little bit of a c the crime, which is

1:07:02.080 --> 1:07:05.280
<v Speaker 2>more about the satanic of it all than Okay, you know,

1:07:05.600 --> 1:07:07.760
<v Speaker 2>a flyer guy flying off the handle.

1:07:08.160 --> 1:07:14.240
<v Speaker 4>So a bigoted man who makes posters, okay.

1:07:14.400 --> 1:07:18.160
<v Speaker 2>So the Lesbian Avengers began in New York City duh,

1:07:18.800 --> 1:07:21.760
<v Speaker 2>nineteen ninety two, and they were as like a direct

1:07:21.800 --> 1:07:25.480
<v Speaker 2>action group focused on issues vital to lesbian survival and visibility.

1:07:26.040 --> 1:07:29.400
<v Speaker 2>The founders were six longtime lesbian activists who were involved

1:07:29.400 --> 1:07:33.760
<v Speaker 2>in a variety of different LGBT plus groups. Anna Simo,

1:07:34.320 --> 1:07:39.840
<v Speaker 2>Sarah Schulman, Maxine Wolf and Christine Dudeski, Marie Honan and

1:07:40.000 --> 1:07:44.040
<v Speaker 2>Anne McGuire. So those are the fabulous six. And Anna

1:07:44.160 --> 1:07:47.520
<v Speaker 2>Simo was frustrated at the lesbian invisibility and got her

1:07:47.600 --> 1:07:50.800
<v Speaker 2>girls together to not just you know, talk about stuff,

1:07:50.920 --> 1:07:54.840
<v Speaker 2>but focus on high impact street activism. Their first action

1:07:55.400 --> 1:07:58.040
<v Speaker 2>was on September ninth, nineteen ninety two in Queens where

1:07:58.120 --> 1:07:59.919
<v Speaker 2>some right wing nuts were trying to suppress a multi

1:08:00.120 --> 1:08:04.400
<v Speaker 2>cultural like children Rainbow curriculum thing for kids, and so

1:08:04.520 --> 1:08:07.280
<v Speaker 2>they had a protest with the Board of Education. And

1:08:07.440 --> 1:08:10.080
<v Speaker 2>just like a lot of protests, their biggest thing that

1:08:10.400 --> 1:08:13.600
<v Speaker 2>has like the longestwithstanding action would be the Dyke March

1:08:13.840 --> 1:08:15.960
<v Speaker 2>and that was created on the eve of the Gay

1:08:16.040 --> 1:08:19.000
<v Speaker 2>March on Washington in nineteen ninety three, and it got

1:08:19.000 --> 1:08:22.000
<v Speaker 2>together twenty thousand lesbians and it's always the like night

1:08:22.080 --> 1:08:25.320
<v Speaker 2>before the Gay Parade is the Dick March, and so

1:08:25.439 --> 1:08:30.679
<v Speaker 2>that's like their biggest legacy. The Avengers developed a civil

1:08:30.760 --> 1:08:34.000
<v Speaker 2>rights or organizing project that was rooted in grassroots activism

1:08:34.520 --> 1:08:37.439
<v Speaker 2>that not only fought homophobic initiatives, but worked to train

1:08:37.520 --> 1:08:40.560
<v Speaker 2>activists for the long term, and they spread to a

1:08:40.680 --> 1:08:43.400
<v Speaker 2>national level. So each chapter set up their own priorities.

1:08:43.439 --> 1:08:47.680
<v Speaker 2>So some worked, you know with like anti gay initiatives,

1:08:47.800 --> 1:08:51.400
<v Speaker 2>some against the religious ray and others like the KKK

1:08:51.760 --> 1:08:54.800
<v Speaker 2>and stuff like that depends what impacted their community the most.

1:08:55.479 --> 1:08:58.439
<v Speaker 2>Above all, they're like, the big thing is action that

1:08:58.520 --> 1:09:02.519
<v Speaker 2>reflected their commitment to challengeing homophobic stereotypes and you know

1:09:02.600 --> 1:09:05.160
<v Speaker 2>the role the media played in all those stereotypes. They

1:09:05.200 --> 1:09:07.600
<v Speaker 2>did a lot of fire eating and it became a

1:09:07.720 --> 1:09:12.400
<v Speaker 2>symbol for lesbian Avengers. It started because they wanted to

1:09:12.439 --> 1:09:14.960
<v Speaker 2>bring attention to a tragedy that happened to Hattie may

1:09:15.080 --> 1:09:18.120
<v Speaker 2>Cohens and Brian Mock, who in nineteen ninety one were

1:09:18.160 --> 1:09:21.439
<v Speaker 2>burned to death in Salem, Oregon after amolotov cocktail was

1:09:21.520 --> 1:09:25.880
<v Speaker 2>tossed into their apartment that they shared, and so that

1:09:26.479 --> 1:09:27.200
<v Speaker 2>made people.

1:09:28.720 --> 1:09:32.360
<v Speaker 4>Protest and fiery, and it became kind of a symbol.

1:09:32.920 --> 1:09:34.800
<v Speaker 2>And there's a documentary if you want to know more,

1:09:35.000 --> 1:09:38.960
<v Speaker 2>called The Lesbian Avengers Eat Fire Too, made in nineteen

1:09:39.040 --> 1:09:40.880
<v Speaker 2>ninety three, so it was about the first year of

1:09:41.200 --> 1:09:47.040
<v Speaker 2>it coming together. So yeah, cool, cool, ahead of its time.

1:09:47.360 --> 1:09:53.000
<v Speaker 2>Group of people that wanted to positively impact lesbians and

1:09:53.080 --> 1:09:54.720
<v Speaker 2>society as a whole. And I think that's what the

1:09:54.720 --> 1:09:59.120
<v Speaker 2>Apple aggressives were based on. And then this next case

1:09:59.479 --> 1:10:03.639
<v Speaker 2>is the case Elise Paler and the related lawsuits against

1:10:03.880 --> 1:10:07.679
<v Speaker 2>the metal band Slayer. So this is more about the devil,

1:10:08.360 --> 1:10:11.400
<v Speaker 2>like the Red Herring, it's about what I'm not just

1:10:11.439 --> 1:10:12.200
<v Speaker 2>talking about the devil.

1:10:12.640 --> 1:10:13.800
<v Speaker 4>This is the red Herring.

1:10:14.360 --> 1:10:16.800
<v Speaker 2>So Elise was a young girl who was murdered in

1:10:16.880 --> 1:10:20.240
<v Speaker 2>a quote sacrifice to the devil, and then her parents

1:10:20.280 --> 1:10:23.679
<v Speaker 2>tried suing the band's Slayer for their contribution to her death.

1:10:23.760 --> 1:10:27.800
<v Speaker 2>Oh my god, I know, but grieving does things to people. Yeah,

1:10:27.800 --> 1:10:30.559
<v Speaker 2>I'm kind of okay with it. David and Lisa Anne

1:10:30.640 --> 1:10:33.880
<v Speaker 2>raised their daughter in a royo Grande, California, and she

1:10:33.960 --> 1:10:37.160
<v Speaker 2>attended a Royo Grande High School. She was described as

1:10:37.200 --> 1:10:40.920
<v Speaker 2>a wonderful person who was loving, vibrant, enthusiastic, encouraging, and gentle.

1:10:41.400 --> 1:10:44.160
<v Speaker 2>On July twenty second, nineteen ninety five, unfortunately, she was

1:10:44.240 --> 1:10:47.840
<v Speaker 2>reported missing at fifteen years old. For eight months, the

1:10:47.960 --> 1:10:50.280
<v Speaker 2>case was cold, nobody could find a trace of where

1:10:50.360 --> 1:10:53.280
<v Speaker 2>she had gone. There was nothing. And then a confession.

1:10:53.960 --> 1:10:56.920
<v Speaker 2>So Royce Casey was a seventeen year old and he

1:10:57.040 --> 1:11:00.960
<v Speaker 2>confessed this crime to a clergy person. The clergy person

1:11:01.320 --> 1:11:05.000
<v Speaker 2>and Casey then contacted law enforcement, and Casey described the

1:11:05.080 --> 1:11:08.200
<v Speaker 2>crime to detectives and led them to Elice Poller's body.

1:11:08.560 --> 1:11:12.320
<v Speaker 1>So, wow, this priest or something must have like or

1:11:12.400 --> 1:11:15.640
<v Speaker 1>none or whoever it was, must have convinced him to

1:11:15.720 --> 1:11:17.559
<v Speaker 1>come forward, right, yeah?

1:11:17.640 --> 1:11:20.759
<v Speaker 2>Or did it? I found conflicting things in the same paper. Actually,

1:11:20.880 --> 1:11:23.479
<v Speaker 2>but some said the clergyman went to the cops, and

1:11:23.520 --> 1:11:26.240
<v Speaker 2>then multiple sources said that the boy did on his own.

1:11:26.840 --> 1:11:30.120
<v Speaker 4>So I just said that, you know, together they went,

1:11:30.920 --> 1:11:32.000
<v Speaker 4>you know what I mean? Yeah?

1:11:32.160 --> 1:11:36.040
<v Speaker 1>Yeah, interesting, Yeah, I'm not sure about their enter car.

1:11:36.200 --> 1:11:38.240
<v Speaker 1>Usually one of them just calls Elliott stable or because

1:11:38.240 --> 1:11:42.280
<v Speaker 1>they know him. Personally and then he does some investigating. Yeah,

1:11:42.479 --> 1:11:47.160
<v Speaker 1>so I'm not really sure how it like exactly went down.

1:11:47.800 --> 1:11:50.120
<v Speaker 1>But he also gave up the other two teenagers who

1:11:50.160 --> 1:11:52.559
<v Speaker 1>committed the crime with him, and that was sixteen year

1:11:52.600 --> 1:11:57.000
<v Speaker 1>old Jacob Deli Shmat and fifteen year old Joseph Farrella Casey.

1:11:57.160 --> 1:12:00.880
<v Speaker 1>Not only like was the guilt on him, like he

1:12:01.160 --> 1:12:04.840
<v Speaker 1>just you know, edgar Allan Poe vibes, like could not

1:12:05.040 --> 1:12:07.960
<v Speaker 1>live with himself. He was also scared that his two

1:12:07.960 --> 1:12:11.040
<v Speaker 1>friends might kill him and was not really chill with

1:12:11.120 --> 1:12:13.400
<v Speaker 1>the friends. So yeah, he was terrified that they would

1:12:13.400 --> 1:12:15.560
<v Speaker 1>shut him up. He was feeling bad about what he

1:12:15.640 --> 1:12:19.000
<v Speaker 1>did because it's the worst thing ever, and so I'm

1:12:19.040 --> 1:12:21.320
<v Speaker 1>glad he did confess. He then led police to the

1:12:21.400 --> 1:12:24.600
<v Speaker 1>partially mummified remains of a Lease only a quarter of

1:12:24.640 --> 1:12:28.719
<v Speaker 1>a mile from her home. I'm sorry for eight months

1:12:29.080 --> 1:12:33.840
<v Speaker 1>the police could not find this body a quarter of

1:12:33.920 --> 1:12:36.519
<v Speaker 1>a mile. I mean, same with like Casey Anthony, Like

1:12:36.640 --> 1:12:38.960
<v Speaker 1>Kaylee Anthony was found so close to their home. Same

1:12:39.000 --> 1:12:41.840
<v Speaker 1>with Chandra Levy. She was found so close to where

1:12:41.880 --> 1:12:44.680
<v Speaker 1>she went missing, like not not half a mile. I

1:12:44.720 --> 1:12:47.880
<v Speaker 1>don't think you know, like these people, like it's so crazy.

1:12:48.000 --> 1:12:50.160
<v Speaker 1>It's like, are the dogs not working?

1:12:50.240 --> 1:12:53.600
<v Speaker 4>I don't know. It's so it's eight months. It's like,

1:12:53.720 --> 1:12:54.599
<v Speaker 4>what they fuck?

1:12:56.439 --> 1:12:59.240
<v Speaker 2>So the boys were arrested in charge with murder, gang involvement,

1:12:59.400 --> 1:13:03.479
<v Speaker 2>raped towards sure and conspiracy. According to Casey. He and

1:13:03.600 --> 1:13:06.760
<v Speaker 2>this is according to him and his testimony. So he

1:13:07.120 --> 1:13:10.680
<v Speaker 2>made a plan with Fiilla and Delishmid and they all

1:13:10.760 --> 1:13:12.760
<v Speaker 2>claim that they did it as a sacrifice to the

1:13:12.880 --> 1:13:16.520
<v Speaker 2>devil to give their newly formed metal band the craziness

1:13:16.640 --> 1:13:17.080
<v Speaker 2>to make.

1:13:16.960 --> 1:13:19.680
<v Speaker 4>It big, the craziness.

1:13:20.320 --> 1:13:24.120
<v Speaker 2>Furilla denied Casey's version of events, but admitted to being

1:13:24.200 --> 1:13:27.200
<v Speaker 2>the first to stab her. And he's quoted by The Tribune,

1:13:27.320 --> 1:13:29.800
<v Speaker 2>I wish it never happened. Since it's happened, I always

1:13:29.840 --> 1:13:31.840
<v Speaker 2>wish that God can bring her back to life. I

1:13:31.920 --> 1:13:33.760
<v Speaker 2>can imagine how her family must feel.

1:13:34.000 --> 1:13:34.160
<v Speaker 4>Well.

1:13:34.920 --> 1:13:38.720
<v Speaker 2>I wish she thought of that before. Doug odom from

1:13:38.800 --> 1:13:42.559
<v Speaker 2>the DA's office. He's the chief investigator, he said. When

1:13:42.600 --> 1:13:44.960
<v Speaker 2>he asked Casey why they committed the murder, he said

1:13:45.000 --> 1:13:47.679
<v Speaker 2>in quotes, it was to receive power from the devil

1:13:47.760 --> 1:13:51.000
<v Speaker 2>to help them play guitar better. By making this perfect

1:13:51.040 --> 1:13:54.840
<v Speaker 2>sacacrifice to the devil, they would gain more craziness or

1:13:55.000 --> 1:13:58.000
<v Speaker 2>nuts that would make them play harder, play faster, and

1:13:58.120 --> 1:14:00.800
<v Speaker 2>by making this perfect sacrifice to the devil, it might

1:14:00.920 --> 1:14:04.000
<v Speaker 2>help them go professional. Like you guys couldn't have just

1:14:04.080 --> 1:14:08.080
<v Speaker 2>tried monster energy drink like come on or practice?

1:14:08.560 --> 1:14:10.760
<v Speaker 4>Yeah, they picked you know.

1:14:11.280 --> 1:14:13.439
<v Speaker 2>There was I don't know if we talked about this,

1:14:13.479 --> 1:14:16.240
<v Speaker 2>but someone was talking about Wayne Gretzky and how some

1:14:16.439 --> 1:14:18.200
<v Speaker 2>dad went up to him once was like, hey, can

1:14:18.280 --> 1:14:20.439
<v Speaker 2>you give my son advice like how to practice and

1:14:20.479 --> 1:14:22.120
<v Speaker 2>blah blah and do this and that my son's being

1:14:22.160 --> 1:14:24.840
<v Speaker 2>going to like give advice Wayne grett And then he

1:14:24.960 --> 1:14:27.080
<v Speaker 2>gave some bullshit advice and then when the kid walked away,

1:14:27.120 --> 1:14:29.519
<v Speaker 2>Wayne Greats, he was like, wa. Wayne Gretzky was like,

1:14:29.760 --> 1:14:31.000
<v Speaker 2>when I was a kid, you'd have to pull me

1:14:31.080 --> 1:14:33.720
<v Speaker 2>off the ice, you would. You would have to like, yeah,

1:14:34.479 --> 1:14:36.800
<v Speaker 2>grab me and take me away? Like what are you

1:14:36.960 --> 1:14:39.519
<v Speaker 2>talking about? That's how I feel when people ask advice

1:14:39.600 --> 1:14:41.960
<v Speaker 2>on how to do comedy. I'm like, I don't know

1:14:42.320 --> 1:14:44.040
<v Speaker 2>if you don't want it bad enough to find a

1:14:44.240 --> 1:14:44.840
<v Speaker 2>figure it out?

1:14:44.960 --> 1:14:46.360
<v Speaker 4>Like is this for you?

1:14:47.240 --> 1:14:47.400
<v Speaker 1>Right?

1:14:47.880 --> 1:14:50.240
<v Speaker 2>But I just think about this, like they really wanted

1:14:50.280 --> 1:14:52.519
<v Speaker 2>to be musicians, but they didn't want to practice and

1:14:52.560 --> 1:14:53.160
<v Speaker 2>put in the work.

1:14:53.800 --> 1:14:55.360
<v Speaker 4>I hate them. Okay.

1:14:55.960 --> 1:14:58.240
<v Speaker 2>They picked a Lease because she was blonde haired and

1:14:58.280 --> 1:15:01.080
<v Speaker 2>blue eyed virgin, and they thought those characteristics would make

1:15:01.120 --> 1:15:04.040
<v Speaker 2>her the ultimate sin against God, which doesn't make sense

1:15:04.120 --> 1:15:06.599
<v Speaker 2>to me, but neither does anything else that they thought.

1:15:07.720 --> 1:15:08.320
<v Speaker 4>You know, I don't know.

1:15:08.640 --> 1:15:11.680
<v Speaker 2>Yeah, And again this is according to Casey's confession to

1:15:11.720 --> 1:15:14.320
<v Speaker 2>the police, that they lured her over there to smoke

1:15:14.400 --> 1:15:19.320
<v Speaker 2>some weed to Nipomo Mesa eucalyptus grove, and then Dela

1:15:19.360 --> 1:15:21.960
<v Speaker 2>Schmidt attacked Elise from behind with a belt wrapped around

1:15:21.960 --> 1:15:24.960
<v Speaker 2>her neck and he began to strangle her while Faiella

1:15:25.080 --> 1:15:27.320
<v Speaker 2>began stabbing her in the neck with a hunting knife.

1:15:27.400 --> 1:15:29.240
<v Speaker 4>This is really very graphic and terrible and.

1:15:29.280 --> 1:15:32.800
<v Speaker 2>It's really sad, and she's so young, and like, oh,

1:15:33.600 --> 1:15:35.920
<v Speaker 2>the other boys got into the stabbing as well, and

1:15:36.000 --> 1:15:38.720
<v Speaker 2>then it didn't end there. So while she was bleeding out,

1:15:38.840 --> 1:15:40.840
<v Speaker 2>the three of them beat and kicked her body as

1:15:40.920 --> 1:15:42.600
<v Speaker 2>she prayed to God for help and called out to

1:15:42.720 --> 1:15:45.840
<v Speaker 2>her mother like so many victims do. And then they

1:15:45.960 --> 1:15:48.479
<v Speaker 2>just watched her slowly bleed to death from the twelve

1:15:48.520 --> 1:15:49.719
<v Speaker 2>to fifteen stab wounds.

1:15:50.160 --> 1:15:51.680
<v Speaker 4>And then, according to I know.

1:15:51.960 --> 1:15:54.719
<v Speaker 2>And then, according to court records from the San Louis

1:15:54.920 --> 1:15:58.439
<v Speaker 2>Obispo Tribune, it's called the Tribune, and it's like, honey,

1:15:58.600 --> 1:16:01.720
<v Speaker 2>there are other tribunes, and just do that. Can you

1:16:01.760 --> 1:16:03.760
<v Speaker 2>give it a little flare? I have to fucking Saint

1:16:03.800 --> 1:16:09.240
<v Speaker 2>Louis Obyspo the Tribune. As Paler moaned on the ground,

1:16:09.400 --> 1:16:11.439
<v Speaker 2>Casey stomped on the back of her neck. I mean,

1:16:11.479 --> 1:16:14.360
<v Speaker 2>these are like horrific people. And he and she was

1:16:14.400 --> 1:16:19.000
<v Speaker 2>dead within fifteen to twenty minutes, which sounds excruciatingly long,

1:16:19.800 --> 1:16:23.840
<v Speaker 2>like with the torture, and that it was just a slow,

1:16:24.200 --> 1:16:27.880
<v Speaker 2>painful situation and unfortunately the torture did not end when

1:16:27.960 --> 1:16:31.320
<v Speaker 2>she died though, like yeah, the police were able to

1:16:31.400 --> 1:16:33.519
<v Speaker 2>determine she was raped by one of them after she

1:16:33.720 --> 1:16:36.479
<v Speaker 2>was dead. And then fairy Ella's mother told police that

1:16:36.560 --> 1:16:39.519
<v Speaker 2>her son told her that it was the other two

1:16:39.720 --> 1:16:42.080
<v Speaker 2>that raped her. But I don't know if you would

1:16:42.120 --> 1:16:46.320
<v Speaker 2>like tell your mom that you raped somebody, right, He

1:16:46.439 --> 1:16:48.280
<v Speaker 2>was like, I just watched they raped, and it's like,

1:16:48.320 --> 1:16:49.320
<v Speaker 2>I'm sure you raped too.

1:16:50.320 --> 1:16:51.840
<v Speaker 4>Means nothing to me, yeah, yeah.

1:16:53.160 --> 1:16:55.839
<v Speaker 2>Then appear from school told the cops that del Schmidt

1:16:56.400 --> 1:16:58.880
<v Speaker 2>was actually like bragging about it and said that he

1:16:59.000 --> 1:17:03.839
<v Speaker 2>returned back to the to do necrophilia again. And according

1:17:04.040 --> 1:17:06.400
<v Speaker 2>I know, and according to court document, said that Delischmidt

1:17:06.400 --> 1:17:08.880
<v Speaker 2>started to pull off Paler's pants when it was clear

1:17:09.040 --> 1:17:12.080
<v Speaker 2>she was dead, noting that the boys had already chatted

1:17:12.080 --> 1:17:13.960
<v Speaker 2>about having sex with her corpse like that was part

1:17:14.040 --> 1:17:17.759
<v Speaker 2>of the Plano Casey even though he is a monster,

1:17:17.880 --> 1:17:19.880
<v Speaker 2>did tell them that they should leave instead of raping

1:17:19.960 --> 1:17:23.160
<v Speaker 2>the corpse. So I guess let's give him a medal

1:17:23.240 --> 1:17:26.080
<v Speaker 2>of the best of the three murderers. They buried her

1:17:26.080 --> 1:17:29.680
<v Speaker 2>in a shallow grave and left the area. That's another thing.

1:17:29.800 --> 1:17:31.559
<v Speaker 2>So it's like close to her house in a shallow

1:17:31.640 --> 1:17:37.400
<v Speaker 2>grave like no o, okay? And then so directly after

1:17:37.520 --> 1:17:40.679
<v Speaker 2>Lisa's murder, her parents filed a lawsuit against the band Slayer.

1:17:41.000 --> 1:17:44.920
<v Speaker 2>They alleged that their songs post Mortem and Dead skin

1:17:45.080 --> 1:17:50.000
<v Speaker 2>Mask gave the three killers detained instructions to stalk, rape, torture, murder,

1:17:50.040 --> 1:17:53.560
<v Speaker 2>and commit acts of necrophilia against Elise. The lawsuit was

1:17:53.880 --> 1:17:56.639
<v Speaker 2>filed in nineteen ninety six, but was delayed until after

1:17:56.720 --> 1:17:58.880
<v Speaker 2>the murder trial, which did not until two thousand.

1:17:59.320 --> 1:18:00.280
<v Speaker 4>It was thrown out.

1:18:00.320 --> 1:18:03.200
<v Speaker 2>As you can imagine, the judges quoted by medium dot

1:18:03.280 --> 1:18:05.960
<v Speaker 2>com saying there's not uh, there's not a legal position

1:18:06.439 --> 1:18:09.040
<v Speaker 2>that could be taken that would make Slayer responsible for

1:18:09.120 --> 1:18:11.320
<v Speaker 2>the girl's death. Where do you draw the line. You

1:18:11.400 --> 1:18:13.400
<v Speaker 2>might as well start looking through the library of every

1:18:13.439 --> 1:18:14.280
<v Speaker 2>book on the shelf.

1:18:14.320 --> 1:18:16.759
<v Speaker 4>And it's like spoiler alert. We are as a culture.

1:18:16.960 --> 1:18:18.439
<v Speaker 4>They are not. They are not reading.

1:18:18.960 --> 1:18:21.200
<v Speaker 1>But I wonder if they might be maybe also fired

1:18:21.320 --> 1:18:23.679
<v Speaker 1>file the lawsuit to get more eyes on the crime,

1:18:24.400 --> 1:18:27.120
<v Speaker 1>Like maybe they knew like that it would just bring

1:18:27.200 --> 1:18:29.200
<v Speaker 1>more press to it, and maybe these kids could not

1:18:29.320 --> 1:18:31.439
<v Speaker 1>get away with it. I don't know, because that does

1:18:31.520 --> 1:18:33.599
<v Speaker 1>seem but also, like you said, when people are grieving,

1:18:33.640 --> 1:18:35.519
<v Speaker 1>they do wild things.

1:18:36.040 --> 1:18:39.519
<v Speaker 2>But also that didn't deter The parents were not deterred,

1:18:39.600 --> 1:18:42.680
<v Speaker 2>and the Paler parents filed a second most lawsuit that

1:18:42.840 --> 1:18:46.800
<v Speaker 2>claimed Slayer knowingly distributed harmful materials to miners, and it

1:18:47.040 --> 1:18:50.320
<v Speaker 2>was dismissed again. The teens actually also tried to blame

1:18:50.360 --> 1:18:52.640
<v Speaker 2>their crime on death Metal and that that's where they

1:18:52.720 --> 1:18:54.840
<v Speaker 2>got the idea to sacrifice the virgin as part of

1:18:54.920 --> 1:18:57.600
<v Speaker 2>a devil worshiping ritual. And if no one, if you

1:18:57.680 --> 1:19:00.640
<v Speaker 2>have not seen Jennifer's body, I was suggest watching it.

1:19:02.040 --> 1:19:04.720
<v Speaker 2>If you're into a not real horrific version of what

1:19:04.920 --> 1:19:09.080
<v Speaker 2>is happening here, that would be a fun option for you.

1:19:09.800 --> 1:19:13.160
<v Speaker 4>But the parents did receive justice for their daughter's crime.

1:19:13.280 --> 1:19:16.080
<v Speaker 2>Casey pled no contest to first degree murder and was

1:19:16.160 --> 1:19:18.759
<v Speaker 2>sentenced to life with a minimum of twenty one years

1:19:18.920 --> 1:19:22.400
<v Speaker 2>with an opportunity for parole. Deli Schmidt also pled no

1:19:22.520 --> 1:19:24.920
<v Speaker 2>contest to first degree murder and was sentenced to life,

1:19:24.960 --> 1:19:27.759
<v Speaker 2>but with a minimum of twenty six years possibility of parole,

1:19:28.320 --> 1:19:30.679
<v Speaker 2>and Fiorella reached a plea agreement in which she pled

1:19:30.720 --> 1:19:33.839
<v Speaker 2>guilty to first degree murder in exchange for a sentence

1:19:33.920 --> 1:19:36.519
<v Speaker 2>of life with a minimum of twenty six years. And

1:19:36.720 --> 1:19:39.920
<v Speaker 2>they took rape off the table here because he pled guilty.

1:19:41.160 --> 1:19:41.439
<v Speaker 4>Wow.

1:19:42.000 --> 1:19:45.120
<v Speaker 2>David Palor, Elisa's father, said at the court hearing that

1:19:45.320 --> 1:19:48.599
<v Speaker 2>it's a parent's worse fear and lifetime plan to outlive

1:19:48.640 --> 1:19:52.160
<v Speaker 2>their child. It's even worse knowing she was murdered, tortured,

1:19:52.240 --> 1:19:54.560
<v Speaker 2>and raped as a virgin's sacrifice on the altar of

1:19:54.680 --> 1:19:56.080
<v Speaker 2>Satan so that you can earn.

1:19:55.920 --> 1:19:59.320
<v Speaker 4>A ticket to Hell. I just thought that was poetic.

1:19:59.600 --> 1:19:59.840
<v Speaker 5>Damn.

1:20:00.479 --> 1:20:03.200
<v Speaker 2>There's a photo of Joseph Ferrella looking back at the

1:20:03.439 --> 1:20:06.240
<v Speaker 2>Paler family before walking out of the courtroom March nineteen

1:20:06.280 --> 1:20:10.080
<v Speaker 2>eighty seven. And he looks so young, like babyface, but

1:20:10.240 --> 1:20:12.760
<v Speaker 2>all shackled up and an orange jumpsuit, but also dead

1:20:12.760 --> 1:20:15.160
<v Speaker 2>in the eyes. But it's an intense photo because he

1:20:15.240 --> 1:20:19.439
<v Speaker 2>does just look so fucking young. Yeah, And Casey was

1:20:19.520 --> 1:20:22.320
<v Speaker 2>up for parole in twenty twenty one, and members of

1:20:22.360 --> 1:20:25.240
<v Speaker 2>the Paler family, including Elisa's father, said they actually didn't

1:20:25.240 --> 1:20:28.880
<v Speaker 2>oppose his release since he has expressed remorse over the

1:20:29.000 --> 1:20:32.280
<v Speaker 2>years and did lead the police to her body. The

1:20:32.400 --> 1:20:35.559
<v Speaker 2>family does oppose any type of parole for dal Schmidt

1:20:35.640 --> 1:20:38.960
<v Speaker 2>and Fierrella in prison. This Casey guy, he got his

1:20:39.120 --> 1:20:41.680
<v Speaker 2>ged and working towards a college degree and was on

1:20:41.720 --> 1:20:44.720
<v Speaker 2>all these programs in education, and it's like, yeah, these

1:20:44.720 --> 1:20:46.320
<v Speaker 2>are all things at lease did not get a chance

1:20:46.400 --> 1:20:49.360
<v Speaker 2>to do. And I believe in rehabilitation and being able

1:20:49.400 --> 1:20:54.160
<v Speaker 2>to do things in jail and stuff. But it is like, yeah, cool,

1:20:54.439 --> 1:20:58.640
<v Speaker 2>she didn't get to graduate high school. He was a

1:20:58.720 --> 1:21:01.519
<v Speaker 2>model prisoner, could be hey behavior. But the parole was

1:21:01.560 --> 1:21:05.000
<v Speaker 2>actually denied by Governor Gavin Newsom in July twenty twenty

1:21:05.080 --> 1:21:07.200
<v Speaker 2>one after the DA Dan Dawe wrote a letter to

1:21:07.280 --> 1:21:10.080
<v Speaker 2>new Some being like absolutely not that Casey had never

1:21:10.160 --> 1:21:13.720
<v Speaker 2>adequately explained why he had participated in such a statistic

1:21:13.800 --> 1:21:17.400
<v Speaker 2>and heinous crime. But then the superior court judge overturned

1:21:17.479 --> 1:21:21.040
<v Speaker 2>the decision the following June and granted him parole. So

1:21:21.200 --> 1:21:24.439
<v Speaker 2>June sixth, twenty twenty two, San Luis Obispo County Superior

1:21:24.520 --> 1:21:28.360
<v Speaker 2>Court Judge Craig van Ruyan granted Casey's petition, saying fuck

1:21:28.439 --> 1:21:31.439
<v Speaker 2>you to Newsom, and he was able to reverse it

1:21:31.600 --> 1:21:34.760
<v Speaker 2>using some sort of habeas corpus petition And that's from

1:21:34.880 --> 1:21:39.840
<v Speaker 2>legally blonde, so that's cool. And they said he was

1:21:39.920 --> 1:21:42.120
<v Speaker 2>not the same human being as the child that committed

1:21:42.160 --> 1:21:45.200
<v Speaker 2>the crime twenty seven years ago. But after three years

1:21:45.200 --> 1:21:48.720
<v Speaker 2>of legal proceedings, Governor Gavin Newsom said no, fuck you

1:21:48.880 --> 1:21:52.400
<v Speaker 2>and reverse the parole board's decision for a second time.

1:21:53.280 --> 1:21:56.920
<v Speaker 4>And that was March twenty twenty four. So he's back

1:21:57.000 --> 1:21:58.760
<v Speaker 4>in jail and I don't want him to go.

1:21:59.120 --> 1:22:01.880
<v Speaker 2>He's still at Valley State Prison and chow Chilla and

1:22:02.000 --> 1:22:05.679
<v Speaker 2>knew some in quotes said in this Tribune, mister Casey

1:22:05.800 --> 1:22:09.040
<v Speaker 2>must better understand the internal processes that led him to

1:22:09.120 --> 1:22:11.640
<v Speaker 2>commit the crime and hone the skills he will need

1:22:11.720 --> 1:22:15.120
<v Speaker 2>to manage them beyond the controlled environment of prison. And

1:22:15.240 --> 1:22:17.439
<v Speaker 2>that was in an open letter that was sent to

1:22:17.479 --> 1:22:20.240
<v Speaker 2>the DA's office. He found him that he still he

1:22:20.680 --> 1:22:23.640
<v Speaker 2>knew some basically thinks that he still poses an unreasonable

1:22:23.720 --> 1:22:27.240
<v Speaker 2>danger to society if released. I read all his pleas

1:22:27.280 --> 1:22:29.599
<v Speaker 2>to the parole board and it all reads very well

1:22:29.800 --> 1:22:32.320
<v Speaker 2>like he knows what he's doing. But Ed Kemper was

1:22:32.360 --> 1:22:35.360
<v Speaker 2>able to trick all the psychologists at this at the jail.

1:22:35.479 --> 1:22:38.360
<v Speaker 2>You know, it's like really hard because I believe in growth.

1:22:38.160 --> 1:22:41.120
<v Speaker 1>And change and when you're young and andre or whatever,

1:22:41.320 --> 1:22:44.840
<v Speaker 1>like I unders I believe in that so much, but

1:22:45.800 --> 1:22:47.840
<v Speaker 1>I just don't trust all the stuff.

1:22:48.200 --> 1:22:51.040
<v Speaker 4>He said everything correct, He said everything correct.

1:22:51.200 --> 1:22:52.080
<v Speaker 1>Yeah, but.

1:22:53.840 --> 1:22:57.560
<v Speaker 2>It's hard to it's hard. But his next hearing is

1:22:57.600 --> 1:23:00.960
<v Speaker 2>from March twenty twenty five. And then fear Ella's still

1:23:01.000 --> 1:23:03.840
<v Speaker 2>at the High Desert State Prison and his next hearing

1:23:04.120 --> 1:23:07.000
<v Speaker 2>is June twenty twenty six, and that'll be a parole

1:23:07.880 --> 1:23:08.960
<v Speaker 2>suitability hearing.

1:23:09.600 --> 1:23:10.200
<v Speaker 4>And then.

1:23:12.320 --> 1:23:15.360
<v Speaker 2>And then Dela Schmidt is at the Correctional Training Facility

1:23:15.439 --> 1:23:20.520
<v Speaker 2>in California and his next opportunity for parole is January sixteenth,

1:23:21.680 --> 1:23:24.880
<v Speaker 2>that's my dad and your husband's birthday, So that's in

1:23:25.040 --> 1:23:27.760
<v Speaker 2>twenty twenty five, so that'll be a parole suitability hearing

1:23:27.840 --> 1:23:31.080
<v Speaker 2>as well. So those are two pendings, so in the

1:23:31.160 --> 1:23:34.040
<v Speaker 2>next couple of years they'll be up for parole again,

1:23:34.720 --> 1:23:35.200
<v Speaker 2>all of them.

1:23:36.120 --> 1:23:36.439
<v Speaker 3>Damn.

1:23:38.640 --> 1:23:40.560
<v Speaker 4>It is kind of like it is kind of like,

1:23:40.720 --> 1:23:41.919
<v Speaker 4>yeah they were teens.

1:23:42.200 --> 1:23:46.240
<v Speaker 1>It was they were young, but like it's pretty violent,

1:23:47.800 --> 1:23:51.080
<v Speaker 1>like and going back and raping the corpse. Yeah, yeah,

1:23:52.640 --> 1:23:58.519
<v Speaker 1>just zero zero what is it called, like respect for

1:23:58.600 --> 1:24:03.920
<v Speaker 1>human life? A fitted like oh horrible, horrible, Well, thank

1:24:03.960 --> 1:24:07.120
<v Speaker 1>you for researching that. I'm I'm glad there's not a

1:24:07.240 --> 1:24:09.680
<v Speaker 1>bigoted copy shop owner, but not happy to hear that

1:24:09.760 --> 1:24:13.960
<v Speaker 1>there were psycho teams really listening to.

1:24:14.040 --> 1:24:20.120
<v Speaker 4>Metal and like her, she looks just so young and.

1:24:21.920 --> 1:24:27.080
<v Speaker 1>Yeah yeah, yeah, well you know it wasn't going to

1:24:27.120 --> 1:24:30.280
<v Speaker 1>be our two hundredth episode without a crime. That kind

1:24:30.320 --> 1:24:33.200
<v Speaker 1>of makes you very sad. So let's get to our

1:24:33.880 --> 1:24:45.360
<v Speaker 1>iconic guest. Our guest today. We don't need to even

1:24:45.439 --> 1:24:49.280
<v Speaker 1>introduce her. She is a comedy legend. She's a stand

1:24:49.400 --> 1:24:52.400
<v Speaker 1>up comedian and the star of I would say one

1:24:52.439 --> 1:24:55.200
<v Speaker 1>of the most influential reality shows My Life on the

1:24:55.280 --> 1:24:59.160
<v Speaker 1>d List, but you know her today as lesbian activists

1:24:59.240 --> 1:25:04.840
<v Speaker 1>and recently out bisexual bab Stuffy. Please enjoy our chat

1:25:04.920 --> 1:25:06.839
<v Speaker 1>with the legendary Kathy Griffin.

1:25:07.320 --> 1:25:09.439
<v Speaker 4>Hello, what a dream?

1:25:09.640 --> 1:25:09.840
<v Speaker 5>Right?

1:25:11.200 --> 1:25:12.719
<v Speaker 4>Oh my god, bab.

1:25:14.880 --> 1:25:19.400
<v Speaker 1>A dream so like for our listeners, like, we obviously

1:25:19.439 --> 1:25:21.599
<v Speaker 1>have been wanting to get you for this episode forever,

1:25:21.960 --> 1:25:24.240
<v Speaker 1>never thought it would be possible, so excited to have you.

1:25:24.800 --> 1:25:28.080
<v Speaker 1>And then as we're doing our research, we're like, oh

1:25:28.120 --> 1:25:30.200
<v Speaker 1>my god, there's a full My Life on the d

1:25:30.280 --> 1:25:34.080
<v Speaker 1>List episode which both of us watched. That is a

1:25:34.400 --> 1:25:37.760
<v Speaker 1>behind the scenes of you talking to Neil Bhart, who's

1:25:37.800 --> 1:25:40.400
<v Speaker 1>been on our podcast twice, talking to Noel Bear, him

1:25:40.400 --> 1:25:42.519
<v Speaker 1>saying he wrote this part for you. You you going

1:25:42.600 --> 1:25:45.160
<v Speaker 1>to set with your assistance, you trying to talk to

1:25:45.240 --> 1:25:48.599
<v Speaker 1>the wardrobe people and change your eyes and like running.

1:25:49.000 --> 1:25:51.840
<v Speaker 2>Yeah, Like so was it a lot more serious than

1:25:52.280 --> 1:25:53.800
<v Speaker 2>you really anticipated?

1:25:54.320 --> 1:25:57.200
<v Speaker 5>So it was, to this day the hardest action gig

1:25:57.280 --> 1:25:57.800
<v Speaker 5>I've ever read.

1:25:58.360 --> 1:25:59.280
<v Speaker 4>Wow, I was.

1:26:00.160 --> 1:26:03.960
<v Speaker 5>I was fearful because as any fan of the show,

1:26:04.240 --> 1:26:08.000
<v Speaker 5>you know, they have like these Tony winners on week

1:26:08.080 --> 1:26:12.000
<v Speaker 5>after week and these highly trade My god, you know,

1:26:12.600 --> 1:26:16.400
<v Speaker 5>Carol Burnett won an Emmy and Margaret had done the show,

1:26:17.120 --> 1:26:20.479
<v Speaker 5>Robin Williams had done the show, and so the legacy

1:26:20.680 --> 1:26:25.240
<v Speaker 5>was there. And I still say it was the hardest

1:26:25.360 --> 1:26:30.639
<v Speaker 5>eleven days I ever worked. Wow, curious Gary, I don't

1:26:30.640 --> 1:26:32.880
<v Speaker 5>be hard like they weren't nice to me. I mean,

1:26:33.600 --> 1:26:36.360
<v Speaker 5>it's really freaky intoity and.

1:26:36.400 --> 1:26:39.120
<v Speaker 2>They work fat so how much like on the deal

1:26:39.160 --> 1:26:42.040
<v Speaker 2>List there was a thing where they kept being like cut, cut, cut,

1:26:42.120 --> 1:26:44.360
<v Speaker 2>and the light and all that. Was that editing or

1:26:44.479 --> 1:26:48.040
<v Speaker 2>was it really like oh fuck, I'm like I'm taking

1:26:48.120 --> 1:26:49.080
<v Speaker 2>too long and they're mad at me.

1:26:49.760 --> 1:26:50.479
<v Speaker 4>Oh oh no.

1:26:50.640 --> 1:26:50.680
<v Speaker 3>No.

1:26:50.920 --> 1:26:54.320
<v Speaker 5>First of all, what was happening was my Bravo show,

1:26:55.040 --> 1:26:58.760
<v Speaker 5>very low budget, non uian cable show, My Life on

1:26:58.880 --> 1:27:02.120
<v Speaker 5>the d List had get permission. First of all, I

1:27:02.160 --> 1:27:04.479
<v Speaker 5>remember it was a big deal. My agent had to

1:27:04.600 --> 1:27:09.720
<v Speaker 5>call Dick Wolf, the creator personally and beg bright the

1:27:09.880 --> 1:27:13.880
<v Speaker 5>Ding Ding, beg for it because there's a whole thing

1:27:14.040 --> 1:27:16.920
<v Speaker 5>where we weren't allowed to use it and they don't

1:27:17.080 --> 1:27:20.800
<v Speaker 5>like when other people steal it. And because Bravo was

1:27:20.880 --> 1:27:24.840
<v Speaker 5>owned by NBC Universal, which of course ran and still

1:27:24.920 --> 1:27:28.360
<v Speaker 5>runs Low and Order, and so that was like a

1:27:28.400 --> 1:27:31.080
<v Speaker 5>big victory when they said, okay, you can do your

1:27:31.160 --> 1:27:34.799
<v Speaker 5>little D list spoof and we'll give you the authentic sounds,

1:27:35.520 --> 1:27:40.240
<v Speaker 5>and having to go back and forth between, you know,

1:27:40.520 --> 1:27:43.439
<v Speaker 5>choosing to be funny and when we were doing the

1:27:43.520 --> 1:27:46.479
<v Speaker 5>behind the scenes stuff but then having to really act,

1:27:46.960 --> 1:27:49.760
<v Speaker 5>which I had not done. And I actually don't act

1:27:49.840 --> 1:27:52.560
<v Speaker 5>all that much anymore because I've been doing such so

1:27:52.680 --> 1:27:56.200
<v Speaker 5>much reality stuff and stand up, and so that muscle

1:27:56.280 --> 1:28:00.839
<v Speaker 5>of mine was definitely out of shape. I still cringe

1:28:01.439 --> 1:28:05.519
<v Speaker 5>when I think of how I kept a crew there

1:28:05.720 --> 1:28:09.560
<v Speaker 5>late and kept the cast late, like because I just

1:28:09.720 --> 1:28:12.519
<v Speaker 5>either couldn't get the lines right or I couldn't get

1:28:12.560 --> 1:28:16.360
<v Speaker 5>the way to turn my head. And I remember Dan Flourke,

1:28:16.479 --> 1:28:19.679
<v Speaker 5>the captain, was so lovely and he's a fellow Chicago

1:28:19.840 --> 1:28:22.040
<v Speaker 5>in and he would pull me aside and be like,

1:28:22.240 --> 1:28:25.320
<v Speaker 5>you're doing great. Do you want to run lines? And I,

1:28:25.840 --> 1:28:28.760
<v Speaker 5>you know, knew Marishka for a long time because I

1:28:28.800 --> 1:28:31.200
<v Speaker 5>don't know if you guys know this, but the way

1:28:31.280 --> 1:28:35.559
<v Speaker 5>I met Marishka is I used to teach Imbrov comedy

1:28:36.240 --> 1:28:39.320
<v Speaker 5>at the very famous theater in Los Angeles, the Groundlings

1:28:39.400 --> 1:28:42.240
<v Speaker 5>Theater on Melrose in Los Angeles, which is where I

1:28:42.439 --> 1:28:45.040
<v Speaker 5>was trained. And I was in their company and I

1:28:45.160 --> 1:28:48.040
<v Speaker 5>was doing shows there every weekend as part of an ensemble,

1:28:48.680 --> 1:28:51.960
<v Speaker 5>and that's how I met her, long before Law and Order.

1:28:52.560 --> 1:28:56.200
<v Speaker 5>But here's here's the kicker. In INMBROV classes, there's a

1:28:56.240 --> 1:28:59.560
<v Speaker 5>game that you guys are par familiar called the trust exercise,

1:29:00.000 --> 1:29:02.400
<v Speaker 5>where the class is in a circle and one by

1:29:02.479 --> 1:29:05.160
<v Speaker 5>one the students go in the mid middle, close their

1:29:05.200 --> 1:29:08.599
<v Speaker 5>eyes and trust that when you fall back, the class

1:29:08.680 --> 1:29:12.120
<v Speaker 5>catches you. So we're doing it. Everyone's everyone's learning what

1:29:12.280 --> 1:29:15.640
<v Speaker 5>it is to trust your fellow actor on stage and

1:29:15.960 --> 1:29:19.320
<v Speaker 5>all the reasons that's important. So sir, enough, it comes

1:29:19.360 --> 1:29:22.519
<v Speaker 5>to Murshika and somebody says something and the person like

1:29:22.640 --> 1:29:26.599
<v Speaker 5>turns ahead and she falls on her like t bone,

1:29:27.360 --> 1:29:30.720
<v Speaker 5>and I'm the teacher. And then here's the worst part.

1:29:31.439 --> 1:29:34.439
<v Speaker 5>I start to get the nervous giggles because I'm so

1:29:34.640 --> 1:29:38.599
<v Speaker 5>freaked out that it like take it manifest Felvin away,

1:29:38.640 --> 1:29:41.160
<v Speaker 5>where I kept kept adding to stop I still from

1:29:41.200 --> 1:29:44.760
<v Speaker 5>burst out laughing because I was so mortified that as

1:29:44.840 --> 1:29:49.160
<v Speaker 5>the teacher, this happened on my watch. And God, lover

1:29:49.439 --> 1:29:51.800
<v Speaker 5>she the fact that she even still speaks to me

1:29:52.040 --> 1:29:56.280
<v Speaker 5>is amazing. I cut to all these years later, she's

1:29:56.960 --> 1:30:00.320
<v Speaker 5>you know wildly famous and winning every award as she should.

1:30:00.920 --> 1:30:04.640
<v Speaker 5>And I'm on set and I cannot tell you how

1:30:04.720 --> 1:30:08.560
<v Speaker 5>many times she would say like we'd struggle and I

1:30:08.760 --> 1:30:12.880
<v Speaker 5>was ruining take after take after take, and Chris and

1:30:13.000 --> 1:30:16.200
<v Speaker 5>Marishika were are a perfect every time, every time, the

1:30:16.280 --> 1:30:20.000
<v Speaker 5>whole cast was always perfect. And I, you know, every

1:30:20.080 --> 1:30:22.559
<v Speaker 5>time I had a scene was like, cut back to one,

1:30:23.160 --> 1:30:25.519
<v Speaker 5>miss Cravin, you need five minutes, and I'd be like, yes,

1:30:25.720 --> 1:30:28.240
<v Speaker 5>I'd go run lines again or whatever. And one time

1:30:28.280 --> 1:30:30.840
<v Speaker 5>Marishka comes up to me, sheels, do you want me

1:30:30.960 --> 1:30:33.800
<v Speaker 5>to just tell you what they want and show you?

1:30:34.439 --> 1:30:38.160
<v Speaker 5>And I go yes, because in the agazine world, you're

1:30:38.200 --> 1:30:41.200
<v Speaker 5>not supposed to do that, right, It's called giving someone

1:30:41.280 --> 1:30:44.280
<v Speaker 5>a line reading, and it's supposedly a big no no.

1:30:45.120 --> 1:30:47.800
<v Speaker 5>And I was like, dear God, yes, I'm so out

1:30:47.840 --> 1:30:52.280
<v Speaker 5>of my element. And Marishia said, Okay, on this symbol,

1:30:52.840 --> 1:30:55.560
<v Speaker 5>I'm this syllable. Turn your head to the left and

1:30:55.680 --> 1:30:58.599
<v Speaker 5>I'm this syllable point with your right finger and then

1:30:58.680 --> 1:31:01.439
<v Speaker 5>turn back to the right. They want this much emotion

1:31:01.640 --> 1:31:04.439
<v Speaker 5>on this sentence, with this much emotion on this one.

1:31:05.280 --> 1:31:10.040
<v Speaker 5>And she would help me like that, like whenever I

1:31:10.280 --> 1:31:15.320
<v Speaker 5>was like the one responsible for keeping them later than

1:31:15.560 --> 1:31:17.120
<v Speaker 5>they should have all gone home earlier.

1:31:17.240 --> 1:31:21.800
<v Speaker 1>That episode, that's you could not tell I'm not even

1:31:21.960 --> 1:31:25.880
<v Speaker 1>I'm really like not giving you just a compliment because

1:31:25.880 --> 1:31:26.200
<v Speaker 1>you're here.

1:31:26.920 --> 1:31:29.560
<v Speaker 4>You could not tell like you're great in that episode.

1:31:30.080 --> 1:31:32.360
<v Speaker 5>Like, I was just watching it because I haven't watched

1:31:32.360 --> 1:31:34.160
<v Speaker 5>it since it came out, so I thought i'd better

1:31:34.200 --> 1:31:36.920
<v Speaker 5>bone up a little bit. Yeah, I'm gonna just say

1:31:37.439 --> 1:31:43.160
<v Speaker 5>because it's been literally decades, you know, they they gave

1:31:43.280 --> 1:31:45.800
<v Speaker 5>me what's called a really good editor.

1:31:45.960 --> 1:31:47.439
<v Speaker 2>Yeah, I am.

1:31:48.240 --> 1:31:50.800
<v Speaker 5>I haven't watched the episode in all these years because

1:31:50.880 --> 1:31:53.240
<v Speaker 5>I thought I would cringe too much. But I was

1:31:53.439 --> 1:31:57.840
<v Speaker 5>just watching and now they really covered my ass, like

1:31:58.439 --> 1:32:00.920
<v Speaker 5>they somehow. Well, first of all, the director, I'm to

1:32:00.960 --> 1:32:06.400
<v Speaker 5>win an Oscar an Oscar and he okay, So I

1:32:06.560 --> 1:32:08.519
<v Speaker 5>have to tell you something. So there's a scene I

1:32:08.720 --> 1:32:12.679
<v Speaker 5>had with just Chris and Marishka and I just kept

1:32:12.720 --> 1:32:15.719
<v Speaker 5>screwing it up. And it's the scene where I confess

1:32:16.400 --> 1:32:19.080
<v Speaker 5>that I'm not really just a lesbian bisexual and I

1:32:19.160 --> 1:32:19.880
<v Speaker 5>subbed the guy.

1:32:20.560 --> 1:32:20.840
<v Speaker 4>Okay.

1:32:20.960 --> 1:32:23.800
<v Speaker 5>So I can't remember if the scene had crying or not.

1:32:24.080 --> 1:32:27.560
<v Speaker 5>I just know it was a lot of lines for

1:32:27.720 --> 1:32:30.400
<v Speaker 5>this lady right here, and I kept screwing it up,

1:32:31.080 --> 1:32:36.160
<v Speaker 5>and then I was improvising a lot yes, and Chris

1:32:36.360 --> 1:32:39.880
<v Speaker 5>kept stopping, going what what'd you say? Like he would

1:32:40.000 --> 1:32:42.240
<v Speaker 5>he was started cutting himself, going what are you doing?

1:32:42.840 --> 1:32:47.519
<v Speaker 5>And then finally I was confused by his reaction because

1:32:47.640 --> 1:32:51.479
<v Speaker 5>I had run into Robin Williams in real life about

1:32:52.160 --> 1:32:55.400
<v Speaker 5>three weeks earlier, and I said, hey, I'm going to

1:32:55.439 --> 1:32:57.680
<v Speaker 5>do an episode of Law and Order and I know

1:32:57.840 --> 1:32:59.760
<v Speaker 5>you did one. He may have even won an Emmy

1:32:59.760 --> 1:33:02.320
<v Speaker 5>if he was nominated, for sure, And I go, do

1:33:02.320 --> 1:33:04.880
<v Speaker 5>you have any tips? And he goes, oh, yeah, yeah,

1:33:05.080 --> 1:33:08.120
<v Speaker 5>just improvised. They're not like hardcore about the line oh

1:33:08.600 --> 1:33:14.120
<v Speaker 5>my god, well, my dear dear departed friend Raby Williams

1:33:14.200 --> 1:33:17.840
<v Speaker 5>set me up. And I'm like, of course, I gave

1:33:17.960 --> 1:33:20.120
<v Speaker 5>him so much crack when I saw him again. But

1:33:21.160 --> 1:33:23.320
<v Speaker 5>I said that to Chris and Mrishka because then I

1:33:23.439 --> 1:33:26.920
<v Speaker 5>thought they were being sort of unprofessional, like even on

1:33:27.000 --> 1:33:30.600
<v Speaker 5>the improvising app of Storm, and I'm thinking, you know,

1:33:30.760 --> 1:33:34.080
<v Speaker 5>moving the scene forward or whatever I thought, and then

1:33:34.479 --> 1:33:37.400
<v Speaker 5>finding Chris goes, why did it just keep saying things

1:33:37.439 --> 1:33:39.640
<v Speaker 5>that are in the script, and I go because I

1:33:39.720 --> 1:33:41.560
<v Speaker 5>talked to Rob Moynes about it, and he said, I

1:33:41.640 --> 1:33:44.280
<v Speaker 5>can improvise, and you guys aren't like into the words

1:33:44.360 --> 1:33:49.080
<v Speaker 5>being a lot of perfect and Maloney goes, no, that's

1:33:49.680 --> 1:33:53.519
<v Speaker 5>the case, and I go but Robin said, you guys

1:33:53.960 --> 1:33:56.640
<v Speaker 5>improvise a lot, like every episode, so there's a lot

1:33:56.680 --> 1:34:01.400
<v Speaker 5>of improvise in the lines, and he goes, no, never

1:34:01.680 --> 1:34:06.200
<v Speaker 5>one episode. And then it was like, oh, I didn't

1:34:06.200 --> 1:34:09.240
<v Speaker 5>even memorize this scene, like I had some of the

1:34:09.320 --> 1:34:12.320
<v Speaker 5>bullet points, and then it was like a stop down

1:34:12.439 --> 1:34:14.040
<v Speaker 5>where then I had to go run that. I mean,

1:34:14.880 --> 1:34:18.679
<v Speaker 5>by the end of the episode, I think Marishia wanted

1:34:18.680 --> 1:34:21.240
<v Speaker 5>to adopt me and put me in some sort of

1:34:21.320 --> 1:34:24.760
<v Speaker 5>protective care And Chris Maloney was like he would say

1:34:24.800 --> 1:34:28.400
<v Speaker 5>shit to me, like, yeah, that was funny the first

1:34:28.520 --> 1:34:33.160
<v Speaker 5>time like that because at that point he had not

1:34:33.479 --> 1:34:36.840
<v Speaker 5>won an Emmy for this show. So I was such

1:34:36.840 --> 1:34:39.040
<v Speaker 5>a bitch that I would bring my two Emmys that

1:34:39.120 --> 1:34:41.240
<v Speaker 5>I won for My Life on the d list, and

1:34:41.320 --> 1:34:43.560
<v Speaker 5>I would put them in a different place in his

1:34:43.800 --> 1:34:47.000
<v Speaker 5>office or dressing room every day, Like if I knew

1:34:47.040 --> 1:34:49.320
<v Speaker 5>he had a wardrobe fitting, I'd run in there with

1:34:49.400 --> 1:34:51.960
<v Speaker 5>my emmys and I'd make sure they were right, like

1:34:52.120 --> 1:34:55.080
<v Speaker 5>next to his outfit, or I'd get in earlier than

1:34:55.160 --> 1:34:57.120
<v Speaker 5>him and I'd run and put him on his desk

1:34:57.200 --> 1:34:59.840
<v Speaker 5>in his office to close the door. And yes, the

1:35:00.040 --> 1:35:02.360
<v Speaker 5>first time he thought it was funny and the whole

1:35:02.439 --> 1:35:05.960
<v Speaker 5>crew laughed. But you know, the way to really make

1:35:06.040 --> 1:35:08.559
<v Speaker 5>a bit work is you beat it till it's dead,

1:35:09.240 --> 1:35:13.160
<v Speaker 5>especially with someone like Chris Maloney, who all my gays

1:35:13.240 --> 1:35:16.200
<v Speaker 5>have lost their mind for from Oz and all my

1:35:16.360 --> 1:35:19.200
<v Speaker 5>nerd friends love from White on American Summer. Yeah, so

1:35:19.479 --> 1:35:23.240
<v Speaker 5>he's the perfect target for me. So that's what PROMP did,

1:35:23.280 --> 1:35:26.040
<v Speaker 5>the famous him yelling in front of the crew.

1:35:26.960 --> 1:35:31.360
<v Speaker 1>It was funny the first time, but I also love

1:35:31.439 --> 1:35:34.599
<v Speaker 1>that this like also informs the relationship you guys had

1:35:34.680 --> 1:35:37.599
<v Speaker 1>your characters on set, Like you guys were like banging

1:35:37.680 --> 1:35:38.479
<v Speaker 1>heads the whole time.

1:35:39.080 --> 1:35:42.760
<v Speaker 5>You know, Well, he obviously was attracted to me and

1:35:42.840 --> 1:35:46.080
<v Speaker 5>didn't help to handle it. And that's his problem because

1:35:46.280 --> 1:35:50.120
<v Speaker 5>I have a sex appeal that regardless of I've I'm

1:35:50.160 --> 1:35:54.200
<v Speaker 5>playing a lesbian or you know. But it is funny

1:35:54.320 --> 1:36:00.519
<v Speaker 5>as I rewatch you know the episode man that Inning team, Well,

1:36:00.640 --> 1:36:04.080
<v Speaker 5>how they made my shitty acting come together and I'm

1:36:04.120 --> 1:36:06.639
<v Speaker 5>watching it now going, how did the other actors even

1:36:06.720 --> 1:36:10.800
<v Speaker 5>keep a straight face? Oh wow, they just start laughing

1:36:10.840 --> 1:36:11.040
<v Speaker 5>at me.

1:36:11.320 --> 1:36:14.600
<v Speaker 2>That's a big thing because in my life on the

1:36:14.640 --> 1:36:17.360
<v Speaker 2>D List, you said, Neilbert wrote this with you in mine,

1:36:17.439 --> 1:36:19.920
<v Speaker 2>but we assumed you improvised so much because it was

1:36:20.000 --> 1:36:23.599
<v Speaker 2>so funny and great and okay, so yeah, we're yeah,

1:36:23.760 --> 1:36:24.600
<v Speaker 2>we did not like.

1:36:24.840 --> 1:36:25.880
<v Speaker 4>You said, for a while.

1:36:26.520 --> 1:36:29.879
<v Speaker 5>I wore them down, you guys, Okay, yeah, Look, seriously,

1:36:30.080 --> 1:36:33.200
<v Speaker 5>this is a union show. And I remember one night

1:36:33.360 --> 1:36:35.320
<v Speaker 5>I think they had to stay like an extra two

1:36:35.439 --> 1:36:39.840
<v Speaker 5>hours because I kept screwing up. Sure enough, the director

1:36:40.560 --> 1:36:43.160
<v Speaker 5>came over in that scene where I had described how

1:36:43.280 --> 1:36:46.959
<v Speaker 5>Robin Williams said, go ahead and improvise, and the director

1:36:47.720 --> 1:36:51.960
<v Speaker 5>said to Chris Maloney, look, I'm going to do a

1:36:52.040 --> 1:36:56.080
<v Speaker 5>couple of takes where just to calm her down, I'm

1:36:56.120 --> 1:37:00.479
<v Speaker 5>gonna let her improvise. And remember Marishka was my rowling

1:37:00.920 --> 1:37:04.360
<v Speaker 5>in BROV student, so Mauritian knows how to improvise. And

1:37:04.479 --> 1:37:08.600
<v Speaker 5>she was actually fine. And sure enough, the scene that

1:37:08.600 --> 1:37:11.679
<v Speaker 5>I improvised was the one that made it in because

1:37:12.320 --> 1:37:15.000
<v Speaker 5>at least I was like comfortable, and so maybe it

1:37:15.120 --> 1:37:15.840
<v Speaker 5>was passable.

1:37:16.680 --> 1:37:18.560
<v Speaker 1>Like there's a scene where you meet him on this

1:37:18.840 --> 1:37:21.320
<v Speaker 1>you meet them on the street and you call him

1:37:21.439 --> 1:37:24.840
<v Speaker 1>Assi mcbig pants, And I was like, that just feels

1:37:24.920 --> 1:37:27.800
<v Speaker 1>like something that Kathy Griffin came up with as opposed.

1:37:27.520 --> 1:37:30.800
<v Speaker 5>To take credit because people love that line, but it

1:37:30.960 --> 1:37:34.280
<v Speaker 5>was written by Neil and Dan Truly was the other writer.

1:37:34.400 --> 1:37:36.960
<v Speaker 5>And I don't know which, either Neil Bayer or Dan

1:37:37.080 --> 1:37:40.720
<v Speaker 5>Truly wrote that Assy mcbig pants. The first scene that

1:37:40.920 --> 1:37:45.200
<v Speaker 5>I shot was an outdoor scene with Jess Benson and

1:37:45.240 --> 1:37:48.439
<v Speaker 5>Stabler and they were getting out of a car or

1:37:48.479 --> 1:37:50.800
<v Speaker 5>about to get in a car, and I come out

1:37:50.840 --> 1:37:53.200
<v Speaker 5>of the building and I do the scene and they

1:37:53.320 --> 1:37:55.840
<v Speaker 5>say cut and they say, you know, back to one.

1:37:55.960 --> 1:37:58.400
<v Speaker 5>So I'm like, of course, we'll do take two. And

1:37:58.640 --> 1:38:01.920
<v Speaker 5>I thought, okay, yeah, you did it. You got through

1:38:01.960 --> 1:38:04.800
<v Speaker 5>your first scene. You may not, you know, get an

1:38:04.800 --> 1:38:07.439
<v Speaker 5>Academy award, but you held your own. You did it.

1:38:08.120 --> 1:38:14.120
<v Speaker 5>And Maloney turns to me and goes, I'm Stabler, she's Benson.

1:38:14.680 --> 1:38:19.080
<v Speaker 5>You called me Benson and her Stabler, And I go, well,

1:38:19.120 --> 1:38:21.840
<v Speaker 5>which is which which? Because I knew that would piss

1:38:21.880 --> 1:38:24.720
<v Speaker 5>them off. So he just like gets into the car

1:38:24.880 --> 1:38:28.719
<v Speaker 5>and slams the door in real life, so I just lived,

1:38:28.880 --> 1:38:31.160
<v Speaker 5>like to this day, I have his number and I'll

1:38:31.240 --> 1:38:33.639
<v Speaker 5>just text him like every two years just to buck

1:38:33.680 --> 1:38:36.240
<v Speaker 5>with them, and he never responded for some reason.

1:38:37.680 --> 1:38:41.160
<v Speaker 4>Gosh, I'm upsessed. Oh my god, I named my.

1:38:41.360 --> 1:38:45.320
<v Speaker 5>I named two of my four dogs Olivia Benson, Elliott Stabler.

1:38:45.160 --> 1:38:50.519
<v Speaker 2>Oh Benson bracelet right here, right there, always ready. So

1:38:51.000 --> 1:38:53.280
<v Speaker 2>people come on the show and they always say like,

1:38:53.400 --> 1:38:56.280
<v Speaker 2>Marishka's so funny, Stablor so are like as a comic,

1:38:56.520 --> 1:38:57.679
<v Speaker 2>are they really funny?

1:38:58.439 --> 1:39:00.000
<v Speaker 5>And oh they're not coming?

1:39:00.040 --> 1:39:02.960
<v Speaker 4>Yeah funny, because that's the one thing.

1:39:02.960 --> 1:39:05.960
<v Speaker 2>People are like, she's hysterical, and I'm like, I bet,

1:39:06.200 --> 1:39:07.479
<v Speaker 2>but yeah, thank you.

1:39:08.400 --> 1:39:14.799
<v Speaker 5>They're definitely funny for dramatic actors because it is it's amazing.

1:39:14.880 --> 1:39:18.880
<v Speaker 5>It's dazzling to see how soon they go from hut

1:39:19.120 --> 1:39:23.320
<v Speaker 5>after like a very serious interrogation scene to coofing around

1:39:23.360 --> 1:39:26.840
<v Speaker 5>with each other. And you know, the kind of cool

1:39:26.920 --> 1:39:29.400
<v Speaker 5>thing about the back stuffy episode, as I call it,

1:39:30.160 --> 1:39:33.040
<v Speaker 5>is they really went there with the are they or

1:39:33.120 --> 1:39:36.240
<v Speaker 5>aren't they going to do it? Are? You know? She

1:39:36.479 --> 1:39:39.400
<v Speaker 5>says to Benson, Stabler has the hats for you, and

1:39:39.600 --> 1:39:43.320
<v Speaker 5>Benson's like, never gonna happen now, I hope you know

1:39:44.840 --> 1:39:48.719
<v Speaker 5>that Dick will cut out the full on kiss between

1:39:48.800 --> 1:39:49.719
<v Speaker 5>Murushka and myself.

1:39:49.800 --> 1:39:51.200
<v Speaker 1>We didn't know until we saw it on the d

1:39:51.360 --> 1:39:54.360
<v Speaker 1>List episode. You were watching it with your mom and

1:39:54.439 --> 1:39:55.600
<v Speaker 1>you were like, they cut out the.

1:39:55.640 --> 1:39:59.920
<v Speaker 5>Kiss, and Neil bar was very upset and Dan Truell

1:40:00.120 --> 1:40:02.960
<v Speaker 5>and they wrote the episode. And to this day, I

1:40:03.080 --> 1:40:05.479
<v Speaker 5>only ran into Dick one time after that, but I

1:40:05.479 --> 1:40:09.000
<v Speaker 5>would love to ask him because I heard that. He

1:40:09.280 --> 1:40:13.560
<v Speaker 5>personally said, no, it's too far, and I was like,

1:40:14.280 --> 1:40:15.640
<v Speaker 5>not for bad to Duffy.

1:40:15.600 --> 1:40:20.320
<v Speaker 4>Yeah, but also not for SVU and also I may.

1:40:20.240 --> 1:40:22.600
<v Speaker 5>Be the only guest star in the history of the

1:40:22.680 --> 1:40:25.040
<v Speaker 5>show who got to make out with both of that.

1:40:25.439 --> 1:40:29.320
<v Speaker 5>Oh yes, because they left the kiss with Chris Maloney in,

1:40:30.040 --> 1:40:32.160
<v Speaker 5>but they cut out the Chris with Murcia Carte.

1:40:32.400 --> 1:40:35.519
<v Speaker 4>It's so good. It's the kiss with Chris where you're like,

1:40:35.600 --> 1:40:37.880
<v Speaker 4>call me some John, it's so good, John.

1:40:39.280 --> 1:40:43.080
<v Speaker 1>I mean, okay, wait, you were talking about Marishka and

1:40:43.200 --> 1:40:45.000
<v Speaker 1>Chris being part of your show. Well we have to

1:40:45.040 --> 1:40:47.760
<v Speaker 1>talk about Ic being part of your show. He's in

1:40:47.840 --> 1:40:49.800
<v Speaker 1>there a little bit where you guys do a full

1:40:49.840 --> 1:40:52.479
<v Speaker 1>reenactment with a body and you talk about anal tearing

1:40:52.640 --> 1:40:53.080
<v Speaker 1>or something.

1:40:53.520 --> 1:40:55.560
<v Speaker 5>I mean like I fell in love with him. I

1:40:55.640 --> 1:40:58.439
<v Speaker 5>fell in love with him because first of all, I

1:40:58.640 --> 1:41:02.400
<v Speaker 5>know him more as shit, So it was almost I

1:41:02.520 --> 1:41:05.360
<v Speaker 5>had to adjustice seeing him in the acting environment, even

1:41:05.400 --> 1:41:08.519
<v Speaker 5>though he I would argue, was on that show longer

1:41:08.600 --> 1:41:11.960
<v Speaker 5>than he was putting out records, But he was so

1:41:12.479 --> 1:41:15.960
<v Speaker 5>gay to play on My Life on the dal List.

1:41:16.720 --> 1:41:19.280
<v Speaker 5>We were in heaven because you know, you you hope

1:41:19.400 --> 1:41:21.800
<v Speaker 5>and you pray for somethoint like that, and we're like, man,

1:41:21.840 --> 1:41:24.719
<v Speaker 5>if we can get any cast members to like really

1:41:24.840 --> 1:41:27.240
<v Speaker 5>goof off and not be afraid they're going to get

1:41:27.240 --> 1:41:30.320
<v Speaker 5>in trouble from their bosses or the network or whatever.

1:41:30.800 --> 1:41:33.840
<v Speaker 5>So yeah, when we shot a mock episode from My

1:41:33.920 --> 1:41:36.400
<v Speaker 5>Life on the d List and Iced Tea was definitely

1:41:36.479 --> 1:41:36.800
<v Speaker 5>the star.

1:41:37.920 --> 1:41:41.120
<v Speaker 4>Yeah, it was. It's an amazing button to that episode.

1:41:41.200 --> 1:41:44.360
<v Speaker 5>But I just remember thinking, like, what a pro, Like

1:41:44.520 --> 1:41:48.360
<v Speaker 5>he's so used to doing this coming from a wrap background,

1:41:49.040 --> 1:41:53.760
<v Speaker 5>and he's just on the job and solid, take after

1:41:53.920 --> 1:41:57.200
<v Speaker 5>take after take. That's what I still can't get over.

1:41:57.600 --> 1:42:01.800
<v Speaker 5>How every crew member, whether it's the person you know,

1:42:02.080 --> 1:42:05.160
<v Speaker 5>the grip who's carrying the wire or the gaffer who's

1:42:05.160 --> 1:42:08.880
<v Speaker 5>putt in the tape here, every person was so on

1:42:09.080 --> 1:42:12.479
<v Speaker 5>their game from doing it week after week after week,

1:42:12.640 --> 1:42:15.880
<v Speaker 5>and you won't find more hardworking people anywhere. And I

1:42:16.439 --> 1:42:19.559
<v Speaker 5>hate that Hollywood gets a bad rap when it comes

1:42:19.640 --> 1:42:22.880
<v Speaker 5>to a show as good as SBU, because God, they

1:42:23.560 --> 1:42:27.400
<v Speaker 5>were so harm from the writers all the way down

1:42:27.439 --> 1:42:31.920
<v Speaker 5>to the production assistant, everybody in between. And then to

1:42:32.120 --> 1:42:37.160
<v Speaker 5>think that Maurushka and Chris have to deal with a

1:42:37.360 --> 1:42:42.320
<v Speaker 5>new God forbid Kathy Griffin every episode, Like you know,

1:42:42.360 --> 1:42:45.720
<v Speaker 5>because I asked Murcia Merchka about different people, like what

1:42:45.920 --> 1:42:49.720
<v Speaker 5>was Karl Burnette like? And I remember Mrshka saying she

1:42:49.800 --> 1:42:52.240
<v Speaker 5>doesn't want to come to set till ten am, like

1:42:53.000 --> 1:42:56.559
<v Speaker 5>she's Cara Burnette. Let her coming new I who care?

1:42:57.240 --> 1:42:59.559
<v Speaker 5>And she went on to win an Emmy, which she deserved.

1:43:00.360 --> 1:43:03.439
<v Speaker 5>And I don't remember the name of the actor, but

1:43:03.800 --> 1:43:06.960
<v Speaker 5>she told me about one actor they had where before

1:43:07.160 --> 1:43:10.799
<v Speaker 5>every scene he would hit himself and go do it dummy,

1:43:11.080 --> 1:43:15.000
<v Speaker 5>Do it dummy. And to this day, I walk around

1:43:15.120 --> 1:43:18.320
<v Speaker 5>in life just it's like a private joke with myself

1:43:18.439 --> 1:43:21.320
<v Speaker 5>or find somewhere I'll just go do it dummy, do

1:43:21.439 --> 1:43:24.479
<v Speaker 5>it dummy. And I always remember because she and Chris

1:43:24.560 --> 1:43:28.160
<v Speaker 5>would turn to each other randomly and go do it dummy.

1:43:28.360 --> 1:43:31.240
<v Speaker 5>And finally I said, what are you guys talking about. Oh,

1:43:31.520 --> 1:43:35.200
<v Speaker 5>Matthew Lillard that we did we need him.

1:43:35.520 --> 1:43:38.720
<v Speaker 4>He did not mention that he's in the episode.

1:43:38.360 --> 1:43:42.920
<v Speaker 5>Do it do it dummy? Yeah, And so to tell

1:43:43.000 --> 1:43:45.479
<v Speaker 5>it to this day, I walk around, go do it dummy,

1:43:45.840 --> 1:43:48.959
<v Speaker 5>and that's just look, I'm not I know comics.

1:43:49.080 --> 1:43:50.720
<v Speaker 4>I don't know like real actors yea.

1:43:51.120 --> 1:43:54.639
<v Speaker 5>And so it was just fascinating for me to see

1:43:54.840 --> 1:43:58.560
<v Speaker 5>like hardcore actors day in and day out. But like

1:43:58.680 --> 1:44:01.280
<v Speaker 5>I said, the way Chris Mushka, I have to deal

1:44:01.439 --> 1:44:06.840
<v Speaker 5>with the personality of me right where I'm like, oh

1:44:06.880 --> 1:44:09.479
<v Speaker 5>my gosh, I can barely keep my line straight. And

1:44:09.640 --> 1:44:14.120
<v Speaker 5>then Matthew Lillard preps in that very unique way. Guess

1:44:14.160 --> 1:44:18.280
<v Speaker 5>who was the guest star after my episode. Sharon Stowe.

1:44:18.360 --> 1:44:20.639
<v Speaker 4>Oh yeah, she did a little arm Harlowe.

1:44:21.040 --> 1:44:23.600
<v Speaker 5>So I tried to scare Maloney and this was so

1:44:23.760 --> 1:44:26.680
<v Speaker 5>much fun. I told Schery later. I was like, you know,

1:44:27.120 --> 1:44:30.559
<v Speaker 5>I know Sharon pretty well, and trust me, you are

1:44:30.640 --> 1:44:33.600
<v Speaker 5>going to work around her and her schedule. And I

1:44:33.760 --> 1:44:36.200
<v Speaker 5>was hitting him so hard that by the end he

1:44:36.360 --> 1:44:37.960
<v Speaker 5>was like, well, let me tell you something. When she

1:44:38.080 --> 1:44:41.240
<v Speaker 5>shows up on that she didn't go real fast. Then

1:44:41.240 --> 1:44:44.960
<v Speaker 5>we went up with a movie star behavior, like I

1:44:45.160 --> 1:44:47.479
<v Speaker 5>was so evil, Like any chance I could get to

1:44:47.560 --> 1:44:48.560
<v Speaker 5>fuck with him, I had to.

1:44:49.040 --> 1:44:52.040
<v Speaker 4>Oh my god, I feels like it works. It seems

1:44:52.080 --> 1:44:54.200
<v Speaker 4>like you really knew how to get his ass.

1:44:55.000 --> 1:44:57.559
<v Speaker 5>I mean I was doing it for the character natural, yes,

1:44:57.680 --> 1:44:58.040
<v Speaker 5>of course.

1:44:58.240 --> 1:45:00.599
<v Speaker 1>Well the thing is is, like I know they you're

1:45:00.680 --> 1:45:02.200
<v Speaker 1>like they gave you a good editor or whatever, but

1:45:02.280 --> 1:45:04.120
<v Speaker 1>I really did think you did a really good job

1:45:04.439 --> 1:45:06.479
<v Speaker 1>of Yeah, you're this bossy bitch.

1:45:06.600 --> 1:45:09.720
<v Speaker 4>I'm sure like that. You know, you can channel the comedian.

1:45:09.520 --> 1:45:11.639
<v Speaker 1>In you to do that. But then there's like a part,

1:45:11.760 --> 1:45:14.080
<v Speaker 1>like the part with Marishka, where you're like really scared,

1:45:14.200 --> 1:45:17.000
<v Speaker 1>Like I really felt that from you, Like and in

1:45:17.080 --> 1:45:18.519
<v Speaker 1>the Dalist episode, I was.

1:45:18.600 --> 1:45:21.960
<v Speaker 5>Crying because, like I said, I was crying because I

1:45:22.400 --> 1:45:25.760
<v Speaker 5>was thinking how over my head was. So you're right,

1:45:25.920 --> 1:45:28.800
<v Speaker 5>the crying scene I was nervous about. But then when

1:45:28.840 --> 1:45:30.680
<v Speaker 5>it came time to do it, I had planted to

1:45:30.720 --> 1:45:31.240
<v Speaker 5>cry a fall.

1:45:31.400 --> 1:45:31.599
<v Speaker 4>Yeah.

1:45:32.360 --> 1:45:35.040
<v Speaker 1>Well, like because even the way that Liza Manelli, by

1:45:35.080 --> 1:45:37.400
<v Speaker 1>the way, iconic that you just for your what you

1:45:37.520 --> 1:45:40.800
<v Speaker 1>call your dinky little non union reality show, you get

1:45:41.000 --> 1:45:43.320
<v Speaker 1>Eliza Minelli to come on and be your acting coach

1:45:43.400 --> 1:45:44.240
<v Speaker 1>for this episode.

1:45:44.560 --> 1:45:48.120
<v Speaker 5>That was like, was amazing. First of all, she was

1:45:48.200 --> 1:45:50.720
<v Speaker 5>also on lawng Order. You know that, Yes, and so

1:45:51.840 --> 1:45:54.479
<v Speaker 5>we when we got to go to Liza Bonellie's freaking

1:45:54.640 --> 1:46:01.439
<v Speaker 5>apartment and she's she's smoking a city. She changed clothing.

1:46:01.720 --> 1:46:06.160
<v Speaker 5>I remember I changed just well. And I remember my assistant,

1:46:06.320 --> 1:46:10.280
<v Speaker 5>who to this day says, like, of all, she was

1:46:10.360 --> 1:46:12.439
<v Speaker 5>my assistant for seven years. Their name is Tiffany.

1:46:12.520 --> 1:46:12.800
<v Speaker 1>She was on.

1:46:14.880 --> 1:46:19.280
<v Speaker 5>Yes, and she's like, I've seen Liza ben Ellie's vagina,

1:46:19.560 --> 1:46:22.080
<v Speaker 5>and I was like, that's my girl. Because Liza and

1:46:22.200 --> 1:46:25.160
<v Speaker 5>I being old timey show folk, when it's time to

1:46:25.280 --> 1:46:28.240
<v Speaker 5>change clothes, we're just like used to be assistant being

1:46:28.320 --> 1:46:31.799
<v Speaker 5>there or whatever. And it was so funny. Liza changes

1:46:31.840 --> 1:46:36.000
<v Speaker 5>her clothes pants off, there's Tiffany like do I turn away?

1:46:36.040 --> 1:46:38.439
<v Speaker 5>And I'm like, no, he's one of us.

1:46:38.680 --> 1:46:41.960
<v Speaker 4>No amazing, but.

1:46:42.040 --> 1:46:46.439
<v Speaker 5>Yeah, getting getting acting advice from a freaking Academy Award

1:46:46.479 --> 1:46:49.120
<v Speaker 5>winner who also had been on the show was like

1:46:49.360 --> 1:46:49.920
<v Speaker 5>chef's kiss.

1:46:50.240 --> 1:46:53.479
<v Speaker 1>I do have a question. You know this set you

1:46:53.560 --> 1:46:57.120
<v Speaker 1>were in pulp fiction, one of my faves. You don't

1:46:57.120 --> 1:46:59.320
<v Speaker 1>want to I carried pulp Fiction.

1:47:00.920 --> 1:47:04.759
<v Speaker 5>I pulp Fiction won the palm door I can because

1:47:04.800 --> 1:47:07.439
<v Speaker 5>of my three lines. But go ahead with your insults.

1:47:08.760 --> 1:47:10.439
<v Speaker 2>Oh no, I was just gonna say, you know, he

1:47:10.600 --> 1:47:13.800
<v Speaker 2>seems very serious, and I was wondering, like what set

1:47:14.000 --> 1:47:16.960
<v Speaker 2>was more serious, I guess, or maybe I don't even

1:47:17.000 --> 1:47:18.120
<v Speaker 2>know what a Quentin set was.

1:47:18.200 --> 1:47:18.240
<v Speaker 1>Like.

1:47:18.360 --> 1:47:21.920
<v Speaker 5>You know, first of all, the Quentin set, he is

1:47:22.160 --> 1:47:24.840
<v Speaker 5>very LetterPerfect, So thank god I only had three lines.

1:47:25.360 --> 1:47:29.559
<v Speaker 5>So even though I met Quentin because he was really

1:47:29.680 --> 1:47:32.600
<v Speaker 5>close friends with Julia Sweeney, who was It's pat On

1:47:32.840 --> 1:47:36.760
<v Speaker 5>snl and in the Cings comedy Troupe. So one thing

1:47:36.840 --> 1:47:40.160
<v Speaker 5>that's a weird fun fact is that there are five

1:47:40.360 --> 1:47:43.920
<v Speaker 5>groundlings in pulp fiction. Like the guy that plays the game,

1:47:44.520 --> 1:47:49.719
<v Speaker 5>the little scene I'm in where Marcellus bing Raims wakes

1:47:49.840 --> 1:47:52.439
<v Speaker 5>up after Bruce Willis hit him in the car, and

1:47:52.800 --> 1:47:55.080
<v Speaker 5>there's not a girl named Karen Mariama. She was a

1:47:55.120 --> 1:47:58.160
<v Speaker 5>groundling and it was really cool. Quentin came to see

1:47:58.200 --> 1:48:02.120
<v Speaker 5>a growling show and gave five of us parts. Julia

1:48:02.320 --> 1:48:06.920
<v Speaker 5>played Harvey Kaiitel's girlfriend. And you know, like I said,

1:48:07.080 --> 1:48:09.880
<v Speaker 5>the gift, you okay, okay, you never saw space, but

1:48:10.000 --> 1:48:12.679
<v Speaker 5>his name is Steve Eberts, and so that was also

1:48:12.880 --> 1:48:15.840
<v Speaker 5>unheard of for like how many improv people would be

1:48:15.920 --> 1:48:19.360
<v Speaker 5>in like a legit movie. But yeah, that set was

1:48:19.439 --> 1:48:23.479
<v Speaker 5>also scary because I know Clinton is a perfectionist. And also,

1:48:23.800 --> 1:48:29.120
<v Speaker 5>you know, he wrote every word. And when I went

1:48:29.160 --> 1:48:31.439
<v Speaker 5>out with them, not for a long time, everybody went

1:48:31.479 --> 1:48:34.120
<v Speaker 5>out with them, like four times. But one thing he

1:48:34.240 --> 1:48:37.200
<v Speaker 5>used to do that was really cool is he would

1:48:37.280 --> 1:48:40.280
<v Speaker 5>call me when he was writing pulp fiction and be like,

1:48:40.360 --> 1:48:42.880
<v Speaker 5>can I read you some pages at three in the morning,

1:48:43.240 --> 1:48:48.200
<v Speaker 5>And I'd go, yes, yes, you can. And it was dazzling.

1:48:48.880 --> 1:48:51.760
<v Speaker 5>How when I then went to like the cast and

1:48:51.840 --> 1:48:55.920
<v Speaker 5>cruise screening of the finished product, he had to change

1:48:56.120 --> 1:49:01.519
<v Speaker 5>almost nothing from the original draft. That dialogue was that good. Wow,

1:49:01.640 --> 1:49:05.360
<v Speaker 5>So I thought he read me these scenes months and

1:49:05.439 --> 1:49:08.639
<v Speaker 5>months ago, and now he's working with you know, Christopher

1:49:08.680 --> 1:49:11.760
<v Speaker 5>Walker and John Garolta and Numa Thurman and who knows

1:49:11.800 --> 1:49:15.200
<v Speaker 5>who's left, And sure enough, most of that dialogue was

1:49:15.600 --> 1:49:17.400
<v Speaker 5>the same as the night he wrote it. He just

1:49:17.600 --> 1:49:17.880
<v Speaker 5>has it.

1:49:19.080 --> 1:49:24.000
<v Speaker 1>Wow, that's amazing. I honestly want to talk about you know,

1:49:24.080 --> 1:49:25.760
<v Speaker 1>we can. We want to talk about more about your

1:49:26.160 --> 1:49:28.040
<v Speaker 1>career outside of us to you, if that's okay with you,

1:49:29.439 --> 1:49:31.360
<v Speaker 1>we are I mean, I'm tour now.

1:49:31.720 --> 1:49:32.000
<v Speaker 3>I know.

1:49:32.479 --> 1:49:34.280
<v Speaker 1>I'm so excited to see your tour. I mean I

1:49:34.320 --> 1:49:38.800
<v Speaker 1>think we're both like very excited to see how great

1:49:38.840 --> 1:49:42.360
<v Speaker 1>you're doing after all of the bullshit, after.

1:49:42.400 --> 1:49:45.920
<v Speaker 5>Seven years of shit. Yes, like I after the former

1:49:46.160 --> 1:49:50.760
<v Speaker 5>president of the United States opened an investigation on me

1:49:50.840 --> 1:49:54.080
<v Speaker 5>at the best of the Attorney General of the United

1:49:54.160 --> 1:49:58.320
<v Speaker 5>States put me on the no fly list, the Inner Polist,

1:49:58.800 --> 1:50:02.280
<v Speaker 5>and the Five Eyes List, which is the terror watch list.

1:50:02.479 --> 1:50:03.240
<v Speaker 1>Oh my god.

1:50:03.560 --> 1:50:08.320
<v Speaker 5>And I was interrogated under oath by two federal agencies

1:50:08.479 --> 1:50:12.599
<v Speaker 5>within the DOJ, the US Attorney's Office and the Secret Service,

1:50:13.200 --> 1:50:17.439
<v Speaker 5>and they were very seriously considering charging me with the

1:50:17.560 --> 1:50:21.719
<v Speaker 5>crime of conspiracy to assassinate the President of the United States.

1:50:22.520 --> 1:50:25.640
<v Speaker 5>So when I hear all these other comments, especially the

1:50:25.680 --> 1:50:30.960
<v Speaker 5>guy Kromits bitching about maybe I was canceled. Okay, first

1:50:30.960 --> 1:50:34.280
<v Speaker 5>of all, you probably have it coming, like whipping your

1:50:34.320 --> 1:50:37.120
<v Speaker 5>dick out, and don't be a Holocaust denier or some

1:50:37.280 --> 1:50:41.479
<v Speaker 5>crazy shit. I took a protest phono, which some people

1:50:41.560 --> 1:50:44.560
<v Speaker 5>think was funny, some people think was graphic. I just

1:50:44.680 --> 1:50:47.560
<v Speaker 5>was trying to shake the people up. But you know,

1:50:47.920 --> 1:50:52.360
<v Speaker 5>the lake that it went to was just it unmatched

1:50:52.439 --> 1:50:55.559
<v Speaker 5>in history. And I'm not putting myself in their class,

1:50:55.920 --> 1:50:58.519
<v Speaker 5>but even the great George Carlin and the great Lenny Bruce,

1:50:58.840 --> 1:51:02.080
<v Speaker 5>they had local law enforcement harass them. I had the

1:51:02.200 --> 1:51:05.519
<v Speaker 5>Feds come back. Yeah, no, and I thought I filed

1:51:05.560 --> 1:51:08.479
<v Speaker 5>a FOY, which is a Freedom of Information Act, and

1:51:08.920 --> 1:51:12.800
<v Speaker 5>they were really serious about trying to charge me with

1:51:12.920 --> 1:51:13.920
<v Speaker 5>that crime and indict me.

1:51:14.920 --> 1:51:18.160
<v Speaker 2>I talk about this and arguments all the time with people.

1:51:18.360 --> 1:51:21.160
<v Speaker 2>I go all these freedom of speech bros. Did people

1:51:21.240 --> 1:51:24.000
<v Speaker 2>have your I don't remember all these guy comics. Really,

1:51:24.520 --> 1:51:27.560
<v Speaker 2>nobody happen in your back? And I'm like that everybody

1:51:27.640 --> 1:51:31.000
<v Speaker 2>turned on me. Let me like, people think only the

1:51:31.120 --> 1:51:34.040
<v Speaker 2>right wing turn on me. No, No, it was left

1:51:34.160 --> 1:51:36.040
<v Speaker 2>right and center. I mean when I was fired from

1:51:36.160 --> 1:51:38.519
<v Speaker 2>CNN for New Year's I read it on the ticker.

1:51:38.640 --> 1:51:42.599
<v Speaker 2>Nobody even bothered to call me, and I lost about

1:51:42.720 --> 1:51:45.280
<v Speaker 2>seventy five percent of my friends. To this day, they

1:51:45.360 --> 1:51:48.080
<v Speaker 2>haven't come back. No one's apologized.

1:51:48.200 --> 1:51:50.960
<v Speaker 5>I crack up when people are like, oh, but they're

1:51:50.960 --> 1:51:52.600
<v Speaker 5>all apologizing now. No.

1:51:53.800 --> 1:51:53.840
<v Speaker 4>No.

1:51:54.479 --> 1:51:56.599
<v Speaker 5>A lot of people think, hello, well, if you've had

1:51:56.640 --> 1:51:59.880
<v Speaker 5>it coming and to be out of work for six

1:52:00.160 --> 1:52:04.040
<v Speaker 5>and a half years because of Donald's right.

1:52:04.120 --> 1:52:09.920
<v Speaker 4>I know it's not they only have at me.

1:52:10.000 --> 1:52:13.400
<v Speaker 5>I'd be I'd be heard, but I know, so it

1:52:13.560 --> 1:52:14.120
<v Speaker 5>was crazy.

1:52:14.280 --> 1:52:16.599
<v Speaker 1>And then these canceled comics who are still selling out

1:52:16.760 --> 1:52:19.479
<v Speaker 1>MSG even though they're canceled. We have to be like

1:52:19.560 --> 1:52:22.879
<v Speaker 1>when are they allowed backs?

1:52:23.240 --> 1:52:24.080
<v Speaker 5>Like thank you?

1:52:24.600 --> 1:52:27.519
<v Speaker 2>I always say, the only person I know that's ever

1:52:27.720 --> 1:52:32.200
<v Speaker 2>actually been canceled is you, Like there's no one else

1:52:32.360 --> 1:52:32.960
<v Speaker 2>I can think of.

1:52:33.120 --> 1:52:34.719
<v Speaker 4>It was you and the boys.

1:52:34.880 --> 1:52:37.160
<v Speaker 5>When it's one of the boys, they start call the wagons.

1:52:37.680 --> 1:52:40.960
<v Speaker 5>And I'm sorry to say, it's still as bad in

1:52:41.080 --> 1:52:43.400
<v Speaker 5>stand up as when I started and my dear departed.

1:52:43.479 --> 1:52:45.360
<v Speaker 5>Joan Rivers and I would talk about this all the

1:52:45.439 --> 1:52:49.280
<v Speaker 5>time because Joan would say, Kathy, it's as bad as

1:52:49.320 --> 1:52:51.320
<v Speaker 5>it was for Philip still, or when I used to

1:52:51.360 --> 1:52:55.040
<v Speaker 5>talk to Phyllis, and Phyllis would say it's as bad

1:52:55.120 --> 1:52:57.240
<v Speaker 5>as it was for Tony Fields when I would talk

1:52:57.320 --> 1:53:00.280
<v Speaker 5>to her back in the day. So I just I

1:53:00.400 --> 1:53:02.519
<v Speaker 5>know you don't want to hear this, but I do

1:53:02.640 --> 1:53:05.320
<v Speaker 5>feel compelled to say to younger women, at least when

1:53:05.360 --> 1:53:08.479
<v Speaker 5>it comes to stand up, the misogyny runs deep, and

1:53:08.600 --> 1:53:12.160
<v Speaker 5>it's still really bad and so the fact that, like

1:53:12.280 --> 1:53:15.040
<v Speaker 5>I said, I wasn't just I didn't just have like

1:53:15.120 --> 1:53:18.320
<v Speaker 5>a bad six months, but to be that level of

1:53:18.520 --> 1:53:22.240
<v Speaker 5>canceled and investigated that canceled isn't even in the right

1:53:22.280 --> 1:53:28.360
<v Speaker 5>word investigated by the DJ you couldn't fly. And also

1:53:28.520 --> 1:53:30.880
<v Speaker 5>the death I was in the middle of a fifty

1:53:30.920 --> 1:53:33.519
<v Speaker 5>city tour and I had twenty five cities left, and

1:53:33.840 --> 1:53:36.680
<v Speaker 5>each one of those cities was canceled within seventy two

1:53:36.760 --> 1:53:40.240
<v Speaker 5>hours because they got so many death threats and bomb

1:53:40.320 --> 1:53:44.320
<v Speaker 5>threats to the theater because of me and as from Trumpers.

1:53:44.840 --> 1:53:48.080
<v Speaker 5>So I don't even blame the theaters, like if they

1:53:48.160 --> 1:53:51.040
<v Speaker 5>got that call, like you know, we're gonna come shoot her.

1:53:51.400 --> 1:53:53.679
<v Speaker 5>They love Oh can I see what Trumpers love?

1:53:54.880 --> 1:53:55.160
<v Speaker 4>Cunt.

1:53:56.160 --> 1:53:58.680
<v Speaker 5>Yeah, all my death threats where I'm gonna shoot you

1:53:58.760 --> 1:54:01.040
<v Speaker 5>in the count for your count got you in the

1:54:01.160 --> 1:54:04.280
<v Speaker 5>Kant countymin count down, You fucking con't. I'll put your

1:54:04.320 --> 1:54:07.920
<v Speaker 5>continent's place. Your cont is a terrorist. That's like their

1:54:08.000 --> 1:54:11.840
<v Speaker 5>favorite word. And remember this is the religious right. Yeah,

1:54:11.960 --> 1:54:16.720
<v Speaker 5>so yes, I've made enemies. And although I will say

1:54:16.760 --> 1:54:19.439
<v Speaker 5>in my new tour cadey girlfriend, my life on the

1:54:19.520 --> 1:54:23.720
<v Speaker 5>PTSD list, where I'm playing Carnegie Hall, which I thought

1:54:23.760 --> 1:54:27.120
<v Speaker 5>would never happen again. I don't even mention Trump in

1:54:27.200 --> 1:54:30.840
<v Speaker 5>my new show. It sounds great right when I just

1:54:31.520 --> 1:54:34.280
<v Speaker 5>I talked a lot about PTSD because I feel like,

1:54:35.040 --> 1:54:38.040
<v Speaker 5>collectively we all have sort of a form of it

1:54:38.200 --> 1:54:42.520
<v Speaker 5>between trump Ism and COVID, and you know, I believe

1:54:42.560 --> 1:54:45.080
<v Speaker 5>climate change is daily and I don't know, you know,

1:54:45.600 --> 1:54:47.920
<v Speaker 5>so I'm a bit of a dumist, I admit it.

1:54:48.520 --> 1:54:51.400
<v Speaker 5>But you know, they talk about waiting for a rainy day,

1:54:51.480 --> 1:54:53.400
<v Speaker 5>and my rainy day happened and it was six and

1:54:53.440 --> 1:54:56.960
<v Speaker 5>a half years long. So I talk about PTSD and

1:54:57.040 --> 1:54:59.880
<v Speaker 5>don't worry. There's still a lot of juicy celebrity gossip

1:55:00.040 --> 1:55:00.600
<v Speaker 5>that I throw in.

1:55:01.320 --> 1:55:03.920
<v Speaker 4>I've never been to Carnegie, so I'm exciting.

1:55:04.000 --> 1:55:07.320
<v Speaker 5>Oh, Carnegie is magical and people don't know it's a

1:55:07.400 --> 1:55:10.560
<v Speaker 5>great place for stand up because the acoustics are so amazing.

1:55:11.280 --> 1:55:13.880
<v Speaker 5>The audience just they show up in a more of

1:55:13.920 --> 1:55:17.879
<v Speaker 5>a theatrical way than a club, and it's just magical.

1:55:17.920 --> 1:55:21.240
<v Speaker 5>And it will be my sixth time playing Carnegie, which

1:55:21.360 --> 1:55:25.959
<v Speaker 5>is the record for a single female comedian to play Carnegie,

1:55:26.280 --> 1:55:28.880
<v Speaker 5>not as part of a charity show, not as part

1:55:28.920 --> 1:55:31.640
<v Speaker 5>of a musical lineup, not even with an open I

1:55:31.680 --> 1:55:34.560
<v Speaker 5>have no opening act. I write all my own material

1:55:35.400 --> 1:55:38.840
<v Speaker 5>and I go up there for two hours. If you're

1:55:38.920 --> 1:55:41.040
<v Speaker 5>lucky at the little turn, I did two hours and

1:55:41.160 --> 1:55:43.760
<v Speaker 5>forty minutes. I'll try to keep it to two. I'll

1:55:43.800 --> 1:55:44.720
<v Speaker 5>try to keep it to two.

1:55:45.680 --> 1:55:48.960
<v Speaker 2>Wow, what not only like the Trump thing? I Oh,

1:55:49.160 --> 1:55:51.640
<v Speaker 2>I'm a shit talker. I love that you say everything

1:55:52.040 --> 1:55:54.560
<v Speaker 2>And it was so cool. I didn't even know this that, like,

1:55:54.720 --> 1:55:57.200
<v Speaker 2>after you worked on Seinfeld you talk so much about him,

1:55:57.240 --> 1:55:59.880
<v Speaker 2>they had you back and I'm like, what an icon

1:56:00.160 --> 1:56:01.720
<v Speaker 2>for a shit talker that instead of.

1:56:01.760 --> 1:56:04.760
<v Speaker 4>Losing a job, you got another job, Like what a hero?

1:56:05.000 --> 1:56:08.600
<v Speaker 5>I just yeah, I really they wrote the episode for me.

1:56:09.000 --> 1:56:12.120
<v Speaker 5>I'm Seinfeld because I did the episode when I was

1:56:12.160 --> 1:56:15.480
<v Speaker 5>a total unknown. Then I got my first HBO special,

1:56:15.560 --> 1:56:17.800
<v Speaker 5>which back in those days was a really big deal,

1:56:18.120 --> 1:56:22.440
<v Speaker 5>which is now Max and I told the story that

1:56:22.720 --> 1:56:24.800
<v Speaker 5>Jerry was like kind of an asshole on the Senate

1:56:25.280 --> 1:56:28.040
<v Speaker 5>and I said, look, I'm just this little medium level

1:56:28.120 --> 1:56:31.120
<v Speaker 5>guest star dealist. But you know, like I was like, really,

1:56:31.200 --> 1:56:34.720
<v Speaker 5>couldn't it be nicer? And never in a million years

1:56:34.840 --> 1:56:38.560
<v Speaker 5>that I thought he would see it. So he saw it,

1:56:38.920 --> 1:56:41.600
<v Speaker 5>and God loved him. He actually had a sense of

1:56:41.680 --> 1:56:44.080
<v Speaker 5>humor about it, and so they wrote my character to

1:56:44.200 --> 1:56:48.480
<v Speaker 5>come back. She became a comedian whose number one topic

1:56:48.680 --> 1:56:51.600
<v Speaker 5>is just making fun of Jerry Seinfeld, which I was

1:56:51.720 --> 1:56:54.400
<v Speaker 5>doing in kind of a small way, And so that

1:56:54.800 --> 1:56:58.040
<v Speaker 5>was magical to walk back because I can know if

1:56:58.080 --> 1:57:02.160
<v Speaker 5>he'd be like, if he'd be hateful. And the show

1:57:02.320 --> 1:57:05.600
<v Speaker 5>was at its peak, and Jerry had just announced that

1:57:05.840 --> 1:57:08.320
<v Speaker 5>week to Time magazine that he was quitting the show,

1:57:08.960 --> 1:57:11.920
<v Speaker 5>so there was a lot going on for him. And

1:57:12.000 --> 1:57:14.520
<v Speaker 5>then who steps on set this pain and the ass

1:57:14.600 --> 1:57:14.960
<v Speaker 5>right here.

1:57:16.760 --> 1:57:19.160
<v Speaker 1>I have to just tell you I watched every episode

1:57:19.200 --> 1:57:20.720
<v Speaker 1>of Life on the D List when it came out,

1:57:20.800 --> 1:57:22.920
<v Speaker 1>like I was watching it in real time. I was

1:57:23.040 --> 1:57:26.960
<v Speaker 1>like a best I thought it was so funny because

1:57:27.040 --> 1:57:29.760
<v Speaker 1>you know, there's other reality and it's just regular people,

1:57:29.960 --> 1:57:33.120
<v Speaker 1>and this was like a funny person doing a reality

1:57:33.160 --> 1:57:36.080
<v Speaker 1>show that wasn't like stand up, you know last Comic Stand.

1:57:36.120 --> 1:57:38.000
<v Speaker 1>It wasn't about the stand up. You were just a

1:57:38.080 --> 1:57:41.200
<v Speaker 1>funny person living your life. And I just think it's

1:57:41.280 --> 1:57:44.560
<v Speaker 1>like it really it was a revolutionary reality show. I

1:57:44.720 --> 1:57:47.440
<v Speaker 1>love that you own it. That's so badass. And I

1:57:47.600 --> 1:57:50.720
<v Speaker 1>loved your like relationship with your parents, so always being

1:57:50.840 --> 1:57:51.120
<v Speaker 1>on it.

1:57:51.520 --> 1:57:52.760
<v Speaker 4>I mean, it was so sweet.

1:57:52.880 --> 1:57:55.640
<v Speaker 5>I loved yours were just so naturally funny. I was

1:57:55.720 --> 1:57:58.360
<v Speaker 5>lucky because a lot of people would be different than

1:57:58.400 --> 1:58:01.520
<v Speaker 5>lot as soon as the cameras were and I really

1:58:01.760 --> 1:58:05.760
<v Speaker 5>enjoy taking real people that are naturally funny, like my

1:58:05.880 --> 1:58:08.840
<v Speaker 5>mom and dad. And when we would put the camera on,

1:58:09.480 --> 1:58:11.760
<v Speaker 5>it was amazing. My mom and dad could turn it

1:58:11.840 --> 1:58:15.960
<v Speaker 5>on like they were comedians, but they were themselves, and

1:58:16.080 --> 1:58:20.360
<v Speaker 5>I think that came through so clearly that I loved

1:58:20.400 --> 1:58:22.840
<v Speaker 5>it that every time they would focus group the show,

1:58:23.360 --> 1:58:27.520
<v Speaker 5>people would say, more of Kathy's parents, we love Kathy's parents.

1:58:27.880 --> 1:58:29.960
<v Speaker 5>And even when my dad passed away, it was like

1:58:30.200 --> 1:58:33.640
<v Speaker 5>during the filming of the show, so we covered it,

1:58:34.400 --> 1:58:37.240
<v Speaker 5>and yet my mom and I are so grieving, and

1:58:37.360 --> 1:58:41.240
<v Speaker 5>my siblings of course, and then you know, my mom

1:58:41.480 --> 1:58:44.120
<v Speaker 5>kind of took over that space, and then it all

1:58:44.280 --> 1:58:47.920
<v Speaker 5>became about Maggie and her box and wine, and you know, like,

1:58:48.320 --> 1:58:51.440
<v Speaker 5>I'm so touched that people got to know my mom

1:58:51.480 --> 1:58:54.040
<v Speaker 5>and dad on that show, because they really were like that.

1:58:54.280 --> 1:58:57.000
<v Speaker 5>When people say I feel like I knew your parents,

1:58:57.560 --> 1:58:59.040
<v Speaker 5>you did, I totally did.

1:58:59.240 --> 1:59:03.600
<v Speaker 1>I totally did, especially Maggie, like, yeah, you know, and

1:59:03.680 --> 1:59:06.640
<v Speaker 1>what a beautiful thing for you to have I had.

1:59:06.800 --> 1:59:09.680
<v Speaker 5>I'm so proud, and I'm so proud of them because

1:59:10.240 --> 1:59:12.480
<v Speaker 5>I get a lot of gay people to come up

1:59:12.520 --> 1:59:16.040
<v Speaker 5>to me and say, watching that show with my parents

1:59:16.520 --> 1:59:19.680
<v Speaker 5>made it easier for me to come out because they

1:59:19.800 --> 1:59:23.120
<v Speaker 5>saw how tolerant your parents were. And I say, well,

1:59:23.200 --> 1:59:25.600
<v Speaker 5>first of all, they were drunk, and second of all,

1:59:26.240 --> 1:59:29.400
<v Speaker 5>I think you know. The great thing about my parents

1:59:29.480 --> 1:59:32.600
<v Speaker 5>on the Dealers show is they never got on a

1:59:32.720 --> 1:59:36.160
<v Speaker 5>soapbox and talked about gay rights or whatever. Well I

1:59:36.200 --> 1:59:38.080
<v Speaker 5>shouldn't say that. My mom went to a march with me,

1:59:38.200 --> 1:59:42.680
<v Speaker 5>but they just kind of, as Marishika would say, reeked

1:59:43.080 --> 1:59:47.960
<v Speaker 5>of acceptance and would never judge a person negatively for

1:59:48.520 --> 1:59:52.440
<v Speaker 5>being gay or LGBTQ any of the letters. And I'm

1:59:52.480 --> 1:59:55.800
<v Speaker 5>so proud of that because I never had to prompt

1:59:55.880 --> 1:59:59.400
<v Speaker 5>them to, like, hey, say something nice. That's just who

1:59:59.520 --> 2:00:03.640
<v Speaker 5>they are. They were used to me hanging out with

2:00:03.720 --> 2:00:07.600
<v Speaker 5>the gay kid that I somehow found in kindergarten. And

2:00:07.760 --> 2:00:10.400
<v Speaker 5>I was a hag from when I was a child,

2:00:10.520 --> 2:00:13.560
<v Speaker 5>and I'm a proud hag now, and my parents just

2:00:13.720 --> 2:00:17.400
<v Speaker 5>kind of went along with everything and never judged anybody

2:00:17.480 --> 2:00:21.360
<v Speaker 5>in that area. And it really touches me that even

2:00:21.640 --> 2:00:24.360
<v Speaker 5>in the two thousands, like I'm not talking centuries ago,

2:00:24.880 --> 2:00:27.720
<v Speaker 5>but there were gay people that didn't have an example

2:00:28.360 --> 2:00:32.280
<v Speaker 5>of someone in their eighties going to like a gay

2:00:32.320 --> 2:00:35.000
<v Speaker 5>bar for a happy hour because they had better appetizers

2:00:35.560 --> 2:00:39.520
<v Speaker 5>and then talking to gay people, and they had a

2:00:39.640 --> 2:00:42.480
<v Speaker 5>million gay friends, and people had stopped them on the street,

2:00:42.560 --> 2:00:45.520
<v Speaker 5>and I eventually got them a condo in West Hollywood.

2:00:45.600 --> 2:00:48.360
<v Speaker 5>The game back up Los Angeles, like the King and

2:00:48.520 --> 2:00:52.240
<v Speaker 5>Queen of Who, and that was great. So I always

2:00:52.280 --> 2:00:55.440
<v Speaker 5>say to people the series continued in real life even

2:00:55.520 --> 2:00:59.000
<v Speaker 5>after we went out there, So it's I'm still very

2:00:59.080 --> 2:01:01.920
<v Speaker 5>firmly planted the D list, trust me, and all that

2:01:02.120 --> 2:01:04.200
<v Speaker 5>stuff still happens on a daily basis.

2:01:05.320 --> 2:01:08.560
<v Speaker 2>Amazing. I don't know, I don't know if this is

2:01:08.640 --> 2:01:12.240
<v Speaker 2>just out of nowhere, but so much of your stuff

2:01:12.280 --> 2:01:14.960
<v Speaker 2>with celebs, I like hearing about celebs. Is there anyone

2:01:15.000 --> 2:01:16.800
<v Speaker 2>that you thought was gonna be the worst and then

2:01:16.840 --> 2:01:21.000
<v Speaker 2>you ended up being shockingly surprised at how great they were?

2:01:21.520 --> 2:01:24.520
<v Speaker 5>Well, I can tell you the thing that gives me

2:01:24.640 --> 2:01:27.600
<v Speaker 5>a ton of gratification, and it's now at the age

2:01:27.600 --> 2:01:30.560
<v Speaker 5>of sixty three, it's happened a lot, and it's kind

2:01:30.600 --> 2:01:33.520
<v Speaker 5>of one of my favorite things about doing stand up

2:01:33.560 --> 2:01:37.800
<v Speaker 5>all these years, which is I really love it when

2:01:37.840 --> 2:01:40.440
<v Speaker 5>a star comes up to me. And it's happened with

2:01:40.560 --> 2:01:44.120
<v Speaker 5>everyone from Miley Cyrus to Sharon Stone, and they'll come

2:01:44.240 --> 2:01:49.040
<v Speaker 5>up to me and go, oh, oh, you were just kidding,

2:01:50.320 --> 2:01:53.480
<v Speaker 5>Like I remember Miley saying next to me, so that's

2:01:53.520 --> 2:01:57.440
<v Speaker 5>whole time You've got me kidding, And I said, yes, Miley,

2:01:57.560 --> 2:02:00.600
<v Speaker 5>I was just I'm just kidding. I'm a kiedion and

2:02:00.680 --> 2:02:03.640
<v Speaker 5>I'm making fun of you because you're a gorgeous, successful,

2:02:04.400 --> 2:02:07.840
<v Speaker 5>multi millionaire who's got the world by the tail, and

2:02:08.680 --> 2:02:11.120
<v Speaker 5>you know, so I'm going to say a fair game.

2:02:11.760 --> 2:02:15.040
<v Speaker 5>And so I'm friendly with Miley, I'm friendly with Sharon Stone,

2:02:15.800 --> 2:02:18.800
<v Speaker 5>you know like that that's revelatory to me. So I

2:02:19.080 --> 2:02:22.680
<v Speaker 5>just love when they come around and go like, oh, okay,

2:02:23.240 --> 2:02:25.560
<v Speaker 5>I get it. And like I said, I was good

2:02:25.600 --> 2:02:28.240
<v Speaker 5>friends with Joan Rivers and I would see it with

2:02:28.360 --> 2:02:30.920
<v Speaker 5>her where certain slabs would still be mad at her,

2:02:31.560 --> 2:02:34.640
<v Speaker 5>and most of the time celebrities would be honored that

2:02:34.760 --> 2:02:37.200
<v Speaker 5>she made fun of them. And that's my goal. I

2:02:37.440 --> 2:02:39.280
<v Speaker 5>just want them to laugh. I'm not trying to make

2:02:39.320 --> 2:02:42.840
<v Speaker 5>anybody cry. I'm not putting anybody on the no fly list.

2:02:43.560 --> 2:02:46.680
<v Speaker 5>I did that, but I do like people to just

2:02:46.880 --> 2:02:50.240
<v Speaker 5>understand I'm really just trying to lighten up somebody's day

2:02:50.280 --> 2:02:50.880
<v Speaker 5>and get a laugh.

2:02:51.200 --> 2:02:53.680
<v Speaker 4>I'm sure you got so much wisdom from Joan.

2:02:53.920 --> 2:02:55.800
<v Speaker 2>Is there something that you think about all the time,

2:02:55.960 --> 2:02:59.680
<v Speaker 2>or like a piece of advice that has, yeah, that

2:02:59.760 --> 2:03:00.320
<v Speaker 2>you've thought of.

2:03:00.320 --> 2:03:00.920
<v Speaker 4>For a long Yeah.

2:03:01.040 --> 2:03:05.680
<v Speaker 5>Business. It showed business. So we talked about finances a lot.

2:03:06.440 --> 2:03:10.680
<v Speaker 5>And you know, Joan was loaded, and people underestimated her

2:03:10.760 --> 2:03:14.320
<v Speaker 5>at every turn, and she had so many lives she had,

2:03:14.960 --> 2:03:18.360
<v Speaker 5>you know, after her own husband took his life, she

2:03:18.560 --> 2:03:20.720
<v Speaker 5>took time off and then she did a Broadway show

2:03:20.840 --> 2:03:23.080
<v Speaker 5>and people were like, oh wow, she's a really good actress.

2:03:23.760 --> 2:03:27.520
<v Speaker 5>And when she was kind of blacklisted from nighttime, she

2:03:27.720 --> 2:03:30.560
<v Speaker 5>went and had a daytime show and won an Emmy.

2:03:31.120 --> 2:03:34.560
<v Speaker 5>People forget that she was the center square on Hollywood Squares,

2:03:35.000 --> 2:03:37.880
<v Speaker 5>where you then have to cast eight people around you,

2:03:38.600 --> 2:03:41.760
<v Speaker 5>and they all knew Joan might say whatever she felt

2:03:41.840 --> 2:03:45.440
<v Speaker 5>like saying. So watching her be the cat with nine

2:03:45.520 --> 2:03:50.040
<v Speaker 5>lives and bounce back every time I've been certainly looking

2:03:50.120 --> 2:03:53.120
<v Speaker 5>up in heaven and hearing her because having been through

2:03:53.240 --> 2:03:56.320
<v Speaker 5>now you know, cancer and addiction and I'm going through

2:03:56.320 --> 2:03:59.880
<v Speaker 5>a divorce and all this stuff. And I remember, you know,

2:04:00.280 --> 2:04:03.080
<v Speaker 5>her sayings like she would say, you know, we all

2:04:03.160 --> 2:04:06.080
<v Speaker 5>make our own deals, Like you never know what somebody

2:04:06.120 --> 2:04:08.720
<v Speaker 5>to deal is in life. You might think they're one way,

2:04:09.400 --> 2:04:12.440
<v Speaker 5>but you don't know that it turns out that this

2:04:12.600 --> 2:04:16.960
<v Speaker 5>person hasn't been working because they have a special needs

2:04:17.720 --> 2:04:20.120
<v Speaker 5>daughter that they're taking care of, like you know what.

2:04:20.440 --> 2:04:23.440
<v Speaker 5>And she always had that perspective. While she was being

2:04:23.560 --> 2:04:26.120
<v Speaker 5>as naughty as she wanted to be, she still was

2:04:26.400 --> 2:04:30.040
<v Speaker 5>very serious about the business of comedy, the money part

2:04:30.080 --> 2:04:32.440
<v Speaker 5>of it, but also the seriousness and the art of it.

2:04:32.920 --> 2:04:35.280
<v Speaker 5>And I admit I'm a bit of a snob. I

2:04:35.480 --> 2:04:39.080
<v Speaker 5>really think stand up is a serious art form and

2:04:39.200 --> 2:04:41.840
<v Speaker 5>I take it seriously, and I like the ones who

2:04:41.880 --> 2:04:45.680
<v Speaker 5>take it really seriously. And I also I also don't

2:04:46.000 --> 2:04:49.440
<v Speaker 5>believe that you're a real comic if you can't do

2:04:49.560 --> 2:04:52.920
<v Speaker 5>your own material. So like we would talk about comedians

2:04:53.320 --> 2:04:55.880
<v Speaker 5>they would get specials and they didn't even write their

2:04:55.920 --> 2:04:59.480
<v Speaker 5>special So just like you come it, you're you know,

2:05:00.080 --> 2:05:04.040
<v Speaker 5>so we would be very snobby and talk smack about everybody,

2:05:04.640 --> 2:05:07.120
<v Speaker 5>and that was, you know, was more fun than that.

2:05:07.320 --> 2:05:10.080
<v Speaker 1>Wait, as we were talking, a message pops up from

2:05:10.120 --> 2:05:12.600
<v Speaker 1>Pam Lowshack, saying, how you do two and a half

2:05:12.640 --> 2:05:14.080
<v Speaker 1>hours with one and a half lungs?

2:05:14.520 --> 2:05:17.440
<v Speaker 5>I had lung cancer even though I never smoked, and

2:05:17.600 --> 2:05:20.600
<v Speaker 5>so they took out half of my left lung. And

2:05:20.800 --> 2:05:24.400
<v Speaker 5>so I should actually say I'm not just the only

2:05:24.560 --> 2:05:28.080
<v Speaker 5>female comic to play Carnegie Hall six times, I'm the

2:05:28.200 --> 2:05:31.520
<v Speaker 5>only one and a half lung female comic to do

2:05:31.600 --> 2:05:34.400
<v Speaker 5>a lot of things. God damn, So, I don't like

2:05:34.480 --> 2:05:37.520
<v Speaker 5>the way you two girls are flaunting your two lungs

2:05:37.560 --> 2:05:38.640
<v Speaker 5>in my face right now.

2:05:39.080 --> 2:05:39.480
<v Speaker 3>I get it.

2:05:39.560 --> 2:05:40.520
<v Speaker 5>You're so superior.

2:05:41.000 --> 2:05:43.040
<v Speaker 2>Well, I'm gonna see you at Carnegie Hall. I opened

2:05:43.080 --> 2:05:45.760
<v Speaker 2>it up, please please do so. I can't wait.

2:05:45.960 --> 2:05:47.760
<v Speaker 5>This was all right, I'm not, by the way, I'm

2:05:47.800 --> 2:05:50.000
<v Speaker 5>not thumping you. So this is a hint. No, I.

2:05:51.840 --> 2:05:52.880
<v Speaker 4>Feel like you're no.

2:05:53.160 --> 2:05:57.120
<v Speaker 5>I can tell the look on your face, the answous No, Pam, Pam.

2:05:57.320 --> 2:06:00.560
<v Speaker 5>It's a hard pass. These bitches can pay, just like

2:06:01.360 --> 2:06:04.120
<v Speaker 5>it comes out of my back end. And god damn it,

2:06:04.240 --> 2:06:05.160
<v Speaker 5>no comps, no.

2:06:05.560 --> 2:06:09.720
<v Speaker 4>No fucking comps. Thank you so amazing, Kathy. This was

2:06:09.760 --> 2:06:12.480
<v Speaker 4>a dream, so amazing.

2:06:13.200 --> 2:06:14.560
<v Speaker 5>Tells you guys are awesome.

2:06:18.760 --> 2:06:21.240
<v Speaker 4>That was insane. I did have to grab a white claw,

2:06:21.560 --> 2:06:23.240
<v Speaker 4>like I didn't know how to handle. I have to

2:06:23.280 --> 2:06:23.760
<v Speaker 4>calm down.

2:06:24.440 --> 2:06:27.120
<v Speaker 2>I mean, I want to people that are sober handle

2:06:27.160 --> 2:06:29.400
<v Speaker 2>all their emotions and energy, like I truly don't even know.

2:06:29.840 --> 2:06:31.120
<v Speaker 4>I couldn't even sit still.

2:06:31.960 --> 2:06:36.600
<v Speaker 2>I it really is just such a pivotal moment to

2:06:37.000 --> 2:06:40.120
<v Speaker 2>meet her because we missed I didn't meet Joan Rivers.

2:06:40.240 --> 2:06:42.400
<v Speaker 2>That's someone that I always thought I would meet or

2:06:42.640 --> 2:06:45.800
<v Speaker 2>you know, there's these icons, and to be able to

2:06:45.880 --> 2:06:49.960
<v Speaker 2>meet such an icon, Yeah, that gave so much. I

2:06:50.000 --> 2:06:52.200
<v Speaker 2>mean she she gave us all the bits. No, not

2:06:52.400 --> 2:06:55.880
<v Speaker 2>one person we've ever interviewed just straight up has all

2:06:56.000 --> 2:06:57.560
<v Speaker 2>the all, like just.

2:06:58.040 --> 2:06:58.520
<v Speaker 4>Had at it.

2:06:59.080 --> 2:07:02.800
<v Speaker 1>No, and like I love that everybody that we talked to,

2:07:03.000 --> 2:07:04.760
<v Speaker 1>I mean, I love every person we've talked to. We've

2:07:04.760 --> 2:07:09.160
<v Speaker 1>had great interviews. She's an amazing, well oiled machine. I

2:07:09.200 --> 2:07:11.120
<v Speaker 1>had a great time on set. They made me feel welcome.

2:07:11.280 --> 2:07:13.480
<v Speaker 1>Kathy Griffin's not afraid to be like, No, I was

2:07:13.680 --> 2:07:17.040
<v Speaker 1>fucking up, actually, Like it was really intense. It was

2:07:17.200 --> 2:07:19.520
<v Speaker 1>I was out of my depth. Here's who helped me,

2:07:19.720 --> 2:07:21.960
<v Speaker 1>Here's how I got through it. Like, I just love

2:07:22.040 --> 2:07:25.040
<v Speaker 1>that her whole career is kind of not ever about

2:07:25.080 --> 2:07:28.840
<v Speaker 1>apologizing really for herself, and always about just.

2:07:29.800 --> 2:07:33.160
<v Speaker 4>Fucking telling the truth. She really is one of our best.

2:07:34.040 --> 2:07:36.040
<v Speaker 4>And yeah, I love it.

2:07:36.160 --> 2:07:38.160
<v Speaker 1>Even when she's talking about her photo, the photo that

2:07:38.200 --> 2:07:40.400
<v Speaker 1>she got in trouble for, She's like, it's a protest photo.

2:07:40.520 --> 2:07:42.560
<v Speaker 1>Some people thought it was funny, some people didn't. She's

2:07:42.600 --> 2:07:44.400
<v Speaker 1>not like I wish I never did it, you know,

2:07:44.640 --> 2:07:47.480
<v Speaker 1>she's like she stands by it. You know, she's a

2:07:47.560 --> 2:07:49.160
<v Speaker 1>fucking icon.

2:07:49.960 --> 2:07:53.400
<v Speaker 4>Of perneerance and integrity and integrity, and.

2:07:54.960 --> 2:07:57.360
<v Speaker 2>While people don't think she does because like reality d

2:07:57.480 --> 2:08:01.160
<v Speaker 2>List like all of that at the time didn as

2:08:01.240 --> 2:08:03.920
<v Speaker 2>huge as it is now. And just being there for

2:08:04.000 --> 2:08:06.840
<v Speaker 2>the gay community without like painting a rainbow on your head,

2:08:06.880 --> 2:08:08.760
<v Speaker 2>you know, it wasn't the goal as like I'm gonna

2:08:08.760 --> 2:08:10.840
<v Speaker 2>do this for the gaze, but it was very much

2:08:10.960 --> 2:08:13.120
<v Speaker 2>like a safe space for a gaze.

2:08:13.680 --> 2:08:16.640
<v Speaker 1>And I'm sorry, Like, as a woman, I grow and

2:08:16.960 --> 2:08:18.920
<v Speaker 1>like I've always been into celebrity gossip.

2:08:19.000 --> 2:08:20.760
<v Speaker 4>That's mostly what her material is about.

2:08:20.920 --> 2:08:23.760
<v Speaker 1>And I think she gets discounted because of it because

2:08:23.840 --> 2:08:25.720
<v Speaker 1>people need you to do a full hour about I

2:08:25.760 --> 2:08:29.080
<v Speaker 1>don't know, fucking pizza roles or whatever, like people need

2:08:29.160 --> 2:08:32.000
<v Speaker 1>you to do a full hour about something else. I

2:08:32.080 --> 2:08:33.920
<v Speaker 1>think it's great that that's what she focuses on, but

2:08:33.960 --> 2:08:35.240
<v Speaker 1>I think it's like why a lot of people have

2:08:35.320 --> 2:08:39.720
<v Speaker 1>discounted her because she talks about quote unquote like female

2:08:39.960 --> 2:08:44.480
<v Speaker 1>and like gay stuff, which celebrity gossip falls into, you know.

2:08:46.040 --> 2:08:49.560
<v Speaker 2>Yeah, and it also felt I mean not positive, but

2:08:49.800 --> 2:08:52.640
<v Speaker 2>validating and be like, no, stand up is still filled

2:08:52.640 --> 2:08:56.000
<v Speaker 2>with misogynists and you know, assholes everywhere, and that it

2:08:56.080 --> 2:08:58.400
<v Speaker 2>hasn't really changed, even though I do think it has

2:08:58.960 --> 2:09:01.160
<v Speaker 2>in terms of there's more women, you can wear what

2:09:01.240 --> 2:09:02.560
<v Speaker 2>you want, you can talk about what you want.

2:09:03.160 --> 2:09:03.520
<v Speaker 1>Yeah, not.

2:09:05.120 --> 2:09:10.440
<v Speaker 4>But definitely still Oh I mean no sexist. Yeah.

2:09:10.920 --> 2:09:12.840
<v Speaker 1>I think what I'm saying is like, the reason why

2:09:12.880 --> 2:09:14.520
<v Speaker 1>I think that people don't put her up there with

2:09:14.680 --> 2:09:17.280
<v Speaker 1>like the greats as much as they should is.

2:09:17.360 --> 2:09:19.600
<v Speaker 4>Because sexism and her sexism.

2:09:19.960 --> 2:09:23.160
<v Speaker 1>Yeah, I've always loved her. I cried when her mom died.

2:09:23.200 --> 2:09:24.560
<v Speaker 1>I don't want to tell her that in the interview,

2:09:24.680 --> 2:09:26.880
<v Speaker 1>but I cried when Maggie.

2:09:26.640 --> 2:09:28.400
<v Speaker 2>And she's so cool that I forgot about the lies

2:09:28.440 --> 2:09:29.840
<v Speaker 2>of Menelly. When you brought it up, I go, oh

2:09:29.880 --> 2:09:32.480
<v Speaker 2>my god, I can't believe. Yeah, she's so powerful that

2:09:32.560 --> 2:09:34.320
<v Speaker 2>I'm like, oh, yeah, you talk to Liza Menelli and.

2:09:34.400 --> 2:09:35.560
<v Speaker 4>What I mean?

2:09:35.680 --> 2:09:37.560
<v Speaker 1>I think, honestly, we've all been waiting for the phrase

2:09:37.600 --> 2:09:39.880
<v Speaker 1>Liza Minelli's vagina to be on our podcast, and we

2:09:39.960 --> 2:09:42.360
<v Speaker 1>may happen today, and that's what I'm really excited about.

2:09:42.840 --> 2:09:46.040
<v Speaker 1>But I mean, let's move on to a post mortem

2:09:46.120 --> 2:09:48.200
<v Speaker 1>of the episode, because I'm.

2:09:48.160 --> 2:09:49.640
<v Speaker 2>Just going, wait, no, I do want to say one

2:09:49.640 --> 2:09:52.040
<v Speaker 2>more thing. Oh yeah, so you know how Robin Williams

2:09:52.080 --> 2:09:55.520
<v Speaker 2>set her up? Yeah, I was set up like that once.

2:09:56.040 --> 2:09:56.920
<v Speaker 4>I did not read.

2:09:57.400 --> 2:09:58.880
<v Speaker 2>I think it was of my cement, but I didn't

2:09:58.920 --> 2:10:00.640
<v Speaker 2>read the chapters you were supposed read. And so I

2:10:00.680 --> 2:10:03.280
<v Speaker 2>asked this guy Dennis, I go, fuck, did you read it?

2:10:03.520 --> 2:10:06.000
<v Speaker 2>He goes yes, and there's a worksheep.

2:10:07.120 --> 2:10:08.720
<v Speaker 4>I go, what kind of dog? What's this? What's that?

2:10:08.800 --> 2:10:10.880
<v Speaker 4>What's He gave me everything? Fake?

2:10:11.680 --> 2:10:16.320
<v Speaker 2>And I failed the assignment, but I didn't read. But

2:10:16.400 --> 2:10:18.360
<v Speaker 2>I just trusted this guy. And then at lunch or

2:10:18.360 --> 2:10:19.920
<v Speaker 2>wherever I come down, I'm like, what the fuck And

2:10:20.000 --> 2:10:21.880
<v Speaker 2>he was just like laughing. I was like what kind

2:10:21.920 --> 2:10:23.760
<v Speaker 2>of dog is it? And he was like a white,

2:10:23.760 --> 2:10:26.320
<v Speaker 2>little fluffy, fun one and it was like I think

2:10:26.360 --> 2:10:27.960
<v Speaker 2>it was on a you know, like an Old Yeller

2:10:28.040 --> 2:10:32.000
<v Speaker 2>style dog situation or something like please. But I did

2:10:32.080 --> 2:10:34.880
<v Speaker 2>get fucked over, But I love that Robin Williams fucked

2:10:34.880 --> 2:10:37.640
<v Speaker 2>her up like that. But I it's like they did

2:10:37.760 --> 2:10:39.840
<v Speaker 2>use the take where she was improvising, So to me,

2:10:40.000 --> 2:10:42.600
<v Speaker 2>it's like why. It's like if someone's like, hey.

2:10:42.520 --> 2:10:44.960
<v Speaker 4>Can you do clean? I go no, why would you?

2:10:45.080 --> 2:10:47.120
<v Speaker 4>I sure I can't. Why would you want me to

2:10:47.240 --> 2:10:47.480
<v Speaker 4>do that?

2:10:47.720 --> 2:10:47.880
<v Speaker 5>Right?

2:10:48.600 --> 2:10:50.400
<v Speaker 1>I'm kind of surprised that she was saying that too

2:10:50.440 --> 2:10:52.880
<v Speaker 1>about Maloney being so stiff about the improv because like

2:10:53.160 --> 2:10:55.520
<v Speaker 1>he's done Wet Hot, he's worked with all these comedians,

2:10:55.560 --> 2:10:57.400
<v Speaker 1>like he likes to do comedy, so I guess it's

2:10:57.480 --> 2:11:00.000
<v Speaker 1>just he compartmentalizes, Like when I do comedy, we can improvide,

2:11:00.080 --> 2:11:02.640
<v Speaker 1>but when I'm on SVU, we stick to the fucking script.

2:11:03.160 --> 2:11:07.720
<v Speaker 2>But I love it, And it's the extra direction from Marishkatz,

2:11:07.760 --> 2:11:09.720
<v Speaker 2>like it is just so formula, like you have to

2:11:09.840 --> 2:11:12.520
<v Speaker 2>move and hate your marks and like do exactly what

2:11:12.680 --> 2:11:14.320
<v Speaker 2>they need because they're on a time crunch.

2:11:14.640 --> 2:11:19.080
<v Speaker 1>Yeah, Yeah, they have a dramatic story to tell. I

2:11:19.200 --> 2:11:20.960
<v Speaker 1>thought she did great. I thought she's I think she's

2:11:21.040 --> 2:11:23.560
<v Speaker 1>excellent in this episode. Babs Duffy is maybe a top

2:11:23.680 --> 2:11:26.520
<v Speaker 1>ten guest star character for me for sure. Okay, should

2:11:26.520 --> 2:11:28.839
<v Speaker 1>we move on to this the post mortem of the episode.

2:11:28.920 --> 2:11:31.360
<v Speaker 1>I mean, I don't know what my thoughts are. Don't

2:11:31.360 --> 2:11:34.000
<v Speaker 1>be pissed that lesbians are moving into your neighborhood. They're

2:11:34.280 --> 2:11:38.240
<v Speaker 1>only making it better. Every neighborhood, basically in New York

2:11:38.280 --> 2:11:40.480
<v Speaker 1>City or Los Angeles that gay people have taken over

2:11:40.600 --> 2:11:45.000
<v Speaker 1>has only become a better, more fun with better, busier,

2:11:45.640 --> 2:11:49.720
<v Speaker 1>cleaner area of town. You should not be murdering people

2:11:49.960 --> 2:11:52.960
<v Speaker 1>or assaulting them because of that. But obviously that man

2:11:53.040 --> 2:11:58.120
<v Speaker 1>had deeper problems also, but also just big apple aggressive

2:11:58.160 --> 2:12:01.000
<v Speaker 1>anywhere you go get your age. I don't care if

2:12:01.040 --> 2:12:04.160
<v Speaker 1>you're a lesbian or not. You can't just go out

2:12:04.160 --> 2:12:07.160
<v Speaker 1>there punching people. Yeah, I'm sorry your girlfriend died, but

2:12:07.200 --> 2:12:09.920
<v Speaker 1>you're not allowed to cold call Christopher Maloney out of nowhere.

2:12:10.000 --> 2:12:12.280
<v Speaker 1>Though it does, it has provided one of the funniest

2:12:12.760 --> 2:12:16.360
<v Speaker 1>Maloney knockouts of my of my life, which I have

2:12:16.600 --> 2:12:20.800
<v Speaker 1>made a I have made a montage punched out, this is.

2:12:20.800 --> 2:12:22.120
<v Speaker 4>The best podcast ever.

2:12:24.840 --> 2:12:27.520
<v Speaker 1>Let's move to we wouldn't give as much space possible

2:12:27.600 --> 2:12:30.080
<v Speaker 1>for the Kathy interview because it's just the fucking best

2:12:30.160 --> 2:12:31.200
<v Speaker 1>and we talked to her for an hour.

2:12:31.680 --> 2:12:33.680
<v Speaker 4>Uh So, this week's what would Sister Peggy Go?

2:12:33.800 --> 2:12:37.520
<v Speaker 2>And just to reiterate, do not steal blood for your

2:12:37.560 --> 2:12:38.840
<v Speaker 2>boyfriend from the blood bank.

2:12:39.240 --> 2:12:39.960
<v Speaker 5>Are you kidding?

2:12:40.520 --> 2:12:41.840
<v Speaker 4>He's worried about getting HIV.

2:12:41.960 --> 2:12:44.640
<v Speaker 1>I guess he can't be a fucking vampire, then don't yeh,

2:12:44.880 --> 2:12:48.160
<v Speaker 1>don't risk your job for a fucking man or a vampire.

2:12:48.480 --> 2:12:50.760
<v Speaker 4>I did watch Abigail again and it is so good.

2:12:50.960 --> 2:12:51.640
<v Speaker 4>It's so good.

2:12:51.760 --> 2:12:54.240
<v Speaker 1>You have Oh I see the picture of the little

2:12:54.280 --> 2:12:56.600
<v Speaker 1>girl in her tuto and there's like blood splattered on it.

2:12:56.840 --> 2:13:01.400
<v Speaker 4>That's like the thumbnail. Okay, So for this week, what

2:13:01.440 --> 2:13:02.200
<v Speaker 4>would Sister peg Do?

2:13:02.440 --> 2:13:04.720
<v Speaker 1>This is our weekly segment where we direct you to

2:13:04.960 --> 2:13:07.080
<v Speaker 1>some kind of resource that will give you more information

2:13:07.120 --> 2:13:09.839
<v Speaker 1>about what we talked to about in the episode today.

2:13:10.360 --> 2:13:11.680
<v Speaker 1>And we wanted to point you this week to the

2:13:11.720 --> 2:13:16.000
<v Speaker 1>documentary The Lesbian Avengers Eat Fire II. The film covers

2:13:16.040 --> 2:13:18.560
<v Speaker 1>the first year of action by the Lesbian Avengers and

2:13:18.640 --> 2:13:20.720
<v Speaker 1>it is only fifty six minutes and it's on YouTube,

2:13:20.840 --> 2:13:23.800
<v Speaker 1>so we will link to that in our stories from

2:13:23.920 --> 2:13:25.600
<v Speaker 1>the day this episode came out, and that will always

2:13:25.600 --> 2:13:28.800
<v Speaker 1>be saved in our WWSPD highlight forever. If you ever

2:13:28.880 --> 2:13:30.520
<v Speaker 1>want to go back and look at our other what

2:13:30.560 --> 2:13:32.160
<v Speaker 1>would mister peg Dou's Thank.

2:13:32.000 --> 2:13:34.880
<v Speaker 2>You so much for that, and next week we'll be

2:13:34.960 --> 2:13:39.080
<v Speaker 2>doing that episode blinded from season nine, episode seven. So

2:13:40.240 --> 2:13:42.880
<v Speaker 2>get on with your fine selves, live a great life,

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<v Speaker 2>do a good deed. I'll see you later.

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<v Speaker 1>Thank you so much to all of you who have

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<v Speaker 1>been listening to us, some of you since episode one,

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<v Speaker 1>some of you more recently. We love you guys. Thanks

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<v Speaker 1>for celebrating our two hundredth episode with us. Bear Bear Bear,

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<v Speaker 1>Bear Bye.

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<v Speaker 2>That's Messed Up as an exactly right production.

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<v Speaker 1>If you have compliments you'd like to give us or

2:14:09.840 --> 2:14:12.040
<v Speaker 1>episodes you'd like us to cover, shoot us an email

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<v Speaker 1>it That's Messed uppod at gmail dot com.

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<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

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<v Speaker 2>and on Twitter at messed Up Pod, and follow us

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<v Speaker 2>personally at Kara Klank and at glitter Cheese.

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<v Speaker 1>As always, please see our show notes for sources and

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<v Speaker 1>more information.

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<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

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<v Speaker 2>and our associate producer Christina Chamberlain.

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<v Speaker 1>And to our mixer John Bradley and our guest booker

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<v Speaker 1>Patrick Cottner.

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<v Speaker 2>And to Henry Kaperski for our theme song and Carly

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<v Speaker 2>gen Andrews for our artwork.

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<v Speaker 1>Thank you to our executive producers Georgia hard Start, Karen Kilgarriff,

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<v Speaker 1>Daniel Kramer and everybody at Exactly Right Media dut dun