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Speaker 1: Hey, you Dallas Cowboys.

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Speaker 2: This is Rory, this is Maul, and we are coming

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Speaker 2: to the South Side Music Hall November nineteenth. We hope

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Speaker 2: that you get your tickets now, and I hope somebody

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Speaker 2: bring me some vegan barbecue.

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Speaker 3: Rory. Yes, Unfortunately, as much as I love Dallas, I

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Speaker 3: don't want to go there when the Cowboys are good.

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Speaker 1: But here we are.

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Speaker 2: So cowboys are and d playing very well so that

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Speaker 2: nobody will be depressed. So let's come out and celebrate

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Speaker 2: the Cowboys having a winning season for once in the.

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Speaker 1: Last fifty seven years. Get your tickets now.

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Speaker 3: Please see you Cowboys, cowgirls and cal Days Houston.

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Speaker 2: We're coming to the Houston Improv November twenty if new

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Speaker 2: Roryanmaul dot com now, get your tickets.

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Speaker 1: Rory, this is like a homecoming. Like you said, yeah,

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Speaker 1: we might need to be there for a week. Yeah,

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Speaker 1: I think we need Oh I was thinking a month.

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Speaker 3: I'm gonna do some pop ups at some hookahs spots,

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Speaker 3: strip club work of course, all work for the pod.

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Speaker 1: I want a pod at ONYX right it off on

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Speaker 1: the taxis. Is a meeting, It's a work meeting. Can

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Speaker 1: find me at Camp for Free.

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Speaker 2: Houston, Improv November twenty, Get your tickets now.

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Speaker 4: No Worrin, not niggas.

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Speaker 5: I really met through music, shit if the surreal thuns.

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Speaker 5: I grew well with Polk calls from the fast long story,

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Speaker 5: so fast when they get home, in and hurry.

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Speaker 1: Because we the last of a giant pang of lions.

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Speaker 1: Night man.

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Speaker 2: Welcome to a new episode of the new Rory m

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Speaker 2: All Podcast. I am all, I'm Rory, and we are back.

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Speaker 2: We are in Atlanta at the Culture Lab checond home.

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Speaker 1: Yes you will. Shout out to to Alan Tes. Shout

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Speaker 1: out to Alan Tes for allowing us to come in.

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Speaker 1: Funck you up in here? Yeah? Well raised noise ordinance

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Speaker 1: or just calmly do a podcast.

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Speaker 3: Yeah, and not not destroy anything, put everything back.

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Speaker 2: Be very respectful, Yeah, be mindful, be respectful, and be

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Speaker 2: out in a lot of times.

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Speaker 3: Yes, listen man, I'm Atlanta. Might be home soon.

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Speaker 1: Wow.

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Speaker 3: Yeah, I'm getting there.

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Speaker 1: How you feeling? I am?

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Speaker 3: And you know what's funny, it's freezing in Atlanta now

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Speaker 3: and that was actually felt like home. It kind of

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Speaker 3: made me because I've always talked about.

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Speaker 1: Like mayble walking down Park Avenue today didn't.

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Speaker 3: Like usually I'm always saying like maybe Houston or Austin

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Speaker 3: or Dallas or something would probably be where I would

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Speaker 3: move if I from New York. But you know, obviously

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Speaker 3: with my skin pigmentation and lack there of melanin.

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Speaker 1: Yeah, uh and in need of.

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Speaker 3: SPF at all moments, it's not the safest place for

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Speaker 3: a pale irishman like myself to go. Atlanta now with

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Speaker 3: global warming, it's fucking freezing here.

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Speaker 2: Oh yeah, you can crab down there, you can throw

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Speaker 2: it feels like the Caucasus Mountains outside.

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Speaker 3: It's like New York with space. Yeah, it's it's like everywhere.

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Speaker 2: Central Park Atlanta is Uh, Atlanta definitely feels like home.

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Speaker 4: Uh.

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Speaker 2: We had a great show last night at Sennis Stage.

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Speaker 2: Shout out to everybody that came out to the show. Well,

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Speaker 2: no Saturday night, Sunday night. Excuse me, what is today?

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Speaker 2: But yeah, fuck it man, Today's Monday. We had a

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Speaker 2: great show last night Sunday at Senny Stage. Shout everybody

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Speaker 2: came out. Shout out to the DJ Drama, a lot

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Speaker 2: of fun beat simone Meghan, shout to Saha. Sorry, everybody

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Speaker 2: came out and showed us love support page page.

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Speaker 1: Shout just naming people that were there. Now, yeah, man,

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Speaker 1: that's you know, everybody doesn't agree. Uh?

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Speaker 4: Who was a young lady that Karen?

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Speaker 2: She was great, man. She gives Karen's a good name,

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Speaker 2: a good Karen. Karen over in the stage and shout.

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Speaker 2: Everybody came out. We had a great time. The audience

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Speaker 2: was amazing. The couples we pulled on stage are amazing.

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Speaker 1: All right, I don't know if this is going to

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Speaker 1: be problematic. It is when whenever you ask if it's

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Speaker 1: going to be problematic, you're do you think? Twitter owes

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Speaker 1: us an apology?

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Speaker 2: Twitter owes us an apology. I like where you're going

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Speaker 2: with it, even though I don't know where you're.

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Speaker 1: Going with Are we allowed to ask for apologies? I

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Speaker 1: don't ask for apologies, I demand them. I demand an

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Speaker 1: apology to whoever out there.

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Speaker 3: You think you get a sincere apology when you demand one,

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Speaker 3: you never get apology. Okay, So a few weeks back

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Speaker 3: the Twitter sphere, some of the Instagram streets had put

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Speaker 3: some adjectives on our name. We we we know what

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Speaker 3: canceling is and the lack thereof some adjectives were thrown.

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Speaker 3: I'm never mad at people trying to cancel it. Oh yeah,

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Speaker 3: but it's when you put certain words next to my name.

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Speaker 1: It does bother me a bit. Yeah, I believe we were.

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Speaker 3: And for those that don't know, we did a sketch

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Speaker 3: with Jay of Funds that shout.

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Speaker 1: To jail fhons congratted him and his wife they got

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Speaker 1: married that I'm gonna pull this card.

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Speaker 3: Y'all just weren't smart enough to get I didn't think

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Speaker 3: it was that hard to understand what we were getting

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Speaker 3: at in that sketch, but it came across to a

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Speaker 3: lot of idiots as homophobic, and they called us a

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Speaker 3: lot of names as far as our stance. They did

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Speaker 3: had a lot of evil things to say perfectly the

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Speaker 3: gay community.

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Speaker 2: They said we were homophobic. They we were insensitive, asshole, yes,

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Speaker 2: out of touch, were stupid, out of touch.

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Speaker 3: I I even feel like they called us the F word.

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Speaker 1: Oh absolutely, I feel like those were in this somewhere

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Speaker 1: behind those.

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Speaker 3: Hitten, which is such a weird thing to call if

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Speaker 3: someone you're claiming as homophobic.

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Speaker 2: Exactly, but we will have you know on Twitter, fear

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Speaker 2: that last night we had a lovely couple come to

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Speaker 2: the meet and greet uh.

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Speaker 1: A gentleman off. What was the gentleman's name, I know

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Speaker 1: his his partner.

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Speaker 3: You homophobe, you don't even remember their names.

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Speaker 1: His partner's name.

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Speaker 3: You don't even look at them as people's partner. Just content,

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Speaker 3: you're just content to know.

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Speaker 2: His partner's name was Justin. I forgot the other gentleman's name.

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Speaker 2: But he came up to me and Rory at the

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Speaker 2: meet and.

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Speaker 3: Greet and said, biracial couple too, bi racial?

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Speaker 1: I don't think, no, it's a difference. Look whatever, they're

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Speaker 1: in love.

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Speaker 3: Yeah, we don't get their twenty three meter charts. We

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Speaker 3: don't know if they were they were interracial couple, interracial.

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Speaker 2: Couple, and they they came up to Rory myself and

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Speaker 2: he told us how watching the podcast, listen to the podcast,

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Speaker 2: and listening to Rory and and and myself talked over

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Speaker 2: the weeks made him comfortable with coming out to his

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Speaker 2: friends and his family about being homosexual. And me and

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Speaker 2: Roy looked at each other and was like, excuse me,

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Speaker 2: because if you sit down and read the comments and

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Speaker 2: you feel it in the things, you really feel like it's

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Speaker 2: consistence that everybody feels like this about Rory myself.

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Speaker 1: All their homophobes are this.

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Speaker 2: That that they don't get and it's like, we know

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Speaker 2: we're not, but sometimes you just need not even close.

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Speaker 2: But when you ease comms, you're like, damn, like what

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Speaker 2: do we say.

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Speaker 1: Things that make people feel like this?

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Speaker 2: And for that, for that gentleman and his and his

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Speaker 2: boyfriend to come up to us last night and tell us,

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Speaker 2: you know exactly how comfortable we made him with coming

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Speaker 2: out to his friend and his family, that was all

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Speaker 2: the confirmation we needed.

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Speaker 1: Were like, see, we're not homophobes.

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Speaker 4: Was like, I gotta call my mom.

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Speaker 2: They you know what this is it. I'm coming out today,

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Speaker 2: this is it. I'm not hiding anymore. So we want

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Speaker 2: to think, first of all, think those those those guys

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Speaker 2: were coming out.

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Speaker 1: They were great. They came on stage, kicked it with us, and.

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Speaker 3: His explanation was was cool though, because he was suggesting,

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Speaker 3: you know, as most of us in the era that

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Speaker 3: we grew up in sometimes you know, people older than us,

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Speaker 3: it was a homophobic environment. Words where's we're thrown around?

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Speaker 3: It isn't the easiest place for someone to come out

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Speaker 3: as gay. Oh, And he was saying like he grew

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Speaker 3: up in that type of environment, knows we did, and

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Speaker 3: saw how comfortable we are with that community, how much

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Speaker 3: we don't care.

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Speaker 1: Yeah, he was like that shit made me feel like,

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Speaker 1: if y'all are.

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Speaker 3: So cool with it, I think all the people around

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Speaker 3: me will be cool with it, because I was so

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Speaker 3: scared because I grew up in that environment they wouldn't

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Speaker 3: accept me.

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Speaker 2: Listen, we do know, and we look back at a

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Speaker 2: lot of things we used to say as younger, younger guys,

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Speaker 2: younger kids. We could look back and see how if

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Speaker 2: somebody amongst our crew were homosexual that it was like, ah,

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Speaker 2: it will probably be hard for them to be themselves

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Speaker 2: and admit, like, hey, guys, I know we cracked jokes

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Speaker 2: and things like that, but I'm actually gay. But you know,

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Speaker 2: as men now knowing, we know it's just absolutely stupid

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Speaker 2: for anybody to, you know, look at other people and

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Speaker 2: how they love and who they love and feel some

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Speaker 2: type of way about it. Love who you love, be yourself,

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Speaker 2: be who you are. That's one thing that we stand

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Speaker 2: on over here.

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Speaker 1: We are who we are, We do what we want

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Speaker 1: to do.

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Speaker 2: We have fun, We respect each other, we respect ourselves

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Speaker 2: most importantly, and we just you know, live life and

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Speaker 2: and and have fun.

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Speaker 1: Man.

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Speaker 2: And it was just beautiful to have that couple come

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Speaker 2: out last night and kick it with us and and

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Speaker 2: talk to us, and we had a great time. We

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Speaker 2: had a great time. So shout out to that couple.

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Speaker 2: I'm sorry, I can't remember the other gentleman's name, but Justin.

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Speaker 2: I do remember Justin because he was on stage and

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Speaker 2: he just was. Everything that he said to me last

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Speaker 2: night was funny. He had a girlfriend and then now

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Speaker 2: he has a boyfriend. And then I said, oh, so

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Speaker 2: you're bisexual, and he told me no, I was never bisexual.

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Speaker 2: And I said, Justin, I can't figure out what the

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Speaker 2: fuck you're saying right now, but I love you.

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Speaker 3: And also just I don't know if Julian you took

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Speaker 3: his email down or repeach to somebody. Justin reached out

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Speaker 3: to us because we want to send you guys merch back, but.

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Speaker 1: We sitting gay people merch yeah free. I can't feel

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Speaker 1: like our point.

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Speaker 3: We can't be homophobic gay people merch Obama. So they

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Speaker 3: were the first couple. For those that don't know, in

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Speaker 3: our live shows, we do bring couples up on stage

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Speaker 3: and we play, you know, whiteboard games, certain questions. Our

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Speaker 3: version of never had ever type ship, and they were

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Speaker 3: the first couple and as progressive progressive as I did

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Speaker 3: feel when they walked on stage, I feel like everything

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Speaker 3: he said to us kind of just went out the

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Speaker 3: window of this safe environment because everyone was like nah yeah.

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Speaker 3: I was like, fuck, and here's the greatest It's not

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Speaker 3: a safe enviire.

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Speaker 1: But here's the crazy part. We're in Atlanta.

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Speaker 3: That crowd of any crown should have been absolutely you

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Speaker 3: know who said nah it was.

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Speaker 4: The never mind there was his girlfriend.

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Speaker 1: Yeah, it was exactly was.

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Speaker 3: The down lowers like, nah, I wait, they're living their truth.

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Speaker 3: I was fast unders the look.

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Speaker 1: Oh man. But it was a great night.

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Speaker 3: Man. I was nervous for both of us when they

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Speaker 3: came out, though it was the first time with a

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Speaker 3: live show. I was lightweight nervous on how we were

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Speaker 3: going to handle something because I was like, all right,

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Speaker 3: we got to get the jokes on, and I believe

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Speaker 3: in equality for real, So y'all gonna get the same

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Speaker 3: jokes that everyone else has got. Not I'm not gonna

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Speaker 3: coat this because we have to tiptoe.

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Speaker 1: Around the ship. Yeah, but there was no edit button. No,

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Speaker 1: there was not.

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Speaker 3: That's where the fuck I was nerved.

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Speaker 1: Live phone cameras were out. I didn't know.

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Speaker 3: I didn't know how much of the Bronx was gonna

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Speaker 3: come out of the mall. Hey man, I'm comfortable around

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Speaker 3: as nervous as fuck. When he said he said no,

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Speaker 3: like I had a girlfriend, and Mae was like, why

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Speaker 3: the fuck that work? I was like, ship, this is

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Speaker 3: gonna go off the red people are gonna tape it.

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Speaker 3: But that's but that's the beauty in it.

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Speaker 2: You gotta have those type of conversations where you just

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Speaker 2: like that work, like like I don't care, I'm not mad,

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Speaker 2: I don't I'm not judging you, but just walk me

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Speaker 2: through it.

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Speaker 3: His boyfriend said to me, off off, Mike, when you

250
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Speaker 3: were talking to Justin that He's like, that's how it

251
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Speaker 3: usually starts, like we have to hide it so we

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Speaker 3: get a girlfriend.

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Speaker 1: Yeah, yeah, that's how it happens though.

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Speaker 2: And that's and that's the thing, like when you see

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Speaker 2: guys that are like extremely homophobic, and you gotta kind

256
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Speaker 2: of look at them like, man, why.

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Speaker 1: Are you so bothered by that?

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Speaker 2: Bron We're still don't you still live in my building?

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Speaker 2: Like I'm gonna see you every day, Like I'm not

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Speaker 2: gonna stop talking to you, Like what do you mean

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Speaker 2: by just get that off your chest?

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Speaker 6: Yeah?

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Speaker 1: What you mean by that? What you mean when you

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Speaker 1: see two men holding hands.

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Speaker 3: Like you have, like they took your pension? Like, why

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Speaker 3: you mean by that?

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Speaker 4: Bro?

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Speaker 1: Why you're so upset about that? But it was a

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Speaker 1: beautiful night.

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Speaker 2: Another couple that came on stage was was big said,

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Speaker 2: and uh and his girlfriend Wendy. Yes, I like the

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Speaker 2: big said The poet Patrick Blatch he had he had

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Speaker 2: he had an amazing.

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Speaker 1: Poem poetry book Scott what is it Scott.

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Speaker 3: Scissor and Tape, Yes, Scissor and Tape, which I think

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Speaker 3: had a couple on tendrious or meanings.

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Speaker 1: Yeah, I thought it was either hear no of lesbians

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Speaker 1: banging banging badges, but uh, you had to make it

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Speaker 1: a page forty eight to find that. I was like, oh,

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Speaker 1: all right, here we go, let's roll out all the

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Speaker 1: gay the gay couples.

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Speaker 2: But he had a poem, a poetry book that he wrote,

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Speaker 2: and he gave everybody from the crew a book which

284
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Speaker 2: was dope. And they were great too on stage last

285
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Speaker 2: night as well.

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Speaker 4: I was.

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Speaker 3: I was blown away in London when that person, that

288
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Speaker 3: gentleman had said that he named his son after me.

289
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Speaker 3: I was like, I can't be true. You just liked it,

290
00:12:01,720 --> 00:12:03,120
Speaker 3: and he's like, no, you, I'm like a kid, is

291
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Speaker 3: no future Redhurst And I don't know. I don't know

292
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Speaker 3: what's weirder though, So I think a guy saying Rory

293
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Speaker 3: and Maul or the reason that I was comfortable to

294
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Speaker 3: come out of the closet, it's way crazier than someone.

295
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Speaker 4: I just wanted to know what moment, what was the

296
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Speaker 4: moment that made him like.

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Speaker 2: He told it was it was just to talk about

298
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Speaker 2: us being like, yo, why people are so weirded out

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Speaker 2: by gay couples?

300
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Speaker 4: So it's an actual okay?

301
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Speaker 3: Yeah, And I just think overall that around people know.

302
00:12:31,760 --> 00:12:35,920
Speaker 1: It wasn't the recap of Rosewood. No, absolutely not. Julie

303
00:12:36,000 --> 00:12:37,959
Speaker 1: is sick. No, that wasn't the moment where he was

304
00:12:38,040 --> 00:12:39,959
Speaker 1: like he heard that they went to the box, I'm

305
00:12:40,000 --> 00:12:41,200
Speaker 1: coming out. No, that wasn't.

306
00:12:41,920 --> 00:12:44,200
Speaker 3: Is that is that what's going on in the straight streets? Yeah?

307
00:12:44,200 --> 00:12:46,440
Speaker 1: I can't. I'm good, I'm gonna do this gay thing. Bro,

308
00:12:47,000 --> 00:12:49,640
Speaker 1: I can't do that. I can't do the box is

309
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Speaker 1: not my speed?

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Speaker 3: Yeah, Noah, was there any other highlights? It was just

311
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Speaker 3: a good show.

312
00:13:00,080 --> 00:13:01,480
Speaker 1: The moment and make Meghan came.

313
00:13:01,360 --> 00:13:03,960
Speaker 4: Out of your energy and a little different.

314
00:13:04,280 --> 00:13:07,679
Speaker 3: Yeah, we have to bring you to to center stage here.

315
00:13:07,760 --> 00:13:11,640
Speaker 3: No pun intended to me and Meghan was mad, y'all.

316
00:13:11,679 --> 00:13:13,000
Speaker 3: He was giving it up in the green room.

317
00:13:13,080 --> 00:13:15,079
Speaker 2: Y'all are trying to make me and my friend a

318
00:13:15,160 --> 00:13:19,280
Speaker 2: couple and were friends. We are just I have friends.

319
00:13:19,600 --> 00:13:22,400
Speaker 2: We can just be friends. Why can't we just be friends?

320
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Speaker 4: Okay?

321
00:13:23,320 --> 00:13:26,960
Speaker 3: Well, for those that weren't the show, we played truth

322
00:13:27,040 --> 00:13:29,000
Speaker 3: or there because sometimes it's fun to play kid games

323
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Speaker 3: when you're an adult.

324
00:13:30,600 --> 00:13:33,840
Speaker 2: And Megan Dare decided the kid games, you know, well,

325
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Speaker 2: bring seventh Heaven back as adults.

326
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Speaker 7: Seventh Sven, wait for that one.

327
00:13:40,440 --> 00:13:48,040
Speaker 3: Seven minutes it was seventh, it was it was seven

328
00:13:48,080 --> 00:13:50,720
Speaker 3: minutes of Heaven was a weird game because seven minutes

329
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Speaker 3: making out for seven minutes in a closet.

330
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Speaker 4: We did six as kids.

331
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Speaker 1: Man, Well, we just turned the TV off.

332
00:14:00,040 --> 00:14:02,240
Speaker 2: It's TV right here, Like, we don't have to sit

333
00:14:02,280 --> 00:14:03,520
Speaker 2: in the closet and just look at each other and

334
00:14:03,559 --> 00:14:04,040
Speaker 2: start kissing.

335
00:14:04,200 --> 00:14:05,800
Speaker 1: We got to bring and spin the bottle back. Yeah,

336
00:14:05,880 --> 00:14:08,439
Speaker 1: let's bring all the games back as adults. Roy, but

337
00:14:08,520 --> 00:14:09,160
Speaker 1: we played Truther.

338
00:14:09,240 --> 00:14:12,280
Speaker 3: Darren and Meghan had dared Maul and he said dare

339
00:14:12,320 --> 00:14:14,880
Speaker 3: with his chest like he was down for whatever. And

340
00:14:15,040 --> 00:14:18,760
Speaker 3: Meg was like, all right, post a picture of Biman

341
00:14:18,800 --> 00:14:21,040
Speaker 3: on your ig with the caption of what she was

342
00:14:21,080 --> 00:14:23,040
Speaker 3: giving up in the green room. And Mall was like, yo,

343
00:14:23,080 --> 00:14:26,240
Speaker 3: I got mad plans for be She's my rib twenty

344
00:14:26,320 --> 00:14:29,240
Speaker 3: twenty three is power rib, He's vegan power.

345
00:14:29,320 --> 00:14:29,520
Speaker 7: Yeah.

346
00:14:29,520 --> 00:14:32,600
Speaker 3: I though it was insane that somebody would.

347
00:14:32,400 --> 00:14:33,960
Speaker 1: Call a woman see that's my thing.

348
00:14:34,080 --> 00:14:36,400
Speaker 3: I'm clearly joking, and now they want to bring it

349
00:14:36,440 --> 00:14:39,320
Speaker 3: on just like nah, post like those were jokes. It

350
00:14:39,440 --> 00:14:41,960
Speaker 3: was where he said it out loud. Hashtag power couple.

351
00:14:42,040 --> 00:14:44,800
Speaker 1: I was like, I don't say, I said.

352
00:14:45,280 --> 00:14:47,800
Speaker 3: I was walking around the green room. Hashtag power couple.

353
00:14:47,840 --> 00:14:52,080
Speaker 3: I was like, I said, hashtag power couple around the room,

354
00:14:54,040 --> 00:14:57,560
Speaker 3: hashtag us against them. Well, everyone was like running around

355
00:14:57,560 --> 00:14:59,960
Speaker 3: the room like I was inspired. It was crazy.

356
00:15:00,080 --> 00:15:01,560
Speaker 8: We were all hanging out in the groom talking and

357
00:15:01,680 --> 00:15:03,720
Speaker 8: drama was there. All the guys were talking music and

358
00:15:03,800 --> 00:15:06,000
Speaker 8: you were just in the corner on the couch.

359
00:15:06,320 --> 00:15:09,080
Speaker 1: Corner, and you have footage. I was everywhere but in

360
00:15:09,160 --> 00:15:10,520
Speaker 1: the corner of that green room last night.

361
00:15:10,640 --> 00:15:11,200
Speaker 7: I don't know.

362
00:15:11,840 --> 00:15:16,000
Speaker 1: I don't remember touchy feel he was platonically touching her knee.

363
00:15:16,880 --> 00:15:19,640
Speaker 3: She was a little one of she so had on jeans,

364
00:15:21,840 --> 00:15:23,320
Speaker 3: she had could not see her knee.

365
00:15:23,360 --> 00:15:24,880
Speaker 2: She had a whole shirt with her arms in her

366
00:15:24,920 --> 00:15:26,600
Speaker 2: back out we're talking about. So, I said, you look

367
00:15:26,600 --> 00:15:28,280
Speaker 2: a little ash you have some lotion, and she's like,

368
00:15:28,280 --> 00:15:28,440
Speaker 2: I know.

369
00:15:29,640 --> 00:15:32,400
Speaker 1: No, I didn't know, Megan. That's what I'm saying.

370
00:15:32,640 --> 00:15:35,400
Speaker 2: I offered my friend lotion because she was ashy. And

371
00:15:35,480 --> 00:15:38,200
Speaker 2: now you're asking if I lotioned her back. No, b

372
00:15:38,400 --> 00:15:41,440
Speaker 2: Simoe and I are just friend.

373
00:15:41,560 --> 00:15:43,440
Speaker 3: I believe you gave her a shoulder. Besides, at one

374
00:15:43,520 --> 00:15:47,000
Speaker 3: point last night, Yes, you look so tense because she's.

375
00:15:46,880 --> 00:15:48,280
Speaker 1: A little nervous. He is a little nervous.

376
00:15:48,280 --> 00:15:50,600
Speaker 2: Even though she's a legend and she's an icon, she's

377
00:15:50,880 --> 00:15:53,320
Speaker 2: she still gets a lot nervous before going on stage,

378
00:15:53,320 --> 00:15:55,440
Speaker 2: and she likes to fart and throw up and things

379
00:15:55,520 --> 00:15:55,720
Speaker 2: like that.

380
00:15:56,440 --> 00:15:59,360
Speaker 1: I was making sure she was okay last gotcha. So

381
00:15:59,440 --> 00:16:00,760
Speaker 1: he was in when she had the runs.

382
00:16:00,800 --> 00:16:02,680
Speaker 3: You were in the bathroom, mother, Well, I was offering

383
00:16:03,200 --> 00:16:05,320
Speaker 3: spray and I had baby wipes in my bag as well,

384
00:16:05,400 --> 00:16:07,280
Speaker 3: so I was letting him know if she needed anything.

385
00:16:07,320 --> 00:16:09,400
Speaker 1: I was the guy you were just being a great friend,

386
00:16:09,600 --> 00:16:10,160
Speaker 1: being a great friend.

387
00:16:10,160 --> 00:16:12,600
Speaker 2: Shout out the crystal they sent us, uh some side

388
00:16:12,680 --> 00:16:15,280
Speaker 2: some side chicks, some some tater tots.

389
00:16:15,520 --> 00:16:17,840
Speaker 1: This is not an ad mm hmm.

390
00:16:18,320 --> 00:16:20,720
Speaker 3: That was one of the best chicken sandwhiches I've had.

391
00:16:22,720 --> 00:16:24,880
Speaker 3: I want to know what they sees in that fucking

392
00:16:25,440 --> 00:16:29,680
Speaker 3: bread with culture season with Culture, We're gonna go down

393
00:16:30,520 --> 00:16:35,800
Speaker 3: Britney's box. Good old Brittany in a sweat, throwing the grease.

394
00:16:36,000 --> 00:16:39,280
Speaker 1: Yeah, dipping right in Brittany and Brittany into grease. God,

395
00:16:40,360 --> 00:16:40,880
Speaker 1: but yeah, it was.

396
00:16:41,120 --> 00:16:41,600
Speaker 4: It was fun.

397
00:16:41,840 --> 00:16:44,320
Speaker 3: I wish you would have taken the dare and we

398
00:16:44,360 --> 00:16:46,960
Speaker 3: could have taken that to the next level. I was like, nah,

399
00:16:47,280 --> 00:16:49,640
Speaker 3: and then I couldn't try to say because Meg's married,

400
00:16:49,680 --> 00:16:51,760
Speaker 3: so that would have been weird. And I feel like

401
00:16:52,120 --> 00:16:54,040
Speaker 3: I just have a feeling like her dude used to

402
00:16:54,080 --> 00:16:56,520
Speaker 3: play in the league. She just gives me like I

403
00:16:56,640 --> 00:16:57,800
Speaker 3: date linebacker vibes.

404
00:16:59,680 --> 00:17:00,960
Speaker 1: No, Mega's cool mass.

405
00:17:01,040 --> 00:17:02,360
Speaker 2: I love shout out to make sure out to be

406
00:17:02,440 --> 00:17:05,760
Speaker 2: smoke note for sure part thank them for coming out.

407
00:17:05,840 --> 00:17:07,880
Speaker 1: I feel like somebody else came out. Drama came out.

408
00:17:07,880 --> 00:17:08,080
Speaker 1: We did.

409
00:17:08,119 --> 00:17:11,439
Speaker 3: We did Atlanta Versus. He smoked us in the verses

410
00:17:12,000 --> 00:17:12,800
Speaker 3: shared some take off.

411
00:17:12,960 --> 00:17:15,320
Speaker 2: It was shared some some some some some dope words,

412
00:17:15,400 --> 00:17:18,640
Speaker 2: some real sentimental words about takeoff.

413
00:17:19,480 --> 00:17:23,200
Speaker 1: Rest in peace. But yeah, it was only right that

414
00:17:23,280 --> 00:17:25,960
Speaker 1: Drama smoked us in the vertuse DJ fucking drama man.

415
00:17:26,000 --> 00:17:28,480
Speaker 3: Absolutely, we had some fans come on stage and wrap

416
00:17:28,560 --> 00:17:29,119
Speaker 3: out of nowhere.

417
00:17:29,160 --> 00:17:29,600
Speaker 1: That was fun.

418
00:17:29,920 --> 00:17:32,080
Speaker 4: Yes, that was great.

419
00:17:32,280 --> 00:17:34,280
Speaker 1: Shout out to Mary she she bought us some juices.

420
00:17:34,800 --> 00:17:35,000
Speaker 4: Yeah.

421
00:17:35,119 --> 00:17:37,240
Speaker 2: I took a drink of some of the ginger juice

422
00:17:37,280 --> 00:17:39,439
Speaker 2: that she bought me last night, and I woke up

423
00:17:39,520 --> 00:17:41,160
Speaker 2: and completely emptied my bows today.

424
00:17:41,200 --> 00:17:43,960
Speaker 1: So thank you for that. Marley ran right through me.

425
00:17:44,080 --> 00:17:45,200
Speaker 1: I like a woman with balance.

426
00:17:45,240 --> 00:17:47,240
Speaker 3: She she can pressed juice and knows all the words

427
00:17:47,320 --> 00:17:47,720
Speaker 3: knu if you.

428
00:17:47,920 --> 00:17:51,840
Speaker 1: Oh yeah, you gotta listen. That's part of the released

429
00:17:51,880 --> 00:17:54,840
Speaker 1: from that ass. So that's exactly what I did this morning.

430
00:17:56,000 --> 00:17:58,119
Speaker 3: I was exhausted and typically I would have went right

431
00:17:58,160 --> 00:18:02,080
Speaker 3: to the hotel, but it was just thirtieth birthday, Julian.

432
00:18:02,000 --> 00:18:05,200
Speaker 1: Happy birthday, Julian, man, Thank you, bro. Appreciate everything you do.

433
00:18:05,400 --> 00:18:06,800
Speaker 1: Thirty is a big one. So I was like, man,

434
00:18:06,880 --> 00:18:07,920
Speaker 1: let's let's go to the strip club.

435
00:18:07,960 --> 00:18:09,760
Speaker 3: But our show ended pretty late and it was a

436
00:18:09,800 --> 00:18:11,800
Speaker 3: Sunday night, so all the good strip clubs for some

437
00:18:11,880 --> 00:18:13,399
Speaker 3: reason were closed and we ended up in.

438
00:18:13,440 --> 00:18:15,120
Speaker 1: A fucking hell hole of au.

439
00:18:17,119 --> 00:18:19,560
Speaker 3: We went to a truck stop that happened to have

440
00:18:19,760 --> 00:18:20,280
Speaker 3: naked women.

441
00:18:20,440 --> 00:18:22,919
Speaker 1: Yeah, what was that called the Pink Nipple? Pink pony,

442
00:18:23,000 --> 00:18:24,320
Speaker 1: pink pony. Excuse me?

443
00:18:24,560 --> 00:18:26,359
Speaker 2: There was a lot of pin there was at the

444
00:18:26,400 --> 00:18:28,840
Speaker 2: pink nipples were everywhere and it including yours, Rory.

445
00:18:28,960 --> 00:18:31,359
Speaker 1: But my shirt was on, was it? I thought you had.

446
00:18:31,480 --> 00:18:33,040
Speaker 1: I hadn't seen a white stripper in a long time.

447
00:18:33,080 --> 00:18:34,439
Speaker 1: That was weird. You saw them all.

448
00:18:34,480 --> 00:18:36,399
Speaker 3: There was the last time you seen in Atlanta a

449
00:18:36,440 --> 00:18:38,679
Speaker 3: bunch of white strippers And it was like, damn, they

450
00:18:38,760 --> 00:18:39,000
Speaker 3: make it.

451
00:18:39,080 --> 00:18:42,000
Speaker 4: Like the strip club and Grand Theft Auto, Oh, like a.

452
00:18:42,000 --> 00:18:44,960
Speaker 3: Strip club and the fucking movie from the eighties and

453
00:18:45,160 --> 00:18:48,080
Speaker 3: it's it smelled like remember when you could smoke cigarettes

454
00:18:48,080 --> 00:18:50,800
Speaker 3: and bars. Yeah, it brought me back to when my dad,

455
00:18:50,840 --> 00:18:53,440
Speaker 3: which I think someone should have stopped my father. My

456
00:18:53,560 --> 00:18:54,960
Speaker 3: dad used to bring me to bars when I was

457
00:18:55,000 --> 00:18:58,560
Speaker 3: like a baby, and it just rereaked of Marblo cigarettes

458
00:18:59,080 --> 00:19:01,000
Speaker 3: in the paper. I just brought me back to my childhood.

459
00:19:01,160 --> 00:19:03,159
Speaker 1: Yeah, yikes. It was a It was a good it

460
00:19:03,280 --> 00:19:05,040
Speaker 1: was a good night though it served as purpose.

461
00:19:05,080 --> 00:19:06,560
Speaker 2: We just needed somewhere to go and just chill, have

462
00:19:06,680 --> 00:19:08,760
Speaker 2: some drinks, and you know, we got to see some

463
00:19:08,840 --> 00:19:10,320
Speaker 2: pink nipples and pink asses.

464
00:19:10,440 --> 00:19:13,520
Speaker 1: So at the Pink Pony, it was crazy that you

465
00:19:13,600 --> 00:19:16,680
Speaker 1: had to pay to get in and then they charged

466
00:19:16,720 --> 00:19:18,960
Speaker 1: you you can get in the world.

467
00:19:19,040 --> 00:19:21,600
Speaker 2: Oh god, Valet, it was twenty literally drove your car

468
00:19:21,720 --> 00:19:22,840
Speaker 2: ten feet and was like it had to be one

469
00:19:22,880 --> 00:19:23,400
Speaker 2: hundred dollars.

470
00:19:24,119 --> 00:19:25,960
Speaker 1: Bro, we could have did that ourselves. I didn't know.

471
00:19:26,520 --> 00:19:29,760
Speaker 3: Charged shorty twenty dollars to literally take his foot off

472
00:19:29,840 --> 00:19:31,920
Speaker 3: the break and then put it in park. He put

473
00:19:31,960 --> 00:19:33,480
Speaker 3: it in there, and then and then we then we

474
00:19:33,720 --> 00:19:34,439
Speaker 3: then we drove it out.

475
00:19:34,760 --> 00:19:36,720
Speaker 2: Sick thist, hustle or give you the keyback get look

476
00:19:36,720 --> 00:19:38,200
Speaker 2: for him. I could have did that what you just did,

477
00:19:38,320 --> 00:19:40,280
Speaker 2: like twice like it's I don't need to pay you

478
00:19:40,320 --> 00:19:40,480
Speaker 2: for that.

479
00:19:40,800 --> 00:19:43,800
Speaker 3: And I felt like I got got afterwards because I

480
00:19:43,920 --> 00:19:46,320
Speaker 3: went into the ATM to go pay him, and when

481
00:19:46,320 --> 00:19:48,840
Speaker 3: I came back out, he looked at me like he forgot.

482
00:19:49,200 --> 00:19:52,080
Speaker 3: I was like I should have stayed aside. Oh yeah,

483
00:19:52,160 --> 00:19:54,320
Speaker 3: and I was twenty. I'm like, man, you even work here?

484
00:19:54,960 --> 00:19:57,200
Speaker 1: No the front. You have to pay to gain in.

485
00:19:57,359 --> 00:19:59,520
Speaker 2: Naturally, we don't just walk around with cash. So like, okay,

486
00:19:59,560 --> 00:20:01,800
Speaker 2: I can I have go to a cash in Atlanta?

487
00:20:01,960 --> 00:20:03,600
Speaker 2: Leave me your ID, I said, I have to leave

488
00:20:03,600 --> 00:20:05,160
Speaker 2: my idea at the front to go get cash from

489
00:20:05,160 --> 00:20:07,720
Speaker 2: ATM from the spot that I'm gonna be now inside.

490
00:20:08,320 --> 00:20:09,760
Speaker 1: She said, yes, okay, cool, go do that.

491
00:20:10,240 --> 00:20:13,600
Speaker 2: It's ten dollars every time you withdraw money from the

492
00:20:13,600 --> 00:20:16,000
Speaker 2: ATM machine, and it's only increments of too much dollar.

493
00:20:16,640 --> 00:20:20,320
Speaker 7: God damn, wait, really that's what I took out money?

494
00:20:21,040 --> 00:20:22,719
Speaker 2: And so you know when and I'm thinking, okay, it's

495
00:20:22,800 --> 00:20:24,800
Speaker 2: Julian's birthday, you're gonna have a night.

496
00:20:24,840 --> 00:20:26,720
Speaker 1: I said, you know what, I'm gonna get a thousand singles.

497
00:20:26,800 --> 00:20:27,960
Speaker 1: Let the whole crew have fun tonight.

498
00:20:31,240 --> 00:20:32,040
Speaker 4: And the crew where was I?

499
00:20:32,560 --> 00:20:33,280
Speaker 3: I didn't get a dollar?

500
00:20:33,359 --> 00:20:34,800
Speaker 1: No, listen, Julie was there right there.

501
00:20:34,840 --> 00:20:37,960
Speaker 2: The waitress said, okay, if you get a thousand singles,

502
00:20:38,440 --> 00:20:41,000
Speaker 2: you can't get any more until you throw that whole thousand.

503
00:20:41,240 --> 00:20:42,840
Speaker 4: Oh yeah, they look at me.

504
00:20:43,440 --> 00:20:46,280
Speaker 1: What what you're gonna monitor over?

505
00:20:47,520 --> 00:20:48,080
Speaker 4: Check your pocket?

506
00:20:49,119 --> 00:20:50,520
Speaker 1: Check did he throw everything? Check him?

507
00:20:51,040 --> 00:20:51,760
Speaker 3: What is this like?

508
00:20:51,840 --> 00:20:54,520
Speaker 1: Where am I I've never heard anything like this.

509
00:20:54,680 --> 00:20:57,000
Speaker 2: I said, wait, so I have to completely throw all

510
00:20:57,040 --> 00:20:58,680
Speaker 2: of the singles I get from you right now before

511
00:20:58,680 --> 00:20:59,520
Speaker 2: I can get any more.

512
00:20:59,760 --> 00:21:00,480
Speaker 1: Yeah, said yes.

513
00:21:01,600 --> 00:21:05,080
Speaker 2: I said, ma'am, I've never heard of this policy possibly

514
00:21:05,160 --> 00:21:08,000
Speaker 2: wearing Atlanta. If if anywhere is a strip club town,

515
00:21:08,040 --> 00:21:10,520
Speaker 2: it's Atlanta. What are you talking about? She said, that's

516
00:21:10,600 --> 00:21:11,000
Speaker 2: the rules.

517
00:21:11,240 --> 00:21:14,000
Speaker 3: I said what I said, you know what, I'm going

518
00:21:14,040 --> 00:21:16,280
Speaker 3: to go get these four hundred singles and I'm going

519
00:21:16,359 --> 00:21:16,959
Speaker 3: to have a good night.

520
00:21:17,000 --> 00:21:17,480
Speaker 4: And that's it.

521
00:21:18,119 --> 00:21:20,520
Speaker 2: Twenty dollars for four hundred singles, plus I had to

522
00:21:20,520 --> 00:21:22,200
Speaker 2: pay another ten dollars to get the cast, to get

523
00:21:22,240 --> 00:21:23,800
Speaker 2: everybody in which I had to pay one hundred and

524
00:21:23,840 --> 00:21:25,840
Speaker 2: forty dollars to seven people.

525
00:21:26,440 --> 00:21:28,120
Speaker 3: They really got us because I did the same thing

526
00:21:28,440 --> 00:21:28,760
Speaker 3: to get it.

527
00:21:28,960 --> 00:21:29,560
Speaker 1: I pay everyone.

528
00:21:29,960 --> 00:21:30,920
Speaker 3: Maybe its two different courlation.

529
00:21:31,000 --> 00:21:32,280
Speaker 1: It was the crazy, It was the craziest. It was

530
00:21:32,320 --> 00:21:33,199
Speaker 1: the craziest night ever.

531
00:21:33,280 --> 00:21:35,520
Speaker 8: And then they charges one hundred for that room, that room,

532
00:21:35,880 --> 00:21:37,640
Speaker 8: the skybox, the skybox which had.

533
00:21:37,680 --> 00:21:39,480
Speaker 1: Oh that was only a hundred bucks. Yeah that was

534
00:21:39,600 --> 00:21:43,520
Speaker 1: that was that was that was steel. Holy shit.

535
00:21:43,880 --> 00:21:44,080
Speaker 4: Yeah.

536
00:21:44,119 --> 00:21:45,600
Speaker 3: I would have paid a thousand dollars for that ship.

537
00:21:45,720 --> 00:21:47,320
Speaker 1: And there was only like half of us in there too,

538
00:21:47,680 --> 00:21:50,159
Speaker 1: But overall, listen, man, we had a great night. Everybody

539
00:21:50,240 --> 00:21:50,880
Speaker 1: got home safe.

540
00:21:51,600 --> 00:21:53,520
Speaker 3: Came now Skybox. I said, you want to do a

541
00:21:53,560 --> 00:21:54,720
Speaker 3: private room? I said, no, I want to go to

542
00:21:54,720 --> 00:21:57,120
Speaker 3: the bathroom stall with you private rooms and this ship.

543
00:21:58,280 --> 00:22:00,600
Speaker 2: But yeah, we had a great night. Everybody got home safe.

544
00:22:01,040 --> 00:22:02,800
Speaker 2: And that's what most you know what I mean. So

545
00:22:03,160 --> 00:22:04,600
Speaker 2: shout out to the Pink Pony and shout out to

546
00:22:04,640 --> 00:22:05,439
Speaker 2: all the girls that worked there.

547
00:22:05,480 --> 00:22:06,600
Speaker 1: We had a great night last night.

548
00:22:07,040 --> 00:22:10,720
Speaker 7: You mentioned your payment method from the Pink Pony.

549
00:22:11,800 --> 00:22:12,880
Speaker 3: Remind me the process.

550
00:22:13,000 --> 00:22:16,040
Speaker 5: So Rory was paying it all off. You know, I

551
00:22:16,040 --> 00:22:18,920
Speaker 5: has to pick on the company card and they asked

552
00:22:19,000 --> 00:22:20,200
Speaker 5: him for a fingerprint.

553
00:22:20,480 --> 00:22:23,600
Speaker 3: Oh yeah, yo, all right, that was one of the

554
00:22:23,720 --> 00:22:25,920
Speaker 3: thank you for reminding me about that. So I paid

555
00:22:25,920 --> 00:22:29,320
Speaker 3: the check, did the tip, everything swipe, She gave me

556
00:22:29,400 --> 00:22:31,480
Speaker 3: my ID my card back, like I was getting ready

557
00:22:32,040 --> 00:22:34,760
Speaker 3: to leave, and she was like she came with like

558
00:22:34,880 --> 00:22:37,240
Speaker 3: this little square and she was like, I need your fingerprint.

559
00:22:38,359 --> 00:22:40,399
Speaker 3: I said for what and she's like, oh, we just

560
00:22:40,760 --> 00:22:42,760
Speaker 3: we need it. I said, did my card not go through?

561
00:22:42,840 --> 00:22:44,280
Speaker 3: Like you needed to swipe it again? She said, oh no, no,

562
00:22:44,359 --> 00:22:47,879
Speaker 3: everything went through. I said, So why you want my

563
00:22:48,200 --> 00:22:50,720
Speaker 3: fingerprints and she's like, it's just something we do.

564
00:22:50,920 --> 00:22:52,080
Speaker 1: I was like, I'm not giving you.

565
00:22:52,160 --> 00:22:55,520
Speaker 3: My fingerprint, like it's not I already paid you, it's done.

566
00:22:55,760 --> 00:22:56,880
Speaker 3: And she's like, okay, that's fine.

567
00:22:57,359 --> 00:23:00,879
Speaker 1: And I was like, why were you so easily persuaded

568
00:23:00,960 --> 00:23:01,840
Speaker 1: for me to say no on that.

569
00:23:02,600 --> 00:23:04,720
Speaker 7: I guess it's like collateral, but it's like it doesn't

570
00:23:04,720 --> 00:23:05,440
Speaker 7: make sense though.

571
00:23:05,920 --> 00:23:08,720
Speaker 1: Yeah, she pushed for it and I said no, and

572
00:23:08,760 --> 00:23:12,080
Speaker 1: she was like, yeah, that's fine. I was like, I'm

573
00:23:12,320 --> 00:23:14,320
Speaker 1: very confused right now. No that she did the same thing.

574
00:23:14,440 --> 00:23:17,200
Speaker 1: She said, yeah, I thought for that section that we

575
00:23:17,359 --> 00:23:19,400
Speaker 1: got that you had to buy.

576
00:23:19,920 --> 00:23:21,200
Speaker 2: You know, we come from New York and you get

577
00:23:21,200 --> 00:23:24,119
Speaker 2: a section like that bottle, Yeah, get a section. So

578
00:23:24,320 --> 00:23:26,120
Speaker 2: I was like, okay, we'll get a bottle. I guess

579
00:23:26,160 --> 00:23:27,720
Speaker 2: of you know, whatever they want to drink. All of

580
00:23:27,880 --> 00:23:30,440
Speaker 2: everybody said tequila. That's okay, so get a bottle of

581
00:23:30,560 --> 00:23:33,640
Speaker 2: cosamigos whatever whatever they want to drink. So, yeah, that'll

582
00:23:33,680 --> 00:23:37,000
Speaker 2: be like four fifty. I was like okay, I said,

583
00:23:37,040 --> 00:23:38,600
Speaker 2: but damn for a bottle. Like I was like, I

584
00:23:38,680 --> 00:23:41,080
Speaker 2: don't drink. He doesn't drink, you know. I was like,

585
00:23:41,160 --> 00:23:43,560
Speaker 2: maybe like three of the girls. They drink, but I

586
00:23:43,640 --> 00:23:45,120
Speaker 2: was like, I'm not going to force them to drink

587
00:23:45,119 --> 00:23:46,600
Speaker 2: a bottle off.

588
00:23:47,840 --> 00:23:49,440
Speaker 1: She's like, oh no, you don't have to get a bottle.

589
00:23:50,119 --> 00:23:51,000
Speaker 4: Yeah, we got Heineken.

590
00:23:51,240 --> 00:23:53,520
Speaker 2: I said, Man, why am I having this conversation a

591
00:23:53,760 --> 00:23:55,600
Speaker 2: bottle with you? I said, just bring me seven fucking

592
00:23:55,640 --> 00:23:57,439
Speaker 2: shots and let's get out of here.

593
00:23:57,520 --> 00:23:59,480
Speaker 1: After everything I went through in London, anything would have

594
00:23:59,480 --> 00:23:59,800
Speaker 1: been fine.

595
00:24:00,119 --> 00:24:02,680
Speaker 8: I'll say, can we do the London comparison, because I

596
00:24:02,720 --> 00:24:03,480
Speaker 8: feel like there is.

597
00:24:03,520 --> 00:24:07,160
Speaker 1: No comparison to Pink Pony wins By. It's not even close.

598
00:24:07,720 --> 00:24:11,760
Speaker 3: There's no no bottle, blokes, no bottles, It's not even close.

599
00:24:11,840 --> 00:24:14,440
Speaker 3: They actually brought the liquor. We paid for it, not

600
00:24:14,520 --> 00:24:15,240
Speaker 3: a crap.

601
00:24:16,240 --> 00:24:18,120
Speaker 1: Pony wins By a landslide.

602
00:24:18,359 --> 00:24:20,679
Speaker 2: If it's the verses between the Pink Pony and whatever,

603
00:24:20,800 --> 00:24:22,840
Speaker 2: that fucking hole of the wall we were in in

604
00:24:22,920 --> 00:24:25,520
Speaker 2: fucking London, it's the Pink pony By land slide.

605
00:24:26,119 --> 00:24:28,560
Speaker 3: Listen, man, the older I get well that strip club

606
00:24:28,600 --> 00:24:32,400
Speaker 3: in particular because strip clubs in Atlanta, like Magic City,

607
00:24:32,440 --> 00:24:34,280
Speaker 3: the ones that we usually go to and rest in

608
00:24:34,320 --> 00:24:35,000
Speaker 3: peace to follies.

609
00:24:35,040 --> 00:24:38,639
Speaker 1: Man, I just want to have real quick legendary.

610
00:24:39,000 --> 00:24:41,520
Speaker 3: Those are more like social, like you go with girls,

611
00:24:41,600 --> 00:24:43,600
Speaker 3: you can even go with your wife, you go with family,

612
00:24:43,720 --> 00:24:50,040
Speaker 3: like it's it's a thing. That was a regular old school, miserable,

613
00:24:50,320 --> 00:24:54,880
Speaker 3: old single man's strip club. Yeah, Like I was observing

614
00:24:54,920 --> 00:24:57,680
Speaker 3: that strip club way different than I've looked at anything

615
00:24:57,720 --> 00:25:00,359
Speaker 3: in Atlanta. I was like, this could be my future.

616
00:25:00,520 --> 00:25:05,200
Speaker 1: Yeah, if I don't get my act together, I do

617
00:25:05,240 --> 00:25:07,200
Speaker 1: you stay on the straight and arrow. I could be

618
00:25:07,520 --> 00:25:08,480
Speaker 1: this old.

619
00:25:08,640 --> 00:25:13,879
Speaker 3: Lonely man asking his diamond working tonight. Yeah, yeah, just

620
00:25:14,000 --> 00:25:17,959
Speaker 3: ashing my Marlboro like I made. I'm never I'm never

621
00:25:18,040 --> 00:25:18,840
Speaker 3: settling down.

622
00:25:22,040 --> 00:25:24,480
Speaker 1: Me that does great numbers at like one in afternoon.

623
00:25:24,640 --> 00:25:28,159
Speaker 1: Oh yeah, it's in there one afternoon. But I'll never

624
00:25:28,280 --> 00:25:28,640
Speaker 1: go back.

625
00:25:29,000 --> 00:25:31,200
Speaker 2: It was never go back, even though it did meet

626
00:25:31,200 --> 00:25:33,560
Speaker 2: a beautiful young lady in there. Uh got her name,

627
00:25:33,640 --> 00:25:35,480
Speaker 2: damn fuck good, but she was great. She looked at

628
00:25:35,760 --> 00:25:37,640
Speaker 2: I'm sure it wasn't her real name, so it wasn't

629
00:25:37,640 --> 00:25:44,719
Speaker 2: really name probable. But since we've been down to Atlanta

630
00:25:45,000 --> 00:25:47,439
Speaker 2: over the weekend. Uh, we got a few good albums

631
00:25:47,440 --> 00:25:50,080
Speaker 2: that came out. We officially got the numbers for the

632
00:25:50,160 --> 00:25:53,840
Speaker 2: Drake in twenty one. Savage her Lost album, which.

633
00:25:53,880 --> 00:25:56,840
Speaker 4: Was four hundred and eleven. That's crazy and eleven.

634
00:25:56,880 --> 00:25:59,560
Speaker 8: Initial projection was three thirty and then that jumped to

635
00:25:59,600 --> 00:26:02,280
Speaker 8: three and then they ended up doing four eleven.

636
00:26:02,680 --> 00:26:04,280
Speaker 1: So and I see there.

637
00:26:04,520 --> 00:26:06,240
Speaker 3: They didn't quite do what Taylor Swift did with the

638
00:26:06,480 --> 00:26:09,320
Speaker 3: whole ten, but they have like eight of tenboard right now.

639
00:26:09,840 --> 00:26:11,639
Speaker 1: Yeah, that's pretty good.

640
00:26:11,640 --> 00:26:12,160
Speaker 4: That's pretty good.

641
00:26:12,240 --> 00:26:15,639
Speaker 1: Yeah, I mean, but we did we not expect that.

642
00:26:17,200 --> 00:26:19,640
Speaker 8: I mean amongst each other, we all agreed that it's great,

643
00:26:19,720 --> 00:26:21,520
Speaker 8: So I think he as a collective expected.

644
00:26:21,520 --> 00:26:23,920
Speaker 5: I don't think we had an expectation for what a

645
00:26:24,040 --> 00:26:25,959
Speaker 5: twenty one and Drake album could have really been.

646
00:26:26,040 --> 00:26:26,200
Speaker 4: Though.

647
00:26:26,560 --> 00:26:28,600
Speaker 1: Yeah, it's crazy for me because y'all know how I feel.

648
00:26:28,600 --> 00:26:31,520
Speaker 2: When the announcement came, I was like, I was so confused,

649
00:26:31,560 --> 00:26:34,359
Speaker 2: but I was like, they have good, really good songs together.

650
00:26:34,400 --> 00:26:36,880
Speaker 2: They had about four songs at the time together. I said,

651
00:26:37,040 --> 00:26:40,680
Speaker 2: they have great chemistry. But honestly, the more I listened

652
00:26:40,680 --> 00:26:41,640
Speaker 2: to this album.

653
00:26:42,640 --> 00:26:46,679
Speaker 1: Yo, twenty twenty one got off on this shit, Yo,

654
00:26:46,800 --> 00:26:48,040
Speaker 1: he kept he kept up.

655
00:26:48,240 --> 00:26:50,639
Speaker 2: Now, he doesn't rap as good as Drake, we know that,

656
00:26:51,400 --> 00:26:53,600
Speaker 2: but he did what he needed to do at a

657
00:26:53,960 --> 00:26:55,960
Speaker 2: very very high rate on that album.

658
00:26:56,400 --> 00:26:58,600
Speaker 3: The songs never never went to a low point when

659
00:26:58,640 --> 00:27:01,440
Speaker 3: he came on. It just married or heighten the record.

660
00:27:01,520 --> 00:27:03,080
Speaker 1: This this, this, this album.

661
00:27:03,200 --> 00:27:06,480
Speaker 2: To me, you know, this now solidifies And I've seen

662
00:27:06,520 --> 00:27:09,400
Speaker 2: twenty one call out everybody from his Freshman album cover,

663
00:27:11,359 --> 00:27:14,400
Speaker 2: but to me, this album definitely solidifies twenty one.

664
00:27:14,359 --> 00:27:19,959
Speaker 1: Savage as a real legit artist rapper.

665
00:27:21,760 --> 00:27:23,240
Speaker 2: And while I do, I do like the fact that

666
00:27:23,280 --> 00:27:25,760
Speaker 2: he's calling out his peers from his Freshman album cover

667
00:27:25,800 --> 00:27:26,080
Speaker 2: as well.

668
00:27:26,080 --> 00:27:28,240
Speaker 3: I like that, Yeah, I do too, And I like

669
00:27:28,320 --> 00:27:31,000
Speaker 3: that's the way because it used to be who could

670
00:27:31,040 --> 00:27:33,120
Speaker 3: rap better? But now we know hip hop has moved into,

671
00:27:33,359 --> 00:27:36,800
Speaker 3: you know, a different place with lyrics. I like, now

672
00:27:36,920 --> 00:27:38,760
Speaker 3: the verses is a new way to say that, Like

673
00:27:38,840 --> 00:27:41,479
Speaker 3: let's let's do a song for song because now obviously

674
00:27:41,520 --> 00:27:42,800
Speaker 3: no one's gonna be like, I rap better than you,

675
00:27:42,840 --> 00:27:44,560
Speaker 3: because that's just not what hip hop is at this point.

676
00:27:44,720 --> 00:27:47,640
Speaker 3: So yeah, I like calling out it should still be competitive.

677
00:27:47,280 --> 00:27:50,280
Speaker 2: This her lost album aside, Like none of these songs

678
00:27:51,400 --> 00:27:52,520
Speaker 2: can be used in the verses.

679
00:27:52,920 --> 00:27:55,240
Speaker 1: I think do we do we think that he beats

680
00:27:55,320 --> 00:27:57,200
Speaker 1: Kodak Black? You know, yes?

681
00:27:57,359 --> 00:27:59,960
Speaker 7: I do you think you think twenty one?

682
00:28:00,000 --> 00:28:02,360
Speaker 3: I think twenty one even without her loss I think

683
00:28:02,800 --> 00:28:04,920
Speaker 3: twenty one beats I don't like that.

684
00:28:05,000 --> 00:28:05,840
Speaker 1: You didn't even think about it.

685
00:28:05,880 --> 00:28:09,280
Speaker 3: Yeah, that I've been thinking about it since he said it. You.

686
00:28:09,640 --> 00:28:11,760
Speaker 3: I even went through Kodak's cadalg like hmm. I was like,

687
00:28:11,840 --> 00:28:13,760
Speaker 3: I think it'd be very close. But I think twenty

688
00:28:13,840 --> 00:28:17,760
Speaker 3: one edges it out because he's done bigger features.

689
00:28:19,320 --> 00:28:20,000
Speaker 4: Like I would.

690
00:28:20,280 --> 00:28:22,560
Speaker 3: I think a lot hits well even though that's a

691
00:28:22,600 --> 00:28:26,280
Speaker 3: twenty one record in Cole's feature, But his catalog I

692
00:28:26,400 --> 00:28:27,919
Speaker 3: just think is a little bit more diverse with who

693
00:28:28,000 --> 00:28:30,359
Speaker 3: he's worked with, and certain records will hit different.

694
00:28:31,440 --> 00:28:33,199
Speaker 1: Then I think what Kodak coil, I.

695
00:28:33,280 --> 00:28:34,119
Speaker 4: Love to worry.

696
00:28:34,440 --> 00:28:36,320
Speaker 1: I don't know. I don't know. I don't know if

697
00:28:36,320 --> 00:28:41,640
Speaker 1: he beats Kodak, though, Well, give me some tracks from Kodak.

698
00:28:41,760 --> 00:28:45,280
Speaker 7: Yeah, uh so we got a lot with Jake Cole.

699
00:28:45,880 --> 00:28:48,200
Speaker 7: Kodak got What's the.

700
00:28:48,360 --> 00:28:50,479
Speaker 1: Which wouldn't even be that high in twenty one's catalog.

701
00:28:50,800 --> 00:28:52,920
Speaker 3: That was just that's an example of a good example

702
00:28:52,960 --> 00:28:54,840
Speaker 3: something outside of his his typical sound.

703
00:28:54,880 --> 00:28:58,600
Speaker 2: Does Kodak have any song away from her lost joints

704
00:28:58,960 --> 00:29:01,000
Speaker 2: as big as super grimlin.

705
00:29:03,480 --> 00:29:08,000
Speaker 3: Z Z rock Star with post Malone Bank all right,

706
00:29:08,000 --> 00:29:11,680
Speaker 3: bro bank account bank account definitely. Yeah, it's bigger than.

707
00:29:11,600 --> 00:29:13,680
Speaker 1: Gremla, Yeah it is.

708
00:29:13,920 --> 00:29:19,600
Speaker 8: Okay, Yeah, twenty one has that X record to the future. No, man,

709
00:29:20,600 --> 00:29:25,400
Speaker 8: it's tough ball without you glocking my lab m M.

710
00:29:27,320 --> 00:29:29,160
Speaker 1: I would love to see it. Yeah, I would love

711
00:29:29,160 --> 00:29:30,000
Speaker 1: to see versus with him.

712
00:29:30,080 --> 00:29:32,400
Speaker 3: I mean those were from that it would be it

713
00:29:32,440 --> 00:29:33,880
Speaker 3: would be a good verse. I'm not saying it would

714
00:29:33,880 --> 00:29:35,440
Speaker 3: be like a wash or anything. It would be competitive.

715
00:29:35,520 --> 00:29:37,160
Speaker 3: I just think twenty one edges him out and.

716
00:29:37,440 --> 00:29:39,840
Speaker 5: Twenty one got some records for sure, but that would

717
00:29:39,880 --> 00:29:42,000
Speaker 5: be from the twenty sixteen class. Those would be the

718
00:29:42,080 --> 00:29:43,560
Speaker 5: two definitely top competitors.

719
00:29:43,640 --> 00:29:45,560
Speaker 1: Well, who he's doing that album cover as well? I

720
00:29:45,600 --> 00:29:46,600
Speaker 1: mean on that Freshman.

721
00:29:46,280 --> 00:29:47,240
Speaker 4: Listener is Yeah.

722
00:29:47,320 --> 00:29:49,760
Speaker 8: I think from that conversation it was Kodak and UZI

723
00:29:49,800 --> 00:29:52,120
Speaker 8: were the two that people were giving the most pushback for.

724
00:29:52,960 --> 00:29:55,520
Speaker 2: I've seen that they had a versus on Twitter with

725
00:29:55,840 --> 00:30:00,760
Speaker 2: uh little was it Kendrick and twenty one?

726
00:30:01,080 --> 00:30:03,560
Speaker 1: Kendrick and it's a weird versus who's doing it?

727
00:30:03,680 --> 00:30:06,040
Speaker 2: Kendrick and somebody? And they said Kendrick was getting washed.

728
00:30:06,080 --> 00:30:07,760
Speaker 2: But was it twenty one or UZI?

729
00:30:08,160 --> 00:30:09,959
Speaker 7: I Mean I kind of doubt from either of the two.

730
00:30:10,000 --> 00:30:12,480
Speaker 3: But how do you even do They're completely different. I

731
00:30:12,520 --> 00:30:13,240
Speaker 3: don't even know how to.

732
00:30:13,480 --> 00:30:15,920
Speaker 2: You know, how the Twitter verse does. He just take

733
00:30:15,960 --> 00:30:18,840
Speaker 2: the most random two people and just pin them.

734
00:30:19,840 --> 00:30:23,720
Speaker 1: But the point of versus is that, like it makes sense, right, we.

735
00:30:23,840 --> 00:30:26,000
Speaker 2: Think that's what the point of versus is. Sometimes they

736
00:30:26,080 --> 00:30:28,760
Speaker 2: just grab two names and say, let's compare their catalog.

737
00:30:29,840 --> 00:30:32,440
Speaker 2: I guess I thought that was interesting though, But shout

738
00:30:32,480 --> 00:30:34,720
Speaker 2: out to Drake and twenty one man four hundred and

739
00:30:34,720 --> 00:30:38,000
Speaker 2: eleven K is fucking Insane, eight of the top ten

740
00:30:38,040 --> 00:30:38,840
Speaker 2: on Billboard right now.

741
00:30:39,040 --> 00:30:42,480
Speaker 3: Yeah, it's a great album, though. I feel like everyone

742
00:30:42,520 --> 00:30:46,600
Speaker 3: I've talked to like it's a weird reaction. I feel

743
00:30:46,600 --> 00:30:49,360
Speaker 3: like everyone quietly loves it, like anytime it's brought up.

744
00:30:49,360 --> 00:30:50,520
Speaker 3: So I was like, Yo, that shit is like actually

745
00:30:50,600 --> 00:30:51,720
Speaker 3: really good, right, because.

746
00:30:52,240 --> 00:30:54,560
Speaker 2: It's because of the reason, like I said, I felt

747
00:30:54,640 --> 00:30:56,320
Speaker 2: like a lot of people would if it came out

748
00:30:56,320 --> 00:30:57,600
Speaker 2: of left field first of the album.

749
00:30:58,080 --> 00:31:00,560
Speaker 1: I don't think people was expecting it. And then it's like,

750
00:31:00,800 --> 00:31:04,000
Speaker 1: oh shit, this is a really great fucking project.

751
00:31:04,120 --> 00:31:06,680
Speaker 2: Yeah, and the fact that it's that much better than

752
00:31:06,720 --> 00:31:08,320
Speaker 2: what a time I would I didn't think that going

753
00:31:08,400 --> 00:31:08,680
Speaker 2: into it.

754
00:31:08,960 --> 00:31:10,720
Speaker 8: Do you think it's because of the shots you took it,

755
00:31:11,400 --> 00:31:13,560
Speaker 8: especially the women in particular on the album, that people

756
00:31:13,600 --> 00:31:14,840
Speaker 8: don't want to publicly praise it.

757
00:31:15,040 --> 00:31:16,760
Speaker 1: No, nah, nah, I don't think it's that.

758
00:31:16,960 --> 00:31:19,840
Speaker 2: I think that I think that at this point, a

759
00:31:19,920 --> 00:31:22,600
Speaker 2: Drake album being good is not a surprise. Like any

760
00:31:22,640 --> 00:31:25,080
Speaker 2: album that Drake is a part of being a good album,

761
00:31:25,480 --> 00:31:27,320
Speaker 2: people are not surprised about. It's kind of like, yo,

762
00:31:27,360 --> 00:31:29,400
Speaker 2: it's Drake. We know the album is good. Yeah yeah, yeah,

763
00:31:29,440 --> 00:31:31,080
Speaker 2: we get it. We understand he's the biggest artist in

764
00:31:31,120 --> 00:31:31,400
Speaker 2: the world.

765
00:31:31,760 --> 00:31:33,360
Speaker 1: Yeah yeah, yeah. It's kind of like I think that's

766
00:31:33,400 --> 00:31:34,160
Speaker 1: what it is at this point.

767
00:31:34,240 --> 00:31:36,960
Speaker 7: It's like, but people are still hating on honestly, never mind.

768
00:31:38,600 --> 00:31:40,360
Speaker 3: I don't know how people I like the album, but

769
00:31:40,360 --> 00:31:42,920
Speaker 3: I could understand that not being for everyone, and then

770
00:31:43,000 --> 00:31:43,320
Speaker 3: oh no, we.

771
00:31:43,400 --> 00:31:44,280
Speaker 1: Know it's not for everyone.

772
00:31:44,360 --> 00:31:45,960
Speaker 2: But it's a lot of music and a lot of

773
00:31:45,960 --> 00:31:48,240
Speaker 2: albums that isn't for everyone that I feel like, people like, yo,

774
00:31:48,520 --> 00:31:50,160
Speaker 2: good album, it is not for me, Like I don't.

775
00:31:50,640 --> 00:31:52,840
Speaker 2: I think people just generally don't like that album, And

776
00:31:52,920 --> 00:31:55,000
Speaker 2: I'm like, how do you not like this album? Like

777
00:31:55,840 --> 00:31:58,360
Speaker 2: it's good music, and I get it, that's not everybody's vibe.

778
00:31:59,160 --> 00:32:01,600
Speaker 2: But my thing is good music is good music. Like

779
00:32:02,280 --> 00:32:04,800
Speaker 2: I didn't to tell you I was going crazy to beat.

780
00:32:04,880 --> 00:32:07,960
Speaker 1: We don't know. I know, we saw the footage. Yeah,

781
00:32:07,960 --> 00:32:08,720
Speaker 1: I love it.

782
00:32:08,840 --> 00:32:11,440
Speaker 2: Great music like music is amazing. I get it now,

783
00:32:11,640 --> 00:32:13,040
Speaker 2: kne why he's the biggest song. You was bad, he

784
00:32:13,120 --> 00:32:19,680
Speaker 2: was bunny, We're not styles whatever, callte me and edit

785
00:32:19,720 --> 00:32:20,320
Speaker 2: stousand kids.

786
00:32:20,480 --> 00:32:22,920
Speaker 1: You were Beyonce, he was no. Oh wow.

787
00:32:24,760 --> 00:32:27,880
Speaker 3: Well, speaking of twenty one and new music, and I

788
00:32:27,960 --> 00:32:30,040
Speaker 3: don't know how much I even want to get into this,

789
00:32:30,200 --> 00:32:31,840
Speaker 3: but twenty one was on Clubhouse.

790
00:32:32,800 --> 00:32:34,400
Speaker 1: I believe it was Clubhouse, yep.

791
00:32:34,840 --> 00:32:36,800
Speaker 3: And it was taken out of context because I did

792
00:32:36,880 --> 00:32:38,800
Speaker 3: go listen to the actual clip. But but the headline

793
00:32:38,840 --> 00:32:41,680
Speaker 3: said twenty one Savage says NAS is not relevant.

794
00:32:42,120 --> 00:32:43,320
Speaker 1: He just has a core fan base.

795
00:32:44,080 --> 00:32:47,000
Speaker 3: And if you listen to the entire clip, twenty one

796
00:32:47,080 --> 00:32:49,440
Speaker 3: was more having a conversation and they were talking with

797
00:32:49,520 --> 00:32:52,080
Speaker 3: people trying to figure out what the word relevant really

798
00:32:52,160 --> 00:32:58,000
Speaker 3: meant in twenty twenty two, and at one point somebody said, oh,

799
00:32:58,160 --> 00:33:01,160
Speaker 3: if people thirty and under listening, that means you'rrelevant. I'm like,

800
00:33:01,160 --> 00:33:03,400
Speaker 3: I just don't think that's the definition of relevant. But

801
00:33:03,600 --> 00:33:05,400
Speaker 3: I can see someone looking at it that way because

802
00:33:05,440 --> 00:33:07,720
Speaker 3: hip hop, even though it's aging great, it's still a

803
00:33:07,760 --> 00:33:09,160
Speaker 3: young man's game at the end of the day as

804
00:33:09,200 --> 00:33:11,880
Speaker 3: far as what sells the most, and that's that's why

805
00:33:12,120 --> 00:33:15,360
Speaker 3: hip hop's always going to continue, because the youth carry it,

806
00:33:15,480 --> 00:33:18,880
Speaker 3: which is a good thing. I just don't know if

807
00:33:18,960 --> 00:33:23,280
Speaker 3: you can ever say somebody of that stature, I'm going

808
00:33:23,320 --> 00:33:27,440
Speaker 3: to pull definition relevant. Hold on go ahead, mm, because yes,

809
00:33:27,520 --> 00:33:29,400
Speaker 3: you can say at the time right now, he's not

810
00:33:29,640 --> 00:33:34,000
Speaker 3: the hottest thing moving. Maybe sales aren't what some of

811
00:33:34,040 --> 00:33:37,520
Speaker 3: the younger generation is doing. But to say someone like

812
00:33:37,600 --> 00:33:41,240
Speaker 3: that is not relevant in a culture that they helped

813
00:33:41,240 --> 00:33:47,920
Speaker 3: push forward, probably more than most raffers, it's hard to say,

814
00:33:48,000 --> 00:33:51,480
Speaker 3: especially when at the age they're doing, at the level

815
00:33:51,560 --> 00:33:55,720
Speaker 3: of music they're making, like a nas and the relevancy

816
00:33:55,920 --> 00:33:58,000
Speaker 3: of seeing how hip hop could age, because he's from

817
00:33:58,040 --> 00:34:02,400
Speaker 3: the first generations Karras, Big Daddy Kane, all them stop rapping,

818
00:34:02,480 --> 00:34:04,560
Speaker 3: Run DMC stopped rapping. We never saw how hip hop

819
00:34:04,600 --> 00:34:08,960
Speaker 3: could age. So I think he's relevant in the category

820
00:34:09,160 --> 00:34:12,879
Speaker 3: of watching rappers get older and it not be corny

821
00:34:12,960 --> 00:34:13,640
Speaker 3: for them to rap.

822
00:34:14,040 --> 00:34:20,279
Speaker 2: I'm gonna read the definition of relevant relevant. It is

823
00:34:20,360 --> 00:34:23,360
Speaker 2: closely connected or appropriate to what is being done or

824
00:34:23,400 --> 00:34:27,840
Speaker 2: considered appropriate to the current time period, or circumstances of

825
00:34:28,120 --> 00:34:33,400
Speaker 2: contemporary interests. With that definition, NAS is very much relevant.

826
00:34:33,480 --> 00:34:36,360
Speaker 3: Yeah, yeah, And I guess it depends what you define.

827
00:34:36,480 --> 00:34:38,319
Speaker 3: Is relevance off strictly off?

828
00:34:38,400 --> 00:34:38,680
Speaker 1: Sales?

829
00:34:38,840 --> 00:34:42,560
Speaker 3: Is relevance strictly off? How many people you can passionate

830
00:34:42,680 --> 00:34:43,719
Speaker 3: to a venue like I don't.

831
00:34:43,920 --> 00:34:46,520
Speaker 1: We could go semantics, we can play words semantics.

832
00:34:46,120 --> 00:34:47,239
Speaker 4: On what well.

833
00:34:47,239 --> 00:34:49,400
Speaker 3: I don't subscribe to the white man's language anyway, so

834
00:34:49,440 --> 00:34:50,560
Speaker 3: I don't really care about that defination.

835
00:34:51,160 --> 00:34:54,440
Speaker 2: But I'm for twenty one to say that NAS is

836
00:34:54,520 --> 00:34:58,360
Speaker 2: irrelevant but then says he just makes good fucking music

837
00:34:58,440 --> 00:34:59,600
Speaker 2: and he raps.

838
00:34:59,400 --> 00:35:01,239
Speaker 1: Really good or whatever he said. Twenty one was not.

839
00:35:01,280 --> 00:35:03,640
Speaker 3: Saying anything negative. The headline made it sound like, if

840
00:35:03,640 --> 00:35:05,279
Speaker 3: you listen to twenty one, what you're saying. He was

841
00:35:05,360 --> 00:35:06,120
Speaker 3: not disin nozzed.

842
00:35:06,239 --> 00:35:08,120
Speaker 2: No, he was a dissing nods, but he was off

843
00:35:08,160 --> 00:35:12,160
Speaker 2: a little bit because his words were NAS isn't relevant,

844
00:35:12,800 --> 00:35:16,560
Speaker 2: and that's incorrect. NAS is very much relevant. He just

845
00:35:16,680 --> 00:35:19,359
Speaker 2: had Rap Album of the Year last year with KDI two. Yeah,

846
00:35:20,360 --> 00:35:23,000
Speaker 2: so yes, he's NAS is very much relevant. He has

847
00:35:23,000 --> 00:35:26,240
Speaker 2: a great album out now KD three. He's still wrapping

848
00:35:26,239 --> 00:35:29,160
Speaker 2: at a very high level, raps better than most rappers

849
00:35:29,560 --> 00:35:33,640
Speaker 2: new or old today. Is able to make three albums

850
00:35:33,719 --> 00:35:37,279
Speaker 2: with the same producer for none of the albums sound

851
00:35:37,360 --> 00:35:38,000
Speaker 2: anything alike.

852
00:35:39,560 --> 00:35:40,400
Speaker 1: So I don't know.

853
00:35:40,600 --> 00:35:41,960
Speaker 2: You know what I mean when you say relevant, it's

854
00:35:42,080 --> 00:35:46,719
Speaker 2: like whatever your definition may be cool, that's your definition irrelevant.

855
00:35:46,800 --> 00:35:51,680
Speaker 2: But in the definition of the word relevant, Nas is

856
00:35:52,160 --> 00:35:54,600
Speaker 2: absolutely relevant today.

857
00:35:54,920 --> 00:35:58,279
Speaker 7: He's one of many men in rap right now, one

858
00:35:58,320 --> 00:36:01,360
Speaker 7: of the OG's that is setting course for future rappers

859
00:36:01,480 --> 00:36:04,560
Speaker 7: who are young right now. Yeah, to keep on rapping. Absolutely,

860
00:36:04,719 --> 00:36:06,759
Speaker 7: that is relevant in its prime.

861
00:36:06,920 --> 00:36:11,280
Speaker 1: And he still raps better than most of the current rappers.

862
00:36:11,680 --> 00:36:14,480
Speaker 3: So yeah, is there a legend from that era that's

863
00:36:14,520 --> 00:36:16,680
Speaker 3: putting out the same volume as well?

864
00:36:16,680 --> 00:36:21,000
Speaker 1: Because absolutely not. Because you gotta think, you gotta think.

865
00:36:21,640 --> 00:36:26,160
Speaker 3: To keep up with this era, people put music out

866
00:36:26,239 --> 00:36:29,920
Speaker 3: a lot. Like it's not fucking twice a year or

867
00:36:29,920 --> 00:36:32,040
Speaker 3: a part once every two years. You put out an

868
00:36:32,040 --> 00:36:34,520
Speaker 3: album type shit Like even Drake, the biggest artist period,

869
00:36:34,600 --> 00:36:36,960
Speaker 3: has to put out a lot of music. Absolutely, So

870
00:36:37,160 --> 00:36:39,920
Speaker 3: I don't know any other legend that's aging so gracefully

871
00:36:40,040 --> 00:36:42,440
Speaker 3: and keeping up with the volume of music you need

872
00:36:42,520 --> 00:36:45,480
Speaker 3: to put out at a time, right and if you

873
00:36:45,520 --> 00:36:47,719
Speaker 3: just want to get into kat three, I came here

874
00:36:48,160 --> 00:36:50,520
Speaker 3: after Kati two and said, I think this is the

875
00:36:50,560 --> 00:36:50,960
Speaker 3: best one.

876
00:36:51,680 --> 00:36:53,560
Speaker 1: Kati three is the best one. The fact that this

877
00:36:53,640 --> 00:36:54,680
Speaker 1: shit keeps getting.

878
00:36:54,680 --> 00:36:57,279
Speaker 2: It gets better every time, and that's the point. That's

879
00:36:57,320 --> 00:37:00,239
Speaker 2: why now it's just very much relevant. This album getting

880
00:37:00,239 --> 00:37:00,920
Speaker 2: about ridiculous.

881
00:37:01,080 --> 00:37:01,920
Speaker 1: This album is.

882
00:37:02,040 --> 00:37:05,680
Speaker 2: Amazing and if I think it's not even closed, it's

883
00:37:05,719 --> 00:37:10,080
Speaker 2: a it's a certified fact that hit Boy is by

884
00:37:10,160 --> 00:37:14,680
Speaker 2: far the most versatile producer and hip hop history.

885
00:37:15,080 --> 00:37:18,040
Speaker 3: I was thinking, just just as a thirty two year

886
00:37:18,080 --> 00:37:21,719
Speaker 3: old hip hop fan, I couldn't be happier with Her

887
00:37:21,840 --> 00:37:24,360
Speaker 3: Loss and Katie three coming out within two weeks of

888
00:37:24,400 --> 00:37:24,640
Speaker 3: each other.

889
00:37:24,960 --> 00:37:25,399
Speaker 4: If you are.

890
00:37:25,360 --> 00:37:27,600
Speaker 3: Complaining about hip hop right now, you're fucking I don't

891
00:37:27,640 --> 00:37:28,120
Speaker 3: know what the fuck.

892
00:37:28,120 --> 00:37:30,399
Speaker 1: You're not relevant. You can't hear anything yet. Yeah, you're

893
00:37:30,480 --> 00:37:30,960
Speaker 1: not relevant.

894
00:37:31,000 --> 00:37:33,840
Speaker 2: Your ears aren't working, You're not relevant, and you should

895
00:37:33,880 --> 00:37:36,160
Speaker 2: fucking get outside more because it's a lot of great

896
00:37:36,280 --> 00:37:38,080
Speaker 2: music out hit Boy.

897
00:37:38,360 --> 00:37:40,120
Speaker 3: The only thing I've been complaining about is replay value.

898
00:37:40,120 --> 00:37:41,760
Speaker 3: I feel like a lot of projects don't have that anymore.

899
00:37:42,080 --> 00:37:45,080
Speaker 3: We have two albums, Her loss nothing but replay value, Her.

900
00:37:45,040 --> 00:37:47,600
Speaker 1: Loss high replay value, like I can't wait to turn

901
00:37:47,640 --> 00:37:50,440
Speaker 1: the nos out, turned on the Jake twenty one, bro,

902
00:37:50,800 --> 00:37:51,040
Speaker 1: And this.

903
00:37:51,160 --> 00:37:54,040
Speaker 2: Is what it this is, This is why I feel

904
00:37:54,120 --> 00:37:55,719
Speaker 2: like this is the you know, I know that the

905
00:37:55,760 --> 00:37:57,759
Speaker 2: way we stream music and things like that, it may

906
00:37:57,840 --> 00:38:00,960
Speaker 2: not be as beneficial for artists and and the creators

907
00:38:01,200 --> 00:38:02,400
Speaker 2: as well as it was back.

908
00:38:02,280 --> 00:38:03,680
Speaker 1: When it was physical sales only.

909
00:38:04,400 --> 00:38:07,840
Speaker 2: But the fact that we get this music and we

910
00:38:07,960 --> 00:38:11,520
Speaker 2: get like you said, back to back weeks, I mean,

911
00:38:11,680 --> 00:38:14,160
Speaker 2: this is a great time. It's just a consumer of

912
00:38:14,280 --> 00:38:18,000
Speaker 2: music a hip hop head to just be you know,

913
00:38:18,360 --> 00:38:20,759
Speaker 2: alive because it's like, bro, we get hold of this music.

914
00:38:20,800 --> 00:38:23,399
Speaker 1: I can go from a her Lost album to KD three.

915
00:38:23,640 --> 00:38:25,600
Speaker 2: Yeah, I can go back and listen to KD two,

916
00:38:26,239 --> 00:38:28,520
Speaker 2: you know what I mean, west Side Gun album that

917
00:38:28,560 --> 00:38:31,080
Speaker 2: came out a few weeks ago. It's just so much

918
00:38:31,320 --> 00:38:34,040
Speaker 2: dope art and music that we have available right now

919
00:38:35,840 --> 00:38:37,960
Speaker 2: and again back to hit Boy, man, I just it's

920
00:38:39,080 --> 00:38:41,600
Speaker 2: I'm just amazed at you know. First of all, when

921
00:38:41,600 --> 00:38:44,319
Speaker 2: they announced KD three, I was like, all right, man,

922
00:38:44,400 --> 00:38:46,879
Speaker 2: please don't fuck up the trilogyg that you have going

923
00:38:46,960 --> 00:38:51,640
Speaker 2: because one and two are so amazing, but I mean,

924
00:38:51,760 --> 00:38:54,719
Speaker 2: KD three, it's like I gotta start looking at them

925
00:38:55,080 --> 00:38:56,600
Speaker 2: them too, Like, Yo, what the fuck are y'all doing

926
00:38:56,640 --> 00:38:58,600
Speaker 2: together in these studio sessions? But like, how were y'all

927
00:38:58,640 --> 00:39:02,640
Speaker 2: able to create at such a high level, not fall off,

928
00:39:02,719 --> 00:39:03,359
Speaker 2: not losing a step.

929
00:39:03,400 --> 00:39:07,280
Speaker 1: But then to me, one, two, and three sound nothing

930
00:39:07,320 --> 00:39:10,800
Speaker 1: alike at all, not even club And that's the amazing

931
00:39:10,880 --> 00:39:11,200
Speaker 1: part to.

932
00:39:11,239 --> 00:39:13,040
Speaker 2: Me, Like it's not like I'm listening to the same

933
00:39:13,120 --> 00:39:14,880
Speaker 2: projects and I'm like, all right, y'all are beating the

934
00:39:14,960 --> 00:39:17,959
Speaker 2: sound into the ground. It might be time to close

935
00:39:18,040 --> 00:39:22,760
Speaker 2: the chapter on this. These are three different, totally different albums.

936
00:39:22,840 --> 00:39:26,719
Speaker 2: The content, the sound, the production, everything around these three

937
00:39:26,719 --> 00:39:29,800
Speaker 2: albums is totally different. And it's only right that we

938
00:39:29,880 --> 00:39:33,360
Speaker 2: salute both NADS and the hit Boy on just setting

939
00:39:33,400 --> 00:39:37,480
Speaker 2: an example of working together, having the business right, and

940
00:39:37,680 --> 00:39:40,759
Speaker 2: just having the type of chemistry and energy that they

941
00:39:40,840 --> 00:39:43,440
Speaker 2: have between because I see people going back to the

942
00:39:43,760 --> 00:39:45,800
Speaker 2: twenty one Savage things, the saying, oh it's a disconnect

943
00:39:45,840 --> 00:39:50,160
Speaker 2: between the old degeneration and the current is it? Because

944
00:39:50,400 --> 00:39:52,480
Speaker 2: NADS and hit Boy is showing us that there's no

945
00:39:52,600 --> 00:39:55,200
Speaker 2: disconnect at all, and it sounds like now they are

946
00:39:55,400 --> 00:39:58,200
Speaker 2: very much connected. And this is a younger producer and

947
00:39:58,320 --> 00:40:01,960
Speaker 2: hit boy with an old g the artist NAS being

948
00:40:02,000 --> 00:40:05,640
Speaker 2: able to create three pieces of art together that are

949
00:40:05,760 --> 00:40:08,440
Speaker 2: nothing to like, you know, the absolutely incredible.

950
00:40:08,080 --> 00:40:09,920
Speaker 1: So and this third one.

951
00:40:10,239 --> 00:40:12,000
Speaker 3: You know, I love the features on KT one and

952
00:40:12,080 --> 00:40:14,759
Speaker 3: Katie two here in Laurence Hill was amazing. Hearing the

953
00:40:14,880 --> 00:40:17,719
Speaker 3: firm back together, it was fucking crazy. Hearing Knives with

954
00:40:17,840 --> 00:40:20,279
Speaker 3: Big Sean and Don Tolliver was cool, Like, I like

955
00:40:20,480 --> 00:40:23,040
Speaker 3: the features they picked, but I love with this one.

956
00:40:23,719 --> 00:40:25,440
Speaker 1: NAS carried the entire project.

957
00:40:26,040 --> 00:40:28,080
Speaker 3: There wasn't really a need for any feature on that

958
00:40:28,400 --> 00:40:31,520
Speaker 3: shit right, Like, which is crazy amount of rapping that

959
00:40:31,640 --> 00:40:32,760
Speaker 3: NAS does to carry?

960
00:40:32,840 --> 00:40:33,600
Speaker 1: How many tracks is it?

961
00:40:33,719 --> 00:40:38,720
Speaker 3: Julia seventeen eighteen low over an hour, like yes, seventeen records.

962
00:40:39,600 --> 00:40:42,480
Speaker 3: The amount of rapping NAS is doing carries ohse shit,

963
00:40:42,640 --> 00:40:47,799
Speaker 3: it's incredible. I have come to a realization no more.

964
00:40:48,440 --> 00:40:48,759
Speaker 1: What's that?

965
00:40:50,600 --> 00:40:53,200
Speaker 3: If you've been following my journey for quite some time,

966
00:40:54,040 --> 00:40:57,200
Speaker 3: listeners out there have been very vocal that everyone on

967
00:40:57,320 --> 00:41:02,200
Speaker 3: earth has met Andre three thousand besides me, yep, and

968
00:41:02,280 --> 00:41:04,040
Speaker 3: I thought maybe one day would be my time.

969
00:41:06,239 --> 00:41:08,360
Speaker 1: It hurt my heart that when we were in London.

970
00:41:08,440 --> 00:41:11,360
Speaker 3: We were gonna go to so House. He ended up

971
00:41:11,400 --> 00:41:13,239
Speaker 3: being there. I was like, fuck, man, that might have

972
00:41:13,320 --> 00:41:18,200
Speaker 3: been my chance. Don't see him in Soho. Maybe maybe

973
00:41:18,200 --> 00:41:19,920
Speaker 3: the stars would aligned and it would take London for

974
00:41:20,000 --> 00:41:22,239
Speaker 3: me to see Andre three thousand didn't happen.

975
00:41:22,360 --> 00:41:24,160
Speaker 1: We saw bottle boys instead.

976
00:41:25,640 --> 00:41:26,040
Speaker 4: Blokes.

977
00:41:27,160 --> 00:41:30,160
Speaker 3: So I go to the NAS and hit Boy KTI

978
00:41:30,280 --> 00:41:33,800
Speaker 3: three listening party, which which I haven't been to like

979
00:41:33,880 --> 00:41:35,399
Speaker 3: one of those in a really long time. But because

980
00:41:35,440 --> 00:41:38,080
Speaker 3: it was fucking hit Boy and because it was NAS.

981
00:41:37,880 --> 00:41:41,120
Speaker 1: I was like, yeah, I'm in there. Yeah, we can

982
00:41:41,200 --> 00:41:43,560
Speaker 1: talk about that after I wake up the next morning.

983
00:41:46,719 --> 00:41:49,680
Speaker 3: Okay. At the KD three ship, I'm in the I'm

984
00:41:49,719 --> 00:41:53,320
Speaker 3: in the section. I'm not trying a big league I'm just,

985
00:41:53,360 --> 00:41:55,080
Speaker 3: you know, trying to paint a picture. I'm in the

986
00:41:55,200 --> 00:42:01,440
Speaker 3: actual section with Nas, hit Boy, Mass Appel, Static, everybody, industry.

987
00:42:01,520 --> 00:42:03,640
Speaker 3: I'm in the right I'm in the right section of

988
00:42:03,920 --> 00:42:06,879
Speaker 3: If a legend or someone were to come, they would

989
00:42:06,920 --> 00:42:07,600
Speaker 3: be where we were.

990
00:42:08,280 --> 00:42:10,279
Speaker 1: And I stayed pretty much the entire time. And you're

991
00:42:10,280 --> 00:42:12,440
Speaker 1: a legend yourself, so you you were right at home.

992
00:42:12,680 --> 00:42:13,120
Speaker 1: Thanks uh.

993
00:42:13,760 --> 00:42:18,120
Speaker 3: In the legend scale of that jungle was more of

994
00:42:18,160 --> 00:42:23,680
Speaker 3: a legend that than I was. But I stayed for

995
00:42:23,760 --> 00:42:25,480
Speaker 3: a pretty long time, but way past my bedtime.

996
00:42:25,560 --> 00:42:27,279
Speaker 1: We had to go to Atlanta the next morning. Don't

997
00:42:27,280 --> 00:42:30,120
Speaker 1: have bedtimes, right, come on, so.

998
00:42:30,200 --> 00:42:32,279
Speaker 3: I wake up for my flight right the never sleep

999
00:42:32,320 --> 00:42:33,960
Speaker 3: and I'm just you know, I'm just scrolling, scrolling through

1000
00:42:34,000 --> 00:42:36,839
Speaker 3: Instagram and ship, you know, doing some double taps, doing

1001
00:42:36,880 --> 00:42:38,400
Speaker 3: some likes, looking at some money bags.

1002
00:42:39,000 --> 00:42:42,480
Speaker 1: And I see Elliott Wilson post this picture of hit Boy.

1003
00:42:43,040 --> 00:42:47,040
Speaker 3: Nas and Andre three thousand in that same section, in

1004
00:42:47,120 --> 00:42:48,319
Speaker 3: the same fucking section.

1005
00:42:48,520 --> 00:42:50,279
Speaker 1: He was wait for you to leave, fam.

1006
00:42:51,239 --> 00:42:53,040
Speaker 3: I was there for like three hours more.

1007
00:42:53,640 --> 00:42:56,400
Speaker 1: In three hour and minute two, that's when Andrey showed up.

1008
00:42:57,320 --> 00:43:00,239
Speaker 4: They like they texted her like, yeah he left, Ye

1009
00:43:01,000 --> 00:43:01,560
Speaker 4: he's going.

1010
00:43:02,120 --> 00:43:04,040
Speaker 3: I would like. I almost shut the place down. And

1011
00:43:04,160 --> 00:43:06,680
Speaker 3: I walked in at the same time as hit Boy.

1012
00:43:06,719 --> 00:43:07,640
Speaker 1: I walked in with hit Boy.

1013
00:43:09,280 --> 00:43:11,560
Speaker 3: I have no words. I'm like, besides, this is just

1014
00:43:11,640 --> 00:43:14,279
Speaker 3: never gonna happen. Yeah, this is never And could you

1015
00:43:14,400 --> 00:43:17,640
Speaker 3: imagine all the pain I felt of all the photos

1016
00:43:17,680 --> 00:43:20,080
Speaker 3: of everyone in Andre three thousand. My moment could have

1017
00:43:20,160 --> 00:43:21,520
Speaker 3: been me Nas.

1018
00:43:21,320 --> 00:43:24,680
Speaker 1: And Andre three thousand, oh man, wow, But instead it

1019
00:43:24,760 --> 00:43:25,840
Speaker 1: was just me and.

1020
00:43:25,880 --> 00:43:31,280
Speaker 3: Beatty another legend. Yeah, just a flick of me and beatot.

1021
00:43:31,320 --> 00:43:32,960
Speaker 1: See what you don't know is Rory is.

1022
00:43:33,320 --> 00:43:35,640
Speaker 2: Andre was sitting across the street, perched on the rooftop,

1023
00:43:36,280 --> 00:43:40,879
Speaker 2: sitting Indian style, playing his uh Mayan flute. As soon

1024
00:43:40,920 --> 00:43:42,520
Speaker 2: as he saw you exit the building, that's when he

1025
00:43:42,600 --> 00:43:46,480
Speaker 2: decided to swosh down and join the party. And uh said,

1026
00:43:46,520 --> 00:43:48,759
Speaker 2: the red guy is going and now I can.

1027
00:43:49,239 --> 00:43:51,520
Speaker 3: How am I on the same schedule? I went from

1028
00:43:51,600 --> 00:43:53,839
Speaker 3: London to New York? Was he on my flight?

1029
00:43:55,640 --> 00:43:57,239
Speaker 4: Honestly, I think it was closer than you knew.

1030
00:43:57,600 --> 00:44:00,239
Speaker 3: Yeah, imagine he was sitting and coach the whole in

1031
00:44:00,280 --> 00:44:00,799
Speaker 3: the middle seat.

1032
00:44:01,760 --> 00:44:03,840
Speaker 7: You're just missing, like everything, just missing.

1033
00:44:04,120 --> 00:44:04,960
Speaker 4: I was just missing.

1034
00:44:05,360 --> 00:44:09,000
Speaker 3: I was actually upset, like really genuine.

1035
00:44:09,040 --> 00:44:09,320
Speaker 4: It has to.

1036
00:44:09,520 --> 00:44:09,839
Speaker 1: You can't.

1037
00:44:09,880 --> 00:44:13,440
Speaker 2: But see, that's the thing about Andre three thousand, You

1038
00:44:13,600 --> 00:44:16,960
Speaker 2: have to you can't. You only see him when you

1039
00:44:17,000 --> 00:44:19,719
Speaker 2: don't expect. Like when I when I met him, I

1040
00:44:19,920 --> 00:44:24,239
Speaker 2: literally was just walking down whatever avenue that is that

1041
00:44:24,400 --> 00:44:28,440
Speaker 2: Macy's is on on thirty fourth Street, and literally saw

1042
00:44:28,560 --> 00:44:32,120
Speaker 2: him standing on the corner of Victoria's Secret and he

1043
00:44:32,239 --> 00:44:34,359
Speaker 2: was just standing there and I'm walking and I'm talking

1044
00:44:34,400 --> 00:44:35,400
Speaker 2: and I'm just kind of you know, you just kind

1045
00:44:35,400 --> 00:44:37,480
Speaker 2: of walking around Manhattan. We we're from there, so we're

1046
00:44:37,520 --> 00:44:40,239
Speaker 2: not really we don't have the tourist head swivel. We

1047
00:44:40,400 --> 00:44:42,600
Speaker 2: just like looking down on our phone. And I just

1048
00:44:42,680 --> 00:44:45,200
Speaker 2: looked up and he was on Tient two thousand, was

1049
00:44:45,239 --> 00:44:47,960
Speaker 2: standing just leaning on the wall of Victoria's Secret outside

1050
00:44:48,000 --> 00:44:49,640
Speaker 2: on the corner, and I looked and I was like,

1051
00:44:50,840 --> 00:44:51,239
Speaker 2: what's up?

1052
00:44:51,320 --> 00:44:54,360
Speaker 1: Man? He's like peace man, he said, right now with you?

1053
00:44:54,480 --> 00:44:54,600
Speaker 7: Right?

1054
00:44:54,760 --> 00:44:55,799
Speaker 1: Yeah, it's good.

1055
00:44:56,360 --> 00:44:59,040
Speaker 3: He's like, Rory not outside right, I say, I think

1056
00:44:59,080 --> 00:45:00,680
Speaker 3: he's home. He's like, all good, I could stay outside

1057
00:45:00,680 --> 00:45:01,120
Speaker 3: a little longer.

1058
00:45:01,520 --> 00:45:03,279
Speaker 4: Roy, What would you say to him? Because this is

1059
00:45:03,360 --> 00:45:06,560
Speaker 4: something you've fu.

1060
00:45:06,360 --> 00:45:08,000
Speaker 3: I don't know what I here's the thing. I have

1061
00:45:08,080 --> 00:45:12,120
Speaker 3: a very very short list of people I would ask

1062
00:45:12,280 --> 00:45:15,840
Speaker 3: for pictures with extremely short list. He's on it, so

1063
00:45:15,920 --> 00:45:18,840
Speaker 3: he would I would ask him for a picture.

1064
00:45:19,239 --> 00:45:20,400
Speaker 7: So it's are three thousand.

1065
00:45:20,440 --> 00:45:22,640
Speaker 1: Who else Chappelle is on that?

1066
00:45:23,320 --> 00:45:27,920
Speaker 3: But the time I spent with him felt like too intimate.

1067
00:45:27,719 --> 00:45:29,200
Speaker 1: And like it would have been really weird.

1068
00:45:29,440 --> 00:45:30,120
Speaker 4: Same with mine.

1069
00:45:30,480 --> 00:45:32,560
Speaker 3: I just didn't want to be that guy we having

1070
00:45:32,600 --> 00:45:36,839
Speaker 3: a cool conversation. I just it would have been weird. Yeah,

1071
00:45:36,840 --> 00:45:41,360
Speaker 3: I seen most death is on that list, and I

1072
00:45:41,880 --> 00:45:46,040
Speaker 3: might di'angelo, and I think that's where the list would stop.

1073
00:45:46,920 --> 00:45:48,320
Speaker 3: For people I would ask for pictures with.

1074
00:45:49,239 --> 00:45:51,080
Speaker 2: You would not get a picture with any of those gentlemen.

1075
00:45:51,160 --> 00:45:54,080
Speaker 2: Let me just say that it's never gonna suck.

1076
00:45:55,320 --> 00:45:57,520
Speaker 3: When I was with Chappelle in them go to h

1077
00:45:58,040 --> 00:46:02,560
Speaker 3: Aunt Clemens Instagram when it's Aunt Chappelle, Jay Elect everybody.

1078
00:46:03,520 --> 00:46:07,960
Speaker 3: I took the fucking picture, I wasn't in it, and reflection.

1079
00:46:09,719 --> 00:46:12,880
Speaker 1: Your antagging, you put the camera emoji and antag.

1080
00:46:13,760 --> 00:46:15,760
Speaker 3: Yeah, consequence at me in a headlock, so I couldn't.

1081
00:46:17,920 --> 00:46:19,720
Speaker 3: But yeah, that that would be. That would be actually

1082
00:46:19,719 --> 00:46:22,239
Speaker 3: you know what q Tip would be speaking of that.

1083
00:46:22,600 --> 00:46:23,600
Speaker 1: Q Tip would be on that list.

1084
00:46:23,640 --> 00:46:25,280
Speaker 3: But I would never ask q Tip for a picture

1085
00:46:25,760 --> 00:46:28,440
Speaker 3: because I just feel like q Tip would look at

1086
00:46:28,480 --> 00:46:31,480
Speaker 3: me like I was fucking nuts. That's I met when

1087
00:46:31,560 --> 00:46:34,160
Speaker 3: Joyce opened up for Kate Tranada, q Tip was was

1088
00:46:34,280 --> 00:46:37,880
Speaker 3: up in like our low green room viewing area, and

1089
00:46:38,120 --> 00:46:41,080
Speaker 3: I was like, damn, everyone on the list I would

1090
00:46:41,080 --> 00:46:43,560
Speaker 3: ask for a picture, it's someone that would look at

1091
00:46:43,600 --> 00:46:45,040
Speaker 3: you nuts for asking for a picture.

1092
00:46:45,280 --> 00:46:47,319
Speaker 2: Yeah I'm I'm, but I'm I don't know, I'm When

1093
00:46:47,360 --> 00:46:49,680
Speaker 2: it comes to taking pictures. And I've been fortunate enough

1094
00:46:49,719 --> 00:46:54,280
Speaker 2: to be around some legends and icons and intimate settings

1095
00:46:54,360 --> 00:46:56,520
Speaker 2: and be a part of some really like you know,

1096
00:46:56,680 --> 00:47:00,120
Speaker 2: personal conversations, and it's just weird, how you know this

1097
00:47:00,200 --> 00:47:02,840
Speaker 2: moment you really just you never even the thought of asking.

1098
00:47:02,680 --> 00:47:05,080
Speaker 1: For a picture doesn't even come to mind, No, none

1099
00:47:05,080 --> 00:47:05,279
Speaker 1: at all.

1100
00:47:05,520 --> 00:47:07,160
Speaker 2: And it's like it's like I'm not even like I'm

1101
00:47:07,239 --> 00:47:09,840
Speaker 2: just honored to even be here having a conversation with you.

1102
00:47:10,520 --> 00:47:13,399
Speaker 2: And you know, it's like everything that I always thought

1103
00:47:13,400 --> 00:47:17,120
Speaker 2: about you is confirmed, like super down the earth, super

1104
00:47:17,200 --> 00:47:21,080
Speaker 2: personable and just you know, accepting and embracing and things

1105
00:47:21,160 --> 00:47:21,360
Speaker 2: like that.

1106
00:47:21,520 --> 00:47:24,440
Speaker 1: So it's like to end that with can we take

1107
00:47:24,480 --> 00:47:24,920
Speaker 1: a picture?

1108
00:47:25,040 --> 00:47:27,360
Speaker 3: Is it's like exactly weird, Like Chappelle and I had

1109
00:47:27,480 --> 00:47:30,000
Speaker 3: had and this is weird that tape name dropping and

1110
00:47:30,440 --> 00:47:33,439
Speaker 3: talking like this. Chapel and I had a really cool

1111
00:47:33,480 --> 00:47:36,320
Speaker 3: conversation about rich people and poor people finding religion and

1112
00:47:36,360 --> 00:47:36,840
Speaker 3: the difference.

1113
00:47:36,880 --> 00:47:38,320
Speaker 1: Like at that point would be like how about a

1114
00:47:38,360 --> 00:47:41,480
Speaker 1: flick like day if you don't mind, if we know

1115
00:47:41,600 --> 00:47:42,239
Speaker 1: I do mind?

1116
00:47:42,320 --> 00:47:44,360
Speaker 3: Actually yeah, I would have felt more comfortable, Like yo,

1117
00:47:44,600 --> 00:47:45,239
Speaker 3: can I get it sick?

1118
00:47:45,320 --> 00:47:47,040
Speaker 1: Get a buzz down broad? Yeah, yeah.

1119
00:47:47,520 --> 00:47:51,239
Speaker 3: But to Eddin's question, I don't know what I would

1120
00:47:51,640 --> 00:47:54,759
Speaker 3: say because they kind of like know already, you know

1121
00:47:54,880 --> 00:47:56,960
Speaker 3: people I would want to say thank you to Andre

1122
00:47:57,080 --> 00:47:58,960
Speaker 3: two thousands, like, yo, you have no idea what he's

1123
00:47:58,960 --> 00:48:01,560
Speaker 3: heard that like, he knows, he's aware that he's.

1124
00:48:02,040 --> 00:48:04,839
Speaker 1: A legend and that has changed everyone. Lets people love him.

1125
00:48:04,880 --> 00:48:07,400
Speaker 3: He doesn't need that for me to be like, I

1126
00:48:07,440 --> 00:48:09,440
Speaker 3: don't think three stacks are like, damn, I guess I

1127
00:48:09,560 --> 00:48:10,280
Speaker 3: am influential.

1128
00:48:10,320 --> 00:48:12,520
Speaker 2: You know what I know I found there's nothing to

1129
00:48:12,560 --> 00:48:14,600
Speaker 2: say I found you in with with with three stacks.

1130
00:48:15,120 --> 00:48:16,719
Speaker 2: You have to pick up the mind flute and learn

1131
00:48:16,760 --> 00:48:17,280
Speaker 2: how to play.

1132
00:48:17,160 --> 00:48:19,320
Speaker 1: It to become his competition.

1133
00:48:19,440 --> 00:48:20,800
Speaker 3: Yeah, and then have a flute off, and then have

1134
00:48:20,840 --> 00:48:24,160
Speaker 3: a flute off. Fluteoff, okay, yeah, all right, flute off.

1135
00:48:24,160 --> 00:48:25,000
Speaker 1: The red nose rained it.

1136
00:48:25,000 --> 00:48:31,799
Speaker 3: Look got him. You would probably want me to dress

1137
00:48:31,840 --> 00:48:33,160
Speaker 3: this a leprechaun when I played the flute.

1138
00:48:34,760 --> 00:48:37,480
Speaker 1: You have to learn, you gotta you gotta wear the

1139
00:48:37,560 --> 00:48:45,800
Speaker 1: fucking lepreca absolutely Irish jig, thet little Irish jig. Is

1140
00:48:45,840 --> 00:48:48,240
Speaker 1: that a pirate that you weigh in with three thousand?

1141
00:48:48,400 --> 00:48:50,040
Speaker 1: I mean, yeah, I feel like at this point it's

1142
00:48:50,080 --> 00:48:52,080
Speaker 1: it's just never gonna happen, just gonna just gonna have

1143
00:48:52,120 --> 00:48:55,120
Speaker 1: to It's gonna happen. It would happen. Like you see

1144
00:48:55,160 --> 00:48:56,680
Speaker 1: how we were just walking up the block getting some

1145
00:48:56,800 --> 00:48:59,120
Speaker 1: coffee and he went to the store. That's how you

1146
00:48:59,320 --> 00:48:59,880
Speaker 1: bump into.

1147
00:49:00,040 --> 00:49:01,799
Speaker 4: Every next Dallas, he'll probably just be there.

1148
00:49:02,040 --> 00:49:06,920
Speaker 2: Yeah, in Dallas, most random places, like we would have

1149
00:49:06,960 --> 00:49:08,800
Speaker 2: bumped into three stacks coming out of the Ping Pony,

1150
00:49:08,880 --> 00:49:09,800
Speaker 2: like its most.

1151
00:49:09,680 --> 00:49:12,640
Speaker 3: Rand I fucking find out and hundred two thousand it's

1152
00:49:12,640 --> 00:49:14,799
Speaker 3: in Atlanta right now, I'm gonna lose my fucking mind.

1153
00:49:14,800 --> 00:49:18,560
Speaker 1: I'm pretty sure it's not the weirdest place for you

1154
00:49:18,600 --> 00:49:20,000
Speaker 1: to bump into him. Tell you that.

1155
00:49:20,239 --> 00:49:22,560
Speaker 3: No, but like our schedule, like he's just he has

1156
00:49:22,600 --> 00:49:23,960
Speaker 3: the same tour routing as us, but he's not.

1157
00:49:24,200 --> 00:49:26,879
Speaker 2: He'll actually be in on this same couch later today. Yeah,

1158
00:49:29,040 --> 00:49:31,520
Speaker 2: I guarantee he'll be right here in the culture lab

1159
00:49:31,600 --> 00:49:32,080
Speaker 2: later today.

1160
00:49:32,680 --> 00:49:36,480
Speaker 3: Well, yeah, it was a really cool listening event. We

1161
00:49:36,800 --> 00:49:39,680
Speaker 3: know how fucking industry listening events.

1162
00:49:39,719 --> 00:49:41,840
Speaker 2: I was age, I was home getting better. I was

1163
00:49:41,880 --> 00:49:44,959
Speaker 2: fucked up, so I spent the day. Seawan had text

1164
00:49:45,040 --> 00:49:47,279
Speaker 2: us about that event. I couldn't make it, I said, bro,

1165
00:49:47,320 --> 00:49:49,000
Speaker 2: I got to sit in the house with the sweatshoit

1166
00:49:49,080 --> 00:49:50,840
Speaker 2: on the sweat all this ship out. Yeah, so I

1167
00:49:50,840 --> 00:49:52,480
Speaker 2: could feel better coming down here, and I did that.

1168
00:49:52,680 --> 00:49:55,800
Speaker 2: That day off really really helped I feel a thousand

1169
00:49:55,840 --> 00:49:59,239
Speaker 2: percent better today. So I'm glad you went though.

1170
00:49:59,239 --> 00:50:01,040
Speaker 1: I heard. I heard it was a really dope event.

1171
00:50:01,440 --> 00:50:03,279
Speaker 1: It was the video. It was fun. It was just

1172
00:50:03,440 --> 00:50:05,680
Speaker 1: fun event and the album was amazing. So shout out

1173
00:50:05,680 --> 00:50:07,520
Speaker 1: to Katie threw shout out, then shout out the hit boy.

1174
00:50:07,880 --> 00:50:09,759
Speaker 5: You said, uh, that day, Chappe would be one of

1175
00:50:09,800 --> 00:50:12,040
Speaker 5: the people that you took, you would take a picture with.

1176
00:50:12,200 --> 00:50:12,960
Speaker 1: He would be on the list.

1177
00:50:13,200 --> 00:50:16,680
Speaker 7: Did you watch this monologue? No, that's gonna double great.

1178
00:50:16,800 --> 00:50:19,200
Speaker 1: Of course I did. Okay, everybody in the world has

1179
00:50:19,200 --> 00:50:23,080
Speaker 1: seen that right now. I stayed up. I mean, I

1180
00:50:23,120 --> 00:50:25,359
Speaker 1: didn't do anything. What day do we fly here?

1181
00:50:25,719 --> 00:50:26,120
Speaker 4: Saturday?

1182
00:50:26,200 --> 00:50:26,879
Speaker 1: Saturday morning.

1183
00:50:27,400 --> 00:50:30,319
Speaker 3: I stayed in the hotel Saturday just because the flu

1184
00:50:30,440 --> 00:50:32,560
Speaker 3: is going around. Yeah, I didn't want to force anything.

1185
00:50:32,760 --> 00:50:35,000
Speaker 3: I stayed up and watched it live. I haven't turned

1186
00:50:35,040 --> 00:50:37,480
Speaker 3: hold a hotel TV and went to the cable in

1187
00:50:37,840 --> 00:50:40,520
Speaker 3: maybe ten years. Yeah, I was like, wait, where's NBC at.

1188
00:50:40,480 --> 00:50:41,000
Speaker 4: I will do that?

1189
00:50:42,000 --> 00:50:45,600
Speaker 2: No, absolutely, man, absolutely, and it was Uh, it was

1190
00:50:45,680 --> 00:50:47,919
Speaker 2: everything I think we expected, if not more.

1191
00:50:48,360 --> 00:50:53,160
Speaker 3: It was probably one of the greatest fifteen minutes of

1192
00:50:53,200 --> 00:50:54,919
Speaker 3: speaking I've ever heard.

1193
00:50:55,120 --> 00:50:57,040
Speaker 1: It was just called me a Dick Ryder called me.

1194
00:50:57,640 --> 00:50:57,680
Speaker 7: No.

1195
00:50:58,840 --> 00:50:59,759
Speaker 1: That was incredible.

1196
00:50:59,800 --> 00:51:02,040
Speaker 2: It's not even I don't again, it's I don't think

1197
00:51:02,080 --> 00:51:07,560
Speaker 2: it's even close anymore. Chappelle is the greatest of all time.

1198
00:51:08,880 --> 00:51:12,560
Speaker 2: It's you know, just the way he uh, he leads

1199
00:51:12,600 --> 00:51:15,520
Speaker 2: it into things, the way he sets things up, his

1200
00:51:15,680 --> 00:51:20,480
Speaker 2: punchlines is his time and his influx, his influx in

1201
00:51:20,560 --> 00:51:21,040
Speaker 2: his voice.

1202
00:51:21,960 --> 00:51:26,759
Speaker 1: You know, it's everything about it is just perfect. It's

1203
00:51:26,920 --> 00:51:27,840
Speaker 1: it's just genius.

1204
00:51:29,560 --> 00:51:29,719
Speaker 4: You know.

1205
00:51:29,800 --> 00:51:33,080
Speaker 2: The way he introduced the whole Kyrie part of it. Uh,

1206
00:51:33,560 --> 00:51:35,480
Speaker 2: Kanye was in so much trouble that Kyrie got it.

1207
00:51:35,560 --> 00:51:39,160
Speaker 2: That was just hilarious. Yeah, And he started the way

1208
00:51:39,239 --> 00:51:42,879
Speaker 2: he started like and that, Kanye is how you buy

1209
00:51:42,960 --> 00:51:43,600
Speaker 2: yourself some more.

1210
00:51:44,120 --> 00:51:47,759
Speaker 1: Like it's just that simple. And that's what David is.

1211
00:51:47,840 --> 00:51:51,360
Speaker 2: He's perfect at sitting back analyzing, seeing everything that's happening

1212
00:51:51,440 --> 00:51:51,719
Speaker 2: going on.

1213
00:51:51,880 --> 00:51:54,600
Speaker 1: And then being like, this is how you stay away

1214
00:51:54,600 --> 00:51:55,560
Speaker 1: from that and avoid that. Well.

1215
00:51:55,760 --> 00:51:59,520
Speaker 3: Ironically, for some reason, Kanye is probably one of the

1216
00:51:59,680 --> 00:52:03,800
Speaker 3: least articulate people on Earth like, and this is not

1217
00:52:04,000 --> 00:52:07,120
Speaker 3: me doing the Kanye Cape or being one of those people.

1218
00:52:07,160 --> 00:52:08,200
Speaker 1: I just don't understand Kanye.

1219
00:52:08,320 --> 00:52:12,600
Speaker 3: I really thinking Kanye's head, he'd be smoking these conversations

1220
00:52:12,680 --> 00:52:15,560
Speaker 3: on these interviews, not realizing what's coming out of his mouth.

1221
00:52:15,880 --> 00:52:18,160
Speaker 3: In his head, he probably thinks he sounded just like

1222
00:52:18,320 --> 00:52:21,640
Speaker 3: Chappelle did on S n L, except he's just yelling

1223
00:52:21,680 --> 00:52:22,680
Speaker 3: slavery was a choice.

1224
00:52:22,480 --> 00:52:23,040
Speaker 1: Like Kanye.

1225
00:52:23,760 --> 00:52:26,400
Speaker 3: I did that, Kanye, I'm going death Cone three in

1226
00:52:26,440 --> 00:52:32,080
Speaker 3: the Jews, Kanye Bro, Kanye, Yeah, I think And again

1227
00:52:32,120 --> 00:52:34,960
Speaker 3: this is not defending what he said or saying y'all

1228
00:52:34,960 --> 00:52:39,080
Speaker 3: don't understand. I just think Kanye in his own brain

1229
00:52:39,200 --> 00:52:42,440
Speaker 3: thinks he sounds like Dave Chappelle and how Chappelle articulated

1230
00:52:42,480 --> 00:52:45,960
Speaker 3: that shit, but just bullshit. I want to abolish steps.

1231
00:52:46,200 --> 00:52:48,200
Speaker 3: Kanye probably thought that was the most well thought out

1232
00:52:48,239 --> 00:52:50,359
Speaker 3: thing ever in his head and just yelled out, let's

1233
00:52:50,360 --> 00:52:51,120
Speaker 3: get rid of steps.

1234
00:52:51,960 --> 00:52:55,960
Speaker 1: Everybody's gonna be like, yeah, let's get rid of steps today.

1235
00:52:56,680 --> 00:52:58,840
Speaker 1: I never even thought about that, like we didn't need steps.

1236
00:52:59,560 --> 00:53:04,520
Speaker 3: I hates elevators, but yeah, when a fire happens, like,

1237
00:53:04,560 --> 00:53:06,480
Speaker 3: who cares, Let's just get an elevator.

1238
00:53:06,520 --> 00:53:12,919
Speaker 2: That that SNL skit Dave Chappelle man just amazing to watch,

1239
00:53:13,000 --> 00:53:16,080
Speaker 2: amazing to watch. Uh and and and you know, he

1240
00:53:16,320 --> 00:53:20,640
Speaker 2: echoed a lot of sentiments and statements that Kanye made,

1241
00:53:21,400 --> 00:53:23,640
Speaker 2: but just in a way where it just wasn't as

1242
00:53:24,680 --> 00:53:27,960
Speaker 2: offensive as harsh, as a disruptive.

1243
00:53:28,320 --> 00:53:29,920
Speaker 4: It's not in an attacking tone.

1244
00:53:29,760 --> 00:53:33,360
Speaker 2: And not an attacking tone. It's just like, yeah, like

1245
00:53:34,120 --> 00:53:37,600
Speaker 2: I'm not saying I've been in Hollywood. I'm not saying

1246
00:53:37,640 --> 00:53:38,080
Speaker 2: they run it.

1247
00:53:38,120 --> 00:53:44,279
Speaker 3: But and even even to that explanation, because of course

1248
00:53:44,360 --> 00:53:48,359
Speaker 3: we understand why the Jewish community gets upset at they

1249
00:53:48,520 --> 00:53:50,400
Speaker 3: all run media, they control the world, because that was

1250
00:53:50,440 --> 00:53:54,960
Speaker 3: the narrative that the Nazis had done to start the Holocaust,

1251
00:53:55,160 --> 00:53:58,200
Speaker 3: World War two. Ship right, I mean if if you

1252
00:53:58,239 --> 00:54:03,640
Speaker 3: think it happens, Kyrie. Sorry, that was great, Like that

1253
00:54:03,760 --> 00:54:07,360
Speaker 3: whole part was like yeah, but Chappelle explaining, and I

1254
00:54:07,440 --> 00:54:10,359
Speaker 3: hope a lot of the Jewish community listened with an

1255
00:54:10,360 --> 00:54:14,440
Speaker 3: objective ear to Chappelle when he said I've been to Hollywood.

1256
00:54:15,000 --> 00:54:17,800
Speaker 3: One one could start putting things together and feel that

1257
00:54:18,120 --> 00:54:21,200
Speaker 3: they may not be right. Yeah, but when you go

1258
00:54:21,400 --> 00:54:24,840
Speaker 3: into Hollywood, you go into media, you go higher, higher, up.

1259
00:54:25,640 --> 00:54:28,280
Speaker 3: A logical person could just put things together. It doesn't

1260
00:54:28,320 --> 00:54:32,360
Speaker 3: mean you're correct in thinking that, but there is some

1261
00:54:32,560 --> 00:54:36,600
Speaker 3: logic in like, Okay, everybody is Jewish. Yeah yeah, Now

1262
00:54:36,640 --> 00:54:40,600
Speaker 3: that doesn't mean you should spew hate speech towards them, right,

1263
00:54:41,400 --> 00:54:44,520
Speaker 3: The Jewish community has to have some understanding that how

1264
00:54:44,600 --> 00:54:47,120
Speaker 3: people think we could put some things together here.

1265
00:54:47,239 --> 00:54:48,400
Speaker 1: Yeah, that's all.

1266
00:54:48,440 --> 00:54:51,400
Speaker 3: I hope everyone really listened to Chappelle because I think

1267
00:54:51,440 --> 00:54:52,560
Speaker 3: he gave both sides.

1268
00:54:52,640 --> 00:54:53,600
Speaker 1: It was pretty well.

1269
00:54:53,640 --> 00:54:54,200
Speaker 4: It was perfect.

1270
00:54:54,600 --> 00:54:58,200
Speaker 3: The Ferguson, Missouri comparison was the perfect way to put that.

1271
00:54:58,360 --> 00:55:00,320
Speaker 3: Like a lot of black people in Ferguson, but we know,

1272
00:55:01,040 --> 00:55:01,920
Speaker 3: we know they don't run it.

1273
00:55:01,960 --> 00:55:03,759
Speaker 1: They don't run. You could say the same thing.

1274
00:55:03,719 --> 00:55:06,720
Speaker 3: With Hollywood, but you know, one one could think otherwise.

1275
00:55:06,960 --> 00:55:10,080
Speaker 8: So the line that's circulating the most on Twitter at

1276
00:55:10,160 --> 00:55:12,960
Speaker 8: least is if they're black, it's a gang. If they're Italian,

1277
00:55:13,160 --> 00:55:15,719
Speaker 8: it's a mob. If they're Jewish, it's a coincidence, and

1278
00:55:15,760 --> 00:55:16,880
Speaker 8: you should never speak about it.

1279
00:55:18,840 --> 00:55:19,240
Speaker 1: Genius.

1280
00:55:19,400 --> 00:55:22,640
Speaker 2: I thought that was a perfect way to calmly, subtly

1281
00:55:22,760 --> 00:55:25,600
Speaker 2: say yeah, that's basically what it is, and.

1282
00:55:27,560 --> 00:55:31,680
Speaker 3: To even think why every time we would suggest that

1283
00:55:31,760 --> 00:55:33,040
Speaker 3: we have to shut the fuck up about it.

1284
00:55:33,080 --> 00:55:33,920
Speaker 1: It's like, that's weird.

1285
00:55:35,160 --> 00:55:37,400
Speaker 3: So I thought it was perfect. I thought it was

1286
00:55:37,560 --> 00:55:40,319
Speaker 3: the best way to sum up everything that's been going

1287
00:55:40,360 --> 00:55:42,920
Speaker 3: on right now for everyone that's been arguing both sides

1288
00:55:43,000 --> 00:55:44,680
Speaker 3: on Twitter, dig Kyrie.

1289
00:55:45,719 --> 00:55:48,120
Speaker 2: Just watching that, like watching the Chappelle bid was the

1290
00:55:48,200 --> 00:55:51,200
Speaker 2: perfect way to address everything. And I like the fact

1291
00:55:51,239 --> 00:55:54,560
Speaker 2: that even he said it's for a genius who has,

1292
00:55:54,760 --> 00:55:58,600
Speaker 2: you know, become a genius at just speaking, he said,

1293
00:55:58,640 --> 00:56:01,759
Speaker 2: it's hard for him to even talk. Yes, and during

1294
00:56:01,800 --> 00:56:04,040
Speaker 2: these times like it's like I have to watch what

1295
00:56:04,120 --> 00:56:05,520
Speaker 2: I say and how I say it, because you know,

1296
00:56:05,600 --> 00:56:09,640
Speaker 2: everybody's offended, everybody is upset when at the end of

1297
00:56:09,640 --> 00:56:12,920
Speaker 2: the day, listen, we're all human, we all come from.

1298
00:56:12,840 --> 00:56:16,960
Speaker 1: Struggles, we all have our prejudices against us. Yeah, but

1299
00:56:17,120 --> 00:56:17,759
Speaker 1: let's have these.

1300
00:56:17,719 --> 00:56:21,279
Speaker 2: Conversations and let's break down these walls of you know,

1301
00:56:22,320 --> 00:56:25,360
Speaker 2: hiding behind you know, not being offended. Let's not be

1302
00:56:25,440 --> 00:56:27,239
Speaker 2: so quick to be offended. Let's listen to each other

1303
00:56:27,680 --> 00:56:30,000
Speaker 2: and find a common ground of understanding. So I thought

1304
00:56:30,040 --> 00:56:32,440
Speaker 2: Dave Chappelle did a great job of that, and and

1305
00:56:33,040 --> 00:56:36,280
Speaker 2: finding laughter in that as well, like finding some laughter,

1306
00:56:36,400 --> 00:56:38,839
Speaker 2: let's laugh at it, like Listen, we understand some people

1307
00:56:38,880 --> 00:56:41,120
Speaker 2: were hurting offended, and we don't ever want to offend anybody,

1308
00:56:41,680 --> 00:56:43,440
Speaker 2: and we don't ever want to talk to hurt anybody.

1309
00:56:43,920 --> 00:56:45,920
Speaker 2: But if it happens, let's talk about it. Let's talk

1310
00:56:45,960 --> 00:56:49,920
Speaker 2: about why, and also let's laugh during it during the talk.

1311
00:56:50,040 --> 00:56:52,920
Speaker 2: So Dave Chappelle did a great job another uh and

1312
00:56:53,080 --> 00:56:54,800
Speaker 2: feather in his hat of genius.

1313
00:56:54,760 --> 00:56:57,880
Speaker 4: To learn the sketches. The sketches were great, and the.

1314
00:56:58,280 --> 00:57:01,240
Speaker 1: House of Dragons bringing Tyrone Bigham's back.

1315
00:57:02,400 --> 00:57:05,560
Speaker 3: Club in the monologue that the chain premise that he

1316
00:57:05,680 --> 00:57:07,440
Speaker 3: kept going back to with Kanye in the met like,

1317
00:57:08,600 --> 00:57:11,440
Speaker 3: that was some of the most genius comedy shit I've

1318
00:57:11,440 --> 00:57:13,920
Speaker 3: ever seen. It was like, and I'm gonna nerd out

1319
00:57:13,960 --> 00:57:16,800
Speaker 3: in the amount of entendres that was in that premise

1320
00:57:16,880 --> 00:57:20,840
Speaker 3: of calling it back each time at Chappelle, Like the

1321
00:57:20,880 --> 00:57:22,720
Speaker 3: amount of time that this Kanye thing's been going on

1322
00:57:22,880 --> 00:57:25,400
Speaker 3: to come up with that type of bit that quick, Yeah,

1323
00:57:25,720 --> 00:57:28,560
Speaker 3: is a different level of gens. And shout out to

1324
00:57:28,680 --> 00:57:32,360
Speaker 3: Tenor and EFN Drink Champs got shouted out on fucking

1325
00:57:33,240 --> 00:57:33,880
Speaker 3: that's amazing.

1326
00:57:34,240 --> 00:57:35,600
Speaker 4: That was dope. So that was dope.

1327
00:57:35,920 --> 00:57:38,160
Speaker 3: But yeah, the sketches, I'm sorry, I just wanted to

1328
00:57:38,200 --> 00:57:40,120
Speaker 3: go back to that monologueuse I've watched it like thirty times.

1329
00:57:40,200 --> 00:57:41,800
Speaker 1: But yeah, sketches were great.

1330
00:57:42,160 --> 00:57:44,919
Speaker 3: Uh, if you guys want to talk more about Game

1331
00:57:45,000 --> 00:57:47,680
Speaker 3: of Thrones, I thought it was funny because of all

1332
00:57:47,760 --> 00:57:52,320
Speaker 3: the Chappelle Show characters and references on it. I didn't

1333
00:57:52,320 --> 00:57:54,560
Speaker 3: fully understand everything because I've never watched Game of Thrones

1334
00:57:54,680 --> 00:57:56,640
Speaker 3: or the new shit. So it's probably funnier to y'all

1335
00:57:56,680 --> 00:57:57,280
Speaker 3: than it was to me.

1336
00:57:57,480 --> 00:57:59,640
Speaker 8: Yeah, they did a good job of poking at certain

1337
00:58:00,040 --> 00:58:02,240
Speaker 8: things from the show itself, but I was just saying, like,

1338
00:58:02,320 --> 00:58:05,600
Speaker 8: from a broader perspective, Chappelle and whoever else was helping

1339
00:58:05,640 --> 00:58:06,880
Speaker 8: writing these sketches, they did a.

1340
00:58:06,880 --> 00:58:07,439
Speaker 1: Really so Neil.

1341
00:58:07,520 --> 00:58:10,840
Speaker 3: Neil was involved with the last times he hosted, They.

1342
00:58:10,760 --> 00:58:13,160
Speaker 8: Did a very good job of addressing again all the

1343
00:58:13,240 --> 00:58:16,400
Speaker 8: social and political stuff, but through a really like simple

1344
00:58:16,920 --> 00:58:20,000
Speaker 8: basic comedic lens. The barbershop sketch in particular, just the

1345
00:58:20,040 --> 00:58:22,040
Speaker 8: one white guy in there that was, you know, completely

1346
00:58:22,400 --> 00:58:25,120
Speaker 8: not reading the room right, just missing the mark on

1347
00:58:25,200 --> 00:58:27,440
Speaker 8: every single thing that which is what happens, which happens

1348
00:58:27,480 --> 00:58:30,920
Speaker 8: all the time on Twitter, Like that was a physical

1349
00:58:31,000 --> 00:58:33,640
Speaker 8: representation of Twitter. Like they did a really good job

1350
00:58:33,720 --> 00:58:36,600
Speaker 8: of driving home stuff Chappelle said in his monologue and

1351
00:58:36,720 --> 00:58:38,000
Speaker 8: integrating them into the sketches.

1352
00:58:38,600 --> 00:58:42,040
Speaker 3: So, yeah, did that just the little shit I found funny,

1353
00:58:42,120 --> 00:58:44,920
Speaker 3: like having a dragon light your crack pipe is just funny.

1354
00:58:46,080 --> 00:58:46,640
Speaker 4: It's just funny.

1355
00:58:46,640 --> 00:58:49,480
Speaker 1: To me, that was pretty That was pretty funny.

1356
00:58:49,640 --> 00:58:49,840
Speaker 4: Damn.

1357
00:58:50,000 --> 00:58:52,840
Speaker 3: It had me think because they brought back the haters

1358
00:58:52,840 --> 00:58:54,560
Speaker 3: from the Haters Ball and iced Tea.

1359
00:58:55,120 --> 00:58:57,760
Speaker 1: Was great to see him. It did make me sad.

1360
00:58:57,880 --> 00:59:02,800
Speaker 1: Man Patrise O'Neil would have been in that sketch.

1361
00:59:02,880 --> 00:59:05,880
Speaker 7: He was part of the Haters Ball and Charlie Well, I.

1362
00:59:05,880 --> 00:59:09,960
Speaker 1: Don't know, man, Patria. If he stayed alive, he might be.

1363
00:59:12,360 --> 00:59:14,160
Speaker 2: Patrice would have been out of here a long time ago,

1364
00:59:14,200 --> 00:59:16,600
Speaker 2: but let's just call it jew way before.

1365
00:59:18,080 --> 00:59:18,520
Speaker 1: Years ago.

1366
00:59:18,760 --> 00:59:20,120
Speaker 4: He would have had to move to Ohio, but not

1367
00:59:20,200 --> 00:59:20,640
Speaker 4: by choice.

1368
00:59:20,720 --> 00:59:21,600
Speaker 1: Yeah, that's the fact.

1369
00:59:21,680 --> 00:59:24,040
Speaker 2: Patrise o neil rest in peace to the legend, Patria, legend,

1370
00:59:24,160 --> 00:59:27,040
Speaker 2: legend man and and he he would have been so needed.

1371
00:59:27,120 --> 00:59:28,800
Speaker 3: We say that all the time, but I'll never stop

1372
00:59:28,880 --> 00:59:30,400
Speaker 3: saying he would have been so needed in this era.

1373
00:59:30,760 --> 00:59:33,160
Speaker 3: Actually we're joking and saying we've been canceled. I think

1374
00:59:33,160 --> 00:59:36,240
Speaker 3: he would have become a superstar because the way Chappelle

1375
00:59:36,440 --> 00:59:39,800
Speaker 3: articulated everything that's going on right now, Yeah, Patrice's is

1376
00:59:39,880 --> 00:59:43,520
Speaker 3: that level of intellect as well. Like Patrice would have

1377
00:59:43,560 --> 00:59:46,840
Speaker 3: been great to have us cut the bullshit, all the

1378
00:59:46,880 --> 00:59:47,960
Speaker 3: semantic ship and be like, bro.

1379
00:59:48,120 --> 00:59:49,520
Speaker 1: Look what the fuck is going on right somehow?

1380
00:59:49,640 --> 00:59:53,720
Speaker 4: Less filtered, way, less filtered.

1381
00:59:54,240 --> 00:59:57,480
Speaker 1: Patrise, you'll talk one of my favorite comedians.

1382
00:59:57,680 --> 01:00:01,440
Speaker 4: Oh my god, he's got some great man YouTube absolutely often.

1383
01:00:01,680 --> 01:00:05,520
Speaker 1: He also would have been I think.

1384
01:00:07,320 --> 01:00:10,080
Speaker 3: Podcasting would be completely different if Patrise O'Neill was here,

1385
01:00:10,640 --> 01:00:13,240
Speaker 3: because I feel like podcasting of course existed, but I

1386
01:00:13,280 --> 01:00:15,760
Speaker 3: think even shout out to serious our partner, like the

1387
01:00:17,240 --> 01:00:19,120
Speaker 3: Opie and Anthony days, where it was just like long

1388
01:00:19,200 --> 01:00:21,720
Speaker 3: form content. Patrice was always the star. You could talk

1389
01:00:21,760 --> 01:00:23,680
Speaker 3: about anything. He could talk for three fucking hours. He

1390
01:00:23,760 --> 01:00:27,240
Speaker 3: was hilarious, he was articulate, he was intelligent. He started

1391
01:00:27,320 --> 01:00:30,280
Speaker 3: that long form shit h and if he had his

1392
01:00:30,400 --> 01:00:34,200
Speaker 3: own podcast, this would be this would be different.

1393
01:00:34,440 --> 01:00:35,720
Speaker 1: He would definitely be getting his ship.

1394
01:00:35,800 --> 01:00:38,080
Speaker 3: He would make He would force all of us to

1395
01:00:38,320 --> 01:00:42,440
Speaker 3: not be a PC or toe the line on these

1396
01:00:42,520 --> 01:00:46,720
Speaker 3: podcasts because we look pussy absolutely resting piece of Patrise

1397
01:00:46,760 --> 01:00:51,880
Speaker 3: O'Neil man legend icon, wish we had more time with him,

1398
01:00:52,440 --> 01:00:56,040
Speaker 3: wish we had more time with him or but yeah,

1399
01:00:56,080 --> 01:00:59,800
Speaker 3: the sketch of the Potato hole was funny. That was bruh,

1400
01:01:00,400 --> 01:01:03,520
Speaker 3: and shout outs to all the other comedians in it.

1401
01:01:03,560 --> 01:01:07,360
Speaker 2: They played that like the Corner News Ship, perfectly perfect. Man,

1402
01:01:08,040 --> 01:01:10,440
Speaker 2: that was a really good that. That chanel was one

1403
01:01:10,480 --> 01:01:12,680
Speaker 2: of the better ones we've had in a long time.

1404
01:01:12,760 --> 01:01:13,120
Speaker 1: For sure.

1405
01:01:13,280 --> 01:01:14,920
Speaker 3: I think I would say when Bill Bird was almost

1406
01:01:14,920 --> 01:01:17,400
Speaker 3: probably the last time outside of Chappelle.

1407
01:01:17,120 --> 01:01:19,080
Speaker 1: That I was like, oh, this is fucking hilarious.

1408
01:01:19,240 --> 01:01:22,920
Speaker 3: Yeah, so yeah, man, we have a I think Sissy's

1409
01:01:22,920 --> 01:01:25,920
Speaker 3: doing the next one, right Sissa. Kekey Palmer said, was

1410
01:01:25,920 --> 01:01:27,880
Speaker 3: that real? Shoutouts Kekey Palmer.

1411
01:01:28,000 --> 01:01:28,720
Speaker 4: That's that's big.

1412
01:01:29,360 --> 01:01:31,520
Speaker 3: Kekey Palmer is hosting Saturday Night Live.

1413
01:01:31,680 --> 01:01:34,200
Speaker 1: That's that's her age. Shout out the key you guys

1414
01:01:34,240 --> 01:01:36,560
Speaker 1: watch No, No, I didn't see that.

1415
01:01:36,560 --> 01:01:39,760
Speaker 2: I don't see nope yet. Coming back from London, I

1416
01:01:39,800 --> 01:01:41,840
Speaker 2: was gonna watch it on the flight, but I fell asleep.

1417
01:01:41,880 --> 01:01:46,160
Speaker 4: Regardless of the film, Kiki killed that. She's harry talented.

1418
01:01:45,800 --> 01:01:49,040
Speaker 2: As Palmer was talented. Man, She's definitely and I feel

1419
01:01:49,080 --> 01:01:50,520
Speaker 2: like she's still a little underrated.

1420
01:01:50,560 --> 01:01:52,800
Speaker 1: I wish she would make more music too. I liked

1421
01:01:52,840 --> 01:01:54,800
Speaker 1: her music. Yeah, but shout out to Kiki.

1422
01:01:55,040 --> 01:01:57,240
Speaker 3: I will be watching that one as well. And Sissa,

1423
01:01:57,640 --> 01:01:59,600
Speaker 3: I mean, of course we know hope.

1424
01:01:59,640 --> 01:02:04,160
Speaker 1: That means we saw the the clips of the video

1425
01:02:04,200 --> 01:02:06,760
Speaker 1: that she's about to put out. M that's old milk.

1426
01:02:07,400 --> 01:02:09,200
Speaker 2: Listen, No, that's I know oat milk when I see

1427
01:02:09,360 --> 01:02:11,120
Speaker 2: her kitty cat, Julie. You know, I know oat milk

1428
01:02:11,120 --> 01:02:14,960
Speaker 2: when I milk man. Nobody could eye oat milk like

1429
01:02:15,040 --> 01:02:15,320
Speaker 2: I can.

1430
01:02:15,480 --> 01:02:18,760
Speaker 3: Scissor got the good good surgery, you know, like the

1431
01:02:19,000 --> 01:02:21,400
Speaker 3: proportional like you look amazing surgery.

1432
01:02:22,440 --> 01:02:24,200
Speaker 1: Are we not allowed to all right? Are we not

1433
01:02:24,280 --> 01:02:25,680
Speaker 1: allowed to say that she obviously got surgery?

1434
01:02:25,840 --> 01:02:28,920
Speaker 8: But all the videos are it was always just her silhouettes.

1435
01:02:28,920 --> 01:02:30,880
Speaker 8: So I haven't really seen her yet, you know what

1436
01:02:30,920 --> 01:02:32,200
Speaker 8: I mean? Yeah, you've just seen.

1437
01:02:32,480 --> 01:02:33,000
Speaker 4: But you can see.

1438
01:02:33,000 --> 01:02:35,120
Speaker 1: You can see shadow, you can see the shadow, you

1439
01:02:35,160 --> 01:02:35,840
Speaker 1: can read the shadow.

1440
01:02:35,920 --> 01:02:37,560
Speaker 4: Shadow can look good on anyone. Not to say that

1441
01:02:37,640 --> 01:02:41,320
Speaker 4: she doesn't look like some shadows.

1442
01:02:41,480 --> 01:02:44,400
Speaker 3: I was like, I've seen my silhouette. Yeah it's not

1443
01:02:44,480 --> 01:02:46,080
Speaker 3: that good, it's gross.

1444
01:02:46,200 --> 01:02:48,120
Speaker 2: I've seen my twelve o'clock shadow doing let me tell you,

1445
01:02:48,440 --> 01:02:50,640
Speaker 2: it looks nothing like It looks nothing like Sizzy.

1446
01:02:50,680 --> 01:02:52,000
Speaker 1: You know what's mean when you see my shadow.

1447
01:02:52,120 --> 01:02:52,640
Speaker 4: But I hope that.

1448
01:02:52,720 --> 01:02:53,840
Speaker 1: Her doing s n L.

1449
01:02:54,320 --> 01:02:56,880
Speaker 3: That would confirm right that the album has to be

1450
01:02:57,200 --> 01:03:01,200
Speaker 3: before the years. Oh yeah, yeah, maybe even before November,

1451
01:03:01,640 --> 01:03:04,600
Speaker 3: like maybe some Black Friday. Would that be a good

1452
01:03:04,600 --> 01:03:07,080
Speaker 3: guy'll be interesting Black Friday Scissors, that's my guess.

1453
01:03:09,280 --> 01:03:11,200
Speaker 2: Yeah, because we did think it was coming out around

1454
01:03:11,240 --> 01:03:15,080
Speaker 2: the the Black Panther two. I think we said that

1455
01:03:15,280 --> 01:03:17,440
Speaker 2: for a while for the last few months, so we

1456
01:03:17,800 --> 01:03:21,200
Speaker 2: not off. Maybe right before Christmas, yeah, or right before,

1457
01:03:21,240 --> 01:03:22,960
Speaker 2: like you said, the end of the month or the

1458
01:03:23,040 --> 01:03:24,400
Speaker 2: end of the month Black Friday maybe.

1459
01:03:24,840 --> 01:03:27,400
Speaker 1: I mean, she's she's three for three or four for

1460
01:03:27,480 --> 01:03:30,440
Speaker 1: four with the records. I can't wait. Everyone knows how

1461
01:03:30,440 --> 01:03:32,840
Speaker 1: we feel about Scissors, So I'm excited.

1462
01:03:33,120 --> 01:03:34,720
Speaker 4: December third, one, that's happening.

1463
01:03:35,200 --> 01:03:37,720
Speaker 1: Gosh, December third, Oh, that's December third, all right? Oh

1464
01:03:37,880 --> 01:03:39,439
Speaker 1: snl oh No, maybe we could get.

1465
01:03:39,320 --> 01:03:43,919
Speaker 3: A Black Friday then, because she would perform after the album. Yeah, okay, yeah,

1466
01:03:44,240 --> 01:03:45,760
Speaker 3: all right, let's go his album.

1467
01:03:46,560 --> 01:03:47,360
Speaker 1: Looking forward to it.

1468
01:03:47,440 --> 01:03:50,080
Speaker 2: Sissy, you look amazing and you sound amazing, and we

1469
01:03:50,200 --> 01:03:53,200
Speaker 2: need we need some male captions. So give us some captions, man,

1470
01:03:53,880 --> 01:03:55,360
Speaker 2: sis gonna give us some male captions.

1471
01:03:55,720 --> 01:03:57,960
Speaker 3: And as as much as I give her shit about accountability,

1472
01:03:57,960 --> 01:03:59,720
Speaker 3: I don't want her to take any bit of accountability.

1473
01:03:59,720 --> 01:04:01,840
Speaker 3: That's how I love when she doesn't take accountability.

1474
01:04:02,040 --> 01:04:05,680
Speaker 1: Love it classic fucking records? Yeah? Is there anything else?

1475
01:04:05,720 --> 01:04:06,200
Speaker 4: Where?

1476
01:04:06,200 --> 01:04:06,600
Speaker 1: Are we at? A?

1477
01:04:07,840 --> 01:04:07,960
Speaker 6: Oh?

1478
01:04:08,040 --> 01:04:10,920
Speaker 3: Those are the real vogues? Well the fake votes?

1479
01:04:12,280 --> 01:04:12,480
Speaker 4: Wait?

1480
01:04:12,520 --> 01:04:13,920
Speaker 3: Will we get sued if we show it?

1481
01:04:15,240 --> 01:04:15,439
Speaker 1: Good?

1482
01:04:18,000 --> 01:04:18,400
Speaker 4: All right?

1483
01:04:18,520 --> 01:04:20,200
Speaker 3: If you if you're watching, we have the Drake and

1484
01:04:20,240 --> 01:04:21,000
Speaker 3: twenty one vogue.

1485
01:04:22,040 --> 01:04:23,400
Speaker 1: I don't know if this is real or official?

1486
01:04:24,040 --> 01:04:29,919
Speaker 7: If that's that's cool though? Okay, yeah, we kid? Wow?

1487
01:04:31,080 --> 01:04:32,600
Speaker 4: What is the quote again from forty one?

1488
01:04:33,120 --> 01:04:36,640
Speaker 3: You have to betical twenty one Savage is not holding back?

1489
01:04:38,960 --> 01:04:39,760
Speaker 1: That's so funny.

1490
01:04:40,320 --> 01:04:43,040
Speaker 4: Should we talk about the Twitter disaster?

1491
01:04:43,440 --> 01:04:43,640
Speaker 1: Yes?

1492
01:04:45,160 --> 01:04:46,120
Speaker 7: I have my blue check?

1493
01:04:46,200 --> 01:04:46,320
Speaker 3: Now?

1494
01:04:46,400 --> 01:04:47,040
Speaker 1: How do you all right?

1495
01:04:47,280 --> 01:04:50,240
Speaker 3: For those that don't know, Edin bought a verified check,

1496
01:04:50,320 --> 01:04:51,080
Speaker 3: we should have got one.

1497
01:04:51,080 --> 01:04:51,680
Speaker 4: For our account.

1498
01:04:52,320 --> 01:04:54,760
Speaker 7: I mean, I guess you have to understand.

1499
01:04:54,360 --> 01:04:56,360
Speaker 1: Why did you feel verified after that check?

1500
01:04:56,440 --> 01:04:56,480
Speaker 6: In?

1501
01:04:56,640 --> 01:04:58,520
Speaker 7: No, I know, I don't did it did it feel.

1502
01:04:58,360 --> 01:04:59,880
Speaker 3: Did it feel like a void in your life that

1503
01:05:00,000 --> 01:05:00,640
Speaker 3: maybe was missing?

1504
01:05:00,760 --> 01:05:00,880
Speaker 4: Man?

1505
01:05:00,960 --> 01:05:04,000
Speaker 3: That was not my point was you looking at me like, yes, fine,

1506
01:05:04,040 --> 01:05:04,680
Speaker 3: it was more.

1507
01:05:04,560 --> 01:05:07,360
Speaker 4: Special getting harder getting a verification on Twitter.

1508
01:05:07,520 --> 01:05:11,720
Speaker 5: I only have my horrification. But the point is, is

1509
01:05:11,760 --> 01:05:15,160
Speaker 5: that verified for right verified American for eight dollars?

1510
01:05:15,240 --> 01:05:15,480
Speaker 4: I got.

1511
01:05:15,920 --> 01:05:20,280
Speaker 3: We need to close. It's exactly why was right illegal

1512
01:05:20,320 --> 01:05:23,000
Speaker 3: immigrants getting Twitter verification on Twitter?

1513
01:05:23,080 --> 01:05:25,840
Speaker 1: They're dealing our blue checks exactly.

1514
01:05:26,880 --> 01:05:28,000
Speaker 3: That could have went to a white.

1515
01:05:27,880 --> 01:05:30,680
Speaker 1: Man look for a blue check.

1516
01:05:30,840 --> 01:05:34,560
Speaker 4: Yes, it's definitely.

1517
01:05:34,320 --> 01:05:37,520
Speaker 3: Cheaper taking our jobs and they're taking our blue checks,

1518
01:05:37,520 --> 01:05:38,360
Speaker 3: taking our blue checks.

1519
01:05:38,440 --> 01:05:42,439
Speaker 1: God damn it, get out edding. That's sick.

1520
01:05:42,520 --> 01:05:43,360
Speaker 7: It was very much cheap.

1521
01:05:43,400 --> 01:05:45,000
Speaker 3: Like is this country even hours anymore?

1522
01:05:45,000 --> 01:05:48,240
Speaker 2: I don't know, it's just going running the monk. But edit,

1523
01:05:48,320 --> 01:05:49,440
Speaker 2: I like what editing was like. You know, I was

1524
01:05:49,520 --> 01:05:50,560
Speaker 2: wanted to shake ship up.

1525
01:05:51,400 --> 01:05:55,560
Speaker 1: I got chick in the green room. Hold on, nobody

1526
01:05:55,720 --> 01:05:56,160
Speaker 1: was shook up.

1527
01:05:56,160 --> 01:05:59,480
Speaker 5: You have to understand people were getting tight because people

1528
01:05:59,520 --> 01:06:03,200
Speaker 5: were getting a verified blue for eight dollars. Let me

1529
01:06:03,280 --> 01:06:06,240
Speaker 5: tell you that is now the value of looking verified

1530
01:06:06,400 --> 01:06:07,920
Speaker 5: on a social media platform.

1531
01:06:07,960 --> 01:06:09,760
Speaker 7: Absolutely, and we care about that way.

1532
01:06:11,040 --> 01:06:14,960
Speaker 1: Zero for real. I'm still not verified on Twitter. Like,

1533
01:06:15,000 --> 01:06:16,400
Speaker 1: I don't talk about that ship.

1534
01:06:16,720 --> 01:06:18,680
Speaker 7: I think we just put too much value on that

1535
01:06:18,800 --> 01:06:20,520
Speaker 7: little visual way too much.

1536
01:06:21,400 --> 01:06:23,240
Speaker 4: Let's talk about some of the fake tweets then.

1537
01:06:23,280 --> 01:06:25,560
Speaker 5: Oh yeah, well exactly that was the that was the

1538
01:06:25,600 --> 01:06:28,640
Speaker 5: real big problems that Twitter and Elon mus was getting

1539
01:06:28,640 --> 01:06:30,680
Speaker 5: a lot of backlash because there was a lot of

1540
01:06:30,680 --> 01:06:33,160
Speaker 5: people that were you getting the verified check for eight

1541
01:06:33,240 --> 01:06:37,560
Speaker 5: bucks and then making like fake like Woes accounts, fake

1542
01:06:37,680 --> 01:06:41,400
Speaker 5: Santan accounts, and then just automatically. The biggest one was

1543
01:06:41,480 --> 01:06:45,160
Speaker 5: Lebron James saying quote unquote Lebron James saying that he

1544
01:06:45,320 --> 01:06:47,760
Speaker 5: was like retiring from Lakers or something like that, I'm

1545
01:06:47,760 --> 01:06:49,520
Speaker 5: moving on going back to Cleveland, you know.

1546
01:06:49,880 --> 01:06:55,080
Speaker 8: Well sports wise, But the biggest one financially was Eli Lilly,

1547
01:06:55,640 --> 01:06:59,160
Speaker 8: which is a pharmaceutical company that provides insulin, said that

1548
01:06:59,280 --> 01:07:03,200
Speaker 8: they would start giving out insolent for free. Damn, and

1549
01:07:03,560 --> 01:07:05,640
Speaker 8: their stock dropped millions of dollars.

1550
01:07:07,680 --> 01:07:09,920
Speaker 3: But this is the Twitter, this is the Twitter. I

1551
01:07:10,000 --> 01:07:12,480
Speaker 3: grew up on them. Yeah, like y'all wasn't around for

1552
01:07:12,560 --> 01:07:15,040
Speaker 3: the fake retweet like I had us saying some crazy

1553
01:07:15,320 --> 01:07:17,760
Speaker 3: shrubs some ship in the real world on So this

1554
01:07:17,920 --> 01:07:19,880
Speaker 3: is the new version of the fake retsweek.

1555
01:07:20,360 --> 01:07:23,800
Speaker 8: More and a half percent dropping their stock after after

1556
01:07:23,880 --> 01:07:25,040
Speaker 8: someone paid eight dollars.

1557
01:07:25,080 --> 01:07:26,200
Speaker 4: They love it.

1558
01:07:26,720 --> 01:07:28,320
Speaker 1: I love it though. You see what I'm saying. I

1559
01:07:28,440 --> 01:07:30,040
Speaker 1: love that. That's crazy.

1560
01:07:30,280 --> 01:07:32,200
Speaker 2: Look at the world we fucking live in, man, this

1561
01:07:32,360 --> 01:07:34,440
Speaker 2: is the crazy. I'm telling We in a fucking simulation.

1562
01:07:34,560 --> 01:07:35,520
Speaker 2: Nobody won't listen to me.

1563
01:07:35,680 --> 01:07:36,520
Speaker 1: It's the sickest ship.

1564
01:07:36,880 --> 01:07:40,240
Speaker 8: Tweeted from the fake Pepsi account. Coke is better, bruh.

1565
01:07:40,480 --> 01:07:41,200
Speaker 8: You see what I'm saying.

1566
01:07:41,320 --> 01:07:44,320
Speaker 3: Look, and I'm sure Elon and the rest of the

1567
01:07:44,400 --> 01:07:49,680
Speaker 3: Lizard control control our taxes. People are like, are just laughing.

1568
01:07:51,240 --> 01:07:52,800
Speaker 3: You know, they went in the inside of a volcano

1569
01:07:52,880 --> 01:07:56,320
Speaker 3: and just just laughed. Tweet inside of a volcano that

1570
01:07:56,440 --> 01:08:00,520
Speaker 3: was erupting, Like, look at these mortals.

1571
01:08:00,600 --> 01:08:01,960
Speaker 1: Yes, they could never be in here.

1572
01:08:02,000 --> 01:08:03,280
Speaker 3: He'll never be reptiles like us.

1573
01:08:05,120 --> 01:08:08,000
Speaker 8: Lockey Martin stock dropped as well after a tweet that

1574
01:08:08,080 --> 01:08:11,880
Speaker 8: said we will begin halting all weapons sales to Saudi Arabia, Israel,

1575
01:08:11,960 --> 01:08:14,880
Speaker 8: and the United States until further investigation into their record

1576
01:08:14,960 --> 01:08:16,200
Speaker 8: of human rights abuses.

1577
01:08:16,960 --> 01:08:19,599
Speaker 3: Did you see all the Lebron lying memes that were

1578
01:08:19,800 --> 01:08:22,120
Speaker 3: going around the last week, Oh my god, I loved it.

1579
01:08:22,240 --> 01:08:23,680
Speaker 1: It was just a picture of Lebron.

1580
01:08:23,439 --> 01:08:25,960
Speaker 3: On the cash was like, listen, hope Hope showed me

1581
01:08:26,720 --> 01:08:27,599
Speaker 3: ninety two of the bricks.

1582
01:08:28,560 --> 01:08:30,240
Speaker 1: I was like, bro, you should be careful.

1583
01:08:30,520 --> 01:08:31,639
Speaker 7: I don't want you to lose those.

1584
01:08:34,600 --> 01:08:37,960
Speaker 8: Well that so the Lebron joke started after a press

1585
01:08:38,040 --> 01:08:41,280
Speaker 8: conference of him talking about takeoffs passing and saying how

1586
01:08:41,520 --> 01:08:42,720
Speaker 8: early in the Miami.

1587
01:08:42,720 --> 01:08:45,160
Speaker 2: Days the music in twenty ten, he had the way

1588
01:08:45,240 --> 01:08:48,720
Speaker 2: before it even existed, and r they showed a.

1589
01:08:48,800 --> 01:08:53,000
Speaker 1: Video, a video of offset in two thousand and ten.

1590
01:08:53,280 --> 01:08:59,160
Speaker 1: He was pop locking in a fucking bedroom. They said,

1591
01:08:59,360 --> 01:09:01,400
Speaker 1: they said Lebron had a Travis Porter record.

1592
01:09:01,600 --> 01:09:05,639
Speaker 3: He thought that wait, hold on, Lebron said twenty ten.

1593
01:09:05,920 --> 01:09:08,040
Speaker 8: Yeah, he was in the locker room and they said

1594
01:09:08,280 --> 01:09:10,560
Speaker 8: they were in they weren't You said high school? He

1595
01:09:10,600 --> 01:09:12,519
Speaker 8: said Wade and everyone else was like, yo, who is

1596
01:09:12,600 --> 01:09:14,840
Speaker 8: this turn This off is corny and he was like, nah,

1597
01:09:14,880 --> 01:09:15,559
Speaker 8: they're the future.

1598
01:09:16,760 --> 01:09:19,400
Speaker 1: That future. I told him. I told everybody. I told

1599
01:09:19,479 --> 01:09:22,400
Speaker 1: him that was it. That's me, you asked him. It

1600
01:09:22,520 --> 01:09:24,320
Speaker 1: was like what I was Travis Porter and somebody else

1601
01:09:24,320 --> 01:09:25,919
Speaker 1: you will but that was not the migos.

1602
01:09:26,560 --> 01:09:28,600
Speaker 3: So we were all listening to watch the Throne and

1603
01:09:29,439 --> 01:09:32,680
Speaker 3: Lebron was like, nah, I'm not y'are still on that

1604
01:09:33,080 --> 01:09:34,760
Speaker 3: I had watched the thrown at ninety nine. I'm on

1605
01:09:34,880 --> 01:09:35,360
Speaker 3: some new shit.

1606
01:09:37,439 --> 01:09:40,040
Speaker 2: But ill you know why I love that because it

1607
01:09:40,160 --> 01:09:42,439
Speaker 2: was it was that has always been silently a thing,

1608
01:09:42,520 --> 01:09:45,080
Speaker 2: like even during the bubble when Lebron had like the

1609
01:09:45,160 --> 01:09:47,120
Speaker 2: books that he was reading and those pictures came out

1610
01:09:47,439 --> 01:09:49,599
Speaker 2: and it was only on like page three the entire time,

1611
01:09:49,920 --> 01:09:52,639
Speaker 2: Like people have been slowly building this case against Lebron

1612
01:09:52,720 --> 01:09:54,519
Speaker 2: for a few years, and it's been funny.

1613
01:09:54,560 --> 01:09:56,920
Speaker 1: But I think, like you said, the takeoff thing, which

1614
01:09:56,960 --> 01:09:57,519
Speaker 1: is when people have.

1615
01:09:57,600 --> 01:10:00,320
Speaker 2: Had enough, Like all right, f twenty ten, Listen, we

1616
01:10:00,400 --> 01:10:02,519
Speaker 2: built our case to get you for years. We're getting

1617
01:10:02,560 --> 01:10:05,160
Speaker 2: you out of here today today it stops. And I

1618
01:10:05,320 --> 01:10:07,680
Speaker 2: just loved it because it's like, first of us Lebron James,

1619
01:10:07,720 --> 01:10:09,960
Speaker 2: We loved Lebron, biggest, one of the biggest athletes ever.

1620
01:10:10,040 --> 01:10:13,559
Speaker 2: But people have been silently calling Lebron on his bullshit

1621
01:10:13,640 --> 01:10:15,720
Speaker 2: for a few years and they was just fed up

1622
01:10:15,720 --> 01:10:16,240
Speaker 2: at this point.

1623
01:10:16,600 --> 01:10:16,640
Speaker 8: No.

1624
01:10:16,760 --> 01:10:19,920
Speaker 3: I had heard that in twenty eleven, the first time

1625
01:10:20,120 --> 01:10:23,479
Speaker 3: that Lebron met Quebo, he had on a Gucci sweater

1626
01:10:24,320 --> 01:10:30,800
Speaker 3: and Lebron was like, nah, that'sha Lane. Some of.

1627
01:10:33,840 --> 01:10:37,720
Speaker 8: JFK in the in the convertible. I told JFK that

1628
01:10:37,880 --> 01:10:40,439
Speaker 8: drop top wasn't a good idea of the day before Broun.

1629
01:10:44,439 --> 01:10:46,760
Speaker 1: It's fucked up. We shouldn't laugh at that, but you

1630
01:10:46,840 --> 01:10:49,599
Speaker 1: know we understand the contact your dog. Come on, man,

1631
01:10:50,000 --> 01:10:53,760
Speaker 1: stop it. We love you. I mean, I remember during

1632
01:10:53,760 --> 01:10:56,200
Speaker 1: the bubble, those those pictures of him reading were very funny. Yeah,

1633
01:10:56,360 --> 01:10:57,400
Speaker 1: what is the other lives.

1634
01:10:57,160 --> 01:11:00,439
Speaker 2: Than it was the one pres prescot Amos when the

1635
01:11:00,520 --> 01:11:03,599
Speaker 2: dude was asking him about the Godfather movie? He was like, yeah,

1636
01:11:03,600 --> 01:11:06,360
Speaker 2: what's your favorite quote? And Lebron was definitely about to

1637
01:11:06,439 --> 01:11:08,320
Speaker 2: say say hello to my little friend.

1638
01:11:09,439 --> 01:11:11,599
Speaker 8: He said, you know, he said, those movies are so long,

1639
01:11:11,760 --> 01:11:14,000
Speaker 8: you know. There he goes, there's so many lines you

1640
01:11:14,120 --> 01:11:16,160
Speaker 8: can't name one, can't name one. Like when that reporter

1641
01:11:16,280 --> 01:11:18,960
Speaker 8: asked Trump, you're a Bible guy. You read the Bible?

1642
01:11:19,040 --> 01:11:21,479
Speaker 8: He goes, I know every single passage. He was like,

1643
01:11:21,560 --> 01:11:24,120
Speaker 8: what's your favorite version the burs And he was like,

1644
01:11:24,280 --> 01:11:24,960
Speaker 8: can't name.

1645
01:11:24,880 --> 01:11:26,880
Speaker 3: One, like so many pick from.

1646
01:11:28,360 --> 01:11:29,920
Speaker 4: It was the same approach. And then there was the

1647
01:11:30,160 --> 01:11:31,200
Speaker 4: press John.

1648
01:11:31,080 --> 01:11:35,240
Speaker 3: Be talking, you'll be talking that talk so much to

1649
01:11:35,280 --> 01:11:35,720
Speaker 3: pick from.

1650
01:11:36,560 --> 01:11:38,639
Speaker 8: There was the press conference when he was talking about

1651
01:11:38,880 --> 01:11:42,800
Speaker 8: Liverpool and yeah, the soccrates and the woman said, you know,

1652
01:11:42,880 --> 01:11:45,240
Speaker 8: our correspondent who's also talking is a legend on the team,

1653
01:11:45,240 --> 01:11:49,920
Speaker 8: and he goes, oh, I knew that. Then they asked, like,

1654
01:11:50,080 --> 01:11:52,000
Speaker 8: the captain of England scored a goal or something was

1655
01:11:52,040 --> 01:11:53,800
Speaker 8: something along those lines, and he was like, I thought

1656
01:11:53,840 --> 01:11:56,400
Speaker 8: it was cool that he scored like that, and they

1657
01:11:56,439 --> 01:11:57,760
Speaker 8: were just like what you could tell.

1658
01:11:57,800 --> 01:11:59,679
Speaker 1: They were like, yeah, Lebron like Lebron.

1659
01:12:00,320 --> 01:12:02,400
Speaker 2: It's just that people we love Lebron, but people have

1660
01:12:02,439 --> 01:12:04,599
Speaker 2: been trying to call him out on bullshit for years.

1661
01:12:04,800 --> 01:12:05,800
Speaker 1: See, I didn't know that makes it.

1662
01:12:05,960 --> 01:12:08,599
Speaker 3: It makes Kyrie's flat earth theory a little bit more pawerable.

1663
01:12:08,640 --> 01:12:08,760
Speaker 5: Now.

1664
01:12:09,040 --> 01:12:10,160
Speaker 3: Brons just giving it up like.

1665
01:12:10,240 --> 01:12:14,840
Speaker 2: That, that fucking godfather shit had me crying. Said definitely

1666
01:12:14,880 --> 01:12:16,800
Speaker 2: about to say say hello to my little friend, for sure.

1667
01:12:17,120 --> 01:12:19,400
Speaker 1: He said, those movies are so long.

1668
01:12:21,520 --> 01:12:23,840
Speaker 4: He said he predicted Kobe's eighty one point game too.

1669
01:12:24,240 --> 01:12:25,840
Speaker 1: He said, I told everybody night before he gonna go

1670
01:12:25,880 --> 01:12:28,000
Speaker 1: for seventy. I told everybody.

1671
01:12:28,200 --> 01:12:30,200
Speaker 7: I mean, that's not a bad assumption of Kobe.

1672
01:12:30,360 --> 01:12:32,880
Speaker 1: Is just it's just just that lebronn say that.

1673
01:12:34,560 --> 01:12:37,879
Speaker 3: Nobody said you're here gonna go for seventy tonight. Nobody

1674
01:12:37,960 --> 01:12:42,479
Speaker 3: has ever said that, like seventy Come on, stop, bro,

1675
01:12:43,840 --> 01:12:46,160
Speaker 3: what what person that's ever sat down was like you

1676
01:12:46,240 --> 01:12:49,519
Speaker 3: know what he's going for seventy tonight. It doesn't happen, man,

1677
01:12:49,600 --> 01:12:51,680
Speaker 3: stop it, bro, I'm just waiting for him to be like, Yo,

1678
01:12:52,280 --> 01:12:54,560
Speaker 3: I told the heat in the locker room Mans was

1679
01:12:54,560 --> 01:12:55,280
Speaker 3: gonna suck us up.

1680
01:12:56,040 --> 01:12:58,479
Speaker 1: Yeah, like talk about that like, yo, yeah, you happened.

1681
01:12:58,520 --> 01:12:59,120
Speaker 3: You can't predict that.

1682
01:12:59,240 --> 01:13:01,280
Speaker 4: She told him, Yo, tore you up.

1683
01:13:01,400 --> 01:13:03,599
Speaker 2: Yeah yeah, I told hey, by Jason Terry was gonna

1684
01:13:03,600 --> 01:13:05,880
Speaker 2: average more than me. He coming off the bench.

1685
01:13:06,200 --> 01:13:09,280
Speaker 1: I told him, like Broun say that, like say that ship.

1686
01:13:10,160 --> 01:13:14,760
Speaker 1: He won't say that. Jason Terry was killing y'all off

1687
01:13:14,840 --> 01:13:17,519
Speaker 1: the bench. He averaged more than Braun. Are you kidding me?

1688
01:13:17,680 --> 01:13:20,120
Speaker 3: Listen if he wants to read one page of the

1689
01:13:20,400 --> 01:13:23,400
Speaker 3: biography of Malcolm X not, I can't get over he

1690
01:13:23,439 --> 01:13:25,639
Speaker 3: said in twenty ten.

1691
01:13:25,760 --> 01:13:26,240
Speaker 4: That's Craig.

1692
01:13:26,720 --> 01:13:30,280
Speaker 1: And then he showed they show off were the show

1693
01:13:30,800 --> 01:13:33,080
Speaker 1: like this crazy ship.

1694
01:13:33,120 --> 01:13:35,519
Speaker 3: He wasn't even thinking about it. Brown was on that

1695
01:13:36,479 --> 01:13:37,320
Speaker 3: he was holding the camera.

1696
01:13:37,880 --> 01:13:38,960
Speaker 4: He's holding the camera.

1697
01:13:39,400 --> 01:13:44,000
Speaker 2: Oh my god, man, Rich, don't kill us man, please? Yeah,

1698
01:13:49,800 --> 01:13:51,680
Speaker 2: all right, Rory I know you don't like to.

1699
01:13:51,640 --> 01:13:54,679
Speaker 1: Talk about sports, but uh trying to call me pussy.

1700
01:13:56,640 --> 01:13:58,080
Speaker 1: Some pretty big, big games.

1701
01:13:58,160 --> 01:14:00,360
Speaker 2: Last night, Joel and Beat had a crazy fun game

1702
01:14:01,320 --> 01:14:05,000
Speaker 2: fifty nine eleven rebounds, eight blocks.

1703
01:14:04,720 --> 01:14:08,120
Speaker 1: Four bitches. Uhn predicted it. I don't know if he

1704
01:14:08,160 --> 01:14:08,600
Speaker 1: saw no.

1705
01:14:08,680 --> 01:14:11,759
Speaker 2: Bron definitely predicted. He said Joel was gonna go for seventy.

1706
01:14:12,439 --> 01:14:15,040
Speaker 2: Last night, Joel and b had a crazy game. Shout

1707
01:14:15,040 --> 01:14:17,280
Speaker 2: out to Joel and be I think it's only him

1708
01:14:17,439 --> 01:14:20,160
Speaker 2: Iverson and Wilt Chamblain now for that, for the Sixers

1709
01:14:20,920 --> 01:14:22,000
Speaker 2: that had games like that.

1710
01:14:24,400 --> 01:14:26,320
Speaker 1: I like Joel Andbi man, I just don't I don't

1711
01:14:26,360 --> 01:14:28,360
Speaker 1: know how happy he is in Philadelphia though, you're not

1712
01:14:28,439 --> 01:14:31,280
Speaker 1: trusting the process. Well, I trust the process. I don't trust.

1713
01:14:31,320 --> 01:14:33,640
Speaker 2: I don't a long trust. Yeah, I trust that the

1714
01:14:33,680 --> 01:14:36,720
Speaker 2: process is run its course. I think that Joel I

1715
01:14:36,840 --> 01:14:38,800
Speaker 2: just think that. I don't think that he's happy in Philly.

1716
01:14:38,840 --> 01:14:41,360
Speaker 2: I think that he he's he's he's pretty much done

1717
01:14:41,400 --> 01:14:42,640
Speaker 2: with that shitty and ready to get out of it

1718
01:14:42,680 --> 01:14:46,240
Speaker 2: in and take his talents elsewhere to the next Oh,

1719
01:14:46,360 --> 01:14:47,599
Speaker 2: that wouldn't be that would be crazy.

1720
01:14:47,760 --> 01:14:49,360
Speaker 1: That would be crazy that Joel in New York.

1721
01:14:50,280 --> 01:14:52,720
Speaker 3: They would give the whole roster would just be one

1722
01:14:52,800 --> 01:14:54,719
Speaker 3: person on the court, just one verse five would.

1723
01:14:54,520 --> 01:14:55,960
Speaker 1: Be us Us and Joel.

1724
01:14:56,240 --> 01:14:56,439
Speaker 4: Yeah.

1725
01:14:56,880 --> 01:14:59,640
Speaker 2: Uh, Darius Garland had a good game, a crazy game

1726
01:14:59,720 --> 01:15:02,000
Speaker 2: last night for the Calves. He had fifty one points.

1727
01:15:02,520 --> 01:15:05,240
Speaker 2: He only missed like five threes or some ship. He

1728
01:15:05,280 --> 01:15:06,000
Speaker 2: had a crazy game.

1729
01:15:06,040 --> 01:15:09,240
Speaker 1: But Donovan Mitchell wasn't playing, so he got lost. Yeah,

1730
01:15:09,240 --> 01:15:09,599
Speaker 1: they lost.

1731
01:15:09,640 --> 01:15:11,599
Speaker 2: He got some extra shots last night, fifty one points,

1732
01:15:11,840 --> 01:15:14,439
Speaker 2: ten to fifteen from the threes, some crazy shit like that.

1733
01:15:14,479 --> 01:15:16,479
Speaker 2: I like Darius galland I think that he's He's one

1734
01:15:16,479 --> 01:15:20,200
Speaker 2: of the underrated players in the league. Cleveland is dangerous, man.

1735
01:15:20,240 --> 01:15:22,760
Speaker 2: Cleveland's gonna be a really good team. I don't know

1736
01:15:22,800 --> 01:15:25,680
Speaker 2: if Brooklyn wants to see Cleveland in the playoffs. I

1737
01:15:25,760 --> 01:15:29,679
Speaker 2: love Kyrie, obviously love Katie, but that that Cleveland Caves

1738
01:15:29,720 --> 01:15:33,960
Speaker 2: team is a young, hungry, aggressive team, and I think

1739
01:15:34,000 --> 01:15:37,920
Speaker 2: they about one piece away from really really being Eastern

1740
01:15:38,000 --> 01:15:41,599
Speaker 2: Conference Finals like every year for the for the next

1741
01:15:41,640 --> 01:15:44,760
Speaker 2: few years. Shout out to Darius galland really good game.

1742
01:15:44,800 --> 01:15:45,439
Speaker 1: I like him a lot.

1743
01:15:46,400 --> 01:15:48,080
Speaker 4: Your Lakers picked up their third win of the year.

1744
01:15:49,479 --> 01:15:51,240
Speaker 1: Yeah, it's only up from here.

1745
01:15:51,400 --> 01:15:52,240
Speaker 4: They beat the nuts.

1746
01:15:52,600 --> 01:15:59,479
Speaker 1: Job listen, man, yeah, yeah, I think they can win

1747
01:15:59,520 --> 01:15:59,920
Speaker 1: out from here.

1748
01:16:00,479 --> 01:16:00,679
Speaker 4: Yeah.

1749
01:16:00,840 --> 01:16:04,880
Speaker 2: Man, man, we we we we just I don't know, man,

1750
01:16:04,960 --> 01:16:08,040
Speaker 2: we gotta I don't know, we gotta, we gotta make

1751
01:16:08,080 --> 01:16:08,599
Speaker 2: some changes.

1752
01:16:09,360 --> 01:16:11,360
Speaker 1: I do like I do, literally I do like the.

1753
01:16:14,920 --> 01:16:17,080
Speaker 3: Crazy damn it.

1754
01:16:17,640 --> 01:16:20,080
Speaker 1: That's like I just don't even know what to say about.

1755
01:16:20,160 --> 01:16:21,559
Speaker 1: Like I just can't listen.

1756
01:16:21,640 --> 01:16:23,920
Speaker 2: We've had our years of being bad Lacas and you know,

1757
01:16:24,080 --> 01:16:27,320
Speaker 2: Kobe had a few years of some really bad rosters.

1758
01:16:26,920 --> 01:16:29,920
Speaker 1: And not really being a great team. But this Nick

1759
01:16:30,000 --> 01:16:30,720
Speaker 1: Van years.

1760
01:16:30,960 --> 01:16:33,760
Speaker 3: Yeah, I mean but even those years, even those years,

1761
01:16:33,800 --> 01:16:35,040
Speaker 3: we played better than this.

1762
01:16:35,520 --> 01:16:36,559
Speaker 1: I mean, of course, you know what I mean.

1763
01:16:37,080 --> 01:16:38,679
Speaker 7: Yeah, Like, this is just I don't.

1764
01:16:38,760 --> 01:16:40,080
Speaker 1: I don't get it, man, I don't.

1765
01:16:40,280 --> 01:16:43,519
Speaker 2: And this roster is side from obviously you know, Anthony

1766
01:16:43,600 --> 01:16:46,160
Speaker 2: Davis and Lebron and Russell, those big names.

1767
01:16:46,920 --> 01:16:49,120
Speaker 1: The roster is just a bad This is a bad

1768
01:16:49,360 --> 01:16:53,320
Speaker 1: team chemistry. This is a bad fucking team. And I

1769
01:16:53,400 --> 01:16:54,800
Speaker 1: don't know, man, I don't know.

1770
01:16:55,439 --> 01:16:57,320
Speaker 2: Good to get a win against you know, the Nets,

1771
01:16:58,000 --> 01:17:00,880
Speaker 2: but we're gonna probably lose the next seven, but whatever.

1772
01:17:02,080 --> 01:17:03,960
Speaker 2: Uh that's just how it goes with this team right now,

1773
01:17:04,040 --> 01:17:08,479
Speaker 2: win one, lose seven, but uh, good, great news around

1774
01:17:08,600 --> 01:17:12,559
Speaker 2: the Sports World Rory. Uh, you know the Last Dance

1775
01:17:12,680 --> 01:17:15,479
Speaker 2: documentary with Jordan. We thought that that was uh, you know,

1776
01:17:15,640 --> 01:17:19,479
Speaker 2: the the cream of the crop last hoorah if you will. Yeah,

1777
01:17:19,960 --> 01:17:23,960
Speaker 2: but Jordan's Pippen are indeed back doing the Big three

1778
01:17:24,040 --> 01:17:24,360
Speaker 2: or something.

1779
01:17:24,479 --> 01:17:27,000
Speaker 1: Uh, if you want to call it the Big three,

1780
01:17:27,080 --> 01:17:28,000
Speaker 1: maybe call it that.

1781
01:17:28,160 --> 01:17:33,520
Speaker 3: But are they doing like commentary, the podcast Together, making

1782
01:17:33,600 --> 01:17:35,400
Speaker 3: amend Making.

1783
01:17:35,280 --> 01:17:38,240
Speaker 1: Making something space jam three families together.

1784
01:17:39,520 --> 01:17:44,040
Speaker 3: But not that Jordan Pippen, Uh, Larsa Pippen, Scottie Pippen's

1785
01:17:44,400 --> 01:17:49,080
Speaker 3: ex wife and mother of his children, Futures Girl, Futures ex. Uh,

1786
01:17:50,240 --> 01:17:51,639
Speaker 3: A few other names on the list, if you will.

1787
01:17:52,280 --> 01:17:57,840
Speaker 3: And Marcus Jordan are officially uh have been spotted on

1788
01:17:58,080 --> 01:17:58,679
Speaker 3: beach dates.

1789
01:17:58,800 --> 01:18:00,280
Speaker 1: Who's Marcus Jordan's like actor?

1790
01:18:00,479 --> 01:18:03,599
Speaker 2: Oh no, this is a this is a The Goats son,

1791
01:18:04,160 --> 01:18:07,719
Speaker 2: Michael Jordan's son, and it's been uh, we've been getting

1792
01:18:07,720 --> 01:18:08,639
Speaker 2: pictures for a few months.

1793
01:18:08,800 --> 01:18:11,920
Speaker 1: Wait hold yeah, yeah, you know it's officially Michael Jordan's

1794
01:18:11,960 --> 01:18:13,360
Speaker 1: son is dating Scotty Pippens.

1795
01:18:13,520 --> 01:18:19,760
Speaker 2: Michael Michael Jordan, the Michael Jordan's son, Marcus Jordans is

1796
01:18:19,920 --> 01:18:27,760
Speaker 2: dating Larsa Pippen, the ex wife to Michael Jordan's batman, Robin. Uh,

1797
01:18:28,400 --> 01:18:31,519
Speaker 2: you know the best two punch combo we've seen in

1798
01:18:31,560 --> 01:18:36,280
Speaker 2: the NBA history, That Scottie Pippen ex wife Larca Pippen

1799
01:18:36,360 --> 01:18:38,080
Speaker 2: is dating Michael Jordan's son.

1800
01:18:38,080 --> 01:18:40,240
Speaker 4: Marcus Jordan a different type of combo.

1801
01:18:40,600 --> 01:18:44,439
Speaker 2: So that is a different combo, that is a different package,

1802
01:18:44,479 --> 01:18:47,400
Speaker 2: that is a different pick and roll that is being set.

1803
01:18:47,800 --> 01:18:53,559
Speaker 1: So his ex wife's father in law is Michael Jordan.

1804
01:18:54,400 --> 01:18:55,519
Speaker 1: His ex wife.

1805
01:18:57,560 --> 01:19:01,519
Speaker 3: Mike did take that personally, Yeah, he's never putting that grudge.

1806
01:19:02,400 --> 01:19:04,120
Speaker 4: Marcus is playing career, didn't pan out?

1807
01:19:04,200 --> 01:19:06,479
Speaker 8: Does this put him back in the conversation for like,

1808
01:19:06,600 --> 01:19:08,840
Speaker 8: we know he's got the Jordan gene and him is

1809
01:19:08,880 --> 01:19:11,559
Speaker 8: this it can't lose mentality?

1810
01:19:12,200 --> 01:19:12,920
Speaker 5: No, this is it?

1811
01:19:13,479 --> 01:19:19,120
Speaker 2: This is I mean, listen, man, she used to I'm

1812
01:19:19,160 --> 01:19:22,439
Speaker 2: pretty sure she babysat Marcus Jordan at some point.

1813
01:19:22,520 --> 01:19:24,680
Speaker 1: And I think Scotty would have went to Portland had

1814
01:19:24,720 --> 01:19:25,080
Speaker 1: he known this.

1815
01:19:25,439 --> 01:19:28,759
Speaker 3: Oh my gosh, I think that's scott Why didn't Lebron

1816
01:19:29,280 --> 01:19:31,519
Speaker 3: pull him too the side and say, hey, Lebron, why

1817
01:19:31,520 --> 01:19:34,040
Speaker 3: are you say, listen, Jordan's son is eventually gonna date

1818
01:19:34,680 --> 01:19:37,759
Speaker 3: your current wife right now? That told him was lebron.

1819
01:19:37,800 --> 01:19:40,599
Speaker 2: I see, did you see that boy babysitting He's gonna

1820
01:19:40,600 --> 01:19:42,559
Speaker 2: grow up in uh. Also, have you heard the megus

1821
01:19:42,560 --> 01:19:44,760
Speaker 2: He's gonna, Yeah, he's gonna, he's gonna, he's gonna smash

1822
01:19:44,840 --> 01:19:45,240
Speaker 2: them cakes.

1823
01:19:47,240 --> 01:19:48,880
Speaker 1: Yeah, it's just I don't listen, man.

1824
01:19:48,920 --> 01:19:52,120
Speaker 2: I keep telling y'all everything that we think is impossible

1825
01:19:52,160 --> 01:19:54,559
Speaker 2: it will never happen, is fucking happening.

1826
01:19:56,120 --> 01:19:56,840
Speaker 3: This is really a joe.

1827
01:19:56,920 --> 01:19:57,439
Speaker 4: This is real.

1828
01:19:57,680 --> 01:20:00,760
Speaker 1: This is a real thing. They been spotted on the

1829
01:20:00,800 --> 01:20:04,800
Speaker 1: beach date looking like a couple, in acting like a couple.

1830
01:20:05,160 --> 01:20:08,360
Speaker 3: This is like a nasty soap opera when like the babysitter,

1831
01:20:08,479 --> 01:20:12,400
Speaker 3: eventually it's like, oh, you're all grown up now, like this.

1832
01:20:12,560 --> 01:20:14,439
Speaker 1: Is yeah, listen man.

1833
01:20:14,680 --> 01:20:16,040
Speaker 3: And how do they meet at Thanksgiving?

1834
01:20:16,240 --> 01:20:17,240
Speaker 1: Like this is fucking weird.

1835
01:20:17,400 --> 01:20:21,720
Speaker 6: Probably babysitting baby at the hospital, at the hospital when

1836
01:20:21,720 --> 01:20:24,439
Speaker 6: he was worn at the fucking at the arena after

1837
01:20:24,560 --> 01:20:28,960
Speaker 6: United her godson, this is the craziest ship ever.

1838
01:20:29,439 --> 01:20:31,840
Speaker 2: We're in the fucking simulation. I keep telling you guys,

1839
01:20:31,880 --> 01:20:33,800
Speaker 2: this ship. So we'll have to wait and see what

1840
01:20:33,920 --> 01:20:36,560
Speaker 2: comes of it. You know, if you're Scotty Pippen, what

1841
01:20:36,600 --> 01:20:39,439
Speaker 2: are you doing if I'm Scottie Pittman. Oh, I'm stepping

1842
01:20:39,439 --> 01:20:43,360
Speaker 2: the mic immediately to Mike. Yeah, we gotta fight.

1843
01:20:43,920 --> 01:20:47,080
Speaker 1: Wait why Mike, and like, you know how you your son? Okay,

1844
01:20:47,760 --> 01:20:50,280
Speaker 1: get your son's fucking balls off? My ex white hast

1845
01:20:51,080 --> 01:20:51,760
Speaker 1: the fuck you mean?

1846
01:20:52,479 --> 01:20:56,479
Speaker 3: You know when you have like parents, like your parents,

1847
01:20:56,600 --> 01:20:59,559
Speaker 3: friends that you call uncle, and then their kids are

1848
01:20:59,600 --> 01:21:03,960
Speaker 3: like your situation. Yeah, so like what if that was

1849
01:21:04,000 --> 01:21:06,479
Speaker 3: the case with them, that was that wasn't that now

1850
01:21:07,160 --> 01:21:13,439
Speaker 3: their cousins slash stepfather Scott No, what would he be

1851
01:21:13,520 --> 01:21:15,920
Speaker 3: the well, he's not about Marcus Jordan, Marcus Jordan.

1852
01:21:16,000 --> 01:21:19,599
Speaker 2: Yeah, it's whose stepfathers Scottie Pippens kids, Yeah ye slash

1853
01:21:19,680 --> 01:21:22,760
Speaker 2: cousin Yeah yeah, yeah, that's.

1854
01:21:22,720 --> 01:21:25,680
Speaker 4: My big You think MJ is one of the Scotty's

1855
01:21:25,760 --> 01:21:26,679
Speaker 4: kids God's father?

1856
01:21:27,320 --> 01:21:28,000
Speaker 1: I would, I would.

1857
01:21:28,360 --> 01:21:32,160
Speaker 2: It's a safe assumption, at least, I mean if if not,

1858
01:21:32,320 --> 01:21:34,400
Speaker 2: if it wasn't like an official that it was like

1859
01:21:34,479 --> 01:21:37,639
Speaker 2: they call him uncle, uncle Mike, they call each other cousins.

1860
01:21:37,760 --> 01:21:41,320
Speaker 3: Like at least if you would have told me that

1861
01:21:41,680 --> 01:21:46,240
Speaker 3: Dennis Rodman would look like this most sane person in

1862
01:21:46,400 --> 01:21:49,040
Speaker 3: twenty twenty two, I would have looked at you fucking.

1863
01:21:49,760 --> 01:21:52,800
Speaker 2: Robs humanitarians global he's a global manditarian.

1864
01:21:53,200 --> 01:21:55,000
Speaker 1: Yeah, he's he's going fighting for world peace.

1865
01:21:55,720 --> 01:21:59,400
Speaker 2: And Marcus Jordan's is now banging Scottie Pippen's ex wife.

1866
01:21:59,720 --> 01:21:59,960
Speaker 1: Damn.

1867
01:22:00,360 --> 01:22:02,120
Speaker 3: The fact that Dennis Robin could open his phone and

1868
01:22:02,160 --> 01:22:05,080
Speaker 3: be like, y'all are fucking crazy. It's hilarious. Bro.

1869
01:22:05,200 --> 01:22:08,200
Speaker 2: I'm telling you, this is a simulation. I don't know

1870
01:22:08,280 --> 01:22:09,880
Speaker 2: what's going on. I don't know what the fucking rules

1871
01:22:09,920 --> 01:22:10,439
Speaker 2: are anymore.

1872
01:22:10,560 --> 01:22:12,960
Speaker 1: She plays the cloud game, right, isn't she like a

1873
01:22:13,840 --> 01:22:16,639
Speaker 1: one of those? She's a hotty. Yeah, she's one of those.

1874
01:22:16,960 --> 01:22:19,240
Speaker 1: She's outside, so is this one of Is this one

1875
01:22:19,280 --> 01:22:21,960
Speaker 1: of those things? I mean, well, she's just having fun.

1876
01:22:22,040 --> 01:22:29,559
Speaker 1: She's what does she seeing Marcus besides his childhood, besides

1877
01:22:29,640 --> 01:22:32,839
Speaker 1: him grow up and uh take his first steps. That's creepy.

1878
01:22:33,000 --> 01:22:34,880
Speaker 1: Oh man, man, it's listen.

1879
01:22:35,200 --> 01:22:36,959
Speaker 3: She's the creepy uncle at the barbecue.

1880
01:22:37,080 --> 01:22:38,680
Speaker 1: Yeah, growing up?

1881
01:22:39,840 --> 01:22:40,840
Speaker 4: What Jordan thinks?

1882
01:22:40,960 --> 01:22:43,439
Speaker 1: We don't talk about creepy ants enough? Oh they are

1883
01:22:43,800 --> 01:22:45,800
Speaker 1: they definitely, we don't. We don't have the conversation about

1884
01:22:45,840 --> 01:22:46,400
Speaker 1: creepy once.

1885
01:22:46,640 --> 01:22:49,439
Speaker 3: Do you think once he turned twenty one this could

1886
01:22:49,479 --> 01:22:51,320
Speaker 3: be even creepier now? I think Scotty's probably gonna go

1887
01:22:51,400 --> 01:22:53,160
Speaker 3: through memories like you look just like your father.

1888
01:22:53,760 --> 01:22:53,800
Speaker 6: Ugh.

1889
01:22:56,040 --> 01:22:58,320
Speaker 4: Ugh, She's seventeen years older than him.

1890
01:22:58,640 --> 01:22:59,920
Speaker 1: She's forty eight, he's thirty one.

1891
01:23:00,200 --> 01:23:03,360
Speaker 7: Yeah, I mean that's not I mean, that's not crazy

1892
01:23:03,800 --> 01:23:06,439
Speaker 7: in the in this that is not the craziest thing.

1893
01:23:06,520 --> 01:23:09,400
Speaker 3: No, that's not what's crazy about this story. It's the

1894
01:23:09,560 --> 01:23:13,920
Speaker 3: relations it's the relationship. Yeah, well, she just wants I

1895
01:23:14,000 --> 01:23:15,000
Speaker 3: see where she's going with this.

1896
01:23:15,320 --> 01:23:17,040
Speaker 1: You know, she wants the Jordan's before they drop. We

1897
01:23:17,080 --> 01:23:18,439
Speaker 1: want you want to shoe money?

1898
01:23:18,560 --> 01:23:18,760
Speaker 4: Yeah?

1899
01:23:19,760 --> 01:23:21,439
Speaker 1: Could you be just plummeted?

1900
01:23:21,640 --> 01:23:21,960
Speaker 4: Fifteen?

1901
01:23:22,080 --> 01:23:22,320
Speaker 3: Easy?

1902
01:23:22,320 --> 01:23:24,519
Speaker 1: Didn't jump over the jump man? Can I be with

1903
01:23:24,560 --> 01:23:26,120
Speaker 1: a woman that's fifteen years old than Yeah?

1904
01:23:26,200 --> 01:23:28,640
Speaker 7: So like they'd be like eighty, is it?

1905
01:23:28,680 --> 01:23:29,000
Speaker 1: Cliff?

1906
01:23:29,320 --> 01:23:29,840
Speaker 4: What's her name?

1907
01:23:31,400 --> 01:23:37,160
Speaker 1: Larsa? Laria? Did Larsa jump over the Jumpman? She may

1908
01:23:37,280 --> 01:23:39,200
Speaker 1: not have jumped over him, she jumped on him. Yeah,

1909
01:23:41,920 --> 01:23:45,200
Speaker 1: she did the same split. She is the new logo.

1910
01:23:45,360 --> 01:23:47,760
Speaker 1: Let me tell you, no, he did the same split.

1911
01:23:47,800 --> 01:23:49,280
Speaker 3: You not even talking about making Jerry West?

1912
01:23:49,320 --> 01:23:53,599
Speaker 1: Maybe not? The logo is lars Larsa is the new

1913
01:23:54,160 --> 01:23:56,000
Speaker 1: jump Man logo? Absolutely? Guy?

1914
01:23:56,360 --> 01:23:59,680
Speaker 3: Or hey, you guys aren't thinking this through jump woman logo. No, no, no, no,

1915
01:24:01,160 --> 01:24:04,479
Speaker 3: Maybe we should give Scotty some credit or foresight. Here

1916
01:24:06,479 --> 01:24:09,519
Speaker 3: is he sending her to take the empire down?

1917
01:24:10,720 --> 01:24:11,000
Speaker 4: What if?

1918
01:24:11,120 --> 01:24:13,759
Speaker 3: What if they get married and have a dicey divorce

1919
01:24:14,720 --> 01:24:17,400
Speaker 3: and she she leaves with some stock, gets back with

1920
01:24:17,680 --> 01:24:19,880
Speaker 3: Scotty and now he owns some of Jordan Brown.

1921
01:24:20,200 --> 01:24:22,240
Speaker 1: I can guarantee you that that is a great movie.

1922
01:24:22,280 --> 01:24:24,400
Speaker 2: By the way, Larsa Pipan will not get any peet

1923
01:24:25,360 --> 01:24:26,880
Speaker 2: out of Marcus Jordan's I can.

1924
01:24:27,080 --> 01:24:27,880
Speaker 1: I can guarantee you.

1925
01:24:27,960 --> 01:24:29,599
Speaker 3: Haven't you seen Tommy Boy, it's the same thing.

1926
01:24:29,720 --> 01:24:33,479
Speaker 2: Okay, I can guarantee you Margaus has no control of

1927
01:24:33,560 --> 01:24:34,280
Speaker 2: the Jordan Empire.

1928
01:24:34,360 --> 01:24:35,320
Speaker 1: Yeah, but he'll inherit it.

1929
01:24:36,320 --> 01:24:40,679
Speaker 8: Okay, you think so, I don't think no fun Jordan

1930
01:24:40,720 --> 01:24:42,240
Speaker 8: would give that to one of his golf partners.

1931
01:24:42,439 --> 01:24:44,280
Speaker 2: Mike will give that to one of his pets before

1932
01:24:44,320 --> 01:24:47,360
Speaker 2: he gives the fucking dog family.

1933
01:24:47,439 --> 01:24:49,760
Speaker 1: Dog will inherit the Jordan brand before Marcus Jordan. We

1934
01:24:49,840 --> 01:24:53,360
Speaker 1: are talking, mister kids. Yeah, I mean that sounded weird.

1935
01:24:53,240 --> 01:25:06,320
Speaker 2: But absolutely no. Father O'Malley missed the fuck the kids

1936
01:25:08,320 --> 01:25:10,160
Speaker 2: last a man, fuck them kids, none of the literally

1937
01:25:10,240 --> 01:25:10,960
Speaker 2: fucked them kids.

1938
01:25:11,320 --> 01:25:14,000
Speaker 1: You guys are being judging. Maybe Marcus is a good listener. Ye,

1939
01:25:14,560 --> 01:25:17,519
Speaker 1: he's listening. I he's definitely listening.

1940
01:25:17,600 --> 01:25:18,000
Speaker 4: You heard it?

1941
01:25:18,520 --> 01:25:19,360
Speaker 1: Oh nasty.

1942
01:25:20,040 --> 01:25:22,519
Speaker 2: Well, we will be back in New York, uh sometime

1943
01:25:22,760 --> 01:25:24,760
Speaker 2: this week, I guess a little bit to get the

1944
01:25:24,760 --> 01:25:25,479
Speaker 2: fuck out of Atlanta.

1945
01:25:25,600 --> 01:25:26,960
Speaker 1: Yeah, it's sad as it may be.

1946
01:25:27,240 --> 01:25:31,240
Speaker 2: We are in Dallas and Houston this weekend, Saturday on

1947
01:25:31,439 --> 01:25:35,120
Speaker 2: Saturday Sunday. Dallas on Saturday the nineteenth, right, correct, and

1948
01:25:35,240 --> 01:25:36,320
Speaker 2: Houston on the twentieth.

1949
01:25:36,439 --> 01:25:39,160
Speaker 8: Yes, yeh, Dallas at the south Side Music Hall and

1950
01:25:39,400 --> 01:25:42,439
Speaker 8: Houston at the Houston Improv Houston Improv.

1951
01:25:42,800 --> 01:25:45,639
Speaker 1: We look forward to seeing our Texonians. Yes, a little

1952
01:25:45,680 --> 01:25:50,760
Speaker 1: turkey leg hut So yeah, man, any plans for the

1953
01:25:50,800 --> 01:25:51,839
Speaker 1: rest of the day while.

1954
01:25:51,680 --> 01:25:55,040
Speaker 3: We're out here, We're about to do Drama's show. One

1955
01:25:55,120 --> 01:25:57,760
Speaker 3: serious shout out to DJ Drama. Yeah, and then you know,

1956
01:25:57,920 --> 01:25:59,960
Speaker 3: just enjoy the the Atlanta.

1957
01:26:00,040 --> 01:26:02,719
Speaker 1: Eating, fucking get some rest. Yeah that's a fact.

1958
01:26:03,000 --> 01:26:03,320
Speaker 4: All right.

1959
01:26:03,400 --> 01:26:05,680
Speaker 2: Well, we thank y'all for listening to us, Thank y'all

1960
01:26:05,680 --> 01:26:08,240
Speaker 2: for watching us. We'll be back this week with a

1961
01:26:08,280 --> 01:26:11,120
Speaker 2: new episode. This has been a new episode of New

1962
01:26:11,200 --> 01:26:14,840
Speaker 2: rorya Mal I'm that nigga. He's just ginger peace.

1963
01:26:15,320 --> 01:26:16,720
Speaker 4: No Worria now