1 00:00:09,280 --> 00:00:16,919 Speaker 1: VI Shooters, Lover Love and Love Lo Welcome to the 2 00:00:17,000 --> 00:00:19,279 Speaker 1: Naughty but nic Sha. I'm your host rum Shooter and 3 00:00:19,320 --> 00:00:22,320 Speaker 1: it is Tuesday, which means our dear friend Delight Dixon 4 00:00:22,440 --> 00:00:24,599 Speaker 1: joins the same as day. Are you there? I am? 5 00:00:24,680 --> 00:00:25,720 Speaker 1: How are you today? 6 00:00:25,840 --> 00:00:26,079 Speaker 2: Mister? 7 00:00:26,480 --> 00:00:28,360 Speaker 1: You sank great? You sank great? So you've got a 8 00:00:28,360 --> 00:00:31,520 Speaker 1: new computer. She's got a name. So what she called? 9 00:00:31,520 --> 00:00:33,839 Speaker 1: She got a beautiful new computer. You gave her a name? 10 00:00:34,200 --> 00:00:34,680 Speaker 1: I did. 11 00:00:34,800 --> 00:00:36,000 Speaker 2: Her name is Dolores. 12 00:00:36,560 --> 00:00:39,800 Speaker 1: Hello, Dolores. Now Dolores is a little temperamental, even though 13 00:00:39,840 --> 00:00:42,280 Speaker 1: she's new. So last week we planned to take the show. 14 00:00:42,320 --> 00:00:46,520 Speaker 1: We were both sitting here, had headphones on. Delores refused 15 00:00:46,520 --> 00:00:46,920 Speaker 1: to work. 16 00:00:47,120 --> 00:00:49,320 Speaker 2: She did not feel like working. She said, look, I 17 00:00:49,360 --> 00:00:52,640 Speaker 2: need the day off. It's the middle of May. Come 18 00:00:52,680 --> 00:00:55,279 Speaker 2: back next week. I'll be ready for you, girl. And 19 00:00:55,360 --> 00:00:59,080 Speaker 2: today she is working like a charm. She's ready for 20 00:00:59,120 --> 00:01:02,760 Speaker 2: the mike and she wants She's like, I am ready 21 00:01:02,880 --> 00:01:05,200 Speaker 2: for the Naties to day. 22 00:01:05,560 --> 00:01:10,720 Speaker 1: Dolorous, Welcome to the Nrties. It's lovely to have. Yeah, gosh, 23 00:01:10,720 --> 00:01:12,800 Speaker 1: we've lost that minds misty. We're talking to the computer. 24 00:01:12,880 --> 00:01:15,119 Speaker 1: Let's jump into ashow. What time is it? My friends? 25 00:01:15,120 --> 00:01:17,480 Speaker 1: And is tea time big story at the top of 26 00:01:17,520 --> 00:01:20,720 Speaker 1: the show. So Diddy is furious over the lack of support, 27 00:01:20,840 --> 00:01:24,720 Speaker 1: over the lack of fans outside the courthouse, and now 28 00:01:25,000 --> 00:01:29,920 Speaker 1: he's paying people to be there. Ouch. So Diddy is 29 00:01:30,040 --> 00:01:34,040 Speaker 1: not just on trial in a courtroom, He's battling a 30 00:01:34,160 --> 00:01:38,600 Speaker 1: brutal reality check. Outside sources tell me that Diddy is 31 00:01:38,840 --> 00:01:44,840 Speaker 1: livid over the embarrassingly small turnout of supporters outside his 32 00:01:45,080 --> 00:01:50,360 Speaker 1: ongoing sex trafficking and racketeering trial in New York. Now, 33 00:01:50,440 --> 00:01:55,000 Speaker 1: while the music model expected waves of loyal fans with 34 00:01:55,520 --> 00:01:59,520 Speaker 1: badges and flags to T shirts to turn up, there's 35 00:01:59,560 --> 00:02:01,840 Speaker 1: not really that many people there. I was down at 36 00:02:01,840 --> 00:02:04,680 Speaker 1: the courthouse at the end of last week, maybe about 37 00:02:05,000 --> 00:02:08,240 Speaker 1: thirty forty maybe on a really really busy day. The 38 00:02:08,240 --> 00:02:11,399 Speaker 1: first day, maybe about one hundred. But he thought thousands 39 00:02:11,480 --> 00:02:16,360 Speaker 1: and thousands and thousands of fans, We're gonna swarm downtown. 40 00:02:16,600 --> 00:02:19,160 Speaker 1: Remember when Michael Jackson went on trial and there was 41 00:02:19,240 --> 00:02:24,600 Speaker 1: fans everywhere supporting Michael. Did he you and no, MJ. 42 00:02:25,040 --> 00:02:28,600 Speaker 2: Yeah, I think you said. The three words is why 43 00:02:28,639 --> 00:02:32,119 Speaker 2: there's not so many people down there, And that's sex trafficking. 44 00:02:32,600 --> 00:02:37,200 Speaker 2: That's sex trafficking. And racketeering. It's just something that kind 45 00:02:37,240 --> 00:02:40,600 Speaker 2: of sounds icky. And I will say so Diva Gal's 46 00:02:40,680 --> 00:02:44,680 Speaker 2: Dailly actually has someone in the courtroom. Our new contributor, 47 00:02:44,760 --> 00:02:47,600 Speaker 2: Charlon Reyes, has been going every single day. So I 48 00:02:47,639 --> 00:02:50,040 Speaker 2: think the people who are interested in the case or 49 00:02:50,160 --> 00:02:51,960 Speaker 2: just want to be a part of this kind of 50 00:02:53,120 --> 00:02:57,840 Speaker 2: historic moment of being there are in the courtroom watching 51 00:02:57,880 --> 00:02:59,720 Speaker 2: the trial. And what she's telling me is you have 52 00:02:59,800 --> 00:03:02,840 Speaker 2: to get there early if you want a seat inside. 53 00:03:03,080 --> 00:03:06,280 Speaker 2: But people standing outside seeing free Dinny when people are 54 00:03:06,360 --> 00:03:10,320 Speaker 2: talking about how kind of violent he was inside the 55 00:03:10,400 --> 00:03:12,840 Speaker 2: car room, it's a hard thing to hold up a 56 00:03:12,880 --> 00:03:15,240 Speaker 2: sign and say, yes, that sounds like something you should 57 00:03:15,280 --> 00:03:16,240 Speaker 2: get out of jail for. 58 00:03:16,919 --> 00:03:19,760 Speaker 1: It's such a hard thing that they are reportedly paying 59 00:03:19,800 --> 00:03:22,880 Speaker 1: people to hold up signs. So there was a young lady, Dantanne, 60 00:03:22,880 --> 00:03:25,360 Speaker 1: who claimed she was offered twenty dollars to wear a 61 00:03:25,400 --> 00:03:29,760 Speaker 1: free Diddy T shirt twenty dollars. Another person said they 62 00:03:29,760 --> 00:03:33,440 Speaker 1: made about sixty dollars yesterday. So Diddy's people are allegedly 63 00:03:33,880 --> 00:03:37,880 Speaker 1: paying folks to wear T shirts to show up. This 64 00:03:38,040 --> 00:03:41,360 Speaker 1: is not that unusual in the pop music world. I've 65 00:03:41,360 --> 00:03:43,680 Speaker 1: never heard of it at a trial. But in the 66 00:03:43,720 --> 00:03:46,360 Speaker 1: pop music world, when I worked for Diddy, we had 67 00:03:46,400 --> 00:03:49,920 Speaker 1: something called street teams, and they were paid to show up. 68 00:03:49,960 --> 00:03:51,920 Speaker 1: So if you had a record signing, if you had 69 00:03:51,920 --> 00:03:55,240 Speaker 1: an event and they wanted fans there, you can hire 70 00:03:55,400 --> 00:03:58,280 Speaker 1: almost a mob. And I know that sounds crazy because 71 00:03:58,320 --> 00:04:02,120 Speaker 1: you want to believe that all those people are genuine fans. 72 00:04:02,480 --> 00:04:06,120 Speaker 1: It's not always the case. Politicians do this too often. 73 00:04:06,200 --> 00:04:10,080 Speaker 1: Politicians put out little notices casting calls is what they 74 00:04:10,120 --> 00:04:12,520 Speaker 1: call them. You see them all over the internet, and 75 00:04:12,520 --> 00:04:15,040 Speaker 1: you get paid twenty books an hour to turn up 76 00:04:15,040 --> 00:04:18,159 Speaker 1: at a political event or in this case, a trial, 77 00:04:18,200 --> 00:04:21,839 Speaker 1: which is really unusual. What is your reporter saying the 78 00:04:21,880 --> 00:04:25,520 Speaker 1: mood is like inside the court room, Misty, what's the vibe? 79 00:04:25,560 --> 00:04:28,520 Speaker 2: She just says that it's kind of electrifying, for a 80 00:04:28,680 --> 00:04:31,279 Speaker 2: lack of a better word, in the sense that you 81 00:04:31,560 --> 00:04:34,240 Speaker 2: just don't know what people on the stand are going 82 00:04:34,320 --> 00:04:37,039 Speaker 2: to say next. And so that's what makes it just 83 00:04:37,120 --> 00:04:40,159 Speaker 2: so kind of I cannot believe I'm here. This is 84 00:04:40,320 --> 00:04:43,800 Speaker 2: a moment of history, even though it's kind of a 85 00:04:43,960 --> 00:04:46,600 Speaker 2: seedy moment of history, but just being in that courtroom 86 00:04:46,960 --> 00:04:51,800 Speaker 2: and she's actually not American, so this is just her 87 00:04:51,880 --> 00:04:55,200 Speaker 2: being able to have this opportunity to see how American 88 00:04:55,400 --> 00:05:00,440 Speaker 2: justice works has been really intriguing for her. Think about 89 00:05:00,440 --> 00:05:03,920 Speaker 2: the mobs. What's hard now is that you need that 90 00:05:04,120 --> 00:05:08,320 Speaker 2: social media moment. You need that those people outside saying 91 00:05:08,800 --> 00:05:11,960 Speaker 2: free Diddy trying to create a certain kind of momentum 92 00:05:11,960 --> 00:05:14,520 Speaker 2: on social media. If they could get twenty people there 93 00:05:14,560 --> 00:05:16,960 Speaker 2: and make it look like one hundred, I'm sure they would. 94 00:05:17,080 --> 00:05:21,280 Speaker 2: So that's what the challenge is, is trying to change 95 00:05:21,720 --> 00:05:25,720 Speaker 2: the thought process of how people are reacting online on 96 00:05:25,839 --> 00:05:28,120 Speaker 2: social and it's just not working. 97 00:05:28,680 --> 00:05:30,840 Speaker 1: It's not working. I don't think it's working in the court. 98 00:05:30,880 --> 00:05:33,200 Speaker 1: Outside the court. I used to work with Diddy twenty 99 00:05:33,279 --> 00:05:36,040 Speaker 1: years ago, and this is very important to him. Image 100 00:05:36,120 --> 00:05:39,599 Speaker 1: is very very important. He's very controlling. But my advice, 101 00:05:39,600 --> 00:05:42,800 Speaker 1: if you're listening, puff focus on what's happening inside the 102 00:05:42,839 --> 00:05:46,080 Speaker 1: court room. It doesn't matter if you found guilty. You 103 00:05:46,120 --> 00:05:49,240 Speaker 1: could have a thousand people outside, it don't matter. You've 104 00:05:49,240 --> 00:05:52,960 Speaker 1: gotta win this legally and then you can try and 105 00:05:53,040 --> 00:05:56,480 Speaker 1: rebuild your brand. But I think trying to rebuild your 106 00:05:56,480 --> 00:05:59,960 Speaker 1: brand while you're still on trial is putting the whole 107 00:06:00,440 --> 00:06:02,839 Speaker 1: before the cart. Not a good idea, which brings us 108 00:06:02,839 --> 00:06:05,240 Speaker 1: to our whole question of the day. I've sort of 109 00:06:05,279 --> 00:06:08,400 Speaker 1: given you my answer already. Did he is furious about 110 00:06:08,440 --> 00:06:11,200 Speaker 1: the lack of support outside his trial, and that is 111 00:06:11,240 --> 00:06:15,240 Speaker 1: allegedly paying fans to show up. Is this smart or 112 00:06:15,320 --> 00:06:18,600 Speaker 1: is this pathetic? Hey? Go vote on our Twitter page 113 00:06:18,640 --> 00:06:22,240 Speaker 1: at Naughty Nice rob at Facebook pages Naughty Gossip and 114 00:06:22,360 --> 00:06:24,479 Speaker 1: be sure to check that time o ra water he 115 00:06:24,760 --> 00:06:26,840 Speaker 1: your results. Hey mister, where are you working on that? 116 00:06:27,080 --> 00:06:30,120 Speaker 2: Well? You know, the turmoil at CBS has just kind 117 00:06:30,160 --> 00:06:33,640 Speaker 2: of reached a boiling point. It is so crazy over there, 118 00:06:34,040 --> 00:06:37,839 Speaker 2: and sources are telling us that Gail King is preparing 119 00:06:37,880 --> 00:06:41,880 Speaker 2: to make her exit before the whole ship goes under. 120 00:06:42,040 --> 00:06:45,120 Speaker 2: So basically, sources are saying, this is not what she 121 00:06:45,279 --> 00:06:48,880 Speaker 2: signed up for. She's one of the most respected names 122 00:06:48,880 --> 00:06:52,839 Speaker 2: and news and she's being dragged down by the chaos 123 00:06:53,120 --> 00:06:58,600 Speaker 2: and she can't control it. So her contract expires at 124 00:06:58,600 --> 00:07:01,760 Speaker 2: the end of the year. And I have to say, 125 00:07:02,040 --> 00:07:04,280 Speaker 2: when you're on a sinking ship, especially in media, you 126 00:07:04,320 --> 00:07:08,640 Speaker 2: and I have both been there, well gets extremely low. 127 00:07:09,720 --> 00:07:14,000 Speaker 2: So many TWI of profile disasters happening at CBS. You know, 128 00:07:14,280 --> 00:07:19,320 Speaker 2: the CBS News president was just ousted Wendy McMahon sixty 129 00:07:19,360 --> 00:07:24,040 Speaker 2: minutes legal nightmare involving Donald Trump, and then there's just 130 00:07:24,080 --> 00:07:27,920 Speaker 2: been kind of a revamped vision of CBS News Now, Rob, 131 00:07:28,040 --> 00:07:31,360 Speaker 2: I know you have inside people always at the news rooms. 132 00:07:31,720 --> 00:07:32,600 Speaker 2: What are you hearing? 133 00:07:33,320 --> 00:07:35,520 Speaker 1: It's messy over there. The trouble is the whole news 134 00:07:35,520 --> 00:07:38,560 Speaker 1: businesses is changing. So if you're in third place and 135 00:07:38,600 --> 00:07:41,320 Speaker 1: then the industry goes through a reckoning, it's going to 136 00:07:41,400 --> 00:07:43,360 Speaker 1: be really, really bad. It's bad if you're in first 137 00:07:43,360 --> 00:07:46,080 Speaker 1: place or second place. So GMA and The Today Show 138 00:07:46,120 --> 00:07:48,600 Speaker 1: fight that out, and then number three is CBS. They 139 00:07:48,600 --> 00:07:50,920 Speaker 1: brought Gaaleen to try and shake that up. She got 140 00:07:50,960 --> 00:07:52,840 Speaker 1: a lot of press, a lot of goodwill, but the 141 00:07:52,960 --> 00:07:56,840 Speaker 1: numbers never really changed. And then after that Rocket fee 142 00:07:56,960 --> 00:07:59,280 Speaker 1: Asco when she went up to space and called herself 143 00:07:59,320 --> 00:08:04,080 Speaker 1: an astronaut, the numbers dropped below two million. And now 144 00:08:04,120 --> 00:08:08,560 Speaker 1: that's a real problem because these shows are expensive. They 145 00:08:08,600 --> 00:08:12,760 Speaker 1: haven't yet figured out how to make a great, cheap 146 00:08:13,160 --> 00:08:16,640 Speaker 1: morning show. They're massive. The way that you do it 147 00:08:16,680 --> 00:08:18,600 Speaker 1: is the way that we're doing it now, mistery, It's 148 00:08:18,640 --> 00:08:20,440 Speaker 1: the way we did it at v H one. That 149 00:08:20,600 --> 00:08:24,120 Speaker 1: is the future of TV. It's not news bureaus around 150 00:08:24,160 --> 00:08:27,520 Speaker 1: the world. They're too expensive. It's not these fancy studios 151 00:08:27,560 --> 00:08:31,240 Speaker 1: with ten camera men and a thousand lights. It's me, you, 152 00:08:31,360 --> 00:08:35,000 Speaker 1: mister zoom a microphone and you're pumping on and that's 153 00:08:35,160 --> 00:08:37,800 Speaker 1: now the future of TV. And I think that's very, 154 00:08:37,880 --> 00:08:40,920 Speaker 1: very difficult for people like Gail, who was brought up 155 00:08:41,240 --> 00:08:46,000 Speaker 1: in the old school television ways, a producer's assistance, megapartners, 156 00:08:46,640 --> 00:08:49,480 Speaker 1: everything's done for you. Well, that is not going to 157 00:08:49,520 --> 00:08:51,960 Speaker 1: be the case anymore. I think Gail is probably not 158 00:08:52,080 --> 00:08:54,400 Speaker 1: going to extend her contractor I think they'll offer her 159 00:08:54,440 --> 00:08:56,559 Speaker 1: an extension. But I think at the end of the year, 160 00:08:56,679 --> 00:08:58,720 Speaker 1: Gail's out. She's got a lovely life, she's got a 161 00:08:58,720 --> 00:09:01,520 Speaker 1: ton of money, she's an it's her at Oprah's website. 162 00:09:01,559 --> 00:09:04,920 Speaker 1: She's famous around the world. She's Oprah's best friend. She's 163 00:09:04,960 --> 00:09:07,960 Speaker 1: gonna be just fine. And I think too, you got 164 00:09:07,960 --> 00:09:12,560 Speaker 1: to know the moment to say goodbye. When management changes, 165 00:09:12,600 --> 00:09:16,320 Speaker 1: it doesn't matter if you're at CBS Morning or any 166 00:09:16,400 --> 00:09:20,880 Speaker 1: other job. When management changes, mystay, you're vulnerable because the 167 00:09:20,960 --> 00:09:23,520 Speaker 1: new management wants to bring in their own people, want 168 00:09:23,520 --> 00:09:26,240 Speaker 1: to make cuts, want to make changes. That's why they 169 00:09:26,240 --> 00:09:29,079 Speaker 1: were hired. They weren't hired to just keep things running 170 00:09:29,120 --> 00:09:31,080 Speaker 1: as they are. They wouldn't have been hired. Why would 171 00:09:31,080 --> 00:09:33,720 Speaker 1: we change management if we're not going to change anything. 172 00:09:33,760 --> 00:09:36,000 Speaker 1: So the minute you know it naughty is the minute 173 00:09:36,040 --> 00:09:39,040 Speaker 1: a new manager walks into your office, your restaurant, wherever 174 00:09:39,120 --> 00:09:41,920 Speaker 1: you're working, things are going to change. 175 00:09:42,040 --> 00:09:44,679 Speaker 2: Absolutely. And we've been through this so many times in 176 00:09:44,720 --> 00:09:47,880 Speaker 2: the media world. Every time that you get a new bus, 177 00:09:48,280 --> 00:09:50,840 Speaker 2: you think, Okay, how do I make it so I 178 00:09:50,880 --> 00:09:53,079 Speaker 2: can show why I still need to be here? But 179 00:09:53,480 --> 00:09:55,320 Speaker 2: you could do the best work in the world. And 180 00:09:55,360 --> 00:09:58,600 Speaker 2: they still have what I always say, they got friends, 181 00:09:59,040 --> 00:10:02,440 Speaker 2: and the media industry doesn't have a lot of jobs, 182 00:10:02,480 --> 00:10:04,760 Speaker 2: so you always have to be careful about that. But 183 00:10:04,880 --> 00:10:07,320 Speaker 2: I think for Gail, what might be great for her? 184 00:10:07,320 --> 00:10:09,680 Speaker 2: I mean, first of all, she looks amazing, so she 185 00:10:09,800 --> 00:10:12,800 Speaker 2: wanted to start her own YouTube channel. She could do 186 00:10:12,880 --> 00:10:15,800 Speaker 2: that or even a podcast and really talk about things 187 00:10:15,800 --> 00:10:19,400 Speaker 2: that are important to her. Michelle Obama's doing it, so 188 00:10:19,440 --> 00:10:22,520 Speaker 2: why not that seems to be the future? Like you said, yes, 189 00:10:22,600 --> 00:10:25,280 Speaker 2: hair and makeup, Oh I'll miss it to this day, 190 00:10:25,679 --> 00:10:28,839 Speaker 2: but days just being able to get up, sit down 191 00:10:28,880 --> 00:10:31,640 Speaker 2: with you for twenty minutes and talk to the Nazis 192 00:10:31,679 --> 00:10:34,880 Speaker 2: and look still cute, but maybe with a little less makeup. 193 00:10:35,360 --> 00:10:36,320 Speaker 2: That's the way to go. 194 00:10:36,760 --> 00:10:38,920 Speaker 1: That's the way to go. Absolutely mistake. Okay, moving along, 195 00:10:38,960 --> 00:10:41,560 Speaker 1: We just found out that Meghan Michael was dumped for 196 00:10:41,679 --> 00:10:46,000 Speaker 1: Serena Williams out on a Vogue cover. So back in 197 00:10:46,120 --> 00:10:51,240 Speaker 1: twenty twenty two, the coveted cover of Vogue UK was 198 00:10:51,360 --> 00:10:54,559 Speaker 1: up for grabs and Megan really wanted it. She wanted 199 00:10:54,559 --> 00:10:57,439 Speaker 1: to be on that cover. She was friends with the editor. 200 00:10:57,520 --> 00:11:00,600 Speaker 1: His name is Edward, really really smart editor in chief. 201 00:11:00,600 --> 00:11:03,560 Speaker 1: He's the Anna Winter of British Vogue and so she's 202 00:11:03,559 --> 00:11:06,200 Speaker 1: friends with him. So I think she assumed she'd got 203 00:11:06,240 --> 00:11:10,319 Speaker 1: the cover. Well, it turned out Serena Williams had already 204 00:11:10,480 --> 00:11:14,240 Speaker 1: been booked. Inside us say, Meghan was furious. Even though 205 00:11:14,280 --> 00:11:17,040 Speaker 1: Serena is one of her best friends and she expected 206 00:11:17,040 --> 00:11:19,680 Speaker 1: this cover, she didn't get it. And then what made 207 00:11:19,760 --> 00:11:22,880 Speaker 1: matters worse is she was replaced by someone she thinks 208 00:11:23,040 --> 00:11:26,440 Speaker 1: considers who is a close friend. Now, she didn't fall 209 00:11:26,480 --> 00:11:28,880 Speaker 1: out with Serena over it was not her fault, but 210 00:11:28,960 --> 00:11:32,840 Speaker 1: the relationship with Edward, the long standing friendship Meghan had 211 00:11:32,840 --> 00:11:36,400 Speaker 1: that was dating back before she even met Harry. It 212 00:11:36,559 --> 00:11:41,439 Speaker 1: suddenly ended and it became very difficult to move forward. 213 00:11:41,760 --> 00:11:44,120 Speaker 1: I think this is complicated when you have friends who 214 00:11:44,200 --> 00:11:48,160 Speaker 1: you also potentially work with, because when you don't get 215 00:11:48,200 --> 00:11:50,880 Speaker 1: what you want in the job, does that mean the 216 00:11:50,880 --> 00:11:55,240 Speaker 1: friendship is dead? Real friends? Obviously the answers no. When 217 00:11:55,240 --> 00:11:57,600 Speaker 1: I don't get what I want from my friends, it's 218 00:11:57,640 --> 00:11:59,679 Speaker 1: not about the cover of Vogue or about work. It's 219 00:11:59,720 --> 00:12:02,160 Speaker 1: the fact that you get to decide which restaurant we 220 00:12:02,240 --> 00:12:06,000 Speaker 1: go to anomy it's much lower stakes, and so it's 221 00:12:06,040 --> 00:12:09,880 Speaker 1: so difficult working working with friends and then not getting 222 00:12:09,920 --> 00:12:13,680 Speaker 1: the answer you want, then to fall out with your friend. Messy, 223 00:12:13,679 --> 00:12:14,320 Speaker 1: messy messy. 224 00:12:14,760 --> 00:12:19,120 Speaker 2: Yeah. This was about a year after her infamous interview 225 00:12:19,160 --> 00:12:22,480 Speaker 2: on Oprah, and I think as she still is, as 226 00:12:22,520 --> 00:12:26,800 Speaker 2: some consider today, a controversial figure. You know, in the end, 227 00:12:26,960 --> 00:12:29,520 Speaker 2: we are a business, right, Magazines are a business, and 228 00:12:29,559 --> 00:12:32,360 Speaker 2: you need to be able to sell magazines. And she 229 00:12:32,520 --> 00:12:35,520 Speaker 2: may have not been the face at that time that 230 00:12:35,559 --> 00:12:38,160 Speaker 2: could have sold magazines. And those are the decisions that 231 00:12:38,280 --> 00:12:41,160 Speaker 2: editor in chiefs have to make. Who is going to 232 00:12:41,160 --> 00:12:43,640 Speaker 2: bring in the eyeballs, who is going to make you 233 00:12:43,720 --> 00:12:46,640 Speaker 2: pick up that magazine and plunk down some money to 234 00:12:46,720 --> 00:12:49,080 Speaker 2: get it. But yeah, I agree with you. We know 235 00:12:49,200 --> 00:12:52,120 Speaker 2: a lot of PR people that we keep key with 236 00:12:52,240 --> 00:12:54,520 Speaker 2: at night and then the next morning when we have 237 00:12:54,600 --> 00:12:57,120 Speaker 2: a question that's not so great about their client, they're 238 00:12:57,160 --> 00:13:01,040 Speaker 2: like new phone, who it is? Yes, you have to 239 00:13:01,120 --> 00:13:03,440 Speaker 2: learn how to balance that. And again, it's so much 240 00:13:03,480 --> 00:13:06,600 Speaker 2: we're talking about media today, but it it really is 241 00:13:06,679 --> 00:13:12,760 Speaker 2: a delicate balance because you are your constituency, are the 242 00:13:12,840 --> 00:13:15,600 Speaker 2: consumers are the public, and you have to get the 243 00:13:15,600 --> 00:13:18,440 Speaker 2: public what they want. And sometimes that doesn't make the 244 00:13:18,520 --> 00:13:22,680 Speaker 2: journalists the publicist happy, But we want to do what 245 00:13:22,800 --> 00:13:24,720 Speaker 2: you guys want because we want to make sure you're 246 00:13:24,720 --> 00:13:28,079 Speaker 2: getting what you get. And sometimes it's just going to 247 00:13:28,120 --> 00:13:30,440 Speaker 2: make some people happy and that's the way it is. 248 00:13:30,760 --> 00:13:33,679 Speaker 1: And some some not. Okay, moving long, Mi, stay you've 249 00:13:33,679 --> 00:13:37,239 Speaker 1: got an update on Blake Lively and Taylor Swift. This relationship, 250 00:13:37,280 --> 00:13:39,160 Speaker 1: this friendship, Oh it makes me so sad, But I 251 00:13:39,160 --> 00:13:41,960 Speaker 1: think Taylor's probably smart at the moment to withdraw a 252 00:13:41,960 --> 00:13:43,120 Speaker 1: little bit. What's going on with. 253 00:13:43,080 --> 00:13:46,920 Speaker 2: Easterns, Like you said, talking about personal and professional really yes, 254 00:13:47,760 --> 00:13:50,679 Speaker 2: but you know they used to be closest confidence confidants, 255 00:13:51,080 --> 00:13:54,679 Speaker 2: but that error is officially over. Now. Some fans are 256 00:13:54,720 --> 00:13:59,400 Speaker 2: fearing that Taylor Swift is going to do a distracking lively, 257 00:14:00,000 --> 00:14:03,240 Speaker 2: but insiders are saying that's not going to happen. They're 258 00:14:03,240 --> 00:14:07,280 Speaker 2: saying this will not be immortalized in lyrics. Taylor is 259 00:14:07,400 --> 00:14:12,240 Speaker 2: choosing to handle this privately. She's cut Blake out full stop. 260 00:14:12,320 --> 00:14:15,000 Speaker 2: I mean, I think that's even the bigger insult. I'm 261 00:14:15,120 --> 00:14:18,360 Speaker 2: not writing a song about you, right, That means it's 262 00:14:18,400 --> 00:14:18,960 Speaker 2: really over. 263 00:14:19,800 --> 00:14:21,400 Speaker 1: You know, they used to be besties. 264 00:14:21,480 --> 00:14:25,000 Speaker 2: They had the matching glam nights, you know, outfits, they 265 00:14:25,040 --> 00:14:27,720 Speaker 2: went out and they hung out in luxury sweets, and 266 00:14:28,000 --> 00:14:31,680 Speaker 2: you know, they were publicly praising one another. But now 267 00:14:31,880 --> 00:14:35,840 Speaker 2: insiders say that all that was just mutual pr They 268 00:14:35,880 --> 00:14:38,840 Speaker 2: basically kind of use each other for lack of a 269 00:14:38,880 --> 00:14:42,560 Speaker 2: better word. You know, Blake got cool cred with the Swifties, 270 00:14:42,920 --> 00:14:47,000 Speaker 2: Taylor got this kind of connection to Hollywood, but it's 271 00:14:47,240 --> 00:14:51,400 Speaker 2: just not there anymore. And you know, Taylor doesn't play 272 00:14:51,440 --> 00:14:55,040 Speaker 2: when it comes to loyalty, and what Blake has done 273 00:14:55,160 --> 00:14:56,640 Speaker 2: is considered betrayal. 274 00:14:57,040 --> 00:15:00,040 Speaker 1: Yeah, yeah, she's not messy. Taylor's with Tat's messiness, and 275 00:15:00,080 --> 00:15:03,160 Speaker 1: this is really really messy no song though. Like Taylor's 276 00:15:03,160 --> 00:15:07,240 Speaker 1: famous for writing her feelings in songs, boyfriend, she's done 277 00:15:07,240 --> 00:15:10,160 Speaker 1: it for people that have not really treated her very well. 278 00:15:10,160 --> 00:15:13,000 Speaker 1: But I'm told she's going to stay away from Blake, 279 00:15:13,080 --> 00:15:16,040 Speaker 1: So maybe there's still is hope there. Maybe. Okay, we're 280 00:15:16,040 --> 00:15:17,800 Speaker 1: going to take a quick break and we will be 281 00:15:18,040 --> 00:15:21,360 Speaker 1: right back. Welcome back to the naughtyburn I show your 282 00:15:21,360 --> 00:15:24,360 Speaker 1: Hostrom Shooter. Hey, no things. Let's get to the polls 283 00:15:24,440 --> 00:15:27,320 Speaker 1: that the U. Last year we talked about Taylor Swift 284 00:15:27,640 --> 00:15:31,480 Speaker 1: and Travis Kelsey has told Sorry, Taylor Swift has told 285 00:15:31,640 --> 00:15:36,520 Speaker 1: Travis Kelcey to stay silent after the President attacked her again. 286 00:15:37,000 --> 00:15:41,280 Speaker 1: Our question was, would you defend your partner if they 287 00:15:41,320 --> 00:15:43,840 Speaker 1: told you not to? So this is not about Taylor, 288 00:15:43,880 --> 00:15:46,240 Speaker 1: it's not about the President, it's not about Travis. It's 289 00:15:46,280 --> 00:15:49,400 Speaker 1: about you. If somebody came after your partner, if somebody 290 00:15:49,440 --> 00:15:52,920 Speaker 1: came after somebody you loved and they said, please don't respond, 291 00:15:53,040 --> 00:15:56,040 Speaker 1: you will make it worse. Could you do that? Let's 292 00:15:56,040 --> 00:15:59,760 Speaker 1: have a look. Seventy percent said yes you could, but 293 00:15:59,800 --> 00:16:02,240 Speaker 1: that it's still a large percentage. Missie. I think it's 294 00:16:02,280 --> 00:16:05,120 Speaker 1: your instinct, isn't it. If somebody came after you, I'd 295 00:16:05,160 --> 00:16:08,160 Speaker 1: be arab mystery. I'd be ready to attack, even though 296 00:16:08,200 --> 00:16:10,560 Speaker 1: it might make the situation worse. 297 00:16:11,040 --> 00:16:13,360 Speaker 2: Yeah, I think that's a really hard one because you 298 00:16:13,440 --> 00:16:15,880 Speaker 2: do want to protect the people you love and so 299 00:16:16,120 --> 00:16:19,120 Speaker 2: hearing somebody else kind of trash them, even on a 300 00:16:19,160 --> 00:16:22,240 Speaker 2: small scale, it's really challenging to deal with. But if 301 00:16:22,400 --> 00:16:25,440 Speaker 2: your partner is asking you please don't get involved with this, 302 00:16:26,000 --> 00:16:29,400 Speaker 2: they know something that you probably don't, or they're just 303 00:16:29,480 --> 00:16:33,440 Speaker 2: trying to avoid you getting into situation. And you know, 304 00:16:33,560 --> 00:16:36,680 Speaker 2: my sister is a lawyer, and I hear about how 305 00:16:37,120 --> 00:16:41,040 Speaker 2: people react when you've said things about people, and sometimes 306 00:16:41,080 --> 00:16:44,360 Speaker 2: it does not end up pretty. She won her case, 307 00:16:44,520 --> 00:16:46,880 Speaker 2: and so you know somebody's going to jail for something 308 00:16:46,920 --> 00:16:50,320 Speaker 2: they did wrong, so reacting to somebody else saying something, 309 00:16:50,400 --> 00:16:53,680 Speaker 2: So sometimes you need to keep your mouth shut so 310 00:16:54,360 --> 00:16:57,040 Speaker 2: lives stay intact. That's all I can say. 311 00:16:57,120 --> 00:16:59,520 Speaker 1: Yeah, follow people's wishes. I remember I was with you 312 00:16:59,520 --> 00:17:01,960 Speaker 1: once in Time Square and somebody came at me and 313 00:17:02,040 --> 00:17:05,200 Speaker 1: you turned into a rock whild and he wasn't helping 314 00:17:05,200 --> 00:17:07,159 Speaker 1: the situation. I know you did it for love us, Like, 315 00:17:07,240 --> 00:17:09,560 Speaker 1: please stop so we could just walk away, because this 316 00:17:09,680 --> 00:17:11,600 Speaker 1: is going to escalate and I was like, but you 317 00:17:11,640 --> 00:17:14,479 Speaker 1: would not. I had to grab your hand. I had 318 00:17:14,560 --> 00:17:18,240 Speaker 1: to say, I had to march. You died forty fourth streets. 319 00:17:18,359 --> 00:17:20,399 Speaker 2: Nobody says anything about my shooter. 320 00:17:20,480 --> 00:17:22,959 Speaker 1: I will tell you, thank you, Dad. I love you 321 00:17:23,000 --> 00:17:24,920 Speaker 1: for it. I love you for it. Don't forget to 322 00:17:25,000 --> 00:17:27,760 Speaker 1: vote on today's pole. Go to Twitter page at Naughty 323 00:17:27,880 --> 00:17:30,960 Speaker 1: Nice rob At Facebook page is Naughty Gossip AMBI sure 324 00:17:31,119 --> 00:17:33,440 Speaker 1: to check back time my rit to hear your results are. 325 00:17:33,560 --> 00:17:37,480 Speaker 1: Now it's time for our niceast of the day. 326 00:17:38,480 --> 00:17:41,760 Speaker 2: We're gonna give Megan Markle some flowers right now because 327 00:17:41,800 --> 00:17:47,520 Speaker 2: she celebrated her and Prince Harry's seventh wedding anniversary by 328 00:17:47,560 --> 00:17:52,280 Speaker 2: sharing never before seen photos of their family. She posted 329 00:17:52,280 --> 00:17:55,320 Speaker 2: this on Instagram. She said seven years of marriage. It 330 00:17:55,400 --> 00:17:59,719 Speaker 2: was a bulletin board full of cute pictures of herself 331 00:17:59,800 --> 00:18:03,800 Speaker 2: and family and notes, and she said a lifetime of stories. 332 00:18:04,160 --> 00:18:06,800 Speaker 2: Thank you to all of you, whether you are by 333 00:18:06,960 --> 00:18:10,320 Speaker 2: our side or from afar, who have loved us and 334 00:18:10,400 --> 00:18:15,720 Speaker 2: supported us throughout our love story. We appreciate you. Ah 335 00:18:16,160 --> 00:18:18,560 Speaker 2: seven years old, this is like, this is seven year 336 00:18:20,200 --> 00:18:24,360 Speaker 2: but I'm telling you that woman ain't leaving for nothing. 337 00:18:24,960 --> 00:18:27,000 Speaker 2: Would be pretty bad together. 338 00:18:27,320 --> 00:18:29,560 Speaker 1: The photographs were really amazing. I zoomed in on every 339 00:18:29,600 --> 00:18:32,919 Speaker 1: single one of them. No royals, no members of the 340 00:18:32,960 --> 00:18:35,359 Speaker 1: family in the seven year history, which they have not 341 00:18:35,600 --> 00:18:37,679 Speaker 1: really been there for, so that that makes sense. How 342 00:18:37,760 --> 00:18:39,399 Speaker 1: nice ist of the day, And now I noticed the 343 00:18:39,480 --> 00:18:42,639 Speaker 1: day naughty, naughty, naughty. Oh Jessica Simpson, my old friend, 344 00:18:42,680 --> 00:18:46,160 Speaker 1: my old client, is heartbroken after a brutal return to performing. 345 00:18:46,160 --> 00:18:49,480 Speaker 1: So Jessica went on American Idol and she's not getting 346 00:18:49,520 --> 00:18:52,679 Speaker 1: the best reviews. She's relaunching her music career, but instead 347 00:18:52,720 --> 00:18:55,399 Speaker 1: it sort of turned into a public roast. So she 348 00:18:55,520 --> 00:18:58,880 Speaker 1: was up there singing, but it didn't really transition very 349 00:18:58,920 --> 00:19:01,760 Speaker 1: well into audience rops. And more importantly, and this is 350 00:19:01,800 --> 00:19:06,400 Speaker 1: what's devastating, she didn't get a boost in album sales. 351 00:19:06,840 --> 00:19:10,359 Speaker 1: So Jessica hasn't performed in I think fifteen years, hasn't 352 00:19:10,359 --> 00:19:13,600 Speaker 1: put out an album in a really long time. It's hard. 353 00:19:14,040 --> 00:19:16,800 Speaker 1: It's so hard to win an audience back. I fear 354 00:19:16,800 --> 00:19:19,200 Speaker 1: if Britney Spie has made a comeback, I just don't 355 00:19:19,240 --> 00:19:21,760 Speaker 1: even know if the audience is there anymore. Justin Bieber 356 00:19:22,119 --> 00:19:26,000 Speaker 1: might have trouble selling records. The audience moves really, really quickly. 357 00:19:26,040 --> 00:19:28,040 Speaker 1: That's why you have to tip your hat to people 358 00:19:28,119 --> 00:19:31,520 Speaker 1: like Madonna and people like Cheer who are still relevant. 359 00:19:31,640 --> 00:19:34,480 Speaker 1: It's amazing, all these years into their careers. This has 360 00:19:34,520 --> 00:19:38,800 Speaker 1: not happened with Jessica is heartbreaking. Ah an audience of 361 00:19:38,800 --> 00:19:41,600 Speaker 1: the day. Let's end with a murmur of rab you Rob. 362 00:19:42,000 --> 00:19:45,280 Speaker 1: You deserve to be happy, not tired, not hurt, not 363 00:19:45,480 --> 00:19:50,399 Speaker 1: consistently stressed or surviving or settling, just happy. You deserve 364 00:19:50,480 --> 00:19:54,600 Speaker 1: peace that isn't followed by chaos, Love that doesn't come 365 00:19:54,600 --> 00:19:59,320 Speaker 1: with conditions, rest without guilt, and laughter that is real. 366 00:20:00,080 --> 00:20:05,399 Speaker 1: Stop convincing yourself that burnout is normal or that struggle 367 00:20:05,880 --> 00:20:08,760 Speaker 1: is a badge of honor. It's not. You deserve joy, 368 00:20:09,040 --> 00:20:13,080 Speaker 1: you deserve ease. You deserve to feel good in your 369 00:20:13,119 --> 00:20:20,080 Speaker 1: own life, and don't let anybody, including yourself, tell you otherwise. Hey, 370 00:20:20,119 --> 00:20:22,399 Speaker 1: that is it for today. Thank you so much for 371 00:20:22,440 --> 00:20:24,640 Speaker 1: listening to The Naughty Bent Nines with Robert Misty Show, 372 00:20:24,640 --> 00:20:27,520 Speaker 1: a production of iHeartRadio. Don't forget to subscribe on the 373 00:20:27,520 --> 00:20:30,960 Speaker 1: iHeartRadio app Apple podcast. Wherever you listen, leave us a 374 00:20:31,000 --> 00:20:33,879 Speaker 1: review if you can. They really do help and remember 375 00:20:34,359 --> 00:20:40,200 Speaker 1: all together now if You're going to be nice, take 376 00:20:40,240 --> 00:20:46,320 Speaker 1: care of everybody. It's not even nice with Bro