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Speaker 1: Forever. Look man, oh I see you? Why why and

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Speaker 1: look over there? How is that culture? Yes? Goodness less

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Speaker 1: CULTURESTA is calling. Let's have a check in on our

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Speaker 1: new phrase that we've created, yx of corks. So it's

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Speaker 1: a fun new way and fun you take on a

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Speaker 1: common phrase is out y, A quarks is in or

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Speaker 1: you know, you know, you can really just subb in

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Speaker 1: the X sound. You know that fricative. Maybe I'm not

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Speaker 1: only I'm not a linguistic but I love but I

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Speaker 1: don't know if that's a fricative sound. But anyway, you

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Speaker 1: can sub. You can sub the XP for other sounds

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Speaker 1: as well, like I tried out today on a text.

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Speaker 1: At least I said, oh my gox, which I liked

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Speaker 1: when you did that, which sounds fun. Yeah, I really

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Speaker 1: like it. Yeah, and our guest is into it. I

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Speaker 1: believe our guest is into it. Maybe she's giving me,

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Speaker 1: maybe she's going to fake us out and say I

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Speaker 1: hate it. We'll say, I have a feeling this guess

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Speaker 1: is gonna like it. Our guest, Um, wow, this is

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Speaker 1: this is this is really special. This is a moment. Yeah,

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Speaker 1: this is a moment. I just to like, we'll bring

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Speaker 1: her in. But you know I just have to embarrass her.

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Speaker 1: I will embarrass her. No, I mean her specials, her albums, incredible,

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Speaker 1: how to Win Unwanted Thoughts, syndrome, old baby like it

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Speaker 1: just such good stuff, the special special special like truly

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Speaker 1: what like a pre eminent mind, I think really really

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Speaker 1: such such an admire many many of our finest comedian's

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Speaker 1: favorite comedian there you go out of course, Lady Dynamite.

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Speaker 1: Just an incredible, incredible show. Um, and so we're so

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Speaker 1: happy to have with us today. Maria Bamford, I feak

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Speaker 1: so great folks, Yes, great folks, great folks. You know

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Speaker 1: it could it could mean something else, but we know

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Speaker 1: in context you can. You guys have used it as

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Speaker 1: so good so well honestly up. Yeah. The what it

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Speaker 1: really takes it to the next level is the of

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Speaker 1: corks of course cos. And you think maybe we know

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Speaker 1: wine corks, quirkboard, it's of cos and people have um

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Speaker 1: been tweeting yex of corks and back to us. After

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Speaker 1: we announced it at our live show at the we

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Speaker 1: announced it as a new thing in the cultural canna,

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Speaker 1: which is how you things catch on. You have to

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Speaker 1: force that. I'm going to take that home and I'm

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Speaker 1: going to at least say it to seventeen people. Seventeen people,

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Speaker 1: and you know, five of them. I think five of

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Speaker 1: them will continue on. You know what stayed with me.

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Speaker 1: One of your phrases that stayed with me is um,

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Speaker 1: I don't know if you remember this hog book. Oh yes,

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Speaker 1: hogbogg book true words together that are delightful to say.

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Speaker 1: It was my screen name for my Okay Cupid problem,

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Speaker 1: which is your husband? How I met my husband? One

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Speaker 1: guy responded to hogbook and it was the right guy

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Speaker 1: And it was the right guy my because you put

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Speaker 1: some vague on there on your profile, like uh, I

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Speaker 1: put thoughtful, funny or something yeah too wide a net. No, no, no,

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Speaker 1: everyone everyone wants thoughtful and funny, but not everyone wants

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Speaker 1: hog book. And if you do want hog book, like

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Speaker 1: you know, you have to connect with people who like

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Speaker 1: the same words as you. Yeah yeah, and I love

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Speaker 1: or yeah love the words in the same way that

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Speaker 1: you love words. And he is like hog book? What

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Speaker 1: the who is this lady? Right? And which is where

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Speaker 1: some people wrote me and said hog book. Did you

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Speaker 1: know that's the word for a log book that a

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Speaker 1: pilot keeps in the cockpit. Yeah, I don't care. I

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Speaker 1: don't care. I like how it sounds babe okay or

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Speaker 1: the oral a you are a l experience, thank you?

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Speaker 1: Or you're not trying to bag a pilot, are you? No? No? No?

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Speaker 1: Can I tell you my favorite word? But it is

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Speaker 1: a Spanish word mola backpack. Yes, Sheila. When I've heard

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Speaker 1: about la mochila, I was like, that's it for me?

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Speaker 1: Was it do the explorer thing? No? You know what?

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Speaker 1: Ideo was mochila. She often says mochila because she has

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Speaker 1: a mochila. I believe it's a Tienna mochila. She has

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Speaker 1: a mochila one backpack, short, good one. I guess I

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Speaker 1: have to give the credit against She's going to make

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Speaker 1: it on the podcast against Senorita Ford. Seniory to four

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Speaker 1: or sixth grade? Finished that was ninth grade, ninth grade.

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Speaker 1: But I love that she was Senorita Ford. That's another

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Speaker 1: that's like a hogbook situation where it's like two words

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Speaker 1: that just you know, they don't You don't think they

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Speaker 1: would go together, but then they comically they work. There's

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Speaker 1: a comic dissonance to it. Wouldn't you say, oh, yeah,

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Speaker 1: I was sure. Um grew up in California, Maria. No, no,

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Speaker 1: you were born here. I was born here. I grew

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Speaker 1: up in Minnesota. But I get my dad was in

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Speaker 1: the Navy, so I grew up or born in the

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Speaker 1: naval hospital. My god, No, you shouldn't. Nobody should know

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Speaker 1: any of these things. Aren't anyone? Absolutely? My spouse maybe

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Speaker 1: maybe invasive? Now this invasive and now it's too much.

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Speaker 1: Now I know too much. Know the mystery is gone gone.

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Speaker 1: We have a friend who has long the silhouette of

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Speaker 1: Long Island tattooed on his bicep, and we said, when

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Speaker 1: did you get that? He said last year? I was like, okay,

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Speaker 1: and and for what reason? Long Island pride, not even

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Speaker 1: gay practice? He grew up there? Or Okay, so it

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Speaker 1: wasn't it because of a certain seminal experience, he said?

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Speaker 1: He said, right, I had. I went to Long Island

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Speaker 1: and I thought this is a beautiful country. No. But honestly,

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Speaker 1: if I could have a state or a region tattooed

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Speaker 1: on me, I guess I would have to be Florida. Okay,

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Speaker 1: but that is that is because you have had seminal.

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Speaker 1: I'm I'm a Disney person. How does that make you feel? Well? Mixed.

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Speaker 1: I did work for Disney as a secretary in the

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Speaker 1: very boring part of the show. I was in the

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Speaker 1: show that's very quiet and grim, a lot of getting

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Speaker 1: coffee and hustling experience. It's not fun um, but you're

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Speaker 1: still a part of the shower. When they tell you

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Speaker 1: you're a cast member, that has to feel exhilarating in

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Speaker 1: some way, even if you know the reality is a

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Speaker 1: lot of sitting and an administrative work, administrating and still

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Speaker 1: answering phones when somebody says, yeah, there's a lot of

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Speaker 1: legal um where people can't use anything that has worked

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Speaker 1: in the legal department, where it's like anything that looks

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Speaker 1: like Mickey So like some poor lady in Guatemala is

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Speaker 1: just making like Mickey Mouse, you know, quilts just for

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Speaker 1: funzies out of her and they came for her. Oh yeah, no, no, no,

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Speaker 1: they everybody goes down. So wait, here's a question. Working

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Speaker 1: for Disney, even in the legal department, do you still

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Speaker 1: have to be like this? Well, I mean I tried,

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Speaker 1: I tried my best. Um, I've certainly I did almost

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Speaker 1: get I I didn't get fired. This is one of

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Speaker 1: the worst things that I ever did. I was a receptionist,

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Speaker 1: and I was substituting for another woman who had left

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Speaker 1: a half eaten chocolate rabbit from Easter on her desk. Now, albeit,

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Speaker 1: I need to bring my own snacks, okay, but I

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Speaker 1: cannot bear when someone leaves something delicious. You're gonna just

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Speaker 1: you're eating that slowly. I ate it up. She tracked

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Speaker 1: me down within the mail system at Disney called me

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Speaker 1: and said, what the hell you ate my chocolate rabbit?

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Speaker 1: And and I was very ashamed. It has not stopped

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Speaker 1: me from stealing other people's food. And you have to

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Speaker 1: keep being you who you are and this is what

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Speaker 1: you steal. But this is what I have to say,

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Speaker 1: and not to not to put this in a victim

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Speaker 1: blaming situation. She left that on display. Also, I love

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Speaker 1: the grabit on display. You're not gonna not eat it,

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Speaker 1: It's not for nothing, But you don't just leave chop

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Speaker 1: it out, because honey, it's real culture number forty four.

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Speaker 1: Sure Easter don't and I was gonna. In addition, it's

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Speaker 1: chocolate will melts. Absolutely, she didn't think of that. That's

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Speaker 1: why she didn't think of that. But it's chilled, it's

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Speaker 1: chilled inside them. A Mauschwitz it's like very that. It's

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Speaker 1: very nice conditioning system, but not inside those suits. People

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Speaker 1: in those suits who have to live in the tunnels.

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Speaker 1: Are they air conditioned? Though? Because I also I never

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Speaker 1: like whenever they say, well, don't worry those suits because

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Speaker 1: you see them and they are in Orlando, Florida, which

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Speaker 1: is a tropical climate decided, and they say, don't worry,

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Speaker 1: the suits are air conditioning, And I'm like, how could

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Speaker 1: that be? Do you have in tell I don't have intel.

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Speaker 1: I have been inside one of a suit like that.

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Speaker 1: Uh get me the Minnesota pickle, thank you. But it

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Speaker 1: was hot and awful. It gets to be like a

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Speaker 1: hundred degrees. You don't know which way you're walking, kids

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Speaker 1: are kicking you. It's not no, yeah, it was okay.

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Speaker 1: Would you does that rank as one of the worst

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Speaker 1: odd jobs? Well? Actually just auditioned and then I heard

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Speaker 1: the war stories and other former pickles in the audition

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Speaker 1: room and they're like yeah. I mean sometimes I was

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Speaker 1: at the Iowa State Fair and I just started running

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Speaker 1: and I was like and these were grown man, and

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Speaker 1: I was just like, you know what, Um, I'm a

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Speaker 1: tony Leddy. I'm not going to drive down to Iowa

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Speaker 1: and do that kind of nonsense. Take a tour like that, Yeah,

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Speaker 1: I'd rather do it without the suit, you know, like

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Speaker 1: if you're going to chase me, I want to be

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Speaker 1: known for who I am. So you had in the suit, Yes,

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Speaker 1: you have to put on the suits. That was the

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Speaker 1: one time you had it. Yeah, yeah, I just imagined

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Speaker 1: all the horrors, so I didn't. But I have been

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Speaker 1: a costumed character in a park. I was a bare

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Speaker 1: in the Star Trek Deep Space nine franchies, very briefly

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Speaker 1: was being showcased, I believe for a number of years,

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Speaker 1: a few years, and I came out to Los Angeles.

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Speaker 1: Was one of the reasons I got to move out here.

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Speaker 1: They're paying six hundred bucks a week for you to

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Speaker 1: walk around with a vulcan and a kling on. I

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Speaker 1: just had to wear a tight space outfit with some

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Speaker 1: false false breasts because that's part of my culture and

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Speaker 1: do Jack in the Box openings, and it was it

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Speaker 1: was a delight. That's I mean, it is a pretty

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Speaker 1: good gig, like you know, and you bring people joy.

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Speaker 1: I guess that's my thing. With the Disney employees and

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Speaker 1: like people that do that. It's always like I don't

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Speaker 1: understand how you maintain a level of almost manic positivity

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Speaker 1: and joy even when people and you know, look the

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Speaker 1: people that go to Disney, especially the Magic Endom. It's

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Speaker 1: a lot of families with tired kids. It's stressful. So

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Speaker 1: I don't understand how you can have guest interactions which

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Speaker 1: most of the time like probably are frustrating, but keep

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Speaker 1: up that level of Disney happiness. Well, aren't they They

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Speaker 1: they're silent, right, nobody says anything. Well, but then people

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Speaker 1: in the suits, but on a customer service level, like

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Speaker 1: you can like walk up to a hostess and just

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Speaker 1: be in the worst mood, be the biggest jerk and

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Speaker 1: be like I want a table now, and then they

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Speaker 1: just have to smile through it. Yeah, well I did

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Speaker 1: send some passive aggression. We went to Avatar Land because

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Speaker 1: now they have I don't know, Animal Kingdom has like

200
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Speaker 1: the World of Avatar Pandora, And there was like a

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Speaker 1: very long line for like the State of the Art

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Speaker 1: attraction there, and one person came up to a cast

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Speaker 1: member who's like smiling through it dealing with people who

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Speaker 1: don't want to wait, and the guys like is this seriously?

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Speaker 1: The line um can can I have my drink in there.

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Speaker 1: She goes, actually, no, you can't bring an alcoholic beverage

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Speaker 1: in um and like or something like that, like some beverage.

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Speaker 1: But she was like, and he was like, what are

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Speaker 1: you talking about, Like that's not the policy, and she

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Speaker 1: was just like that's always been our policy. And you

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Speaker 1: saw that little glimpse of like, I don't like this,

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Speaker 1: but but she had the smile and like, as far

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Speaker 1: as anyone could tell or report, she was happy when

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Speaker 1: she said it. Yeah. I mean she has her finger

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Speaker 1: on the button if anything goes down, if any woman

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Speaker 1: starts to get a gro like, she just shoot opens

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Speaker 1: up and you're taken out of the magic Kingdom. Yeah. Um.

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Speaker 1: Then I also heard about their the underpaid people at

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Speaker 1: the parks and people are yeah, and people are living

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Speaker 1: in their cars, uh to work there. And I thought

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Speaker 1: to myself, that's that's not happy. That that can't be happy. Yeah, that,

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Speaker 1: oh my god, for sure. Well, the the New York

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Speaker 1: Times is gonna a serious about it, so it has

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Speaker 1: to be true. Do you consider yourself an adventurous theme

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Speaker 1: park type or you kind of when you have a vacation,

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Speaker 1: like the silence and the quiet and the books. Oh,

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Speaker 1: I do like a book. Unfortunately, but unfortunately well, I

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Speaker 1: mean for you guys. I mean it's not I'm not,

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Speaker 1: that's not. We're embracing it. Okay. This last weekend we

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Speaker 1: went to see Yola Tango in the Desert and that

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Speaker 1: was fun. And I don't know anything about music, so

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Speaker 1: I brought my scrap booking supplies where I sat in

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Speaker 1: the back when it was at Papian Harriet's, this desert

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Speaker 1: outpost place. And I sat there and then the man came,

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Speaker 1: you know, people who were sick or taken out by

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Speaker 1: security sat by me on the bench. I got vomited

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Speaker 1: by and I got and uh center for outcasts, Center

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Speaker 1: for outcast, and I just anyways, I was my version

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Speaker 1: of scrap booking as I cut out pictures from magazines

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Speaker 1: and then paste them inside of of used books and

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Speaker 1: then give them to my friends for Christmas. That's lovely. Now,

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Speaker 1: what is what is the visual visually compelling thing in

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Speaker 1: an image that will make you want to say, I'm

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Speaker 1: well because my lady, my friends with middle ladies, It's

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Speaker 1: always something, you know, like an adult diaper or like

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Speaker 1: a not your not your daughter's jeans. Okay, okay, so

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Speaker 1: it's not like Jonas as a hot boy Charlie Pooth. No, No,

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Speaker 1: although he's very they're very cute boy. Song attention is

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Speaker 1: very attention. Do you have a favorite hot young new star. Well,

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Speaker 1: I really loved watching um I'm the one video with

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Speaker 1: Justin Bieber and all of his pals D and DJ

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Speaker 1: and its just the discomfort they had as they were

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Speaker 1: kind of like standing around casually as this gorgeous woman

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Speaker 1: hanging out on a horse. It just it was so

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Speaker 1: bizarre and really uh, it was very sweet in the discomfort. Yeah,

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Speaker 1: I just they didn't look that. They were definitely looking

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Speaker 1: at the camera really hard, like this looks cool. Yeah,

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Speaker 1: we're playing it off the music videos these days they're

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Speaker 1: getting pretty cool. Yeah, did you They just get cooler

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Speaker 1: and cool. They just get cooler and cooler. I believe

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Speaker 1: because of the money. The money. Yeah. And I tell

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Speaker 1: you what, what what music video just made me cry? Which

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Speaker 1: one in five They have a neuvid music video called

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Speaker 1: girls Like You and that they have it's like and

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Speaker 1: Levina is like singing and being handsome Adam Levine And

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Speaker 1: that's a very good It was impressionist, um clearly, but

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Speaker 1: the cameras circling around him, and as it does, you

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Speaker 1: see like another Like every revolution there's a new sort

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Speaker 1: of famous celebrity woman. And you know it's just kind

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Speaker 1: of like a it's kind of like a name dropping

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Speaker 1: music music video. But I believe the intense is like

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Speaker 1: all types of like all types of what do we

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Speaker 1: just see? Its like what we all types of beauty? Yes,

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Speaker 1: and the inner beauty and they're just dand singing, being

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Speaker 1: themselves and being celebrating different individuality and wonderful. And then

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Speaker 1: the last shot is him with Bihati, his gorgeous wife

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Speaker 1: and their baby, and he gives a hug and it's

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Speaker 1: you can that's his girl like girl like you sure

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Speaker 1: will cried it got me, I don't. I don't know

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Speaker 1: if I love that about myself that I crowded a

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Speaker 1: Maroon five videos. No, there's nothing wrong with that. I

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Speaker 1: watched Maroon five video with Cardie B. I love Miss

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Speaker 1: Cardi B. This is the one that's comes in. Okay, yeah,

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Speaker 1: so you will. You watched the Cardi part, which is

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Speaker 1: kind of the best part from Cardi. I'm a Cardi

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Speaker 1: fan because I think I saw it on her Instagram feed. Yes,

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Speaker 1: she comes in and she has a lovely verse. She

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Speaker 1: rhymes her own name with Harley Harley Cardy CARDI like

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Speaker 1: Harley Harley. That's a good um. We call that a

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Speaker 1: slant rhyme. It's not a slant ruy. Well, what is

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Speaker 1: a slant room. It doesn't have the exact same syllabic um,

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Speaker 1: you know, analoggusness. I'm just calling words out and now

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Speaker 1: La goose. Wait, one more thing about the the I'm

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Speaker 1: the one video I think out of all of them,

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Speaker 1: and let me know if you agree with me, Maria,

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Speaker 1: I think Chance the Rapper is the least comfortable to be.

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Speaker 1: To be there is the guy with the elaborate teeth work,

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Speaker 1: not the elaborateeeth work, this guy in the baseball cap

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Speaker 1: and in the facial her and he's just kind of

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Speaker 1: an adorable guy, just like kind of dancing around. He's

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Speaker 1: just like, I don't really, this is awkward, this is strange.

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Speaker 1: He's the most like he's winking at the audience the most.

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Speaker 1: But anyway, did you happen to see the new Jennifer

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Speaker 1: Lopez video. It's called dinero. And let me tell you

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Speaker 1: that's another good word. You care mass. That's basically the chorus,

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Speaker 1: You'll want money, and then she goes which is of

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Speaker 1: course money three times. Now. Jennifer Lopez is absolutely a

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Speaker 1: fabulously wealthy woman, and she shows that off in the video.

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Speaker 1: And then the last shot, the very last shot, she's

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Speaker 1: in a saw anna and next to her is a unicorn,

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Speaker 1: because of course she because we're to believe that she

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Speaker 1: has so rich that she has a unicorn, and Mariana confused.

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Speaker 1: Do you look confused, perturb I bet she thought unicorns.

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Speaker 1: Everyone has different, uh, different definitions of what luxury means.

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Speaker 1: That having a unicorn in a sauna with me, that

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Speaker 1: doesn't That's not my go to. But when you're Jennifer Lopez,

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Speaker 1: I guess, like when you have everything right, what's the

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Speaker 1: one thing you don't have? Something that doesn't exist on

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Speaker 1: this plane of reality. This is a fun little and

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Speaker 1: with an animal, let's put it somewhere it can't live. Now,

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Speaker 1: this is this opens up a good discussion. Let's I

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Speaker 1: think we each go around and talk about what our

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Speaker 1: idea of luxury and wealth means in in one setting.

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Speaker 1: So I'll start. I'll say I've got um on one hand, uh,

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Speaker 1: a diet sprite, another nice coffee, a little bit of

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Speaker 1: a little bit of half and half. Just um, cold

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Speaker 1: brew or ice coffee, ice coffee, coldbrew. I can't, I

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Speaker 1: can't deal with just the It makes me crazy. Just

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Speaker 1: it's too concentrated. But it's a nice coffee. But it's

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Speaker 1: not a water down hot coffee either. So um. And

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Speaker 1: then I'm just you know, I'm just at home playing

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Speaker 1: playing a great video game. Um, and then just eating

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Speaker 1: a gorgeous, gorgeous pasta meal. All right, what about you, mail,

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Speaker 1: Let's let's go, let's go this. So I have a

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Speaker 1: disease where every night I dream about theme parks. I

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Speaker 1: can't explain it, but every single night of my life

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Speaker 1: there's a theme park in my dream. Have you been

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Speaker 1: to the other theme parks abroad? Like the way I

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Speaker 1: sometimes do travel around? Like one time I was in

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Speaker 1: um Ohio and I wanted to go to Cedar Point. Yeah,

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Speaker 1: so it's like it's like the roller coaster palace of

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Speaker 1: the world, but it was too far. So I went

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Speaker 1: to Paramount King's Island by myself, and I like I

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Speaker 1: was being a nerd, like writing these like wooden roller

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Speaker 1: coasters I had always wanted to do my whole life,

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Speaker 1: and actually behind me in line or like other like

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Speaker 1: coaster people, and I got into a discussion with them

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Speaker 1: that I couldn't believe I was having about like the

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Speaker 1: angles of the track, like it's really tortu. Yeah, like

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Speaker 1: it's I it was coaster talk. It was um and

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Speaker 1: it was of course in two thousand six. But I

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Speaker 1: think that my idea of fabulous wealth would be to

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Speaker 1: be able to after the after a theme park closed,

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Speaker 1: is to be able to rent it out like you

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Speaker 1: know these whenever I'm leaving a theme park and like

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Speaker 1: you see them setting up buffet tables, I'm like, whose

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Speaker 1: it for? I want to be invited to that wedding

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Speaker 1: and to be able to do whatever you want in

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Speaker 1: the theme park, like even a major one, like I

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Speaker 1: have it for the night. You want to run out

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Speaker 1: all of them the Universal City Walk. Yes here and

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Speaker 1: just for me, and honestly by canet, just for me.

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Speaker 1: It would also be about hundreds of my closest friends

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Speaker 1: and then being able to walk down from ride to

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Speaker 1: ride and be like Stacy Mark Giovanni, you know, like

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Speaker 1: everyone's there. Have you met Stacy Mark and Giovanni had something?

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Speaker 1: I don't know one person named any of those things.

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Speaker 1: You know a mark, you must know mark. I don't

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Speaker 1: think I've ever met a mark, but just know that

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Speaker 1: when you do, it's a sign of luk. Here, I'm

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Speaker 1: gonna be like, you're all coming with me to the

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Speaker 1: buffet tables setting up at City Walk. What I mean.

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Speaker 1: What I mean by that is I'll just it'll be

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Speaker 1: all my people. And you know, my senior trip. We

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Speaker 1: went to Hershey Park my senior high school trip, and

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Speaker 1: I was like, yes, but then it got very dark

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Speaker 1: because the bus broke down on the way home. And

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Speaker 1: I'm from Long Island, so it was from Pennsylvania's Long

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Speaker 1: Island and the bus broke down on the side of

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Speaker 1: the road and we had to walk to another bus,

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Speaker 1: which didn't get there for two and a half hours.

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Speaker 1: So we were just like it was very like this

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Speaker 1: is how a horror movie starts, and horror movies don't

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Speaker 1: end well did anyway? Is it a memory though, that

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00:22:06,480 --> 00:22:10,520
Speaker 1: everyone connects within your class. I think that, um, we

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Speaker 1: all have that shared experience. Yes, except the people that

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Speaker 1: didn't go that day because they missed the bus and

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Speaker 1: you really you can never miss a bus, and they

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00:22:19,160 --> 00:22:21,200
Speaker 1: really missed the bus. Yeah, they really missed the bus

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Speaker 1: actually real cultural number one N one, you can never

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Speaker 1: miss the bus, Maia, what is your idea of fabulous? Well, well,

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Speaker 1: I was going to say something really uh uh shallow.

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Speaker 1: I mean, don't worry, no, no, no, I was going

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Speaker 1: to say something that is the opposite of shallows. So

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Speaker 1: that looks like a nice person like affordable housing for

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Speaker 1: Los Angeles there are a hundred thousand people living on

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Speaker 1: the street, which there are, but okay, luxury, um, you know, uh,

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Speaker 1: I think it would be you don't want to be.

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Speaker 1: It would be having tons of energy. I would love

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Speaker 1: to be someone who has a ship ton of energy.

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00:23:10,320 --> 00:23:12,800
Speaker 1: I'm on I'm on a number of medications when which

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00:23:12,840 --> 00:23:16,439
Speaker 1: just an antipsychotic which I love, and it clocks me

403
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Speaker 1: out at the end of the day. But the problem

404
00:23:18,320 --> 00:23:21,240
Speaker 1: is is I'm a little tie tie all the time.

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00:23:22,080 --> 00:23:26,600
Speaker 1: I would not mind having uh the go go Chihuahua.

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Speaker 1: Energy of what I've seen of many people on the planet. Sure,

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00:23:31,800 --> 00:23:36,360
Speaker 1: I mean energy is the currency. That is. We are

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Speaker 1: very tired right now, and we promised you, Maria, we

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Speaker 1: can't bring oh my god, talk about we are so tired.

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00:23:47,240 --> 00:23:49,520
Speaker 1: So we're from New York. We're only here for two weeks.

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Speaker 1: So basically like we just well we were We did

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Speaker 1: a live show on Tuesday, and so you're got to

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Speaker 1: meet with the industry. You have to do with the

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00:23:55,760 --> 00:24:01,399
Speaker 1: big right, what's your story? And we were happy to

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00:24:01,400 --> 00:24:05,120
Speaker 1: tell them our story. In the process of doing so, mentally,

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00:24:05,160 --> 00:24:07,640
Speaker 1: you're just no, it's Austin. Yeah, and then you get

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00:24:07,640 --> 00:24:11,040
Speaker 1: a free bottle of water, and then you go, what's happened? Yeah?

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Speaker 1: Do you feel that when they offer you a bottle

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Speaker 1: of water in the beginning of the meeting, obligated to

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00:24:15,040 --> 00:24:16,919
Speaker 1: say yes because the other day I said no and

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00:24:16,960 --> 00:24:18,639
Speaker 1: the girl looked at me, like, you don't want water,

422
00:24:19,359 --> 00:24:21,560
Speaker 1: and I was like, I mean, I'll take it. Oh shit,

423
00:24:22,040 --> 00:24:24,800
Speaker 1: I've always taken the water, so I don't know what

424
00:24:24,840 --> 00:24:28,399
Speaker 1: it feels like to not take the water. I always

425
00:24:28,440 --> 00:24:30,439
Speaker 1: want something. I want whatever I can get out of

426
00:24:30,480 --> 00:24:32,920
Speaker 1: that thing. I took two Dolly ranchers out of your

427
00:24:32,920 --> 00:24:36,800
Speaker 1: cup out there, yeah, are no, there's a grape and

428
00:24:36,840 --> 00:24:40,280
Speaker 1: a cherry, and grapes are my faith. I'm not a

429
00:24:40,320 --> 00:24:43,800
Speaker 1: grape girl, okay, all right, I'm not a seer apple girl.

430
00:24:44,640 --> 00:24:48,240
Speaker 1: I'm very specific with us and cherry cherry, cherry, Okay.

431
00:24:48,640 --> 00:24:50,800
Speaker 1: I may have not eaten all the cherries. Okay, I

432
00:24:50,840 --> 00:24:52,639
Speaker 1: hope so. But also I'm color blind, so they all

433
00:24:52,640 --> 00:24:54,479
Speaker 1: look the same to me. I looked on the thing

434
00:24:54,480 --> 00:24:58,040
Speaker 1: and I'm like, no, those are all grape. But anyway,

435
00:24:58,359 --> 00:25:03,520
Speaker 1: we understand being tired, but my tiredness does manifest in

436
00:25:04,160 --> 00:25:07,800
Speaker 1: doing more like I'm a I'm a person who's on

437
00:25:07,840 --> 00:25:10,520
Speaker 1: a lot, and then when I go home, like I

438
00:25:10,560 --> 00:25:13,160
Speaker 1: have to be by myself, like it's the whole day

439
00:25:13,200 --> 00:25:17,239
Speaker 1: of extrovert and then like really, like now let me

440
00:25:17,560 --> 00:25:22,560
Speaker 1: conk out sure, I mean what what? What is like? Um?

441
00:25:22,560 --> 00:25:24,719
Speaker 1: What is something? Like? What? Like? How are you? How

442
00:25:24,760 --> 00:25:26,840
Speaker 1: do you even combat that? Like moment to moment Like

443
00:25:26,880 --> 00:25:29,200
Speaker 1: that's what I That's what I'm That's what my struggle is.

444
00:25:29,400 --> 00:25:33,199
Speaker 1: I can't combat it. Um. I see my friend Amy

445
00:25:33,359 --> 00:25:36,439
Speaker 1: who has she has a small business. She wakes up

446
00:25:36,440 --> 00:25:40,679
Speaker 1: at five, she feeds over twenty five million animals, and

447
00:25:40,720 --> 00:25:43,200
Speaker 1: then she goes to your small business talks with people

448
00:25:43,280 --> 00:25:46,520
Speaker 1: all freaking day. Then she goes out to a ranch

449
00:25:46,680 --> 00:25:51,720
Speaker 1: where she volunteers and cleans horses and goes on horse rides,

450
00:25:52,080 --> 00:25:54,320
Speaker 1: and then she finally gets home at around nine o'clock

451
00:25:54,359 --> 00:25:58,640
Speaker 1: a night, and she tips over. But if I can do,

452
00:25:58,800 --> 00:26:00,720
Speaker 1: I'm going to do this podcast. I'm going to go

453
00:26:00,800 --> 00:26:04,040
Speaker 1: home and take a nap. Good. Yes, that's that's it.

454
00:26:04,440 --> 00:26:07,960
Speaker 1: I sometimes feel exhausted, like we're talking about those meetings,

455
00:26:07,960 --> 00:26:11,600
Speaker 1: like we leave the meetings and we're like, because they

456
00:26:11,600 --> 00:26:15,360
Speaker 1: are a performance. Yes, yes, and podcasting is a performance.

457
00:26:15,359 --> 00:26:18,040
Speaker 1: Oh sure we're all performing now. Yes, it's actually real

458
00:26:18,080 --> 00:26:23,800
Speaker 1: culture number ninety four podcast performance. Yes, I missed some

459
00:26:23,880 --> 00:26:25,520
Speaker 1: of the syllables there, but that's okay because they got

460
00:26:26,080 --> 00:26:28,760
Speaker 1: well and some people miss I've been on some podcasts

461
00:26:28,760 --> 00:26:31,280
Speaker 1: where it's it is more just a chit chat, and

462
00:26:31,280 --> 00:26:33,159
Speaker 1: you go, okay, we gotta we gotta step it up

463
00:26:33,160 --> 00:26:36,160
Speaker 1: a not yeah, because who really wants to just hear

464
00:26:36,240 --> 00:26:40,760
Speaker 1: chit chat? No, you want to hear something that has

465
00:26:41,080 --> 00:26:47,440
Speaker 1: been really and you can can serve you the extravagance.

466
00:26:48,400 --> 00:26:50,200
Speaker 1: You want to listen to something that's been rehearsed. I

467
00:26:50,200 --> 00:26:54,560
Speaker 1: don't want to hear any improv podcast conversation and a

468
00:26:54,560 --> 00:26:59,080
Speaker 1: good sign this essentially that don't tune out, don't tune out,

469
00:26:59,119 --> 00:27:02,200
Speaker 1: don't tune don't Now to have a producer just laughing

470
00:27:02,240 --> 00:27:06,240
Speaker 1: and rocking in his chat, his little shoulder shaking, he's

471
00:27:06,240 --> 00:27:08,960
Speaker 1: on he's on his phone. Now he's gotta he's got

472
00:27:09,040 --> 00:27:10,800
Speaker 1: to take care of him. This is this is Brett.

473
00:27:10,880 --> 00:27:13,640
Speaker 1: This is who we were lovingly referred to as HPB

474
00:27:13,800 --> 00:27:17,640
Speaker 1: Hot Producer Brett, and he's an all. You haven't met them,

475
00:27:17,640 --> 00:27:19,959
Speaker 1: but we have lovely producers out of New York name

476
00:27:20,520 --> 00:27:23,159
Speaker 1: Joe and Alex who are referred to as j and

477
00:27:23,359 --> 00:27:27,240
Speaker 1: HP A Hot Producer Alex, how do you feel about

478
00:27:27,359 --> 00:27:30,720
Speaker 1: us objectifying them in this way should be pumped the brakes? Well,

479
00:27:32,280 --> 00:27:34,560
Speaker 1: my husband I were just talking about this last night,

480
00:27:34,600 --> 00:27:37,879
Speaker 1: about how women are sometimes predators, you know from the

481
00:27:37,920 --> 00:27:40,280
Speaker 1: me Too move it, there haven't been as many talks

482
00:27:40,320 --> 00:27:44,159
Speaker 1: about how like this woman she we were dating and

483
00:27:44,200 --> 00:27:47,560
Speaker 1: she she she preassured me for sex and that happens too.

484
00:27:47,960 --> 00:27:50,840
Speaker 1: So I just I want to say, Brett, this is

485
00:27:50,840 --> 00:27:53,840
Speaker 1: your opportunity to speak up if you feel unsafe and

486
00:27:54,040 --> 00:27:58,280
Speaker 1: um uh also yeah, I mean I just know that

487
00:27:58,600 --> 00:28:04,399
Speaker 1: uh with with everyone uh talking about that, it doesn't

488
00:28:04,480 --> 00:28:07,560
Speaker 1: make me I know what made me think about some

489
00:28:07,600 --> 00:28:11,040
Speaker 1: of the things I did in the past as young. Yes, yes,

490
00:28:11,119 --> 00:28:13,800
Speaker 1: but let's just let's just I guess scope in on

491
00:28:14,000 --> 00:28:16,400
Speaker 1: just me and Matt as two gay men just sort

492
00:28:16,400 --> 00:28:20,560
Speaker 1: of like playfully praying on these poor unsuspecting what's flirtation

493
00:28:20,640 --> 00:28:25,800
Speaker 1: and what's intimidation? Oh yeah, well, and that's that's I

494
00:28:25,840 --> 00:28:29,280
Speaker 1: think the I had a I was at a comedy

495
00:28:29,280 --> 00:28:34,960
Speaker 1: club in in Houston, Addison, anybody listening, and um, the

496
00:28:35,040 --> 00:28:37,679
Speaker 1: club owner led me up to the stage by the

497
00:28:37,840 --> 00:28:41,240
Speaker 1: small of my back. I know where it is, buddy,

498
00:28:41,600 --> 00:28:48,200
Speaker 1: not touching at work. But I think, oh, this is

499
00:28:48,200 --> 00:28:52,520
Speaker 1: the definition of flirting that my friend Accucation heard in order.

500
00:28:53,320 --> 00:28:56,360
Speaker 1: Flirting is when you've succeeded in making the other person

501
00:28:56,520 --> 00:29:00,680
Speaker 1: feel attractive. So if you if the person hasn't feel attractive,

502
00:29:00,760 --> 00:29:03,600
Speaker 1: then you have not sued in flirting. Jackieason's eighty one

503
00:29:03,640 --> 00:29:07,200
Speaker 1: year old father is a great flirter. Like, he's not

504
00:29:07,280 --> 00:29:09,480
Speaker 1: a creepy flirt. For some reason, I just feel like

505
00:29:09,520 --> 00:29:14,200
Speaker 1: a hot, hot baby, and um, you know, and he's

506
00:29:14,240 --> 00:29:16,960
Speaker 1: just saying how pretty I look? And where'd you get

507
00:29:16,960 --> 00:29:20,880
Speaker 1: that blouse? Um? But uh, it does make me feel good.

508
00:29:21,040 --> 00:29:23,960
Speaker 1: So perhaps you know that's the thing you need to

509
00:29:23,960 --> 00:29:31,200
Speaker 1: ask them, do Brett, are you feeling at okay? And

510
00:29:31,320 --> 00:29:35,480
Speaker 1: I know I knew it. I knew it. And you

511
00:29:35,520 --> 00:29:38,200
Speaker 1: know what there's basically a little half smile erupt on

512
00:29:38,240 --> 00:29:42,240
Speaker 1: that face. There's a little bit of jealousy that's being

513
00:29:42,320 --> 00:29:45,240
Speaker 1: sort of drummed up between the producer, the producer and

514
00:29:45,560 --> 00:29:48,520
Speaker 1: other producer. Joe has texted us and said, well, well, wow,

515
00:29:48,680 --> 00:29:52,280
Speaker 1: it looks like I've been replaced. And I'm saying, listen,

516
00:29:52,680 --> 00:29:55,240
Speaker 1: there's there's a room. There's two of us. Yeah, there's

517
00:29:55,360 --> 00:29:58,960
Speaker 1: room for everybody. There's love enough for everyone. There's everyone.

518
00:29:58,960 --> 00:30:01,440
Speaker 1: And of course you are in aged to a lady

519
00:30:02,760 --> 00:30:06,600
Speaker 1: that we love to propose on the Amalfi Coast, I mean,

520
00:30:06,680 --> 00:30:11,040
Speaker 1: Bratt big Reville. It's gonna be a long engagement. We

521
00:30:11,040 --> 00:30:14,200
Speaker 1: had a whole discussion about late two nineteen oh interesting

522
00:30:15,360 --> 00:30:18,200
Speaker 1: the service. I don't know, I'm like, I have any

523
00:30:18,280 --> 00:30:20,320
Speaker 1: thoughts about it. I didn't get married till I was

524
00:30:20,360 --> 00:30:24,080
Speaker 1: forty five, and my husband and I had never had

525
00:30:24,120 --> 00:30:26,480
Speaker 1: anything last over a year. He had never had last

526
00:30:26,640 --> 00:30:30,320
Speaker 1: anything over three years. We are now at four and

527
00:30:30,400 --> 00:30:34,600
Speaker 1: a half, longer than one and longer than three. New records,

528
00:30:35,040 --> 00:30:38,440
Speaker 1: new record, yes, because I'm I'm working with like my

529
00:30:38,520 --> 00:30:41,360
Speaker 1: longest thing has been like three months, and me being like, oh,

530
00:30:41,520 --> 00:30:45,040
Speaker 1: is there any hope? But I mean look, it just

531
00:30:45,120 --> 00:30:48,200
Speaker 1: takes a guy who looks at your screen name hog

532
00:30:48,240 --> 00:30:51,160
Speaker 1: book and says, yes, yeah, you have to lead with

533
00:30:51,520 --> 00:30:56,360
Speaker 1: your weird Yeah. You know. That's the thing too about

534
00:30:56,400 --> 00:30:58,880
Speaker 1: like dating is like, that's amazing that you guys met

535
00:30:58,920 --> 00:31:01,440
Speaker 1: on okay Cube, but but okay Cupid like didn't really

536
00:31:01,440 --> 00:31:03,880
Speaker 1: work for me. And then I met my my ex

537
00:31:03,920 --> 00:31:05,600
Speaker 1: boyfriend who I was with her over two years. I

538
00:31:05,640 --> 00:31:09,320
Speaker 1: met doing a show and being very insanely weird on stage,

539
00:31:09,680 --> 00:31:11,440
Speaker 1: and I kind of was like, oh fu SI, now

540
00:31:11,440 --> 00:31:13,520
Speaker 1: I don't have to like let them know that I'm

541
00:31:13,520 --> 00:31:16,280
Speaker 1: a performer. Was that like a weird did? Like, you know,

542
00:31:16,520 --> 00:31:20,840
Speaker 1: he had already he watched comedy, so he knew that

543
00:31:20,880 --> 00:31:22,840
Speaker 1: I was a comedian, and he was and uh, and

544
00:31:23,000 --> 00:31:25,920
Speaker 1: he's an artist and he works for some famous like

545
00:31:26,360 --> 00:31:30,400
Speaker 1: painter artists who are cuckoo for Coco puffs. I mean

546
00:31:30,440 --> 00:31:33,840
Speaker 1: just in terms of a wonderful creative people like um.

547
00:31:33,920 --> 00:31:37,480
Speaker 1: So uh, he had no problem with it. Had and

548
00:31:37,520 --> 00:31:40,640
Speaker 1: he loves comedians. He says, the comedy world is just

549
00:31:40,720 --> 00:31:43,720
Speaker 1: so much more friendly, which is true. It's a lot

550
00:31:43,760 --> 00:31:46,120
Speaker 1: more accepting than we went to. We've gone to some

551
00:31:46,240 --> 00:31:50,760
Speaker 1: art parties and the art parties are it's hard, like

552
00:31:51,680 --> 00:31:54,200
Speaker 1: they're just uh, it's a little stressful. I think because

553
00:31:54,200 --> 00:31:57,000
Speaker 1: there's so much money involved comedy. We're all we're all

554
00:31:57,000 --> 00:32:00,040
Speaker 1: getting twenty bucks. Maybe after the show. It's not to

555
00:32:00,760 --> 00:32:03,920
Speaker 1: drink tickets and don't lose them because if you lose them,

556
00:32:04,160 --> 00:32:08,000
Speaker 1: you know we're going to believe you. But you know

557
00:32:08,000 --> 00:32:10,200
Speaker 1: what I do is I pick up Usually no one

558
00:32:10,240 --> 00:32:13,000
Speaker 1: wants both. Yeah, I'll just take them all drink tickets

559
00:32:13,120 --> 00:32:18,240
Speaker 1: and cash. Uh yeah. I think when in comedy it's

560
00:32:18,240 --> 00:32:22,240
Speaker 1: still always humbling, like I can bomb. Well, I just

561
00:32:22,280 --> 00:32:24,560
Speaker 1: did you know, like if the other night in a

562
00:32:24,600 --> 00:32:28,320
Speaker 1: small bar and lost, feels like people weren't on board

563
00:32:28,360 --> 00:32:31,480
Speaker 1: and really I just kept talking. Well, you just you

564
00:32:31,560 --> 00:32:35,160
Speaker 1: do your time, you feel the time and uh um

565
00:32:35,360 --> 00:32:38,600
Speaker 1: and people have seen a lot of famous performers here

566
00:32:38,760 --> 00:32:42,960
Speaker 1: and you gotta be something real special to get anybody's

567
00:32:42,960 --> 00:32:45,680
Speaker 1: attention in Los Angeles? Do you let the bombing? If

568
00:32:45,680 --> 00:32:47,800
Speaker 1: that at first of all, I can't really picture your bomb,

569
00:32:48,400 --> 00:32:51,080
Speaker 1: but I know it's being having done. We will, I mean,

570
00:32:51,120 --> 00:32:53,920
Speaker 1: we will believe it that anybody can bomb and at

571
00:32:54,000 --> 00:32:58,000
Speaker 1: whatever stage. But I mean, when were we gonna ask you? Um?

572
00:32:58,040 --> 00:33:00,560
Speaker 1: But what I was going to ask, was do you

573
00:33:00,640 --> 00:33:02,600
Speaker 1: let the bombing like roll off your back or do

574
00:33:02,680 --> 00:33:07,320
Speaker 1: you kind of like really sitting there, I question of

575
00:33:07,920 --> 00:33:16,960
Speaker 1: my abilities? And what what the point is extensionalism? Nihilism? Uh? What? Uh? Yeah?

576
00:33:17,240 --> 00:33:21,800
Speaker 1: What what is the function? What is function? And feeling

577
00:33:22,160 --> 00:33:25,920
Speaker 1: guilty like put these people through something? They had gone

578
00:33:25,960 --> 00:33:28,080
Speaker 1: out to have a good time and here they were

579
00:33:28,120 --> 00:33:32,560
Speaker 1: trapped um for fifteen to twenty minutes with my nonsense

580
00:33:32,720 --> 00:33:36,960
Speaker 1: and but I I don't know, but that's also part

581
00:33:37,000 --> 00:33:46,080
Speaker 1: of the machismo of doing. But actually, I actually there's

582
00:33:46,160 --> 00:33:48,960
Speaker 1: nothing attractive to me about bombing. Like my my friend

583
00:33:49,000 --> 00:33:51,800
Speaker 1: just told me they bombed, and she was like, I bombed,

584
00:33:51,800 --> 00:33:55,080
Speaker 1: and you know what, it felt good. I felt knocked down.

585
00:33:55,080 --> 00:33:57,280
Speaker 1: I'm now I'm hungry again. I was like, see, that's

586
00:33:57,320 --> 00:33:59,520
Speaker 1: not how I am. I'd like to be loved all

587
00:33:59,600 --> 00:34:03,400
Speaker 1: the time. That's and that's usually what I create for myself,

588
00:34:03,440 --> 00:34:06,720
Speaker 1: as I create like a small cocoon where I can

589
00:34:06,760 --> 00:34:09,880
Speaker 1: just be in a black box theater and everyone's like,

590
00:34:10,000 --> 00:34:16,440
Speaker 1: it's amazing that you're alive, You're a legend. Good for you.

591
00:34:17,440 --> 00:34:19,640
Speaker 1: Do you feel that, like now that people have known

592
00:34:19,680 --> 00:34:21,480
Speaker 1: who you are for a very long time you get that,

593
00:34:21,560 --> 00:34:24,319
Speaker 1: like you're an icon, your a legend and thank you?

594
00:34:24,640 --> 00:34:27,040
Speaker 1: Does that ever, does that fault your feet a lot?

595
00:34:27,200 --> 00:34:30,160
Speaker 1: I don't. I don't know. I don't think I've got that,

596
00:34:30,520 --> 00:34:35,279
Speaker 1: but I would. Um, I can't wait we bring out

597
00:34:35,280 --> 00:34:39,680
Speaker 1: a huge trophy. Well, I think it's just get you

598
00:34:39,800 --> 00:34:43,760
Speaker 1: just realize and how lucky you are just still be

599
00:34:43,880 --> 00:34:49,200
Speaker 1: in it, and and how unbelievably talented people are starting

600
00:34:49,239 --> 00:34:52,440
Speaker 1: out now. People are just so good and and that's

601
00:34:53,440 --> 00:34:57,799
Speaker 1: that's very inspiring. I mean, I feel like I don't

602
00:34:57,840 --> 00:35:01,319
Speaker 1: feel like I'm I'm at her at it really on

603
00:35:01,320 --> 00:35:04,520
Speaker 1: some level than I was when I started in terms

604
00:35:04,600 --> 00:35:11,400
Speaker 1: of like just I probably had more passion when I started,

605
00:35:11,960 --> 00:35:15,680
Speaker 1: which probably helped things. And now I'm like, yeah, I've

606
00:35:15,680 --> 00:35:20,600
Speaker 1: got a pool, paid for the pool, so maybe we

607
00:35:20,640 --> 00:35:24,880
Speaker 1: can slow down. We got we got we got the luxury. Yeah, no,

608
00:35:25,040 --> 00:35:29,640
Speaker 1: I've got the pools though. Yeah. Now like, well now

609
00:35:30,160 --> 00:35:32,560
Speaker 1: the up my husband and we're going to do uh,

610
00:35:32,880 --> 00:35:36,320
Speaker 1: we're trying to build a cooperative of our house. Yeah.

611
00:35:36,320 --> 00:35:40,319
Speaker 1: So we've got one comic in Carmen Morales lives with us,

612
00:35:40,440 --> 00:35:43,680
Speaker 1: and then maybe get a second one and maybe get

613
00:35:43,719 --> 00:35:48,160
Speaker 1: another old pug if we get three old pugs like

614
00:35:48,200 --> 00:35:52,480
Speaker 1: a little pug old ranch pug ranch um oh, I love.

615
00:35:52,960 --> 00:35:56,319
Speaker 1: I think pug ranches your wealth setting. I think that's

616
00:35:56,320 --> 00:35:59,040
Speaker 1: what it is. And that's fiftd bucks a month. I

617
00:35:59,080 --> 00:36:04,200
Speaker 1: mean just for drops. I mean seriously, they are dying

618
00:36:04,560 --> 00:36:08,439
Speaker 1: from birth to death. It's not a good situation for them.

619
00:36:08,880 --> 00:36:11,359
Speaker 1: Those are the eye And tell me if you agree

620
00:36:11,360 --> 00:36:13,840
Speaker 1: with me. The thing to admire in love about puzzes

621
00:36:13,920 --> 00:36:17,760
Speaker 1: that they are constantly suffering, just constantly, like they can't

622
00:36:17,840 --> 00:36:21,439
Speaker 1: breathe and they're just like confused adult or like what's

623
00:36:21,440 --> 00:36:23,839
Speaker 1: going on? That's like and you are, but yet you

624
00:36:23,920 --> 00:36:25,680
Speaker 1: keep going and you keep going, and I am I

625
00:36:25,719 --> 00:36:29,360
Speaker 1: mistating anything that is that's like looking in the mirror

626
00:36:29,400 --> 00:36:33,920
Speaker 1: to me, you know, like it's I'm struggling. I don't

627
00:36:33,960 --> 00:36:35,239
Speaker 1: know if I'm going to make it like I'm the

628
00:36:35,280 --> 00:36:38,360
Speaker 1: person like you know when they have those survivor stories

629
00:36:38,400 --> 00:36:41,040
Speaker 1: on the sea or something like I'm the person who

630
00:36:41,080 --> 00:36:43,680
Speaker 1: eats all the chocolate and goes I'm so sorry and

631
00:36:43,680 --> 00:36:46,759
Speaker 1: then dives and is eaten by sharks like I just

632
00:36:48,440 --> 00:36:52,600
Speaker 1: I'm not. I'm not a survivor at something. I understand

633
00:36:52,680 --> 00:36:56,160
Speaker 1: that I watch Life of pie and stuff, and I'm like, no,

634
00:36:56,960 --> 00:36:59,400
Speaker 1: I watched I saw like Us, like a zombie movie,

635
00:36:59,400 --> 00:37:01,120
Speaker 1: and people are like, character, would you belie? I was like,

636
00:37:01,239 --> 00:37:04,360
Speaker 1: I'm not in it. The second I hear the zombie

637
00:37:04,360 --> 00:37:07,000
Speaker 1: apocalyst is happening, I guarantee I have a heart attack

638
00:37:07,200 --> 00:37:10,319
Speaker 1: right away, and I'm gone. Like a shark movie. Now

639
00:37:10,520 --> 00:37:12,799
Speaker 1: I see a shark and I'm gone. Yeah, I don't

640
00:37:12,840 --> 00:37:16,520
Speaker 1: do anything heroic or yeah, it's been a good run,

641
00:37:17,560 --> 00:37:21,000
Speaker 1: like you just got to hang out, come here, I am.

642
00:37:21,080 --> 00:37:24,120
Speaker 1: I don't. I probably would just walk out. Yeah, zombies,

643
00:37:24,400 --> 00:37:27,480
Speaker 1: it has to happen. Now, just take me early. I'm

644
00:37:27,520 --> 00:37:31,000
Speaker 1: an early adopter. Yeah, yeah, you guys hungry, that's it.

645
00:37:31,200 --> 00:37:34,800
Speaker 1: That's it. Pugs though, pugs, Pugs are Pugs are emblematic

646
00:37:34,800 --> 00:37:37,640
Speaker 1: of survival. Maybe is that is that? Yeah, where they're

647
00:37:37,640 --> 00:37:42,160
Speaker 1: struggling and they're adorable, and they're also super accepting and

648
00:37:42,239 --> 00:37:44,799
Speaker 1: loving of our most most of them. I'm sure there

649
00:37:44,800 --> 00:37:47,640
Speaker 1: are some growling pugs, but I don't know them, and

650
00:37:48,680 --> 00:37:51,680
Speaker 1: I yeah, and I feel weird about That's why we

651
00:37:51,719 --> 00:37:53,759
Speaker 1: get old pugs because I don't want I don't want

652
00:37:53,800 --> 00:37:57,839
Speaker 1: to bring any more babies into the world unless because

653
00:37:58,160 --> 00:38:01,840
Speaker 1: I think it is a little odd that we breed. Honestly,

654
00:38:01,880 --> 00:38:05,320
Speaker 1: it feels weird. Like I we have gold we have

655
00:38:05,360 --> 00:38:08,400
Speaker 1: Gold Retrievers all growing up and they are the best.

656
00:38:08,960 --> 00:38:12,160
Speaker 1: But watching what happens to their hips as they get older,

657
00:38:12,719 --> 00:38:16,319
Speaker 1: I mean it's like a very hard you know that

658
00:38:16,400 --> 00:38:19,600
Speaker 1: was it's really sad. I know, Maggie, my dog just

659
00:38:19,640 --> 00:38:22,600
Speaker 1: passed away last year, but that wasn't even a hip thing.

660
00:38:22,600 --> 00:38:27,520
Speaker 1: It was stomach cancer and literally within within weeks, and

661
00:38:27,560 --> 00:38:30,560
Speaker 1: it's just like, yeah, it's just so sad. And then

662
00:38:30,560 --> 00:38:34,439
Speaker 1: it's hard to you know. Of course, the suggestion is, well,

663
00:38:34,600 --> 00:38:36,799
Speaker 1: you know, get a get another dog, like you know,

664
00:38:37,120 --> 00:38:39,800
Speaker 1: but then it's like you're signing up for that again again.

665
00:38:39,960 --> 00:38:42,000
Speaker 1: And yeah, this is after we had lost our first dog.

666
00:38:42,080 --> 00:38:44,000
Speaker 1: They got Maggie, and now this is the second Gold

667
00:38:44,000 --> 00:38:46,120
Speaker 1: Retriever they've lost. And I can tell my parents like,

668
00:38:46,120 --> 00:38:47,839
Speaker 1: we're not going to get another one. It's too hard,

669
00:38:48,040 --> 00:38:51,839
Speaker 1: too hard. Yeah, well, maybe it's like when people have babies,

670
00:38:51,880 --> 00:38:54,960
Speaker 1: like my parents, they knew there's tons of mental illness

671
00:38:55,040 --> 00:38:57,480
Speaker 1: and you know, addiction on both sides of our family.

672
00:38:57,920 --> 00:39:00,480
Speaker 1: Why they why they bring more suffering into the world.

673
00:39:00,520 --> 00:39:04,239
Speaker 1: Why did you do this or just adopt, like at

674
00:39:04,320 --> 00:39:09,120
Speaker 1: least somebody who was already here. But then but then

675
00:39:09,160 --> 00:39:11,480
Speaker 1: you don't know what you're getting. Yeah, yeah, well but

676
00:39:11,520 --> 00:39:15,879
Speaker 1: then at least you've you've done somebody else solid by

677
00:39:16,520 --> 00:39:20,200
Speaker 1: uh being there for him. And I don't know, though,

678
00:39:20,200 --> 00:39:23,239
Speaker 1: I don't know if my parents, I I thought for

679
00:39:23,280 --> 00:39:25,319
Speaker 1: a long time, I got very obsessed about becoming a

680
00:39:25,360 --> 00:39:28,360
Speaker 1: foster parent, so much so that I listened to forty

681
00:39:28,400 --> 00:39:33,200
Speaker 1: episodes of the Foster Parenting podcast, which is recorded here

682
00:39:33,280 --> 00:39:36,319
Speaker 1: in Los Angeles by a lovely Christian couple. But they

683
00:39:36,320 --> 00:39:39,120
Speaker 1: don't talk too much about Christ, which for which I'm grateful.

684
00:39:39,680 --> 00:39:44,560
Speaker 1: And but it turns out, um, being a foster parent

685
00:39:45,560 --> 00:39:49,440
Speaker 1: is a ship ton of work. Yeah, and uh, and

686
00:39:49,960 --> 00:39:55,839
Speaker 1: you have to be very stable and patient, patient and

687
00:39:56,239 --> 00:39:59,320
Speaker 1: show up to court dates and a lot of emotional

688
00:39:59,400 --> 00:40:02,000
Speaker 1: energy yet a lot of yeah, keep a relationship with

689
00:40:02,040 --> 00:40:07,880
Speaker 1: the biological family. And it's oh yeah, that's the the

690
00:40:07,960 --> 00:40:11,440
Speaker 1: rules in UM are the law in in l anyways,

691
00:40:11,440 --> 00:40:13,600
Speaker 1: it's it's open adoption for their whole lives unless the

692
00:40:13,719 --> 00:40:17,439
Speaker 1: parents ever the so, which which is good for the kids.

693
00:40:17,480 --> 00:40:20,560
Speaker 1: I think, so they know, but uh, it's intense, like

694
00:40:20,600 --> 00:40:23,600
Speaker 1: you're signing up for a lot of hard work. But

695
00:40:23,680 --> 00:40:27,240
Speaker 1: I did listen to forty episodes. Yeah, so you're prepared

696
00:40:27,760 --> 00:40:30,919
Speaker 1: if it, if need be to tell to encourage someone

697
00:40:30,960 --> 00:40:33,600
Speaker 1: else to do it, let's do it. You know what.

698
00:40:33,640 --> 00:40:36,760
Speaker 1: Oh gosh, someone sent me that New York Times piece

699
00:40:36,960 --> 00:40:39,560
Speaker 1: about or was it in the New Yorker anyway, one

700
00:40:39,600 --> 00:40:41,279
Speaker 1: of the New York's it was, But it was this

701
00:40:41,320 --> 00:40:45,200
Speaker 1: whole piece about this mother who is, who has who

702
00:40:45,320 --> 00:40:48,279
Speaker 1: is in this open adoption sort of relationship where she

703
00:40:48,440 --> 00:40:52,799
Speaker 1: visits her biological child like every twice a year or

704
00:40:52,840 --> 00:40:55,359
Speaker 1: once a year, and it's it's just I mean, it's

705
00:40:55,360 --> 00:40:58,840
Speaker 1: a beautiful setup. It's that's it's wonderful. But like, gosh,

706
00:40:58,880 --> 00:41:02,160
Speaker 1: like just a got punched like to your emotions to

707
00:41:02,280 --> 00:41:05,640
Speaker 1: mine as a reader, I was like, oh, this is

708
00:41:05,760 --> 00:41:09,879
Speaker 1: so complicated and so and so generous and beautiful for

709
00:41:10,160 --> 00:41:12,440
Speaker 1: the adults to sort of opt into this. So anyway,

710
00:41:12,520 --> 00:41:18,160
Speaker 1: it makes you feel horrible about complaining about being tired. Interesting,

711
00:41:18,280 --> 00:41:22,160
Speaker 1: have you guys tried cold brew? Alright, wait, one more

712
00:41:22,200 --> 00:41:26,560
Speaker 1: thing about cold brew. When I have cold brew, I

713
00:41:26,680 --> 00:41:30,160
Speaker 1: become a killing machine. You're on, You're on it, You're on,

714
00:41:30,360 --> 00:41:34,359
Speaker 1: like you know the movie Lucy with Scarlett Johansson. That's me.

715
00:41:34,920 --> 00:41:37,920
Speaker 1: I have not seen that movie. Can you act it out? Well?

716
00:41:37,960 --> 00:41:40,279
Speaker 1: The tagline of it is you're only using a human

717
00:41:40,280 --> 00:41:44,080
Speaker 1: Beings only used ten percent of their brains, and this

718
00:41:44,160 --> 00:41:49,160
Speaker 1: is a situation where someone is using their brain. So

719
00:41:49,880 --> 00:41:52,959
Speaker 1: that's like me for fifteen minutes when like a cold

720
00:41:53,000 --> 00:41:54,880
Speaker 1: brewster it's in, I'm like, what we're going to do this?

721
00:41:54,920 --> 00:41:56,560
Speaker 1: And I would love to take that meeting and we'll

722
00:41:56,560 --> 00:41:59,400
Speaker 1: look at that. There's the treatment what I'm doing, and

723
00:41:59,400 --> 00:42:04,520
Speaker 1: also I scheduled to vacation and my flights landing, and

724
00:42:04,560 --> 00:42:09,680
Speaker 1: then it's like I've completed the paperwork for yeah, yeah, yeah,

725
00:42:09,920 --> 00:42:12,080
Speaker 1: and then there's the whole bathroom experience that follows a

726
00:42:12,160 --> 00:42:17,160
Speaker 1: cold brew good okay, okay, you get a stomach disaster.

727
00:42:18,200 --> 00:42:20,879
Speaker 1: Now as a person, I'm I'm embarrassingly I have too

728
00:42:21,800 --> 00:42:26,359
Speaker 1: massive cold bruise per day. Again, I'm on sarah Quills,

729
00:42:26,440 --> 00:42:31,239
Speaker 1: which is the non generic antipsychotic that is very power.

730
00:42:31,440 --> 00:42:34,279
Speaker 1: So is that so those are that's what that's you

731
00:42:34,360 --> 00:42:38,520
Speaker 1: combating them? Yeah yeah yeah yeah, But I still I

732
00:42:38,600 --> 00:42:42,000
Speaker 1: do have that same experience of like having a boat

733
00:42:42,040 --> 00:42:45,520
Speaker 1: of ideas. Yeah yeah, glorious moment and do you look

734
00:42:45,560 --> 00:42:48,759
Speaker 1: back at the ideas and say, oh, those are cold

735
00:42:48,760 --> 00:42:53,200
Speaker 1: brew ideas. Um, my husband sometimes has to stop me

736
00:42:53,239 --> 00:42:59,839
Speaker 1: and go, why did you invite twelve people over tonight? Well?

737
00:43:00,360 --> 00:43:03,719
Speaker 1: How else are I gonna we need twelve? Yeah? We

738
00:43:03,880 --> 00:43:05,919
Speaker 1: just I want to meet people. I want to get

739
00:43:05,920 --> 00:43:10,839
Speaker 1: into community. Well this is I'm so. We get a

740
00:43:10,960 --> 00:43:12,680
Speaker 1: ARP magazine and one of the things they say is

741
00:43:12,719 --> 00:43:16,520
Speaker 1: the more relationships you have, the longer you'll live. So

742
00:43:16,640 --> 00:43:20,840
Speaker 1: Sunlight started seeing human beings as life expenders. Let me

743
00:43:20,920 --> 00:43:24,600
Speaker 1: tell you how many days are you getting out of us?

744
00:43:25,480 --> 00:43:28,120
Speaker 1: I don't I don't know. We'll get I guess we'll

745
00:43:28,160 --> 00:43:31,759
Speaker 1: find out. We'll find out some day. I think I'm

746
00:43:31,760 --> 00:43:39,080
Speaker 1: getting a year at nine. Oh boy, it's so It's

747
00:43:39,120 --> 00:43:43,200
Speaker 1: so creepy though, because my yet Carmen uh Morales, who

748
00:43:43,239 --> 00:43:46,279
Speaker 1: lives with us. Now, this is how much time do

749
00:43:46,280 --> 00:43:48,960
Speaker 1: you think you're getting out of me right now? Well,

750
00:43:49,000 --> 00:43:51,560
Speaker 1: if we make eye contact the three to five seconds,

751
00:43:51,760 --> 00:43:56,920
Speaker 1: maybe another week. You know, you gotta this is what

752
00:43:56,960 --> 00:44:01,360
Speaker 1: you do, Maria people. Yeah, you ask those those New

753
00:44:01,440 --> 00:44:04,399
Speaker 1: York Times thirty six questions or whatever you all fall

754
00:44:04,440 --> 00:44:06,480
Speaker 1: in love and then to make to make you fall

755
00:44:06,480 --> 00:44:08,200
Speaker 1: in love with someone or is that No, it's that's

756
00:44:08,239 --> 00:44:09,960
Speaker 1: not the function. But it's like thirty six questions to

757
00:44:10,000 --> 00:44:12,759
Speaker 1: you get to know someone as completely as you can

758
00:44:12,840 --> 00:44:15,399
Speaker 1: in that in a structured setting. Wait, is that something

759
00:44:15,440 --> 00:44:18,960
Speaker 1: different than the Vogue seventy six questions? Well? Those are videos, okay,

760
00:44:20,000 --> 00:44:22,680
Speaker 1: but the thirty six questions like what are like? Should

761
00:44:22,719 --> 00:44:24,360
Speaker 1: we look them up? And we'll know? We can't do

762
00:44:24,400 --> 00:44:28,680
Speaker 1: this on the podcast because podcast famously not a visual medium.

763
00:44:28,719 --> 00:44:31,920
Speaker 1: Do you remember what what's on there? Yeah? Like one

764
00:44:31,960 --> 00:44:34,600
Speaker 1: of them is like, like the worst moment from your childhood?

765
00:44:35,960 --> 00:44:39,319
Speaker 1: What uh? What do you want to do with your

766
00:44:39,320 --> 00:44:41,520
Speaker 1: life the next five years? Where do you see yourself

767
00:44:41,520 --> 00:44:44,640
Speaker 1: the next five years? Um? But these are things that

768
00:44:44,800 --> 00:44:47,799
Speaker 1: are deeply intimate and I might not want to share

769
00:44:47,840 --> 00:44:50,240
Speaker 1: in it. That can never answer any of those questions.

770
00:44:50,239 --> 00:44:53,279
Speaker 1: Do you believe in God? Yeah? Do do we believe

771
00:44:53,280 --> 00:44:54,880
Speaker 1: in God? Where I think I believe? We're a table

772
00:44:54,920 --> 00:44:58,719
Speaker 1: of all atheists? What's happening all atheists? All the time?

773
00:44:58,960 --> 00:45:04,719
Speaker 1: The thirty six questions that lead to love? Oh gosh? Um? Okay,

774
00:45:05,000 --> 00:45:07,279
Speaker 1: given the choice of anyone in the world, whom would

775
00:45:07,320 --> 00:45:10,760
Speaker 1: you want as a dinner a dinner guest question? Um?

776
00:45:11,160 --> 00:45:14,520
Speaker 1: It's one person. One person. Oh, I want somebody like

777
00:45:14,600 --> 00:45:16,640
Speaker 1: my grandmother who died in the fire of her own

778
00:45:16,719 --> 00:45:24,400
Speaker 1: making while drinking and smoking. Yeah, because she needs a break.

779
00:45:24,680 --> 00:45:28,200
Speaker 1: All right. Would you like to be famous? In what way?

780
00:45:28,920 --> 00:45:32,120
Speaker 1: I mean? I like to be universe, universally beloved. I

781
00:45:32,160 --> 00:45:34,279
Speaker 1: believe I said this before. I want to be I

782
00:45:34,280 --> 00:45:37,200
Speaker 1: want to be. I want to be beloved by the question.

783
00:45:37,960 --> 00:45:40,400
Speaker 1: It's this is tough. These are like a little too

784
00:45:41,000 --> 00:45:45,319
Speaker 1: soul bearing in a way. I want to be famous. Oh, yes,

785
00:45:45,800 --> 00:45:48,600
Speaker 1: in the sense I want everyone to be because I can't.

786
00:45:48,640 --> 00:45:52,160
Speaker 1: I have sometimes difficult saying hi to people, and so

787
00:45:52,560 --> 00:45:54,839
Speaker 1: if everyone can say hi to me, that would really

788
00:45:54,840 --> 00:45:58,160
Speaker 1: break the ice. That's why I've been inched in show

789
00:45:58,160 --> 00:46:00,600
Speaker 1: business social efficiency and this is a good. That's a

790
00:46:00,640 --> 00:46:02,799
Speaker 1: good leading to this one. Before making a telephone call,

791
00:46:02,880 --> 00:46:06,200
Speaker 1: do you have a rehearse what you're going to say? Why?

792
00:46:06,280 --> 00:46:08,600
Speaker 1: Get you with the why they're And the answer is

793
00:46:08,600 --> 00:46:12,239
Speaker 1: for me is like yes always because I'm anxious. Yeah,

794
00:46:12,440 --> 00:46:15,319
Speaker 1: it depends on what the phone call would be. If

795
00:46:15,360 --> 00:46:18,440
Speaker 1: it's a phone call to like a girlfriend who's mad

796
00:46:18,480 --> 00:46:22,520
Speaker 1: at me, well then of course you gotta go. You

797
00:46:22,520 --> 00:46:26,440
Speaker 1: gotta work it all out and go. But maybe, uh,

798
00:46:26,560 --> 00:46:29,319
Speaker 1: I guess I try not to have a plan, and

799
00:46:29,360 --> 00:46:33,960
Speaker 1: then then I just you're supposed to just listen. Honestly,

800
00:46:34,000 --> 00:46:36,320
Speaker 1: it's about listening and reacting, and I think that's a

801
00:46:36,400 --> 00:46:39,360
Speaker 1: conversation going to center on me and what I'm saying.

802
00:46:40,239 --> 00:46:43,520
Speaker 1: Jumping around here, here's a good one. Um, if a

803
00:46:43,560 --> 00:46:46,840
Speaker 1: crystal ball could tell you the truth about yourself, your life,

804
00:46:46,920 --> 00:46:48,880
Speaker 1: the future, or anything else, what would you want to

805
00:46:48,920 --> 00:46:54,200
Speaker 1: know the concrete truth about one thing about yourself about yourself,

806
00:46:54,400 --> 00:46:56,839
Speaker 1: your life, the future, or anything else. You know, this

807
00:46:56,920 --> 00:46:58,600
Speaker 1: is like a broad question. If I don't know the

808
00:46:58,640 --> 00:47:02,120
Speaker 1: truth about myself, I don't know. That just seems like

809
00:47:02,120 --> 00:47:05,520
Speaker 1: a gimme like or it just seems like I think

810
00:47:05,560 --> 00:47:12,319
Speaker 1: I know. I'm selfish, I'm self absorbed, I'm I mean,

811
00:47:12,360 --> 00:47:14,680
Speaker 1: I think those are the two main ones. Do you

812
00:47:14,760 --> 00:47:19,759
Speaker 1: consider yourself? Vein? I vein in a different way though,

813
00:47:19,800 --> 00:47:21,640
Speaker 1: in a way where it's like I don't want to

814
00:47:21,640 --> 00:47:24,560
Speaker 1: look vain, you know, like, yeah, I'm just I don't

815
00:47:24,560 --> 00:47:28,120
Speaker 1: want makeup because it doesn't matter to me. But check

816
00:47:28,160 --> 00:47:31,319
Speaker 1: it out, but don't you? But really inside You're like

817
00:47:31,360 --> 00:47:37,600
Speaker 1: I'm coming off really naturally right, I am check it out, Queen,

818
00:47:39,880 --> 00:47:41,640
Speaker 1: I would say, I would want to know how much

819
00:47:41,640 --> 00:47:45,600
Speaker 1: longer we have on this planet the planet. It is morbid,

820
00:47:45,640 --> 00:47:47,640
Speaker 1: but that's the truth I wanted. If I'm being told

821
00:47:47,680 --> 00:47:49,560
Speaker 1: that a crystal ball, I don't know if you heard

822
00:47:49,600 --> 00:47:53,040
Speaker 1: about this crystal ball, but the crystal ball doesn't famously

823
00:47:53,080 --> 00:47:56,120
Speaker 1: knows and famously doesn't lie. So I probably just want

824
00:47:56,160 --> 00:47:58,560
Speaker 1: to know, like, okay, like what's the what's the gig here?

825
00:47:58,680 --> 00:48:01,319
Speaker 1: What's the grand scheme? Because feels like every day, like

826
00:48:02,120 --> 00:48:06,000
Speaker 1: sepeep deep, we're getting closer to you know, it's headlines

827
00:48:06,040 --> 00:48:08,919
Speaker 1: I hate the most. The doomsday clock took one more

828
00:48:09,000 --> 00:48:11,480
Speaker 1: second towards the end of the world. I don't want

829
00:48:11,520 --> 00:48:14,120
Speaker 1: to hear about the doomsday. Yeah, yeah, well that sounds

830
00:48:14,160 --> 00:48:17,239
Speaker 1: like you know, a v science club telling us. I mean,

831
00:48:17,280 --> 00:48:21,799
Speaker 1: not that it's not true, but like, you know, wake up.

832
00:48:22,680 --> 00:48:26,520
Speaker 1: I don't know. I don't know. I just think I

833
00:48:26,560 --> 00:48:29,560
Speaker 1: don't think i'd want to know anything. Actually, okay, from

834
00:48:29,719 --> 00:48:32,680
Speaker 1: from the ball at all, ignorance is bliss. I would

835
00:48:32,760 --> 00:48:37,080
Speaker 1: rather be surprised. It's like, oh, you're gonna die on

836
00:48:37,120 --> 00:48:39,919
Speaker 1: the way home today, or or you know, whatever, your

837
00:48:40,000 --> 00:48:43,080
Speaker 1: husband leaves you. It's like Oh, that's weird, Like I

838
00:48:43,120 --> 00:48:45,960
Speaker 1: want to know, I like a surprise. You would rather not.

839
00:48:46,080 --> 00:48:48,280
Speaker 1: I wouldn't. I wouldn't have thought that's how I wanted

840
00:48:48,320 --> 00:48:51,960
Speaker 1: to wrap up. But all right, it's cool. Makes three

841
00:48:52,160 --> 00:48:56,600
Speaker 1: true we statements each. For instance, we are both in

842
00:48:56,640 --> 00:49:02,200
Speaker 1: this room feeling this is this is tough hot. You

843
00:49:02,239 --> 00:49:10,080
Speaker 1: are all hot, we are all and we're all admitting that,

844
00:49:11,400 --> 00:49:14,719
Speaker 1: admitting that. Yeah, we're being honest with each other, ourselves

845
00:49:14,760 --> 00:49:19,200
Speaker 1: brat and we're all ignoring and we all spoke for Brett. Wow. Interesting,

846
00:49:19,719 --> 00:49:22,839
Speaker 1: But you are a piece of meat and that's it.

847
00:49:23,600 --> 00:49:26,439
Speaker 1: I hope you feel attractive hearing that. Okay, pick one

848
00:49:26,440 --> 00:49:28,960
Speaker 1: more and we'll ask the question. We'll do the last one.

849
00:49:29,040 --> 00:49:31,600
Speaker 1: This is number and if they stole our question? What

850
00:49:31,640 --> 00:49:33,880
Speaker 1: if they if they're number thirty six? Was what is

851
00:49:33,880 --> 00:49:39,200
Speaker 1: the culture that I know? That's hashtag no no, that's

852
00:49:39,239 --> 00:49:42,959
Speaker 1: trademark TM little TM in the corner of the prem

853
00:49:43,560 --> 00:49:51,080
Speaker 1: community TM trade market. Share a personal problem and ask

854
00:49:51,160 --> 00:49:54,640
Speaker 1: your partner's advice on how he or she or they

855
00:49:54,719 --> 00:49:58,160
Speaker 1: might handle it. Also, ask your partner to reflect back

856
00:49:58,239 --> 00:50:00,520
Speaker 1: to you how you would see I you seem to

857
00:50:00,560 --> 00:50:06,279
Speaker 1: be feeling about the problem. A lot um, but I'll

858
00:50:06,280 --> 00:50:09,840
Speaker 1: do it. I have a ladies night where all the

859
00:50:09,880 --> 00:50:12,200
Speaker 1: ladies are coming out of my house. I don't know

860
00:50:12,239 --> 00:50:15,160
Speaker 1: how many ladies is going to be. It could be two,

861
00:50:16,000 --> 00:50:20,200
Speaker 1: it could be nine. It is people from all parts

862
00:50:20,280 --> 00:50:23,640
Speaker 1: of my life. So it's people who don't know each other,

863
00:50:23,880 --> 00:50:27,759
Speaker 1: and it could get weird. And so I feel and

864
00:50:27,880 --> 00:50:30,919
Speaker 1: I'm also I already have social anxiety. Uh. In terms

865
00:50:30,920 --> 00:50:35,799
Speaker 1: of I, I I love controlled communication. I love a podcast.

866
00:50:36,239 --> 00:50:39,360
Speaker 1: I love a stand up I love a step program.

867
00:50:39,360 --> 00:50:43,279
Speaker 1: I love a list of questions. Yeah, oh god, you

868
00:50:43,320 --> 00:50:45,839
Speaker 1: know when do we stop? Where do we start? Thank you?

869
00:50:46,000 --> 00:50:48,920
Speaker 1: I don't like like an you know, just chit chat

870
00:50:48,920 --> 00:50:51,719
Speaker 1: in the street with my neighbor. One is one's a

871
00:50:51,760 --> 00:50:58,000
Speaker 1: heart out on this. So um yeah. So I don't

872
00:50:58,000 --> 00:51:01,960
Speaker 1: know what to do to prepare myself for tonight. Okay, Well,

873
00:51:02,360 --> 00:51:07,200
Speaker 1: first I would say that you seem when you because

874
00:51:07,239 --> 00:51:09,120
Speaker 1: you knew what you wanted to say right away. Yes,

875
00:51:09,440 --> 00:51:12,040
Speaker 1: I think you are actually on top of this, more

876
00:51:12,080 --> 00:51:14,640
Speaker 1: on top of this than you think. And I think

877
00:51:15,120 --> 00:51:18,080
Speaker 1: that being conscious of the fact that you're going to

878
00:51:18,200 --> 00:51:22,520
Speaker 1: have many different sort of like temperatures in the room, potentially,

879
00:51:23,400 --> 00:51:25,760
Speaker 1: I think that you're going to be a solid base

880
00:51:25,840 --> 00:51:28,080
Speaker 1: for everyone and they'll come to you at your level.

881
00:51:29,520 --> 00:51:31,680
Speaker 1: And to add to that, that's how I feel that

882
00:51:31,760 --> 00:51:33,880
Speaker 1: you're I think it's gonna go well. Am I like

883
00:51:34,120 --> 00:51:38,719
Speaker 1: the Ralph's grocery store roast chicken in the middle of

884
00:51:38,760 --> 00:51:43,680
Speaker 1: the room. I was going to say exactly that. Who's like, Yeah,

885
00:51:43,719 --> 00:51:47,160
Speaker 1: that's that's good. That's that's the level we're going to

886
00:51:47,200 --> 00:51:50,000
Speaker 1: be eating at tonight. You know, if somebody want to

887
00:51:50,000 --> 00:51:52,839
Speaker 1: bring something fancy, that's up to you. But this we're

888
00:51:52,880 --> 00:51:55,799
Speaker 1: going with roast chicken. With the Ralph's roast chicken. We

889
00:51:55,840 --> 00:51:57,719
Speaker 1: know what it is. There are no there are no

890
00:51:57,800 --> 00:52:01,840
Speaker 1: false pretens It's about it being a home roast. I

891
00:52:01,840 --> 00:52:04,719
Speaker 1: would I will add to that that, Yes, the fact

892
00:52:04,800 --> 00:52:08,760
Speaker 1: that you are aware of your sort of um, your

893
00:52:08,800 --> 00:52:11,440
Speaker 1: your grip on control. What am I saying? Um, It

894
00:52:11,600 --> 00:52:13,800
Speaker 1: just means that you have the awareness of the concept,

895
00:52:13,840 --> 00:52:16,600
Speaker 1: which means that you will have control in some way,

896
00:52:16,760 --> 00:52:18,520
Speaker 1: not maybe not in the ways that you think right,

897
00:52:19,120 --> 00:52:22,120
Speaker 1: but in w I identify with that because last night

898
00:52:22,160 --> 00:52:23,840
Speaker 1: I was going to meet up with some new friends

899
00:52:24,320 --> 00:52:26,080
Speaker 1: and while I was getting ready and before I was

900
00:52:26,080 --> 00:52:28,839
Speaker 1: going to get in the lift, I was so panicked,

901
00:52:29,280 --> 00:52:31,239
Speaker 1: and I was just like and there really wasn't any

902
00:52:31,280 --> 00:52:35,120
Speaker 1: reason to be nervous, But when I got in the room,

903
00:52:35,239 --> 00:52:37,520
Speaker 1: I could, and even just seeing what the room looked

904
00:52:37,560 --> 00:52:40,000
Speaker 1: like and looking at people in the face, I was like,

905
00:52:40,160 --> 00:52:42,919
Speaker 1: I'm okay now because now I know what the rules are,

906
00:52:43,160 --> 00:52:44,840
Speaker 1: you know what I mean, like the spatial rules, just

907
00:52:45,000 --> 00:52:50,040
Speaker 1: like the idea of interacting sometimes will terrify me. And

908
00:52:50,080 --> 00:52:52,239
Speaker 1: then I don't think anyone would think that about me

909
00:52:52,280 --> 00:52:55,160
Speaker 1: when they're interacting with me, because I'm pretty good at

910
00:52:55,200 --> 00:52:58,560
Speaker 1: either faking it or doing it whatever. But beforehand, I

911
00:52:58,600 --> 00:53:01,759
Speaker 1: do get very nervous and I start forcing. Sometimes I

912
00:53:01,800 --> 00:53:04,640
Speaker 1: do this at a party that I've hosted. I'll start

913
00:53:04,680 --> 00:53:09,040
Speaker 1: forcing people to do certain things, like, um, you guys,

914
00:53:09,160 --> 00:53:15,480
Speaker 1: let's just let's do a game, just because I'm so

915
00:53:15,560 --> 00:53:19,719
Speaker 1: freaked out that I don't know the conversations died or

916
00:53:20,040 --> 00:53:22,480
Speaker 1: or somebody's yeah, and I want to not do that,

917
00:53:22,600 --> 00:53:25,319
Speaker 1: like just let it, let it be boring. Sure, the

918
00:53:25,360 --> 00:53:27,279
Speaker 1: game is, the game is a parameter. The game is

919
00:53:27,320 --> 00:53:30,400
Speaker 1: kind of controlled environment. And I don't even like games.

920
00:53:30,760 --> 00:53:34,520
Speaker 1: Yeah yeah, yeah, because that game means competition, which and

921
00:53:34,520 --> 00:53:36,280
Speaker 1: you don't know how everyone's going to handle that. Yeah,

922
00:53:36,400 --> 00:53:39,080
Speaker 1: and it might be just fun to chit chat. I

923
00:53:39,200 --> 00:53:41,239
Speaker 1: love to chit chat. And I tell you what I

924
00:53:41,280 --> 00:53:43,839
Speaker 1: really don't like the most when someone says, hold on,

925
00:53:43,880 --> 00:53:46,560
Speaker 1: you need to see this video. I don't like to gather.

926
00:53:46,719 --> 00:53:50,279
Speaker 1: I don't think so, honey. When people gather around, we're

927
00:53:50,640 --> 00:53:54,320
Speaker 1: forced together on a computer unless we all are emphatically

928
00:53:54,480 --> 00:53:59,040
Speaker 1: enthusiastically consented to the video. But suggest or like when

929
00:53:59,080 --> 00:54:00,359
Speaker 1: you're at to dinner with some of the they hand

930
00:54:00,360 --> 00:54:02,480
Speaker 1: you a phone and they say, watch this video. It's like,

931
00:54:03,520 --> 00:54:05,120
Speaker 1: I'm not gonna be able to hear it the way

932
00:54:05,280 --> 00:54:08,040
Speaker 1: that it was intended. Maybe this isn't the moment. Maybe

933
00:54:08,080 --> 00:54:10,880
Speaker 1: I've already seen it, you know. Yeah, no, rack a

934
00:54:11,000 --> 00:54:16,520
Speaker 1: raccoon on ibs watch it later. Yeah, that's something I

935
00:54:16,520 --> 00:54:19,759
Speaker 1: can do on my downtime, right, raccoon with ibs would

936
00:54:19,760 --> 00:54:22,920
Speaker 1: be fun, honestly. No, No, it was it was up

937
00:54:23,000 --> 00:54:27,480
Speaker 1: this just skyscraper that it was. It was an international sensation.

938
00:54:27,680 --> 00:54:31,400
Speaker 1: Oh wait, yes, you don't remember this, the raccoon crawling

939
00:54:31,600 --> 00:54:34,879
Speaker 1: like fifty stories up to the top of a skyscraper

940
00:54:34,920 --> 00:54:39,520
Speaker 1: in St. Paul. And no, not, no, not. I think

941
00:54:39,600 --> 00:54:42,960
Speaker 1: that the towers called the IBS can't tell you what

942
00:54:43,040 --> 00:54:45,440
Speaker 1: my mind's I saw a raccoon running up a building

943
00:54:45,480 --> 00:54:49,640
Speaker 1: having ship the time trickled down, leaving a cascade or

944
00:54:49,719 --> 00:54:55,799
Speaker 1: waterfall for those that don't know the word cascades of ship,

945
00:54:56,200 --> 00:54:59,600
Speaker 1: which I would imagine it's watery for some reason. Well, well,

946
00:54:59,760 --> 00:55:03,160
Speaker 1: look what they eat. They don't have good diets to

947
00:55:03,160 --> 00:55:05,600
Speaker 1: get on keto. But wait a minute, did we just

948
00:55:05,760 --> 00:55:09,239
Speaker 1: admit to ourselves that maybe we don't dislike chit chat?

949
00:55:09,280 --> 00:55:12,520
Speaker 1: After all? It has it has this moment I have,

950
00:55:12,920 --> 00:55:16,240
Speaker 1: But I know that it's not my strong suits. Sure

951
00:55:16,400 --> 00:55:21,359
Speaker 1: that I sometimes well, yeah, I'll try to connect. Either

952
00:55:22,920 --> 00:55:26,320
Speaker 1: I've gotten into monologuing a little bit as you've gotten older,

953
00:55:26,320 --> 00:55:31,400
Speaker 1: which is super embarrassing when I was shy, or I

954
00:55:31,480 --> 00:55:35,640
Speaker 1: never did it now I'll hold court. Do you believe

955
00:55:35,640 --> 00:55:40,080
Speaker 1: you've become more outgoing over the years out going? Or

956
00:55:40,640 --> 00:55:47,440
Speaker 1: have the idea that what I'm saying is interesting? You

957
00:55:47,520 --> 00:55:49,160
Speaker 1: just got to get the yes men out of your

958
00:55:49,200 --> 00:55:52,120
Speaker 1: life and just have People will be like, Maria, this

959
00:55:52,200 --> 00:55:55,400
Speaker 1: is your this is too much, this story about the raccoon,

960
00:55:56,840 --> 00:56:00,919
Speaker 1: I don't stop right there, stop right there. We didn't

961
00:56:00,920 --> 00:56:03,520
Speaker 1: know what the IBS was. Yeah, no, no, no, yeah,

962
00:56:03,680 --> 00:56:06,600
Speaker 1: if I can't, if I can't describe it, you know,

963
00:56:06,800 --> 00:56:08,799
Speaker 1: just let it go. Let it go. I think it's

964
00:56:08,800 --> 00:56:11,560
Speaker 1: time to ask the question we must ask. This question

965
00:56:11,640 --> 00:56:13,560
Speaker 1: is what we ask all of our guests, and it's

966
00:56:14,200 --> 00:56:18,120
Speaker 1: a question of culture. Maria Bamford, When did you decide

967
00:56:18,160 --> 00:56:21,480
Speaker 1: that culture was for you, like growing up, like you

968
00:56:21,520 --> 00:56:24,840
Speaker 1: saw a movie or influence in some way by music

969
00:56:25,080 --> 00:56:27,400
Speaker 1: or particular television show or something like that, something in

970
00:56:27,440 --> 00:56:30,880
Speaker 1: pop culture that you feel sort of steered you in

971
00:56:31,000 --> 00:56:36,719
Speaker 1: your cultural direction, maybe even change your life. This is

972
00:56:36,760 --> 00:56:39,279
Speaker 1: the first thing that came to mind when I heard

973
00:56:39,320 --> 00:56:46,160
Speaker 1: that question. The show Three's Company. I just I love

974
00:56:46,239 --> 00:56:49,120
Speaker 1: the camaraderie of the show, and then it had a

975
00:56:49,160 --> 00:56:54,840
Speaker 1: little bit of sexiness, sex and then the physical comedy,

976
00:56:55,400 --> 00:56:58,520
Speaker 1: and that he would keep falling over the couch, and

977
00:56:58,680 --> 00:57:01,040
Speaker 1: that it was in CALIFORNI born yet, and I knew

978
00:57:01,080 --> 00:57:06,400
Speaker 1: California was an interesting, dangerous place. So it was that

979
00:57:06,480 --> 00:57:12,399
Speaker 1: element of there's something unknown. It's an edgy show. We've

980
00:57:12,440 --> 00:57:15,040
Speaker 1: been we've gotten We've gotten some flak in the past

981
00:57:15,120 --> 00:57:19,880
Speaker 1: on this very this show for missummarizing. Oh yeah, I

982
00:57:19,920 --> 00:57:22,280
Speaker 1: thought I knew what It's been a very long time.

983
00:57:22,320 --> 00:57:24,720
Speaker 1: I was watching on Nick at Night. Yeah, and I

984
00:57:24,760 --> 00:57:26,560
Speaker 1: thought I knew what the plot of the show was.

985
00:57:26,680 --> 00:57:30,080
Speaker 1: And you you said, I was like, he pretends that

986
00:57:30,120 --> 00:57:33,160
Speaker 1: he's gay, so so you can live with the two

987
00:57:33,160 --> 00:57:39,160
Speaker 1: hot girls. Is that right? No, the guy, they won't

988
00:57:39,240 --> 00:57:42,200
Speaker 1: rent to him if he's a straight dude with two

989
00:57:42,240 --> 00:57:46,120
Speaker 1: hot girls, so he has to say that he's gay

990
00:57:46,240 --> 00:57:48,640
Speaker 1: so that he's not hooking up with the two straight girls.

991
00:57:49,160 --> 00:57:52,920
Speaker 1: Which so it's really weird moral window in our culture

992
00:57:52,960 --> 00:57:55,160
Speaker 1: where it's like, I don't ever remember that being a thing.

993
00:57:55,560 --> 00:57:58,040
Speaker 1: I don't know, at least that's what I remember what

994
00:57:58,120 --> 00:58:01,160
Speaker 1: it was, but I don't remember that being except for you,

995
00:58:01,320 --> 00:58:04,880
Speaker 1: the goofy like upstairs downstairs thing where people would be

996
00:58:04,880 --> 00:58:08,480
Speaker 1: switching places because he had to be gone and they

997
00:58:08,480 --> 00:58:12,560
Speaker 1: had different beds, different places. Yeah, he was. He was

998
00:58:12,640 --> 00:58:16,480
Speaker 1: one fierce physical comedian. Oh my goodness. Yeah, so good.

999
00:58:17,320 --> 00:58:19,680
Speaker 1: But I never thought I could be on a show

1000
00:58:19,800 --> 00:58:24,160
Speaker 1: like that. But I just thought, oh, that's I mean.

1001
00:58:24,200 --> 00:58:27,000
Speaker 1: I had listened to stand ups like Steve Martin and

1002
00:58:27,400 --> 00:58:32,560
Speaker 1: Eddie Murphy with my dad, and uh that that was heartening.

1003
00:58:33,040 --> 00:58:35,480
Speaker 1: But it never I guess I didn't really think. And

1004
00:58:35,520 --> 00:58:38,240
Speaker 1: I watched Carol Burnett. But anyways, I would just remember

1005
00:58:38,360 --> 00:58:42,040
Speaker 1: I loved Three's company for some bizarre reason, and it

1006
00:58:42,160 --> 00:58:46,840
Speaker 1: was and Peppi Lapew do remember that was my my

1007
00:58:46,920 --> 00:58:51,880
Speaker 1: sexual awakening. I was like, what is this feeling that

1008
00:58:51,920 --> 00:58:56,400
Speaker 1: I feel when he was painting that cat to look

1009
00:58:56,480 --> 00:58:58,440
Speaker 1: like a skunk and she was trying to get away

1010
00:58:58,480 --> 00:59:01,520
Speaker 1: from him because she was in a skunk, and then

1011
00:59:01,880 --> 00:59:06,920
Speaker 1: like somehow, I mean, it's the weird. It was his bravado,

1012
00:59:07,040 --> 00:59:12,800
Speaker 1: it was his confidence in the pursuit, confidence and and

1013
00:59:12,920 --> 00:59:18,080
Speaker 1: yeah know he knowing that she loved him even though anyways,

1014
00:59:18,080 --> 00:59:19,720
Speaker 1: and a bit I'm sure it's a bit of that

1015
00:59:19,840 --> 00:59:24,800
Speaker 1: romance novel rape fantasy thing, which I think not the greatest.

1016
00:59:25,720 --> 00:59:28,600
Speaker 1: I don't know in this social climate how Peppy Lapew

1017
00:59:29,520 --> 00:59:33,640
Speaker 1: it's holding up. Sure Peppy Lapew is on a list,

1018
00:59:33,720 --> 00:59:36,200
Speaker 1: but I mean used to say that the cat didn't

1019
00:59:36,240 --> 00:59:41,080
Speaker 1: even feel attractive, wasn't didn't. That's the thing is that

1020
00:59:41,240 --> 00:59:42,960
Speaker 1: it's not for us to say, and we never heard it,

1021
00:59:43,000 --> 00:59:47,080
Speaker 1: and therefore the look on our face, though, was of

1022
00:59:47,840 --> 00:59:53,400
Speaker 1: confusion and shock. Of course, it wasn't of delight. I

1023
00:59:53,400 --> 00:59:55,800
Speaker 1: don't know if there was enthusiastic consents. So we always

1024
00:59:55,800 --> 00:59:57,640
Speaker 1: say on the show podcast or a visual media, and

1025
00:59:57,680 --> 01:00:00,520
Speaker 1: we have to make the visual emphatic that we were

1026
01:00:00,560 --> 01:00:03,720
Speaker 1: all confused and shocked and upset at this moment. We're

1027
01:00:03,880 --> 01:00:10,720
Speaker 1: very sturred, very sturred. I honestly Three's company. I'm very

1028
01:00:11,000 --> 01:00:14,160
Speaker 1: grateful that I was growing up in like a time

1029
01:00:14,480 --> 01:00:16,600
Speaker 1: when that was on Nick at Night, like, because I

1030
01:00:16,640 --> 01:00:19,440
Speaker 1: actually people that are even a little bit younger than

1031
01:00:19,520 --> 01:00:21,560
Speaker 1: us don't have any idea what that is, what I

1032
01:00:21,600 --> 01:00:25,080
Speaker 1: love Lucy is. I can't believe that people don't know

1033
01:00:25,120 --> 01:00:27,000
Speaker 1: what I love Lucy is. But where would they have

1034
01:00:27,040 --> 01:00:29,280
Speaker 1: access to it? If they're if television just isn't showing

1035
01:00:29,320 --> 01:00:33,080
Speaker 1: it um or people don't watch TV anymore, they watch YouTube,

1036
01:00:33,760 --> 01:00:36,760
Speaker 1: or they have to like opt in through several filters

1037
01:00:36,800 --> 01:00:38,560
Speaker 1: to be like, Okay, I'm gonna go on Netflix and

1038
01:00:38,560 --> 01:00:40,680
Speaker 1: then I'm gonna and then I'm gonna decide on't want

1039
01:00:40,680 --> 01:00:42,480
Speaker 1: to watch where it's like you just turn on the

1040
01:00:42,480 --> 01:00:45,240
Speaker 1: TV and then it would come to you. Yeah. I

1041
01:00:45,240 --> 01:00:46,600
Speaker 1: try to think of what I would watch if I

1042
01:00:46,640 --> 01:00:49,200
Speaker 1: were a baby today, and I think of our baby today,

1043
01:00:49,240 --> 01:00:54,680
Speaker 1: I would just watch Swedish murder shows. Right, Honestly, you

1044
01:00:54,680 --> 01:00:56,840
Speaker 1: know what's funny is like the old shows. Now there's

1045
01:00:56,880 --> 01:01:00,280
Speaker 1: something they're showing. I did air quotes, y'all. The quote

1046
01:01:00,360 --> 01:01:05,680
Speaker 1: unquote old shows are like friends, and I mean, you know,

1047
01:01:05,840 --> 01:01:09,400
Speaker 1: the old Will and Grace and the right. But it's

1048
01:01:09,440 --> 01:01:12,080
Speaker 1: so funny to think about those as like the classic

1049
01:01:12,160 --> 01:01:14,640
Speaker 1: shows that we're showing you and not like even the

1050
01:01:14,720 --> 01:01:16,959
Speaker 1: facts of life. Yeah you know what, I'm not even

1051
01:01:17,080 --> 01:01:21,240
Speaker 1: like cheers like yeah yeah, And they have to be seen.

1052
01:01:21,840 --> 01:01:24,120
Speaker 1: I love Lucy has to be seen. Every wants to

1053
01:01:24,120 --> 01:01:27,840
Speaker 1: know Benjamin, Yeah, yeah, I love Lucy is very good.

1054
01:01:28,480 --> 01:01:30,959
Speaker 1: The only thing is I compare myself with her because

1055
01:01:30,960 --> 01:01:34,480
Speaker 1: I'm a lady of the comedian. I go, oh again,

1056
01:01:34,600 --> 01:01:39,560
Speaker 1: she has the kind of energy that I will never have. Sure, okay,

1057
01:01:40,400 --> 01:01:43,600
Speaker 1: I'm a one podcast day lady and I'm not even

1058
01:01:43,640 --> 01:01:46,280
Speaker 1: hosting it. But hey, you're not wearing yourself out with cigarettes,

1059
01:01:46,320 --> 01:01:48,680
Speaker 1: like you're not chain smoking like Lucy all dead right?

1060
01:01:48,720 --> 01:01:51,600
Speaker 1: Well she a chain smoker? Oh yeah? And then her

1061
01:01:51,640 --> 01:01:54,320
Speaker 1: voice got all got all sort of raspy and gorgeous

1062
01:01:54,320 --> 01:01:56,920
Speaker 1: by the end. Yeah, John Rivers too, to the very

1063
01:01:57,040 --> 01:02:02,200
Speaker 1: last day, was gotta keep the way down grinding. I

1064
01:02:02,240 --> 01:02:08,520
Speaker 1: saw her, was she was? She important for you? Joan Rivers. Yes, yes,

1065
01:02:08,640 --> 01:02:11,600
Speaker 1: I didn't relate as much, sure, because she was so different. Yeah,

1066
01:02:11,680 --> 01:02:18,840
Speaker 1: she's so balls out or whatever. I am much more demure, passive, aggressive,

1067
01:02:19,560 --> 01:02:23,440
Speaker 1: and she was aggressive. Yeah, yeah, which is awesome. I

1068
01:02:23,480 --> 01:02:27,080
Speaker 1: wish I would like And I think that's more genuine

1069
01:02:27,120 --> 01:02:30,320
Speaker 1: sometimes to be. My husband's from Philadelphia originally, and and

1070
01:02:30,400 --> 01:02:33,040
Speaker 1: I'm trying to learn from him, you know, like just

1071
01:02:33,080 --> 01:02:37,920
Speaker 1: say it, Hey it sucks. Yeah, yeah, well you did it.

1072
01:02:38,080 --> 01:02:41,720
Speaker 1: You're an idiot. You're going to get a chance to

1073
01:02:41,760 --> 01:02:45,880
Speaker 1: do that literally right now, because this is the time

1074
01:02:46,080 --> 01:02:51,200
Speaker 1: for our segment I don't think so, honey, which is

1075
01:02:51,400 --> 01:02:54,040
Speaker 1: our segment that we do on every episode, which is

1076
01:02:54,040 --> 01:02:57,280
Speaker 1: you take one minute to rant, or if you don't

1077
01:02:57,280 --> 01:03:02,480
Speaker 1: want to rant, to emphatically state or plainly state something

1078
01:03:02,520 --> 01:03:05,280
Speaker 1: in culture or something in life that bugs you. Like

1079
01:03:05,400 --> 01:03:07,840
Speaker 1: nothing else. You say, I don't think so honey, this

1080
01:03:07,960 --> 01:03:10,840
Speaker 1: thing bone and I will demonstrate. Would do this every episode.

1081
01:03:11,200 --> 01:03:13,240
Speaker 1: It's our one minute to rant about something in culture

1082
01:03:13,280 --> 01:03:15,960
Speaker 1: and I have something, you have something from years of experience.

1083
01:03:15,960 --> 01:03:19,280
Speaker 1: I have something, Okay, so um, we'll demonstrate. This is

1084
01:03:19,320 --> 01:03:21,400
Speaker 1: Matt Rodgers is I don't think so honey. His time

1085
01:03:21,440 --> 01:03:24,240
Speaker 1: starts new. I don't think so honey. Couples who give

1086
01:03:24,320 --> 01:03:27,520
Speaker 1: p d A in restaurants, I don't think so, honey,

1087
01:03:27,560 --> 01:03:30,360
Speaker 1: because as a server, it's very difficult for me and

1088
01:03:30,440 --> 01:03:33,760
Speaker 1: my tenures serving to engage with you while you are

1089
01:03:33,800 --> 01:03:36,240
Speaker 1: doing this. And also I don't think so honey. If

1090
01:03:36,280 --> 01:03:38,840
Speaker 1: you tell me that you didn't get good service, but

1091
01:03:39,160 --> 01:03:42,520
Speaker 1: you were clearly engaged in p d A the whole

1092
01:03:42,520 --> 01:03:45,120
Speaker 1: time when I was trying to do my job, I

1093
01:03:45,200 --> 01:03:47,720
Speaker 1: think so honey. Myself, as a server for many years,

1094
01:03:47,720 --> 01:03:49,520
Speaker 1: I was very good. So it's the end of we

1095
01:03:49,600 --> 01:03:53,000
Speaker 1: care less. Yeah, but I don't think so honey. Also,

1096
01:03:53,400 --> 01:03:57,320
Speaker 1: people are eating and like it's distracting. Not that not

1097
01:03:57,360 --> 01:04:00,000
Speaker 1: that affection is disgusting, but I don't think so honey.

1098
01:04:00,080 --> 01:04:02,400
Speaker 1: In a mixed company setting, you come out to be

1099
01:04:02,520 --> 01:04:05,120
Speaker 1: in public. And also I don't think so honey, when

1100
01:04:05,120 --> 01:04:07,240
Speaker 1: people sit on the same side of the booth, when

1101
01:04:07,280 --> 01:04:09,200
Speaker 1: couples are sitting on the same side of the booth,

1102
01:04:09,320 --> 01:04:11,320
Speaker 1: I'm always just like, I don't know, because now I

1103
01:04:11,320 --> 01:04:15,200
Speaker 1: feel like interacting with you both is strange. Maybe I'm

1104
01:04:15,280 --> 01:04:17,920
Speaker 1: thinking too inside the box in terms of rents, frstaurant interaction,

1105
01:04:18,000 --> 01:04:20,880
Speaker 1: but I don't think so honey. These couples who make

1106
01:04:20,960 --> 01:04:25,120
Speaker 1: it about them in restaurants let people die. And that's

1107
01:04:25,160 --> 01:04:29,280
Speaker 1: one minute, wonderful. Gosh, that to me feels good to

1108
01:04:29,320 --> 01:04:32,360
Speaker 1: know selfish. Yes, So when I see you in the

1109
01:04:32,400 --> 01:04:36,040
Speaker 1: hobby out there, oh god, our tongues out, yeah, your

1110
01:04:36,080 --> 01:04:42,640
Speaker 1: tongues wagon, eyes flapping, husband's peens peeking out, his pains,

1111
01:04:42,680 --> 01:04:48,640
Speaker 1: peeking out, peens poking everything on ahead. Your boob's on

1112
01:04:48,680 --> 01:04:52,640
Speaker 1: his head, his butts on the plate. I don't think so.

1113
01:04:53,200 --> 01:04:57,960
Speaker 1: Your your foots in his mouth. That's fine, listen, nothing

1114
01:04:57,960 --> 01:05:00,280
Speaker 1: like a prune feed. That's what we do. We I

1115
01:05:00,320 --> 01:05:06,120
Speaker 1: feed in prunes anyway. That's an old Christian uh teen

1116
01:05:06,240 --> 01:05:12,560
Speaker 1: Christian church game feed. Yeah, it's just something fun. You

1117
01:05:12,640 --> 01:05:14,920
Speaker 1: put a plastic bag on your foot and then you

1118
01:05:15,040 --> 01:05:18,680
Speaker 1: feed the guy's prunes. That is fun. And see who

1119
01:05:18,720 --> 01:05:20,640
Speaker 1: you can eat the mouse? What did you do with

1120
01:05:20,680 --> 01:05:23,640
Speaker 1: the lockout? We did? Prue did prune feeds. I used

1121
01:05:23,680 --> 01:05:26,200
Speaker 1: to try to bite Henry's toe, and he really didn't like, Oh,

1122
01:05:26,280 --> 01:05:30,000
Speaker 1: your your ex boyfriend. It's a little sharing. No, No,

1123
01:05:30,120 --> 01:05:33,640
Speaker 1: that's awesome. I just thought, sometimes, well this is sometimes

1124
01:05:33,680 --> 01:05:35,640
Speaker 1: when he didn't like he didn't like to be tickled.

1125
01:05:36,080 --> 01:05:40,160
Speaker 1: And I would say that most people don't like I

1126
01:05:40,200 --> 01:05:41,440
Speaker 1: don't like it. It's a good thing. You're not in

1127
01:05:41,440 --> 01:05:44,400
Speaker 1: a relationship with me, Um, Matt, this is a this

1128
01:05:44,480 --> 01:05:46,960
Speaker 1: is an issue of I will say there's some element

1129
01:05:47,000 --> 01:05:50,320
Speaker 1: of consent in tickling where the tickled party. If they

1130
01:05:50,360 --> 01:05:52,680
Speaker 1: don't like it, you gotta stop. Well, he would laugh.

1131
01:05:53,440 --> 01:05:57,920
Speaker 1: But that's the thing, that's what. It's a physiological response.

1132
01:05:58,160 --> 01:06:01,480
Speaker 1: Even though you're laughing, you're not liking exactly. Well, well,

1133
01:06:01,560 --> 01:06:06,080
Speaker 1: we're all learning more. Um this is I don't think

1134
01:06:06,080 --> 01:06:09,800
Speaker 1: it's money. And he has one and his time starts. Now,

1135
01:06:09,920 --> 01:06:13,880
Speaker 1: I don't think so, honey. These small ass headphones, I

1136
01:06:13,880 --> 01:06:17,680
Speaker 1: don't think so many normative head sizes. Even I can't

1137
01:06:17,720 --> 01:06:20,760
Speaker 1: pull off baseball caps for my life, and now I

1138
01:06:20,760 --> 01:06:22,680
Speaker 1: got to deal with these headphones all the week that

1139
01:06:22,720 --> 01:06:26,880
Speaker 1: are just constricting my blood flow to my head, my

1140
01:06:26,960 --> 01:06:30,960
Speaker 1: most important part of my body. Shall we say? I

1141
01:06:31,000 --> 01:06:32,680
Speaker 1: will go go out on a limb and say, my

1142
01:06:32,800 --> 01:06:35,640
Speaker 1: head is the most important part of my body. And

1143
01:06:35,760 --> 01:06:39,280
Speaker 1: to have these small headphones that press up against my ear,

1144
01:06:39,360 --> 01:06:43,240
Speaker 1: that jam my glass, my glasses into my skull, you

1145
01:06:43,240 --> 01:06:46,200
Speaker 1: know the pain is you know, insidious, It's not it's

1146
01:06:46,240 --> 01:06:50,320
Speaker 1: not painful, but over time it can really can really

1147
01:06:50,400 --> 01:06:53,960
Speaker 1: drive you, drive you drive you to madness? Shall we say?

1148
01:06:54,200 --> 01:06:57,240
Speaker 1: Because my head, the headwearing were in general for me,

1149
01:06:58,200 --> 01:07:00,520
Speaker 1: I've I've always had to walk through this life and

1150
01:07:00,600 --> 01:07:04,160
Speaker 1: navigate spaces with nothing on my head. And sometimes I

1151
01:07:04,240 --> 01:07:07,240
Speaker 1: want an extra layer of protection that I can't have

1152
01:07:07,360 --> 01:07:11,160
Speaker 1: because the market is working against me. And that's one minute.

1153
01:07:11,200 --> 01:07:12,920
Speaker 1: That's one minute. And you know what, We are all

1154
01:07:12,960 --> 01:07:15,480
Speaker 1: privileged to have tiny heads, absolutely you all are in

1155
01:07:15,520 --> 01:07:19,040
Speaker 1: mind is too big and the giant head too. I

1156
01:07:19,080 --> 01:07:22,480
Speaker 1: got an extra large graduation cap in order it specialist

1157
01:07:23,280 --> 01:07:25,360
Speaker 1: what I had to do. I do the same for me,

1158
01:07:25,400 --> 01:07:27,439
Speaker 1: and it's just my whole life. It's been this thing

1159
01:07:27,480 --> 01:07:30,800
Speaker 1: that I've had to accept. But no longer I think

1160
01:07:30,840 --> 01:07:32,720
Speaker 1: my head is also big and look at the back

1161
01:07:32,760 --> 01:07:35,960
Speaker 1: of my skull juts out. Oh, yes, you see it right.

1162
01:07:36,000 --> 01:07:38,200
Speaker 1: That's it's not normal. That's a fund up pillar your

1163
01:07:38,240 --> 01:07:40,840
Speaker 1: mom put you on as a child. Maybe that deform

1164
01:07:40,960 --> 01:07:44,680
Speaker 1: saying my mother didn't raise me perfect. You'll have to

1165
01:07:44,680 --> 01:07:50,160
Speaker 1: answer to her. What's her name? Her name is Katrina? Katrina?

1166
01:07:50,200 --> 01:07:56,680
Speaker 1: He love Katrina, such a lovely job than Maria thinks.

1167
01:07:56,720 --> 01:07:59,480
Speaker 1: So yeah, and now we're going to find out what

1168
01:07:59,600 --> 01:08:03,160
Speaker 1: else Maria thinks, because it's time for your I don't

1169
01:08:03,160 --> 01:08:06,920
Speaker 1: think so, honey. This is my first one, first one,

1170
01:08:06,960 --> 01:08:10,760
Speaker 1: first of many. We hope your time starts now. Okay,

1171
01:08:10,880 --> 01:08:13,880
Speaker 1: I don't think so, honey. Every time I go for

1172
01:08:14,120 --> 01:08:19,479
Speaker 1: cold brew at Starbucks and they are out, they're out

1173
01:08:19,880 --> 01:08:24,960
Speaker 1: at ten a m oh, that is unkind unfair. You

1174
01:08:25,040 --> 01:08:29,519
Speaker 1: have this big poster, this Florida ceiling poster that says

1175
01:08:29,680 --> 01:08:33,760
Speaker 1: cold brewd has a beautiful picture of a foaming cold brew.

1176
01:08:34,040 --> 01:08:37,439
Speaker 1: I will foam on the top. I've grown addicted. You've

1177
01:08:37,479 --> 01:08:42,639
Speaker 1: given me the substance that I have to otherwise I'm

1178
01:08:42,680 --> 01:08:45,880
Speaker 1: going to feel really depressed all days and and I'm

1179
01:08:45,920 --> 01:08:49,400
Speaker 1: genuinely depressed. I've tried to have an iced coffee. It's

1180
01:08:49,479 --> 01:08:51,519
Speaker 1: not good. Oh, an iced air Americana. Do you want

1181
01:08:51,520 --> 01:08:54,719
Speaker 1: an iced Americano? Do you want a cup of spit?

1182
01:08:56,479 --> 01:09:01,360
Speaker 1: That's no, it's not fair. I do appreciate that you

1183
01:09:01,400 --> 01:09:04,680
Speaker 1: create the pint size bottles that take to go. Thank you.

1184
01:09:05,320 --> 01:09:08,400
Speaker 1: If you could have that at every Starbucks in every

1185
01:09:08,439 --> 01:09:12,840
Speaker 1: airport that I'm at, I'd really appreciate. Thank you. And

1186
01:09:12,960 --> 01:09:16,000
Speaker 1: that I bet every listener is nodding their head in

1187
01:09:16,080 --> 01:09:18,960
Speaker 1: fatly because I don't think so, Honey, when people advertise

1188
01:09:19,080 --> 01:09:20,920
Speaker 1: things that they do not have. If you're if you

1189
01:09:20,960 --> 01:09:24,679
Speaker 1: have a sign, it should be there at all times.

1190
01:09:24,800 --> 01:09:28,080
Speaker 1: And I've been I've been a terrible restaurant employee. I

1191
01:09:29,160 --> 01:09:33,280
Speaker 1: respect what you did, but I was not. I was

1192
01:09:33,320 --> 01:09:37,040
Speaker 1: not good at it. And and there were times when

1193
01:09:37,280 --> 01:09:39,240
Speaker 1: I didn't do a good job where I'd say, oh,

1194
01:09:39,320 --> 01:09:42,200
Speaker 1: we're out of diet coke. That happens a lot too,

1195
01:09:42,479 --> 01:09:45,400
Speaker 1: he why don't you isn't there a thing where you've

1196
01:09:46,280 --> 01:09:48,160
Speaker 1: bring it up from the basement and then hook it

1197
01:09:48,240 --> 01:09:51,200
Speaker 1: up to the machine. Oh, yeah, I guess I could

1198
01:09:51,240 --> 01:09:57,000
Speaker 1: do that. Anyways, I think it's it's just me being

1199
01:09:57,040 --> 01:10:00,680
Speaker 1: irritated with my past self, looking myself in and you know,

1200
01:10:00,840 --> 01:10:03,760
Speaker 1: in real time, and going, you're out of cold brew.

1201
01:10:03,920 --> 01:10:06,280
Speaker 1: I know you could make it. Yeah, that's the thing is,

1202
01:10:06,280 --> 01:10:08,280
Speaker 1: it's like you are a coffee place. I don't think

1203
01:10:08,320 --> 01:10:12,480
Speaker 1: it's acceptable to be out of what is essentially coffee.

1204
01:10:13,000 --> 01:10:17,479
Speaker 1: And yet, um, are they being fairly paid? Probably not,

1205
01:10:17,640 --> 01:10:20,200
Speaker 1: probably not. I don't know. I think the people are

1206
01:10:20,240 --> 01:10:22,519
Speaker 1: depends on a living way, just twenty five bucks an

1207
01:10:22,520 --> 01:10:24,920
Speaker 1: hour in New York in Los Angeles if you want

1208
01:10:24,920 --> 01:10:27,800
Speaker 1: to live in I think it's a share one. You know,

1209
01:10:28,360 --> 01:10:31,320
Speaker 1: I think you're that's definitely and it's definitely that's definitely

1210
01:10:31,360 --> 01:10:35,280
Speaker 1: not what they're Yeah, um, I will say, you're you

1211
01:10:35,400 --> 01:10:39,240
Speaker 1: contending with your own service past, food service past. It's

1212
01:10:39,240 --> 01:10:41,720
Speaker 1: about it's not about inventory like like like it might

1213
01:10:41,760 --> 01:10:43,800
Speaker 1: be at Starbucks where they might just be out of

1214
01:10:43,840 --> 01:10:45,439
Speaker 1: cold brew and they have to brew more and we'll

1215
01:10:45,479 --> 01:10:48,479
Speaker 1: take home however many hours that is. That is just

1216
01:10:48,960 --> 01:10:51,759
Speaker 1: them just sort of not not having their inventory straight.

1217
01:10:51,800 --> 01:10:56,439
Speaker 1: You know what I'm saying, No, when when they're not

1218
01:10:56,520 --> 01:11:00,160
Speaker 1: on top of refilling supplies. And it's also like ten

1219
01:11:00,200 --> 01:11:02,280
Speaker 1: in the morning, it wasn't like you know, you know,

1220
01:11:02,320 --> 01:11:06,120
Speaker 1: it wasn't like five pm. It's like I and I

1221
01:11:06,160 --> 01:11:12,360
Speaker 1: think as an addict, Um, it doesn't feel fair. Right,

1222
01:11:12,840 --> 01:11:16,960
Speaker 1: You've set me up to meet this and then the

1223
01:11:17,000 --> 01:11:20,680
Speaker 1: bar doesn't open till four. Yeah, that's all right. This

1224
01:11:20,760 --> 01:11:23,920
Speaker 1: isn't okay, This isn't I want to congratulate you. I'm

1225
01:11:23,960 --> 01:11:30,479
Speaker 1: being very aggressive. Thank you. You are incredibly aggressive, very complained. Yes,

1226
01:11:30,840 --> 01:11:33,679
Speaker 1: and I'm not. I'm not. I was. I was worried

1227
01:11:33,680 --> 01:11:37,040
Speaker 1: that I wouldn't be. Thank you so much. Pro that

1228
01:11:37,120 --> 01:11:41,439
Speaker 1: was that was a good one and a pro through

1229
01:11:41,600 --> 01:11:44,400
Speaker 1: and through. And also it's truly our honor to have you.

1230
01:11:44,479 --> 01:11:49,200
Speaker 1: Thank you this podcast Less culture. Thank you. I'm grateful

1231
01:11:49,280 --> 01:11:52,559
Speaker 1: to be a part of the Less culture. Yes, my

1232
01:11:52,640 --> 01:11:57,559
Speaker 1: dad can't say either. And some people I was like,

1233
01:11:57,600 --> 01:11:59,559
Speaker 1: I think you might be doing too much. You're trilling

1234
01:11:59,560 --> 01:12:01,920
Speaker 1: a little bit too much on it's just culture East

1235
01:12:02,800 --> 01:12:07,360
Speaker 1: Culture East. Maria Effort did an impression of me. I'm

1236
01:12:07,400 --> 01:12:16,320
Speaker 1: honored me gooset we finished. Every episode was a little

1237
01:12:16,360 --> 01:12:19,680
Speaker 1: song bowen yes and what will that song be? Oh,

1238
01:12:19,760 --> 01:12:25,400
Speaker 1: that sound will be? Um, here we go when a

1239
01:12:25,520 --> 01:12:31,240
Speaker 1: girl like you, the girl like you? No no no

1240
01:12:31,240 --> 01:12:40,920
Speaker 1: no no no no no no no like whoa Listen

1241
01:12:41,040 --> 01:12:43,080
Speaker 1: the music videos go. We don't know the word another word.

1242
01:12:43,160 --> 01:12:44,680
Speaker 1: That's a comment on the song itself, but the music

1243
01:12:44,760 --> 01:12:46,560
Speaker 1: video made me cry. I love you, Room five, love you,

1244
01:12:46,560 --> 01:12:48,840
Speaker 1: Adam Vine. Thank you so much, Maria Bamford, thank you

1245
01:12:48,880 --> 01:12:56,000
Speaker 1: for having me by. This has been a Forever Dog

1246
01:12:56,040 --> 01:13:01,160
Speaker 1: production executive produced by Brett Boham, Joe Cilio, and Alex Ramsey.

1247
01:13:01,760 --> 01:13:06,080
Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot

1248
01:13:06,080 --> 01:13:10,400
Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify,

1249
01:13:10,800 --> 01:13:13,200
Speaker 1: or wherever you get your podcasts. Keep up with the

1250
01:13:13,280 --> 01:13:16,519
Speaker 1: latest Forever Dog news by following us on Twitter and

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Speaker 1: Instagram at Forever Dog Team, and liking our page on Facebook.