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Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I

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Speaker 1: am your host Movie Mike. Today. I want to talk

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Speaker 1: about ten movies I believe belong in the National Film Registry.

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Speaker 1: They just released the movies going into it this year,

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Speaker 1: But there are some major movies from our lifetime that

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Speaker 1: are not in this registry yet. Some of them I

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Speaker 1: can't believe it. Big injustice here is. I want to

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Speaker 1: give my ten list of movies I think deserve to

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Speaker 1: be preserved forever. We'll talk about what the National Film

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Speaker 1: Registry even is. In the movie review, I'll be talking

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Speaker 1: about Sam Raimis Sendhelp starring Rachel McAdams and Dylan O'Brien.

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Speaker 1: And in the Trailer Park breaking Down the Devil, Where's Prada? Two?

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Speaker 1: Could it be the best number two movie coming out

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Speaker 1: this year? A lot of big sequels from legacy movies,

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Speaker 1: so we'll talk about that. Thank you for being here,

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Speaker 1: Thank you for being subscribed. Shout out to the Monday

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Speaker 1: Morning movie crew at Now let's talk movies from the

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Speaker 1: national podcast network Movie Mikes Movie Podcasts. The Library of

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Speaker 1: Congress just announced its latest entries into the National Film Registry.

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Speaker 1: Is this exactly? Well, here's the statement, they gave. When

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Speaker 1: we preserve films, we preserve American culture for generations to come.

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Speaker 1: These selections for the National Film Registry show us the

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Speaker 1: films that are instrumental in capturing important parts of our

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Speaker 1: nation's story. So essentially, when a movie gets put into

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Speaker 1: this National Film Registry, it means it's being recognized as

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Speaker 1: being culturally, historically and esthetically significant. The criteria is these

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Speaker 1: movies must be at least ten years old to ensure

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Speaker 1: that they are protected for generations to come. The Library

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Speaker 1: of Congress actually stores millions of films, videos, TV recordings,

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Speaker 1: and they have a collection of about one hundred and

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Speaker 1: fifty thousand titles. And they do hold some of these

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Speaker 1: titles on Capitol Hill, but most of the physical film

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Speaker 1: collections are actually stored off site at the Packard Campus

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Speaker 1: for Audio Visual Conservation in Culpeper, Virginia. In this collection,

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Speaker 1: they have really really old movies dating back to nineteen

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Speaker 1: eighty five. Some of them are on film that could

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Speaker 1: ascentdly burst into flames because they are so old and

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Speaker 1: so sensitive. So they house these in a special climate

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Speaker 1: controlled environment and every year they pick twenty five movies

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Speaker 1: to go in your Big Ones already there. Your Casablanca is,

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Speaker 1: Your Wizard of Oz, your Lion Kings, all those major

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Speaker 1: movies that you think about are probably already on this list.

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Speaker 1: But there were a lot that when I started thinking

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Speaker 1: of the movies that I feel are pillars of American culture,

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Speaker 1: especially if you grew up in the nineties and early

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Speaker 1: two thousands, that I could not believe that they were

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Speaker 1: not in there already. And the only thing they have

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Speaker 1: to do is be at least ten years old, and

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Speaker 1: some of these are twenty thirty years old at this point.

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Speaker 1: But before we do that, I'll go through the twenty

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Speaker 1: five movies that just made the cut this year and

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Speaker 1: are going in. I would say probably not until we

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Speaker 1: get to the movies from the eighties. I have not

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Speaker 1: even seen these, so maybe I need to do some

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Speaker 1: research and go back and see why some of these

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Speaker 1: are so relevant and important to be stored. But from

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Speaker 1: eighteen ninety six, the oldest movie on this list then

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Speaker 1: and the Dog have not seen that movie, The Oath

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Speaker 1: and the Sword from nineteen fourteen, The Maid of McMillan

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Speaker 1: from nineteen sixteen, The Lady from nineteen twenty five, Sparrows

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Speaker 1: from nineteen twenty six, Ten Nights in a Barroom from

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Speaker 1: twenty six, White Christmas from fifty four, High Society from

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Speaker 1: fifty six, Brooklyn Bridge from nineteen eighty one. We're getting

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Speaker 1: a little bit more relevant now and actually know some

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Speaker 1: of these movies, Say Amen, Somebody from nineteen eighty two,

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Speaker 1: The Thing from nineteen eighty two, that is one I

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Speaker 1: believe should have already been on this list. So I

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Speaker 1: think that is the birsts best entry to go into

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Speaker 1: this registry. You also have The Big Chill from nineteen

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Speaker 1: eighty three, Karate Kid from eighty four, What a great movie.

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Speaker 1: I'm glad that movie finally got its justice going in

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Speaker 1: this year, Glory from nineteen eighty nine, Philadelphio from nineteen

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Speaker 1: ninety three, a great Tom Hanks pick, going in There

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Speaker 1: Before Sunrise from nineteen ninety five. I wonder if that

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Speaker 1: entire collection of movies will end up being in the

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Speaker 1: registry or they only pick the first one, Clueless from

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Speaker 1: nineteen ninety five. That is what I'm talking about, because

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Speaker 1: I feel that category of movie is underrepresented on this registry,

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Speaker 1: where it's not just movies that are the most well

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Speaker 1: reviewed or have the most awards, or even have the

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Speaker 1: best rating online. It has to be about that cultural relevance,

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Speaker 1: and that is such an essential movie to the nineties.

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Speaker 1: I'm glad that movie is finally going in. Also from

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Speaker 1: the nineties, you have The Truman Show, a top five

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Speaker 1: Jim Carrey movie, and I think later on my list,

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Speaker 1: I have another Jim Carrey movie, So it's gonna have

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Speaker 1: to be a lot of Jim Carrey inside of this registry.

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Speaker 1: Getting into the two thousand and now, you have Freedom

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Speaker 1: from two thousand and two, The Hours also from two

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Speaker 1: thousand and two, The Incredibles from two thousand and four.

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Speaker 1: As I was going through all the movies in the registry,

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Speaker 1: I also think animation is also really underrepresented on movies.

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Speaker 1: We need to preserve The Wrecking Crew from two thousand

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Speaker 1: and eight, not the Wrecking Crew that I reviewed last

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Speaker 1: week from Amazon Prime. A much different the Wrecking Crew,

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Speaker 1: and I have to imagine the movie I reviewed last

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Speaker 1: week will probably not end up on this registry at

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Speaker 1: any point, but still pretty good action movie. And then

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Speaker 1: the most recent movies from the twenty tens, you have

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Speaker 1: Inception from twenty ten. I think this will influence my

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Speaker 1: ten movies later on. But a great pick going into

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Speaker 1: the registry the Loving Story from twenty eleven, and the

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Speaker 1: final and most recent movie on the list is The

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Speaker 1: Grand Buddapest Hotel from director Wes Anderson from twenty fourteen.

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Speaker 1: So overall, I would rate this class about a B plus.

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Speaker 1: Some of those early ones I'm just not familiar with.

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Speaker 1: But I think you have some really big players here

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Speaker 1: with movies like The Karate Kid, Philadelphia, Clue List, The

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Speaker 1: Truman Show, The Incredibles I think is a big win here,

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Speaker 1: Inception one of the best movies of the twenty tens.

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Speaker 1: I also love The Grand Budapest Hotel in there as well,

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Speaker 1: Wes Anderson's best movie of all time. But now let's

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Speaker 1: get into the ten movies I believe belong in the

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Speaker 1: National Film Registry. Starting with my first pick, I just

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Speaker 1: cannot believe this movie is not in there. From nineteen

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Speaker 1: ninety three, The Sandlot. This is one of the most

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Speaker 1: pivotal movies of the nineties. You could argue that this

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Speaker 1: is one of the greatest sports movies of all time,

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Speaker 1: but it captures nineteen sixties America. One of the best

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Speaker 1: also coming of age movies that you might not realize

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Speaker 1: that The Sandlot is a coming of age movie because

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Speaker 1: it's so focused on baseball. About a kid who moves

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Speaker 1: to a new town, doesn't know anybody, doesn't know anything

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Speaker 1: about baseball. He is just trying to make friends. He

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Speaker 1: is socially awkward, and he finds the best group of

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Speaker 1: friends who are also misfits, but they all love baseball

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Speaker 1: and take them in as one of their own. It's

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Speaker 1: about childhood, It's about friendship and the love of baseball.

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Speaker 1: It does not get more American than The Sandlot. I

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Speaker 1: think one of the most important movies of a lot

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Speaker 1: of our childhoods a movie with so much rewatchability, so

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Speaker 1: iconic in so many ways that you can't get through

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Speaker 1: any Halloween without somebody dressing up like somebody from the Sandlot.

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Speaker 1: And this movie made all those actors famous forever, where

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Speaker 1: they still go around to baseball games or any sporting

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Speaker 1: event and people still care about the cast from The Sandlot.

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Speaker 1: What a wild thing it must be, not just to

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Speaker 1: be a child actor, but to be a part of

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Speaker 1: a movie that is so iconic that it stays with

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Speaker 1: you for the rest of your life. Where a lot

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Speaker 1: of them this is their one major credit in their

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Speaker 1: acting career. To think you did something when you were ten, twelve,

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Speaker 1: eleven years old, twelve years old. However they all were

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Speaker 1: during the time of making this movie. That you go

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Speaker 1: into it just wanting to do something fun. What kid

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Speaker 1: would it want to be a part of a movie?

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Speaker 1: And now that movie is a part of you for

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Speaker 1: the of your life. But this movie has now been

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Speaker 1: eligible for over twenty years, and the fact that it's

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Speaker 1: not in there already, I put that as my number

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Speaker 1: one movie that needs to go in right now. And

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Speaker 1: number two another movie from my childhood that is one

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Speaker 1: that I think has built up relevance over time. It

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Speaker 1: is probably more relevant now in people's lives than when

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Speaker 1: it was when it came out back in nineteen ninety five.

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Speaker 1: And that movie is a Goofy movie. Because it's a

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Speaker 1: cult classic. This movie has taken on a life of

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Speaker 1: its own where it's not only relevant because it's such

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Speaker 1: a core movie for millennials, but also millennials who are

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Speaker 1: of different races that somehow saw themselves in Max and

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Speaker 1: in Goofy, even though Goofy isn't a signed of race.

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Speaker 1: But I think through that nineties nostalgia, the R and

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Speaker 1: B infused soundtrack and songs that is why people who

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Speaker 1: never really felt represented in a movie felt a connection

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Speaker 1: with these characters because they acted cool, they sounded cool,

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Speaker 1: and we all wanted to be like him. And it's

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Speaker 1: through this cult classic culture that we found other people

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Speaker 1: who also loved this movie that we didn't realize at

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Speaker 1: the time because there was no social media, We did

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Speaker 1: not realize when we were watching this movie on VHS

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Speaker 1: how much it was impacting us. That That is why

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Speaker 1: I think now the movie is more relevant now than ever,

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Speaker 1: and something like that deserves to be preserved because of

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Speaker 1: how much it means to so many people. Every single

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Speaker 1: year you see a deep dive into it. A documentary

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Speaker 1: last year that came out not just the goof I

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Speaker 1: had the filmmakers on this podcast talking about why this

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Speaker 1: movie was so culturally relevant. So for a movie now

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Speaker 1: over thirty years after it came out, Oh Boy ninety

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Speaker 1: five is over thirty years now in twenty twenty six,

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Speaker 1: a movie about a father bonding with this son, fearing

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Speaker 1: of him growing up through the eyes of Goofy. As

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Speaker 1: ridiculous as it sounds, it is so meaningful to so

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Speaker 1: many people. A Goofy movie deserves to be in the

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Speaker 1: red District at number three, also from nineteen ninety five,

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Speaker 1: I Have Friday kind of along the same lines of

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Speaker 1: a goofy movie. I still think this movie is more

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Speaker 1: relevant now than ever. It is one of the most

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Speaker 1: quotable movies of the nineties. It shifted the way we

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Speaker 1: looked at this genre of movies in the nineties, where

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Speaker 1: oftentimes these neighborhoods were portrayed as something being only violent

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Speaker 1: and tragic, and the entire plotline of this movie was

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Speaker 1: a different take on that. While it is still about

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Speaker 1: two people going to be killed over a very low

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Speaker 1: amount of money because of some drug business gone wrong,

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Speaker 1: it is done through a humorous lens and meant to

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Speaker 1: find the humor in everyday life of South central Los Angeles.

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Speaker 1: It is such a celebrated movie and it has such

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Speaker 1: a deep fan base that even now people are still

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Speaker 1: begging and wanting to know when another installment in this

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Speaker 1: franchise is going to come out, because this movie was

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Speaker 1: kind of a cultural hit and unexpectedly a little bit

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Speaker 1: it only costs three point five million dollars to make,

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Speaker 1: but went on to make over twenty seven million dollars

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Speaker 1: at the box office. Did really well. Also on VHS

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Speaker 1: sparked so many memes, had really great representation, such a

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Speaker 1: great soundtrack as well, when that was still more important

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Speaker 1: back in the nineties. But it's a movie with such

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Speaker 1: a long legacy and enduring popularity that we still talk

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Speaker 1: about this movie much like we do a Goofy movie

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Speaker 1: from ninety five. It is a pop culture pillar that

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Speaker 1: I cannot believe it's not already in this registry at

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Speaker 1: number three, I have Friday At number four. Moving into

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Speaker 1: the two thousands, I have Napoleon Dynamite. Much like Friday,

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Speaker 1: is another movie that was made for a relatively low

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Speaker 1: budget four hundred thousand dollars, went on to make over

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Speaker 1: forty six million dollars worldwide, and also did really well

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Speaker 1: on home video, making one hundred and thirty million dollars

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Speaker 1: from that. Oh, this movie is so influential on indie

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Speaker 1: comedy fashion and created a moment in the two thousands

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Speaker 1: that could never be replicated. I do believe that Napoleon

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Speaker 1: Dynamite was a movie you had to experience and live

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Speaker 1: it in that moment to understand it. I don't think

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Speaker 1: a kid growing up now could go back and watch

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Speaker 1: this movie and find it as funny as we did

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Speaker 1: in the two thousands, where it was so cutting it

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Speaker 1: just didn't compare and stood out so much between everything

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Speaker 1: else that came out, not only in two thousand and four,

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Speaker 1: but for much of the two thousands before that, where

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Speaker 1: it set a whole new standard on what a comedy

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Speaker 1: could be. It could be dry, ridiculous and still be

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Speaker 1: a hit. It felt nostalgic, even though it never really

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Speaker 1: says at what time this movie takes place, but you

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Speaker 1: think about Kip Internet dating, so obviously it was kind

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Speaker 1: of taking place in the two thousands, even though it

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Speaker 1: had that nineteen eighties esthetic. It also paved the way

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Speaker 1: for more quotable comedies of the two thousands, highly influential,

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Speaker 1: I believe on the success of movies like Juno. I

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Speaker 1: mean you had lines like vote for Pedro, you Goetta

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Speaker 1: eat your tots, Gosh, Tina, you've hard all those great

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Speaker 1: quotes that are such a part of movie vernacular now.

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Speaker 1: It turned John Heater into a star in the two thousands.

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Speaker 1: It put Idaho on the map. It is such a

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Speaker 1: big representation of a very specific time in American culture.

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Speaker 1: That is why I believe Napoleon Dynamite deserves to go

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Speaker 1: into the registry at number five. I wanted to include

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Speaker 1: a horror movie on the list, and when I thought

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Speaker 1: about all the movies I thought had the most impact

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Speaker 1: in the two thousands and the nineties, I had to

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Speaker 1: go back to nineteen ninety six and Scream, where it

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Speaker 1: brought new blood into the slasher genre that peaked in

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Speaker 1: the eighties, and horror movies as a whole moving into

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Speaker 1: the nineties just became the same thing again and again.

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Speaker 1: But here you have Scream that introduced this meta fictional

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Speaker 1: awareness that they still do to this day. It really

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Speaker 1: race the nineties by mixing those elements of horror with

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Speaker 1: satire and a critique on American culture. It gave us

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Speaker 1: one of the most iconic masks of all time with

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Speaker 1: ghost Face. But most importantly, it changed the way that

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Speaker 1: us as an audience engage with a horror movie and

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Speaker 1: have a better understanding of the genre by laying out

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Speaker 1: all the rules of how to survive a horror movie

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Speaker 1: and making that a core part of this movie's DNA,

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Speaker 1: where maybe it does end up hurting it later on

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Speaker 1: down in the franchise, where it becomes a little bit

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Speaker 1: two meta and at times it becomes a parody inside

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Speaker 1: a parody, which, by the way, it did spark one

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Speaker 1: of the best parody movies of all time, Scary Movie

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Speaker 1: and being the main source material for that franchise. But

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Speaker 1: it all goes back to Scream Wes craven rip I

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Speaker 1: think he truly was one of horror's brightest lights and

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Speaker 1: greatest visionaries. So at number five on my list, I

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Speaker 1: have Screamed from nineteen ninety six at number six from

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Speaker 1: two thousand and nine, and I have The Hangover, which

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Speaker 1: I believe is the definitive raunchy comedy of my lifetime.

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Speaker 1: And I think at that time, in the late two thousands,

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Speaker 1: right before we got into the twenty tens going into

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Speaker 1: a decade that would change how we approach comedies, this

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Speaker 1: was almost the last time you can make a movie

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Speaker 1: this raunchy and not politically correct. If you go back

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Speaker 1: and even just watch the trailer that aired on TV

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Speaker 1: for The Hangover, you couldn't get away with that in

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Speaker 1: a movie, let alone a trailer that's supposed to be

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Speaker 1: advertising your movie. But this movie embraced chaos that I

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Speaker 1: think we really had an appetite for going into the

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Speaker 1: twenty tens, where it spawned a whole genre of raunchy,

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Speaker 1: ridiculous comedies where people were just partying, causing destruction, acting

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Speaker 1: like children, ignoring all your adult responsibilities for the sake

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Speaker 1: of a great comedic movie. And did it all with

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Speaker 1: the fantastic cast with Ed Helms, Bradley Cooper, Zach Gallavanakis,

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Speaker 1: Heather Graham and also to me became the most relevant

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Speaker 1: Las Vegas movie that there's not a time that I

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Speaker 1: go to Vegas now and don't think about The Hangover

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Speaker 1: Alan at Caesar's Palace, asking if this is the real

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Speaker 1: Caesar's Palace. And the only other movie I felt was

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Speaker 1: in contention for taking my big comedy slot on my

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Speaker 1: list was Super Bad from two thousand and seven, But

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Speaker 1: I just think The Hangover had a much more impact

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Speaker 1: on the movies set to come in the two thousand

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Speaker 1: and tens. I think it's more quotable, has more memorable characters.

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Speaker 1: So at number six I have The Hangover from two

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Speaker 1: thousand and nine at number seven, getting into the twenty

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Speaker 1: tens now, which I will go back to the two thousands.

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Speaker 1: But I think this movie is important because when it

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Speaker 1: came out in twenty thirteen, it felt a little bit

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Speaker 1: ahead of its time, even though we were already living

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Speaker 1: in the world of smartphones. I do believe it predicted

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Speaker 1: what is happening now. And the movie is Her from

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Speaker 1: director Spike Jones, and this movie was all about the

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Speaker 1: exploration of human interaction with AI, where Joaquin Phoenix's character

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Speaker 1: gets a new operating system that has AI that communicates

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Speaker 1: with you. It's supposed to help you out in your

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Speaker 1: everyday life with emails. He is a writer at a

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Speaker 1: greeting card company and he just needs some help and

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Speaker 1: he uses AI, but then he ends up falling in

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Speaker 1: love with this AI. And like I said, we were

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Speaker 1: already living in the era of the smartphone in Siri,

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Speaker 1: but it's somehow predicted what is happening now with chat,

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Speaker 1: GBT and people falling in love with their AI assistance,

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Speaker 1: which at the time still sounded super ridiculous. And this

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Speaker 1: movie when it came out was set in the near

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Speaker 1: distant future. I still think even now if you go

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Speaker 1: back and watch it, it still looks like it's maybe

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Speaker 1: in the twenty thirty So we're not quite there yet

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Speaker 1: as far as what this movie looks like, but what

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Speaker 1: they are experiencing in Her, we are already living in it.

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Speaker 1: So I think that is reason enough to include this

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Speaker 1: movie to show how movies can be innovative and predicting

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Speaker 1: the future. And it was such a big commentary on

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Speaker 1: that psychological impact on us having relationships with our screens

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Speaker 1: that now I think we are starting to see how

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Speaker 1: damaging that can be to our attention spans, to our relationships,

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Speaker 1: whether they be romantic or family or personal or business,

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Speaker 1: and how much being on our phones all the time

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Speaker 1: keeps us from experiencing life and love at times. And

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Speaker 1: now it doesn't seem so crazy for somebody to have

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Speaker 1: this relationship that Joaquin Phoenix's character had back in twenty

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Speaker 1: thirteen in Her. It's also wild to me that Spike

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Speaker 1: Jones just drops a movie like Her, and also movies

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Speaker 1: like Where the Wild Things Are, but then sometimes just

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Speaker 1: wants to say, Hey, let me go film all on Jackass,

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Speaker 1: or go do a music video for the Beastie Boys.

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Speaker 1: So at number seven, I have her. At number eight,

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Speaker 1: I have remembered The Titans from two thousand. I would

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Speaker 1: not argue with you if you were to say this

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Speaker 1: was your favorite sports movie of all time, your favorite

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Speaker 1: football movie. I mean, even if you said, remember the

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Speaker 1: Titans is your favorite movie of all time. If you

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Speaker 1: ask anybody now who plays football in college or in

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Speaker 1: the NFL, what's your favorite sports movie? I bet you

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Speaker 1: from my experience of traveling around to different colleges and

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Speaker 1: talking to head coaches and players in our YouTube series

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Speaker 1: Too Much Access, we also do a podcast called twenty

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Speaker 1: five Whistles where we have a lot of coaches on

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Speaker 1: and a lot of players on, and we ask them

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Speaker 1: what is their favorite football movie or just what is

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Speaker 1: their favorite sports movie? And I would say a good

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Speaker 1: sixty to even seventy percent of them always say remember

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Speaker 1: the Titans, because the movie, not only being a football movie,

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Speaker 1: also is the true story of racial integration in the

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Speaker 1: nineteen seventies and just happens to do it through the

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Speaker 1: lens of a high school football team and how to

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Speaker 1: overcome systemic racism and bridge those cultural divides. And then

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Speaker 1: it's also just on top of that, a really great

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Speaker 1: sports movie, a movie that I watched very early on

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Speaker 1: in school, where it feels like at least once a year,

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Speaker 1: this would be the movie we would sit down and

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Speaker 1: watch a movie day because it teaches you all these things,

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Speaker 1: and it's inspiring, and it's just a great movie that

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Speaker 1: I cannot believe is not in this registry, already being

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Speaker 1: eligible now for over fifteen years, it's got to go

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Speaker 1: in at number eight. I have Remember the Titans at

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Speaker 1: number nine. I have two thousand and fours Eternal Sunshine

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Speaker 1: of the Spotless Mind starring Jim Carrey, my favorite romance

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Speaker 1: sci fi movie. Where you don't get many movies that

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Speaker 1: can blend romance in sci fi, but this movie does

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Speaker 1: it so well. And for the longest time it was

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Speaker 1: in my top ten movies of all time. Maybe now

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Speaker 1: in twenty twenty six, where I would say that top

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Speaker 1: ten has shifted greatly in the last three years because

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Speaker 1: there have been such amazing movies that have really rocked me.

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Speaker 1: It has probably dropped down into the top fifteen, maybe

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Speaker 1: top twenty at this point. But it was so impactful

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Speaker 1: on me as a thirteen year old who watched this

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Speaker 1: movie for the first time, as it explores in such

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Speaker 1: a profound way heartbreak and what some would say is

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Speaker 1: the easy way out of dealing with that heartbreak just

388
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Speaker 1: erase the person from your memory. You were in a

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Speaker 1: really bad relationship, why not just erase them all together

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Speaker 1: so you never have to think about them and you

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Speaker 1: never have to feel that pain again. Even me at thirteen,

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Speaker 1: who never experienced real heartbreak, was so moved by this

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Speaker 1: movie and Jim Carey's character who felt so isolated and

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Speaker 1: moody and dark and was just so inside of his head.

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00:21:49,240 --> 00:21:52,159
Speaker 1: I identified with him so much, just being a moody

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Speaker 1: teenager who was trying to understand why girls didn't like me.

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Speaker 1: But I think this movie teaches you so much about

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Speaker 1: why those painful experiences make you who you need to be,

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Speaker 1: to be a human. Where you can't just erase those

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Speaker 1: things because they make you uncomfortable, because it pains you

401
00:22:09,200 --> 00:22:12,760
Speaker 1: to feel that way. It is an essential part of life,

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00:22:13,160 --> 00:22:15,480
Speaker 1: and I think it's even more important now as a

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Speaker 1: society where we start to try and find more easy

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Speaker 1: ways out to situations. I do this too, even now,

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Speaker 1: where it's a whole lot easier now to ignore things

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Speaker 1: or to get out of things that make you feel uncomfortable.

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Speaker 1: But I think these situations are things we need to experience,

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00:22:32,440 --> 00:22:34,840
Speaker 1: so in the same way that we try to curate

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Speaker 1: our feeds and our algorithms to make them perfect, life

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Speaker 1: is not perfect. It's going to be messy. We can

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Speaker 1: put on the best version of ourselves on an Instagram

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Speaker 1: feed or even on a TikTok feed, But it's all

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Speaker 1: those things underneath that have made you who you are,

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Speaker 1: that maybe have put you in the most uncomfortable and

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Speaker 1: painful situations in your life, that are going to be

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Speaker 1: the things that connect you with other people. And I

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Speaker 1: think that is what I took away from that movie

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Speaker 1: back in two thousand and four, even though I didn't

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Speaker 1: realize it, but probably take it away more now in

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Speaker 1: twenty twenty six when I do revisit it. And that

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Speaker 1: is why I think this movie deserves to be in

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Speaker 1: at number nine on my list Eternal Sunshine of the

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Speaker 1: Spotless Mind, especially because Jim Carrey just got in this

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Speaker 1: year that we mentioned earlier with The Truman Show. I

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00:23:20,840 --> 00:23:23,480
Speaker 1: do believe that movie deserved to go in first, but

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Speaker 1: Eternal Sunshine should be right behind that at number ten.

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Speaker 1: This was really tough because I wanted to have a

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Speaker 1: top ten list, and there were others that almost made

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Speaker 1: the cut, the usual suspects. But then when I think

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Speaker 1: about the director and Kevin Spacey in that movie, maybe

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Speaker 1: that is why it has not been entered in. Maybe

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Speaker 1: some controversy there that you don't want to include people

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Speaker 1: who maybe don't deserve this honor of being remembered forever.

434
00:23:47,280 --> 00:23:50,080
Speaker 1: Interstellar was also on my list, but with the Inception

435
00:23:50,320 --> 00:23:52,840
Speaker 1: just going in this year, maybe a little bit too

436
00:23:52,840 --> 00:23:55,600
Speaker 1: early for Interstellar. Maybe in the next five we get

437
00:23:55,600 --> 00:23:57,320
Speaker 1: it in there, but I do believe it is one

438
00:23:57,320 --> 00:24:00,119
Speaker 1: of the best sci fi movies of all time, and

439
00:24:00,119 --> 00:24:03,840
Speaker 1: Glorious Bastards where Quentin Tarantino's Pulp Fiction is already in

440
00:24:03,880 --> 00:24:06,840
Speaker 1: the registry. Maybe it's because some of the things Quentin

441
00:24:06,880 --> 00:24:09,960
Speaker 1: Tarantino has said recently that has changed the way some

442
00:24:10,000 --> 00:24:12,479
Speaker 1: people think about him. I still think this is one

443
00:24:12,520 --> 00:24:15,280
Speaker 1: of his best movies, my personal favorite movie of his.

444
00:24:15,760 --> 00:24:18,960
Speaker 1: But Pulp Fiction went in back in twenty thirteen, so

445
00:24:19,119 --> 00:24:22,200
Speaker 1: maybe not quite time for Glorious Bastards to go in.

446
00:24:22,560 --> 00:24:24,760
Speaker 1: There were some other just personal favorites that I felt

447
00:24:24,800 --> 00:24:26,720
Speaker 1: were a little bit too selfish to my list, but

448
00:24:27,040 --> 00:24:30,400
Speaker 1: Agean Ninja, Thurtles, Leelo, and Stitch Juno almost went in

449
00:24:30,440 --> 00:24:33,840
Speaker 1: there over Napoleon Dynamite, but I still think Napoleon Dynamite

450
00:24:34,040 --> 00:24:37,240
Speaker 1: was before it and also a little bit more culturally relevant.

451
00:24:37,359 --> 00:24:39,679
Speaker 1: Could have been really selfish and put movies in like

452
00:24:39,720 --> 00:24:42,360
Speaker 1: the Avengers, which is now within that at a ten

453
00:24:42,440 --> 00:24:46,399
Speaker 1: year range, Spider Man Avatar that was really close. I

454
00:24:46,440 --> 00:24:49,400
Speaker 1: think that will be in there eventually, but it could

455
00:24:49,480 --> 00:24:51,800
Speaker 1: be another ten years before we see Avatar from two

456
00:24:51,840 --> 00:24:54,240
Speaker 1: thousand and nine entered in there. And then I thought

457
00:24:54,280 --> 00:24:57,240
Speaker 1: of some really great comedies from the two thousands, like

458
00:24:57,320 --> 00:25:01,000
Speaker 1: Super Troopers that I feel is underrepresent in the registry

459
00:25:01,040 --> 00:25:04,320
Speaker 1: as a whole, great sports movies like Moneyball, and there

460
00:25:04,320 --> 00:25:07,359
Speaker 1: were some others that I was really happy had already

461
00:25:07,400 --> 00:25:10,480
Speaker 1: made it in like Selena Ironman, which was added back

462
00:25:10,480 --> 00:25:14,000
Speaker 1: in twenty twenty two. Toy Story was also added back

463
00:25:14,000 --> 00:25:17,040
Speaker 1: in two thousand and five, and La Bamba was added

464
00:25:17,080 --> 00:25:20,440
Speaker 1: back in twenty seventeen. So what I decided to go

465
00:25:20,520 --> 00:25:23,960
Speaker 1: with as my tenth movie that deserves to be in

466
00:25:24,000 --> 00:25:27,960
Speaker 1: the National Film Registry, I am going with Mean Girls

467
00:25:28,000 --> 00:25:31,480
Speaker 1: from two thousand and four, which I believe is a

468
00:25:31,520 --> 00:25:35,840
Speaker 1: perfect movie, not just a perfect comedy, a perfect movie

469
00:25:36,040 --> 00:25:39,000
Speaker 1: from beginning to end. As soon as you hit play

470
00:25:39,320 --> 00:25:42,760
Speaker 1: on Mean Girls, you realize you were watching an instant classic.

471
00:25:43,160 --> 00:25:47,040
Speaker 1: And it still remains culturally relevant at portraying what high

472
00:25:47,040 --> 00:25:49,359
Speaker 1: school is like with clicks, and maybe it's changed a

473
00:25:49,440 --> 00:25:53,000
Speaker 1: little bit as gen Z becomes a little bit more

474
00:25:53,040 --> 00:25:56,040
Speaker 1: accepting of people who aren't in your click. But if

475
00:25:56,080 --> 00:25:58,680
Speaker 1: you still look at the dynamics between the popular kids,

476
00:25:58,680 --> 00:26:02,040
Speaker 1: the less popular kids, the nerds, the band, all those

477
00:26:02,080 --> 00:26:04,959
Speaker 1: different types of people that you encounter in high school,

478
00:26:05,240 --> 00:26:08,760
Speaker 1: I still think it is an accurate portrayal of teenage

479
00:26:08,840 --> 00:26:13,880
Speaker 1: social hierarchies, clicks, the toxic effects of bullying. It still

480
00:26:14,000 --> 00:26:17,280
Speaker 1: has a long lasting list of memorable quotes, which I

481
00:26:17,320 --> 00:26:20,480
Speaker 1: think is important for movies being entered into this registry.

482
00:26:20,520 --> 00:26:23,040
Speaker 1: It deserves to be preserved for that. It is also

483
00:26:23,119 --> 00:26:28,439
Speaker 1: a great exploration on feminism, aggression, a cautionary tale on conformity,

484
00:26:28,520 --> 00:26:31,119
Speaker 1: all those things that you experience in high school. A

485
00:26:31,160 --> 00:26:33,639
Speaker 1: movie that's so relevant. You could still walk into a

486
00:26:33,640 --> 00:26:36,600
Speaker 1: Walmart a Target and find a T shirt or something

487
00:26:36,680 --> 00:26:40,040
Speaker 1: with the saying on Wednesdays, we wear pink. You still

488
00:26:40,080 --> 00:26:43,439
Speaker 1: see Mean Girls memes all the time. The movie itself

489
00:26:43,520 --> 00:26:46,800
Speaker 1: is now over twenty years old, so not only still

490
00:26:46,840 --> 00:26:50,919
Speaker 1: relevant today, but will probably be relevant for another twenty

491
00:26:51,040 --> 00:26:54,439
Speaker 1: or thirty years. At number ten on my list, I

492
00:26:54,520 --> 00:26:56,920
Speaker 1: have Mean Girls. So that is my list that I'll

493
00:26:56,920 --> 00:26:59,840
Speaker 1: recap of all movies I believe should be entered into

494
00:26:59,880 --> 00:27:07,560
Speaker 1: the National Film Registry, The sand Lot, A Goofy Movie, Friday, Napoleon, Dynamite, Scream,

495
00:27:08,160 --> 00:27:12,840
Speaker 1: The Hangover, Her, Remember the Titans, Eternal Sunshine of the

496
00:27:12,840 --> 00:27:16,160
Speaker 1: Spotless Mind, and Mean Girls. All Right, I'll come back

497
00:27:16,240 --> 00:27:25,840
Speaker 1: and give my spoiler free review of Send Help. It

498
00:27:25,880 --> 00:27:28,320
Speaker 1: as Get Into It Now. A spoiler free movie review

499
00:27:28,359 --> 00:27:32,520
Speaker 1: of Send Help, starring Rachel McAdams Dylan O'Brien, directed by

500
00:27:32,560 --> 00:27:35,040
Speaker 1: Sam Raimi, who not only gave us one of the

501
00:27:35,040 --> 00:27:38,080
Speaker 1: best superhero trilogies of all time when he directed the

502
00:27:38,119 --> 00:27:41,639
Speaker 1: og Spider Man movies with Toby maguire, but is also

503
00:27:41,720 --> 00:27:45,000
Speaker 1: responsible for horror classics like The Evil Dead and Out

504
00:27:45,000 --> 00:27:48,840
Speaker 1: of Nowhere gave us one of the best horror comedies

505
00:27:48,920 --> 00:27:52,199
Speaker 1: in a long time. And I am somebody who struggles

506
00:27:52,480 --> 00:27:55,160
Speaker 1: if somebody tells me just go watch this movie. It's

507
00:27:55,160 --> 00:27:58,159
Speaker 1: gonna be a lot of fun. For some reason, I

508
00:27:58,240 --> 00:28:00,679
Speaker 1: don't like that sentiment going into it because to me

509
00:28:00,760 --> 00:28:03,359
Speaker 1: that says, ah, it's not gonna be that good. I

510
00:28:03,359 --> 00:28:05,240
Speaker 1: don't want to go watch something that's just said to

511
00:28:05,240 --> 00:28:08,520
Speaker 1: be fun because to me that means my standards are

512
00:28:08,600 --> 00:28:11,240
Speaker 1: lowered a little bit. But when it comes to Sam

513
00:28:11,320 --> 00:28:14,880
Speaker 1: Raimi and his vision, his campiness which he is really

514
00:28:14,920 --> 00:28:19,600
Speaker 1: famous for. It works and I had surprisingly a lot

515
00:28:19,640 --> 00:28:23,280
Speaker 1: of fun watching this movie. It's about Rachel mcadam's character

516
00:28:23,600 --> 00:28:26,520
Speaker 1: who has been working at this company. The CEO of

517
00:28:26,560 --> 00:28:29,800
Speaker 1: this company passes away and his son played by Dylan

518
00:28:29,840 --> 00:28:32,439
Speaker 1: O'Brien comes into the picture, and his son is kind

519
00:28:32,440 --> 00:28:34,679
Speaker 1: of a jerk. Not just kind of a jerk, he

520
00:28:34,840 --> 00:28:37,960
Speaker 1: is a horrible boss. So she is a strategist working

521
00:28:38,000 --> 00:28:41,960
Speaker 1: at this financial management company in the planning and strategy department.

522
00:28:42,240 --> 00:28:45,440
Speaker 1: She is really good at her job. He just has

523
00:28:45,520 --> 00:28:49,000
Speaker 1: a problem with her personality and finds her a little

524
00:28:49,040 --> 00:28:52,120
Speaker 1: bit off putting. Basically, he's just being a really big

525
00:28:52,200 --> 00:28:55,040
Speaker 1: jerk and being awful towards her. But outside of work,

526
00:28:55,120 --> 00:28:59,480
Speaker 1: she is obsessed with the idea of survival. She reads

527
00:28:59,520 --> 00:29:02,520
Speaker 1: books on on how to build fires, how to find food.

528
00:29:03,120 --> 00:29:06,880
Speaker 1: Also a major fan of the show Survivor. It is

529
00:29:06,920 --> 00:29:09,760
Speaker 1: her dream to go on that show and compete on it.

530
00:29:10,480 --> 00:29:13,240
Speaker 1: So outside of work, that is where all these skills

531
00:29:13,280 --> 00:29:16,160
Speaker 1: come from that come into play later on, because they

532
00:29:16,200 --> 00:29:19,200
Speaker 1: go on this work trip where the plane goes down,

533
00:29:19,320 --> 00:29:21,880
Speaker 1: So now they are on this island and the roles

534
00:29:21,920 --> 00:29:24,840
Speaker 1: start to get reversed a little bit because she has

535
00:29:24,880 --> 00:29:27,920
Speaker 1: all these skills on how to keep them alive, and

536
00:29:28,080 --> 00:29:30,920
Speaker 1: suddenly where he feels like, I'm still your boss, I'm

537
00:29:30,960 --> 00:29:33,080
Speaker 1: still in charge of you. You have to do what

538
00:29:33,200 --> 00:29:36,640
Speaker 1: I say, not so fast, because Rachel McAdams is like, well,

539
00:29:37,160 --> 00:29:40,160
Speaker 1: out here, we're not at the office. You would probably

540
00:29:40,200 --> 00:29:42,960
Speaker 1: be dead if it wasn't for me keeping you alive

541
00:29:43,000 --> 00:29:46,320
Speaker 1: with all my survival skills. Let's see what happens now.

542
00:29:46,400 --> 00:29:48,400
Speaker 1: And that's the foundation of this movie. How do they

543
00:29:48,720 --> 00:29:52,960
Speaker 1: navigate those dynamics between employee and boss and how do

544
00:29:53,080 --> 00:29:56,160
Speaker 1: they survive on this island. I love both of these

545
00:29:56,240 --> 00:30:00,680
Speaker 1: actors together. Rachel McAdams is so charming in the way

546
00:30:00,720 --> 00:30:04,200
Speaker 1: that she is so uncomfortable at the very beginning doing

547
00:30:04,280 --> 00:30:08,120
Speaker 1: things that a socially awkward person would do. I identified

548
00:30:08,160 --> 00:30:10,920
Speaker 1: with that where she is so good at her job,

549
00:30:10,960 --> 00:30:14,120
Speaker 1: at being detail oriented. She's a workhorse. She is so

550
00:30:14,240 --> 00:30:16,360
Speaker 1: good at it, but other people take credit for her

551
00:30:16,400 --> 00:30:19,480
Speaker 1: work and they don't realize how good she is. But

552
00:30:19,560 --> 00:30:22,920
Speaker 1: she just lacks those social skills and awareness when it

553
00:30:22,960 --> 00:30:26,440
Speaker 1: comes to interacting with the superior. It is also interesting

554
00:30:26,480 --> 00:30:29,560
Speaker 1: to see how much they had to make her look

555
00:30:29,640 --> 00:30:32,720
Speaker 1: quote unquote ugly at the beginning of this movie, which

556
00:30:32,760 --> 00:30:34,800
Speaker 1: is always a weird thing in Hollywood. They get one

557
00:30:34,840 --> 00:30:38,600
Speaker 1: of the most beautiful people in the business and suddenly

558
00:30:38,640 --> 00:30:41,000
Speaker 1: have to make her look unattractive when she is just

559
00:30:41,120 --> 00:30:44,360
Speaker 1: so stunning no matter what. So they mess up her

560
00:30:44,360 --> 00:30:46,120
Speaker 1: hair a little bit. But I think that was the

561
00:30:46,160 --> 00:30:49,480
Speaker 1: hardest thing for me, Like, okay, just because you maybe

562
00:30:49,560 --> 00:30:52,280
Speaker 1: put glasses on her and some clothes that she maybe

563
00:30:52,520 --> 00:30:55,920
Speaker 1: normally wouldn't wear, it is really hard to believe that

564
00:30:56,120 --> 00:30:59,920
Speaker 1: she in this office would be the quote unquote ugly one.

565
00:31:00,000 --> 00:31:02,160
Speaker 1: I don't even like calling people that word because people

566
00:31:02,200 --> 00:31:06,000
Speaker 1: call me that word. So that is the most unbelievable

567
00:31:06,040 --> 00:31:09,080
Speaker 1: part in this movie. But it's seeing how she becomes

568
00:31:09,160 --> 00:31:12,959
Speaker 1: more comfortable and kind of gets more beautiful as the

569
00:31:13,000 --> 00:31:17,120
Speaker 1: movie goes along. She gets more into her element and

570
00:31:17,200 --> 00:31:20,080
Speaker 1: really allows herself to be her own unique self, and

571
00:31:20,120 --> 00:31:21,840
Speaker 1: you kind of see the beauty come out in her.

572
00:31:21,880 --> 00:31:24,160
Speaker 1: So I thought that was a really great way to

573
00:31:24,280 --> 00:31:27,360
Speaker 1: show this character's growth. And then you have Dylan O'Brien,

574
00:31:27,880 --> 00:31:29,360
Speaker 1: who for me, has been on a bit of a

575
00:31:29,360 --> 00:31:31,880
Speaker 1: hot streak lately. If you did not see twin lists

576
00:31:32,000 --> 00:31:34,240
Speaker 1: last year. I think his best role in a long

577
00:31:34,320 --> 00:31:37,840
Speaker 1: time where I've really become a big Dylan O'Brien fan,

578
00:31:38,600 --> 00:31:41,560
Speaker 1: And he is so good in this at being so unlikable.

579
00:31:41,880 --> 00:31:43,640
Speaker 1: So in the same way it was hard for me

580
00:31:43,680 --> 00:31:47,480
Speaker 1: to see Rachel McAdams as being unattractive, it was also

581
00:31:47,520 --> 00:31:49,840
Speaker 1: hard for me to see Dylan O'Brien be a jerk,

582
00:31:50,320 --> 00:31:53,600
Speaker 1: and at times his character seems so turned up to

583
00:31:53,680 --> 00:31:56,600
Speaker 1: a ten that I thought, this kind of feels fake.

584
00:31:56,720 --> 00:32:00,160
Speaker 1: There couldn't possibly be a person in the real world

585
00:32:00,520 --> 00:32:03,960
Speaker 1: who is so insufferable, who is such a bad boss,

586
00:32:04,000 --> 00:32:07,600
Speaker 1: who treats people with such disrespect. Could there in the

587
00:32:07,640 --> 00:32:10,120
Speaker 1: business world? And the more I started to think about it,

588
00:32:10,160 --> 00:32:12,880
Speaker 1: I thought, no, there are real people like this in

589
00:32:12,960 --> 00:32:17,160
Speaker 1: positions of power who are essentially grown up frat boys

590
00:32:17,800 --> 00:32:20,880
Speaker 1: and just taking over a company, trying to do it

591
00:32:21,040 --> 00:32:22,480
Speaker 1: and run it in a way that they would have

592
00:32:22,560 --> 00:32:25,600
Speaker 1: run in college. The fact that the matter is in America,

593
00:32:25,680 --> 00:32:29,520
Speaker 1: This happens all the time in corporate America. So even

594
00:32:29,560 --> 00:32:33,320
Speaker 1: though the way his character is portrayed is a little

595
00:32:33,320 --> 00:32:37,400
Speaker 1: bit cartoonish and feels like a caricature of what a

596
00:32:37,520 --> 00:32:41,520
Speaker 1: CEO would be like in this situation. There is probably

597
00:32:41,640 --> 00:32:44,720
Speaker 1: somebody just like this sitting in an office right now

598
00:32:44,760 --> 00:32:47,560
Speaker 1: who doesn't realize how ridiculous they are. But it was

599
00:32:47,600 --> 00:32:50,000
Speaker 1: hard for me to see him as a jerk, as

600
00:32:50,000 --> 00:32:52,320
Speaker 1: somebody you do not like. But the thing about this

601
00:32:52,480 --> 00:32:55,959
Speaker 1: movie is you go through so many different emotions, feeling

602
00:32:55,960 --> 00:32:59,720
Speaker 1: different ways about these two characters as you realize they're

603
00:32:59,760 --> 00:33:03,520
Speaker 1: in tensions, as you realize as things get darker and darker.

604
00:33:03,720 --> 00:33:06,200
Speaker 1: But the foundation of it, like we've been talking about here,

605
00:33:06,800 --> 00:33:10,040
Speaker 1: is the fact that it is rooted in Sam Raimi's campiness,

606
00:33:10,040 --> 00:33:14,280
Speaker 1: where he does like exploring the cartoonish aspects of characters

607
00:33:14,320 --> 00:33:17,160
Speaker 1: and of filmmaking. And I think that might be something

608
00:33:17,240 --> 00:33:22,000
Speaker 1: that would deter some people from the meaning behind this movie,

609
00:33:22,400 --> 00:33:26,840
Speaker 1: because some of the elements are just that very campy cartoonish.

610
00:33:27,360 --> 00:33:31,280
Speaker 1: For example, there is a bore that they hunt while

611
00:33:31,280 --> 00:33:35,840
Speaker 1: trying to find food, and the bore itself is rather

612
00:33:35,920 --> 00:33:38,360
Speaker 1: fake looking. You don't look at that boor and think, oh,

613
00:33:38,400 --> 00:33:40,560
Speaker 1: that thing is a real threat. It's very cartoonish and

614
00:33:40,600 --> 00:33:42,479
Speaker 1: the way it moves around it's kind of like a

615
00:33:42,480 --> 00:33:46,160
Speaker 1: more hardcore pumba from The Lion King. And I think

616
00:33:46,160 --> 00:33:49,040
Speaker 1: if you were going into this expecting a serious movie

617
00:33:49,600 --> 00:33:53,120
Speaker 1: and expecting everything to have a sense of realism. Sam

618
00:33:53,240 --> 00:33:55,440
Speaker 1: Raimi might not be the director for you because he

619
00:33:55,600 --> 00:33:59,360
Speaker 1: likes creating a surreal environment to give it that cinematic feel,

620
00:34:00,120 --> 00:34:02,920
Speaker 1: much so that this movie was initially supposed to go

621
00:34:02,960 --> 00:34:05,200
Speaker 1: to Sony. Sony was going to put this out, but

622
00:34:05,280 --> 00:34:07,640
Speaker 1: they didn't want it to have a theatrical release. They

623
00:34:07,680 --> 00:34:10,839
Speaker 1: wanted it to be a straight to streaming movie. And

624
00:34:10,920 --> 00:34:14,200
Speaker 1: Sam Raimi says, I don't do that. I create an

625
00:34:14,320 --> 00:34:17,120
Speaker 1: environment for a theater experience. That is the vision I

626
00:34:17,200 --> 00:34:19,719
Speaker 1: have for this movie. So he took it away from

627
00:34:19,760 --> 00:34:22,359
Speaker 1: Sony and said twentieth century for this movie is now

628
00:34:22,440 --> 00:34:25,279
Speaker 1: yours and is now having great success doing that. So

629
00:34:25,320 --> 00:34:28,520
Speaker 1: Sam Raimi knows his vision, know how he wants to

630
00:34:28,520 --> 00:34:30,880
Speaker 1: see his movie play out. And I'm so grateful that

631
00:34:30,960 --> 00:34:34,040
Speaker 1: he fought for this movie because it made for a

632
00:34:34,160 --> 00:34:37,560
Speaker 1: great in theater experience. It was fun, people were laughing.

633
00:34:38,120 --> 00:34:41,160
Speaker 1: Where if you are somebody who doesn't like horror movies,

634
00:34:41,200 --> 00:34:44,200
Speaker 1: like Kelsey who went with me, surprisingly she didn't want

635
00:34:44,239 --> 00:34:47,040
Speaker 1: to go see this movie, but she likes Rachel McAdams,

636
00:34:47,040 --> 00:34:49,600
Speaker 1: she likes Dylan O'Brien and I told her it wasn't

637
00:34:49,600 --> 00:34:52,560
Speaker 1: going to be your traditional horror movie, much more of

638
00:34:52,600 --> 00:34:55,720
Speaker 1: a thriller, some elements of suspense, and all the horror

639
00:34:55,800 --> 00:34:58,799
Speaker 1: elements were going to be so exaggerated that it's not

640
00:34:58,840 --> 00:35:01,800
Speaker 1: going to give you nightmares, and that proved to be true.

641
00:35:01,840 --> 00:35:05,520
Speaker 1: There are some bloody moments, but it's so over the

642
00:35:05,560 --> 00:35:09,120
Speaker 1: top and exaggerated. It's not the same thing like watching

643
00:35:09,160 --> 00:35:13,800
Speaker 1: the Texas Chainsaw Massacre. It's more like watching Doctor Strange

644
00:35:13,840 --> 00:35:17,040
Speaker 1: in the Multiverse of Madness, which Sam Raimi also directed.

645
00:35:17,239 --> 00:35:20,319
Speaker 1: I think some people might even forget that Rachel McAdams

646
00:35:20,480 --> 00:35:23,400
Speaker 1: was in both Doctor Strange movies, so that is the

647
00:35:23,440 --> 00:35:26,560
Speaker 1: relationship there. But you get a sense that this isn't

648
00:35:26,640 --> 00:35:31,279
Speaker 1: quite taking place in our reality. It feels very cinematic,

649
00:35:31,840 --> 00:35:35,399
Speaker 1: very intentional. But if you don't realize that that all

650
00:35:35,440 --> 00:35:38,239
Speaker 1: the stylistic choices when it comes to the visual effects,

651
00:35:38,239 --> 00:35:41,799
Speaker 1: that all the visual effects aren't meant to look realistic.

652
00:35:42,000 --> 00:35:45,160
Speaker 1: And Sam Raimi has been doing this since The Evil Dead,

653
00:35:45,239 --> 00:35:48,160
Speaker 1: of making things so over the top and out landish.

654
00:35:48,239 --> 00:35:52,200
Speaker 1: He is somebody who really emphasizes big close ups and

655
00:35:52,480 --> 00:35:55,920
Speaker 1: visuals on people's eyes. That is something that has become

656
00:35:56,000 --> 00:35:59,719
Speaker 1: his signature throughout his history of filmmaking, and you see

657
00:35:59,760 --> 00:36:02,520
Speaker 1: all those elements here and it feels very much like

658
00:36:02,560 --> 00:36:06,040
Speaker 1: a Sam Raimi movie. And I think when it comes

659
00:36:06,080 --> 00:36:09,920
Speaker 1: to really seeing his style in its perfect form, this

660
00:36:10,080 --> 00:36:12,560
Speaker 1: is it. Even though I wasn't a big fan of

661
00:36:12,600 --> 00:36:15,640
Speaker 1: what he did in the Multiverse of Madness, it didn't

662
00:36:15,680 --> 00:36:18,520
Speaker 1: quite fit there because I think we expect in the

663
00:36:18,560 --> 00:36:22,279
Speaker 1: world of Marvel a different level of visual effects. That

664
00:36:23,239 --> 00:36:26,760
Speaker 1: didn't work in that sense of storytelling. Here it does.

665
00:36:26,880 --> 00:36:29,800
Speaker 1: It's not building upon some other world. It's not a sequel,

666
00:36:29,840 --> 00:36:32,960
Speaker 1: it's not a reboot. Going into it, I know the context,

667
00:36:32,960 --> 00:36:36,279
Speaker 1: So I feel that I'm much easier accepting of his

668
00:36:36,400 --> 00:36:38,880
Speaker 1: campiness when it just comes in his own world, in

669
00:36:38,920 --> 00:36:42,680
Speaker 1: his own universe. I love a Sam Raimi universe, and

670
00:36:42,719 --> 00:36:45,279
Speaker 1: I just love seeing the return of Rachel McAdams on

671
00:36:45,320 --> 00:36:48,319
Speaker 1: the big screen. She famously took a break back in

672
00:36:48,360 --> 00:36:50,680
Speaker 1: the mid two thousands, at the height of her fame.

673
00:36:50,760 --> 00:36:53,960
Speaker 1: I'm talking mean Girl's level of fame. She said, I

674
00:36:54,040 --> 00:36:56,320
Speaker 1: need to take a break. She moved back to Canada.

675
00:36:56,840 --> 00:37:00,200
Speaker 1: She turned down roles in Iron Man, Casino Roy Now

676
00:37:00,480 --> 00:37:03,040
Speaker 1: The Devil Wears Prada, and then returned back in twenty

677
00:37:03,120 --> 00:37:06,600
Speaker 1: fifteen with Spotlight and said she had no regrets and

678
00:37:06,640 --> 00:37:09,560
Speaker 1: now is crushing it again. She stole the show and

679
00:37:09,640 --> 00:37:13,160
Speaker 1: send help. It was essentially the Rachel McAdams show. She

680
00:37:13,280 --> 00:37:16,239
Speaker 1: showed me so much that she understood this character and

681
00:37:16,280 --> 00:37:18,799
Speaker 1: how to make you root for her but also make

682
00:37:18,840 --> 00:37:21,879
Speaker 1: you fearful of her. You were questioning her intentions from

683
00:37:21,920 --> 00:37:25,400
Speaker 1: beginning to end. Rachel McAdams can really do it all.

684
00:37:25,480 --> 00:37:27,720
Speaker 1: But the only thing I couldn't help think about is Man.

685
00:37:28,400 --> 00:37:30,960
Speaker 1: We were robbed of a Spider Man four, directed by

686
00:37:31,000 --> 00:37:34,359
Speaker 1: Sam Raimi, starring Toby maguire. It had a release date

687
00:37:34,760 --> 00:37:37,319
Speaker 1: anytime May six comes around on the calendar. I think

688
00:37:37,400 --> 00:37:40,239
Speaker 1: man Back in twenty eleven, we were supposed to get

689
00:37:40,239 --> 00:37:43,200
Speaker 1: Spider Man four. It was supposed to have Vulture, it

690
00:37:43,239 --> 00:37:46,279
Speaker 1: was supposed to have Black Cat. It was supposed to

691
00:37:46,280 --> 00:37:50,000
Speaker 1: fix all the problems that Sam Raimi didn't like with

692
00:37:50,040 --> 00:37:53,520
Speaker 1: what happened with Spider Man three, because a lot of

693
00:37:53,520 --> 00:37:56,879
Speaker 1: that was studio pressure of wanting to squeeze Venom in there,

694
00:37:57,360 --> 00:37:59,400
Speaker 1: wanting to get these characters in there that did it

695
00:37:59,520 --> 00:38:03,280
Speaker 1: quite fit. Spider Man four was gonna be amazing. Development

696
00:38:03,360 --> 00:38:06,440
Speaker 1: was happening back in two thousand and eight, but ultimately

697
00:38:06,840 --> 00:38:09,759
Speaker 1: in twenty eleven, Sam Raimi walked away because he had

698
00:38:09,800 --> 00:38:12,759
Speaker 1: so many creative differences with Sony they couldn't land on

699
00:38:12,800 --> 00:38:15,560
Speaker 1: a final script. And even with Toby maguire coming back

700
00:38:15,600 --> 00:38:18,320
Speaker 1: in No Way Home, sam Raimi still says, no, it

701
00:38:18,360 --> 00:38:21,560
Speaker 1: would be wrong to bring back his version of Spider Man.

702
00:38:21,880 --> 00:38:24,759
Speaker 1: He is passing the torch along to new filmmakers, so

703
00:38:24,840 --> 00:38:27,840
Speaker 1: sadly we're never getting that Spider Man for But that

704
00:38:28,000 --> 00:38:30,280
Speaker 1: is okay with me as long as sam Raimi continues

705
00:38:30,320 --> 00:38:33,000
Speaker 1: to be true to himself, which is something I highly

706
00:38:33,040 --> 00:38:36,080
Speaker 1: respect in him as a director. For Send Help, I

707
00:38:36,160 --> 00:38:41,919
Speaker 1: give it four out of five islands. Time to head

708
00:38:41,960 --> 00:38:47,200
Speaker 1: down to movie Mike trailer parr I have nostalgia fomo, guys,

709
00:38:47,880 --> 00:38:51,640
Speaker 1: because everybody is flipping out about the devil Where's Prada? Two?

710
00:38:52,680 --> 00:38:55,960
Speaker 1: The trailer got two point eight million views within the

711
00:38:55,960 --> 00:38:58,880
Speaker 1: first nine hours on YouTube at the time of recording this.

712
00:38:58,960 --> 00:39:03,839
Speaker 1: Now it's at about eleven million views. So people want

713
00:39:03,880 --> 00:39:08,000
Speaker 1: to see this movie, which is rare. Usually people feel like, ah,

714
00:39:08,160 --> 00:39:10,879
Speaker 1: don't mess with the legacy. We don't want to see

715
00:39:10,920 --> 00:39:13,840
Speaker 1: what these characters are up to. But that doesn't seem

716
00:39:13,880 --> 00:39:17,880
Speaker 1: to be the sentiment online. Even the studio themselves wrote

717
00:39:17,880 --> 00:39:21,879
Speaker 1: it in the description on YouTube, saying everybody wants this,

718
00:39:22,280 --> 00:39:26,200
Speaker 1: which most often people say, nobody asks for this when

719
00:39:26,239 --> 00:39:29,360
Speaker 1: it comes to a movie coming twenty years after the original.

720
00:39:29,760 --> 00:39:32,840
Speaker 1: But it seems like people want to know what Meryl Street,

721
00:39:33,040 --> 00:39:36,359
Speaker 1: Emily Blunt and Hathaway and Stanley Tucci have been up

722
00:39:36,400 --> 00:39:39,840
Speaker 1: to since the first movie. There are some reasons that

723
00:39:39,960 --> 00:39:43,040
Speaker 1: I believe this isn't just a cash grab. We'll get

724
00:39:43,080 --> 00:39:45,719
Speaker 1: into all that, but before I do, here is just

725
00:39:45,760 --> 00:39:48,520
Speaker 1: a little bit of the Devilware's product trailer coming out

726
00:39:48,520 --> 00:39:53,000
Speaker 1: in theaters on May first. Hello, Wow, look what TJ

727
00:39:53,400 --> 00:39:57,320
Speaker 1: Max drag them? Sorry? Who is this? Do you know her?

728
00:39:57,600 --> 00:40:00,319
Speaker 1: Do I want to know her? I'm Andy Sachs and

729
00:40:01,160 --> 00:40:04,319
Speaker 1: she was one of the Emily's Well what am I

730
00:40:04,400 --> 00:40:08,920
Speaker 1: having a hallucination? Hi? Emily, you also know her? We

731
00:40:08,920 --> 00:40:12,239
Speaker 1: were at Runway at the same time, Randa. Really, how

732
00:40:12,360 --> 00:40:16,400
Speaker 1: was that Meryl Streep acting like she does not remember

733
00:40:16,920 --> 00:40:20,600
Speaker 1: everybody from the first movie. But she is back as Miranda,

734
00:40:20,920 --> 00:40:24,680
Speaker 1: Stanley Tucci is back as Nigel, and Hathaway is back

735
00:40:24,719 --> 00:40:29,040
Speaker 1: as Andy, and Emily Blunt is back as Emily. The

736
00:40:29,120 --> 00:40:32,160
Speaker 1: most surprising thing to me about the devil Wares product

737
00:40:33,120 --> 00:40:37,240
Speaker 1: is the fact that Meryl Streep is actually doing a sequel.

738
00:40:37,280 --> 00:40:42,160
Speaker 1: She notoriously has turned down sequels her entire career. The

739
00:40:42,200 --> 00:40:44,719
Speaker 1: only other time I've seen her be a part of

740
00:40:44,760 --> 00:40:48,640
Speaker 1: a sequel in recent history she was in the sequel

741
00:40:48,640 --> 00:40:51,960
Speaker 1: to Mama Mia, but she had about a five minute cameo.

742
00:40:52,560 --> 00:40:55,800
Speaker 1: She really wasn't in the entire thing. The whole movie

743
00:40:55,840 --> 00:40:58,720
Speaker 1: is about two hours. She is in maybe five minutes

744
00:40:58,760 --> 00:41:01,480
Speaker 1: of that, so that's really not her coming back to

745
00:41:01,520 --> 00:41:04,279
Speaker 1: do a full on sequel. The reason I think she

746
00:41:04,360 --> 00:41:06,799
Speaker 1: agreed to do a sequel is the difference is The

747
00:41:06,840 --> 00:41:09,880
Speaker 1: Devil Ware's Prada movies are based on a book. The

748
00:41:09,960 --> 00:41:12,800
Speaker 1: second movie is going to be based on the book

749
00:41:12,840 --> 00:41:16,600
Speaker 1: called Revenge, Where's Prada? The Devil Returns, which came out

750
00:41:16,640 --> 00:41:19,719
Speaker 1: in twenty thirteen. In the book, it follows Andy ten

751
00:41:19,840 --> 00:41:24,120
Speaker 1: years later as a successful bridal magazine editor whose life, marriage,

752
00:41:24,120 --> 00:41:26,600
Speaker 1: and career are threatened when her past intersects with her

753
00:41:26,600 --> 00:41:29,919
Speaker 1: former boss, Miranda. Andy is preparing to marry the son

754
00:41:29,960 --> 00:41:32,040
Speaker 1: of a media mogul, but her past comes back to

755
00:41:32,120 --> 00:41:36,560
Speaker 1: Hunter when Miranda re enters her life. Miranda is also

756
00:41:36,680 --> 00:41:39,399
Speaker 1: suffering with a decline of print, so that is where

757
00:41:39,400 --> 00:41:42,040
Speaker 1: you're going to find her character, and we see all

758
00:41:42,080 --> 00:41:45,720
Speaker 1: throughout this trailer her not remembering anybody, so you don't

759
00:41:45,719 --> 00:41:49,360
Speaker 1: know if she's suffering from actual memory loss or she

760
00:41:49,520 --> 00:41:52,319
Speaker 1: is being so petty because of what happened at the

761
00:41:52,400 --> 00:41:55,560
Speaker 1: end of Devilware's Prada one. There is also a third

762
00:41:55,640 --> 00:41:59,200
Speaker 1: book in the series called When Life Gives You Lululemons,

763
00:41:59,239 --> 00:42:03,000
Speaker 1: which is mostly based on the character Emily. That book

764
00:42:03,040 --> 00:42:05,560
Speaker 1: came out in twenty eighteen, so if you go back

765
00:42:05,600 --> 00:42:08,760
Speaker 1: to the original movie based on the book, it follows

766
00:42:08,840 --> 00:42:13,000
Speaker 1: Andy and Hathaway's character who just graduated college. She's trying

767
00:42:13,040 --> 00:42:15,920
Speaker 1: to get a career in journalism, so she ends up

768
00:42:15,960 --> 00:42:19,320
Speaker 1: being a junior assistant to Miranda, who is the editor

769
00:42:19,480 --> 00:42:24,120
Speaker 1: in chief of Runway, which is a highly successful fashion magazine,

770
00:42:24,239 --> 00:42:27,360
Speaker 1: and all throughout that movie, Andy struggles to meet the

771
00:42:27,360 --> 00:42:32,240
Speaker 1: demands of a really, really terrible boss. He is also

772
00:42:32,280 --> 00:42:35,359
Speaker 1: trying to maintain her relationship with her boyfriend, and then

773
00:42:35,640 --> 00:42:39,560
Speaker 1: enters in Emily Blunt's character in Stanley Tucci's character, So

774
00:42:39,600 --> 00:42:42,520
Speaker 1: in this movie, Emily Blunt's character is now a high

775
00:42:42,560 --> 00:42:46,840
Speaker 1: powered executive working for a luxury group with advertising dollars

776
00:42:46,880 --> 00:42:50,520
Speaker 1: that Meryl Streep is looking for because the print business

777
00:42:50,640 --> 00:42:53,520
Speaker 1: just isn't what it used to be. So I think

778
00:42:53,880 --> 00:42:56,400
Speaker 1: the reason it doesn't feel like a cash grab to

779
00:42:56,440 --> 00:42:59,440
Speaker 1: me is none of these three leads need to do

780
00:42:59,480 --> 00:43:02,560
Speaker 1: this movie right now, and Hathaway doesn't need to do it.

781
00:43:02,880 --> 00:43:06,560
Speaker 1: Emily Blunt is having I would say, the apex of

782
00:43:06,560 --> 00:43:09,319
Speaker 1: her career right now. She's also going to be in

783
00:43:09,400 --> 00:43:12,520
Speaker 1: Disclosure Day later this year, which is the Steven Spielberg

784
00:43:12,600 --> 00:43:16,279
Speaker 1: Alien movie. Meryl Streep could just retire. She does not

785
00:43:16,480 --> 00:43:19,160
Speaker 1: need to be working anymore. But I really think deep

786
00:43:19,200 --> 00:43:22,880
Speaker 1: down she still loves it because she still gets nominated

787
00:43:22,920 --> 00:43:26,040
Speaker 1: for awards, and that is what she does. She puts

788
00:43:26,040 --> 00:43:28,600
Speaker 1: out roles and then scoops up all of her trophies

789
00:43:28,640 --> 00:43:30,959
Speaker 1: at the Golden Globes or at the Oscars. I don't

790
00:43:30,960 --> 00:43:32,920
Speaker 1: know if this one is going to be on the

791
00:43:33,000 --> 00:43:35,400
Speaker 1: level of the first, because back at the two thousand

792
00:43:35,440 --> 00:43:39,160
Speaker 1: and seven Oscars, the movie did scoop up two nominations.

793
00:43:39,320 --> 00:43:42,399
Speaker 1: Meryl Streep was up for Best Actress, she did not win.

794
00:43:42,840 --> 00:43:45,759
Speaker 1: It was also up for Best Costume Design. They still

795
00:43:45,760 --> 00:43:48,080
Speaker 1: did not win there, and I don't think they're really

796
00:43:48,160 --> 00:43:51,680
Speaker 1: trying to go for those awards again, just by watching

797
00:43:51,760 --> 00:43:54,680
Speaker 1: the trailer, it really looks like they are super serving

798
00:43:54,719 --> 00:43:57,640
Speaker 1: the fans of the original movie and of the books,

799
00:43:57,920 --> 00:44:00,800
Speaker 1: because all these little references you would really only get

800
00:44:01,000 --> 00:44:03,319
Speaker 1: if you are a really big fan of the first one,

801
00:44:03,680 --> 00:44:06,440
Speaker 1: and it is a movie that has had a long

802
00:44:06,719 --> 00:44:09,760
Speaker 1: lasting history, and I think that's why we've seen people

803
00:44:09,840 --> 00:44:12,799
Speaker 1: just swarm to watching this trailer online and creating a

804
00:44:12,800 --> 00:44:16,240
Speaker 1: buzz about it. Some actors joining the cast are Kenneth Bronna,

805
00:44:16,320 --> 00:44:19,319
Speaker 1: who is going to be Meryl Streep's new boyfriend. And

806
00:44:19,400 --> 00:44:22,759
Speaker 1: the most surprising but also not that surprising, is that

807
00:44:22,800 --> 00:44:25,640
Speaker 1: Sidney Sweeney is going to be in this sequel. I

808
00:44:25,640 --> 00:44:28,399
Speaker 1: would say the most surprising casting just because I don't

809
00:44:28,400 --> 00:44:30,920
Speaker 1: know how she's going to fit into this cast, but

810
00:44:31,120 --> 00:44:34,080
Speaker 1: not surprising because she is in everything right now. You

811
00:44:34,120 --> 00:44:38,200
Speaker 1: also have Lucy lou Justin Thurreau, bj Novak, and Lady

812
00:44:38,280 --> 00:44:41,160
Speaker 1: Gaga will make a cameo in this movie. And my

813
00:44:41,400 --> 00:44:44,640
Speaker 1: question is will it be the best number two to

814
00:44:44,760 --> 00:44:47,359
Speaker 1: come out in two thousand and six? So let's talk

815
00:44:47,400 --> 00:44:50,400
Speaker 1: about sequels here, not part threes or part fours or

816
00:44:50,440 --> 00:44:53,880
Speaker 1: part fives. I'm talking about all the big number two's

817
00:44:54,000 --> 00:44:56,600
Speaker 1: coming out in twenty twenty six. You have The Devil

818
00:44:56,600 --> 00:45:00,600
Speaker 1: Wears Prada. You have Fall two coming out, which the

819
00:45:00,680 --> 00:45:03,400
Speaker 1: original came out back in twenty twenty two, which was

820
00:45:03,440 --> 00:45:06,840
Speaker 1: about two girls who climbed this really tall radio tower

821
00:45:07,200 --> 00:45:10,120
Speaker 1: and then get stuck up there, which sounds crazy in

822
00:45:10,160 --> 00:45:13,360
Speaker 1: itself because if you think about putting yourself in that situation,

823
00:45:13,880 --> 00:45:17,040
Speaker 1: those things are really tall and really scary. But then

824
00:45:17,080 --> 00:45:20,360
Speaker 1: you find out all the crazy details of their backstory,

825
00:45:20,719 --> 00:45:23,120
Speaker 1: and oh, it gets wild. So I think that's a

826
00:45:23,120 --> 00:45:25,200
Speaker 1: movie that came out back in twenty twenty two that

827
00:45:25,320 --> 00:45:28,520
Speaker 1: I love the concept of it. Overall, execution of it

828
00:45:28,600 --> 00:45:31,319
Speaker 1: was okay, but I still think it is just a

829
00:45:31,440 --> 00:45:34,680
Speaker 1: really solid thriller and suspense movie. It's one of those

830
00:45:34,719 --> 00:45:37,239
Speaker 1: movies with such a great premise that you know it's

831
00:45:37,280 --> 00:45:40,600
Speaker 1: going to be entertaining, even though the acting probably isn't

832
00:45:40,600 --> 00:45:42,680
Speaker 1: going to be the best thing you've ever seen, and

833
00:45:42,760 --> 00:45:46,040
Speaker 1: probably border along the lines of being a little bit cheesy,

834
00:45:46,280 --> 00:45:48,279
Speaker 1: But it's a good movie that if you go watch

835
00:45:48,320 --> 00:45:51,080
Speaker 1: it in theaters and bond with the people sitting around you,

836
00:45:51,360 --> 00:45:53,680
Speaker 1: it could be a really fun time, but I don't

837
00:45:53,719 --> 00:45:55,840
Speaker 1: think that'll be the best number two. We also have

838
00:45:55,960 --> 00:45:58,080
Speaker 1: Violent Night two coming out this year, which is the

839
00:45:58,160 --> 00:46:02,000
Speaker 1: David Harber movie where plays Santa and kills a bunch

840
00:46:02,000 --> 00:46:05,239
Speaker 1: of criminals. The first one was pretty good, but I

841
00:46:05,280 --> 00:46:07,000
Speaker 1: don't think that is gonna be the best number two

842
00:46:07,000 --> 00:46:10,799
Speaker 1: of the year because the first one is kind of forgettable.

843
00:46:11,120 --> 00:46:13,680
Speaker 1: I don't really need to see a sequel in that situation.

844
00:46:13,760 --> 00:46:16,120
Speaker 1: But David Harber is doing a lot of big movies

845
00:46:16,200 --> 00:46:18,759
Speaker 1: right now. Mortal Kombat too. The original came out back

846
00:46:18,760 --> 00:46:21,680
Speaker 1: in twenty twenty one. I have been waiting for this movie.

847
00:46:21,760 --> 00:46:24,560
Speaker 1: It is the modern reboot of Mortal Kombat, so not

848
00:46:24,600 --> 00:46:27,280
Speaker 1: a continuation of the two movies from back in the nineties,

849
00:46:27,719 --> 00:46:31,600
Speaker 1: but it is reintroducing Mortal Kombat to a new generation.

850
00:46:32,160 --> 00:46:34,640
Speaker 1: A lot more depth to the story, maybe a little

851
00:46:34,719 --> 00:46:37,239
Speaker 1: bit too much for my liking, where I just want

852
00:46:37,239 --> 00:46:39,240
Speaker 1: to see a bunch of people fighting in the style

853
00:46:39,320 --> 00:46:43,319
Speaker 1: of the first movies, because the actual character design and

854
00:46:43,360 --> 00:46:45,799
Speaker 1: the action is a lot better. It is so much

855
00:46:45,880 --> 00:46:50,000
Speaker 1: less cheesy than those original movies. But there's still just

856
00:46:50,200 --> 00:46:53,120
Speaker 1: something lacking to these movies that I want them to

857
00:46:53,160 --> 00:46:56,359
Speaker 1: be a little bit better, So hopefully they get those

858
00:46:56,400 --> 00:46:58,920
Speaker 1: things right in the sequel. Right now, out of all

859
00:46:58,960 --> 00:47:01,799
Speaker 1: the ones we've been talking about, I still think Devilware's

860
00:47:01,800 --> 00:47:04,600
Speaker 1: product is up there at the top, but Mortal Kombat

861
00:47:04,600 --> 00:47:08,640
Speaker 1: two is probably right underneath that. We also have Practical

862
00:47:08,800 --> 00:47:12,200
Speaker 1: Magic two coming out, which the original came out back

863
00:47:12,239 --> 00:47:15,520
Speaker 1: in nineteen ninety eight. It has been a while since

864
00:47:15,560 --> 00:47:19,000
Speaker 1: I've seen Nicole Kidman, her and Sandra Bullock together. I

865
00:47:19,040 --> 00:47:22,400
Speaker 1: think in recent history, I've been more of a fan

866
00:47:22,480 --> 00:47:26,640
Speaker 1: of Sandra Bullock's movies, but more a fan of Nicole

867
00:47:26,760 --> 00:47:30,680
Speaker 1: Kidman's MANI series. Nicole Kidman in a mini series is

868
00:47:30,760 --> 00:47:33,800
Speaker 1: always a plus when it comes to her most recent,

869
00:47:33,920 --> 00:47:37,680
Speaker 1: most memorable movies. Baby Girl was really good, But then

870
00:47:37,719 --> 00:47:40,120
Speaker 1: I feel like sometimes she just picks up a paycheck

871
00:47:40,200 --> 00:47:43,920
Speaker 1: for doing a sequel to Aquaman, So another movie I

872
00:47:43,920 --> 00:47:46,920
Speaker 1: don't really feel the nostalgia for. But I'm excited to

873
00:47:46,920 --> 00:47:50,800
Speaker 1: see two actors at their level putting out a sequel

874
00:47:50,840 --> 00:47:53,680
Speaker 1: like that. I hope that one does really well. Ready

875
00:47:53,800 --> 00:47:56,040
Speaker 1: or not to hear I come, I think the first

876
00:47:56,080 --> 00:48:00,719
Speaker 1: movie is highly underrated. Samara Weaving is is my go

877
00:48:00,760 --> 00:48:03,760
Speaker 1: to actor right now in the horror genre. I'll watch

878
00:48:03,800 --> 00:48:07,040
Speaker 1: anything with her, and the first one was so unexpectedly

879
00:48:07,239 --> 00:48:10,600
Speaker 1: good that if it could somehow continue that same momentum

880
00:48:10,600 --> 00:48:14,360
Speaker 1: from twenty nineteen, I have really high hopes for Ready

881
00:48:14,440 --> 00:48:16,480
Speaker 1: or Not to Here I Come? So I think that's

882
00:48:16,520 --> 00:48:18,399
Speaker 1: at the top of my list now, because you also

883
00:48:18,440 --> 00:48:21,239
Speaker 1: have the Super Mario Galaxy movie. It's not really the

884
00:48:21,280 --> 00:48:24,279
Speaker 1: Super Mario Brothers Movie two because they're gonna make so

885
00:48:24,360 --> 00:48:27,160
Speaker 1: many more of these movies and probably have spin offs,

886
00:48:27,480 --> 00:48:29,759
Speaker 1: so I don't know if I can technically count that

887
00:48:29,840 --> 00:48:32,479
Speaker 1: because it doesn't have two in the title. We also

888
00:48:32,520 --> 00:48:35,840
Speaker 1: have The Social Reckoning coming out later this year, which

889
00:48:36,120 --> 00:48:40,480
Speaker 1: is not a direct sequel to The Social Network, which

890
00:48:40,480 --> 00:48:43,880
Speaker 1: is the Facebook movie. Instead, it's pretty much an entirely

891
00:48:43,920 --> 00:48:46,640
Speaker 1: different cast, a whole different situation, takes place at a

892
00:48:46,640 --> 00:48:49,600
Speaker 1: different time, really going to be unrelated from the first

893
00:48:49,640 --> 00:48:52,880
Speaker 1: movie because Jesse Eisenberg is no longer playing Mark Zuckerberg.

894
00:48:53,120 --> 00:48:57,160
Speaker 1: So out of all the twos, the Devil, Where's Prodatu Fall? Two?

895
00:48:57,520 --> 00:49:01,360
Speaker 1: Violent nine two, Mortal Kombat two, so Practical Magic to

896
00:49:01,920 --> 00:49:04,960
Speaker 1: and Ready or Not to Here I Come? I'm going

897
00:49:05,040 --> 00:49:08,480
Speaker 1: to say my favorite of all these, and one that

898
00:49:08,520 --> 00:49:11,239
Speaker 1: I will probably rate the highest is going to be

899
00:49:11,360 --> 00:49:13,440
Speaker 1: ready or not to and that movie is coming out

900
00:49:13,480 --> 00:49:17,120
Speaker 1: in theaters on March twentieth. Again, we've been talking about

901
00:49:17,120 --> 00:49:19,799
Speaker 1: the devil Wares product to that is coming out on

902
00:49:19,920 --> 00:49:22,720
Speaker 1: May first. So a lot of Great Number two's coming

903
00:49:22,760 --> 00:49:26,040
Speaker 1: out this year. And that was this week's edition of

904
00:49:26,160 --> 00:49:31,799
Speaker 1: Movie Mike Trailer Bars, and that is going to do

905
00:49:31,840 --> 00:49:34,800
Speaker 1: it for another episode here of the podcast. But before

906
00:49:34,880 --> 00:49:37,040
Speaker 1: I go, I gotta give my listeners shout out of

907
00:49:37,080 --> 00:49:40,040
Speaker 1: the week. This week, I'm going over to my YouTube

908
00:49:40,120 --> 00:49:43,520
Speaker 1: channel where you can watch individual movie reviews. If there's

909
00:49:43,600 --> 00:49:47,759
Speaker 1: any movie you missed from January, December or November, just

910
00:49:47,800 --> 00:49:51,279
Speaker 1: go to YouTube dot com slash Mike Distro and you

911
00:49:51,320 --> 00:49:54,440
Speaker 1: can see just those segments of the podcast there. And

912
00:49:54,520 --> 00:49:57,000
Speaker 1: I get just random comments all the time on old

913
00:49:57,080 --> 00:49:59,719
Speaker 1: videos because I always review the movie when it comes

914
00:49:59,760 --> 00:50:02,000
Speaker 1: out in theaters. And then when he goes to streaming,

915
00:50:02,440 --> 00:50:05,200
Speaker 1: I see the people who have trickled in started watching

916
00:50:05,239 --> 00:50:07,720
Speaker 1: it at home. So I went over to my review

917
00:50:07,800 --> 00:50:10,520
Speaker 1: of Hamnet that I did with Kelsey and shouting out

918
00:50:10,560 --> 00:50:14,120
Speaker 1: flipping Iowa seven eight six', eight who, SAID i love

919
00:50:14,200 --> 00:50:18,200
Speaker 1: this review with a bunch of, heart Emojis. Hamnet you

920
00:50:18,239 --> 00:50:20,719
Speaker 1: can watch it at. Home you do have to rent.

921
00:50:20,719 --> 00:50:24,600
Speaker 1: It it is twenty bucks right. Now but going into The,

922
00:50:24,640 --> 00:50:27,560
Speaker 1: oscars if there is one movie you really need to

923
00:50:27,640 --> 00:50:31,520
Speaker 1: see that went a little bit under the radar and

924
00:50:31,600 --> 00:50:33,560
Speaker 1: maybe you saw the trailer and thought that looks a

925
00:50:33,600 --> 00:50:37,600
Speaker 1: little bit too artsy and, EMOTIONAL i Think hamnet is

926
00:50:37,640 --> 00:50:41,280
Speaker 1: the dark horse because The oscars are coming up On march,

927
00:50:41,320 --> 00:50:46,120
Speaker 1: fifteenth And hamnet still doesn't have a proper release. Date On,

928
00:50:46,200 --> 00:50:49,840
Speaker 1: peacock it still Says march twenty twenty, six so hopefully

929
00:50:49,880 --> 00:50:52,520
Speaker 1: it ends up being before The. Oscars BUT i even

930
00:50:52,520 --> 00:50:54,920
Speaker 1: look today and there are still some theaters actually showing.

931
00:50:55,000 --> 00:50:58,040
Speaker 1: It so that's my dark horse for The oscars if

932
00:50:58,040 --> 00:51:00,640
Speaker 1: you miss that. One so thank You Flipping eye for

933
00:51:00,760 --> 00:51:03,880
Speaker 1: watching reviews over there on, YouTube thank you for listening

934
00:51:03,960 --> 00:51:07,799
Speaker 1: wherever you, Are and until next, time go out and

935
00:51:07,880 --> 00:51:10,760
Speaker 1: watch good movies AND i will talk to you. Later