1 00:00:00,440 --> 00:00:02,640 Speaker 1: Hey guys, thanks for checking out this bonus episode. Before 2 00:00:02,640 --> 00:00:04,040 Speaker 1: we get into it, I wanted to fill you in 3 00:00:04,080 --> 00:00:06,440 Speaker 1: on all the great content as usual we've got going 4 00:00:06,480 --> 00:00:08,880 Speaker 1: on for you this week here in Disgraceland. We just 5 00:00:08,920 --> 00:00:11,640 Speaker 1: dropped our brand new episode on the Clash. We've got 6 00:00:11,640 --> 00:00:15,120 Speaker 1: a Rewind episode coming tomorrow on Studio fifty four. Over 7 00:00:15,160 --> 00:00:17,280 Speaker 1: in the bad Lands Feed, we've got a Rewind episode 8 00:00:17,280 --> 00:00:20,040 Speaker 1: from the archive on John Holmes that's in your feed 9 00:00:20,200 --> 00:00:23,880 Speaker 1: right now, and another on Winona Ryder that's coming later 10 00:00:23,920 --> 00:00:27,120 Speaker 1: this week as well. Our guy Chris Shifflett from The 11 00:00:27,120 --> 00:00:30,840 Speaker 1: Foo Fighters has a new episode of his new show 12 00:00:30,920 --> 00:00:35,360 Speaker 1: Shred with Shifty, featuring guitarist Brent Mason. And over in 13 00:00:35,400 --> 00:00:37,920 Speaker 1: the Music Lands Stories Feed, that's our fiction show for 14 00:00:38,080 --> 00:00:41,080 Speaker 1: kids and families, we've got another brand new episode that's 15 00:00:41,159 --> 00:00:44,080 Speaker 1: coming for you this week as well. All Right, lots 16 00:00:44,080 --> 00:00:47,080 Speaker 1: to get into, but let's do this bonus episode right now. 17 00:00:47,240 --> 00:00:48,519 Speaker 1: Got some new stuff I want to talk to you 18 00:00:48,560 --> 00:00:53,640 Speaker 1: guys about. I'm excited about it. Let's get into it. Hey, 19 00:00:53,680 --> 00:00:56,520 Speaker 1: discos need a little more disgrace Land in your life, 20 00:00:56,840 --> 00:00:59,720 Speaker 1: just to touch to get you through. Yeah, me too. 21 00:01:00,400 --> 00:01:03,640 Speaker 1: This is the podcast that comes after the podcast. Welcome 22 00:01:03,680 --> 00:01:21,640 Speaker 1: to Disgraceland The after Party. Welcome to the Disgraceland bonus episode, 23 00:01:21,760 --> 00:01:24,480 Speaker 1: a little thing we like to call the after party. 24 00:01:24,720 --> 00:01:27,280 Speaker 1: This is the show after the show, the party after 25 00:01:27,319 --> 00:01:29,520 Speaker 1: the party, the bridge to get you from one full 26 00:01:29,560 --> 00:01:32,600 Speaker 1: episode of Disgraceland to the other, the backyard, you dig 27 00:01:32,680 --> 00:01:36,559 Speaker 1: into the dirt. On this episode, we are talking about, 28 00:01:36,640 --> 00:01:40,440 Speaker 1: among other things, the Clash at Studio fifty four, and 29 00:01:40,520 --> 00:01:44,039 Speaker 1: of course your voicemails, your texts, dms and more, and 30 00:01:44,120 --> 00:01:47,319 Speaker 1: as always, a whole lot of rosie. All right, this goes, 31 00:01:47,680 --> 00:02:03,360 Speaker 1: Let's get into it, all right? What is up? Welcome 32 00:02:03,360 --> 00:02:06,880 Speaker 1: to the after Party bonus episode. This week in Disgraceland, 33 00:02:07,720 --> 00:02:10,840 Speaker 1: in our main episode, we released a main, new, brand 34 00:02:10,880 --> 00:02:14,160 Speaker 1: new episode on the Clash. Band that is near and 35 00:02:14,200 --> 00:02:17,800 Speaker 1: dear to my heart, and I know it's likely the 36 00:02:17,840 --> 00:02:20,720 Speaker 1: same for you guys as well. Love this band, have 37 00:02:20,840 --> 00:02:24,320 Speaker 1: loved this band nearly my entire life, well my new 38 00:02:24,440 --> 00:02:28,000 Speaker 1: I should say, nearly my entire adult life. Lots of 39 00:02:28,040 --> 00:02:31,520 Speaker 1: crazy stories about the so called only band that matters 40 00:02:31,800 --> 00:02:34,880 Speaker 1: in our Clash episode this week. I got into this 41 00:02:35,080 --> 00:02:36,720 Speaker 1: obviously in the episode, but I get into it over 42 00:02:36,760 --> 00:02:39,880 Speaker 1: on Instagram as well. They found. The band found themselves 43 00:02:40,160 --> 00:02:44,320 Speaker 1: charged with terrorism in London, chased out of Jamaica by 44 00:02:44,400 --> 00:02:48,679 Speaker 1: drug kingpins. Very scary moment. And then you know two 45 00:02:48,760 --> 00:02:51,960 Speaker 1: main set pieces we focus on in this episode. First 46 00:02:52,080 --> 00:02:55,360 Speaker 1: is the legendary set of shows that the Clash did 47 00:02:55,400 --> 00:02:59,280 Speaker 1: at Bond International Casino in Times Square back in May 48 00:02:59,480 --> 00:03:02,520 Speaker 1: and June of nineteen eighty one. Band this book to 49 00:03:02,520 --> 00:03:06,560 Speaker 1: play seven shows there, but greedy promoters. This is fascinating. 50 00:03:06,560 --> 00:03:08,160 Speaker 1: This has never happened today. I don't think, I mean 51 00:03:08,200 --> 00:03:10,079 Speaker 1: it would happen. It would just happened in a different way, 52 00:03:10,200 --> 00:03:13,840 Speaker 1: using technology to their advantage. But basically what happened was 53 00:03:13,840 --> 00:03:17,400 Speaker 1: these greedy New York City promoters over sold every show 54 00:03:17,840 --> 00:03:20,040 Speaker 1: there were there. I can't recall if it was seven 55 00:03:20,160 --> 00:03:21,639 Speaker 1: or eight shows off the top of my head here, 56 00:03:21,680 --> 00:03:24,160 Speaker 1: but every show that the Clash had planned to do 57 00:03:24,560 --> 00:03:28,679 Speaker 1: they oversold them. And there was basically all these kids 58 00:03:28,720 --> 00:03:30,320 Speaker 1: who were going to get shut out and weren't going 59 00:03:30,320 --> 00:03:31,520 Speaker 1: to be able to go to the show. They had 60 00:03:31,520 --> 00:03:33,280 Speaker 1: paid money and they weren'ting to be able to attend. 61 00:03:33,800 --> 00:03:36,760 Speaker 1: So the Clash, being the reighteous dudentes that they were, 62 00:03:37,040 --> 00:03:40,600 Speaker 1: decided they were going to just keep playing shows until 63 00:03:40,720 --> 00:03:44,800 Speaker 1: every kid got in to see the band, and it 64 00:03:44,920 --> 00:03:47,840 Speaker 1: ended up being like seventeen total shows or something like that. 65 00:03:47,920 --> 00:03:52,640 Speaker 1: Just really fascinating. So that's a big piece of the story. 66 00:03:53,240 --> 00:03:56,360 Speaker 1: On Instagram, we get into, you know, beyond the podcast, 67 00:03:56,400 --> 00:03:59,520 Speaker 1: We get into suit did a little video on some 68 00:03:59,560 --> 00:04:02,720 Speaker 1: of the art that opened for the Clash, some of 69 00:04:02,720 --> 00:04:04,960 Speaker 1: the hip hop artists that Joe Stummer was into. That 70 00:04:05,080 --> 00:04:08,800 Speaker 1: he gave a platform two in the opening slots and 71 00:04:08,840 --> 00:04:12,360 Speaker 1: there's this really neat Robert de Niro, Martin Scorseesian anecdote 72 00:04:12,360 --> 00:04:15,240 Speaker 1: as well. We talked about the second set piece in 73 00:04:15,280 --> 00:04:20,320 Speaker 1: the Clash story from our full episode was this this 74 00:04:20,480 --> 00:04:23,680 Speaker 1: piece here, This is fascinating. It's still hard for me 75 00:04:23,720 --> 00:04:25,640 Speaker 1: to believe. But when the Clash were at the height 76 00:04:25,680 --> 00:04:29,599 Speaker 1: of their fame, Joe Strummer disappeared. No one knew where 77 00:04:29,600 --> 00:04:33,880 Speaker 1: he was, and at the moment of Combat Rock coming out, 78 00:04:34,800 --> 00:04:38,599 Speaker 1: which was a huge album for them, Joe Strummers is gone. 79 00:04:38,800 --> 00:04:41,360 Speaker 1: No one knows where he is, and the reason why 80 00:04:41,440 --> 00:04:45,000 Speaker 1: he was missing is fascinating. So you can hear all 81 00:04:45,040 --> 00:04:48,360 Speaker 1: these stories and more in this week's episode of Disgrace 82 00:04:48,400 --> 00:04:51,119 Speaker 1: Land on the Clash that's in your feeds right now. 83 00:04:51,600 --> 00:04:53,040 Speaker 1: If you have heard the episode, let me know what 84 00:04:53,080 --> 00:04:55,080 Speaker 1: you think. Six one seven nine oh six six six 85 00:04:55,200 --> 00:04:57,479 Speaker 1: three eight, and if you have not heard it, get 86 00:04:57,520 --> 00:05:00,960 Speaker 1: it into your years. The Clash are a fascinating group, 87 00:05:02,160 --> 00:05:07,560 Speaker 1: mold breaking band, one of the singular pop groups. And 88 00:05:07,600 --> 00:05:11,120 Speaker 1: I use that word on purpose pop because they ended 89 00:05:11,200 --> 00:05:13,720 Speaker 1: up going from punk to pop. And I don't mean 90 00:05:13,760 --> 00:05:18,400 Speaker 1: pop punk. I mean they transcended where they had started 91 00:05:18,839 --> 00:05:23,520 Speaker 1: punk rock and became something completely different with the album 92 00:05:23,520 --> 00:05:26,040 Speaker 1: I mentioned a couple of minutes ago, Combat Rock, and 93 00:05:26,120 --> 00:05:28,200 Speaker 1: this is part of the interesting story of the Clash. 94 00:05:28,279 --> 00:05:30,440 Speaker 1: I don't say that they became pop in a despair. 95 00:05:30,480 --> 00:05:32,320 Speaker 1: I don't mean to be disparaging when I say that. 96 00:05:32,560 --> 00:05:35,240 Speaker 1: I'm not at all. I bring it up because it's 97 00:05:35,279 --> 00:05:39,039 Speaker 1: interesting to me. When I think about The Clash and 98 00:05:39,080 --> 00:05:41,520 Speaker 1: I think about the story we just told, and I 99 00:05:41,520 --> 00:05:44,880 Speaker 1: think about the intentions that Joe Strummer had when he 100 00:05:45,040 --> 00:05:47,599 Speaker 1: started that band, you know, you got to think like 101 00:05:47,640 --> 00:05:51,000 Speaker 1: the Clash. You know, there's an interesting comp between The 102 00:05:51,040 --> 00:05:54,200 Speaker 1: Clash and Public Enemy where you have the highly sort 103 00:05:54,240 --> 00:05:59,040 Speaker 1: of mission driven efforts of one artist in the band, 104 00:05:59,640 --> 00:06:03,560 Speaker 1: Joe Strummer, and then you sort of have a not 105 00:06:03,640 --> 00:06:07,680 Speaker 1: a completely different but a slightly different reason to be 106 00:06:08,240 --> 00:06:11,279 Speaker 1: from this. I don't want to say side guy, but 107 00:06:11,360 --> 00:06:14,800 Speaker 1: the other songwriter, who's Mick Jones in the band? Joe 108 00:06:14,800 --> 00:06:21,240 Speaker 1: Strummer obviously political, Mick Jones very pop oriented. And I 109 00:06:21,400 --> 00:06:23,640 Speaker 1: see this comp with Public Enemy, where you have Chuck 110 00:06:23,680 --> 00:06:28,000 Speaker 1: d who's very obviously political, and Flavor flav who's kind 111 00:06:28,000 --> 00:06:30,360 Speaker 1: of the foil. Not that Mick Jones was a foil, 112 00:06:30,680 --> 00:06:34,000 Speaker 1: but he definitely softened out the hard edges of Joe Strummer. 113 00:06:34,000 --> 00:06:36,240 Speaker 1: And if Mick Jones were not in the band and 114 00:06:36,279 --> 00:06:39,919 Speaker 1: not lending all those pop songwriting sensibilities to the group, 115 00:06:40,960 --> 00:06:42,719 Speaker 1: they wouldn't have been the band that they were, and 116 00:06:42,720 --> 00:06:44,640 Speaker 1: they wouldn't have been on the trajectory that they were, 117 00:06:44,880 --> 00:06:46,960 Speaker 1: and they wouldn't have started as they started, and they 118 00:06:46,960 --> 00:06:48,760 Speaker 1: wouldn't have had the impact they had, and they wouldn't 119 00:06:48,760 --> 00:06:51,440 Speaker 1: have ended as they had ended. And this happens with 120 00:06:51,480 --> 00:06:53,479 Speaker 1: a lot of bands. The Clash started out as this 121 00:06:53,640 --> 00:06:57,880 Speaker 1: one thing, this heavily mission driven band that was all 122 00:06:57,920 --> 00:07:02,799 Speaker 1: about authenticity, all about bringing the truth. Okay, three chords 123 00:07:02,800 --> 00:07:06,400 Speaker 1: in the truth. And as they got bigger, and as 124 00:07:06,440 --> 00:07:09,760 Speaker 1: they needed to stay bigger to continue to float the 125 00:07:09,760 --> 00:07:13,000 Speaker 1: boat that they had built their mission. They got off 126 00:07:13,040 --> 00:07:17,320 Speaker 1: course and this ight at Joe Strummer and they needed 127 00:07:17,320 --> 00:07:21,360 Speaker 1: to continue to grow as most endeavors do, or you 128 00:07:21,440 --> 00:07:26,480 Speaker 1: get swallowed up. But that ended up cutting to right 129 00:07:26,520 --> 00:07:28,400 Speaker 1: to the heart of what they were trying to do, 130 00:07:28,600 --> 00:07:31,760 Speaker 1: and not in a good way and undercutting what they 131 00:07:31,800 --> 00:07:33,840 Speaker 1: were trying to do. In other words, the bigger they got, 132 00:07:34,120 --> 00:07:37,840 Speaker 1: the less they were able to stay on course. And 133 00:07:38,240 --> 00:07:40,560 Speaker 1: this aid at Joe Strummer. I think it ate at 134 00:07:40,560 --> 00:07:42,040 Speaker 1: Mic Jones in a way, and there was always that 135 00:07:42,120 --> 00:07:44,960 Speaker 1: great tension between the two and ultimately it's what drove 136 00:07:45,000 --> 00:07:48,160 Speaker 1: them apart. And there are so many stories like this 137 00:07:48,440 --> 00:07:50,720 Speaker 1: in pop music, and if you look at I mean 138 00:07:51,000 --> 00:07:55,920 Speaker 1: everyone from Nirvana to Bob Dylan, there are very few 139 00:07:56,120 --> 00:08:00,040 Speaker 1: that figure out how to maintain the parts of the 140 00:08:00,120 --> 00:08:04,480 Speaker 1: original mission uh that that can transcend the group the 141 00:08:04,640 --> 00:08:09,320 Speaker 1: artist into a different phase of their career, both creatively personally. 142 00:08:10,040 --> 00:08:12,840 Speaker 1: It's very hard to do. It's very hard to make 143 00:08:12,920 --> 00:08:16,200 Speaker 1: that jump, and the Clash couldn't do it, and they 144 00:08:16,240 --> 00:08:18,120 Speaker 1: they broke up at I would say the height of 145 00:08:18,160 --> 00:08:20,560 Speaker 1: their fame really after Combat Rock. The irony is with 146 00:08:20,640 --> 00:08:23,280 Speaker 1: all that great songwriting tension between Joe Strummer and mc jones. 147 00:08:23,320 --> 00:08:26,320 Speaker 1: The irony is that one of their biggest hits, rock 148 00:08:26,360 --> 00:08:30,000 Speaker 1: the Caasbo, was written by their by their drummer topper, 149 00:08:30,040 --> 00:08:31,920 Speaker 1: which is just amazing. I didn't know that until we 150 00:08:31,960 --> 00:08:34,640 Speaker 1: get into the research for this. It's very interesting to me. 151 00:08:35,920 --> 00:08:37,520 Speaker 1: But all of this is to say, you know it 152 00:08:37,600 --> 00:08:40,160 Speaker 1: kind of it kind of made me think about the Beatles, 153 00:08:40,360 --> 00:08:43,240 Speaker 1: and the Beatles are a singular band for for lots 154 00:08:43,280 --> 00:08:46,720 Speaker 1: of reasons, but uh not least of which is the 155 00:08:46,720 --> 00:08:49,559 Speaker 1: fact that they just they stopped touring. This is a 156 00:08:49,600 --> 00:08:51,920 Speaker 1: famous thing that they did. Everyone knows this. They stopped 157 00:08:51,920 --> 00:08:55,080 Speaker 1: touring and they just became a studio band. It's something 158 00:08:55,080 --> 00:08:58,160 Speaker 1: that would never happen today, and if it did, you know, 159 00:08:58,240 --> 00:09:01,440 Speaker 1: kudos to someone who could pull it off. But because 160 00:09:01,480 --> 00:09:03,200 Speaker 1: they were able to do that, I feel like they 161 00:09:03,240 --> 00:09:07,320 Speaker 1: were able to sustain what was their mission for much 162 00:09:07,360 --> 00:09:09,320 Speaker 1: longer than they would have been had they just been 163 00:09:09,400 --> 00:09:12,920 Speaker 1: doing the regular artists, go make a record, go out 164 00:09:12,920 --> 00:09:15,920 Speaker 1: on the road cycle that all these bands get caught 165 00:09:16,040 --> 00:09:18,360 Speaker 1: up in. And the Beatles, I feel like, you know, 166 00:09:18,440 --> 00:09:22,640 Speaker 1: they just constantly were on the rise until they weren't. 167 00:09:22,960 --> 00:09:27,360 Speaker 1: They never really had that dip and as soon as 168 00:09:27,400 --> 00:09:32,160 Speaker 1: things stopped working, they stopped working. And you know, the Clash. 169 00:09:32,559 --> 00:09:35,040 Speaker 1: I love the Clash, but there are misses in their 170 00:09:35,080 --> 00:09:37,840 Speaker 1: discography and you can hear it when you listen to 171 00:09:38,600 --> 00:09:40,679 Speaker 1: the big swings that they took. And I'm not faulting 172 00:09:40,679 --> 00:09:42,760 Speaker 1: them for it, but eventually the weight of it all 173 00:09:42,800 --> 00:09:45,360 Speaker 1: became too much and they faded away. And we're gonna 174 00:09:45,360 --> 00:09:47,080 Speaker 1: get into this a little bit with Bob Dylan in 175 00:09:47,120 --> 00:09:50,000 Speaker 1: the new episode. We've got coming on him very shortly 176 00:09:50,040 --> 00:09:52,720 Speaker 1: for you. But it's just, you know, I don't really 177 00:09:52,760 --> 00:09:55,760 Speaker 1: know how to organize my thoughts around the Clash. I'm 178 00:09:55,760 --> 00:10:00,439 Speaker 1: sort of I'm seeing this take form here in real 179 00:10:00,520 --> 00:10:02,760 Speaker 1: time with you guys, and it's relative to not only 180 00:10:02,800 --> 00:10:05,360 Speaker 1: this band, but like I said, Bob Dylan beatles others. 181 00:10:05,760 --> 00:10:08,319 Speaker 1: And I'm going to keep digging into it with you guys, 182 00:10:08,679 --> 00:10:10,760 Speaker 1: try to get to the bottom of it in the meantime. 183 00:10:10,880 --> 00:10:13,720 Speaker 1: Six one seven nine oh six, six six three eight. 184 00:10:13,800 --> 00:10:16,000 Speaker 1: Hit me up on voicemail, hit me up on text. 185 00:10:16,080 --> 00:10:18,240 Speaker 1: Let me know what you thought of this Clash episode. Uh, 186 00:10:18,480 --> 00:10:20,640 Speaker 1: let me know. Are the Clash your favorite punk band? 187 00:10:21,040 --> 00:10:24,400 Speaker 1: How do you rate? We talked about our favorite nineties 188 00:10:24,600 --> 00:10:27,400 Speaker 1: Frontmen last week? How do you rate your sort of 189 00:10:27,520 --> 00:10:30,839 Speaker 1: pioneers of punk rock? You know, if we're looking at 190 00:10:31,040 --> 00:10:34,280 Speaker 1: those bands from the mid to late seventies, the Clash, 191 00:10:34,360 --> 00:10:38,160 Speaker 1: the Sex Pistols, the Ramones, there's a gazillion other ones. 192 00:10:38,200 --> 00:10:39,760 Speaker 1: You can throw the New York Dolls in there if 193 00:10:39,760 --> 00:10:41,840 Speaker 1: you want, even though they're kind of proto punk. Same 194 00:10:41,880 --> 00:10:44,600 Speaker 1: with the Stooges. How do you rate those early punk bands? 195 00:10:44,640 --> 00:10:47,640 Speaker 1: Where does the Clash sit for you? Are they number one? 196 00:10:47,880 --> 00:10:50,040 Speaker 1: Do you know that story about the Clash and the 197 00:10:50,120 --> 00:10:53,080 Speaker 1: Ramones and the first time that the Ramones visited England. 198 00:10:53,120 --> 00:10:54,600 Speaker 1: That's a good one. I'm not going to tell that now. 199 00:10:54,600 --> 00:10:57,440 Speaker 1: I'm going to save it. Six one seven nine oh six, 200 00:10:57,520 --> 00:11:00,640 Speaker 1: six six three eight. Greatest punk bands do it? Top five? 201 00:11:00,880 --> 00:11:03,679 Speaker 1: Top five punk bands for me? Okay, from the from 202 00:11:03,679 --> 00:11:05,360 Speaker 1: the early days, I know, you know, you don't know 203 00:11:05,400 --> 00:11:07,360 Speaker 1: they go to like Circle Jerks, Black Flag and Don't 204 00:11:07,400 --> 00:11:09,200 Speaker 1: Don't Hit Me with Green Day or any of that stuff. 205 00:11:09,400 --> 00:11:12,600 Speaker 1: OG punk Top five OG punk bands from the seventies, 206 00:11:12,760 --> 00:11:14,520 Speaker 1: let me know. Six months, seven nine oh six, six 207 00:11:14,600 --> 00:11:16,920 Speaker 1: six three eight. I'm gonna take a quick break back 208 00:11:16,960 --> 00:11:40,000 Speaker 1: in a minute with your voicemails and texts. All right, 209 00:11:40,080 --> 00:11:45,000 Speaker 1: last week we were talking about Scott Wiland and Stone 210 00:11:45,040 --> 00:11:47,000 Speaker 1: Tip of Pilots. We had that episode that we put 211 00:11:47,000 --> 00:11:50,679 Speaker 1: out and I put up a question. Top five nineties 212 00:11:50,720 --> 00:11:55,560 Speaker 1: front men got this? This is a good list, A 213 00:11:55,640 --> 00:11:59,280 Speaker 1: left of center list from Jay Smithy seven five seven 214 00:11:59,440 --> 00:12:02,560 Speaker 1: on instat right, saying sure you had a million messages 215 00:12:02,640 --> 00:12:05,400 Speaker 1: of top five nineties front men with sam grunge names, 216 00:12:05,400 --> 00:12:07,960 Speaker 1: so I'll try to be original here. Number one Maynard 217 00:12:08,040 --> 00:12:11,760 Speaker 1: James Keenan from Tool, number two, Brad Noell from Sublime, 218 00:12:11,840 --> 00:12:14,880 Speaker 1: number three, Less Claypool from Primus, number four, Billy Joe 219 00:12:14,960 --> 00:12:18,280 Speaker 1: Armstrong from Green Day, number five, John Popper from Blues Traveler. 220 00:12:19,000 --> 00:12:24,679 Speaker 1: Really interesting lists there, so fricking nineties and uh interesting 221 00:12:24,720 --> 00:12:26,360 Speaker 1: to me if you look at that list and a 222 00:12:26,400 --> 00:12:29,640 Speaker 1: lot of those artists are still going. Tool is still going, Uh, 223 00:12:29,880 --> 00:12:32,920 Speaker 1: Primus is still going as far as I know, I 224 00:12:32,920 --> 00:12:35,280 Speaker 1: don't think they're completely broken up. Green Day of course 225 00:12:35,360 --> 00:12:39,079 Speaker 1: still going. Uh don't know about Blues Traveler, and Sublime 226 00:12:39,400 --> 00:12:42,440 Speaker 1: is now still happening with Bradley Nole's Kid from what 227 00:12:42,480 --> 00:12:45,360 Speaker 1: I understand. So just wanted to call that out. The 228 00:12:45,440 --> 00:12:48,520 Speaker 1: nineties live on and not just on the ankle tattoo 229 00:12:49,240 --> 00:12:51,000 Speaker 1: that I've got going on over here that no one 230 00:12:51,080 --> 00:12:53,640 Speaker 1: needs to ever see. All right, what else we got here? 231 00:12:53,640 --> 00:12:56,360 Speaker 1: Six one, seven, nine oh six sixty six three eight, 232 00:12:56,440 --> 00:12:58,760 Speaker 1: hit me up. Let's check out some voicemails and text 233 00:12:58,800 --> 00:13:01,560 Speaker 1: from you guys. All right, I'll have the same question 234 00:13:01,880 --> 00:13:06,920 Speaker 1: of favorite frontman from the nineties. The five three to 235 00:13:06,960 --> 00:13:09,200 Speaker 1: zero rights in being a teen in the early nineties. 236 00:13:09,200 --> 00:13:11,240 Speaker 1: It'd be too easy to pick some grunge singers, so 237 00:13:11,320 --> 00:13:13,520 Speaker 1: I'll take a different route, even though some of these 238 00:13:13,520 --> 00:13:16,320 Speaker 1: singers also released album in the eighties. Lucinda Williams so 239 00:13:16,520 --> 00:13:20,199 Speaker 1: underrated and underappreciated. That's number one. David Lowry Cracker Camper 240 00:13:20,280 --> 00:13:23,920 Speaker 1: van Beethoven. Number three, Jeremy enoch Is Sunny Day Real 241 00:13:24,040 --> 00:13:28,360 Speaker 1: Estate for Blake Schwarzenbach of Jawbreaker and Jets to Brazil. 242 00:13:28,640 --> 00:13:30,600 Speaker 1: Not the cleanest or pretty, but he made his mark 243 00:13:30,640 --> 00:13:34,760 Speaker 1: and influence so many and number five Als Snaros of 244 00:13:34,880 --> 00:13:37,760 Speaker 1: Sleep and om. His voice compliments the heavy and moody 245 00:13:37,800 --> 00:13:40,920 Speaker 1: tunes so well. Keep up this stellar work, per usual. 246 00:13:40,960 --> 00:13:45,160 Speaker 1: That is an incredible list. Incredible and I've seen a 247 00:13:45,160 --> 00:13:47,360 Speaker 1: bunch of those artists played with some of those artists 248 00:13:47,400 --> 00:13:53,280 Speaker 1: in my former life. I saw Lucinda Williams saw Greatly 249 00:13:53,360 --> 00:13:56,320 Speaker 1: Send to Williams show at the Grand Old Aubry, which 250 00:13:56,360 --> 00:14:00,440 Speaker 1: is incredible, played with David Lowry from Cracker Camp. Pro 251 00:14:00,520 --> 00:14:04,600 Speaker 1: Van Beethoven saw Sunny Day Real Estate's first show ever 252 00:14:04,840 --> 00:14:09,640 Speaker 1: in Boston at Bill's Bar opening up. Four oh man? 253 00:14:09,720 --> 00:14:14,319 Speaker 1: What was that band ever? Clear Blake Schwarzenbach of Jawbreaker 254 00:14:14,400 --> 00:14:17,199 Speaker 1: and Jets to Brazil. I've never seen either? Can you 255 00:14:17,280 --> 00:14:20,320 Speaker 1: believe that? I can't? And never saw a sleep either. 256 00:14:20,640 --> 00:14:23,720 Speaker 1: So but great list. Great list of those five who 257 00:14:23,800 --> 00:14:27,680 Speaker 1: send to David Lowry, Jeremy Enoch, Blake and al. I'm 258 00:14:27,720 --> 00:14:30,080 Speaker 1: putting Listenda right right where you got her, right at 259 00:14:30,120 --> 00:14:32,400 Speaker 1: the top of the list. Awesome list. All right, let's 260 00:14:32,480 --> 00:14:35,320 Speaker 1: keep going here. What else we got? Got this message 261 00:14:35,360 --> 00:14:37,760 Speaker 1: from the rain Man in six' five to, one writes, 262 00:14:37,800 --> 00:14:40,760 Speaker 1: In hey Rain man from the five oh Seven excuse, 263 00:14:40,800 --> 00:14:42,560 Speaker 1: me it's from a sixty five to one, number but 264 00:14:43,040 --> 00:14:45,400 Speaker 1: Ray man wants to say five oh, seven SO i get. 265 00:14:45,440 --> 00:14:49,320 Speaker 1: It loyalty to your original area. Code rayman, SAYS i 266 00:14:49,440 --> 00:14:52,160 Speaker 1: know you've had this suggestion a few, times but The 267 00:14:52,240 --> 00:14:54,840 Speaker 1: Dead kennedys would be. Great to hear. About seems like 268 00:14:54,920 --> 00:14:56,760 Speaker 1: you might not be the biggest, fan but that's. Okay, 269 00:14:56,880 --> 00:15:00,920 Speaker 1: also maybe some bands Like Fu Manchu caius or while 270 00:15:00,960 --> 00:15:03,960 Speaker 1: it's a Second sleep, reference or maybe Minor Threat Circle, 271 00:15:04,040 --> 00:15:07,400 Speaker 1: jerks rush Anvill hex And death Or rodriguez would love 272 00:15:07,440 --> 00:15:09,360 Speaker 1: to hear what you think about these great job on the. 273 00:15:09,440 --> 00:15:12,920 Speaker 1: Pod got some heavy suggestions here from the Rain. MAN 274 00:15:14,560 --> 00:15:17,720 Speaker 1: i love a lot of these, Bands Fu Manchu. Caius of, 275 00:15:17,840 --> 00:15:21,160 Speaker 1: course you'll be happy to Know rayman that in the 276 00:15:21,240 --> 00:15:23,960 Speaker 1: next episode we have coming up On tuesday On Anthony, 277 00:15:24,040 --> 00:15:26,160 Speaker 1: bourdin Which i'm going to talk about in a, Minute 278 00:15:26,440 --> 00:15:31,000 Speaker 1: Josh home Of caius And queens of The Stone age 279 00:15:31,960 --> 00:15:35,120 Speaker 1: is heavily involved in that. Episode you'll be happy to 280 00:15:35,280 --> 00:15:38,400 Speaker 1: hear That Dead KENNEDY'S i don't Dislike Dead, KENNEDY'S i 281 00:15:38,440 --> 00:15:42,360 Speaker 1: don't love them LIKE i love other punk. BANDS i 282 00:15:42,520 --> 00:15:47,040 Speaker 1: was telling somebody this story yesterday Because Mojo nixon just 283 00:15:47,160 --> 00:15:51,280 Speaker 1: died last week AND i had an experience With Mojo 284 00:15:51,400 --> 00:15:55,040 Speaker 1: nixon And Jeel biaffro From Dead kennedy's once WHERE i 285 00:15:55,240 --> 00:15:57,440 Speaker 1: had my band was playing South By. Southwest we had 286 00:15:57,480 --> 00:16:02,200 Speaker 1: just played The continental In austin On South, congress and 287 00:16:02,320 --> 00:16:05,000 Speaker 1: it was one of those you know cattle call gigs 288 00:16:05,400 --> 00:16:08,320 Speaker 1: where there's just a gazillion bands on the, bill and 289 00:16:09,040 --> 00:16:11,720 Speaker 1: backstage there was no real. Backstage it was a day 290 00:16:11,800 --> 00:16:13,960 Speaker 1: show and you just kind of get done, playing and 291 00:16:14,480 --> 00:16:18,000 Speaker 1: backstage was sort of outside in the backyard area of The. 292 00:16:18,080 --> 00:16:22,000 Speaker 1: Continental AND i just walked outside and there's a little 293 00:16:22,000 --> 00:16:24,240 Speaker 1: party going on out. There it was, daytime and you, 294 00:16:24,320 --> 00:16:27,680 Speaker 1: know everyone's kind of day drunk. Itself By. Southwest this, 295 00:16:27,920 --> 00:16:31,720 Speaker 1: was by the, way probably twenty years, ago and we 296 00:16:31,840 --> 00:16:33,840 Speaker 1: were starting to load out our gear or. Something and, 297 00:16:33,840 --> 00:16:37,840 Speaker 1: ANYWAYS i walked just walked right into this circle of 298 00:16:38,560 --> 00:16:41,480 Speaker 1: like three or four dudes standing there passing a. Joint 299 00:16:41,560 --> 00:16:44,320 Speaker 1: and WHEN i just like walked into it and carrying my, 300 00:16:44,400 --> 00:16:48,080 Speaker 1: amp and someone handed me a joint and it Was Jello, 301 00:16:48,160 --> 00:16:52,000 Speaker 1: biafra and SO i just took a hit AND i 302 00:16:52,120 --> 00:16:53,600 Speaker 1: handed it to the dude next to, me and it 303 00:16:53,680 --> 00:16:56,080 Speaker 1: Was Mojo. Nixon AND i just stayed there for a 304 00:16:56,160 --> 00:16:59,040 Speaker 1: couple of minutes and got. High with those dudes left 305 00:16:59,160 --> 00:17:05,600 Speaker 1: AND i caught the most, serious, baddest, hardest most dangerous 306 00:17:05,640 --> 00:17:07,680 Speaker 1: Cold i've ever had in my. LIFE i literally THOUGHT 307 00:17:07,680 --> 00:17:09,400 Speaker 1: i was gonna DIE i caught, pneumonia AND i Think 308 00:17:09,960 --> 00:17:12,560 Speaker 1: Jello biafra Or Mojo nixon gave it to. Me so 309 00:17:12,720 --> 00:17:15,800 Speaker 1: there's my Dead kennedy's. Story maybe someday there'll be an 310 00:17:15,840 --> 00:17:20,160 Speaker 1: actual Dead kennedy's episode Of disgraceland that will be way 311 00:17:20,280 --> 00:17:23,880 Speaker 1: less name. Droppy, anyhow all, right what else we got here? 312 00:17:24,040 --> 00:17:24,080 Speaker 2: For? 313 00:17:24,240 --> 00:17:27,520 Speaker 1: Text another, suggestion this one from the three three to 314 00:17:27,600 --> 00:17:35,240 Speaker 1: Oh jake quick suggestion for a. Show please Consider Herb Alpert, Wow, Fame, Fortune, Troubles, 315 00:17:35,320 --> 00:17:38,199 Speaker 1: recovery and he co FOUNDED a AND M Records IF 316 00:17:38,240 --> 00:17:40,560 Speaker 1: i remember, correctly he And Jerry moss FOUNDED a AND 317 00:17:40,680 --> 00:17:42,800 Speaker 1: m to protect the rights and profits for the recording 318 00:17:42,880 --> 00:17:47,160 Speaker 1: artist Rock. Star best to all The brennan's three three 319 00:17:47,200 --> 00:17:50,560 Speaker 1: to Oh hey three three. OH i didn't know anything about. 320 00:17:50,600 --> 00:17:53,720 Speaker 1: This ALL i know is that incredibly Hot Herb albert 321 00:17:54,000 --> 00:17:58,520 Speaker 1: album cover with the whip Cream. Wow that's. FASCINATING i 322 00:17:58,600 --> 00:18:02,600 Speaker 1: have so many questions right. Now listen these, suggestions though they're, 323 00:18:02,640 --> 00:18:06,680 Speaker 1: great keep them. Coming it's obvious to, me and it's 324 00:18:06,720 --> 00:18:08,960 Speaker 1: been obvious to me since the beginning of this podcast 325 00:18:09,080 --> 00:18:11,200 Speaker 1: that the suggestions that you guys make are part of 326 00:18:11,240 --> 00:18:15,240 Speaker 1: the fun of the. Show we've definitely grown in the 327 00:18:15,359 --> 00:18:18,800 Speaker 1: last few, months and there's a lot more incoming and 328 00:18:18,880 --> 00:18:22,000 Speaker 1: a lot more engagement going, on AND i want to 329 00:18:22,000 --> 00:18:25,399 Speaker 1: find a way to formalize these, suggestions maybe do some 330 00:18:25,520 --> 00:18:27,840 Speaker 1: sort of, ranking and maybe do some sort of thing 331 00:18:27,880 --> 00:18:31,000 Speaker 1: where we can get to get to the suggestions a 332 00:18:31,040 --> 00:18:34,080 Speaker 1: little bit more quickly in our production. SCHEDULE i don't. 333 00:18:34,119 --> 00:18:36,080 Speaker 1: Know i'm gonna think on, that all, Right i'm gonna 334 00:18:36,080 --> 00:18:37,680 Speaker 1: think on. That i'll be back to you with, it 335 00:18:37,760 --> 00:18:39,960 Speaker 1: but keep the suggestions. Coming in the, Meantime let's check 336 00:18:39,960 --> 00:18:42,399 Speaker 1: out some. Voicemails what do we got? Here all? Right 337 00:18:42,440 --> 00:18:44,280 Speaker 1: let's check out this voicemail from the five to seven. 338 00:18:44,320 --> 00:18:46,880 Speaker 3: Three, hey, everybody you say me from the five seven, 339 00:18:46,960 --> 00:18:50,880 Speaker 3: three Say, JAKE i was, wondering all. Right So i'm 340 00:18:50,880 --> 00:18:54,040 Speaker 3: one of the original original sequence. FANS i do believe 341 00:18:54,800 --> 00:18:58,200 Speaker 3: the first ONE i was turned onto a Gg allen. 342 00:18:58,320 --> 00:19:00,800 Speaker 3: One my buddy's a HUGE gg Or i'm a Ucg 343 00:19:00,880 --> 00:19:03,600 Speaker 3: allen fan Of my buddy had already known about your 344 00:19:03,640 --> 00:19:05,359 Speaker 3: podcast to turn me onto, it, Right So i've been 345 00:19:05,400 --> 00:19:08,119 Speaker 3: listening it since, then and that was twenty. EIGHTEEN i 346 00:19:08,200 --> 00:19:11,200 Speaker 3: BELIEVE i believe my math is, correct but as a 347 00:19:11,440 --> 00:19:14,680 Speaker 3: long time. Listener i've noticed that you have you're addressing 348 00:19:14,960 --> 00:19:17,000 Speaker 3: a much larger. Audience you've had an, uptick AND i 349 00:19:17,119 --> 00:19:20,480 Speaker 3: was wondering what caused, that or when did you realize 350 00:19:20,520 --> 00:19:24,639 Speaker 3: that you needed to cater to the. Newcomers is it 351 00:19:24,920 --> 00:19:28,000 Speaker 3: because they kept asking for episodes on ticking you already 352 00:19:28,000 --> 00:19:31,720 Speaker 3: covered or. OTHERWISE i knew this was going to take 353 00:19:31,760 --> 00:19:35,400 Speaker 3: off from the very. Beginning this is an amazing concept 354 00:19:35,520 --> 00:19:37,760 Speaker 3: and you're doing it. Wonderfully AND, i for, one thank you. 355 00:19:38,359 --> 00:19:41,080 Speaker 1: All right five seven? Three good, uh thanks for the. 356 00:19:41,160 --> 00:19:45,159 Speaker 1: Message good. Question i'd pushed back a little on the 357 00:19:45,400 --> 00:19:50,440 Speaker 1: on the notion THAT i cater to new. FANS i 358 00:19:50,520 --> 00:19:53,040 Speaker 1: definitely try to make everyone feel, welcome for, sure new. 359 00:19:53,080 --> 00:19:56,600 Speaker 1: FANS i can tell when people come. In when we 360 00:19:56,680 --> 00:19:59,199 Speaker 1: get an influx of new. Listeners right, now that's happening 361 00:20:00,280 --> 00:20:03,080 Speaker 1: in part because of our efforts over On, instagram and 362 00:20:03,160 --> 00:20:07,119 Speaker 1: we've been releasing these these sixty second videos that are 363 00:20:07,240 --> 00:20:11,040 Speaker 1: just sort of like we're extracting these little anecdotes from 364 00:20:11,080 --> 00:20:14,560 Speaker 1: the episodes and producing them in video format and again 365 00:20:14,680 --> 00:20:18,920 Speaker 1: like really really micro version sixty second ninety second, videos 366 00:20:19,160 --> 00:20:22,080 Speaker 1: and that's that's caught on and then that of course 367 00:20:22,200 --> 00:20:27,040 Speaker 1: grows the podcast somewhat, so BUT i DON'T i don't 368 00:20:27,359 --> 00:20:32,600 Speaker 1: we don't address or try to address a larger. AUDIENCE 369 00:20:33,760 --> 00:20:38,560 Speaker 1: i will always dip into my personal, taste Gg allen 370 00:20:38,800 --> 00:20:41,119 Speaker 1: being being one of, them and just things that interest. 371 00:20:41,240 --> 00:20:44,159 Speaker 1: Me But i'm also interested And i've been this way 372 00:20:44,240 --> 00:20:46,920 Speaker 1: my whole, life even going back to the first two 373 00:20:47,000 --> 00:20:49,200 Speaker 1: seasons Of disgraceland and way before that WHEN i was 374 00:20:49,240 --> 00:20:50,680 Speaker 1: a little, kid And i've talked about it here. Before 375 00:20:50,720 --> 00:20:53,480 Speaker 1: i've been interested in all types of artists. Artists excuse, 376 00:20:53,520 --> 00:20:56,120 Speaker 1: me SOMETIMES i go way out of my comfort. Zone, 377 00:20:56,160 --> 00:20:59,000 Speaker 1: though to your, Point Mariah, Carey i'm not very interested 378 00:20:59,040 --> 00:21:02,280 Speaker 1: In Mariah, carey BUT i am. INTERESTED i was, interested 379 00:21:02,640 --> 00:21:06,520 Speaker 1: And Mariah carey's sort, of you, know her Whole christmas 380 00:21:06,640 --> 00:21:08,760 Speaker 1: queen thing that she has going, on so it seemed, like, 381 00:21:08,800 --> 00:21:11,640 Speaker 1: okay you know, thematically let's do that Around christmas. Time 382 00:21:12,240 --> 00:21:14,760 Speaker 1: there's plenty of other obscure artists That i'm not into 383 00:21:15,119 --> 00:21:16,440 Speaker 1: or not interested. 384 00:21:16,000 --> 00:21:17,119 Speaker 3: In that that we. 385 00:21:17,280 --> 00:21:19,600 Speaker 1: Cover New order being one of those that was, heavily 386 00:21:20,200 --> 00:21:25,720 Speaker 1: heavily requested by the. Audience and one thing we are changing, 387 00:21:25,840 --> 00:21:29,720 Speaker 1: though and this is because it befits authentically my interests 388 00:21:29,760 --> 00:21:31,680 Speaker 1: that go beyond. Music you, know we've had this sort 389 00:21:31,720 --> 00:21:35,000 Speaker 1: of Bad lands feed that was. Happening we fucked with 390 00:21:35,080 --> 00:21:37,879 Speaker 1: The sportsland thing for a. While so Obviously i'm interested in. 391 00:21:38,000 --> 00:21:41,520 Speaker 1: Film i'm interested in film, History hollywood. History i'm interested in, 392 00:21:41,600 --> 00:21:46,399 Speaker 1: sports a huge sports. Fan but my interests go even beyond, 393 00:21:46,560 --> 00:21:50,080 Speaker 1: Sports hollywood and. Music i'm interested in interesting people and 394 00:21:50,240 --> 00:21:54,320 Speaker 1: the dark, stories specifically the dark stories that surround them 395 00:21:55,080 --> 00:21:58,399 Speaker 1: and what they have to fight, through the disgrace that 396 00:21:58,520 --> 00:22:02,000 Speaker 1: they have to move themselves and the people around them 397 00:22:02,080 --> 00:22:05,280 Speaker 1: through to make it out the other. Side it creates 398 00:22:05,359 --> 00:22:08,840 Speaker 1: these incredibly dramatic. Stories And i've been interested in this 399 00:22:09,040 --> 00:22:12,000 Speaker 1: my whole. Life it's been my interest in historical. Fiction 400 00:22:12,400 --> 00:22:15,440 Speaker 1: it's been my interest and the authors That i've, read 401 00:22:15,840 --> 00:22:20,560 Speaker 1: the poets That i've, read the artists That i've responded, 402 00:22:20,640 --> 00:22:24,359 Speaker 1: To and you're going to see over the coming weeks 403 00:22:24,880 --> 00:22:28,400 Speaker 1: months this year that we're going to start to sprinkle 404 00:22:28,480 --> 00:22:31,840 Speaker 1: in those stories with The Ggi, allens with The, blondies 405 00:22:31,880 --> 00:22:33,760 Speaker 1: with The New, orders and we're going to have a 406 00:22:33,840 --> 00:22:38,959 Speaker 1: much more robust experience here In. Disgraceland because it's occurred 407 00:22:39,000 --> 00:22:41,639 Speaker 1: to me over the last five years That disgraceland is 408 00:22:41,720 --> 00:22:45,240 Speaker 1: not just about. Music it's about the, disgrace and it's 409 00:22:45,280 --> 00:22:48,560 Speaker 1: about these interesting characters and these dark stories and what 410 00:22:48,680 --> 00:22:50,359 Speaker 1: we can learn from these stories and how we can 411 00:22:50,400 --> 00:22:53,040 Speaker 1: be entertained by. Them AND i don't think that everything 412 00:22:53,119 --> 00:22:54,800 Speaker 1: has to be an after school. SPECIAL i don't think 413 00:22:54,840 --> 00:22:57,560 Speaker 1: that everything has to be this SERIOUS npr type of. 414 00:22:57,640 --> 00:23:00,680 Speaker 1: Storytelling this shit is. Entertaining it's, fun and it's gonna 415 00:23:00,680 --> 00:23:04,840 Speaker 1: stay that, way whether we're talking about Gg, Allen, Blondie Anthony, 416 00:23:04,920 --> 00:23:11,400 Speaker 1: Bourdain Elon, Musk, Picasso, Basquot. Picket, okay we're gonna get into, 417 00:23:11,440 --> 00:23:13,520 Speaker 1: it And i'm gonna find a way to continue to 418 00:23:13,600 --> 00:23:15,680 Speaker 1: give you guys what you, want be it on the 419 00:23:15,720 --> 00:23:20,159 Speaker 1: obscure side or on the bigger. Side does that answer your? 420 00:23:20,240 --> 00:23:22,720 Speaker 1: Question kind of answers my question Because i'm this stuff 421 00:23:22,760 --> 00:23:25,000 Speaker 1: is in my, head as you can, tell And i'm 422 00:23:25,000 --> 00:23:27,240 Speaker 1: trying to figure it out here in real. Time thanks 423 00:23:27,280 --> 00:23:29,560 Speaker 1: for the. Support if you get someone you want to 424 00:23:29,600 --> 00:23:32,040 Speaker 1: hear besides you, know someone in the Gg Allen vain 425 00:23:32,200 --> 00:23:35,320 Speaker 1: or perhaps someone, else call back let me, know all, 426 00:23:35,400 --> 00:23:37,239 Speaker 1: Right and that goes for the rest of you. Too 427 00:23:37,320 --> 00:23:40,840 Speaker 1: six one seven nine oh six six' six. Three eight 428 00:23:40,960 --> 00:23:43,840 Speaker 1: let's do. One, more uh let's do this one from 429 00:23:43,880 --> 00:23:44,280 Speaker 1: the seven? 430 00:23:44,359 --> 00:23:49,560 Speaker 2: Eight, one jake what up your boy? Is here just 431 00:23:49,720 --> 00:23:53,720 Speaker 2: listen To The scott, wiland EPISODE and i, Gotta, say god, 432 00:23:53,880 --> 00:24:01,080 Speaker 2: damn man that's some good fucking. Story, telling, anxiety, goosebumps 433 00:24:01,520 --> 00:24:06,760 Speaker 2: happiness all. The fields you did an, amazing job, my 434 00:24:06,920 --> 00:24:10,160 Speaker 2: MAN and i gotta say one of the. Best yet 435 00:24:11,040 --> 00:24:14,000 Speaker 2: keep up the good, fucking work. My Man, DISCO. 436 00:24:15,720 --> 00:24:19,080 Speaker 1: Ish i, love, you, great, great great. Great voicemail. Thank 437 00:24:19,080 --> 00:24:21,280 Speaker 1: you i'm so happy that you like. That storytelling all 438 00:24:21,359 --> 00:24:23,720 Speaker 1: props to the team Here At Double Elvis zeth lundy 439 00:24:23,760 --> 00:24:26,400 Speaker 1: who wrote. That One Uh In matt Bowden and Sean 440 00:24:26,440 --> 00:24:28,399 Speaker 1: ka Halen And matta haney and all the guys here 441 00:24:28,440 --> 00:24:31,240 Speaker 1: who did the music, and audio, The Scoring, ryan spreaker 442 00:24:31,359 --> 00:24:34,640 Speaker 1: all that. Crushed it happy you. DUG it I think 443 00:24:34,800 --> 00:24:36,959 Speaker 1: i recorded last night ish. The uh if you Liked 444 00:24:36,960 --> 00:24:39,000 Speaker 1: The scott, WILAND episode i recorded last Night The Lane 445 00:24:39,040 --> 00:24:42,640 Speaker 1: Staleia allison chains episode that will be out soon, as 446 00:24:42,960 --> 00:24:46,920 Speaker 1: well so hopefully you dig. That too These are these 447 00:24:46,920 --> 00:24:48,399 Speaker 1: are two to kind of go with the theme of 448 00:24:48,520 --> 00:24:51,399 Speaker 1: This podcast today's. Bonus episode these are two of the 449 00:24:51,640 --> 00:24:56,080 Speaker 1: most highly recommended episodes that have come from, You GUYS 450 00:24:56,240 --> 00:24:58,720 Speaker 1: and i guess to the last, callers point, YOU know 451 00:24:58,800 --> 00:25:01,040 Speaker 1: i talk ABOUT how i don't try to. SERVICE newcomers 452 00:25:01,080 --> 00:25:03,639 Speaker 1: i do try to, SERVICE everyone, i guess and You know. 453 00:25:03,760 --> 00:25:06,040 Speaker 1: I'M not i haven't been The Biggest scott. WILAND fan 454 00:25:06,080 --> 00:25:09,840 Speaker 1: i kind of addressed that. Last week but we wanted 455 00:25:09,880 --> 00:25:11,240 Speaker 1: to dig in and do a good job for you 456 00:25:11,320 --> 00:25:13,640 Speaker 1: guys and give you what. You WANTED but i think 457 00:25:13,680 --> 00:25:15,520 Speaker 1: to the last, callers point we've got to figure out 458 00:25:15,560 --> 00:25:19,440 Speaker 1: a way that we can organize all of these requests 459 00:25:20,040 --> 00:25:21,800 Speaker 1: and that we can make sure that you're all, being 460 00:25:21,920 --> 00:25:25,240 Speaker 1: satisfied you're all getting the episodes on the subjects that, 461 00:25:25,400 --> 00:25:28,280 Speaker 1: you want and that we aren't tipping the scales too 462 00:25:28,359 --> 00:25:31,480 Speaker 1: heavily in one direction or. The other but just back to, 463 00:25:31,560 --> 00:25:34,040 Speaker 1: The point ish stoked that you were, into that and 464 00:25:34,119 --> 00:25:36,920 Speaker 1: a lot of great responses from everyone out There in 465 00:25:37,040 --> 00:25:40,399 Speaker 1: Disgraceland About. Scott wiland so, thank. You guys glad you. 466 00:25:40,480 --> 00:25:42,400 Speaker 1: Dug it we're gonna take a quick break and we'll 467 00:25:42,440 --> 00:25:59,320 Speaker 1: be back in. A flash, all right we. Are, back 468 00:25:59,359 --> 00:26:02,320 Speaker 1: listen you're getting rewind episode. This week That's the studio 469 00:26:02,520 --> 00:26:07,600 Speaker 1: four episode and one of, my favorites one of. My 470 00:26:07,680 --> 00:26:10,359 Speaker 1: favorites loved the music in. This One ryan's breaker fucking 471 00:26:10,440 --> 00:26:13,520 Speaker 1: killed it. For us, just, great great. Great JOB and 472 00:26:13,640 --> 00:26:17,399 Speaker 1: i love the history. Of disco and, YOU know i 473 00:26:17,760 --> 00:26:20,920 Speaker 1: know people hate disco the, you know the classic, rock 474 00:26:21,000 --> 00:26:23,320 Speaker 1: guys the punk, rock guys some of the. MANY ways 475 00:26:23,359 --> 00:26:27,920 Speaker 1: i don't want, to generalize but, you know disco was 476 00:26:28,200 --> 00:26:31,639 Speaker 1: and is and remains one of the most subversive styles of. 477 00:26:31,800 --> 00:26:37,639 Speaker 1: Music ever and its history. Is fascinating where it, comes 478 00:26:37,680 --> 00:26:39,800 Speaker 1: from where it, came from how it got to where, 479 00:26:39,840 --> 00:26:43,560 Speaker 1: it was how it completely took over. Pop music and 480 00:26:43,680 --> 00:26:47,760 Speaker 1: there is great disco Even and i'm not just talking 481 00:26:47,760 --> 00:26:51,200 Speaker 1: About The giorgio moroder. Obscure stuff i'm talking about the 482 00:26:51,359 --> 00:26:53,960 Speaker 1: hits that beg stuff you can't fuck with it in, a, 483 00:26:54,040 --> 00:26:59,200 Speaker 1: vacuum objectively. Just, Incredible okay so that's my bit. ON 484 00:26:59,280 --> 00:27:00,840 Speaker 1: disco i want it to a little bit about what's 485 00:27:00,840 --> 00:27:03,040 Speaker 1: coming to you guys. Next week That's The anthony. Bourdaine. 486 00:27:03,080 --> 00:27:06,959 Speaker 1: EPISODE okay i haven't been this excited about an episode 487 00:27:07,000 --> 00:27:10,960 Speaker 1: in a long. LONG time i wrote my heart out for. 488 00:27:11,040 --> 00:27:15,960 Speaker 1: THIS one i left fucking blood on, the desk, not, 489 00:27:16,200 --> 00:27:20,200 Speaker 1: literally figuratively you're going to be into. THIS though, I hope. 490 00:27:20,520 --> 00:27:23,119 Speaker 1: I hope this is a massive subject. FOR me i 491 00:27:23,160 --> 00:27:25,120 Speaker 1: think it's a big subject for you guys. As well 492 00:27:25,280 --> 00:27:28,320 Speaker 1: i'm A Huge anthony, bourdain fan and there's so. Much 493 00:27:28,440 --> 00:27:30,440 Speaker 1: here there's so much to, his story and so much 494 00:27:30,480 --> 00:27:33,399 Speaker 1: of it was. Already public it was very challenging to 495 00:27:33,520 --> 00:27:36,680 Speaker 1: find a unique lane into this storytelling to give you 496 00:27:36,760 --> 00:27:39,840 Speaker 1: guys something new. And FRESH and i really hope that we. 497 00:27:39,960 --> 00:27:42,760 Speaker 1: Did that i'm pumped for you to. HEAR it i 498 00:27:42,880 --> 00:27:46,879 Speaker 1: want to talk a little bit, about obviously his girlfriend 499 00:27:46,920 --> 00:27:49,320 Speaker 1: there at, The End agio argento is a huge part of. 500 00:27:49,359 --> 00:27:53,520 Speaker 1: This episode she could not not be but it just 501 00:27:53,640 --> 00:27:56,399 Speaker 1: got me sort of going back through her history a 502 00:27:56,440 --> 00:27:58,840 Speaker 1: little bit from a. Creative PERSPECTIVE and i watched that 503 00:27:58,920 --> 00:28:01,920 Speaker 1: able for our film a DIRECTOR who i, really LIKE 504 00:28:02,080 --> 00:28:06,680 Speaker 1: and I watched i Watched The agio argento Film With 505 00:28:06,760 --> 00:28:10,240 Speaker 1: william Dafoe and christopher walk And Called New, rose hotel 506 00:28:11,480 --> 00:28:14,600 Speaker 1: AND then i did a little digging on that film 507 00:28:14,600 --> 00:28:17,600 Speaker 1: because that FILM is i don't know what the actual 508 00:28:17,720 --> 00:28:20,800 Speaker 1: definition of, erotica IS but i know what the definition of, 509 00:28:20,880 --> 00:28:26,240 Speaker 1: pornography is and it's, you know it's somewhere around both. 510 00:28:26,280 --> 00:28:31,280 Speaker 1: Of those not. Quite porn it might. Be erotica it's 511 00:28:31,359 --> 00:28:33,600 Speaker 1: not a. Great film it looks like a. Great film 512 00:28:33,800 --> 00:28:35,720 Speaker 1: it sounds like a. Great FILM and i know many 513 00:28:35,760 --> 00:28:37,359 Speaker 1: of you out there are going to your hair is 514 00:28:37,440 --> 00:28:39,120 Speaker 1: going to light on fire when you hear me say 515 00:28:39,160 --> 00:28:42,080 Speaker 1: that it's not a. Great film but, just objectively. It's 516 00:28:42,160 --> 00:28:44,720 Speaker 1: not if you're looking to, Get off if you're looking 517 00:28:44,760 --> 00:28:47,360 Speaker 1: for something hot to get you stoked, or whatever, then 518 00:28:47,600 --> 00:28:52,080 Speaker 1: yeah this. Is it it's. Incredibly HOT but, i wonder, 519 00:28:52,680 --> 00:28:55,000 Speaker 1: YOU know i WAS before i get to the. WONDER 520 00:28:55,040 --> 00:28:57,280 Speaker 1: part i was reading a little bit about the history 521 00:28:57,320 --> 00:28:59,240 Speaker 1: of it and how they were trying to cast a 522 00:28:59,320 --> 00:29:02,520 Speaker 1: woman in the eye our gentle role and the role that, 523 00:29:02,600 --> 00:29:05,400 Speaker 1: she got, Excuse me and they had all these different 524 00:29:05,440 --> 00:29:07,960 Speaker 1: women that came in, and read and then she came 525 00:29:08,040 --> 00:29:12,640 Speaker 1: in and she kind of just, you know the role 526 00:29:12,880 --> 00:29:17,320 Speaker 1: she plays is of this this very powerful sex worker 527 00:29:17,920 --> 00:29:21,080 Speaker 1: who has a lot of control and command over, the 528 00:29:21,200 --> 00:29:26,160 Speaker 1: men seemingly more powerful men in. Her LIFE and i 529 00:29:26,280 --> 00:29:29,120 Speaker 1: read this quote from somebody who was on the, film 530 00:29:29,200 --> 00:29:31,840 Speaker 1: set and so that's basically who she was in. Real 531 00:29:31,920 --> 00:29:33,800 Speaker 1: life and this Is, pre boordain by, the way, this 532 00:29:33,960 --> 00:29:36,160 Speaker 1: quote she kind of came in and just kind of, 533 00:29:36,200 --> 00:29:39,840 Speaker 1: Controlled Everybody willem, defoe included and just kind of had 534 00:29:39,960 --> 00:29:43,040 Speaker 1: her way, with them which was fascinating. To read and 535 00:29:43,120 --> 00:29:46,960 Speaker 1: in the context Of The anthony bourdain EPISODE that i 536 00:29:47,120 --> 00:29:50,080 Speaker 1: just wrote that you're gonna hear, next week this film 537 00:29:50,520 --> 00:29:54,880 Speaker 1: is really really compelling, and INTERESTING so i encourage you 538 00:29:54,920 --> 00:29:57,760 Speaker 1: to seek. It out It's Called New. Rose, hotel again 539 00:29:58,000 --> 00:30:02,240 Speaker 1: not a, great film but it will end. Entertain you and, 540 00:30:02,440 --> 00:30:06,000 Speaker 1: you know it's fucking charismatic movie stars doing charismatic movie, 541 00:30:06,000 --> 00:30:08,000 Speaker 1: star shit so you can't really go wrong even if 542 00:30:08,080 --> 00:30:11,120 Speaker 1: it's if it's not the. Greatest storytelling if You, got 543 00:30:11,200 --> 00:30:13,600 Speaker 1: criterion it's on. That App but i'm sure you can 544 00:30:13,640 --> 00:30:15,960 Speaker 1: find It on apple. And ELSEWHERE and i think Able 545 00:30:16,000 --> 00:30:18,280 Speaker 1: fer ours films are some of them are. On YouTube 546 00:30:18,280 --> 00:30:20,800 Speaker 1: you might even get. It There New, rose hotel check. 547 00:30:20,880 --> 00:30:26,080 Speaker 1: That Out anthony bourdain coming, next week, And yeah i'm 548 00:30:26,160 --> 00:30:27,800 Speaker 1: sorry for you guys to hear at six, one seven 549 00:30:27,920 --> 00:30:31,280 Speaker 1: nine oh six sixty six three Eight at disgrace lampod 550 00:30:31,440 --> 00:30:33,880 Speaker 1: on the socials, and look if you're Not, on instagram 551 00:30:34,000 --> 00:30:37,080 Speaker 1: what the hell are you? Even doing we're doing all 552 00:30:37,200 --> 00:30:39,880 Speaker 1: kinds of new shit over there. Every, day okay if 553 00:30:39,920 --> 00:30:42,160 Speaker 1: you want little micro versions of what you're getting in, 554 00:30:42,240 --> 00:30:45,680 Speaker 1: the podcast get, over there, follow us check. It out 555 00:30:45,720 --> 00:30:48,120 Speaker 1: we got stories On. Iggy pop it's almost got a 556 00:30:48,200 --> 00:30:50,640 Speaker 1: million views at. This point, in fact by the time you, 557 00:30:50,680 --> 00:30:53,320 Speaker 1: hear this it will probably be in. A, million hendrix, 558 00:30:54,040 --> 00:30:57,960 Speaker 1: who Else, the clash, Of Course, michael jackson So Many, 559 00:30:58,080 --> 00:31:03,160 Speaker 1: Grateful Dead george, Harrison traveling willbury's get. In there check. 560 00:31:03,240 --> 00:31:06,320 Speaker 1: That out we're gonna be pumping them out obviously on. 561 00:31:06,440 --> 00:31:09,120 Speaker 1: The regular we got these little nostalgia pieces we're doing. 562 00:31:09,160 --> 00:31:11,400 Speaker 1: As well if you're if you're a child of the 563 00:31:11,480 --> 00:31:14,240 Speaker 1: NINETIES as, i am you're going to. 564 00:31:14,320 --> 00:31:14,600 Speaker 2: Dig that. 565 00:31:14,760 --> 00:31:16,240 Speaker 1: ALL right i don't mean to SAY that i was 566 00:31:16,280 --> 00:31:18,160 Speaker 1: born in. THE nineties i, was NOT but I was 567 00:31:18,800 --> 00:31:21,200 Speaker 1: i was formed in. The nineties how? About that six 568 00:31:21,320 --> 00:31:23,920 Speaker 1: one seven nine oh six six six Three eight and 569 00:31:24,080 --> 00:31:38,440 Speaker 1: take a quick break back in. The flash, all right 570 00:31:38,560 --> 00:31:40,840 Speaker 1: we are back six one seven nine oh six six 571 00:31:40,920 --> 00:31:43,240 Speaker 1: six three eight voicemail. AND text i want to know 572 00:31:43,520 --> 00:31:46,800 Speaker 1: your favorite og pioneer? Punk bands Is the clash number 573 00:31:46,840 --> 00:31:48,560 Speaker 1: one on? That list give? Me five who are your 574 00:31:48,640 --> 00:31:51,600 Speaker 1: top five? Sex? Pistols ramones who are we talking about 575 00:31:51,880 --> 00:31:53,960 Speaker 1: let me know six one seven nine, oh six six six, 576 00:31:54,080 --> 00:31:57,960 Speaker 1: three eight voicemail. And text, all right let's recap. This 577 00:31:58,120 --> 00:32:01,240 Speaker 1: thing number one right now in, your feed a brand 578 00:32:01,280 --> 00:32:03,880 Speaker 1: new Episode On. The clash number two, coming tomorrow a 579 00:32:04,000 --> 00:32:07,440 Speaker 1: rewind Episode on studio. Fifty four. Number three over in 580 00:32:07,480 --> 00:32:09,240 Speaker 1: The Bad, lands feed we get a rewind Episode On 581 00:32:09,320 --> 00:32:11,800 Speaker 1: john holmes and another On One owner rider that's. Coming tomorrow. 582 00:32:11,920 --> 00:32:14,640 Speaker 1: Number four next Week, in disgraceland we launched the twenty 583 00:32:14,880 --> 00:32:18,880 Speaker 1: Twenty four icon Series of disgraceland with a brand new 584 00:32:18,960 --> 00:32:22,280 Speaker 1: Episode on anthony boardin. Number five my number is six 585 00:32:22,360 --> 00:32:24,600 Speaker 1: one seven nine, oh six six six. Three eight call 586 00:32:24,680 --> 00:32:27,040 Speaker 1: me on the telephone or text me. Number six remember 587 00:32:27,400 --> 00:32:29,200 Speaker 1: nobody cares about the music that you love more than, 588 00:32:29,200 --> 00:32:31,920 Speaker 1: You do and well that is. A disgrace. All right 589 00:32:32,280 --> 00:32:35,120 Speaker 1: my moment of bliss in honor of this week's, rewind 590 00:32:35,200 --> 00:32:38,640 Speaker 1: episode me Reading You The billboard hot one hundred from 591 00:32:38,640 --> 00:32:41,320 Speaker 1: the Week of, may thirtieth nineteen, eighty one the same 592 00:32:41,440 --> 00:32:44,800 Speaker 1: Week That the clash began their incredible Stand At Bond 593 00:32:45,080 --> 00:32:51,720 Speaker 1: international Casino In times square Number One, Betty Davis Eye 594 00:32:52,240 --> 00:32:57,920 Speaker 1: kim kurns last week one peak position one Weeks on, 595 00:32:58,120 --> 00:33:04,280 Speaker 1: chart ten, Number two Being With You, smokey robinson last 596 00:33:04,320 --> 00:33:10,720 Speaker 1: week two peak position two weeks on, chart sixteen, Number 597 00:33:10,760 --> 00:33:16,720 Speaker 1: Three medley stars on, forty five last week five peak 598 00:33:16,760 --> 00:33:21,280 Speaker 1: position peak three weeks, on chart weeks weeks on. Number 599 00:33:21,360 --> 00:33:26,880 Speaker 1: Four Suki Yake the Taste, of honey last week peak 600 00:33:26,920 --> 00:33:31,920 Speaker 1: position week four weeks, on chart thirteen weeks on number. 601 00:33:32,000 --> 00:33:36,760 Speaker 1: Five Eleven take it On the way one last hour 602 00:33:37,440 --> 00:33:47,440 Speaker 1: six last peak position five Weeks On short quit talking and. 603 00:33:47,680 --> 00:33:48,760 Speaker 1: Start mixing