Speaker 1: All right, gang back to House a halliwell, hey, b K, yeah,
Speaker 1: do you want to give us the synopsis of this episode?
Speaker 2: Season one, Episode two, I've Got You Under My Skin
Speaker 2: premiere to October fourteenth, nineteen ninety eight. Prue gets a
Speaker 2: new gig, Piper struggles with her newfound powers, and Phoebe
Speaker 2: gets caught up with a handsome man. Little does she
Speaker 2: know she's flirting with a warlock who SAPs women to
Speaker 2: steal their youth. When Phoebe finds herself in trouble, Prue
Speaker 2: and Piper come to the rescue once again, proving that
Speaker 2: the power of three will set them free. Directed by
Speaker 2: the fabulous John Kretschmer.
Speaker 1: You know what's really interesting about going and rewatching these
Speaker 1: as a woman is I was like, God, I was
Speaker 1: really pretty back then.
Speaker 3: Oh my god.
Speaker 1: I was like, and we're not even wearing an a
Speaker 1: lot of makeup. Granted we have, like, you know, really
Speaker 1: good lighting and everything else, but I was like, I
Speaker 1: was so thin, I was so not one wrinkle on
Speaker 1: my face. And although I've enjoyed watching them because for
Speaker 1: me it's the first time, it made me a little
Speaker 1: sad for yourself.
Speaker 3: Yes, you were jealous of yourself.
Speaker 1: Was jealous of myself. I was like, why did I
Speaker 1: look like that back then and not like that now?
Speaker 3: Twenty five years years, twenty five years. It's a good timestamp.
Speaker 1: Yeah, that's your space, and my youth is wasted on
Speaker 1: the young I one hundred percent now that I'm fifty,
Speaker 1: whatever I am, I somebody wants to do the math
Speaker 1: nineteen seventy one, fifty three. I believe it now. I'm like,
Speaker 1: now is when I would really appreciate my looks and
Speaker 1: like the physique. I was so friggin' skinny. Time marches
Speaker 1: on and it just took a little thing like cancer
Speaker 1: for me to lose some weight. But I'm still not
Speaker 1: but I'm still not as skinny as I was back then.
Speaker 3: Time marches on and it's marching across your face. Who
Speaker 3: said that? Not your face?
Speaker 1: Dolly Carton. Wait, Dolly Parton said it in Oh my deal, Magnolias.
Speaker 3: Oh sure, that's awful.
Speaker 1: Stop. You guys look fantastic.
Speaker 4: You guys both look fantastic now, and I know that
Speaker 4: you weren't. That's you're not fishing. But I will say, like,
Speaker 4: you both look so hot in these these episodes. As
Speaker 4: we're watching them.
Speaker 1: But not now. You just said not now.
Speaker 4: Holy smokes. I literally started by saying, you guys are
Speaker 4: so beautiful.
Speaker 1: Still, it's not even.
Speaker 3: I think you said still. I did say you said
Speaker 3: in these episodes.
Speaker 4: No, and then I said, episodes just so so beautiful
Speaker 4: as well, like I can.
Speaker 1: Yeah, it's a never mind never mind. Okay, so let's
Speaker 1: start with this episode, and like, what happens. You get
Speaker 1: a new job, but like not really right, It's that
Speaker 1: your chef quits on you.
Speaker 3: Yes, which makes me a general manager somehow, But I
Speaker 3: think what actually happened was that Aaron just like the
Speaker 3: hostess outfit better than the chef outfit. That's a real reason.
Speaker 1: But I think the chef outfit is so cute. Aaron
Speaker 1: did not. Well it was back then, right, so chefs
Speaker 1: weren't as like celebrated now or now.
Speaker 3: And also I was wearing in the pilot the tightest
Speaker 3: pants possible with the tightest.
Speaker 1: Chef member that possible.
Speaker 3: Yeah, it was tidy.
Speaker 4: And what was that like redrut that.
Speaker 3: Somebody had time to tie around my neck? Because god
Speaker 3: knows I didn't do it right.
Speaker 1: So you get a new job, becoming general manager. I
Speaker 1: start working at Buckland's.
Speaker 3: You skipped ahead. You don't work a Lindsa yet, you're auditional.
Speaker 1: Oh I'm sorry, I'm interviewing. But everybody knows that Pru's
Speaker 1: going to get the joiler a learned. Everybody knows she's
Speaker 1: going to get the job. I mean.
Speaker 3: Outfit on your sexual relations of Prue's.
Speaker 1: Oh yeah, oh the.
Speaker 4: Progress is very cool that. My first note was that
Speaker 4: progressed quickly.
Speaker 1: You know what? That's mine too. I literally wrote down
Speaker 1: preu first date sex question mark, exclamation mark. I literally
Speaker 1: wrote that text on the first date question mark.
Speaker 3: Yes, but it's not their first day because they dated,
Speaker 3: But it's.
Speaker 1: Their first day the second time.
Speaker 3: You dated in high school?
Speaker 1: Yes, so it doesn't count. It was like a decade ago. Yeah,
Speaker 1: And people's bodies change and things change, and you know
Speaker 1: that it just doesn't it doesn't count. I personally it
Speaker 1: was horrified that Prue slept with him on the first date.
Speaker 1: I I thought it was gross.
Speaker 3: But she's very pretty and very sane, very pretty.
Speaker 1: She is pretty than which means she can wait.
Speaker 4: That's true too. Great question. Where do we all stand
Speaker 4: on sex on the first dage?
Speaker 1: Yeah, I mean I think the older you get, the
Speaker 1: more you realize that it's not okay, okay.
Speaker 2: I think the older I get, the more I realize, like, look, times,
Speaker 2: run it out, let's.
Speaker 1: Get to it. I thought you were going to say
Speaker 1: times of the essence. No, I think like, because the
Speaker 1: older you get, the more you realize that like sex,
Speaker 1: you know, fades and every relationship the longer that you
Speaker 1: go on. Right Like, in the beginning, sex is so
Speaker 1: exciting and it's great and you're having it a lot.
Speaker 1: But cut to you know, ten years later or twenty
Speaker 1: years later, you're like, oh god, I don't want to
Speaker 1: have sex with my husband or my wife or my
Speaker 1: lover anymore, like not tonight, and you start making excuses.
Speaker 1: So then what really bonds you together is respect, loyalty,
Speaker 1: and a deep friendship. And I don't think you can
Speaker 1: have any of those when you're jumping in the sack
Speaker 1: right away. I think that builds personal experience. That's a
Speaker 1: solid point. Look at you both sitting there, lion, I've
Speaker 1: flipped my.
Speaker 4: Like I have had sexual relations on a first date before,
Speaker 4: but recently, something that my mom has said to me
Speaker 4: over the course of my adult life was the moment
Speaker 4: you have sex with someone the interviews over yeah, and
Speaker 4: then and I was like, oh, and like the last
Speaker 4: person I was with, we waited over a month, like
Speaker 4: unintentionally but intentionally, and it became.
Speaker 1: Gets still ended. No, I'm not sure any theory is
Speaker 1: going to work for you, Drew. Maybe maybe you should
Speaker 1: just wait until you find a really good female pickleball player. Yeah,
Speaker 1: and you've got that relationship going where you're like, you know,
Speaker 1: partners and pickleball, which establishes a lot between the two
Speaker 1: of you. Then you go out for a coffee or
Speaker 1: like a whatever after the pick a ball match and develop, Like,
Speaker 1: I think that's the best way for you, since pickleball
Speaker 1: is so important in your life.
Speaker 2: That's right, I'm about to say something.
Speaker 3: You can speak freely.
Speaker 2: Well, you know, it's best to know how she is
Speaker 2: with your pickleballs before you take anything further.
Speaker 1: But you should have I.
Speaker 3: Yeah, let the pickleball jokes fly.
Speaker 1: Yeah, go ahead, I've been easy target with that.
Speaker 4: I actually do believe, in all sincerity, I do believe
Speaker 4: like there was something too, like the moment, because you like,
Speaker 4: right when you meet someone, like the attraction, it's on,
Speaker 4: it's hot, it's amazing, and like it's all exciting, but
Speaker 4: then you wake up, let's say, the next morning, and
Speaker 4: then they say something really out of like left field
Speaker 4: that just completely doesn't align with any of your thoughts
Speaker 4: or beliefs or whatever I think it's and then you're
Speaker 4: instantly over it. I'm not like, I'm just coming with
Speaker 4: the hypothetical that actually hasn't happened before.
Speaker 3: Nice.
Speaker 1: Getting back to the show at the sex part, by
Speaker 1: the way, you call me a sleeve, Well, I'm just
Speaker 1: showing you like it is. She calls me a sleeze jokingly.
Speaker 1: It wasn't aggressive sleeves. It was just like a hey,
Speaker 1: you're a sleez. Yeah. She was sorried I would use
Speaker 1: my power against her, and because she's so scared of
Speaker 1: being a witch, she wouldn't use hers back.
Speaker 3: So you know, move me out of the kitchen.
Speaker 1: Dude, My power was the most powerful.
Speaker 3: Move me out of the kitchen.
Speaker 1: Absolutely. Well.
Speaker 4: So after we do that, like it kind of cuts
Speaker 4: to Piper obviously having some sort of existential crisis like
Speaker 4: is she a good Is she good or bad?
Speaker 1: Yeah? With her being like you were in front of
Speaker 1: the church and you were having the conversation with the priests,
Speaker 1: I have a feeling.
Speaker 3: This was Aaron Spelling hired Brad Kerrn to write this
Speaker 3: storyline because it was so important to him that we
Speaker 3: were seen as good witches and not bad witches. I mean,
Speaker 3: I loved that storyline.
Speaker 1: I loved how you played it. You were very serious,
Speaker 1: like your face really portrayed your doubt and your own
Speaker 1: fear of what being a witch means, so I thought
Speaker 1: it was great. I also loved how when you went
Speaker 1: to try to open up the church doors, your hands
Speaker 1: were shaking, like I thought you were really good. What
Speaker 1: was interesting about this episode for me is that it
Speaker 1: didn't feel as tied to the sister relationship necessarily, Like
Speaker 1: I really miss that because it was what I loved
Speaker 1: about the pilot was that connection between the sisters. This
Speaker 1: one felt it was good. Guys, don't take me wrong.
Speaker 1: It was so good, but I didn't except for some
Speaker 1: of the glowy eyes, but I did not feel like
Speaker 1: the sisters were as connected.
Speaker 3: You're saying you wanted to do the scene in the
Speaker 3: attic with me instead of Phoebe.
Speaker 1: Oh my god, Yes, you were so good.
Speaker 3: Thanks, you were so good. I just was like, oh, why.
Speaker 1: Was an eye in that scene? It did I agree.
Speaker 2: They it felt like they tried to push a banter
Speaker 2: you guys had, like Okay, we took a week off
Speaker 2: and here they are in the middle of their life
Speaker 2: with a banter we haven't seen them develop, right, and
Speaker 2: it's like okay, and some of the lines are like Okay,
Speaker 2: it kind of jumped ahead in your relationship with some
Speaker 2: of the back and forth to that end.
Speaker 1: Yeah, Like Phoebe was kind of hard on me in
Speaker 1: this episode, like her like her you know lines to me.
Speaker 1: It was all very much I think coming from her,
Speaker 1: not Alyssa, but from her character. It was like they
Speaker 1: wrote it to be very confrontational with Prue. Whereas you know,
Speaker 1: at the end of the pilot we see this bond
Speaker 1: developing and then yeah, you're right, Like all of a sudden,
Speaker 1: the bond is gone, and I was like, which would happen?
Speaker 3: I think that's a reflection of Brad's writing and not Connie.
Speaker 1: That's true too, Yeah, because Connie was so focused on
Speaker 1: the sisters.
Speaker 4: Yeah, I think any episode after the pilot was going
Speaker 4: to have that sophomore slump, Like I just like, after
Speaker 4: the pilot finishes and like there's this really beautiful bond,
Speaker 4: like this for this episode. For me, there was it
Speaker 4: was tough to watch for the very same reasons you
Speaker 4: guys are saying, like it was lacking what we instantly
Speaker 4: started to really like latch onto in the pilot, like
Speaker 4: this connection between you three, So the fact that we
Speaker 4: were all kind of doing independent things. I like the
Speaker 4: fact that Holly's storyline I actually love that, and I
Speaker 4: agree that should have been the a storyline for sure
Speaker 4: about you kind of questioning like what does this look like?
Speaker 1: Now? Are we good? Are we bad?
Speaker 4: Like because which throughout history has had like a pretty
Speaker 4: negative connotation and so but yeah, you guys are totally
Speaker 4: right with that. I think it's it was tough to
Speaker 4: kind of to latch onto because it just felt so
Speaker 4: independent and like you're right, combative I think was the
Speaker 4: right word.
Speaker 1: Yeah, And I feel like as actors, it was still
Speaker 1: too new for us to sort of express what we felt.
Speaker 1: Not that Connie Connie was always easy, but maybe to
Speaker 1: Brad it felt it felt hard. I remember there were
Speaker 1: like a few times in the very beginning that I
Speaker 1: was like, you know, this doesn't really feel right, and
Speaker 1: you know, he was like, no, it does feel right.
Speaker 1: This is what we're going to do, and I was like, wow,
Speaker 1: that's collaborative. So this particular episode felt disjointed to me.
Speaker 3: There was a lot going on. There's basically three storylines
Speaker 3: going on.
Speaker 1: Right, There's a serial killer on the loose that Andy
Speaker 1: inspector Andy tos us about. We have Brittany with the
Speaker 1: tattoo that then goes missing.
Speaker 3: And Phoebe trying to get rich quick scheme?
Speaker 1: Yeah, which one was this one? Alano? Right? Right? And
Speaker 1: for a character that was so into being a witch
Speaker 1: and being like no, no, no, we're good witches. We're
Speaker 1: good witches. How are you doing something for personal gain?
Speaker 3: Rookie mistake?
Speaker 1: Immediately immediately like that bothered me too. I was like,
Speaker 1: wait a second, they don't make that character like so
Speaker 1: so elfish right off the bat because the people it
Speaker 1: might impact.
Speaker 3: How it feels like brand to me too, that girls
Speaker 3: care about shoes and expensive dresses, like I said, shoes,
Speaker 3: Like Piper doesn't care about shoes. Have you seen her shoes?
Speaker 3: And again we couldn't say that crew had really good shoes.
Speaker 1: You had really good shoes yesterday And it was like
Speaker 1: a close up with my feet and I were wearing
Speaker 1: these Leopard duche Gabana shoes, and I was like, I
Speaker 1: still have them, and I do. They're in my shoe closet.
Speaker 3: We could have auctioned them off.
Speaker 1: I'm never getting Okay. Ever, they're like my favorite shoes.
Speaker 1: They would go for a lot. I'm just saying I
Speaker 1: sh that I can't fit into anymore because I was
Speaker 1: a size like double zero back then. So regardless of
Speaker 1: how you know much weight I lose from chemo and stuff,
Speaker 1: I'm never going to be that size again.
Speaker 4: Quock question, So can we go back to the andy
Speaker 4: bit for a second. So after we's a dress that
Speaker 4: you guys have.
Speaker 1: You know done it? You've done it?
Speaker 4: Yeah, you want to take a step back.
Speaker 1: But he calls you. He gets your number out of
Speaker 1: nowhere and just calls you. Yeah, and his excuse is
Speaker 1: that he's a detective or an inspector. I wrote red
Speaker 1: flag number two on that flag number two, I agree.
Speaker 4: Thank you, Like, just don't call someone without like getting
Speaker 4: their permission to have their number or.
Speaker 1: Just show up at their house. No, that's clog number three.
Speaker 4: When he burst into the kitchen.
Speaker 1: A lot of red flags, it felt, yes, it felt
Speaker 1: very stalker ish of like, why aren't you taking the hint,
Speaker 1: taking the hint, like if I keep saying, listen, my
Speaker 1: life is really complicated right now, slow down, you know
Speaker 1: I'll call you, don't call me?
Speaker 3: Essentially, why don't you hear that?
Speaker 1: And why being an inspector and everything else, is he
Speaker 1: not realizing, like, be a detective him, realize that Prue
Speaker 1: was not one hundred percent in you know, you have
Speaker 1: a woman, wake up early in the morning, toss your
Speaker 1: alarm out the window. That's a pretty big hint. She
Speaker 1: doesn't want to hang out with you necessarily.
Speaker 4: Yeah, struggling a little bit with her decisions.
Speaker 1: Yeah, you know preu was never good with men is
Speaker 1: a funny thing, and I think that's because Shannon did
Speaker 1: not want to kiss a bunch of strangers. Yeah, probably
Speaker 1: so someone not Brad, but someone actually paid attention to
Speaker 1: that and just stopped trying to give Prue a bunch
Speaker 1: of boyfriends, which was great for me.
Speaker 4: I was pretty hard on Andy the first go around,
Speaker 4: But as I'm watching these, I'm realizing, like he's actually
Speaker 4: his intuition when it accept when it comes to you,
Speaker 4: it is actually pretty spot on.
Speaker 3: I don't know about that. I mean, at the end
Speaker 3: of this episode is pretty obvious that people are lying. True,
Speaker 3: because he knew all the time, the whole time, he
Speaker 3: knew it's probably a demon. Ooh, he's probably a demon.
Speaker 1: Oh what if he was a demon? I don't know.
Speaker 3: We should bring him on and ask him what he
Speaker 3: feels about being a demon and how he felt about leaving.
Speaker 1: Maybe that's how they came up with the Coal thing later.
Speaker 1: Maybe they always intended for Andy to be a demon,
Speaker 1: but because of whatever reason, they got rid of Andy
Speaker 1: on the show, and because they knew I didn't want
Speaker 1: to make out with weird people or strangers that they
Speaker 1: then later brought Coal on.
Speaker 3: Huh, you were very ahead of your time. Actually, there
Speaker 3: are people. There are actors that refused to kiss on
Speaker 3: screen now, like not just like love scenes, but like
Speaker 3: who refuse to do kissing scenes.
Speaker 1: You know. I did a movie and one of one
Speaker 1: of the male lead basically we had a kissing scene
Speaker 1: and I swear to god, he kept putting his tongue
Speaker 1: in my mouth, and I was like, this is disgusting.
Speaker 1: Like I don't know where his tongue has been, Like
Speaker 1: I don't know his history, Like nobody showed me his antonio.
Speaker 1: No I thought I saw Tony There, No, that was
Speaker 1: on the show. You did another movie with him before that?
Speaker 1: I did, No, there was no tongue with Antonio. He's
Speaker 1: very respectful. He's a respectful actor. This other guy who
Speaker 1: will go unnamed, and I actually had to, like, I
Speaker 1: said to him after the first take, like, hey, don't
Speaker 1: stick your tongue in my mouth. It's not okay. Man.
Speaker 1: I had a boyfriend. I was like, this is just
Speaker 1: not sanitary. And then he kept doing it and I
Speaker 1: had to stop. And I went over to the director,
Speaker 1: who I loved, and I was like, dude, he keeps
Speaker 1: on putting his tongue in my mouth and I can't
Speaker 1: handle it anymore. And the director was like, are you
Speaker 1: kidding me? He was older, old school, and so he
Speaker 1: took him aside and said, I'm going to tell you
Speaker 1: right now, if you stick your tongue in her mouth
Speaker 1: one more time, she's probably going to hit you and
Speaker 1: we will all applod And so he stopped doing it.
Speaker 3: I'm going to figure out who it is.
Speaker 1: I'll just tell you later. I am dB.
Speaker 3: I had one actor ask me if it was okay?
Speaker 1: Did you say no?
Speaker 3: Said yes. I thought it would be more realistic that way.
Speaker 1: Is that wrong? Or he was a very nice man.
Speaker 3: It wasn't Leo, Man boy, it was not Leo. He
Speaker 3: didn't ask.
Speaker 1: You guys, did I mean, you have so many makeouts, say.
Speaker 2: One slip Tongue were old people kissers, we were mouth closed.
Speaker 3: Not according to Beth, not according to Beth.
Speaker 1: Differently, but over time, don't you just get lazy about it?
Speaker 1: Like over time you're just like yeah, like yeah, no,
Speaker 1: are you kidding?
Speaker 2: I'm smoking a pack of Marlborough Life Et, some diet
Speaker 2: coke and eating craft service.
Speaker 1: Holly wanted no part of it.
Speaker 3: I mean, you're ruining it for the people. Speaking speaking
Speaker 3: of Andy who auditioned for Andy, who auditioned for Andy?
Speaker 1: Oh, I had an audition for Andy initially.
Speaker 3: Now you see him a little differently, don't you.
Speaker 1: I'm like, he's so glad he didn't get that bar.
Speaker 1: He would have been off the show. The Tongue knows
Speaker 1: absolutely so wrong.
Speaker 3: I am just the thought of it, just blushing.
Speaker 1: You're both blesh. The fans are crushed, all right. So
Speaker 1: Brittany goes Brittany with the anti So she goes missing.
Speaker 3: Leo had a thing for Prue. What else is new?
Speaker 1: And it turns out that there's been like four other abductions.
Speaker 1: Is that it like women missing? Right? And then we
Speaker 1: have your whole church you struggling. I win.
Speaker 3: I win that struggle.
Speaker 1: My favorite part of the of the episode was your
Speaker 1: struggle because it was just so real. It was I
Speaker 1: don't know, I should not compliment you as much.
Speaker 4: Wait real talk. Would you if you guys found out,
Speaker 4: like if this was real life for a second and you, Shannon,
Speaker 4: you Holly had found out that you'd been kind of
Speaker 4: blessed with these real powers, how do you think you'd react?
Speaker 1: Well, I wouldn't accept them as quickly as we did.
Speaker 1: I would struggle with it a little bit more. I
Speaker 1: don't know. I probably wouldn't lock my doors, I wouldn't
Speaker 1: have a security system. I would be a lot more relaxed,
Speaker 1: because you know, I would know that I could defend
Speaker 1: myself against anything by moving them out of the kitchen. Okay,
Speaker 1: I literally killed demons on the show. Your power only
Speaker 1: got strong than when I was off the show because
Speaker 1: they had to make somebody strong. Yes, But had I
Speaker 1: stayed on, like it all would have been.
Speaker 3: You're going to give yourself powers?
Speaker 1: Now. Her power was growing from season one to season three,
Speaker 1: like insane the stunts that I did, Yes, all right, yeah,
Speaker 1: just go like this and blow people up a lot.
Speaker 1: Hally's reaction, I think is probably the most realistic and grounded.
Speaker 1: At least. Piper's reaction was like whereat agreed, because she
Speaker 1: stayed worried about the impact more than the rest of us,
Speaker 1: And I.
Speaker 4: Think it's something that she struggles with throughout the first
Speaker 4: couple of seasons. It's like this, You're constantly Yeah, there
Speaker 4: was a time when you kind of wanted to let be.
Speaker 3: It's the whole show, the whole show only Oh sorry.
Speaker 1: I haven't seen much of the show.
Speaker 3: Yeah, he never watched before he got on the show,
Speaker 3: so it's all new to him.
Speaker 1: Well neither did I.
Speaker 3: I get it all new to you.
Speaker 1: First time. So then we have like the Buckland auction
Speaker 1: House where I interviewed for the job. You're right, I
Speaker 1: interviewed for it. Like why did Pru have that phone
Speaker 1: call in the elevator? Why did she even take in?
Speaker 2: Hey, when people do that, people are like loud on
Speaker 2: the phone in the elevator, right, or or like in
Speaker 2: line at the grocery store.
Speaker 1: Like wahlah wah, wah, like you know, it was. It
Speaker 1: was weird because it's someone who was kind of avoiding
Speaker 1: Andy to then pick up his phone call right before
Speaker 1: she walks into an interview and in an elevator that's
Speaker 1: crowded with all men. That just felt really weird to me.
Speaker 1: And it was kind of the first so I saw
Speaker 1: pro use her powers for personal gain because she made
Speaker 1: the elevator go up to her floor.
Speaker 3: That's right, Oh oops, good catch.
Speaker 1: Yeah, and yet and yet you get all over Phoebe
Speaker 1: for oh Brad Kern. Yeah, so wicked.
Speaker 4: When you get in the elevator, there's like three dudes,
Speaker 4: and then like we cut inside the elevator, it's packed
Speaker 4: with like six more guys. So there's now nine guys.
Speaker 3: It feels like a red Current moment as well.
Speaker 1: Nine guys in an elevator. So she gets offered the
Speaker 1: job there after the second interview, I am still like,
Speaker 1: I understand that Rex and his partner in Bucklin. I
Speaker 1: know it was played by Lee, but I can't remember
Speaker 1: the character name. But when like the paint can falls
Speaker 1: and she does like this, but they're not because I
Speaker 1: can't freeze you can, and they're standing there watching this
Speaker 1: waterfall and this super weird direction, and I was like,
Speaker 1: that could have been more subtle.
Speaker 3: It's the special effects we had at the time. I
Speaker 3: mean they should have just kind of like splashed it
Speaker 3: the other way, like practically splashed it instead of doing
Speaker 3: a visual effect, and then it just would have landed
Speaker 3: further away. But that's just me.
Speaker 1: Right, So she gets the job after doing that because
Speaker 1: they're like, yes, she's a witch.
Speaker 4: But also I think partially that and partially it was
Speaker 4: the like how charming you were in the elevator with
Speaker 4: the nine guys, Like that's the kind of the bit
Speaker 4: where we don't like, that's the kind of the fun misdirect.
Speaker 4: The guy you're standing next to happens to be your
Speaker 4: future boss. Yeah, but he's not in like boss clothing.
Speaker 3: Yeah, that's even more so Brad Kerrn. Every time we
Speaker 3: want to talk about Brad but don't want to talk
Speaker 3: about him, we're going to call him the Nine Guys
Speaker 3: in an Elevator.
Speaker 1: Nine Guys in an Elevator and Rex was played by
Speaker 1: Neil Roberts, who loved I thought he was great. I
Speaker 1: liked scenes with him. He's fantastic and he was so
Speaker 1: pleasant on set, really professional and knew what he was doing,
Speaker 1: so he's really come on the show. I hope he does.
Speaker 1: He's very funny, he's great, he's eager to come back good.
Speaker 1: You know.
Speaker 2: In that same thing with the paint can, it's like, okay,
Speaker 2: so you got paint up there on the thing, but
Speaker 2: then you have precious art sitting leaning against the wall
Speaker 2: right next to it.
Speaker 4: Right, Yeah, there's some holes there, for sure, Shimore slump
Speaker 4: with this app but it was established immediately and I
Speaker 4: didn't catch it at the time. But they are clearly
Speaker 4: aware of your powers, right, But like you don't even
Speaker 4: think about it really because it's so quick and subtle.
Speaker 1: Right, and it's just like a reaction that she has
Speaker 1: just to throw away.
Speaker 4: The character's name's Hannah and she it's like almost it
Speaker 4: feels like a throwaway type of thing, only to like
Speaker 4: to be fleshed out eight ten episodes later where we
Speaker 4: kind of ultimately get where we're going to go with them.
Speaker 4: But like I didn't catch it the first time, and
Speaker 4: obviously this time you're like, oh wait there, this is
Speaker 4: the whole thing's kind of a setup from the from
Speaker 4: the get go.
Speaker 1: Yeah, it feels like it is. Yeah, it is. You know,
Speaker 1: skipping to future episodes.
Speaker 4: It is a setup, guys, just spoiler.
Speaker 1: If you haven't seen the show, give me go, like
Speaker 1: back to Quake mm hmm. And Phoebe naturally starts flirting
Speaker 1: with some guy who's a famous photographer who she describes
Speaker 1: to as like really new York looking. Yeah, She's like
Speaker 1: when she's like, is that guy still look at me?
Speaker 1: He's this he's that very new York and you like,
Speaker 1: you're like what.
Speaker 3: I do like the restaurant scenes because you know, Piper
Speaker 3: in the kitchen when you guys are arguing is the
Speaker 3: most Piper is Piper of them all and that's where
Speaker 3: her personality really came out of that kitchen. I just
Speaker 3: love the fact that he's that stuff. The photographer is like,
Speaker 3: have you ever thought of modeling? Like, I would love
Speaker 3: to take photos of you?
Speaker 1: And I'm like, back then in the nineties, the models
Speaker 1: were all like five eleven six feet tall, Like when like,
Speaker 1: don't you become suspicious when you're you know, like five
Speaker 1: to one or howe or top five to two and
Speaker 1: somebody says like, oh, come to my studio. I would
Speaker 1: you know you seem like a model. I feel he's
Speaker 1: also a red flag. Yes, I'm basically I'm missing about
Speaker 1: nine inches, Buddy Hallewel sisters are not good at red flags.
Speaker 4: But Stefan Yeah, that deep baritone voice and the eye
Speaker 4: locking who like locks in and you know he says
Speaker 4: it right in front of the girl he's on a date. Yeah,
Speaker 4: he's an animal. These guys are literally a monster savage.
Speaker 1: Yeah. And who does he turn into Javna?
Speaker 3: I could I could do without Javna for the rest
Speaker 3: of my life.
Speaker 4: Sure, but we have to so before we get to job,
Speaker 4: like we realize because the girl storms off, he plants
Speaker 4: the seed with Phoebe right, and then we cut to
Speaker 4: his his layer, his studio that's playing like a porn
Speaker 4: soundtrack with like an electric guitar and with neon Yeah,
Speaker 4: an electric guitar, neon riff and.
Speaker 1: And he's got the woman tied up.
Speaker 4: Yeah.
Speaker 1: By the way, how like, how mean that they put
Speaker 1: these actresses on this like slab where everything sort of expands?
Speaker 1: You know. I was like, and we watched it together
Speaker 1: and we were like, oh, that's not pretty, Like there's
Speaker 1: there's and these girls were like thin, right, So it's
Speaker 1: it's by no fault of theirs. It's the way that
Speaker 1: it was shot, the angle that they were at, and
Speaker 1: being on this sort of hard slab literally does something
Speaker 1: to your body. It's you know why when you have
Speaker 1: sex you should do certain positions.
Speaker 3: I have questions, have questions about these camera angles.
Speaker 1: Yeah, that was not a good one. That was really
Speaker 1: really really bad. So he like zaps her. You know,
Speaker 1: we see him as Djabna, which is this ancient It's
Speaker 1: just like an.
Speaker 4: Ancient warlock guy who you know, apparently Steffan is this
Speaker 4: gorgeous you know, former male model turned photographer, but in
Speaker 4: order to keep his looks, he's got to like prey
Speaker 4: on the beauty of the youth. So he lures these
Speaker 4: women into his photography layer electric layer, And.
Speaker 1: Why does they lure men? That's true, he can lure
Speaker 1: either one. He sound like he's hooking up with them.
Speaker 1: I mean I could see him luring you. I would
Speaker 1: have been at some point stuff on.
Speaker 4: You would have shot your model me too.
Speaker 1: Let's talk about it. I'll meet you at your layer,
Speaker 1: can get in the course like it just yeah, I mean, wow,
Speaker 1: what a different time it was back then, you know,
Speaker 1: time to be alive?
Speaker 4: Really, what a fucking time to be alive?
Speaker 1: But also the laser beams coming out of you.
Speaker 3: That was so unnecessary, as well as the waterfall. See
Speaker 3: this is when we both should have been producing and
Speaker 3: directing then, because these things would have never happened.
Speaker 1: What waterfall we say, paint water that you were doomed
Speaker 1: doing that one. But we'll talk about that when we
Speaker 1: get to it. So, you know, then we're at the
Speaker 1: newstand where Phoebe helps the old couple by giving them
Speaker 1: the lotto numbers and giving herself the lotto numbers, thinking
Speaker 1: that she's going to win ten million dollars personal gain
Speaker 1: never okay.
Speaker 4: Question though, because she has the premonition, it's like, you know,
Speaker 4: we learned later that it doesn't. She can't choose when
Speaker 4: to have it or when to not have it. So
Speaker 4: the fact is like that's kind of also a little
Speaker 4: bit of a story holder because she touches it and
Speaker 4: she's given this premonition of what the numbers are, so
Speaker 4: clearly there's a part of her. It's not like she
Speaker 4: could just do that and turn it on right, So
Speaker 4: was the whole point of that premonition initially just to
Speaker 4: help out this old couple who's yes, right, And then
Speaker 4: she takes advantage of this.
Speaker 1: Yeah, I mean that's the whole thing about the Sisters, right,
Speaker 1: is that we're there to help protect the innercy protect
Speaker 1: the innocent, or just help the innocent. And these were
Speaker 1: two old people who clearly needed help. They were, you know,
Speaker 1: struggling financially. So yeah, that was to help them and
Speaker 1: give them an easy rest their lives.
Speaker 4: And then she then you're right, it's the play. The
Speaker 4: way it's played is it's an afterthought. She like, oh,
Speaker 4: I'll take one of those two. Hm, also stealing from
Speaker 4: the old people, because yeah, because people have yeah, you
Speaker 4: have to.
Speaker 1: Say, right, so they don't get ten million, they get
Speaker 1: five million, correct, Okay, Wow, they'd be all amazed by
Speaker 1: how deep were going here, like this is pretty cool.
Speaker 3: It's just wrong, people, it's just plain wrong.
Speaker 1: It's wrong. So then we're back at Quake and we
Speaker 1: figure out that you can only freeze time for a
Speaker 1: certain period. And what's funny to me is that, like
Speaker 1: you can't unfreeze, not yet. It's all new to me, right,
Speaker 1: that's why. And that's when Andy follows me into the
Speaker 1: restaurant and stalks me again.
Speaker 3: Stock ran red flag number three, Red.
Speaker 4: Flag number three, but also his and we talked about
Speaker 4: in the first episode. I want to reiterate, I think
Speaker 4: his dynamic with Daryl with Morris, they're great together.
Speaker 1: They're amazing together.
Speaker 4: They really play well off each other. You can tell
Speaker 4: that it feels like a partnership. It actually feels like
Speaker 4: two buddy cops who like you know, this is how
Speaker 4: they went interact.
Speaker 1: Yeah, they were. They were really good together. Like Obviously, again,
Speaker 1: I didn't watch the show, so I only took it.
Speaker 1: I didn't really know what to think of their dynamic
Speaker 1: in the show, but since watching it, their dynamic was
Speaker 1: great there. My dynamic with tw was not as good.
Speaker 1: Say that because I don't think. I don't think that
Speaker 1: there was from what I've watched so far, I don't
Speaker 1: think that there was any palpable connection between the two
Speaker 1: of them. I didn't see that crazy chemistry on screen.
Speaker 1: And I really liked TW like I thought he was
Speaker 1: a great guy. Are you talking about between Prue and Andy? Yes,
Speaker 1: there totally is. There's no chemistry. There is.
Speaker 3: I say that all the time about me and b
Speaker 3: K and there's people say there's chemistry. You guys are
Speaker 3: really good actors. Okay, bes did.
Speaker 1: She's seen that? Look once or twice, right.
Speaker 4: Right, da comes in, you freeze the thing. Then we're
Speaker 4: but so we have to go back quickly to touch
Speaker 4: on the woman who like how we get to the
Speaker 4: point where we know what Javna is doing.
Speaker 1: Well, that's after the whole freezing thing in the restaurant.
Speaker 4: But the woman at the beginning, right, So when we
Speaker 4: first because we talked about the tattoo thing on the hand,
Speaker 4: but we didn't like genify the beginning of the show. Right,
Speaker 4: there's this woman who works at Quake who has a
Speaker 4: hand tattoo.
Speaker 1: She does not work it quake.
Speaker 3: So they don't die, they just get old.
Speaker 1: That's either the men he's gone, yeah, and it's it's
Speaker 1: the hand. Does she work there?
Speaker 3: I think she's just a regular.
Speaker 4: Okay, so she's a regular, but there's a it's a
Speaker 4: focus on her hand tattoo, which is so unusual of
Speaker 4: the time, right, And so we don't see her, but
Speaker 4: then you run into her, pipe runs into her on
Speaker 4: the street outside church.
Speaker 1: She's she's doing her good stuff to counteract being a witch.
Speaker 1: She's like bringing food to the church and she's going back.
Speaker 1: I think that happened before we became witches. That was
Speaker 1: a normal thing. Just well, yeah, I mean Phoebe tells
Speaker 1: you that you are always doing good for people. Yeah,
Speaker 1: so I think you're right. So you're at the church
Speaker 1: again and you see her with the tattoo and you're like,
Speaker 1: Brittany Britney, and then you bring her home because this
Speaker 1: woman doesn't know who she is or where.
Speaker 3: She's a puppy as one does.
Speaker 1: Yes, and she sees like a note with Stefan's address
Speaker 1: on it and collapses. We're all the way upstairs in
Speaker 1: the attic and for some reason we hear this collapse.
Speaker 4: Well, Brittany was tall, Brittany was a five to eleven model, true, true.
Speaker 1: True, Yes, she's clutching the napkin from Quake with the address,
Speaker 1: and you instantly are like, that's Stefan's address.
Speaker 3: She needed life alert, which is.
Speaker 2: Kind of amazing because Phoebe took the napkin with the
Speaker 2: address and then left the address at home and still
Speaker 2: drove to the place by the way the address like pinned.
Speaker 1: Up on the front on the board and like.
Speaker 3: I'll tell you what happened. Piper found it on the floor,
Speaker 3: got a magnet and put it on the fridge, said,
Speaker 3: damn it feebe.
Speaker 1: That feels like a piper move.
Speaker 3: Jesus see, I can I can justify anything.
Speaker 1: Watch, it's great. You found it.
Speaker 4: Maybe like dropped it as she was leaving because she
Speaker 4: was so excited about her photo shoot with stuff. Yes,
Speaker 4: you put it up, you go upstairs, but you still
Speaker 4: have Brittany just you leave her downstairs.
Speaker 1: Yeah, but we don't realize that set stuff on is
Speaker 1: Javna because we don't know who Javna is. We just
Speaker 1: know that Brittany is horrified by Stephan's.
Speaker 3: And she got old. But I saw it in the
Speaker 3: Book of Shadows already, did you booch by the way,
Speaker 3: when you do your hand thingy and it has all
Speaker 3: the thingies on it, all the animals that look better
Speaker 3: than the eyeballs. Like, we didn't need books, right, that's
Speaker 3: me producing again, we don't need glowing eyeballs. Again, How
Speaker 3: do you know about Javna? Like, how do we get
Speaker 3: there in the book? I read about it in the
Speaker 3: book because I was lamenting about my situation in life.
Speaker 3: So I was doing some reading, just some like.
Speaker 4: Reas we really do share a brain.
Speaker 1: You sort of figure it out because of Brittany, the book,
Speaker 1: the address you put it all together, and we run
Speaker 1: to the studio where Phoebe thought that her modeling career
Speaker 1: was going to take off. And meanwhile he ties her
Speaker 1: up to that weird slab thing.
Speaker 4: And it's on the soundtrack, puts on the soundtrack, trying.
Speaker 1: To take her youth for himself with his weird eyes,
Speaker 1: and we storm in.
Speaker 3: And we did storm in. Well you did break the
Speaker 3: door in, I'll give you that.
Speaker 1: Oh yeah, he thinks I'm also the one who kills
Speaker 1: him with my hand thing. Yeah, well you were holding
Speaker 1: the piece of paper, so with his address now with
Speaker 1: a spell. Yes, that's when we first started reading spells
Speaker 1: off paper and we were new to the game. So
Speaker 1: I'm okay with that too, watch me go. That was good.
Speaker 1: So once we kill him, Brittany wakes up and returns
Speaker 1: to her youthful, beautiful self.
Speaker 5: But also Andy shows up simultaneously because they figure out
Speaker 5: it's Javna correct that Stefan is the one doing it.
Speaker 5: How did they How did they figure that out?
Speaker 3: They saw pictures of him outside the restaurant. They were
Speaker 3: staking out the restaurant. So they show that they're good
Speaker 3: detectives in this episode. Yeah, so far, so good.
Speaker 1: Okay, as a police detective slash inspector. You go to
Speaker 1: a studio where you're your number one suspect of being
Speaker 1: a serial killer is and you're obsessed with like why
Speaker 1: Pru is there?
Speaker 3: Yes, because he's a stalker. I don't know how many
Speaker 3: more flags you need?
Speaker 4: Wait in a second, hold on, in all fairness, I
Speaker 4: got it. I can't believe this is happening. I mean Andy,
Speaker 4: like the love of his life is there, Like he's nervous,
Speaker 4: he's worried, Like, what are you doing here?
Speaker 1: This guy's he has a job, and his job is
Speaker 1: to save women's lives. To go inside that warehouse, do
Speaker 1: a full inspection, that's what he's an inspector, Morris, go
Speaker 1: handle that. I got my girl here, just making sure
Speaker 1: she's okay. But he had already left the stakeout to
Speaker 1: go hunt me down in the restaurant.
Speaker 3: Like, it's just he's in the kitchen. That's a health
Speaker 3: code violation. But I know these things. I know these
Speaker 3: things now, Oh, cruise in the kitchen.
Speaker 1: Ten minutes too, geez.
Speaker 3: Healths in quick ten minutes.
Speaker 1: Okay.
Speaker 2: And he showed up with lights of blazing too, like
Speaker 2: he was at a crime scene right to interview a guy, right,
Speaker 2: but he's.
Speaker 1: Like, oh my god, there's Prue. Let me ditch everything
Speaker 1: for Prue. I'm telling you. He's like, hey, what's up?
Speaker 1: Just you know, and by the way, our excuses that
Speaker 1: he buys are ridiculous, where I'm like, oh, you know,
Speaker 1: we came to pick up Phoebe for whatever reason.
Speaker 3: No, she had car trouble. She had car trouble. Yeah,
Speaker 3: And then he turns on the van, which why is
Speaker 3: she driving my serial killer van? I can tell you,
Speaker 3: but she is, oh, because she has no car. But
Speaker 3: I have a car. I have a Jeep. Why is
Speaker 3: she driving? Yeah?
Speaker 1: I just think there were a lot of holes in
Speaker 1: this episode.
Speaker 4: It wasn't the best episode, but I think it suffers
Speaker 4: from its two things. It suffers from how incredible the
Speaker 4: pilot was, so no matter what we're watching, like it's
Speaker 4: so hard to follow that, like the brilliance of the
Speaker 4: pilot up with something. And also it got away from
Speaker 4: what made the pilot so special in regards to the
Speaker 4: dynamics and the relationships that we kind of like instantly
Speaker 4: latch onto. So and like the you know, the Demon's
Speaker 4: also kind of lame, like he's kind of laying a
Speaker 4: great point, like why can't he take dudes too?
Speaker 1: Why is he right? Why is it only women? Why
Speaker 1: not children? Don't they have more youth to get It's
Speaker 1: even smarter. Thank you for us poking holes and making
Speaker 1: it better. We can reshoot this one, you know what
Speaker 1: I'm going to say. Something that I loved about the
Speaker 1: episode was when you get the courage to go into
Speaker 1: the church and like your enthusiasm for not being struck
Speaker 1: down by lightning or whatever. I thought that was so
Speaker 1: cute and so happy, and it was like contagious, Like
Speaker 1: as a viewer of it, I cheered for you.
Speaker 3: That's the moment I told you it was really hard
Speaker 3: to do. For me, yes, I know, very hard to do.
Speaker 3: And John Kreeshwurz said before he was like, you know,
Speaker 3: you did this little chaplain movement when you open the.
Speaker 1: Door, and I was like your leg going out.
Speaker 3: I was like, no, the door was just really heavy,
Speaker 3: like that was actually going to happen. It was a
Speaker 3: really heavy door.
Speaker 4: But you played it brilliantly for real, and it felt grounded.
Speaker 1: It felt real.
Speaker 4: It didn't feel there was a single moment that it
Speaker 4: didn't feel authentic.
Speaker 3: I'm just glad they knew me well enough to put
Speaker 3: me back into the drama immediately and put Britney walking by.
Speaker 3: There was a short lived moment of levity and then
Speaker 3: Brittany and I'm like, oh no, Brittany, what happened? I've
Speaker 3: fallen in I can't get.
Speaker 1: Up far better at the levity than you give yourself
Speaker 1: credit for. It's very cringy. Yeah, but I think you
Speaker 1: got more comfortable as the show went on with the
Speaker 1: levity for sure, a little bit. I think you can
Speaker 1: see it. You can see how you progressed as an actor,
Speaker 1: where you just sort of started letting go and not
Speaker 1: holding onto the drama as much as the world turns.
Speaker 3: Yes, well these are the days of our lives.
Speaker 1: They are. Yeah, interesting episode, and it's not like we're
Speaker 1: bashing it. It's still, you know, entertaining it. Just it
Speaker 1: just had some weird disconnects. Hashtag sophomore slump, hashtags off
Speaker 1: more slump. Here's what I came away with. I had
Speaker 1: the best shoes more true. I'm just kidding.
Speaker 3: Keep sick you did, and I had some very questionable
Speaker 3: outfits happening Grandma, Grandma piper Man.
Speaker 1: I actually thought that you were I think I think
Speaker 1: it was later that you turned into more Grandma Piper.
Speaker 1: It's when I wasn't there anymore to be to look
Speaker 1: at you and be like, h, that's not get and
Speaker 1: sweater sets no. But but you were also always wearing
Speaker 1: tight pants.
Speaker 3: Very tight. That's the only thing they could get me into.
Speaker 1: And I leave. Guys. Yeah, that were your personal Yeah,
Speaker 1: and they looked good on YouTube. Thanks, you're welcome. All right. Well,
Speaker 1: so that's what we're taking away from episode to house
Speaker 1: A hallowell bye, guys, Hi sures