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Speaker 1: Tour announcement starts now. This is George. Just a reminder

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Speaker 1: that you can see my dear co host Sam Taggart

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Speaker 1: on tour this summer, starting in July in San Francisco, Seattle, Portland, Washington,

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Speaker 1: d C, Philly, Chicago, Pittsburgh and Boston and Hot off

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Speaker 1: the Presses. You can also see me, George Severes, do

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Speaker 1: a few small shows this August in anticipation for my

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Speaker 1: own tour that's happening later on in the fall. But

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Speaker 1: this August I will be in New York, LA and

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Speaker 1: Get This East Hampton on August thirtieth. So if you

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Speaker 1: want to see me in New York, LA or East Hampton,

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Speaker 1: tickets are at linktree dot com slash George Severs. The

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Speaker 1: link is in my instagram bio And if you want

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Speaker 1: to see Sam on tour, you can find that at

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Speaker 1: linktree dot com slash get This Sam Taggart and that

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Speaker 1: link is in his Instagram bio. God, we love symmetry, folks.

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Speaker 2: Well enjoy the show.

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Speaker 3: This is George. We forgot to introduce the guest, but

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Speaker 3: here I am introducing him. I guess you are about

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Speaker 3: to hear The third gay voice is Brian Sofie and

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Speaker 3: his show in New York City Baby is called Are

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Speaker 3: You Mad at Me? Okay, here's the podcast, so you

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Speaker 3: gotta take a probiotic?

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Speaker 4: Yeah, so podcast I found out.

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Speaker 3: Now, I found out about probats from taking tatara on

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Speaker 3: a podcast. I just want to make that idasically only

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Speaker 3: just heard about peptides. I had no idea that this

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Speaker 3: was ok thank you for breaking.

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Speaker 2: For breaking it up. Because everyone talks.

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Speaker 4: To you tides on this podcast. You haven't no did you.

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Speaker 2: Know they I didn't even know that they were injectable.

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Speaker 2: I thought they were just in like creams. I can

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Speaker 2: someone tell me? Where is the market? There's a yes,

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Speaker 2: not something we can answer. They're also calling it a

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Speaker 2: gray market.

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Speaker 3: Well I love that. I'm all about spectrums versus binary.

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Speaker 3: It's like a gray market because it's like legal have

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Speaker 3: comp Well, that's.

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Speaker 2: How I feel about.

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Speaker 3: I recently saw an ad for something called blue Chew,

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Speaker 3: which I guess is kind of the ultimate boner pill,

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Speaker 3: and it has from like the ad set somethings just

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Speaker 3: like millennial coded boner pill. We'll no get ready for this.

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Speaker 3: It's in terms of it being millennial coded. So from

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Speaker 3: what I understand, there was something about the description that

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Speaker 3: was like this has pretty much all of it Viagress.

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Speaker 2: Yeah, it's like they put it all in a bucket

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Speaker 2: and they just like mix it up.

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Speaker 3: And I was like interesting, And then because I got

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Speaker 3: the ad, then I started getting getting it served more.

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Speaker 3: It turns out this is a company that is being

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Speaker 3: promoted exclusively by Manisphere podcasters. So you go on the

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Speaker 3: website and it's literally all of them. It's Joe Rogan,

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Speaker 3: Tony hingeclip, Like every single one.

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Speaker 2: These people have such a death wish. I feel the

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Speaker 2: same about Looks Maxers. They're like, no, you should be

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Speaker 2: in his handing bed every day. You should take a

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Speaker 2: hammer to your face. And then this shit like you

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Speaker 2: should combine them all so that at the end you

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Speaker 2: just go on a true murderous rampage. I'm sort of like,

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Speaker 2: how hard do you need to get? You know what

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Speaker 2: I mean?

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Speaker 3: Like, right, I'm like, you think one of those couldn't

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Speaker 3: do the trick?

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Speaker 2: And like, are any of those people going to do

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Speaker 2: anything after they get hard? I feel like no, right, well,

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Speaker 2: yeah they're going.

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Speaker 3: To go to the gym, right, They're going to rely

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Speaker 3: exclusive episode.

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Speaker 5: But can I I actually need someone in like a

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Speaker 5: you know, explaining to a fifth grade or something, what

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Speaker 5: is a peptide?

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Speaker 6: Like I have the answer.

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Speaker 7: Yeah, So a peptide basically is to with the injectable. Specifically,

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Speaker 7: it's to boost proteins, acullagen, and elastin, So essentially it

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Speaker 7: helps your skin firm over time, soft and fine lines.

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Speaker 7: So it's almost like you're boosting the natural parts of

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Speaker 7: your body to get rid of wrinkles, so instead of botox.

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Speaker 2: But I don't, but I think that's just one of them.

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Speaker 3: Yes, each of them activates a different quote unquote you

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Speaker 3: know thing that is dormant in your body, you know

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Speaker 3: what I mean, Like one that's for wrinkles, there is

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Speaker 3: one that's for like belly fat, there's one that's for whatever.

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Speaker 2: Like a lot of like muscle gags are ejecting this now,

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Speaker 2: so people like, what's your stack? That means which peptides

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Speaker 2: are you take?

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Speaker 3: And it's like I'm taking one for you know, making

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Speaker 3: my ankles bigger, what for like making my left toe, and.

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Speaker 2: Course we're healing constantly. I think that baptized as just anything. Yeah,

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Speaker 2: but they're also dangerous and could kill you.

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Speaker 3: Yeah, of course, because I was someone literally close friend

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Speaker 3: we're gonna bliep.

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Speaker 4: It was.

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Speaker 3: I was sort of I was like, I thought you

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Speaker 3: were not the kind of person would fall for this thing.

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Speaker 3: And he was like, no, I've done a lot of research.

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Speaker 3: I'm super nepeptides really yeah, And then and then I go,

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Speaker 3: these are the ones that are approved by doctors and

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Speaker 3: he was like, no, none are.

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Speaker 7: So there are yes, multiple different types of peptides. There

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Speaker 7: are ones for basically jilp ones are also peptides technically,

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Speaker 7: and they helped suppress appetite. There's tissue repair, there's growth hormones.

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Speaker 7: So it's all these different things where I think, like

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Speaker 7: you're saying too much of something can kill you, right,

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Speaker 7: So I think that's where the danger territory. It's like

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Speaker 7: people are using them because they're naturally occurring to help

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Speaker 7: stimulate different things in the body, but too much of that.

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Speaker 3: Well, like serotonin and dopamine are also naturally occurring. But

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Speaker 3: I can't be on M D M A every day exactly, honey, Yeah.

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Speaker 5: Well that is crazy. I do like that we have

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Speaker 5: a name for it. It's sort of like.

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Speaker 3: Amazing, but I do like that we have a name

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Speaker 3: for it.

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Speaker 2: It has been named.

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Speaker 5: It's sort of like when something is AI, like peptides

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Speaker 5: are like AI for people. Yes, where you can kind

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Speaker 5: of be like like what I was recently shit talking

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Speaker 5: someone to a dear friend and I said, a friend,

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Speaker 5: this person's abs are scaring me and he said it's

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Speaker 5: all peptides and I said, interesting.

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Speaker 2: Later, I have no friends with abs, proudly, by the way,

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Speaker 2: I'm trying to think if I do. Really, Also, you

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Speaker 2: definitely have doubts. Yeah, I can't think of one. Really, Yeah,

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Speaker 2: I mean do you guys, well depends how do you

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Speaker 2: define apps and how do you find friends? To be honest?

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Speaker 2: First of all, like, we know a lot of people.

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Speaker 3: With abs, do we are we sort of like already

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Speaker 3: fucking comes.

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Speaker 2: Yeah, friends are enemies and friends are triggering completely. They

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Speaker 2: are the ones who get into your skin the most.

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Speaker 2: But yeah, I don't know that I have any. If

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Speaker 2: they do, they're like secret apps. It's those kinds of

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Speaker 2: people who take off their shirt and you're like, what that, yas,

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Speaker 2: you should have to disclose, you should have to disclose.

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Speaker 2: And Sandy's brother are secret abbs.

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Speaker 4: I'm not so secret anymore, that's true.

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Speaker 2: The instagrams are posting to be posting.

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Speaker 3: Yeah, we I can't remember what group this was even

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Speaker 3: we were even talking about, but I remember when we're

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Speaker 3: talking about how like when you or I are in

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Speaker 3: a group where everyone has abs, we are there as

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Speaker 3: sort of counterprogramming.

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Speaker 6: Yeah.

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Speaker 3: Yeah, it's like if you guys are tired of like

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Speaker 3: having weird conversations with one another, you can come to

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Speaker 3: me and like we can talk about just sort of

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Speaker 3: like what's on that click?

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Speaker 4: Were you there for? There was a birthday party for

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Speaker 4: certain muscular people.

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Speaker 2: I think that's what it was. Yeah.

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Speaker 5: Yeah, we were in a and it was like they

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Speaker 5: were comedy adjacent. So there was like all the muscle guys,

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Speaker 5: which nothing but love, of course, and then in another

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Speaker 5: room was all the comedian guys, right, and so but

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Speaker 5: then the muscle guys were all going to the same

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Speaker 5: party and we were not going, so they excluded or

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Speaker 5: they just had plans already where like regarding to your point,

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Speaker 5: is definitely like implicitly not for non muscle games. Yeah,

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Speaker 5: So they were all leaving, they mostly cleared it out,

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Speaker 5: and then one of them came back and was like

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Speaker 5: looking for their friend, and they came into the room

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Speaker 5: where it was all the comedian gays and there was

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Speaker 5: like an it was like an office, and he looked around,

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Speaker 5: saw us all, and then like I had to pretend

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Speaker 5: that he came to the room for a book, so

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Speaker 5: that is honestly, he came into the room, saw all

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Speaker 5: of us and then went, oh, I was looking for Oh,

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Speaker 5: the book's not here, and then ran out of the door.

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Speaker 2: Who's more? Which group is more intimidated by? Which group?

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Speaker 2: Thank you? Yeah? I do think.

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Speaker 5: I think I get annoyed when comedians always like I'm

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Speaker 5: a victim. I'm a victim right like we're doing now, George,

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Speaker 5: you didn't let me finish.

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Speaker 2: But this is an exception. You were a victim, is

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Speaker 2: what you're gonna say. No, I feel like the book

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Speaker 2: move was too impress you.

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Speaker 4: I don't think it was too impressed.

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Speaker 2: I know if there had been just.

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Speaker 5: Like flowers all around, he would have been like, what

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Speaker 5: flower was I looking for? I think it was just

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Speaker 5: what the prop he had to do comedy with right

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Speaker 5: in that moment.

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Speaker 2: YEA, was it funny? I'm laughing. Yeah, we're laughing now.

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Speaker 2: I feel like I do think the AD group is

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Speaker 2: more intimidated by the commedian. I agree, Yeah, I agree.

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Speaker 3: I think we don't realize how completely like standoffish we

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Speaker 3: cut across. Of course, of course in security and it's

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Speaker 3: not my fault and I'm not changing. But it's like

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Speaker 3: I do think often I will hear about both of us,

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Speaker 3: like I thought you hate it.

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Speaker 5: Yeah, well, to be fair, I'm staying office. Just hell,

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Speaker 5: he can't help it.

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Speaker 2: Yeah, it's just.

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Speaker 5: How I am the same because I like, I don't

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Speaker 5: want to be a liar, like I don't know you yet.

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Speaker 2: Yeah, exactly. I keep it very very close to the chest. Best. See,

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Speaker 2: you can't ask me stuff like that, do stand George?

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Speaker 5: Guess what happened to me today? My catalytic converter got stolen?

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Speaker 2: I'm sorry, what is the sentence you said?

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Speaker 5: My catalytic converter got stolen?

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Speaker 6: What is that.

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Speaker 2: Us?

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Speaker 5: Something that happens to la people is like a car thing.

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Speaker 5: It's honey, it's a car thing.

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Speaker 3: By the way, I'm the only person I walked. I've

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Speaker 3: been walking just from place to place. Well here, I

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Speaker 3: walked from you Hollywood to lose feels.

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Speaker 2: Okay, I like it? Did I die? Did I almost die?

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Speaker 2: Like multiple times?

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Speaker 6: Again?

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Speaker 4: I saw you almost get it by a car yesterday.

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Speaker 2: Well, I mean if there's a car, I'm going to

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Speaker 2: be almost hit. You're in the right place.

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Speaker 3: Yeah, okay, So catalytic converter. Do you have any idea

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Speaker 3: what that is?

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Speaker 2: Brian? Only now because every discuss explained it to me,

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Speaker 2: and it's something to do with it. It's precious metals

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Speaker 2: that help your exhaust it most the most.

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Speaker 5: Valuable in Also, when you have a prius, you have

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Speaker 5: a really nice catlet converter. That is, it almost exists

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Speaker 5: exclusively to be stoless.

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Speaker 2: This is why you guys voted for Spencer Pratt. No,

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Speaker 2: I don't understand why you're missing the nuance of this.

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Speaker 5: Every car has a little gem inside of it, just

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Speaker 5: begging to be stolen.

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Speaker 2: Yeah, it's very nightcrawler, every single car.

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Speaker 5: And I thought I didn't have a prius, I couldn't

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Speaker 5: possibly be a victim to this crime. Turns out even

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Speaker 5: I had one inside of me the whole time, and

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Speaker 5: today I was the victim of it.

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Speaker 2: Did you know about it before you moved to La, Like,

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Speaker 2: have you've known about this for years? I knew when

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Speaker 2: I would visit because it's like one of the conversations that.

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Speaker 5: People have, So there's like this, It's true it's actually

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Speaker 5: it's like I went on a hike, my catletic converter

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Speaker 5: got stolen, and I'm going to horses.

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Speaker 2: Yeah, and then yeah, I just go and sit at

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Speaker 2: the bar though, you know, yeah.

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Speaker 4: It's just so hard to get a reservation. Yeah, rip rip,

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Speaker 4: never got to go.

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Speaker 2: And then people being like the notes process is so hard.

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Speaker 5: Like yeah, people being like, oh, by the way, I'm

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Speaker 5: constantly working.

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Speaker 4: By the way, I haven't worked in ten years.

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Speaker 2: I am so I am so exhausted from the conversation

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Speaker 2: that's still in twenty twenty six. Run into people and

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Speaker 2: it's like, how are you so busy? No, it's impossible.

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Speaker 2: It is impossible that you can be busy right now.

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Speaker 2: It's impossible. I don't buy it.

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Speaker 5: I have a list of the fifteen people with jobs

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Speaker 5: and you are not one of them.

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Speaker 2: Exactly. Yeah, not to be a full dick, but like, listen,

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Speaker 2: let's just call a space band. We're all in this

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Speaker 2: together band. Well, no, it's hard to keep your garden up,

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Speaker 2: you know, stuff like that. That's true.

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Speaker 4: Maybe that's why they're talking.

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Speaker 2: True. No, it is.

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Speaker 3: I was listening to someone talking about how busy they were,

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Speaker 3: and they just were just in LA and they were

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Speaker 3: just describing errands and I was like, right, so that's life, right,

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Speaker 3: Like you went, you went grocery shop, and you paid

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Speaker 3: your bills, you went to the gym, you you know,

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Speaker 3: got your car whatever. That's the baseline. Yeah, and then

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Speaker 3: business is on top of that. Yes, well, and you

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Speaker 3: treat your like well.

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Speaker 5: And then I had to watch that season of that shows.

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Speaker 5: That's my job to watch the season of that show.

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Speaker 2: Yeah, it's like it's not your drune. I remember an

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Speaker 2: acting teacher one saying, like, do one thing every day

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Speaker 2: that helps your career. And she was which was great,

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Speaker 2: And she was like, and you'd be surprised what helps

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Speaker 2: your career? And she would say things like paying your

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Speaker 2: bills on time, going to the gym, these kinds of things,

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Speaker 2: And I thought, how is any of that really helpful

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Speaker 2: to my career? But I guess it's just your state

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Speaker 2: of mind. I don't know. But it is also like

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Speaker 2: the whole list like I do.

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Speaker 3: For example, the idea of going to the gym helping

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Speaker 3: your career, you can convince yourself, yes, if I have

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Speaker 3: a better body, I will get the big role it

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Speaker 3: Sidney Sweeney, but only.

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Speaker 4: Our big goal yeah.

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Speaker 2: Well, to be romantic leads because Sydney Man absolutely yeah,

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Speaker 2: sort of work constantly, just one in our careers because

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Speaker 2: we wish we were Glenn Powell.

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Speaker 3: I wish I was right like every day were like fuck.

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Speaker 3: I feel like farther away from it now than five

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Speaker 3: years ago.

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Speaker 2: There's still time.

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Speaker 4: This career is long.

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Speaker 3: I want to talk to you about doing an off

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Speaker 3: Broadway show as an Angelino. You have made the decision

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Speaker 3: to do something that you know traditionally for a Los

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Speaker 3: Angeles resident isn't in people's wheelhouse.

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Speaker 2: No, well you know now I'm halftime there, halftime here. Okay,

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Speaker 2: So I feel like i'm and I used to live

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Speaker 2: there full time. Guys, I'm not a New Yorker. I'm

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Speaker 2: really trying to tell you that I want was.

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Speaker 4: When did you live there full time? I lived to

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Speaker 4: investigate you.

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Speaker 2: No, no, no, it's fine. I lived there full time from two

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Speaker 2: thousand and one until two thousand and eight. Whoa valid Yeah,

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Speaker 2: And then when Obamba got elected, I was like, get me,

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Speaker 2: has gone to shit. I can't take it. And then

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Speaker 2: I moved here for a very long time. And now

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Speaker 2: whenever I don't have to be here, I'm there. Pretty

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Speaker 2: much okay, but uh, how did it happen? I don't know.

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Speaker 2: I wanted to do a show at Edinburgh last year.

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Speaker 2: I feel like it had been so long, Like I

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Speaker 2: do podcasts, I'm on the show where it's a big ensemble,

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Speaker 2: and it had just been so long since I had

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Speaker 2: really done something just by myself. You were busy, would

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Speaker 2: you say. Some would say that in twenty twenty were like,

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Speaker 2: really busy. I'm one of the only busy people in

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Speaker 2: la I'm on the list of fifteen now sixteen. But yeah,

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Speaker 2: it was just something that I had gotten away from

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Speaker 2: sort of solo performing in comedy, and so I was like,

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Speaker 2: I took the show to Edinburgh. It was so fun

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Speaker 2: and in a way I thought that was for sure

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Speaker 2: enough for me, that entire situation, I know, I mean

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Speaker 2: I thought I would be allergic to it and e allergic. Well,

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Speaker 2: I love in the age of the internet, allergic allergic,

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Speaker 2: I'm allergic. I am allergic to email. Write that down,

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Speaker 2: thank you. And it was just and honestly was so

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Speaker 2: fun and I learned so much and like I went

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Speaker 2: in with the show thinking it would be one thing,

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Speaker 2: and then after like thirty performances, your show comes out

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Speaker 2: totally different in a great way, and I really loved it,

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Speaker 2: and so I I just I needed I needed more feedback,

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Speaker 2: I needed more audience. I couldn't stop the train.

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Speaker 4: And what was review culture like over there?

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Speaker 2: Hilarious? You get a turtle race, you get a turtle

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Speaker 2: I did. I don't know toortal I didn't get because

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Speaker 2: you know, you in order for them to review, you

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Speaker 2: have to place an ad in shortle really which right exactly,

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Speaker 2: and then they can still review you poorly. It's like

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Speaker 2: you pay for an AD and then they're like, this

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Speaker 2: is the worst show I've ever seen? Correct, zero tortles, Yeah,

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Speaker 2: and you can. The only ones that matter are like

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Speaker 2: the four star and five star. But I guess it

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Speaker 2: was interesting because I did learn stuff about my show,

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Speaker 2: like depth they saw I definitely did not, or depth

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Speaker 2: I thought they missed, you know, right, it works both ways.

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Speaker 2: So but no, it was great, and I don't know,

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Speaker 2: I'm legitimately like so happy. I've always wanted to actually

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Speaker 2: work in New York. I've never had an actual job there,

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Speaker 2: so I don't know, I'm very excited for this.

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Speaker 3: Although it's wow, you're sort of the opposite. Usually people

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Speaker 3: have never had a job in La, Right, You've never

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Speaker 3: had a job in you ever?

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Speaker 2: No, it's I think safter Bernhard said like, if you

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Speaker 2: can make it in New York, you can't make it

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Speaker 2: anywhere else. I haven't made it in New York, Babes.

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Speaker 3: Sounds like something, Sondra Bernhard. Yeah, it's like girls.

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Speaker 2: Yeah, I love her down, love her down because she

355
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Speaker 2: would be saying things she says.

356
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Speaker 4: He says whatever the fuck she wants.

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Speaker 2: She does. It's amazing, actually very I completely agree. Yeah,

358
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Speaker 2: I say anything you want. And what is a show about? Yeah,

359
00:15:45,480 --> 00:15:48,360
Speaker 2: so it's it's called Are You Mad at Me? It's

360
00:15:48,960 --> 00:15:53,720
Speaker 2: essentially just a spiral of my paranoia and walking in

361
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Speaker 2: terms and out of them, assuming everyone hated me and

362
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Speaker 2: also is going to quote the conversation I had with

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Speaker 2: them in negative ways, And a lot of it's about

364
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Speaker 2: the way I walk. I hate walking onto a stage.

365
00:16:03,240 --> 00:16:05,200
Speaker 2: It's so vulnerable. I feel like I look like an idiot.

366
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Speaker 2: I every time I catch my reflection in like the

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Speaker 2: window of a building I saw, because how I think

368
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Speaker 2: I walk in the mirror in my home is so

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Speaker 2: different than how I actually walk, And all those things

370
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Speaker 2: just sort of destroy me. It's also like really audience

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Speaker 2: interactive in a way that's not annoying, hopefully. So the

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Speaker 2: show's different every night. It's like very sleep No More

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Speaker 2: and thank God, because there is a.

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Speaker 4: Sleep No More hole in New York City.

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Speaker 2: It's phantom interactive. That's the Sleep No Morning God. Yeah,

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00:16:31,440 --> 00:16:32,640
Speaker 2: but yeah, I.

377
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Speaker 5: Find that I do you think you walk cool?

378
00:16:37,680 --> 00:16:40,680
Speaker 2: No? Do you you think you walk normal? And then

379
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Speaker 2: walk in the mirror. Oh yeah, and it's terrible. I

380
00:16:43,880 --> 00:16:47,120
Speaker 2: definitely walk poorly. Yeah, me too, And I don't think

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Speaker 2: I do.

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Speaker 6: You know.

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Speaker 5: We have very different approaches to walking on stage when

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Speaker 5: we do live shows together.

385
00:16:52,400 --> 00:16:54,960
Speaker 2: Well, okay, keep going, keep going. George likes to like

386
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Speaker 2: over energize and be like whoo.

387
00:16:57,520 --> 00:17:01,480
Speaker 3: I like to be like same, and it throws the

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00:17:01,560 --> 00:17:08,159
Speaker 3: vibe off. Well, I'm not saying one is right and

389
00:17:08,200 --> 00:17:09,040
Speaker 3: one is wrong, but.

390
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Speaker 2: Like we're live performers, like you gotta get the people off. No, honestly,

391
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Speaker 2: I walk out like you, but yours is right, I mean,

392
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Speaker 2: thank you?

393
00:17:17,400 --> 00:17:20,240
Speaker 4: Yeah, No, mine is right.

394
00:17:20,720 --> 00:17:21,720
Speaker 2: I also get into it.

395
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Speaker 3: Sometimes It'll be like I will go too big and

396
00:17:24,560 --> 00:17:26,600
Speaker 3: I'll start like, you know, high fiving people, and Sam

397
00:17:26,640 --> 00:17:28,320
Speaker 3: will be like in the middle of the stage, like.

398
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Speaker 2: In your show's the audience has to earn it.

399
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Speaker 3: I think they come to me, which is weird because

400
00:17:35,280 --> 00:17:39,879
Speaker 3: in fact, as solo performers, like your show is much more.

401
00:17:40,280 --> 00:17:43,280
Speaker 3: It's a little silly and energy and like, I'm much

402
00:17:43,320 --> 00:17:47,200
Speaker 3: more like you know, deadpan whatever.

403
00:17:47,400 --> 00:17:51,199
Speaker 5: Yeah, well, maybe you use trivia lab space as a

404
00:17:51,400 --> 00:17:53,640
Speaker 5: place to explore yourself.

405
00:17:54,160 --> 00:17:55,040
Speaker 2: Yeah, very I much.

406
00:17:55,200 --> 00:17:57,159
Speaker 3: I'm very controlling when it comes to stand up and

407
00:17:57,200 --> 00:17:58,920
Speaker 3: then for straight laptures, I'm like, thank god, I can

408
00:17:58,960 --> 00:18:01,840
Speaker 3: like improvise, yeah, yeah, yeah.

409
00:18:01,640 --> 00:18:03,719
Speaker 4: And I'm standoffish right period.

410
00:18:03,960 --> 00:18:07,200
Speaker 3: In any context you're like coming out, You're like, these

411
00:18:07,200 --> 00:18:09,080
Speaker 3: people have not been to a museum recently.

412
00:18:10,080 --> 00:18:13,480
Speaker 2: Drew. Do you guys know him? Yeah, he's done the pod. Yes, okay,

413
00:18:13,520 --> 00:18:15,679
Speaker 2: I'm one of Yeah, one of the greats. He's so funny,

414
00:18:15,800 --> 00:18:21,679
Speaker 2: he says. The audience gets the show they deserve that.

415
00:18:21,720 --> 00:18:24,360
Speaker 2: If they're not with you, you're not with them. Drew

416
00:18:24,680 --> 00:18:27,359
Speaker 2: is like, yeah, he's the real deal. That's like what

417
00:18:27,440 --> 00:18:28,480
Speaker 2: gay guys should be like.

418
00:18:28,880 --> 00:18:33,040
Speaker 5: Across the guys aren't like that anymore, right, what's happening.

419
00:18:33,440 --> 00:18:34,200
Speaker 4: It's the peptides.

420
00:18:34,320 --> 00:18:37,280
Speaker 2: It's the peptids.

421
00:18:37,359 --> 00:18:40,439
Speaker 3: Yeah, I do think that are making people less like

422
00:18:40,520 --> 00:18:41,480
Speaker 3: Drew DROGI.

423
00:18:41,600 --> 00:18:45,600
Speaker 5: Oh here's something hold on. But yes, this might be

424
00:18:45,640 --> 00:18:47,359
Speaker 5: a dead end as well, but you never know until

425
00:18:47,400 --> 00:18:49,800
Speaker 5: you say it. There's these two gay guys that live

426
00:18:49,840 --> 00:18:52,680
Speaker 5: in my neighborhood that they're always walking their dogs and

427
00:18:52,720 --> 00:18:54,640
Speaker 5: they're always wearing big matching.

428
00:18:54,320 --> 00:18:59,960
Speaker 4: Straw hats and ow big hats.

429
00:18:59,680 --> 00:19:03,240
Speaker 2: And they are like in their thirties, very muscular, doing

430
00:19:03,280 --> 00:19:04,080
Speaker 2: farmer brown play.

431
00:19:04,160 --> 00:19:06,879
Speaker 5: And it's sort of like like they always say hi,

432
00:19:06,920 --> 00:19:09,000
Speaker 5: and they're like super nice to me and Misha, but

433
00:19:09,200 --> 00:19:11,400
Speaker 5: I were always like, you hate us.

434
00:19:11,560 --> 00:19:14,840
Speaker 2: We're like doing victim complex even though they're being nice

435
00:19:14,880 --> 00:19:17,520
Speaker 2: to us. Oh yeah, what's the rest of the look?

436
00:19:18,280 --> 00:19:22,560
Speaker 5: Athletic shorts, little tank top potentially by straw.

437
00:19:22,800 --> 00:19:24,639
Speaker 4: I mean like the sort of beachy kind.

438
00:19:24,880 --> 00:19:27,920
Speaker 2: Right, I mean like I was called kidmen. Yeah, yeah,

439
00:19:28,040 --> 00:19:31,480
Speaker 2: sort of beachy. And where do you think they got

440
00:19:31,480 --> 00:19:32,000
Speaker 2: those hats?

441
00:19:33,760 --> 00:19:35,119
Speaker 5: You know where I think they got the hats. I

442
00:19:35,119 --> 00:19:37,200
Speaker 5: think they were like going to the beach and they

443
00:19:37,200 --> 00:19:39,800
Speaker 5: were like, fuck, we forgot our hats. And then they

444
00:19:40,000 --> 00:19:42,520
Speaker 5: went to like a little roadside like or like a

445
00:19:42,520 --> 00:19:45,679
Speaker 5: little convenience or something that just sells these hats, and

446
00:19:45,720 --> 00:19:46,399
Speaker 5: they were like.

447
00:19:46,720 --> 00:19:48,800
Speaker 4: Actually it kind of looks amazing on me. Do they

448
00:19:48,960 --> 00:19:51,879
Speaker 4: they peptided? They're peptided down Yeah, And.

449
00:19:51,760 --> 00:19:54,000
Speaker 3: I wait, so they're peptided and they're wearing hats. I

450
00:19:54,040 --> 00:19:56,479
Speaker 3: was imagining people that were more self accepting wearing No.

451
00:19:56,480 --> 00:19:58,320
Speaker 5: No, they have the big muscles, so they can pull

452
00:19:58,359 --> 00:19:59,800
Speaker 5: off the hat and be like, I'm grounded.

453
00:20:00,040 --> 00:20:01,360
Speaker 3: Oh, I thought it was more of like a palm

454
00:20:01,440 --> 00:20:03,160
Speaker 3: springs vibr It's like mumu and hat.

455
00:20:05,000 --> 00:20:07,320
Speaker 2: Did you I hear the atic and the muscles?

456
00:20:07,920 --> 00:20:08,040
Speaker 7: Oh?

457
00:20:08,040 --> 00:20:09,359
Speaker 2: I didn't hear the muscles. Athletic shorts.

458
00:20:09,400 --> 00:20:10,960
Speaker 3: You can have anybody type of you know what I

459
00:20:10,960 --> 00:20:13,680
Speaker 3: mean shorts depending on your habits can be workout wear

460
00:20:13,760 --> 00:20:14,280
Speaker 3: or loungewear.

461
00:20:14,400 --> 00:20:17,639
Speaker 2: I could draw the especially, it could be formal occasion completely.

462
00:20:17,800 --> 00:20:18,359
Speaker 2: I can draw them.

463
00:20:18,359 --> 00:20:19,920
Speaker 4: You know exactly who I am talking about.

464
00:20:19,960 --> 00:20:23,840
Speaker 2: It's like, well, yes, if I had a visual, but

465
00:20:23,920 --> 00:20:24,560
Speaker 2: if you could.

466
00:20:24,400 --> 00:20:26,080
Speaker 4: Listen to me explain it.

467
00:20:26,200 --> 00:20:29,960
Speaker 3: The muscles, Okay, I mean, I'm I have a similar

468
00:20:30,280 --> 00:20:33,480
Speaker 3: experience where in maybe I shouldn't dook some whatever in

469
00:20:33,480 --> 00:20:33,879
Speaker 3: my building.

470
00:20:34,040 --> 00:20:35,840
Speaker 2: I am scared New York.

471
00:20:35,960 --> 00:20:38,560
Speaker 3: The only other gay couple that lives there. They're both

472
00:20:38,680 --> 00:20:42,000
Speaker 3: literal professional ballet dancers like one is in American ballet,

473
00:20:42,560 --> 00:20:46,239
Speaker 3: American ballet theater. Yeah, and in fact, both of them

474
00:20:46,240 --> 00:20:49,679
Speaker 3: are don't get mad, and.

475
00:20:49,760 --> 00:20:50,920
Speaker 2: That's tough, by the way.

476
00:20:50,960 --> 00:20:54,159
Speaker 3: And I came nothing but nice to me, but truly.

477
00:20:54,320 --> 00:20:55,879
Speaker 3: But of course when I see them, I'm like, we

478
00:20:55,960 --> 00:20:56,320
Speaker 3: got it.

479
00:20:57,000 --> 00:20:57,760
Speaker 2: You have a six pack.

480
00:20:58,920 --> 00:21:02,199
Speaker 3: It's like I'm sorry, like look at me? Yeah, like

481
00:21:02,280 --> 00:21:05,119
Speaker 3: good morning, right. Yeah, it's the way they're leading with

482
00:21:05,160 --> 00:21:05,600
Speaker 3: their hips.

483
00:21:05,640 --> 00:21:09,119
Speaker 5: And yes, oh there's a pompousness to it, for sure.

484
00:21:09,320 --> 00:21:11,720
Speaker 5: There is a there's an old woman in my neighborhood

485
00:21:11,760 --> 00:21:13,840
Speaker 5: that like, we've started to say good morning too, and

486
00:21:13,840 --> 00:21:14,800
Speaker 5: she responds good morning.

487
00:21:14,880 --> 00:21:15,720
Speaker 2: It's so wholesome.

488
00:21:16,080 --> 00:21:18,080
Speaker 4: One time we were walking behind them, they go good morning,

489
00:21:18,119 --> 00:21:19,160
Speaker 4: she goes good morning.

490
00:21:20,320 --> 00:21:23,280
Speaker 3: She does it to them too, So I see she's

491
00:21:23,359 --> 00:21:25,119
Speaker 3: cheating on you by saying good morning to a different

492
00:21:25,160 --> 00:21:25,600
Speaker 3: gay couple.

493
00:21:25,840 --> 00:21:28,680
Speaker 2: Wow, she just feel very safe in that neighborhood.

494
00:21:29,080 --> 00:21:30,560
Speaker 4: Yeah, I say that she.

495
00:21:30,760 --> 00:21:31,919
Speaker 3: I mean, you need her to be mean to at

496
00:21:32,000 --> 00:21:35,600
Speaker 3: least one other gay couple, so you know that, like anybody,

497
00:21:35,640 --> 00:21:37,359
Speaker 3: you need her to call another gay couple the f slur,

498
00:21:37,560 --> 00:21:37,960
Speaker 3: it's for.

499
00:21:37,960 --> 00:21:40,959
Speaker 2: Sure, get her to New York or San Francisco.

500
00:21:41,480 --> 00:21:43,000
Speaker 4: Well, people can really say it.

501
00:21:44,200 --> 00:21:46,280
Speaker 3: I mean, this is like we were talking about we're

502
00:21:46,280 --> 00:21:49,880
Speaker 3: talking about someone we know that does the same thing

503
00:21:49,920 --> 00:21:53,960
Speaker 3: to everyone, just being which is like this overfamiliarity like

504
00:21:53,960 --> 00:21:56,159
Speaker 3: like physically or verbal no no, no, like verbally like

505
00:21:56,280 --> 00:21:57,560
Speaker 3: just seeing someone and being.

506
00:21:57,440 --> 00:21:59,600
Speaker 4: Like, it is so good to see.

507
00:22:00,160 --> 00:22:02,840
Speaker 3: It's just it's been so long and it's just nice

508
00:22:02,880 --> 00:22:05,080
Speaker 3: to find like to talk to you, especially in this

509
00:22:05,440 --> 00:22:08,639
Speaker 3: and when when this person does it to you, you're like,

510
00:22:08,680 --> 00:22:10,159
Speaker 3: oh my god, I'm the chosen one. And then you

511
00:22:10,200 --> 00:22:12,440
Speaker 3: literally see them do it to another person in the room.

512
00:22:12,440 --> 00:22:14,600
Speaker 2: Almost feels like a note from their therapist or something,

513
00:22:14,840 --> 00:22:18,920
Speaker 2: so like really, I don't know it to be more genuine, Yeah, it.

514
00:22:18,880 --> 00:22:24,440
Speaker 3: Feels actually optimistic. That's a genius to me, you say,

515
00:22:24,440 --> 00:22:25,920
Speaker 3: I'm like, there's a snake, Like they do this because

516
00:22:25,920 --> 00:22:26,600
Speaker 3: they're manipultive.

517
00:22:27,600 --> 00:22:29,040
Speaker 2: What do you want from me? Your wallet's gone at

518
00:22:29,040 --> 00:22:30,040
Speaker 2: the end of that, Yes, exactly.

519
00:22:30,240 --> 00:22:32,080
Speaker 4: That's an interesting thing.

520
00:22:32,160 --> 00:22:33,240
Speaker 5: I do feel like there was a point in my

521
00:22:33,320 --> 00:22:35,439
Speaker 5: childhood where I was like complaining about everything and almost

522
00:22:35,480 --> 00:22:38,119
Speaker 5: like what if you instead didn't do that, would have

523
00:22:38,119 --> 00:22:38,880
Speaker 5: instead you were just.

524
00:22:38,840 --> 00:22:39,879
Speaker 4: Like positive about stuff.

525
00:22:39,920 --> 00:22:41,040
Speaker 2: Yeah, that's what I'm trying to do.

526
00:22:41,160 --> 00:22:43,360
Speaker 5: It actually has it like helped in the moment, Yeah,

527
00:22:43,760 --> 00:22:45,800
Speaker 5: don't be wrong, I'm still complaining to the lifelong practice.

528
00:22:45,840 --> 00:22:48,199
Speaker 2: I feel like my therapist also has said to me, like,

529
00:22:48,359 --> 00:22:51,000
Speaker 2: I think the reason you get so exhausted socially is

530
00:22:51,040 --> 00:22:53,560
Speaker 2: because you feel like you have to perform or what

531
00:22:53,840 --> 00:22:55,400
Speaker 2: have high energy, and so you just need to start

532
00:22:55,440 --> 00:22:59,080
Speaker 2: going in conversations just like normal voice, very relaxed. And

533
00:22:59,119 --> 00:23:02,959
Speaker 2: it came across as cross. Is so fucking rude, because

534
00:23:02,960 --> 00:23:04,840
Speaker 2: it really came across it's like, hey, good, how are

535
00:23:04,840 --> 00:23:05,960
Speaker 2: you like? I couldn't do it?

536
00:23:06,040 --> 00:23:08,600
Speaker 3: Oh, the same way, it's all or nothing. When I

537
00:23:08,640 --> 00:23:11,000
Speaker 3: decide I'm not going to like invest energy in an interaction,

538
00:23:11,080 --> 00:23:13,240
Speaker 3: then I'm just silent totally. Then you know what, though,

539
00:23:13,400 --> 00:23:14,960
Speaker 3: think of all those people that you know that are

540
00:23:15,000 --> 00:23:17,600
Speaker 3: just like constantly silent, and then their friends you're like,

541
00:23:17,640 --> 00:23:19,880
Speaker 3: that's that's just how he is, Like he's just an introvert,

542
00:23:19,960 --> 00:23:21,720
Speaker 3: and then you it's like your problem. You have to

543
00:23:21,720 --> 00:23:24,200
Speaker 3: fill in the silences exactly. And also, why can't I

544
00:23:24,280 --> 00:23:26,480
Speaker 3: be an introvers And That's what I'm saying. I could

545
00:23:26,560 --> 00:23:28,120
Speaker 3: just embrace it, and then people can be like he's

546
00:23:28,160 --> 00:23:28,760
Speaker 3: just an intellectual.

547
00:23:29,880 --> 00:23:32,760
Speaker 5: The social gathering, it's all wing, it's on my shoulders.

548
00:23:33,200 --> 00:23:35,880
Speaker 2: If it's a flop, it's my fault yep completely, So.

549
00:23:35,800 --> 00:23:38,000
Speaker 4: I can't just let it lie. Let's ruar.

550
00:23:38,040 --> 00:23:51,280
Speaker 5: First segment to it. So our first segment is called

551
00:23:51,280 --> 00:23:53,359
Speaker 5: straight Shooters. In this segment, we're going to ask you

552
00:23:53,440 --> 00:23:56,399
Speaker 5: a series of rapidfier questions basically this thing or this

553
00:23:56,480 --> 00:23:58,960
Speaker 5: other thing. And the only rule is you can't ask

554
00:23:58,960 --> 00:24:01,400
Speaker 5: any follow up questions or will scream at you got it?

555
00:24:01,880 --> 00:24:03,000
Speaker 4: Okay? Ready?

556
00:24:03,320 --> 00:24:09,399
Speaker 5: Hm music fashion film or reduce, reuse recycled.

557
00:24:09,040 --> 00:24:15,560
Speaker 2: Music fashion film. Sorry, that's okay. Ross Dress for Less

558
00:24:15,880 --> 00:24:19,160
Speaker 2: or Ross Rachel's x Rossdress for Less.

559
00:24:19,200 --> 00:24:21,879
Speaker 5: Don't sweat the small stuff, or I'm wet because you're

560
00:24:21,920 --> 00:24:22,399
Speaker 5: all buff.

561
00:24:22,640 --> 00:24:25,600
Speaker 3: I'm wet because you're all Bob damn. That's good one

562
00:24:25,680 --> 00:24:27,640
Speaker 3: man show. Or no need dough?

563
00:24:28,640 --> 00:24:31,880
Speaker 2: Oh, no need dough. Yeah, that's the goal, isn't it

564
00:24:36,880 --> 00:24:40,160
Speaker 2: lost in translation or found in salvation? Lost in translation,

565
00:24:40,359 --> 00:24:44,840
Speaker 2: found in salvation? Oh I found in salvation? Yeah? Dancing

566
00:24:44,840 --> 00:24:47,600
Speaker 2: on my Own or Britney's in the Zone. Oh I

567
00:24:47,680 --> 00:24:48,880
Speaker 2: honestly Britney's in the zone.

568
00:24:49,280 --> 00:24:49,680
Speaker 4: Period.

569
00:24:49,840 --> 00:24:57,199
Speaker 5: Yeah, eighteen's Cardi b Melcy d light e forty or

570
00:24:57,320 --> 00:24:58,520
Speaker 5: f slur d light.

571
00:25:01,000 --> 00:25:03,280
Speaker 3: The canary in the coal mine or that drewe carry

572
00:25:03,280 --> 00:25:04,199
Speaker 3: he's a gold mine.

573
00:25:04,400 --> 00:25:07,680
Speaker 2: Oh god, the canary in the coal mine? Yeah wow wow,

574
00:25:08,320 --> 00:25:08,680
Speaker 2: well that.

575
00:25:08,680 --> 00:25:09,840
Speaker 4: Was a really good performance.

576
00:25:10,480 --> 00:25:13,040
Speaker 2: Where does the canary in the coal mine? The visual coming?

577
00:25:13,119 --> 00:25:15,000
Speaker 2: I hate it, to be honest, I like that is

578
00:25:15,000 --> 00:25:18,440
Speaker 2: are you thinking about it? It's like, relax, don't we're

579
00:25:18,440 --> 00:25:20,120
Speaker 2: not writing, you're not e coming.

580
00:25:20,280 --> 00:25:23,160
Speaker 4: It comes from real. Well, yes, it's real.

581
00:25:23,640 --> 00:25:26,359
Speaker 2: They send a canary down and it's coal mine to

582
00:25:26,359 --> 00:25:28,760
Speaker 2: see how deep it would go. It's like to see

583
00:25:28,800 --> 00:25:30,200
Speaker 2: if I don't know that, I don't.

584
00:25:30,040 --> 00:25:33,200
Speaker 4: Know that it's oxygen. Yeah.

585
00:25:33,600 --> 00:25:36,840
Speaker 2: Yeah, that is so violent, horrible. It's like Flintstone's vibes.

586
00:25:37,040 --> 00:25:38,960
Speaker 3: That's worse than beating a dead horse, because at least

587
00:25:39,000 --> 00:25:40,760
Speaker 3: beating a dead horse, the horse is already that it's

588
00:25:40,840 --> 00:25:43,440
Speaker 3: violent imagery. But like, you're not killing, that's just an image.

589
00:25:43,680 --> 00:25:47,520
Speaker 2: Yeah, real sort of Were you kind of involved in

590
00:25:47,560 --> 00:25:51,240
Speaker 2: the discourses around not saying things like that because they

591
00:25:51,240 --> 00:25:52,920
Speaker 2: are speciest.

592
00:25:53,920 --> 00:25:55,640
Speaker 4: No, I've never heard this in my life.

593
00:25:55,680 --> 00:26:00,400
Speaker 3: So when I was in around college, something would say

594
00:26:00,400 --> 00:26:03,000
Speaker 3: is like, be careful the way you use language metaphors

595
00:26:03,000 --> 00:26:04,520
Speaker 3: like don't say beat a dead horse, don't take an

596
00:26:04,520 --> 00:26:07,400
Speaker 3: area and cold mine, because it's like it basically promotes

597
00:26:07,440 --> 00:26:09,439
Speaker 3: violence against it. It's like in the same way that

598
00:26:09,520 --> 00:26:11,440
Speaker 3: you don't want to call a tank top a wife beater,

599
00:26:11,720 --> 00:26:13,920
Speaker 3: because of course, but it's like, if you're an animal lover,

600
00:26:14,040 --> 00:26:18,120
Speaker 3: you should not use metaphors that imply violence towards animals.

601
00:26:18,640 --> 00:26:19,960
Speaker 2: Just something you think about. It should be a warning

602
00:26:19,960 --> 00:26:22,439
Speaker 2: on this podcast. And this is why IVY League schools

603
00:26:22,440 --> 00:26:29,639
Speaker 2: are a laughing stock. Yeah, that's all we're talking about. No, okay, yes,

604
00:26:30,359 --> 00:26:31,160
Speaker 2: it's not an I league.

605
00:26:31,320 --> 00:26:33,679
Speaker 4: Stanford does not count as an IVY league.

606
00:26:33,440 --> 00:26:33,480
Speaker 5: No.

607
00:26:33,760 --> 00:26:38,160
Speaker 2: IVY League is all in the Northeast. You went to Stanford?

608
00:26:38,320 --> 00:26:43,200
Speaker 2: I did, and I'm doing this. Did you watch Challengers?

609
00:26:43,200 --> 00:26:44,880
Speaker 2: Did they go to Stanford? Yeah, they went to Stanford.

610
00:26:45,040 --> 00:26:48,680
Speaker 2: H Sigourney. We have ver Reese, Witherspoon, Chelsea Clinton of course. Yeah.

611
00:26:48,720 --> 00:26:51,159
Speaker 3: But there's like one more big actress that I can't remember,

612
00:26:51,800 --> 00:26:53,960
Speaker 3: but yeah, and Roblo's son.

613
00:26:54,680 --> 00:26:58,840
Speaker 2: Oh that's great. He does something with rob Yes, yeah,

614
00:26:58,840 --> 00:27:00,159
Speaker 2: I couldn't tell you what it is, but you know

615
00:27:00,200 --> 00:27:02,439
Speaker 2: any of these people? No, did I know Sigourny know,

616
00:27:02,440 --> 00:27:08,439
Speaker 2: we didn't overlap. You're seventy right. She was a freshman

617
00:27:08,440 --> 00:27:10,240
Speaker 2: when I was a senior. I was her big in

618
00:27:10,320 --> 00:27:15,520
Speaker 2: the story you Sigourney Veronica cart right. Yeah, that's great,

619
00:27:16,200 --> 00:27:16,560
Speaker 2: g Rees.

620
00:27:16,640 --> 00:27:19,359
Speaker 3: I was always fascinated by, like the idea of Reese,

621
00:27:19,600 --> 00:27:21,560
Speaker 3: like being in the same dorms as me.

622
00:27:21,680 --> 00:27:24,720
Speaker 2: I saw her in a restaurant recently, and wait, she

623
00:27:24,800 --> 00:27:29,639
Speaker 2: looked in incredible. Yes, in a way. No, she's phenomenal.

624
00:27:29,760 --> 00:27:32,919
Speaker 3: I actually recently watched Legally Blonde on a plane and

625
00:27:32,960 --> 00:27:34,840
Speaker 3: I was like, no one can do this.

626
00:27:35,080 --> 00:27:38,000
Speaker 2: Yeah you did. She did what no one could do

627
00:27:38,520 --> 00:27:39,240
Speaker 2: and continues to.

628
00:27:39,400 --> 00:27:41,880
Speaker 3: I think it's enough with the reading books. She needs

629
00:27:41,880 --> 00:27:42,840
Speaker 3: to get back to her roots.

630
00:27:42,960 --> 00:27:47,480
Speaker 2: Yeah, acting, and I don't like, Okay, I'm gonna go there.

631
00:27:47,680 --> 00:27:51,479
Speaker 2: Oh the books that now have like say, I do

632
00:27:51,560 --> 00:27:53,320
Speaker 2: want to read a book that happened to overlap with

633
00:27:53,400 --> 00:27:57,160
Speaker 2: Oprah or Reese. They're now embedded on the book. The stickers.

634
00:27:57,160 --> 00:28:01,160
Speaker 2: You can't take them off anymore. You were stuck with

635
00:28:01,200 --> 00:28:01,880
Speaker 2: that branding.

636
00:28:02,080 --> 00:28:05,040
Speaker 3: Yeah, this is an eternal thing with books, because it's like,

637
00:28:05,800 --> 00:28:07,719
Speaker 3: what of course there's a thirty rock thing where like

638
00:28:07,760 --> 00:28:09,879
Speaker 3: Liz Lemon doesn't like when a book has the movie

639
00:28:10,200 --> 00:28:11,080
Speaker 3: cover as a cover.

640
00:28:11,440 --> 00:28:12,920
Speaker 2: Ulis. Yeah.

641
00:28:12,920 --> 00:28:15,480
Speaker 5: Well, it's like there's always like a book trending at

642
00:28:15,480 --> 00:28:17,280
Speaker 5: the moment, and it's like, do you read the trending book?

643
00:28:17,280 --> 00:28:19,480
Speaker 2: You better get it right on top of history or something.

644
00:28:19,560 --> 00:28:22,919
Speaker 3: Yeah, yes, Oh my god, everyone is reading that fucking book.

645
00:28:23,080 --> 00:28:26,679
Speaker 2: And apparently what I heard was that the Anne has

646
00:28:26,720 --> 00:28:28,240
Speaker 2: the way about the rights to it before the book

647
00:28:28,280 --> 00:28:30,760
Speaker 2: was even written. Isn't that wild? No, you could just

648
00:28:30,760 --> 00:28:32,560
Speaker 2: like have an idea for a book, and she's like,

649
00:28:32,640 --> 00:28:34,359
Speaker 2: that would make a great movie. You know. All I

650
00:28:34,400 --> 00:28:36,600
Speaker 2: have is ideas. I'm not putting pen to paper, but

651
00:28:36,640 --> 00:28:38,800
Speaker 2: if anyone wants to buy them, yeah, I'm here for you.

652
00:28:39,080 --> 00:28:41,000
Speaker 2: Yeah wow, But I haven't read it, so I can't

653
00:28:41,000 --> 00:28:42,000
Speaker 2: really say it. No, I haven't either.

654
00:28:42,000 --> 00:28:44,640
Speaker 3: I've heard such polarizing like half the people I know

655
00:28:45,360 --> 00:28:46,680
Speaker 3: are like, this is the best book I've ever read,

656
00:28:46,680 --> 00:28:48,280
Speaker 3: and half people I know are saying, like the other

657
00:28:48,280 --> 00:28:51,000
Speaker 3: people are stupid as a hell, and I think it's

658
00:28:51,000 --> 00:28:51,480
Speaker 3: the worst.

659
00:28:51,640 --> 00:28:53,880
Speaker 5: Sometimes when something is so divided like that, I get

660
00:28:53,920 --> 00:28:55,400
Speaker 5: scared because I don't want to read it and have

661
00:28:55,440 --> 00:28:55,960
Speaker 5: an opinion.

662
00:28:56,200 --> 00:28:56,680
Speaker 2: Yeah totally.

663
00:28:56,800 --> 00:28:58,160
Speaker 5: I'm like, what if I love it and I'm one

664
00:28:58,200 --> 00:28:59,720
Speaker 5: of the stupid people I know, or what if I

665
00:28:59,720 --> 00:29:00,760
Speaker 5: hate it and then I have to be on my

666
00:29:00,760 --> 00:29:03,000
Speaker 5: pedestal for the next, you know, ten years.

667
00:29:03,160 --> 00:29:05,719
Speaker 2: One thing I didn't understand the popularity of is that

668
00:29:07,160 --> 00:29:09,000
Speaker 2: I forget her name, but the Upper east Side woman

669
00:29:09,000 --> 00:29:12,360
Speaker 2: whose husband devastated her and strangers, strangers? Did you read it? Yes?

670
00:29:12,440 --> 00:29:13,280
Speaker 2: Oh you didn't like it?

671
00:29:13,560 --> 00:29:13,720
Speaker 6: Oh?

672
00:29:13,720 --> 00:29:15,320
Speaker 2: I didn't read it. All I read was the modern

673
00:29:15,360 --> 00:29:17,080
Speaker 2: love piece, And I thought, I thought to myself, why

674
00:29:17,120 --> 00:29:18,360
Speaker 2: is this such a big deal. I mean, it seems

675
00:29:18,400 --> 00:29:21,760
Speaker 2: to happen all the time. But was it good? It

676
00:29:21,920 --> 00:29:22,320
Speaker 2: was good.

677
00:29:22,360 --> 00:29:25,040
Speaker 3: I mean, with a thing like that being so overhyped,

678
00:29:25,240 --> 00:29:28,440
Speaker 3: it's like, is it quote unquote as good as you

679
00:29:28,480 --> 00:29:30,720
Speaker 3: would think, being like, you know, she's literally getting like

680
00:29:30,720 --> 00:29:33,360
Speaker 3: a Nobel Peace Prize for writing it, Like no, okay,

681
00:29:33,360 --> 00:29:36,920
Speaker 3: but it was very satisfying, Like I was like, I

682
00:29:37,000 --> 00:29:40,320
Speaker 3: was like, as far as these things go, she has

683
00:29:40,440 --> 00:29:43,640
Speaker 3: more humility and perspective than you would expect someone in

684
00:29:43,680 --> 00:29:46,280
Speaker 3: her position to have, And it had like a level

685
00:29:46,320 --> 00:29:48,720
Speaker 3: of vulnerability that was like, okay, good for you. Yeah,

686
00:29:48,760 --> 00:29:52,480
Speaker 3: And she's smart because she grew up her she obviously

687
00:29:52,480 --> 00:29:55,160
Speaker 3: grew up in this like extremely rarefied environment, but her

688
00:29:55,400 --> 00:29:58,800
Speaker 3: family was you know, they were kind of like wealthy intellectuals,

689
00:29:58,800 --> 00:30:01,280
Speaker 3: like they cared about art, literature and like funding the

690
00:30:01,360 --> 00:30:03,320
Speaker 3: arts and going to music and so it wasn't like

691
00:30:03,400 --> 00:30:05,920
Speaker 3: if Laurence Sanchez wrote a book, you know what I mean?

692
00:30:06,000 --> 00:30:07,959
Speaker 3: Like it was there was there was a level of

693
00:30:08,160 --> 00:30:10,240
Speaker 3: which I do want to read. By the way, was

694
00:30:10,240 --> 00:30:11,800
Speaker 3: already taking the edit to children's book.

695
00:30:12,360 --> 00:30:14,760
Speaker 2: I know, how did she do it? I don't know.

696
00:30:14,840 --> 00:30:16,840
Speaker 2: How does she find the time? How does she find

697
00:30:16,880 --> 00:30:21,880
Speaker 2: the times? Does she have children? I don't know. No

698
00:30:21,920 --> 00:30:24,480
Speaker 2: one knows, no one, no, no.

699
00:30:24,600 --> 00:30:27,000
Speaker 5: Should get into the topic of course and topics.

700
00:30:27,200 --> 00:30:28,520
Speaker 2: Sure, you brought.

701
00:30:28,440 --> 00:30:31,000
Speaker 5: A few and two were really speaking to us, and

702
00:30:31,080 --> 00:30:32,720
Speaker 5: I don't remember if we landed on one.

703
00:30:32,920 --> 00:30:34,960
Speaker 2: I don't think we did. Well. Please explain what both

704
00:30:34,960 --> 00:30:38,600
Speaker 2: of them are. Okay, one is salsa dance classes. I

705
00:30:39,840 --> 00:30:43,880
Speaker 2: feel like it's very you know, I think I said

706
00:30:43,920 --> 00:30:46,920
Speaker 2: before like planning chemistry, which I feel like, and you

707
00:30:46,960 --> 00:30:50,960
Speaker 2: were thinking like couples together going to Okay, yes, exactly.

708
00:30:51,360 --> 00:30:54,440
Speaker 2: There's also the element of like not to immediately co

709
00:30:54,520 --> 00:30:55,840
Speaker 2: opt your topic. But there's also.

710
00:30:55,760 --> 00:31:00,200
Speaker 3: Element of like who was telling us? Someone was telling

711
00:31:00,280 --> 00:31:03,760
Speaker 3: us or me that like part of social dancing is

712
00:31:03,800 --> 00:31:06,320
Speaker 3: also like an excuse to touch other men's wives.

713
00:31:06,720 --> 00:31:09,640
Speaker 5: Who someone was telling us this, Oh god, because you

714
00:31:09,680 --> 00:31:10,400
Speaker 5: do switch parts.

715
00:31:11,280 --> 00:31:12,200
Speaker 2: So is it here?

716
00:31:13,000 --> 00:31:15,680
Speaker 4: Maybe it was here on this podcast? What do they

717
00:31:15,720 --> 00:31:17,840
Speaker 4: say robot tapes?

718
00:31:20,280 --> 00:31:20,640
Speaker 2: It doesn't.

719
00:31:21,880 --> 00:31:25,080
Speaker 3: Yeah, but so a point being like it's like a

720
00:31:25,120 --> 00:31:29,600
Speaker 3: socially sanctioned way to like soft. It's like there's like

721
00:31:29,680 --> 00:31:33,040
Speaker 3: another like attractive woman. You can put your hand on

722
00:31:33,080 --> 00:31:36,680
Speaker 3: her waist. That's pretty intimate, very intimate, especially in this

723
00:31:36,800 --> 00:31:39,480
Speaker 3: day and age. So anyway, okay, salsa dancing, Yes, salta dancing.

724
00:31:39,480 --> 00:31:47,400
Speaker 2: And the other one was, oh, straight people, you know,

725
00:31:48,400 --> 00:31:53,440
Speaker 2: grat landed, It landed perfectly. You literally don't. I gotta say,

726
00:31:54,000 --> 00:31:56,479
Speaker 2: it's not even real. No, it's not. Okay, So it's

727
00:31:56,520 --> 00:32:00,160
Speaker 2: okay back there, it's literally fine, okay. Okay. By the way,

728
00:32:00,200 --> 00:32:04,760
Speaker 2: do you see those completely fake you're kidding me as no,

729
00:32:04,840 --> 00:32:08,280
Speaker 2: that goes straight to the FBI, the Webby's three D

730
00:32:08,360 --> 00:32:14,480
Speaker 2: printed well by other one what uh now I'm looking

731
00:32:14,520 --> 00:32:18,720
Speaker 2: at everything. My other one was, oh, I straight people

732
00:32:18,760 --> 00:32:22,240
Speaker 2: taking really more straight men but showing you vacation photos

733
00:32:22,240 --> 00:32:24,000
Speaker 2: on their camera. Oh do you think it's straight men?

734
00:32:24,200 --> 00:32:25,080
Speaker 2: I typically do?

735
00:32:25,400 --> 00:32:25,800
Speaker 4: Interesting.

736
00:32:25,920 --> 00:32:29,800
Speaker 3: I was imagining talk about the angles and the lighting. Okay,

737
00:32:29,880 --> 00:32:32,320
Speaker 3: I misunderstood. I was imagining like a mom being like,

738
00:32:32,440 --> 00:32:33,080
Speaker 3: look at like we.

739
00:32:33,040 --> 00:32:35,120
Speaker 2: Went though, Yeah, I guess both follow.

740
00:32:35,200 --> 00:32:38,520
Speaker 3: But you're saying, basically, which is genius. Only straight person

741
00:32:38,600 --> 00:32:42,120
Speaker 3: would openly scroll through photos on their phone because there's

742
00:32:42,200 --> 00:32:44,360
Speaker 3: never anything risky exactly.

743
00:32:44,120 --> 00:32:46,480
Speaker 4: There's not going to be a dick obviously is more personal.

744
00:32:47,320 --> 00:32:49,400
Speaker 3: This one hits close to home, really close to be

745
00:32:49,640 --> 00:32:51,360
Speaker 3: I do have photos of dicks, because I do have

746
00:32:51,360 --> 00:32:54,959
Speaker 3: photos of dicks, and even just like when I see that,

747
00:32:55,000 --> 00:32:56,280
Speaker 3: I'm sort of like, are you sure?

748
00:32:56,520 --> 00:32:58,440
Speaker 5: Like when they're like, go ahead, scroll, I'm like, is.

749
00:32:58,440 --> 00:32:59,000
Speaker 4: This a test?

750
00:32:59,280 --> 00:33:00,920
Speaker 2: Right? Because you you can't.

751
00:33:00,680 --> 00:33:03,280
Speaker 5: Even open the app to take a picture because the

752
00:33:03,360 --> 00:33:05,600
Speaker 5: last picture might be something bad.

753
00:33:05,680 --> 00:33:07,760
Speaker 2: It's the most nerve wrackinging in the world when someone

754
00:33:07,800 --> 00:33:11,280
Speaker 2: scrolls through, when people let their kids go, I'm like, whoa, yeah,

755
00:33:11,360 --> 00:33:14,440
Speaker 2: don't do that wild. It's just something I have never expected.

756
00:33:14,440 --> 00:33:15,760
Speaker 4: The course part of me is jealous.

757
00:33:16,280 --> 00:33:18,720
Speaker 3: I would love to, Yeah, you would love to not

758
00:33:18,800 --> 00:33:20,600
Speaker 3: have any dicks on your camera roll just to.

759
00:33:20,520 --> 00:33:23,600
Speaker 2: Be like, and this is the app that's not bad, Yeah,

760
00:33:23,800 --> 00:33:25,640
Speaker 2: just toash your phone to be like open it. What

761
00:33:25,680 --> 00:33:26,640
Speaker 2: do I care? Who cares.

762
00:33:27,160 --> 00:33:28,720
Speaker 5: I have nothing to hide. When someone's like I have

763
00:33:28,720 --> 00:33:30,320
Speaker 5: nothing to hide, I'm like, I can't relate. I have

764
00:33:30,400 --> 00:33:31,240
Speaker 5: so much to hide.

765
00:33:32,840 --> 00:33:36,680
Speaker 2: Same, it would never happen, can't, can't happen.

766
00:33:36,800 --> 00:33:39,280
Speaker 4: Yeah, I'll be ruined. If anyone looks at my phone

767
00:33:39,320 --> 00:33:41,080
Speaker 4: for more than ten seconds.

768
00:33:40,920 --> 00:33:44,320
Speaker 3: I think, what it Okay, here's the difference. Straight gay

769
00:33:44,320 --> 00:33:46,280
Speaker 3: people you can't look through camera roll. Straight people you

770
00:33:46,360 --> 00:33:48,880
Speaker 3: can't look through texts because they're like cheating on their wife,

771
00:33:49,240 --> 00:33:52,520
Speaker 3: you know what I mean, Like like my text actually,

772
00:33:52,680 --> 00:33:54,960
Speaker 3: I mean I'm sure, I like, I don't know I

773
00:33:54,960 --> 00:33:56,520
Speaker 3: have said a mean thing about someone. I don't want

774
00:33:56,520 --> 00:33:59,200
Speaker 3: someone to see it, but like there's nothing truly incriminating

775
00:33:59,240 --> 00:34:02,440
Speaker 3: in there, right, Whereas I do think the things that

776
00:34:03,600 --> 00:34:06,000
Speaker 3: men say about women women say about men are like

777
00:34:06,480 --> 00:34:10,360
Speaker 3: so hurtful totally that I think they could like ruin relationships.

778
00:34:10,440 --> 00:34:12,719
Speaker 2: I could not agree more I any time I've ever

779
00:34:12,760 --> 00:34:14,480
Speaker 2: seen like a dayline or anything like that, when they

780
00:34:14,480 --> 00:34:17,040
Speaker 2: start going through the text messages, I am stunned about

781
00:34:17,040 --> 00:34:19,879
Speaker 2: what they say about I also feel like, and maybe

782
00:34:19,880 --> 00:34:22,920
Speaker 2: this is wrong, I've never really been like with a

783
00:34:22,960 --> 00:34:24,839
Speaker 2: partner or anything like that. I've never had like a

784
00:34:24,840 --> 00:34:30,200
Speaker 2: text fight. Oh yeah, and I feel like that no dayline,

785
00:34:30,239 --> 00:34:31,720
Speaker 2: I see text I've never.

786
00:34:31,680 --> 00:34:35,440
Speaker 5: Had a text fight with a romantic partner. Yes, same,

787
00:34:36,040 --> 00:34:37,799
Speaker 5: and the only people I have it It's like I

788
00:34:37,840 --> 00:34:40,399
Speaker 5: can't even It's just like I don't do that, right,

789
00:34:40,600 --> 00:34:41,120
Speaker 5: I don't.

790
00:34:40,960 --> 00:34:43,080
Speaker 2: Do People will try to do that, and yes, that's

791
00:34:44,640 --> 00:34:46,560
Speaker 2: I feel like I've done that with a like maybe

792
00:34:46,560 --> 00:34:48,120
Speaker 2: in the past with a friend or two, but I've

793
00:34:48,120 --> 00:34:48,880
Speaker 2: never done it with anyone.

794
00:34:49,200 --> 00:34:50,960
Speaker 5: If I'm like having to pull out a laptop to

795
00:34:51,040 --> 00:34:53,439
Speaker 5: really make my point where it shit's over, like, let's

796
00:34:53,480 --> 00:34:54,240
Speaker 5: talk on the phote.

797
00:34:54,280 --> 00:34:58,080
Speaker 3: This is why I have so much rage about the

798
00:34:58,120 --> 00:35:01,280
Speaker 3: passive aggressive lol. At the end, this is like what imagine,

799
00:35:01,360 --> 00:35:03,799
Speaker 3: you know, Let's say you're running later something and someone

800
00:35:03,800 --> 00:35:05,400
Speaker 3: texts you, well, I'm already.

801
00:35:05,120 --> 00:35:06,239
Speaker 2: Here lol or something.

802
00:35:06,239 --> 00:35:11,240
Speaker 3: It's like, so you're mad be open about like, don't

803
00:35:11,440 --> 00:35:12,680
Speaker 3: what are you trying to.

804
00:35:12,640 --> 00:35:15,759
Speaker 2: Do with that? Lol? No responses. I don't like that.

805
00:35:16,040 --> 00:35:18,560
Speaker 2: I agree. It is very passive aggressive. It's almost worse

806
00:35:18,600 --> 00:35:19,960
Speaker 2: than the thumbs up completely.

807
00:35:20,040 --> 00:35:24,279
Speaker 5: Yeah, the thumbs up I can get on board with

808
00:35:24,320 --> 00:35:26,040
Speaker 5: sometimes really sometimes.

809
00:35:25,840 --> 00:35:27,600
Speaker 2: Sometimes I'm like, yeah, you don't love.

810
00:35:27,480 --> 00:35:31,239
Speaker 3: This, oh well, just sometimes it is a legitimate thumbs up,

811
00:35:31,239 --> 00:35:33,120
Speaker 3: and sometimes it's a past aggressive thumbs up. Though I

812
00:35:33,160 --> 00:35:35,239
Speaker 3: could do a thumbs up if it's informational, like if

813
00:35:35,280 --> 00:35:38,160
Speaker 3: it's like, yeah, hey, here by two thirty and you

814
00:35:38,160 --> 00:35:39,359
Speaker 3: have done him, you got it.

815
00:35:39,640 --> 00:35:43,840
Speaker 5: There's a certain level of passive aggression that I'm very like.

816
00:35:43,880 --> 00:35:45,400
Speaker 5: I'm like, it doesn't read to me.

817
00:35:45,560 --> 00:35:46,640
Speaker 2: Okay, that's it has to be.

818
00:35:46,680 --> 00:35:47,960
Speaker 4: Like the lol does read to me.

819
00:35:48,000 --> 00:35:49,880
Speaker 5: But if it's like a thumbs up, a passers up,

820
00:35:49,880 --> 00:35:51,719
Speaker 5: I'm like, I'm not looking into whether or not this

821
00:35:51,800 --> 00:35:55,400
Speaker 5: is passive aggressive. Yeah, I'm hitting thumbs up on the

822
00:35:55,400 --> 00:35:55,880
Speaker 5: thumbs up.

823
00:35:56,320 --> 00:35:56,879
Speaker 4: Let's do this.

824
00:35:57,440 --> 00:35:58,800
Speaker 2: That's that's confident truly.

825
00:35:59,760 --> 00:36:01,440
Speaker 3: But okay, I want to I want to go by

826
00:36:01,440 --> 00:36:03,200
Speaker 3: ex dancy, but first I want to hear more about

827
00:36:03,239 --> 00:36:05,560
Speaker 3: the men showing you photos on their PHONECA. I agree

828
00:36:05,600 --> 00:36:09,640
Speaker 3: they surprising taking artistic photographs.

829
00:36:09,200 --> 00:36:12,520
Speaker 2: Right, it's a lot of someone try. I'm thinking specifically

830
00:36:12,600 --> 00:36:14,360
Speaker 2: of two husbands of friends of mine who I adore.

831
00:36:14,400 --> 00:36:16,640
Speaker 2: By the way, they're fabulous, but every time they go

832
00:36:16,719 --> 00:36:19,680
Speaker 2: on vacation, they sit next to me and show me

833
00:36:19,719 --> 00:36:22,320
Speaker 2: sort of this is the hotel, this is the omelet. Okay,

834
00:36:22,400 --> 00:36:25,040
Speaker 2: this is the angle, this is the lighting, you're pointing

835
00:36:25,040 --> 00:36:28,560
Speaker 2: to something actually, so not actually you're pointing to something

836
00:36:28,640 --> 00:36:30,000
Speaker 2: because actually it's also passive agress.

837
00:36:30,040 --> 00:36:34,319
Speaker 4: It's very surprising to me. We didn't expect that from you.

838
00:36:35,160 --> 00:36:40,479
Speaker 3: Okay, this reminds me. I think in a nuclear family, Okay,

839
00:36:40,600 --> 00:36:43,680
Speaker 3: husband to wife, three kids, the wife wants to take

840
00:36:43,680 --> 00:36:45,880
Speaker 3: photos of the family. The husband wants to take photos

841
00:36:45,920 --> 00:36:46,680
Speaker 3: of inanimate.

842
00:36:46,360 --> 00:36:49,840
Speaker 2: Objects, buildings. You know what I mean. No, you're absolutely.

843
00:36:49,800 --> 00:36:51,400
Speaker 3: It is like when we were on vacation when I

844
00:36:51,440 --> 00:36:53,160
Speaker 3: was a kidding, we were on vacation. My dad would

845
00:36:53,160 --> 00:36:56,279
Speaker 3: have a video like a camquarder. We would all be here.

846
00:36:56,520 --> 00:36:59,960
Speaker 3: He would be taking the view like video of the

847
00:37:00,160 --> 00:37:02,480
Speaker 3: you going right and then left and right, and my

848
00:37:02,480 --> 00:37:03,360
Speaker 3: mom will be like, can.

849
00:37:03,239 --> 00:37:05,320
Speaker 2: You take the kid? Can you point it to the kids?

850
00:37:06,080 --> 00:37:09,000
Speaker 5: Well, it's almost legal, like you're like showing people like no,

851
00:37:09,120 --> 00:37:10,920
Speaker 5: we were there, yes, yeah, like look at.

852
00:37:10,920 --> 00:37:12,960
Speaker 2: This, we did see this. This part.

853
00:37:13,480 --> 00:37:16,960
Speaker 5: This is more I kind of think it's also something

854
00:37:17,080 --> 00:37:20,960
Speaker 5: similar to that is they need you to experience it

855
00:37:21,000 --> 00:37:24,359
Speaker 5: as they experience it. It can't be comfortable with you

856
00:37:24,480 --> 00:37:25,680
Speaker 5: having a different experience.

857
00:37:26,000 --> 00:37:28,080
Speaker 2: That's why like sunset photos I think are very straight

858
00:37:28,120 --> 00:37:30,120
Speaker 2: coded too, or.

859
00:37:30,040 --> 00:37:31,880
Speaker 3: Like I mean, I understand the moon is more queer,

860
00:37:31,920 --> 00:37:35,240
Speaker 3: but like the moon is also like straight woman being.

861
00:37:35,040 --> 00:37:38,000
Speaker 2: Like, yeah it is. They do what they want you

862
00:37:38,080 --> 00:37:39,600
Speaker 2: to feel it in real time with them and be

863
00:37:39,640 --> 00:37:42,440
Speaker 2: like I know you can't go yeah, but allow me

864
00:37:42,480 --> 00:37:42,920
Speaker 2: to give.

865
00:37:42,800 --> 00:37:45,600
Speaker 5: You how I ex because I when I experienced something,

866
00:37:45,600 --> 00:37:47,680
Speaker 5: I'm like, I know this will only be my experience.

867
00:37:47,760 --> 00:37:48,279
Speaker 4: I had fun.

868
00:37:48,320 --> 00:37:50,239
Speaker 5: I hope you enjoyed that I had fun. Yeah, but

869
00:37:50,440 --> 00:37:51,560
Speaker 5: I don't need you to know how.

870
00:37:51,400 --> 00:37:54,359
Speaker 4: The omelet was. Some people really need you to know.

871
00:37:54,520 --> 00:37:55,080
Speaker 2: It's true.

872
00:37:55,239 --> 00:37:57,920
Speaker 3: My ex who I love were together for six years.

873
00:37:58,000 --> 00:38:00,480
Speaker 3: One time we were with this family some sort of

874
00:38:00,640 --> 00:38:02,960
Speaker 3: ication environment, and we were watching the sunset and then

875
00:38:03,480 --> 00:38:05,759
Speaker 3: he goes to me, just so you know, my dad

876
00:38:05,880 --> 00:38:09,560
Speaker 3: is like very particular about like everyone having to look.

877
00:38:09,719 --> 00:38:13,000
Speaker 2: At the sun at the moment it sets, so like.

878
00:38:13,160 --> 00:38:16,920
Speaker 3: Make sure when it's about to like actually go you

879
00:38:16,920 --> 00:38:18,760
Speaker 3: know behind the mountain you're looking.

880
00:38:22,840 --> 00:38:25,239
Speaker 2: That is so so wow, Like.

881
00:38:26,600 --> 00:38:30,600
Speaker 3: It's good to know what's the punishment for It's I

882
00:38:30,640 --> 00:38:34,040
Speaker 3: just think it's like he values it, and if you

883
00:38:34,080 --> 00:38:38,360
Speaker 3: don't value it, that's much. That's like a genuine difference

884
00:38:38,400 --> 00:38:40,080
Speaker 3: in values. It's like, so you're the type of person

885
00:38:40,080 --> 00:38:41,839
Speaker 3: that doesn't care about natural beauty in this way.

886
00:38:41,920 --> 00:38:44,439
Speaker 2: Writing with my dad is always like he like, we'll

887
00:38:44,440 --> 00:38:46,680
Speaker 2: be talking, he interrupts me constantly and he's like, wow,

888
00:38:46,760 --> 00:38:49,160
Speaker 2: have you seen that before? And I'm like, I know

889
00:38:49,360 --> 00:38:52,440
Speaker 2: that's I'm so glad that super Cuts has a new location.

890
00:38:52,680 --> 00:38:55,640
Speaker 2: Like this is ridiculous, but they love it. They want

891
00:38:56,120 --> 00:39:00,920
Speaker 2: the experiential thing. I think, yeah, completely wild. Sunset story

892
00:39:01,000 --> 00:39:05,319
Speaker 2: is crazy, but you're so You're so right that they

893
00:39:05,400 --> 00:39:07,360
Speaker 2: want you to experience it like they experienced.

894
00:39:07,440 --> 00:39:12,040
Speaker 4: Yeah. Well, it's like because their experience is like normal.

895
00:39:11,800 --> 00:39:14,160
Speaker 2: Their experience is a default experience, right.

896
00:39:25,680 --> 00:39:28,600
Speaker 5: So SUSA dancing because I honestly do feel like we

897
00:39:28,880 --> 00:39:29,840
Speaker 5: really out to the bottom of it.

898
00:39:29,920 --> 00:39:30,160
Speaker 2: I know.

899
00:39:30,280 --> 00:39:33,640
Speaker 3: That was really that was a great conversation. Yeah, okay, Wow,

900
00:39:34,480 --> 00:39:36,720
Speaker 3: it's been a while since we've done two full topics

901
00:39:36,760 --> 00:39:38,080
Speaker 3: and aced both of them.

902
00:39:38,719 --> 00:39:40,680
Speaker 5: Yeah, well we haven't gotten our grade yet.

903
00:39:40,560 --> 00:39:44,319
Speaker 2: For dancing notebooks.

904
00:39:44,960 --> 00:39:48,239
Speaker 3: What's your experience with this? Like, what what sparked the

905
00:39:48,320 --> 00:39:49,600
Speaker 3: interest in talking about sausage?

906
00:39:49,680 --> 00:39:52,680
Speaker 2: It just always seems to be and really the experience

907
00:39:52,719 --> 00:39:55,080
Speaker 2: is from pop culture that when when couples are not

908
00:39:55,280 --> 00:39:59,319
Speaker 2: doing well, they'll take a ballroom class or they'll take.

909
00:39:59,480 --> 00:40:02,200
Speaker 2: This is also so something that happens a lot on

910
00:40:02,600 --> 00:40:05,600
Speaker 2: housewives or things like that, you you know what I mean.

911
00:40:05,640 --> 00:40:08,280
Speaker 2: They go in and do something like this to reconnect

912
00:40:08,400 --> 00:40:11,439
Speaker 2: or to spice up their marriage. And it does seem

913
00:40:11,440 --> 00:40:13,800
Speaker 2: to be sols some more than any other genre of dance.

914
00:40:14,360 --> 00:40:18,680
Speaker 2: And I feel the same about sort of a pottery

915
00:40:18,719 --> 00:40:21,919
Speaker 2: class or a sip and sea. It just those things

916
00:40:21,960 --> 00:40:24,840
Speaker 2: never seem to me to be terribly queer. So I

917
00:40:25,600 --> 00:40:28,799
Speaker 2: don't know, it's just it's wild to me that in

918
00:40:28,840 --> 00:40:30,879
Speaker 2: the way that you guys had someone on recently who

919
00:40:30,880 --> 00:40:32,480
Speaker 2: was talking about might have been Caleb, who was talking

920
00:40:32,520 --> 00:40:36,600
Speaker 2: about hobbies and how people have separate hobbies. I wonder

921
00:40:36,600 --> 00:40:41,520
Speaker 2: if straight couples just don't connect as this is so general.

922
00:40:42,920 --> 00:40:46,160
Speaker 3: Yes, they need like a forced organized environment right to

923
00:40:46,239 --> 00:40:49,920
Speaker 3: do the same thing, because so much of you know,

924
00:40:50,040 --> 00:40:52,640
Speaker 3: stereotypical straight thing is like the man wants to watch

925
00:40:52,680 --> 00:40:54,520
Speaker 3: the game, the woman wants to shop for handbag.

926
00:40:54,600 --> 00:40:58,680
Speaker 2: Correct, Yeah, exactly, ta ta, And it's an expression of

927
00:40:58,719 --> 00:41:00,160
Speaker 2: a man doing what a woman wants.

928
00:41:00,440 --> 00:41:00,640
Speaker 5: Yeah.

929
00:41:01,440 --> 00:41:04,600
Speaker 3: The other thing is, well, it's both because it is

930
00:41:04,640 --> 00:41:07,440
Speaker 3: a man being quote unquote vulnerable enough to dance, but

931
00:41:07,480 --> 00:41:10,600
Speaker 3: it's also a man being manly and that he is

932
00:41:10,600 --> 00:41:12,920
Speaker 3: doing the male role in dancing like there's actually it's

933
00:41:12,920 --> 00:41:15,800
Speaker 3: actually masculine and like an Antonio bender is like, way

934
00:41:15,920 --> 00:41:17,680
Speaker 3: to be the male in the salsa dancing.

935
00:41:17,800 --> 00:41:19,360
Speaker 2: I walk forward, you walk exactly.

936
00:41:19,560 --> 00:41:21,600
Speaker 3: Yeah, so you get to have you get to have

937
00:41:21,640 --> 00:41:23,359
Speaker 3: your cake and either too, you get your man gets

938
00:41:23,360 --> 00:41:27,280
Speaker 3: to be both more masculine and feminine in the dancing

939
00:41:27,360 --> 00:41:32,000
Speaker 3: way in a way that like displays vulnerability that.

940
00:41:31,960 --> 00:41:34,640
Speaker 2: Makes the perfect man. Literally, I do feel like the.

941
00:41:34,600 --> 00:41:38,840
Speaker 5: Biggest the biggest issue according to straight couples, I feel

942
00:41:38,920 --> 00:41:41,759
Speaker 5: is that the man not being romantic. Yes, the man

943
00:41:41,880 --> 00:41:44,080
Speaker 5: being like, I want to have sex with you, and

944
00:41:44,120 --> 00:41:45,720
Speaker 5: then one we be like, okay, be romantic.

945
00:41:45,760 --> 00:41:47,759
Speaker 2: We never go on dates anymore exactly.

946
00:41:48,400 --> 00:41:50,239
Speaker 5: But of course this is where it gets complicated because

947
00:41:50,239 --> 00:41:51,840
Speaker 5: I'm not in them, so I don't really know, and

948
00:41:51,880 --> 00:41:52,839
Speaker 5: every single person I know.

949
00:41:52,840 --> 00:41:53,800
Speaker 4: Is LGBTQ plus.

950
00:41:54,320 --> 00:41:56,680
Speaker 5: But I do feel like that's the big issue, and

951
00:41:56,719 --> 00:41:59,080
Speaker 5: the salsa dancing is the way to be like it's

952
00:41:59,200 --> 00:42:02,480
Speaker 5: romance training wheels where it's like, what if someone.

953
00:42:02,280 --> 00:42:03,960
Speaker 4: Teaches you how to be romantic?

954
00:42:04,400 --> 00:42:07,600
Speaker 2: Yes, and we can both have our moment. Here's my

955
00:42:08,000 --> 00:42:12,279
Speaker 2: question with salsa dancing classes, is what are you training for?

956
00:42:12,719 --> 00:42:14,920
Speaker 3: Like, are you then go are you then entering a

957
00:42:14,960 --> 00:42:19,480
Speaker 3: salsa community? Because I'm like so many classes people take,

958
00:42:19,560 --> 00:42:21,160
Speaker 3: Like if you're taking a language class, maybe you want

959
00:42:21,160 --> 00:42:24,359
Speaker 3: to travel to France. If you're taking a some sort

960
00:42:24,400 --> 00:42:26,760
Speaker 3: of athletic thing, it's because you want to play tennis,

961
00:42:26,800 --> 00:42:31,239
Speaker 3: like I do. Think dancing embedded in are If you're

962
00:42:31,280 --> 00:42:34,720
Speaker 3: like a Los Angeles based accountant, where are you going

963
00:42:34,880 --> 00:42:37,040
Speaker 3: to then naturally do salta dance.

964
00:42:37,280 --> 00:42:40,960
Speaker 2: Is the class you go after the classes? Like what

965
00:42:41,080 --> 00:42:41,919
Speaker 2: is it building towards?

966
00:42:42,000 --> 00:42:44,000
Speaker 5: I think it's just you're learning how to like touch,

967
00:42:44,560 --> 00:42:47,319
Speaker 5: Like you're really like literally like relearning how to touch

968
00:42:47,360 --> 00:42:47,719
Speaker 5: each other.

969
00:42:47,840 --> 00:42:52,360
Speaker 2: It also seems like a very difficult dance. Is there's

970
00:42:52,480 --> 00:42:53,200
Speaker 2: so much rhythm?

971
00:42:53,360 --> 00:42:55,400
Speaker 4: Yes, yes, well that as well.

972
00:42:55,480 --> 00:42:57,760
Speaker 2: Yeah.

973
00:42:57,840 --> 00:43:02,400
Speaker 3: I always love when people go raight for flamenco, you know,

974
00:43:02,480 --> 00:43:05,160
Speaker 3: because that's I'm like, okay, let's go big or go home.

975
00:43:05,200 --> 00:43:10,479
Speaker 2: When people go straight for flamenco. Yeah, I gotta say

976
00:43:10,560 --> 00:43:15,080
Speaker 2: it's bold. Yeah, and there is a soloism to it. Also,

977
00:43:15,160 --> 00:43:22,760
Speaker 2: you get off for each other the dancing emoji, dancing emoji, it's.

978
00:43:22,600 --> 00:43:26,040
Speaker 5: True, but also you know at some point in straight

979
00:43:26,080 --> 00:43:28,160
Speaker 5: people's lives, you age out of being able to dance,

980
00:43:29,040 --> 00:43:32,960
Speaker 5: like not physically, but like it is socially weird.

981
00:43:32,719 --> 00:43:36,640
Speaker 2: Whereas if you're gay, you can nightlife origin.

982
00:43:36,680 --> 00:43:40,840
Speaker 5: Sixty times your church as your church, you're required to go, yeah,

983
00:43:40,880 --> 00:43:42,879
Speaker 5: and you actually are are shamed if you don't go,

984
00:43:43,480 --> 00:43:46,640
Speaker 5: Like I do. Feel like dancing is something like even

985
00:43:46,640 --> 00:43:50,200
Speaker 5: as I'm older, I'm like, okay, I still can go

986
00:43:50,280 --> 00:43:52,000
Speaker 5: here and I and I sometimes need to.

987
00:43:52,320 --> 00:43:54,799
Speaker 3: I sometimes come for myself being like I actually don't

988
00:43:54,800 --> 00:43:56,640
Speaker 3: really go out dancing that much, but because I'm gay,

989
00:43:56,680 --> 00:43:58,560
Speaker 3: if I decide I want to start doing that at

990
00:43:58,719 --> 00:43:59,920
Speaker 3: fifty seven, I can.

991
00:44:00,080 --> 00:44:00,520
Speaker 7: No problem.

992
00:44:00,800 --> 00:44:03,520
Speaker 2: Yeah, for sure. It's nice to know that, you know,

993
00:44:03,560 --> 00:44:05,000
Speaker 2: there's no rush, there's no rush.

994
00:44:05,120 --> 00:44:06,480
Speaker 4: No rush, but it is.

995
00:44:06,480 --> 00:44:08,359
Speaker 5: There's it's like one of those things that we need

996
00:44:08,400 --> 00:44:12,680
Speaker 5: to do and like straight people only get to do

997
00:44:12,719 --> 00:44:15,840
Speaker 5: it at weddings. You have to do this a lot more.

998
00:44:16,280 --> 00:44:18,319
Speaker 2: Unless you're in some sort of like a I don't

999
00:44:18,320 --> 00:44:20,399
Speaker 2: know if there's a hit class that incorporates that sort

1000
00:44:20,400 --> 00:44:23,560
Speaker 2: of a thing, but oh there is, going Yes exactly,

1001
00:44:23,719 --> 00:44:25,200
Speaker 2: that's true, which is why people.

1002
00:44:24,960 --> 00:44:26,360
Speaker 4: Fall in love with their hit classes.

1003
00:44:26,760 --> 00:44:28,600
Speaker 2: It's so true. Sexy.

1004
00:44:28,840 --> 00:44:30,560
Speaker 4: You need to go with your partners.

1005
00:44:30,600 --> 00:44:32,520
Speaker 2: You don't accidentally fall in love with someone else. But

1006
00:44:32,560 --> 00:44:34,600
Speaker 2: I feel like my grandmother used to always complain that

1007
00:44:34,600 --> 00:44:37,440
Speaker 2: my grandfather wouldn't take her dance and stuff like that. Yeah.

1008
00:44:37,600 --> 00:44:40,840
Speaker 3: Yeah, it's interesting when people hidden desires are. I was

1009
00:44:40,840 --> 00:44:46,560
Speaker 3: once at this very very fabulous and cool older woman's

1010
00:44:46,560 --> 00:44:49,080
Speaker 3: apartment and it was revealed to me that her hobby

1011
00:44:49,160 --> 00:44:50,840
Speaker 3: is aerl fabrics.

1012
00:44:51,200 --> 00:44:52,560
Speaker 4: That is the real type.

1013
00:44:52,880 --> 00:44:54,440
Speaker 2: That is that.

1014
00:44:55,920 --> 00:44:57,919
Speaker 5: When you when you graduate from yoga and you say

1015
00:44:57,920 --> 00:44:59,360
Speaker 5: this isn't dangerous totally.

1016
00:45:00,360 --> 00:45:02,960
Speaker 2: You're on the joints than yoga even really, yes, I

1017
00:45:03,000 --> 00:45:05,480
Speaker 2: think because I think you're not ever you're not touching

1018
00:45:05,480 --> 00:45:07,960
Speaker 2: ground or anything hard. No, but you can fall, you

1019
00:45:08,000 --> 00:45:11,640
Speaker 2: can break your necks. Don't feel like stretching more or something? Yeah,

1020
00:45:11,640 --> 00:45:13,759
Speaker 2: maybe I don't. I can't see it.

1021
00:45:14,000 --> 00:45:17,200
Speaker 3: I could see it being safer in the grand scheme

1022
00:45:17,280 --> 00:45:18,520
Speaker 3: of things than yoga.

1023
00:45:18,719 --> 00:45:21,680
Speaker 2: Yeah, yeah, because I don't know how much of it.

1024
00:45:21,880 --> 00:45:25,520
Speaker 2: I mean, arrow yogas yoga people are about to really

1025
00:45:25,600 --> 00:45:27,719
Speaker 2: pop off on me, but that's a big part of

1026
00:45:27,719 --> 00:45:29,880
Speaker 2: our Yeah, for them.

1027
00:45:29,840 --> 00:45:31,759
Speaker 5: They say a lot of shit about us, do they

1028
00:45:31,880 --> 00:45:33,759
Speaker 5: They listen just to hate on us. Really like, what

1029
00:45:33,760 --> 00:45:35,760
Speaker 5: do they say, Oh that we're too grounded?

1030
00:45:36,200 --> 00:45:38,479
Speaker 2: Yeah, why aren't they in the air? Our silks aren't

1031
00:45:38,480 --> 00:45:40,680
Speaker 2: even actually silk, they're polyester. That's a word I hate

1032
00:45:40,680 --> 00:45:43,120
Speaker 2: more than shit. Silks. Silks, they hate it. Yeah, I

1033
00:45:43,120 --> 00:45:46,400
Speaker 2: don't like silks. I hate it. Yeah, silks. It's so ugly.

1034
00:45:47,000 --> 00:45:50,560
Speaker 2: Anything that feels singular and then is pluralized, Yeah, makes exact.

1035
00:45:50,880 --> 00:45:53,640
Speaker 3: Yeah, although I do like sayings instead of him the

1036
00:45:53,680 --> 00:45:57,560
Speaker 3: band behind behinds like not the Hime sisters like behind

1037
00:45:57,719 --> 00:45:59,919
Speaker 3: behind they are Yeah.

1038
00:46:00,200 --> 00:46:00,919
Speaker 2: Yeah.

1039
00:46:01,000 --> 00:46:04,800
Speaker 3: Monies is a word that either yeah, well because it

1040
00:46:04,880 --> 00:46:07,080
Speaker 3: also what it brings to mind is like interwebs.

1041
00:46:07,480 --> 00:46:10,759
Speaker 4: One time I tried to discuss the word cummies.

1042
00:46:11,480 --> 00:46:15,040
Speaker 2: Oh I remember what is this? The word you made up? No?

1043
00:46:16,040 --> 00:46:18,600
Speaker 3: See, I hadn't really engaged with it a lot either,

1044
00:46:18,880 --> 00:46:21,120
Speaker 3: And Sam was like, you know how everyone says cummies?

1045
00:46:21,560 --> 00:46:22,239
Speaker 2: I never heard of.

1046
00:46:24,040 --> 00:46:26,080
Speaker 5: This was This was when I realized I was in

1047
00:46:26,080 --> 00:46:27,880
Speaker 5: a bubble. One of the many times I was reminded

1048
00:46:27,880 --> 00:46:30,120
Speaker 5: I was in a bubble is I was on stage

1049
00:46:30,120 --> 00:46:32,160
Speaker 5: at I think Union Hall, being like, so, what's the

1050
00:46:32,200 --> 00:46:33,920
Speaker 5: deal with everyone saying commies nowadays?

1051
00:46:34,080 --> 00:46:35,960
Speaker 2: And there was like, no one knows can use it

1052
00:46:36,000 --> 00:46:38,680
Speaker 2: in a sentence, Yeah, so I got on Sniffy's Day

1053
00:46:38,680 --> 00:46:41,799
Speaker 2: because I had to get my cummies. You had to

1054
00:46:41,880 --> 00:46:44,000
Speaker 2: get the cummies, it's disgusting. Or you had to make

1055
00:46:44,040 --> 00:46:44,480
Speaker 2: the coummies.

1056
00:46:44,560 --> 00:46:48,080
Speaker 5: You have to get them. I you you also give them,

1057
00:46:48,120 --> 00:46:49,160
Speaker 5: but you don't brag about that.

1058
00:46:49,280 --> 00:46:51,480
Speaker 2: No, no, no, you just say, like, got to get

1059
00:46:51,480 --> 00:46:51,840
Speaker 2: the commy.

1060
00:46:52,080 --> 00:46:54,120
Speaker 3: It's disgusting. It's the most horrible thing I've ever heard.

1061
00:46:54,160 --> 00:46:55,960
Speaker 3: I suddenly looked like a ken dollar, and there was.

1062
00:46:56,480 --> 00:46:58,600
Speaker 5: There was one summer I was on Fire Island and

1063
00:46:58,640 --> 00:47:00,400
Speaker 5: I kept people kept saying it. I was like to

1064
00:47:00,520 --> 00:47:02,239
Speaker 5: you in a sexual way or like as a bit

1065
00:47:02,440 --> 00:47:05,440
Speaker 5: exam like being like, well, I've got to get my commies,

1066
00:47:05,520 --> 00:47:06,879
Speaker 5: like I'm going over to this guy's house.

1067
00:47:06,960 --> 00:47:08,680
Speaker 2: Is there any other sentence it could be used in?

1068
00:47:11,120 --> 00:47:13,080
Speaker 4: How else could you possibly use I've.

1069
00:47:12,960 --> 00:47:16,360
Speaker 2: Got to get my companies. That really is sick. It's disgusting.

1070
00:47:16,760 --> 00:47:19,160
Speaker 5: It was so horrible, and it made me feel just

1071
00:47:19,360 --> 00:47:22,319
Speaker 5: horrible about sex and gay life style.

1072
00:47:22,360 --> 00:47:23,960
Speaker 3: Do you think it was just like an inside joke

1073
00:47:24,040 --> 00:47:25,640
Speaker 3: with the group of friends and.

1074
00:47:26,400 --> 00:47:29,120
Speaker 5: I heard it in many locations and many day ages.

1075
00:47:29,200 --> 00:47:32,040
Speaker 5: But then it's ages or have you been hearing it.

1076
00:47:32,040 --> 00:47:34,479
Speaker 5: Since then it stopped. Now people have pulled it back.

1077
00:47:34,840 --> 00:47:37,240
Speaker 5: I do still think this is something I've been complaining

1078
00:47:37,239 --> 00:47:41,280
Speaker 5: about privately. We are still in a load culture.

1079
00:47:41,600 --> 00:47:42,680
Speaker 2: Oh I don't like the word load.

1080
00:47:42,800 --> 00:47:43,920
Speaker 4: I hate load culture.

1081
00:47:44,280 --> 00:47:46,960
Speaker 2: I hate being like, oh I got I got two loads.

1082
00:47:47,080 --> 00:47:49,759
Speaker 2: I'm like, you had sex with you still have a mother.

1083
00:47:49,880 --> 00:47:52,160
Speaker 4: There was a give and take here. Stop being like

1084
00:47:52,239 --> 00:47:53,879
Speaker 4: you didn't go to the grocery store one time.

1085
00:47:53,920 --> 00:47:55,759
Speaker 2: The very first message to me on grinder was big

1086
00:47:55,760 --> 00:47:57,520
Speaker 2: loads question mark? Yeah, so gross.

1087
00:47:58,360 --> 00:48:01,480
Speaker 3: So begin with being like, yeah, they're like medium size.

1088
00:48:01,480 --> 00:48:04,200
Speaker 2: I don't even know what that means. Yeah, it makes

1089
00:48:04,200 --> 00:48:07,080
Speaker 2: me sick. Yeah, it is sick. Sick.

1090
00:48:07,120 --> 00:48:07,839
Speaker 4: It's not right.

1091
00:48:08,000 --> 00:48:10,719
Speaker 2: It's not loads, cummies, moneies.

1092
00:48:11,320 --> 00:48:13,839
Speaker 3: It's so complicated, of course, because then the other side,

1093
00:48:13,880 --> 00:48:16,600
Speaker 3: it's like if someone if some if you're opening that

1094
00:48:16,680 --> 00:48:19,799
Speaker 3: strong grinder was like, hey, like I want to take

1095
00:48:19,840 --> 00:48:22,359
Speaker 3: a long walk on the beach. You wouldn't like that either,

1096
00:48:22,480 --> 00:48:25,280
Speaker 3: So it's like you do want some sexuality, Yeah.

1097
00:48:25,719 --> 00:48:27,640
Speaker 4: Just start by Hey what's up right?

1098
00:48:29,360 --> 00:48:32,240
Speaker 5: I Something kind of scary happened to me speaking of loads,

1099
00:48:33,200 --> 00:48:38,080
Speaker 5: Can I hear it? My uncle made made a joke

1100
00:48:38,160 --> 00:48:39,400
Speaker 5: where he said loads like.

1101
00:48:40,239 --> 00:48:41,120
Speaker 2: Is your uncle straight?

1102
00:48:41,520 --> 00:48:41,840
Speaker 4: Yes?

1103
00:48:42,840 --> 00:48:43,680
Speaker 2: What was the joke?

1104
00:48:44,280 --> 00:48:45,840
Speaker 4: It was like getting a load?

1105
00:48:46,080 --> 00:48:47,200
Speaker 2: Like I don't remember.

1106
00:48:46,880 --> 00:48:48,319
Speaker 4: How he said it, but I was.

1107
00:48:48,520 --> 00:48:50,319
Speaker 2: Saying, when you get your cummies, how many loads are

1108
00:48:50,320 --> 00:48:51,120
Speaker 2: we talking? Yeah?

1109
00:48:51,800 --> 00:48:53,200
Speaker 4: I was like, where did you learn.

1110
00:48:55,400 --> 00:48:57,520
Speaker 3: A dad loves Simon? And the dad is like, I

1111
00:48:57,560 --> 00:48:59,840
Speaker 3: don't care how you get your commies. As long as

1112
00:48:59,880 --> 00:49:03,319
Speaker 3: you happy, no matter how many loads you want to take,

1113
00:49:03,480 --> 00:49:05,360
Speaker 3: I will always be here for you. And what I

1114
00:49:05,400 --> 00:49:09,359
Speaker 3: love about mainstream career cinema is I feel like, even

1115
00:49:09,360 --> 00:49:11,440
Speaker 3: in this day and age, there's always going to be

1116
00:49:11,440 --> 00:49:14,200
Speaker 3: a father who accepts it, accepts them being gay, and

1117
00:49:14,239 --> 00:49:15,759
Speaker 3: wants to have that conversation with them.

1118
00:49:16,080 --> 00:49:22,480
Speaker 2: That's absolutely gorgeous. It's the ultimate liberal fantasy. It really

1119
00:49:22,560 --> 00:49:25,200
Speaker 2: just is. Yeah. And by the way, I don't know

1120
00:49:25,239 --> 00:49:26,759
Speaker 2: did that happen for you guys? Was your dad like

1121
00:49:26,800 --> 00:49:30,680
Speaker 2: super cool? In fact? Yes? Nice?

1122
00:49:31,640 --> 00:49:32,040
Speaker 4: Mostly?

1123
00:49:32,200 --> 00:49:34,719
Speaker 2: Yeah? Nice? Good. My dad started I've said this many

1124
00:49:34,719 --> 00:49:35,160
Speaker 2: times before.

1125
00:49:35,280 --> 00:49:37,879
Speaker 3: My dad started quote unquote doing research where he would

1126
00:49:37,880 --> 00:49:40,720
Speaker 3: just like google gay movies and watch them, oh, including

1127
00:49:40,719 --> 00:49:42,719
Speaker 3: some that had like pretty explicit sex scenes, and then

1128
00:49:42,760 --> 00:49:44,040
Speaker 3: he would kind of like come back and be like

1129
00:49:44,080 --> 00:49:46,320
Speaker 3: this one was not as realistic, right.

1130
00:49:48,360 --> 00:49:51,759
Speaker 5: Yeah, Where's I just dragged it on so long. Yeah,

1131
00:49:51,920 --> 00:49:53,359
Speaker 5: my parents were like, okay.

1132
00:49:53,280 --> 00:49:54,120
Speaker 2: Right kind of thing.

1133
00:49:54,239 --> 00:49:54,520
Speaker 6: Yeah.

1134
00:49:54,560 --> 00:49:57,279
Speaker 3: It's funny that the stereotype, of course is like the

1135
00:49:57,360 --> 00:50:00,200
Speaker 3: mom will be more cool because she's a woman, yes,

1136
00:50:00,560 --> 00:50:03,279
Speaker 3: when in fact, I mean, at this point in my life,

1137
00:50:03,320 --> 00:50:05,560
Speaker 3: both my parents are fine. But like I think my

1138
00:50:05,680 --> 00:50:08,040
Speaker 3: mom took more time to like more into the idea

1139
00:50:08,120 --> 00:50:08,600
Speaker 3: of like.

1140
00:50:08,920 --> 00:50:12,280
Speaker 2: The life I could have had. I had a similar experience.

1141
00:50:12,600 --> 00:50:14,919
Speaker 2: My dad was a little bit cooler. Was that cool?

1142
00:50:14,920 --> 00:50:16,759
Speaker 2: Everyone's good now, but neither was that cool with it,

1143
00:50:16,840 --> 00:50:19,279
Speaker 2: But my dad was definitely a little little better about it.

1144
00:50:19,360 --> 00:50:22,680
Speaker 3: Yeah, I think the like simplicity of a dad's brain

1145
00:50:22,840 --> 00:50:26,320
Speaker 3: actually can help. Like if unless there's like a true religion,

1146
00:50:26,520 --> 00:50:30,560
Speaker 3: a religious yes, it's sort of like okay, well all

1147
00:50:30,640 --> 00:50:33,960
Speaker 3: right then yeah. Like there's also whereas a mom is like,

1148
00:50:34,000 --> 00:50:36,640
Speaker 3: so I'm never gonna like have a daughter in law,

1149
00:50:36,719 --> 00:50:38,040
Speaker 3: and like are you gonna have kids?

1150
00:50:38,080 --> 00:50:41,600
Speaker 2: Like thinking about and the moms, especially depending on what

1151
00:50:41,680 --> 00:50:44,200
Speaker 2: generation you were or anything like that, they're part of

1152
00:50:44,280 --> 00:50:48,400
Speaker 2: their fear is they're nervous for you, you know what

1153
00:50:48,440 --> 00:50:51,799
Speaker 2: I mean. And dads don't really completely at skill, so

1154
00:50:51,800 --> 00:50:54,120
Speaker 2: they're afraid for your safety. They're afraid, you know, all

1155
00:50:54,120 --> 00:50:54,640
Speaker 2: these other things.

1156
00:50:54,680 --> 00:50:56,720
Speaker 5: Also, the dads are just like worried you aren't horny,

1157
00:50:57,000 --> 00:50:59,640
Speaker 5: Like they're like, oh, thank god you have sex. I

1158
00:50:59,680 --> 00:51:04,080
Speaker 5: thought were just like, really a weird Yeah you're a loser.

1159
00:51:04,200 --> 00:51:06,040
Speaker 2: Yeah, better to be gay than a loser.

1160
00:51:05,880 --> 00:51:08,440
Speaker 3: Of course, some people can be better than to be

1161
00:51:08,480 --> 00:51:10,359
Speaker 3: gay than Yes, that's absolutely true.

1162
00:51:10,440 --> 00:51:17,000
Speaker 2: Yeah, it goes straight gay. That's the hierarchy exactly. Yeah. Wow,

1163
00:51:17,200 --> 00:51:17,840
Speaker 2: right in the middle.

1164
00:51:18,320 --> 00:51:21,000
Speaker 4: Did we get an a on salsa dancing? Yeah?

1165
00:51:21,160 --> 00:51:21,680
Speaker 2: I think so.

1166
00:51:22,080 --> 00:51:23,600
Speaker 5: I mean we didn't talk about sort of the racial

1167
00:51:23,640 --> 00:51:25,960
Speaker 5: elements of course, what are the racial.

1168
00:51:25,680 --> 00:51:28,440
Speaker 2: Elements, Oh, you mean like the appropriating of the culture

1169
00:51:28,560 --> 00:51:30,279
Speaker 2: kind of thing. Well even just being like, you know,

1170
00:51:30,320 --> 00:51:35,280
Speaker 2: who's good at romance and dancing? Yeah, wait, sausa dancing?

1171
00:51:36,680 --> 00:51:39,000
Speaker 2: What is the heritage of salsa dancing?

1172
00:51:39,160 --> 00:51:40,840
Speaker 7: I would like to chime in and say it is

1173
00:51:41,480 --> 00:51:43,400
Speaker 7: very Caribbean Latino.

1174
00:51:44,080 --> 00:51:46,040
Speaker 2: It is deleting me.

1175
00:51:46,960 --> 00:51:51,080
Speaker 7: Yeah, it is because salsa music. If you there's a

1176
00:51:51,120 --> 00:51:54,000
Speaker 7: fight in the Caribbean who started it? But Puerto Rican

1177
00:51:54,040 --> 00:51:56,600
Speaker 7: salsa is the o G salsa and.

1178
00:51:56,560 --> 00:52:01,799
Speaker 3: That's why Rola is appropriating absolutely from I actually like

1179
00:52:01,960 --> 00:52:04,880
Speaker 3: the wrong neurons went off in my brain, and because

1180
00:52:04,920 --> 00:52:07,400
Speaker 3: of the Rosalia conversation, I then made it Spanish.

1181
00:52:07,480 --> 00:52:11,840
Speaker 7: Well, so Flamenco is like sister to salsa. Maybe salsa

1182
00:52:11,880 --> 00:52:15,560
Speaker 7: derived from Flamenco. I'm not a historian, but Rosa Lea's

1183
00:52:15,600 --> 00:52:18,640
Speaker 7: issue is that she hopped on the reggaeton train because

1184
00:52:18,680 --> 00:52:21,880
Speaker 7: reggaeton was growing in the international market, and so she

1185
00:52:22,160 --> 00:52:27,160
Speaker 7: is originally Flamenco singer, Flamenco whatever, Verry Spain. And then

1186
00:52:27,200 --> 00:52:30,239
Speaker 7: she was like, well, reggaeton is really big right now internationally,

1187
00:52:30,280 --> 00:52:32,520
Speaker 7: and I want to break in to other markets, so

1188
00:52:32,560 --> 00:52:35,960
Speaker 7: I'm gonna be regat Reggaeton is specifically Latino. It is

1189
00:52:36,280 --> 00:52:39,840
Speaker 7: not European at all. So she's like, I'm vivo Latino

1190
00:52:40,080 --> 00:52:42,960
Speaker 7: because she speaks Spanish, she could hop in. But it's like,

1191
00:52:43,000 --> 00:52:45,200
Speaker 7: you're European, babe, You're not Latino.

1192
00:52:45,440 --> 00:52:47,279
Speaker 2: And Becca, what is your podcast called them? Where can

1193
00:52:47,320 --> 00:52:48,160
Speaker 2: people finds?

1194
00:52:48,200 --> 00:52:50,759
Speaker 7: Welcome Barrio's a podcast about all things Pertorico. You can find

1195
00:52:50,760 --> 00:52:52,560
Speaker 7: it anywhere you get podcasts, period.

1196
00:52:53,040 --> 00:52:55,320
Speaker 4: Nice and now we cover the racial element.

1197
00:52:55,600 --> 00:52:56,080
Speaker 2: Thank god.

1198
00:52:58,000 --> 00:53:00,600
Speaker 3: Right, I guess you are correct that we lately like

1199
00:53:01,120 --> 00:53:03,360
Speaker 3: But you know what, though, I think that salsa dancing

1200
00:53:03,640 --> 00:53:08,000
Speaker 3: classes as a genre are so firmly at this point,

1201
00:53:08,120 --> 00:53:10,000
Speaker 3: for so many generations have become firmly rooted in like

1202
00:53:10,040 --> 00:53:15,520
Speaker 3: white suburban culture. It's almost like, how yoga, white yoga

1203
00:53:15,560 --> 00:53:19,800
Speaker 3: is a different genre than any heritage, any heritage that yoga.

1204
00:53:21,200 --> 00:53:23,760
Speaker 3: It's like, if I'm doing yoga, I'm actually appropriating goop culture.

1205
00:53:24,560 --> 00:53:35,960
Speaker 6: Like, yeah, sure, for sure.

1206
00:53:37,640 --> 00:53:38,760
Speaker 2: Shall we do a final segment?

1207
00:53:38,760 --> 00:53:40,319
Speaker 4: I think we might need to do it?

1208
00:53:40,840 --> 00:53:41,320
Speaker 6: Wow?

1209
00:53:42,080 --> 00:53:42,960
Speaker 4: This clue? Why?

1210
00:53:43,040 --> 00:53:43,440
Speaker 2: Yeah?

1211
00:53:43,520 --> 00:53:43,680
Speaker 4: Oh?

1212
00:53:43,719 --> 00:53:46,920
Speaker 3: And please tell everyone when the show starts in New

1213
00:53:47,040 --> 00:53:49,760
Speaker 3: York and where people can buy tickets, presuming on the internet.

1214
00:53:49,880 --> 00:53:53,000
Speaker 2: On the internet. It's right on the internet. The show's

1215
00:53:53,040 --> 00:53:56,120
Speaker 2: live in person though, that's the best part, and you

1216
00:53:56,160 --> 00:54:00,520
Speaker 2: can see it's you can get to HBO's so close. Actually, no,

1217
00:54:00,600 --> 00:54:04,880
Speaker 2: like we're doing now. Yeah, so iHeartRadio. It's god, damn it.

1218
00:54:04,880 --> 00:54:07,440
Speaker 2: I don't know how to YouTube, got it? It's yeah, exactly,

1219
00:54:07,480 --> 00:54:08,040
Speaker 2: it's YouTube.

1220
00:54:08,120 --> 00:54:12,200
Speaker 3: Lie like Pokemon, go to the polls sometimes it is

1221
00:54:12,200 --> 00:54:13,120
Speaker 3: a lot like Pokemon.

1222
00:54:13,200 --> 00:54:15,560
Speaker 2: Go okay if you go to and that it's interactive.

1223
00:54:15,960 --> 00:54:17,320
Speaker 4: Oh cool.

1224
00:54:17,600 --> 00:54:22,239
Speaker 2: July tenth right to August fifteenth, Are you asking me us?

1225
00:54:23,560 --> 00:54:25,680
Speaker 2: Are you mad at me? Show dot com? Or it's

1226
00:54:25,760 --> 00:54:30,040
Speaker 2: the link in my Instagram. No, it's called here the

1227
00:54:30,160 --> 00:54:32,200
Speaker 2: Art Center, which is also in so yeah, it's like

1228
00:54:32,200 --> 00:54:32,960
Speaker 2: down the street from.

1229
00:54:32,800 --> 00:54:34,120
Speaker 3: Well as long as it's in so you can go

1230
00:54:34,160 --> 00:54:36,520
Speaker 3: to Uniclo and and then go through the show.

1231
00:54:37,400 --> 00:54:42,200
Speaker 2: So fav I love Unico Jacerman's store. You're doing so

1232
00:54:42,400 --> 00:54:46,520
Speaker 2: I don't like that. It's agree it's a small and judgmental.

1233
00:54:46,719 --> 00:54:49,480
Speaker 3: Yeah, it absolutely is too small and judgmental. There's never

1234
00:54:49,520 --> 00:54:50,000
Speaker 3: any sales.

1235
00:54:50,040 --> 00:54:53,640
Speaker 2: Weirdly, very difficult for me to do the stores on Broadway,

1236
00:54:53,840 --> 00:54:56,560
Speaker 2: I know, because just the street traffic, just walking as

1237
00:54:56,600 --> 00:54:58,839
Speaker 2: a night it's a nightmare. Yeah. So this is not

1238
00:54:58,880 --> 00:55:03,280
Speaker 2: on broad you know what, it's literally off Broadway. Wow. Yeah,

1239
00:55:03,440 --> 00:55:07,160
Speaker 2: so that's that's that's back. The best part amazing.

1240
00:55:07,400 --> 00:55:09,640
Speaker 5: Well, our final segment it's called shout Outs, And in

1241
00:55:09,640 --> 00:55:11,760
Speaker 5: this segment we pay amash to the grand straight tradition

1242
00:55:11,800 --> 00:55:14,080
Speaker 5: of the radio shout out, shouting out anything that we

1243
00:55:14,120 --> 00:55:16,799
Speaker 5: are enjoying, people, places, things, ideas. We make them up

1244
00:55:16,800 --> 00:55:18,160
Speaker 5: on the spot and we do go.

1245
00:55:18,239 --> 00:55:24,160
Speaker 3: First, I would like to give a shout out to

1246
00:55:24,400 --> 00:55:25,880
Speaker 3: the Slate culture gap fests.

1247
00:55:25,920 --> 00:55:29,840
Speaker 2: Oh my god, is.

1248
00:55:28,560 --> 00:55:31,960
Speaker 3: Is this something in your universital? And it's yeah, so

1249
00:55:32,239 --> 00:55:34,840
Speaker 3: it was just announced that it's ending. Oh really, Sam

1250
00:55:34,880 --> 00:55:36,160
Speaker 3: and I. One of the first things we want it

1251
00:55:36,200 --> 00:55:38,920
Speaker 3: over was that we both starting in literally like college

1252
00:55:38,960 --> 00:55:41,120
Speaker 3: or high school, started listening to the Slate Culture gap Fest.

1253
00:55:41,160 --> 00:55:43,760
Speaker 3: It was maybe the first podcast we ever listened to. Yeah,

1254
00:55:43,800 --> 00:55:48,200
Speaker 3: we have listened to it every week for almost twenty years.

1255
00:55:48,719 --> 00:55:49,880
Speaker 2: It's like how I.

1256
00:55:49,880 --> 00:55:53,680
Speaker 3: Learned about what sort of gen X tastes are up

1257
00:55:53,680 --> 00:55:54,719
Speaker 3: to at any given time.

1258
00:55:55,239 --> 00:55:57,640
Speaker 2: I want to thank the three co.

1259
00:55:57,640 --> 00:56:00,719
Speaker 3: Hosts, Stephen Metcapturalia Turner, and Dana Stevens everything they've given

1260
00:56:00,800 --> 00:56:03,040
Speaker 3: us over the years. We will follow you anywhere you

1261
00:56:03,080 --> 00:56:07,080
Speaker 3: decide to go. If this is a decision that slight.

1262
00:56:06,920 --> 00:56:09,200
Speaker 2: Forced on you, I will be pressing charges.

1263
00:56:09,280 --> 00:56:10,600
Speaker 4: Yeah, let us right.

1264
00:56:10,760 --> 00:56:12,319
Speaker 3: If it is a decision you made for yourself, then

1265
00:56:12,400 --> 00:56:14,720
Speaker 3: of course I celebrate any sort of work life balance

1266
00:56:14,760 --> 00:56:17,640
Speaker 3: that you're seeking. Maybe Steve will finish his book and

1267
00:56:17,760 --> 00:56:19,719
Speaker 3: so I just want to give a huge shout out

1268
00:56:19,760 --> 00:56:22,680
Speaker 3: to everything you've given us over the years. And it's

1269
00:56:22,719 --> 00:56:25,160
Speaker 3: been the honor of my lifetime to be a listener.

1270
00:56:25,320 --> 00:56:25,960
Speaker 2: How sweet.

1271
00:56:26,239 --> 00:56:29,080
Speaker 4: Yeah, that's really shocking. When is it over? Over?

1272
00:56:29,400 --> 00:56:29,759
Speaker 2: They said?

1273
00:56:29,760 --> 00:56:32,799
Speaker 3: I think they said like four more Epps did you

1274
00:56:32,840 --> 00:56:34,719
Speaker 3: listen to this. I haven't they announced it.

1275
00:56:34,640 --> 00:56:36,320
Speaker 4: Because I'm deep in this damn Madonna.

1276
00:56:36,560 --> 00:56:39,239
Speaker 2: Oh yeah, we're listening to like twelve hour Madonna. Oh yeah,

1277
00:56:39,320 --> 00:56:41,480
Speaker 2: I love that podcast. By the way. Oh well, if

1278
00:56:41,480 --> 00:56:43,200
Speaker 2: you stick around, then you'll meet I hope.

1279
00:56:43,239 --> 00:56:48,279
Speaker 5: So what's up everyone. Here's an interesting little twist on

1280
00:56:48,360 --> 00:56:49,280
Speaker 5: the shout out format.

1281
00:56:49,320 --> 00:56:53,080
Speaker 4: I want to give a hesitant shout out to Widow's Bay.

1282
00:56:53,320 --> 00:56:56,560
Speaker 5: Oh yes, I'm watching the show, and half the time

1283
00:56:56,560 --> 00:56:58,880
Speaker 5: I'm like, I love this show, and somebody's watching the

1284
00:56:58,880 --> 00:57:00,920
Speaker 5: show and I'm saying, what are you doing? Where are

1285
00:57:00,920 --> 00:57:04,759
Speaker 5: you going? And it can is there a plane to

1286
00:57:04,840 --> 00:57:08,040
Speaker 5: even land here? And I'm not quite sure, but I

1287
00:57:08,080 --> 00:57:11,319
Speaker 5: do enjoy the vibe. I enjoy the humor, and I

1288
00:57:11,480 --> 00:57:15,200
Speaker 5: enjoy sort of the set decoration. I'm saying, where did

1289
00:57:15,200 --> 00:57:18,320
Speaker 5: you find this decora? It's so real from that era

1290
00:57:18,840 --> 00:57:21,480
Speaker 5: and of that location. And I also want to say

1291
00:57:21,480 --> 00:57:23,680
Speaker 5: shout out to basically everyone that was ever at.

1292
00:57:23,640 --> 00:57:27,200
Speaker 2: Uc B in the years.

1293
00:57:26,480 --> 00:57:28,560
Speaker 4: You know, two thousand and seven twenty twelve.

1294
00:57:28,800 --> 00:57:31,760
Speaker 5: I'm glad that you have these jobs now, and it's

1295
00:57:31,760 --> 00:57:37,520
Speaker 5: honestly instai Je Hiller, Oh well, shout out, Neil Casey.

1296
00:57:37,720 --> 00:57:39,600
Speaker 5: You don't know who I am, but you know when

1297
00:57:39,680 --> 00:57:40,200
Speaker 5: I was.

1298
00:57:40,840 --> 00:57:44,280
Speaker 2: Timbo, love his ass, love Timbo.

1299
00:57:44,480 --> 00:57:48,280
Speaker 5: Oh my god, I mean Anthony and Tammanak shout out,

1300
00:57:48,520 --> 00:57:50,480
Speaker 5: you are crazy.

1301
00:57:50,560 --> 00:57:52,000
Speaker 2: I think might be a secret six pack.

1302
00:57:52,760 --> 00:57:53,560
Speaker 4: I could see that.

1303
00:57:54,000 --> 00:57:56,480
Speaker 2: I think he's like more built than you think. Oh

1304
00:57:56,480 --> 00:57:58,960
Speaker 2: I believe that because you remember he had to do all

1305
00:57:59,000 --> 00:58:00,080
Speaker 2: that stripping.

1306
00:58:00,080 --> 00:58:05,840
Speaker 5: And exactly, so shout out to that show and that

1307
00:58:06,200 --> 00:58:07,440
Speaker 5: generation in that universe.

1308
00:58:07,480 --> 00:58:11,720
Speaker 2: That's it's so same great. I would love to shout out.

1309
00:58:11,760 --> 00:58:13,480
Speaker 2: Even though I didn't love the movie, I love when

1310
00:58:13,480 --> 00:58:16,560
Speaker 2: a movie star is birthed before our eyes. That isn't

1311
00:58:16,560 --> 00:58:19,040
Speaker 2: a typical movie star. And for that reason, Nada ryan'spa.

1312
00:58:19,760 --> 00:58:22,800
Speaker 2: Who Again, I wasn't crazy about back rooms, but I

1313
00:58:22,880 --> 00:58:26,120
Speaker 2: just thought, wow, this is really exciting that re'nada Ryan

1314
00:58:26,160 --> 00:58:28,920
Speaker 2: SPE's going to become a household name hopefully and will

1315
00:58:29,160 --> 00:58:31,200
Speaker 2: just explode. And what a fun choice for her to

1316
00:58:31,280 --> 00:58:34,520
Speaker 2: do that. Totally and by the way, same what she

1317
00:58:34,520 --> 00:58:37,200
Speaker 2: would tell Edgie afore it like, make these people household names.

1318
00:58:37,240 --> 00:58:39,640
Speaker 2: I'm all about it. It's so cool that those are

1319
00:58:39,680 --> 00:58:41,000
Speaker 2: the two actors they think for that movie.

1320
00:58:41,120 --> 00:58:43,760
Speaker 3: Yes, and it's such a savvy decision because it elevates

1321
00:58:43,760 --> 00:58:45,960
Speaker 3: I haven't seen it yet, I haven't. It like elevates

1322
00:58:46,000 --> 00:58:48,920
Speaker 3: this sort of like you two be you know, horror

1323
00:58:49,000 --> 00:58:51,560
Speaker 3: movie to pick two such prestige.

1324
00:58:51,120 --> 00:58:53,840
Speaker 2: Actors exactly and make them so mainstream. So I really

1325
00:58:53,840 --> 00:58:58,000
Speaker 2: appreciate that. Yeah, wow, love it. Yeah, Brian, it's been

1326
00:58:58,120 --> 00:59:00,400
Speaker 2: such a delight. This was so fun on that podcast. Truly.

1327
00:59:00,440 --> 00:59:02,720
Speaker 3: I'm such a fan of the show obviously, and we're

1328
00:59:02,760 --> 00:59:05,160
Speaker 3: fans of yours, and I can't wait to I live

1329
00:59:05,200 --> 00:59:06,440
Speaker 3: in New York, believe it or not, so I will

1330
00:59:06,480 --> 00:59:07,240
Speaker 3: be coming to the show.

1331
00:59:07,280 --> 00:59:08,680
Speaker 2: Will you do you want to come to opening night?

1332
00:59:09,080 --> 00:59:10,120
Speaker 2: Is opening night July tenth?

1333
00:59:10,400 --> 00:59:10,440
Speaker 5: No?

1334
00:59:11,480 --> 00:59:13,120
Speaker 2: When is opening night? Because July tenth is literally my

1335
00:59:13,120 --> 00:59:14,800
Speaker 2: st show's wedding, that's what it is. I'm asking no,

1336
00:59:14,800 --> 00:59:17,480
Speaker 2: But I don't mind if you don't go to that. Okay, Yeah,

1337
00:59:17,560 --> 00:59:20,720
Speaker 2: we'll be in touch. I'll email you, Okay, Okay, bye

1338
00:59:21,480 --> 00:59:21,720
Speaker 2: bye