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Speaker 1: Bonje. Who did what now? Le Boghui Abari? And if

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Speaker 1: you're thinking is this deja vu? No, what happened was

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Speaker 1: is again I'm traveling. I'm traveling for work with my

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Speaker 1: day job, and so I had to go to Paris,

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Speaker 1: and I brought a microphone with me that is trey shitty,

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Speaker 1: and so I ended up having to go get another

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Speaker 1: microphone because this was so dodgic, because everything sounded fine

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Speaker 1: when I was putting it through my laptop, but as

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Speaker 1: soon as it was uploaded, whatever was wrong. I've checked

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Speaker 1: everything else out in the microphone seems to be the problem.

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Speaker 1: So I'm hoping that everything is going to be okay today.

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Speaker 1: But yes, I am in Paris and it's all fun

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Speaker 1: and games until you accidentally bring your boss through the

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Speaker 1: red light district of Paris. Accidents happen, So that happened.

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Speaker 1: But I did get us to the Mulin Rouge so

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Speaker 1: that we could get like photos and stuff outside it,

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Speaker 1: but like all that up at night, but we didn't

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Speaker 1: get a chance to go in because it was so

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Speaker 1: last minute that we didn't get like the opportunity to

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Speaker 1: book tickets. But being in Paris for a couple of

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Speaker 1: days where I swear I ate so much bread and cheese,

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Speaker 1: just like Dupa adufamage symbol. I also bought eighty seven

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Speaker 1: euro worth of Machelo. What is wrong with me? I

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Speaker 1: have problems, but I re regarded this episode of the

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Speaker 1: Josephine Baker Saga because you deserve to hear it. And yes,

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Speaker 1: I know what you're thinking. You're thinking, Katie, Katie, quit

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Speaker 1: your jibber jabba in fact me, in fact you I will.

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Speaker 1: But first, well, actually no, we don't have to get

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Speaker 1: our source on because all of our sources were in

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Speaker 1: the first episode. So I guess what's left is okay?

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Speaker 1: Content warning slash trigger warning. This episode is going to

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Speaker 1: cover racism, Nazis, medical trauma, abortion, suicide, and good old

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Speaker 1: fashioned misogyny. So if you were sensitive to any of

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Speaker 1: these topics, I'm going to suggest that you exit stage

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Speaker 1: left and join us next time I use it in

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Speaker 1: coomfortably good. Then let's begin Josephine Baker Part two. Josephine

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Speaker 1: was born in Saint Louis, Missouri, to a black mother

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Speaker 1: impossibly slash probably white father. She grew up in poverty

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Speaker 1: and being resented by her mother. To escape her home life.

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Speaker 1: She got married twice to marry a man named Willy twice,

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Speaker 1: all before the age of fifteen. She made her way

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Speaker 1: to New York became a chorus girl whose growth and

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Speaker 1: popularity turned the gap between her and her mother into

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Speaker 1: a chasm, with Josephine leaving the States for Paris while

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Speaker 1: she skywalkeeted, garnering fans and lovers alike, leaning into this

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Speaker 1: obsession with primitivism, she grows. She's in Paris, she gets

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Speaker 1: a manager slash a lover, the fake Count Giuseppe Pepita Albertina,

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Speaker 1: who arranges for her to be in a movie, a

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Speaker 1: moving picture. Her manager becomes her lover and they have

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Speaker 1: a non monogamous relationship while he's organizing her entire life,

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Speaker 1: and he organizes everything in her life because she is

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Speaker 1: very talented, but she is not the most organized of people.

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Speaker 1: When she's twenty one years old, she writes her memoir.

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Speaker 1: She stars in a film, and this is where we

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Speaker 1: left off because this is huge because she was the

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Speaker 1: first black woman in the world to start in a

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Speaker 1: major motion picture. Like mentioned in the previous episode, this

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Speaker 1: was a time where primitivism was so popular and it

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Speaker 1: showed in all forms of art. The movies were no exception.

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Speaker 1: Siron of the Tropics was a sign film. The plot

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Speaker 1: is she's an innocent, wide eyed, primitive girl from the Tropics,

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Speaker 1: a siren from the Tropics, if you will, and she

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Speaker 1: is the one who brings the Charleston to Paris. Now,

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Speaker 1: this movie is so racist, like it is overtly racist.

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Speaker 1: Like at one point, Josephine Baker she falls into a

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Speaker 1: flower bin, right baking flower, not like bouquets of flour.

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Speaker 1: She falls into a flower bin and shock horror, because

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Speaker 1: it's flower, it turns her white. And so she has

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Speaker 1: to do this like bath, like she has to bathe

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Speaker 1: in order to like become her own skin tone. Again. Now,

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Speaker 1: Josephine wasn't too fond of the movie role, you know,

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Speaker 1: because it's racist, and also because she didn't have full

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Speaker 1: use of her talents. Like you'll see this with a

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Speaker 1: lot of sort of Berlin performers. You see them performing

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Speaker 1: movies that we pulled into one thing and the other,

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Speaker 1: and they don't like losing creative control. Lily Saint Cyr

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Speaker 1: was the same, Like they would do their own routines

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Speaker 1: and then they'd be in a movie and they would

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Speaker 1: have to like wear this dress, like this, art like that,

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Speaker 1: and it wasn't their vibe. They were just being pushed

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Speaker 1: into a role as opposed to creating their own. But yeah,

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Speaker 1: she's already dealing with all of this. And then around

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Speaker 1: about this time as well, there was this massive influx

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Speaker 1: of Americans in Paris, some to live, some as tourists.

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Speaker 1: They are everywhere and alround. About this time as well,

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Speaker 1: her sister wille May, who was like her favorite sibling

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Speaker 1: out of all of them. Now Willamy is technically a

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Speaker 1: half sister. And I hate the term half siblings. I

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Speaker 1: think I've made rant about it in previous episodes because

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Speaker 1: you know, it's that forced separation and the other ring

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Speaker 1: of someone. But yeah, Willemy was her favorite sibling. And

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Speaker 1: Willemy ends up having a back alley abortion, which was

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Speaker 1: majorly illegal at the time. Okay, Okay, I've said it

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Speaker 1: before and I will say it again. Sidebar. You cannot

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Speaker 1: ban abortion. You can only ban safe abortion, because abortions

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Speaker 1: have been happening since Biblical times. There is a recipe

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Speaker 1: for bitter water in the Bible, like in the terminology

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Speaker 1: used the way that certain medical texts are written. They're

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Speaker 1: not written as medical texts. It's just sort of life.

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Speaker 1: And when information was presented to women, it wasn't presented

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Speaker 1: as you're having an abortion. It was how to start

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Speaker 1: your period, like how to make menzies return, things like that.

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Speaker 1: It was written differently, like even what was it the

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Speaker 1: medical pope? He even wrote about abortion, like he had

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Speaker 1: the Theosaurus paparum, yes, the treasure chest of the poor.

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Speaker 1: It was Pope John the twenty first. He was like

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Speaker 1: a surgeon before he you know, went to the partificate.

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Speaker 1: So yeah, Pop John, he was abro choice pope. Anyway,

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Speaker 1: the medical term for miscarriage, for the record is spontaneous abortion,

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Speaker 1: so go fuck yourselves. Anyway, back to Willa May, she

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Speaker 1: has complications from the botched abortion and she died, which

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Speaker 1: of course means that this was the perfect time for

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Speaker 1: Josephine Baker to go on tour in Europe, traveling on

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Speaker 1: the Orient Express, all arranged of course by Giuseppe Pepito Albertina.

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Speaker 1: She performs for the King of Sweden and Prince Gustaf Adolf,

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Speaker 1: Duke of Lestiboten, and he was length so into her.

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Speaker 1: Like she goes to the Swedish Palace through a secret

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Speaker 1: entrance because all these palaces have like hidden nooks and crannies,

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Speaker 1: and they're like, we're gonna sneak you in. So she

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Speaker 1: goes to the secret entrance. She lays on a bed

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Speaker 1: covered in furs because it's Sweden, it's probably chilli, and

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Speaker 1: so she's laying on these furs and the prince comes

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Speaker 1: in and you know, he's got this big velvet cushion

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Speaker 1: with all of these like jewels on it for lack

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Speaker 1: of a betro term, and so he covers her entire

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Speaker 1: body and diamonds, rubies, emeralds, sapphires, other gems that I

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Speaker 1: probably don't know the name of, just covers her in it.

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Speaker 1: And that that was hers to keep when she would

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Speaker 1: travel and tour. Right as she traversed the continent. Allegedly's

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Speaker 1: she would charge fifty thousand Belgian francs for a man

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Speaker 1: to spend the night with her. And honestly, at this point,

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Speaker 1: if a man wants to spend fifty grand to spend

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Speaker 1: a night with Josephine Baker, then Josephine Baker deserves that

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Speaker 1: fifty grand. Like if he's willing to pay it, more

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Speaker 1: fool him. I mean, it's Josephine Baker. So I understand,

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Speaker 1: but like more fool him. And we have to remember

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Speaker 1: as well that Josephine Baker could just turn these men down.

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Speaker 1: It's like here's fifty k and then she's like, mm no,

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Speaker 1: I don't like you, you know, so like yeah, love

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Speaker 1: your best life, Josephine. So she has fans all over

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Speaker 1: the continent, and she's got all these names and titles

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Speaker 1: and monikers, and they're all like a bit fetishizing. She's

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Speaker 1: called the Black Pearl, the Black Venus, the Creole Goddess.

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Speaker 1: She's not quite adored everywhere though. She rives in Vietnam

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Speaker 1: in nineteen twenty eight. So that's in Austria now. Hitler

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Speaker 1: he's not the Fury yet. He's rising in power, and

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Speaker 1: Nazism is is grown. They've got twelve seats in the Reichstag.

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Speaker 1: But Nazism is also growing in Austria because remember after

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Speaker 1: the First World War, after the Treaty of Versailles, the

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Speaker 1: Empire of Austria Hungary was dissolved. So Austria is now

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Speaker 1: like a landlocked nation. And I set up before, and

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Speaker 1: I will tell you again anyone who questions how Captain

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Speaker 1: von Trapp was a navy man, a navy captain. That

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Speaker 1: is why he's called Captain von trap If anyone's like

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Speaker 1: how Austria is a landlocked state, yet the Empire used

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Speaker 1: to be huge and then after the First World War

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Speaker 1: it wasn't AnyWho back to this, So Josephine Baker gets

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Speaker 1: off the stain in Vienna and says that her posters

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Speaker 1: are graffited with black devil. Okay, another side bar quickly

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Speaker 1: before we get into anything else. So in Irish asqualiga,

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Speaker 1: the word for black people is like Danny Gorm, it's gorm,

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Speaker 1: it's blue. And the reason that Irish people call black

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Speaker 1: people blue is because traditionally, through Irish folklore, to call

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Speaker 1: someone black was to call them the devil. Right, so

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Speaker 1: when you were saying do it was a devil?

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Speaker 2: You know.

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Speaker 1: Also they do kind of sound alike, you know what

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Speaker 1: I mean, it's do devil? What could we do? Depending

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Speaker 1: on what part of the country you're in. And so,

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Speaker 1: in order to be respectful of people of color, because

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Speaker 1: it's Ireland, someone somewhere here came up with the logical,

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Speaker 1: the logical reasoning of it being blue. I don't know

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Speaker 1: why another color wasn't chosen. I'm not a linguist. I am, however,

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Speaker 1: sometimes a cunning linguist. Because Josephine Baker is a sexy

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Speaker 1: woman who owns her sexuality. She's also protested by the

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Speaker 1: Catholic Church as she tours, something that was probably amplified

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Speaker 1: because she was a black woman. So the original theater

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Speaker 1: that she was booked to play in Vienna, she couldn't

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Speaker 1: actually play at this original theater because the city council

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Speaker 1: wouldn't allow it because of the protests from the Catholic Church,

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Speaker 1: and so she had to perform in this smaller theater

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Speaker 1: and perform she did. She opens up the show in

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Speaker 1: this beautiful floor length gown. It is stunning. She is stunning.

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Speaker 1: She was singing and wearing more than she ever did

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Speaker 1: at the Fay Belger And it's like this is the

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Speaker 1: transition of her public image, Like she is curating this

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Speaker 1: at this point because she kind of fell into her

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Speaker 1: like original role, her original you know, iconography I suppose,

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Speaker 1: and it sort of evolved over time. Iconography is the

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Speaker 1: wrong word. I don't care. She is iconic and so

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Speaker 1: she's really really investing in her costumes. She's got dazzling gowns,

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Speaker 1: head pieces, the whole Shi bang. Things get a bit

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Speaker 1: wild and prag so fans like she's so many fans,

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Speaker 1: they try to storm her and she's almost stampeded by them,

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Speaker 1: like full on wildebased, like they're coming for her. So

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Speaker 1: she goes from Czechoslovakia to Hungary, and when she gets

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Speaker 1: to Hungary, she is protested again, this time by students

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Speaker 1: in Budapest. So students are there and they are lugging

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Speaker 1: ammonia bombs at the stage. I mean they did have

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Speaker 1: to pay for their ticket to get in, but anyway,

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Speaker 1: so they're just chucking ammonia bombs at her. Basically, their

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Speaker 1: issue is that she was so rich, and they're protesting

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Speaker 1: this because of the massive levels of poverty in Hungary

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Speaker 1: at the time. Now again, remember as I said previously,

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Speaker 1: it's the interwar period. The Austro Hungary Empire had been

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Speaker 1: dissolved after the Tuty of Versailles and reparations were in place.

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Speaker 1: So countries like Germany, Hungary, Austria, they're all paying reparations

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Speaker 1: and they're dealing with just economic crises right now. I'm

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Speaker 1: not a fan of eating the rich because I think

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Speaker 1: they'll taste very gamy. Yeah, by being said, I'm not

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Speaker 1: one to rub someone's poverty in their face. However, I

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Speaker 1: do love a petty bitch. In response to the bleach bombs,

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Speaker 1: Josephine Baker makes the elective decision to ride around downtown

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Speaker 1: Budapest in a carriage that is pulled by, of all things,

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Speaker 1: I know, Strich. But that is not the only drama

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Speaker 1: in Budapest, right, Count Albertino. He is challenged to a

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Speaker 1: duel in a cemetery or a graveyard, and one of

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Speaker 1: those places where there are dead people in headstones. So

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Speaker 1: there's a jewel in a graveyard, you know. Ten paces

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Speaker 1: in bang and Josephine's they're watching the whole thing, and

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Speaker 1: part of its like, oh, boys, you're fighting over little

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Speaker 1: old May. And then the count loses. He gets shot

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Speaker 1: in the shoulder, and she's like, okay, boys, I think

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Speaker 1: that's enough. The Count is shot in the shoulder, but

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Speaker 1: he survives, Okay, he's fine. Practically On top of everything else,

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Speaker 1: Josephine has a stalker following her on tour, and when

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Speaker 1: she gets to Croatia, her stalker tries to end his

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Speaker 1: life in front of her, like he tries to kill

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Speaker 1: himself at her feet, which I feel like she's suffered

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Speaker 1: enough in life. Can we not play why are men? Sometimes?

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Speaker 1: So she reaches Amsterdam in the Netherlands, and her fans

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Speaker 1: there like they block the streets, like they just fill

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Speaker 1: the streets. Now a lot of Dutch streets they are

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Speaker 1: quite wide. Of course there are smaller avenues and things.

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Speaker 1: But I'm thinking of where she would be in Amsterdam,

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Speaker 1: like they are just flocking. They are just flocking streets

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Speaker 1: and blocking her like ah, Like it just shows you,

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Speaker 1: like how adored she was at the time. Now when

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Speaker 1: she's like midway through the tour, not quite a count Albertina,

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Speaker 1: he gets her to go back to Paris, and so

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Speaker 1: she takes a break. She returns to Paris and she

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Speaker 1: is being interviewed by all the newspapers because like she's

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Speaker 1: just gone on this big tour and she's in the

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Speaker 1: middle of it, and she announces that she has finished

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Speaker 1: with the Charleston and the banana skirt. She is evolving,

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Speaker 1: and she also says that she simply cannot live without Paris,

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Speaker 1: and so like they're like, oh, you are darling Josephine,

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Speaker 1: We love your Josephine. So After this Parisian respect, she

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Speaker 1: continue use the tour going global as she performs in

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Speaker 1: South America, and they're aware, I know, you're shocked at

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Speaker 1: this racist demonstrations against her, which really drives home the

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Speaker 1: fact that racism is everywhere to her, Like it's this

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Speaker 1: sort of vitriol that she faces in all of these

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Speaker 1: different locales that really really hammer the nail, you know,

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Speaker 1: it really drives it home, and like she's no stranger

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Speaker 1: to racism, like she grew up in it. But I

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Speaker 1: guess there's always the idea that you're going to go

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Speaker 1: somewhere and it's going to be like not a utopia,

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Speaker 1: but it's going to be more understanding, more considerate, more intersectional,

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Speaker 1: you know. So back in France in nineteen twenty nine,

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Speaker 1: she buys Laborushin, which is her mansion, and this was

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Speaker 1: like just before the Great Depression, and this mansion it's

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Speaker 1: fifteen miles outside of Paris and was large enough to

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Speaker 1: host her entire menagerie, Chiquida the Cheetah, the picknamed Albert

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Speaker 1: Albert mon Sandwich. I love that. I love that Pugs.

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Speaker 3: So she returns the toast of Paris, like she's a

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Speaker 3: darling now she's gone global, but she has returned to

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Speaker 3: the city she loves, the city of Love.

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Speaker 1: So there's Josephine and this other performer and they're putting

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Speaker 1: this show because like Josephin Baker, she's wildly famous, right,

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Speaker 1: she is a celebate, like she's all over the place. However,

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Speaker 1: racism wears its ugly head. Now, what's the show called.

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Speaker 1: I think it's Swinging Paris. There's a lot of shows

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Speaker 1: where it's like something Paris, this Paris. So she's in

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Speaker 1: the show anyway, and the other performer is a white woman,

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Speaker 1: and the idea is that they performed their own shows

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Speaker 1: on alternate nights because like, oh, well, we'll have Josephine

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Speaker 1: Baker as our black performer and we'll have this other

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Speaker 1: dolls as a white performer. And the assumption is that

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Speaker 1: obviously the white performer show is going to be more

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Speaker 1: popular and amazing. And the fact that I don't know

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Speaker 1: her name is enough to tell you that clearly it

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Speaker 1: wasn't okay. Josephine Baker's show was more popular than the

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Speaker 1: White Chick, Like it outsold just time and time again,

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Speaker 1: and like she's doing like a Tuesday show, a Thursday show,

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Speaker 1: you know, things like that, and again they'll just sell

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Speaker 1: it out night after night. So in this show, like

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Speaker 1: as part of her routine, she would do these different

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Speaker 1: like scenes that represented each of the French colonies, and

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Speaker 1: some officials saw that went that's a good idea, that

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Speaker 1: is actually and so in nineteen thirty one, she was

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Speaker 1: invited to be Queen of the Colonies for the Paris

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Speaker 1: Colonial Exposition. And the officials, they were so proud of

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Speaker 1: themselves for this idea, like so smug as if they

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Speaker 1: didn't see her show and go, huh, let's take her

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Speaker 1: idea from her and make more money from it. What

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Speaker 1: white men stealing ideas from women and women of color?

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Speaker 1: Ah no, No, So anyway, these officials, they're really proud

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Speaker 1: of it. You think it's great, But there were many

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Speaker 1: Parisians who were not happy with this choice. One because

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Speaker 1: she was not French, two she was not fluent in French,

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Speaker 1: and three because she was neither of those things. Her

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Speaker 1: accent would be wrong. She doesn't have the right accent,

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Speaker 1: and it's like teach her one, just like my French

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Speaker 1: accent doesn't belong anywhere. But I feel like I should

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Speaker 1: just like get to grips of one. But sometimes when

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Speaker 1: I'm speaking French, it's as if I have a mouthful

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Speaker 1: of mashed potato, you know what I mean. So another

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Speaker 1: thing they were concerned with was that Josephine Baker was

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Speaker 1: too old. Oh wait, did I not mention agism in

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Speaker 1: this agism as well? Because they thought she was too

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Speaker 1: old to play queen of the colonies at the ripe

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Speaker 1: old age of twenty five. Now I'm sure this, you know,

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Speaker 1: aggravation and upset had absolutely nothing to do with the

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Speaker 1: fact that this was a black woman being queen of

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Speaker 1: the colonies. So anyway, the Paris Colonial Exposition is this

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Speaker 1: big exposition of the friend colonies with the romanticized representation

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Speaker 1: of these locales via a colonialist lens. And it's basically

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Speaker 1: just a big show to get people to keep giving

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Speaker 1: money for colonization. Really, it's like, oh, look at what

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Speaker 1: a good job we're doing. No, give us more money

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Speaker 1: so we can continue to do that. By the nineteen thirties,

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Speaker 1: Josephine Baker is performing so much that she's done on

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Speaker 1: the candle at both ends. Listen, the count was really

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Speaker 1: good with spreadsheets. She's in her first talkie in nineteen

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Speaker 1: thirty four. So a talkie is when movies went from

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Speaker 1: silent films into like docking pictures, the donkeys, the moving pictures,

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Speaker 1: the motion pictures, moving pictures. Anyway, she stars in her

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Speaker 1: first talkie in nineteen thirty four, Zuzu. The Count isn't

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Speaker 1: missing out on any promotion. And what he does is

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Speaker 1: he has stickers put on bananas in Paris. So he's like,

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Speaker 1: come see this, and she's known for her banana skirt

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Speaker 1: and it's like a really clever like marketing ploy. So

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Speaker 1: the plot of Zuzu, because I know you really want

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Speaker 1: to know what this is. So Uzu is the story

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Speaker 1: of a lawn dress who grew up in the circus.

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Speaker 1: It's kind of like they just grabbed a bunch of things,

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Speaker 1: put them in a hatt and went this is a

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Speaker 1: story idea. It's the story of a lawn dress who

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Speaker 1: grew up in the circus and she's in love with

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Speaker 1: her foster brother who gets falsely accused of murder a gasp.

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Speaker 1: She becomes a star while saving him from the guillotine,

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Speaker 1: and in response, he falls in love with a white

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Speaker 1: lady instead of her. It's at this point that Josephine

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Speaker 1: Baker becomes the highest performer in the world, in the

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Speaker 1: world performer, not black performer, not white performer, performer like

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Speaker 1: she is a shooting star. Okay. So the same year

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Speaker 1: that Zuzu was released, Josephine's stepfather had been committed to

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Speaker 1: a mental institute and there he had committed suicide. Arthur

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Speaker 1: had been going through like depressive state and had been

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Speaker 1: getting more violent as time goes on, and so he

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Speaker 1: ended up being committed and when he was there, he

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Speaker 1: ended his life. She did not return home for the funeral.

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Speaker 1: Also that year, she is in an operetta called La Creole.

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Speaker 1: So she's the lead in an operetta with an all

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Speaker 1: French caste, and this is like such a big deal

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Speaker 1: for her. Now, in nineteen thirty five, she stars in

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Speaker 1: Princess Tam Tam and I'm sure you can't wait to

359
00:25:59,560 --> 00:26:02,639
Speaker 1: hear the plot of this one. It's basically a story

360
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Speaker 1: within a story, and the plot of this one, oh mg,

361
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Speaker 1: it's a story within a story. And Josephine Baker plays

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Speaker 1: a Tunisian barefoot shepherdess who this novelist, famous French novelist

363
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Speaker 1: who has a ghost writer. By the way, his wife

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Speaker 1: apparently is flirting with the Maharaja and he's like, I'm

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Speaker 1: going to get back at her. And so he's like,

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Speaker 1: I'm going to turn this shepherdess into a princess and

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Speaker 1: bring her to Europe and just get back at my wife. Yep,

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Speaker 1: that's the plot of the movie. The year after this movie,

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Speaker 1: which I think was the last one she performed in

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Speaker 1: for like a decade, So the following year, in nineteen

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Speaker 1: thirty six, she goes back to the US and performs

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Speaker 1: in Zigfield Follies, so the stage show, and so these

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Speaker 1: were burlesque shows, and she was the only black performer

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Speaker 1: at the follies at the time, and because of segregation

375
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Speaker 1: and racism, the white dancers on stage they were not

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Speaker 1: allowed to touch her like that was a rule, and

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00:27:07,200 --> 00:27:11,440
Speaker 1: that wasn't the only issue. So she couldn't stay anywhere.

378
00:27:11,960 --> 00:27:15,399
Speaker 1: Like her and the Count, they'd made reservations at many hotels,

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Speaker 1: but they kept being rejected because the hotels were worried

380
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Speaker 1: about offending the white patriots. Right. So it gets to

381
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Speaker 1: the point where Josephine ends up staying with the Japanese

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Speaker 1: console and his wife because she knows them. The Count

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Speaker 1: does not join her like he left her to her

384
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Speaker 1: own devices because he's like, I'm staying in the hotel.

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Speaker 1: What a prick, Okay, So she decides that saying that

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Speaker 1: she's in the country anyway. She travels to Chicago to

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Speaker 1: meet with her second Willie and finally gets a divorce

388
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Speaker 1: after sixteen years. So the Zigfield follies like as an era.

389
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Speaker 1: It's not exactly the highlight of her career and things

390
00:28:06,720 --> 00:28:09,240
Speaker 1: are not going great for her there and the County

391
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Speaker 1: ends up, you know, buggering back off to France, and

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Speaker 1: he's actually swiftly followed by Josephine, Like he was very

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Speaker 1: good at keeping her on budget and on schedule because

394
00:28:20,600 --> 00:28:24,040
Speaker 1: she would often be late for rehearsal and performances. But

395
00:28:24,080 --> 00:28:26,359
Speaker 1: then she'd be there and she'd expect people to work

396
00:28:26,400 --> 00:28:31,960
Speaker 1: fourteen sixteen hour days and that's just not how bodies function, okay.

397
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Speaker 1: And back in Paris, the count like his health is

398
00:28:37,680 --> 00:28:41,840
Speaker 1: failing and he passes away at the age of thirty

399
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Speaker 1: eight from kidney cancer. Like back in nineteen twenty seven,

400
00:28:47,400 --> 00:28:49,560
Speaker 1: the couple had told the press that they had eloped

401
00:28:49,600 --> 00:28:51,560
Speaker 1: and wed because they were like, it's a scandal that

402
00:28:51,600 --> 00:28:54,760
Speaker 1: they're together, and so they had this like big fake

403
00:28:55,120 --> 00:28:58,760
Speaker 1: sort of scenario there. So they were like we eloped

404
00:28:58,880 --> 00:29:01,680
Speaker 1: and we wed and and they had not done that.

405
00:29:02,640 --> 00:29:04,960
Speaker 1: But like the thing is as well is like Willy

406
00:29:05,160 --> 00:29:08,200
Speaker 1: Willy Baker. That was something he found out from the papers.

407
00:29:08,200 --> 00:29:10,840
Speaker 1: He was like, she can't get married. We're still married

408
00:29:11,000 --> 00:29:15,160
Speaker 1: like at the time. And so without the count, like

409
00:29:15,240 --> 00:29:17,640
Speaker 1: he is the one who organized her planned for tours,

410
00:29:18,080 --> 00:29:20,440
Speaker 1: like he made sure that she had her gigs, and

411
00:29:20,480 --> 00:29:23,720
Speaker 1: so with him gone, like she was at a loss.

412
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Speaker 1: And so she ends up returning to the Folly Belgeil

413
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Speaker 1: because like she has nothing else planned because she doesn't

414
00:29:31,320 --> 00:29:34,200
Speaker 1: do that bit, like she doesn't organize anything. So she

415
00:29:34,240 --> 00:29:38,280
Speaker 1: returns to the foy Burgel and she's she's like lonely actually,

416
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Speaker 1: I mean she's got this conveyor belt of lovers of

417
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Speaker 1: both sexes, including some very famous women, which I believe

418
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Speaker 1: I mentioned I think in the last episode. So we've

419
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Speaker 1: got affairs with one of my favorite people in the

420
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Speaker 1: world and also the best of the hot mess Tallula

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Speaker 1: Bankhead Darling.

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Speaker 2: I was wonderful star of stage and screen. I love

423
00:30:04,760 --> 00:30:09,160
Speaker 2: her so much. She's just she's just chaos and human form.

424
00:30:09,680 --> 00:30:11,960
Speaker 2: Like I swear that she took cocaine just to calm

425
00:30:12,040 --> 00:30:15,680
Speaker 2: herself down. So she's got a fear of with Tulula Bankhead,

426
00:30:16,080 --> 00:30:19,400
Speaker 2: she also had a late liaison or two that was

427
00:30:19,440 --> 00:30:21,680
Speaker 2: easy for me to say, a liaison or two with

428
00:30:21,840 --> 00:30:27,240
Speaker 2: Ada briktop Smith. The that's right, the collect who we

429
00:30:27,320 --> 00:30:29,400
Speaker 2: will definitely be talking about in the future.

430
00:30:30,400 --> 00:30:36,520
Speaker 1: And also for the record, uh Frida Calo, but love

431
00:30:36,560 --> 00:30:40,840
Speaker 1: her after lover, it's a passing flame, like nothing really sticks.

432
00:30:42,000 --> 00:30:44,800
Speaker 1: And she's always believed that every great love affair with

433
00:30:44,880 --> 00:30:47,920
Speaker 1: a man would result in marriage and that she would

434
00:30:47,920 --> 00:30:53,320
Speaker 1: have a big family, because that's something that she always wanted,

435
00:30:54,000 --> 00:30:59,920
Speaker 1: like regardless of the era, like the majority of like

436
00:31:00,200 --> 00:31:04,840
Speaker 1: life in the last several hundred years, there's this narrative

437
00:31:05,120 --> 00:31:08,680
Speaker 1: that's being pushed. It's all patriarchal, right, It's like women

438
00:31:08,800 --> 00:31:14,480
Speaker 1: are expected to have families. What's interesting, though, is that

439
00:31:14,880 --> 00:31:19,400
Speaker 1: there is very little history in which women were solely

440
00:31:19,520 --> 00:31:23,840
Speaker 1: in the home being homemakers, as if they weren't doing

441
00:31:24,280 --> 00:31:32,040
Speaker 1: other things like weaving, having like animals, and like doing labor.

442
00:31:32,440 --> 00:31:37,520
Speaker 1: Like there's always labor, but it's not always presented as labor.

443
00:31:38,280 --> 00:31:41,600
Speaker 1: But there's always this push that women are expecting to

444
00:31:41,720 --> 00:31:45,120
Speaker 1: marry and have children like that is the female role,

445
00:31:45,520 --> 00:31:50,360
Speaker 1: and that is bullshit. Okay, women can do many things.

446
00:31:50,960 --> 00:31:56,560
Speaker 1: Let's see you embroider Montaignwich Albert onto a throw pillow. Okay,

447
00:31:56,720 --> 00:32:00,400
Speaker 1: let's see you do that. Boys such as a thing,

448
00:32:00,680 --> 00:32:04,400
Speaker 1: such a silly thing. But like women have always worked,

449
00:32:04,440 --> 00:32:07,480
Speaker 1: it's only a sort of middle class to upper class.

450
00:32:08,160 --> 00:32:10,959
Speaker 1: And so this is assumption that women have always been

451
00:32:11,000 --> 00:32:15,480
Speaker 1: in the home is bullshit. But the idea that women

452
00:32:15,480 --> 00:32:18,320
Speaker 1: should marry and have children has been a continual thing

453
00:32:18,360 --> 00:32:20,960
Speaker 1: for a long time because it's sort of it's a

454
00:32:21,000 --> 00:32:26,360
Speaker 1: control thing. Okay. Anyway, Josephine ends up being godmother to

455
00:32:26,560 --> 00:32:30,640
Speaker 1: like fifty children at this orphanage because she she craves

456
00:32:30,640 --> 00:32:33,920
Speaker 1: this affection, this connection, and it's probably something to do

457
00:32:34,080 --> 00:32:38,040
Speaker 1: with the relationship she had with her mother and how

458
00:32:38,080 --> 00:32:41,760
Speaker 1: she didn't have that closeness and so she feels like

459
00:32:43,000 --> 00:32:47,080
Speaker 1: if she has that connection with a child, you know,

460
00:32:47,200 --> 00:32:50,920
Speaker 1: she'll get that feeling, that love that she's been yearning,

461
00:32:51,320 --> 00:32:54,920
Speaker 1: you know. But she craves this affection, this connection, and

462
00:32:54,960 --> 00:33:00,840
Speaker 1: that's that's what she wants. But professionally, she working at

463
00:33:00,960 --> 00:33:04,440
Speaker 1: the Faule bourgell because again she doesn't have anything lined

464
00:33:04,520 --> 00:33:07,720
Speaker 1: up without count, not actually count who was in charge

465
00:33:07,720 --> 00:33:10,640
Speaker 1: of her accounts, because you know, money burned a hole

466
00:33:10,680 --> 00:33:16,280
Speaker 1: in her pocket. You spent one uh uh uh uh

467
00:33:16,480 --> 00:33:19,640
Speaker 1: uh I regret nothing. You were getting a count joke

468
00:33:19,680 --> 00:33:24,840
Speaker 1: at least once today. So Count Albertino, he planned all

469
00:33:24,840 --> 00:33:27,400
Speaker 1: her tours, her gigs, and he wasn't you know, around

470
00:33:27,480 --> 00:33:31,120
Speaker 1: after meeting the cold, ewnsy hands of death. But then

471
00:33:32,040 --> 00:33:37,360
Speaker 1: another man enters her life, Jean Leon. I know you're shocked.

472
00:33:37,480 --> 00:33:40,600
Speaker 1: He wasn't called Willy and neither of those names are

473
00:33:40,720 --> 00:33:46,360
Speaker 1: French for Willie. You're welcome. So Jean Leon was no

474
00:33:46,880 --> 00:33:49,960
Speaker 1: run of the mill guy. No, no, he was a

475
00:33:50,040 --> 00:33:53,880
Speaker 1: sugar man. And not to say sugar daddy. He was

476
00:33:53,920 --> 00:34:00,000
Speaker 1: younger than her so sugar boy. No, no, his family

477
00:34:00,120 --> 00:34:03,400
Speaker 1: made money in sugar like he was the heir to

478
00:34:03,440 --> 00:34:07,840
Speaker 1: a sugar fortune. Now, I don't really have the time

479
00:34:08,400 --> 00:34:12,880
Speaker 1: because I've already gone on many sidebars thus far. I

480
00:34:12,920 --> 00:34:15,360
Speaker 1: don't really have the time to delve into the many

481
00:34:15,480 --> 00:34:21,279
Speaker 1: layers as to why that specifically is problematic. So he's

482
00:34:21,320 --> 00:34:23,640
Speaker 1: the heir to a sugar fortune, so he's got money

483
00:34:23,719 --> 00:34:29,480
Speaker 1: behind him, he's athletic, and he's smoking hot. He's also

484
00:34:29,600 --> 00:34:34,400
Speaker 1: Jewish and that is a relevant fact. And his family

485
00:34:34,640 --> 00:34:38,880
Speaker 1: they are absolutely freaking out because again this is a

486
00:34:38,920 --> 00:34:42,000
Speaker 1: family involved in sugar cane, so we can guess what

487
00:34:42,160 --> 00:34:45,120
Speaker 1: their opinions were of their son marrying a black woman.

488
00:34:46,760 --> 00:34:51,360
Speaker 1: Like they object strongly to this union. And gen Leon

489
00:34:51,520 --> 00:34:55,360
Speaker 1: like he was the one that pursued Josephine like he

490
00:34:55,480 --> 00:35:00,520
Speaker 1: thought that he would gain popularity biosmosis like being with

491
00:35:00,600 --> 00:35:04,560
Speaker 1: her would benefit his career, and so they get married

492
00:35:05,200 --> 00:35:10,319
Speaker 1: in his family village in nineteen thirty seven, and two

493
00:35:10,360 --> 00:35:14,080
Speaker 1: things happen because of this. Because she's married a Frenchman,

494
00:35:14,719 --> 00:35:21,279
Speaker 1: Josephine Baker now has the ability to get French citizenship,

495
00:35:22,200 --> 00:35:27,160
Speaker 1: which she does, and Jean Leon and his family it

496
00:35:27,239 --> 00:35:32,200
Speaker 1: gave them access to the US because again they were Jewish,

497
00:35:32,440 --> 00:35:35,160
Speaker 1: and they emigrated to the States in nineteen thirty eight,

498
00:35:35,800 --> 00:35:38,880
Speaker 1: saving them from the Nazi invasion that was on the horizon.

499
00:35:40,719 --> 00:35:44,720
Speaker 1: So the couple didn't actually see each other that much.

500
00:35:45,239 --> 00:35:48,640
Speaker 1: I mean they saw each other enough though, because Josephine

501
00:35:48,680 --> 00:35:53,840
Speaker 1: was able to become pregnant and Josephine Baker is overjoyed,

502
00:35:54,440 --> 00:35:56,839
Speaker 1: like they were together I think just over a year

503
00:35:57,480 --> 00:36:01,800
Speaker 1: and she discovers she's pregnant and she is full on nesting.

504
00:36:02,120 --> 00:36:05,400
Speaker 1: She's getting a nursery ready, she's at least trying to

505
00:36:05,520 --> 00:36:10,080
Speaker 1: knit baby clothes because this is something that she's always wanted.

506
00:36:12,520 --> 00:36:18,320
Speaker 1: But like many things in Josephine's life, whenever there was joy,

507
00:36:18,360 --> 00:36:24,960
Speaker 1: there was tragedy. And Josephine suffered a miscarriage and it

508
00:36:25,360 --> 00:36:29,799
Speaker 1: really hit her heart. And after this happened, she and

509
00:36:29,880 --> 00:36:33,759
Speaker 1: Jean they separate, like they don't actually get divorced until

510
00:36:33,800 --> 00:36:37,640
Speaker 1: nineteen forty one, like three years later, but they separate

511
00:36:38,800 --> 00:36:43,200
Speaker 1: and he emigrates with his family to the US. The

512
00:36:43,280 --> 00:36:48,239
Speaker 1: following year, another scandal enters Josephine's life because it's in

513
00:36:48,320 --> 00:36:51,919
Speaker 1: nineteen thirty nine that she meets artist Fredra Callo, who

514
00:36:51,920 --> 00:36:55,920
Speaker 1: had come to Paris for an art exhibition, an exhibition

515
00:36:55,960 --> 00:37:01,120
Speaker 1: of her art. So they meet and spark fly and

516
00:37:01,160 --> 00:37:04,279
Speaker 1: the two of them they are just enameled by each other,

517
00:37:05,000 --> 00:37:11,160
Speaker 1: and unsurprisingly they become lovers. Like the two of them,

518
00:37:11,280 --> 00:37:14,040
Speaker 1: they like straight up like lock themselves in a room.

519
00:37:14,080 --> 00:37:16,560
Speaker 1: They hold up in a room for a week, a

520
00:37:16,880 --> 00:37:20,640
Speaker 1: solid week. Oh you know how it is just a

521
00:37:20,640 --> 00:37:25,960
Speaker 1: week of passion between two artistic enigmatic bisexuals. Now that

522
00:37:26,040 --> 00:37:29,080
Speaker 1: was happening in nineteen thirty nine, And another thing that

523
00:37:29,200 --> 00:37:32,600
Speaker 1: was happening in nineteen thirty nine was that the entire

524
00:37:32,640 --> 00:37:36,680
Speaker 1: world was on the verge of war. Okay, the majority

525
00:37:36,719 --> 00:37:40,960
Speaker 1: of the world was on the verge of war, because

526
00:37:41,040 --> 00:37:45,600
Speaker 1: Germany would invade Poland in September of nineteen thirty nine,

527
00:37:46,239 --> 00:37:49,040
Speaker 1: an active aggression and the first of a series of

528
00:37:49,080 --> 00:37:52,480
Speaker 1: short campaigns in Europe that would trigger the start of

529
00:37:52,560 --> 00:37:57,840
Speaker 1: the Second World War. After invading Poland in September nineteen

530
00:37:57,880 --> 00:38:01,440
Speaker 1: thirty nine, Nazi Germany would go on to invade Denmark

531
00:38:01,520 --> 00:38:07,440
Speaker 1: and Norway in April nineteen forty, and then Belgium, the Netherlands,

532
00:38:07,840 --> 00:38:19,440
Speaker 1: Luxembourg and France. In May of that year, Josephine Baker

533
00:38:19,560 --> 00:38:23,239
Speaker 1: was performing in a show called Paris London, and she

534
00:38:23,360 --> 00:38:26,759
Speaker 1: performed for British and French troops and of course the

535
00:38:26,880 --> 00:38:31,480
Speaker 1: adoring public. Josephine had managed to acquire a new agent.

536
00:38:31,600 --> 00:38:34,399
Speaker 1: I mean they were probably just like Clambourne over each

537
00:38:34,440 --> 00:38:37,160
Speaker 1: other to get out, you know. So she gets a

538
00:38:37,200 --> 00:38:40,440
Speaker 1: new agent after the count kicked the bucket and a

539
00:38:40,719 --> 00:38:45,640
Speaker 1: contact of her agent mentioned her to Jacques Abdey of

540
00:38:45,680 --> 00:38:50,759
Speaker 1: the French military intelligence service. In fact, Jacques was the

541
00:38:50,800 --> 00:38:54,680
Speaker 1: head of military counter intelligence, and he was keeping his

542
00:38:54,760 --> 00:38:58,480
Speaker 1: eyes peeled for someone who could travel froughly throughout Europe

543
00:38:58,520 --> 00:39:04,120
Speaker 1: and Africa without tracting suspicion, someone who could attend events

544
00:39:04,120 --> 00:39:08,960
Speaker 1: and soirees and gather intel and information. And also this

545
00:39:09,160 --> 00:39:11,560
Speaker 1: was someone who wanted to do it for France, because

546
00:39:11,560 --> 00:39:14,839
Speaker 1: this was not a job that paid well. I mean,

547
00:39:14,880 --> 00:39:17,719
Speaker 1: you couldn't exactly hand in receipts for expenses on a

548
00:39:17,760 --> 00:39:21,600
Speaker 1: super secret spy mission. Oh it's this. You're buying an

549
00:39:21,640 --> 00:39:24,919
Speaker 1: awful lot of lemon juice. By the way, Josephine, am

550
00:39:24,920 --> 00:39:29,520
Speaker 1: I am? I? So yeah? I mean I should have

551
00:39:30,160 --> 00:39:35,800
Speaker 1: mentioned that Jacques Abdy was looking for a spy. Josephine

552
00:39:35,800 --> 00:39:38,640
Speaker 1: Baker was wise enough to leave Paris as the Nazis

553
00:39:38,719 --> 00:39:43,480
Speaker 1: moved closer, because they're like edging into northern France. So

554
00:39:43,520 --> 00:39:47,320
Speaker 1: she rents lem Rende, a massive chateau three hundred miles

555
00:39:47,360 --> 00:39:50,520
Speaker 1: south of Paris, a city she would not see for

556
00:39:50,600 --> 00:39:54,880
Speaker 1: the next four years of her life. Jacques Abdy visits

557
00:39:54,960 --> 00:39:58,000
Speaker 1: Josephine at the Chateau Le Malende. Well, she is in

558
00:39:58,040 --> 00:40:02,080
Speaker 1: the garden feeding snail to her ducks. Oh if you

559
00:40:02,200 --> 00:40:05,399
Speaker 1: thought she was moving and not taking her menagerie with her,

560
00:40:05,840 --> 00:40:09,440
Speaker 1: will more fill you. So he shows up and he's like,

561
00:40:09,560 --> 00:40:17,240
Speaker 1: Josephine be a spy and she's like, okay, I mean wait, syboh,

562
00:40:18,480 --> 00:40:21,920
Speaker 1: so Josephine again. Like I said earlier, she grew up

563
00:40:21,960 --> 00:40:24,799
Speaker 1: with racism. She knows a racist when she sees one,

564
00:40:25,160 --> 00:40:27,799
Speaker 1: and it's clear to her that one of the core

565
00:40:27,960 --> 00:40:35,640
Speaker 1: fundamentals of Nazism is racism. That's how fascism works. In

566
00:40:35,680 --> 00:40:40,360
Speaker 1: a move that surprises absolutely no one, Josephine and Jacques

567
00:40:40,480 --> 00:40:45,319
Speaker 1: become lovers, like she is like all in from the

568
00:40:45,360 --> 00:40:48,280
Speaker 1: get go, like she does so much, like she works

569
00:40:48,320 --> 00:40:52,200
Speaker 1: at a refugee center for people fleeing Nazis. She attends

570
00:40:52,239 --> 00:40:55,560
Speaker 1: these big, swanky parties and writes on her skin and

571
00:40:55,640 --> 00:40:58,880
Speaker 1: invisible ink, like she's writing on her arms, in her hands,

572
00:40:59,160 --> 00:41:02,640
Speaker 1: like stuff that she owne hears, like active Nazi troop

573
00:41:02,800 --> 00:41:07,959
Speaker 1: activity and movements like like it's like the whole dumb

574
00:41:07,960 --> 00:41:11,759
Speaker 1: blonde scenario, except she's not dumb or blonde. It's like

575
00:41:11,920 --> 00:41:14,799
Speaker 1: when you're talking about word in front of me, I

576
00:41:14,840 --> 00:41:20,719
Speaker 1: wouldn't know that. I'm just a girl, you know. So

577
00:41:21,160 --> 00:41:25,080
Speaker 1: she is smuggling secret codes and messages, also an invisible

578
00:41:25,080 --> 00:41:29,040
Speaker 1: link on sheet music on notes pinned to the inside

579
00:41:29,080 --> 00:41:33,359
Speaker 1: of her brassier like she is she's like doing it

580
00:41:33,520 --> 00:41:37,040
Speaker 1: all right. She joins the Free French movement with a

581
00:41:37,160 --> 00:41:41,840
Speaker 1: Jacques Abtey, who had abandoned his previous post because the

582
00:41:41,920 --> 00:41:45,760
Speaker 1: Vush government had just like allowed Germany to occupy in France.

583
00:41:45,960 --> 00:41:49,440
Speaker 1: Now it is not that simple, I will admit it's

584
00:41:49,480 --> 00:41:54,120
Speaker 1: not that simple. But also from Jacques's perspective, he's like

585
00:41:55,520 --> 00:41:59,319
Speaker 1: the Nazis, why did you let the Nazis in? Like

586
00:42:00,080 --> 00:42:03,200
Speaker 1: don't do this? Like I mean, I guess for them,

587
00:42:03,239 --> 00:42:08,440
Speaker 1: they saw it as the path of least resistance. But yeah, no, France,

588
00:42:08,480 --> 00:42:12,279
Speaker 1: come on, come on, like we know what you did

589
00:42:12,320 --> 00:42:16,719
Speaker 1: to your monarchy, Like you can you can do stuff, right, okay.

590
00:42:17,040 --> 00:42:22,960
Speaker 1: So anyway, she is involved in the Shall Do Go

591
00:42:23,320 --> 00:42:28,640
Speaker 1: resistance and she learned to fight and shoot. So I've

592
00:42:28,680 --> 00:42:33,040
Speaker 1: noticed I was saying Charles Dugau, but that's not his name,

593
00:42:33,440 --> 00:42:36,200
Speaker 1: like it shall shall do go? Like why am I

594
00:42:36,239 --> 00:42:38,560
Speaker 1: not pronouncing it the French air? Like why am I

595
00:42:38,600 --> 00:42:41,360
Speaker 1: doing that? Like he's the leader of the French resistance,

596
00:42:41,680 --> 00:42:44,600
Speaker 1: I should be saying his name correctly, like I know,

597
00:42:44,719 --> 00:42:48,000
Speaker 1: I didn't do it. In the in the episode of

598
00:42:48,800 --> 00:42:51,000
Speaker 1: the Battle of Castle ET's all like I didn't. I

599
00:42:51,040 --> 00:42:54,640
Speaker 1: didn't do that, but it shall do? Go, shall do? Go? Yeah.

600
00:42:54,760 --> 00:43:00,320
Speaker 4: So she let the French Air Force use her plane,

601
00:43:00,400 --> 00:43:04,959
Speaker 4: and she even hid French resistance fighters in her house, in.

602
00:43:04,880 --> 00:43:10,279
Speaker 1: Her limiso her chateau. Nazi soldiers come looking right, but

603
00:43:10,400 --> 00:43:15,960
Speaker 1: she somehow somehow charmed them into leaving the chateau without

604
00:43:16,080 --> 00:43:20,120
Speaker 1: actually searching it, which is all the more impressive when

605
00:43:20,160 --> 00:43:24,719
Speaker 1: you remember that Josephine Baker is a black woman who

606
00:43:24,920 --> 00:43:30,719
Speaker 1: managed to charm Nazis. Okay, So Jacques g Abdy he

607
00:43:30,920 --> 00:43:34,919
Speaker 1: posed as Josephine's ballet master, and they have this whole

608
00:43:34,960 --> 00:43:36,960
Speaker 1: ruse that she's going on tour and he's like, I

609
00:43:36,960 --> 00:43:40,800
Speaker 1: am training her for ballet. So I'm going to hope

610
00:43:40,960 --> 00:43:44,359
Speaker 1: that Jacques Abde had some sort of I'm gonna call

611
00:43:44,400 --> 00:43:50,080
Speaker 1: it rhythm style, like good control of his body, and

612
00:43:50,320 --> 00:43:54,399
Speaker 1: I need that for Shacques right now. So they were

613
00:43:54,440 --> 00:43:58,880
Speaker 1: instructed to travel to Lisbon in Portugal, which was neutral,

614
00:43:59,360 --> 00:44:03,160
Speaker 1: and because it was neutral, it was full of spies

615
00:44:03,320 --> 00:44:06,600
Speaker 1: from both sides, like this is where you've got this

616
00:44:06,640 --> 00:44:12,680
Speaker 1: whole intelligence counterintelligence scenario, right, So she's got all these

617
00:44:12,880 --> 00:44:18,040
Speaker 1: like this info about German military secrets on sheet music

618
00:44:18,360 --> 00:44:22,680
Speaker 1: and invisible ink, and she's like that's how she's getting

619
00:44:22,680 --> 00:44:26,400
Speaker 1: it about because it's like I'm performing I'm Josephine Baker

620
00:44:28,160 --> 00:44:32,160
Speaker 1: in Portugal. She is the toast of the town, like

621
00:44:32,239 --> 00:44:37,279
Speaker 1: she is going from party to party gathering intelligence. But

622
00:44:38,480 --> 00:44:42,760
Speaker 1: like again, she's doing this for France. She's not earning money, right,

623
00:44:43,360 --> 00:44:46,200
Speaker 1: So she decides to get a cast together and perform

624
00:44:46,280 --> 00:44:52,200
Speaker 1: a revival of her operetta La Criol and Marseille. Josephine

625
00:44:52,200 --> 00:44:57,600
Speaker 1: Baker decided to put on an operetta for two weeks

626
00:44:58,239 --> 00:45:03,840
Speaker 1: in the middle of a war. Like it's here that

627
00:45:03,920 --> 00:45:07,000
Speaker 1: she gets the news that Germany is about to occupy

628
00:45:07,480 --> 00:45:11,800
Speaker 1: all of France, not just northern France, and so Jacques

629
00:45:11,840 --> 00:45:15,520
Speaker 1: and Josephine make the executive decision to get the heck

630
00:45:15,560 --> 00:45:21,400
Speaker 1: out a dodge and flee to Northern Africa. Now, Josephine,

631
00:45:21,719 --> 00:45:24,359
Speaker 1: she isn't able to bring her entire menagerie like on

632
00:45:24,400 --> 00:45:30,200
Speaker 1: this escapade, and she is so upset about it, and

633
00:45:30,239 --> 00:45:33,640
Speaker 1: so she gets a major panic as well when she

634
00:45:33,840 --> 00:45:37,480
Speaker 1: arrives in Algier. So she arrives in Algier and she

635
00:45:37,560 --> 00:45:43,040
Speaker 1: gets arrested, and she's thinking, shit, I'm done. It's terrible.

636
00:45:43,440 --> 00:45:46,680
Speaker 1: I'm a goner, right, because she thinks she's been arrested for,

637
00:45:46,760 --> 00:45:52,040
Speaker 1: you know, spying on Nazis, when in fact, she was

638
00:45:52,280 --> 00:45:56,920
Speaker 1: arrested for breach of contract for the messile Operetta because

639
00:45:56,960 --> 00:45:59,560
Speaker 1: she was like, I gotta go, and she just left right,

640
00:46:00,440 --> 00:46:02,520
Speaker 1: But it all gets sorted out and smoothed out and

641
00:46:02,560 --> 00:46:05,800
Speaker 1: it's fine, and you know, she pays a fine. Everything's fine,

642
00:46:06,000 --> 00:46:10,120
Speaker 1: everything's fine. So she continues to tour. So she's touring

643
00:46:10,160 --> 00:46:15,800
Speaker 1: around Casablanca, Portugal, Spain, Morocco, and she's all around that

644
00:46:15,960 --> 00:46:21,080
Speaker 1: area collecting intel. She's hobnobbing. She may or may not

645
00:46:21,080 --> 00:46:25,480
Speaker 1: have been shagging officials and royals, you know, in Morocco,

646
00:46:25,560 --> 00:46:30,720
Speaker 1: including the Pasha of Marrakesh. It will be important later.

647
00:46:32,080 --> 00:46:36,120
Speaker 1: So a rumor goes around that Jacques Amptey's cover is blown,

648
00:46:36,760 --> 00:46:39,719
Speaker 1: and so he stays in Casablanca while Josephine goes back

649
00:46:39,800 --> 00:46:44,120
Speaker 1: to like travel and perform. She's hosting soirees and dinner

650
00:46:44,200 --> 00:46:48,479
Speaker 1: parties whenever intelligence is needed, like we need to find

651
00:46:48,520 --> 00:46:53,560
Speaker 1: out stuff. Let's send Josephine in. So she's doing all

652
00:46:53,560 --> 00:46:57,760
Speaker 1: this jass and then back in Northern Africa, the Twelve

653
00:46:57,880 --> 00:47:03,040
Speaker 1: Apostles show up. So the Twelve Apostles are Robert Murphy's

654
00:47:03,080 --> 00:47:06,759
Speaker 1: American spies, and they are from like a range of

655
00:47:06,760 --> 00:47:12,000
Speaker 1: different backgrounds and they were all admittedly wildly out of

656
00:47:12,040 --> 00:47:17,280
Speaker 1: their depth. So like these were the first overseas spies

657
00:47:17,760 --> 00:47:21,839
Speaker 1: by the US during the Second World War, and they

658
00:47:21,840 --> 00:47:26,920
Speaker 1: were working alongside like the OSS and they desperately needed

659
00:47:27,200 --> 00:47:32,480
Speaker 1: Josephine and Jacques's help. So they really needed their help

660
00:47:32,480 --> 00:47:35,280
Speaker 1: because they were at this point, like they were local,

661
00:47:35,320 --> 00:47:37,239
Speaker 1: they knew the area, they knew all the stuff. Like

662
00:47:37,920 --> 00:47:39,640
Speaker 1: they needed their help to do a bunch of stuff.

663
00:47:40,600 --> 00:47:45,480
Speaker 1: And so in order for information to go back and forth,

664
00:47:46,040 --> 00:47:51,239
Speaker 1: Josephine would have to like bring it and so like

665
00:47:51,400 --> 00:47:53,000
Speaker 1: at one point they were like, we need to get

666
00:47:53,040 --> 00:47:57,799
Speaker 1: this through. We keep being searched, and she's like, I'm

667
00:47:57,800 --> 00:48:00,920
Speaker 1: gonna put it in my underwear and they're like I'm sorry, what,

668
00:48:02,160 --> 00:48:05,480
Speaker 1: And like her reasoning is she never gets stripserched because

669
00:48:05,520 --> 00:48:09,200
Speaker 1: the world has already seen her naked. Anyway, She's like

670
00:48:09,440 --> 00:48:12,400
Speaker 1: they've all seen me naked. No one's going to stripsart me.

671
00:48:12,840 --> 00:48:16,440
Speaker 1: And so this is where she's pinning just like spy

672
00:48:17,080 --> 00:48:22,600
Speaker 1: intel espionage secrets to the inside of her bra because

673
00:48:22,640 --> 00:48:29,480
Speaker 1: she's like, nobody's going there, and they didn't. Now Josephine

674
00:48:29,520 --> 00:48:32,160
Speaker 1: wasn't going to let something like an entire world war

675
00:48:32,680 --> 00:48:36,400
Speaker 1: stop her family plans. And so she ended up visiting

676
00:48:36,440 --> 00:48:42,480
Speaker 1: these doctors in Morocco for some guynacological fertility tests because

677
00:48:42,560 --> 00:48:46,239
Speaker 1: she wants to see if she can conceive, like she

678
00:48:46,239 --> 00:48:50,000
Speaker 1: would suffered like many miscarriages over the years, and she

679
00:48:50,239 --> 00:48:53,959
Speaker 1: wanted to have children. Now, I think there's probably some

680
00:48:54,120 --> 00:48:56,719
Speaker 1: correlation to do with the fact of her growing up

681
00:48:56,760 --> 00:49:01,480
Speaker 1: in abject poverty and suffering malnutrition for years, Like I

682
00:49:01,480 --> 00:49:03,960
Speaker 1: think that definitely plays a part in it, but there

683
00:49:03,960 --> 00:49:07,640
Speaker 1: are probably other other reasons that are affecting it. And

684
00:49:07,680 --> 00:49:11,239
Speaker 1: there are a lot of medical issues regarding women that

685
00:49:11,360 --> 00:49:15,640
Speaker 1: we still don't understand because we're too busy funding fucking biagra.

686
00:49:16,320 --> 00:49:18,640
Speaker 1: But I'm not I'm not gonna run. I'm not gonna run.

687
00:49:20,000 --> 00:49:23,560
Speaker 1: So she wants to have kids, and so she travels

688
00:49:23,560 --> 00:49:26,759
Speaker 1: to Marrakesh and she becomes ill with this like this

689
00:49:26,840 --> 00:49:31,240
Speaker 1: really high fever. She's got severe pain, severe abdominal pain,

690
00:49:32,040 --> 00:49:38,960
Speaker 1: and she is like very seriously ill, and so obviously

691
00:49:39,520 --> 00:49:42,680
Speaker 1: the rumor mill starts chunning out stuff, right, and the

692
00:49:42,760 --> 00:49:46,480
Speaker 1: rumor is that she was poisoned by the passion of

693
00:49:46,560 --> 00:49:50,839
Speaker 1: Marrakesh's Harem of Wives. Another rumor was that she had

694
00:49:50,880 --> 00:49:54,640
Speaker 1: had an abortion, which is like the opposite of the

695
00:49:54,640 --> 00:50:00,239
Speaker 1: thing that she wanted. So no, she was not poisoned

696
00:50:00,280 --> 00:50:03,440
Speaker 1: by a harem of wives, and she did not have

697
00:50:03,480 --> 00:50:09,040
Speaker 1: an abortion. She had an infection caused by the gynecological

698
00:50:09,120 --> 00:50:13,600
Speaker 1: and fertility tests, and so she was rushed to a

699
00:50:13,600 --> 00:50:19,000
Speaker 1: private clinic and the infection spread to pertinitis, then sepsis.

700
00:50:20,040 --> 00:50:23,240
Speaker 1: The infection on her abdominal walls led to scar tissue,

701
00:50:23,239 --> 00:50:27,600
Speaker 1: which caused blockages, and then she needed more surgery and

702
00:50:27,680 --> 00:50:32,120
Speaker 1: at one point she actually has to undergo a hysterectomy. Now,

703
00:50:32,239 --> 00:50:34,879
Speaker 1: josephin Baker joked that she was cut open so many

704
00:50:34,960 --> 00:50:37,320
Speaker 1: times that they should have just put in a zipper.

705
00:50:39,120 --> 00:50:43,400
Speaker 1: Not obviously, when she's recovering, she's not seen. And so

706
00:50:44,040 --> 00:50:50,560
Speaker 1: yet another rumor goes out, this time that she's dead. So, like,

707
00:50:50,640 --> 00:50:52,919
Speaker 1: I think the direct quote is that she is too

708
00:50:53,000 --> 00:50:58,440
Speaker 1: busy to die. She's like, no, I'm too busy to die.

709
00:50:59,040 --> 00:51:03,600
Speaker 1: The best part of this it was the United Press International,

710
00:51:03,880 --> 00:51:07,319
Speaker 1: which released the news that Josephine Baker had died in

711
00:51:07,440 --> 00:51:12,880
Speaker 1: nineteen forty two. I'm not quite dead. But she ends

712
00:51:12,960 --> 00:51:16,000
Speaker 1: up saying that she's you know, she's just unweill. And

713
00:51:16,040 --> 00:51:19,920
Speaker 1: she is recuperating at her friend's palace like on the

714
00:51:19,960 --> 00:51:24,600
Speaker 1: outskirts of the Sahara. Now while she's in recovery, like

715
00:51:24,719 --> 00:51:29,000
Speaker 1: her recovery room becomes like an unofficial headquarters for the

716
00:51:29,080 --> 00:51:34,359
Speaker 1: French resistance. Right, people are coming like in and out

717
00:51:34,680 --> 00:51:40,640
Speaker 1: all of the time, and she's like, she's still doing stuff,

718
00:51:40,640 --> 00:51:45,239
Speaker 1: like she's recovering from surgery and bought surgery and other infections,

719
00:51:45,719 --> 00:51:51,400
Speaker 1: and yeah, she's still doing her bit. She's arranging for

720
00:51:51,480 --> 00:51:56,839
Speaker 1: Jewish people to get Moroccan passports to escape Nazis, right,

721
00:51:57,640 --> 00:52:00,160
Speaker 1: and she's getting stuff coming in and out of her room.

722
00:52:00,920 --> 00:52:05,359
Speaker 1: And Jacques he's there through all of the surgeries, Like

723
00:52:05,600 --> 00:52:11,520
Speaker 1: he doesn't even go to sleep until he hears Josephine speak.

724
00:52:11,600 --> 00:52:14,719
Speaker 1: So like when she's like recovering from like one of

725
00:52:15,040 --> 00:52:19,520
Speaker 1: one of the bad surgeries, like she complains about the

726
00:52:19,560 --> 00:52:23,320
Speaker 1: compress on her tummy that it's too heavy, and he's like, okay,

727
00:52:23,440 --> 00:52:28,000
Speaker 1: now you're complaining, that's good, I can rest now. So anyway,

728
00:52:28,680 --> 00:52:31,240
Speaker 1: a year and a half after this, like she's still

729
00:52:31,280 --> 00:52:36,000
Speaker 1: recuperating because of how bad the damage was, and so

730
00:52:36,120 --> 00:52:42,799
Speaker 1: she ends up developing a parathyroid disease and so like

731
00:52:42,920 --> 00:52:46,640
Speaker 1: she's not getting better and for her, this is really

732
00:52:46,680 --> 00:52:51,680
Speaker 1: really upsetting because like you think that like healing is linear,

733
00:52:52,360 --> 00:52:59,239
Speaker 1: it is absolutely not. Meanwhile, Nazis had some camps in

734
00:52:59,280 --> 00:53:02,759
Speaker 1: North Africa, and so the Allies decide to send a

735
00:53:02,800 --> 00:53:07,880
Speaker 1: bunch of troops there in preparation. But there's not a

736
00:53:07,880 --> 00:53:12,040
Speaker 1: lot of action happening, and American gis are bored, which

737
00:53:12,360 --> 00:53:18,440
Speaker 1: is never good. And remember, like again, segregation still very

738
00:53:18,520 --> 00:53:22,360
Speaker 1: much a thing in the US at this time. Meanwhile,

739
00:53:22,920 --> 00:53:26,600
Speaker 1: the director of the Red Cross Liberty Club invicted Josephine

740
00:53:26,640 --> 00:53:31,560
Speaker 1: to perform, and being a club that hosted American gis,

741
00:53:32,280 --> 00:53:36,239
Speaker 1: the club was segregated. It had been organized in such

742
00:53:36,280 --> 00:53:39,040
Speaker 1: a way that black and white gis would use the

743
00:53:39,040 --> 00:53:43,000
Speaker 1: club at different times. And so Josephine Baker said, fuck

744
00:53:43,120 --> 00:53:45,880
Speaker 1: this for a game of soldiers and straight up refused

745
00:53:45,880 --> 00:53:50,680
Speaker 1: to perform to a segregated crowd. She's like, how are

746
00:53:50,719 --> 00:53:54,719
Speaker 1: you going to fight a racist regime if you're out

747
00:53:54,760 --> 00:53:59,520
Speaker 1: here being racist yourselves. You know, bear in mind as

748
00:53:59,560 --> 00:54:04,840
Speaker 1: well that Josephine Baker was still in recovery. She was weak,

749
00:54:05,200 --> 00:54:09,080
Speaker 1: she had unhealed surgery scars, and she really shouldn't have

750
00:54:09,080 --> 00:54:13,880
Speaker 1: been on a stage at all. However, she said she

751
00:54:13,960 --> 00:54:22,560
Speaker 1: would only perform for an integrated audience, and she did like,

752
00:54:22,800 --> 00:54:27,839
Speaker 1: she's still recuperating, she's still healing. And she traveled and

753
00:54:27,920 --> 00:54:32,960
Speaker 1: performed for British, American and French troops all over Northern

754
00:54:33,040 --> 00:54:37,520
Speaker 1: Africa for two and a half years. And she wasn't

755
00:54:37,560 --> 00:54:41,680
Speaker 1: exactly living a high life, right. She was eating army rations.

756
00:54:41,719 --> 00:54:44,920
Speaker 1: Like one thing she brings up a lot is the

757
00:54:45,000 --> 00:54:48,640
Speaker 1: amount of tinned tuna that she consumed. I have a

758
00:54:48,640 --> 00:54:51,400
Speaker 1: feeling that tuna was just something she didn't touch. After

759
00:54:51,440 --> 00:54:53,879
Speaker 1: this time period, she was like, no, no, no, no,

760
00:54:53,960 --> 00:54:58,800
Speaker 1: I'm getting flashbacks. So she's sleeping next to her jeep

761
00:54:58,840 --> 00:55:03,160
Speaker 1: convoys at night, she's avoiding landmines and the like, and

762
00:55:03,200 --> 00:55:08,000
Speaker 1: she was performing several times a day, and she's touring

763
00:55:08,040 --> 00:55:11,040
Speaker 1: around two continents at this point. And this leads me

764
00:55:11,480 --> 00:55:16,240
Speaker 1: to one of my favorite stories about her. So one night,

765
00:55:16,560 --> 00:55:23,040
Speaker 1: she's performing for US soldiers in Algeria, right, and then

766
00:55:23,080 --> 00:55:27,719
Speaker 1: all of a sudden, German planes fly overhead and start shooting,

767
00:55:28,360 --> 00:55:30,480
Speaker 1: and the troops they all take cover like they are

768
00:55:30,560 --> 00:55:36,000
Speaker 1: hitting the deck. Meanwhile, Josephine Baker helps herself to the

769
00:55:36,040 --> 00:55:41,759
Speaker 1: buffet and it's only when the shooting gets worse that

770
00:55:41,880 --> 00:55:45,680
Speaker 1: she ends up like huddling down on the ground in

771
00:55:45,719 --> 00:55:50,040
Speaker 1: this expensive gown eating an ice cream. I like that.

772
00:55:50,120 --> 00:55:52,319
Speaker 1: She was like, I'm I'm not letting go of the

773
00:55:52,360 --> 00:55:56,799
Speaker 1: ice cream, okay. Like like she would go on to

774
00:55:56,840 --> 00:55:59,719
Speaker 1: say like about this event that it was such a

775
00:56:00,040 --> 00:56:05,120
Speaker 1: ridiculous moment because there she is and a gown on

776
00:56:05,160 --> 00:56:08,200
Speaker 1: the dirt eating an ice cream. Because she's like, if

777
00:56:08,200 --> 00:56:10,560
Speaker 1: I'm I'm going with ice cream in my mouth, like

778
00:56:10,600 --> 00:56:15,040
Speaker 1: that's happening, and I get it. I get it. So

779
00:56:16,000 --> 00:56:19,120
Speaker 1: another important thing she does is she connects with black

780
00:56:19,200 --> 00:56:23,840
Speaker 1: military personnel and she vows to return to the States

781
00:56:24,160 --> 00:56:28,799
Speaker 1: to fight racial discrimination. She's like, no, We're gonna deal

782
00:56:28,840 --> 00:56:34,680
Speaker 1: with this. Then in nineteen forty three, the Shaaldgo of

783
00:56:34,840 --> 00:56:38,799
Speaker 1: Resistance and Airport Fame awards her with the Cross of

784
00:56:38,960 --> 00:56:43,160
Speaker 1: lurin the emblem of the Free French Forces or the

785
00:56:43,160 --> 00:56:49,080
Speaker 1: Free France Forces, one of those. She ends up actually

786
00:56:49,400 --> 00:56:52,680
Speaker 1: auctioning it off, like she loved this thing. She loved

787
00:56:53,360 --> 00:56:56,919
Speaker 1: this more than her diamonds and her drools and her

788
00:56:57,080 --> 00:57:02,120
Speaker 1: diamond collars for her cheetah. Like she ended up auctioning

789
00:57:02,120 --> 00:57:05,640
Speaker 1: it off to raise money for Free France, along with

790
00:57:05,719 --> 00:57:08,239
Speaker 1: a heape ton of other like fundraising efforts for the

791
00:57:08,280 --> 00:57:12,480
Speaker 1: French resistance, and so like she's raising money for the

792
00:57:12,520 --> 00:57:16,880
Speaker 1: resistance and flogging her stuff because she's like, this is

793
00:57:16,960 --> 00:57:22,000
Speaker 1: more important, you know. And she ends up being awarded

794
00:57:22,120 --> 00:57:25,360
Speaker 1: with the honorary rank of lieutenant in the Ladies' Auxiliary

795
00:57:25,400 --> 00:57:31,600
Speaker 1: of the French Air Force. Next day happens on the

796
00:57:31,680 --> 00:57:36,160
Speaker 1: sixth of June nineteen forty four. Thank you to Maureen

797
00:57:36,280 --> 00:57:41,760
Speaker 1: Vlavin Sweeney, right, you're welcome. The liberation of powers happened

798
00:57:41,800 --> 00:57:44,640
Speaker 1: between like the nineteenth and twenty fifth of August and

799
00:57:44,760 --> 00:57:49,440
Speaker 1: nineteen forty four. And after this, she returns to her

800
00:57:49,480 --> 00:57:54,320
Speaker 1: beloved Paris in her French military uniform and she takes

801
00:57:54,360 --> 00:57:58,600
Speaker 1: part in a parade and everyone adores her. She is

802
00:57:58,680 --> 00:58:01,840
Speaker 1: celebrated by the French people and they're like chucking flowers

803
00:58:01,880 --> 00:58:04,000
Speaker 1: at her feet on the rue and the boulevard and

804
00:58:04,040 --> 00:58:09,600
Speaker 1: the blast like they're just doing it. Now. One thing

805
00:58:10,640 --> 00:58:14,120
Speaker 1: is weird about this, right, So this parade that Charldogall

806
00:58:14,240 --> 00:58:17,280
Speaker 1: that he has go through France, right that go through Paris,

807
00:58:18,400 --> 00:58:23,280
Speaker 1: and he has soldiers march like what he does, it's

808
00:58:23,360 --> 00:58:26,480
Speaker 1: he removes like a lot of the African forces, a

809
00:58:26,520 --> 00:58:32,000
Speaker 1: lot of the colonial forces. He removes like the darker

810
00:58:32,120 --> 00:58:37,280
Speaker 1: skinned soldiers and replaces them with white soldiers from other

811
00:58:37,480 --> 00:58:41,400
Speaker 1: areas or lighter skinned even And it's a thing that

812
00:58:41,480 --> 00:58:45,480
Speaker 1: Charles Deogauld does. And I don't like that, and I

813
00:58:45,640 --> 00:58:50,440
Speaker 1: thought it was Welco mentioned it. Anyway, Josephine Baker doesn't

814
00:58:50,480 --> 00:58:53,840
Speaker 1: have time to like revel in this because she becomes

815
00:58:53,920 --> 00:58:57,560
Speaker 1: acutely aware of the substandard living situations of her navels,

816
00:58:57,920 --> 00:59:02,720
Speaker 1: who are too poor, weak, infirm, or elderly to evacuate

817
00:59:02,800 --> 00:59:07,040
Speaker 1: the Nazi occupation, and so she auctions off a chunk

818
00:59:07,120 --> 00:59:11,160
Speaker 1: more of her finery and jills to provide necessities for

819
00:59:11,280 --> 00:59:16,640
Speaker 1: those who needed it. She also discovered that Nazis had

820
00:59:16,680 --> 00:59:21,560
Speaker 1: been staying in her home, Maison Labourshin, and she was

821
00:59:21,800 --> 00:59:26,600
Speaker 1: pissed about that, but she had a plan to right

822
00:59:26,680 --> 00:59:31,440
Speaker 1: wrongs and fight injustice, which will be coming up in

823
00:59:31,480 --> 00:59:35,080
Speaker 1: the next episode. Because this woman did so much, I

824
00:59:35,120 --> 00:59:37,400
Speaker 1: couldn't fit it into one. I did fit it into

825
00:59:37,400 --> 00:59:40,000
Speaker 1: one at one point, but I was literally bullet pointing

826
00:59:40,040 --> 00:59:45,200
Speaker 1: stuff at one point, like we're gonna do pat Toois

827
00:59:45,800 --> 00:59:48,959
Speaker 1: of the Josephine Beaker story. That was a really bad

828
00:59:49,000 --> 00:59:53,400
Speaker 1: French accent. But if you liked the actual telling of

829
00:59:53,400 --> 00:59:55,640
Speaker 1: the story that you can hear the French of, or

830
00:59:55,640 --> 00:59:59,919
Speaker 1: the English of, or me speaking shit. It's clearly late.

831
01:00:00,880 --> 01:00:03,280
Speaker 1: So if you liked that, please writ in review five stars.

832
01:00:03,360 --> 01:00:05,680
Speaker 1: If you don't have anything nice to say, you can

833
01:00:05,760 --> 01:00:08,160
Speaker 1: just shut the fuck up. I'm in a mid now,

834
01:00:08,200 --> 01:00:13,000
Speaker 1: aren't I. I'm so fueled by it. And yeah, that

835
01:00:13,120 --> 01:00:16,640
Speaker 1: is That is the second part of Josephine's Baker's story.

836
01:00:17,840 --> 01:00:24,120
Speaker 1: And yeah, I guess it's as recommendation time. So for listening,

837
01:00:24,680 --> 01:00:29,000
Speaker 1: I am putting Danny Padilla's music Kiss Like Your Sorry,

838
01:00:29,040 --> 01:00:31,040
Speaker 1: Kiss Me like You're Sorry. It's in the link, It's

839
01:00:31,040 --> 01:00:33,120
Speaker 1: in the description down below. Listen to it. It's really

840
01:00:33,160 --> 01:00:36,640
Speaker 1: really good. If you haven't bought your dig out to

841
01:00:36,720 --> 01:00:39,040
Speaker 1: my live show. Buy your ticket to my live show.

842
01:00:39,080 --> 01:00:41,120
Speaker 1: What are you waiting for? Come to London. It'll be

843
01:00:41,160 --> 01:00:44,520
Speaker 1: a great time. It's in November. It's gonna be fun.

844
01:00:44,960 --> 01:00:47,200
Speaker 1: It's the only London show I think I've got for

845
01:00:47,200 --> 01:00:51,720
Speaker 1: the next two years. More to information coming soon. That's

846
01:00:51,760 --> 01:00:56,200
Speaker 1: coming out soon. So yes, listening Danny Padilla, kiss like

847
01:00:56,200 --> 01:00:59,400
Speaker 1: you're sorry, Kiss me like you're sorry. Danny, don't kiss

848
01:00:59,400 --> 01:01:02,920
Speaker 1: me like you're sorry. I don't want to kiss you.

849
01:01:02,920 --> 01:01:07,040
Speaker 1: No vents, Danny, you are a lovely man who doesn't

850
01:01:07,040 --> 01:01:11,040
Speaker 1: listen to this podcast like it sounds weird. Danny doesn't

851
01:01:11,040 --> 01:01:13,240
Speaker 1: want to kiss me either. By the way, Danny is

852
01:01:13,360 --> 01:01:18,520
Speaker 1: very happy with his amazing girlfriend, who is so fucking cool.

853
01:01:18,560 --> 01:01:20,480
Speaker 1: By the way, anyway, that's never hear a Norther there.

854
01:01:21,200 --> 01:01:23,880
Speaker 1: Listen to Danny's song stream it. It's really good. Listen

855
01:01:23,920 --> 01:01:26,080
Speaker 1: to it all the way through. Okay, he deserves this.

856
01:01:26,680 --> 01:01:28,360
Speaker 1: It's a good song and it's a little ear warm

857
01:01:28,520 --> 01:01:31,320
Speaker 1: for me and I think it's perfect sort of autumn music.

858
01:01:31,640 --> 01:01:33,920
Speaker 1: It is like fall. Sorry for those of you on

859
01:01:33,920 --> 01:01:37,000
Speaker 1: the other side of the pond, it's also fall music

860
01:01:38,080 --> 01:01:42,280
Speaker 1: for watching you know what, y'all should watch Sinners, Go

861
01:01:42,360 --> 01:01:47,920
Speaker 1: watch sinners. That's my choice for today and for reading.

862
01:01:48,480 --> 01:01:51,080
Speaker 1: You know what you should read Queen of the Skies

863
01:01:51,320 --> 01:01:54,960
Speaker 1: by Beth Pill and gig Coleman. Yes, I did talk

864
01:01:55,000 --> 01:01:57,600
Speaker 1: about Bessie Coleman before, and I got a copy of

865
01:01:57,640 --> 01:02:01,240
Speaker 1: the book from my lovely friend Sahar. I'm so excited.

866
01:02:01,680 --> 01:02:05,160
Speaker 1: But yes, those are your recommendations for this week. I

867
01:02:05,280 --> 01:02:09,720
Speaker 1: love you, have a great time. Adios au revoir vetaz

868
01:02:09,960 --> 01:02:11,600
Speaker 1: my friends, Bye bye,