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Speaker 1: What's up.

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Speaker 2: It's way up at Angela. Yeah, and it's definitely way up.

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Speaker 2: We got two Brooklyn girls in the building. I'm here

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Speaker 2: with EMC Light.

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Speaker 3: Yes, it's a pleasure.

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Speaker 2: It is such an I always tell you, like, I

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Speaker 2: want EMC Light to come up here because you are

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Speaker 2: just somebody that I've looked up to ever since I

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Speaker 2: was young, and then haven't met you one person. So

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Speaker 2: many years ago when we hosted something together it was

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Speaker 2: like a New Year's countdown or something.

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Speaker 1: I was like, this is so surreal to me.

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Speaker 3: I don't even remember that. Let me tell you. You've

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Speaker 3: done everything so many years. Yes, in this thing right,

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Speaker 3: People are like, you don't remember that event we did,

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Speaker 3: Like I do events three hundred days a year. All right.

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Speaker 1: What does EMC light do for fun? Besides work?

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Speaker 2: Oh?

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Speaker 3: Goodness? Besides work?

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Speaker 2: Well, work is fun, besides That's why I said besides

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Speaker 2: besides work.

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Speaker 3: I like to bowl. Oh okay, yeah, I love watching documentaries,

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Speaker 3: all right. I love going to the movies.

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Speaker 2: Okay, all right, what's the documentaries. Let's talk about that

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Speaker 2: for a second. What are some of the ones you've

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Speaker 2: seen recently that you're like, I would recommend this because

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Speaker 2: i'd be watching the documentaries too.

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Speaker 3: Well, there there are a few. I probably don't know

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Speaker 3: the names of them, but I remember the content. Okay,

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Speaker 3: So remember the triplets that didn't know they were triplets,

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Speaker 3: they were separated at birth.

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Speaker 1: I didn't see that one.

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Speaker 3: Oh my god, I met I think in college. So

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Speaker 3: the two of them met and then they met another

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Speaker 3: one and it was just like it was crazy. Then

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Speaker 3: there's another one where there were two sets of twins,

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Speaker 3: but they were with the wrong twin. Okay, so one

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Speaker 3: of the twins went to school. They said, oh my god,

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Speaker 3: he saw him. It was like, you look just like

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Speaker 3: my brother.

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Speaker 1: I feel like I saw this on the news.

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Speaker 2: Is this the same documentary or do you like these

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Speaker 2: are two different triplet documentaries?

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Speaker 3: I do, I do, but it's different. And then of

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Speaker 3: course there's Sarah is the school that was upstate and

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Speaker 3: they were all living in a house. And then the

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Speaker 3: one of the girls, her father was in prison and

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Speaker 3: he would talk to all of them from prison. Well, anyway,

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Speaker 3: he came out and went to live with them, and

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Speaker 3: first they were like, oh my god, this is creepy.

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Speaker 3: Your father's living with us. And then all of a

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Speaker 3: sudden they got used to it, and he was giving

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Speaker 3: them advice and all that night. Anyway, girl, it wound

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Speaker 3: up being a tortuous situation.

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Speaker 1: Okay, not nice.

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Speaker 3: Even the daughter left. She was like, I know he's

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Speaker 3: my father, but I'm out of here. Y'all could keep them.

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Speaker 2: No shade, But I kind of feel that way. I

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Speaker 2: couldn't imagine living with my dad. Well, yeah, unless it

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Speaker 2: was a big house and he was in the basement

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Speaker 2: or something. Anyway, let's talk about what we're here for.

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Speaker 2: The I just like to get a little insight on

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Speaker 2: what you do, because every time I see you it's

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Speaker 2: work related. You're working, you know, You're always doing things,

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Speaker 2: and I appreciate you for that. But you are putting

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Speaker 2: out a new album which is amazing. I sell you

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Speaker 2: at BT Awards and we spoke about it briefly, and woman,

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Speaker 2: that's the song that we've already heard. We saw it

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Speaker 2: with Rahiem DeVaughn and Big Daddy Can and what a

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Speaker 2: nice group of people. And you've been on the Queen's

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Speaker 2: R and B tour. Yeahs, but how does all this

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Speaker 2: fail for you? Just knowing that like all this time,

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Speaker 2: all this longevity, because everybody is not gonna make it

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Speaker 2: this long to still be respected and also revered the way.

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Speaker 3: You are, well, you know what, I consider myself blessed.

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Speaker 3: I am in gratitude that, you know, the day I

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Speaker 3: decide and I look at a few others l L

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Speaker 3: and Common and ghost Face, it's like, Okay, you wake

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Speaker 3: up one morning, you go, you know what, I want

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Speaker 3: to stick my toe back in this water, and that

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Speaker 3: there's a place we can actually do it and there's

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Speaker 3: a home for it and people love it. With L's platform,

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Speaker 3: we saw last year for the fiftieth we saw cruises,

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Speaker 3: we saw festivals, we saw tours and it was great.

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Speaker 3: You know, I performed on the cruise, I performed on

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Speaker 3: the festival, and then I went out and did a

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Speaker 3: couple of dates on the tour and everywhere was packed.

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Speaker 3: So there is an audience. People want to see it.

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Speaker 3: They want to you know, feel us as the artists

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Speaker 3: that they grew up with and so glad to still

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Speaker 3: be in it and still rocking. And the process for

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Speaker 3: the album was just it was fantastic. I love being

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Speaker 3: in the process of making an album. It's one of

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Speaker 3: the best feelings to wake up every day and go

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Speaker 3: to the studio. If I lived my life like that,

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Speaker 3: it would be fantastic, But we know at some point

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Speaker 3: you gotta deliver the project. You gotta go perform, and

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Speaker 3: you gotta do you know, all of the other stuff

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Speaker 3: that comes.

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Speaker 1: From it comes with.

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Speaker 2: And speaking of delivering the project, I know it's been

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Speaker 2: like Okay, it's coming out this day, but that it's

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Speaker 2: coming a little bit later, a little bit later. So

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Speaker 2: talk to me about that part, because I know it's an.

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Speaker 3: Samples, Yeah, sample clearances, you know, it's it's making the

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Speaker 3: decision as to whether or not you want to use samples,

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Speaker 3: because of course we know that when we hear a

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Speaker 3: record that has a sample in it, it feels like

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Speaker 3: you go, you're transported back to that time, so you

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Speaker 3: get layers of soul that just aren't aren't in today's music.

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Speaker 3: And so we went through the samples. But of course

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Speaker 3: you know Warren who Warren Campbell, who is executive PU

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Speaker 3: seeing the project and producing most of the songs on it.

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Speaker 3: He's also a musician, so he can play all of

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Speaker 3: the instruments. So we've ended up having to play all

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Speaker 3: the samples.

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Speaker 2: Get expensive, yeah, and it takes a while sometimes to

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Speaker 2: even contact.

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Speaker 3: And even when you even after you clear the master side,

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Speaker 3: you get you still got to clear the publishing side. Okay,

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Speaker 3: so we're still in the midst of all of that.

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Speaker 3: So that's the whole You could us a sample yourself.

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Speaker 3: I mean, you got classic songs and then I'm not

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Speaker 3: having it. Then you did, I'm still not having it.

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Speaker 3: You remember that, Yes, son.

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Speaker 1: Still a lot of the songs still hold to today though.

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Speaker 3: Yeah. And you know what, the the remix I'm still

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Speaker 3: not having it was Bill Withers and he controlled his publishing.

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Speaker 3: So we just called and said, wow, can we have this?

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Speaker 3: Can we And they was like yeah, go ahead and

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Speaker 3: music and they signed our paperwork and we did it.

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Speaker 3: But now that was years ago. It's such a big

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Speaker 3: business publishing and samples and you know, the master sink,

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Speaker 3: licenses and all all of those things. It makes so

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Speaker 3: much money that there's no way you could just call

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Speaker 3: somebody and say can you give me this and them

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Speaker 3: say yes, and really have the power to do it.

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Speaker 1: What about your catalog?

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Speaker 2: Because I know a lot of people are doing deals

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Speaker 2: for publishing, and they are doing deals with their masters.

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Speaker 1: What have you done with yours?

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Speaker 3: Nothing? I'm keeping it and keeping it all well. First off,

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Speaker 3: I don't own my masters. Unfortunately, I came in at

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Speaker 3: a time with the record labels. You you didn't really

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Speaker 3: think about it. You said, oh, give me this opportunity. Okay,

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Speaker 3: I got it, but.

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Speaker 1: Today it very bad.

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Speaker 2: I know.

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Speaker 1: There's like a timeline where they.

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Speaker 3: Well, you have to you have to go after it.

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Speaker 3: And I think it's like thirty five years. Once upon

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Speaker 3: a time they said twenty. I don't know if they

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Speaker 3: pushed back and now it's thirty five. But no, I

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Speaker 3: do not have my master's back. But I've got so

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Speaker 3: much more new music that I own the masters too.

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Speaker 3: That's what I concentrate on pushing.

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Speaker 2: That's a lesson because you were a teenager when you

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Speaker 2: first came out, and it's her, and that was a

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Speaker 2: time when nobody really knew the business.

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Speaker 1: It was kind of a wild wild West for music.

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Speaker 3: Yes, it really was. And you know they sign and

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Speaker 3: it says you're fifty. Okay, so let me slow down.

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Speaker 3: I used to work one week, go to school when

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Speaker 3: week work once week. It was part of the co

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Speaker 3: op program. And I worked at bear Stearns at the

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Speaker 3: World Trade Center. Okay, right in the building five that

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Speaker 3: just fell, and nobody knows why. Okay. So I used

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Speaker 3: to work in that building, and so being there, I

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Speaker 3: was surrounded by brokers, and so I got this record contract.

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Speaker 3: I don't know the first thing about getting an attorneys.

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Speaker 3: So I let one of the brokers look at at

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Speaker 3: the contract and he said, well, everything looks good except

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Speaker 3: they want to own fifty percent of your publishing. I

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Speaker 3: was like, is that a bad thing? He was like,

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Speaker 3: just tell them that you don't want to give it

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Speaker 3: to them. I said, oh, okay. So I called up

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Speaker 3: the record label. I was like, okay, so the contract

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Speaker 3: is cool. I just I don't want to give up

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Speaker 3: fifty percent of my publishing and they said, oh, well,

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Speaker 3: then there's no deal. I was like, oh okay, so

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Speaker 3: then I'll sign it right.

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Speaker 2: Well, he gave me some good advice, he did, but

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Speaker 2: you didn't feel like you had the leverage because you

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Speaker 2: wanted to Yeah.

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Speaker 3: Yeah. It was like, okay, I'm not gonna make zero

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Speaker 3: of a hundred percent or something from fifty. Yeah, So

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Speaker 3: I signed my publishing. Okay, well on no songs.

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Speaker 2: You know what I always wanted to ask you too,

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Speaker 2: because during that time coming up, I remember you engaged

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Speaker 2: in some hip hop beef activities and we're watching a

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Speaker 2: lot of that play out now.

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Speaker 1: But how was that for you back then?

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Speaker 2: Like when you and Voxanne Chante kind of went at it,

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Speaker 2: you had to respond, but it felt like it was

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Speaker 2: really just on wax. It wasn't like if I saw

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Speaker 2: you as on Yeah, what was it like?

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Speaker 3: It was just on wax. And you know, many years later,

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Speaker 3: I went to her ice cream shop. She had an

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Speaker 3: ice cream shop in Jamaica, Queen, So I went there.

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Speaker 3: I patronized her business. You know, we said, we talked,

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Speaker 3: and we cleared the air, and I think, you know,

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Speaker 3: unfortunately I don't know what it is today, But back then,

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Speaker 3: most beefs were fueled by the men. They weren't. We

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Speaker 3: We two women could kind of work things out. We're

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Speaker 3: gonna talk or we're not gonna talk, but we ain't

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Speaker 3: gonna be bickering and all we all we understand what

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Speaker 3: this game is, and some of us just are We

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Speaker 3: just don't get along to be friends, but we can

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Speaker 3: be cordial and say hello to everybody.

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Speaker 1: Ain't got to be besties, right.

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Speaker 3: And be a part of the tribute and do all

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Speaker 3: of the things that we need to do well. I

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Speaker 3: tend to think that back in the day, it was

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Speaker 3: men saying you're the only you're the best. You gotta

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Speaker 3: fight for your right to only be the queen on

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Speaker 3: the throne, or whatever it is that they say to people.

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Speaker 3: But I think once you get older, you're able to

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Speaker 3: work it out. And that's what happened with Antoinette and myself,

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Speaker 3: and that's what happened Rocks and Shanta.

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Speaker 2: But it also was something that just happens in hip

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Speaker 2: hop too, because it is the guys do it all

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Speaker 2: the time, and I've heard women say this, like, why

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Speaker 2: do people get mad when we you know, the guys

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Speaker 2: are doing these dischecks toward each other. Why do they

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Speaker 2: act like it's a big deal when women do it?

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Speaker 2: Because it's a competitive sport. Run and you were saying

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Speaker 2: some vicious things. I'm not gonna lie.

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Speaker 3: Well at the time, I mean, my stuff was just

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Speaker 3: so off the wall. It was like pop your head

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Speaker 3: in a microwave and watch a skim bubble.

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Speaker 2: You know.

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Speaker 3: It was just what is the most outland thing that

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Speaker 3: I could say right here? And that's what it was

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Speaker 3: made about. I think maybe they expect more from women

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Speaker 3: because it's so few of us, so few of us,

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Speaker 3: how are we not gonna get along? At least be

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Speaker 3: cordial enough that we don't have to dig so under

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Speaker 3: the ground. But it is a sport. We have to

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Speaker 3: remember that, and some are better at it than others.

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Speaker 3: And when someone sees all of the light or no

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Speaker 3: pun intended, all of the shine or whatever going to

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Speaker 3: somebody who's they deem as not deservant, it's like, I'm

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Speaker 3: going after them kind of thing.

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Speaker 2: So, I mean, what advice would you give today now

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Speaker 2: if some of these lady, these women rappers were to

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Speaker 2: come to you and be like, like, I gotta go.

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Speaker 2: What do you think I should do? She came at me?

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Speaker 2: Do I need to respond? Should I not respond?

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Speaker 3: Like?

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Speaker 1: What would you say?

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Speaker 3: Oh? Well, it's a different it's a different day and time.

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Speaker 3: And when you're of a certain age and you're in

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Speaker 3: the thick of the flow of how it goes, you

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Speaker 3: might have to diss someone to stand up for your space.

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Speaker 1: Because you can't be a punching bag either.

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Speaker 3: You can't be a punching bag and look the other way.

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Speaker 3: There are times when you know, I've heard a little

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Speaker 3: line or two in somebody's stuff, But it's like if

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Speaker 3: they didn't have the goal enough to just say it,

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Speaker 3: and they had to hide it beneath metaphors. Then I'm

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Speaker 3: not even going to address it. And so my thing

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Speaker 3: is not unless it's proven that they're talking to you,

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Speaker 3: ignore it.

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Speaker 1: Okay, that's good advice.

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Speaker 2: Unless they call you out directly, the subliminals shouldn't even matter.

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Speaker 3: Yeah, I mean not unless they say, you know, the

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Speaker 3: light that hails from Brooklyn, right.

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Speaker 1: What I felt like a shot exactly.

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Speaker 2: Now you also have a song about the Kings, because

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Speaker 2: you know, we do the queens and King and yes,

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Speaker 2: King King as well, and the album feels like it

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Speaker 2: is going to be something that is like a light.

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Speaker 3: It's very inspirational, but you know, I get down into

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Speaker 3: the you know, I do what's necessary. But it is

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Speaker 3: a journey, so it's not one dimensional. We've got definite

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Speaker 3: songs that address social topics. But then also we've got,

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Speaker 3: you know, songs that are just kicked back. I got

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Speaker 3: a song called Kickback Relax with Q Tip on it,

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Speaker 3: and it's basically like, Okay, this game is so full

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Speaker 3: of hustle and bustle, it's time to just unplug.

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Speaker 1: Yeah.

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Speaker 2: Both have such distinctive wayes too. That's going to be

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Speaker 2: a nice one. Yeah to hear both of you. And

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Speaker 2: he also produced Lal's album right Yeah. His full project

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Speaker 2: Ella was like I'm just being on Q Tip to

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Speaker 2: right No.

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Speaker 3: I love I love these thematic albums that sort of

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Speaker 3: bring new purpose to collaboration. And so we're seeing you know,

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Speaker 3: ghost Face coming and I guess it's through NAS's company,

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Speaker 3: so you're able to see you see that together. And

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Speaker 3: then you've got Freeway that's down with Jada right now,

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Speaker 3: so they're kicking off a bunch of songs versus together

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Speaker 3: that I'm seeing online. And then l L with q Tip,

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Speaker 3: which is is great rock and common Pete rock and common.

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Speaker 3: You know it. It feels like a new era.

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Speaker 1: Who's somebody that's not doing music anymore? Right now?

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Speaker 2: That came up and you came up that You're like,

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Speaker 2: if I could get them to just uh, I've always

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Speaker 2: wanted to work with this person. This could be dope

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Speaker 2: to just bring this person back in the music.

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Speaker 1: Scene, right.

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Speaker 3: I can't.

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Speaker 1: Hm.

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Speaker 3: Shine was tough, Okay, Shine was tough, and I don't

305
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Speaker 3: think we got enough from him.

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Speaker 1: I know that was unfortunate how.

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Speaker 3: The whole thing went south, right, But yeah, he just

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Speaker 3: has something to say in a really in a different way.

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Speaker 3: His flow was really different to me. Rage. Oh, she

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Speaker 3: just did something with the guys with with Dog Pound.

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Speaker 3: But I'd like to see her do some stuff, you know,

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Speaker 3: her solo stuff would be nice to hear. I wanted

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Speaker 3: to hear more from the Boss, but unfortunately.

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Speaker 2: I remember that album when that came out Deeper Yes,

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Speaker 2: and she was with Onyx.

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Speaker 3: Yes, Yeah, that's that whole lineup, because I remember seeing

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Speaker 3: them at the Palladium and it was Onyx and the

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Speaker 3: Boss and it was one other person. I can't remember

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Speaker 3: who the other person was, but I remember being in

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Speaker 3: VIP running into run DMC. It was just like a

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Speaker 3: whole deaf jam situation. It was so dope.

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Speaker 2: Yeah, she was really dope. And now I'm glad you

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Speaker 2: said that because I remember her whole album. She had

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Speaker 2: this one song, I Don't give a fuck. No, it

325
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Speaker 2: was the whole song was how she don't give it right?

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Speaker 3: I love it just the gall You know.

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Speaker 1: It's interesting because Terrey is here. She's twenty one years old.

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Speaker 2: You just met it when you came in, and I'm like,

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Speaker 2: emc Light is coming today, and her mom is here too.

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Speaker 1: Her mom is like I'm standing for.

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Speaker 2: That, And I was playing her some EMC light sounds

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Speaker 2: so she could be familiar because she's young, you know.

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Speaker 1: But like I said, I felt like a lot of

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Speaker 1: those songs.

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Speaker 2: Could still today, like be brought back or have people sampled,

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Speaker 2: like maybe like yes, okay.

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Speaker 3: Yeah, a large percentage of the plaques that live on

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Speaker 3: my walls samples okay yeah. And once in a while

339
00:15:14,280 --> 00:15:17,760
Speaker 3: ago there's there's actually a list online that's public that

340
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Speaker 3: you can say who sampled this or who sampled this artist,

341
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Speaker 3: or who sampled this record, and you will get a

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Speaker 3: long of all the people and have sampled something at

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Speaker 3: one point or another.

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Speaker 2: Man. I was also showing her the Poor Georgy video

345
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Speaker 2: and I was like, look, you see who's that right there?

346
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Speaker 2: And I'm like, that's Laurence Hill in the video. And

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Speaker 2: I remember that because I always tell you, guys, did

348
00:15:38,600 --> 00:15:41,680
Speaker 2: that off Broadway play together during that time? So you

349
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Speaker 2: met her early on in her career. That was that

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Speaker 2: was before the Fujis, around that.

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Speaker 3: Time, definitely before the Fujis, And she was on a

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Speaker 3: soap opera. Yes, she's acting as the World Turns, And

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Speaker 3: so I remember them telling me that they were starting

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Speaker 3: a group, she and y Cliff because they both were

355
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Speaker 3: in the play. And then it just so happens that

356
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Speaker 3: the label that they were signed through, rough House out

357
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Speaker 3: of Philadelphia, was the same place we had link Q signed,

358
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Speaker 3: and so we ran into them at the record label

359
00:16:12,120 --> 00:16:15,440
Speaker 3: with link Q and the Fujis. It was like, oh, yes,

360
00:16:15,560 --> 00:16:18,640
Speaker 3: y'all said, y'all was doing this, and then they blew up.

361
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Speaker 2: Isn't that fascinating to see at the beginning of people's careers,

362
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Speaker 2: how you could meet somebody.

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Speaker 3: The beginning stages, at the.

364
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Speaker 2: Beginning stages, and you've done so much the Hip Hop

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Speaker 2: Sisters Foundation, I know that's something that's near and dear

366
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Speaker 2: to you heart. And what I love is that MC

367
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Speaker 2: light has always from the beginning of your career, I

368
00:16:35,480 --> 00:16:37,840
Speaker 2: feel like you had the foresight to know, let me

369
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Speaker 2: also be diverse.

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Speaker 3: Well, yes, always wanted to be diverse, So it really

371
00:16:43,760 --> 00:16:47,560
Speaker 3: took preparing for each of the moments that called for

372
00:16:47,640 --> 00:16:51,600
Speaker 3: a certain or specific talent, so acting or voiceover such.

373
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Speaker 3: But with Hip Hop's Sisters that came in to be

374
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Speaker 3: with doctor Lynn Richardson, who I met in I don't know,

375
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Speaker 3: maybe twenty eleven. Actually we had been on the same carpets,

376
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Speaker 3: in the same rooms, on the same panels forget your

377
00:17:06,200 --> 00:17:08,760
Speaker 3: Money Right. You remember that, I do remember then you

378
00:17:08,840 --> 00:17:11,000
Speaker 3: get your Money Right? Where We went all across the

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00:17:11,040 --> 00:17:15,719
Speaker 3: country doing these panels to collegiate folks, teaching them how

380
00:17:15,720 --> 00:17:18,360
Speaker 3: to get their credit straight, how to do well. She

381
00:17:18,600 --> 00:17:23,639
Speaker 3: was the COO of that. Once Felicia stepped away, she

382
00:17:23,760 --> 00:17:26,920
Speaker 3: became the COO and so we met a couple of times.

383
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Speaker 3: But it wasn't until she saw Hip Hop Sisters, which

384
00:17:29,880 --> 00:17:33,320
Speaker 3: was the artistry part of the organization. She said, I'd

385
00:17:33,359 --> 00:17:36,080
Speaker 3: really like to talk with you about starting a foundation,

386
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Speaker 3: and so we started the foundation together.

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Speaker 1: Maw. That was amazing.

388
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Speaker 2: I remember those and I think people talk about like

389
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Speaker 2: financial literacy. It's really a hot topic right now, as

390
00:17:46,240 --> 00:17:47,720
Speaker 2: it should be, as it should have been, But you

391
00:17:47,760 --> 00:17:50,720
Speaker 2: were pretty early on in that space also.

392
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Speaker 3: Well, yeah, because of her. Yeah, So I was able

393
00:17:53,359 --> 00:17:55,960
Speaker 3: to learn such a great deal of things on this

394
00:17:56,119 --> 00:17:59,439
Speaker 3: road with her, especially hearing her talk about it like

395
00:17:59,600 --> 00:18:03,320
Speaker 3: over and over again. It's become a mainstay for me.

396
00:18:03,680 --> 00:18:06,400
Speaker 3: You know, ten, ten, thirty, fifty, Okay, what's that? Ten?

397
00:18:07,119 --> 00:18:10,160
Speaker 3: Ten percent of the money you earn, you save ten

398
00:18:10,200 --> 00:18:12,720
Speaker 3: you tie. Then if you're not a member of a church.

399
00:18:13,080 --> 00:18:15,960
Speaker 3: You tied to an organization that you believe in, whether

400
00:18:16,040 --> 00:18:21,359
Speaker 3: it's you know, police brutality in getting into the neighborhoods

401
00:18:21,400 --> 00:18:27,200
Speaker 3: with community service, or battered women or you know, whatever

402
00:18:27,240 --> 00:18:29,680
Speaker 3: that thing is for you. Then thirty percent you use

403
00:18:29,760 --> 00:18:32,960
Speaker 3: for your incidentals, hair nails, all of that stuff, and

404
00:18:33,000 --> 00:18:35,960
Speaker 3: then fifty percent you keep in your checking account for

405
00:18:35,960 --> 00:18:36,439
Speaker 3: your bills.

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Speaker 1: I know that's right.

407
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Speaker 3: Look followed the remedy, y'all.

408
00:18:40,520 --> 00:18:41,159
Speaker 1: And then you know.

409
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Speaker 2: The other thing about mc latter is I feel like

410
00:18:43,520 --> 00:18:47,560
Speaker 2: during this whole journey of watching your whole evolution, we

411
00:18:47,680 --> 00:18:49,640
Speaker 2: also never got a lot of personal stuff. But then

412
00:18:49,680 --> 00:18:51,439
Speaker 2: as of late, I feel like you've opened up a

413
00:18:51,440 --> 00:18:52,280
Speaker 2: lot more about that.

414
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Speaker 1: Is that a weird space for you to be in?

415
00:18:56,160 --> 00:18:59,600
Speaker 3: No, not so much. Okay, yeah, it just feels like, Okay,

416
00:18:59,640 --> 00:19:01,840
Speaker 3: this is it, this is who I am. This is

417
00:19:03,119 --> 00:19:05,120
Speaker 3: most recently I think you might be talking.

418
00:19:04,920 --> 00:19:08,040
Speaker 2: About and then and then a boyfriend and posting that

419
00:19:08,119 --> 00:19:10,320
Speaker 2: we had never had really seen you can.

420
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Speaker 3: I tell you I have so many photos in my

421
00:19:12,880 --> 00:19:15,400
Speaker 3: phone of he and I, but to post them it's

422
00:19:15,480 --> 00:19:19,119
Speaker 3: just like do I want to let people in on that?

423
00:19:19,320 --> 00:19:25,600
Speaker 3: Like it's just room for ridicule. But I can also

424
00:19:26,119 --> 00:19:29,680
Speaker 3: say that the fans have been so completely supportive. You know,

425
00:19:29,800 --> 00:19:33,000
Speaker 3: they're like, oh, good for light. You know I wasn't

426
00:19:33,080 --> 00:19:35,880
Speaker 3: lying when I said in poor Georgie, light needs love too.

427
00:19:36,160 --> 00:19:40,600
Speaker 2: But you know you don't like roughnecks clearly because you know,

428
00:19:40,880 --> 00:19:48,080
Speaker 2: maybe you went through.

429
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Speaker 3: And you know what's so funny. I talked to my

430
00:19:47,400 --> 00:19:51,280
Speaker 3: brother and I said, so I've got this guy. He's

431
00:19:51,320 --> 00:19:54,280
Speaker 3: a little square. He was like, that's good because these

432
00:19:55,600 --> 00:19:59,680
Speaker 3: bigannies are too too slick for themselves.

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Speaker 1: That's what he says.

434
00:20:00,600 --> 00:20:02,520
Speaker 3: So we just talk about the rough next a little

435
00:20:02,520 --> 00:20:03,640
Speaker 3: too slick for them.

436
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Speaker 1: So that was our song.

437
00:20:04,680 --> 00:20:04,880
Speaker 3: Though.

438
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Speaker 2: That's when, because we all went through that phase, we

439
00:20:07,480 --> 00:20:08,760
Speaker 2: were like, I need a rough egg.

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00:20:08,800 --> 00:20:12,240
Speaker 3: Look. It was a place in time we have evolved.

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00:20:12,440 --> 00:20:14,040
Speaker 2: There was one line where you said he got to

442
00:20:14,080 --> 00:20:16,680
Speaker 2: eat his food with his fingers, and I'm like, now

443
00:20:16,720 --> 00:20:17,320
Speaker 2: that's too far.

444
00:20:20,160 --> 00:20:22,240
Speaker 3: My grandfather said, anything with a bone you can pick

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00:20:22,320 --> 00:20:23,080
Speaker 3: up with your hands.

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00:20:23,880 --> 00:20:25,520
Speaker 1: Okay, there's a chicken.

447
00:20:25,560 --> 00:20:28,639
Speaker 3: You know, like, come on, if we're going out to

448
00:20:28,680 --> 00:20:33,359
Speaker 3: eat and I see you with a chicken leg and

449
00:20:33,400 --> 00:20:34,639
Speaker 3: you try to eat it with a.

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00:20:35,680 --> 00:20:38,560
Speaker 1: Wife, and that's me. But I do that because I

451
00:20:38,560 --> 00:20:41,359
Speaker 1: don't want to mess up my lipstick. I'm dainty.

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00:20:41,680 --> 00:20:43,640
Speaker 3: You're a woman, and I'm talking about a man. If

453
00:20:43,640 --> 00:20:47,320
Speaker 3: you're trying to if you don't pick that piece of chicken.

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00:20:47,119 --> 00:20:50,920
Speaker 1: Up and just eat it, and.

455
00:20:49,840 --> 00:20:52,040
Speaker 2: If it's a flat, you can't do it all right, right, well, listen,

456
00:20:52,040 --> 00:20:53,320
Speaker 2: they're telling me you have to go. I know you

457
00:20:53,359 --> 00:20:57,400
Speaker 2: have a lot going on, and I definitely appreciate these conversations.

458
00:20:57,440 --> 00:20:59,560
Speaker 2: There's so many mc like questions I want to ask,

459
00:20:59,560 --> 00:21:01,800
Speaker 2: but just no that I'm always a fan, have been

460
00:21:01,840 --> 00:21:04,240
Speaker 2: a fan every time I see You've always been like pleasant,

461
00:21:04,280 --> 00:21:05,919
Speaker 2: you know how sometimes they tell you don't want to

462
00:21:05,920 --> 00:21:09,120
Speaker 2: meet your heroes because it could be devastating, but it's

463
00:21:09,119 --> 00:21:11,520
Speaker 2: been amazing, you know, justin thank.

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00:21:11,400 --> 00:21:13,040
Speaker 3: You so much. Well, this leaves room for me to

465
00:21:13,040 --> 00:21:13,440
Speaker 3: come back.

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00:21:13,520 --> 00:21:16,159
Speaker 2: Yeah, it definitely does. The album is now going to

467
00:21:16,200 --> 00:21:17,400
Speaker 2: come back, come out in September.

468
00:21:17,480 --> 00:21:19,840
Speaker 3: Yeah, one of one in September. Right now, we're rocking

469
00:21:19,880 --> 00:21:22,280
Speaker 3: the King King. We're letting everybody know that King King

470
00:21:22,359 --> 00:21:25,440
Speaker 3: is the single list on all platforms. The video is up,

471
00:21:25,600 --> 00:21:30,840
Speaker 3: you know, go visit whatever your streaming platform is of choice.

472
00:21:31,320 --> 00:21:32,840
Speaker 3: Check it out. King King.

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00:21:33,280 --> 00:21:36,720
Speaker 2: That's that voice right there that we with Queen Latif.

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00:21:38,480 --> 00:21:39,920
Speaker 2: All right, well, thank you so much. Now can you

475
00:21:39,960 --> 00:21:41,120
Speaker 2: do way up with angela.

476
00:21:40,880 --> 00:21:43,679
Speaker 3: Ye, Way up with angela yee?

477
00:21:43,960 --> 00:21:46,160
Speaker 2: All right, save that because that's worth money, all right,

478
00:21:47,280 --> 00:21:52,560
Speaker 2: all right, mc light, thank you so much, thank you,