WEBVTT - The Doppelganger Network

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<v Speaker 1>Here, then I repeat and sum up. During the endless

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<v Speaker 1>train journey which took me from Eisenach to Berlin, across

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<v Speaker 1>the Thuringia and Saxony in Ruins, I noticed for the

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<v Speaker 1>first time, and I don't know how long that man

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<v Speaker 1>whom I call my double to simplify matters, or else

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<v Speaker 1>my twin, or again and less theatrically the traveler. Welcome

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<v Speaker 1>to Stuff to Blow Your Mind, a production of I

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<v Speaker 1>Heart Radios How Stuff Works. Hey, Welcome to Stuff to

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<v Speaker 1>Blow your Mind. My name is Robert Lamb, and I'm

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<v Speaker 1>Joe McCormick. And today I thought we might have a

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<v Speaker 1>discussion bringing together the seemingly disparate topics of familiarity, doppelgangers

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<v Speaker 1>or doubles, cap gross syndrome, and social media. And I

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<v Speaker 1>got the idea to talk about this today because a

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<v Speaker 1>few weeks ago I read this interesting article that had

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<v Speaker 1>a very intriguing central comparison or image. It was. It

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<v Speaker 1>was a thought provoking essay by the Stanford Nero Endo

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<v Speaker 1>chronologist Robert Sapulsky. It was originally published a few years

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<v Speaker 1>ago in Nautilus, and it was an article comparing the

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<v Speaker 1>effects of social media and and sort of the digital

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<v Speaker 1>world like Facebook, and you know, all that to a

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<v Speaker 1>psychological condition known as Capgrass syndrome. And so today I thought,

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<v Speaker 1>maybe we should start by explaining and discussing Sepulsky's comparison

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<v Speaker 1>and argument in that article and just see where we

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<v Speaker 1>go from there. Now, capgrass syndrome has definitely come up

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<v Speaker 1>on the show before. I don't know that we've done

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<v Speaker 1>like a designated show on the topic, but it'd certainly

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<v Speaker 1>come up. But either way, we we we do need to,

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<v Speaker 1>you know, provide a brief refresher on its history for

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<v Speaker 1>our listeners. Right. One of the important cases and which

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<v Speaker 1>Sapulsky discusses in his article, is the case of Madam

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<v Speaker 1>im This. This was a woman who lived in France

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<v Speaker 1>in the early twentieth century who had this persistent idea.

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<v Speaker 1>She was fixated on the idea that her loved ones,

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<v Speaker 1>including her husband, family members, people she knew, had been

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<v Speaker 1>replaced by doubles or doppel gangers who looked exactly like them.

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<v Speaker 1>So she would say, my husband is not really my husband.

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<v Speaker 1>He's a man who looks exactly like my husband used

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<v Speaker 1>to and I don't know what happened to my real husband.

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<v Speaker 1>And this wasn't her only symptoms. She had a number

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<v Speaker 1>of symptoms. She believed that all kinds of things were

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<v Speaker 1>happening to UH, to her children. I mean, it's a

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<v Speaker 1>tragic story, but the underlying UH, the underlying cause of

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<v Speaker 1>what would lead someone to believe that people around them

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<v Speaker 1>were being replaced by doppel gangers or doubles is is

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<v Speaker 1>interesting to consider. And so the way Sepulsky in this

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<v Speaker 1>article characterizes the ultimate disconnect under lyon cap Grass syndrome

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<v Speaker 1>is that when the module of the brain used in

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<v Speaker 1>recognition of faces, specifically involving the fusiform gyrus in the brain,

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<v Speaker 1>does cognitively recognize someone, but at the same time, the

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<v Speaker 1>different module of the brain that normally responds to this

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<v Speaker 1>recognition with the emotion that we call familiarity does not

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<v Speaker 1>kick in. And this brain function responsible for generating the

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<v Speaker 1>emotion of familiarity is what Sopolsky calls the extended face

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<v Speaker 1>processing system. It's quote a diffuse network including a variety

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<v Speaker 1>of cortical and limbic regions. And apparently, when we recognize

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<v Speaker 1>someone but we don't feel the necessary familiarity emotion that

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<v Speaker 1>follows when we normally recognize somebody, What the brain often

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<v Speaker 1>does when faced with this contradiction is to conclude that

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<v Speaker 1>someone has been replaced by a double. It looks like them,

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<v Speaker 1>but this person doesn't feel familiar to me, thus they

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<v Speaker 1>must be a physically identical impostor. In the past, I

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<v Speaker 1>looked at a two thousand four paper from the Canadian

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<v Speaker 1>Journal of Psychiatry titled cap Grass Syndrome. A Review of

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<v Speaker 1>the neuro physiological correlates and presenting clinical features in cases

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<v Speaker 1>involving physical violence and UH. In this point out that

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<v Speaker 1>the delusional identification syndrome generally involves right brain anomalies linked

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<v Speaker 1>to a number of illnesses and neurological disorders, ranging from

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<v Speaker 1>UH schizo effective disorder and Alzheimer's disease to severe head injuries,

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<v Speaker 1>pituitary tumors and migraines. Even alcoholism can play a role.

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<v Speaker 1>You know, basically, each each of us has a visual

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<v Speaker 1>system and olympic system, and the ladder helps us to

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<v Speaker 1>generate and process emotions. Damage or disrupt communication between these

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<v Speaker 1>two systems, and suddenly a familiar face can in suspire,

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<v Speaker 1>can inspire suspicion instead of comfort. Now, Fortunately, kept Grass

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<v Speaker 1>syndrome usually subsides with the successful treatment of the underlying

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<v Speaker 1>medical condition. You know, the tumor goes away, and thankfully

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<v Speaker 1>so does this. Uh. This, you know, suspicion and that

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<v Speaker 1>people are not what they seem to be. Uh. And

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<v Speaker 1>in some cases doctors can prescribe antipsychotic drugs to also

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<v Speaker 1>achieve the same effect. But you can easily see why

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<v Speaker 1>the idea of someone being replaced by a double or

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<v Speaker 1>a doppelganger would be such a captivating one. I mean,

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<v Speaker 1>it's something that, um, it's something that feels very perverted.

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<v Speaker 1>You know, it plays on our great vulnerabilities. And I

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<v Speaker 1>think it is not a coincidence that this kind of

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<v Speaker 1>thing has featured into some of the horror folklore of

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<v Speaker 1>the world. I mean, you think about the idea of

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<v Speaker 1>the changeling uh in in fairy folklore, where there was

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<v Speaker 1>this idea that where the fairy folk would come in

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<v Speaker 1>and replace someone you knew, often a child, but sometimes

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<v Speaker 1>like a husband or wife, or you know, someone you

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<v Speaker 1>knew with a fairy double who looked like them but

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<v Speaker 1>wasn't familiar to you, didn't act like them. And now

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<v Speaker 1>this is often described as something that people would use

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<v Speaker 1>to explain you know, maybe when somebody's behavior changed and

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<v Speaker 1>they didn't seem themselves. They think, oh, maybe they've been

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<v Speaker 1>replaced with a changeling uh or used to explain why

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<v Speaker 1>people might feel that their children weren't their own, or

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<v Speaker 1>something like that. But then also you have to wonder

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<v Speaker 1>if some kinds of neurological issues maybe at work here

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<v Speaker 1>in the minds of the people making the accusation that

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<v Speaker 1>someone is is a fairy. Yeah. And and this obviously,

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<v Speaker 1>this idea in and of itself has played into some

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<v Speaker 1>so many myths throughout history and also continues to just

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<v Speaker 1>resound in our our popular media. Um. This is slightly

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<v Speaker 1>older work, of course, but Invasion of the Body Snatchers,

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<v Speaker 1>I mean that plays heavily on this trope, right, that

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<v Speaker 1>people are being replaced by something else, People that we

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<v Speaker 1>think we know we're not are not actually those individuals anymore.

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<v Speaker 1>It's been a huge yet you often find it also

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<v Speaker 1>not only in speculative fiction, but in literary fiction as well. Um.

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<v Speaker 1>The quote that a right at the top of this

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<v Speaker 1>episode is from a two thousand and four novel UH

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<v Speaker 1>titled Repetition by one of my favorite French authors, Alan

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<v Speaker 1>Robe Guerrilla, who often this is one of This is

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<v Speaker 1>a trope that he often rule into his books, like

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<v Speaker 1>the idea of a double or some sort of an

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<v Speaker 1>alter ego. And this book in particularly been in particular

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<v Speaker 1>like starts off with a character on a train having

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<v Speaker 1>glimpsed his double once more. Yeah, it's a very unsettling image. Yeah,

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<v Speaker 1>the plurality of self. Right. Um well, and because so

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<v Speaker 1>there are double ways that it can be unsettling. There's

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<v Speaker 1>the idea that someone you know is replaced by a double. Obviously,

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<v Speaker 1>if you were to come to believe that through you know,

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<v Speaker 1>whether you had like a brain injury or a neurological

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<v Speaker 1>condition that caused you to believe that, or I don't know,

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<v Speaker 1>if you just believed in fairies and thought maybe that

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<v Speaker 1>this was happening because your cultural conditioning. Either way, that

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<v Speaker 1>would be a terrifying thing. It's another thing entirely to

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<v Speaker 1>see it, to believe that you see another version of yourself,

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<v Speaker 1>you know, to think that you had your own double,

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<v Speaker 1>or there was a doppelganger of you. So I think

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<v Speaker 1>most of us are probably familiar with this, the the

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<v Speaker 1>the the idea of a doppelganger. Um. I you know,

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<v Speaker 1>I would love to say that I learned about doppelgangers

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<v Speaker 1>for the first time by either consulting a nice, you

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<v Speaker 1>know book on Germanic mythology, and certainly I read a

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<v Speaker 1>lot of different mythology books when I as a kid. Also,

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<v Speaker 1>I would love to say that my first encounter with

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<v Speaker 1>doppel gangers was a Dungeons and Dragons monster manual, because

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<v Speaker 1>there's another huge place that they're highly visible, as they've

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<v Speaker 1>long been a staple of Dungeons and Dragons, So they're

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<v Speaker 1>in there. Oh yeah, I mean it's a great way

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<v Speaker 1>to introduce a little uh, suspense and chaos into a campaign,

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<v Speaker 1>right somebody you know an MPC that the character's trust

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<v Speaker 1>has been replaced, or adoppel gangers trying to or even

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<v Speaker 1>successfully replaces a member of the party. Uh. So you know,

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<v Speaker 1>there's a lot of fun to be had with a doppelganger. Um,

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<v Speaker 1>but I have to admit that neither of these cases

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<v Speaker 1>is true. I heard about them initially in the nineties

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<v Speaker 1>via the Drew Barrymore movie that aired on the Sci

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<v Speaker 1>Fi Channel back when this is the old days, back

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<v Speaker 1>when before there were wise in sci Fi Wise inside

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<v Speaker 1>Oh Siffy you mean Siffy Yeah, Ciffy Channel. Yes, Um,

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<v Speaker 1>I remember next to nothing about this film, but it

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<v Speaker 1>was heavily promoted on the channel, and it introduced the

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<v Speaker 1>idea to me initially, and then I you know, followed

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<v Speaker 1>up by you know, asking around, Hey, Dad, what's a Doppelganger?

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<v Speaker 1>And then I looked it up, etcetera. Well, wait a minute,

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<v Speaker 1>so it was called Doppelganger the name of the movie.

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<v Speaker 1>That was, at least that was the title of the film,

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<v Speaker 1>as was promoted on Sci Fi Channel at the time.

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<v Speaker 1>Of course, it's often the case with films of this caliber.

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<v Speaker 1>They may have had multiple titles, and who knows, they

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<v Speaker 1>may have been promoted elsewhere under a different title. I

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<v Speaker 1>just looked it up. It's also known as Doppelganger colon

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<v Speaker 1>the Evil Within. Just to be clear, that was for

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<v Speaker 1>the people who didn't know what a doppel ganger was.

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<v Speaker 1>Always got to have a colon, real title. So but here,

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<v Speaker 1>here's an interesting thing that I didn't realize until I

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<v Speaker 1>was researching this episode. I just kind of assumed, you know, obviously,

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<v Speaker 1>the doppelganger itself, the term is Germanic origins, and I

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<v Speaker 1>figured this is a creature that emerges from German folk traditions,

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<v Speaker 1>you know, Uh, you know, and in the same way

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<v Speaker 1>that that crampus came down from the mountains and uh

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<v Speaker 1>and alpine traditions. I just figured the doppelganger was just

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<v Speaker 1>a standard because the again, the idea of a mysterious double,

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<v Speaker 1>either of self or other, is long established, but this

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<v Speaker 1>does not seem to be the case. Apparently, the word

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<v Speaker 1>doppelganger wasn't coined to know the eighteenth century, and it

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<v Speaker 1>was coined by German novelist Jean Paul in his seventeen

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<v Speaker 1>nine novel uh Sebenkas, in which the main character encounters

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<v Speaker 1>his own doppel ganger or double goer uh in the

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<v Speaker 1>the In this case, the dopel ganger convinces him to

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<v Speaker 1>fake his own death and start a new life. Uh.

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<v Speaker 1>And I had to I had to look in closer

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<v Speaker 1>on this. It's it's not as straightforward as I would

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<v Speaker 1>like it to be, where he's just like, hey, this

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<v Speaker 1>is the doppelganger. Apparently he invinced two similar words in

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<v Speaker 1>this book. He invinced the word doppeled ganger. Um, so

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<v Speaker 1>this would be the name for people who see themselves.

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<v Speaker 1>But then he also talks about doppel ganger as a

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<v Speaker 1>as a word for the second court when the second

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<v Speaker 1>course of a meal arrives along side the first course,

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<v Speaker 1>because ganga all means both you know, go or walker

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<v Speaker 1>as well as course in a meal, so technically doppelt

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<v Speaker 1>Ganger would be the mysterious double idea that he introduces.

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<v Speaker 1>And doppelganger itself is just a weird mishap of ordering

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<v Speaker 1>a multi course meal at a restaurant. But nobody's gonna

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<v Speaker 1>say doubled ganger, not anymore, no dafeld ganger. But this

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<v Speaker 1>is this is a good idea. Next time someone introduces

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<v Speaker 1>the dappel ganger in your dn D campaign, remind the

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<v Speaker 1>d M that that's a culinary term sort of. Uh.

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<v Speaker 1>But anyway, the termines up resonating in German literature, and

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<v Speaker 1>it became popular in romantic horror literature in general by

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<v Speaker 1>the mid eighteen hundreds. So I think originally the the

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<v Speaker 1>this idea was always something scary or dangerous, right, Well, yeah,

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<v Speaker 1>they're not as much. It's seemingly in the original and

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<v Speaker 1>I didn't read the original German novel This is stress,

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<v Speaker 1>so you know, feel free to correct me if anyone

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<v Speaker 1>out there is more familiar with the with the literature

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<v Speaker 1>we're talking about here, but it certainly took on sinister

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<v Speaker 1>connotations within the literary tradition. But then I was reading

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<v Speaker 1>about the term on websters and the sinister connotations have

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<v Speaker 1>apparently dropped off somewhat in its English language usage, which

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<v Speaker 1>is surprising to me. But then again, I'm coming from

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<v Speaker 1>the standpoint of knowing them mostly through Dungeons and Dragons

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<v Speaker 1>and Horrible Drew Barrymore movies, so I'm probably not like

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<v Speaker 1>the the key candidate here. Um. I guess the other thing, too,

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<v Speaker 1>is I really don't use the term outside of a

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<v Speaker 1>fantasy context. Like if I encounter someone who looks a

0:12:40.080 --> 0:12:44.559
<v Speaker 1>lot like someone I know, I don't say, oh, hey,

0:12:44.559 --> 0:12:47.240
<v Speaker 1>I saw your doppelganger today. I'm more like, hey, I

0:12:47.240 --> 0:12:49.680
<v Speaker 1>saw your Maybe I'll say evil twin, which is, you know,

0:12:50.160 --> 0:12:53.199
<v Speaker 1>another variation on this trope. Or I'll say oh, I

0:12:53.440 --> 0:12:55.200
<v Speaker 1>just I saw someone who looked just about like you,

0:12:55.320 --> 0:12:57.240
<v Speaker 1>or I I'm in another city, I might say oh

0:12:57.280 --> 0:13:00.880
<v Speaker 1>I saw your Chicago you or whatever you know. So

0:13:01.400 --> 0:13:03.920
<v Speaker 1>that's the other thing. I just don't use doppelganger outside

0:13:03.920 --> 0:13:06.920
<v Speaker 1>of fantastic settings. Myself. I think most people just use

0:13:06.960 --> 0:13:09.720
<v Speaker 1>it to me and the look alike. Now, yeah, but

0:13:10.040 --> 0:13:11.920
<v Speaker 1>I guess I don't even use it that way. Like

0:13:12.120 --> 0:13:14.600
<v Speaker 1>for me, I just if I think of Doppelganger, I

0:13:14.640 --> 0:13:17.960
<v Speaker 1>think of something like that creature and Kroll which pretends

0:13:17.960 --> 0:13:19.679
<v Speaker 1>to be the Wizard, you know. I think something that

0:13:19.760 --> 0:13:23.400
<v Speaker 1>when you reveal it, it's a horrible, pallid creature with

0:13:23.520 --> 0:13:26.720
<v Speaker 1>jet black eyes. So if I'm not specifically talking about

0:13:26.760 --> 0:13:30.240
<v Speaker 1>like a monstrous scenario, I'm not gonna use Doppelganger. Okay,

0:13:30.280 --> 0:13:33.040
<v Speaker 1>that's just me. I also think that part of but

0:13:33.280 --> 0:13:35.319
<v Speaker 1>I think part of this whole idea of the sinister

0:13:35.360 --> 0:13:37.840
<v Speaker 1>connotations fading away, it might have to do with the

0:13:37.840 --> 0:13:40.360
<v Speaker 1>fact that if it is used by and large for

0:13:40.520 --> 0:13:42.840
<v Speaker 1>just somebody's double Like if someone is to say, hey,

0:13:42.880 --> 0:13:46.800
<v Speaker 1>I saw your doppelganger today at Showney's, they're not gonna,

0:13:47.360 --> 0:13:49.440
<v Speaker 1>you know, there's there's not gonna be a creepy connotation

0:13:49.480 --> 0:13:52.720
<v Speaker 1>to that that sighting. We're not gonna say, oh my god,

0:13:52.760 --> 0:13:54.920
<v Speaker 1>I saw your doppelganger at Showny's and I was super

0:13:54.960 --> 0:13:58.160
<v Speaker 1>creeped out. I think we need to call somebody. No,

0:13:58.360 --> 0:13:59.920
<v Speaker 1>you're you're just gonna it's just gonna be a point

0:14:00.080 --> 0:14:04.199
<v Speaker 1>whimsy And the other thing is that more than likely

0:14:05.240 --> 0:14:07.959
<v Speaker 1>it was a first glance situation, Like at first glance,

0:14:08.080 --> 0:14:10.240
<v Speaker 1>I thought it was you. At second glance, I saw

0:14:10.280 --> 0:14:13.000
<v Speaker 1>that it was clearly another person and nothing to freak

0:14:13.000 --> 0:14:16.160
<v Speaker 1>out about. Well, I would be shocked though, if people

0:14:16.200 --> 0:14:18.800
<v Speaker 1>didn't still interpret this kind of thing is some kind

0:14:18.800 --> 0:14:22.080
<v Speaker 1>of weird omen or demon or whatever. Oh yeah, And

0:14:22.240 --> 0:14:23.920
<v Speaker 1>I was glancing around on the internet and there's still

0:14:23.960 --> 0:14:26.760
<v Speaker 1>plenty of that um And I think a large part

0:14:26.760 --> 0:14:30.760
<v Speaker 1>of that is, you know, as with all paranormal UH

0:14:31.200 --> 0:14:39.080
<v Speaker 1>experiences or supernatural explanations for mundane UH encounters, the supernatural

0:14:39.080 --> 0:14:41.880
<v Speaker 1>explanation is going to be more appealing. It's going you know,

0:14:41.920 --> 0:14:44.760
<v Speaker 1>it makes us feel more important, Like you want to

0:14:44.800 --> 0:14:47.360
<v Speaker 1>feel like you're in an Alan Rogue Relay novel and

0:14:47.360 --> 0:14:50.040
<v Speaker 1>you saw your mysterious double and it, you know, reveals

0:14:50.080 --> 0:14:53.240
<v Speaker 1>something about your you know, your your inner subconscious nature

0:14:53.320 --> 0:14:55.840
<v Speaker 1>or something, or that you you saw a ghost that

0:14:55.920 --> 0:14:57.560
<v Speaker 1>looked like you. I mean, all these are four more

0:14:57.600 --> 0:14:59.800
<v Speaker 1>interesting then, yeah, they're you know, there are a whole

0:14:59.840 --> 0:15:01.320
<v Speaker 1>bunch of people in the world, and it was bound

0:15:01.320 --> 0:15:03.440
<v Speaker 1>to happen sooner or later. But I saw somebody that

0:15:03.520 --> 0:15:05.680
<v Speaker 1>kind of looked like me, and had some more facial hair.

0:15:05.800 --> 0:15:08.400
<v Speaker 1>The way that you look isn't all that unique. That's

0:15:08.440 --> 0:15:10.360
<v Speaker 1>like the worst news of all. Yeah, that's that's just

0:15:10.520 --> 0:15:14.240
<v Speaker 1>nothing exciting about that that story. You don't run rush

0:15:14.240 --> 0:15:17.000
<v Speaker 1>home to tell that to your significant other. But it

0:15:17.000 --> 0:15:18.960
<v Speaker 1>does bring up the question what are your chances of

0:15:19.080 --> 0:15:22.320
<v Speaker 1>running into your own unrelated double, or for that matter,

0:15:22.440 --> 0:15:25.560
<v Speaker 1>running into an unrelated double with someone you know well.

0:15:25.600 --> 0:15:30.280
<v Speaker 1>According to ananimous Dr Tiggan Lucas quoted in the BBC

0:15:30.400 --> 0:15:33.520
<v Speaker 1>Future article, you're surprisingly likely to have a doppel game,

0:15:34.000 --> 0:15:37.320
<v Speaker 1>which I think is slightly confusing title given the contents

0:15:37.320 --> 0:15:40.200
<v Speaker 1>of the article, but still uh said that the chances

0:15:40.280 --> 0:15:43.640
<v Speaker 1>of sharing just eight dimensions with someone else are less

0:15:43.680 --> 0:15:46.440
<v Speaker 1>than one in a trillion, and with a seven point

0:15:46.440 --> 0:15:48.640
<v Speaker 1>four billion people on the planet, it was only there

0:15:48.680 --> 0:15:51.440
<v Speaker 1>was only a one in one five chants that there's

0:15:51.480 --> 0:15:53.960
<v Speaker 1>a single pair of true doppel gagers. No, wait, what

0:15:54.000 --> 0:15:57.080
<v Speaker 1>are these dimensions you're talking about? Like eight facial dimensions?

0:15:57.080 --> 0:15:59.040
<v Speaker 1>Like if you you take you take facial features and

0:15:59.040 --> 0:16:00.640
<v Speaker 1>you divide them up into eight mentions and go to

0:16:00.720 --> 0:16:05.320
<v Speaker 1>match those up. So yeah, not like a spatial dimensions.

0:16:05.400 --> 0:16:08.160
<v Speaker 1>I'm not sure how that would work. Basically, the eight

0:16:08.280 --> 0:16:13.400
<v Speaker 1>sliders on your character creator right now. Most of the time,

0:16:13.400 --> 0:16:16.840
<v Speaker 1>though again we're not talking about exact doubles. You know, generally,

0:16:16.880 --> 0:16:19.160
<v Speaker 1>these are just faces that are similar to our own

0:16:19.240 --> 0:16:21.640
<v Speaker 1>or similar to someone we know. When we focus on

0:16:21.680 --> 0:16:24.080
<v Speaker 1>the familiarity in a way that may be tied to

0:16:24.160 --> 0:16:27.400
<v Speaker 1>a means of identifying close kin uh, you know, in

0:16:27.680 --> 0:16:31.120
<v Speaker 1>early human history, like that's what this recognition system is,

0:16:31.160 --> 0:16:34.800
<v Speaker 1>perhaps four um and you know, think again about how

0:16:34.880 --> 0:16:37.480
<v Speaker 1>generally how you know, generally, doubles are kind of a

0:16:37.480 --> 0:16:40.840
<v Speaker 1>first glance thing. The similarities may be jarring, but the

0:16:40.880 --> 0:16:45.280
<v Speaker 1>differences will be pronounced as well. Now, the thing is,

0:16:45.320 --> 0:16:47.960
<v Speaker 1>there are so many humans on the planet now, and

0:16:48.080 --> 0:16:51.240
<v Speaker 1>we live in you know, closer confines. In many situations,

0:16:52.000 --> 0:16:54.720
<v Speaker 1>seeing familiar features, it doesn't necessarily mean that there's any

0:16:54.800 --> 0:16:59.360
<v Speaker 1>shared genetic heritage between two given individuals, you know, except

0:16:59.440 --> 0:17:01.400
<v Speaker 1>in the sense that all humans share most in the

0:17:01.400 --> 0:17:04.280
<v Speaker 1>grander yeah, and the grander scheme, yes, but yeah, if

0:17:04.280 --> 0:17:06.000
<v Speaker 1>you just if you're in another city you see someone

0:17:06.040 --> 0:17:07.760
<v Speaker 1>who looks kind of like you, or looks kind of

0:17:07.800 --> 0:17:10.560
<v Speaker 1>like a friend, it doesn't mean they're your long last

0:17:10.600 --> 0:17:13.399
<v Speaker 1>cousin or their long last cousin. Of an of your friend.

0:17:14.880 --> 0:17:17.199
<v Speaker 1>But it's a situation where we kind of broke the

0:17:17.200 --> 0:17:20.760
<v Speaker 1>system through population growth in the birth of cities and

0:17:20.760 --> 0:17:24.840
<v Speaker 1>and self facial recognition and facial recognition abilities. They're also

0:17:24.880 --> 0:17:29.480
<v Speaker 1>going to vary from person to person, so your doppelganger

0:17:29.640 --> 0:17:32.480
<v Speaker 1>alarms just may not be as easy to set off

0:17:32.520 --> 0:17:36.240
<v Speaker 1>as someone else's. So anyway, that's that's doppel gangers in

0:17:36.280 --> 0:17:38.960
<v Speaker 1>a nutshell, both the origin of the term, but then

0:17:39.359 --> 0:17:42.240
<v Speaker 1>a little bit about the science and the potent that

0:17:42.320 --> 0:17:46.560
<v Speaker 1>the potentiality of seeing a double or near double uh

0:17:46.640 --> 0:17:49.679
<v Speaker 1>somewhere in the world. But thinking about what is at

0:17:49.720 --> 0:17:53.760
<v Speaker 1>work with the the erroneous detection of doubles in cop

0:17:53.800 --> 0:17:56.720
<v Speaker 1>cross syndrome, uh is I guess maybe what we should

0:17:56.720 --> 0:18:02.119
<v Speaker 1>get back to when we come back after a break. Alright,

0:18:02.160 --> 0:18:04.800
<v Speaker 1>we're back and it's really us. We weren't replaced by

0:18:05.160 --> 0:18:07.639
<v Speaker 1>strange creatures from the Monster Manual over the course of

0:18:07.640 --> 0:18:10.800
<v Speaker 1>the advertisement. No, we're here, it's really us and we're

0:18:10.800 --> 0:18:13.280
<v Speaker 1>going to continue our exploration. You know, I wanted to

0:18:13.280 --> 0:18:15.840
<v Speaker 1>answer that with the body snatchers noise, but I don't

0:18:15.880 --> 0:18:17.560
<v Speaker 1>know if I can make it exactly from the Donald

0:18:17.560 --> 0:18:20.119
<v Speaker 1>Sutherland version, Yeah, which is a great version by I

0:18:20.160 --> 0:18:22.120
<v Speaker 1>still haven't seen that. I've only seen the old black

0:18:22.119 --> 0:18:24.840
<v Speaker 1>and white original. Oh, the Donald Sutherland one is great.

0:18:24.960 --> 0:18:30.120
<v Speaker 1>He's got Lambert from Alien, it's got Jeff Goldblum, He's

0:18:30.200 --> 0:18:33.720
<v Speaker 1>he's feisty. It's got oh and it's got from another

0:18:33.760 --> 0:18:36.840
<v Speaker 1>sci fi classic. It's got what's his name who played

0:18:36.880 --> 0:18:41.320
<v Speaker 1>spok Leonard n Yeah, Leonard Nimoy is fantastic in it.

0:18:41.440 --> 0:18:44.040
<v Speaker 1>I think it's his it's his great performance. Well, that's

0:18:44.040 --> 0:18:46.199
<v Speaker 1>a great cast. But the nineteen fifty six original had

0:18:46.240 --> 0:18:49.800
<v Speaker 1>had had Kevin McCarthy in the lead role. It was terrific.

0:18:50.240 --> 0:18:53.560
<v Speaker 1>You also had Carol and Jones, who had played more

0:18:53.600 --> 0:18:56.399
<v Speaker 1>Tisha on The Adams Family. Cool. Yeah, but also it

0:18:56.440 --> 0:18:58.399
<v Speaker 1>was it was just black and white, and it just

0:18:58.520 --> 0:19:00.560
<v Speaker 1>it really, at least the version I saw of it,

0:19:00.600 --> 0:19:04.880
<v Speaker 1>like the darkness felt just so murky and uh and

0:19:04.960 --> 0:19:08.400
<v Speaker 1>dirty somehow, Like it was just a very nightmare inducing

0:19:08.400 --> 0:19:10.199
<v Speaker 1>film when I saw it as a kid. Yeah, the

0:19:10.200 --> 0:19:13.040
<v Speaker 1>paranoid visual vibe, it's got a it's got a kind

0:19:13.040 --> 0:19:16.919
<v Speaker 1>of a communist infiltration thing. Oh, definitely, definitely. That's a

0:19:17.000 --> 0:19:19.560
<v Speaker 1>that's a very strong element of it, which just goes

0:19:19.600 --> 0:19:22.720
<v Speaker 1>to show like the ideas of like why this concept

0:19:22.800 --> 0:19:26.119
<v Speaker 1>of of doubles resonates so because you can apply it

0:19:26.160 --> 0:19:29.680
<v Speaker 1>to all these other scenarios social and political. Well, yeah,

0:19:29.680 --> 0:19:31.760
<v Speaker 1>I mean it's a common thing for people to say

0:19:31.800 --> 0:19:34.520
<v Speaker 1>when they don't literally think that someone they know has

0:19:34.560 --> 0:19:38.720
<v Speaker 1>been physically bodily replaced by a by a supernatural double,

0:19:39.280 --> 0:19:41.600
<v Speaker 1>they might often think, I don't know this person anymore.

0:19:41.800 --> 0:19:43.800
<v Speaker 1>I mean it's a similar like, you know, they've been

0:19:43.840 --> 0:19:47.480
<v Speaker 1>replaced with somebody, somebody replaced you with a different person. Yeah,

0:19:47.520 --> 0:19:51.040
<v Speaker 1>Like it just would. Really, you just found out you're

0:19:51.040 --> 0:19:53.960
<v Speaker 1>getting to know them better, You found out something about

0:19:54.000 --> 0:19:56.520
<v Speaker 1>them you didn't know before, and now you think that

0:19:56.560 --> 0:19:59.520
<v Speaker 1>they're like a different being entirely. And now it's just

0:19:59.600 --> 0:20:02.480
<v Speaker 1>because yeah, it turns out that they were maybe communists

0:20:02.600 --> 0:20:05.639
<v Speaker 1>or like a different football team. Well, to be fair, also,

0:20:05.680 --> 0:20:08.399
<v Speaker 1>it could be a case of um, you know, people

0:20:08.560 --> 0:20:12.960
<v Speaker 1>over emphasizing disposition all traits, thinking that people thinking that

0:20:13.000 --> 0:20:15.800
<v Speaker 1>they should expect their loved ones to be incredibly consistent

0:20:15.920 --> 0:20:19.680
<v Speaker 1>and trait predictable, when in fact people are inconsistent. That

0:20:19.720 --> 0:20:23.280
<v Speaker 1>it depends on the circumstances how they behave. Maybe sometimes

0:20:23.320 --> 0:20:26.240
<v Speaker 1>you are used to seeing someone only in one type

0:20:26.280 --> 0:20:29.040
<v Speaker 1>of context, maybe used to only seeing them at work,

0:20:29.320 --> 0:20:31.200
<v Speaker 1>and then when you see them in a different context,

0:20:31.240 --> 0:20:32.960
<v Speaker 1>when you see them, you know, out with their friends

0:20:33.119 --> 0:20:35.240
<v Speaker 1>or with their family, they seem like a totally different

0:20:35.280 --> 0:20:37.359
<v Speaker 1>person to you. It can be jarring when you see

0:20:37.359 --> 0:20:40.119
<v Speaker 1>those differences, and yet they're there for almost all of us,

0:20:40.160 --> 0:20:42.800
<v Speaker 1>almost none of us, like really behave the same way

0:20:42.840 --> 0:20:46.800
<v Speaker 1>in all contexts. Well, let's talk about the about those contexts,

0:20:46.880 --> 0:20:50.240
<v Speaker 1>especially those social contexts. Yeah, so I want to come

0:20:50.240 --> 0:20:52.280
<v Speaker 1>back to So we've talked about doppelgangers a bit and

0:20:52.320 --> 0:20:55.760
<v Speaker 1>the idea of doubles and and familiarity and recognition, But

0:20:55.800 --> 0:20:57.720
<v Speaker 1>I want to come back to uh that article I

0:20:57.760 --> 0:21:00.960
<v Speaker 1>mentioned at the beginning where Robert sapulse Key makes this

0:21:01.080 --> 0:21:06.400
<v Speaker 1>comparison between what is made clear about the brain basis

0:21:06.480 --> 0:21:10.680
<v Speaker 1>of familiarity with cop Cross syndrome and the ways that

0:21:11.119 --> 0:21:15.600
<v Speaker 1>technology is changing our social relationships. So in in Sapolski's words,

0:21:15.600 --> 0:21:18.679
<v Speaker 1>Capcross syndrome makes clear the brain basis for quote, the

0:21:18.720 --> 0:21:23.000
<v Speaker 1>differences between the thoughts that give rise to recognition. Remember

0:21:23.040 --> 0:21:26.720
<v Speaker 1>recognition as cognitive You see somebody and you cognitively know

0:21:26.760 --> 0:21:31.040
<v Speaker 1>who they are, and the feelings that give rise to familiarity.

0:21:31.080 --> 0:21:33.800
<v Speaker 1>That's the emotion that says, yes, I know this person,

0:21:34.200 --> 0:21:38.520
<v Speaker 1>they're different things. And Sapolsky's main point is quote, these

0:21:38.560 --> 0:21:42.239
<v Speaker 1>functional fault lines in the social brain, when coupled with

0:21:42.280 --> 0:21:45.639
<v Speaker 1>advances in the online world, have given rise to the

0:21:45.720 --> 0:21:50.280
<v Speaker 1>contemporary Facebook generation. They have made cop cross syndrome a

0:21:50.359 --> 0:21:53.760
<v Speaker 1>window on our culture and minds today where nothing is

0:21:53.880 --> 0:21:58.080
<v Speaker 1>quite recognizable but everything seems familiar. And I would actually

0:21:58.080 --> 0:21:59.960
<v Speaker 1>go further than that and say, I think that's an

0:22:00.000 --> 0:22:02.719
<v Speaker 1>interesting point, but the the inverse is true as well,

0:22:03.000 --> 0:22:06.520
<v Speaker 1>that the online world creates these situations where you have

0:22:06.640 --> 0:22:12.000
<v Speaker 1>familiarity without recognition and recognition without familiarity. So to further

0:22:12.880 --> 0:22:15.639
<v Speaker 1>explore the point, he makes a little bit so he

0:22:15.680 --> 0:22:18.000
<v Speaker 1>points out that you know, essentially, for all of our

0:22:18.040 --> 0:22:21.879
<v Speaker 1>evolutionary history, are only social relationships have been face to

0:22:21.920 --> 0:22:24.960
<v Speaker 1>face ones. And I'm struggling to think of a counter example.

0:22:25.640 --> 0:22:29.359
<v Speaker 1>I can't really think of a counter example for relationships

0:22:29.359 --> 0:22:32.240
<v Speaker 1>with real people. But for tens of thousands of years,

0:22:32.240 --> 0:22:34.760
<v Speaker 1>of course, we have had language, and we could have

0:22:34.840 --> 0:22:37.920
<v Speaker 1>felt as if we had relationships with people we only

0:22:37.960 --> 0:22:41.240
<v Speaker 1>heard about in stories for example. Now, obviously we do

0:22:41.400 --> 0:22:43.240
<v Speaker 1>eventually reach the point where we have the ability to

0:22:43.280 --> 0:22:46.760
<v Speaker 1>engage in activities like having a pinpal and that maybe

0:22:46.800 --> 0:22:48.840
<v Speaker 1>you know, that's a case where you can have certainly

0:22:49.040 --> 0:22:53.560
<v Speaker 1>a non face to face example. But but prior to uh,

0:22:53.680 --> 0:22:56.359
<v Speaker 1>you know, the advent of the necessary um, you know,

0:22:56.480 --> 0:22:59.560
<v Speaker 1>systems and technology. Yeah, I struggle to think of an

0:22:59.560 --> 0:23:02.840
<v Speaker 1>example as well. I mean even sort of semi imagined

0:23:03.040 --> 0:23:07.040
<v Speaker 1>situations such as speaking to the spirit of a dead

0:23:07.280 --> 0:23:11.280
<v Speaker 1>ancestor or dead relative, like you're still depending upon a

0:23:11.359 --> 0:23:14.960
<v Speaker 1>previous face to face relationship. Yes, and even even with

0:23:15.000 --> 0:23:18.199
<v Speaker 1>pin pals, I mean even the oldest versions of this,

0:23:18.359 --> 0:23:22.560
<v Speaker 1>the non digital communications, just writing to people with letters

0:23:22.600 --> 0:23:25.280
<v Speaker 1>even if you've never met them before. That that is

0:23:25.359 --> 0:23:28.480
<v Speaker 1>anatomically recent. I mean, the vast majority of the time

0:23:28.520 --> 0:23:30.879
<v Speaker 1>our species has been around, we didn't have writing. We

0:23:30.880 --> 0:23:33.920
<v Speaker 1>couldn't do that. The only relationships we had were face

0:23:34.000 --> 0:23:37.280
<v Speaker 1>to face relationships. And so it's entirely clear that our

0:23:37.320 --> 0:23:41.120
<v Speaker 1>bodies and our brains have been shaped by an evolutionary

0:23:41.200 --> 0:23:43.720
<v Speaker 1>niche and when in which all relationships were face to

0:23:43.760 --> 0:23:46.479
<v Speaker 1>face ones. Right, even our history is a symbolic Uh.

0:23:46.880 --> 0:23:51.720
<v Speaker 1>Species is mostly based on, almost exclusively based on face

0:23:51.720 --> 0:23:55.200
<v Speaker 1>to face communication. Yeah, and so when our only social

0:23:55.240 --> 0:23:59.720
<v Speaker 1>relationships were face to face relationships, it was natural for

0:23:59.760 --> 0:24:04.199
<v Speaker 1>face facial recognition and familiarity at an in person body

0:24:04.359 --> 0:24:07.520
<v Speaker 1>sensing level to be one of our main mediators of

0:24:07.560 --> 0:24:12.680
<v Speaker 1>how we conceptualized, evaluated, and formed beliefs about our relationships.

0:24:13.560 --> 0:24:16.440
<v Speaker 1>I mean, if you live in this non technological world

0:24:16.440 --> 0:24:19.760
<v Speaker 1>where your only relationships are face to face, it totally

0:24:19.800 --> 0:24:23.440
<v Speaker 1>makes sense for you to use moment to moment, face

0:24:23.520 --> 0:24:26.520
<v Speaker 1>to face, say, visual and touch data and things like

0:24:26.560 --> 0:24:29.720
<v Speaker 1>that to get the best idea of what your relationships

0:24:29.760 --> 0:24:31.960
<v Speaker 1>are and how you should feel about them, right. I mean,

0:24:31.960 --> 0:24:33.600
<v Speaker 1>some of that goes back to the you know we're

0:24:33.600 --> 0:24:37.760
<v Speaker 1>discussing earlier about uh, you know, can identification being able

0:24:37.800 --> 0:24:40.320
<v Speaker 1>to tell like this, this is a relative, I can

0:24:40.320 --> 0:24:43.600
<v Speaker 1>see it in their face exactly. But of course there

0:24:43.600 --> 0:24:46.760
<v Speaker 1>have been these technological changes that now allow relationships to

0:24:46.840 --> 0:24:51.680
<v Speaker 1>exist and persist under circumstances other than face to face interaction.

0:24:51.920 --> 0:24:54.399
<v Speaker 1>Of course, we already mentioned writing in literacy. Now this

0:24:54.440 --> 0:24:57.720
<v Speaker 1>allows you to maybe send letters, though I'd say even

0:24:58.200 --> 0:25:00.159
<v Speaker 1>for most of the time that's been around, that has

0:25:00.200 --> 0:25:04.400
<v Speaker 1>been something that is limited to a small percent of humans,

0:25:04.880 --> 0:25:07.840
<v Speaker 1>you know, because for most of human history. Most people

0:25:07.880 --> 0:25:10.360
<v Speaker 1>have not been literate, that's true. And then and then,

0:25:10.359 --> 0:25:13.040
<v Speaker 1>of course again, I feel I feel like the pinpal,

0:25:13.119 --> 0:25:16.000
<v Speaker 1>like the the the pinpal situation in which there is

0:25:16.280 --> 0:25:19.440
<v Speaker 1>never a face to face meeting. Like that's a slim

0:25:19.760 --> 0:25:22.640
<v Speaker 1>slice of the overall pie. Most of the other um

0:25:22.640 --> 0:25:25.480
<v Speaker 1>written communications are going to be carried out with individuals

0:25:25.920 --> 0:25:28.520
<v Speaker 1>um in which there was at least a previous face

0:25:28.560 --> 0:25:32.280
<v Speaker 1>to face communication. Yeah, but then think about how hard

0:25:32.520 --> 0:25:36.679
<v Speaker 1>this kind of thing can make relationships. I bet every

0:25:36.760 --> 0:25:43.280
<v Speaker 1>single person listening has had the experience of relationships strife

0:25:43.520 --> 0:25:48.000
<v Speaker 1>caused by a feeling by a misunderstanding or some kind

0:25:48.000 --> 0:25:51.360
<v Speaker 1>of feeling of emotional estrangement brought on by the media

0:25:51.520 --> 0:25:54.120
<v Speaker 1>through which you communicate. A lot of us don't feel

0:25:54.200 --> 0:25:56.879
<v Speaker 1>very comfortable talking to people on the phone. A lot

0:25:56.920 --> 0:25:59.240
<v Speaker 1>of us, don't you know, we have the experience of

0:25:59.280 --> 0:26:02.320
<v Speaker 1>sending email else and being misunderstood, having people not read

0:26:02.320 --> 0:26:05.920
<v Speaker 1>your tone correctly, or getting worried about the way somebody

0:26:05.960 --> 0:26:08.600
<v Speaker 1>punctuated a sentence and an email. I mean, I bet

0:26:08.640 --> 0:26:11.160
<v Speaker 1>you've had this experience. Oh yeah, absolutely, And I think

0:26:11.160 --> 0:26:14.440
<v Speaker 1>we all have both in personal contacts and work contacts.

0:26:14.920 --> 0:26:18.879
<v Speaker 1>You know, um says, I guess, you know, hopefully if

0:26:18.920 --> 0:26:22.359
<v Speaker 1>you have, if you're dealing a lot via email with someone,

0:26:22.400 --> 0:26:24.960
<v Speaker 1>you'll kind of get a feel for their tone and

0:26:25.000 --> 0:26:27.760
<v Speaker 1>how they tend to speak. But even then there's so

0:26:27.840 --> 0:26:30.560
<v Speaker 1>much room for miscommunication, like even when you feel like

0:26:30.600 --> 0:26:33.600
<v Speaker 1>you really uh you know, or or up to speed

0:26:33.680 --> 0:26:37.639
<v Speaker 1>on how they present themselves in a textual manner. Robert,

0:26:37.680 --> 0:26:39.240
<v Speaker 1>if you don't mind me saying you're kind of a

0:26:39.320 --> 0:26:42.520
<v Speaker 1>terse emailer, am I I can see people getting worried

0:26:42.560 --> 0:26:44.720
<v Speaker 1>when they get an email from you that maybe you're

0:26:44.760 --> 0:26:47.400
<v Speaker 1>mad at them or something. I don't think that's necessarily

0:26:47.400 --> 0:26:49.280
<v Speaker 1>always the king. Maybe sometimes you're mad at me, But

0:26:49.359 --> 0:26:52.040
<v Speaker 1>I mean, I think you just tend to not spend

0:26:52.080 --> 0:26:54.919
<v Speaker 1>a whole lot of time, you know, worrying about how

0:26:54.920 --> 0:26:56.720
<v Speaker 1>to phrase stuff on email. You just kind of bang

0:26:56.760 --> 0:26:59.600
<v Speaker 1>it out, and which I admire because you know, I

0:26:59.800 --> 0:27:02.840
<v Speaker 1>it is, you know, the amount of time that people

0:27:02.920 --> 0:27:06.520
<v Speaker 1>waste trying to phrase stuff on email is is it's

0:27:06.560 --> 0:27:09.680
<v Speaker 1>a horror. The thing is I used I remember when

0:27:09.720 --> 0:27:12.520
<v Speaker 1>I was younger, I would have these these long email

0:27:12.560 --> 0:27:16.160
<v Speaker 1>correspondence is going on with friends where we would respond

0:27:16.720 --> 0:27:20.320
<v Speaker 1>like like sometimes sentence by sentence or atleast paragraph by

0:27:20.560 --> 0:27:24.680
<v Speaker 1>paragraph where we'd respond to specific points and uh and

0:27:24.680 --> 0:27:28.280
<v Speaker 1>and right at length in response, and at some point

0:27:28.320 --> 0:27:32.080
<v Speaker 1>this just faded away. I haven't really I haven't really

0:27:32.080 --> 0:27:33.640
<v Speaker 1>thought about it too much to to try and figure

0:27:33.680 --> 0:27:37.240
<v Speaker 1>out exactly like at what point, like which like technological

0:27:37.440 --> 0:27:42.280
<v Speaker 1>or communications change altered that or and or what life

0:27:42.320 --> 0:27:46.160
<v Speaker 1>changes led to that occurring. But at the same time,

0:27:46.200 --> 0:27:48.560
<v Speaker 1>you know, it used to have of, you know, long

0:27:48.600 --> 0:27:51.640
<v Speaker 1>phone conversations with people, and now it's really it's it's

0:27:51.640 --> 0:27:54.159
<v Speaker 1>extremely rare for me to have a long phone conversation.

0:27:54.160 --> 0:27:57.159
<v Speaker 1>It's there's basically like two people in the world that

0:27:57.280 --> 0:28:00.280
<v Speaker 1>I have phone conversations within a regular basis, and once

0:28:00.320 --> 0:28:02.720
<v Speaker 1>my wife and once with my mother, and that's pretty

0:28:02.760 --> 0:28:05.919
<v Speaker 1>much it. Do you think maybe these changes have been

0:28:06.000 --> 0:28:08.760
<v Speaker 1>brought on by other technological changes, like the rise of

0:28:08.800 --> 0:28:12.400
<v Speaker 1>social media. I suspect they have. Yeah, Like instead of

0:28:13.000 --> 0:28:17.280
<v Speaker 1>having this this more, this longer, more thoughtful stream of

0:28:17.320 --> 0:28:20.800
<v Speaker 1>communication with somebody that you know now lives in another city,

0:28:21.040 --> 0:28:24.639
<v Speaker 1>you just have a continual trickle, you know, so again

0:28:24.680 --> 0:28:28.080
<v Speaker 1>we just have that familiarity, like a tripical familiarity going

0:28:28.080 --> 0:28:31.800
<v Speaker 1>on instead of like an actual stream of communication well,

0:28:31.840 --> 0:28:36.080
<v Speaker 1>and it also I think that the way that technology

0:28:36.160 --> 0:28:40.120
<v Speaker 1>has changed our communication sometimes forces us to become a

0:28:40.200 --> 0:28:42.880
<v Speaker 1>version of ourselves that we don't recognize. I mean, I

0:28:42.920 --> 0:28:47.560
<v Speaker 1>was talking about how we write work emails. I actually

0:28:47.680 --> 0:28:50.800
<v Speaker 1>don't love the way that I write work emails. I

0:28:50.840 --> 0:28:55.840
<v Speaker 1>feel like often I have to I overuse like exclamation

0:28:55.920 --> 0:28:58.720
<v Speaker 1>points and smiley faces and all that. And it's mainly

0:28:58.760 --> 0:29:02.640
<v Speaker 1>just because I don't ever want to accidentally make somebody

0:29:02.680 --> 0:29:04.920
<v Speaker 1>feel bad over email, or make them get the wrong

0:29:05.000 --> 0:29:06.920
<v Speaker 1>idea that I'm ad at them or something like that.

0:29:07.160 --> 0:29:09.560
<v Speaker 1>On the emotional intention, yeah, and of the statement, I

0:29:09.600 --> 0:29:13.440
<v Speaker 1>hate it because I can feel myself feeling insipid and

0:29:13.480 --> 0:29:17.000
<v Speaker 1>feeling not like myself as I type it. But I

0:29:17.000 --> 0:29:20.960
<v Speaker 1>would rather feel like that than worry that I'm giving

0:29:20.960 --> 0:29:23.280
<v Speaker 1>people the wrong idea or letting them think I'm mad

0:29:23.320 --> 0:29:25.760
<v Speaker 1>at them or something like that. You know, Yeah, I mean,

0:29:25.800 --> 0:29:28.680
<v Speaker 1>but I totally understand it. Yeah, sometimes you feel like

0:29:28.760 --> 0:29:31.280
<v Speaker 1>you have to really make it clear. And I do

0:29:31.320 --> 0:29:33.400
<v Speaker 1>find myself doing more and more of that with texts

0:29:33.640 --> 0:29:36.160
<v Speaker 1>when I'm sending a text, you know, via my tiny

0:29:36.160 --> 0:29:41.000
<v Speaker 1>pocket computer. Oh your pocket god, yes, pocket guy. Yes. Yeah.

0:29:41.040 --> 0:29:43.360
<v Speaker 1>And so we've got to obviously, you know, all the

0:29:43.360 --> 0:29:46.920
<v Speaker 1>stuff we're talking about email, phone, uh, text messages and

0:29:47.000 --> 0:29:50.800
<v Speaker 1>internet communications. The photograph in a way kind of kind

0:29:50.840 --> 0:29:54.520
<v Speaker 1>of a modern communication method sort of. Yeah, as it's become,

0:29:54.760 --> 0:29:58.720
<v Speaker 1>you know, increasingly easy to to take digital photographs and

0:29:58.760 --> 0:30:00.920
<v Speaker 1>send them to other people, it'd be comes a form

0:30:00.920 --> 0:30:04.280
<v Speaker 1>of communication as does you know you mentioned emoticons as

0:30:04.320 --> 0:30:08.760
<v Speaker 1>being like a way of of of tweaking textual content,

0:30:08.840 --> 0:30:13.560
<v Speaker 1>but in many cases, like they're the prime uh language

0:30:13.600 --> 0:30:16.920
<v Speaker 1>that is used in communicating to say nothing of memes. Oh,

0:30:16.960 --> 0:30:20.000
<v Speaker 1>I shudder at this thought. Memes or there's gonna be

0:30:20.080 --> 0:30:22.760
<v Speaker 1>a day in which the English language is replaced by memes.

0:30:23.200 --> 0:30:25.320
<v Speaker 1>It's just like instead of an alphabet, you have a meme,

0:30:25.360 --> 0:30:27.440
<v Speaker 1>a bet and you just like put you paste the

0:30:27.480 --> 0:30:31.440
<v Speaker 1>memes together to form ideas. Yeah, I mean I already feel, um,

0:30:31.480 --> 0:30:33.520
<v Speaker 1>you know, and maybe this is just me feeling old,

0:30:33.560 --> 0:30:36.880
<v Speaker 1>but um, I feel we we've already reached the point

0:30:36.920 --> 0:30:40.280
<v Speaker 1>where there'll be a threat about something sound Reddit and

0:30:41.000 --> 0:30:43.000
<v Speaker 1>there'll be a meme and I have to I have

0:30:43.080 --> 0:30:45.320
<v Speaker 1>to research what the meme means, Like it's a new

0:30:45.400 --> 0:30:47.320
<v Speaker 1>meme and I have to figure out like where it

0:30:47.400 --> 0:30:50.640
<v Speaker 1>came from how it's used and how it's potentially being misused,

0:30:50.640 --> 0:30:53.320
<v Speaker 1>and how it's like evolving out of that misuse to

0:30:53.440 --> 0:30:57.720
<v Speaker 1>understand like what the prevailing idea is that is being

0:30:58.520 --> 0:31:01.600
<v Speaker 1>expressed memes as a whole or exactly like words in

0:31:01.640 --> 0:31:03.680
<v Speaker 1>the sense that you can try to write down a

0:31:03.760 --> 0:31:06.720
<v Speaker 1>definition for a word, but where do uses changes over time?

0:31:06.720 --> 0:31:10.880
<v Speaker 1>I mean, words don't actually have fixed definitions. You can't

0:31:10.880 --> 0:31:13.800
<v Speaker 1>control how people use them. Yeah, it kind of like

0:31:13.840 --> 0:31:16.800
<v Speaker 1>the whole like literally right, yeah, um, it's like, yeah,

0:31:16.800 --> 0:31:19.160
<v Speaker 1>sorry you lost that battle that words changed. You can

0:31:19.160 --> 0:31:21.520
<v Speaker 1>cling to the past, but sorry, it was just misused

0:31:21.520 --> 0:31:23.760
<v Speaker 1>into a new usage. So I try not to correct

0:31:23.760 --> 0:31:26.400
<v Speaker 1>people on that one, but that does it still gets me.

0:31:26.840 --> 0:31:31.720
<v Speaker 1>My blood was literally boiling and it literally took his

0:31:31.760 --> 0:31:34.840
<v Speaker 1>head off. Yes, but yeah, So we're talking about the

0:31:34.840 --> 0:31:38.400
<v Speaker 1>you know, the technological media on which our relationships happened.

0:31:38.680 --> 0:31:41.760
<v Speaker 1>And I think many of our relationships, especially in the

0:31:41.840 --> 0:31:47.520
<v Speaker 1>last you know, ten years now, happened primarily on these media.

0:31:48.080 --> 0:31:50.000
<v Speaker 1>And on one hand, that can be a good thing

0:31:50.040 --> 0:31:53.880
<v Speaker 1>because it allows us to maintain relationships with people who

0:31:53.920 --> 0:31:57.040
<v Speaker 1>we want to have relationships with, but can't you know,

0:31:57.360 --> 0:32:00.080
<v Speaker 1>people we can't practically arrange to see in person as

0:32:00.120 --> 0:32:02.480
<v Speaker 1>often as we'd like to. Several of my best friends

0:32:02.480 --> 0:32:05.480
<v Speaker 1>live in different cities, and we've been friends for years,

0:32:05.480 --> 0:32:08.600
<v Speaker 1>and I'm only able to maintain friendships with them because

0:32:08.640 --> 0:32:12.440
<v Speaker 1>of this technology. So I would hate to lose those friendships.

0:32:12.480 --> 0:32:14.160
<v Speaker 1>But also I wonder about the fact that what is

0:32:14.160 --> 0:32:17.240
<v Speaker 1>it doing to our culture when there's a substantial number

0:32:17.280 --> 0:32:20.680
<v Speaker 1>of people who, like, I don't know, maybe seventy percent

0:32:20.840 --> 0:32:25.200
<v Speaker 1>of their friendly social interactions happen over a machine. Yeah,

0:32:25.320 --> 0:32:28.480
<v Speaker 1>I mean even people like flesh and blood friends that

0:32:28.600 --> 0:32:31.000
<v Speaker 1>I have in the city with me, Like, we still

0:32:31.040 --> 0:32:32.520
<v Speaker 1>have to do like a like a you know, a

0:32:32.560 --> 0:32:35.840
<v Speaker 1>thirty email chain to plan to meet each other in

0:32:35.880 --> 0:32:39.360
<v Speaker 1>real life. Like even if it's like a semi regular thing,

0:32:39.440 --> 0:32:41.280
<v Speaker 1>like we know where we're gonna go, we know when

0:32:41.320 --> 0:32:43.240
<v Speaker 1>we're going to do it, but we still have to

0:32:43.280 --> 0:32:45.560
<v Speaker 1>coordinate all of these things. So how much of the

0:32:45.800 --> 0:32:49.800
<v Speaker 1>relationship is truly face to face versus digital? Yeah? And

0:32:49.840 --> 0:32:53.400
<v Speaker 1>so Sapolsky says in this article that this technological reality

0:32:53.440 --> 0:32:57.680
<v Speaker 1>has conditioned us in a way to dissociate our traditional

0:32:57.720 --> 0:33:02.600
<v Speaker 1>pathways of recognition and familiarity. Uh So, he writes, quote thus,

0:33:02.640 --> 0:33:07.200
<v Speaker 1>not only has modern life increasingly dissociated recognition and familiarity,

0:33:07.240 --> 0:33:10.280
<v Speaker 1>but it has impoverished the latter in the process. So

0:33:10.320 --> 0:33:15.400
<v Speaker 1>impoverished familiarity. This is worsened by our frantic skill at multitasking,

0:33:15.520 --> 0:33:19.520
<v Speaker 1>especially social multitasking. A recent Pew study reported that eighty

0:33:19.600 --> 0:33:22.440
<v Speaker 1>nine percent of cell phone owners use their phones during

0:33:22.440 --> 0:33:26.600
<v Speaker 1>the most recent social gathering. That sounds low to me. Um,

0:33:26.720 --> 0:33:30.080
<v Speaker 1>we reduce our social connotations to mere threads so that

0:33:30.120 --> 0:33:33.320
<v Speaker 1>we can maintain as many of them as possible. This

0:33:33.440 --> 0:33:37.920
<v Speaker 1>leaves us with signposts of familiarity that are frail remnants

0:33:37.920 --> 0:33:40.800
<v Speaker 1>of the real thing. And I think he's really onto

0:33:40.840 --> 0:33:44.520
<v Speaker 1>something there about the idea of um maintaining it's almost

0:33:44.520 --> 0:33:48.760
<v Speaker 1>like putting up the scarecrows of things like these technological

0:33:49.000 --> 0:33:54.440
<v Speaker 1>stand ins for relationships that are not really functioning biologically

0:33:54.440 --> 0:33:58.600
<v Speaker 1>and psychologically for us the way relationships should. But we'd

0:33:58.720 --> 0:34:02.080
<v Speaker 1>rather maintain as any of those as we can rather

0:34:02.160 --> 0:34:05.640
<v Speaker 1>than have fewer relationships but more face to face interaction,

0:34:05.800 --> 0:34:08.319
<v Speaker 1>you know, quality time and all that. Yeah, So we

0:34:08.320 --> 0:34:11.880
<v Speaker 1>we end up maintaining these trickles of of of actual

0:34:11.960 --> 0:34:15.160
<v Speaker 1>social connections as opposed to streams of social connection. So

0:34:15.200 --> 0:34:18.920
<v Speaker 1>he's saying there that we essentially degrade our sensitivity to

0:34:19.120 --> 0:34:22.840
<v Speaker 1>the familiarity aspect of of what knowing somebody is a

0:34:22.960 --> 0:34:26.719
<v Speaker 1>social interaction, it's recognition and familiarity. And when we degrade

0:34:26.840 --> 0:34:30.360
<v Speaker 1>the familiarity thing, he says, quote uh, that we become

0:34:30.440 --> 0:34:35.800
<v Speaker 1>increasingly vulnerable to imposts. Our social media lives are rife

0:34:35.840 --> 0:34:40.719
<v Speaker 1>with simulations and simulations of simulations of reality, and so

0:34:40.760 --> 0:34:43.600
<v Speaker 1>of course you know that's uh, you know, one example

0:34:43.600 --> 0:34:45.480
<v Speaker 1>there is people who claim to know you, but they're not.

0:34:45.680 --> 0:34:48.520
<v Speaker 1>They're uh, you know, a friends email account gets hacked,

0:34:48.840 --> 0:34:50.960
<v Speaker 1>some hacker contacts you and tries to get you to

0:34:51.040 --> 0:34:53.840
<v Speaker 1>open some malware. That's one example. But there's a million

0:34:54.080 --> 0:34:57.480
<v Speaker 1>versions of this thing where where are sort of like

0:34:57.560 --> 0:35:02.120
<v Speaker 1>a low resolution familiar already detectors than this digital world

0:35:02.400 --> 0:35:04.960
<v Speaker 1>are being exploited by people who are not actually our

0:35:05.000 --> 0:35:09.200
<v Speaker 1>real friends. So and basically, our online our online version

0:35:09.239 --> 0:35:14.239
<v Speaker 1>of ourselves is essentially as a lay low resolution simulation,

0:35:14.560 --> 0:35:17.319
<v Speaker 1>and so if someone comes along to hijack that simulation,

0:35:17.480 --> 0:35:19.120
<v Speaker 1>it's all the easier to do. So you don't have

0:35:19.200 --> 0:35:22.840
<v Speaker 1>to be a high level magic user to to to

0:35:23.000 --> 0:35:26.359
<v Speaker 1>take on the likeness of another individual. When the threshold

0:35:26.480 --> 0:35:30.440
<v Speaker 1>for duplication is so low. Yeah, but then here here's

0:35:30.480 --> 0:35:33.719
<v Speaker 1>the turn. So Sapolsky says, by any logic quote, this

0:35:33.760 --> 0:35:37.200
<v Speaker 1>should induce us all to have cap craw delusions, to

0:35:37.239 --> 0:35:40.640
<v Speaker 1>find it plausible that everyone we encounter is an impostor.

0:35:41.040 --> 0:35:43.759
<v Speaker 1>After all, how can one's faith in the veracity of

0:35:43.800 --> 0:35:46.440
<v Speaker 1>people not be shaken when you sent all that money

0:35:46.440 --> 0:35:48.640
<v Speaker 1>to the guy who claimed he was from the I R. S.

0:35:49.239 --> 0:35:51.120
<v Speaker 1>And I think there is something going on here. It

0:35:51.160 --> 0:35:54.080
<v Speaker 1>didn't start with this, but this this impostor kind of

0:35:54.120 --> 0:35:56.840
<v Speaker 1>thing that the doppelgang or effect of the online world

0:35:56.840 --> 0:35:58.960
<v Speaker 1>and the fact that it's easy to be tricked by

0:35:59.000 --> 0:36:02.000
<v Speaker 1>an online doppel gang or does help contribute, I think

0:36:02.040 --> 0:36:04.799
<v Speaker 1>to this concept. I'm sure you've encountered this, Robert, that

0:36:05.120 --> 0:36:09.520
<v Speaker 1>the Internet is not real life. People always say this, right,

0:36:09.880 --> 0:36:11.960
<v Speaker 1>It's like I talked about somebody being a friend in

0:36:12.040 --> 0:36:14.960
<v Speaker 1>real life, in real life versus on the Internet. But

0:36:15.000 --> 0:36:18.600
<v Speaker 1>if most of your social interactions are happening on the Internet,

0:36:18.800 --> 0:36:20.680
<v Speaker 1>in what sense is that not real life? I mean,

0:36:20.680 --> 0:36:23.040
<v Speaker 1>of course, the Internet is real life. It is It

0:36:23.160 --> 0:36:26.600
<v Speaker 1>is a it's like a technology. The stuff you're doing

0:36:26.640 --> 0:36:29.799
<v Speaker 1>on it is actually happening. It's not like something that

0:36:29.920 --> 0:36:33.200
<v Speaker 1>didn't happen. But you are making a distinction there people

0:36:33.200 --> 0:36:37.040
<v Speaker 1>in some way or seeing these interactions is derealized or

0:36:37.040 --> 0:36:40.440
<v Speaker 1>as not having uh you know, not material in the

0:36:40.440 --> 0:36:43.160
<v Speaker 1>way that other interactions are. And yet there where we're

0:36:43.160 --> 0:36:47.839
<v Speaker 1>doing most increasingly all of our stuff. Yeah, and I

0:36:47.880 --> 0:36:50.279
<v Speaker 1>wonder if part of that, you know, I would I

0:36:50.320 --> 0:36:54.239
<v Speaker 1>wonder how this plays out generation to generation, because I

0:36:54.280 --> 0:36:58.120
<v Speaker 1>feel like from me, I maybe I had had a

0:36:58.200 --> 0:37:01.080
<v Speaker 1>sense of the Internet is being real life more so

0:37:01.120 --> 0:37:04.400
<v Speaker 1>early on, because the Internet was in some respectfully kind

0:37:04.400 --> 0:37:06.719
<v Speaker 1>of an escape. I mean at the same time, yeah,

0:37:06.760 --> 0:37:08.880
<v Speaker 1>I was. I remember having a union, use a like

0:37:08.880 --> 0:37:10.880
<v Speaker 1>a college email address, and all that kind of stuff,

0:37:10.880 --> 0:37:12.600
<v Speaker 1>you know, So you're still you're still doing in real,

0:37:13.200 --> 0:37:15.560
<v Speaker 1>real life stuff via the Internet. But then a lot

0:37:15.600 --> 0:37:19.440
<v Speaker 1>of other stuff is is about escaping either just in general,

0:37:19.520 --> 0:37:25.040
<v Speaker 1>like escaping into the into fantasy or like escaping geographical boundaries,

0:37:25.080 --> 0:37:27.279
<v Speaker 1>you know, and uh in you know, being able to

0:37:27.320 --> 0:37:29.560
<v Speaker 1>connect with people in other cities. Well, I think there's

0:37:29.600 --> 0:37:31.759
<v Speaker 1>another way in which there are multiple ways in which

0:37:31.800 --> 0:37:34.279
<v Speaker 1>people came to see the Internet is not real life,

0:37:34.280 --> 0:37:37.359
<v Speaker 1>and one of them is is anonymity. You know that

0:37:37.640 --> 0:37:41.840
<v Speaker 1>if you could go around invisible all day, what's that

0:37:41.880 --> 0:37:44.800
<v Speaker 1>Harry Potter cloak that makes you invisible? Oh the the

0:37:45.560 --> 0:37:46.759
<v Speaker 1>what was the type? I mean, it's a new clak

0:37:46.800 --> 0:37:49.440
<v Speaker 1>of invisibility, but I don't remember if it had any

0:37:49.600 --> 0:37:52.640
<v Speaker 1>particular name. Well, whatever that is, you could be invisible

0:37:52.760 --> 0:37:55.000
<v Speaker 1>in a way that would feel not real, right, because

0:37:55.040 --> 0:37:57.319
<v Speaker 1>if nobody can see you and nobody knows who you

0:37:57.360 --> 0:38:00.520
<v Speaker 1>are wherever you are, then there are no consequence, and

0:38:00.560 --> 0:38:03.960
<v Speaker 1>consequences are kind of what gives us the feeling of reality.

0:38:04.440 --> 0:38:06.640
<v Speaker 1>So that's part of it. But I think also Sopulski

0:38:06.719 --> 0:38:09.840
<v Speaker 1>is onto something here and that like this estrangement of

0:38:09.880 --> 0:38:13.080
<v Speaker 1>the sense of recognition and familiarity is it makes the

0:38:13.080 --> 0:38:16.280
<v Speaker 1>Internet start to feel like this world of social delusion,

0:38:16.360 --> 0:38:20.640
<v Speaker 1>this sort of like always cap Graw vulnerable type landscape

0:38:20.880 --> 0:38:23.760
<v Speaker 1>where nothing is really real and you can't trust anything,

0:38:23.800 --> 0:38:26.360
<v Speaker 1>and yet at the same time we're we're constantly forced

0:38:26.400 --> 0:38:29.160
<v Speaker 1>to put our trust in it as a matter of fact,

0:38:29.239 --> 0:38:32.440
<v Speaker 1>because that's where we're doing everything. But then, of course,

0:38:32.560 --> 0:38:34.799
<v Speaker 1>uh back to the idea of like all these you know,

0:38:35.040 --> 0:38:38.640
<v Speaker 1>threads that people maintain and sort of mistake for meaningful

0:38:38.680 --> 0:38:43.200
<v Speaker 1>relationships online. Uh. He comes back and on that and says, actually,

0:38:43.320 --> 0:38:46.319
<v Speaker 1>you know, it seems more the opposite has happened than

0:38:46.480 --> 0:38:49.200
<v Speaker 1>than inducing us to all have cap graw delusions where

0:38:49.200 --> 0:38:51.600
<v Speaker 1>we see people we knew and we think of them

0:38:52.080 --> 0:38:54.080
<v Speaker 1>see people we know and we think of them as

0:38:54.400 --> 0:38:58.120
<v Speaker 1>as you know, being a doppelganger or not familiar. Instead,

0:38:58.160 --> 0:39:00.360
<v Speaker 1>we go the other way and we see, well, we

0:39:00.440 --> 0:39:02.759
<v Speaker 1>don't really know very well, but we just have to

0:39:02.800 --> 0:39:06.080
<v Speaker 1>attach this feeling of familiarity to them. It allows all

0:39:06.120 --> 0:39:08.840
<v Speaker 1>of this false familiarity. And this really comes up in

0:39:09.680 --> 0:39:11.640
<v Speaker 1>I don't know, how have you read about the the

0:39:11.680 --> 0:39:15.480
<v Speaker 1>idea of you know, paras social interactions on social media.

0:39:15.840 --> 0:39:18.320
<v Speaker 1>You know, I don't think prior to this episode I

0:39:19.280 --> 0:39:21.200
<v Speaker 1>knew it by that term, but of course you do

0:39:21.239 --> 0:39:23.200
<v Speaker 1>see it all the time. Yeah, it's it's just it's

0:39:23.280 --> 0:39:26.000
<v Speaker 1>ubiquitous on the Internet. It's the idea, you know, it's

0:39:26.000 --> 0:39:29.440
<v Speaker 1>an asymmetrical relationship, the way like you follow a public

0:39:29.520 --> 0:39:32.640
<v Speaker 1>figure who doesn't know who you are. But there are

0:39:32.680 --> 0:39:36.400
<v Speaker 1>all of these indications that many people think of these

0:39:36.440 --> 0:39:41.120
<v Speaker 1>para social asymmetrical relationships as relationships. It's like they almost

0:39:41.239 --> 0:39:44.960
<v Speaker 1>view this Instagram influencer that they follow as like an

0:39:44.960 --> 0:39:47.960
<v Speaker 1>acquaint somebody they know, but of course that person doesn't

0:39:47.960 --> 0:39:51.480
<v Speaker 1>know them. Yeah. I really started thinking about this classification though,

0:39:51.600 --> 0:39:55.160
<v Speaker 1>para social relationships, uh and in wondering like to what

0:39:55.280 --> 0:39:59.400
<v Speaker 1>extent it can or could have existed in previous times,

0:39:59.440 --> 0:40:02.239
<v Speaker 1>Like what is the earliest possible example of a para

0:40:02.320 --> 0:40:05.520
<v Speaker 1>social relationship? Like maybe it could be a situation where

0:40:05.520 --> 0:40:09.279
<v Speaker 1>you have like a h an like a leader um

0:40:09.320 --> 0:40:11.400
<v Speaker 1>in a given community, and then you have like a

0:40:11.480 --> 0:40:14.960
<v Speaker 1>very low level person in that community that that the

0:40:15.120 --> 0:40:18.440
<v Speaker 1>you know, the tribal leader just has no uh, you know,

0:40:18.520 --> 0:40:21.319
<v Speaker 1>real idea of who they are, but of course you

0:40:21.320 --> 0:40:23.760
<v Speaker 1>know who the leader is. I mean, I guess that's

0:40:24.800 --> 0:40:27.160
<v Speaker 1>you know, sort of the the in real life version

0:40:27.400 --> 0:40:30.080
<v Speaker 1>of this. But we see it seems like we see

0:40:30.120 --> 0:40:34.120
<v Speaker 1>far more of it, uh in in in modern civilization,

0:40:34.520 --> 0:40:36.920
<v Speaker 1>um in certainly an Internet age, but even pre Internet,

0:40:37.000 --> 0:40:41.080
<v Speaker 1>like the idea of celebrity just enables this sort of

0:40:41.080 --> 0:40:45.400
<v Speaker 1>relationship to be possible celebrities and leaders. And of course

0:40:46.080 --> 0:40:48.759
<v Speaker 1>I would say that social media, of course did not

0:40:49.000 --> 0:40:52.800
<v Speaker 1>invent the idea of celebrities and so so it didn't

0:40:52.840 --> 0:40:55.719
<v Speaker 1>invent these relationships like you're talking about. You know, you've

0:40:55.719 --> 0:40:58.359
<v Speaker 1>always had leaders, You've always had public figures in some

0:40:58.400 --> 0:41:02.560
<v Speaker 1>way or another. So media I think has increased the

0:41:03.360 --> 0:41:06.719
<v Speaker 1>day to day relevance of these types of relationships, you know,

0:41:06.760 --> 0:41:09.560
<v Speaker 1>where you can like check in on on the accounts

0:41:09.640 --> 0:41:12.399
<v Speaker 1>of the people that you follow every day and they

0:41:12.400 --> 0:41:15.359
<v Speaker 1>don't know you, but you know you. Especially, I feel

0:41:15.360 --> 0:41:18.520
<v Speaker 1>like Instagram, especially of all the platforms I can think of,

0:41:18.600 --> 0:41:22.839
<v Speaker 1>is is really rife with this um of like these

0:41:22.880 --> 0:41:26.239
<v Speaker 1>influencers and people who lead kind of glamorous lives and

0:41:26.280 --> 0:41:29.279
<v Speaker 1>allow you to see into their lives by showing you

0:41:29.400 --> 0:41:32.120
<v Speaker 1>their house and their pets and their lunch and you know,

0:41:32.160 --> 0:41:35.520
<v Speaker 1>you get all these interior views and it's very visceral

0:41:35.560 --> 0:41:38.600
<v Speaker 1>because it's visual and often you know, visual even in

0:41:38.600 --> 0:41:41.319
<v Speaker 1>a way that's edited to make it more colorful and

0:41:41.360 --> 0:41:44.480
<v Speaker 1>exciting with the post processing filters and all that. Right,

0:41:44.520 --> 0:41:46.359
<v Speaker 1>And of course, at the same time, like like all

0:41:46.400 --> 0:41:51.600
<v Speaker 1>social media representations like this, they are they're incomplete. We're crafted,

0:41:51.600 --> 0:41:54.560
<v Speaker 1>and they're crafted there, uh, they're they're maintain in a

0:41:54.640 --> 0:41:57.400
<v Speaker 1>very strategic way usually so you don't even have like

0:41:57.440 --> 0:42:01.040
<v Speaker 1>a full vision of what you know, random celebrities life

0:42:01.040 --> 0:42:03.880
<v Speaker 1>actually is you just have this idealized version of it.

0:42:04.520 --> 0:42:06.799
<v Speaker 1>So I just want to read one last quote from

0:42:06.800 --> 0:42:10.560
<v Speaker 1>Sapulski's article before we move on. So he says, um uh.

0:42:10.680 --> 0:42:13.400
<v Speaker 1>He ends by saying quote. Throughout history, cap Cross syndrome

0:42:13.440 --> 0:42:17.280
<v Speaker 1>has been a cultural mirror of a dissociative mind, where

0:42:17.320 --> 0:42:21.320
<v Speaker 1>thoughts of recognition and feelings of intimacy have been sundered.

0:42:21.760 --> 0:42:24.640
<v Speaker 1>It's still that mirror today. We think that what is

0:42:24.680 --> 0:42:27.719
<v Speaker 1>false and artificial in the world around us is substantive

0:42:27.760 --> 0:42:30.600
<v Speaker 1>and meaningful. It's not that loved ones and friends are

0:42:30.600 --> 0:42:35.080
<v Speaker 1>mistaken for simulations, but that simulations are mistaken for them.

0:42:35.120 --> 0:42:36.959
<v Speaker 1>I think I kind of disagree with them a little

0:42:36.960 --> 0:42:39.520
<v Speaker 1>bit because I think it's actually both of those things.

0:42:39.840 --> 0:42:43.400
<v Speaker 1>It's like that that the dissociation goes two ways in

0:42:43.440 --> 0:42:46.439
<v Speaker 1>either case, though we we do typically we often find

0:42:46.480 --> 0:42:50.080
<v Speaker 1>ourselves in situations though where we are we are distracted

0:42:50.239 --> 0:42:55.560
<v Speaker 1>from from real life um relationships and real life socialization,

0:42:56.120 --> 0:42:58.879
<v Speaker 1>and instead we have to check in on these little

0:42:58.880 --> 0:43:03.200
<v Speaker 1>streams on our phone. Did to these, uh, these simulated

0:43:03.280 --> 0:43:06.160
<v Speaker 1>relationships that we have on social media. Do you ever

0:43:06.239 --> 0:43:09.759
<v Speaker 1>have the sort of direct doppelgang Er experience like with

0:43:09.800 --> 0:43:12.920
<v Speaker 1>the fairy change links or the doppelganger for a friend

0:43:12.960 --> 0:43:15.480
<v Speaker 1>on the internet, Like you have a family member, you

0:43:15.520 --> 0:43:18.480
<v Speaker 1>have a friend who you love in real life, but

0:43:19.120 --> 0:43:21.600
<v Speaker 1>when you see the way they are on the internet,

0:43:21.600 --> 0:43:23.319
<v Speaker 1>I don't know what it. You know, the kind of

0:43:23.360 --> 0:43:27.120
<v Speaker 1>stuff they post on social media or whatever, you don't

0:43:27.120 --> 0:43:30.000
<v Speaker 1>feel like you recognize them and you don't really like them.

0:43:30.560 --> 0:43:32.640
<v Speaker 1>I've definitely known people who are like that. I'm not

0:43:32.680 --> 0:43:36.000
<v Speaker 1>gonna name any names who are like that on say Twitter, Like,

0:43:36.560 --> 0:43:39.279
<v Speaker 1>I think, like I love this person, but if all

0:43:39.320 --> 0:43:41.720
<v Speaker 1>I knew about them was the way they act on Twitter,

0:43:41.880 --> 0:43:44.600
<v Speaker 1>I would I wouldn't be able to stand them well.

0:43:45.040 --> 0:43:49.239
<v Speaker 1>Social media, especially as it pertains to you know, some topics,

0:43:49.400 --> 0:43:53.160
<v Speaker 1>take politics for instance, I think it does tend to

0:43:53.160 --> 0:43:56.719
<v Speaker 1>bring out the worst in us. Uh. And I don't

0:43:56.719 --> 0:43:59.399
<v Speaker 1>think that is a risky comment to make. I think

0:43:59.440 --> 0:44:02.840
<v Speaker 1>we can all think to specific examples of that in

0:44:02.880 --> 0:44:05.480
<v Speaker 1>all of our own lives. And yeah, that can lead

0:44:05.520 --> 0:44:07.439
<v Speaker 1>you to a situation where you're like, well, I thought

0:44:07.480 --> 0:44:09.400
<v Speaker 1>I knew that person, but I guess I don't because

0:44:09.760 --> 0:44:13.680
<v Speaker 1>look at this meme they just shared, you know, um

0:44:13.760 --> 0:44:17.320
<v Speaker 1>and uh. But I think also though, when that happens,

0:44:17.360 --> 0:44:21.759
<v Speaker 1>we're just not appropriately appreciating the way that circumstances and

0:44:21.840 --> 0:44:28.080
<v Speaker 1>situations change change people's behavior, that we are the same way. Yeah. Absolutely,

0:44:28.320 --> 0:44:30.520
<v Speaker 1>all right on that note, we're gonna take a quick break,

0:44:30.520 --> 0:44:35.560
<v Speaker 1>but we'll be right back. Thank Alright, we're back. You know,

0:44:35.560 --> 0:44:38.560
<v Speaker 1>I was thinking about what you said about about my emails,

0:44:39.320 --> 0:44:43.759
<v Speaker 1>but I feel like like sixty maybe my emails or

0:44:43.800 --> 0:44:46.520
<v Speaker 1>me just saying um, cool, sounds good. I think that's

0:44:46.520 --> 0:44:49.200
<v Speaker 1>my my standard, which I feel is sufficient. It's just

0:44:49.280 --> 0:44:52.879
<v Speaker 1>me saying yes to whatever you just said. Uh, and

0:44:53.000 --> 0:44:55.920
<v Speaker 1>I'm cool with it. Do you have an Android phone? No?

0:44:56.040 --> 0:44:59.239
<v Speaker 1>I don't. Okay, use Gmail, Yeah, you use Gmail, but

0:44:59.280 --> 0:45:02.120
<v Speaker 1>I don't use the I know you have the sort

0:45:02.120 --> 0:45:05.320
<v Speaker 1>of you know, like the auto language feature starts telling

0:45:05.320 --> 0:45:07.000
<v Speaker 1>you what to say. It's like, here's the email you

0:45:07.040 --> 0:45:09.839
<v Speaker 1>could write. Man, when I saw that thing, I was like,

0:45:10.080 --> 0:45:14.279
<v Speaker 1>get out, what the heck? No, no, no, well, it's

0:45:14.360 --> 0:45:16.560
<v Speaker 1>it's a it's an easy jump to go from there

0:45:16.600 --> 0:45:20.640
<v Speaker 1>to like authorized simulations of yourself, you know, just which

0:45:20.640 --> 0:45:22.839
<v Speaker 1>I really I mean, that's not far off. That's it's

0:45:22.840 --> 0:45:25.960
<v Speaker 1>basically already here, where you just give your account the

0:45:25.960 --> 0:45:29.279
<v Speaker 1>authority to to make responses like this. Like cool, sounds good,

0:45:29.320 --> 0:45:31.319
<v Speaker 1>I'll get back to you, you know that sort of thing. Well,

0:45:31.360 --> 0:45:33.399
<v Speaker 1>it's not gonna. I don't know. I mean, even if

0:45:33.400 --> 0:45:36.399
<v Speaker 1>I would type exactly the words it's suggesting, I still

0:45:36.440 --> 0:45:38.719
<v Speaker 1>don't want to let it do that. The fact that

0:45:38.760 --> 0:45:41.760
<v Speaker 1>like Gmail is gonna is going to compose an email

0:45:41.880 --> 0:45:45.120
<v Speaker 1>for me to my parents or my wife that no,

0:45:45.120 --> 0:45:50.480
<v Speaker 1>no, no no, unacceptable. There's so much room for misunderstanding. Even

0:45:50.520 --> 0:45:53.680
<v Speaker 1>if we're applying um, you know, most or all of

0:45:53.719 --> 0:45:57.960
<v Speaker 1>our attention to crafting an email. Uh, it feels like

0:45:58.160 --> 0:46:02.000
<v Speaker 1>a machine, even a very like talent had Ai would

0:46:02.040 --> 0:46:04.319
<v Speaker 1>have difficulty with that. There's just so much nuance in

0:46:04.360 --> 0:46:07.360
<v Speaker 1>human communication and knowing who you're communicating to. Like sometimes

0:46:07.400 --> 0:46:09.880
<v Speaker 1>it's a matter of knowing there are certain words you

0:46:09.880 --> 0:46:13.080
<v Speaker 1>shouldn't use with another individual, like maybe you're aware of

0:46:13.080 --> 0:46:15.400
<v Speaker 1>what you know maybe uh you know some sort of

0:46:15.440 --> 0:46:18.080
<v Speaker 1>a trigger for them, or or you know it may

0:46:18.120 --> 0:46:20.400
<v Speaker 1>pertain to some sort of you know, um, you know,

0:46:20.480 --> 0:46:23.520
<v Speaker 1>incident from from from your personal past with that person.

0:46:23.560 --> 0:46:26.800
<v Speaker 1>Like there's so many potential uh holes to fall into

0:46:26.960 --> 0:46:30.480
<v Speaker 1>when composing written communication. Why trust that the to the

0:46:30.520 --> 0:46:32.239
<v Speaker 1>machine or I don't know, maybe the reverse is true.

0:46:32.320 --> 0:46:35.000
<v Speaker 1>Always trusted the machine as long as they have all

0:46:35.000 --> 0:46:37.439
<v Speaker 1>those caveats in mind, you know. I think one thing

0:46:37.800 --> 0:46:41.320
<v Speaker 1>that's interesting to me is about the psychological effects of

0:46:41.360 --> 0:46:44.239
<v Speaker 1>heavy social media use. Um, I feel like we're still

0:46:44.239 --> 0:46:47.120
<v Speaker 1>in the early days of getting a picture of what

0:46:47.239 --> 0:46:49.279
<v Speaker 1>that's like, and that there appears to be a lot

0:46:49.320 --> 0:46:52.520
<v Speaker 1>of conflicting evidence. I think, I think because we we

0:46:52.600 --> 0:46:56.200
<v Speaker 1>haven't refined all our categories and ways of testing things yet.

0:46:56.560 --> 0:46:59.560
<v Speaker 1>I do often say that I think in emerging this

0:46:59.600 --> 0:47:01.160
<v Speaker 1>is just a prediction. I could turn out to be

0:47:01.200 --> 0:47:03.919
<v Speaker 1>totally wrong. But my guess is that in the coming

0:47:04.000 --> 0:47:08.200
<v Speaker 1>years there's going to be emerging consensus that heavy social

0:47:08.239 --> 0:47:11.760
<v Speaker 1>media us, especially say among young people like teenagers and stuff,

0:47:12.080 --> 0:47:15.839
<v Speaker 1>is correlated with a lot of negative psychological outcomes and uh,

0:47:16.000 --> 0:47:19.200
<v Speaker 1>you know, depression and things like that, and that there

0:47:19.200 --> 0:47:22.000
<v Speaker 1>will be like a new cottage industry of like the

0:47:22.040 --> 0:47:26.480
<v Speaker 1>lobbyists who deny the emerging science on on social media.

0:47:26.560 --> 0:47:28.839
<v Speaker 1>But uh, I mean, I guess that's still to be seen.

0:47:28.880 --> 0:47:30.959
<v Speaker 1>I mean, we've only got a few years of data

0:47:31.000 --> 0:47:34.040
<v Speaker 1>to work with so far. Yeah, when trying to imagine

0:47:34.080 --> 0:47:36.440
<v Speaker 1>the future, it's difficult. And also, you know, kind of

0:47:36.600 --> 0:47:39.920
<v Speaker 1>you know, anxiety and docing to try and think where

0:47:39.960 --> 0:47:43.400
<v Speaker 1>where our social media usages going. On one hand, I

0:47:43.400 --> 0:47:47.719
<v Speaker 1>guess I'm I'm hopeful that more and more people will

0:47:48.160 --> 0:47:51.360
<v Speaker 1>you choose to, if if not, opt out of social media,

0:47:52.520 --> 0:47:55.920
<v Speaker 1>but or you know, at least rethink how they're using it,

0:47:56.080 --> 0:47:58.440
<v Speaker 1>step back from it. Even I kind of think of it.

0:47:58.440 --> 0:48:00.480
<v Speaker 1>It's kind of like a hot tub. You know, when

0:48:00.480 --> 0:48:02.279
<v Speaker 1>you first get into a hot tub, you just juice

0:48:02.320 --> 0:48:03.640
<v Speaker 1>all in. You know, It's like, let me just go

0:48:03.680 --> 0:48:06.080
<v Speaker 1>all the way up to my ears in this, and uh,

0:48:06.160 --> 0:48:09.080
<v Speaker 1>I'll zone and zone out, and you know, that's good

0:48:09.080 --> 0:48:11.120
<v Speaker 1>for a while, but then eventually realize if I stay

0:48:11.160 --> 0:48:14.720
<v Speaker 1>in here, um, I am going to die. So maybe

0:48:14.719 --> 0:48:18.160
<v Speaker 1>I need to like only put half of my body

0:48:18.239 --> 0:48:20.520
<v Speaker 1>in here. Maybe I should just sit on the side

0:48:20.560 --> 0:48:22.359
<v Speaker 1>and get my feet in here, or maybe better yet,

0:48:22.400 --> 0:48:24.040
<v Speaker 1>maybe I should go get in the pool for a

0:48:24.040 --> 0:48:27.279
<v Speaker 1>while and do that. Or even maybe I should leave

0:48:27.320 --> 0:48:29.600
<v Speaker 1>all together and go home and see my family. That's

0:48:29.640 --> 0:48:31.640
<v Speaker 1>sort of thing, you know, It is nice at first.

0:48:31.680 --> 0:48:34.080
<v Speaker 1>I remember thinking about when I very first got on Twitter,

0:48:34.120 --> 0:48:36.040
<v Speaker 1>it seemed like it was nice for a while that

0:48:36.080 --> 0:48:40.120
<v Speaker 1>I was mostly just seeing things that like learning and

0:48:40.320 --> 0:48:43.960
<v Speaker 1>things that people were enthusiastic about. People were sharing their enthusiasms,

0:48:43.960 --> 0:48:47.000
<v Speaker 1>here's a great thing, and uh, and over time, I'm

0:48:47.000 --> 0:48:50.040
<v Speaker 1>not sure exactly what happened, but it seemed like it

0:48:50.120 --> 0:48:54.640
<v Speaker 1>transformed into more like this, uh, this swamp of misery,

0:48:54.680 --> 0:48:57.040
<v Speaker 1>where the primary emotions coming off of it was just

0:48:57.080 --> 0:49:01.160
<v Speaker 1>that everybody hates everything. Of course, all of this, of course,

0:49:01.239 --> 0:49:03.520
<v Speaker 1>is depending on on how exactly when uses a social

0:49:03.520 --> 0:49:07.680
<v Speaker 1>media platform, who you follow, um like for instance, like

0:49:07.719 --> 0:49:11.560
<v Speaker 1>on Instagram. Obviously there's a lot of celebrity worship going on,

0:49:11.600 --> 0:49:14.719
<v Speaker 1>a lot of para social relationships taking place there, as

0:49:14.760 --> 0:49:16.920
<v Speaker 1>we already mentioned. I don't see as much of that,

0:49:17.000 --> 0:49:18.640
<v Speaker 1>and part of that is just because I like only

0:49:18.680 --> 0:49:21.720
<v Speaker 1>follow family and friends, and I only use it myself

0:49:21.760 --> 0:49:23.440
<v Speaker 1>for family photos, and it's like, you know, it's a

0:49:23.480 --> 0:49:26.480
<v Speaker 1>closed account. Well, I do think that there is some

0:49:26.560 --> 0:49:29.440
<v Speaker 1>evidence I've seen so far that and I'm not sure

0:49:29.440 --> 0:49:31.480
<v Speaker 1>how solid this is yet, but there's some evidence that

0:49:31.760 --> 0:49:34.400
<v Speaker 1>there's a pretty big difference in the psychological effects of

0:49:34.400 --> 0:49:37.560
<v Speaker 1>social media depending on whether you primarily use it too

0:49:38.120 --> 0:49:40.600
<v Speaker 1>as a way of keeping up with family and friends

0:49:40.760 --> 0:49:44.279
<v Speaker 1>versus as a way of interacting with public accounts. Right

0:49:44.680 --> 0:49:46.320
<v Speaker 1>but I think. But then again, one of the dangers

0:49:46.320 --> 0:49:47.640
<v Speaker 1>in all of this is even if there is a

0:49:47.800 --> 0:49:50.400
<v Speaker 1>preferred if there is a healthier way to use a

0:49:50.400 --> 0:49:55.920
<v Speaker 1>given platform, you are still fighting against the intended usage

0:49:56.000 --> 0:50:00.520
<v Speaker 1>of that platform, as engineered by the makers of that platform.

0:50:00.800 --> 0:50:03.200
<v Speaker 1>The intended usage of the platform is to open it

0:50:03.320 --> 0:50:07.160
<v Speaker 1>up and never get off. It's just and so like,

0:50:07.320 --> 0:50:09.080
<v Speaker 1>it's difficult to compete with that. I mean, we've talked

0:50:09.080 --> 0:50:11.800
<v Speaker 1>about it this on the show before. Uh, in terms

0:50:11.800 --> 0:50:15.719
<v Speaker 1>of gambling technology and then social media technology. I mean,

0:50:15.760 --> 0:50:20.480
<v Speaker 1>you're you're really up against a fearsome adversary in telling yourself,

0:50:20.840 --> 0:50:23.480
<v Speaker 1>I'm only going to use this in a way that

0:50:23.640 --> 0:50:28.080
<v Speaker 1>is mentally beneficial for me and not just purely economically

0:50:28.160 --> 0:50:32.280
<v Speaker 1>beneficial for the masters of the medium. You know, Jared Lannier,

0:50:32.280 --> 0:50:33.920
<v Speaker 1>who we've talked about on the show before, has written

0:50:33.960 --> 0:50:36.600
<v Speaker 1>a book about it. Basically, it's saying everybody should delete

0:50:36.640 --> 0:50:39.759
<v Speaker 1>their social media accounts, just get off these platforms, and

0:50:39.840 --> 0:50:42.400
<v Speaker 1>that will be it will make a much better world.

0:50:42.480 --> 0:50:44.320
<v Speaker 1>And he's got a whole argument for it in the

0:50:44.440 --> 0:50:46.080
<v Speaker 1>in this book, which I haven't read yet but I

0:50:46.719 --> 0:50:48.760
<v Speaker 1>planned to. In fact, we asked for some review copies,

0:50:48.800 --> 0:50:50.319
<v Speaker 1>but I think we should see if we can try

0:50:50.360 --> 0:50:53.000
<v Speaker 1>to get uh Jared Lannier on the podcast. Yes, I

0:50:53.040 --> 0:50:55.000
<v Speaker 1>think we should. I also wonder what he would think

0:50:55.000 --> 0:50:57.600
<v Speaker 1>about this uh comparison. I still feel like there's a

0:50:57.640 --> 0:51:00.840
<v Speaker 1>lot of stuff to work out, but I I sense

0:51:00.960 --> 0:51:04.600
<v Speaker 1>that the Sopulski's comparison here about the the rift between

0:51:04.640 --> 0:51:08.040
<v Speaker 1>the emotion of familiarity and the and the cognitive recognition

0:51:08.080 --> 0:51:10.880
<v Speaker 1>function of the brain, uh, that that's at work in

0:51:10.920 --> 0:51:14.319
<v Speaker 1>Capgrass syndrome. This is a really rich kind of comparison

0:51:14.600 --> 0:51:18.239
<v Speaker 1>for for social media and media technology generally, and I

0:51:18.600 --> 0:51:22.040
<v Speaker 1>expect to keep having more thoughts about it. Yeah, I mean,

0:51:23.080 --> 0:51:25.560
<v Speaker 1>I I don't want to just sound like I'm just

0:51:25.600 --> 0:51:28.560
<v Speaker 1>saying like the people are awful and that technology makes

0:51:28.600 --> 0:51:31.440
<v Speaker 1>us more awful. Uh. You know, I don't want that

0:51:31.520 --> 0:51:34.279
<v Speaker 1>to be my ultimate argument. Ultimately, I would say that

0:51:34.640 --> 0:51:40.440
<v Speaker 1>technology enables humans to do amazing things, and if we

0:51:40.960 --> 0:51:44.440
<v Speaker 1>direct this power in the right way. Uh, you know,

0:51:44.480 --> 0:51:46.160
<v Speaker 1>there's plenty that we can do. There's plenty we have

0:51:46.320 --> 0:51:50.239
<v Speaker 1>done to connect people and and and build a better

0:51:50.280 --> 0:51:54.279
<v Speaker 1>world out of those connections. But obviously there's more that

0:51:54.360 --> 0:51:56.640
<v Speaker 1>we could do. And I guess the worrisome thing with

0:51:56.680 --> 0:51:59.319
<v Speaker 1>these platforms, the various platforms that we're talking about, is like,

0:51:59.640 --> 0:52:02.480
<v Speaker 1>what is the the ultimate advantage, What is the ultimate

0:52:02.480 --> 0:52:06.000
<v Speaker 1>intention of the masters of those given platforms. What do

0:52:06.040 --> 0:52:08.719
<v Speaker 1>they want? And even in cases where they may say, no,

0:52:08.880 --> 0:52:10.840
<v Speaker 1>we want to build something that brings people together, we

0:52:10.840 --> 0:52:15.400
<v Speaker 1>want to build something that empowers, you know, a better world. Like,

0:52:15.480 --> 0:52:17.960
<v Speaker 1>is that impulse going to win out in the overall

0:52:18.000 --> 0:52:21.480
<v Speaker 1>structure of this given social media platform or is it

0:52:21.520 --> 0:52:26.680
<v Speaker 1>going to be profitability or engagement or some other metric

0:52:26.800 --> 0:52:29.879
<v Speaker 1>that is ultimately more important to the corporate entity. It's

0:52:29.920 --> 0:52:32.600
<v Speaker 1>always profitability, and of course that's always what's going to

0:52:32.640 --> 0:52:35.600
<v Speaker 1>win out. But I feel like there's I have to

0:52:35.640 --> 0:52:39.160
<v Speaker 1>hold onto the possibility that that humans can do better

0:52:39.239 --> 0:52:41.480
<v Speaker 1>though well, I mean, that does make me wonder if

0:52:41.760 --> 0:52:44.319
<v Speaker 1>perhaps what you could do instead is have some kind

0:52:44.320 --> 0:52:49.319
<v Speaker 1>of nonprofit, open source social media platform that would would

0:52:49.360 --> 0:52:52.840
<v Speaker 1>compete and try to replace these for profit forms that

0:52:52.880 --> 0:52:58.359
<v Speaker 1>are deranging our relationships and and causing this familiarity recognition

0:52:58.480 --> 0:53:02.319
<v Speaker 1>rift and potentially having all these psychologically negative consequences on

0:53:02.320 --> 0:53:04.960
<v Speaker 1>our lives and on our culture broadly. I'm not sure

0:53:04.960 --> 0:53:07.120
<v Speaker 1>exactly what that would look like. I mean, it would

0:53:07.160 --> 0:53:09.400
<v Speaker 1>probably be a start if there was just something that

0:53:09.480 --> 0:53:13.400
<v Speaker 1>was like Facebook, but that did not manipulate what people

0:53:13.480 --> 0:53:17.840
<v Speaker 1>saw and prioritize you know, conflict and paid content. But

0:53:17.880 --> 0:53:20.399
<v Speaker 1>then again, even just with the you know, the bare

0:53:20.440 --> 0:53:22.919
<v Speaker 1>bones basics of Facebook, I wonder about, you know, having

0:53:22.920 --> 0:53:27.800
<v Speaker 1>these friend networks. Uh does does the even the most

0:53:27.800 --> 0:53:32.200
<v Speaker 1>basic mechanic of something like Facebook encourage people to go

0:53:32.280 --> 0:53:35.839
<v Speaker 1>through these mental processes where they sort of degrade their

0:53:35.880 --> 0:53:39.279
<v Speaker 1>standards of what counts as a healthy relationship. I mean

0:53:39.320 --> 0:53:41.960
<v Speaker 1>maybe ultimately that's where where AI can come in, you know,

0:53:42.160 --> 0:53:46.280
<v Speaker 1>and we just need we need artificial intelligence to dictate

0:53:47.239 --> 0:53:50.719
<v Speaker 1>where and how to maintain healthy relationships online. And that's

0:53:50.800 --> 0:53:52.840
<v Speaker 1>that's the ultimate answer. I don't know, just hand it

0:53:52.840 --> 0:54:00.680
<v Speaker 1>off to an aidity. Why I'm not hopeful about that either. Again,

0:54:00.960 --> 0:54:03.000
<v Speaker 1>this is back to like I'm worried about these l

0:54:03.080 --> 0:54:06.879
<v Speaker 1>Ai squirrels, not the I'm not worried about the great basilisk.

0:54:07.160 --> 0:54:10.839
<v Speaker 1>I'm worried about the minor dumb aies that that are

0:54:10.920 --> 0:54:14.560
<v Speaker 1>running through our lives like a pest infestation. Now, uh,

0:54:14.680 --> 0:54:16.400
<v Speaker 1>you know, not not to end things into a negative

0:54:16.400 --> 0:54:18.279
<v Speaker 1>a place, I do want to refer listeners back to

0:54:18.360 --> 0:54:22.719
<v Speaker 1>our episode the Great Episodes, The Great Eyeball Wars, where

0:54:22.719 --> 0:54:25.239
<v Speaker 1>we went into a lot of this particularly about, you know,

0:54:25.400 --> 0:54:28.160
<v Speaker 1>about how social media and these platforms and our phones

0:54:28.640 --> 0:54:31.920
<v Speaker 1>are gamed to capture our attention and hold our attention.

0:54:32.200 --> 0:54:35.640
<v Speaker 1>In those episodes, we also shared some some advice that

0:54:35.719 --> 0:54:38.520
<v Speaker 1>experts have given about how to fight back, how to

0:54:38.719 --> 0:54:42.000
<v Speaker 1>limit your use of social media and or your phone,

0:54:42.200 --> 0:54:43.600
<v Speaker 1>and uh and so, I mean there and there are

0:54:43.640 --> 0:54:46.200
<v Speaker 1>increasingly more tools out there. I believe you know, some

0:54:46.280 --> 0:54:49.000
<v Speaker 1>of these these phones have ways, you know now, to

0:54:49.000 --> 0:54:52.040
<v Speaker 1>to track how much you're using them, or even to

0:54:52.200 --> 0:54:55.719
<v Speaker 1>remind you not to use them in certain situations. Yeah. Yeah, um,

0:54:55.920 --> 0:54:59.160
<v Speaker 1>I mean I I can't honestly and non hypocritically tell

0:54:59.160 --> 0:55:01.719
<v Speaker 1>people to get entirely off of social media because one

0:55:01.760 --> 0:55:04.000
<v Speaker 1>of the things is I have to maintain social media

0:55:04.040 --> 0:55:06.759
<v Speaker 1>accounts because of my job at this podcast, where we've

0:55:06.800 --> 0:55:09.520
<v Speaker 1>got to like promote stuff on social media, and you know,

0:55:09.560 --> 0:55:12.400
<v Speaker 1>we've got to We've got a Facebook discussion module that

0:55:12.480 --> 0:55:15.040
<v Speaker 1>I really enjoy using. I probably would have deleted my

0:55:15.040 --> 0:55:18.200
<v Speaker 1>Facebook account, but I enjoy our our discussion module with

0:55:18.200 --> 0:55:21.239
<v Speaker 1>our fans there. Yeah. Yeah, that's that's probably one of

0:55:21.360 --> 0:55:23.359
<v Speaker 1>the main reasons I go on Facebook these days. So

0:55:23.640 --> 0:55:26.799
<v Speaker 1>discussion module, don't screw this up. Let's keep keep this

0:55:27.000 --> 0:55:30.080
<v Speaker 1>positive relationship. But I mean, I will say that the

0:55:30.120 --> 0:55:32.920
<v Speaker 1>reason it's on there, it's not any inherent strength of Facebook.

0:55:32.920 --> 0:55:35.320
<v Speaker 1>It's on there because of audience inertia. I mean that

0:55:35.320 --> 0:55:37.319
<v Speaker 1>that's where the people are. Like, if you want to

0:55:37.360 --> 0:55:39.759
<v Speaker 1>have a place where people already have accounts and they

0:55:39.760 --> 0:55:42.839
<v Speaker 1>can join Facebook, is they tell us the place where

0:55:42.880 --> 0:55:45.040
<v Speaker 1>you can do that? You know, I'd love a world

0:55:45.080 --> 0:55:48.680
<v Speaker 1>where somebody created some kind of non destructive, open source,

0:55:49.239 --> 0:55:52.120
<v Speaker 1>uh you know, nonprofit platform where you could do a

0:55:52.160 --> 0:55:54.719
<v Speaker 1>similar thing if enough people could get on there. All right,

0:55:54.840 --> 0:55:56.759
<v Speaker 1>So so there you have it. Obviously, there are a

0:55:56.800 --> 0:55:58.319
<v Speaker 1>lot of there's a lot of areas here we can

0:55:58.320 --> 0:56:01.239
<v Speaker 1>call out to listeners on I mean, first of all,

0:56:01.600 --> 0:56:06.279
<v Speaker 1>have you ever encountered a really um impressive double in

0:56:06.320 --> 0:56:08.879
<v Speaker 1>your life, like someone that required uh, you know, not

0:56:08.920 --> 0:56:11.080
<v Speaker 1>even just a first and second glance, maybe a third

0:56:11.080 --> 0:56:13.120
<v Speaker 1>glance to realize that they were not your friend or

0:56:13.120 --> 0:56:16.040
<v Speaker 1>perhaps not yourself. We'd love to hear from that all.

0:56:16.160 --> 0:56:18.239
<v Speaker 1>I mean for to that. You know, so if you've

0:56:18.280 --> 0:56:22.200
<v Speaker 1>actually had any experience with cap gross syndrome. Um, you know,

0:56:22.880 --> 0:56:26.680
<v Speaker 1>we would we would really appreciate any firsthand knowledge of

0:56:26.960 --> 0:56:29.920
<v Speaker 1>experiences like that. Uh. And then beyond that when we

0:56:29.920 --> 0:56:32.600
<v Speaker 1>get into the you know, the of course, the literary

0:56:32.880 --> 0:56:35.520
<v Speaker 1>and the you know, the fictional and the mythological connotations.

0:56:35.520 --> 0:56:37.960
<v Speaker 1>If you have a particular you know, favorite double you

0:56:37.960 --> 0:56:40.120
<v Speaker 1>want to share. But certainly we spent most of the

0:56:40.120 --> 0:56:43.760
<v Speaker 1>time you're talking about this social media doppel gang or idea,

0:56:44.120 --> 0:56:47.160
<v Speaker 1>and so I mean, you're pretty much all on social

0:56:47.200 --> 0:56:49.640
<v Speaker 1>media at this point. We're really you're either on social

0:56:49.640 --> 0:56:53.280
<v Speaker 1>media or you've made a very uh, you know, firm

0:56:53.400 --> 0:56:57.840
<v Speaker 1>choice not to be. So whichever category you fall into,

0:56:57.960 --> 0:57:00.360
<v Speaker 1>I feel like you probably have thoughts really added to

0:57:00.440 --> 0:57:02.880
<v Speaker 1>this episode, and we'd love to hear from you. Absolutely

0:57:02.960 --> 0:57:04.800
<v Speaker 1>get in touch. In the meantime, if you want to

0:57:04.800 --> 0:57:06.319
<v Speaker 1>listen to more episodes of Stuff to Blow your Mind,

0:57:06.320 --> 0:57:08.000
<v Speaker 1>head on over to stuff to Blow your Mind dot com.

0:57:08.000 --> 0:57:10.160
<v Speaker 1>That is the mothership. That's we'll find all the episodes.

0:57:10.520 --> 0:57:13.919
<v Speaker 1>You'll find a link there to our little merchandise store.

0:57:13.960 --> 0:57:16.200
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0:57:16.200 --> 0:57:18.480
<v Speaker 1>to support the show, but the best way to support

0:57:18.520 --> 0:57:21.120
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0:57:21.160 --> 0:57:22.680
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0:57:22.760 --> 0:57:25.560
<v Speaker 1>leave some stars, leave a nice review, do that. And

0:57:25.720 --> 0:57:28.919
<v Speaker 1>best of all, tell somebody about the show. Yeah, tell

0:57:29.000 --> 0:57:32.000
<v Speaker 1>them online, but even better if you see somebody in

0:57:32.120 --> 0:57:35.440
<v Speaker 1>real life, tell him about the show in real life,

0:57:36.080 --> 0:57:39.040
<v Speaker 1>because I feel like, uh, you know, it's gonna it's

0:57:39.040 --> 0:57:42.280
<v Speaker 1>gonna impress people all the more. That's right, huge, thanks

0:57:42.320 --> 0:57:45.840
<v Speaker 1>as always to our excellent audio producer Terry Harrison. If

0:57:45.880 --> 0:57:48.320
<v Speaker 1>you would like to get in touch with this direct Sorry,

0:57:48.360 --> 0:57:51.640
<v Speaker 1>I'm laughing because Robert has got a little stress ball

0:57:51.680 --> 0:57:53.600
<v Speaker 1>over here and he's squishing the guts out of it

0:57:53.640 --> 0:57:55.920
<v Speaker 1>as we speak. Yeah, there's like some sort of white

0:57:55.920 --> 0:57:57.720
<v Speaker 1>pus coming out of it. I had it for like

0:57:57.760 --> 0:58:02.200
<v Speaker 1>two weeks and it's already squeezed out. So I'm not

0:58:02.200 --> 0:58:06.360
<v Speaker 1>going to name the brand because maybe I just haded tractically. Anyway. Sorry,

0:58:06.640 --> 0:58:08.320
<v Speaker 1>If you want to get in touch with us directly,

0:58:08.800 --> 0:58:12.439
<v Speaker 1>you can email us at contact at stuff to Blow

0:58:12.480 --> 0:58:23.960
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

0:58:24.000 --> 0:58:26.320
<v Speaker 1>a production of iHeart Radio's How Stuff Works. For more

0:58:26.360 --> 0:58:28.760
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