WEBVTT - Dutton Family DNA

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<v Speaker 1>Hey, everybody, welcome back to the official Yellowstone Podcast. It's

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<v Speaker 1>Jefferson White here. I am joined as always by my

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<v Speaker 1>incomparable co host Jen Landon. Hey, Hey, we are so

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<v Speaker 1>so glad to have you with us today. As we've

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<v Speaker 1>been talking about three shows now eighteen eighty three, nineteen

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<v Speaker 1>twenty three and Yellowstone, you and I have done a

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<v Speaker 1>lot of research genealogy. We've been learning right alongside the fans,

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<v Speaker 1>how these characters relate to each other, how this history

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<v Speaker 1>really plays out. There's such a rich lore with this family.

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<v Speaker 1>So stand by, we're gonna be right back, and then

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<v Speaker 1>we're going to dig into it. You know, we we

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<v Speaker 1>took an embarrassingly long time sort of putting together the

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<v Speaker 1>basics of the family tree, and it's been so fun

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<v Speaker 1>to kind of look forward look back, especially when it

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<v Speaker 1>comes to nineteen twenty three, because we know Dutton's before that,

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<v Speaker 1>we know Dutton's after that. So today we're going to

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<v Speaker 1>kind of dig into how it all fits together and

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<v Speaker 1>what has really kept this family going, what has really

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<v Speaker 1>driven this family. So to that end, Jen and I

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<v Speaker 1>thought that it might be fun to have somebody to

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<v Speaker 1>chap this up with, and maybe somebody who's got a

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<v Speaker 1>better eagles eye perspective on all of this.

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<v Speaker 2>Yeah, I mean some of you may have caught us

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<v Speaker 2>referring to our beloved producer, mister Scott.

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<v Speaker 1>You know, they may also may not have caught us

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<v Speaker 1>referring to Scott, because he is in charge of this

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<v Speaker 1>whole thing. He's in charge of what stays in the

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<v Speaker 1>podcast and what gets cut out. So it's also entirely

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<v Speaker 1>possible that he's remained a mystery. He's protected his identity

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<v Speaker 1>much like a sort of Batman style figure. Scott, thank

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<v Speaker 1>you so much for being here. Man. You've been here

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<v Speaker 1>from the beginning of this thing. You are you are

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<v Speaker 1>a part not only of the DNA, of this podcast,

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<v Speaker 1>but also of the whole Yellowstone universe. You've been helping

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<v Speaker 1>us figure this out from the beginning. Anytime Jen and I,

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<v Speaker 1>you know, have questions about this stuff, you always are

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<v Speaker 1>here to help us through it. So thank you so

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<v Speaker 1>much for being with us today and for being with

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<v Speaker 1>us on this journey.

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<v Speaker 3>Well, hey, guys, I appreciate it. You know. Just to clarify,

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<v Speaker 3>I'm not the no all authority on Yellowstone being part

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<v Speaker 3>of the inner circle here, so to speak. We only

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<v Speaker 3>know what the fans know. We don't necessarily know what's

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<v Speaker 3>going on in that mind of Taylor Sheridan. A lot

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<v Speaker 3>of it's still a mystery, so we unpack as we go.

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<v Speaker 1>That's what's so exciting about this whole process. You know,

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<v Speaker 1>as the show is airing, we are learning this mythology

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<v Speaker 1>as it goes, like from episode to episode, we are

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<v Speaker 1>right alongside the audience kind of putting together this family

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<v Speaker 1>t Okay. So right now we are lucky to live

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<v Speaker 1>in the age of Yellowstone. There's three shows that we

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<v Speaker 1>are drawing from this mythology from. So we've got eighteen

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<v Speaker 1>eighty three, we've got nineteen twenty three, and we've got Yellowstone,

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<v Speaker 1>and we are piecing together this map of the Dutton

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<v Speaker 1>family's journey from all three of those shows.

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<v Speaker 2>Before we begin, just want to give a little bit

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<v Speaker 2>of a spoiler alert for our audience, for anyone who

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<v Speaker 2>hasn't seen, you know, all of any of these shows,

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<v Speaker 2>and the one in particular I'm worried about is nineteen

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<v Speaker 2>twenty three. Since it is currently airing, there might be

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<v Speaker 2>some spoilers as we go through this family tree, so

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<v Speaker 2>just you know, turn the volume down when we get there.

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<v Speaker 1>Yeah, if you haven't seen these shows yet, I encourage

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<v Speaker 1>you to go watch them because they are amazing and

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<v Speaker 1>I can't wait to hear your thoughts on them. So

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<v Speaker 1>if you haven't checked them out yet, go check them

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<v Speaker 1>out and then come back and comment on this podcast

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<v Speaker 1>with everything we got wrong. So beginning at the beginning

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<v Speaker 1>eighteen eighty three, we are introduced to the very first

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<v Speaker 1>Dutton's chronologically that we've ever met, and that's James Dutton,

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<v Speaker 1>Tim McGraw and Margaret Dutton, Faith Hill, Jeffy.

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<v Speaker 3>If I can just say, James Dutton, that is a

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<v Speaker 3>bad man. Yeah, that is that dude. And I when

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<v Speaker 3>I first saw this guy, it was really funny because

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<v Speaker 3>you see him basically being attacked by these bandits and

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<v Speaker 3>Sam Elliott and La Monica Garrett are sitting on a

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<v Speaker 3>hill and they see him and they're just watching. They're

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<v Speaker 3>talking about this farmer. They called him a farmer. But

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<v Speaker 3>yet this guy gets off his horse and he is

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<v Speaker 3>like the og sniper. He snipes these guys. And I'm

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<v Speaker 3>thinking to myself, that's a bad dude. That's the DNA.

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<v Speaker 3>That's like where this all comes from with this Dutton family.

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<v Speaker 3>Wouldn't you say, absolutely.

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<v Speaker 1>Over time we see the Duttons take on more responsibility

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<v Speaker 1>and become perhaps more civilized. But James Dutton Tim McGraw,

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<v Speaker 1>he starts from a wild place. You know, we learned

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<v Speaker 1>over the actions of eighteen eighty three that he served

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<v Speaker 1>in the Civil War. He has this background as a soldier,

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<v Speaker 1>which so many of the Duttons do, as they're haunted

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<v Speaker 1>across generations by violence. And this is it's prior to

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<v Speaker 1>perhaps the civilization or the sort of comfort that later

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<v Speaker 1>generations of Duttons will come to know. So James and

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<v Speaker 1>Margaret are tough as hell. Yeah.

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<v Speaker 3>The women behind this really show through, and you know

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<v Speaker 3>they're first born. Is this most incredible woman you could

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<v Speaker 3>ever imagine?

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<v Speaker 1>Absolutely? Yeah, Elsa herself their daughter. Yeah.

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<v Speaker 3>You know, it's interesting because everybody that talks about the

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<v Speaker 3>Duttons talks about the men, the men, the Dutton family,

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<v Speaker 3>but it's the women that are the strength behind the buttons.

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<v Speaker 2>I mean, I feel like, unfortunately that's how the conversation

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<v Speaker 2>goes across the board. In all areas of life that

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<v Speaker 2>the focus does.

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<v Speaker 4>Tend to be.

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<v Speaker 2>You know, I'm the dude and the woman usually gets

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<v Speaker 2>short changed. But there are many instances where, you know,

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<v Speaker 2>when there is a more traditional model where the man

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<v Speaker 2>is more of the you know, doer in the world,

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<v Speaker 2>there is almost always a woman who's holding him together

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<v Speaker 2>with super glue and some plaster.

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<v Speaker 1>Yeah, as we're talking about, you know, these ancestors, John

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<v Speaker 1>Dutton's ancestors, we have to remember that we're also talking

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<v Speaker 1>about Beth Dutton's ancestors. We're also talking about this long

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<v Speaker 1>line of women who, by the time we meet the

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<v Speaker 1>Duttons have come down to Beth, to this absolute force

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<v Speaker 1>of nature holding the Dutton ranch together with sheer force

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<v Speaker 1>of will. You know, So everyone we're talking about today

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<v Speaker 1>is also Beth's ancestors.

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<v Speaker 2>I wonder if Taylor picked up on a piece of

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<v Speaker 2>that in like that being a part of the conversation

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<v Speaker 2>around eighteen eighty three, because in nineteen twenty three, one

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<v Speaker 2>of the things that I love is that even though

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<v Speaker 2>that show comes out obviously it's the next season, it's

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<v Speaker 2>set roughly forty years later. It is the same generation

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<v Speaker 2>as the James and Margaret Dutton that we had gotten

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<v Speaker 2>to know in eighteen eighty three, And the first image

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<v Speaker 2>we get is not Jacob Dutton being a badass, but

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<v Speaker 2>it's Kara Dutton Helen Mirren who's got that first moment

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<v Speaker 2>that sort of sets the tone for the piece, And

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<v Speaker 2>in many ways, she feels like she feels positioned more

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<v Speaker 2>the way Beth, the way the Beth character does to

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<v Speaker 2>me in terms of her own mission and drive.

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<v Speaker 1>Absolutely yeah. And there's this sort of recurring theme that

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<v Speaker 1>as the men go out and take care of the cattle,

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<v Speaker 1>often the ranch comes under asault, and the people left

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<v Speaker 1>to defend the ranch, the sort of toughest, last line,

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<v Speaker 1>scrappiest sort of defenders of the ranch are the women

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<v Speaker 1>who are staying at home and holding the whole thing together.

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<v Speaker 1>You know, as Kevin Costner goes out to be the

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<v Speaker 1>governor of Montana, it's a good thing. Beth's home. As

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<v Speaker 1>Jacob Dutton goes out to do this cattle drive, it's

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<v Speaker 1>a good thing.

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<v Speaker 2>Kara Dun the casting obviously, it's like, what it's a

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<v Speaker 2>no brainer. You get an opportunity of Helen marrin, you're

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<v Speaker 2>gonna take it. But her essence is so not that

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<v Speaker 2>of the diminutive female that she just brings that fearce

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<v Speaker 2>independence to every single piece that she does.

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<v Speaker 1>Absolutely yeah. So starting you know, at the beginning, starting

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<v Speaker 1>in eighteen eighty three, we've got obviously James and Margaret,

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<v Speaker 1>that's Tim and faith for those of us, you know,

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<v Speaker 1>for their close personal friends. They've got their daughter, Elsa,

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<v Speaker 1>and they've also got two kids. So the only character

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<v Speaker 1>that man to survive from the action of eighteen eighty

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<v Speaker 1>three to the action of nineteen twenty three is John

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<v Speaker 1>Dutton Senior. God bless him. He hung on for those

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<v Speaker 1>intervening forty difficult, hard, hard fought years, Jeff just to clarify.

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<v Speaker 3>So in eighteen eighty three, we see them coming across

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<v Speaker 3>the country. They're on their way to Oregon. They get

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<v Speaker 3>to Montana, Elsa passes. They have this, you know, they

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<v Speaker 3>have this deal. Where she dies is where she stays,

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<v Speaker 3>where we all stay, where we set roots in our family.

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<v Speaker 3>And this is something that Margaret and James decided because

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<v Speaker 3>Margaret said on the truck, I don't want her to

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<v Speaker 3>be a signpost on the side of a trail where

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<v Speaker 3>she dies we stay. I don't know if you guys

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<v Speaker 3>remember that, but it was very poignant. So they get

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<v Speaker 3>to Montana and I can't talk about this. I'm talking

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<v Speaker 3>about the relationship between James Dutton and Elsa. I mean,

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<v Speaker 3>talk about a father daughter relationship. That was just heart

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<v Speaker 3>wrenching to me, the sensitivity this guy had. The he's

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<v Speaker 3>this bad dude, as I said earlier, but yet with

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<v Speaker 3>his daughter, he's just a little you know, he crumbles

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<v Speaker 3>and he just does everything for her and it's just

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<v Speaker 3>a really amazing dynamic. But going forward, they actually have

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<v Speaker 3>a second son, and it's during this time right after

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<v Speaker 3>the show eighteen eighty three, but before nineteen twenty three,

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<v Speaker 3>and that is Spencer Dutton. So James and Margaret have

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<v Speaker 3>three children in total. Also who passes John Dutton who

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<v Speaker 3>we see in eighteen eighty three, and then Spencer Dutton,

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<v Speaker 3>who we get introduced to in nineteen twenty three.

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<v Speaker 1>Yeah, and who we see as a child in Yellowstone

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<v Speaker 1>season four's flashbacks. So Yellowstone season four has these two

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<v Speaker 1>flashbacks where we're first introduced to James and Margaret, and

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<v Speaker 1>at that time we're all so introduced for the first

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<v Speaker 1>time to not only John but to the young boy Spencer. Yes, exactly, Yeah,

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<v Speaker 1>And you're totally right that that relationship, the relationship between

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<v Speaker 1>James and Elsa is such a beautiful father daughter relationship

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<v Speaker 1>and it's amazing to watch the evolution of that over

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<v Speaker 1>the years, which leads up to the relationship between John Dutton,

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<v Speaker 1>Kevin Costner and Beth Dutton. Another relationship between a man

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<v Speaker 1>and his daughter, another sort of partnership between a man

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<v Speaker 1>and his daughter that that's really beautiful in the Modernay.

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<v Speaker 2>Totally, And I know we hit on this before, but

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<v Speaker 2>just because now we've sort of moved into that next generation,

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<v Speaker 2>the one that has John Dutton, Spencer Dutton, Elsa, But

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<v Speaker 2>now in this nineteen twenty three world, I want to

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<v Speaker 2>look at how Kara and Jacob came. And we'll do

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<v Speaker 2>that after we take a quick break. Okay, So we

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<v Speaker 2>meet and spend time with James Dutton in eighteen eighty three.

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<v Speaker 2>We see in season four of Yellowstone in a flashback

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<v Speaker 2>that he is shot, that James is shot in the gut,

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<v Speaker 2>and in the first episode of nineteen twenty three we

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<v Speaker 2>hear Elsa talk about the passing of her father, which

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<v Speaker 2>is I just have to say, such amazing storytelling in

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<v Speaker 2>terms of having the brain space to reveal pieces over

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<v Speaker 2>three different shows. So now that we're here, we can

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<v Speaker 2>kind of get into the Kara Dutton and the Jacob

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<v Speaker 2>Dutton and how they got to the Dutton Ranch that

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<v Speaker 2>we have come to know in Love on Yellowstone. So

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<v Speaker 2>we know that James Dutton has passed away, right. We

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<v Speaker 2>know in the first episode of nineteen ten twenty three

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<v Speaker 2>that Margaret writes a letter to James's brother, Jacob Dutton

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<v Speaker 2>played by Harrison Ford, asking him to come and help

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<v Speaker 2>out on the ranch. So he and his wife Kara,

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<v Speaker 2>they come to the Dutton They arrive at the Dutton

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<v Speaker 2>ranch only to find Margaret Dutton frozen to death and

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<v Speaker 2>their two sons, John Dutton Senior, who we got to

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<v Speaker 2>know in eighteen eighty three and Spencer Dutton, who we

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<v Speaker 2>have not met yet, nearly starved to death and take

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<v Speaker 2>those boys in for their own that's right.

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<v Speaker 1>So by the time we get to the action of

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<v Speaker 1>nineteen twenty three, those boys have grown up. John Dutton

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<v Speaker 1>Senior is you know, he's forty five years old now. Spencer,

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<v Speaker 1>his little brother, is over in Africa, sort of haunted

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<v Speaker 1>by his own demons. It's interesting as we talk about

0:13:52.480 --> 0:13:55.920
<v Speaker 1>generations of this family, we're also talking about American history.

0:13:56.240 --> 0:13:59.120
<v Speaker 1>So James Dutton, Tim McGraw served in the Civil War,

0:14:00.080 --> 0:14:04.120
<v Speaker 1>Answer Dutton served in World War one, and then Casey

0:14:04.200 --> 0:14:06.640
<v Speaker 1>Dutton in the Action of Yellowstone. We learn over the

0:14:06.679 --> 0:14:09.240
<v Speaker 1>Action of Yellowstone that he served overseas too, So it

0:14:09.320 --> 0:14:14.440
<v Speaker 1>really is also kind of war has haunted this family

0:14:14.480 --> 0:14:17.480
<v Speaker 1>over generations, just as it's haunted the whole world. You

0:14:17.520 --> 0:14:21.400
<v Speaker 1>know that these global conflicts continue to sort of pull

0:14:21.440 --> 0:14:25.320
<v Speaker 1>young men from their homes and thrust them into the

0:14:25.360 --> 0:14:27.520
<v Speaker 1>mouth of hell, as it were.

0:14:27.800 --> 0:14:32.320
<v Speaker 3>Well, which begs the question, there is a time period

0:14:32.320 --> 0:14:35.920
<v Speaker 3>between nineteen twenty three and present day. Are we going

0:14:36.000 --> 0:14:39.040
<v Speaker 3>to get to see what happens in there? Who is

0:14:39.080 --> 0:14:42.280
<v Speaker 3>the predecessor to John Dutton as we know him today,

0:14:42.600 --> 0:14:46.360
<v Speaker 3>Who are his what is his exact lineage?

0:14:46.440 --> 0:14:49.200
<v Speaker 1>Do me know that that's a complicated question, Scott. I

0:14:49.240 --> 0:14:53.400
<v Speaker 1>think we're piecing that together slowly as more information is

0:14:53.440 --> 0:14:56.440
<v Speaker 1>revealed in nineteen twenty three, and I've seen some really

0:14:56.480 --> 0:15:00.280
<v Speaker 1>great theories on social media. I've seen fans work to

0:15:00.320 --> 0:15:03.960
<v Speaker 1>piece that together. You know, we hear in the opening

0:15:04.160 --> 0:15:08.920
<v Speaker 1>voiceover narration of nineteen twenty three, you know that only

0:15:09.120 --> 0:15:15.680
<v Speaker 1>one of Elsa's father's children live long enough to see

0:15:15.720 --> 0:15:21.280
<v Speaker 1>their children grow up, which is remarkably evocative, but also,

0:15:21.680 --> 0:15:24.920
<v Speaker 1>you know, mysterious linguistication.

0:15:25.000 --> 0:15:26.880
<v Speaker 2>It feels like a riddle. It feels like one of

0:15:26.920 --> 0:15:28.920
<v Speaker 2>those riddles that you would sit around and think about.

0:15:29.880 --> 0:15:33.760
<v Speaker 3>Well, I know Jen has been cultivating this and mulling

0:15:33.760 --> 0:15:36.200
<v Speaker 3>this over because we've talked about this a couple times.

0:15:35.880 --> 0:15:37.600
<v Speaker 2>And I love when I'm gonna. I love when we

0:15:37.640 --> 0:15:38.720
<v Speaker 2>all find out that I'm wrong.

0:15:40.440 --> 0:15:42.800
<v Speaker 1>So your theory, Jin, talk us through your theory.

0:15:43.160 --> 0:15:43.480
<v Speaker 4>Okay.

0:15:43.560 --> 0:15:47.080
<v Speaker 2>So and again, let's like really check what Elsa says.

0:15:47.920 --> 0:15:52.360
<v Speaker 2>My father had two sons, right, only one of them.

0:15:52.760 --> 0:15:56.280
<v Speaker 4>Will live to see theirs.

0:15:56.120 --> 0:16:00.240
<v Speaker 2>Grown, meaning only one of those two sons. Is it

0:16:00.400 --> 0:16:04.080
<v Speaker 2>is that roughly correct, we'll live to see their own

0:16:04.200 --> 0:16:05.840
<v Speaker 2>son grow, right?

0:16:06.520 --> 0:16:06.760
<v Speaker 1>Yeah?

0:16:06.760 --> 0:16:09.200
<v Speaker 3>And I think the problem you have with that has

0:16:09.280 --> 0:16:11.200
<v Speaker 3>been what has grown means?

0:16:11.320 --> 0:16:14.200
<v Speaker 2>Right? This is where it starts to feel like, well,

0:16:14.360 --> 0:16:18.480
<v Speaker 2>like for me, my thought is okay, but we know

0:16:18.520 --> 0:16:22.960
<v Speaker 2>that we lose John Dutton Sr. Right, And you might

0:16:23.000 --> 0:16:27.160
<v Speaker 2>have this moment where you're like, yay, this means Spencer

0:16:27.240 --> 0:16:30.400
<v Speaker 2>Dutton lives, and which is very exciting because we all

0:16:30.440 --> 0:16:33.640
<v Speaker 2>like Spencer Dutton because he's cool in every way possible.

0:16:35.000 --> 0:16:37.600
<v Speaker 1>He's really cool. We have to all it cool. Let's

0:16:37.600 --> 0:16:41.080
<v Speaker 1>just spend a second talking about perhaps the coolest Dutton

0:16:41.120 --> 0:16:46.520
<v Speaker 1>we've met, with all due respect the other Dutton, Spencer Spencer's.

0:16:47.200 --> 0:16:50.320
<v Speaker 2>He's a cool Dutton. And also because he's giving off.

0:16:50.400 --> 0:16:51.760
<v Speaker 2>I don't know if any of you pick us up

0:16:51.920 --> 0:16:55.800
<v Speaker 2>like soft Harrison form Indiana Jones vibes, you know, like

0:16:55.920 --> 0:16:59.120
<v Speaker 2>immediately when you look at him, it feels like a

0:16:59.240 --> 0:17:01.680
<v Speaker 2>nod at that, which I hope was intentional because I

0:17:01.680 --> 0:17:02.920
<v Speaker 2>thought it was so smart.

0:17:04.240 --> 0:17:08.200
<v Speaker 1>The clothes, you know, the costume design. Spencer's costume design

0:17:08.520 --> 0:17:12.160
<v Speaker 1>really seems to pay homage to get our boy, Harrison

0:17:12.200 --> 0:17:15.919
<v Speaker 1>Ford's Obscure film Indiana Jones.

0:17:15.960 --> 0:17:18.280
<v Speaker 2>Listen, we're digressing, and I'm gonna digress from one more

0:17:18.320 --> 0:17:20.800
<v Speaker 2>second because when we when we meet the Alexandra character,

0:17:20.840 --> 0:17:23.080
<v Speaker 2>I just have to say, in terms of taking costumes

0:17:23.080 --> 0:17:26.480
<v Speaker 2>that are homages to other characters and movies that we love,

0:17:27.640 --> 0:17:30.720
<v Speaker 2>I mean she also just like the second I looked

0:17:30.720 --> 0:17:33.960
<v Speaker 2>at her, I thought it's Meryl streep in Out of Africa,

0:17:34.080 --> 0:17:37.200
<v Speaker 2>you know, just down to I mean, just her physicality

0:17:37.240 --> 0:17:42.119
<v Speaker 2>and everything. But to go back, guys, so John doesn't

0:17:42.160 --> 0:17:45.639
<v Speaker 2>Senior dies, We think, yay, we get to keep Spencer Dutton.

0:17:45.840 --> 0:17:47.439
<v Speaker 2>He's going to be with us for a while, and

0:17:47.480 --> 0:17:49.600
<v Speaker 2>then you go, wait a minute, she said, only one

0:17:49.680 --> 0:17:52.159
<v Speaker 2>of them lives to see there's grown. We know that

0:17:52.200 --> 0:17:55.640
<v Speaker 2>John didn't see her. You has a son, Jack Dutton,

0:17:56.359 --> 0:17:57.879
<v Speaker 2>and Jack Dutton is getting married.

0:17:58.440 --> 0:18:00.399
<v Speaker 1>You just you know, you soft rolled us into a

0:18:00.440 --> 0:18:03.840
<v Speaker 1>whole new generation of Dutton's here. So John Dutton Senior,

0:18:03.920 --> 0:18:07.480
<v Speaker 1>who passes away in episode three of nineteen twenty three violently,

0:18:07.600 --> 0:18:10.880
<v Speaker 1>as is often the way with our Duttons, has a son,

0:18:11.520 --> 0:18:14.680
<v Speaker 1>Jack Dutton, and that brings us You know that that's

0:18:14.720 --> 0:18:19.720
<v Speaker 1>our youngest generation of Dutton's in nineteen twenty three. So

0:18:19.800 --> 0:18:21.880
<v Speaker 1>the question that we're sort of caught up on here

0:18:22.359 --> 0:18:29.920
<v Speaker 1>is in terms of Elsa's you know, foreboding prophecy or prologue,

0:18:30.040 --> 0:18:35.200
<v Speaker 1>is that the grown Dutton child, thus implying that Spencer

0:18:35.400 --> 0:18:38.200
<v Speaker 1>also doesn't live to see his children gown.

0:18:38.960 --> 0:18:41.479
<v Speaker 3>Well, that's an interesting thought because we know later on

0:18:41.560 --> 0:18:45.920
<v Speaker 3>Yellowstone we're using the name John, which would imply it's

0:18:45.920 --> 0:18:49.119
<v Speaker 3>coming from the John Dutton senior lineage, or is it?

0:18:49.200 --> 0:18:51.439
<v Speaker 3>You know, you take a look at Jack Dutton and

0:18:51.480 --> 0:18:55.280
<v Speaker 3>it's funny because I don't feel Dutton from Jack Dutton.

0:18:55.760 --> 0:18:59.520
<v Speaker 3>Where does the lineage go? Does Spencer have children with

0:18:59.600 --> 0:19:03.200
<v Speaker 3>alexand Andre is it Alexandra we know now that he

0:19:03.400 --> 0:19:07.840
<v Speaker 3>finally finds out what's going on back home. And I mean,

0:19:07.920 --> 0:19:10.240
<v Speaker 3>I don't know about you guys, but what a scene

0:19:10.440 --> 0:19:13.639
<v Speaker 3>like Taylor pulls on heartstrings?

0:19:13.800 --> 0:19:15.560
<v Speaker 2>Yeah, and also just you hit on a thing that

0:19:17.440 --> 0:19:21.199
<v Speaker 2>is to say, like again, the lineage of the Duttons

0:19:21.320 --> 0:19:24.399
<v Speaker 2>that we see in Yellowstone can absolutely come from Jack

0:19:24.520 --> 0:19:28.960
<v Speaker 2>or Spencer. Spencer's according to Elsa's as you said, Jeff, prologuer,

0:19:29.160 --> 0:19:34.080
<v Speaker 2>premonition or whatever it is, absolutely can have kids. He

0:19:34.160 --> 0:19:38.000
<v Speaker 2>could have ten kids, but he will not see any

0:19:38.040 --> 0:19:41.560
<v Speaker 2>of them grow up. Oh, is that what you're taking

0:19:41.560 --> 0:19:44.040
<v Speaker 2>from thee because as you were saying that, because I

0:19:44.080 --> 0:19:46.119
<v Speaker 2>wasn't thinking that a moment ago, but as you were talking,

0:19:46.359 --> 0:19:53.119
<v Speaker 2>there's absolutely no version of that. The thing that els

0:19:53.160 --> 0:19:56.679
<v Speaker 2>has said, he can have a ton of kids, but

0:19:56.720 --> 0:19:59.720
<v Speaker 2>according to the prophecy, the only rule is he will not.

0:19:59.760 --> 0:20:02.640
<v Speaker 4>Live to see those kids grow up.

0:20:03.560 --> 0:20:10.320
<v Speaker 2>So the mystery remains, which son and uh, Scott, to

0:20:10.400 --> 0:20:13.639
<v Speaker 2>your point about Jack, though, I mean, he's such a

0:20:13.640 --> 0:20:17.800
<v Speaker 2>fun character. I do also I do agree that I

0:20:17.840 --> 0:20:25.200
<v Speaker 2>feel like the Spencer Dutton stoicism is sort of Jeff,

0:20:25.200 --> 0:20:29.000
<v Speaker 2>You're making a face. Am I own tricky territory here? Well?

0:20:29.119 --> 0:20:31.760
<v Speaker 1>No, I mean I just I won't. I won't stand

0:20:31.880 --> 0:20:35.200
<v Speaker 1>for Jack Dunnet. I am not under Jack Dutton.

0:20:36.080 --> 0:20:41.720
<v Speaker 2>I think the young man, the Jack Dutton character, I'm

0:20:41.760 --> 0:20:45.480
<v Speaker 2>not sure like how his recklessness is going to play

0:20:45.520 --> 0:20:48.880
<v Speaker 2>out for his survival in the long run.

0:20:49.080 --> 0:20:52.359
<v Speaker 3>Well, you know, it's interesting because in the world of Yellowstone,

0:20:52.400 --> 0:20:55.520
<v Speaker 3>you guys talked about many times, we don't know who's

0:20:55.520 --> 0:20:57.760
<v Speaker 3>going to survive and who's not. You know, we're introduced

0:20:57.800 --> 0:21:01.639
<v Speaker 3>to John Dutton Senior, and and I'm looking at this

0:21:02.080 --> 0:21:06.160
<v Speaker 3>and I'm looking at this character, amazing character. I'm thinking, Okay,

0:21:06.160 --> 0:21:09.200
<v Speaker 3>here we go. Here's what would typically happen. This man

0:21:09.240 --> 0:21:12.120
<v Speaker 3>grows older, he's the firstborn son, he's going to take

0:21:12.160 --> 0:21:19.000
<v Speaker 3>over the ranch. Dude gets killed. Yeah, I mean, who

0:21:19.000 --> 0:21:21.359
<v Speaker 3>would expect that. It's just it's it's a It's again,

0:21:21.480 --> 0:21:24.760
<v Speaker 3>it's an ongoing theme within Yellowstone. You don't know who's

0:21:24.760 --> 0:21:26.879
<v Speaker 3>gonna die, and people die.

0:21:27.160 --> 0:21:28.800
<v Speaker 1>Yeah, we got to learn the lesson. We got to

0:21:28.880 --> 0:21:31.959
<v Speaker 1>learn the Lee Dutton lesson. Taylor showed us Lee Dutton

0:21:32.040 --> 0:21:35.560
<v Speaker 1>the sort of eldest son, the promised heir to the throne,

0:21:35.600 --> 0:21:38.520
<v Speaker 1>in episode one of Yellowstone, and then he ripped us,

0:21:38.640 --> 0:21:41.120
<v Speaker 1>you know, he ripped him away. He stole Dave Annabel

0:21:41.200 --> 0:21:43.160
<v Speaker 1>from us, in the same way that he's now stolen

0:21:43.280 --> 0:21:47.320
<v Speaker 1>this James Badgdale performance. Because James Badge Dale or you

0:21:47.359 --> 0:21:52.040
<v Speaker 1>know GBD, if you're freaky, that's an incredible character actor.

0:21:52.080 --> 0:21:54.640
<v Speaker 1>And to have that performance robbed from us, I'll never

0:21:54.760 --> 0:21:58.520
<v Speaker 1>forgive Taylor for that. But also, you know, great decision, boss,

0:21:58.560 --> 0:21:59.720
<v Speaker 1>really good storytelling, great TV.

0:22:01.400 --> 0:22:04.000
<v Speaker 2>All Right, so we've moved, we're on this. We're kind

0:22:04.040 --> 0:22:08.600
<v Speaker 2>of mixing generations here. We're at the John Dutton, Spencer Dutton,

0:22:09.280 --> 0:22:11.640
<v Speaker 2>and John Dutton's son, Jack Dutton, and I just want

0:22:11.680 --> 0:22:13.600
<v Speaker 2>to take a moment here because we started off the

0:22:13.600 --> 0:22:15.920
<v Speaker 2>show with a thema talking about the women behind them.

0:22:16.560 --> 0:22:18.879
<v Speaker 2>I would like to take a moment to talk about

0:22:19.480 --> 0:22:22.359
<v Speaker 2>or just maybe give a shout out to Emma Dutton,

0:22:22.840 --> 0:22:25.399
<v Speaker 2>who's played by Marley Shelton, an actress I worked with

0:22:25.480 --> 0:22:30.400
<v Speaker 2>years ago I am obsessed with. We have Alexandra, who

0:22:30.640 --> 0:22:33.480
<v Speaker 2>Spencer meets in Africa and that seems to be this

0:22:33.600 --> 0:22:37.560
<v Speaker 2>sort of world opening experience for him. And then we

0:22:37.600 --> 0:22:40.920
<v Speaker 2>have Elizabeth Strafford, who Jack Dutton is marrying. So I'm

0:22:40.960 --> 0:22:44.119
<v Speaker 2>excited to see how all of these women play out

0:22:44.440 --> 0:22:49.600
<v Speaker 2>in this world in collaborating with these men and building lives.

0:22:49.680 --> 0:22:52.600
<v Speaker 2>And so we're going to take a quick break, and

0:22:52.800 --> 0:22:56.679
<v Speaker 2>when we come back, we are going to dive into

0:22:56.720 --> 0:22:59.879
<v Speaker 2>the generations of Dutton's that we first came to know

0:23:00.040 --> 0:23:13.800
<v Speaker 2>and love, which is the Dutton's on Yellowstone.

0:23:17.080 --> 0:23:19.879
<v Speaker 1>You know, a little bit earlier, Jent I was giving

0:23:19.960 --> 0:23:22.919
<v Speaker 1>Spencer Dutton his flowers, you know, I was, I was

0:23:22.960 --> 0:23:26.719
<v Speaker 1>giving big ups to Spencer Dutton because he's cool. We

0:23:26.800 --> 0:23:30.080
<v Speaker 1>love him, we love you know, he's He's clearly an

0:23:30.119 --> 0:23:36.600
<v Speaker 1>amazing sort of intrepid adventurer. But I would be remiss

0:23:37.040 --> 0:23:41.800
<v Speaker 1>not to mention the O G. Casey Dutt. Yeah, Casey

0:23:41.920 --> 0:23:46.480
<v Speaker 1>Dutton to me seems like such a clear descendant of Spencer.

0:23:47.560 --> 0:23:50.399
<v Speaker 1>And this is we're going into pure speculation, but I

0:23:50.440 --> 0:23:55.439
<v Speaker 1>can't help but feel Spencer Dutton's DNA coursing through Casey

0:23:55.520 --> 0:23:56.320
<v Speaker 1>Dutton's veins.

0:23:56.359 --> 0:23:59.159
<v Speaker 4>I totally feel that as well.

0:24:00.080 --> 0:24:03.199
<v Speaker 2>And the same way that that Spencer Dutton sort of

0:24:03.200 --> 0:24:06.520
<v Speaker 2>remind me of Harrison Ford in Indiana Jones. And again,

0:24:06.560 --> 0:24:07.640
<v Speaker 2>this movie has nothing to do with.

0:24:07.600 --> 0:24:07.960
<v Speaker 1>It, but.

0:24:09.440 --> 0:24:13.399
<v Speaker 2>Casey always gives me Brad Pitt vibes from what's the

0:24:13.480 --> 0:24:16.640
<v Speaker 2>what do you know the movie I'm talking about Legends

0:24:16.680 --> 0:24:17.359
<v Speaker 2>of the Fall.

0:24:18.520 --> 0:24:20.800
<v Speaker 1>Brad Pitt gives me Luke Grimes vibe.

0:24:20.880 --> 0:24:23.240
<v Speaker 4>I would agree with that one hundred percent, all.

0:24:23.240 --> 0:24:26.920
<v Speaker 3>Right, so I'll agree. Casey Dutton awesome guy. I mean,

0:24:27.080 --> 0:24:29.720
<v Speaker 3>he's one of my favorite characters. He this dude again

0:24:30.160 --> 0:24:33.359
<v Speaker 3>goes back. I know you want to relate him more

0:24:33.359 --> 0:24:36.920
<v Speaker 3>to Spenser, but he's a James I mean right, he's

0:24:36.960 --> 0:24:38.600
<v Speaker 3>in his gilly suit and he's a sniper too, by

0:24:38.640 --> 0:24:42.720
<v Speaker 3>the way. But before that, you know, where do we

0:24:42.760 --> 0:24:47.200
<v Speaker 3>get to John Dutton? If you guys remember in season two,

0:24:47.359 --> 0:24:52.200
<v Speaker 3>there's a scene of John Dutton, our John Dutton sitting

0:24:52.680 --> 0:24:56.600
<v Speaker 3>with his father. Oh yeah, John Dutton the second and

0:24:56.600 --> 0:24:59.480
<v Speaker 3>that's when he actually promises to never sell the ranch.

0:24:59.520 --> 0:25:02.320
<v Speaker 3>He made an promise, which is the ongoing theme that

0:25:02.359 --> 0:25:06.000
<v Speaker 3>we see. But so we've got this generation. We know

0:25:06.080 --> 0:25:10.320
<v Speaker 3>that somewhere between nineteen twenty three and current Yellowstone we

0:25:10.440 --> 0:25:12.840
<v Speaker 3>now are into the John Dutton's. We don't know where

0:25:12.840 --> 0:25:17.360
<v Speaker 3>it comes from, but we've got this stoic character, Kevin Costner,

0:25:17.680 --> 0:25:20.679
<v Speaker 3>John Dutton, who is how do I even explain him.

0:25:20.680 --> 0:25:24.320
<v Speaker 3>I mean, he's the godfather of it all. But as

0:25:24.320 --> 0:25:28.360
<v Speaker 3>we see, he's also struggling with the modernization of what's happening.

0:25:28.440 --> 0:25:30.960
<v Speaker 3>As we saw in nineteen twenty three, you know, we

0:25:31.040 --> 0:25:34.919
<v Speaker 3>go from eighteen eighty three everything's horse drawn. You see

0:25:35.040 --> 0:25:37.720
<v Speaker 3>in nineteen twenty three we go into the city and

0:25:37.760 --> 0:25:41.520
<v Speaker 3>there's cars. So what's next and where are we at now?

0:25:41.520 --> 0:25:44.480
<v Speaker 3>It's almost like we're in this new evolution of Yellowstone

0:25:44.480 --> 0:25:45.520
<v Speaker 3>as well. That's happening.

0:25:45.760 --> 0:25:49.040
<v Speaker 1>Yeah, that's exactly right. So John Dutton Senior, we get

0:25:49.040 --> 0:25:51.800
<v Speaker 1>to know his kids in episode one of Yellowstone, the

0:25:51.960 --> 0:25:53.679
<v Speaker 1>very first episode of the show, we get to know

0:25:53.760 --> 0:25:57.800
<v Speaker 1>all four of John and Evelyn's children. That's their oldest son,

0:25:57.920 --> 0:26:02.400
<v Speaker 1>Lee Dutton. You got Jamie Dutton, middle child Beth Dutton,

0:26:02.680 --> 0:26:07.520
<v Speaker 1>and then the youngest, Casey Dutton. Now we tragically lose

0:26:07.760 --> 0:26:11.680
<v Speaker 1>Lee Dutton in episode one of Yellowstone. This ranch has

0:26:11.800 --> 0:26:15.080
<v Speaker 1>fed and sustained the Dutton family for generations, but it's

0:26:15.119 --> 0:26:19.120
<v Speaker 1>also cost many of them their lives in a violent

0:26:20.000 --> 0:26:25.040
<v Speaker 1>in a violent way. So not only are we introduced

0:26:25.119 --> 0:26:27.760
<v Speaker 1>to John Dutton's kids, but over the action of Yellowstone,

0:26:27.800 --> 0:26:30.719
<v Speaker 1>we're introduced to his grandson Tate Dutton.

0:26:31.000 --> 0:26:35.320
<v Speaker 2>Now tell me if I'm wrong the Tate is the

0:26:35.359 --> 0:26:40.320
<v Speaker 2>seventh generation, and I'll explain what I'm referring to, which

0:26:40.520 --> 0:26:44.840
<v Speaker 2>the sort of premonition at the end of eighteen eighty

0:26:44.880 --> 0:26:50.520
<v Speaker 2>three when the Native American chief says, in seven generations,

0:26:50.640 --> 0:26:53.639
<v Speaker 2>my people will rise up and take it back from you,

0:26:54.920 --> 0:26:57.439
<v Speaker 2>and James says, in seven generations, you can have it.

0:26:58.240 --> 0:27:00.199
<v Speaker 1>Yeah, and it's a fascinating thing. You know, we've we've

0:27:00.240 --> 0:27:02.760
<v Speaker 1>been focusing on the Dutton family and talking about the

0:27:02.880 --> 0:27:06.080
<v Speaker 1>Dutton family, but there's another family at the very heart

0:27:06.720 --> 0:27:12.000
<v Speaker 1>of this show, and that is Thomas Rainwaters family, the

0:27:12.119 --> 0:27:16.919
<v Speaker 1>Rainwaters that go back not just seven generations, not just

0:27:17.040 --> 0:27:21.240
<v Speaker 1>eight generations, but deep, deep, deep into the history of

0:27:21.280 --> 0:27:21.919
<v Speaker 1>this place.

0:27:22.040 --> 0:27:25.280
<v Speaker 3>You know, ultimately we're going to probably get that reveal

0:27:25.320 --> 0:27:27.320
<v Speaker 3>of how this all, what the through line is. You know,

0:27:27.359 --> 0:27:31.119
<v Speaker 3>we've got other characters. We've us got Monica, who is

0:27:31.680 --> 0:27:35.560
<v Speaker 3>again not a true Dutton, she wasn't born to Dutton,

0:27:35.640 --> 0:27:38.119
<v Speaker 3>but in many ways stronger.

0:27:38.560 --> 0:27:40.800
<v Speaker 1>Yeah, you're really right to point out that Tait isn't

0:27:40.920 --> 0:27:44.440
<v Speaker 1>just the seventh generation of Dutton. He also comes from

0:27:44.480 --> 0:27:48.400
<v Speaker 1>another long tradition of family that's been here perhaps longer

0:27:48.440 --> 0:27:52.240
<v Speaker 1>than the Duttons. In Monica's family who you know, no

0:27:52.359 --> 0:27:56.280
<v Speaker 1>pun intended. Her maiden name is Long, her grandfather's name

0:27:56.320 --> 0:28:01.439
<v Speaker 1>is Felix Long. So there are many other character whose

0:28:01.600 --> 0:28:05.400
<v Speaker 1>family ties to this region even pre date the Duttons,

0:28:05.440 --> 0:28:05.639
<v Speaker 1>you know.

0:28:05.840 --> 0:28:09.720
<v Speaker 2>And I wonder if in nineteen twenty three, some of

0:28:09.760 --> 0:28:12.720
<v Speaker 2>the characters that we are getting to know in the

0:28:12.840 --> 0:28:17.280
<v Speaker 2>Native American you know, quote quote unquote boarding schools, AKAA,

0:28:17.560 --> 0:28:21.320
<v Speaker 2>you know, eradication schools, if any of the characters are

0:28:21.320 --> 0:28:25.320
<v Speaker 2>meeting in that world are actually ancestors of the Native

0:28:25.320 --> 0:28:28.000
<v Speaker 2>American characters and storyline that we were seeing playing out

0:28:28.000 --> 0:28:28.639
<v Speaker 2>in Yellowstone.

0:28:28.640 --> 0:28:29.480
<v Speaker 4>And that's TBD.

0:28:30.320 --> 0:28:31.879
<v Speaker 1>This is one of the really amazing things I think

0:28:31.920 --> 0:28:35.320
<v Speaker 1>about Taylor. There's a history here, but I think we

0:28:35.359 --> 0:28:38.160
<v Speaker 1>also Taylor is representing American history. But I also think

0:28:38.160 --> 0:28:40.480
<v Speaker 1>it's very important to always remember, as Taylor does and

0:28:40.520 --> 0:28:43.959
<v Speaker 1>includes here, that there's more than one history. There's there's

0:28:44.200 --> 0:28:48.920
<v Speaker 1>an idea of the West as written by you know,

0:28:49.320 --> 0:28:55.160
<v Speaker 1>by the victors, some might say, or by the encroachers,

0:28:55.280 --> 0:28:59.920
<v Speaker 1>by the sort of invaders that the Duttons themselves read

0:29:00.080 --> 0:29:02.320
<v Speaker 1>present to a certain extent, And then there's an even

0:29:02.720 --> 0:29:07.560
<v Speaker 1>older history as written by the native communities that far

0:29:07.880 --> 0:29:10.640
<v Speaker 1>predate the Duttons. So Taylor is sort of showing these

0:29:10.760 --> 0:29:15.600
<v Speaker 1>parallel histories and how they sometimes collide and come into conflict,

0:29:15.960 --> 0:29:19.560
<v Speaker 1>and then perhaps in Tate, how they sometimes also come

0:29:19.600 --> 0:29:20.760
<v Speaker 1>into alignment.

0:29:21.280 --> 0:29:24.040
<v Speaker 3>Well, you know, an interesting thought trailing on that we

0:29:24.120 --> 0:29:26.200
<v Speaker 3>go back to the seven generations. It goes back to

0:29:27.120 --> 0:29:30.840
<v Speaker 3>the indigenous people, the Native Americans. But in some way

0:29:30.880 --> 0:29:33.200
<v Speaker 3>you just brought a thought to the forefront of my mind.

0:29:33.480 --> 0:29:36.920
<v Speaker 3>Tait is half Native American, right, So is that is

0:29:37.160 --> 0:29:38.880
<v Speaker 3>it going back to them? And how do we bring

0:29:38.920 --> 0:29:39.560
<v Speaker 3>it in?

0:29:39.560 --> 0:29:41.800
<v Speaker 2>In some ways that's always been my hunch, and because

0:29:41.840 --> 0:29:45.840
<v Speaker 2>we've also set up this one, I mean, this historical

0:29:47.200 --> 0:29:53.160
<v Speaker 2>relationship between you know, European settlers and Native Americans and

0:29:53.200 --> 0:29:55.120
<v Speaker 2>the wars that have broken up between them, and then

0:29:55.160 --> 0:29:59.080
<v Speaker 2>that war sort of being mimicked. Even in that first

0:29:59.120 --> 0:30:03.080
<v Speaker 2>episode of Yellowston between Monica and Casey with the killing

0:30:03.160 --> 0:30:06.120
<v Speaker 2>of the brothers, right, that felt very Shakespearean. You know,

0:30:06.200 --> 0:30:08.080
<v Speaker 2>I just think of a you know, the is it

0:30:08.120 --> 0:30:11.200
<v Speaker 2>Mercutio in Romeo and Juliet who says like a curse

0:30:11.240 --> 0:30:14.440
<v Speaker 2>on both your houses or something, And then it feels

0:30:14.520 --> 0:30:18.600
<v Speaker 2>like Tate is the sort of, in a way, the

0:30:19.560 --> 0:30:27.080
<v Speaker 2>thing that would end that battle, because everybody in some

0:30:27.280 --> 0:30:31.360
<v Speaker 2>way gets to hold on to it. I'm not speaking

0:30:31.440 --> 0:30:33.880
<v Speaker 2>very eloquently about it because it's something I feel like

0:30:33.920 --> 0:30:40.080
<v Speaker 2>I'm treading on slightly dangerous ground. But it does feel like,

0:30:40.760 --> 0:30:42.520
<v Speaker 2>doesn't it feel like to you guys, the sort of

0:30:43.160 --> 0:30:44.360
<v Speaker 2>merging of the worlds.

0:30:44.880 --> 0:30:47.200
<v Speaker 1>I think it's beautiful. I think that's a beautiful idea

0:30:47.600 --> 0:30:49.959
<v Speaker 1>if Tate can hold on to it. One of the

0:30:50.080 --> 0:30:54.040
<v Speaker 1>enduring themes of Yellowstone is, hey, can this ranch last

0:30:54.160 --> 0:30:57.160
<v Speaker 1>long enough for Tate to inherit it? Or are these

0:30:57.280 --> 0:31:01.560
<v Speaker 1>encroaching forces from the outside gonna pit to pieces and

0:31:01.680 --> 0:31:07.520
<v Speaker 1>melt it down in the furnace of the modern American economics?

0:31:07.520 --> 0:31:10.280
<v Speaker 2>And they had like a random fantasy thought, right, we

0:31:10.400 --> 0:31:12.880
<v Speaker 2>think that Tate is the obvious, like that's who's going

0:31:12.960 --> 0:31:16.040
<v Speaker 2>to get it, because he's like, you know, he's dutton,

0:31:16.360 --> 0:31:17.000
<v Speaker 2>he's long.

0:31:17.440 --> 0:31:20.640
<v Speaker 4>It's a nice little thing. But the prophecy is that

0:31:20.680 --> 0:31:21.040
<v Speaker 4>a goat.

0:31:21.080 --> 0:31:23.959
<v Speaker 2>You know that the Chief seid in eighteen eighty three

0:31:24.000 --> 0:31:26.080
<v Speaker 2>that it will go back to his people. And there's

0:31:26.080 --> 0:31:30.360
<v Speaker 2>a world where I can imagine Tate going. I don't

0:31:30.400 --> 0:31:35.520
<v Speaker 2>want it like this thing has been a thing that

0:31:35.680 --> 0:31:40.960
<v Speaker 2>is so loaded. He is his father's son. His father

0:31:41.080 --> 0:31:45.280
<v Speaker 2>wants a simple life, and he goes, I don't want it,

0:31:45.720 --> 0:31:47.960
<v Speaker 2>and it shifts hands.

0:31:49.040 --> 0:31:50.360
<v Speaker 3>We're missing something.

0:31:50.600 --> 0:31:51.360
<v Speaker 4>What are we missing?

0:31:51.640 --> 0:31:55.560
<v Speaker 3>We're missing Jamie had a child. I know John doesn't

0:31:55.560 --> 0:31:58.680
<v Speaker 3>recognize him as a child anymore. But there's a sequence

0:31:58.720 --> 0:32:02.760
<v Speaker 3>with Beth and Jamie and he's talking about his son.

0:32:03.080 --> 0:32:06.120
<v Speaker 3>He talks about his son. So don't know where that's

0:32:06.160 --> 0:32:07.800
<v Speaker 3>going to go, but I just wanted to bring that

0:32:07.840 --> 0:32:10.960
<v Speaker 3>out there. There's this whole other unknown factor here.

0:32:11.120 --> 0:32:14.480
<v Speaker 1>That is an excellent point, Scott. The future of this ranch.

0:32:14.520 --> 0:32:17.880
<v Speaker 1>We've been diving into the past, the history of this ranch,

0:32:18.800 --> 0:32:23.160
<v Speaker 1>and we've been identifying certain unknowns. The future of this

0:32:23.320 --> 0:32:29.360
<v Speaker 1>ranch is shot through with unknowns, and I for one

0:32:29.920 --> 0:32:33.880
<v Speaker 1>cannot wait to find out what happens to this generation

0:32:33.960 --> 0:32:37.520
<v Speaker 1>of Dutton's that we've come to know and love in

0:32:37.560 --> 0:32:41.320
<v Speaker 1>the Action of Yellowstone. So until next time, until we

0:32:41.360 --> 0:32:44.920
<v Speaker 1>have some more answers. Thank you guys so so much

0:32:45.040 --> 0:32:45.800
<v Speaker 1>for joining us.

0:32:46.400 --> 0:32:50.080
<v Speaker 2>Make sure you subscribe to the Official Yellowstone Podcast at

0:32:50.120 --> 0:32:53.080
<v Speaker 2>Apple Podcasts or wherever you get your podcasts.

0:32:53.360 --> 0:32:53.960
<v Speaker 4>See us soon.

0:32:55.000 --> 0:32:58.080
<v Speaker 1>The Official Yellowstone podcast is a production of one oh

0:32:58.080 --> 0:33:01.760
<v Speaker 1>one Studios and Paramount. This episode was produced by Scott Stone.

0:33:01.960 --> 0:33:04.000
<v Speaker 1>Brandon Getchis is the head of Audio for one oh

0:33:04.000 --> 0:33:07.280
<v Speaker 1>one Studios. Steve Rasis is the executive vice president of

0:33:07.280 --> 0:33:11.200
<v Speaker 1>the Paramount Global Podcast Group. Special thanks to Megan Marcus,

0:33:11.280 --> 0:33:15.840
<v Speaker 1>Jeremy Westfall, Ainsley Rosito, Andrew Sarnow, Jason Red and Whitney

0:33:15.840 --> 0:33:19.640
<v Speaker 1>Baxter from Paramount, and of course David Glasser, David Hukin

0:33:19.720 --> 0:33:21.760
<v Speaker 1>and Michelle Newman from one oh one Studios.