WEBVTT - "Fantasy Sports" w/ Devon Walker

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<v Speaker 1>Podcast starts now, what's up everybody? You're listening to Stradio

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<v Speaker 1>Lab Live two weeks ago from New York City.

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<v Speaker 2>I almost feel like we should talk about the fact

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<v Speaker 2>that you are here for your wedding more because we

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<v Speaker 2>didn't talk about it in the previous episode, or am

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<v Speaker 2>I being so literal and we need to like let

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<v Speaker 2>go and let ideas come to us.

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<v Speaker 1>No, we can talk about it.

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<v Speaker 2>There's something about this moment being captured on tape where

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<v Speaker 2>I'm like, y'll wind up.

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<v Speaker 1>We listen to this one day. You know, this is

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<v Speaker 1>how I felt after Trump was elected the second time.

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<v Speaker 1>You flew in yesterday.

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<v Speaker 2>I flew in yesterday, and today's Tuesday, and you're getting

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<v Speaker 2>married on Saturday. Yeah, how are you feeling, Queen?

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<v Speaker 1>I feel normal. I'm feeling like like I do feel

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<v Speaker 1>a bit like like it's a solo show and I'm like,

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<v Speaker 1>oh god, oh god. Like there's just like logistics that

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<v Speaker 1>are sort of unknown until the day of where you're like, oh,

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<v Speaker 1>like what if someone weird shows up and they like.

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<v Speaker 2>Well, well we've had a couple of close calls folks,

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<v Speaker 2>and yeah.

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<v Speaker 1>Like what if it's really windy and and like the

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<v Speaker 1>something blows away or I don't know what I'm like,

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<v Speaker 1>there's like all these little things, but I'm and but

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<v Speaker 1>I'm mostly just excited. I think it'll be fun. Yeah,

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<v Speaker 1>I feel I think because I don't know if you

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<v Speaker 1>felt this way. Because we've been together so long, I

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<v Speaker 1>feel like, like, similarly to how we were talking about,

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<v Speaker 1>like how every gig on earth is open, and so

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<v Speaker 1>it's like is this more important or less important? There's

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<v Speaker 1>something about being together for so long where it doesn't

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<v Speaker 1>feel like, fuck it, we're taking a leap, Like it

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<v Speaker 1>just feels like, oh, we're sort of like doing what

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<v Speaker 1>was We're just like labeling it properly.

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<v Speaker 2>So this is actually similar to my sort of theory

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<v Speaker 2>about how there are two ways to come out. One

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<v Speaker 2>is to come out when you're still figuring it out

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<v Speaker 2>because you need support, and one is to first fully

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<v Speaker 2>figure out who you are and be like, and now

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<v Speaker 2>it's time for me to make my debut. Wow, what

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<v Speaker 2>did you do? I did the latter like, I yeah, yes,

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<v Speaker 2>very you. Yes, we've talked about this, but it's like

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<v Speaker 2>I remember when I came out to my parents. They

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<v Speaker 2>were hurt that I hadn't done it earlier because they

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<v Speaker 2>were like, did you think we wouldn't be supportive? Like

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<v Speaker 2>did you think did we create an environment that made

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<v Speaker 2>you think you couldn't tell us? And I was like no,

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<v Speaker 2>I just didn't want it to be at all a conversation.

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<v Speaker 2>I wanted to first fully like like have a boyfriend,

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<v Speaker 2>like have know exactly who I was and what I

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<v Speaker 2>wanted to tell you when you asked me what the

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<v Speaker 2>deal was, and then do it. And I think I

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<v Speaker 2>think for many for some people, especially some straight people,

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<v Speaker 2>marriages is almost like them taking a leap in being like,

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<v Speaker 2>let's hope this word, and like jumping off of the cliff.

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<v Speaker 2>And I think especially for gay guys getting married in

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<v Speaker 2>their thirties, it's sort of like, okay, what else, what else?

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<v Speaker 2>Let's get married.

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<v Speaker 1>I have a question when it comes to vows what

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<v Speaker 1>level of humor are you working with? What level is appropriate?

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<v Speaker 1>What level is inappropriate? I don't know.

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<v Speaker 2>Should we bring in our guests to join us in

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<v Speaker 2>chatting about this?

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<v Speaker 1>Yes? Please welcome back to the podcast. Devin Walker.

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<v Speaker 3>Hey, what's up? I wasn't sure if I was allowed

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<v Speaker 3>to talk to you.

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<v Speaker 2>Actually weren't, but I was, but you seem so eager

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<v Speaker 2>that I said, well.

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<v Speaker 1>I just couldn't. I was like, I'm sitting here. I

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<v Speaker 1>was like, am I waiting for this?

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<v Speaker 4>And also Sam looked over here a couple of times

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<v Speaker 4>this is this happens.

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<v Speaker 2>We can't help, but we want to be affirmed, but

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<v Speaker 2>we don't want the guests. It's like want.

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<v Speaker 4>O'side, Sam looking over being like, I'm like, I gotta

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<v Speaker 4>had him.

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<v Speaker 2>We want. We were just talking actually about the power

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<v Speaker 2>of nodding and how it can actually be almost condescending.

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<v Speaker 2>Like if you're in an especially in a business context.

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<v Speaker 2>Let's say you're like pitching something. You're like, so it's

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<v Speaker 2>about a gay guy, and then the exact is like

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<v Speaker 2>dramatically nodding, and you're like okay. But that's ultimately what

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<v Speaker 2>we want when we're doing our intro. We want someone

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<v Speaker 2>to be so aggressively supportive but also silent, yeah exactly,

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<v Speaker 2>like holding a sign that's like yeah, yeah no.

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<v Speaker 1>It's actually so pitiful when a guest is like really like,

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<v Speaker 1>I'm like, I'm like, we got this.

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<v Speaker 2>The worst, of course, is when we're on zoom and

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<v Speaker 2>someone's fully just on their phone. Oh yeah, they're just

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<v Speaker 2>like have some respect, please, clipping his nails like, oh

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<v Speaker 2>my god, did he clip his nails?

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<v Speaker 1>Yes?

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<v Speaker 4>Yeast say, I do do that every time I have therapy.

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<v Speaker 4>That's my time nail therapy earlier today, and that's my

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<v Speaker 4>clipping my nails time. Wow, I do FaceTime therapy. And

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<v Speaker 4>that I hope she's not disrespected. I never even considered

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<v Speaker 4>that she would be until right now.

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<v Speaker 2>Here's a question for you. The problem what maybe she

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<v Speaker 2>thinks you're stimming makes you do FaceTime therapy in a

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<v Speaker 2>post COVID world.

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<v Speaker 3>My therapist lives in Texas.

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<v Speaker 4>Oh yeah, she's grandfathered in from from literally like childhood,

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<v Speaker 4>not from childhood.

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<v Speaker 1>They had a childhood.

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<v Speaker 2>Well, I'm just like, when was the last time you

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<v Speaker 2>lived in Texas?

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<v Speaker 1>Uh? Twenty eighteen? Oh oh, I didn't know that that

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<v Speaker 1>was so much more recent than I expected.

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<v Speaker 3>Oh yeah, do I just feel like I've been here

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<v Speaker 3>for a lot longer?

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<v Speaker 2>Yeah? Did you move to New York in twenty eighteen?

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<v Speaker 1>Yeah, that's shocking to me. Why I was sure you

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<v Speaker 1>were here at least twenty sixteen. Oh no, no, no, no,

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<v Speaker 1>no no no. I was in Austin, Texas.

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<v Speaker 4>I only lived in Central Texas for my whole life

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<v Speaker 4>until twenty eighteen.

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<v Speaker 2>So you have had the same therapist since twenty since

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<v Speaker 2>before twenty eighteen.

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<v Speaker 3>For she left for a little bit.

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<v Speaker 4>You know when you realize you like really don't know

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<v Speaker 4>anything about your therapist life. Yeah, I had this moment

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<v Speaker 4>because so we I had her in twenty eighteen.

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<v Speaker 3>Then I moved here.

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<v Speaker 4>Then I was too broke to afford therapy, so then

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<v Speaker 4>we stopped seeing each other. Uh, and then we started back.

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<v Speaker 4>Like during the Pan Dimmic endemic, I was like, I

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<v Speaker 4>gotta go back to therapy. It's been like a year

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<v Speaker 4>and a half. I was like it's time. And I

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<v Speaker 4>like had a better job. I had my Comedy Central

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<v Speaker 4>money out, so I was like, yo.

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<v Speaker 2>Your guys' Comedy Central era. Now that was iconic. That

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<v Speaker 2>was that was legendary. That was like it was so insane,

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<v Speaker 2>it was. It's I think of that era the way

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<v Speaker 2>people talk about like nineties eighties New York like anything

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<v Speaker 2>was possible, what.

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<v Speaker 1>A free for all?

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<v Speaker 4>Truly Also like that that was my first job in comedy.

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<v Speaker 4>That was my first like full time.

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<v Speaker 1>That was my first full time job. Sure. That was

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<v Speaker 1>when I was like, Okay, I have income, yeah, like

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<v Speaker 1>I have like a salary. Yeah, yeah, and that felt good.

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<v Speaker 3>It was incredible. That was an incredible time.

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<v Speaker 4>It was the first time since I moved to New

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<v Speaker 4>York that I could like buy a plane ticket somewhere

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<v Speaker 4>and it didn't ruin my life financially.

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<v Speaker 1>Yeah, and of course there was nowhere to.

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<v Speaker 2>Go right exactly. Yeah, it was like where we're applying

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<v Speaker 2>to Yeah, texas a therapyt I did fly to text,

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<v Speaker 2>but anyway, my therapist, Yeah, I started back with.

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<v Speaker 4>Her during twenty two twenty and then I remember having

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<v Speaker 4>a conversation with her where she was just like, hey,

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<v Speaker 4>I actually need to go on maternity leave. She goes,

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<v Speaker 4>I'm about to have my second child, And I said,

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<v Speaker 4>I didn't know you were pregnant right now one and

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<v Speaker 4>I didn't know you had a first kid, much less second.

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<v Speaker 2>Anything underdiscussed element of remote work in general, that is

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<v Speaker 2>actually shocking the way you don't know that people are pregnant.

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<v Speaker 1>Had no clue. Are you supposed to know about your

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<v Speaker 1>therapist's life. I don't know.

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<v Speaker 4>I mean I think different people have like different relationships

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<v Speaker 4>with it. I've talked to people who like really seem

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<v Speaker 4>to know, like, oh yeah, my like therapist went on

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<v Speaker 4>vacation to here and like, you know, she recommended this

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<v Speaker 4>hotel or whatever. But like my therapist is like kind

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<v Speaker 4>of although I will say and I can't, man, I

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<v Speaker 4>don't want to.

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<v Speaker 3>I'm not I don't want to put too much of

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<v Speaker 3>her business out here.

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<v Speaker 4>But like one time, my therapist was just like, yeah,

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<v Speaker 4>like I was just I was telling her about some

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<v Speaker 4>feelings that I was having about like something, and she

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<v Speaker 4>was like, she goes, yeah, you know, I understand the

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<v Speaker 4>way that that kind of thinking. Look, I was basically

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<v Speaker 4>talking about like being around like really rich people for

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<v Speaker 4>the first time and like just not really knowing how

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<v Speaker 4>to acclimate to that. And she was like, yeah, I

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<v Speaker 4>know what you're talking about. She goes, my husband's family founded.

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<v Speaker 2>Uh, that's so fun.

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<v Speaker 1>That is really amazing. Found it. That's right, damn.

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<v Speaker 2>But also obviously like, yes, she's relating to you, Yes,

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<v Speaker 2>but it is different to marry into like you're talking about,

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<v Speaker 2>feeling like an outsider in a situation where people have

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<v Speaker 2>more money than you. That's different than marrying into that

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<v Speaker 2>generational wealth. It's like she actually now is a rich woman.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, it's it is like.

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<v Speaker 1>I'm sorry, but why work.

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<v Speaker 4>I I mean, I think she just like I mean,

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<v Speaker 4>because it's like you don't want to just sit in

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<v Speaker 4>you don't want to just say you.

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<v Speaker 1>Don't want to you don't want to be you guys

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<v Speaker 1>have it.

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<v Speaker 2>You would not stop working if you married the.

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<v Speaker 1>No, that's true, but my work would be so much

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<v Speaker 1>more glamorous.

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<v Speaker 3>What do you think your work would look like in that, Well.

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<v Speaker 1>It would be like like I would like still do

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<v Speaker 1>like comedy, but it would be like I wouldn't ever

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<v Speaker 1>like I wouldn't ever need to be successful in this way.

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<v Speaker 1>That would be like I'm throwing the big event at

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<v Speaker 1>like the.

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<v Speaker 2>Thing, Oh, I would only be doing Joe's pub. I

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<v Speaker 2>would be like I don't need to appeal to anyone

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<v Speaker 2>outside of Manhattan.

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<v Speaker 1>Yeah.

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<v Speaker 3>It would allow you to be your freest self.

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<v Speaker 4>Yeah, creatively really like it doesn't matter kind of It's

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<v Speaker 4>like it's like being like a rich woman who starts

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<v Speaker 4>like a lotion line exactly.

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<v Speaker 1>That was really beautiful the way that the nunciation.

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<v Speaker 2>You would embrace having a boutique rather than having a

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<v Speaker 2>what's it called when someone's like franchise rather than having

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<v Speaker 2>a friend.

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<v Speaker 1>I mean the short films I put out, yes, short

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<v Speaker 1>truly would.

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<v Speaker 4>Be like baby I need twenty five thousand because I

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<v Speaker 4>got a story to tell.

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<v Speaker 2>Short films off and off Broadway around. You would fund

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<v Speaker 2>yourself easily six weeks. I would quite frankly fund the art.

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<v Speaker 2>The Lincoln Center would be renamed the George Center. Let's

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<v Speaker 2>just say that.

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<v Speaker 3>Okay, so you're marrying like a Rockefeller.

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<v Speaker 2>I'm sorry.

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<v Speaker 4>You're right, that's the same You're right, that's the same

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<v Speaker 4>type of Maybe. I just I think I can't even

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<v Speaker 4>quantify what that means. Yeah, in a family like that.

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<v Speaker 1>I love that because it's like a joke that I

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<v Speaker 1>feel like I used to make all the time, be

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<v Speaker 1>like and you know my father, the you know, CEO

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<v Speaker 1>of BP, And it's like, no, that is someone. It's

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<v Speaker 1>someone real that exists for someone and he's married to someone.

0:10:43.000 --> 0:10:47.760
<v Speaker 2>Wow, you know what I remember? I went to middle

0:10:47.760 --> 0:10:50.240
<v Speaker 2>school with this girl. I guess. I won't say what

0:10:50.280 --> 0:10:51.880
<v Speaker 2>the company was. I'll say it in a little bleep

0:10:51.880 --> 0:10:58.240
<v Speaker 2>it so, but should we bleep mine too? I'm like, so,

0:10:58.360 --> 0:11:01.360
<v Speaker 2>but here's the thing saw that that was her last name.

0:11:01.400 --> 0:11:03.160
<v Speaker 2>I was like, Oh, this girl is probably so rich.

0:11:03.679 --> 0:11:06.240
<v Speaker 2>And I was operating under that assumption the entire time.

0:11:06.400 --> 0:11:08.720
<v Speaker 2>Later on, many years later, I did a google. It

0:11:08.800 --> 0:11:13.200
<v Speaker 2>turns out her side of the family somehow was like

0:11:13.480 --> 0:11:15.760
<v Speaker 2>not the part that got the money. So this entire

0:11:15.800 --> 0:11:17.960
<v Speaker 2>time I was treating her like the spoiled rich girl.

0:11:18.400 --> 0:11:21.199
<v Speaker 2>She was like fighting for her life and is now

0:11:21.280 --> 0:11:25.320
<v Speaker 2>like a struggling And the entire time I was like,

0:11:25.400 --> 0:11:29.400
<v Speaker 2>shut up, bitch, Like why are you speaking up in class?

0:11:29.480 --> 0:11:31.680
<v Speaker 2>Like you do not relate to that character in that novel.

0:11:32.280 --> 0:11:34.520
<v Speaker 2>No one cares that you have to say. And in fact,

0:11:34.600 --> 0:11:37.200
<v Speaker 2>it's actually even worse, I think, to have had access

0:11:37.280 --> 0:11:39.880
<v Speaker 2>to wealth and then lost it because you like know

0:11:39.920 --> 0:11:40.480
<v Speaker 2>what you're missing.

0:11:40.520 --> 0:11:43.239
<v Speaker 3>You've seen that other side. Damn Jesus.

0:11:43.640 --> 0:11:45.600
<v Speaker 2>Yeah, and that's actually the plot of Shit's Creak, my

0:11:45.600 --> 0:11:46.880
<v Speaker 2>favorite television series.

0:11:48.440 --> 0:11:51.079
<v Speaker 1>Okay, back to my original question, Yes, how much humor

0:11:51.160 --> 0:11:52.199
<v Speaker 1>is allowed in vows?

0:11:53.000 --> 0:11:56.320
<v Speaker 2>I'm like, go, I think I think it's not about

0:11:56.320 --> 0:11:56.640
<v Speaker 2>how much.

0:11:56.679 --> 0:11:59.200
<v Speaker 1>Yours was like you went full sincere.

0:12:00.320 --> 0:12:03.120
<v Speaker 2>I had some laughing. Wow, I had laughs.

0:12:05.080 --> 0:12:06.760
<v Speaker 4>Sam was like, Yeah, the thing about you is that

0:12:06.800 --> 0:12:08.320
<v Speaker 4>you didn't even feel the need to be funny, not

0:12:08.360 --> 0:12:08.960
<v Speaker 4>even a little bit.

0:12:09.120 --> 0:12:10.360
<v Speaker 1>I think it's not gonna drop.

0:12:10.400 --> 0:12:13.319
<v Speaker 2>What sounds referring to is that it ended on sincerity

0:12:13.400 --> 0:12:15.400
<v Speaker 2>rather than ending on a punchline that I tried to

0:12:15.480 --> 0:12:19.640
<v Speaker 2>have like, yeah, but I think my general answer to

0:12:19.640 --> 0:12:23.800
<v Speaker 2>you would be basically, there has to be at least

0:12:23.920 --> 0:12:27.960
<v Speaker 2>a moment of genuine sincerity, and then around that you

0:12:28.000 --> 0:12:30.560
<v Speaker 2>can have as much humor as possible. But what you

0:12:30.600 --> 0:12:32.080
<v Speaker 2>can do is not have any sincerity, of.

0:12:32.080 --> 0:12:34.000
<v Speaker 1>Course, because I want some sincerities like but I am

0:12:34.040 --> 0:12:35.920
<v Speaker 1>worried about it coming off as like and that's when

0:12:35.920 --> 0:12:38.480
<v Speaker 1>I knew I was gay. Like I'm worried about like

0:12:39.360 --> 0:12:42.400
<v Speaker 1>landing in cliches as you were talking about in a

0:12:42.440 --> 0:12:43.840
<v Speaker 1>way that I'm scared of.

0:12:44.240 --> 0:12:46.640
<v Speaker 4>I feel I have weddings a really fine time to

0:12:46.720 --> 0:12:47.559
<v Speaker 4>land in cliches.

0:12:47.760 --> 0:12:50.760
<v Speaker 1>Okay, I think that's I think. Yeah, I think there's

0:12:50.800 --> 0:12:52.400
<v Speaker 1>not gonna reinvent the wheel, you know what I mean.

0:12:52.480 --> 0:12:54.320
<v Speaker 1>I think there's only so many ways to tell someone

0:12:54.400 --> 0:12:55.160
<v Speaker 1>that you love them.

0:12:55.200 --> 0:12:57.560
<v Speaker 2>I agree with you. But the thing is, like there's

0:12:57.559 --> 0:13:00.000
<v Speaker 2>some cliches that are so unforgivable, you know what I mean,

0:13:00.280 --> 0:13:04.160
<v Speaker 2>Like some so that I don't say them my person, like

0:13:04.520 --> 0:13:08.320
<v Speaker 2>anything about love at first sight, like anything about like

0:13:10.240 --> 0:13:11.959
<v Speaker 2>I'm trying to think, like, oh, you know.

0:13:12.720 --> 0:13:15.320
<v Speaker 3>You have taste, You're not gonna let you're not gonna land.

0:13:18.720 --> 0:13:21.720
<v Speaker 2>Just yeah, you're not gonna it's because it doesn't Cliche

0:13:21.760 --> 0:13:25.960
<v Speaker 2>doesn't come naturally to your Other people have to fight cliche,

0:13:26.080 --> 0:13:29.120
<v Speaker 2>Like you don't have to fight cliche. I think that's

0:13:29.160 --> 0:13:32.120
<v Speaker 2>the I think that for many people, that's the instinct

0:13:32.120 --> 0:13:33.280
<v Speaker 2>just to go to cliches. So then you have to

0:13:33.320 --> 0:13:35.320
<v Speaker 2>train yourself out of it. But I think that's not

0:13:35.320 --> 0:13:35.680
<v Speaker 2>gonna be.

0:13:36.080 --> 0:13:39.439
<v Speaker 1>Yeah, yeah, well we're gonna find it, you know. Tonight,

0:13:39.480 --> 0:13:41.720
<v Speaker 1>I'm really gonna hunker down and get to write, and

0:13:41.800 --> 0:13:45.240
<v Speaker 1>I'm excited. Yeah, it's gonna be something. It's gonna be something.

0:13:46.000 --> 0:13:49.800
<v Speaker 2>I I think one way to maybe avoid cliche, and

0:13:49.880 --> 0:13:52.040
<v Speaker 2>I think I tried to do this when I did

0:13:52.080 --> 0:13:55.160
<v Speaker 2>mine is like there's an instinct to think about the past,

0:13:55.200 --> 0:13:58.840
<v Speaker 2>because it's like you have this instinct to be like,

0:13:59.120 --> 0:14:01.360
<v Speaker 2>how did we meet and did I know when? What

0:14:01.480 --> 0:14:03.520
<v Speaker 2>were the best moments in our relationship? And there should

0:14:03.520 --> 0:14:05.720
<v Speaker 2>obviously be some of that, but it actually is much

0:14:05.760 --> 0:14:09.960
<v Speaker 2>more interesting to talk about like how you envision the

0:14:09.960 --> 0:14:13.120
<v Speaker 2>future interesting, And I think that there are less there

0:14:13.120 --> 0:14:15.280
<v Speaker 2>are fewer cliches. I mean unless you literally go like

0:14:15.280 --> 0:14:17.280
<v Speaker 2>till death to us part, I think there are fewer

0:14:17.360 --> 0:14:19.440
<v Speaker 2>cliches when you're like imagining the future than there are

0:14:19.480 --> 0:14:22.040
<v Speaker 2>when you're like on our first date when you ordered

0:14:22.080 --> 0:14:24.400
<v Speaker 2>the ball and Z I knew you were the one

0:14:24.440 --> 0:14:24.760
<v Speaker 2>for me.

0:14:25.160 --> 0:14:27.640
<v Speaker 3>Sure, sure, for sure, definitely don't say it like that.

0:14:28.160 --> 0:14:29.280
<v Speaker 3>Well that's suddenly, don't.

0:14:29.400 --> 0:14:32.280
<v Speaker 1>When I'm imagining speaking, all I can hear is like

0:14:32.320 --> 0:14:38.760
<v Speaker 1>fake voice. It's being like, Misha, you are random.

0:14:38.800 --> 0:14:43.240
<v Speaker 2>One of my favorite cliches is remind me what your

0:14:43.240 --> 0:14:44.120
<v Speaker 2>middle what's your middle?

0:14:44.160 --> 0:14:44.760
<v Speaker 1>N Thompson.

0:14:45.120 --> 0:14:48.240
<v Speaker 2>One of my favorite cliches is okay, get ready, this

0:14:48.280 --> 0:14:53.600
<v Speaker 2>is me doing my vast Samuel Thompson Taggart starting with

0:14:53.680 --> 0:14:57.200
<v Speaker 2>the full name yes is so funny. Yeah, yeah, yeah,

0:14:57.280 --> 0:15:00.120
<v Speaker 2>yeah yeah, Because it's one of those things that you

0:15:00.120 --> 0:15:05.080
<v Speaker 2>are doing it almost to imply intimacy, and yet you

0:15:05.160 --> 0:15:08.000
<v Speaker 2>are calling someone by their legal name. It is distancing.

0:15:08.680 --> 0:15:10.760
<v Speaker 2>It's so crazy, you know what.

0:15:10.800 --> 0:15:13.520
<v Speaker 1>I Actually the biggest cliche that I find is being

0:15:13.560 --> 0:15:16.560
<v Speaker 1>like and someone who will always split an omelet with

0:15:16.600 --> 0:15:19.200
<v Speaker 1>me three in the morning, like that type.

0:15:19.040 --> 0:15:21.480
<v Speaker 2>Of thing, like I promise to always water the plants,

0:15:21.560 --> 0:15:22.640
<v Speaker 2>but not over water.

0:15:25.880 --> 0:15:27.680
<v Speaker 1>That's it, that's true. Well that's not.

0:15:28.320 --> 0:15:30.360
<v Speaker 2>But but the thing is you will have to do

0:15:30.440 --> 0:15:33.160
<v Speaker 2>one specific thing like that. That's like the entire joke

0:15:33.280 --> 0:15:36.920
<v Speaker 2>is the specificity of it, Like I'll.

0:15:36.800 --> 0:15:40.120
<v Speaker 4>Always eat the rice if you eat the beet exactly.

0:15:40.240 --> 0:15:44.600
<v Speaker 1>Yeah, it's that neighborhood.

0:15:45.040 --> 0:15:49.720
<v Speaker 2>Yeah, there's a way in which at some point everything

0:15:49.760 --> 0:15:52.160
<v Speaker 2>starts feeling like a cliche. And then and you will

0:15:52.160 --> 0:15:54.120
<v Speaker 2>get to that point. I'm sorry to tell you you will.

0:15:54.480 --> 0:15:56.320
<v Speaker 2>At some point you will pass it, but you will

0:15:56.320 --> 0:15:58.440
<v Speaker 2>get to that point where like, oh no, everything I'm

0:15:58.480 --> 0:16:01.840
<v Speaker 2>thinking sounds like it's from a rom com.

0:16:01.880 --> 0:16:04.440
<v Speaker 1>How did you? How long did it take for you?

0:16:05.920 --> 0:16:09.120
<v Speaker 2>I think you you have like initial writer's block and

0:16:09.160 --> 0:16:11.200
<v Speaker 2>then it sort of will pour out of you. Okay,

0:16:11.240 --> 0:16:13.120
<v Speaker 2>because and I actually think you should do it or

0:16:13.200 --> 0:16:15.240
<v Speaker 2>I did it like almost free writing style where I

0:16:15.280 --> 0:16:17.400
<v Speaker 2>was like it was almost like one run on sentence

0:16:18.680 --> 0:16:21.880
<v Speaker 2>because it is like a spoken thing, like I don't

0:16:21.920 --> 0:16:23.040
<v Speaker 2>you know, it doesn't have to be like a five

0:16:23.080 --> 0:16:29.440
<v Speaker 2>paragraph essay, right, right, But I have faith in conclusion.

0:16:29.560 --> 0:16:30.320
<v Speaker 2>In conclusion.

0:16:31.680 --> 0:16:33.840
<v Speaker 4>Wait, can I ask you who who was officiate? Is

0:16:33.880 --> 0:16:35.000
<v Speaker 4>there a comedian officiating?

0:16:35.240 --> 0:16:36.920
<v Speaker 2>Oh? Yes, maybe the number one comedian?

0:16:39.400 --> 0:16:42.600
<v Speaker 1>Interesting? Interesting because he was there the night we were

0:16:42.800 --> 0:16:45.880
<v Speaker 1>we met. I was at the Metropolitan Gay Bar with Julio.

0:16:45.960 --> 0:16:46.680
<v Speaker 1>When I met me.

0:16:46.680 --> 0:16:47.800
<v Speaker 3>The Metropolitan gay Bar.

0:16:49.240 --> 0:16:51.520
<v Speaker 2>I actually told my sister. She was like, where sounds Minny.

0:16:51.560 --> 0:16:54.320
<v Speaker 2>I was like Metropolitan, And we had this entire conversation

0:16:54.360 --> 0:16:56.520
<v Speaker 2>that I realized she thought it was at the met Museum.

0:16:56.760 --> 0:16:59.200
<v Speaker 2>She was like, that is so cool. Like, how do.

0:17:00.760 --> 0:17:02.960
<v Speaker 1>I will say on the invites? Mesha put like metropology

0:17:02.960 --> 0:17:05.480
<v Speaker 1>Infrinsley's gay Bar, and I was like, why did you

0:17:05.520 --> 0:17:05.800
<v Speaker 1>put it?

0:17:05.840 --> 0:17:09.320
<v Speaker 2>Though I thought about someone coming from out of town.

0:17:09.400 --> 0:17:11.040
<v Speaker 1>Well, yeah, I don't even think about that.

0:17:11.680 --> 0:17:14.359
<v Speaker 4>I just went to a comedian wedding that was also

0:17:14.440 --> 0:17:17.160
<v Speaker 4>officiated by a comedian. I went to my buddy Andrew

0:17:17.160 --> 0:17:23.280
<v Speaker 4>Dismukes got married to his longtime girlfriend Ali. Yeah, you

0:17:23.320 --> 0:17:25.440
<v Speaker 4>guys know Ali. You guys know Andrew and Ally who

0:17:25.480 --> 0:17:28.639
<v Speaker 4>officiated it was a guy. He's an Austin comedian. We

0:17:28.680 --> 0:17:32.280
<v Speaker 4>all came up in Austin together years ago and he

0:17:32.520 --> 0:17:35.719
<v Speaker 4>is this guy named Mason, and he did he It

0:17:35.840 --> 0:17:38.040
<v Speaker 4>was really funny. I will say he was killing, but

0:17:38.119 --> 0:17:40.440
<v Speaker 4>he did do longer than both of them.

0:17:41.880 --> 0:17:43.720
<v Speaker 3>Mason did a smooth fifteen.

0:17:44.080 --> 0:17:44.280
<v Speaker 1>No.

0:17:44.480 --> 0:17:47.360
<v Speaker 3>He talked for a long long time in a way

0:17:47.400 --> 0:17:47.720
<v Speaker 3>that I.

0:17:47.680 --> 0:17:49.919
<v Speaker 4>Was like, Mason, maybe you'll hear this, but it's like,

0:17:50.400 --> 0:17:52.159
<v Speaker 4>I'll say this if we talk in real life. Like

0:17:52.400 --> 0:17:55.040
<v Speaker 4>he was like referencing like this like sketch series that

0:17:55.080 --> 0:17:57.720
<v Speaker 4>her and Ally did in like twenty twelve, and like

0:17:57.840 --> 0:18:00.119
<v Speaker 4>was really going into like I had this vision for

0:18:00.160 --> 0:18:02.680
<v Speaker 4>sketches and she thought about characters in this kind of

0:18:02.720 --> 0:18:04.919
<v Speaker 4>wayly fun and like really was like diving it. But

0:18:04.960 --> 0:18:07.680
<v Speaker 4>I will say getting laughs the entire time, Yeah, that's good.

0:18:07.720 --> 0:18:09.720
<v Speaker 4>But I will say I've never seen anyone do like

0:18:10.160 --> 0:18:12.479
<v Speaker 4>it felt like watching someone do actually do stand up

0:18:12.760 --> 0:18:14.520
<v Speaker 4>at a wedding in a way that I'm curious to

0:18:14.520 --> 0:18:16.639
<v Speaker 4>see what Julio's gonna gonna bring to it.

0:18:16.800 --> 0:18:18.240
<v Speaker 1>I'm curious to see what well.

0:18:18.280 --> 0:18:20.399
<v Speaker 2>I ran into Julio a couple of days ago and

0:18:20.440 --> 0:18:23.000
<v Speaker 2>I was like, you know, have sometimes you have a

0:18:23.000 --> 0:18:25.440
<v Speaker 2>conversation with Julia and you leave with more questions than answers,

0:18:25.720 --> 0:18:28.480
<v Speaker 2>So of course I was like, I was like, so, like,

0:18:28.480 --> 0:18:31.480
<v Speaker 2>are you excited to officiate? And Juli was like, oh, yeah,

0:18:31.520 --> 0:18:34.520
<v Speaker 2>I guess I should do the online thing. I was like, yeah, definitely,

0:18:34.520 --> 0:18:36.520
<v Speaker 2>get definitely do that, but then also like are you

0:18:36.560 --> 0:18:39.600
<v Speaker 2>excited for the actual officiation, And then he was like yeah,

0:18:39.600 --> 0:18:41.800
<v Speaker 2>blah blah, and I was like, I was like, do

0:18:41.840 --> 0:18:43.960
<v Speaker 2>you want I mean, this is so stupid, but I

0:18:44.000 --> 0:18:45.800
<v Speaker 2>was like, you know, I officiated a wedding once. If

0:18:45.840 --> 0:18:48.600
<v Speaker 2>you want me to send my thing? Like, if you't

0:18:48.640 --> 0:18:50.480
<v Speaker 2>just like structuralize me. Was like that's okay, and I

0:18:50.480 --> 0:18:53.159
<v Speaker 2>was like, got it. And then I was like, you know,

0:18:53.200 --> 0:18:57.159
<v Speaker 2>the hardest part is, you know, knowing that your audience

0:18:57.240 --> 0:19:00.119
<v Speaker 2>is half like your friends and then half family that

0:19:00.240 --> 0:19:02.439
<v Speaker 2>maybe doesn't you know, share your sense of humors here

0:19:02.480 --> 0:19:04.840
<v Speaker 2>a sensibility, and Hula was just like, oh, I hadn't

0:19:04.840 --> 0:19:08.320
<v Speaker 2>even thought about it. What are we talking about here?

0:19:09.720 --> 0:19:10.800
<v Speaker 3>Ulio starts pulling a bunch of.

0:19:12.359 --> 0:19:14.480
<v Speaker 2>You haven't thought about that? That's the number one thing.

0:19:14.920 --> 0:19:17.479
<v Speaker 2>The number one thing with officiating, especially if you're like

0:19:17.520 --> 0:19:19.679
<v Speaker 2>in our community, is like you have to appeal to

0:19:19.720 --> 0:19:24.520
<v Speaker 2>both like aunt Mary yep and you know. Amy Zimmer

0:19:25.600 --> 0:19:26.040
<v Speaker 2>I thought it.

0:19:26.000 --> 0:19:28.200
<v Speaker 1>Was so funny. We talked on the phone this weekend

0:19:28.520 --> 0:19:30.359
<v Speaker 1>and he was like, first of all, I've written nothing,

0:19:30.600 --> 0:19:33.159
<v Speaker 1>and I was like, no, that's okay. He's like, no,

0:19:33.400 --> 0:19:35.199
<v Speaker 1>literally nothing, and I was like that's okay.

0:19:36.000 --> 0:19:38.199
<v Speaker 2>Well the other thing, you know, he is going to

0:19:39.240 --> 0:19:42.480
<v Speaker 2>be really good. Yeah, yeah, but you almost don't want

0:19:42.520 --> 0:19:45.360
<v Speaker 2>to peek into his process because it's like you don't

0:19:45.400 --> 0:19:49.840
<v Speaker 2>want to know what method goes into the madness. Anyway, Well,

0:19:49.960 --> 0:19:51.480
<v Speaker 2>it's going to be interesting, it's going to be great.

0:19:51.520 --> 0:19:53.520
<v Speaker 3>I'm excited to make sure. I forget who I was

0:19:53.560 --> 0:19:53.840
<v Speaker 3>talking to.

0:19:53.840 --> 0:19:55.399
<v Speaker 4>Somebody who lives in LA who's flying out of here

0:19:55.400 --> 0:19:57.239
<v Speaker 4>for it, and I forget who it was. That's not

0:19:57.280 --> 0:19:59.600
<v Speaker 4>interesting anyway.

0:19:59.320 --> 0:20:03.040
<v Speaker 2>Go ahead, bra Met Yeah, is she really good? No?

0:20:04.640 --> 0:20:06.919
<v Speaker 1>I could see a world in which all cross paths

0:20:06.920 --> 0:20:07.040
<v Speaker 1>in this.

0:20:07.160 --> 0:20:09.920
<v Speaker 2>I would love it if she showed up. She's like harried,

0:20:09.960 --> 0:20:12.600
<v Speaker 2>like late at coming out of an uber. Sorry, guys, Jesus,

0:20:12.760 --> 0:20:15.520
<v Speaker 2>keep going, keep going. Sorry, I just fleming from Tel Aviv.

0:20:16.960 --> 0:20:19.520
<v Speaker 4>Okay, Oh she's doing that, oh big time. Oh I

0:20:19.560 --> 0:20:21.360
<v Speaker 4>see I didn't.

0:20:20.920 --> 0:20:21.719
<v Speaker 2>Do our first segment.

0:20:22.840 --> 0:20:29.199
<v Speaker 1>Let's do our first segment, Devin. Our first segment is

0:20:29.200 --> 0:20:31.200
<v Speaker 1>called straight Shooters, and in this segment, we're going to

0:20:31.200 --> 0:20:33.240
<v Speaker 1>ask you a series of rapifier questions to gage your

0:20:33.240 --> 0:20:36.399
<v Speaker 1>familiarity with and complicity in a straight culture. It's basically

0:20:36.400 --> 0:20:37.640
<v Speaker 1>this thing or this other thing. And the only rule

0:20:37.680 --> 0:20:39.400
<v Speaker 1>is you can't ask any follo up questions or we'll

0:20:39.440 --> 0:20:43.040
<v Speaker 1>scream at you not that you need to be reminded, George.

0:20:42.800 --> 0:20:47.240
<v Speaker 2>Kickassow the Big Bang or the one and only Bowen

0:20:47.320 --> 0:20:50.159
<v Speaker 2>Yang and Yang, protecting.

0:20:49.640 --> 0:20:53.920
<v Speaker 1>Your data or forgetting your true Veda.

0:20:54.200 --> 0:20:56.760
<v Speaker 2>Forgetting your true beda. Oh wow, I don't know what

0:20:56.760 --> 0:20:59.119
<v Speaker 2>that means. You shouldn't have said you don't know what

0:20:59.119 --> 0:21:05.240
<v Speaker 2>it means. Does the carpet match the drapes? Or going

0:21:05.280 --> 0:21:07.159
<v Speaker 2>to the market to buy some grapes?

0:21:08.640 --> 0:21:09.959
<v Speaker 3>Going to the market to buy some grapes.

0:21:10.520 --> 0:21:13.800
<v Speaker 1>Okay, this one's tough because it actually needs voice work that.

0:21:13.880 --> 0:21:17.399
<v Speaker 1>I don't think I'm qualified to do this. It's just

0:21:17.480 --> 0:21:20.560
<v Speaker 1>like my ears still unpopped from the flight yesterday, So

0:21:20.600 --> 0:21:24.720
<v Speaker 1>like I'm not working with like the full register f

0:21:24.840 --> 0:21:30.600
<v Speaker 1>K twigs or South Park teacher voice. Okay, I can't

0:21:30.600 --> 0:21:30.960
<v Speaker 1>do it.

0:21:31.400 --> 0:21:33.320
<v Speaker 2>I want to kill You're doing a great job.

0:21:33.359 --> 0:21:35.879
<v Speaker 1>I can't do it, George, I can't do it. I

0:21:35.920 --> 0:21:36.880
<v Speaker 1>can't do it. George.

0:21:36.960 --> 0:21:38.200
<v Speaker 3>You want to you want to give it?

0:21:38.240 --> 0:21:39.159
<v Speaker 2>What work?

0:21:39.760 --> 0:21:42.040
<v Speaker 1>Guys. I need to listen to it, Guys, I just

0:21:42.040 --> 0:21:45.440
<v Speaker 1>have to listen to it, if anyone could. Okay, here's

0:21:45.480 --> 0:21:48.040
<v Speaker 1>what's gonna happen. Here's what I'm gonna say.

0:21:48.119 --> 0:21:51.359
<v Speaker 2>Yeah, we'll put it in f K Twigs or good kids,

0:21:51.400 --> 0:21:52.240
<v Speaker 2>and then you put it in a.

0:21:52.200 --> 0:21:56.840
<v Speaker 1>Post because this is but say what it is? Okay, kids?

0:21:56.880 --> 0:21:58.040
<v Speaker 2>Okay?

0:21:59.000 --> 0:22:02.760
<v Speaker 1>And I wrote this on the train, thinking, you know,

0:22:03.119 --> 0:22:05.520
<v Speaker 1>when the cameras are on, maybe something you'll find it.

0:22:05.840 --> 0:22:08.119
<v Speaker 1>And then I said, I've never found something when the

0:22:08.119 --> 0:22:11.119
<v Speaker 1>cameras are on. If I can't find it secretly in private,

0:22:11.160 --> 0:22:12.840
<v Speaker 1>I can't find it when the cameras are on.

0:22:14.240 --> 0:22:16.320
<v Speaker 2>Okay, Well, you do have to choose.

0:22:18.000 --> 0:22:19.200
<v Speaker 1>I'm gonna go K Twigs.

0:22:20.040 --> 0:22:23.560
<v Speaker 2>Wow, the coward's choice. You didn't want to do that,

0:22:24.320 --> 0:22:26.440
<v Speaker 2>K kids, I really didn't. Okay.

0:22:26.680 --> 0:22:28.320
<v Speaker 1>I didn't really grow up watching south Park.

0:22:28.720 --> 0:22:30.680
<v Speaker 2>This is the second This is the second time we talked.

0:22:30.760 --> 0:22:32.479
<v Speaker 2>I also didn't grow up watching south Park. Okay. And

0:22:32.520 --> 0:22:37.280
<v Speaker 2>I did denim on denim or bend it like Beckham.

0:22:37.480 --> 0:22:41.560
<v Speaker 1>Okay, this one's really hard. J Street metro tech or

0:22:41.680 --> 0:22:42.919
<v Speaker 1>Old King WinCE Sloss.

0:22:43.000 --> 0:22:43.680
<v Speaker 2>Oh, that's good.

0:22:45.960 --> 0:22:47.760
<v Speaker 1>I've got to go Jay Street.

0:22:48.520 --> 0:22:52.200
<v Speaker 2>Real politic or fake plastic trees.

0:22:56.040 --> 0:23:01.000
<v Speaker 1>Real politic? Okay, Ranked choice voting or staying face emoting

0:23:01.400 --> 0:23:02.320
<v Speaker 1>stank face emoting?

0:23:02.640 --> 0:23:02.920
<v Speaker 2>Wow?

0:23:03.240 --> 0:23:03.520
<v Speaker 1>Wow?

0:23:03.640 --> 0:23:05.160
<v Speaker 2>Is fake plastic trees? Radiohead?

0:23:06.000 --> 0:23:07.480
<v Speaker 1>Honey, you're the one that wrote it.

0:23:07.480 --> 0:23:07.920
<v Speaker 2>It's one.

0:23:08.400 --> 0:23:09.600
<v Speaker 1>Do you not? Is it not? No?

0:23:10.119 --> 0:23:12.200
<v Speaker 3>That was never mind. I guess I'm not supposed to say,

0:23:12.240 --> 0:23:13.600
<v Speaker 3>but I was. Yeah, go ahead, is.

0:23:13.600 --> 0:23:16.800
<v Speaker 2>That not a recognizable I think it's Radiohead, but I

0:23:16.840 --> 0:23:17.240
<v Speaker 2>don't know.

0:23:17.400 --> 0:23:19.600
<v Speaker 3>Okay, now you're it sounds like none of us is

0:23:20.400 --> 0:23:21.640
<v Speaker 3>me and you're a straight shooter.

0:23:23.560 --> 0:23:23.800
<v Speaker 1>To me.

0:23:24.119 --> 0:23:26.320
<v Speaker 2>You know when something is just like you know the

0:23:26.520 --> 0:23:28.800
<v Speaker 2>I've known that phrase since I was like twelve, and

0:23:28.840 --> 0:23:30.160
<v Speaker 2>it's because it's an album title.

0:23:31.960 --> 0:23:35.080
<v Speaker 1>I mean, what do you google it? Right? The se No?

0:23:35.080 --> 0:23:38.040
<v Speaker 2>No, no, no, okay, we have to rank Devin's performance

0:23:38.080 --> 0:23:39.680
<v Speaker 2>on a scale of zero to one thousand doves.

0:23:39.720 --> 0:23:40.560
<v Speaker 1>Here's what I will say.

0:23:40.640 --> 0:23:44.119
<v Speaker 2>Yes, I think we were really experimenting, definitely. I mean

0:23:44.160 --> 0:23:47.520
<v Speaker 2>I don't even know what half the things that Okay, cool.

0:23:47.560 --> 0:23:50.040
<v Speaker 3>I'm glad we're in the same boat because we felt.

0:23:49.800 --> 0:23:52.920
<v Speaker 1>So comfortable with you being here. Yes, that's right, and

0:23:53.200 --> 0:23:56.840
<v Speaker 1>we just knew that you'd crush it. So I'm gonna

0:23:56.840 --> 0:24:00.840
<v Speaker 1>go ahead and say that you get what you were

0:24:00.880 --> 0:24:03.520
<v Speaker 1>an amazing recipient of our fucking bullshit.

0:24:04.240 --> 0:24:10.040
<v Speaker 2>No, that's interesting. I actually disagree, have to disagree. I

0:24:10.080 --> 0:24:13.240
<v Speaker 2>actually think you know, Devin, you're sitting there sort of

0:24:13.240 --> 0:24:17.280
<v Speaker 2>like cool, guy, there's like a sort of cool guy energy.

0:24:19.000 --> 0:24:20.719
<v Speaker 2>You're kind of like looking at us, like, what the

0:24:20.760 --> 0:24:24.160
<v Speaker 2>hell are these guys talking about? Like even when Sam

0:24:24.200 --> 0:24:26.120
<v Speaker 2>did the South Park thing, you're not you know, you're

0:24:26.160 --> 0:24:29.080
<v Speaker 2>not showing the vulnerability of attempting to say k kids.

0:24:29.560 --> 0:24:32.680
<v Speaker 2>You're sort of just like removed. You're being removed. Yeah,

0:24:33.359 --> 0:24:37.679
<v Speaker 2>and and and then it makes us feel exposed and naked.

0:24:38.000 --> 0:24:39.360
<v Speaker 1>I see wow.

0:24:39.520 --> 0:24:41.840
<v Speaker 2>And so I would say, however, I think you did

0:24:41.880 --> 0:24:43.880
<v Speaker 2>pretty good. So I think I'm gonna.

0:24:43.760 --> 0:24:46.240
<v Speaker 1>He deserves to be rewarded for playing and winning a

0:24:46.280 --> 0:24:48.680
<v Speaker 1>power game? Did he? Oh? I see?

0:24:48.840 --> 0:24:51.000
<v Speaker 2>Okay? Right right, so you humulate us on our own show,

0:24:51.240 --> 0:24:55.040
<v Speaker 2>and that is when it is okay. So I guess

0:24:55.119 --> 0:24:59.640
<v Speaker 2>I would say, I would say it's a solid eight seventy.

0:25:00.240 --> 0:25:00.440
<v Speaker 1>Wow.

0:25:00.480 --> 0:25:03.160
<v Speaker 2>And that's my final answer. So the average of that

0:25:03.680 --> 0:25:07.960
<v Speaker 2>is around is nine thirty something like that. Yeah, sure,

0:25:08.040 --> 0:25:09.600
<v Speaker 2>I'm happy with that. So that's pretty good. That's an

0:25:09.560 --> 0:25:12.359
<v Speaker 2>as that's high a minus. Actually better than I did

0:25:12.400 --> 0:25:14.760
<v Speaker 2>in school normally. I don't believe that. Were you not

0:25:14.800 --> 0:25:15.359
<v Speaker 2>a good student.

0:25:15.760 --> 0:25:18.720
<v Speaker 3>I was a decent I just I didn't care that much.

0:25:19.119 --> 0:25:22.960
<v Speaker 4>I don't know if you guys related, well, I Tay,

0:25:23.000 --> 0:25:24.639
<v Speaker 4>I take you for being a really good student.

0:25:24.920 --> 0:25:26.840
<v Speaker 3>You do seem like you made really good grades. Sam,

0:25:27.240 --> 0:25:28.040
<v Speaker 3>I was a good student.

0:25:28.119 --> 0:25:28.960
<v Speaker 2>Sam was a good student.

0:25:28.960 --> 0:25:30.520
<v Speaker 3>I could see. I see it for you guys.

0:25:30.600 --> 0:25:33.679
<v Speaker 2>You remember one time we can take this out if

0:25:33.720 --> 0:25:37.600
<v Speaker 2>it's easy to identify the person. One time Sam found

0:25:37.640 --> 0:25:41.239
<v Speaker 2>out someone we know got seas in high school. And

0:25:41.320 --> 0:25:44.920
<v Speaker 2>Sam was literally like, I mean, can you imagine getting seasons?

0:25:44.920 --> 0:25:47.680
<v Speaker 1>Okay school, but it's like someone who's like whole thing

0:25:47.840 --> 0:25:50.359
<v Speaker 1>is like super silly and goofy. And so when I

0:25:50.359 --> 0:25:52.440
<v Speaker 1>found out that got season high school, I was like, oh,

0:25:52.480 --> 0:25:55.040
<v Speaker 1>you're not like you're not coming with the form.

0:25:55.320 --> 0:25:57.440
<v Speaker 2>You're like you're just dumb.

0:25:57.480 --> 0:25:58.840
<v Speaker 1>You're just kind of a dumb person.

0:25:59.080 --> 0:26:01.040
<v Speaker 2>No, this was I I remember that because and it

0:26:01.080 --> 0:26:03.360
<v Speaker 2>really like brought this person down in your estimation, because

0:26:03.400 --> 0:26:05.800
<v Speaker 2>correct me, because you were like because Sam thought, this

0:26:05.960 --> 0:26:10.160
<v Speaker 2>is like this person's like Andy Kaufman esque, like so

0:26:10.240 --> 0:26:13.679
<v Speaker 2>smart that he's like kind of his silliness and his

0:26:13.800 --> 0:26:17.639
<v Speaker 2>whimsical humor is like making fun of the human condition.

0:26:18.240 --> 0:26:20.119
<v Speaker 2>And then after Sam found out that this person got

0:26:20.119 --> 0:26:21.760
<v Speaker 2>season high school, I was like, oh, wait, so you're

0:26:21.840 --> 0:26:24.240
<v Speaker 2>just kind of like a dufis well, but.

0:26:24.320 --> 0:26:26.639
<v Speaker 4>To be fair, I bet you Andy Kaufman got seasoned

0:26:26.680 --> 0:26:27.760
<v Speaker 4>high school as well.

0:26:28.400 --> 0:26:31.040
<v Speaker 2>So this is interesting, right. So there's two ways you

0:26:31.080 --> 0:26:33.119
<v Speaker 2>can get season in high school. Either you're like not

0:26:33.240 --> 0:26:35.440
<v Speaker 2>made for the American educational system and you're like such

0:26:35.480 --> 0:26:37.719
<v Speaker 2>a genius that you get sees happens, or you're literally

0:26:37.760 --> 0:26:40.560
<v Speaker 2>like smoking weed yeah, or you just like.

0:26:40.600 --> 0:26:42.760
<v Speaker 1>I don't know that I got no.

0:26:42.840 --> 0:26:46.000
<v Speaker 4>I think I probably got to see in uh calculus,

0:26:46.520 --> 0:26:48.560
<v Speaker 4>I probably that was That was never the life for me,

0:26:48.640 --> 0:26:50.840
<v Speaker 4>But I will say with me in high school, I

0:26:50.920 --> 0:26:54.480
<v Speaker 4>was pretty much I was like a mid be to

0:26:54.600 --> 0:26:57.560
<v Speaker 4>like a low a student. But it was genuinely like

0:26:57.720 --> 0:26:59.600
<v Speaker 4>I don't know if y'all well, y'all clearly didn't feel

0:26:59.600 --> 0:27:01.920
<v Speaker 4>this way, but Junia was like I think I'm gonna

0:27:01.960 --> 0:27:04.760
<v Speaker 4>be okay one way or another. I always I really

0:27:05.000 --> 0:27:06.760
<v Speaker 4>just had a belief that I was like, I don't

0:27:06.800 --> 0:27:09.280
<v Speaker 4>know that. I'm like, I'm not made for academia. I

0:27:09.280 --> 0:27:11.639
<v Speaker 4>can make it through school. I like got through grad school,

0:27:11.680 --> 0:27:13.240
<v Speaker 4>like I was like I can do all this stuff.

0:27:13.520 --> 0:27:15.360
<v Speaker 4>But I was like, I just don't think that any

0:27:15.400 --> 0:27:18.400
<v Speaker 4>of what I'm learning right now is like I don't

0:27:18.400 --> 0:27:19.520
<v Speaker 4>I don't think it's gonna like.

0:27:21.040 --> 0:27:23.360
<v Speaker 3>Really influence where I go. I felt the way once

0:27:23.400 --> 0:27:24.080
<v Speaker 3>I was in college.

0:27:24.280 --> 0:27:27.320
<v Speaker 1>Sure, in high school, I was like, the pressure's on,

0:27:27.480 --> 0:27:30.000
<v Speaker 1>like you gotta get good grades to get into college whatever.

0:27:30.040 --> 0:27:30.919
<v Speaker 3>I wish I was like that.

0:27:31.440 --> 0:27:33.600
<v Speaker 1>But once I was in college, I was like, this

0:27:33.680 --> 0:27:36.000
<v Speaker 1>is all a victory lab. Yeah, this was like what.

0:27:35.920 --> 0:27:38.200
<v Speaker 2>Are we doing. I would even say, I'll.

0:27:38.119 --> 0:27:38.800
<v Speaker 1>Learn enough of it.

0:27:39.160 --> 0:27:40.200
<v Speaker 3>I just took my grade.

0:27:40.240 --> 0:27:40.960
<v Speaker 1>I was. Yeah.

0:27:41.000 --> 0:27:42.639
<v Speaker 3>I was just like, I'm not going to stress myself.

0:27:42.680 --> 0:27:46.320
<v Speaker 3>I was like, I'll I'll do fine in life somehow.

0:27:46.480 --> 0:27:46.800
<v Speaker 1>Yeah.

0:27:46.960 --> 0:27:49.080
<v Speaker 2>I would even say I was at the best. I

0:27:49.160 --> 0:27:51.440
<v Speaker 2>was at my best and most hard working and probably

0:27:51.480 --> 0:27:56.080
<v Speaker 2>like legitimately sixth grade. And then after that, it's almost

0:27:56.119 --> 0:27:59.919
<v Speaker 2>like you want to see how little you can do

0:28:00.160 --> 0:28:03.360
<v Speaker 2>while maintaining the status of a good student. Like I

0:28:03.400 --> 0:28:06.840
<v Speaker 2>was like, oh, okay, so if I study a half

0:28:06.880 --> 0:28:10.200
<v Speaker 2>hour less, I'm basically still getting an A or mine

0:28:10.320 --> 0:28:13.440
<v Speaker 2>is like, and how how what is the equation where

0:28:13.440 --> 0:28:16.199
<v Speaker 2>I can still basically have the reputation of being smart,

0:28:16.240 --> 0:28:19.320
<v Speaker 2>the reputation of being a good student without going above him.

0:28:20.119 --> 0:28:22.720
<v Speaker 2>And I would say I'm still doing that today, bless.

0:28:22.400 --> 0:28:26.199
<v Speaker 1>Oh you're good at it. We always know. That's the

0:28:26.200 --> 0:28:30.600
<v Speaker 1>difference is that he can perform like the intelligence like

0:28:30.800 --> 0:28:32.800
<v Speaker 1>spot On, Like if asked to give a presentation about

0:28:32.800 --> 0:28:34.960
<v Speaker 1>a topic doesn't know right now, he could do it

0:28:35.600 --> 0:28:38.200
<v Speaker 1>and like I have to like sit with it for

0:28:38.200 --> 0:28:38.640
<v Speaker 1>a while.

0:28:38.800 --> 0:28:41.080
<v Speaker 2>I can. Here's what I can do. I can.

0:28:41.120 --> 0:28:43.840
<v Speaker 4>Actually, that's how we got into the Comedy Central program.

0:28:44.320 --> 0:28:46.720
<v Speaker 3>Literally it's for people like us.

0:28:46.840 --> 0:28:54.320
<v Speaker 2>I would say I can successfully bullshit the personality of

0:28:54.320 --> 0:28:57.200
<v Speaker 2>someone who doesn't bullshit. I mean that, do you know

0:28:57.240 --> 0:28:57.680
<v Speaker 2>what I mean?

0:28:57.840 --> 0:29:00.520
<v Speaker 4>I mean, that's maybe one of the greatest gift, Yeah,

0:29:00.600 --> 0:29:01.560
<v Speaker 4>anyone could be given.

0:29:01.640 --> 0:29:04.200
<v Speaker 2>Like I can actually go enter a room and my

0:29:04.400 --> 0:29:06.480
<v Speaker 2>entire performance is out of someone who's like, let's cut

0:29:06.480 --> 0:29:09.240
<v Speaker 2>the crap here, but I'm unprepared and don't know what

0:29:09.280 --> 0:29:09.920
<v Speaker 2>I'm talking about.

0:29:10.080 --> 0:29:12.320
<v Speaker 4>That's incredible because I also, I think I'm pretty good

0:29:12.360 --> 0:29:14.120
<v Speaker 4>at bullshitting. But I think I do think that people

0:29:14.240 --> 0:29:16.520
<v Speaker 4>people see people would be like, oh, he's bullshitting. But

0:29:16.560 --> 0:29:18.480
<v Speaker 4>I do think that I can like charm my way

0:29:18.520 --> 0:29:20.680
<v Speaker 4>into them being like oh, but it's it's kind of

0:29:20.680 --> 0:29:22.920
<v Speaker 4>sweet that he's like bullshading his way through this. But

0:29:22.960 --> 0:29:25.600
<v Speaker 4>you're actually like you can act as if you really

0:29:25.640 --> 0:29:26.440
<v Speaker 4>knew what we were talking.

0:29:26.320 --> 0:29:28.000
<v Speaker 2>About my best you know, not always, but I do

0:29:28.040 --> 0:29:30.200
<v Speaker 2>think when I'm really focused, I can.

0:29:31.480 --> 0:29:33.160
<v Speaker 1>Right, Yeah, I think I think you can.

0:29:33.400 --> 0:29:37.760
<v Speaker 2>Thinks that's like some like catch me if you can shit. Yeah, well,

0:29:38.440 --> 0:29:40.760
<v Speaker 2>but it's like never with things that matter, like sure,

0:29:40.840 --> 0:29:42.680
<v Speaker 2>because I actually when I'm in the presence of someone

0:29:42.680 --> 0:29:46.200
<v Speaker 2>who legitimately has more power than me, I crack under

0:29:46.240 --> 0:29:46.720
<v Speaker 2>the pressure.

0:29:47.360 --> 0:29:50.520
<v Speaker 1>Yeah. It takes me like a long time of being

0:29:50.640 --> 0:29:54.240
<v Speaker 1>like above someone, yeah intellectually to be like, oh I

0:29:54.320 --> 0:29:57.520
<v Speaker 1>love you intellectually, Like it takes me like six months

0:29:58.040 --> 0:29:59.360
<v Speaker 1>because then I'm like, because I'm like, what if what

0:29:59.360 --> 0:30:01.120
<v Speaker 1>if the last three month was a fluke, like and

0:30:01.120 --> 0:30:02.000
<v Speaker 1>they're actually still better?

0:30:02.040 --> 0:30:02.720
<v Speaker 3>They catch up to me?

0:30:02.880 --> 0:30:03.080
<v Speaker 1>Yeah.

0:30:03.320 --> 0:30:06.160
<v Speaker 2>Yeah, Should we get into our topic?

0:30:06.280 --> 0:30:09.000
<v Speaker 1>I think we should, Devin, what topic have you brought

0:30:09.040 --> 0:30:09.800
<v Speaker 1>for us today?

0:30:10.280 --> 0:30:13.960
<v Speaker 4>The topic that I brought today was fantasy sports. That's

0:30:14.000 --> 0:30:15.640
<v Speaker 4>my straight topic. Fantasy sports.

0:30:15.720 --> 0:30:18.960
<v Speaker 3>Yes, one of the straightest things in the world to me.

0:30:19.080 --> 0:30:21.400
<v Speaker 2>It is it is It's like sometimes there are these

0:30:21.440 --> 0:30:25.680
<v Speaker 2>topics that are so straight that I almost don't know

0:30:25.720 --> 0:30:27.960
<v Speaker 2>what to say about them because it's so self evident

0:30:28.400 --> 0:30:30.760
<v Speaker 2>that it's like the like the only people who would

0:30:30.760 --> 0:30:35.160
<v Speaker 2>play fantasy sports are a very specific kind of I

0:30:35.200 --> 0:30:36.880
<v Speaker 2>would say, physically abusive.

0:30:38.920 --> 0:30:40.480
<v Speaker 1>Well, I want you to fill us in on like

0:30:42.920 --> 0:30:45.120
<v Speaker 1>your your history with fantasy sports.

0:30:45.680 --> 0:30:48.480
<v Speaker 4>Yeah, so I grew up in Texas. I went to

0:30:48.480 --> 0:30:51.000
<v Speaker 4>the high school where they shot Friday Night Lights. And

0:30:51.080 --> 0:30:55.160
<v Speaker 4>so it's like the TV show, not the movie. Okay,

0:30:55.640 --> 0:30:57.480
<v Speaker 4>you did you ever see the TV show?

0:30:57.680 --> 0:31:02.240
<v Speaker 2>You know? I didn't, But I know about coach Taylor. Taylor,

0:31:02.280 --> 0:31:03.320
<v Speaker 2>and I know Connie Britton.

0:31:04.360 --> 0:31:08.480
<v Speaker 4>Right, masterful performance. Yeah, beautiful exhibit of lovel on television.

0:31:08.560 --> 0:31:10.080
<v Speaker 2>Yes, it is really nice, and I know that it

0:31:10.120 --> 0:31:11.280
<v Speaker 2>means a lot to a lot of people.

0:31:11.400 --> 0:31:13.040
<v Speaker 1>Yeah. I tried to watch it once.

0:31:13.480 --> 0:31:16.360
<v Speaker 4>Yeah, it just didn't click, didn't resonate with you.

0:31:16.400 --> 0:31:19.240
<v Speaker 2>No, here's what I say about Friday Night Lights. Something

0:31:19.360 --> 0:31:21.880
<v Speaker 2>extremely foreign to me as someone who doesn't have American

0:31:21.920 --> 0:31:25.719
<v Speaker 2>parents is the idea that high school sports matter like

0:31:25.840 --> 0:31:27.960
<v Speaker 2>it is so. And I'm not saying that in a

0:31:28.520 --> 0:31:30.920
<v Speaker 2>I'm better than that way or anything like. Legitimately, it's

0:31:30.920 --> 0:31:33.280
<v Speaker 2>like a cultural thing I don't get, Like, I cannot

0:31:33.360 --> 0:31:38.400
<v Speaker 2>imagine my parents watching me play a sport in high

0:31:38.400 --> 0:31:41.000
<v Speaker 2>school and being like this, he'd better do well here

0:31:41.080 --> 0:31:44.000
<v Speaker 2>who it just because it was so much about academics

0:31:44.000 --> 0:31:46.520
<v Speaker 2>and everything else was a distraction. I don't even think

0:31:46.600 --> 0:31:51.560
<v Speaker 2>they knew that the college system, for example, rewarded athletics.

0:31:51.640 --> 0:31:53.720
<v Speaker 2>Like I don't think they knew that I could have

0:31:53.720 --> 0:31:55.959
<v Speaker 2>gotten a scholarship, let's say, if I was good at

0:31:56.000 --> 0:31:57.600
<v Speaker 2>a sport. I just don't think that was like in

0:31:57.640 --> 0:32:01.200
<v Speaker 2>their world, and so it just was something that was

0:32:01.320 --> 0:32:04.160
<v Speaker 2>so foreign to me. I can remember when we lived

0:32:04.880 --> 0:32:07.240
<v Speaker 2>in America, I was like on the swim team. I

0:32:07.280 --> 0:32:09.400
<v Speaker 2>was not very good, and they would like come to

0:32:09.440 --> 0:32:12.480
<v Speaker 2>the meets and other parents would be like trembling, like

0:32:12.520 --> 0:32:14.480
<v Speaker 2>writing down their kids' stats, and my parents would just

0:32:14.520 --> 0:32:17.920
<v Speaker 2>be fully reading a magazine like not, this is just

0:32:17.960 --> 0:32:20.760
<v Speaker 2>like some little stuff. It's like a favor they're doing

0:32:20.760 --> 0:32:25.320
<v Speaker 2>for me. So that is why I have never been

0:32:25.360 --> 0:32:27.880
<v Speaker 2>able to like get on board with the college or

0:32:27.960 --> 0:32:32.760
<v Speaker 2>high school sports. Movie. But you grew up in Texas,

0:32:32.880 --> 0:32:34.560
<v Speaker 2>You went to the high school from Friday night lights.

0:32:34.600 --> 0:32:36.560
<v Speaker 4>I did so all that to say, like I really

0:32:36.560 --> 0:32:39.720
<v Speaker 4>grew up like seeped in Yeah, some of the straightest

0:32:39.720 --> 0:32:44.040
<v Speaker 4>culture that's available to us, and I played high school football,

0:32:44.360 --> 0:32:47.120
<v Speaker 4>and so like I think I just was setting myself

0:32:47.200 --> 0:32:47.640
<v Speaker 4>on a path.

0:32:47.680 --> 0:32:49.520
<v Speaker 3>I didn't know that I wanted to be an artist.

0:32:49.560 --> 0:32:51.400
<v Speaker 4>I didn't know I wanted to be a creative and

0:32:51.440 --> 0:32:54.440
<v Speaker 4>not because like it was something that was told to

0:32:54.480 --> 0:32:57.520
<v Speaker 4>me was like inaccessible. It genuinely just like didn't occur

0:32:57.560 --> 0:33:00.480
<v Speaker 4>to me because no one that I was around did

0:33:00.520 --> 0:33:02.760
<v Speaker 4>that at all, and so like I was kind of

0:33:02.800 --> 0:33:04.320
<v Speaker 4>just on a I was kind of just like, all right,

0:33:04.320 --> 0:33:06.360
<v Speaker 4>I guess I'll like go to college and then just

0:33:06.400 --> 0:33:09.680
<v Speaker 4>like get a cubicle job, and like that's what I did.

0:33:10.040 --> 0:33:11.000
<v Speaker 1>Graduated from college.

0:33:11.080 --> 0:33:13.239
<v Speaker 4>I like got this like job in the sale like

0:33:13.760 --> 0:33:17.280
<v Speaker 4>generating leads for a sales department, and that was my

0:33:17.320 --> 0:33:20.800
<v Speaker 4>first experience like doing fantasy football, and somehow I ended

0:33:20.880 --> 0:33:23.160
<v Speaker 4>up in like six different fantasy football leagues when I

0:33:23.200 --> 0:33:24.760
<v Speaker 4>was like working at this sales office.

0:33:25.040 --> 0:33:26.520
<v Speaker 2>And so were they with your colleagues?

0:33:26.560 --> 0:33:27.920
<v Speaker 3>They were with like colleagues.

0:33:27.960 --> 0:33:31.080
<v Speaker 4>And then by that point, I no, I hadn't even

0:33:31.120 --> 0:33:33.200
<v Speaker 4>started comedy yet, So yeah, I guess it just would

0:33:33.200 --> 0:33:34.520
<v Speaker 4>have been like guys I went to high school in

0:33:34.520 --> 0:33:38.040
<v Speaker 4>college with and then like in Austin in or like

0:33:38.080 --> 0:33:40.040
<v Speaker 4>I went to college right outside of Austin, like probably

0:33:40.040 --> 0:33:43.480
<v Speaker 4>like forty minutes outside of town. And yeah, My first

0:33:43.560 --> 0:33:45.560
<v Speaker 4>job was at the sales place, which was in Austin,

0:33:45.920 --> 0:33:48.959
<v Speaker 4>and yeah, I just was playing. I would be on

0:33:49.000 --> 0:33:52.240
<v Speaker 4>like four different fantasy football teams, which is like genuinely

0:33:52.280 --> 0:33:54.840
<v Speaker 4>something that you have to like, It's a thing you

0:33:54.840 --> 0:33:56.800
<v Speaker 4>have to adjust all the time because like guys are

0:33:56.840 --> 0:33:59.440
<v Speaker 4>constantly like you have to account for injuries and so

0:33:59.600 --> 0:34:01.720
<v Speaker 4>like if if a guy gets hurt playing football, which

0:34:01.720 --> 0:34:04.480
<v Speaker 4>happens in the real world, in the real world, huh

0:34:04.520 --> 0:34:07.120
<v Speaker 4>do you guys? How what is your familiarity with phantasy?

0:34:07.440 --> 0:34:07.960
<v Speaker 1>Relatively?

0:34:10.000 --> 0:34:12.440
<v Speaker 2>Okay, I mean it has been explained to me, both

0:34:13.040 --> 0:34:15.239
<v Speaker 2>by guests on this podcast and by people in my

0:34:15.280 --> 0:34:16.120
<v Speaker 2>real life, because.

0:34:15.880 --> 0:34:17.640
<v Speaker 3>I'm kind of assuming that you're coming in with knowledge,

0:34:17.680 --> 0:34:18.239
<v Speaker 3>but that might well.

0:34:18.560 --> 0:34:21.799
<v Speaker 1>Players from any team, so there are but but you

0:34:21.840 --> 0:34:24.880
<v Speaker 1>are part of when you're in a fantasy league.

0:34:25.120 --> 0:34:29.640
<v Speaker 2>Yes, how many people are in the entire fantasy league depends,

0:34:29.760 --> 0:34:32.560
<v Speaker 2>okay that that can vary. And you're making your own team.

0:34:32.600 --> 0:34:34.839
<v Speaker 2>You're not like in charge of the Cowboys.

0:34:35.239 --> 0:34:37.200
<v Speaker 4>You're not in charge of the Cowboys. You are just

0:34:37.400 --> 0:34:40.880
<v Speaker 4>you are drafting individual players. Okay, you're in charge of

0:34:40.920 --> 0:34:44.239
<v Speaker 4>the Georgi's I see, yes exactly, or it could literally yes,

0:34:44.280 --> 0:34:46.279
<v Speaker 4>if they were doing comedians, they could be like it

0:34:46.280 --> 0:34:48.520
<v Speaker 4>could be every comedian in New York City and it

0:34:48.520 --> 0:34:50.719
<v Speaker 4>could be like, all right, there's literally like guys whose

0:34:50.760 --> 0:34:53.239
<v Speaker 4>job it is to like do fantasy projections for like

0:34:53.320 --> 0:34:56.319
<v Speaker 4>who's supposed to score the most points based on what

0:34:56.360 --> 0:34:59.759
<v Speaker 4>they did last year? And the points are like, you know,

0:35:00.080 --> 0:35:02.759
<v Speaker 4>be like how many touchdowns they catch? Every touchdowns worth

0:35:02.760 --> 0:35:06.680
<v Speaker 4>this many points every time they like like catch a

0:35:06.719 --> 0:35:08.640
<v Speaker 4>pass that's worth a certain amount.

0:35:08.360 --> 0:35:11.280
<v Speaker 2>Of But then explain to me how the real world

0:35:11.440 --> 0:35:12.640
<v Speaker 2>relates to the fantasyeries.

0:35:12.719 --> 0:35:15.920
<v Speaker 1>It's what happens in the game. It happens in your fantasy.

0:35:15.520 --> 0:35:18.040
<v Speaker 2>Even though the even though the people playing are in

0:35:18.120 --> 0:35:18.920
<v Speaker 2>a different team.

0:35:19.160 --> 0:35:21.839
<v Speaker 3>Well, but you can draft players from any team, yes,

0:35:22.080 --> 0:35:22.359
<v Speaker 3>in the.

0:35:22.440 --> 0:35:24.759
<v Speaker 4>Entire so it's like, yeah, you could get this guy

0:35:24.760 --> 0:35:26.640
<v Speaker 4>from the Cowboys, this guy from the Giants, this guy

0:35:26.640 --> 0:35:29.640
<v Speaker 4>from the Jets, and that constitutes your team, and their

0:35:29.680 --> 0:35:32.439
<v Speaker 4>performance adds up to points, which is how you win

0:35:32.480 --> 0:35:32.799
<v Speaker 4>the game.

0:35:33.080 --> 0:35:34.440
<v Speaker 1>Like if you die in the game, you die in

0:35:34.440 --> 0:35:34.759
<v Speaker 1>real life.

0:35:34.800 --> 0:35:36.920
<v Speaker 2>No, no, totally, but I guess my question is more like,

0:35:37.520 --> 0:35:40.319
<v Speaker 2>let's say one of your players in the real world, yes,

0:35:40.719 --> 0:35:42.719
<v Speaker 2>wins against one of your other players.

0:35:43.160 --> 0:35:45.759
<v Speaker 4>It doesn't matter. Wins and losses don't really matter. It's

0:35:45.800 --> 0:35:49.920
<v Speaker 4>only statistics. Oh, it's only like rushing yards, passing yards,

0:35:50.400 --> 0:35:53.440
<v Speaker 4>you know for basketball, three point shots made, like total

0:35:53.480 --> 0:35:57.200
<v Speaker 4>points rebounds, like only counting statistics go towards.

0:35:57.800 --> 0:35:59.960
<v Speaker 3>Yeah, the actual wins and losses don't matter at all.

0:36:00.600 --> 0:36:05.840
<v Speaker 2>So it's like fan fiction. Yeah, interesting, because it is.

0:36:05.920 --> 0:36:10.439
<v Speaker 2>It's like Draco and Harry fucking is the same. You're

0:36:10.440 --> 0:36:11.480
<v Speaker 2>having the characters.

0:36:11.640 --> 0:36:12.880
<v Speaker 3>This is this is way cooler.

0:36:12.960 --> 0:36:15.680
<v Speaker 1>Well, no, because because it's because it is.

0:36:15.520 --> 0:36:18.040
<v Speaker 4>Like based on it's not fiction, like it is based

0:36:18.080 --> 0:36:19.360
<v Speaker 4>on like the actual.

0:36:19.160 --> 0:36:26.000
<v Speaker 2>No, no, totally. But then but then the teams are fiction, yes, industry,

0:36:26.160 --> 0:36:27.040
<v Speaker 2>it's like the.

0:36:27.040 --> 0:36:28.760
<v Speaker 3>Teams are all made up, the teams are all created.

0:36:28.760 --> 0:36:29.720
<v Speaker 1>I hear what you're saying.

0:36:30.440 --> 0:36:32.480
<v Speaker 2>Here's I think characters are real in the same way

0:36:32.480 --> 0:36:33.520
<v Speaker 2>that Harry Potter is real.

0:36:33.680 --> 0:36:37.720
<v Speaker 1>But I think that's where we isn't Harry Potter's not, No, Devin,

0:36:37.920 --> 0:36:42.840
<v Speaker 1>He's real. It's like confusing because you're just picking people

0:36:42.880 --> 0:36:46.239
<v Speaker 1>to monitor their stats, and like, I don't see the

0:36:46.320 --> 0:36:47.560
<v Speaker 1>joy and.

0:36:47.520 --> 0:36:48.200
<v Speaker 3>I would agree with you.

0:36:48.280 --> 0:36:48.640
<v Speaker 1>I would.

0:36:49.280 --> 0:36:52.600
<v Speaker 2>This is my big question. I'm like, where does the creativity,

0:36:52.760 --> 0:36:54.879
<v Speaker 2>Where does the narrative. Where does the narrative come in?

0:36:55.320 --> 0:36:58.279
<v Speaker 4>I don't know that it exists, because that's why it's

0:36:58.320 --> 0:37:02.000
<v Speaker 4>such a straight activity. Yes, there's no story, there's no whimsy.

0:37:02.080 --> 0:37:04.400
<v Speaker 4>It is all like it's just numbers and like facts.

0:37:04.800 --> 0:37:05.520
<v Speaker 1>There is no.

0:37:06.920 --> 0:37:10.799
<v Speaker 4>The only and it's also like yeah you're yeah, it

0:37:10.800 --> 0:37:11.400
<v Speaker 4>doesn't exist.

0:37:11.440 --> 0:37:14.479
<v Speaker 2>It's also gambling like it is. It is literally like.

0:37:14.480 --> 0:37:16.240
<v Speaker 3>This ties into gambling very very closely.

0:37:16.600 --> 0:37:19.160
<v Speaker 2>It is tracking what has already happened and then guessing

0:37:19.200 --> 0:37:20.960
<v Speaker 2>based on that what could happen.

0:37:21.080 --> 0:37:23.800
<v Speaker 1>Yes, I have something to ask, go ahead, gambling related.

0:37:24.360 --> 0:37:26.400
<v Speaker 1>Do you know any gay guys who are like addicted

0:37:26.400 --> 0:37:26.920
<v Speaker 1>to gambling?

0:37:27.360 --> 0:37:29.319
<v Speaker 2>Okay, this is a really question, a really good.

0:37:29.280 --> 0:37:32.040
<v Speaker 1>Question, because I've never met a single gay guy who's like,

0:37:32.120 --> 0:37:34.560
<v Speaker 1>I actually had a gambling addiction, whereas like in the

0:37:34.560 --> 0:37:37.040
<v Speaker 1>straight community, it's like seems relatively normal.

0:37:38.239 --> 0:37:41.240
<v Speaker 3>I've seen people like run into real issues.

0:37:41.360 --> 0:37:44.080
<v Speaker 4>Yes, yeah, where I like, especially now that it's like

0:37:44.320 --> 0:37:45.640
<v Speaker 4>now that you can just do it on your phone

0:37:45.680 --> 0:37:48.480
<v Speaker 4>and now that it's like I know several people who

0:37:48.520 --> 0:37:51.160
<v Speaker 4>I've seen like get seriously addicted to gambling.

0:37:51.800 --> 0:37:55.000
<v Speaker 1>That's wild. Quite a few comedians actually, really, oh, this

0:37:55.040 --> 0:37:56.239
<v Speaker 1>is very common. I was.

0:37:56.520 --> 0:37:57.840
<v Speaker 4>I won't say his name, but I went to a

0:37:57.840 --> 0:38:00.440
<v Speaker 4>World Series game with someone that I'm a friend I'm

0:38:00.480 --> 0:38:03.920
<v Speaker 4>friends with, and he was betting on balls and strikes.

0:38:04.080 --> 0:38:05.279
<v Speaker 3>He was literally betting like.

0:38:05.280 --> 0:38:07.840
<v Speaker 4>Pitch by pitch, I think this pitch will be a

0:38:07.840 --> 0:38:12.719
<v Speaker 4>ball of this picture like real like crackhead behavior. It's

0:38:12.800 --> 0:38:15.279
<v Speaker 4>really it's really concerning. I know a lot of guys

0:38:15.280 --> 0:38:18.080
<v Speaker 4>who are addicted to gambling. That's big into straight cold Damn,

0:38:18.080 --> 0:38:19.040
<v Speaker 4>that's something we could have talked.

0:38:19.080 --> 0:38:21.200
<v Speaker 2>No, that's like I'm a rewards gambling and this is

0:38:21.239 --> 0:38:25.279
<v Speaker 2>really like I'm trying to think, like what I'm trying

0:38:25.280 --> 0:38:29.080
<v Speaker 2>to think, just thinking just in broad stereotypes, what kind

0:38:29.120 --> 0:38:30.920
<v Speaker 2>of gay guy would get into gambling?

0:38:31.080 --> 0:38:34.319
<v Speaker 1>I and I really really because like I remember like

0:38:34.360 --> 0:38:37.120
<v Speaker 1>going to a casino for the first time and being like, okay,

0:38:37.160 --> 0:38:39.080
<v Speaker 1>like maybe this will hit. Like I remember when I

0:38:39.120 --> 0:38:42.000
<v Speaker 1>had my first two beers. I was like, oh this

0:38:42.040 --> 0:38:44.880
<v Speaker 1>is clicking. I see my people lose their lives to this.

0:38:45.200 --> 0:38:48.080
<v Speaker 2>Like I'm all in, Okay, well, I here's what I'm picturing.

0:38:48.360 --> 0:38:50.600
<v Speaker 1>The I was like, I feel nothing.

0:38:50.760 --> 0:38:51.600
<v Speaker 2>I'm so bored.

0:38:51.640 --> 0:38:52.520
<v Speaker 1>I need to get out of here.

0:38:52.560 --> 0:38:59.719
<v Speaker 2>Here's what I'm picturing. Gay guy. Uh, really intense facelift,

0:39:00.360 --> 0:39:06.440
<v Speaker 2>really intense hairline, hair plugs, kind of a leather blazer

0:39:06.640 --> 0:39:11.080
<v Speaker 2>in a casino. He's doing just the slots, the slots, sure,

0:39:11.360 --> 0:39:15.560
<v Speaker 2>and he's drinking a you know, bourbon Manhattan.

0:39:16.560 --> 0:39:17.680
<v Speaker 1>Yeah, I see that.

0:39:17.840 --> 0:39:19.479
<v Speaker 3>You think this is this is Southern man.

0:39:20.040 --> 0:39:26.520
<v Speaker 2>I would say Southern. Yeah, I was at saying New Orleans,

0:39:26.520 --> 0:39:28.760
<v Speaker 2>but that's not quite it. I could see him being Southern.

0:39:28.840 --> 0:39:32.439
<v Speaker 2>I could also see it being more of a what's

0:39:32.440 --> 0:39:34.359
<v Speaker 2>the New Jersey? Oh my god, what's in New Jersey?

0:39:34.360 --> 0:39:39.880
<v Speaker 2>Atlantic City? More of an Atlantic City type, someone from

0:39:40.080 --> 0:39:42.920
<v Speaker 2>like a smaller town in New Jersey or Pennsylvania or

0:39:42.920 --> 0:39:46.439
<v Speaker 2>something like that. Really, he's like the the one gig

0:39:46.480 --> 0:39:49.000
<v Speaker 2>guy in the town, and then his.

0:39:51.280 --> 0:39:52.799
<v Speaker 3>In the town in the way that I'm imagining it.

0:39:52.920 --> 0:39:58.399
<v Speaker 2>Yeah, exactly exactly. And he's always wearing a fun shirt, yes,

0:39:58.960 --> 0:40:03.520
<v Speaker 2>fun floral shirt. But then his terry solo weekend is

0:40:03.560 --> 0:40:05.760
<v Speaker 2>like going to Atlantic City and hitting the slots.

0:40:07.160 --> 0:40:09.160
<v Speaker 3>Yeah, you've clated a picture on picture.

0:40:09.200 --> 0:40:11.200
<v Speaker 1>I mean, you've definitely made a narrative. But I'm still

0:40:11.400 --> 0:40:13.600
<v Speaker 1>unclear on whether he's realm hmm.

0:40:14.040 --> 0:40:17.080
<v Speaker 2>Like we've I've never known him, like Harry suddenly on

0:40:17.120 --> 0:40:17.799
<v Speaker 2>his side, Like.

0:40:19.320 --> 0:40:21.320
<v Speaker 4>I'm just like I could I could see this made existing,

0:40:21.360 --> 0:40:23.040
<v Speaker 4>but like, yeah, I've never come across him in my

0:40:23.239 --> 0:40:24.600
<v Speaker 4>I've never seen him in my world.

0:40:24.800 --> 0:40:27.200
<v Speaker 1>I think like he needs his own a twenty four movie,

0:40:27.320 --> 0:40:29.600
<v Speaker 1>Like I think this really could well, it's very.

0:40:31.480 --> 0:40:34.440
<v Speaker 2>Calling Baker a gay guy with a with a leather

0:40:34.600 --> 0:40:36.160
<v Speaker 2>a burgundy leather blazer.

0:40:36.440 --> 0:40:39.080
<v Speaker 1>Actually not a twenty four Neon. Oh it needs to

0:40:39.120 --> 0:40:40.120
<v Speaker 1>be gone.

0:40:40.880 --> 0:40:41.680
<v Speaker 3>Let's go ahead and get it on.

0:40:43.280 --> 0:40:45.840
<v Speaker 2>One of the running jokes in this pod that no

0:40:45.880 --> 0:40:48.200
<v Speaker 2>one cares about us being like, no, that's not a

0:40:48.320 --> 0:40:49.160
<v Speaker 2>twenty four that's me.

0:40:51.840 --> 0:40:53.120
<v Speaker 1>That's very funny.

0:40:53.760 --> 0:40:55.960
<v Speaker 4>Have you have you have you created a delineation as

0:40:55.960 --> 0:40:58.839
<v Speaker 4>to what well, I just think people people use. First

0:40:58.840 --> 0:40:59.799
<v Speaker 4>of all, I just want to say it to all

0:40:59.840 --> 0:41:03.320
<v Speaker 4>our ends antwenty four. We support you and we literally

0:41:03.360 --> 0:41:05.080
<v Speaker 4>love your work project and we would love to be

0:41:05.120 --> 0:41:09.479
<v Speaker 4>part of your work. But I think it started when

0:41:09.719 --> 0:41:12.440
<v Speaker 4>you know, our friend Theta's movie Stress Positions was Neon,

0:41:13.400 --> 0:41:15.360
<v Speaker 4>and Neon has also won the Palm Door of the

0:41:15.400 --> 0:41:18.120
<v Speaker 4>last like eight years, so it sort of is the

0:41:19.080 --> 0:41:22.680
<v Speaker 4>course was that a Town was a was a Titan movie?

0:41:23.480 --> 0:41:24.720
<v Speaker 4>Me and my girlfriend? That is one of our favorite

0:41:24.719 --> 0:41:30.320
<v Speaker 4>things to Oh my god, you and this is the

0:41:30.360 --> 0:41:31.800
<v Speaker 4>Comedy Central Creators.

0:41:33.960 --> 0:41:36.000
<v Speaker 2>That was like, that was that was art school for

0:41:36.080 --> 0:41:38.280
<v Speaker 2>commed Comedy Central Creators program.

0:41:38.840 --> 0:41:41.160
<v Speaker 1>Oh God, so.

0:41:41.560 --> 0:41:43.520
<v Speaker 2>You said something very interesting when we were off Mike,

0:41:43.560 --> 0:41:45.960
<v Speaker 2>which is at some point you had the realization that

0:41:46.040 --> 0:41:48.360
<v Speaker 2>you don't have to participate in fantasy sports.

0:41:48.440 --> 0:41:50.920
<v Speaker 4>It was really like it was like it was like

0:41:51.080 --> 0:41:53.359
<v Speaker 4>God spoke to me. It was truly. I was because

0:41:53.400 --> 0:41:54.880
<v Speaker 4>I at this point I had moved on, I was

0:41:54.920 --> 0:41:57.000
<v Speaker 4>at a different job. I was truly in maybe three

0:41:57.040 --> 0:42:00.279
<v Speaker 4>different fantasy football leagues, and I was like it was

0:42:00.280 --> 0:42:02.240
<v Speaker 4>taking up so much of my time where it's like, again,

0:42:02.280 --> 0:42:04.040
<v Speaker 4>like these guys are getting injured all the time. If

0:42:04.080 --> 0:42:06.040
<v Speaker 4>a guy gets injured and you don't replace him on

0:42:06.080 --> 0:42:09.080
<v Speaker 4>your team, then that's just zero points, like the afters

0:42:09.120 --> 0:42:12.520
<v Speaker 4>once his team plays, if you've missed inserting him or

0:42:12.560 --> 0:42:15.759
<v Speaker 4>like removing him from your lineup, that's all of you're

0:42:15.800 --> 0:42:16.560
<v Speaker 4>losing all those points.

0:42:16.600 --> 0:42:18.200
<v Speaker 1>So I was stuff like that was happening to me.

0:42:18.360 --> 0:42:20.160
<v Speaker 4>I was having to keep up with like different blogs

0:42:20.160 --> 0:42:22.440
<v Speaker 4>and be like, Oh, this guy's injured. Oh I need

0:42:22.480 --> 0:42:25.239
<v Speaker 4>to pick up this other wide receiver from this team. Oh,

0:42:25.280 --> 0:42:27.160
<v Speaker 4>I got to try to orches straight to trade. There's

0:42:27.200 --> 0:42:30.720
<v Speaker 4>so many different levers that I was pulling that. Like genuinely,

0:42:30.719 --> 0:42:32.879
<v Speaker 4>I was like in the bathroom, like pissed off about

0:42:32.920 --> 0:42:34.600
<v Speaker 4>the fact that I was I was also losing. I

0:42:34.640 --> 0:42:37.239
<v Speaker 4>was losing all the time, and I was thinking about

0:42:37.280 --> 0:42:39.279
<v Speaker 4>it constantly. And one day I was like, Oh, what

0:42:39.320 --> 0:42:42.239
<v Speaker 4>if I just didn't do this? And I really can't

0:42:42.239 --> 0:42:44.520
<v Speaker 4>stress enough how straight of a culture that I like

0:42:44.600 --> 0:42:48.120
<v Speaker 4>grew up with that Like it seemed really novel to

0:42:48.160 --> 0:42:52.480
<v Speaker 4>me that I like didn't have to participate. And ever

0:42:52.520 --> 0:42:57.080
<v Speaker 4>since then, that was probably twenty sixteen or something when.

0:42:56.920 --> 0:42:57.680
<v Speaker 2>Trump was elected.

0:42:57.840 --> 0:43:02.560
<v Speaker 4>Yeah, when Trump was that was a turning point. I

0:43:02.600 --> 0:43:06.640
<v Speaker 4>watched I watched an episode of a Chef's Chef's Table.

0:43:07.200 --> 0:43:09.320
<v Speaker 4>I watched an episode of Chef's Table about Kwame, the

0:43:09.400 --> 0:43:12.600
<v Speaker 4>Tatiana guy, and who, like, I know, shout out to

0:43:12.640 --> 0:43:18.279
<v Speaker 4>Kwame if you're okay, brag whatever, But like it was

0:43:18.400 --> 0:43:21.360
<v Speaker 4>basically he was talking about like he was selling drugs

0:43:21.840 --> 0:43:25.319
<v Speaker 4>and he basically saw the way that the story is

0:43:25.320 --> 0:43:27.960
<v Speaker 4>told is he was selling drugs and he saw Barack

0:43:28.000 --> 0:43:30.319
<v Speaker 4>Obama get elected and he was like, I'm putting this

0:43:30.360 --> 0:43:31.000
<v Speaker 4>ship behind me.

0:43:31.040 --> 0:43:32.640
<v Speaker 3>It's time to go buy some cilantro.

0:43:34.000 --> 0:43:36.799
<v Speaker 2>Like that was you with Trump and that was that

0:43:36.880 --> 0:43:37.520
<v Speaker 2>was me with.

0:43:37.480 --> 0:43:38.160
<v Speaker 3>Trump and fantasy.

0:43:38.320 --> 0:43:39.759
<v Speaker 4>I saw him get elected and I said, I need

0:43:39.800 --> 0:43:41.520
<v Speaker 4>to distance myself from this type of culture.

0:43:41.760 --> 0:43:46.080
<v Speaker 1>Yeah, I mean, do you feel a sort of an

0:43:46.080 --> 0:43:48.799
<v Speaker 1>ostracization after being.

0:43:49.080 --> 0:43:51.520
<v Speaker 4>Not at all, especially not since moving to New York City?

0:43:51.600 --> 0:43:53.759
<v Speaker 4>All my like New York City, even my like New

0:43:53.840 --> 0:43:56.319
<v Speaker 4>York City straight friends are always like watching like art

0:43:56.360 --> 0:43:59.279
<v Speaker 4>house Japanese films, you know what I'm saying.

0:43:59.360 --> 0:44:01.320
<v Speaker 3>So it's like, I know, yeah, they should.

0:44:01.120 --> 0:44:04.600
<v Speaker 2>Do letterbox fantasy football where you're like collecting directors and

0:44:05.600 --> 0:44:08.120
<v Speaker 2>you know, little known character actors from the eighties.

0:44:08.200 --> 0:44:10.840
<v Speaker 4>Unfortunately, that's probably coming, you know what. It's like, someone's

0:44:10.880 --> 0:44:13.080
<v Speaker 4>probably trying to configure something like that right now.

0:44:13.120 --> 0:44:15.280
<v Speaker 1>But the armists just kind of injured.

0:44:17.760 --> 0:44:19.560
<v Speaker 4>If she gets hurt, if she gets hurt in the movie,

0:44:19.600 --> 0:44:22.320
<v Speaker 4>then she gets Yeah.

0:44:22.000 --> 0:44:23.920
<v Speaker 2>Honestly, it might be something even darker, which is like

0:44:24.440 --> 0:44:29.440
<v Speaker 2>sort of like straight guys that like listen to the

0:44:29.440 --> 0:44:32.600
<v Speaker 2>Town podcast and read Hollywood Reporter and like read Variety

0:44:33.000 --> 0:44:38.040
<v Speaker 2>doing fantasy football but for studios, and they're.

0:44:37.800 --> 0:44:41.000
<v Speaker 1>Like literally what like agents and managers do for there

0:44:41.120 --> 0:44:46.479
<v Speaker 1>it's true clients genuinely damn. They just get like real

0:44:46.600 --> 0:44:48.839
<v Speaker 1>money when it works out, when it hits.

0:44:49.880 --> 0:44:52.640
<v Speaker 2>I do think what you're saying about, like compulsory participation

0:44:52.840 --> 0:44:54.680
<v Speaker 2>is a big part of straight culture, and I actually

0:44:54.680 --> 0:44:56.920
<v Speaker 2>think that's something that is very alienating if you are

0:44:56.920 --> 0:45:00.399
<v Speaker 2>like growing up and you feel different. It's like the

0:45:00.520 --> 0:45:03.640
<v Speaker 2>idea that I could leave the soccer team is so

0:45:04.120 --> 0:45:06.759
<v Speaker 2>it's like such a statement. It's basically like saying I

0:45:06.800 --> 0:45:13.640
<v Speaker 2>am gay, and it's like, I guess what it is

0:45:13.640 --> 0:45:16.160
<v Speaker 2>is not doing something feels like more of a statement

0:45:16.200 --> 0:45:17.600
<v Speaker 2>than doing it, when in fact it should be the

0:45:17.640 --> 0:45:19.600
<v Speaker 2>other way around. It should everything should be opt in.

0:45:22.440 --> 0:45:27.640
<v Speaker 1>I'm trying to think on like it's sometimes it's easier

0:45:27.680 --> 0:45:29.480
<v Speaker 1>to just be gay because you're like I'm not doing

0:45:29.480 --> 0:45:33.480
<v Speaker 1>that because I'm gay, Like where you're like one hundred

0:45:33.520 --> 0:45:48.279
<v Speaker 1>percent agree. Oh god. I when I was a mover,

0:45:49.360 --> 0:45:51.719
<v Speaker 1>the guys I would work with would get so like

0:45:51.760 --> 0:45:53.600
<v Speaker 1>there was one air in particular who was like I

0:45:53.640 --> 0:45:55.839
<v Speaker 1>watched this movie go from like cheery one.

0:45:55.840 --> 0:45:59.640
<v Speaker 2>Hundred percent disagree. Sorry, I'm holding for anyone watching, I'm

0:45:59.640 --> 0:46:00.040
<v Speaker 2>holding a.

0:46:00.040 --> 0:46:03.759
<v Speaker 1>Hard h I watched this I watched this man's mood

0:46:03.880 --> 0:46:07.160
<v Speaker 1>change like from happy to sad based on fantasy football

0:46:07.160 --> 0:46:07.440
<v Speaker 1>all over.

0:46:07.640 --> 0:46:09.040
<v Speaker 3>That's what this is what I'm talking about.

0:46:09.120 --> 0:46:11.479
<v Speaker 1>And he was like and not like oh I'm sad,

0:46:11.600 --> 0:46:14.839
<v Speaker 1>like don't but don't worry about me, like like I'm

0:46:14.880 --> 0:46:17.840
<v Speaker 1>gonna jump in around of a car like he was

0:46:17.920 --> 0:46:20.200
<v Speaker 1>like snap, he was like snipping at us.

0:46:20.239 --> 0:46:22.000
<v Speaker 2>He was that's the gambling of it all like that,

0:46:22.040 --> 0:46:23.560
<v Speaker 2>because that is gambler behavior.

0:46:23.680 --> 0:46:24.680
<v Speaker 3>Yeah, and there is money.

0:46:24.719 --> 0:46:27.760
<v Speaker 4>There's usually there's a pot at the end, like everybody

0:46:27.800 --> 0:46:30.120
<v Speaker 4>like collects on whatever. Usually it's like I don't know,

0:46:30.680 --> 0:46:32.200
<v Speaker 4>a thousand bucks or something like that.

0:46:32.120 --> 0:46:34.720
<v Speaker 1>But it's not nothing. It's not nothing. It's not nothing.

0:46:34.800 --> 0:46:38.160
<v Speaker 4>But like, yeah, there really was such a culture of

0:46:38.239 --> 0:46:40.400
<v Speaker 4>like this is just what every single man around you

0:46:40.520 --> 0:46:43.520
<v Speaker 4>was doing that Like once, I've I've never felt more

0:46:43.520 --> 0:46:45.480
<v Speaker 4>free than when I decided to stop doing it. And

0:46:45.520 --> 0:46:48.279
<v Speaker 4>still to this day, every year people still tell they're like, hey, man,

0:46:48.520 --> 0:46:49.719
<v Speaker 4>we got an extra spot in the league.

0:46:49.719 --> 0:46:52.400
<v Speaker 1>Would you like no, Yeah, no, I wouldn't keep that

0:46:52.440 --> 0:46:54.600
<v Speaker 1>away from me. Not while Angelica is open.

0:46:55.000 --> 0:47:03.000
<v Speaker 4>Exact, I gotta go watch Titan, I gotta go watch

0:47:03.000 --> 0:47:04.319
<v Speaker 4>an afternoon show.

0:47:04.800 --> 0:47:06.920
<v Speaker 3>Yeah, it's in thirty five millimeters, it's in.

0:47:06.840 --> 0:47:09.520
<v Speaker 2>Thirty five millimeare it's just you? And like reach out?

0:47:09.520 --> 0:47:11.200
<v Speaker 1>If you ever hear of metrograph closing?

0:47:11.320 --> 0:47:17.719
<v Speaker 2>Yeah, have you ever quit something way after you wanted to? Like,

0:47:18.000 --> 0:47:20.040
<v Speaker 2>have you ever quit something and have such and had

0:47:20.040 --> 0:47:23.120
<v Speaker 2>such a sense of relief? I'm trying to think I

0:47:23.160 --> 0:47:24.080
<v Speaker 2>have one, you have one?

0:47:24.160 --> 0:47:24.600
<v Speaker 1>Go ahead.

0:47:25.040 --> 0:47:29.960
<v Speaker 2>This is when I was like a kid. It was

0:47:30.040 --> 0:47:32.960
<v Speaker 2>just like compulsory that you have to like play an instrument,

0:47:33.840 --> 0:47:35.719
<v Speaker 2>and of course what I if I had had it

0:47:35.760 --> 0:47:37.760
<v Speaker 2>my way, I would have played a cool instrument like guitar,

0:47:38.200 --> 0:47:42.600
<v Speaker 2>but that was just like not part of the narrative

0:47:42.640 --> 0:47:44.759
<v Speaker 2>that I was part of. So what did you play?

0:47:44.800 --> 0:47:46.719
<v Speaker 2>And so I had to play like piano? But I

0:47:46.719 --> 0:47:49.680
<v Speaker 2>didn't practice literally at all, And so I would have

0:47:49.719 --> 0:47:51.960
<v Speaker 2>to just once a week go into this room at

0:47:51.960 --> 0:47:55.359
<v Speaker 2>this like dingy music school and be berated by this

0:47:56.080 --> 0:47:58.279
<v Speaker 2>guy with a mustache that was like so once again

0:47:58.320 --> 0:48:01.439
<v Speaker 2>you're not practicing. And I just did that for literally

0:48:01.480 --> 0:48:02.920
<v Speaker 2>like five years, and then at some point I was

0:48:02.960 --> 0:48:04.800
<v Speaker 2>like I don't want to do this anymore. My friends like,

0:48:04.840 --> 0:48:06.359
<v Speaker 2>oh great, like we don't want to pay for it.

0:48:06.640 --> 0:48:09.400
<v Speaker 1>I had almost the opposite where like like I was

0:48:09.560 --> 0:48:12.680
<v Speaker 1>on swim team since like five years old. Yeah, and

0:48:12.800 --> 0:48:16.640
<v Speaker 1>I hated it. I was bad at it. I like,

0:48:16.640 --> 0:48:19.399
<v Speaker 1>like just hated getting in the water, like it's hill.

0:48:19.440 --> 0:48:20.600
<v Speaker 3>It's one of the big parts of it.

0:48:20.840 --> 0:48:24.280
<v Speaker 1>Yeah, the water's always cold. I'm not the water's always cold,

0:48:25.360 --> 0:48:28.920
<v Speaker 1>like your hair is fried, your skin is dry. Like

0:48:29.400 --> 0:48:31.400
<v Speaker 1>I was like, this fucking sucks. And then when I

0:48:31.440 --> 0:48:34.000
<v Speaker 1>was like fifteen, one day I was like, wait, I'm

0:48:34.040 --> 0:48:36.480
<v Speaker 1>really good at swimming, Like now I like it. But

0:48:36.520 --> 0:48:37.840
<v Speaker 1>it took ten years.

0:48:38.239 --> 0:48:40.280
<v Speaker 3>Oh and uh so.

0:48:40.200 --> 0:48:42.440
<v Speaker 1>I almost learned the opposite lesson of like, just.

0:48:42.440 --> 0:48:47.239
<v Speaker 4>Don't stick for a decade, said, and then you'll like it.

0:48:47.360 --> 0:48:47.680
<v Speaker 2>Yeah.

0:48:47.800 --> 0:48:52.120
<v Speaker 1>Yeah, and now I'm like, god, those are my fondest memories. Yeah, fascinating. Yeah,

0:48:52.120 --> 0:48:52.600
<v Speaker 1>it's weird.

0:48:52.680 --> 0:48:54.640
<v Speaker 4>Hey, so if you don't like something right now and

0:48:54.719 --> 0:48:57.040
<v Speaker 4>you're listening to this podcast, do it for a long time.

0:48:57.600 --> 0:48:59.640
<v Speaker 4>Continue on that path for quite some time, and you'll

0:48:59.680 --> 0:49:00.000
<v Speaker 4>find it.

0:49:00.000 --> 0:49:06.160
<v Speaker 2>It's like us with the podcasting. Okay, do you feel

0:49:06.200 --> 0:49:08.480
<v Speaker 2>like for me, the most compelling part about sports is

0:49:08.520 --> 0:49:12.400
<v Speaker 2>like the personal stories of the athletes, Like I you know,

0:49:12.520 --> 0:49:14.080
<v Speaker 2>one of the reasons I like tennis is because it's

0:49:14.120 --> 0:49:17.160
<v Speaker 2>individual athletes and it's like I'm crying if Coco Goth

0:49:17.320 --> 0:49:21.520
<v Speaker 2>is winning. Like that is different than feeling like an

0:49:21.560 --> 0:49:23.280
<v Speaker 2>allegiance to the Yankees or something.

0:49:24.200 --> 0:49:25.520
<v Speaker 1>But I feel like.

0:49:27.440 --> 0:49:31.719
<v Speaker 2>What sort of joyless about fantasy football is just like

0:49:32.120 --> 0:49:35.000
<v Speaker 2>everyone is just a collection of stats, Like would you

0:49:35.160 --> 0:49:37.480
<v Speaker 2>ever when you're in a in a league? I guess

0:49:37.520 --> 0:49:40.200
<v Speaker 2>my question is like, would you ever choose someone for

0:49:40.840 --> 0:49:43.480
<v Speaker 2>non numbers reasons, like because you really like you think

0:49:43.520 --> 0:49:45.560
<v Speaker 2>they have like an inspirational story even if they're not

0:49:45.600 --> 0:49:46.120
<v Speaker 2>doing well.

0:49:46.400 --> 0:49:51.319
<v Speaker 4>No, no, no, no, not an inspirational story alone. I

0:49:51.320 --> 0:49:54.799
<v Speaker 4>feel like people do sometimes make decisions over there, like

0:49:55.200 --> 0:49:57.560
<v Speaker 4>because of their allegiances. Okay, like that, like you know

0:49:57.560 --> 0:49:59.600
<v Speaker 4>what if like I am a Yankees fan, I'm gonna

0:49:59.600 --> 0:50:01.600
<v Speaker 4>take this one guy even if he's not the best guy,

0:50:01.760 --> 0:50:02.680
<v Speaker 4>just because I want.

0:50:02.440 --> 0:50:04.520
<v Speaker 3>A guy from the Yankees to be I think that happens.

0:50:04.560 --> 0:50:07.120
<v Speaker 4>Ok, But it's not like, oh, this this man's doing

0:50:07.160 --> 0:50:10.960
<v Speaker 4>really impressive work in the community.

0:50:10.040 --> 0:50:13.880
<v Speaker 3>Or like like I don't know, yeah exactly what I like.

0:50:13.960 --> 0:50:14.839
<v Speaker 3>I like the songs that.

0:50:14.800 --> 0:50:16.680
<v Speaker 2>He makes fashion sense.

0:50:17.000 --> 0:50:19.160
<v Speaker 3>Yeah, it's not. It's not that I wish it could be.

0:50:19.400 --> 0:50:21.560
<v Speaker 2>But that's I think that's where the game is straight.

0:50:21.680 --> 0:50:27.840
<v Speaker 1>Okay, theory based on this Yeah tennis okay, Yeah, football straight, incredibly,

0:50:28.320 --> 0:50:32.200
<v Speaker 1>basketball bisexual. There's a lot of numbers and stats, but

0:50:32.200 --> 0:50:33.680
<v Speaker 1>there's also a lot of personalities in there.

0:50:33.880 --> 0:50:35.680
<v Speaker 2>Oh yes, yes.

0:50:36.000 --> 0:50:39.360
<v Speaker 4>Yes, I also think that, Like I also think that football,

0:50:39.440 --> 0:50:42.520
<v Speaker 4>but genuine legitimately because of the helmets, becomes so much

0:50:42.600 --> 0:50:43.759
<v Speaker 4>more impersonal.

0:50:44.600 --> 0:50:48.080
<v Speaker 2>Yeah, every other sport. It's like, yeah, you're just see

0:50:48.280 --> 0:50:49.279
<v Speaker 2>that is such a good point.

0:50:49.480 --> 0:50:52.600
<v Speaker 4>Yeah, like so, and I think the the NFL just

0:50:52.680 --> 0:50:54.920
<v Speaker 4>got it. Wow man, you know, you know, I I

0:50:55.200 --> 0:50:56.560
<v Speaker 4>think that I moved to New York City and I

0:50:56.560 --> 0:50:58.600
<v Speaker 4>think that I'm removed from this version of myself. And

0:50:58.600 --> 0:51:00.239
<v Speaker 4>then I get on Mike and I start talking. I'm

0:51:00.239 --> 0:51:02.759
<v Speaker 4>like that still still really in there. I guess I

0:51:02.800 --> 0:51:06.040
<v Speaker 4>still do think about this stuff. But I feel like

0:51:06.080 --> 0:51:09.760
<v Speaker 4>the NFL as an organization, is also trying to promote

0:51:10.040 --> 0:51:12.480
<v Speaker 4>their league, whereas like the NBA is trying to promote

0:51:12.480 --> 0:51:15.200
<v Speaker 4>like look at these guys of the week. The NFL

0:51:15.280 --> 0:51:16.760
<v Speaker 4>is trying to be like, we just want you watching

0:51:16.760 --> 0:51:18.480
<v Speaker 4>the games, and we want you caring about the teams.

0:51:18.640 --> 0:51:21.279
<v Speaker 4>The NBA and certainly tennis is being like, look at

0:51:21.280 --> 0:51:23.680
<v Speaker 4>our personalities, Yes, look at these like cool, Look at

0:51:23.680 --> 0:51:25.640
<v Speaker 4>this guy, he's got all these cool pants that he wears.

0:51:25.840 --> 0:51:26.279
<v Speaker 1>Look at it.

0:51:26.480 --> 0:51:28.680
<v Speaker 3>Watch them walk down the runway, not the runway, the

0:51:28.680 --> 0:51:33.160
<v Speaker 3>tunnel they've got, I mean the tunnel. Tunnel fashion is crazy.

0:51:33.200 --> 0:51:35.239
<v Speaker 2>And with the w NBA too, now that they're getting

0:51:35.280 --> 0:51:36.680
<v Speaker 2>how the girls are getting in one, the actuals are

0:51:36.680 --> 0:51:40.040
<v Speaker 2>getting fits off. So here's a question where does baseball

0:51:40.080 --> 0:51:42.120
<v Speaker 2>fit in? Because I also do feel like baseball is

0:51:42.160 --> 0:51:44.000
<v Speaker 2>personality driven, but also.

0:51:45.040 --> 0:51:48.520
<v Speaker 4>Baseball, football and similar buckets, similar both I would say,

0:51:48.520 --> 0:51:52.360
<v Speaker 4>incredibly straight sports the guy. It's also like there's like

0:51:52.440 --> 0:51:55.600
<v Speaker 4>a there's a flamboyance in basketball. There's like a like,

0:51:56.160 --> 0:51:58.319
<v Speaker 4>you know what style, there's a style, there's like a

0:51:58.360 --> 0:52:01.640
<v Speaker 4>flare that I don't think that I think is certainly

0:52:01.719 --> 0:52:04.960
<v Speaker 4>not embraced in basketball or I'm sorry, in baseball or football.

0:52:05.160 --> 0:52:07.080
<v Speaker 3>I think any guys that like have.

0:52:07.000 --> 0:52:09.200
<v Speaker 4>Flair, they're trying to like turn that flare down, They're

0:52:09.239 --> 0:52:13.080
<v Speaker 4>trying to like move away, especially in baseball. Baseball is

0:52:13.120 --> 0:52:14.399
<v Speaker 4>maybe the straightest sport of them all.

0:52:14.520 --> 0:52:18.080
<v Speaker 1>Baseball is a weird one and and and partially it

0:52:18.160 --> 0:52:20.880
<v Speaker 1>is because of their thick, juicy asses where it's like,

0:52:20.920 --> 0:52:21.600
<v Speaker 1>what is going on?

0:52:21.800 --> 0:52:23.960
<v Speaker 2>Well, it's not just that, it's also.

0:52:24.080 --> 0:52:28.360
<v Speaker 4>We've also never had a baseball player come out, not one, not,

0:52:28.440 --> 0:52:29.680
<v Speaker 4>I mean I believe, not that I know.

0:52:29.920 --> 0:52:30.399
<v Speaker 1>There's been.

0:52:30.600 --> 0:52:32.880
<v Speaker 4>There's been a good handful of football players that have

0:52:32.920 --> 0:52:36.000
<v Speaker 4>come out. There's been a couple of basketball players. Although

0:52:36.520 --> 0:52:38.399
<v Speaker 4>I don't know these guys. I'm like, some of these guys,

0:52:38.600 --> 0:52:41.239
<v Speaker 4>come just be yourself that play my brother in Christ,

0:52:41.320 --> 0:52:43.120
<v Speaker 4>be yourself. Did you see that play about the gay

0:52:43.160 --> 0:52:47.439
<v Speaker 4>baseball player? I did not see it, but you williams it.

0:52:47.000 --> 0:52:50.239
<v Speaker 4>I with my mom full nudity.

0:52:50.040 --> 0:52:53.960
<v Speaker 2>Right, not only full nudity, but someone told me that

0:52:54.040 --> 0:52:58.719
<v Speaker 2>they like they all take my agra, you know, like

0:52:58.719 --> 0:52:59.600
<v Speaker 2>I seen the picks.

0:52:59.640 --> 0:52:59.920
<v Speaker 4>That pick.

0:53:00.080 --> 0:53:02.520
<v Speaker 2>Sorry, that's just is not what a soft dick looks like.

0:53:02.640 --> 0:53:03.040
<v Speaker 1>Interesting.

0:53:03.080 --> 0:53:04.360
<v Speaker 2>I mean it is like you don't want to be

0:53:04.400 --> 0:53:08.280
<v Speaker 2>hard on stage. I'm telling you, it is crazy interesting.

0:53:08.360 --> 0:53:10.680
<v Speaker 2>So my mom literally like when he when he withs

0:53:10.680 --> 0:53:12.880
<v Speaker 2>it out, my mom like trying to me. I was like,

0:53:13.560 --> 0:53:18.520
<v Speaker 2>I was like, please look ahead, please look ahead. But anyway,

0:53:18.920 --> 0:53:20.200
<v Speaker 2>I bring it up just because I was trying to

0:53:20.239 --> 0:53:22.240
<v Speaker 2>remember if that's based on a true story.

0:53:22.360 --> 0:53:23.840
<v Speaker 3>Is it about a coming out story in baseball?

0:53:23.920 --> 0:53:26.040
<v Speaker 2>Yes, yeah, that's what it is and it's like he

0:53:26.760 --> 0:53:30.520
<v Speaker 2>in fact not a I think what happens is either

0:53:30.560 --> 0:53:32.600
<v Speaker 2>he's out it or he comes out, and then it's

0:53:32.640 --> 0:53:35.400
<v Speaker 2>about like the fallout from that. And the reason the

0:53:35.480 --> 0:53:38.280
<v Speaker 2>nudity is like quote unquote necessary is because it's like, Okay,

0:53:38.280 --> 0:53:39.839
<v Speaker 2>what's it like now in the locker rooms and all

0:53:39.880 --> 0:53:42.759
<v Speaker 2>these guys know how he's it's how he sees it.

0:53:43.400 --> 0:53:46.200
<v Speaker 2>I will say interesting, like meta texturally, it's interesting because

0:53:46.239 --> 0:53:49.560
<v Speaker 2>the gay character has the big dick, Like you are

0:53:49.600 --> 0:53:51.160
<v Speaker 2>seeing all of them and he has the biggest dick

0:53:51.680 --> 0:53:54.400
<v Speaker 2>and and but it's unclear if that's something you should

0:53:54.400 --> 0:53:56.359
<v Speaker 2>be like noticing or not.

0:53:56.600 --> 0:53:58.400
<v Speaker 3>Also, do you think that was part of the casting decision?

0:53:58.400 --> 0:53:59.080
<v Speaker 2>Well, that's what I'm saying.

0:53:59.160 --> 0:54:01.120
<v Speaker 1>I don't know, you think he was like.

0:54:01.160 --> 0:54:03.120
<v Speaker 2>No, but he's also the biggest star, like he's a

0:54:03.160 --> 0:54:06.600
<v Speaker 2>TV star wars the other ones are actually anyway, whatever,

0:54:07.400 --> 0:54:08.120
<v Speaker 2>I know, let's.

0:54:08.000 --> 0:54:10.520
<v Speaker 1>Get into the like let's talk about who's.

0:54:10.320 --> 0:54:15.960
<v Speaker 2>The most anyway. At my point, I I but yes,

0:54:16.000 --> 0:54:19.000
<v Speaker 2>I agree that baseball. Baseball is very straight and to

0:54:19.080 --> 0:54:21.960
<v Speaker 2>your point, it has all these gay elements, but they

0:54:22.080 --> 0:54:27.520
<v Speaker 2>almost a juicy as is be The costuming is so

0:54:27.760 --> 0:54:31.600
<v Speaker 2>like circusy well, and they're.

0:54:31.400 --> 0:54:32.520
<v Speaker 1>All just like chill guys.

0:54:32.560 --> 0:54:36.279
<v Speaker 2>And they're all chill guys. They're mostly like sitting around. Yeah,

0:54:36.320 --> 0:54:41.960
<v Speaker 2>there's something very kind of swinging is very as much

0:54:42.000 --> 0:54:43.560
<v Speaker 2>gayer than the mustache culture.

0:54:43.640 --> 0:54:48.719
<v Speaker 1>Yeah, yeah, a lot of mustache is happening, George Off. Mike,

0:54:48.800 --> 0:54:51.480
<v Speaker 1>you mentioned that sometimes you wish you could opt out

0:54:51.480 --> 0:54:53.439
<v Speaker 1>of the obligatory drag race.

0:54:54.320 --> 0:54:56.239
<v Speaker 2>Yes, and I actually, well, I was just trying to

0:54:56.280 --> 0:54:59.680
<v Speaker 2>relate to you know, obviously it's being so different from us.

0:55:00.040 --> 0:55:01.680
<v Speaker 1>Mike's are on, You're you don't believe this.

0:55:02.640 --> 0:55:05.279
<v Speaker 2>Devin was saying, you know, he felt so liberated when

0:55:05.280 --> 0:55:07.400
<v Speaker 2>he opted out of Fantasy sports. I was like, what

0:55:07.440 --> 0:55:10.520
<v Speaker 2>are gay equivalents? Like, I think for many people, not

0:55:10.560 --> 0:55:12.400
<v Speaker 2>for me, But let's say I was like a super

0:55:13.480 --> 0:55:17.160
<v Speaker 2>roided out Jim Gay. I think for that person, maybe

0:55:17.800 --> 0:55:19.680
<v Speaker 2>the equivalent would be like, oh my god, I could

0:55:19.719 --> 0:55:21.839
<v Speaker 2>just not do this to my body. Like I could

0:55:21.880 --> 0:55:24.960
<v Speaker 2>just wake up one day and like not be counting

0:55:25.040 --> 0:55:29.920
<v Speaker 2>macros tracking macros where it's like counting tracking my macros

0:55:29.960 --> 0:55:32.719
<v Speaker 2>all day long, Like I don't I don't need to

0:55:32.840 --> 0:55:36.000
<v Speaker 2>like be you know, intermittent fasting. I could just literally

0:55:36.040 --> 0:55:38.640
<v Speaker 2>like go with my body. Yeah, And I think for me,

0:55:38.719 --> 0:55:41.560
<v Speaker 2>I was saying the equivalent of that. When drag race

0:55:41.640 --> 0:55:43.840
<v Speaker 2>is bad, which currently I'm actually an okay place with it,

0:55:43.880 --> 0:55:45.640
<v Speaker 2>I'm like, damn, I wish I could stop watching this.

0:55:46.280 --> 0:55:50.920
<v Speaker 1>Yeah, yeah, I I do something to dealing with drag

0:55:51.000 --> 0:55:53.919
<v Speaker 1>race until I like, do you ever feel like when

0:55:53.920 --> 0:55:56.120
<v Speaker 1>you meet a new straight guy, you are like, oh,

0:55:56.160 --> 0:55:58.760
<v Speaker 1>I can't talk to you in the same way because

0:55:58.840 --> 0:56:00.759
<v Speaker 1>when I'm when I meet like a gay guy, like

0:56:01.360 --> 0:56:03.959
<v Speaker 1>just at random, I'm sort of like, well, at least

0:56:03.960 --> 0:56:05.279
<v Speaker 1>I can talk to you about drag race.

0:56:05.520 --> 0:56:07.680
<v Speaker 4>Well, here's what I'll say to that is like, I

0:56:07.680 --> 0:56:10.840
<v Speaker 4>think I still do follow sports. I am just not

0:56:10.960 --> 0:56:13.719
<v Speaker 4>participating in the fantasy element of them. And so like

0:56:13.800 --> 0:56:15.640
<v Speaker 4>that is a shorthand that is like, that is a

0:56:15.719 --> 0:56:18.000
<v Speaker 4>thing that I'm always really you could meet you can

0:56:18.040 --> 0:56:20.240
<v Speaker 4>meet a man that you have nothing else in common

0:56:20.280 --> 0:56:22.200
<v Speaker 4>with and that you don't even like, but you can

0:56:22.239 --> 0:56:24.560
<v Speaker 4>at least be like so the Knicks, right, Yeah, and

0:56:24.600 --> 0:56:25.000
<v Speaker 4>you can.

0:56:24.880 --> 0:56:27.680
<v Speaker 2>Talk to them about Addison Ray. That's true.

0:56:28.520 --> 0:56:29.120
<v Speaker 1>That's true.

0:56:29.239 --> 0:56:33.520
<v Speaker 4>Wait, okay, and I'm sorry for how Addison Ray is she? Like,

0:56:33.640 --> 0:56:35.759
<v Speaker 4>is she brand new? Is she one of those girls?

0:56:35.800 --> 0:56:38.879
<v Speaker 4>From I because she really feels like she came from

0:56:38.920 --> 0:56:42.880
<v Speaker 4>absolute nowhere. And I'm realizing now that I thought she

0:56:43.040 --> 0:56:44.440
<v Speaker 4>was one of the Demilio sisters.

0:56:44.600 --> 0:56:45.080
<v Speaker 1>She's close.

0:56:45.200 --> 0:56:47.719
<v Speaker 3>She was one of those TikTok dance girls.

0:56:47.760 --> 0:56:49.719
<v Speaker 4>She was a TikTok cool cool, Okay, So then I

0:56:49.719 --> 0:56:51.480
<v Speaker 4>think I am in the right track with the way

0:56:51.480 --> 0:56:52.279
<v Speaker 4>that I'm thinking about her.

0:56:52.320 --> 0:56:54.920
<v Speaker 2>What happened is she was a TikTok dance girl. Meanwhile,

0:56:55.000 --> 0:56:57.200
<v Speaker 2>keep in mind, she was like sixteen at the time, right, right, right,

0:56:57.239 --> 0:57:00.000
<v Speaker 2>she was a TikTok dance girl, got way way big,

0:57:00.560 --> 0:57:02.560
<v Speaker 2>super fast during the pandemic.

0:57:02.160 --> 0:57:04.359
<v Speaker 3>Doing those doing dances no one's ever seen before.

0:57:04.960 --> 0:57:07.960
<v Speaker 2>Jam just yes, exactly, like Jimmy Fallon had her on

0:57:08.040 --> 0:57:09.680
<v Speaker 2>and she was like, okay, and this one.

0:57:09.520 --> 0:57:14.840
<v Speaker 4>Is it's it's it is crazy because there are literally

0:57:14.880 --> 0:57:17.120
<v Speaker 4>there's so many on the internet. You you find so

0:57:17.200 --> 0:57:20.280
<v Speaker 4>many like uber talented dancers who are doing all this

0:57:20.480 --> 0:57:22.840
<v Speaker 4>insane ship and the fact that it's just these like

0:57:22.880 --> 0:57:23.960
<v Speaker 4>white girls going.

0:57:26.560 --> 0:57:26.960
<v Speaker 2>Like that.

0:57:27.080 --> 0:57:27.320
<v Speaker 1>Shit.

0:57:28.240 --> 0:57:30.120
<v Speaker 4>I just if I was a real dancer, I can

0:57:30.160 --> 0:57:32.560
<v Speaker 4>only imagine how that And then it's like these and

0:57:32.680 --> 0:57:35.520
<v Speaker 4>now they're becoming our like next biggest pop stars.

0:57:35.920 --> 0:57:37.360
<v Speaker 1>Yeah, god, bless, I haven't listened to music.

0:57:37.360 --> 0:57:40.000
<v Speaker 2>Maybe the musu Well, she is a fourth Mexican, so maybe,

0:57:41.880 --> 0:57:42.160
<v Speaker 2>Oh my.

0:57:42.120 --> 0:57:43.720
<v Speaker 4>God, I didn't realize that I was tearing down a

0:57:43.720 --> 0:57:46.160
<v Speaker 4>fellow personal foth Mexican.

0:57:46.240 --> 0:57:47.640
<v Speaker 3>Oh my god, I'd like to take that back.

0:57:47.680 --> 0:57:48.360
<v Speaker 1>Where's my camera?

0:57:48.680 --> 0:57:51.920
<v Speaker 4>I'm so sorry to my Latina queen. I would like

0:57:51.960 --> 0:57:54.840
<v Speaker 4>to apologize for for for shaming you. I didn't realize

0:57:54.840 --> 0:57:55.680
<v Speaker 4>that you were with the community.

0:57:55.720 --> 0:57:57.280
<v Speaker 1>That's what she's been on a journey because she's a

0:57:57.280 --> 0:57:59.320
<v Speaker 1>TikTok dance girl. Then she put off this EP that

0:57:59.440 --> 0:58:02.160
<v Speaker 1>was like, had like one to two songs that you

0:58:02.200 --> 0:58:03.040
<v Speaker 1>were like, wait a minute.

0:58:03.120 --> 0:58:05.080
<v Speaker 2>One of them was produced by Charli XCX, like it

0:58:05.120 --> 0:58:05.520
<v Speaker 2>was that.

0:58:05.400 --> 0:58:07.120
<v Speaker 1>And so it's like, wait, is their taste here? What's

0:58:07.160 --> 0:58:09.600
<v Speaker 1>going on? And it became like sort of an ironic okay,

0:58:09.600 --> 0:58:12.720
<v Speaker 1>guys would put it on, and then the new songs,

0:58:12.760 --> 0:58:14.000
<v Speaker 1>people are like hold on, yeah.

0:58:14.000 --> 0:58:15.880
<v Speaker 4>Now it feels like it's transforming into people being like

0:58:15.960 --> 0:58:17.200
<v Speaker 4>she's legitimately good.

0:58:17.320 --> 0:58:20.360
<v Speaker 2>She's also working with it seems like she has good

0:58:20.360 --> 0:58:23.280
<v Speaker 2>taste because she's choosing the right people to work with. Musically,

0:58:23.360 --> 0:58:27.680
<v Speaker 2>she's going in a sort of like nineties Madonna, Janet,

0:58:27.840 --> 0:58:31.560
<v Speaker 2>Shade direct everyone's doing, and she's doing am I I'm

0:58:31.560 --> 0:58:34.720
<v Speaker 2>being pretty generous, but I would never.

0:58:34.920 --> 0:58:38.000
<v Speaker 4>Like that's I mean, if she's got a little that

0:58:38.120 --> 0:58:40.439
<v Speaker 4>in there, I'm I'll check out a track or two.

0:58:40.480 --> 0:58:42.680
<v Speaker 3>It sounds like it's not really sounds like that's not right.

0:58:42.720 --> 0:58:45.000
<v Speaker 2>She is, like I said, she's the last talented as shadday.

0:58:46.400 --> 0:58:48.360
<v Speaker 4>That's that's such a specific one because it's like I've

0:58:48.400 --> 0:58:51.360
<v Speaker 4>definitely seen girls in pop music who are doing Janet

0:58:51.400 --> 0:58:53.880
<v Speaker 4>Jackson stuff, and there's so many people are doing Madonna stuff.

0:58:53.920 --> 0:58:57.400
<v Speaker 4>I cannot okay, Shad is doing such a specific I've never.

0:58:57.120 --> 0:58:58.600
<v Speaker 1>Heard anyone who I'm like they're doing.

0:58:58.920 --> 0:59:00.800
<v Speaker 2>And and and in my defense, because people are gonna

0:59:00.840 --> 0:59:03.360
<v Speaker 2>really come for me, yeah, you are yourself up. And

0:59:03.680 --> 0:59:06.080
<v Speaker 2>Shade had this sort of more electronic like if you

0:59:06.120 --> 0:59:09.400
<v Speaker 2>listen to Love Deluxe, it's more like electronic almost like

0:59:09.480 --> 0:59:12.680
<v Speaker 2>Madonna Ray of Light type sound. That's more what I

0:59:12.720 --> 0:59:17.840
<v Speaker 2>was referencing. She's not doing like smooth up right yeah anyway,

0:59:17.920 --> 0:59:20.120
<v Speaker 2>So and then she's also visually working with a lot

0:59:20.160 --> 0:59:24.280
<v Speaker 2>of like the very cool Fashionee interview magazine people, and

0:59:24.320 --> 0:59:29.920
<v Speaker 2>so suddenly she goes from TikTok teen to you know Britney.

0:59:30.120 --> 0:59:32.760
<v Speaker 2>Brittany does answer your question.

0:59:32.880 --> 0:59:34.080
<v Speaker 1>Yeah, I think so, I did.

0:59:34.280 --> 0:59:37.520
<v Speaker 4>I did learn something because I do think I think

0:59:37.560 --> 0:59:38.960
<v Speaker 4>the version of her that I was thinking about is

0:59:39.000 --> 0:59:41.000
<v Speaker 4>not that far off from who she actually is. But

0:59:41.040 --> 0:59:43.080
<v Speaker 4>it sounds like she's like just got a little more

0:59:43.080 --> 0:59:45.680
<v Speaker 4>taste than yes, the rest of the like TikTok dance girl.

0:59:45.760 --> 0:59:48.640
<v Speaker 2>I really think it's a similar narrative to Brittany. Like,

0:59:48.680 --> 0:59:50.840
<v Speaker 2>I think she's both girl next door but also like

0:59:51.600 --> 0:59:53.120
<v Speaker 2>has taste and works with the right people.

0:59:53.840 --> 0:59:56.680
<v Speaker 1>She definitely knows who to work with, and that's the

0:59:56.720 --> 0:59:58.160
<v Speaker 1>best thing you can have these days.

0:59:58.520 --> 1:00:01.800
<v Speaker 2>Damn, you really brought a fan fantasy football in as

1:00:01.840 --> 1:00:04.040
<v Speaker 2>your topic and we made you talk about Addison ray No,

1:00:04.160 --> 1:00:04.480
<v Speaker 2>that was.

1:00:04.400 --> 1:00:07.080
<v Speaker 1>Awesome, full circle. We kind of needed that. We like

1:00:07.120 --> 1:00:10.080
<v Speaker 1>talked about sports for so long, Yeah, really needed.

1:00:10.080 --> 1:00:12.160
<v Speaker 4>It was too much, And honestly, I had more fun

1:00:12.200 --> 1:00:14.040
<v Speaker 4>talking about the pop girl than I did about cause

1:00:14.200 --> 1:00:16.480
<v Speaker 4>because again, it's like it is, I'm straight and that

1:00:16.560 --> 1:00:18.640
<v Speaker 4>is part of our culture, but it is an element

1:00:18.680 --> 1:00:19.880
<v Speaker 4>that I hate.

1:00:20.040 --> 1:00:22.080
<v Speaker 1>Really, Yeah, get that away from me.

1:00:22.200 --> 1:00:23.760
<v Speaker 4>I don't know if you're a strayman, Please don't talk

1:00:23.800 --> 1:00:25.880
<v Speaker 4>to me about that, don't talk about fantasy football teams.

1:00:25.880 --> 1:00:28.360
<v Speaker 4>It's is it like that for you guys in drag Race?

1:00:29.560 --> 1:00:32.040
<v Speaker 4>Does it occupy that same space where you're like or

1:00:32.080 --> 1:00:33.880
<v Speaker 4>it's like enough of this, Okay.

1:00:34.880 --> 1:00:37.840
<v Speaker 2>Something that annoys me is when people get overly into

1:00:38.600 --> 1:00:42.400
<v Speaker 2>Oscars stuff. And I'm guilty of it. I'm not saying

1:00:42.440 --> 1:00:45.600
<v Speaker 2>I'm not, but like when people when it's literally like

1:00:45.960 --> 1:00:48.640
<v Speaker 2>we're currently what June, when it's June and someone is

1:00:48.680 --> 1:00:50.240
<v Speaker 2>talking to you about who they think is going to

1:00:50.280 --> 1:00:53.880
<v Speaker 2>be nominated for Best Actress based on like the blogs

1:00:53.920 --> 1:00:56.240
<v Speaker 2>are reading about what's coming out of can and I like.

1:00:56.160 --> 1:00:57.880
<v Speaker 4>About a movie that's not going to be available to

1:00:57.920 --> 1:00:59.640
<v Speaker 4>the publican exactly for four months.

1:00:59.720 --> 1:01:02.920
<v Speaker 2>Yeah, honestly, actually there's a pretty big similarity because they're

1:01:02.960 --> 1:01:05.840
<v Speaker 2>talking about movies they literally haven't seen stats and it's

1:01:06.000 --> 1:01:08.480
<v Speaker 2>just stats and it's you're talking. You're saying like, oh,

1:01:08.560 --> 1:01:10.400
<v Speaker 2>this is gonna be Amy Adams's year, This is going

1:01:10.440 --> 1:01:13.120
<v Speaker 2>to be Glenn Close's year, if only.

1:01:14.760 --> 1:01:16.600
<v Speaker 3>For her performance for her Deliverance.

1:01:16.680 --> 1:01:19.120
<v Speaker 2>For Deliverance, yes, was that?

1:01:19.160 --> 1:01:20.120
<v Speaker 3>Is that what that movie was called?

1:01:20.680 --> 1:01:21.280
<v Speaker 1>The horror movie?

1:01:21.360 --> 1:01:24.760
<v Speaker 2>Yeah? I know where she like says the N word she.

1:01:24.840 --> 1:01:25.960
<v Speaker 3>Doesn't, but she might as well.

1:01:26.040 --> 1:01:29.600
<v Speaker 2>Okay, I thought that was the controversy. Does she I

1:01:29.680 --> 1:01:30.240
<v Speaker 2>think she might?

1:01:30.320 --> 1:01:31.640
<v Speaker 1>She might? She might? I did.

1:01:31.760 --> 1:01:33.800
<v Speaker 3>I did watch the film. I'm like, did she say it?

1:01:34.080 --> 1:01:34.680
<v Speaker 1>She certainly?

1:01:34.880 --> 1:01:37.240
<v Speaker 3>Her essence feels like she. It feels like she would.

1:01:37.320 --> 1:01:39.480
<v Speaker 1>Yeah. I didn't watch it, but the little clips that's

1:01:39.520 --> 1:01:41.000
<v Speaker 1>online were pretty fun.

1:01:41.160 --> 1:01:43.600
<v Speaker 2>Yeah, but I do think that's my version of that.

1:01:44.120 --> 1:01:46.320
<v Speaker 4>I totally get that, and that is I feel like

1:01:46.360 --> 1:01:50.120
<v Speaker 4>I'm in that world as well. I don't want to

1:01:50.320 --> 1:01:51.760
<v Speaker 4>I want to talk about what came out of the

1:01:52.560 --> 1:01:54.000
<v Speaker 4>fucking film festival circuit.

1:01:54.160 --> 1:01:57.640
<v Speaker 1>I'm sick of a film festival circuit. Yeah, Like it's like,

1:01:58.240 --> 1:01:59.720
<v Speaker 1>just wake me up when I can see the movie.

1:01:59.800 --> 1:02:02.320
<v Speaker 2>Yeah, So that's guess what. Like, I'm not part of that.

1:02:02.360 --> 1:02:04.480
<v Speaker 2>I'm not at can. I think everyone there should have

1:02:04.520 --> 1:02:06.480
<v Speaker 2>a great time, and they should at the after parties,

1:02:06.520 --> 1:02:09.680
<v Speaker 2>they should be talking about what an amazing performance Julie

1:02:09.680 --> 1:02:13.800
<v Speaker 2>Delpi gave. But I'm actually in Brooklyn doing freelance work.

1:02:13.960 --> 1:02:16.520
<v Speaker 1>I've also been burned so many times where people are like,

1:02:16.640 --> 1:02:19.680
<v Speaker 1>this is the greatest film I've ever seen. Eight months

1:02:19.760 --> 1:02:21.920
<v Speaker 1>later I'm allowed to see it, and I'm like flop.

1:02:22.280 --> 1:02:27.200
<v Speaker 4>Yeah, conversation. Oh we got a thirty minute standing over.

1:02:27.440 --> 1:02:30.280
<v Speaker 4>That's that's what it's like. It's also like, no, it

1:02:30.320 --> 1:02:32.800
<v Speaker 4>didn't know it. It's like nothing, I've never have you

1:02:32.880 --> 1:02:34.800
<v Speaker 4>ever wanted to stand up and clap after? I mean

1:02:34.840 --> 1:02:37.360
<v Speaker 4>maybe a handful of films have made you. And but

1:02:37.400 --> 1:02:39.640
<v Speaker 4>then even when you feel like it's also period, its

1:02:40.680 --> 1:02:45.240
<v Speaker 4>eye pressure. You're happens in New York theater. Now everything

1:02:45.320 --> 1:02:47.040
<v Speaker 4>is getting a standing ovation, so you just know the

1:02:47.080 --> 1:02:48.560
<v Speaker 4>part of the play being overs that you have to

1:02:48.600 --> 1:02:49.560
<v Speaker 4>stand up even if.

1:02:49.400 --> 1:02:49.920
<v Speaker 2>You hated it.

1:02:50.000 --> 1:02:51.600
<v Speaker 1>Right well, it's like encores.

1:02:51.800 --> 1:02:53.320
<v Speaker 2>It's like on course, oh you know what else?

1:02:53.640 --> 1:02:54.920
<v Speaker 3>I don't care for that either.

1:02:55.040 --> 1:02:56.920
<v Speaker 1>I don't care for it. I don't care for the encore.

1:02:56.960 --> 1:03:00.200
<v Speaker 4>I'm like it because there's no true encorese if it's

1:03:00.200 --> 1:03:01.640
<v Speaker 4>like if you want to part of set life, just

1:03:01.640 --> 1:03:04.000
<v Speaker 4>do your whole fucking just just do to set and

1:03:04.040 --> 1:03:05.800
<v Speaker 4>then leave. I don't like this fake and then we

1:03:05.840 --> 1:03:10.080
<v Speaker 4>all gotta be like and then I come back the

1:03:10.120 --> 1:03:10.600
<v Speaker 4>way you.

1:03:10.520 --> 1:03:13.160
<v Speaker 2>Can literally look up the set list, you know what's

1:03:13.160 --> 1:03:16.240
<v Speaker 2>coming and then the encore, and there is the same

1:03:16.280 --> 1:03:17.160
<v Speaker 2>same ship.

1:03:17.000 --> 1:03:19.160
<v Speaker 4>With the see it's all coming together because that's The

1:03:19.160 --> 1:03:22.600
<v Speaker 4>straight culture version of that is like post credit scenes.

1:03:22.880 --> 1:03:25.520
<v Speaker 2>Yeah, yes, that's the and then people know to wait

1:03:25.560 --> 1:03:25.880
<v Speaker 2>for them.

1:03:26.000 --> 1:03:27.680
<v Speaker 4>Yeah, and it's just like okay, so this it's not

1:03:27.760 --> 1:03:30.000
<v Speaker 4>like a special treat. It's just like, well, this is

1:03:30.040 --> 1:03:31.480
<v Speaker 4>just what you drew into the playbook.

1:03:32.160 --> 1:03:33.120
<v Speaker 1>There used to be magic.

1:03:33.400 --> 1:03:35.680
<v Speaker 2>Yeah, literally you can still.

1:03:35.480 --> 1:03:37.680
<v Speaker 3>Find the magic at the AMC theaters. That's what I've heard.

1:03:38.360 --> 1:03:42.040
<v Speaker 2>That's right by its kind of award when nic who

1:03:42.040 --> 1:03:45.080
<v Speaker 2>went for the hours? So if you uh, the flip

1:03:45.120 --> 1:03:47.919
<v Speaker 2>side of of stant in ovations is when you hear

1:03:48.360 --> 1:03:50.439
<v Speaker 2>how many people walked out of something at a music

1:03:50.680 --> 1:03:54.120
<v Speaker 2>as at a film festival like Tatan is a great example.

1:03:54.160 --> 1:03:56.240
<v Speaker 2>Like I'm there were articles that are like the most

1:03:56.400 --> 1:04:02.000
<v Speaker 2>walkouts of any film since two thousand and one, which.

1:04:01.800 --> 1:04:02.920
<v Speaker 3>Even I bet you the director.

1:04:02.920 --> 1:04:04.520
<v Speaker 4>I don't know who the director of Titan was, but

1:04:04.560 --> 1:04:06.080
<v Speaker 4>I guarantee you that director would be.

1:04:06.000 --> 1:04:10.080
<v Speaker 3>Like fair, Yeah, totally fair. The lady's fucking the car.

1:04:10.520 --> 1:04:13.880
<v Speaker 2>I struggled with Titan, of course. Of course I'll be

1:04:13.920 --> 1:04:14.720
<v Speaker 2>the first to say it.

1:04:14.840 --> 1:04:16.960
<v Speaker 1>Even as the director was making it, they had to

1:04:17.040 --> 1:04:19.560
<v Speaker 1>have been like, well, this, this can't be this is

1:04:19.600 --> 1:04:21.600
<v Speaker 1>for some people. This is literally one of those movies.

1:04:21.760 --> 1:04:24.040
<v Speaker 1>Everyone was like, this movie will change the way you

1:04:24.040 --> 1:04:27.040
<v Speaker 1>think about cinema and people people you respect. Yes, you know what,

1:04:27.360 --> 1:04:27.880
<v Speaker 1>people who.

1:04:28.040 --> 1:04:29.920
<v Speaker 2>Like always sit together?

1:04:30.120 --> 1:04:32.400
<v Speaker 1>Yeah, Max, I was like everyone was screaming at me

1:04:32.440 --> 1:04:36.400
<v Speaker 1>about it, and I went and I was like, all right, yeah, like, yeah,

1:04:36.880 --> 1:04:39.520
<v Speaker 1>I guess keep French people weird.

1:04:39.480 --> 1:04:44.920
<v Speaker 4>Like which more call is? Also there's a French director

1:04:44.920 --> 1:04:51.040
<v Speaker 4>to right the margaret quality and Demi Moore that's a French.

1:04:50.920 --> 1:04:51.360
<v Speaker 1>Lady as well.

1:04:51.480 --> 1:04:52.000
<v Speaker 2>Yes it is.

1:04:54.240 --> 1:04:57.400
<v Speaker 3>Yes, I'm not even gonna try it.

1:04:57.480 --> 1:05:00.400
<v Speaker 1>That's sort of an m K situation. Should we do

1:05:00.440 --> 1:05:02.880
<v Speaker 1>our final set? Wait?

1:05:03.240 --> 1:05:04.520
<v Speaker 2>I do want you to promote?

1:05:04.760 --> 1:05:04.960
<v Speaker 1>Yes?

1:05:05.080 --> 1:05:05.560
<v Speaker 2>Your podcast?

1:05:05.600 --> 1:05:05.680
<v Speaker 1>Oh?

1:05:05.800 --> 1:05:09.360
<v Speaker 4>Yes, yeah, of course, yes, I'm I've got a podcast.

1:05:09.400 --> 1:05:12.240
<v Speaker 4>It's called My Favorite Lyrics. We come on and we

1:05:12.400 --> 1:05:15.000
<v Speaker 4>genuinely just every guest brings a song and then we

1:05:15.040 --> 1:05:16.760
<v Speaker 4>kind of do like a lyrical analysis of the song.

1:05:16.880 --> 1:05:18.640
<v Speaker 3>That is such a good idea, make some little jokes

1:05:18.640 --> 1:05:19.000
<v Speaker 3>about it.

1:05:19.280 --> 1:05:21.160
<v Speaker 2>What if you were to be a guest on your

1:05:21.160 --> 1:05:23.040
<v Speaker 2>own podcast today, what song would you bring in?

1:05:23.800 --> 1:05:25.960
<v Speaker 3>I that's a great question.

1:05:26.040 --> 1:05:27.919
<v Speaker 4>I know what artists I would probably want to talk about,

1:05:28.000 --> 1:05:29.920
<v Speaker 4>and that is that's Big Sean.

1:05:30.520 --> 1:05:32.800
<v Speaker 3>Okay, a big Sean of ass fame.

1:05:33.520 --> 1:05:36.800
<v Speaker 2>We're familiar, Yeah.

1:05:36.120 --> 1:05:39.040
<v Speaker 3>I just think he did. I don't know how familiar

1:05:39.120 --> 1:05:41.240
<v Speaker 3>you guys are with his discography.

1:05:41.080 --> 1:05:41.400
<v Speaker 1>The hits.

1:05:41.440 --> 1:05:43.360
<v Speaker 2>I know the hits, yeah, because they're like, we're the

1:05:43.440 --> 1:05:44.320
<v Speaker 2>exact great age for.

1:05:44.280 --> 1:05:45.000
<v Speaker 1>The hits to have been.

1:05:45.360 --> 1:05:46.960
<v Speaker 3>Yes, I think he was.

1:05:47.080 --> 1:05:48.920
<v Speaker 4>His early part of his career was all built off

1:05:49.000 --> 1:05:52.080
<v Speaker 4>like doing like straight up like like set up punchline

1:05:52.200 --> 1:05:55.720
<v Speaker 4>jokes or like set up punchline raps. So man, I

1:05:55.720 --> 1:05:58.000
<v Speaker 4>wish I could, like I wish I was. I had

1:05:58.040 --> 1:06:02.360
<v Speaker 4>more like at hand to like bring but like an

1:06:02.360 --> 1:06:06.800
<v Speaker 4>example would be like I don't like the way that

1:06:06.880 --> 1:06:14.760
<v Speaker 4>you sound headphones he was doing, which Nicki minajah, they were.

1:06:14.520 --> 1:06:16.840
<v Speaker 4>They were very much peers. They were doing that kind

1:06:16.880 --> 1:06:19.560
<v Speaker 4>of thing at the exact same time. And Nicki Minaj

1:06:19.600 --> 1:06:21.560
<v Speaker 4>would also be I'd love to do a Nicky episode.

1:06:22.000 --> 1:06:26.280
<v Speaker 4>She's got I mean, she's got some absolute class. Now

1:06:26.320 --> 1:06:30.360
<v Speaker 4>you're not there, there it is, and that Yes, Big

1:06:30.360 --> 1:06:32.240
<v Speaker 4>Sean was doing that exact same rep style, so I'd

1:06:32.280 --> 1:06:33.960
<v Speaker 4>love to get into him and.

1:06:34.040 --> 1:06:36.240
<v Speaker 1>Nick Ludacris started doing that for a second, and he

1:06:36.280 --> 1:06:38.680
<v Speaker 1>had that one song where he's like blowing up balloon.

1:06:41.880 --> 1:06:45.360
<v Speaker 1>Oh what song was that is that the Austin Bowers

1:06:45.360 --> 1:06:48.040
<v Speaker 1>one or like there were like a few songs that

1:06:48.080 --> 1:06:49.920
<v Speaker 1>were like really flop right.

1:06:50.640 --> 1:06:53.760
<v Speaker 4>This was a style that Big Sean claims to have started.

1:06:53.960 --> 1:06:56.560
<v Speaker 4>Really this is something that he claims to have popularized.

1:06:56.760 --> 1:07:01.600
<v Speaker 2>And yeah, Nicki Minaj, I really with Nicki Mina because

1:07:01.720 --> 1:07:06.480
<v Speaker 2>I love you know what my speaking of Ludacrous. My

1:07:06.480 --> 1:07:09.440
<v Speaker 2>first ever song on my iPod was What's your Fantasy?

1:07:09.640 --> 1:07:13.040
<v Speaker 1>Wow, there was just freaky little guy and I was like,

1:07:13.040 --> 1:07:16.320
<v Speaker 1>well I had ten I probably probably.

1:07:16.040 --> 1:07:18.520
<v Speaker 2>A little older, but I was like someone on my

1:07:18.600 --> 1:07:20.360
<v Speaker 2>school bus was singing and I was like that is

1:07:20.680 --> 1:07:24.080
<v Speaker 2>so funny, like Georgia Dome, like that is so you're

1:07:24.240 --> 1:07:26.720
<v Speaker 2>that is so funny. And then I had to have

1:07:26.760 --> 1:07:29.080
<v Speaker 2>it on my iPod and then I think I was

1:07:29.080 --> 1:07:30.720
<v Speaker 2>buying legally at the time, so I was like, okay,

1:07:30.720 --> 1:07:32.240
<v Speaker 2>I have one dollar, I'm buying that. And then there

1:07:32.280 --> 1:07:33.600
<v Speaker 2>was like a full week where I just had that.

1:07:33.760 --> 1:07:35.800
<v Speaker 2>So I had my iPod with me and I was

1:07:35.840 --> 1:07:37.760
<v Speaker 2>only listening to about your Fantasy that song.

1:07:37.840 --> 1:07:41.080
<v Speaker 1>Like as a child, I was like, no, this is really.

1:07:40.800 --> 1:07:43.320
<v Speaker 2>Not oh, I have such a me like you thought

1:07:43.360 --> 1:07:45.400
<v Speaker 2>it was too, like like this is you're such a

1:07:45.440 --> 1:07:46.160
<v Speaker 2>goody two shoes.

1:07:46.240 --> 1:07:48.360
<v Speaker 1>Yeah, I was a good boy. Whoa Was your family

1:07:48.400 --> 1:07:51.640
<v Speaker 1>really Christian? No? They were just like they were like

1:07:51.800 --> 1:07:56.080
<v Speaker 1>very not not classically waspy, not like Connecticut waspy, but

1:07:56.120 --> 1:07:58.400
<v Speaker 1>they were like midwestern waspy.

1:07:58.440 --> 1:08:01.760
<v Speaker 2>Like it was so chill, like your mom is so like.

1:08:02.040 --> 1:08:05.680
<v Speaker 1>It comes like sex. Oh, it's really like, we.

1:08:05.720 --> 1:08:10.600
<v Speaker 2>Don't like that. I have a memory of buying the

1:08:10.720 --> 1:08:14.480
<v Speaker 2>Ludicrous album Chicken and Beer at sam Goode or whatever,

1:08:15.040 --> 1:08:17.479
<v Speaker 2>and because it had a parental advisory thing, they had

1:08:17.479 --> 1:08:19.840
<v Speaker 2>to call my mom in and she was like, I

1:08:20.400 --> 1:08:22.320
<v Speaker 2>don't know who this artist is, Like what's the deal,

1:08:22.479 --> 1:08:24.639
<v Speaker 2>Like why am I Why don't you need my permission?

1:08:24.720 --> 1:08:25.840
<v Speaker 2>And the guy at the kind of was like, I

1:08:25.840 --> 1:08:27.479
<v Speaker 2>mean I don't know. It's can't be that bad. It's

1:08:27.479 --> 1:08:29.280
<v Speaker 2>about chicken and beer. And she was like, all right,

1:08:29.800 --> 1:08:31.519
<v Speaker 2>then let me buy it.

1:08:32.360 --> 1:08:35.080
<v Speaker 4>Nasty lyrics on there, and they really were Did your

1:08:35.120 --> 1:08:36.280
<v Speaker 4>parents care about that kind of thing?

1:08:36.280 --> 1:08:37.360
<v Speaker 1>Did they care about what you were?

1:08:37.680 --> 1:08:40.640
<v Speaker 2>No? I mean personally with music, they did not care

1:08:40.680 --> 1:08:44.960
<v Speaker 2>at all. I would say with film they did, Like

1:08:45.000 --> 1:08:47.400
<v Speaker 2>if someone was rated are and I was like nine,

1:08:47.439 --> 1:08:48.400
<v Speaker 2>I don't think they would let me.

1:08:48.520 --> 1:08:49.719
<v Speaker 1>She cared about movies.

1:08:49.960 --> 1:08:53.599
<v Speaker 3>Okay, mine where mine was? Both My parents really care

1:08:53.600 --> 1:08:54.160
<v Speaker 3>about music.

1:08:54.560 --> 1:08:57.879
<v Speaker 4>Again, Texas very Christian, very Christian, so like I couldn't

1:08:57.920 --> 1:09:01.120
<v Speaker 4>have any they wouldn't buy many albums with parental advisory sticker,

1:09:01.360 --> 1:09:03.400
<v Speaker 4>which is why the first album that I actually the

1:09:03.400 --> 1:09:06.280
<v Speaker 4>first album that I wanted, I want to say was

1:09:08.200 --> 1:09:10.719
<v Speaker 4>I want to say it was college dropout. Kanye West

1:09:11.040 --> 1:09:13.479
<v Speaker 4>definitely had the sticker on there. So the first album

1:09:13.479 --> 1:09:17.160
<v Speaker 4>that I actually received was Nick Cannon's self titled LP

1:09:17.600 --> 1:09:21.679
<v Speaker 4>oh No, featuring the hit single Jigglo by you Guess

1:09:21.680 --> 1:09:24.559
<v Speaker 4>featuring you Guessed It R Kelly oh No.

1:09:25.160 --> 1:09:25.799
<v Speaker 1>It's the first.

1:09:25.800 --> 1:09:27.719
<v Speaker 4>That was the first, and I did really like that song,

1:09:27.800 --> 1:09:29.519
<v Speaker 4>and that was the that was the reason that I

1:09:29.560 --> 1:09:31.719
<v Speaker 4>bought the album back when you had to do that, yeah,

1:09:31.760 --> 1:09:33.760
<v Speaker 4>You're like, I just I want to listen to one song,

1:09:33.840 --> 1:09:36.240
<v Speaker 4>So I guess I got to pay fifteen ninety nine.

1:09:36.600 --> 1:09:38.960
<v Speaker 4>That's the first album I ever owned. Nick Cannon's album

1:09:39.000 --> 1:09:43.440
<v Speaker 4>That is Wild. He was rapping Never Forget, he was rapping.

1:09:44.920 --> 1:09:48.040
<v Speaker 1>Sheh Okay. Now I feel that we should do our

1:09:48.080 --> 1:09:56.639
<v Speaker 1>final sag okay, Devin. Our final segment is called shout outs,

1:09:56.680 --> 1:09:58.559
<v Speaker 1>and in this segment, we pay homage to the grand

1:09:58.560 --> 1:10:01.000
<v Speaker 1>straight tradition of the radio shout out, shouting out anything

1:10:01.120 --> 1:10:04.120
<v Speaker 1>that we enjoy people, places, things, ideas.

1:10:04.880 --> 1:10:05.880
<v Speaker 2>And we think of them on the spot.

1:10:06.000 --> 1:10:07.840
<v Speaker 1>We think of them on the spot, which is part

1:10:07.880 --> 1:10:09.000
<v Speaker 1>of the struggle.

1:10:09.080 --> 1:10:12.120
<v Speaker 2>The struggle struggle as as I always think.

1:10:12.040 --> 1:10:23.240
<v Speaker 5>Olks, oh, we're being so unprofessional today.

1:10:23.280 --> 1:10:24.479
<v Speaker 2>It's because Sam's getting married.

1:10:24.600 --> 1:10:25.320
<v Speaker 1>Yeah that's why.

1:10:26.439 --> 1:10:27.920
<v Speaker 2>Okay, now it's gonna come to me. It's gonna come

1:10:27.920 --> 1:10:28.120
<v Speaker 2>to me.

1:10:28.439 --> 1:10:29.280
<v Speaker 1>Okay, I have one.

1:10:29.320 --> 1:10:29.920
<v Speaker 2>Okay, go go go.

1:10:30.479 --> 1:10:33.479
<v Speaker 1>What's up freaks, losers, and especially perverts, this is for you.

1:10:33.760 --> 1:10:36.920
<v Speaker 1>I'm going to give a huge shout out to office parties.

1:10:37.439 --> 1:10:39.800
<v Speaker 1>I have just been working a job for like a

1:10:39.840 --> 1:10:41.679
<v Speaker 1>year and a half and we never had one party

1:10:41.720 --> 1:10:43.840
<v Speaker 1>the whole time, so I only knew people in the

1:10:43.880 --> 1:10:47.479
<v Speaker 1>context of work. And I said, Okay, I guess we're

1:10:47.520 --> 1:10:49.920
<v Speaker 1>all like this. This is what we are. One party.

1:10:49.960 --> 1:10:53.479
<v Speaker 1>I'm saying, everybody's so fun. I'm saying people get a

1:10:53.520 --> 1:10:56.760
<v Speaker 1>little inappropriate. I say thank god. This whole time I

1:10:56.880 --> 1:10:58.719
<v Speaker 1>was like enough with HR.

1:11:00.400 --> 1:11:03.200
<v Speaker 6>And then this party we were getting a little bit weird,

1:11:03.520 --> 1:11:05.679
<v Speaker 6>and I say, thank God, this job is over because

1:11:06.439 --> 1:11:10.080
<v Speaker 6>some of these things would lead to some issues, but

1:11:10.479 --> 1:11:13.280
<v Speaker 6>through that I felt very comfortable, and I said, you know,

1:11:13.360 --> 1:11:16.840
<v Speaker 6>this is I finally I see the full humanity of

1:11:16.840 --> 1:11:17.360
<v Speaker 6>these people.

1:11:17.880 --> 1:11:20.040
<v Speaker 1>And I feel that I was almost robbed of seeing

1:11:20.040 --> 1:11:22.719
<v Speaker 1>them as people and not as little data sets until

1:11:22.760 --> 1:11:26.639
<v Speaker 1>this moment. So shout out to office parties. Yes, you're

1:11:26.640 --> 1:11:29.120
<v Speaker 1>going to make some mistakes, but that's part of it.

1:11:29.120 --> 1:11:32.040
<v Speaker 1>It's to understand each other on a human level. Enjoy

1:11:32.080 --> 1:11:36.360
<v Speaker 1>it xxo, Sam.

1:11:36.920 --> 1:11:38.560
<v Speaker 2>What's up, freaks and losers? I want to give a

1:11:38.560 --> 1:11:44.360
<v Speaker 2>shout out to the feeling of being invited to something,

1:11:44.600 --> 1:11:47.920
<v Speaker 2>saying no, seeing that people do that something, and being

1:11:47.920 --> 1:11:50.559
<v Speaker 2>offended you're not there, this kite, the fact that you

1:11:50.560 --> 1:11:53.439
<v Speaker 2>yourself said no to the invite. I actually think this

1:11:53.560 --> 1:11:57.599
<v Speaker 2>is one of those so deeply human feelings that is

1:11:57.680 --> 1:12:00.760
<v Speaker 2>invigorating because it reminds you of your own humanity. It's like,

1:12:01.280 --> 1:12:04.080
<v Speaker 2>you know, we're talking about AI folks. AI cannot feel

1:12:04.080 --> 1:12:07.120
<v Speaker 2>that feeling, The feeling of literally saying notice something and

1:12:07.280 --> 1:12:09.680
<v Speaker 2>still being like, why did they do it without me?

1:12:10.280 --> 1:12:14.720
<v Speaker 2>That is actually the core of human nature and we

1:12:14.880 --> 1:12:18.280
<v Speaker 2>have to really lean into those, especially human feelings when

1:12:18.280 --> 1:12:20.760
<v Speaker 2>we create art in the future. Otherwise the machines are

1:12:20.760 --> 1:12:21.160
<v Speaker 2>going to win.

1:12:21.320 --> 1:12:26.800
<v Speaker 1>Wow, humanity was running through both of art. Yeah in

1:12:26.920 --> 1:12:30.800
<v Speaker 1>deep way. Wow, that was really you guys, And that

1:12:30.880 --> 1:12:32.160
<v Speaker 1>was just off, just off the dome.

1:12:32.680 --> 1:12:35.200
<v Speaker 2>Well, this just happened to me, actually that feeling. Oh,

1:12:35.240 --> 1:12:38.400
<v Speaker 2>I see last night I was people and you were hangout.

1:12:38.720 --> 1:12:40.680
<v Speaker 2>They're like, can you come? I said no because I

1:12:40.680 --> 1:12:43.559
<v Speaker 2>had work to do. So I'm posting about it saying, well,

1:12:43.920 --> 1:12:45.200
<v Speaker 2>why the hell are you there without me?

1:12:46.320 --> 1:12:46.960
<v Speaker 1>Why are you guys?

1:12:46.960 --> 1:12:47.679
<v Speaker 3>Why is it fun?

1:12:48.040 --> 1:12:50.000
<v Speaker 1>If I wasn't gonna be there? Should you guys should just.

1:12:49.920 --> 1:12:52.519
<v Speaker 4>Be saying kind of solemnly you should be in mourning, yes,

1:12:52.680 --> 1:12:54.840
<v Speaker 4>just kind of being like, well, man, this sure could

1:12:54.840 --> 1:12:55.200
<v Speaker 4>be better.

1:12:57.560 --> 1:13:04.000
<v Speaker 1>Okay, Devin, whenever you're ready. Fuck you know what you know.

1:13:04.040 --> 1:13:05.800
<v Speaker 4>I spent my whole time trying to think about what

1:13:05.840 --> 1:13:07.040
<v Speaker 4>I was going to talk about, but then I kind

1:13:07.040 --> 1:13:08.759
<v Speaker 4>of got enraptured by which all were talking about.

1:13:09.760 --> 1:13:11.720
<v Speaker 3>I was kind of just I was really engrossed.

1:13:11.320 --> 1:13:14.000
<v Speaker 2>To know we have had so many especially me, sometimes

1:13:14.040 --> 1:13:15.719
<v Speaker 2>it will just not come to me and then everyone's

1:13:15.760 --> 1:13:16.519
<v Speaker 2>sitting there awkwardly.

1:13:16.640 --> 1:13:19.240
<v Speaker 1>That's not true. I've had just as many flops.

1:13:19.360 --> 1:13:22.439
<v Speaker 2>Thank you, Sam, but you are pushing it.

1:13:23.280 --> 1:13:26.000
<v Speaker 1>No, no, no, you're right. No, you're right, No, you're right.

1:13:29.680 --> 1:13:30.080
<v Speaker 1>What's up?

1:13:30.120 --> 1:13:32.360
<v Speaker 3>Freaks and losers? I'd like to say, hey, shout out

1:13:32.400 --> 1:13:33.200
<v Speaker 3>to every single.

1:13:33.040 --> 1:13:35.800
<v Speaker 4>Uber driver who carries on a conversation the entire time

1:13:36.080 --> 1:13:38.720
<v Speaker 4>that we are in the vehicle. I'd like to know

1:13:38.760 --> 1:13:40.920
<v Speaker 4>what it is. But you know, oftentimes we don't speak

1:13:40.920 --> 1:13:42.559
<v Speaker 4>the same language, so I've just got to pick up

1:13:42.560 --> 1:13:45.760
<v Speaker 4>on the cues that you're sending out verbally. And sometimes

1:13:46.040 --> 1:13:47.799
<v Speaker 4>you seem like you're in a fight with your wife,

1:13:47.840 --> 1:13:50.559
<v Speaker 4>and I like to know about that, you know, I

1:13:50.720 --> 1:13:52.200
<v Speaker 4>like to know about what's going on with you. Weigh

1:13:52.200 --> 1:13:53.720
<v Speaker 4>me in, you know, let me know a little bit

1:13:53.720 --> 1:13:54.880
<v Speaker 4>about what you've got going on.

1:13:55.200 --> 1:13:56.320
<v Speaker 3>Let's talk about it together.

1:13:56.520 --> 1:13:59.639
<v Speaker 4>If hey, whatever Uber driver takes me home after this,

1:14:00.400 --> 1:14:01.639
<v Speaker 4>let's talk, let's talk.

1:14:01.720 --> 1:14:02.759
<v Speaker 1>Let's get together. Thanks.

1:14:02.920 --> 1:14:04.720
<v Speaker 3>That's all I have to say to today. My name

1:14:04.720 --> 1:14:05.040
<v Speaker 3>is Devin.

1:14:05.080 --> 1:14:09.920
<v Speaker 1>Thanks, wow, wow, Well Devin, it's been a pleasure to

1:14:09.920 --> 1:14:11.800
<v Speaker 1>have you on. Thanks for them. Yeah, it's been nice.

1:14:11.840 --> 1:14:14.200
<v Speaker 2>And once again, please tell our listeners where they can

1:14:14.240 --> 1:14:15.480
<v Speaker 2>find you.

1:14:15.000 --> 1:14:18.240
<v Speaker 4>Uh, you can find me at Internet Devin, on whatever

1:14:18.280 --> 1:14:21.200
<v Speaker 4>platform you you find people on. And then also my

1:14:21.240 --> 1:14:24.439
<v Speaker 4>favorite lyrics pod go listen, go listen. We started all indie.

1:14:24.520 --> 1:14:26.080
<v Speaker 4>We didn't do it with a network or anything, so

1:14:26.120 --> 1:14:27.439
<v Speaker 4>we're like building it from the ground up.

1:14:27.439 --> 1:14:28.160
<v Speaker 1>So go check it out.

1:14:28.160 --> 1:14:30.519
<v Speaker 4>We've got a lot of very fun episodes and you

1:14:30.520 --> 1:14:31.400
<v Speaker 4>guys are welcome to come.

1:14:31.680 --> 1:14:34.040
<v Speaker 1>Would love to anytime. And networks are good too. Just

1:14:34.160 --> 1:14:36.720
<v Speaker 1>FYI and shout out to.

1:14:36.720 --> 1:14:38.280
<v Speaker 3>The good people at Big Money Players.

1:14:38.000 --> 1:14:40.479
<v Speaker 2>And I Want. I wonder when I think we're pro indie. Yeah,

1:14:40.800 --> 1:14:46.840
<v Speaker 2>any network here, pro network, prow network. The bigger, the better, conglomerates,

1:14:46.960 --> 1:14:47.479
<v Speaker 2>love them.

1:14:47.520 --> 1:14:49.719
<v Speaker 1>Love them, love them.

1:14:49.760 --> 1:14:53.479
<v Speaker 2>Okay, Bye podcast and is now want more?

1:14:53.920 --> 1:14:57.000
<v Speaker 7>Subscribe to our Patreon for two extra episodes a month,

1:14:57.240 --> 1:15:01.000
<v Speaker 7>discord access and more by heading to patre dot com.

1:15:01.000 --> 1:15:02.519
<v Speaker 7>Slash Stradio Lab.

1:15:02.560 --> 1:15:05.160
<v Speaker 1>And for all our visual earners, free full length video

1:15:05.200 --> 1:15:06.479
<v Speaker 1>episodes are available on.

1:15:06.400 --> 1:15:08.280
<v Speaker 7>Our YouTube now Get back to work.

1:15:08.560 --> 1:15:10.920
<v Speaker 1>Stradio Lab is a production by Will Ferrell's Big Money

1:15:10.920 --> 1:15:12.760
<v Speaker 1>Players Network and iHeart Podcasts.

1:15:12.800 --> 1:15:15.719
<v Speaker 2>Created and hosted by George Severs and Sam Taggart.

1:15:15.760 --> 1:15:19.760
<v Speaker 1>Executive produced by Will Ferrell, Han Soni and Olivia Aguilar.

1:15:19.439 --> 1:15:21.600
<v Speaker 2>Co produced by Bei Wang, edited.

1:15:21.320 --> 1:15:22.880
<v Speaker 1>And engineered by Adam Avalos

1:15:23.200 --> 1:15:26.200
<v Speaker 2>Artwork by Michael Failes and Matt Grugg theme music by

1:15:26.200 --> 1:15:26.679
<v Speaker 2>Ben Kling,