WEBVTT - Dr. Katherine Ramsland + Tracy Ullman: The Serial Killer’s Apprentice

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<v Speaker 1>This story contains adult content and language, along with references

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<v Speaker 1>to sexual assault. Listener discretion is advised.

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<v Speaker 2>One after the other. Between nineteen seventy and nineteen seventy three,

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<v Speaker 2>six kids from miss Junior High School going missing. Their

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<v Speaker 2>fellow students start to look into this and say, these

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<v Speaker 2>aren't runaways, but the adults in their lives are saying

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<v Speaker 2>that's what the police told us.

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<v Speaker 1>I'm Kate Winkler Dawson, a nonfiction author and journalism professor

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<v Speaker 1>in Austin, Texas. I'm also the co host of the

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<v Speaker 1>podcast Buried Bones on Exactly Right, and throughout my career,

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<v Speaker 1>research for my many audio and book projects has taken

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<v Speaker 1>me around the world. On Wicked Words, I sit down

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<v Speaker 1>with the people I've met along the way, amazing writers, journalists, filmmakers,

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<v Speaker 1>and podcast pastors who have investigated and reported on notorious

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<v Speaker 1>true crime cases. This is about the choices writers make,

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<v Speaker 1>both good and bad, and it's a deep dive into

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<v Speaker 1>the unpublished details behind their stories. Acclaimed forensic psychologist Catherine

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<v Speaker 1>Ramslin was one of my first guests on this show.

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<v Speaker 1>That's when she detailed her time with serial killer Dennis Raider.

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<v Speaker 1>Now she's back along with co author Tracy Ullman to

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<v Speaker 1>tell me about their book, The serial Killer's Apprentice. It's

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<v Speaker 1>the complicated story centered on the accomplice of the serial

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<v Speaker 1>killer known as the candy Man. Tell me the origin

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<v Speaker 1>story of how you came across this story for listeners

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<v Speaker 1>who don't know where did this come from?

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<v Speaker 3>Well, I can talk about first what I thought about

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<v Speaker 3>the story, and then I want to hand it to Tracy,

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<v Speaker 3>because to her is how I got the opportunity. My

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<v Speaker 3>original sense of the story was from a classic true

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<v Speaker 3>crime book from nineteen seventy four that supposedly told the

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<v Speaker 3>real story of the candy Man, Dean Coral and his

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<v Speaker 3>accomplices Elma, Wayne Henley Junior, and David Brooks. And I

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<v Speaker 3>had in mind that was a true story. I had

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<v Speaker 3>written about it a few times, and then I saw

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<v Speaker 3>an interview with Henley on a video called The Collectors,

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<v Speaker 3>and he seemed very reflective and interesting. But I didn't

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<v Speaker 3>do anything about it. I mean, I talked to other

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<v Speaker 3>serial killers, but I didn't really follow up with him.

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<v Speaker 3>And then when we finished production, I met Terracy and

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<v Speaker 3>a production crew. When we finished a production, they asked

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<v Speaker 3>me if I wanted to do another person. They named

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<v Speaker 3>some ideas that I didn't think would work, and immediately

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<v Speaker 3>Henley came to mind, and they said, well, Tracy already

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<v Speaker 3>has a relationship with him, so I'm going to hand

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<v Speaker 3>that over to Tracy because it was through her that

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<v Speaker 3>made this happen.

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<v Speaker 2>And so basically Catherine and I were working on a

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<v Speaker 2>documentary for any about BTK and the book Confessions of

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<v Speaker 2>a Serial Killer that she had written, which was the

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<v Speaker 2>pretext for that limited series documentary. I always try to

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<v Speaker 2>have a little something that I'm working on independently. I

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<v Speaker 2>do a lot of gun for hire work, but this

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<v Speaker 2>was one that actually came off of a much larger project,

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<v Speaker 2>a tenure investigation I had done into John Wayne Gacy

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<v Speaker 2>that became a series for Peacocks Streaming called John Wayne

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<v Speaker 2>Gacy DUBN Disguise. And so as I was working on that,

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<v Speaker 2>I called Wayne Henry. I was hooked up through a friend,

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<v Speaker 2>and I said, I know now that John Wayne Gacy

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<v Speaker 2>had accomplices, and I realized that you were an accomplice

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<v Speaker 2>to Dean Coral. Can you tell me about the accomplice dynamic?

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<v Speaker 2>And he started to talk to me and I said, wait,

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<v Speaker 2>you don't sound quite like a traditional accomplice, and what

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<v Speaker 2>you're telling me, it just seems like you cross a

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<v Speaker 2>line between being a victim as well as somebody who's

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<v Speaker 2>assisting this serial killer. And so as I dove in

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<v Speaker 2>with him and I started to record conversations with him,

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<v Speaker 2>it occurred to me that not only was he someone

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<v Speaker 2>that had been sucked in at the age of fourteen,

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<v Speaker 2>he didn't start killing them, but he had been kind

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<v Speaker 2>of seduced, but that I was discovering simultaneously that eleven

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<v Speaker 2>of the victims had appeared in pornography, which changes Dincor

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<v Speaker 2>from being kind of a lone wolf just an anomaly

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<v Speaker 2>that happens to be in you know, Houston, Texas, to

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<v Speaker 2>somebody who needs a distribution network, somebody who's working with

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<v Speaker 2>people who are publishing pornography. I realized that's kind of

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<v Speaker 2>circumstantially connected. But at the same time, it meant to

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<v Speaker 2>me that Omoy Henley was part of something much larger

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<v Speaker 2>that he might not have realized, especially at the age

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<v Speaker 2>of fourteen. And so, you know, in the previous documentary,

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<v Speaker 2>we started making the connection between John Wayne Gacy and

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<v Speaker 2>a man named John David Norman who ran a huge

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<v Speaker 2>sex trafficking room, and we knew that that case was

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<v Speaker 2>connected to the ring, but then I wanted to look

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<v Speaker 2>more thoroughly into how the ring affected being coral. And eventually,

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<v Speaker 2>as Catherine started to talk to Elma Wayne Henley, we

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<v Speaker 2>got a lot more information that he had never related

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<v Speaker 2>to anyone in fifty years. And so I'll turn it

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<v Speaker 2>back to you, Catherine.

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<v Speaker 3>Well, when I first talked with him, he immediately said,

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<v Speaker 3>I don't want anybody talking me out of my responsibility,

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<v Speaker 3>and I'm one hundred percent culpable. And I thought, okay,

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<v Speaker 3>you know, I'm not here to talk you into or

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<v Speaker 3>out of anything. But it came clear fairly quickly that

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<v Speaker 3>he had never had any therapy. He didn't really know

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<v Speaker 3>anything about our research into the teenage brain and its

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<v Speaker 3>vulnerability to adult predators. He didn't really know the dynamics

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<v Speaker 3>of all this. So little by little began to introduce

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<v Speaker 3>into some psychological concepts and he began to listen and

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<v Speaker 3>start thinking, because he would always give some latitude for

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<v Speaker 3>other people who had been leveraged into things, but he

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<v Speaker 3>would never give it to himself. And so it really

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<v Speaker 3>took months, but he began to understand that he's not

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<v Speaker 3>fully culpable since he was a kid, and this is

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<v Speaker 3>a very clever and sophisticated adult predator who leveraged him

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<v Speaker 3>and tricked him into it. And he did try getting

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<v Speaker 3>out four times. That was something the other true crime

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<v Speaker 3>book never even addressed. It just made it look like

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<v Speaker 3>Henley was in this, wanted to be in this, sacrificed

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<v Speaker 3>his friends. In fact, he was trying to get out,

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<v Speaker 3>and he is the only accomplice to a serial killer

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<v Speaker 3>to have killed the killer to end it.

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<v Speaker 2>Wow.

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<v Speaker 1>Well, let me ask you, doctor Ramsland, what is your

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<v Speaker 1>experience with accomplices who are adults. I have not dealt

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<v Speaker 1>much with the complices and what that dynamic is the

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<v Speaker 1>Only thing that I feel like I've heard is that

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<v Speaker 1>there's usually a dominant and then an not dominant person.

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<v Speaker 1>And I know you're you're talking about the nuances with

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<v Speaker 1>a teenager as an accomplice, but what's your overall experience

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<v Speaker 1>with the accomplice.

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<v Speaker 3>Well, first of all, we haven't studied accomplices very much,

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<v Speaker 3>so this book served as an opportunity and I was

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<v Speaker 3>able to categorize them in a variety of ways. The

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<v Speaker 3>adults tend to be co creators of the crimes that

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<v Speaker 3>they're committing their partners, their equal partners. Even if one

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<v Speaker 3>is dominant the other submissive, they still both want to

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<v Speaker 3>do this, So there's no it's not really about being

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<v Speaker 3>compliant or you know, reluctant in any way. So that's

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<v Speaker 3>one type of team, and that's typically what we can

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<v Speaker 3>see with adults. You see that in romantic couples have

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<v Speaker 3>become criminal teams. So I talked about a bit about

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<v Speaker 3>that in the book, and then I talked about forced accomplices,

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<v Speaker 3>like you know, a gun to your head, you will

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<v Speaker 3>do this with me or else, and that's Nolson not

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<v Speaker 3>what we have here. And then I talked about the

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<v Speaker 3>dominant and submissive and in some cases the submissive complying,

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<v Speaker 3>not wanting to do this, never would have done this

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<v Speaker 3>on their own, but within the dynamic of the relationship,

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<v Speaker 3>the chemistry between them, they will comply and hope that

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<v Speaker 3>somehow it will go away or you know, and often,

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<v Speaker 3>and I coined a term temporary psychopath for this, because

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<v Speaker 3>they get into it in like a pocketive reality, into

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<v Speaker 3>a situation where they'll do things that are psychopathic or horrible,

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<v Speaker 3>and then when they're out of it, out from under

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<v Speaker 3>the influence of the predator. They're horrified that this isn't me.

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<v Speaker 3>I would have never done this. But you can see

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<v Speaker 3>how they got leveraged into it, how they changed their behavior,

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<v Speaker 3>their disposition, their morality even to be able to do

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<v Speaker 3>what they're doing, and sometimes as a survival mechanisms, times

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<v Speaker 3>because they're in love with the partner. It's different for

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<v Speaker 3>different types of teams, but we can see with Henley

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<v Speaker 3>Brooks seemed to be more attuned to it. He was

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<v Speaker 3>the first partner brought in that we know about, and

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<v Speaker 3>he actually brought Henley as a victim, as an intended victim,

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<v Speaker 3>but that didn't work out. So then Coral saw all

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<v Speaker 3>the benefits with Henley. He was plugged into a number

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<v Speaker 3>of different communities with these boys that interested Coral, and

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<v Speaker 3>so he then began using him and he kind of

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<v Speaker 3>tricked him into it and then leveraged him like now

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<v Speaker 3>you're in. Now you're involved, and there's nothing you can

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<v Speaker 3>do about it, because if you turn me in, you'll

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<v Speaker 3>go down with me and you'll get the death penalty.

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<v Speaker 3>So you have you have different dynamics with these different

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<v Speaker 3>types of teams, and it's really the first time someone

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<v Speaker 3>studied it.

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<v Speaker 1>I was just thinking, what is the importance of drawing

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<v Speaker 1>these distinctions? Killers or killers? Is what a lot of

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<v Speaker 1>people would say. Why do we care what hendling whether

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<v Speaker 1>he was drawn into something, you know, he really participated

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<v Speaker 1>willingly or not. I'm just thinking, from somebody else's point

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<v Speaker 1>of view, why is it important do you all think

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<v Speaker 1>that there isn't that distinction?

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<v Speaker 3>Because if you are a psychologists or counselor clergy whatever,

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<v Speaker 3>working with someone who's coming out of a relationship like this,

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<v Speaker 3>you see that they actually can be changed back. They

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<v Speaker 3>had a base, a moral base from which they were

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<v Speaker 3>pulled and brought into this relationship, and they can return

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<v Speaker 3>to that. So there's hope in terms of the kind

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<v Speaker 3>of psychological counseling you give them. And there's hope for

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<v Speaker 3>parents too whose child might end up in a situation

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<v Speaker 3>like this and then you know, an arrest happens, the

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<v Speaker 3>kid is brought into it, and parents and teachers as well.

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<v Speaker 3>They can also see here for some kind of redemption,

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<v Speaker 3>and we have seen it in some of these people

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<v Speaker 3>who've gotten out of this situation, served the prison time,

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<v Speaker 3>and were able to do something productive and beneficial and

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<v Speaker 3>really had you know, fall remarks for what they had done.

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<v Speaker 1>And I certainly think there's a lot of black and

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<v Speaker 1>white thinking in true crime and people not wanting to

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<v Speaker 1>see that there are nuances. So I'm glad that we're

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<v Speaker 1>talking about this, Tracy. Where do we start with this story?

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<v Speaker 1>Is it when you know these men meet or what

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<v Speaker 1>do you think?

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<v Speaker 2>I think that the story does start when Elmawayne Henley

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<v Speaker 2>is approached by David Brooks and he's thinking that this

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<v Speaker 2>is somebody that's kind of cool. He's not having the

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<v Speaker 2>easiest time in his life. His father is violent, his

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<v Speaker 2>parents are splitting up. He finds himself being the head

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<v Speaker 2>of the household. Elmiween Henley was brought up in a

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<v Speaker 2>religious family. His mother and grandmother were kind of the

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<v Speaker 2>base of that, and so he thought in life he

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<v Speaker 2>would grow up that he would be a minister, that

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<v Speaker 2>he would be a husband and a father, and he

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<v Speaker 2>was exploring that part of it. He also admitted to

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<v Speaker 2>being something of a hippie, so he was enjoying that

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<v Speaker 2>kind of culture. Nineteen seventy three in Houston, Texas. You've

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<v Speaker 2>got a lot going on in terms of NASA. You've

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<v Speaker 2>got a lot going on in terms of the oil industry.

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<v Speaker 2>You have a lot going on also in terms of

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<v Speaker 2>minority communities being kind of moved around so that they

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<v Speaker 2>can integrate schools, and so what you're seeing in Houston Heights,

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<v Speaker 2>which is a two and a half mile square area

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<v Speaker 2>of Houston, is kind of change. You've got a lot

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<v Speaker 2>of people who are working in the oil industry, a

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<v Speaker 2>lot of people who are supporting you know, NASA that

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<v Speaker 2>are living in these kind of middle class to lower

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<v Speaker 2>middle class communities. And then you've got Dean Coral. He's

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<v Speaker 2>running his own business. It's a family business that has

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<v Speaker 2>to do with candy. They're making it on the premises.

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<v Speaker 2>It's not a huge company, but at the same time,

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<v Speaker 2>it's like a lot of other little candy companies, you know,

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<v Speaker 2>cottage industries that were in this community. He works in,

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<v Speaker 2>you know, as an electrician during the day to make money,

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<v Speaker 2>and he has a girlfriend and he seems like a

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<v Speaker 2>very nice person and he's glad handing whoever decides to

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<v Speaker 2>come through. He tends to have a lot of boys

0:13:30.920 --> 0:13:35.120
<v Speaker 2>come through to you know, playpool with him. They're kind

0:13:35.120 --> 0:13:39.400
<v Speaker 2>of introduced to kind of his lifestyle through his candy,

0:13:39.559 --> 0:13:42.120
<v Speaker 2>which you know, if you are a young boy that

0:13:42.800 --> 0:13:45.400
<v Speaker 2>you would think this is the ultimate. I'm playing with

0:13:45.440 --> 0:13:49.800
<v Speaker 2>this adult. He's got this delicious candy. We're playing pool.

0:13:50.040 --> 0:13:53.000
<v Speaker 2>You know, I'm validated as this young man. Now, so

0:13:53.120 --> 0:13:55.520
<v Speaker 2>a lot of kids and this is across the street

0:13:55.559 --> 0:13:57.920
<v Speaker 2>from a junior high school. A lot of kids are

0:13:57.960 --> 0:14:04.120
<v Speaker 2>coming there, and nobody realized that dinkorl maybe not as

0:14:04.200 --> 0:14:09.000
<v Speaker 2>he appears. And so as children in the neighborhood start

0:14:09.080 --> 0:14:12.720
<v Speaker 2>to disappear, nobody quite knows what's going on. The police

0:14:12.720 --> 0:14:16.360
<v Speaker 2>are telling them these are runaways, but how could they

0:14:16.400 --> 0:14:19.280
<v Speaker 2>be runaways? And in fact Elma Wayne Henley, along with

0:14:19.360 --> 0:14:23.080
<v Speaker 2>his mother, goes looking for one of these boys, who's

0:14:23.080 --> 0:14:26.240
<v Speaker 2>a member I believe, of his church and who's his

0:14:26.360 --> 0:14:29.280
<v Speaker 2>same age. They go far and wide trying to look

0:14:29.280 --> 0:14:32.280
<v Speaker 2>for this boy. Nobody can find him, and one after

0:14:32.360 --> 0:14:36.480
<v Speaker 2>the other, between nineteen seventy and nineteen seventy three, six

0:14:36.600 --> 0:14:40.680
<v Speaker 2>kids from this junior high school go missing, and their

0:14:40.720 --> 0:14:44.000
<v Speaker 2>fellow students start to look into this and say, these

0:14:44.000 --> 0:14:47.200
<v Speaker 2>aren't runaways. But the adults in their lives are saying,

0:14:47.520 --> 0:14:50.800
<v Speaker 2>that's what the police told us. Where do you think

0:14:50.840 --> 0:14:53.760
<v Speaker 2>the reverence for the police comes from? I was just talking.

0:14:54.040 --> 0:14:57.120
<v Speaker 1>I was reading an article about a woman who wrote

0:14:57.120 --> 0:14:59.320
<v Speaker 1>her book and it didn't even because of the culture

0:14:59.360 --> 0:15:01.160
<v Speaker 1>she came from, it, it didn't even occur to her

0:15:01.200 --> 0:15:03.960
<v Speaker 1>to talk to the police. Her family just never thought

0:15:04.360 --> 0:15:07.240
<v Speaker 1>that the police were worth kind of, you know, even

0:15:07.280 --> 0:15:09.640
<v Speaker 1>going to for safety. But where do you think in

0:15:09.680 --> 0:15:12.040
<v Speaker 1>this community the reverence for the police comes from.

0:15:12.480 --> 0:15:15.160
<v Speaker 3>I didn't think there was reverence. They were pretty frustrated

0:15:15.200 --> 0:15:18.480
<v Speaker 3>with them, and especially one family actually hired a private

0:15:18.520 --> 0:15:22.640
<v Speaker 3>detective and he was run uptown by the police. Wow,

0:15:22.920 --> 0:15:25.400
<v Speaker 3>And they were told, don't you do this? So I

0:15:25.400 --> 0:15:27.680
<v Speaker 3>don't think it was reverence. It was just more what

0:15:27.720 --> 0:15:30.600
<v Speaker 3>else can we do? Who can we talk to beyond them?

0:15:30.960 --> 0:15:33.480
<v Speaker 3>And there was quite the accounting after it all was

0:15:33.480 --> 0:15:37.480
<v Speaker 3>said and done, that you were wrong, and one after

0:15:37.520 --> 0:15:39.400
<v Speaker 3>another our sons were murdered.

0:15:42.560 --> 0:15:45.760
<v Speaker 1>Tell me a little bit about David Brooks. These young men.

0:15:46.000 --> 0:15:48.400
<v Speaker 1>So you've got Henley and David Brooks. They're both teenagers

0:15:48.440 --> 0:15:51.120
<v Speaker 1>when this is happening, right, Henley is fourteen when this starts.

0:15:51.400 --> 0:15:54.640
<v Speaker 3>Yeah, David Brooks was twelve actually when he met Coral

0:15:55.120 --> 0:15:57.920
<v Speaker 3>and met him though Candy give me out hunks of

0:15:57.960 --> 0:16:01.840
<v Speaker 3>chocolate and whatnot. But David Brooks came also from a

0:16:01.880 --> 0:16:05.520
<v Speaker 3>broken family, but he had the misfortune of both parents

0:16:05.560 --> 0:16:08.440
<v Speaker 3>thinking he would come to no good, neither wanting to

0:16:08.480 --> 0:16:10.760
<v Speaker 3>have much to do with him. He's kind of at

0:16:10.760 --> 0:16:14.360
<v Speaker 3>loose ends. He was geeky. He had this long, stringy

0:16:14.560 --> 0:16:18.800
<v Speaker 3>blonde hair and these big eyeglasses and a very introverted

0:16:18.840 --> 0:16:23.720
<v Speaker 3>type of person. He was smoking dope and getting into trouble.

0:16:23.880 --> 0:16:27.120
<v Speaker 3>He had been arrested for a theft. So he's just

0:16:27.240 --> 0:16:30.360
<v Speaker 3>kind of this kid who was at odds with himself

0:16:30.360 --> 0:16:34.600
<v Speaker 3>and with everybody else. And Coral saw him and showed

0:16:34.640 --> 0:16:39.080
<v Speaker 3>him respect that he had never experienced before, treated him

0:16:39.120 --> 0:16:42.920
<v Speaker 3>like an adult, gave him place to stay, gave him gifts,

0:16:43.360 --> 0:16:47.360
<v Speaker 3>eventually had some sexual contact with them, and gave him

0:16:47.360 --> 0:16:50.080
<v Speaker 3>five or ten dollars. He had money in his pumpet

0:16:50.920 --> 0:16:54.160
<v Speaker 3>once when he discovered Coral. He came in and discovered

0:16:54.200 --> 0:16:58.440
<v Speaker 3>Coral with two kids tied to the bed naked. Coral said,

0:16:58.520 --> 0:17:00.480
<v Speaker 3>if you don't tell anyone, I'll give you a car,

0:17:01.320 --> 0:17:04.760
<v Speaker 3>which he did so. David Brooks, who had nowhere to

0:17:04.840 --> 0:17:09.400
<v Speaker 3>turn in his own family and was basically dismissed as

0:17:09.400 --> 0:17:15.040
<v Speaker 3>a loser, found solace with an adult male who gave

0:17:15.119 --> 0:17:18.919
<v Speaker 3>him a place to stay to live, food, money, a car.

0:17:19.520 --> 0:17:23.280
<v Speaker 3>He was an easy target and he fell right into it.

0:17:24.400 --> 0:17:26.440
<v Speaker 1>And I'm assuming doctor Ramsel, and this is a story

0:17:26.440 --> 0:17:28.280
<v Speaker 1>that you've heard over and over again. I mean, just

0:17:28.320 --> 0:17:31.840
<v Speaker 1>throughout the decades, it doesn't seem to change. Maybe there's

0:17:31.880 --> 0:17:35.360
<v Speaker 1>more offerings from someone who's grooming, you know, through Internet

0:17:35.440 --> 0:17:38.960
<v Speaker 1>or pornography or whatever it is, that the offerings might change,

0:17:39.000 --> 0:17:41.680
<v Speaker 1>But the grooming methods seem so consistent.

0:17:41.800 --> 0:17:42.280
<v Speaker 2>Is that right?

0:17:42.560 --> 0:17:45.240
<v Speaker 3>Because they work. I have one study in my book

0:17:45.280 --> 0:17:49.040
<v Speaker 3>of these predators who agreed to talk and talked about

0:17:49.080 --> 0:17:51.800
<v Speaker 3>the kind of person they would look for. The kid

0:17:51.840 --> 0:17:55.920
<v Speaker 3>who seems vulnerable, who seems introverted. It seems like their

0:17:55.960 --> 0:17:57.919
<v Speaker 3>home life is so great, or they're not doing so

0:17:57.960 --> 0:18:01.919
<v Speaker 3>well in school, and they're in they yield to gift

0:18:02.000 --> 0:18:06.199
<v Speaker 3>giving and joke telling and you know, such things just

0:18:06.240 --> 0:18:09.119
<v Speaker 3>to have a friend. Just you can see their neediness

0:18:09.119 --> 0:18:13.080
<v Speaker 3>and their vulnerability, and these predators develop an eye for it.

0:18:13.080 --> 0:18:16.000
<v Speaker 3>It's like it's like I talked about being like the

0:18:16.119 --> 0:18:20.320
<v Speaker 3>quiet eye in sports, where they hone themselves so well

0:18:20.359 --> 0:18:23.280
<v Speaker 3>they can see the ball so vividly as it's coming

0:18:23.800 --> 0:18:27.560
<v Speaker 3>over the net. Or through the court. Same for the predators.

0:18:27.680 --> 0:18:32.120
<v Speaker 3>They are always vigilant for who is vulnerable, and they

0:18:32.200 --> 0:18:35.320
<v Speaker 3>know not just to groom the child, but to groom

0:18:35.760 --> 0:18:39.640
<v Speaker 3>the community to believe that they are good people. They're

0:18:40.119 --> 0:18:44.359
<v Speaker 3>scout leaders or youth ministers or teachers or you know,

0:18:44.440 --> 0:18:48.080
<v Speaker 3>somebody who can be trusted with their child and they

0:18:48.080 --> 0:18:52.159
<v Speaker 3>are doing parents of favor by spending time with the child,

0:18:52.840 --> 0:18:56.080
<v Speaker 3>and that they look for those situations and the reason

0:18:56.400 --> 0:18:59.160
<v Speaker 3>the grooming is the same over and overs it's working.

0:19:00.400 --> 0:19:04.040
<v Speaker 1>Is there anything in Dean Coral's background that would have indicated,

0:19:04.320 --> 0:19:07.360
<v Speaker 1>you know, that any of this was even possible. He's married,

0:19:07.640 --> 0:19:10.440
<v Speaker 1>How is this even logistically possible for him?

0:19:11.000 --> 0:19:14.360
<v Speaker 2>He wasn't married. He had a girlfriend, Betty Hawkins, and

0:19:14.480 --> 0:19:18.120
<v Speaker 2>Betty Hawkins was a divorced woman with a child. So

0:19:18.359 --> 0:19:20.159
<v Speaker 2>you can see how he would want to kind of

0:19:20.240 --> 0:19:23.760
<v Speaker 2>validate his life by saying, but I have a woman

0:19:23.800 --> 0:19:26.760
<v Speaker 2>I'm looking to engage, I have a woman with a child.

0:19:26.840 --> 0:19:30.600
<v Speaker 2>I'm looking to be this man. And when you look

0:19:30.640 --> 0:19:35.040
<v Speaker 2>at his mother, who had a variety of different marriages,

0:19:35.119 --> 0:19:37.760
<v Speaker 2>a lot of different father figures that he really didn't

0:19:37.800 --> 0:19:41.840
<v Speaker 2>get along with in his home life, and Dean Coral

0:19:42.040 --> 0:19:44.680
<v Speaker 2>from the outside would look to be somebody who kind

0:19:44.680 --> 0:19:48.159
<v Speaker 2>of survived all that, who definitely had his differences with

0:19:48.240 --> 0:19:52.000
<v Speaker 2>his stepfather's. But I mean he went into the family business.

0:19:51.680 --> 0:19:56.080
<v Speaker 2>He's a member of the community for sure, so I

0:19:56.160 --> 0:19:59.719
<v Speaker 2>think that, you know, nobody was looking too deeply into him,

0:20:00.080 --> 0:20:03.080
<v Speaker 2>but he accepted him at face value. And in fact,

0:20:03.119 --> 0:20:07.040
<v Speaker 2>his mother, once these crimes were discovered and her son

0:20:07.200 --> 0:20:10.760
<v Speaker 2>is dead, she said, Elma, Wayne Henley and David Brooks

0:20:11.359 --> 0:20:15.280
<v Speaker 2>set my son up. They were evil and she really

0:20:15.320 --> 0:20:20.600
<v Speaker 2>couldn't accept that. All along, Dean Coral was on a

0:20:20.680 --> 0:20:22.880
<v Speaker 2>one way trip to his demise.

0:20:23.680 --> 0:20:26.760
<v Speaker 1>Doctor Ramslin, would you categorize from what you know about

0:20:26.840 --> 0:20:28.920
<v Speaker 1>Dean Coral as somebody with psychopathy?

0:20:29.119 --> 0:20:31.680
<v Speaker 3>Well, he certainly say this, There's no doubt about that.

0:20:31.680 --> 0:20:36.159
<v Speaker 3>The kinds of torture instruments he invented and engaged with.

0:20:36.840 --> 0:20:39.440
<v Speaker 3>I had a torture board. Sometimes he would tie two

0:20:40.080 --> 0:20:43.199
<v Speaker 3>boys to it, and in one case he told two friends,

0:20:43.200 --> 0:20:47.160
<v Speaker 3>if you fight each other, the survivor I will free.

0:20:47.720 --> 0:20:51.520
<v Speaker 3>That's psychological torture. But he also raped them. He also

0:20:51.840 --> 0:20:55.040
<v Speaker 3>stuck things into them, he electrocuted them. He did all

0:20:55.119 --> 0:20:59.240
<v Speaker 3>kinds of horrific things. To them too, sometimes for days

0:20:59.240 --> 0:21:02.119
<v Speaker 3>at a time, hold them there. So he's certainly a

0:21:02.200 --> 0:21:05.840
<v Speaker 3>state is no remorse whatsoever for what he did. We

0:21:05.880 --> 0:21:08.880
<v Speaker 3>don't know enough about him to put a diagnosis on him,

0:21:09.320 --> 0:21:12.360
<v Speaker 3>but we do know that his behavior has a lot

0:21:12.400 --> 0:21:14.320
<v Speaker 3>of psychopathic overtones. For sure.

0:21:14.960 --> 0:21:18.960
<v Speaker 1>The idea behind an accomplice seems so risky. What would

0:21:19.080 --> 0:21:22.840
<v Speaker 1>motivate Dean Coral. It seems like he has a steady

0:21:23.200 --> 0:21:26.080
<v Speaker 1>kind of way of getting kids in, drawing kids in

0:21:26.119 --> 0:21:28.240
<v Speaker 1>with the candy. Why bring in an accomplice and take

0:21:28.240 --> 0:21:29.080
<v Speaker 1>that kind of risk.

0:21:29.600 --> 0:21:33.120
<v Speaker 3>It wasn't the candy was really for little kids. Later

0:21:33.160 --> 0:21:35.679
<v Speaker 3>that he'd pick out boys and bring them to his

0:21:36.080 --> 0:21:38.919
<v Speaker 3>place where a pool table and motorcycle. He'd take them

0:21:38.960 --> 0:21:42.399
<v Speaker 3>to the beach and whatnot. However, an adult hanging out with

0:21:42.600 --> 0:21:47.720
<v Speaker 3>kids is exposed, and so if he could send out

0:21:47.720 --> 0:21:51.600
<v Speaker 3>accomplices to go pick them up, that actually lessens his exposures.

0:21:51.600 --> 0:21:54.280
<v Speaker 3>So in the way, it's a risk, but apparently in

0:21:54.320 --> 0:21:57.440
<v Speaker 3>his mind it was a lesser risk to have accomplices

0:21:57.480 --> 0:22:00.680
<v Speaker 3>that he thought he could control. I mean, he believed

0:22:00.359 --> 0:22:03.040
<v Speaker 3>he had full control over them through the kind of

0:22:03.119 --> 0:22:05.520
<v Speaker 3>leveraging he used, and he talked about and this is

0:22:05.520 --> 0:22:08.000
<v Speaker 3>where we could turn it back to Tracy. He talked

0:22:08.000 --> 0:22:12.359
<v Speaker 3>about being part of a syndicate of these traffickers who

0:22:12.480 --> 0:22:15.600
<v Speaker 3>would be well aware of any move these boys made,

0:22:16.119 --> 0:22:19.600
<v Speaker 3>and if they did something and that would turn on

0:22:19.680 --> 0:22:21.679
<v Speaker 3>him in some way, they would pay a price, and

0:22:21.760 --> 0:22:26.320
<v Speaker 3>so of their families. So he had them convinced that

0:22:26.800 --> 0:22:30.760
<v Speaker 3>they were always being watched and potentially in danger if

0:22:30.760 --> 0:22:31.879
<v Speaker 3>they didn't do what he said.

0:22:33.240 --> 0:22:36.359
<v Speaker 1>Why don't we talk a little bit about how Henley

0:22:36.520 --> 0:22:39.600
<v Speaker 1>is brought in by Brooks and introduced to Chorrel and

0:22:39.640 --> 0:22:42.800
<v Speaker 1>then the evolution of the relationship, which I hate to

0:22:42.840 --> 0:22:45.320
<v Speaker 1>even use that word, but that's what it was. So

0:22:45.359 --> 0:22:47.920
<v Speaker 1>where do we pick up there? Henley is fourteen.

0:22:48.560 --> 0:22:52.840
<v Speaker 2>We were very blessed to have the attention of Wayne's mom,

0:22:52.960 --> 0:22:56.480
<v Speaker 2>Mary Henley, and Mary Henley is the same age as

0:22:56.560 --> 0:23:00.399
<v Speaker 2>Dean Coral and so when she meets Dean Coral, she

0:23:00.560 --> 0:23:04.800
<v Speaker 2>thinks that he's slightly immature, he's kind of goofy. He

0:23:04.920 --> 0:23:07.719
<v Speaker 2>pulls up and he lays on the horn on his

0:23:08.359 --> 0:23:11.960
<v Speaker 2>you know van that he's driven to her house and

0:23:12.080 --> 0:23:14.440
<v Speaker 2>she walks out and she says, you don't haunk the

0:23:14.520 --> 0:23:17.000
<v Speaker 2>horn at my house. You you come and talk to

0:23:17.040 --> 0:23:19.240
<v Speaker 2>me if you want to hang out with my young son.

0:23:19.920 --> 0:23:23.200
<v Speaker 2>And so this is a man who kind of ingratiated himself,

0:23:23.520 --> 0:23:26.679
<v Speaker 2>not only with Mary Henley, but with her mother, and

0:23:26.760 --> 0:23:29.240
<v Speaker 2>so the two of them kind of saw him as,

0:23:29.400 --> 0:23:32.800
<v Speaker 2>you know, this goofy geek. They did not see any

0:23:32.840 --> 0:23:35.480
<v Speaker 2>form of danger. At one point, he was trying to

0:23:35.480 --> 0:23:38.800
<v Speaker 2>get his van out of the driveway and she had

0:23:38.840 --> 0:23:41.160
<v Speaker 2>to show him how to do it. So he had

0:23:41.160 --> 0:23:45.960
<v Speaker 2>this kind of level of not entirely functioning, and she

0:23:46.160 --> 0:23:47.960
<v Speaker 2>just saw that as like, oh, I'm going to take

0:23:48.040 --> 0:23:51.320
<v Speaker 2>pity on this man who's my age, who doesn't seem

0:23:51.359 --> 0:23:54.800
<v Speaker 2>to be adulting. And so from there, you know, you've

0:23:54.800 --> 0:24:00.000
<v Speaker 2>got the family, the Henleys, who are kind of falling apart.

0:24:00.119 --> 0:24:04.040
<v Speaker 2>They're doing the best that they possibly can. Mary Henley's

0:24:04.080 --> 0:24:07.560
<v Speaker 2>father dies not long before that. She divorces her husband,

0:24:07.560 --> 0:24:10.399
<v Speaker 2>but there's still a lot of domestic violence issues in

0:24:10.440 --> 0:24:13.880
<v Speaker 2>the background for them. On the other hand, with David Brooks,

0:24:13.880 --> 0:24:17.680
<v Speaker 2>his father's actually quite a well known contractor in the area.

0:24:18.160 --> 0:24:22.199
<v Speaker 2>You know, he's not poor. And why it's acceptable for

0:24:22.359 --> 0:24:27.280
<v Speaker 2>David Brooks to live with Dean Coral is a huge

0:24:27.400 --> 0:24:30.960
<v Speaker 2>question mark. Who thought that this was an appropriate relationship.

0:24:31.480 --> 0:24:34.600
<v Speaker 2>But Brooks doesn't come with a mother and a grandmother

0:24:34.840 --> 0:24:37.639
<v Speaker 2>that kind of validates his relationship. He's kind of an

0:24:37.640 --> 0:24:41.800
<v Speaker 2>odd one out living with Dean Coral when Henley brings

0:24:41.880 --> 0:24:46.680
<v Speaker 2>this kind of familial relationship and so as he gets

0:24:46.720 --> 0:24:50.600
<v Speaker 2>more involved and as he's made more of the man

0:24:50.640 --> 0:24:54.640
<v Speaker 2>of the house in his own family, Dean Coral convinces him,

0:24:55.119 --> 0:24:57.359
<v Speaker 2>let's do this burglary. If you want to show me

0:24:57.400 --> 0:24:59.600
<v Speaker 2>what you're made of, you're going to do this for me.

0:25:00.119 --> 0:25:03.399
<v Speaker 2>So he goes and burglarizes a property. He brings the

0:25:03.440 --> 0:25:06.920
<v Speaker 2>stuff to Dean Coral and he's thinking to himself, I'm

0:25:06.920 --> 0:25:09.159
<v Speaker 2>going to make some money for my family. I've been

0:25:09.160 --> 0:25:11.440
<v Speaker 2>working at a gas station, but this is going to

0:25:11.520 --> 0:25:14.440
<v Speaker 2>net me more and it's going to be easier. And

0:25:14.560 --> 0:25:19.000
<v Speaker 2>he's also ingratiating himself with this adult who has started by,

0:25:19.520 --> 0:25:22.320
<v Speaker 2>you know, making kind of dirty jokes with him. He's

0:25:22.359 --> 0:25:26.560
<v Speaker 2>a cool cat. He seems like he's hanging and so,

0:25:27.320 --> 0:25:30.399
<v Speaker 2>you know, Wayne wants that acceptance. He hasn't had his

0:25:30.520 --> 0:25:34.760
<v Speaker 2>father validate him. And again, much like with David Brooks,

0:25:35.200 --> 0:25:38.880
<v Speaker 2>Dean Coral sees his weakness and he fills that space.

0:25:39.640 --> 0:25:42.960
<v Speaker 2>And so but after the burglary, Dean Coral starts to

0:25:43.040 --> 0:25:47.560
<v Speaker 2>lean into that and say, now you're an accomplice. You're

0:25:47.640 --> 0:25:50.320
<v Speaker 2>somebody who has committed a crime that I know about.

0:25:51.160 --> 0:25:54.880
<v Speaker 2>And this is how he leverages Elma, Wayne Henley, Who's

0:25:55.160 --> 0:25:57.919
<v Speaker 2>if you think about when you were fourteen, like I

0:25:58.000 --> 0:26:00.760
<v Speaker 2>really didn't have a clue about the whiter world, and

0:26:00.800 --> 0:26:04.720
<v Speaker 2>if you think about where he doesn't quite understand anything.

0:26:04.840 --> 0:26:06.879
<v Speaker 2>I mean, I don't think the entire nation was o

0:26:07.000 --> 0:26:10.760
<v Speaker 2>fay with the idea of a large sex trafficking ring.

0:26:11.040 --> 0:26:13.959
<v Speaker 2>So how is he ever going to understand these concepts

0:26:14.000 --> 0:26:17.880
<v Speaker 2>that this is something much larger that's kind of hovering

0:26:17.960 --> 0:26:20.920
<v Speaker 2>around his existence? And so I'll turn it back to

0:26:21.000 --> 0:26:23.400
<v Speaker 2>Catherine because I know, I know you're better at talking

0:26:23.400 --> 0:26:24.200
<v Speaker 2>about this space.

0:26:24.800 --> 0:26:26.280
<v Speaker 3>Well, the one thing I wanted to add to that

0:26:26.400 --> 0:26:30.280
<v Speaker 3>is not only had Wayne's father left with them, an

0:26:30.320 --> 0:26:34.600
<v Speaker 3>abusive alcoholic left the family and not paid any child support,

0:26:34.920 --> 0:26:37.879
<v Speaker 3>he also had shot at Wayne twice to kill him.

0:26:38.080 --> 0:26:38.359
<v Speaker 1>Wow.

0:26:38.680 --> 0:26:41.080
<v Speaker 3>And so this is a kid who you know, is

0:26:41.160 --> 0:26:44.600
<v Speaker 3>trying to figure out what to do, and Mary Henley

0:26:44.720 --> 0:26:47.720
<v Speaker 3>sees a big brother coming along in the form of

0:26:48.080 --> 0:26:51.840
<v Speaker 3>Dean Coral. Like, you know, that's helpful because she's got

0:26:51.840 --> 0:26:54.000
<v Speaker 3>three other boys she's got to be taken care of

0:26:54.000 --> 0:26:56.879
<v Speaker 3>who are younger than Wayne, and to her mind, at

0:26:56.960 --> 0:26:59.840
<v Speaker 3>least he's got, you know, a male, adult, male figure

0:27:00.000 --> 0:27:04.920
<v Speaker 3>in his life who replaces this violent male who might

0:27:05.000 --> 0:27:07.920
<v Speaker 3>come around at any time and commit some kind of violence.

0:27:08.520 --> 0:27:13.040
<v Speaker 3>So we can excuse her in some ways because Korl

0:27:13.160 --> 0:27:16.919
<v Speaker 3>was an affable, good natured guy that just seemed like

0:27:16.960 --> 0:27:19.119
<v Speaker 3>he really liked hanging out with these boys.

0:27:19.320 --> 0:27:21.720
<v Speaker 1>I have to say I'm a little surprised that after

0:27:21.760 --> 0:27:27.080
<v Speaker 1>this burglary, Korl went to a threat rather than like

0:27:27.200 --> 0:27:31.720
<v Speaker 1>deepening the seduction or do I have that completely wrong.

0:27:31.800 --> 0:27:33.560
<v Speaker 1>It just seems like it was like, no, you're staying

0:27:33.600 --> 0:27:36.640
<v Speaker 1>and here's why, and rather than like really really grooming.

0:27:36.840 --> 0:27:37.120
<v Speaker 1>You know.

0:27:37.480 --> 0:27:41.360
<v Speaker 3>It took a while. He first talked with Wayne when

0:27:41.400 --> 0:27:43.520
<v Speaker 3>Wayne was fourteen and kind of sized him up and

0:27:44.720 --> 0:27:47.480
<v Speaker 3>as a victim first of all, and told David to

0:27:47.520 --> 0:27:51.119
<v Speaker 3>bring him on in. That didn't go well. Wayne was

0:27:51.160 --> 0:27:55.080
<v Speaker 3>able to foil that attempt, and then Coral began to

0:27:55.240 --> 0:27:58.160
<v Speaker 3>bring him in, like take him for rise in his car.

0:27:58.560 --> 0:28:01.320
<v Speaker 3>There was a bit of seduction ahead of time, and

0:28:01.440 --> 0:28:05.480
<v Speaker 3>then start talking about the human trafficking and saying, you know,

0:28:05.760 --> 0:28:08.879
<v Speaker 3>there are these people who do buy and sell, you know, others,

0:28:08.920 --> 0:28:11.480
<v Speaker 3>and some of these boys, they would we could pick

0:28:11.520 --> 0:28:13.159
<v Speaker 3>them up, sell them for a lot of money, and

0:28:13.200 --> 0:28:16.680
<v Speaker 3>they'd be taking over to California to be someone's pool boy.

0:28:16.920 --> 0:28:20.439
<v Speaker 3>Everybody wins, so you get some money, I get some money.

0:28:20.560 --> 0:28:23.000
<v Speaker 3>They have a much better life that they stuck around

0:28:23.080 --> 0:28:26.000
<v Speaker 3>here in the Houston Heights. And he worked on Wayne,

0:28:26.000 --> 0:28:28.800
<v Speaker 3>and worked on Wayne until Wayne thought well that actually

0:28:28.800 --> 0:28:32.280
<v Speaker 3>does sound like it's okay. And he then helped to

0:28:32.480 --> 0:28:35.400
<v Speaker 3>bring in a hitchhiker and that's really where he got

0:28:35.480 --> 0:28:40.120
<v Speaker 3>leverage at that point. Now he's known Coral for I

0:28:40.160 --> 0:28:44.000
<v Speaker 3>think I was a year before he actually gets involved

0:28:44.040 --> 0:28:46.600
<v Speaker 3>in that series of a crime. He had done some

0:28:46.640 --> 0:28:49.600
<v Speaker 3>of the petty crimes earlier, but in this case, he

0:28:49.680 --> 0:28:54.120
<v Speaker 3>brings in a hitchhiker thinking Quarrel's going to sell him

0:28:54.200 --> 0:28:57.520
<v Speaker 3>to California, and then he finds out he killed him,

0:28:57.920 --> 0:28:59.920
<v Speaker 3>and now Coral says, and you were part of it

0:29:00.080 --> 0:29:02.880
<v Speaker 3>at and there's no getting out, Tracy.

0:29:02.920 --> 0:29:06.240
<v Speaker 1>Can we go back to the first time that Henley

0:29:06.400 --> 0:29:10.240
<v Speaker 1>encounters Quarrel, when Brooks brings him in and doctor Ramselin

0:29:10.320 --> 0:29:12.280
<v Speaker 1>just said, you know that the encounter doesn't go well,

0:29:12.320 --> 0:29:14.640
<v Speaker 1>and the intention is at first for him to be victim.

0:29:15.120 --> 0:29:16.960
<v Speaker 1>I don't know how graphic it is, but you can

0:29:17.000 --> 0:29:19.040
<v Speaker 1>you kind of tell me what what ends up happening

0:29:19.040 --> 0:29:19.800
<v Speaker 1>with that scene.

0:29:20.360 --> 0:29:22.800
<v Speaker 2>Actually, Catherine, I might need to refer back to you,

0:29:22.880 --> 0:29:26.720
<v Speaker 2>because is this the time where King Coral lifts up

0:29:26.760 --> 0:29:29.160
<v Speaker 2>a knife. Yes, and he tries to see what the

0:29:29.200 --> 0:29:32.080
<v Speaker 2>reaction will be. You're better at describing that story.

0:29:32.400 --> 0:29:35.200
<v Speaker 3>David tells him, tells Wayne he's kind of passed the

0:29:35.240 --> 0:29:37.920
<v Speaker 3>test and we're going to meet behind the church. Don't

0:29:37.920 --> 0:29:41.040
<v Speaker 3>tell anyone where you're going because there's a big, big,

0:29:41.080 --> 0:29:44.560
<v Speaker 3>top secret meeting and the syndicate is is kind of

0:29:44.640 --> 0:29:47.880
<v Speaker 3>checking you out as a potential person who could who

0:29:47.920 --> 0:29:50.880
<v Speaker 3>could go up in the ranks. And so he he says,

0:29:50.920 --> 0:29:53.560
<v Speaker 3>meete us fan the church. So Wayne goes. They pick

0:29:53.600 --> 0:29:56.680
<v Speaker 3>him up, take him to Coral's apartment. They drive around

0:29:56.720 --> 0:29:58.560
<v Speaker 3>because they don't want him to know exactly where carel

0:29:58.600 --> 0:30:02.520
<v Speaker 3>lives and they're intending he's going to be one of

0:30:02.560 --> 0:30:05.760
<v Speaker 3>these victims. So if they bring him to Quarrel's apartment

0:30:06.200 --> 0:30:09.160
<v Speaker 3>and there's like a breakfast bar, kind of area where

0:30:09.160 --> 0:30:13.160
<v Speaker 3>they're leaning over talking to David disappears. Quarrel then pulls

0:30:13.200 --> 0:30:17.000
<v Speaker 3>out a large knife, like a hunting knife, and starts

0:30:17.040 --> 0:30:20.680
<v Speaker 3>coming around the bar to Wayne and talking to him

0:30:20.680 --> 0:30:22.840
<v Speaker 3>about what would you do? Would would you be able

0:30:22.880 --> 0:30:25.960
<v Speaker 3>to if somebody discovered you and you really had to

0:30:26.000 --> 0:30:29.520
<v Speaker 3>do something about eliminating a witness? What are you up

0:30:29.560 --> 0:30:32.720
<v Speaker 3>to this? Could you do this? And he's slowly, slowly

0:30:33.200 --> 0:30:35.760
<v Speaker 3>making his way in the position he would always get

0:30:35.800 --> 0:30:38.959
<v Speaker 3>in when he'd tackle a boy to the ground and

0:30:39.040 --> 0:30:42.600
<v Speaker 3>bind him. So he's about to do that. David comes

0:30:42.640 --> 0:30:45.200
<v Speaker 3>out of the back room and says, you didn't tell

0:30:45.240 --> 0:30:48.800
<v Speaker 3>anyone where you were, did you, And quick thinking Wayne says,

0:30:48.840 --> 0:30:52.880
<v Speaker 3>I told my mother, and Coral backs off tells David

0:30:52.880 --> 0:30:55.040
<v Speaker 3>to take him home and that was the end of that.

0:30:55.400 --> 0:30:57.760
<v Speaker 1>For a church kid, he has some street smarts on

0:30:57.840 --> 0:30:58.440
<v Speaker 1>him a little bit.

0:30:58.520 --> 0:30:59.040
<v Speaker 2>That's great.

0:30:59.440 --> 0:31:01.840
<v Speaker 3>Well, he said, he's a pretty smart guy. He was

0:31:01.920 --> 0:31:05.240
<v Speaker 3>probably he was a very engaging person to interview because

0:31:05.240 --> 0:31:09.840
<v Speaker 3>he reads a lot. He's very self educated. So yeah,

0:31:09.920 --> 0:31:13.720
<v Speaker 3>he was thinking like it just felt wrong to him,

0:31:13.720 --> 0:31:15.600
<v Speaker 3>like and he doesn't like to be touched, and he

0:31:15.640 --> 0:31:18.719
<v Speaker 3>felt like Korl was about to come behind him, and

0:31:18.760 --> 0:31:20.880
<v Speaker 3>it was just giving him the creeps with his knife,

0:31:21.200 --> 0:31:24.000
<v Speaker 3>and he just realized here's his way out really quickly.

0:31:24.040 --> 0:31:27.320
<v Speaker 3>And he was probably lucky because and he actually had

0:31:27.400 --> 0:31:29.560
<v Speaker 3>told his mother, and he wasn't going to reveal that

0:31:30.040 --> 0:31:31.760
<v Speaker 3>to them because he didn't want them thinking he was

0:31:31.760 --> 0:31:35.320
<v Speaker 3>a silly little boy. But he told his mother everything,

0:31:35.440 --> 0:31:37.800
<v Speaker 3>so he had told her and it was just an

0:31:37.840 --> 0:31:40.320
<v Speaker 3>easy thing to say. I told my mother, I'm here.

0:31:40.960 --> 0:31:41.280
<v Speaker 2>Wow.

0:31:41.920 --> 0:31:44.320
<v Speaker 1>Well, Tracy, let's go back to you know, there's the

0:31:44.320 --> 0:31:47.960
<v Speaker 1>burglary that's happening when he's fifteen, I guess. And then

0:31:48.640 --> 0:31:51.680
<v Speaker 1>we move forward to you know, he's bringing these these

0:31:51.720 --> 0:31:54.280
<v Speaker 1>boys in to what he thinks is going to be

0:31:54.440 --> 0:31:57.440
<v Speaker 1>sold to California and becoming you know, pool boys on

0:31:57.520 --> 0:32:00.560
<v Speaker 1>a lavish estate. I assume what is that's the moment

0:32:00.720 --> 0:32:03.520
<v Speaker 1>where he figures out that this is not what's happening

0:32:03.560 --> 0:32:04.240
<v Speaker 1>to these boys?

0:32:04.280 --> 0:32:05.720
<v Speaker 3>Does he see something.

0:32:05.960 --> 0:32:09.160
<v Speaker 2>Which friend of his Catherine did he bring in David A.

0:32:09.200 --> 0:32:12.719
<v Speaker 3>Gary? It wasn't a string of boys. Is the hitchhiker?

0:32:13.240 --> 0:32:15.840
<v Speaker 3>Then he came over with a friend named Franka Gary,

0:32:16.040 --> 0:32:18.480
<v Speaker 3>and that's that's when he was told, you don't have

0:32:18.520 --> 0:32:19.520
<v Speaker 3>any control over.

0:32:19.360 --> 0:32:22.960
<v Speaker 2>This and so basically this is a good friend of his,

0:32:23.080 --> 0:32:26.400
<v Speaker 2>Franka Geary, and he's thinking he's bringing Frank over for

0:32:26.440 --> 0:32:29.440
<v Speaker 2>the same opportunities that he has and that he's kind

0:32:29.480 --> 0:32:32.440
<v Speaker 2>of cutting him in. And I believe with a hitchhiker

0:32:32.520 --> 0:32:35.640
<v Speaker 2>and Catherine, if you could verify this is when Dean

0:32:35.760 --> 0:32:38.120
<v Speaker 2>Coral starts to propose, you know what, I'm going to

0:32:38.120 --> 0:32:40.840
<v Speaker 2>give you a cut of the money. And so we

0:32:41.040 --> 0:32:44.160
<v Speaker 2>from what we understood, he was getting two hundred dollars

0:32:44.160 --> 0:32:46.320
<v Speaker 2>for that victim. So that's a lot of money. That

0:32:46.480 --> 0:32:50.560
<v Speaker 2>kind of money during nineteen seventy one would buy a car,

0:32:51.520 --> 0:32:54.520
<v Speaker 2>you know, a used car, but still a car. And

0:32:54.600 --> 0:32:57.720
<v Speaker 2>so basically he's thinking to himself, Okay, I'm going to

0:32:57.800 --> 0:33:02.120
<v Speaker 2>cut my friend Frank ggury in. Frank Geary arrives and

0:33:02.320 --> 0:33:06.040
<v Speaker 2>Dean Coral turns the tables and he is coming after

0:33:06.120 --> 0:33:10.320
<v Speaker 2>Franka Geary and Emily Henley has to participate in this

0:33:10.360 --> 0:33:13.000
<v Speaker 2>in a way that he was absolutely not prepared to do.

0:33:13.400 --> 0:33:16.400
<v Speaker 2>And so at that point, not only does he realize

0:33:16.440 --> 0:33:18.880
<v Speaker 2>that Dean Coral is going to be able to kill

0:33:19.080 --> 0:33:22.719
<v Speaker 2>one of his friends, but that he is deeper and

0:33:22.840 --> 0:33:26.120
<v Speaker 2>deeper into this and he's trying to make sense out

0:33:26.160 --> 0:33:29.680
<v Speaker 2>of it because he is religious. He does believe in God,

0:33:30.200 --> 0:33:32.760
<v Speaker 2>and this is a point at which he starts to think, wait,

0:33:33.120 --> 0:33:34.719
<v Speaker 2>I'm not going to be able to get out of this,

0:33:35.520 --> 0:33:39.520
<v Speaker 2>and I'm losing my faith that anybody will pull me

0:33:39.600 --> 0:33:42.960
<v Speaker 2>out of this. And this is when his mind his

0:33:43.160 --> 0:33:47.560
<v Speaker 2>morals changed and I believe that he understood this is

0:33:47.840 --> 0:33:49.600
<v Speaker 2>what I'm going to be given in life.

0:33:49.720 --> 0:33:53.000
<v Speaker 3>Well it was actually I'm just intervening a little bit

0:33:53.720 --> 0:33:56.440
<v Speaker 3>because he was David was told to take him home

0:33:56.480 --> 0:34:00.920
<v Speaker 3>so he wouldn't witness the murder of Frank Gar. But

0:34:01.000 --> 0:34:04.320
<v Speaker 3>he was told that's what happened to the hitchhiker, that's

0:34:04.320 --> 0:34:07.560
<v Speaker 3>just going to happen to this guy. And then not

0:34:07.720 --> 0:34:10.960
<v Speaker 3>much happened for about a month, and Wayne was then

0:34:11.400 --> 0:34:14.799
<v Speaker 3>brought in to kill that he had to do this

0:34:15.560 --> 0:34:17.440
<v Speaker 3>and that you know, his faith is he wrote in

0:34:17.760 --> 0:34:21.000
<v Speaker 3>how can God allow this? Now he has to step

0:34:21.040 --> 0:34:23.520
<v Speaker 3>to the plate and show that he can do it

0:34:24.280 --> 0:34:27.080
<v Speaker 3>with a kid that Kor wants to get rid of

0:34:27.160 --> 0:34:30.560
<v Speaker 3>because he's given him some trouble, and Wayne has to

0:34:30.600 --> 0:34:32.799
<v Speaker 3>do it is to strangle him. He can't do it

0:34:32.840 --> 0:34:35.799
<v Speaker 3>on his own because he's just a scronic kid. But

0:34:35.880 --> 0:34:39.120
<v Speaker 3>once it's done, he sits in the front room and

0:34:39.160 --> 0:34:42.160
<v Speaker 3>just says, if God doesn't strike me dead now, there

0:34:42.200 --> 0:34:45.160
<v Speaker 3>just can't be a God who cares about this, And

0:34:45.200 --> 0:34:47.279
<v Speaker 3>that was kind of the end of it for him.

0:34:47.320 --> 0:34:52.279
<v Speaker 3>And thereafter he falls into doing what kor wants him

0:34:52.280 --> 0:34:53.839
<v Speaker 3>to do because he doesn't know what else to do.

0:34:54.120 --> 0:34:57.560
<v Speaker 3>If he had gone to the police wanting about Franka Gary,

0:34:58.160 --> 0:35:00.640
<v Speaker 3>he thinks the police probably went I listened to him.

0:35:00.680 --> 0:35:03.640
<v Speaker 3>He's just a kid, and Korl as an adult. And

0:35:03.680 --> 0:35:06.840
<v Speaker 3>then there's the syndicate, and even if Korl gets arrested,

0:35:06.840 --> 0:35:09.320
<v Speaker 3>they're going to come after him too, and maybe his family.

0:35:09.719 --> 0:35:13.319
<v Speaker 3>So he has no resources and now he's in this

0:35:13.680 --> 0:35:17.719
<v Speaker 3>horrific position of I have actually murdered somebody.

0:35:18.200 --> 0:35:21.120
<v Speaker 1>Do we have a sense for whether Mary Henley had

0:35:21.120 --> 0:35:24.200
<v Speaker 1>a sense for anything going wrong in this time period,

0:35:24.239 --> 0:35:26.920
<v Speaker 1>since she knows her son so well.

0:35:26.200 --> 0:35:29.120
<v Speaker 2>You know, by day I think that Elmer Wayne Henley

0:35:29.200 --> 0:35:33.560
<v Speaker 2>compartmentalized these things and he felt very responsible to his

0:35:33.640 --> 0:35:37.760
<v Speaker 2>mother and to his youngest brothers, and so he would

0:35:37.800 --> 0:35:41.080
<v Speaker 2>go about being the family man that he knew he

0:35:41.160 --> 0:35:45.840
<v Speaker 2>wanted or needed to be. And then as night came around,

0:35:46.040 --> 0:35:48.480
<v Speaker 2>he would make excuses, he would go back to Dean

0:35:48.520 --> 0:35:50.920
<v Speaker 2>Coral and this is what a lot of people talk about.

0:35:51.200 --> 0:35:54.480
<v Speaker 2>He kept going back to Dean Coral. Well, he was

0:35:54.560 --> 0:35:58.480
<v Speaker 2>under so much pressure and in terms of both you know,

0:35:58.560 --> 0:36:02.440
<v Speaker 2>getting a monetary reward as well as the manipulation and

0:36:02.560 --> 0:36:06.279
<v Speaker 2>threats he's getting from QORL, that he doesn't see much

0:36:06.360 --> 0:36:09.239
<v Speaker 2>option for what's going on. The one thing he does

0:36:09.280 --> 0:36:12.120
<v Speaker 2>start doing is he has these two men in his

0:36:12.200 --> 0:36:16.000
<v Speaker 2>life who are like extended uncles. They're not blood relations,

0:36:16.000 --> 0:36:19.240
<v Speaker 2>but they're people that he trusts. And he starts to say, look,

0:36:19.400 --> 0:36:22.520
<v Speaker 2>I'm in this terribly compromised position. This is what's been

0:36:22.560 --> 0:36:25.360
<v Speaker 2>going on, and I can tell you that even police

0:36:25.400 --> 0:36:28.520
<v Speaker 2>at this time didn't really have an imagination for what

0:36:28.680 --> 0:36:32.279
<v Speaker 2>was possible. How were these uncles going to know? So

0:36:32.320 --> 0:36:35.600
<v Speaker 2>they both refute him and say, you sound like you're insane,

0:36:35.600 --> 0:36:37.920
<v Speaker 2>you sound like you're on drugs, and they do not

0:36:38.520 --> 0:36:41.920
<v Speaker 2>try to help him, and eventually he does try to

0:36:42.000 --> 0:36:45.920
<v Speaker 2>tell Mary Henley. He writes down everything that's been happening

0:36:46.000 --> 0:36:49.480
<v Speaker 2>for him, and he gives her this note. This is

0:36:49.520 --> 0:36:52.600
<v Speaker 2>towards the very end. She looks at the note, she

0:36:52.680 --> 0:36:55.440
<v Speaker 2>reads it and she thinks my son has gone insane.

0:36:55.480 --> 0:37:01.040
<v Speaker 2>He definitely needs some type of psychological support. She rips

0:37:01.120 --> 0:37:03.480
<v Speaker 2>up the note and she said, I'm going to get

0:37:03.560 --> 0:37:08.320
<v Speaker 2>you help, therapeutic help, but doesn't validate the story, doesn't

0:37:08.360 --> 0:37:10.200
<v Speaker 2>offer to help him in any other way.

0:37:10.960 --> 0:37:15.880
<v Speaker 1>When Henley draws in Franka Gary and this terrible thing happens,

0:37:16.320 --> 0:37:19.399
<v Speaker 1>does his family, you know, rattle the cages and say

0:37:19.440 --> 0:37:21.080
<v Speaker 1>we need this. You know, this is not a kid

0:37:21.080 --> 0:37:23.840
<v Speaker 1>who would have run away. We need to know what happened.

0:37:23.880 --> 0:37:26.600
<v Speaker 1>And the police ignore it. This is seems like a

0:37:26.640 --> 0:37:28.240
<v Speaker 1>neighborhood kid who would have been missed.

0:37:29.000 --> 0:37:31.520
<v Speaker 3>He's one of those that they dismissed is to run away.

0:37:31.719 --> 0:37:35.400
<v Speaker 3>He was engaged to a girl, he had a job,

0:37:35.640 --> 0:37:38.600
<v Speaker 3>he was you know, still in school, and the police

0:37:38.640 --> 0:37:39.600
<v Speaker 3>didn't do anything.

0:37:40.160 --> 0:37:42.520
<v Speaker 1>What happens next? What's kind of the big incident? Do

0:37:42.600 --> 0:37:45.040
<v Speaker 1>we go on for another year or two years?

0:37:45.040 --> 0:37:46.000
<v Speaker 3>What happens?

0:37:46.080 --> 0:37:47.320
<v Speaker 1>This just keeps happening.

0:37:47.480 --> 0:37:51.840
<v Speaker 3>What happened when Wayne killed his first victim, Mark Scott?

0:37:52.040 --> 0:37:54.920
<v Speaker 3>He was still fifteen, just about to turn sixteen, and

0:37:55.000 --> 0:37:58.279
<v Speaker 3>he thought, okay, I've proven myself. This is awful bath

0:37:59.000 --> 0:38:01.840
<v Speaker 3>that's got to be the word. And then the next month,

0:38:02.120 --> 0:38:05.680
<v Speaker 3>there's two together. Two boys are brought in together, and

0:38:05.760 --> 0:38:07.759
<v Speaker 3>he's faced with now you're going to help us with

0:38:07.840 --> 0:38:10.600
<v Speaker 3>two of them, And that's the point at which I

0:38:10.600 --> 0:38:13.680
<v Speaker 3>think he realized I'm not getting out of this. This

0:38:13.760 --> 0:38:17.040
<v Speaker 3>is not easy. There were a few more that year.

0:38:17.560 --> 0:38:20.600
<v Speaker 3>He tried to move away to another town where his

0:38:20.640 --> 0:38:25.000
<v Speaker 3>cousin lived, but then David told him, you know, Dean's

0:38:25.040 --> 0:38:28.719
<v Speaker 3>eyeing your younger brother. So we thought I got to

0:38:28.760 --> 0:38:32.120
<v Speaker 3>get back to Houston and make sure I keep an

0:38:32.120 --> 0:38:34.960
<v Speaker 3>eye on this. Then he tries to join the Navy

0:38:35.000 --> 0:38:37.600
<v Speaker 3>and he doesn't get in as well. He's trying any

0:38:37.640 --> 0:38:39.399
<v Speaker 3>which way he can to get out of this. When

0:38:39.440 --> 0:38:42.879
<v Speaker 3>he finds he can't, he just falls into it. I'm

0:38:43.239 --> 0:38:47.200
<v Speaker 3>his henchman. I have to do this. And there's the

0:38:47.239 --> 0:38:51.560
<v Speaker 3>summer of nineteen seventy three before he killed Kral. That

0:38:51.719 --> 0:38:55.279
<v Speaker 3>entire summer is just one after another, and not just

0:38:55.320 --> 0:39:00.279
<v Speaker 3>with using David and Wayne. Sometimes Coral what acts own

0:39:00.280 --> 0:39:02.920
<v Speaker 3>and go get a victim. I mean, when we hear

0:39:03.000 --> 0:39:06.279
<v Speaker 3>the figure twenty seven, twenty eight, twenty nine, these two

0:39:06.880 --> 0:39:10.360
<v Speaker 3>accomplices weren't involved in all of those. Coral would often

0:39:10.400 --> 0:39:13.399
<v Speaker 3>have done his own two and We don't really even

0:39:13.480 --> 0:39:16.560
<v Speaker 3>know the final number because one victim was found on

0:39:16.640 --> 0:39:19.440
<v Speaker 3>the beach unrelated to any of the burial sites, so

0:39:19.480 --> 0:39:21.600
<v Speaker 3>we don't know if there might have been more. He

0:39:21.760 --> 0:39:25.200
<v Speaker 3>talked to David Brooks about having killed in California. We

0:39:25.280 --> 0:39:28.560
<v Speaker 3>haven't tied him to a victim there or more victims,

0:39:28.600 --> 0:39:32.879
<v Speaker 3>so we actually don't know his complete victim toll. And

0:39:33.400 --> 0:39:37.399
<v Speaker 3>David was involved with more than Wayne, but Wayne during

0:39:37.400 --> 0:39:41.120
<v Speaker 3>the summer the year nineteen seventy three was really very

0:39:41.160 --> 0:39:44.919
<v Speaker 3>active and just felt like I've tried to get out

0:39:45.000 --> 0:39:46.200
<v Speaker 3>and I don't see a way.

0:39:46.560 --> 0:39:49.400
<v Speaker 1>I know you all probably know more about Henley than

0:39:49.440 --> 0:39:51.840
<v Speaker 1>you know about Brooks. Can you tell me the difference,

0:39:52.200 --> 0:39:54.600
<v Speaker 1>But I don't know if it's the psychological difference between

0:39:54.640 --> 0:39:57.719
<v Speaker 1>these two teenagers who are working for this terrible man.

0:39:58.280 --> 0:40:00.799
<v Speaker 3>Yeah. I when I look at David Brooks, I think

0:40:00.840 --> 0:40:04.680
<v Speaker 3>he was really because he had no parental support, nothing

0:40:04.920 --> 0:40:07.239
<v Speaker 3>from his family. He was made to feel like a

0:40:07.280 --> 0:40:11.480
<v Speaker 3>total loser. He was a dropout. He sold drugs in

0:40:11.520 --> 0:40:15.319
<v Speaker 3>the park to other kids, and he did nothing to

0:40:15.440 --> 0:40:20.400
<v Speaker 3>stop coral. He overlooked, he saw murders, he brought kids

0:40:20.440 --> 0:40:24.120
<v Speaker 3>to him. He saw young like thirteen year olds in

0:40:24.239 --> 0:40:28.359
<v Speaker 3>Coral's room, and he would do nothing. He helped him,

0:40:28.360 --> 0:40:30.560
<v Speaker 3>He moved with him and moved around with them. So

0:40:31.080 --> 0:40:34.400
<v Speaker 3>I see that being different from Wayne. I did it

0:40:34.520 --> 0:40:37.480
<v Speaker 3>since when David finally came in and confessed the place

0:40:37.520 --> 0:40:39.959
<v Speaker 3>and basically threw Wayne under the bus, I didn't see

0:40:39.960 --> 0:40:43.000
<v Speaker 3>any sense that he thought what Chorl did was wrong.

0:40:43.040 --> 0:40:45.799
<v Speaker 3>In fact, he said, well, he said to me, these

0:40:45.800 --> 0:40:49.640
<v Speaker 3>are boys that nobody cares about. They're just like hitchhikers

0:40:49.680 --> 0:40:54.480
<v Speaker 3>and runaways, and you can't dropouts that they're like losers.

0:40:54.480 --> 0:40:57.120
<v Speaker 3>Why does anybody care what happened to them? I mean,

0:40:57.400 --> 0:40:59.279
<v Speaker 3>these are the kinds of statements he would make, so

0:40:59.320 --> 0:41:04.160
<v Speaker 3>it shows that he really had no sense of concern

0:41:04.400 --> 0:41:07.239
<v Speaker 3>about what he was doing. He would not give interviews

0:41:07.480 --> 0:41:11.480
<v Speaker 3>to the media afterward, and he had a wife and child,

0:41:11.640 --> 0:41:14.399
<v Speaker 3>so it could be that he was shielding them. But

0:41:14.760 --> 0:41:16.880
<v Speaker 3>there was never a time in any of the statements

0:41:16.880 --> 0:41:20.560
<v Speaker 3>of police that he really expressed a sense of remorse.

0:41:21.080 --> 0:41:24.880
<v Speaker 3>And he certainly had opportunities when he was with Quorl

0:41:25.360 --> 0:41:28.879
<v Speaker 3>to do something before Wayne ever even came into it.

0:41:29.120 --> 0:41:31.680
<v Speaker 3>He could have told Wayne before he brought him in,

0:41:32.160 --> 0:41:34.480
<v Speaker 3>So there is a difference between them, and I see

0:41:34.920 --> 0:41:38.880
<v Speaker 3>David Brooks as being more of a youth at risk

0:41:39.400 --> 0:41:43.160
<v Speaker 3>for adult psychopathy in a way that I don't think

0:41:43.320 --> 0:41:44.040
<v Speaker 3>Henley was.

0:41:44.400 --> 0:41:47.400
<v Speaker 1>He sounds angry, maybe just by being discorded by his

0:41:47.440 --> 0:41:49.879
<v Speaker 1>own family, and now he's happy to take it out

0:41:49.880 --> 0:41:51.600
<v Speaker 1>on these kids or watch somebody else do it.

0:41:52.160 --> 0:41:56.040
<v Speaker 3>I think he just had a real lackadaisical attitude. He

0:41:56.080 --> 0:41:59.000
<v Speaker 3>was also a doper. I mean, he just didn't care

0:41:59.080 --> 0:42:03.640
<v Speaker 3>about much to Coral, you know, was killed and they

0:42:03.680 --> 0:42:06.600
<v Speaker 3>got together. Wayne says that they had talked about killing

0:42:06.640 --> 0:42:09.719
<v Speaker 3>Coral because they were worried he was really getting out

0:42:09.719 --> 0:42:13.280
<v Speaker 3>of control. And David was with Coral with his last victim,

0:42:13.320 --> 0:42:15.960
<v Speaker 3>which is a thirteen year old boy that he basically

0:42:16.000 --> 0:42:19.360
<v Speaker 3>snapped from the street out riding his bike, and David

0:42:19.400 --> 0:42:22.600
<v Speaker 3>brings him a pizza and things. Well, I gave him

0:42:22.600 --> 0:42:26.160
<v Speaker 3>a pizza, I mean that was that. Was there anything

0:42:26.160 --> 0:42:27.680
<v Speaker 3>else I could do for him? At least I was

0:42:27.800 --> 0:42:30.919
<v Speaker 3>nice to him. So that's the kind of memo set

0:42:31.000 --> 0:42:34.680
<v Speaker 3>he had of you know, whatever, this is Coral's thing,

0:42:35.080 --> 0:42:37.480
<v Speaker 3>Nobody's going to do anything about it. And so it's

0:42:37.880 --> 0:42:40.880
<v Speaker 3>not really anger so much as just I don't really

0:42:41.440 --> 0:42:45.360
<v Speaker 3>see beyond what's going to happen with my life? Even

0:42:45.440 --> 0:42:48.160
<v Speaker 3>though he had a wife and child, he had just

0:42:48.200 --> 0:42:49.560
<v Speaker 3>gotten married Tracy.

0:42:49.640 --> 0:42:51.960
<v Speaker 1>This seems like this has gone on for three years, right?

0:42:52.120 --> 0:42:53.279
<v Speaker 1>Is it two years or three years?

0:42:53.280 --> 0:42:56.880
<v Speaker 3>At this point, it's three years three years starting with Coral,

0:42:57.160 --> 0:43:00.120
<v Speaker 3>three years because he acted on his own first.

0:43:00.360 --> 0:43:04.440
<v Speaker 1>So what is the next big incident? Does anything happen

0:43:04.480 --> 0:43:06.880
<v Speaker 1>before the murder takes place.

0:43:07.040 --> 0:43:10.640
<v Speaker 2>So really, you know, it's almost spiraling out of control.

0:43:10.880 --> 0:43:14.279
<v Speaker 2>Dean Coral's telling his mother that he thinks something bad

0:43:14.400 --> 0:43:16.839
<v Speaker 2>is going to happen. He wants to move to Colorado

0:43:16.880 --> 0:43:20.200
<v Speaker 2>where she is. He's telling Wayne that he should come

0:43:20.239 --> 0:43:23.200
<v Speaker 2>with him, and Wayne is thinking maybe he's going to

0:43:23.239 --> 0:43:26.440
<v Speaker 2>take his friend to Ronda Williams because she's having a

0:43:26.440 --> 0:43:31.160
<v Speaker 2>bad home life. So there's just a lot of indication that,

0:43:31.560 --> 0:43:35.600
<v Speaker 2>you know, there's more upheaval than necessary. Dean Coral is

0:43:35.640 --> 0:43:39.920
<v Speaker 2>always receiving correspondence at a post office box, so neither

0:43:40.400 --> 0:43:44.120
<v Speaker 2>Wayne Henley nor David Brooks knows exactly what he's getting

0:43:44.160 --> 0:43:47.800
<v Speaker 2>in the mail. He keeps a lot secret from them,

0:43:48.200 --> 0:43:51.399
<v Speaker 2>and both of them get very paranoid about that. And

0:43:51.480 --> 0:43:55.520
<v Speaker 2>it's really when things come to a header where Wayne's

0:43:55.560 --> 0:43:58.479
<v Speaker 2>thinking he's going to So, first of all, Dean Coral says,

0:43:58.560 --> 0:44:01.719
<v Speaker 2>bring your friend Tim Curlely. I really like him. I

0:44:01.840 --> 0:44:05.800
<v Speaker 2>want to have sex with him. And Wayne brings Tim Curley,

0:44:05.840 --> 0:44:08.520
<v Speaker 2>but he also brings Rand to Williams. They've been partying

0:44:08.560 --> 0:44:13.480
<v Speaker 2>together at Tim's house. They're going over to Dean Coral's

0:44:13.640 --> 0:44:17.919
<v Speaker 2>and Dean immediately says to Wayne, why would you bring

0:44:18.080 --> 0:44:22.240
<v Speaker 2>a girl here? And Wayne, who's been raised by women

0:44:22.680 --> 0:44:25.200
<v Speaker 2>who have always been on his side, thinks, I need

0:44:25.239 --> 0:44:29.200
<v Speaker 2>to protect this girl. So, as Dean Coral is setting

0:44:29.200 --> 0:44:31.719
<v Speaker 2>this up so that both Tim Curley and Rand of

0:44:31.760 --> 0:44:36.200
<v Speaker 2>Williams are going to be abused, they're going to be restrained. Wayne,

0:44:36.239 --> 0:44:39.240
<v Speaker 2>who's kind of high and out of it. It's it's

0:44:39.320 --> 0:44:42.160
<v Speaker 2>you know, late in the morning, you know, initially says

0:44:42.160 --> 0:44:45.520
<v Speaker 2>he's going to assist. You know, I think that he's

0:44:45.520 --> 0:44:50.160
<v Speaker 2>restrained Wayne as well. He unrestrains Wayne. Wayne picks up

0:44:50.200 --> 0:44:53.520
<v Speaker 2>a gun and Dean says, you're not gonna You're not

0:44:53.560 --> 0:44:57.560
<v Speaker 2>gonna shoot that at me and Dean it always told Wayne,

0:44:57.719 --> 0:44:59.520
<v Speaker 2>if you're going to shoot a gun, make sure the

0:44:59.560 --> 0:45:02.960
<v Speaker 2>person you're shooting dies. Make sure they're dead. Before you

0:45:03.040 --> 0:45:07.120
<v Speaker 2>stop shooting, and Wayne just starts shooting. And you can

0:45:07.160 --> 0:45:12.080
<v Speaker 2>see in the evidentiary photographs of Dean Coral he's backed

0:45:12.160 --> 0:45:15.160
<v Speaker 2>up against a wall. He's obviously fallen against the wall.

0:45:15.600 --> 0:45:19.480
<v Speaker 2>There are bullet holes, you know, in his skin, He's naked,

0:45:20.200 --> 0:45:22.960
<v Speaker 2>and this is how police find him. And so this

0:45:23.120 --> 0:45:26.600
<v Speaker 2>is what Almayne Henley is up against, a man who

0:45:26.719 --> 0:45:30.400
<v Speaker 2>keeps coming at him while he's shooting him, saying you

0:45:30.440 --> 0:45:33.600
<v Speaker 2>won't kill me. And Catherine and I have actually wondered

0:45:34.000 --> 0:45:37.680
<v Speaker 2>if this was a way that Dean Coral saw for

0:45:37.760 --> 0:45:41.920
<v Speaker 2>him to almost commit suicide and that he really was

0:45:41.960 --> 0:45:45.360
<v Speaker 2>at the end of his rope. Obviously, Amiwayn Henley was

0:45:45.440 --> 0:45:47.720
<v Speaker 2>at the end of his rope and was no longer

0:45:47.760 --> 0:45:52.759
<v Speaker 2>going to continue participating. And so once he you know,

0:45:53.040 --> 0:45:57.239
<v Speaker 2>unbinds Tim Curley and Randa Williams, they go out of

0:45:57.239 --> 0:46:01.399
<v Speaker 2>the house, they call police, they wait for police, and

0:46:01.719 --> 0:46:05.239
<v Speaker 2>from what Elma, Wayne Henley says, he's relieved. He's going

0:46:05.280 --> 0:46:08.319
<v Speaker 2>to tell them everything. And the thing that you know,

0:46:08.360 --> 0:46:11.320
<v Speaker 2>when we started digging into the hundreds of pages of

0:46:11.400 --> 0:46:14.880
<v Speaker 2>police reports, the first thing you see from both Wayne

0:46:14.960 --> 0:46:19.480
<v Speaker 2>and David Brooks is that there is a syndicate at large.

0:46:19.520 --> 0:46:22.719
<v Speaker 2>They had both been informed about this syndicate. At one point,

0:46:23.000 --> 0:46:26.359
<v Speaker 2>Almoyn Henley had told his friend that it almost felt

0:46:26.440 --> 0:46:28.840
<v Speaker 2>like being in The Godfather, which was a big film

0:46:28.840 --> 0:46:31.200
<v Speaker 2>at that time. You know that he was part of

0:46:31.239 --> 0:46:34.520
<v Speaker 2>something much larger, much like the Mafia. So he had

0:46:34.680 --> 0:46:38.080
<v Speaker 2>some understanding, but it also seemed to have this era

0:46:38.120 --> 0:46:42.920
<v Speaker 2>of mystery for him. It's only four days later that

0:46:43.160 --> 0:46:46.719
<v Speaker 2>in Dallas, which is where both David Brooks and elm

0:46:46.760 --> 0:46:50.040
<v Speaker 2>Wayne Henley felt that syndicate was based, that a man

0:46:50.120 --> 0:46:53.920
<v Speaker 2>named John David Norman is arrested because there is a

0:46:53.960 --> 0:46:57.279
<v Speaker 2>young man working with him that says he thought he

0:46:57.360 --> 0:47:00.680
<v Speaker 2>was supposed to be sent to Dean Coral and he

0:47:00.840 --> 0:47:04.240
<v Speaker 2>raises the alarm. So this is four days later police

0:47:04.280 --> 0:47:09.399
<v Speaker 2>in Dallas raid John David Norman's apartment in Dallas. They

0:47:09.440 --> 0:47:14.640
<v Speaker 2>find just tons of pornography, evidence of trafficking, tons of marijuana.

0:47:15.280 --> 0:47:18.240
<v Speaker 2>The way that the Elmowyn Henley and David Brooks described

0:47:18.239 --> 0:47:20.520
<v Speaker 2>this was that it was kind of a gambling and

0:47:20.680 --> 0:47:23.640
<v Speaker 2>prostitution ring. You know that there were a lot of

0:47:23.640 --> 0:47:28.600
<v Speaker 2>different facets to it, but the overall notion is that

0:47:28.880 --> 0:47:31.560
<v Speaker 2>there's a lot of money being made by this individual,

0:47:31.760 --> 0:47:35.560
<v Speaker 2>and this individual isn't working alone. So then you start

0:47:35.600 --> 0:47:39.680
<v Speaker 2>to see, Wait, John David Norman's arrested, but almost immediately

0:47:39.719 --> 0:47:43.000
<v Speaker 2>bonds out. He's got plenty of money, and he almost

0:47:43.000 --> 0:47:47.319
<v Speaker 2>immediately goes to Chicago, the Chicago area, where he not

0:47:47.400 --> 0:47:50.640
<v Speaker 2>only starts to abuse again, but you start seeing him

0:47:50.680 --> 0:47:53.320
<v Speaker 2>crosspads with John Wayne Gacy.

0:47:54.360 --> 0:47:56.959
<v Speaker 1>Unbelievable, I mean, what a tie in. Give me the

0:47:56.960 --> 0:48:02.040
<v Speaker 1>timeline of John Wayne Gacy. How long after this happens

0:48:02.120 --> 0:48:05.080
<v Speaker 1>with Quarrel is the discovery of John Wayne Gacy and

0:48:05.120 --> 0:48:06.840
<v Speaker 1>everything that he did. When did that happen?

0:48:07.360 --> 0:48:10.160
<v Speaker 2>So this happens in August of nineteen seventy three. By

0:48:10.200 --> 0:48:14.160
<v Speaker 2>October of nineteen seventy three, John David Norman is in Chicago.

0:48:14.800 --> 0:48:18.320
<v Speaker 2>John Wayne Gacy is not discovered until December of nineteen

0:48:18.320 --> 0:48:21.480
<v Speaker 2>seventy eight. Wow, so he has five more years that

0:48:21.560 --> 0:48:25.319
<v Speaker 2>he's going to continue to abuse and kill people. But

0:48:25.960 --> 0:48:28.759
<v Speaker 2>it's very difficult to dismiss that these people are in

0:48:28.800 --> 0:48:32.440
<v Speaker 2>the same line of business, and they're ultimately connected by

0:48:32.440 --> 0:48:36.120
<v Speaker 2>an individual named Phil Pasky that's an employee of John

0:48:36.160 --> 0:48:39.360
<v Speaker 2>Wayne Gacy's, but it's also named as John David Norman's

0:48:39.480 --> 0:48:43.799
<v Speaker 2>right hand man. So when you think about a young

0:48:43.840 --> 0:48:47.880
<v Speaker 2>boy like Elma Wayne Henley entering into somebody who's we

0:48:48.320 --> 0:48:52.680
<v Speaker 2>already have discussed, is sadistic, he's a killer. But then

0:48:52.719 --> 0:48:55.400
<v Speaker 2>when you look at the larger ring where this individual

0:48:55.520 --> 0:48:58.840
<v Speaker 2>John David Norman, you know, is going to Chicago to

0:48:58.880 --> 0:49:00.880
<v Speaker 2>meet with John wayn gaycay See, who we know is

0:49:00.920 --> 0:49:04.520
<v Speaker 2>one of our other, like the largest serial murderers. To

0:49:04.600 --> 0:49:07.919
<v Speaker 2>see that those two things are connected then makes you

0:49:08.080 --> 0:49:10.480
<v Speaker 2>realize what he was up against.

0:49:11.000 --> 0:49:14.040
<v Speaker 1>Have we heard of these kinds of circumstances before with

0:49:14.120 --> 0:49:16.960
<v Speaker 1>any other serial killers when they're connected to a much

0:49:17.040 --> 0:49:20.160
<v Speaker 1>larger syndicate with pornography and sex work and everything else.

0:49:20.640 --> 0:49:23.200
<v Speaker 2>I think that you know, we were talking, you and

0:49:23.239 --> 0:49:26.160
<v Speaker 2>I Catherine were talking yesterday about the trash bag killer,

0:49:26.920 --> 0:49:30.720
<v Speaker 2>and so when you think about that potentially being strung

0:49:30.760 --> 0:49:34.360
<v Speaker 2>into this. We started looking at the ring during the

0:49:34.440 --> 0:49:37.719
<v Speaker 2>John Wyng Gaycy research we did, and we saw that

0:49:37.760 --> 0:49:42.520
<v Speaker 2>there were, you know, summer camps established in North Fox Island, Michigan,

0:49:43.040 --> 0:49:46.640
<v Speaker 2>where predators that are associated with this ring were having

0:49:47.400 --> 0:49:49.839
<v Speaker 2>young boys come from the city so they could have

0:49:49.880 --> 0:49:53.840
<v Speaker 2>the refreshing air of the countryside during the summertime, camps

0:49:53.840 --> 0:49:57.120
<v Speaker 2>that are supported by state and federal grants, and it's

0:49:57.239 --> 0:50:00.439
<v Speaker 2>proven that all these boys that went there are being

0:50:00.480 --> 0:50:01.800
<v Speaker 2>abused and trafficked.

0:50:02.000 --> 0:50:05.840
<v Speaker 3>Yeah, there's recently a documentary, I think Children of the

0:50:05.880 --> 0:50:10.440
<v Speaker 3>Snow where the babysitter serial killer in Michigan is related

0:50:10.480 --> 0:50:14.040
<v Speaker 3>to this island retreat that Tracey's talking about, and they

0:50:14.080 --> 0:50:17.200
<v Speaker 3>had a lot of documentation that the killers of these

0:50:17.320 --> 0:50:19.480
<v Speaker 3>kids were associated with this group.

0:50:20.239 --> 0:50:22.920
<v Speaker 1>Well, back to the story, I remember you saying that

0:50:23.040 --> 0:50:25.640
<v Speaker 1>David Brooks came in and confessed at some point. Is

0:50:25.640 --> 0:50:26.080
<v Speaker 1>that right.

0:50:26.680 --> 0:50:30.160
<v Speaker 3>He didn't confess so much as back up to where

0:50:30.239 --> 0:50:33.400
<v Speaker 3>Wayne calls in that he's killed porl And as soon

0:50:33.480 --> 0:50:35.920
<v Speaker 3>as they put him in the police car. So what

0:50:35.960 --> 0:50:38.840
<v Speaker 3>he looks like is he's a hero. He has saved

0:50:38.880 --> 0:50:42.480
<v Speaker 3>these other two kids. He's killed, you know, Dean Coral,

0:50:42.680 --> 0:50:45.759
<v Speaker 3>it's all self defense. He looks he's looking pretty good.

0:50:45.800 --> 0:50:50.080
<v Speaker 3>But he immediately says he talked about having burying some

0:50:50.239 --> 0:50:54.680
<v Speaker 3>kids in this boat shed in South Houston, and they

0:50:54.840 --> 0:50:57.560
<v Speaker 3>kind of dismissed him, similar to the way they dismissed

0:50:57.600 --> 0:51:01.440
<v Speaker 3>the whole they're all runaways, until he started naming names

0:51:01.480 --> 0:51:04.719
<v Speaker 3>that they found to be on missing person's list, and

0:51:04.760 --> 0:51:06.960
<v Speaker 3>then they thought, all right, let us take him down

0:51:07.040 --> 0:51:10.839
<v Speaker 3>there and see, still not really quite believing it. Then

0:51:10.920 --> 0:51:14.280
<v Speaker 3>get to the boat stall and it's just this small

0:51:14.640 --> 0:51:17.360
<v Speaker 3>it's not even outside stall, it's the it's in the middle.

0:51:17.760 --> 0:51:20.000
<v Speaker 3>They opened it. There's just some junk in there or

0:51:20.040 --> 0:51:23.480
<v Speaker 3>an old car, but there's a kid's bike and they

0:51:23.520 --> 0:51:26.080
<v Speaker 3>know the bike has recently been stolen, with a kid

0:51:26.280 --> 0:51:29.520
<v Speaker 3>missing the week before, and it turns out the bike

0:51:29.760 --> 0:51:33.000
<v Speaker 3>is that kid's bike, and the car is stolen, and

0:51:33.040 --> 0:51:36.759
<v Speaker 3>there's a rake with white rosin on the tongs, and

0:51:36.800 --> 0:51:39.840
<v Speaker 3>there's a shovel and there's so they start digging. It

0:51:39.920 --> 0:51:42.160
<v Speaker 3>was didn't take long for them to find the thirteen

0:51:42.200 --> 0:51:46.040
<v Speaker 3>year old boy wrapped in plastic, buried there. So now

0:51:46.120 --> 0:51:48.799
<v Speaker 3>they know they've built a long night ahead, and they

0:51:48.880 --> 0:51:54.280
<v Speaker 3>end up unearthing multiple bodies. And at that point David

0:51:54.400 --> 0:51:57.719
<v Speaker 3>comes in because he's hearing this on the news and

0:51:57.760 --> 0:51:59.640
<v Speaker 3>he wants to say, well, you know, I lived with

0:51:59.719 --> 0:52:03.480
<v Speaker 3>Coral and nothing like this happened in front of me.

0:52:05.120 --> 0:52:08.160
<v Speaker 3>And his father was allowed to be in there with

0:52:08.239 --> 0:52:11.560
<v Speaker 3>him because his father had given these moonlighting jobs to

0:52:11.640 --> 0:52:14.839
<v Speaker 3>some of the cops, so they bent the rules for him,

0:52:15.160 --> 0:52:18.399
<v Speaker 3>and because his father was in there, Brooks was not

0:52:18.440 --> 0:52:21.359
<v Speaker 3>going to really say much. He sort of threw Wayne

0:52:21.440 --> 0:52:24.200
<v Speaker 3>under the bus, then gave a second statement when they

0:52:24.520 --> 0:52:27.000
<v Speaker 3>basically said, we know you're much more a part of this.

0:52:27.080 --> 0:52:29.239
<v Speaker 3>They put him in Wayne together into a room and

0:52:29.280 --> 0:52:33.080
<v Speaker 3>Wayne said, if you don't start talking, I'm talking. So

0:52:33.200 --> 0:52:35.880
<v Speaker 3>you should start telling the truth. You'll feel better. So

0:52:35.920 --> 0:52:40.520
<v Speaker 3>then David gives second statement, admits he's seen some kids

0:52:40.680 --> 0:52:43.399
<v Speaker 3>who ended up being murdered and that all he was

0:52:43.400 --> 0:52:48.200
<v Speaker 3>was the driver to the burial sites. And eventually the

0:52:48.280 --> 0:52:51.120
<v Speaker 3>third statement he gives just about one victim, and that's

0:52:51.160 --> 0:52:55.160
<v Speaker 3>what nails him essentially. But he's not willing to take

0:52:55.200 --> 0:52:59.120
<v Speaker 3>any responsibility whatsoever for this. But he does go to

0:52:59.680 --> 0:53:03.399
<v Speaker 3>one of the burial locations, High Island Beach. At this point,

0:53:03.440 --> 0:53:06.280
<v Speaker 3>Wayne's already taken with a boat stall to a lake

0:53:06.640 --> 0:53:09.160
<v Speaker 3>where four are buried, and they're on their way to

0:53:09.239 --> 0:53:12.080
<v Speaker 3>High Island Beach where six are buried, and so the

0:53:12.080 --> 0:53:13.719
<v Speaker 3>two of them. But the odd thing is for me,

0:53:14.160 --> 0:53:17.239
<v Speaker 3>Brooks never says. And here they are together, face to

0:53:17.280 --> 0:53:19.640
<v Speaker 3>base on the beach. There are photos of them sitting

0:53:19.680 --> 0:53:25.400
<v Speaker 3>together Brooks never says, so you did it. You finally

0:53:25.400 --> 0:53:29.359
<v Speaker 3>did it. And I found that so odd because supposedly

0:53:29.480 --> 0:53:33.880
<v Speaker 3>they had discussed killing Corel, but instead all Brooks seases,

0:53:33.960 --> 0:53:36.239
<v Speaker 3>you ruined my life. Had a wife, I've got a

0:53:36.320 --> 0:53:39.760
<v Speaker 3>kid coming. You basically ruined my life. Wow.

0:53:40.160 --> 0:53:44.920
<v Speaker 1>So what happens next? In the legal wheels are grinding here?

0:53:45.480 --> 0:53:47.600
<v Speaker 1>Is there a plea deal? Do they go to trial?

0:53:47.920 --> 0:53:50.000
<v Speaker 3>They went to trial. There was a grand jury hearing

0:53:50.400 --> 0:53:55.080
<v Speaker 3>and Wayne gave a very detailed statement and took responsibility

0:53:55.600 --> 0:53:58.479
<v Speaker 3>for the murders of a number of boys. And they

0:53:58.920 --> 0:54:02.359
<v Speaker 3>made a determination to try him for six because they

0:54:02.400 --> 0:54:05.000
<v Speaker 3>had the bodies one of the ones he confessed to

0:54:05.080 --> 0:54:08.279
<v Speaker 3>they didn't have the body for because they closed down

0:54:08.280 --> 0:54:12.120
<v Speaker 3>the beach operation too soon before they found this particular one.

0:54:12.480 --> 0:54:16.120
<v Speaker 3>But so he had confessed and he had named names

0:54:16.160 --> 0:54:18.839
<v Speaker 3>that he was implicated in. So they had a grand

0:54:18.920 --> 0:54:22.359
<v Speaker 3>jury hearing for both of them together, and then they

0:54:22.360 --> 0:54:23.520
<v Speaker 3>were both going to trial.

0:54:24.040 --> 0:54:26.359
<v Speaker 1>So tell me a little bit more about that. How

0:54:26.360 --> 0:54:29.799
<v Speaker 1>did the media frame Tracy all of this? What was

0:54:29.880 --> 0:54:34.560
<v Speaker 1>the optics of these two teenagers, these you know, neighborhood

0:54:34.560 --> 0:54:37.120
<v Speaker 1>boys who had become involved with this older man who was,

0:54:37.360 --> 0:54:40.480
<v Speaker 1>you know, highly involved in the community and just seemed

0:54:41.160 --> 0:54:44.439
<v Speaker 1>like somebody who was totally normal, and this just must

0:54:44.440 --> 0:54:46.560
<v Speaker 1>have been a can of worms all over the place

0:54:46.600 --> 0:54:48.040
<v Speaker 1>that the community couldn't believe.

0:54:48.560 --> 0:54:51.080
<v Speaker 2>And I want to start creating a parallel which is

0:54:51.200 --> 0:54:54.600
<v Speaker 2>why I started to dig into this case. After I

0:54:54.640 --> 0:54:58.480
<v Speaker 2>had researched the Gacy case. What you have are people

0:54:58.640 --> 0:55:04.800
<v Speaker 2>within one enforcement and prosecution starting to really craft a narrative.

0:55:05.000 --> 0:55:08.960
<v Speaker 2>It's ignored in police reports that an individual comes forward

0:55:09.000 --> 0:55:12.759
<v Speaker 2>and says there is pornography of these young men that

0:55:12.800 --> 0:55:15.800
<v Speaker 2>would widen out the case. We look in the police

0:55:15.840 --> 0:55:18.400
<v Speaker 2>records and after this is told to them, they do

0:55:18.600 --> 0:55:22.560
<v Speaker 2>nothing to research that we can see. There's no evidence

0:55:22.560 --> 0:55:25.240
<v Speaker 2>that they did. Even further, even though John David Norman

0:55:25.360 --> 0:55:28.839
<v Speaker 2>is somebody that's afoot, police deny that out of hand.

0:55:28.920 --> 0:55:32.880
<v Speaker 2>There's absolutely no connection between John David Norman and this case.

0:55:33.280 --> 0:55:35.279
<v Speaker 2>Even though you have a young man saying I was

0:55:35.320 --> 0:55:38.439
<v Speaker 2>supposed to be sent to Dane Coral and I think

0:55:38.480 --> 0:55:41.840
<v Speaker 2>that we know, you know, birds of a feather flock together.

0:55:42.120 --> 0:55:44.839
<v Speaker 2>So this was something that just doesn't make sense to

0:55:44.960 --> 0:55:48.560
<v Speaker 2>us in the modern day. So you see the victims

0:55:49.000 --> 0:55:52.640
<v Speaker 2>being almost made responsible for their own demise. These are

0:55:52.680 --> 0:55:58.359
<v Speaker 2>kids that are associated with a perverted psychopath who's homosexual.

0:55:58.840 --> 0:56:03.399
<v Speaker 2>And instead of making this an issue whereby you know,

0:56:03.840 --> 0:56:08.240
<v Speaker 2>Dean Coral is you know, he's a completely different animal altogether.

0:56:08.320 --> 0:56:11.840
<v Speaker 2>He has nothing to do with homosexuality. He has everything

0:56:11.840 --> 0:56:16.480
<v Speaker 2>to do with predation, sadism, murder, And so you have

0:56:16.680 --> 0:56:20.279
<v Speaker 2>this huge upheople in the United States while are all

0:56:20.520 --> 0:56:26.120
<v Speaker 2>gay men murderers, killers, defilers, and so you have this

0:56:26.280 --> 0:56:29.839
<v Speaker 2>blowback where the gay community is trying to say, look,

0:56:30.440 --> 0:56:33.280
<v Speaker 2>we're just living our lives. Even though you might see

0:56:33.320 --> 0:56:37.719
<v Speaker 2>this as perversion, it's a very normal sexual disposition, and

0:56:37.800 --> 0:56:40.880
<v Speaker 2>so trying to kind of cut that in half is

0:56:40.920 --> 0:56:46.120
<v Speaker 2>something where again the victims are seen as somehow tainted. So,

0:56:46.719 --> 0:56:49.320
<v Speaker 2>you know, you don't have a ton of parents, especially

0:56:49.360 --> 0:56:52.520
<v Speaker 2>given you know, kind of the amount of religion in

0:56:52.560 --> 0:56:54.719
<v Speaker 2>Texas at the time. You have people wanting to turn

0:56:54.760 --> 0:56:58.000
<v Speaker 2>away from this, people who aren't going to be aggressive

0:56:58.040 --> 0:57:01.719
<v Speaker 2>about trying to find answers. It's kind of made to

0:57:01.760 --> 0:57:05.600
<v Speaker 2>be elmawayn Henley's problem. He's the one who propagated this.

0:57:05.760 --> 0:57:09.160
<v Speaker 2>Dean Coral's mother says as much, Dean Coral is dead

0:57:09.320 --> 0:57:13.239
<v Speaker 2>nobody can help you hold him accountable. He ultimately as

0:57:13.239 --> 0:57:16.160
<v Speaker 2>somebody who served in the army, is given a proper

0:57:16.200 --> 0:57:22.040
<v Speaker 2>burial in an army cemetery, while Elmawayn Henley is created

0:57:22.120 --> 0:57:25.720
<v Speaker 2>into public enemy number one. And so this kid who's

0:57:25.760 --> 0:57:29.520
<v Speaker 2>still not even eighteen is being paraded around as somebody

0:57:29.520 --> 0:57:33.280
<v Speaker 2>who is willing to talk, somebody who's boasting about his

0:57:33.440 --> 0:57:37.200
<v Speaker 2>crimes somebody, and so he's kind of created. No matter

0:57:37.240 --> 0:57:40.680
<v Speaker 2>what he says, he's deemed to be evil beyond you know,

0:57:40.800 --> 0:57:43.959
<v Speaker 2>compare and so, and we found this in the John

0:57:44.000 --> 0:57:48.000
<v Speaker 2>Wayne Gacy case two, where police started looking or at

0:57:48.120 --> 0:57:52.480
<v Speaker 2>least the media started looking at victims as somehow responsible

0:57:52.520 --> 0:57:55.200
<v Speaker 2>for their own demise because of their drug use, because

0:57:55.240 --> 0:57:59.560
<v Speaker 2>of their sexual predilictions. And so you're able to both

0:57:59.600 --> 0:58:04.800
<v Speaker 2>dismiss these accomplices who are not full accomplices and yet

0:58:04.840 --> 0:58:08.520
<v Speaker 2>are being blamed for all I mean people have, you know,

0:58:08.680 --> 0:58:12.400
<v Speaker 2>very casually said Elmo Weyn Henley murdered twenty eight kids.

0:58:12.760 --> 0:58:15.800
<v Speaker 2>He did not, and he wasn't the driving force for

0:58:15.880 --> 0:58:20.320
<v Speaker 2>these murders. And so once that gets crafted as a narrative,

0:58:21.000 --> 0:58:26.040
<v Speaker 2>the pornography is ignored. Any larger sex trafficking ring isn't discovered,

0:58:26.600 --> 0:58:28.880
<v Speaker 2>then Almo Weayn Henley has to bear the brunt of

0:58:28.920 --> 0:58:31.800
<v Speaker 2>all of this, so he gets, you know, five hundred

0:58:32.080 --> 0:58:37.280
<v Speaker 2>and eighty plus years in prison. He's discredited. There's nothing

0:58:37.320 --> 0:58:39.880
<v Speaker 2>that he can say that would make him look less

0:58:39.920 --> 0:58:44.360
<v Speaker 2>than wicked. And so the people that are in power

0:58:44.440 --> 0:58:47.800
<v Speaker 2>that may have benefited from a sex trafficking ring, the

0:58:47.840 --> 0:58:51.000
<v Speaker 2>people who find this kind of messy and it's tough

0:58:51.040 --> 0:58:55.520
<v Speaker 2>to prosecute that might not know exactly what happened. Everybody

0:58:55.720 --> 0:58:59.320
<v Speaker 2>goes with as much simpler narrative and walks away, and

0:58:59.480 --> 0:59:04.600
<v Speaker 2>history for fifty years ignores this. But it's important for

0:59:04.720 --> 0:59:06.760
<v Speaker 2>us to know that this was one of the largest

0:59:06.760 --> 0:59:10.680
<v Speaker 2>sex trafficking rings were unaware of. It's important to know,

0:59:11.480 --> 0:59:14.320
<v Speaker 2>as doctor Ramsland states in the back of the book,

0:59:14.360 --> 0:59:18.440
<v Speaker 2>there are ways of getting kids out of these situations,

0:59:18.600 --> 0:59:22.880
<v Speaker 2>helping them that adults can do to intervening. Today, this

0:59:22.920 --> 0:59:26.320
<v Speaker 2>is not a subject that's lost in history. This is

0:59:26.360 --> 0:59:30.080
<v Speaker 2>something that is even more prevalent than it was during

0:59:30.080 --> 0:59:32.080
<v Speaker 2>this time because of the Internet.

0:59:32.360 --> 0:59:36.000
<v Speaker 1>Do you think doctor Ramsland, that the nuances of these

0:59:36.040 --> 0:59:40.720
<v Speaker 1>relationships between these three people with Brooks and Henley and coral.

0:59:41.000 --> 0:59:44.480
<v Speaker 1>Would those nuances be brought out today? Knowing what we

0:59:44.600 --> 0:59:48.200
<v Speaker 1>know about you know, we're much more of course enlightened

0:59:48.240 --> 0:59:51.919
<v Speaker 1>about the difference between predators and people who are gay,

0:59:52.160 --> 0:59:54.200
<v Speaker 1>all of this stuff. It seems like some of that

0:59:54.520 --> 0:59:58.200
<v Speaker 1>mess might be cut away from a story that happened today.

0:59:58.680 --> 1:00:01.920
<v Speaker 3>I think it depends in the jury diction, frankly, because

1:00:02.400 --> 1:00:06.400
<v Speaker 3>you certainly still see those same black and white attitudes,

1:00:06.880 --> 1:00:11.960
<v Speaker 3>unwillingness to look at nuances, unwillingness to give any ground

1:00:12.160 --> 1:00:15.760
<v Speaker 3>to something like that, you know, the teenage brain research.

1:00:16.480 --> 1:00:20.600
<v Speaker 3>So I even I mean, I've recently had some encounters

1:00:20.640 --> 1:00:24.080
<v Speaker 3>with a prosecutor who stated exactly what I just said,

1:00:24.680 --> 1:00:27.919
<v Speaker 3>not giving any ground on this. These kids killed blah

1:00:27.920 --> 1:00:30.800
<v Speaker 3>blah blah. You know, this is in a place you

1:00:30.920 --> 1:00:33.720
<v Speaker 3>think would be more enlightened, but no. So I think

1:00:33.760 --> 1:00:37.680
<v Speaker 3>it really depends on who's handling it, what mental health

1:00:37.720 --> 1:00:42.560
<v Speaker 3>resources are available for explanation, and you know, trying to

1:00:42.600 --> 1:00:45.040
<v Speaker 3>really just trying to deal with all that we do

1:00:45.160 --> 1:00:49.040
<v Speaker 3>know about them, and whether someone's willing to apploy that

1:00:49.200 --> 1:00:52.400
<v Speaker 3>to a given situation, Because as soon as something happens,

1:00:52.920 --> 1:00:57.480
<v Speaker 3>there's a lot of reaction, and social media just echoes

1:00:57.520 --> 1:01:00.720
<v Speaker 3>that and magnifies it and distorts it and does all

1:01:00.800 --> 1:01:05.360
<v Speaker 3>kinds of stuff with it and inspire under rage. I mean, really,

1:01:05.480 --> 1:01:09.320
<v Speaker 3>you'll see if people on social media this true crime

1:01:09.360 --> 1:01:15.360
<v Speaker 3>culture where they're ready to lynch somebody without giving any

1:01:15.760 --> 1:01:20.120
<v Speaker 3>thought to some of the factors involved, that might mitigate.

1:01:20.520 --> 1:01:23.200
<v Speaker 3>So I just think it really depends on the situation

1:01:23.360 --> 1:01:24.520
<v Speaker 3>and where it happens.

1:01:24.920 --> 1:01:27.440
<v Speaker 1>Kind Of as we wrap up here, Wayne Henley, what

1:01:27.640 --> 1:01:32.400
<v Speaker 1>is his general outlook on life? Because he has life

1:01:32.480 --> 1:01:34.760
<v Speaker 1>in prison. Life does not stop once you're in prison.

1:01:34.760 --> 1:01:37.640
<v Speaker 1>I'm assuming that he's created some kind of a community,

1:01:37.640 --> 1:01:40.320
<v Speaker 1>some kind of family or something there what is happening

1:01:40.400 --> 1:01:40.760
<v Speaker 1>with him.

1:01:41.080 --> 1:01:43.880
<v Speaker 3>He tends to create his family with people who write

1:01:43.880 --> 1:01:47.400
<v Speaker 3>to him more than inside the prison. He's been in

1:01:47.440 --> 1:01:50.080
<v Speaker 3>prison fifty one years, but he's been moved around a lot,

1:01:50.800 --> 1:01:53.120
<v Speaker 3>and a number of people that he was friends with

1:01:53.200 --> 1:01:56.520
<v Speaker 3>them gotten out, and I think under most circumstances he

1:01:56.640 --> 1:01:59.520
<v Speaker 3>would have been at this point, because fifty one years

1:01:59.560 --> 1:02:03.360
<v Speaker 3>is a long time, and there are people in similar

1:02:03.400 --> 1:02:08.120
<v Speaker 3>circumstances who have been paroled, but not him. He likes

1:02:08.280 --> 1:02:10.800
<v Speaker 3>the fact that we've approached him to do this book

1:02:10.840 --> 1:02:13.880
<v Speaker 3>because it feels like he might be remembered for something

1:02:13.960 --> 1:02:18.040
<v Speaker 3>more than just that bad stretch of time in his past.

1:02:18.120 --> 1:02:21.200
<v Speaker 3>He doesn't want to be reduced to that. It's a

1:02:21.240 --> 1:02:23.800
<v Speaker 3>way for him to have given a message out there

1:02:23.960 --> 1:02:28.400
<v Speaker 3>for kids to be aware, for caretakers to be aware,

1:02:28.960 --> 1:02:32.320
<v Speaker 3>for people to listen when kids try to say they're

1:02:32.320 --> 1:02:36.160
<v Speaker 3>in trouble and don't just dismiss them, try to help

1:02:36.240 --> 1:02:39.320
<v Speaker 3>them in some way. And I think that he appreciates

1:02:39.400 --> 1:02:43.920
<v Speaker 3>having something in print out there for people to see

1:02:44.320 --> 1:02:48.000
<v Speaker 3>his situation and to set the story right because prior

1:02:48.040 --> 1:02:51.280
<v Speaker 3>to this book, it was that older book from nineteen

1:02:51.320 --> 1:02:55.800
<v Speaker 3>seventy four, before even the trial, before even the grand jury,

1:02:55.920 --> 1:02:58.720
<v Speaker 3>is that older book that sets the tone for this case,

1:02:59.240 --> 1:03:02.080
<v Speaker 3>but it was based on largely on a few interviews

1:03:02.080 --> 1:03:05.560
<v Speaker 3>with families and the police reports, and the police reports

1:03:05.680 --> 1:03:09.640
<v Speaker 3>we have found are flawed, so that means that story

1:03:09.720 --> 1:03:12.760
<v Speaker 3>is flawed for a number of reasons. Kudos to him

1:03:12.800 --> 1:03:16.640
<v Speaker 3>getting that book out quickly, but unfortunately it's how many

1:03:16.680 --> 1:03:20.040
<v Speaker 3>people think about the case, and we're hoping to change

1:03:20.320 --> 1:03:22.720
<v Speaker 3>some minds. And I think way To appreciates that.

1:03:23.160 --> 1:03:24.920
<v Speaker 1>Tray see any other closing thoughts.

1:03:25.160 --> 1:03:28.360
<v Speaker 2>I just think that elmioing Henley is looking to help,

1:03:28.480 --> 1:03:32.640
<v Speaker 2>and he's given us insight to things, especially this case,

1:03:32.800 --> 1:03:35.560
<v Speaker 2>that we never would have had had we not asked.

1:03:35.920 --> 1:03:40.160
<v Speaker 2>He's willing to answer every question that we have and

1:03:40.320 --> 1:03:45.880
<v Speaker 2>to help law enforcement understand the nuances of this, and

1:03:45.920 --> 1:03:49.560
<v Speaker 2>so I really appreciate that he's willing to do that.

1:03:49.680 --> 1:03:53.280
<v Speaker 2>And I think that as a society, it's just so

1:03:53.360 --> 1:03:56.800
<v Speaker 2>important for us to not look away from these things.

1:03:56.880 --> 1:03:59.320
<v Speaker 2>That the fact that we didn't know a lot about

1:03:59.320 --> 1:04:02.480
<v Speaker 2>this sex trafa King ring and that we're only learning

1:04:02.480 --> 1:04:06.040
<v Speaker 2>more about it in the past couple of years, it

1:04:06.280 --> 1:04:09.840
<v Speaker 2>can only lead to history repeating itself, and we don't

1:04:09.880 --> 1:04:12.160
<v Speaker 2>want that to happen. We want our children to be

1:04:12.360 --> 1:04:16.800
<v Speaker 2>safe and healthy.

1:04:25.000 --> 1:04:27.880
<v Speaker 1>If you love historical true crime stories, check out the

1:04:27.920 --> 1:04:30.800
<v Speaker 1>audio versions of my books The Ghost Club, All That

1:04:30.920 --> 1:04:34.120
<v Speaker 1>Is Wicked, and American Sherlock and Don't Forget There are

1:04:34.240 --> 1:04:38.000
<v Speaker 1>twelve seasons of my historical true crime podcast Tenfold More

1:04:38.000 --> 1:04:41.680
<v Speaker 1>Wicked right here in this podcast feed, scroll back and

1:04:41.720 --> 1:04:44.480
<v Speaker 1>give them a listen if you haven't already. This has

1:04:44.520 --> 1:04:49.000
<v Speaker 1>been an exactly right production. Our senior producer is Alexis Mrosi.

1:04:49.360 --> 1:04:53.840
<v Speaker 1>Our associate producer is Christina Chamberlain. This episode was mixed

1:04:53.880 --> 1:04:57.760
<v Speaker 1>by John Bradley. Curtis heath is our composer, artwork by

1:04:57.880 --> 1:05:02.280
<v Speaker 1>Nick Toga. Executive produced by Georgia Hardstark, Karen Kilgariff, and

1:05:02.400 --> 1:05:06.760
<v Speaker 1>Danielle Kramer. Follow Wicked Words on Instagram at tenfold More

1:05:06.800 --> 1:05:10.120
<v Speaker 1>Wicked and on Facebook at Wicked Words Pod.