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Speaker 1: Yeah, I don't care.

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Speaker 2: Well, what do we do? You do? Like, do you

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Speaker 2: have something you're gonna if you can hear it, something

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Speaker 2: you want to do.

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Speaker 1: I just I just like want to like be dropped

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Speaker 1: in and like know where I am and feel my context.

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Speaker 2: You can hear it a little bit. No, oh crap,

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Speaker 2: you got the bottle open?

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Speaker 3: Kevin sing the theme song. Yeah, we had a whole

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Speaker 3: so for people. Obviously before there's a little bit of talking.

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Speaker 3: Sarah put too much lotion on her hands. She could

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Speaker 3: not open her water bottle. She wanted me to do it.

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Speaker 3: I said no. She wanted Haze to do it. He

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Speaker 3: also did not want to touch the bottle.

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Speaker 2: I don't want to touch it.

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Speaker 3: And then something I don't know if she wiped her

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Speaker 3: hands on her clothes or what. But uh, the bottles

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Speaker 3: open and congrats and welcome to the show in person

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Speaker 3: for the first time. Serious squirm saying that.

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Speaker 1: With conviction, I needed a big strong man to open

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Speaker 1: my bottle in the room.

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Speaker 2: I suppose not last the thing. But you know, let's

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Speaker 2: talk about it early. Just like don't do you can

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Speaker 2: like talk about nasty stuff, but like don't do don't

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Speaker 2: like be gross like you can talk about gross stuff.

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Speaker 2: The shows don't have stuff on your hands. So like

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Speaker 2: you put your figure in your ear, like right after we.

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Speaker 4: Started, I can't hear you.

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Speaker 1: Hey, I can't hear song.

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Speaker 4: Well maybe it's because of all these bugs.

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Speaker 3: And you start pulling bugs out of your ear.

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Speaker 4: This is like what you do. This is like my

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Speaker 4: idea of what do.

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Speaker 1: You do today? Is today Monday morning, ten am. I'm

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Speaker 1: unveiling the new personality Sarah Normal.

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Speaker 3: Sarah Normal. I could get behind.

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Speaker 4: This actually is more my speed. I'm a normal guy.

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Speaker 2: Because the nasty stuff. It's very New York. It's very

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Speaker 2: like the table at the Coral Tree, the get together

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Speaker 2: picking their extreme boogeries and Jim Norton eating your boogers.

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Speaker 2: Like I get, like, I understand that's what you do

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Speaker 2: over there.

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Speaker 1: And you guys know, crap, the subway is so freaking

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Speaker 1: crazy New York. You know, people always talking about that rat.

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Speaker 4: There's a rat driving.

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Speaker 1: Oh crap. When people say I moved into my apartment

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Speaker 1: at Bushwick and had a cockroach infestation, they're saying it, Oh,

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Speaker 1: it was arrow you.

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Speaker 2: Yeah, you were at the wall. You took your joe

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Speaker 2: off at the wall.

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Speaker 1: I took my shoe off.

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Speaker 2: Yeah, all these cockroaches gave your shoe.

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Speaker 1: You ever stepped on a cockroach?

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Speaker 4: Uh?

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Speaker 3: No, can you guys?

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Speaker 1: Let me? Can you guys let me set my water?

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Speaker 2: You know how hard I high?

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Speaker 4: Yeah, but that's why it's hard to open.

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Speaker 1: Well, this is Sarah normal. That's the new thing. She's

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Speaker 1: very hydrated.

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Speaker 3: Sarah Normal drinks water out of a bottle.

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Speaker 1: Analogy analgy kind of a normal kind of a normal

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Speaker 1: kind of you know what I'm saying.

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Speaker 3: Normal algaean the alter ego of Simpson's show Algae.

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Speaker 2: Welcome. Uh, Sarah's back in La.

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Speaker 3: So you're here, and you're here to do shows.

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Speaker 2: She put her mouth all the way around.

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Speaker 4: And the show's insane. The show's fucked up, right, Yeah?

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Speaker 2: And why.

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Speaker 1: Because everybody people are sheeple and they're walking around their

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Speaker 1: life going like you know, they're programmed by society to

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Speaker 1: think a certain way, and I'm waking them up. I go,

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Speaker 1: wake up. Look around you. Actually things aren't as so

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Speaker 1: simple and normal as you think they are. Actually they're

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Speaker 1: pretty messed up. They're pretty crapped up. So look at

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Speaker 1: all this crazy, gross stuff and think about that.

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Speaker 3: For Channe, I think you know, okay, that's a noble intention.

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Speaker 3: I don't know that showing boogers and inside of someone's

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Speaker 3: butt or whatever is like necessarily doing what you claim

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Speaker 3: it does. I think it actually is making people go

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Speaker 3: closer to being asleep again because they're closing.

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Speaker 4: Their eyes to say, I don't want to see that.

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Speaker 3: And I think what we could do now, because you

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Speaker 3: do have more shows on your tour mhm, is we

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Speaker 3: could possibly craft a new specials that would do what

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Speaker 3: you want to do.

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Speaker 2: Just this could happen at any time. Lawren's got one

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Speaker 2: of those leashes with a little button on it. At

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Speaker 2: any time he could retract the leash.

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Speaker 3: The little double taps, so he makes the noise to

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Speaker 3: associate the tugging of the leash for.

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Speaker 2: You, and he will do it during a show and

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Speaker 2: he's like, that's like he knows exactly.

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Speaker 1: And nothing I've shown on screen on this tour would

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Speaker 1: have triggered that. I mean, I'm showing some stuff that

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Speaker 1: would get me kind of thing. We got this screen

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Speaker 1: that's suffering, by the way, the boogers coming out of

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Speaker 1: a butt. Write that down. Take out a piece of

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Speaker 1: paper and better write that down.

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Speaker 3: A highlighter.

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Speaker 2: He spelled boogers with one oh.

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Speaker 3: Bos boger, bogers out of a butt.

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Speaker 2: With three t it says, bogers my butt. It's not

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Speaker 2: your butt, No, Kevin, I mean, I guess.

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Speaker 1: You know what I've done. Everybody fluid, but I haven't

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Speaker 1: done in all sincerity, haven't done buggers because I'm like,

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Speaker 1: that's baby crap.

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Speaker 2: But you've done baby crap. Yeah, you've done baby.

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Speaker 1: What am I thinking of?

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Speaker 3: Well, there's different colors that you're dealing with.

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Speaker 2: What are you thinking of? What are you thinking of?

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Speaker 3: Your thinking of insane things to say to shock me?

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Speaker 3: That's what you're always thinking of. And you know what,

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Speaker 3: I'm not going to take the bait this time.

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Speaker 4: Here's the deal.

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Speaker 2: I go to see a live show.

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Speaker 3: I don't want boogers coming out of a butt on

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Speaker 3: a screen. I'm here to see a human being, you

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Speaker 3: know what I mean.

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Speaker 4: I'm here for.

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Speaker 3: Something primal and interaction with a live person. So let's

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Speaker 3: lose this and let's actually connect with the audience.

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Speaker 1: Yeah, okay, how about this. Dating's kind of weird?

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Speaker 3: Yeah, it is fucking strange, you know what I mean, Like,

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Speaker 3: really think about that dynamic. Maybe I'll spend the rest

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Speaker 3: of my life with you, or maybe I'll just have

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Speaker 3: a bad conversation.

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Speaker 5: The steaks are unbelievably high, and yet we all enter

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Speaker 5: again and again into this contract with the other person

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Speaker 5: right to sort of feel each other out, circle one another,

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Speaker 5: eat in front of each other.

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Speaker 2: That alone is weird.

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Speaker 4: I'm eating in front of you here, this will help you.

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Speaker 3: I'm making poop. That's having dinner on a date. I'm

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Speaker 3: making poop.

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Speaker 4: Right now, that's what we're doing.

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Speaker 3: Okay, Oh hang on, let me sniff this bottle of

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Speaker 3: wine so I can make eat like that's the job

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Speaker 3: of the date. And like this is a way that

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Speaker 3: you can take your perspective, which is stuff is gross.

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Speaker 3: Everything comes out of people, and actually connect it to

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Speaker 3: like humanity and what we're doing because we're dating. I'm

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Speaker 3: dating again.

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Speaker 2: That's new.

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Speaker 4: That's strange. Have you seen some of these dans people

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Speaker 4: go on went on an axe throwing date the other day?

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Speaker 2: These places?

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Speaker 4: Yeah, I'm not sure that's a good sign.

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Speaker 1: And you're entering this social contract right Yeah, you're making poop.

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Speaker 1: You're making pee. And the whole time you're deliberating, whether

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Speaker 1: it's like verbally or kind of in the mind, Am

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Speaker 1: I going to be making sex with this person later?

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Speaker 1: I mean, what's grosser than that? Folks?

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Speaker 2: Okay, true, no, go ahead. That was not working for me.

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Speaker 2: Something about the part like the whole time you're debating,

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Speaker 2: whether it's verbally or kind of in the mind. I did.

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Speaker 2: I got a little.

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Speaker 4: Lost verbally debating them.

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Speaker 2: I was really I was rocking with what, like what

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Speaker 2: was happening over here? Like I was fucking with that,

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Speaker 2: and that was resonating with me. But like this once

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Speaker 2: it got into the part about whether you're debate, debating

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Speaker 2: verbally or kind of in the mind, and in.

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Speaker 3: The mind, I think let's lose kind of let's be

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Speaker 3: strong in our convictions of like how we're debating it,

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Speaker 3: and let's also I think.

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Speaker 2: Lose verbally from this.

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Speaker 4: Yeah, I think we can just be debating in the mind.

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Speaker 2: I want to get there. I want to get to

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Speaker 2: the idea of I'm not sure.

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Speaker 1: What it was.

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Speaker 2: Tell me if this is true for chicks.

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Speaker 4: Yeah, because I've heard.

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Speaker 2: This about chips.

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Speaker 3: Instant they decide, ah, this guy's getting some or uh

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Speaker 3: no blano that they just know and then the rest

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Speaker 3: of the day like the dude's got no idea he's

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Speaker 3: talking about.

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Speaker 4: What Crypto his fantasy football team, right.

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Speaker 1: Ladies, picture it. You're at the axe throwing bar. You

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Speaker 1: know what I'm talking about. Yes, yes, And you see

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Speaker 1: the guy pull up into the parking lot with a

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Speaker 1: damn Prius. You go, ladies, this guy's got a little one.

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Speaker 1: You know what I'm talking about.

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Speaker 3: And you could sorry sorry for that one.

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Speaker 2: For me, it was the use of ladies again, the

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Speaker 2: second use of ladies, because it's your internal monologue right

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Speaker 2: scrubs there, Yeah, yeah, that's fine, that works. Look to camera, ladies,

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Speaker 2: you're not saying ladies there again because like you're you

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Speaker 2: say ladies. It makes sense, But for your character's internal

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Speaker 2: monologue saying ladies again, like you're not. That's you're not

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Speaker 2: supposed to be addressing the ladies there.

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Speaker 1: Okay, can I try? Okay, he pulls into a parking

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Speaker 1: and damn Prius record scratche skirt. Look the camera. I

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Speaker 1: know you're wondering how I got here.

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Speaker 2: That was good. I can tell you. Really, what ladies

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Speaker 2: at the beginning.

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Speaker 3: Yeah, no, the restraint you showed. Not that I liked

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Speaker 3: what you disbase, but such great process to not say

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Speaker 3: ladies in that moment. Like this is like, it's the

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Speaker 3: effort that's appreciated, you know, because we do get people

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Speaker 3: who come on the show and they don't listen and

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Speaker 3: they do keep saying ladies, you know, or the equivalent

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Speaker 3: when Hayes has clearly said.

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Speaker 2: Your there's a time for it. You know, oh gosh,

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Speaker 2: but it's not And not to.

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Speaker 1: Be crass, I want to yes. And you guys, seriously,

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Speaker 1: I do know you know, you know what I might

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Speaker 1: be on TV, so what.

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Speaker 2: Yeah, so why do you think TV? You're getting ready

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Speaker 2: to say who gives a crap?

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Speaker 1: Who gives a crap? If I'm on TV, I'm willing

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Speaker 1: to yes.

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Speaker 3: And you guys, even though you're on TV, you will

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Speaker 3: debase yourself and cheapen yourself at the point where you

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Speaker 3: can actually yes. And two complete fucking loser pleaves who

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Speaker 3: aren't on TV.

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Speaker 4: You I mean, you called us gen pop.

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Speaker 3: You said when you said here's the gen pop.

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Speaker 1: I said, oh, a couple of common folk.

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Speaker 4: Couple civilians.

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Speaker 1: Yeah, it's kind of like a TV show video podcast.

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Speaker 3: And you know, we know we're on screen. We're on screen.

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Speaker 3: We're not on TV, but we're on screen.

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Speaker 1: Ladies, skirt record scratch you know when you walk into

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Speaker 1: the podcast.

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Speaker 2: Skirt also, I want to go back to skirt as well.

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Speaker 2: People use that as a sound effect, but usually not

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Speaker 2: for like like a record scratch. And if you say

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Speaker 2: it right after.

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Speaker 3: Lady, yeah, it just makes me think that you're talking

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Speaker 3: about a skirt.

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Speaker 2: It sounds it sounds like the ladies are going skirts

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Speaker 2: and you guys.

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Speaker 1: And before the cameras and the microphone away. Yeah, you

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Speaker 1: guys did refer to women as a couple of for.

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Speaker 2: The cameras and the microphone. Yeah, you said was rolling.

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Speaker 2: We referred to women as a couple of giving cameras alone.

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Speaker 4: That's apocryphal.

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Speaker 1: Skirts, you know, you know that freaking feeling when you

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Speaker 1: walk into do a podcast and there's damn cameras rolling

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Speaker 1: and you said, good thing. I put on eyeliner today.

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Speaker 4: My god, yes, yes, yes, I thought I was.

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Speaker 1: About to do an audio medium, but hell, there's there's

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Speaker 1: three cameras.

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Speaker 4: Kevin, not tell you about the camera.

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Speaker 1: You think I'm reading an email to save my damn life.

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Speaker 3: This has happened a lot to Kevin. People are surprised

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Speaker 3: about the cameras that he goes it was in the email,

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Speaker 3: And then they say, I didn't read the email, and

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Speaker 3: it's happened off it enough that I'm wondering if there's

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Speaker 3: something else we need to do.

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Speaker 1: Well his what is your cool? Your email avatar? It's you,

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Speaker 1: but it's a.

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Speaker 4: Draw me a vampire cape?

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Speaker 1: Who true that?

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Speaker 2: Mm hmm.

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Speaker 3: Someone Kevin told me that he wanted a vampire cartoon

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Speaker 3: of himself because he loved The Walking Dead, which I

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Speaker 3: was like, I don't which, fine, Like I'm not into

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Speaker 3: any of that shit, Like I don't care.

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Speaker 2: But from the little I.

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Speaker 4: Know, I'm like, it doesn't seem connected.

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Speaker 2: Am I wrong? He and so you hear him say

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Speaker 2: like oh someone then like he wants this his other

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Speaker 2: JFF like he and his ass just got caught. I

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Speaker 2: hope nobody asked me about this cartoon.

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Speaker 1: You could do a crazy stand up said about this, Uh, fellas,

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Speaker 1: you know when you have your other gf and she's

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Speaker 1: drawing anime of you and crap like that.

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Speaker 2: Oh yeah, one per person? What are we at the deli?

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Speaker 2: Oh yeah, that makes a lot of sense.

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Speaker 1: Why do I have so many sperm so I could

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Speaker 1: just unload it into one pine box?

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Speaker 2: I have twenty sperm? Yeah, I've got it.

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Speaker 3: Sperm count is twenty, so he's like, yeah, let me see,

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Speaker 3: I'll just use one spoon for the entire rest of

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Speaker 3: my life, one fork, one cup to drink from that

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Speaker 3: won't make me incredibly sick.

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Speaker 4: And then, uh, I wonder if who you.

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Speaker 3: Uh make sex win is a little more important even

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Speaker 3: than a fork and spoon, if that's an even bigger decision,

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Speaker 3: And maybe we don't want to lock ourselves into just

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Speaker 3: one because that also will create a new kind of sickness.

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Speaker 3: Blue balls a real medical kiddish.

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Speaker 1: Fellas, don't you don't you freaking hate it when you

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Speaker 1: like have to wear a diaper all the time because

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Speaker 1: you're damn you're damn creaming your pants so much walking

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Speaker 1: around La seeing all these skirts walking around you have

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Speaker 1: to basically wear a diaper considering how much you're cream

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Speaker 1: cheesing your pants, seeing all these skirts walking around Lost Angeles.

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Speaker 2: That there, I think you really have something. Yes, yes,

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Speaker 2: we don't talk about this, No, and we don't.

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Speaker 3: And I think you could even go into some of

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Speaker 3: what some of these brons are wearing.

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Speaker 2: I mean, I mean.

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Speaker 6: The outfits are like, okay, so you want me to

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Speaker 6: cream cheese pants, and people like and and then the

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Speaker 6: skirts are making fun of you for having a big

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Speaker 6: bunched up diapers.

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Speaker 2: It's like, what, honey, so you want me to not

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Speaker 2: wear a diaper? Yes, the diapers for you.

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Speaker 1: Yes, with these damn tube tops. All these skirts are

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Speaker 1: walk here.

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Speaker 4: Yes, you can toggle back and forth.

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Speaker 3: Well, so this is interesting, right, So here's the microphone

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Speaker 3: you have where you're talking and you're going like these

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Speaker 3: damn skirts or whatever. Then you get on the other microphone.

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Speaker 3: You go, Ladies, you know when you meet a.

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Speaker 4: Guy at the axe throwing contest and he's got a

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Speaker 4: big bunched up diaper.

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Speaker 1: And you think it's a bulge and you think he's

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Speaker 1: rocking with a tree trunk down there, it's just a

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Speaker 1: damn baby's diaper.

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Speaker 2: He goes up to remove one of the axes and

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Speaker 2: someone throws one lads it straight on the diaper and

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Speaker 2: it just safely wedges it there. The diaper is so

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Speaker 2: thick it bunched up to account for all the cream

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Speaker 2: cheese happening throughout the day. The man doesn't even notice

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Speaker 2: he just had an axe into his diaper.

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Speaker 3: Lady bulging out of his uh billbast khakis.

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Speaker 1: Ladies, don't you hate when you go on a date

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Speaker 1: with a freaking guy. I do an escape room and

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Speaker 1: you're chopped in there. You can't find the keys, and

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Speaker 1: he's damn filling up his diaper. Yeah, but you can't

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Speaker 1: get out of the room.

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Speaker 2: Yeah, the final door opens, Okay, great time to leave

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Speaker 2: the room. Oops, the enormous diaper is wedged into the door.

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Speaker 4: Oh and hold on.

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Speaker 2: Almost got it signed in the picture At the end,

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Speaker 2: I got.

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Speaker 3: A lie for you, which is I'm looking for the keys,

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Speaker 3: not the cream cheese.

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Speaker 4: You screamed that part.

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Speaker 3: But you're going back and forth between these two different

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Speaker 3: mics to change perspectives. And now we're now we don't

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Speaker 3: need a scream. We've got two mics and we're reflecting

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Speaker 3: all of humanity. And I think there's room for more characters.

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Speaker 1: Sir Sarah normal Sherman. And Netflix presents two mics. Just

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Speaker 1: fucking rolls off tongue.

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Speaker 3: And Netflix presents two mikes.

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Speaker 1: And I'm want strike, so I'm not. I don't mean

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Speaker 1: to say Netflix in a promotional way.

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Speaker 4: I are you on strike?

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Speaker 2: Do you have to do it too? Are you? Are

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Speaker 2: you on strike as well?

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Speaker 1: I said, Hell, I'll throw my hat and the range. Sure.

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Speaker 3: Yeah, because what you do to me doesn't seem like

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00:19:11,800 --> 00:19:13,600
Speaker 3: it should fall under like the Union.

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Speaker 2: Yes, I think it's jurisdiction.

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Speaker 1: And I should.

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Speaker 2: I shouldn't if you just like yeah, even if you

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Speaker 2: didn't ask.

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Speaker 4: It doesn't seem like you want health insurance.

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Speaker 3: You want like all like bro stuff happening to bodies

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Speaker 3: like it just doesn't feel like something you'd be interested in.

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Speaker 1: And in all seriousness, I have actually used my health

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Speaker 1: insurance for this show that I'm doing. Because let's just say,

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00:19:40,080 --> 00:19:42,679
Speaker 1: I don't want to spoil anything. Let's just say a

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00:19:42,720 --> 00:19:48,160
Speaker 1: doctor put a camera. Let's just say I then asked

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Speaker 1: if I could have the footage from the camera, and

362
00:19:51,640 --> 00:19:54,359
Speaker 1: let's just say they gave me a USB. Dry with

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00:19:54,400 --> 00:19:57,080
Speaker 1: that shit so fucking fast and make your head fucking spin.

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00:19:57,160 --> 00:20:02,240
Speaker 1: And I'm sorry, drop crazy garrityes at this nine in

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Speaker 1: the morning.

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Speaker 3: No, it's okay to be crass. It's not nine in

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Speaker 3: the morning.

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Speaker 2: Your fake watch should be on her left.

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00:20:08,560 --> 00:20:13,080
Speaker 1: Am I married to Time? Yeah? The old ball and

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Speaker 1: Chane Time?

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00:20:15,920 --> 00:20:17,120
Speaker 3: Y'all like my wedding ring?

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Speaker 2: Hell is that it's really comfy? Yeah it's new. It's new.

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00:20:23,040 --> 00:20:25,320
Speaker 2: I just forgot I had it on there today. But yeah,

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Speaker 2: it's so calm.

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00:20:26,920 --> 00:20:29,000
Speaker 4: It's a really comfy.

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00:20:32,160 --> 00:20:36,800
Speaker 3: Yeah, it was just it was just comfort well, and

377
00:20:36,800 --> 00:20:38,280
Speaker 3: and you can use it to put your hair up

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Speaker 3: if you want as well.

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Speaker 1: Are you saying that because I'm a skirt.

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00:20:42,880 --> 00:20:47,200
Speaker 2: Saying because it could probably just be up something? Let's

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00:20:47,359 --> 00:20:51,320
Speaker 2: try something. Let's just give up, do you?

382
00:20:51,400 --> 00:20:51,560
Speaker 1: Guys?

383
00:20:51,800 --> 00:20:52,040
Speaker 3: Along?

384
00:20:52,080 --> 00:20:58,639
Speaker 1: The rat tails getting wow, looks dry?

385
00:20:58,760 --> 00:21:00,520
Speaker 3: Doesn't it's crack.

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00:21:01,000 --> 00:21:02,400
Speaker 4: You'll fit right in in New York.

387
00:21:03,160 --> 00:21:05,760
Speaker 3: I'll tell you what all the fucking the rats driving

388
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Speaker 3: the busts and stuff.

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00:21:08,800 --> 00:21:14,439
Speaker 1: You know what I mean, pizza rat, cockroach, bagel, the

390
00:21:14,480 --> 00:21:15,840
Speaker 1: strike rat, which I guess.

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Speaker 3: Applies to you, although that doesn't feel right to me.

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00:21:18,800 --> 00:21:21,480
Speaker 3: It just doesn't seem like what you do has anything

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Speaker 3: to do with what I'll say.

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00:21:23,240 --> 00:21:27,040
Speaker 1: Scabby the rat, he looks awesome. You see his stomach?

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Speaker 4: Oh my god, talk about Sarah's good.

396
00:21:31,240 --> 00:21:34,720
Speaker 2: Real good? No he is Wait, why are we talking

397
00:21:34,720 --> 00:21:37,160
Speaker 2: about Sarah's.

398
00:21:36,640 --> 00:21:39,520
Speaker 1: You see this this stomach it has like all the

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00:21:39,920 --> 00:21:43,960
Speaker 1: scabby the rat he's got like these like sores and

400
00:21:45,080 --> 00:21:46,199
Speaker 1: scabs and leaky.

401
00:21:46,680 --> 00:21:49,320
Speaker 2: Right, but why but why are we why you said

402
00:21:49,359 --> 00:21:50,640
Speaker 2: talk about Sarah.

403
00:21:50,440 --> 00:21:53,800
Speaker 3: Squirm about Sarah squirm.

404
00:21:54,119 --> 00:21:55,840
Speaker 2: That's really that's like you're so.

405
00:21:55,960 --> 00:21:59,960
Speaker 4: In love with your own brain grotesque at all yours?

406
00:22:00,359 --> 00:22:04,240
Speaker 3: You say it, talk about sir always you should want

407
00:22:04,320 --> 00:22:05,359
Speaker 3: someone else to say it.

408
00:22:05,400 --> 00:22:08,639
Speaker 1: I guess I'm always seeing something on the ground and

409
00:22:08,680 --> 00:22:11,520
Speaker 1: being like, well, that's serving Sarah scorm realness.

410
00:22:11,560 --> 00:22:17,040
Speaker 3: And I look around to know, okay, Sarah squirm coated,

411
00:22:18,880 --> 00:22:19,320
Speaker 3: and then I.

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00:22:19,320 --> 00:22:21,680
Speaker 1: Turn around, I go in my right, Ladies.

413
00:22:22,040 --> 00:22:24,880
Speaker 2: For me, it's the way that the rats have basically

414
00:22:24,960 --> 00:22:28,240
Speaker 2: become hermit crabs and the men's diapers that are discarded

415
00:22:28,280 --> 00:22:30,600
Speaker 2: on the street, and as they get larger and larger,

416
00:22:30,640 --> 00:22:33,679
Speaker 2: they find bigger and bigger diapers to use the shell.

417
00:22:34,040 --> 00:22:36,840
Speaker 3: Yeah, they graduate from one diaper shell to the next.

418
00:22:36,920 --> 00:22:38,399
Speaker 3: They just need one that has more.

419
00:22:38,440 --> 00:22:41,920
Speaker 2: And the diaperses the diapers are used and so they

420
00:22:41,920 --> 00:22:47,800
Speaker 2: are effective like very hard protective shell for the rats.

421
00:22:48,240 --> 00:22:48,440
Speaker 1: Yeah.

422
00:22:48,480 --> 00:22:49,920
Speaker 3: Well, this is something you said you wanted to talk

423
00:22:49,960 --> 00:22:57,680
Speaker 3: about that seamen hardens and becomes like a crust inside

424
00:22:57,720 --> 00:23:01,960
Speaker 3: the diaper. Uh, this is like these were we were

425
00:23:02,000 --> 00:23:04,200
Speaker 3: sent a handful of topics that you wanted to cover

426
00:23:04,359 --> 00:23:04,560
Speaker 3: on the.

427
00:23:04,560 --> 00:23:07,120
Speaker 2: Episode and how it becomes basically papier machie.

428
00:23:07,440 --> 00:23:16,240
Speaker 1: Yes, no way has anyone ever pronounced it.

429
00:23:16,240 --> 00:23:18,680
Speaker 2: It's probably it's pretty much. It's like a French.

430
00:23:18,359 --> 00:23:21,960
Speaker 4: Word papier paper machet.

431
00:23:22,240 --> 00:23:24,040
Speaker 2: Sorry, I'll prop your way.

432
00:23:24,160 --> 00:23:26,280
Speaker 4: Let me get it, let me get it down Sarah

433
00:23:26,400 --> 00:23:27,240
Speaker 4: squirm style.

434
00:23:31,119 --> 00:23:35,680
Speaker 2: It's like it's Popy's papier machi. It's papia machier.

435
00:23:35,800 --> 00:23:39,520
Speaker 3: It's a it's an artistic medium developed initially in France.

436
00:23:40,720 --> 00:23:41,200
Speaker 2: Uh.

437
00:23:41,880 --> 00:23:43,800
Speaker 3: I thought you would know because you're all into like

438
00:23:43,920 --> 00:23:48,160
Speaker 3: puppets and crafts and like making this. It's like you

439
00:23:48,440 --> 00:23:53,760
Speaker 3: have worked, I'm certain with papier machie. It's like, what

440
00:23:53,800 --> 00:23:57,439
Speaker 3: are we doing here? Like why are you pretending that

441
00:23:57,480 --> 00:23:58,520
Speaker 3: you don't know what we're saying?

442
00:23:58,960 --> 00:24:01,320
Speaker 1: I speak English much.

443
00:24:02,680 --> 00:24:04,840
Speaker 2: You are some of your favorite I mean like, this

444
00:24:05,520 --> 00:24:08,119
Speaker 2: is the legacy that you've sort of inherited, whether we

445
00:24:08,200 --> 00:24:11,600
Speaker 2: like it or not. There are some of your favorite sculptors.

446
00:24:12,640 --> 00:24:13,640
Speaker 1: My favorite sculptor.

447
00:24:13,920 --> 00:24:16,639
Speaker 4: Yeah, well, yeah, like the.

448
00:24:16,400 --> 00:24:20,640
Speaker 3: Cause I guess you love cause it's like the whole

449
00:24:20,960 --> 00:24:21,720
Speaker 3: fucking thing.

450
00:24:21,920 --> 00:24:25,200
Speaker 2: Yeah, I guess that mouse is pretty funny. The first time.

451
00:24:25,640 --> 00:24:29,080
Speaker 1: Well, I'm walking down the fucking street, which, by the way,

452
00:24:29,119 --> 00:24:32,320
Speaker 1: people don't really do in Los Angeles put their hoo's

453
00:24:32,359 --> 00:24:35,359
Speaker 1: to the pavement. Yeah, when I'm walking down the street

454
00:24:35,359 --> 00:24:37,720
Speaker 1: in Los Angeles and I just fucking see him. You're

455
00:24:37,720 --> 00:24:44,440
Speaker 1: all of a monkey with headphones on and paint splatter

456
00:24:44,880 --> 00:24:47,840
Speaker 1: on the side of a sweet grain. That that is

457
00:24:47,840 --> 00:24:50,960
Speaker 1: what speaks to me artistically. And I know you guys

458
00:24:51,000 --> 00:24:51,880
Speaker 1: asked for sculpture.

459
00:24:52,800 --> 00:24:54,119
Speaker 2: Okay, so you do know that.

460
00:24:54,520 --> 00:24:58,399
Speaker 3: Okay, all right, Well that eliminates my question, which is,

461
00:24:59,359 --> 00:25:02,200
Speaker 3: did you hear word Hey said when he asks you

462
00:25:02,280 --> 00:25:02,760
Speaker 3: for your.

463
00:25:02,600 --> 00:25:09,159
Speaker 2: Favorite It's like, yes, I like that too. Basically, Marshall,

464
00:25:09,960 --> 00:25:12,280
Speaker 2: Marshall Duchellehoes.

465
00:25:14,720 --> 00:25:18,639
Speaker 1: He put a fucking urine all on a pedestal in

466
00:25:18,720 --> 00:25:20,800
Speaker 1: a museum, and he said, do you ever think that

467
00:25:20,880 --> 00:25:22,800
Speaker 1: maybe that could be a sculpture for once?

468
00:25:23,160 --> 00:25:24,800
Speaker 4: Yeah, if you just look.

469
00:25:24,680 --> 00:25:28,640
Speaker 1: Around you and you see the abject grotesquery of life

470
00:25:28,680 --> 00:25:31,400
Speaker 1: around us and think, well, hell, maybe that's art. Maybe

471
00:25:31,440 --> 00:25:33,960
Speaker 1: I'll write my freaking name on it and say that's about.

472
00:25:33,800 --> 00:25:36,840
Speaker 3: But I like that because like, isn't because it isn't

473
00:25:37,000 --> 00:25:42,440
Speaker 3: life gross enough? Isn't it grotesque enough without Sarah Squirm

474
00:25:42,920 --> 00:25:51,800
Speaker 3: going out and collecting footage booger butt canals, Like, don't

475
00:25:51,800 --> 00:25:55,080
Speaker 3: we have it? We have that already. What we need

476
00:25:55,400 --> 00:26:02,560
Speaker 3: is more beauty, more kindness, but that age and we're

477
00:26:02,640 --> 00:26:05,920
Speaker 3: kind yeah, like think about that as a show.

478
00:26:06,200 --> 00:26:09,240
Speaker 1: Yeah, like go like, hey you in the front row,

479
00:26:09,560 --> 00:26:13,080
Speaker 1: where are you from Indianapolis? That sounds like a nice

480
00:26:13,119 --> 00:26:16,040
Speaker 1: place to be from. Congratulations, I hope you and your

481
00:26:16,080 --> 00:26:16,760
Speaker 1: family are.

482
00:26:16,640 --> 00:26:21,119
Speaker 3: Well, you're beautiful if no one's told you yet today

483
00:26:21,200 --> 00:26:22,320
Speaker 3: you're beautiful and.

484
00:26:23,760 --> 00:26:25,679
Speaker 2: So but you're I don't know if you're doing this

485
00:26:25,720 --> 00:26:29,840
Speaker 2: on purpose, but like, he doesn't have a family, Like

486
00:26:29,920 --> 00:26:31,120
Speaker 2: he's at your show, so.

487
00:26:31,920 --> 00:26:36,399
Speaker 3: He's from Indianapolis. He came to your show like this

488
00:26:37,200 --> 00:26:38,600
Speaker 3: is he not a person with a family?

489
00:26:38,640 --> 00:26:42,160
Speaker 2: This person who is adrip this this man has no family?

490
00:26:43,080 --> 00:26:45,359
Speaker 1: Right And so then he says something like I actually

491
00:26:45,400 --> 00:26:47,760
Speaker 1: don't have a family. And I said, well, look to

492
00:26:47,800 --> 00:26:48,960
Speaker 1: your left and looked to your right.

493
00:26:50,119 --> 00:26:56,159
Speaker 3: Here we're your family now, yeah, just me.

494
00:26:56,920 --> 00:26:58,960
Speaker 2: That's how you can hear me so clearly when I'm

495
00:26:58,960 --> 00:27:01,119
Speaker 2: speaking anormal to the boys.

496
00:27:01,200 --> 00:27:03,720
Speaker 1: Well in turn and swivel all the way around. There's

497
00:27:03,760 --> 00:27:07,880
Speaker 1: a sound guy there. Hey there's no one there. At

498
00:27:08,040 --> 00:27:11,640
Speaker 1: least there's a sound guy. And hell maybe a spot.

499
00:27:11,320 --> 00:27:13,400
Speaker 3: Off sound guy. That's interesting.

500
00:27:13,640 --> 00:27:17,639
Speaker 2: Yeah, I found that interesting. I caught that as well. Yeah,

501
00:27:19,680 --> 00:27:21,960
Speaker 2: can do sound sound?

502
00:27:22,040 --> 00:27:22,320
Speaker 1: Human?

503
00:27:22,480 --> 00:27:22,880
Speaker 2: Opinion.

504
00:27:24,160 --> 00:27:25,160
Speaker 1: Let's say say that again.

505
00:27:26,040 --> 00:27:26,840
Speaker 2: I think women can.

506
00:27:26,720 --> 00:27:32,080
Speaker 3: Do sound that's my opinion. So ah, but yeah, I

507
00:27:32,080 --> 00:27:42,639
Speaker 3: guess whatever your show.

508
00:27:39,680 --> 00:27:43,960
Speaker 1: I want. Here's as a as a woman with a

509
00:27:44,200 --> 00:27:50,240
Speaker 1: very very questionable haircut, queen, I want to say something.

510
00:27:51,200 --> 00:27:57,840
Speaker 1: Let's get women back in the kitchen, them away from

511
00:27:57,840 --> 00:28:02,119
Speaker 1: the soundboards, away from the p a. Let's let's let's

512
00:28:02,119 --> 00:28:04,720
Speaker 1: get back to the hearth and the home, because we

513
00:28:04,760 --> 00:28:06,880
Speaker 1: as a we have we as a country of lost sight.

514
00:28:07,280 --> 00:28:09,680
Speaker 1: I mean, my god, local women women are doing now,

515
00:28:09,760 --> 00:28:12,640
Speaker 1: Sarah sworm getting it there, being fucking disgusting, not knowing

516
00:28:12,720 --> 00:28:15,040
Speaker 1: how to make a damn sandwich. You put me in

517
00:28:15,040 --> 00:28:17,600
Speaker 1: the kitchen your example.

518
00:28:17,760 --> 00:28:19,600
Speaker 2: Yeah, just like this.

519
00:28:19,760 --> 00:28:24,399
Speaker 4: Okay, look at what sarahms doing.

520
00:28:27,200 --> 00:28:27,280
Speaker 1: Like.

521
00:28:27,400 --> 00:28:30,000
Speaker 3: I like that you're embracing this two mics idea where

522
00:28:30,040 --> 00:28:33,639
Speaker 3: sometimes you're on a mic just talking about yourself and then.

523
00:28:33,520 --> 00:28:35,800
Speaker 2: Sometimes another example.

524
00:28:36,560 --> 00:28:38,440
Speaker 3: I guess it's that we only have one mic, so

525
00:28:38,480 --> 00:28:40,800
Speaker 3: when it shifts to me, it's imperceptible.

526
00:28:41,600 --> 00:28:43,760
Speaker 1: Wells, don't you hate when you're a lady makes you

527
00:28:43,800 --> 00:28:46,480
Speaker 1: a damn sandwich in the kitchen and it's so fucking

528
00:28:46,520 --> 00:28:49,840
Speaker 1: disgusting and made out of so much expired food? That

529
00:28:50,280 --> 00:28:52,760
Speaker 1: you're glad you're wearing your diaper for for a different

530
00:28:52,800 --> 00:28:57,560
Speaker 1: reason besides scream cheesing you got you got damn diarrhea

531
00:28:57,560 --> 00:28:59,560
Speaker 1: blown out your back hole now here.

532
00:28:59,600 --> 00:29:01,600
Speaker 3: I feel like we could have said fellows more. I

533
00:29:01,640 --> 00:29:04,000
Speaker 3: know it goes against the ladies, but I feel like

534
00:29:04,040 --> 00:29:07,160
Speaker 3: we could have brought the fellas in y yeah, just

535
00:29:07,200 --> 00:29:10,360
Speaker 3: to sort of reset and go like this is for you,

536
00:29:10,400 --> 00:29:13,440
Speaker 3: Like I'm catering to this one group. Like it just

537
00:29:13,440 --> 00:29:15,920
Speaker 3: feels it's like hearing your name, you know that, like

538
00:29:16,040 --> 00:29:21,720
Speaker 3: old Dale Carnegie tactic, right, the sweetest sound in the

539
00:29:21,760 --> 00:29:26,640
Speaker 3: world to someone else's their own name, or the word fellas.

540
00:29:27,720 --> 00:29:29,720
Speaker 2: And we can talk about I don't think we have

541
00:29:29,800 --> 00:29:33,160
Speaker 2: to disparage the ladies to talk about what the fellas

542
00:29:33,640 --> 00:29:37,720
Speaker 2: are going through. Like some of the unique obstacles that

543
00:29:37,840 --> 00:29:39,840
Speaker 2: we face having to take our diapers all the way

544
00:29:39,840 --> 00:29:42,560
Speaker 2: off to go peep in the bathroom was leaving on

545
00:29:42,600 --> 00:29:44,600
Speaker 2: the floor because we have to hold it with both hands,

546
00:29:45,440 --> 00:29:47,320
Speaker 2: of course, hold our shirt under our chin.

547
00:29:49,080 --> 00:29:52,280
Speaker 3: Yeah, or bite down on our shirt, pull it all

548
00:29:52,320 --> 00:29:54,160
Speaker 3: the way up into our mouth, bunch it up, bite

549
00:29:54,240 --> 00:29:55,960
Speaker 3: down on it, and then try not to choke when

550
00:29:55,960 --> 00:29:57,880
Speaker 3: we accidentally swallow part of our t shirt.

551
00:29:58,320 --> 00:30:00,959
Speaker 2: Just try to go to the Army's mc a Urine'll

552
00:30:01,200 --> 00:30:04,120
Speaker 2: immediately have to go peep in the bathroom to take

553
00:30:04,160 --> 00:30:06,960
Speaker 2: our diapers all the way off at the museum.

554
00:30:07,000 --> 00:30:09,920
Speaker 1: Tell us when when you go to the museum, pep

555
00:30:10,120 --> 00:30:13,280
Speaker 1: your diaper so hard you gotta go to the bathroom

556
00:30:13,320 --> 00:30:15,320
Speaker 1: and ring it out, bring your diaper out like a

557
00:30:15,400 --> 00:30:20,680
Speaker 1: sham wow into the toilet so you can then reuse.

558
00:30:20,360 --> 00:30:24,719
Speaker 2: The diaper, because you can't obviously can't bring more than

559
00:30:24,720 --> 00:30:28,720
Speaker 2: one diaper, they're so big, barely hammle them when you

560
00:30:28,800 --> 00:30:29,120
Speaker 2: get on.

561
00:30:29,440 --> 00:30:32,440
Speaker 1: Now what are you guys writing in that notebook? Uh?

562
00:30:32,680 --> 00:30:34,600
Speaker 2: Just poems and stuff. Yeah, just like.

563
00:30:36,840 --> 00:30:41,480
Speaker 3: Freeform, like just like wild ass poetry like stuff that

564
00:30:42,200 --> 00:30:47,640
Speaker 3: a lot of times I dream in words like it's

565
00:30:48,040 --> 00:30:52,760
Speaker 3: literally just images of words coming to me, and I

566
00:30:52,880 --> 00:30:55,320
Speaker 3: wake up and I drive down ahead gum as fast

567
00:30:55,360 --> 00:30:58,040
Speaker 3: as I can, and I grab the notebook and I

568
00:30:58,240 --> 00:31:00,680
Speaker 3: just start like, yeah.

569
00:31:00,520 --> 00:31:04,320
Speaker 2: Then we leave them here translating supposedly they're not touching them,

570
00:31:04,360 --> 00:31:07,480
Speaker 2: but like, of course, then Amanda Gorman does that poem

571
00:31:07,520 --> 00:31:09,640
Speaker 2: and like, okay, that was my exact part that was

572
00:31:10,000 --> 00:31:17,200
Speaker 2: so suspicious. Okay, yeah, it's pretty big quizz thiss, and

573
00:31:17,360 --> 00:31:20,479
Speaker 2: that is the exact poem that I wrote. Okay, I'm

574
00:31:20,520 --> 00:31:22,000
Speaker 2: sitting here watching it, like, okay.

575
00:31:22,040 --> 00:31:25,200
Speaker 3: Just checking off the boxes of like covered this, yeah,

576
00:31:25,240 --> 00:31:29,280
Speaker 3: covered this, said this about yes, America being a bird. Yes,

577
00:31:29,440 --> 00:31:31,320
Speaker 3: I was doing I was doing.

578
00:31:31,200 --> 00:31:32,000
Speaker 4: All of this.

579
00:31:32,280 --> 00:31:37,480
Speaker 2: Yeah, like it was okay, go off.

580
00:31:37,280 --> 00:31:39,640
Speaker 4: Tough morning, just because everyone was liking it.

581
00:31:39,680 --> 00:31:41,920
Speaker 3: And I was like, you're liking my thing. But of

582
00:31:41,960 --> 00:31:43,720
Speaker 3: course if I say that now, like I'm like.

583
00:31:44,120 --> 00:31:46,840
Speaker 2: And Sean wrote the same poem too, I wrote.

584
00:31:46,640 --> 00:31:47,400
Speaker 3: The same damn one.

585
00:31:48,720 --> 00:31:51,280
Speaker 4: But that makes sense. We're together all day.

586
00:31:51,360 --> 00:31:54,400
Speaker 2: We're having the same experiences. Yes, we're gonna write the

587
00:31:54,400 --> 00:31:55,880
Speaker 2: same poems.

588
00:31:55,280 --> 00:31:59,120
Speaker 1: Like because you guys have mind link, we're.

589
00:31:58,960 --> 00:32:01,239
Speaker 2: Just doing the same ship it Like that's not what

590
00:32:01,280 --> 00:32:01,800
Speaker 2: we call it.

591
00:32:01,960 --> 00:32:03,560
Speaker 1: But are you guys synesthetic?

592
00:32:04,520 --> 00:32:10,600
Speaker 3: Uh, very synesthetic? Extremely yes, yes.

593
00:32:10,400 --> 00:32:14,480
Speaker 1: Yes, because you're like you're seeing in colors and you're

594
00:32:14,640 --> 00:32:15,920
Speaker 1: smelling in numbers.

595
00:32:17,280 --> 00:32:22,760
Speaker 2: Yeah to math, doing math with my honking beezer.

596
00:32:24,960 --> 00:32:29,920
Speaker 1: I'm laughing so hard this entire time. I'm profusely sweating,

597
00:32:30,320 --> 00:32:33,120
Speaker 1: and I don't know what the link is there, but

598
00:32:33,280 --> 00:32:33,840
Speaker 1: I'm laughing.

599
00:32:33,920 --> 00:32:36,800
Speaker 2: I can tell you beyond the shadow of a doubt

600
00:32:36,840 --> 00:32:40,600
Speaker 2: that it is completely unrelated. Yeah, there's no.

601
00:32:41,200 --> 00:32:44,920
Speaker 3: It is you having a lot, having a physical issue.

602
00:32:45,080 --> 00:32:47,760
Speaker 3: And then also at the same time we're being funny

603
00:32:48,680 --> 00:32:50,080
Speaker 3: like there's two things.

604
00:32:50,120 --> 00:32:52,520
Speaker 2: Because like yeah, like yes, people come in here and

605
00:32:53,120 --> 00:32:55,959
Speaker 2: like lose their entire ship. Like that's what that's what

606
00:32:56,080 --> 00:32:59,040
Speaker 2: that is what we do. No one else, no one.

607
00:32:59,160 --> 00:33:00,680
Speaker 2: This has never had happened before.

608
00:33:00,960 --> 00:33:03,520
Speaker 3: Yeah, no one's talked about sweating. I haven't been able

609
00:33:03,560 --> 00:33:05,000
Speaker 3: to see their sweat. You're covered in.

610
00:33:05,000 --> 00:33:10,920
Speaker 2: Sweat except your rat tail, which is still somehow it

611
00:33:10,960 --> 00:33:12,200
Speaker 2: are snapping.

612
00:33:11,760 --> 00:33:15,120
Speaker 3: If hear the crunch of the rat tail from here,

613
00:33:17,240 --> 00:33:20,280
Speaker 3: and I don't want to just one big ass split end.

614
00:33:22,840 --> 00:33:25,040
Speaker 3: Get some fucking cream rants.

615
00:33:26,960 --> 00:33:29,560
Speaker 4: Get the to a cream RNTs store.

616
00:33:30,720 --> 00:33:32,680
Speaker 3: I mean that's where I need to take my dip pressing.

617
00:33:32,960 --> 00:33:38,280
Speaker 4: No, it's true, yeah cream rents. Yeah, what could you

618
00:33:38,320 --> 00:33:40,040
Speaker 4: be us?

619
00:33:42,960 --> 00:33:46,320
Speaker 3: Okay, well that actually explains.

620
00:33:45,840 --> 00:33:48,600
Speaker 1: A lot ladies. You know when a date's going well,

621
00:33:48,920 --> 00:33:51,600
Speaker 1: when afterwards he takes you back to his place and

622
00:33:51,680 --> 00:33:57,640
Speaker 1: gives you the cream Rents of your life and crap fellas,

623
00:33:57,680 --> 00:33:59,840
Speaker 1: you know what I'm talking about. When like you, you

624
00:34:00,080 --> 00:34:04,360
Speaker 1: can't just have one ball and chain because don't you

625
00:34:04,360 --> 00:34:07,040
Speaker 1: wish you could be polyamorous around the whole city and

626
00:34:07,080 --> 00:34:12,040
Speaker 1: be giving cream rinses to all all all all number

627
00:34:12,080 --> 00:34:13,600
Speaker 1: of skirts in the town.

628
00:34:14,640 --> 00:34:16,920
Speaker 3: Oh yes, I see.

629
00:34:17,360 --> 00:34:20,360
Speaker 1: And and and fellas, don't you have like a crazy

630
00:34:20,440 --> 00:34:23,960
Speaker 1: Madonna horre complex where well, I can't be giving cream

631
00:34:24,120 --> 00:34:31,120
Speaker 1: princes to my wife because I can't be vulgarizing my

632
00:34:31,200 --> 00:34:34,960
Speaker 1: wife in this way because of my my Madonna Horre complex.

633
00:34:35,000 --> 00:34:36,040
Speaker 1: You know what I'm talking about.

634
00:34:36,960 --> 00:34:39,840
Speaker 2: So I like to think stuff.

635
00:34:39,960 --> 00:34:41,880
Speaker 3: It's kind of dissecting while you're talking.

636
00:34:42,040 --> 00:34:47,239
Speaker 2: Yeah, And I was thinking Kevin on the couch like

637
00:34:47,360 --> 00:34:51,960
Speaker 2: Titanic and his other GS has got his shirt off

638
00:34:51,960 --> 00:34:55,839
Speaker 2: and he's got his big yabos out, and his other

639
00:34:55,880 --> 00:35:03,520
Speaker 2: GS is drawing him as a little vampire guardoon, vampire cape.

640
00:35:03,960 --> 00:35:06,239
Speaker 1: He's saying popier mache, like.

641
00:35:10,120 --> 00:35:15,760
Speaker 2: One of your friends, one of your friends. That makes sense.

642
00:35:17,160 --> 00:35:19,680
Speaker 2: That's really close. It's it's from friends.

643
00:35:21,840 --> 00:35:24,759
Speaker 3: Think about the poems again. Now it's just stuck in

644
00:35:24,800 --> 00:35:25,240
Speaker 3: my hand.

645
00:35:25,360 --> 00:35:26,640
Speaker 1: You're yawning because you're bored.

646
00:35:27,040 --> 00:35:27,840
Speaker 2: That wasn't.

647
00:35:30,239 --> 00:35:33,280
Speaker 3: Like a big breath just to like kind of reset,

648
00:35:34,080 --> 00:35:37,759
Speaker 3: just something, just have to try something, because I'm just

649
00:35:37,800 --> 00:35:41,320
Speaker 3: like dealing with the reality of like whatever else happens

650
00:35:41,360 --> 00:35:43,840
Speaker 3: in this show, I'm gonna need to do it, and

651
00:35:43,920 --> 00:35:48,919
Speaker 3: so I'm going to need my strength and so let

652
00:35:48,920 --> 00:35:52,920
Speaker 3: me get some more oxygen and just reset and like

653
00:35:53,080 --> 00:35:53,920
Speaker 3: start making.

654
00:35:53,719 --> 00:35:55,560
Speaker 2: The part of the reset. You take a big piece

655
00:35:55,600 --> 00:36:00,080
Speaker 2: off the microphone. See if this works? It wasn't it.

656
00:36:01,120 --> 00:36:02,040
Speaker 2: Do you want to play yourself?

657
00:36:03,600 --> 00:36:06,640
Speaker 1: Oh? This is cool. They have like the news people

658
00:36:06,680 --> 00:36:10,680
Speaker 1: have this on their microphones as well. Awesome observation.

659
00:36:12,400 --> 00:36:15,360
Speaker 3: So for people who are just enjoying the audio version,

660
00:36:16,080 --> 00:36:19,560
Speaker 3: Sarah Squirm took the little headgum cube off the bottom

661
00:36:19,560 --> 00:36:22,279
Speaker 3: of the microphone and said, the news people have this on.

662
00:36:22,239 --> 00:36:23,439
Speaker 2: Their microphones as well.

663
00:36:24,080 --> 00:36:28,359
Speaker 3: I don't know what she meant, and I don't need

664
00:36:28,440 --> 00:36:28,719
Speaker 3: to know.

665
00:36:29,000 --> 00:36:32,480
Speaker 1: The cube always says like Channel seven News on the

666
00:36:32,560 --> 00:36:36,640
Speaker 1: cube live from Channel seven News.

667
00:36:37,160 --> 00:36:38,520
Speaker 4: Yeah, NewsCube.

668
00:36:38,560 --> 00:36:40,719
Speaker 1: But the thank god you guys have a video podcast

669
00:36:40,719 --> 00:36:43,520
Speaker 1: for moments like that. It builds out the dimensionality of

670
00:36:43,560 --> 00:36:49,360
Speaker 1: the Hollywood Handbook. Experience Hollywood Handbook. It's a nope body.

671
00:37:01,600 --> 00:37:07,640
Speaker 2: So I do want to talk about we have these hats. Yeah,

672
00:37:07,800 --> 00:37:12,200
Speaker 2: you are wearing a hat and it has the mesh

673
00:37:12,600 --> 00:37:18,640
Speaker 2: part like ours does. Yes, can we get you to

674
00:37:18,840 --> 00:37:21,520
Speaker 2: start wearing a different kind of hat.

675
00:37:22,280 --> 00:37:25,080
Speaker 3: Yeah, you can make it crazy and fucked up like

676
00:37:25,120 --> 00:37:27,840
Speaker 3: you can put like because we're trying to like you

677
00:37:27,880 --> 00:37:31,160
Speaker 3: do like so that it's your thing, but we do

678
00:37:31,280 --> 00:37:33,880
Speaker 3: need you to wear don't cover up the logo obviously,

679
00:37:33,880 --> 00:37:37,200
Speaker 3: because we need you to wear this hat and and

680
00:37:37,440 --> 00:37:38,719
Speaker 3: join the hot path.

681
00:37:38,880 --> 00:37:44,440
Speaker 2: Oh sorry, sorry, sorry, what I'm actually pitching. I just

682
00:37:44,719 --> 00:37:47,520
Speaker 2: don't I wanted to either like wear a different kind

683
00:37:47,560 --> 00:37:50,200
Speaker 2: of hat or just not wear a hat, right, Oh yeah,

684
00:37:50,239 --> 00:37:53,160
Speaker 2: I don't want her to be wearing our hair. You want,

685
00:37:52,719 --> 00:37:55,080
Speaker 2: you can't. I'm on the same couch as her. You know,

686
00:37:55,120 --> 00:37:58,200
Speaker 2: the mesh, the holes in the mesh, grease is kind

687
00:37:58,239 --> 00:38:03,000
Speaker 2: of being extruded through them, like a Plato spaghetti maker machine. Okay,

688
00:38:03,080 --> 00:38:05,680
Speaker 2: it's basically like she's growing new hair.

689
00:38:05,840 --> 00:38:09,560
Speaker 3: And if that happens through our hat, people will think it's.

690
00:38:09,520 --> 00:38:12,359
Speaker 2: Very congealed and it's darker than her actual hair.

691
00:38:14,520 --> 00:38:16,560
Speaker 1: Like it's like a meat grinder happening on the back

692
00:38:16,560 --> 00:38:17,000
Speaker 1: of my head.

693
00:38:17,239 --> 00:38:20,920
Speaker 2: Yeah, Plato spaghetti maker. I think it's so, it's pretty similar.

694
00:38:22,560 --> 00:38:24,520
Speaker 3: It looks a lot like the meat grinder.

695
00:38:24,719 --> 00:38:26,520
Speaker 1: I'll say this, maybe I should take this hat off

696
00:38:26,600 --> 00:38:27,399
Speaker 1: because you.

697
00:38:27,520 --> 00:38:30,279
Speaker 3: See the hydraulic press videos where there's little holes in

698
00:38:30,360 --> 00:38:32,120
Speaker 3: the top of the press so that like whenever they

699
00:38:32,120 --> 00:38:35,440
Speaker 3: press a candle and the wax shoots out, Yeah, looks

700
00:38:35,440 --> 00:38:41,640
Speaker 3: like it looks like ader like we had grinder or

701
00:38:41,640 --> 00:38:42,839
Speaker 3: a Plato spaghetti maker.

702
00:38:42,920 --> 00:38:47,560
Speaker 2: So my suggestion is I think Sarah not wearing a

703
00:38:47,600 --> 00:38:49,600
Speaker 2: hat could be very.

704
00:38:51,120 --> 00:38:53,720
Speaker 1: Because you want me to show to be successful.

705
00:38:53,160 --> 00:38:57,840
Speaker 2: For the pro hat project, and we've had to have

706
00:38:57,880 --> 00:39:01,319
Speaker 2: these conversations like ego, we gave her the hat and

707
00:39:01,360 --> 00:39:03,600
Speaker 2: then she immediately went out there and posted that she

708
00:39:03,920 --> 00:39:07,120
Speaker 2: had had a very serious headache. Yeah, she said that

709
00:39:07,160 --> 00:39:07,600
Speaker 2: she's hat.

710
00:39:07,719 --> 00:39:10,080
Speaker 3: She said like love having a migraine for two days,

711
00:39:10,120 --> 00:39:12,359
Speaker 3: and the photo front and center it's just.

712
00:39:12,360 --> 00:39:17,400
Speaker 2: Her wearing the hat, right, which we.

713
00:39:17,239 --> 00:39:19,959
Speaker 3: Were like, thank you so much for posting the hat

714
00:39:20,000 --> 00:39:24,600
Speaker 3: and for wearing it, and also, please don't make it

715
00:39:24,600 --> 00:39:30,080
Speaker 3: seem like the hat is physically hurting people, right, because

716
00:39:30,160 --> 00:39:32,760
Speaker 3: that's like not really gonna move product the way.

717
00:39:32,680 --> 00:39:35,359
Speaker 1: They're into Your saying you don't want me then wearing

718
00:39:35,400 --> 00:39:38,160
Speaker 1: the hat, posting a picture of the hat with sludge

719
00:39:38,160 --> 00:39:38,959
Speaker 1: coming out of the hole.

720
00:39:39,000 --> 00:39:40,760
Speaker 3: You can stop right there, we don't want you wearing

721
00:39:40,800 --> 00:39:41,240
Speaker 3: the hat.

722
00:39:41,640 --> 00:39:43,319
Speaker 1: Well, I'll say this about this hat that I'm wearing

723
00:39:43,360 --> 00:39:45,279
Speaker 1: right now. For the listeners at home weren't watching the

724
00:39:45,360 --> 00:39:49,200
Speaker 1: video podcasts, I am wearing a Von Dutch hat and

725
00:39:49,239 --> 00:39:51,160
Speaker 1: I did put it on, and many people did say

726
00:39:51,200 --> 00:39:53,239
Speaker 1: to me, oh, you know, there was just a documentary

727
00:39:53,239 --> 00:39:55,719
Speaker 1: about vond Dutch being racist and anti semit Ache.

728
00:39:55,800 --> 00:39:58,640
Speaker 2: Yeah, and you wrote THEO on the top, so it

729
00:39:58,719 --> 00:40:00,279
Speaker 2: says THEO Vonda.

730
00:40:01,239 --> 00:40:02,520
Speaker 1: What because I was curious.

731
00:40:02,600 --> 00:40:05,280
Speaker 4: I was curious about this Cat Vonde.

732
00:40:05,920 --> 00:40:07,359
Speaker 2: Hmmm, she Cavon.

733
00:40:07,120 --> 00:40:10,200
Speaker 1: Dodge, So what these for?

734
00:40:11,719 --> 00:40:14,800
Speaker 2: I also wonder if removing the hat with the sledge

735
00:40:14,800 --> 00:40:17,040
Speaker 2: would come out a little slower. Maybe it's almost like

736
00:40:17,080 --> 00:40:19,360
Speaker 2: you have your thumb on a hose. Hm.

737
00:40:20,040 --> 00:40:22,799
Speaker 3: Well, maybe you take the hat off, but then you

738
00:40:22,840 --> 00:40:24,960
Speaker 3: put just like the handle of a bucket on top

739
00:40:25,000 --> 00:40:26,919
Speaker 3: of your head, and there's a bucket at the back

740
00:40:26,960 --> 00:40:27,920
Speaker 3: of your neck that can.

741
00:40:27,760 --> 00:40:29,959
Speaker 2: Collect all the sledge that comes out of your hair.

742
00:40:30,239 --> 00:40:33,160
Speaker 1: And who am I thinking? His buckethead? Oh?

743
00:40:33,400 --> 00:40:35,960
Speaker 2: Okay, yeah, who are bucket head?

744
00:40:39,239 --> 00:40:39,960
Speaker 1: Could be anyone?

745
00:40:40,160 --> 00:40:42,480
Speaker 4: Yeah, yeah, Beavis in buckethead.

746
00:40:44,040 --> 00:40:46,240
Speaker 1: Cat Von Dose tattoos are cool?

747
00:40:49,560 --> 00:40:50,799
Speaker 3: Yeah, I had somebody liked it.

748
00:40:51,000 --> 00:40:56,440
Speaker 2: That's her name. Cat cat Von does tattoos are cool.

749
00:40:58,800 --> 00:41:01,200
Speaker 1: It is it is shocking to come into a room

750
00:41:01,200 --> 00:41:03,440
Speaker 1: where everyone's wearing the same hat except for you. I

751
00:41:03,480 --> 00:41:05,360
Speaker 1: will say that in.

752
00:41:05,440 --> 00:41:06,640
Speaker 3: Case he's not allowed to wear it.

753
00:41:07,640 --> 00:41:09,200
Speaker 1: Did you choose not to wear it? Or you're not

754
00:41:09,239 --> 00:41:10,840
Speaker 1: allowed to wear it.

755
00:41:10,880 --> 00:41:12,439
Speaker 2: Mine's at the dry cleaner right now.

756
00:41:12,760 --> 00:41:14,439
Speaker 1: Oh my god, you wash your hat?

757
00:41:14,560 --> 00:41:16,439
Speaker 4: Yeah, well, the he doesn't wash.

758
00:41:16,360 --> 00:41:17,359
Speaker 3: It, he dry cleans it.

759
00:41:18,400 --> 00:41:21,680
Speaker 2: That's the whole Yeah, the whole idea is that he's

760
00:41:21,719 --> 00:41:23,040
Speaker 2: not washing it. Yeah.

761
00:41:24,080 --> 00:41:27,319
Speaker 1: By the way, dry cleaning doesn't clean anything. You know that,

762
00:41:28,000 --> 00:41:30,040
Speaker 1: they just spray chemicals on it.

763
00:41:30,560 --> 00:41:32,319
Speaker 3: Well, let me get.

764
00:41:32,160 --> 00:41:35,399
Speaker 4: Let me get because your stuff the idea of dry

765
00:41:35,440 --> 00:41:36,160
Speaker 4: because they.

766
00:41:36,080 --> 00:41:38,200
Speaker 2: Had your stuff back and say we give up.

767
00:41:39,680 --> 00:41:43,719
Speaker 3: That doesn't mean that the process itself for most of

768
00:41:43,840 --> 00:41:45,960
Speaker 3: society has not been.

769
00:41:45,840 --> 00:41:51,920
Speaker 2: Working for a very long time. Just because they cry

770
00:41:52,080 --> 00:41:54,319
Speaker 2: uncle when you just because they hang up, just because

771
00:41:54,360 --> 00:41:56,880
Speaker 2: they hang up a gone fishing sign in the window

772
00:41:56,920 --> 00:42:02,759
Speaker 2: when you pass by, just because.

773
00:42:02,560 --> 00:42:05,640
Speaker 3: The secret staircase under the counter, walk down, pull a

774
00:42:05,719 --> 00:42:08,760
Speaker 3: trap door closed and you hear like nine different locks click.

775
00:42:08,800 --> 00:42:09,040
Speaker 2: Shit.

776
00:42:13,560 --> 00:42:15,880
Speaker 1: Just because every time I come, they say, we've had

777
00:42:15,920 --> 00:42:19,560
Speaker 1: a medical emergency. We've had a medical emergency. And just

778
00:42:19,600 --> 00:42:21,959
Speaker 1: because every time I come, they light the whole place

779
00:42:22,040 --> 00:42:28,040
Speaker 1: on fire for an insurance su who gives a cry? Ladies,

780
00:42:28,040 --> 00:42:31,600
Speaker 1: don't you hate one? In order to bed with a

781
00:42:31,640 --> 00:42:34,040
Speaker 1: man in this city, you have to spray him with

782
00:42:34,040 --> 00:42:37,920
Speaker 1: a bunch of chemicals first, because he's so freaking disgusting.

783
00:42:39,640 --> 00:42:43,760
Speaker 3: So like, all right, so this came up obviously from

784
00:42:43,800 --> 00:42:45,240
Speaker 3: the dry cleaning.

785
00:42:45,400 --> 00:42:45,680
Speaker 1: It's not.

786
00:42:48,120 --> 00:42:51,879
Speaker 2: Right, but it was like it didn't happen. I like the.

787
00:42:51,560 --> 00:42:56,240
Speaker 3: Swing of the big transition right into into this tandup routine.

788
00:42:56,239 --> 00:42:58,080
Speaker 4: But it's like you're dry cleaning the man.

789
00:42:58,600 --> 00:43:02,920
Speaker 1: Here's the thing. A comics mind is like a lawnmower. Okay,

790
00:43:03,480 --> 00:43:04,400
Speaker 1: you rubbed me up.

791
00:43:04,440 --> 00:43:12,040
Speaker 2: When I got it, only functions went open, little pebbles

792
00:43:12,080 --> 00:43:12,839
Speaker 2: shooting out.

793
00:43:15,640 --> 00:43:17,760
Speaker 1: I've just been this whole time, you guys been talking.

794
00:43:18,160 --> 00:43:21,640
Speaker 1: I hear, I hear Charlie Brown adults, my mamma, And

795
00:43:21,719 --> 00:43:23,680
Speaker 1: I'm just going with.

796
00:43:25,520 --> 00:43:27,920
Speaker 3: The comics mind is like a lawnmower. My dad hit

797
00:43:27,960 --> 00:43:33,080
Speaker 3: a pet turtle with one.

798
00:43:34,480 --> 00:43:36,399
Speaker 1: A comic mind is like a lawnmower.

799
00:43:37,600 --> 00:43:43,279
Speaker 2: And that in that is helpful. That is helpful to me.

800
00:43:45,400 --> 00:43:53,719
Speaker 3: It's and that it's let me clarify the comparison.

801
00:43:53,520 --> 00:43:59,560
Speaker 1: In which you're too four in which ye're too four

802
00:43:59,719 --> 00:44:01,600
Speaker 1: so to speak apropos.

803
00:44:01,239 --> 00:44:04,640
Speaker 3: Allow me to illustrate the ways in which this statement

804
00:44:04,680 --> 00:44:05,840
Speaker 3: I've just made is true.

805
00:44:07,600 --> 00:44:08,719
Speaker 2: And we must have one.

806
00:44:08,880 --> 00:44:13,360
Speaker 1: If a picture in the mind's eye, a comics mind

807
00:44:13,480 --> 00:44:17,160
Speaker 1: is like a lawnmower in which heretofore it is attached

808
00:44:17,200 --> 00:44:20,440
Speaker 1: to a shirtless man. So I painted a picture of

809
00:44:20,440 --> 00:44:27,440
Speaker 1: Bert Kreischer, shirtless man, operating a lawnmower, shirtless man operating

810
00:44:27,440 --> 00:44:28,120
Speaker 1: the comics mind.

811
00:44:28,200 --> 00:44:28,879
Speaker 2: Comics mind.

812
00:44:34,760 --> 00:44:38,440
Speaker 1: And is he always not wearing a shirt? Uh?

813
00:44:38,560 --> 00:44:41,840
Speaker 3: He's I mean, he's a party machine. Like It's like,

814
00:44:42,080 --> 00:44:45,080
Speaker 3: he's not like a lawnmower. He's like a party machine.

815
00:44:45,760 --> 00:44:53,279
Speaker 3: He's he's wearing a shirt in order to take the

816
00:44:53,320 --> 00:44:56,840
Speaker 3: shirt off, but it only exists, like it's like a

817
00:44:56,920 --> 00:44:59,440
Speaker 3: sort of glitch. Like it's like you see it just

818
00:44:59,440 --> 00:45:03,600
Speaker 3: so you can remember that, like it was there as

819
00:45:03,640 --> 00:45:09,359
Speaker 3: you're experiencing what you will ultimately kind of lock in

820
00:45:09,440 --> 00:45:11,359
Speaker 3: as the image, which is.

821
00:45:13,480 --> 00:45:18,959
Speaker 7: The chest the fucking barrel, you know what I mean,

822
00:45:19,239 --> 00:45:22,640
Speaker 7: Like we talk about I mean, we talk about bodies

823
00:45:23,400 --> 00:45:28,640
Speaker 7: in this very limited way. This man is delivering a

824
00:45:28,680 --> 00:45:37,360
Speaker 7: barrel upstairs. It's not easily erased once seen, and.

825
00:45:39,120 --> 00:45:40,799
Speaker 3: The implication to me.

826
00:45:42,400 --> 00:45:43,880
Speaker 7: Of what he could do to me.

827
00:45:45,920 --> 00:45:46,800
Speaker 3: It's not lost.

828
00:45:47,719 --> 00:45:50,359
Speaker 4: What you can see makes you think about what you

829
00:45:50,400 --> 00:45:51,120
Speaker 4: can't see.

830
00:45:51,440 --> 00:45:54,640
Speaker 1: He could break you like a kit cat.

831
00:45:55,000 --> 00:46:01,160
Speaker 7: Oh buddy, he could, and I just might let him.

832
00:46:01,480 --> 00:46:03,720
Speaker 4: Barrel upstairs, barrel downstairs.

833
00:46:05,920 --> 00:46:07,399
Speaker 2: It's like, let's just say it.

834
00:46:08,719 --> 00:46:13,240
Speaker 3: Let's just say it, man, squirt crasher.

835
00:46:17,600 --> 00:46:19,960
Speaker 1: And they say, like, you know, I'm just in LA

836
00:46:20,080 --> 00:46:22,560
Speaker 1: for a short time, you know, And this is a

837
00:46:22,600 --> 00:46:26,560
Speaker 1: common occurrence. You're walking around La. You're feeling self conscious

838
00:46:26,560 --> 00:46:29,240
Speaker 1: about your body, you know, because you don't have BBL,

839
00:46:29,800 --> 00:46:30,360
Speaker 1: you don't.

840
00:46:30,120 --> 00:46:38,640
Speaker 2: Have barrel mm hmm. It's like if you knocked on

841
00:46:38,680 --> 00:46:41,680
Speaker 2: that thing, it would something like you're trying to get

842
00:46:41,719 --> 00:46:43,799
Speaker 2: into like the castle keep.

843
00:46:45,360 --> 00:46:49,840
Speaker 4: Yees who goes there from deep.

844
00:46:49,719 --> 00:46:53,200
Speaker 2: In because it's like hard, like it looks like hard

845
00:46:53,360 --> 00:46:57,280
Speaker 2: and strong. It looks insanely hard.

846
00:46:58,880 --> 00:47:02,400
Speaker 1: It looks you could you could toss that down a

847
00:47:03,200 --> 00:47:05,480
Speaker 1: bowling alley lane, knock over a couple of pens, get

848
00:47:05,480 --> 00:47:07,719
Speaker 1: a strike. Speaking of.

849
00:47:09,400 --> 00:47:17,200
Speaker 3: I'd like the table at one Oak Torso the fucking

850
00:47:17,280 --> 00:47:18,560
Speaker 3: Krasier building.

851
00:47:22,200 --> 00:47:24,719
Speaker 2: Matt, Yes, three holes are there, like a bowling ball.

852
00:47:24,800 --> 00:47:27,439
Speaker 2: Imagine it feels so good.

853
00:47:27,520 --> 00:47:30,600
Speaker 1: One in the belly button, two in the pinky, one

854
00:47:30,600 --> 00:47:38,759
Speaker 1: in the stinky throw a duck, Steve right on the

855
00:47:38,760 --> 00:47:44,320
Speaker 1: picket line, right, and Adam Connover saying, get off the

856
00:47:44,360 --> 00:47:46,480
Speaker 1: picket line. You're making us look bad because I'm going

857
00:47:46,520 --> 00:47:53,120
Speaker 1: stew right ted surround us is going, He's going, He's

858
00:47:53,200 --> 00:47:53,759
Speaker 1: out of here?

859
00:47:54,320 --> 00:47:54,960
Speaker 4: Is Adam Connor?

860
00:48:00,080 --> 00:48:03,600
Speaker 2: Is he connected to it? I saw a TikTok that

861
00:48:03,640 --> 00:48:06,400
Speaker 2: he that. I don't know if you saw this, but

862
00:48:06,719 --> 00:48:09,240
Speaker 2: he was walking on the pagan line doing a TikTok

863
00:48:09,280 --> 00:48:11,399
Speaker 2: and he's like, people ask me, what's the best way

864
00:48:11,440 --> 00:48:13,879
Speaker 2: for people to help out during the strike. Please come

865
00:48:13,920 --> 00:48:16,279
Speaker 2: over here and get Sarah shran away for me.

866
00:48:19,640 --> 00:48:23,319
Speaker 1: Well, they said, right, show show the networks what they're

867
00:48:23,320 --> 00:48:26,960
Speaker 1: missing out on right now. Funny writers, funny writing, joke writing.

868
00:48:27,360 --> 00:48:30,359
Speaker 1: So I said, okay, can I have a sharpie? Can

869
00:48:30,400 --> 00:48:32,839
Speaker 1: I have a blank? Pickets on? Let me write a joke?

870
00:48:32,920 --> 00:48:33,320
Speaker 2: What'd you do?

871
00:48:34,280 --> 00:48:34,640
Speaker 1: Wrote?

872
00:48:37,000 --> 00:48:38,279
Speaker 2: What did you write on there?

873
00:48:38,360 --> 00:48:38,520
Speaker 1: Oh?

874
00:48:38,680 --> 00:48:40,760
Speaker 3: God, tell me what you wrote on there?

875
00:48:41,840 --> 00:48:42,360
Speaker 1: I can't.

876
00:48:43,320 --> 00:48:45,280
Speaker 4: It's like I don't want to hear what you wrote

877
00:48:45,320 --> 00:48:45,719
Speaker 4: on there?

878
00:48:45,800 --> 00:48:51,120
Speaker 2: But now I have to what did you what did

879
00:48:51,160 --> 00:48:51,400
Speaker 2: you do?

880
00:48:53,239 --> 00:49:00,560
Speaker 1: What did you do? You want some jokes? No, governor, Governor,

881
00:49:01,239 --> 00:49:04,880
Speaker 1: you want some jokes, you're gonna have to pay these blokes.

882
00:49:10,239 --> 00:49:17,399
Speaker 1: It's kind of like, you know, maybe a bocket ho