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Speaker 1: joining's we'll get back to this for Joe joining us

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Speaker 1: right now is one of the funny men got to

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Speaker 1: start on social media and here he is blown up.

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Speaker 1: Tony Baker Green comedian voiceover, he bro what's up y'all?

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Speaker 4: Can y'all hear me? See me?

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Speaker 3: Yeah?

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Speaker 5: I got see, I see thanks for having me, hey boy.

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Speaker 3: But it's okay.

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Speaker 1: The the light too, right, I got to I got

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Speaker 1: the space shovel, I got to beat me up the

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Speaker 1: heley and George, you know what I'm saying.

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Speaker 3: Yeah, if you.

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Speaker 5: Need now, you're good.

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Speaker 4: You're good, You're good.

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Speaker 5: How's everything? Everything good?

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Speaker 1: Though?

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Speaker 4: Now you got no complaints?

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Speaker 1: Man, I'm gold and I'm back on tour, so you know, yeah,

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Speaker 1: getting getting, getting my pockets replenished.

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Speaker 5: Just about the house, you go, hey, listen, hey, every

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Speaker 5: every morning, as ask the man upstairs, man to make

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Speaker 5: sure that cup can te you to run it through?

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Speaker 5: You gonna be all right?

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Speaker 4: Come on, man, I about my first house so I

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Speaker 4: need every dollar.

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Speaker 1: Oh yeah, man, I just bought my first house southern California,

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Speaker 1: so you know they're gonna charge you eight million dollars

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Speaker 1: for wanting to half bedroom zero bad.

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Speaker 5: Congratulations, Congratulations, thanks Tony.

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Speaker 3: Did you did you? Tony? Did you always want to

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Speaker 3: be a comedian? Did you?

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Speaker 1: Were you a class clown? Were you funny always? When

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Speaker 1: did you decide to say, you know what, I'm gonna

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Speaker 1: be a stand up? You know what, man, I was

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Speaker 1: always funny and didn't realize it because I'm the youngest

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Speaker 1: of three boys.

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Speaker 4: So I'm trying.

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Speaker 1: I'm trying to crack jokes at the house, but my

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Speaker 1: brothers would never laugh. They gave me nothing.

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Speaker 4: Man. So I was going to school.

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Speaker 1: I would go to school thinking I wasn't funny, so

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Speaker 1: I'm making the kids laugh, but it didn't even register

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Speaker 1: because I was like.

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Speaker 4: Man, I ain't funny at home though. And then you know,

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Speaker 4: when we're young and we teens, and we and the girls,

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Speaker 4: you don't want to be funny. You trying to be

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Speaker 4: all smooth and cool.

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Speaker 5: Yeah, you know what I'm saying.

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Speaker 4: You got to yoaste booths on You're just like yeah, girl.

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Speaker 4: They'd be like you funny. I'll be like, Noah, noa,

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Speaker 4: I ain't trying to be funny, you know what I'm saying.

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Speaker 1: And so I never really paid attention to my was

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Speaker 1: funny until I got to college, and then that's when.

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Speaker 4: It clicked, right.

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Speaker 1: But you know, women like guys, but Tony, you know,

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Speaker 1: women like guys that are funny. One of the one

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Speaker 1: of the things that they say a sense of humor.

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Speaker 1: I founds I found it out later this when did

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Speaker 1: When did you get into the boys over? Because that's

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Speaker 1: kind of how I stumbled upon you. You were doing

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Speaker 1: voiceover cast dog. Uh, I forget what's the Scottie Scotti,

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Speaker 1: Curtis Scotty Man. Yeah, Curtis and Scotti. How did you

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Speaker 1: get into the voice over?

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Speaker 4: You know what it was? Uh? We always had pets

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Speaker 4: growing up, so.

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Speaker 1: You know, I never lived without an animal in the

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Speaker 1: house somewhere until I went to college, and so I

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Speaker 1: was always wondering what they was thinking about, just looking

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Speaker 1: at cats and dogs and like what y'all thinking about?

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Speaker 1: And so I did this. I did two videos. It

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Speaker 1: was one of this goat in Brazil, just to harass

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Speaker 1: them the hell out of everybody. Man just just cramming

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Speaker 1: people on the Crammelton Crammelton Man. He just this lady

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Speaker 1: over here had grocery bags and this dude trying to

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Speaker 1: save him.

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Speaker 4: So that was the very first one I did, and

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Speaker 4: then I did this second one.

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Speaker 1: This raccoon was eating out of a cat food dish

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Speaker 1: and the cats was the round of him looking at

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Speaker 1: him like he's crazy, Like yo, man's the man right

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Speaker 1: here and he's looking at them, and then he dip

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Speaker 1: off and then come back for one.

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Speaker 4: Last coop and then he run off.

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Speaker 1: That's the one that went viral and star. I was like,

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Speaker 1: let me, let me just do these for real, and

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Speaker 1: I just kept doing them.

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Speaker 5: Ember since that's like, hey, you you had a comedy special,

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Speaker 5: Scaredy Cat. Can you walk us through the creative process

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Speaker 5: and the prep you had behind the special and how

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Speaker 5: everything came about?

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Speaker 4: Okay?

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Speaker 1: So I started doing stand up in two thousand and eight,

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Speaker 1: so really my voice, though, was it.

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Speaker 4: Just the vehicle to get you to come to me live.

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Speaker 1: So I've been doing stand up since then, so you know,

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Speaker 1: I'm just doing When I started doing stand up, I'm

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Speaker 1: doing everything I can get my hands on. Man, every

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Speaker 1: every show, every competition, every Bringer show. I'm just doing whatever,

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Speaker 1: and so I'm just accumulating all this material.

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Speaker 4: I'm getting up every night. Dog, I'm like doing multiple

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Speaker 4: stages a night.

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Speaker 1: And so by the time I started Scaredy Catting, I

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Speaker 1: met these casts and I still work with Brennan and

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Speaker 1: Tony and the Transit Pictures, and they.

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Speaker 4: Was like, yo, let us shoot your special and I.

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Speaker 1: Was like all right, you know, and so they put

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Speaker 1: it together because they do dining light work, and so we.

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Speaker 4: Went to uh, New Mexico State. That's where that's why

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Speaker 4: I went to college.

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Speaker 1: We shot the special there, uh, you know, low budget,

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Speaker 1: gorilla style, independent, just shot that look.

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Speaker 4: And then so that's why years work. The material that

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Speaker 4: we just culminated right there.

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Speaker 3: Started who are you? Who is your inspiration? When you

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Speaker 3: grow up?

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Speaker 1: When you like you're like, okay, take a little bit

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Speaker 1: of this, take a little bit of that.

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Speaker 4: Who are your inspiration?

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Speaker 3: Who are some of your inspirations in the comedic space?

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Speaker 4: Well, when I was growing up, I'm forty seven. So

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Speaker 4: you know, Delirious was the first comedy special that just blew.

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Speaker 5: Why what you know about that?

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Speaker 4: Man? Come on, man, old delirious man. Anybody that knows.

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Speaker 1: That was around at that time. That special just blew

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Speaker 1: everybody's head off. And so that's when I first took

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Speaker 1: in a comedy special career. And then as time went on,

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Speaker 1: you know, I saw raw, but then I started watching

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Speaker 1: like comedy and I was like Damon WANs snipping bag

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Speaker 1: and Jerry Steinfeld to my three influences with a sprinkler

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Speaker 1: burning back. So those those are like, those are my

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Speaker 1: influences right there, and so I feel like I'm a

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Speaker 1: combination of those three that I mentioned and because I

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Speaker 1: feel my mom know like a lot of customs, so

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Speaker 1: we could watch them dad together, you know, right. And

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Speaker 1: then that's what I was about to ask you, because

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Speaker 1: I don't hear a lot of I don't hear a

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Speaker 1: lot of cursing in your comedy. Yeah, I'm trying to

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Speaker 1: keep it PG thirteen for the most part, Like I

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Speaker 1: don't want to I don't want to get because I

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Speaker 1: don't want to get stuck in that box. But you know,

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Speaker 1: so I try to.

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Speaker 4: Keep your PG thirteen So my mom on cringe up.

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Speaker 1: But yeah, then bad Damon Wayne is the way he

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Speaker 1: was just like storyteller, do the character act out and

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Speaker 1: then the way time fail just just details every like

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Speaker 1: little basic human experience that we have, talking about thoughts

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Speaker 1: for like fifteen minutes, talking about twothpaste, talking about stereo.

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Speaker 4: I could do that type of stuff too. So those

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Speaker 4: are my three influences right there.

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Speaker 5: That's dope. I don't think people understand how difficult, how

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Speaker 5: difficult stand the comed is. I think they think people

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Speaker 5: are funny. You just stand on stage in front of

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Speaker 5: a crowd and it just works, not understanding that the

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Speaker 5: material has to hit, you have to engage with the crowd,

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Speaker 5: you have to have stage presence. There's so many factors

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Speaker 5: and variables that go in for a comedian to be

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Speaker 5: able to stand up in front of people, have said material,

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Speaker 5: remember said material, and the delivery to be on points.

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Speaker 4: Yes.

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Speaker 5: So my question is how different is your approach when

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Speaker 5: it comes to doing stand up versus the content you

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Speaker 5: put on social media or do you just approach both

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Speaker 5: the same way.

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Speaker 1: Well, the way I write it is like I think

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Speaker 1: of a premise, like I'll be like I'll be into

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Speaker 1: the grocery store tonight, I'll be like, man, look at

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Speaker 1: this lady right here, And then next time I get

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Speaker 1: on stage, I'll be like mans and whole foods and

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Speaker 1: seeing this lady right here, and so I write it

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Speaker 1: in real time like that, I keep the premise in mind,

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Speaker 1: all right, I'm gonna say this, and then then I start.

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Speaker 4: I keep doing it the more I go up, and

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Speaker 4: then I edit and stuff do it like that.

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Speaker 1: And so because like the way my mind works, I'll

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Speaker 1: forget it if I don't. If I don't like write

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Speaker 1: it down or do it right away. Yeah, And so

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Speaker 1: that's my approach to life. Stand up my voice overs

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Speaker 1: and like the content, it'd be in the moment. Man,

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Speaker 1: Like when people people used to send me before, I

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Speaker 1: kind of stopped doing voiceover because that's the gram keep

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Speaker 1: pulling them off my page and I want to get

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Speaker 1: my page deleted. But people with ten lea videos all

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Speaker 1: day long, they still do. And so they be like,

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Speaker 1: hey man, hey, so man did And so I'll look

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Speaker 1: at the video maybe one twice, and then I'll just

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Speaker 1: think of the whole scenario, like like the I got

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Speaker 1: a voice over where it's these two cats.

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Speaker 4: It's one outside the window and one.

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Speaker 3: Is yeah yeah ain't Curtis, Yeah you all let you

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Speaker 3: right quick?

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Speaker 5: Yeah?

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Speaker 3: Because the one house time looks like.

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Speaker 4: He's been about their life here in the strange.

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Speaker 5: Yeah yeah, yeah, yeah.

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Speaker 1: He wont he want Curtis to come out fires they

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Speaker 1: can give me these puberty path Yeah. And so when

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Speaker 1: I'm looking at that, I'm like, oh, I got the

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Speaker 1: conversation right here to like, hey, curtiys man watching step outside?

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Speaker 4: Let me howland you real quick?

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Speaker 1: And then he disappeared for a little bit and he

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Speaker 1: remember fail, man, I fell.

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Speaker 4: Then you come back, well why you ain't heal me?

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Speaker 3: So it just me you're freaking me out. You're freaking

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Speaker 3: me out, Scotty, You're freaking me out.

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Speaker 1: Yeah, man, and so and I like production value too,

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Speaker 1: So like if I do a voice over of a

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Speaker 1: giraffe running from a lion, I'll be outside running when

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Speaker 1: I recorded that way, so you get the effect you like,

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Speaker 1: it's like it's really like that's what's really happening. Like

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Speaker 1: you can hear me running outside. Oh man, it's not

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Speaker 1: like he's really running. So some people appreciate those little

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Speaker 1: nuanced right. That's that's dope trying to give me my

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Speaker 1: rushmore comedians. Okay, I'm gonna give you Okay, I'm gonna

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Speaker 1: give you two the ones I just named. I'm gonna

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Speaker 1: give you telling Bad. I'm okay, this is my this

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Speaker 1: is my personal one. I can give you a comedy

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Speaker 1: min wels More, I can get you my person you Hey,

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Speaker 1: I want George. Who are your my Rushmore comedians? Okay,

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Speaker 1: toy Baker's my Rushmore? Got uh Damon Wayne? I feel

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Speaker 1: like I feel like he's the h bills for this

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Speaker 1: was an underrated We know, we know David is the legend,

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Speaker 1: but I feel like this comedy specialists don't get talked

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Speaker 1: about enough.

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Speaker 4: Man, this is crazy. So I'm gonna give you Damiel Wayne.

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Speaker 4: I'm gonna give you Sinbad as well.

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Speaker 1: I feel like Sinbad don't get talked about enough to

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Speaker 1: be exact funny and that.

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Speaker 4: And that consistent is crazy and his crowd work is bananas.

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Speaker 4: So got them two on there. I'm gonna give you

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Speaker 4: uh dang Man because I want to.

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Speaker 1: I want to throw Eddie on there. But he only

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Speaker 1: got two specials. But they was monumental though Murphy, Okay,

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Speaker 1: he only got two of those. I'm gonna be like,

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Speaker 1: I'm a slide involved. Okay, I'm gonna put him on

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Speaker 1: the legendary Mount Rushmore. But since he only got two,

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Speaker 1: I'm gonna slide them off, and then I want to

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Speaker 1: put George Calling on there, because yeah, George, that's my boy,

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Speaker 1: George Carlin. Man just I could listen to him all

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Speaker 1: day and the way he breaks up.

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Speaker 5: Down is just, hey, I got I have all his specials,

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Speaker 5: oh man, all of them was crazy man. Listen, you

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Speaker 5: got you got it here. There are very few comedians

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Speaker 5: that you go and see where you have to think.

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Speaker 5: He makes you think. He forces you to think, and

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Speaker 5: then not.

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Speaker 1: Only that, not only thinking, you're gonna walk away having

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Speaker 1: learned some stuff. It's just like, yeah, yes, he's very

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Speaker 1: socially conscious, and he's.

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Speaker 3: Very socially conscious.

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Speaker 1: He's gonna talk about things in real real life that

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Speaker 1: you're thinking dealing with, and you think, like, damn, he

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Speaker 1: put that in perspective. You know who the great I

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Speaker 1: think one of the greatest storyteller special of this generation.

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Speaker 3: Who that Chappelle. Oh you for.

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Speaker 1: Sure that joker and he he could take the way

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Speaker 1: he can diffuse our audience and talk about things that

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Speaker 1: you to be talking about. And before you know it,

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Speaker 1: his ensinel when he didsdel a couple of years ago

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Speaker 1: to a bake. Yeah, it might have been the greatest

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Speaker 1: monologue in Saturday Light Live History, Oh Joe, if you

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Speaker 1: ever seen it, go.

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Speaker 3: Back and look at his monologue.

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Speaker 1: Yeah, you know what's double Boston tell the way the

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Speaker 1: way his comedy transformed. If you go back and looking

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Speaker 1: at killing Him Softly or as the early specials, it

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Speaker 1: was more rapid.

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Speaker 4: Fires, more jokes.

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Speaker 1: But yeah, he developed into like this monumental storyteller where

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Speaker 1: you're just like listening. He's just like, man, this dude, Yes,

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Speaker 1: breaking it all the way down to where the joke

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Speaker 1: up on you.

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Speaker 3: Now it's like, yes, it's like I.

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Speaker 1: Don't know, I don't know IFSS made it more comfortable

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Speaker 1: and his approach to where it could just be right,

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Speaker 1: y'all gonna rock with me anyways.

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Speaker 4: Let me just set down, smoke.

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Speaker 5: This cigarette and take my time.

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Speaker 3: Yeah, you know what I'm saying.

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Speaker 1: But his transition is just crazy. Betwence O'Neill is another

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Speaker 1: dude that I feel like, Yeah, yeah, if he away,

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Speaker 1: oh man, no telling, no telling where they would have went.

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Speaker 3: But about prior, what do you think about prior?

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Speaker 4: You know what I feel about Pride.

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Speaker 1: I would put him on the Mount Rush Moore of

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Speaker 1: the best comedians that ever exist, because when you look

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Speaker 1: at def comedy jam.

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Speaker 4: Yeh, it was twenty.

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Speaker 1: Seven thirty five, Richard Prize on that thing. Like he

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Speaker 1: birthed so many comedians that if you were young and

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Speaker 1: didn't catch Richard Pride and his pride, you would go

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Speaker 1: back and look at the rich and Price especially be like, yo,

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Speaker 1: this reminds me of like death Jam.

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Speaker 4: That's because they were born from him.

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Speaker 3: Yeah.

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Speaker 1: So it's like, you know, his style of comedy is

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Speaker 1: just essential to the whole game because it changed everything.

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Speaker 1: So I would put him right on the mount rushmore

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Speaker 1: of you know, the best comedians to ever do it.

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Speaker 1: I think I think he's the most important comedian that

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Speaker 1: ever exists. But you see these a lot of these

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Speaker 1: stand up and he was probably one of the first

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Speaker 1: that did stand up.

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Speaker 3: And transition to movies.

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Speaker 1: Yeah, and then you got you know, a Gene Water,

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Speaker 1: and you got Murphy, and you got you got Kevin Hark,

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Speaker 1: you got a lot of these Rock, Chris Rock, you

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Speaker 1: get a lot of these guys that started off his

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Speaker 1: stand up And it seemed like the is that a

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Speaker 1: natural transition to go from stand up to go into

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Speaker 1: the big screen.

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Speaker 4: I feel like a.

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Speaker 1: Lot of times because what happened was with Richard and Edy.

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Speaker 4: You had that blueprint.

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Speaker 1: I'm like, all right, I'm gonna do stand up and

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Speaker 1: then I'm gonna do movies like like Richard.

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Speaker 4: Pride, Robin Williams, Eddy Murphy. Because that's what happened to me.

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Speaker 1: Like I always wanted to act, and so I was like, yo,

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Speaker 1: let me try stand up.

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Speaker 4: As a way to get exposure.

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Speaker 1: And then what happened to me was I fell in

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Speaker 1: love with stand up as soon as I did it.

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Speaker 4: So now when I get.

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Speaker 1: An acting role, I'd be like cool, cool, but I

408
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Speaker 1: don't be like excited, like developing like a dope set

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Speaker 1: because you know, when you act, so much other stuff

410
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Speaker 1: is out of your control.

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Speaker 4: With stand up, I control everything.

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Speaker 1: You know what I'm saying, Like, uh, if I'm in

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Speaker 1: the movie, I'm at the mercy of the casting director.

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Speaker 1: Then once I get past that, you know, I got

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Speaker 1: to work with the director, the writers, the producers. They

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Speaker 1: might edit my thing out, so you never know. And

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Speaker 1: there before stand up is I'm in more control everything

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Speaker 1: like it's me right.

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Speaker 4: So as far as the transitions go, that was the move.

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Speaker 4: It was like it turned into the moon.

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Speaker 1: Where it's just like all right, man, this stand up

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Speaker 1: comedian is so popular and so large, Let's throw him

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Speaker 1: in the movie or two man, because he's funny, he

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Speaker 1: might stand out. And then the next thing, you know,

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Speaker 1: he just got this wave of cats that like started

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Speaker 1: on stage, and then we're gonna get them in.

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Speaker 4: Movies and stuff like that. Now, mind you, everything ain't

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Speaker 4: gonna click.

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Speaker 1: Like when they do get movies, they be tanking and

430
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Speaker 1: you only get a few thanks before they do.

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Speaker 4: All right, all right, man, look out.

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Speaker 1: But if you look at Bernie Back, Bernie Back is

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Speaker 1: the only guy that you watch his man rhythms in

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Speaker 1: the movie.

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Speaker 3: That's just his manter rhythms on stage.

436
00:20:59,119 --> 00:21:01,760
Speaker 1: Yeah, the way the way he the way he did

437
00:21:01,840 --> 00:21:04,240
Speaker 1: Blue Blue made me raise up because he drum.

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Speaker 3: You know what I'm saying.

439
00:21:07,080 --> 00:21:09,120
Speaker 1: If you watch him at the house party, you watch

440
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Speaker 1: him in Friday, his manner rhythms on the screen is

441
00:21:13,720 --> 00:21:16,720
Speaker 1: his manner rhythms on stage. Was one of the few

442
00:21:16,800 --> 00:21:19,320
Speaker 1: guys that when you watch him, you like he doing

443
00:21:19,440 --> 00:21:23,080
Speaker 1: stand up and he acted. Yes, Yep, he was able.

444
00:21:23,200 --> 00:21:25,920
Speaker 1: He was able to do that transition on his time.

445
00:21:25,920 --> 00:21:28,400
Speaker 1: It's like, you know, we had already seen him. If

446
00:21:28,400 --> 00:21:30,080
Speaker 1: he was in the know, you already seen him The

447
00:21:30,320 --> 00:21:34,160
Speaker 1: House Party and like these movies before the real comedians.

448
00:21:34,640 --> 00:21:34,880
Speaker 4: Yeah.

449
00:21:35,000 --> 00:21:37,159
Speaker 1: Then by the time real comedians came out and a

450
00:21:37,200 --> 00:21:39,080
Speaker 1: lot of people saw him to a stand up for

451
00:21:39,119 --> 00:21:41,760
Speaker 1: the first time, they're just like, oh my god, that's

452
00:21:41,800 --> 00:21:44,080
Speaker 1: why he got his TV show and he got like

453
00:21:44,160 --> 00:21:47,479
Speaker 1: high profile gigs like OCE's eleven and stuff like that.

454
00:21:47,600 --> 00:21:50,359
Speaker 1: And so it was like because every time he was

455
00:21:50,359 --> 00:21:52,159
Speaker 1: there something before, he was still in things.

456
00:21:52,200 --> 00:21:55,119
Speaker 4: All the time, everything he was there, he was still

457
00:21:55,160 --> 00:21:56,560
Speaker 4: in the show. Every time.

458
00:21:58,200 --> 00:21:59,080
Speaker 3: I know, I knew you.

459
00:21:59,359 --> 00:22:04,679
Speaker 5: I know I and you to call you you that.

460
00:22:04,760 --> 00:22:10,840
Speaker 1: I'm talking about all right, House Party three man, I'm

461
00:22:10,880 --> 00:22:12,880
Speaker 1: telling you, every time he stowed.

462
00:22:12,640 --> 00:22:14,640
Speaker 4: Up for him to be able to stand.

463
00:22:14,400 --> 00:22:23,479
Speaker 1: Out in life, that movie had a dopey But if

464
00:22:23,520 --> 00:22:25,639
Speaker 1: you and you go back and look at Harlem Nights,

465
00:22:25,840 --> 00:22:29,160
Speaker 1: when they had the mortgage board, you had the old

466
00:22:29,280 --> 00:22:31,920
Speaker 1: you had the old g you had Red Fox, you

467
00:22:31,960 --> 00:22:35,880
Speaker 1: had Richard, you had you had a rape. I mean,

468
00:22:35,960 --> 00:22:39,560
Speaker 1: you had all of it. And the same thing is life.

469
00:22:39,640 --> 00:22:42,159
Speaker 1: I don't know if we'll ever see another cast like

470
00:22:42,280 --> 00:22:44,840
Speaker 1: what we had in life like that.

471
00:22:45,400 --> 00:22:47,080
Speaker 5: Hey you know what and when when when you talk

472
00:22:47,119 --> 00:22:49,960
Speaker 5: about cast right and movies that are classics based on

473
00:22:49,960 --> 00:22:54,879
Speaker 5: the people that were casting Life Life for Hall of

474
00:22:55,000 --> 00:22:57,399
Speaker 5: Night could be on it no matter when you watch it,

475
00:22:57,480 --> 00:22:59,720
Speaker 5: when you catch it on TV, you start to watch

476
00:23:00,160 --> 00:23:02,440
Speaker 5: up and it's one more movie.

477
00:23:02,800 --> 00:23:03,320
Speaker 3: You stopping.

478
00:23:04,640 --> 00:23:07,560
Speaker 5: There's one more movie where it was casting perfectly, and

479
00:23:07,600 --> 00:23:09,600
Speaker 5: they would they will never be able to replicate it.

480
00:23:09,680 --> 00:23:11,760
Speaker 5: They tried, but it was nothing close to it. And

481
00:23:11,760 --> 00:23:15,000
Speaker 5: that was Coming to America, say that man, Yeah, coming

482
00:23:15,040 --> 00:23:15,840
Speaker 5: to American.

483
00:23:15,560 --> 00:23:17,639
Speaker 1: Man Coming to America is like one of the best

484
00:23:17,640 --> 00:23:18,680
Speaker 1: time that he's ever made.

485
00:23:19,680 --> 00:23:24,560
Speaker 5: Classic. You can't you can't replicate it. They tried. I'm

486
00:23:24,560 --> 00:23:35,359
Speaker 5: not saying they failed, but it wasn't they fail. Not.

487
00:23:35,920 --> 00:23:38,640
Speaker 1: But when you look but when you look at Harlem

488
00:23:38,720 --> 00:23:41,360
Speaker 1: Nights and you get Della Reese and you get that

489
00:23:41,359 --> 00:23:44,639
Speaker 1: scene with Red Fox, and you get and you get Prior,

490
00:23:45,080 --> 00:23:48,439
Speaker 1: and you get Murphy and you get our Senio and

491
00:23:48,520 --> 00:23:51,480
Speaker 1: you get that cat, I think, uh, uh, what's the

492
00:23:51,480 --> 00:23:52,119
Speaker 1: guy you said?

493
00:23:52,119 --> 00:23:52,399
Speaker 3: Past?

494
00:23:52,600 --> 00:23:57,359
Speaker 1: Uh? Robert Harris, you get, you get all of those guys.

495
00:23:57,480 --> 00:24:04,040
Speaker 5: That's the man, that's the cream of the cross man.

496
00:24:04,160 --> 00:24:06,040
Speaker 1: I don't know if we'll never get another. We'll never

497
00:24:06,200 --> 00:24:08,480
Speaker 1: We'll never get I don't. I hate to say never,

498
00:24:08,560 --> 00:24:11,479
Speaker 1: because never it's always But I don't know if we're

499
00:24:11,520 --> 00:24:13,680
Speaker 1: going to ever get a cast like that again, Tony

500
00:24:13,960 --> 00:24:18,479
Speaker 1: with Mortgage. We could like once we get like, you know,

501
00:24:18,640 --> 00:24:21,639
Speaker 1: once we get a Dames Fail together, Kevillon hard together,

502
00:24:21,760 --> 00:24:22,679
Speaker 1: like the Giants.

503
00:24:22,960 --> 00:24:25,320
Speaker 4: Now, if we can get them in the right project,

504
00:24:25,400 --> 00:24:25,880
Speaker 4: that's the thing.

505
00:24:25,960 --> 00:24:26,160
Speaker 3: Though.

506
00:24:26,960 --> 00:24:29,760
Speaker 4: Now we're oversaturated.

507
00:24:28,760 --> 00:24:31,560
Speaker 1: With movies and TV shows and stuff like that, so

508
00:24:31,760 --> 00:24:34,680
Speaker 1: it's harder. It's harder for us to get that classic

509
00:24:34,760 --> 00:24:36,359
Speaker 1: because we're so oversaturated.

510
00:24:36,720 --> 00:24:39,680
Speaker 4: Well, Hall of Knights came out. That was a movement. Man.

511
00:24:39,720 --> 00:24:40,400
Speaker 4: I remember going.

512
00:24:41,280 --> 00:24:44,000
Speaker 1: I remember I was in Chitago. It was ever Green

513
00:24:44,080 --> 00:24:48,040
Speaker 1: Cloza over the weekend. That movie theater was packed. And

514
00:24:48,119 --> 00:24:50,760
Speaker 1: what I'm talking about when them jokes, when them jokes

515
00:24:50,840 --> 00:24:53,280
Speaker 1: was hitting, you couldn't even hear what they said after

516
00:24:53,320 --> 00:24:55,199
Speaker 1: the joke because that theater was so glad to go

517
00:24:55,280 --> 00:24:57,919
Speaker 1: back and watch it because you missed the jokes because

518
00:24:57,960 --> 00:25:00,879
Speaker 1: people were still laughing and they would go That's how

519
00:25:00,920 --> 00:25:03,200
Speaker 1: it was with life. I ended up having to buy

520
00:25:03,200 --> 00:25:06,679
Speaker 1: the DVD because I couldn't hear anything because everybody laughing

521
00:25:06,720 --> 00:25:08,840
Speaker 1: in the fad And I'm like, damn, when you go

522
00:25:08,960 --> 00:25:12,359
Speaker 1: back and listen to it, you realize what you actually missed,

523
00:25:12,840 --> 00:25:15,679
Speaker 1: like what you're said through some things like there are

524
00:25:15,840 --> 00:25:18,439
Speaker 1: classics even Friday, when you go back and look at

525
00:25:18,440 --> 00:25:22,320
Speaker 1: the cast that was in Friday due oh g Friday. Yeah,

526
00:25:22,680 --> 00:25:26,800
Speaker 1: for real, And it's hard making it. I wish comedy

527
00:25:26,880 --> 00:25:29,880
Speaker 1: steakuels are the toughest sequels to make, man, because yeah,

528
00:25:30,000 --> 00:25:32,320
Speaker 1: like an action sneakle, all you gotta do is ramp

529
00:25:32,400 --> 00:25:34,600
Speaker 1: up the action and you good to go. But like

530
00:25:34,680 --> 00:25:38,480
Speaker 1: when comedy stequels, they be trying to relive the magic

531
00:25:38,680 --> 00:25:41,800
Speaker 1: and then they just be feeling forced now and once again,

532
00:25:42,119 --> 00:25:44,399
Speaker 1: once I feel like you trying to make me laugh,

533
00:25:45,000 --> 00:25:47,240
Speaker 1: I'll be losing the I'd be losing the will to

534
00:25:47,280 --> 00:25:47,520
Speaker 1: do it.

535
00:25:47,560 --> 00:25:49,320
Speaker 4: I'll be like, no, you got to force it.

536
00:25:50,480 --> 00:25:52,479
Speaker 5: And the funny thing about it, you can tell. You

537
00:25:52,480 --> 00:25:54,160
Speaker 5: can tell when they're trying to make it laugh when

538
00:25:54,160 --> 00:25:59,800
Speaker 5: it when someone is authentic and organically funny, they're not

539
00:25:59,840 --> 00:26:02,600
Speaker 5: even and trying. You can send the funniest people are

540
00:26:02,640 --> 00:26:05,320
Speaker 5: not even trying it. Just is there's a certain if

541
00:26:05,320 --> 00:26:08,560
Speaker 5: factor that you're just born with. You can't teach it,

542
00:26:08,600 --> 00:26:12,040
Speaker 5: and you can't coach it, you know, and just you

543
00:26:12,040 --> 00:26:13,720
Speaker 5: got it and you don't Friday.

544
00:26:13,520 --> 00:26:15,000
Speaker 4: They got it.

545
00:26:15,080 --> 00:26:17,360
Speaker 1: But bab, you know the problem is is that when

546
00:26:17,359 --> 00:26:19,320
Speaker 1: the first one does so well and it makes so

547
00:26:19,440 --> 00:26:22,199
Speaker 1: much money, you got to bring it back. Just cars,

548
00:26:22,560 --> 00:26:25,560
Speaker 1: for no other reason. You got to bring it back.

549
00:26:25,640 --> 00:26:27,480
Speaker 1: When you see these like man, they may that's a

550
00:26:27,520 --> 00:26:30,240
Speaker 1: good old movie. Movie did five half a billion? The

551
00:26:30,280 --> 00:26:32,800
Speaker 1: movie does a billion? You get you getting a two

552
00:26:33,040 --> 00:26:35,639
Speaker 1: or three and maybe a damn four like the Fast

553
00:26:35,680 --> 00:26:37,120
Speaker 1: In the periods, we got ten.

554
00:26:37,200 --> 00:26:37,840
Speaker 4: We up to ten.

555
00:26:38,000 --> 00:26:40,480
Speaker 5: Now we they and out of space.

556
00:26:41,560 --> 00:26:44,399
Speaker 1: Once Luther Christmas Cloud Reason sitting in the zicicle out

557
00:26:44,440 --> 00:26:47,280
Speaker 1: of space. I was like, you know what, y'all got it.

558
00:26:47,600 --> 00:26:51,000
Speaker 1: Y'all got it. They sitting in the car and out

559
00:26:51,040 --> 00:26:55,000
Speaker 1: of face though racing space. They rushed, they racing space shuttles.

560
00:26:55,400 --> 00:26:57,120
Speaker 1: So I mean, what what we going with that?

561
00:26:57,640 --> 00:26:57,920
Speaker 4: Man?

562
00:26:58,960 --> 00:27:02,280
Speaker 3: Let me ask you this make what's your favorite what's

563
00:27:02,320 --> 00:27:03,000
Speaker 3: your favorite city?

564
00:27:03,040 --> 00:27:04,960
Speaker 1: The tutoriot? Wait where you where you like to go?

565
00:27:05,000 --> 00:27:06,600
Speaker 1: Give me your top five cities that you like to

566
00:27:06,600 --> 00:27:07,880
Speaker 1: go perform our five.

567
00:27:07,960 --> 00:27:08,160
Speaker 4: Man.

568
00:27:08,240 --> 00:27:10,080
Speaker 1: I love the fact that you always do tip fire

569
00:27:10,119 --> 00:27:13,720
Speaker 1: because I love doing top five. A top five anything,

570
00:27:13,720 --> 00:27:16,960
Speaker 1: I'm gonna give it to you. So uh, this is

571
00:27:17,080 --> 00:27:19,920
Speaker 1: this is any order, this out of order. So I'm

572
00:27:19,960 --> 00:27:27,920
Speaker 1: going off energy New York. I'm gonna go with this.

573
00:27:27,920 --> 00:27:29,240
Speaker 4: This is a ringer right here.

574
00:27:29,400 --> 00:27:31,320
Speaker 1: I don't know how many comedians don't stay this, but

575
00:27:32,040 --> 00:27:33,200
Speaker 1: Louve for Kentucky.

576
00:27:34,320 --> 00:27:36,480
Speaker 5: Mm, that's a good one.

577
00:27:36,560 --> 00:27:38,400
Speaker 4: Kentucky got fire.

578
00:27:38,400 --> 00:27:45,960
Speaker 1: Energy every time I loved it. I'm gonna throw in

579
00:27:46,320 --> 00:27:52,320
Speaker 1: mm hmm. I'm gonna give you who got that good energy?

580
00:27:52,800 --> 00:27:55,879
Speaker 1: I really like performing in Chicago. I know, I know

581
00:27:55,920 --> 00:27:57,840
Speaker 1: I could be biased, but because I'm from there, but

582
00:27:58,359 --> 00:27:59,840
Speaker 1: Chicago energy be fired.

583
00:28:01,160 --> 00:28:05,560
Speaker 4: I'm gonna go with Uh. Let's see that's three right there.

584
00:28:06,440 --> 00:28:08,639
Speaker 4: Let me know, let me let me show that that

585
00:28:08,880 --> 00:28:10,400
Speaker 4: Baltimore in there, man.

586
00:28:10,320 --> 00:28:13,080
Speaker 3: Balti okay, yeah, yeah, okay, Baltimore.

587
00:28:13,400 --> 00:28:15,120
Speaker 4: Good? Can I come stro here?

588
00:28:16,080 --> 00:28:16,439
Speaker 3: Yeah?

589
00:28:16,640 --> 00:28:21,200
Speaker 4: Baltimore good ass time though. Uh. And then I'm I'm

590
00:28:21,240 --> 00:28:25,200
Speaker 4: around it out with Shoot Phileas Doe.

591
00:28:25,640 --> 00:28:26,040
Speaker 1: Uh.

592
00:28:28,040 --> 00:28:30,720
Speaker 4: I might round it out with d C Man d C.

593
00:28:31,880 --> 00:28:33,120
Speaker 3: D C got them heavyweights.

594
00:28:33,160 --> 00:28:36,960
Speaker 1: Now, they got Waiting, they got Chapel, they got wander Sight,

595
00:28:37,200 --> 00:28:43,720
Speaker 1: yes who from Darnelle Rollins Dominie Uh yeah, d C

596
00:28:43,960 --> 00:28:45,600
Speaker 1: the Sneak got some fire comedians.

597
00:28:46,000 --> 00:28:49,080
Speaker 3: Chicko from d Ain't It Chicko Bean yeah.

598
00:28:49,160 --> 00:28:51,920
Speaker 4: I think he's from DC too. I think, hell yeah, man.

599
00:28:52,000 --> 00:28:54,480
Speaker 1: I'm rocking with DC heavy just as the city as

600
00:28:54,480 --> 00:28:56,960
Speaker 1: a whole. But those show will be fun out there.

601
00:28:59,280 --> 00:29:02,200
Speaker 1: When you got started, yip, you ever gotten booed? I

602
00:29:02,240 --> 00:29:06,040
Speaker 1: got booed one time. I was at a casino. This

603
00:29:06,160 --> 00:29:08,920
Speaker 1: is a casino in southern California and it was a

604
00:29:09,880 --> 00:29:12,080
Speaker 1: It was a casino the last Factory used to book

605
00:29:12,120 --> 00:29:16,000
Speaker 1: and Tiffany Haddis was the host. So we we out there.

606
00:29:16,480 --> 00:29:18,560
Speaker 1: I make the drive out there, Tiffany host and doing

607
00:29:18,560 --> 00:29:18,920
Speaker 1: her thing.

608
00:29:18,960 --> 00:29:19,479
Speaker 4: I get up there.

609
00:29:19,520 --> 00:29:22,080
Speaker 1: I'm on stage for probably about fifteen minutes, and one

610
00:29:22,160 --> 00:29:28,440
Speaker 1: dude was like boom. I was that dog man boom.

611
00:29:28,720 --> 00:29:29,760
Speaker 4: There was one booth.

612
00:29:30,040 --> 00:29:32,000
Speaker 1: I didn't get the community boom, but it was one

613
00:29:32,120 --> 00:29:35,440
Speaker 1: strong food that he sat in. And so that's my

614
00:29:35,520 --> 00:29:38,880
Speaker 1: only actual boo though. But that's the booth though. How

615
00:29:38,920 --> 00:29:42,400
Speaker 1: you hey break, how you get booed? Dude playing the

616
00:29:42,440 --> 00:29:44,560
Speaker 1: slots and booing you from why playing this.

617
00:29:44,560 --> 00:29:47,320
Speaker 4: July boo boom?

618
00:29:48,240 --> 00:29:49,440
Speaker 3: It was a strong boot.

619
00:29:49,720 --> 00:29:51,480
Speaker 4: He had it. I felt like he had his third

620
00:29:51,520 --> 00:29:52,240
Speaker 4: off when he did it.

621
00:29:52,360 --> 00:29:55,720
Speaker 1: Man, I felt like it was out. I was like, man,

622
00:29:55,840 --> 00:29:58,800
Speaker 1: you don't boomy. He was like boom, you double down.

623
00:30:00,520 --> 00:30:02,520
Speaker 1: I know you're a sports fan. Let me ask you this,

624
00:30:02,760 --> 00:30:07,280
Speaker 1: who you go Basketball? Go, m J, Lebron, Kobe, Where

625
00:30:07,360 --> 00:30:07,800
Speaker 1: you want to go?

626
00:30:07,840 --> 00:30:08,240
Speaker 3: Who you go?

627
00:30:10,400 --> 00:30:14,760
Speaker 1: You know on first Chicago, So you are I don't

628
00:30:15,000 --> 00:30:19,160
Speaker 1: know this door, So Jane, I gotta give it to

629
00:30:19,320 --> 00:30:23,120
Speaker 1: m J. Man because he just changed everything he did.

630
00:30:23,480 --> 00:30:27,120
Speaker 1: He did, he changed, he changed the whole he shifted

631
00:30:27,160 --> 00:30:27,960
Speaker 1: the whole thing.

632
00:30:28,280 --> 00:30:30,600
Speaker 4: So I'm gonna go with MJ.

633
00:30:31,680 --> 00:30:33,600
Speaker 1: Not only for that, not only because they played for

634
00:30:33,640 --> 00:30:36,120
Speaker 1: the Bulls, but the stuff they was doing was just monumental.

635
00:30:36,600 --> 00:30:38,640
Speaker 3: And I feel like, you know, the what if is.

636
00:30:38,640 --> 00:30:40,640
Speaker 4: Like what if he never went to play baseball? And

637
00:30:40,720 --> 00:30:42,440
Speaker 4: you know what I'm saying, the what if on that

638
00:30:42,480 --> 00:30:43,920
Speaker 4: we could have got stepped right.

639
00:30:43,760 --> 00:30:45,960
Speaker 1: You know, maybe not eight, we could have got steppup

640
00:30:45,960 --> 00:30:47,480
Speaker 1: because the Houston Rockets was cold.

641
00:30:47,920 --> 00:30:50,880
Speaker 3: But I'm gonna go MJ.

642
00:30:51,560 --> 00:30:54,320
Speaker 4: I feel like Lebron is one of the best to

643
00:30:54,360 --> 00:30:55,000
Speaker 4: ever do it.

644
00:30:55,080 --> 00:30:57,120
Speaker 1: I don't like how people hate on him all the time,

645
00:30:57,800 --> 00:31:01,959
Speaker 1: and I feel like I feel like run is the

646
00:31:02,000 --> 00:31:07,960
Speaker 1: best player with the cleanest image of all time. Yeah,

647
00:31:08,080 --> 00:31:11,200
Speaker 1: because when you when you think about Lebron's image to

648
00:31:11,320 --> 00:31:13,720
Speaker 1: be that great, it ain't been those scandals.

649
00:31:13,720 --> 00:31:15,560
Speaker 4: Man. He a family man. You know what I'm saying.

650
00:31:16,120 --> 00:31:17,720
Speaker 4: He stayed out at d UI.

651
00:31:17,960 --> 00:31:18,560
Speaker 3: He ain't no gad.

652
00:31:18,640 --> 00:31:19,360
Speaker 4: Yeah, yeah you don't.

653
00:31:19,960 --> 00:31:23,000
Speaker 1: He had to go to court, you know what I'm saying.

654
00:31:23,280 --> 00:31:25,960
Speaker 5: Charges I'm like, yo, man, Yeah, this is a good

655
00:31:26,080 --> 00:31:26,760
Speaker 5: dude right here.

656
00:31:26,880 --> 00:31:29,920
Speaker 3: Because he could got nolf in college. He ain't got

657
00:31:29,960 --> 00:31:30,840
Speaker 3: no elf in college.

658
00:31:30,920 --> 00:31:33,720
Speaker 4: He got to college, he could have been a master

659
00:31:33,800 --> 00:31:34,320
Speaker 4: in the game.

660
00:31:34,400 --> 00:31:37,360
Speaker 1: But he was like, nah, man, my family me and

661
00:31:37,360 --> 00:31:39,040
Speaker 1: they're gonna be doing stuff on his side.

662
00:31:39,080 --> 00:31:40,240
Speaker 4: You know what I'm saying. I'm gonna be good with

663
00:31:40,280 --> 00:31:42,320
Speaker 4: my money. I'm gonna take care of my body.

664
00:31:42,320 --> 00:31:42,480
Speaker 5: Man.

665
00:31:42,920 --> 00:31:45,880
Speaker 1: He is like the blueprint I feel like the youth

666
00:31:45,880 --> 00:31:49,200
Speaker 1: should follow in terms of how to manage, how to

667
00:31:49,240 --> 00:31:52,240
Speaker 1: manage being an athlete and whatever else.

668
00:31:52,080 --> 00:31:54,000
Speaker 4: You want to be at a high level and still

669
00:31:54,080 --> 00:31:56,880
Speaker 4: keep your head on straight. And I feel like what

670
00:31:57,200 --> 00:32:01,080
Speaker 4: Kobe is. Kobe is the terminator, Like you know he

671
00:32:01,600 --> 00:32:01,920
Speaker 4: out there.

672
00:32:02,040 --> 00:32:05,400
Speaker 1: Jordan Claus was just like, I'm gonna fast as my

673
00:32:05,520 --> 00:32:10,520
Speaker 1: job is to cure John Wick on the court. He's like, yo, man, yo, y'all, y'all.

674
00:32:10,600 --> 00:32:12,720
Speaker 1: Hear my puppet before the game, and then he gonna

675
00:32:12,760 --> 00:32:15,400
Speaker 1: go in there and make sure the job's not done.

676
00:32:16,760 --> 00:32:20,520
Speaker 1: So yeah, big we gotta fight. We gotta fight. Coming

677
00:32:20,600 --> 00:32:24,720
Speaker 1: up next year. It's gonna be in San Francisco. James

678
00:32:24,720 --> 00:32:27,880
Speaker 1: Harrison in an mm A fight taking on oyo, who

679
00:32:27,960 --> 00:32:28,360
Speaker 1: you got?

680
00:32:28,680 --> 00:32:30,000
Speaker 3: But you really doing this? Ojo?

681
00:32:30,720 --> 00:32:32,160
Speaker 5: Man, I'm from the beat. I'm from to beat the

682
00:32:32,560 --> 00:32:33,840
Speaker 5: breaks off here man.

683
00:32:36,120 --> 00:32:39,520
Speaker 1: Like old chadn waiting to fight somebody for a long time.

684
00:32:39,640 --> 00:32:44,240
Speaker 5: Man, he has he has listen, Hey, I just I

685
00:32:44,280 --> 00:32:46,200
Speaker 5: just want to show him the skill set. Man, I

686
00:32:46,200 --> 00:32:47,760
Speaker 5: want to show him skills. I want to show all

687
00:32:47,760 --> 00:32:50,640
Speaker 5: the work I've been doing behind the scenes. Everybody sees

688
00:32:50,680 --> 00:32:52,560
Speaker 5: me as a joke, so they see the entertainment, they

689
00:32:52,600 --> 00:32:55,640
Speaker 5: see the laughs, and you know that he he But

690
00:32:55,680 --> 00:32:58,440
Speaker 5: there's anore's another side that nobody gets to see. Okay,

691
00:32:58,920 --> 00:33:01,600
Speaker 5: and I'm waiting to pre do that, you know, on

692
00:33:01,680 --> 00:33:04,480
Speaker 5: whatever night we do have this bout And I need

693
00:33:04,520 --> 00:33:08,240
Speaker 5: people of smaller size and stature to understand you don't

694
00:33:08,240 --> 00:33:11,560
Speaker 5: have to be scared. Yeah, bigger the bigger, the bigger

695
00:33:11,560 --> 00:33:13,880
Speaker 5: they are, they harder they fall. And at times, if

696
00:33:13,880 --> 00:33:17,080
Speaker 5: you stand up to those that you think are intimidating,

697
00:33:17,720 --> 00:33:18,520
Speaker 5: you will see that.

698
00:33:19,320 --> 00:33:21,959
Speaker 1: Hey, anybody could get in the hot down, man, anybody

699
00:33:22,000 --> 00:33:22,600
Speaker 1: could get it.

700
00:33:23,080 --> 00:33:26,400
Speaker 4: You know what I'm saying? Thank you? What's your record

701
00:33:26,520 --> 00:33:30,800
Speaker 4: off the court, out the ring? What's your record right now?

702
00:33:31,040 --> 00:33:31,480
Speaker 1: Uh?

703
00:33:31,760 --> 00:33:33,480
Speaker 5: In the ring? I want to know.

704
00:33:35,600 --> 00:33:35,880
Speaker 1: Uh?

705
00:33:37,480 --> 00:33:43,600
Speaker 5: On the street five and two? Okay, Yeah, I lost twice.

706
00:33:43,600 --> 00:33:45,000
Speaker 5: You ain't gonna say hell I lost twice.

707
00:33:45,040 --> 00:33:45,720
Speaker 4: I respect it.

708
00:33:46,400 --> 00:33:48,840
Speaker 1: Let me ask you, did you lose the first two

709
00:33:48,840 --> 00:33:50,520
Speaker 1: when they come back with the five straight?

710
00:33:50,800 --> 00:33:52,920
Speaker 4: Was the two losses in the midst of the five

711
00:33:53,320 --> 00:33:53,920
Speaker 4: in the seven?

712
00:33:54,800 --> 00:33:57,920
Speaker 5: Yeah, I lost the first one and I went on

713
00:33:58,000 --> 00:34:02,680
Speaker 5: like a winner street I got I got caught on that,

714
00:34:02,760 --> 00:34:03,960
Speaker 5: got caught on the back end.

715
00:34:05,120 --> 00:34:07,520
Speaker 4: On the back. So your last street fight.

716
00:34:09,560 --> 00:34:11,400
Speaker 1: Yeah, oh man, you have to go to sleep on

717
00:34:11,440 --> 00:34:12,919
Speaker 1: that looking at the ceiling fan.

718
00:34:13,200 --> 00:34:15,760
Speaker 5: Yeah, it's all good, it's all I'm gonna redeem myself.

719
00:34:15,760 --> 00:34:16,799
Speaker 5: I'm gonna redeem myself though.

720
00:34:17,040 --> 00:34:18,960
Speaker 3: You gonna take it. You're gonna take it out on debo.

721
00:34:19,480 --> 00:34:21,200
Speaker 5: Yeah, you can't listen, you can't win them all. I

722
00:34:21,200 --> 00:34:22,000
Speaker 5: don't care who you are.

723
00:34:22,080 --> 00:34:24,880
Speaker 3: Yeah, that's hey. If you fight him up, you go

724
00:34:24,960 --> 00:34:26,279
Speaker 3: get you and eventually they'll get you.

725
00:34:26,320 --> 00:34:27,840
Speaker 4: They'll get you.

726
00:34:27,960 --> 00:34:29,200
Speaker 3: Hey, they gonna get you.

727
00:34:29,560 --> 00:34:30,000
Speaker 4: Yo, you know.

728
00:34:30,360 --> 00:34:32,600
Speaker 3: Hey, that's why I quit while I was ahead. I

729
00:34:32,719 --> 00:34:34,759
Speaker 3: like three and all, I'm good. Are you three?

730
00:34:34,800 --> 00:34:36,919
Speaker 1: And O on the street, I'm three and over, Hey

731
00:34:36,960 --> 00:34:39,759
Speaker 1: I'm three and oh hey I'm done.

732
00:34:39,960 --> 00:34:41,080
Speaker 3: I done got you on the fight.

733
00:34:41,200 --> 00:34:43,000
Speaker 4: Now that's how you fout.

734
00:34:43,040 --> 00:34:45,480
Speaker 1: He's like, you know what, yeah, yeah, yeah, I just

735
00:34:45,520 --> 00:34:47,439
Speaker 1: me since I was twenty five.

736
00:34:47,760 --> 00:34:49,839
Speaker 3: So but I do what I tell people. Hey, bake,

737
00:34:49,920 --> 00:34:50,680
Speaker 3: do what I tell people.

738
00:34:50,680 --> 00:34:52,400
Speaker 1: I say, I don't even know if I can fight anymore,

739
00:34:52,560 --> 00:34:56,880
Speaker 1: but you probably don't want to find out.

740
00:34:57,360 --> 00:34:59,680
Speaker 4: That's that's that's the longest way to have He be like.

741
00:35:04,440 --> 00:35:06,160
Speaker 5: Hey, that's a good one.

742
00:35:06,360 --> 00:35:06,560
Speaker 3: Beg.

743
00:35:06,640 --> 00:35:09,239
Speaker 1: We appreciate it, man. Best of love, man, congratulations on

744
00:35:09,320 --> 00:35:12,480
Speaker 1: all your success. Hey, anytime I'm gonna catch you. I'm

745
00:35:12,480 --> 00:35:14,040
Speaker 1: gonna catch you in one of these shows. Hopefully we

746
00:35:14,200 --> 00:35:16,080
Speaker 1: somewhere in the same area and I can get out

747
00:35:16,120 --> 00:35:18,239
Speaker 1: to one of your shows, man, because I really love

748
00:35:18,280 --> 00:35:20,960
Speaker 1: what you're doing. Man, and so a congratulations, thanks for

749
00:35:21,040 --> 00:35:23,200
Speaker 1: joining us, and we're gonna check you out down the road.

750
00:35:23,080 --> 00:35:25,120
Speaker 4: All right, man. I appreciate y'all. Man, Thank you man.

751
00:35:25,160 --> 00:35:29,520
Speaker 1: Thanks for the strate A long time ago too, Broy

752
00:35:29,920 --> 00:35:32,880
Speaker 1: your podcast. You wanna plug your part. Oh absolutely, So

753
00:35:32,920 --> 00:35:35,239
Speaker 1: I got two podcasts. I got two podcasts. I got

754
00:35:35,280 --> 00:35:35,680
Speaker 1: a sole.

755
00:35:35,520 --> 00:35:37,120
Speaker 4: Little joint called verbal Cardio.

756
00:35:37,640 --> 00:35:39,719
Speaker 1: Uh you can catch that wherever you get your podcast

757
00:35:39,920 --> 00:35:42,680
Speaker 1: or Tony Baker Comedy on YouTube. And I got my

758
00:35:42,760 --> 00:35:45,560
Speaker 1: other podcast, the Ball Brothers podcast, as I do with

759
00:35:45,600 --> 00:35:49,000
Speaker 1: my bro keV on stage and we do that together.

760
00:35:49,200 --> 00:35:51,160
Speaker 4: So we dropped those every Tuesday.

761
00:35:51,200 --> 00:35:54,040
Speaker 1: And that's definitely where uh you get your podcasts from

762
00:35:54,120 --> 00:35:54,480
Speaker 1: as well.

763
00:35:54,560 --> 00:35:55,799
Speaker 4: And y'all say, had keV on here?

764
00:35:55,840 --> 00:35:56,000
Speaker 3: Man?

765
00:35:56,040 --> 00:35:57,640
Speaker 4: He was killing on here too, man.

766
00:35:58,160 --> 00:36:01,600
Speaker 1: Bet we're gonna look to do that, all right, all right,

767
00:36:01,840 --> 00:36:02,480
Speaker 1: appreciate it.

768
00:36:02,640 --> 00:36:07,239
Speaker 4: All right for sure, Yop. I don't know how to

769
00:36:07,239 --> 00:36:08,040
Speaker 4: get off of here though.

770
00:36:11,719 --> 00:36:18,600
Speaker 1: Lead a chat, okay, okay, Yeah.

771
00:36:17,719 --> 00:36:19,359
Speaker 5: That was that was That was dope.

772
00:36:19,600 --> 00:36:20,200
Speaker 3: That was great.

773
00:36:20,280 --> 00:36:22,399
Speaker 1: I mean the guests and we had oh TJ and

774
00:36:22,400 --> 00:36:25,520
Speaker 1: and and and Baked they were they were unbelievable. But

775
00:36:25,840 --> 00:36:28,880
Speaker 1: back to this Lebron and Pat McAfee, Like you said, oh, Joe,

776
00:36:29,000 --> 00:36:32,000
Speaker 1: we're not used to seeing Lebron James sit down for

777
00:36:32,080 --> 00:36:35,200
Speaker 1: an extended period of time. Normally, yes, like when he's

778
00:36:35,200 --> 00:36:37,239
Speaker 1: in the finals or he's in the playoffs, he would

779
00:36:37,280 --> 00:36:37,799
Speaker 1: sit down.

780
00:36:38,120 --> 00:36:39,880
Speaker 3: That's like five that's like ten minutes.

781
00:36:40,200 --> 00:36:43,760
Speaker 5: And it's always basketball related too, Huh, it's always basketball related.

782
00:36:43,840 --> 00:36:48,360
Speaker 5: He's he's literally talking about other stuff going on in life.

783
00:36:48,760 --> 00:36:52,960
Speaker 5: He's being vulnerable, letting people in something he's never never

784
00:36:53,040 --> 00:36:57,120
Speaker 5: ever done before. Players like that of his magnitude, of

785
00:36:57,160 --> 00:37:00,160
Speaker 5: his status that allows the world in the public to

786
00:37:00,200 --> 00:37:02,759
Speaker 5: see what he wants you to the actually sit down

787
00:37:02,800 --> 00:37:06,239
Speaker 5: for a change. I guarantee you if they were to

788
00:37:06,320 --> 00:37:08,960
Speaker 5: do the numbers on how many people watch that Pat

789
00:37:09,000 --> 00:37:14,560
Speaker 5: back Offee show, I bet it's astronomical, crazy yecause it's

790
00:37:14,560 --> 00:37:15,520
Speaker 5: something he's never.

791
00:37:15,360 --> 00:37:19,319
Speaker 1: Done right, and you know, and to see, like you said,

792
00:37:19,320 --> 00:37:21,120
Speaker 1: to see him, but that just lets you know that

793
00:37:21,880 --> 00:37:26,480
Speaker 1: he and for me looking at him considering that he

794
00:37:26,520 --> 00:37:29,839
Speaker 1: had ever ever done anything like this before, to think

795
00:37:29,880 --> 00:37:33,480
Speaker 1: about how many people have criticized him and he's never

796
00:37:33,600 --> 00:37:36,120
Speaker 1: ever done it before, So that lets you know he

797
00:37:36,160 --> 00:37:37,600
Speaker 1: had gotten to a place.

798
00:37:37,600 --> 00:37:39,440
Speaker 3: That he's like, I've had it up to here.

799
00:37:40,080 --> 00:37:44,239
Speaker 1: Yeah, And I don't know if he knew. I don't

800
00:37:44,239 --> 00:37:46,040
Speaker 1: think he knew Steven they was gonna come to the game,

801
00:37:46,960 --> 00:37:48,919
Speaker 1: but he had it in his mind if he ever

802
00:37:48,960 --> 00:37:51,080
Speaker 1: saw stephen A, he was gonna step to him.

803
00:37:51,520 --> 00:37:54,360
Speaker 5: But uh, he got Steven a number he could have

804
00:37:54,360 --> 00:37:58,200
Speaker 5: texted called him. If there was an issue, you could

805
00:37:58,239 --> 00:38:02,360
Speaker 5: have texted called him. They communicate with each other, obviously,

806
00:38:02,400 --> 00:38:05,480
Speaker 5: they have some some some some sort of relationship.

807
00:38:05,680 --> 00:38:06,279
Speaker 3: No they don't.

808
00:38:08,320 --> 00:38:08,880
Speaker 5: You don't think so.

809
00:38:09,239 --> 00:38:19,160
Speaker 6: No, Okay, well I'm bad. No, But like you said,

810
00:38:19,200 --> 00:38:19,640
Speaker 6: I mean.

811
00:38:22,440 --> 00:38:25,000
Speaker 5: Or you mean, no, they don't. Now as opposed, I.

812
00:38:25,640 --> 00:38:27,680
Speaker 1: Don't think they've ever had a relationship where they picked

813
00:38:27,760 --> 00:38:30,000
Speaker 1: up the phone and they talk to each other like that. Oh,

814
00:38:30,360 --> 00:38:32,239
Speaker 1: I don't think they've ever had that type of relationship.

815
00:38:32,520 --> 00:38:35,520
Speaker 1: Do I think they've been cordial to each other? I remember,

816
00:38:35,600 --> 00:38:38,759
Speaker 1: I think I saw something on an old cliff maybe

817
00:38:38,800 --> 00:38:40,759
Speaker 1: with YouTube, where Steve and they actually sat down to

818
00:38:40,800 --> 00:38:43,160
Speaker 1: the interview Lebron. But I don't think they're in a

819
00:38:43,200 --> 00:38:45,880
Speaker 1: situation where they like pick up the phone, they have

820
00:38:46,040 --> 00:38:48,080
Speaker 1: each other, they can call each other like that.

821
00:38:48,160 --> 00:38:48,399
Speaker 3: I don't.

822
00:38:48,440 --> 00:38:52,279
Speaker 1: I don't know if any lebron is maybe teammates. It

823
00:38:52,320 --> 00:38:54,200
Speaker 1: could I could be wrong. I could be wrong. I

824
00:38:54,200 --> 00:38:57,440
Speaker 1: could be totally wrong. But I don't know if Lebron

825
00:38:57,520 --> 00:39:01,560
Speaker 1: has his number, or he has lebron number. Lebron is

826
00:39:01,640 --> 00:39:05,600
Speaker 1: you know, very very very Lebron Rock with who he

827
00:39:05,719 --> 00:39:07,920
Speaker 1: rocked with and I think once you get to this level,

828
00:39:09,000 --> 00:39:11,520
Speaker 1: if you had, if you haven't developed a friend by now,

829
00:39:11,640 --> 00:39:14,759
Speaker 1: Lebron James ain't letting you in his circle. Right, It's

830
00:39:14,800 --> 00:39:17,680
Speaker 1: really that simple. So he got he got his friends.

831
00:39:17,840 --> 00:39:20,280
Speaker 1: You know, Rich is his agent, Maverick is his steps

832
00:39:20,520 --> 00:39:23,960
Speaker 1: the chief of staff, mav is one of his business partners.

833
00:39:24,640 --> 00:39:27,600
Speaker 1: I'm trying to think who else he wrought Chris Paul.

834
00:39:28,840 --> 00:39:30,640
Speaker 1: He's very close to Chris Paul. I think he's the

835
00:39:30,680 --> 00:39:34,960
Speaker 1: grand grand godfather to run a CP three that I

836
00:39:34,960 --> 00:39:36,959
Speaker 1: think if vice versa are the same thing with CP.

837
00:39:37,760 --> 00:39:39,600
Speaker 1: But other than that, I don't think Lebron has a

838
00:39:39,640 --> 00:39:43,160
Speaker 1: whole a whole lot of what we call I look

839
00:39:43,200 --> 00:39:45,799
Speaker 1: at those guys like I look at bucket, like I

840
00:39:45,840 --> 00:39:48,799
Speaker 1: look at bucket and burns. Right, he ain't got a

841
00:39:48,800 --> 00:39:50,680
Speaker 1: whole lot of bucket and burns in his life.

842
00:39:50,880 --> 00:39:52,920
Speaker 3: You ain't got a whole lot of you know, TJ,

843
00:39:53,080 --> 00:39:56,439
Speaker 3: your boy, you rock with TJ, t O. You ain't

844
00:39:56,440 --> 00:39:59,080
Speaker 3: got a whole lot of them. Yeah, Nah, And I

845
00:39:59,120 --> 00:40:01,640
Speaker 3: look at Lebron, I think Lebron is kind of like that.

846
00:40:02,000 --> 00:40:08,120
Speaker 1: But hopefully, hopefully, hopefully everybody's made their point.

847
00:40:11,719 --> 00:40:13,600
Speaker 3: Yeah, Lebron was upset what he said.

848
00:40:14,080 --> 00:40:16,960
Speaker 1: Stephen. They said that what I was trying to say.

849
00:40:17,200 --> 00:40:20,759
Speaker 1: Sometimes things get lost in translation. It is what it is.

850
00:40:20,800 --> 00:40:23,919
Speaker 1: But at the end of the day, I think we've

851
00:40:23,920 --> 00:40:27,120
Speaker 1: got a we've got a lot of juice. I think

852
00:40:27,200 --> 00:40:31,520
Speaker 1: both have kind of squeezed that orange jojo yeah, and

853
00:40:31,640 --> 00:40:32,640
Speaker 1: got a lot of juice out of it.

854
00:40:32,880 --> 00:40:35,280
Speaker 3: And then Lebron took aim at Wendy.

855
00:40:35,280 --> 00:40:38,560
Speaker 1: Brian Windhorse said, this guy says he's my best effing friend.

856
00:40:38,800 --> 00:40:42,360
Speaker 1: These guys are just weird. I don't know if Wendy's

857
00:40:42,400 --> 00:40:44,520
Speaker 1: ever said I think Wendy went to the same school

858
00:40:44,560 --> 00:40:47,440
Speaker 1: he went to OJO. I don't think I've never heard,

859
00:40:47,440 --> 00:40:49,440
Speaker 1: and I could be wrong. Guys, hell I was on

860
00:40:49,600 --> 00:40:52,960
Speaker 1: I was on Undisputed for seven years. I didn't hear

861
00:40:53,000 --> 00:40:56,919
Speaker 1: everything Wendy said. As a matter of fact, I didn't

862
00:40:56,920 --> 00:40:59,320
Speaker 1: watch anything on anywhere. All I watched was the games

863
00:40:59,320 --> 00:41:01,640
Speaker 1: that were on his I don't watch any of the

864
00:41:01,640 --> 00:41:02,239
Speaker 1: debate shows.

865
00:41:02,280 --> 00:41:04,080
Speaker 3: I don't watch any of the shows that do what

866
00:41:04,160 --> 00:41:04,400
Speaker 3: I do.

867
00:41:04,440 --> 00:41:06,839
Speaker 1: And I'm gonna be talking about something because I don't

868
00:41:06,840 --> 00:41:08,239
Speaker 1: want what they say to creep in.

869
00:41:08,239 --> 00:41:10,600
Speaker 3: What I'm going to say, So I don't watch it.

870
00:41:10,640 --> 00:41:11,680
Speaker 3: So Wendy Chad.

871
00:41:11,800 --> 00:41:15,600
Speaker 1: If he said that he is Lebron's best friend, I apologize,

872
00:41:15,960 --> 00:41:19,960
Speaker 1: but I don't recall. And if I misspeak, I apologize

873
00:41:20,000 --> 00:41:24,080
Speaker 1: to you guys. But I don't believe Wendy has said

874
00:41:24,160 --> 00:41:27,280
Speaker 1: that he's Lebron's best friend. I think because he's covered

875
00:41:27,360 --> 00:41:30,520
Speaker 1: Lebron for so long, and I think they went to

876
00:41:30,560 --> 00:41:32,120
Speaker 1: the same school, Saint Visus, Saint Mary.

877
00:41:32,520 --> 00:41:32,959
Speaker 3: He says.

878
00:41:33,040 --> 00:41:36,680
Speaker 1: I think he said I might probably know him better

879
00:41:36,719 --> 00:41:39,400
Speaker 1: than anyone else, But I don't get why.

880
00:41:39,560 --> 00:41:44,080
Speaker 3: I mean, he would say that about Wendy.

881
00:41:43,120 --> 00:41:44,239
Speaker 5: Man, you never know.

882
00:41:44,440 --> 00:41:44,759
Speaker 3: I think.

883
00:41:44,840 --> 00:41:47,480
Speaker 5: I think, like like I said, Lebron is probably Lebron's

884
00:41:47,520 --> 00:41:51,200
Speaker 5: faed of he's he's he's on I'm not saying he's

885
00:41:51,239 --> 00:41:53,160
Speaker 5: on the way out the door, but he's on the

886
00:41:53,239 --> 00:41:55,759
Speaker 5: tail end of everything. And now he's opening up a

887
00:41:55,800 --> 00:41:58,000
Speaker 5: little bit more, doing things out of character that he

888
00:41:58,080 --> 00:42:00,640
Speaker 5: normally wouldn't do, which is given if he what they want,

889
00:42:01,680 --> 00:42:04,400
Speaker 5: letting us in, you know, giving giving us a glimpse

890
00:42:04,440 --> 00:42:08,759
Speaker 5: of what's inside the world and mind of Lebron. King

891
00:42:08,840 --> 00:42:12,799
Speaker 5: James and I enjoyed it. I enjoyed it. I hope

892
00:42:12,800 --> 00:42:16,040
Speaker 5: he does more of it. I hope other athletes do

893
00:42:16,160 --> 00:42:18,280
Speaker 5: more of it. You know what I would wish Lebron.

894
00:42:18,320 --> 00:42:21,120
Speaker 5: I would wish Lebron was like Jeff T have you

895
00:42:21,160 --> 00:42:23,840
Speaker 5: ever heard have you ever sat tell stories?

896
00:42:23,960 --> 00:42:25,040
Speaker 3: Yeah?

897
00:42:25,640 --> 00:42:28,600
Speaker 5: Lebron would it would be It would be an honor

898
00:42:29,080 --> 00:42:31,360
Speaker 5: for him to take a page out of Jeff Team's

899
00:42:31,400 --> 00:42:34,600
Speaker 5: book and be that bone over and open and just

900
00:42:34,600 --> 00:42:37,320
Speaker 5: just just give it, just give it to stories. I

901
00:42:37,560 --> 00:42:38,359
Speaker 5: would love that.

902
00:42:40,360 --> 00:42:41,600
Speaker 3: Yeah.

903
00:42:41,280 --> 00:42:44,400
Speaker 1: Uh. Lebron talked about his relationship with mj While he

904
00:42:44,480 --> 00:42:46,960
Speaker 1: still has immense respect for Jordan, the pair don't talk

905
00:42:47,040 --> 00:42:49,400
Speaker 1: much these days. I think that would change when he

906
00:42:49,440 --> 00:42:52,960
Speaker 1: retires from NBA, saying jordan intense competitive spirit is why

907
00:42:53,000 --> 00:42:54,080
Speaker 1: the two don't talk much.

908
00:42:54,120 --> 00:42:54,319
Speaker 3: Now.

909
00:42:54,560 --> 00:42:56,360
Speaker 1: We all know him j even if you don't know

910
00:42:56,440 --> 00:42:59,879
Speaker 1: him personally. He's one of the most ruthless competitors there is.

911
00:43:00,160 --> 00:43:01,920
Speaker 1: And until I'm done and he doesn't have to look

912
00:43:01,960 --> 00:43:03,440
Speaker 1: at me run up and down that court, we're in

913
00:43:03,440 --> 00:43:06,160
Speaker 1: the twenty three. Every time my name is mentioned is

914
00:43:06,200 --> 00:43:08,160
Speaker 1: mentioned with his, he's like, I don't want to and

915
00:43:08,200 --> 00:43:08,600
Speaker 1: talk to you.

916
00:43:10,120 --> 00:43:11,200
Speaker 3: Do you agree with Joe?

917
00:43:11,760 --> 00:43:14,600
Speaker 5: I mean, that's dope, that's dope. Listen, that's a competitor.

918
00:43:14,640 --> 00:43:19,840
Speaker 5: The competitor nature in MJ. I think it's understandable, especially

919
00:43:19,840 --> 00:43:23,239
Speaker 5: when it comes to him. I think he's he's not

920
00:43:23,360 --> 00:43:26,640
Speaker 5: closed off. But MJ and Kobe are like in a sense.

921
00:43:28,520 --> 00:43:30,719
Speaker 5: MJ and Kobe are like in a sense. I think

922
00:43:30,760 --> 00:43:33,560
Speaker 5: their relationship will be much better and a lot closer

923
00:43:33,680 --> 00:43:37,440
Speaker 5: once Lebron is done playing. Yeah, they go play golf together,

924
00:43:37,600 --> 00:43:40,319
Speaker 5: Go play golf together, smoke cigars, you know, have a

925
00:43:40,320 --> 00:43:43,080
Speaker 5: little have a little one, whatever it is that they do.

926
00:43:43,360 --> 00:43:46,359
Speaker 5: But right now, while Lebron is actively planned, I don't

927
00:43:46,400 --> 00:43:50,040
Speaker 5: think him and the MJ just outside of playing the

928
00:43:50,040 --> 00:43:53,120
Speaker 5: game of basketball and being successful businessmen, there's not much

929
00:43:53,160 --> 00:43:54,600
Speaker 5: for them to talk about, right j only friend.

930
00:43:54,600 --> 00:43:55,600
Speaker 3: I know Jordan got it? Oak?

931
00:43:57,560 --> 00:44:00,000
Speaker 1: I mean, oh, Coch, this got now. I've been around

932
00:44:00,120 --> 00:44:04,319
Speaker 1: Jordan a little bit and his ultra competitive perst thing

933
00:44:04,400 --> 00:44:06,680
Speaker 1: got man. I mean I want, Hey, you want to

934
00:44:06,680 --> 00:44:11,520
Speaker 1: play cards? No, I don't want to play cards because

935
00:44:11,560 --> 00:44:13,279
Speaker 1: you know Jordan games. You gotta come down with at

936
00:44:13,320 --> 00:44:15,560
Speaker 1: least a hundred one hundred, one hundred grand, two hundred

937
00:44:15,560 --> 00:44:16,680
Speaker 1: grand and cash.

938
00:44:16,719 --> 00:44:18,200
Speaker 5: Yeah you don't play No.

939
00:44:18,640 --> 00:44:21,080
Speaker 1: No, I said, Bro, You're not finna have me. You're

940
00:44:21,120 --> 00:44:22,880
Speaker 1: not going to have me. Living on the streets. I

941
00:44:22,960 --> 00:44:26,360
Speaker 1: love my eyes. It ain't George, but I ain't.

942
00:44:26,200 --> 00:44:28,399
Speaker 3: Trying to keep up with you. No, no, I don't.

943
00:44:28,440 --> 00:44:31,680
Speaker 3: I don't play no five five fifty thousand dollars a hand.

944
00:44:31,719 --> 00:44:37,040
Speaker 1: Hell no, no, bro, bro, guess what, as long as

945
00:44:37,040 --> 00:44:40,040
Speaker 1: they make shoot with that logo, you got money coming in.

946
00:44:40,320 --> 00:44:41,839
Speaker 3: I ain't in the NFL no more. I ain't got

947
00:44:41,920 --> 00:44:42,879
Speaker 3: no more money coming in.

948
00:44:44,120 --> 00:44:46,080
Speaker 1: You know, I was thirty five then I can draw

949
00:44:46,120 --> 00:44:48,279
Speaker 1: my pigeon in a sixty two. So I got five

950
00:44:48,280 --> 00:44:50,239
Speaker 1: another five years before I could get that on job

951
00:44:50,360 --> 00:44:51,040
Speaker 1: before I take a.

952
00:44:50,960 --> 00:44:51,320
Speaker 3: Pen of it.

953
00:44:51,600 --> 00:44:54,520
Speaker 1: Hell no, I ain't gambling with you. As a matter

954
00:44:54,520 --> 00:44:56,960
Speaker 1: of fact, I'm mad you asked me that. You know,

955
00:44:57,160 --> 00:45:03,759
Speaker 1: damn well, I ain't got no money. Now I'm gonna

956
00:45:03,800 --> 00:45:05,799
Speaker 1: let you and I'm let you, oh because I think

957
00:45:05,800 --> 00:45:06,600
Speaker 1: they played guts.

958
00:45:06,960 --> 00:45:09,640
Speaker 3: It's kind of like bout Ray. You didn't played bue Ray.

959
00:45:10,040 --> 00:45:12,400
Speaker 5: No sir, no, sir, sir.

960
00:45:13,000 --> 00:45:15,160
Speaker 3: Or in between. But dah hell dad.

961
00:45:16,000 --> 00:45:19,600
Speaker 1: He also uh uh Lebron talked about Giannis on p mack.

962
00:45:19,680 --> 00:45:21,239
Speaker 1: You tried to tell me Joannas wouldn't be able to

963
00:45:21,239 --> 00:45:24,120
Speaker 1: play in the NBA games in the seventies Joannas would

964
00:45:24,120 --> 00:45:26,200
Speaker 1: have had two hundred and fifty points in the game

965
00:45:26,200 --> 00:45:26,960
Speaker 1: in the seventies.

966
00:45:27,080 --> 00:45:28,920
Speaker 3: But let me ask you, see you're.

967
00:45:28,760 --> 00:45:34,440
Speaker 1: Transporting Gianni's today back then, right, Do y'all really know

968
00:45:34,480 --> 00:45:37,480
Speaker 1: what they did? Did y'all see those fights? How many

969
00:45:37,480 --> 00:45:40,520
Speaker 1: people got to go down the lane? See the stuff

970
00:45:40,560 --> 00:45:42,680
Speaker 1: that they called They called foul. Now, that wasn't no foul.

971
00:45:43,160 --> 00:45:46,080
Speaker 1: There was nobody getting suspended for slapping the inshot of somebody.

972
00:45:46,239 --> 00:45:48,040
Speaker 1: There was no I mean, there was no I mean,

973
00:45:48,080 --> 00:45:53,040
Speaker 1: whated a calm alone put forty four stitches in? I say,

974
00:45:53,040 --> 00:45:56,279
Speaker 1: a head, You still think you want to come down

975
00:45:56,320 --> 00:45:59,799
Speaker 1: the lane? Do y'all remember the finals in eighty four

976
00:46:00,200 --> 00:46:04,240
Speaker 1: when Larry when Larry Bird when a who's that? Kevin

977
00:46:04,320 --> 00:46:08,600
Speaker 1: McHale snatched Kurt Rambers say it's out the sky?

978
00:46:07,360 --> 00:46:11,279
Speaker 5: Yeah, it wasn't nothing. If nobody was suspended.

979
00:46:11,800 --> 00:46:14,239
Speaker 1: You can't take the modern play because oh Joe, you're

980
00:46:14,239 --> 00:46:16,960
Speaker 1: talking about technology and you're talking about the modernization.

981
00:46:17,400 --> 00:46:21,440
Speaker 3: Yes, if you transform uh uh.

982
00:46:20,960 --> 00:46:24,960
Speaker 1: Yannis today and put it back then looking out as Yeah,

983
00:46:25,120 --> 00:46:26,640
Speaker 1: what player couldn't.

984
00:46:28,520 --> 00:46:29,080
Speaker 3: What player?

985
00:46:29,160 --> 00:46:31,160
Speaker 1: If I take oh Joe, if I take you today,

986
00:46:31,440 --> 00:46:33,680
Speaker 1: you know what you know in the technology that you've

987
00:46:33,719 --> 00:46:36,480
Speaker 1: been able to develop and put you back in the seventies.

988
00:46:37,000 --> 00:46:38,200
Speaker 3: Man, oh Joe was killing.

989
00:46:38,440 --> 00:46:46,319
Speaker 5: Yes, yeah, modernization, that's unfair. Yeah, I think from it's

990
00:46:46,400 --> 00:46:47,280
Speaker 5: just like it's unfair.

991
00:46:47,320 --> 00:46:49,920
Speaker 1: One more thing on Joe, just like it's unfair to say, oh,

992
00:46:50,160 --> 00:46:55,319
Speaker 1: man Jordan play today he averaged fifty. Let's how about this.

993
00:46:55,800 --> 00:47:00,800
Speaker 1: Let's leave everybody in the era in which they Yannis

994
00:47:00,840 --> 00:47:05,239
Speaker 1: plays in the twenty tens and twenty twenties. Lebron has

995
00:47:05,280 --> 00:47:07,799
Speaker 1: been in the two thousands to twenty tens and now

996
00:47:07,880 --> 00:47:11,960
Speaker 1: the twenty twenties. Let's lead everybody that because it's unfair.

997
00:47:12,880 --> 00:47:18,600
Speaker 1: It's unfair. Look, I get it, and it's a conversation,

998
00:47:19,000 --> 00:47:21,959
Speaker 1: but come on, because we're robbed. We're not being fair

999
00:47:22,000 --> 00:47:26,640
Speaker 1: to the guys that played in that era that was great, right,

1000
00:47:27,280 --> 00:47:29,759
Speaker 1: because it's almost like if you talk about these guys

1001
00:47:29,800 --> 00:47:32,279
Speaker 1: like you're trying to minimize them, and I get mad

1002
00:47:32,280 --> 00:47:36,040
Speaker 1: at the old guys for trying to minimize the current players. Guys,

1003
00:47:36,960 --> 00:47:39,719
Speaker 1: you were great. Nobody's trying to rob you of that.

1004
00:47:40,440 --> 00:47:41,080
Speaker 5: You were great.

1005
00:47:42,800 --> 00:47:43,880
Speaker 3: These guys are great.

1006
00:47:44,320 --> 00:47:47,360
Speaker 1: The guys in the sixties that were great, the guys

1007
00:47:47,400 --> 00:47:50,800
Speaker 1: in the seventies were great guys in the eighties.

1008
00:47:50,840 --> 00:47:55,719
Speaker 3: Right, But it's unfair. Oh Joe, Yeah, I mean, I.

1009
00:47:55,680 --> 00:47:58,320
Speaker 5: Mean, listen, now, I understand what Lebron was saying. Obviously

1010
00:47:58,360 --> 00:48:01,560
Speaker 5: he is is that exaggerated a little bit. But if

1011
00:48:01,560 --> 00:48:04,400
Speaker 5: you look at the players from back then, you know,

1012
00:48:04,600 --> 00:48:08,160
Speaker 5: just being honest from a technical standpoint, from a physical standpoint,

1013
00:48:08,160 --> 00:48:09,799
Speaker 5: I know what they did in between the lane and

1014
00:48:09,840 --> 00:48:12,520
Speaker 5: being physical and you know, slapping and punching and all that.

1015
00:48:13,000 --> 00:48:16,799
Speaker 5: But you're thinking about Giannis and Jiannie today. It Oh

1016
00:48:16,880 --> 00:48:18,480
Speaker 5: my goodness, that's called.

1017
00:48:18,280 --> 00:48:19,160
Speaker 3: Technology, Ojo.

1018
00:48:19,520 --> 00:48:22,760
Speaker 1: You got an opportunity to work on things. God didn't

1019
00:48:22,760 --> 00:48:26,040
Speaker 1: have modern medicine. They didn't have technology. Think about when

1020
00:48:26,080 --> 00:48:29,160
Speaker 1: you rupture the achillies, you were done. You tore knee,

1021
00:48:29,200 --> 00:48:31,640
Speaker 1: you were done. You had that big as Balkie knee.

1022
00:48:31,680 --> 00:48:34,920
Speaker 1: Brace that big done joy on. It's different. Now we

1023
00:48:35,080 --> 00:48:37,799
Speaker 1: got modern medicine. We know how to eat, we know

1024
00:48:37,880 --> 00:48:41,640
Speaker 1: how trained, we have personal trainers and physio. Those guys

1025
00:48:41,680 --> 00:48:44,520
Speaker 1: in the sixties and seventies and eighties didn't have the

1026
00:48:44,640 --> 00:48:47,919
Speaker 1: money to have all of this stuff, right. But Brian,

1027
00:48:48,080 --> 00:48:50,880
Speaker 1: when you're making fifty million dollars in basketball and another

1028
00:48:51,000 --> 00:48:53,759
Speaker 1: seventy five eighty million dollars off the court. You could

1029
00:48:53,880 --> 00:48:58,800
Speaker 1: have a chef that prepares every meal to your specifications.

1030
00:48:59,040 --> 00:49:00,759
Speaker 1: You could have a physic yo, you can have a

1031
00:49:00,800 --> 00:49:03,640
Speaker 1: Mike Macias as lebron as an excuse me, as Jordan

1032
00:49:03,680 --> 00:49:06,479
Speaker 1: had Tim Grover, Tim and Tim and I We still

1033
00:49:06,520 --> 00:49:10,239
Speaker 1: we text a lot now, but it's different. It's not

1034
00:49:10,400 --> 00:49:14,720
Speaker 1: fair that you try to compare this era to that era,

1035
00:49:14,880 --> 00:49:16,239
Speaker 1: or that era to this era.

1036
00:49:17,800 --> 00:49:19,920
Speaker 5: You're right, You're right.

1037
00:49:23,440 --> 00:49:23,919
Speaker 3: Oh boy.

1038
00:49:24,520 --> 00:49:27,520
Speaker 1: Damian Linley was diagnosed with blood clots in his right calf.

1039
00:49:27,680 --> 00:49:30,320
Speaker 1: He's the third player this year to have blood clott issues.

1040
00:49:30,520 --> 00:49:34,200
Speaker 1: In twenty twenty two, the playoffs no Chris Middleton. In

1041
00:49:34,239 --> 00:49:37,000
Speaker 1: twenty twenty three, Yannis plays two out of five games.

1042
00:49:37,160 --> 00:49:40,160
Speaker 1: In twenty twenty four, Dame and Giannis both were injured.

1043
00:49:40,440 --> 00:49:44,000
Speaker 1: Dame is out indefinitely. Should the Bucks be thankful that

1044
00:49:44,080 --> 00:49:47,719
Speaker 1: Gianni's had all time finals run in twenty twenty two,

1045
00:49:48,000 --> 00:49:51,600
Speaker 1: I mean twenty twenty one, because it seemed like ever

1046
00:49:51,760 --> 00:49:55,319
Speaker 1: since then, at some point in time, a key player.

1047
00:49:55,320 --> 00:49:56,320
Speaker 3: Has been injured.

1048
00:49:56,480 --> 00:49:58,960
Speaker 1: Chris Middleton was injured, then there was a couple of

1049
00:49:59,000 --> 00:50:01,120
Speaker 1: years that Jannis was there, and then you had Jannis

1050
00:50:01,200 --> 00:50:04,239
Speaker 1: and Dame both injuries, and now Dame is injured and

1051
00:50:04,280 --> 00:50:07,200
Speaker 1: the Bucks are not going anywhere without just with just

1052
00:50:07,320 --> 00:50:09,560
Speaker 1: Yanni's first of all, he's not gonna be at the

1053
00:50:09,600 --> 00:50:11,799
Speaker 1: calv without him, and he's not gonna be able to

1054
00:50:11,800 --> 00:50:13,480
Speaker 1: beat He's not gonna be able to beat the Celtics.

1055
00:50:13,600 --> 00:50:14,279
Speaker 3: Damn hell.

1056
00:50:14,400 --> 00:50:16,680
Speaker 1: He wasn't gonna probably be able to beat the Celtics

1057
00:50:16,800 --> 00:50:19,759
Speaker 1: with Dame live alone with it without him, I'm not

1058
00:50:19,760 --> 00:50:23,000
Speaker 1: so sure they can beat the next without that. The

1059
00:50:23,120 --> 00:50:25,640
Speaker 1: day is the one guy dominating a series and winning.

1060
00:50:25,640 --> 00:50:28,480
Speaker 1: The hope that that's over, you forget all about that.

1061
00:50:28,960 --> 00:50:32,120
Speaker 5: Yeah, I mean, it's unfortunate. It's unfortunate. Obviously is very

1062
00:50:32,200 --> 00:50:35,120
Speaker 5: very serious when Mayama has something similar to this. If

1063
00:50:35,160 --> 00:50:37,440
Speaker 5: I'm not mistaken, I don't know if they diagnosis is

1064
00:50:37,480 --> 00:50:40,560
Speaker 5: exactly the same, but obviously it's a blood clot. I'm

1065
00:50:40,560 --> 00:50:43,879
Speaker 5: glad they were able to catch it. Uh.

1066
00:50:44,200 --> 00:50:44,760
Speaker 3: It sucks.

1067
00:50:44,760 --> 00:50:46,719
Speaker 5: It sucks for the Bucks, it sucks for the organization,

1068
00:50:47,080 --> 00:50:49,760
Speaker 5: and it most definitely sucks for Damien Leward and his family.

1069
00:50:50,239 --> 00:50:53,560
Speaker 5: I'm hoping a speedy recovery for him. Especially something like

1070
00:50:53,600 --> 00:50:56,480
Speaker 5: this is very very serious, especially when it comes to.

1071
00:50:57,680 --> 00:50:59,440
Speaker 3: You probably go you'll build blood thurners the rest of

1072
00:50:59,480 --> 00:51:00,160
Speaker 3: his life.

1073
00:51:00,600 --> 00:51:06,319
Speaker 5: Am that's that's that sucks, man. I we it gets

1074
00:51:06,360 --> 00:51:07,279
Speaker 5: better fast, man.

1075
00:51:15,680 --> 00:51:17,800
Speaker 3: Oh Choe, you're gonna be upset.

1076
00:51:18,400 --> 00:51:21,440
Speaker 1: According to the according to full rules report said to

1077
00:51:21,480 --> 00:51:27,320
Speaker 1: the NFL teams this week, this is now fifteen yard penalty.

1078
00:51:28,000 --> 00:51:32,560
Speaker 1: It's being is being considered a violent gesture. So every time,

1079
00:51:32,600 --> 00:51:34,640
Speaker 1: you know, hoted CD, all the guys.

1080
00:51:34,400 --> 00:51:40,200
Speaker 3: Like that, what are we?

1081
00:51:40,719 --> 00:51:43,440
Speaker 5: You know what I'm not. I'm not even gonna upset myself.

1082
00:51:43,680 --> 00:51:45,920
Speaker 5: I'm not even gonna upset myself because I'm whatever. The

1083
00:51:45,960 --> 00:51:50,160
Speaker 5: competition committee, whoever you're responsible for this and making the rules. Still,

1084
00:51:51,280 --> 00:51:55,320
Speaker 5: they're all about control, taking away the NFL. N NFL

1085
00:51:55,440 --> 00:51:58,080
Speaker 5: stands for no fund lead, and they continue to strike

1086
00:51:58,160 --> 00:52:00,480
Speaker 5: and continue to find ways to take fun away from

1087
00:52:00,480 --> 00:52:04,240
Speaker 5: the game and allow players not to be the individual cells.

1088
00:52:04,760 --> 00:52:07,960
Speaker 5: But you know, attendance was down right if I'm not mistaken.

1089
00:52:08,080 --> 00:52:09,600
Speaker 5: But y'all go ahead and do it your way.

1090
00:52:09,840 --> 00:52:14,200
Speaker 1: Hey, oh Joe, they give me sixty million dollars, I'll

1091
00:52:14,239 --> 00:52:20,879
Speaker 1: go out there to tux see though. I'd mean, Oh Joe,

1092
00:52:20,960 --> 00:52:22,960
Speaker 1: I mean you think about that, buddy, want Joe? You

1093
00:52:23,040 --> 00:52:25,319
Speaker 1: made good money? Oh yo, the joke was making six

1094
00:52:25,400 --> 00:52:29,240
Speaker 1: seven times what you made. Oh yeah, you think about

1095
00:52:29,239 --> 00:52:35,719
Speaker 1: what you made and not sixty sixth exit. Yeah, okay, Hey,

1096
00:52:35,719 --> 00:52:37,359
Speaker 1: oh Joe, I may have everything. I'm gonna have anything

1097
00:52:37,440 --> 00:52:39,040
Speaker 1: on nice and be up and took my shirt in,

1098
00:52:39,440 --> 00:52:40,880
Speaker 1: pull them socks up, nice and I.

1099
00:52:40,960 --> 00:52:43,080
Speaker 3: Hey, I don't want no problems. I don't want no

1100
00:52:43,120 --> 00:52:44,160
Speaker 3: problems in the bil.

1101
00:52:44,480 --> 00:52:47,440
Speaker 5: I tell you one thing. If I was playing in

1102
00:52:47,440 --> 00:52:49,759
Speaker 5: today's era, all the stuff I was doing back then,

1103
00:52:50,440 --> 00:52:51,440
Speaker 5: I still be doing it now.

1104
00:52:51,560 --> 00:52:52,319
Speaker 3: You still do it?

1105
00:52:52,840 --> 00:52:53,520
Speaker 4: Oh man.

1106
00:52:53,640 --> 00:52:55,960
Speaker 1: Plus, I don't get no I gonna do nothing. I

1107
00:52:56,000 --> 00:52:57,840
Speaker 1: ain't gonna do nothing to get my team a penalty,

1108
00:52:58,040 --> 00:52:58,560
Speaker 1: but you don't.

1109
00:52:59,080 --> 00:53:02,560
Speaker 5: I never got my team Upennedy, I will talk.

1110
00:53:02,760 --> 00:53:05,759
Speaker 3: I will talk is now? Oh you you can't say

1111
00:53:05,760 --> 00:53:07,200
Speaker 3: the N word, oh Joe.

1112
00:53:07,239 --> 00:53:08,359
Speaker 4: Yeah, I know.

1113
00:53:08,640 --> 00:53:10,640
Speaker 5: Can you imagine if we was playing during the social.

1114
00:53:10,360 --> 00:53:12,920
Speaker 3: Media we don't say the end word on that field?

1115
00:53:13,160 --> 00:53:16,440
Speaker 5: Oh yeah, you heard, you heard me? Can you imagine

1116
00:53:16,440 --> 00:53:21,880
Speaker 5: if we were playing during the social media era? Oh lord, man, listen,

1117
00:53:25,960 --> 00:53:29,400
Speaker 5: oh lord, not not me. May I got in trouble

1118
00:53:29,440 --> 00:53:32,279
Speaker 5: for tweeting on the sideline we played Philly. I got

1119
00:53:32,320 --> 00:53:35,040
Speaker 5: in trouble for tweeting on the sideline in the middle

1120
00:53:35,040 --> 00:53:38,200
Speaker 5: of a preseason game. That was the beginning of social

1121
00:53:38,239 --> 00:53:40,960
Speaker 5: media era for me. In two thousand and nine, Can

1122
00:53:41,000 --> 00:53:44,480
Speaker 5: you imagine, man, I be man. Listen I score a

1123
00:53:44,520 --> 00:53:46,279
Speaker 5: tests out and go live on Instagram.

1124
00:53:46,440 --> 00:53:51,400
Speaker 3: Oh who, I told me? I'm take.

1125
00:53:53,400 --> 00:53:55,520
Speaker 1: But see I did to celebrate you where I pretended

1126
00:53:55,600 --> 00:53:58,399
Speaker 1: like I had a phone Joe Horn actually wouldn't hear

1127
00:53:58,400 --> 00:53:59,080
Speaker 1: the phone.

1128
00:53:58,920 --> 00:54:00,640
Speaker 5: Pull the phone and pulled the phone out.

1129
00:54:01,400 --> 00:54:03,920
Speaker 1: I say, pretty soon, somebody go, hey, I have allowed

1130
00:54:03,960 --> 00:54:05,560
Speaker 1: one time I must say, look you, I'm gonna say

1131
00:54:05,560 --> 00:54:09,359
Speaker 1: a hundred thousand I'm I'm gonna call Uber Eats. He's

1132
00:54:09,400 --> 00:54:16,759
Speaker 1: gonna bring me a piece on the sideline. Hey, I

1133
00:54:16,800 --> 00:54:17,200
Speaker 1: would say.

1134
00:54:17,360 --> 00:54:18,839
Speaker 3: I would say you look here, Hey, I would tell

1135
00:54:18,840 --> 00:54:19,600
Speaker 3: my hate you my friendly.

1136
00:54:19,640 --> 00:54:21,320
Speaker 1: The people said, look, I'm sitting on a hundred thousand

1137
00:54:21,320 --> 00:54:23,120
Speaker 1: of the side because I normal get fined.

1138
00:54:23,840 --> 00:54:24,960
Speaker 3: He's gonna bring me a pizza.

1139
00:54:25,640 --> 00:54:27,480
Speaker 5: Hey, that's that's a good one right there, and then

1140
00:54:27,640 --> 00:54:30,000
Speaker 5: listen today's game. I would push the en blow. I

1141
00:54:30,400 --> 00:54:34,000
Speaker 5: really they allow everybody to celebrate. They allowed, they allowed

1142
00:54:34,040 --> 00:54:37,880
Speaker 5: group celebrations, but everybody doing the same stuff. Nothing is authentic,

1143
00:54:37,960 --> 00:54:40,080
Speaker 5: nothing is organic. They're doing stuff they see on TV.

1144
00:54:40,120 --> 00:54:41,520
Speaker 5: They're doing stuff they see on TikTok.

1145
00:54:42,000 --> 00:54:42,520
Speaker 3: We get that.

1146
00:54:43,280 --> 00:54:46,440
Speaker 5: Oh, the NFL is all about fan engagement, right, this

1147
00:54:46,520 --> 00:54:48,359
Speaker 5: is what y'all want. You want the fans to enjoy

1148
00:54:48,400 --> 00:54:49,160
Speaker 5: the game and have fun.

1149
00:54:49,280 --> 00:54:51,759
Speaker 1: No, we tell y'all how to engage the fans, don't you.

1150
00:54:51,800 --> 00:54:53,600
Speaker 1: Don't you try to come up with something og.

1151
00:54:53,680 --> 00:54:55,520
Speaker 5: No, No, I'm coming up with something. I'm gonna push

1152
00:54:55,520 --> 00:54:57,640
Speaker 5: the envelop Don't let me score on the north of

1153
00:54:57,680 --> 00:55:01,440
Speaker 5: South end zone. Don't let me be playing and away. Man,

1154
00:55:01,480 --> 00:55:02,840
Speaker 5: I'm pulling the fan out of the end zone. Man,

1155
00:55:02,880 --> 00:55:04,439
Speaker 5: we're gonna sit there and do the kid and play.

1156
00:55:04,719 --> 00:55:06,960
Speaker 5: I'm gonna put them right back in the stand. Can

1157
00:55:07,000 --> 00:55:07,719
Speaker 5: you imagine?

1158
00:55:08,120 --> 00:55:12,480
Speaker 3: Man, you're gonna get the fan throwed out? You memory?

1159
00:55:12,520 --> 00:55:14,560
Speaker 5: That is a memory on I promise you if I

1160
00:55:14,640 --> 00:55:18,840
Speaker 5: was playing today, whatever game I score, I'm telling you

1161
00:55:18,920 --> 00:55:20,560
Speaker 5: I will pull a fan out the stands in the

1162
00:55:20,600 --> 00:55:24,160
Speaker 5: north of South end zone, pull him down and do

1163
00:55:24,280 --> 00:55:27,399
Speaker 5: the kid and play. That will be iconic because there's

1164
00:55:27,440 --> 00:55:30,080
Speaker 5: something that's never been number before. Everybody's doing stuff now

1165
00:55:30,120 --> 00:55:33,040
Speaker 5: that you can celebrate. They just repeat the same stuff

1166
00:55:33,040 --> 00:55:35,960
Speaker 5: over and over. Somebody has to push the envelope and

1167
00:55:36,000 --> 00:55:40,479
Speaker 5: make it fun. Make it fun, all.

1168
00:55:40,440 --> 00:55:43,040
Speaker 1: Right, Ojoe, it's time five final segment of the evening.

1169
00:55:43,120 --> 00:55:47,240
Speaker 3: It's time for Q and A.

1170
00:55:49,800 --> 00:56:00,239
Speaker 1: Matthew testify. Ask is it still the Lakers in five though? Yeah,

1171
00:56:00,880 --> 00:56:02,960
Speaker 1: we ain't running, we ain't duck in no smoke. We

1172
00:56:03,080 --> 00:56:05,560
Speaker 1: got something for bulls too. We're gonna pay the bulls

1173
00:56:05,560 --> 00:56:07,960
Speaker 1: back off. I think that's Friday night. Is it Friday

1174
00:56:08,040 --> 00:56:10,120
Speaker 1: night when they pay the bulls?

1175
00:56:10,120 --> 00:56:10,319
Speaker 3: Ask?

1176
00:56:10,360 --> 00:56:16,360
Speaker 1: Friday night or tomorrow night? I don't know when it's tomorrow.

1177
00:56:18,200 --> 00:56:24,600
Speaker 1: Oh damn, Oh, maybe I spoke too quick. Now, we

1178
00:56:24,640 --> 00:56:27,000
Speaker 1: got something for the bulls. We're gonna play Kobe White

1179
00:56:27,040 --> 00:56:30,399
Speaker 1: back man, Kobe White, Josh Getty and bruseillas man, they

1180
00:56:30,400 --> 00:56:31,600
Speaker 1: did something bad dus.

1181
00:56:32,120 --> 00:56:33,960
Speaker 5: We owe y'all, We owe y'all book.

1182
00:56:35,200 --> 00:56:37,959
Speaker 1: So we come into the house that Jordan built, gonna

1183
00:56:37,960 --> 00:56:40,680
Speaker 1: try to drop by one thirty on y'all Lebrono go

1184
00:56:40,800 --> 00:56:48,000
Speaker 1: for about forty forty ten and six, Oh Yoe, fruits

1185
00:56:48,000 --> 00:56:51,560
Speaker 1: for life, say Chad Johnson, Magic Johnson Johnson.

1186
00:56:51,239 --> 00:56:54,000
Speaker 3: And Johnson Niggas and five.

1187
00:56:58,480 --> 00:57:06,680
Speaker 1: Uh triple legs come Sanday Andy, Cindy Wendy Niggas is

1188
00:57:06,760 --> 00:57:13,240
Speaker 1: five wol said, no one wants to see my Clippers

1189
00:57:13,280 --> 00:57:19,680
Speaker 1: in the West for seven games though, Clippers, thank you?

1190
00:57:22,240 --> 00:57:22,800
Speaker 3: He for real.

1191
00:57:23,000 --> 00:57:25,760
Speaker 1: Leoda Rubbles said, what's up, O Joe? What's a dream

1192
00:57:25,880 --> 00:57:28,360
Speaker 1: vacation for both of you? And where would you go.

1193
00:57:30,040 --> 00:57:30,400
Speaker 5: Vacation?

1194
00:57:30,920 --> 00:57:32,720
Speaker 1: Although, why y'all keep trying to get me to go

1195
00:57:32,760 --> 00:57:34,760
Speaker 1: on vacation with Oh Joe? Why y'all keep trying to

1196
00:57:34,760 --> 00:57:37,320
Speaker 1: get me the go on vacation with Pride? They are

1197
00:57:37,440 --> 00:57:42,440
Speaker 1: bad influences on me? What is it that y'all don't understand?

1198
00:57:42,120 --> 00:57:44,280
Speaker 5: I'm not a bad influence. I can't be a bad

1199
00:57:44,280 --> 00:57:47,400
Speaker 5: as I think. I think they were asking individually.

1200
00:57:49,880 --> 00:57:53,760
Speaker 1: As a matter of fact, Ay, Chad, I had he

1201
00:57:53,920 --> 00:57:56,120
Speaker 1: called you too, because he called you before he called me.

1202
00:57:56,680 --> 00:57:58,520
Speaker 5: He called me first. Yeah, yeah, I talked to him.

1203
00:57:58,880 --> 00:58:01,200
Speaker 1: He could get I was actually I was doing up.

1204
00:58:01,480 --> 00:58:03,600
Speaker 1: I was doing first take what he called me and

1205
00:58:04,000 --> 00:58:05,320
Speaker 1: asked me, say you talk to Prime?

1206
00:58:05,960 --> 00:58:06,720
Speaker 3: I thank god?

1207
00:58:07,840 --> 00:58:08,240
Speaker 4: Uh?

1208
00:58:08,280 --> 00:58:10,520
Speaker 1: And he had called me, but I talked to him yesterday.

1209
00:58:11,160 --> 00:58:12,760
Speaker 1: I ain't gonna say what he said. Well you know

1210
00:58:12,840 --> 00:58:14,560
Speaker 1: what he's saying, because he told you the same thing.

1211
00:58:15,080 --> 00:58:18,120
Speaker 1: I gonna say what he said, Yeah, what what's the

1212
00:58:18,160 --> 00:58:19,440
Speaker 1: dream vacation where we're going on.

1213
00:58:19,520 --> 00:58:24,800
Speaker 5: Joe, listen, I listen from an individual standpoint. We are

1214
00:58:24,960 --> 00:58:27,840
Speaker 5: polar opposites and the things we like. I want to

1215
00:58:27,880 --> 00:58:29,720
Speaker 5: go to Norway and I want to go to New Zealand.

1216
00:58:30,000 --> 00:58:31,960
Speaker 5: I want to swim with killer whales in a wild

1217
00:58:32,840 --> 00:58:34,640
Speaker 5: You're not You're not gonna get in the water.

1218
00:58:36,480 --> 00:58:38,320
Speaker 3: All the time I'm getting. I ain't gotten. I hadn't

1219
00:58:38,360 --> 00:58:41,480
Speaker 3: gotten to the bathtub in thirty five years. Was it

1220
00:58:41,560 --> 00:58:43,120
Speaker 3: just take showers? Yeah, it take shower.

1221
00:58:43,160 --> 00:58:44,560
Speaker 1: I ain't gonna sitt in there that dirty road and

1222
00:58:44,600 --> 00:58:46,520
Speaker 1: that water be dirty, bright back on you. Hell. You

1223
00:58:46,560 --> 00:58:48,440
Speaker 1: gotta get in the shower to get then get the

1224
00:58:48,480 --> 00:58:49,640
Speaker 1: scum up off you.

1225
00:58:49,680 --> 00:58:53,680
Speaker 3: No hell nah?

1226
00:58:54,280 --> 00:58:56,560
Speaker 5: Yeah, I mean that. That's my that's my dream. That's

1227
00:58:56,600 --> 00:58:59,240
Speaker 5: my dream. People in the chat, I don't know if

1228
00:58:59,320 --> 00:59:01,080
Speaker 5: if you don't know if, if you do know me,

1229
00:59:01,120 --> 00:59:02,600
Speaker 5: If you know me, you followed me for a while,

1230
00:59:02,840 --> 00:59:04,680
Speaker 5: you know how much I love killer whales. That's my

1231
00:59:04,720 --> 00:59:07,960
Speaker 5: spirit animal. My entire right leg from from the waist

1232
00:59:07,960 --> 00:59:10,520
Speaker 5: to my ankle is tattooed with killer whales, and my

1233
00:59:10,880 --> 00:59:12,520
Speaker 5: the last thing on my bucket list to do. You know,

1234
00:59:12,560 --> 00:59:14,520
Speaker 5: I do anything once, but last thing on my bucket

1235
00:59:14,560 --> 00:59:16,760
Speaker 5: list to do is to go to Norway in New

1236
00:59:16,840 --> 00:59:21,440
Speaker 5: Zealand and swim with killer whales in the wild. And

1237
00:59:21,760 --> 00:59:23,440
Speaker 5: I'm gonna do it. I don't know at what point,

1238
00:59:25,440 --> 00:59:28,400
Speaker 5: but that that's when I talk about a dream of mind.

1239
00:59:30,640 --> 00:59:31,200
Speaker 3: What happened?

1240
00:59:32,000 --> 00:59:32,200
Speaker 4: Look?

1241
00:59:32,640 --> 00:59:34,120
Speaker 3: Look with Lebron posted.

1242
00:59:39,520 --> 00:59:40,360
Speaker 5: Who is that fighting?

1243
00:59:40,640 --> 00:59:41,800
Speaker 3: That's Stephen a boxer.

1244
00:59:46,160 --> 00:59:47,160
Speaker 5: He posted that for real.

1245
00:59:47,680 --> 00:59:49,360
Speaker 3: He's just posted like eight minutes ago.

1246
00:59:52,040 --> 00:59:53,920
Speaker 5: Oh oh oh see he.

1247
00:59:55,400 --> 00:59:56,840
Speaker 3: Look at look at it, and then he posted the

1248
00:59:56,880 --> 00:59:57,280
Speaker 3: other work.

1249
00:59:58,640 --> 01:00:00,440
Speaker 5: Hold on, he ain't get it on that Now you're

1250
01:00:00,440 --> 01:00:01,560
Speaker 5: taking it on purpose.

1251
01:00:03,520 --> 01:00:07,800
Speaker 3: Hey, if you come on now, let that go. Now

1252
01:00:07,840 --> 01:00:10,080
Speaker 3: you know, you know you're wrong with you, but let

1253
01:00:10,080 --> 01:00:11,080
Speaker 3: that go. Now, come on that.

1254
01:00:11,440 --> 01:00:12,840
Speaker 5: I told you, I told you they weren't gonna let

1255
01:00:12,840 --> 01:00:14,560
Speaker 5: it go. I told you that. So now Steven ain't

1256
01:00:14,560 --> 01:00:19,760
Speaker 5: gonna respond. You gotta respond tomorrow. Love, half Birsy, Hey,

1257
01:00:19,760 --> 01:00:21,200
Speaker 5: this this is this is this is this is.

1258
01:00:21,160 --> 01:00:23,920
Speaker 3: A good thing for Lord half Birsy.

1259
01:00:24,560 --> 01:00:29,520
Speaker 5: Oh Lebron, Oh Lebron, oh Lebron followed the kid man okay, okay, yeah,

1260
01:00:29,840 --> 01:00:31,800
Speaker 5: I ain't know. He followed the followed the boy Okay,

1261
01:00:31,840 --> 01:00:33,080
Speaker 5: appreciate that.

1262
01:00:32,720 --> 01:00:37,600
Speaker 1: Man, bro, Come on, Bron, come on stoning my bron man.

1263
01:00:38,120 --> 01:00:39,480
Speaker 3: Okay, man, you.

1264
01:00:39,520 --> 01:00:41,720
Speaker 5: Got and you see and you see the caption.

1265
01:00:42,040 --> 01:00:43,240
Speaker 4: Won't want want.

1266
01:00:46,320 --> 01:00:48,960
Speaker 1: First of all, man, Steven, they got rotator, he got

1267
01:00:49,000 --> 01:00:51,760
Speaker 1: bad rotator. Cuff that white swigging like that. He ain't

1268
01:00:51,760 --> 01:00:52,560
Speaker 1: flooding the show.

1269
01:00:53,480 --> 01:01:02,360
Speaker 5: Okay, come on, bron, Hey Ron, shout out everston Hey,

1270
01:01:04,120 --> 01:01:06,840
Speaker 5: both of that like ten minutes of dop Yeah, hey,

1271
01:01:06,840 --> 01:01:08,800
Speaker 5: ever since a chat. I don't know if y'all know.

1272
01:01:08,840 --> 01:01:11,000
Speaker 5: I'm sure y'all watch the show ever since Braun sent

1273
01:01:11,080 --> 01:01:14,080
Speaker 5: me that fifty thousand that fifty thousand point ball man

1274
01:01:14,720 --> 01:01:15,680
Speaker 5: even acting different?

1275
01:01:15,720 --> 01:01:22,640
Speaker 3: Man, hell a bride, Do you like this new Lebron?

1276
01:01:23,480 --> 01:01:23,680
Speaker 5: Yeah?

1277
01:01:23,720 --> 01:01:23,920
Speaker 2: I like.

1278
01:01:24,000 --> 01:01:25,760
Speaker 5: I like the new Lebron we're seeing right now. He

1279
01:01:26,160 --> 01:01:28,280
Speaker 5: probably watching it. He probably why He probably in the chat.

1280
01:01:30,080 --> 01:01:32,800
Speaker 3: Oh, Joe j two point three said, hey, uking on

1281
01:01:32,880 --> 01:01:33,240
Speaker 3: your peak.

1282
01:01:33,360 --> 01:01:36,600
Speaker 1: One to survive against for two minutes on the football field,

1283
01:01:36,840 --> 01:01:40,440
Speaker 1: an elephant, a grizzly bear, a silver back, or hippo.

1284
01:01:42,600 --> 01:01:44,320
Speaker 3: Which one the elephant?

1285
01:01:45,000 --> 01:01:48,720
Speaker 1: Yeah, elephant of the hippo, because they ain't got no

1286
01:01:48,800 --> 01:01:49,480
Speaker 1: lateral movement.

1287
01:01:49,560 --> 01:01:53,960
Speaker 5: I'm just gonna die. Yeah, but the elephant, forget that.

1288
01:01:54,640 --> 01:01:56,360
Speaker 5: I don't even want a chance to hippo.

1289
01:02:04,040 --> 01:02:07,919
Speaker 1: Naughty faum yo, TJ still got that good hair?

1290
01:02:10,160 --> 01:02:13,640
Speaker 3: Uh he's uh what is what is t J? Irny?

1291
01:02:13,680 --> 01:02:15,120
Speaker 3: What is TJ? T J Iranian?

1292
01:02:15,160 --> 01:02:17,920
Speaker 5: Isn't he? Uh? God, dog, I can't even remember.

1293
01:02:18,080 --> 01:02:18,600
Speaker 4: Uh.

1294
01:02:19,080 --> 01:02:20,000
Speaker 3: I know he came on.

1295
01:02:20,080 --> 01:02:22,000
Speaker 1: He told me one time, because he used to come on.

1296
01:02:22,280 --> 01:02:24,160
Speaker 1: He used to come on all the time on undispute

1297
01:02:24,320 --> 01:02:27,600
Speaker 1: in the early day. I forget. Yeah, that's what I

1298
01:02:27,640 --> 01:02:30,320
Speaker 1: told him. Teachers told me when TJ said, we still

1299
01:02:30,320 --> 01:02:32,760
Speaker 1: look the same. No, God blessed up? I said, No,

1300
01:02:32,920 --> 01:02:35,240
Speaker 1: God gave you still got your hair. Oh sho, he

1301
01:02:35,480 --> 01:02:36,440
Speaker 1: ain't been blessed like that.

1302
01:02:36,960 --> 01:02:39,040
Speaker 5: No, No, I do you want me to go my

1303
01:02:39,120 --> 01:02:42,720
Speaker 5: hair growing out right now? Huh?

1304
01:02:42,800 --> 01:02:44,160
Speaker 3: Don't you let that fae grow out?

1305
01:02:44,840 --> 01:02:46,440
Speaker 5: Matter of fact, you know, I'm gonna let it. I'mna

1306
01:02:46,480 --> 01:02:47,840
Speaker 5: let it grow, and I'm gonna Get'm gonna just get

1307
01:02:47,840 --> 01:02:49,560
Speaker 5: a taper. I'm gonna get a taper.

1308
01:02:50,720 --> 01:02:51,520
Speaker 3: Oh, yall.

1309
01:02:53,160 --> 01:02:55,040
Speaker 1: That man gonna start edging you up at the fifty

1310
01:02:55,120 --> 01:02:56,600
Speaker 1: yard line.

1311
01:02:57,960 --> 01:03:00,960
Speaker 5: You're talking about your hair.

1312
01:03:01,240 --> 01:03:04,040
Speaker 3: I mean, I mean minded. I need to Hey, Ojo,

1313
01:03:04,080 --> 01:03:05,320
Speaker 3: why we need to go out your boy job? We

1314
01:03:05,320 --> 01:03:06,120
Speaker 3: need to go to Turkey.

1315
01:03:06,920 --> 01:03:10,760
Speaker 5: Hey, hold on, listen, I can go. I can go

1316
01:03:10,800 --> 01:03:12,160
Speaker 5: to get matter of fact, you know what I should

1317
01:03:12,200 --> 01:03:14,800
Speaker 5: do for one of the live shows on what get

1318
01:03:14,840 --> 01:03:16,360
Speaker 5: the Man Unit with the Waves?

1319
01:03:16,640 --> 01:03:19,880
Speaker 1: You know what, nahud but you got but see you

1320
01:03:19,880 --> 01:03:21,880
Speaker 1: can do that because you gotta shave your hair so

1321
01:03:22,000 --> 01:03:25,040
Speaker 1: to stay stick down, so you could. I can't do that.

1322
01:03:25,040 --> 01:03:27,400
Speaker 1: I ain't shaving mine all because it might not come back.

1323
01:03:27,560 --> 01:03:29,960
Speaker 1: You remember when all dragonson and dragonson had that hair

1324
01:03:30,120 --> 01:03:32,560
Speaker 1: and then when you shaf it's all gone.

1325
01:03:32,480 --> 01:03:33,720
Speaker 3: Yeah, it ain't come back no more.

1326
01:03:34,160 --> 01:03:38,720
Speaker 1: Yeah check hook says James Harrison and the foe ocho

1327
01:03:38,880 --> 01:03:39,840
Speaker 1: like a vacuum cord.

1328
01:03:41,040 --> 01:03:43,800
Speaker 5: And you know what, matter of fact, whoever just said that,

1329
01:03:44,920 --> 01:03:47,480
Speaker 5: I'm gonna see you in person. I'm gonna see you

1330
01:03:47,480 --> 01:03:49,600
Speaker 5: in I'm gonna see you. I'm gonna see you.

1331
01:03:49,920 --> 01:03:51,160
Speaker 3: Big blue o Yo.

1332
01:03:51,960 --> 01:03:56,240
Speaker 1: Best receiver duo Matthew Stafford's played with Megatron and Tate

1333
01:03:56,880 --> 01:03:59,600
Speaker 1: or Davonte and Pooka Woo.

1334
01:04:00,040 --> 01:04:01,880
Speaker 5: Well make her trying to take because we haven't seen

1335
01:04:01,920 --> 01:04:05,040
Speaker 5: Davontae and Pooky yet. We know what Davante is, you know,

1336
01:04:05,080 --> 01:04:06,480
Speaker 5: we know, we know what he can do. We know

1337
01:04:06,480 --> 01:04:08,520
Speaker 5: what he's done in the past. We haven't seen it

1338
01:04:08,720 --> 01:04:09,680
Speaker 5: yet with the rams.

1339
01:04:11,040 --> 01:04:14,840
Speaker 3: Yeah, justin fans say for fifty million, I go to Hell.

1340
01:04:16,360 --> 01:04:17,680
Speaker 3: I said that. I said that.

1341
01:04:18,160 --> 01:04:25,600
Speaker 1: First take we were talking about like well, God was like, yeah, fhit.

1342
01:04:25,440 --> 01:04:26,600
Speaker 3: The mail a lot of bread.

1343
01:04:26,600 --> 01:04:26,960
Speaker 1: O Joe.

1344
01:04:27,640 --> 01:04:29,680
Speaker 3: Uh, don't DG say what's up? Oo?

1345
01:04:29,920 --> 01:04:33,120
Speaker 1: Ojo and Ash with WrestleMania approach him. You should ask

1346
01:04:33,520 --> 01:04:36,760
Speaker 1: some wrestling, wrestling and WrestleMania questions.

1347
01:04:37,640 --> 01:04:40,880
Speaker 3: For uh that with stuff?

1348
01:04:40,920 --> 01:04:46,360
Speaker 1: H Yeah, No, I mean I know a little WrestleMania,

1349
01:04:46,560 --> 01:04:49,160
Speaker 1: but I know like before life, before he became the

1350
01:04:49,240 --> 01:04:51,080
Speaker 1: w w L or the w w E.

1351
01:04:51,760 --> 01:04:53,760
Speaker 3: We go back to the Georgia Championship.

1352
01:04:53,960 --> 01:04:56,600
Speaker 1: But I'll brush up on it, me and myself, and

1353
01:04:56,640 --> 01:04:57,840
Speaker 1: I say, oh, should have known.

1354
01:04:57,920 --> 01:05:00,000
Speaker 3: A sports trivia expert who's going to do?

1355
01:05:00,000 --> 01:05:03,520
Speaker 1: Discussed playing Glenn and Loud Blackwood played in eighty one

1356
01:05:03,600 --> 01:05:06,280
Speaker 1: Dolphins from eighty one to eighty six dunk on unp.

1357
01:05:08,720 --> 01:05:11,440
Speaker 3: Remember that. Uh the no name defense, That's what they

1358
01:05:11,440 --> 01:05:13,640
Speaker 3: would call the no name defense defense.

1359
01:05:14,560 --> 01:05:19,560
Speaker 1: Yeah, Glenn in Loud Blackwood my uh no one flying

1360
01:05:19,600 --> 01:05:22,760
Speaker 1: spirit tomorrow, not by choice, any advice or anything I

1361
01:05:22,760 --> 01:05:23,440
Speaker 1: should expect.

1362
01:05:23,520 --> 01:05:26,120
Speaker 3: Never flown with them? Oh cho, what should he expect.

1363
01:05:26,280 --> 01:05:29,360
Speaker 5: Listen, I fly with spirit all the time. What you expect,

1364
01:05:29,440 --> 01:05:32,560
Speaker 5: You can expect good service, You can expect great service.

1365
01:05:32,800 --> 01:05:37,760
Speaker 5: You can also expect Wi Fi. Okay, all right, let

1366
01:05:37,840 --> 01:05:39,440
Speaker 5: me know how it is on tomorrow's show.

1367
01:05:40,240 --> 01:05:42,400
Speaker 3: Huh I get that on the airline out fly.

1368
01:05:43,760 --> 01:05:46,080
Speaker 5: Yeah, but ours is cast sufficient.

1369
01:05:48,480 --> 01:05:49,760
Speaker 3: Can't put a price on my life.

1370
01:05:49,800 --> 01:05:53,800
Speaker 1: But anyway, that concludes this episode of Nightcap brought to

1371
01:05:53,800 --> 01:05:56,960
Speaker 1: you by Boost Mobile. Visit your nearest boost Mobile store

1372
01:05:57,040 --> 01:06:01,320
Speaker 1: or boostmobile dot com to join their nationwide IG network today.

1373
01:06:01,720 --> 01:06:02,840
Speaker 3: Thank you guys for joining in.

1374
01:06:02,920 --> 01:06:06,360
Speaker 1: Y'all know me your favorite unk Shining Sharp Number eighty five,

1375
01:06:06,400 --> 01:06:09,800
Speaker 1: Liberty Cities Own Route Runner, Extraordinary, Bengal Ring of Fame,

1376
01:06:09,920 --> 01:06:13,960
Speaker 1: Artery Pro Bowler, All Pro Chad, oh Jo sink On Johnson.

1377
01:06:14,120 --> 01:06:16,720
Speaker 1: Please make sure you hit that subscribe button. Please make

1378
01:06:16,760 --> 01:06:19,440
Speaker 1: sure you hit the light button and tell family, friends

1379
01:06:19,440 --> 01:06:22,320
Speaker 1: and loved ones to do likewise and go subscribe to

1380
01:06:22,320 --> 01:06:26,320
Speaker 1: the Nightcap podcast feed wherever you get your podcasts from.

1381
01:06:26,600 --> 01:06:29,040
Speaker 1: Thank you guys for your support. Thank you guys for

1382
01:06:29,080 --> 01:06:32,720
Speaker 1: your lordy and continued support. We greatly greatly appreciate it.

1383
01:06:32,960 --> 01:06:35,840
Speaker 1: Go check out Shave by Laportier. We have it in stock,

1384
01:06:35,880 --> 01:06:37,960
Speaker 1: and if you can't find it any city or state.

1385
01:06:37,760 --> 01:06:39,080
Speaker 3: Near you, don't worry.

1386
01:06:39,080 --> 01:06:42,120
Speaker 1: We're coming soon, but until the meantime order it online

1387
01:06:42,160 --> 01:06:43,720
Speaker 1: we'll ship it directly to your door.

1388
01:06:44,000 --> 01:06:46,200
Speaker 3: Please drink responsibly and stay safe.

1389
01:06:46,520 --> 01:06:50,280
Speaker 1: Check out my media company, shay Shave Media on all

1390
01:06:50,320 --> 01:06:53,240
Speaker 1: of this platform, and my clothing company eighty four, with

1391
01:06:53,360 --> 01:06:57,080
Speaker 1: eighty four being spelled out. Everything has restocked the Lincoln's

1392
01:06:57,080 --> 01:06:59,400
Speaker 1: pined at the top of the chat. Supplies are limited

1393
01:06:59,440 --> 01:07:02,720
Speaker 1: and once they're they're gone, so please get George Wild supplies.

1394
01:07:02,800 --> 01:07:03,080
Speaker 3: Last.

1395
01:07:03,400 --> 01:07:06,400
Speaker 1: Tickets for the Safe for Work Tour went on sale

1396
01:07:06,440 --> 01:07:10,840
Speaker 1: this morning. Eight stops Friday June thirteenth and Baltimore Saturday

1397
01:07:10,920 --> 01:07:15,120
Speaker 1: June fourteenth, and Philly Saturday July twelfth, and Charlotte Saturday

1398
01:07:15,320 --> 01:07:19,240
Speaker 1: July nineteenth, Los Angeles Friday July twenty fifth of Miami,

1399
01:07:19,520 --> 01:07:24,480
Speaker 1: Saturday July twenty sixth in NYC, Friday August fifteenth, Chicago,

1400
01:07:24,760 --> 01:07:29,840
Speaker 1: and we close out the show Saturday August sixteenth in Detroit, Michigan.

1401
01:07:30,200 --> 01:07:34,360
Speaker 1: Tickets can be found at Shayshamedia dot com slash tour.

1402
01:07:34,760 --> 01:07:36,919
Speaker 1: That link is also pained at the top of the chat.

1403
01:07:37,200 --> 01:07:39,960
Speaker 1: Guests lineup if looking real nice. Can't wait for you

1404
01:07:40,000 --> 01:07:43,120
Speaker 1: guys to check it out. Don't miss us, get your

1405
01:07:43,120 --> 01:07:46,600
Speaker 1: tickets now. I'm oh he's hold yo. Thank you guys

1406
01:07:46,600 --> 01:07:49,840
Speaker 1: for joining us. Thank our special guests tj uch Manzada

1407
01:07:50,120 --> 01:07:52,880
Speaker 1: and the very funny and talented Tony Baker.

1408
01:07:53,200 --> 01:07:54,560
Speaker 4: We may see you tomorrow