WEBVTT - RHOA Recap: Girls Gone STYLED

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<v Speaker 1>Welcome to Reality with the King. It's me Carlos Kings,

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<v Speaker 1>the King of Reality TV and one of the most

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<v Speaker 1>sought after executive producers in reality television with over ten

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<v Speaker 1>years of production experience. Twice a week on Reality with

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<v Speaker 1>the King, we'll sit down with my friends across the

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<v Speaker 1>entertainment industry, recap our favorite reality shows and revisit unforgetable

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<v Speaker 1>moments that we are still talking and tweeting about. High

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<v Speaker 1>Raigin draws, Let's get into this episode.

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<v Speaker 2>A lot happened in this episode.

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<v Speaker 1>I am so looking forward to Dustin Andcalia's thoughts about

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<v Speaker 1>Kelly versus brit who saw there on. But before we

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<v Speaker 1>get into that, I want to have some conversations about

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<v Speaker 1>some of the scenes that happened prior to that. Okay,

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<v Speaker 1>I want to get to the semien Phaedra one thing

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<v Speaker 1>I know all three of us were asking for because

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<v Speaker 1>Faedra is a peach holkerd after ten days of work,

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<v Speaker 1>which as a record, Claudia.

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<v Speaker 2>Had to wait three months try to get her peach,

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<v Speaker 2>but didn't.

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<v Speaker 3>Get a check all season until the night before the

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<v Speaker 3>reunion when I signed my contract. That's why I was

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<v Speaker 3>able to get six figures and at that five figures

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<v Speaker 3>out war, they try to get me and they give

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<v Speaker 3>all the other girls hello, every single person before me

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<v Speaker 3>that did their first season and took that forty thousand.

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<v Speaker 4>I said no to you.

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<v Speaker 5>Are smart girl, not me for let me use your lawyer.

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<v Speaker 4>Let him do see.

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<v Speaker 2>You can lose.

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<v Speaker 1>You can't borrow lawyers, because do not borrow GLAMs.

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<v Speaker 2>I'm on your tip, all right.

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<v Speaker 1>So the moment we've all been waiting for, we got

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<v Speaker 1>a chance to see Page's personal story. Yes, we've been

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<v Speaker 1>asking for it, and it's been delivered. And I do

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<v Speaker 1>want to say this us saying this never had anything

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<v Speaker 1>to do with Faedra, because Faedria does not control what

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<v Speaker 1>gets shown first, right, So I want y'all to know that.

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<v Speaker 2>We were now able to see some personal story.

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<v Speaker 1>I really enjoyed seeing Faede as a mother.

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<v Speaker 2>You can say, each one of my Phaedra, it's all good,

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<v Speaker 2>boom boom. We have an opinion.

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<v Speaker 1>One thing I personally will stand on is Phaedra as

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<v Speaker 1>a good mother and Faedra loves her sons and as

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<v Speaker 1>somebody who has worked with her, as somebody who was.

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<v Speaker 2>There when Aiden and Dylan were born.

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<v Speaker 1>I can say firsthand, I've witnessed Phaedra give those boys everything.

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<v Speaker 1>And what was so interesting about seeing Faede as a mother.

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<v Speaker 1>That is a whole different personality that I do wish

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<v Speaker 1>the audience saw more. We know that Fhaedra is coming

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<v Speaker 1>back next season. She announced it on Extra. If Fadra's

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<v Speaker 1>watching or listening on somebody on her team, hey glam

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<v Speaker 1>or the producers, I'll just say this, those scenes I

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<v Speaker 1>think does a great justice to Fedra because it allows

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<v Speaker 1>us to see her rest and who I think she

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<v Speaker 1>truly is, and that is a phenomenal mother. To see

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<v Speaker 1>Dylan with the bell bottom pants and being designer, to

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<v Speaker 1>see Aiden talk about I want ten percent. I'm gonna

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<v Speaker 1>help you like. All of that to me was black excellence.

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<v Speaker 1>All of that to me, y'all know, I love seeing

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<v Speaker 1>rich black kids. I just think it's I think we

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<v Speaker 1>should see more of that. And I was one hundred

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<v Speaker 1>percent satisfied with that, And I would have personally loved

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<v Speaker 1>to have seen that scene before Faeda went on the trip.

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<v Speaker 4>I'm gonna go ahead and agree with you.

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<v Speaker 3>You know, I'm not the biggest AJA fan because of

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<v Speaker 3>all the fake shit that I've seen but I will

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<v Speaker 3>say that that made her likable. And I think, you know,

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<v Speaker 3>she's usually kind of fake and rehearsed or mean, or

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<v Speaker 3>she's doing it for a line. You can't tell me

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<v Speaker 3>that when she teared up talking about how proud she

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<v Speaker 3>was of her boys, that that was fake.

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<v Speaker 4>That was very real.

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<v Speaker 3>And that's the first time I've seen that from her.

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<v Speaker 3>And I was like, Okay, this is why some people

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<v Speaker 3>like her, because when I saw that, I like that.

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<v Speaker 3>And I think when you can give us some of that,

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<v Speaker 3>it makes some of the other bullshit more palatable. You're like,

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<v Speaker 3>all right, we have balance, but when you always have

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<v Speaker 3>that all the time without this, it makes you one dimensional.

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<v Speaker 3>This made me say, it makes the other stuff a

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<v Speaker 3>little bit more okay, you know, like, it's obvious she's

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<v Speaker 3>a good mother.

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<v Speaker 4>Now let me take that.

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<v Speaker 3>Hey, y'all, clip this. I'm about to say something posit

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<v Speaker 3>about Phaedria. It's obvious she's a great mother. The way

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<v Speaker 3>those kids are well mannered, they're ambitious, they're intelligent, they're articulate,

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<v Speaker 3>Like these are the signs of a present, good parent

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<v Speaker 3>that cares about the well being of their children. And

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<v Speaker 3>I can't take nothing from her. I love seeing that

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<v Speaker 3>part of her that made me want to see more

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<v Speaker 3>of her. The other stuff maybe want to see less

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<v Speaker 3>of her. But if she does more of this and

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<v Speaker 3>make some of the other stuff.

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<v Speaker 4>You get more of a past because you have levels

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<v Speaker 4>and layers.

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<v Speaker 2>I liked it.

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<v Speaker 4>I thought it was beautiful.

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<v Speaker 5>Well one hundred and fifty percent agree.

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<v Speaker 6>Some is wrong with you if you don't have a

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<v Speaker 6>soft spot for children, you know what I'm saying. And

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<v Speaker 6>these are kids that we have watched be born on television.

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<v Speaker 6>You know, as viewers, we feel attached to these kids

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<v Speaker 6>in an appropriate way, and it's great to be reacquainted

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<v Speaker 6>with them, to check in on them and see how

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<v Speaker 6>those boys are doing. They're obviously well adjusted, articulate, like

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<v Speaker 6>you said, confident enough to.

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<v Speaker 5>Express their needs and likes and desires.

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<v Speaker 6>I loved Phaedra them showing her putting together that sewing

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<v Speaker 6>room for Dylan and his fashion affinity.

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<v Speaker 5>I love that. I love that that is nurtured.

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<v Speaker 6>I love that his brother was so his brother, Aidan

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<v Speaker 6>was so well adjusted, well spoken, getting on that mike

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<v Speaker 6>asking the crowd how y'all feeling out there? That was

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<v Speaker 6>that was so adorable to see and it was good

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<v Speaker 6>to see Faedra being kind and softer you know what

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<v Speaker 6>I'm saying around her children and showing some emotion and

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<v Speaker 6>having something to say. You know, that was great to

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<v Speaker 6>see and I definitely enjoyed it. That was wonderful and

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<v Speaker 6>it was good to see that and good to be

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<v Speaker 6>reacquainted with those children.

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<v Speaker 3>I'm just sitting thinking, like, we never really see much

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<v Speaker 3>about her real life, like outside of a break up

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<v Speaker 3>with Apollo, right, and then the kids, like who are friends?

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<v Speaker 3>Like does she have friends? Like, we don't really see family.

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<v Speaker 3>We don't see a lot of it.

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<v Speaker 6>But I should say we haven't seen any of it

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<v Speaker 6>because she was very guarded and boundaried on married to medicine,

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<v Speaker 6>and just now it's been great to see her have

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<v Speaker 6>something to say. She's made me chuckle a couple of times,

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<v Speaker 6>you know, and she she's been quick.

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<v Speaker 5>Yeah, she's been cool. You know, I'm honest, I keep

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<v Speaker 5>it real, and I'm not a hater. I'm not a hater.

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<v Speaker 6>She made me chuckle a couple of times, you know

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<v Speaker 6>what I'm saying. But it was great to see the

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<v Speaker 6>focus shift from being mean, showing boobs and having you know,

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<v Speaker 6>an attitude. It was great to see the focus shift

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<v Speaker 6>to this is who I am. These are my children.

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<v Speaker 6>I'm vulnerable with them in this way where I get

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<v Speaker 6>emotional even speaking about how much I love them. That

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<v Speaker 6>was some relatable shit, you know, and people like relatable

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<v Speaker 6>stuff seeing her as a mom. There were plenty other

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<v Speaker 6>mothers and fathers and people who would love to be

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<v Speaker 6>mothers and fathers, and people who just appreciate seeing mothers

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<v Speaker 6>and fathers on TV that can connect with that. So

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<v Speaker 6>it was it built a bridge between people who may

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<v Speaker 6>be harboring resentment from old shit or whatever. It was

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<v Speaker 6>a great way to be reintroduced to Phaedra. So I

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<v Speaker 6>enjoyed it. It felt good to watch.

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<v Speaker 2>Child.

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<v Speaker 1>We are just getting started. This is reality with the

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<v Speaker 1>King and I'm Carlos King. Let's get back into the show.

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<v Speaker 4>And I'm assuming Apaula must be a pretty good dad too, because.

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<v Speaker 5>They Yeah, yeah, you can tell Adam.

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<v Speaker 3>I want to not give him credit as well. I

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<v Speaker 3>think they have those kids have great parents that love him.

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<v Speaker 5>You can tell they're well loved, you can tell they're confident.

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<v Speaker 2>Yeah.

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<v Speaker 1>I always tell people, Look, I just say this to

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<v Speaker 1>my own father, who my father was as a husband

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<v Speaker 1>to my mother is none of my business. Like it's

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<v Speaker 1>just in the sense of of course, if he did

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<v Speaker 1>crazy things to her, that's one thing that, yeah, that's

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<v Speaker 1>one thing. But who he was as a husband, that's

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<v Speaker 1>between he and my mother. Who my father is the

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<v Speaker 1>father is the best that I could ever ask for.

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<v Speaker 1>And when I look at Phasian Apollo always say to people,

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<v Speaker 1>if you only look at who they are as parents.

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<v Speaker 2>I agree with Claudia and Dustin.

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<v Speaker 1>Apollo and Phedra are great parents to those two boys,

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<v Speaker 1>and it shows in terms of who they are how

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<v Speaker 1>they show up, and I want to see more of that.

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<v Speaker 1>I agree one thousand percent of Claudia that when you

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<v Speaker 1>have a polarizing figure like a faith, one thing that

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<v Speaker 1>we always try to do when we work with her

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<v Speaker 1>was show the balance. That's why it was important to

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<v Speaker 1>show like her in Apollo. It was important to show

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<v Speaker 1>Phedra at the law office. It was important to show

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<v Speaker 1>like other side of her because she is somebody that

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<v Speaker 1>is closed off and she reads, but.

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<v Speaker 6>So does Claudia without even saying a word. But go ahead, Carl,

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<v Speaker 6>I'll be funny.

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<v Speaker 2>It reads too.

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<v Speaker 1>But you know, I think it's important to i'might been

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<v Speaker 1>looking like I think It's one of those things where.

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<v Speaker 4>I'm trying to be because I'm in such a good Please.

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<v Speaker 2>Yes, not just saying I think.

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<v Speaker 1>I think a lot of reality stars who are polarizing

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<v Speaker 1>or villain esque. I think it does justice when you're

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<v Speaker 1>able to say, Okay, let me let you guys inside

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<v Speaker 1>my home so you can see me be this person.

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<v Speaker 1>So shout out to that. I also think, as we

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<v Speaker 1>talk about personal story, I do want to get into

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<v Speaker 1>Kelly's divorce. As you all know, we all love Kelly.

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<v Speaker 1>Kelly's a fantastic.

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<v Speaker 2>Addition to this show.

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<v Speaker 1>Seeing her go through this process of divorce, and then

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<v Speaker 1>when she revealed that her husband, her a strange husband,

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<v Speaker 1>got locked up in jail for lack of child support. Okay,

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<v Speaker 1>that is listen, men, you have to take care of

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<v Speaker 1>the responsibilities. It was hard for me to This is

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<v Speaker 1>the thing about Kelly's divorce story that is not her

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<v Speaker 1>fault by any means.

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<v Speaker 2>It's not her fault. It is hard for the audience to.

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<v Speaker 1>Connect to a woman's divorce story when we were never introduced.

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<v Speaker 2>To the husband. A we don't see the husband, and

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<v Speaker 2>we don't know anything about the dynamic of your relationship.

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<v Speaker 1>I felt bad for what she's going through, obviously, and

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<v Speaker 1>to know that the man never paid child support is terrible.

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<v Speaker 1>All mens should pay child support if you're not with

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<v Speaker 1>the wife and you have kids together. But it is

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<v Speaker 1>hard sometimes to be fully invested in a story like

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<v Speaker 1>that when you when you aren't given a chance as

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<v Speaker 1>an audience to a vie who's you're getting the story

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<v Speaker 1>at the end. When we saw sit In Peter go

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<v Speaker 1>through the divorce, invested Ninni and Greg, rest in Peace,

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<v Speaker 1>invested Fasier and Pallo invested, Portia Cordell one season is

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<v Speaker 1>still invested. It's the same reason we talked about Portion

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<v Speaker 1>and Simon, like we weren't able to see Simon and

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<v Speaker 1>Porsche's marriage, you know, be on display for us to

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<v Speaker 1>feel invested as much. So that's just one thing that

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<v Speaker 1>I personally felt. It was hard for me to invest

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<v Speaker 1>in it because I had nothing to work with.

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<v Speaker 6>I agree, But it's so interesting to hear you say that,

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<v Speaker 6>because for me, my experience is being I kind of

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<v Speaker 6>felt for Kelly because she was we met her, you know,

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<v Speaker 6>embroiled deeply in this divorce right and we get to

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<v Speaker 6>see her be a hands on mom and her daughters.

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<v Speaker 6>We see how much she fucks with her kids, we

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<v Speaker 6>see how much cares about life in general, and she's

0:12:02.040 --> 0:12:06.640
<v Speaker 6>still showing up, still fully entrenched in the fabric of

0:12:06.679 --> 0:12:09.920
<v Speaker 6>the show this season, right going through all that shit

0:12:09.960 --> 0:12:12.199
<v Speaker 6>at the same time, every time she talks about it,

0:12:12.280 --> 0:12:15.520
<v Speaker 6>she tears up. She has to sit down and be

0:12:15.679 --> 0:12:19.080
<v Speaker 6>comfortable and be around somebody that she was really close to,

0:12:19.120 --> 0:12:20.199
<v Speaker 6>and she talks about it.

0:12:20.480 --> 0:12:21.520
<v Speaker 5>I felt for her.

0:12:21.520 --> 0:12:23.880
<v Speaker 6>Even so much that in that conflict that she had

0:12:23.920 --> 0:12:27.040
<v Speaker 6>with Britt in this week's episode, I just felt like

0:12:27.080 --> 0:12:29.120
<v Speaker 6>the way she was kind of staring at brit you

0:12:29.160 --> 0:12:31.640
<v Speaker 6>could just see it all over Kelly's face that it

0:12:31.720 --> 0:12:34.840
<v Speaker 6>was bigger than just that argument, and it actually has

0:12:34.880 --> 0:12:37.080
<v Speaker 6>made me feel for her, Whereas normally I wouldn't give

0:12:37.120 --> 0:12:41.320
<v Speaker 6>a fuck. What you just said would totally describe my

0:12:41.440 --> 0:12:45.400
<v Speaker 6>disposition typically as a viewer, But for some reason, when

0:12:45.440 --> 0:12:47.520
<v Speaker 6>it comes to Kelly, just the way she's still been

0:12:47.559 --> 0:12:49.679
<v Speaker 6>showing up and kind of soldiering through it, it's just

0:12:49.800 --> 0:12:51.720
<v Speaker 6>all this season I've been like, damn, I feel for

0:12:51.760 --> 0:12:54.760
<v Speaker 6>her because she's going through that other shit while she's

0:12:54.800 --> 0:12:55.440
<v Speaker 6>doing this.

0:12:55.559 --> 0:12:57.480
<v Speaker 5>You know what I mean. So it's just been interesting.

0:12:58.520 --> 0:13:02.400
<v Speaker 3>Yeah, and nobody baby Kelly, Like some people get babied

0:13:02.440 --> 0:13:05.079
<v Speaker 3>and coddles and like, well they're going through something, so

0:13:05.120 --> 0:13:06.080
<v Speaker 3>we're not gonna know.

0:13:06.280 --> 0:13:08.920
<v Speaker 4>She never got rest. They had to work for that

0:13:09.080 --> 0:13:09.800
<v Speaker 4>forty thousand.

0:13:09.880 --> 0:13:11.720
<v Speaker 3>I'm just saying, well, I don't know if it's the

0:13:11.720 --> 0:13:13.400
<v Speaker 3>same rate. I'm just I don't know it's the same rate.

0:13:13.440 --> 0:13:15.920
<v Speaker 3>It's probably more now, but whatever it is, they had

0:13:15.920 --> 0:13:18.680
<v Speaker 3>to like they made no shade. I'm just being funny,

0:13:18.840 --> 0:13:21.720
<v Speaker 3>but they really made them work, like we made her work,

0:13:22.200 --> 0:13:24.760
<v Speaker 3>you know. And that's always that's something that can be

0:13:24.840 --> 0:13:28.680
<v Speaker 3>very frustrating on the show. When you feel like you're

0:13:28.720 --> 0:13:32.480
<v Speaker 3>given one hundred percent of scene, you're being vulnerable, you're

0:13:32.520 --> 0:13:34.880
<v Speaker 3>allowing yourself to be talked badly about your your the

0:13:34.920 --> 0:13:35.640
<v Speaker 3>bone carrier.

0:13:35.760 --> 0:13:38.000
<v Speaker 4>Sometime she had a trip at the first season.

0:13:38.240 --> 0:13:40.120
<v Speaker 3>And then you may see someone else that's not doing

0:13:40.160 --> 0:13:43.160
<v Speaker 3>as much, probably getting paid way more than you.

0:13:43.640 --> 0:13:47.000
<v Speaker 4>That's got to be That is frustrating. That is frustrating.

0:13:47.000 --> 0:13:49.600
<v Speaker 3>I'm just giving you the mindset from a reality personality.

0:13:49.760 --> 0:13:53.240
<v Speaker 3>When you do that and you're like, damn, I'm giving, giving, giving, giving, giving,

0:13:53.480 --> 0:13:55.880
<v Speaker 3>I have nothing else to give, and then someone else

0:13:55.920 --> 0:13:58.440
<v Speaker 3>can kind of just like kind of COEs through not

0:13:58.440 --> 0:14:00.400
<v Speaker 3>saying one person in particular. I think there's a couple

0:14:00.400 --> 0:14:02.800
<v Speaker 3>of people that have done that that's frustrating, and she's

0:14:02.840 --> 0:14:06.360
<v Speaker 3>done it with Grace. She's showed up pretty much except

0:14:06.360 --> 0:14:09.800
<v Speaker 3>this episode, the one event with a smile on her face,

0:14:09.880 --> 0:14:13.600
<v Speaker 3>kind of being Chipper, being every's cheerleader, little ball of energy.

0:14:13.760 --> 0:14:17.040
<v Speaker 3>Like I actually felt really bad for her in this episode.

0:14:17.080 --> 0:14:18.520
<v Speaker 3>I was conflicted about the event. I know I want

0:14:18.559 --> 0:14:19.840
<v Speaker 3>to get to that, but I was conflicted.

0:14:20.200 --> 0:14:22.880
<v Speaker 4>But she she's been showing up this whole season.

0:14:23.040 --> 0:14:25.240
<v Speaker 1>She has no she has and that's what makes her

0:14:25.280 --> 0:14:27.000
<v Speaker 1>so likable just as a person.

0:14:27.120 --> 0:14:30.000
<v Speaker 2>I really really, really really really like Kelly.

0:14:31.360 --> 0:14:34.840
<v Speaker 1>Again, as we're going to talk about the season finale

0:14:34.880 --> 0:14:36.880
<v Speaker 1>next week, so we're at the end of the season

0:14:36.880 --> 0:14:40.520
<v Speaker 1>pretty much. I will have love to see more of

0:14:40.520 --> 0:14:44.080
<v Speaker 1>her work story again before y'all go off.

0:14:44.240 --> 0:14:48.520
<v Speaker 2>That's not her, that's not her choice to what gets aired.

0:14:49.520 --> 0:14:52.720
<v Speaker 1>What I'm saying is, I think the one thing if

0:14:52.760 --> 0:14:57.680
<v Speaker 1>I have to do a grade with Kelly a plus

0:14:57.720 --> 0:15:00.960
<v Speaker 1>in terms of star power A plus, the personality a

0:15:01.080 --> 0:15:03.880
<v Speaker 1>plus for the president, I would have loved to see

0:15:03.880 --> 0:15:08.440
<v Speaker 1>more of her work story again, not her fault I'm sure,

0:15:08.480 --> 0:15:10.360
<v Speaker 1>but I would have loved to see more of that.

0:15:10.440 --> 0:15:14.600
<v Speaker 1>She's also a great mother. I love the relationship she

0:15:14.640 --> 0:15:15.640
<v Speaker 1>has with her daughters too.

0:15:15.960 --> 0:15:20.720
<v Speaker 6>That confessional this week when the twins came in, that's

0:15:20.960 --> 0:15:23.200
<v Speaker 6>that's the ship that ties the viewers in for for

0:15:23.360 --> 0:15:26.680
<v Speaker 6>the Life of a Housewife. Right When you see moments

0:15:26.720 --> 0:15:29.040
<v Speaker 6>like that, you never forget that. I'll never forget them

0:15:29.080 --> 0:15:31.000
<v Speaker 6>twins kissing her on the cheek, have a good job,

0:15:31.080 --> 0:15:33.280
<v Speaker 6>do a good job, mommy, or whatever they said. That

0:15:33.440 --> 0:15:35.800
<v Speaker 6>was adorable, so adorable.

0:15:36.360 --> 0:15:39.720
<v Speaker 2>So yes, yes, Now Kelly, Kelly is a star.

0:15:40.640 --> 0:15:43.840
<v Speaker 1>I'm happy that I started the season off loving her,

0:15:44.480 --> 0:15:45.600
<v Speaker 1>and I still do.

0:15:47.080 --> 0:15:48.280
<v Speaker 2>Congrat Kelly, Congrat.

0:15:48.760 --> 0:15:51.160
<v Speaker 3>We have one more episode and a little birdie told

0:15:51.160 --> 0:15:53.160
<v Speaker 3>me that that we're gonna be gagging.

0:15:52.800 --> 0:15:54.480
<v Speaker 4>Next week with Kelly.

0:15:55.280 --> 0:15:55.920
<v Speaker 2>Well, I don't know.

0:15:56.080 --> 0:15:58.680
<v Speaker 3>They I got it narrow down the three names that

0:15:58.720 --> 0:16:03.120
<v Speaker 3>have that did something really really shady, and it's she's

0:16:03.160 --> 0:16:03.720
<v Speaker 3>in that group.

0:16:04.680 --> 0:16:08.720
<v Speaker 1>And I hope, Okay, we're gonna get to that because okay, Claudia,

0:16:08.800 --> 0:16:11.720
<v Speaker 1>I love Okay, listen, okay, so range.

0:16:16.360 --> 0:16:18.920
<v Speaker 4>I'm gonna get my catchphrase, God goddamnit, h.

0:16:21.760 --> 0:16:25.080
<v Speaker 2>Something. Somethings were said and I was like, but we'll

0:16:25.120 --> 0:16:26.000
<v Speaker 2>get to that a second.

0:16:26.040 --> 0:16:30.560
<v Speaker 1>Okay, I do want to get into the sea between Britt, Cynthia,

0:16:30.680 --> 0:16:34.840
<v Speaker 1>and Portia. It was a big deal to see Britt's house,

0:16:35.080 --> 0:16:40.200
<v Speaker 1>mean not not for the audience for the ladies. Britt's

0:16:40.200 --> 0:16:43.240
<v Speaker 1>house is under construction, and it was shown with the

0:16:43.280 --> 0:16:46.200
<v Speaker 1>plastic on the side that means renovations happening. The other

0:16:46.280 --> 0:16:48.280
<v Speaker 1>room had tons of boxing and closing the float out

0:16:48.360 --> 0:16:51.280
<v Speaker 1>that shows package. So what we are seeing is the

0:16:51.320 --> 0:16:54.600
<v Speaker 1>fact that I now understand why she did not want

0:16:54.640 --> 0:16:59.400
<v Speaker 1>them over, because she is clearly under some form of renovation.

0:17:00.120 --> 0:17:02.720
<v Speaker 2>But Ciphi and Porsche did show up.

0:17:02.760 --> 0:17:08.879
<v Speaker 1>They came over, and in this scene, Brett doubles down

0:17:09.280 --> 0:17:13.480
<v Speaker 1>on what is going on between her and Kelly. She

0:17:13.640 --> 0:17:18.679
<v Speaker 1>did reveal that the issue is over glam, which to

0:17:18.760 --> 0:17:20.840
<v Speaker 1>me is like, Okay, we kind of knew something was

0:17:20.920 --> 0:17:22.399
<v Speaker 1>like that, and we'll get into that a second. But

0:17:22.440 --> 0:17:24.240
<v Speaker 1>I want to talk about this because I'm feel like

0:17:24.280 --> 0:17:29.360
<v Speaker 1>people called this the way I did. Portia and Cynthia

0:17:29.400 --> 0:17:32.840
<v Speaker 1>come over, they're asking her what is going on with

0:17:32.880 --> 0:17:37.120
<v Speaker 1>you and Kelly. She talks about the glam issue as

0:17:37.240 --> 0:17:42.639
<v Speaker 1>what's dividing her in Kelly Okay. Then we talk about Shamiyah.

0:17:43.320 --> 0:17:44.640
<v Speaker 1>Well she's close to Shamiyah.

0:17:45.280 --> 0:17:48.159
<v Speaker 2>Okay. Not sure why Shamia's name being brought up, but

0:17:48.280 --> 0:17:53.040
<v Speaker 2>I digress. Then Britt feels the need to you know what.

0:17:53.040 --> 0:17:58.280
<v Speaker 3>You're about to say, exposed Tomiah, I'm nowhere.

0:17:58.400 --> 0:18:03.359
<v Speaker 1>Shamia's catching astray and she tells Porsche on By the way,

0:18:04.600 --> 0:18:09.320
<v Speaker 1>Shamia showed me text message just between the two of

0:18:09.400 --> 0:18:12.520
<v Speaker 1>y'all that y'all had where she was talking about you

0:18:12.600 --> 0:18:16.480
<v Speaker 1>and therapy and office other stuff. And I'm like, Brent, hey,

0:18:16.520 --> 0:18:22.240
<v Speaker 1>this is me being honest. I I'm gonna keep it real.

0:18:23.200 --> 0:18:27.399
<v Speaker 1>That thing felt set up to me. It felt like

0:18:27.560 --> 0:18:29.159
<v Speaker 1>the intention was exposed to me. U.

0:18:31.200 --> 0:18:32.360
<v Speaker 2>It came out of nowhere.

0:18:32.560 --> 0:18:34.920
<v Speaker 6>Not really, it didn't come out of nowhere left. It

0:18:35.000 --> 0:18:37.040
<v Speaker 6>came out of Grenada. And it actually came out of

0:18:37.280 --> 0:18:39.280
<v Speaker 6>the before they left for Grenada, when they were in

0:18:39.320 --> 0:18:44.400
<v Speaker 6>Atlanta and that whole kerfuffle about the donations and Shamiyah

0:18:44.560 --> 0:18:46.919
<v Speaker 6>telling everybody on the trip that Britt had only donated

0:18:46.920 --> 0:18:49.199
<v Speaker 6>two hundred and fifty dollars and she never returned with

0:18:49.240 --> 0:18:52.119
<v Speaker 6>the truck that she promised. Britt was angry about that.

0:18:52.320 --> 0:18:54.760
<v Speaker 6>She didn't appreciate it being mentioned at the table. She

0:18:54.760 --> 0:18:57.960
<v Speaker 6>didn't appreciate the conversation being had, and at that point

0:18:58.240 --> 0:19:01.240
<v Speaker 6>she had her target on Shemia. Oh, of course when

0:19:01.280 --> 0:19:03.320
<v Speaker 6>she has these women over to her house what she

0:19:03.359 --> 0:19:05.719
<v Speaker 6>didn't want to do for whatever her reasons were, she

0:19:05.880 --> 0:19:07.400
<v Speaker 6>was going to take the opportunity.

0:19:07.440 --> 0:19:08.000
<v Speaker 5>They came in.

0:19:08.119 --> 0:19:12.880
<v Speaker 6>Cynthia and Porsche came in and started a conversation basically

0:19:12.960 --> 0:19:15.679
<v Speaker 6>about what was going on between Kelly and Britt. Brit

0:19:15.720 --> 0:19:18.120
<v Speaker 6>was like, okay, but I'm going to do is pivot

0:19:18.160 --> 0:19:21.119
<v Speaker 6>and plant this seed that I already know will germinate

0:19:21.560 --> 0:19:26.680
<v Speaker 6>because Angela planted it earlier. Right, she identified and highlighted

0:19:26.680 --> 0:19:29.600
<v Speaker 6>the wedge in between Porscha and Shamia. Britt knew it

0:19:29.640 --> 0:19:33.119
<v Speaker 6>was a successful play to an act and so she

0:19:33.200 --> 0:19:35.919
<v Speaker 6>went straightforward with a pivot. This was one of the

0:19:35.920 --> 0:19:40.200
<v Speaker 6>first times that we saw Brit actually embodying what housewives

0:19:40.240 --> 0:19:44.160
<v Speaker 6>do right, which is manipulating conversation, making pivots that would

0:19:44.200 --> 0:19:47.560
<v Speaker 6>be impactful to what happens next. That's what she did.

0:19:47.640 --> 0:19:50.119
<v Speaker 6>She took advantage of the moment and Porscha fell for it.

0:19:50.119 --> 0:19:51.960
<v Speaker 6>That's why she was playing with her hair. She looked

0:19:51.960 --> 0:19:56.000
<v Speaker 6>gorgeous in ad chinga bano rolls printed set with that

0:19:56.119 --> 0:19:59.040
<v Speaker 6>headband on. Porscha looked beautiful, but you could tell she

0:19:59.119 --> 0:20:02.160
<v Speaker 6>was like kind of thrown off by Britt saying hey

0:20:02.200 --> 0:20:04.479
<v Speaker 6>I saw these text messages or hey, Shamia had this

0:20:04.560 --> 0:20:06.520
<v Speaker 6>conversation about you behind your back.

0:20:06.960 --> 0:20:07.480
<v Speaker 5>It worked.

0:20:07.520 --> 0:20:09.440
<v Speaker 6>It kind of threw Pushe off base a little bit,

0:20:09.880 --> 0:20:13.000
<v Speaker 6>and that was her goal, so it didn't feel displaced her.

0:20:13.080 --> 0:20:15.240
<v Speaker 5>I didn't know where to me, but I can understand

0:20:15.240 --> 0:20:16.000
<v Speaker 5>why you would say that.

0:20:16.720 --> 0:20:17.720
<v Speaker 2>Yeah, clip this.

0:20:17.960 --> 0:20:21.199
<v Speaker 3>I'm about to say something positive about Britt. This is

0:20:21.240 --> 0:20:23.680
<v Speaker 3>the best she looked in all the episodes with that

0:20:24.080 --> 0:20:28.120
<v Speaker 3>short hair. Yes, pretty, her face is the best her

0:20:28.119 --> 0:20:30.440
<v Speaker 3>face looks. She looks great. And I was like, okay,

0:20:30.440 --> 0:20:32.280
<v Speaker 3>because all the other episodes and she was telling us

0:20:32.280 --> 0:20:34.359
<v Speaker 3>how pretty she is and how everyone hates her.

0:20:34.400 --> 0:20:36.480
<v Speaker 4>It's so hard to be pretty, Edie, because.

0:20:36.200 --> 0:20:38.639
<v Speaker 3>Ever since she was a little girl, everyone was so

0:20:38.800 --> 0:20:42.160
<v Speaker 3>mean because I've never seen so so beautiful in their lives.

0:20:42.200 --> 0:20:44.959
<v Speaker 3>So life was just so hard for her because all

0:20:45.000 --> 0:20:46.760
<v Speaker 3>the girls just wanted to take her down because they

0:20:46.840 --> 0:20:49.280
<v Speaker 3>just couldn't understand her beauty. I wasn't seeing it, but

0:20:49.400 --> 0:20:52.359
<v Speaker 3>this episode, I'm like, oh, she cute. She's cute, she

0:20:52.440 --> 0:20:58.040
<v Speaker 3>looks pretty. Actually, now, pretty Eddie, shut the fuck up

0:20:58.160 --> 0:21:04.200
<v Speaker 3>with your bullshit. You start scene complaining about Kelly having

0:21:04.240 --> 0:21:07.439
<v Speaker 3>the nerve to talk badly about you to her glam,

0:21:07.560 --> 0:21:11.040
<v Speaker 3>which is her psychiatrist. That's what glam is. Okay, they're

0:21:11.040 --> 0:21:14.720
<v Speaker 3>are psychologists. There are confidants. We tell them everything. They

0:21:14.760 --> 0:21:16.679
<v Speaker 3>hear us. They look over our shoulders when we're on

0:21:16.920 --> 0:21:19.680
<v Speaker 3>our phones in their chairs, they see you we're talking about.

0:21:19.680 --> 0:21:20.880
<v Speaker 4>They know all of our business.

0:21:20.960 --> 0:21:23.880
<v Speaker 3>So it is perfectly normal to talk a little shit

0:21:24.080 --> 0:21:25.920
<v Speaker 3>about how you feel to your glam.

0:21:26.240 --> 0:21:29.760
<v Speaker 4>Now, did Kelly overreact by saying shut it down? Some

0:21:29.800 --> 0:21:31.760
<v Speaker 4>people can say yes, some can say no, but it

0:21:31.880 --> 0:21:32.440
<v Speaker 4>is annoying.

0:21:32.480 --> 0:21:35.240
<v Speaker 3>Now, I think, now this is what Britt was a

0:21:35.480 --> 0:21:43.040
<v Speaker 3>hypocritical She says that Kelly's idea, she insisted that Britt

0:21:43.119 --> 0:21:45.800
<v Speaker 3>use her glam, but she's insecure.

0:21:46.200 --> 0:21:49.679
<v Speaker 4>An insecure woman is not going to lend you her glam.

0:21:50.080 --> 0:21:53.280
<v Speaker 4>An insecure woman's gonna say, ah, my people a book.

0:21:53.320 --> 0:21:57.320
<v Speaker 3>They're really expensive, and they're not gonna say yes, let's share,

0:21:57.720 --> 0:22:00.719
<v Speaker 3>and I'm not buying her. Reason because Kelly needed a

0:22:00.760 --> 0:22:02.760
<v Speaker 3>plus one, or she's scared to be by herself. Everyone

0:22:02.800 --> 0:22:05.720
<v Speaker 3>likes Kelly. Nobody likes Britt. Kelly has options of people

0:22:05.720 --> 0:22:07.119
<v Speaker 3>to go out with Britt.

0:22:07.160 --> 0:22:09.680
<v Speaker 6>You do not no no shed She me and Kelly

0:22:09.720 --> 0:22:11.840
<v Speaker 6>want it to be i'man interrupt you, but I want

0:22:11.880 --> 0:22:15.120
<v Speaker 6>the number one. She's the best looking person. She went

0:22:15.359 --> 0:22:17.159
<v Speaker 6>between the two of them. She didn't want to be

0:22:17.280 --> 0:22:17.679
<v Speaker 6>number two.

0:22:18.000 --> 0:22:19.240
<v Speaker 5>Yeah, I get that too.

0:22:19.440 --> 0:22:22.000
<v Speaker 4>When she said that she needed she needed a sidekick.

0:22:22.080 --> 0:22:27.280
<v Speaker 3>Okay, so okay, so she she's so angry that that

0:22:27.440 --> 0:22:31.119
<v Speaker 3>Kelly committed this violation of talking about her to her

0:22:31.160 --> 0:22:35.720
<v Speaker 3>Glam team. Then the very next breath does exactly that

0:22:35.920 --> 0:22:40.760
<v Speaker 3>time ten being a messy bitch, you threw everyone else

0:22:40.840 --> 0:22:42.360
<v Speaker 3>under the bus and your you did.

0:22:42.640 --> 0:22:45.000
<v Speaker 4>You did way worse than what you were mad at

0:22:45.040 --> 0:22:47.040
<v Speaker 4>Kelly for and you couldn't.

0:22:46.720 --> 0:22:49.639
<v Speaker 3>Be there for your best friend going through a divorce

0:22:49.960 --> 0:22:52.400
<v Speaker 3>over a Glam argument that should have been a five

0:22:52.400 --> 0:22:53.200
<v Speaker 3>minute conversation.

0:22:53.480 --> 0:22:54.840
<v Speaker 4>Look, bitch, I just don't like it.

0:22:54.880 --> 0:22:59.160
<v Speaker 3>I feel like Proutie right here, me and Demetria. Everyone

0:22:59.240 --> 0:23:01.440
<v Speaker 3>knew i'd have a sigh on Real Housewives at Atlanta.

0:23:01.720 --> 0:23:03.960
<v Speaker 4>I didn't care. I was wearing my forever twenty one

0:23:04.280 --> 0:23:04.879
<v Speaker 4>and if.

0:23:04.760 --> 0:23:07.840
<v Speaker 3>I want to get dressed up pink boutique from London

0:23:07.960 --> 0:23:09.960
<v Speaker 3>if I want a little eighty nine hundred dress. I

0:23:10.040 --> 0:23:13.320
<v Speaker 3>was holding to pay for my poorsch Panamra and my

0:23:13.359 --> 0:23:14.360
<v Speaker 3>expensive as high Rise.

0:23:14.359 --> 0:23:21.439
<v Speaker 4>I was saying, okay, I was yeah, and I still

0:23:21.480 --> 0:23:25.200
<v Speaker 4>have them. Okay. So I remember, Dmitria, don't be mad

0:23:25.200 --> 0:23:26.560
<v Speaker 4>at me. Tell the story, but it's the truth.

0:23:26.760 --> 0:23:29.560
<v Speaker 3>So when we went to fashion Week, she loaned me

0:23:29.680 --> 0:23:35.360
<v Speaker 3>Dallas her silence, yes, I'll put some looks to me together.

0:23:35.240 --> 0:23:37.879
<v Speaker 4>And I could tell one of the looks that was

0:23:37.920 --> 0:23:40.760
<v Speaker 4>real cute on me. I don't think missed me. I

0:23:40.760 --> 0:23:42.600
<v Speaker 4>think she was like, oh, and she says.

0:23:42.400 --> 0:23:44.639
<v Speaker 3>Something like about that would have been a look for me,

0:23:45.359 --> 0:23:47.840
<v Speaker 3>And at that moment I knew, all right, She's you know,

0:23:48.480 --> 0:23:50.840
<v Speaker 3>it's annoying because it's my friend, but I get it,

0:23:50.920 --> 0:23:53.639
<v Speaker 3>like you want your stylist to say, I want you

0:23:53.720 --> 0:23:57.119
<v Speaker 3>to be the baddest girl there. So know your team's

0:23:57.240 --> 0:23:59.560
<v Speaker 3>leaving and then going to the next person. He's having

0:23:59.560 --> 0:24:02.680
<v Speaker 3>the same kind conversation was here. Plus Kelly's at a disadvantage.

0:24:02.840 --> 0:24:05.640
<v Speaker 3>Kelly's five three great, It's like five eight, five nine.

0:24:06.040 --> 0:24:08.400
<v Speaker 3>Even if they do their best styling work, it's not

0:24:08.440 --> 0:24:11.280
<v Speaker 3>gonna hit the same. It's gonna it's done. I'm sorry, Kelly,

0:24:11.359 --> 0:24:11.920
<v Speaker 3>You're amazing.

0:24:12.720 --> 0:24:15.920
<v Speaker 2>I'm sorry, claud.

0:24:17.640 --> 0:24:21.120
<v Speaker 3>It's just bye by this body type. It's just gonna

0:24:21.160 --> 0:24:24.399
<v Speaker 3>look more fashion on brit no matter what. So but

0:24:24.440 --> 0:24:26.760
<v Speaker 3>I can understand why she was irritated. I also, in

0:24:26.800 --> 0:24:28.359
<v Speaker 3>a way could understand why brit would be well the

0:24:28.359 --> 0:24:30.360
<v Speaker 3>other one. I suggested it, But Britt, I don't think

0:24:30.400 --> 0:24:33.080
<v Speaker 3>she had thought giving her you, her glam was gonna

0:24:33.080 --> 0:24:35.200
<v Speaker 3>be for every day and then you taking the photographer

0:24:35.200 --> 0:24:37.159
<v Speaker 3>that make a part of the video like everything, like

0:24:37.280 --> 0:24:39.399
<v Speaker 3>you know, use them and then to get on your

0:24:39.400 --> 0:24:40.720
<v Speaker 3>feet and then get you somebody.

0:24:41.119 --> 0:24:42.320
<v Speaker 4>So I think she violated.

0:24:43.160 --> 0:24:44.760
<v Speaker 3>She did the same thing she was She did worse

0:24:44.800 --> 0:24:46.560
<v Speaker 3>than what she was mad at Kelly for. And it's

0:24:46.680 --> 0:24:48.439
<v Speaker 3>it's a fake beef. It's corny.

0:24:48.840 --> 0:24:54.320
<v Speaker 5>Okay, thank you, Claudia Jordan, you welcome.

0:24:54.520 --> 0:24:56.720
<v Speaker 2>I tried to tell the girls last week. They said,

0:24:56.720 --> 0:24:59.320
<v Speaker 2>girl shut out all re lit it.

0:25:00.520 --> 0:25:04.840
<v Speaker 1>I'll go further and say this, in Black Hollywood, when

0:25:04.880 --> 0:25:07.600
<v Speaker 1>it comes to scripted actors and actresses, let's just so

0:25:07.680 --> 0:25:11.080
<v Speaker 1>let's stick with actresses. Obviously, when it comes to the

0:25:11.119 --> 0:25:14.879
<v Speaker 1>actresses in Black Hollywood, they do share the same glam.

0:25:15.160 --> 0:25:17.360
<v Speaker 2>There's a wonderfult hair stylist.

0:25:17.000 --> 0:25:22.320
<v Speaker 1>Named Larry Sims there than he is Shaunta Larry sim

0:25:22.400 --> 0:25:26.800
<v Speaker 1>he's the goat. Their stylis named Jason Bolden who styles everybody. Right,

0:25:27.440 --> 0:25:30.560
<v Speaker 1>you can share the same glam in that regard because

0:25:31.080 --> 0:25:35.120
<v Speaker 1>we're all getting dressed for different events. Hey, Tisha, and

0:25:35.359 --> 0:25:38.320
<v Speaker 1>we're not all we're not all on the same gig.

0:25:38.359 --> 0:25:40.840
<v Speaker 2>We're just we're all just being style for the Oscars.

0:25:41.200 --> 0:25:45.359
<v Speaker 1>But like Laulia said, body types and based on style

0:25:45.520 --> 0:25:48.040
<v Speaker 1>and taste, we're all gonna look different at the end

0:25:48.080 --> 0:25:50.919
<v Speaker 1>of the day. The difference is this, and hear me,

0:25:51.000 --> 0:25:54.840
<v Speaker 1>love and clear. When it comes to reality stars females,

0:25:55.600 --> 0:25:58.040
<v Speaker 1>they're not sharing the same glam. And I'm gonna tell

0:25:58.040 --> 0:26:03.919
<v Speaker 1>you the differences. The different is you're on the same show.

0:26:04.800 --> 0:26:07.400
<v Speaker 1>We are together for three months.

0:26:08.080 --> 0:26:10.600
<v Speaker 2>Every I'm gonna tell y'all something that y'all may know, but.

0:26:10.760 --> 0:26:14.920
<v Speaker 1>I'll just tell y'all anyway, when the girls get dressed,

0:26:15.440 --> 0:26:19.879
<v Speaker 1>they all size up each other and say okay, And

0:26:19.920 --> 0:26:22.680
<v Speaker 1>then they also all the girls have a group.

0:26:22.520 --> 0:26:25.919
<v Speaker 2>Chat what are you wearing? What are we giving?

0:26:26.359 --> 0:26:28.920
<v Speaker 1>Because you don't want to be overdressed doing the most,

0:26:29.000 --> 0:26:30.919
<v Speaker 1>and you don't want to be underdressed doing the least.

0:26:31.040 --> 0:26:33.320
<v Speaker 1>So a lot of these reality girls are in group chats, girl,

0:26:33.320 --> 0:26:35.359
<v Speaker 1>what you were in today? What will look are we giving?

0:26:35.520 --> 0:26:36.240
<v Speaker 1>That's what they do.

0:26:37.280 --> 0:26:39.640
<v Speaker 2>Nobody on reality television.

0:26:40.160 --> 0:26:43.080
<v Speaker 1>Ninety nine point nine percent are sharing the glam for

0:26:43.160 --> 0:26:46.680
<v Speaker 1>the exact same reasons. Claudia said about Demetria again, it's

0:26:46.680 --> 0:26:49.520
<v Speaker 1>no shade to Demetria. It's more so light that out

0:26:49.560 --> 0:26:52.200
<v Speaker 1>there could have been for me or while she's looking

0:26:52.240 --> 0:26:55.040
<v Speaker 1>better than me. The thing with Britt that I clocked

0:26:55.080 --> 0:26:58.159
<v Speaker 1>instantly and this and no shape. I'm gonna say this.

0:26:58.359 --> 0:27:04.359
<v Speaker 1>I don't think it's BRIT's fault. Britt has this and

0:27:04.359 --> 0:27:08.040
<v Speaker 1>I'm gonna fast for the comeback because I can't help myself.

0:27:10.720 --> 0:27:20.440
<v Speaker 2>Britt. Look at Phager's events. I have never Britt, I

0:27:20.600 --> 0:27:28.160
<v Speaker 2>Britt job has never looked better.

0:27:28.520 --> 0:27:34.000
<v Speaker 6>You see the did you see that sand Yeah, Brit

0:27:34.040 --> 0:27:36.199
<v Speaker 6>been dressed to say what you want to say, but

0:27:36.240 --> 0:27:36.919
<v Speaker 6>she's been dressed.

0:27:37.040 --> 0:27:38.560
<v Speaker 2>It's as she had work.

0:27:38.760 --> 0:27:41.160
<v Speaker 5>Yeah, it was the.

0:27:41.000 --> 0:27:43.760
<v Speaker 1>Bob was the bob was the limp of my beard

0:27:45.240 --> 0:27:46.280
<v Speaker 1>under It was a it.

0:27:46.240 --> 0:27:47.200
<v Speaker 2>Was a blunt cut.

0:27:47.480 --> 0:27:48.800
<v Speaker 4>It was really well done.

0:27:48.920 --> 0:27:52.920
<v Speaker 3>I give the bob a ten point zero on the Bob.

0:27:53.359 --> 0:27:56.040
<v Speaker 1>It wasn't boded omer now, I mean under Now, I'm

0:27:56.040 --> 0:27:57.919
<v Speaker 1>gonna say this. I don't know Britt. I know, I

0:27:57.920 --> 0:28:01.280
<v Speaker 1>don't know Kelly personally, but I got and I've been

0:28:01.320 --> 0:28:05.520
<v Speaker 1>doing reality TV for seventeen years, and I'm gonna say this.

0:28:08.160 --> 0:28:12.879
<v Speaker 1>I do believe that Kelly saw what the glam was

0:28:12.920 --> 0:28:14.880
<v Speaker 1>giving Brit and said, Okay, y'all doing too.

0:28:14.880 --> 0:28:19.480
<v Speaker 2>Much, like like like like, okay, y'all doing too much.

0:28:20.920 --> 0:28:21.800
<v Speaker 2>Y'all belong to.

0:28:21.800 --> 0:28:25.679
<v Speaker 1>Me, so come come back home. And I'm pretty sure

0:28:26.960 --> 0:28:27.440
<v Speaker 1>I don't know.

0:28:27.440 --> 0:28:29.880
<v Speaker 2>This for a fact. I'm pretty sure maybe some are

0:28:29.920 --> 0:28:33.640
<v Speaker 2>all the glad probably said, but look what this bitch

0:28:33.640 --> 0:28:35.919
<v Speaker 2>has given us the work. I'm just saying it could be.

0:28:36.119 --> 0:28:38.360
<v Speaker 5>Well, I guess I'm different, you know what I'm saying.

0:28:38.640 --> 0:28:43.000
<v Speaker 6>Whatever, I'm just not like that if I I can't

0:28:43.000 --> 0:28:44.840
<v Speaker 6>nobody do what I do, you know what I'm saying,

0:28:44.920 --> 0:28:47.640
<v Speaker 6>just like I can't do what nobody else does. So

0:28:47.880 --> 0:28:49.720
<v Speaker 6>I would not like if me and you was going

0:28:49.760 --> 0:28:51.400
<v Speaker 6>to say me and you was going to the Immageorge

0:28:51.480 --> 0:28:53.960
<v Speaker 6>Carlos Claudia, we had a great time at the Immageoris

0:28:54.000 --> 0:28:56.760
<v Speaker 6>together say same and you was going to the Immageorge

0:28:56.800 --> 0:28:59.440
<v Speaker 6>Loos and we was both being styled by Jason Bowlden.

0:28:59.560 --> 0:29:02.400
<v Speaker 5>Right, I wouldn't give a fuck. You gonna look good

0:29:02.400 --> 0:29:04.840
<v Speaker 5>as fucking whatever you put on, and I know I'm gonna.

0:29:04.680 --> 0:29:05.280
<v Speaker 2>Have my shit on.

0:29:05.560 --> 0:29:06.760
<v Speaker 5>I would not care.

0:29:07.440 --> 0:29:08.800
<v Speaker 2>So we're but but.

0:29:08.920 --> 0:29:10.920
<v Speaker 1>In our defense and guys, I just gotta say this

0:29:11.040 --> 0:29:14.280
<v Speaker 1>a Claudia being the only woman here, stop me if

0:29:14.320 --> 0:29:16.880
<v Speaker 1>I'm wrong. Dusted on some real ship. I think there's

0:29:16.920 --> 0:29:21.120
<v Speaker 1>two differences. Okay, we're men who are not on reality.

0:29:21.160 --> 0:29:23.720
<v Speaker 2>I think it's that. I think it's one thing.

0:29:23.600 --> 0:29:28.040
<v Speaker 1>That Lisa Wu Heartwell formally Heartwell said season one to

0:29:28.200 --> 0:29:32.400
<v Speaker 1>Deshaun Snow. She said, when women get dressed, women don't

0:29:32.480 --> 0:29:33.160
<v Speaker 1>dress for men.

0:29:33.600 --> 0:29:35.120
<v Speaker 2>Women dress for other women.

0:29:35.560 --> 0:29:38.680
<v Speaker 6>We do well, I feel you, but I just don't

0:29:38.680 --> 0:29:40.080
<v Speaker 6>when it comes to you know how I am when

0:29:40.080 --> 0:29:43.240
<v Speaker 6>it comes to jealousy that I don't.

0:29:44.440 --> 0:29:45.640
<v Speaker 5>That's a boundary for me.

0:29:45.800 --> 0:29:48.920
<v Speaker 6>The minute I smell a hint of resentment, jealousy, any

0:29:48.920 --> 0:29:51.800
<v Speaker 6>of that ship, the friendship is over. We just you know,

0:29:52.360 --> 0:29:55.640
<v Speaker 6>we just associates basically at that point. But so I

0:29:55.680 --> 0:29:57.760
<v Speaker 6>wouldn't have had no issue. But again, I'm a guy.

0:29:57.880 --> 0:30:00.320
<v Speaker 6>Maybe the restionale is a little bit different, you know

0:30:00.360 --> 0:30:03.520
<v Speaker 6>what I'm saying. So I respect the room for people

0:30:03.560 --> 0:30:05.960
<v Speaker 6>to have their own feelings about stuff, but I just

0:30:06.000 --> 0:30:07.880
<v Speaker 6>don't like none of that shit. Do your thing, but

0:30:08.000 --> 0:30:11.160
<v Speaker 6>do your thing just because you're good at your thing,

0:30:11.240 --> 0:30:14.200
<v Speaker 6>don't mean that it's going to negatively impact me. I

0:30:14.200 --> 0:30:16.760
<v Speaker 6>think it's actually better if we both doing our damn thing,

0:30:16.840 --> 0:30:18.040
<v Speaker 6>Like that's the energy I beyond.

0:30:18.120 --> 0:30:20.640
<v Speaker 5>Let's all be out here getting it. So, I don't know.

0:30:21.040 --> 0:30:23.560
<v Speaker 3>I'm just because you have confidence, and a lot of

0:30:23.720 --> 0:30:25.240
<v Speaker 3>half this cast doesn't have confidence.

0:30:25.360 --> 0:30:26.400
<v Speaker 4>They have paid confidence.

0:30:26.960 --> 0:30:29.080
<v Speaker 3>The ones that are usually loud and mouthing off and

0:30:29.120 --> 0:30:30.960
<v Speaker 3>trying to have a moment usually have the least amount

0:30:30.960 --> 0:30:33.280
<v Speaker 3>of confidence. Even if they look stunning, they still don't

0:30:33.320 --> 0:30:33.960
<v Speaker 3>have the confidence.

0:30:33.960 --> 0:30:36.120
<v Speaker 4>So there's going to be an issue. I think. You know,

0:30:36.200 --> 0:30:37.760
<v Speaker 4>I didn't like seeing Kelly like.

0:30:37.960 --> 0:30:40.640
<v Speaker 3>Mad about it, but I understood, okay, you know, I

0:30:40.680 --> 0:30:42.520
<v Speaker 3>mean I knew people were going to come for her, like, oh,

0:30:42.560 --> 0:30:45.040
<v Speaker 3>she's just suggests she's just jealous because it looks better

0:30:45.160 --> 0:30:49.000
<v Speaker 3>or whatever they're saying. I mean, you know, but it

0:30:49.040 --> 0:30:51.600
<v Speaker 3>does suck when it's your idea to share your people

0:30:51.840 --> 0:30:56.000
<v Speaker 3>and then they do you feel in your mind that damn,

0:30:56.040 --> 0:30:58.000
<v Speaker 3>they kind of doing that thing or her, and I'm

0:30:58.000 --> 0:31:00.080
<v Speaker 3>not really getting that same because there's a silent a

0:31:00.080 --> 0:31:01.600
<v Speaker 3>couple of styles that I've used the forewhere I feel

0:31:01.640 --> 0:31:03.400
<v Speaker 3>like they do really good work with other people. But

0:31:03.440 --> 0:31:05.520
<v Speaker 3>when it comes to be putting anything on me, like ah,

0:31:05.560 --> 0:31:08.280
<v Speaker 3>sh an't use nothing, you can just give her, I'm

0:31:08.520 --> 0:31:11.760
<v Speaker 3>give me the same, like stop giving me the bullshit,

0:31:11.960 --> 0:31:13.640
<v Speaker 3>like you know what I mean. I felt like Cinderella

0:31:13.720 --> 0:31:16.400
<v Speaker 3>upstairs trying to so address together with mice helping me

0:31:16.480 --> 0:31:19.120
<v Speaker 3>and random ribbons and shit, but then you go all

0:31:19.160 --> 0:31:22.320
<v Speaker 3>out and give met galloping other people like I get it,

0:31:22.400 --> 0:31:24.120
<v Speaker 3>cause I get that happened to me a lot. I

0:31:24.120 --> 0:31:26.200
<v Speaker 3>think it's people don't associate me as one of the fast.

0:31:26.280 --> 0:31:28.120
<v Speaker 3>I know amount of the fasts. Let's be very clear,

0:31:28.520 --> 0:31:30.360
<v Speaker 3>y'all don't have to remind me. I know this, so

0:31:30.400 --> 0:31:31.080
<v Speaker 3>they think.

0:31:31.360 --> 0:31:32.680
<v Speaker 4>You'll be happy with anything.

0:31:33.240 --> 0:31:35.560
<v Speaker 3>So it does feel like shit when you're like, damn,

0:31:35.800 --> 0:31:38.800
<v Speaker 3>Actually the bat wards, I felt like me and Annie

0:31:38.840 --> 0:31:40.880
<v Speaker 3>went and she was flawless, and I didn't feel good

0:31:40.880 --> 0:31:41.520
<v Speaker 3>about myself.

0:31:41.640 --> 0:31:44.200
<v Speaker 4>I wasn't mad at her though, it wasn't mad at her.

0:31:44.320 --> 0:31:47.120
<v Speaker 5>That's my point, you might not be to me.

0:31:47.160 --> 0:31:50.520
<v Speaker 6>It's just the comparison dynamic is just toxic to me.

0:31:50.880 --> 0:31:53.520
<v Speaker 6>And friendship. Now, if we're not friends, and fuck it,

0:31:53.600 --> 0:31:55.320
<v Speaker 6>you know what I'm saying. But if we're friends, that's

0:31:55.320 --> 0:31:57.760
<v Speaker 6>toxic to me, which is why what I saw it

0:31:57.760 --> 0:32:02.600
<v Speaker 6>take place at Phager's event between Britain, Kelly completely blatantly

0:32:02.680 --> 0:32:05.160
<v Speaker 6>identified the fact that they are not friends, you know

0:32:05.200 --> 0:32:08.160
<v Speaker 6>what I'm saying, and they were never friends. They have

0:32:08.320 --> 0:32:11.560
<v Speaker 6>never been friends, and that is why it was much

0:32:11.640 --> 0:32:15.520
<v Speaker 6>deeper than just a stylist, you know, giving attention to

0:32:15.560 --> 0:32:18.560
<v Speaker 6>them both. It was more than that. That's when they

0:32:18.600 --> 0:32:22.920
<v Speaker 6>started to engage. Kelly really wasn't engaging. Remember she literally

0:32:22.920 --> 0:32:25.160
<v Speaker 6>didn't even speak back. She just kept her head turned

0:32:25.400 --> 0:32:27.200
<v Speaker 6>and the look on her face. I've been alive a

0:32:27.240 --> 0:32:30.240
<v Speaker 6>long time, and the look on Kelly's face read to

0:32:30.480 --> 0:32:33.640
<v Speaker 6>me as if today is a day I'm already going

0:32:33.680 --> 0:32:36.440
<v Speaker 6>through x YZ. I really don't even want to be

0:32:36.520 --> 0:32:39.160
<v Speaker 6>here right now. I'm not even going to engage, and

0:32:39.200 --> 0:32:41.640
<v Speaker 6>she turned her head and then they continued to go

0:32:41.920 --> 0:32:43.720
<v Speaker 6>and then the shit came out. I don't feel like

0:32:43.800 --> 0:32:46.320
<v Speaker 6>Kelly was really present in that argument. I feel like

0:32:46.360 --> 0:32:48.520
<v Speaker 6>Grid ate her alive in that argument, you know what

0:32:48.520 --> 0:32:50.840
<v Speaker 6>I'm saying. And I don't think that Kelly is a

0:32:50.840 --> 0:32:53.920
<v Speaker 6>person who has trouble finding her way with words.

0:32:54.040 --> 0:32:56.760
<v Speaker 5>So I just think there was something else going on

0:32:57.360 --> 0:32:59.280
<v Speaker 5>that day, in that moment when they.

0:32:59.200 --> 0:33:02.480
<v Speaker 6>Were shooting that that affected what we ended up seeing

0:33:02.520 --> 0:33:05.360
<v Speaker 6>because that was not the same Kelly that we've seen

0:33:05.800 --> 0:33:09.480
<v Speaker 6>all season long. And yeah, I just feel like she

0:33:09.680 --> 0:33:13.520
<v Speaker 6>looked detailed, like just just removed from the situation.

0:33:13.680 --> 0:33:16.200
<v Speaker 5>Something was going on, you know why.

0:33:16.440 --> 0:33:18.400
<v Speaker 3>I think probably she was going through that that I

0:33:18.400 --> 0:33:21.840
<v Speaker 3>don't think it went. You know, the divorce situation. She's there,

0:33:21.920 --> 0:33:24.000
<v Speaker 3>She's been wanting to get a divorce for a long time.

0:33:24.240 --> 0:33:25.560
<v Speaker 4>It got delayed again.

0:33:25.640 --> 0:33:29.440
<v Speaker 3>She's probably sick of this annoying ass motherfucker and wants

0:33:29.480 --> 0:33:31.560
<v Speaker 3>the gut ties. And then the girl that you kind

0:33:31.600 --> 0:33:33.800
<v Speaker 3>of like was ride or died with for a while

0:33:33.840 --> 0:33:36.360
<v Speaker 3>until you get off the sunken ship, the sinking ship, Kelly,

0:33:36.720 --> 0:33:39.400
<v Speaker 3>you had her back to your detriment in the beginning,

0:33:39.520 --> 0:33:41.760
<v Speaker 3>you know, you had her back, and all you wanted,

0:33:41.840 --> 0:33:44.640
<v Speaker 3>like these girls you barely even know, Angela Oakley that

0:33:44.680 --> 0:33:47.600
<v Speaker 3>you don't even hang with, like that, all the other

0:33:47.600 --> 0:33:49.880
<v Speaker 3>girls were checking up on you and the girl that

0:33:50.080 --> 0:33:52.440
<v Speaker 3>claimed to be y'all had some kind of pack to say, y'all,

0:33:52.440 --> 0:33:54.800
<v Speaker 3>we Bethy's whatever did not come through you because she's

0:33:54.880 --> 0:33:57.760
<v Speaker 3>matter about a glam argument like yeah, the glam thing,

0:33:57.800 --> 0:33:59.800
<v Speaker 3>you can say, all right, Kelly, maybe using your feelings,

0:34:00.120 --> 0:34:02.520
<v Speaker 3>you were wrong on that, but damn I would think, Okay,

0:34:02.640 --> 0:34:04.920
<v Speaker 3>be mad at me over something small, check me on that.

0:34:05.200 --> 0:34:08.120
<v Speaker 3>But then the big things in my life a parent dying,

0:34:08.200 --> 0:34:12.200
<v Speaker 3>a divorce, a city that you would overlook the bullshit

0:34:12.560 --> 0:34:16.280
<v Speaker 3>for the bigger stuff, don't like especially like like Kelly said,

0:34:16.440 --> 0:34:19.000
<v Speaker 3>when I brought a whole ivy there, like you know,

0:34:19.160 --> 0:34:20.120
<v Speaker 3>session to your house.

0:34:20.160 --> 0:34:22.040
<v Speaker 4>I did this, I did that, I did this, and.

0:34:21.920 --> 0:34:23.680
<v Speaker 3>I couldn't get a phone call when I'm going through

0:34:23.680 --> 0:34:25.600
<v Speaker 3>a divorce, but these girls I don't really know.

0:34:25.880 --> 0:34:28.319
<v Speaker 4>I'll call me. Hell, yes, she's an I would out.

0:34:28.520 --> 0:34:30.200
<v Speaker 3>I would have sung her too with that event, like

0:34:31.040 --> 0:34:33.080
<v Speaker 3>oh you want to talk to me, because then you

0:34:33.080 --> 0:34:34.680
<v Speaker 3>could tell and you know, when a bitch knows.

0:34:34.719 --> 0:34:36.480
<v Speaker 4>She lookedod right. So she came in from the top

0:34:36.560 --> 0:34:37.000
<v Speaker 4>of the bride.

0:34:37.000 --> 0:34:40.520
<v Speaker 3>She came there and she she was very antagonistic when

0:34:40.560 --> 0:34:41.120
<v Speaker 3>she said her.

0:34:41.000 --> 0:34:43.759
<v Speaker 4>Hello to Kelly, that's not how I'm real friend. Yeah,

0:34:43.800 --> 0:34:46.279
<v Speaker 4>she was like hey Kelly, and she was trying it.

0:34:46.520 --> 0:34:47.920
<v Speaker 4>I would have flapped the shit out of her right

0:34:47.920 --> 0:34:48.239
<v Speaker 4>then there.

0:34:48.239 --> 0:34:50.640
<v Speaker 3>If that was my my fake gust friend Jordan didn't

0:34:50.719 --> 0:34:52.200
<v Speaker 3>chuck on me that that would have.

0:34:52.200 --> 0:34:54.960
<v Speaker 4>Been enough because she was trying to antagonize her with that.

0:34:55.480 --> 0:34:59.520
<v Speaker 1>Oh I didn't think, Okay, that is that?

0:35:00.320 --> 0:35:01.160
<v Speaker 2>That is interesting.

0:35:01.200 --> 0:35:04.240
<v Speaker 1>That's why I'm glad we get these different perspectives. I

0:35:04.320 --> 0:35:07.799
<v Speaker 1>didn't think about that until you said it, Brit. And

0:35:07.920 --> 0:35:12.279
<v Speaker 1>we'll get to the Charles Angela and Marcus thing too,

0:35:12.400 --> 0:35:14.640
<v Speaker 1>but let's just go with the flood with this conversation.

0:35:15.400 --> 0:35:20.200
<v Speaker 2>So at page this event, what.

0:35:20.200 --> 0:35:23.200
<v Speaker 1>We're talking about now is how Kelly and Britt read

0:35:23.239 --> 0:35:27.080
<v Speaker 1>each other. So Britt walks in Britt. If you're watching

0:35:27.640 --> 0:35:30.120
<v Speaker 1>or you're glam tans across the board, I have.

0:35:31.840 --> 0:35:34.280
<v Speaker 2>Britt did and this look looked amazing.

0:35:34.400 --> 0:35:36.480
<v Speaker 1>And it's the reason why I told y'all in the

0:35:36.520 --> 0:35:38.719
<v Speaker 1>first episode I said there is something.

0:35:38.440 --> 0:35:42.399
<v Speaker 2>About Britt, not Mary that I like. There's something about her.

0:35:42.880 --> 0:35:44.480
<v Speaker 1>It makes me sad that we're not going to see

0:35:44.520 --> 0:35:47.440
<v Speaker 1>on the show anymore because I felt like Britt again,

0:35:47.440 --> 0:35:50.040
<v Speaker 1>if you're watching I don't know what happened to you.

0:35:50.160 --> 0:35:51.160
<v Speaker 2>I'm not going to talk about that.

0:35:51.200 --> 0:35:53.920
<v Speaker 1>I wasn't there, but what I will say as a viewer,

0:35:54.040 --> 0:35:58.600
<v Speaker 1>this is only me speaking as a viewer. This episode

0:35:58.680 --> 0:36:03.000
<v Speaker 1>made me want you more on the show. I'm gonna

0:36:03.040 --> 0:36:05.600
<v Speaker 1>tell you why it was, because the thing is this.

0:36:06.160 --> 0:36:08.720
<v Speaker 1>When I first saw brit pop up on the screen,

0:36:09.160 --> 0:36:13.680
<v Speaker 1>I said, mss Mama has a spice to her that

0:36:13.840 --> 0:36:17.520
<v Speaker 1>I think is very delicious that I'm just curious what

0:36:17.640 --> 0:36:20.960
<v Speaker 1>it is. That's why I felt like, Brit, You're better

0:36:21.080 --> 0:36:24.520
<v Speaker 1>than the shade she was giving Kenya, because.

0:36:24.280 --> 0:36:26.680
<v Speaker 2>I'm like, I felt like, you're trying too hard.

0:36:26.680 --> 0:36:29.200
<v Speaker 1>That ain't ain't that ain't nothing to work with, and

0:36:29.360 --> 0:36:33.600
<v Speaker 1>I thought it felt flat. But when you're having an

0:36:33.640 --> 0:36:38.400
<v Speaker 1>issue with your girl, that's when your real attitude comes out.

0:36:38.440 --> 0:36:41.759
<v Speaker 1>And that's why this episode I felt like Episode sixteen

0:36:41.920 --> 0:36:45.880
<v Speaker 1>Lord Jesus was the first episode where I got to

0:36:46.040 --> 0:36:48.839
<v Speaker 1>the real Brit. Whether it was cute or not, it

0:36:48.880 --> 0:36:51.720
<v Speaker 1>was who she is and that's why I don't judge reality.

0:36:51.800 --> 0:36:53.560
<v Speaker 1>Start just be you.

0:36:53.560 --> 0:36:55.960
<v Speaker 2>You're right, Claudia, I didn't think about this. Brick came

0:36:56.000 --> 0:36:59.000
<v Speaker 2>in no where. Her shit looked good, you know, she

0:36:59.080 --> 0:37:01.160
<v Speaker 2>knew like, bitch, I use your glam to look like

0:37:01.200 --> 0:37:02.200
<v Speaker 2>this and I'm.

0:37:03.000 --> 0:37:04.600
<v Speaker 4>Make you mad. That's what she came in there.

0:37:04.800 --> 0:37:07.680
<v Speaker 1>Yeah, It's kind of like when a girl gets dressed

0:37:07.800 --> 0:37:10.800
<v Speaker 1>up and she knows that her ex boyfriend is gonna

0:37:10.800 --> 0:37:13.640
<v Speaker 1>beat there with his new girl, and you sort of

0:37:13.680 --> 0:37:16.680
<v Speaker 1>walk in and you say, hey, you good, Hi, I'm

0:37:16.680 --> 0:37:21.080
<v Speaker 1>Claudia Jordan, and you walk away because you want the

0:37:21.080 --> 0:37:23.600
<v Speaker 1>grul to know. Bitches, this is what your man used

0:37:23.640 --> 0:37:27.880
<v Speaker 1>to have. But I digressed, so I was I love Kelly.

0:37:28.480 --> 0:37:33.279
<v Speaker 1>I was surprised that Kelly was passive AGGRESSI up, Kelly.

0:37:33.040 --> 0:37:35.759
<v Speaker 2>I love you baby. You were passive AGGRESSI up.

0:37:36.160 --> 0:37:39.319
<v Speaker 1>And when Brit clocked in and said it's aggressive, No,

0:37:39.680 --> 0:37:44.080
<v Speaker 1>you're passive aggressive, Kelly's like, no, I'm aggress up. This

0:37:44.239 --> 0:37:46.840
<v Speaker 1>is subtle Claudia and Dustin. But this is when I

0:37:46.880 --> 0:37:53.240
<v Speaker 1>screamed and ran away. Britt stepped up to the grunk said, oh, really,

0:37:53.280 --> 0:37:54.160
<v Speaker 1>you aggress up.

0:37:54.160 --> 0:37:57.120
<v Speaker 2>I've never seen it that love Claudia Dustin.

0:37:57.480 --> 0:37:59.840
<v Speaker 1>The fact that she walked two feet in front of

0:37:59.840 --> 0:38:03.560
<v Speaker 1>her gave me everything I needed to know because Britt

0:38:03.680 --> 0:38:07.080
<v Speaker 1>was like, bitch, you're captain and I'm gonna show it.

0:38:07.480 --> 0:38:13.920
<v Speaker 1>And when Kelly made the comment about your pill popping roommate,

0:38:15.080 --> 0:38:17.279
<v Speaker 1>which to me and I would love to get your

0:38:17.360 --> 0:38:21.920
<v Speaker 1>thoughts too, obviously meant to me two things. I'm not

0:38:21.920 --> 0:38:23.759
<v Speaker 1>gonna say the second because I'm not here to do that.

0:38:24.640 --> 0:38:28.440
<v Speaker 1>But I thought two things when she said Britt's husband's

0:38:28.440 --> 0:38:31.759
<v Speaker 1>her roommate. The second one I'm not gonna say. The

0:38:31.800 --> 0:38:35.560
<v Speaker 1>first one was y'all not really married, That ain't your husband,

0:38:36.360 --> 0:38:39.520
<v Speaker 1>That ain't your husband? Boob stop it, and y'all do

0:38:39.600 --> 0:38:43.600
<v Speaker 1>pop hills. When she said that, and then Brit gagg

0:38:43.680 --> 0:38:47.520
<v Speaker 1>for ninety seconds and then came back and said the

0:38:47.560 --> 0:38:51.120
<v Speaker 1>word about the abortions, I would love to get your

0:38:51.200 --> 0:38:51.839
<v Speaker 1>thoughts on that.

0:38:52.360 --> 0:38:55.120
<v Speaker 2>I'm being honest.

0:38:55.440 --> 0:38:59.279
<v Speaker 1>I'm all for shade for shade. I don't like your

0:38:59.280 --> 0:39:02.719
<v Speaker 1>Mama jokes because I felt like that's too far. Other

0:39:02.719 --> 0:39:07.880
<v Speaker 1>people like it, and that's fair. There's something about shading

0:39:07.960 --> 0:39:12.680
<v Speaker 1>some a woman who had an abortion for abortions.

0:39:11.880 --> 0:39:14.600
<v Speaker 2>That to me, this is just how I feel.

0:39:15.800 --> 0:39:22.040
<v Speaker 1>I felt like shading somebody that had an abortion, to

0:39:22.120 --> 0:39:26.239
<v Speaker 1>me is very low because I know how difficult it

0:39:26.320 --> 0:39:28.839
<v Speaker 1>is for a woman to decide to do that. Other

0:39:28.880 --> 0:39:30.880
<v Speaker 1>people may agree and say you can't call me a

0:39:30.880 --> 0:39:33.000
<v Speaker 1>pill popper and I can't go to hell with you.

0:39:33.239 --> 0:39:36.280
<v Speaker 1>I get that. I'm just saying for me. I felt

0:39:36.280 --> 0:39:38.080
<v Speaker 1>the abortion thing was too.

0:39:38.200 --> 0:39:39.359
<v Speaker 2>Love so let me.

0:39:40.000 --> 0:39:41.640
<v Speaker 3>I had the same reaction as both of you, and

0:39:41.680 --> 0:39:43.080
<v Speaker 3>I just want to jump in before we go too

0:39:43.080 --> 0:39:46.960
<v Speaker 3>far with that argument that it was that Kelly, sorry

0:39:47.600 --> 0:39:49.880
<v Speaker 3>Rit's husband she was talking about. So I thought that

0:39:49.960 --> 0:39:52.640
<v Speaker 3>same thing to also, And then I called one of

0:39:52.640 --> 0:39:53.000
<v Speaker 3>the houses.

0:39:53.080 --> 0:39:55.799
<v Speaker 5>I didn't think that she was talking to.

0:39:56.960 --> 0:40:01.279
<v Speaker 3>Yes, you needed to because stages to calm Kelly down

0:40:01.640 --> 0:40:03.600
<v Speaker 3>and key you taught.

0:40:03.520 --> 0:40:05.400
<v Speaker 4>You a pill pop and roommate meaning.

0:40:05.960 --> 0:40:12.000
<v Speaker 5>On the trip, yeah, yeah, ship, and I had at.

0:40:11.960 --> 0:40:13.560
<v Speaker 3>My notes and I was like, oh my goodness, she

0:40:13.640 --> 0:40:16.800
<v Speaker 3>was talking to Phaedra. Yeah, so she on her pill popper.

0:40:16.840 --> 0:40:18.319
<v Speaker 3>I thought at first, I was like, she didn't call

0:40:18.360 --> 0:40:20.800
<v Speaker 3>her pill popper, but she was saying pill pop and roomy.

0:40:20.920 --> 0:40:22.160
<v Speaker 4>But that would explain.

0:40:22.920 --> 0:40:24.759
<v Speaker 2>Current journal job o.

0:40:25.000 --> 0:40:25.200
<v Speaker 1>God.

0:40:26.360 --> 0:40:28.600
<v Speaker 6>I never thought she was talking about her husband. I

0:40:28.680 --> 0:40:31.440
<v Speaker 6>was following, following the volley of the conversation and I

0:40:31.440 --> 0:40:34.600
<v Speaker 6>saw Phaedra, you know, in the middle or whatever, And

0:40:34.640 --> 0:40:37.759
<v Speaker 6>I never it never crossed my mind to think about

0:40:37.760 --> 0:40:40.439
<v Speaker 6>her that she was talking about her husband. Never until

0:40:40.480 --> 0:40:43.000
<v Speaker 6>you just said that, I always knew it was it

0:40:43.040 --> 0:40:45.319
<v Speaker 6>was Phaedra. So that's crazy to me because it's you

0:40:45.360 --> 0:40:48.000
<v Speaker 6>guys obviously are and alone. It was probably a bunch

0:40:48.000 --> 0:40:52.600
<v Speaker 6>of people that thought that their relationship changed when Kelly

0:40:52.719 --> 0:40:55.799
<v Speaker 6>and Shmiah got close in real life. I've seen them

0:40:55.840 --> 0:40:58.280
<v Speaker 6>at a club together in New York City. They hanging

0:40:58.320 --> 0:41:01.960
<v Speaker 6>out big time outside of this show taping. Kelly and

0:41:02.000 --> 0:41:04.480
<v Speaker 6>Britt had whatever pack they had to be besties or

0:41:04.520 --> 0:41:08.600
<v Speaker 6>whatever during the season, and what happened was Kelly picked Shmia.

0:41:08.760 --> 0:41:11.120
<v Speaker 6>Kelly and Shamia got close for real, and when they

0:41:11.200 --> 0:41:13.960
<v Speaker 6>was in Grenada and that shit went down about the donations,

0:41:14.360 --> 0:41:18.080
<v Speaker 6>Samia had Kelly support at that table. Kelly even said

0:41:18.160 --> 0:41:22.600
<v Speaker 6>something about the donations or whatever that kind of was identifying,

0:41:22.880 --> 0:41:25.200
<v Speaker 6>you know, brit as a person who didn't donate right,

0:41:25.480 --> 0:41:27.520
<v Speaker 6>And I believe that was the fork in the role

0:41:27.640 --> 0:41:30.200
<v Speaker 6>for them. Ever since they was at that table in Grenada,

0:41:30.680 --> 0:41:35.000
<v Speaker 6>they've been off and Kelly sided with Samiyah in that conversation.

0:41:35.560 --> 0:41:38.399
<v Speaker 6>They've been off ever since that point, and they did

0:41:38.440 --> 0:41:43.160
<v Speaker 6>not talk from Grenada all the way until Well. I

0:41:43.200 --> 0:41:45.600
<v Speaker 6>love Shemiah so much, but she's not the best person

0:41:45.600 --> 0:41:48.640
<v Speaker 6>when it comes to acting in the scenes. Because when

0:41:48.680 --> 0:41:50.480
<v Speaker 6>she asked Kelly, like, so, you haven't talked to once

0:41:50.600 --> 0:41:52.000
<v Speaker 6>last time we talked to brit. You haven't talked to

0:41:52.040 --> 0:41:55.399
<v Speaker 6>her since you since Grenada. Wow, you know she ain't

0:41:55.440 --> 0:41:57.759
<v Speaker 6>talked to her because you and Kelly been talking and

0:41:57.920 --> 0:42:00.440
<v Speaker 6>you know that she hasn't talked to her, And so

0:42:01.000 --> 0:42:03.600
<v Speaker 6>that's been a thing that was brewing between them. They

0:42:03.640 --> 0:42:06.480
<v Speaker 6>weren't speaking. And so maybe though that shit did start

0:42:06.480 --> 0:42:09.000
<v Speaker 6>coming up, the resentment about the looks, and maybe that

0:42:09.239 --> 0:42:12.040
<v Speaker 6>was the motivation to be looking so damn good when

0:42:12.120 --> 0:42:14.960
<v Speaker 6>she showed up like that. Maybe so, But their shit

0:42:15.160 --> 0:42:17.880
<v Speaker 6>broke right there at their table in Grenada.

0:42:18.800 --> 0:42:21.240
<v Speaker 5>That was the line that was crushed.

0:42:21.239 --> 0:42:24.279
<v Speaker 6>But the closeness between Kelly and Shamia in real life

0:42:24.280 --> 0:42:26.960
<v Speaker 6>their friends for real in real life, they hang out

0:42:27.000 --> 0:42:30.120
<v Speaker 6>outside of these cameras to this day, and that is

0:42:30.160 --> 0:42:33.520
<v Speaker 6>what drove the rift between brit and Kelly.

0:42:33.960 --> 0:42:34.760
<v Speaker 5>That's what happened.

0:42:36.920 --> 0:42:37.640
<v Speaker 4>I watched that.

0:42:37.680 --> 0:42:43.560
<v Speaker 3>Scene maybe five or six times, and I was really

0:42:43.560 --> 0:42:44.440
<v Speaker 3>really triggered by it.

0:42:45.080 --> 0:42:48.960
<v Speaker 4>I really was triggered by it. I mean it really really.

0:42:48.719 --> 0:42:53.520
<v Speaker 3>Bothered me because anyone who's ever had somebody close to them,

0:42:53.760 --> 0:42:57.319
<v Speaker 3>betray their trust and tell something that is so dark

0:42:57.360 --> 0:42:58.920
<v Speaker 3>I don't even know if it's a true reader. Not

0:42:59.040 --> 0:43:01.719
<v Speaker 3>the abortion thing that's me here nor there, but the

0:43:01.760 --> 0:43:04.640
<v Speaker 3>fact that a woman would use that against another woman,

0:43:04.719 --> 0:43:07.359
<v Speaker 3>when so many women have had abortions, when so many

0:43:07.400 --> 0:43:09.960
<v Speaker 3>women have had problems with fertility, when so many women

0:43:10.080 --> 0:43:13.120
<v Speaker 3>have experienced that, And to sit here on a high

0:43:13.120 --> 0:43:17.000
<v Speaker 3>horse and say that you've had abortions during your marriage,

0:43:17.160 --> 0:43:19.280
<v Speaker 3>when you know this woman is going through a messy divorce.

0:43:19.400 --> 0:43:22.560
<v Speaker 3>We can say, yes, well, Kelly put an accusation about

0:43:22.840 --> 0:43:26.080
<v Speaker 3>Britt and doing pills, right, I just don't think it's

0:43:26.080 --> 0:43:29.040
<v Speaker 3>the same. I just don't like. I just feel like,

0:43:30.760 --> 0:43:33.160
<v Speaker 3>get hit it with something else. But that was such

0:43:33.200 --> 0:43:36.040
<v Speaker 3>a gross moment. And I've had friends betray me in

0:43:36.080 --> 0:43:39.360
<v Speaker 3>similar situations like that, where they told something where you're like,

0:43:40.120 --> 0:43:43.400
<v Speaker 3>oh my god, I cannot believe you went there. I

0:43:43.440 --> 0:43:46.240
<v Speaker 3>cannot leave up all the things you could say about

0:43:46.280 --> 0:43:48.080
<v Speaker 3>me that you went there.

0:43:48.719 --> 0:43:51.480
<v Speaker 4>And when in that very moment, as.

0:43:51.320 --> 0:43:57.200
<v Speaker 3>Beautiful as Britt looked, I looked at her like the devil.

0:43:58.040 --> 0:44:00.080
<v Speaker 3>It really bothered me, Like I was like, oh, oh

0:44:00.120 --> 0:44:05.160
<v Speaker 3>my god, it seems like she has no bottom. There's

0:44:05.160 --> 0:44:07.719
<v Speaker 3>no end to where she will go. She'll go as

0:44:07.760 --> 0:44:10.200
<v Speaker 3>low as she needs to go for the moment. And

0:44:10.280 --> 0:44:14.239
<v Speaker 3>I don't know if she's just extremely erratic. It gives unstable,

0:44:14.440 --> 0:44:18.759
<v Speaker 3>it gives uh, there's no boundaries, there's there's no I'm

0:44:18.840 --> 0:44:22.000
<v Speaker 3>sure Kelly knows some other dirty things about brit that's

0:44:22.040 --> 0:44:24.840
<v Speaker 3>worse than pilpoping that she could have said that she didn't.

0:44:24.840 --> 0:44:27.480
<v Speaker 3>And to me, part of being a housewife and not

0:44:27.560 --> 0:44:29.560
<v Speaker 3>a basketball wife or housewife and not a love and

0:44:29.600 --> 0:44:31.319
<v Speaker 3>hip hop girl where there they get a little bit

0:44:31.360 --> 0:44:35.720
<v Speaker 3>more guttter with it, right, is the ability to insinuate

0:44:35.840 --> 0:44:38.200
<v Speaker 3>something where bitch, you know what I'm talking about and

0:44:38.239 --> 0:44:41.120
<v Speaker 3>people can read between the lines and you still say,

0:44:41.280 --> 0:44:42.880
<v Speaker 3>stay elegant and classy about it.

0:44:43.000 --> 0:44:44.279
<v Speaker 4>That's a good housewive to me.

0:44:44.560 --> 0:44:47.360
<v Speaker 3>But when you just get gutta and filthy and dirty, listen,

0:44:47.640 --> 0:44:49.440
<v Speaker 3>I got a lot of information on a lot of

0:44:49.440 --> 0:44:51.920
<v Speaker 3>people that y'all say, I hate that. I've never said that.

0:44:52.000 --> 0:44:55.360
<v Speaker 3>I still hold onto and over an argument from glam

0:44:55.440 --> 0:44:58.720
<v Speaker 3>to telling about abortions. I just feel like the punishment

0:44:58.800 --> 0:45:01.000
<v Speaker 3>did not fit the crime. I just felt it was

0:45:01.320 --> 0:45:05.560
<v Speaker 3>way too fucking far and brick deserves, like her ass

0:45:05.560 --> 0:45:08.200
<v Speaker 3>whips over that if I was, if that was in

0:45:08.239 --> 0:45:10.359
<v Speaker 3>my friend's circle, like that's like there's no going back

0:45:10.360 --> 0:45:12.279
<v Speaker 3>from something like that. You know, I'm going through a

0:45:12.320 --> 0:45:15.560
<v Speaker 3>divorce and you gonna say I had abortions during my marriage?

0:45:15.560 --> 0:45:17.279
<v Speaker 3>So are you saying I have one of my my

0:45:17.400 --> 0:45:19.640
<v Speaker 3>husband's kids or that I got pregnant by somebody?

0:45:19.640 --> 0:45:20.520
<v Speaker 4>What the fuck are you saying?

0:45:20.560 --> 0:45:20.680
<v Speaker 2>Oh?

0:45:21.239 --> 0:45:24.160
<v Speaker 4>What are you saying? You know? I don't know.

0:45:24.200 --> 0:45:26.040
<v Speaker 3>And the way Britt acts, she does act like a

0:45:26.080 --> 0:45:29.680
<v Speaker 3>pill popper because she's calm, then she's erratic. She makes

0:45:29.719 --> 0:45:33.040
<v Speaker 3>these really ak I made these erratic angry faces. She's

0:45:33.120 --> 0:45:35.439
<v Speaker 3>up down, up down, and she gives me very much.

0:45:35.480 --> 0:45:37.319
<v Speaker 3>I don't know what I'm gonna get. The way she

0:45:37.400 --> 0:45:40.719
<v Speaker 3>responds to a level two crisis with a level ten

0:45:41.280 --> 0:45:45.160
<v Speaker 3>intent to me gives instability and something's going on. I'm

0:45:45.160 --> 0:45:47.160
<v Speaker 3>not saying she's a druggie, because I've never seen her doing,

0:45:47.320 --> 0:45:49.560
<v Speaker 3>but she got something going on. That brain hers because

0:45:49.560 --> 0:45:52.319
<v Speaker 3>it's fucked, it's chopped and screwed. And I thought that

0:45:52.400 --> 0:45:54.600
<v Speaker 3>was disgusting. It was growth, brit and you are real

0:45:54.640 --> 0:45:58.319
<v Speaker 3>bird for that. That's bird bitch bum behavior. It was

0:45:58.360 --> 0:46:00.000
<v Speaker 3>trashed and I didn't like it, and it took all

0:46:00.080 --> 0:46:03.040
<v Speaker 3>all the accolades because you did look drop dead gorgeous

0:46:03.080 --> 0:46:05.960
<v Speaker 3>and stunny on the show, But your soul is dark

0:46:06.040 --> 0:46:09.359
<v Speaker 3>and ugly and fucked and you are a terrible woman.

0:46:09.360 --> 0:46:11.480
<v Speaker 3>You're not a girl's girl. I called it, and I

0:46:11.560 --> 0:46:14.120
<v Speaker 3>clocked it weeks ago. You're not a girl's girl. You

0:46:14.160 --> 0:46:16.480
<v Speaker 3>don't have girlfriends. You could tell your own family. I

0:46:16.480 --> 0:46:17.400
<v Speaker 3>don't really fuck with you.

0:46:17.680 --> 0:46:20.160
<v Speaker 4>And that is not everybody being jealous because you're pretty.

0:46:20.880 --> 0:46:21.800
<v Speaker 4>It's easy to be pretty.

0:46:21.840 --> 0:46:24.120
<v Speaker 3>We all got fucking filters and hair dye and weaves

0:46:24.160 --> 0:46:27.759
<v Speaker 3>and lash is okay. It's not that rare to see

0:46:27.760 --> 0:46:29.600
<v Speaker 3>somebody pretty. And the fact that you think all of

0:46:29.600 --> 0:46:31.959
<v Speaker 3>your problems are because of your looks and not because

0:46:31.960 --> 0:46:33.960
<v Speaker 3>of your inner you need to work on that core.

0:46:34.040 --> 0:46:36.680
<v Speaker 4>There's something going on there, there really is. And it

0:46:36.719 --> 0:46:37.040
<v Speaker 4>was Gotda.

0:46:37.120 --> 0:46:38.800
<v Speaker 3>It was Gota and Kelly. You know, Kelly did a

0:46:38.840 --> 0:46:41.400
<v Speaker 3>low blow too. You can't have kids. I didn't like

0:46:41.440 --> 0:46:42.040
<v Speaker 3>none of that shit.

0:46:42.120 --> 0:46:44.120
<v Speaker 4>I thought it was terrible. I thought it was terrible.

0:46:44.480 --> 0:46:44.680
<v Speaker 5>You know.

0:46:44.800 --> 0:46:50.480
<v Speaker 6>It made me miss Kenya because I felt like, and

0:46:50.520 --> 0:46:53.640
<v Speaker 6>this is you know whatever, I'm watching the show I'm

0:46:53.680 --> 0:46:55.880
<v Speaker 6>a viewer. This shit ain't personal to me, so watching

0:46:55.880 --> 0:46:58.440
<v Speaker 6>that volley back and forth between Kelly and bridd.

0:46:58.600 --> 0:47:00.640
<v Speaker 5>I was like, damn, I wish Cany was there.

0:47:01.000 --> 0:47:03.920
<v Speaker 6>My hope is that next year, Because you want to

0:47:03.960 --> 0:47:07.520
<v Speaker 6>talk about somebody skating, Phaedra actually skated these five episodes.

0:47:07.600 --> 0:47:10.120
<v Speaker 6>She was unmatched when it came to She didn't have

0:47:10.200 --> 0:47:12.080
<v Speaker 6>any worthy opponent on this cast.

0:47:12.120 --> 0:47:14.360
<v Speaker 5>Her and Porsche, our friend Lee on the show.

0:47:15.000 --> 0:47:17.640
<v Speaker 6>I would love to see Kenya Moore be added to

0:47:17.680 --> 0:47:20.239
<v Speaker 6>the cast next season. I would love to see her

0:47:20.280 --> 0:47:23.520
<v Speaker 6>come back full time. I would love to see Niani

0:47:23.680 --> 0:47:26.480
<v Speaker 6>come back. I'm just being a delusional fan right now,

0:47:26.600 --> 0:47:28.760
<v Speaker 6>right of the show. I would love to see Ninnie

0:47:28.760 --> 0:47:31.280
<v Speaker 6>come back. To me if you bring Ninnie and Kenya

0:47:31.360 --> 0:47:34.600
<v Speaker 6>back next year, even if Nini's a friend, we got

0:47:34.600 --> 0:47:34.959
<v Speaker 6>a show.

0:47:35.520 --> 0:47:39.319
<v Speaker 5>We got a motherfucking show. So I don't know. Uh,

0:47:39.360 --> 0:47:40.560
<v Speaker 5>it just made me miss Kenya.

0:47:40.640 --> 0:47:42.160
<v Speaker 6>I think she would have added a lot to that

0:47:42.280 --> 0:47:46.040
<v Speaker 6>event overall, to Phaedra's return to all of that.

0:47:46.239 --> 0:47:48.200
<v Speaker 5>You know what I'm saying. It just I would love

0:47:48.239 --> 0:47:50.360
<v Speaker 5>to see them next season. That's all.

0:47:50.520 --> 0:47:55.120
<v Speaker 6>And one last thing loves and pay Candy a million

0:47:55.160 --> 0:47:57.360
<v Speaker 6>dollars an episode for five so she can come to

0:47:57.440 --> 0:47:59.879
<v Speaker 6>Kenya's events and we can finally get a sit down

0:47:59.880 --> 0:48:02.400
<v Speaker 6>with between her and Phaedro and they show pay Candy

0:48:02.400 --> 0:48:06.080
<v Speaker 6>a million episode. Let her have five episodes and we

0:48:06.280 --> 0:48:08.319
<v Speaker 6>and were good. You know what I'm saying, that's all

0:48:08.320 --> 0:48:08.600
<v Speaker 6>we need.

0:48:08.640 --> 0:48:10.200
<v Speaker 4>They gotta, Yeah, they gotta, they gotta.

0:48:10.280 --> 0:48:12.080
<v Speaker 3>I think they need to address some of the unresolved

0:48:12.080 --> 0:48:13.560
<v Speaker 3>things and get some of the old girlies back.

0:48:13.600 --> 0:48:16.200
<v Speaker 4>I think that would definitely, you know, like maybe I

0:48:16.239 --> 0:48:16.600
<v Speaker 4>don't know.

0:48:16.560 --> 0:48:19.360
<v Speaker 3>There's some there's some world where that could actually happen

0:48:19.560 --> 0:48:21.799
<v Speaker 3>where you get them back, but you I just think

0:48:21.840 --> 0:48:25.160
<v Speaker 3>it's like such a letdown, like this season with with

0:48:25.360 --> 0:48:27.759
<v Speaker 3>Porscha and Faser when they came back. Yes, they were

0:48:27.760 --> 0:48:29.839
<v Speaker 3>missed by the fans and they are fan favorites, right,

0:48:30.440 --> 0:48:33.319
<v Speaker 3>like ignoring the reason why they weren't there and then

0:48:33.360 --> 0:48:35.560
<v Speaker 3>playing in our faces the whole season like that of

0:48:35.640 --> 0:48:36.440
<v Speaker 3>course is gonna give.

0:48:36.520 --> 0:48:37.840
<v Speaker 4>It's gonna be a letdown.

0:48:37.840 --> 0:48:39.600
<v Speaker 3>If we could like kind of get into some of that,

0:48:39.680 --> 0:48:41.799
<v Speaker 3>I think that would have actually helped as well.

0:48:42.120 --> 0:48:42.319
<v Speaker 5>I do.

0:48:42.560 --> 0:48:45.640
<v Speaker 1>Yeah, no, I agree, I think I know it's difficult,

0:48:45.680 --> 0:48:50.880
<v Speaker 1>but I definitely think it's one of those things where

0:48:52.960 --> 0:48:55.440
<v Speaker 1>you have to address the elephant in the realm. Because

0:48:55.480 --> 0:48:58.879
<v Speaker 1>one thing that I always wrestle with as a producer is.

0:49:00.760 --> 0:49:01.640
<v Speaker 2>This is no secret.

0:49:01.640 --> 0:49:04.680
<v Speaker 1>There's so much that goes on in production because again,

0:49:05.560 --> 0:49:07.279
<v Speaker 1>for example, a lot of people think I make all

0:49:07.280 --> 0:49:10.440
<v Speaker 1>the decisions right, I'm always like, this ain't the Carlos

0:49:10.560 --> 0:49:11.200
<v Speaker 1>King Network.

0:49:11.400 --> 0:49:13.840
<v Speaker 2>I don't pay talent out of my savings account.

0:49:14.440 --> 0:49:17.319
<v Speaker 1>Everything. Everybody has a boss. And that's the thing that

0:49:17.360 --> 0:49:20.680
<v Speaker 1>people don't understand. Everybody has the boss when you're on television.

0:49:21.040 --> 0:49:25.080
<v Speaker 1>The top brass are the ones who make the final decisions. Okay,

0:49:26.480 --> 0:49:29.879
<v Speaker 1>perfect example, when I got Claudia, I said I want

0:49:29.920 --> 0:49:31.440
<v Speaker 1>to be a housewife, they said child, she got to

0:49:31.440 --> 0:49:33.440
<v Speaker 1>work with this thing, and I'm like, I sees partition

0:49:33.560 --> 0:49:37.400
<v Speaker 1>of her. And then I didn't get my way, but

0:49:37.880 --> 0:49:41.040
<v Speaker 1>I got some I got some say, but I don't

0:49:41.080 --> 0:49:43.560
<v Speaker 1>have a final say. I say all of that, I

0:49:43.560 --> 0:49:47.680
<v Speaker 1>could not agree more. I do think the audience who

0:49:47.719 --> 0:49:51.640
<v Speaker 1>are very special to this show, and this show is

0:49:51.880 --> 0:49:57.640
<v Speaker 1>very special to the audience. I do think the lack

0:49:57.719 --> 0:49:59.920
<v Speaker 1>of the one on one between Freak and Frack of

0:50:00.000 --> 0:50:03.120
<v Speaker 1>about what happened, even if it was a seven minute conversation.

0:50:03.800 --> 0:50:08.600
<v Speaker 1>I think the audience is too invested, too special, that

0:50:08.600 --> 0:50:12.120
<v Speaker 1>that Housewives of Atlanta forget the rest of the cities

0:50:12.440 --> 0:50:16.440
<v Speaker 1>in this moment. The real Housewives of Atlanta audience are

0:50:16.480 --> 0:50:18.440
<v Speaker 1>the most special human beings when it comes to the

0:50:18.480 --> 0:50:20.160
<v Speaker 1>franchise because they care.

0:50:20.760 --> 0:50:21.839
<v Speaker 2>They care about the show.

0:50:22.360 --> 0:50:25.080
<v Speaker 1>They even when they shade it, I know that they're

0:50:25.120 --> 0:50:28.120
<v Speaker 1>shading it because they care about it. I do think

0:50:28.280 --> 0:50:32.000
<v Speaker 1>it's a It's unfortunate that the audience could not have

0:50:32.000 --> 0:50:35.239
<v Speaker 1>gotten that. I agree with you too when it comes

0:50:35.280 --> 0:50:38.240
<v Speaker 1>to that point when it comes to Kelly and Britt,

0:50:38.320 --> 0:50:40.600
<v Speaker 1>I agree with the both of you. Kelly and Britt,

0:50:40.640 --> 0:50:44.400
<v Speaker 1>y'all were never friends to have that level of falling

0:50:44.440 --> 0:50:49.040
<v Speaker 1>out over glamm I'm now with Claudia in the in

0:50:49.080 --> 0:50:52.840
<v Speaker 1>the sense of where y'all friends when y'all were cast

0:50:53.080 --> 0:50:56.719
<v Speaker 1>to be on the show. Because as much as I

0:50:56.840 --> 0:50:58.960
<v Speaker 1>go with at it with my friends, and I'm gonna

0:50:58.960 --> 0:51:00.840
<v Speaker 1>go add it like that, but let's have an argument.

0:51:02.080 --> 0:51:04.160
<v Speaker 2>I'm never going to go to the depths of hell

0:51:04.200 --> 0:51:07.520
<v Speaker 2>to embarrass you ever, especially over Glham.

0:51:07.840 --> 0:51:11.320
<v Speaker 1>We're arguing over hangars and dresses and shoes were tape

0:51:11.320 --> 0:51:14.000
<v Speaker 1>at the bottom of the soul, like, is that what

0:51:14.040 --> 0:51:14.560
<v Speaker 1>we're doing?

0:51:15.520 --> 0:51:15.600
<v Speaker 3>It?

0:51:15.800 --> 0:51:19.360
<v Speaker 2>To me? I thought they both were wrong to to

0:51:19.719 --> 0:51:20.960
<v Speaker 2>now now that I know this.

0:51:21.520 --> 0:51:24.000
<v Speaker 1>I felt Kelly was wrong about the when I thought

0:51:24.040 --> 0:51:25.960
<v Speaker 1>she was talking about the husband, and I'm like, what

0:51:26.040 --> 0:51:27.920
<v Speaker 1>does he have to do with this conversation? Shade her

0:51:28.480 --> 0:51:33.160
<v Speaker 1>now that I'm aware that she was actually calling Britt

0:51:33.239 --> 0:51:34.200
<v Speaker 1>a pill popper.

0:51:35.080 --> 0:51:37.799
<v Speaker 2>If Brits takes pills, I don't need I don't.

0:51:38.120 --> 0:51:42.000
<v Speaker 1>There's certain things about reality stars that I just don't

0:51:42.000 --> 0:51:44.839
<v Speaker 1>want to know. I don't if that's your if that's

0:51:44.880 --> 0:51:46.839
<v Speaker 1>what you do, I don't.

0:51:46.880 --> 0:51:48.680
<v Speaker 2>I don't. I don't need to know those things.

0:51:48.920 --> 0:51:51.560
<v Speaker 1>When it comes to whether or not Kelly had an abortion,

0:51:51.680 --> 0:51:53.239
<v Speaker 1>and for the record, she says she did not.

0:51:53.719 --> 0:51:55.000
<v Speaker 2>She said her tubs are tied.

0:51:55.760 --> 0:51:58.239
<v Speaker 1>I don't want to know if my reality starts having

0:51:58.280 --> 0:52:00.200
<v Speaker 1>abortion unless they want to tell me that.

0:52:01.080 --> 0:52:03.200
<v Speaker 2>Unless they want to tell me that.

0:52:03.560 --> 0:52:06.200
<v Speaker 1>When Kimmy was diagnosed with breast cancer on Love and

0:52:06.239 --> 0:52:10.680
<v Speaker 1>Mash Huntsville, I told you got this throw already. It

0:52:10.760 --> 0:52:14.520
<v Speaker 1>was so personal that I said to her, it's your

0:52:14.640 --> 0:52:17.000
<v Speaker 1>choice to tell your story if you want to quit

0:52:17.200 --> 0:52:19.000
<v Speaker 1>and and and go through chemo and all of that

0:52:19.080 --> 0:52:21.520
<v Speaker 1>on your own and not tell the not tell a

0:52:21.680 --> 0:52:25.440
<v Speaker 1>soul that's your I'm gonna ride for you, sis. It

0:52:25.560 --> 0:52:28.439
<v Speaker 1>was her choice to say I want to talk about

0:52:28.480 --> 0:52:32.319
<v Speaker 1>it and bring these women along my journey. Abortions and

0:52:32.360 --> 0:52:35.440
<v Speaker 1>pill popping as shade to me is whack a f

0:52:36.640 --> 0:52:40.080
<v Speaker 1>I think it's disgusting and girls. Shame someone's folded up

0:52:40.120 --> 0:52:50.080
<v Speaker 1>bob shame somebody ready, chase somebody spaghetty straps, Chase something like.

0:52:48.160 --> 0:52:51.120
<v Speaker 3>You ain't just about to give to mind. Shase someone

0:52:51.160 --> 0:52:54.239
<v Speaker 3>that can bridesmaids. Shame, someone that used to be on

0:52:54.280 --> 0:52:57.080
<v Speaker 3>a pole. Chase someone who got brand new once I

0:52:57.120 --> 0:52:59.680
<v Speaker 3>got a little checked. Chase someone's lace front. But don't

0:52:59.719 --> 0:53:01.279
<v Speaker 3>just you know, you ain't about to just.

0:53:01.239 --> 0:53:01.759
<v Speaker 4>Do mine now.

0:53:01.840 --> 0:53:10.960
<v Speaker 5>Probably I love you, but.

0:53:10.920 --> 0:53:13.759
<v Speaker 3>I will say that I see people in comments. At

0:53:13.800 --> 0:53:15.799
<v Speaker 3>first I did think the same things Colors. I thought

0:53:15.840 --> 0:53:18.080
<v Speaker 3>the pill poper comment was about BRIT's husband, so I

0:53:18.120 --> 0:53:21.480
<v Speaker 3>was like, oh, that was so disgusting that that Kelly

0:53:21.640 --> 0:53:24.600
<v Speaker 3>Britt will respond with the abortion talk.

0:53:25.000 --> 0:53:27.640
<v Speaker 4>But now that we know, we know, I think they

0:53:27.640 --> 0:53:30.319
<v Speaker 4>were both wrong in that scene. They were both wrong.

0:53:30.960 --> 0:53:32.840
<v Speaker 3>They they pulled, they took out you know when you

0:53:32.880 --> 0:53:35.839
<v Speaker 3>have They both brought like guns to knife fights. Right,

0:53:36.239 --> 0:53:39.120
<v Speaker 3>they both went too hard and used weapons of mass

0:53:39.120 --> 0:53:41.719
<v Speaker 3>destruction on each other where they can never come back

0:53:41.719 --> 0:53:45.160
<v Speaker 3>from that. To me, that means the stakes whenever that high,

0:53:45.280 --> 0:53:48.480
<v Speaker 3>you weren't really friends certain people, when you're really friends.

0:53:48.200 --> 0:53:52.879
<v Speaker 4>Someone like you, I'm not gonna because you're like, I'm

0:53:52.880 --> 0:53:54.040
<v Speaker 4>gonna fuck with you in two weeks.

0:53:54.200 --> 0:53:56.440
<v Speaker 3>But right now, oh, you might say a little shade,

0:53:56.480 --> 0:53:58.560
<v Speaker 3>give her the light shade. Oh that's why your heels

0:53:58.680 --> 0:54:02.759
<v Speaker 3>is at acting great. I don't know, but not personal

0:54:03.040 --> 0:54:08.080
<v Speaker 3>soul crushing stuff. And I will say, Kelly, exposing that

0:54:08.080 --> 0:54:09.680
<v Speaker 3>your friends of ahthough.

0:54:09.440 --> 0:54:12.360
<v Speaker 4>We can connor already tell that was that was fouled

0:54:12.400 --> 0:54:16.320
<v Speaker 4>to do in front of her. I'm just saying she's erratic.

0:54:16.320 --> 0:54:19.680
<v Speaker 4>I never seen bat news. Let me protect the show.

0:54:19.840 --> 0:54:21.719
<v Speaker 4>I never seen the drugs, no drugs like that. But

0:54:21.800 --> 0:54:24.680
<v Speaker 4>she's erratic. But saying that if you do have knowledge

0:54:24.680 --> 0:54:25.320
<v Speaker 4>of that, that.

0:54:25.200 --> 0:54:27.560
<v Speaker 3>You got only because you were allowed to be close

0:54:27.600 --> 0:54:30.520
<v Speaker 3>to her because your friends, that is wrong. And Britt

0:54:31.000 --> 0:54:34.400
<v Speaker 3>exposing someone may potentially I have done have an abortion

0:54:34.680 --> 0:54:36.719
<v Speaker 3>because you were friends with her and she confided in you,

0:54:36.840 --> 0:54:38.719
<v Speaker 3>whether she did or she didn't, that was wrong. That

0:54:38.800 --> 0:54:40.279
<v Speaker 3>was fucked up on both of them. I got it,

0:54:40.280 --> 0:54:42.840
<v Speaker 3>they both were. I don't even they were both wrong.

0:54:43.000 --> 0:54:45.680
<v Speaker 3>Right with the Lamb argument, It's like.

0:54:45.760 --> 0:54:49.080
<v Speaker 2>Damn, yeah it was. It was just that there anyone

0:54:49.160 --> 0:54:50.399
<v Speaker 2>to add to that Before I move on.

0:54:50.360 --> 0:54:52.080
<v Speaker 5>To you know, we can we can get onto what

0:54:52.160 --> 0:54:53.279
<v Speaker 5>we need to be discussing.

0:54:54.400 --> 0:55:02.480
<v Speaker 1>Okay, I don't know how to start to. I I

0:55:03.800 --> 0:55:08.200
<v Speaker 1>came into doing reality television because I did study journalists

0:55:08.680 --> 0:55:12.440
<v Speaker 1>at college, and I do like journalists too.

0:55:12.560 --> 0:55:13.000
<v Speaker 2>Shut up.

0:55:15.440 --> 0:55:18.200
<v Speaker 3>I'm feeling a little way because I shared my journalism

0:55:18.440 --> 0:55:21.000
<v Speaker 3>journey with you, and now you're taking my journalism journey

0:55:21.040 --> 0:55:22.239
<v Speaker 3>from me and you're running with it.

0:55:22.200 --> 0:55:24.719
<v Speaker 4>And I feel like you. Now I'm jealous.

0:55:25.160 --> 0:55:27.000
<v Speaker 1>It's okay as long as you and I both don't

0:55:27.000 --> 0:55:33.360
<v Speaker 1>share the same glam degree. Okay, cover vote journalists.

0:55:33.600 --> 0:55:34.440
<v Speaker 2>Now, I will say this.

0:55:35.120 --> 0:55:37.600
<v Speaker 1>I got to reality television because of my love for

0:55:37.760 --> 0:55:38.960
<v Speaker 1>real people, real stories.

0:55:39.080 --> 0:55:44.320
<v Speaker 2>I'm obsessed with real personal story I I I do.

0:55:44.320 --> 0:55:48.200
<v Speaker 1>Understand that there are certain shows that are fake, that

0:55:48.280 --> 0:55:52.759
<v Speaker 1>are scripted, that don't show the reality. I don't want

0:55:52.760 --> 0:55:55.399
<v Speaker 1>to see that on the Housewives of Atlanta. I don't

0:55:55.400 --> 0:55:58.600
<v Speaker 1>ever want to see this on this show. When I

0:55:58.680 --> 0:56:04.400
<v Speaker 1>saw this person named Marcus come out of nowhere and say,

0:56:04.800 --> 0:56:07.160
<v Speaker 1>I want to talk to you Angela about your husband.

0:56:07.480 --> 0:56:10.759
<v Speaker 2>But I wanted to be a one on one and Angela.

0:56:10.440 --> 0:56:13.640
<v Speaker 1>Being the MVP of the season Peyton and said cha by,

0:56:14.400 --> 0:56:15.759
<v Speaker 1>and then for Marcus to.

0:56:15.960 --> 0:56:19.600
<v Speaker 2>Then doing a toast, say.

0:56:21.040 --> 0:56:25.560
<v Speaker 1>And toast to Angela and her husband who's cheating on her?

0:56:26.080 --> 0:56:28.640
<v Speaker 2>It was sort of like like who sent you?

0:56:29.360 --> 0:56:33.480
<v Speaker 1>And it was I'm gonna say when I worked on

0:56:33.520 --> 0:56:36.640
<v Speaker 1>the Real Housepals of Atlanta for years and this is

0:56:37.600 --> 0:56:40.840
<v Speaker 1>some real shit. I cannot tell y'all how many women

0:56:40.920 --> 0:56:43.359
<v Speaker 1>came up to me while we were filming at these

0:56:43.360 --> 0:56:46.400
<v Speaker 1>events that's in the Claudia and they would say to

0:56:46.440 --> 0:56:47.560
<v Speaker 1>me because they knew I was.

0:56:47.480 --> 0:56:49.240
<v Speaker 2>The executive producer of the show.

0:56:50.880 --> 0:56:53.359
<v Speaker 1>I've had so many women come up to me, well,

0:56:53.400 --> 0:56:54.800
<v Speaker 1>you know I messed with her husband?

0:56:55.680 --> 0:56:58.719
<v Speaker 2>What like? Who? First of all, who are you? And

0:56:58.840 --> 0:57:04.000
<v Speaker 2>Who's like, I'm move move that happened.

0:57:04.480 --> 0:57:08.000
<v Speaker 1>I can't count on two hands how many times I

0:57:08.040 --> 0:57:10.080
<v Speaker 1>have people come up to me when I was working

0:57:10.600 --> 0:57:13.880
<v Speaker 1>about some tea they had on my girls the Housewives,

0:57:14.320 --> 0:57:16.400
<v Speaker 1>and I was just like, I'm never going to be

0:57:16.440 --> 0:57:20.440
<v Speaker 1>that producer that is going to be so lazy to.

0:57:22.320 --> 0:57:23.200
<v Speaker 2>Tell that story.

0:57:23.560 --> 0:57:25.760
<v Speaker 1>Now, I'm not saying a producer put markets up to

0:57:25.880 --> 0:57:28.440
<v Speaker 1>my saying that, but I also will say this, and

0:57:28.480 --> 0:57:32.480
<v Speaker 1>this is some real stuff. I've had some reality stars

0:57:33.400 --> 0:57:36.040
<v Speaker 1>come up to me during my time as a showrunner

0:57:36.600 --> 0:57:40.720
<v Speaker 1>and say, you know, I got my friend gonna show

0:57:40.760 --> 0:57:42.720
<v Speaker 1>up and because she, she or he got some tea

0:57:42.760 --> 0:57:46.959
<v Speaker 1>about such and such. And I would be like, I'm

0:57:47.000 --> 0:57:50.320
<v Speaker 1>not going to put a mic on a random person

0:57:51.200 --> 0:57:55.240
<v Speaker 1>to do what we're paying you millions.

0:57:54.720 --> 0:57:57.720
<v Speaker 2>Or thousands of hundreds of dollars to do. I'm not

0:57:57.800 --> 0:57:58.320
<v Speaker 2>doing that.

0:57:58.560 --> 0:58:01.400
<v Speaker 1>If you know this information, and if that person in

0:58:01.440 --> 0:58:05.240
<v Speaker 1>your car m who you want me to mike.

0:58:06.800 --> 0:58:09.240
<v Speaker 2>Path the information? Now, how about you go and tell

0:58:09.280 --> 0:58:12.960
<v Speaker 2>them yourself. Be a be a boss, be beat that girl,

0:58:13.680 --> 0:58:14.560
<v Speaker 2>tell them yourself.

0:58:15.320 --> 0:58:18.360
<v Speaker 1>When I what I saw happened, it made me so

0:58:18.560 --> 0:58:23.360
<v Speaker 1>upset because I don't know who put him up to it.

0:58:24.200 --> 0:58:27.440
<v Speaker 2>By no stretch of the imagination was that real.

0:58:27.840 --> 0:58:32.200
<v Speaker 1>And when I say real, meeting that nobody knew in

0:58:32.280 --> 0:58:33.720
<v Speaker 1>that room what was going on.

0:58:34.160 --> 0:58:34.720
<v Speaker 2>I don't know.

0:58:34.960 --> 0:58:37.000
<v Speaker 1>If I don't know who, we can we can get

0:58:37.000 --> 0:58:39.200
<v Speaker 1>to that and and and and and sort of debate.

0:58:40.080 --> 0:58:44.040
<v Speaker 1>But it was the laziest ship, and it made me

0:58:44.360 --> 0:58:48.360
<v Speaker 1>disgusted with where reality TV is going to.

0:58:48.440 --> 0:58:51.480
<v Speaker 2>Where that just got camera time.

0:58:51.600 --> 0:58:55.440
<v Speaker 6>I I hateed it.

0:58:55.440 --> 0:58:57.120
<v Speaker 5>It felt completely disjointed.

0:58:57.560 --> 0:59:01.840
<v Speaker 6>It felt like a a up jerk as.

0:59:01.680 --> 0:59:02.720
<v Speaker 5>A viewer, like we were.

0:59:02.720 --> 0:59:05.400
<v Speaker 6>We were we were shaken by watching that ship, and

0:59:05.440 --> 0:59:08.360
<v Speaker 6>not in a good way. First of all, if it

0:59:08.400 --> 0:59:10.600
<v Speaker 6>ever was time to hold up a sign saying who

0:59:10.720 --> 0:59:13.120
<v Speaker 6>is this? You know what I'm saying, that's when it

0:59:13.240 --> 0:59:14.960
<v Speaker 6>That's when the poster shit have came up. It just

0:59:15.080 --> 0:59:17.640
<v Speaker 6>was crazy. I just think that that the young man

0:59:17.640 --> 0:59:20.160
<v Speaker 6>that was on there. I know I saw a bunch

0:59:20.160 --> 0:59:23.160
<v Speaker 6>of posts and ship earlier that people had shared that

0:59:23.240 --> 0:59:23.880
<v Speaker 6>he had made.

0:59:24.120 --> 0:59:25.880
<v Speaker 5>He was live tweeting the episode and stuff.

0:59:25.880 --> 0:59:28.360
<v Speaker 6>He just wanted to be involved and have some attention

0:59:28.440 --> 0:59:31.240
<v Speaker 6>shined on him, and I just think it's unfortunate that

0:59:31.280 --> 0:59:33.760
<v Speaker 6>it was at his own detriment, you know what I mean.

0:59:34.320 --> 0:59:37.720
<v Speaker 6>This goes back to Basketball Wives, and it was a

0:59:37.760 --> 0:59:40.840
<v Speaker 6>storyline like that. A guy called Jackie with some information

0:59:40.960 --> 0:59:44.440
<v Speaker 6>one time. Uh, we're back on marriaed to medicine years ago.

0:59:44.920 --> 0:59:47.800
<v Speaker 6>That gentleman came up and said something to quad about

0:59:47.880 --> 0:59:51.920
<v Speaker 6>Lisa Nicole's husband. It's just It's just it's just a

0:59:52.040 --> 0:59:55.280
<v Speaker 6>very elementary play, you know what I mean, very old,

0:59:55.720 --> 0:59:58.360
<v Speaker 6>very We've seen it, heard it all before, and they

0:59:58.360 --> 1:00:01.720
<v Speaker 6>had been doing so well from aduction standpoint with kind

1:00:01.760 --> 1:00:05.480
<v Speaker 6>of following and building a story that this interruption just

1:00:05.520 --> 1:00:09.040
<v Speaker 6>came out of nowhere. Nobody believed what he said, and

1:00:09.320 --> 1:00:11.680
<v Speaker 6>I just felt bad for him. He it just looked

1:00:11.720 --> 1:00:14.160
<v Speaker 6>down bad to me, Like, damn, bro, like that ain't

1:00:14.200 --> 1:00:16.080
<v Speaker 6>even how you really need to be out here trying

1:00:16.120 --> 1:00:18.480
<v Speaker 6>to do your thing. Man, It's other ways you can

1:00:18.520 --> 1:00:20.360
<v Speaker 6>get attention without doing that.

1:00:20.440 --> 1:00:21.480
<v Speaker 5>It just looked bad to me.

1:00:22.400 --> 1:00:24.240
<v Speaker 4>So you think that was a set up by like production,

1:00:24.400 --> 1:00:25.760
<v Speaker 4>that guy, that guy being.

1:00:25.560 --> 1:00:27.760
<v Speaker 6>There, And I think it was set up by somebody

1:00:27.840 --> 1:00:30.720
<v Speaker 6>not production. I think that that that seemed very lazy

1:00:30.760 --> 1:00:34.080
<v Speaker 6>and elementary in a way, that someone who hadn't thought

1:00:34.120 --> 1:00:36.760
<v Speaker 6>things through kind of set that up. So I didn't

1:00:36.800 --> 1:00:38.520
<v Speaker 6>even put that on production. That was from one of

1:00:38.560 --> 1:00:41.280
<v Speaker 6>them cast members. It'll be interesting to find out who.

1:00:42.360 --> 1:00:44.280
<v Speaker 4>So I text two people today.

1:00:44.440 --> 1:00:46.680
<v Speaker 3>Yeah, and the fact that just came me was not Drew,

1:00:46.760 --> 1:00:47.680
<v Speaker 3>So stop putting on Rew.

1:00:47.720 --> 1:00:48.520
<v Speaker 4>It was definitely not Drew.

1:00:48.760 --> 1:00:50.480
<v Speaker 5>You in the comment putting it was Drew.

1:00:53.480 --> 1:00:55.920
<v Speaker 4>My cousin threw, now, yeah, ain't gonna my cousin.

1:00:57.480 --> 1:01:00.160
<v Speaker 3>So I talked to someone else today about it, and

1:01:00.640 --> 1:01:03.040
<v Speaker 3>you know it was revealed. Well, I think Angel said

1:01:03.040 --> 1:01:05.080
<v Speaker 3>on this episode right that somebody said that they were

1:01:05.080 --> 1:01:07.640
<v Speaker 3>paid to go do it, because I thought that was

1:01:07.640 --> 1:01:09.840
<v Speaker 3>fake til I'm like, was that production that planted that

1:01:09.880 --> 1:01:12.720
<v Speaker 3>person there? How they get in and then they you know, oh,

1:01:12.760 --> 1:01:15.720
<v Speaker 3>well's open event to the public. It's never really open

1:01:15.760 --> 1:01:18.360
<v Speaker 3>event to the public when you're filming because there's release

1:01:18.440 --> 1:01:21.000
<v Speaker 3>forms that have to be signed from everyone that's in there.

1:01:21.000 --> 1:01:22.520
<v Speaker 4>Like everyone knows.

1:01:22.840 --> 1:01:25.840
<v Speaker 3>So they said that one of the housewives paid him

1:01:25.880 --> 1:01:27.880
<v Speaker 3>to be there, and it's not who we think it is.

1:01:28.120 --> 1:01:31.880
<v Speaker 5>I believe it. I believe that one hundred Well that's.

1:01:31.720 --> 1:01:37.480
<v Speaker 1>The thing I now we're looking I'm looking forward to

1:01:37.640 --> 1:01:41.600
<v Speaker 1>next the finale because obviously all would be revealed. The

1:01:41.680 --> 1:01:44.520
<v Speaker 1>main thing for me, though, is somebody in that room

1:01:44.880 --> 1:01:46.280
<v Speaker 1>set this guy up to do.

1:01:46.240 --> 1:01:48.680
<v Speaker 5>It, or whoever was You don't need to be there

1:01:48.720 --> 1:01:49.120
<v Speaker 5>no more.

1:01:50.160 --> 1:01:53.000
<v Speaker 1>It's it's just it's not what I want to see

1:01:53.240 --> 1:01:56.440
<v Speaker 1>and it's just not something that I think is necessary.

1:01:56.480 --> 1:02:00.680
<v Speaker 1>If you have information about one of your castmates and

1:02:00.960 --> 1:02:05.880
<v Speaker 1>you feel strongly about whatever then saying like, look, at

1:02:05.920 --> 1:02:07.840
<v Speaker 1>the end of the day, I felt Britain Killer were

1:02:07.880 --> 1:02:10.320
<v Speaker 1>both wrong for the shade, but at least they both

1:02:10.400 --> 1:02:13.200
<v Speaker 1>said it to each other and didn't send someone.

1:02:12.960 --> 1:02:14.640
<v Speaker 2>Else in to do their job.

1:02:15.360 --> 1:02:17.720
<v Speaker 1>And that's the part to me that just feels so

1:02:18.280 --> 1:02:21.160
<v Speaker 1>gross in terms of like where we are with things,

1:02:21.200 --> 1:02:24.000
<v Speaker 1>because that to me, which just super unnecessary, and I just.

1:02:23.920 --> 1:02:24.960
<v Speaker 2>I just didn't like it.

1:02:25.240 --> 1:02:28.320
<v Speaker 1>It's funny because Dustin's right, I thought about those two

1:02:28.360 --> 1:02:30.120
<v Speaker 1>moments dust that you mentioned in terms of the other

1:02:30.160 --> 1:02:33.600
<v Speaker 1>shows that had a random person come in, and.

1:02:34.000 --> 1:02:36.680
<v Speaker 2>It's just it's the laziest of lazy.

1:02:36.360 --> 1:02:40.240
<v Speaker 6>And never never ends well for that person either, you

1:02:40.280 --> 1:02:42.440
<v Speaker 6>know what I mean, because people are now going to

1:02:42.480 --> 1:02:45.840
<v Speaker 6>be looking at the person and picking them apart, you

1:02:45.840 --> 1:02:48.680
<v Speaker 6>know what I'm saying, in ways that maybe deserved, but like, why.

1:02:48.480 --> 1:02:51.280
<v Speaker 5>Would you even put yourself in that position? Why?

1:02:51.760 --> 1:02:53.960
<v Speaker 6>Like, it's just nothing positive that could come from that.

1:02:54.080 --> 1:02:55.920
<v Speaker 6>So it feels stupid as fuck to me, and it

1:02:56.040 --> 1:03:00.440
<v Speaker 6>interrupted what had been in otherwise really enjoying, enjoyable season

1:03:00.480 --> 1:03:00.720
<v Speaker 6>for me.

1:03:01.840 --> 1:03:04.160
<v Speaker 3>For my deductions from I was I've been trying with

1:03:04.440 --> 1:03:06.520
<v Speaker 3>different angles with a couple of the girls I've taught

1:03:06.520 --> 1:03:08.920
<v Speaker 3>to it really was I first, of course, you know,

1:03:09.120 --> 1:03:10.440
<v Speaker 3>I thought it was Britt at first.

1:03:10.560 --> 1:03:13.480
<v Speaker 4>It wasn't Britt. I'm clearing her name right now. And

1:03:13.520 --> 1:03:14.120
<v Speaker 4>it was not for.

1:03:14.240 --> 1:03:17.360
<v Speaker 3>Ship people that y'all say I come for the most.

1:03:17.600 --> 1:03:20.080
<v Speaker 3>I'm clearing their name on this top on this issue, right.

1:03:20.080 --> 1:03:23.440
<v Speaker 3>It was neither one of those two that set this

1:03:23.480 --> 1:03:26.160
<v Speaker 3>person invite this person. Do you think this is this

1:03:26.320 --> 1:03:29.920
<v Speaker 3>kind of feels more of like, would if that do this?

1:03:30.120 --> 1:03:31.840
<v Speaker 3>I don't know, do that do this Carlos Or do

1:03:31.840 --> 1:03:33.160
<v Speaker 3>you think that's a rookie mistake?

1:03:33.960 --> 1:03:37.400
<v Speaker 1>I think I think it's anybody, listen, I don't when

1:03:37.440 --> 1:03:39.920
<v Speaker 1>people want a moment, it doesn't matter your status on

1:03:39.960 --> 1:03:40.320
<v Speaker 1>the show.

1:03:40.760 --> 1:03:43.080
<v Speaker 2>I think I think there's I think it's just people

1:03:43.120 --> 1:03:45.160
<v Speaker 2>who just want a moment.

1:03:45.280 --> 1:03:48.960
<v Speaker 1>They not maybe for themselves, but it's the opportunity to

1:03:49.040 --> 1:03:52.080
<v Speaker 1>embarrass somebody. It's an opportunity to take the heat off

1:03:52.080 --> 1:03:54.919
<v Speaker 1>of them possibly put There's so many reasons, but yeah,

1:03:55.280 --> 1:03:57.760
<v Speaker 1>it doesn't matter if you're a rookie or that. People

1:03:57.840 --> 1:04:01.240
<v Speaker 1>do things because they feel like there's something that needs

1:04:01.240 --> 1:04:04.200
<v Speaker 1>to happen. And that's why for me, I'm looking forward

1:04:04.200 --> 1:04:06.840
<v Speaker 1>to the finale because I'm so curious about what will

1:04:06.960 --> 1:04:07.600
<v Speaker 1>happened with that.

1:04:08.800 --> 1:04:14.040
<v Speaker 6>I definitely want to know. Remember the cookie Lady, Oh yeah, yeah,

1:04:14.320 --> 1:04:14.800
<v Speaker 6>same thing.

1:04:14.840 --> 1:04:16.520
<v Speaker 5>It never ends well for those people.

1:04:16.640 --> 1:04:19.040
<v Speaker 4>So and I will say.

1:04:20.920 --> 1:04:25.600
<v Speaker 3>Condolences to Portia and her family, Londie like that, and

1:04:25.640 --> 1:04:27.640
<v Speaker 3>then you know, that's that's gotta be tough, like losing.

1:04:27.680 --> 1:04:29.400
<v Speaker 4>And I remember her from the show like that. She

1:04:29.480 --> 1:04:30.120
<v Speaker 4>was on the spin off.

1:04:30.800 --> 1:04:33.360
<v Speaker 5>Porscha's family mattered, she was heavily involved.

1:04:34.160 --> 1:04:35.640
<v Speaker 4>Gotta be tough. So rest in peace.

1:04:35.800 --> 1:04:40.520
<v Speaker 5>And for sure, I will say.

1:04:40.360 --> 1:04:45.040
<v Speaker 3>Angela handled that moment really really well, Like it seems

1:04:45.040 --> 1:04:47.200
<v Speaker 3>like people want her to pop off, and she doesn't

1:04:47.320 --> 1:04:49.160
<v Speaker 3>usually take the bait because she could have easily gone

1:04:49.160 --> 1:04:51.040
<v Speaker 3>wait wait what she could have gone to.

1:04:51.120 --> 1:04:52.120
<v Speaker 4>Side, given him a moment.

1:04:52.160 --> 1:04:57.520
<v Speaker 3>She has a very high emotional intelligence or reality, I believe,

1:04:57.600 --> 1:05:00.840
<v Speaker 3>because she could have easily my curious so would have

1:05:00.840 --> 1:05:04.480
<v Speaker 3>probably made the mistake of that wait, come off to

1:05:04.520 --> 1:05:06.480
<v Speaker 3>the sign and take this might what happened, But she.

1:05:06.400 --> 1:05:07.440
<v Speaker 4>Didn't give it anything.

1:05:07.560 --> 1:05:09.320
<v Speaker 3>She knew that it would elevate, it would be a

1:05:09.360 --> 1:05:12.000
<v Speaker 3>force multiplier for him, and she didn't. I just feel

1:05:12.000 --> 1:05:16.919
<v Speaker 3>like she just really she's she just gives experience like experience.

1:05:18.400 --> 1:05:22.640
<v Speaker 1>No, she's dope. She's dope, so no, what a I

1:05:22.760 --> 1:05:25.840
<v Speaker 1>really enjoyed this episode. I really enjoyed it. I know

1:05:25.920 --> 1:05:27.920
<v Speaker 1>it was hard on the episode last week with Grenada,

1:05:28.040 --> 1:05:28.320
<v Speaker 1>but it.

1:05:28.400 --> 1:05:32.640
<v Speaker 2>Was magic that there was so mad at me about that,

1:05:32.760 --> 1:05:36.640
<v Speaker 2>which is fine. You know, listen, drama we missed. It

1:05:36.680 --> 1:05:38.439
<v Speaker 2>wasn't eat about drama. That's why I said.

1:05:38.520 --> 1:05:40.880
<v Speaker 1>It was more so about like I like tris when

1:05:41.080 --> 1:05:42.880
<v Speaker 1>you could get something iconic out of it.

1:05:43.360 --> 1:05:45.120
<v Speaker 2>But you know people don't like to listen child.

1:05:45.160 --> 1:05:50.080
<v Speaker 1>I said, iconic moments, whether it's emotional moments and iconic

1:05:50.160 --> 1:05:54.400
<v Speaker 1>read something iconic. It wasn't about drama. But that's neither

1:05:54.440 --> 1:05:57.520
<v Speaker 1>here nor there. Then we have it all right and

1:05:57.560 --> 1:05:59.680
<v Speaker 1>we will see y'all again next week. Thank you, guys,

1:06:00.120 --> 1:06:01.080
<v Speaker 1>love your rain dry.

1:06:11.280 --> 1:06:13.520
<v Speaker 2>Thank you for listening to Reality with the King.

1:06:13.960 --> 1:06:19.640
<v Speaker 1>New episodes drop on Tuesdays and Thursdays. Share, comment, follow,

1:06:19.840 --> 1:06:23.439
<v Speaker 1>and subscribe to Reality with the King wherever you get

1:06:23.520 --> 1:06:27.880
<v Speaker 1>your podcast, visit Reality withthe King dot com and be

1:06:27.960 --> 1:06:33.920
<v Speaker 1>sure to follow me at the Carlos King Underscore on Instagram, Twitter, TikTok,

1:06:34.040 --> 1:06:36.960
<v Speaker 1>and yes Baby, my YouTube channel where you could get

1:06:37.000 --> 1:06:41.520
<v Speaker 1>all of my visuals Baby, my expressions, Yes and don't forget.

1:06:41.800 --> 1:06:45.280
<v Speaker 1>Tweet me your thoughts and hot takes about this episode

1:06:45.640 --> 1:06:50.440
<v Speaker 1>using the hashtag reality with the King. Reality with the

1:06:50.520 --> 1:06:55.200
<v Speaker 1>King is a production of Kingdom Reign Entertainment, an executive

1:06:55.240 --> 1:07:14.800
<v Speaker 1>produced by Me Carlos King, King Doming Entertainment, Baby,