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Speaker 1: We have delayed long enough. We are at the start

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Speaker 1: of season six of Pod Meets World, Season six of

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Speaker 1: Boy Meets World. Season six of Pod Meets World. We

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Speaker 1: have arrived, and as always, I want to start off

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Speaker 1: this episode before we get into our recap with do

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Speaker 1: you remember what you did the summer of nineteen ninety eight,

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Speaker 1: which would have been the summer between seasons five and six.

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Speaker 1: This episode aired September twenty fifth, So that summer, what

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Speaker 1: did you do?

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Speaker 2: Wow, it was a big summer for me. Yeah, Then

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Speaker 2: you start because I don't remember. I did a movie

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Speaker 2: and I.

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Speaker 1: Don't know which one.

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Speaker 2: Okay, many movies, I know.

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Speaker 1: We have to we have to be close to narrowing

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Speaker 1: it down. It couldn't have been.

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Speaker 2: It was any double Well do you go first, rider, No,

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Speaker 2: I was fat in et double hockey sticks and I

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Speaker 2: wasn't fat yet, so I can't So it wasn't that.

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Speaker 1: So I don't know what I did.

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Speaker 2: But don't body shame young will. Yeah, so you go first, Well, Well,

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Speaker 2: why was this such a big year for you?

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Speaker 1: Ninety eight?

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Speaker 2: Okay?

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Speaker 3: So I started by going to Montreal to make a movie,

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Speaker 3: which I did for a month and it was just

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Speaker 3: the best time, because which movie the greatest City. It

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Speaker 3: was called The Packed.

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Speaker 2: It might have ended up being called The Secret Pack. No,

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Speaker 2: it's called The Pact. It's not great, not good, but

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Speaker 2: a lot of fun.

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Speaker 3: And you know, I just got to be in Montreal,

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Speaker 3: which at eighteen was the greatest place on earth.

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Speaker 2: I just had. Yeah, it was like a great time.

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Speaker 2: People came to visit me, My friends can visit me.

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Speaker 3: Shot the movie, had a blast, and then I was

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Speaker 3: already planning and this. Once the movie was over, I

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Speaker 3: went back home and loaded up a car with my

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Speaker 3: two best friends and a bunch of camera gear and

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Speaker 3: sound equipment, and we drove a six week road trip

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Speaker 3: around the country interviewing people. We were trying to make

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Speaker 3: a documentary, and we would just stop in towns and

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Speaker 3: interview people. It was very much my like Ghost of

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Speaker 3: Tom Joe tour, Like I'm gonna you know, what was.

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Speaker 1: The documentary going to be about America?

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Speaker 3: We were like sort of somewhat politically motivated, but we

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Speaker 3: wanted to keep it open, so we were calling it

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Speaker 3: United States of Mind. And we were driving around. It

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Speaker 3: was like, you know, interviewing people about I don't know.

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Speaker 3: We had I could find the question somewhere. They were

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Speaker 3: way too generic, you know, in retrospect.

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Speaker 2: Probably should have had a focus, but it was like,

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Speaker 2: we're going to find America, We're gonna okay, it was

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Speaker 2: just all this, you know eight Did you ever cut

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Speaker 2: something together? Like was there a film?

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Speaker 3: No, But we have so much footage. And then we

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Speaker 3: did it again ten years later. So I did it

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Speaker 3: again when I was twenty eight with the same friends.

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Speaker 3: So I have footage from two summers of my life

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Speaker 3: with them in the car.

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Speaker 2: I mean so much of it.

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Speaker 3: We were doing interviews everywhere we stopped, but so much

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Speaker 3: of it is just like us filming ourselves, and that

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Speaker 3: now is probably more valuable to me than the interview is,

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Speaker 3: of course, because we were like horrible interviewers in retrospect

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Speaker 3: and bad filmmakers.

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Speaker 2: But we have all this footage.

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Speaker 3: So I have, like, you know, I don't know, sixty

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Speaker 3: hours of footage of that summer of ninety eight, and yeah,

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Speaker 3: we watched all the footage, like the next that fall

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Speaker 3: we watched, so like that summer is so engraved, like

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Speaker 3: everybody I met, all the experiences because I watched the

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Speaker 3: video back at one point to potentially edit it into

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Speaker 3: a film. Like that summer is etched in my memory.

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Speaker 2: It was a beautiful time.

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Speaker 3: It was like, you know, a dream come true road trip.

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Speaker 3: But that's why when I came back in this season,

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Speaker 3: I think Sean takes a road trip, and the producers

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Speaker 3: were like, can we find the footage of your road trip?

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Speaker 1: Oh man?

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Speaker 3: And I was like, no, that makes me uncomfortable, and

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Speaker 3: I didn't hand over any of my own actual footage.

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Speaker 3: But yeah, so writers Real road Trip inspired Sean on

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Speaker 3: road Trip in Blame.

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Speaker 1: It's world interesting. You know, you're only three years away

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Speaker 1: from then if you did it in ninety eight and

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Speaker 1: then you did it again in two thousand and eight, right,

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Speaker 1: you're only three years away from the twenty like twenty

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Speaker 1: and twenty years later since that one, if you.

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Speaker 2: Did it again, I know, there you go.

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Speaker 1: It'll be kind of cool.

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Speaker 2: You know. I know.

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Speaker 3: I think the original idea was like every ten years,

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Speaker 3: but thirty eight came and went, so yeah, Danielle Hawaii.

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Speaker 1: And you know, this should be like a pretty memorable

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Speaker 1: summer for me. It was the year, the summer before

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Speaker 1: I went into my senior year of high school. So

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Speaker 1: we're almost about to meet Lance. That's like I'm almost

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Speaker 1: about to meet Lance like this this fall, this nineteen

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Speaker 1: ninety eight fall is when we did the inter the

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Speaker 1: live episode, the TGIF episode where I met Lance, and

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Speaker 1: then because then Prom of ninety nine is, you know,

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Speaker 1: when we went to prom together. So I think this

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Speaker 1: should be kind of memorable for me, but I don't

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Speaker 1: really think it is. This may I don't. I don't

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Speaker 1: remember what I did. I definitely went to Hawaii and

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Speaker 1: you got your tan on, im a tan on, and

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Speaker 1: that's that's really all I remember.

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Speaker 2: You seem so different to me in this episode.

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Speaker 3: I agree show up and I was like, oh, Danielle

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Speaker 3: grew up.

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Speaker 2: But I felt that way about the three of you.

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Speaker 2: I thought you and Ben exactly the same. I thought

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Speaker 2: I at the same And.

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Speaker 3: I was like, oh, this is not a continuation because

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Speaker 3: she has a completely different presence. Like from the last

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Speaker 3: scene of last episode to the first scene of this.

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Speaker 2: I was like, that is a different human being. It's

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Speaker 2: so profound.

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Speaker 1: Yeah, you know, I think one of the differences and

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Speaker 1: I don't know what would have happened or why it

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Speaker 1: would have what would have changed, but I think Ben

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Speaker 1: and I there was a shift in our relationship where

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Speaker 1: we became like I think we became very good friends

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Speaker 1: around this time. Like Ben and I were closer in

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Speaker 1: this season, this season and the seventh season than maybe

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Speaker 1: we had ever been before. And there is a fun

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Speaker 1: there's a lightness to me. There's a fun I'm having

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Speaker 1: with him.

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Speaker 2: But there's also a depth that wasn't there. I think

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Speaker 2: it's common. I think that's what I think it comes off.

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Speaker 3: And Danielle as an actress and then Tapanga as a

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Speaker 3: character has like belongs here. Now you know that this

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Speaker 3: is the main storyline of Boy Means World that you

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Speaker 3: have you are a regular, that you are the star

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Speaker 3: of the show with Ben, Like it feels like you

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Speaker 3: are comfortable with that in a way that last season,

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Speaker 3: even even with all the ups and downs, right, and

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Speaker 3: maybe there was the sense that you could get replaced,

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Speaker 3: like maybe like young Danielle was like, oh, maybe I'm

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Speaker 3: going to be written off the show to go to Yale,

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Speaker 3: Like I feel there might have acted. But now with

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Speaker 3: the marriage and everything, it's like coming into the season,

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Speaker 3: you're like, I belong here, I'm an actor.

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Speaker 1: I'm not going anywhere, And and you're right that that

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Speaker 1: confidence is probably what's playing into me feeling like my

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Speaker 1: relationship with Ben is different where I feel more like

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Speaker 1: an equal with my fellow co stars instead of well,

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Speaker 1: there's no longer Corey and Sean.

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Speaker 2: It's Corey and Panga. That's this is officially Corey into Panga.

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Speaker 2: I mean it was if there was a couple going,

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Speaker 2: you know, the last two seasons or three seasons, four seasons,

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Speaker 2: it was Corey and Sean, and now it's Corey into Pang.

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Speaker 2: It's completely true, completely true.

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Speaker 3: So and and and it's funny that they bring in

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Speaker 3: Rachel right away because it's like.

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Speaker 2: We need another woman to be like fawning over and

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Speaker 2: like an object.

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Speaker 1: Out to the taken women. The taken women have to

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Speaker 1: remain chased and pure exactly, and we can't objectify them, right,

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Speaker 1: so we need to bring in a woman to objectify exactly.

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Speaker 2: Basically, that's exact kind of what it's feels like.

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Speaker 3: It feels like to Peg and Corey are off doing

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Speaker 3: their thing, and that's not I will guarantee you that's

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Speaker 3: not how it was said in the room.

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Speaker 2: What was said in the room is what would be

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Speaker 2: funny is if we put Jack and Eric in a

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Speaker 2: love triangle with somebody. Yeah, that's what how they pitched it,

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Speaker 2: but what it really was is, yeah, we need a

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Speaker 2: woman that we can sexualize because we can't do it

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Speaker 2: with Japanga or with Angela or or right, so we

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Speaker 2: need to have Morgan.

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Speaker 1: So we all the female characters on the show. There's

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Speaker 1: no Lonnie, there's no there's no like, Who's who do

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Speaker 1: we turn into an object?

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Speaker 3: We've got the Madonna who could we drool over and

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Speaker 3: make jokes about.

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Speaker 2: Yeah, yeah, absolutely yeah.

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Speaker 1: But before we're starting with our we're starting with season six.

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Speaker 1: Will what did you do between the summary? I did

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Speaker 1: a movie? I don't know.

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Speaker 2: So did you do a movie every summery? You say?

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Speaker 1: Are there? Yeah? How many did you do?

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Speaker 2: You did my day with the President's daughter Trojan War.

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Speaker 2: It wasn't this then.

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Speaker 1: Gift of Love, Gift of Love?

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Speaker 2: No, that was one with Andy Griffith, with my with

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Speaker 2: my amazing Southern accent, which I didn't tell me I

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Speaker 2: had to have until the morning on the set. Then

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Speaker 2: there was my educating Mom.

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Speaker 1: So with educating Mom, maybe maybe it was educating mom

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Speaker 1: because we haven't talked about that one. Educating Mom Educating Mom.

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Speaker 2: Educating Mom was Jane Kesmerck played my Mom and Lacey

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Speaker 2: Shavert played my little sister, and it was a mom

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Speaker 2: who goes back to high school with.

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Speaker 3: Her kid in after school specially, it wasn't after Madison

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Speaker 3: with Mom.

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Speaker 1: Yeah, so I don't know I did. I did one

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Speaker 1: ever year pretty much. Yeah, yeah, I did.

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Speaker 2: I did a movie every year.

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Speaker 1: Educating Mom came out in nineteen ninety six. Okay, then

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Speaker 1: it wasn't that one.

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Speaker 2: And I know that h Doable hockey Sticks came out

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Speaker 2: in ninety nine because I remember specifically j.

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Speaker 1: Double hockey sticks. No, this is the summer of ninety eight.

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Speaker 2: It can't be because my hair was cut for Hidable

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Speaker 2: hockey sticks and I had to wear the wig. That's

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Speaker 2: when I had my panic attacks started then, so I

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Speaker 2: remember that summer very well.

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Speaker 1: This one.

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Speaker 2: I don't know what I did in ninety eight, but

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Speaker 2: I did a movie of some sort and I just

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Speaker 2: don't know which one it was, honestly, have no idea.

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Speaker 1: Weird, Yeah, but that kudos to writer for having a

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Speaker 1: memorable nineteen ninety eight. Yeah, Will and I will just

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Speaker 1: wipe that year off off of the planet. Doesn't exist

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Speaker 1: for us.

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Speaker 2: Yeah, it was my last year before panic attacks though,

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Speaker 2: so big year.

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Speaker 1: For a big year.

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Speaker 2: Yeah, big non memorable mental health year.

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Speaker 1: Exactly. You didn't know that. You should have cherished every.

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Speaker 2: Moment of exactly you never know cherish furis every moment absolutely.

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Speaker 1: Welcome to Pod Meets World.

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Speaker 2: I'm Daniel Fishel, I'm right or Strong, and I'm Wilfordell.

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Speaker 1: Well, here we are, Season six, Episode one. His answer two,

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Speaker 1: I'm assuming because it says part one.

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Speaker 3: Is they say part one because it's supposed to be

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Speaker 3: continued at the end, right, But then.

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Speaker 1: It's definitely at the end it's Tapega's answer, So maybe

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Speaker 1: the next one's called her answer part one. I don't know.

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Speaker 3: Oh it is, Actually I don't know, because what was

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Speaker 3: the end of the first The last episode of last

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Speaker 3: season was called the Graduation, right, right, and it would

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Speaker 3: also be the question.

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Speaker 2: So then you get his answer, and then I think

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Speaker 2: her answer would be not I think it is her

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Speaker 2: answer or something along those lines for the next one.

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Speaker 1: Well. It originally aired September twenty fifth, nineteen ninety eight.

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Speaker 1: The synopsis when Tapega proposes to Corey at graduation, Corey

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Speaker 1: is absolutely stunned. However, when everyone else has conflicting views

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Speaker 1: on the subject, Corey and Topanga Quietly Slip Away to Elope.

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Speaker 1: It was directed by Jeff McCracken. It was written by

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Speaker 1: Bob Tishler. And we have a guest. Two guest stars

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Speaker 1: this week, guest starring Bill Morey as Judge Bmiss. He

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Speaker 1: is a character actor best known for the seventies cult

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Speaker 1: classic Death Race two thousand and he was the voice

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Speaker 1: of Mutt and Ricondo on the g I Joe cartoon. Yes,

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Speaker 1: best cartoon ever, Yo Joe. My brother was obsessed with

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Speaker 1: that cartoon as a kid's ardort. So well, yeah, So

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Speaker 1: this is the first of two Boy Meets World episodes

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Speaker 1: he will appear in. And he passed in two thousand

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Speaker 1: and three at the age of eighty three. And then

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Speaker 1: we have Connie Sawyer as Puffoufta Foofy, another familiar face.

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Speaker 1: A character actor who is best known for her part

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Speaker 1: in Dumb and Dumber, but appeared in other movies like

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Speaker 1: Pineapple Express, Out of Sight, and was in one of

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Speaker 1: the documentary couples when in When Harry Met Sally. She

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Speaker 1: passed in twenty eighteen at the age of one hundred

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Speaker 1: and five.

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Speaker 2: Oh my god, wow, I was gonna say twenty eighteen,

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Speaker 2: one hundred and.

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Speaker 1: Five hundred and five. She sleeping so well right now

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Speaker 1: she's she is thrilled. She was also into Boy Meets

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Speaker 1: World episodes.

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Speaker 3: So you know, you guys, you guys know that beginning

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Speaker 3: of when Harry met Sally, they actually they did real

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Speaker 3: interviews with real people, recorded them, and then brought in

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Speaker 3: actors to imitate that. Oh yeah, because it was like

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Speaker 3: it was finding that line between like inserting actors and

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Speaker 3: real you know, and it was like the real life

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Speaker 3: people in some ways were like a little too real,

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Speaker 3: you know.

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Speaker 2: It wasn't as So. Yeah, it's an interesting I love

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Speaker 2: that beginning.

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Speaker 1: It's a little like our opening credits. Is it us

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Speaker 1: or is it characters?

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Speaker 2: That's one of the best movies of all time, of

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Speaker 2: all time.

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Speaker 1: Yeah, before we jump into our recap, what are your

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Speaker 1: overall thoughts of the episode, I'll start if you want.

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Speaker 2: Okay, always starts and I feel bad. I actually really

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Speaker 2: liked it, Okay. I think I was expecting not to,

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Speaker 2: and maybe that was one of the reasons. I thought

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Speaker 2: it was funny. I love the family stuff. I like

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Speaker 2: the people trying to I did not remember the many

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Speaker 2: characters trying to talk them out of getting married, which

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Speaker 2: I really liked. I liked people kind of being like,

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Speaker 2: you're too young, what are you thinking? Eric is officially

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Speaker 2: Eric and crazy. Rachel obviously is a character that makes

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Speaker 2: no sense and has no point in being there other

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Speaker 2: than being partially naked. Hopefully that will change, but in

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Speaker 2: this first I mean, there's it's kind of ridiculous that

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Speaker 2: she's there. But other than that, I was entertained for

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Speaker 2: twenty two minutes. I laughed out loud a couple of times.

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Speaker 2: I rewound a couple things. I remembered certain things from shooting.

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Speaker 1: I actually enjoyed.

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Speaker 3: It, Okay, good, oh cool writer, Yeah, not so much.

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Speaker 2: I didn't like it at all. Yeah, I don't know, No,

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Speaker 2: I don't know. I mean I guess.

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Speaker 3: I feel like, yeah, it felt like a lot of

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Speaker 3: like characters in a line debating for like the quarchbannga

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Speaker 3: stuff like we're in a line in the kitchen, we're

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Speaker 3: in a line in in the backyard. So it was that, like,

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Speaker 3: let's theorize about Corey to Panga and love and it's

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Speaker 3: like okay, and then.

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Speaker 1: Like was it the blocking?

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Speaker 2: Is it the blocking that bothered you or the actual

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Speaker 2: dialogue that bothered you?

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Speaker 3: There, it's the scene structure, like the idea like let's

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Speaker 3: get all of the characters in a room and then

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Speaker 3: have them hash it out. It's like that's not storytelling,

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Speaker 3: that's like, you know, theorizing in character. And and then

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Speaker 3: I felt that pressure on the actors to like make

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Speaker 3: turns and to make things like like you, you know,

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Speaker 3: obviously you're great, but like they putting you in position

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Speaker 3: where you had to like make the transition or like

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Speaker 3: deliver information and then make a joke which then gave

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Speaker 3: you an exit line. And the same with Rusty. Poor

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Speaker 3: Rusty had to like make these character turns on his own.

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Speaker 3: Like it just felt I don't know, it just felt

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Speaker 3: very like riterly and expositional. So and even the Corey

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Speaker 3: to Panka stuff, which could be charged with like the

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Speaker 3: fact that Corey's insecure and I don't know, like you

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Speaker 3: two were funny together at times, but I don't know,

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Speaker 3: I wanted more like the high jinks of pretending that

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Speaker 3: you're not getting married or you know, and instead it

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Speaker 3: became time to like hash it out.

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Speaker 2: Let's sit in this car and talk, let's sit in

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Speaker 2: this place and talk, let's sit you know.

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Speaker 1: I was like, okay, okay, yeah, I think I did

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Speaker 1: enjoy the episode if I can just allow my criticisms

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Speaker 1: of it to not affect the way I felt about

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Speaker 1: the scenes, which is hard because I have some criticisms

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Speaker 1: about it, But I think the biggest one if I

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Speaker 1: were to make it just one criticism, and it would

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Speaker 1: be that if you think about what they needed to

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Speaker 1: what they wanted to happen in this episode, so much

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Speaker 1: of the propelling of the story forward had to happen

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Speaker 1: by making assumptions, like in one episode they wanted to

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Speaker 1: go from they agree that they're going to get married,

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Speaker 1: and then they tell their families that people are not

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Speaker 1: happy about it, and then they go Elope. That's a

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Speaker 1: lot to happen in twenty two minutes. And them somehow

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Speaker 1: knowing that because Topanga and Corey slipped away they were

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Speaker 1: going to Elope makes no sense to me. I would

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Speaker 1: never have thought that if I were in a situation

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Speaker 1: with my kids and I thought I would think, like, oh, yeah,

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Speaker 1: they probably didn't want to hear us fighting and we

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Speaker 1: were talking about them like they weren't even here, or

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Speaker 1: maybe they went to go get ice cream.

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Speaker 3: To have Sean inserted. That's why they have me say like,

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Speaker 3: if there's one thing. I know Ory has a choice

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Speaker 3: between tapanga and anything. It's you know, it's like okay,

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Speaker 3: so yeah, but.

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Speaker 2: It's also they it goes right from assuming Eric kind

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Speaker 2: of saying I bet you they eloped to then assuming

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Speaker 2: they did into then man, I wish I was at

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Speaker 2: the wedding, like it became a real thing, like it

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Speaker 2: was automatically.

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Speaker 1: It's also weird that somebody just said I bet they

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Speaker 1: went to go alope, and everyone was like, they're getting married. Yeah.

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Speaker 2: By the way, everything you're talking about of you know,

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Speaker 2: doing the answer deciding to get married eloping, you said

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Speaker 2: twenty two minutes. It's not because there's a b story.

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Speaker 2: It's like twelve minutes. I know, you're right every of

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Speaker 2: having to do that entire storyline, and it's essentially now

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Speaker 2: this is episode two of three, so we're in, you know,

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Speaker 2: we're in Empire strikes back at this point. So we

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Speaker 2: I mean, this was there was already one episode and

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Speaker 2: now there's a saying I have no idea what happened

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Speaker 2: to the third obviously, but I.

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Speaker 1: Also said a little you know, I had a little

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Speaker 1: funeral for the Eric. We know from here, I feel

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Speaker 1: I feel like if if we ever thought Eric.

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Speaker 2: Was coming before. Yeah, we're wrong, Eric, Eric's gone. Yeah.

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Speaker 1: I will say, though, do you.

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Speaker 2: Guys feel like it's a real difference?

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Speaker 1: I really yeah, well what is that difference?

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Speaker 3: Because I was trying to I felt it too, but

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Speaker 3: I was trying to isolate what it was. To me,

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Speaker 3: it feels less motivated or something's like.

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Speaker 2: There's is more of a caricature. Yeah, there's no, there's

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Speaker 2: no real moments anymore. There used to be this kind

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Speaker 2: of balance between Eric having heart and having these real

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Speaker 2: moments and then this wacky craziness, where now it's just

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Speaker 2: solid wacky craziness. All the real moments are going on

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Speaker 2: around him with other characters.

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Speaker 1: Yes, it's like every every opportunity you have to open

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Speaker 1: your mouth, if you're not getting a laugh, if you're

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Speaker 1: not delivering a joke, that it's not there. Like so

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Speaker 1: it just feels like you're a joke machine as opposed

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Speaker 1: to a real person.

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Speaker 2: And that was my problem in season six and seven.

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Speaker 2: That's what I would always talk about with Michael and

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Speaker 2: stuff like. That was why I was getting upset is

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Speaker 2: y'all were having these dramatic storylines going on and then

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Speaker 2: it was let's cut to Eric dancing, and that's what

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Speaker 2: every episode became about, was just and now Eric and

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Speaker 2: then back to now let's get back to our actual story,

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Speaker 2: and that we're going to see getting worse, like when

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Speaker 2: the kid is in ICU and like all the real

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Speaker 2: dramatic stuff that's going to start happening. You're really going

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Speaker 2: to see the dichotomy between Eric and the rest of

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Speaker 2: the cast, and it gets jarring, if memory serves. Because

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Speaker 2: my feeling as an actor, I was like, but that's

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Speaker 2: why I felt like. It was like, Oh, we're gonna

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Speaker 2: do Dawson's Creek, but we're still a comedy, so will

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Speaker 2: you're gonna do all the comedy And it was like, Okay,

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Speaker 2: well that's a lot.

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Speaker 1: Let's try that and see what happens. And I don't.

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Speaker 3: It's also like kind of all over the place in

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Speaker 3: terms of Eric's character, Like there were times when I

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Speaker 3: was like, Oh, he's like the super confident guy. Other

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Speaker 3: times he's like just dumb, you know. I was like,

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Speaker 3: you're just kind of moment to moment, whatever, the joke, whatever,

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Speaker 3: the funniest thing for somebody to say that it's out

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Speaker 3: of contact, like the wrong thing to say.

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Speaker 2: They just gave to you.

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Speaker 3: It was just like make Eric the wacky guy who's

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Speaker 3: just always going to say the wrong thing or the

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Speaker 3: weird thing.

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Speaker 1: Yeah, and has in the past, and so many episodes

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Speaker 1: actually delivered really good advice to Corey has been has

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Speaker 1: been a person you could go to for important moments.

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Speaker 2: And now still the Tommy episodes they haven't come.

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Speaker 1: Yea, so that's true.

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Speaker 2: Hopefully at least in this episode. There's no balance at all.

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Speaker 2: But I will say something that you pointed out back

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Speaker 2: in the day, Danielle. I will point out for myself

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Speaker 2: now this is peak will oh really, but yeah, this

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Speaker 2: is I'm in shape, I've got the long the long

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Speaker 2: hair going, I've got the main this is it's all

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Speaker 2: down here from.

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Speaker 1: Enjoy I loved I loved that season I had it

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Speaker 1: was so great, so enjoy it. I'm so excited for

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Speaker 1: you to get to live it this year. Me too.

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Speaker 3: Way, this is such a better start to a season

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Speaker 3: than season five though, oh yes, the key season five,

440
00:21:18,160 --> 00:21:20,080
Speaker 3: I was like, what is going on this? I'm like, oh,

441
00:21:20,080 --> 00:21:23,040
Speaker 3: it feels like the show. It's the cord to Panga's

442
00:21:23,320 --> 00:21:25,760
Speaker 3: side of things, which is not my favorite, but it

443
00:21:25,840 --> 00:21:28,800
Speaker 3: definitely still felt like Boy Meets World.

444
00:21:29,600 --> 00:21:31,240
Speaker 2: How crazy is it? Though?

445
00:21:31,320 --> 00:21:34,440
Speaker 3: Going back watching the previously on, I was like, whoa,

446
00:21:34,480 --> 00:21:36,640
Speaker 3: I know, we were pulled out all the stops. We're

447
00:21:36,640 --> 00:21:39,560
Speaker 3: gonna We're going to graduate, we're gonna get married, we're

448
00:21:39,600 --> 00:21:42,280
Speaker 3: gonna have a baby, and Fete's gonna retire. I was like, whoa.

449
00:21:42,880 --> 00:21:45,240
Speaker 3: It's like it was like suddenly seeing it all compressed.

450
00:21:45,240 --> 00:21:47,719
Speaker 3: Its Wow, they were really pulling out all the stops.

451
00:21:47,720 --> 00:21:50,480
Speaker 3: Do not cancel our show, do not. You have to

452
00:21:50,640 --> 00:21:54,600
Speaker 3: finish this storyline, Like Michael and the writers put so

453
00:21:54,800 --> 00:21:56,640
Speaker 3: much pressure on the network to.

454
00:21:56,600 --> 00:21:58,600
Speaker 2: Pick us up for this season. There was no way

455
00:21:58,600 --> 00:22:00,439
Speaker 2: they weren't going to It's But.

456
00:22:00,320 --> 00:22:04,080
Speaker 1: Before we get to that previously on, we have a

457
00:22:04,119 --> 00:22:08,040
Speaker 1: new opening sequence. Yeah, we have a new opening sequence

458
00:22:08,080 --> 00:22:11,840
Speaker 1: that is eerily similar to last season. It's mostly us

459
00:22:11,920 --> 00:22:16,040
Speaker 1: just recreating what was once spontaneous behavior, and now.

460
00:22:16,680 --> 00:22:18,879
Speaker 3: It feels so different to me and that I was

461
00:22:18,920 --> 00:22:21,000
Speaker 3: watching this like, oh, this is a bunch of factors

462
00:22:21,040 --> 00:22:25,360
Speaker 3: hamming it up, doing their stick. I can almost tell

463
00:22:25,400 --> 00:22:28,840
Speaker 3: that we're like mocking we're doing Yes, we are. We

464
00:22:28,880 --> 00:22:31,080
Speaker 3: are see in our I can see it in our

465
00:22:31,119 --> 00:22:33,480
Speaker 3: faces that we are mocking what we're doing.

466
00:22:33,840 --> 00:22:37,040
Speaker 2: While doing it, but I'm also wearing sunglasses and my

467
00:22:37,160 --> 00:22:38,920
Speaker 2: shirt is all the way open.

468
00:22:39,119 --> 00:22:42,359
Speaker 1: It's because we're at peak will you were wanting it?

469
00:22:43,560 --> 00:22:45,360
Speaker 1: How do I milk this?

470
00:22:46,240 --> 00:22:49,440
Speaker 2: Going on? The open shirt and the sunglasses, just thinking

471
00:22:49,480 --> 00:22:52,080
Speaker 2: I'm so cool, Like what is happening right now?

472
00:22:52,160 --> 00:22:52,400
Speaker 1: Yeah?

473
00:22:52,720 --> 00:22:58,040
Speaker 2: There were lots of arms going around each other. We're friends. Well,

474
00:22:58,080 --> 00:23:01,240
Speaker 2: I remember, Danielle, don't you remember them telling us like, oh,

475
00:23:01,280 --> 00:23:03,480
Speaker 2: and the ton thing that was done last time, we're going.

476
00:23:03,480 --> 00:23:04,240
Speaker 1: To do that again.

477
00:23:04,320 --> 00:23:06,359
Speaker 2: I remember that we're going to reverse it, and now

478
00:23:06,359 --> 00:23:08,720
Speaker 2: we're going to reverse the bucket drop. And so we

479
00:23:08,720 --> 00:23:10,800
Speaker 2: were being given specific beats.

480
00:23:11,119 --> 00:23:13,680
Speaker 1: No, it's all the things that were spontaneous and fun

481
00:23:13,720 --> 00:23:16,480
Speaker 1: for us last year. They were like written down on

482
00:23:16,520 --> 00:23:18,760
Speaker 1: a script now and we're like, and here's how we're

483
00:23:18,760 --> 00:23:21,000
Speaker 1: going to make it spontaneous and different. And it was like,

484
00:23:21,119 --> 00:23:23,320
Speaker 1: oh no, now, there's the only reason we did it

485
00:23:23,359 --> 00:23:30,000
Speaker 1: is because of Maitland, right, because and Maitland opening. Yeah,

486
00:23:30,040 --> 00:23:33,159
Speaker 1: And so we saw this with Matthew before, which is

487
00:23:33,160 --> 00:23:37,200
Speaker 1: that the audience is seeing a new cast member they've

488
00:23:37,320 --> 00:23:40,480
Speaker 1: never met before in the credits and they have no

489
00:23:40,520 --> 00:23:45,959
Speaker 1: idea who she is. So we we have that new opening,

490
00:23:46,000 --> 00:23:49,280
Speaker 1: and then we get a quick recap reminding the audience

491
00:23:49,320 --> 00:23:51,280
Speaker 1: of how we left the show in season five. And

492
00:23:51,359 --> 00:23:56,760
Speaker 1: I love that Ben actually says previously and absolutely unbelievably,

493
00:23:58,560 --> 00:24:01,879
Speaker 1: which is exactly writers like, I cannot believe they jammed

494
00:24:01,920 --> 00:24:02,200
Speaker 1: all this in.

495
00:24:02,400 --> 00:24:04,280
Speaker 3: When you stack them up in a row, I was like,

496
00:24:04,320 --> 00:24:06,840
Speaker 3: oh my god, okay, it was like yeah.

497
00:24:06,680 --> 00:24:12,240
Speaker 1: It also for the first time ever because why would

498
00:24:12,240 --> 00:24:14,320
Speaker 1: I have thought of it at the end of last season.

499
00:24:14,720 --> 00:24:18,720
Speaker 1: But seeing this, seeing the prom episode, even though the

500
00:24:18,800 --> 00:24:23,760
Speaker 1: reveal in that scene of the prom episode was Amy

501
00:24:23,800 --> 00:24:28,200
Speaker 1: and Allen are having a baby, it made me wonder

502
00:24:28,400 --> 00:24:31,760
Speaker 1: whether they were setting up that the really good reason

503
00:24:31,880 --> 00:24:36,240
Speaker 1: for Tapega not to go to Yale was that she

504
00:24:36,880 --> 00:24:41,720
Speaker 1: was pregnant. Because even though we saw at the end

505
00:24:41,760 --> 00:24:43,640
Speaker 1: of last season that they came out that they were

506
00:24:43,640 --> 00:24:46,280
Speaker 1: on the dance floor and not in the room. Remember that.

507
00:24:46,480 --> 00:24:49,919
Speaker 1: Then when Corey and and when Sean and Angela like

508
00:24:50,119 --> 00:24:52,760
Speaker 1: ask about we kind of make a face like did

509
00:24:52,800 --> 00:24:58,639
Speaker 1: we or didn't we? And then Tapega asks Corey to

510
00:24:58,880 --> 00:25:03,320
Speaker 1: marry her. At the end of the season. When I

511
00:25:03,359 --> 00:25:05,199
Speaker 1: when I saw me in the prom dress, I was like,

512
00:25:06,000 --> 00:25:10,439
Speaker 1: oh my gosh, was there any possibility there was any

513
00:25:10,560 --> 00:25:11,520
Speaker 1: sort of eluding.

514
00:25:12,080 --> 00:25:15,720
Speaker 3: Aren't they going to reference you guys being virgins until

515
00:25:15,720 --> 00:25:16,280
Speaker 3: you're married?

516
00:25:16,640 --> 00:25:19,240
Speaker 1: Well, if we do in this opening episode, you do

517
00:25:19,400 --> 00:25:21,120
Speaker 1: in this episode. But my point is.

518
00:25:21,840 --> 00:25:25,000
Speaker 4: In this episode you say, like he says moon, we're

519
00:25:25,040 --> 00:25:26,600
Speaker 4: going to Yeah, but like.

520
00:25:27,000 --> 00:25:31,399
Speaker 2: Is there actual, like solid we are virgins until.

521
00:25:31,560 --> 00:25:32,639
Speaker 1: Not in this episode?

522
00:25:33,720 --> 00:25:36,800
Speaker 3: So you could have could have done it on problems, yes,

523
00:25:36,920 --> 00:25:38,600
Speaker 3: and that's why it could be pregnant.

524
00:25:39,000 --> 00:25:42,000
Speaker 2: And he comes out of the fast and it's his

525
00:25:42,040 --> 00:25:43,760
Speaker 2: first time, so it could have been that quick. But

526
00:25:43,800 --> 00:25:45,840
Speaker 2: it's real quick because remember you go into the room

527
00:25:47,240 --> 00:25:48,800
Speaker 2: ten seconds and you come back.

528
00:25:49,240 --> 00:25:51,400
Speaker 1: What's up with the weird look we give them? Why

529
00:25:51,400 --> 00:25:52,400
Speaker 1: do we give them a look?

530
00:25:52,520 --> 00:25:54,800
Speaker 2: Like? I think it's just a cover to keep it

531
00:25:54,960 --> 00:25:57,560
Speaker 2: like light, You're no.

532
00:25:57,640 --> 00:25:59,479
Speaker 3: I think the idea is like you're it's it's your

533
00:25:59,520 --> 00:26:01,359
Speaker 3: private it's your private life, so you're not going to

534
00:26:01,400 --> 00:26:03,320
Speaker 3: share it, and you're going to let people think that

535
00:26:03,359 --> 00:26:05,040
Speaker 3: you slept together if that's what they want to think,

536
00:26:05,080 --> 00:26:06,840
Speaker 3: but you're also not going to say it.

537
00:26:07,200 --> 00:26:12,359
Speaker 1: Yeah, I don't I know what if As I was

538
00:26:12,400 --> 00:26:14,159
Speaker 1: watching the opening, I was like, oh my gosh, what

539
00:26:14,200 --> 00:26:14,840
Speaker 1: if I'm pregnant?

540
00:26:15,160 --> 00:26:20,119
Speaker 3: No, No, you guys are destroying the mythology of she

541
00:26:20,160 --> 00:26:24,080
Speaker 3: doesn't because of love and destiny and Corey, that's it done.

542
00:26:24,440 --> 00:26:30,280
Speaker 1: And a child just wonder if we wanted the tiniest

543
00:26:30,440 --> 00:26:33,720
Speaker 1: bit of mystery about if that's one of the reasons

544
00:26:34,080 --> 00:26:37,320
Speaker 1: it goes away immediately because to Panga doesn't say an

545
00:26:37,440 --> 00:26:41,919
Speaker 1: eddy point because and she definitely when she says and

546
00:26:41,960 --> 00:26:45,000
Speaker 1: on this honeymoon we to her, it's very clear to

547
00:26:45,080 --> 00:26:48,840
Speaker 1: me that's a chip to Panga has that she's playing like, well,

548
00:26:48,840 --> 00:26:50,959
Speaker 1: when we get married, which I can't believe she has

549
00:26:51,000 --> 00:26:54,199
Speaker 1: to convince this person to marry her by being like,

550
00:26:54,320 --> 00:26:59,040
Speaker 1: you'll get to have sex with me. It is so sad.

551
00:26:59,560 --> 00:27:02,240
Speaker 1: I want to pry and I instead I will just

552
00:27:02,480 --> 00:27:05,880
Speaker 1: got married. I got married, I'm telling you. But yeah.

553
00:27:05,960 --> 00:27:08,400
Speaker 2: No. Also, I had a I don't know about you guys,

554
00:27:08,400 --> 00:27:13,639
Speaker 2: but I had a visceral reaction by just the word honeymoon. Oh,

555
00:27:13,960 --> 00:27:17,360
Speaker 2: because I thought of the episode. I was like, oh God,

556
00:27:17,400 --> 00:27:20,720
Speaker 2: I can feel it, Yes, I can feel it happening.

557
00:27:20,920 --> 00:27:22,800
Speaker 1: Okay, God, we're gonna love it.

558
00:27:22,800 --> 00:27:24,840
Speaker 3: We're gonna watch it. It's gonna be our favorite. I'm

559
00:27:24,840 --> 00:27:26,720
Speaker 3: barely in it. I think I was fairly there that

560
00:27:26,760 --> 00:27:27,800
Speaker 3: we thinking it.

561
00:27:29,960 --> 00:27:32,480
Speaker 1: So yes, as mentioned, Alan and Amy are having a baby.

562
00:27:32,520 --> 00:27:35,080
Speaker 1: Mister Feene is retiring. The gang has graduated high school,

563
00:27:35,119 --> 00:27:37,720
Speaker 1: and Tapanga has asked Corey to marry her at the ceremony.

564
00:27:37,800 --> 00:27:40,600
Speaker 1: God we left them before he could answer, and now

565
00:27:40,720 --> 00:27:44,000
Speaker 1: we're back at the graduation ceremony, but everyone else has left.

566
00:27:44,280 --> 00:27:46,399
Speaker 3: Corey, did they pick us up for twenty two or

567
00:27:46,440 --> 00:27:48,439
Speaker 3: did we get nine or thirteen?

568
00:27:48,720 --> 00:27:50,760
Speaker 2: No, we didn't get No, we didn't get thirteen until

569
00:27:50,840 --> 00:27:53,359
Speaker 2: season seven we got picked up. We were full seasons

570
00:27:53,400 --> 00:27:55,119
Speaker 2: until the last season where we only got picked up

571
00:27:55,160 --> 00:27:57,639
Speaker 2: for thirteen. So we got twenty two and got that

572
00:27:57,880 --> 00:28:03,280
Speaker 2: stack of cliffhangers. Yep, right, well done, well done.

573
00:28:03,560 --> 00:28:05,520
Speaker 1: Corey and Topanga are all alone, still sitting on the

574
00:28:05,560 --> 00:28:09,640
Speaker 1: graduation bleachers. I am wearing what could only be described

575
00:28:09,640 --> 00:28:13,840
Speaker 1: as orthopedic sandals. I don't argue I notice, it's because

576
00:28:13,880 --> 00:28:21,120
Speaker 1: you're pregnant, idea, what's going on? But they are absolutely.

577
00:28:21,960 --> 00:28:22,320
Speaker 2: Would not.

578
00:28:24,960 --> 00:28:28,159
Speaker 1: I have not noticed because there were people sitting in

579
00:28:28,160 --> 00:28:29,960
Speaker 1: front of me, and I had my gown on. So

580
00:28:30,000 --> 00:28:31,840
Speaker 1: in this one, my gown's a little pulled up, and

581
00:28:31,880 --> 00:28:40,280
Speaker 1: I am wearing shoes black leather, flat, criss cross orthopedic sandals.

582
00:28:40,520 --> 00:28:43,280
Speaker 1: Hua would think they were too conservative.

583
00:28:43,520 --> 00:28:44,440
Speaker 2: I don't know what's.

584
00:28:44,280 --> 00:28:47,720
Speaker 1: Going on there. Corey is completely shell shocked, frozen in

585
00:28:47,760 --> 00:28:50,080
Speaker 1: time to Penga nudges him, forcing him to ask, did

586
00:28:50,120 --> 00:28:52,840
Speaker 1: I just ask you to marry me? To Panga reminds him,

587
00:28:53,040 --> 00:28:55,880
Speaker 1: I asked you. He always figured he'd be the one

588
00:28:55,920 --> 00:28:58,600
Speaker 1: to propose, but he's not against this. It is the nineties,

589
00:28:58,640 --> 00:29:01,440
Speaker 1: after all. What's done? Is am I the only one

590
00:29:01,480 --> 00:29:04,040
Speaker 1: who picked up on the fact that he was annoyed.

591
00:29:03,600 --> 00:29:06,480
Speaker 2: I proposed, Yeah, it seemed like he was. It also

592
00:29:06,560 --> 00:29:08,400
Speaker 2: seemed like the room was different. I got that it

593
00:29:08,400 --> 00:29:10,320
Speaker 2: was supposed to be empty and that he was supposed

594
00:29:10,320 --> 00:29:12,520
Speaker 2: to just be empty bleachers. But a new set it did.

595
00:29:12,560 --> 00:29:13,760
Speaker 1: It felt like an entirely new set.

596
00:29:13,760 --> 00:29:16,240
Speaker 2: It felt smaller. It felt like it should have been

597
00:29:16,240 --> 00:29:18,840
Speaker 2: them in this big, cavernous room together, and instead it

598
00:29:18,840 --> 00:29:20,320
Speaker 2: felt smaller than it did. When there was a pause,

599
00:29:20,320 --> 00:29:22,960
Speaker 2: you're just shooting one direction. Yeah, it was a flat wall,

600
00:29:23,160 --> 00:29:25,200
Speaker 2: drained and to be fair, it is a weird set

601
00:29:25,200 --> 00:29:25,720
Speaker 2: to begin with.

602
00:29:25,920 --> 00:29:28,760
Speaker 1: Four months since people had seen it, so everyone was like,

603
00:29:29,080 --> 00:29:31,560
Speaker 1: they're not gonna remember it's gonna be totally fine.

604
00:29:32,200 --> 00:29:32,640
Speaker 2: Uh.

605
00:29:32,720 --> 00:29:36,120
Speaker 1: Corey nervously changes the subject, reminding her of the graduation party,

606
00:29:36,160 --> 00:29:38,360
Speaker 1: but to Panga doesn't let him leave before getting an answer.

607
00:29:38,680 --> 00:29:40,920
Speaker 1: He assures her she will get an answer, but it's

608
00:29:40,960 --> 00:29:43,480
Speaker 1: not every day a guy gets asked a question like that.

609
00:29:44,320 --> 00:29:47,040
Speaker 1: But before he can continue rambling to Pega pulls him

610
00:29:47,040 --> 00:29:51,520
Speaker 1: in for a kiss and the audience who and Corey

611
00:29:51,600 --> 00:29:54,520
Speaker 1: pulls away in a haze, completely unsoorce old. He asks,

612
00:29:55,280 --> 00:29:58,080
Speaker 1: so you got a ring for me? Or what? Well?

613
00:29:58,160 --> 00:30:01,080
Speaker 2: It? Sorcer meant, is the is and the same? It's

614
00:30:01,120 --> 00:30:02,480
Speaker 2: just this show.

615
00:30:02,560 --> 00:30:06,640
Speaker 5: It's so intense, but it's also very strange that shows

616
00:30:06,680 --> 00:30:10,320
Speaker 5: do this honestly, Honestly, do other shows have like a

617
00:30:10,360 --> 00:30:12,440
Speaker 5: girl grab a guy and kiss him and then he

618
00:30:12,480 --> 00:30:13,120
Speaker 5: becomes like.

619
00:30:14,200 --> 00:30:15,240
Speaker 1: And it's also a virgin.

620
00:30:15,360 --> 00:30:18,080
Speaker 2: She's a virgin who uses her sexuality to get what

621
00:30:18,120 --> 00:30:20,320
Speaker 2: she wants. It's a weird combination.

622
00:30:20,240 --> 00:30:23,479
Speaker 3: But it's like it's so natural to me because we

623
00:30:23,520 --> 00:30:25,520
Speaker 3: did it all the time on the show. I had

624
00:30:25,560 --> 00:30:28,240
Speaker 3: to do it, and then watching it now, I'm seeing

625
00:30:28,440 --> 00:30:30,680
Speaker 3: why it's like built into me that this is like

626
00:30:30,720 --> 00:30:33,440
Speaker 3: what a story can do, and how is this something

627
00:30:33,440 --> 00:30:35,440
Speaker 3: that was done on other movies and other shows in

628
00:30:35,480 --> 00:30:38,320
Speaker 3: the nineties all the time, Like, I honestly don't know or.

629
00:30:38,320 --> 00:30:43,120
Speaker 2: Is this specific kiss? Let us know, we really rely

630
00:30:43,200 --> 00:30:44,560
Speaker 2: on it. We really rely on.

631
00:30:44,480 --> 00:30:48,360
Speaker 1: It, and we're going to rely on for six. Matthew,

632
00:30:48,920 --> 00:30:50,800
Speaker 1: if you're out there, please.

633
00:30:50,560 --> 00:30:51,400
Speaker 2: Not Matthew Lawrence.

634
00:30:51,440 --> 00:30:54,480
Speaker 1: Not Matthew Lawrence. Maybe I should make a different name.

635
00:30:54,920 --> 00:30:58,680
Speaker 1: There's going to be a lot of Matthew's Bartholomew. Okay,

636
00:30:59,760 --> 00:31:03,680
Speaker 1: all the people who follows our show and who listens,

637
00:31:04,080 --> 00:31:08,040
Speaker 1: I have faith putting this on you, mart please reach out.

638
00:31:08,120 --> 00:31:10,360
Speaker 1: Let us know other shows of the nineties did they

639
00:31:10,440 --> 00:31:13,120
Speaker 1: do this where women can get men to do whatever

640
00:31:13,160 --> 00:31:15,920
Speaker 1: they want if they just give them a passionate enough.

641
00:31:15,840 --> 00:31:20,280
Speaker 2: Case passionate kiss. Chandler friends, Maybe I don't.

642
00:31:20,280 --> 00:31:24,320
Speaker 1: Know why to Panga is having to beg this man

643
00:31:24,600 --> 00:31:29,479
Speaker 1: to marry her. I love that Corey is not thinking

644
00:31:29,480 --> 00:31:31,960
Speaker 1: getting married is a great idea. I have no problem

645
00:31:32,000 --> 00:31:34,880
Speaker 1: with I have no problem with that. I actually wish

646
00:31:35,080 --> 00:31:37,400
Speaker 1: that that was said, yes to Panga, I'll marry you

647
00:31:37,960 --> 00:31:42,120
Speaker 1: in five years, in six years, yeah, not now. But

648
00:31:42,200 --> 00:31:45,000
Speaker 1: instead it's like WHOA, I don't want to give you

649
00:31:45,040 --> 00:31:47,600
Speaker 1: an answer. It feels very much like if you tell

650
00:31:47,640 --> 00:31:49,800
Speaker 1: someone you love them and they don't say it back,

651
00:31:49,840 --> 00:31:52,080
Speaker 1: and then you're like, do you love me? It's like, please,

652
00:31:52,120 --> 00:31:54,480
Speaker 1: don't ask that. Like if they loved you, they would

653
00:31:54,520 --> 00:31:57,280
Speaker 1: tell you please. Just like I don't know, but.

654
00:31:57,320 --> 00:32:00,840
Speaker 2: Most good marriages start when one person has to convince

655
00:32:00,880 --> 00:32:08,240
Speaker 2: the other person to marry Sure, Sure, everybody guilty.

656
00:32:08,600 --> 00:32:10,760
Speaker 1: Only she had been really pregnant, then she'd have Then

657
00:32:10,800 --> 00:32:14,080
Speaker 1: she'd be perfect, have a perfect trap exactly. Anyway, the

658
00:32:15,160 --> 00:32:17,480
Speaker 1: start of this rubbed me the wrong way.

659
00:32:17,560 --> 00:32:19,720
Speaker 2: I'm just just wants a man to keep her in

660
00:32:19,800 --> 00:32:22,680
Speaker 2: orthopedic shoes, is what it seems like it is.

661
00:32:23,440 --> 00:32:25,520
Speaker 1: Then we're in the John Adams Hallway. It's still just

662
00:32:25,560 --> 00:32:28,680
Speaker 1: after graduation, with students in their gowns roaming the halls

663
00:32:28,720 --> 00:32:31,520
Speaker 1: with their parents. Corey tells Topanga he wants to marry

664
00:32:31,520 --> 00:32:33,760
Speaker 1: her more than anything in the world, but he can't

665
00:32:33,960 --> 00:32:40,520
Speaker 1: let her give up Yale for him, bringing it back up, Okay,

666
00:32:41,600 --> 00:32:44,560
Speaker 1: I love it. I also then to Panga asks if

667
00:32:44,560 --> 00:32:47,600
Speaker 1: he honestly wants her to go to Yale, and he

668
00:32:47,640 --> 00:32:54,160
Speaker 1: then admits no. He has done nothing wrong, nothing wrong.

669
00:32:54,600 --> 00:32:57,960
Speaker 1: He has flat out said, I cannot let you give

670
00:32:58,040 --> 00:33:00,479
Speaker 1: up this thing for me and she goes, do you

671
00:33:00,560 --> 00:33:04,360
Speaker 1: really want me to go? Not no, and he says, oh, well,

672
00:33:04,480 --> 00:33:06,680
Speaker 1: of course I don't want you to go, but you

673
00:33:06,760 --> 00:33:09,280
Speaker 1: have to go, but you have to do it anyway. Yeah,

674
00:33:09,640 --> 00:33:13,960
Speaker 1: So I have no issues with Corey and the ile situation.

675
00:33:14,320 --> 00:33:16,640
Speaker 2: As it stands, there's red flags, but they ain't coming

676
00:33:16,640 --> 00:33:17,200
Speaker 2: from Corey.

677
00:33:17,760 --> 00:33:20,120
Speaker 1: Yep, So Tapega tells him to shut up about it.

678
00:33:20,160 --> 00:33:23,280
Speaker 1: Besides Penbrook being a great school, how good is college?

679
00:33:23,360 --> 00:33:26,200
Speaker 1: Without his face and she smushes his cheeks together.

680
00:33:26,440 --> 00:33:28,240
Speaker 2: I had a problem with this because how great a

681
00:33:28,240 --> 00:33:32,560
Speaker 2: school is it if Eric's there? But it's true Eric

682
00:33:34,160 --> 00:33:37,080
Speaker 2: end up at the same school Sean and Sean. I mean,

683
00:33:37,120 --> 00:33:42,120
Speaker 2: it's like it's not a good school if it takes everybody. So, yeah,

684
00:33:42,160 --> 00:33:45,040
Speaker 2: it was just strained, like Pembrook's a great school, is it?

685
00:33:45,040 --> 00:33:46,960
Speaker 2: It's it's like Beach State.

686
00:33:48,200 --> 00:33:51,640
Speaker 1: Corey musters up, it's no good at all. The Penga

687
00:33:51,680 --> 00:33:54,320
Speaker 1: wasting no time asks when they should get married. Corey

688
00:33:54,320 --> 00:33:56,800
Speaker 1: stammers he's not so sure, and Tapega jumps in, how

689
00:33:56,800 --> 00:33:59,880
Speaker 1: about right away? She reminds him they've been dating since

690
00:34:00,040 --> 00:34:03,320
Speaker 1: they were too Nope, okay, okay.

691
00:34:03,560 --> 00:34:05,200
Speaker 3: If I thought you met at the monkey bars at

692
00:34:05,320 --> 00:34:06,960
Speaker 3: three four.

693
00:34:07,520 --> 00:34:10,160
Speaker 2: That was it four, but now it's two two.

694
00:34:10,280 --> 00:34:12,520
Speaker 1: Nope, we met in the womb.

695
00:34:12,719 --> 00:34:21,840
Speaker 2: We're twins. Actually, that's one thing Ryder thinks is missing

696
00:34:21,840 --> 00:34:23,680
Speaker 2: from shows like this is the incest Remember the game

697
00:34:23,880 --> 00:34:25,560
Speaker 2: Game of Conversation.

698
00:34:26,280 --> 00:34:28,920
Speaker 1: I also immediately followed up with and they both had

699
00:34:28,960 --> 00:34:33,560
Speaker 1: the chance to be with other people. What Corey has

700
00:34:33,680 --> 00:34:35,880
Speaker 1: definitely had the chance to be with other people. Corey

701
00:34:36,080 --> 00:34:37,839
Speaker 1: has had the chance to be with other people, every

702
00:34:37,880 --> 00:34:39,920
Speaker 1: opportunity to pengo.

703
00:34:40,080 --> 00:34:43,960
Speaker 3: People who's he says, the chance to be with Ladies

704
00:34:43,960 --> 00:34:47,279
Speaker 3: of the Night to throw themselves at the jacket.

705
00:34:48,600 --> 00:34:49,040
Speaker 2: Jacket.

706
00:34:50,040 --> 00:34:52,880
Speaker 1: The date where she didn't look up at Ricky like

707
00:34:52,960 --> 00:34:56,759
Speaker 1: what is she talking about? What? What is? Come on?

708
00:34:56,800 --> 00:34:58,759
Speaker 1: We've been together since we were two. We both had

709
00:34:58,760 --> 00:35:00,400
Speaker 1: the opportunity to be with other people.

710
00:35:01,200 --> 00:35:02,080
Speaker 2: Yeah, no, no.

711
00:35:02,560 --> 00:35:08,040
Speaker 1: No, Corey interrupts. Yeah, I wonder what she's doing.

712
00:35:08,719 --> 00:35:12,759
Speaker 2: Great joke, we really yeah, I almost like, oh.

713
00:35:12,680 --> 00:35:14,560
Speaker 1: See, I think it's a great because it's just such a.

714
00:35:14,480 --> 00:35:16,319
Speaker 2: Needle, Like, yeah, I wonder what she's up. It's such

715
00:35:16,360 --> 00:35:17,960
Speaker 2: a just a it's.

716
00:35:18,000 --> 00:35:19,040
Speaker 1: Juphst dude thing.

717
00:35:19,320 --> 00:35:21,719
Speaker 2: Yes, yeah, but like funny, like you're needling in a

718
00:35:21,760 --> 00:35:23,560
Speaker 2: funny way well.

719
00:35:23,560 --> 00:35:26,640
Speaker 1: Topanga jokingly shoves him, so she apparently gets the joke,

720
00:35:26,920 --> 00:35:28,920
Speaker 1: and she asks, do you think we'll be together for

721
00:35:28,960 --> 00:35:31,480
Speaker 1: the rest of our lives? Corey answers yes, and Topanga

722
00:35:31,520 --> 00:35:34,240
Speaker 1: has hurt enough. We're not like other people. We're weird.

723
00:35:34,640 --> 00:35:36,560
Speaker 1: Let's just do it. I want to have time for

724
00:35:36,600 --> 00:35:41,280
Speaker 1: our honeymoon before college starts. Corey's ears, of course, perkup

725
00:35:41,800 --> 00:35:46,759
Speaker 1: and on this honeymoon, you and I we probably to

726
00:35:46,840 --> 00:35:50,279
Speaker 1: Panga nods, oh, there's a good chance. She is in

727
00:35:50,520 --> 00:35:53,560
Speaker 1: sorcelled Corey again and he tells her to keep talking,

728
00:35:53,560 --> 00:35:56,279
Speaker 1: but Tapanga has a different idea. She insists they go

729
00:35:56,320 --> 00:35:59,440
Speaker 1: tell his parents. Corey yels no. He tries to convince

730
00:35:59,440 --> 00:36:00,799
Speaker 1: her that now is in a good time with the

731
00:36:00,800 --> 00:36:04,120
Speaker 1: baby and all. In fact, they probably shouldn't tell anyone.

732
00:36:04,760 --> 00:36:08,800
Speaker 1: So now strikes me, is he's embarrassed to be engaged

733
00:36:09,160 --> 00:36:15,440
Speaker 1: to Topanga or what is he? I don't know. He's afraid,

734
00:36:15,560 --> 00:36:19,080
Speaker 1: he's afraid of telling his parents, and that's what they

735
00:36:19,120 --> 00:36:21,759
Speaker 1: want it to be, because that's exactly what Sean says, No,

736
00:36:21,920 --> 00:36:23,799
Speaker 1: you're afraid to tell your parents, And he's like, I

737
00:36:23,800 --> 00:36:25,960
Speaker 1: don't see any reason why they need to know, so

738
00:36:26,400 --> 00:36:30,320
Speaker 1: they're trying to make it that but and I guess

739
00:36:30,360 --> 00:36:33,839
Speaker 1: based on the way Amy reacted to Topega coming back

740
00:36:34,200 --> 00:36:39,120
Speaker 1: from Pittsburgh, he would have a reason to feel that way.

741
00:36:39,280 --> 00:36:41,719
Speaker 1: My parents are not going to support this. They were

742
00:36:41,760 --> 00:36:46,319
Speaker 1: trying to encourage us to see other people before. So

743
00:36:47,080 --> 00:36:47,560
Speaker 1: I don't.

744
00:36:47,400 --> 00:36:51,239
Speaker 3: Know, I just what happened to Like the ultra confident court,

745
00:36:51,360 --> 00:36:54,600
Speaker 3: it was like, I just you know, it's nice everyone.

746
00:36:55,440 --> 00:36:58,120
Speaker 2: It's interesting to be the only one the only way

747
00:36:58,160 --> 00:37:00,120
Speaker 2: he knows it's over, the only one who knows it's not.

748
00:37:00,719 --> 00:37:02,359
Speaker 2: Can you remember that whole? Yeah?

749
00:37:02,600 --> 00:37:03,759
Speaker 1: Where is that? Yeah?

750
00:37:03,800 --> 00:37:06,200
Speaker 2: And now we would just be like, yes, we are destined,

751
00:37:06,320 --> 00:37:06,600
Speaker 2: let's go.

752
00:37:09,680 --> 00:37:13,120
Speaker 1: Tapanga is confused, so Corey adds, until we figure out

753
00:37:13,120 --> 00:37:16,000
Speaker 1: what we're going to do. She asks, does he want

754
00:37:16,040 --> 00:37:18,399
Speaker 1: to marry her? Which girl? I'm asking the same thing?

755
00:37:19,360 --> 00:37:21,200
Speaker 1: Really seems like he doesn't want to marry her. He

756
00:37:21,280 --> 00:37:24,080
Speaker 1: quietly says yes, but doesn't want people sticking their noses

757
00:37:24,120 --> 00:37:27,400
Speaker 1: into their business. He makes Topanga promise not to tell anyone,

758
00:37:27,440 --> 00:37:29,560
Speaker 1: and she happily agrees, Comparing the two of them to

759
00:37:29,640 --> 00:37:32,440
Speaker 1: Romeo and Juliet again.

760
00:37:32,719 --> 00:37:34,960
Speaker 2: Again, bring him back, Bring him back to the pilot.

761
00:37:35,440 --> 00:37:38,839
Speaker 1: Corey laughs, that's why we're not telling anyone whatever you need.

762
00:37:39,360 --> 00:37:42,160
Speaker 1: She reiterates, So are we engaged or what? He says, Yeah,

763
00:37:42,160 --> 00:37:44,239
Speaker 1: as long as you don't open your big mouth. She

764
00:37:44,400 --> 00:37:46,760
Speaker 1: laughs again at his teasing and gives him a kiss.

765
00:37:47,000 --> 00:37:50,240
Speaker 1: As they embrace, Phoene approaches to congratulate them. Corey freezes,

766
00:37:50,320 --> 00:37:54,440
Speaker 1: oh my god, he knows. Tapanga reminds him Phoenie is

767
00:37:54,520 --> 00:37:58,799
Speaker 1: talking about graduation. Phoeni wonders if there's something else worth congratulating,

768
00:37:58,840 --> 00:38:01,120
Speaker 1: and Corey quickly weigh him off. Nothing, get off my back,

769
00:38:01,640 --> 00:38:04,759
Speaker 1: Phoene shrugs, whatever you say. Corey ramps up. Anyway, You're

770
00:38:04,800 --> 00:38:07,640
Speaker 1: a smug one, aren't you. George? You know you know?

771
00:38:08,000 --> 00:38:10,160
Speaker 1: I know you know. I don't know how you know,

772
00:38:10,280 --> 00:38:14,080
Speaker 1: but I know that you know. Phoene admits, all right,

773
00:38:14,520 --> 00:38:16,719
Speaker 1: I know, I know everything. Now, what in the world

774
00:38:16,760 --> 00:38:19,640
Speaker 1: are you talking about? Corey storms off, pulling Topanga with him.

775
00:38:19,719 --> 00:38:22,200
Speaker 1: Nothing this gets out and I'll hunt you down like

776
00:38:22,239 --> 00:38:25,760
Speaker 1: a dog. And then we're at the guy's movement.

777
00:38:25,960 --> 00:38:28,920
Speaker 3: Clear why Corey, I mean, is the idea just a

778
00:38:29,000 --> 00:38:31,960
Speaker 3: Corey's an anxious mess like he he just is so

779
00:38:32,239 --> 00:38:35,000
Speaker 3: freaked out by the idea of being engaged that he

780
00:38:35,080 --> 00:38:36,239
Speaker 3: can't stand up.

781
00:38:36,280 --> 00:38:39,520
Speaker 1: Okay, yeah, I think that makes sense. He's just panic.

782
00:38:39,640 --> 00:38:42,000
Speaker 2: It's also not the idea of getting engaged. It's the

783
00:38:42,040 --> 00:38:45,520
Speaker 2: idea of she just said, let's go get married now, essentially,

784
00:38:45,600 --> 00:38:47,560
Speaker 2: and it's like, wait, we're doing what So we're not

785
00:38:47,560 --> 00:38:49,640
Speaker 2: even gonna have an engagement, We're just getting married.

786
00:38:49,960 --> 00:38:52,000
Speaker 1: It is a lot to spring on someone like Topeka

787
00:38:52,040 --> 00:38:54,480
Speaker 1: spent the entire Topanga took a couple of days at

788
00:38:54,520 --> 00:38:56,799
Speaker 1: least thinking about whether or not she was gonna do this.

789
00:38:57,520 --> 00:39:00,719
Speaker 1: She asked Corey. Corey was not expecting it, and now

790
00:39:00,760 --> 00:39:02,440
Speaker 1: he's like, oh my gosh, of course I want to

791
00:39:02,480 --> 00:39:04,359
Speaker 1: marry you, but like, this is a lot to think

792
00:39:04,400 --> 00:39:07,880
Speaker 1: about and when and how and what about Yale? And

793
00:39:07,920 --> 00:39:10,000
Speaker 1: I have to tell my family, and so I can

794
00:39:10,040 --> 00:39:13,719
Speaker 1: see how the idea would be. Let's just keep this

795
00:39:13,800 --> 00:39:16,640
Speaker 1: quiet for now, until I can wrap my head around this,

796
00:39:16,760 --> 00:39:19,040
Speaker 1: until I can talk to my best friend, until I

797
00:39:19,080 --> 00:39:21,880
Speaker 1: can let me just get my feet under me. So

798
00:39:22,480 --> 00:39:35,960
Speaker 1: I guess I buy that. We're back at the guy's apartment.

799
00:39:36,000 --> 00:39:38,040
Speaker 1: Sean answers a knock at the door, and it is

800
00:39:38,040 --> 00:39:41,319
Speaker 1: a beaming Corey. Sean immediately guesses to Panga asks you

801
00:39:41,360 --> 00:39:44,960
Speaker 1: to marry her. Cory scowls, I hate you, and then

802
00:39:45,120 --> 00:39:47,799
Speaker 1: we cut to Angela's room, a new set. We've never

803
00:39:47,800 --> 00:39:51,359
Speaker 1: seen this before, I know, Angela tells Topanga, you guys

804
00:39:51,400 --> 00:39:54,560
Speaker 1: are so weird. She says, I know, but I love

805
00:39:54,640 --> 00:39:56,400
Speaker 1: him and I want to be with him till he dies.

806
00:39:56,920 --> 00:40:00,520
Speaker 1: But you can't tell anyone, not even Sean. We cut

807
00:40:00,560 --> 00:40:02,839
Speaker 1: back and forth between the guy's apartment. In Angela's room,

808
00:40:02,880 --> 00:40:05,680
Speaker 1: Corey interrogates Sean Phoeney told you, didn't he I'm gonna

809
00:40:05,680 --> 00:40:07,880
Speaker 1: find him and rip him apart. Sean reminds him, I

810
00:40:07,920 --> 00:40:10,000
Speaker 1: was sitting right next to you when it happened. He

811
00:40:10,000 --> 00:40:14,240
Speaker 1: heard everything. Meanwhile, Angela realizes that's why Corey looks so scared.

812
00:40:14,520 --> 00:40:17,560
Speaker 1: Tapanga argues that he wasn't scared, he was only flustered.

813
00:40:18,160 --> 00:40:20,880
Speaker 1: Back at the apartment, Corey explains, I was a little flustered,

814
00:40:20,920 --> 00:40:23,640
Speaker 1: that's all. Sean counters, you look like someone shot you

815
00:40:23,680 --> 00:40:25,600
Speaker 1: in the head. But hey, I don't blame you. If

816
00:40:25,640 --> 00:40:27,920
Speaker 1: Angela asked me in the middle of graduation, i'd wet

817
00:40:27,960 --> 00:40:31,600
Speaker 1: my gown too. Angela reminds Topanga. At our age, we're

818
00:40:31,640 --> 00:40:34,880
Speaker 1: supposed to be having fun, not getting married. What idiot

819
00:40:34,880 --> 00:40:41,120
Speaker 1: doesn't know that. I'm so happy she she has this POV.

820
00:40:41,440 --> 00:40:46,080
Speaker 1: I didn't remember this. I love it. She's the voice

821
00:40:46,080 --> 00:40:50,560
Speaker 1: of reason. Love it. Also congratulations to Trina McGee, who

822
00:40:50,640 --> 00:40:54,480
Speaker 1: had her baby in the off season between last season

823
00:40:54,520 --> 00:40:57,080
Speaker 1: five and six, we asked her, what did you do?

824
00:40:57,200 --> 00:41:04,920
Speaker 1: She'd say, had my third baby was born. Congratulations. We

825
00:41:05,440 --> 00:41:08,680
Speaker 1: see that, and at the apartment, Sewan has made up

826
00:41:08,719 --> 00:41:11,799
Speaker 1: his mind marry her. Corey's flabbergasted. You're supposed to say

827
00:41:11,800 --> 00:41:14,120
Speaker 1: we're crazy, but Sean says Corey is crazy if he

828
00:41:14,160 --> 00:41:16,839
Speaker 1: doesn't realize they've been married their entire lives. They may

829
00:41:16,840 --> 00:41:19,600
Speaker 1: as well get presents. Corey admits, I do need a

830
00:41:19,640 --> 00:41:22,560
Speaker 1: new toaster, but no rushing into marriage right now is

831
00:41:22,600 --> 00:41:25,920
Speaker 1: way too overwhelming. He tries to blame graduation in college

832
00:41:25,960 --> 00:41:28,520
Speaker 1: looming in the distance, but Sean sees right through him.

833
00:41:28,920 --> 00:41:32,000
Speaker 1: You're scared to tell your parents, Corey shrugs. I see

834
00:41:32,000 --> 00:41:34,640
Speaker 1: no reason why they ever have to know. Then they

835
00:41:34,640 --> 00:41:36,360
Speaker 1: head out into the hallway and Shon declares, well, if

836
00:41:36,360 --> 00:41:39,040
Speaker 1: we're done talking about you, I've got some news. Corey argues,

837
00:41:39,080 --> 00:41:42,720
Speaker 1: We're not done talking about me, how selfish are you?

838
00:41:42,440 --> 00:41:42,640
Speaker 2: Are you?

839
00:41:44,280 --> 00:41:47,360
Speaker 1: Sean ignores him. He's thinking about taking some courses at Penbrook.

840
00:41:47,640 --> 00:41:51,040
Speaker 1: Corey dismissively nods, good, have a nice day, Sean continues,

841
00:41:51,080 --> 00:41:54,560
Speaker 1: which means, I'm going to stay in the dorms. So

842
00:41:54,760 --> 00:41:58,920
Speaker 1: if you're not ready to have Topanga as a roommate,

843
00:42:00,719 --> 00:42:01,960
Speaker 1: what I know?

844
00:42:02,360 --> 00:42:05,080
Speaker 2: And why is Sean moving? Like why do I need

845
00:42:05,480 --> 00:42:06,960
Speaker 2: need to go to the dorms as a freshman?

846
00:42:07,040 --> 00:42:11,560
Speaker 3: I guess because and Eric had an apartment and he's

847
00:42:11,719 --> 00:42:12,720
Speaker 3: in the apartment.

848
00:42:14,120 --> 00:42:19,560
Speaker 1: Brook, So why would you recommend Corey mary to Panga?

849
00:42:20,040 --> 00:42:22,600
Speaker 1: And then say, but if you're not ready to have

850
00:42:22,640 --> 00:42:26,680
Speaker 1: her as a roommate. So a wife is a less

851
00:42:26,719 --> 00:42:30,320
Speaker 1: of a less of a responsibility than a roommate.

852
00:42:31,120 --> 00:42:35,680
Speaker 3: The logic, the pretzel logic of romance on Boy Meets World. Yeah,

853
00:42:35,719 --> 00:42:39,160
Speaker 3: it's like we got to prioritize the male male friendships

854
00:42:39,200 --> 00:42:42,120
Speaker 3: but also prioritize the male female relationships, and we got

855
00:42:42,160 --> 00:42:44,520
Speaker 3: to make them both rationalized in this it.

856
00:42:44,960 --> 00:42:49,040
Speaker 1: Makes no sense. Why isn't Sean on the side of

857
00:42:49,360 --> 00:42:51,640
Speaker 1: Angela maybe a little bit more? And I guess only

858
00:42:51,640 --> 00:42:55,240
Speaker 1: because Sean has in previous seasons and episodes been obsessed

859
00:42:55,239 --> 00:42:57,680
Speaker 1: with getting them back together. But like if it were

860
00:42:57,760 --> 00:43:02,719
Speaker 1: Sean and Angela both saying we love you both, we

861
00:43:02,840 --> 00:43:06,640
Speaker 1: love you as a couple, but this is too young.

862
00:43:07,520 --> 00:43:10,359
Speaker 1: Let's like you guys could be said, you guys could

863
00:43:10,360 --> 00:43:12,120
Speaker 1: be encouraging us live together.

864
00:43:13,239 --> 00:43:15,239
Speaker 2: That's what the thing that amazed me is that nobody said,

865
00:43:15,360 --> 00:43:18,440
Speaker 2: get engaged. Go ahead, get engaged, get married in five years.

866
00:43:18,480 --> 00:43:21,919
Speaker 1: What's the way, that's the goad there?

867
00:43:22,160 --> 00:43:23,680
Speaker 2: Take that next step if you want, you don't have

868
00:43:23,680 --> 00:43:25,320
Speaker 2: to get married next week, go ahead.

869
00:43:25,040 --> 00:43:26,640
Speaker 1: And getting in And I guess that just me. I

870
00:43:26,640 --> 00:43:30,080
Speaker 1: guess the difference is, especially back then, the implication if

871
00:43:30,080 --> 00:43:32,600
Speaker 1: you were living together meant that you were sleeping together,

872
00:43:33,000 --> 00:43:36,719
Speaker 1: and so the idea that like anyone would encourage them

873
00:43:36,760 --> 00:43:40,240
Speaker 1: to be engaged and living in the same house meant sex.

874
00:43:40,280 --> 00:43:42,880
Speaker 1: And we had made it clear that like Tapanga was

875
00:43:42,920 --> 00:43:47,080
Speaker 1: going to prioritize virginity. I just I don't understand this

876
00:43:47,160 --> 00:43:50,920
Speaker 1: moment from Sean, who's just finished saying please marry her.

877
00:43:51,040 --> 00:43:53,719
Speaker 1: You've been married your whole lives anyway, and then being like,

878
00:43:53,800 --> 00:43:55,440
Speaker 1: do you want to live with me in the dorms

879
00:43:55,920 --> 00:43:57,120
Speaker 1: in the same scene.

880
00:43:56,880 --> 00:43:59,040
Speaker 2: Even just because they need it, and They did it

881
00:43:59,040 --> 00:44:01,920
Speaker 2: backwards because they need to have Sean have another place

882
00:44:01,960 --> 00:44:04,080
Speaker 2: to go when he eventually gets kicked out. We needed

883
00:44:04,120 --> 00:44:06,239
Speaker 2: to know, but it should have been after he gets

884
00:44:06,320 --> 00:44:08,920
Speaker 2: kicked out that then he's like, Hey, I'm going to go.

885
00:44:08,960 --> 00:44:10,719
Speaker 2: I got nowhere to doors, I have nowhere to go.

886
00:44:10,880 --> 00:44:12,560
Speaker 1: You want to live with me? Yeah, because it doesn't

887
00:44:12,560 --> 00:44:13,279
Speaker 1: make anything.

888
00:44:13,480 --> 00:44:16,120
Speaker 2: Out because by then they were already all opened exactly,

889
00:44:16,239 --> 00:44:19,960
Speaker 2: So that's it doesn't because it's like, you're already near Penbrook.

890
00:44:20,040 --> 00:44:22,760
Speaker 2: That was the whole point of Jack and Eric living

891
00:44:22,880 --> 00:44:27,400
Speaker 2: near college. Ye is they have that freshman year why? Yeah,

892
00:44:27,440 --> 00:44:30,640
Speaker 2: So it didn't doesn't make any I mean, get rid

893
00:44:30,680 --> 00:44:32,719
Speaker 2: of Sean, get him out of the apartment. I mean

894
00:44:32,800 --> 00:44:35,720
Speaker 2: not like I really participated in much in that seat anyway.

895
00:44:35,880 --> 00:44:38,880
Speaker 1: So well, Corey can't handle it. You and me together.

896
00:44:38,960 --> 00:44:41,080
Speaker 1: That's two proposals in the same day. I must be

897
00:44:41,080 --> 00:44:43,720
Speaker 1: the luckiest boy in the world. Just then, the elevator

898
00:44:43,760 --> 00:44:46,560
Speaker 1: door opens and it's Jack and Eric. They secretly listen

899
00:44:46,640 --> 00:44:49,240
Speaker 1: in as Corey tells Sean he's glad he's going to college.

900
00:44:49,440 --> 00:44:51,920
Speaker 1: They give each other a big hug, and Jack finally interrupts,

901
00:44:51,960 --> 00:44:55,359
Speaker 1: what's he talking about? Sean reveals he's taking college classes because,

902
00:44:55,400 --> 00:44:57,520
Speaker 1: no matter how much he loves his job, there is

903
00:44:57,560 --> 00:45:02,440
Speaker 1: more to life than photographing naked ladies. Uh huh. We

904
00:45:02,480 --> 00:45:03,440
Speaker 1: get a call back.

905
00:45:03,320 --> 00:45:05,959
Speaker 2: To reference not a job you had.

906
00:45:06,080 --> 00:45:11,000
Speaker 3: Yeah, decision off camera between seasons for that word that works.

907
00:45:11,120 --> 00:45:13,640
Speaker 2: There happens, and there we go. By the way, I'm

908
00:45:13,640 --> 00:45:16,040
Speaker 2: wearing a new necklace. So love and I are obviously

909
00:45:16,120 --> 00:45:19,560
Speaker 2: no longer together. Yeah, I've got my bear neck No

910
00:45:19,680 --> 00:45:23,720
Speaker 2: more cokespoon is gone. It's a it's like a little

911
00:45:24,160 --> 00:45:27,480
Speaker 2: it's a leather well, no, the new one. I'm wearing

912
00:45:27,480 --> 00:45:29,560
Speaker 2: it like a leather thing with a bear. I don't

913
00:45:29,560 --> 00:45:31,160
Speaker 2: know if I still I'm sure I could find it somewhere.

914
00:45:31,160 --> 00:45:31,279
Speaker 5: Well.

915
00:45:31,280 --> 00:45:32,960
Speaker 2: The thing I do remember is I wear it all

916
00:45:33,000 --> 00:45:35,360
Speaker 2: through season seven when I've gained weight, and it looks

917
00:45:35,360 --> 00:45:38,000
Speaker 2: like I'm just choking myself by the end, because it's

918
00:45:38,040 --> 00:45:40,839
Speaker 2: like holding on for your festival. Watch it, just watch.

919
00:45:40,920 --> 00:45:42,920
Speaker 2: It's a leather thing that just keeps like I couldn't

920
00:45:42,960 --> 00:45:44,440
Speaker 2: take it off, and eventually it just looks like it

921
00:45:44,520 --> 00:45:45,800
Speaker 2: was cutting off my circulation.

922
00:45:46,280 --> 00:45:52,040
Speaker 3: Yeah, it's BADLA grown around it would help me.

923
00:45:52,880 --> 00:45:55,440
Speaker 1: I didn't know when it started. I don't remember noticing it,

924
00:45:55,560 --> 00:45:59,319
Speaker 1: but I'm officially in Yin Yang thumb Ring territory, which

925
00:45:59,360 --> 00:46:01,680
Speaker 1: is another thing I don't ever take off for like

926
00:46:01,719 --> 00:46:04,520
Speaker 1: this whole season, and I don't know when it started,

927
00:46:04,560 --> 00:46:06,520
Speaker 1: but I watch it. It'll be there forever.

928
00:46:06,560 --> 00:46:08,240
Speaker 2: It's on the right. Start the jewelry.

929
00:46:08,360 --> 00:46:10,120
Speaker 1: Yeah, it is beginning. It is beginning.

930
00:46:10,239 --> 00:46:12,520
Speaker 2: Yeah, shoes, yeah.

931
00:46:14,719 --> 00:46:16,920
Speaker 1: Jack. Jack pulls him in for a big hug and

932
00:46:16,960 --> 00:46:19,359
Speaker 1: congratulates him on the decision. Eric schimes in and breaks

933
00:46:19,400 --> 00:46:21,960
Speaker 1: the news. There's no more to life than naked ladies,

934
00:46:22,200 --> 00:46:24,960
Speaker 1: except maybe naked ladies that wear really tight shirts and

935
00:46:25,040 --> 00:46:28,800
Speaker 1: really tight pants. And uh. The inmates in the audience

936
00:46:28,880 --> 00:46:29,560
Speaker 1: love this joke.

937
00:46:29,680 --> 00:46:31,280
Speaker 2: Yeah, well they should.

938
00:46:31,440 --> 00:46:34,200
Speaker 3: We've made a version of this joke many times because

939
00:46:34,200 --> 00:46:41,440
Speaker 3: I remember when clothes exactly naked. It's pretty clever. That's

940
00:46:41,440 --> 00:46:42,120
Speaker 3: pretty cute.

941
00:46:42,880 --> 00:46:45,160
Speaker 1: Jack puts his arm around Eric. The problem with you

942
00:46:45,280 --> 00:46:47,000
Speaker 1: is you don't know how to be supportive. I want

943
00:46:47,040 --> 00:46:50,919
Speaker 1: you to be supportive. Eric pouts, Okay, i'll try. Corey

944
00:46:51,000 --> 00:46:53,400
Speaker 1: ads this means Sean and I will be roommates. So

945
00:46:54,200 --> 00:46:57,680
Speaker 1: he just makes that decision. He's going to be He's

946
00:46:57,719 --> 00:47:00,680
Speaker 1: gonna marry to bang up. But he's gonna be SHOT's roommate.

947
00:47:01,360 --> 00:47:04,640
Speaker 1: Jack is shocked, but Eric, now supportive, yells I support that.

948
00:47:05,080 --> 00:47:08,480
Speaker 1: Jack glares at him. Unbelievable. So Eric repeats himself now

949
00:47:08,520 --> 00:47:12,960
Speaker 1: in a deeper voice, I support that. Jack, still offended, responds,

950
00:47:13,000 --> 00:47:15,600
Speaker 1: I don't believe you. So Eric falls to his knees

951
00:47:15,640 --> 00:47:18,440
Speaker 1: and screams, I'm so proud of you.

952
00:47:19,160 --> 00:47:22,120
Speaker 2: This was a bad triple joke in a row it

953
00:47:22,160 --> 00:47:23,799
Speaker 2: was I get what they were going for, but it

954
00:47:23,840 --> 00:47:25,719
Speaker 2: didn't make any sense and.

955
00:47:26,160 --> 00:47:29,520
Speaker 3: It just just hit it once. Yeah, I can't believe you.

956
00:47:29,600 --> 00:47:31,239
Speaker 3: I don't believe you, and then you do it, and

957
00:47:32,480 --> 00:47:33,719
Speaker 3: then they get out, and then get out.

958
00:47:34,040 --> 00:47:36,520
Speaker 1: I agree, I don't believe you. And then him falling

959
00:47:36,560 --> 00:47:39,160
Speaker 1: to the ground. I so product. That would have been

960
00:47:39,200 --> 00:47:41,560
Speaker 1: the perfect that would have been just one Yeah. Sean

961
00:47:41,600 --> 00:47:43,800
Speaker 1: reminds him that school doesn't start for two more months,

962
00:47:43,800 --> 00:47:45,520
Speaker 1: so that should give them plenty of time to find

963
00:47:45,560 --> 00:47:47,680
Speaker 1: a new roommate. Eric says that can't be done. They

964
00:47:47,680 --> 00:47:50,239
Speaker 1: are very particular. Corey and Sewn don't seem to care

965
00:47:50,280 --> 00:47:52,600
Speaker 1: because they are already leaving in the elevator, and then

966
00:47:52,800 --> 00:47:55,680
Speaker 1: on cue a mystery woman we saw in the credits

967
00:47:56,280 --> 00:47:58,600
Speaker 1: bursts out of the infamous door at the end of

968
00:47:58,600 --> 00:48:01,400
Speaker 1: the hallway. She's carrying lug and yelling, I gave up

969
00:48:01,440 --> 00:48:04,799
Speaker 1: a scholarship to Yale to move to Philadelphia with you.

970
00:48:05,320 --> 00:48:06,200
Speaker 1: Can you tell me?

971
00:48:06,360 --> 00:48:09,959
Speaker 2: Did you guys remember this? No that there's a Yale storyline.

972
00:48:10,200 --> 00:48:12,759
Speaker 1: No, not a. I don't think we ever. I don't

973
00:48:12,760 --> 00:48:14,319
Speaker 1: think we ever bring it up again.

974
00:48:14,520 --> 00:48:17,200
Speaker 3: No, But so it's a way to connect it to

975
00:48:17,200 --> 00:48:17,840
Speaker 3: to Panga.

976
00:48:17,880 --> 00:48:21,120
Speaker 1: It's like, it's like it didn't go well right, which is.

977
00:48:21,080 --> 00:48:23,640
Speaker 3: Super interesting to bring up like the sort of an

978
00:48:23,680 --> 00:48:26,799
Speaker 3: alternative version of the Topanga choice and to show how

979
00:48:26,800 --> 00:48:30,640
Speaker 3: it would be a huge mismistake. Well, it's super interesting

980
00:48:30,640 --> 00:48:31,480
Speaker 3: to insert it like that.

981
00:48:31,520 --> 00:48:33,520
Speaker 2: I totally remember. I don't know why I remember this,

982
00:48:33,600 --> 00:48:36,680
Speaker 2: but I do. In the Plays with Squirrels episode, her

983
00:48:36,800 --> 00:48:40,960
Speaker 2: future self marries that guy who left to go to Texas.

984
00:48:41,400 --> 00:48:44,200
Speaker 2: Whoa because she comes back in with the cowboy hat

985
00:48:44,200 --> 00:48:45,680
Speaker 2: and they're like, She's like, I went to go see

986
00:48:45,680 --> 00:48:48,520
Speaker 2: if there's anything with my ex boyfriend and worked out

987
00:48:48,520 --> 00:48:51,520
Speaker 2: a bit. I married him, and so it was where

988
00:48:52,280 --> 00:48:54,120
Speaker 2: that was in the Places with Squirrels episode where we're

989
00:48:54,120 --> 00:48:57,040
Speaker 2: all ten years in the future and I don't know

990
00:48:57,080 --> 00:48:59,080
Speaker 2: why I remember that one little thing, but she does.

991
00:48:59,120 --> 00:49:03,040
Speaker 1: She goes and marry that guy that she left. She left, Yeah,

992
00:49:03,600 --> 00:49:05,760
Speaker 1: I think there is to me, there's a big hint

993
00:49:05,960 --> 00:49:09,279
Speaker 1: in this episode that relationship isn't over. She calls him

994
00:49:09,520 --> 00:49:13,680
Speaker 1: her boyfriend in the scene with you guys where if

995
00:49:13,840 --> 00:49:15,520
Speaker 1: she were living with you because she had broken up

996
00:49:15,520 --> 00:49:17,520
Speaker 1: with him, it'd be her ex boyfriend. But she says, like,

997
00:49:17,560 --> 00:49:20,160
Speaker 1: you know, makes me realize my boyfriend really is And

998
00:49:20,200 --> 00:49:22,880
Speaker 1: I'm like, hmm, so, yeah.

999
00:49:22,520 --> 00:49:25,879
Speaker 3: I guess it's just so it's so pointed that she's

1000
00:49:25,920 --> 00:49:29,839
Speaker 3: like a position or she a yale, I have a scholarship.

1001
00:49:29,880 --> 00:49:31,920
Speaker 3: It's like because she could have just said I had

1002
00:49:31,920 --> 00:49:34,600
Speaker 3: a scholarship to college, but they clearly wanted it to

1003
00:49:34,600 --> 00:49:38,160
Speaker 3: be a counterpoint to the Corey Tapanga that like, here

1004
00:49:38,280 --> 00:49:41,880
Speaker 3: is the opposite, which is like somebody who makes that

1005
00:49:42,000 --> 00:49:44,480
Speaker 3: choice and fails, Like why would.

1006
00:49:44,280 --> 00:49:46,600
Speaker 1: It's that choice for someone who then breaks up with

1007
00:49:46,719 --> 00:49:50,960
Speaker 1: them to go find themselves? Right, it's very interesting. She

1008
00:49:51,040 --> 00:49:53,920
Speaker 1: grabs a framed picture you know what, find this? She

1009
00:49:54,000 --> 00:49:55,799
Speaker 1: hurls the picture back in the apartment and we hear

1010
00:49:55,840 --> 00:50:00,160
Speaker 1: glass shatter. Entranced, Eric admits she pretty. Jack nods that

1011
00:50:00,280 --> 00:50:00,880
Speaker 1: a lot of woman.

1012
00:50:01,080 --> 00:50:03,920
Speaker 2: That a lot a woman. That's such a Michael Jacob

1013
00:50:03,920 --> 00:50:05,040
Speaker 2: mine the second I.

1014
00:50:04,960 --> 00:50:12,040
Speaker 1: Heard every bit of line, yep is a every.

1015
00:50:11,840 --> 00:50:13,560
Speaker 2: Other line is Michael Jacob's read.

1016
00:50:14,719 --> 00:50:18,040
Speaker 1: It is a line, it is it is. I think

1017
00:50:18,280 --> 00:50:23,399
Speaker 1: every aspect of this Rachel love triangle is just one

1018
00:50:23,440 --> 00:50:24,840
Speaker 1: hundred percent Michael Jacobs.

1019
00:50:24,880 --> 00:50:26,680
Speaker 2: It is, it is, And you could see you could

1020
00:50:26,680 --> 00:50:28,680
Speaker 2: hear him that a lot a woman like I could

1021
00:50:28,719 --> 00:50:30,759
Speaker 2: hear him saying those words like guess is all.

1022
00:50:32,000 --> 00:50:34,520
Speaker 1: The girl makes her way to the elevator, muttering to herself,

1023
00:50:34,560 --> 00:50:37,120
Speaker 1: find this God. That doesn't even make any sense, does it.

1024
00:50:37,360 --> 00:50:39,640
Speaker 1: Eric jumps in, I think you did a wonderful job,

1025
00:50:39,680 --> 00:50:43,000
Speaker 1: and I support you. The girl size, I really thought

1026
00:50:43,040 --> 00:50:45,200
Speaker 1: we loved each other. Now I have no place to stay.

1027
00:50:45,600 --> 00:50:48,000
Speaker 1: I don't know what I'm gonna do. Oblivious to her pain,

1028
00:50:48,200 --> 00:50:51,480
Speaker 1: Eric cackles, Oh, man, I do not envy you.

1029
00:50:53,560 --> 00:50:55,560
Speaker 2: It's just a cartoon character at this point. I mean,

1030
00:50:55,920 --> 00:50:59,759
Speaker 2: and again, that's fine, but it's just every line is

1031
00:50:59,800 --> 00:51:02,879
Speaker 2: as big and crazy as you can possibly get.

1032
00:51:04,080 --> 00:51:06,040
Speaker 1: Then we're back at the guy's apartment. Later that day,

1033
00:51:06,080 --> 00:51:08,680
Speaker 1: Sean arrives back home and notices a huge pile of clothes.

1034
00:51:08,880 --> 00:51:10,880
Speaker 1: Eric and Jack are working as a team, throwing Sean's

1035
00:51:10,880 --> 00:51:13,239
Speaker 1: stuff into the hallway. Sean wants to know what's going on.

1036
00:51:13,360 --> 00:51:15,400
Speaker 1: Jack says they found a roommate, and with zero emotion,

1037
00:51:15,640 --> 00:51:18,399
Speaker 1: Eric tells him to get out. Sean reminds them school

1038
00:51:18,440 --> 00:51:20,960
Speaker 1: doesn't start for two months, but Jack reveals that they

1039
00:51:20,960 --> 00:51:23,640
Speaker 1: found the perfect roommate who fits all of their requirements.

1040
00:51:23,800 --> 00:51:25,719
Speaker 1: Sean isn't having it. He's gonna tell this guy he

1041
00:51:25,719 --> 00:51:27,960
Speaker 1: can't move in until Sean is ready to move up.

1042
00:51:28,040 --> 00:51:31,680
Speaker 1: Sat up, Sat up, It up up ye, And then

1043
00:51:32,160 --> 00:51:35,360
Speaker 1: this girl walks out of Sean's old room, now dressed

1044
00:51:35,400 --> 00:51:38,520
Speaker 1: in only a sultry silk robe. We have a little woo.

1045
00:51:40,200 --> 00:51:42,760
Speaker 1: She wonders if they have any toothpaste she can borrow.

1046
00:51:42,960 --> 00:51:44,480
Speaker 2: I was I was at a wedding.

1047
00:51:45,080 --> 00:51:46,719
Speaker 3: I mean, gosh, this is like ten years ago, I

1048
00:51:46,719 --> 00:51:50,200
Speaker 3: guess at this point, and we a bunch of us

1049
00:51:50,239 --> 00:51:51,960
Speaker 3: got a house together for the you know, the wedding.

1050
00:51:52,200 --> 00:51:54,560
Speaker 3: So the night before and somebody was like, when was

1051
00:51:54,560 --> 00:51:56,520
Speaker 3: the last time anybody'd seen Three's Company.

1052
00:51:57,239 --> 00:51:59,320
Speaker 2: For some reason, we were all like, what is Three's Company?

1053
00:51:59,400 --> 00:52:00,000
Speaker 1: What was the story?

1054
00:52:00,280 --> 00:52:03,440
Speaker 2: So we decided to watch a few episodes of threes.

1055
00:52:03,200 --> 00:52:08,480
Speaker 3: Company, and it was the most crazy show, a great show.

1056
00:52:09,080 --> 00:52:11,799
Speaker 2: This is threes Company, like her coming out in the.

1057
00:52:11,800 --> 00:52:16,000
Speaker 3: Robe and the audience going, and it's like two roommates

1058
00:52:16,040 --> 00:52:20,520
Speaker 3: and it is such a weird bygone era of television.

1059
00:52:20,640 --> 00:52:23,160
Speaker 3: Like if you try and watch threes Company now, it's

1060
00:52:23,320 --> 00:52:25,680
Speaker 3: so bizarre, like I don't know, like half the jokes

1061
00:52:25,680 --> 00:52:28,520
Speaker 3: aren't jokes, they're just excuses to get people in short robes.

1062
00:52:29,200 --> 00:52:31,680
Speaker 2: Get you guess is let the story even it's even

1063
00:52:31,719 --> 00:52:34,279
Speaker 2: worse for threes Company because the whole storytending to be gay,

1064
00:52:34,560 --> 00:52:36,560
Speaker 2: pretending to be gay because he's not supposed to be

1065
00:52:36,600 --> 00:52:39,200
Speaker 2: living with the women. So to live with two women roommates,

1066
00:52:39,239 --> 00:52:42,200
Speaker 2: you have to be gay in this world. I mean,

1067
00:52:42,239 --> 00:52:43,560
Speaker 2: it is just crazy.

1068
00:52:43,600 --> 00:52:46,480
Speaker 3: And there's always like the insinuation of sleeping around but

1069
00:52:46,520 --> 00:52:48,640
Speaker 3: I don't even know if people actually sleep together or.

1070
00:52:48,680 --> 00:52:51,960
Speaker 2: It's just like it's so weird. It's such a weird

1071
00:52:52,080 --> 00:52:53,000
Speaker 2: like thing of TV.

1072
00:52:53,160 --> 00:52:55,480
Speaker 3: Like TV used to be this, like it used to

1073
00:52:55,480 --> 00:52:58,000
Speaker 3: just be a way to see like pretty women and things.

1074
00:52:58,040 --> 00:53:01,600
Speaker 1: And here was what you was Three's Company on seventy

1075
00:53:01,600 --> 00:53:07,960
Speaker 1: eightieslies the seventies, So why in the nineties. Is it

1076
00:53:08,000 --> 00:53:10,920
Speaker 1: because we had writers writing as though they were shows

1077
00:53:10,960 --> 00:53:12,279
Speaker 1: they watched in the seventies.

1078
00:53:12,560 --> 00:53:15,960
Speaker 2: Yeah, I think that there's like this sitcom tradition that

1079
00:53:16,560 --> 00:53:22,440
Speaker 2: doesn't exist anymore, which was like this sort of slightly sexy.

1080
00:53:22,480 --> 00:53:24,839
Speaker 1: You know what, campy thing. It was a way of being,

1081
00:53:24,880 --> 00:53:28,399
Speaker 1: like reality TV on a sitcom, what happens if you're

1082
00:53:28,480 --> 00:53:30,759
Speaker 1: what happens if you're really inside someone's house? You see

1083
00:53:30,800 --> 00:53:32,960
Speaker 1: them in their underwear a lot, right, Like that's the

1084
00:53:32,960 --> 00:53:35,160
Speaker 1: thought of you know, like, oh, if we were just

1085
00:53:35,200 --> 00:53:37,440
Speaker 1: a fly on the wall of someone's house, they'd be

1086
00:53:37,480 --> 00:53:39,520
Speaker 1: in their bathroom, they'd be in robes, they'd be cooking

1087
00:53:39,520 --> 00:53:41,719
Speaker 1: in their underwear, they'd dance around like we get to

1088
00:53:41,760 --> 00:53:43,719
Speaker 1: and so they were like, let's do it.

1089
00:53:44,280 --> 00:53:47,360
Speaker 2: But it's the college. It's the college or young twenties

1090
00:53:47,440 --> 00:53:50,919
Speaker 2: equivalent of getting a sea in the girl's locker room. Yep,

1091
00:53:51,160 --> 00:53:54,160
Speaker 2: like oh, we got a chance to see they're showering,

1092
00:53:54,360 --> 00:53:57,080
Speaker 2: like the oh okay, that's what they do. But they

1093
00:53:57,080 --> 00:54:01,120
Speaker 2: were you know what's funny you mentioned reality TV ninety eight,

1094
00:54:01,640 --> 00:54:04,160
Speaker 2: ninety seven, ninety eight. This is right when reality TV

1095
00:54:04,320 --> 00:54:08,160
Speaker 2: was getting really big with like Real World, Yeah and

1096
00:54:08,200 --> 00:54:11,160
Speaker 2: things like that saying you were talking, but it was

1097
00:54:11,360 --> 00:54:13,719
Speaker 2: this is when it started. It was already done.

1098
00:54:13,760 --> 00:54:16,799
Speaker 3: Remember last season started with Correy's filming, and like, yeah,

1099
00:54:16,880 --> 00:54:19,040
Speaker 3: already we were referencing it because it was it was

1100
00:54:19,080 --> 00:54:19,799
Speaker 3: a cultural thing.

1101
00:54:20,080 --> 00:54:23,680
Speaker 2: But it's also but what reality TV like like shows

1102
00:54:23,719 --> 00:54:25,960
Speaker 2: like that are are exactly what you were talking about

1103
00:54:25,960 --> 00:54:27,920
Speaker 2: at the beginning that you didn't like, writer, which is

1104
00:54:28,480 --> 00:54:31,040
Speaker 2: nine people sitting in a room talking about stuff. Fashion.

1105
00:54:31,520 --> 00:54:33,960
Speaker 2: That's all it was was that's used to because they

1106
00:54:34,040 --> 00:54:36,560
Speaker 2: purposely would take their TV's away, take their head nothing,

1107
00:54:36,760 --> 00:54:38,439
Speaker 2: so they just had to sit on couches and talk

1108
00:54:38,520 --> 00:54:41,239
Speaker 2: and that's what it was. And I think we're seeing that.

1109
00:54:41,280 --> 00:54:42,280
Speaker 2: And then nudity.

1110
00:54:42,840 --> 00:54:57,600
Speaker 1: Yeah, for no reason, Sean looks at her and makes

1111
00:54:57,600 --> 00:54:59,759
Speaker 1: a one eighty. Let me help you here. I thought

1112
00:54:59,760 --> 00:55:01,080
Speaker 1: that it was really funny.

1113
00:55:01,080 --> 00:55:03,240
Speaker 2: Writer, a great comedian.

1114
00:55:03,320 --> 00:55:08,440
Speaker 1: Let me help you here, let me just really funny.

1115
00:55:08,640 --> 00:55:10,880
Speaker 1: He throws some things into the hall and assumes the position,

1116
00:55:11,000 --> 00:55:14,160
Speaker 1: eventually being thrown out of himself.

1117
00:55:17,480 --> 00:55:19,279
Speaker 2: To direct these kinds of things on Girl Meets World,

1118
00:55:19,239 --> 00:55:21,160
Speaker 2: It's like, no, we want to see him actually fly.

1119
00:55:22,960 --> 00:55:24,759
Speaker 1: Yes, so you see someone mouse to.

1120
00:55:24,719 --> 00:55:26,920
Speaker 3: Throw myself so you don't actually have to see me launch,

1121
00:55:27,040 --> 00:55:28,399
Speaker 3: but yeah.

1122
00:55:27,920 --> 00:55:31,400
Speaker 1: Very funny. And then we're in the Matthew's house. Corey, Sean, Angela,

1123
00:55:31,440 --> 00:55:33,520
Speaker 1: and to Banga enter the kitchen, but Corey stops his

1124
00:55:33,640 --> 00:55:36,080
Speaker 1: fiance before going in. He wants to know if she

1125
00:55:36,160 --> 00:55:39,840
Speaker 1: told Angela their secret, and she's offended. I would never why.

1126
00:55:40,320 --> 00:55:42,560
Speaker 1: Corey says that Angela was shooting him nasty looks at

1127
00:55:42,560 --> 00:55:45,920
Speaker 1: dinner and he almost didn't enjoy his pudding. To Pega

1128
00:55:46,000 --> 00:55:48,319
Speaker 1: returns the favor and asks if he said something to

1129
00:55:48,400 --> 00:55:51,520
Speaker 1: Sean because he was winking at her all night. He gasps,

1130
00:55:51,719 --> 00:55:55,440
Speaker 1: I would never. He reminds Topanga his parents are inside,

1131
00:55:55,440 --> 00:55:58,240
Speaker 1: so act natural. And if you go back and watch

1132
00:55:58,360 --> 00:56:01,680
Speaker 1: this moment, you're breaking. I am my, you see because

1133
00:56:01,719 --> 00:56:04,520
Speaker 1: it's over my shoulder on Ben. My whole body is

1134
00:56:04,640 --> 00:56:06,120
Speaker 1: shaking with laughter.

1135
00:56:06,520 --> 00:56:07,839
Speaker 2: There are a couple of times you and Ben were

1136
00:56:07,840 --> 00:56:08,359
Speaker 2: almost going.

1137
00:56:08,280 --> 00:56:11,760
Speaker 1: To bring we were breaking so much.

1138
00:56:12,000 --> 00:56:13,800
Speaker 2: What is the sound that he makes in this episode?

1139
00:56:13,800 --> 00:56:15,800
Speaker 2: There's a sound he makes that it's I don't think.

1140
00:56:15,640 --> 00:56:18,719
Speaker 1: Well when he guesss I would never.

1141
00:56:19,800 --> 00:56:21,480
Speaker 2: Yes, that's the one.

1142
00:56:21,480 --> 00:56:23,560
Speaker 3: I was like, oh my god, because then I could

1143
00:56:23,600 --> 00:56:24,920
Speaker 3: see him holding it together.

1144
00:56:27,800 --> 00:56:30,240
Speaker 1: Are shaking, I'm shaking laughter.

1145
00:56:30,560 --> 00:56:32,640
Speaker 2: I was dying because you know what he did. He

1146
00:56:32,800 --> 00:56:34,879
Speaker 2: saved that gas till right now.

1147
00:56:35,000 --> 00:56:38,080
Speaker 3: So he had been doing a different gas on tape

1148
00:56:38,160 --> 00:56:42,680
Speaker 3: night made this weird one which made you go, oh God,

1149
00:56:42,880 --> 00:56:43,960
Speaker 3: in front of the audio.

1150
00:56:43,840 --> 00:56:46,760
Speaker 1: He did it, he said it. We're on camera. I break,

1151
00:56:47,200 --> 00:56:49,720
Speaker 1: and then he holds it together to get through his line,

1152
00:56:49,960 --> 00:56:52,040
Speaker 1: and then it cuts back to me for my reaction,

1153
00:56:52,160 --> 00:56:56,840
Speaker 1: and I'm like, just breaking as we as we go

1154
00:56:56,880 --> 00:56:59,839
Speaker 1: inside the house. So the two walk inside and Alan

1155
00:57:00,080 --> 00:57:02,959
Speaker 1: immediately exclaims, Corey, Sean just told us the big news.

1156
00:57:03,000 --> 00:57:05,560
Speaker 1: Why didn't you say anything? Corey blows up at Sean.

1157
00:57:05,640 --> 00:57:08,960
Speaker 1: You told them, only for Tapanga to also inquire you

1158
00:57:09,040 --> 00:57:12,520
Speaker 1: told Sean. Corey retorts, Oh, of course I told Sean.

1159
00:57:13,320 --> 00:57:16,000
Speaker 1: He asks his parents if they're angry, and Alan shrugs,

1160
00:57:16,120 --> 00:57:18,560
Speaker 1: you guys have been together forever. Why would I be angry?

1161
00:57:19,040 --> 00:57:22,040
Speaker 1: Corey laughs in relief. Phew, talk about a load off

1162
00:57:22,040 --> 00:57:25,040
Speaker 1: my mind. Huh. Alan continues, I think you and Sean

1163
00:57:25,080 --> 00:57:30,520
Speaker 1: will be very happy together as roommates. Panga is shocked,

1164
00:57:30,920 --> 00:57:34,640
Speaker 1: you and Sean, what about us? Amy explains the school

1165
00:57:34,680 --> 00:57:37,480
Speaker 1: wouldn't allow her and Corey to be roommates, well, unless

1166
00:57:37,520 --> 00:57:40,840
Speaker 1: they were married. The thought alone makes Amy and Allan laugh.

1167
00:57:41,160 --> 00:57:45,800
Speaker 1: Tapega reminds Corey they were supposed to decide this together. Angela, Sean, Corey,

1168
00:57:45,800 --> 00:57:48,040
Speaker 1: and Tapanga go back and forth, arguing about how they

1169
00:57:48,080 --> 00:57:50,400
Speaker 1: either told their best friend or that they didn't tell

1170
00:57:50,400 --> 00:57:53,560
Speaker 1: their significant other about what they know. They all know,

1171
00:57:54,400 --> 00:57:57,880
Speaker 1: and then Eric storms in, looking very jolly. Got this

1172
00:57:57,960 --> 00:57:59,760
Speaker 1: new roommate. She is fine.

1173
00:58:00,840 --> 00:58:05,120
Speaker 2: Now, I remember this take because we did this five

1174
00:58:05,200 --> 00:58:08,480
Speaker 2: or six times, and I changed it every time, really,

1175
00:58:08,600 --> 00:58:12,800
Speaker 2: and I remember the audience was starting to anticipate that

1176
00:58:12,880 --> 00:58:15,120
Speaker 2: I was going to do it differently every time. So

1177
00:58:15,160 --> 00:58:18,880
Speaker 2: for some reason, this one, just this particular sticks out

1178
00:58:18,880 --> 00:58:19,080
Speaker 2: to me.

1179
00:58:19,200 --> 00:58:21,240
Speaker 1: Yep, how were you changing the word or were you

1180
00:58:21,360 --> 00:58:22,760
Speaker 1: just changing the performance of fine?

1181
00:58:22,840 --> 00:58:24,480
Speaker 2: I was changing there. I remember one time I went

1182
00:58:24,560 --> 00:58:25,400
Speaker 2: like why why, why? Why?

1183
00:58:25,440 --> 00:58:26,360
Speaker 1: Why? Like that?

1184
00:58:26,400 --> 00:58:28,680
Speaker 2: And I was just like throwing out different things the

1185
00:58:28,680 --> 00:58:31,400
Speaker 2: whole time. And so, yeah, it was just four or

1186
00:58:31,400 --> 00:58:33,000
Speaker 2: five in a row of just different takes.

1187
00:58:34,040 --> 00:58:37,120
Speaker 1: That's funny. Alan has had enough what is going on?

1188
00:58:37,320 --> 00:58:39,720
Speaker 1: Corey tries to speak, but he can't articulate his words.

1189
00:58:39,720 --> 00:58:41,840
Speaker 1: So Tapanga just comes out and says it, Corey and

1190
00:58:41,920 --> 00:58:45,160
Speaker 1: I are getting married. The silence is palpable, until Alan

1191
00:58:45,240 --> 00:58:48,640
Speaker 1: finally scoffs, are you out of your minds? Sean defends

1192
00:58:48,640 --> 00:58:51,520
Speaker 1: them because they love each other. Angela jumps in, that's

1193
00:58:51,560 --> 00:58:54,600
Speaker 1: not a reason they're too young. Alan points out to Corey,

1194
00:58:54,800 --> 00:58:57,720
Speaker 1: you can't even clean up your room. Corey explains he's

1195
00:58:57,760 --> 00:58:58,400
Speaker 1: going to get to it.

1196
00:58:58,840 --> 00:59:03,160
Speaker 2: That's a great moment. While we're watching this, though, Sue

1197
00:59:03,200 --> 00:59:03,480
Speaker 2: said that.

1198
00:59:03,560 --> 00:59:04,560
Speaker 1: Sue said something interesting.

1199
00:59:04,600 --> 00:59:07,160
Speaker 2: She's like, why not you say you're getting you're engaged.

1200
00:59:07,360 --> 00:59:08,960
Speaker 2: Why do you have to say we're getting married? Why

1201
00:59:08,960 --> 00:59:11,400
Speaker 2: can't you just be like we got engaged, because that's

1202
00:59:11,440 --> 00:59:14,160
Speaker 2: different than we're getting married, right, you, kid.

1203
00:59:14,160 --> 00:59:17,760
Speaker 1: Is typically what engaged means so right, but it doesn't.

1204
00:59:17,800 --> 00:59:21,560
Speaker 1: It's not as getting married. And it's great in when

1205
00:59:21,600 --> 00:59:24,920
Speaker 1: you're done with college, when you're you know, I asked

1206
00:59:24,920 --> 00:59:25,800
Speaker 1: Corey to marry me.

1207
00:59:25,960 --> 00:59:28,240
Speaker 2: We get we're getting engaged, something like that is different

1208
00:59:28,240 --> 00:59:30,400
Speaker 2: than Corey and I are getting married. Like it's yeah,

1209
00:59:30,680 --> 00:59:32,600
Speaker 2: well you know, I think it's just just for a story.

1210
00:59:33,040 --> 00:59:35,440
Speaker 1: It is, but it's like need to do that.

1211
00:59:36,880 --> 00:59:37,560
Speaker 2: Well, that's the thing.

1212
00:59:37,720 --> 00:59:40,400
Speaker 3: It's an easy offering for everybody because because the parents

1213
00:59:40,440 --> 00:59:41,800
Speaker 3: could be like, yeah, why don't you get engaged and

1214
00:59:41,800 --> 00:59:43,720
Speaker 3: see how it goes. Like everybody would be fine like

1215
00:59:43,720 --> 00:59:46,200
Speaker 3: the end of episode, so they needed it to be pretty.

1216
00:59:46,240 --> 00:59:48,400
Speaker 1: But it is weird that no one has that at

1217
00:59:48,440 --> 00:59:51,880
Speaker 1: least perspective of like listen, like someone could offer that

1218
00:59:52,040 --> 00:59:54,720
Speaker 1: as as we're discussing all the different options, why don't

1219
00:59:54,760 --> 00:59:58,240
Speaker 1: you just wait until, yeah, get engaged, get engaged, wait

1220
00:59:58,760 --> 00:59:59,240
Speaker 1: you get married?

1221
00:59:59,400 --> 00:59:59,800
Speaker 5: You say?

1222
01:00:00,040 --> 01:00:02,840
Speaker 2: Doesn't Amy eventually say, well, they're going to wait till

1223
01:00:02,880 --> 01:00:03,600
Speaker 2: after college?

1224
01:00:03,680 --> 01:00:03,840
Speaker 1: Right?

1225
01:00:04,200 --> 01:00:05,720
Speaker 2: I think she says that, doesn't.

1226
01:00:05,480 --> 01:00:06,520
Speaker 1: She in this episode?

1227
01:00:06,600 --> 01:00:06,880
Speaker 2: Yeah?

1228
01:00:06,880 --> 01:00:08,840
Speaker 1: That I remember? Oh I thought she did. Oh right,

1229
01:00:08,960 --> 01:00:12,040
Speaker 1: you look at this. Amy says, they'll wait until they

1230
01:00:12,120 --> 01:00:15,920
Speaker 1: finish college. Here you go, and Alan agrees, asking whose

1231
01:00:15,960 --> 01:00:19,640
Speaker 1: idiot idea was this? Corey immediately volunteers, it was my

1232
01:00:19,800 --> 01:00:22,200
Speaker 1: idiot idea. It is my idiot life, and I get

1233
01:00:22,200 --> 01:00:24,440
Speaker 1: to decide if I want to be a married idiot

1234
01:00:25,000 --> 01:00:28,160
Speaker 1: to Panga reveals the truth she asked Corey to marry her.

1235
01:00:28,520 --> 01:00:30,640
Speaker 1: Corey begs his parents not to yell at his fiance.

1236
01:00:31,000 --> 01:00:33,240
Speaker 1: Amy says she thought to Panga had more sense than

1237
01:00:33,240 --> 01:00:37,760
Speaker 1: this Morgan, who looks significantly older. Also, yes, yep, she

1238
01:00:37,840 --> 01:00:40,320
Speaker 1: is specially with footy pajamas.

1239
01:00:39,760 --> 01:00:42,760
Speaker 2: With this line, which sounds like a five year old line.

1240
01:00:42,880 --> 01:00:45,800
Speaker 1: I was well, I asked Bobby Poplowski to marry me,

1241
01:00:46,000 --> 01:00:46,800
Speaker 1: then he kicked me.

1242
01:00:48,280 --> 01:00:52,240
Speaker 3: You are now a fourteen year old the equivalent of

1243
01:00:52,240 --> 01:01:01,360
Speaker 3: them just constantly putting her in footy pajamas. She's literally

1244
01:01:01,400 --> 01:01:05,000
Speaker 3: older than and lollipop.

1245
01:01:07,440 --> 01:01:09,960
Speaker 2: Yeah, it just gets creepy after a while, It's like,

1246
01:01:10,040 --> 01:01:11,640
Speaker 2: oh my god, right for this girl.

1247
01:01:12,800 --> 01:01:15,040
Speaker 1: They stare at her, confused and then go back to

1248
01:01:15,080 --> 01:01:17,640
Speaker 1: the problem at hand. Amy asks if they thought through

1249
01:01:17,720 --> 01:01:20,720
Speaker 1: the responsibilities that will come with marriage, and Angela decides

1250
01:01:20,760 --> 01:01:23,240
Speaker 1: to answer for them. No, they haven't thought of anything.

1251
01:01:23,520 --> 01:01:25,760
Speaker 1: Sean polls are away. They should stay out of this.

1252
01:01:25,880 --> 01:01:28,120
Speaker 1: Angela argues, these are our friends. How can you let

1253
01:01:28,160 --> 01:01:31,080
Speaker 1: them ruin their lives? Sean counters that they aren't like

1254
01:01:31,120 --> 01:01:34,160
Speaker 1: the two of them, They are hopelessly in love. The

1255
01:01:34,240 --> 01:01:37,760
Speaker 1: crowd ooh at the obvious light, but Sean tries to

1256
01:01:37,800 --> 01:01:40,000
Speaker 1: redeem himself and so were we?

1257
01:01:40,480 --> 01:01:44,720
Speaker 2: So are were we? So are we? So are we? Yeah?

1258
01:01:44,760 --> 01:01:46,480
Speaker 2: You were? You didn't like what you were saying, writer,

1259
01:01:46,560 --> 01:01:48,439
Speaker 2: but you were gone. Well, yeah, I know you're dead.

1260
01:01:48,520 --> 01:01:50,520
Speaker 1: You said you were saying the stuff you didn't like

1261
01:01:50,640 --> 01:01:53,800
Speaker 1: very well. Yea, thanks, you're doing a good job. Amy

1262
01:01:53,840 --> 01:01:56,040
Speaker 1: tries to talk some sense into her son. We have

1263
01:01:56,120 --> 01:01:59,440
Speaker 1: paid for your food, your clothes, phone, car insurance. Can

1264
01:01:59,480 --> 01:02:02,200
Speaker 1: Corey hand all that? Corey reminds them that they got

1265
01:02:02,200 --> 01:02:05,080
Speaker 1: married when they were eighteen too. Allan yells out, I

1266
01:02:05,320 --> 01:02:07,880
Speaker 1: was a dope. Amy's eyes widen.

1267
01:02:08,080 --> 01:02:11,520
Speaker 2: He also tries to eighteen when they got married. Yeah,

1268
01:02:11,520 --> 01:02:14,959
Speaker 2: I know, So where where was the summer of love

1269
01:02:15,760 --> 01:02:19,720
Speaker 2: with Reggie in Europe? It also doesn't mean so they

1270
01:02:19,720 --> 01:02:22,440
Speaker 2: got married then when he was in the navy.

1271
01:02:22,960 --> 01:02:27,280
Speaker 1: Maybe they were the summer of love was seventeen to eighteen.

1272
01:02:27,360 --> 01:02:30,560
Speaker 1: So they graduated high school at seventeen, they took that

1273
01:02:30,640 --> 01:02:35,440
Speaker 1: summer together, and he went into the navy and they

1274
01:02:35,480 --> 01:02:35,920
Speaker 1: got married.

1275
01:02:36,480 --> 01:02:39,880
Speaker 2: Wow. But then there's also this whole storyline of like

1276
01:02:39,960 --> 01:02:40,959
Speaker 2: her dating other people.

1277
01:02:41,000 --> 01:02:43,440
Speaker 1: Remember there's that whole like well that again, so he

1278
01:02:43,560 --> 01:02:47,600
Speaker 1: dated other people at fourteen, it counts I kissed somebody.

1279
01:02:48,080 --> 01:02:53,880
Speaker 2: I kissed Bobby Hey, cat cat.

1280
01:02:54,680 --> 01:02:56,280
Speaker 3: What they should have done is just had Morgan be

1281
01:02:56,360 --> 01:03:00,439
Speaker 3: like suddenly supermature like Bobby. Bobby Mplawski and I got

1282
01:03:00,440 --> 01:03:02,120
Speaker 3: engaged for three and a half months.

1283
01:03:02,160 --> 01:03:04,200
Speaker 2: I called it off because I fell for some like

1284
01:03:04,240 --> 01:03:05,400
Speaker 2: she's the most.

1285
01:03:05,200 --> 01:03:08,320
Speaker 3: Likely smoking a cigarette smoking it would be the best.

1286
01:03:08,320 --> 01:03:09,560
Speaker 2: It would have been so much funny.

1287
01:03:11,440 --> 01:03:14,720
Speaker 1: Also, I don't like this idea that Amy is upset

1288
01:03:14,720 --> 01:03:17,439
Speaker 1: with him calling him himself a dope for getting married

1289
01:03:17,480 --> 01:03:19,919
Speaker 1: at eighteen. I think it would it would make sense

1290
01:03:20,000 --> 01:03:22,240
Speaker 1: for both for her to be like, we were dopes.

1291
01:03:22,800 --> 01:03:25,480
Speaker 1: It's it's lucky that it worked out for us, as

1292
01:03:25,480 --> 01:03:29,160
Speaker 1: opposed to because otherwise, why does Amy think they're so different?

1293
01:03:30,360 --> 01:03:32,640
Speaker 3: She's been like this since. So that means that she

1294
01:03:32,920 --> 01:03:36,120
Speaker 3: and Alan got married at eighteen, and then she was

1295
01:03:36,280 --> 01:03:39,440
Speaker 3: this against a panga leaving to Pittsburgh, like all of

1296
01:03:39,440 --> 01:03:42,720
Speaker 3: that stuff. It's like her argument, which was live your life,

1297
01:03:43,080 --> 01:03:46,840
Speaker 3: find that the experience independent, like all of that stuff,

1298
01:03:46,920 --> 01:03:49,439
Speaker 3: kind of gets undermined by the fact that she didn't live,

1299
01:03:49,720 --> 01:03:50,520
Speaker 3: didn't do any of that.

1300
01:03:51,400 --> 01:03:53,600
Speaker 1: I would have no problem with it if her point

1301
01:03:53,840 --> 01:03:57,080
Speaker 1: was I was an idiot, I shouldn't. I'm happy I

1302
01:03:57,120 --> 01:03:59,200
Speaker 1: did it because it worked out. I love my husband,

1303
01:03:59,280 --> 01:04:02,640
Speaker 1: I have three beautiful children. I wouldn't change anything. But

1304
01:04:02,640 --> 01:04:06,280
Speaker 1: but that's not the usual. That's not normal.

1305
01:04:06,320 --> 01:04:10,840
Speaker 2: It was normal. Apparently, that's what it's like.

1306
01:04:10,880 --> 01:04:13,520
Speaker 3: It's always being positive that Corey and Topanga are weird

1307
01:04:13,680 --> 01:04:17,440
Speaker 3: or unusual when the reality is actually by their community standards,

1308
01:04:17,520 --> 01:04:21,040
Speaker 3: they are very typical. They are doing exactly what her

1309
01:04:21,080 --> 01:04:24,120
Speaker 3: parents did, what his parents did, what Phoene did, Like

1310
01:04:24,120 --> 01:04:25,960
Speaker 3: everybody got married young had you know.

1311
01:04:26,000 --> 01:04:31,280
Speaker 1: It's like okay, yeah, I know, don't it's weird, okay.

1312
01:04:31,400 --> 01:04:34,120
Speaker 1: He also Alan tries to redeem himself. He means that

1313
01:04:34,200 --> 01:04:36,680
Speaker 1: there is so much they'd be missing out on. If

1314
01:04:36,720 --> 01:04:38,959
Speaker 1: Corey thinks he has everything all figured out, he must

1315
01:04:39,000 --> 01:04:41,640
Speaker 1: remember that things don't always go according to the plan.

1316
01:04:41,920 --> 01:04:45,720
Speaker 1: He will have to make sacrifices. Amy wonders, what sacrifices

1317
01:04:45,760 --> 01:04:48,680
Speaker 1: did you make? Alan, Alan freezes and pretends he didn't

1318
01:04:48,720 --> 01:04:52,720
Speaker 1: hear her. What Meanwhile, Angela asks Sean, what do you

1319
01:04:52,760 --> 01:04:55,840
Speaker 1: mean we're not hopelessly in love? He also wonders what

1320
01:04:56,680 --> 01:04:59,720
Speaker 1: well Both couples argue Corey and Topanga slide out the

1321
01:04:59,720 --> 01:05:04,400
Speaker 1: back door. So yeah. This Amy storyline, where she's also

1322
01:05:04,440 --> 01:05:08,400
Speaker 1: trying to challenge that he didn't make any sacrifices. Why

1323
01:05:09,520 --> 01:05:12,760
Speaker 1: I don't know. Why isn't this Why isn't this reversed?

1324
01:05:12,880 --> 01:05:17,960
Speaker 1: Why isn't Amy the one saying when we say to her,

1325
01:05:18,080 --> 01:05:20,000
Speaker 1: you got married at eighteen, Yeah, and I was a

1326
01:05:20,080 --> 01:05:23,760
Speaker 1: dope and Alan going excuse me, and her saying, yes,

1327
01:05:23,840 --> 01:05:26,000
Speaker 1: do you know how many sacrifices I had to make?

1328
01:05:26,000 --> 01:05:29,280
Speaker 1: And he's like, wait, what sacrifices? Then she has a

1329
01:05:29,280 --> 01:05:33,200
Speaker 1: POV that fits with what she's trying to say, has

1330
01:05:33,280 --> 01:05:35,480
Speaker 1: not been to a hotel since they got married.

1331
01:05:35,880 --> 01:05:38,160
Speaker 3: They literally went to a hotel for the problem night

1332
01:05:38,240 --> 01:05:40,360
Speaker 3: and they were like, the first time we've gone to

1333
01:05:40,400 --> 01:05:43,320
Speaker 3: a hotel for a night out. That's a very obvious

1334
01:05:43,320 --> 01:05:46,360
Speaker 3: sacrifice you've made. Now you're about to have another kid,

1335
01:05:46,600 --> 01:05:47,240
Speaker 3: Oh my god.

1336
01:05:48,000 --> 01:05:48,920
Speaker 1: Yeah.

1337
01:05:49,800 --> 01:05:53,080
Speaker 2: Until they got married at eighteen, I guess went to Europe.

1338
01:05:53,560 --> 01:05:55,160
Speaker 1: Well I think they had the summer of love before

1339
01:05:55,200 --> 01:05:56,240
Speaker 1: they were married, right.

1340
01:05:56,120 --> 01:05:59,680
Speaker 3: Hey maybe, But then, like you just don't get how

1341
01:05:59,680 --> 01:06:00,680
Speaker 3: the navy children.

1342
01:06:01,040 --> 01:06:03,200
Speaker 2: Doesn't you travel when you're in the navy. So was

1343
01:06:03,240 --> 01:06:05,600
Speaker 2: she on the road him? Was she by herself? She's

1344
01:06:05,640 --> 01:06:08,480
Speaker 2: probably by herself. Was she pregnant at this point? When

1345
01:06:08,520 --> 01:06:09,360
Speaker 2: does Eric come along?

1346
01:06:09,360 --> 01:06:11,040
Speaker 1: Did he leave? How long was he in the navy.

1347
01:06:11,040 --> 01:06:13,040
Speaker 2: There's a lot of this backstory that they just kind

1348
01:06:13,040 --> 01:06:13,960
Speaker 2: of like, yeah, we're good.

1349
01:06:14,520 --> 01:06:16,920
Speaker 1: Well, because if you think about it, how old are

1350
01:06:16,960 --> 01:06:18,920
Speaker 1: we trying to say they are like, how old are

1351
01:06:18,960 --> 01:06:19,320
Speaker 1: they now?

1352
01:06:19,480 --> 01:06:20,080
Speaker 2: Mid forties?

1353
01:06:20,520 --> 01:06:24,360
Speaker 1: Eric is now in his first or second year of college, right,

1354
01:06:24,360 --> 01:06:27,320
Speaker 1: so Herek's probably twentyeen twenty one? Okay, yeah, I think

1355
01:06:27,360 --> 01:06:28,720
Speaker 1: because I think Corey's supposed to be.

1356
01:06:28,920 --> 01:06:30,920
Speaker 2: Corey and Tpang are supposed to be eighteen eighteen, right,

1357
01:06:31,000 --> 01:06:33,360
Speaker 2: and I think Eric is supposed to be at this

1358
01:06:33,480 --> 01:06:36,280
Speaker 2: point two years older. Okay, you used to be four

1359
01:06:36,360 --> 01:06:38,680
Speaker 2: years older than that, right, and then they moved only too,

1360
01:06:38,760 --> 01:06:41,200
Speaker 2: So my guess is Eric supposed to be twenty twenty one?

1361
01:06:41,240 --> 01:06:43,760
Speaker 2: But then where does the beer come from? In the

1362
01:06:44,240 --> 01:06:46,040
Speaker 2: from last season? That was in the fridge they were

1363
01:06:46,080 --> 01:06:48,320
Speaker 2: buying beers. That's fine, happens.

1364
01:06:48,040 --> 01:06:51,720
Speaker 1: Sean had you know, maybe someone end up getting it

1365
01:06:51,760 --> 01:06:52,520
Speaker 1: for him, right right?

1366
01:06:52,600 --> 01:06:55,680
Speaker 2: But he's so yeah, so twenty one, so fenty figure.

1367
01:06:55,760 --> 01:06:58,760
Speaker 2: They had Eric when they were twenty one twenty two,

1368
01:06:59,360 --> 01:07:04,280
Speaker 2: so they were mayre maried for three years they had Eric,

1369
01:07:04,760 --> 01:07:07,200
Speaker 2: I would say, but never went to a hotel, never

1370
01:07:07,200 --> 01:07:20,280
Speaker 2: went to a hotel. But he's twenty one years wow.

1371
01:07:24,320 --> 01:07:27,560
Speaker 1: Outside, Tapanga admits his parents are taking it better than

1372
01:07:27,600 --> 01:07:30,200
Speaker 1: she thought, but Corey reminds her it's not up to them.

1373
01:07:30,400 --> 01:07:33,200
Speaker 1: Nobody can tell them what to do. She nods in agreement,

1374
01:07:33,240 --> 01:07:37,240
Speaker 1: so Corey declares, come on, we're getting married. She smiles

1375
01:07:37,320 --> 01:07:40,479
Speaker 1: and they run off together. Back in the Matthew's kitchen,

1376
01:07:40,480 --> 01:07:41,160
Speaker 1: the couples.

1377
01:07:41,200 --> 01:07:43,520
Speaker 2: The noh no.

1378
01:07:43,680 --> 01:07:46,400
Speaker 1: Back in the Matthew's kitchen, the couples are still arguing

1379
01:07:46,400 --> 01:07:48,400
Speaker 1: with each other, so Eric decides to butt in. He

1380
01:07:48,440 --> 01:07:50,680
Speaker 1: can be the voice of reason here. Everyone laughs at

1381
01:07:50,680 --> 01:07:53,760
Speaker 1: this idea and goes back to fighting. Undeterred, Eric shouts,

1382
01:07:53,840 --> 01:07:57,240
Speaker 1: I think they should get married, which again grabs everyone's attention.

1383
01:07:57,680 --> 01:08:00,360
Speaker 1: Eric says the chance and chances of Corey finding a

1384
01:08:00,400 --> 01:08:03,280
Speaker 1: woman like Topanga are one in a million. Sean agrees,

1385
01:08:03,440 --> 01:08:06,120
Speaker 1: there's nobody better. Angela can't argue with that, and neither

1386
01:08:06,160 --> 01:08:09,800
Speaker 1: does Amy. But that's not the issue. Eric argues, in

1387
01:08:09,840 --> 01:08:12,320
Speaker 1: a few years, she's gonna dry up, get all wrinkling.

1388
01:08:12,760 --> 01:08:15,520
Speaker 1: Might as well grab her while she's still smooth. He

1389
01:08:15,640 --> 01:08:19,719
Speaker 1: playfully punches Alan and asks SIMI right dead. Alan calls

1390
01:08:19,760 --> 01:08:25,040
Speaker 1: him an imbecile, and, again undeterred, Eric laughs, Yes.

1391
01:08:25,080 --> 01:08:27,320
Speaker 2: It's funny, but it's just cartoony.

1392
01:08:28,680 --> 01:08:33,360
Speaker 1: Yeah. Recently, Adler has become obsessed at night with asking

1393
01:08:33,400 --> 01:08:36,920
Speaker 1: me about what happens when I die? Oh God, oh, Jesus,

1394
01:08:37,240 --> 01:08:39,320
Speaker 1: what's gonna happen when you die? I'm gonna miss you

1395
01:08:39,400 --> 01:08:41,680
Speaker 1: so much. I just want to be with you. And

1396
01:08:41,720 --> 01:08:45,960
Speaker 1: I'm like, Adler, I'm not sick, I'm not gonna I'm

1397
01:08:45,960 --> 01:08:47,960
Speaker 1: not gonna die anytime soon, but I'm gonna miss you

1398
01:08:48,040 --> 01:08:51,599
Speaker 1: so much. And I said, I'm nowhere near dying. He said, yes,

1399
01:08:51,720 --> 01:08:55,000
Speaker 1: you are. You are almost dead.

1400
01:08:56,880 --> 01:09:01,800
Speaker 3: Anyway, I did think about that, even if everything goes right,

1401
01:09:01,960 --> 01:09:03,080
Speaker 3: you're almost at.

1402
01:09:03,760 --> 01:09:04,680
Speaker 1: Ah, You're not.

1403
01:09:05,160 --> 01:09:07,240
Speaker 2: You're not You're just dried up and ring.

1404
01:09:08,760 --> 01:09:11,080
Speaker 1: Exactly what I thought. I was like, it must really

1405
01:09:11,080 --> 01:09:13,680
Speaker 1: be time for me to get botoxic. Because he's like,

1406
01:09:13,840 --> 01:09:15,880
Speaker 1: you are so old.

1407
01:09:16,680 --> 01:09:20,840
Speaker 2: Look at you. You looked at a mirror lately. Do something? God, No,

1408
01:09:20,960 --> 01:09:23,879
Speaker 2: you are old. Let me tell you My favorite part.

1409
01:09:23,680 --> 01:09:25,840
Speaker 1: Is any actioned before he said yes you are, he

1410
01:09:25,960 --> 01:09:27,559
Speaker 1: was like, I said, I'm not going to die. I'm

1411
01:09:27,600 --> 01:09:29,680
Speaker 1: not anywhere near there. He said, yes you are. I said, no,

1412
01:09:29,720 --> 01:09:37,960
Speaker 1: I'm not only forty three ghost. Well Dad is God? Anyway,

1413
01:09:38,680 --> 01:09:41,080
Speaker 1: Morgan decides to talk. Have any of you noticed that

1414
01:09:41,120 --> 01:09:44,240
Speaker 1: Corey and Topanga aren't here? Then the door They realize

1415
01:09:44,280 --> 01:09:46,599
Speaker 1: the door is open, and we get some dramatic music

1416
01:09:47,080 --> 01:09:48,400
Speaker 1: that's the act break.

1417
01:09:54,000 --> 01:09:56,760
Speaker 3: A bunch of characters in a lad expressing points of

1418
01:09:56,840 --> 01:09:59,960
Speaker 3: view to expound upon whether this couple should get married

1419
01:10:00,280 --> 01:10:00,919
Speaker 3: to next.

1420
01:10:03,479 --> 01:10:05,799
Speaker 2: In all fairness, I have to say, though, in all fairness,

1421
01:10:05,960 --> 01:10:08,240
Speaker 2: if a couple comes in and all their friends or

1422
01:10:08,240 --> 01:10:10,200
Speaker 2: family are there and they say they're eighteen, they're like,

1423
01:10:10,240 --> 01:10:12,600
Speaker 2: we're gonna get married. This is what would happen is

1424
01:10:12,640 --> 01:10:15,040
Speaker 2: you'd get a bunch of people in a room discussing

1425
01:10:15,080 --> 01:10:16,800
Speaker 2: what they thought, should they get married, should they not

1426
01:10:16,800 --> 01:10:18,439
Speaker 2: get married? Wait a minute, you shouldn't do it. I mean,

1427
01:10:18,479 --> 01:10:20,680
Speaker 2: it's kind of it's real when you think about it.

1428
01:10:20,720 --> 01:10:23,160
Speaker 2: If you walk into a family situation and you drop

1429
01:10:23,240 --> 01:10:25,200
Speaker 2: something like this, this is what's gonna happen is everyone's

1430
01:10:25,200 --> 01:10:27,640
Speaker 2: gonna have their opinion and start shouting over each other. So,

1431
01:10:27,960 --> 01:10:30,040
Speaker 2: I mean that kind of made sense to me more

1432
01:10:30,040 --> 01:10:33,000
Speaker 2: than the fence scene, Like now let's move this outside

1433
01:10:33,000 --> 01:10:36,040
Speaker 2: and do the same thing outside. Didn't make any right.

1434
01:10:37,600 --> 01:10:40,200
Speaker 3: That the audience, But that's fine, Like that people would

1435
01:10:40,320 --> 01:10:42,720
Speaker 3: really do. It doesn't make for good television, you.

1436
01:10:42,720 --> 01:10:45,080
Speaker 2: Know, like the reality argument that like this is what really?

1437
01:10:45,240 --> 01:10:46,840
Speaker 2: Who cares? Like? I don't want to sit around watching

1438
01:10:46,840 --> 01:10:49,559
Speaker 2: people debate stuff, but I don't want to watch drama. That's

1439
01:10:49,600 --> 01:10:50,320
Speaker 2: what was happening.

1440
01:10:50,439 --> 01:10:51,640
Speaker 1: That's why I said I think it was.

1441
01:10:51,640 --> 01:10:54,040
Speaker 3: Happening to TV, like the best way would have been,

1442
01:10:54,479 --> 01:10:56,160
Speaker 3: you know, like that Corey and de Panga need to

1443
01:10:56,200 --> 01:10:58,760
Speaker 3: keep it a secret. For some reason, it gets like

1444
01:10:59,160 --> 01:11:02,280
Speaker 3: plane out, the reveals, the secrecy, like all that could

1445
01:11:02,280 --> 01:11:04,559
Speaker 3: have been really fun. Instead it's like, let's let's talk

1446
01:11:04,600 --> 01:11:04,960
Speaker 3: it out.

1447
01:11:05,360 --> 01:11:08,439
Speaker 1: Yeah, you know, I mean they have twenty two episodes.

1448
01:11:08,479 --> 01:11:10,559
Speaker 1: It could have been really fun that Corey says the

1449
01:11:10,560 --> 01:11:13,639
Speaker 1: same thing to Sean, let's be roommates, but let's keep

1450
01:11:13,680 --> 01:11:16,400
Speaker 1: it a secret. He's got a secret about the roommates,

1451
01:11:16,400 --> 01:11:19,360
Speaker 1: he's got a secret about the marriage to Yeah, and

1452
01:11:19,400 --> 01:11:23,519
Speaker 1: then it all eventually comes to a head. But okay, anyway,

1453
01:11:23,560 --> 01:11:25,920
Speaker 1: in the car Corey and Topanga are driving, Topanga wonders

1454
01:11:25,960 --> 01:11:28,360
Speaker 1: if Corey actually wants to do this or if he's

1455
01:11:28,400 --> 01:11:30,880
Speaker 1: only taking the sleep because his parents are against it

1456
01:11:31,280 --> 01:11:35,920
Speaker 1: because Corey's such a rebel. Yes, without a clue, do

1457
01:11:35,920 --> 01:11:38,200
Speaker 1: you really want to do this or are you suddenly

1458
01:11:38,240 --> 01:11:40,439
Speaker 1: the type of kid who likes to do everything your

1459
01:11:40,479 --> 01:11:42,200
Speaker 1: parents tell you not to do.

1460
01:11:42,280 --> 01:11:45,040
Speaker 2: Which all I wanted was him to do. Go around me,

1461
01:11:46,160 --> 01:11:47,880
Speaker 2: I said that while we're doing oh god.

1462
01:11:47,760 --> 01:11:49,640
Speaker 3: It it would have been the perfect callback, because it

1463
01:11:49,680 --> 01:11:51,920
Speaker 3: actually is to this point, because that was an episode

1464
01:11:51,920 --> 01:11:55,040
Speaker 3: where he did try and be rebellious and it backfire. Remember,

1465
01:11:55,080 --> 01:11:57,040
Speaker 3: the whole episode was about him doing his own thing

1466
01:11:57,080 --> 01:11:59,559
Speaker 3: against his dad, so it would have played in if

1467
01:11:59,600 --> 01:12:00,639
Speaker 3: they had done a callback.

1468
01:12:00,880 --> 01:12:05,680
Speaker 1: So round around me, please, Corey reminds her it's his

1469
01:12:05,720 --> 01:12:08,080
Speaker 1: life and he's going to do what he wants. She asks,

1470
01:12:08,160 --> 01:12:09,880
Speaker 1: but what happens when you get to college and you

1471
01:12:09,920 --> 01:12:12,679
Speaker 1: see everybody meeting each other and dating and having fun.

1472
01:12:13,080 --> 01:12:14,840
Speaker 1: Are you gonna wish you could be doing the same thing?

1473
01:12:15,240 --> 01:12:18,160
Speaker 1: Corey shrugs, Well, it didn't phase me in high school.

1474
01:12:19,400 --> 01:12:22,679
Speaker 3: Brah, didn't phase me in high school. We've only had

1475
01:12:23,240 --> 01:12:24,880
Speaker 3: four seasons about.

1476
01:12:24,640 --> 01:12:28,759
Speaker 1: That, the whole premise of the show. Bro the show, dude,

1477
01:12:29,880 --> 01:12:30,639
Speaker 1: Yes it did.

1478
01:12:30,760 --> 01:12:32,559
Speaker 2: Have you guys seen the show.

1479
01:12:33,320 --> 01:12:39,599
Speaker 1: We knew, you knew, so why would it phase me now?

1480
01:12:40,120 --> 01:12:42,680
Speaker 1: Tapanga reminds him he had his heart set on a

1481
01:12:42,720 --> 01:12:46,479
Speaker 1: big romantic wedding. When did he say that? Did he

1482
01:12:46,640 --> 01:12:48,400
Speaker 1: did he say that at all? That's something Apparently they

1483
01:12:48,439 --> 01:12:50,320
Speaker 1: had a conversation off screen, and well.

1484
01:12:50,200 --> 01:12:52,719
Speaker 3: He said, Lauren about their white picket fence and their

1485
01:12:53,200 --> 01:12:55,599
Speaker 3: suburban house. So maybe sure he's planning a big wedding

1486
01:12:55,600 --> 01:12:56,040
Speaker 3: with Lauren.

1487
01:12:56,560 --> 01:12:59,280
Speaker 1: Yeah, I'm just wondering, Like I love that idea that

1488
01:12:59,320 --> 01:13:02,400
Speaker 1: Corey's like, yes, it would have been. Yeah, he's the

1489
01:13:02,520 --> 01:13:04,559
Speaker 1: romantic that he's like, yes, and your parents and my

1490
01:13:04,640 --> 01:13:06,760
Speaker 1: parents and all of our friends, and we invite the

1491
01:13:06,760 --> 01:13:08,880
Speaker 1: whole school. And there's this like I love that idea,

1492
01:13:08,920 --> 01:13:11,800
Speaker 1: but apparently it happened off because I'm for her to

1493
01:13:11,960 --> 01:13:15,360
Speaker 1: say that, but Corey says he can't think of anything

1494
01:13:15,400 --> 01:13:18,120
Speaker 1: more romantic than sneaking off to a little wedding chapel

1495
01:13:18,160 --> 01:13:20,519
Speaker 1: in the country. His heart is set on marrying her

1496
01:13:20,880 --> 01:13:23,519
Speaker 1: to Panga responds, then why did you pass the exit?

1497
01:13:23,960 --> 01:13:27,519
Speaker 1: Corey tells her to stop pounding him. How do we

1498
01:13:27,600 --> 01:13:29,360
Speaker 1: know where this place is? Did they go to map

1499
01:13:29,439 --> 01:13:30,120
Speaker 1: quest dot.

1500
01:13:30,000 --> 01:13:30,680
Speaker 2: Car they did?

1501
01:13:30,760 --> 01:13:32,840
Speaker 1: Did they have a course holding him?

1502
01:13:33,640 --> 01:13:36,080
Speaker 3: He pulled over at his own booth, got on the

1503
01:13:36,160 --> 01:13:37,280
Speaker 3: Yellow Pages.

1504
01:13:38,920 --> 01:13:42,320
Speaker 1: Got the address and just knows where it is. That

1505
01:13:42,400 --> 01:13:44,280
Speaker 1: Thomas Guide. I should have a Thomas Guide on my life.

1506
01:13:44,320 --> 01:13:46,880
Speaker 3: This is this scene I don't understand, like this, like,

1507
01:13:46,920 --> 01:13:48,760
Speaker 3: why are we in the car? Why do we have

1508
01:13:49,000 --> 01:13:51,599
Speaker 3: to add a car set which doesn't look very good.

1509
01:13:51,760 --> 01:13:52,880
Speaker 2: That's terrible light.

1510
01:13:54,880 --> 01:13:57,559
Speaker 3: So it's a weird choice to like have this debate,

1511
01:13:57,600 --> 01:13:59,800
Speaker 3: which doesn't seem like much of a debate. We're not

1512
01:13:59,800 --> 01:14:01,840
Speaker 3: really playing anything out.

1513
01:14:01,600 --> 01:14:03,000
Speaker 2: Don't change anything.

1514
01:14:02,800 --> 01:14:06,000
Speaker 1: In the in the chapel, I wanted to have anybody.

1515
01:14:06,240 --> 01:14:08,840
Speaker 2: The chapel scenes are great. The two old people are

1516
01:14:08,920 --> 01:14:11,559
Speaker 2: hysterical and fun, and there's no.

1517
01:14:11,520 --> 01:14:13,680
Speaker 1: Reason we couldn't have this. Corey, are you sure you

1518
01:14:13,680 --> 01:14:15,320
Speaker 1: want to do this? You said you wanted a big wedding.

1519
01:14:15,360 --> 01:14:16,880
Speaker 1: I do I want to do like we could have

1520
01:14:16,960 --> 01:14:18,800
Speaker 1: all this little stuff, like right before we get to

1521
01:14:18,840 --> 01:14:21,519
Speaker 1: the aisle, So yeah, I'm not sure. Then back in

1522
01:14:21,560 --> 01:14:24,320
Speaker 1: the Matthew's kitchen, everyone's in a slump. Amy admits they

1523
01:14:24,320 --> 01:14:28,320
Speaker 1: did say some pretty awful things, did you. I don't

1524
01:14:28,320 --> 01:14:31,439
Speaker 1: remember anything awful being said. Alan says they only told

1525
01:14:31,439 --> 01:14:34,120
Speaker 1: them the truth. They must have gone to think things over.

1526
01:14:34,560 --> 01:14:37,160
Speaker 1: Eric thinks they eloped, but Alan doesn't believe Corey would

1527
01:14:37,160 --> 01:14:39,719
Speaker 1: do something like that without their permission. But Sean argues

1528
01:14:39,760 --> 01:14:42,520
Speaker 1: that when Corey's forced to choose between anything and Topanga,

1529
01:14:42,600 --> 01:14:45,840
Speaker 1: it is not a contest. Amy asks except la correct

1530
01:14:46,040 --> 01:14:55,160
Speaker 1: or only any other option? Yeah, Amy asks her husband,

1531
01:14:56,920 --> 01:15:00,479
Speaker 1: as I said, closet, closet girl. Yeah, there's always always

1532
01:15:00,479 --> 01:15:03,599
Speaker 1: a choice, always a choice. He never chooses to pink.

1533
01:15:03,600 --> 01:15:07,320
Speaker 1: Ap Amy asks her husband what they did after telling

1534
01:15:07,320 --> 01:15:09,400
Speaker 1: Alan's father they were getting married, and he thinks that

1535
01:15:09,520 --> 01:15:12,639
Speaker 1: was totally different. His father was stubborn, totally against it.

1536
01:15:12,760 --> 01:15:16,000
Speaker 1: He wouldn't listen to anything. He recognizes the parallels and

1537
01:15:16,040 --> 01:15:18,960
Speaker 1: puts his hands on his face. Oh boy. The group

1538
01:15:19,000 --> 01:15:20,880
Speaker 1: consoles him, and Eric asks if he can be the

1539
01:15:20,920 --> 01:15:24,400
Speaker 1: voice of reason. They all laugh again. Eric says they're

1540
01:15:24,439 --> 01:15:27,679
Speaker 1: all responsible for this, with the bickering, lecturing and yelling.

1541
01:15:27,840 --> 01:15:30,559
Speaker 1: Now they have to support them and accept this marriage.

1542
01:15:30,600 --> 01:15:32,439
Speaker 1: They can't push them out of their lives like they

1543
01:15:32,439 --> 01:15:35,880
Speaker 1: pushed them to Elope. And now just that's it, everyone,

1544
01:15:36,160 --> 01:15:38,880
Speaker 1: That's it. It's a fact. Yep, they've gone. They are

1545
01:15:38,920 --> 01:15:41,439
Speaker 1: getting they are eloping, and it's going to be too late,

1546
01:15:41,479 --> 01:15:44,320
Speaker 1: and we have to accept it. Eric insists that the

1547
01:15:44,320 --> 01:15:46,679
Speaker 1: two of them belong together, just like him and Rachel.

1548
01:15:47,160 --> 01:15:49,839
Speaker 1: Alan asks who the heck Rachel is and Eric responds,

1549
01:15:50,000 --> 01:15:53,679
Speaker 1: She's my beautiful new roommate. Angel. Is this the first

1550
01:15:53,760 --> 01:15:54,800
Speaker 1: time we've heard her name?

1551
01:15:57,560 --> 01:16:01,160
Speaker 2: I think so? Right? She we never she doesn't.

1552
01:16:01,400 --> 01:16:04,880
Speaker 1: She throws the frame and then you, guys, I don't

1553
01:16:04,920 --> 01:16:07,360
Speaker 1: know what I do. And then you say you found

1554
01:16:07,400 --> 01:16:08,840
Speaker 1: a new roommate and he says, well, I'm going to

1555
01:16:08,920 --> 01:16:11,400
Speaker 1: have to tell this guy, and then a woman appears.

1556
01:16:11,760 --> 01:16:13,880
Speaker 1: She doesn't ever say I'm Rachel. So this when you

1557
01:16:14,040 --> 01:16:16,880
Speaker 1: say just like me and Rachel, the whole audience is.

1558
01:16:16,840 --> 01:16:21,640
Speaker 2: Like, and that's why they have Alan say who is that?

1559
01:16:21,680 --> 01:16:23,920
Speaker 1: And I have to Alan asks who the heck Rachel

1560
01:16:23,960 --> 01:16:26,599
Speaker 1: is and Eric responds, She's my beautiful new roommate. Angel.

1561
01:16:26,600 --> 01:16:28,840
Speaker 1: She's from the opening credits. Don't you remember.

1562
01:16:30,760 --> 01:16:33,160
Speaker 2: In the street at one time threw water on each other.

1563
01:16:34,360 --> 01:16:37,880
Speaker 2: She was there like we've been friends for years on.

1564
01:16:37,840 --> 01:16:42,120
Speaker 3: The chalk there on the crowd that said, boy, it

1565
01:16:41,439 --> 01:16:42,840
Speaker 3: was a fun day.

1566
01:16:43,200 --> 01:16:44,680
Speaker 2: So we know her from come on.

1567
01:16:45,960 --> 01:16:48,320
Speaker 1: She's actually back at the apartment with right now with Jack.

1568
01:16:48,479 --> 01:16:50,960
Speaker 1: Then he realizes that was a bad idea. What if

1569
01:16:50,960 --> 01:16:52,720
Speaker 1: they hit it off and she cheats on me? That

1570
01:16:52,960 --> 01:16:55,600
Speaker 1: tramp man. He leaves so he can go slap some

1571
01:16:55,640 --> 01:16:57,880
Speaker 1: people around. Alan follows his son a Dore.

1572
01:16:58,040 --> 01:16:59,760
Speaker 3: So this is the second time in this scene that

1573
01:16:59,840 --> 01:17:03,559
Speaker 3: you had to carry the entire yes, because like Alan

1574
01:17:03,640 --> 01:17:03,960
Speaker 3: does it.

1575
01:17:04,080 --> 01:17:07,920
Speaker 2: He does the whole like right, my dad was to oh.

1576
01:17:07,320 --> 01:17:09,040
Speaker 3: And then you do the same thing here. I was

1577
01:17:09,080 --> 01:17:11,080
Speaker 3: just like, oh my god, these four Hakkors are just

1578
01:17:11,120 --> 01:17:14,519
Speaker 3: like giving to dry, like make all the transitions yourself,

1579
01:17:14,600 --> 01:17:15,680
Speaker 3: go perform it.

1580
01:17:17,080 --> 01:17:20,799
Speaker 1: Uh Alan desperately locks the door behind Eric. Amy admits

1581
01:17:20,880 --> 01:17:23,559
Speaker 1: Eric was right. It is our faults. We drove them

1582
01:17:23,560 --> 01:17:26,599
Speaker 1: to it. This time. No one argues with her, and

1583
01:17:27,360 --> 01:17:30,599
Speaker 1: I couldn't disagree more. I don't see. I don't think

1584
01:17:30,640 --> 01:17:31,599
Speaker 1: they said anything mean.

1585
01:17:31,960 --> 01:17:35,120
Speaker 2: I they also have just it was just like, you know,

1586
01:17:35,160 --> 01:17:37,000
Speaker 2: it'd be weird if they were on a rocket ship

1587
01:17:37,040 --> 01:17:37,400
Speaker 2: to space.

1588
01:17:37,439 --> 01:17:39,559
Speaker 1: And then it's just like I can't believe they're.

1589
01:17:39,360 --> 01:17:40,240
Speaker 2: On a rocket ship.

1590
01:17:40,360 --> 01:17:45,000
Speaker 1: Just stink like like oh it's instant, instantly fact. Yeah,

1591
01:17:45,000 --> 01:17:48,439
Speaker 1: I can't believe they're gonna die on that rocket ship, Kevin.

1592
01:17:48,520 --> 01:17:50,320
Speaker 2: It just cuts your funeral. Can't believe they were killed

1593
01:17:50,320 --> 01:17:51,160
Speaker 2: on that rocket ship.

1594
01:17:51,200 --> 01:17:54,160
Speaker 1: Like wait, they're in the driveway. They're having a conver

1595
01:17:54,400 --> 01:17:54,760
Speaker 1: right there.

1596
01:17:54,840 --> 01:17:55,519
Speaker 2: I can see.

1597
01:17:55,320 --> 01:18:02,840
Speaker 3: The which doesn't it's called now yeah, exactly.

1598
01:18:02,560 --> 01:18:08,759
Speaker 1: Like now we're inside the home wedding chapel. An older

1599
01:18:08,800 --> 01:18:10,760
Speaker 1: man and woman opened the door. Corey greets him as

1600
01:18:10,840 --> 01:18:13,720
Speaker 1: judge b Miss. He's Corey Matthews. They spoke on the

1601
01:18:13,760 --> 01:18:16,200
Speaker 1: phone earlier. The judge is happy to see him, and

1602
01:18:16,240 --> 01:18:18,720
Speaker 1: this must be the bride with the nutty name. He

1603
01:18:18,840 --> 01:18:22,320
Speaker 1: laughs when she introduces herself as to Panga. That's silly.

1604
01:18:22,720 --> 01:18:24,720
Speaker 1: He introduces his wife, Puffofda.

1605
01:18:25,560 --> 01:18:29,120
Speaker 2: So funny, and this guy is so good. Both of

1606
01:18:29,120 --> 01:18:29,839
Speaker 2: them are amazing.

1607
01:18:29,880 --> 01:18:33,000
Speaker 3: But he is so understated, to the degree that when

1608
01:18:33,000 --> 01:18:35,559
Speaker 3: he says, this is my wife, Puffofda, you almost aren't

1609
01:18:35,560 --> 01:18:38,519
Speaker 3: sure if he's joking, like he's making a joke. It's

1610
01:18:38,560 --> 01:18:40,880
Speaker 3: perfect that he could be both ways. And then no,

1611
01:18:41,000 --> 01:18:43,760
Speaker 3: it's actually it. Actually you can call me.

1612
01:18:44,040 --> 01:18:45,280
Speaker 2: Oh my god, social.

1613
01:18:45,120 --> 01:18:47,320
Speaker 1: It turns and says, our one friend calls me Foofie.

1614
01:18:47,320 --> 01:18:50,760
Speaker 1: How do you do? Judge Bemis explains that Foofi will

1615
01:18:50,800 --> 01:18:53,400
Speaker 1: be their witness. She can't believe how young they are.

1616
01:18:53,760 --> 01:18:55,880
Speaker 1: The judge tells them to pay her no mind. They've

1617
01:18:55,920 --> 01:18:58,280
Speaker 1: been marrying folks for thirty six years, and she balls

1618
01:18:58,320 --> 01:19:00,800
Speaker 1: like a baby every time. Then he curtly snaps at

1619
01:19:00,800 --> 01:19:04,240
Speaker 1: his wife, stop it. Tapega thanks them for doing this

1620
01:19:04,280 --> 01:19:07,200
Speaker 1: at such a late hour. What time is it? Seven

1621
01:19:07,840 --> 01:19:13,040
Speaker 1: eight thirty eight? She's one hundred and five that's true.

1622
01:19:13,200 --> 01:19:15,160
Speaker 1: Topeka thanks them for doing this at such a late hour,

1623
01:19:15,200 --> 01:19:17,519
Speaker 1: and he tells them not to worry. Besides, they can't

1624
01:19:17,520 --> 01:19:20,000
Speaker 1: be choosy. Everyone wants a big wedding these days, no

1625
01:19:20,040 --> 01:19:23,679
Speaker 1: one wants to Elope. To Pega grins, well, I do, right, Corey.

1626
01:19:24,000 --> 01:19:25,880
Speaker 1: He just stares blankly at the judge and to Pega

1627
01:19:25,960 --> 01:19:30,439
Speaker 1: nudges him. Corey say, I do. He startled already, And

1628
01:19:30,439 --> 01:19:31,000
Speaker 1: then we're at.

1629
01:19:30,880 --> 01:19:33,240
Speaker 2: The I'm sorry, this is where for me for somebody

1630
01:19:33,240 --> 01:19:38,599
Speaker 2: as smart as to Panga to not constantly question, obviously,

1631
01:19:38,640 --> 01:19:40,680
Speaker 2: you don't want to do this, Corey, Like I know

1632
01:19:40,760 --> 01:19:42,679
Speaker 2: you better than anyone in the world, and I can

1633
01:19:42,720 --> 01:19:46,200
Speaker 2: tell you clearly don't want to be here, so why

1634
01:19:46,240 --> 01:19:46,679
Speaker 2: are we?

1635
01:19:47,080 --> 01:19:49,400
Speaker 1: And she seems to be like dragging him down the

1636
01:19:49,439 --> 01:19:52,000
Speaker 1: aisle by his face. Like on top of that, she

1637
01:19:52,240 --> 01:19:54,639
Speaker 1: doesn't really seem like this is something she really wants

1638
01:19:54,680 --> 01:19:56,519
Speaker 1: to do, other than the fact that very early on

1639
01:19:56,600 --> 01:19:59,280
Speaker 1: she was like, let's get married right away. She didn't

1640
01:19:59,320 --> 01:20:02,280
Speaker 1: go let the Elope. I love the idea of it

1641
01:20:02,400 --> 01:20:03,360
Speaker 1: just being the two of us.

1642
01:20:03,400 --> 01:20:05,479
Speaker 3: She's the one who said it's the most romantic thing

1643
01:20:05,520 --> 01:20:06,160
Speaker 3: I can imagine.

1644
01:20:06,200 --> 01:20:06,360
Speaker 1: Yeah.

1645
01:20:06,600 --> 01:20:10,320
Speaker 2: The last scene, but he clearly doesn't want to be there.

1646
01:20:10,520 --> 01:20:13,160
Speaker 1: It's just yeah, and she, to me doesn't really see

1647
01:20:13,280 --> 01:20:16,559
Speaker 1: she's given him every opportunity to back out of this,

1648
01:20:17,680 --> 01:20:21,439
Speaker 1: so yeah, it just it feels yeah, Okay. Back at

1649
01:20:21,439 --> 01:20:23,960
Speaker 1: the apartment, which already seems a little nicer, Jack and

1650
01:20:24,040 --> 01:20:26,400
Speaker 1: Rachel are alone hanging out in the living room. Jack

1651
01:20:26,479 --> 01:20:29,240
Speaker 1: explains he and Sean are very different, but they're brothers

1652
01:20:29,400 --> 01:20:31,680
Speaker 1: and there's nothing they wouldn't do for each other. Then

1653
01:20:31,800 --> 01:20:34,160
Speaker 1: they beat each other up. Rachel laughs, Me and my

1654
01:20:34,240 --> 01:20:37,160
Speaker 1: sister are the same way. Jack suggests, well, if you're

1655
01:20:37,160 --> 01:20:40,320
Speaker 1: ever homesick and want to wrestle, Rachel's taken aback, what

1656
01:20:40,640 --> 01:20:43,439
Speaker 1: me wrestle with you? Oh god, no, I'm a girl.

1657
01:20:44,120 --> 01:20:47,800
Speaker 1: Then a millisecond later, she pounces on him and pins

1658
01:20:47,880 --> 01:20:48,880
Speaker 1: him down on the couch.

1659
01:20:49,080 --> 01:20:51,320
Speaker 2: Back to the physically dominating.

1660
01:20:50,760 --> 01:20:53,519
Speaker 1: Women, best type of the best type.

1661
01:20:53,320 --> 01:20:56,599
Speaker 2: Of women are men. Physically let's take you over and

1662
01:20:56,720 --> 01:20:57,599
Speaker 2: force you to see.

1663
01:20:58,000 --> 01:20:59,679
Speaker 1: She's been there for what half hour?

1664
01:21:00,280 --> 01:21:02,800
Speaker 2: Yeah? An hour hour and half No, I guess it's

1665
01:21:02,800 --> 01:21:03,439
Speaker 2: been half a day.

1666
01:21:03,960 --> 01:21:05,599
Speaker 1: She changed her clothes, she's out of up.

1667
01:21:05,520 --> 01:21:07,599
Speaker 2: Rode close, she put a robe on, put this on.

1668
01:21:09,760 --> 01:21:11,720
Speaker 1: Now on top of him, she adds, but I am

1669
01:21:11,800 --> 01:21:15,240
Speaker 1: one big old girl. At that same moment, Eric walks

1670
01:21:15,240 --> 01:21:18,120
Speaker 1: through the door and screeches loudly, his worst nightmare is

1671
01:21:18,120 --> 01:21:21,800
Speaker 1: come true. Jack smirks, yeah, that's right, and screeches right back.

1672
01:21:22,120 --> 01:21:24,759
Speaker 1: Rachel dismounts and tells Eric they were just fooling around.

1673
01:21:25,160 --> 01:21:27,400
Speaker 1: Jack reaches for her as she leaves, Please don't go.

1674
01:21:28,200 --> 01:21:31,000
Speaker 1: Rachel asks Eric where he went. Well, while you guys

1675
01:21:31,000 --> 01:21:33,320
Speaker 1: were having your little sumo fest, I was putting a

1676
01:21:33,360 --> 01:21:36,200
Speaker 1: crisis out on the home front. She asks if everything's okay,

1677
01:21:36,280 --> 01:21:39,639
Speaker 1: and Eric heroically responds, it is now Corey and Tapanga.

1678
01:21:39,680 --> 01:21:44,200
Speaker 1: That's my little brother in Topangae. They ran off to

1679
01:21:44,280 --> 01:21:47,360
Speaker 1: a lope. My parents went mental, and I calmed everything down.

1680
01:21:48,240 --> 01:21:51,120
Speaker 1: Rachel wonders, time for the old tap tap on soda.

1681
01:21:51,200 --> 01:21:53,559
Speaker 1: Of course I do it in real life.

1682
01:21:53,600 --> 01:21:57,000
Speaker 2: It's a tap tap tap tap on a soda.

1683
01:21:57,080 --> 01:22:02,760
Speaker 1: My friend the business. Rachel wonders how he did it.

1684
01:22:03,080 --> 01:22:06,160
Speaker 1: I said, calm down you. He recaps his advice, and

1685
01:22:06,240 --> 01:22:09,760
Speaker 1: Rachel admires how romantic he is. Eric mockingly laughs in

1686
01:22:09,840 --> 01:22:12,479
Speaker 1: Jack's face and Jack pushes back. She's not sitting on you,

1687
01:22:12,600 --> 01:22:15,000
Speaker 1: is she? Eric taps on his brain in here she

1688
01:22:15,240 --> 01:22:20,040
Speaker 1: is my friend. In here she is, Rachel reminds him

1689
01:22:20,120 --> 01:22:22,439
Speaker 1: she can hear everything they're saying. They look at her

1690
01:22:22,520 --> 01:22:24,360
Speaker 1: with worry, but she tells them how great they are.

1691
01:22:24,479 --> 01:22:26,840
Speaker 1: In fact, being with them has made her realize what

1692
01:22:26,880 --> 01:22:31,000
Speaker 1: a creep her boyfriend is, which.

1693
01:22:32,360 --> 01:22:33,960
Speaker 2: Give up her scholarship for Yale.

1694
01:22:34,080 --> 01:22:37,320
Speaker 1: She also just said, I can hear you, and what

1695
01:22:37,360 --> 01:22:40,519
Speaker 1: they were doing was being creepy. Yeah, and so now

1696
01:22:40,560 --> 01:22:43,320
Speaker 1: she's like, you guys aren't creepy, but I just heard

1697
01:22:43,360 --> 01:22:46,680
Speaker 1: them being creepy. Anyway, She says she feels like she

1698
01:22:46,720 --> 01:22:48,680
Speaker 1: needs a man in her life and always chooses the

1699
01:22:48,720 --> 01:22:51,120
Speaker 1: wrong one. So she's lucky to have found the two

1700
01:22:51,120 --> 01:22:53,479
Speaker 1: of them, and so glad they can live together without

1701
01:22:53,520 --> 01:22:58,080
Speaker 1: any relations happening. They both give her a pained smile

1702
01:22:58,160 --> 01:22:59,560
Speaker 1: and do their best to act like they're on the

1703
01:22:59,600 --> 01:23:02,400
Speaker 1: same page. Then Rachel pats them on their heads. We're

1704
01:23:02,400 --> 01:23:05,160
Speaker 1: going to be just like girlfriends once she's gone. They

1705
01:23:05,160 --> 01:23:07,760
Speaker 1: discussed this disastrous situation they put themselves in.

1706
01:23:07,840 --> 01:23:11,880
Speaker 3: So it's the implication that she won't have sex with them, right,

1707
01:23:11,920 --> 01:23:15,160
Speaker 3: But I think actually just hearing that red back. The

1708
01:23:15,520 --> 01:23:18,080
Speaker 3: point should be that she did hear them. She does

1709
01:23:18,160 --> 01:23:21,680
Speaker 3: think they're being creepy, right, and therefore she's going to

1710
01:23:23,640 --> 01:23:26,280
Speaker 3: say these things to force them to recognize that they

1711
01:23:26,280 --> 01:23:27,760
Speaker 3: can't be that way, like you know what I mean,

1712
01:23:27,800 --> 01:23:30,639
Speaker 3: Like she's like, but you guys are like she should

1713
01:23:30,680 --> 01:23:34,960
Speaker 3: be actually manipulating them with this, like we're just like girlfriends,

1714
01:23:35,280 --> 01:23:39,040
Speaker 3: like basically telling them there's no chance, right, But that's

1715
01:23:39,040 --> 01:23:39,840
Speaker 3: not the way it's played.

1716
01:23:39,960 --> 01:23:43,679
Speaker 1: So no, no, no, that would be good though, if she's.

1717
01:23:47,280 --> 01:23:51,920
Speaker 3: The YouTube right, like, if she's like basically saying to them,

1718
01:23:52,040 --> 01:23:54,320
Speaker 3: don't even think about it because we're roommates and I

1719
01:23:54,360 --> 01:23:55,320
Speaker 3: just want it to be that way.

1720
01:23:55,840 --> 01:23:57,720
Speaker 1: Yeah, and I do think that was kind of what

1721
01:23:57,760 --> 01:23:59,519
Speaker 1: they were going for, but it doesn't feel that way

1722
01:24:00,040 --> 01:24:02,760
Speaker 1: and feel that way at all. No. Uh, but Eric

1723
01:24:02,800 --> 01:24:06,280
Speaker 1: has a light bulb moment. Girlfriends sleep together, bathe together,

1724
01:24:06,360 --> 01:24:08,839
Speaker 1: and even get to see each other naked. Jack reminds

1725
01:24:08,880 --> 01:24:12,400
Speaker 1: him we already do that. He's seemingly frustrated, but instead

1726
01:24:12,560 --> 01:24:22,920
Speaker 1: Eric tells him playfully the joke.

1727
01:24:23,080 --> 01:24:26,920
Speaker 2: I obviously add that I add, And so I think

1728
01:24:26,960 --> 01:24:30,559
Speaker 2: it was more like, don't tell anybody that we get in.

1729
01:24:30,680 --> 01:24:34,080
Speaker 2: So the button on the scene before you was where

1730
01:24:34,640 --> 01:24:38,040
Speaker 2: that was it? That was the end. Mhmm.

1731
01:24:41,800 --> 01:24:44,879
Speaker 1: We're in the Matthews backyard. Everyone including Peenie, are gathered

1732
01:24:44,880 --> 01:24:49,559
Speaker 1: together discussing Corey into Panga. Amy blames herself for being

1733
01:24:49,640 --> 01:24:53,679
Speaker 1: way too hard on them again, I can we see

1734
01:24:53,680 --> 01:24:54,240
Speaker 1: a replay?

1735
01:24:54,400 --> 01:24:55,960
Speaker 2: I she mustn't at all.

1736
01:24:56,160 --> 01:24:59,479
Speaker 1: Don't see it, don't don't get it. But I'm calling

1737
01:24:59,520 --> 01:24:59,960
Speaker 1: to Panga.

1738
01:25:00,080 --> 01:25:02,000
Speaker 2: The stupid horror that was a little right that night

1739
01:25:02,040 --> 01:25:03,120
Speaker 2: had been a little too far?

1740
01:25:03,439 --> 01:25:04,040
Speaker 4: Was far?

1741
01:25:06,400 --> 01:25:10,639
Speaker 2: Yeah, exactly Why couldn't you have gone to Yale that's

1742
01:25:10,680 --> 01:25:11,080
Speaker 2: coming up?

1743
01:25:12,120 --> 01:25:14,719
Speaker 1: Yeah, that would have been great. But Alan takes fault

1744
01:25:14,760 --> 01:25:17,120
Speaker 1: for his actions too. He's the one who shot Corey

1745
01:25:17,200 --> 01:25:18,880
Speaker 1: down after he had the courage to stand up to

1746
01:25:18,960 --> 01:25:21,800
Speaker 1: him like a man. Sean also feels he's to blame.

1747
01:25:21,880 --> 01:25:23,920
Speaker 1: Corey came to him for advice, and he told them

1748
01:25:23,920 --> 01:25:26,479
Speaker 1: to go ahead and get married. Everyone looks to Angela,

1749
01:25:26,520 --> 01:25:28,840
Speaker 1: but she's clear, don't look at me. I said all

1750
01:25:28,880 --> 01:25:33,200
Speaker 1: the right things, but it didn't matter. She did. Feoenie agrees,

1751
01:25:33,280 --> 01:25:35,040
Speaker 1: you can't tell Corey and Tepenga what to do. I've

1752
01:25:35,040 --> 01:25:37,760
Speaker 1: been trying to do that since the first grade, what

1753
01:25:38,920 --> 01:25:40,839
Speaker 1: every year since first grade?

1754
01:25:41,040 --> 01:25:45,440
Speaker 2: Yeah, he's been their teacher, their only teacher forever gosh.

1755
01:25:45,640 --> 01:25:48,320
Speaker 1: In fact, he remembers trying to separate their desks. Once

1756
01:25:48,720 --> 01:25:51,400
Speaker 1: she kicked him. He bit her, and some little punk

1757
01:25:51,479 --> 01:25:55,320
Speaker 1: kept saying leave them alone, they should get married. Sean jo, We.

1758
01:25:55,640 --> 01:25:58,640
Speaker 3: Met her and at the Corey's Alternative Friends and they

1759
01:25:58,640 --> 01:26:00,439
Speaker 3: were partnered up together and they hate at each other,

1760
01:26:00,479 --> 01:26:01,599
Speaker 3: and I thought she was weird and we.

1761
01:26:02,080 --> 01:26:07,160
Speaker 1: But also also and the monkey bars.

1762
01:26:08,120 --> 01:26:10,640
Speaker 2: And by the way, if you have one teacher for

1763
01:26:10,720 --> 01:26:13,320
Speaker 2: your entire life, you're just being indoctrinated. That's not education

1764
01:26:17,200 --> 01:26:19,759
Speaker 2: to tell you exactly that they're all just whatever.

1765
01:26:19,800 --> 01:26:20,360
Speaker 1: Phoenie thinks.

1766
01:26:20,479 --> 01:26:21,880
Speaker 2: That's the way it is. Now, that's not good.

1767
01:26:21,920 --> 01:26:22,320
Speaker 1: That's not it.

1768
01:26:22,360 --> 01:26:25,599
Speaker 2: That is the way Waldorf schools work. The same teacher

1769
01:26:27,479 --> 01:26:27,840
Speaker 2: it is.

1770
01:26:28,080 --> 01:26:34,000
Speaker 1: It's also a salad. Wait is it the Waldorf schools?

1771
01:26:34,000 --> 01:26:37,600
Speaker 1: Is that what it's called, right? Or is it Isn't it?

1772
01:26:37,680 --> 01:26:43,880
Speaker 3: Montessori Montosauri is another type of Waldorf as far as

1773
01:26:43,880 --> 01:26:45,920
Speaker 3: I know. The teachers stay with you all the way

1774
01:26:45,960 --> 01:26:48,000
Speaker 3: through high school or all the way through grades.

1775
01:26:48,320 --> 01:26:51,000
Speaker 2: But there's also Walnuts and weird kind of Walmart. And

1776
01:26:51,000 --> 01:26:52,080
Speaker 2: it's not my favorite.

1777
01:26:52,720 --> 01:26:56,200
Speaker 1: Sean Grins. I was cute then, huh, POENI nods precious.

1778
01:26:56,400 --> 01:26:58,960
Speaker 1: Then he tells everyone, your advice came from a good place.

1779
01:26:58,960 --> 01:27:01,240
Speaker 1: But Corey and Tapanga are in the first grade anymore.

1780
01:27:01,280 --> 01:27:04,839
Speaker 1: They'll be fine because they were well brought up. Alan adds,

1781
01:27:05,080 --> 01:27:08,240
Speaker 1: and well taught. Sean boasts, well, I've done the best

1782
01:27:08,280 --> 01:27:12,280
Speaker 1: I can. Amy size and sits down next to her husband.

1783
01:27:12,560 --> 01:27:16,240
Speaker 1: I wish we could be at the wedding. There's already wedding.

1784
01:27:16,320 --> 01:27:19,800
Speaker 2: It's like that again. The ship has flown there in

1785
01:27:19,800 --> 01:27:21,839
Speaker 2: the rockets, in the racket.

1786
01:27:22,200 --> 01:27:24,840
Speaker 1: Everyone seems to agree in silence, and then we're back

1787
01:27:24,840 --> 01:27:27,200
Speaker 1: at the wedding chapel. Foufee begins to play the wedding

1788
01:27:27,200 --> 01:27:29,240
Speaker 1: march on her organ, and Corey and Topanga make their

1789
01:27:29,240 --> 01:27:32,240
Speaker 1: way down the aisle. Together. They approach Judge Bemis, who

1790
01:27:32,320 --> 01:27:35,599
Speaker 1: begins the service. Fufie is getting hysterical again about how

1791
01:27:35,640 --> 01:27:38,559
Speaker 1: young they are. He sarcastically suggests they just give them

1792
01:27:38,560 --> 01:27:41,519
Speaker 1: back their money, and Fufe earnestly agrees with him. That

1793
01:27:41,560 --> 01:27:42,839
Speaker 1: would be a nice gesture.

1794
01:27:42,960 --> 01:27:43,719
Speaker 2: Nice gesture.

1795
01:27:44,000 --> 01:27:46,519
Speaker 1: The judge complains, thirty six years and she still doesn't

1796
01:27:46,560 --> 01:27:48,280
Speaker 1: get it. This is what we do for a living.

1797
01:27:48,680 --> 01:27:50,880
Speaker 1: He cuts to the chase with Corey and Tapanga. Corey,

1798
01:27:51,160 --> 01:27:53,320
Speaker 1: do you take Tapanga to be your wife for richer

1799
01:27:53,400 --> 01:27:55,759
Speaker 1: or poorer, in sickness or in health? And he says,

1800
01:27:56,000 --> 01:27:59,880
Speaker 1: I always have and I always will I do. Then

1801
01:28:00,040 --> 01:28:02,479
Speaker 1: he addresses to Panga and asks the same thing, but

1802
01:28:02,560 --> 01:28:04,680
Speaker 1: this time to Pega is the one who's at a

1803
01:28:04,720 --> 01:28:07,840
Speaker 1: loss for words. She stares at the judge blankly. The

1804
01:28:07,880 --> 01:28:11,200
Speaker 1: words to be continued appear at the bottom of the screen.

1805
01:28:11,920 --> 01:28:14,120
Speaker 1: Why tag, Why.

1806
01:28:14,000 --> 01:28:18,519
Speaker 2: Is Corey suddenly confident about it? Like what change? We'll

1807
01:28:18,560 --> 01:28:23,160
Speaker 2: find out next week, saying no is the only rebel.

1808
01:28:23,160 --> 01:28:25,040
Speaker 2: But then he was in the car, still not I know,

1809
01:28:25,160 --> 01:28:26,080
Speaker 2: asking the exit.

1810
01:28:26,640 --> 01:28:29,000
Speaker 1: Yeah, it doesn't like and then none of it makes sense.

1811
01:28:29,560 --> 01:28:30,880
Speaker 2: That's the thing. It's unmotivated.

1812
01:28:30,920 --> 01:28:34,400
Speaker 3: It's like characters changing for the sake of making the

1813
01:28:34,439 --> 01:28:36,920
Speaker 3: change happen and making the transition happen. They're not actually

1814
01:28:36,960 --> 01:28:40,080
Speaker 3: motivated by the story or the plot or the events

1815
01:28:40,160 --> 01:28:41,240
Speaker 3: in any way.

1816
01:28:41,400 --> 01:28:41,799
Speaker 1: POV.

1817
01:28:42,040 --> 01:28:44,880
Speaker 3: Now everybody's just making a transition in their life, Like

1818
01:28:44,960 --> 01:28:46,640
Speaker 3: Sean's just going to go to college.

1819
01:28:46,760 --> 01:28:47,920
Speaker 2: We're just gonna I'm.

1820
01:28:47,840 --> 01:28:49,920
Speaker 3: Not going to do the photo photography job. Rachel's just

1821
01:28:49,960 --> 01:28:55,440
Speaker 3: going to move in. Everybody's just making decisions.

1822
01:28:54,360 --> 01:28:57,719
Speaker 4: Have some fun, but you can have mean think about

1823
01:28:57,800 --> 01:29:01,479
Speaker 4: like people make choices in those choices affect everybody else,

1824
01:29:01,520 --> 01:29:05,200
Speaker 4: and you see instead it's like everybody's just thinking about things.

1825
01:29:07,600 --> 01:29:09,880
Speaker 1: Yeah, and by the way, the car ride scene would

1826
01:29:09,920 --> 01:29:13,280
Speaker 1: have then had a point if Corey realized something in

1827
01:29:13,439 --> 01:29:16,320
Speaker 1: the scene with the parents, if he if his new

1828
01:29:16,360 --> 01:29:18,920
Speaker 1: POV was to Pango. When you first asked me, it

1829
01:29:18,920 --> 01:29:21,559
Speaker 1: felt overwhelming and I was shocked. But what occurred to

1830
01:29:21,600 --> 01:29:24,639
Speaker 1: me while listening to my parents is it worked for them,

1831
01:29:24,760 --> 01:29:26,840
Speaker 1: and now it worked for them. Look at the life

1832
01:29:26,880 --> 01:29:29,040
Speaker 1: they have. That's exactly what I want to have with you.

1833
01:29:29,160 --> 01:29:30,880
Speaker 1: I want to have a white picket fence. I want

1834
01:29:30,880 --> 01:29:32,519
Speaker 1: to have three children, I want to have.

1835
01:29:32,479 --> 01:29:34,280
Speaker 2: An eric Like that could have been a funny It

1836
01:29:34,280 --> 01:29:35,439
Speaker 2: could have been a really funny line.

1837
01:29:35,479 --> 01:29:37,360
Speaker 1: I mean stuff like that, you know, but like, this

1838
01:29:37,520 --> 01:29:40,040
Speaker 1: is what I want, and you know, if my parents

1839
01:29:40,040 --> 01:29:42,560
Speaker 1: aren't going to support it, then then what what's a

1840
01:29:42,560 --> 01:29:44,560
Speaker 1: big wedding if your parents won't even be there? And

1841
01:29:44,760 --> 01:29:45,799
Speaker 1: nothing is more romantic?

1842
01:29:45,880 --> 01:29:47,360
Speaker 3: And then you cut to to Panga looking out the

1843
01:29:47,360 --> 01:29:49,599
Speaker 3: window a little worried, like, oh god, now she's suddenly

1844
01:29:49,640 --> 01:29:52,080
Speaker 3: scared because he's all in then you get to the

1845
01:29:52,160 --> 01:29:54,840
Speaker 3: chapel and she's like wondering maybe, and then she backs

1846
01:29:54,880 --> 01:29:56,800
Speaker 3: out and then it's motivated because or.

1847
01:29:56,800 --> 01:29:58,320
Speaker 1: He's driving forward exact time.

1848
01:29:58,400 --> 01:30:01,160
Speaker 3: Yes, I'm s I can't wait to have kids like

1849
01:30:01,320 --> 01:30:02,760
Speaker 3: Eric and Morgan.

1850
01:30:02,400 --> 01:30:05,160
Speaker 2: And that's what she's like, Oh god, yeah exactly. And

1851
01:30:05,160 --> 01:30:06,599
Speaker 2: then she's and we're not going to go to Yale?

1852
01:30:06,640 --> 01:30:07,639
Speaker 2: Who even needs college?

1853
01:30:08,000 --> 01:30:08,520
Speaker 1: Exactly?

1854
01:30:08,760 --> 01:30:10,840
Speaker 2: And he is rebella. Yes, he motivated.

1855
01:30:11,320 --> 01:30:14,240
Speaker 1: Yes, that would have I would have been for sure.

1856
01:30:14,280 --> 01:30:15,760
Speaker 1: And then to Bank is like, oh god, what did.

1857
01:30:17,800 --> 01:30:17,920
Speaker 2: So.

1858
01:30:17,960 --> 01:30:20,800
Speaker 1: Our next episode is season six, episode two. It is

1859
01:30:20,840 --> 01:30:25,919
Speaker 1: called Her Answer, There you Go, Part two, which originally

1860
01:30:25,960 --> 01:30:27,439
Speaker 1: aired October second night.

1861
01:30:27,520 --> 01:30:30,000
Speaker 2: So that's what it's his answer Part one? Her answer

1862
01:30:30,040 --> 01:30:34,360
Speaker 2: answer to those those aren't parts of the same title.

1863
01:30:34,840 --> 01:30:41,120
Speaker 2: Those are different titles. That's gonna drive me crazy. I'm

1864
01:30:41,160 --> 01:30:43,719
Speaker 2: not okay with that. You see Roder just lying awake

1865
01:30:43,760 --> 01:30:45,240
Speaker 2: at night, just eyes wide open?

1866
01:30:47,600 --> 01:30:51,200
Speaker 1: Where's answer part two? And where's her answer?

1867
01:30:51,280 --> 01:30:57,840
Speaker 2: Part One's looking at the why go to you? Why

1868
01:30:57,880 --> 01:30:59,559
Speaker 2: didn't she go to going on?

1869
01:31:00,320 --> 01:31:03,720
Speaker 1: That's it. Well, thank you all for listening to this

1870
01:31:03,760 --> 01:31:06,000
Speaker 1: episode of Podmeets World. As always, you can follow us

1871
01:31:06,040 --> 01:31:08,360
Speaker 1: on Instagram. Podmeets World Show. You can send us your

1872
01:31:08,400 --> 01:31:11,840
Speaker 1: emails Podmeets World Show at gmail dot com and we

1873
01:31:12,720 --> 01:31:13,479
Speaker 1: have merch.

1874
01:31:14,120 --> 01:31:20,800
Speaker 2: Got this new merch It is fine.

1875
01:31:22,040 --> 01:31:25,200
Speaker 1: Podmeetsworldshow dot com writer send us out.

1876
01:31:25,640 --> 01:31:27,560
Speaker 2: We love you all, pod dismissed.

1877
01:31:29,320 --> 01:31:32,000
Speaker 3: Pod Meets World is an iHeart podcast producer hosted by

1878
01:31:32,080 --> 01:31:36,080
Speaker 3: Danielle Fischel, Wilfridell and Ryder Strong executive producers, Jensen Carp

1879
01:31:36,080 --> 01:31:39,280
Speaker 3: and Amy Sugarman Executive in charge of production, Danielle Romo,

1880
01:31:39,479 --> 01:31:43,320
Speaker 3: producer and editor, Tarasubasch producer, Maddie Moore engineer and Boy

1881
01:31:43,360 --> 01:31:45,040
Speaker 3: Meets World Superman Easton Allen.

1882
01:31:45,200 --> 01:31:47,759
Speaker 2: Our theme song is by Kyle Morton of Typhoon.

1883
01:31:48,040 --> 01:31:51,000
Speaker 3: Follow us on Instagram at Podmeets World Show or email

1884
01:31:51,080 --> 01:31:56,560
Speaker 3: us at Podmeets World Show at gmail dot com