WEBVTT - Actor Keean Johnson in the studio!

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<v Speaker 1>From My Arm Radio, Common Enemy and Tendum with TV

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<v Speaker 1>The Pal Podcast Pal, Hey Pal with Jared and dab Dave?

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<v Speaker 1>Can you chew quieter? Oh gosh, here you go again.

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<v Speaker 1>I don't I don't know what that means. Okay, so

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<v Speaker 1>here we go. We have got a very unique episode.

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<v Speaker 1>We're doing very unique, very unique. We have our very

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<v Speaker 1>first in in studio Yes ever, yes, okay, we're stopping

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<v Speaker 1>for ever. We're making history. We're making history with that. Okay,

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<v Speaker 1>we're gonna get to that in a second. We've got

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<v Speaker 1>our chip everyone's eating Chipotle. Our sponsor we've got we

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<v Speaker 1>were gonna try to get a sponsor. I think like

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<v Speaker 1>that would be really cool. Thank you, Ken. That's our guests.

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<v Speaker 1>We're gonna introduce him in a second. Okay, we've got

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<v Speaker 1>our Chipotle bag. This is gonna be our first full

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<v Speaker 1>visual in studio episodes. You can watch this online. Kyle,

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<v Speaker 1>is that true? This is true? Okay? You just you

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<v Speaker 1>just corroborated. You've got Chipotle and then also Dave, as

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<v Speaker 1>you can see over there in the corner right, I's

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<v Speaker 1>got my own personal bodyguard. Yes, And why do you

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<v Speaker 1>why does someone with no credits need to bodyward? Well,

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<v Speaker 1>actually our guest key in which again we'll introduce it

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<v Speaker 1>a second. He's very familiar with my credits. Can you

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<v Speaker 1>can you tell everybody a couple of my credits? Well,

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<v Speaker 1>remember Jared bushes me off and he'll, you know, throw

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<v Speaker 1>one of my credits that I might not be too

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<v Speaker 1>proud about. I'll just text him two words in the

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<v Speaker 1>first word is hoodie and the second word is guy.

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<v Speaker 1>And if you go on IMDb you can find Jared

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<v Speaker 1>Einson playing hoodie. Guy is kind of his m O.

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<v Speaker 1>It's my m O. And not only that waiter number one,

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<v Speaker 1>thank you Keen for that. But Dave, now do you

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<v Speaker 1>see why? Do you see why I need bodyguard? Dave said,

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<v Speaker 1>this is a couple of weeks ago when you brought

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<v Speaker 1>your bodyguard. It's because you're such an asshole with people

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<v Speaker 1>that there's a possibility that you're you were wearing a

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<v Speaker 1>hoodie and that Lindsay Lohan one to well, whatever the reason,

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<v Speaker 1>it is, b A B A you got me right,

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<v Speaker 1>He's on it. He doesn't wait for at all. We've

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<v Speaker 1>got Chipotle going, We've got Keyan Johnson in the studio,

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<v Speaker 1>all right, so here here we go. We're just gonna

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<v Speaker 1>go straight into it. Let's get into it. I'm excited.

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<v Speaker 1>I'm excited about our first guest. I'm very by the

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<v Speaker 1>way you can look into that, Dave. I have to

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<v Speaker 1>teach Dave the ins and out. See, if you were

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<v Speaker 1>a hoodie guy, you would have already known the in

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<v Speaker 1>set that you don't. I was Driveway player number one

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<v Speaker 1>in basketball, so that is very true. Okay, So we're excited.

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<v Speaker 1>We want to let all the hay Power listeners know

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<v Speaker 1>a little bit about you, Kei. And so our next

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<v Speaker 1>guest has start in big blockbuster movies like Alita, Battle

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<v Speaker 1>Angel for James Cameron. He has appeared devo on hit

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<v Speaker 1>TV shows I Think, what is It? Nashville Nashville love

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<v Speaker 1>that show that is Dave's favorite. He called me last

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<v Speaker 1>night Keian just to like be like dude, Keen and

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<v Speaker 1>Nashville just so awesome. I love it. I love it,

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<v Speaker 1>and he killed it, he really does. But listen, here

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<v Speaker 1>is why we are here. This kid has been on

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<v Speaker 1>absolute fire. He stars in Cutthroat City, which has gone

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<v Speaker 1>to the number one spot on Netflix. Um, you know,

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<v Speaker 1>starring opposite people like t I Ethan Hawk, Wesley Snipes,

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<v Speaker 1>Terrence Howard to Meet your Ship Junior Denzel Whittaker. I

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<v Speaker 1>know we could go on and on, and Hulu released

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<v Speaker 1>his movie The Ultimate Playlist of Noise, which has gotten incredible,

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<v Speaker 1>incredible reviews. My Bodyguard included and Kyle Tequila. Let's big,

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<v Speaker 1>have a big just let's I'm okay My Bodyguard included

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<v Speaker 1>Kyle Tequila. Sometimes you get a second take for a

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<v Speaker 1>guy take ad Bye, um, let's give a big round

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<v Speaker 1>of applause. Yeah, I just dropped my first piece. It's okay,

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<v Speaker 1>It's okay, we'll have uh no, no, actually it's not okay.

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<v Speaker 1>Don't do that again. All right. So, Kian, this is

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<v Speaker 1>while you're eating, while everyone is eating, This is what

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<v Speaker 1>we wanted to dive in right away and talk to

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<v Speaker 1>you about. Dave and I, uh off offline, we've argued

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<v Speaker 1>a little bit about what is the difference between an

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<v Speaker 1>individual kind of sport and a team sport? Right correct,

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<v Speaker 1>And so we talked about football a bunch. I mean, Dave,

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<v Speaker 1>tell her what you think is an individual I do,

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<v Speaker 1>but tell everybody why you think is a team sport.

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<v Speaker 1>So I can take a bottom of my taco sponsored

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<v Speaker 1>well the perfect example of why it's a team sport

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<v Speaker 1>and the playoffs. This last weekend the Chiefs game, Travis Kelsey,

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<v Speaker 1>who's a tight end start tight end for the Chiefs,

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<v Speaker 1>made an incredible block that allowed one of their wide

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<v Speaker 1>receivers to make like a fifty seven yard game. So

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<v Speaker 1>had Travis not done that, it's it's a team. You

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<v Speaker 1>need the team to come together to make those special

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<v Speaker 1>plays happen. So, in my opinion, football as a team

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<v Speaker 1>sport all the way, Well, I think it's an individual

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<v Speaker 1>I won't get into it right now. I want to

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<v Speaker 1>hear from our guests, But do you think that acting

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<v Speaker 1>when you're on set, are you finding it's more of

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<v Speaker 1>an individual um sport so to speak, where you have

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<v Speaker 1>to like make sure you're on point and it's all

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<v Speaker 1>about you, know you, and then everyone else needs not

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<v Speaker 1>all about you in a vain way, but like you know,

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<v Speaker 1>you have to do your job and you have to

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<v Speaker 1>then make sure everyone else does their job, you know, individualistically,

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<v Speaker 1>or do you think that it's more of a team sport. Um,

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<v Speaker 1>we're hitting you with the herd, the hard hitter is

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<v Speaker 1>right away. Well, I don't think I'm at the place

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<v Speaker 1>in my career where I gonna make that decision. Um,

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<v Speaker 1>so I just kind of go on and I kind

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<v Speaker 1>of I see how you just kind of see what

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<v Speaker 1>it is if it feels like everyone's kind of I

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<v Speaker 1>think it just depends on if everyone's really excited about

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<v Speaker 1>the project, then it feels like a team effort. And

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<v Speaker 1>then if you know you can tell people are like

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<v Speaker 1>super not down with the project, it's obviously then you

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<v Speaker 1>just kind of have to go by yourself and just

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<v Speaker 1>you know, give your best performance in whatever field you know,

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<v Speaker 1>with your cinematographer, the director, or an actor. I think

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<v Speaker 1>that if you're feeling like everyone's like, you know, not

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<v Speaker 1>there as a team, you know, that's more of a

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<v Speaker 1>moral thing, so you so you do think so then

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<v Speaker 1>it's more of like a you think that people should

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<v Speaker 1>show up to set though, and it should be a

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<v Speaker 1>team sport because in my opinion, I just think, like,

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<v Speaker 1>you know, look, I've I've made a movie with you,

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<v Speaker 1>Kyle and I both have made movies with you, Um,

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<v Speaker 1>you know, and I just think that it's everyone has

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<v Speaker 1>to individually. It feels like to me more do their

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<v Speaker 1>job because you can't, so to speak in in like

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<v Speaker 1>basketball terms, you know, you can have a guy come

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<v Speaker 1>and set a pick for you. You can pick and roll.

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<v Speaker 1>If you miss the shot, they can get the rebound.

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<v Speaker 1>You know, they can have your back. They're playing offense

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<v Speaker 1>or playing defense. And that's why you know side note,

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<v Speaker 1>I didn't think that football is. You know, you can,

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<v Speaker 1>you can, you can contribute always. But guess what Keyan

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<v Speaker 1>Johnson can't do. Keenan Johnson can't show up to set

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<v Speaker 1>give this unbelievable performance, but then the next scene that

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<v Speaker 1>he's not in, like he can't then like, you know,

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<v Speaker 1>pick up that actor slack. And I'm not saying that

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<v Speaker 1>there's you know, it's your job too, but like that's

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<v Speaker 1>why I feel like it's more well, it's like offense

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<v Speaker 1>defense though, right it's like they're still sitting on the

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<v Speaker 1>sidelines when the when the other team is defending. I

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<v Speaker 1>think that's like, you know, that's that's why overall it's

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<v Speaker 1>kind of like the coach or the director who kind

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<v Speaker 1>of has to keep everyone in line and keep everyone

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<v Speaker 1>excited to like make something really special. Um, but yeah,

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<v Speaker 1>I think it's Yeah, it comes down to that. It's

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<v Speaker 1>like if it's like that, it should be a team.

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<v Speaker 1>But that kind of that can degrade and that can

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<v Speaker 1>he brings up a great point, though, I mean, it's

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<v Speaker 1>it's on a film set. It's the director's job. I mean,

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<v Speaker 1>the directors like a symphony conductor, right, and he's telling

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<v Speaker 1>everyone how to do their parts and how to how

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<v Speaker 1>to play their thing. And he's the one overseeing what

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<v Speaker 1>the cinematographers doing, overseeing what the actors doing, making sure

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<v Speaker 1>that hair and makeup is okay, making sure that continuity

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<v Speaker 1>is okay. So it's very much of a team team

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<v Speaker 1>after in my opinion, I mean, okay, I'll take I'll

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<v Speaker 1>take the l on this one. If both of you

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<v Speaker 1>think that it's a team sport, well, what about we

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<v Speaker 1>wanted to ask you. You're just such an individual in

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<v Speaker 1>your home, it's all about you all the time. What

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<v Speaker 1>you know you feel body bodyguard? Bodyguard? Yeah, he agreed, Dave.

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<v Speaker 1>Dave's Dave being dragged off the set right now, folks.

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<v Speaker 1>I'm sorry that the rest of the interview, I'm not concerned.

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<v Speaker 1>I feel that the bodyguard might be on my side,

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<v Speaker 1>and the bodyguard is getting getting paid handsomely. Um you know, so, well,

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<v Speaker 1>what about what are you paying in fruit roll ups?

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<v Speaker 1>Don't answer that? Um, what about what about the physicality?

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<v Speaker 1>You know, on this show, we do we do a

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<v Speaker 1>lot of parallels. We we like to try to you know, um,

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<v Speaker 1>compare sports and the entertainment industry. And you know, Dave

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<v Speaker 1>had a great, a great point of like you know,

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<v Speaker 1>for those who don't know, Keian Keen comes from the

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<v Speaker 1>h heavily from the dance world. Um, you grew up

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<v Speaker 1>a dancer, and and we were wondering, you know about

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<v Speaker 1>the different physicality or the or the you know, the

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<v Speaker 1>likeness of the physicality aspect of being a dancer and

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<v Speaker 1>having to get that sort of in shape and the

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<v Speaker 1>balance that you have to center yourself, you know with

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<v Speaker 1>and compared to, you know, with an athlete and what

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<v Speaker 1>they kind of have to have to do. Um, yeah,

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<v Speaker 1>for sure. I mean I think that the like the

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<v Speaker 1>base level of just like body awareness that I kind

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<v Speaker 1>of got from starting dancing at like five years old,

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<v Speaker 1>I think that over time, when I did decide I

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<v Speaker 1>wanted to start acting, just like like little stunt Choira

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<v Speaker 1>feel like there's a fight scene, I felt like I

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<v Speaker 1>could pick up that because it's just choreography at the

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<v Speaker 1>end of the day, it's not an actual fight. So

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<v Speaker 1>I felt like I could pick that up a lot

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<v Speaker 1>faster because it felt like a dance So I felt

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<v Speaker 1>like having that, you know, having that training uh beforehand,

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<v Speaker 1>just in like also character development to like just and

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<v Speaker 1>how your character walks and how you're um uh yeah,

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<v Speaker 1>I think all of that, I have to think because

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<v Speaker 1>of the early training that I had just in like

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<v Speaker 1>you know, crack Field dance studios and all over Colorado.

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<v Speaker 1>I mean there's a lot of similarities too real quick

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<v Speaker 1>by the way, Sorry, no, I think it's really cool

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<v Speaker 1>because you know, I was telling Jared this last night

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<v Speaker 1>that a lot of a lot of athletes, you know,

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<v Speaker 1>at a certain point their training became taking dance classes,

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<v Speaker 1>and especially on football and tennis, even because the footwork

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<v Speaker 1>and the amount of dexterity it takes your working different

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<v Speaker 1>muscles and just the awareness on the court or how

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<v Speaker 1>it helps you on the football field. That was a big,

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<v Speaker 1>big part of why a lot of a lot of

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<v Speaker 1>teams you know, have dance incorporate in some capacity. Um

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<v Speaker 1>and especially like some of the greatest running accident ever

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<v Speaker 1>played in the NFL, A lot of them trained as

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<v Speaker 1>dancers as well. Yeah, exactly, So I think it's it's

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<v Speaker 1>really really cool, and I think you brought up a

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<v Speaker 1>good point that you know, there's certain things that you

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<v Speaker 1>learn doing that, especially with discipline and how your body works,

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<v Speaker 1>and you know, movements and things that can translate very

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<v Speaker 1>well to film. So I think that's really cool. What

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<v Speaker 1>about the weights of it all, Like where did you

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<v Speaker 1>did you have to lift a lot of weights like

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<v Speaker 1>to be a dancer or did you feel like you did,

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<v Speaker 1>because obviously athletes usually feel like we have to lift weights.

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<v Speaker 1>You know, there's definitely there's there's no um. It's more

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<v Speaker 1>about flexibility and those type of things, right, Yeah, and

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<v Speaker 1>you gain you gain different muscles from I mean the

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<v Speaker 1>muscles you gain from ballet, Like it's all body strength

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<v Speaker 1>that lifting your arms and having just like complete control,

0:11:45.440 --> 0:11:48.559
<v Speaker 1>like just small movements like that. Really, but nothing is

0:11:48.679 --> 0:11:51.160
<v Speaker 1>sort of like you know, you never see any dancers

0:11:51.200 --> 0:11:54.240
<v Speaker 1>trying to like get gains, but not trying to like

0:11:54.280 --> 0:11:56.760
<v Speaker 1>yoke up for the next dance competition. Right. Well, what's

0:11:56.800 --> 0:12:00.320
<v Speaker 1>what's interesting, Dave, is actually nowadays I'll bet you it's

0:12:00.440 --> 0:12:02.880
<v Speaker 1>less it's it's less about weights and more about like

0:12:02.920 --> 0:12:05.360
<v Speaker 1>what Kien is saying about centering and balancing, like you know,

0:12:05.400 --> 0:12:07.920
<v Speaker 1>because of the eurostep in basketball and like just all

0:12:07.960 --> 0:12:10.319
<v Speaker 1>these guys that want to have more of a center balance,

0:12:10.360 --> 0:12:13.160
<v Speaker 1>you know, James Harden, like all these guys, Um, they're

0:12:13.160 --> 0:12:15.440
<v Speaker 1>probably all doing a lot more yoga, a lot more. Yeah,

0:12:15.480 --> 0:12:18.800
<v Speaker 1>it's pretty it is pretty interesting. Well, it's a more

0:12:18.880 --> 0:12:21.080
<v Speaker 1>modern way of doing things. And obviously, like I said,

0:12:21.120 --> 0:12:24.560
<v Speaker 1>like you know, the dance being and implemented with athletes

0:12:24.640 --> 0:12:27.640
<v Speaker 1>goes back you know, probably twenty thirty years. But now

0:12:27.720 --> 0:12:31.680
<v Speaker 1>yoga and and breathing and centering yourself because breathing is

0:12:31.679 --> 0:12:33.520
<v Speaker 1>a big part of dance too, right, Being able to

0:12:33.559 --> 0:12:36.000
<v Speaker 1>do the movements and be able to control your breath

0:12:36.040 --> 0:12:38.240
<v Speaker 1>and have your breath not get away from you. It

0:12:38.280 --> 0:12:40.880
<v Speaker 1>takes a lot of endurance. Yeah, And I think the

0:12:40.880 --> 0:12:43.400
<v Speaker 1>other parallel is like there's also also takes a lot

0:12:43.400 --> 0:12:45.880
<v Speaker 1>of endurance to be your partner in this ship. Well,

0:12:46.040 --> 0:12:48.080
<v Speaker 1>at least I have endurance. And like you, we can

0:12:48.080 --> 0:12:54.320
<v Speaker 1>call a few girls about that. Took a little by

0:12:54.320 --> 0:12:59.760
<v Speaker 1>it and you just got devour. That's usually how it goes.

0:13:00.000 --> 0:13:08.440
<v Speaker 1>Feel sorry for cutting right now, um are saying what

0:13:08.480 --> 0:13:14.319
<v Speaker 1>were we saying? Don't go anywhere, Hey, Pam will be

0:13:14.400 --> 0:13:24.079
<v Speaker 1>right back after a word for our sponsors. Yeah, there,

0:13:24.120 --> 0:13:28.079
<v Speaker 1>I think there's a there's like a there's only a

0:13:28.120 --> 0:13:29.960
<v Speaker 1>certain amount of years that you can, you know, be

0:13:30.000 --> 0:13:31.599
<v Speaker 1>an athlete, and there's a certain amount of years that

0:13:31.640 --> 0:13:34.840
<v Speaker 1>you can be a dancer too, And then I feel

0:13:34.880 --> 0:13:38.000
<v Speaker 1>like as an athlete, you either after that you either

0:13:38.040 --> 0:13:42.360
<v Speaker 1>start reporting right on ESPN or whatever like or then

0:13:42.520 --> 0:13:45.439
<v Speaker 1>or you become part of the team in some capacity

0:13:45.480 --> 0:13:47.960
<v Speaker 1>as a coach. And as a dancer you get to

0:13:48.000 --> 0:13:50.839
<v Speaker 1>that level where you're getting older and um, you're kind

0:13:50.840 --> 0:13:54.760
<v Speaker 1>of done also just learning other people's chography and taking

0:13:54.760 --> 0:13:58.000
<v Speaker 1>other people's art and you know, flushing that out for them.

0:13:58.440 --> 0:14:02.480
<v Speaker 1>So you you know, you see a lot of dancers

0:14:02.520 --> 0:14:05.000
<v Speaker 1>who want to stay in the industry, they become choifers

0:14:05.640 --> 0:14:08.040
<v Speaker 1>and then so it's kind of interesting that ever, you know,

0:14:08.200 --> 0:14:10.199
<v Speaker 1>you only have a finite of time where you're at

0:14:10.200 --> 0:14:13.679
<v Speaker 1>like your peak of dancing ability. Yeah, for sure. Well,

0:14:13.720 --> 0:14:15.319
<v Speaker 1>and that's one of the things that I think is

0:14:15.320 --> 0:14:17.920
<v Speaker 1>so incredible too, when you talk about like big performers,

0:14:17.960 --> 0:14:22.080
<v Speaker 1>like obviously one of the greatest of all time, Michael Jackson,

0:14:22.520 --> 0:14:25.360
<v Speaker 1>you know, for him to be able to sing and

0:14:25.520 --> 0:14:28.640
<v Speaker 1>dance and perform at the same time. You know, obviously

0:14:28.720 --> 0:14:31.120
<v Speaker 1>Chris Brown is as a modern version of that usher,

0:14:31.640 --> 0:14:35.160
<v Speaker 1>But the amount of the shape that those guys have

0:14:35.240 --> 0:14:37.920
<v Speaker 1>to be in to do that is pretty much the

0:14:37.960 --> 0:14:40.680
<v Speaker 1>same as the shape that a world class athlete has

0:14:40.720 --> 0:14:42.600
<v Speaker 1>to be in to be at the peak of their sports.

0:14:42.760 --> 0:14:44.800
<v Speaker 1>Is also the shape that me and you will never

0:14:44.840 --> 0:14:53.440
<v Speaker 1>be in because we're sponsored by Tripos. All right, So, UM,

0:14:53.560 --> 0:14:57.240
<v Speaker 1>I'm gonna go to this one. Um, the what do

0:14:57.280 --> 0:15:00.440
<v Speaker 1>you think makes a bigger impact or bigger friends? If

0:15:00.440 --> 0:15:03.680
<v Speaker 1>you're the first pick in a draft or if you

0:15:03.680 --> 0:15:05.560
<v Speaker 1>get picked in the second round. Like, if you're the

0:15:05.600 --> 0:15:08.840
<v Speaker 1>first pick and everyone you know knows, like Trevor Lawrence

0:15:08.920 --> 0:15:12.040
<v Speaker 1>right now, come out of Clemson into the NFL, everyone

0:15:12.080 --> 0:15:14.080
<v Speaker 1>knows that Trouble Lawrence is gonna be the number one pick,

0:15:14.280 --> 0:15:17.800
<v Speaker 1>and there's a certain amount of pressure that comes with that. Um,

0:15:17.840 --> 0:15:20.080
<v Speaker 1>what do you think if you're the number one pick

0:15:20.200 --> 0:15:22.320
<v Speaker 1>or if you're a second round pick that maybe not

0:15:22.360 --> 0:15:24.680
<v Speaker 1>as much as expected of you. What do you think

0:15:24.760 --> 0:15:28.200
<v Speaker 1>is harder to do to kind of prove yourself or

0:15:28.480 --> 0:15:30.720
<v Speaker 1>to kind of live up to the expectation. Yeah, I

0:15:30.720 --> 0:15:32.480
<v Speaker 1>guess you can take it into your own world, can

0:15:32.600 --> 0:15:34.920
<v Speaker 1>you know? Because you've been a lead in movies? Uh,

0:15:34.960 --> 0:15:36.920
<v Speaker 1>the ultimate playlist of Noise. I think you might be

0:15:36.960 --> 0:15:42.320
<v Speaker 1>in like every single frame, right basically, well, but I mean,

0:15:42.480 --> 0:15:44.640
<v Speaker 1>I mean you are, you know, but but you are

0:15:44.680 --> 0:15:46.080
<v Speaker 1>the leader of the movie, and then you have other

0:15:46.120 --> 0:15:48.800
<v Speaker 1>things where you're like a supporting right, So it's like

0:15:48.840 --> 0:15:50.760
<v Speaker 1>it's like, what is that different perspective is it? Is

0:15:50.760 --> 0:15:54.880
<v Speaker 1>it harder? Is it harder to be the lead? You know,

0:15:55.360 --> 0:15:57.000
<v Speaker 1>like Dave was just talking about, you are the first

0:15:57.280 --> 0:15:59.080
<v Speaker 1>pick in the draft, you know, and you know you

0:15:59.080 --> 0:16:01.760
<v Speaker 1>have to work that much harder to stay the lead

0:16:02.120 --> 0:16:04.600
<v Speaker 1>or is it harder to you know? Or what is

0:16:04.640 --> 0:16:06.680
<v Speaker 1>the difference in and when you're like more of a

0:16:06.720 --> 0:16:09.360
<v Speaker 1>supporting and you're like, gosh, I gotta prove something and

0:16:09.400 --> 0:16:11.040
<v Speaker 1>do my job. So the next time I am the

0:16:11.080 --> 0:16:16.080
<v Speaker 1>first round drop pick um. Yeah, I mean I don't

0:16:16.640 --> 0:16:18.120
<v Speaker 1>I feel like I don't know. I feel like there's

0:16:18.160 --> 0:16:21.480
<v Speaker 1>sometimes like you know, you have you have these great

0:16:21.640 --> 0:16:25.240
<v Speaker 1>like supporting characters, and like I mean, revolution revolutionary Road.

0:16:25.240 --> 0:16:26.920
<v Speaker 1>I always think of like Michael Shannon. He's only in

0:16:26.960 --> 0:16:28.920
<v Speaker 1>the movie for like five seconds, but he's the only

0:16:28.960 --> 0:16:31.640
<v Speaker 1>scene I remember in the whole movie. So for for

0:16:31.680 --> 0:16:34.040
<v Speaker 1>me personally, you don't remember Leonardo Dicavri on that movie.

0:16:34.800 --> 0:16:39.120
<v Speaker 1>I'll continue, um No, but I thought that, like still,

0:16:39.200 --> 0:16:41.080
<v Speaker 1>I think that that's just such a powerful it's just

0:16:41.400 --> 0:16:43.960
<v Speaker 1>such a powerful moment um and he's only in it

0:16:44.000 --> 0:16:46.200
<v Speaker 1>for such a short amount of time, so I don't

0:16:46.280 --> 0:16:48.280
<v Speaker 1>really think. I don't know if it equates, because obviously

0:16:48.360 --> 0:16:55.320
<v Speaker 1>you have um in and in like in like football

0:16:55.480 --> 0:16:57.880
<v Speaker 1>or you know, in these sports, I feel like you

0:16:57.920 --> 0:17:00.120
<v Speaker 1>have these these people who kind of like take the

0:17:00.120 --> 0:17:02.680
<v Speaker 1>way of the team when they do something extraordinary, and

0:17:03.720 --> 0:17:06.560
<v Speaker 1>I yeah, I mean I guess that you can kind

0:17:06.560 --> 0:17:10.240
<v Speaker 1>of equate that too, like you know, these small characters

0:17:10.280 --> 0:17:12.280
<v Speaker 1>in the film, because I feel like sometimes they can

0:17:12.320 --> 0:17:15.080
<v Speaker 1>carry it and you think about them, well, you talk

0:17:15.119 --> 0:17:18.359
<v Speaker 1>about people that like steal scenes. I mean, where you

0:17:18.359 --> 0:17:20.560
<v Speaker 1>have those certain actors that they just they do a

0:17:20.560 --> 0:17:22.879
<v Speaker 1>scene in a movie and they just steal it, you know,

0:17:22.960 --> 0:17:25.159
<v Speaker 1>and they have that moment that everybody talks about and

0:17:25.200 --> 0:17:28.080
<v Speaker 1>everybody brings up um And I think that's, you know,

0:17:28.840 --> 0:17:33.000
<v Speaker 1>something that's really really cool. So sorry, don't worry about it. Cancel.

0:17:34.359 --> 0:17:37.159
<v Speaker 1>We gotta for those that are listening, he's dropped a

0:17:37.200 --> 0:17:40.480
<v Speaker 1>lot of sport on the ground. Well, Kean, what about

0:17:40.520 --> 0:17:42.600
<v Speaker 1>what about for you. Just just take for you the

0:17:42.640 --> 0:17:46.280
<v Speaker 1>example of a lead as opposed to a supporting you

0:17:46.320 --> 0:17:51.240
<v Speaker 1>know which one which for you? Which one for you

0:17:51.280 --> 0:17:53.400
<v Speaker 1>makes you want to work harder? You know what I mean?

0:17:53.760 --> 0:17:57.080
<v Speaker 1>If you're you were just in an ensemble and cutthroat city, right,

0:17:57.200 --> 0:17:59.800
<v Speaker 1>does it does it? Uh? You know, we do kind

0:17:59.800 --> 0:18:01.720
<v Speaker 1>of on the sports terms on this on the show.

0:18:01.760 --> 0:18:05.240
<v Speaker 1>But does it does it make you uh leave that

0:18:05.240 --> 0:18:08.680
<v Speaker 1>that movie set? And even if you had a great time, go, man,

0:18:08.880 --> 0:18:11.159
<v Speaker 1>I just I want to go be a lead, you know?

0:18:11.280 --> 0:18:12.920
<v Speaker 1>Or does it make you go I had a great

0:18:12.920 --> 0:18:15.120
<v Speaker 1>time not having as many lines as I'm used to

0:18:15.359 --> 0:18:17.120
<v Speaker 1>and not having the camera on me as many times

0:18:17.080 --> 0:18:19.119
<v Speaker 1>as I'm used to, And I'm okay with that, you know,

0:18:19.200 --> 0:18:20.840
<v Speaker 1>I know it's different for actors. But what does it

0:18:20.880 --> 0:18:24.119
<v Speaker 1>make you feel like? I don't know if it's I

0:18:24.119 --> 0:18:27.040
<v Speaker 1>don't know, if I'm as competitive, I don't I don't

0:18:27.040 --> 0:18:29.639
<v Speaker 1>know if that like that the competitiveness with sports of

0:18:29.720 --> 0:18:31.359
<v Speaker 1>being like I want to be the best, the best.

0:18:31.359 --> 0:18:33.320
<v Speaker 1>I don't know if that comes with acting because it's

0:18:33.520 --> 0:18:36.640
<v Speaker 1>it says a subjective. It's so subjective. So I think

0:18:36.680 --> 0:18:43.640
<v Speaker 1>that parton I think that everyone, Um, I think that

0:18:43.800 --> 0:18:48.000
<v Speaker 1>I think that if uh, you know, some throughout my career,

0:18:48.119 --> 0:18:50.480
<v Speaker 1>some people might think I'm the best actor they've ever seen,

0:18:50.840 --> 0:18:53.800
<v Speaker 1>and some people might think that I'm absolute trash. But

0:18:54.200 --> 0:18:56.440
<v Speaker 1>in sports, you can't say that certain people are absolute

0:18:56.480 --> 0:19:00.880
<v Speaker 1>trash when they've obviously like there's yeah, there's statistics, there's

0:19:00.880 --> 0:19:03.200
<v Speaker 1>no real so so you're not you're not as competitive.

0:19:03.240 --> 0:19:05.320
<v Speaker 1>So when you when you do a supporting role, you

0:19:05.359 --> 0:19:07.240
<v Speaker 1>don't leave the set going, man, the next one's got

0:19:07.240 --> 0:19:09.600
<v Speaker 1>to be a lead. It's just what did you do

0:19:09.640 --> 0:19:11.600
<v Speaker 1>with that supporting role? It's what it wasn't a Heath

0:19:11.680 --> 0:19:15.080
<v Speaker 1>Ledger supporting in the Dark Night? But isn't that his movie?

0:19:15.119 --> 0:19:17.120
<v Speaker 1>You know what I mean? Like that, Like, I don't

0:19:17.119 --> 0:19:21.480
<v Speaker 1>think it answers for sure, Yeah that is. I mean, that's,

0:19:21.520 --> 0:19:24.359
<v Speaker 1>by the way, one of my favorite performances probably, I

0:19:24.400 --> 0:19:26.440
<v Speaker 1>mean a lot of people. You still need to get

0:19:26.440 --> 0:19:29.480
<v Speaker 1>that poster out of my ship. You don't know what

0:19:29.520 --> 0:19:35.200
<v Speaker 1>you're talking about, bodyguard. He's talking back to me. Can

0:19:35.240 --> 0:19:36.680
<v Speaker 1>we can we get rid of the guest Key and

0:19:36.720 --> 0:19:41.040
<v Speaker 1>John Kyle store a few movie posters about seventeen bags

0:19:41.040 --> 0:19:43.159
<v Speaker 1>in your house just for a couple of months, just

0:19:43.160 --> 0:19:44.720
<v Speaker 1>for a couple of months. And by the way, I

0:19:44.720 --> 0:19:47.760
<v Speaker 1>will say that that totally backfired on me. And the

0:19:47.800 --> 0:19:50.000
<v Speaker 1>reason backfired is because it's been there, key And how

0:19:50.040 --> 0:19:52.440
<v Speaker 1>long was it there for like two years? The bag

0:19:52.480 --> 0:19:54.760
<v Speaker 1>with all photos in it, So it was in there

0:19:54.760 --> 0:19:56.639
<v Speaker 1>for two years, right, So Keen's doing this great favorite.

0:19:56.640 --> 0:20:00.000
<v Speaker 1>So the other like right before Christmas, I'm like begging him,

0:20:00.119 --> 0:20:01.879
<v Speaker 1>can I just come over and get that bag and

0:20:01.920 --> 0:20:05.000
<v Speaker 1>like look through it. He's on his knees and so

0:20:05.080 --> 0:20:06.960
<v Speaker 1>I go over there, I get the bag and I'm like,

0:20:07.040 --> 0:20:10.160
<v Speaker 1>it's literally my bag with all my pictures from like

0:20:10.840 --> 0:20:14.520
<v Speaker 1>forever and they are just obviously because I'm a dummy,

0:20:14.560 --> 0:20:17.000
<v Speaker 1>I kept them in a in a shed, right, they're

0:20:17.000 --> 0:20:20.240
<v Speaker 1>all like destroyed of course, son, everything Like my first

0:20:20.520 --> 0:20:22.480
<v Speaker 1>my first girlfriend, you just kept him in a you

0:20:22.560 --> 0:20:25.119
<v Speaker 1>just kept him in like a sports bag. Yeah, I know.

0:20:25.200 --> 0:20:28.040
<v Speaker 1>That's why I'm telling a story. It's on the shed.

0:20:28.400 --> 0:20:31.359
<v Speaker 1>It's like, first of all, you justice because it's hot

0:20:31.400 --> 0:20:33.320
<v Speaker 1>and like, right, but if you but if you just

0:20:33.359 --> 0:20:35.600
<v Speaker 1>throw a bunch of or in a box. Even no

0:20:35.600 --> 0:20:37.520
<v Speaker 1>one told me that guy, maybe you just throw a

0:20:37.560 --> 0:20:41.879
<v Speaker 1>bunch of photos in a sports bag. I mean, look,

0:20:41.600 --> 0:20:43.840
<v Speaker 1>that is that is true Okay, well, look this leak,

0:20:43.960 --> 0:20:46.160
<v Speaker 1>this leads us to this leads us to our next thing.

0:20:46.200 --> 0:20:47.720
<v Speaker 1>And I think, I think I know what you're gonna say,

0:20:47.760 --> 0:20:50.040
<v Speaker 1>but we want to I think David, I c I

0:20:50.160 --> 0:20:51.480
<v Speaker 1>for this that we want to argue about it. But

0:20:51.960 --> 0:20:53.800
<v Speaker 1>it's it's a two part thing. You know, a lot

0:20:53.840 --> 0:20:55.960
<v Speaker 1>of people in acting they talk about the process and

0:20:56.000 --> 0:20:58.919
<v Speaker 1>the result, and they're they're very happy, you know with

0:20:58.960 --> 0:21:01.879
<v Speaker 1>the process. Just getting movie made is like an accomplishment,

0:21:02.080 --> 0:21:04.639
<v Speaker 1>you know, And as Kyle will attest to and and

0:21:04.760 --> 0:21:07.600
<v Speaker 1>anybody who who knows me, I hate that, you know,

0:21:07.760 --> 0:21:11.000
<v Speaker 1>I'm like, no, all that matters is the result. Was

0:21:11.040 --> 0:21:13.760
<v Speaker 1>the movie good? Was the movie not? Did the movie

0:21:13.840 --> 0:21:16.880
<v Speaker 1>make traction? Did the movie not? Right? Obviously we made

0:21:16.880 --> 0:21:20.240
<v Speaker 1>cut Throat City together. Cut Throat City just went number one.

0:21:20.520 --> 0:21:22.280
<v Speaker 1>I mean that's awesome. Like that means you know, the

0:21:22.320 --> 0:21:24.199
<v Speaker 1>people have spoken. Those are results. Those are kind of

0:21:24.200 --> 0:21:26.320
<v Speaker 1>like the stats in sports. Right, we can even say,

0:21:26.320 --> 0:21:28.399
<v Speaker 1>like maybe we want a championship with that, you know,

0:21:28.680 --> 0:21:30.600
<v Speaker 1>we summon the darkness. I think went to what did

0:21:30.600 --> 0:21:32.880
<v Speaker 1>it go? Like top seven or top four or five

0:21:33.280 --> 0:21:36.400
<v Speaker 1>on Netflix as well, which also Key and Johnson uh

0:21:36.720 --> 0:21:40.920
<v Speaker 1>loves his character and that starring starring talking about stealing scenes. Yeah,

0:21:40.920 --> 0:21:43.679
<v Speaker 1>Alexandra Dadario, Oh yeah, that's right. You did about that.

0:21:43.720 --> 0:21:45.239
<v Speaker 1>You called me and you said that you're like Key

0:21:45.240 --> 0:21:47.720
<v Speaker 1>and just steals the scenes, and uh, you know, so

0:21:47.760 --> 0:21:50.919
<v Speaker 1>those are results for you? What is it? What is

0:21:50.920 --> 0:21:53.040
<v Speaker 1>it like? Because for me, it's like, I don't care

0:21:53.040 --> 0:21:54.720
<v Speaker 1>about the process. Obviously I'm gonna put in all the

0:21:54.760 --> 0:21:56.840
<v Speaker 1>work I need to in the process, but but I

0:21:56.880 --> 0:21:59.639
<v Speaker 1>care about the result. I don't care about you know,

0:22:00.000 --> 0:22:02.719
<v Speaker 1>how hard we practice, going back to basketball terms, how

0:22:02.720 --> 0:22:04.560
<v Speaker 1>hard we played in the games. We didn't win the game.

0:22:04.880 --> 0:22:06.639
<v Speaker 1>You don't win the game. So what are what are

0:22:06.640 --> 0:22:12.480
<v Speaker 1>your thoughts? Um? I mean, personally, I hate it because

0:22:12.560 --> 0:22:17.120
<v Speaker 1>I don't like because yeah, once again I'm at I'm

0:22:17.119 --> 0:22:19.040
<v Speaker 1>not at a level in my career, Like I'm at

0:22:19.040 --> 0:22:20.919
<v Speaker 1>the level of my career where I need these films

0:22:20.920 --> 0:22:24.720
<v Speaker 1>to do really well so I can keep working. Um,

0:22:24.800 --> 0:22:26.840
<v Speaker 1>So which part do you hate? Though you're saying You're

0:22:26.840 --> 0:22:29.320
<v Speaker 1>saying I hate it that that it had like that

0:22:29.400 --> 0:22:32.200
<v Speaker 1>it is kind of about whether it's number one or

0:22:32.280 --> 0:22:35.080
<v Speaker 1>whether results. Yeah it is, you know, because because that

0:22:35.119 --> 0:22:38.240
<v Speaker 1>means okay, then this person, we're gonna give this person

0:22:38.280 --> 0:22:41.480
<v Speaker 1>another chance to make a movie. And for the longest,

0:22:41.520 --> 0:22:43.119
<v Speaker 1>I mean up until like three years ago, no one

0:22:43.119 --> 0:22:45.200
<v Speaker 1>hadn't even given me a chance to make one movie.

0:22:45.880 --> 0:22:48.080
<v Speaker 1>So and then you met a producer who gave you

0:22:48.119 --> 0:22:50.520
<v Speaker 1>a lot of chances. Right, Well, I lived in a

0:22:50.520 --> 0:22:52.800
<v Speaker 1>producer's house and I did a lot of things for

0:22:52.880 --> 0:23:06.320
<v Speaker 1>rent money. Well, you're saying in Hollywood, don't go anywhere, Hey,

0:23:06.320 --> 0:23:08.760
<v Speaker 1>Pam will be right back after a word from our sponsors.

0:23:16.640 --> 0:23:19.760
<v Speaker 1>Uh no. I yeah. So I think that I like,

0:23:19.920 --> 0:23:22.040
<v Speaker 1>I like the process whatever, because it's like if I

0:23:22.080 --> 0:23:23.760
<v Speaker 1>have I'm going to learn something on this, but like,

0:23:23.800 --> 0:23:26.320
<v Speaker 1>hopefully I'm gonna do this for you know, the rest

0:23:26.359 --> 0:23:28.320
<v Speaker 1>of my life. I'll be like, you know, what's his name,

0:23:28.480 --> 0:23:33.200
<v Speaker 1>Christopher Palmer is Christopher Palmmer won his first oscar eighty

0:23:33.280 --> 0:23:35.359
<v Speaker 1>something years old. Like that's amazing. He's been working his

0:23:35.480 --> 0:23:38.720
<v Speaker 1>entire life and so unlike an athlete, like there's longevity

0:23:38.720 --> 0:23:40.320
<v Speaker 1>to this and if you enjoy it, you can do

0:23:40.359 --> 0:23:45.680
<v Speaker 1>it literally forever. Um. So, so is the process more important? Though?

0:23:45.680 --> 0:23:49.000
<v Speaker 1>I learned? I learned something on every on every process,

0:23:49.040 --> 0:23:51.040
<v Speaker 1>like I and I like being on set a lot,

0:23:51.080 --> 0:23:54.960
<v Speaker 1>and I like, you know, seeing how shots are ultimately made,

0:23:55.000 --> 0:23:57.040
<v Speaker 1>and then I remember that and then I see it

0:23:57.240 --> 0:23:59.160
<v Speaker 1>how it's cut together, and I'm like, Okay, I see

0:23:59.240 --> 0:24:02.760
<v Speaker 1>like what they needed, what what they took, and then

0:24:02.760 --> 0:24:05.960
<v Speaker 1>what they ultimately needed in the end. I think also,

0:24:07.520 --> 0:24:10.040
<v Speaker 1>he's a true artist. And and even if you know,

0:24:10.080 --> 0:24:12.960
<v Speaker 1>if you guys look at his instagram, like the photographer

0:24:12.960 --> 0:24:14.560
<v Speaker 1>that he does, the pictures that he takes and all

0:24:14.560 --> 0:24:17.520
<v Speaker 1>that stuff, he's like, he's a true artist. So his

0:24:17.600 --> 0:24:19.600
<v Speaker 1>perspective is gonna be a little bit different than your

0:24:19.640 --> 0:24:23.000
<v Speaker 1>regular you know. That's why, hey, pal show we don't

0:24:23.000 --> 0:24:25.880
<v Speaker 1>have any wrong answers, right, it's his opinion, your opinion.

0:24:25.920 --> 0:24:28.320
<v Speaker 1>It's it's I just know that. Like, look, I've made

0:24:28.359 --> 0:24:33.400
<v Speaker 1>movies with you, Kian, Uh, Kyle and I both actually

0:24:33.840 --> 0:24:36.600
<v Speaker 1>and we've you know, we've made movies with with other people.

0:24:36.640 --> 0:24:38.960
<v Speaker 1>And for me, uh and maybe it is just my

0:24:39.000 --> 0:24:40.879
<v Speaker 1>competitive spirit and Dave, I would love for you to

0:24:40.880 --> 0:24:42.720
<v Speaker 1>speak on this for a second, but for me, I

0:24:43.000 --> 0:24:46.000
<v Speaker 1>don't care. Look, I remember me and you being on cutthroat, right,

0:24:46.080 --> 0:24:49.120
<v Speaker 1>I will give everybody an example because it's just it's

0:24:49.200 --> 0:24:51.160
<v Speaker 1>it's current right now, with it with it being out

0:24:51.200 --> 0:24:53.320
<v Speaker 1>and doing really well. Me and you went down there.

0:24:53.760 --> 0:24:56.520
<v Speaker 1>You got this incredible role right where you're like have

0:24:56.640 --> 0:24:58.800
<v Speaker 1>to braid your hair and and man, you were so

0:24:58.880 --> 0:25:01.480
<v Speaker 1>in character where you got down there. And I remember

0:25:01.480 --> 0:25:03.479
<v Speaker 1>going to your hotel room for the first time and

0:25:03.520 --> 0:25:06.359
<v Speaker 1>it was like it was like blackout, right, you covered

0:25:06.400 --> 0:25:09.240
<v Speaker 1>all the mirrors. You did like all you're smiling right

0:25:09.240 --> 0:25:10.760
<v Speaker 1>now because you probably were like, Jared, why are you

0:25:10.760 --> 0:25:13.399
<v Speaker 1>telling you? Everyone is? But you know, look, hey, we

0:25:13.400 --> 0:25:16.600
<v Speaker 1>we give people and a first inside look with Keyan

0:25:16.640 --> 0:25:19.080
<v Speaker 1>Johnson here on the hay Pal podcast show. Okay, they

0:25:19.119 --> 0:25:21.000
<v Speaker 1>get to know things that you won't tell other people.

0:25:21.080 --> 0:25:23.600
<v Speaker 1>But so you covered your you covered your you know,

0:25:23.640 --> 0:25:26.399
<v Speaker 1>your mirror and you you know, it was blackout and

0:25:26.440 --> 0:25:28.000
<v Speaker 1>all this stuff. And I remember walking in the room

0:25:28.040 --> 0:25:31.360
<v Speaker 1>and going, what the hell are you doing? I was like,

0:25:31.440 --> 0:25:33.280
<v Speaker 1>what is going on? And you looked at me and

0:25:33.320 --> 0:25:36.119
<v Speaker 1>you said, you know, look, I'm taking this very seriously.

0:25:36.680 --> 0:25:39.320
<v Speaker 1>If I see myself in the mirror, I might see

0:25:39.400 --> 0:25:41.879
<v Speaker 1>Keyan Johnson and I don't. And you didn't talk to

0:25:41.920 --> 0:25:43.800
<v Speaker 1>the third person, but you know what I'm saying. But

0:25:43.840 --> 0:25:46.320
<v Speaker 1>you're like, I might I wanted to. Yeah, You're like,

0:25:46.359 --> 0:25:48.200
<v Speaker 1>I might see myself and I don't. Want to see myself.

0:25:48.280 --> 0:25:51.200
<v Speaker 1>I want to be you know, my my character right now,

0:25:51.240 --> 0:25:53.000
<v Speaker 1>and I don't want to come out of that. And

0:25:53.040 --> 0:25:54.880
<v Speaker 1>it was very method of you, and I love that, right,

0:25:55.320 --> 0:25:57.880
<v Speaker 1>But if the movie the reason I tell the people

0:25:57.920 --> 0:25:59.879
<v Speaker 1>that is you took it very seriously, you know, I

0:26:00.080 --> 0:26:02.360
<v Speaker 1>took it very seriously. But if the movie is not

0:26:02.440 --> 0:26:04.160
<v Speaker 1>good at the end of the day and it comes

0:26:04.200 --> 0:26:08.159
<v Speaker 1>out and doesn't perform right, then I don't care that

0:26:08.240 --> 0:26:10.760
<v Speaker 1>you did that. And and it's not that I don't

0:26:10.760 --> 0:26:12.520
<v Speaker 1>care in a way of like you know, I don't

0:26:12.520 --> 0:26:15.120
<v Speaker 1>care about you. I don't care about I don't think

0:26:15.119 --> 0:26:16.879
<v Speaker 1>that I did my job. Then I don't think that

0:26:16.960 --> 0:26:18.200
<v Speaker 1>you did your I think I could have done a

0:26:18.240 --> 0:26:20.120
<v Speaker 1>better job with you. I think there's just so many

0:26:20.119 --> 0:26:21.479
<v Speaker 1>other things that I can do. And I don't want

0:26:21.480 --> 0:26:25.480
<v Speaker 1>the audience to be confused because because the movie business

0:26:25.600 --> 0:26:28.119
<v Speaker 1>is different, you know, like you you can think it's

0:26:28.160 --> 0:26:29.919
<v Speaker 1>good and I can think it's bad. But if it

0:26:30.000 --> 0:26:32.280
<v Speaker 1>comes out to the masses and they think it's bad,

0:26:32.320 --> 0:26:34.200
<v Speaker 1>then they win. And if they think it's good, then

0:26:34.560 --> 0:26:36.959
<v Speaker 1>then yeah. But at the same time, like I've never

0:26:37.000 --> 0:26:39.520
<v Speaker 1>been to New Orleans before, I'd never know I didn't

0:26:39.520 --> 0:26:42.520
<v Speaker 1>know what second line was, Like, I like basically got

0:26:42.600 --> 0:26:46.080
<v Speaker 1>paid to like see a completely different culture to live

0:26:46.160 --> 0:26:48.639
<v Speaker 1>in the ninth ward understand what that was like, Like

0:26:48.720 --> 0:26:50.720
<v Speaker 1>I don't give a ship if the movie like did

0:26:51.000 --> 0:26:54.520
<v Speaker 1>nothing because I I mean, I guess you're the producer

0:26:54.560 --> 0:26:57.520
<v Speaker 1>and you paid me to do that. So no, this

0:26:57.600 --> 0:27:00.240
<v Speaker 1>is like perspective people, It's like from from me. It's

0:27:00.280 --> 0:27:02.399
<v Speaker 1>like people see my performance, they'll like what I did

0:27:02.440 --> 0:27:03.800
<v Speaker 1>in the movie, or they won't. But at the end

0:27:03.800 --> 0:27:06.119
<v Speaker 1>of the day, it's like, yeah, I had like one

0:27:06.160 --> 0:27:10.359
<v Speaker 1>of the most amazing experiences working with like uh rizk

0:27:10.400 --> 0:27:14.159
<v Speaker 1>who I basically started dancing to his music when I

0:27:14.200 --> 0:27:18.439
<v Speaker 1>was five six years old. Uh, I'm sure my uh

0:27:18.520 --> 0:27:21.360
<v Speaker 1>you know, my parent mom got a pretty literally liberal um.

0:27:21.440 --> 0:27:23.679
<v Speaker 1>But you know, it was just like it was like

0:27:23.720 --> 0:27:27.280
<v Speaker 1>a pretty amazing dream. Good of the process, like everything

0:27:27.280 --> 0:27:30.040
<v Speaker 1>of like being in that um, being in that city

0:27:30.080 --> 0:27:33.840
<v Speaker 1>and learning about so many different Like that's that's the problem.

0:27:33.920 --> 0:27:36.360
<v Speaker 1>Like if that's if you're talking about the process, not

0:27:36.560 --> 0:27:38.720
<v Speaker 1>like where you get to go and like you know,

0:27:38.760 --> 0:27:40.440
<v Speaker 1>we get to like go to like the coolest places

0:27:40.520 --> 0:27:44.679
<v Speaker 1>and be on like weird sets and like I was

0:27:44.680 --> 0:27:47.080
<v Speaker 1>in a I was in a weird strip club with

0:27:47.359 --> 0:27:52.120
<v Speaker 1>like fake strippers were extras like doing it like it's

0:27:52.119 --> 0:27:54.800
<v Speaker 1>just like you you're in a wacky world that you

0:27:54.840 --> 0:27:57.600
<v Speaker 1>don't like. It's just it's it's it's weird, like it's

0:27:57.720 --> 0:28:00.520
<v Speaker 1>it's you know, and we're it's I think that the

0:28:00.520 --> 0:28:03.640
<v Speaker 1>process is is like, you know, who cares if anything else?

0:28:03.960 --> 0:28:05.280
<v Speaker 1>But at the end of the day, it's money. And

0:28:05.320 --> 0:28:08.760
<v Speaker 1>I know that maybe from a producer's perspective, you think

0:28:08.800 --> 0:28:11.920
<v Speaker 1>that you've done a good job if it hits that level,

0:28:12.000 --> 0:28:15.200
<v Speaker 1>because that you're you're from that money. You're well half

0:28:15.200 --> 0:28:17.800
<v Speaker 1>creative but half money side of like that, you're also

0:28:17.840 --> 0:28:19.480
<v Speaker 1>thinking of that. I come in not thinking of that

0:28:19.560 --> 0:28:21.240
<v Speaker 1>at all. Well, I also know that, look, we just

0:28:21.280 --> 0:28:23.720
<v Speaker 1>had a number one together and that's really really cool

0:28:23.880 --> 0:28:29.600
<v Speaker 1>and a baby. I don't care. Wait a minute, I

0:28:29.600 --> 0:28:31.840
<v Speaker 1>don't care if it's number one, but I do care

0:28:31.880 --> 0:28:34.399
<v Speaker 1>if like the masses out there or like this is

0:28:34.440 --> 0:28:36.480
<v Speaker 1>a bad movie or a good movie. Yeah, but at

0:28:36.480 --> 0:28:37.679
<v Speaker 1>the end of the day, don't you want to be

0:28:37.680 --> 0:28:39.640
<v Speaker 1>proud of your work? And if you feel that you

0:28:39.720 --> 0:28:41.680
<v Speaker 1>left it out all out on the field and you

0:28:41.720 --> 0:28:43.880
<v Speaker 1>did the best that you could, aren't you proud of

0:28:43.960 --> 0:28:46.920
<v Speaker 1>that whether you like it or he likes it, or

0:28:46.960 --> 0:28:48.960
<v Speaker 1>he likes it or she likes it, because I feel

0:28:48.960 --> 0:28:50.920
<v Speaker 1>like me and you've talked to him about this before,

0:28:50.920 --> 0:28:53.600
<v Speaker 1>and you you care about the result, which is what

0:28:53.680 --> 0:28:56.120
<v Speaker 1>I care about. Well, I care about the result. But

0:28:56.160 --> 0:28:58.360
<v Speaker 1>there's a lot to be said for the process and

0:28:58.440 --> 0:29:00.600
<v Speaker 1>having that experience, and like what can and said for

0:29:00.680 --> 0:29:04.080
<v Speaker 1>like to be able to Resa, for example, he's a

0:29:04.080 --> 0:29:06.720
<v Speaker 1>friend of a pal of ours, you know, that directed

0:29:06.720 --> 0:29:09.520
<v Speaker 1>the film. To have that experience of having that person

0:29:09.560 --> 0:29:12.240
<v Speaker 1>that most people think of as a musical artist first,

0:29:12.560 --> 0:29:14.720
<v Speaker 1>they don't think of him as a director first, to

0:29:14.800 --> 0:29:18.640
<v Speaker 1>be able to have that experience, like that's so freaking cool,

0:29:19.040 --> 0:29:20.600
<v Speaker 1>you know what I mean? And and just to learn

0:29:20.680 --> 0:29:23.040
<v Speaker 1>from that. So even if for him if the movie

0:29:23.120 --> 0:29:25.840
<v Speaker 1>didn't do anything, you know, just to have that that

0:29:25.960 --> 0:29:29.000
<v Speaker 1>moment in time that experiences is awesome. And I've been

0:29:29.000 --> 0:29:32.160
<v Speaker 1>on sets of movies that we knew were gonna be

0:29:32.240 --> 0:29:38.800
<v Speaker 1>huge successes. What were you doing? I've been on sets

0:29:39.080 --> 0:29:43.440
<v Speaker 1>and um, you know, I've been on sets where you know,

0:29:43.800 --> 0:29:46.640
<v Speaker 1>we didn't know if if a project was gonna do

0:29:46.720 --> 0:29:49.520
<v Speaker 1>well or not, and it did. And again, it's it's

0:29:49.560 --> 0:29:51.920
<v Speaker 1>all about being in the moment. And I think his

0:29:52.000 --> 0:29:54.520
<v Speaker 1>answer it's a lot different Rikian because he's such, like

0:29:54.560 --> 0:29:56.840
<v Speaker 1>I said, he's such an artist. He looks at things differently,

0:29:57.280 --> 0:29:59.760
<v Speaker 1>so for him, it's a learning process. So like he said,

0:29:59.760 --> 0:30:02.640
<v Speaker 1>whether or it succeeded or not wasn't really as important

0:30:02.640 --> 0:30:04.959
<v Speaker 1>to him as having the experience. I mean, I'm sure

0:30:05.000 --> 0:30:07.400
<v Speaker 1>if I was a studio executive, like I'd be like,

0:30:07.600 --> 0:30:10.360
<v Speaker 1>it's not it's all about the it's all about the money.

0:30:10.400 --> 0:30:12.880
<v Speaker 1>It's all about the results. And I feel like that's

0:30:12.920 --> 0:30:16.840
<v Speaker 1>why it looks it's weird business be it's like half

0:30:16.960 --> 0:30:19.200
<v Speaker 1>art half fight. Yeah, And it's strange because that's you

0:30:19.240 --> 0:30:21.959
<v Speaker 1>hear about these like these low budget projects that end

0:30:22.040 --> 0:30:25.840
<v Speaker 1>up blowing up, Like when Blair, Witch and Blair which

0:30:25.920 --> 0:30:30.080
<v Speaker 1>came out. It turned the industry upside down because it

0:30:30.160 --> 0:30:32.560
<v Speaker 1>cost X amount of dollars to make. It was like

0:30:32.960 --> 0:30:38.680
<v Speaker 1>how much was it? And it did like millions? Yeah,

0:30:38.720 --> 0:30:41.840
<v Speaker 1>I mean, it just completely flipped, you know, and those

0:30:41.840 --> 0:30:43.760
<v Speaker 1>filmmakers they were just doing it for the love of

0:30:43.800 --> 0:30:46.160
<v Speaker 1>the process. In the film. They didn't There's no way

0:30:46.200 --> 0:30:47.600
<v Speaker 1>on earth they could have thought I was gonna do

0:30:47.760 --> 0:30:50.280
<v Speaker 1>a billion dollars, you know, I'm not Look, I'm not

0:30:50.280 --> 0:30:52.080
<v Speaker 1>trying to belittle the process, like I think you still

0:30:52.160 --> 0:30:55.680
<v Speaker 1>have to enjoy. But I just think, you know, I

0:30:55.720 --> 0:30:58.040
<v Speaker 1>think and and I feel like me and you are

0:30:58.320 --> 0:31:00.160
<v Speaker 1>cut from the same cloth here, like when we come

0:31:00.200 --> 0:31:03.240
<v Speaker 1>from the sports you know background, Dave, is that uh

0:31:03.280 --> 0:31:05.560
<v Speaker 1>you know, I'll enjoy the process. But if I if

0:31:05.600 --> 0:31:07.280
<v Speaker 1>I lost, I still lost, and I care a lot

0:31:07.320 --> 0:31:10.360
<v Speaker 1>about I care more about that than enjoying the process. Um,

0:31:10.440 --> 0:31:14.240
<v Speaker 1>for me, it's about results, yeah, I mean on the field,

0:31:14.240 --> 0:31:16.000
<v Speaker 1>it's it's I feel I feel like you've gotten soft

0:31:16.040 --> 0:31:19.680
<v Speaker 1>on me here, like I did. I think inspired me

0:31:19.720 --> 0:31:22.360
<v Speaker 1>a little bit in a little We've got a movie

0:31:22.400 --> 0:31:24.520
<v Speaker 1>star in our a pell studio and you've already gone

0:31:24.560 --> 0:31:26.280
<v Speaker 1>soft to me, and he's he's wearing off and you

0:31:26.520 --> 0:31:28.160
<v Speaker 1>I think he inspired me a little bit, just to

0:31:28.200 --> 0:31:31.960
<v Speaker 1>look at it a little bit different. But again, I

0:31:32.600 --> 0:31:34.600
<v Speaker 1>hope you just keep eating your chipoli so we're gonna

0:31:34.600 --> 0:31:39.680
<v Speaker 1>have to hear from you again. Um, would be a

0:31:39.720 --> 0:31:44.000
<v Speaker 1>pleasant surprise for everybody. But um, you know again obviously

0:31:44.040 --> 0:31:46.680
<v Speaker 1>on the on the playing field, like you want to win, okay,

0:31:46.680 --> 0:31:49.840
<v Speaker 1>like as a fan, all right, I do not want

0:31:50.440 --> 0:31:53.479
<v Speaker 1>my seventies sixers to make it the NBA Finals and lose.

0:31:54.240 --> 0:31:56.400
<v Speaker 1>I want them to win. That's the result that I want.

0:31:56.920 --> 0:31:58.959
<v Speaker 1>And to be honest, I don't think I wanted to

0:31:59.000 --> 0:32:00.920
<v Speaker 1>make the finals if they don't. Ken, I'm just gonna

0:32:00.920 --> 0:32:02.600
<v Speaker 1>be honest with you for a second. I'm I'm gonna

0:32:02.600 --> 0:32:08.680
<v Speaker 1>expose everyone. I'm chewing. Dave's trying to act like he

0:32:08.720 --> 0:32:11.840
<v Speaker 1>doesn't care. This comes from a guy. When the Philadelphia

0:32:11.880 --> 0:32:15.200
<v Speaker 1>Eagles made to the Super Bowl and after they won, Okay,

0:32:15.480 --> 0:32:21.040
<v Speaker 1>he was easy crying. He was crying the guys. This

0:32:21.120 --> 0:32:23.200
<v Speaker 1>is a true story. Tell everyone who you wrap the

0:32:23.200 --> 0:32:27.000
<v Speaker 1>Super Bowl with Julius Irving, dor Dr Kevin Hart, Yes, yes,

0:32:27.080 --> 0:32:31.000
<v Speaker 1>who else? Jamie Fox? Jamie Fox? And he is in

0:32:31.040 --> 0:32:33.640
<v Speaker 1>the middle in a row with these guys and they

0:32:33.640 --> 0:32:36.040
<v Speaker 1>win the Super Bowl and he he couldn't even move.

0:32:36.200 --> 0:32:39.800
<v Speaker 1>He's sitting there going, oh my god. He just starts crying.

0:32:40.360 --> 0:32:42.280
<v Speaker 1>And there's video, by the way, guys online if you

0:32:42.320 --> 0:32:46.080
<v Speaker 1>go to Dave boss cost there is Instagram, there is Okay,

0:32:46.160 --> 0:32:48.880
<v Speaker 1>Kyle's gonna put this least to but do do we

0:32:49.000 --> 0:32:51.160
<v Speaker 1>also talk about the reason that I was so emotional.

0:32:51.360 --> 0:32:52.800
<v Speaker 1>I don't want to talk about that right now. Okay,

0:32:52.840 --> 0:32:57.320
<v Speaker 1>because you're gonna feel bad, right it makes me, well,

0:32:57.360 --> 0:33:00.520
<v Speaker 1>obviously makes me sad, no context, at the of the day,

0:33:00.600 --> 0:33:02.320
<v Speaker 1>At the end of the day, I do actually love

0:33:02.320 --> 0:33:04.560
<v Speaker 1>you and care about you, even though I try to

0:33:04.600 --> 0:33:07.120
<v Speaker 1>act like but yes, it is. It is sad. You

0:33:07.160 --> 0:33:08.960
<v Speaker 1>can tell that, you know. It's not sad. It was

0:33:09.000 --> 0:33:10.800
<v Speaker 1>just it was it was beautiful. I was I was

0:33:10.840 --> 0:33:12.640
<v Speaker 1>crying out of joy because my team want but the

0:33:12.680 --> 0:33:16.520
<v Speaker 1>beauty of my father passed away and Philly sports was

0:33:16.600 --> 0:33:19.400
<v Speaker 1>like our thing. So having that moment to see our

0:33:19.480 --> 0:33:22.480
<v Speaker 1>team win was like, I was overwhelmed. It was. It

0:33:22.560 --> 0:33:25.240
<v Speaker 1>was awesome that that family connection. And that's one of

0:33:25.280 --> 0:33:29.320
<v Speaker 1>the differences between I think sports and and and film

0:33:29.560 --> 0:33:32.640
<v Speaker 1>is you know, in that moment, there's there's that connection

0:33:32.720 --> 0:33:35.120
<v Speaker 1>of oh my god, our our our team did this.

0:33:35.360 --> 0:33:37.440
<v Speaker 1>And you might have that in movies when you know,

0:33:37.480 --> 0:33:40.000
<v Speaker 1>you win the Oscar or something like that, when you

0:33:40.040 --> 0:33:43.040
<v Speaker 1>have that award. But again, our our genius guests put

0:33:43.040 --> 0:33:46.080
<v Speaker 1>in perspective because it's all subjectives about it's all subjective.

0:33:47.320 --> 0:33:49.880
<v Speaker 1>It's it's you know, some people, like he said, some

0:33:49.920 --> 0:33:52.240
<v Speaker 1>people might love his performance and something and one thing,

0:33:52.280 --> 0:33:54.680
<v Speaker 1>and they might think it sucks in another thing. So

0:33:54.800 --> 0:33:59.320
<v Speaker 1>it's yeah, we have to believe. We have to believe

0:33:59.360 --> 0:34:01.960
<v Speaker 1>that one out Kyle, just because um Kean never cusses

0:34:02.000 --> 0:34:04.400
<v Speaker 1>and we want to keep the good boy image. I don't.

0:34:05.560 --> 0:34:09.319
<v Speaker 1>So he's changing, Yeah, exactly, he's changing, right. You see,

0:34:09.400 --> 0:34:14.040
<v Speaker 1>you inspired him inspired, you inspired him, he started cussing.

0:34:14.239 --> 0:34:16.840
<v Speaker 1>So the last part of that question is, Dave and

0:34:16.840 --> 0:34:19.239
<v Speaker 1>I love Tom Brady. We respect him so much. And

0:34:19.360 --> 0:34:22.399
<v Speaker 1>Tom Brady obviously was a famous quote, but he was

0:34:22.680 --> 0:34:24.719
<v Speaker 1>He was just quoted in saying this a couple of

0:34:24.760 --> 0:34:28.000
<v Speaker 1>times that they're there. He was saying do or don't

0:34:28.200 --> 0:34:30.799
<v Speaker 1>there is no trying. So obviously with that quote, you're

0:34:30.800 --> 0:34:34.760
<v Speaker 1>going to say there is trying, right or well, yeah,

0:34:34.960 --> 0:34:36.160
<v Speaker 1>well that's what I'm saying. I said it was a

0:34:36.160 --> 0:34:38.440
<v Speaker 1>famous quote. No, no, that's what I'm saying. I'm just

0:34:38.440 --> 0:34:41.200
<v Speaker 1>saying he's not no, no no, no, no, no, I said

0:34:41.239 --> 0:34:46.640
<v Speaker 1>it was. Yeah, I think we're in trouble here. They

0:34:46.640 --> 0:34:53.120
<v Speaker 1>have all podcast because our producing he gave up no

0:34:53.360 --> 0:34:58.760
<v Speaker 1>like so so it's cute. So there he is trying

0:34:58.800 --> 0:35:02.319
<v Speaker 1>for you, right, Kim. Oh yeah, he's obviously speaking from

0:35:02.360 --> 0:35:06.560
<v Speaker 1>like a sports perspective, right, not as a jedi guess

0:35:09.200 --> 0:35:15.799
<v Speaker 1>has a little green guy. Alright, we're onto the next thing.

0:35:17.360 --> 0:35:19.520
<v Speaker 1>Don't go anywhere, hay Pam will be right back after

0:35:19.520 --> 0:35:30.000
<v Speaker 1>a word from our sponsor. UM. In the NBA, when

0:35:30.040 --> 0:35:32.359
<v Speaker 1>you make the All Star Game or even in the

0:35:32.480 --> 0:35:35.760
<v Speaker 1>NFL or whatever all star games where you've been selected,

0:35:35.800 --> 0:35:37.920
<v Speaker 1>you're one of the best in your sport. I performed

0:35:37.960 --> 0:35:40.440
<v Speaker 1>at the All Star Game? Did you? Did you really?

0:35:40.520 --> 0:35:42.719
<v Speaker 1>In Denver? Yeah? For the little we were called the

0:35:42.760 --> 0:35:47.880
<v Speaker 1>little Busts. I shuk yumming and Shock's hand and everything.

0:35:47.960 --> 0:35:49.880
<v Speaker 1>That's awesome. Wait, can we get my mother used to be?

0:35:50.960 --> 0:35:55.280
<v Speaker 1>I mean this is on camera like a little it's exactly.

0:35:55.520 --> 0:35:58.279
<v Speaker 1>It's like I don't need to Yeah, so we're good

0:35:58.280 --> 0:36:02.800
<v Speaker 1>at UM. So when an athlete makes it to the

0:36:02.840 --> 0:36:05.080
<v Speaker 1>altar game, I feel like there's a moment where they

0:36:05.080 --> 0:36:07.640
<v Speaker 1>take it all in. They take a deep breath and

0:36:07.640 --> 0:36:09.880
<v Speaker 1>they look around them because it's all of the best,

0:36:09.920 --> 0:36:12.840
<v Speaker 1>you know, a peers in their sport, and they have

0:36:12.920 --> 0:36:14.959
<v Speaker 1>this moment where like maybe they don't say it out loud,

0:36:15.480 --> 0:36:18.120
<v Speaker 1>they've made it right, like they've made it like, Wow,

0:36:18.200 --> 0:36:21.760
<v Speaker 1>this is cool. Being in a movie with Terrence Howard,

0:36:21.920 --> 0:36:26.040
<v Speaker 1>t I Ethan Hawk Wesley Snipes. I mean that's so cool.

0:36:26.400 --> 0:36:29.720
<v Speaker 1>Like we said, Issa Gonzalez, um to meet your ship Junior,

0:36:29.760 --> 0:36:33.440
<v Speaker 1>all like Cat Graham, there was Shamik Moore. You know,

0:36:33.920 --> 0:36:37.040
<v Speaker 1>there were so many people, all stars we should say.

0:36:37.120 --> 0:36:39.040
<v Speaker 1>You know that was a big one, right And so

0:36:39.200 --> 0:36:40.719
<v Speaker 1>was there ever a moment where you were on that

0:36:40.760 --> 0:36:43.040
<v Speaker 1>set in New Orleans and you look around, you know,

0:36:43.160 --> 0:36:45.759
<v Speaker 1>and it's like just five years ago you were, you were,

0:36:45.840 --> 0:36:47.680
<v Speaker 1>you know, just making the move out to l A

0:36:47.880 --> 0:36:49.280
<v Speaker 1>and all that, and like now, all of a sudden,

0:36:49.320 --> 0:36:50.600
<v Speaker 1>do you have one of those moments where you're like

0:36:50.640 --> 0:36:53.960
<v Speaker 1>I've made it or what what what sinks in for you? Yeah?

0:36:54.000 --> 0:36:56.919
<v Speaker 1>I mean there, I mean probably I'm not. I don't

0:36:56.920 --> 0:36:59.600
<v Speaker 1>get like starstruck. But there's there's this like a mens

0:36:59.680 --> 0:37:02.000
<v Speaker 1>respect act of like when I would when I the

0:37:02.040 --> 0:37:04.640
<v Speaker 1>first time I saw Rizzo, the first time I saw

0:37:05.320 --> 0:37:08.400
<v Speaker 1>Wesley or Terrence. It's just kind of this like immense

0:37:08.480 --> 0:37:12.360
<v Speaker 1>respect of like they don't know like that they had

0:37:12.400 --> 0:37:15.960
<v Speaker 1>an impact on you and whether whether and they and

0:37:16.040 --> 0:37:17.799
<v Speaker 1>I'm not going to tell them that. And I never

0:37:17.840 --> 0:37:20.359
<v Speaker 1>told risk of that except for when I made him

0:37:20.360 --> 0:37:24.719
<v Speaker 1>sign my thirty six Chambers Vinyl. I was like the

0:37:24.760 --> 0:37:26.600
<v Speaker 1>weirdest fan. I came up to my director and I

0:37:26.680 --> 0:37:29.560
<v Speaker 1>was like, can you sign my vinyl? Who are you?

0:37:32.040 --> 0:37:34.280
<v Speaker 1>Just started? I was like I had corn rows? Remember

0:37:35.680 --> 0:37:39.719
<v Speaker 1>I have regularly? U No, so uh yeah. There's like

0:37:39.880 --> 0:37:44.120
<v Speaker 1>just so many moments like that where yeah, I felt

0:37:44.160 --> 0:37:46.400
<v Speaker 1>just like so blessed to be amongst these people. And

0:37:46.480 --> 0:37:48.640
<v Speaker 1>like then when they say action and then I get

0:37:48.680 --> 0:37:50.880
<v Speaker 1>to like look at them and like we're like in character.

0:37:50.880 --> 0:37:52.279
<v Speaker 1>It's like kind of this like fun thing where like

0:37:52.360 --> 0:37:57.040
<v Speaker 1>in character together like putting this facade facade whatever that means.

0:37:57.040 --> 0:37:58.480
<v Speaker 1>I don't I don't want to use the word facade,

0:37:58.520 --> 0:38:02.440
<v Speaker 1>but we're like probably pretend with these people that I

0:38:02.560 --> 0:38:04.879
<v Speaker 1>watched as a kid on the screen. I think it's

0:38:04.920 --> 0:38:07.640
<v Speaker 1>just like pretty powerful. Yeah, it is cool to be

0:38:07.680 --> 0:38:09.799
<v Speaker 1>a fan. I mean Dave, Dave gets a chance to

0:38:09.800 --> 0:38:12.600
<v Speaker 1>be around a lot of actors of note and and

0:38:12.960 --> 0:38:15.040
<v Speaker 1>I have to, and it is cool to be able to.

0:38:15.280 --> 0:38:16.680
<v Speaker 1>I think it's you have to have that balance. I

0:38:16.680 --> 0:38:18.560
<v Speaker 1>think we talked about this with Mark Cuban, you know,

0:38:18.680 --> 0:38:20.680
<v Speaker 1>because where we were saying, like the reason that Mark

0:38:20.719 --> 0:38:22.680
<v Speaker 1>Cuban is like the most beloved ownor and people just

0:38:22.719 --> 0:38:25.399
<v Speaker 1>wanted is because he is a fan too, Like he

0:38:25.520 --> 0:38:28.240
<v Speaker 1>loves his Mavericks, you know, so he has to do business,

0:38:28.320 --> 0:38:30.600
<v Speaker 1>and but he also you know, loves them. And so

0:38:30.640 --> 0:38:32.640
<v Speaker 1>I think it's cool when an actor like you gets

0:38:32.680 --> 0:38:34.520
<v Speaker 1>to go on set and like you know, like you

0:38:34.600 --> 0:38:37.279
<v Speaker 1>just said, when they say action, it's business right, But

0:38:37.360 --> 0:38:39.560
<v Speaker 1>when they don't, it's like you take a deep breath

0:38:39.600 --> 0:38:42.960
<v Speaker 1>and and you get to go like wow, like you know,

0:38:43.080 --> 0:38:45.960
<v Speaker 1>but it's also cool. And I think he experiences to

0:38:46.160 --> 0:38:49.680
<v Speaker 1>where you realize that these people are just human just

0:38:49.719 --> 0:38:51.359
<v Speaker 1>like you are, you know what I mean, And there's

0:38:51.400 --> 0:38:54.839
<v Speaker 1>really no difference, you know, except for the certain things

0:38:54.840 --> 0:38:57.000
<v Speaker 1>that they've accomplished. But yeah, well the only yeah, the

0:38:57.000 --> 0:38:59.759
<v Speaker 1>only thing say is that it that. Yeah, it's just

0:38:59.800 --> 0:39:02.719
<v Speaker 1>like when you when you can see, you know what

0:39:02.760 --> 0:39:05.320
<v Speaker 1>car they drive up in? Now an important they are, no,

0:39:06.400 --> 0:39:10.600
<v Speaker 1>they like just because they have such experience and such knowledge,

0:39:10.600 --> 0:39:12.959
<v Speaker 1>they just like throw out little stories here and there.

0:39:13.080 --> 0:39:16.600
<v Speaker 1>Like I remember when I was doing my like first

0:39:16.840 --> 0:39:19.399
<v Speaker 1>big film, which was Alida in Austin, there was one

0:39:19.480 --> 0:39:22.040
<v Speaker 1>night where it was like seven hours or eight hours

0:39:22.080 --> 0:39:24.240
<v Speaker 1>of shooting where we were really just capturing one shot.

0:39:24.320 --> 0:39:26.279
<v Speaker 1>It was this really important shot and it was me

0:39:26.719 --> 0:39:30.560
<v Speaker 1>Christoph Waltz and Jennifer Connelly like by a heater and

0:39:30.560 --> 0:39:33.640
<v Speaker 1>we're just like freezing, freezing our asses off by this heater.

0:39:34.600 --> 0:39:38.080
<v Speaker 1>And they were just talking about like there like their

0:39:38.160 --> 0:39:40.799
<v Speaker 1>start in acting. They were kind of like talking to

0:39:40.840 --> 0:39:42.319
<v Speaker 1>me a little bit about it. And then we're talking,

0:39:42.320 --> 0:39:44.400
<v Speaker 1>you know, Jennifer was talking about her first set with

0:39:44.480 --> 0:39:49.440
<v Speaker 1>David Bowie. Uh. Kristof was talking about, um, you know

0:39:49.600 --> 0:39:51.719
<v Speaker 1>when when he started like in Germany and when he

0:39:51.760 --> 0:39:54.520
<v Speaker 1>came to New York and worked with Lee Strassburg, and

0:39:54.560 --> 0:39:59.840
<v Speaker 1>I trained Strasbourg the method. Uh um, when of my

0:40:00.000 --> 0:40:02.759
<v Speaker 1>where am I thinking? Method? Um? When you were when

0:40:02.760 --> 0:40:05.200
<v Speaker 1>you were studying what is it? You know? What is

0:40:05.239 --> 0:40:07.720
<v Speaker 1>it called technique? Like I said, I studied the method

0:40:08.040 --> 0:40:12.520
<v Speaker 1>technique And and Christof is talking about stories of working

0:40:12.560 --> 0:40:15.759
<v Speaker 1>with the guy who created his technique. So so these

0:40:15.760 --> 0:40:17.600
<v Speaker 1>these little things where he's talking about it like it's

0:40:17.640 --> 0:40:21.399
<v Speaker 1>just like past stories, and I'm taking it in as

0:40:21.480 --> 0:40:24.719
<v Speaker 1>like knowledge that I am like a forever And course

0:40:24.719 --> 0:40:26.799
<v Speaker 1>I'm playing it cool and just acting like it's like

0:40:26.800 --> 0:40:29.360
<v Speaker 1>he's saying nothing. But there's these things that all these people,

0:40:29.440 --> 0:40:31.560
<v Speaker 1>because of their experience, they'll throw these little things out

0:40:31.600 --> 0:40:34.560
<v Speaker 1>especially Rizza, like countless times where he would say things

0:40:34.600 --> 0:40:37.040
<v Speaker 1>that we're just so powerful and you kind of keep forever.

0:40:37.360 --> 0:40:39.799
<v Speaker 1>Now he's he's incredible when we talked to him, like

0:40:40.080 --> 0:40:42.760
<v Speaker 1>there's things come out of his mouth and you're like, wow, yeah,

0:40:42.800 --> 0:40:44.920
<v Speaker 1>you know he's That was a cool That was a

0:40:44.960 --> 0:40:48.600
<v Speaker 1>really cool episode before we get to the playoffs. You know,

0:40:48.640 --> 0:40:52.000
<v Speaker 1>there's a lot of super teams now in the NBA. UM.

0:40:52.040 --> 0:40:53.960
<v Speaker 1>You know, people the stars teaming up with the other

0:40:54.000 --> 0:40:56.640
<v Speaker 1>stars to try to win a championship. If you got

0:40:56.680 --> 0:41:00.879
<v Speaker 1>to create your own super team, right, and you could

0:41:01.239 --> 0:41:03.840
<v Speaker 1>team up with one actor and one actress, you know,

0:41:03.920 --> 0:41:05.919
<v Speaker 1>maybe it's an older actor who gets to play your dad,

0:41:05.920 --> 0:41:08.799
<v Speaker 1>and maybe the actresses opposite you, Like who would be

0:41:08.840 --> 0:41:14.840
<v Speaker 1>your super team in a movie? Um, I'm just like anyone.

0:41:14.920 --> 0:41:17.799
<v Speaker 1>But you're saying, like a certain specific age whatever, whatever,

0:41:17.880 --> 0:41:19.440
<v Speaker 1>you get to create it. You get to create the

0:41:19.440 --> 0:41:21.359
<v Speaker 1>super team just like these guys are doing. You know,

0:41:21.719 --> 0:41:24.360
<v Speaker 1>I mean, whatever you would want, what would be what

0:41:24.360 --> 0:41:28.120
<v Speaker 1>would that look like for you? I mean the first

0:41:28.160 --> 0:41:31.640
<v Speaker 1>name that definitely comes might be like Anthony Hopkins, like

0:41:31.680 --> 0:41:35.160
<v Speaker 1>a legend, So and what kind of a role would

0:41:35.200 --> 0:41:37.439
<v Speaker 1>you see him in opposite you. I know that puts

0:41:37.480 --> 0:41:42.240
<v Speaker 1>you on the spot. But I mean any anything, just anything, Yeah, yeah, Anthony,

0:41:42.280 --> 0:41:48.440
<v Speaker 1>I would be playing the tree. Um, so who else

0:41:48.440 --> 0:41:54.719
<v Speaker 1>would you pack in that movie? I mean it's like

0:41:54.719 --> 0:41:57.200
<v Speaker 1>like Meryl Street, like you just go. I feel like

0:41:57.239 --> 0:41:59.040
<v Speaker 1>when you, like, if I had like the choice to

0:41:59.120 --> 0:42:01.960
<v Speaker 1>just yeah, you're shrugging, you you get to create yourself

0:42:02.160 --> 0:42:04.120
<v Speaker 1>because yeah, but then but then, but then I'm thinking

0:42:04.120 --> 0:42:05.880
<v Speaker 1>that it would look like one of those like Valentine's

0:42:05.920 --> 0:42:07.680
<v Speaker 1>Day movies where it's like all the stars and you're

0:42:07.680 --> 0:42:09.520
<v Speaker 1>like too many. So it's like you just choose one.

0:42:11.000 --> 0:42:13.000
<v Speaker 1>It's about It's not it's about are we trying to

0:42:13.000 --> 0:42:17.360
<v Speaker 1>get a number one movie here? I'm done with the

0:42:17.440 --> 0:42:20.440
<v Speaker 1>number one movies. I get it. It's all about the process. No.

0:42:20.640 --> 0:42:30.200
<v Speaker 1>I mean yeah, Tom Hardy, Um, Christian Bale, oh yeah um.

0:42:30.239 --> 0:42:33.440
<v Speaker 1>But those are a coupletis. You have to you have

0:42:33.520 --> 0:42:35.600
<v Speaker 1>to build an actual super team for a movie here.

0:42:36.200 --> 0:42:38.680
<v Speaker 1>So who are you gonna Because that was a good point.

0:42:38.800 --> 0:42:39.920
<v Speaker 1>He even said, I don't want to make like a

0:42:39.960 --> 0:42:41.799
<v Speaker 1>Valentine's Day because me and you've talked about this day.

0:42:42.400 --> 0:42:44.279
<v Speaker 1>You go too hard and then there's not there's not

0:42:44.440 --> 0:42:47.560
<v Speaker 1>enough to go around. Yeah, so so build it for us.

0:42:47.560 --> 0:42:49.680
<v Speaker 1>It's you starring opposite Anthony Hopkins. Do you want to

0:42:49.680 --> 0:42:51.880
<v Speaker 1>fill the rest of out with just talented unknowns or

0:42:51.920 --> 0:42:54.120
<v Speaker 1>do you want to plug one more brilliant actor in

0:42:54.160 --> 0:42:55.640
<v Speaker 1>there that you're gonna get to play opposite of? And

0:42:55.640 --> 0:43:00.520
<v Speaker 1>who is it? I'm just like I have like maryl

0:43:00.560 --> 0:43:04.600
<v Speaker 1>and Anthony be my parents. Okay, that is a good one.

0:43:05.280 --> 0:43:07.080
<v Speaker 1>It's a great one. That's a pretty great dream team.

0:43:07.880 --> 0:43:11.120
<v Speaker 1>Can we make that happen to It's possible. Anthony is

0:43:11.200 --> 0:43:14.120
<v Speaker 1>one of I mean he's awesome. I mean, he's incredible.

0:43:14.239 --> 0:43:17.480
<v Speaker 1>He's awesome in no. She she's amazing too. I mean

0:43:17.600 --> 0:43:20.520
<v Speaker 1>every like, literally every part she's ever played, she's just

0:43:20.560 --> 0:43:23.960
<v Speaker 1>like it's not acting. I mean, it's just such a strange.

0:43:24.000 --> 0:43:28.640
<v Speaker 1>They're on such a different level. The u is it

0:43:28.680 --> 0:43:31.000
<v Speaker 1>was it Sarkin's recent film that was on the boat

0:43:31.680 --> 0:43:33.880
<v Speaker 1>The Queen Elizabeth. Yeah, have you seen that on SPO

0:43:34.400 --> 0:43:36.840
<v Speaker 1>I mean just that it's just so it's such a

0:43:36.960 --> 0:43:42.120
<v Speaker 1>simple film, but she is absolutely captivating in every It's

0:43:42.200 --> 0:43:44.399
<v Speaker 1>every single moment that she's on the script. And it's

0:43:44.400 --> 0:43:46.640
<v Speaker 1>not like one or two moments where you're like, wow,

0:43:46.680 --> 0:43:49.360
<v Speaker 1>that was really interesting. It's every choice that she makes

0:43:49.440 --> 0:43:52.000
<v Speaker 1>that and that's maybe it's like she's done it for soul.

0:43:52.040 --> 0:43:53.520
<v Speaker 1>I mean when you're like, when you've not when even

0:43:53.560 --> 0:43:55.680
<v Speaker 1>nominated for like fourteen oscars, I'm way maybe it's not

0:43:55.719 --> 0:43:58.440
<v Speaker 1>even a choice anymore. Well, no, it's something that pilot.

0:43:58.520 --> 0:44:00.160
<v Speaker 1>I've talked to actors that have been on set, like

0:44:00.200 --> 0:44:02.960
<v Speaker 1>Samuel L. Jackson or Morgan Freeman or somebody like that,

0:44:03.280 --> 0:44:05.440
<v Speaker 1>and they just said, when it's time for their scenes,

0:44:05.960 --> 0:44:09.360
<v Speaker 1>it's just a different level. It's like there's a different

0:44:09.480 --> 0:44:12.919
<v Speaker 1>energy in the on set, there's a different mood. And

0:44:13.160 --> 0:44:18.000
<v Speaker 1>they said organically, it just raises their game without even

0:44:18.040 --> 0:44:19.880
<v Speaker 1>wanting to, Like they don't make a conscious choice to

0:44:19.960 --> 0:44:22.600
<v Speaker 1>raise their game. It's just by being in those people's presence.

0:44:23.760 --> 0:44:26.279
<v Speaker 1>They sometimes they at the same time they get to

0:44:26.280 --> 0:44:30.440
<v Speaker 1>read the best words written of that year. You know

0:44:30.520 --> 0:44:34.239
<v Speaker 1>that goes with it too, Like sometimes you see like

0:44:34.560 --> 0:44:36.880
<v Speaker 1>films with really good actors and the writing is just

0:44:37.000 --> 0:44:40.400
<v Speaker 1>not quite there and it's a little awkward. Um, but

0:44:40.440 --> 0:44:42.160
<v Speaker 1>I don't know, I feel Mary could still kill it

0:44:43.480 --> 0:44:47.080
<v Speaker 1>that she definitely can. Don't go anywhere. Hey, Pam will

0:44:47.080 --> 0:44:57.120
<v Speaker 1>be right back after a word from our sponsors. Well,

0:44:57.320 --> 0:44:59.360
<v Speaker 1>my friend Mr Key and Johnson, you have made it

0:44:59.400 --> 0:45:02.279
<v Speaker 1>to the end of the hay Pal podcast show, so

0:45:02.400 --> 0:45:05.080
<v Speaker 1>we have that means what has he made it to Dave, Well,

0:45:05.080 --> 0:45:09.160
<v Speaker 1>he's made it to the playoffs. Playoffs, hey pal? Play

0:45:09.200 --> 0:45:15.839
<v Speaker 1>playoff so Keian Cutthroat City. We won't give too much away,

0:45:15.840 --> 0:45:18.120
<v Speaker 1>but it's basically, you know, a disaster happens and then

0:45:18.120 --> 0:45:20.279
<v Speaker 1>it's about these four boys that you know, so these

0:45:20.320 --> 0:45:23.000
<v Speaker 1>teams that are on a mission. Um, So what we

0:45:23.080 --> 0:45:26.000
<v Speaker 1>decided to do for your playoffs where we took eight

0:45:26.080 --> 0:45:29.120
<v Speaker 1>films that are sort of like that about teens on

0:45:29.120 --> 0:45:32.719
<v Speaker 1>a mission. We always we always exclude the guests, uh,

0:45:32.760 --> 0:45:34.440
<v Speaker 1>you know work, so we will not have any of

0:45:34.480 --> 0:45:37.240
<v Speaker 1>your work in there. And we let you pick who's

0:45:37.239 --> 0:45:39.759
<v Speaker 1>gonna advance. We let you pick because I would choose

0:45:39.800 --> 0:45:42.880
<v Speaker 1>my work. Yeah, we let you pick he's gonna make

0:45:42.880 --> 0:45:45.040
<v Speaker 1>it to the finals, and we let you pick who

0:45:45.239 --> 0:45:49.360
<v Speaker 1>is going to be crown champion. So Mr Dave taken away. Alright,

0:45:49.400 --> 0:45:53.480
<v Speaker 1>So playoffs seating, hey pal. The number one seed for

0:45:53.520 --> 0:45:56.720
<v Speaker 1>this bracket is on a Mission Teams on a Mission

0:45:57.760 --> 0:46:03.120
<v Speaker 1>Amazing film Number one super Bad versus the number eight seed,

0:46:03.560 --> 0:46:06.440
<v Speaker 1>the Lost boys. That is a good that's a good

0:46:06.480 --> 0:46:11.640
<v Speaker 1>matchup teens on a Michian Johnson who is advancing. Oh,

0:46:11.640 --> 0:46:15.759
<v Speaker 1>it's only one advance. Yes, I mean, Kenneth, I'd say,

0:46:15.960 --> 0:46:18.839
<v Speaker 1>I'd say, I mean, I'd say that they're Yeah, they're

0:46:18.960 --> 0:46:22.319
<v Speaker 1>they're both incredible. But I just know every word of

0:46:23.040 --> 0:46:27.600
<v Speaker 1>super Bad. The number one seed, alright, the number one

0:46:27.640 --> 0:46:30.440
<v Speaker 1>seed holds court, it advances. Okay, so now we've got

0:46:30.480 --> 0:46:32.440
<v Speaker 1>we don't look a little bit. I mean, I just

0:46:32.800 --> 0:46:38.359
<v Speaker 1>I love super Bad. You got this, sister. So now

0:46:38.400 --> 0:46:41.560
<v Speaker 1>we've got the two seed versus the seventh seed, which

0:46:41.640 --> 0:46:47.239
<v Speaker 1>is clueless versus dazed and confused Johnson who is advancing.

0:46:49.800 --> 0:46:58.200
<v Speaker 1>That's it, that's a good one. What were taste confus? Again? Well,

0:46:58.360 --> 0:47:07.200
<v Speaker 1>I guess clueless is advancing and the post and confused

0:47:07.280 --> 0:47:15.239
<v Speaker 1>is the big smiley face. Yea, So should we take

0:47:15.239 --> 0:47:17.239
<v Speaker 1>that back? So then, or we'll cut that out? I

0:47:17.320 --> 0:47:22.399
<v Speaker 1>know it out, but cut it out alright, So we're

0:47:22.480 --> 0:47:27.360
<v Speaker 1>keeping that alright? Wait, so who advanced though clueless or confused?

0:47:27.640 --> 0:47:30.920
<v Speaker 1>I know, yeah, it's just like i'd known that, you know,

0:47:30.920 --> 0:47:33.120
<v Speaker 1>when you just can't think of we listen, we're all human,

0:47:33.280 --> 0:47:36.000
<v Speaker 1>we have a blank every time. That's that's an every summer,

0:47:36.040 --> 0:47:43.400
<v Speaker 1>every now, every shirt has blanks every time. Boy, do

0:47:43.480 --> 0:47:46.480
<v Speaker 1>it to yourself. You can do this, I really do. Alright,

0:47:46.560 --> 0:47:50.040
<v Speaker 1>Onto the next the next seating. Alright, the next seating.

0:47:50.120 --> 0:47:54.080
<v Speaker 1>We have the number three, which I basically modeled my

0:47:54.160 --> 0:47:57.520
<v Speaker 1>life after this movie. H Ferris Bueller's Day Off, you

0:47:57.680 --> 0:48:01.440
<v Speaker 1>take every day versus the numbers six. Back to the

0:48:01.560 --> 0:48:11.480
<v Speaker 1>Future like the franchise, No, like the cologne just the

0:48:11.560 --> 0:48:15.239
<v Speaker 1>first film. Back to the Future versus Paris Bueller's Day Off.

0:48:17.280 --> 0:48:24.880
<v Speaker 1>Teens on a mission. Well, the I feel like I

0:48:24.880 --> 0:48:29.200
<v Speaker 1>feel like Back to the Future is like a team

0:48:29.239 --> 0:48:32.719
<v Speaker 1>and it and is like fucked up, like weird old

0:48:32.760 --> 0:48:34.680
<v Speaker 1>friend on a mission. It's not really teams. And I

0:48:34.680 --> 0:48:39.759
<v Speaker 1>feel like the Paris Buelers. It's definitely too that it's

0:48:39.800 --> 0:48:43.440
<v Speaker 1>just team. That's true teams all. I'm good with that.

0:48:43.719 --> 0:48:45.600
<v Speaker 1>And the last seeding to get to the next round

0:48:45.680 --> 0:48:47.840
<v Speaker 1>is the four verse five seed Mr Key and Johnson.

0:48:47.840 --> 0:48:50.560
<v Speaker 1>The four seed comes in at none other than Greece

0:48:51.360 --> 0:48:53.759
<v Speaker 1>and the five seed comes in at Breakfast Club. Who

0:48:53.800 --> 0:49:02.160
<v Speaker 1>is advancing to the final four. Um, I feel pretty

0:49:02.200 --> 0:49:06.319
<v Speaker 1>like about both of those. Oh, I like that, I

0:49:06.440 --> 0:49:09.960
<v Speaker 1>like that. Do we just eliminate them. We just we

0:49:10.040 --> 0:49:12.000
<v Speaker 1>just eliminate them. For all the others. I mean, I

0:49:12.040 --> 0:49:14.000
<v Speaker 1>feel like, yeah, listen, I don't want to lose any

0:49:14.040 --> 0:49:18.080
<v Speaker 1>fans listeners and the fans and the listeners opinion who

0:49:18.120 --> 0:49:22.200
<v Speaker 1>built this list? Okay, So don't tweet at Pal, tweet

0:49:22.239 --> 0:49:26.000
<v Speaker 1>at Keian Johnson. Don't. Wow, just gonna eliminate. He just

0:49:26.040 --> 0:49:35.120
<v Speaker 1>got rid of them eliminating Breakfast Club. There does Breakfast

0:49:35.120 --> 0:49:36.719
<v Speaker 1>Club doesn't do it for him. It doesn't do it.

0:49:36.880 --> 0:49:39.279
<v Speaker 1>I had to read scenes from a Breakfast Club for

0:49:39.320 --> 0:49:42.960
<v Speaker 1>a movie. Um, and he hated book book And because

0:49:42.960 --> 0:49:45.319
<v Speaker 1>of the director didn't want me to read any of

0:49:45.360 --> 0:49:53.400
<v Speaker 1>the scenes from the film. Wow. What character breakfast character? Um,

0:49:53.440 --> 0:49:56.879
<v Speaker 1>it's a blond kid's name, uh Amelia Estevez. Yeah, it's

0:49:56.920 --> 0:50:00.040
<v Speaker 1>like that long, that long monologue that he has. And

0:50:00.040 --> 0:50:02.320
<v Speaker 1>I'm like, but how do you go in an audition

0:50:03.000 --> 0:50:06.960
<v Speaker 1>with a monologue that's been already very much done before.

0:50:07.600 --> 0:50:11.560
<v Speaker 1>Yeah you've seen. Yeah, I get that very interesting. All right, Well,

0:50:11.600 --> 0:50:13.120
<v Speaker 1>we're eliminating both of them for the first time in

0:50:13.160 --> 0:50:17.239
<v Speaker 1>the hay Pal Okay, Like you know, we've got the Dave,

0:50:17.320 --> 0:50:21.759
<v Speaker 1>We've got the one seed versus the uh seventh seed,

0:50:21.760 --> 0:50:24.040
<v Speaker 1>which is gonna be What a matchup. Wow, it's a

0:50:24.080 --> 0:50:27.080
<v Speaker 1>great matchup. We have match super Bad at number one

0:50:27.600 --> 0:50:30.799
<v Speaker 1>versus Days and Confused at number seven, which Keyan was

0:50:30.880 --> 0:50:35.200
<v Speaker 1>the first time he heard that he was he was?

0:50:35.640 --> 0:50:44.839
<v Speaker 1>He was? He might have been in character at least Stroburg,

0:50:45.760 --> 0:50:50.960
<v Speaker 1>christof Walton all comes froll, certain super Key and Johnson.

0:50:51.000 --> 0:50:55.200
<v Speaker 1>Who is it in terms of in terms of like

0:50:55.280 --> 0:50:58.200
<v Speaker 1>what movies ultimately better? There is no rules here. This

0:50:58.320 --> 0:51:01.160
<v Speaker 1>is just for fun. It's your playoffs. You get too

0:51:01.560 --> 0:51:04.680
<v Speaker 1>stress involved. There's no stress. There's no stress involved. How

0:51:05.360 --> 0:51:10.080
<v Speaker 1>I've already eliminated from one one bracket that we're playing

0:51:10.160 --> 0:51:14.960
<v Speaker 1>each other. That's amazing. I'm gonna seen it go with

0:51:15.440 --> 0:51:19.359
<v Speaker 1>I want to go with U. I'll go with I'll

0:51:19.360 --> 0:51:21.200
<v Speaker 1>go with super Bad because I've seen it so many

0:51:21.239 --> 0:51:24.479
<v Speaker 1>times Superman. Okay, Number one seed keeps its spots. Number

0:51:24.520 --> 0:51:27.600
<v Speaker 1>one one has done, it's home has done, it's it's

0:51:27.680 --> 0:51:30.280
<v Speaker 1>job kept on court. And now we have a forfeit

0:51:30.320 --> 0:51:33.680
<v Speaker 1>in the next round, Dave where Ferris Bueller's day off

0:51:33.719 --> 0:51:36.719
<v Speaker 1>does not even get to play. Russians Club moves on moves.

0:51:38.400 --> 0:51:40.279
<v Speaker 1>I like that. I would have chosen Paris but he's

0:51:40.320 --> 0:51:42.759
<v Speaker 1>got a bye week. He really really, he really does

0:51:42.840 --> 0:51:44.960
<v Speaker 1>have a boy. So you know what do we put

0:51:45.040 --> 0:51:47.160
<v Speaker 1>Do we put key in I'm gonna let Dave decide this.

0:51:47.400 --> 0:51:50.480
<v Speaker 1>Do we put Keyan Johnson in the penalty box? Almost definitely?

0:51:50.560 --> 0:51:52.279
<v Speaker 1>Or do we Okay, so he deserves to be in

0:51:52.280 --> 0:51:58.360
<v Speaker 1>the penet absolutely no idea something that happens in a hockey.

0:51:58.400 --> 0:52:00.880
<v Speaker 1>But we're gonna ask you a series of questions. You

0:52:00.960 --> 0:52:03.600
<v Speaker 1>just answer the first thing that comes to mind, super easy,

0:52:03.640 --> 0:52:10.240
<v Speaker 1>super simple, simple questions. Favorite cartoon of all time? Oh, shoot, movie, cartoon, movie,

0:52:10.800 --> 0:52:14.040
<v Speaker 1>anything you want? Anything you want, any cartoon? Rick and Morty,

0:52:14.239 --> 0:52:17.279
<v Speaker 1>Rick and Morty. Okay, that was a really good one. Yeah,

0:52:17.360 --> 0:52:19.440
<v Speaker 1>that was a good one. It's too It's to be

0:52:19.480 --> 0:52:27.840
<v Speaker 1>honest time. Um, cargo shorts or quart roy pants? Great question, Um,

0:52:28.800 --> 0:52:32.480
<v Speaker 1>really great question. We made keen smile. Does it make

0:52:32.520 --> 0:52:36.560
<v Speaker 1>me seem really poor or dumb that I need to

0:52:36.600 --> 0:52:40.160
<v Speaker 1>know what quarduroys are? It just means you're young. Let's

0:52:40.160 --> 0:52:43.439
<v Speaker 1>ask the bodyguard, bodyguard, can you tell can you tell

0:52:43.440 --> 0:52:50.719
<v Speaker 1>our guests what it is? So that's not the only

0:52:50.800 --> 0:52:57.680
<v Speaker 1>one one. How our bodyguard, who is you guys, doesn't

0:52:57.080 --> 0:53:00.759
<v Speaker 1>know what desc how could you just skuye couarto roy

0:53:00.800 --> 0:53:05.919
<v Speaker 1>pants that textured? Yeah, pants that have like lines John

0:53:05.960 --> 0:53:10.320
<v Speaker 1>Bryan Andrews and well thin lines. I like the lines

0:53:10.840 --> 0:53:15.560
<v Speaker 1>instead of cargoes. The penalty boxes was made to be quick.

0:53:15.600 --> 0:53:17.840
<v Speaker 1>So we're gonna do it. We're gonna do a different question.

0:53:18.680 --> 0:53:20.000
<v Speaker 1>It's fine. They don't know what it is. They'll do

0:53:20.040 --> 0:53:23.359
<v Speaker 1>a different question the next question for Keen just doing

0:53:23.920 --> 0:53:27.320
<v Speaker 1>he just the penalty boxes and just slash the playoffs,

0:53:27.360 --> 0:53:32.080
<v Speaker 1>just got rid of two film Johnson does what he can.

0:53:32.280 --> 0:53:35.240
<v Speaker 1>When you have movie and he's in the hardest state,

0:53:35.440 --> 0:53:37.400
<v Speaker 1>O man, you have the number one movie in the

0:53:37.440 --> 0:53:40.640
<v Speaker 1>United States. You do whatever those shorts or couter right

0:53:40.719 --> 0:53:43.280
<v Speaker 1>pants and he's like, what are the quarter right pants?

0:53:43.680 --> 0:53:46.480
<v Speaker 1>It just means he's young, alright, he's Keen Johnson. You

0:53:46.480 --> 0:53:49.440
<v Speaker 1>can invite two people to dinner, living or dead. You're

0:53:49.440 --> 0:53:52.759
<v Speaker 1>not Keenan Johnson. I know I'm listening living or dead.

0:53:52.800 --> 0:53:56.440
<v Speaker 1>Who are the two people you would invite to dinner? Uh?

0:53:56.680 --> 0:54:01.319
<v Speaker 1>Sour Dolly and And by the way, that's what I

0:54:01.360 --> 0:54:06.560
<v Speaker 1>was just there there you guys are getting a very

0:54:06.600 --> 0:54:12.440
<v Speaker 1>inside look on who who Mr Johnson, And I'd just

0:54:12.480 --> 0:54:14.200
<v Speaker 1>like to tell him that that's just be like, hey,

0:54:14.239 --> 0:54:17.200
<v Speaker 1>you know we share a birthday, Like, I like that.

0:54:18.840 --> 0:54:20.759
<v Speaker 1>What is it? What is keen? Honestly, what is the

0:54:20.760 --> 0:54:23.000
<v Speaker 1>one question you would ask either of those guests if

0:54:23.000 --> 0:54:24.600
<v Speaker 1>you could look them in the face. What is the

0:54:24.640 --> 0:54:27.120
<v Speaker 1>one question? One question, one question that you would just

0:54:27.160 --> 0:54:33.000
<v Speaker 1>like be dying to ask. How Like, how did it?

0:54:33.080 --> 0:54:36.920
<v Speaker 1>How do you define your aesthetic? It's a great question,

0:54:37.160 --> 0:54:40.279
<v Speaker 1>very deep. I like it. I like it all right, Um,

0:54:40.400 --> 0:54:45.120
<v Speaker 1>we know that how do I define my aesthetic? Well, Corduroys,

0:54:45.160 --> 0:54:48.279
<v Speaker 1>of course you booked honey guy. And then it was yeah,

0:54:51.640 --> 0:54:53.560
<v Speaker 1>all right, we know that you know you're not your

0:54:53.560 --> 0:54:57.239
<v Speaker 1>traditional sports fan. But if you could only play one

0:54:57.320 --> 0:54:59.880
<v Speaker 1>sport is a professional out of all the sports that

0:54:59.880 --> 0:55:08.320
<v Speaker 1>are available, what would it be? Mm hmm like chess master? Wow,

0:55:08.520 --> 0:55:12.560
<v Speaker 1>grand master. Again, that sheds a lot of light on

0:55:12.560 --> 0:55:16.520
<v Speaker 1>who we're talking. I love it. I love it. All right,

0:55:16.600 --> 0:55:23.000
<v Speaker 1>we're gonna keep out of the penalty box. He's back

0:55:23.040 --> 0:55:25.040
<v Speaker 1>on the ice, and now we are to the finals.

0:55:25.120 --> 0:55:33.799
<v Speaker 1>Dave said, Okay, pal cabal. He said, you've just got

0:55:33.840 --> 0:55:46.400
<v Speaker 1>out of the okay, pal cabal. Alright, So the playoffs

0:55:47.160 --> 0:55:50.520
<v Speaker 1>we're down to. We're in the finals. This is the finals,

0:55:50.600 --> 0:55:58.560
<v Speaker 1>the finals, number one seed super Bad against the number

0:55:58.680 --> 0:56:02.440
<v Speaker 1>three seed Fair Spieler's day Off. Who is the winner?

0:56:02.480 --> 0:56:06.960
<v Speaker 1>Who is Keen Johnson crowning the Chimp? I mean, I

0:56:06.960 --> 0:56:10.560
<v Speaker 1>feel like you can't. I feel like I feel like

0:56:10.600 --> 0:56:14.600
<v Speaker 1>Seth Rogan had to have gotten some inspiration from Ferris

0:56:14.600 --> 0:56:18.480
<v Speaker 1>Spieler's day Off. I feel like that that, you know, no,

0:56:18.600 --> 0:56:20.719
<v Speaker 1>I feel like that that team I don't know. I

0:56:20.760 --> 0:56:24.879
<v Speaker 1>feel like that was I feel like Ferris Spieler hits

0:56:24.960 --> 0:56:29.279
<v Speaker 1>that like comedic, like best friend comedy. But then it

0:56:29.320 --> 0:56:32.799
<v Speaker 1>also feels like a huge movie, like The Parade for

0:56:32.840 --> 0:56:37.359
<v Speaker 1>No Reason and going Er feels like he's going, Yeah,

0:56:37.440 --> 0:56:45.640
<v Speaker 1>he's going, He's going on incredible movie. John Hughes just

0:56:45.680 --> 0:56:48.720
<v Speaker 1>crushed it. It's so good. It's so good. Well, Keian Johnson,

0:56:48.800 --> 0:56:50.879
<v Speaker 1>you not only made it out of the hay Pal

0:56:50.920 --> 0:56:53.640
<v Speaker 1>penalty box, but you also crowned a champion in the playoffs.

0:56:54.080 --> 0:57:00.759
<v Speaker 1>And it's completely left me das contented in all syrias. Um, Oh,

0:57:00.840 --> 0:57:02.080
<v Speaker 1>you know what I want to ask you? One more

0:57:02.200 --> 0:57:05.480
<v Speaker 1>one more question, one more one more quick penalty box

0:57:05.520 --> 0:57:09.799
<v Speaker 1>type of question, ready Chipotle or anything else? And can

0:57:09.840 --> 0:57:13.080
<v Speaker 1>you look into the camera. When do I say Chipotle

0:57:13.200 --> 0:57:15.560
<v Speaker 1>or anything else? No, No, I'm ask you Chipotle or

0:57:15.600 --> 0:57:18.120
<v Speaker 1>anything else? Well, which is better? And look into the

0:57:18.160 --> 0:57:21.640
<v Speaker 1>camera when you answered. Just get to the point when

0:57:21.640 --> 0:57:27.000
<v Speaker 1>I finished. When I was just a wee young kid,

0:57:27.640 --> 0:57:31.080
<v Speaker 1>I was doing a show called Billy Elliott, and twice

0:57:31.080 --> 0:57:34.080
<v Speaker 1>a day, going to the theater to Chicago, I would

0:57:34.080 --> 0:57:37.800
<v Speaker 1>get not one, but two Chipotle bulls, and I say

0:57:37.880 --> 0:57:40.080
<v Speaker 1>both of them. I would eat one before the show,

0:57:40.120 --> 0:57:42.200
<v Speaker 1>and then I'd eat one during the show. And I

0:57:42.240 --> 0:57:46.720
<v Speaker 1>was so obsessed with Chipotle that they actually sponsored a

0:57:46.800 --> 0:57:52.440
<v Speaker 1>party for me my last my last performance, and they

0:57:52.480 --> 0:57:54.919
<v Speaker 1>brought us a bunch of burritos to my apartment with

0:57:55.000 --> 0:57:57.120
<v Speaker 1>no furniture in it because we were leaving, and we

0:57:57.200 --> 0:57:59.160
<v Speaker 1>all h poll and who else? Wait, and who else

0:57:59.200 --> 0:58:09.400
<v Speaker 1>should they sponsor? Key Johnson, you don't have a Chipotle card.

0:58:10.360 --> 0:58:12.040
<v Speaker 1>I'm gonna have to work on that. Look at that.

0:58:12.320 --> 0:58:16.919
<v Speaker 1>It's gonna I'm gonna work to Dave Bosco coming through. Okay,

0:58:16.920 --> 0:58:19.200
<v Speaker 1>in all seriousness, Dave take us out. This is an

0:58:19.200 --> 0:58:22.600
<v Speaker 1>awesome interview. What a deep and great deep And again

0:58:22.640 --> 0:58:25.200
<v Speaker 1>it's so cool, especially you know somebody of your age

0:58:25.240 --> 0:58:27.680
<v Speaker 1>to see you look at things so differently. Um, I

0:58:27.760 --> 0:58:30.280
<v Speaker 1>think it's really refreshing and really cool and uh, proud

0:58:30.280 --> 0:58:35.960
<v Speaker 1>of being your presence and proud of everything that you do. Yeah,

0:58:36.480 --> 0:58:42.560
<v Speaker 1>Studio guests Studio guests both calls. Hey Pal is a

0:58:42.560 --> 0:58:45.120
<v Speaker 1>production of My Heart Radio from an Enemy and tender

0:58:45.160 --> 0:58:48.880
<v Speaker 1>Foot TV hosted by Jared Einsmen and Dave Osco. Producer

0:58:49.000 --> 0:58:51.960
<v Speaker 1>is Kyle Tequila. Executive producer for I Heart Radio is

0:58:52.000 --> 0:58:55.680
<v Speaker 1>Shawn t Toone. Executive producers forretender Foot TV or Donald Albright,

0:58:55.840 --> 0:58:59.040
<v Speaker 1>Jane Linda check new episodes of Haypal every two day.

0:58:59.080 --> 0:59:01.720
<v Speaker 1>Have the heart Radio app a the podcast or wherever

0:59:01.800 --> 0:59:04.439
<v Speaker 1>you get your podcast. And if you love the show,

0:59:04.760 --> 0:59:07.320
<v Speaker 1>don't forget to rate a slide star, share it with

0:59:07.360 --> 0:59:22.760
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