WEBVTT - #200: The 200th Episode!

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<v Speaker 1>Start up, start up, Brooklyn Boys, start up, Brooklyn buys data.

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<v Speaker 1>They're making noise data scary episode two hundreds every every

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<v Speaker 1>hands of energy a number two to two hundred hundred

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<v Speaker 1>hundred to to to hundred hundred hundred. God, now we

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<v Speaker 1>have to live up to the fucking hype? Is there hype?

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<v Speaker 1>Why is there even hype around the number? Just because

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<v Speaker 1>it's a whole number where we have ten fingers, it's

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<v Speaker 1>based ten, so it's an even number. Okay, that's if

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<v Speaker 1>we had nine fingers or eight fingers, it would be

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<v Speaker 1>a whole different thing. We'd have to be eight. Did

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<v Speaker 1>you learn that? Did you learn base eight based ten?

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<v Speaker 1>And I always learned to base ten, so that everything

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<v Speaker 1>is based on counting by ten. But if you learn

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<v Speaker 1>base eight, then you you would count to like seven

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<v Speaker 1>and then you go ten, right, was sixty whatever it was?

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<v Speaker 1>So you would you would go to the tens and

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<v Speaker 1>twenties on the eights instead of on the tens, because

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<v Speaker 1>you know that would be all funked up. There's a

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<v Speaker 1>reason you wouldn't know it was fun up fingers exactly.

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<v Speaker 1>The whole system is based on counting on your fingers.

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<v Speaker 1>By the way, do you know the month numbers? Yeah, okay,

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<v Speaker 1>how many months as quick as you can? Is it?

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<v Speaker 1>From February to September? February eight no, no, February, March, April, May, June, July, August, September.

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<v Speaker 1>It's the second month to the to the Are you counting? Okay?

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<v Speaker 1>Seven months? Seven months? Okay? I was counting the month

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<v Speaker 1>that you were In February. I was talking to someone

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<v Speaker 1>that we don't work with, and I said to them, oh,

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<v Speaker 1>I said something like you asked me back in February.

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<v Speaker 1>I took care of it just now. I said, that's

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<v Speaker 1>not a lot, you know, What's something like that. So

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<v Speaker 1>I don't know what the conversation was. So they were like, well,

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<v Speaker 1>there's a lot of months, and they start counting on

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<v Speaker 1>their fingers. February March. I'm like, you know that months

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<v Speaker 1>will have numbers, right, yeah, but not so I do it.

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<v Speaker 1>I go, but so much easier if you just know

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<v Speaker 1>the numbers, like I don't do it that way. So

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<v Speaker 1>I hope people are you guys listening slices that you

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<v Speaker 1>do it. Sometimes it just makes it faster. The only

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<v Speaker 1>time it gets tricky is when it's like June to

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<v Speaker 1>March then you have to go six and then three.

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<v Speaker 1>You go six to twelve and then three again. Because

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<v Speaker 1>you go around, you're going around the year. You have

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<v Speaker 1>to ask how you can do it faster? Is how many?

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<v Speaker 1>How many twelve? And then how many ater twelve? Well okay,

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<v Speaker 1>well I can tell you this. Um, you know, here

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<v Speaker 1>we are with it with the two the two hundredth episode,

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<v Speaker 1>which I guess we're excited about because it's nice and

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<v Speaker 1>even number it's it's it's a milestone. We had no

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<v Speaker 1>technically we did to orangine one episode because we did

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<v Speaker 1>the zero but yeah, yeah, yeah, we don't really count

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<v Speaker 1>that one. But but we'll get there. So this is

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<v Speaker 1>like twohe but we live in there. I live in

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<v Speaker 1>the two oh one. You live in the two oh one.

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<v Speaker 1>Well you don't really live no, I do not. You

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<v Speaker 1>live in the what I think? I lived in the

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<v Speaker 1>two oh one when I first moved to New Jersey

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<v Speaker 1>and then they changed the area code. This is exciting

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<v Speaker 1>moment for me and you know, you know, um, we're

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<v Speaker 1>gonna play a montage a little while from A guy

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<v Speaker 1>will introduce you to who who probably spent more time

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<v Speaker 1>than uh and then we would ever advise in listening

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<v Speaker 1>to every episode, calling through the episodes, and then taking

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<v Speaker 1>our best quotes, our best moments, our watershed milestone moments

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<v Speaker 1>on the show, and a ten minute a montage which

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<v Speaker 1>we're gonna play for you a little bit which we

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<v Speaker 1>cannot wait to play. Actually, I think we're gonna play, Hey,

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<v Speaker 1>I give you guys a breather, and play the other half.

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<v Speaker 1>I think because it's mamoth. I think they felt like

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<v Speaker 1>the guy who had to go to they brought him

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<v Speaker 1>to like ps likes like psychological evaluation afterwards. He might

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<v Speaker 1>have needed it after combing through that much Brooklyn Boys material.

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<v Speaker 1>I don't know how he could stand us for that long.

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<v Speaker 1>He's not in prison. It wasn't like he was in

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<v Speaker 1>solitary and nothing to do. Dude. He did it and

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<v Speaker 1>we didn't ask him to do it. He he surprised

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<v Speaker 1>it us. It was like a gift. It was like

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<v Speaker 1>he handed it to us on this silver platter and said, hey, guys,

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<v Speaker 1>I've been working on this project for you. It's it's

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<v Speaker 1>you know, it could be a lot better a notice. Yeah,

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<v Speaker 1>So he tweeted us and said, I think I might

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<v Speaker 1>put something together a few guys, so you know, sometimes listeners,

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<v Speaker 1>you guys aren't professional radio people, and that's fine, so

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<v Speaker 1>you go, oh, that's gonna be nice, right, And sometimes listen,

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<v Speaker 1>a lot of you guys are very talented. I'm not

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<v Speaker 1>taking anyth away from you. But sometimes people will say,

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<v Speaker 1>like for the other Strand show, oh I did a

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<v Speaker 1>song parod, I'm gonna send it in and it's it's

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<v Speaker 1>just not it's just not good. Another guy did original

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<v Speaker 1>we gotta rap. Yeah, so that will play that for

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<v Speaker 1>you too. So so that the montage we just thought like, oh,

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<v Speaker 1>he'll put like a two minute thing together. Yeah, it's

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<v Speaker 1>an epic piece of audio. Yeah. And he really spent

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<v Speaker 1>a lot of time, a lot a lot of time

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<v Speaker 1>doing this, and we didn't. We couldn't. I mean, I

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<v Speaker 1>we I wrote a gushing email back. We'll read that later.

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<v Speaker 1>But my my point well here was that a lot

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<v Speaker 1>of stuff was a lot of things that came up

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<v Speaker 1>were like these moments in the Yeah, but remember and

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<v Speaker 1>he didn't include this in there. But remember the other

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<v Speaker 1>one of the things that we had a problem with

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<v Speaker 1>was when I think, Brodie, you went to a store

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<v Speaker 1>and that sounds every every story starts like that, And

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<v Speaker 1>it was like can I help the following guests? Oh, yes,

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<v Speaker 1>that was Walgreen. Yeah, well, Brodie, that happened to me

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<v Speaker 1>this afternoon. Uh you know what the following guests at

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<v Speaker 1>H and M, H and M. I was going to

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<v Speaker 1>do an appearance for Duncan and um, I was out

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<v Speaker 1>in the street. You're admitting that's a sponsor. That's fine.

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<v Speaker 1>They're a sponsor, yes, sponsor. And and I was doing

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<v Speaker 1>an appearance for them. And in the meeting, I left

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<v Speaker 1>because it was so cold outside. I said I gotta

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<v Speaker 1>go get something at H and M. So I ran

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<v Speaker 1>too h M real quirk across the street, went into

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<v Speaker 1>the men's section, grabbed a beanie because of course I

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<v Speaker 1>didn't have my Brooklyn Boys beanie on duh. I fucking

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<v Speaker 1>forgot it at home. And I went to go buy

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<v Speaker 1>a hat and im I put on the hat like

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<v Speaker 1>this is great, go right to the register, standing there,

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<v Speaker 1>and the guy says, lo and behold, can I help

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<v Speaker 1>the following guest? And I was like, now what do

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<v Speaker 1>you think I did? Brodie? You stood there. I ignored him.

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<v Speaker 1>I said no, no, no, no, no no no. I went.

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<v Speaker 1>I actually approached the counter and I paid for my

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<v Speaker 1>ship and I walked down without correcting him. I wasn't

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<v Speaker 1>I didn't have the moment, the frame of mind. I

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<v Speaker 1>don't have the time honestly to really explain to him

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<v Speaker 1>and stop down. Why that's an incorrect statement. I know

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<v Speaker 1>you if yes, I didn't do it, Can I help

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<v Speaker 1>the following guest? Because guess what was was I the

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<v Speaker 1>following guest? No? No, I was the next guest. I

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<v Speaker 1>don't know. Anyway, I just thought i'd so you see,

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<v Speaker 1>you see how awkward it is when you're actually living it. Yeah, yeah, yeah,

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<v Speaker 1>I finally understood what you did understood at wal Walgreen's

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<v Speaker 1>that day anyway. Um oh, and we also we also

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<v Speaker 1>launched this hotline that we want to play some with

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<v Speaker 1>the greatest phone number ever. Yes, we have f you

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<v Speaker 1>a seventy seven in our phone number, and the Brooklyn

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<v Speaker 1>Boys now has a phone number which we're gonna tell

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<v Speaker 1>you right now. And I'm just gonna lay this out there.

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<v Speaker 1>It is open twenty four seven three. If ever, you

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<v Speaker 1>are somewhere where you feel like you need to leave

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<v Speaker 1>a voicemail for us, that's helpful to the show. That's

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<v Speaker 1>helpful for us well implementary to me or if you're

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<v Speaker 1>drunk and you just want to ramble or babble or whatever,

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<v Speaker 1>you could leave us a voicemail at to one eight

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<v Speaker 1>F you you a all right, and we're gonna play

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<v Speaker 1>some of your voicemails. That's actually the phone number. That's

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<v Speaker 1>a number. Co f you seven. That's the number. It's

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<v Speaker 1>easy to remember, okay, to go out on your phone

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<v Speaker 1>what numbers those are? But so so yeah, so so

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<v Speaker 1>if you're ever maybe you're in a bind, maybe you're

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<v Speaker 1>in a bed, but maybe there's something that it's almost

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<v Speaker 1>used like a voice note, like oh my god, the

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<v Speaker 1>brooken voice have to know about this, and on the spot,

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<v Speaker 1>call the number, leave us a voicemail. Maybe we'll play

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<v Speaker 1>it on a future episode. So we're started yesterday. We

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<v Speaker 1>put the call out. Keep them short, so it's not

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<v Speaker 1>a text message. Phone number. You don't send, you don't

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<v Speaker 1>try to send text message. So so what we want

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<v Speaker 1>Google Voice, we want you to do is leave your information,

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<v Speaker 1>leave stuff there on on that just tell us what

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<v Speaker 1>you want to said to the show. Yeah, and so today,

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<v Speaker 1>he says, yesterday yesterday were like, let's launch it twenty

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<v Speaker 1>four hours in advance of today's Thursday recording of two

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<v Speaker 1>hundred whoever saw it. Some people reacted to it and

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<v Speaker 1>left voicemails for us. We're going to play those back

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<v Speaker 1>in a little bit. Okay, all right, all right, we

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<v Speaker 1>got a lot to go to. This is like the

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<v Speaker 1>warm up. Yeah, I have I have a question that's scary.

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<v Speaker 1>This is right up your alley. You are the king

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<v Speaker 1>of social media in my world. You are the guy

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<v Speaker 1>who obsesses over what you post, and you post a lot.

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<v Speaker 1>Everyone knows that I have a bit of a dilemma.

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<v Speaker 1>A dilemma, A dilemma. He had a visit by the

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<v Speaker 1>wonderfully talented, incredibly nice Jimmy Fallon this week, who I'm

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<v Speaker 1>a fan of, watch him every night DVR and if

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<v Speaker 1>I don't watch him and watch him the next day,

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<v Speaker 1>love Jimmy Fallon. And meeting Jimmy Fallon. First of all,

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<v Speaker 1>he's just nice. He hugs you, He's like, let's see

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<v Speaker 1>you again. Oh my god. He's just the sweetest guy.

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<v Speaker 1>And you know, he stays around after the show. We

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<v Speaker 1>take pictures with him, took a group picture, we took

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<v Speaker 1>solo pictures and Ali Gold who we had on this podcast,

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<v Speaker 1>Ali who who does um our social media who you.

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<v Speaker 1>She thirst trapped you remember we had her. I remember that.

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<v Speaker 1>She also commented on my theory T shirt. She's been

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<v Speaker 1>on several. She took a lot of pictures. So I

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<v Speaker 1>was showing Jimmy fallon my Saturday Night Live baseball jersey

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<v Speaker 1>that I bought many many many years ago that I

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<v Speaker 1>haven't even worn. I bought it as a collector's item,

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<v Speaker 1>as the tags on it. He was like, oh my god,

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<v Speaker 1>I was so great, like he was excited, and I

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<v Speaker 1>took a picture with him with me holding new jersey.

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<v Speaker 1>But Ali took a bunch of pictures of him laughing.

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<v Speaker 1>I made him laugh. He was laughing. I'm laughing. Great pictures, right.

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<v Speaker 1>The problem is all of the candids, I don't look good,

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<v Speaker 1>like I was looking down, I was looking I didn't

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<v Speaker 1>look good. All of the pictures of the two of

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<v Speaker 1>us together holding new jersey, either I look bad or

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<v Speaker 1>he looks bad like he's blinking about that. He looks

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<v Speaker 1>like he's drunk, he looks like he's tired. He was

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<v Speaker 1>neither of those. It's just every time you take, when

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<v Speaker 1>you take a burst of pictures like that, you gotta

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<v Speaker 1>get at least one good one. She didn't take a berth.

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<v Speaker 1>She did manual click click click, So, and she didn't

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<v Speaker 1>do the three to one because three to one you

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<v Speaker 1>get ready to keep your eyes open, right, one to

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<v Speaker 1>three whatever, right, But she didn't. She just went boom,

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<v Speaker 1>boom boom. But her boom booms were obviously on the blink.

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<v Speaker 1>So I look fine in the pictures I want to post,

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<v Speaker 1>but he looks. So I had to find the one

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<v Speaker 1>that looked as decent as possible for Jimmy. So my

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<v Speaker 1>question is, do you post a picture that makes the

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<v Speaker 1>celebrity look good, especially if you're gonna tag him, because

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<v Speaker 1>they'll Jimmy follows me on social media, So if I

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<v Speaker 1>post it, if I don't tag him and he sees

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<v Speaker 1>it in his feego why and he tagged me? And

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<v Speaker 1>if he sees it and I do tag him, he'll

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<v Speaker 1>definitely see they'll go why would he post this picture?

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<v Speaker 1>I look like crap? So I tested it out, right,

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<v Speaker 1>I put it on my Facebook page, which is my

0:11:51.679 --> 0:11:53.880
<v Speaker 1>private friends and family, right, so this way you could

0:11:53.960 --> 0:11:55.880
<v Speaker 1>kind of see how it does there. Yeah, because no

0:11:55.920 --> 0:11:59.120
<v Speaker 1>one's gonna like tag him. So what did you discover?

0:11:59.760 --> 0:12:04.480
<v Speaker 1>Do Falon looks drunk? No, Falon looks like he's have asleep,

0:12:04.600 --> 0:12:07.760
<v Speaker 1>is yourkay? You can't post that on social right, and

0:12:07.800 --> 0:12:10.200
<v Speaker 1>the only picture he looks really good, I look like shit.

0:12:11.640 --> 0:12:14.800
<v Speaker 1>I'm not posting that. You kind of there's no way

0:12:14.800 --> 0:12:16.600
<v Speaker 1>to like edit it. I can't edit the one where

0:12:16.800 --> 0:12:18.640
<v Speaker 1>maybe the one where you look where he looks drunk,

0:12:18.760 --> 0:12:20.840
<v Speaker 1>maybe you could edit his eyeballs a little bit too,

0:12:21.640 --> 0:12:23.440
<v Speaker 1>or maybe I could have Ali like take his head

0:12:23.480 --> 0:12:25.640
<v Speaker 1>on the good picture and put it on the Yeah,

0:12:25.679 --> 0:12:27.040
<v Speaker 1>that was the next thing I was going to suggest.

0:12:27.320 --> 0:12:29.280
<v Speaker 1>I don't know, but so it's so, which is worse.

0:12:29.400 --> 0:12:31.840
<v Speaker 1>Look I look like ship looks like. I think it's

0:12:32.440 --> 0:12:34.360
<v Speaker 1>worse if they look like shit. I think you gotta

0:12:34.559 --> 0:12:36.280
<v Speaker 1>suck it up. I mean, look, look at the picture

0:12:36.320 --> 0:12:38.679
<v Speaker 1>I posted with me and Britney Spears. I look like ass.

0:12:39.320 --> 0:12:41.120
<v Speaker 1>And that's probably one of my worst pictures I've ever

0:12:41.120 --> 0:12:43.920
<v Speaker 1>taken in my life. That was that was the you know,

0:12:44.000 --> 0:12:46.960
<v Speaker 1>that was the picture that motivated me to do dr

0:12:47.000 --> 0:12:50.000
<v Speaker 1>Fat Loss the first time. That was it was literally

0:12:50.160 --> 0:12:52.920
<v Speaker 1>that moment when I'm like, you know what, I don't

0:12:52.920 --> 0:12:55.760
<v Speaker 1>recognize me anymore. I need I need to get on,

0:12:55.880 --> 0:12:57.679
<v Speaker 1>I need to do something. That was my motivation right there.

0:12:57.760 --> 0:13:00.960
<v Speaker 1>My picture with Jeff Timmins of Degrees was why I

0:13:01.040 --> 0:13:03.960
<v Speaker 1>decided to lose the weight because of the pandemic. I

0:13:03.960 --> 0:13:07.000
<v Speaker 1>hadn't been in a celebrity photo for almost two years. Well,

0:13:07.000 --> 0:13:09.760
<v Speaker 1>speaking of Jimmy Fallon, by the way, he shouted out

0:13:10.280 --> 0:13:14.280
<v Speaker 1>Deezer during the morning show, Deezer, do you remember the

0:13:14.280 --> 0:13:17.760
<v Speaker 1>app that several episodes ago? I I was trying to

0:13:17.760 --> 0:13:19.400
<v Speaker 1>get us on d I said, why are we not

0:13:19.520 --> 0:13:23.400
<v Speaker 1>on Deser We're on every other podcast app? And then Brodie, Yes,

0:13:23.440 --> 0:13:26.280
<v Speaker 1>Brodie came to the rescue, and then everyone Deezer became

0:13:26.320 --> 0:13:29.280
<v Speaker 1>a punchline for people on this podcast. Well, guess what

0:13:29.520 --> 0:13:34.040
<v Speaker 1>Jimmy Fallon was talking about. All the places Yeah, all

0:13:34.040 --> 0:13:35.760
<v Speaker 1>the places that you can hear from the audio we

0:13:35.760 --> 0:13:37.720
<v Speaker 1>should have grabbed. We should have grabbed that. Yeah, maybe

0:13:37.760 --> 0:13:40.560
<v Speaker 1>for next episode two oh one, which will really be

0:13:40.640 --> 0:13:44.560
<v Speaker 1>the spectacular episode. Uh, Jimmy. Jimmy founds like, well, what

0:13:44.600 --> 0:13:47.559
<v Speaker 1>are you talking? You know, you know, available on on

0:13:47.840 --> 0:13:50.080
<v Speaker 1>you know. He he goes, he goes on he has

0:13:50.160 --> 0:13:54.000
<v Speaker 1>this song out Mask Christmas, Yeah, available on Spotify, I

0:13:54.120 --> 0:13:58.520
<v Speaker 1>Heart Radio and Deezer and he goes Apple Music. Deezer,

0:13:58.679 --> 0:14:00.400
<v Speaker 1>So we were laughing and tech and some of the

0:14:00.400 --> 0:14:03.960
<v Speaker 1>slices texted in there, like he said, days are It

0:14:04.040 --> 0:14:06.439
<v Speaker 1>was a funny moment anyway, all right, we got a

0:14:06.480 --> 0:14:08.880
<v Speaker 1>lot to get to and U but right now, yeah,

0:14:08.920 --> 0:14:11.160
<v Speaker 1>we got a lot. We just have a the jingle

0:14:11.200 --> 0:14:13.160
<v Speaker 1>now in the middle of my sentence, because I hate

0:14:13.160 --> 0:14:15.400
<v Speaker 1>when you do that. I will let you finish your thought,

0:14:16.120 --> 0:14:17.960
<v Speaker 1>all right, because I don't want you to interrupt me,

0:14:18.240 --> 0:14:23.200
<v Speaker 1>because you did all the time while the son of

0:14:23.200 --> 0:14:31.200
<v Speaker 1>a bit you did it you before the commercial. Um,

0:14:31.640 --> 0:14:33.560
<v Speaker 1>I think I think, I think we should start with

0:14:33.560 --> 0:14:38.040
<v Speaker 1>our friend Luke our but oh, Luke listen. I don't

0:14:38.040 --> 0:14:39.720
<v Speaker 1>know if he's got a recording studio. I don't know

0:14:39.760 --> 0:14:44.600
<v Speaker 1>if he's got expensive equipment in there. But Luke again,

0:14:44.800 --> 0:14:47.520
<v Speaker 1>someone for a little party from the heart unsung hero,

0:14:47.640 --> 0:14:51.600
<v Speaker 1>A guy who just came in out of nowhere and said, guys,

0:14:52.080 --> 0:14:54.000
<v Speaker 1>I wrote this for you, and then Brodie, you had

0:14:54.040 --> 0:14:55.800
<v Speaker 1>him tweak it. What did you do? Yes, so the

0:14:55.880 --> 0:14:58.440
<v Speaker 1>original recording, because you know, listen, we listen with radio

0:14:58.480 --> 0:15:00.880
<v Speaker 1>ears and you know, when produce your own stuff, you

0:15:00.880 --> 0:15:02.720
<v Speaker 1>don't always hear it the way other people hear it.

0:15:03.160 --> 0:15:04.640
<v Speaker 1>So I just asked him if he could lower the

0:15:04.720 --> 0:15:06.440
<v Speaker 1>music a little bit because his vocals were a little

0:15:06.520 --> 0:15:09.000
<v Speaker 1>you couldn't hear him. And on the original one it

0:15:09.080 --> 0:15:10.840
<v Speaker 1>was sort of you know, it was he was swimming

0:15:10.840 --> 0:15:12.120
<v Speaker 1>in the music a little too. It was too deep

0:15:12.120 --> 0:15:16.880
<v Speaker 1>in the music. The remix um but this again, this

0:15:16.920 --> 0:15:19.600
<v Speaker 1>is because it's the two episode. It's we're not going

0:15:19.640 --> 0:15:23.000
<v Speaker 1>to be the you know, breaking new artists podcast, No

0:15:23.000 --> 0:15:24.840
<v Speaker 1>no no, and and you know what, listen, he tried

0:15:24.880 --> 0:15:29.120
<v Speaker 1>his best here and got some good sound. What I'm

0:15:29.120 --> 0:15:32.160
<v Speaker 1>not dissing the guy. I'm not dissing him. No, obviously

0:15:32.200 --> 0:15:34.120
<v Speaker 1>tried his best. I'm saying that he's a slice. That's

0:15:34.120 --> 0:15:38.160
<v Speaker 1>all Luke are all right. I don't know if this

0:15:38.280 --> 0:15:40.040
<v Speaker 1>may not become a theme song for us, but this

0:15:40.160 --> 0:15:43.840
<v Speaker 1>is definitely worthy of episode two hundred. So here's Luke

0:15:44.040 --> 0:15:56.120
<v Speaker 1>R with his rap song faking boys, sc scary back

0:15:56.320 --> 0:16:02.360
<v Speaker 1>half boodhead. We started to the rowing almost like sy

0:16:02.440 --> 0:16:07.920
<v Speaker 1>neat thing and the like entertain quick with quick, quicktping

0:16:07.920 --> 0:16:10.000
<v Speaker 1>for the brak and they use no no eiven when

0:16:10.000 --> 0:16:13.120
<v Speaker 1>we will mass up, massed up alone and get invested hurd.

0:16:13.200 --> 0:16:16.520
<v Speaker 1>We got to laugh at all the R get corrected

0:16:16.560 --> 0:16:18.920
<v Speaker 1>correction when we were all forced to stay apart and

0:16:18.960 --> 0:16:22.640
<v Speaker 1>stay away when each other looking boys. Damn right. They

0:16:22.800 --> 0:16:26.680
<v Speaker 1>kept this straight. One hundreds wee never no Never, You

0:16:26.760 --> 0:16:29.240
<v Speaker 1>want to talk with all unknown and the doors on

0:16:29.280 --> 0:16:35.720
<v Speaker 1>the podcast on People, all the laugh, Think over Everything

0:16:36.360 --> 0:16:39.040
<v Speaker 1>to the best too longer episode of the Greatest Show.

0:16:39.080 --> 0:16:42.080
<v Speaker 1>I'm saying, I'm saying no cat, saying no cab. So

0:16:42.200 --> 0:16:45.200
<v Speaker 1>this is a way for me to rip day the

0:16:45.280 --> 0:16:48.600
<v Speaker 1>best podcast out here today, out here to let me speak.

0:16:49.280 --> 0:16:53.440
<v Speaker 1>That's all I gotta say about that. But you get

0:16:53.440 --> 0:16:57.040
<v Speaker 1>a fitful way so they don't get mad. Fuck you

0:16:57.160 --> 0:17:09.359
<v Speaker 1>eight seventy seven. Boy, a slice the vout takes at

0:17:09.359 --> 0:17:12.760
<v Speaker 1>the end. I love that. You gotta say both ways

0:17:12.760 --> 0:17:16.840
<v Speaker 1>and they get mad. Dude, he's got backing vocals and

0:17:16.920 --> 0:17:23.359
<v Speaker 1>echoing and for a second, no, I'm not going to

0:17:23.520 --> 0:17:25.960
<v Speaker 1>edit that out. That's a real illness. I know it's

0:17:25.960 --> 0:17:28.080
<v Speaker 1>a real illness, but it sounded for a second like

0:17:28.119 --> 0:17:31.840
<v Speaker 1>he had it. I don't know any addressed, your cards

0:17:31.840 --> 0:17:35.840
<v Speaker 1>and records, your cards and emails. Come on, don't be

0:17:35.880 --> 0:17:38.720
<v Speaker 1>a snowflake. I'll play this first, the Snowflake Journal for

0:17:38.760 --> 0:17:40.640
<v Speaker 1>the first time. On the way I wrote a snowflake

0:17:40.720 --> 0:17:42.479
<v Speaker 1>joke for Uncle Johnny this week, and I don't think

0:17:42.520 --> 0:17:45.480
<v Speaker 1>people got it. I know I got it, but it

0:17:45.560 --> 0:17:47.199
<v Speaker 1>was here was the joke, in case you missed it.

0:17:47.280 --> 0:17:50.960
<v Speaker 1>The joke was, um, why are Santa Claus? Why are

0:17:50.960 --> 0:17:54.520
<v Speaker 1>Frosty the Snowman's kids offended by everything? Because they are

0:17:54.520 --> 0:17:59.200
<v Speaker 1>a bunch of snowflakes? Say the Snowman people the snow right. Yeah,

0:17:59.560 --> 0:18:04.040
<v Speaker 1>I don't think people got like they were like, really

0:18:07.560 --> 0:18:09.439
<v Speaker 1>original joke. I wrote that I made that up. It

0:18:09.560 --> 0:18:13.320
<v Speaker 1>wasn't original joke. Well, uh, Luke, are thank you so much?

0:18:14.200 --> 0:18:16.120
<v Speaker 1>Get in touch with us, Luke. I'm we're gonna send

0:18:16.160 --> 0:18:20.159
<v Speaker 1>you a so a Brooklyn Boys swag, some swag. I'm

0:18:20.160 --> 0:18:22.840
<v Speaker 1>gonna send it from my personal collection. I got a

0:18:22.960 --> 0:18:28.040
<v Speaker 1>box of Brooklyn Boys merch here uh, and I have

0:18:28.080 --> 0:18:32.960
<v Speaker 1>to buy all new Brooklyn Boys merch Uh. Here Here

0:18:33.080 --> 0:18:37.240
<v Speaker 1>comes Brody with the I love it. Here comes the

0:18:37.760 --> 0:18:39.960
<v Speaker 1>I don't know how he would say that you're gonna

0:18:39.960 --> 0:18:43.560
<v Speaker 1>compliment yourself without no, No, I'm not. It's not it's

0:18:43.560 --> 0:18:45.520
<v Speaker 1>not a it's not a self compliment. I'm the guy

0:18:46.280 --> 0:18:48.480
<v Speaker 1>a lot of weight. Okay I did. But so here's

0:18:48.480 --> 0:18:50.919
<v Speaker 1>the thing, so I you know you mean, I like

0:18:51.000 --> 0:18:53.320
<v Speaker 1>to I I collect things. I'm a bit of a collector.

0:18:53.800 --> 0:18:57.000
<v Speaker 1>So I thought, yeah, so I bought two of everything

0:18:57.720 --> 0:19:00.560
<v Speaker 1>in the merch store, two of every s shirt, two

0:19:00.600 --> 0:19:04.600
<v Speaker 1>of every shirt, figuring like, you know, because God forbid,

0:19:04.640 --> 0:19:06.760
<v Speaker 1>Like because listen, this is a part. This is a

0:19:06.800 --> 0:19:09.040
<v Speaker 1>time in our lives when we have a podcast and

0:19:09.080 --> 0:19:12.359
<v Speaker 1>a merg store. Right ten years from now, we may

0:19:12.400 --> 0:19:16.240
<v Speaker 1>not have a merg store a podcast anymore. And so

0:19:17.160 --> 0:19:19.960
<v Speaker 1>I always feel like somebody's watching me. No, I always

0:19:19.960 --> 0:19:23.960
<v Speaker 1>feel like if I ruined the only Grammar police shirt

0:19:24.000 --> 0:19:26.800
<v Speaker 1>that I bought, I won't be able to get another one.

0:19:27.440 --> 0:19:31.679
<v Speaker 1>So I bought two. Well, none of them fit me anymore.

0:19:32.840 --> 0:19:34.760
<v Speaker 1>And I know that you went. When you brought the two,

0:19:34.800 --> 0:19:37.720
<v Speaker 1>you went big and bigger, right, No, I went the

0:19:37.760 --> 0:19:40.359
<v Speaker 1>size I was at. I put the same size, same size,

0:19:40.400 --> 0:19:46.240
<v Speaker 1>and bigger, didn't didn't. I've never in my life been

0:19:46.280 --> 0:19:48.639
<v Speaker 1>bigger than when I bought those shirts. So when you

0:19:48.680 --> 0:19:51.679
<v Speaker 1>say you bought two, were they two different to the

0:19:51.760 --> 0:19:58.480
<v Speaker 1>same sizes? Oh? I do it. I just told you

0:19:58.520 --> 0:20:00.720
<v Speaker 1>I bought one in case one got case one. Okay.

0:20:00.760 --> 0:20:02.399
<v Speaker 1>I thought it was like a just in case moment.

0:20:02.520 --> 0:20:04.080
<v Speaker 1>What would be the point of buying a large and

0:20:04.119 --> 0:20:06.520
<v Speaker 1>as small, so that in twenty years from now, if

0:20:06.520 --> 0:20:08.760
<v Speaker 1>I ruined the large, I gotta go on a hunger

0:20:08.800 --> 0:20:12.160
<v Speaker 1>strike to get something to aspire to nobody. I'm never

0:20:12.160 --> 0:20:14.919
<v Speaker 1>gonna be a small. Sometimes I go clothing shopping and

0:20:15.080 --> 0:20:17.320
<v Speaker 1>something is slightly snug on me, and I'm like, you

0:20:17.359 --> 0:20:21.040
<v Speaker 1>know what first quarters works? You know what I did?

0:20:21.359 --> 0:20:26.080
<v Speaker 1>I went to, uh, Nordstrom rack. I love Nords. That's

0:20:26.080 --> 0:20:28.280
<v Speaker 1>where I just got my suit for tomorrow night. Okay,

0:20:28.320 --> 0:20:31.359
<v Speaker 1>so Nordstrom. Yeah, it's a Nordstrom rack. If you don't know,

0:20:31.600 --> 0:20:35.560
<v Speaker 1>it's it's like the the clearing house of unsold. Oh no, no, no.

0:20:35.640 --> 0:20:38.200
<v Speaker 1>I went to Nordstrom and then it was the men's department.

0:20:38.560 --> 0:20:40.760
<v Speaker 1>Oh you're a dick. What's the rack? Well, I was

0:20:40.800 --> 0:20:43.080
<v Speaker 1>supposed to go to Nordstrom today. Is that like Sacks

0:20:43.080 --> 0:20:45.879
<v Speaker 1>fift Avenue, but it's like off fifth. It's like so

0:20:45.920 --> 0:20:48.200
<v Speaker 1>it's like upscale Marshals. You know how Marshalls has odds

0:20:48.200 --> 0:20:52.119
<v Speaker 1>and it's not Broadway, but it's you know, it's it's rack.

0:20:52.200 --> 0:20:54.720
<v Speaker 1>If you're living here, Nordstrom rack you can get really

0:20:54.800 --> 0:20:57.880
<v Speaker 1>nice shirts, but you get it from it. On one side, Okay,

0:20:57.920 --> 0:20:59.639
<v Speaker 1>you got it for a great price, though, right, so

0:20:59.680 --> 0:21:01.200
<v Speaker 1>you might find, oh my god, I love that blue

0:21:01.240 --> 0:21:03.520
<v Speaker 1>shirt they have in a large, I'm getting it, or

0:21:03.560 --> 0:21:05.520
<v Speaker 1>it's it's a small. I wear a small. I'm getting it.

0:21:05.560 --> 0:21:07.399
<v Speaker 1>But they don't have like a hundred of those shirts.

0:21:07.400 --> 0:21:09.240
<v Speaker 1>They've got two of them, and you have to hope

0:21:09.280 --> 0:21:11.720
<v Speaker 1>that it's your size. But so I so I went

0:21:11.760 --> 0:21:15.439
<v Speaker 1>and I got I guess they were either slim fit

0:21:15.520 --> 0:21:18.640
<v Speaker 1>or athletic fit. They were my size, but they were like,

0:21:19.359 --> 0:21:22.520
<v Speaker 1>I don't know, ten pounds away from fitting. So you

0:21:22.560 --> 0:21:25.200
<v Speaker 1>convinced yourself, I like these shirts enough, I'm gonna lose

0:21:25.200 --> 0:21:28.040
<v Speaker 1>ten pounds. I'm gonna get my my myself in these shirts.

0:21:28.760 --> 0:21:31.320
<v Speaker 1>So I bought, like, I bought like six shirts at

0:21:31.320 --> 0:21:34.800
<v Speaker 1>the time. I think I bought them winter of nineteen.

0:21:35.480 --> 0:21:38.359
<v Speaker 1>Then the pandemic hit, so I had no reason to

0:21:38.400 --> 0:21:40.240
<v Speaker 1>wear dress shirts to work. I was wearing T shirts

0:21:40.240 --> 0:21:43.000
<v Speaker 1>every day. I still am. And I never lost the

0:21:43.040 --> 0:21:45.160
<v Speaker 1>weight because I had no reason to. I wasn't wearing

0:21:45.160 --> 0:21:46.320
<v Speaker 1>the shirts. I mean, I had reason to it, but

0:21:46.320 --> 0:21:48.680
<v Speaker 1>I never you know, I didn't wear the shirts, so

0:21:49.840 --> 0:21:52.280
<v Speaker 1>I lost the weight. I haven't. I've owned the shirts

0:21:52.280 --> 0:21:56.439
<v Speaker 1>for almost two years. They all fit me now, but

0:21:56.520 --> 0:21:58.919
<v Speaker 1>that's not that's not a way to buy clothing, so

0:21:59.000 --> 0:22:02.160
<v Speaker 1>that we're two years later. Yes, I have to buy

0:22:02.200 --> 0:22:05.120
<v Speaker 1>all new books. So so our guy Matt sometimes sends

0:22:05.200 --> 0:22:07.679
<v Speaker 1>us freebes like samples. Yes he does, like, oh you

0:22:07.720 --> 0:22:10.000
<v Speaker 1>know what, like we have Brooklyn Boys shirts and colors

0:22:10.000 --> 0:22:12.240
<v Speaker 1>that aren't on the store a website. What do you

0:22:12.240 --> 0:22:14.399
<v Speaker 1>think of this light blue? This heather blue? What do

0:22:14.440 --> 0:22:18.520
<v Speaker 1>you think of this gray? Sample? Samples? So I've got

0:22:18.560 --> 0:22:21.119
<v Speaker 1>samples in my new size and I put them on

0:22:21.119 --> 0:22:23.080
<v Speaker 1>and go, oh, I like this, this looks good. So

0:22:23.119 --> 0:22:25.880
<v Speaker 1>now you can wear the sample. I can wear the samples,

0:22:25.880 --> 0:22:28.080
<v Speaker 1>but I can't wear the original original just to kind

0:22:28.080 --> 0:22:30.080
<v Speaker 1>of swimming anyway, that's just me. I'm sure everyone's called

0:22:30.080 --> 0:22:31.840
<v Speaker 1>it late. Will you fluctuate one way or the other.

0:22:31.920 --> 0:22:34.280
<v Speaker 1>So yeah, And by the way, a lot of people

0:22:34.400 --> 0:22:39.840
<v Speaker 1>sending us pictures of them with their three free holiday

0:22:39.960 --> 0:22:43.240
<v Speaker 1>ornaments that they got coming off of the Brooklyn Boys

0:22:43.320 --> 0:22:46.320
<v Speaker 1>merch store. You can go to Brooklyn Boys dot Big

0:22:46.359 --> 0:22:50.199
<v Speaker 1>Cartel dot com. That's Brooklyn Boys dot Big Cartel dot

0:22:50.240 --> 0:22:51.680
<v Speaker 1>com and take a look at what we got. We

0:22:51.720 --> 0:22:54.040
<v Speaker 1>got beanies, the ones one that I should have had

0:22:54.200 --> 0:22:56.600
<v Speaker 1>with me today as I was freezing my ass off outside.

0:22:56.680 --> 0:22:58.679
<v Speaker 1>What the pom pom is my style? I go without

0:22:59.160 --> 0:23:01.200
<v Speaker 1>without palm? Guy? Can I tell you have they always

0:23:01.240 --> 0:23:04.959
<v Speaker 1>been called beanies? That's a new thing. I mean, I

0:23:05.000 --> 0:23:08.080
<v Speaker 1>mean I used to call them ski hats, ski campaign

0:23:09.080 --> 0:23:10.840
<v Speaker 1>So I'll tell you what I'll tell the beanies. It's

0:23:10.880 --> 0:23:14.320
<v Speaker 1>a generational thing. So in the forties and fifties and

0:23:14.359 --> 0:23:22.680
<v Speaker 1>sixties before my time, beanies were like a red, blue

0:23:22.680 --> 0:23:26.760
<v Speaker 1>and yellow little uh round thing you wore on your

0:23:26.760 --> 0:23:30.240
<v Speaker 1>head with a propeller, yes, right, like if you watched

0:23:30.280 --> 0:23:35.840
<v Speaker 1>the old little wrest used to wearier growing up, growing

0:23:35.920 --> 0:23:38.399
<v Speaker 1>up as a Jew, I'd wear a yamaka sometimes, like

0:23:38.520 --> 0:23:40.920
<v Speaker 1>they called those they call those beanies because there was

0:23:40.960 --> 0:23:44.680
<v Speaker 1>the same shape minus the propeller, the pillar. Where is

0:23:44.720 --> 0:23:49.800
<v Speaker 1>your propeller? Beanie? Babies? That, by the way, that was racism.

0:23:49.800 --> 0:23:52.399
<v Speaker 1>When I was a kid, that was propeller. Let me

0:23:52.400 --> 0:23:54.679
<v Speaker 1>phrase that. There was always awful stuff, but that was

0:23:54.840 --> 0:23:57.000
<v Speaker 1>that was the level of my school. That was like

0:23:57.000 --> 0:24:00.040
<v Speaker 1>where are your beanie? It's much worse now racist It

0:24:00.200 --> 0:24:01.560
<v Speaker 1>is never good. I'm just saying it. When I was

0:24:01.600 --> 0:24:04.239
<v Speaker 1>a kid, that was like the that was the big

0:24:04.320 --> 0:24:07.280
<v Speaker 1>Jewish thing. All of a sudden, these beanie beanies somehow

0:24:07.320 --> 0:24:11.080
<v Speaker 1>came into meaning the ski hat that I used to

0:24:11.119 --> 0:24:12.879
<v Speaker 1>be like what dock workers would wear. I used to

0:24:12.880 --> 0:24:14.960
<v Speaker 1>think of the like dock worker hats. You'd wear them

0:24:14.960 --> 0:24:18.040
<v Speaker 1>down by the docks, like longshoreman would wear a peak coat,

0:24:18.160 --> 0:24:20.120
<v Speaker 1>and that act. Well, they used to be a lot

0:24:20.119 --> 0:24:23.200
<v Speaker 1>more roughly, a lot more loose. These there's a lot

0:24:23.240 --> 0:24:24.919
<v Speaker 1>more The ones that they have today are a lot

0:24:25.000 --> 0:24:28.120
<v Speaker 1>more tight fitting, a lot more so the term. Every

0:24:28.119 --> 0:24:32.280
<v Speaker 1>time I had beanie, I go, oh God, where's the propeller? Right? Okay, freshbacks.

0:24:32.320 --> 0:24:35.880
<v Speaker 1>You never forget getting picked on it. We were talking

0:24:35.880 --> 0:24:38.520
<v Speaker 1>about we were talking hold on and we were finishing

0:24:38.560 --> 0:24:43.320
<v Speaker 1>talking about our our merch store matts listing. Right now, listen,

0:24:43.359 --> 0:24:45.399
<v Speaker 1>we we want to I want to let you know

0:24:45.440 --> 0:24:48.000
<v Speaker 1>that everything's back in stock, including the Brook and Boys

0:24:48.000 --> 0:24:50.760
<v Speaker 1>holiday sweater and holiday T shirt. Oh yeah, yeah, yeah.

0:24:50.800 --> 0:24:52.920
<v Speaker 1>We we stocked up for the holidays because we figured

0:24:52.920 --> 0:24:54.720
<v Speaker 1>we don't only sell out of stuff, so we got

0:24:54.800 --> 0:24:59.199
<v Speaker 1>at everything. Everything's in stock. Now's the time to buy now.

0:24:59.240 --> 0:25:02.280
<v Speaker 1>If you notice, people have been giving rady reviews on

0:25:02.320 --> 0:25:05.640
<v Speaker 1>the quick turnaround in the order fulfillment department. So it's

0:25:05.640 --> 0:25:08.440
<v Speaker 1>not like you're gonna wait weeks. So now's the time

0:25:08.480 --> 0:25:11.280
<v Speaker 1>to buy. You want to buy buy Christmas? Yeah, by here,

0:25:11.359 --> 0:25:13.520
<v Speaker 1>let's go. Well, buy any two items in the store

0:25:13.760 --> 0:25:17.800
<v Speaker 1>and they're gonna hook you up with three fine quality ornaments.

0:25:17.840 --> 0:25:22.040
<v Speaker 1>I might add fine quality ornaments absolutely free. Okay, so

0:25:22.080 --> 0:25:23.880
<v Speaker 1>make sure you do that. Can I pick on you? Now?

0:25:24.520 --> 0:25:26.040
<v Speaker 1>You can pick on me? And then I want to

0:25:26.080 --> 0:25:28.000
<v Speaker 1>I want to play this at least the first half

0:25:28.000 --> 0:25:29.520
<v Speaker 1>of this montage. Well, I want to pick on you

0:25:29.560 --> 0:25:33.919
<v Speaker 1>real quick. You said something ahead, you were complaining about

0:25:33.920 --> 0:25:37.040
<v Speaker 1>something yesterday, I complain. I wish I had audio because

0:25:37.040 --> 0:25:38.639
<v Speaker 1>if we had the audio, I would play it as

0:25:38.640 --> 0:25:41.639
<v Speaker 1>a drop on this podcast. Every week we were talking

0:25:41.640 --> 0:25:45.320
<v Speaker 1>about TV shows and out of nowhere, scary sess to me.

0:25:45.880 --> 0:25:50.440
<v Speaker 1>You know, the Bachelor's really going downhill. I mean, that's

0:25:50.480 --> 0:25:53.119
<v Speaker 1>such a that's not a You and I used to

0:25:53.119 --> 0:25:56.159
<v Speaker 1>be talking sports. We should be talking about you know,

0:25:56.840 --> 0:26:01.000
<v Speaker 1>did Marvel shows and Disney plause. I think this guy's on.

0:26:01.520 --> 0:26:04.840
<v Speaker 1>It's like great to football. There's great set tonight the

0:26:05.800 --> 0:26:08.800
<v Speaker 1>Stars and night football. You're like, I'm gotta tell you, Brodie,

0:26:09.000 --> 0:26:11.520
<v Speaker 1>the Bachelor's really going down. But for some people, though

0:26:11.560 --> 0:26:14.439
<v Speaker 1>the Bachelor is a sport, is like watching sports. It's

0:26:14.440 --> 0:26:18.160
<v Speaker 1>the equivalent of their It's like listen, you could say

0:26:18.160 --> 0:26:20.240
<v Speaker 1>the following your team week to week is like a

0:26:20.280 --> 0:26:23.960
<v Speaker 1>soap opera, following the NFL and the trials and tribulations

0:26:23.960 --> 0:26:29.680
<v Speaker 1>of what's going on. You watch such little television, yeah

0:26:30.080 --> 0:26:32.159
<v Speaker 1>that you like of all the shows, I know you

0:26:32.200 --> 0:26:35.439
<v Speaker 1>watched The Bachelor. I watched it passively. I just noticed

0:26:35.760 --> 0:26:39.639
<v Speaker 1>they're just doing more and more to just to get attention,

0:26:39.680 --> 0:26:41.800
<v Speaker 1>to garner attention for ratings. Feel like, I don't like

0:26:41.840 --> 0:26:44.440
<v Speaker 1>the quality of the Bachelor's lately, and then they're just

0:26:44.800 --> 0:26:48.240
<v Speaker 1>starting this starting fist fights with each other. Who's walking

0:26:48.280 --> 0:26:51.040
<v Speaker 1>off the set? This one's with the producer, and like

0:26:51.080 --> 0:26:54.199
<v Speaker 1>they have these like side storylines that you don't like

0:26:54.240 --> 0:26:57.600
<v Speaker 1>that that take away from the main show. That's actually

0:26:57.640 --> 0:27:01.320
<v Speaker 1>The Bachelorette at this it's not the Bachelor. Were not

0:27:01.359 --> 0:27:03.600
<v Speaker 1>a similar show, but the reality show I got, I got,

0:27:03.640 --> 0:27:07.520
<v Speaker 1>I got roped into. So one of my daughters his

0:27:07.560 --> 0:27:10.000
<v Speaker 1>home was home from college last week, a week before,

0:27:10.040 --> 0:27:12.400
<v Speaker 1>a couple of weeks ago whatever. It was Thanksgiving, right,

0:27:13.320 --> 0:27:15.800
<v Speaker 1>and so she's, uh, we were home in the house,

0:27:16.720 --> 0:27:18.400
<v Speaker 1>you know, chilling. I think it was a Sunday night

0:27:19.280 --> 0:27:21.560
<v Speaker 1>and uh we were only wants home at the time.

0:27:22.480 --> 0:27:24.120
<v Speaker 1>So she's like, oh, I was in the living room.

0:27:24.160 --> 0:27:25.760
<v Speaker 1>She oh, Dad, I want to want to catch up

0:27:25.840 --> 0:27:27.280
<v Speaker 1>and now I'm home from college, I want to catch

0:27:27.359 --> 0:27:30.760
<v Speaker 1>up on some shows I missed. Oh well, I already

0:27:30.760 --> 0:27:34.320
<v Speaker 1>know what this means. You know she hasn't watch the

0:27:34.320 --> 0:27:36.119
<v Speaker 1>same show as I do, So she said, can I

0:27:36.160 --> 0:27:38.919
<v Speaker 1>get the remote? Sure? Now, I haven't seen my my.

0:27:39.080 --> 0:27:41.760
<v Speaker 1>I haven't seen her in you know, a couple of months,

0:27:41.760 --> 0:27:43.480
<v Speaker 1>a month and a month and a half, whatever he's

0:27:43.480 --> 0:27:45.400
<v Speaker 1>been do. I want to spend time with her. I'm

0:27:45.400 --> 0:27:47.800
<v Speaker 1>not gonna get up whatever she wants to watch. I'm

0:27:47.800 --> 0:27:50.439
<v Speaker 1>gonna sit there and watch with her. Scary. We watched

0:27:50.760 --> 0:27:54.879
<v Speaker 1>seven episodes of a show that I swore I would

0:27:54.880 --> 0:27:58.200
<v Speaker 1>never watch. I see the commercials, I turned them off.

0:27:58.200 --> 0:28:01.760
<v Speaker 1>I mute the TV. If you thought the Jersey Shore

0:28:01.880 --> 0:28:05.280
<v Speaker 1>was a bunch of people who weren't that bright, they

0:28:05.320 --> 0:28:11.800
<v Speaker 1>all look like geniuses compared to cast, you were going

0:28:11.880 --> 0:28:14.120
<v Speaker 1>to say that, oh my god, did you do during

0:28:14.160 --> 0:28:18.480
<v Speaker 1>that the third season? Already? I know what season? Whatever?

0:28:18.520 --> 0:28:20.520
<v Speaker 1>The season with the first season that came out with

0:28:20.560 --> 0:28:24.119
<v Speaker 1>Flora Shore. They were you want to talk about a

0:28:24.119 --> 0:28:28.400
<v Speaker 1>train wreck, except now they are established characters with backstories,

0:28:28.720 --> 0:28:31.359
<v Speaker 1>and they all think they're celebrities, so they act like

0:28:31.400 --> 0:28:37.800
<v Speaker 1>they're famous, and so the drama, the fights, the poor grammar. Oh,

0:28:37.960 --> 0:28:41.520
<v Speaker 1>it's just it's listen. It's entertaining for some and I'm

0:28:41.520 --> 0:28:46.800
<v Speaker 1>not criticizing. It's actually a great beehive of activity. First podcast.

0:28:47.000 --> 0:28:49.120
<v Speaker 1>If you make a list of things that I don't like,

0:28:49.680 --> 0:28:53.800
<v Speaker 1>this thing is everything. This is just a train wreck.

0:28:54.520 --> 0:28:57.440
<v Speaker 1>But I will say by the fifth episode, I was

0:28:57.480 --> 0:29:00.320
<v Speaker 1>sort of into some of the dynamics. I'm like, why

0:29:00.400 --> 0:29:02.680
<v Speaker 1>isn't this guy talking to this guy anymore? So he

0:29:02.680 --> 0:29:04.440
<v Speaker 1>doesn't want to have have to to fight two seasons ago? What

0:29:04.600 --> 0:29:07.160
<v Speaker 1>was the fight about? What they thought about that? So

0:29:07.400 --> 0:29:09.840
<v Speaker 1>I felt like I was into the like I was

0:29:09.880 --> 0:29:13.800
<v Speaker 1>debating the like this the content, And she's like, see, Dad,

0:29:13.840 --> 0:29:16.080
<v Speaker 1>that's why I like it because you can you can

0:29:16.160 --> 0:29:18.680
<v Speaker 1>yell at them, and yeah, you immerse yourself into it,

0:29:18.720 --> 0:29:21.160
<v Speaker 1>and you all of a sudden you're you find yourself

0:29:21.200 --> 0:29:23.720
<v Speaker 1>as part of it. And then and that's how I'm

0:29:23.760 --> 0:29:28.880
<v Speaker 1>talking about with the Bachelor Bachelor, they're following that same recipe. Yeah,

0:29:28.920 --> 0:29:30.920
<v Speaker 1>I felt dirty, I felt I had to go a shower.

0:29:31.320 --> 0:29:34.120
<v Speaker 1>I did. I did. And every friend they bring over,

0:29:34.320 --> 0:29:37.080
<v Speaker 1>oh my friends coming from my hometown. Every friend is

0:29:37.080 --> 0:29:40.360
<v Speaker 1>a train wreck. Every friend is drama. Every friend wants

0:29:40.400 --> 0:29:42.520
<v Speaker 1>to go after the hot guy in the house. And

0:29:42.560 --> 0:29:45.200
<v Speaker 1>he was and the hot guy, the hot guy forget

0:29:45.200 --> 0:29:47.480
<v Speaker 1>his name. He's long hair. He's got a girl who

0:29:47.480 --> 0:29:50.120
<v Speaker 1>he's kind of seeing right now. He's sort of kind

0:29:50.120 --> 0:29:52.480
<v Speaker 1>of like it doesn't want to be He's like, I'm

0:29:52.520 --> 0:29:54.800
<v Speaker 1>kind of sort of maybe thinking about you know, we're

0:29:54.880 --> 0:29:57.400
<v Speaker 1>together for a while now, she's she's my girl for

0:29:57.440 --> 0:29:59.760
<v Speaker 1>a while now, So he's not really the girlfriend. He

0:29:59.760 --> 0:30:02.760
<v Speaker 1>doesn want to they're not They don't want to commitment,

0:30:03.160 --> 0:30:05.160
<v Speaker 1>so he doesn't want to do that. But he's talking

0:30:05.200 --> 0:30:07.600
<v Speaker 1>to it. We're talking a lot, like I'm from a

0:30:07.640 --> 0:30:09.840
<v Speaker 1>different era. What they just say it like you bant,

0:30:09.880 --> 0:30:12.800
<v Speaker 1>you're dating, you're banging. We're talking. Were sort of like

0:30:13.000 --> 0:30:14.960
<v Speaker 1>he doesn't want to, but if you're talking, that means

0:30:14.960 --> 0:30:17.560
<v Speaker 1>you're banging. But there's right, but but he's using every

0:30:17.560 --> 0:30:19.920
<v Speaker 1>word but like she's my girlfriend. Who was serious? No,

0:30:20.120 --> 0:30:22.160
<v Speaker 1>I kind of want to make it walk. I think

0:30:22.160 --> 0:30:25.480
<v Speaker 1>it right it may work someday, right yeah, right now

0:30:25.520 --> 0:30:27.000
<v Speaker 1>it's looking good. I don't want to ruin it. And

0:30:27.000 --> 0:30:30.520
<v Speaker 1>he's sort of like, okay. So then one of the

0:30:30.560 --> 0:30:34.760
<v Speaker 1>girls on the show brings her two girlfriends with the

0:30:34.800 --> 0:30:37.520
<v Speaker 1>same name. I don't remember. Don't tweet me, but let's

0:30:37.520 --> 0:30:40.000
<v Speaker 1>say it was like Mindy and Mindy or Heather and

0:30:40.040 --> 0:30:42.920
<v Speaker 1>Heather or the Tritias. It was like the two of them,

0:30:43.000 --> 0:30:46.600
<v Speaker 1>and the two of them both want him as if

0:30:46.640 --> 0:30:48.719
<v Speaker 1>he's the only man they've ever seen in the world. Well,

0:30:48.800 --> 0:30:51.640
<v Speaker 1>it sounds like that that that's a throuble in the making.

0:30:51.960 --> 0:30:54.080
<v Speaker 1>That's a throuble. Well, no, they don't want the throup.

0:30:54.240 --> 0:30:57.240
<v Speaker 1>They want the dub. They want the solo action. I

0:30:57.240 --> 0:30:59.920
<v Speaker 1>don't think they care if he banged one separately or

0:31:00.080 --> 0:31:02.280
<v Speaker 1>like later. So that one of them gets really flirty

0:31:02.320 --> 0:31:04.720
<v Speaker 1>with him, and he's like this big dumb loop, you know.

0:31:05.280 --> 0:31:07.520
<v Speaker 1>He's like, okay, let's go for a walk. Meanwhile, she's like,

0:31:07.680 --> 0:31:10.000
<v Speaker 1>they they sit on his bed. Which way did he go? Guys,

0:31:10.000 --> 0:31:11.800
<v Speaker 1>which way did he go? So they sit on it,

0:31:11.840 --> 0:31:14.000
<v Speaker 1>they sit on hard bed or his bed, and he's like,

0:31:14.120 --> 0:31:16.160
<v Speaker 1>don't you hear the voiceovers, like I don't want to happen.

0:31:16.160 --> 0:31:18.600
<v Speaker 1>I'm gonna see that girl you're on television, dude, whatever

0:31:18.640 --> 0:31:21.200
<v Speaker 1>you do, she's gonna see. Right. So this girl is like,

0:31:21.480 --> 0:31:23.600
<v Speaker 1>so are you guys happy? And I'm kind of like

0:31:23.640 --> 0:31:25.400
<v Speaker 1>seeing her, you know, like we're kind of talking. That

0:31:25.480 --> 0:31:28.120
<v Speaker 1>means that he's not happy. But no, no, no, he's

0:31:28.160 --> 0:31:30.240
<v Speaker 1>kind of like doesn't because this girl is kind of

0:31:30.240 --> 0:31:34.160
<v Speaker 1>slutty hot, like in that skanky way, like like if

0:31:34.200 --> 0:31:36.680
<v Speaker 1>you okay, you do right to me. She was like,

0:31:37.560 --> 0:31:38.920
<v Speaker 1>but but she was so like you could see there

0:31:38.960 --> 0:31:42.400
<v Speaker 1>was a hot person there. She showered maybe, but she's okay.

0:31:42.480 --> 0:31:46.080
<v Speaker 1>She wasn't unattractive, she just wasn't my attractive. Let's take

0:31:46.120 --> 0:31:49.560
<v Speaker 1>note everyone once again. Brodie and Brodie, he's very out

0:31:49.560 --> 0:31:52.920
<v Speaker 1>of character behavior. Continues his pattern of behavior as he

0:31:53.280 --> 0:31:58.600
<v Speaker 1>as he describes in depth an episode of Florabama Shore,

0:31:58.840 --> 0:32:00.840
<v Speaker 1>What is wrong with You? So she's kind of like

0:32:00.880 --> 0:32:03.040
<v Speaker 1>touching his arm and he's like you can hear them

0:32:03.120 --> 0:32:05.520
<v Speaker 1>him saying like this is not going well. Dude. You're

0:32:05.520 --> 0:32:07.240
<v Speaker 1>in the bed with her, You're sitting on the bed

0:32:07.720 --> 0:32:10.480
<v Speaker 1>and she's like scantily dressed and she's all over him.

0:32:10.720 --> 0:32:13.320
<v Speaker 1>He's like, well, yeah, yeah, just finished telling me you

0:32:13.440 --> 0:32:15.640
<v Speaker 1>hate this kind of television. I hate it, but I'm

0:32:15.680 --> 0:32:19.360
<v Speaker 1>just a No. Then the other girl with the same name,

0:32:19.480 --> 0:32:21.200
<v Speaker 1>she doesn't want to talk to her. Now they're fighting

0:32:21.520 --> 0:32:23.640
<v Speaker 1>because she's like, I had I saw him first. Well,

0:32:23.680 --> 0:32:25.760
<v Speaker 1>I went up to him first, and his whole thing

0:32:25.800 --> 0:32:27.760
<v Speaker 1>is like, you know. Then he goes to like confessionals.

0:32:27.760 --> 0:32:29.520
<v Speaker 1>He's like, you know, I don't what to do. Like,

0:32:29.600 --> 0:32:30.920
<v Speaker 1>I'm trying to be good. I'm trying to be a

0:32:30.920 --> 0:32:33.640
<v Speaker 1>good person, but it's so hard. It's so hard to

0:32:33.680 --> 0:32:36.960
<v Speaker 1>be good, is it, though? Is it that hard to

0:32:37.040 --> 0:32:39.640
<v Speaker 1>have a girlfriend and not cheat on her on television?

0:32:40.080 --> 0:32:42.000
<v Speaker 1>He made it like he was like a saint. Oh

0:32:42.040 --> 0:32:46.360
<v Speaker 1>my god. Anyway, that's it. Okay, No, I'm all, well,

0:32:46.480 --> 0:32:48.120
<v Speaker 1>I have to go watch you worked up? You all

0:32:48.120 --> 0:32:50.760
<v Speaker 1>worked up, Florid. My point is I hate the show.

0:32:50.840 --> 0:32:55.000
<v Speaker 1>But it's like, Wow, you're drinking. You're what else, Brodie?

0:32:55.000 --> 0:32:58.160
<v Speaker 1>You got drunk? What else? You're acting? You acting? You

0:32:58.400 --> 0:33:02.560
<v Speaker 1>know you're doing You're doing product endorsements on your social media,

0:33:02.640 --> 0:33:06.840
<v Speaker 1>which people called you out on the Well me hold,

0:33:07.040 --> 0:33:09.760
<v Speaker 1>they were telling me to hit the jingle on you,

0:33:09.880 --> 0:33:14.160
<v Speaker 1>David Brody. You were at home making Riyo's making lasagna

0:33:14.840 --> 0:33:18.360
<v Speaker 1>home Yo's homemade sauce spicy stripe lasagna and he's making

0:33:18.360 --> 0:33:21.680
<v Speaker 1>his spicy stripe lasagna and then he's like, Hey, I'm brody.

0:33:21.960 --> 0:33:24.880
<v Speaker 1>It's brody for Rio's. And then everyone on your on

0:33:25.040 --> 0:33:28.000
<v Speaker 1>your comment thread on your post was like, hey, scary,

0:33:28.080 --> 0:33:30.720
<v Speaker 1>look at this hit the jingle? B have that Knia

0:33:30.800 --> 0:33:32.880
<v Speaker 1>did you hit your head? You? Okay? Yeah, So to

0:33:33.120 --> 0:33:35.120
<v Speaker 1>two things you should know. Well, first of all, I

0:33:35.160 --> 0:33:38.440
<v Speaker 1>put on their paid paid partnership. Yeah, we know that,

0:33:38.480 --> 0:33:40.800
<v Speaker 1>but that's so nice. And that's not a slip in

0:33:40.880 --> 0:33:43.000
<v Speaker 1>when you when you do a sponsor on social media,

0:33:43.360 --> 0:33:45.640
<v Speaker 1>that's not a hit. I've been preaching that for years,

0:33:45.680 --> 0:33:48.000
<v Speaker 1>that that that that's not a slip. Hit the jingle

0:33:48.200 --> 0:33:50.520
<v Speaker 1>is when you get paid on the Elvis Duran Show

0:33:50.560 --> 0:33:52.640
<v Speaker 1>for a client and you slip it into my co

0:33:52.760 --> 0:33:55.600
<v Speaker 1>hosting podcast, that's a hit the jingle right, Okay, But

0:33:55.640 --> 0:33:57.920
<v Speaker 1>we might get paid to endorse a product and we're

0:33:58.000 --> 0:34:00.200
<v Speaker 1>upfront about it. Yes, like on this podcast, if we

0:34:00.200 --> 0:34:04.239
<v Speaker 1>get paid to endorse Slice or Please Cheese, we're up

0:34:04.240 --> 0:34:06.000
<v Speaker 1>in front. Were there that it's a it's a thing.

0:34:06.320 --> 0:34:08.799
<v Speaker 1>They're a client, they're endorsed. But again we don't endorse

0:34:08.840 --> 0:34:14.839
<v Speaker 1>products we don't like. That's right, But if Scary says

0:34:14.840 --> 0:34:16.719
<v Speaker 1>they'll give you a free doorbell camera, that's a that's

0:34:16.719 --> 0:34:19.960
<v Speaker 1>a hit the jinglet. I ended the show last week

0:34:20.280 --> 0:34:22.640
<v Speaker 1>slipping in the fact that you can go to elvistor

0:34:22.680 --> 0:34:25.280
<v Speaker 1>and dot com slash sauce and watch. But I thought

0:34:25.800 --> 0:34:28.360
<v Speaker 1>I thought like it would be like it's and where's

0:34:28.400 --> 0:34:32.680
<v Speaker 1>that get a hit? Because I feel like you're now

0:34:32.800 --> 0:34:35.520
<v Speaker 1>starting this, you're down, you're going down this path, so

0:34:35.560 --> 0:34:37.200
<v Speaker 1>I feel like I need a jingle for you the

0:34:37.239 --> 0:34:39.640
<v Speaker 1>same way you need from down the path. I wasn't

0:34:39.640 --> 0:34:41.839
<v Speaker 1>really plugging a sponsor. What I to be honest with you,

0:34:42.239 --> 0:34:45.560
<v Speaker 1>I took three hours to make that video. I had

0:34:45.600 --> 0:34:48.759
<v Speaker 1>to use a tripod. I filmed it by myself, so

0:34:48.840 --> 0:34:51.040
<v Speaker 1>every scene I had a re angle and re height

0:34:51.160 --> 0:34:54.399
<v Speaker 1>adjust the tripod with my phone on it, so there's

0:34:54.440 --> 0:34:56.960
<v Speaker 1>like multiple camera angles. Then I had to position the

0:34:57.000 --> 0:34:59.719
<v Speaker 1>sauce jars and the meatball box and make sure the

0:34:59.719 --> 0:35:04.520
<v Speaker 1>cow to It's difficult work, right, you right, but you

0:35:04.560 --> 0:35:07.080
<v Speaker 1>know what if you live alone. I happened to be

0:35:07.120 --> 0:35:08.680
<v Speaker 1>alone that day. Nobody wants to be around when I

0:35:08.719 --> 0:35:12.759
<v Speaker 1>was cooking, and so uh it took a lot of work.

0:35:12.840 --> 0:35:14.720
<v Speaker 1>So if you want to see the food I made,

0:35:15.360 --> 0:35:17.880
<v Speaker 1>you can go look now. Now Nate from our show,

0:35:18.960 --> 0:35:20.800
<v Speaker 1>he did uh, I don't know what he did a

0:35:20.840 --> 0:35:22.960
<v Speaker 1>couple of months ago or two months ago. He cooked

0:35:22.960 --> 0:35:24.960
<v Speaker 1>something else right, and that's fine. Did a great job.

0:35:24.960 --> 0:35:28.080
<v Speaker 1>He's a new kitchen. It's great when I made lasagna

0:35:28.360 --> 0:35:30.800
<v Speaker 1>because I love making lasagna. No one else made lasagna.

0:35:31.239 --> 0:35:35.279
<v Speaker 1>Well yesterday I see on the website it says coming soon.

0:35:36.640 --> 0:35:42.080
<v Speaker 1>Uh Nate and his fiance getting paid. They made eggplant lasagna.

0:35:42.680 --> 0:35:46.120
<v Speaker 1>No listen, I'm a lasagna guy. On the show I

0:35:46.200 --> 0:35:48.960
<v Speaker 1>made lasagna? Did man make? Did film a video of

0:35:49.000 --> 0:35:53.719
<v Speaker 1>making lasagna? It was like the time that I made

0:35:53.760 --> 0:35:57.040
<v Speaker 1>meat balls and then two weeks later Uncle Johnny fair

0:35:57.080 --> 0:35:59.399
<v Speaker 1>Show made meat balls and make don't do that. Wait

0:35:59.440 --> 0:36:02.160
<v Speaker 1>a second, I you gotta make something else with the sauce.

0:36:02.440 --> 0:36:06.000
<v Speaker 1>You can make things with sauce. Now. Granted, Natan Heather

0:36:06.160 --> 0:36:08.759
<v Speaker 1>did a basil sauce, a different one of Rio's homemade s.

0:36:09.640 --> 0:36:12.600
<v Speaker 1>I use the pesto and the rabbi were trying to upstage,

0:36:14.160 --> 0:36:16.960
<v Speaker 1>but and they're making it healthier. They use an egg plants.

0:36:19.640 --> 0:36:21.800
<v Speaker 1>So I mean I listen. I made mine with meatball

0:36:21.840 --> 0:36:25.399
<v Speaker 1>and sauce right now, So I'm not it's not about

0:36:25.400 --> 0:36:27.160
<v Speaker 1>that about the product. I love the product. I eat

0:36:27.200 --> 0:36:28.560
<v Speaker 1>it all the time. That's why I did it. But

0:36:28.680 --> 0:36:30.520
<v Speaker 1>the video, I'd like you guys to go watch the video.

0:36:30.520 --> 0:36:31.719
<v Speaker 1>I'll tell you why else I want to watch the

0:36:31.760 --> 0:36:33.480
<v Speaker 1>video again. It's not I don't get any money if

0:36:33.480 --> 0:36:36.319
<v Speaker 1>you watched the videos. So this isn't a It's just

0:36:36.440 --> 0:36:39.239
<v Speaker 1>I look to see how how many views everyone else has,

0:36:39.920 --> 0:36:43.280
<v Speaker 1>and I have about nine d views right now. Elvis

0:36:43.360 --> 0:36:47.280
<v Speaker 1>has fourteen hundred. Most people have about twelve eleven hundred,

0:36:47.400 --> 0:36:49.920
<v Speaker 1>so close. But there's a couple of random, you know,

0:36:50.000 --> 0:36:52.080
<v Speaker 1>random people and not they're not random, they're great people.

0:36:52.280 --> 0:36:55.279
<v Speaker 1>But a couple of people on the show have views.

0:36:55.280 --> 0:36:56.920
<v Speaker 1>Oh my god, do I have? How many do I have?

0:36:57.000 --> 0:37:00.440
<v Speaker 1>I don't even know? You like, I'm at nine now,

0:37:00.480 --> 0:37:02.560
<v Speaker 1>so I'm I'm gaining. I think I made the steak

0:37:02.600 --> 0:37:06.920
<v Speaker 1>pizza Pizzaiola last yesterday. Here's what I'm thinking. If listen,

0:37:07.280 --> 0:37:12.239
<v Speaker 1>all I need is like views, right, and then the

0:37:12.320 --> 0:37:14.520
<v Speaker 1>multiples of that. Listen to this podcast right now? Oh

0:37:14.600 --> 0:37:17.279
<v Speaker 1>my god, right, we I mean we have I mean,

0:37:17.440 --> 0:37:19.920
<v Speaker 1>listen where we do it very well. If if if

0:37:20.000 --> 0:37:23.000
<v Speaker 1>half of you, a third of you just go to

0:37:23.040 --> 0:37:25.520
<v Speaker 1>Elvis Rand comes less sauce again, not for the sponsor

0:37:25.560 --> 0:37:27.160
<v Speaker 1>part of it. I love the problem. Sounds like we're

0:37:27.239 --> 0:37:31.719
<v Speaker 1>having a pledge drive here for I would like you

0:37:31.719 --> 0:37:40.200
<v Speaker 1>guys to watch it. Everybody Brody worked hard on podcast.

0:37:41.360 --> 0:37:43.920
<v Speaker 1>All right, I can't wait anymore. I gotta unwrap this gift.

0:37:44.120 --> 0:37:47.040
<v Speaker 1>I know this is like, this is like Christmas for us.

0:37:47.200 --> 0:37:53.880
<v Speaker 1>This is Hanka. Hanka passed already though. So let's introduce

0:37:53.960 --> 0:37:57.799
<v Speaker 1>you to a man from Lancaster, Pennsylvan, Pennsylvania, and his

0:37:57.880 --> 0:38:01.879
<v Speaker 1>name is Adam Geg who aim to us and just

0:38:02.440 --> 0:38:05.680
<v Speaker 1>handed us this, this piece which we thought was going

0:38:05.719 --> 0:38:07.840
<v Speaker 1>to be maybe I don't know, ten fifteen min is

0:38:07.840 --> 0:38:11.200
<v Speaker 1>worth of work where he would put together like thirty

0:38:11.239 --> 0:38:14.600
<v Speaker 1>seconds worth of material and then it turned into this

0:38:14.800 --> 0:38:17.640
<v Speaker 1>ten minute scary calls me, he goes, Brod, did you

0:38:17.640 --> 0:38:19.600
<v Speaker 1>listen to it? I go what? He goes, Adam? Adam

0:38:19.640 --> 0:38:21.440
<v Speaker 1>gag He said this and stuff the listener. He said it.

0:38:21.719 --> 0:38:24.960
<v Speaker 1>Oh this a little now, let's do it now. Well,

0:38:24.960 --> 0:38:27.080
<v Speaker 1>here's I'm gonna read the email that I wrote back

0:38:27.120 --> 0:38:28.719
<v Speaker 1>to Adam as soon as I heard it, I said, Adam,

0:38:28.760 --> 0:38:31.920
<v Speaker 1>go ahead, I don't know where to begin. Wow, just wow,

0:38:32.000 --> 0:38:35.720
<v Speaker 1>you blew me away. I've done production work my entire career,

0:38:35.920 --> 0:38:38.200
<v Speaker 1>and I know the number of hours it took and

0:38:38.280 --> 0:38:40.839
<v Speaker 1>the level of effort that went into this. You, sir,

0:38:40.960 --> 0:38:43.880
<v Speaker 1>deserve an award. This will be prominently featured on episode

0:38:43.880 --> 0:38:46.560
<v Speaker 1>two hundred and we would like to speak with you

0:38:46.600 --> 0:38:49.160
<v Speaker 1>on the podcast, which we haven't gotten in touch with him,

0:38:49.520 --> 0:38:52.719
<v Speaker 1>but we should. Thank you, thank you, thank you. You

0:38:52.760 --> 0:38:55.400
<v Speaker 1>went above and beyond our wildest expectations on this. We

0:38:55.440 --> 0:38:59.560
<v Speaker 1>salute you, and let's be in touch and Brody uh

0:38:59.600 --> 0:39:03.279
<v Speaker 1>you would yours And I sent a similar thing. Okay,

0:39:03.360 --> 0:39:05.399
<v Speaker 1>I mean I said, let me second everything scary okay,

0:39:05.440 --> 0:39:08.360
<v Speaker 1>right again blah blah blah blah blah blah. Alright, so

0:39:08.480 --> 0:39:10.680
<v Speaker 1>and he apologized for not doing more, to which I

0:39:10.719 --> 0:39:13.440
<v Speaker 1>was like apologizing. I thought were gonna we should have

0:39:13.440 --> 0:39:16.879
<v Speaker 1>had it for a trip down memory lane and scary

0:39:16.960 --> 0:39:18.479
<v Speaker 1>is gonna stop it in the middle and we're gonna

0:39:18.480 --> 0:39:21.040
<v Speaker 1>give you or should we just do the whole thing

0:39:21.040 --> 0:39:23.480
<v Speaker 1>through at this time point? No, because because I because

0:39:23.520 --> 0:39:25.799
<v Speaker 1>it's I want to just play half. I want to

0:39:25.840 --> 0:39:27.920
<v Speaker 1>talk about the first half and then we'll play the

0:39:27.920 --> 0:39:31.200
<v Speaker 1>second half. Are you sure. Yes, it's ten it's ten

0:39:31.239 --> 0:39:34.280
<v Speaker 1>and a half minutes. It is long, it's long slices

0:39:34.480 --> 0:39:38.719
<v Speaker 1>not what she said. Yeah, let's let's just do play it,

0:39:38.760 --> 0:39:40.439
<v Speaker 1>and then when you feel like it, we take a Yeah,

0:39:40.480 --> 0:39:43.319
<v Speaker 1>we gotta breathe. This is the this is the one

0:39:43.360 --> 0:39:46.000
<v Speaker 1>that's eight minutes. Oh, you have the ten and a

0:39:46.040 --> 0:39:48.919
<v Speaker 1>half minute one. You sent it to me, but yes,

0:39:49.239 --> 0:39:51.600
<v Speaker 1>yes I did. Where is it? It says, try this

0:39:51.640 --> 0:39:55.160
<v Speaker 1>one that's eight minutes. Hold on, you suck, bro? Do

0:39:55.200 --> 0:39:57.160
<v Speaker 1>you suck? You fuck this up? Man? This was that

0:39:57.280 --> 0:40:02.000
<v Speaker 1>big moment on the front of you suck it. Suck.

0:40:02.960 --> 0:40:06.920
<v Speaker 1>It's the wrong one, unprofessional. Try this one. This is

0:40:06.960 --> 0:40:09.000
<v Speaker 1>that you checked it. We talked like, here it is.

0:40:09.040 --> 0:40:10.800
<v Speaker 1>I got it, I got it. Okay, you did play it,

0:40:11.200 --> 0:40:13.360
<v Speaker 1>I got I got it. I got it. Okay, let's rewind.

0:40:14.800 --> 0:40:17.120
<v Speaker 1>Oh my god, how do I control my own fucking phone?

0:40:17.480 --> 0:40:22.359
<v Speaker 1>This is a problem. Yeah, seven million dollar equipment. Gary

0:40:25.440 --> 0:40:31.200
<v Speaker 1>Pelvis Rand presents just off air Show. I think we

0:40:31.320 --> 0:40:34.200
<v Speaker 1>titled this one new Beginnings. I don't know if this

0:40:34.280 --> 0:40:37.880
<v Speaker 1>is a new beginning. I gotta be there rebuilding the

0:40:37.920 --> 0:40:40.560
<v Speaker 1>offair show live on the office. I have not First

0:40:40.560 --> 0:40:42.080
<v Speaker 1>of all, I have not agreed to be part of

0:40:42.080 --> 0:40:47.360
<v Speaker 1>this podcast. I really think it's the worst decision. The

0:40:47.360 --> 0:40:49.960
<v Speaker 1>Brooklyn Boys Podcast. Welcome Boys podcast. So welcome to the

0:40:50.520 --> 0:40:54.560
<v Speaker 1>Boys Podcast. Somebody says w t F in a text,

0:40:54.600 --> 0:41:04.120
<v Speaker 1>What does that mean the mother? No? What what? That's

0:41:04.160 --> 0:41:07.480
<v Speaker 1>my mother? When you tie your shoelaces, you have fat

0:41:07.560 --> 0:41:10.919
<v Speaker 1>guy laces. No, when you're in shape, you bend down

0:41:10.960 --> 0:41:13.360
<v Speaker 1>straight and you tie your shoelace. That's where you're a

0:41:13.360 --> 0:41:15.319
<v Speaker 1>fat guy. You bend your leg over your other leg

0:41:15.560 --> 0:41:17.560
<v Speaker 1>and you tie it off to the side. And so

0:41:17.640 --> 0:41:20.919
<v Speaker 1>when guys are out of shade, their laces are off

0:41:20.920 --> 0:41:23.640
<v Speaker 1>to the left or off to the right because there's

0:41:23.680 --> 0:41:26.759
<v Speaker 1>legs and breast. That was lmbs morty guardens. I still

0:41:26.760 --> 0:41:28.839
<v Speaker 1>don't know what the L and it stands. Look at

0:41:28.840 --> 0:41:35.359
<v Speaker 1>that bitch hashtag slice And by the way, why don't

0:41:35.360 --> 0:41:40.000
<v Speaker 1>you write there's new stickers on the pail? Yeah, what

0:41:40.160 --> 0:41:43.240
<v Speaker 1>did they say? They say trash slash bustled up, of course,

0:41:43.320 --> 0:41:46.840
<v Speaker 1>because the people that take that stuff don't understan WHOA

0:41:46.960 --> 0:41:49.160
<v Speaker 1>that was scary too. No no, no no no no

0:41:49.160 --> 0:41:51.600
<v Speaker 1>no no no. C C. C C c C. I

0:41:51.719 --> 0:41:55.640
<v Speaker 1>was to grammar police the spelling. My mom is a

0:41:55.680 --> 0:42:00.920
<v Speaker 1>school teacher. Okay, a S T R I K. You

0:42:01.000 --> 0:42:03.719
<v Speaker 1>just said, and it's something that you do with your

0:42:03.719 --> 0:42:07.560
<v Speaker 1>white that's right, that's asterick is a s t e

0:42:07.840 --> 0:42:10.680
<v Speaker 1>r I K. Wrong. You spelled it wrong the first time,

0:42:10.719 --> 0:42:12.560
<v Speaker 1>and then a different way the second time. Another way,

0:42:12.640 --> 0:42:19.680
<v Speaker 1>another way. We welcome the fat Jewish comedians Maniscalco. Yes,

0:42:20.160 --> 0:42:23.960
<v Speaker 1>the day I do a radio tour, my neighbors are

0:42:24.200 --> 0:42:27.399
<v Speaker 1>sawing down their house. It's like it couldn't have been

0:42:27.480 --> 0:42:31.880
<v Speaker 1>worth timing jokes in the studio and he said, scary approach.

0:42:32.560 --> 0:42:37.040
<v Speaker 1>You guy should put together breary. You don't want to be

0:42:37.000 --> 0:42:47.880
<v Speaker 1>be sproty. Let's do some birthday. We had some birthday.

0:42:47.920 --> 0:42:50.279
<v Speaker 1>What are you talking about? It's the Brooklyn Boys birthday, Linch,

0:42:50.400 --> 0:42:53.319
<v Speaker 1>what do you mean Brooklyn Boys podcast birthdays. Oh, we

0:42:53.400 --> 0:42:56.080
<v Speaker 1>have not discussed this. She can't do it on it Okay,

0:42:56.320 --> 0:42:57.520
<v Speaker 1>you know what do it at a bar when they

0:42:57.520 --> 0:43:02.600
<v Speaker 1>hand you on my Hey, these are the people celebrate

0:43:02.680 --> 0:43:05.319
<v Speaker 1>Berney's and all no, no, no, he you know who

0:43:05.320 --> 0:43:08.600
<v Speaker 1>has birthdays? Everybody? Oh your birthdays in January? So spine,

0:43:08.640 --> 0:43:13.400
<v Speaker 1>what are the odds twelve to one pumpkin spice direct condoms.

0:43:13.640 --> 0:43:17.920
<v Speaker 1>That's the It's like a coccacino. What's a cocacino. I'll

0:43:17.960 --> 0:43:21.880
<v Speaker 1>serve you one right when you go to the buffet breakfast.

0:43:22.000 --> 0:43:24.560
<v Speaker 1>The bagels are ship. The bagels come out of a bag.

0:43:24.640 --> 0:43:28.320
<v Speaker 1>They're hard, They're like hockey pucks. You know what. They're Spagels.

0:43:28.360 --> 0:43:30.360
<v Speaker 1>There's ship bagels and Spagel's. I just bade it up

0:43:30.360 --> 0:43:34.120
<v Speaker 1>the Spagel's hashtag Spagel's hashtag, Drake's Cakes, hashtag don't play

0:43:34.120 --> 0:43:38.720
<v Speaker 1>the crankame hashtag pickle park, hashtag fox salad, hashtag scaries box.

0:43:38.840 --> 0:43:42.000
<v Speaker 1>By the way, that's a hashtag. I mean it is beautiful.

0:43:42.080 --> 0:43:45.880
<v Speaker 1>He's and the picture is crystal clear. Sloman's is the

0:43:45.880 --> 0:43:53.359
<v Speaker 1>best hit, the fucking Jingles hit the sang don't try

0:43:53.360 --> 0:43:54.920
<v Speaker 1>to tell me that was your father sag it not.

0:43:55.040 --> 0:43:59.080
<v Speaker 1>You said it wouldn't help yourself, couldn't help you. Amazing job.

0:44:00.200 --> 0:44:01.799
<v Speaker 1>I want to read his nuts long because he gave

0:44:01.840 --> 0:44:04.200
<v Speaker 1>his two straws out of five. How's your corn beef?

0:44:04.800 --> 0:44:07.640
<v Speaker 1>Take another bite? Okay? Well what is his zoo? Of

0:44:07.680 --> 0:44:12.080
<v Speaker 1>our podcast? Abe seventy seven egg says stop eating during

0:44:12.120 --> 0:44:16.439
<v Speaker 1>the podcast Dummies, and he gave us two fucking stars.

0:44:16.440 --> 0:44:19.760
<v Speaker 1>Fuck you man, So this is for you, a combe

0:44:25.480 --> 0:44:34.480
<v Speaker 1>Where am I now you're on the podcast? It's you

0:44:34.520 --> 0:44:37.000
<v Speaker 1>don't put. You don't put your own sun. Your own

0:44:37.200 --> 0:44:42.080
<v Speaker 1>mother gave me prop first. If someone tells me their

0:44:42.200 --> 0:44:44.640
<v Speaker 1>water is sparkling water that they made in the house,

0:44:45.040 --> 0:44:46.879
<v Speaker 1>I don't they fart into the jar. I don't want

0:44:46.880 --> 0:44:49.880
<v Speaker 1>it take fart water. But if they have, Sam Pellegrino,

0:44:49.960 --> 0:44:53.719
<v Speaker 1>the apps are fucking looke worst sparkling water because it

0:44:53.760 --> 0:44:56.400
<v Speaker 1>tastes like you drinking flat seltzer. Never gonna be a sponsor.

0:44:56.640 --> 0:45:00.279
<v Speaker 1>Fuck you, Sam Pellegrino. I hate Pellegrino. Hastago you back.

0:45:01.239 --> 0:45:04.319
<v Speaker 1>But Michael Rabortzi now finally six months, six months, would

0:45:04.360 --> 0:45:06.120
<v Speaker 1>wait for you, buddy. You know you know why. It's

0:45:06.120 --> 0:45:10.440
<v Speaker 1>brody and scary, not scary and brody because Scary didn't

0:45:10.440 --> 0:45:13.279
<v Speaker 1>want me on his podcast. That you fuck you. It's

0:45:13.280 --> 0:45:16.080
<v Speaker 1>brody and scary. That's the way it is. This is

0:45:16.120 --> 0:45:22.440
<v Speaker 1>by please. I'm said, Oh no, sar my scary. You

0:45:22.560 --> 0:45:25.920
<v Speaker 1>criticize my son putting a knife in my back. I

0:45:26.000 --> 0:45:28.160
<v Speaker 1>feel like I need to make this up to you somehow.

0:45:28.840 --> 0:45:32.400
<v Speaker 1>You have to what can you do for me? Some freaks?

0:45:33.680 --> 0:45:35.600
<v Speaker 1>I want to take my mother off STA dinner. No,

0:45:35.719 --> 0:45:38.280
<v Speaker 1>you know, I can send you something maybe you coach

0:45:38.320 --> 0:45:45.360
<v Speaker 1>would be nice. By the way, would you eat at

0:45:45.400 --> 0:45:49.400
<v Speaker 1>a place called Tainties, fish and chips? No, camp might

0:45:49.440 --> 0:45:52.560
<v Speaker 1>seem was the other day you realize the hell would

0:45:52.640 --> 0:45:59.240
<v Speaker 1>name their place and held on fish and Chainty's space

0:45:59.719 --> 0:46:08.960
<v Speaker 1>with fish and your chips. I will stop it right there. Wow,

0:46:09.040 --> 0:46:11.799
<v Speaker 1>I know what's coming in the next half. That would

0:46:11.800 --> 0:46:13.880
<v Speaker 1>have been enough. That's only by the way, that's only

0:46:13.920 --> 0:46:17.480
<v Speaker 1>five minutes. That's only half of the montage that Adam

0:46:17.560 --> 0:46:21.400
<v Speaker 1>Geg put together. It's again, he's not a radio person.

0:46:21.560 --> 0:46:24.359
<v Speaker 1>He's not. It was good with that. He edited that

0:46:25.160 --> 0:46:29.000
<v Speaker 1>on video editing equipment and software, and he claims because

0:46:29.120 --> 0:46:31.200
<v Speaker 1>I'm not an editor, I'm not. I'm like, dude, you

0:46:31.200 --> 0:46:33.080
<v Speaker 1>could make a career out of this. You Yeah, I

0:46:33.080 --> 0:46:35.000
<v Speaker 1>mean I might adjust some levels here and there, but

0:46:35.040 --> 0:46:37.439
<v Speaker 1>oh yeah, I know that's definitely. But as far as

0:46:38.160 --> 0:46:43.440
<v Speaker 1>the rhythm, the pacing, the clips that he chose, yeah, again,

0:46:43.480 --> 0:46:45.880
<v Speaker 1>and we're only halfway through. We have another five minutes

0:46:45.880 --> 0:46:50.560
<v Speaker 1>of that to play. Wow. Man, as you know we

0:46:50.640 --> 0:46:53.200
<v Speaker 1>speaking of I've been eating a lot of stay lately, Brody.

0:46:53.280 --> 0:46:55.759
<v Speaker 1>I'm not gonna lie. And a lot of listeners have

0:46:55.840 --> 0:46:58.680
<v Speaker 1>been coming to me and texting me and like, what's up,

0:46:58.680 --> 0:47:01.920
<v Speaker 1>where's David Brody? He's gonna be pissed. Okay, okay, for

0:47:02.000 --> 0:47:06.200
<v Speaker 1>the record, let me say something right now. Yes, okay,

0:47:06.280 --> 0:47:09.960
<v Speaker 1>just because I'm going out for dinner does not mean

0:47:10.520 --> 0:47:12.680
<v Speaker 1>that I need to have a have David Brody there,

0:47:13.000 --> 0:47:14.719
<v Speaker 1>or be that that he needed to be there to

0:47:14.760 --> 0:47:18.000
<v Speaker 1>eat steak with me his friends because my friends are

0:47:18.040 --> 0:47:21.920
<v Speaker 1>not his friends or not my friends, or Brody may

0:47:21.920 --> 0:47:23.879
<v Speaker 1>not be close to my friends. You get where I'm

0:47:23.880 --> 0:47:26.200
<v Speaker 1>coming from. Yeah, I get where you come from. You

0:47:26.239 --> 0:47:28.680
<v Speaker 1>get where I'm coming from. All right, Well, the little

0:47:28.719 --> 0:47:32.560
<v Speaker 1>list of the slices a little miss misinformed that they

0:47:32.600 --> 0:47:37.120
<v Speaker 1>think that I need to take you out. Oh my god,

0:47:37.200 --> 0:47:39.640
<v Speaker 1>So that means I can't have steak with my other friends. No,

0:47:39.800 --> 0:47:42.200
<v Speaker 1>you can. It's just it's just it's been two episodes.

0:47:42.239 --> 0:47:44.680
<v Speaker 1>You still haven't brought me a steak dinner. Really, And

0:47:45.680 --> 0:47:47.640
<v Speaker 1>a lot of your friends that you claim like not

0:47:47.680 --> 0:47:49.440
<v Speaker 1>my friends. You know, I get it. Your part like

0:47:49.440 --> 0:47:51.360
<v Speaker 1>a little group you have since you're a kid. A

0:47:51.360 --> 0:47:54.000
<v Speaker 1>lot of them hit me up for friendship on social media.

0:47:54.040 --> 0:47:57.319
<v Speaker 1>They clearly want to be my boy. Yeah, I know,

0:47:57.400 --> 0:47:59.320
<v Speaker 1>I know. I'm not listen. I know a lot. I'm

0:47:59.360 --> 0:48:02.279
<v Speaker 1>not offended, not ended, you know. But when I see

0:48:02.280 --> 0:48:04.120
<v Speaker 1>the pictures of you out for steak dinner with your boys,

0:48:04.120 --> 0:48:05.320
<v Speaker 1>I look at that group and I go, yeah, I

0:48:05.360 --> 0:48:08.560
<v Speaker 1>don't want to go out those guys. Yeah, man, yeah

0:48:08.600 --> 0:48:11.000
<v Speaker 1>that's that. You guys look happy. I'm fine, but you know,

0:48:11.080 --> 0:48:13.520
<v Speaker 1>taking me off for like a happy two steak dinner

0:48:13.520 --> 0:48:16.160
<v Speaker 1>would be great. But you know, but I feel like

0:48:16.719 --> 0:48:21.239
<v Speaker 1>this year two is the year like I'm getting my

0:48:21.280 --> 0:48:23.840
<v Speaker 1>free steak dinner from Scary is gonna pay for which

0:48:24.120 --> 0:48:28.440
<v Speaker 1>I tried twice. Let's not rehash it. We already played

0:48:28.440 --> 0:48:30.120
<v Speaker 1>the rehash of the montage. We don't need to rehash.

0:48:30.160 --> 0:48:33.279
<v Speaker 1>To rehash. They state that the third time is a charm, right, Well,

0:48:33.320 --> 0:48:37.480
<v Speaker 1>it's at least that many times, isn't it. The Boys podcast.

0:48:39.520 --> 0:48:41.400
<v Speaker 1>My air conditioning and heating unit just kicked on in

0:48:41.440 --> 0:48:43.080
<v Speaker 1>the basement. Are you hearing that? Because if it's a problem,

0:48:43.120 --> 0:48:45.200
<v Speaker 1>I'll go done it off. It's not too bad. I

0:48:45.200 --> 0:48:47.520
<v Speaker 1>think we're okay right now, because I've been freezing for

0:48:47.560 --> 0:48:51.240
<v Speaker 1>the past two hours. You're freezing. We stopped and started,

0:48:51.239 --> 0:48:54.080
<v Speaker 1>and we prepped. We didn't prep. How are you gone

0:48:54.120 --> 0:48:57.920
<v Speaker 1>minutes through this? I don't know. We're already We're already

0:48:57.920 --> 0:49:00.840
<v Speaker 1>forty nine minutes in on on the two eisode. Yeah,

0:49:00.880 --> 0:49:08.799
<v Speaker 1>it's crazy, all right. Are you superstitious? Um? No, Well,

0:49:08.880 --> 0:49:12.160
<v Speaker 1>there's a lot of superstitions out there. There are the

0:49:12.160 --> 0:49:16.600
<v Speaker 1>basic ones like black black crushing your path. No, I'm

0:49:16.640 --> 0:49:21.200
<v Speaker 1>not superstitious of that, or walking under a ladder. Not superstitious.

0:49:21.239 --> 0:49:24.960
<v Speaker 1>So what's the complexity of the story? El just mentioned

0:49:25.000 --> 0:49:27.279
<v Speaker 1>something on the air, all right. I don't know if

0:49:27.280 --> 0:49:29.040
<v Speaker 1>he was I don't remember. It doesn't really matter. I

0:49:29.080 --> 0:49:31.200
<v Speaker 1>don't know if he's telling a story or he was

0:49:31.239 --> 0:49:34.480
<v Speaker 1>reading a story, or he told the story. But somewhere

0:49:34.480 --> 0:49:38.040
<v Speaker 1>alan in the story he was talking about he said like, oh,

0:49:38.080 --> 0:49:40.200
<v Speaker 1>maybe he was just making up a number, you know,

0:49:40.280 --> 0:49:42.720
<v Speaker 1>like in the stories, make up the number. And he said, oh,

0:49:42.719 --> 0:49:45.839
<v Speaker 1>there's a problem with the guy in thirteen C on

0:49:45.880 --> 0:49:50.839
<v Speaker 1>the plane. So a bunch of people texted in and said,

0:49:50.880 --> 0:49:53.440
<v Speaker 1>you know, there's no thirteen throw on the plane, but

0:49:53.520 --> 0:49:56.400
<v Speaker 1>bad luck, it's bad luck. There's no thirteen throw. Okay, now,

0:49:56.760 --> 0:49:59.480
<v Speaker 1>but right away, I'm gonna say it doesn't matter. The

0:49:59.520 --> 0:50:03.000
<v Speaker 1>one after twelve is even even though you call it

0:50:03.080 --> 0:50:06.239
<v Speaker 1>the fourteenth row, it's the row. It's just not called that,

0:50:06.400 --> 0:50:08.880
<v Speaker 1>right right. If the plane goes down, it's not looking

0:50:08.880 --> 0:50:11.680
<v Speaker 1>at the numbers on the seat. You don't get the trick,

0:50:11.800 --> 0:50:14.799
<v Speaker 1>the trick the gods and whatever is right. So, so

0:50:14.840 --> 0:50:16.640
<v Speaker 1>first of all, a couple of people texted and said,

0:50:17.040 --> 0:50:19.360
<v Speaker 1>I work for such and such airline. We have a

0:50:19.480 --> 0:50:22.680
<v Speaker 1>thirteen throw. So it's not people like, no planes don't

0:50:22.680 --> 0:50:26.120
<v Speaker 1>have thirteen row. Yes, some some line, just because you

0:50:26.200 --> 0:50:31.240
<v Speaker 1>know some information. I think Southwest has has the number thirteen.

0:50:31.239 --> 0:50:33.040
<v Speaker 1>If I'm free to move about the country, one of thirteen.

0:50:33.160 --> 0:50:36.080
<v Speaker 1>You know, it's like, not every building skips the thirteenth floor. Well,

0:50:36.280 --> 0:50:39.280
<v Speaker 1>my building, we skipped more than that. We skipped thirteen,

0:50:39.440 --> 0:50:43.160
<v Speaker 1>and we skipped anything. We skipped anything with a two

0:50:43.200 --> 0:50:46.560
<v Speaker 1>in it. Well, that's ridiculous. Are you is it an

0:50:46.560 --> 0:50:50.600
<v Speaker 1>Asian building? Yes? It is, Yes, I've been there because

0:50:51.000 --> 0:50:53.279
<v Speaker 1>I'm sorry it two? Or is it four? Maybe there's

0:50:53.280 --> 0:50:56.880
<v Speaker 1>another number that Asian people, some Asian communities find to

0:50:56.920 --> 0:51:02.360
<v Speaker 1>be bed luck. Oh my goodness, oh no, we we

0:51:02.520 --> 0:51:04.680
<v Speaker 1>I say, I think it's four anything with the four

0:51:04.800 --> 0:51:07.759
<v Speaker 1>and so there's no fourth floor, No, there's none. In fact,

0:51:07.840 --> 0:51:11.040
<v Speaker 1>there's no fourteen. So in my building it skips from

0:51:11.040 --> 0:51:17.560
<v Speaker 1>twelve to fifteen because thirteen no and four, which is ridiculous, ridiculous,

0:51:17.760 --> 0:51:19.680
<v Speaker 1>it's a bad luck number in that in that culture.

0:51:19.840 --> 0:51:21.719
<v Speaker 1>So we do have a lot of Asians that live here.

0:51:21.760 --> 0:51:23.799
<v Speaker 1>So yes, I've I've been, I've seen it. Yes. So

0:51:23.880 --> 0:51:27.000
<v Speaker 1>here's my thing about planes. If you're in the thirteenth

0:51:27.120 --> 0:51:30.480
<v Speaker 1>row or the fourteenth row or the twelfth row, right,

0:51:30.800 --> 0:51:32.920
<v Speaker 1>let's say there's no thirteen row. Let's say there's a

0:51:32.960 --> 0:51:36.319
<v Speaker 1>thirteen row, you're still all going down. The plane goes

0:51:36.400 --> 0:51:39.520
<v Speaker 1>down when you hit the mountain, you're all hitting the mountain.

0:51:40.320 --> 0:51:43.880
<v Speaker 1>There's no lucky row, right, because there's someone in twenty

0:51:43.880 --> 0:51:48.080
<v Speaker 1>two right now that doesn't feel unlucky because they're in two.

0:51:48.719 --> 0:51:51.000
<v Speaker 1>I tell you right now, if there's no thirteenth row,

0:51:51.120 --> 0:51:54.239
<v Speaker 1>in ninety percent airplanes, a hell of a lot of

0:51:54.239 --> 0:51:57.120
<v Speaker 1>planes without a thirteen throw of crashed. Well, well that's

0:51:57.200 --> 0:52:00.280
<v Speaker 1>not a whole lot, but it's scary if if planes

0:52:00.280 --> 0:52:03.480
<v Speaker 1>don't have thirteen rows, the plane crashes every year, like

0:52:03.600 --> 0:52:09.000
<v Speaker 1>one is, lots of thirteen less road planes have crashed. No.

0:52:09.200 --> 0:52:11.400
<v Speaker 1>My point is that's a stupid thing. We make up

0:52:11.400 --> 0:52:16.120
<v Speaker 1>a number thirteen fourteen O two, that the thirteen is evil,

0:52:16.400 --> 0:52:18.640
<v Speaker 1>and now we don't have thirteen floors and buildings for

0:52:18.760 --> 0:52:22.040
<v Speaker 1>what reason? Buildings burn all the time without thirteen floors

0:52:22.640 --> 0:52:26.480
<v Speaker 1>the thirteen floor, it's nothing affects anything. There's no like,

0:52:26.520 --> 0:52:29.359
<v Speaker 1>the fire doesn't go there's no thirteen floors building. It's

0:52:29.360 --> 0:52:33.160
<v Speaker 1>good luck. I'm gonna stop spreading my fire, stop spreading

0:52:33.440 --> 0:52:37.680
<v Speaker 1>your fire. We didn't spread the fire. Okay anyway, So

0:52:37.719 --> 0:52:40.640
<v Speaker 1>people were like all up in arms about thirteen. I'm

0:52:40.680 --> 0:52:43.080
<v Speaker 1>not listen. If a truck's gonna hit you, it's gonna

0:52:43.120 --> 0:52:44.680
<v Speaker 1>hit you. It's not hitting you because you were in

0:52:44.680 --> 0:52:47.840
<v Speaker 1>a thirteen jersey. That the guy that I got, that

0:52:47.840 --> 0:52:52.120
<v Speaker 1>guy's got the jersey on dadam this this baseball players

0:52:52.120 --> 0:52:54.960
<v Speaker 1>and every sport has we uniform numbers, has plays it

0:52:55.040 --> 0:52:58.680
<v Speaker 1>with thirteen. Yeah, it's some of them are Hall of famers.

0:52:59.400 --> 0:53:02.040
<v Speaker 1>By the way, you get a numbers um and I

0:53:02.040 --> 0:53:04.799
<v Speaker 1>promise this is my last tangent. I promise there's a

0:53:04.840 --> 0:53:07.560
<v Speaker 1>podcast I heard a commercial for. I weren't known for tangents.

0:53:07.560 --> 0:53:09.839
<v Speaker 1>This is the podcast that comes. But I don't want

0:53:09.840 --> 0:53:11.640
<v Speaker 1>a triple tangent. I'm gonna stop here. I read a

0:53:11.640 --> 0:53:13.920
<v Speaker 1>commercial for a podcast today and I'm sure it's accurate.

0:53:14.400 --> 0:53:19.319
<v Speaker 1>All they do is celebrities that died at seven. This

0:53:19.360 --> 0:53:23.480
<v Speaker 1>new episode was James Dean with Amy wine House, like

0:53:23.480 --> 0:53:25.520
<v Speaker 1>I don't know how old Kirk Cobain was with Jim

0:53:25.560 --> 0:53:29.040
<v Speaker 1>Morrison diet don't. I don't know if you google artists

0:53:29.040 --> 0:53:31.680
<v Speaker 1>at by point was so many people have died at

0:53:31.719 --> 0:53:35.480
<v Speaker 1>twenty seven celebrities that they can do a podcast and

0:53:35.520 --> 0:53:39.239
<v Speaker 1>have enough episodes? Right? You need? Have you one a month?

0:53:39.440 --> 0:53:43.239
<v Speaker 1>That's twelve a year celebrities. I mean, I'm gonna google it,

0:53:43.280 --> 0:53:47.000
<v Speaker 1>I guess, and a lot if you like, if you're

0:53:47.000 --> 0:53:49.480
<v Speaker 1>a celebrity. Now, look, that doesn't mean twenty seven is unlucky.

0:53:49.520 --> 0:53:52.120
<v Speaker 1>It's coincidental or maybe it's a time in your life.

0:53:52.160 --> 0:53:55.000
<v Speaker 1>Is celebrity where you got money? Right? Yea fame, you

0:53:55.080 --> 0:53:59.719
<v Speaker 1>start doing drugs, you're out and you're done. Yeah, But

0:54:00.000 --> 0:54:02.319
<v Speaker 1>like the just the number thing, like there's gotta be

0:54:02.320 --> 0:54:04.759
<v Speaker 1>people who watched it se year olds man, it's good

0:54:04.760 --> 0:54:07.200
<v Speaker 1>bad luck? What do you do? Skip it? You can't

0:54:07.200 --> 0:54:11.239
<v Speaker 1>skip the year jews a big year you get bar

0:54:11.320 --> 0:54:14.000
<v Speaker 1>Mitzvan as a jew mail jew thirteen that was good

0:54:14.080 --> 0:54:15.600
<v Speaker 1>year for the got a lot of money you know well?

0:54:16.000 --> 0:54:21.000
<v Speaker 1>Or beaniebling gambling. Seven sevens are usually a good luck

0:54:21.040 --> 0:54:23.320
<v Speaker 1>when you on the slot machine, right, seven seven seven,

0:54:23.400 --> 0:54:26.080
<v Speaker 1>But in craps, in the in the first role, the

0:54:26.080 --> 0:54:28.760
<v Speaker 1>opening role, seven is lucky. But in every other role

0:54:29.040 --> 0:54:34.280
<v Speaker 1>of the die the dice in craps, seven you cleared

0:54:34.320 --> 0:54:36.040
<v Speaker 1>the table and you lose your money. You lose all

0:54:36.080 --> 0:54:39.080
<v Speaker 1>your money. But what does it mean to come eleven eleven?

0:54:39.120 --> 0:54:42.759
<v Speaker 1>Because you want eleven? So seven and eleven eleven is craps? Right?

0:54:42.800 --> 0:54:45.200
<v Speaker 1>I guess when you when people say seven, come eleven?

0:54:45.200 --> 0:54:47.319
<v Speaker 1>What does that mean? And I can google it? But

0:54:47.440 --> 0:54:51.279
<v Speaker 1>don't you know something? Come eleven? I don't you know something?

0:54:51.280 --> 0:54:53.280
<v Speaker 1>I don't want to be in the same room. Sounds dirty.

0:54:54.320 --> 0:54:57.000
<v Speaker 1>I don't want to be. He would like, no, no, no, no,

0:54:57.239 --> 0:55:00.360
<v Speaker 1>don't don't don't don't ask that no. But the point

0:55:00.480 --> 0:55:03.560
<v Speaker 1>is sevens are lucky when you get three sevens on

0:55:03.600 --> 0:55:07.520
<v Speaker 1>the slot machine, but after the first role, but after

0:55:07.560 --> 0:55:10.040
<v Speaker 1>the number and once the point is made in craps,

0:55:10.560 --> 0:55:14.080
<v Speaker 1>then seven is out. It's seven out. That means that's

0:55:14.080 --> 0:55:16.800
<v Speaker 1>when they take that fucking long wooden step. Well you

0:55:16.840 --> 0:55:19.440
<v Speaker 1>know what, they all the money all towards the fucking

0:55:19.920 --> 0:55:22.160
<v Speaker 1>the banks. Seven is the number most likely to come

0:55:22.200 --> 0:55:24.080
<v Speaker 1>up on the on the two die roll. That's right,

0:55:24.600 --> 0:55:27.680
<v Speaker 1>that's right because it's the most combinations combinations, five, three,

0:55:27.680 --> 0:55:30.760
<v Speaker 1>and four. That's why it's it's got the three different

0:55:30.800 --> 0:55:32.719
<v Speaker 1>But in the opening role, you want to keep rolling

0:55:32.760 --> 0:55:36.279
<v Speaker 1>sevens seven seven seven, and then you don't want it

0:55:36.360 --> 0:55:38.680
<v Speaker 1>once the point is made. That's a whole other I'm

0:55:38.719 --> 0:55:40.600
<v Speaker 1>not teaching your c I can't play craps. I don't

0:55:40.600 --> 0:55:42.439
<v Speaker 1>want I just I look at it. You just that's

0:55:42.440 --> 0:55:45.480
<v Speaker 1>what they play in movies. That's that's you don't play craps.

0:55:45.520 --> 0:55:47.480
<v Speaker 1>You take them. Yeah, because I don't want to be

0:55:47.520 --> 0:55:49.120
<v Speaker 1>like I want to lose all my money. Don't worry

0:55:49.120 --> 0:55:50.719
<v Speaker 1>about it, just go to the buffet. I think we

0:55:50.719 --> 0:55:52.560
<v Speaker 1>should play the second half of his montage. We also

0:55:52.600 --> 0:55:56.200
<v Speaker 1>have some voicemail to get to calling it a montage montage, alright,

0:55:56.239 --> 0:55:59.000
<v Speaker 1>But and then we got the voicemails, all right, I

0:55:59.080 --> 0:56:00.719
<v Speaker 1>just I just I wanted to about what happened it

0:56:00.719 --> 0:56:02.600
<v Speaker 1>did it other night? And then but boy, I want

0:56:02.600 --> 0:56:04.480
<v Speaker 1>to hear the montage, play the voicemails because I want

0:56:04.480 --> 0:56:05.719
<v Speaker 1>to take a break from the montage for a minute.

0:56:06.000 --> 0:56:07.640
<v Speaker 1>Do you really let's yeah, I want, I want to

0:56:07.640 --> 0:56:10.480
<v Speaker 1>hear the voicemails. Okay, hold on a second, I took

0:56:10.520 --> 0:56:17.239
<v Speaker 1>the time. F you abe seventy seven and leave us hopefully. Well,

0:56:17.360 --> 0:56:20.560
<v Speaker 1>there's no one since I last checked. Well to see

0:56:20.560 --> 0:56:23.319
<v Speaker 1>and the tweets they are so basically yes, to play

0:56:23.320 --> 0:56:24.640
<v Speaker 1>the ones you wanted to play, we can't play them.

0:56:25.760 --> 0:56:30.960
<v Speaker 1>Two eight F you abe seventy seven? Uh and these

0:56:31.000 --> 0:56:32.560
<v Speaker 1>are people that left their voicemail. And by the way,

0:56:32.600 --> 0:56:35.520
<v Speaker 1>this line is now connected seven, So feel free to

0:56:35.560 --> 0:56:38.239
<v Speaker 1>make that voicemail any time you want and leave one

0:56:38.280 --> 0:56:40.240
<v Speaker 1>for us. We may play it on a future episode.

0:56:40.239 --> 0:56:43.200
<v Speaker 1>Here's a great I have the log in, and I

0:56:43.239 --> 0:56:46.640
<v Speaker 1>can change it so that it makes Scary's phone ring. Yeah,

0:56:46.719 --> 0:56:51.239
<v Speaker 1>let's not do that. Yeah, let's keep it, thanks Dick.

0:56:51.920 --> 0:56:53.399
<v Speaker 1>I can also set it where he gets an email

0:56:53.400 --> 0:56:55.520
<v Speaker 1>every time. You know, let's not do that either, alright,

0:56:55.760 --> 0:56:59.960
<v Speaker 1>rye two oh three? Here we go. What's to us?

0:57:00.040 --> 0:57:02.600
<v Speaker 1>Three is where this came from? Who cares about the

0:57:02.640 --> 0:57:06.759
<v Speaker 1>area called play the damn thing? Hey, Brodiant scary. It's

0:57:06.800 --> 0:57:12.520
<v Speaker 1>Anthony from Central Connecticut. Keep up the good work. Congratulations

0:57:12.520 --> 0:57:16.760
<v Speaker 1>on two hundred episodes. So as for life and let's

0:57:16.800 --> 0:57:20.520
<v Speaker 1>go mas. Hashtag Brodian scary. Now that was the first

0:57:20.520 --> 0:57:22.360
<v Speaker 1>one we got, so I wanted to play one. You

0:57:22.560 --> 0:57:24.240
<v Speaker 1>gonna get much better than that. That was the person

0:57:24.280 --> 0:57:27.880
<v Speaker 1>that tag Brodian scary and said let's go mats. Come on,

0:57:28.680 --> 0:57:30.520
<v Speaker 1>well that one right there was the first one. Okay,

0:57:30.560 --> 0:57:36.080
<v Speaker 1>and here we go continuing along. Hey, Brodian Scary, it's

0:57:36.800 --> 0:57:40.920
<v Speaker 1>Jamie a K Monster donut pants. I just want to

0:57:40.920 --> 0:57:45.440
<v Speaker 1>take natulations on episode two hundreds. I can't believe that

0:57:45.480 --> 0:57:49.440
<v Speaker 1>you are allowed to you your bs for two hundred episodes,

0:57:50.000 --> 0:57:53.480
<v Speaker 1>yet here you are. Thank you for making me and

0:57:53.560 --> 0:57:57.240
<v Speaker 1>everyone else laugh for as as long as you have.

0:57:57.640 --> 0:58:00.919
<v Speaker 1>I especially need it now that I've been going through

0:58:00.960 --> 0:58:05.680
<v Speaker 1>a bit of a health scare. Keep up the good work, guys,

0:58:05.920 --> 0:58:09.280
<v Speaker 1>and I'm hoping for two hundred more. Well, thank you

0:58:09.320 --> 0:58:12.800
<v Speaker 1>so much, and we hope you feel better. Monsters years

0:58:12.840 --> 0:58:15.360
<v Speaker 1>for you autely that the fact that she's under the

0:58:15.400 --> 0:58:16.680
<v Speaker 1>weather and took the time to do that. Thank you

0:58:16.760 --> 0:58:19.120
<v Speaker 1>very much. Thank you so much, all right, and here's

0:58:19.120 --> 0:58:25.840
<v Speaker 1>the one from Brooklyn Boys, Scary and Brodie. Brodie and Scary.

0:58:26.000 --> 0:58:28.680
<v Speaker 1>I've been looking forward to episode two hundreds for what

0:58:28.800 --> 0:58:32.600
<v Speaker 1>seems like sucking forever. Now. This is Chris Travers. I'm

0:58:32.640 --> 0:58:36.120
<v Speaker 1>a Slice for Life. I've been listening to every episode

0:58:36.120 --> 0:58:39.720
<v Speaker 1>of the Brooklyn Boys podcast, and I'm so hyphed that

0:58:39.760 --> 0:58:43.360
<v Speaker 1>you guys are actually giving listeners an opportunity to come

0:58:43.360 --> 0:58:46.280
<v Speaker 1>on the podcast and have their voice be heard and

0:58:47.200 --> 0:58:49.240
<v Speaker 1>tell you guys how much you guys are looking awesome.

0:58:49.760 --> 0:58:53.720
<v Speaker 1>And I love it. I'm in New Yorker myself. You

0:58:53.760 --> 0:58:56.080
<v Speaker 1>guys are the ship. Keep doing what you're doing. I

0:58:56.080 --> 0:58:58.960
<v Speaker 1>appreciate you. I know a lot of us do, so

0:58:59.560 --> 0:59:02.560
<v Speaker 1>keep doing you're doing Brooklyn Boys Slice so Life. Appreciate

0:59:02.600 --> 0:59:07.600
<v Speaker 1>it great. Thank you. Okay, and here comes Area code nine.

0:59:09.920 --> 0:59:14.560
<v Speaker 1>What's up, Scary and Brody. I love the podcast. I

0:59:14.600 --> 0:59:20.400
<v Speaker 1>listened all the way from San Diego, sing Bong short

0:59:20.440 --> 0:59:24.000
<v Speaker 1>and sweet? What's the bing bing bong? Is the Knicks?

0:59:24.080 --> 0:59:30.680
<v Speaker 1>It's part of the rallying thing. Oh that's what it is. Hey,

0:59:30.680 --> 0:59:35.680
<v Speaker 1>Brooklyn Boys is Anastasia from queens Um. I was interested

0:59:35.760 --> 0:59:39.960
<v Speaker 1>in your input on that new ohha commercial. I know

0:59:40.080 --> 0:59:43.600
<v Speaker 1>that you guys have been on a roll with funny

0:59:43.640 --> 0:59:47.240
<v Speaker 1>commercials and such, so I'm very curious to hear about that.

0:59:47.880 --> 0:59:51.760
<v Speaker 1>Be Well and Slice for Life. That's a local commercial

0:59:51.800 --> 0:59:55.760
<v Speaker 1>that we play on. It's a nightmare? Is that your

0:59:55.800 --> 0:59:58.560
<v Speaker 1>friend Dave that does that? The other that's a that's

0:59:58.600 --> 1:00:02.200
<v Speaker 1>a no, that's horrible. Ah, well, you know we should

1:00:02.200 --> 1:00:04.000
<v Speaker 1>play that on. Well, I don't know. We don't want

1:00:04.000 --> 1:00:06.040
<v Speaker 1>to lose the money on that. But yeah, let's wait

1:00:06.080 --> 1:00:09.080
<v Speaker 1>till let's wait till they stop advertising and then we'll

1:00:09.080 --> 1:00:11.360
<v Speaker 1>get back to that. It only plays on one and

1:00:12.000 --> 1:00:14.320
<v Speaker 1>listen the rest of the country. Consider yourself lucky. It's

1:00:14.320 --> 1:00:19.760
<v Speaker 1>all will say. Yeah, all right, yo, Broken Boys is

1:00:19.840 --> 1:00:24.320
<v Speaker 1>Frank Stell and haircong Wine for Connecticut. I just wanted

1:00:24.360 --> 1:00:26.800
<v Speaker 1>to stay if you guys are doing a great job

1:00:26.880 --> 1:00:32.440
<v Speaker 1>for the podcast. Um I wanted to see you guys.

1:00:32.520 --> 1:00:36.080
<v Speaker 1>Wanted to maybe do a pizza tour. I think you

1:00:36.160 --> 1:00:39.120
<v Speaker 1>guys are in a great area where you can hit

1:00:39.600 --> 1:00:44.840
<v Speaker 1>up Caniquette, New York, New Jersey. That's being a matter

1:00:44.920 --> 1:00:51.320
<v Speaker 1>of a month just getting up local pizza stops, um Manequet.

1:00:51.440 --> 1:00:55.960
<v Speaker 1>I can show you the ropes Connecticut pizza, so to speak.

1:00:56.200 --> 1:01:00.400
<v Speaker 1>In Connecticut. Take you to or four great piece of

1:01:00.440 --> 1:01:08.320
<v Speaker 1>places within a day. Yep, a good day. Yeah, that's right, Brodie.

1:01:08.640 --> 1:01:11.840
<v Speaker 1>How do you feel about that Connecticut pizza? I'll go

1:01:11.880 --> 1:01:14.200
<v Speaker 1>eat it. I gotta eat it in a little a

1:01:14.280 --> 1:01:17.840
<v Speaker 1>little little bit of moderation. New York King, King, can

1:01:17.880 --> 1:01:19.680
<v Speaker 1>you the pizza? No? No, I still think New York

1:01:19.720 --> 1:01:21.080
<v Speaker 1>is the best pizza in the way you too, But

1:01:21.120 --> 1:01:24.960
<v Speaker 1>I've tasted Connecticut pizza and New Haven Pizza has some

1:01:25.040 --> 1:01:27.040
<v Speaker 1>great you know, contend to the way. I want to

1:01:27.080 --> 1:01:29.680
<v Speaker 1>just clarify the bing bong thing case you guys screaming

1:01:29.800 --> 1:01:33.120
<v Speaker 1>at you at your phones. Uh, there's a show called

1:01:33.120 --> 1:01:35.880
<v Speaker 1>side talk that made it a thing on TikTok. That's

1:01:35.920 --> 1:01:40.560
<v Speaker 1>what I thought, but the Knicks have adopted it, right, Okay,

1:01:40.600 --> 1:01:42.600
<v Speaker 1>that's how I heard it through the Knicks. But that's

1:01:42.600 --> 1:01:46.040
<v Speaker 1>what some side talk. It's mich yo. Don't play that

1:01:46.080 --> 1:01:50.200
<v Speaker 1>other message because clearly I didn't think it through obviously. Uh,

1:01:50.480 --> 1:01:53.920
<v Speaker 1>you know the chance that this is played on the podcast.

1:01:54.200 --> 1:01:56.280
<v Speaker 1>You know, I had people a litre nervous, but I

1:01:56.320 --> 1:01:58.160
<v Speaker 1>wanted to say I have a place for life for

1:01:58.200 --> 1:02:03.520
<v Speaker 1>how long? Uh? Probably since you got have started. Uh yeah,

1:02:03.600 --> 1:02:09.720
<v Speaker 1>that's that if you thank you keep going. We can't

1:02:09.720 --> 1:02:11.440
<v Speaker 1>play them all scared, no, I know, but yeah we have.

1:02:11.600 --> 1:02:13.240
<v Speaker 1>We have quite a few more you know people to

1:02:13.560 --> 1:02:18.800
<v Speaker 1>time about this one. Yeah one of him, uh my

1:02:18.840 --> 1:02:24.760
<v Speaker 1>fat fingers, a birdie and scary it's mistress here. Congrats

1:02:24.800 --> 1:02:28.920
<v Speaker 1>on two on two hilarious episodes of the Brooklyn Boys,

1:02:29.360 --> 1:02:32.520
<v Speaker 1>and thank you for building a community of slices. I

1:02:32.640 --> 1:02:35.160
<v Speaker 1>finally found my people and they all hate bad grammar

1:02:35.160 --> 1:02:40.080
<v Speaker 1>as much as I do. Love you guys, okay, and

1:02:40.200 --> 1:02:45.920
<v Speaker 1>from what up? Brooklyn Boys named Gabe, I'm a merchandiser

1:02:46.000 --> 1:02:50.000
<v Speaker 1>for seven up. Listen to your motherfucker's every single day

1:02:50.160 --> 1:02:52.960
<v Speaker 1>on my drive to work from work and between stories,

1:02:53.520 --> 1:02:56.400
<v Speaker 1>fuck you age seventy s And hey, y'all need to

1:02:56.440 --> 1:03:00.960
<v Speaker 1>talk to I Heart radio about the stupid fucking rewind

1:03:01.080 --> 1:03:06.240
<v Speaker 1>if that forward problems, okay, we will do that. Okay.

1:03:06.520 --> 1:03:12.240
<v Speaker 1>We are ambassadors of goodwill for you. Uh, what's up? Boys?

1:03:12.240 --> 1:03:17.880
<v Speaker 1>The real Kicklow? Congratulations on two harderd episodes episode I

1:03:17.920 --> 1:03:21.720
<v Speaker 1>can't wait to keep hearing more what's the life? Okay?

1:03:21.880 --> 1:03:24.600
<v Speaker 1>And then two more? Does he call himself to kick Low?

1:03:24.640 --> 1:03:28.600
<v Speaker 1>Because his voice I've never heard his voice before. Here's

1:03:28.640 --> 1:03:42.600
<v Speaker 1>another feedback he got out to the Brooklyn Boys. The

1:03:42.720 --> 1:03:51.960
<v Speaker 1>hell you mess it up? Brody? There you go. I'd

1:03:52.000 --> 1:03:54.040
<v Speaker 1>in preview. This one just came in. It's funny. I

1:03:56.640 --> 1:04:01.560
<v Speaker 1>didn't realize they don't even know what the hell is

1:04:01.560 --> 1:04:05.160
<v Speaker 1>going on this they're still recording. All right, Well we'll

1:04:05.200 --> 1:04:11.560
<v Speaker 1>just alright, last one. They had no idea. Last one

1:04:12.760 --> 1:04:23.040
<v Speaker 1>out to the Brooklyn Boy. Okay, there you go. Our

1:04:23.080 --> 1:04:28.120
<v Speaker 1>phone numbers to one eight f you ape seventy seven. Okay, alright,

1:04:28.160 --> 1:04:31.800
<v Speaker 1>to one A seventy seven. Well, if you know listen, well,

1:04:31.840 --> 1:04:33.600
<v Speaker 1>we gotta up up the anti if we want to

1:04:33.680 --> 1:04:38.600
<v Speaker 1>keep playing these, leave us some great comments stories, questions

1:04:38.600 --> 1:04:41.240
<v Speaker 1>for the Brooklyn Boys. You can ask questions and maybe

1:04:41.280 --> 1:04:44.560
<v Speaker 1>we'll answer them on a future episode of this podcast.

1:04:45.360 --> 1:04:48.720
<v Speaker 1>All right, Okay, we gotta uh commercial break here, and

1:04:48.760 --> 1:04:52.919
<v Speaker 1>then we have the other half of them. Monte, I gotta,

1:04:52.920 --> 1:04:55.320
<v Speaker 1>I gotta, I gotta, I gotta call it a fellow

1:04:55.400 --> 1:04:57.640
<v Speaker 1>radio person that that I'm not gonna mention names, but

1:04:58.080 --> 1:05:05.080
<v Speaker 1>on another Grammar police issue, another one like brilliant scary.

1:05:06.040 --> 1:05:07.560
<v Speaker 1>All right, I want to play the half of this

1:05:07.680 --> 1:05:11.480
<v Speaker 1>montage and then you could call out your people, all right,

1:05:12.000 --> 1:05:17.240
<v Speaker 1>Adam G E. G. You ruined my fucking joke. I

1:05:17.320 --> 1:05:20.200
<v Speaker 1>was actually looking for it. I want to buy this

1:05:20.960 --> 1:05:25.720
<v Speaker 1>is just to a Middle Eastern vampire. No Jewish, that's

1:05:25.720 --> 1:05:29.720
<v Speaker 1>your Jewish. I was actually, um, yeah, I was walking

1:05:29.720 --> 1:05:32.320
<v Speaker 1>through the lab at one late one night she doing

1:05:32.360 --> 1:05:43.120
<v Speaker 1>the monster man shud, actually looking for it and center

1:05:43.160 --> 1:05:46.200
<v Speaker 1>the forty four on the microphone. You spent hundreds of

1:05:46.240 --> 1:05:49.640
<v Speaker 1>dollars ten thousand dollars, forty seven thousand dollars, fourteen point

1:05:49.720 --> 1:05:53.000
<v Speaker 1>six million dollars, five billion dollars and that equipment. Listen, asshole,

1:05:53.240 --> 1:05:56.560
<v Speaker 1>never been voting before. My microphone's falling up. Oh my god,

1:05:56.640 --> 1:05:59.480
<v Speaker 1>that's eighty thousand dollars. Get it? Oh ship, Oh no,

1:05:59.720 --> 1:06:11.000
<v Speaker 1>if another hundred thousand, go ahead, play it wait quickly.

1:06:11.160 --> 1:06:13.360
<v Speaker 1>And by the way, he didn't wipe his ass. That's

1:06:13.360 --> 1:06:16.440
<v Speaker 1>why I think he was cranking it. No, dude, if

1:06:16.440 --> 1:06:19.160
<v Speaker 1>he was cranking one, have you ever made those sounds?

1:06:19.320 --> 1:06:23.400
<v Speaker 1>If you were doing that, do you go oh fuck?

1:06:27.800 --> 1:06:30.720
<v Speaker 1>We have a serious tribe issue. So two weeks ago

1:06:31.360 --> 1:06:34.640
<v Speaker 1>someone started posing as me, took a couple of my pictures.

1:06:34.920 --> 1:06:38.400
<v Speaker 1>He posted it as his lead his lead picture on

1:06:39.040 --> 1:06:42.120
<v Speaker 1>j Date, which is the Jewish online dating service. If

1:06:42.160 --> 1:06:44.680
<v Speaker 1>he goes on any date. He's not author the thirty

1:06:44.680 --> 1:06:46.680
<v Speaker 1>seven year old doctor. And if he is author the

1:06:46.680 --> 1:06:49.200
<v Speaker 1>thirty seven year old doctor, how ugly must he be

1:06:49.360 --> 1:06:52.080
<v Speaker 1>if he's using your picture? All right, that's a comment

1:06:52.120 --> 1:06:56.000
<v Speaker 1>I was waiting for. We don't yell a lot. We

1:06:56.080 --> 1:07:00.160
<v Speaker 1>yell sometimes, but not a lot. You're not fun. Take

1:07:00.200 --> 1:07:04.560
<v Speaker 1>less thing to me. Fuck you Pelican Polls. I gave

1:07:04.640 --> 1:07:07.680
<v Speaker 1>you a boding shirts cad. Fuck you, Agnes. It's not

1:07:07.800 --> 1:07:11.880
<v Speaker 1>white milk, it's just milk. Shall Yeah, why are you

1:07:11.920 --> 1:07:14.720
<v Speaker 1>telling me that you just gotta do your fucking car accident?

1:07:14.920 --> 1:07:21.000
<v Speaker 1>What I'm Steve fucking Stacy the man, blow up? Bare throat?

1:07:21.880 --> 1:07:25.000
<v Speaker 1>Do I do? I smell free dessert coming. I can't

1:07:25.000 --> 1:07:27.320
<v Speaker 1>find the waiter. He's not getting soda, he's not getting

1:07:27.320 --> 1:07:30.360
<v Speaker 1>me water, he's not getting me anything. Fuck you Alexa,

1:07:30.880 --> 1:07:35.080
<v Speaker 1>oh Ship, Hold on a second. It's snowing here in

1:07:35.120 --> 1:07:39.240
<v Speaker 1>the studio. We got the fucking snow flakes on our hands.

1:07:39.360 --> 1:07:42.360
<v Speaker 1>I have hearted it to flush of fucking toilet. Don't

1:07:42.360 --> 1:07:44.240
<v Speaker 1>tweet me. I don't care. I don't need you to

1:07:44.320 --> 1:07:48.560
<v Speaker 1>very find my day. Fix the fucking software. What fuck

1:07:48.600 --> 1:07:51.280
<v Speaker 1>you Amazon cares? I'm gonna take a candy grape soda

1:07:51.320 --> 1:07:53.280
<v Speaker 1>with for my troubles for waiting, and we're gonna call

1:07:53.320 --> 1:07:55.280
<v Speaker 1>it even so, I said, we're good. Are you talking

1:07:55.280 --> 1:07:58.360
<v Speaker 1>about telling what I want? That's freak English. What's the

1:07:58.400 --> 1:08:03.400
<v Speaker 1>age limit for chocolate milk? Solabed was closed? You're right, no,

1:08:03.520 --> 1:08:06.760
<v Speaker 1>but you're you don't even wait for the answer, your man,

1:08:06.880 --> 1:08:10.720
<v Speaker 1>that's my bodka. That's how it fucking works. Ketaba albums,

1:08:11.040 --> 1:08:14.240
<v Speaker 1>katy albums, fuck your Rosita, fuck you, Shiniko would know

1:08:14.320 --> 1:08:16.439
<v Speaker 1>you and fuck you head with no name tag funk

1:08:16.479 --> 1:08:20.560
<v Speaker 1>all three of you. It's fucking racist. I really appreciate that,

1:08:20.920 --> 1:08:25.160
<v Speaker 1>but I can't you if you paul the balls on

1:08:25.360 --> 1:08:29.479
<v Speaker 1>Hercules delivery system. F you fake Stephen. They raised my

1:08:29.680 --> 1:08:35.320
<v Speaker 1>rate four thousand the seven thousand dollars a year. They're

1:08:35.360 --> 1:08:38.519
<v Speaker 1>not using real juice. Hashtag trial even though we had

1:08:38.520 --> 1:08:41.240
<v Speaker 1>a frigate appointment. Hello, Mr Brodie, is it okay if

1:08:41.240 --> 1:08:43.880
<v Speaker 1>we put a Calvin fucking climb Bart bugger James and

1:08:43.960 --> 1:08:46.599
<v Speaker 1>what was on top of the ex salent dil fucking dil.

1:08:47.080 --> 1:08:51.680
<v Speaker 1>We don't need to hear your god deal horn. It's

1:08:51.720 --> 1:08:54.519
<v Speaker 1>the upscott, he says. I can't take the box because

1:08:54.560 --> 1:09:00.200
<v Speaker 1>it's FedEx. Notter the frankl doesn't need the money. You've

1:09:00.200 --> 1:09:02.920
<v Speaker 1>received a letter from us. Please enter the pin number.

1:09:04.160 --> 1:09:08.200
<v Speaker 1>Don't fucking elevator partner is already pressed. It's clearly lit up.

1:09:08.439 --> 1:09:11.479
<v Speaker 1>It's not gonna go any faster. People. He gets on

1:09:11.560 --> 1:09:15.479
<v Speaker 1>the turnpike, he goes south, south, he goes south again.

1:09:16.160 --> 1:09:18.400
<v Speaker 1>My wife emails them back and says, I need to

1:09:18.479 --> 1:09:20.479
<v Speaker 1>talk to you on the phone. I guess who's gonna

1:09:20.520 --> 1:09:24.240
<v Speaker 1>answer the fucking phone where they call n My name's Melissa,

1:09:24.560 --> 1:09:30.920
<v Speaker 1>bitch the way is that? What is this what this

1:09:31.000 --> 1:09:32.800
<v Speaker 1>podcast is going to be about? Because there's kind of

1:09:32.840 --> 1:09:36.040
<v Speaker 1>shaping it and we've been doing nothing but bitching want

1:09:36.160 --> 1:09:47.280
<v Speaker 1>me than you than me? Fuckers? And you know what,

1:09:47.640 --> 1:09:49.720
<v Speaker 1>I don't just call it any Peter Luker, call it

1:09:49.760 --> 1:10:03.960
<v Speaker 1>Peter Lucas and boys, boys, Wow, what a montage that was.

1:10:04.439 --> 1:10:07.799
<v Speaker 1>We've done some things over I think that was Adam

1:10:07.880 --> 1:10:11.680
<v Speaker 1>Geg once again, amazing, amazing, my again stuff in there.

1:10:11.760 --> 1:10:14.800
<v Speaker 1>I'm I'm thinking to myself, it's funny, I'm laughing. I

1:10:14.840 --> 1:10:18.200
<v Speaker 1>don't I don't know what I was talking about. So okay,

1:10:18.240 --> 1:10:21.519
<v Speaker 1>So here's a challenge. Here's a challenge. You know the

1:10:21.880 --> 1:10:27.120
<v Speaker 1>people the female listener of ours um that did the

1:10:27.160 --> 1:10:31.360
<v Speaker 1>flow chart, Yes, where we went off on tangents. It

1:10:31.479 --> 1:10:34.479
<v Speaker 1>was tangent you want to do? You want to you

1:10:34.560 --> 1:10:36.360
<v Speaker 1>gonna ask for a transcript of what we just felt.

1:10:36.760 --> 1:10:42.280
<v Speaker 1>I'm saying that that right there is beyond is beyond transcribable.

1:10:43.000 --> 1:10:47.080
<v Speaker 1>There's no flow chart for that order of what we've

1:10:47.120 --> 1:10:50.040
<v Speaker 1>done in order and in order to really appreciate the

1:10:50.240 --> 1:10:53.320
<v Speaker 1>level of effort we know went into that, and again

1:10:53.360 --> 1:10:56.160
<v Speaker 1>we didn't ask for it. It's like it's a lot

1:10:56.200 --> 1:10:58.040
<v Speaker 1>of work. We know you have to you have to

1:10:58.080 --> 1:11:00.280
<v Speaker 1>do what we do for a living, and you have

1:11:00.360 --> 1:11:02.720
<v Speaker 1>to listen to everything. You have to then chop it

1:11:02.840 --> 1:11:04.519
<v Speaker 1>up and put it together real time and then edit

1:11:04.600 --> 1:11:06.800
<v Speaker 1>and go back and forth and whatever. Anyway, we've got

1:11:09.240 --> 1:11:17.400
<v Speaker 1>a police, police, police, let's correct someone and hopefully this

1:11:17.600 --> 1:11:20.400
<v Speaker 1>is not an a t M then thing. No, no, no,

1:11:20.920 --> 1:11:23.760
<v Speaker 1>so so these these I'm just gonna there's a couple

1:11:23.800 --> 1:11:26.040
<v Speaker 1>of people on the air there, it's more than one person.

1:11:26.120 --> 1:11:29.479
<v Speaker 1>They do show together and one of them says things

1:11:29.520 --> 1:11:32.439
<v Speaker 1>sometimes grammatically wrong. The other one makes up words or

1:11:32.640 --> 1:11:35.920
<v Speaker 1>uses the wrong words like they're close to the right word,

1:11:35.960 --> 1:11:41.600
<v Speaker 1>but they're different words. So this week they said, I

1:11:41.720 --> 1:11:47.719
<v Speaker 1>think that's gonna be a harboring of things to come, harboring,

1:11:48.000 --> 1:11:52.200
<v Speaker 1>harboring of things to come. Now, harboring would, I assume,

1:11:52.240 --> 1:11:54.920
<v Speaker 1>would mean to put something in the harbor if you

1:11:55.120 --> 1:11:58.240
<v Speaker 1>or if you harbor something that you're you're you're holding

1:11:58.400 --> 1:12:01.920
<v Speaker 1>feeling like you harbor feelings for your harboring, holding it back,

1:12:01.960 --> 1:12:05.160
<v Speaker 1>you're holding it in right, right, Okay. What they meant

1:12:05.240 --> 1:12:08.760
<v Speaker 1>to say was harbinger. It's a harbinger of things to come.

1:12:09.439 --> 1:12:14.240
<v Speaker 1>Somehow harbinger turned into harboring. Well, how did that person?

1:12:15.640 --> 1:12:20.280
<v Speaker 1>How would they even have the word harbinger the expression?

1:12:20.320 --> 1:12:23.240
<v Speaker 1>But you don't remember it the right way, right, You're like, oh,

1:12:23.320 --> 1:12:27.400
<v Speaker 1>it's something harb something in with the thing. I wanted

1:12:27.439 --> 1:12:28.840
<v Speaker 1>to rip my radio out of my car and throw

1:12:28.840 --> 1:12:33.160
<v Speaker 1>it out the window. I could not believe harboring of

1:12:33.240 --> 1:12:36.479
<v Speaker 1>things to come. That person makes more than me. I'm sure,

1:12:36.640 --> 1:12:40.800
<v Speaker 1>I'm sure all of us you know. I'm a fan,

1:12:41.640 --> 1:12:43.360
<v Speaker 1>but I was just, Oh, I felt like I was

1:12:43.400 --> 1:12:47.080
<v Speaker 1>watching floor by Shore. Well something I wanted to add

1:12:47.120 --> 1:12:50.320
<v Speaker 1>and this this really scalds my dog? Is that even

1:12:50.360 --> 1:12:52.040
<v Speaker 1>a thing? You don't even have a dog. I don't

1:12:52.040 --> 1:12:54.400
<v Speaker 1>even have one, but you'll never have a dog. When

1:12:55.240 --> 1:12:58.400
<v Speaker 1>I heard a commercial and it runs, this commercial runs

1:12:58.439 --> 1:12:59.960
<v Speaker 1>a lot on a lot of radio in New York.

1:13:00.439 --> 1:13:04.320
<v Speaker 1>It's talking about the legalization of marijuana. And it's a

1:13:04.400 --> 1:13:09.759
<v Speaker 1>website followed by a subwebsite, in which case they express

1:13:09.800 --> 1:13:15.760
<v Speaker 1>it so and so marijuana someon dot com. Now it

1:13:15.760 --> 1:13:20.519
<v Speaker 1>should be slash marijuana the easiest way, because we all

1:13:20.680 --> 1:13:25.280
<v Speaker 1>know that when typing into a web browser or anything,

1:13:25.920 --> 1:13:29.519
<v Speaker 1>the only thing that the only valid slash is a

1:13:29.880 --> 1:13:37.519
<v Speaker 1>forward slashing. With this fucking commercial, they say it three

1:13:37.560 --> 1:13:41.120
<v Speaker 1>times in every commercial, and I hear all day dot

1:13:41.160 --> 1:13:49.160
<v Speaker 1>com backslash marijuana, backslash. Dude. I want to call these

1:13:49.160 --> 1:13:53.120
<v Speaker 1>people like dude, you're first of all, they they're getting

1:13:53.160 --> 1:13:56.240
<v Speaker 1>the backslash confused with the forward slash. They mean to

1:13:56.320 --> 1:13:59.200
<v Speaker 1>say forward slash, because it's the only slash that's valid.

1:13:59.400 --> 1:14:01.280
<v Speaker 1>If you take less there here their Hebrew and they're

1:14:01.320 --> 1:14:03.720
<v Speaker 1>reading right to left. No, but if you if you

1:14:04.120 --> 1:14:05.960
<v Speaker 1>then it's then it's going down. But if you enter

1:14:06.000 --> 1:14:09.800
<v Speaker 1>it back. But if you type of backslash where that

1:14:10.080 --> 1:14:13.280
<v Speaker 1>it goes from top to bottom on on a diagonal, Okay,

1:14:13.520 --> 1:14:16.080
<v Speaker 1>if you type that in any web address, it's always

1:14:16.120 --> 1:14:20.080
<v Speaker 1>invalid because it's an invalid key. You doesn't lead anywhere ever,

1:14:20.479 --> 1:14:23.240
<v Speaker 1>so that's always going to be invalid. It's always forward

1:14:23.280 --> 1:14:25.880
<v Speaker 1>to the person who invented the Internet. And and U

1:14:26.000 --> 1:14:27.880
<v Speaker 1>R L S. Fuck you. You should have just used

1:14:27.920 --> 1:14:31.160
<v Speaker 1>the dash and the underscore fun people with the underscores

1:14:31.160 --> 1:14:32.640
<v Speaker 1>the pain in the ask the type they should be

1:14:32.640 --> 1:14:35.040
<v Speaker 1>an underscore button. Don't you think you should be underscore button?

1:14:35.040 --> 1:14:40.120
<v Speaker 1>At this point? Right? Is there an underscore button? Is there? Yeah?

1:14:40.400 --> 1:14:41.800
<v Speaker 1>All right? Then they were listening to make no there

1:14:41.840 --> 1:14:45.320
<v Speaker 1>isn't you gotta shift, you gotta shift. I want to

1:14:45.400 --> 1:14:47.800
<v Speaker 1>underscore button. You know you owe a button that that's

1:14:47.920 --> 1:14:51.280
<v Speaker 1>by itself without you know what else? You know what else?

1:14:51.360 --> 1:14:53.920
<v Speaker 1>The Internet has been around sin mainstream. I know what

1:14:54.040 --> 1:14:57.519
<v Speaker 1>was wrong before that? People have been using computers, uh

1:14:58.479 --> 1:15:02.040
<v Speaker 1>for what years? Twenty seven years? Now? Why isn't there

1:15:02.040 --> 1:15:05.960
<v Speaker 1>a dot com button? Actually, some websites, some things on

1:15:06.040 --> 1:15:09.720
<v Speaker 1>my phone and applications have the dot com dot com

1:15:10.200 --> 1:15:12.679
<v Speaker 1>I will say if you if you hit ESPN, ESPN

1:15:12.760 --> 1:15:14.760
<v Speaker 1>and hit enter it, it puts it in for you. Also,

1:15:14.840 --> 1:15:17.120
<v Speaker 1>here's a trip They should add it to the keyboard,

1:15:17.160 --> 1:15:20.439
<v Speaker 1>the actual hard keep. There should be a dot org button,

1:15:20.600 --> 1:15:24.439
<v Speaker 1>dot com button, fun dot net but anyway, and dot gov.

1:15:25.439 --> 1:15:29.080
<v Speaker 1>So if you do um on I think on Mac also,

1:15:29.160 --> 1:15:31.920
<v Speaker 1>but definitely on PC. If you type a web address right,

1:15:32.000 --> 1:15:34.640
<v Speaker 1>let's say you do like a good housekeeping If you

1:15:34.800 --> 1:15:38.120
<v Speaker 1>do control enter, it puts the dot com there and

1:15:38.160 --> 1:15:40.080
<v Speaker 1>then goes to the website like it's that's what it does.

1:15:40.520 --> 1:15:42.080
<v Speaker 1>I may have said that it's two undred episodes. I

1:15:42.240 --> 1:15:43.800
<v Speaker 1>said a lot of things. I may have said, but

1:15:43.880 --> 1:15:45.160
<v Speaker 1>there should be a dot com button. But if you

1:15:45.200 --> 1:15:46.880
<v Speaker 1>do the control enter, you don't need a dot com button.

1:15:47.040 --> 1:15:51.439
<v Speaker 1>How about how about put backslashes forward slashes. It should

1:15:51.439 --> 1:15:53.559
<v Speaker 1>just be a slash, but there's two of them because

1:15:53.600 --> 1:15:55.280
<v Speaker 1>you have both. Right, it should have been a dash.

1:15:56.040 --> 1:16:00.920
<v Speaker 1>Make it a dash. I tell you, and then I

1:16:01.000 --> 1:16:02.479
<v Speaker 1>tell you that I got stuff for next week, and

1:16:02.520 --> 1:16:04.120
<v Speaker 1>then we're gonna go on vacations. So I gotta make sure.

1:16:04.120 --> 1:16:05.840
<v Speaker 1>We have to make sure two oh one is good.

1:16:06.320 --> 1:16:08.519
<v Speaker 1>We go on the you know the episodes after two hundred.

1:16:08.560 --> 1:16:09.920
<v Speaker 1>You know, the first two hudre were easy and we

1:16:10.000 --> 1:16:12.960
<v Speaker 1>got to Now I got three jingle balls to go

1:16:13.040 --> 1:16:15.200
<v Speaker 1>to in the next week and a half. So it's

1:16:15.200 --> 1:16:17.519
<v Speaker 1>gonna be busy. We too, because they don't invite me

1:16:17.560 --> 1:16:20.880
<v Speaker 1>to Florida. You should. Maybe they'll invite you to the

1:16:20.920 --> 1:16:23.280
<v Speaker 1>Florabama Sure, jingle ball. You know what's you know, what's

1:16:23.320 --> 1:16:26.479
<v Speaker 1>ironic is that I was one of a couple of

1:16:26.560 --> 1:16:31.479
<v Speaker 1>people that was instrumental in getting us on why right,

1:16:31.680 --> 1:16:33.400
<v Speaker 1>and now they forgot all about you? And then and

1:16:33.600 --> 1:16:35.760
<v Speaker 1>then there's that the people that that got us on

1:16:35.960 --> 1:16:37.920
<v Speaker 1>one hundred too long gone and the new people. They

1:16:37.960 --> 1:16:39.559
<v Speaker 1>don't invite me to wedden like who is this guy?

1:16:40.240 --> 1:16:41.800
<v Speaker 1>They don't invite me to the big They don't you know,

1:16:42.720 --> 1:16:45.479
<v Speaker 1>but they wouldn't have Elvis Duran if we didn't work

1:16:45.560 --> 1:16:50.439
<v Speaker 1>our magic and then steal half their staff the credit. No, no, no, no,

1:16:50.680 --> 1:16:53.439
<v Speaker 1>a small piece didn't. Didn't we fly to Nashville to work?

1:16:53.479 --> 1:16:55.920
<v Speaker 1>We did? We did? That was so long ago, just

1:16:56.000 --> 1:16:57.240
<v Speaker 1>the two of us. Know. What I'm saying is, how

1:16:57.240 --> 1:16:59.120
<v Speaker 1>about a jingle ball ticket? That's all I'm how about?

1:17:00.200 --> 1:17:02.599
<v Speaker 1>Come on, how about it? How about a jingle ball ticket?

1:17:02.960 --> 1:17:06.160
<v Speaker 1>Don't remember, I don't remember anyway. If you'd like to

1:17:06.200 --> 1:17:08.920
<v Speaker 1>give us feedback on this two episode, feel free, no,

1:17:10.000 --> 1:17:13.360
<v Speaker 1>don't tweet and saying, don't voicemail us. Who's gonna say?

1:17:13.560 --> 1:17:18.120
<v Speaker 1>Email us gold School or leave a voicemail to one

1:17:18.320 --> 1:17:21.800
<v Speaker 1>eight F you ape seventy seven and you can email

1:17:21.880 --> 1:17:24.840
<v Speaker 1>us at the Brooklyn Boys Podcast at gmail dot com

1:17:25.120 --> 1:17:26.840
<v Speaker 1>and get in touch with us on our social media.

1:17:26.960 --> 1:17:29.080
<v Speaker 1>Oh and Brooklyn Boys dot Big hotel dot com for

1:17:29.160 --> 1:17:32.879
<v Speaker 1>all your whatever you do, don't tweet proty oh Elvista

1:17:32.960 --> 1:17:38.960
<v Speaker 1>ran Tom slash sauce he did it again endorsement horn

1:17:39.640 --> 1:17:47.840
<v Speaker 1>I did not Crookland Boys Boy