1
00:00:01,400 --> 00:00:05,200
Speaker 1: Welcome to Reality with the King. It's me Carlos Kings,

2
00:00:05,200 --> 00:00:07,960
Speaker 1: the King of Reality TV and one of the most

3
00:00:08,000 --> 00:00:12,600
Speaker 1: sought after executive producers in reality television with over ten

4
00:00:12,720 --> 00:00:16,759
Speaker 1: years of production experience. Twice a week on Reality with

5
00:00:16,800 --> 00:00:19,200
Speaker 1: the King, we'll sit down with my friends across the

6
00:00:19,400 --> 00:00:24,600
Speaker 1: entertainment industry, recap our favorite reality shows and revisit unforgetable

7
00:00:24,680 --> 00:00:31,040
Speaker 1: moments that we are still talking and tweeting about. High

8
00:00:31,400 --> 00:00:36,320
Speaker 1: Raigin draws, Let's get into this episode.

9
00:00:36,600 --> 00:00:38,200
Speaker 2: A lot happened in this episode.

10
00:00:38,200 --> 00:00:42,680
Speaker 1: I am so looking forward to Dustin Andcalia's thoughts about

11
00:00:42,800 --> 00:00:45,400
Speaker 1: Kelly versus brit who saw there on. But before we

12
00:00:45,440 --> 00:00:48,519
Speaker 1: get into that, I want to have some conversations about

13
00:00:48,640 --> 00:00:51,120
Speaker 1: some of the scenes that happened prior to that. Okay,

14
00:00:51,560 --> 00:00:53,800
Speaker 1: I want to get to the semien Phaedra one thing

15
00:00:53,840 --> 00:00:55,960
Speaker 1: I know all three of us were asking for because

16
00:00:56,040 --> 00:00:59,400
Speaker 1: Faedra is a peach holkerd after ten days of work,

17
00:00:59,640 --> 00:01:04,520
Speaker 1: which as a record, Claudia.

18
00:01:03,480 --> 00:01:05,320
Speaker 2: Had to wait three months try to get her peach,

19
00:01:05,400 --> 00:01:06,600
Speaker 2: but didn't.

20
00:01:06,400 --> 00:01:08,000
Speaker 3: Get a check all season until the night before the

21
00:01:08,000 --> 00:01:14,360
Speaker 3: reunion when I signed my contract. That's why I was

22
00:01:14,400 --> 00:01:16,479
Speaker 3: able to get six figures and at that five figures

23
00:01:16,520 --> 00:01:17,959
Speaker 3: out war, they try to get me and they give

24
00:01:18,000 --> 00:01:21,679
Speaker 3: all the other girls hello, every single person before me

25
00:01:21,920 --> 00:01:24,520
Speaker 3: that did their first season and took that forty thousand.

26
00:01:24,600 --> 00:01:29,480
Speaker 4: I said no to you.

27
00:01:26,319 --> 00:01:32,000
Speaker 5: Are smart girl, not me for let me use your lawyer.

28
00:01:32,640 --> 00:01:35,479
Speaker 4: Let him do see.

29
00:01:35,319 --> 00:01:36,040
Speaker 2: You can lose.

30
00:01:36,800 --> 00:01:42,520
Speaker 1: You can't borrow lawyers, because do not borrow GLAMs.

31
00:01:42,800 --> 00:01:45,640
Speaker 2: I'm on your tip, all right.

32
00:01:46,080 --> 00:01:49,680
Speaker 1: So the moment we've all been waiting for, we got

33
00:01:49,680 --> 00:01:53,400
Speaker 1: a chance to see Page's personal story. Yes, we've been

34
00:01:53,440 --> 00:01:56,920
Speaker 1: asking for it, and it's been delivered. And I do

35
00:01:57,000 --> 00:02:01,320
Speaker 1: want to say this us saying this never had anything

36
00:02:01,360 --> 00:02:03,560
Speaker 1: to do with Faedra, because Faedria does not control what

37
00:02:03,640 --> 00:02:06,880
Speaker 1: gets shown first, right, So I want y'all to know that.

38
00:02:08,280 --> 00:02:10,720
Speaker 2: We were now able to see some personal story.

39
00:02:11,639 --> 00:02:16,119
Speaker 1: I really enjoyed seeing Faede as a mother.

40
00:02:16,639 --> 00:02:18,720
Speaker 2: You can say, each one of my Phaedra, it's all good,

41
00:02:18,800 --> 00:02:20,160
Speaker 2: boom boom. We have an opinion.

42
00:02:20,600 --> 00:02:23,760
Speaker 1: One thing I personally will stand on is Phaedra as

43
00:02:23,800 --> 00:02:27,239
Speaker 1: a good mother and Faedra loves her sons and as

44
00:02:27,240 --> 00:02:30,079
Speaker 1: somebody who has worked with her, as somebody who was.

45
00:02:30,080 --> 00:02:34,160
Speaker 2: There when Aiden and Dylan were born.

46
00:02:35,320 --> 00:02:41,160
Speaker 1: I can say firsthand, I've witnessed Phaedra give those boys everything.

47
00:02:41,360 --> 00:02:44,760
Speaker 1: And what was so interesting about seeing Faede as a mother.

48
00:02:45,360 --> 00:02:48,680
Speaker 1: That is a whole different personality that I do wish

49
00:02:48,840 --> 00:02:52,400
Speaker 1: the audience saw more. We know that Fhaedra is coming

50
00:02:52,440 --> 00:02:56,919
Speaker 1: back next season. She announced it on Extra. If Fadra's

51
00:02:56,960 --> 00:03:00,760
Speaker 1: watching or listening on somebody on her team, hey glam

52
00:03:00,919 --> 00:03:04,160
Speaker 1: or the producers, I'll just say this, those scenes I

53
00:03:04,200 --> 00:03:10,000
Speaker 1: think does a great justice to Fedra because it allows

54
00:03:10,200 --> 00:03:14,600
Speaker 1: us to see her rest and who I think she

55
00:03:15,560 --> 00:03:19,919
Speaker 1: truly is, and that is a phenomenal mother. To see

56
00:03:20,040 --> 00:03:24,840
Speaker 1: Dylan with the bell bottom pants and being designer, to

57
00:03:24,960 --> 00:03:28,119
Speaker 1: see Aiden talk about I want ten percent. I'm gonna

58
00:03:28,120 --> 00:03:31,160
Speaker 1: help you like. All of that to me was black excellence.

59
00:03:31,440 --> 00:03:33,440
Speaker 1: All of that to me, y'all know, I love seeing

60
00:03:33,560 --> 00:03:35,600
Speaker 1: rich black kids. I just think it's I think we

61
00:03:35,600 --> 00:03:38,280
Speaker 1: should see more of that. And I was one hundred

62
00:03:38,320 --> 00:03:42,400
Speaker 1: percent satisfied with that, And I would have personally loved

63
00:03:42,400 --> 00:03:46,120
Speaker 1: to have seen that scene before Faeda went on the trip.

64
00:03:46,960 --> 00:03:48,400
Speaker 4: I'm gonna go ahead and agree with you.

65
00:03:48,400 --> 00:03:50,240
Speaker 3: You know, I'm not the biggest AJA fan because of

66
00:03:50,280 --> 00:03:53,280
Speaker 3: all the fake shit that I've seen but I will

67
00:03:53,320 --> 00:03:57,760
Speaker 3: say that that made her likable. And I think, you know,

68
00:03:58,080 --> 00:04:02,440
Speaker 3: she's usually kind of fake and rehearsed or mean, or

69
00:04:02,480 --> 00:04:05,160
Speaker 3: she's doing it for a line. You can't tell me

70
00:04:05,520 --> 00:04:08,000
Speaker 3: that when she teared up talking about how proud she

71
00:04:08,160 --> 00:04:09,880
Speaker 3: was of her boys, that that was fake.

72
00:04:09,960 --> 00:04:10,840
Speaker 4: That was very real.

73
00:04:11,200 --> 00:04:13,200
Speaker 3: And that's the first time I've seen that from her.

74
00:04:13,720 --> 00:04:15,760
Speaker 3: And I was like, Okay, this is why some people

75
00:04:15,800 --> 00:04:18,320
Speaker 3: like her, because when I saw that, I like that.

76
00:04:19,040 --> 00:04:21,160
Speaker 3: And I think when you can give us some of that,

77
00:04:21,360 --> 00:04:24,479
Speaker 3: it makes some of the other bullshit more palatable. You're like,

78
00:04:24,760 --> 00:04:26,760
Speaker 3: all right, we have balance, but when you always have

79
00:04:26,880 --> 00:04:32,479
Speaker 3: that all the time without this, it makes you one dimensional.

80
00:04:32,640 --> 00:04:35,440
Speaker 3: This made me say, it makes the other stuff a

81
00:04:35,440 --> 00:04:38,760
Speaker 3: little bit more okay, you know, like, it's obvious she's

82
00:04:38,800 --> 00:04:39,320
Speaker 3: a good mother.

83
00:04:39,520 --> 00:04:40,240
Speaker 4: Now let me take that.

84
00:04:40,680 --> 00:04:42,840
Speaker 3: Hey, y'all, clip this. I'm about to say something posit

85
00:04:42,880 --> 00:04:46,520
Speaker 3: about Phaedria. It's obvious she's a great mother. The way

86
00:04:46,520 --> 00:04:51,520
Speaker 3: those kids are well mannered, they're ambitious, they're intelligent, they're articulate,

87
00:04:52,000 --> 00:04:56,000
Speaker 3: Like these are the signs of a present, good parent

88
00:04:56,400 --> 00:04:58,680
Speaker 3: that cares about the well being of their children. And

89
00:04:58,680 --> 00:05:01,320
Speaker 3: I can't take nothing from her. I love seeing that

90
00:05:01,360 --> 00:05:03,080
Speaker 3: part of her that made me want to see more

91
00:05:03,080 --> 00:05:04,800
Speaker 3: of her. The other stuff maybe want to see less

92
00:05:04,800 --> 00:05:06,440
Speaker 3: of her. But if she does more of this and

93
00:05:06,480 --> 00:05:07,680
Speaker 3: make some of the other stuff.

94
00:05:07,400 --> 00:05:10,600
Speaker 4: You get more of a past because you have levels

95
00:05:10,640 --> 00:05:11,480
Speaker 4: and layers.

96
00:05:11,800 --> 00:05:12,200
Speaker 2: I liked it.

97
00:05:12,240 --> 00:05:13,080
Speaker 4: I thought it was beautiful.

98
00:05:13,360 --> 00:05:15,799
Speaker 5: Well one hundred and fifty percent agree.

99
00:05:16,400 --> 00:05:18,200
Speaker 6: Some is wrong with you if you don't have a

100
00:05:18,240 --> 00:05:20,960
Speaker 6: soft spot for children, you know what I'm saying. And

101
00:05:21,080 --> 00:05:24,760
Speaker 6: these are kids that we have watched be born on television.

102
00:05:24,960 --> 00:05:27,559
Speaker 6: You know, as viewers, we feel attached to these kids

103
00:05:27,560 --> 00:05:31,360
Speaker 6: in an appropriate way, and it's great to be reacquainted

104
00:05:31,360 --> 00:05:32,880
Speaker 6: with them, to check in on them and see how

105
00:05:32,880 --> 00:05:36,720
Speaker 6: those boys are doing. They're obviously well adjusted, articulate, like

106
00:05:36,800 --> 00:05:38,800
Speaker 6: you said, confident enough to.

107
00:05:38,800 --> 00:05:41,400
Speaker 5: Express their needs and likes and desires.

108
00:05:41,720 --> 00:05:45,279
Speaker 6: I loved Phaedra them showing her putting together that sewing

109
00:05:45,360 --> 00:05:50,000
Speaker 6: room for Dylan and his fashion affinity.

110
00:05:50,080 --> 00:05:52,640
Speaker 5: I love that. I love that that is nurtured.

111
00:05:53,080 --> 00:05:55,679
Speaker 6: I love that his brother was so his brother, Aidan

112
00:05:55,800 --> 00:05:58,240
Speaker 6: was so well adjusted, well spoken, getting on that mike

113
00:05:59,000 --> 00:06:01,160
Speaker 6: asking the crowd how y'all feeling out there? That was

114
00:06:01,200 --> 00:06:04,560
Speaker 6: that was so adorable to see and it was good

115
00:06:04,560 --> 00:06:07,840
Speaker 6: to see Faedra being kind and softer you know what

116
00:06:07,920 --> 00:06:11,040
Speaker 6: I'm saying around her children and showing some emotion and

117
00:06:11,120 --> 00:06:14,000
Speaker 6: having something to say. You know, that was great to

118
00:06:14,040 --> 00:06:17,080
Speaker 6: see and I definitely enjoyed it. That was wonderful and

119
00:06:17,120 --> 00:06:18,760
Speaker 6: it was good to see that and good to be

120
00:06:18,800 --> 00:06:20,760
Speaker 6: reacquainted with those children.

121
00:06:20,960 --> 00:06:23,160
Speaker 3: I'm just sitting thinking, like, we never really see much

122
00:06:23,160 --> 00:06:25,800
Speaker 3: about her real life, like outside of a break up

123
00:06:25,800 --> 00:06:28,880
Speaker 3: with Apollo, right, and then the kids, like who are friends?

124
00:06:28,920 --> 00:06:31,240
Speaker 3: Like does she have friends? Like, we don't really see family.

125
00:06:31,880 --> 00:06:32,839
Speaker 3: We don't see a lot of it.

126
00:06:32,920 --> 00:06:35,240
Speaker 6: But I should say we haven't seen any of it

127
00:06:35,320 --> 00:06:40,800
Speaker 6: because she was very guarded and boundaried on married to medicine,

128
00:06:41,080 --> 00:06:43,279
Speaker 6: and just now it's been great to see her have

129
00:06:43,440 --> 00:06:45,880
Speaker 6: something to say. She's made me chuckle a couple of times,

130
00:06:46,200 --> 00:06:47,600
Speaker 6: you know, and she she's been quick.

131
00:06:48,560 --> 00:06:50,520
Speaker 5: Yeah, she's been cool. You know, I'm honest, I keep

132
00:06:50,520 --> 00:06:52,520
Speaker 5: it real, and I'm not a hater. I'm not a hater.

133
00:06:52,920 --> 00:06:54,880
Speaker 6: She made me chuckle a couple of times, you know

134
00:06:54,880 --> 00:06:56,960
Speaker 6: what I'm saying. But it was great to see the

135
00:06:57,040 --> 00:07:02,159
Speaker 6: focus shift from being mean, showing boobs and having you know,

136
00:07:02,240 --> 00:07:04,440
Speaker 6: an attitude. It was great to see the focus shift

137
00:07:04,520 --> 00:07:07,440
Speaker 6: to this is who I am. These are my children.

138
00:07:07,480 --> 00:07:10,120
Speaker 6: I'm vulnerable with them in this way where I get

139
00:07:10,160 --> 00:07:13,120
Speaker 6: emotional even speaking about how much I love them. That

140
00:07:13,240 --> 00:07:16,240
Speaker 6: was some relatable shit, you know, and people like relatable

141
00:07:16,280 --> 00:07:18,360
Speaker 6: stuff seeing her as a mom. There were plenty other

142
00:07:18,480 --> 00:07:20,920
Speaker 6: mothers and fathers and people who would love to be

143
00:07:21,000 --> 00:07:23,480
Speaker 6: mothers and fathers, and people who just appreciate seeing mothers

144
00:07:23,480 --> 00:07:26,400
Speaker 6: and fathers on TV that can connect with that. So

145
00:07:26,480 --> 00:07:29,400
Speaker 6: it was it built a bridge between people who may

146
00:07:29,440 --> 00:07:33,240
Speaker 6: be harboring resentment from old shit or whatever. It was

147
00:07:33,280 --> 00:07:36,040
Speaker 6: a great way to be reintroduced to Phaedra. So I

148
00:07:36,160 --> 00:07:37,960
Speaker 6: enjoyed it. It felt good to watch.

149
00:07:39,520 --> 00:07:39,800
Speaker 2: Child.

150
00:07:39,840 --> 00:07:53,920
Speaker 1: We are just getting started. This is reality with the

151
00:07:54,000 --> 00:07:57,800
Speaker 1: King and I'm Carlos King. Let's get back into the show.

152
00:07:59,360 --> 00:08:02,000
Speaker 4: And I'm assuming Apaula must be a pretty good dad too, because.

153
00:08:01,800 --> 00:08:04,160
Speaker 5: They Yeah, yeah, you can tell Adam.

154
00:08:04,560 --> 00:08:07,040
Speaker 3: I want to not give him credit as well. I

155
00:08:07,080 --> 00:08:09,440
Speaker 3: think they have those kids have great parents that love him.

156
00:08:09,560 --> 00:08:11,840
Speaker 5: You can tell they're well loved, you can tell they're confident.

157
00:08:12,240 --> 00:08:12,440
Speaker 2: Yeah.

158
00:08:12,480 --> 00:08:15,200
Speaker 1: I always tell people, Look, I just say this to

159
00:08:15,240 --> 00:08:18,680
Speaker 1: my own father, who my father was as a husband

160
00:08:18,760 --> 00:08:20,960
Speaker 1: to my mother is none of my business. Like it's

161
00:08:21,040 --> 00:08:23,520
Speaker 1: just in the sense of of course, if he did

162
00:08:23,560 --> 00:08:26,840
Speaker 1: crazy things to her, that's one thing that, yeah, that's

163
00:08:26,880 --> 00:08:29,880
Speaker 1: one thing. But who he was as a husband, that's

164
00:08:29,920 --> 00:08:32,560
Speaker 1: between he and my mother. Who my father is the

165
00:08:32,600 --> 00:08:35,480
Speaker 1: father is the best that I could ever ask for.

166
00:08:35,960 --> 00:08:38,680
Speaker 1: And when I look at Phasian Apollo always say to people,

167
00:08:39,800 --> 00:08:41,880
Speaker 1: if you only look at who they are as parents.

168
00:08:42,080 --> 00:08:43,840
Speaker 2: I agree with Claudia and Dustin.

169
00:08:44,320 --> 00:08:47,720
Speaker 1: Apollo and Phedra are great parents to those two boys,

170
00:08:48,120 --> 00:08:51,680
Speaker 1: and it shows in terms of who they are how

171
00:08:51,720 --> 00:08:54,520
Speaker 1: they show up, and I want to see more of that.

172
00:08:54,640 --> 00:08:58,080
Speaker 1: I agree one thousand percent of Claudia that when you

173
00:08:58,160 --> 00:09:01,320
Speaker 1: have a polarizing figure like a faith, one thing that

174
00:09:01,360 --> 00:09:03,360
Speaker 1: we always try to do when we work with her

175
00:09:04,000 --> 00:09:06,280
Speaker 1: was show the balance. That's why it was important to

176
00:09:06,280 --> 00:09:08,720
Speaker 1: show like her in Apollo. It was important to show

177
00:09:08,800 --> 00:09:11,520
Speaker 1: Phedra at the law office. It was important to show

178
00:09:11,600 --> 00:09:15,440
Speaker 1: like other side of her because she is somebody that

179
00:09:15,720 --> 00:09:18,559
Speaker 1: is closed off and she reads, but.

180
00:09:18,840 --> 00:09:22,040
Speaker 6: So does Claudia without even saying a word. But go ahead, Carl,

181
00:09:22,800 --> 00:09:23,400
Speaker 6: I'll be funny.

182
00:09:23,400 --> 00:09:23,959
Speaker 2: It reads too.

183
00:09:24,080 --> 00:09:28,080
Speaker 1: But you know, I think it's important to i'might been

184
00:09:28,080 --> 00:09:31,560
Speaker 1: looking like I think It's one of those things where.

185
00:09:31,480 --> 00:09:34,040
Speaker 4: I'm trying to be because I'm in such a good Please.

186
00:09:34,120 --> 00:09:36,160
Speaker 2: Yes, not just saying I think.

187
00:09:36,360 --> 00:09:39,720
Speaker 1: I think a lot of reality stars who are polarizing

188
00:09:39,840 --> 00:09:43,440
Speaker 1: or villain esque. I think it does justice when you're

189
00:09:43,480 --> 00:09:45,920
Speaker 1: able to say, Okay, let me let you guys inside

190
00:09:45,920 --> 00:09:48,640
Speaker 1: my home so you can see me be this person.

191
00:09:48,760 --> 00:09:51,520
Speaker 1: So shout out to that. I also think, as we

192
00:09:51,600 --> 00:09:53,680
Speaker 1: talk about personal story, I do want to get into

193
00:09:53,720 --> 00:09:56,960
Speaker 1: Kelly's divorce. As you all know, we all love Kelly.

194
00:09:57,120 --> 00:09:59,120
Speaker 1: Kelly's a fantastic.

195
00:09:59,000 --> 00:10:00,320
Speaker 2: Addition to this show.

196
00:10:01,400 --> 00:10:06,640
Speaker 1: Seeing her go through this process of divorce, and then

197
00:10:06,960 --> 00:10:10,760
Speaker 1: when she revealed that her husband, her a strange husband,

198
00:10:11,559 --> 00:10:16,480
Speaker 1: got locked up in jail for lack of child support. Okay,

199
00:10:17,960 --> 00:10:21,559
Speaker 1: that is listen, men, you have to take care of

200
00:10:21,559 --> 00:10:25,880
Speaker 1: the responsibilities. It was hard for me to This is

201
00:10:25,920 --> 00:10:28,640
Speaker 1: the thing about Kelly's divorce story that is not her

202
00:10:28,679 --> 00:10:30,040
Speaker 1: fault by any means.

203
00:10:30,400 --> 00:10:33,240
Speaker 2: It's not her fault. It is hard for the audience to.

204
00:10:33,240 --> 00:10:39,960
Speaker 1: Connect to a woman's divorce story when we were never introduced.

205
00:10:39,400 --> 00:10:42,920
Speaker 2: To the husband. A we don't see the husband, and

206
00:10:43,160 --> 00:10:46,160
Speaker 2: we don't know anything about the dynamic of your relationship.

207
00:10:46,679 --> 00:10:49,280
Speaker 1: I felt bad for what she's going through, obviously, and

208
00:10:49,400 --> 00:10:52,120
Speaker 1: to know that the man never paid child support is terrible.

209
00:10:52,600 --> 00:10:54,640
Speaker 1: All mens should pay child support if you're not with

210
00:10:54,760 --> 00:10:59,240
Speaker 1: the wife and you have kids together. But it is

211
00:10:59,360 --> 00:11:02,560
Speaker 1: hard sometimes to be fully invested in a story like

212
00:11:02,679 --> 00:11:06,280
Speaker 1: that when you when you aren't given a chance as

213
00:11:06,320 --> 00:11:10,600
Speaker 1: an audience to a vie who's you're getting the story

214
00:11:10,640 --> 00:11:13,680
Speaker 1: at the end. When we saw sit In Peter go

215
00:11:13,800 --> 00:11:17,120
Speaker 1: through the divorce, invested Ninni and Greg, rest in Peace,

216
00:11:17,200 --> 00:11:21,920
Speaker 1: invested Fasier and Pallo invested, Portia Cordell one season is

217
00:11:21,920 --> 00:11:25,880
Speaker 1: still invested. It's the same reason we talked about Portion

218
00:11:25,960 --> 00:11:27,959
Speaker 1: and Simon, like we weren't able to see Simon and

219
00:11:28,040 --> 00:11:32,720
Speaker 1: Porsche's marriage, you know, be on display for us to

220
00:11:32,760 --> 00:11:35,800
Speaker 1: feel invested as much. So that's just one thing that

221
00:11:36,520 --> 00:11:39,440
Speaker 1: I personally felt. It was hard for me to invest

222
00:11:39,480 --> 00:11:41,400
Speaker 1: in it because I had nothing to work with.

223
00:11:42,200 --> 00:11:45,720
Speaker 6: I agree, But it's so interesting to hear you say that,

224
00:11:45,800 --> 00:11:48,920
Speaker 6: because for me, my experience is being I kind of

225
00:11:48,960 --> 00:11:51,800
Speaker 6: felt for Kelly because she was we met her, you know,

226
00:11:51,920 --> 00:11:54,920
Speaker 6: embroiled deeply in this divorce right and we get to

227
00:11:54,960 --> 00:11:57,120
Speaker 6: see her be a hands on mom and her daughters.

228
00:11:57,120 --> 00:11:59,320
Speaker 6: We see how much she fucks with her kids, we

229
00:11:59,360 --> 00:12:02,040
Speaker 6: see how much cares about life in general, and she's

230
00:12:02,040 --> 00:12:06,640
Speaker 6: still showing up, still fully entrenched in the fabric of

231
00:12:06,679 --> 00:12:09,920
Speaker 6: the show this season, right going through all that shit

232
00:12:09,960 --> 00:12:12,199
Speaker 6: at the same time, every time she talks about it,

233
00:12:12,280 --> 00:12:15,520
Speaker 6: she tears up. She has to sit down and be

234
00:12:15,679 --> 00:12:19,080
Speaker 6: comfortable and be around somebody that she was really close to,

235
00:12:19,120 --> 00:12:20,199
Speaker 6: and she talks about it.

236
00:12:20,480 --> 00:12:21,520
Speaker 5: I felt for her.

237
00:12:21,520 --> 00:12:23,880
Speaker 6: Even so much that in that conflict that she had

238
00:12:23,920 --> 00:12:27,040
Speaker 6: with Britt in this week's episode, I just felt like

239
00:12:27,080 --> 00:12:29,120
Speaker 6: the way she was kind of staring at brit you

240
00:12:29,160 --> 00:12:31,640
Speaker 6: could just see it all over Kelly's face that it

241
00:12:31,720 --> 00:12:34,840
Speaker 6: was bigger than just that argument, and it actually has

242
00:12:34,880 --> 00:12:37,080
Speaker 6: made me feel for her, Whereas normally I wouldn't give

243
00:12:37,120 --> 00:12:41,320
Speaker 6: a fuck. What you just said would totally describe my

244
00:12:41,440 --> 00:12:45,400
Speaker 6: disposition typically as a viewer, But for some reason, when

245
00:12:45,440 --> 00:12:47,520
Speaker 6: it comes to Kelly, just the way she's still been

246
00:12:47,559 --> 00:12:49,679
Speaker 6: showing up and kind of soldiering through it, it's just

247
00:12:49,800 --> 00:12:51,720
Speaker 6: all this season I've been like, damn, I feel for

248
00:12:51,760 --> 00:12:54,760
Speaker 6: her because she's going through that other shit while she's

249
00:12:54,800 --> 00:12:55,440
Speaker 6: doing this.

250
00:12:55,559 --> 00:12:57,480
Speaker 5: You know what I mean. So it's just been interesting.

251
00:12:58,520 --> 00:13:02,400
Speaker 3: Yeah, and nobody baby Kelly, Like some people get babied

252
00:13:02,440 --> 00:13:05,079
Speaker 3: and coddles and like, well they're going through something, so

253
00:13:05,120 --> 00:13:06,080
Speaker 3: we're not gonna know.

254
00:13:06,280 --> 00:13:08,920
Speaker 4: She never got rest. They had to work for that

255
00:13:09,080 --> 00:13:09,800
Speaker 4: forty thousand.

256
00:13:09,880 --> 00:13:11,720
Speaker 3: I'm just saying, well, I don't know if it's the

257
00:13:11,720 --> 00:13:13,400
Speaker 3: same rate. I'm just I don't know it's the same rate.

258
00:13:13,440 --> 00:13:15,920
Speaker 3: It's probably more now, but whatever it is, they had

259
00:13:15,920 --> 00:13:18,680
Speaker 3: to like they made no shade. I'm just being funny,

260
00:13:18,840 --> 00:13:21,720
Speaker 3: but they really made them work, like we made her work,

261
00:13:22,200 --> 00:13:24,760
Speaker 3: you know. And that's always that's something that can be

262
00:13:24,840 --> 00:13:28,680
Speaker 3: very frustrating on the show. When you feel like you're

263
00:13:28,720 --> 00:13:32,480
Speaker 3: given one hundred percent of scene, you're being vulnerable, you're

264
00:13:32,520 --> 00:13:34,880
Speaker 3: allowing yourself to be talked badly about your your the

265
00:13:34,920 --> 00:13:35,640
Speaker 3: bone carrier.

266
00:13:35,760 --> 00:13:38,000
Speaker 4: Sometime she had a trip at the first season.

267
00:13:38,240 --> 00:13:40,120
Speaker 3: And then you may see someone else that's not doing

268
00:13:40,160 --> 00:13:43,160
Speaker 3: as much, probably getting paid way more than you.

269
00:13:43,640 --> 00:13:47,000
Speaker 4: That's got to be That is frustrating. That is frustrating.

270
00:13:47,000 --> 00:13:49,600
Speaker 3: I'm just giving you the mindset from a reality personality.

271
00:13:49,760 --> 00:13:53,240
Speaker 3: When you do that and you're like, damn, I'm giving, giving, giving, giving, giving,

272
00:13:53,480 --> 00:13:55,880
Speaker 3: I have nothing else to give, and then someone else

273
00:13:55,920 --> 00:13:58,440
Speaker 3: can kind of just like kind of COEs through not

274
00:13:58,440 --> 00:14:00,400
Speaker 3: saying one person in particular. I think there's a couple

275
00:14:00,400 --> 00:14:02,800
Speaker 3: of people that have done that that's frustrating, and she's

276
00:14:02,840 --> 00:14:06,360
Speaker 3: done it with Grace. She's showed up pretty much except

277
00:14:06,360 --> 00:14:09,800
Speaker 3: this episode, the one event with a smile on her face,

278
00:14:09,880 --> 00:14:13,600
Speaker 3: kind of being Chipper, being every's cheerleader, little ball of energy.

279
00:14:13,760 --> 00:14:17,040
Speaker 3: Like I actually felt really bad for her in this episode.

280
00:14:17,080 --> 00:14:18,520
Speaker 3: I was conflicted about the event. I know I want

281
00:14:18,559 --> 00:14:19,840
Speaker 3: to get to that, but I was conflicted.

282
00:14:20,200 --> 00:14:22,880
Speaker 4: But she she's been showing up this whole season.

283
00:14:23,040 --> 00:14:25,240
Speaker 1: She has no she has and that's what makes her

284
00:14:25,280 --> 00:14:27,000
Speaker 1: so likable just as a person.

285
00:14:27,120 --> 00:14:30,000
Speaker 2: I really really, really really really like Kelly.

286
00:14:31,360 --> 00:14:34,840
Speaker 1: Again, as we're going to talk about the season finale

287
00:14:34,880 --> 00:14:36,880
Speaker 1: next week, so we're at the end of the season

288
00:14:36,880 --> 00:14:40,520
Speaker 1: pretty much. I will have love to see more of

289
00:14:40,520 --> 00:14:44,080
Speaker 1: her work story again before y'all go off.

290
00:14:44,240 --> 00:14:48,520
Speaker 2: That's not her, that's not her choice to what gets aired.

291
00:14:49,520 --> 00:14:52,720
Speaker 1: What I'm saying is, I think the one thing if

292
00:14:52,760 --> 00:14:57,680
Speaker 1: I have to do a grade with Kelly a plus

293
00:14:57,720 --> 00:15:00,960
Speaker 1: in terms of star power A plus, the personality a

294
00:15:01,080 --> 00:15:03,880
Speaker 1: plus for the president, I would have loved to see

295
00:15:03,880 --> 00:15:08,440
Speaker 1: more of her work story again, not her fault I'm sure,

296
00:15:08,480 --> 00:15:10,360
Speaker 1: but I would have loved to see more of that.

297
00:15:10,440 --> 00:15:14,600
Speaker 1: She's also a great mother. I love the relationship she

298
00:15:14,640 --> 00:15:15,640
Speaker 1: has with her daughters too.

299
00:15:15,960 --> 00:15:20,720
Speaker 6: That confessional this week when the twins came in, that's

300
00:15:20,960 --> 00:15:23,200
Speaker 6: that's the ship that ties the viewers in for for

301
00:15:23,360 --> 00:15:26,680
Speaker 6: the Life of a Housewife. Right When you see moments

302
00:15:26,720 --> 00:15:29,040
Speaker 6: like that, you never forget that. I'll never forget them

303
00:15:29,080 --> 00:15:31,000
Speaker 6: twins kissing her on the cheek, have a good job,

304
00:15:31,080 --> 00:15:33,280
Speaker 6: do a good job, mommy, or whatever they said. That

305
00:15:33,440 --> 00:15:35,800
Speaker 6: was adorable, so adorable.

306
00:15:36,360 --> 00:15:39,720
Speaker 2: So yes, yes, Now Kelly, Kelly is a star.

307
00:15:40,640 --> 00:15:43,840
Speaker 1: I'm happy that I started the season off loving her,

308
00:15:44,480 --> 00:15:45,600
Speaker 1: and I still do.

309
00:15:47,080 --> 00:15:48,280
Speaker 2: Congrat Kelly, Congrat.

310
00:15:48,760 --> 00:15:51,160
Speaker 3: We have one more episode and a little birdie told

311
00:15:51,160 --> 00:15:53,160
Speaker 3: me that that we're gonna be gagging.

312
00:15:52,800 --> 00:15:54,480
Speaker 4: Next week with Kelly.

313
00:15:55,280 --> 00:15:55,920
Speaker 2: Well, I don't know.

314
00:15:56,080 --> 00:15:58,680
Speaker 3: They I got it narrow down the three names that

315
00:15:58,720 --> 00:16:03,120
Speaker 3: have that did something really really shady, and it's she's

316
00:16:03,160 --> 00:16:03,720
Speaker 3: in that group.

317
00:16:04,680 --> 00:16:08,720
Speaker 1: And I hope, Okay, we're gonna get to that because okay, Claudia,

318
00:16:08,800 --> 00:16:11,720
Speaker 1: I love Okay, listen, okay, so range.

319
00:16:16,360 --> 00:16:18,920
Speaker 4: I'm gonna get my catchphrase, God goddamnit, h.

320
00:16:21,760 --> 00:16:25,080
Speaker 2: Something. Somethings were said and I was like, but we'll

321
00:16:25,120 --> 00:16:26,000
Speaker 2: get to that a second.

322
00:16:26,040 --> 00:16:30,560
Speaker 1: Okay, I do want to get into the sea between Britt, Cynthia,

323
00:16:30,680 --> 00:16:34,840
Speaker 1: and Portia. It was a big deal to see Britt's house,

324
00:16:35,080 --> 00:16:40,200
Speaker 1: mean not not for the audience for the ladies. Britt's

325
00:16:40,200 --> 00:16:43,240
Speaker 1: house is under construction, and it was shown with the

326
00:16:43,280 --> 00:16:46,200
Speaker 1: plastic on the side that means renovations happening. The other

327
00:16:46,280 --> 00:16:48,280
Speaker 1: room had tons of boxing and closing the float out

328
00:16:48,360 --> 00:16:51,280
Speaker 1: that shows package. So what we are seeing is the

329
00:16:51,320 --> 00:16:54,600
Speaker 1: fact that I now understand why she did not want

330
00:16:54,640 --> 00:16:59,400
Speaker 1: them over, because she is clearly under some form of renovation.

331
00:17:00,120 --> 00:17:02,720
Speaker 2: But Ciphi and Porsche did show up.

332
00:17:02,760 --> 00:17:08,879
Speaker 1: They came over, and in this scene, Brett doubles down

333
00:17:09,280 --> 00:17:13,480
Speaker 1: on what is going on between her and Kelly. She

334
00:17:13,640 --> 00:17:18,679
Speaker 1: did reveal that the issue is over glam, which to

335
00:17:18,760 --> 00:17:20,840
Speaker 1: me is like, Okay, we kind of knew something was

336
00:17:20,920 --> 00:17:22,399
Speaker 1: like that, and we'll get into that a second. But

337
00:17:22,440 --> 00:17:24,240
Speaker 1: I want to talk about this because I'm feel like

338
00:17:24,280 --> 00:17:29,360
Speaker 1: people called this the way I did. Portia and Cynthia

339
00:17:29,400 --> 00:17:32,840
Speaker 1: come over, they're asking her what is going on with

340
00:17:32,880 --> 00:17:37,120
Speaker 1: you and Kelly. She talks about the glam issue as

341
00:17:37,240 --> 00:17:42,639
Speaker 1: what's dividing her in Kelly Okay. Then we talk about Shamiyah.

342
00:17:43,320 --> 00:17:44,640
Speaker 1: Well she's close to Shamiyah.

343
00:17:45,280 --> 00:17:48,159
Speaker 2: Okay. Not sure why Shamia's name being brought up, but

344
00:17:48,280 --> 00:17:53,040
Speaker 2: I digress. Then Britt feels the need to you know what.

345
00:17:53,040 --> 00:17:58,280
Speaker 3: You're about to say, exposed Tomiah, I'm nowhere.

346
00:17:58,400 --> 00:18:03,359
Speaker 1: Shamia's catching astray and she tells Porsche on By the way,

347
00:18:04,600 --> 00:18:09,320
Speaker 1: Shamia showed me text message just between the two of

348
00:18:09,400 --> 00:18:12,520
Speaker 1: y'all that y'all had where she was talking about you

349
00:18:12,600 --> 00:18:16,480
Speaker 1: and therapy and office other stuff. And I'm like, Brent, hey,

350
00:18:16,520 --> 00:18:22,240
Speaker 1: this is me being honest. I I'm gonna keep it real.

351
00:18:23,200 --> 00:18:27,399
Speaker 1: That thing felt set up to me. It felt like

352
00:18:27,560 --> 00:18:29,159
Speaker 1: the intention was exposed to me. U.

353
00:18:31,200 --> 00:18:32,360
Speaker 2: It came out of nowhere.

354
00:18:32,560 --> 00:18:34,920
Speaker 6: Not really, it didn't come out of nowhere left. It

355
00:18:35,000 --> 00:18:37,040
Speaker 6: came out of Grenada. And it actually came out of

356
00:18:37,280 --> 00:18:39,280
Speaker 6: the before they left for Grenada, when they were in

357
00:18:39,320 --> 00:18:44,400
Speaker 6: Atlanta and that whole kerfuffle about the donations and Shamiyah

358
00:18:44,560 --> 00:18:46,919
Speaker 6: telling everybody on the trip that Britt had only donated

359
00:18:46,920 --> 00:18:49,199
Speaker 6: two hundred and fifty dollars and she never returned with

360
00:18:49,240 --> 00:18:52,119
Speaker 6: the truck that she promised. Britt was angry about that.

361
00:18:52,320 --> 00:18:54,760
Speaker 6: She didn't appreciate it being mentioned at the table. She

362
00:18:54,760 --> 00:18:57,960
Speaker 6: didn't appreciate the conversation being had, and at that point

363
00:18:58,240 --> 00:19:01,240
Speaker 6: she had her target on Shemia. Oh, of course when

364
00:19:01,280 --> 00:19:03,320
Speaker 6: she has these women over to her house what she

365
00:19:03,359 --> 00:19:05,719
Speaker 6: didn't want to do for whatever her reasons were, she

366
00:19:05,880 --> 00:19:07,400
Speaker 6: was going to take the opportunity.

367
00:19:07,440 --> 00:19:08,000
Speaker 5: They came in.

368
00:19:08,119 --> 00:19:12,880
Speaker 6: Cynthia and Porsche came in and started a conversation basically

369
00:19:12,960 --> 00:19:15,679
Speaker 6: about what was going on between Kelly and Britt. Brit

370
00:19:15,720 --> 00:19:18,120
Speaker 6: was like, okay, but I'm going to do is pivot

371
00:19:18,160 --> 00:19:21,119
Speaker 6: and plant this seed that I already know will germinate

372
00:19:21,560 --> 00:19:26,680
Speaker 6: because Angela planted it earlier. Right, she identified and highlighted

373
00:19:26,680 --> 00:19:29,600
Speaker 6: the wedge in between Porscha and Shamia. Britt knew it

374
00:19:29,640 --> 00:19:33,119
Speaker 6: was a successful play to an act and so she

375
00:19:33,200 --> 00:19:35,919
Speaker 6: went straightforward with a pivot. This was one of the

376
00:19:35,920 --> 00:19:40,200
Speaker 6: first times that we saw Brit actually embodying what housewives

377
00:19:40,240 --> 00:19:44,160
Speaker 6: do right, which is manipulating conversation, making pivots that would

378
00:19:44,200 --> 00:19:47,560
Speaker 6: be impactful to what happens next. That's what she did.

379
00:19:47,640 --> 00:19:50,119
Speaker 6: She took advantage of the moment and Porscha fell for it.

380
00:19:50,119 --> 00:19:51,960
Speaker 6: That's why she was playing with her hair. She looked

381
00:19:51,960 --> 00:19:56,000
Speaker 6: gorgeous in ad chinga bano rolls printed set with that

382
00:19:56,119 --> 00:19:59,040
Speaker 6: headband on. Porscha looked beautiful, but you could tell she

383
00:19:59,119 --> 00:20:02,160
Speaker 6: was like kind of thrown off by Britt saying hey

384
00:20:02,200 --> 00:20:04,479
Speaker 6: I saw these text messages or hey, Shamia had this

385
00:20:04,560 --> 00:20:06,520
Speaker 6: conversation about you behind your back.

386
00:20:06,960 --> 00:20:07,480
Speaker 5: It worked.

387
00:20:07,520 --> 00:20:09,440
Speaker 6: It kind of threw Pushe off base a little bit,

388
00:20:09,880 --> 00:20:13,000
Speaker 6: and that was her goal, so it didn't feel displaced her.

389
00:20:13,080 --> 00:20:15,240
Speaker 5: I didn't know where to me, but I can understand

390
00:20:15,240 --> 00:20:16,000
Speaker 5: why you would say that.

391
00:20:16,720 --> 00:20:17,720
Speaker 2: Yeah, clip this.

392
00:20:17,960 --> 00:20:21,199
Speaker 3: I'm about to say something positive about Britt. This is

393
00:20:21,240 --> 00:20:23,680
Speaker 3: the best she looked in all the episodes with that

394
00:20:24,080 --> 00:20:28,120
Speaker 3: short hair. Yes, pretty, her face is the best her

395
00:20:28,119 --> 00:20:30,440
Speaker 3: face looks. She looks great. And I was like, okay,

396
00:20:30,440 --> 00:20:32,280
Speaker 3: because all the other episodes and she was telling us

397
00:20:32,280 --> 00:20:34,359
Speaker 3: how pretty she is and how everyone hates her.

398
00:20:34,400 --> 00:20:36,480
Speaker 4: It's so hard to be pretty, Edie, because.

399
00:20:36,200 --> 00:20:38,639
Speaker 3: Ever since she was a little girl, everyone was so

400
00:20:38,800 --> 00:20:42,160
Speaker 3: mean because I've never seen so so beautiful in their lives.

401
00:20:42,200 --> 00:20:44,959
Speaker 3: So life was just so hard for her because all

402
00:20:45,000 --> 00:20:46,760
Speaker 3: the girls just wanted to take her down because they

403
00:20:46,840 --> 00:20:49,280
Speaker 3: just couldn't understand her beauty. I wasn't seeing it, but

404
00:20:49,400 --> 00:20:52,359
Speaker 3: this episode, I'm like, oh, she cute. She's cute, she

405
00:20:52,440 --> 00:20:58,040
Speaker 3: looks pretty. Actually, now, pretty Eddie, shut the fuck up

406
00:20:58,160 --> 00:21:04,200
Speaker 3: with your bullshit. You start scene complaining about Kelly having

407
00:21:04,240 --> 00:21:07,439
Speaker 3: the nerve to talk badly about you to her glam,

408
00:21:07,560 --> 00:21:11,040
Speaker 3: which is her psychiatrist. That's what glam is. Okay, they're

409
00:21:11,040 --> 00:21:14,720
Speaker 3: are psychologists. There are confidants. We tell them everything. They

410
00:21:14,760 --> 00:21:16,679
Speaker 3: hear us. They look over our shoulders when we're on

411
00:21:16,920 --> 00:21:19,680
Speaker 3: our phones in their chairs, they see you we're talking about.

412
00:21:19,680 --> 00:21:20,880
Speaker 4: They know all of our business.

413
00:21:20,960 --> 00:21:23,880
Speaker 3: So it is perfectly normal to talk a little shit

414
00:21:24,080 --> 00:21:25,920
Speaker 3: about how you feel to your glam.

415
00:21:26,240 --> 00:21:29,760
Speaker 4: Now, did Kelly overreact by saying shut it down? Some

416
00:21:29,800 --> 00:21:31,760
Speaker 4: people can say yes, some can say no, but it

417
00:21:31,880 --> 00:21:32,440
Speaker 4: is annoying.

418
00:21:32,480 --> 00:21:35,240
Speaker 3: Now, I think, now this is what Britt was a

419
00:21:35,480 --> 00:21:43,040
Speaker 3: hypocritical She says that Kelly's idea, she insisted that Britt

420
00:21:43,119 --> 00:21:45,800
Speaker 3: use her glam, but she's insecure.

421
00:21:46,200 --> 00:21:49,679
Speaker 4: An insecure woman is not going to lend you her glam.

422
00:21:50,080 --> 00:21:53,280
Speaker 4: An insecure woman's gonna say, ah, my people a book.

423
00:21:53,320 --> 00:21:57,320
Speaker 3: They're really expensive, and they're not gonna say yes, let's share,

424
00:21:57,720 --> 00:22:00,719
Speaker 3: and I'm not buying her. Reason because Kelly needed a

425
00:22:00,760 --> 00:22:02,760
Speaker 3: plus one, or she's scared to be by herself. Everyone

426
00:22:02,800 --> 00:22:05,720
Speaker 3: likes Kelly. Nobody likes Britt. Kelly has options of people

427
00:22:05,720 --> 00:22:07,119
Speaker 3: to go out with Britt.

428
00:22:07,160 --> 00:22:09,680
Speaker 6: You do not no no shed She me and Kelly

429
00:22:09,720 --> 00:22:11,840
Speaker 6: want it to be i'man interrupt you, but I want

430
00:22:11,880 --> 00:22:15,120
Speaker 6: the number one. She's the best looking person. She went

431
00:22:15,359 --> 00:22:17,159
Speaker 6: between the two of them. She didn't want to be

432
00:22:17,280 --> 00:22:17,679
Speaker 6: number two.

433
00:22:18,000 --> 00:22:19,240
Speaker 5: Yeah, I get that too.

434
00:22:19,440 --> 00:22:22,000
Speaker 4: When she said that she needed she needed a sidekick.

435
00:22:22,080 --> 00:22:27,280
Speaker 3: Okay, so okay, so she she's so angry that that

436
00:22:27,440 --> 00:22:31,119
Speaker 3: Kelly committed this violation of talking about her to her

437
00:22:31,160 --> 00:22:35,720
Speaker 3: Glam team. Then the very next breath does exactly that

438
00:22:35,920 --> 00:22:40,760
Speaker 3: time ten being a messy bitch, you threw everyone else

439
00:22:40,840 --> 00:22:42,360
Speaker 3: under the bus and your you did.

440
00:22:42,640 --> 00:22:45,000
Speaker 4: You did way worse than what you were mad at

441
00:22:45,040 --> 00:22:47,040
Speaker 4: Kelly for and you couldn't.

442
00:22:46,720 --> 00:22:49,639
Speaker 3: Be there for your best friend going through a divorce

443
00:22:49,960 --> 00:22:52,400
Speaker 3: over a Glam argument that should have been a five

444
00:22:52,400 --> 00:22:53,200
Speaker 3: minute conversation.

445
00:22:53,480 --> 00:22:54,840
Speaker 4: Look, bitch, I just don't like it.

446
00:22:54,880 --> 00:22:59,160
Speaker 3: I feel like Proutie right here, me and Demetria. Everyone

447
00:22:59,240 --> 00:23:01,440
Speaker 3: knew i'd have a sigh on Real Housewives at Atlanta.

448
00:23:01,720 --> 00:23:03,960
Speaker 4: I didn't care. I was wearing my forever twenty one

449
00:23:04,280 --> 00:23:04,879
Speaker 4: and if.

450
00:23:04,760 --> 00:23:07,840
Speaker 3: I want to get dressed up pink boutique from London

451
00:23:07,960 --> 00:23:09,960
Speaker 3: if I want a little eighty nine hundred dress. I

452
00:23:10,040 --> 00:23:13,320
Speaker 3: was holding to pay for my poorsch Panamra and my

453
00:23:13,359 --> 00:23:14,360
Speaker 3: expensive as high Rise.

454
00:23:14,359 --> 00:23:21,439
Speaker 4: I was saying, okay, I was yeah, and I still

455
00:23:21,480 --> 00:23:25,200
Speaker 4: have them. Okay. So I remember, Dmitria, don't be mad

456
00:23:25,200 --> 00:23:26,560
Speaker 4: at me. Tell the story, but it's the truth.

457
00:23:26,760 --> 00:23:29,560
Speaker 3: So when we went to fashion Week, she loaned me

458
00:23:29,680 --> 00:23:35,360
Speaker 3: Dallas her silence, yes, I'll put some looks to me together.

459
00:23:35,240 --> 00:23:37,879
Speaker 4: And I could tell one of the looks that was

460
00:23:37,920 --> 00:23:40,760
Speaker 4: real cute on me. I don't think missed me. I

461
00:23:40,760 --> 00:23:42,600
Speaker 4: think she was like, oh, and she says.

462
00:23:42,400 --> 00:23:44,639
Speaker 3: Something like about that would have been a look for me,

463
00:23:45,359 --> 00:23:47,840
Speaker 3: And at that moment I knew, all right, She's you know,

464
00:23:48,480 --> 00:23:50,840
Speaker 3: it's annoying because it's my friend, but I get it,

465
00:23:50,920 --> 00:23:53,639
Speaker 3: like you want your stylist to say, I want you

466
00:23:53,720 --> 00:23:57,119
Speaker 3: to be the baddest girl there. So know your team's

467
00:23:57,240 --> 00:23:59,560
Speaker 3: leaving and then going to the next person. He's having

468
00:23:59,560 --> 00:24:02,680
Speaker 3: the same kind conversation was here. Plus Kelly's at a disadvantage.

469
00:24:02,840 --> 00:24:05,640
Speaker 3: Kelly's five three great, It's like five eight, five nine.

470
00:24:06,040 --> 00:24:08,400
Speaker 3: Even if they do their best styling work, it's not

471
00:24:08,440 --> 00:24:11,280
Speaker 3: gonna hit the same. It's gonna it's done. I'm sorry, Kelly,

472
00:24:11,359 --> 00:24:11,920
Speaker 3: You're amazing.

473
00:24:12,720 --> 00:24:15,920
Speaker 2: I'm sorry, claud.

474
00:24:17,640 --> 00:24:21,120
Speaker 3: It's just bye by this body type. It's just gonna

475
00:24:21,160 --> 00:24:24,399
Speaker 3: look more fashion on brit no matter what. So but

476
00:24:24,440 --> 00:24:26,760
Speaker 3: I can understand why she was irritated. I also, in

477
00:24:26,800 --> 00:24:28,359
Speaker 3: a way could understand why brit would be well the

478
00:24:28,359 --> 00:24:30,360
Speaker 3: other one. I suggested it, But Britt, I don't think

479
00:24:30,400 --> 00:24:33,080
Speaker 3: she had thought giving her you, her glam was gonna

480
00:24:33,080 --> 00:24:35,200
Speaker 3: be for every day and then you taking the photographer

481
00:24:35,200 --> 00:24:37,159
Speaker 3: that make a part of the video like everything, like

482
00:24:37,280 --> 00:24:39,399
Speaker 3: you know, use them and then to get on your

483
00:24:39,400 --> 00:24:40,720
Speaker 3: feet and then get you somebody.

484
00:24:41,119 --> 00:24:42,320
Speaker 4: So I think she violated.

485
00:24:43,160 --> 00:24:44,760
Speaker 3: She did the same thing she was She did worse

486
00:24:44,800 --> 00:24:46,560
Speaker 3: than what she was mad at Kelly for. And it's

487
00:24:46,680 --> 00:24:48,439
Speaker 3: it's a fake beef. It's corny.

488
00:24:48,840 --> 00:24:54,320
Speaker 5: Okay, thank you, Claudia Jordan, you welcome.

489
00:24:54,520 --> 00:24:56,720
Speaker 2: I tried to tell the girls last week. They said,

490
00:24:56,720 --> 00:24:59,320
Speaker 2: girl shut out all re lit it.

491
00:25:00,520 --> 00:25:04,840
Speaker 1: I'll go further and say this, in Black Hollywood, when

492
00:25:04,880 --> 00:25:07,600
Speaker 1: it comes to scripted actors and actresses, let's just so

493
00:25:07,680 --> 00:25:11,080
Speaker 1: let's stick with actresses. Obviously, when it comes to the

494
00:25:11,119 --> 00:25:14,879
Speaker 1: actresses in Black Hollywood, they do share the same glam.

495
00:25:15,160 --> 00:25:17,360
Speaker 2: There's a wonderfult hair stylist.

496
00:25:17,000 --> 00:25:22,320
Speaker 1: Named Larry Sims there than he is Shaunta Larry sim

497
00:25:22,400 --> 00:25:26,800
Speaker 1: he's the goat. Their stylis named Jason Bolden who styles everybody. Right,

498
00:25:27,440 --> 00:25:30,560
Speaker 1: you can share the same glam in that regard because

499
00:25:31,080 --> 00:25:35,120
Speaker 1: we're all getting dressed for different events. Hey, Tisha, and

500
00:25:35,359 --> 00:25:38,320
Speaker 1: we're not all we're not all on the same gig.

501
00:25:38,359 --> 00:25:40,840
Speaker 2: We're just we're all just being style for the Oscars.

502
00:25:41,200 --> 00:25:45,359
Speaker 1: But like Laulia said, body types and based on style

503
00:25:45,520 --> 00:25:48,040
Speaker 1: and taste, we're all gonna look different at the end

504
00:25:48,080 --> 00:25:50,919
Speaker 1: of the day. The difference is this, and hear me,

505
00:25:51,000 --> 00:25:54,840
Speaker 1: love and clear. When it comes to reality stars females,

506
00:25:55,600 --> 00:25:58,040
Speaker 1: they're not sharing the same glam. And I'm gonna tell

507
00:25:58,040 --> 00:26:03,919
Speaker 1: you the differences. The different is you're on the same show.

508
00:26:04,800 --> 00:26:07,400
Speaker 1: We are together for three months.

509
00:26:08,080 --> 00:26:10,600
Speaker 2: Every I'm gonna tell y'all something that y'all may know, but.

510
00:26:10,760 --> 00:26:14,920
Speaker 1: I'll just tell y'all anyway, when the girls get dressed,

511
00:26:15,440 --> 00:26:19,879
Speaker 1: they all size up each other and say okay, And

512
00:26:19,920 --> 00:26:22,680
Speaker 1: then they also all the girls have a group.

513
00:26:22,520 --> 00:26:25,919
Speaker 2: Chat what are you wearing? What are we giving?

514
00:26:26,359 --> 00:26:28,920
Speaker 1: Because you don't want to be overdressed doing the most,

515
00:26:29,000 --> 00:26:30,919
Speaker 1: and you don't want to be underdressed doing the least.

516
00:26:31,040 --> 00:26:33,320
Speaker 1: So a lot of these reality girls are in group chats, girl,

517
00:26:33,320 --> 00:26:35,359
Speaker 1: what you were in today? What will look are we giving?

518
00:26:35,520 --> 00:26:36,240
Speaker 1: That's what they do.

519
00:26:37,280 --> 00:26:39,640
Speaker 2: Nobody on reality television.

520
00:26:40,160 --> 00:26:43,080
Speaker 1: Ninety nine point nine percent are sharing the glam for

521
00:26:43,160 --> 00:26:46,680
Speaker 1: the exact same reasons. Claudia said about Demetria again, it's

522
00:26:46,680 --> 00:26:49,520
Speaker 1: no shade to Demetria. It's more so light that out

523
00:26:49,560 --> 00:26:52,200
Speaker 1: there could have been for me or while she's looking

524
00:26:52,240 --> 00:26:55,040
Speaker 1: better than me. The thing with Britt that I clocked

525
00:26:55,080 --> 00:26:58,159
Speaker 1: instantly and this and no shape. I'm gonna say this.

526
00:26:58,359 --> 00:27:04,359
Speaker 1: I don't think it's BRIT's fault. Britt has this and

527
00:27:04,359 --> 00:27:08,040
Speaker 1: I'm gonna fast for the comeback because I can't help myself.

528
00:27:10,720 --> 00:27:20,440
Speaker 2: Britt. Look at Phager's events. I have never Britt, I

529
00:27:20,600 --> 00:27:28,160
Speaker 2: Britt job has never looked better.

530
00:27:28,520 --> 00:27:34,000
Speaker 6: You see the did you see that sand Yeah, Brit

531
00:27:34,040 --> 00:27:36,199
Speaker 6: been dressed to say what you want to say, but

532
00:27:36,240 --> 00:27:36,919
Speaker 6: she's been dressed.

533
00:27:37,040 --> 00:27:38,560
Speaker 2: It's as she had work.

534
00:27:38,760 --> 00:27:41,160
Speaker 5: Yeah, it was the.

535
00:27:41,000 --> 00:27:43,760
Speaker 1: Bob was the bob was the limp of my beard

536
00:27:45,240 --> 00:27:46,280
Speaker 1: under It was a it.

537
00:27:46,240 --> 00:27:47,200
Speaker 2: Was a blunt cut.

538
00:27:47,480 --> 00:27:48,800
Speaker 4: It was really well done.

539
00:27:48,920 --> 00:27:52,920
Speaker 3: I give the bob a ten point zero on the Bob.

540
00:27:53,359 --> 00:27:56,040
Speaker 1: It wasn't boded omer now, I mean under Now, I'm

541
00:27:56,040 --> 00:27:57,919
Speaker 1: gonna say this. I don't know Britt. I know, I

542
00:27:57,920 --> 00:28:01,280
Speaker 1: don't know Kelly personally, but I got and I've been

543
00:28:01,320 --> 00:28:05,520
Speaker 1: doing reality TV for seventeen years, and I'm gonna say this.

544
00:28:08,160 --> 00:28:12,879
Speaker 1: I do believe that Kelly saw what the glam was

545
00:28:12,920 --> 00:28:14,880
Speaker 1: giving Brit and said, Okay, y'all doing too.

546
00:28:14,880 --> 00:28:19,480
Speaker 2: Much, like like like like, okay, y'all doing too much.

547
00:28:20,920 --> 00:28:21,800
Speaker 2: Y'all belong to.

548
00:28:21,800 --> 00:28:25,679
Speaker 1: Me, so come come back home. And I'm pretty sure

549
00:28:26,960 --> 00:28:27,440
Speaker 1: I don't know.

550
00:28:27,440 --> 00:28:29,880
Speaker 2: This for a fact. I'm pretty sure maybe some are

551
00:28:29,920 --> 00:28:33,640
Speaker 2: all the glad probably said, but look what this bitch

552
00:28:33,640 --> 00:28:35,919
Speaker 2: has given us the work. I'm just saying it could be.

553
00:28:36,119 --> 00:28:38,360
Speaker 5: Well, I guess I'm different, you know what I'm saying.

554
00:28:38,640 --> 00:28:43,000
Speaker 6: Whatever, I'm just not like that if I I can't

555
00:28:43,000 --> 00:28:44,840
Speaker 6: nobody do what I do, you know what I'm saying,

556
00:28:44,920 --> 00:28:47,640
Speaker 6: just like I can't do what nobody else does. So

557
00:28:47,880 --> 00:28:49,720
Speaker 6: I would not like if me and you was going

558
00:28:49,760 --> 00:28:51,400
Speaker 6: to say me and you was going to the Immageorge

559
00:28:51,480 --> 00:28:53,960
Speaker 6: Carlos Claudia, we had a great time at the Immageoris

560
00:28:54,000 --> 00:28:56,760
Speaker 6: together say same and you was going to the Immageorge

561
00:28:56,800 --> 00:28:59,440
Speaker 6: Loos and we was both being styled by Jason Bowlden.

562
00:28:59,560 --> 00:29:02,400
Speaker 5: Right, I wouldn't give a fuck. You gonna look good

563
00:29:02,400 --> 00:29:04,840
Speaker 5: as fucking whatever you put on, and I know I'm gonna.

564
00:29:04,680 --> 00:29:05,280
Speaker 2: Have my shit on.

565
00:29:05,560 --> 00:29:06,760
Speaker 5: I would not care.

566
00:29:07,440 --> 00:29:08,800
Speaker 2: So we're but but.

567
00:29:08,920 --> 00:29:10,920
Speaker 1: In our defense and guys, I just gotta say this

568
00:29:11,040 --> 00:29:14,280
Speaker 1: a Claudia being the only woman here, stop me if

569
00:29:14,320 --> 00:29:16,880
Speaker 1: I'm wrong. Dusted on some real ship. I think there's

570
00:29:16,920 --> 00:29:21,120
Speaker 1: two differences. Okay, we're men who are not on reality.

571
00:29:21,160 --> 00:29:23,720
Speaker 2: I think it's that. I think it's one thing.

572
00:29:23,600 --> 00:29:28,040
Speaker 1: That Lisa Wu Heartwell formally Heartwell said season one to

573
00:29:28,200 --> 00:29:32,400
Speaker 1: Deshaun Snow. She said, when women get dressed, women don't

574
00:29:32,480 --> 00:29:33,160
Speaker 1: dress for men.

575
00:29:33,600 --> 00:29:35,120
Speaker 2: Women dress for other women.

576
00:29:35,560 --> 00:29:38,680
Speaker 6: We do well, I feel you, but I just don't

577
00:29:38,680 --> 00:29:40,080
Speaker 6: when it comes to you know how I am when

578
00:29:40,080 --> 00:29:43,240
Speaker 6: it comes to jealousy that I don't.

579
00:29:44,440 --> 00:29:45,640
Speaker 5: That's a boundary for me.

580
00:29:45,800 --> 00:29:48,920
Speaker 6: The minute I smell a hint of resentment, jealousy, any

581
00:29:48,920 --> 00:29:51,800
Speaker 6: of that ship, the friendship is over. We just you know,

582
00:29:52,360 --> 00:29:55,640
Speaker 6: we just associates basically at that point. But so I

583
00:29:55,680 --> 00:29:57,760
Speaker 6: wouldn't have had no issue. But again, I'm a guy.

584
00:29:57,880 --> 00:30:00,320
Speaker 6: Maybe the restionale is a little bit different, you know

585
00:30:00,360 --> 00:30:03,520
Speaker 6: what I'm saying. So I respect the room for people

586
00:30:03,560 --> 00:30:05,960
Speaker 6: to have their own feelings about stuff, but I just

587
00:30:06,000 --> 00:30:07,880
Speaker 6: don't like none of that shit. Do your thing, but

588
00:30:08,000 --> 00:30:11,160
Speaker 6: do your thing just because you're good at your thing,

589
00:30:11,240 --> 00:30:14,200
Speaker 6: don't mean that it's going to negatively impact me. I

590
00:30:14,200 --> 00:30:16,760
Speaker 6: think it's actually better if we both doing our damn thing,

591
00:30:16,840 --> 00:30:18,040
Speaker 6: Like that's the energy I beyond.

592
00:30:18,120 --> 00:30:20,640
Speaker 5: Let's all be out here getting it. So, I don't know.

593
00:30:21,040 --> 00:30:23,560
Speaker 3: I'm just because you have confidence, and a lot of

594
00:30:23,720 --> 00:30:25,240
Speaker 3: half this cast doesn't have confidence.

595
00:30:25,360 --> 00:30:26,400
Speaker 4: They have paid confidence.

596
00:30:26,960 --> 00:30:29,080
Speaker 3: The ones that are usually loud and mouthing off and

597
00:30:29,120 --> 00:30:30,960
Speaker 3: trying to have a moment usually have the least amount

598
00:30:30,960 --> 00:30:33,280
Speaker 3: of confidence. Even if they look stunning, they still don't

599
00:30:33,320 --> 00:30:33,960
Speaker 3: have the confidence.

600
00:30:33,960 --> 00:30:36,120
Speaker 4: So there's going to be an issue. I think. You know,

601
00:30:36,200 --> 00:30:37,760
Speaker 4: I didn't like seeing Kelly like.

602
00:30:37,960 --> 00:30:40,640
Speaker 3: Mad about it, but I understood, okay, you know, I

603
00:30:40,680 --> 00:30:42,520
Speaker 3: mean I knew people were going to come for her, like, oh,

604
00:30:42,560 --> 00:30:45,040
Speaker 3: she's just suggests she's just jealous because it looks better

605
00:30:45,160 --> 00:30:49,000
Speaker 3: or whatever they're saying. I mean, you know, but it

606
00:30:49,040 --> 00:30:51,600
Speaker 3: does suck when it's your idea to share your people

607
00:30:51,840 --> 00:30:56,000
Speaker 3: and then they do you feel in your mind that damn,

608
00:30:56,040 --> 00:30:58,000
Speaker 3: they kind of doing that thing or her, and I'm

609
00:30:58,000 --> 00:31:00,080
Speaker 3: not really getting that same because there's a silent a

610
00:31:00,080 --> 00:31:01,600
Speaker 3: couple of styles that I've used the forewhere I feel

611
00:31:01,640 --> 00:31:03,400
Speaker 3: like they do really good work with other people. But

612
00:31:03,440 --> 00:31:05,520
Speaker 3: when it comes to be putting anything on me, like ah,

613
00:31:05,560 --> 00:31:08,280
Speaker 3: sh an't use nothing, you can just give her, I'm

614
00:31:08,520 --> 00:31:11,760
Speaker 3: give me the same, like stop giving me the bullshit,

615
00:31:11,960 --> 00:31:13,640
Speaker 3: like you know what I mean. I felt like Cinderella

616
00:31:13,720 --> 00:31:16,400
Speaker 3: upstairs trying to so address together with mice helping me

617
00:31:16,480 --> 00:31:19,120
Speaker 3: and random ribbons and shit, but then you go all

618
00:31:19,160 --> 00:31:22,320
Speaker 3: out and give met galloping other people like I get it,

619
00:31:22,400 --> 00:31:24,120
Speaker 3: cause I get that happened to me a lot. I

620
00:31:24,120 --> 00:31:26,200
Speaker 3: think it's people don't associate me as one of the fast.

621
00:31:26,280 --> 00:31:28,120
Speaker 3: I know amount of the fasts. Let's be very clear,

622
00:31:28,520 --> 00:31:30,360
Speaker 3: y'all don't have to remind me. I know this, so

623
00:31:30,400 --> 00:31:31,080
Speaker 3: they think.

624
00:31:31,360 --> 00:31:32,680
Speaker 4: You'll be happy with anything.

625
00:31:33,240 --> 00:31:35,560
Speaker 3: So it does feel like shit when you're like, damn,

626
00:31:35,800 --> 00:31:38,800
Speaker 3: Actually the bat wards, I felt like me and Annie

627
00:31:38,840 --> 00:31:40,880
Speaker 3: went and she was flawless, and I didn't feel good

628
00:31:40,880 --> 00:31:41,520
Speaker 3: about myself.

629
00:31:41,640 --> 00:31:44,200
Speaker 4: I wasn't mad at her though, it wasn't mad at her.

630
00:31:44,320 --> 00:31:47,120
Speaker 5: That's my point, you might not be to me.

631
00:31:47,160 --> 00:31:50,520
Speaker 6: It's just the comparison dynamic is just toxic to me.

632
00:31:50,880 --> 00:31:53,520
Speaker 6: And friendship. Now, if we're not friends, and fuck it,

633
00:31:53,600 --> 00:31:55,320
Speaker 6: you know what I'm saying. But if we're friends, that's

634
00:31:55,320 --> 00:31:57,760
Speaker 6: toxic to me, which is why what I saw it

635
00:31:57,760 --> 00:32:02,600
Speaker 6: take place at Phager's event between Britain, Kelly completely blatantly

636
00:32:02,680 --> 00:32:05,160
Speaker 6: identified the fact that they are not friends, you know

637
00:32:05,200 --> 00:32:08,160
Speaker 6: what I'm saying, and they were never friends. They have

638
00:32:08,320 --> 00:32:11,560
Speaker 6: never been friends, and that is why it was much

639
00:32:11,640 --> 00:32:15,520
Speaker 6: deeper than just a stylist, you know, giving attention to

640
00:32:15,560 --> 00:32:18,560
Speaker 6: them both. It was more than that. That's when they

641
00:32:18,600 --> 00:32:22,920
Speaker 6: started to engage. Kelly really wasn't engaging. Remember she literally

642
00:32:22,920 --> 00:32:25,160
Speaker 6: didn't even speak back. She just kept her head turned

643
00:32:25,400 --> 00:32:27,200
Speaker 6: and the look on her face. I've been alive a

644
00:32:27,240 --> 00:32:30,240
Speaker 6: long time, and the look on Kelly's face read to

645
00:32:30,480 --> 00:32:33,640
Speaker 6: me as if today is a day I'm already going

646
00:32:33,680 --> 00:32:36,440
Speaker 6: through x YZ. I really don't even want to be

647
00:32:36,520 --> 00:32:39,160
Speaker 6: here right now. I'm not even going to engage, and

648
00:32:39,200 --> 00:32:41,640
Speaker 6: she turned her head and then they continued to go

649
00:32:41,920 --> 00:32:43,720
Speaker 6: and then the shit came out. I don't feel like

650
00:32:43,800 --> 00:32:46,320
Speaker 6: Kelly was really present in that argument. I feel like

651
00:32:46,360 --> 00:32:48,520
Speaker 6: Grid ate her alive in that argument, you know what

652
00:32:48,520 --> 00:32:50,840
Speaker 6: I'm saying. And I don't think that Kelly is a

653
00:32:50,840 --> 00:32:53,920
Speaker 6: person who has trouble finding her way with words.

654
00:32:54,040 --> 00:32:56,760
Speaker 5: So I just think there was something else going on

655
00:32:57,360 --> 00:32:59,280
Speaker 5: that day, in that moment when they.

656
00:32:59,200 --> 00:33:02,480
Speaker 6: Were shooting that that affected what we ended up seeing

657
00:33:02,520 --> 00:33:05,360
Speaker 6: because that was not the same Kelly that we've seen

658
00:33:05,800 --> 00:33:09,480
Speaker 6: all season long. And yeah, I just feel like she

659
00:33:09,680 --> 00:33:13,520
Speaker 6: looked detailed, like just just removed from the situation.

660
00:33:13,680 --> 00:33:16,200
Speaker 5: Something was going on, you know why.

661
00:33:16,440 --> 00:33:18,400
Speaker 3: I think probably she was going through that that I

662
00:33:18,400 --> 00:33:21,840
Speaker 3: don't think it went. You know, the divorce situation. She's there,

663
00:33:21,920 --> 00:33:24,000
Speaker 3: She's been wanting to get a divorce for a long time.

664
00:33:24,240 --> 00:33:25,560
Speaker 4: It got delayed again.

665
00:33:25,640 --> 00:33:29,440
Speaker 3: She's probably sick of this annoying ass motherfucker and wants

666
00:33:29,480 --> 00:33:31,560
Speaker 3: the gut ties. And then the girl that you kind

667
00:33:31,600 --> 00:33:33,800
Speaker 3: of like was ride or died with for a while

668
00:33:33,840 --> 00:33:36,360
Speaker 3: until you get off the sunken ship, the sinking ship, Kelly,

669
00:33:36,720 --> 00:33:39,400
Speaker 3: you had her back to your detriment in the beginning,

670
00:33:39,520 --> 00:33:41,760
Speaker 3: you know, you had her back, and all you wanted,

671
00:33:41,840 --> 00:33:44,640
Speaker 3: like these girls you barely even know, Angela Oakley that

672
00:33:44,680 --> 00:33:47,600
Speaker 3: you don't even hang with, like that, all the other

673
00:33:47,600 --> 00:33:49,880
Speaker 3: girls were checking up on you and the girl that

674
00:33:50,080 --> 00:33:52,440
Speaker 3: claimed to be y'all had some kind of pack to say, y'all,

675
00:33:52,440 --> 00:33:54,800
Speaker 3: we Bethy's whatever did not come through you because she's

676
00:33:54,880 --> 00:33:57,760
Speaker 3: matter about a glam argument like yeah, the glam thing,

677
00:33:57,800 --> 00:33:59,800
Speaker 3: you can say, all right, Kelly, maybe using your feelings,

678
00:34:00,120 --> 00:34:02,520
Speaker 3: you were wrong on that, but damn I would think, Okay,

679
00:34:02,640 --> 00:34:04,920
Speaker 3: be mad at me over something small, check me on that.

680
00:34:05,200 --> 00:34:08,120
Speaker 3: But then the big things in my life a parent dying,

681
00:34:08,200 --> 00:34:12,200
Speaker 3: a divorce, a city that you would overlook the bullshit

682
00:34:12,560 --> 00:34:16,280
Speaker 3: for the bigger stuff, don't like especially like like Kelly said,

683
00:34:16,440 --> 00:34:19,000
Speaker 3: when I brought a whole ivy there, like you know,

684
00:34:19,160 --> 00:34:20,120
Speaker 3: session to your house.

685
00:34:20,160 --> 00:34:22,040
Speaker 4: I did this, I did that, I did this, and.

686
00:34:21,920 --> 00:34:23,680
Speaker 3: I couldn't get a phone call when I'm going through

687
00:34:23,680 --> 00:34:25,600
Speaker 3: a divorce, but these girls I don't really know.

688
00:34:25,880 --> 00:34:28,319
Speaker 4: I'll call me. Hell, yes, she's an I would out.

689
00:34:28,520 --> 00:34:30,200
Speaker 3: I would have sung her too with that event, like

690
00:34:31,040 --> 00:34:33,080
Speaker 3: oh you want to talk to me, because then you

691
00:34:33,080 --> 00:34:34,680
Speaker 3: could tell and you know, when a bitch knows.

692
00:34:34,719 --> 00:34:36,480
Speaker 4: She lookedod right. So she came in from the top

693
00:34:36,560 --> 00:34:37,000
Speaker 4: of the bride.

694
00:34:37,000 --> 00:34:40,520
Speaker 3: She came there and she she was very antagonistic when

695
00:34:40,560 --> 00:34:41,120
Speaker 3: she said her.

696
00:34:41,000 --> 00:34:43,759
Speaker 4: Hello to Kelly, that's not how I'm real friend. Yeah,

697
00:34:43,800 --> 00:34:46,279
Speaker 4: she was like hey Kelly, and she was trying it.

698
00:34:46,520 --> 00:34:47,920
Speaker 4: I would have flapped the shit out of her right

699
00:34:47,920 --> 00:34:48,239
Speaker 4: then there.

700
00:34:48,239 --> 00:34:50,640
Speaker 3: If that was my my fake gust friend Jordan didn't

701
00:34:50,719 --> 00:34:52,200
Speaker 3: chuck on me that that would have.

702
00:34:52,200 --> 00:34:54,960
Speaker 4: Been enough because she was trying to antagonize her with that.

703
00:34:55,480 --> 00:34:59,520
Speaker 1: Oh I didn't think, Okay, that is that?

704
00:35:00,320 --> 00:35:01,160
Speaker 2: That is interesting.

705
00:35:01,200 --> 00:35:04,240
Speaker 1: That's why I'm glad we get these different perspectives. I

706
00:35:04,320 --> 00:35:07,799
Speaker 1: didn't think about that until you said it, Brit. And

707
00:35:07,920 --> 00:35:12,279
Speaker 1: we'll get to the Charles Angela and Marcus thing too,

708
00:35:12,400 --> 00:35:14,640
Speaker 1: but let's just go with the flood with this conversation.

709
00:35:15,400 --> 00:35:20,200
Speaker 2: So at page this event, what.

710
00:35:20,200 --> 00:35:23,200
Speaker 1: We're talking about now is how Kelly and Britt read

711
00:35:23,239 --> 00:35:27,080
Speaker 1: each other. So Britt walks in Britt. If you're watching

712
00:35:27,640 --> 00:35:30,120
Speaker 1: or you're glam tans across the board, I have.

713
00:35:31,840 --> 00:35:34,280
Speaker 2: Britt did and this look looked amazing.

714
00:35:34,400 --> 00:35:36,480
Speaker 1: And it's the reason why I told y'all in the

715
00:35:36,520 --> 00:35:38,719
Speaker 1: first episode I said there is something.

716
00:35:38,440 --> 00:35:42,399
Speaker 2: About Britt, not Mary that I like. There's something about her.

717
00:35:42,880 --> 00:35:44,480
Speaker 1: It makes me sad that we're not going to see

718
00:35:44,520 --> 00:35:47,440
Speaker 1: on the show anymore because I felt like Britt again,

719
00:35:47,440 --> 00:35:50,040
Speaker 1: if you're watching I don't know what happened to you.

720
00:35:50,160 --> 00:35:51,160
Speaker 2: I'm not going to talk about that.

721
00:35:51,200 --> 00:35:53,920
Speaker 1: I wasn't there, but what I will say as a viewer,

722
00:35:54,040 --> 00:35:58,600
Speaker 1: this is only me speaking as a viewer. This episode

723
00:35:58,680 --> 00:36:03,000
Speaker 1: made me want you more on the show. I'm gonna

724
00:36:03,040 --> 00:36:05,600
Speaker 1: tell you why it was, because the thing is this.

725
00:36:06,160 --> 00:36:08,720
Speaker 1: When I first saw brit pop up on the screen,

726
00:36:09,160 --> 00:36:13,680
Speaker 1: I said, mss Mama has a spice to her that

727
00:36:13,840 --> 00:36:17,520
Speaker 1: I think is very delicious that I'm just curious what

728
00:36:17,640 --> 00:36:20,960
Speaker 1: it is. That's why I felt like, Brit, You're better

729
00:36:21,080 --> 00:36:24,520
Speaker 1: than the shade she was giving Kenya, because.

730
00:36:24,280 --> 00:36:26,680
Speaker 2: I'm like, I felt like, you're trying too hard.

731
00:36:26,680 --> 00:36:29,200
Speaker 1: That ain't ain't that ain't nothing to work with, and

732
00:36:29,360 --> 00:36:33,600
Speaker 1: I thought it felt flat. But when you're having an

733
00:36:33,640 --> 00:36:38,400
Speaker 1: issue with your girl, that's when your real attitude comes out.

734
00:36:38,440 --> 00:36:41,759
Speaker 1: And that's why this episode I felt like Episode sixteen

735
00:36:41,920 --> 00:36:45,880
Speaker 1: Lord Jesus was the first episode where I got to

736
00:36:46,040 --> 00:36:48,839
Speaker 1: the real Brit. Whether it was cute or not, it

737
00:36:48,880 --> 00:36:51,720
Speaker 1: was who she is and that's why I don't judge reality.

738
00:36:51,800 --> 00:36:53,560
Speaker 1: Start just be you.

739
00:36:53,560 --> 00:36:55,960
Speaker 2: You're right, Claudia, I didn't think about this. Brick came

740
00:36:56,000 --> 00:36:59,000
Speaker 2: in no where. Her shit looked good, you know, she

741
00:36:59,080 --> 00:37:01,160
Speaker 2: knew like, bitch, I use your glam to look like

742
00:37:01,200 --> 00:37:02,200
Speaker 2: this and I'm.

743
00:37:03,000 --> 00:37:04,600
Speaker 4: Make you mad. That's what she came in there.

744
00:37:04,800 --> 00:37:07,680
Speaker 1: Yeah, It's kind of like when a girl gets dressed

745
00:37:07,800 --> 00:37:10,800
Speaker 1: up and she knows that her ex boyfriend is gonna

746
00:37:10,800 --> 00:37:13,640
Speaker 1: beat there with his new girl, and you sort of

747
00:37:13,680 --> 00:37:16,680
Speaker 1: walk in and you say, hey, you good, Hi, I'm

748
00:37:16,680 --> 00:37:21,080
Speaker 1: Claudia Jordan, and you walk away because you want the

749
00:37:21,080 --> 00:37:23,600
Speaker 1: grul to know. Bitches, this is what your man used

750
00:37:23,640 --> 00:37:27,880
Speaker 1: to have. But I digressed, so I was I love Kelly.

751
00:37:28,480 --> 00:37:33,279
Speaker 1: I was surprised that Kelly was passive AGGRESSI up, Kelly.

752
00:37:33,040 --> 00:37:35,759
Speaker 2: I love you baby. You were passive AGGRESSI up.

753
00:37:36,160 --> 00:37:39,319
Speaker 1: And when Brit clocked in and said it's aggressive, No,

754
00:37:39,680 --> 00:37:44,080
Speaker 1: you're passive aggressive, Kelly's like, no, I'm aggress up. This

755
00:37:44,239 --> 00:37:46,840
Speaker 1: is subtle Claudia and Dustin. But this is when I

756
00:37:46,880 --> 00:37:53,240
Speaker 1: screamed and ran away. Britt stepped up to the grunk said, oh, really,

757
00:37:53,280 --> 00:37:54,160
Speaker 1: you aggress up.

758
00:37:54,160 --> 00:37:57,120
Speaker 2: I've never seen it that love Claudia Dustin.

759
00:37:57,480 --> 00:37:59,840
Speaker 1: The fact that she walked two feet in front of

760
00:37:59,840 --> 00:38:03,560
Speaker 1: her gave me everything I needed to know because Britt

761
00:38:03,680 --> 00:38:07,080
Speaker 1: was like, bitch, you're captain and I'm gonna show it.

762
00:38:07,480 --> 00:38:13,920
Speaker 1: And when Kelly made the comment about your pill popping roommate,

763
00:38:15,080 --> 00:38:17,279
Speaker 1: which to me and I would love to get your

764
00:38:17,360 --> 00:38:21,920
Speaker 1: thoughts too, obviously meant to me two things. I'm not

765
00:38:21,920 --> 00:38:23,759
Speaker 1: gonna say the second because I'm not here to do that.

766
00:38:24,640 --> 00:38:28,440
Speaker 1: But I thought two things when she said Britt's husband's

767
00:38:28,440 --> 00:38:31,759
Speaker 1: her roommate. The second one I'm not gonna say. The

768
00:38:31,800 --> 00:38:35,560
Speaker 1: first one was y'all not really married, That ain't your husband,

769
00:38:36,360 --> 00:38:39,520
Speaker 1: That ain't your husband? Boob stop it, and y'all do

770
00:38:39,600 --> 00:38:43,600
Speaker 1: pop hills. When she said that, and then Brit gagg

771
00:38:43,680 --> 00:38:47,520
Speaker 1: for ninety seconds and then came back and said the

772
00:38:47,560 --> 00:38:51,120
Speaker 1: word about the abortions, I would love to get your

773
00:38:51,200 --> 00:38:51,839
Speaker 1: thoughts on that.

774
00:38:52,360 --> 00:38:55,120
Speaker 2: I'm being honest.

775
00:38:55,440 --> 00:38:59,279
Speaker 1: I'm all for shade for shade. I don't like your

776
00:38:59,280 --> 00:39:02,719
Speaker 1: Mama jokes because I felt like that's too far. Other

777
00:39:02,719 --> 00:39:07,880
Speaker 1: people like it, and that's fair. There's something about shading

778
00:39:07,960 --> 00:39:12,680
Speaker 1: some a woman who had an abortion for abortions.

779
00:39:11,880 --> 00:39:14,600
Speaker 2: That to me, this is just how I feel.

780
00:39:15,800 --> 00:39:22,040
Speaker 1: I felt like shading somebody that had an abortion, to

781
00:39:22,120 --> 00:39:26,239
Speaker 1: me is very low because I know how difficult it

782
00:39:26,320 --> 00:39:28,839
Speaker 1: is for a woman to decide to do that. Other

783
00:39:28,880 --> 00:39:30,880
Speaker 1: people may agree and say you can't call me a

784
00:39:30,880 --> 00:39:33,000
Speaker 1: pill popper and I can't go to hell with you.

785
00:39:33,239 --> 00:39:36,280
Speaker 1: I get that. I'm just saying for me. I felt

786
00:39:36,280 --> 00:39:38,080
Speaker 1: the abortion thing was too.

787
00:39:38,200 --> 00:39:39,359
Speaker 2: Love so let me.

788
00:39:40,000 --> 00:39:41,640
Speaker 3: I had the same reaction as both of you, and

789
00:39:41,680 --> 00:39:43,080
Speaker 3: I just want to jump in before we go too

790
00:39:43,080 --> 00:39:46,960
Speaker 3: far with that argument that it was that Kelly, sorry

791
00:39:47,600 --> 00:39:49,880
Speaker 3: Rit's husband she was talking about. So I thought that

792
00:39:49,960 --> 00:39:52,640
Speaker 3: same thing to also, And then I called one of

793
00:39:52,640 --> 00:39:53,000
Speaker 3: the houses.

794
00:39:53,080 --> 00:39:55,799
Speaker 5: I didn't think that she was talking to.

795
00:39:56,960 --> 00:40:01,279
Speaker 3: Yes, you needed to because stages to calm Kelly down

796
00:40:01,640 --> 00:40:03,600
Speaker 3: and key you taught.

797
00:40:03,520 --> 00:40:05,400
Speaker 4: You a pill pop and roommate meaning.

798
00:40:05,960 --> 00:40:12,000
Speaker 5: On the trip, yeah, yeah, ship, and I had at.

799
00:40:11,960 --> 00:40:13,560
Speaker 3: My notes and I was like, oh my goodness, she

800
00:40:13,640 --> 00:40:16,800
Speaker 3: was talking to Phaedra. Yeah, so she on her pill popper.

801
00:40:16,840 --> 00:40:18,319
Speaker 3: I thought at first, I was like, she didn't call

802
00:40:18,360 --> 00:40:20,800
Speaker 3: her pill popper, but she was saying pill pop and roomy.

803
00:40:20,920 --> 00:40:22,160
Speaker 4: But that would explain.

804
00:40:22,920 --> 00:40:24,759
Speaker 2: Current journal job o.

805
00:40:25,000 --> 00:40:25,200
Speaker 1: God.

806
00:40:26,360 --> 00:40:28,600
Speaker 6: I never thought she was talking about her husband. I

807
00:40:28,680 --> 00:40:31,440
Speaker 6: was following, following the volley of the conversation and I

808
00:40:31,440 --> 00:40:34,600
Speaker 6: saw Phaedra, you know, in the middle or whatever, And

809
00:40:34,640 --> 00:40:37,759
Speaker 6: I never it never crossed my mind to think about

810
00:40:37,760 --> 00:40:40,439
Speaker 6: her that she was talking about her husband. Never until

811
00:40:40,480 --> 00:40:43,000
Speaker 6: you just said that, I always knew it was it

812
00:40:43,040 --> 00:40:45,319
Speaker 6: was Phaedra. So that's crazy to me because it's you

813
00:40:45,360 --> 00:40:48,000
Speaker 6: guys obviously are and alone. It was probably a bunch

814
00:40:48,000 --> 00:40:52,600
Speaker 6: of people that thought that their relationship changed when Kelly

815
00:40:52,719 --> 00:40:55,799
Speaker 6: and Shmiah got close in real life. I've seen them

816
00:40:55,840 --> 00:40:58,280
Speaker 6: at a club together in New York City. They hanging

817
00:40:58,320 --> 00:41:01,960
Speaker 6: out big time outside of this show taping. Kelly and

818
00:41:02,000 --> 00:41:04,480
Speaker 6: Britt had whatever pack they had to be besties or

819
00:41:04,520 --> 00:41:08,600
Speaker 6: whatever during the season, and what happened was Kelly picked Shmia.

820
00:41:08,760 --> 00:41:11,120
Speaker 6: Kelly and Shamia got close for real, and when they

821
00:41:11,200 --> 00:41:13,960
Speaker 6: was in Grenada and that shit went down about the donations,

822
00:41:14,360 --> 00:41:18,080
Speaker 6: Samia had Kelly support at that table. Kelly even said

823
00:41:18,160 --> 00:41:22,600
Speaker 6: something about the donations or whatever that kind of was identifying,

824
00:41:22,880 --> 00:41:25,200
Speaker 6: you know, brit as a person who didn't donate right,

825
00:41:25,480 --> 00:41:27,520
Speaker 6: And I believe that was the fork in the role

826
00:41:27,640 --> 00:41:30,200
Speaker 6: for them. Ever since they was at that table in Grenada,

827
00:41:30,680 --> 00:41:35,000
Speaker 6: they've been off and Kelly sided with Samiyah in that conversation.

828
00:41:35,560 --> 00:41:38,399
Speaker 6: They've been off ever since that point, and they did

829
00:41:38,440 --> 00:41:43,160
Speaker 6: not talk from Grenada all the way until Well. I

830
00:41:43,200 --> 00:41:45,600
Speaker 6: love Shemiah so much, but she's not the best person

831
00:41:45,600 --> 00:41:48,640
Speaker 6: when it comes to acting in the scenes. Because when

832
00:41:48,680 --> 00:41:50,480
Speaker 6: she asked Kelly, like, so, you haven't talked to once

833
00:41:50,600 --> 00:41:52,000
Speaker 6: last time we talked to brit. You haven't talked to

834
00:41:52,040 --> 00:41:55,399
Speaker 6: her since you since Grenada. Wow, you know she ain't

835
00:41:55,440 --> 00:41:57,759
Speaker 6: talked to her because you and Kelly been talking and

836
00:41:57,920 --> 00:42:00,440
Speaker 6: you know that she hasn't talked to her, And so

837
00:42:01,000 --> 00:42:03,600
Speaker 6: that's been a thing that was brewing between them. They

838
00:42:03,640 --> 00:42:06,480
Speaker 6: weren't speaking. And so maybe though that shit did start

839
00:42:06,480 --> 00:42:09,000
Speaker 6: coming up, the resentment about the looks, and maybe that

840
00:42:09,239 --> 00:42:12,040
Speaker 6: was the motivation to be looking so damn good when

841
00:42:12,120 --> 00:42:14,960
Speaker 6: she showed up like that. Maybe so, But their shit

842
00:42:15,160 --> 00:42:17,880
Speaker 6: broke right there at their table in Grenada.

843
00:42:18,800 --> 00:42:21,240
Speaker 5: That was the line that was crushed.

844
00:42:21,239 --> 00:42:24,279
Speaker 6: But the closeness between Kelly and Shamia in real life

845
00:42:24,280 --> 00:42:26,960
Speaker 6: their friends for real in real life, they hang out

846
00:42:27,000 --> 00:42:30,120
Speaker 6: outside of these cameras to this day, and that is

847
00:42:30,160 --> 00:42:33,520
Speaker 6: what drove the rift between brit and Kelly.

848
00:42:33,960 --> 00:42:34,760
Speaker 5: That's what happened.

849
00:42:36,920 --> 00:42:37,640
Speaker 4: I watched that.

850
00:42:37,680 --> 00:42:43,560
Speaker 3: Scene maybe five or six times, and I was really

851
00:42:43,560 --> 00:42:44,440
Speaker 3: really triggered by it.

852
00:42:45,080 --> 00:42:48,960
Speaker 4: I really was triggered by it. I mean it really really.

853
00:42:48,719 --> 00:42:53,520
Speaker 3: Bothered me because anyone who's ever had somebody close to them,

854
00:42:53,760 --> 00:42:57,319
Speaker 3: betray their trust and tell something that is so dark

855
00:42:57,360 --> 00:42:58,920
Speaker 3: I don't even know if it's a true reader. Not

856
00:42:59,040 --> 00:43:01,719
Speaker 3: the abortion thing that's me here nor there, but the

857
00:43:01,760 --> 00:43:04,640
Speaker 3: fact that a woman would use that against another woman,

858
00:43:04,719 --> 00:43:07,359
Speaker 3: when so many women have had abortions, when so many

859
00:43:07,400 --> 00:43:09,960
Speaker 3: women have had problems with fertility, when so many women

860
00:43:10,080 --> 00:43:13,120
Speaker 3: have experienced that, And to sit here on a high

861
00:43:13,120 --> 00:43:17,000
Speaker 3: horse and say that you've had abortions during your marriage,

862
00:43:17,160 --> 00:43:19,280
Speaker 3: when you know this woman is going through a messy divorce.

863
00:43:19,400 --> 00:43:22,560
Speaker 3: We can say, yes, well, Kelly put an accusation about

864
00:43:22,840 --> 00:43:26,080
Speaker 3: Britt and doing pills, right, I just don't think it's

865
00:43:26,080 --> 00:43:29,040
Speaker 3: the same. I just don't like. I just feel like,

866
00:43:30,760 --> 00:43:33,160
Speaker 3: get hit it with something else. But that was such

867
00:43:33,200 --> 00:43:36,040
Speaker 3: a gross moment. And I've had friends betray me in

868
00:43:36,080 --> 00:43:39,360
Speaker 3: similar situations like that, where they told something where you're like,

869
00:43:40,120 --> 00:43:43,400
Speaker 3: oh my god, I cannot believe you went there. I

870
00:43:43,440 --> 00:43:46,240
Speaker 3: cannot leave up all the things you could say about

871
00:43:46,280 --> 00:43:48,080
Speaker 3: me that you went there.

872
00:43:48,719 --> 00:43:51,480
Speaker 4: And when in that very moment, as.

873
00:43:51,320 --> 00:43:57,200
Speaker 3: Beautiful as Britt looked, I looked at her like the devil.

874
00:43:58,040 --> 00:44:00,080
Speaker 3: It really bothered me, Like I was like, oh, oh

875
00:44:00,120 --> 00:44:05,160
Speaker 3: my god, it seems like she has no bottom. There's

876
00:44:05,160 --> 00:44:07,719
Speaker 3: no end to where she will go. She'll go as

877
00:44:07,760 --> 00:44:10,200
Speaker 3: low as she needs to go for the moment. And

878
00:44:10,280 --> 00:44:14,239
Speaker 3: I don't know if she's just extremely erratic. It gives unstable,

879
00:44:14,440 --> 00:44:18,759
Speaker 3: it gives uh, there's no boundaries, there's there's no I'm

880
00:44:18,840 --> 00:44:22,000
Speaker 3: sure Kelly knows some other dirty things about brit that's

881
00:44:22,040 --> 00:44:24,840
Speaker 3: worse than pilpoping that she could have said that she didn't.

882
00:44:24,840 --> 00:44:27,480
Speaker 3: And to me, part of being a housewife and not

883
00:44:27,560 --> 00:44:29,560
Speaker 3: a basketball wife or housewife and not a love and

884
00:44:29,600 --> 00:44:31,319
Speaker 3: hip hop girl where there they get a little bit

885
00:44:31,360 --> 00:44:35,720
Speaker 3: more guttter with it, right, is the ability to insinuate

886
00:44:35,840 --> 00:44:38,200
Speaker 3: something where bitch, you know what I'm talking about and

887
00:44:38,239 --> 00:44:41,120
Speaker 3: people can read between the lines and you still say,

888
00:44:41,280 --> 00:44:42,880
Speaker 3: stay elegant and classy about it.

889
00:44:43,000 --> 00:44:44,279
Speaker 4: That's a good housewive to me.

890
00:44:44,560 --> 00:44:47,360
Speaker 3: But when you just get gutta and filthy and dirty, listen,

891
00:44:47,640 --> 00:44:49,440
Speaker 3: I got a lot of information on a lot of

892
00:44:49,440 --> 00:44:51,920
Speaker 3: people that y'all say, I hate that. I've never said that.

893
00:44:52,000 --> 00:44:55,360
Speaker 3: I still hold onto and over an argument from glam

894
00:44:55,440 --> 00:44:58,720
Speaker 3: to telling about abortions. I just feel like the punishment

895
00:44:58,800 --> 00:45:01,000
Speaker 3: did not fit the crime. I just felt it was

896
00:45:01,320 --> 00:45:05,560
Speaker 3: way too fucking far and brick deserves, like her ass

897
00:45:05,560 --> 00:45:08,200
Speaker 3: whips over that if I was, if that was in

898
00:45:08,239 --> 00:45:10,359
Speaker 3: my friend's circle, like that's like there's no going back

899
00:45:10,360 --> 00:45:12,279
Speaker 3: from something like that. You know, I'm going through a

900
00:45:12,320 --> 00:45:15,560
Speaker 3: divorce and you gonna say I had abortions during my marriage?

901
00:45:15,560 --> 00:45:17,279
Speaker 3: So are you saying I have one of my my

902
00:45:17,400 --> 00:45:19,640
Speaker 3: husband's kids or that I got pregnant by somebody?

903
00:45:19,640 --> 00:45:20,520
Speaker 4: What the fuck are you saying?

904
00:45:20,560 --> 00:45:20,680
Speaker 2: Oh?

905
00:45:21,239 --> 00:45:24,160
Speaker 4: What are you saying? You know? I don't know.

906
00:45:24,200 --> 00:45:26,040
Speaker 3: And the way Britt acts, she does act like a

907
00:45:26,080 --> 00:45:29,680
Speaker 3: pill popper because she's calm, then she's erratic. She makes

908
00:45:29,719 --> 00:45:33,040
Speaker 3: these really ak I made these erratic angry faces. She's

909
00:45:33,120 --> 00:45:35,439
Speaker 3: up down, up down, and she gives me very much.

910
00:45:35,480 --> 00:45:37,319
Speaker 3: I don't know what I'm gonna get. The way she

911
00:45:37,400 --> 00:45:40,719
Speaker 3: responds to a level two crisis with a level ten

912
00:45:41,280 --> 00:45:45,160
Speaker 3: intent to me gives instability and something's going on. I'm

913
00:45:45,160 --> 00:45:47,160
Speaker 3: not saying she's a druggie, because I've never seen her doing,

914
00:45:47,320 --> 00:45:49,560
Speaker 3: but she got something going on. That brain hers because

915
00:45:49,560 --> 00:45:52,319
Speaker 3: it's fucked, it's chopped and screwed. And I thought that

916
00:45:52,400 --> 00:45:54,600
Speaker 3: was disgusting. It was growth, brit and you are real

917
00:45:54,640 --> 00:45:58,319
Speaker 3: bird for that. That's bird bitch bum behavior. It was

918
00:45:58,360 --> 00:46:00,000
Speaker 3: trashed and I didn't like it, and it took all

919
00:46:00,080 --> 00:46:03,040
Speaker 3: all the accolades because you did look drop dead gorgeous

920
00:46:03,080 --> 00:46:05,960
Speaker 3: and stunny on the show, But your soul is dark

921
00:46:06,040 --> 00:46:09,359
Speaker 3: and ugly and fucked and you are a terrible woman.

922
00:46:09,360 --> 00:46:11,480
Speaker 3: You're not a girl's girl. I called it, and I

923
00:46:11,560 --> 00:46:14,120
Speaker 3: clocked it weeks ago. You're not a girl's girl. You

924
00:46:14,160 --> 00:46:16,480
Speaker 3: don't have girlfriends. You could tell your own family. I

925
00:46:16,480 --> 00:46:17,400
Speaker 3: don't really fuck with you.

926
00:46:17,680 --> 00:46:20,160
Speaker 4: And that is not everybody being jealous because you're pretty.

927
00:46:20,880 --> 00:46:21,800
Speaker 4: It's easy to be pretty.

928
00:46:21,840 --> 00:46:24,120
Speaker 3: We all got fucking filters and hair dye and weaves

929
00:46:24,160 --> 00:46:27,759
Speaker 3: and lash is okay. It's not that rare to see

930
00:46:27,760 --> 00:46:29,600
Speaker 3: somebody pretty. And the fact that you think all of

931
00:46:29,600 --> 00:46:31,959
Speaker 3: your problems are because of your looks and not because

932
00:46:31,960 --> 00:46:33,960
Speaker 3: of your inner you need to work on that core.

933
00:46:34,040 --> 00:46:36,680
Speaker 4: There's something going on there, there really is. And it

934
00:46:36,719 --> 00:46:37,040
Speaker 4: was Gotda.

935
00:46:37,120 --> 00:46:38,800
Speaker 3: It was Gota and Kelly. You know, Kelly did a

936
00:46:38,840 --> 00:46:41,400
Speaker 3: low blow too. You can't have kids. I didn't like

937
00:46:41,440 --> 00:46:42,040
Speaker 3: none of that shit.

938
00:46:42,120 --> 00:46:44,120
Speaker 4: I thought it was terrible. I thought it was terrible.

939
00:46:44,480 --> 00:46:44,680
Speaker 5: You know.

940
00:46:44,800 --> 00:46:50,480
Speaker 6: It made me miss Kenya because I felt like, and

941
00:46:50,520 --> 00:46:53,640
Speaker 6: this is you know whatever, I'm watching the show I'm

942
00:46:53,680 --> 00:46:55,880
Speaker 6: a viewer. This shit ain't personal to me, so watching

943
00:46:55,880 --> 00:46:58,440
Speaker 6: that volley back and forth between Kelly and bridd.

944
00:46:58,600 --> 00:47:00,640
Speaker 5: I was like, damn, I wish Cany was there.

945
00:47:01,000 --> 00:47:03,920
Speaker 6: My hope is that next year, Because you want to

946
00:47:03,960 --> 00:47:07,520
Speaker 6: talk about somebody skating, Phaedra actually skated these five episodes.

947
00:47:07,600 --> 00:47:10,120
Speaker 6: She was unmatched when it came to She didn't have

948
00:47:10,200 --> 00:47:12,080
Speaker 6: any worthy opponent on this cast.

949
00:47:12,120 --> 00:47:14,360
Speaker 5: Her and Porsche, our friend Lee on the show.

950
00:47:15,000 --> 00:47:17,640
Speaker 6: I would love to see Kenya Moore be added to

951
00:47:17,680 --> 00:47:20,239
Speaker 6: the cast next season. I would love to see her

952
00:47:20,280 --> 00:47:23,520
Speaker 6: come back full time. I would love to see Niani

953
00:47:23,680 --> 00:47:26,480
Speaker 6: come back. I'm just being a delusional fan right now,

954
00:47:26,600 --> 00:47:28,760
Speaker 6: right of the show. I would love to see Ninnie

955
00:47:28,760 --> 00:47:31,280
Speaker 6: come back. To me if you bring Ninnie and Kenya

956
00:47:31,360 --> 00:47:34,600
Speaker 6: back next year, even if Nini's a friend, we got

957
00:47:34,600 --> 00:47:34,959
Speaker 6: a show.

958
00:47:35,520 --> 00:47:39,319
Speaker 5: We got a motherfucking show. So I don't know. Uh,

959
00:47:39,360 --> 00:47:40,560
Speaker 5: it just made me miss Kenya.

960
00:47:40,640 --> 00:47:42,160
Speaker 6: I think she would have added a lot to that

961
00:47:42,280 --> 00:47:46,040
Speaker 6: event overall, to Phaedra's return to all of that.

962
00:47:46,239 --> 00:47:48,200
Speaker 5: You know what I'm saying. It just I would love

963
00:47:48,239 --> 00:47:50,360
Speaker 5: to see them next season. That's all.

964
00:47:50,520 --> 00:47:55,120
Speaker 6: And one last thing loves and pay Candy a million

965
00:47:55,160 --> 00:47:57,360
Speaker 6: dollars an episode for five so she can come to

966
00:47:57,440 --> 00:47:59,879
Speaker 6: Kenya's events and we can finally get a sit down

967
00:47:59,880 --> 00:48:02,400
Speaker 6: with between her and Phaedro and they show pay Candy

968
00:48:02,400 --> 00:48:06,080
Speaker 6: a million episode. Let her have five episodes and we

969
00:48:06,280 --> 00:48:08,319
Speaker 6: and were good. You know what I'm saying, that's all

970
00:48:08,320 --> 00:48:08,600
Speaker 6: we need.

971
00:48:08,640 --> 00:48:10,200
Speaker 4: They gotta, Yeah, they gotta, they gotta.

972
00:48:10,280 --> 00:48:12,080
Speaker 3: I think they need to address some of the unresolved

973
00:48:12,080 --> 00:48:13,560
Speaker 3: things and get some of the old girlies back.

974
00:48:13,600 --> 00:48:16,200
Speaker 4: I think that would definitely, you know, like maybe I

975
00:48:16,239 --> 00:48:16,600
Speaker 4: don't know.

976
00:48:16,560 --> 00:48:19,360
Speaker 3: There's some there's some world where that could actually happen

977
00:48:19,560 --> 00:48:21,799
Speaker 3: where you get them back, but you I just think

978
00:48:21,840 --> 00:48:25,160
Speaker 3: it's like such a letdown, like this season with with

979
00:48:25,360 --> 00:48:27,759
Speaker 3: Porscha and Faser when they came back. Yes, they were

980
00:48:27,760 --> 00:48:29,839
Speaker 3: missed by the fans and they are fan favorites, right,

981
00:48:30,440 --> 00:48:33,319
Speaker 3: like ignoring the reason why they weren't there and then

982
00:48:33,360 --> 00:48:35,560
Speaker 3: playing in our faces the whole season like that of

983
00:48:35,640 --> 00:48:36,440
Speaker 3: course is gonna give.

984
00:48:36,520 --> 00:48:37,840
Speaker 4: It's gonna be a letdown.

985
00:48:37,840 --> 00:48:39,600
Speaker 3: If we could like kind of get into some of that,

986
00:48:39,680 --> 00:48:41,799
Speaker 3: I think that would have actually helped as well.

987
00:48:42,120 --> 00:48:42,319
Speaker 5: I do.

988
00:48:42,560 --> 00:48:45,640
Speaker 1: Yeah, no, I agree, I think I know it's difficult,

989
00:48:45,680 --> 00:48:50,880
Speaker 1: but I definitely think it's one of those things where

990
00:48:52,960 --> 00:48:55,440
Speaker 1: you have to address the elephant in the realm. Because

991
00:48:55,480 --> 00:48:58,879
Speaker 1: one thing that I always wrestle with as a producer is.

992
00:49:00,760 --> 00:49:01,640
Speaker 2: This is no secret.

993
00:49:01,640 --> 00:49:04,680
Speaker 1: There's so much that goes on in production because again,

994
00:49:05,560 --> 00:49:07,279
Speaker 1: for example, a lot of people think I make all

995
00:49:07,280 --> 00:49:10,440
Speaker 1: the decisions right, I'm always like, this ain't the Carlos

996
00:49:10,560 --> 00:49:11,200
Speaker 1: King Network.

997
00:49:11,400 --> 00:49:13,840
Speaker 2: I don't pay talent out of my savings account.

998
00:49:14,440 --> 00:49:17,319
Speaker 1: Everything. Everybody has a boss. And that's the thing that

999
00:49:17,360 --> 00:49:20,680
Speaker 1: people don't understand. Everybody has the boss when you're on television.

1000
00:49:21,040 --> 00:49:25,080
Speaker 1: The top brass are the ones who make the final decisions. Okay,

1001
00:49:26,480 --> 00:49:29,879
Speaker 1: perfect example, when I got Claudia, I said I want

1002
00:49:29,920 --> 00:49:31,440
Speaker 1: to be a housewife, they said child, she got to

1003
00:49:31,440 --> 00:49:33,440
Speaker 1: work with this thing, and I'm like, I sees partition

1004
00:49:33,560 --> 00:49:37,400
Speaker 1: of her. And then I didn't get my way, but

1005
00:49:37,880 --> 00:49:41,040
Speaker 1: I got some I got some say, but I don't

1006
00:49:41,080 --> 00:49:43,560
Speaker 1: have a final say. I say all of that, I

1007
00:49:43,560 --> 00:49:47,680
Speaker 1: could not agree more. I do think the audience who

1008
00:49:47,719 --> 00:49:51,640
Speaker 1: are very special to this show, and this show is

1009
00:49:51,880 --> 00:49:57,640
Speaker 1: very special to the audience. I do think the lack

1010
00:49:57,719 --> 00:49:59,920
Speaker 1: of the one on one between Freak and Frack of

1011
00:50:00,000 --> 00:50:03,120
Speaker 1: about what happened, even if it was a seven minute conversation.

1012
00:50:03,800 --> 00:50:08,600
Speaker 1: I think the audience is too invested, too special, that

1013
00:50:08,600 --> 00:50:12,120
Speaker 1: that Housewives of Atlanta forget the rest of the cities

1014
00:50:12,440 --> 00:50:16,440
Speaker 1: in this moment. The real Housewives of Atlanta audience are

1015
00:50:16,480 --> 00:50:18,440
Speaker 1: the most special human beings when it comes to the

1016
00:50:18,480 --> 00:50:20,160
Speaker 1: franchise because they care.

1017
00:50:20,760 --> 00:50:21,839
Speaker 2: They care about the show.

1018
00:50:22,360 --> 00:50:25,080
Speaker 1: They even when they shade it, I know that they're

1019
00:50:25,120 --> 00:50:28,120
Speaker 1: shading it because they care about it. I do think

1020
00:50:28,280 --> 00:50:32,000
Speaker 1: it's a It's unfortunate that the audience could not have

1021
00:50:32,000 --> 00:50:35,239
Speaker 1: gotten that. I agree with you too when it comes

1022
00:50:35,280 --> 00:50:38,240
Speaker 1: to that point when it comes to Kelly and Britt,

1023
00:50:38,320 --> 00:50:40,600
Speaker 1: I agree with the both of you. Kelly and Britt,

1024
00:50:40,640 --> 00:50:44,400
Speaker 1: y'all were never friends to have that level of falling

1025
00:50:44,440 --> 00:50:49,040
Speaker 1: out over glamm I'm now with Claudia in the in

1026
00:50:49,080 --> 00:50:52,840
Speaker 1: the sense of where y'all friends when y'all were cast

1027
00:50:53,080 --> 00:50:56,719
Speaker 1: to be on the show. Because as much as I

1028
00:50:56,840 --> 00:50:58,960
Speaker 1: go with at it with my friends, and I'm gonna

1029
00:50:58,960 --> 00:51:00,840
Speaker 1: go add it like that, but let's have an argument.

1030
00:51:02,080 --> 00:51:04,160
Speaker 2: I'm never going to go to the depths of hell

1031
00:51:04,200 --> 00:51:07,520
Speaker 2: to embarrass you ever, especially over Glham.

1032
00:51:07,840 --> 00:51:11,320
Speaker 1: We're arguing over hangars and dresses and shoes were tape

1033
00:51:11,320 --> 00:51:14,000
Speaker 1: at the bottom of the soul, like, is that what

1034
00:51:14,040 --> 00:51:14,560
Speaker 1: we're doing?

1035
00:51:15,520 --> 00:51:15,600
Speaker 3: It?

1036
00:51:15,800 --> 00:51:19,360
Speaker 2: To me? I thought they both were wrong to to

1037
00:51:19,719 --> 00:51:20,960
Speaker 2: now now that I know this.

1038
00:51:21,520 --> 00:51:24,000
Speaker 1: I felt Kelly was wrong about the when I thought

1039
00:51:24,040 --> 00:51:25,960
Speaker 1: she was talking about the husband, and I'm like, what

1040
00:51:26,040 --> 00:51:27,920
Speaker 1: does he have to do with this conversation? Shade her

1041
00:51:28,480 --> 00:51:33,160
Speaker 1: now that I'm aware that she was actually calling Britt

1042
00:51:33,239 --> 00:51:34,200
Speaker 1: a pill popper.

1043
00:51:35,080 --> 00:51:37,799
Speaker 2: If Brits takes pills, I don't need I don't.

1044
00:51:38,120 --> 00:51:42,000
Speaker 1: There's certain things about reality stars that I just don't

1045
00:51:42,000 --> 00:51:44,839
Speaker 1: want to know. I don't if that's your if that's

1046
00:51:44,880 --> 00:51:46,839
Speaker 1: what you do, I don't.

1047
00:51:46,880 --> 00:51:48,680
Speaker 2: I don't. I don't need to know those things.

1048
00:51:48,920 --> 00:51:51,560
Speaker 1: When it comes to whether or not Kelly had an abortion,

1049
00:51:51,680 --> 00:51:53,239
Speaker 1: and for the record, she says she did not.

1050
00:51:53,719 --> 00:51:55,000
Speaker 2: She said her tubs are tied.

1051
00:51:55,760 --> 00:51:58,239
Speaker 1: I don't want to know if my reality starts having

1052
00:51:58,280 --> 00:52:00,200
Speaker 1: abortion unless they want to tell me that.

1053
00:52:01,080 --> 00:52:03,200
Speaker 2: Unless they want to tell me that.

1054
00:52:03,560 --> 00:52:06,200
Speaker 1: When Kimmy was diagnosed with breast cancer on Love and

1055
00:52:06,239 --> 00:52:10,680
Speaker 1: Mash Huntsville, I told you got this throw already. It

1056
00:52:10,760 --> 00:52:14,520
Speaker 1: was so personal that I said to her, it's your

1057
00:52:14,640 --> 00:52:17,000
Speaker 1: choice to tell your story if you want to quit

1058
00:52:17,200 --> 00:52:19,000
Speaker 1: and and and go through chemo and all of that

1059
00:52:19,080 --> 00:52:21,520
Speaker 1: on your own and not tell the not tell a

1060
00:52:21,680 --> 00:52:25,440
Speaker 1: soul that's your I'm gonna ride for you, sis. It

1061
00:52:25,560 --> 00:52:28,439
Speaker 1: was her choice to say I want to talk about

1062
00:52:28,480 --> 00:52:32,319
Speaker 1: it and bring these women along my journey. Abortions and

1063
00:52:32,360 --> 00:52:35,440
Speaker 1: pill popping as shade to me is whack a f

1064
00:52:36,640 --> 00:52:40,080
Speaker 1: I think it's disgusting and girls. Shame someone's folded up

1065
00:52:40,120 --> 00:52:50,080
Speaker 1: bob shame somebody ready, chase somebody spaghetty straps, Chase something like.

1066
00:52:48,160 --> 00:52:51,120
Speaker 3: You ain't just about to give to mind. Shase someone

1067
00:52:51,160 --> 00:52:54,239
Speaker 3: that can bridesmaids. Shame, someone that used to be on

1068
00:52:54,280 --> 00:52:57,080
Speaker 3: a pole. Chase someone who got brand new once I

1069
00:52:57,120 --> 00:52:59,680
Speaker 3: got a little checked. Chase someone's lace front. But don't

1070
00:52:59,719 --> 00:53:01,279
Speaker 3: just you know, you ain't about to just.

1071
00:53:01,239 --> 00:53:01,759
Speaker 4: Do mine now.

1072
00:53:01,840 --> 00:53:10,960
Speaker 5: Probably I love you, but.

1073
00:53:10,920 --> 00:53:13,759
Speaker 3: I will say that I see people in comments. At

1074
00:53:13,800 --> 00:53:15,799
Speaker 3: first I did think the same things Colors. I thought

1075
00:53:15,840 --> 00:53:18,080
Speaker 3: the pill poper comment was about BRIT's husband, so I

1076
00:53:18,120 --> 00:53:21,480
Speaker 3: was like, oh, that was so disgusting that that Kelly

1077
00:53:21,640 --> 00:53:24,600
Speaker 3: Britt will respond with the abortion talk.

1078
00:53:25,000 --> 00:53:27,640
Speaker 4: But now that we know, we know, I think they

1079
00:53:27,640 --> 00:53:30,319
Speaker 4: were both wrong in that scene. They were both wrong.

1080
00:53:30,960 --> 00:53:32,840
Speaker 3: They they pulled, they took out you know when you

1081
00:53:32,880 --> 00:53:35,839
Speaker 3: have They both brought like guns to knife fights. Right,

1082
00:53:36,239 --> 00:53:39,120
Speaker 3: they both went too hard and used weapons of mass

1083
00:53:39,120 --> 00:53:41,719
Speaker 3: destruction on each other where they can never come back

1084
00:53:41,719 --> 00:53:45,160
Speaker 3: from that. To me, that means the stakes whenever that high,

1085
00:53:45,280 --> 00:53:48,480
Speaker 3: you weren't really friends certain people, when you're really friends.

1086
00:53:48,200 --> 00:53:52,879
Speaker 4: Someone like you, I'm not gonna because you're like, I'm

1087
00:53:52,880 --> 00:53:54,040
Speaker 4: gonna fuck with you in two weeks.

1088
00:53:54,200 --> 00:53:56,440
Speaker 3: But right now, oh, you might say a little shade,

1089
00:53:56,480 --> 00:53:58,560
Speaker 3: give her the light shade. Oh that's why your heels

1090
00:53:58,680 --> 00:54:02,759
Speaker 3: is at acting great. I don't know, but not personal

1091
00:54:03,040 --> 00:54:08,080
Speaker 3: soul crushing stuff. And I will say, Kelly, exposing that

1092
00:54:08,080 --> 00:54:09,680
Speaker 3: your friends of ahthough.

1093
00:54:09,440 --> 00:54:12,360
Speaker 4: We can connor already tell that was that was fouled

1094
00:54:12,400 --> 00:54:16,320
Speaker 4: to do in front of her. I'm just saying she's erratic.

1095
00:54:16,320 --> 00:54:19,680
Speaker 4: I never seen bat news. Let me protect the show.

1096
00:54:19,840 --> 00:54:21,719
Speaker 4: I never seen the drugs, no drugs like that. But

1097
00:54:21,800 --> 00:54:24,680
Speaker 4: she's erratic. But saying that if you do have knowledge

1098
00:54:24,680 --> 00:54:25,320
Speaker 4: of that, that.

1099
00:54:25,200 --> 00:54:27,560
Speaker 3: You got only because you were allowed to be close

1100
00:54:27,600 --> 00:54:30,520
Speaker 3: to her because your friends, that is wrong. And Britt

1101
00:54:31,000 --> 00:54:34,400
Speaker 3: exposing someone may potentially I have done have an abortion

1102
00:54:34,680 --> 00:54:36,719
Speaker 3: because you were friends with her and she confided in you,

1103
00:54:36,840 --> 00:54:38,719
Speaker 3: whether she did or she didn't, that was wrong. That

1104
00:54:38,800 --> 00:54:40,279
Speaker 3: was fucked up on both of them. I got it,

1105
00:54:40,280 --> 00:54:42,840
Speaker 3: they both were. I don't even they were both wrong.

1106
00:54:43,000 --> 00:54:45,680
Speaker 3: Right with the Lamb argument, It's like.

1107
00:54:45,760 --> 00:54:49,080
Speaker 2: Damn, yeah it was. It was just that there anyone

1108
00:54:49,160 --> 00:54:50,399
Speaker 2: to add to that Before I move on.

1109
00:54:50,360 --> 00:54:52,080
Speaker 5: To you know, we can we can get onto what

1110
00:54:52,160 --> 00:54:53,279
Speaker 5: we need to be discussing.

1111
00:54:54,400 --> 00:55:02,480
Speaker 1: Okay, I don't know how to start to. I I

1112
00:55:03,800 --> 00:55:08,200
Speaker 1: came into doing reality television because I did study journalists

1113
00:55:08,680 --> 00:55:12,440
Speaker 1: at college, and I do like journalists too.

1114
00:55:12,560 --> 00:55:13,000
Speaker 2: Shut up.

1115
00:55:15,440 --> 00:55:18,200
Speaker 3: I'm feeling a little way because I shared my journalism

1116
00:55:18,440 --> 00:55:21,000
Speaker 3: journey with you, and now you're taking my journalism journey

1117
00:55:21,040 --> 00:55:22,239
Speaker 3: from me and you're running with it.

1118
00:55:22,200 --> 00:55:24,719
Speaker 4: And I feel like you. Now I'm jealous.

1119
00:55:25,160 --> 00:55:27,000
Speaker 1: It's okay as long as you and I both don't

1120
00:55:27,000 --> 00:55:33,360
Speaker 1: share the same glam degree. Okay, cover vote journalists.

1121
00:55:33,600 --> 00:55:34,440
Speaker 2: Now, I will say this.

1122
00:55:35,120 --> 00:55:37,600
Speaker 1: I got to reality television because of my love for

1123
00:55:37,760 --> 00:55:38,960
Speaker 1: real people, real stories.

1124
00:55:39,080 --> 00:55:44,320
Speaker 2: I'm obsessed with real personal story I I I do.

1125
00:55:44,320 --> 00:55:48,200
Speaker 1: Understand that there are certain shows that are fake, that

1126
00:55:48,280 --> 00:55:52,759
Speaker 1: are scripted, that don't show the reality. I don't want

1127
00:55:52,760 --> 00:55:55,399
Speaker 1: to see that on the Housewives of Atlanta. I don't

1128
00:55:55,400 --> 00:55:58,600
Speaker 1: ever want to see this on this show. When I

1129
00:55:58,680 --> 00:56:04,400
Speaker 1: saw this person named Marcus come out of nowhere and say,

1130
00:56:04,800 --> 00:56:07,160
Speaker 1: I want to talk to you Angela about your husband.

1131
00:56:07,480 --> 00:56:10,759
Speaker 2: But I wanted to be a one on one and Angela.

1132
00:56:10,440 --> 00:56:13,640
Speaker 1: Being the MVP of the season Peyton and said cha by,

1133
00:56:14,400 --> 00:56:15,759
Speaker 1: and then for Marcus to.

1134
00:56:15,960 --> 00:56:19,600
Speaker 2: Then doing a toast, say.

1135
00:56:21,040 --> 00:56:25,560
Speaker 1: And toast to Angela and her husband who's cheating on her?

1136
00:56:26,080 --> 00:56:28,640
Speaker 2: It was sort of like like who sent you?

1137
00:56:29,360 --> 00:56:33,480
Speaker 1: And it was I'm gonna say when I worked on

1138
00:56:33,520 --> 00:56:36,640
Speaker 1: the Real Housepals of Atlanta for years and this is

1139
00:56:37,600 --> 00:56:40,840
Speaker 1: some real shit. I cannot tell y'all how many women

1140
00:56:40,920 --> 00:56:43,359
Speaker 1: came up to me while we were filming at these

1141
00:56:43,360 --> 00:56:46,400
Speaker 1: events that's in the Claudia and they would say to

1142
00:56:46,440 --> 00:56:47,560
Speaker 1: me because they knew I was.

1143
00:56:47,480 --> 00:56:49,240
Speaker 2: The executive producer of the show.

1144
00:56:50,880 --> 00:56:53,359
Speaker 1: I've had so many women come up to me, well,

1145
00:56:53,400 --> 00:56:54,800
Speaker 1: you know I messed with her husband?

1146
00:56:55,680 --> 00:56:58,719
Speaker 2: What like? Who? First of all, who are you? And

1147
00:56:58,840 --> 00:57:04,000
Speaker 2: Who's like, I'm move move that happened.

1148
00:57:04,480 --> 00:57:08,000
Speaker 1: I can't count on two hands how many times I

1149
00:57:08,040 --> 00:57:10,080
Speaker 1: have people come up to me when I was working

1150
00:57:10,600 --> 00:57:13,880
Speaker 1: about some tea they had on my girls the Housewives,

1151
00:57:14,320 --> 00:57:16,400
Speaker 1: and I was just like, I'm never going to be

1152
00:57:16,440 --> 00:57:20,440
Speaker 1: that producer that is going to be so lazy to.

1153
00:57:22,320 --> 00:57:23,200
Speaker 2: Tell that story.

1154
00:57:23,560 --> 00:57:25,760
Speaker 1: Now, I'm not saying a producer put markets up to

1155
00:57:25,880 --> 00:57:28,440
Speaker 1: my saying that, but I also will say this, and

1156
00:57:28,480 --> 00:57:32,480
Speaker 1: this is some real stuff. I've had some reality stars

1157
00:57:33,400 --> 00:57:36,040
Speaker 1: come up to me during my time as a showrunner

1158
00:57:36,600 --> 00:57:40,720
Speaker 1: and say, you know, I got my friend gonna show

1159
00:57:40,760 --> 00:57:42,720
Speaker 1: up and because she, she or he got some tea

1160
00:57:42,760 --> 00:57:46,959
Speaker 1: about such and such. And I would be like, I'm

1161
00:57:47,000 --> 00:57:50,320
Speaker 1: not going to put a mic on a random person

1162
00:57:51,200 --> 00:57:55,240
Speaker 1: to do what we're paying you millions.

1163
00:57:54,720 --> 00:57:57,720
Speaker 2: Or thousands of hundreds of dollars to do. I'm not

1164
00:57:57,800 --> 00:57:58,320
Speaker 2: doing that.

1165
00:57:58,560 --> 00:58:01,400
Speaker 1: If you know this information, and if that person in

1166
00:58:01,440 --> 00:58:05,240
Speaker 1: your car m who you want me to mike.

1167
00:58:06,800 --> 00:58:09,240
Speaker 2: Path the information? Now, how about you go and tell

1168
00:58:09,280 --> 00:58:12,960
Speaker 2: them yourself. Be a be a boss, be beat that girl,

1169
00:58:13,680 --> 00:58:14,560
Speaker 2: tell them yourself.

1170
00:58:15,320 --> 00:58:18,360
Speaker 1: When I what I saw happened, it made me so

1171
00:58:18,560 --> 00:58:23,360
Speaker 1: upset because I don't know who put him up to it.

1172
00:58:24,200 --> 00:58:27,440
Speaker 2: By no stretch of the imagination was that real.

1173
00:58:27,840 --> 00:58:32,200
Speaker 1: And when I say real, meeting that nobody knew in

1174
00:58:32,280 --> 00:58:33,720
Speaker 1: that room what was going on.

1175
00:58:34,160 --> 00:58:34,720
Speaker 2: I don't know.

1176
00:58:34,960 --> 00:58:37,000
Speaker 1: If I don't know who, we can we can get

1177
00:58:37,000 --> 00:58:39,200
Speaker 1: to that and and and and and sort of debate.

1178
00:58:40,080 --> 00:58:44,040
Speaker 1: But it was the laziest ship, and it made me

1179
00:58:44,360 --> 00:58:48,360
Speaker 1: disgusted with where reality TV is going to.

1180
00:58:48,440 --> 00:58:51,480
Speaker 2: Where that just got camera time.

1181
00:58:51,600 --> 00:58:55,440
Speaker 6: I I hateed it.

1182
00:58:55,440 --> 00:58:57,120
Speaker 5: It felt completely disjointed.

1183
00:58:57,560 --> 00:59:01,840
Speaker 6: It felt like a a up jerk as.

1184
00:59:01,680 --> 00:59:02,720
Speaker 5: A viewer, like we were.

1185
00:59:02,720 --> 00:59:05,400
Speaker 6: We were we were shaken by watching that ship, and

1186
00:59:05,440 --> 00:59:08,360
Speaker 6: not in a good way. First of all, if it

1187
00:59:08,400 --> 00:59:10,600
Speaker 6: ever was time to hold up a sign saying who

1188
00:59:10,720 --> 00:59:13,120
Speaker 6: is this? You know what I'm saying, that's when it

1189
00:59:13,240 --> 00:59:14,960
Speaker 6: That's when the poster shit have came up. It just

1190
00:59:15,080 --> 00:59:17,640
Speaker 6: was crazy. I just think that that the young man

1191
00:59:17,640 --> 00:59:20,160
Speaker 6: that was on there. I know I saw a bunch

1192
00:59:20,160 --> 00:59:23,160
Speaker 6: of posts and ship earlier that people had shared that

1193
00:59:23,240 --> 00:59:23,880
Speaker 6: he had made.

1194
00:59:24,120 --> 00:59:25,880
Speaker 5: He was live tweeting the episode and stuff.

1195
00:59:25,880 --> 00:59:28,360
Speaker 6: He just wanted to be involved and have some attention

1196
00:59:28,440 --> 00:59:31,240
Speaker 6: shined on him, and I just think it's unfortunate that

1197
00:59:31,280 --> 00:59:33,760
Speaker 6: it was at his own detriment, you know what I mean.

1198
00:59:34,320 --> 00:59:37,720
Speaker 6: This goes back to Basketball Wives, and it was a

1199
00:59:37,760 --> 00:59:40,840
Speaker 6: storyline like that. A guy called Jackie with some information

1200
00:59:40,960 --> 00:59:44,440
Speaker 6: one time. Uh, we're back on marriaed to medicine years ago.

1201
00:59:44,920 --> 00:59:47,800
Speaker 6: That gentleman came up and said something to quad about

1202
00:59:47,880 --> 00:59:51,920
Speaker 6: Lisa Nicole's husband. It's just It's just it's just a

1203
00:59:52,040 --> 00:59:55,280
Speaker 6: very elementary play, you know what I mean, very old,

1204
00:59:55,720 --> 00:59:58,360
Speaker 6: very We've seen it, heard it all before, and they

1205
00:59:58,360 --> 01:00:01,720
Speaker 6: had been doing so well from aduction standpoint with kind

1206
01:00:01,760 --> 01:00:05,480
Speaker 6: of following and building a story that this interruption just

1207
01:00:05,520 --> 01:00:09,040
Speaker 6: came out of nowhere. Nobody believed what he said, and

1208
01:00:09,320 --> 01:00:11,680
Speaker 6: I just felt bad for him. He it just looked

1209
01:00:11,720 --> 01:00:14,160
Speaker 6: down bad to me, Like, damn, bro, like that ain't

1210
01:00:14,200 --> 01:00:16,080
Speaker 6: even how you really need to be out here trying

1211
01:00:16,120 --> 01:00:18,480
Speaker 6: to do your thing. Man, It's other ways you can

1212
01:00:18,520 --> 01:00:20,360
Speaker 6: get attention without doing that.

1213
01:00:20,440 --> 01:00:21,480
Speaker 5: It just looked bad to me.

1214
01:00:22,400 --> 01:00:24,240
Speaker 4: So you think that was a set up by like production,

1215
01:00:24,400 --> 01:00:25,760
Speaker 4: that guy, that guy being.

1216
01:00:25,560 --> 01:00:27,760
Speaker 6: There, And I think it was set up by somebody

1217
01:00:27,840 --> 01:00:30,720
Speaker 6: not production. I think that that that seemed very lazy

1218
01:00:30,760 --> 01:00:34,080
Speaker 6: and elementary in a way, that someone who hadn't thought

1219
01:00:34,120 --> 01:00:36,760
Speaker 6: things through kind of set that up. So I didn't

1220
01:00:36,800 --> 01:00:38,520
Speaker 6: even put that on production. That was from one of

1221
01:00:38,560 --> 01:00:41,280
Speaker 6: them cast members. It'll be interesting to find out who.

1222
01:00:42,360 --> 01:00:44,280
Speaker 4: So I text two people today.

1223
01:00:44,440 --> 01:00:46,680
Speaker 3: Yeah, and the fact that just came me was not Drew,

1224
01:00:46,760 --> 01:00:47,680
Speaker 3: So stop putting on Rew.

1225
01:00:47,720 --> 01:00:48,520
Speaker 4: It was definitely not Drew.

1226
01:00:48,760 --> 01:00:50,480
Speaker 5: You in the comment putting it was Drew.

1227
01:00:53,480 --> 01:00:55,920
Speaker 4: My cousin threw, now, yeah, ain't gonna my cousin.

1228
01:00:57,480 --> 01:01:00,160
Speaker 3: So I talked to someone else today about it, and

1229
01:01:00,640 --> 01:01:03,040
Speaker 3: you know it was revealed. Well, I think Angel said

1230
01:01:03,040 --> 01:01:05,080
Speaker 3: on this episode right that somebody said that they were

1231
01:01:05,080 --> 01:01:07,640
Speaker 3: paid to go do it, because I thought that was

1232
01:01:07,640 --> 01:01:09,840
Speaker 3: fake til I'm like, was that production that planted that

1233
01:01:09,880 --> 01:01:12,720
Speaker 3: person there? How they get in and then they you know, oh,

1234
01:01:12,760 --> 01:01:15,720
Speaker 3: well's open event to the public. It's never really open

1235
01:01:15,760 --> 01:01:18,360
Speaker 3: event to the public when you're filming because there's release

1236
01:01:18,440 --> 01:01:21,000
Speaker 3: forms that have to be signed from everyone that's in there.

1237
01:01:21,000 --> 01:01:22,520
Speaker 4: Like everyone knows.

1238
01:01:22,840 --> 01:01:25,840
Speaker 3: So they said that one of the housewives paid him

1239
01:01:25,880 --> 01:01:27,880
Speaker 3: to be there, and it's not who we think it is.

1240
01:01:28,120 --> 01:01:31,880
Speaker 5: I believe it. I believe that one hundred Well that's.

1241
01:01:31,720 --> 01:01:37,480
Speaker 1: The thing I now we're looking I'm looking forward to

1242
01:01:37,640 --> 01:01:41,600
Speaker 1: next the finale because obviously all would be revealed. The

1243
01:01:41,680 --> 01:01:44,520
Speaker 1: main thing for me, though, is somebody in that room

1244
01:01:44,880 --> 01:01:46,280
Speaker 1: set this guy up to do.

1245
01:01:46,240 --> 01:01:48,680
Speaker 5: It, or whoever was You don't need to be there

1246
01:01:48,720 --> 01:01:49,120
Speaker 5: no more.

1247
01:01:50,160 --> 01:01:53,000
Speaker 1: It's it's just it's not what I want to see

1248
01:01:53,240 --> 01:01:56,440
Speaker 1: and it's just not something that I think is necessary.

1249
01:01:56,480 --> 01:02:00,680
Speaker 1: If you have information about one of your castmates and

1250
01:02:00,960 --> 01:02:05,880
Speaker 1: you feel strongly about whatever then saying like, look, at

1251
01:02:05,920 --> 01:02:07,840
Speaker 1: the end of the day, I felt Britain Killer were

1252
01:02:07,880 --> 01:02:10,320
Speaker 1: both wrong for the shade, but at least they both

1253
01:02:10,400 --> 01:02:13,200
Speaker 1: said it to each other and didn't send someone.

1254
01:02:12,960 --> 01:02:14,640
Speaker 2: Else in to do their job.

1255
01:02:15,360 --> 01:02:17,720
Speaker 1: And that's the part to me that just feels so

1256
01:02:18,280 --> 01:02:21,160
Speaker 1: gross in terms of like where we are with things,

1257
01:02:21,200 --> 01:02:24,000
Speaker 1: because that to me, which just super unnecessary, and I just.

1258
01:02:23,920 --> 01:02:24,960
Speaker 2: I just didn't like it.

1259
01:02:25,240 --> 01:02:28,320
Speaker 1: It's funny because Dustin's right, I thought about those two

1260
01:02:28,360 --> 01:02:30,120
Speaker 1: moments dust that you mentioned in terms of the other

1261
01:02:30,160 --> 01:02:33,600
Speaker 1: shows that had a random person come in, and.

1262
01:02:34,000 --> 01:02:36,680
Speaker 2: It's just it's the laziest of lazy.

1263
01:02:36,360 --> 01:02:40,240
Speaker 6: And never never ends well for that person either, you

1264
01:02:40,280 --> 01:02:42,440
Speaker 6: know what I mean, because people are now going to

1265
01:02:42,480 --> 01:02:45,840
Speaker 6: be looking at the person and picking them apart, you

1266
01:02:45,840 --> 01:02:48,680
Speaker 6: know what I'm saying, in ways that maybe deserved, but like, why.

1267
01:02:48,480 --> 01:02:51,280
Speaker 5: Would you even put yourself in that position? Why?

1268
01:02:51,760 --> 01:02:53,960
Speaker 6: Like, it's just nothing positive that could come from that.

1269
01:02:54,080 --> 01:02:55,920
Speaker 6: So it feels stupid as fuck to me, and it

1270
01:02:56,040 --> 01:03:00,440
Speaker 6: interrupted what had been in otherwise really enjoying, enjoyable season

1271
01:03:00,480 --> 01:03:00,720
Speaker 6: for me.

1272
01:03:01,840 --> 01:03:04,160
Speaker 3: For my deductions from I was I've been trying with

1273
01:03:04,440 --> 01:03:06,520
Speaker 3: different angles with a couple of the girls I've taught

1274
01:03:06,520 --> 01:03:08,920
Speaker 3: to it really was I first, of course, you know,

1275
01:03:09,120 --> 01:03:10,440
Speaker 3: I thought it was Britt at first.

1276
01:03:10,560 --> 01:03:13,480
Speaker 4: It wasn't Britt. I'm clearing her name right now. And

1277
01:03:13,520 --> 01:03:14,120
Speaker 4: it was not for.

1278
01:03:14,240 --> 01:03:17,360
Speaker 3: Ship people that y'all say I come for the most.

1279
01:03:17,600 --> 01:03:20,080
Speaker 3: I'm clearing their name on this top on this issue, right.

1280
01:03:20,080 --> 01:03:23,440
Speaker 3: It was neither one of those two that set this

1281
01:03:23,480 --> 01:03:26,160
Speaker 3: person invite this person. Do you think this is this

1282
01:03:26,320 --> 01:03:29,920
Speaker 3: kind of feels more of like, would if that do this?

1283
01:03:30,120 --> 01:03:31,840
Speaker 3: I don't know, do that do this Carlos Or do

1284
01:03:31,840 --> 01:03:33,160
Speaker 3: you think that's a rookie mistake?

1285
01:03:33,960 --> 01:03:37,400
Speaker 1: I think I think it's anybody, listen, I don't when

1286
01:03:37,440 --> 01:03:39,920
Speaker 1: people want a moment, it doesn't matter your status on

1287
01:03:39,960 --> 01:03:40,320
Speaker 1: the show.

1288
01:03:40,760 --> 01:03:43,080
Speaker 2: I think I think there's I think it's just people

1289
01:03:43,120 --> 01:03:45,160
Speaker 2: who just want a moment.

1290
01:03:45,280 --> 01:03:48,960
Speaker 1: They not maybe for themselves, but it's the opportunity to

1291
01:03:49,040 --> 01:03:52,080
Speaker 1: embarrass somebody. It's an opportunity to take the heat off

1292
01:03:52,080 --> 01:03:54,919
Speaker 1: of them possibly put There's so many reasons, but yeah,

1293
01:03:55,280 --> 01:03:57,760
Speaker 1: it doesn't matter if you're a rookie or that. People

1294
01:03:57,840 --> 01:04:01,240
Speaker 1: do things because they feel like there's something that needs

1295
01:04:01,240 --> 01:04:04,200
Speaker 1: to happen. And that's why for me, I'm looking forward

1296
01:04:04,200 --> 01:04:06,840
Speaker 1: to the finale because I'm so curious about what will

1297
01:04:06,960 --> 01:04:07,600
Speaker 1: happened with that.

1298
01:04:08,800 --> 01:04:14,040
Speaker 6: I definitely want to know. Remember the cookie Lady, Oh yeah, yeah,

1299
01:04:14,320 --> 01:04:14,800
Speaker 6: same thing.

1300
01:04:14,840 --> 01:04:16,520
Speaker 5: It never ends well for those people.

1301
01:04:16,640 --> 01:04:19,040
Speaker 4: So and I will say.

1302
01:04:20,920 --> 01:04:25,600
Speaker 3: Condolences to Portia and her family, Londie like that, and

1303
01:04:25,640 --> 01:04:27,640
Speaker 3: then you know, that's that's gotta be tough, like losing.

1304
01:04:27,680 --> 01:04:29,400
Speaker 4: And I remember her from the show like that. She

1305
01:04:29,480 --> 01:04:30,120
Speaker 4: was on the spin off.

1306
01:04:30,800 --> 01:04:33,360
Speaker 5: Porscha's family mattered, she was heavily involved.

1307
01:04:34,160 --> 01:04:35,640
Speaker 4: Gotta be tough. So rest in peace.

1308
01:04:35,800 --> 01:04:40,520
Speaker 5: And for sure, I will say.

1309
01:04:40,360 --> 01:04:45,040
Speaker 3: Angela handled that moment really really well, Like it seems

1310
01:04:45,040 --> 01:04:47,200
Speaker 3: like people want her to pop off, and she doesn't

1311
01:04:47,320 --> 01:04:49,160
Speaker 3: usually take the bait because she could have easily gone

1312
01:04:49,160 --> 01:04:51,040
Speaker 3: wait wait what she could have gone to.

1313
01:04:51,120 --> 01:04:52,120
Speaker 4: Side, given him a moment.

1314
01:04:52,160 --> 01:04:57,520
Speaker 3: She has a very high emotional intelligence or reality, I believe,

1315
01:04:57,600 --> 01:05:00,840
Speaker 3: because she could have easily my curious so would have

1316
01:05:00,840 --> 01:05:04,480
Speaker 3: probably made the mistake of that wait, come off to

1317
01:05:04,520 --> 01:05:06,480
Speaker 3: the sign and take this might what happened, But she.

1318
01:05:06,400 --> 01:05:07,440
Speaker 4: Didn't give it anything.

1319
01:05:07,560 --> 01:05:09,320
Speaker 3: She knew that it would elevate, it would be a

1320
01:05:09,360 --> 01:05:12,000
Speaker 3: force multiplier for him, and she didn't. I just feel

1321
01:05:12,000 --> 01:05:16,919
Speaker 3: like she just really she's she just gives experience like experience.

1322
01:05:18,400 --> 01:05:22,640
Speaker 1: No, she's dope. She's dope, so no, what a I

1323
01:05:22,760 --> 01:05:25,840
Speaker 1: really enjoyed this episode. I really enjoyed it. I know

1324
01:05:25,920 --> 01:05:27,920
Speaker 1: it was hard on the episode last week with Grenada,

1325
01:05:28,040 --> 01:05:28,320
Speaker 1: but it.

1326
01:05:28,400 --> 01:05:32,640
Speaker 2: Was magic that there was so mad at me about that,

1327
01:05:32,760 --> 01:05:36,640
Speaker 2: which is fine. You know, listen, drama we missed. It

1328
01:05:36,680 --> 01:05:38,439
Speaker 2: wasn't eat about drama. That's why I said.

1329
01:05:38,520 --> 01:05:40,880
Speaker 1: It was more so about like I like tris when

1330
01:05:41,080 --> 01:05:42,880
Speaker 1: you could get something iconic out of it.

1331
01:05:43,360 --> 01:05:45,120
Speaker 2: But you know people don't like to listen child.

1332
01:05:45,160 --> 01:05:50,080
Speaker 1: I said, iconic moments, whether it's emotional moments and iconic

1333
01:05:50,160 --> 01:05:54,400
Speaker 1: read something iconic. It wasn't about drama. But that's neither

1334
01:05:54,440 --> 01:05:57,520
Speaker 1: here nor there. Then we have it all right and

1335
01:05:57,560 --> 01:05:59,680
Speaker 1: we will see y'all again next week. Thank you, guys,

1336
01:06:00,120 --> 01:06:01,080
Speaker 1: love your rain dry.

1337
01:06:11,280 --> 01:06:13,520
Speaker 2: Thank you for listening to Reality with the King.

1338
01:06:13,960 --> 01:06:19,640
Speaker 1: New episodes drop on Tuesdays and Thursdays. Share, comment, follow,

1339
01:06:19,840 --> 01:06:23,439
Speaker 1: and subscribe to Reality with the King wherever you get

1340
01:06:23,520 --> 01:06:27,880
Speaker 1: your podcast, visit Reality withthe King dot com and be

1341
01:06:27,960 --> 01:06:33,920
Speaker 1: sure to follow me at the Carlos King Underscore on Instagram, Twitter, TikTok,

1342
01:06:34,040 --> 01:06:36,960
Speaker 1: and yes Baby, my YouTube channel where you could get

1343
01:06:37,000 --> 01:06:41,520
Speaker 1: all of my visuals Baby, my expressions, Yes and don't forget.

1344
01:06:41,800 --> 01:06:45,280
Speaker 1: Tweet me your thoughts and hot takes about this episode

1345
01:06:45,640 --> 01:06:50,440
Speaker 1: using the hashtag reality with the King. Reality with the

1346
01:06:50,520 --> 01:06:55,200
Speaker 1: King is a production of Kingdom Reign Entertainment, an executive

1347
01:06:55,240 --> 01:07:14,800
Speaker 1: produced by Me Carlos King, King Doming Entertainment, Baby,