WEBVTT - TGI – Episode 601 “His Answer”

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<v Speaker 1>We have delayed long enough. We are at the start

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<v Speaker 1>of season six of Pod Meets World, Season six of

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<v Speaker 1>Boy Meets World. Season six of Pod Meets World. We

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<v Speaker 1>have arrived, and as always, I want to start off

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<v Speaker 1>this episode before we get into our recap with do

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<v Speaker 1>you remember what you did the summer of nineteen ninety eight,

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<v Speaker 1>which would have been the summer between seasons five and six.

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<v Speaker 1>This episode aired September twenty fifth, So that summer, what

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<v Speaker 1>did you do?

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<v Speaker 2>Wow, it was a big summer for me. Yeah, Then

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<v Speaker 2>you start because I don't remember. I did a movie

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<v Speaker 2>and I.

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<v Speaker 1>Don't know which one.

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<v Speaker 2>Okay, many movies, I know.

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<v Speaker 1>We have to we have to be close to narrowing

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<v Speaker 1>it down. It couldn't have been.

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<v Speaker 2>It was any double Well do you go first, rider, No,

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<v Speaker 2>I was fat in et double hockey sticks and I

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<v Speaker 2>wasn't fat yet, so I can't So it wasn't that.

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<v Speaker 1>So I don't know what I did.

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<v Speaker 2>But don't body shame young will. Yeah, so you go first, Well, Well,

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<v Speaker 2>why was this such a big year for you?

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<v Speaker 1>Ninety eight?

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<v Speaker 2>Okay?

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<v Speaker 3>So I started by going to Montreal to make a movie,

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<v Speaker 3>which I did for a month and it was just

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<v Speaker 3>the best time, because which movie the greatest City. It

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<v Speaker 3>was called The Packed.

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<v Speaker 2>It might have ended up being called The Secret Pack. No,

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<v Speaker 2>it's called The Pact. It's not great, not good, but

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<v Speaker 2>a lot of fun.

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<v Speaker 3>And you know, I just got to be in Montreal,

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<v Speaker 3>which at eighteen was the greatest place on earth.

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<v Speaker 2>I just had. Yeah, it was like a great time.

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<v Speaker 2>People came to visit me, My friends can visit me.

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<v Speaker 3>Shot the movie, had a blast, and then I was

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<v Speaker 3>already planning and this. Once the movie was over, I

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<v Speaker 3>went back home and loaded up a car with my

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<v Speaker 3>two best friends and a bunch of camera gear and

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<v Speaker 3>sound equipment, and we drove a six week road trip

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<v Speaker 3>around the country interviewing people. We were trying to make

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<v Speaker 3>a documentary, and we would just stop in towns and

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<v Speaker 3>interview people. It was very much my like Ghost of

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<v Speaker 3>Tom Joe tour, Like I'm gonna you know, what was.

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<v Speaker 1>The documentary going to be about America?

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<v Speaker 3>We were like sort of somewhat politically motivated, but we

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<v Speaker 3>wanted to keep it open, so we were calling it

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<v Speaker 3>United States of Mind. And we were driving around. It

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<v Speaker 3>was like, you know, interviewing people about I don't know.

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<v Speaker 3>We had I could find the question somewhere. They were

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<v Speaker 3>way too generic, you know, in retrospect.

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<v Speaker 2>Probably should have had a focus, but it was like,

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<v Speaker 2>we're going to find America, We're gonna okay, it was

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<v Speaker 2>just all this, you know eight Did you ever cut

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<v Speaker 2>something together? Like was there a film?

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<v Speaker 3>No, But we have so much footage. And then we

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<v Speaker 3>did it again ten years later. So I did it

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<v Speaker 3>again when I was twenty eight with the same friends.

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<v Speaker 3>So I have footage from two summers of my life

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<v Speaker 3>with them in the car.

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<v Speaker 2>I mean so much of it.

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<v Speaker 3>We were doing interviews everywhere we stopped, but so much

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<v Speaker 3>of it is just like us filming ourselves, and that

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<v Speaker 3>now is probably more valuable to me than the interview is,

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<v Speaker 3>of course, because we were like horrible interviewers in retrospect

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<v Speaker 3>and bad filmmakers.

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<v Speaker 2>But we have all this footage.

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<v Speaker 3>So I have, like, you know, I don't know, sixty

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<v Speaker 3>hours of footage of that summer of ninety eight, and yeah,

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<v Speaker 3>we watched all the footage, like the next that fall

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<v Speaker 3>we watched, so like that summer is so engraved, like

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<v Speaker 3>everybody I met, all the experiences because I watched the

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<v Speaker 3>video back at one point to potentially edit it into

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<v Speaker 3>a film. Like that summer is etched in my memory.

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<v Speaker 2>It was a beautiful time.

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<v Speaker 3>It was like, you know, a dream come true road trip.

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<v Speaker 3>But that's why when I came back in this season,

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<v Speaker 3>I think Sean takes a road trip, and the producers

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<v Speaker 3>were like, can we find the footage of your road trip?

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<v Speaker 1>Oh man?

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<v Speaker 3>And I was like, no, that makes me uncomfortable, and

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<v Speaker 3>I didn't hand over any of my own actual footage.

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<v Speaker 3>But yeah, so writers Real road Trip inspired Sean on

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<v Speaker 3>road Trip in Blame.

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<v Speaker 1>It's world interesting. You know, you're only three years away

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<v Speaker 1>from then if you did it in ninety eight and

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<v Speaker 1>then you did it again in two thousand and eight, right,

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<v Speaker 1>you're only three years away from the twenty like twenty

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<v Speaker 1>and twenty years later since that one, if you.

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<v Speaker 2>Did it again, I know, there you go.

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<v Speaker 1>It'll be kind of cool.

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<v Speaker 2>You know. I know.

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<v Speaker 3>I think the original idea was like every ten years,

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<v Speaker 3>but thirty eight came and went, so yeah, Danielle Hawaii.

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<v Speaker 1>And you know, this should be like a pretty memorable

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<v Speaker 1>summer for me. It was the year, the summer before

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<v Speaker 1>I went into my senior year of high school. So

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<v Speaker 1>we're almost about to meet Lance. That's like I'm almost

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<v Speaker 1>about to meet Lance like this this fall, this nineteen

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<v Speaker 1>ninety eight fall is when we did the inter the

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<v Speaker 1>live episode, the TGIF episode where I met Lance, and

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<v Speaker 1>then because then Prom of ninety nine is, you know,

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<v Speaker 1>when we went to prom together. So I think this

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<v Speaker 1>should be kind of memorable for me, but I don't

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<v Speaker 1>really think it is. This may I don't. I don't

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<v Speaker 1>remember what I did. I definitely went to Hawaii and

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<v Speaker 1>you got your tan on, im a tan on, and

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<v Speaker 1>that's that's really all I remember.

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<v Speaker 2>You seem so different to me in this episode.

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<v Speaker 3>I agree show up and I was like, oh, Danielle

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<v Speaker 3>grew up.

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<v Speaker 2>But I felt that way about the three of you.

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<v Speaker 2>I thought you and Ben exactly the same. I thought

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<v Speaker 2>I at the same And.

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<v Speaker 3>I was like, oh, this is not a continuation because

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<v Speaker 3>she has a completely different presence. Like from the last

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<v Speaker 3>scene of last episode to the first scene of this.

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<v Speaker 2>I was like, that is a different human being. It's

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<v Speaker 2>so profound.

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<v Speaker 1>Yeah, you know, I think one of the differences and

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<v Speaker 1>I don't know what would have happened or why it

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<v Speaker 1>would have what would have changed, but I think Ben

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<v Speaker 1>and I there was a shift in our relationship where

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<v Speaker 1>we became like I think we became very good friends

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<v Speaker 1>around this time. Like Ben and I were closer in

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<v Speaker 1>this season, this season and the seventh season than maybe

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<v Speaker 1>we had ever been before. And there is a fun

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<v Speaker 1>there's a lightness to me. There's a fun I'm having

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<v Speaker 1>with him.

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<v Speaker 2>But there's also a depth that wasn't there. I think

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<v Speaker 2>it's common. I think that's what I think it comes off.

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<v Speaker 3>And Danielle as an actress and then Tapanga as a

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<v Speaker 3>character has like belongs here. Now you know that this

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<v Speaker 3>is the main storyline of Boy Means World that you

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<v Speaker 3>have you are a regular, that you are the star

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<v Speaker 3>of the show with Ben, Like it feels like you

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<v Speaker 3>are comfortable with that in a way that last season,

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<v Speaker 3>even even with all the ups and downs, right, and

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<v Speaker 3>maybe there was the sense that you could get replaced,

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<v Speaker 3>like maybe like young Danielle was like, oh, maybe I'm

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<v Speaker 3>going to be written off the show to go to Yale,

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<v Speaker 3>Like I feel there might have acted. But now with

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<v Speaker 3>the marriage and everything, it's like coming into the season,

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<v Speaker 3>you're like, I belong here, I'm an actor.

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<v Speaker 1>I'm not going anywhere, And and you're right that that

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<v Speaker 1>confidence is probably what's playing into me feeling like my

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<v Speaker 1>relationship with Ben is different where I feel more like

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<v Speaker 1>an equal with my fellow co stars instead of well,

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<v Speaker 1>there's no longer Corey and Sean.

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<v Speaker 2>It's Corey and Panga. That's this is officially Corey into Panga.

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<v Speaker 2>I mean it was if there was a couple going,

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<v Speaker 2>you know, the last two seasons or three seasons, four seasons,

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<v Speaker 2>it was Corey and Sean, and now it's Corey into Pang.

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<v Speaker 2>It's completely true, completely true.

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<v Speaker 3>So and and and it's funny that they bring in

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<v Speaker 3>Rachel right away because it's like.

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<v Speaker 2>We need another woman to be like fawning over and

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<v Speaker 2>like an object.

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<v Speaker 1>Out to the taken women. The taken women have to

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<v Speaker 1>remain chased and pure exactly, and we can't objectify them, right,

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<v Speaker 1>so we need to bring in a woman to objectify exactly.

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<v Speaker 2>Basically, that's exact kind of what it's feels like.

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<v Speaker 3>It feels like to Peg and Corey are off doing

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<v Speaker 3>their thing, and that's not I will guarantee you that's

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<v Speaker 3>not how it was said in the room.

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<v Speaker 2>What was said in the room is what would be

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<v Speaker 2>funny is if we put Jack and Eric in a

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<v Speaker 2>love triangle with somebody. Yeah, that's what how they pitched it,

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<v Speaker 2>but what it really was is, yeah, we need a

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<v Speaker 2>woman that we can sexualize because we can't do it

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<v Speaker 2>with Japanga or with Angela or or right, so we

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<v Speaker 2>need to have Morgan.

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<v Speaker 1>So we all the female characters on the show. There's

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<v Speaker 1>no Lonnie, there's no there's no like, Who's who do

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<v Speaker 1>we turn into an object?

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<v Speaker 3>We've got the Madonna who could we drool over and

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<v Speaker 3>make jokes about.

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<v Speaker 2>Yeah, yeah, absolutely yeah.

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<v Speaker 1>But before we're starting with our we're starting with season six.

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<v Speaker 1>Will what did you do between the summary? I did

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<v Speaker 1>a movie? I don't know.

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<v Speaker 2>So did you do a movie every summery? You say?

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<v Speaker 1>Are there? Yeah? How many did you do?

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<v Speaker 2>You did my day with the President's daughter Trojan War.

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<v Speaker 2>It wasn't this then.

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<v Speaker 1>Gift of Love, Gift of Love?

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<v Speaker 2>No, that was one with Andy Griffith, with my with

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<v Speaker 2>my amazing Southern accent, which I didn't tell me I

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<v Speaker 2>had to have until the morning on the set. Then

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<v Speaker 2>there was my educating Mom.

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<v Speaker 1>So with educating Mom, maybe maybe it was educating mom

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<v Speaker 1>because we haven't talked about that one. Educating Mom Educating Mom.

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<v Speaker 2>Educating Mom was Jane Kesmerck played my Mom and Lacey

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<v Speaker 2>Shavert played my little sister, and it was a mom

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<v Speaker 2>who goes back to high school with.

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<v Speaker 3>Her kid in after school specially, it wasn't after Madison

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<v Speaker 3>with Mom.

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<v Speaker 1>Yeah, so I don't know I did. I did one

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<v Speaker 1>ever year pretty much. Yeah, yeah, I did.

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<v Speaker 2>I did a movie every year.

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<v Speaker 1>Educating Mom came out in nineteen ninety six. Okay, then

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<v Speaker 1>it wasn't that one.

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<v Speaker 2>And I know that h Doable hockey Sticks came out

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<v Speaker 2>in ninety nine because I remember specifically j.

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<v Speaker 1>Double hockey sticks. No, this is the summer of ninety eight.

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<v Speaker 2>It can't be because my hair was cut for Hidable

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<v Speaker 2>hockey sticks and I had to wear the wig. That's

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<v Speaker 2>when I had my panic attacks started then, so I

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<v Speaker 2>remember that summer very well.

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<v Speaker 1>This one.

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<v Speaker 2>I don't know what I did in ninety eight, but

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<v Speaker 2>I did a movie of some sort and I just

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<v Speaker 2>don't know which one it was, honestly, have no idea.

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<v Speaker 1>Weird, Yeah, but that kudos to writer for having a

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<v Speaker 1>memorable nineteen ninety eight. Yeah, Will and I will just

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<v Speaker 1>wipe that year off off of the planet. Doesn't exist

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<v Speaker 1>for us.

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<v Speaker 2>Yeah, it was my last year before panic attacks though,

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<v Speaker 2>so big year.

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<v Speaker 1>For a big year.

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<v Speaker 2>Yeah, big non memorable mental health year.

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<v Speaker 1>Exactly. You didn't know that. You should have cherished every.

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<v Speaker 2>Moment of exactly you never know cherish furis every moment absolutely.

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<v Speaker 1>Welcome to Pod Meets World.

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<v Speaker 2>I'm Daniel Fishel, I'm right or Strong, and I'm Wilfordell.

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<v Speaker 1>Well, here we are, Season six, Episode one. His answer two,

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<v Speaker 1>I'm assuming because it says part one.

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<v Speaker 3>Is they say part one because it's supposed to be

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<v Speaker 3>continued at the end, right, But then.

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<v Speaker 1>It's definitely at the end it's Tapega's answer, So maybe

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<v Speaker 1>the next one's called her answer part one. I don't know.

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<v Speaker 3>Oh it is, Actually I don't know, because what was

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<v Speaker 3>the end of the first The last episode of last

0:11:18.440 --> 0:11:20.840
<v Speaker 3>season was called the Graduation, right, right, and it would

0:11:20.880 --> 0:11:21.640
<v Speaker 3>also be the question.

0:11:22.120 --> 0:11:24.800
<v Speaker 2>So then you get his answer, and then I think

0:11:24.840 --> 0:11:26.520
<v Speaker 2>her answer would be not I think it is her

0:11:26.559 --> 0:11:28.680
<v Speaker 2>answer or something along those lines for the next one.

0:11:29.480 --> 0:11:32.280
<v Speaker 1>Well. It originally aired September twenty fifth, nineteen ninety eight.

0:11:32.320 --> 0:11:36.000
<v Speaker 1>The synopsis when Tapega proposes to Corey at graduation, Corey

0:11:36.080 --> 0:11:40.000
<v Speaker 1>is absolutely stunned. However, when everyone else has conflicting views

0:11:40.040 --> 0:11:44.480
<v Speaker 1>on the subject, Corey and Topanga Quietly Slip Away to Elope.

0:11:45.200 --> 0:11:47.680
<v Speaker 1>It was directed by Jeff McCracken. It was written by

0:11:47.679 --> 0:11:51.400
<v Speaker 1>Bob Tishler. And we have a guest. Two guest stars

0:11:51.440 --> 0:11:54.080
<v Speaker 1>this week, guest starring Bill Morey as Judge Bmiss. He

0:11:54.120 --> 0:11:56.360
<v Speaker 1>is a character actor best known for the seventies cult

0:11:56.360 --> 0:12:00.000
<v Speaker 1>classic Death Race two thousand and he was the voice

0:12:00.200 --> 0:12:04.040
<v Speaker 1>of Mutt and Ricondo on the g I Joe cartoon. Yes,

0:12:04.400 --> 0:12:08.720
<v Speaker 1>best cartoon ever, Yo Joe. My brother was obsessed with

0:12:08.800 --> 0:12:12.640
<v Speaker 1>that cartoon as a kid's ardort. So well, yeah, So

0:12:12.840 --> 0:12:15.319
<v Speaker 1>this is the first of two Boy Meets World episodes

0:12:15.320 --> 0:12:17.520
<v Speaker 1>he will appear in. And he passed in two thousand

0:12:17.520 --> 0:12:20.880
<v Speaker 1>and three at the age of eighty three. And then

0:12:21.000 --> 0:12:27.240
<v Speaker 1>we have Connie Sawyer as Puffoufta Foofy, another familiar face.

0:12:27.320 --> 0:12:30.200
<v Speaker 1>A character actor who is best known for her part

0:12:30.240 --> 0:12:32.800
<v Speaker 1>in Dumb and Dumber, but appeared in other movies like

0:12:32.880 --> 0:12:36.440
<v Speaker 1>Pineapple Express, Out of Sight, and was in one of

0:12:36.440 --> 0:12:40.440
<v Speaker 1>the documentary couples when in When Harry Met Sally. She

0:12:40.559 --> 0:12:47.280
<v Speaker 1>passed in twenty eighteen at the age of one hundred

0:12:47.360 --> 0:12:48.280
<v Speaker 1>and five.

0:12:48.679 --> 0:12:54.680
<v Speaker 2>Oh my god, wow, I was gonna say twenty eighteen,

0:12:56.000 --> 0:12:56.719
<v Speaker 2>one hundred and.

0:12:56.800 --> 0:13:01.959
<v Speaker 1>Five hundred and five. She sleeping so well right now

0:13:02.000 --> 0:13:05.800
<v Speaker 1>she's she is thrilled. She was also into Boy Meets

0:13:05.800 --> 0:13:06.559
<v Speaker 1>World episodes.

0:13:06.800 --> 0:13:08.520
<v Speaker 3>So you know, you guys, you guys know that beginning

0:13:08.559 --> 0:13:11.320
<v Speaker 3>of when Harry met Sally, they actually they did real

0:13:11.320 --> 0:13:14.080
<v Speaker 3>interviews with real people, recorded them, and then brought in

0:13:14.200 --> 0:13:17.720
<v Speaker 3>actors to imitate that. Oh yeah, because it was like

0:13:17.760 --> 0:13:20.480
<v Speaker 3>it was finding that line between like inserting actors and

0:13:20.520 --> 0:13:21.920
<v Speaker 3>real you know, and it was like the real life

0:13:21.920 --> 0:13:24.560
<v Speaker 3>people in some ways were like a little too real,

0:13:24.679 --> 0:13:24.920
<v Speaker 3>you know.

0:13:24.840 --> 0:13:27.439
<v Speaker 2>It wasn't as So. Yeah, it's an interesting I love

0:13:27.480 --> 0:13:28.000
<v Speaker 2>that beginning.

0:13:28.080 --> 0:13:31.439
<v Speaker 1>It's a little like our opening credits. Is it us

0:13:31.559 --> 0:13:32.720
<v Speaker 1>or is it characters?

0:13:34.040 --> 0:13:35.719
<v Speaker 2>That's one of the best movies of all time, of

0:13:35.880 --> 0:13:36.320
<v Speaker 2>all time.

0:13:36.640 --> 0:13:41.360
<v Speaker 1>Yeah, before we jump into our recap, what are your

0:13:41.400 --> 0:13:44.720
<v Speaker 1>overall thoughts of the episode, I'll start if you want.

0:13:44.880 --> 0:13:48.160
<v Speaker 2>Okay, always starts and I feel bad. I actually really

0:13:48.200 --> 0:13:50.720
<v Speaker 2>liked it, Okay. I think I was expecting not to,

0:13:51.559 --> 0:13:53.600
<v Speaker 2>and maybe that was one of the reasons. I thought

0:13:53.640 --> 0:13:56.480
<v Speaker 2>it was funny. I love the family stuff. I like

0:13:56.559 --> 0:14:00.400
<v Speaker 2>the people trying to I did not remember the many

0:14:00.559 --> 0:14:03.960
<v Speaker 2>characters trying to talk them out of getting married, which

0:14:03.960 --> 0:14:06.320
<v Speaker 2>I really liked. I liked people kind of being like,

0:14:06.679 --> 0:14:10.400
<v Speaker 2>you're too young, what are you thinking? Eric is officially

0:14:10.600 --> 0:14:14.760
<v Speaker 2>Eric and crazy. Rachel obviously is a character that makes

0:14:14.800 --> 0:14:17.400
<v Speaker 2>no sense and has no point in being there other

0:14:17.440 --> 0:14:21.560
<v Speaker 2>than being partially naked. Hopefully that will change, but in

0:14:21.600 --> 0:14:25.960
<v Speaker 2>this first I mean, there's it's kind of ridiculous that

0:14:26.040 --> 0:14:29.240
<v Speaker 2>she's there. But other than that, I was entertained for

0:14:29.280 --> 0:14:31.640
<v Speaker 2>twenty two minutes. I laughed out loud a couple of times.

0:14:32.000 --> 0:14:35.000
<v Speaker 2>I rewound a couple things. I remembered certain things from shooting.

0:14:35.200 --> 0:14:36.440
<v Speaker 1>I actually enjoyed.

0:14:36.160 --> 0:14:43.600
<v Speaker 3>It, Okay, good, oh cool writer, Yeah, not so much.

0:14:43.680 --> 0:14:46.720
<v Speaker 2>I didn't like it at all. Yeah, I don't know, No,

0:14:47.040 --> 0:14:49.160
<v Speaker 2>I don't know. I mean I guess.

0:14:50.720 --> 0:14:53.840
<v Speaker 3>I feel like, yeah, it felt like a lot of

0:14:54.240 --> 0:14:57.479
<v Speaker 3>like characters in a line debating for like the quarchbannga

0:14:57.520 --> 0:14:59.440
<v Speaker 3>stuff like we're in a line in the kitchen, we're

0:14:59.480 --> 0:15:01.880
<v Speaker 3>in a line in in the backyard. So it was that, like,

0:15:02.000 --> 0:15:04.920
<v Speaker 3>let's theorize about Corey to Panga and love and it's

0:15:05.000 --> 0:15:06.200
<v Speaker 3>like okay, and then.

0:15:06.120 --> 0:15:07.120
<v Speaker 1>Like was it the blocking?

0:15:07.360 --> 0:15:09.160
<v Speaker 2>Is it the blocking that bothered you or the actual

0:15:09.200 --> 0:15:10.080
<v Speaker 2>dialogue that bothered you?

0:15:10.240 --> 0:15:12.600
<v Speaker 3>There, it's the scene structure, like the idea like let's

0:15:12.640 --> 0:15:15.000
<v Speaker 3>get all of the characters in a room and then

0:15:15.040 --> 0:15:17.880
<v Speaker 3>have them hash it out. It's like that's not storytelling,

0:15:17.960 --> 0:15:21.840
<v Speaker 3>that's like, you know, theorizing in character. And and then

0:15:21.880 --> 0:15:25.320
<v Speaker 3>I felt that pressure on the actors to like make

0:15:25.360 --> 0:15:27.920
<v Speaker 3>turns and to make things like like you, you know,

0:15:28.000 --> 0:15:31.280
<v Speaker 3>obviously you're great, but like they putting you in position

0:15:31.320 --> 0:15:33.480
<v Speaker 3>where you had to like make the transition or like

0:15:33.640 --> 0:15:36.320
<v Speaker 3>deliver information and then make a joke which then gave

0:15:36.360 --> 0:15:38.880
<v Speaker 3>you an exit line. And the same with Rusty. Poor

0:15:38.960 --> 0:15:42.200
<v Speaker 3>Rusty had to like make these character turns on his own.

0:15:42.360 --> 0:15:45.280
<v Speaker 3>Like it just felt I don't know, it just felt

0:15:45.760 --> 0:15:51.640
<v Speaker 3>very like riterly and expositional. So and even the Corey

0:15:51.640 --> 0:15:54.560
<v Speaker 3>to Panka stuff, which could be charged with like the

0:15:54.560 --> 0:15:57.520
<v Speaker 3>fact that Corey's insecure and I don't know, like you

0:15:57.600 --> 0:16:00.560
<v Speaker 3>two were funny together at times, but I don't know,

0:16:00.600 --> 0:16:02.760
<v Speaker 3>I wanted more like the high jinks of pretending that

0:16:02.800 --> 0:16:04.760
<v Speaker 3>you're not getting married or you know, and instead it

0:16:04.800 --> 0:16:07.320
<v Speaker 3>became time to like hash it out.

0:16:07.680 --> 0:16:09.440
<v Speaker 2>Let's sit in this car and talk, let's sit in

0:16:09.480 --> 0:16:10.840
<v Speaker 2>this place and talk, let's sit you know.

0:16:10.880 --> 0:16:14.160
<v Speaker 1>I was like, okay, okay, yeah, I think I did

0:16:14.480 --> 0:16:20.440
<v Speaker 1>enjoy the episode if I can just allow my criticisms

0:16:20.480 --> 0:16:23.640
<v Speaker 1>of it to not affect the way I felt about

0:16:23.680 --> 0:16:26.880
<v Speaker 1>the scenes, which is hard because I have some criticisms

0:16:26.920 --> 0:16:28.440
<v Speaker 1>about it, But I think the biggest one if I

0:16:28.480 --> 0:16:32.600
<v Speaker 1>were to make it just one criticism, and it would

0:16:32.600 --> 0:16:34.760
<v Speaker 1>be that if you think about what they needed to

0:16:34.880 --> 0:16:38.760
<v Speaker 1>what they wanted to happen in this episode, so much

0:16:38.760 --> 0:16:41.960
<v Speaker 1>of the propelling of the story forward had to happen

0:16:43.120 --> 0:16:47.040
<v Speaker 1>by making assumptions, like in one episode they wanted to

0:16:47.080 --> 0:16:49.960
<v Speaker 1>go from they agree that they're going to get married,

0:16:50.120 --> 0:16:53.360
<v Speaker 1>and then they tell their families that people are not

0:16:53.480 --> 0:16:56.240
<v Speaker 1>happy about it, and then they go Elope. That's a

0:16:56.360 --> 0:17:01.240
<v Speaker 1>lot to happen in twenty two minutes. And them somehow

0:17:01.280 --> 0:17:04.640
<v Speaker 1>knowing that because Topanga and Corey slipped away they were

0:17:04.680 --> 0:17:07.679
<v Speaker 1>going to Elope makes no sense to me. I would

0:17:07.760 --> 0:17:11.000
<v Speaker 1>never have thought that if I were in a situation

0:17:11.160 --> 0:17:14.160
<v Speaker 1>with my kids and I thought I would think, like, oh, yeah,

0:17:14.200 --> 0:17:16.239
<v Speaker 1>they probably didn't want to hear us fighting and we

0:17:16.240 --> 0:17:18.159
<v Speaker 1>were talking about them like they weren't even here, or

0:17:18.160 --> 0:17:19.840
<v Speaker 1>maybe they went to go get ice cream.

0:17:20.359 --> 0:17:22.879
<v Speaker 3>To have Sean inserted. That's why they have me say like,

0:17:22.920 --> 0:17:25.800
<v Speaker 3>if there's one thing. I know Ory has a choice

0:17:25.800 --> 0:17:28.720
<v Speaker 3>between tapanga and anything. It's you know, it's like okay,

0:17:28.760 --> 0:17:29.240
<v Speaker 3>so yeah, but.

0:17:29.240 --> 0:17:33.120
<v Speaker 2>It's also they it goes right from assuming Eric kind

0:17:33.119 --> 0:17:35.480
<v Speaker 2>of saying I bet you they eloped to then assuming

0:17:35.520 --> 0:17:38.320
<v Speaker 2>they did into then man, I wish I was at

0:17:38.359 --> 0:17:40.040
<v Speaker 2>the wedding, like it became a real thing, like it

0:17:40.080 --> 0:17:40.840
<v Speaker 2>was automatically.

0:17:40.840 --> 0:17:43.000
<v Speaker 1>It's also weird that somebody just said I bet they

0:17:43.040 --> 0:17:45.960
<v Speaker 1>went to go alope, and everyone was like, they're getting married. Yeah.

0:17:48.160 --> 0:17:51.439
<v Speaker 2>By the way, everything you're talking about of you know,

0:17:52.440 --> 0:17:55.200
<v Speaker 2>doing the answer deciding to get married eloping, you said

0:17:55.200 --> 0:17:57.320
<v Speaker 2>twenty two minutes. It's not because there's a b story.

0:17:57.400 --> 0:18:00.639
<v Speaker 2>It's like twelve minutes. I know, you're right every of

0:18:00.680 --> 0:18:04.680
<v Speaker 2>having to do that entire storyline, and it's essentially now

0:18:04.720 --> 0:18:07.560
<v Speaker 2>this is episode two of three, so we're in, you know,

0:18:07.840 --> 0:18:10.879
<v Speaker 2>we're in Empire strikes back at this point. So we

0:18:11.000 --> 0:18:13.199
<v Speaker 2>I mean, this was there was already one episode and

0:18:13.200 --> 0:18:15.119
<v Speaker 2>now there's a saying I have no idea what happened

0:18:15.119 --> 0:18:16.680
<v Speaker 2>to the third obviously, but I.

0:18:16.600 --> 0:18:19.920
<v Speaker 1>Also said a little you know, I had a little

0:18:19.920 --> 0:18:23.640
<v Speaker 1>funeral for the Eric. We know from here, I feel

0:18:23.800 --> 0:18:26.160
<v Speaker 1>I feel like if if we ever thought Eric.

0:18:26.160 --> 0:18:32.879
<v Speaker 2>Was coming before. Yeah, we're wrong, Eric, Eric's gone. Yeah.

0:18:32.960 --> 0:18:34.159
<v Speaker 1>I will say, though, do you.

0:18:34.160 --> 0:18:35.600
<v Speaker 2>Guys feel like it's a real difference?

0:18:36.720 --> 0:18:38.880
<v Speaker 1>I really yeah, well what is that difference?

0:18:38.920 --> 0:18:41.000
<v Speaker 3>Because I was trying to I felt it too, but

0:18:41.040 --> 0:18:43.080
<v Speaker 3>I was trying to isolate what it was. To me,

0:18:43.480 --> 0:18:46.240
<v Speaker 3>it feels less motivated or something's like.

0:18:46.960 --> 0:18:49.600
<v Speaker 2>There's is more of a caricature. Yeah, there's no, there's

0:18:49.640 --> 0:18:51.960
<v Speaker 2>no real moments anymore. There used to be this kind

0:18:52.040 --> 0:18:55.640
<v Speaker 2>of balance between Eric having heart and having these real

0:18:55.640 --> 0:18:58.440
<v Speaker 2>moments and then this wacky craziness, where now it's just

0:18:58.560 --> 0:19:01.119
<v Speaker 2>solid wacky craziness. All the real moments are going on

0:19:01.160 --> 0:19:02.640
<v Speaker 2>around him with other characters.

0:19:02.760 --> 0:19:06.800
<v Speaker 1>Yes, it's like every every opportunity you have to open

0:19:06.840 --> 0:19:09.480
<v Speaker 1>your mouth, if you're not getting a laugh, if you're

0:19:09.520 --> 0:19:13.480
<v Speaker 1>not delivering a joke, that it's not there. Like so

0:19:13.560 --> 0:19:16.320
<v Speaker 1>it just feels like you're a joke machine as opposed

0:19:16.400 --> 0:19:17.560
<v Speaker 1>to a real person.

0:19:17.720 --> 0:19:19.760
<v Speaker 2>And that was my problem in season six and seven.

0:19:19.800 --> 0:19:21.639
<v Speaker 2>That's what I would always talk about with Michael and

0:19:21.680 --> 0:19:24.239
<v Speaker 2>stuff like. That was why I was getting upset is

0:19:25.240 --> 0:19:29.000
<v Speaker 2>y'all were having these dramatic storylines going on and then

0:19:29.040 --> 0:19:31.679
<v Speaker 2>it was let's cut to Eric dancing, and that's what

0:19:31.840 --> 0:19:36.320
<v Speaker 2>every episode became about, was just and now Eric and

0:19:36.440 --> 0:19:39.119
<v Speaker 2>then back to now let's get back to our actual story,

0:19:39.240 --> 0:19:41.320
<v Speaker 2>and that we're going to see getting worse, like when

0:19:41.320 --> 0:19:45.200
<v Speaker 2>the kid is in ICU and like all the real

0:19:45.280 --> 0:19:48.199
<v Speaker 2>dramatic stuff that's going to start happening. You're really going

0:19:48.240 --> 0:19:50.560
<v Speaker 2>to see the dichotomy between Eric and the rest of

0:19:50.600 --> 0:19:52.920
<v Speaker 2>the cast, and it gets jarring, if memory serves. Because

0:19:53.400 --> 0:19:55.760
<v Speaker 2>my feeling as an actor, I was like, but that's

0:19:55.760 --> 0:19:57.560
<v Speaker 2>why I felt like. It was like, Oh, we're gonna

0:19:57.560 --> 0:20:00.280
<v Speaker 2>do Dawson's Creek, but we're still a comedy, so will

0:20:00.280 --> 0:20:02.520
<v Speaker 2>you're gonna do all the comedy And it was like, Okay,

0:20:02.600 --> 0:20:03.520
<v Speaker 2>well that's a lot.

0:20:04.160 --> 0:20:05.960
<v Speaker 1>Let's try that and see what happens. And I don't.

0:20:05.960 --> 0:20:07.840
<v Speaker 3>It's also like kind of all over the place in

0:20:07.920 --> 0:20:11.280
<v Speaker 3>terms of Eric's character, Like there were times when I

0:20:11.320 --> 0:20:14.360
<v Speaker 3>was like, Oh, he's like the super confident guy. Other

0:20:14.400 --> 0:20:16.919
<v Speaker 3>times he's like just dumb, you know. I was like,

0:20:16.920 --> 0:20:19.959
<v Speaker 3>you're just kind of moment to moment, whatever, the joke, whatever,

0:20:20.000 --> 0:20:22.440
<v Speaker 3>the funniest thing for somebody to say that it's out

0:20:22.440 --> 0:20:24.359
<v Speaker 3>of contact, like the wrong thing to say.

0:20:24.520 --> 0:20:25.359
<v Speaker 2>They just gave to you.

0:20:25.440 --> 0:20:28.240
<v Speaker 3>It was just like make Eric the wacky guy who's

0:20:28.240 --> 0:20:30.040
<v Speaker 3>just always going to say the wrong thing or the

0:20:30.040 --> 0:20:30.560
<v Speaker 3>weird thing.

0:20:30.760 --> 0:20:33.560
<v Speaker 1>Yeah, and has in the past, and so many episodes

0:20:33.600 --> 0:20:37.280
<v Speaker 1>actually delivered really good advice to Corey has been has

0:20:37.359 --> 0:20:39.840
<v Speaker 1>been a person you could go to for important moments.

0:20:39.840 --> 0:20:41.800
<v Speaker 2>And now still the Tommy episodes they haven't come.

0:20:41.920 --> 0:20:42.760
<v Speaker 1>Yea, so that's true.

0:20:42.800 --> 0:20:45.720
<v Speaker 2>Hopefully at least in this episode. There's no balance at all.

0:20:46.080 --> 0:20:48.880
<v Speaker 2>But I will say something that you pointed out back

0:20:48.880 --> 0:20:50.760
<v Speaker 2>in the day, Danielle. I will point out for myself

0:20:50.760 --> 0:20:55.280
<v Speaker 2>now this is peak will oh really, but yeah, this

0:20:55.320 --> 0:20:57.400
<v Speaker 2>is I'm in shape, I've got the long the long

0:20:57.440 --> 0:20:59.680
<v Speaker 2>hair going, I've got the main this is it's all

0:20:59.680 --> 0:21:00.600
<v Speaker 2>down here from.

0:21:02.320 --> 0:21:05.879
<v Speaker 1>Enjoy I loved I loved that season I had it

0:21:05.960 --> 0:21:10.760
<v Speaker 1>was so great, so enjoy it. I'm so excited for

0:21:10.800 --> 0:21:12.320
<v Speaker 1>you to get to live it this year. Me too.

0:21:12.760 --> 0:21:15.760
<v Speaker 3>Way, this is such a better start to a season

0:21:15.760 --> 0:21:18.120
<v Speaker 3>than season five though, oh yes, the key season five,

0:21:18.160 --> 0:21:20.080
<v Speaker 3>I was like, what is going on this? I'm like, oh,

0:21:20.080 --> 0:21:23.040
<v Speaker 3>it feels like the show. It's the cord to Panga's

0:21:23.320 --> 0:21:25.760
<v Speaker 3>side of things, which is not my favorite, but it

0:21:25.840 --> 0:21:28.800
<v Speaker 3>definitely still felt like Boy Meets World.

0:21:29.600 --> 0:21:31.240
<v Speaker 2>How crazy is it? Though?

0:21:31.320 --> 0:21:34.440
<v Speaker 3>Going back watching the previously on, I was like, whoa,

0:21:34.480 --> 0:21:36.640
<v Speaker 3>I know, we were pulled out all the stops. We're

0:21:36.640 --> 0:21:39.560
<v Speaker 3>gonna We're going to graduate, we're gonna get married, we're

0:21:39.600 --> 0:21:42.280
<v Speaker 3>gonna have a baby, and Fete's gonna retire. I was like, whoa.

0:21:42.880 --> 0:21:45.240
<v Speaker 3>It's like it was like suddenly seeing it all compressed.

0:21:45.240 --> 0:21:47.719
<v Speaker 3>Its Wow, they were really pulling out all the stops.

0:21:47.720 --> 0:21:50.480
<v Speaker 3>Do not cancel our show, do not. You have to

0:21:50.640 --> 0:21:54.600
<v Speaker 3>finish this storyline, Like Michael and the writers put so

0:21:54.800 --> 0:21:56.640
<v Speaker 3>much pressure on the network to.

0:21:56.600 --> 0:21:58.600
<v Speaker 2>Pick us up for this season. There was no way

0:21:58.600 --> 0:22:00.439
<v Speaker 2>they weren't going to It's But.

0:22:00.320 --> 0:22:04.080
<v Speaker 1>Before we get to that previously on, we have a

0:22:04.119 --> 0:22:08.040
<v Speaker 1>new opening sequence. Yeah, we have a new opening sequence

0:22:08.080 --> 0:22:11.840
<v Speaker 1>that is eerily similar to last season. It's mostly us

0:22:11.920 --> 0:22:16.040
<v Speaker 1>just recreating what was once spontaneous behavior, and now.

0:22:16.680 --> 0:22:18.879
<v Speaker 3>It feels so different to me and that I was

0:22:18.920 --> 0:22:21.000
<v Speaker 3>watching this like, oh, this is a bunch of factors

0:22:21.040 --> 0:22:25.360
<v Speaker 3>hamming it up, doing their stick. I can almost tell

0:22:25.400 --> 0:22:28.840
<v Speaker 3>that we're like mocking we're doing Yes, we are. We

0:22:28.880 --> 0:22:31.080
<v Speaker 3>are see in our I can see it in our

0:22:31.119 --> 0:22:33.480
<v Speaker 3>faces that we are mocking what we're doing.

0:22:33.840 --> 0:22:37.040
<v Speaker 2>While doing it, but I'm also wearing sunglasses and my

0:22:37.160 --> 0:22:38.920
<v Speaker 2>shirt is all the way open.

0:22:39.119 --> 0:22:42.359
<v Speaker 1>It's because we're at peak will you were wanting it?

0:22:43.560 --> 0:22:45.360
<v Speaker 1>How do I milk this?

0:22:46.240 --> 0:22:49.440
<v Speaker 2>Going on? The open shirt and the sunglasses, just thinking

0:22:49.480 --> 0:22:52.080
<v Speaker 2>I'm so cool, Like what is happening right now?

0:22:52.160 --> 0:22:52.400
<v Speaker 1>Yeah?

0:22:52.720 --> 0:22:58.040
<v Speaker 2>There were lots of arms going around each other. We're friends. Well,

0:22:58.080 --> 0:23:01.240
<v Speaker 2>I remember, Danielle, don't you remember them telling us like, oh,

0:23:01.280 --> 0:23:03.480
<v Speaker 2>and the ton thing that was done last time, we're going.

0:23:03.480 --> 0:23:04.240
<v Speaker 1>To do that again.

0:23:04.320 --> 0:23:06.359
<v Speaker 2>I remember that we're going to reverse it, and now

0:23:06.359 --> 0:23:08.720
<v Speaker 2>we're going to reverse the bucket drop. And so we

0:23:08.720 --> 0:23:10.800
<v Speaker 2>were being given specific beats.

0:23:11.119 --> 0:23:13.680
<v Speaker 1>No, it's all the things that were spontaneous and fun

0:23:13.720 --> 0:23:16.480
<v Speaker 1>for us last year. They were like written down on

0:23:16.520 --> 0:23:18.760
<v Speaker 1>a script now and we're like, and here's how we're

0:23:18.760 --> 0:23:21.000
<v Speaker 1>going to make it spontaneous and different. And it was like,

0:23:21.119 --> 0:23:23.320
<v Speaker 1>oh no, now, there's the only reason we did it

0:23:23.359 --> 0:23:30.000
<v Speaker 1>is because of Maitland, right, because and Maitland opening. Yeah,

0:23:30.040 --> 0:23:33.159
<v Speaker 1>And so we saw this with Matthew before, which is

0:23:33.160 --> 0:23:37.200
<v Speaker 1>that the audience is seeing a new cast member they've

0:23:37.320 --> 0:23:40.480
<v Speaker 1>never met before in the credits and they have no

0:23:40.520 --> 0:23:45.959
<v Speaker 1>idea who she is. So we we have that new opening,

0:23:46.000 --> 0:23:49.280
<v Speaker 1>and then we get a quick recap reminding the audience

0:23:49.320 --> 0:23:51.280
<v Speaker 1>of how we left the show in season five. And

0:23:51.359 --> 0:23:56.760
<v Speaker 1>I love that Ben actually says previously and absolutely unbelievably,

0:23:58.560 --> 0:24:01.879
<v Speaker 1>which is exactly writers like, I cannot believe they jammed

0:24:01.920 --> 0:24:02.200
<v Speaker 1>all this in.

0:24:02.400 --> 0:24:04.280
<v Speaker 3>When you stack them up in a row, I was like,

0:24:04.320 --> 0:24:06.840
<v Speaker 3>oh my god, okay, it was like yeah.

0:24:06.680 --> 0:24:12.240
<v Speaker 1>It also for the first time ever because why would

0:24:12.240 --> 0:24:14.320
<v Speaker 1>I have thought of it at the end of last season.

0:24:14.720 --> 0:24:18.720
<v Speaker 1>But seeing this, seeing the prom episode, even though the

0:24:18.800 --> 0:24:23.760
<v Speaker 1>reveal in that scene of the prom episode was Amy

0:24:23.800 --> 0:24:28.200
<v Speaker 1>and Allen are having a baby, it made me wonder

0:24:28.400 --> 0:24:31.760
<v Speaker 1>whether they were setting up that the really good reason

0:24:31.880 --> 0:24:36.240
<v Speaker 1>for Tapega not to go to Yale was that she

0:24:36.880 --> 0:24:41.720
<v Speaker 1>was pregnant. Because even though we saw at the end

0:24:41.760 --> 0:24:43.640
<v Speaker 1>of last season that they came out that they were

0:24:43.640 --> 0:24:46.280
<v Speaker 1>on the dance floor and not in the room. Remember that.

0:24:46.480 --> 0:24:49.919
<v Speaker 1>Then when Corey and and when Sean and Angela like

0:24:50.119 --> 0:24:52.760
<v Speaker 1>ask about we kind of make a face like did

0:24:52.800 --> 0:24:58.639
<v Speaker 1>we or didn't we? And then Tapega asks Corey to

0:24:58.880 --> 0:25:03.320
<v Speaker 1>marry her. At the end of the season. When I

0:25:03.359 --> 0:25:05.199
<v Speaker 1>when I saw me in the prom dress, I was like,

0:25:06.000 --> 0:25:10.439
<v Speaker 1>oh my gosh, was there any possibility there was any

0:25:10.560 --> 0:25:11.520
<v Speaker 1>sort of eluding.

0:25:12.080 --> 0:25:15.720
<v Speaker 3>Aren't they going to reference you guys being virgins until

0:25:15.720 --> 0:25:16.280
<v Speaker 3>you're married?

0:25:16.640 --> 0:25:19.240
<v Speaker 1>Well, if we do in this opening episode, you do

0:25:19.400 --> 0:25:21.120
<v Speaker 1>in this episode. But my point is.

0:25:21.840 --> 0:25:25.000
<v Speaker 4>In this episode you say, like he says moon, we're

0:25:25.040 --> 0:25:26.600
<v Speaker 4>going to Yeah, but like.

0:25:27.000 --> 0:25:31.399
<v Speaker 2>Is there actual, like solid we are virgins until.

0:25:31.560 --> 0:25:32.639
<v Speaker 1>Not in this episode?

0:25:33.720 --> 0:25:36.800
<v Speaker 3>So you could have could have done it on problems, yes,

0:25:36.920 --> 0:25:38.600
<v Speaker 3>and that's why it could be pregnant.

0:25:39.000 --> 0:25:42.000
<v Speaker 2>And he comes out of the fast and it's his

0:25:42.040 --> 0:25:43.760
<v Speaker 2>first time, so it could have been that quick. But

0:25:43.800 --> 0:25:45.840
<v Speaker 2>it's real quick because remember you go into the room

0:25:47.240 --> 0:25:48.800
<v Speaker 2>ten seconds and you come back.

0:25:49.240 --> 0:25:51.400
<v Speaker 1>What's up with the weird look we give them? Why

0:25:51.400 --> 0:25:52.400
<v Speaker 1>do we give them a look?

0:25:52.520 --> 0:25:54.800
<v Speaker 2>Like? I think it's just a cover to keep it

0:25:54.960 --> 0:25:57.560
<v Speaker 2>like light, You're no.

0:25:57.640 --> 0:25:59.479
<v Speaker 3>I think the idea is like you're it's it's your

0:25:59.520 --> 0:26:01.359
<v Speaker 3>private it's your private life, so you're not going to

0:26:01.400 --> 0:26:03.320
<v Speaker 3>share it, and you're going to let people think that

0:26:03.359 --> 0:26:05.040
<v Speaker 3>you slept together if that's what they want to think,

0:26:05.080 --> 0:26:06.840
<v Speaker 3>but you're also not going to say it.

0:26:07.200 --> 0:26:12.359
<v Speaker 1>Yeah, I don't I know what if As I was

0:26:12.400 --> 0:26:14.159
<v Speaker 1>watching the opening, I was like, oh my gosh, what

0:26:14.200 --> 0:26:14.840
<v Speaker 1>if I'm pregnant?

0:26:15.160 --> 0:26:20.119
<v Speaker 3>No, No, you guys are destroying the mythology of she

0:26:20.160 --> 0:26:24.080
<v Speaker 3>doesn't because of love and destiny and Corey, that's it done.

0:26:24.440 --> 0:26:30.280
<v Speaker 1>And a child just wonder if we wanted the tiniest

0:26:30.440 --> 0:26:33.720
<v Speaker 1>bit of mystery about if that's one of the reasons

0:26:34.080 --> 0:26:37.320
<v Speaker 1>it goes away immediately because to Panga doesn't say an

0:26:37.440 --> 0:26:41.919
<v Speaker 1>eddy point because and she definitely when she says and

0:26:41.960 --> 0:26:45.000
<v Speaker 1>on this honeymoon we to her, it's very clear to

0:26:45.080 --> 0:26:48.840
<v Speaker 1>me that's a chip to Panga has that she's playing like, well,

0:26:48.840 --> 0:26:50.959
<v Speaker 1>when we get married, which I can't believe she has

0:26:51.000 --> 0:26:54.199
<v Speaker 1>to convince this person to marry her by being like,

0:26:54.320 --> 0:26:59.040
<v Speaker 1>you'll get to have sex with me. It is so sad.

0:26:59.560 --> 0:27:02.240
<v Speaker 1>I want to pry and I instead I will just

0:27:02.480 --> 0:27:05.880
<v Speaker 1>got married. I got married, I'm telling you. But yeah.

0:27:05.960 --> 0:27:08.400
<v Speaker 2>No. Also, I had a I don't know about you guys,

0:27:08.400 --> 0:27:13.639
<v Speaker 2>but I had a visceral reaction by just the word honeymoon. Oh,

0:27:13.960 --> 0:27:17.360
<v Speaker 2>because I thought of the episode. I was like, oh God,

0:27:17.400 --> 0:27:20.720
<v Speaker 2>I can feel it, Yes, I can feel it happening.

0:27:20.920 --> 0:27:22.800
<v Speaker 1>Okay, God, we're gonna love it.

0:27:22.800 --> 0:27:24.840
<v Speaker 3>We're gonna watch it. It's gonna be our favorite. I'm

0:27:24.840 --> 0:27:26.720
<v Speaker 3>barely in it. I think I was fairly there that

0:27:26.760 --> 0:27:27.800
<v Speaker 3>we thinking it.

0:27:29.960 --> 0:27:32.480
<v Speaker 1>So yes, as mentioned, Alan and Amy are having a baby.

0:27:32.520 --> 0:27:35.080
<v Speaker 1>Mister Feene is retiring. The gang has graduated high school,

0:27:35.119 --> 0:27:37.720
<v Speaker 1>and Tapanga has asked Corey to marry her at the ceremony.

0:27:37.800 --> 0:27:40.600
<v Speaker 1>God we left them before he could answer, and now

0:27:40.720 --> 0:27:44.000
<v Speaker 1>we're back at the graduation ceremony, but everyone else has left.

0:27:44.280 --> 0:27:46.399
<v Speaker 3>Corey, did they pick us up for twenty two or

0:27:46.440 --> 0:27:48.439
<v Speaker 3>did we get nine or thirteen?

0:27:48.720 --> 0:27:50.760
<v Speaker 2>No, we didn't get No, we didn't get thirteen until

0:27:50.840 --> 0:27:53.359
<v Speaker 2>season seven we got picked up. We were full seasons

0:27:53.400 --> 0:27:55.119
<v Speaker 2>until the last season where we only got picked up

0:27:55.160 --> 0:27:57.639
<v Speaker 2>for thirteen. So we got twenty two and got that

0:27:57.880 --> 0:28:03.280
<v Speaker 2>stack of cliffhangers. Yep, right, well done, well done.

0:28:03.560 --> 0:28:05.520
<v Speaker 1>Corey and Topanga are all alone, still sitting on the

0:28:05.560 --> 0:28:09.640
<v Speaker 1>graduation bleachers. I am wearing what could only be described

0:28:09.640 --> 0:28:13.840
<v Speaker 1>as orthopedic sandals. I don't argue I notice, it's because

0:28:13.880 --> 0:28:21.120
<v Speaker 1>you're pregnant, idea, what's going on? But they are absolutely.

0:28:21.960 --> 0:28:22.320
<v Speaker 2>Would not.

0:28:24.960 --> 0:28:28.159
<v Speaker 1>I have not noticed because there were people sitting in

0:28:28.160 --> 0:28:29.960
<v Speaker 1>front of me, and I had my gown on. So

0:28:30.000 --> 0:28:31.840
<v Speaker 1>in this one, my gown's a little pulled up, and

0:28:31.880 --> 0:28:40.280
<v Speaker 1>I am wearing shoes black leather, flat, criss cross orthopedic sandals.

0:28:40.520 --> 0:28:43.280
<v Speaker 1>Hua would think they were too conservative.

0:28:43.520 --> 0:28:44.440
<v Speaker 2>I don't know what's.

0:28:44.280 --> 0:28:47.720
<v Speaker 1>Going on there. Corey is completely shell shocked, frozen in

0:28:47.760 --> 0:28:50.080
<v Speaker 1>time to Penga nudges him, forcing him to ask, did

0:28:50.120 --> 0:28:52.840
<v Speaker 1>I just ask you to marry me? To Panga reminds him,

0:28:53.040 --> 0:28:55.880
<v Speaker 1>I asked you. He always figured he'd be the one

0:28:55.920 --> 0:28:58.600
<v Speaker 1>to propose, but he's not against this. It is the nineties,

0:28:58.640 --> 0:29:01.440
<v Speaker 1>after all. What's done? Is am I the only one

0:29:01.480 --> 0:29:04.040
<v Speaker 1>who picked up on the fact that he was annoyed.

0:29:03.600 --> 0:29:06.480
<v Speaker 2>I proposed, Yeah, it seemed like he was. It also

0:29:06.560 --> 0:29:08.400
<v Speaker 2>seemed like the room was different. I got that it

0:29:08.400 --> 0:29:10.320
<v Speaker 2>was supposed to be empty and that he was supposed

0:29:10.320 --> 0:29:12.520
<v Speaker 2>to just be empty bleachers. But a new set it did.

0:29:12.560 --> 0:29:13.760
<v Speaker 1>It felt like an entirely new set.

0:29:13.760 --> 0:29:16.240
<v Speaker 2>It felt smaller. It felt like it should have been

0:29:16.240 --> 0:29:18.840
<v Speaker 2>them in this big, cavernous room together, and instead it

0:29:18.840 --> 0:29:20.320
<v Speaker 2>felt smaller than it did. When there was a pause,

0:29:20.320 --> 0:29:22.960
<v Speaker 2>you're just shooting one direction. Yeah, it was a flat wall,

0:29:23.160 --> 0:29:25.200
<v Speaker 2>drained and to be fair, it is a weird set

0:29:25.200 --> 0:29:25.720
<v Speaker 2>to begin with.

0:29:25.920 --> 0:29:28.760
<v Speaker 1>Four months since people had seen it, so everyone was like,

0:29:29.080 --> 0:29:31.560
<v Speaker 1>they're not gonna remember it's gonna be totally fine.

0:29:32.200 --> 0:29:32.640
<v Speaker 2>Uh.

0:29:32.720 --> 0:29:36.120
<v Speaker 1>Corey nervously changes the subject, reminding her of the graduation party,

0:29:36.160 --> 0:29:38.360
<v Speaker 1>but to Panga doesn't let him leave before getting an answer.

0:29:38.680 --> 0:29:40.920
<v Speaker 1>He assures her she will get an answer, but it's

0:29:40.960 --> 0:29:43.480
<v Speaker 1>not every day a guy gets asked a question like that.

0:29:44.320 --> 0:29:47.040
<v Speaker 1>But before he can continue rambling to Pega pulls him

0:29:47.040 --> 0:29:51.520
<v Speaker 1>in for a kiss and the audience who and Corey

0:29:51.600 --> 0:29:54.520
<v Speaker 1>pulls away in a haze, completely unsoorce old. He asks,

0:29:55.280 --> 0:29:58.080
<v Speaker 1>so you got a ring for me? Or what? Well?

0:29:58.160 --> 0:30:01.080
<v Speaker 2>It? Sorcer meant, is the is and the same? It's

0:30:01.120 --> 0:30:02.480
<v Speaker 2>just this show.

0:30:02.560 --> 0:30:06.640
<v Speaker 5>It's so intense, but it's also very strange that shows

0:30:06.680 --> 0:30:10.320
<v Speaker 5>do this honestly, Honestly, do other shows have like a

0:30:10.360 --> 0:30:12.440
<v Speaker 5>girl grab a guy and kiss him and then he

0:30:12.480 --> 0:30:13.120
<v Speaker 5>becomes like.

0:30:14.200 --> 0:30:15.240
<v Speaker 1>And it's also a virgin.

0:30:15.360 --> 0:30:18.080
<v Speaker 2>She's a virgin who uses her sexuality to get what

0:30:18.120 --> 0:30:20.320
<v Speaker 2>she wants. It's a weird combination.

0:30:20.240 --> 0:30:23.479
<v Speaker 3>But it's like it's so natural to me because we

0:30:23.520 --> 0:30:25.520
<v Speaker 3>did it all the time on the show. I had

0:30:25.560 --> 0:30:28.240
<v Speaker 3>to do it, and then watching it now, I'm seeing

0:30:28.440 --> 0:30:30.680
<v Speaker 3>why it's like built into me that this is like

0:30:30.720 --> 0:30:33.440
<v Speaker 3>what a story can do, and how is this something

0:30:33.440 --> 0:30:35.440
<v Speaker 3>that was done on other movies and other shows in

0:30:35.480 --> 0:30:38.320
<v Speaker 3>the nineties all the time, Like, I honestly don't know or.

0:30:38.320 --> 0:30:43.120
<v Speaker 2>Is this specific kiss? Let us know, we really rely

0:30:43.200 --> 0:30:44.560
<v Speaker 2>on it. We really rely on.

0:30:44.480 --> 0:30:48.360
<v Speaker 1>It, and we're going to rely on for six. Matthew,

0:30:48.920 --> 0:30:50.800
<v Speaker 1>if you're out there, please.

0:30:50.560 --> 0:30:51.400
<v Speaker 2>Not Matthew Lawrence.

0:30:51.440 --> 0:30:54.480
<v Speaker 1>Not Matthew Lawrence. Maybe I should make a different name.

0:30:54.920 --> 0:30:58.680
<v Speaker 1>There's going to be a lot of Matthew's Bartholomew. Okay,

0:30:59.760 --> 0:31:03.680
<v Speaker 1>all the people who follows our show and who listens,

0:31:04.080 --> 0:31:08.040
<v Speaker 1>I have faith putting this on you, mart please reach out.

0:31:08.120 --> 0:31:10.360
<v Speaker 1>Let us know other shows of the nineties did they

0:31:10.440 --> 0:31:13.120
<v Speaker 1>do this where women can get men to do whatever

0:31:13.160 --> 0:31:15.920
<v Speaker 1>they want if they just give them a passionate enough.

0:31:15.840 --> 0:31:20.280
<v Speaker 2>Case passionate kiss. Chandler friends, Maybe I don't.

0:31:20.280 --> 0:31:24.320
<v Speaker 1>Know why to Panga is having to beg this man

0:31:24.600 --> 0:31:29.479
<v Speaker 1>to marry her. I love that Corey is not thinking

0:31:29.480 --> 0:31:31.960
<v Speaker 1>getting married is a great idea. I have no problem

0:31:32.000 --> 0:31:34.880
<v Speaker 1>with I have no problem with that. I actually wish

0:31:35.080 --> 0:31:37.400
<v Speaker 1>that that was said, yes to Panga, I'll marry you

0:31:37.960 --> 0:31:42.120
<v Speaker 1>in five years, in six years, yeah, not now. But

0:31:42.200 --> 0:31:45.000
<v Speaker 1>instead it's like WHOA, I don't want to give you

0:31:45.040 --> 0:31:47.600
<v Speaker 1>an answer. It feels very much like if you tell

0:31:47.640 --> 0:31:49.800
<v Speaker 1>someone you love them and they don't say it back,

0:31:49.840 --> 0:31:52.080
<v Speaker 1>and then you're like, do you love me? It's like, please,

0:31:52.120 --> 0:31:54.480
<v Speaker 1>don't ask that. Like if they loved you, they would

0:31:54.520 --> 0:31:57.280
<v Speaker 1>tell you please. Just like I don't know, but.

0:31:57.320 --> 0:32:00.840
<v Speaker 2>Most good marriages start when one person has to convince

0:32:00.880 --> 0:32:08.240
<v Speaker 2>the other person to marry Sure, Sure, everybody guilty.

0:32:08.600 --> 0:32:10.760
<v Speaker 1>Only she had been really pregnant, then she'd have Then

0:32:10.800 --> 0:32:14.080
<v Speaker 1>she'd be perfect, have a perfect trap exactly. Anyway, the

0:32:15.160 --> 0:32:17.480
<v Speaker 1>start of this rubbed me the wrong way.

0:32:17.560 --> 0:32:19.720
<v Speaker 2>I'm just just wants a man to keep her in

0:32:19.800 --> 0:32:22.680
<v Speaker 2>orthopedic shoes, is what it seems like it is.

0:32:23.440 --> 0:32:25.520
<v Speaker 1>Then we're in the John Adams Hallway. It's still just

0:32:25.560 --> 0:32:28.680
<v Speaker 1>after graduation, with students in their gowns roaming the halls

0:32:28.720 --> 0:32:31.520
<v Speaker 1>with their parents. Corey tells Topanga he wants to marry

0:32:31.520 --> 0:32:33.760
<v Speaker 1>her more than anything in the world, but he can't

0:32:33.960 --> 0:32:40.520
<v Speaker 1>let her give up Yale for him, bringing it back up, Okay,

0:32:41.600 --> 0:32:44.560
<v Speaker 1>I love it. I also then to Panga asks if

0:32:44.560 --> 0:32:47.600
<v Speaker 1>he honestly wants her to go to Yale, and he

0:32:47.640 --> 0:32:54.160
<v Speaker 1>then admits no. He has done nothing wrong, nothing wrong.

0:32:54.600 --> 0:32:57.960
<v Speaker 1>He has flat out said, I cannot let you give

0:32:58.040 --> 0:33:00.479
<v Speaker 1>up this thing for me and she goes, do you

0:33:00.560 --> 0:33:04.360
<v Speaker 1>really want me to go? Not no, and he says, oh, well,

0:33:04.480 --> 0:33:06.680
<v Speaker 1>of course I don't want you to go, but you

0:33:06.760 --> 0:33:09.280
<v Speaker 1>have to go, but you have to do it anyway. Yeah,

0:33:09.640 --> 0:33:13.960
<v Speaker 1>So I have no issues with Corey and the ile situation.

0:33:14.320 --> 0:33:16.640
<v Speaker 2>As it stands, there's red flags, but they ain't coming

0:33:16.640 --> 0:33:17.200
<v Speaker 2>from Corey.

0:33:17.760 --> 0:33:20.120
<v Speaker 1>Yep, So Tapega tells him to shut up about it.

0:33:20.160 --> 0:33:23.280
<v Speaker 1>Besides Penbrook being a great school, how good is college?

0:33:23.360 --> 0:33:26.200
<v Speaker 1>Without his face and she smushes his cheeks together.

0:33:26.440 --> 0:33:28.240
<v Speaker 2>I had a problem with this because how great a

0:33:28.240 --> 0:33:32.560
<v Speaker 2>school is it if Eric's there? But it's true Eric

0:33:34.160 --> 0:33:37.080
<v Speaker 2>end up at the same school Sean and Sean. I mean,

0:33:37.120 --> 0:33:42.120
<v Speaker 2>it's like it's not a good school if it takes everybody. So, yeah,

0:33:42.160 --> 0:33:45.040
<v Speaker 2>it was just strained, like Pembrook's a great school, is it?

0:33:45.040 --> 0:33:46.960
<v Speaker 2>It's it's like Beach State.

0:33:48.200 --> 0:33:51.640
<v Speaker 1>Corey musters up, it's no good at all. The Penga

0:33:51.680 --> 0:33:54.320
<v Speaker 1>wasting no time asks when they should get married. Corey

0:33:54.320 --> 0:33:56.800
<v Speaker 1>stammers he's not so sure, and Tapega jumps in, how

0:33:56.800 --> 0:33:59.880
<v Speaker 1>about right away? She reminds him they've been dating since

0:34:00.040 --> 0:34:03.320
<v Speaker 1>they were too Nope, okay, okay.

0:34:03.560 --> 0:34:05.200
<v Speaker 3>If I thought you met at the monkey bars at

0:34:05.320 --> 0:34:06.960
<v Speaker 3>three four.

0:34:07.520 --> 0:34:10.160
<v Speaker 2>That was it four, but now it's two two.

0:34:10.280 --> 0:34:12.520
<v Speaker 1>Nope, we met in the womb.

0:34:12.719 --> 0:34:21.840
<v Speaker 2>We're twins. Actually, that's one thing Ryder thinks is missing

0:34:21.840 --> 0:34:23.680
<v Speaker 2>from shows like this is the incest Remember the game

0:34:23.880 --> 0:34:25.560
<v Speaker 2>Game of Conversation.

0:34:26.280 --> 0:34:28.920
<v Speaker 1>I also immediately followed up with and they both had

0:34:28.960 --> 0:34:33.560
<v Speaker 1>the chance to be with other people. What Corey has

0:34:33.680 --> 0:34:35.880
<v Speaker 1>definitely had the chance to be with other people. Corey

0:34:36.080 --> 0:34:37.839
<v Speaker 1>has had the chance to be with other people, every

0:34:37.880 --> 0:34:39.920
<v Speaker 1>opportunity to pengo.

0:34:40.080 --> 0:34:43.960
<v Speaker 3>People who's he says, the chance to be with Ladies

0:34:43.960 --> 0:34:47.279
<v Speaker 3>of the Night to throw themselves at the jacket.

0:34:48.600 --> 0:34:49.040
<v Speaker 2>Jacket.

0:34:50.040 --> 0:34:52.880
<v Speaker 1>The date where she didn't look up at Ricky like

0:34:52.960 --> 0:34:56.759
<v Speaker 1>what is she talking about? What? What is? Come on?

0:34:56.800 --> 0:34:58.759
<v Speaker 1>We've been together since we were two. We both had

0:34:58.760 --> 0:35:00.400
<v Speaker 1>the opportunity to be with other people.

0:35:01.200 --> 0:35:02.080
<v Speaker 2>Yeah, no, no.

0:35:02.560 --> 0:35:08.040
<v Speaker 1>No, Corey interrupts. Yeah, I wonder what she's doing.

0:35:08.719 --> 0:35:12.759
<v Speaker 2>Great joke, we really yeah, I almost like, oh.

0:35:12.680 --> 0:35:14.560
<v Speaker 1>See, I think it's a great because it's just such a.

0:35:14.480 --> 0:35:16.319
<v Speaker 2>Needle, Like, yeah, I wonder what she's up. It's such

0:35:16.360 --> 0:35:17.960
<v Speaker 2>a just a it's.

0:35:18.000 --> 0:35:19.040
<v Speaker 1>Juphst dude thing.

0:35:19.320 --> 0:35:21.719
<v Speaker 2>Yes, yeah, but like funny, like you're needling in a

0:35:21.760 --> 0:35:23.560
<v Speaker 2>funny way well.

0:35:23.560 --> 0:35:26.640
<v Speaker 1>Topanga jokingly shoves him, so she apparently gets the joke,

0:35:26.920 --> 0:35:28.920
<v Speaker 1>and she asks, do you think we'll be together for

0:35:28.960 --> 0:35:31.480
<v Speaker 1>the rest of our lives? Corey answers yes, and Topanga

0:35:31.520 --> 0:35:34.240
<v Speaker 1>has hurt enough. We're not like other people. We're weird.

0:35:34.640 --> 0:35:36.560
<v Speaker 1>Let's just do it. I want to have time for

0:35:36.600 --> 0:35:41.280
<v Speaker 1>our honeymoon before college starts. Corey's ears, of course, perkup

0:35:41.800 --> 0:35:46.759
<v Speaker 1>and on this honeymoon, you and I we probably to

0:35:46.840 --> 0:35:50.279
<v Speaker 1>Panga nods, oh, there's a good chance. She is in

0:35:50.520 --> 0:35:53.560
<v Speaker 1>sorcelled Corey again and he tells her to keep talking,

0:35:53.560 --> 0:35:56.279
<v Speaker 1>but Tapanga has a different idea. She insists they go

0:35:56.320 --> 0:35:59.440
<v Speaker 1>tell his parents. Corey yels no. He tries to convince

0:35:59.440 --> 0:36:00.799
<v Speaker 1>her that now is in a good time with the

0:36:00.800 --> 0:36:04.120
<v Speaker 1>baby and all. In fact, they probably shouldn't tell anyone.

0:36:04.760 --> 0:36:08.800
<v Speaker 1>So now strikes me, is he's embarrassed to be engaged

0:36:09.160 --> 0:36:15.440
<v Speaker 1>to Topanga or what is he? I don't know. He's afraid,

0:36:15.560 --> 0:36:19.080
<v Speaker 1>he's afraid of telling his parents, and that's what they

0:36:19.120 --> 0:36:21.759
<v Speaker 1>want it to be, because that's exactly what Sean says, No,

0:36:21.920 --> 0:36:23.799
<v Speaker 1>you're afraid to tell your parents, And he's like, I

0:36:23.800 --> 0:36:25.960
<v Speaker 1>don't see any reason why they need to know, so

0:36:26.400 --> 0:36:30.320
<v Speaker 1>they're trying to make it that but and I guess

0:36:30.360 --> 0:36:33.839
<v Speaker 1>based on the way Amy reacted to Topega coming back

0:36:34.200 --> 0:36:39.120
<v Speaker 1>from Pittsburgh, he would have a reason to feel that way.

0:36:39.280 --> 0:36:41.719
<v Speaker 1>My parents are not going to support this. They were

0:36:41.760 --> 0:36:46.319
<v Speaker 1>trying to encourage us to see other people before. So

0:36:47.080 --> 0:36:47.560
<v Speaker 1>I don't.

0:36:47.400 --> 0:36:51.239
<v Speaker 3>Know, I just what happened to Like the ultra confident court,

0:36:51.360 --> 0:36:54.600
<v Speaker 3>it was like, I just you know, it's nice everyone.

0:36:55.440 --> 0:36:58.120
<v Speaker 2>It's interesting to be the only one the only way

0:36:58.160 --> 0:37:00.120
<v Speaker 2>he knows it's over, the only one who knows it's not.

0:37:00.719 --> 0:37:02.359
<v Speaker 2>Can you remember that whole? Yeah?

0:37:02.600 --> 0:37:03.759
<v Speaker 1>Where is that? Yeah?

0:37:03.800 --> 0:37:06.200
<v Speaker 2>And now we would just be like, yes, we are destined,

0:37:06.320 --> 0:37:06.600
<v Speaker 2>let's go.

0:37:09.680 --> 0:37:13.120
<v Speaker 1>Tapanga is confused, so Corey adds, until we figure out

0:37:13.120 --> 0:37:16.000
<v Speaker 1>what we're going to do. She asks, does he want

0:37:16.040 --> 0:37:18.399
<v Speaker 1>to marry her? Which girl? I'm asking the same thing?

0:37:19.360 --> 0:37:21.200
<v Speaker 1>Really seems like he doesn't want to marry her. He

0:37:21.280 --> 0:37:24.080
<v Speaker 1>quietly says yes, but doesn't want people sticking their noses

0:37:24.120 --> 0:37:27.400
<v Speaker 1>into their business. He makes Topanga promise not to tell anyone,

0:37:27.440 --> 0:37:29.560
<v Speaker 1>and she happily agrees, Comparing the two of them to

0:37:29.640 --> 0:37:32.440
<v Speaker 1>Romeo and Juliet again.

0:37:32.719 --> 0:37:34.960
<v Speaker 2>Again, bring him back, Bring him back to the pilot.

0:37:35.440 --> 0:37:38.839
<v Speaker 1>Corey laughs, that's why we're not telling anyone whatever you need.

0:37:39.360 --> 0:37:42.160
<v Speaker 1>She reiterates, So are we engaged or what? He says, Yeah,

0:37:42.160 --> 0:37:44.239
<v Speaker 1>as long as you don't open your big mouth. She

0:37:44.400 --> 0:37:46.760
<v Speaker 1>laughs again at his teasing and gives him a kiss.

0:37:47.000 --> 0:37:50.240
<v Speaker 1>As they embrace, Phoene approaches to congratulate them. Corey freezes,

0:37:50.320 --> 0:37:54.440
<v Speaker 1>oh my god, he knows. Tapanga reminds him Phoenie is

0:37:54.520 --> 0:37:58.799
<v Speaker 1>talking about graduation. Phoeni wonders if there's something else worth congratulating,

0:37:58.840 --> 0:38:01.120
<v Speaker 1>and Corey quickly weigh him off. Nothing, get off my back,

0:38:01.640 --> 0:38:04.759
<v Speaker 1>Phoene shrugs, whatever you say. Corey ramps up. Anyway, You're

0:38:04.800 --> 0:38:07.640
<v Speaker 1>a smug one, aren't you. George? You know you know?

0:38:08.000 --> 0:38:10.160
<v Speaker 1>I know you know. I don't know how you know,

0:38:10.280 --> 0:38:14.080
<v Speaker 1>but I know that you know. Phoene admits, all right,

0:38:14.520 --> 0:38:16.719
<v Speaker 1>I know, I know everything. Now, what in the world

0:38:16.760 --> 0:38:19.640
<v Speaker 1>are you talking about? Corey storms off, pulling Topanga with him.

0:38:19.719 --> 0:38:22.200
<v Speaker 1>Nothing this gets out and I'll hunt you down like

0:38:22.239 --> 0:38:25.760
<v Speaker 1>a dog. And then we're at the guy's movement.

0:38:25.960 --> 0:38:28.920
<v Speaker 3>Clear why Corey, I mean, is the idea just a

0:38:29.000 --> 0:38:31.960
<v Speaker 3>Corey's an anxious mess like he he just is so

0:38:32.239 --> 0:38:35.000
<v Speaker 3>freaked out by the idea of being engaged that he

0:38:35.080 --> 0:38:36.239
<v Speaker 3>can't stand up.

0:38:36.280 --> 0:38:39.520
<v Speaker 1>Okay, yeah, I think that makes sense. He's just panic.

0:38:39.640 --> 0:38:42.000
<v Speaker 2>It's also not the idea of getting engaged. It's the

0:38:42.040 --> 0:38:45.520
<v Speaker 2>idea of she just said, let's go get married now, essentially,

0:38:45.600 --> 0:38:47.560
<v Speaker 2>and it's like, wait, we're doing what So we're not

0:38:47.560 --> 0:38:49.640
<v Speaker 2>even gonna have an engagement, We're just getting married.

0:38:49.960 --> 0:38:52.000
<v Speaker 1>It is a lot to spring on someone like Topeka

0:38:52.040 --> 0:38:54.480
<v Speaker 1>spent the entire Topanga took a couple of days at

0:38:54.520 --> 0:38:56.799
<v Speaker 1>least thinking about whether or not she was gonna do this.

0:38:57.520 --> 0:39:00.719
<v Speaker 1>She asked Corey. Corey was not expecting it, and now

0:39:00.760 --> 0:39:02.440
<v Speaker 1>he's like, oh my gosh, of course I want to

0:39:02.480 --> 0:39:04.359
<v Speaker 1>marry you, but like, this is a lot to think

0:39:04.400 --> 0:39:07.880
<v Speaker 1>about and when and how and what about Yale? And

0:39:07.920 --> 0:39:10.000
<v Speaker 1>I have to tell my family, and so I can

0:39:10.040 --> 0:39:13.719
<v Speaker 1>see how the idea would be. Let's just keep this

0:39:13.800 --> 0:39:16.640
<v Speaker 1>quiet for now, until I can wrap my head around this,

0:39:16.760 --> 0:39:19.040
<v Speaker 1>until I can talk to my best friend, until I

0:39:19.080 --> 0:39:21.880
<v Speaker 1>can let me just get my feet under me. So

0:39:22.480 --> 0:39:35.960
<v Speaker 1>I guess I buy that. We're back at the guy's apartment.

0:39:36.000 --> 0:39:38.040
<v Speaker 1>Sean answers a knock at the door, and it is

0:39:38.040 --> 0:39:41.319
<v Speaker 1>a beaming Corey. Sean immediately guesses to Panga asks you

0:39:41.360 --> 0:39:44.960
<v Speaker 1>to marry her. Cory scowls, I hate you, and then

0:39:45.120 --> 0:39:47.799
<v Speaker 1>we cut to Angela's room, a new set. We've never

0:39:47.800 --> 0:39:51.359
<v Speaker 1>seen this before, I know, Angela tells Topanga, you guys

0:39:51.400 --> 0:39:54.560
<v Speaker 1>are so weird. She says, I know, but I love

0:39:54.640 --> 0:39:56.400
<v Speaker 1>him and I want to be with him till he dies.

0:39:56.920 --> 0:40:00.520
<v Speaker 1>But you can't tell anyone, not even Sean. We cut

0:40:00.560 --> 0:40:02.839
<v Speaker 1>back and forth between the guy's apartment. In Angela's room,

0:40:02.880 --> 0:40:05.680
<v Speaker 1>Corey interrogates Sean Phoeney told you, didn't he I'm gonna

0:40:05.680 --> 0:40:07.880
<v Speaker 1>find him and rip him apart. Sean reminds him, I

0:40:07.920 --> 0:40:10.000
<v Speaker 1>was sitting right next to you when it happened. He

0:40:10.000 --> 0:40:14.240
<v Speaker 1>heard everything. Meanwhile, Angela realizes that's why Corey looks so scared.

0:40:14.520 --> 0:40:17.560
<v Speaker 1>Tapanga argues that he wasn't scared, he was only flustered.

0:40:18.160 --> 0:40:20.880
<v Speaker 1>Back at the apartment, Corey explains, I was a little flustered,

0:40:20.920 --> 0:40:23.640
<v Speaker 1>that's all. Sean counters, you look like someone shot you

0:40:23.680 --> 0:40:25.600
<v Speaker 1>in the head. But hey, I don't blame you. If

0:40:25.640 --> 0:40:27.920
<v Speaker 1>Angela asked me in the middle of graduation, i'd wet

0:40:27.960 --> 0:40:31.600
<v Speaker 1>my gown too. Angela reminds Topanga. At our age, we're

0:40:31.640 --> 0:40:34.880
<v Speaker 1>supposed to be having fun, not getting married. What idiot

0:40:34.880 --> 0:40:41.120
<v Speaker 1>doesn't know that. I'm so happy she she has this POV.

0:40:41.440 --> 0:40:46.080
<v Speaker 1>I didn't remember this. I love it. She's the voice

0:40:46.080 --> 0:40:50.560
<v Speaker 1>of reason. Love it. Also congratulations to Trina McGee, who

0:40:50.640 --> 0:40:54.480
<v Speaker 1>had her baby in the off season between last season

0:40:54.520 --> 0:40:57.080
<v Speaker 1>five and six, we asked her, what did you do?

0:40:57.200 --> 0:41:04.920
<v Speaker 1>She'd say, had my third baby was born. Congratulations. We

0:41:05.440 --> 0:41:08.680
<v Speaker 1>see that, and at the apartment, Sewan has made up

0:41:08.719 --> 0:41:11.799
<v Speaker 1>his mind marry her. Corey's flabbergasted. You're supposed to say

0:41:11.800 --> 0:41:14.120
<v Speaker 1>we're crazy, but Sean says Corey is crazy if he

0:41:14.160 --> 0:41:16.839
<v Speaker 1>doesn't realize they've been married their entire lives. They may

0:41:16.840 --> 0:41:19.600
<v Speaker 1>as well get presents. Corey admits, I do need a

0:41:19.640 --> 0:41:22.560
<v Speaker 1>new toaster, but no rushing into marriage right now is

0:41:22.600 --> 0:41:25.920
<v Speaker 1>way too overwhelming. He tries to blame graduation in college

0:41:25.960 --> 0:41:28.520
<v Speaker 1>looming in the distance, but Sean sees right through him.

0:41:28.920 --> 0:41:32.000
<v Speaker 1>You're scared to tell your parents, Corey shrugs. I see

0:41:32.000 --> 0:41:34.640
<v Speaker 1>no reason why they ever have to know. Then they

0:41:34.640 --> 0:41:36.360
<v Speaker 1>head out into the hallway and Shon declares, well, if

0:41:36.360 --> 0:41:39.040
<v Speaker 1>we're done talking about you, I've got some news. Corey argues,

0:41:39.080 --> 0:41:42.720
<v Speaker 1>We're not done talking about me, how selfish are you?

0:41:42.440 --> 0:41:42.640
<v Speaker 2>Are you?

0:41:44.280 --> 0:41:47.360
<v Speaker 1>Sean ignores him. He's thinking about taking some courses at Penbrook.

0:41:47.640 --> 0:41:51.040
<v Speaker 1>Corey dismissively nods, good, have a nice day, Sean continues,

0:41:51.080 --> 0:41:54.560
<v Speaker 1>which means, I'm going to stay in the dorms. So

0:41:54.760 --> 0:41:58.920
<v Speaker 1>if you're not ready to have Topanga as a roommate,

0:42:00.719 --> 0:42:01.960
<v Speaker 1>what I know?

0:42:02.360 --> 0:42:05.080
<v Speaker 2>And why is Sean moving? Like why do I need

0:42:05.480 --> 0:42:06.960
<v Speaker 2>need to go to the dorms as a freshman?

0:42:07.040 --> 0:42:11.560
<v Speaker 3>I guess because and Eric had an apartment and he's

0:42:11.719 --> 0:42:12.720
<v Speaker 3>in the apartment.

0:42:14.120 --> 0:42:19.560
<v Speaker 1>Brook, So why would you recommend Corey mary to Panga?

0:42:20.040 --> 0:42:22.600
<v Speaker 1>And then say, but if you're not ready to have

0:42:22.640 --> 0:42:26.680
<v Speaker 1>her as a roommate. So a wife is a less

0:42:26.719 --> 0:42:30.320
<v Speaker 1>of a less of a responsibility than a roommate.

0:42:31.120 --> 0:42:35.680
<v Speaker 3>The logic, the pretzel logic of romance on Boy Meets World. Yeah,

0:42:35.719 --> 0:42:39.160
<v Speaker 3>it's like we got to prioritize the male male friendships

0:42:39.200 --> 0:42:42.120
<v Speaker 3>but also prioritize the male female relationships, and we got

0:42:42.160 --> 0:42:44.520
<v Speaker 3>to make them both rationalized in this it.

0:42:44.960 --> 0:42:49.040
<v Speaker 1>Makes no sense. Why isn't Sean on the side of

0:42:49.360 --> 0:42:51.640
<v Speaker 1>Angela maybe a little bit more? And I guess only

0:42:51.640 --> 0:42:55.240
<v Speaker 1>because Sean has in previous seasons and episodes been obsessed

0:42:55.239 --> 0:42:57.680
<v Speaker 1>with getting them back together. But like if it were

0:42:57.760 --> 0:43:02.719
<v Speaker 1>Sean and Angela both saying we love you both, we

0:43:02.840 --> 0:43:06.640
<v Speaker 1>love you as a couple, but this is too young.

0:43:07.520 --> 0:43:10.359
<v Speaker 1>Let's like you guys could be said, you guys could

0:43:10.360 --> 0:43:12.120
<v Speaker 1>be encouraging us live together.

0:43:13.239 --> 0:43:15.239
<v Speaker 2>That's what the thing that amazed me is that nobody said,

0:43:15.360 --> 0:43:18.440
<v Speaker 2>get engaged. Go ahead, get engaged, get married in five years.

0:43:18.480 --> 0:43:21.919
<v Speaker 1>What's the way, that's the goad there?

0:43:22.160 --> 0:43:23.680
<v Speaker 2>Take that next step if you want, you don't have

0:43:23.680 --> 0:43:25.320
<v Speaker 2>to get married next week, go ahead.

0:43:25.040 --> 0:43:26.640
<v Speaker 1>And getting in And I guess that just me. I

0:43:26.640 --> 0:43:30.080
<v Speaker 1>guess the difference is, especially back then, the implication if

0:43:30.080 --> 0:43:32.600
<v Speaker 1>you were living together meant that you were sleeping together,

0:43:33.000 --> 0:43:36.719
<v Speaker 1>and so the idea that like anyone would encourage them

0:43:36.760 --> 0:43:40.240
<v Speaker 1>to be engaged and living in the same house meant sex.

0:43:40.280 --> 0:43:42.880
<v Speaker 1>And we had made it clear that like Tapanga was

0:43:42.920 --> 0:43:47.080
<v Speaker 1>going to prioritize virginity. I just I don't understand this

0:43:47.160 --> 0:43:50.920
<v Speaker 1>moment from Sean, who's just finished saying please marry her.

0:43:51.040 --> 0:43:53.719
<v Speaker 1>You've been married your whole lives anyway, and then being like,

0:43:53.800 --> 0:43:55.440
<v Speaker 1>do you want to live with me in the dorms

0:43:55.920 --> 0:43:57.120
<v Speaker 1>in the same scene.

0:43:56.880 --> 0:43:59.040
<v Speaker 2>Even just because they need it, and They did it

0:43:59.040 --> 0:44:01.920
<v Speaker 2>backwards because they need to have Sean have another place

0:44:01.960 --> 0:44:04.080
<v Speaker 2>to go when he eventually gets kicked out. We needed

0:44:04.120 --> 0:44:06.239
<v Speaker 2>to know, but it should have been after he gets

0:44:06.320 --> 0:44:08.920
<v Speaker 2>kicked out that then he's like, Hey, I'm going to go.

0:44:08.960 --> 0:44:10.719
<v Speaker 2>I got nowhere to doors, I have nowhere to go.

0:44:10.880 --> 0:44:12.560
<v Speaker 1>You want to live with me? Yeah, because it doesn't

0:44:12.560 --> 0:44:13.279
<v Speaker 1>make anything.

0:44:13.480 --> 0:44:16.120
<v Speaker 2>Out because by then they were already all opened exactly,

0:44:16.239 --> 0:44:19.960
<v Speaker 2>So that's it doesn't because it's like, you're already near Penbrook.

0:44:20.040 --> 0:44:22.760
<v Speaker 2>That was the whole point of Jack and Eric living

0:44:22.880 --> 0:44:27.400
<v Speaker 2>near college. Ye is they have that freshman year why? Yeah,

0:44:27.440 --> 0:44:30.640
<v Speaker 2>So it didn't doesn't make any I mean, get rid

0:44:30.680 --> 0:44:32.719
<v Speaker 2>of Sean, get him out of the apartment. I mean

0:44:32.800 --> 0:44:35.720
<v Speaker 2>not like I really participated in much in that seat anyway.

0:44:35.880 --> 0:44:38.880
<v Speaker 1>So well, Corey can't handle it. You and me together.

0:44:38.960 --> 0:44:41.080
<v Speaker 1>That's two proposals in the same day. I must be

0:44:41.080 --> 0:44:43.720
<v Speaker 1>the luckiest boy in the world. Just then, the elevator

0:44:43.760 --> 0:44:46.560
<v Speaker 1>door opens and it's Jack and Eric. They secretly listen

0:44:46.640 --> 0:44:49.240
<v Speaker 1>in as Corey tells Sean he's glad he's going to college.

0:44:49.440 --> 0:44:51.920
<v Speaker 1>They give each other a big hug, and Jack finally interrupts,

0:44:51.960 --> 0:44:55.359
<v Speaker 1>what's he talking about? Sean reveals he's taking college classes because,

0:44:55.400 --> 0:44:57.520
<v Speaker 1>no matter how much he loves his job, there is

0:44:57.560 --> 0:45:02.440
<v Speaker 1>more to life than photographing naked ladies. Uh huh. We

0:45:02.480 --> 0:45:03.440
<v Speaker 1>get a call back.

0:45:03.320 --> 0:45:05.959
<v Speaker 2>To reference not a job you had.

0:45:06.080 --> 0:45:11.000
<v Speaker 3>Yeah, decision off camera between seasons for that word that works.

0:45:11.120 --> 0:45:13.640
<v Speaker 2>There happens, and there we go. By the way, I'm

0:45:13.640 --> 0:45:16.040
<v Speaker 2>wearing a new necklace. So love and I are obviously

0:45:16.120 --> 0:45:19.560
<v Speaker 2>no longer together. Yeah, I've got my bear neck No

0:45:19.680 --> 0:45:23.720
<v Speaker 2>more cokespoon is gone. It's a it's like a little

0:45:24.160 --> 0:45:27.480
<v Speaker 2>it's a leather well, no, the new one. I'm wearing

0:45:27.480 --> 0:45:29.560
<v Speaker 2>it like a leather thing with a bear. I don't

0:45:29.560 --> 0:45:31.160
<v Speaker 2>know if I still I'm sure I could find it somewhere.

0:45:31.160 --> 0:45:31.279
<v Speaker 5>Well.

0:45:31.280 --> 0:45:32.960
<v Speaker 2>The thing I do remember is I wear it all

0:45:33.000 --> 0:45:35.360
<v Speaker 2>through season seven when I've gained weight, and it looks

0:45:35.360 --> 0:45:38.000
<v Speaker 2>like I'm just choking myself by the end, because it's

0:45:38.040 --> 0:45:40.839
<v Speaker 2>like holding on for your festival. Watch it, just watch.

0:45:40.920 --> 0:45:42.920
<v Speaker 2>It's a leather thing that just keeps like I couldn't

0:45:42.960 --> 0:45:44.440
<v Speaker 2>take it off, and eventually it just looks like it

0:45:44.520 --> 0:45:45.800
<v Speaker 2>was cutting off my circulation.

0:45:46.280 --> 0:45:52.040
<v Speaker 3>Yeah, it's BADLA grown around it would help me.

0:45:52.880 --> 0:45:55.440
<v Speaker 1>I didn't know when it started. I don't remember noticing it,

0:45:55.560 --> 0:45:59.319
<v Speaker 1>but I'm officially in Yin Yang thumb Ring territory, which

0:45:59.360 --> 0:46:01.680
<v Speaker 1>is another thing I don't ever take off for like

0:46:01.719 --> 0:46:04.520
<v Speaker 1>this whole season, and I don't know when it started,

0:46:04.560 --> 0:46:06.520
<v Speaker 1>but I watch it. It'll be there forever.

0:46:06.560 --> 0:46:08.240
<v Speaker 2>It's on the right. Start the jewelry.

0:46:08.360 --> 0:46:10.120
<v Speaker 1>Yeah, it is beginning. It is beginning.

0:46:10.239 --> 0:46:12.520
<v Speaker 2>Yeah, shoes, yeah.

0:46:14.719 --> 0:46:16.920
<v Speaker 1>Jack. Jack pulls him in for a big hug and

0:46:16.960 --> 0:46:19.359
<v Speaker 1>congratulates him on the decision. Eric schimes in and breaks

0:46:19.400 --> 0:46:21.960
<v Speaker 1>the news. There's no more to life than naked ladies,

0:46:22.200 --> 0:46:24.960
<v Speaker 1>except maybe naked ladies that wear really tight shirts and

0:46:25.040 --> 0:46:28.800
<v Speaker 1>really tight pants. And uh. The inmates in the audience

0:46:28.880 --> 0:46:29.560
<v Speaker 1>love this joke.

0:46:29.680 --> 0:46:31.280
<v Speaker 2>Yeah, well they should.

0:46:31.440 --> 0:46:34.200
<v Speaker 3>We've made a version of this joke many times because

0:46:34.200 --> 0:46:41.440
<v Speaker 3>I remember when clothes exactly naked. It's pretty clever. That's

0:46:41.440 --> 0:46:42.120
<v Speaker 3>pretty cute.

0:46:42.880 --> 0:46:45.160
<v Speaker 1>Jack puts his arm around Eric. The problem with you

0:46:45.280 --> 0:46:47.000
<v Speaker 1>is you don't know how to be supportive. I want

0:46:47.040 --> 0:46:50.919
<v Speaker 1>you to be supportive. Eric pouts, Okay, i'll try. Corey

0:46:51.000 --> 0:46:53.400
<v Speaker 1>ads this means Sean and I will be roommates. So

0:46:54.200 --> 0:46:57.680
<v Speaker 1>he just makes that decision. He's going to be He's

0:46:57.719 --> 0:47:00.680
<v Speaker 1>gonna marry to bang up. But he's gonna be SHOT's roommate.

0:47:01.360 --> 0:47:04.640
<v Speaker 1>Jack is shocked, but Eric, now supportive, yells I support that.

0:47:05.080 --> 0:47:08.480
<v Speaker 1>Jack glares at him. Unbelievable. So Eric repeats himself now

0:47:08.520 --> 0:47:12.960
<v Speaker 1>in a deeper voice, I support that. Jack, still offended, responds,

0:47:13.000 --> 0:47:15.600
<v Speaker 1>I don't believe you. So Eric falls to his knees

0:47:15.640 --> 0:47:18.440
<v Speaker 1>and screams, I'm so proud of you.

0:47:19.160 --> 0:47:22.120
<v Speaker 2>This was a bad triple joke in a row it

0:47:22.160 --> 0:47:23.799
<v Speaker 2>was I get what they were going for, but it

0:47:23.840 --> 0:47:25.719
<v Speaker 2>didn't make any sense and.

0:47:26.160 --> 0:47:29.520
<v Speaker 3>It just just hit it once. Yeah, I can't believe you.

0:47:29.600 --> 0:47:31.239
<v Speaker 3>I don't believe you, and then you do it, and

0:47:32.480 --> 0:47:33.719
<v Speaker 3>then they get out, and then get out.

0:47:34.040 --> 0:47:36.520
<v Speaker 1>I agree, I don't believe you. And then him falling

0:47:36.560 --> 0:47:39.160
<v Speaker 1>to the ground. I so product. That would have been

0:47:39.200 --> 0:47:41.560
<v Speaker 1>the perfect that would have been just one Yeah. Sean

0:47:41.600 --> 0:47:43.800
<v Speaker 1>reminds him that school doesn't start for two more months,

0:47:43.800 --> 0:47:45.520
<v Speaker 1>so that should give them plenty of time to find

0:47:45.560 --> 0:47:47.680
<v Speaker 1>a new roommate. Eric says that can't be done. They

0:47:47.680 --> 0:47:50.239
<v Speaker 1>are very particular. Corey and Sewn don't seem to care

0:47:50.280 --> 0:47:52.600
<v Speaker 1>because they are already leaving in the elevator, and then

0:47:52.800 --> 0:47:55.680
<v Speaker 1>on cue a mystery woman we saw in the credits

0:47:56.280 --> 0:47:58.600
<v Speaker 1>bursts out of the infamous door at the end of

0:47:58.600 --> 0:48:01.400
<v Speaker 1>the hallway. She's carrying lug and yelling, I gave up

0:48:01.440 --> 0:48:04.799
<v Speaker 1>a scholarship to Yale to move to Philadelphia with you.

0:48:05.320 --> 0:48:06.200
<v Speaker 1>Can you tell me?

0:48:06.360 --> 0:48:09.959
<v Speaker 2>Did you guys remember this? No that there's a Yale storyline.

0:48:10.200 --> 0:48:12.759
<v Speaker 1>No, not a. I don't think we ever. I don't

0:48:12.760 --> 0:48:14.319
<v Speaker 1>think we ever bring it up again.

0:48:14.520 --> 0:48:17.200
<v Speaker 3>No, But so it's a way to connect it to

0:48:17.200 --> 0:48:17.840
<v Speaker 3>to Panga.

0:48:17.880 --> 0:48:21.120
<v Speaker 1>It's like, it's like it didn't go well right, which is.

0:48:21.080 --> 0:48:23.640
<v Speaker 3>Super interesting to bring up like the sort of an

0:48:23.680 --> 0:48:26.799
<v Speaker 3>alternative version of the Topanga choice and to show how

0:48:26.800 --> 0:48:30.640
<v Speaker 3>it would be a huge mismistake. Well, it's super interesting

0:48:30.640 --> 0:48:31.480
<v Speaker 3>to insert it like that.

0:48:31.520 --> 0:48:33.520
<v Speaker 2>I totally remember. I don't know why I remember this,

0:48:33.600 --> 0:48:36.680
<v Speaker 2>but I do. In the Plays with Squirrels episode, her

0:48:36.800 --> 0:48:40.960
<v Speaker 2>future self marries that guy who left to go to Texas.

0:48:41.400 --> 0:48:44.200
<v Speaker 2>Whoa because she comes back in with the cowboy hat

0:48:44.200 --> 0:48:45.680
<v Speaker 2>and they're like, She's like, I went to go see

0:48:45.680 --> 0:48:48.520
<v Speaker 2>if there's anything with my ex boyfriend and worked out

0:48:48.520 --> 0:48:51.520
<v Speaker 2>a bit. I married him, and so it was where

0:48:52.280 --> 0:48:54.120
<v Speaker 2>that was in the Places with Squirrels episode where we're

0:48:54.120 --> 0:48:57.040
<v Speaker 2>all ten years in the future and I don't know

0:48:57.080 --> 0:48:59.080
<v Speaker 2>why I remember that one little thing, but she does.

0:48:59.120 --> 0:49:03.040
<v Speaker 1>She goes and marry that guy that she left. She left, Yeah,

0:49:03.600 --> 0:49:05.760
<v Speaker 1>I think there is to me, there's a big hint

0:49:05.960 --> 0:49:09.279
<v Speaker 1>in this episode that relationship isn't over. She calls him

0:49:09.520 --> 0:49:13.680
<v Speaker 1>her boyfriend in the scene with you guys where if

0:49:13.840 --> 0:49:15.520
<v Speaker 1>she were living with you because she had broken up

0:49:15.520 --> 0:49:17.520
<v Speaker 1>with him, it'd be her ex boyfriend. But she says, like,

0:49:17.560 --> 0:49:20.160
<v Speaker 1>you know, makes me realize my boyfriend really is And

0:49:20.200 --> 0:49:22.880
<v Speaker 1>I'm like, hmm, so, yeah.

0:49:22.520 --> 0:49:25.879
<v Speaker 3>I guess it's just so it's so pointed that she's

0:49:25.920 --> 0:49:29.839
<v Speaker 3>like a position or she a yale, I have a scholarship.

0:49:29.880 --> 0:49:31.920
<v Speaker 3>It's like because she could have just said I had

0:49:31.920 --> 0:49:34.600
<v Speaker 3>a scholarship to college, but they clearly wanted it to

0:49:34.600 --> 0:49:38.160
<v Speaker 3>be a counterpoint to the Corey Tapanga that like, here

0:49:38.280 --> 0:49:41.880
<v Speaker 3>is the opposite, which is like somebody who makes that

0:49:42.000 --> 0:49:44.480
<v Speaker 3>choice and fails, Like why would.

0:49:44.280 --> 0:49:46.600
<v Speaker 1>It's that choice for someone who then breaks up with

0:49:46.719 --> 0:49:50.960
<v Speaker 1>them to go find themselves? Right, it's very interesting. She

0:49:51.040 --> 0:49:53.920
<v Speaker 1>grabs a framed picture you know what, find this? She

0:49:54.000 --> 0:49:55.799
<v Speaker 1>hurls the picture back in the apartment and we hear

0:49:55.840 --> 0:50:00.160
<v Speaker 1>glass shatter. Entranced, Eric admits she pretty. Jack nods that

0:50:00.280 --> 0:50:00.880
<v Speaker 1>a lot of woman.

0:50:01.080 --> 0:50:03.920
<v Speaker 2>That a lot a woman. That's such a Michael Jacob

0:50:03.920 --> 0:50:05.040
<v Speaker 2>mine the second I.

0:50:04.960 --> 0:50:12.040
<v Speaker 1>Heard every bit of line, yep is a every.

0:50:11.840 --> 0:50:13.560
<v Speaker 2>Other line is Michael Jacob's read.

0:50:14.719 --> 0:50:18.040
<v Speaker 1>It is a line, it is it is. I think

0:50:18.280 --> 0:50:23.399
<v Speaker 1>every aspect of this Rachel love triangle is just one

0:50:23.440 --> 0:50:24.840
<v Speaker 1>hundred percent Michael Jacobs.

0:50:24.880 --> 0:50:26.680
<v Speaker 2>It is, it is, And you could see you could

0:50:26.680 --> 0:50:28.680
<v Speaker 2>hear him that a lot a woman like I could

0:50:28.719 --> 0:50:30.759
<v Speaker 2>hear him saying those words like guess is all.

0:50:32.000 --> 0:50:34.520
<v Speaker 1>The girl makes her way to the elevator, muttering to herself,

0:50:34.560 --> 0:50:37.120
<v Speaker 1>find this God. That doesn't even make any sense, does it.

0:50:37.360 --> 0:50:39.640
<v Speaker 1>Eric jumps in, I think you did a wonderful job,

0:50:39.680 --> 0:50:43.000
<v Speaker 1>and I support you. The girl size, I really thought

0:50:43.040 --> 0:50:45.200
<v Speaker 1>we loved each other. Now I have no place to stay.

0:50:45.600 --> 0:50:48.000
<v Speaker 1>I don't know what I'm gonna do. Oblivious to her pain,

0:50:48.200 --> 0:50:51.480
<v Speaker 1>Eric cackles, Oh, man, I do not envy you.

0:50:53.560 --> 0:50:55.560
<v Speaker 2>It's just a cartoon character at this point. I mean,

0:50:55.920 --> 0:50:59.759
<v Speaker 2>and again, that's fine, but it's just every line is

0:50:59.800 --> 0:51:02.879
<v Speaker 2>as big and crazy as you can possibly get.

0:51:04.080 --> 0:51:06.040
<v Speaker 1>Then we're back at the guy's apartment. Later that day,

0:51:06.080 --> 0:51:08.680
<v Speaker 1>Sean arrives back home and notices a huge pile of clothes.

0:51:08.880 --> 0:51:10.880
<v Speaker 1>Eric and Jack are working as a team, throwing Sean's

0:51:10.880 --> 0:51:13.239
<v Speaker 1>stuff into the hallway. Sean wants to know what's going on.

0:51:13.360 --> 0:51:15.400
<v Speaker 1>Jack says they found a roommate, and with zero emotion,

0:51:15.640 --> 0:51:18.399
<v Speaker 1>Eric tells him to get out. Sean reminds them school

0:51:18.440 --> 0:51:20.960
<v Speaker 1>doesn't start for two months, but Jack reveals that they

0:51:20.960 --> 0:51:23.640
<v Speaker 1>found the perfect roommate who fits all of their requirements.

0:51:23.800 --> 0:51:25.719
<v Speaker 1>Sean isn't having it. He's gonna tell this guy he

0:51:25.719 --> 0:51:27.960
<v Speaker 1>can't move in until Sean is ready to move up.

0:51:28.040 --> 0:51:31.680
<v Speaker 1>Sat up, Sat up, It up up ye, And then

0:51:32.160 --> 0:51:35.360
<v Speaker 1>this girl walks out of Sean's old room, now dressed

0:51:35.400 --> 0:51:38.520
<v Speaker 1>in only a sultry silk robe. We have a little woo.

0:51:40.200 --> 0:51:42.760
<v Speaker 1>She wonders if they have any toothpaste she can borrow.

0:51:42.960 --> 0:51:44.480
<v Speaker 2>I was I was at a wedding.

0:51:45.080 --> 0:51:46.719
<v Speaker 3>I mean, gosh, this is like ten years ago, I

0:51:46.719 --> 0:51:50.200
<v Speaker 3>guess at this point, and we a bunch of us

0:51:50.239 --> 0:51:51.960
<v Speaker 3>got a house together for the you know, the wedding.

0:51:52.200 --> 0:51:54.560
<v Speaker 3>So the night before and somebody was like, when was

0:51:54.560 --> 0:51:56.520
<v Speaker 3>the last time anybody'd seen Three's Company.

0:51:57.239 --> 0:51:59.320
<v Speaker 2>For some reason, we were all like, what is Three's Company?

0:51:59.400 --> 0:52:00.000
<v Speaker 1>What was the story?

0:52:00.280 --> 0:52:03.440
<v Speaker 2>So we decided to watch a few episodes of threes.

0:52:03.200 --> 0:52:08.480
<v Speaker 3>Company, and it was the most crazy show, a great show.

0:52:09.080 --> 0:52:11.799
<v Speaker 2>This is threes Company, like her coming out in the.

0:52:11.800 --> 0:52:16.000
<v Speaker 3>Robe and the audience going, and it's like two roommates

0:52:16.040 --> 0:52:20.520
<v Speaker 3>and it is such a weird bygone era of television.

0:52:20.640 --> 0:52:23.160
<v Speaker 3>Like if you try and watch threes Company now, it's

0:52:23.320 --> 0:52:25.680
<v Speaker 3>so bizarre, like I don't know, like half the jokes

0:52:25.680 --> 0:52:28.520
<v Speaker 3>aren't jokes, they're just excuses to get people in short robes.

0:52:29.200 --> 0:52:31.680
<v Speaker 2>Get you guess is let the story even it's even

0:52:31.719 --> 0:52:34.279
<v Speaker 2>worse for threes Company because the whole storytending to be gay,

0:52:34.560 --> 0:52:36.560
<v Speaker 2>pretending to be gay because he's not supposed to be

0:52:36.600 --> 0:52:39.200
<v Speaker 2>living with the women. So to live with two women roommates,

0:52:39.239 --> 0:52:42.200
<v Speaker 2>you have to be gay in this world. I mean,

0:52:42.239 --> 0:52:43.560
<v Speaker 2>it is just crazy.

0:52:43.600 --> 0:52:46.480
<v Speaker 3>And there's always like the insinuation of sleeping around but

0:52:46.520 --> 0:52:48.640
<v Speaker 3>I don't even know if people actually sleep together or.

0:52:48.680 --> 0:52:51.960
<v Speaker 2>It's just like it's so weird. It's such a weird

0:52:52.080 --> 0:52:53.000
<v Speaker 2>like thing of TV.

0:52:53.160 --> 0:52:55.480
<v Speaker 3>Like TV used to be this, like it used to

0:52:55.480 --> 0:52:58.000
<v Speaker 3>just be a way to see like pretty women and things.

0:52:58.040 --> 0:53:01.600
<v Speaker 1>And here was what you was Three's Company on seventy

0:53:01.600 --> 0:53:07.960
<v Speaker 1>eightieslies the seventies, So why in the nineties. Is it

0:53:08.000 --> 0:53:10.920
<v Speaker 1>because we had writers writing as though they were shows

0:53:10.960 --> 0:53:12.279
<v Speaker 1>they watched in the seventies.

0:53:12.560 --> 0:53:15.960
<v Speaker 2>Yeah, I think that there's like this sitcom tradition that

0:53:16.560 --> 0:53:22.440
<v Speaker 2>doesn't exist anymore, which was like this sort of slightly sexy.

0:53:22.480 --> 0:53:24.839
<v Speaker 1>You know what, campy thing. It was a way of being,

0:53:24.880 --> 0:53:28.399
<v Speaker 1>like reality TV on a sitcom, what happens if you're

0:53:28.480 --> 0:53:30.759
<v Speaker 1>what happens if you're really inside someone's house? You see

0:53:30.800 --> 0:53:32.960
<v Speaker 1>them in their underwear a lot, right, Like that's the

0:53:32.960 --> 0:53:35.160
<v Speaker 1>thought of you know, like, oh, if we were just

0:53:35.200 --> 0:53:37.440
<v Speaker 1>a fly on the wall of someone's house, they'd be

0:53:37.480 --> 0:53:39.520
<v Speaker 1>in their bathroom, they'd be in robes, they'd be cooking

0:53:39.520 --> 0:53:41.719
<v Speaker 1>in their underwear, they'd dance around like we get to

0:53:41.760 --> 0:53:43.719
<v Speaker 1>and so they were like, let's do it.

0:53:44.280 --> 0:53:47.360
<v Speaker 2>But it's the college. It's the college or young twenties

0:53:47.440 --> 0:53:50.919
<v Speaker 2>equivalent of getting a sea in the girl's locker room. Yep,

0:53:51.160 --> 0:53:54.160
<v Speaker 2>like oh, we got a chance to see they're showering,

0:53:54.360 --> 0:53:57.080
<v Speaker 2>like the oh okay, that's what they do. But they

0:53:57.080 --> 0:54:01.120
<v Speaker 2>were you know what's funny you mentioned reality TV ninety eight,

0:54:01.640 --> 0:54:04.160
<v Speaker 2>ninety seven, ninety eight. This is right when reality TV

0:54:04.320 --> 0:54:08.160
<v Speaker 2>was getting really big with like Real World, Yeah and

0:54:08.200 --> 0:54:11.160
<v Speaker 2>things like that saying you were talking, but it was

0:54:11.360 --> 0:54:13.719
<v Speaker 2>this is when it started. It was already done.

0:54:13.760 --> 0:54:16.799
<v Speaker 3>Remember last season started with Correy's filming, and like, yeah,

0:54:16.880 --> 0:54:19.040
<v Speaker 3>already we were referencing it because it was it was

0:54:19.080 --> 0:54:19.799
<v Speaker 3>a cultural thing.

0:54:20.080 --> 0:54:23.680
<v Speaker 2>But it's also but what reality TV like like shows

0:54:23.719 --> 0:54:25.960
<v Speaker 2>like that are are exactly what you were talking about

0:54:25.960 --> 0:54:27.920
<v Speaker 2>at the beginning that you didn't like, writer, which is

0:54:28.480 --> 0:54:31.040
<v Speaker 2>nine people sitting in a room talking about stuff. Fashion.

0:54:31.520 --> 0:54:33.960
<v Speaker 2>That's all it was was that's used to because they

0:54:34.040 --> 0:54:36.560
<v Speaker 2>purposely would take their TV's away, take their head nothing,

0:54:36.760 --> 0:54:38.439
<v Speaker 2>so they just had to sit on couches and talk

0:54:38.520 --> 0:54:41.239
<v Speaker 2>and that's what it was. And I think we're seeing that.

0:54:41.280 --> 0:54:42.280
<v Speaker 2>And then nudity.

0:54:42.840 --> 0:54:57.600
<v Speaker 1>Yeah, for no reason, Sean looks at her and makes

0:54:57.600 --> 0:54:59.759
<v Speaker 1>a one eighty. Let me help you here. I thought

0:54:59.760 --> 0:55:01.080
<v Speaker 1>that it was really funny.

0:55:01.080 --> 0:55:03.240
<v Speaker 2>Writer, a great comedian.

0:55:03.320 --> 0:55:08.440
<v Speaker 1>Let me help you here, let me just really funny.

0:55:08.640 --> 0:55:10.880
<v Speaker 1>He throws some things into the hall and assumes the position,

0:55:11.000 --> 0:55:14.160
<v Speaker 1>eventually being thrown out of himself.

0:55:17.480 --> 0:55:19.279
<v Speaker 2>To direct these kinds of things on Girl Meets World,

0:55:19.239 --> 0:55:21.160
<v Speaker 2>It's like, no, we want to see him actually fly.

0:55:22.960 --> 0:55:24.759
<v Speaker 1>Yes, so you see someone mouse to.

0:55:24.719 --> 0:55:26.920
<v Speaker 3>Throw myself so you don't actually have to see me launch,

0:55:27.040 --> 0:55:28.399
<v Speaker 3>but yeah.

0:55:27.920 --> 0:55:31.400
<v Speaker 1>Very funny. And then we're in the Matthew's house. Corey, Sean, Angela,

0:55:31.440 --> 0:55:33.520
<v Speaker 1>and to Banga enter the kitchen, but Corey stops his

0:55:33.640 --> 0:55:36.080
<v Speaker 1>fiance before going in. He wants to know if she

0:55:36.160 --> 0:55:39.840
<v Speaker 1>told Angela their secret, and she's offended. I would never why.

0:55:40.320 --> 0:55:42.560
<v Speaker 1>Corey says that Angela was shooting him nasty looks at

0:55:42.560 --> 0:55:45.920
<v Speaker 1>dinner and he almost didn't enjoy his pudding. To Pega

0:55:46.000 --> 0:55:48.319
<v Speaker 1>returns the favor and asks if he said something to

0:55:48.400 --> 0:55:51.520
<v Speaker 1>Sean because he was winking at her all night. He gasps,

0:55:51.719 --> 0:55:55.440
<v Speaker 1>I would never. He reminds Topanga his parents are inside,

0:55:55.440 --> 0:55:58.240
<v Speaker 1>so act natural. And if you go back and watch

0:55:58.360 --> 0:56:01.680
<v Speaker 1>this moment, you're breaking. I am my, you see because

0:56:01.719 --> 0:56:04.520
<v Speaker 1>it's over my shoulder on Ben. My whole body is

0:56:04.640 --> 0:56:06.120
<v Speaker 1>shaking with laughter.

0:56:06.520 --> 0:56:07.839
<v Speaker 2>There are a couple of times you and Ben were

0:56:07.840 --> 0:56:08.359
<v Speaker 2>almost going.

0:56:08.280 --> 0:56:11.760
<v Speaker 1>To bring we were breaking so much.

0:56:12.000 --> 0:56:13.800
<v Speaker 2>What is the sound that he makes in this episode?

0:56:13.800 --> 0:56:15.800
<v Speaker 2>There's a sound he makes that it's I don't think.

0:56:15.640 --> 0:56:18.719
<v Speaker 1>Well when he guesss I would never.

0:56:19.800 --> 0:56:21.480
<v Speaker 2>Yes, that's the one.

0:56:21.480 --> 0:56:23.560
<v Speaker 3>I was like, oh my god, because then I could

0:56:23.600 --> 0:56:24.920
<v Speaker 3>see him holding it together.

0:56:27.800 --> 0:56:30.240
<v Speaker 1>Are shaking, I'm shaking laughter.

0:56:30.560 --> 0:56:32.640
<v Speaker 2>I was dying because you know what he did. He

0:56:32.800 --> 0:56:34.879
<v Speaker 2>saved that gas till right now.

0:56:35.000 --> 0:56:38.080
<v Speaker 3>So he had been doing a different gas on tape

0:56:38.160 --> 0:56:42.680
<v Speaker 3>night made this weird one which made you go, oh God,

0:56:42.880 --> 0:56:43.960
<v Speaker 3>in front of the audio.

0:56:43.840 --> 0:56:46.760
<v Speaker 1>He did it, he said it. We're on camera. I break,

0:56:47.200 --> 0:56:49.720
<v Speaker 1>and then he holds it together to get through his line,

0:56:49.960 --> 0:56:52.040
<v Speaker 1>and then it cuts back to me for my reaction,

0:56:52.160 --> 0:56:56.840
<v Speaker 1>and I'm like, just breaking as we as we go

0:56:56.880 --> 0:56:59.839
<v Speaker 1>inside the house. So the two walk inside and Alan

0:57:00.080 --> 0:57:02.959
<v Speaker 1>immediately exclaims, Corey, Sean just told us the big news.

0:57:03.000 --> 0:57:05.560
<v Speaker 1>Why didn't you say anything? Corey blows up at Sean.

0:57:05.640 --> 0:57:08.960
<v Speaker 1>You told them, only for Tapanga to also inquire you

0:57:09.040 --> 0:57:12.520
<v Speaker 1>told Sean. Corey retorts, Oh, of course I told Sean.

0:57:13.320 --> 0:57:16.000
<v Speaker 1>He asks his parents if they're angry, and Alan shrugs,

0:57:16.120 --> 0:57:18.560
<v Speaker 1>you guys have been together forever. Why would I be angry?

0:57:19.040 --> 0:57:22.040
<v Speaker 1>Corey laughs in relief. Phew, talk about a load off

0:57:22.040 --> 0:57:25.040
<v Speaker 1>my mind. Huh. Alan continues, I think you and Sean

0:57:25.080 --> 0:57:30.520
<v Speaker 1>will be very happy together as roommates. Panga is shocked,

0:57:30.920 --> 0:57:34.640
<v Speaker 1>you and Sean, what about us? Amy explains the school

0:57:34.680 --> 0:57:37.480
<v Speaker 1>wouldn't allow her and Corey to be roommates, well, unless

0:57:37.520 --> 0:57:40.840
<v Speaker 1>they were married. The thought alone makes Amy and Allan laugh.

0:57:41.160 --> 0:57:45.800
<v Speaker 1>Tapega reminds Corey they were supposed to decide this together. Angela, Sean, Corey,

0:57:45.800 --> 0:57:48.040
<v Speaker 1>and Tapanga go back and forth, arguing about how they

0:57:48.080 --> 0:57:50.400
<v Speaker 1>either told their best friend or that they didn't tell

0:57:50.400 --> 0:57:53.560
<v Speaker 1>their significant other about what they know. They all know,

0:57:54.400 --> 0:57:57.880
<v Speaker 1>and then Eric storms in, looking very jolly. Got this

0:57:57.960 --> 0:57:59.760
<v Speaker 1>new roommate. She is fine.

0:58:00.840 --> 0:58:05.120
<v Speaker 2>Now, I remember this take because we did this five

0:58:05.200 --> 0:58:08.480
<v Speaker 2>or six times, and I changed it every time, really,

0:58:08.600 --> 0:58:12.800
<v Speaker 2>and I remember the audience was starting to anticipate that

0:58:12.880 --> 0:58:15.120
<v Speaker 2>I was going to do it differently every time. So

0:58:15.160 --> 0:58:18.880
<v Speaker 2>for some reason, this one, just this particular sticks out

0:58:18.880 --> 0:58:19.080
<v Speaker 2>to me.

0:58:19.200 --> 0:58:21.240
<v Speaker 1>Yep, how were you changing the word or were you

0:58:21.360 --> 0:58:22.760
<v Speaker 1>just changing the performance of fine?

0:58:22.840 --> 0:58:24.480
<v Speaker 2>I was changing there. I remember one time I went

0:58:24.560 --> 0:58:25.400
<v Speaker 2>like why why, why? Why?

0:58:25.440 --> 0:58:26.360
<v Speaker 1>Why? Like that?

0:58:26.400 --> 0:58:28.680
<v Speaker 2>And I was just like throwing out different things the

0:58:28.680 --> 0:58:31.400
<v Speaker 2>whole time. And so, yeah, it was just four or

0:58:31.400 --> 0:58:33.000
<v Speaker 2>five in a row of just different takes.

0:58:34.040 --> 0:58:37.120
<v Speaker 1>That's funny. Alan has had enough what is going on?

0:58:37.320 --> 0:58:39.720
<v Speaker 1>Corey tries to speak, but he can't articulate his words.

0:58:39.720 --> 0:58:41.840
<v Speaker 1>So Tapanga just comes out and says it, Corey and

0:58:41.920 --> 0:58:45.160
<v Speaker 1>I are getting married. The silence is palpable, until Alan

0:58:45.240 --> 0:58:48.640
<v Speaker 1>finally scoffs, are you out of your minds? Sean defends

0:58:48.640 --> 0:58:51.520
<v Speaker 1>them because they love each other. Angela jumps in, that's

0:58:51.560 --> 0:58:54.600
<v Speaker 1>not a reason they're too young. Alan points out to Corey,

0:58:54.800 --> 0:58:57.720
<v Speaker 1>you can't even clean up your room. Corey explains he's

0:58:57.760 --> 0:58:58.400
<v Speaker 1>going to get to it.

0:58:58.840 --> 0:59:03.160
<v Speaker 2>That's a great moment. While we're watching this, though, Sue

0:59:03.200 --> 0:59:03.480
<v Speaker 2>said that.

0:59:03.560 --> 0:59:04.560
<v Speaker 1>Sue said something interesting.

0:59:04.600 --> 0:59:07.160
<v Speaker 2>She's like, why not you say you're getting you're engaged.

0:59:07.360 --> 0:59:08.960
<v Speaker 2>Why do you have to say we're getting married? Why

0:59:08.960 --> 0:59:11.400
<v Speaker 2>can't you just be like we got engaged, because that's

0:59:11.440 --> 0:59:14.160
<v Speaker 2>different than we're getting married, right, you, kid.

0:59:14.160 --> 0:59:17.760
<v Speaker 1>Is typically what engaged means so right, but it doesn't.

0:59:17.800 --> 0:59:21.560
<v Speaker 1>It's not as getting married. And it's great in when

0:59:21.600 --> 0:59:24.920
<v Speaker 1>you're done with college, when you're you know, I asked

0:59:24.920 --> 0:59:25.800
<v Speaker 1>Corey to marry me.

0:59:25.960 --> 0:59:28.240
<v Speaker 2>We get we're getting engaged, something like that is different

0:59:28.240 --> 0:59:30.400
<v Speaker 2>than Corey and I are getting married. Like it's yeah,

0:59:30.680 --> 0:59:32.600
<v Speaker 2>well you know, I think it's just just for a story.

0:59:33.040 --> 0:59:35.440
<v Speaker 1>It is, but it's like need to do that.

0:59:36.880 --> 0:59:37.560
<v Speaker 2>Well, that's the thing.

0:59:37.720 --> 0:59:40.400
<v Speaker 3>It's an easy offering for everybody because because the parents

0:59:40.440 --> 0:59:41.800
<v Speaker 3>could be like, yeah, why don't you get engaged and

0:59:41.800 --> 0:59:43.720
<v Speaker 3>see how it goes. Like everybody would be fine like

0:59:43.720 --> 0:59:46.200
<v Speaker 3>the end of episode, so they needed it to be pretty.

0:59:46.240 --> 0:59:48.400
<v Speaker 1>But it is weird that no one has that at

0:59:48.440 --> 0:59:51.880
<v Speaker 1>least perspective of like listen, like someone could offer that

0:59:52.040 --> 0:59:54.720
<v Speaker 1>as as we're discussing all the different options, why don't

0:59:54.760 --> 0:59:58.240
<v Speaker 1>you just wait until, yeah, get engaged, get engaged, wait

0:59:58.760 --> 0:59:59.240
<v Speaker 1>you get married?

0:59:59.400 --> 0:59:59.800
<v Speaker 5>You say?

1:00:00.040 --> 1:00:02.840
<v Speaker 2>Doesn't Amy eventually say, well, they're going to wait till

1:00:02.880 --> 1:00:03.600
<v Speaker 2>after college?

1:00:03.680 --> 1:00:03.840
<v Speaker 1>Right?

1:00:04.200 --> 1:00:05.720
<v Speaker 2>I think she says that, doesn't.

1:00:05.480 --> 1:00:06.520
<v Speaker 1>She in this episode?

1:00:06.600 --> 1:00:06.880
<v Speaker 2>Yeah?

1:00:06.880 --> 1:00:08.840
<v Speaker 1>That I remember? Oh I thought she did. Oh right,

1:00:08.960 --> 1:00:12.040
<v Speaker 1>you look at this. Amy says, they'll wait until they

1:00:12.120 --> 1:00:15.920
<v Speaker 1>finish college. Here you go, and Alan agrees, asking whose

1:00:15.960 --> 1:00:19.640
<v Speaker 1>idiot idea was this? Corey immediately volunteers, it was my

1:00:19.800 --> 1:00:22.200
<v Speaker 1>idiot idea. It is my idiot life, and I get

1:00:22.200 --> 1:00:24.440
<v Speaker 1>to decide if I want to be a married idiot

1:00:25.000 --> 1:00:28.160
<v Speaker 1>to Panga reveals the truth she asked Corey to marry her.

1:00:28.520 --> 1:00:30.640
<v Speaker 1>Corey begs his parents not to yell at his fiance.

1:00:31.000 --> 1:00:33.240
<v Speaker 1>Amy says she thought to Panga had more sense than

1:00:33.240 --> 1:00:37.760
<v Speaker 1>this Morgan, who looks significantly older. Also, yes, yep, she

1:00:37.840 --> 1:00:40.320
<v Speaker 1>is specially with footy pajamas.

1:00:39.760 --> 1:00:42.760
<v Speaker 2>With this line, which sounds like a five year old line.

1:00:42.880 --> 1:00:45.800
<v Speaker 1>I was well, I asked Bobby Poplowski to marry me,

1:00:46.000 --> 1:00:46.800
<v Speaker 1>then he kicked me.

1:00:48.280 --> 1:00:52.240
<v Speaker 3>You are now a fourteen year old the equivalent of

1:00:52.240 --> 1:01:01.360
<v Speaker 3>them just constantly putting her in footy pajamas. She's literally

1:01:01.400 --> 1:01:05.000
<v Speaker 3>older than and lollipop.

1:01:07.440 --> 1:01:09.960
<v Speaker 2>Yeah, it just gets creepy after a while, It's like,

1:01:10.040 --> 1:01:11.640
<v Speaker 2>oh my god, right for this girl.

1:01:12.800 --> 1:01:15.040
<v Speaker 1>They stare at her, confused and then go back to

1:01:15.080 --> 1:01:17.640
<v Speaker 1>the problem at hand. Amy asks if they thought through

1:01:17.720 --> 1:01:20.720
<v Speaker 1>the responsibilities that will come with marriage, and Angela decides

1:01:20.760 --> 1:01:23.240
<v Speaker 1>to answer for them. No, they haven't thought of anything.

1:01:23.520 --> 1:01:25.760
<v Speaker 1>Sean polls are away. They should stay out of this.

1:01:25.880 --> 1:01:28.120
<v Speaker 1>Angela argues, these are our friends. How can you let

1:01:28.160 --> 1:01:31.080
<v Speaker 1>them ruin their lives? Sean counters that they aren't like

1:01:31.120 --> 1:01:34.160
<v Speaker 1>the two of them, They are hopelessly in love. The

1:01:34.240 --> 1:01:37.760
<v Speaker 1>crowd ooh at the obvious light, but Sean tries to

1:01:37.800 --> 1:01:40.000
<v Speaker 1>redeem himself and so were we?

1:01:40.480 --> 1:01:44.720
<v Speaker 2>So are were we? So are we? So are we? Yeah?

1:01:44.760 --> 1:01:46.480
<v Speaker 2>You were? You didn't like what you were saying, writer,

1:01:46.560 --> 1:01:48.439
<v Speaker 2>but you were gone. Well, yeah, I know you're dead.

1:01:48.520 --> 1:01:50.520
<v Speaker 1>You said you were saying the stuff you didn't like

1:01:50.640 --> 1:01:53.800
<v Speaker 1>very well. Yea, thanks, you're doing a good job. Amy

1:01:53.840 --> 1:01:56.040
<v Speaker 1>tries to talk some sense into her son. We have

1:01:56.120 --> 1:01:59.440
<v Speaker 1>paid for your food, your clothes, phone, car insurance. Can

1:01:59.480 --> 1:02:02.200
<v Speaker 1>Corey hand all that? Corey reminds them that they got

1:02:02.200 --> 1:02:05.080
<v Speaker 1>married when they were eighteen too. Allan yells out, I

1:02:05.320 --> 1:02:07.880
<v Speaker 1>was a dope. Amy's eyes widen.

1:02:08.080 --> 1:02:11.520
<v Speaker 2>He also tries to eighteen when they got married. Yeah,

1:02:11.520 --> 1:02:14.959
<v Speaker 2>I know, So where where was the summer of love

1:02:15.760 --> 1:02:19.720
<v Speaker 2>with Reggie in Europe? It also doesn't mean so they

1:02:19.720 --> 1:02:22.440
<v Speaker 2>got married then when he was in the navy.

1:02:22.960 --> 1:02:27.280
<v Speaker 1>Maybe they were the summer of love was seventeen to eighteen.

1:02:27.360 --> 1:02:30.560
<v Speaker 1>So they graduated high school at seventeen, they took that

1:02:30.640 --> 1:02:35.440
<v Speaker 1>summer together, and he went into the navy and they

1:02:35.480 --> 1:02:35.920
<v Speaker 1>got married.

1:02:36.480 --> 1:02:39.880
<v Speaker 2>Wow. But then there's also this whole storyline of like

1:02:39.960 --> 1:02:40.959
<v Speaker 2>her dating other people.

1:02:41.000 --> 1:02:43.440
<v Speaker 1>Remember there's that whole like well that again, so he

1:02:43.560 --> 1:02:47.600
<v Speaker 1>dated other people at fourteen, it counts I kissed somebody.

1:02:48.080 --> 1:02:53.880
<v Speaker 2>I kissed Bobby Hey, cat cat.

1:02:54.680 --> 1:02:56.280
<v Speaker 3>What they should have done is just had Morgan be

1:02:56.360 --> 1:03:00.439
<v Speaker 3>like suddenly supermature like Bobby. Bobby Mplawski and I got

1:03:00.440 --> 1:03:02.120
<v Speaker 3>engaged for three and a half months.

1:03:02.160 --> 1:03:04.200
<v Speaker 2>I called it off because I fell for some like

1:03:04.240 --> 1:03:05.400
<v Speaker 2>she's the most.

1:03:05.200 --> 1:03:08.320
<v Speaker 3>Likely smoking a cigarette smoking it would be the best.

1:03:08.320 --> 1:03:09.560
<v Speaker 2>It would have been so much funny.

1:03:11.440 --> 1:03:14.720
<v Speaker 1>Also, I don't like this idea that Amy is upset

1:03:14.720 --> 1:03:17.439
<v Speaker 1>with him calling him himself a dope for getting married

1:03:17.480 --> 1:03:19.919
<v Speaker 1>at eighteen. I think it would it would make sense

1:03:20.000 --> 1:03:22.240
<v Speaker 1>for both for her to be like, we were dopes.

1:03:22.800 --> 1:03:25.480
<v Speaker 1>It's it's lucky that it worked out for us, as

1:03:25.480 --> 1:03:29.160
<v Speaker 1>opposed to because otherwise, why does Amy think they're so different?

1:03:30.360 --> 1:03:32.640
<v Speaker 3>She's been like this since. So that means that she

1:03:32.920 --> 1:03:36.120
<v Speaker 3>and Alan got married at eighteen, and then she was

1:03:36.280 --> 1:03:39.440
<v Speaker 3>this against a panga leaving to Pittsburgh, like all of

1:03:39.440 --> 1:03:42.720
<v Speaker 3>that stuff. It's like her argument, which was live your life,

1:03:43.080 --> 1:03:46.840
<v Speaker 3>find that the experience independent, like all of that stuff,

1:03:46.920 --> 1:03:49.439
<v Speaker 3>kind of gets undermined by the fact that she didn't live,

1:03:49.720 --> 1:03:50.520
<v Speaker 3>didn't do any of that.

1:03:51.400 --> 1:03:53.600
<v Speaker 1>I would have no problem with it if her point

1:03:53.840 --> 1:03:57.080
<v Speaker 1>was I was an idiot, I shouldn't. I'm happy I

1:03:57.120 --> 1:03:59.200
<v Speaker 1>did it because it worked out. I love my husband,

1:03:59.280 --> 1:04:02.640
<v Speaker 1>I have three beautiful children. I wouldn't change anything. But

1:04:02.640 --> 1:04:06.280
<v Speaker 1>but that's not the usual. That's not normal.

1:04:06.320 --> 1:04:10.840
<v Speaker 2>It was normal. Apparently, that's what it's like.

1:04:10.880 --> 1:04:13.520
<v Speaker 3>It's always being positive that Corey and Topanga are weird

1:04:13.680 --> 1:04:17.440
<v Speaker 3>or unusual when the reality is actually by their community standards,

1:04:17.520 --> 1:04:21.040
<v Speaker 3>they are very typical. They are doing exactly what her

1:04:21.080 --> 1:04:24.120
<v Speaker 3>parents did, what his parents did, what Phoene did, Like

1:04:24.120 --> 1:04:25.960
<v Speaker 3>everybody got married young had you know.

1:04:26.000 --> 1:04:31.280
<v Speaker 1>It's like okay, yeah, I know, don't it's weird, okay.

1:04:31.400 --> 1:04:34.120
<v Speaker 1>He also Alan tries to redeem himself. He means that

1:04:34.200 --> 1:04:36.680
<v Speaker 1>there is so much they'd be missing out on. If

1:04:36.720 --> 1:04:38.959
<v Speaker 1>Corey thinks he has everything all figured out, he must

1:04:39.000 --> 1:04:41.640
<v Speaker 1>remember that things don't always go according to the plan.

1:04:41.920 --> 1:04:45.720
<v Speaker 1>He will have to make sacrifices. Amy wonders, what sacrifices

1:04:45.760 --> 1:04:48.680
<v Speaker 1>did you make? Alan, Alan freezes and pretends he didn't

1:04:48.720 --> 1:04:52.720
<v Speaker 1>hear her. What Meanwhile, Angela asks Sean, what do you

1:04:52.760 --> 1:04:55.840
<v Speaker 1>mean we're not hopelessly in love? He also wonders what

1:04:56.680 --> 1:04:59.720
<v Speaker 1>well Both couples argue Corey and Topanga slide out the

1:04:59.720 --> 1:05:04.400
<v Speaker 1>back door. So yeah. This Amy storyline, where she's also

1:05:04.440 --> 1:05:08.400
<v Speaker 1>trying to challenge that he didn't make any sacrifices. Why

1:05:09.520 --> 1:05:12.760
<v Speaker 1>I don't know. Why isn't this Why isn't this reversed?

1:05:12.880 --> 1:05:17.960
<v Speaker 1>Why isn't Amy the one saying when we say to her,

1:05:18.080 --> 1:05:20.000
<v Speaker 1>you got married at eighteen, Yeah, and I was a

1:05:20.080 --> 1:05:23.760
<v Speaker 1>dope and Alan going excuse me, and her saying, yes,

1:05:23.840 --> 1:05:26.000
<v Speaker 1>do you know how many sacrifices I had to make?

1:05:26.000 --> 1:05:29.280
<v Speaker 1>And he's like, wait, what sacrifices? Then she has a

1:05:29.280 --> 1:05:33.200
<v Speaker 1>POV that fits with what she's trying to say, has

1:05:33.280 --> 1:05:35.480
<v Speaker 1>not been to a hotel since they got married.

1:05:35.880 --> 1:05:38.160
<v Speaker 3>They literally went to a hotel for the problem night

1:05:38.240 --> 1:05:40.360
<v Speaker 3>and they were like, the first time we've gone to

1:05:40.400 --> 1:05:43.320
<v Speaker 3>a hotel for a night out. That's a very obvious

1:05:43.320 --> 1:05:46.360
<v Speaker 3>sacrifice you've made. Now you're about to have another kid,

1:05:46.600 --> 1:05:47.240
<v Speaker 3>Oh my god.

1:05:48.000 --> 1:05:48.920
<v Speaker 1>Yeah.

1:05:49.800 --> 1:05:53.080
<v Speaker 2>Until they got married at eighteen, I guess went to Europe.

1:05:53.560 --> 1:05:55.160
<v Speaker 1>Well I think they had the summer of love before

1:05:55.200 --> 1:05:56.240
<v Speaker 1>they were married, right.

1:05:56.120 --> 1:05:59.680
<v Speaker 3>Hey maybe, But then, like you just don't get how

1:05:59.680 --> 1:06:00.680
<v Speaker 3>the navy children.

1:06:01.040 --> 1:06:03.200
<v Speaker 2>Doesn't you travel when you're in the navy. So was

1:06:03.240 --> 1:06:05.600
<v Speaker 2>she on the road him? Was she by herself? She's

1:06:05.640 --> 1:06:08.480
<v Speaker 2>probably by herself. Was she pregnant at this point? When

1:06:08.520 --> 1:06:09.360
<v Speaker 2>does Eric come along?

1:06:09.360 --> 1:06:11.040
<v Speaker 1>Did he leave? How long was he in the navy.

1:06:11.040 --> 1:06:13.040
<v Speaker 2>There's a lot of this backstory that they just kind

1:06:13.040 --> 1:06:13.960
<v Speaker 2>of like, yeah, we're good.

1:06:14.520 --> 1:06:16.920
<v Speaker 1>Well, because if you think about it, how old are

1:06:16.960 --> 1:06:18.920
<v Speaker 1>we trying to say they are like, how old are

1:06:18.960 --> 1:06:19.320
<v Speaker 1>they now?

1:06:19.480 --> 1:06:20.080
<v Speaker 2>Mid forties?

1:06:20.520 --> 1:06:24.360
<v Speaker 1>Eric is now in his first or second year of college, right,

1:06:24.360 --> 1:06:27.320
<v Speaker 1>so Herek's probably twentyeen twenty one? Okay, yeah, I think

1:06:27.360 --> 1:06:28.720
<v Speaker 1>because I think Corey's supposed to be.

1:06:28.920 --> 1:06:30.920
<v Speaker 2>Corey and Tpang are supposed to be eighteen eighteen, right,

1:06:31.000 --> 1:06:33.360
<v Speaker 2>and I think Eric is supposed to be at this

1:06:33.480 --> 1:06:36.280
<v Speaker 2>point two years older. Okay, you used to be four

1:06:36.360 --> 1:06:38.680
<v Speaker 2>years older than that, right, and then they moved only too,

1:06:38.760 --> 1:06:41.200
<v Speaker 2>So my guess is Eric supposed to be twenty twenty one?

1:06:41.240 --> 1:06:43.760
<v Speaker 2>But then where does the beer come from? In the

1:06:44.240 --> 1:06:46.040
<v Speaker 2>from last season? That was in the fridge they were

1:06:46.080 --> 1:06:48.320
<v Speaker 2>buying beers. That's fine, happens.

1:06:48.040 --> 1:06:51.720
<v Speaker 1>Sean had you know, maybe someone end up getting it

1:06:51.760 --> 1:06:52.520
<v Speaker 1>for him, right right?

1:06:52.600 --> 1:06:55.680
<v Speaker 2>But he's so yeah, so twenty one, so fenty figure.

1:06:55.760 --> 1:06:58.760
<v Speaker 2>They had Eric when they were twenty one twenty two,

1:06:59.360 --> 1:07:04.280
<v Speaker 2>so they were mayre maried for three years they had Eric,

1:07:04.760 --> 1:07:07.200
<v Speaker 2>I would say, but never went to a hotel, never

1:07:07.200 --> 1:07:20.280
<v Speaker 2>went to a hotel. But he's twenty one years wow.

1:07:24.320 --> 1:07:27.560
<v Speaker 1>Outside, Tapanga admits his parents are taking it better than

1:07:27.600 --> 1:07:30.200
<v Speaker 1>she thought, but Corey reminds her it's not up to them.

1:07:30.400 --> 1:07:33.200
<v Speaker 1>Nobody can tell them what to do. She nods in agreement,

1:07:33.240 --> 1:07:37.240
<v Speaker 1>so Corey declares, come on, we're getting married. She smiles

1:07:37.320 --> 1:07:40.479
<v Speaker 1>and they run off together. Back in the Matthew's kitchen,

1:07:40.480 --> 1:07:41.160
<v Speaker 1>the couples.

1:07:41.200 --> 1:07:43.520
<v Speaker 2>The noh no.

1:07:43.680 --> 1:07:46.400
<v Speaker 1>Back in the Matthew's kitchen, the couples are still arguing

1:07:46.400 --> 1:07:48.400
<v Speaker 1>with each other, so Eric decides to butt in. He

1:07:48.440 --> 1:07:50.680
<v Speaker 1>can be the voice of reason here. Everyone laughs at

1:07:50.680 --> 1:07:53.760
<v Speaker 1>this idea and goes back to fighting. Undeterred, Eric shouts,

1:07:53.840 --> 1:07:57.240
<v Speaker 1>I think they should get married, which again grabs everyone's attention.

1:07:57.680 --> 1:08:00.360
<v Speaker 1>Eric says the chance and chances of Corey finding a

1:08:00.400 --> 1:08:03.280
<v Speaker 1>woman like Topanga are one in a million. Sean agrees,

1:08:03.440 --> 1:08:06.120
<v Speaker 1>there's nobody better. Angela can't argue with that, and neither

1:08:06.160 --> 1:08:09.800
<v Speaker 1>does Amy. But that's not the issue. Eric argues, in

1:08:09.840 --> 1:08:12.320
<v Speaker 1>a few years, she's gonna dry up, get all wrinkling.

1:08:12.760 --> 1:08:15.520
<v Speaker 1>Might as well grab her while she's still smooth. He

1:08:15.640 --> 1:08:19.719
<v Speaker 1>playfully punches Alan and asks SIMI right dead. Alan calls

1:08:19.760 --> 1:08:25.040
<v Speaker 1>him an imbecile, and, again undeterred, Eric laughs, Yes.

1:08:25.080 --> 1:08:27.320
<v Speaker 2>It's funny, but it's just cartoony.

1:08:28.680 --> 1:08:33.360
<v Speaker 1>Yeah. Recently, Adler has become obsessed at night with asking

1:08:33.400 --> 1:08:36.920
<v Speaker 1>me about what happens when I die? Oh God, oh, Jesus,

1:08:37.240 --> 1:08:39.320
<v Speaker 1>what's gonna happen when you die? I'm gonna miss you

1:08:39.400 --> 1:08:41.680
<v Speaker 1>so much. I just want to be with you. And

1:08:41.720 --> 1:08:45.960
<v Speaker 1>I'm like, Adler, I'm not sick, I'm not gonna I'm

1:08:45.960 --> 1:08:47.960
<v Speaker 1>not gonna die anytime soon, but I'm gonna miss you

1:08:48.040 --> 1:08:51.599
<v Speaker 1>so much. And I said, I'm nowhere near dying. He said, yes,

1:08:51.720 --> 1:08:55.000
<v Speaker 1>you are. You are almost dead.

1:08:56.880 --> 1:09:01.800
<v Speaker 3>Anyway, I did think about that, even if everything goes right,

1:09:01.960 --> 1:09:03.080
<v Speaker 3>you're almost at.

1:09:03.760 --> 1:09:04.680
<v Speaker 1>Ah, You're not.

1:09:05.160 --> 1:09:07.240
<v Speaker 2>You're not You're just dried up and ring.

1:09:08.760 --> 1:09:11.080
<v Speaker 1>Exactly what I thought. I was like, it must really

1:09:11.080 --> 1:09:13.680
<v Speaker 1>be time for me to get botoxic. Because he's like,

1:09:13.840 --> 1:09:15.880
<v Speaker 1>you are so old.

1:09:16.680 --> 1:09:20.840
<v Speaker 2>Look at you. You looked at a mirror lately. Do something? God, No,

1:09:20.960 --> 1:09:23.879
<v Speaker 2>you are old. Let me tell you My favorite part.

1:09:23.680 --> 1:09:25.840
<v Speaker 1>Is any actioned before he said yes you are, he

1:09:25.960 --> 1:09:27.559
<v Speaker 1>was like, I said, I'm not going to die. I'm

1:09:27.600 --> 1:09:29.680
<v Speaker 1>not anywhere near there. He said, yes you are. I said, no,

1:09:29.720 --> 1:09:37.960
<v Speaker 1>I'm not only forty three ghost. Well Dad is God? Anyway,

1:09:38.680 --> 1:09:41.080
<v Speaker 1>Morgan decides to talk. Have any of you noticed that

1:09:41.120 --> 1:09:44.240
<v Speaker 1>Corey and Topanga aren't here? Then the door They realize

1:09:44.280 --> 1:09:46.599
<v Speaker 1>the door is open, and we get some dramatic music

1:09:47.080 --> 1:09:48.400
<v Speaker 1>that's the act break.

1:09:54.000 --> 1:09:56.760
<v Speaker 3>A bunch of characters in a lad expressing points of

1:09:56.840 --> 1:09:59.960
<v Speaker 3>view to expound upon whether this couple should get married

1:10:00.280 --> 1:10:00.919
<v Speaker 3>to next.

1:10:03.479 --> 1:10:05.799
<v Speaker 2>In all fairness, I have to say, though, in all fairness,

1:10:05.960 --> 1:10:08.240
<v Speaker 2>if a couple comes in and all their friends or

1:10:08.240 --> 1:10:10.200
<v Speaker 2>family are there and they say they're eighteen, they're like,

1:10:10.240 --> 1:10:12.600
<v Speaker 2>we're gonna get married. This is what would happen is

1:10:12.640 --> 1:10:15.040
<v Speaker 2>you'd get a bunch of people in a room discussing

1:10:15.080 --> 1:10:16.800
<v Speaker 2>what they thought, should they get married, should they not

1:10:16.800 --> 1:10:18.439
<v Speaker 2>get married? Wait a minute, you shouldn't do it. I mean,

1:10:18.479 --> 1:10:20.680
<v Speaker 2>it's kind of it's real when you think about it.

1:10:20.720 --> 1:10:23.160
<v Speaker 2>If you walk into a family situation and you drop

1:10:23.240 --> 1:10:25.200
<v Speaker 2>something like this, this is what's gonna happen is everyone's

1:10:25.200 --> 1:10:27.640
<v Speaker 2>gonna have their opinion and start shouting over each other. So,

1:10:27.960 --> 1:10:30.040
<v Speaker 2>I mean that kind of made sense to me more

1:10:30.040 --> 1:10:33.000
<v Speaker 2>than the fence scene, Like now let's move this outside

1:10:33.000 --> 1:10:36.040
<v Speaker 2>and do the same thing outside. Didn't make any right.

1:10:37.600 --> 1:10:40.200
<v Speaker 3>That the audience, But that's fine, Like that people would

1:10:40.320 --> 1:10:42.720
<v Speaker 3>really do. It doesn't make for good television, you.

1:10:42.720 --> 1:10:45.080
<v Speaker 2>Know, like the reality argument that like this is what really?

1:10:45.240 --> 1:10:46.840
<v Speaker 2>Who cares? Like? I don't want to sit around watching

1:10:46.840 --> 1:10:49.559
<v Speaker 2>people debate stuff, but I don't want to watch drama. That's

1:10:49.600 --> 1:10:50.320
<v Speaker 2>what was happening.

1:10:50.439 --> 1:10:51.640
<v Speaker 1>That's why I said I think it was.

1:10:51.640 --> 1:10:54.040
<v Speaker 3>Happening to TV, like the best way would have been,

1:10:54.479 --> 1:10:56.160
<v Speaker 3>you know, like that Corey and de Panga need to

1:10:56.200 --> 1:10:58.760
<v Speaker 3>keep it a secret. For some reason, it gets like

1:10:59.160 --> 1:11:02.280
<v Speaker 3>plane out, the reveals, the secrecy, like all that could

1:11:02.280 --> 1:11:04.559
<v Speaker 3>have been really fun. Instead it's like, let's let's talk

1:11:04.600 --> 1:11:04.960
<v Speaker 3>it out.

1:11:05.360 --> 1:11:08.439
<v Speaker 1>Yeah, you know, I mean they have twenty two episodes.

1:11:08.479 --> 1:11:10.559
<v Speaker 1>It could have been really fun that Corey says the

1:11:10.560 --> 1:11:13.639
<v Speaker 1>same thing to Sean, let's be roommates, but let's keep

1:11:13.680 --> 1:11:16.400
<v Speaker 1>it a secret. He's got a secret about the roommates,

1:11:16.400 --> 1:11:19.360
<v Speaker 1>he's got a secret about the marriage to Yeah, and

1:11:19.400 --> 1:11:23.519
<v Speaker 1>then it all eventually comes to a head. But okay, anyway,

1:11:23.560 --> 1:11:25.920
<v Speaker 1>in the car Corey and Topanga are driving, Topanga wonders

1:11:25.960 --> 1:11:28.360
<v Speaker 1>if Corey actually wants to do this or if he's

1:11:28.400 --> 1:11:30.880
<v Speaker 1>only taking the sleep because his parents are against it

1:11:31.280 --> 1:11:35.920
<v Speaker 1>because Corey's such a rebel. Yes, without a clue, do

1:11:35.920 --> 1:11:38.200
<v Speaker 1>you really want to do this or are you suddenly

1:11:38.240 --> 1:11:40.439
<v Speaker 1>the type of kid who likes to do everything your

1:11:40.479 --> 1:11:42.200
<v Speaker 1>parents tell you not to do.

1:11:42.280 --> 1:11:45.040
<v Speaker 2>Which all I wanted was him to do. Go around me,

1:11:46.160 --> 1:11:47.880
<v Speaker 2>I said that while we're doing oh god.

1:11:47.760 --> 1:11:49.640
<v Speaker 3>It it would have been the perfect callback, because it

1:11:49.680 --> 1:11:51.920
<v Speaker 3>actually is to this point, because that was an episode

1:11:51.920 --> 1:11:55.040
<v Speaker 3>where he did try and be rebellious and it backfire. Remember,

1:11:55.080 --> 1:11:57.040
<v Speaker 3>the whole episode was about him doing his own thing

1:11:57.080 --> 1:11:59.559
<v Speaker 3>against his dad, so it would have played in if

1:11:59.600 --> 1:12:00.639
<v Speaker 3>they had done a callback.

1:12:00.880 --> 1:12:05.680
<v Speaker 1>So round around me, please, Corey reminds her it's his

1:12:05.720 --> 1:12:08.080
<v Speaker 1>life and he's going to do what he wants. She asks,

1:12:08.160 --> 1:12:09.880
<v Speaker 1>but what happens when you get to college and you

1:12:09.920 --> 1:12:12.679
<v Speaker 1>see everybody meeting each other and dating and having fun.

1:12:13.080 --> 1:12:14.840
<v Speaker 1>Are you gonna wish you could be doing the same thing?

1:12:15.240 --> 1:12:18.160
<v Speaker 1>Corey shrugs, Well, it didn't phase me in high school.

1:12:19.400 --> 1:12:22.679
<v Speaker 3>Brah, didn't phase me in high school. We've only had

1:12:23.240 --> 1:12:24.880
<v Speaker 3>four seasons about.

1:12:24.640 --> 1:12:28.759
<v Speaker 1>That, the whole premise of the show. Bro the show, dude,

1:12:29.880 --> 1:12:30.639
<v Speaker 1>Yes it did.

1:12:30.760 --> 1:12:32.559
<v Speaker 2>Have you guys seen the show.

1:12:33.320 --> 1:12:39.599
<v Speaker 1>We knew, you knew, so why would it phase me now?

1:12:40.120 --> 1:12:42.680
<v Speaker 1>Tapanga reminds him he had his heart set on a

1:12:42.720 --> 1:12:46.479
<v Speaker 1>big romantic wedding. When did he say that? Did he

1:12:46.640 --> 1:12:48.400
<v Speaker 1>did he say that at all? That's something Apparently they

1:12:48.439 --> 1:12:50.320
<v Speaker 1>had a conversation off screen, and well.

1:12:50.200 --> 1:12:52.719
<v Speaker 3>He said, Lauren about their white picket fence and their

1:12:53.200 --> 1:12:55.599
<v Speaker 3>suburban house. So maybe sure he's planning a big wedding

1:12:55.600 --> 1:12:56.040
<v Speaker 3>with Lauren.

1:12:56.560 --> 1:12:59.280
<v Speaker 1>Yeah, I'm just wondering, Like I love that idea that

1:12:59.320 --> 1:13:02.400
<v Speaker 1>Corey's like, yes, it would have been. Yeah, he's the

1:13:02.520 --> 1:13:04.559
<v Speaker 1>romantic that he's like, yes, and your parents and my

1:13:04.640 --> 1:13:06.760
<v Speaker 1>parents and all of our friends, and we invite the

1:13:06.760 --> 1:13:08.880
<v Speaker 1>whole school. And there's this like I love that idea,

1:13:08.920 --> 1:13:11.800
<v Speaker 1>but apparently it happened off because I'm for her to

1:13:11.960 --> 1:13:15.360
<v Speaker 1>say that, but Corey says he can't think of anything

1:13:15.400 --> 1:13:18.120
<v Speaker 1>more romantic than sneaking off to a little wedding chapel

1:13:18.160 --> 1:13:20.519
<v Speaker 1>in the country. His heart is set on marrying her

1:13:20.880 --> 1:13:23.519
<v Speaker 1>to Panga responds, then why did you pass the exit?

1:13:23.960 --> 1:13:27.519
<v Speaker 1>Corey tells her to stop pounding him. How do we

1:13:27.600 --> 1:13:29.360
<v Speaker 1>know where this place is? Did they go to map

1:13:29.439 --> 1:13:30.120
<v Speaker 1>quest dot.

1:13:30.000 --> 1:13:30.680
<v Speaker 2>Car they did?

1:13:30.760 --> 1:13:32.840
<v Speaker 1>Did they have a course holding him?

1:13:33.640 --> 1:13:36.080
<v Speaker 3>He pulled over at his own booth, got on the

1:13:36.160 --> 1:13:37.280
<v Speaker 3>Yellow Pages.

1:13:38.920 --> 1:13:42.320
<v Speaker 1>Got the address and just knows where it is. That

1:13:42.400 --> 1:13:44.280
<v Speaker 1>Thomas Guide. I should have a Thomas Guide on my life.

1:13:44.320 --> 1:13:46.880
<v Speaker 3>This is this scene I don't understand, like this, like,

1:13:46.920 --> 1:13:48.760
<v Speaker 3>why are we in the car? Why do we have

1:13:49.000 --> 1:13:51.599
<v Speaker 3>to add a car set which doesn't look very good.

1:13:51.760 --> 1:13:52.880
<v Speaker 2>That's terrible light.

1:13:54.880 --> 1:13:57.559
<v Speaker 3>So it's a weird choice to like have this debate,

1:13:57.600 --> 1:13:59.800
<v Speaker 3>which doesn't seem like much of a debate. We're not

1:13:59.800 --> 1:14:01.840
<v Speaker 3>really playing anything out.

1:14:01.600 --> 1:14:03.000
<v Speaker 2>Don't change anything.

1:14:02.800 --> 1:14:06.000
<v Speaker 1>In the in the chapel, I wanted to have anybody.

1:14:06.240 --> 1:14:08.840
<v Speaker 2>The chapel scenes are great. The two old people are

1:14:08.920 --> 1:14:11.559
<v Speaker 2>hysterical and fun, and there's no.

1:14:11.520 --> 1:14:13.680
<v Speaker 1>Reason we couldn't have this. Corey, are you sure you

1:14:13.680 --> 1:14:15.320
<v Speaker 1>want to do this? You said you wanted a big wedding.

1:14:15.360 --> 1:14:16.880
<v Speaker 1>I do I want to do like we could have

1:14:16.960 --> 1:14:18.800
<v Speaker 1>all this little stuff, like right before we get to

1:14:18.840 --> 1:14:21.519
<v Speaker 1>the aisle, So yeah, I'm not sure. Then back in

1:14:21.560 --> 1:14:24.320
<v Speaker 1>the Matthew's kitchen, everyone's in a slump. Amy admits they

1:14:24.320 --> 1:14:28.320
<v Speaker 1>did say some pretty awful things, did you. I don't

1:14:28.320 --> 1:14:31.439
<v Speaker 1>remember anything awful being said. Alan says they only told

1:14:31.439 --> 1:14:34.120
<v Speaker 1>them the truth. They must have gone to think things over.

1:14:34.560 --> 1:14:37.160
<v Speaker 1>Eric thinks they eloped, but Alan doesn't believe Corey would

1:14:37.160 --> 1:14:39.719
<v Speaker 1>do something like that without their permission. But Sean argues

1:14:39.760 --> 1:14:42.520
<v Speaker 1>that when Corey's forced to choose between anything and Topanga,

1:14:42.600 --> 1:14:45.840
<v Speaker 1>it is not a contest. Amy asks except la correct

1:14:46.040 --> 1:14:55.160
<v Speaker 1>or only any other option? Yeah, Amy asks her husband,

1:14:56.920 --> 1:15:00.479
<v Speaker 1>as I said, closet, closet girl. Yeah, there's always always

1:15:00.479 --> 1:15:03.599
<v Speaker 1>a choice, always a choice. He never chooses to pink.

1:15:03.600 --> 1:15:07.320
<v Speaker 1>Ap Amy asks her husband what they did after telling

1:15:07.320 --> 1:15:09.400
<v Speaker 1>Alan's father they were getting married, and he thinks that

1:15:09.520 --> 1:15:12.639
<v Speaker 1>was totally different. His father was stubborn, totally against it.

1:15:12.760 --> 1:15:16.000
<v Speaker 1>He wouldn't listen to anything. He recognizes the parallels and

1:15:16.040 --> 1:15:18.960
<v Speaker 1>puts his hands on his face. Oh boy. The group

1:15:19.000 --> 1:15:20.880
<v Speaker 1>consoles him, and Eric asks if he can be the

1:15:20.920 --> 1:15:24.400
<v Speaker 1>voice of reason. They all laugh again. Eric says they're

1:15:24.439 --> 1:15:27.679
<v Speaker 1>all responsible for this, with the bickering, lecturing and yelling.

1:15:27.840 --> 1:15:30.559
<v Speaker 1>Now they have to support them and accept this marriage.

1:15:30.600 --> 1:15:32.439
<v Speaker 1>They can't push them out of their lives like they

1:15:32.439 --> 1:15:35.880
<v Speaker 1>pushed them to Elope. And now just that's it, everyone,

1:15:36.160 --> 1:15:38.880
<v Speaker 1>That's it. It's a fact. Yep, they've gone. They are

1:15:38.920 --> 1:15:41.439
<v Speaker 1>getting they are eloping, and it's going to be too late,

1:15:41.479 --> 1:15:44.320
<v Speaker 1>and we have to accept it. Eric insists that the

1:15:44.320 --> 1:15:46.679
<v Speaker 1>two of them belong together, just like him and Rachel.

1:15:47.160 --> 1:15:49.839
<v Speaker 1>Alan asks who the heck Rachel is and Eric responds,

1:15:50.000 --> 1:15:53.679
<v Speaker 1>She's my beautiful new roommate. Angel. Is this the first

1:15:53.760 --> 1:15:54.800
<v Speaker 1>time we've heard her name?

1:15:57.560 --> 1:16:01.160
<v Speaker 2>I think so? Right? She we never she doesn't.

1:16:01.400 --> 1:16:04.880
<v Speaker 1>She throws the frame and then you, guys, I don't

1:16:04.920 --> 1:16:07.360
<v Speaker 1>know what I do. And then you say you found

1:16:07.400 --> 1:16:08.840
<v Speaker 1>a new roommate and he says, well, I'm going to

1:16:08.920 --> 1:16:11.400
<v Speaker 1>have to tell this guy, and then a woman appears.

1:16:11.760 --> 1:16:13.880
<v Speaker 1>She doesn't ever say I'm Rachel. So this when you

1:16:14.040 --> 1:16:16.880
<v Speaker 1>say just like me and Rachel, the whole audience is.

1:16:16.840 --> 1:16:21.640
<v Speaker 2>Like, and that's why they have Alan say who is that?

1:16:21.680 --> 1:16:23.920
<v Speaker 1>And I have to Alan asks who the heck Rachel

1:16:23.960 --> 1:16:26.599
<v Speaker 1>is and Eric responds, She's my beautiful new roommate. Angel.

1:16:26.600 --> 1:16:28.840
<v Speaker 1>She's from the opening credits. Don't you remember.

1:16:30.760 --> 1:16:33.160
<v Speaker 2>In the street at one time threw water on each other.

1:16:34.360 --> 1:16:37.880
<v Speaker 2>She was there like we've been friends for years on.

1:16:37.840 --> 1:16:42.120
<v Speaker 3>The chalk there on the crowd that said, boy, it

1:16:41.439 --> 1:16:42.840
<v Speaker 3>was a fun day.

1:16:43.200 --> 1:16:44.680
<v Speaker 2>So we know her from come on.

1:16:45.960 --> 1:16:48.320
<v Speaker 1>She's actually back at the apartment with right now with Jack.

1:16:48.479 --> 1:16:50.960
<v Speaker 1>Then he realizes that was a bad idea. What if

1:16:50.960 --> 1:16:52.720
<v Speaker 1>they hit it off and she cheats on me? That

1:16:52.960 --> 1:16:55.600
<v Speaker 1>tramp man. He leaves so he can go slap some

1:16:55.640 --> 1:16:57.880
<v Speaker 1>people around. Alan follows his son a Dore.

1:16:58.040 --> 1:16:59.760
<v Speaker 3>So this is the second time in this scene that

1:16:59.840 --> 1:17:03.559
<v Speaker 3>you had to carry the entire yes, because like Alan

1:17:03.640 --> 1:17:03.960
<v Speaker 3>does it.

1:17:04.080 --> 1:17:07.920
<v Speaker 2>He does the whole like right, my dad was to oh.

1:17:07.320 --> 1:17:09.040
<v Speaker 3>And then you do the same thing here. I was

1:17:09.080 --> 1:17:11.080
<v Speaker 3>just like, oh my god, these four Hakkors are just

1:17:11.120 --> 1:17:14.519
<v Speaker 3>like giving to dry, like make all the transitions yourself,

1:17:14.600 --> 1:17:15.680
<v Speaker 3>go perform it.

1:17:17.080 --> 1:17:20.799
<v Speaker 1>Uh Alan desperately locks the door behind Eric. Amy admits

1:17:20.880 --> 1:17:23.559
<v Speaker 1>Eric was right. It is our faults. We drove them

1:17:23.560 --> 1:17:26.599
<v Speaker 1>to it. This time. No one argues with her, and

1:17:27.360 --> 1:17:30.599
<v Speaker 1>I couldn't disagree more. I don't see. I don't think

1:17:30.640 --> 1:17:31.599
<v Speaker 1>they said anything mean.

1:17:31.960 --> 1:17:35.120
<v Speaker 2>I they also have just it was just like, you know,

1:17:35.160 --> 1:17:37.000
<v Speaker 2>it'd be weird if they were on a rocket ship

1:17:37.040 --> 1:17:37.400
<v Speaker 2>to space.

1:17:37.439 --> 1:17:39.559
<v Speaker 1>And then it's just like I can't believe they're.

1:17:39.360 --> 1:17:40.240
<v Speaker 2>On a rocket ship.

1:17:40.360 --> 1:17:45.000
<v Speaker 1>Just stink like like oh it's instant, instantly fact. Yeah,

1:17:45.000 --> 1:17:48.439
<v Speaker 1>I can't believe they're gonna die on that rocket ship, Kevin.

1:17:48.520 --> 1:17:50.320
<v Speaker 2>It just cuts your funeral. Can't believe they were killed

1:17:50.320 --> 1:17:51.160
<v Speaker 2>on that rocket ship.

1:17:51.200 --> 1:17:54.160
<v Speaker 1>Like wait, they're in the driveway. They're having a conver

1:17:54.400 --> 1:17:54.760
<v Speaker 1>right there.

1:17:54.840 --> 1:17:55.519
<v Speaker 2>I can see.

1:17:55.320 --> 1:18:02.840
<v Speaker 3>The which doesn't it's called now yeah, exactly.

1:18:02.560 --> 1:18:08.759
<v Speaker 1>Like now we're inside the home wedding chapel. An older

1:18:08.800 --> 1:18:10.760
<v Speaker 1>man and woman opened the door. Corey greets him as

1:18:10.840 --> 1:18:13.720
<v Speaker 1>judge b Miss. He's Corey Matthews. They spoke on the

1:18:13.760 --> 1:18:16.200
<v Speaker 1>phone earlier. The judge is happy to see him, and

1:18:16.240 --> 1:18:18.720
<v Speaker 1>this must be the bride with the nutty name. He

1:18:18.840 --> 1:18:22.320
<v Speaker 1>laughs when she introduces herself as to Panga. That's silly.

1:18:22.720 --> 1:18:24.720
<v Speaker 1>He introduces his wife, Puffofda.

1:18:25.560 --> 1:18:29.120
<v Speaker 2>So funny, and this guy is so good. Both of

1:18:29.120 --> 1:18:29.839
<v Speaker 2>them are amazing.

1:18:29.880 --> 1:18:33.000
<v Speaker 3>But he is so understated, to the degree that when

1:18:33.000 --> 1:18:35.559
<v Speaker 3>he says, this is my wife, Puffofda, you almost aren't

1:18:35.560 --> 1:18:38.519
<v Speaker 3>sure if he's joking, like he's making a joke. It's

1:18:38.560 --> 1:18:40.880
<v Speaker 3>perfect that he could be both ways. And then no,

1:18:41.000 --> 1:18:43.760
<v Speaker 3>it's actually it. Actually you can call me.

1:18:44.040 --> 1:18:45.280
<v Speaker 2>Oh my god, social.

1:18:45.120 --> 1:18:47.320
<v Speaker 1>It turns and says, our one friend calls me Foofie.

1:18:47.320 --> 1:18:50.760
<v Speaker 1>How do you do? Judge Bemis explains that Foofi will

1:18:50.800 --> 1:18:53.400
<v Speaker 1>be their witness. She can't believe how young they are.

1:18:53.760 --> 1:18:55.880
<v Speaker 1>The judge tells them to pay her no mind. They've

1:18:55.920 --> 1:18:58.280
<v Speaker 1>been marrying folks for thirty six years, and she balls

1:18:58.320 --> 1:19:00.800
<v Speaker 1>like a baby every time. Then he curtly snaps at

1:19:00.800 --> 1:19:04.240
<v Speaker 1>his wife, stop it. Tapega thanks them for doing this

1:19:04.280 --> 1:19:07.200
<v Speaker 1>at such a late hour. What time is it? Seven

1:19:07.840 --> 1:19:13.040
<v Speaker 1>eight thirty eight? She's one hundred and five that's true.

1:19:13.200 --> 1:19:15.160
<v Speaker 1>Topeka thanks them for doing this at such a late hour,

1:19:15.200 --> 1:19:17.519
<v Speaker 1>and he tells them not to worry. Besides, they can't

1:19:17.520 --> 1:19:20.000
<v Speaker 1>be choosy. Everyone wants a big wedding these days, no

1:19:20.040 --> 1:19:23.679
<v Speaker 1>one wants to Elope. To Pega grins, well, I do, right, Corey.

1:19:24.000 --> 1:19:25.880
<v Speaker 1>He just stares blankly at the judge and to Pega

1:19:25.960 --> 1:19:30.439
<v Speaker 1>nudges him. Corey say, I do. He startled already, And

1:19:30.439 --> 1:19:31.000
<v Speaker 1>then we're at.

1:19:30.880 --> 1:19:33.240
<v Speaker 2>The I'm sorry, this is where for me for somebody

1:19:33.240 --> 1:19:38.599
<v Speaker 2>as smart as to Panga to not constantly question, obviously,

1:19:38.640 --> 1:19:40.680
<v Speaker 2>you don't want to do this, Corey, Like I know

1:19:40.760 --> 1:19:42.679
<v Speaker 2>you better than anyone in the world, and I can

1:19:42.720 --> 1:19:46.200
<v Speaker 2>tell you clearly don't want to be here, so why

1:19:46.240 --> 1:19:46.679
<v Speaker 2>are we?

1:19:47.080 --> 1:19:49.400
<v Speaker 1>And she seems to be like dragging him down the

1:19:49.439 --> 1:19:52.000
<v Speaker 1>aisle by his face. Like on top of that, she

1:19:52.240 --> 1:19:54.639
<v Speaker 1>doesn't really seem like this is something she really wants

1:19:54.680 --> 1:19:56.519
<v Speaker 1>to do, other than the fact that very early on

1:19:56.600 --> 1:19:59.280
<v Speaker 1>she was like, let's get married right away. She didn't

1:19:59.320 --> 1:20:02.280
<v Speaker 1>go let the Elope. I love the idea of it

1:20:02.400 --> 1:20:03.360
<v Speaker 1>just being the two of us.

1:20:03.400 --> 1:20:05.479
<v Speaker 3>She's the one who said it's the most romantic thing

1:20:05.520 --> 1:20:06.160
<v Speaker 3>I can imagine.

1:20:06.200 --> 1:20:06.360
<v Speaker 1>Yeah.

1:20:06.600 --> 1:20:10.320
<v Speaker 2>The last scene, but he clearly doesn't want to be there.

1:20:10.520 --> 1:20:13.160
<v Speaker 1>It's just yeah, and she, to me doesn't really see

1:20:13.280 --> 1:20:16.559
<v Speaker 1>she's given him every opportunity to back out of this,

1:20:17.680 --> 1:20:21.439
<v Speaker 1>so yeah, it just it feels yeah, Okay. Back at

1:20:21.439 --> 1:20:23.960
<v Speaker 1>the apartment, which already seems a little nicer, Jack and

1:20:24.040 --> 1:20:26.400
<v Speaker 1>Rachel are alone hanging out in the living room. Jack

1:20:26.479 --> 1:20:29.240
<v Speaker 1>explains he and Sean are very different, but they're brothers

1:20:29.400 --> 1:20:31.680
<v Speaker 1>and there's nothing they wouldn't do for each other. Then

1:20:31.800 --> 1:20:34.160
<v Speaker 1>they beat each other up. Rachel laughs, Me and my

1:20:34.240 --> 1:20:37.160
<v Speaker 1>sister are the same way. Jack suggests, well, if you're

1:20:37.160 --> 1:20:40.320
<v Speaker 1>ever homesick and want to wrestle, Rachel's taken aback, what

1:20:40.640 --> 1:20:43.439
<v Speaker 1>me wrestle with you? Oh god, no, I'm a girl.

1:20:44.120 --> 1:20:47.800
<v Speaker 1>Then a millisecond later, she pounces on him and pins

1:20:47.880 --> 1:20:48.880
<v Speaker 1>him down on the couch.

1:20:49.080 --> 1:20:51.320
<v Speaker 2>Back to the physically dominating.

1:20:50.760 --> 1:20:53.519
<v Speaker 1>Women, best type of the best type.

1:20:53.320 --> 1:20:56.599
<v Speaker 2>Of women are men. Physically let's take you over and

1:20:56.720 --> 1:20:57.599
<v Speaker 2>force you to see.

1:20:58.000 --> 1:20:59.679
<v Speaker 1>She's been there for what half hour?

1:21:00.280 --> 1:21:02.800
<v Speaker 2>Yeah? An hour hour and half No, I guess it's

1:21:02.800 --> 1:21:03.439
<v Speaker 2>been half a day.

1:21:03.960 --> 1:21:05.599
<v Speaker 1>She changed her clothes, she's out of up.

1:21:05.520 --> 1:21:07.599
<v Speaker 2>Rode close, she put a robe on, put this on.

1:21:09.760 --> 1:21:11.720
<v Speaker 1>Now on top of him, she adds, but I am

1:21:11.800 --> 1:21:15.240
<v Speaker 1>one big old girl. At that same moment, Eric walks

1:21:15.240 --> 1:21:18.120
<v Speaker 1>through the door and screeches loudly, his worst nightmare is

1:21:18.120 --> 1:21:21.800
<v Speaker 1>come true. Jack smirks, yeah, that's right, and screeches right back.

1:21:22.120 --> 1:21:24.759
<v Speaker 1>Rachel dismounts and tells Eric they were just fooling around.

1:21:25.160 --> 1:21:27.400
<v Speaker 1>Jack reaches for her as she leaves, Please don't go.

1:21:28.200 --> 1:21:31.000
<v Speaker 1>Rachel asks Eric where he went. Well, while you guys

1:21:31.000 --> 1:21:33.320
<v Speaker 1>were having your little sumo fest, I was putting a

1:21:33.360 --> 1:21:36.200
<v Speaker 1>crisis out on the home front. She asks if everything's okay,

1:21:36.280 --> 1:21:39.639
<v Speaker 1>and Eric heroically responds, it is now Corey and Tapanga.

1:21:39.680 --> 1:21:44.200
<v Speaker 1>That's my little brother in Topangae. They ran off to

1:21:44.280 --> 1:21:47.360
<v Speaker 1>a lope. My parents went mental, and I calmed everything down.

1:21:48.240 --> 1:21:51.120
<v Speaker 1>Rachel wonders, time for the old tap tap on soda.

1:21:51.200 --> 1:21:53.559
<v Speaker 1>Of course I do it in real life.

1:21:53.600 --> 1:21:57.000
<v Speaker 2>It's a tap tap tap tap on a soda.

1:21:57.080 --> 1:22:02.760
<v Speaker 1>My friend the business. Rachel wonders how he did it.

1:22:03.080 --> 1:22:06.160
<v Speaker 1>I said, calm down you. He recaps his advice, and

1:22:06.240 --> 1:22:09.760
<v Speaker 1>Rachel admires how romantic he is. Eric mockingly laughs in

1:22:09.840 --> 1:22:12.479
<v Speaker 1>Jack's face and Jack pushes back. She's not sitting on you,

1:22:12.600 --> 1:22:15.000
<v Speaker 1>is she? Eric taps on his brain in here she

1:22:15.240 --> 1:22:20.040
<v Speaker 1>is my friend. In here she is, Rachel reminds him

1:22:20.120 --> 1:22:22.439
<v Speaker 1>she can hear everything they're saying. They look at her

1:22:22.520 --> 1:22:24.360
<v Speaker 1>with worry, but she tells them how great they are.

1:22:24.479 --> 1:22:26.840
<v Speaker 1>In fact, being with them has made her realize what

1:22:26.880 --> 1:22:31.000
<v Speaker 1>a creep her boyfriend is, which.

1:22:32.360 --> 1:22:33.960
<v Speaker 2>Give up her scholarship for Yale.

1:22:34.080 --> 1:22:37.320
<v Speaker 1>She also just said, I can hear you, and what

1:22:37.360 --> 1:22:40.519
<v Speaker 1>they were doing was being creepy. Yeah, and so now

1:22:40.560 --> 1:22:43.320
<v Speaker 1>she's like, you guys aren't creepy, but I just heard

1:22:43.360 --> 1:22:46.680
<v Speaker 1>them being creepy. Anyway, She says she feels like she

1:22:46.720 --> 1:22:48.680
<v Speaker 1>needs a man in her life and always chooses the

1:22:48.720 --> 1:22:51.120
<v Speaker 1>wrong one. So she's lucky to have found the two

1:22:51.120 --> 1:22:53.479
<v Speaker 1>of them, and so glad they can live together without

1:22:53.520 --> 1:22:58.080
<v Speaker 1>any relations happening. They both give her a pained smile

1:22:58.160 --> 1:22:59.560
<v Speaker 1>and do their best to act like they're on the

1:22:59.600 --> 1:23:02.400
<v Speaker 1>same page. Then Rachel pats them on their heads. We're

1:23:02.400 --> 1:23:05.160
<v Speaker 1>going to be just like girlfriends once she's gone. They

1:23:05.160 --> 1:23:07.760
<v Speaker 1>discussed this disastrous situation they put themselves in.

1:23:07.840 --> 1:23:11.880
<v Speaker 3>So it's the implication that she won't have sex with them, right,

1:23:11.920 --> 1:23:15.160
<v Speaker 3>But I think actually just hearing that red back. The

1:23:15.520 --> 1:23:18.080
<v Speaker 3>point should be that she did hear them. She does

1:23:18.160 --> 1:23:21.680
<v Speaker 3>think they're being creepy, right, and therefore she's going to

1:23:23.640 --> 1:23:26.280
<v Speaker 3>say these things to force them to recognize that they

1:23:26.280 --> 1:23:27.760
<v Speaker 3>can't be that way, like you know what I mean,

1:23:27.800 --> 1:23:30.639
<v Speaker 3>Like she's like, but you guys are like she should

1:23:30.680 --> 1:23:34.960
<v Speaker 3>be actually manipulating them with this, like we're just like girlfriends,

1:23:35.280 --> 1:23:39.040
<v Speaker 3>like basically telling them there's no chance, right, But that's

1:23:39.040 --> 1:23:39.840
<v Speaker 3>not the way it's played.

1:23:39.960 --> 1:23:43.679
<v Speaker 1>So no, no, no, that would be good though, if she's.

1:23:47.280 --> 1:23:51.920
<v Speaker 3>The YouTube right, like, if she's like basically saying to them,

1:23:52.040 --> 1:23:54.320
<v Speaker 3>don't even think about it because we're roommates and I

1:23:54.360 --> 1:23:55.320
<v Speaker 3>just want it to be that way.

1:23:55.840 --> 1:23:57.720
<v Speaker 1>Yeah, and I do think that was kind of what

1:23:57.760 --> 1:23:59.519
<v Speaker 1>they were going for, but it doesn't feel that way

1:24:00.040 --> 1:24:02.760
<v Speaker 1>and feel that way at all. No. Uh, but Eric

1:24:02.800 --> 1:24:06.280
<v Speaker 1>has a light bulb moment. Girlfriends sleep together, bathe together,

1:24:06.360 --> 1:24:08.839
<v Speaker 1>and even get to see each other naked. Jack reminds

1:24:08.880 --> 1:24:12.400
<v Speaker 1>him we already do that. He's seemingly frustrated, but instead

1:24:12.560 --> 1:24:22.920
<v Speaker 1>Eric tells him playfully the joke.

1:24:23.080 --> 1:24:26.920
<v Speaker 2>I obviously add that I add, And so I think

1:24:26.960 --> 1:24:30.559
<v Speaker 2>it was more like, don't tell anybody that we get in.

1:24:30.680 --> 1:24:34.080
<v Speaker 2>So the button on the scene before you was where

1:24:34.640 --> 1:24:38.040
<v Speaker 2>that was it? That was the end. Mhmm.

1:24:41.800 --> 1:24:44.879
<v Speaker 1>We're in the Matthews backyard. Everyone including Peenie, are gathered

1:24:44.880 --> 1:24:49.559
<v Speaker 1>together discussing Corey into Panga. Amy blames herself for being

1:24:49.640 --> 1:24:53.679
<v Speaker 1>way too hard on them again, I can we see

1:24:53.680 --> 1:24:54.240
<v Speaker 1>a replay?

1:24:54.400 --> 1:24:55.960
<v Speaker 2>I she mustn't at all.

1:24:56.160 --> 1:24:59.479
<v Speaker 1>Don't see it, don't don't get it. But I'm calling

1:24:59.520 --> 1:24:59.960
<v Speaker 1>to Panga.

1:25:00.080 --> 1:25:02.000
<v Speaker 2>The stupid horror that was a little right that night

1:25:02.040 --> 1:25:03.120
<v Speaker 2>had been a little too far?

1:25:03.439 --> 1:25:04.040
<v Speaker 4>Was far?

1:25:06.400 --> 1:25:10.639
<v Speaker 2>Yeah, exactly Why couldn't you have gone to Yale that's

1:25:10.680 --> 1:25:11.080
<v Speaker 2>coming up?

1:25:12.120 --> 1:25:14.719
<v Speaker 1>Yeah, that would have been great. But Alan takes fault

1:25:14.760 --> 1:25:17.120
<v Speaker 1>for his actions too. He's the one who shot Corey

1:25:17.200 --> 1:25:18.880
<v Speaker 1>down after he had the courage to stand up to

1:25:18.960 --> 1:25:21.800
<v Speaker 1>him like a man. Sean also feels he's to blame.

1:25:21.880 --> 1:25:23.920
<v Speaker 1>Corey came to him for advice, and he told them

1:25:23.920 --> 1:25:26.479
<v Speaker 1>to go ahead and get married. Everyone looks to Angela,

1:25:26.520 --> 1:25:28.840
<v Speaker 1>but she's clear, don't look at me. I said all

1:25:28.880 --> 1:25:33.200
<v Speaker 1>the right things, but it didn't matter. She did. Feoenie agrees,

1:25:33.280 --> 1:25:35.040
<v Speaker 1>you can't tell Corey and Tepenga what to do. I've

1:25:35.040 --> 1:25:37.760
<v Speaker 1>been trying to do that since the first grade, what

1:25:38.920 --> 1:25:40.839
<v Speaker 1>every year since first grade?

1:25:41.040 --> 1:25:45.440
<v Speaker 2>Yeah, he's been their teacher, their only teacher forever gosh.

1:25:45.640 --> 1:25:48.320
<v Speaker 1>In fact, he remembers trying to separate their desks. Once

1:25:48.720 --> 1:25:51.400
<v Speaker 1>she kicked him. He bit her, and some little punk

1:25:51.479 --> 1:25:55.320
<v Speaker 1>kept saying leave them alone, they should get married. Sean jo, We.

1:25:55.640 --> 1:25:58.640
<v Speaker 3>Met her and at the Corey's Alternative Friends and they

1:25:58.640 --> 1:26:00.439
<v Speaker 3>were partnered up together and they hate at each other,

1:26:00.479 --> 1:26:01.599
<v Speaker 3>and I thought she was weird and we.

1:26:02.080 --> 1:26:07.160
<v Speaker 1>But also also and the monkey bars.

1:26:08.120 --> 1:26:10.640
<v Speaker 2>And by the way, if you have one teacher for

1:26:10.720 --> 1:26:13.320
<v Speaker 2>your entire life, you're just being indoctrinated. That's not education

1:26:17.200 --> 1:26:19.759
<v Speaker 2>to tell you exactly that they're all just whatever.

1:26:19.800 --> 1:26:20.360
<v Speaker 1>Phoenie thinks.

1:26:20.479 --> 1:26:21.880
<v Speaker 2>That's the way it is. Now, that's not good.

1:26:21.920 --> 1:26:22.320
<v Speaker 1>That's not it.

1:26:22.360 --> 1:26:25.599
<v Speaker 2>That is the way Waldorf schools work. The same teacher

1:26:27.479 --> 1:26:27.840
<v Speaker 2>it is.

1:26:28.080 --> 1:26:34.000
<v Speaker 1>It's also a salad. Wait is it the Waldorf schools?

1:26:34.000 --> 1:26:37.600
<v Speaker 1>Is that what it's called, right? Or is it Isn't it?

1:26:37.680 --> 1:26:43.880
<v Speaker 3>Montessori Montosauri is another type of Waldorf as far as

1:26:43.880 --> 1:26:45.920
<v Speaker 3>I know. The teachers stay with you all the way

1:26:45.960 --> 1:26:48.000
<v Speaker 3>through high school or all the way through grades.

1:26:48.320 --> 1:26:51.000
<v Speaker 2>But there's also Walnuts and weird kind of Walmart. And

1:26:51.000 --> 1:26:52.080
<v Speaker 2>it's not my favorite.

1:26:52.720 --> 1:26:56.200
<v Speaker 1>Sean Grins. I was cute then, huh, POENI nods precious.

1:26:56.400 --> 1:26:58.960
<v Speaker 1>Then he tells everyone, your advice came from a good place.

1:26:58.960 --> 1:27:01.240
<v Speaker 1>But Corey and Tapanga are in the first grade anymore.

1:27:01.280 --> 1:27:04.839
<v Speaker 1>They'll be fine because they were well brought up. Alan adds,

1:27:05.080 --> 1:27:08.240
<v Speaker 1>and well taught. Sean boasts, well, I've done the best

1:27:08.280 --> 1:27:12.280
<v Speaker 1>I can. Amy size and sits down next to her husband.

1:27:12.560 --> 1:27:16.240
<v Speaker 1>I wish we could be at the wedding. There's already wedding.

1:27:16.320 --> 1:27:19.800
<v Speaker 2>It's like that again. The ship has flown there in

1:27:19.800 --> 1:27:21.839
<v Speaker 2>the rockets, in the racket.

1:27:22.200 --> 1:27:24.840
<v Speaker 1>Everyone seems to agree in silence, and then we're back

1:27:24.840 --> 1:27:27.200
<v Speaker 1>at the wedding chapel. Foufee begins to play the wedding

1:27:27.200 --> 1:27:29.240
<v Speaker 1>march on her organ, and Corey and Topanga make their

1:27:29.240 --> 1:27:32.240
<v Speaker 1>way down the aisle. Together. They approach Judge Bemis, who

1:27:32.320 --> 1:27:35.599
<v Speaker 1>begins the service. Fufie is getting hysterical again about how

1:27:35.640 --> 1:27:38.559
<v Speaker 1>young they are. He sarcastically suggests they just give them

1:27:38.560 --> 1:27:41.519
<v Speaker 1>back their money, and Fufe earnestly agrees with him. That

1:27:41.560 --> 1:27:42.839
<v Speaker 1>would be a nice gesture.

1:27:42.960 --> 1:27:43.719
<v Speaker 2>Nice gesture.

1:27:44.000 --> 1:27:46.519
<v Speaker 1>The judge complains, thirty six years and she still doesn't

1:27:46.560 --> 1:27:48.280
<v Speaker 1>get it. This is what we do for a living.

1:27:48.680 --> 1:27:50.880
<v Speaker 1>He cuts to the chase with Corey and Tapanga. Corey,

1:27:51.160 --> 1:27:53.320
<v Speaker 1>do you take Tapanga to be your wife for richer

1:27:53.400 --> 1:27:55.759
<v Speaker 1>or poorer, in sickness or in health? And he says,

1:27:56.000 --> 1:27:59.880
<v Speaker 1>I always have and I always will I do. Then

1:28:00.040 --> 1:28:02.479
<v Speaker 1>he addresses to Panga and asks the same thing, but

1:28:02.560 --> 1:28:04.680
<v Speaker 1>this time to Pega is the one who's at a

1:28:04.720 --> 1:28:07.840
<v Speaker 1>loss for words. She stares at the judge blankly. The

1:28:07.880 --> 1:28:11.200
<v Speaker 1>words to be continued appear at the bottom of the screen.

1:28:11.920 --> 1:28:14.120
<v Speaker 1>Why tag, Why.

1:28:14.000 --> 1:28:18.519
<v Speaker 2>Is Corey suddenly confident about it? Like what change? We'll

1:28:18.560 --> 1:28:23.160
<v Speaker 2>find out next week, saying no is the only rebel.

1:28:23.160 --> 1:28:25.040
<v Speaker 2>But then he was in the car, still not I know,

1:28:25.160 --> 1:28:26.080
<v Speaker 2>asking the exit.

1:28:26.640 --> 1:28:29.000
<v Speaker 1>Yeah, it doesn't like and then none of it makes sense.

1:28:29.560 --> 1:28:30.880
<v Speaker 2>That's the thing. It's unmotivated.

1:28:30.920 --> 1:28:34.400
<v Speaker 3>It's like characters changing for the sake of making the

1:28:34.439 --> 1:28:36.920
<v Speaker 3>change happen and making the transition happen. They're not actually

1:28:36.960 --> 1:28:40.080
<v Speaker 3>motivated by the story or the plot or the events

1:28:40.160 --> 1:28:41.240
<v Speaker 3>in any way.

1:28:41.400 --> 1:28:41.799
<v Speaker 1>POV.

1:28:42.040 --> 1:28:44.880
<v Speaker 3>Now everybody's just making a transition in their life, Like

1:28:44.960 --> 1:28:46.640
<v Speaker 3>Sean's just going to go to college.

1:28:46.760 --> 1:28:47.920
<v Speaker 2>We're just gonna I'm.

1:28:47.840 --> 1:28:49.920
<v Speaker 3>Not going to do the photo photography job. Rachel's just

1:28:49.960 --> 1:28:55.440
<v Speaker 3>going to move in. Everybody's just making decisions.

1:28:54.360 --> 1:28:57.719
<v Speaker 4>Have some fun, but you can have mean think about

1:28:57.800 --> 1:29:01.479
<v Speaker 4>like people make choices in those choices affect everybody else,

1:29:01.520 --> 1:29:05.200
<v Speaker 4>and you see instead it's like everybody's just thinking about things.

1:29:07.600 --> 1:29:09.880
<v Speaker 1>Yeah, and by the way, the car ride scene would

1:29:09.920 --> 1:29:13.280
<v Speaker 1>have then had a point if Corey realized something in

1:29:13.439 --> 1:29:16.320
<v Speaker 1>the scene with the parents, if he if his new

1:29:16.360 --> 1:29:18.920
<v Speaker 1>POV was to Pango. When you first asked me, it

1:29:18.920 --> 1:29:21.559
<v Speaker 1>felt overwhelming and I was shocked. But what occurred to

1:29:21.600 --> 1:29:24.639
<v Speaker 1>me while listening to my parents is it worked for them,

1:29:24.760 --> 1:29:26.840
<v Speaker 1>and now it worked for them. Look at the life

1:29:26.880 --> 1:29:29.040
<v Speaker 1>they have. That's exactly what I want to have with you.

1:29:29.160 --> 1:29:30.880
<v Speaker 1>I want to have a white picket fence. I want

1:29:30.880 --> 1:29:32.519
<v Speaker 1>to have three children, I want to have.

1:29:32.479 --> 1:29:34.280
<v Speaker 2>An eric Like that could have been a funny It

1:29:34.280 --> 1:29:35.439
<v Speaker 2>could have been a really funny line.

1:29:35.479 --> 1:29:37.360
<v Speaker 1>I mean stuff like that, you know, but like, this

1:29:37.520 --> 1:29:40.040
<v Speaker 1>is what I want, and you know, if my parents

1:29:40.040 --> 1:29:42.560
<v Speaker 1>aren't going to support it, then then what what's a

1:29:42.560 --> 1:29:44.560
<v Speaker 1>big wedding if your parents won't even be there? And

1:29:44.760 --> 1:29:45.799
<v Speaker 1>nothing is more romantic?

1:29:45.880 --> 1:29:47.360
<v Speaker 3>And then you cut to to Panga looking out the

1:29:47.360 --> 1:29:49.599
<v Speaker 3>window a little worried, like, oh god, now she's suddenly

1:29:49.640 --> 1:29:52.080
<v Speaker 3>scared because he's all in then you get to the

1:29:52.160 --> 1:29:54.840
<v Speaker 3>chapel and she's like wondering maybe, and then she backs

1:29:54.880 --> 1:29:56.800
<v Speaker 3>out and then it's motivated because or.

1:29:56.800 --> 1:29:58.320
<v Speaker 1>He's driving forward exact time.

1:29:58.400 --> 1:30:01.160
<v Speaker 3>Yes, I'm s I can't wait to have kids like

1:30:01.320 --> 1:30:02.760
<v Speaker 3>Eric and Morgan.

1:30:02.400 --> 1:30:05.160
<v Speaker 2>And that's what she's like, Oh god, yeah exactly. And

1:30:05.160 --> 1:30:06.599
<v Speaker 2>then she's and we're not going to go to Yale?

1:30:06.640 --> 1:30:07.639
<v Speaker 2>Who even needs college?

1:30:08.000 --> 1:30:08.520
<v Speaker 1>Exactly?

1:30:08.760 --> 1:30:10.840
<v Speaker 2>And he is rebella. Yes, he motivated.

1:30:11.320 --> 1:30:14.240
<v Speaker 1>Yes, that would have I would have been for sure.

1:30:14.280 --> 1:30:15.760
<v Speaker 1>And then to Bank is like, oh god, what did.

1:30:17.800 --> 1:30:17.920
<v Speaker 2>So.

1:30:17.960 --> 1:30:20.800
<v Speaker 1>Our next episode is season six, episode two. It is

1:30:20.840 --> 1:30:25.919
<v Speaker 1>called Her Answer, There you Go, Part two, which originally

1:30:25.960 --> 1:30:27.439
<v Speaker 1>aired October second night.

1:30:27.520 --> 1:30:30.000
<v Speaker 2>So that's what it's his answer Part one? Her answer

1:30:30.040 --> 1:30:34.360
<v Speaker 2>answer to those those aren't parts of the same title.

1:30:34.840 --> 1:30:41.120
<v Speaker 2>Those are different titles. That's gonna drive me crazy. I'm

1:30:41.160 --> 1:30:43.719
<v Speaker 2>not okay with that. You see Roder just lying awake

1:30:43.760 --> 1:30:45.240
<v Speaker 2>at night, just eyes wide open?

1:30:47.600 --> 1:30:51.200
<v Speaker 1>Where's answer part two? And where's her answer?

1:30:51.280 --> 1:30:57.840
<v Speaker 2>Part One's looking at the why go to you? Why

1:30:57.880 --> 1:30:59.559
<v Speaker 2>didn't she go to going on?

1:31:00.320 --> 1:31:03.720
<v Speaker 1>That's it. Well, thank you all for listening to this

1:31:03.760 --> 1:31:06.000
<v Speaker 1>episode of Podmeets World. As always, you can follow us

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1:31:12.720 --> 1:31:13.479
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1:31:22.040 --> 1:31:25.200
<v Speaker 1>Podmeetsworldshow dot com writer send us out.

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<v Speaker 2>We love you all, pod dismissed.

1:31:29.320 --> 1:31:32.000
<v Speaker 3>Pod Meets World is an iHeart podcast producer hosted by

1:31:32.080 --> 1:31:36.080
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