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Speaker 1: What's happening everybody? Good morning, Welcome to Tuesday's show More

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Speaker 1: in the Studio Morning. I had an interesting day yesterday

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Speaker 1: where Kayla says, Hey, I have this friend. We knew

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Speaker 1: each other in California and she lives here now and

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Speaker 1: she's gonna come over, but I want you to hang

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Speaker 1: out with her boyfriend. And I was like, okay. She

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Speaker 1: goes it'd be like a date. I said, you guys

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Speaker 1: have like a and I was like all right, and

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Speaker 1: so we were. He plays golf, so I came over

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Speaker 1: and we were hitting some golf balls at the house,

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Speaker 1: but they just left us just a blind friend date.

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Speaker 1: So awkward, and it feels like a blind date date.

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Speaker 1: At first. You're like, hey, how's it going, good man?

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Speaker 1: How are you so? What do you do? Oh yeah,

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Speaker 1: what do you want to be when you grow up?

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Speaker 1: But I feel like forty yeah, and he works in me.

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Speaker 1: He's like a songwriter and he's actually a really nice guy.

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Speaker 1: It just took us a minute because you're just staring

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Speaker 1: at each other and he's thinking the same thing. I

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Speaker 1: didn't think I was alone in this. We're looking at

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Speaker 1: each other going our women's God is here, and now

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Speaker 1: we're either gets going to be really awkward for the

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Speaker 1: next couple of hours, or we're gonna find a way

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Speaker 1: to get through this and be friends. But it was good.

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Speaker 1: It was it was good. So you'll be able to

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Speaker 1: go out with him again? Yes, that is the question.

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Speaker 1: After a flying day, will you go out on him?

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Speaker 1: I would go on another date with him. Okay, it's good,

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Speaker 1: that's great. I would, But uh, I don't know. I

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Speaker 1: don't know if he likes me though. Just be confident.

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Speaker 1: Are you waiting three days to reach out to him?

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Speaker 1: I don't even have his number. But I told Caitlin

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Speaker 1: we were hanging out having dinner last night, and she

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Speaker 1: was like, well, what did you think? Tell me everything?

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Speaker 1: And I was like, we had a good time. He's

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Speaker 1: a nice guy. He's a little awkward like I am.

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Speaker 1: He's an art he's a very artsy guy. I'm just

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Speaker 1: an awkward guy. And so I said, but after a

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Speaker 1: few minutes we really got along. Well, I know enough

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Speaker 1: about what he does. He knew nothing about what I did.

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Speaker 1: But we got through it, and we had golf to

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Speaker 1: kind of get us through it, as we're like hitting

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Speaker 1: balls and so, but I said, I would be happy

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Speaker 1: to go to dinner with her and him if we

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Speaker 1: wanted to go to dinner. Nice. So, hey, score off

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Speaker 1: a little guy. That's a big deal. I got a

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Speaker 1: new guy, a new boyfriend. I'm gonna read you. Man.

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Speaker 1: All right, it's time to open up the mailbag to

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Speaker 1: get something. We call hello, Bobby Bones. I would love

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Speaker 1: your input on what to do about a situation that

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Speaker 1: happened to me today. The UPS driver dropped off pack

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Speaker 1: just like normal, and after she left, I started to

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Speaker 1: open the packages without looking at the labels. One package

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Speaker 1: I opened turned out to be for the gas station

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Speaker 1: down the road, but was addressed by UPS for my address.

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Speaker 1: Inside there are four vacuum sealed books of scratch off

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Speaker 1: lotto tickets. Do I do the right thing and deliver

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Speaker 1: them to the gas station? Do I say sorry, money's gone? Thanks?

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Speaker 1: In Advanced Lucky Lotto and Idaho? Oh gosh, So you

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Speaker 1: just mailed lottery tickets a bunch of them. But are

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Speaker 1: they even good until you ring them in? Yeah, that's

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Speaker 1: a good question. And wouldn't they know if you just

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Speaker 1: launch what's your expertise here? Oh? Man? I would say,

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Speaker 1: I would say money's going sorry. I would I would

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Speaker 1: claim it as mind and say you know what, I

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Speaker 1: got this package and throw the box, Throw the evidence away,

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Speaker 1: Throw the evidence away. So you don't know that it

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Speaker 1: wasn't addressed to you. How can they prove that? Then

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Speaker 1: it wasn't addressed to you. Well, so it says, let

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Speaker 1: me read it again. One package I opened turned out

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Speaker 1: to be for the gas station down the road, but

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Speaker 1: was addressed by ups for my address. Yeah, that's what

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Speaker 1: I'm saying. So I was addressed for him accidentally. Then

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Speaker 1: it's your tickets. It was sent to your house. You

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Speaker 1: open that up, you scratch it off and say, let's go, Hey,

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Speaker 1: these are scratch offs. Yeah, yeah, that should I scratch

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Speaker 1: them off and test my luck. I would say that

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Speaker 1: I think that the gas station probably reports them as missing,

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Speaker 1: but you didn't take them, so and I'm sure they're

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Speaker 1: serial numbers when you try to redeem your wins. What

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Speaker 1: I would think. Now, they are serial numbered and they

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Speaker 1: are running a database. So like if you do, like,

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Speaker 1: if you run into a gas station and just rip

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Speaker 1: a roll of scratch offs, you're an idiot because they're

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Speaker 1: gonna when you try to cash it in, that's when

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Speaker 1: you get busted. But these were not stolen they were

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Speaker 1: mailed to her, But don't they have to beat them

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Speaker 1: when you buy them anytime about a scratch off, they're like, okay,

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Speaker 1: this one, well that's the price. That's how you know

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Speaker 1: how much it rang up as and how many tickets

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Speaker 1: have been set on. Guys, you have to take this

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Speaker 1: money and run. Okay. First of all, aside from how

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Speaker 1: to do a lotto ticket, don't keep it? What do

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Speaker 1: you You can't keep it? If a thousand dollars was

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Speaker 1: mail to you, would you keep it now? I'd be

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Speaker 1: scared if they sent drugouse. Yeah, you can't keep it

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Speaker 1: because if you win it, you're not gonna get to

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Speaker 1: keep it, right, But you can at least try? Why

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Speaker 1: not try? What? What? What's the harm in trying? What

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Speaker 1: if they say, you know what, You're right, they were

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Speaker 1: mailed to you. It's your money, so you might as

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Speaker 1: well try it. Like for all you know, someone sent

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Speaker 1: you a gift exactly sign them above and a lot

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Speaker 1: of law the lottery gods. This is really how they

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Speaker 1: send lottery tickets out. Just you think this happens more often.

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Speaker 1: If they're mailed, I would think they're all male. I

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Speaker 1: don't think they drive them to I don't think they

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Speaker 1: drive every single I just figure, like, just like they

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Speaker 1: unload gatorade, they unload. They don't have a lottery truck

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Speaker 1: that I've seen, ever seen called to a gas station

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Speaker 1: and they pull out the tills. Okay, I'm gonna say,

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Speaker 1: you need to take them to the gas station. That's it.

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Speaker 1: You just get You could get in trouble if you

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Speaker 1: try to cash them in and you're probably not gonna

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Speaker 1: win the money. I think there are more options and

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Speaker 1: bad things to happen to you than there are good

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Speaker 1: things here. You could call the lottery office and just say,

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Speaker 1: what if get my hypothetical, gay, like, what if I

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Speaker 1: got a roll of lottery tickets mailed to my house

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Speaker 1: and what if I scratch him in win a million dollars?

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Speaker 1: You could do that? What do you call? I'll call

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Speaker 1: the lottery office and see what happened. Andre, Like, what if? Yeah,

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Speaker 1: here's what we're gonna say, don't keep the tickets, but

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Speaker 1: we'll have a lunch box calling the lottery office to

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Speaker 1: actually be no, just don't keep the tickets. I don't

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Speaker 1: even want his call to factor end of that. I

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Speaker 1: am curious. What if? I mean, what if what if

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Speaker 1: They're like, hey, our mistake. You you benefit, you know, finders, keepers, losers, wheepers.

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Speaker 1: I don't think that's in the roll book. All right,

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Speaker 1: send the tickets back, take them to the gas station.

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Speaker 1: That's my answer. But thank you for the email. All right,

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Speaker 1: close it up. We've got your game. Now it's about

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Speaker 1: to clothe. Okay, we played this game once a month.

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Speaker 1: I'll give the adults in the room a riddle. These

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Speaker 1: are all kids riddles. Are you ready to play on me? This?

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Speaker 1: When I finished reading the riddle the second time, you

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Speaker 1: have twenty seconds to finish a riddle. When I say time,

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Speaker 1: pins come up. Riddle number one, I'm always on the

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Speaker 1: dinner table, but you don't get to eat me? What

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Speaker 1: am I? I'm always on the dinner table, but you

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Speaker 1: don't get to eat me? What am I? Riddle me this?

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Speaker 1: What always on the dinner table? But you don't get

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Speaker 1: to eat me? What am I? So many things? And

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Speaker 1: that noise means that's time. Okay, Amy, I'm always on

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Speaker 1: the dinner table, but you don't get to eat me?

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Speaker 1: What am I? Plate? Lunchbikes, terrible cloth, eddie, you're the plate.

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Speaker 1: I would have accepted plates, silverware or table cloths. All

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Speaker 1: three of you guys can't eat that stuff or you're

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Speaker 1: on the table. Next up, I am so simple that

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Speaker 1: I can only point. Yet I guide men all over

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Speaker 1: the world. What am I? I am so simple that

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Speaker 1: I can only point? Yet I guide men and women

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Speaker 1: all over the world. What am I? Rid on me this?

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Speaker 1: I'm so simple, but I can only point. Yet I

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Speaker 1: guide men and women all over the world. What am I?

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Speaker 1: Time is still ticking? Okay, Eddie, do you have it?

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Speaker 1: I got him? What is it? I am a compass lunchbox.

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Speaker 1: I'm a compass, Eddie. I'm sorry, Amy, compass. Compass is

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Speaker 1: right because we're playing a little possum up. You're acting

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Speaker 1: like you don't have it. Well, I know because it

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Speaker 1: just on that one. Next up. If you have me,

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Speaker 1: you want to share me? If you share me, you

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Speaker 1: haven't got me. What am I? If you have me,

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Speaker 1: you want to share me. If you share me, you

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Speaker 1: haven't got me. What am I? Rid on me this?

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Speaker 1: If you hire me? If you have me, you want

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Speaker 1: to share me. If you share me, you haven't got me.

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Speaker 1: Rid on me this? Share me? If you have me,

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Speaker 1: you want to share me. If you share me, you

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Speaker 1: haven't got me. If you have five seconds. There, we

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Speaker 1: have it. Amy. If you have love, if you want

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Speaker 1: to share, yes, But if you share a love, you

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Speaker 1: don't have love. I don't know. Doesn't fit. I was

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Speaker 1: just saying it. Maybe it was a secondary I know.

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Speaker 1: I don't know. Guys, Eddie, Yeah, I have a hug.

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Speaker 1: If you have a hug, you want to share me.

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Speaker 1: If you if you hug someone, you haven't got me

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Speaker 1: exactly because while you're hugging pretty dumb lunchbox feels like

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Speaker 1: he has it and if he, if he has it,

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Speaker 1: he's a champion. How confident are you? I'm feeling really

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Speaker 1: good about myself right Yeah. Like I'm sitting up high

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Speaker 1: in my chair. I had one thing written down and

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Speaker 1: halfway through you reading that, I erased it. And I

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Speaker 1: have the right answer and I cannot wait to share

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Speaker 1: it with you. Guys, you heard my pin drop as

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Speaker 1: you were still reading the clue over there. So I

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Speaker 1: am ready to go. If you have me, you want

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Speaker 1: to share me. If you share me, you haven't got me.

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Speaker 1: For the win, riddle me this. Let me take you

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Speaker 1: a little secret. It's a secret, guys, I can't tell

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Speaker 1: you who, he says secret. If you have a secret,

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Speaker 1: you want to share it. If you share it, you

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Speaker 1: haven't got me. If you share a secret, it is

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Speaker 1: not a secret. Yeah, because it's no longer a secret book.

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Speaker 1: WHOA that Works is Lunchbox riddle Master. Come on, let's go, everybody,

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Speaker 1: nice night. A nice Lunchbox is the new riddle Master

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Speaker 1: and WHOA in customary fashion, take us out Lunchbox with

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Speaker 1: the riddle me This who Like Cartmart was the latest

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Speaker 1: from Nashville and Tullywood Morgan number two thirty second Skinny

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Speaker 1: Lady I announced they have a new song coming out

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Speaker 1: on June twenty first. It's called Summer State of Mind.

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Speaker 1: Cole Swindell added more dates to his Back Down to

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Speaker 1: the Bar tour. The new leg kicks off September twenty

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Speaker 1: third in Texas. He's bringing special guests Ashley Cook and

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Speaker 1: Dylan Marlowe with him. Mickey Guyant is hosting a Capital

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Speaker 1: fourth the Independence Day Celebration special live from Washington, DC.

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Speaker 1: Fans can watch the show on July fourth on PBS.

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Speaker 1: I'm Morgan. That's your Skinny Call. It's time for the

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Speaker 1: good news. There's a charity group at Riverview High School

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Speaker 1: in Warsaw Ohio, and they're doing something really cool for

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Speaker 1: foster care kids. They're putting together these kits that these

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Speaker 1: kids can take to their new houses, stuff like toothbrushes, toothpaste,

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Speaker 1: dental floss and things like that because these kids they

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Speaker 1: go to houses with nothing, like really just the clothes

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Speaker 1: on their back. And so it's really cool there. They

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Speaker 1: just did twelve and they want to do more as

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Speaker 1: they go every week. It's awesome and it's also something

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Speaker 1: you probably didn't know was needed until you were exposed

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Speaker 1: to it yourself. Correct, I mean generally the same same

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Speaker 1: with you guys. Oh I went through and my kids

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Speaker 1: got to our house, they had literally nothing. I had

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Speaker 1: to go to Target and get toothbrushes, underwear, diapers, things.

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Speaker 1: Get the call last minute just I mean, they said

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Speaker 1: they were coming in less than an hour. So yeah,

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Speaker 1: that's great. That that's a great story. That's what it's

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Speaker 1: all about. Right there. That was tell me something good

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Speaker 1: on the phone is Jared, Hey, Jared, where do you live? Man? Texas? Well?

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Speaker 1: Appreciate you, Colin. What can I help you with? My

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Speaker 1: oldest dad daughter is getting married next year in January,

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Speaker 1: and huh, her dad wants to put her on her budget.

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Speaker 1: Hey really doesn't want to spend too much money on

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Speaker 1: her wedding, and so far my wife and I have

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Speaker 1: spent over or has faith over half of everything. And

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Speaker 1: in the end of it, he's going to be the

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Speaker 1: one walking her down all And don't get me wrong

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Speaker 1: about it. You know I love this kid that I

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Speaker 1: love both of my stepdolders play over my own. I

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Speaker 1: will do anything for him. I would take money out

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Speaker 1: of my safeties to pay for her whole wedding, just

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Speaker 1: to give her what she wanted. But her dad is

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Speaker 1: not like that. He don't want to. He don't want

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Speaker 1: to fish out nothing for her. I don't know how

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Speaker 1: I should feel like though, with him still walking her

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Speaker 1: down the ale whenever he really don't care about it.

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Speaker 1: So how long have you raised your stepdaughter? Run on?

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Speaker 1: Nine years and she's getting married and let's and I

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Speaker 1: don't even know that the paying for the wedding is

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Speaker 1: the most hurtful thing, Like you're paying for it and

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Speaker 1: not getting not not walking her down. I think probably

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Speaker 1: it's just not walking her down considering you've been such

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Speaker 1: an instrumental part of her life and I have a

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Speaker 1: similar ish background where listen, my real dad checked out

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Speaker 1: on me way young, probably younger than than than her

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Speaker 1: her real dad did. And when I was a teenager,

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Speaker 1: Arkansas Keith, who you know is my stepdad for a while,

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Speaker 1: I came into my life and he was, you know,

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Speaker 1: basically for five or six years, you know, before him

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Speaker 1: and my mom divorced, he was my dad. I do

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Speaker 1: understand the romantic idea of someone going, you know, I

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Speaker 1: want to have my dad dad walk me down the aisle,

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Speaker 1: right or wrong. I do understand how and how it

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Speaker 1: would be important to someone to have their biological father

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Speaker 1: walk them down the aisle. Maybe she feels like she

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Speaker 1: has to, you know, maybe I don't think it means

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Speaker 1: she loves you any less. And I'm saying that from

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Speaker 1: somebody who has and had step parents. I just don't

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Speaker 1: feel like I I would be hurt honestly too, and

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Speaker 1: it's okay to be hurt. But I don't feel like

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Speaker 1: she loves you any less. I feel like it's just

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Speaker 1: you're supposed to have your biological father walking down the aisle,

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Speaker 1: and that's where she is. I mean, has she said

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Speaker 1: something to you about it? Has she had that conversation

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Speaker 1: with you? You know? I understand where you're coming from

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Speaker 1: it into which where I'm coming from. My guessue, right,

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Speaker 1: because that's a very special part of her life, then

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Speaker 1: I would love to be a part of I'm going

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Speaker 1: to encourage you. You can be hurt, you should. I

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Speaker 1: understand being hurt by it, but I'm going to encourage

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Speaker 1: you to just be completely supportive, even if it feels uncomfortable,

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Speaker 1: because that's been your role the whole time anyway, to

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Speaker 1: be completely supportive even when it feels uncomfortable at times,

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Speaker 1: and all you're doing is continuing a legacy that you

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Speaker 1: have built and that you're there for her regardless of

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Speaker 1: her decisions, good or bad, wise or not wise. You're

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Speaker 1: just going to be there standing right beside her. Maybe

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Speaker 1: not that day, but for her entire life, you've been

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Speaker 1: doing that, and I think the best thing you can

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Speaker 1: do now is just fully support her even though it

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Speaker 1: cuts you hard, because I do understand where it where

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Speaker 1: and why it would it would cut you hard. So, man,

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Speaker 1: my heart goes out to you because that stinks. I'm

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Speaker 1: not gonna lie to you. I wish I could just

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Speaker 1: be like, hey, get over it, man, it can't. That hurts. However,

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Speaker 1: just knowing the kind of guy you are. By hearing

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Speaker 1: your voice and hearing how passionate you are about, you know,

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Speaker 1: being her dad or stepdad, I get why it sucks,

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Speaker 1: but also in the same vein, it's you got to

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Speaker 1: continue that if she chose to walk, who knows what

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Speaker 1: pressure she's getting from him. I don't know. I'm creating

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Speaker 1: stories in my head. Now. Did you think a reception

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Speaker 1: I had the DJ play she's my girl and dance

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Speaker 1: with her? Is that something that she wants? Or you're like,

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Speaker 1: are you saying at the reception you surprise her with that?

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Speaker 1: Because also you have the her dad is her dad?

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Speaker 1: Are you gonna dance with her? Though? Regardless, that's the question,

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Speaker 1: like are you planning to dance with her? Because I

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Speaker 1: think that would be great? Is there a a okay,

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Speaker 1: I don't. I don't care what a song you play.

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Speaker 1: They could pick a song for him, they could pick

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Speaker 1: a song for you. Okay. I thought if he was

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Speaker 1: like going to jump in and be like, I know

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Speaker 1: we're dancing, nobody knows about it, that would have been

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Speaker 1: a different issue. That's what it sounded like, and that

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Speaker 1: made me so nervous because I don't want that. You

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Speaker 1: don't want to make the dad uncomfortable, and then there's

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Speaker 1: like a the two dads duel it out in the

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Speaker 1: middle of the dance floor. You can have a dance

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Speaker 1: off and the winner gets hurt. No, here's the thing,

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Speaker 1: this is my honest heart reaction here that as long

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Speaker 1: as you're not doing or playing that song specifically to

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Speaker 1: go I told you, But you are playing it because

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Speaker 1: that's how you feel. Let her rip Tater Chip have

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Speaker 1: that dance. I think it's great. As long as there's

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Speaker 1: not a competition, and that's why you picked that song,

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Speaker 1: then great, you feel that song, go dance to that

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Speaker 1: song well. But also she'll she'll be a you should allow.

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Speaker 1: Hopefully she's a part of picking the song. You'll dance too,

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Speaker 1: it's not. This is her day. So if she's comfortable

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Speaker 1: with it, then yeah, by all means, have you talked

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Speaker 1: to her about it? No, I have not. I talked

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Speaker 1: to my wife about it. She said she thought that

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Speaker 1: was a good idea, and again, that's how you feel.

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Speaker 1: I think you should dance to it. I'd run it

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Speaker 1: by her. But I don't think there's anything wrong with

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Speaker 1: that at all. I feel I feel good about it. Listen,

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Speaker 1: I feel good about this wedding. Jared. I know that's

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Speaker 1: tough for you to not walk her down, but you

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Speaker 1: you know you signed the contract. You are her stepdad.

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Speaker 1: You're gonna love her regardless. I think he's working right now.

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Speaker 1: Tell him to hold those two about fours for a

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Speaker 1: second on the phone, Jared, listen. I love your heart.

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Speaker 1: I appreciate you calling, sharing your story. I think you're

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Speaker 1: in a good place. It hurts, but that's okay, aren't

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Speaker 1: you glad it hurts. That means you love her a

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Speaker 1: whole lot. I mean, it could not hurt, and you

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Speaker 1: couldn't give a crap, and that'd be even worse. But

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Speaker 1: the fact that you love her and it hurts, that's

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Speaker 1: actually a good thing because it matters to you. So

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Speaker 1: let her go have her day, dance, dance with her

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Speaker 1: to that song if she wants to, and don't let

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Speaker 1: this keep you from enjoying this wedding. Okay, it was

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Speaker 1: obviously working, have a low emotional moment and working at

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Speaker 1: the same time, and that I can respect, all right.

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Speaker 1: If you guys agree or disagree with that, you can

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Speaker 1: always call us up. Eight seven to seven seventy seven, Bobby,

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Speaker 1: Thank you guys. I want to ask some calls about

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Speaker 1: that topic. Jared's oldest stepdaughter was getting married. He says,

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Speaker 1: a real dad paraphrasing kind of a dead beat, but

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Speaker 1: a real dad is walking her down the aisle. He

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Speaker 1: is not. So a lot of callers are on, why

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Speaker 1: don't we go to k in Oklahoma? Hey, Kay, welcome

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Speaker 1: to the show. How are you No, I'm doing good

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Speaker 1: and you guys doing pretty good? What do you want

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Speaker 1: to say? Um? Actually, two years ago, March sixteenth, my

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Speaker 1: son got married to a daughter or to a daughter

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Speaker 1: that had a stepfather and a dad. And what she

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Speaker 1: did was she let the stepfather walk her halfway down

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Speaker 1: the aisle and then let the biological dad intercept her

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Speaker 1: there and walk her on up. I think it's great

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Speaker 1: like that. I'd probably go biological father first since he

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Speaker 1: was the first one to have you, and then i'd

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Speaker 1: let the guy who finished the race with her, which

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Speaker 1: is the step dad, but for me, you know, switch

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Speaker 1: it up. But you know they'll be drama between the

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Speaker 1: two dads too, like who's he gets to go first?

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Speaker 1: Who gets to walk her up? Yeah? And we're just

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Speaker 1: hearing this dad's side of the store. A right, she

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Speaker 1: might still have a good relationship with her dad. You know,

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Speaker 1: we only ever hear one side, right, But I thought

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Speaker 1: it was and I think that's a pretty good compromise.

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Speaker 1: But it's got to be up to the daughter to

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Speaker 1: suggest that. I don't think the step dad can go

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Speaker 1: elbow and then and be like, Okay, I got a plan, babe.

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Speaker 1: He'll do twelve feet, I'll do eight. Then I'll run

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Speaker 1: ahead and catch you back on the You know, but

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Speaker 1: I think that's a pretty good compromise. Kay, thank you

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Speaker 1: for sharing that. How that was a wedding awkward or

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Speaker 1: was it awesome? No, it was awesome At first they

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Speaker 1: talked about one on each side, and my daughter in law,

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00:20:32,240 --> 00:20:34,439
Speaker 1: Megan said no, because that makes me feel like you

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Speaker 1: guys are walking me to jail. No, you doing that?

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Speaker 1: That's funny. Well, thank you Kay for calling. Have a

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Speaker 1: great daylight. Bye bye. Christy in Kentucky. You're on the

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Speaker 1: Bobby Bones Show. Hi Christy? How are you? I'm good?

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Speaker 1: How are you pretty good? What do you want to say?

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00:20:51,760 --> 00:20:55,199
Speaker 1: I actually I heard Kay's comment, but I actually have

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Speaker 1: a daughter of this monthly married, and her stepfather and

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Speaker 1: her actual father are both going to be walking her

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Speaker 1: down the aisle, and the reason being is because there

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00:21:04,440 --> 00:21:06,480
Speaker 1: they have come to terms with a long time ago

401
00:21:06,600 --> 00:21:09,760
Speaker 1: that you know, mine and his relationship didn't work out,

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Speaker 1: but my husband, my current husband, has stepped up and

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00:21:14,280 --> 00:21:17,080
Speaker 1: they're just say they're in agreeance that you know, they've

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00:21:17,080 --> 00:21:19,320
Speaker 1: both been a big part of her life. So they're

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00:21:19,320 --> 00:21:21,040
Speaker 1: just gonna both walk her down the aisle. And when

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00:21:21,040 --> 00:21:24,399
Speaker 1: they're asked who gives this daughter away? And they're going

407
00:21:24,440 --> 00:21:26,520
Speaker 1: to both say I do. I wonder who races first

408
00:21:26,560 --> 00:21:32,760
Speaker 1: to say I do. Listen. I love when everybody can

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Speaker 1: be happy, everybody can have worth. And I think if

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00:21:36,200 --> 00:21:40,200
Speaker 1: that works, great, love it love the last one. Hey man,

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Speaker 1: whatever makes the bride happy, that's what should happen on

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Speaker 1: the wedding day, right, Yeah, like the whatever. Yeah, the

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00:21:47,080 --> 00:21:50,640
Speaker 1: parents have their feelings need to be set aside. Thank

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00:21:50,640 --> 00:21:54,240
Speaker 1: you for the call. Okay, tell me what you saw. Well,

415
00:21:54,280 --> 00:21:57,480
Speaker 1: it's an emergency SOS hack. If you have an iPhone,

416
00:21:57,560 --> 00:22:00,280
Speaker 1: it's a little button on the side which side, um,

417
00:22:00,359 --> 00:22:02,520
Speaker 1: not the volumes, not the volume, the big button that

418
00:22:02,520 --> 00:22:04,679
Speaker 1: you would power on power off. If you hit it

419
00:22:04,760 --> 00:22:12,439
Speaker 1: five times in a row, it'll shows up. Yeah, if

420
00:22:12,520 --> 00:22:16,200
Speaker 1: you do that, it calls emergency services, and it'll also

421
00:22:16,280 --> 00:22:20,159
Speaker 1: send a text your selected emergency contacts and it'll alert

422
00:22:20,200 --> 00:22:23,280
Speaker 1: them of your location. But it'll count down to three

423
00:22:23,320 --> 00:22:25,399
Speaker 1: before it does that in case you accidentally press it

424
00:22:25,440 --> 00:22:28,239
Speaker 1: five times. So if you just go one, two, let

425
00:22:28,280 --> 00:22:30,080
Speaker 1: me do it. But then what doesn't make a noise

426
00:22:30,160 --> 00:22:34,000
Speaker 1: or anything. Yes, really loud alarm, but after three seconds

427
00:22:34,760 --> 00:22:38,320
Speaker 1: after so if you're in danger, you do this, let

428
00:22:38,359 --> 00:22:41,119
Speaker 1: me do it yet now you okay, I'm in danger.

429
00:22:41,400 --> 00:22:45,600
Speaker 1: No you're not, though, Okay, you push it five times?

430
00:22:45,840 --> 00:22:48,840
Speaker 1: Then what happens? No, no yet, no questions. Okay, so

431
00:22:49,000 --> 00:22:52,080
Speaker 1: you press it five times, then it goes three two,

432
00:22:52,680 --> 00:22:56,320
Speaker 1: one at one it sounds a crazy alarm, okay, letting

433
00:22:56,359 --> 00:22:59,720
Speaker 1: people around you know you're in danger. It also contacts

434
00:22:59,720 --> 00:23:04,119
Speaker 1: emergency services for you. They know your location, services like

435
00:23:04,200 --> 00:23:07,080
Speaker 1: nine on one and I don't know. I don't do it. No,

436
00:23:07,200 --> 00:23:09,640
Speaker 1: it'll count down to three when we'll let's start making

437
00:23:09,640 --> 00:23:13,240
Speaker 1: that at the third second because I want to hear

438
00:23:13,280 --> 00:23:15,480
Speaker 1: the sound. We can't do that because then it'll have

439
00:23:15,520 --> 00:23:18,320
Speaker 1: alerted people to come help you. Also, but if it's

440
00:23:18,320 --> 00:23:20,040
Speaker 1: a test for people to hear, you're not gonna get

441
00:23:20,040 --> 00:23:21,879
Speaker 1: in trouble. That's what you say you got fine a

442
00:23:21,960 --> 00:23:26,000
Speaker 1: million dollars? Is this some test? Hey, Scooba Steve, let

443
00:23:26,000 --> 00:23:27,480
Speaker 1: me ask you about this. Shall we go through with

444
00:23:27,520 --> 00:23:30,639
Speaker 1: this or no? I think that because this isn't FCC related,

445
00:23:30,680 --> 00:23:32,639
Speaker 1: I think we should try it out and hit cancel.

446
00:23:32,760 --> 00:23:34,560
Speaker 1: If they call you, just say hey, I'm sorry it

447
00:23:34,600 --> 00:23:36,640
Speaker 1: was an accident. I didn't know because who knows about

448
00:23:36,680 --> 00:23:38,959
Speaker 1: that hack? Nobody. I feel like, okay, yeah, I had

449
00:23:39,000 --> 00:23:41,000
Speaker 1: no idea, and I've got an iPhone for how long

450
00:23:41,040 --> 00:23:44,040
Speaker 1: and I don't know when they they do. It's okay, Okay,

451
00:23:44,440 --> 00:23:46,800
Speaker 1: Bob Pittman, Scooba Steve told me to do it, president

452
00:23:46,800 --> 00:23:48,720
Speaker 1: of my our radio, all right, and then Bob Pittman

453
00:23:48,800 --> 00:23:51,359
Speaker 1: Bobby told me to do it. Okay, are you ready? Yeah, okay,

454
00:23:51,359 --> 00:23:58,080
Speaker 1: we're gonna hit it five times, count out loud. Okay, one, two, three, four, five, Okay,

455
00:23:58,200 --> 00:24:02,240
Speaker 1: what's your phone doing? Nothing? Happen? It turned off? I

456
00:24:02,280 --> 00:24:04,760
Speaker 1: didn't do it right, Hold on five quick, one, two

457
00:24:05,000 --> 00:24:15,720
Speaker 1: three four five, There to it. It's calling happens You're

458
00:24:15,760 --> 00:24:19,560
Speaker 1: just joking on one. That's what it did. So there

459
00:24:19,560 --> 00:24:26,920
Speaker 1: you go. Now we know it goes were and then

460
00:24:27,000 --> 00:24:29,560
Speaker 1: at the count of three, it immediately started dialing nine

461
00:24:29,680 --> 00:24:33,159
Speaker 1: one one, and then also my my sister and my

462
00:24:33,240 --> 00:24:35,480
Speaker 1: husband are probably about to get text messages with my

463
00:24:35,520 --> 00:24:38,600
Speaker 1: location because I added them as my emergency contacts. We'll

464
00:24:38,640 --> 00:24:45,359
Speaker 1: see what happens. Oh gosh, no, they said all time. Hello,

465
00:24:45,520 --> 00:24:49,879
Speaker 1: hello department, Yes, the police department. To hang up. No,

466
00:25:02,400 --> 00:25:06,679
Speaker 1: somebody say, hey, I'm sorry, that was the accident. I

467
00:25:06,800 --> 00:25:09,320
Speaker 1: was testing testing out a new feature on the phone.

468
00:25:09,320 --> 00:25:15,320
Speaker 1: And I'm sorry. You're fine to stay on the line.

469
00:25:16,600 --> 00:25:19,119
Speaker 1: We don't call you about okay, sorry, I got nervous. Okay,

470
00:25:19,119 --> 00:25:24,280
Speaker 1: thank you, No, you're fine, okay, okay, thank you, bye,

471
00:25:24,400 --> 00:25:27,719
Speaker 1: thank you. Wow? Why did you what all you had

472
00:25:27,800 --> 00:25:32,720
Speaker 1: to do? It? Again? Stop stop notifying. So that's a

473
00:25:32,720 --> 00:25:35,840
Speaker 1: good thing to know. If like say, you're attacker, get

474
00:25:35,920 --> 00:25:38,199
Speaker 1: your phone from you, it's gonna keep calling nine one

475
00:25:38,240 --> 00:25:40,840
Speaker 1: one until you cancel it. But even attacker knows, oh, accident,

476
00:25:40,960 --> 00:25:43,600
Speaker 1: that's an accident. Yeah, Oh my gosh, no. No, that's

477
00:25:43,600 --> 00:25:46,959
Speaker 1: when you say no, it's not in the background. Crazy baby.

478
00:25:47,160 --> 00:25:50,720
Speaker 1: They I'm sweating. Why all you had to do was stay?

479
00:25:50,720 --> 00:25:52,639
Speaker 1: Was an accident. It's like a nerve. You freaked outunder

480
00:25:52,640 --> 00:25:54,720
Speaker 1: pressure because this is against the law. The game on

481
00:25:54,760 --> 00:25:56,080
Speaker 1: the line. You had to freak the line I don't

482
00:25:56,119 --> 00:25:59,440
Speaker 1: want you up. You can get arrested for um misuse

483
00:25:59,480 --> 00:26:01,239
Speaker 1: of nine one one. We didn't misuse it. We were

484
00:26:01,240 --> 00:26:04,320
Speaker 1: showing our listeners what to do. Stop waving your face

485
00:26:04,359 --> 00:26:07,840
Speaker 1: like you're in truck. I am. My heart is hot,

486
00:26:08,119 --> 00:26:13,320
Speaker 1: hot hot. When Amy hung up on nine one one,

487
00:26:13,359 --> 00:26:17,199
Speaker 1: everyone in the room goes, no, it's the worst thing

488
00:26:17,200 --> 00:26:19,680
Speaker 1: you could have done. Okay, guys. Her husband kicks the

489
00:26:19,720 --> 00:26:24,480
Speaker 1: door in now, like, what's wrong? So I'm dizzy, but

490
00:26:24,760 --> 00:26:28,720
Speaker 1: now we know it works. That's awesome. Calmly, what people

491
00:26:28,800 --> 00:26:31,439
Speaker 1: do if they're in trouble is you gotta press it

492
00:26:31,560 --> 00:26:33,920
Speaker 1: fast five times. We learned five times boom boom, boom,

493
00:26:33,920 --> 00:26:36,719
Speaker 1: boom boom, because when I did five kind of fast,

494
00:26:37,160 --> 00:26:39,080
Speaker 1: it didn't work, but five, like you're in trouble, face

495
00:26:40,440 --> 00:26:46,080
Speaker 1: and then it goes boom and now and then I

496
00:26:46,119 --> 00:26:49,040
Speaker 1: hang up on them again. They're like, Okay, something's happening

497
00:26:49,119 --> 00:26:51,919
Speaker 1: over right, Okay, Amy, stop fanning yourself. You didn't almost

498
00:26:51,920 --> 00:26:54,000
Speaker 1: go to jail and exactly like she's just committed to

499
00:26:54,000 --> 00:26:56,160
Speaker 1: crime and got away with it a good thing, yes

500
00:26:56,280 --> 00:26:59,160
Speaker 1: she was. But sometimes nine one will be like, I'm sorry,

501
00:26:59,200 --> 00:27:01,879
Speaker 1: no matter what, we usend officers out, we see a

502
00:27:01,960 --> 00:27:06,920
Speaker 1: squad bust in. Can you imagine? Okay, Amy, great John,

503
00:27:06,960 --> 00:27:08,560
Speaker 1: thank you for sharing that with us. Welcome. The more

504
00:27:08,600 --> 00:27:11,639
Speaker 1: you know, the more you know. It's time for the

505
00:27:11,680 --> 00:27:20,000
Speaker 1: good news. Dave Wolf is from Michigan. He's a disabled

506
00:27:20,080 --> 00:27:23,080
Speaker 1: vet from Vietnam and he likes repairing bikes in his

507
00:27:23,160 --> 00:27:25,840
Speaker 1: spare time. He goes to salvage yards, he finds bikes

508
00:27:25,840 --> 00:27:27,960
Speaker 1: that are broken down and he fixes them. We had

509
00:27:28,000 --> 00:27:30,199
Speaker 1: nothing to do with those bikes. So he got with

510
00:27:30,200 --> 00:27:33,639
Speaker 1: this charity that works with former inmates and was like, hey,

511
00:27:33,840 --> 00:27:35,399
Speaker 1: they get out of prison, they need a way to

512
00:27:35,440 --> 00:27:37,240
Speaker 1: get to work. We can't buy him a car, but

513
00:27:37,280 --> 00:27:39,239
Speaker 1: guess what, we can get him a bicycle. They can

514
00:27:39,280 --> 00:27:41,439
Speaker 1: pedal to work, get their life together. And then he

515
00:27:41,480 --> 00:27:43,680
Speaker 1: teaches them all about how to repair their own bike

516
00:27:43,760 --> 00:27:46,080
Speaker 1: that breaks down. And a couple of these people have

517
00:27:46,200 --> 00:27:49,480
Speaker 1: even gone on to open their own bike shops. Yeah.

518
00:27:49,480 --> 00:27:57,159
Speaker 1: I know nothing about bikes or cars or anything. Shovels radio.

519
00:27:58,760 --> 00:28:01,200
Speaker 1: All right, good story, that is what it's all about.

520
00:28:02,000 --> 00:28:06,000
Speaker 1: That was tell me something good. Amy's joke coming up

521
00:28:06,000 --> 00:28:08,760
Speaker 1: in a second. First, a couple of weeks ago, lunchbox

522
00:28:08,800 --> 00:28:10,960
Speaker 1: got a package in the mail and the package was

523
00:28:11,040 --> 00:28:14,840
Speaker 1: lottery ticket. He scratched it. He won twenty five dollars.

524
00:28:15,080 --> 00:28:18,600
Speaker 1: But there was a problem. Yeah, the ticket was from Florida,

525
00:28:18,720 --> 00:28:21,119
Speaker 1: and so I can't drive down to Florida for twenty

526
00:28:21,160 --> 00:28:23,760
Speaker 1: five dollars, so I had to mail it. So he

527
00:28:23,960 --> 00:28:26,600
Speaker 1: called the lottery office to see if when they give

528
00:28:26,680 --> 00:28:29,240
Speaker 1: him his money, they'll give him a giant check for

529
00:28:29,320 --> 00:28:32,399
Speaker 1: twenty five dollars. You know, because I'm TV. They give

530
00:28:32,440 --> 00:28:35,440
Speaker 1: him that big check for the big jack potts. That's

531
00:28:35,480 --> 00:28:40,120
Speaker 1: their rule. So here's a clip. Hello, it's a great

532
00:28:40,200 --> 00:28:43,240
Speaker 1: day to win with the three. I got a question

533
00:28:43,280 --> 00:28:45,880
Speaker 1: for you. So I won twenty five dollars in your

534
00:28:45,960 --> 00:28:48,680
Speaker 1: wonderful lottery. I had to scratch off and I hit

535
00:28:48,720 --> 00:28:51,440
Speaker 1: it big for twenty five dollars, and I mailed it

536
00:28:51,480 --> 00:28:54,920
Speaker 1: to you guys, right, And so I'm hoping that you

537
00:28:55,040 --> 00:28:58,200
Speaker 1: guys can mail me one of those big checks that

538
00:28:58,360 --> 00:29:02,680
Speaker 1: I see on the news. Huh. No one's ever asked me,

539
00:29:03,120 --> 00:29:05,280
Speaker 1: and I've been working here for twenty years now, I've

540
00:29:05,320 --> 00:29:08,920
Speaker 1: never had anybody asked me for a giant check for

541
00:29:09,000 --> 00:29:11,320
Speaker 1: a twenty five dollars scratch off. Winner. I mean, I

542
00:29:11,680 --> 00:29:13,440
Speaker 1: kind of feel like you're laughing at me, like it's

543
00:29:13,480 --> 00:29:15,760
Speaker 1: kind of funny. But no, sir, it's just that it's

544
00:29:15,760 --> 00:29:20,360
Speaker 1: so unusual to get this call, you know it is.

545
00:29:20,520 --> 00:29:22,959
Speaker 1: You got to admit somewhat humorous to think that you

546
00:29:22,960 --> 00:29:25,840
Speaker 1: want a giant check for twenty five dollars. But I

547
00:29:25,880 --> 00:29:27,920
Speaker 1: want to walk into my bank with that big check

548
00:29:27,960 --> 00:29:31,080
Speaker 1: and be like, I'm here to deposit twenty five dollars. Sir,

549
00:29:31,240 --> 00:29:34,440
Speaker 1: you do realize that these checks are not legal tender.

550
00:29:34,560 --> 00:29:37,280
Speaker 1: They're just for sure. No, I didn't realize that. I

551
00:29:37,320 --> 00:29:39,040
Speaker 1: thought they were real. Like I thought they took that

552
00:29:39,120 --> 00:29:41,920
Speaker 1: to the bank and you cash it. Huh yeah, So

553
00:29:42,480 --> 00:29:44,000
Speaker 1: do we have a deal You're gonna be mailing me

554
00:29:44,080 --> 00:29:46,640
Speaker 1: that twenty five dollars big check. Well, I think you

555
00:29:46,720 --> 00:29:49,000
Speaker 1: can tell that we are not going to be sitting

556
00:29:49,000 --> 00:29:52,240
Speaker 1: you know check, sir, have a nice day. Possibly the

557
00:29:52,360 --> 00:29:54,520
Speaker 1: nicest guy ever the whole time. I felt like I

558
00:29:54,520 --> 00:29:56,480
Speaker 1: had a smile on his face. By the way, those

559
00:29:56,560 --> 00:29:59,880
Speaker 1: checks are like eighty dollars just to make what they

560
00:30:00,080 --> 00:30:05,360
Speaker 1: cost that much to buy, So you wouldn't want to chill.

561
00:30:05,480 --> 00:30:09,160
Speaker 1: I would owe them. Yeah, they'd invoice you and send

562
00:30:09,200 --> 00:30:10,800
Speaker 1: you the chill. How do you know how much those costs?

563
00:30:10,840 --> 00:30:12,520
Speaker 1: Because we've had to do them before. See you had

564
00:30:12,560 --> 00:30:16,320
Speaker 1: to buy it. Yeah, we've done big charity giveaways for

565
00:30:16,360 --> 00:30:19,200
Speaker 1: our big charity gives and if it gives a few

566
00:30:19,280 --> 00:30:21,080
Speaker 1: hundred thousand dollars, you pay like eighty bucks and get

567
00:30:21,080 --> 00:30:22,360
Speaker 1: one of those big fake checks. Yeah, but not for

568
00:30:22,440 --> 00:30:25,040
Speaker 1: twenty five dollars. I just go over to Amy and

569
00:30:25,040 --> 00:30:31,880
Speaker 1: get the joke, morning Corny. I always take my problems

570
00:30:31,920 --> 00:30:36,480
Speaker 1: to Tommy. He'll figure something out. Here's the thing about

571
00:30:36,520 --> 00:30:39,840
Speaker 1: that joke. Amy was laughing out loud. I've said it wrong, though,

572
00:30:40,080 --> 00:30:41,840
Speaker 1: Can I do it again? He'll figure, Tommy, he'll figure,

573
00:30:41,920 --> 00:30:44,680
Speaker 1: he'll figure I said, I said Hill, I said Hill,

574
00:30:44,800 --> 00:30:47,960
Speaker 1: And I should have said he'll he'll he'll figure. He'll

575
00:30:47,960 --> 00:30:50,560
Speaker 1: figure something out. Tommy. I'll tell you guys, I didn't

576
00:30:50,560 --> 00:30:55,120
Speaker 1: get that laughing over by herself because I thought it

577
00:30:55,200 --> 00:30:56,880
Speaker 1: was funny. You can say it again, but I think

578
00:30:56,880 --> 00:30:59,200
Speaker 1: you said it the right way I did. Why did

579
00:30:59,240 --> 00:31:01,360
Speaker 1: it not come in my head? It was so much

580
00:31:01,480 --> 00:31:05,480
Speaker 1: funnier than when it came out of my mouth. A

581
00:31:05,520 --> 00:31:07,880
Speaker 1: lot of times. Say it again, Okay. I always take

582
00:31:07,920 --> 00:31:15,200
Speaker 1: my problems to Tommy, he'll figure something else. Maybe next time.

583
00:31:17,200 --> 00:31:21,760
Speaker 1: Maybe that was the morning, Corny. Maybe just wear that

584
00:31:22,040 --> 00:31:24,440
Speaker 1: on the days you're wearing Tommy, he'll figure. Oh boy,

585
00:31:24,480 --> 00:31:25,680
Speaker 1: I don't know if I had one of them. Didn't

586
00:31:25,680 --> 00:31:29,680
Speaker 1: you used to run these about Mike d I don't

587
00:31:29,680 --> 00:31:34,480
Speaker 1: think so. I have creative control. All right, this is

588
00:31:34,480 --> 00:31:37,600
Speaker 1: a fun game. I'll play a very famous song, but

589
00:31:38,000 --> 00:31:41,880
Speaker 1: it's as if a high school marching band were performing it. Okay,

590
00:31:42,200 --> 00:31:45,240
Speaker 1: all you have to do is name the song. They're

591
00:31:45,320 --> 00:32:02,600
Speaker 1: very famous, they're easily recognizable. For example, here you go, Rocky. No,

592
00:32:02,720 --> 00:32:08,000
Speaker 1: it's the final countdown. It's the final countdown. I guess

593
00:32:08,000 --> 00:32:10,320
Speaker 1: I would have because I guess rock But that's the

594
00:32:10,360 --> 00:32:13,280
Speaker 1: hardest one I think. Okay, oh good, yeah, yeah, alright,

595
00:32:13,280 --> 00:32:16,160
Speaker 1: I write your answers down Amy, Eddie Lunchbox. It is

596
00:32:16,200 --> 00:32:42,760
Speaker 1: elimination style. Name the first song, yes, Amy, Sweet Caroline, Eddie.

597
00:32:42,800 --> 00:32:53,000
Speaker 1: I have Sweet Caroline, Lunchbox, Sweet Caroline. Next up, name

598
00:32:53,080 --> 00:33:24,680
Speaker 1: the marching band playing the song. Here you go. Amy

599
00:33:24,720 --> 00:33:27,480
Speaker 1: took her headphones off. It was gonna be the most

600
00:33:27,560 --> 00:33:32,440
Speaker 1: recognize I'm part of the song. I have the song.

601
00:33:32,520 --> 00:33:34,920
Speaker 1: I just can't think of it at all. Start of

602
00:33:34,920 --> 00:33:54,520
Speaker 1: that pray so good drugging over there? I have it,

603
00:33:55,480 --> 00:33:57,960
Speaker 1: but all I got let me know when you're in

604
00:33:58,000 --> 00:34:02,600
Speaker 1: over there? Okay, I can't think in the name, but

605
00:34:02,680 --> 00:34:07,960
Speaker 1: I'm in. You're writing down a lot of words. She's

606
00:34:07,960 --> 00:34:11,200
Speaker 1: seven words deep over here. Okay. And then Lunchbox, what

607
00:34:11,239 --> 00:34:14,920
Speaker 1: do you have uptown funk? That's it? What do you

608
00:34:14,960 --> 00:34:18,839
Speaker 1: have over there? Don't believe jess Ratt. That wasn't even

609
00:34:18,840 --> 00:34:21,759
Speaker 1: have been right, that's from uptown funk. Don't give it

610
00:34:21,800 --> 00:34:25,040
Speaker 1: to you. Yeah, don't believe just right? What is it? Yeah,

611
00:34:25,040 --> 00:34:27,400
Speaker 1: it's not just right? Watch well, whatever the words are,

612
00:34:27,400 --> 00:34:30,560
Speaker 1: I honestly whatever was over in my head was don't

613
00:34:30,560 --> 00:34:39,279
Speaker 1: believe Jess Ratt. Fuck it, none of that right there?

614
00:34:39,280 --> 00:34:42,080
Speaker 1: It is Eddie Bones, I have uptown funk. Okay, I'm

615
00:34:42,120 --> 00:34:46,600
Speaker 1: sorry to say. Oh, you have been eliminated. All right,

616
00:34:46,600 --> 00:35:01,920
Speaker 1: here we go Lunchbox and Eddio remaining named this one.

617
00:35:18,760 --> 00:35:22,280
Speaker 1: All right man, let's box for you. Ah, don't stop believing, Eddie,

618
00:35:22,520 --> 00:35:32,040
Speaker 1: don't stop believing. That's correct. Next up, can you name

619
00:35:32,120 --> 00:35:33,959
Speaker 1: this song? As played by the high school marching band

620
00:35:56,440 --> 00:36:00,799
Speaker 1: Let's Box All Star Eddie, I have a star? Nice

621
00:36:00,800 --> 00:36:08,200
Speaker 1: stop game on Hey now, let's get a little bit

622
00:36:08,200 --> 00:36:30,200
Speaker 1: harder here. Named this one, lunch box the middle, Eddie,

623
00:36:31,120 --> 00:36:35,920
Speaker 1: I have the middle? Nice job it? Are you just

624
00:36:36,080 --> 00:36:56,760
Speaker 1: making me name this one? Lunch box? Shake it off, Eddie,

625
00:36:57,320 --> 00:37:05,400
Speaker 1: shake it off? Nice shot? This is crazy all right?

626
00:37:05,480 --> 00:37:24,160
Speaker 1: Next one up, lunchbox? Oh, hold on, hit it again.

627
00:37:26,120 --> 00:37:41,040
Speaker 1: I'm going five more seconds. Alright, lunch box, alright time Eddie.

628
00:37:41,400 --> 00:37:50,440
Speaker 1: Oh no, I got this old Town Road back. Already

629
00:37:50,440 --> 00:37:52,239
Speaker 1: play that one again from the beginning. Here you go,

630
00:37:54,680 --> 00:38:07,719
Speaker 1: old Town Road. You're going right funny. I love this guy.

631
00:38:07,760 --> 00:38:09,239
Speaker 1: See if you can name this next one, Eddie is

632
00:38:09,239 --> 00:38:19,480
Speaker 1: our winner. Here's the next one, come on? Got it?

633
00:38:19,520 --> 00:38:24,160
Speaker 1: Blinding lights? Yeah? Good? Black super bowl? Okay, okay, next

634
00:38:24,200 --> 00:38:48,800
Speaker 1: one shallow? Nice have you can name that one? Got it? You?

635
00:38:48,920 --> 00:38:50,560
Speaker 1: And all ten for ten? So I got it? What

636
00:38:50,640 --> 00:38:57,360
Speaker 1: is it? That went down to Georgia? Fiddle hard Georgia

637
00:38:57,400 --> 00:39:01,120
Speaker 1: and the double deals hard? And if there's a winner

638
00:39:06,239 --> 00:39:08,719
Speaker 1: and high school bands aren't playing these songs, they gotta

639
00:39:08,760 --> 00:39:10,759
Speaker 1: get on it. These are so good. I can't see

640
00:39:10,800 --> 00:39:15,279
Speaker 1: I'm rushing to play shallow. Here's a voicemail we got

641
00:39:15,320 --> 00:39:18,320
Speaker 1: from Morgan and Pa. Here you go. I was just calling.

642
00:39:18,520 --> 00:39:24,279
Speaker 1: I was just curious whenever Bobby, you order anything to

643
00:39:24,440 --> 00:39:26,879
Speaker 1: your house, I don't know, like door Dash or Uber

644
00:39:26,920 --> 00:39:29,800
Speaker 1: eat or whatever you guys get or Amazon Prime, do

645
00:39:29,920 --> 00:39:33,120
Speaker 1: you put your actual name on the packages? I just

646
00:39:33,280 --> 00:39:36,560
Speaker 1: know I remember you guys had some like privacy issues,

647
00:39:36,640 --> 00:39:38,840
Speaker 1: and yeah, I was just curious. Yeah I do. But

648
00:39:38,880 --> 00:39:41,920
Speaker 1: it's my real name, so it doesn't say Bobby Bone,

649
00:39:42,880 --> 00:39:45,719
Speaker 1: but it does say Bobby. So I use real name you.

650
00:39:46,200 --> 00:39:50,160
Speaker 1: Sometimes it's me and sometimes it's another name, yeah, which

651
00:39:50,560 --> 00:39:54,000
Speaker 1: which confuses a lot of my friends at times, even me.

652
00:39:54,040 --> 00:39:56,160
Speaker 1: Sometimes I'm like, who's this And I'm like, oh, yeah,

653
00:39:56,400 --> 00:39:58,719
Speaker 1: you just sign a fake name, a different fake name. No,

654
00:39:58,760 --> 00:40:00,960
Speaker 1: I would sign mine. I'm just saying, for packages, we

655
00:40:01,040 --> 00:40:04,279
Speaker 1: have stuff that shows up all kinds of names. I

656
00:40:04,480 --> 00:40:08,000
Speaker 1: forget who all lives in my house? Quote unquote, let

657
00:40:08,040 --> 00:40:09,800
Speaker 1: me do a voicemail Number two. This is from Betsy,

658
00:40:10,000 --> 00:40:12,840
Speaker 1: my husband. I've been married for almost thirty five years

659
00:40:12,880 --> 00:40:16,520
Speaker 1: and we have moved within the last three years. So

660
00:40:16,560 --> 00:40:21,240
Speaker 1: we've unpacked a bunch of old pictures and paintings and photos.

661
00:40:21,400 --> 00:40:23,520
Speaker 1: He wants to just toss them if we're not going

662
00:40:23,560 --> 00:40:25,919
Speaker 1: to put them on the wall. I feel like I

663
00:40:25,960 --> 00:40:28,680
Speaker 1: want to keep them. For the kids. We have three children.

664
00:40:29,040 --> 00:40:31,440
Speaker 1: I would just love to hear your take on this.

665
00:40:31,920 --> 00:40:34,319
Speaker 1: Thank you very much. I hope you have a wonderful day.

666
00:40:34,760 --> 00:40:38,560
Speaker 1: I think if you have the space and it's not creating,

667
00:40:39,160 --> 00:40:41,040
Speaker 1: you know, some sort of distraction. I think you can

668
00:40:41,120 --> 00:40:42,600
Speaker 1: save them. I would like to have them save just

669
00:40:42,640 --> 00:40:44,520
Speaker 1: in case. Let them make that decision later, don't. You

670
00:40:45,600 --> 00:40:50,279
Speaker 1: can also use legacy box, who we use. Yeah, much

671
00:40:50,600 --> 00:40:54,640
Speaker 1: easy compromise which they take all those pictures and they

672
00:40:54,680 --> 00:40:57,279
Speaker 1: digitize them, so you still have them all but you

673
00:40:57,280 --> 00:40:59,000
Speaker 1: can have them on your computer or your phone, not

674
00:40:59,040 --> 00:41:00,440
Speaker 1: have them an actual paper for him, And if you

675
00:41:00,440 --> 00:41:02,640
Speaker 1: wanted them to pay for me, you just reprint them.

676
00:41:02,640 --> 00:41:05,279
Speaker 1: You know. You can go to legacy box dot com

677
00:41:05,320 --> 00:41:07,759
Speaker 1: slash bones if you do it now fifty percent while

678
00:41:07,800 --> 00:41:11,360
Speaker 1: supplies lash You can say that, but I say keep them, you,

679
00:41:11,600 --> 00:41:14,279
Speaker 1: I say, totally keep them. But yes, the legacy box

680
00:41:14,400 --> 00:41:17,160
Speaker 1: is a compromise where you can digitize it and then

681
00:41:17,320 --> 00:41:19,360
Speaker 1: you know, maybe he gets his way and get getting

682
00:41:19,440 --> 00:41:21,560
Speaker 1: rid of it. But for me, it's like it's worth

683
00:41:21,600 --> 00:41:23,479
Speaker 1: it to try to find a space to hold onto

684
00:41:23,480 --> 00:41:25,680
Speaker 1: the stuff even if you do digitize it. Now, if

685
00:41:25,719 --> 00:41:28,279
Speaker 1: you are a pack rat, period. That's it's probably a

686
00:41:28,320 --> 00:41:30,360
Speaker 1: different conversation. You're probably keeping a lot of stuff, and

687
00:41:30,360 --> 00:41:33,080
Speaker 1: it's like, look, babe, you're keeping everything. Yeah, but I

688
00:41:33,160 --> 00:41:35,560
Speaker 1: do like keeping the pictures if you have space to

689
00:41:35,600 --> 00:41:39,239
Speaker 1: keep the pictures. Yes, here's voicemail number three from Austin, Texas. Hey,

690
00:41:39,360 --> 00:41:42,040
Speaker 1: what's up, Bobby? Man? I'm over here chilling with my kids. Man,

691
00:41:42,360 --> 00:41:44,759
Speaker 1: I got your number. See on calling to say what's uh?

692
00:41:45,120 --> 00:41:51,560
Speaker 1: Think you'll believe me now, say what's upby number? It

693
00:41:51,600 --> 00:41:53,719
Speaker 1: sounds like a dad flex into his kids has my

694
00:41:53,800 --> 00:41:56,080
Speaker 1: number and it just he just called it eight seven,

695
00:41:56,120 --> 00:41:59,200
Speaker 1: seven seventy seven Bobby. Yeah, okay, Hey, I'm for that.

696
00:42:00,000 --> 00:42:04,839
Speaker 1: And finally, here is Kayla from San Antonio. Hi, I'm

697
00:42:04,880 --> 00:42:09,520
Speaker 1: calling because I'm not a little bar and they're playing

698
00:42:09,560 --> 00:42:13,680
Speaker 1: So I don't think I Betty's uncle, but it's definitely

699
00:42:13,719 --> 00:42:22,760
Speaker 1: the song excited. I love this. So what's the story

700
00:42:22,800 --> 00:42:25,359
Speaker 1: with your winning song versus the version? That version? So

701
00:42:25,400 --> 00:42:27,640
Speaker 1: I think that's the original version and my uncle just

702
00:42:27,719 --> 00:42:30,200
Speaker 1: covered it, and that's the version we play on the radio,

703
00:42:30,280 --> 00:42:33,400
Speaker 1: my uncle's band's version. But it's not that one, but

704
00:42:33,440 --> 00:42:35,960
Speaker 1: that that song though, has been done many many times. Yeah,

705
00:42:36,000 --> 00:42:38,000
Speaker 1: it's almost like La Bomba, you know where it's like

706
00:42:38,200 --> 00:42:40,360
Speaker 1: a very popular song and people cover it and my

707
00:42:40,440 --> 00:42:43,239
Speaker 1: uncle's one of the covers. How funny though, she said,

708
00:42:43,239 --> 00:42:45,920
Speaker 1: like a Mexican restaurant or whatever, and she recognizes that love.

709
00:42:46,640 --> 00:42:48,520
Speaker 1: Here's a story for you. A woman says she and

710
00:42:48,520 --> 00:42:50,719
Speaker 1: her husband are having some issues, and he said, why

711
00:42:50,719 --> 00:42:53,040
Speaker 1: don't we do the three by three rule? Now, listen

712
00:42:53,040 --> 00:42:55,080
Speaker 1: to this till me think this is good. The basics

713
00:42:55,120 --> 00:42:57,320
Speaker 1: of the rule is that each parent gets three hours

714
00:42:57,320 --> 00:43:00,080
Speaker 1: a week just for themselves, which can be taken all

715
00:43:00,080 --> 00:43:04,000
Speaker 1: at once or broken up. The couple also gets three

716
00:43:04,040 --> 00:43:07,720
Speaker 1: hours of simply together time. They say it's done, wonders

717
00:43:07,719 --> 00:43:10,759
Speaker 1: for their relationship, all resentment has been gone. They each

718
00:43:10,800 --> 00:43:13,280
Speaker 1: have three hours to themselves and three hours they dedicate

719
00:43:13,320 --> 00:43:15,759
Speaker 1: to each other your thoughts. I think it sounds like

720
00:43:15,800 --> 00:43:17,759
Speaker 1: something that could work for a lot of people, and

721
00:43:17,800 --> 00:43:20,200
Speaker 1: maybe you can't, depending on how you can do it.

722
00:43:20,239 --> 00:43:21,880
Speaker 1: Maybe you'd have to start off with the two and

723
00:43:21,920 --> 00:43:23,680
Speaker 1: two because it might be hard to figure all those

724
00:43:23,680 --> 00:43:25,280
Speaker 1: hours out, or if you got a lot of hours,

725
00:43:25,360 --> 00:43:27,440
Speaker 1: the four and four like I kind of like it,

726
00:43:27,680 --> 00:43:31,640
Speaker 1: or one yeah, eight for me and we have lunch

727
00:43:31,680 --> 00:43:35,400
Speaker 1: together resentment is especially if you have kids. That is

728
00:43:35,400 --> 00:43:37,440
Speaker 1: something that can add up real quick if you're not

729
00:43:38,239 --> 00:43:42,040
Speaker 1: dialed in to the other person, and maybe how time

730
00:43:42,160 --> 00:43:44,880
Speaker 1: is being allocated Eddie with you and your wife you

731
00:43:44,880 --> 00:43:47,240
Speaker 1: have four kids, do you guys try to set aside

732
00:43:47,320 --> 00:43:49,480
Speaker 1: an hour a week just for each other or Yeah,

733
00:43:49,520 --> 00:43:51,799
Speaker 1: that's usually after everyone's in bed and we just kind

734
00:43:51,800 --> 00:43:53,880
Speaker 1: of watch TV or we have a designated show that

735
00:43:53,920 --> 00:43:56,360
Speaker 1: we watched together. Other than that, like date night that

736
00:43:56,360 --> 00:43:59,520
Speaker 1: doesn't really exist in our life. But is that three

737
00:43:59,560 --> 00:44:02,520
Speaker 1: hours a week? Yeah? One round of golf for me

738
00:44:02,680 --> 00:44:05,040
Speaker 1: is like four hours. Yeah, well, so you would just

739
00:44:05,080 --> 00:44:09,400
Speaker 1: get to play nine holes. Nobody wants to play. Really.

740
00:44:09,520 --> 00:44:11,879
Speaker 1: I always love throwing that out as a compromise. Well

741
00:44:12,000 --> 00:44:14,040
Speaker 1: what about nine? Then I'm like, but if I shoot nine,

742
00:44:14,080 --> 00:44:16,000
Speaker 1: I want to know how good I really did a round?

743
00:44:16,160 --> 00:44:18,480
Speaker 1: Oh okay, yeah, So I don't know if I can

744
00:44:18,520 --> 00:44:21,000
Speaker 1: do that in three hours. Well, I mean you you

745
00:44:21,000 --> 00:44:23,280
Speaker 1: you apply what works for you. Maybe you need five hours,

746
00:44:23,320 --> 00:44:25,120
Speaker 1: five and five. Maybe you just do it per month.

747
00:44:25,160 --> 00:44:29,880
Speaker 1: You have twelve per months. Four they goes toward the twelve.

748
00:44:30,000 --> 00:44:32,920
Speaker 1: There you go. You can cater this to fit your lifestyle.

749
00:44:33,080 --> 00:44:35,280
Speaker 1: I did think that's pretty cool, though, I doo. It's

750
00:44:35,320 --> 00:44:42,320
Speaker 1: time for the good news, Bobby, right. This story is awesome.

751
00:44:42,560 --> 00:44:45,000
Speaker 1: There's a place in Albuquerque called this shop. I've been there.

752
00:44:45,000 --> 00:44:46,799
Speaker 1: It's my favorite breakfast I've ever had in my life.

753
00:44:47,280 --> 00:44:50,080
Speaker 1: Pandemic hit. They struggled to stay open. So this woman

754
00:44:50,080 --> 00:44:52,200
Speaker 1: who was a customer there today, I want to help them,

755
00:44:52,200 --> 00:44:53,640
Speaker 1: and I also want to help other people. So what

756
00:44:53,760 --> 00:44:55,719
Speaker 1: she did if she went by the shop and said,

757
00:44:55,760 --> 00:44:59,239
Speaker 1: here's a thousand dollars, so use it for your restaurant,

758
00:44:59,719 --> 00:45:02,879
Speaker 1: but use it when police officers come in, you buy

759
00:45:02,920 --> 00:45:05,120
Speaker 1: their food until you run out of money. So the

760
00:45:05,160 --> 00:45:09,040
Speaker 1: shop stand in business making money and police officers are

761
00:45:09,080 --> 00:45:11,680
Speaker 1: being fed that come in and just want breakfast or lunch.

762
00:45:12,080 --> 00:45:14,319
Speaker 1: That's a great story. She does not want her name

763
00:45:14,360 --> 00:45:18,080
Speaker 1: to be known. She is an anonymous nurse, So shout

764
00:45:18,120 --> 00:45:21,239
Speaker 1: out whomever you are. Anonymous nurse. And that's pretty cool.

765
00:45:21,520 --> 00:45:23,279
Speaker 1: By the way, I'll say it again, the shop is

766
00:45:23,280 --> 00:45:25,440
Speaker 1: the greatest breakfast I've ever had. I was doing a

767
00:45:25,440 --> 00:45:28,319
Speaker 1: show in Albuquerque and went by, made a note, and

768
00:45:28,360 --> 00:45:30,840
Speaker 1: I still preach about it to this day. You went without, man,

769
00:45:30,880 --> 00:45:33,440
Speaker 1: I remember, I've got my favorite breakfast and my favorite dinner.

770
00:45:33,480 --> 00:45:35,160
Speaker 1: I don't have my favorite lunch of all time. And

771
00:45:35,320 --> 00:45:38,000
Speaker 1: have had some good lunches, but it don't have one

772
00:45:38,040 --> 00:45:39,880
Speaker 1: that I'm just like, I'm gonna write that down on

773
00:45:39,920 --> 00:45:43,000
Speaker 1: my phone. So, but I have my favorite weekend brunch

774
00:45:43,080 --> 00:45:46,040
Speaker 1: that had one time. Man, I'm working to my next

775
00:45:46,239 --> 00:45:50,239
Speaker 1: my favorite mills. Ye, well, weekend is brunch. Not a

776
00:45:50,239 --> 00:45:52,359
Speaker 1: big brunch guy. It feels pretty fruit through. But when

777
00:45:52,360 --> 00:45:54,000
Speaker 1: it's what it says on the menu, and you can

778
00:45:54,000 --> 00:45:56,520
Speaker 1: either get lunch or you get it right, I get it. Yeah,

779
00:45:56,520 --> 00:45:57,919
Speaker 1: you get it all right. That's what it's all about.

780
00:45:58,480 --> 00:46:02,800
Speaker 1: That was tell me something good. We got this voicemail

781
00:46:02,880 --> 00:46:06,640
Speaker 1: last night. This is from Aisa Lee. She wants to

782
00:46:06,680 --> 00:46:09,160
Speaker 1: sing on voicemail. This is her shooting her shot. Hey,

783
00:46:09,160 --> 00:46:12,120
Speaker 1: how about it? Let's hear it. What's up Bobby bones? Soho?

784
00:46:12,400 --> 00:46:15,280
Speaker 1: This is day one of shooting my shot. She said,

785
00:46:15,480 --> 00:46:20,800
Speaker 1: here's your one chant, s facy, don't dawn, Oh, here's

786
00:46:20,880 --> 00:46:25,320
Speaker 1: your one chance, fancy. Don't let me down? Hold and

787
00:46:25,480 --> 00:46:31,319
Speaker 1: forgave me so but you say you do not. Don't

788
00:46:31,440 --> 00:46:35,520
Speaker 1: let me down? Honey, Molma gonna movie up town? Did

789
00:46:35,560 --> 00:46:41,959
Speaker 1: she just hung up? I need you to do blink

790
00:46:42,000 --> 00:46:43,799
Speaker 1: one day to two for tomorrow. We'll see how that goes.

791
00:46:43,960 --> 00:46:46,799
Speaker 1: I give her a whole arrangement and tell us where

792
00:46:46,840 --> 00:46:49,600
Speaker 1: you're from, Aisa Lee. All right, shoot your shot, always

793
00:46:49,600 --> 00:46:52,520
Speaker 1: shoot your shot. More people are coming forward about celebrities

794
00:46:52,560 --> 00:46:54,400
Speaker 1: being cool. Let's play the first one. Here, a guy

795
00:46:54,400 --> 00:46:56,200
Speaker 1: who worked at a high end clothing store says, Robert

796
00:46:56,200 --> 00:46:59,480
Speaker 1: Downey Junior came into a Christmas shop wearing an awesome jacket.

797
00:46:59,520 --> 00:47:01,760
Speaker 1: Here you go, he was wearing this really cool jacket.

798
00:47:01,800 --> 00:47:03,880
Speaker 1: So I was like, oh my god, that jacket. It's amazing.

799
00:47:03,880 --> 00:47:05,960
Speaker 1: And he was like, huh, thank you so much. It's

800
00:47:06,040 --> 00:47:08,239
Speaker 1: like the first time I've worn it. Fast forward, he

801
00:47:08,280 --> 00:47:10,799
Speaker 1: finishes shopping and everything in we're helping him out to

802
00:47:10,840 --> 00:47:13,319
Speaker 1: his car and he takes the jacket off and he

803
00:47:13,360 --> 00:47:16,239
Speaker 1: gives it to me and he says, Marry Christmas, and

804
00:47:16,320 --> 00:47:19,800
Speaker 1: this is it. And I have Robert Daddy Junior's jacket.

805
00:47:20,400 --> 00:47:24,440
Speaker 1: Oh my god. Yeah, that's awesome. All right. Here is

806
00:47:24,520 --> 00:47:28,239
Speaker 1: a former child actor talking about Robin Williams because they

807
00:47:28,280 --> 00:47:30,840
Speaker 1: worked together for a bit. So I'm an actor, but

808
00:47:30,880 --> 00:47:32,759
Speaker 1: I was a pretty successful child actor. I did a

809
00:47:32,760 --> 00:47:34,879
Speaker 1: bunch of movies when I was a kid. Nancy Drew

810
00:47:35,080 --> 00:47:37,480
Speaker 1: and Aceventure Junior and Graves game ever played. But I

811
00:47:37,520 --> 00:47:39,960
Speaker 1: want to talk about this movie Licensed to d It

812
00:47:40,000 --> 00:47:42,080
Speaker 1: was a rom com with Chark Krasinski and Mandy Moore,

813
00:47:42,080 --> 00:47:44,319
Speaker 1: who were also incredible and amazing people. But I want

814
00:47:44,320 --> 00:47:46,239
Speaker 1: to talk about Robin Williams. In the two months that

815
00:47:46,280 --> 00:47:48,160
Speaker 1: we worked together, Robin taught me everything that I know

816
00:47:48,200 --> 00:47:51,240
Speaker 1: about comedy and professionalism and being kind to people on set.

817
00:47:51,400 --> 00:47:54,840
Speaker 1: He was the funniest, sweetest, smartest person on the planet.

818
00:47:55,160 --> 00:47:57,239
Speaker 1: I don't care what anybody else says. A genius and

819
00:47:57,440 --> 00:48:00,160
Speaker 1: the kindest man. At the end of filming, Robin to

820
00:48:00,280 --> 00:48:02,880
Speaker 1: my trailer and he gave me a gift. It was

821
00:48:02,920 --> 00:48:06,360
Speaker 1: a signed copy of the Gratcho Letters, signed by Gratcho Marx.

822
00:48:07,000 --> 00:48:09,600
Speaker 1: He said someone gave it to him because he reminded

823
00:48:09,640 --> 00:48:12,319
Speaker 1: them of Gratcho, and Robin gave it to me and

824
00:48:12,360 --> 00:48:15,879
Speaker 1: said it's because that I reminded him of him. Pretty cool.

825
00:48:15,920 --> 00:48:18,719
Speaker 1: Oh that is cool. Here's one more. Here are here's

826
00:48:18,719 --> 00:48:21,359
Speaker 1: the guy talking about Jimmy Fallon. I was lucky enough

827
00:48:21,400 --> 00:48:24,360
Speaker 1: to hold the live studio a girl talking about Jimmy Fallon.

828
00:48:24,400 --> 00:48:26,120
Speaker 1: Thank you. I was lucky enough to be in the

829
00:48:26,160 --> 00:48:29,239
Speaker 1: live studio audience of The Jimmy Fallon Show, and during

830
00:48:29,280 --> 00:48:30,880
Speaker 1: the commercial break, he came right up to me and

831
00:48:30,920 --> 00:48:33,200
Speaker 1: my friends and had a whole conversation with us. We're

832
00:48:33,200 --> 00:48:36,279
Speaker 1: all college kids and communications majors, so he just talked

833
00:48:36,320 --> 00:48:38,880
Speaker 1: to us about that and gave us some genuine advice

834
00:48:38,960 --> 00:48:40,600
Speaker 1: and how he kind of got to be where he

835
00:48:40,680 --> 00:48:43,279
Speaker 1: is today. He seemed very genuine and at a time

836
00:48:43,320 --> 00:48:45,560
Speaker 1: when a lot of talk show hosts and late night

837
00:48:45,600 --> 00:48:48,160
Speaker 1: hosts have rumors about them being really mean behind the scenes,

838
00:48:48,560 --> 00:48:51,480
Speaker 1: it was really refreshing to have that experience with him.

839
00:48:52,040 --> 00:48:54,040
Speaker 1: So there you have three people telling three random stories.

840
00:48:54,080 --> 00:48:57,439
Speaker 1: Well here's mine. I think I've told this on the show.

841
00:48:57,480 --> 00:48:59,680
Speaker 1: Maybe I don't, obviously not, or I think we would

842
00:48:59,719 --> 00:49:02,640
Speaker 1: have guessed. Well, a few years ago, I think one

843
00:49:02,719 --> 00:49:04,840
Speaker 1: hundred people must have said no to this job, and

844
00:49:05,200 --> 00:49:07,680
Speaker 1: maybe too because I just started working on American Idol

845
00:49:07,680 --> 00:49:09,680
Speaker 1: and they were trying to get me on things to

846
00:49:09,920 --> 00:49:12,719
Speaker 1: promote American Idol. But they said, hey, come host Miss

847
00:49:12,719 --> 00:49:16,759
Speaker 1: America or no host, sorry, judge miss America, right, and

848
00:49:16,800 --> 00:49:21,879
Speaker 1: I was like, okay, cool, and so I fly up

849
00:49:22,000 --> 00:49:25,439
Speaker 1: to New Jersey, Atlantic City, which I had never been

850
00:49:25,480 --> 00:49:29,319
Speaker 1: before I'm going to the hotel and there are it's

851
00:49:29,320 --> 00:49:31,760
Speaker 1: famous people everywhere that are there's like ten famous people

852
00:49:31,960 --> 00:49:34,120
Speaker 1: and I'm the one the only one that's not famous.

853
00:49:34,400 --> 00:49:38,080
Speaker 1: And I'm like Dan, there aren't any other like f

854
00:49:38,320 --> 00:49:41,200
Speaker 1: list people like myself, and I'm like man, and it's

855
00:49:41,200 --> 00:49:43,080
Speaker 1: hard to go talk. Everybody has a little cruise with

856
00:49:43,160 --> 00:49:44,680
Speaker 1: them and I didn't have like a group of people

857
00:49:44,680 --> 00:49:47,120
Speaker 1: with me. And so we get on this bus. They say, hey,

858
00:49:47,400 --> 00:49:49,439
Speaker 1: get everyone, go down, get on the bus. We're gonna

859
00:49:49,440 --> 00:49:51,239
Speaker 1: take you across town. We'll go to this place and

860
00:49:51,320 --> 00:49:54,000
Speaker 1: learn how to actually judge the competition. So we go

861
00:49:54,040 --> 00:49:56,640
Speaker 1: and get on the bus and it was like Forrest Gump.

862
00:49:56,840 --> 00:50:00,480
Speaker 1: I'm like walking down. Everybody's got their people sitting with them. Here,

863
00:50:00,760 --> 00:50:05,760
Speaker 1: seats taken, can't so I keep walking down the bus.

864
00:50:06,680 --> 00:50:09,400
Speaker 1: Finally there's a seat in the very like two seats

865
00:50:09,400 --> 00:50:11,680
Speaker 1: from the back, and I sit there by myself and

866
00:50:11,719 --> 00:50:14,560
Speaker 1: I'm just looking around like, oh, it's gonna be a

867
00:50:14,560 --> 00:50:18,040
Speaker 1: long weekend because I don't know anybody and so and

868
00:50:18,160 --> 00:50:19,680
Speaker 1: it's about a twenty five minute bus, right, do you

869
00:50:19,719 --> 00:50:22,839
Speaker 1: guys want to guess who it is? Yeah? Pretty far

870
00:50:22,920 --> 00:50:25,080
Speaker 1: from it, though, Who who do you think Carrot Top?

871
00:50:25,160 --> 00:50:27,200
Speaker 1: I don't know why I guess Carrott Top. But is

872
00:50:27,200 --> 00:50:30,680
Speaker 1: it him? No? Would you guess Mario Lopez? Now you

873
00:50:30,800 --> 00:50:33,839
Speaker 1: say miss America? Okay, so, but I don't know if

874
00:50:33,840 --> 00:50:36,239
Speaker 1: he's still on Shark Tank? Is it Mark Cuban? He

875
00:50:36,320 --> 00:50:38,400
Speaker 1: is still on Shark Tank, but it's not Mark Cuban. Okay.

876
00:50:38,719 --> 00:50:41,799
Speaker 1: Mark Cuban's worth a billions, Yeah, not millions. So I'm

877
00:50:41,800 --> 00:50:47,839
Speaker 1: sitting and again awkwardly by myself, and this guy comes

878
00:50:47,920 --> 00:50:49,600
Speaker 1: walk I see him walking back and he's got a

879
00:50:49,600 --> 00:50:53,120
Speaker 1: good amount of jewelry on. So you can tell that

880
00:50:53,760 --> 00:50:55,960
Speaker 1: he's the famous one. And everybody looks a little different

881
00:50:55,960 --> 00:50:57,680
Speaker 1: in your life when you meet a celebrity, especially someone

882
00:50:57,680 --> 00:51:01,759
Speaker 1: that was famous, you know, famous eight nineteen years ago.

883
00:51:02,120 --> 00:51:04,520
Speaker 1: And he sits down beside me. He goes, yo dog,

884
00:51:05,760 --> 00:51:09,480
Speaker 1: Randy Jackson, He goes, yo dog, Do you not know

885
00:51:09,520 --> 00:51:11,360
Speaker 1: anybody here? I was like, no, no, I don't know anybody.

886
00:51:11,440 --> 00:51:14,000
Speaker 1: He goes, you know me, Now, I'm your friend. So

887
00:51:14,560 --> 00:51:17,080
Speaker 1: we sit on the bus like fifteen minutes. He gives

888
00:51:17,120 --> 00:51:18,640
Speaker 1: me I think I still have a cell phone over,

889
00:51:18,880 --> 00:51:20,719
Speaker 1: gives me a cell phone over. We drive all the

890
00:51:20,719 --> 00:51:23,440
Speaker 1: way across town. I'm like the new kid at school,

891
00:51:23,480 --> 00:51:25,520
Speaker 1: so it feels like he sits beside me as we're

892
00:51:25,560 --> 00:51:27,880
Speaker 1: learning how to judge this competition. He talks to me

893
00:51:27,920 --> 00:51:30,200
Speaker 1: for the whole next day as like my buddy partner.

894
00:51:30,440 --> 00:51:32,360
Speaker 1: We leave, He's like, yo, dog, whenever you need anything,

895
00:51:32,440 --> 00:51:35,040
Speaker 1: hit me up. And I was just like, what just happened?

896
00:51:35,800 --> 00:51:37,880
Speaker 1: He had no reason to be nice to me right there.

897
00:51:38,040 --> 00:51:40,080
Speaker 1: He didn't get anything from it. There was no gain,

898
00:51:40,440 --> 00:51:44,160
Speaker 1: There was no relationship for him that was like a positive.

899
00:51:44,600 --> 00:51:47,360
Speaker 1: He just saw me sitting by myself and near the

900
00:51:47,400 --> 00:51:49,239
Speaker 1: back of the bus and was like hey, He's like,

901
00:51:49,280 --> 00:51:51,680
Speaker 1: yo dog, you need a friend. And I was like yeah, please.

902
00:51:52,960 --> 00:51:55,400
Speaker 1: But there you go. There's my story about a celebrity hicle.

903
00:51:55,680 --> 00:51:57,719
Speaker 1: If you ever met a celebrity and they were randomly

904
00:51:57,800 --> 00:52:04,360
Speaker 1: really nice eight seven seven seventy eight seven seven seventy seven.

905
00:52:04,920 --> 00:52:06,640
Speaker 1: Up a little dinner last night. We ate late last

906
00:52:06,719 --> 00:52:12,279
Speaker 1: night eight seven seven seventy seven. Bobbies Okay, over on

907
00:52:12,320 --> 00:52:14,319
Speaker 1: the phone. Now we have people that have randomly met

908
00:52:14,320 --> 00:52:17,080
Speaker 1: celebrities and they're going to tell us stories. I don't

909
00:52:17,080 --> 00:52:18,600
Speaker 1: know if they're good or bad. Do we want to

910
00:52:18,640 --> 00:52:23,640
Speaker 1: roll the dice? Yeah? Ashley and Arkansas. You are on

911
00:52:23,680 --> 00:52:26,040
Speaker 1: the Bobby Bones Show. Thank you for calling. What's going on?

912
00:52:26,239 --> 00:52:29,800
Speaker 1: So I just said, I'm from Arkansas and I nannied

913
00:52:29,800 --> 00:52:32,560
Speaker 1: for a family while I was in college. And we

914
00:52:32,600 --> 00:52:35,200
Speaker 1: were at Lax and guy in front of me at

915
00:52:35,239 --> 00:52:38,000
Speaker 1: Starbucks started talking to the little girl that I was

916
00:52:38,080 --> 00:52:41,640
Speaker 1: nannying for, telling her how much they looked alike his

917
00:52:41,800 --> 00:52:44,239
Speaker 1: daughter and this little girl. So he didn't proceeds to

918
00:52:44,239 --> 00:52:46,880
Speaker 1: ask me how old she is? And it's Keith Urban.

919
00:52:47,280 --> 00:52:50,480
Speaker 1: Oh that's cool, and he ended up buying my Starbucks.

920
00:52:50,600 --> 00:52:53,640
Speaker 1: But I really wish I would have said, like, hey,

921
00:52:53,719 --> 00:52:58,040
Speaker 1: if you need a nanny, here's not some remember would you, Disgaret,

922
00:52:58,360 --> 00:53:00,719
Speaker 1: would you have moved to nash feel too? Nanny for

923
00:53:00,760 --> 00:53:06,319
Speaker 1: Keith Urban? Absolutely? Yeah. Me to college, I didn't have

924
00:53:06,840 --> 00:53:09,840
Speaker 1: you know, Yeah, I'm from Arkansas, I'm from You probably

925
00:53:09,880 --> 00:53:12,640
Speaker 1: come through my town a lot, and there's not much

926
00:53:12,680 --> 00:53:15,640
Speaker 1: in my hometown. So that's a pretty cool story. I

927
00:53:15,680 --> 00:53:18,520
Speaker 1: will double vouch that Keith's an extremely nice guy, just

928
00:53:18,560 --> 00:53:20,399
Speaker 1: a good dude. Never had a never had a bad

929
00:53:20,440 --> 00:53:21,880
Speaker 1: moment with them, and they've had a bunch of moments

930
00:53:21,880 --> 00:53:23,880
Speaker 1: with them, so well, thank you for that story, Ashley

931
00:53:23,880 --> 00:53:27,160
Speaker 1: I appreciate that he have a good day, you too,

932
00:53:27,200 --> 00:53:28,719
Speaker 1: have a good day. You guys can hit us up.

933
00:53:28,920 --> 00:53:32,520
Speaker 1: Eight seven, seven seventy seven, Bobby, Let's go over and

934
00:53:32,560 --> 00:53:35,040
Speaker 1: talk to Rose and Delaware. Who's on the phone. Hey, Rose,

935
00:53:35,280 --> 00:53:37,040
Speaker 1: I just wanted to tell you a story when I

936
00:53:37,080 --> 00:53:42,160
Speaker 1: met Rob Stewart okay in Tby nineteen seventy seven, nineteen eighty,

937
00:53:42,480 --> 00:53:45,520
Speaker 1: and he kicked out the soccer balls. I caught one.

938
00:53:46,000 --> 00:53:48,960
Speaker 1: Some drunk took it from me, threw me over the

939
00:53:49,080 --> 00:53:53,000
Speaker 1: railing security guard Cane gave me the ball back Rob Stewart.

940
00:53:53,239 --> 00:53:56,279
Speaker 1: Stewart saw it, came over to me, brought the whole

941
00:53:56,280 --> 00:54:00,040
Speaker 1: band over, signed my ball and the whole band and

942
00:54:00,239 --> 00:54:02,640
Speaker 1: I still have it today. Oh dang, that's cool, wonderful.

943
00:54:03,719 --> 00:54:05,960
Speaker 1: How did you have that song? Ready to go? Ray,

944
00:54:06,280 --> 00:54:08,440
Speaker 1: I'll be like, Bret, can you give me some Darius

945
00:54:08,480 --> 00:54:09,560
Speaker 1: and l It's like many we don't have a club

946
00:54:09,600 --> 00:54:11,239
Speaker 1: up in anywhere, and all of a sudden he's got

947
00:54:11,360 --> 00:54:15,040
Speaker 1: Forever Young by Rod Stewart ready to go. I'm bad

948
00:54:15,040 --> 00:54:17,759
Speaker 1: all right, Hey, thank you for that call. That's pretty cool.

949
00:54:17,880 --> 00:54:21,879
Speaker 1: Let's go over and talk to Rob and austin Texas. Hey, Rob,

950
00:54:21,880 --> 00:54:24,000
Speaker 1: you're on the Bobby Bones Show. What celebrity did you meet?

951
00:54:24,320 --> 00:54:27,719
Speaker 1: Probably the most memorable is I've done a lot of

952
00:54:27,760 --> 00:54:31,960
Speaker 1: extra and double work on sets, and the most memorables.

953
00:54:32,000 --> 00:54:35,080
Speaker 1: I'm sitting down having a lunch and all of a sudden,

954
00:54:35,400 --> 00:54:37,600
Speaker 1: from behind me, I hear a voice. Are the Vituals?

955
00:54:37,640 --> 00:54:41,160
Speaker 1: Good Son? And I look up and it's Clint Eastwood.

956
00:54:41,280 --> 00:54:44,719
Speaker 1: Oh that's cool, And I said, yes, sir, they are.

957
00:54:44,800 --> 00:54:46,120
Speaker 1: He said, do you mind if I sit down? We'll

958
00:54:46,160 --> 00:54:49,480
Speaker 1: have lunch together. Got pictures with the guy. He's probably

959
00:54:49,480 --> 00:54:52,319
Speaker 1: the nicest man. Him and Patrick Swacy I ever met

960
00:54:52,360 --> 00:54:56,520
Speaker 1: in Hollywood. Dan, But but I loved it. That's pretty

961
00:54:56,560 --> 00:54:58,680
Speaker 1: cool that you had lunch with Clint Eastwood and he

962
00:54:59,000 --> 00:55:04,200
Speaker 1: wandered about the vituls. Yeah. Yeah, he's quart squirts the guy.

963
00:55:04,239 --> 00:55:06,840
Speaker 1: He's a really cool, cool dude. And I had a

964
00:55:06,920 --> 00:55:08,960
Speaker 1: nice time. Women, I appreciate that. Call Rob, Hope, you

965
00:55:09,000 --> 00:55:14,160
Speaker 1: have a great day, are you too? Take on the

966
00:55:14,160 --> 00:55:17,080
Speaker 1: phone right now? Is Meghan in West Virginia? I need

967
00:55:17,080 --> 00:55:20,480
Speaker 1: some advice. Okay, I just started seeing this guy who's

968
00:55:20,600 --> 00:55:23,640
Speaker 1: ten years older than me. He's been married, how three hids.

969
00:55:23,760 --> 00:55:27,480
Speaker 1: I'm thirty and my parents we've been dating for nine

970
00:55:27,560 --> 00:55:31,920
Speaker 1: months and I just introduced them to my parents, my family,

971
00:55:32,719 --> 00:55:36,680
Speaker 1: and every single person in my family. Fine, mom, my dad,

972
00:55:36,760 --> 00:55:39,880
Speaker 1: my brothers are all against it because he's older and

973
00:55:40,040 --> 00:55:44,239
Speaker 1: has three kids. Okay, so first before you throw out

974
00:55:44,239 --> 00:55:46,640
Speaker 1: their advice or take their advice, yea again, why are

975
00:55:46,680 --> 00:55:48,880
Speaker 1: they telling you that they don't like him? Is it

976
00:55:48,920 --> 00:55:51,200
Speaker 1: only because he's older and has three kids? I think

977
00:55:51,239 --> 00:55:54,080
Speaker 1: so you didn't have like a big neck, tattooed face, tattoo,

978
00:55:54,160 --> 00:55:58,560
Speaker 1: prison record, or anything like that. No, if that's the

979
00:55:58,640 --> 00:56:00,400
Speaker 1: reason that they don't think you should be with him,

980
00:56:00,440 --> 00:56:04,279
Speaker 1: and you know those things already exist, I don't think

981
00:56:04,320 --> 00:56:06,920
Speaker 1: you should listen to the advice they're giving you. I

982
00:56:06,960 --> 00:56:08,719
Speaker 1: think when someone gives you advice, if you understand why

983
00:56:08,760 --> 00:56:10,640
Speaker 1: they're giving you that advice, that's a big help. If

984
00:56:10,640 --> 00:56:13,840
Speaker 1: you already know he's married, three kids his past and

985
00:56:13,920 --> 00:56:16,799
Speaker 1: you're like, you know what, I still love them, I

986
00:56:16,880 --> 00:56:19,120
Speaker 1: still have a great feeling and there's fulfillment when I'm

987
00:56:19,120 --> 00:56:22,120
Speaker 1: with him, I think you should pursue that. I don't

988
00:56:22,120 --> 00:56:25,080
Speaker 1: think you let your parents, your brother and sister, whatever

989
00:56:25,120 --> 00:56:29,160
Speaker 1: you have, walk you against that. If you already know

990
00:56:29,239 --> 00:56:32,360
Speaker 1: why they're saying what they're saying and you still disagree

991
00:56:32,360 --> 00:56:35,360
Speaker 1: with it. You're also not twenty two. If you or nineteen.

992
00:56:35,400 --> 00:56:36,960
Speaker 1: If you were nineteen with a forty year old that

993
00:56:37,000 --> 00:56:39,120
Speaker 1: had all this even I would go, hey, you don't

994
00:56:39,200 --> 00:56:41,760
Speaker 1: understand yet. You're just a kid. Like, listen to your parents.

995
00:56:41,800 --> 00:56:46,120
Speaker 1: They've been there. You're thirty, You're good. You know what

996
00:56:46,200 --> 00:56:48,440
Speaker 1: this world. You've spun around this planet enough times to

997
00:56:48,520 --> 00:56:51,319
Speaker 1: understand what's happening. So I think you're good. I think

998
00:56:51,320 --> 00:56:53,279
Speaker 1: you should pursue this until you don't feel like you

999
00:56:53,320 --> 00:56:56,440
Speaker 1: should pursue it anymore. Amy your thoughts, Yeah, no, I agree.

1000
00:56:56,760 --> 00:57:00,400
Speaker 1: If she wants to be with him, then it's most lee.

1001
00:57:00,480 --> 00:57:02,640
Speaker 1: She can hear what her family has to say, but

1002
00:57:02,880 --> 00:57:07,759
Speaker 1: listen what but you don't. You're an adult and you

1003
00:57:07,800 --> 00:57:11,359
Speaker 1: don't have to listen to friends and family. If it's

1004
00:57:11,400 --> 00:57:14,960
Speaker 1: a decision that you feel good about. I would also say,

1005
00:57:15,280 --> 00:57:17,200
Speaker 1: sit down and say, hey, tell me why, Like, actually

1006
00:57:17,240 --> 00:57:19,440
Speaker 1: have a conversation and say, Okay, I understand everything you're saying,

1007
00:57:19,480 --> 00:57:22,280
Speaker 1: but here's why I feel the opposite way. And then

1008
00:57:23,000 --> 00:57:26,200
Speaker 1: you know, be an adult and go make adult decisions. So, Megan,

1009
00:57:26,360 --> 00:57:28,440
Speaker 1: we're on your team completely here. We think you should

1010
00:57:28,440 --> 00:57:30,440
Speaker 1: pursue this. If it makes you feel good. If he

1011
00:57:30,480 --> 00:57:32,600
Speaker 1: makes you feel good, then go go to town. Oh

1012
00:57:32,640 --> 00:57:35,120
Speaker 1: what about like my family, I'm close of them to

1013
00:57:35,440 --> 00:57:37,520
Speaker 1: so that makes such difficult. Of course it is, but

1014
00:57:37,560 --> 00:57:39,720
Speaker 1: I think they have to understand and love you the

1015
00:57:39,720 --> 00:57:42,680
Speaker 1: same way you're understanding and loving them. You're listening, but

1016
00:57:42,720 --> 00:57:45,240
Speaker 1: you also need to explain to them why you feel

1017
00:57:45,280 --> 00:57:47,520
Speaker 1: the way that you do. They have some decisions to make,

1018
00:57:47,840 --> 00:57:50,440
Speaker 1: but they're not running your life. You're running your life.

1019
00:57:50,520 --> 00:57:53,080
Speaker 1: They're walking alongside of you, but they're not running you.

1020
00:57:53,600 --> 00:57:55,680
Speaker 1: So this is a youth thing. You're a big girl,

1021
00:57:55,880 --> 00:57:59,280
Speaker 1: you're thirty. Let's go Okay, that's a kick in the pants.

1022
00:57:59,320 --> 00:58:02,400
Speaker 1: You need it today. And let's of course, there's some

1023
00:58:02,440 --> 00:58:05,360
Speaker 1: reason why he don't listen. If he's if he's you know,

1024
00:58:05,560 --> 00:58:07,480
Speaker 1: if it has to turn his porch light off at Halloween,

1025
00:58:07,520 --> 00:58:08,880
Speaker 1: if you know what I'm saying, so kids don't come

1026
00:58:08,880 --> 00:58:11,760
Speaker 1: to his door, that's an issue. However, if he's a

1027
00:58:11,760 --> 00:58:14,000
Speaker 1: good dude and he has a history that you're fine with,

1028
00:58:14,280 --> 00:58:16,840
Speaker 1: go let a rip. Yeah, but just honest communication with

1029
00:58:16,880 --> 00:58:19,120
Speaker 1: your parents is in your family is what you need

1030
00:58:19,160 --> 00:58:20,840
Speaker 1: to do right now and tell them how It makes

1031
00:58:20,840 --> 00:58:22,840
Speaker 1: you feel like they will understand if they love you.

1032
00:58:22,880 --> 00:58:25,280
Speaker 1: Megany and call us back in a week or two

1033
00:58:25,280 --> 00:58:28,240
Speaker 1: weeks after you have this conversation. Okay, yeah, actually, um,

1034
00:58:29,240 --> 00:58:33,120
Speaker 1: we are going to use with my brother. Let him know, then,

1035
00:58:33,320 --> 00:58:40,360
Speaker 1: let him know, call us back, bonehead, Sorry up today.

1036
00:58:40,680 --> 00:58:43,720
Speaker 1: This story comes to us from Florida. Last Wednesday, a

1037
00:58:43,800 --> 00:58:45,960
Speaker 1: fifty nine year old man got out of prisonent or

1038
00:58:46,000 --> 00:58:48,840
Speaker 1: eight years for robbing a bank, went to bed, woke

1039
00:58:48,960 --> 00:58:51,280
Speaker 1: up Thursday morning, said what am I gonna do today,

1040
00:58:51,480 --> 00:58:53,360
Speaker 1: walked into a bank and demanded one hundred and fifty

1041
00:58:53,400 --> 00:58:57,120
Speaker 1: thousand dollars robbed up bank. That's what he's gonna do.

1042
00:58:57,840 --> 00:59:01,200
Speaker 1: That's shawshank right there. Couldn't be out of prison, get

1043
00:59:01,200 --> 00:59:03,760
Speaker 1: busy living or get busy done. It didn't feel comfortable

1044
00:59:03,760 --> 00:59:07,080
Speaker 1: out of jail, right that happened? Yeah, me, I'm always

1045
00:59:07,120 --> 00:59:09,480
Speaker 1: comfortable out of the big House. That's my true home,

1046
00:59:09,520 --> 00:59:12,439
Speaker 1: I think generation that's my whole family has been in jail.

1047
00:59:13,000 --> 00:59:15,680
Speaker 1: All right, lunchbox, I'm lunchbox at your bone head story

1048
00:59:15,680 --> 00:59:18,600
Speaker 1: of the day. I mean and I were talking right

1049
00:59:18,680 --> 00:59:20,240
Speaker 1: before we came back on air, and I was like, Hey,

1050
00:59:20,280 --> 00:59:22,920
Speaker 1: what to dinner last night? At this place called like

1051
00:59:23,360 --> 00:59:27,479
Speaker 1: Ulon what's it called. So I hadn't heard of it either,

1052
00:59:27,560 --> 00:59:30,040
Speaker 1: But and so we go and I order this nooki,

1053
00:59:30,440 --> 00:59:32,360
Speaker 1: which I've never been quite sure what noki is. I'm

1054
00:59:32,360 --> 00:59:35,240
Speaker 1: pretty sure it's potatoes at that point. Okay, but if

1055
00:59:35,080 --> 00:59:37,160
Speaker 1: it feels like a noodle in your mouth, it's like

1056
00:59:37,160 --> 00:59:39,400
Speaker 1: a potato pasta. It's like potato on your plate, noodle

1057
00:59:39,400 --> 00:59:43,560
Speaker 1: in your mouth. Wow, Yeah, sonoki is so good. Well,

1058
00:59:43,680 --> 00:59:45,520
Speaker 1: and I didn't know if noki had meat in it,

1059
00:59:45,560 --> 00:59:48,760
Speaker 1: and it didn't. I learned last night. But I looked

1060
00:59:48,760 --> 00:59:50,600
Speaker 1: at the menu and it was a little expensive for

1061
00:59:50,600 --> 00:59:54,680
Speaker 1: fornoki because most nooki is I get olive garden. I'll

1062
00:59:54,680 --> 00:59:56,480
Speaker 1: be honest with you. That's how I usually roll. I

1063
00:59:56,480 --> 01:00:00,200
Speaker 1: get the nooki with with some meat alive garden. And

1064
01:00:00,280 --> 01:00:02,880
Speaker 1: so they bring it and they're like, oh, we're gonna

1065
01:00:02,920 --> 01:00:05,920
Speaker 1: get you. We're gonna put some truffles on this. It

1066
01:00:05,960 --> 01:00:09,160
Speaker 1: doesn't truffles. I don't do it. They do nothing for me,

1067
01:00:09,280 --> 01:00:11,480
Speaker 1: like you just don't taste them. It looked like they

1068
01:00:11,480 --> 01:00:13,800
Speaker 1: were putting tree bark. And I'm sure if you're a

1069
01:00:13,800 --> 01:00:17,160
Speaker 1: truffles fan, it's amazing. But they're like sprinkled it on,

1070
01:00:17,200 --> 01:00:21,800
Speaker 1: they're like shaving it, and Caitlin's like, that looks beautiful.

1071
01:00:23,600 --> 01:00:25,760
Speaker 1: I just don't. For me. I just I guess I'm

1072
01:00:25,840 --> 01:00:29,320
Speaker 1: not sophisticated enough to love a truffle. I love truffle,

1073
01:00:29,440 --> 01:00:33,200
Speaker 1: chocolate truffles. Those those are good. That's not what they're

1074
01:00:33,200 --> 01:00:35,960
Speaker 1: shaving on them. And that place was really good. It's

1075
01:00:35,960 --> 01:00:40,280
Speaker 1: just a truffle thing. It's weird to me, but we

1076
01:00:40,480 --> 01:00:41,560
Speaker 1: ate it, and it was. It was good. It was

1077
01:00:41,560 --> 01:00:43,800
Speaker 1: good food. We were out probably way too late last night.

1078
01:00:45,080 --> 01:00:49,280
Speaker 1: Oh that's way that's way too lazy nowadays. It was

1079
01:00:49,280 --> 01:00:51,080
Speaker 1: a really good place to eat though, and it'd have

1080
01:00:51,080 --> 01:00:52,520
Speaker 1: been a while since we got to go out and

1081
01:00:52,560 --> 01:00:55,040
Speaker 1: just have dinner and talk and you know, not worried

1082
01:00:55,040 --> 01:00:58,720
Speaker 1: about the kids. Yeah, yes, get away from the house.

1083
01:00:59,080 --> 01:01:01,560
Speaker 1: You had that something. If you're a new listener, Bobby

1084
01:01:01,560 --> 01:01:06,120
Speaker 1: doesn't have kids, have two dogs. The bommy mon Shoe