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Speaker 1: Hey Christy, Hi Will. How are you? I'm good. How

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Speaker 1: are you doing? I don't know why. Sometimes it just

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Speaker 1: feels like it's been a million years since I've seen

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Speaker 1: you and heard your voice. And it makes me sad.

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Speaker 1: It does. It feels like it's been a while. I

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Speaker 1: probably hasn't been that long, but it does. It feels

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Speaker 1: like it's been a while. And then we popped on

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Speaker 1: and the first thing you talked about was my Ron

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Speaker 1: in the box. I did. It's a run in the

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Speaker 1: box right there behind him. That is not Yeah, that

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Speaker 1: is not a strange euphemism. If you are, you can

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Speaker 1: look at the the video. I'm actually in my little booth.

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Speaker 1: I have some toys behind me, and there's my Ron

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Speaker 1: stoppable of course in the box, because you never take

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Speaker 1: a toy out of the box. That's why unless channel

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Speaker 1: and then sacrilegious. I get that now. Though I want

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Speaker 1: to tell you we did it for views. We did

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Speaker 1: it for views, but we didn't need to do it

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Speaker 1: for views. However, we did do a really cute thing

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Speaker 1: where you and I made this knocko on the YouTube

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Speaker 1: or whatever, and it was like, by the way, my

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Speaker 1: top performing interview and video. So it was and everyone

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Speaker 1: knows it. I concur will is uso in my you

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Speaker 1: do really have a great voice. Um, I don't know.

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Speaker 1: So lately I've been like, I do a lot of

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Speaker 1: interviewing and I I guess the voice is a really

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Speaker 1: interesting part of the human um body because you use

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Speaker 1: it and can utilize it in so many different ways. Right,

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Speaker 1: So like when you're interviewing somebody, you can genuinely ask

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Speaker 1: them questions with empathy, and you can like lure them

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Speaker 1: into telling you things. And it's like it can be

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Speaker 1: a tool for good. It could be a tool for evil, sure,

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Speaker 1: But like when I hear your voice, it feels to

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Speaker 1: me like, I don't know, so personal, like we've gotten

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Speaker 1: to a place now where our friendship and are working

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Speaker 1: together has brought me to a place where when I

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Speaker 1: hear your voice, it like evokes a very strong emotion

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Speaker 1: for me. Oh that's really it's a good emotion. I

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Speaker 1: hope it is. It's like a singular like I feel

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Speaker 1: like your voice it's a very much like the minute

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Speaker 1: I hear it. I I don't know if it's because

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Speaker 1: we do zooms and like we see each other, you know,

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Speaker 1: in all different kinds of ways. But like the voice

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Speaker 1: is what connects us the most. Honestly, Yeah, I agree, No,

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Speaker 1: I agree, And that's I think that's very sweet and

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Speaker 1: it's nice that it evokes a nice feeling and you're

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Speaker 1: not like it's weird. Every time I hear your voice,

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Speaker 1: I throw up a little bit in my mouth, like

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Speaker 1: because that would be a much worse reaction. It's very sweet.

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Speaker 1: I think it just goes all goes back to what

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Speaker 1: like the original start of this conversation of me being awesome.

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Speaker 1: I think it's kind of actually iconic. Kind everybody we

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Speaker 1: worked well, We worked well together. It's just the way

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Speaker 1: it is. And it's pronounced fred la oh man, don't

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Speaker 1: even get to frid what frieda lay? I have not

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Speaker 1: gotten free to lay? You know what I got for years,

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Speaker 1: which I'm surprised. Well, I mean you will occasionally call

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Speaker 1: me this, but for years and years and years, my

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Speaker 1: nickname for a lot of people, especially in Los Angeles

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Speaker 1: when I moved out here, was Wilfred because I say

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Speaker 1: my name so fast, I say my name is Wilfred L.

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Speaker 1: And so I had a lot of people that would say, oh,

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Speaker 1: Mr L, you know, can you sit there and wait?

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Speaker 1: Like they thought my name was Wilfred L. So that

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Speaker 1: became my nickname for year. I mean, like love Hewitt

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Speaker 1: and of all the first directors I worked with a

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Speaker 1: lot of people on boy Me's World, it was I

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Speaker 1: was Wilfred for years. So I always kind of liked

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Speaker 1: that nickname. It's a it's a good name. It's kind

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Speaker 1: of goofy and that. But yeah, because you say your

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Speaker 1: name so fast, him Wilfredell, and people would go, okay, Fredell. Yeah,

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Speaker 1: that's like I feel like that guy is a magician.

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Speaker 1: Though he feels like a magician. I'm well, yeah, well

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Speaker 1: would also be you'd have to put the amazing in

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Speaker 1: front of it. I'd be the amazing Wilfredel exactly, the epic, iconic,

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Speaker 1: one of a kindred. I can never I will never

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Speaker 1: not say it that way. I you know, I I am.

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Speaker 1: I'm a magician at heart. I just don't know any

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Speaker 1: magic tricks. That's okay, which makes which makes being a

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Speaker 1: magician difficult, if I'm honest, if it makes the show

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Speaker 1: kind of boring where it's like, welcome, I have nothing.

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Speaker 1: I can't even balloon animals or anything. Very quickly, you

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Speaker 1: you have moved into your new house, which apparently is

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Speaker 1: just all white and empty, because now you're you're not

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Speaker 1: in front of your green screen, You're just in the

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Speaker 1: the white cavernous room they are feeding me. I am okay,

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Speaker 1: I'll hold up today's paper so we know this is live.

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Speaker 1: Oh my gosh. Um. But yeah, I'm still getting around

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Speaker 1: to it. I mean, it's a lot to take on

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Speaker 1: when you move into a new space. 'susually when you're

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Speaker 1: like working from that space. Um, and it is it's tricky,

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Speaker 1: Like you you record from this amazing booth that I'm

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Speaker 1: sure you've had set up for a long time, right, Yeah,

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Speaker 1: a lot of years, Yeah, a lot of you Do

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Speaker 1: you remember setting up your bo both like I do.

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Speaker 1: I a friend of mine came in and you know,

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Speaker 1: I had this this smaller kind of office room in

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Speaker 1: my house and I knew I wanted a booth just

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Speaker 1: because if you remember back in the day, it's this

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Speaker 1: is such a lame actor thing, but it's it's true,

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Speaker 1: you have to um, but waiting for a booth at

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Speaker 1: at my agency at the time, there was times that

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Speaker 1: we take two or three hours. Literally you'd sit there

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Speaker 1: for two or three hours to get a booth. So um,

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Speaker 1: I you know, We've been fortunate in my career, and

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Speaker 1: I said, I'm gonna I want to build one in

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Speaker 1: the house. So my friend came over who was a carpenter,

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Speaker 1: and we literally put it up and bought all the

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Speaker 1: equipment and everything I need. So it's it's a nice

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Speaker 1: little soundproof room, um, which has worked out well, especially

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Speaker 1: with all the podcasting I've been doing. It's kind of

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Speaker 1: I live in this room now. The only problem with

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Speaker 1: it is that there is no air whatsoever. So it's

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Speaker 1: a thousand degrees. I'm never wearing pants, um, and you

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Speaker 1: get a little high by the end of it because

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Speaker 1: of the carbon out of the car. No, I've got

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Speaker 1: a tiny little one of those little poor doable air

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Speaker 1: conditioners that sits next to me because it just gets

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Speaker 1: so hot in here. Good, So next time I do it,

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Speaker 1: I will now so you. I mean they say that

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Speaker 1: moving is like one of the most stressful things in

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Speaker 1: the world. They seem to be handling it well, or

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Speaker 1: at least really faking your way through it awesomely. Um,

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Speaker 1: thank you. You also haven't seen me for a few weeks,

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Speaker 1: and it's been a really rough couple of weeks, and

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Speaker 1: I've like track. Yeah, I've traveled. I went back to

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Speaker 1: l A. I recorded vulnerable and thanks for calling me.

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Speaker 1: By the way, you know I was telling Brandon about that. Yeah,

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Speaker 1: we need to do a part two, honestly because we

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Speaker 1: did a really great part one. And I mean again,

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Speaker 1: like I said, views man, you were in my Can

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Speaker 1: we talk about your anxiety and make a knacko hashtag? Sure?

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Speaker 1: Anxiety knacko? Uh no, but no, what I was to

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Speaker 1: see this is where your mind goes with business. I

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Speaker 1: wasn't talking about to be un vulnerable. I was talking

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Speaker 1: about just to hang out, calling me and being like,

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Speaker 1: let's grab a meal. You know what? I That is

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Speaker 1: my bad. I'm really really sorry. I'm really sorry because honestly,

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Speaker 1: I'm always looking for someone to hang out after your work. Yeah,

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Speaker 1: that was my bad. I went to Marina del Rey

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Speaker 1: one night. Okay, now we're just, we're really just. But

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Speaker 1: we do have an awesome, amazing guest today who's actually

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Speaker 1: a friend of mine, not only a voice of what

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Speaker 1: I would call a v O buddy, but also a

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Speaker 1: D N D buddy. There's a lot of just letters

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Speaker 1: I've noticed when you're a v O and D and

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Speaker 1: D buddy. Okay, Um, l l uh. So I'm I'm

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Speaker 1: very excited to have her on t B. What is

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Speaker 1: what does that one mean? To be honest, that's t

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Speaker 1: B eight t B eight t B e b A.

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Speaker 1: To be honest, s m h is shake my head.

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Speaker 1: I've had to look these up. That's how I know. Now,

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Speaker 1: did you really you seem like you're in the know

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Speaker 1: for all this stuff. I really had to look this up.

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Speaker 1: I'm at the point now where my husband's like, what

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Speaker 1: does that mean? And I'm just like, oh, I never

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Speaker 1: get that stuff. I found out l O L didn't

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Speaker 1: mean lots of love like a month ago. So yeah,

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Speaker 1: we're fine, Yeah, yeah, yeah, I think so, But I'm

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Speaker 1: sorry we haven't spoken in a while. How you diagrash

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Speaker 1: on this though? Like honestly, I bet people really love

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Speaker 1: to hear is check in with each other, like genuinely,

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Speaker 1: or they're like, just please get to the awesome guest

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Speaker 1: because as we've as we talked about earlier, my voice

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Speaker 1: evokes a little bit of throw up in the mouth.

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Speaker 1: So I want to make sure the amazing, the astounding

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Speaker 1: wilfred l L mr L No. We have an incredible

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Speaker 1: guest joining us today. She is an actress of best

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Speaker 1: selling author. She's on camera, she's voice over. She is

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Speaker 1: a D and D player, which makes her a great

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Speaker 1: buddy right there. But she's been in I mean stuff

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Speaker 1: like NB scenes, Blind Spot, Who Lose Runaway. She's also

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Speaker 1: in Miss Marvel. Her video game stuff is like overwatching

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Speaker 1: a pet, you name it. She's in it essentially books

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Speaker 1: and she I said, yeah, best time. I mean, it's

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Speaker 1: like you just she's one of those people where you

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Speaker 1: look through your resume and you just feel bad about yourself.

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Speaker 1: Um so, who do we have today? Oh? Man, we

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Speaker 1: have the most amazing Antolie Bamani. How are you? I'm good.

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Speaker 1: I smell like coffee because I just build an entire

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Speaker 1: cup all over myself. Oh did you really? That's always

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Speaker 1: the best way to start the day, just bathed in coffee.

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Speaker 1: I'm so delicious. Now, you guys, that's pretty hot. Like

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Speaker 1: something to this, like a coffee scented bath. Yeah. Add

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Speaker 1: that to the list of products that we have to

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Speaker 1: develop together. Shell we yes, of course, How are you great?

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Speaker 1: How are You're awesome? It's nice to meet you, by

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Speaker 1: the way, thanks to me to do Christie Angelie Angelie

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Speaker 1: Chris Yes, will have you told her where we met

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Speaker 1: or how we met. I actually haven't. Would you like

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Speaker 1: to tell the story? Would you like me to tell

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Speaker 1: the story? I love it so much when you do so.

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Speaker 1: And Julie and I met in a hot tub in Hawaii,

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Speaker 1: Oh my gosh, that is absolutely a true story. We

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Speaker 1: always we always like to omit the part that she

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Speaker 1: was there with her husband and I was there with

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Speaker 1: my wife. You'd just like to say I knows, but

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Speaker 1: that don't just sound like it's true. Um, we are

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Speaker 1: going to start, Miss Marvel, because that's awesome, but then

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Speaker 1: we're gonna get more into your v O stuff, because

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Speaker 1: this isn't icy faces and Julie, it's I hear voices,

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Speaker 1: it's I hear, I hear. So let's start, though, Miss Marvel,

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Speaker 1: because that was I think was you and I were

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Speaker 1: doing something I can't remember. It was a con or,

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Speaker 1: it was critical role, but we were doing something right

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Speaker 1: when you booked that, and you were so excited, didn't

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Speaker 1: I booked it at the end of two thousand not

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Speaker 1: the end, but like fall two thousand twenty, because that's why.

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Speaker 1: And we uh started shooting. I started shooting. I started

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Speaker 1: shooting in November November Funny November twenty. Maybe it was

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Speaker 1: maybe you knew you were going out for something, it

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Speaker 1: just happened supersed Yeah, yeah, yeah, I think it was

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Speaker 1: probably that I knew it was coming out, but I

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Speaker 1: wasn't allowed to talk about what it was because we

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Speaker 1: really didn't know when it was coming out once we

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Speaker 1: had shot it and and and then there were reshoots

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Speaker 1: to do as well. So so it was literally just

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Speaker 1: me waiting for someone to tell me when the show

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Speaker 1: is coming out, which is you know, what happens with

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Speaker 1: half of what you do is just go, I can't

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Speaker 1: talk about it, and then next thing you know, it's

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Speaker 1: streaming and you're like, oh, I guess I can talk

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Speaker 1: about that now, right, And that's the same thing obviously

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Speaker 1: with games and animated series everything now everything lives and

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Speaker 1: dies by NBA Sea exactly, we're not allowed to talk,

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Speaker 1: we're not allowed to promote what we're doing until it's

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Speaker 1: already out. Well, so I have a question, because this

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Speaker 1: is a recurring thing that does happen to a lot

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Speaker 1: of our guests, what is it feel like to actually,

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Speaker 1: I'm not going to say, be silenced, but essentially like

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Speaker 1: to commit to not speaking about something that you've done

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Speaker 1: that is coming and like, can you just walk us through,

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Speaker 1: um what that's like to not yeah somebody. Yeah, if

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Speaker 1: you see a poster and you're like, oh, I can't

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Speaker 1: see that. You're sitting next to somebody you know, and

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Speaker 1: you're like, oh, I can't sell them one of the dude.

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Speaker 1: I mean for me, Look, I am. I am allergic

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Speaker 1: to spoilers. I have unfriended relatives before because I because

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Speaker 1: they've spoiled things for me. So on the flip side

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Speaker 1: of that, I get really excited when I know it's

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Speaker 1: gonna be surprised. I'm gonna be able to tell everyone,

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Speaker 1: and yes, it's it's a little bit like you know,

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Speaker 1: sometimes it'll bruise your ego. I can't lie about that

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Speaker 1: when everybody else who gets to talk about it, but

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Speaker 1: you don't, and you're just waiting to be a part

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Speaker 1: of the fun. But when you finally do get to

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Speaker 1: share that, and especially in this instance with Miss Marvel,

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Speaker 1: because I was I was lucky enough that they allowed

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Speaker 1: that the announcement about me being and it came out

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Speaker 1: right like the day before the trailers, like the day before,

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Speaker 1: So I was very lucky that that, you know, the

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Speaker 1: Universe took care of me that with the Universe and Disney. Yeah.

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Speaker 1: So so in that sense, it was, you know, having

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Speaker 1: patience or at least looking like I had patience was

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Speaker 1: worth it. And uh and again I love surprising people.

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Speaker 1: I love you know, I don't. I don't even like

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Speaker 1: people showing me the full trailer of something that I'm

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Speaker 1: interested in seeing because I feel like it's really ruined something. Yeah. Yeah,

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Speaker 1: and especially when something has been having so much promotion

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Speaker 1: that it's building up. I tried to put I try.

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Speaker 1: I don't alwa I succeed, but I tried to put

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Speaker 1: my own like miaomiah oh, I really want to tell

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Speaker 1: people miamio. I try to put that to the technical term.

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Speaker 1: I try to put that aside um knowing that they

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Speaker 1: are they are, you know, putting things out sort of

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Speaker 1: strategically to keep that momentum. Sure, and just you know,

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Speaker 1: just because I know you so well and I know

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Speaker 1: you hate this um. Dartha's Luke's father, Rosebud was a

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Speaker 1: sled and Bruce Willis was dead the whole time. Um,

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Speaker 1: so good news is I at least saw all of

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Speaker 1: those and they're old enough that I can't get too mad,

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Speaker 1: but I'm so. I mean, I'm still the person who's like, yeah,

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Speaker 1: I was on the last season of The Sopranos, but

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Speaker 1: I can't tell you why in case you haven't seen it,

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Speaker 1: because and it's a soprano like three thousand years old.

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Speaker 1: When I'm like, no, if you haven't seen it, I

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Speaker 1: don't want to spoil it for you. Were you on

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Speaker 1: the last season the Sopranos, I wasn't. Where were you

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Speaker 1: in the last season of The Sopranos. I just rewatched

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Speaker 1: The Soprano. I can't tell you because where wait, wait,

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Speaker 1: which part were you in the last season of the Sopranos. Um, yeah,

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Speaker 1: I'm I'm a doctor in the hospital in season six

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Speaker 1: because surprise, surprise, I'm Indian. Um So yeah, I mean,

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Speaker 1: what else am I going to do on The Sopranos?

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Speaker 1: My brother when I when I booked at when I

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Speaker 1: finally was able to tell my brother, who was like,

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Speaker 1: just please tell me you're not about a big girl.

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Speaker 1: Oh yeah, definitely, it was me. You're not playing a

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Speaker 1: stripper on this spoint. Really, so this is when Tony

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Speaker 1: was in the hospital. Now she's not telling I have

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Speaker 1: to go back and watch Againez listen. I actually think

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Speaker 1: this is wonderful because it answers my question in such

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Speaker 1: an amazing way. I think like you're the perfect person

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Speaker 1: to have asked this question too, And I wanted to

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Speaker 1: kind of extrapolate what that struggle is like because I

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Speaker 1: can see our guests are always struggling, and I'd say nine,

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Speaker 1: if not ten out of ten are on an n

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Speaker 1: d A and nondisclosure agreement. A huge voice over too,

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Speaker 1: because you're working so because because the stuff is, you're

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Speaker 1: you're recording something and then you don't see it for

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Speaker 1: another eight months when it comes back for animation. So

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Speaker 1: it's like, forget about eight months. You don't like serious, Yeah,

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Speaker 1: it can be years, and some of them are bad.

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Speaker 1: So it's like you've got nine projects coming out and

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Speaker 1: you can't talk about ten of them. What happens if

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Speaker 1: you were to mess up? It happens all the time,

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Speaker 1: It does happen, happen, It depends on the company. Um,

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Speaker 1: I live in fear of n d A is like

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Speaker 1: like I live in fear of the I r s

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Speaker 1: Like it's such a big thing to me. But I

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Speaker 1: also like my achilles heel in life is that I

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Speaker 1: live in fear of getting in trouble, even if I've

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Speaker 1: done something nothing wrong. I'm like, I know I did

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Speaker 1: something wrong and someone's gonna come out to me. So

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Speaker 1: I think it really depends on the company, and it

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Speaker 1: depends on the severity of what you've said, to the

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Speaker 1: severity of what you said, but also the intention. Yeah, like,

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Speaker 1: were you being an obvious over jerk about it. It's

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Speaker 1: going to use a different word, but we're a family show, yes, exactly,

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Speaker 1: because it could have been awful. Are you being like

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Speaker 1: very pointed about that? Or did you buy mistake post

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Speaker 1: a picture that you thought was just a view but

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Speaker 1: there was something in the background and they had to

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Speaker 1: call you up and take a dinner, you know, because

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Speaker 1: that's happened. I've seen that happen. I've seen that happen

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Speaker 1: with major spoilers, and people still have their jobs. But

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Speaker 1: if you are someone who is like actively going out

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Speaker 1: there and saying, well, screw the company, I'm going to

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Speaker 1: say this, then you know that's obviously illegal, that malicious,

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Speaker 1: malicious kind of I think, I think, or I'm not responsible. Yeah,

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Speaker 1: I'm not a lawyer, so I don't know really specifically,

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Speaker 1: you play one on TV or you're going to play

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Speaker 1: one on TV and the doctors only I played doctors,

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Speaker 1: you guys, I played I played a lawyer onto you.

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Speaker 1: I'm sure, I'm sure you have you know that could

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Speaker 1: happen someday if I could like see over, they'd have

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Speaker 1: to like put me on to put an apple box

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Speaker 1: on my chair so i'd be able to see over

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Speaker 1: the All right, so well, and speaking of being well,

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Speaker 1: first of all, that was not at all where I

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Speaker 1: thought you were going to go. I never thought speaking

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Speaker 1: of being short was the thing that was going to

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Speaker 1: come out. So I thought you were going to take

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Speaker 1: the next transition, So I'll take the next transition. Uh

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Speaker 1: since uh on? Can we always ask on camera versus

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Speaker 1: v O is do you have one you prefer? But

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Speaker 1: if you'd rather do the short thing, we could talk

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Speaker 1: about that. Um I can tell I can combine the two. Nice.

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Speaker 1: Um I do not prefer either. I think of like

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Speaker 1: on camera, voiceover, theater, musicals, whatever. I think of it

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Speaker 1: all as different languages with the same route. So I

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Speaker 1: love speaking French, I love speaking Spanish. They come from

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Speaker 1: the same root, but the completely different languages. So when

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Speaker 1: you think in a different language, sometimes some of it

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Speaker 1: spills over the way you're learning. It is very similar

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Speaker 1: because there are similarities, but ultimately it is its own

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Speaker 1: thing right, with its own pros and cons. And what

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Speaker 1: I love about like, I am physically incapable of choosing

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Speaker 1: one medium, and I used to think that that was

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Speaker 1: because of a lack of focus, but now I realize

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Speaker 1: it's because I love all of the different pros and

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Speaker 1: cons or all of the different individual ways that you

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Speaker 1: can tell a story that are specific to each medium.

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Speaker 1: So what I love so much about One of the

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Speaker 1: things I love so much about voiceover is that you

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Speaker 1: are not bound by your physical attributes. I don't have

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Speaker 1: to play play a petite Indian woman who looks a

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Speaker 1: particular way. I can be a dinosaur. I can be

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Speaker 1: a dragon, I can be a little kid, I can

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Speaker 1: be a little boy. Like it doesn't matter at all, um,

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Speaker 1: I can be any it can be anything, and then

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Speaker 1: I'm not and I'm not beholden to that. I also

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Speaker 1: think what's really fun about voice over. I love mic

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Speaker 1: technique in general as a tool to convey different amounts

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Speaker 1: of emotion, and I love that as a singer and

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Speaker 1: as a voice actor, because there is just something you

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Speaker 1: can make you can make the most intimate connection with

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Speaker 1: your audience or with the players of your game or whatever.

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Speaker 1: You can have the most intimate moment just being right

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Speaker 1: up there against the mic and just a breath somehow

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Speaker 1: captures an emotion which is not something you can do

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Speaker 1: in the theater, which is not something you can Sometimes

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Speaker 1: you can't even do it on film, depending on how

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Speaker 1: well it's it's it's kind of the it's the the

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Speaker 1: audio equivalent of a raised eyebrow on film. You know,

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Speaker 1: it's that kind of thing. It's that subtle kind of

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Speaker 1: technique that is just so there's what we always talk about,

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Speaker 1: the wonderful freedom that comes with voice over. The again,

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Speaker 1: not caring how you look. It doesn't matter how you look.

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Speaker 1: It doesn't matter if you're wearing makeup, it doesn't matter

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Speaker 1: where you're standing, it doesn't matter. You know. It's like

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Speaker 1: you just you just get to act with a microphone.

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Speaker 1: It's pretty and some of the best actors in the world.

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Speaker 1: And when we're doing voiceover that isn't macap when which

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Speaker 1: I still don't think. I really think that mocab needs

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Speaker 1: to be considered like that's on camera. I really still don't.

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Speaker 1: I still don't understand why the contracts are so much

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Speaker 1: closer to voice over contracts. But that's a whole other

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Speaker 1: thing about well because nobody, because because video games don't

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Speaker 1: make any money, um, none at all. It's really just

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Speaker 1: for the love of the art. Um, that's what the

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Speaker 1: company do. But anyway, I digress. UM, I feel like, um,

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Speaker 1: unless you're you're doing because I was making so many

404
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Speaker 1: jokes on top of one. Will Will, it's Will know

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Speaker 1: I do it. Will and I both do this. That's

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Speaker 1: why we get along. So sorry, I didn't even I

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Speaker 1: didn't remember that Christie was here. Um, I just yeah, exactly,

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Speaker 1: But how could you I'm kidnapped, you know you're talking

409
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Speaker 1: about unless you're doing. Unless you're doing mo cap, you

410
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Speaker 1: do have the freedom of not having to memorize all

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Speaker 1: your lines, right, And while I have no problem memorizing lines,

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Speaker 1: I actually like memorizing lines. I like having it in

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Speaker 1: my bones. There is a certain freedom knowing that I

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Speaker 1: can come in and I'm not gonna have to I'm

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Speaker 1: not gonna have to worry about any kind of memorization

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Speaker 1: or screwing up because it's right here, So that part

417
00:21:07,800 --> 00:21:10,520
Speaker 1: of my mental energy I can take that energy back

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Speaker 1: and put it towards the creative process, because chances are

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Speaker 1: also while you're doing that, while you're while you're recording,

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Speaker 1: someone in the booth is gonna be like, oh, I mean,

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Speaker 1: someone in the control room is gonna be like, actually,

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Speaker 1: you know what, We're gonna give you a red right now.

423
00:21:22,440 --> 00:21:25,040
Speaker 1: So you are completely free knowing that it's all going

424
00:21:25,080 --> 00:21:26,879
Speaker 1: to be off the cuff. It's all going to be

425
00:21:27,000 --> 00:21:29,880
Speaker 1: right there. Um, And I really, I really do love

426
00:21:29,920 --> 00:21:33,400
Speaker 1: the freedom of that, uh, in a similar way to

427
00:21:33,720 --> 00:21:36,959
Speaker 1: how much I love improv and long form improve um,

428
00:21:37,000 --> 00:21:39,520
Speaker 1: which is why I love t t RPGs, which Will

429
00:21:39,560 --> 00:21:44,919
Speaker 1: and I are also very heavily. Oh man, she did it. Okay,

430
00:21:44,920 --> 00:21:47,560
Speaker 1: So Chris, do you want to take that transition? What's

431
00:21:47,600 --> 00:21:50,680
Speaker 1: it like being short? And oh my god, I actually

432
00:21:50,720 --> 00:21:53,480
Speaker 1: feel so dumb because honestly, look, she wrote a book.

433
00:21:54,240 --> 00:21:55,920
Speaker 1: Oh that's where you were going with it, that's where

434
00:21:55,920 --> 00:21:59,320
Speaker 1: you're going. I totally knew that's where she was going

435
00:21:59,359 --> 00:22:01,399
Speaker 1: with it all. Thank you. I'm glad see you. You

436
00:22:01,520 --> 00:22:05,159
Speaker 1: know I am fun sized and so are you. Thoughts

437
00:22:05,160 --> 00:22:08,520
Speaker 1: from a Tidy Human on living a giant life. It's

438
00:22:09,080 --> 00:22:12,400
Speaker 1: wide release was September twenty six and it was funded

439
00:22:12,720 --> 00:22:16,760
Speaker 1: through a Kickstarter campaign in five days. Because you know why,

440
00:22:16,920 --> 00:22:20,719
Speaker 1: because you do have so much love for you and

441
00:22:20,920 --> 00:22:23,080
Speaker 1: I bet you just have such a great fan base

442
00:22:23,160 --> 00:22:26,080
Speaker 1: from all the amazing work that you've done. Well. Again,

443
00:22:26,119 --> 00:22:28,879
Speaker 1: not to sound super cheesy, because I really do believe this,

444
00:22:28,960 --> 00:22:30,680
Speaker 1: but I have a really hard time using the word

445
00:22:30,720 --> 00:22:34,480
Speaker 1: fan because these are people, Because especially and especially with

446
00:22:34,520 --> 00:22:37,520
Speaker 1: a Kickstarter situation, like that's a community situation. That's the

447
00:22:37,520 --> 00:22:39,800
Speaker 1: thing where you've you've built a group of people that

448
00:22:39,840 --> 00:22:43,040
Speaker 1: you like to be with and around, and it's there's

449
00:22:43,040 --> 00:22:45,359
Speaker 1: not that much of a there's a separation just because

450
00:22:45,440 --> 00:22:47,439
Speaker 1: you know one person is creating the things and and

451
00:22:47,520 --> 00:22:50,520
Speaker 1: other are are participating in them. But it's very much

452
00:22:50,520 --> 00:22:53,000
Speaker 1: a symbiotic relationship, which we see so much when we're

453
00:22:53,000 --> 00:22:56,240
Speaker 1: at conventions, right, We see so much anytime you get

454
00:22:56,280 --> 00:22:59,000
Speaker 1: a chance to interact with people who have either played

455
00:22:59,040 --> 00:23:01,120
Speaker 1: the game you're in, or into the show that you're doing,

456
00:23:01,240 --> 00:23:03,400
Speaker 1: or or listen to the web series the podcaster, read

457
00:23:03,400 --> 00:23:06,879
Speaker 1: the book, there's there's definitely this this symbiotic relationship. It's

458
00:23:06,880 --> 00:23:08,760
Speaker 1: almost I always look at Kickstarter and stuff like that

459
00:23:08,800 --> 00:23:12,720
Speaker 1: almost like those are it's a community of producers. It's

460
00:23:12,720 --> 00:23:15,360
Speaker 1: like it's like they're producing this is a project they

461
00:23:15,359 --> 00:23:17,880
Speaker 1: want to produce with you in it. And that's kind

462
00:23:17,880 --> 00:23:19,440
Speaker 1: of how I look at it as opposed to like, oh,

463
00:23:19,440 --> 00:23:21,439
Speaker 1: it's fan made. It's like, no, that's it's not the

464
00:23:21,520 --> 00:23:25,040
Speaker 1: same thing. Yeah, And crowdfunding, you know, crowdfund And one

465
00:23:25,080 --> 00:23:27,840
Speaker 1: of the great things about crowdfunding in any form is

466
00:23:27,880 --> 00:23:30,280
Speaker 1: that it is proof that there's an audience for the

467
00:23:30,280 --> 00:23:32,680
Speaker 1: thing that you're creating, or if you're someone who's like

468
00:23:32,720 --> 00:23:34,879
Speaker 1: you know, because kickstarters sometimes people will do their products

469
00:23:34,920 --> 00:23:37,000
Speaker 1: there and there's proof that there's a desire for that product.

470
00:23:37,320 --> 00:23:39,960
Speaker 1: But what was so lovely about doing this through Kickstarter

471
00:23:40,160 --> 00:23:42,800
Speaker 1: is that, you know, I am fun Sized. The series

472
00:23:43,359 --> 00:23:46,359
Speaker 1: was a web series that I started in two thousand

473
00:23:46,400 --> 00:23:49,240
Speaker 1: seventeen as a sort of love letter to the online

474
00:23:49,240 --> 00:23:52,760
Speaker 1: gaming community and artistic community that I hadn't met um

475
00:23:53,359 --> 00:23:55,600
Speaker 1: in the in the like six months before that, pretty

476
00:23:55,680 --> 00:23:59,320
Speaker 1: much from from the release of Overwatch and then all

477
00:23:59,359 --> 00:24:01,320
Speaker 1: of these other things things that I started getting to

478
00:24:01,359 --> 00:24:05,080
Speaker 1: do with them and so being able to create that

479
00:24:05,359 --> 00:24:08,920
Speaker 1: for them and with them, I wasn't sure. You still

480
00:24:08,960 --> 00:24:11,480
Speaker 1: wonder like, does anyone really need a book. Is that

481
00:24:11,560 --> 00:24:13,840
Speaker 1: a thing do people care? So being able to do

482
00:24:13,880 --> 00:24:17,800
Speaker 1: it with Kickstarter is not just it's not just proof

483
00:24:17,880 --> 00:24:19,760
Speaker 1: that you can raise the money. It's proof that people

484
00:24:19,840 --> 00:24:23,879
Speaker 1: want the thing. That. Yeah, such a since this was

485
00:24:24,040 --> 00:24:27,040
Speaker 1: such a labor of love and it's so personal and

486
00:24:27,119 --> 00:24:32,040
Speaker 1: it's so um it's so very specifically in line with

487
00:24:32,160 --> 00:24:37,439
Speaker 1: what I consider my purpose uh in life, which is

488
00:24:37,520 --> 00:24:42,480
Speaker 1: just to help people find that it's cultivate enthusiasm, to

489
00:24:42,520 --> 00:24:45,080
Speaker 1: find that excitement about who you are and what you

490
00:24:45,119 --> 00:24:46,800
Speaker 1: want to do and the things that you want to

491
00:24:46,840 --> 00:24:49,760
Speaker 1: get regardless of where you are, regardless of who you are,

492
00:24:50,119 --> 00:24:53,120
Speaker 1: figure out what it is that is unique about you

493
00:24:53,200 --> 00:24:56,000
Speaker 1: and lean into it. And now that just because you're unique,

494
00:24:56,000 --> 00:24:58,760
Speaker 1: you are not alone. You are never alone. And so

495
00:25:00,119 --> 00:25:04,400
Speaker 1: having that that personal thing be something that people really

496
00:25:04,400 --> 00:25:07,000
Speaker 1: wanted to be a part of was like that alone

497
00:25:07,480 --> 00:25:12,040
Speaker 1: was was just incredibly special, and so doing the Kickstarter

498
00:25:12,240 --> 00:25:14,040
Speaker 1: was it was as fun as writing the book, you know,

499
00:25:14,160 --> 00:25:16,040
Speaker 1: I mean the nitty gritty of putting a book out,

500
00:25:16,080 --> 00:25:18,200
Speaker 1: and especially because I started my own publishing company in

501
00:25:18,280 --> 00:25:19,879
Speaker 1: order to do it, because I was frustrated with the

502
00:25:19,880 --> 00:25:24,720
Speaker 1: publishing industry. Um Uh, that nitty gritty part is where

503
00:25:24,760 --> 00:25:28,240
Speaker 1: the for me, the difficult part is. But the creation

504
00:25:28,359 --> 00:25:31,199
Speaker 1: and the sharing it and um and the you know,

505
00:25:31,440 --> 00:25:34,959
Speaker 1: doing the audiobook, it was just fun, fun, fun, fun fun. Now,

506
00:25:35,000 --> 00:25:36,520
Speaker 1: who did you? Who did you hire? Did you the

507
00:25:36,560 --> 00:25:41,000
Speaker 1: voice in the audiobook? Didn't you? I thought you did it?

508
00:25:41,080 --> 00:25:44,840
Speaker 1: That's who I told you? Like him? Fun sized? No?

509
00:25:44,960 --> 00:25:46,680
Speaker 1: I mean, I know, I knew you had the swagger

510
00:25:46,720 --> 00:25:48,399
Speaker 1: to be me, and I knew your Indian accent was

511
00:25:48,440 --> 00:25:51,320
Speaker 1: on point, so I figured, and there's nothing inappropriate about that. Yeah,

512
00:25:51,359 --> 00:25:55,199
Speaker 1: me doing a small Indian woman nowadays? Not at all,

513
00:25:55,280 --> 00:25:57,520
Speaker 1: not at all all right. So you we we talked

514
00:25:57,560 --> 00:25:59,520
Speaker 1: about the book, which everybody should go out and read

515
00:25:59,520 --> 00:26:02,840
Speaker 1: because it's awesome. And where can we buy that? Everywhere

516
00:26:02,880 --> 00:26:05,640
Speaker 1: you can. You can get the audio book is on Audible,

517
00:26:05,680 --> 00:26:08,040
Speaker 1: slash Amazon. You can also get the e book on

518
00:26:08,080 --> 00:26:10,119
Speaker 1: Amazon or Barnes and Noble, and you can get the

519
00:26:10,160 --> 00:26:13,720
Speaker 1: paperback on Amazon or if you go to stremely dot com,

520
00:26:13,800 --> 00:26:16,199
Speaker 1: slash Angeli Bamanti, you can not only get you can

521
00:26:16,240 --> 00:26:18,720
Speaker 1: get the book unsigned or signed, and a portion of

522
00:26:18,720 --> 00:26:21,960
Speaker 1: the proceeds will go to an organization called the Underdog

523
00:26:22,000 --> 00:26:26,520
Speaker 1: Community Project here in Los Angeles, which provides free veterinary

524
00:26:26,600 --> 00:26:29,480
Speaker 1: care to the pets of unhoused people here. Oh go

525
00:26:29,520 --> 00:26:32,120
Speaker 1: get that one. Go get that version, please go go

526
00:26:32,200 --> 00:26:34,359
Speaker 1: to streamely dot com. Also, the book itself, just the

527
00:26:34,359 --> 00:26:37,320
Speaker 1: experience of the book itself. I made very sure and

528
00:26:37,359 --> 00:26:39,760
Speaker 1: this is the main reason I ran the kick starters.

529
00:26:39,800 --> 00:26:42,480
Speaker 1: I really wanted this to be a high quality printed book.

530
00:26:43,119 --> 00:26:45,960
Speaker 1: So it's it's the It's just feels fun to read.

531
00:26:46,000 --> 00:26:49,200
Speaker 1: And the illustrations of Bivibrian trowing are just so freaking adorable.

532
00:26:49,400 --> 00:26:51,240
Speaker 1: So getting to have that in well you can see

533
00:26:51,359 --> 00:26:53,679
Speaker 1: behind me is just a part of my fantasy collection.

534
00:26:53,720 --> 00:26:56,320
Speaker 1: These are You need actual books, You need books, you

535
00:26:56,320 --> 00:26:58,480
Speaker 1: need an actual dude, I have, I have. I don't

536
00:26:58,480 --> 00:26:59,879
Speaker 1: want to turn this around so you don't say the

537
00:26:59,880 --> 00:27:03,240
Speaker 1: way the rest of my ridiculously and embarrassingly messy office.

538
00:27:03,440 --> 00:27:09,640
Speaker 1: But like I have those floating bookshelfs Now, I'm gonna

539
00:27:09,680 --> 00:27:13,240
Speaker 1: get some floating bookshelves. Okay, guys, I'm gonna from those.

540
00:27:13,400 --> 00:27:16,120
Speaker 1: I'm telling you, those are super easy, Christie, and they

541
00:27:16,160 --> 00:27:18,120
Speaker 1: make they look really cool. Okay, I'm going to turn

542
00:27:18,160 --> 00:27:20,640
Speaker 1: this round. You can they look they look like they're

543
00:27:20,680 --> 00:27:22,880
Speaker 1: in the Atlanta Four Seasons you have the Atlanta four

544
00:27:22,880 --> 00:27:30,200
Speaker 1: seasons like that. That's helpful, especially space. And you also

545
00:27:30,320 --> 00:27:32,520
Speaker 1: have a you also have the picture of of the

546
00:27:32,600 --> 00:27:34,440
Speaker 1: dancing people. I have that same one in my house.

547
00:27:35,000 --> 00:27:38,920
Speaker 1: Oh yeah, James, Dean and Elizabeth. Yeah, I don't. Actually

548
00:27:49,840 --> 00:27:53,400
Speaker 1: you mentioned Overwatch, and I think we would be remiss

549
00:27:53,480 --> 00:27:56,199
Speaker 1: if we did not talk a little bit about the

550
00:27:56,200 --> 00:28:01,679
Speaker 1: Halo video games about about Overwatch, So sure, Hugh, I

551
00:28:01,720 --> 00:28:06,640
Speaker 1: mean enormous games and they Overwatch. It's I mean, I've

552
00:28:06,640 --> 00:28:10,160
Speaker 1: been at conventions with you, and it's insane the following

553
00:28:10,160 --> 00:28:12,560
Speaker 1: that these games have. What is it like to do

554
00:28:12,800 --> 00:28:15,120
Speaker 1: a game that you know? I mean, essentially you're going

555
00:28:15,119 --> 00:28:17,119
Speaker 1: into one of the best of the best when you

556
00:28:17,160 --> 00:28:19,880
Speaker 1: go into these kind of worlds. So what is it

557
00:28:19,920 --> 00:28:22,240
Speaker 1: like to you talked about mo cap What is it

558
00:28:22,280 --> 00:28:24,720
Speaker 1: like to actually record, for lack of a better word,

559
00:28:25,119 --> 00:28:27,560
Speaker 1: some of these games. Well, first of all, when we

560
00:28:27,600 --> 00:28:29,560
Speaker 1: started recording, none of us knew it was going to

561
00:28:29,640 --> 00:28:31,240
Speaker 1: be that huge, and that's a great place to come in.

562
00:28:31,320 --> 00:28:33,120
Speaker 1: It's just like going into a movie and not knowing

563
00:28:33,160 --> 00:28:35,040
Speaker 1: who your co stars are and then finding out this

564
00:28:35,080 --> 00:28:38,240
Speaker 1: person has like nineteen oscars, Like you better off not

565
00:28:38,360 --> 00:28:41,280
Speaker 1: knowing in advance. I knew going into this that it

566
00:28:41,320 --> 00:28:43,480
Speaker 1: was Blizzards, so you knew they don't do anything half asked.

567
00:28:43,480 --> 00:28:45,520
Speaker 1: You know it was going to be good, but none

568
00:28:45,520 --> 00:28:47,400
Speaker 1: of us. I don't even think the developers had any

569
00:28:47,440 --> 00:28:50,040
Speaker 1: idea just how big the game was going to be.

570
00:28:50,280 --> 00:28:52,920
Speaker 1: And again I really attribute that to the community, to

571
00:28:53,160 --> 00:28:57,000
Speaker 1: the way that they grabbed onto these characters in this story, um,

572
00:28:57,040 --> 00:29:00,520
Speaker 1: and obviously to the developers because they're the typically with

573
00:29:00,600 --> 00:29:02,760
Speaker 1: Overwatch and with several of the games that I've been

574
00:29:02,840 --> 00:29:04,800
Speaker 1: involved with since then, but this was the first one

575
00:29:04,840 --> 00:29:07,640
Speaker 1: that I experienced it with. They came in with a

576
00:29:07,720 --> 00:29:11,000
Speaker 1: very hopeful message and a hopeful view of the future.

577
00:29:11,400 --> 00:29:14,160
Speaker 1: It's a world worth fighting for. The world could always

578
00:29:14,280 --> 00:29:17,200
Speaker 1: use more heroes. There's this very much this sense that like,

579
00:29:17,280 --> 00:29:19,480
Speaker 1: even when there is trouble and dystopia and all of

580
00:29:19,520 --> 00:29:21,960
Speaker 1: that stuff in the future, there is hope as opposed

581
00:29:22,000 --> 00:29:24,360
Speaker 1: to it's a post apocalyptic world and we're all going

582
00:29:24,400 --> 00:29:26,440
Speaker 1: to die. Let's just kill zombies until we do. You know,

583
00:29:26,480 --> 00:29:28,840
Speaker 1: there's something which there's a place for that. There's something

584
00:29:28,960 --> 00:29:32,800
Speaker 1: very partning about about stepping into a game like that,

585
00:29:32,880 --> 00:29:34,800
Speaker 1: and then it's a collaborative game on top of it.

586
00:29:35,200 --> 00:29:39,080
Speaker 1: But I really I what I love so much about

587
00:29:39,360 --> 00:29:41,280
Speaker 1: going into this in the first like, in the first place,

588
00:29:41,280 --> 00:29:44,920
Speaker 1: without knowing anything, is that it was very clear when

589
00:29:44,960 --> 00:29:47,400
Speaker 1: I first saw my characters Cemetra, it was very clear

590
00:29:47,440 --> 00:29:48,800
Speaker 1: that what they were trying to do with all of

591
00:29:48,800 --> 00:29:51,000
Speaker 1: these they were what they were doing with all of

592
00:29:51,040 --> 00:29:57,440
Speaker 1: these characters was creating a series of characters who are

593
00:29:57,600 --> 00:30:01,920
Speaker 1: not any one thing in terms of their full story.

594
00:30:02,000 --> 00:30:04,000
Speaker 1: They are a unique combination of all the things that

595
00:30:04,040 --> 00:30:06,840
Speaker 1: make them them. So it's not just the Indian one,

596
00:30:07,000 --> 00:30:10,920
Speaker 1: the Mexican one, the Brazilian one. It is okay, well

597
00:30:10,960 --> 00:30:15,920
Speaker 1: she's Indian, she's in stem, she's on the spectrum, she

598
00:30:16,040 --> 00:30:18,640
Speaker 1: has a background in Indian dance. Like, there's all this

599
00:30:18,800 --> 00:30:22,520
Speaker 1: complexity to this character, and there's all this comerplexity to

600
00:30:23,280 --> 00:30:25,840
Speaker 1: the things that they say and do in the game.

601
00:30:26,280 --> 00:30:28,239
Speaker 1: And when you're doing a first person shooter, it can

602
00:30:28,280 --> 00:30:31,680
Speaker 1: be very like not it's easy for it to be

603
00:30:31,760 --> 00:30:34,360
Speaker 1: not that deep. But they really took that and made

604
00:30:34,360 --> 00:30:38,000
Speaker 1: it so that there is someone or something because some

605
00:30:38,040 --> 00:30:40,880
Speaker 1: of the characters are not human, uh, there there is

606
00:30:41,400 --> 00:30:45,160
Speaker 1: some one for everyone to identify with in one way

607
00:30:45,200 --> 00:30:47,400
Speaker 1: or the other, whether it is in an emotional capacity

608
00:30:47,640 --> 00:30:52,600
Speaker 1: and experiential capacity. Your gender, your body type, your ethnicity,

609
00:30:52,840 --> 00:30:56,200
Speaker 1: your neurodiversity, whatever it is. There's something for someone for

610
00:30:56,240 --> 00:30:59,000
Speaker 1: everyone to identify with. And when you see the hero

611
00:31:00,240 --> 00:31:03,200
Speaker 1: that you identify with, there you see that depiction of

612
00:31:03,200 --> 00:31:05,040
Speaker 1: that hero that you can identify with, then you can

613
00:31:05,120 --> 00:31:08,160
Speaker 1: identify that hero in yourself. You can take that empowerment

614
00:31:08,160 --> 00:31:10,720
Speaker 1: and take it out into the world. And that's sexy.

615
00:31:10,840 --> 00:31:13,720
Speaker 1: That for me, is what storytelling and gaming really like.

616
00:31:13,840 --> 00:31:18,960
Speaker 1: That's that's where it becomes very powerful when everyone's experience,

617
00:31:19,600 --> 00:31:21,400
Speaker 1: when you when you have an experience where you're like, wow,

618
00:31:21,440 --> 00:31:24,200
Speaker 1: I feel seen. And if that is there and that

619
00:31:24,320 --> 00:31:27,640
Speaker 1: character is that powerful or that popular or just out

620
00:31:27,680 --> 00:31:30,680
Speaker 1: there in the world and the world is seeing it,

621
00:31:30,920 --> 00:31:33,200
Speaker 1: then I can be seen. Then I can feel confident.

622
00:31:33,400 --> 00:31:36,160
Speaker 1: Then all the things I think make me weird might

623
00:31:36,200 --> 00:31:38,600
Speaker 1: actually make me cool. I think that's a great way

624
00:31:38,640 --> 00:31:40,440
Speaker 1: of looking at it. It's also but it's also one

625
00:31:40,440 --> 00:31:43,200
Speaker 1: of those things that I love is when it comes

626
00:31:43,240 --> 00:31:46,920
Speaker 1: to the technology, that is it has now become the

627
00:31:47,000 --> 00:31:50,240
Speaker 1: video game. We are to a place where when video

628
00:31:50,240 --> 00:31:52,400
Speaker 1: games started, the character ran one direction. That was it

629
00:31:52,520 --> 00:31:53,920
Speaker 1: you kind of pressed the buttons and you did what

630
00:31:53,920 --> 00:31:55,880
Speaker 1: you have to do. You are now, for lack of

631
00:31:55,920 --> 00:31:58,920
Speaker 1: a better term, in control of your own destiny. So

632
00:31:59,000 --> 00:32:03,040
Speaker 1: there's something so cool about this world you can immerse

633
00:32:03,080 --> 00:32:07,080
Speaker 1: yourself in where it's up to you. That's it's like life.

634
00:32:07,160 --> 00:32:10,240
Speaker 1: You are and you have agency you. Yeah, this is

635
00:32:10,280 --> 00:32:13,360
Speaker 1: another reason why I think both with video games now

636
00:32:13,440 --> 00:32:16,240
Speaker 1: and with and with gtrpgs, I think there's something so

637
00:32:16,280 --> 00:32:19,040
Speaker 1: empowering about it. Because it's one thing to see a

638
00:32:19,040 --> 00:32:20,800
Speaker 1: movie or see a TV show or see a play

639
00:32:20,880 --> 00:32:23,000
Speaker 1: where someone is telling you a story. It's a whole

640
00:32:23,040 --> 00:32:25,800
Speaker 1: different thing when you are telling your story. I agree,

641
00:32:26,000 --> 00:32:28,160
Speaker 1: it's a whole different thing. And your identification and your

642
00:32:28,160 --> 00:32:30,920
Speaker 1: connection to those characters. I think that's why you know,

643
00:32:30,960 --> 00:32:33,240
Speaker 1: when we when we have those experience as a conventions

644
00:32:33,240 --> 00:32:35,400
Speaker 1: where lots of people are coming up and loving those characters,

645
00:32:35,600 --> 00:32:38,120
Speaker 1: it's because they feel like they're they are a part

646
00:32:38,120 --> 00:32:39,960
Speaker 1: of them, and they are a part of creating them.

647
00:32:40,760 --> 00:32:43,640
Speaker 1: They have a certain amount of ownership over them because

648
00:32:43,640 --> 00:32:47,560
Speaker 1: they are to them. They're telling the story as this

649
00:32:47,640 --> 00:32:50,200
Speaker 1: character that characters them for a short period of Now

650
00:32:50,280 --> 00:32:51,840
Speaker 1: I have to ask you a question, though, do you

651
00:32:52,800 --> 00:32:57,560
Speaker 1: I feel like there's becoming a bit of a I

652
00:32:57,560 --> 00:33:01,600
Speaker 1: don't know, it's it's a strange kind of uhum. I

653
00:33:01,640 --> 00:33:03,480
Speaker 1: don't even know the word I'm looking for. It's it's

654
00:33:03,480 --> 00:33:09,640
Speaker 1: a dichotomy that's happening in voiceover that doesn't translate to RPGs,

655
00:33:09,720 --> 00:33:12,080
Speaker 1: especially to something like the world of D and D

656
00:33:12,200 --> 00:33:14,800
Speaker 1: or something like that, which is and I think rightfully

657
00:33:14,920 --> 00:33:19,760
Speaker 1: so in the vo world, so vo is starting to change,

658
00:33:19,800 --> 00:33:21,400
Speaker 1: and I think it's changing for the better word. It's

659
00:33:21,440 --> 00:33:26,040
Speaker 1: becoming more open to people of color, to uh gender.

660
00:33:26,360 --> 00:33:28,040
Speaker 1: And back in the day, they would throw us in

661
00:33:28,080 --> 00:33:30,320
Speaker 1: a booth and it was like, you're gonna do five voices,

662
00:33:30,360 --> 00:33:32,080
Speaker 1: and it didn't matter if you're a woman, it didn't

663
00:33:32,080 --> 00:33:33,960
Speaker 1: matter if you're Indian, it didn't matter whatever it was,

664
00:33:34,000 --> 00:33:37,480
Speaker 1: which wasn't obviously the right way to do it. In

665
00:33:37,520 --> 00:33:39,960
Speaker 1: the world of the of D and D especially and

666
00:33:40,040 --> 00:33:43,640
Speaker 1: the kind of RPGs, it's all you're almost encouraged to

667
00:33:43,840 --> 00:33:48,240
Speaker 1: play outside of your box, to play, to play a woman,

668
00:33:48,400 --> 00:33:51,640
Speaker 1: to play absolutely play you know, a man for a man,

669
00:33:51,680 --> 00:33:55,080
Speaker 1: to play a woman, to play a character that is gay,

670
00:33:55,120 --> 00:33:58,800
Speaker 1: to play a character that might be transgender. It's encouraged

671
00:33:58,840 --> 00:34:03,520
Speaker 1: to almost because you're immersing yourself in the world. There's

672
00:34:03,560 --> 00:34:06,600
Speaker 1: an idea that maybe you'll get to walk a mile

673
00:34:06,680 --> 00:34:09,600
Speaker 1: in someone choose, even though you can't. I mean, nobody can.

674
00:34:10,120 --> 00:34:14,000
Speaker 1: But it's because I think the reason for that, well,

675
00:34:14,000 --> 00:34:16,560
Speaker 1: part of the reason for that is that with the

676
00:34:16,719 --> 00:34:18,640
Speaker 1: very few exceptions, when you're playing a video game, the

677
00:34:18,719 --> 00:34:21,239
Speaker 1: character has been created. Sure you right, so you are,

678
00:34:21,400 --> 00:34:23,680
Speaker 1: you are playing as that character. You don't necessarily have

679
00:34:23,680 --> 00:34:27,520
Speaker 1: control over what you get to choose, your avatari to choose. Like,

680
00:34:27,920 --> 00:34:30,120
Speaker 1: you know, some fifty year old guy could be playing

681
00:34:30,120 --> 00:34:33,560
Speaker 1: Tracer from Overwatch, and that's totally fine because it's that's

682
00:34:33,560 --> 00:34:36,799
Speaker 1: the character they're playing. But because when you're playing T

683
00:34:36,800 --> 00:34:39,480
Speaker 1: t rpg is because when you are creating these characters,

684
00:34:40,320 --> 00:34:43,440
Speaker 1: you are You are the character you are improvising in

685
00:34:43,560 --> 00:34:46,160
Speaker 1: their shoes. You are the actor. You're not just the player.

686
00:34:46,640 --> 00:34:50,879
Speaker 1: You are the actor creating this character. So unless people

687
00:34:51,000 --> 00:34:53,600
Speaker 1: when people are watching t t RPGs, it's one thing

688
00:34:53,600 --> 00:34:55,719
Speaker 1: because again you're watching it as entertainment. But when you

689
00:34:55,719 --> 00:34:58,480
Speaker 1: are actually playing the game, you are the creator of

690
00:34:58,520 --> 00:35:01,360
Speaker 1: your own world. You are the creator of that story.

691
00:35:01,400 --> 00:35:03,640
Speaker 1: But I guess I'm asking why, why do you think

692
00:35:03,680 --> 00:35:06,399
Speaker 1: that Paradixit paradox exists. Why do you think there's people

693
00:35:06,400 --> 00:35:08,319
Speaker 1: out there that are now saying, like, well, Nancy Cart

694
00:35:08,320 --> 00:35:11,120
Speaker 1: writes a woman she shouldn't be playing a boy. Well,

695
00:35:11,120 --> 00:35:13,759
Speaker 1: I don't agree with some I mean you you'll hear

696
00:35:13,760 --> 00:35:15,879
Speaker 1: it in places where men shouldn't be playing women when

697
00:35:15,960 --> 00:35:18,040
Speaker 1: should be playing men. So we are in a very

698
00:35:18,080 --> 00:35:23,240
Speaker 1: tricky time right now because while the movement towards inclusivity

699
00:35:23,280 --> 00:35:27,280
Speaker 1: and representation, inclusion is so important and it's so wonderful,

700
00:35:27,280 --> 00:35:29,960
Speaker 1: because we do want to see more than just the

701
00:35:30,040 --> 00:35:33,200
Speaker 1: same demographic that we have seen in all of our lives.

702
00:35:33,239 --> 00:35:36,560
Speaker 1: I think when we limit people to only limit stories

703
00:35:36,600 --> 00:35:38,600
Speaker 1: to only being told by the people who have lived

704
00:35:38,600 --> 00:35:41,319
Speaker 1: those stories, and limit characters to only being played by

705
00:35:41,360 --> 00:35:45,600
Speaker 1: the people who lived those characters, what not only are

706
00:35:45,640 --> 00:35:49,480
Speaker 1: we limiting the artistic creativity and freedom of people, but

707
00:35:49,600 --> 00:35:54,799
Speaker 1: the bad, the really awful outcome of that is that

708
00:35:54,880 --> 00:35:58,120
Speaker 1: the very people you are trying to create more opportunity for,

709
00:35:58,440 --> 00:36:01,960
Speaker 1: you're actually creating less oportunity for. You know, again, I'll

710
00:36:01,960 --> 00:36:03,440
Speaker 1: go back, I'll go back to Miss Marvel with this.

711
00:36:03,719 --> 00:36:05,719
Speaker 1: You know, there was a little bit of backlash because

712
00:36:05,719 --> 00:36:07,759
Speaker 1: some of the characters who were supposed to be Pakistani

713
00:36:07,760 --> 00:36:11,799
Speaker 1: were played by Indians. Never mind that historically Pakistani in

714
00:36:11,800 --> 00:36:16,520
Speaker 1: India were the same country up until but this sense

715
00:36:16,640 --> 00:36:20,200
Speaker 1: of if there is a respectful portrayal being done of someone,

716
00:36:20,239 --> 00:36:22,319
Speaker 1: if someone has done the resurge and is doing the

717
00:36:22,360 --> 00:36:27,120
Speaker 1: work to create a character, then do we really need

718
00:36:27,200 --> 00:36:30,920
Speaker 1: them to be exactly the character they're playing? Are only

719
00:36:31,960 --> 00:36:35,920
Speaker 1: one ethnicity allowed to play that? Are we going to

720
00:36:35,960 --> 00:36:37,879
Speaker 1: start doing it by religion? Are we going to start

721
00:36:37,920 --> 00:36:40,000
Speaker 1: doing it like what where does where does the line

722
00:36:40,040 --> 00:36:43,120
Speaker 1: get drunk? You know? And that's a really really I

723
00:36:43,160 --> 00:36:45,279
Speaker 1: think it's it can be a slippery slope because I

724
00:36:45,320 --> 00:36:48,080
Speaker 1: certainly am finding this in my own life, uh and

725
00:36:48,160 --> 00:36:51,400
Speaker 1: my own audition pool, particularly on camera, that it's becoming

726
00:36:51,520 --> 00:36:56,400
Speaker 1: narrower and narrower and narrower and narrower, narrower, and ostensibly

727
00:36:56,600 --> 00:36:59,279
Speaker 1: I am one of the people that inclusivity and representation

728
00:36:59,360 --> 00:37:04,120
Speaker 1: is supposed to be absolutely So that's fascinating. So that

729
00:37:04,200 --> 00:37:07,719
Speaker 1: puts a very that that puts a it's a slippery slope. Well,

730
00:37:07,760 --> 00:37:10,120
Speaker 1: I mean I think it's it's no, I don't think

731
00:37:10,120 --> 00:37:12,200
Speaker 1: anybody does yet. And I think it's one of those

732
00:37:12,200 --> 00:37:15,080
Speaker 1: things where you have time. Casting seems to be something

733
00:37:15,120 --> 00:37:19,560
Speaker 1: that is well, but I mean kind of, but it's

734
00:37:19,640 --> 00:37:23,240
Speaker 1: it's the thing that I think matters is everybody's I believe,

735
00:37:23,280 --> 00:37:26,560
Speaker 1: at least coming at it from the best intentions, which

736
00:37:26,600 --> 00:37:30,520
Speaker 1: is at least a good place to start. But that

737
00:37:30,640 --> 00:37:34,440
Speaker 1: but then that's where it then gets messy because you

738
00:37:34,480 --> 00:37:37,160
Speaker 1: do I always go to the hey, a straight actor

739
00:37:37,200 --> 00:37:40,480
Speaker 1: should never play a gay character. It's like, okay, but

740
00:37:40,560 --> 00:37:43,640
Speaker 1: then you're saying a gay actor can't play a straight character.

741
00:37:44,440 --> 00:37:47,480
Speaker 1: And there's a lot more straight characters out there that

742
00:37:47,560 --> 00:37:49,680
Speaker 1: need to be cast than there are gay characters, and

743
00:37:49,760 --> 00:37:53,000
Speaker 1: you're then taking an entire pool of talented gay actors

744
00:37:53,080 --> 00:37:57,919
Speaker 1: out of the mix. So we're to figure it out. Yeah,

745
00:37:57,920 --> 00:37:59,480
Speaker 1: we're all trying to figure it out. Like you said,

746
00:37:59,480 --> 00:38:01,719
Speaker 1: the intentions are the best, and I think I think,

747
00:38:01,800 --> 00:38:07,520
Speaker 1: really where the power to either destroy or create in

748
00:38:07,560 --> 00:38:10,279
Speaker 1: this in this circumstance really is in the hands of

749
00:38:10,360 --> 00:38:15,839
Speaker 1: the audiences, because usually I find that the outrage for

750
00:38:15,920 --> 00:38:20,399
Speaker 1: a miscast comes from the audience more than it does

751
00:38:20,520 --> 00:38:23,720
Speaker 1: necessarily from the acting, pay of the producing and whatnot.

752
00:38:24,000 --> 00:38:27,320
Speaker 1: And sometimes you look and again it's like sometimes you

753
00:38:27,320 --> 00:38:28,920
Speaker 1: look at it and you can't explain why, but you're like,

754
00:38:28,960 --> 00:38:32,480
Speaker 1: you know, that's wrong. And sometimes there's a there's a

755
00:38:32,640 --> 00:38:36,000
Speaker 1: like is it you know, like there's it's it's it's

756
00:38:36,000 --> 00:38:38,719
Speaker 1: it's what did that? What did that? One? That? One

757
00:38:38,920 --> 00:38:42,200
Speaker 1: Supreme Court judge say that the famous thing about pornography

758
00:38:42,280 --> 00:38:44,279
Speaker 1: is I I can't describe it, but I know it

759
00:38:44,280 --> 00:38:47,560
Speaker 1: when I see it. It's that it's that same kind

760
00:38:47,560 --> 00:38:50,520
Speaker 1: of thing. But that's why I mentioned role playing games,

761
00:38:50,560 --> 00:38:53,000
Speaker 1: because it seems like people should almost look to that

762
00:38:53,120 --> 00:38:57,960
Speaker 1: world because it's so inclusive and so get you know,

763
00:38:58,080 --> 00:39:00,400
Speaker 1: do what you gotta do. You want to play well men,

764
00:39:00,400 --> 00:39:02,000
Speaker 1: play a woman, you want to play a man, play

765
00:39:02,040 --> 00:39:04,399
Speaker 1: a man. You know, by the it seems like when

766
00:39:04,440 --> 00:39:06,600
Speaker 1: you make them so outlandish with something where it's like

767
00:39:06,600 --> 00:39:09,879
Speaker 1: they're from their elves, so then you can use them.

768
00:39:10,760 --> 00:39:12,759
Speaker 1: That right, there is the key that's your entree. And

769
00:39:12,800 --> 00:39:16,960
Speaker 1: that's because it is a fantasy. Because because you are

770
00:39:18,000 --> 00:39:20,600
Speaker 1: a gnome or an elf or an orc or a

771
00:39:20,880 --> 00:39:23,920
Speaker 1: you know, we're already encouraged to think outside our own experience.

772
00:39:23,960 --> 00:39:27,360
Speaker 1: We're already and and what's extra cool about that is

773
00:39:27,360 --> 00:39:29,800
Speaker 1: that while you're encouraged to think outside your own experience

774
00:39:29,840 --> 00:39:34,080
Speaker 1: you are also encouraged to explore your own personal understanding

775
00:39:34,080 --> 00:39:37,560
Speaker 1: of yourself, of humanity of people in sociology. This is

776
00:39:37,560 --> 00:39:42,040
Speaker 1: why I love science fiction and fantasy because each one

777
00:39:42,080 --> 00:39:47,040
Speaker 1: of them is just reality adjacent enough that we can

778
00:39:47,040 --> 00:39:51,480
Speaker 1: talk about the hard issues without necessarily like breaking ourselves out,

779
00:39:51,680 --> 00:39:54,120
Speaker 1: for lack of a better term, you know, sci fi

780
00:39:54,239 --> 00:39:58,400
Speaker 1: is fantastic at dealing with socio political issues, dealing with also,

781
00:39:58,520 --> 00:40:00,720
Speaker 1: like I look back at the Expanse as great example

782
00:40:00,800 --> 00:40:03,000
Speaker 1: of that, you know, because the Expanse came out and

783
00:40:03,160 --> 00:40:06,000
Speaker 1: in that future, okay, well there wasn't racism, but there

784
00:40:06,040 --> 00:40:09,600
Speaker 1: was planetism, you know, so there was we were still

785
00:40:09,680 --> 00:40:13,319
Speaker 1: deeply were still dealing with the same innate struggle in

786
00:40:13,480 --> 00:40:16,319
Speaker 1: humanity between these you know, for lack of a better term,

787
00:40:16,320 --> 00:40:18,480
Speaker 1: good and bad sides of us. But it was just

788
00:40:18,520 --> 00:40:21,040
Speaker 1: a different set of plot points. But because it was

789
00:40:21,160 --> 00:40:23,480
Speaker 1: reality adjacent, because it was set in a not so

790
00:40:23,600 --> 00:40:26,640
Speaker 1: distant future, we were able to be as viewers just

791
00:40:26,840 --> 00:40:29,560
Speaker 1: distant enough from it to look at look back at ourselves,

792
00:40:29,600 --> 00:40:31,680
Speaker 1: take it in, and we could take it in and

793
00:40:31,680 --> 00:40:33,640
Speaker 1: not feel like, well, they're saying I'm an a whole,

794
00:40:33,760 --> 00:40:38,640
Speaker 1: Like no, they're pointing out these potential these potential you know,

795
00:40:38,840 --> 00:40:41,759
Speaker 1: potholes or whatever you want to consider potential parts of

796
00:40:41,760 --> 00:40:45,560
Speaker 1: our experience as living beings that are a challenge and

797
00:40:45,600 --> 00:40:47,719
Speaker 1: that need to be dealt with. And I love that.

798
00:40:48,040 --> 00:40:53,239
Speaker 1: Have you read Ancilliary Justice? So Ancilliary Justice is by

799
00:40:53,280 --> 00:40:55,640
Speaker 1: a woman named and lecky Uh, and it is an

800
00:40:55,640 --> 00:40:59,120
Speaker 1: amazing sci fi story that when I first heard about it,

801
00:40:59,120 --> 00:41:01,719
Speaker 1: I was like, Okay, what is this going to be like?

802
00:41:01,800 --> 00:41:04,680
Speaker 1: Because this and she wrote this years ago. It's written

803
00:41:04,719 --> 00:41:08,439
Speaker 1: without gender, so it's it's a sci fi story where

804
00:41:08,480 --> 00:41:11,120
Speaker 1: the characters you don't there's no gender attached to any

805
00:41:11,120 --> 00:41:12,759
Speaker 1: of the characters. And at first you're like, how is

806
00:41:12,800 --> 00:41:15,120
Speaker 1: this going to work? And then it just sucks you.

807
00:41:15,280 --> 00:41:18,879
Speaker 1: It's amazing. And this is where circling all the way

808
00:41:18,880 --> 00:41:21,960
Speaker 1: back to the power of storytelling in any form. This

809
00:41:22,040 --> 00:41:24,440
Speaker 1: is why I love all of the different forms that

810
00:41:24,520 --> 00:41:27,239
Speaker 1: we can do it in, because no, just like no

811
00:41:27,680 --> 00:41:30,920
Speaker 1: one person should be the representative of their entire demographic,

812
00:41:31,320 --> 00:41:33,920
Speaker 1: no one medium needs to be the representative of the

813
00:41:33,920 --> 00:41:36,880
Speaker 1: best way to start agree. Okay, so then when it

814
00:41:36,920 --> 00:41:41,360
Speaker 1: comes to um somebody who made listen to our podcast

815
00:41:41,440 --> 00:41:45,759
Speaker 1: is extremely passionate about voice acting and the world that

816
00:41:46,680 --> 00:41:49,160
Speaker 1: you know they would work in where it's mostly them

817
00:41:49,239 --> 00:41:54,839
Speaker 1: behind the scenes, I think, but would you encourage them

818
00:41:54,880 --> 00:41:58,600
Speaker 1: to try different forms or would you just say, look,

819
00:41:58,640 --> 00:42:03,319
Speaker 1: if that's what you're passionate with, than just really lead

820
00:42:03,360 --> 00:42:07,239
Speaker 1: into that uniqueness of who you are, or I say, hey,

821
00:42:07,239 --> 00:42:09,359
Speaker 1: push yourself, get out of your comfort zone. It will

822
00:42:09,400 --> 00:42:11,759
Speaker 1: deep in your experience. Well, I always think get out

823
00:42:11,760 --> 00:42:13,080
Speaker 1: of your comfort zone. But you can do that in

824
00:42:13,160 --> 00:42:16,719
Speaker 1: multiple ways, right, even though I have my hand in

825
00:42:16,760 --> 00:42:19,640
Speaker 1: a exilient different things because that's that's what I've enjoyed.

826
00:42:19,680 --> 00:42:22,080
Speaker 1: It hasn't been from the beginning. I started in theater.

827
00:42:22,160 --> 00:42:24,799
Speaker 1: That was my way in, and then another lane opens up,

828
00:42:24,840 --> 00:42:26,520
Speaker 1: and you tried that, and I tried that, and then

829
00:42:26,560 --> 00:42:29,080
Speaker 1: another lane opened up and I tried that. So it

830
00:42:29,160 --> 00:42:31,120
Speaker 1: wasn't just me being like I just want to do

831
00:42:31,160 --> 00:42:32,880
Speaker 1: everything from the very beginning. You have have to have

832
00:42:33,000 --> 00:42:36,840
Speaker 1: somewhere that is your entree to something. So for a

833
00:42:36,840 --> 00:42:38,800
Speaker 1: lot of people, I suspect that there will be people.

834
00:42:39,320 --> 00:42:41,839
Speaker 1: I know that there are people who have gone into

835
00:42:41,920 --> 00:42:44,160
Speaker 1: voice acting and suddenly been like, you know what, maybe

836
00:42:44,160 --> 00:42:46,000
Speaker 1: I want to do play or maybe I want to

837
00:42:46,000 --> 00:42:49,040
Speaker 1: do on camera. Now that I've experienced storytelling in this way,

838
00:42:49,080 --> 00:42:51,040
Speaker 1: I wonder what it would be like to do X,

839
00:42:51,200 --> 00:42:55,360
Speaker 1: Y Z, you know. And that is again a function

840
00:42:55,400 --> 00:43:00,239
Speaker 1: of pushing your own boundaries, combined with finding a love

841
00:43:00,239 --> 00:43:03,600
Speaker 1: of storytelling that you didn't maybe necessarily know you had,

842
00:43:03,640 --> 00:43:07,400
Speaker 1: combined with realizing, oh, well, this medium is awesome for

843
00:43:07,440 --> 00:43:09,600
Speaker 1: this reason, but this medium is awesome for this reason,

844
00:43:09,600 --> 00:43:11,719
Speaker 1: and I kind of want to scratch that itch, so

845
00:43:11,800 --> 00:43:13,759
Speaker 1: let me jump over there and see what I can

846
00:43:13,800 --> 00:43:16,759
Speaker 1: do with that. And so it's like a mixture of

847
00:43:16,800 --> 00:43:20,320
Speaker 1: like listening to your inner voice, your inner artistic voice,

848
00:43:20,520 --> 00:43:24,640
Speaker 1: and then also um yeah, just not being afraid and

849
00:43:24,680 --> 00:43:27,279
Speaker 1: being really I'm not saying no for lack. I mean,

850
00:43:27,320 --> 00:43:29,120
Speaker 1: like obviously you say no to things that you don't

851
00:43:29,200 --> 00:43:31,560
Speaker 1: really want to do, or or that ethically you don't

852
00:43:31,600 --> 00:43:36,360
Speaker 1: feel just don't feel aligned with or whatever. But um,

853
00:43:36,800 --> 00:43:38,920
Speaker 1: while I jumped into the theater and I loved it,

854
00:43:38,960 --> 00:43:41,320
Speaker 1: I never in a million years, like I can't remember

855
00:43:41,320 --> 00:43:42,960
Speaker 1: a single time in my life being like, well, I'm

856
00:43:42,960 --> 00:43:45,880
Speaker 1: not going to do that medium because snooty makes Neuterson me.

857
00:43:46,480 --> 00:43:48,680
Speaker 1: I don't think that that's good enough. No, It's just

858
00:43:48,840 --> 00:43:51,879
Speaker 1: it was just an exciting new opportunity to try something new,

859
00:43:52,640 --> 00:43:58,239
Speaker 1: and I think you do throw yourself in completely to

860
00:43:58,320 --> 00:44:00,279
Speaker 1: the one that you the one that you love, and

861
00:44:00,400 --> 00:44:02,560
Speaker 1: you stick with it. But I don't have to be

862
00:44:02,800 --> 00:44:06,760
Speaker 1: And I would argue you really shouldn't be singlemindedly focused

863
00:44:06,800 --> 00:44:08,759
Speaker 1: to the point of a meeting anything else. You can't

864
00:44:08,760 --> 00:44:11,920
Speaker 1: have blinders on in that way, like stay focused, but

865
00:44:11,960 --> 00:44:15,960
Speaker 1: don't stay closed. I agree, A wonderful way, such a

866
00:44:15,960 --> 00:44:18,720
Speaker 1: good mentor that's a wonderful way to get us to

867
00:44:19,320 --> 00:44:22,759
Speaker 1: our next little segment here on I hear voices, So

868
00:44:22,840 --> 00:44:24,719
Speaker 1: of course we are. We are once again going to

869
00:44:24,760 --> 00:44:27,680
Speaker 1: go across the garden. So for Angelie, I think you

870
00:44:27,719 --> 00:44:32,160
Speaker 1: know that we are bringing in an amateur voice over

871
00:44:32,200 --> 00:44:34,880
Speaker 1: actor who is going to get a chance to come

872
00:44:34,920 --> 00:44:36,479
Speaker 1: and play with us. And this is of course leading

873
00:44:36,520 --> 00:44:40,360
Speaker 1: up to our very awesome Uh jeez, what was the

874
00:44:40,400 --> 00:44:42,440
Speaker 1: name of our contest again, Christie? I can never remember

875
00:44:43,760 --> 00:44:45,759
Speaker 1: the name of it. Again, Christie, I can't remember what's

876
00:44:45,760 --> 00:44:51,960
Speaker 1: it called. What's it called, super amazing contest to become

877
00:44:52,080 --> 00:44:55,920
Speaker 1: the world's next voice It's the super awesome Contest to

878
00:44:55,920 --> 00:44:59,600
Speaker 1: become the next big voice actor. Of course, it's coming up.

879
00:45:00,239 --> 00:45:03,000
Speaker 1: She was she was close she was close. As my

880
00:45:03,040 --> 00:45:04,960
Speaker 1: brother used to tell me, close only counts and horse

881
00:45:05,000 --> 00:45:11,239
Speaker 1: shoes and hand grenades. So um, yes, well that's nice. Um.

882
00:45:12,120 --> 00:45:15,880
Speaker 1: We are, of course, uh bringing in our special guests.

883
00:45:15,920 --> 00:45:18,200
Speaker 1: But yes, we will talk more about the super awesome

884
00:45:18,239 --> 00:45:20,239
Speaker 1: contest Become the Next Big Voice Actor, which will be

885
00:45:20,280 --> 00:45:23,640
Speaker 1: launching very soon. And uh, somebody out there is going

886
00:45:23,680 --> 00:45:27,359
Speaker 1: to get a chance to have a career. I you know,

887
00:45:27,800 --> 00:45:31,040
Speaker 1: you win some pretty incredible things, including a one year

888
00:45:31,080 --> 00:45:34,520
Speaker 1: contract with a major voice over agency. So you are

889
00:45:34,600 --> 00:45:36,920
Speaker 1: going to get a chance to actually come out here.

890
00:45:38,280 --> 00:45:42,680
Speaker 1: That is just one where that is just one of

891
00:45:42,960 --> 00:45:45,520
Speaker 1: many of the prizes we have. You are also going

892
00:45:45,520 --> 00:45:47,600
Speaker 1: to be flown out to Los Angeles. You are going

893
00:45:47,680 --> 00:45:50,560
Speaker 1: to get to record some stuff for my heart. Uh.

894
00:45:50,600 --> 00:45:54,040
Speaker 1: There is some pretty incredible things that are going to

895
00:45:54,040 --> 00:45:55,520
Speaker 1: be happening. And there's also a couple of things we

896
00:45:55,600 --> 00:45:57,600
Speaker 1: are not allowed to mention yet, but we'll be mentioning soon.

897
00:45:57,920 --> 00:45:59,759
Speaker 1: And Angelie, when I tell you what they are off,

898
00:46:00,000 --> 00:46:05,080
Speaker 1: I'm around, you are going to freak Ali everybody. I'm

899
00:46:05,120 --> 00:46:07,360
Speaker 1: Tyler Florence and I'm Wells Adams were the hosts of

900
00:46:07,360 --> 00:46:09,480
Speaker 1: the new podcast Two Dudes in the Kitchen you might

901
00:46:09,520 --> 00:46:12,280
Speaker 1: be asking yourself, why do these guys have a podcast?

902
00:46:12,320 --> 00:46:15,359
Speaker 1: Because we love food. You and I have known each

903
00:46:15,360 --> 00:46:17,520
Speaker 1: other for a while. We've got a chance to click

904
00:46:17,560 --> 00:46:20,000
Speaker 1: together on television on Food Network back in the day,

905
00:46:20,239 --> 00:46:22,400
Speaker 1: and uh, I gotta tell you, there's no two better

906
00:46:22,480 --> 00:46:24,600
Speaker 1: guys are more equipped to take you guys on a

907
00:46:24,680 --> 00:46:27,279
Speaker 1: journey through the kitchen. It's all about great recipes, it's

908
00:46:27,280 --> 00:46:31,040
Speaker 1: all about connecting with fantastic techniques and having a great time.

909
00:46:31,160 --> 00:46:33,759
Speaker 1: Why you're doing it. It's a podcast for you, for

910
00:46:33,800 --> 00:46:36,520
Speaker 1: you to call into, give us your feedback, and we're

911
00:46:36,560 --> 00:46:38,359
Speaker 1: here to answer your questions and kind of get those

912
00:46:38,480 --> 00:46:40,400
Speaker 1: kitchen burners fired up. I got a lot of questions

913
00:46:40,440 --> 00:46:43,200
Speaker 1: just because I'm not nearly as good of a chef

914
00:46:43,239 --> 00:46:45,400
Speaker 1: as you are. So I'm gonna be asking you a

915
00:46:45,440 --> 00:46:47,319
Speaker 1: lot of questions, and you guys out there can ask

916
00:46:47,360 --> 00:46:48,440
Speaker 1: him as well. It's gonna be a lot of phone

917
00:46:48,440 --> 00:46:50,360
Speaker 1: We're gonna learn a lot and you know what, most importantly,

918
00:46:50,400 --> 00:46:52,160
Speaker 1: we're gonna eat good. We're gonna eat good. Man, eat

919
00:46:52,160 --> 00:46:54,040
Speaker 1: good in the neighborhood. Man, We're here for you. Listen

920
00:46:54,080 --> 00:46:55,919
Speaker 1: to Two Dudes in the Kitchen on the I Heart

921
00:46:56,000 --> 00:46:59,560
Speaker 1: Radio app Apple podcasts or wherever you listen to podcasts.

922
00:47:07,880 --> 00:47:11,080
Speaker 1: We've got Zach with us today. Now I have to

923
00:47:11,080 --> 00:47:16,040
Speaker 1: say something about Zach. So we have been unfortunately going

924
00:47:16,080 --> 00:47:18,759
Speaker 1: back and forth with Zach where we've had guests that

925
00:47:18,800 --> 00:47:21,360
Speaker 1: have had to cancel me very busy guests because they're awesome.

926
00:47:21,840 --> 00:47:26,719
Speaker 1: And so Zach is back with us, uh finally and

927
00:47:26,800 --> 00:47:29,960
Speaker 1: has been waiting and waiting and waiting so patiently to

928
00:47:30,000 --> 00:47:33,879
Speaker 1: come and play across the garden, which, of course we

929
00:47:34,320 --> 00:47:38,040
Speaker 1: uh know it's our wonderful characters. Ricky and Mocha are

930
00:47:38,080 --> 00:47:41,239
Speaker 1: still trying to get across this little garden to get

931
00:47:41,280 --> 00:47:44,120
Speaker 1: to the mall so that Mocha can see her boyfriend.

932
00:47:44,160 --> 00:47:46,000
Speaker 1: These are stories and characters we came up with in

933
00:47:46,040 --> 00:47:49,919
Speaker 1: two seconds, Angelie, and we have ever regretted it ever since.

934
00:47:51,040 --> 00:47:54,919
Speaker 1: So you are going to be Officer Johnson, and uh,

935
00:47:55,239 --> 00:47:58,120
Speaker 1: Zack Chisholm. I think I'm saying that correctly is going

936
00:47:58,160 --> 00:48:01,080
Speaker 1: to be Officer Taylor. Um. I these every week and

937
00:48:01,120 --> 00:48:05,640
Speaker 1: they are absolutely getting weirder and weirder. So I apologize

938
00:48:05,680 --> 00:48:08,200
Speaker 1: for the strangeness of this episode all the way around.

939
00:48:08,320 --> 00:48:11,160
Speaker 1: I mean, I'm here for it. I'm here for it

940
00:48:11,400 --> 00:48:15,799
Speaker 1: and are you guys you guys people. Yeah, no, Ricky

941
00:48:15,840 --> 00:48:25,560
Speaker 1: Lokar mice across getting across and there's Zack. Zach is back. Yes,

942
00:48:28,760 --> 00:48:31,600
Speaker 1: we're here year and it's official. And we've got now

943
00:48:31,640 --> 00:48:33,600
Speaker 1: two people in l A and two people in Texas.

944
00:48:34,040 --> 00:48:36,239
Speaker 1: So before we jump into across the car and Zach,

945
00:48:36,280 --> 00:48:37,960
Speaker 1: which we're of course going to do, and you will

946
00:48:38,000 --> 00:48:42,080
Speaker 1: be playing Officer Taylor um very quickly. I hear you

947
00:48:42,160 --> 00:48:45,680
Speaker 1: like to try to voice match ron Stoppable. I try.

948
00:48:46,120 --> 00:48:48,719
Speaker 1: I'm being so let me hear your best ron Stoppable.

949
00:48:49,040 --> 00:48:52,319
Speaker 1: All right, So the best one that I know is

950
00:48:52,360 --> 00:48:56,640
Speaker 1: Wayne Rufus is like crawling inside Ron's pocket. Okay, and

951
00:48:56,680 --> 00:49:03,520
Speaker 1: I got my cargo pants mash to go and that's

952
00:49:03,520 --> 00:49:06,480
Speaker 1: pretty good. That's that's pretty good. That's pretty good. He

953
00:49:06,600 --> 00:49:10,080
Speaker 1: had the the the sort of the higher register of

954
00:49:10,120 --> 00:49:12,040
Speaker 1: he and he's got you gotta get a little more

955
00:49:12,320 --> 00:49:18,160
Speaker 1: zal to get up there with mast Derek go the nacko.

956
00:49:18,480 --> 00:49:22,840
Speaker 1: That works nice. So we're going to jump into across

957
00:49:22,880 --> 00:49:26,520
Speaker 1: the garden and uh, I think, if if memory serves,

958
00:49:26,560 --> 00:49:28,879
Speaker 1: the last time we we saw Ricky and Mocha, they

959
00:49:28,880 --> 00:49:32,799
Speaker 1: were coming off of a pirate ship. I think is

960
00:49:32,840 --> 00:49:35,399
Speaker 1: what happened or did we or were they coming off?

961
00:49:35,960 --> 00:49:38,719
Speaker 1: I thought it was I thought it was the Psychedelic

962
00:49:38,960 --> 00:49:40,799
Speaker 1: Mushroom Trip, but that might have been the year. I

963
00:49:40,800 --> 00:49:44,000
Speaker 1: can't remember. Yeah, there was a mushroom trip, and then

964
00:49:44,000 --> 00:49:46,000
Speaker 1: it was the Titanic. Did we do the Titanic one?

965
00:49:46,040 --> 00:49:48,120
Speaker 1: I don't know. We're all over the place. That's where

966
00:49:48,160 --> 00:49:50,839
Speaker 1: it was. We were on Titanic last time. Yes, we

967
00:49:50,840 --> 00:49:53,799
Speaker 1: were on the Titanic the last time. I will be

968
00:49:53,840 --> 00:49:56,840
Speaker 1: reading the stage directions. I'm also Ricky and of course

969
00:49:57,040 --> 00:50:00,520
Speaker 1: Christie as Mocha. So we fade in exterior woods mall continuous,

970
00:50:00,560 --> 00:50:02,400
Speaker 1: a soaking wet Ricky and Mocha step out of the

971
00:50:02,480 --> 00:50:08,319
Speaker 1: lake and shake off the excess water. Look, I know

972
00:50:08,400 --> 00:50:10,520
Speaker 1: it's been like a while since I've been in the water,

973
00:50:10,600 --> 00:50:12,600
Speaker 1: but I think with a little work, I could get

974
00:50:12,640 --> 00:50:16,800
Speaker 1: my lap times back. I hate wet, for it always

975
00:50:16,960 --> 00:50:21,799
Speaker 1: smells like wet. For I swear, the first thing I'm

976
00:50:21,800 --> 00:50:24,960
Speaker 1: doing when I get to this stupid mall is going

977
00:50:25,080 --> 00:50:31,279
Speaker 1: to the saloon. Wait, the saloon or a salon, We'll

978
00:50:31,280 --> 00:50:36,320
Speaker 1: take whichever one pops up first. Where is the sun?

979
00:50:37,360 --> 00:50:39,640
Speaker 1: I could really use some heat right about now. Both

980
00:50:39,719 --> 00:50:41,480
Speaker 1: Ricky Mocha, look up to see the sun is being

981
00:50:41,480 --> 00:50:50,239
Speaker 1: blocked by the mall. Moca, they smile and hug. Did

982
00:50:50,280 --> 00:50:57,359
Speaker 1: they start to laugh? You're on. They turn and take

983
00:50:57,360 --> 00:50:59,160
Speaker 1: off towards the mall. They only get a few steps

984
00:50:59,160 --> 00:51:02,239
Speaker 1: when lights and side rs appear behind him, so they

985
00:51:02,280 --> 00:51:04,560
Speaker 1: stopped running and quote pull over to the side. A

986
00:51:04,600 --> 00:51:07,160
Speaker 1: little squad car pulls in behind him and to praying mantis.

987
00:51:07,160 --> 00:51:13,000
Speaker 1: Police officers step out. Uh, Mocha, you're not like holding anything,

988
00:51:13,000 --> 00:51:17,080
Speaker 1: are you? Are you? Of course not? The police unter up,

989
00:51:17,680 --> 00:51:21,520
Speaker 1: We like you almost going four miles? You think this

990
00:51:21,640 --> 00:51:26,000
Speaker 1: is um In the Anatolis race? What's a good racing analogy?

991
00:51:26,239 --> 00:51:29,239
Speaker 1: In the Anapolis works? You could have also said Daytona.

992
00:51:29,600 --> 00:51:33,440
Speaker 1: Both would have been acceptable race and analogy. If you

993
00:51:33,520 --> 00:51:36,800
Speaker 1: recall I actually started this entire conversation with the colloquial

994
00:51:37,080 --> 00:51:39,279
Speaker 1: where's the fire? The better analogy would have been to

995
00:51:39,320 --> 00:51:43,360
Speaker 1: stay with the fire theme. Fire analogy a little obscared. No,

996
00:51:45,160 --> 00:51:48,920
Speaker 1: that couldn't be argued that obscure could even more creative.

997
00:51:50,040 --> 00:51:54,640
Speaker 1: An interesting question, although an ashamed would make good fire analogy,

998
00:51:55,040 --> 00:51:57,560
Speaker 1: knowed me at the moment, you mean regards to the

999
00:51:57,600 --> 00:52:00,800
Speaker 1: situation or entirely in regard that this situation. Of course,

1000
00:52:01,040 --> 00:52:05,120
Speaker 1: can you imagine if there's a fire analogy entirely I

1001
00:52:05,120 --> 00:52:14,320
Speaker 1: would be under using. Okay, I don't understand what's happening.

1002
00:52:14,520 --> 00:52:16,759
Speaker 1: I'm not sure they even know that we're still here.

1003
00:52:17,360 --> 00:52:20,319
Speaker 1: The officers pay Ricky in moching, No mind me an

1004
00:52:20,320 --> 00:52:24,000
Speaker 1: example a fire analogy that pertains to our current situation,

1005
00:52:24,040 --> 00:52:33,440
Speaker 1: please a challenge? Okay, and I said where's the fire?

1006
00:52:33,520 --> 00:52:35,560
Speaker 1: You followed it up with you must be headed to

1007
00:52:35,600 --> 00:52:41,960
Speaker 1: a fill? Because Ricky turns around, Yeah, that doesn't really work,

1008
00:52:42,000 --> 00:52:43,879
Speaker 1: because why would our feet be smoking if we were

1009
00:52:43,880 --> 00:52:49,719
Speaker 1: going to a fire. He's right, m m to shame. Okay,

1010
00:52:50,040 --> 00:52:54,400
Speaker 1: what do you is this actually happening? Okay, how about

1011
00:52:54,440 --> 00:52:59,560
Speaker 1: after you said where's the fire? You said, um, anybody

1012
00:52:59,600 --> 00:53:02,239
Speaker 1: hadn't air must be fast because they'd have to have

1013
00:53:02,280 --> 00:53:08,360
Speaker 1: the marshmallows. A little bit woody, isn't. I'm also not

1014
00:53:08,560 --> 00:53:12,600
Speaker 1: sure it reflects exactly what we were trying to say. Okay,

1015
00:53:12,680 --> 00:53:17,800
Speaker 1: all right, well then how about I can take this anymore?

1016
00:53:18,360 --> 00:53:22,200
Speaker 1: Can you please just give us our tickets and take

1017
00:53:22,280 --> 00:53:30,719
Speaker 1: us to jail or whatever? Oh no, you're free to go. Yeahs.

1018
00:53:31,520 --> 00:53:33,839
Speaker 1: We also like stopping people and asking them where they're headed,

1019
00:53:33,920 --> 00:53:37,279
Speaker 1: using different colloquialisms that will be off, like the ether

1020
00:53:37,440 --> 00:53:40,400
Speaker 1: and they turned to walk back to their cars in

1021
00:53:40,440 --> 00:53:42,759
Speaker 1: the night while we're dressed like cabs white? Why why

1022
00:53:42,760 --> 00:53:47,040
Speaker 1: are use that the car drives away a saloon first?

1023
00:53:48,080 --> 00:53:57,920
Speaker 1: Definitely a saloon, yes, Zack, al right, really buddy, well

1024
00:53:58,120 --> 00:54:00,600
Speaker 1: that one was really fun. See what it was. The

1025
00:54:00,640 --> 00:54:06,759
Speaker 1: screenwriting is solid. Yeo really is man and he's so talented.

1026
00:54:07,320 --> 00:54:13,239
Speaker 1: Thank you so much for joining us. Zach is nice

1027
00:54:13,280 --> 00:54:16,400
Speaker 1: meeting you. You can follow me on the reel Chism

1028
00:54:16,960 --> 00:54:21,000
Speaker 1: the real zac Chisum. Yeah, that's awesome. He was great.

1029
00:54:21,080 --> 00:54:24,520
Speaker 1: And I love people that are so exciting to like

1030
00:54:24,800 --> 00:54:27,520
Speaker 1: just do voice over and work and do cartoons. It's

1031
00:54:27,680 --> 00:54:29,960
Speaker 1: just so great. Where can people find you? A Julie?

1032
00:54:30,280 --> 00:54:33,120
Speaker 1: People can find me all over the interwebs. My my

1033
00:54:33,200 --> 00:54:36,760
Speaker 1: handle in most places is sweet one with three ees

1034
00:54:36,800 --> 00:54:38,920
Speaker 1: because apparently I'm the only Indian on the planet that

1035
00:54:39,560 --> 00:54:42,520
Speaker 1: doesn't win spelling bees um, which is not true. I

1036
00:54:42,520 --> 00:54:44,480
Speaker 1: actually want a bunch of spelling bees. When I was younger,

1037
00:54:44,960 --> 00:54:46,879
Speaker 1: i won the fourth Radet spelling be because I played

1038
00:54:46,920 --> 00:54:49,000
Speaker 1: Dungeons and Dragons because no other fourth Rader knew how

1039
00:54:49,000 --> 00:54:51,720
Speaker 1: to spell vengeance night, I digress. I'm a spelling rebel,

1040
00:54:51,800 --> 00:54:56,160
Speaker 1: so it's s W E E T A n J.

1041
00:54:56,600 --> 00:54:58,760
Speaker 1: You can find me on Instagram, there on YouTube, there

1042
00:54:58,800 --> 00:55:01,719
Speaker 1: on Twitter there if Twitter vides UH, and then on Facebook,

1043
00:55:01,840 --> 00:55:04,560
Speaker 1: I'm Angelie BA money. And then you can also email

1044
00:55:04,600 --> 00:55:06,480
Speaker 1: me at a front facing email address, which is a

1045
00:55:06,560 --> 00:55:08,879
Speaker 1: Jelie at I am fun sized dot com. That's where

1046
00:55:08,880 --> 00:55:12,200
Speaker 1: I taken questions for the UH for the web series.

1047
00:55:12,239 --> 00:55:13,520
Speaker 1: That's where I got a lot of ideas of what

1048
00:55:13,640 --> 00:55:16,080
Speaker 1: to talk about for the book. So if there's ever anything,

1049
00:55:16,200 --> 00:55:19,000
Speaker 1: if there's that's just that's for the role to you.

1050
00:55:19,280 --> 00:55:23,040
Speaker 1: Send me your questions, send me your dog pictures. Please

1051
00:55:23,080 --> 00:55:26,439
Speaker 1: send me your dog pictures. UM. And then and then

1052
00:55:26,520 --> 00:55:34,520
Speaker 1: just dog pictures, puppies, puppies and steppes and everything else

1053
00:55:34,880 --> 00:55:37,400
Speaker 1: looks like keep that to yourself, fair enough, UM. And

1054
00:55:37,440 --> 00:55:40,640
Speaker 1: then yeah, please please please do if you get a chance,

1055
00:55:41,040 --> 00:55:43,520
Speaker 1: pick up the book, check out the web series. I'm

1056
00:55:43,560 --> 00:55:46,520
Speaker 1: not just saying that because it really is something that

1057
00:55:46,560 --> 00:55:49,360
Speaker 1: I feel strongly about, UM Sharing with the world and

1058
00:55:49,400 --> 00:55:51,719
Speaker 1: helping people realize that no matter what you're going through,

1059
00:55:52,560 --> 00:55:54,480
Speaker 1: you're not the only one. You might be the only

1060
00:55:54,480 --> 00:55:56,359
Speaker 1: one with those plot points in your story, but you're

1061
00:55:56,400 --> 00:55:58,360
Speaker 1: not the only one who's felt the way that you felt.

1062
00:55:58,360 --> 00:56:01,880
Speaker 1: There's always someone out there, either to be helping hand,

1063
00:56:02,120 --> 00:56:04,000
Speaker 1: to crack a joke for you, to be a shoulder,

1064
00:56:04,040 --> 00:56:05,759
Speaker 1: to cry on, to cheer you on, whatever it is.

1065
00:56:05,800 --> 00:56:08,839
Speaker 1: There's someone out there, including these two awesome people who

1066
00:56:08,880 --> 00:56:12,279
Speaker 1: are doing something so cool the voice over community. I

1067
00:56:12,280 --> 00:56:14,800
Speaker 1: think it's so so fun. We love it and we

1068
00:56:14,800 --> 00:56:16,719
Speaker 1: were so happy that you came here. And it's again

1069
00:56:16,719 --> 00:56:19,000
Speaker 1: it's I am fun sized and so are you. Thoughts

1070
00:56:19,000 --> 00:56:20,880
Speaker 1: from a tiny human on living a giant life. Go

1071
00:56:21,000 --> 00:56:23,399
Speaker 1: pick that up. And again, if I have any any

1072
00:56:23,400 --> 00:56:25,440
Speaker 1: say about it, go pick up the copy on streamely

1073
00:56:25,640 --> 00:56:28,320
Speaker 1: where then some of it is donated to help animals,

1074
00:56:28,320 --> 00:56:30,400
Speaker 1: which is awesome. Um, plus you want to have a

1075
00:56:30,400 --> 00:56:33,839
Speaker 1: real book. And Julie, we gotta see each other soon

1076
00:56:33,880 --> 00:56:37,239
Speaker 1: because we need another hot tub sash. We definitely need

1077
00:56:37,280 --> 00:56:39,400
Speaker 1: another hot tub sash with or with house bouses. I mean,

1078
00:56:39,400 --> 00:56:42,719
Speaker 1: who knows. Um, we went there, I went there, you

1079
00:56:42,760 --> 00:56:47,880
Speaker 1: didn't I did it? Yeah, we got a story. We

1080
00:56:47,920 --> 00:56:51,040
Speaker 1: got it was a good story. And uh, and we

1081
00:56:51,040 --> 00:56:52,680
Speaker 1: we have all all other stuff. We have to talk

1082
00:56:52,719 --> 00:56:55,560
Speaker 1: about too. So I'm glad we're in each other's lives

1083
00:56:55,600 --> 00:56:58,280
Speaker 1: and we still are. And thank you and coming and playing.

1084
00:56:59,120 --> 00:57:01,319
Speaker 1: Thank you so legend. It's so lovely to meet you,

1085
00:57:01,400 --> 00:57:04,040
Speaker 1: Christie n nice to meet you too. I hope to

1086
00:57:04,080 --> 00:57:11,400
Speaker 1: see you in a hot tub suit. Now. All right,

1087
00:57:12,280 --> 00:57:16,560
Speaker 1: love to you, take care, guys, Bye bye. She is amazing.

1088
00:57:16,640 --> 00:57:20,800
Speaker 1: She's nuts, isn't she. I can't do she's so thank

1089
00:57:20,800 --> 00:57:23,000
Speaker 1: you so much for bringing her on. Yeah, she's the best.

1090
00:57:23,280 --> 00:57:27,400
Speaker 1: She's got that energy. She loves everything she does. Um

1091
00:57:27,520 --> 00:57:30,920
Speaker 1: is it just a consummate actor, That's what she does.

1092
00:57:31,000 --> 00:57:32,920
Speaker 1: It's like she gives, you know, I always think, but

1093
00:57:33,000 --> 00:57:34,880
Speaker 1: Bill Daniels told me is like an actor acts, you

1094
00:57:34,920 --> 00:57:37,200
Speaker 1: take every opportunity to act, and she is the epitome

1095
00:57:37,240 --> 00:57:40,680
Speaker 1: of that. It's unbelievable exactly. I she really did illuminate

1096
00:57:40,720 --> 00:57:42,600
Speaker 1: a lot of things for me and what we were

1097
00:57:42,600 --> 00:57:45,520
Speaker 1: talking about in our intro and and it was so strange,

1098
00:57:45,560 --> 00:57:47,440
Speaker 1: it was almost like she had been listening to it.

1099
00:57:48,360 --> 00:57:51,520
Speaker 1: But the concept of storytelling in all the different mediums

1100
00:57:51,600 --> 00:57:54,280
Speaker 1: and using your voice, which is what we originally talking about. Like,

1101
00:57:54,360 --> 00:57:57,600
Speaker 1: I think she's just such an icon in terms of

1102
00:57:57,600 --> 00:58:01,720
Speaker 1: her approach to a healthy relation ship to your Yeah, well,

1103
00:58:01,720 --> 00:58:03,760
Speaker 1: I loved her analogy was one of the best analogies

1104
00:58:03,760 --> 00:58:06,320
Speaker 1: I've ever heard about. How she loves speaking French, she

1105
00:58:06,360 --> 00:58:10,560
Speaker 1: loves speaking Spanish, and they're they're too completely language, different languages,

1106
00:58:10,560 --> 00:58:13,680
Speaker 1: but they come from the same route. So it's uh yeah,

1107
00:58:13,720 --> 00:58:15,320
Speaker 1: it's a great analogy and a great way to look

1108
00:58:15,360 --> 00:58:18,560
Speaker 1: at it. So thank she's amazing. Thank you for joining

1109
00:58:18,640 --> 00:58:21,480
Speaker 1: us one, thank you all for joining us, and uh yeah,

1110
00:58:21,600 --> 00:58:24,320
Speaker 1: just remember we will be getting more into the I'll

1111
00:58:24,320 --> 00:58:26,120
Speaker 1: do it for you, Christie the super Awesome Contest to

1112
00:58:26,120 --> 00:58:29,560
Speaker 1: become the next Big Voice Actor. Super Awesome Contest to

1113
00:58:29,600 --> 00:58:32,320
Speaker 1: become the next Big Voice. Yes, uh, and I did it.

1114
00:58:32,360 --> 00:58:35,240
Speaker 1: I'm starting. You're getting there, You're getting there, and uh

1115
00:58:35,320 --> 00:58:37,320
Speaker 1: it's awesome. We were gonna be We're gonna be announcing

1116
00:58:37,320 --> 00:58:39,720
Speaker 1: a lot more very soon. And what I mean very soon,

1117
00:58:39,760 --> 00:58:41,280
Speaker 1: I mean very soon. We've been teasing this a lot.

1118
00:58:41,360 --> 00:58:43,840
Speaker 1: It's gonna be a ton of fun. Uh, So we

1119
00:58:43,920 --> 00:58:46,840
Speaker 1: will get there soon. Thank you all again for joining us.

1120
00:58:46,880 --> 00:58:48,640
Speaker 1: Thank you our guests, thank you, it's good to see

1121
00:58:48,640 --> 00:58:51,880
Speaker 1: you again. Christie. I love I love you too, and

1122
00:58:52,240 --> 00:58:54,400
Speaker 1: just remember everybody if you think you got what it

1123
00:58:54,440 --> 00:58:56,840
Speaker 1: takes to step up to the microphone, put your voices

1124
00:58:56,840 --> 00:58:59,760
Speaker 1: where your mouth is. Thanks everybody. I Hear Voices as

1125
00:58:59,760 --> 00:59:03,280
Speaker 1: host by Wilfredel and Christy Carlson Romano. Executive produced by Wilfordel,

1126
00:59:03,320 --> 00:59:06,400
Speaker 1: Brendan Rooney, Amy Sugarman and Vicky Ernst Chang. Our executive

1127
00:59:06,400 --> 00:59:08,800
Speaker 1: in charge of production is Danielle Romo, Our producer is

1128
00:59:08,880 --> 00:59:11,880
Speaker 1: Lorraine Vera Weez and our editor slash engineer is Brian Burton.

1129
00:59:12,160 --> 00:59:15,640
Speaker 1: And that was my announcer voice. Some side effects of

1130
00:59:15,640 --> 00:59:17,960
Speaker 1: listening to I Hear Voices are sore abs from hilarity

1131
00:59:18,080 --> 00:59:20,600
Speaker 1: falling down the coco melon rabbit hole, sneezing due to

1132
00:59:20,640 --> 00:59:23,520
Speaker 1: mass nostalgia, and hugs. Follow I Hear Voices wherever you

1133
00:59:23,520 --> 00:59:25,160
Speaker 1: listen to podcasts so you don't miss any of the

1134
00:59:25,200 --> 00:59:27,760
Speaker 1: amazing voices. Be sure to follow us on Instagram and

1135
00:59:27,760 --> 00:59:30,320
Speaker 1: TikTok at I Hear Voices podcast. You can also check

1136
00:59:30,400 --> 00:59:33,040
Speaker 1: us out on my space, omegal Vine, Lime Wire. Hey

1137
00:59:33,080 --> 00:59:35,600
Speaker 1: I'm a napster. Okay, well let's teach you about the Internet.

1138
00:59:35,680 --> 00:59:36,160
Speaker 1: The who