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Speaker 1: But It's Up There Podcast. Welcome to It's Up There Podcast,

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Speaker 1: your number one place for a business in podcasting, rank

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Speaker 1: number three, the six in the motherfucking world. Sit back,

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Speaker 1: turn up a volume on your phone, and enjoy the

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Speaker 1: show with your homie ana hosts. Big Loon, Welcome to

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Speaker 1: another episode of It's Up There Podcast. I am your

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Speaker 1: active and attractive host for another episode of the fastest

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Speaker 1: growing podcasts on the market. Right now. We did peek

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Speaker 1: at number thirty six in the music category independently, which

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Speaker 1: is always a beautiful thing to mention, simply because the

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Speaker 1: game is intended to break burials. And so what we

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Speaker 1: do from a business standpoint is understand that there's a

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Speaker 1: difference between fans and customers. And also I was explaining

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Speaker 1: to a young brother yesterday that the YouTube customer and

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Speaker 1: the Patreon the Patreon customer two different customers. It's a

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Speaker 1: way to massage both people. It's a way to get

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Speaker 1: both people to engage with the product. And so just

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Speaker 1: understanding that game and the value that I gave the

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Speaker 1: young brother and all those people, they really appreciated me. Nonetheless,

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Speaker 1: let's get into the show. If you are listening to

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Speaker 1: the audio version of this podcast and you're wondering where

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Speaker 1: the video version went. Again, I need you to head

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Speaker 1: over to YouTube. Type in fogf fo TV. It's up

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Speaker 1: their podcast. There's two channels that will pop up. The

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Speaker 1: channel you need to subscribe to is that it's up

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Speaker 1: their podcast, the one with the white background with the

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Speaker 1: cartoon character. The other one we're going to turn to

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Speaker 1: FOGFFO Live in which we'll go live there instead of

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Speaker 1: jeopardizing the place that all of our fans come and

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Speaker 1: supporters come to hit a podcast every week. As you know,

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Speaker 1: I spoke about last week what happened with you to China?

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Speaker 1: Very interesting situation as we continue to gain inteling why

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Speaker 1: that would be the circumstances surrounding the channel that had

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Speaker 1: no strikes or no real violations from a policy standpoint.

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Speaker 1: And I do know that I'm competition, and I do

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Speaker 1: know that a lot of these podcasters are listening. I

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Speaker 1: can guarantee it. I notice for fact, it's being reported

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Speaker 1: back to me certain moves. When you know, when I

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Speaker 1: when I say something, I see the move being made right.

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Speaker 1: And so what they're hoping is that more people don't listen,

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Speaker 1: and we got more and more people that are subscribing

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Speaker 1: and messing with us. We also then we have again

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Speaker 1: go get you go, get you a piece of the merchandise.

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Speaker 1: Right now we're doing cloth Tale. Go to our t

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Speaker 1: Springs account and get you a piece of its up

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Speaker 1: that podcast merchandise. It enters you into a drawing to

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Speaker 1: be flew out to an interview that we're doing. I

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Speaker 1: think it's with Little Busy UM, although we got a

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Speaker 1: lot of them coming up, so go do that. Also,

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Speaker 1: Patreon is about to kick off, UM, definitely about to

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Speaker 1: build over there. We're talking with Charleston White about that

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Speaker 1: and trying to get him to come over the Patreon

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Speaker 1: with us UM on Saturdays for an episode. So just

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Speaker 1: behind the scenes putting the work in, you know, also

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Speaker 1: still doing the only Fans and the prostitution and the

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Speaker 1: sex workers UM type of conversations also on Patreon, and

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Speaker 1: just making sure that they have a voice in somewhere

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Speaker 1: to share experiences for the young girls to know what

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Speaker 1: to do and what not to do. UM, because I

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Speaker 1: view that game as like the dope gay you know,

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Speaker 1: and so U the lack of information that that that

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Speaker 1: that we share with each other in regards to the

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Speaker 1: safety of being in some of those circumstances could lead

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Speaker 1: the life of death. So just just important to you know,

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Speaker 1: go in and out about it and talk about it. Um,

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Speaker 1: what else do I want to tell y'all about? Oh?

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Speaker 1: I wanted to come to y'all and tell y'all because

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Speaker 1: I had a very traumatic experience with my pet. Right,

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Speaker 1: So I don't you know, if people know me, No,

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Speaker 1: I never really had dogs or only had dogs outside

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Speaker 1: of properties, only to you know, warn you maybe that

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Speaker 1: someone's out there more so like a from a protective standpoint. Um.

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Speaker 1: But we went and got a dog, a little dog.

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Speaker 1: You know. His name's Mellow. He's a little white dog.

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Speaker 1: It's my guy, right. So he's all around the house

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Speaker 1: and he's just spied and you know, I really bond

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Speaker 1: it with Melo, you know, my little dude. So Melo

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Speaker 1: runs to me. He always messes with me. Um. What

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Speaker 1: happened was we have a pit smart in our area

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Speaker 1: and Melo has hair, right, little little fluffy dog, and

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Speaker 1: he starts to we get him groomed here now, U.

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Speaker 1: So they took Mellow up to the pittsmore to get

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Speaker 1: Mellow groom they dropped him off. Okay, we'll get it

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Speaker 1: done the first The first problem that was communicated to

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Speaker 1: me because she I couldn't take him because I was

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Speaker 1: doing other things. So certain things like that I can't

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Speaker 1: have my hand on. I gotta just delicate this to

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Speaker 1: someone in the family and y'all take care of it, right.

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Speaker 1: So the first red flag was they dropped They dropped

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Speaker 1: the dog off at eight am, and I think the

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Speaker 1: dog stayed the four pm. Number one that says there's

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Speaker 1: a problem, right. I would never drop my child off

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Speaker 1: somewhere to get a hat cut and then it take

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Speaker 1: that long. I'm just coming to get my kids. Some

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Speaker 1: ain't right about that. It's just too much time. It's

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Speaker 1: just it's unreasonable, right. But I guess they didn't see

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Speaker 1: no red flags with that. So that she gets a

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Speaker 1: call from Pittsmore to say, hey, um, Mellow harris a

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Speaker 1: little mad at and heat had to bite me taking man.

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Speaker 1: Mellow is just now about to be one years old,

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Speaker 1: so he's very small and he's teeth and so he

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Speaker 1: might grab you, but I promise you it feels less

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Speaker 1: than when a little baby wraps their hand around your

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Speaker 1: your finger, y'all, you know how they do. Does not

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Speaker 1: feel like a bite nonetheless, when they go and pick

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Speaker 1: Mellow up, all the mellow hell gone mellow ball and

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Speaker 1: then Mellow got scrapes on him, cuts on him, right,

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Speaker 1: but the cuts come later, right, So Mellow balled. I

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Speaker 1: don't know this, right, I'm still doing stuff. So I

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Speaker 1: get to the house and they break the news to me. Hey,

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Speaker 1: we went and got Mellow and they said he was

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Speaker 1: mad at and I want you to see him, and

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Speaker 1: they brought him to him. I said, that ain't Mellow.

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Speaker 1: That ain't that. Ain't that ain't o dog, It ain't

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Speaker 1: our dog. It ain't look totally different. They don't shade

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Speaker 1: him down to bad minimal rank. Now, first thing, I said,

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Speaker 1: they did that on purpose. What now? They said the

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Speaker 1: hat was madded. I said, listen, we just bought a

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Speaker 1: brush from Mellow. We know for a factor, have I

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Speaker 1: ain't madded. See, this is the thing about people. You

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Speaker 1: gotta understand what you know. Man. You can't let nobody

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Speaker 1: trick you out what you know. Listen, I just bought

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Speaker 1: a brush to make sure that his hat ain't madded.

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Speaker 1: End the discussion was to have madded. What happened was

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Speaker 1: she felt like our dog tried to bite her and

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Speaker 1: cut his half and people may think it ain't true.

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Speaker 1: I'm telling you what happened because after I raised awareness

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Speaker 1: to now that was purposely done, that wasn't a mistake,

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Speaker 1: that was on purpose. Then they started examining Mellow and

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Speaker 1: see got all these cuts on them. I said, see

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Speaker 1: what I'm saying. So now I want to tell pets

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Speaker 1: are that I'm hitting up there today because I had

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Speaker 1: to let myself cool loss because I really look at

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Speaker 1: little dude like one of my little dudes. You know,

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Speaker 1: I'm I'm Papa bout you see what I'm saying. So

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Speaker 1: I gotta go up and high let them about that,

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Speaker 1: like what y'all think this is right? And um, they're

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Speaker 1: gonna get some straightening, you know what I'm saying for

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Speaker 1: all y'all got pissed. Man, that was a dramatic that

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Speaker 1: was I'm telling me that hit me like I didn't

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Speaker 1: even think that that it hit me. Man, that was

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Speaker 1: a that was deep for me. Um. But let's get

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Speaker 1: into the show. I want to start with with Kanye West.

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Speaker 1: You know, I think Kanye West is one of the

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Speaker 1: um Coach's biggest influences that we have. Um, I think

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Speaker 1: that the way Kanye West got there is not spoke

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Speaker 1: about enough for me. You know, Kanye West wheeled his

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Speaker 1: way into that position and they didn't want him to.

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Speaker 1: He was never the golden child to after he made himself,

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Speaker 1: he was the Hey State making beast. Bro. You're good

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Speaker 1: with the best, y'all got to remember that, right. But See,

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Speaker 1: I keep telling y'all, what they do to you when

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Speaker 1: you're down, boy, it's what they gotta deal with when

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Speaker 1: you are. What you do to me when I'm down

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Speaker 1: is what you gotta deal with when I'm up. So

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Speaker 1: all the information I had to get to even get

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Speaker 1: to put one step forward. See, you got a bunch

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Speaker 1: of people handling it for you, but for me to

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Speaker 1: get one step forward, I had to do all these

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Speaker 1: different things. So when things finally come to fluition, when

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Speaker 1: they finally called my name and my jersey is finally

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Speaker 1: being put to use, I'm working with information. Now. I

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Speaker 1: know what to do and how to do it and

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Speaker 1: who to contact to do it for me. If I

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Speaker 1: don't know what I'm doing, you should what I'm saying.

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Speaker 1: So I keep myself in that kind of situation. What

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Speaker 1: I think Kanye weston and we'll talk about the Kanye

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Speaker 1: West and Drake thing and how they're comparing contrasts and

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Speaker 1: how this is a situation. But when I look at

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Speaker 1: Kanye West and what I look at them doing right

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Speaker 1: now with the pop up listening events. For those who

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Speaker 1: don't know, Kanye West is going around, um selling out

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Speaker 1: stadiums for unreleased music. One of the biggest feats I've

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Speaker 1: ever seen in regards to getting people to come out

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Speaker 1: for the unknown. I'm not sure anybody's done that right UM.

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Speaker 1: And what I also think is gonna be interesting is

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Speaker 1: watching what Drake is gonna do, because Drake is hitting

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Speaker 1: at all time high with rap and at some point

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Speaker 1: he's gonna have to transition into more so art like

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Speaker 1: for it to continue to have the impact. Like that,

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Speaker 1: see Kanye's battling Drake music with some art type thing.

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Speaker 1: It's a different thing, but it shows you the level

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Speaker 1: of Drake. Because all I'm doing is rapping. This dude

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Speaker 1: is doing this. Dude is going to the stadium and

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Speaker 1: this and that and selling it out and two days

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Speaker 1: worth set building of a house that I grew up

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Speaker 1: in with dirt and all I'm doing is rapping. So

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Speaker 1: you battling me with your machine gunn and all that.

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Speaker 1: You got all that, and I'm just Bruce Lee. You know,

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Speaker 1: I'm just got these hands and I'm pretty quick with them.

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Speaker 1: But you you show up with all let and I'm

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Speaker 1: still either gonna beat you or give you a run

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Speaker 1: for your money. That's powerful, but it's still gonna be

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Speaker 1: interesting to see Drake pivot. He's gonna have to pivot soon.

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Speaker 1: He's gonna have to pivot soon. And it's gonna have

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Speaker 1: to become more than music, which I've seen he's tried

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Speaker 1: to do that when he's incorporating the art covers and

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Speaker 1: the this and that, and so he's doing it, but again,

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Speaker 1: it's gonna have to be a more conscious or at

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Speaker 1: least a more marketed thing from his perspective. What I

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Speaker 1: see Kanye West doing, though, is making all the money

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Speaker 1: on the front end. I think Kanye West is effectively

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Speaker 1: changing the music business. You know what Tory Lanes did.

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Speaker 1: A lot of people are saying, Yo, that was dupe.

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Speaker 1: A lot of people saying that was capp. I don't know.

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Speaker 1: I don't know have enough information about it. But what

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Speaker 1: Kanye is doing is a real thing. You cannot fake

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Speaker 1: putting people in those seats. The rest of this stuff.

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Speaker 1: You know it's up for debate, but ass is in Chace.

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Speaker 1: It ain't no debating that. And then on the front end,

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Speaker 1: we gotta consider what the game is. We gotta consider

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Speaker 1: what the game being and the structure of the game.

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Speaker 1: The structure of the game is, you do a rollout,

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Speaker 1: you get everybody ready for your drop. After you drop,

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Speaker 1: you make the money. You put a single out right.

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Speaker 1: A lot of times they put a single out right

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Speaker 1: before it dropped, maybe a week before, depending on the artists,

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Speaker 1: a month, two months before, depending on the artists, maybe

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Speaker 1: even before that. They've been working this one record to

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Speaker 1: try to see what it'll do. But I'm speaking more

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Speaker 1: so when it's time to drop. Once that album drops,

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Speaker 1: now it's time to drop all your videos, to run people,

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Speaker 1: to run those numbers up on the songs that's already

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Speaker 1: out on streaming platforms. Then it's time to tool. This

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Speaker 1: is how the money comes in. It comes in after

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Speaker 1: the album is dropped, because it's dependent and contingent on streams,

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Speaker 1: ticket sales, merge, things like that they sold in conjunction

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Speaker 1: with that album dropping. What we look at that Kanye

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Speaker 1: West doing, it's making out his money on the before

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Speaker 1: the album even drop. They say the May twelve million

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Speaker 1: before the drop of an album. You see what I'm saying.

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Speaker 1: So if Drake put that album out and it's way

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Speaker 1: better than my album and I don't drop, I still

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Speaker 1: May twelve being off what I've did. Not saying that

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Speaker 1: he will do that because I think he won't to smoke,

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Speaker 1: but more so saying that, think about what it takes

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Speaker 1: to try to change the game like that. And this

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Speaker 1: is what I tell people about competition. That's why I

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Speaker 1: love competition. I'm a competitive dude. I deal with it.

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Speaker 1: It's a part of me, right. It sways me. It

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Speaker 1: sways my opinion of people. When I got to compete

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Speaker 1: with him, when I feel like, you know, it's certain

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Speaker 1: things happened to me when it's competition mode. Because I'm

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Speaker 1: a scientist, I need to break it down to understand

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Speaker 1: how to get it up. You see what I'm saying.

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Speaker 1: So competition the only thing that could have this looking

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Speaker 1: the way it looks. It's competition. I always tell people

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Speaker 1: that competition breede innovation in the absence. In the absence

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Speaker 1: of competition, everybody becomes comfortable when comfortable as present, no

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Speaker 1: innovation is in the area, No innovation is in the area.

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Speaker 1: You gotta dislike something or you gotta have something to

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Speaker 1: fuel and go out for to feel like, you know,

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Speaker 1: to even wield some of that innovation. And I appreciate competition.

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Speaker 1: You know, people doing par wars and they're going back

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Speaker 1: and forth on podcasts about this and then they interviewing

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Speaker 1: over here and then interviewing over there, and it's like

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Speaker 1: it's dope to meet until it's disrespectful. We see Kanye

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Speaker 1: dropping that address. We see Drake laughs, right, and I'm

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Speaker 1: hearing people say a lot of people saying, like, yo, bro,

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Speaker 1: Kanye West embarrassing itself. Bro, We're going on all that

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Speaker 1: Drake like Drake, Like, I hear Joe Joe Budden say, yo,

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Speaker 1: Drake made like like Kanye West kind of like he's

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Speaker 1: the father of this, right what Drake do? Like, so

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Speaker 1: why is he even doing this? And see what that

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Speaker 1: What that says to me is that people not operating

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Speaker 1: with enough information to really be having these conversations. Because

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Speaker 1: even on the lower level, even in the projects in

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Speaker 1: the hood, we know, man, dudes can be richer than you,

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Speaker 1: more famous, more powerful people, you know, all kinds of things,

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Speaker 1: more than you. Have what people would consider to be

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Speaker 1: in a better position than you and hate on you

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Speaker 1: because you got one thing they don't got. See what

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Speaker 1: you're judging it back don't mean nothing to the people

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Speaker 1: that's in the fight. After you get a certain amount

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Speaker 1: of money, money don't matter. Drake's telling Kanye, I'm better

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Speaker 1: than you, like I'm better than you. Brother. You called

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Speaker 1: me to write your stuff like y'all can't get y'all

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Speaker 1: can't get with this, bro, this is it. But again

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Speaker 1: we see and then a lot of time people say, hey, man,

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Speaker 1: the person is more rich than You're not gonna really

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Speaker 1: hate on you or go as far as you. They

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Speaker 1: got too much to lose. But see when you operating

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Speaker 1: music and you operate with information on any kind of level, right,

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Speaker 1: you gotta learn how to compartmentalize. Man, you gotta understand

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Speaker 1: that thiefolk just dancing, were talking music. See Drake telling him,

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Speaker 1: you're doing all that and I'm just doing music. He

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Speaker 1: probably saying, I can't go sell that same stadium out

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Speaker 1: just doing music. I'm not gonna fly in the al

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Speaker 1: I'm not gonna get set on fire. But this is

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Speaker 1: Kanye bending what we know to be the regular rap stuff.

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Speaker 1: He's bending it, and that's what he's known to do.

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Speaker 1: And that's why his brand is effective, because he's told

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Speaker 1: people and had people accept his brand from a place

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Speaker 1: of it's constantly evolving, constantly different. And that's the problem

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Speaker 1: with brands. A lot of time we let people pitching

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Speaker 1: hold our brand into this one thing, and then once

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Speaker 1: you do that, they can minimalize it or ax you out,

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Speaker 1: or ex that whole genre, ex that whole thing. Got

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Speaker 1: it need be, you know. I also I also remember

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Speaker 1: when all that stuff happened with pushing T and Drake

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Speaker 1: and stuff got leaked and he felt Kanye West done it.

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Speaker 1: You gotta remember. That's what I say, Man, gotta consider everything.

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Speaker 1: I remember Drake telling Kanye come out to play, and

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Speaker 1: Kanye was like, nah, I don't want to. I don't.

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Speaker 1: He was ignoring it, pushing it off. I ain't dealing

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Speaker 1: with I don't want no problem. Man. Listen, go ahead

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Speaker 1: on Drake. He's the gold, He's this, he's daddy's this.

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Speaker 1: That like he was trying to ductor smoke. But it's

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Speaker 1: like the little dude that act like he didn't want

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Speaker 1: to fight because he was scared. Then he winning got

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Speaker 1: his his gun or his bat, and he doubled back

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Speaker 1: to the hood. Now he now he pressed in the fight.

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Speaker 1: So you know, when people say picking on Drake, I

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Speaker 1: don't know, because Drake kind of asked for it, but

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Speaker 1: Kanye didn't want to dance. Push your t came out

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Speaker 1: and Drake danced around him like, yo, man, your boss man,

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Speaker 1: your boss man, I don't you know. And so now

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Speaker 1: Kanye West's back out the play or not or not

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Speaker 1: even necessarily win, not even necessarily winning, got his back,

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Speaker 1: but he went and got in the gym. He went

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Speaker 1: and got his body right, winning, got his confidence back,

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Speaker 1: he went and got his speed back right. That's eight.

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Speaker 1: Let's dance, baby, say you want to dance, Let's do it.

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Speaker 1: And Rake is appearing to be like, Yo, move dog,

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Speaker 1: I'll be whooping y'all boys. But to me, it's always

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Speaker 1: it's always critical to know your opponent's weakness and their strengths.

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Speaker 1: Kanye Wish strength is his brand. They accept almost anything

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Speaker 1: from it. He can try anything, literally and somebody's gonna

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Speaker 1: say that's it. Drake hasn't went through that criticism phase yet,

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Speaker 1: and I think Kanye Wish is trying to catch Drake,

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Speaker 1: writing that criticism phase because you know, you know what

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Speaker 1: jay Z said, first they love you, then they hate you,

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Speaker 1: then they love you again. Drake has just been loved

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Speaker 1: so far, so I'm not sure what you know. It

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Speaker 1: seemed like Kanye waiting to try to snipe him right

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Speaker 1: when they the fans is turning on him to so

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Speaker 1: he can reclaim that. Yeah nah, you know, and a

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Speaker 1: little born bringing back on the team laid on down

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Speaker 1: the line, I heard Joe Budden having a conversation about

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Speaker 1: Honey West and Drake, and let me say this, the

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Speaker 1: part is getting better with Joe Budden and Ish and Ice.

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Speaker 1: I noticed that when Joe Budden starts to speak about

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Speaker 1: certain things. You remember my criticism was Joe will never

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Speaker 1: be able to go on around again because Ish won't

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Speaker 1: allow him. He's gonna stop him. A conversation that's been

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Speaker 1: had behind the scenes in which Steve notified Ish let

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Speaker 1: him pard bro, this is what the people come to

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Speaker 1: him for. So it's just took the back seat. Coincidence

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Speaker 1: or not. I called it out. They changed it. Do

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Speaker 1: what that will what you may. And also let me

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Speaker 1: say good part. This was a good part man, and

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Speaker 1: I think that they are growing in how they approach it.

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Speaker 1: He spoke kind of about Kanye West, and so we're

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Speaker 1: gonna play a clip from his show and see what's

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Speaker 1: going on and then we'll respond to it. M yeah,

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Speaker 1: but leave Drake alone. Leave Drake alone, said, I don't

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Speaker 1: I don't like it. I don't like that. Give me

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Speaker 1: my music. You be your genius. We are ready to yo.

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Speaker 1: You know why this is we never had you on

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Speaker 1: the same level as Drake because you was he at first.

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Speaker 1: You did it first, you did it different, you did

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Speaker 1: it bigger, you did it like you was already a god.

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Speaker 1: Y'all minimize y'rselves worrying about other niggas. No, so Joe

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Speaker 1: Budden says that we didn't have him with Drake. See,

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Speaker 1: this is less about where we had him. This is

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Speaker 1: an internal thing and what you can't do it's disregard

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Speaker 1: the fact that people deal with things internally. You know.

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Speaker 1: It's like that disease that people have where they look

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Speaker 1: at the mirror and they think they're fat, so they

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Speaker 1: make themselves throw up. Right, this ain't got nothing to

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Speaker 1: do with what the scales say. This ain't got nothing

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Speaker 1: to do with what my boyfriend or my girlfriend or

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Speaker 1: my mother or my child say, I'm dealing with this internally.

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Speaker 1: I think when I look in the mirror, something look

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Speaker 1: a little too fat, Some don't look right. I'm dealing

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Speaker 1: with that. And it's the same with Kanye. And also

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Speaker 1: I want to say this, Kanye West knows where Drake

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Speaker 1: is in the race, right, So yeah, I'm ahead of you, right,

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Speaker 1: I'm ahead like with these podcasts. Ain't know I'm ahead

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Speaker 1: of you in the race, right, But I know when

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Speaker 1: I was where you are, I wasn't as good as

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Speaker 1: you are, right, So when I was fifty two parts in,

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Speaker 1: I couldn't catch a cadence like that. I didn't know

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Speaker 1: what to do like I didn't. I couldn't find it

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Speaker 1: the way you're finding it. But then that's the way

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Speaker 1: they ignore that the blueprint that's put out the information

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Speaker 1: provides a luxury for the people that come after you

388
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Speaker 1: laid the blueprint. But he's looking Drake dead in the face, saying,

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Speaker 1: whoa you to make this much? And you ain't spun

390
00:24:46,119 --> 00:24:48,840
Speaker 1: off and done nothing? I mean your little deals I

391
00:24:48,840 --> 00:24:55,240
Speaker 1: ain't talking about. I'm talking about like really done some

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Speaker 1: real I forget music. Everybody we know to have money

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Speaker 1: that came from music, stopped music from a four minute

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Speaker 1: and only hustled other things to get the money off

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Speaker 1: building the brand that they built from music. They know

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Speaker 1: that's coming with Drake, it's yet to have been done,

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Speaker 1: and he's already raking up the amount of money that's

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Speaker 1: putting him in the stratosphere with some of these people.

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Speaker 1: So it it ain't about we don't put you on

400
00:25:27,359 --> 00:25:30,160
Speaker 1: the same level as Kanye, we look at you. It's

401
00:25:30,200 --> 00:25:33,200
Speaker 1: about internally. I know where he had in the race.

402
00:25:35,119 --> 00:25:38,119
Speaker 1: When other podcasters look at me and they say, his

403
00:25:38,280 --> 00:25:47,160
Speaker 1: cameras look out o here, he's speaking, well, he's got guests, great,

404
00:25:47,200 --> 00:25:49,560
Speaker 1: guess his clicks are up, his likes are up, his

405
00:25:49,720 --> 00:25:52,960
Speaker 1: views are up here. When I was fifty episodes in

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Speaker 1: with no Help, I wasn't there. Ignore him, suppressing him,

407
00:25:57,920 --> 00:26:01,679
Speaker 1: act like it ain't you know, because again it's an

408
00:26:01,680 --> 00:26:07,720
Speaker 1: internal thing that they deal him with. We see it

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00:26:07,800 --> 00:26:12,760
Speaker 1: every birthday. Is the dude with more accolades that we

410
00:26:12,920 --> 00:26:16,439
Speaker 1: think is gonna win get sunned out from the nigga

411
00:26:16,520 --> 00:26:21,920
Speaker 1: that room up there podcast. That's just history. You can't

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Speaker 1: take it back. Hey, the nigga that taught me how

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Speaker 1: to fight, I can't take it back from him. Hey,

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00:26:28,320 --> 00:26:29,879
Speaker 1: nigga told me how to do that. I can't go

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00:26:29,920 --> 00:26:36,840
Speaker 1: get it back. But hey, when Kanye varies off of

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00:26:36,920 --> 00:26:39,359
Speaker 1: that plane of the guy that did it, he did it,

417
00:26:39,440 --> 00:26:42,879
Speaker 1: he did it, he did it, and he's still doing it.

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Speaker 1: Don't take me, don't take me wrong. And what I'm fan,

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00:26:44,600 --> 00:26:46,840
Speaker 1: don't take me wrong. But what wait wait wait, I'm

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00:26:46,640 --> 00:26:50,200
Speaker 1: I'm I'm I'm attempting to speak from that god tear

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00:26:50,359 --> 00:26:53,920
Speaker 1: that none of us are on you. They are looking

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00:26:53,960 --> 00:26:56,439
Speaker 1: at it at each other. You gotta try to see it.

423
00:26:56,480 --> 00:27:01,720
Speaker 1: How Drake is looking at him now, not old, young, beardless,

424
00:27:01,840 --> 00:27:06,439
Speaker 1: funny video making dude, like dude, Now he looking like

425
00:27:06,640 --> 00:27:11,120
Speaker 1: your dog, my nigga for real. I'm gonna just keep laughing.

426
00:27:11,119 --> 00:27:13,160
Speaker 1: I'm gonna keep laughing until September or whatever the date.

427
00:27:13,240 --> 00:27:15,639
Speaker 1: Is he looking like. Let me tell you what that

428
00:27:15,720 --> 00:27:17,560
Speaker 1: laugh said. Yeah, I wish I could d m you

429
00:27:17,680 --> 00:27:21,639
Speaker 1: my marketing plan. I'm show you that you're nowhere near it.

430
00:27:22,040 --> 00:27:25,680
Speaker 1: There's nothing to do with you. The laugh said, Yo,

431
00:27:26,560 --> 00:27:29,520
Speaker 1: one day, I'm gonna show you all we have planned

432
00:27:29,560 --> 00:27:32,520
Speaker 1: for this year. Nothing, but you're gonna have to like

433
00:27:32,640 --> 00:27:35,320
Speaker 1: some That's what the laugh said from it for him.

434
00:27:35,359 --> 00:27:37,600
Speaker 1: For him, I would never, I would never. I would never.

435
00:27:37,880 --> 00:27:39,439
Speaker 1: I would never. The rest of the bus would never.

436
00:27:39,520 --> 00:27:41,480
Speaker 1: You can't play with Kanyere like that. You cannot play

437
00:27:41,480 --> 00:27:44,359
Speaker 1: with kan You're like that Unless you can play with

438
00:27:44,440 --> 00:27:49,440
Speaker 1: him like that, It's different. But up there, so last

439
00:27:49,440 --> 00:27:53,320
Speaker 1: week I said, enter Kendrick Lamar Parks and Ice said, nah,

440
00:27:56,760 --> 00:28:00,520
Speaker 1: but if you believe Kanye West to be the genius

441
00:28:00,560 --> 00:28:04,840
Speaker 1: that he is, because he is, and I'm telling you

442
00:28:07,880 --> 00:28:14,840
Speaker 1: loose sleep, I'm telling you, I'm telling you something. And

443
00:28:14,920 --> 00:28:20,399
Speaker 1: they made each other loosely, But that don't change that

444
00:28:20,560 --> 00:28:26,159
Speaker 1: Drake has made him loose sleep. That means we know

445
00:28:26,720 --> 00:28:29,280
Speaker 1: dude is on his mind. And if dude is powerful

446
00:28:29,400 --> 00:28:32,120
Speaker 1: enough to be on his mind, what the fuck made

447
00:28:32,200 --> 00:28:35,080
Speaker 1: Kendrick Lamar think he exempt? What makes me think he's

448
00:28:35,119 --> 00:28:41,480
Speaker 1: exempt from that? Somebody out there? Make it make sense

449
00:28:41,560 --> 00:28:46,680
Speaker 1: for me? The flat Can we start with that's not

450
00:28:46,720 --> 00:28:51,520
Speaker 1: how I presented that. Let's start there first. Yeah, well,

451
00:28:51,520 --> 00:28:57,760
Speaker 1: shod listen, No, no not, It's to whoever take it

452
00:28:57,840 --> 00:29:00,360
Speaker 1: how you want. What Joe Budden has said and is

453
00:29:00,440 --> 00:29:04,280
Speaker 1: that Kendrick is the real fight is Kendrick and Drake.

454
00:29:04,360 --> 00:29:07,280
Speaker 1: Kanye stepped in the way. Not sure how to feel

455
00:29:07,320 --> 00:29:10,360
Speaker 1: about that. I think, um, from a number standpoint, that

456
00:29:10,440 --> 00:29:13,040
Speaker 1: could be the case. I mean, we got Drake doing

457
00:29:13,120 --> 00:29:16,239
Speaker 1: seven something, Kendrick doing six something first week last time,

458
00:29:16,280 --> 00:29:19,120
Speaker 1: and he dropped an official project that would make them

459
00:29:19,200 --> 00:29:22,480
Speaker 1: one and two. Kanye, though, is a big joker in

460
00:29:22,560 --> 00:29:27,720
Speaker 1: this game again. I've told y'all, Kanye's fighting Drake with

461
00:29:27,880 --> 00:29:30,800
Speaker 1: a bunch of weapons. He got his five year old

462
00:29:30,840 --> 00:29:32,680
Speaker 1: four and he got his pop Smoke, he got his

463
00:29:32,840 --> 00:29:38,280
Speaker 1: jay Z got his week In, he got his Jeremiah,

464
00:29:38,440 --> 00:29:41,200
Speaker 1: he got his The Baby, got his locks, he got

465
00:29:41,280 --> 00:29:43,720
Speaker 1: his Then let's speak about the baby. The baby came

466
00:29:43,800 --> 00:29:51,880
Speaker 1: out with Kanye West at his Chicago listening event um

467
00:29:54,040 --> 00:29:57,120
Speaker 1: and did pretty good. He wrapped a song about cancer,

468
00:29:57,200 --> 00:29:59,640
Speaker 1: coach and things like that, and I think jay Z

469
00:29:59,840 --> 00:30:02,160
Speaker 1: is on that song. Kanye West is doing that. Those

470
00:30:02,280 --> 00:30:06,840
Speaker 1: things do appear to be marketing moves. Biggest story of

471
00:30:07,000 --> 00:30:09,960
Speaker 1: hip hop song with jay Z, which is at the

472
00:30:10,040 --> 00:30:14,880
Speaker 1: forefront of meg situation, and they have has shown support

473
00:30:15,400 --> 00:30:18,680
Speaker 1: through features with Beyonce saying things like that that's the

474
00:30:18,800 --> 00:30:23,360
Speaker 1: hole and Beyonce stimulus package when they when they jump

475
00:30:23,440 --> 00:30:25,800
Speaker 1: on something with you or they do something, Uh, that

476
00:30:26,040 --> 00:30:29,920
Speaker 1: that puts you in a good light, it automatically brings

477
00:30:29,960 --> 00:30:32,680
Speaker 1: you money, right, And so they did that for Meg

478
00:30:33,120 --> 00:30:35,600
Speaker 1: along with Nikki, along with Carter. She just got a

479
00:30:35,680 --> 00:30:39,240
Speaker 1: real big push um to land where she's landing and

480
00:30:39,320 --> 00:30:41,560
Speaker 1: a beautiful thing. It's a reason why she rose to

481
00:30:41,640 --> 00:30:43,240
Speaker 1: the top so quick. It was a lot of co

482
00:30:43,480 --> 00:30:47,240
Speaker 1: signing and a lot of push people lifting that black

483
00:30:47,320 --> 00:30:51,360
Speaker 1: woman up. So round verplause for people doing that. But

484
00:30:52,040 --> 00:30:54,959
Speaker 1: with Kanye and Drake, With Kanye and Drake, I mean,

485
00:30:55,280 --> 00:30:58,320
Speaker 1: there's a lot of things that's happening, right. I also

486
00:30:58,440 --> 00:31:00,880
Speaker 1: look at it from a standpoint to say, did Drake

487
00:31:01,040 --> 00:31:05,040
Speaker 1: influence Kanye West in any way to start doing church music?

488
00:31:06,680 --> 00:31:09,520
Speaker 1: I know it sounds crazy, but when you think about Drake,

489
00:31:09,600 --> 00:31:11,840
Speaker 1: you think when you look listen to some of them

490
00:31:11,880 --> 00:31:16,520
Speaker 1: songs he plays with those sixes six to sixty six, right,

491
00:31:16,720 --> 00:31:20,160
Speaker 1: and then it didn't come out of left field for Kanye.

492
00:31:20,720 --> 00:31:25,840
Speaker 1: But his brain may be telling him to go against this,

493
00:31:26,800 --> 00:31:31,320
Speaker 1: you know, from a from a from a from a

494
00:31:31,720 --> 00:31:38,280
Speaker 1: creative standpoint, Right, you do six six sixes? I do

495
00:31:39,880 --> 00:31:45,120
Speaker 1: church God? Right, those are combat combative you do, Nike,

496
00:31:45,280 --> 00:31:47,160
Speaker 1: I do add as you do that. You know, so

497
00:31:47,320 --> 00:31:48,840
Speaker 1: they have, They have a lot of things, but I

498
00:31:48,920 --> 00:31:51,120
Speaker 1: think his brain may be telling them like, yo, bro,

499
00:31:52,360 --> 00:31:57,680
Speaker 1: this is good versus evil, this is good versus evil.

500
00:31:59,440 --> 00:32:01,640
Speaker 1: But I don't look at it like that. Man. I think.

501
00:32:01,760 --> 00:32:04,160
Speaker 1: I think. I just think this is gonna be a great,

502
00:32:04,240 --> 00:32:07,840
Speaker 1: great music coming out of this innovation, competition, breeze innovation,

503
00:32:07,920 --> 00:32:11,120
Speaker 1: and it's it's important to keep competition in this game,

504
00:32:11,360 --> 00:32:16,400
Speaker 1: in every aspect of the game. Let's keep competition alive. Man.

505
00:32:16,720 --> 00:32:20,720
Speaker 1: Some people say, oh, Kanye West and Drake has something

506
00:32:20,720 --> 00:32:25,480
Speaker 1: to do with Apple. Because Drake left Apple, Apple was

507
00:32:25,520 --> 00:32:29,440
Speaker 1: done with Drake. He's doing his serious XM radio thing,

508
00:32:30,160 --> 00:32:36,000
Speaker 1: and Kanye West is now aligned himself with Apple, and

509
00:32:36,120 --> 00:32:38,720
Speaker 1: it made me view Apple from a different perspective. In

510
00:32:38,880 --> 00:32:42,480
Speaker 1: regards to content and podcasting. They haven't put as much

511
00:32:42,520 --> 00:32:48,600
Speaker 1: money in podcasting, but they're treating these things like different businesses.

512
00:32:50,000 --> 00:32:54,560
Speaker 1: They're operating on Apple Music with podcast type content and

513
00:32:54,840 --> 00:33:00,440
Speaker 1: also operating with their podcast business. Right, so you can

514
00:33:00,520 --> 00:33:03,080
Speaker 1: go on Apple Music and they run content all day

515
00:33:03,720 --> 00:33:06,080
Speaker 1: like I'm actually trying to get a deal over there,

516
00:33:06,600 --> 00:33:10,120
Speaker 1: but they're they're they're running content all day. They got

517
00:33:10,320 --> 00:33:15,880
Speaker 1: um what's her name was on that with academics. I'm sorry,

518
00:33:15,920 --> 00:33:20,200
Speaker 1: I forget your name. Great great voice in this industry. Um,

519
00:33:20,960 --> 00:33:23,040
Speaker 1: they got heard. They used to be with academics on

520
00:33:23,160 --> 00:33:26,000
Speaker 1: every Day Struggle. They got Ebro over there, Rosenbird, they

521
00:33:26,080 --> 00:33:29,720
Speaker 1: got so many voices, Nikki show there, Drake got something

522
00:33:30,160 --> 00:33:33,160
Speaker 1: that was there that again that he took off. But

523
00:33:33,640 --> 00:33:35,720
Speaker 1: when you look at Spotify and you see them give

524
00:33:35,760 --> 00:33:38,880
Speaker 1: twenty million to call a daddy podcast this in that

525
00:33:39,000 --> 00:33:41,600
Speaker 1: podcast Dad, in that podcast, they're doing the same thing

526
00:33:41,760 --> 00:33:46,880
Speaker 1: that Apple was doing, but Apple isn't doing it exclusively

527
00:33:47,040 --> 00:33:50,080
Speaker 1: in that podcast Niche. They're doing it on that platform.

528
00:33:50,160 --> 00:33:53,320
Speaker 1: And here's the thing with Spotify. They're doing the same thing,

529
00:33:53,800 --> 00:33:56,760
Speaker 1: but they're making it look like that they're doing it

530
00:33:56,880 --> 00:34:01,360
Speaker 1: from only a podcasting standpoint, and that video that's the

531
00:34:01,480 --> 00:34:04,520
Speaker 1: only thing different they're doing. So they're also competing with

532
00:34:04,640 --> 00:34:07,080
Speaker 1: YouTube as well as Apple. They're just trying to place

533
00:34:07,160 --> 00:34:10,040
Speaker 1: themselves in the race. Spotify, I'll take a deal with

534
00:34:10,160 --> 00:34:13,440
Speaker 1: them if me be as well. We're in negotiations, man,

535
00:34:13,560 --> 00:34:15,479
Speaker 1: let's get it done. Y'all. Reach out to my people,

536
00:34:15,520 --> 00:34:19,880
Speaker 1: let's figure something out. We'll speak from from a great standpoint.

537
00:34:19,920 --> 00:34:23,520
Speaker 1: I see um a lot of people saying that though,

538
00:34:24,200 --> 00:34:28,080
Speaker 1: that that Drake and Kanye is really Apple and now

539
00:34:28,160 --> 00:34:31,279
Speaker 1: they're in certain Disney because you don't get to just

540
00:34:32,520 --> 00:34:38,320
Speaker 1: hack ESPN, right, That says something behind the scenes that

541
00:34:38,480 --> 00:34:40,640
Speaker 1: Drake is probably saying, I can be doing as much

542
00:34:40,680 --> 00:34:44,000
Speaker 1: as you're doing, if not more, but I'm not. I'm

543
00:34:44,080 --> 00:34:47,719
Speaker 1: doing something different. A dude hacked ESPN and dropped this

544
00:34:47,840 --> 00:34:51,920
Speaker 1: release date like in response to a Joker picture that

545
00:34:52,120 --> 00:34:54,680
Speaker 1: was sent to him by Kanye West, like the Joker

546
00:34:54,760 --> 00:34:58,000
Speaker 1: did on the real movie. So they're playing a real

547
00:34:58,120 --> 00:35:05,040
Speaker 1: life are see Little gang speaking about Spotify, podcasting, Apple

548
00:35:05,120 --> 00:35:11,960
Speaker 1: and podcasting, DJA Academics took his podcast to Spotify. Interesting deal.

549
00:35:12,200 --> 00:35:16,359
Speaker 1: I'm still looking into it. He's gonna, you know, build

550
00:35:16,400 --> 00:35:19,200
Speaker 1: itself out, do a job. See what happened. And I'm

551
00:35:19,200 --> 00:35:22,439
Speaker 1: seeing the rappers want to go up there. They want

552
00:35:22,480 --> 00:35:25,080
Speaker 1: to talk to him about stuff, So that's great. That's

553
00:35:25,160 --> 00:35:27,400
Speaker 1: great for him. I thought he was gonna have trouble

554
00:35:28,520 --> 00:35:31,440
Speaker 1: with his approach, right because he was approaching it like

555
00:35:31,880 --> 00:35:33,880
Speaker 1: get down to lay down. But I guess the rappers

556
00:35:34,000 --> 00:35:38,839
Speaker 1: laying down respectfully. DJA Academics does have a big platform respectfully,

557
00:35:38,920 --> 00:35:41,160
Speaker 1: so you know, I guess they gotta get with to

558
00:35:41,239 --> 00:35:44,879
Speaker 1: get down. But this is the thing, right, he took

559
00:35:44,960 --> 00:35:50,160
Speaker 1: his um took his podcast over the Spotify again. I

560
00:35:50,239 --> 00:35:52,680
Speaker 1: think this is still in response to the Joe Button

561
00:35:53,160 --> 00:35:57,760
Speaker 1: deal leaving Spotify again. Academics serve some of that audience.

562
00:35:57,880 --> 00:36:00,640
Speaker 1: Rory and Mass serve some of that audience. Those two

563
00:36:00,719 --> 00:36:03,959
Speaker 1: together would give us seventy percent of what Joe would

564
00:36:03,960 --> 00:36:08,719
Speaker 1: have gave us, and we saved a lot of money. Right,

565
00:36:09,120 --> 00:36:11,520
Speaker 1: So from a business standpoint, I think they're looking to

566
00:36:11,560 --> 00:36:14,040
Speaker 1: do it that way. What's interesting about the deal though,

567
00:36:14,480 --> 00:36:17,160
Speaker 1: they have academics going three times a week, and I'm

568
00:36:17,200 --> 00:36:19,600
Speaker 1: not sure what the money is, but they got them

569
00:36:19,680 --> 00:36:22,160
Speaker 1: going three times a week, which is that's a lot

570
00:36:22,239 --> 00:36:25,160
Speaker 1: of content for academics to come straight out the wards

571
00:36:25,640 --> 00:36:29,400
Speaker 1: three times a week. Pardon, I know y'all think this

572
00:36:29,680 --> 00:36:31,560
Speaker 1: is just a when you look at me do it

573
00:36:31,760 --> 00:36:33,759
Speaker 1: or people do itty? Y'all? All you gotta do is

574
00:36:33,840 --> 00:36:37,080
Speaker 1: sit there and shoot the shoot. Yeah yeah, it ain't that, man,

575
00:36:38,280 --> 00:36:43,480
Speaker 1: It's a dance. They're segways. There's topics you need to discuss,

576
00:36:43,600 --> 00:36:45,960
Speaker 1: there's time you need to transition in and out of

577
00:36:46,000 --> 00:36:48,200
Speaker 1: those topics. There's ways you need to do it to

578
00:36:48,280 --> 00:36:52,800
Speaker 1: stay interesting, you know your little style, whether that's whatever

579
00:36:52,920 --> 00:36:55,480
Speaker 1: that made right. So it's it's a lot that goes

580
00:36:55,560 --> 00:36:58,120
Speaker 1: into it interesting and I'm gonna watch it, but I'm

581
00:36:58,160 --> 00:37:03,719
Speaker 1: gonna examine the Joe Button and academics in contrast situation

582
00:37:03,880 --> 00:37:08,000
Speaker 1: with Spotify. In regards to what Spotify is doing with giving,

583
00:37:08,239 --> 00:37:10,719
Speaker 1: they're probably looking at the Joe Budden situation like, yeah,

584
00:37:10,760 --> 00:37:12,680
Speaker 1: we really made a good decision. We were close to

585
00:37:12,719 --> 00:37:15,839
Speaker 1: giving him forty fifty MS, and we might have gave

586
00:37:16,040 --> 00:37:20,840
Speaker 1: these you know, Rory Maldinim came free, right, but act

587
00:37:21,840 --> 00:37:25,000
Speaker 1: giving him a couple million not to you know, maybe

588
00:37:25,120 --> 00:37:29,759
Speaker 1: five seven for three year deal something like that, right,

589
00:37:30,640 --> 00:37:37,160
Speaker 1: and save twenty five ms thirty ms and still service

590
00:37:37,280 --> 00:37:40,080
Speaker 1: that same But the game's not over. That's why Joel

591
00:37:40,200 --> 00:37:43,319
Speaker 1: stands firms and he holds out and he doesn't put

592
00:37:43,360 --> 00:37:47,160
Speaker 1: his stuff everywhere because he's trying to get deals with everybody.

593
00:37:47,360 --> 00:37:50,120
Speaker 1: He's treating, he's treating his part and they're trying to

594
00:37:50,200 --> 00:37:53,719
Speaker 1: make him submit. But he likes to treat his podcast

595
00:37:53,880 --> 00:37:57,400
Speaker 1: like almost like a TV show. Right, So if you

596
00:37:57,480 --> 00:38:00,239
Speaker 1: see Law and Nord on ABC, they paid. If you

597
00:38:00,280 --> 00:38:02,439
Speaker 1: see it on Fox, they paid, And you can see

598
00:38:02,480 --> 00:38:04,560
Speaker 1: these all at the same time. You see it on

599
00:38:04,760 --> 00:38:08,080
Speaker 1: l Fix a special unit. That's still another check and

600
00:38:08,120 --> 00:38:10,640
Speaker 1: it still go right. So he's treating it more so

601
00:38:10,840 --> 00:38:14,799
Speaker 1: from that perspective, and I understand that. But you got

602
00:38:14,920 --> 00:38:17,920
Speaker 1: to readjust now because your business is in a different standpoint.

603
00:38:18,040 --> 00:38:22,880
Speaker 1: Let's get to academics. Following the Takaski six nine interview,

604
00:38:22,960 --> 00:38:25,160
Speaker 1: Shotty comes on academics. I want you. I want you

605
00:38:25,239 --> 00:38:31,640
Speaker 1: guys to know one and two things. The reception that

606
00:38:31,760 --> 00:38:37,440
Speaker 1: the Takasi six nine interview got the shott the interview

607
00:38:37,520 --> 00:38:42,000
Speaker 1: didn't get and that to me feels intentional. Number one,

608
00:38:45,080 --> 00:38:50,799
Speaker 1: it feels like he didn't get as many clips put up.

609
00:38:51,000 --> 00:38:53,120
Speaker 1: You know, it wasn't as much going on with it,

610
00:38:53,200 --> 00:38:55,440
Speaker 1: and the blogs didn't grab it. They don't care what

611
00:38:55,560 --> 00:38:58,600
Speaker 1: he's saying. It's like they only care about what Takashi

612
00:38:58,760 --> 00:39:01,359
Speaker 1: is saying. And it's very interesting. It's a strange thing.

613
00:39:02,400 --> 00:39:05,000
Speaker 1: I didn't see any clubhouse rooms pop up after it,

614
00:39:05,760 --> 00:39:08,520
Speaker 1: Like it just kind of sit there and went away.

615
00:39:08,760 --> 00:39:11,400
Speaker 1: Now what this does for academics is tell Shotty Yo,

616
00:39:11,480 --> 00:39:14,160
Speaker 1: I allowed you to say your piece, bro. Whether or

617
00:39:14,200 --> 00:39:17,640
Speaker 1: not they you know, that's on them. But but I

618
00:39:17,760 --> 00:39:22,239
Speaker 1: think academics doesn't understand what's happening with shot It. He

619
00:39:22,360 --> 00:39:25,320
Speaker 1: doesn't understand the streets, so he don't understand that people

620
00:39:25,840 --> 00:39:28,960
Speaker 1: like sometimes I gotta go buy something from somebody I

621
00:39:29,040 --> 00:39:32,359
Speaker 1: don't care for, but the business and my phone call

622
00:39:32,480 --> 00:39:35,000
Speaker 1: for me to I gotta get straight. I know he

623
00:39:35,040 --> 00:39:38,720
Speaker 1: ain't the police. We just got issues. Sometimes you politic

624
00:39:38,960 --> 00:39:43,920
Speaker 1: not necessarily with the cold hard enemy, but um but

625
00:39:44,120 --> 00:39:46,719
Speaker 1: with people that your interest is don't align with for

626
00:39:46,800 --> 00:39:49,040
Speaker 1: the sake of I gotta get straight to him to

627
00:39:49,200 --> 00:39:53,440
Speaker 1: take care of my people, right, So my plug ain't

628
00:39:53,480 --> 00:39:57,760
Speaker 1: in town. Thought nobody got nothing, but the ops cousin

629
00:39:57,880 --> 00:40:00,480
Speaker 1: got something. On the other side, I'm fading, So I'm

630
00:40:00,520 --> 00:40:05,600
Speaker 1: going to get straight, take my money to the ops territory,

631
00:40:05,680 --> 00:40:10,799
Speaker 1: and gonna get straight. You know, sometimes that's the approach, right.

632
00:40:11,200 --> 00:40:14,279
Speaker 1: So in my opinion, what Shotty is doing is trying

633
00:40:14,320 --> 00:40:17,680
Speaker 1: to make sure that the act understands Number one. Get

634
00:40:17,840 --> 00:40:20,440
Speaker 1: him to clearly state to me that you know what

635
00:40:20,600 --> 00:40:23,560
Speaker 1: you're doing and you're on the other side, and I'm

636
00:40:23,560 --> 00:40:25,680
Speaker 1: gonna laugh it off and act like na, no, no, bro,

637
00:40:25,760 --> 00:40:31,600
Speaker 1: it's just what you do because everybody know you played

638
00:40:31,640 --> 00:40:34,840
Speaker 1: dead the kitch. Listen you play dead for him to

639
00:40:34,920 --> 00:40:41,000
Speaker 1: come see if you're dead, nigga, you understand, so you're

640
00:40:41,040 --> 00:40:44,160
Speaker 1: trying to trick them into Man's listen, and then when

641
00:40:44,160 --> 00:40:46,640
Speaker 1: I hold your account before you came back track because

642
00:40:46,680 --> 00:40:48,160
Speaker 1: you told me you knew what you were doing. You

643
00:40:48,239 --> 00:40:49,960
Speaker 1: knew I would lawyer. You knew what he would doing,

644
00:40:50,000 --> 00:40:52,320
Speaker 1: you knew he perpetuating lines is a public case. You

645
00:40:52,400 --> 00:40:55,600
Speaker 1: haven't put nothing out right, so these is what things

646
00:40:55,640 --> 00:41:00,200
Speaker 1: start to come into play it. Let's listen to a

647
00:41:00,280 --> 00:41:02,880
Speaker 1: little bit of an interview, man, and we'll give our

648
00:41:03,000 --> 00:41:05,799
Speaker 1: outlook on it. Felt you guys were being dishonest because

649
00:41:05,800 --> 00:41:07,799
Speaker 1: there was show money money missing and you guys were

650
00:41:07,880 --> 00:41:09,760
Speaker 1: lying about it. He sat down the breakfast club interview.

651
00:41:10,680 --> 00:41:13,359
Speaker 1: Did you ever take any money without his knowledge? Were

652
00:41:13,400 --> 00:41:18,799
Speaker 1: you siphoning money off the top? Did anybody do that? Never?

653
00:41:19,040 --> 00:41:23,279
Speaker 1: Nobody like academic man, I can y'all, I know what's

654
00:41:23,280 --> 00:41:26,280
Speaker 1: truem was fake man, Like, you're in the business, okay.

655
00:41:26,480 --> 00:41:29,080
Speaker 1: There are people that handles money, handle certain certain amounts

656
00:41:29,120 --> 00:41:31,400
Speaker 1: of money. And you notice you got a business manager.

657
00:41:31,680 --> 00:41:33,640
Speaker 1: I had my accounts. I had to see it from

658
00:41:33,680 --> 00:41:36,360
Speaker 1: MT Booking. I had my Nicole, which is my assistant

659
00:41:36,360 --> 00:41:38,080
Speaker 1: they all handled the funds like every if he had

660
00:41:38,120 --> 00:41:39,920
Speaker 1: any proof on that he was even show with it

661
00:41:39,960 --> 00:41:43,040
Speaker 1: out have been sued. Like the point is, I'm a millionaire.

662
00:41:43,120 --> 00:41:45,600
Speaker 1: He was mad, like I've made deals. He's not the

663
00:41:45,640 --> 00:41:47,799
Speaker 1: only honest I worked with. Like, that's just that's that's

664
00:41:47,840 --> 00:41:50,800
Speaker 1: your sad. I came in jail millionia, I'm gonna go

665
00:41:50,880 --> 00:41:52,879
Speaker 1: home a millionaire with funny more money than I came

666
00:41:52,920 --> 00:41:55,080
Speaker 1: in him. It's just that temple. There's no reason, there's

667
00:41:55,080 --> 00:41:56,759
Speaker 1: no need. It was never need for me to steal

668
00:41:56,800 --> 00:41:59,239
Speaker 1: anything or siphon or or any of the words you

669
00:41:59,320 --> 00:42:01,360
Speaker 1: might come up with, like it didn't happen with Like,

670
00:42:01,440 --> 00:42:04,400
Speaker 1: so just spreading in my name ain't gonna work first off,

671
00:42:04,440 --> 00:42:07,239
Speaker 1: And if I did, I'm tough, act like I'm not.

672
00:42:07,400 --> 00:42:09,120
Speaker 1: I'm not a squire, I said, I looking like I'm

673
00:42:09,120 --> 00:42:11,640
Speaker 1: tough moneyger. Thank you what I'm saying, Like, at no

674
00:42:11,760 --> 00:42:13,640
Speaker 1: point did he do anything from me or nobody else.

675
00:42:14,239 --> 00:42:15,960
Speaker 1: If I took money out of say, y'all s telling

676
00:42:16,040 --> 00:42:20,120
Speaker 1: the money that's college, he wouldn't have had another thing.

677
00:42:20,239 --> 00:42:27,120
Speaker 1: Let's so basically AK is asking him, he yo, bro man,

678
00:42:27,200 --> 00:42:29,480
Speaker 1: did y'all steal his money? Bro? He's saying. That's why

679
00:42:29,560 --> 00:42:35,160
Speaker 1: he told He's like, Yo, this dude's a shrump. If

680
00:42:35,200 --> 00:42:36,960
Speaker 1: I'd have took his money, I'd be telling you I

681
00:42:37,040 --> 00:42:39,960
Speaker 1: took the dude money like he's he's a clown. I

682
00:42:40,160 --> 00:42:44,920
Speaker 1: took his money. So this is how you know, the

683
00:42:45,040 --> 00:42:48,120
Speaker 1: people that was active, this is how they look at dude.

684
00:42:49,760 --> 00:42:52,920
Speaker 1: And he got so much to prove. Man, is he

685
00:42:53,040 --> 00:42:55,719
Speaker 1: gonna walk himself into a situation where it's time to

686
00:42:55,840 --> 00:43:02,279
Speaker 1: prove it? And it ain't gonna always be the way

687
00:43:02,520 --> 00:43:06,440
Speaker 1: that we are envisioning in our mind. You know, I

688
00:43:06,560 --> 00:43:09,480
Speaker 1: talked before about the fight I got in Walmart. I

689
00:43:09,560 --> 00:43:12,600
Speaker 1: beat dude up in Walmart, But it was one mistake

690
00:43:12,680 --> 00:43:17,440
Speaker 1: I made. In my mind, I saw myself coming through

691
00:43:17,520 --> 00:43:21,120
Speaker 1: with the overhand right and knocking five from him. I'm

692
00:43:21,160 --> 00:43:25,399
Speaker 1: talking about yeah, but I come through with the overhand right,

693
00:43:26,640 --> 00:43:34,640
Speaker 1: and guess what, I had a praying grandmother, you feel me.

694
00:43:35,040 --> 00:43:39,120
Speaker 1: I fought boom. He come with the kick game, but

695
00:43:39,320 --> 00:43:43,560
Speaker 1: you know, cerebral haim. Out of that boom, I jumped

696
00:43:43,560 --> 00:43:46,239
Speaker 1: back up. Cook. Cook, I ain't doing that no more.

697
00:43:46,280 --> 00:43:49,600
Speaker 1: I'm just gonna jab him down because again, I was

698
00:43:49,719 --> 00:43:52,520
Speaker 1: dealing with what I thought I could do versus what

699
00:43:53,560 --> 00:43:58,759
Speaker 1: actually happened when this was in front of me. So

700
00:43:59,200 --> 00:44:01,480
Speaker 1: these are people that is active. They know like, bro,

701
00:44:02,040 --> 00:44:05,480
Speaker 1: he ain't cut he out, that dude ain't gonna do

702
00:44:05,680 --> 00:44:09,640
Speaker 1: nothing to know. But like it's I don't gonna feel

703
00:44:09,719 --> 00:44:11,880
Speaker 1: like he want to get you know, hit fold. They

704
00:44:12,000 --> 00:44:15,320
Speaker 1: come home so he can you don't have to wait shatty.

705
00:44:15,960 --> 00:44:17,719
Speaker 1: I remember one time I was in a studio which

706
00:44:17,760 --> 00:44:19,440
Speaker 1: when you said this vividly, you say, yeah, I'll do

707
00:44:19,520 --> 00:44:22,160
Speaker 1: anything for this kid. I'll lay my life down for him.

708
00:44:22,680 --> 00:44:26,120
Speaker 1: Do you regret you know, like statements like that, or

709
00:44:26,400 --> 00:44:29,239
Speaker 1: even do you regret like bringing him so close to

710
00:44:29,400 --> 00:44:32,120
Speaker 1: like how you guys are moving that he had some

711
00:44:32,200 --> 00:44:33,799
Speaker 1: of the knowledge, Because that's another thing that whack one

712
00:44:33,840 --> 00:44:36,800
Speaker 1: Hunter said. He said, if you're gonna have somebody who's

713
00:44:36,840 --> 00:44:40,160
Speaker 1: a high prized asset like six nine, he's not supposed

714
00:44:40,200 --> 00:44:43,040
Speaker 1: to know when the shootings and the robbery's about to

715
00:44:43,080 --> 00:44:46,719
Speaker 1: go down, and he's not supposed to make this is

716
00:44:48,200 --> 00:44:51,479
Speaker 1: whatever Wax says has no concern or no, it holds

717
00:44:51,520 --> 00:44:54,320
Speaker 1: no merit or nothing I did or all my people do.

718
00:44:54,680 --> 00:44:57,800
Speaker 1: First and foremost, let's get that out of the way right. Secondly,

719
00:44:59,440 --> 00:45:02,680
Speaker 1: we all y'all bro like, there's no there's no regretting anything.

720
00:45:03,239 --> 00:45:04,840
Speaker 1: But the fact that you said that means that you

721
00:45:05,000 --> 00:45:07,920
Speaker 1: know that we were loyal to him, aside from what

722
00:45:07,960 --> 00:45:10,239
Speaker 1: he's normally says, run around saying nobody he's loved him,

723
00:45:10,640 --> 00:45:14,279
Speaker 1: but you know firsthand that we were loyal. Am I right? Yeah?

724
00:45:14,600 --> 00:45:21,640
Speaker 1: Things asking that question? All right? No, no, no, no, no, no,

725
00:45:21,880 --> 00:45:23,399
Speaker 1: hold on, hold on, hold on before you go any

726
00:45:23,400 --> 00:45:24,960
Speaker 1: for us. The fact that you're even asking me a

727
00:45:25,040 --> 00:45:28,359
Speaker 1: question about I would love him or if he if

728
00:45:28,400 --> 00:45:30,919
Speaker 1: he if he was, if we if he we thought

729
00:45:30,960 --> 00:45:32,600
Speaker 1: that he violated our loved him, that means we were

730
00:45:32,640 --> 00:45:35,359
Speaker 1: loved him at one point. So so whatever he's saying

731
00:45:35,400 --> 00:45:37,160
Speaker 1: holds no mirror. Man, And even if I'm gonna go

732
00:45:37,239 --> 00:45:39,919
Speaker 1: to this man, what'sk scenario If I did fuck Sarah?

733
00:45:40,040 --> 00:45:42,520
Speaker 1: Did cool to be far Sarah? Did melly fock Sarah?

734
00:45:42,600 --> 00:45:45,040
Speaker 1: Did crippy fock Sarah? He said he didn't tell He

735
00:45:45,160 --> 00:45:47,399
Speaker 1: said he didn't tell on Cool to be That. That's

736
00:45:47,440 --> 00:45:48,920
Speaker 1: what he said. He says he never told him cool.

737
00:45:49,640 --> 00:45:51,920
Speaker 1: He said, could ha told on him? Why? Why? Why

738
00:45:52,920 --> 00:45:56,000
Speaker 1: could A told on him? Why are you serious? That's

739
00:45:56,000 --> 00:46:00,680
Speaker 1: what he says he noticed the record man, like I

740
00:46:00,880 --> 00:46:02,719
Speaker 1: know everything is public record. Who to be ain't telling

741
00:46:02,800 --> 00:46:04,640
Speaker 1: that boy? Man? Who ain't? Who to be ain't do that? Man?

742
00:46:04,680 --> 00:46:06,719
Speaker 1: Tell the boy stop lying? Like why is cool? And Jela,

743
00:46:06,800 --> 00:46:09,400
Speaker 1: he's not like kind looks tell you that man, no

744
00:46:09,600 --> 00:46:14,040
Speaker 1: sid would you do anything different? And also you know,

745
00:46:14,600 --> 00:46:16,320
Speaker 1: like you know when we were doing that interview, like

746
00:46:16,440 --> 00:46:18,040
Speaker 1: I saw I saw like you know, dudes a DM.

747
00:46:18,080 --> 00:46:20,160
Speaker 1: I guess her son had reached out to him, like

748
00:46:20,360 --> 00:46:24,719
Speaker 1: would you ever forgive six nine evers? H'm not like

749
00:46:25,080 --> 00:46:28,479
Speaker 1: he's forgiving, Like he just a boy, like he gotta

750
00:46:28,520 --> 00:46:33,239
Speaker 1: forgive himself out there. You know, you don't really like

751
00:46:33,280 --> 00:46:37,120
Speaker 1: how he's living there, Like you know, like he's hard

752
00:46:37,160 --> 00:46:39,200
Speaker 1: and you don't got no money to play security. You

753
00:46:39,239 --> 00:46:40,719
Speaker 1: know what I'm saying. That money ran out and then

754
00:46:40,840 --> 00:46:44,080
Speaker 1: like they go for him. That's just that man, I

755
00:46:44,200 --> 00:46:47,319
Speaker 1: pull you out back and like I'll call you back.

756
00:46:47,400 --> 00:46:49,920
Speaker 1: Man the answer you can finish the stuff, I'll call

757
00:46:49,920 --> 00:46:55,000
Speaker 1: you back. So I'm almost too a part where I

758
00:46:55,040 --> 00:47:01,520
Speaker 1: could almost believe that that money running now because I

759
00:47:01,680 --> 00:47:04,600
Speaker 1: think the money is running out. But you you're making

760
00:47:04,680 --> 00:47:07,400
Speaker 1: you want to make yourself feel like you're doing it

761
00:47:07,400 --> 00:47:09,440
Speaker 1: because you ain't scared. But he kind of telling you

762
00:47:09,520 --> 00:47:11,719
Speaker 1: it's about the money. Heyo, I spent one point one

763
00:47:11,840 --> 00:47:15,160
Speaker 1: million bro since February to such and such, And he

764
00:47:15,280 --> 00:47:17,600
Speaker 1: kept saying the February to such and such, one point

765
00:47:17,640 --> 00:47:20,440
Speaker 1: one February to such and such, one point one million

766
00:47:20,520 --> 00:47:24,480
Speaker 1: man February to you know what, I'm saying, that's a

767
00:47:24,560 --> 00:47:27,160
Speaker 1: lot of money, bro, And ain't no money coming in?

768
00:47:29,000 --> 00:47:32,719
Speaker 1: Them streaming numbers, ain't doing that. I don't know no

769
00:47:32,880 --> 00:47:35,839
Speaker 1: merch that's selling for him, So there ain't no money

770
00:47:35,920 --> 00:47:40,279
Speaker 1: coming in. What's coming? You won't bill board last time.

771
00:47:40,800 --> 00:47:44,280
Speaker 1: That's making a lot of money. But right now, ain't

772
00:47:44,320 --> 00:47:47,520
Speaker 1: no money coming in. So you can't afford it. You

773
00:47:47,640 --> 00:47:51,000
Speaker 1: can't afford to continue to have security. You can't afford

774
00:47:51,080 --> 00:47:53,600
Speaker 1: to continue to have security. It don't matter what you say.

775
00:47:54,000 --> 00:47:56,520
Speaker 1: I know better than that you cannot afford to continue

776
00:47:56,520 --> 00:48:00,320
Speaker 1: to have security. You do not have. You had no

777
00:48:00,360 --> 00:48:04,239
Speaker 1: money coming in. What investments have you made? We don't

778
00:48:04,280 --> 00:48:06,399
Speaker 1: know you to be a business man. You even say, yeah,

779
00:48:06,440 --> 00:48:08,640
Speaker 1: I'm not a businessman like that, and I just do wrap.

780
00:48:10,400 --> 00:48:13,799
Speaker 1: I think they gave him eleven million, and if they did,

781
00:48:13,880 --> 00:48:16,080
Speaker 1: he should still have some money. But we know how

782
00:48:16,160 --> 00:48:19,399
Speaker 1: deals are broke down and there's times you're paid advances,

783
00:48:19,480 --> 00:48:22,920
Speaker 1: things like that. A benchmarks you need to meet before

784
00:48:23,400 --> 00:48:26,800
Speaker 1: you make certain you know there's things happening. We know

785
00:48:26,960 --> 00:48:31,399
Speaker 1: that to be the case. Um, so yeah, let's listen

786
00:48:31,400 --> 00:48:38,960
Speaker 1: to a little moment I question. That's like, no, not

787
00:48:39,320 --> 00:48:42,560
Speaker 1: even his name is not even the same. It couldn't be.

788
00:48:44,160 --> 00:48:47,800
Speaker 1: So what he's asking right here is based on what

789
00:48:48,000 --> 00:48:50,360
Speaker 1: Whack one hundred is saying. And that was real interesting

790
00:48:50,400 --> 00:48:55,640
Speaker 1: to me too, is that he keeps telling Whack one hundred.

791
00:48:55,719 --> 00:48:58,200
Speaker 1: Will he keep telling Shotty what Whack one hundred is

792
00:48:58,239 --> 00:49:01,640
Speaker 1: saying about his case? Right? I get telling other people

793
00:49:01,719 --> 00:49:05,640
Speaker 1: what Whack one hundred is saying. Right, that's cool, But

794
00:49:06,000 --> 00:49:09,880
Speaker 1: it's my case, bro, Like it's my case. Let me

795
00:49:10,000 --> 00:49:12,560
Speaker 1: tell you what you know. Don't tell me what somebody

796
00:49:12,640 --> 00:49:16,680
Speaker 1: that ain't on the case saying. Respectfully, they're not only case,

797
00:49:17,640 --> 00:49:19,960
Speaker 1: or they ain't providing no paperwork. I can see if

798
00:49:20,000 --> 00:49:22,640
Speaker 1: they're explaining what they're looking at. We got to respect

799
00:49:22,680 --> 00:49:25,759
Speaker 1: truth is truth and lies is lies. But don't come

800
00:49:25,840 --> 00:49:28,480
Speaker 1: to me about somebody that ain't on my case. They're

801
00:49:28,520 --> 00:49:32,920
Speaker 1: speculating about what the circumstances our surrounding it. We know

802
00:49:33,080 --> 00:49:37,880
Speaker 1: the court room is very detailed. It's very detailed in

803
00:49:37,960 --> 00:49:41,640
Speaker 1: regards to the specifics of things. Now there's blanket things

804
00:49:41,680 --> 00:49:43,480
Speaker 1: that we know. If you're a rat, you're a rat.

805
00:49:44,320 --> 00:49:49,560
Speaker 1: But it's detailed about the circumstances of cases like fail

806
00:49:49,600 --> 00:49:54,120
Speaker 1: you to prosecute illegal searching Siegre. Right, somebody might get

807
00:49:54,200 --> 00:49:57,879
Speaker 1: caught with something in my city and they've done something

808
00:49:57,920 --> 00:50:00,719
Speaker 1: wrong illegal searching Siegre. That case is gone. There they

809
00:50:00,840 --> 00:50:03,000
Speaker 1: calling him a rat because he beat the child. Like

810
00:50:03,239 --> 00:50:05,960
Speaker 1: it's certain things that people on the outside don't have

811
00:50:06,080 --> 00:50:10,240
Speaker 1: any information on. That's why when Whack someone that people say, okay,

812
00:50:10,520 --> 00:50:14,000
Speaker 1: he speaks for the streets. This is what the consumers

813
00:50:14,239 --> 00:50:16,920
Speaker 1: looks at this and says, Whack speaks for the streets,

814
00:50:18,280 --> 00:50:22,040
Speaker 1: not speaks for the streets. Let me retract that Whack

815
00:50:22,280 --> 00:50:26,400
Speaker 1: understands the streets. So he's a voice edited an extension

816
00:50:26,760 --> 00:50:31,560
Speaker 1: of the understanding of people that operate around the streets.

817
00:50:32,280 --> 00:50:35,080
Speaker 1: So when he says he should have been locked up

818
00:50:35,640 --> 00:50:38,239
Speaker 1: or there he might be a rat, or when he

819
00:50:38,360 --> 00:50:41,880
Speaker 1: sits with six nine, or when these things are subtle

820
00:50:41,960 --> 00:50:48,640
Speaker 1: co signs and he gives merit to situations. But Whack

821
00:50:48,680 --> 00:50:51,720
Speaker 1: and Shotty got something going Whack don't like Shotty. Shotty

822
00:50:51,760 --> 00:50:55,839
Speaker 1: don't like Whack. There's something going on there. But let's

823
00:50:55,920 --> 00:50:58,680
Speaker 1: listen to him. He asked him. It's Jim Jones. Have

824
00:50:58,880 --> 00:51:01,560
Speaker 1: Jim Jones participle paid it again? I explain why they

825
00:51:01,640 --> 00:51:05,680
Speaker 1: didn't put Jim Jones on the warrant. I'm sorry on

826
00:51:05,840 --> 00:51:09,400
Speaker 1: the indictment. It would have didn't weakened the case because

827
00:51:09,520 --> 00:51:12,000
Speaker 1: now you bring someone in, we bring all these people

828
00:51:12,080 --> 00:51:15,360
Speaker 1: that explain that they're reaching violate means this it's not

829
00:51:15,480 --> 00:51:18,360
Speaker 1: even that kind of situation, and we're talking about on

830
00:51:18,560 --> 00:51:22,800
Speaker 1: TMZ DA da DA. Keep that off the case. That

831
00:51:23,000 --> 00:51:25,560
Speaker 1: only weakens the case. And they're gonna fight like hell

832
00:51:25,600 --> 00:51:27,719
Speaker 1: to make sure Gym don't go because he's part of

833
00:51:27,800 --> 00:51:33,520
Speaker 1: the money. If this is what the federal government says

834
00:51:33,560 --> 00:51:35,479
Speaker 1: it is, I don't believe it to be the case

835
00:51:35,560 --> 00:51:39,960
Speaker 1: because I don't think nobody's doing nothing wrong outside of

836
00:51:40,040 --> 00:51:42,320
Speaker 1: touching children and things like that. They need to go

837
00:51:42,400 --> 00:51:44,759
Speaker 1: to prison. But when we talk about me and my

838
00:51:44,920 --> 00:51:49,239
Speaker 1: brothers unformed some kind of camaraderie. We won't allow people

839
00:51:49,280 --> 00:51:52,440
Speaker 1: to disrespect take things from us. You know, and we're

840
00:51:52,480 --> 00:51:54,600
Speaker 1: trying to get a few dollars. I understand that they

841
00:51:54,719 --> 00:51:57,600
Speaker 1: call let a game, but I see the same thing

842
00:51:57,800 --> 00:52:00,640
Speaker 1: being done by four, being done by hips, it being

843
00:52:00,719 --> 00:52:05,080
Speaker 1: done by America. Even so, it's kind of confused. And

844
00:52:05,239 --> 00:52:08,200
Speaker 1: when the optics are viewed that way, I see it

845
00:52:08,320 --> 00:52:10,880
Speaker 1: that's the same thing, but y'all telling me it's different.

846
00:52:12,440 --> 00:52:15,600
Speaker 1: I'm interesting about that. I haven't done enough research on it.

847
00:52:17,000 --> 00:52:21,680
Speaker 1: But let's listen to what he said. All these rappers

848
00:52:21,719 --> 00:52:23,360
Speaker 1: are getting indicted about the friends right now? Who do

849
00:52:23,440 --> 00:52:26,120
Speaker 1: you think go back to his case history, like what

850
00:52:26,239 --> 00:52:28,440
Speaker 1: he touched fun He called all these two's names. So

851
00:52:29,320 --> 00:52:33,120
Speaker 1: why are you calling Jim Jones? Why are you calling

852
00:52:33,200 --> 00:52:35,360
Speaker 1: Jim Jones name an interview with Why? Why are you

853
00:52:35,480 --> 00:52:37,400
Speaker 1: doing things like that? You're still trying to get people indicted?

854
00:52:37,560 --> 00:52:39,160
Speaker 1: Kind what type of timing you? If you didn't tell,

855
00:52:39,360 --> 00:52:41,400
Speaker 1: if you're like you know what I'm saying. Wait, wait,

856
00:52:41,480 --> 00:52:43,799
Speaker 1: hold on. I'm glad you brought up Jim Jones because

857
00:52:43,880 --> 00:52:48,640
Speaker 1: like for clarity, for everybody else does does and I'm

858
00:52:48,719 --> 00:52:50,799
Speaker 1: hoping you have a you still have a good relationship

859
00:52:50,840 --> 00:52:53,919
Speaker 1: with with with mel Murder, right, do you mel murder?

860
00:52:54,040 --> 00:52:59,240
Speaker 1: Anybody else and from nine trade consider Jim Jones a snitch.

861
00:53:01,719 --> 00:53:03,960
Speaker 1: Come on, that's not even a question. That's the that's

862
00:53:04,000 --> 00:53:05,680
Speaker 1: not even a question. If he was, he wouldn't be

863
00:53:05,680 --> 00:53:08,840
Speaker 1: around him after bro, like that's I love him, I

864
00:53:08,920 --> 00:53:10,600
Speaker 1: love him like I like like he loves us. It's

865
00:53:10,600 --> 00:53:12,960
Speaker 1: just that sepilind that that's not even a question. That's

866
00:53:13,000 --> 00:53:17,520
Speaker 1: like that no, like its point black nose, like not

867
00:53:17,719 --> 00:53:19,680
Speaker 1: not even his name is not even the same space

868
00:53:19,719 --> 00:53:22,600
Speaker 1: as that. It wouldn't be. It couldn't be, Like we

869
00:53:22,760 --> 00:53:25,239
Speaker 1: all with the highest regard for a reason, he couldn't be.

870
00:53:25,280 --> 00:53:28,279
Speaker 1: It wouldn't be not at all. I'm only asking that

871
00:53:28,360 --> 00:53:32,120
Speaker 1: because recently, like the whole topic of UH six nine saying, yo,

872
00:53:32,920 --> 00:53:35,520
Speaker 1: he should have been indicted because of a conversation about

873
00:53:35,719 --> 00:53:39,320
Speaker 1: super violated. I wouldn't listen, man, listen listen then, like

874
00:53:39,400 --> 00:53:41,120
Speaker 1: I gotta really understand what's going on. This is a

875
00:53:41,200 --> 00:53:45,320
Speaker 1: federal case. Right, if Jim had anything to do with anything,

876
00:53:45,360 --> 00:53:46,800
Speaker 1: he would have been and that he didn't have anything

877
00:53:46,880 --> 00:53:48,759
Speaker 1: to do with anything. People are allowed to say what

878
00:53:48,840 --> 00:53:51,279
Speaker 1: they feel at any given time. If you violate me,

879
00:53:51,360 --> 00:53:53,279
Speaker 1: and I feel like like I want to tell my

880
00:53:53,400 --> 00:53:55,160
Speaker 1: brother what to do that's cool, bro, Like that's what

881
00:53:55,280 --> 00:53:58,360
Speaker 1: he was doing. Y'all. The recorders came out and and

882
00:53:58,520 --> 00:54:00,120
Speaker 1: the full length recorders are going to be out on

883
00:54:00,560 --> 00:54:04,080
Speaker 1: on on in Austraway documentary my documentary. But you guys,

884
00:54:04,239 --> 00:54:07,040
Speaker 1: you heard what Complex release heard it. He was just

885
00:54:07,120 --> 00:54:09,480
Speaker 1: speaking something. He doesn't say anything. Nobody said Jill the

886
00:54:09,560 --> 00:54:12,839
Speaker 1: kid or Earth the kids saying like that. Well, Whack

887
00:54:12,920 --> 00:54:15,719
Speaker 1: said a security guard was attacked afterwards. That's what he

888
00:54:18,600 --> 00:54:20,560
Speaker 1: has Joe Mack. Whack is not part of this, Like

889
00:54:21,400 --> 00:54:25,239
Speaker 1: why does his what he says had merit like they speaking, Well, well,

890
00:54:25,840 --> 00:54:29,560
Speaker 1: it's a part of the main narrative in conversation. What

891
00:54:29,719 --> 00:54:31,560
Speaker 1: we talked before we even did this. You said, act

892
00:54:31,680 --> 00:54:33,920
Speaker 1: what's going on with a narrative? This is how the

893
00:54:34,040 --> 00:54:36,440
Speaker 1: narrative is getting out. So I'm asking you you can

894
00:54:36,560 --> 00:54:38,320
Speaker 1: confront the narratives. Just for the world. This is for

895
00:54:38,400 --> 00:54:40,600
Speaker 1: the world. This is for the world, all your fans

896
00:54:40,640 --> 00:54:44,360
Speaker 1: and all his fans. Right, when somebody speaks on a

897
00:54:44,520 --> 00:54:48,840
Speaker 1: situation without any facts, if their opinion, what you listening

898
00:54:48,880 --> 00:54:52,359
Speaker 1: to is two fucking corny ass dudes opinion. These are

899
00:54:52,440 --> 00:54:55,080
Speaker 1: not facts, Like you get what I'm saying that somebody

900
00:54:55,120 --> 00:54:56,439
Speaker 1: wants to take the time out and get the fact

901
00:54:56,480 --> 00:54:58,840
Speaker 1: they can do that. That's what way for. It's a

902
00:54:58,920 --> 00:55:00,960
Speaker 1: public record, man, the case, it's his public record. Man,

903
00:55:01,040 --> 00:55:02,960
Speaker 1: So all the ship that you're running around with this

904
00:55:03,080 --> 00:55:04,960
Speaker 1: dude that he's running around talking all this shit, and

905
00:55:05,280 --> 00:55:09,440
Speaker 1: come on, man, it's not even interview worthy. It's not

906
00:55:09,520 --> 00:55:12,000
Speaker 1: even interview worthy. And by the way, I know you

907
00:55:12,080 --> 00:55:14,800
Speaker 1: say you didn't consider which I would like to know

908
00:55:14,880 --> 00:55:17,400
Speaker 1: why you didn't consider whack a street dude. But for

909
00:55:17,600 --> 00:55:20,520
Speaker 1: us civilians like me, right when Wax says, yo, I

910
00:55:20,680 --> 00:55:24,160
Speaker 1: know what usually goes down when things like this happened.

911
00:55:24,480 --> 00:55:27,040
Speaker 1: So so you know, like if he's he's given insight,

912
00:55:27,280 --> 00:55:30,120
Speaker 1: you know, so, um number one, why why don't you

913
00:55:30,920 --> 00:55:34,240
Speaker 1: go down? Well, he's just saying that. Usually if somebody's

914
00:55:34,280 --> 00:55:37,680
Speaker 1: on a conversation on the wire tap talking talking like that,

915
00:55:38,600 --> 00:55:41,399
Speaker 1: usually charges come down. If there isn't charges, there's something

916
00:55:41,480 --> 00:55:44,759
Speaker 1: else going on. That's his thing, that's his that's the

917
00:55:44,840 --> 00:55:48,640
Speaker 1: foremost you have to all right, Usually that he's never

918
00:55:48,760 --> 00:55:50,880
Speaker 1: been in indacted by the federal government, like you have

919
00:55:50,960 --> 00:55:53,640
Speaker 1: to commit a crime like the federal The standards on

920
00:55:54,200 --> 00:55:56,759
Speaker 1: being in the federal government is very high, like even

921
00:55:56,840 --> 00:55:58,840
Speaker 1: in the state. You can't prosecute somebody from being on

922
00:55:58,920 --> 00:56:00,759
Speaker 1: the phone and saying, I think you should do this,

923
00:56:00,800 --> 00:56:02,360
Speaker 1: So I think you should do that, Like that's what

924
00:56:02,480 --> 00:56:06,040
Speaker 1: Jim did. Like you got the recordings, release them ships again,

925
00:56:06,480 --> 00:56:08,680
Speaker 1: Andy clear my man name that shot the ship is

926
00:56:08,680 --> 00:56:10,680
Speaker 1: going on out there with with dudes who have no

927
00:56:10,800 --> 00:56:14,280
Speaker 1: meritor no facts, claiming real niggas is rats. That's crazy,

928
00:56:14,360 --> 00:56:16,480
Speaker 1: like and when a rat is saying that, that's even crazier,

929
00:56:17,040 --> 00:56:19,279
Speaker 1: like A right, a right, Like what the fuck are

930
00:56:19,320 --> 00:56:25,239
Speaker 1: you guys not understanding? You know it's it's um, it's

931
00:56:25,280 --> 00:56:27,920
Speaker 1: just interesting to see. And the money does things, man,

932
00:56:27,960 --> 00:56:31,520
Speaker 1: It make it makes people coordinate a certain way. Man,

933
00:56:31,640 --> 00:56:36,320
Speaker 1: Like I say, your interest is your interest shows in

934
00:56:36,440 --> 00:56:40,520
Speaker 1: your moves in this game. Who you align yourself with, um,

935
00:56:41,600 --> 00:56:45,120
Speaker 1: what you stand for, how you navigate. You know, we're

936
00:56:45,120 --> 00:56:47,520
Speaker 1: gonna get the bootshet on the breakfast club and and

937
00:56:47,719 --> 00:56:50,480
Speaker 1: and and him speaking about you know, the gay community

938
00:56:50,640 --> 00:56:53,520
Speaker 1: LGBT and little Isaacs and things like that. But I

939
00:56:53,600 --> 00:56:56,000
Speaker 1: want to I also wanted to speak about just um,

940
00:56:57,160 --> 00:57:01,040
Speaker 1: the Whack one hundred situations with Shoddy and also I

941
00:57:01,160 --> 00:57:04,960
Speaker 1: saw well again I spoke about Whack one hundred and

942
00:57:05,360 --> 00:57:08,600
Speaker 1: Muslims and and and Farrakhon and how that just it

943
00:57:08,760 --> 00:57:12,600
Speaker 1: came off basically saying like we ain't rocking with that, right,

944
00:57:13,040 --> 00:57:16,360
Speaker 1: and so big you came out. Big you came in

945
00:57:16,440 --> 00:57:21,480
Speaker 1: and said, listen, I hold heartily one million per one

946
00:57:21,760 --> 00:57:25,840
Speaker 1: million with all I got staying with Farrakhon. And what

947
00:57:26,040 --> 00:57:29,120
Speaker 1: whack one hundred said about Farrakhon? We don't stand by

948
00:57:30,520 --> 00:57:34,280
Speaker 1: that's the first you see. Now, what is this getting

949
00:57:34,320 --> 00:57:38,760
Speaker 1: you into? About this little nitcheboard man? You know what

950
00:57:38,880 --> 00:57:41,360
Speaker 1: I'm saying, it's somebody that you really missed with this

951
00:57:41,480 --> 00:57:44,680
Speaker 1: the home team. But since then I have some him

952
00:57:44,760 --> 00:57:48,280
Speaker 1: kind of I ain't really heard much more, you know

953
00:57:48,400 --> 00:57:52,439
Speaker 1: in regards to him fueling him, you know what I'm saying,

954
00:57:52,480 --> 00:57:55,320
Speaker 1: after that farrakh talk. But because big you and them

955
00:57:55,680 --> 00:57:58,400
Speaker 1: they like, yo, that wasn't cool. What was that home

956
00:57:59,400 --> 00:58:04,240
Speaker 1: we're going to? It's honorable Farrakhan about Takashi just to

957
00:58:04,400 --> 00:58:09,000
Speaker 1: do it, like is this what we're doing? Like? Nah? Bro?

958
00:58:09,280 --> 00:58:13,240
Speaker 1: And I just think it's interesting, man, Like you gotta understand,

959
00:58:13,320 --> 00:58:18,200
Speaker 1: this game provides itself all the rope to hang yourself,

960
00:58:19,880 --> 00:58:22,960
Speaker 1: all the rope to hang yourself. You could be as

961
00:58:23,000 --> 00:58:24,960
Speaker 1: smart as you want to be and as swift as

962
00:58:25,000 --> 00:58:27,720
Speaker 1: you think you are, but this game here gonna provide

963
00:58:27,760 --> 00:58:30,520
Speaker 1: you some rope. And with the wrong decisions in conjunction

964
00:58:30,600 --> 00:58:34,880
Speaker 1: with the wrong things being said by the right people,

965
00:58:36,240 --> 00:58:39,600
Speaker 1: it's career suicide, you know what I'm saying. And so

966
00:58:40,360 --> 00:58:42,400
Speaker 1: that was just interesting to me. Man. We're gonna take

967
00:58:42,400 --> 00:58:45,480
Speaker 1: a quick break and then we'll come back and we'll

968
00:58:45,560 --> 00:58:48,080
Speaker 1: get to some most stuff in the coach. After this break,

969
00:58:48,120 --> 00:58:51,080
Speaker 1: we'll be back breaking a game down with each of

970
00:58:51,200 --> 00:58:58,480
Speaker 1: their podcast Stay tuned. I want to speak about situations

971
00:58:58,560 --> 00:59:01,680
Speaker 1: that I've saw happened a lot on the internet, man,

972
00:59:01,840 --> 00:59:05,760
Speaker 1: and it's in regards to relationships, and it bothers me.

973
00:59:05,920 --> 00:59:08,840
Speaker 1: It bothers me, and it tickles me, and it places

974
00:59:08,880 --> 00:59:12,080
Speaker 1: me in a position not to understand the interests of

975
00:59:12,120 --> 00:59:17,680
Speaker 1: the people that's involved with such a heinous act when

976
00:59:17,720 --> 00:59:22,320
Speaker 1: I see online someone come to the Internet. Now, let's

977
00:59:22,840 --> 00:59:25,200
Speaker 1: step back and figure out what the internet is. It's

978
00:59:25,240 --> 00:59:29,080
Speaker 1: a bunch of people that you don't know that don't care,

979
00:59:29,520 --> 00:59:33,160
Speaker 1: and you don't know that they care, right, I'm sorry,

980
00:59:33,240 --> 00:59:35,240
Speaker 1: you don't know that they don't care. So the internet

981
00:59:35,400 --> 00:59:39,760
Speaker 1: is a place where it's a bunch of people you

982
00:59:39,920 --> 00:59:44,000
Speaker 1: don't know that don't care. That you don't know that

983
00:59:44,120 --> 00:59:48,920
Speaker 1: they don't care, you see what I'm saying. So they

984
00:59:49,000 --> 00:59:51,919
Speaker 1: come to the internet, and they tend to They come

985
00:59:52,000 --> 00:59:56,120
Speaker 1: to the internet and they like to talk about their counterparts.

986
00:59:58,560 --> 01:00:00,720
Speaker 1: They like to talk about their boy, your friend, or

987
01:00:00,760 --> 01:00:03,920
Speaker 1: their girlfriend, or who they into it with, or who

988
01:00:04,000 --> 01:00:06,680
Speaker 1: they used to love, and why the love is gone,

989
01:00:06,800 --> 01:00:09,520
Speaker 1: and how to love disappeared and where it used to

990
01:00:09,640 --> 01:00:12,760
Speaker 1: be and why it ain't there no more. They'd like

991
01:00:12,880 --> 01:00:16,560
Speaker 1: to get online and say certain things that I would

992
01:00:16,640 --> 01:00:21,360
Speaker 1: consider backbite. Then whether or not I'm right or wrong

993
01:00:21,480 --> 01:00:24,439
Speaker 1: in that is be up for debate. But I looked

994
01:00:24,520 --> 01:00:29,680
Speaker 1: online the other day and I saw a young lady walking.

995
01:00:30,320 --> 01:00:35,800
Speaker 1: She was live, right, and this this is twofold. So

996
01:00:35,880 --> 01:00:38,080
Speaker 1: a guy asked hers, she has a real big ass.

997
01:00:38,200 --> 01:00:41,160
Speaker 1: You know, us guys nowadays we like, we like a

998
01:00:41,240 --> 01:00:45,320
Speaker 1: whole lot of ass. You know, m cushing for the

999
01:00:45,440 --> 01:00:47,920
Speaker 1: pushing and it places you in a position and enjoy

1000
01:00:48,040 --> 01:00:51,560
Speaker 1: the ride. Right, So a whole lot of ass. So dude,

1001
01:00:51,720 --> 01:00:55,400
Speaker 1: when when it try to get at them, no harm,

1002
01:00:55,520 --> 01:00:57,920
Speaker 1: no foule. We see a pretty woman, some of us

1003
01:00:58,760 --> 01:01:02,400
Speaker 1: react to that. Know, I tend not to. You know,

1004
01:01:02,480 --> 01:01:05,000
Speaker 1: I ain't enjoyed like everybody else, but I'm not gonna

1005
01:01:05,000 --> 01:01:07,040
Speaker 1: place myself in a position to go out on a

1006
01:01:07,160 --> 01:01:10,640
Speaker 1: tree limb that way, right, So he goes out on

1007
01:01:10,680 --> 01:01:14,680
Speaker 1: a tree limb, and he goes out of Her response

1008
01:01:14,760 --> 01:01:17,480
Speaker 1: to him is what was interesting to me. Her response

1009
01:01:17,560 --> 01:01:21,720
Speaker 1: to him was, Hey, I can't take a picture with

1010
01:01:21,920 --> 01:01:29,200
Speaker 1: you because my man is insecure. Now I asked myself.

1011
01:01:30,840 --> 01:01:32,640
Speaker 1: See as a couple of things, you gotta know when

1012
01:01:32,680 --> 01:01:35,600
Speaker 1: someone says someone does something. Number One, you gotta figure

1013
01:01:35,600 --> 01:01:38,120
Speaker 1: out what you think people gonna do with that information

1014
01:01:39,360 --> 01:01:42,720
Speaker 1: or why you think they asked that. Number One, you

1015
01:01:42,880 --> 01:01:45,880
Speaker 1: offered information that he didn't ask by telling him your

1016
01:01:45,920 --> 01:01:48,480
Speaker 1: man is insecure. I didn't see the value in that.

1017
01:01:48,720 --> 01:01:52,160
Speaker 1: Number Two, what you think he's gonna do with that information?

1018
01:01:54,320 --> 01:01:56,840
Speaker 1: So as a man or as a woman, or and

1019
01:01:57,040 --> 01:02:00,080
Speaker 1: sometimes dudes do they girl like that? Oh man? You

1020
01:02:00,160 --> 01:02:02,400
Speaker 1: know my old lady wouldn't like nobody next to me

1021
01:02:02,600 --> 01:02:08,000
Speaker 1: like that. Yeah, I mean, I don't see what that

1022
01:02:08,200 --> 01:02:10,840
Speaker 1: be about. Somebody explained it to me, But what it

1023
01:02:11,000 --> 01:02:18,360
Speaker 1: comes all fast is that I'm shitting on my partner.

1024
01:02:18,720 --> 01:02:21,160
Speaker 1: So you can look at me in more of a

1025
01:02:22,320 --> 01:02:25,200
Speaker 1: in a brighter of a light. Right, Oh, I'm so

1026
01:02:25,440 --> 01:02:29,640
Speaker 1: good that my partner is jealous by the sight of

1027
01:02:29,840 --> 01:02:32,080
Speaker 1: somebody next to me. And if that's the case, let's

1028
01:02:32,080 --> 01:02:35,720
Speaker 1: say your partner is battling with some sort of identity

1029
01:02:35,840 --> 01:02:39,640
Speaker 1: crisis or some sort of jealousy behavior, or some sort

1030
01:02:39,680 --> 01:02:45,520
Speaker 1: of way he views you sometimes me and view that

1031
01:02:45,680 --> 01:02:57,880
Speaker 1: women with so much admiration, right, that it bleeds into possessiveness. Right.

1032
01:02:58,000 --> 01:03:01,880
Speaker 1: It starts off as admiration, but you gotta control admiration.

1033
01:03:04,160 --> 01:03:06,960
Speaker 1: But then some people give you free rein once some yours.

1034
01:03:07,040 --> 01:03:09,480
Speaker 1: Do what you like as long as you ain't hurting me,

1035
01:03:09,600 --> 01:03:12,120
Speaker 1: but love me as hard as you want to love me. Right.

1036
01:03:12,600 --> 01:03:15,800
Speaker 1: Some people got that type of mindset, but others say, YO,

1037
01:03:15,920 --> 01:03:19,720
Speaker 1: control your admiration because it may start to feel like possessiveness,

1038
01:03:20,280 --> 01:03:23,760
Speaker 1: which may start to feel like jail, which then starts

1039
01:03:23,800 --> 01:03:29,800
Speaker 1: to feel like I need to leave. Right, So you

1040
01:03:29,960 --> 01:03:31,840
Speaker 1: gotta know how to talk to the person that you

1041
01:03:32,080 --> 01:03:34,440
Speaker 1: deal with and you involved with. You gotta know what

1042
01:03:34,600 --> 01:03:42,560
Speaker 1: it is that speaks to their well being. I always

1043
01:03:42,640 --> 01:03:45,360
Speaker 1: tell people you gotta begin with the end in their mind.

1044
01:03:47,480 --> 01:03:49,720
Speaker 1: A lot of people they go and they start things

1045
01:03:49,760 --> 01:03:53,840
Speaker 1: and they don't consider where they're going. A wise man said,

1046
01:03:53,880 --> 01:03:57,000
Speaker 1: if you hire people for where you're going, that can't

1047
01:03:57,040 --> 01:03:59,919
Speaker 1: fit the way you If you hire people for ware

1048
01:04:00,080 --> 01:04:02,960
Speaker 1: you wet, they can't fit the way you're going, then

1049
01:04:03,040 --> 01:04:10,120
Speaker 1: you failed. See it's important to plan for the expansion.

1050
01:04:12,000 --> 01:04:17,960
Speaker 1: It's important. I always consider if it works. A lot

1051
01:04:18,040 --> 01:04:20,080
Speaker 1: of people wasn't ready when it worked. I see a

1052
01:04:20,120 --> 01:04:24,360
Speaker 1: lot of rappers get a record there. They don't have LLC,

1053
01:04:24,640 --> 01:04:27,000
Speaker 1: they don't have a bank account, they don't have nobody,

1054
01:04:27,160 --> 01:04:29,479
Speaker 1: no lawyers, no team, They don't know who to hire.

1055
01:04:30,480 --> 01:04:33,080
Speaker 1: I know right now who to hire for any situation

1056
01:04:33,200 --> 01:04:37,440
Speaker 1: that I get in in the industry, outside the industry,

1057
01:04:37,800 --> 01:04:43,280
Speaker 1: because I put the knowledge in right. So I'm not

1058
01:04:43,440 --> 01:04:46,280
Speaker 1: gonna go hire somebody that knows nothing about what it

1059
01:04:46,520 --> 01:04:50,680
Speaker 1: is that we're about to be faced with. And I'm

1060
01:04:50,720 --> 01:04:54,400
Speaker 1: also not hiring nobody who only is stagnant. It can

1061
01:04:54,520 --> 01:04:57,640
Speaker 1: only be beneficial in one place. I will let you

1062
01:04:57,800 --> 01:05:00,960
Speaker 1: work with me on one thing. But to me, when

1063
01:05:01,000 --> 01:05:06,160
Speaker 1: I hire someone, we're speaking about the ending in mind.

1064
01:05:09,640 --> 01:05:11,880
Speaker 1: You know we don't just go do frivolous things. So

1065
01:05:12,800 --> 01:05:15,680
Speaker 1: understanding that, but but I just didn't appreciate that that

1066
01:05:15,840 --> 01:05:18,520
Speaker 1: girl said that. Man, I'm like, damn, man, man, you

1067
01:05:18,640 --> 01:05:21,040
Speaker 1: can't even be insecure with your girl or you can't

1068
01:05:21,080 --> 01:05:25,720
Speaker 1: even be vulnerable, right because somebody like me that's so powerful.

1069
01:05:25,720 --> 01:05:28,840
Speaker 1: And you know, people hold me in high regard. You know,

1070
01:05:28,960 --> 01:05:32,040
Speaker 1: if I show certain weaknesses and I'm telling people, and

1071
01:05:32,080 --> 01:05:35,880
Speaker 1: I always tell everybody, I'm not perfect home, I'm I'm

1072
01:05:35,960 --> 01:05:40,880
Speaker 1: flowed up. I'm telling about flowed up, but I'm seeking.

1073
01:05:41,080 --> 01:05:45,400
Speaker 1: I'm bluetooth mold. You know what I'm saying. Sometimes my

1074
01:05:45,600 --> 01:05:54,520
Speaker 1: confidence may come off as as assurance, but my confidence

1075
01:05:54,680 --> 01:05:57,000
Speaker 1: is only a reflection of what I know I'm willing

1076
01:05:57,040 --> 01:06:02,640
Speaker 1: to endure to get it done. So my confidence shouldn't

1077
01:06:02,680 --> 01:06:05,800
Speaker 1: bother nobody because see my confidence, it only speaks to

1078
01:06:05,960 --> 01:06:08,640
Speaker 1: what I know I'm willing to do to get it done. Right.

1079
01:06:08,720 --> 01:06:11,480
Speaker 1: When I walk in a room and it's a hundred

1080
01:06:11,480 --> 01:06:16,400
Speaker 1: of you dudes, it don't bother me. When somebody holing

1081
01:06:16,440 --> 01:06:18,480
Speaker 1: what they're gonna do, it don't bother me. I know

1082
01:06:18,560 --> 01:06:21,600
Speaker 1: what I'm willing to do. And when somebody say we'll

1083
01:06:21,720 --> 01:06:26,200
Speaker 1: sign you for this, and they don't understand my retention,

1084
01:06:26,280 --> 01:06:29,240
Speaker 1: they don't understand see for you to get this here.

1085
01:06:29,320 --> 01:06:32,960
Speaker 1: When I'm doing. You gotta really understand the culture. This

1086
01:06:33,120 --> 01:06:35,760
Speaker 1: ain't for the faint hearted. This ain't just for the

1087
01:06:35,920 --> 01:06:39,320
Speaker 1: business guys. You can't be You can't see on the

1088
01:06:39,440 --> 01:06:42,360
Speaker 1: front end. Without the vision, you can't see what this

1089
01:06:42,760 --> 01:06:46,680
Speaker 1: is that I'm doing. This is what I'm doing. It's

1090
01:06:46,720 --> 01:06:49,840
Speaker 1: worth more money than what they gonna consider because they

1091
01:06:49,880 --> 01:06:53,960
Speaker 1: don't know who I'm speaking to. They don't know the

1092
01:06:54,080 --> 01:06:58,000
Speaker 1: gheto's tuned. Then they don't know hip hop it is tuned.

1093
01:06:58,080 --> 01:07:01,560
Speaker 1: Then they don't know I'm dealing with it experiences. They

1094
01:07:01,640 --> 01:07:04,560
Speaker 1: don't know that people can feel it everywhere I go.

1095
01:07:05,360 --> 01:07:08,400
Speaker 1: They gravitate to this. So they want to look at

1096
01:07:08,520 --> 01:07:11,320
Speaker 1: numbers and they want to compare me to people that's

1097
01:07:11,360 --> 01:07:16,480
Speaker 1: been sitting next to people for twenty years. But I'm

1098
01:07:16,520 --> 01:07:20,480
Speaker 1: trying to tell them they don't understand impact. They don't

1099
01:07:20,560 --> 01:07:24,560
Speaker 1: understand what it takes to crack ground and break ground

1100
01:07:24,880 --> 01:07:28,120
Speaker 1: as I'm doing. You ain't never heard nobody talk like this.

1101
01:07:31,400 --> 01:07:34,640
Speaker 1: It ain't what I'm saying, It ain't how I said it,

1102
01:07:35,040 --> 01:07:38,320
Speaker 1: it ain't win it's being said. It's all those things

1103
01:07:38,400 --> 01:07:44,080
Speaker 1: in combination, and it's never been done this way. You

1104
01:07:44,160 --> 01:07:46,720
Speaker 1: may hear a little bit of it on a PIMPC track.

1105
01:07:48,160 --> 01:07:50,120
Speaker 1: You may hear a little bit over here over here

1106
01:07:50,360 --> 01:07:53,680
Speaker 1: when you listen to some motivational guys that feel like

1107
01:07:53,840 --> 01:07:57,440
Speaker 1: that they giving game. You may hear a little bit

1108
01:07:57,520 --> 01:07:59,360
Speaker 1: of it in the hood with your uncle or you're

1109
01:07:59,360 --> 01:08:02,960
Speaker 1: the couls, you know. But then you cut it on

1110
01:08:03,160 --> 01:08:05,160
Speaker 1: and it's all lead in one and then we're able

1111
01:08:05,200 --> 01:08:07,480
Speaker 1: to you know what I'm saying, So understanding the impact

1112
01:08:07,560 --> 01:08:10,560
Speaker 1: of things, man, and we'll move on because I'll get

1113
01:08:10,600 --> 01:08:12,840
Speaker 1: off on a tangent and start taking y'all down through

1114
01:08:12,880 --> 01:08:16,200
Speaker 1: that man about some things that y'all may not necessarily

1115
01:08:16,400 --> 01:08:19,639
Speaker 1: understand just yet, but it'll all make sense. Just stay

1116
01:08:19,680 --> 01:08:22,439
Speaker 1: on the ride. It all makes sense. It place us

1117
01:08:22,479 --> 01:08:27,080
Speaker 1: in a great situation. It will not fill us because

1118
01:08:27,120 --> 01:08:31,240
Speaker 1: what I'm willing to do to get it done, I

1119
01:08:31,360 --> 01:08:36,760
Speaker 1: can't be stopped. Let's talk about Tory Lanes. Told y'all

1120
01:08:36,840 --> 01:08:42,240
Speaker 1: last week that prosecutors was pushing to up the bond

1121
01:08:42,320 --> 01:08:45,240
Speaker 1: of Tory Lanes for popping out a roll in loud

1122
01:08:48,000 --> 01:08:50,920
Speaker 1: on meg the Style and with debate on the baby set,

1123
01:08:51,040 --> 01:08:54,920
Speaker 1: and they said that he violated restrainting order with Megna Style.

1124
01:08:58,760 --> 01:09:02,000
Speaker 1: I always tell you, man, I always tell you that

1125
01:09:02,120 --> 01:09:04,320
Speaker 1: you gotta be careful with who you're dealing when people

1126
01:09:04,360 --> 01:09:06,720
Speaker 1: to show you what they'll do right. And I'm not

1127
01:09:06,840 --> 01:09:08,960
Speaker 1: speaking about who's right or wrong getting this. I'm just

1128
01:09:09,080 --> 01:09:13,479
Speaker 1: speaking about understanding what's going on and what's involved. You

1129
01:09:13,600 --> 01:09:15,840
Speaker 1: got somebody that you know is willing to do these

1130
01:09:15,960 --> 01:09:18,640
Speaker 1: kind of things, Now, why would you know be in

1131
01:09:18,680 --> 01:09:22,360
Speaker 1: a situation to antagonize them. I don't see the value

1132
01:09:22,439 --> 01:09:26,799
Speaker 1: in that. I think that's a mistake to antagonize someone

1133
01:09:26,880 --> 01:09:29,680
Speaker 1: that's hell bent through not letting you antagonize them. It

1134
01:09:29,800 --> 01:09:37,320
Speaker 1: makes no sense when money's present, bullshit doesn't exist. We

1135
01:09:37,479 --> 01:09:39,559
Speaker 1: can't mix the money with the you want to get

1136
01:09:39,640 --> 01:09:43,080
Speaker 1: back at somebody. These things don't coexist. They don't make sense.

1137
01:09:43,560 --> 01:09:45,680
Speaker 1: And we didn't get way here to still play the

1138
01:09:45,760 --> 01:09:47,720
Speaker 1: high school game. We're here to rake the money in.

1139
01:09:47,920 --> 01:09:50,639
Speaker 1: Look around. If we run into a through real ones,

1140
01:09:50,760 --> 01:09:53,040
Speaker 1: a few real ones on the way, shout out to them.

1141
01:09:53,160 --> 01:09:55,519
Speaker 1: If not get the money, go back home, bring it

1142
01:09:55,560 --> 01:09:58,679
Speaker 1: to the family, take it back to the village, Build

1143
01:09:58,720 --> 01:10:01,840
Speaker 1: the people, build a brand, build the public, build a community.

1144
01:10:02,320 --> 01:10:04,559
Speaker 1: This is what the vibes is. Not to come here

1145
01:10:04,560 --> 01:10:07,240
Speaker 1: and ha ha ha, this ain't funny games for some

1146
01:10:07,360 --> 01:10:13,200
Speaker 1: of us. We come from the ghetto, right, and what

1147
01:10:13,400 --> 01:10:16,040
Speaker 1: we tend to do is we tend to ignore warning signs.

1148
01:10:16,120 --> 01:10:19,559
Speaker 1: It's something about a warning sign that our arrogance won't

1149
01:10:19,560 --> 01:10:22,400
Speaker 1: allow us to accept the fact that, hey, you showed

1150
01:10:22,520 --> 01:10:24,400
Speaker 1: me you will do these kind of things, and I

1151
01:10:24,520 --> 01:10:30,200
Speaker 1: tend to not take you at your word. Right, So

1152
01:10:30,439 --> 01:10:32,680
Speaker 1: let's just say that some of the things tour are

1153
01:10:32,720 --> 01:10:35,800
Speaker 1: saying about Meg or true. Right, Oh, she made this

1154
01:10:36,000 --> 01:10:38,519
Speaker 1: up or she made that up, or she made this up.

1155
01:10:38,640 --> 01:10:41,680
Speaker 1: Let's just entertain that. I know that it may not

1156
01:10:41,840 --> 01:10:43,920
Speaker 1: be the case, but let's entertain it just for the

1157
01:10:44,000 --> 01:10:48,040
Speaker 1: sake of because I do a podcast. Let's say that

1158
01:10:48,160 --> 01:10:50,080
Speaker 1: all of that is true. She lied about this, she

1159
01:10:50,240 --> 01:10:52,479
Speaker 1: made this up, made that up. So then why would

1160
01:10:52,520 --> 01:10:55,680
Speaker 1: you give her footage to show when you popping out

1161
01:10:55,760 --> 01:10:58,360
Speaker 1: at a show that you not expected that your fans

1162
01:10:58,400 --> 01:11:00,680
Speaker 1: are not disappointed because they never counted on you to

1163
01:11:00,720 --> 01:11:03,080
Speaker 1: be there. They kind of have accepted the fact that

1164
01:11:03,600 --> 01:11:06,120
Speaker 1: what Meg is, Tory isn't and that's just how this

1165
01:11:06,320 --> 01:11:10,200
Speaker 1: thing works. What is the value in that? Right? So

1166
01:11:10,439 --> 01:11:16,439
Speaker 1: for me, it didn't make sense. You're ignoring the warning signs.

1167
01:11:16,560 --> 01:11:20,040
Speaker 1: Sometimes I look at a marriage and I see the

1168
01:11:20,120 --> 01:11:22,559
Speaker 1: people go up and they're happy, and they got all

1169
01:11:22,600 --> 01:11:25,759
Speaker 1: their family there, and people got suits on and people addressed,

1170
01:11:25,880 --> 01:11:29,720
Speaker 1: and some of the best. Sunday's best got to be

1171
01:11:29,800 --> 01:11:32,799
Speaker 1: one of the most beautiful sceneries that I've ever encountered.

1172
01:11:32,840 --> 01:11:36,160
Speaker 1: A scene there's emotion at a very high level. Someone's

1173
01:11:36,200 --> 01:11:38,120
Speaker 1: giving their daughter away. I mean, this is one of

1174
01:11:38,160 --> 01:11:41,519
Speaker 1: the best times in the world. But when they get

1175
01:11:41,640 --> 01:11:43,599
Speaker 1: up there, that's something that the dude got to read.

1176
01:11:43,680 --> 01:11:49,439
Speaker 1: And when he go to reading, these are warnings and

1177
01:11:49,560 --> 01:11:51,920
Speaker 1: they may not be took as a warning because everybody's

1178
01:11:52,000 --> 01:11:54,400
Speaker 1: dressed up, and the man saying it has a such

1179
01:11:54,520 --> 01:11:58,320
Speaker 1: pristine voice, and he's talking very loud and direct, and

1180
01:11:58,479 --> 01:12:00,960
Speaker 1: love is in there and everybody is that, the kids

1181
01:12:01,000 --> 01:12:05,440
Speaker 1: and the flower girl. But he's telling you the circumstances

1182
01:12:05,520 --> 01:12:09,080
Speaker 1: that may be involved with what you headed towards, through

1183
01:12:09,160 --> 01:12:12,160
Speaker 1: sickness to health, through good, do bad, through this, do that,

1184
01:12:12,360 --> 01:12:14,960
Speaker 1: through out of that, out it that it either. So

1185
01:12:15,120 --> 01:12:17,760
Speaker 1: what he's saying is, I know everything feels good now,

1186
01:12:21,080 --> 01:12:24,160
Speaker 1: but I just want to warn you right that certain

1187
01:12:24,240 --> 01:12:26,679
Speaker 1: things lead to certain things, and then when certain things

1188
01:12:27,160 --> 01:12:33,519
Speaker 1: present themselves, when for a roller coaster, but everybody casually

1189
01:12:33,640 --> 01:12:36,000
Speaker 1: I do. Just right after that, don't even consider it,

1190
01:12:36,120 --> 01:12:40,400
Speaker 1: don't even look I do. Yeah, yeah, everybody, They ain't

1191
01:12:40,560 --> 01:12:44,640
Speaker 1: that the warrant has been ignored, and not saying that

1192
01:12:44,800 --> 01:12:47,400
Speaker 1: marriage is a bad thing. But understand what you're getting

1193
01:12:47,479 --> 01:12:50,360
Speaker 1: involved with the same way with them. Understand when you

1194
01:12:50,520 --> 01:12:56,639
Speaker 1: pop out on this stage, what this does somebody. Every

1195
01:12:57,360 --> 01:12:59,920
Speaker 1: every action has a reaction that needs to That's gonna

1196
01:12:59,960 --> 01:13:04,040
Speaker 1: be a reaction to this. They're gonna say, oh, you've

1197
01:13:04,080 --> 01:13:08,639
Speaker 1: done this. I got you. But you know see, because

1198
01:13:08,720 --> 01:13:12,559
Speaker 1: dealing with women is such a fragile thing man. You know. Um,

1199
01:13:13,520 --> 01:13:21,240
Speaker 1: I was telling my homeboard that relationships many they as

1200
01:13:21,800 --> 01:13:24,160
Speaker 1: you know, the old I getting, the more experience I

1201
01:13:24,280 --> 01:13:28,639
Speaker 1: get with life, and the more women and people are encountering,

1202
01:13:28,720 --> 01:13:34,360
Speaker 1: the more information that I gather. Right as I'm getting older.

1203
01:13:34,479 --> 01:13:36,120
Speaker 1: Back in the day, we used to be hunters and

1204
01:13:36,200 --> 01:13:40,439
Speaker 1: gatherers where we would have to go out for our food.

1205
01:13:40,560 --> 01:13:42,720
Speaker 1: Then we have to go out for our information and

1206
01:13:43,320 --> 01:13:46,000
Speaker 1: bring that back to the village. But nonetheless, it's it's

1207
01:13:46,080 --> 01:13:51,760
Speaker 1: more and more information that I get. Were relationships. I

1208
01:13:51,960 --> 01:13:56,879
Speaker 1: used to only think relationships were about who can who

1209
01:13:56,960 --> 01:14:00,679
Speaker 1: can freak me the most? You know, or not necessarily

1210
01:14:00,760 --> 01:14:04,320
Speaker 1: freaked me the most, but who could sustain me sexually?

1211
01:14:04,439 --> 01:14:09,280
Speaker 1: Who can place me in a situation awhere? Possibly? You

1212
01:14:09,439 --> 01:14:13,519
Speaker 1: know I can count on them in a sexual amounner.

1213
01:14:13,640 --> 01:14:20,479
Speaker 1: Right as I age, I say, wow, relationships are really

1214
01:14:20,600 --> 01:14:25,760
Speaker 1: like relationships, you know, It's just some of us don't

1215
01:14:25,880 --> 01:14:27,920
Speaker 1: view them that way. Right, just view them more so

1216
01:14:28,160 --> 01:14:31,360
Speaker 1: as a I don't know what it is, but it's

1217
01:14:31,439 --> 01:14:37,280
Speaker 1: way more than that. And relationships and marriages two different things, right.

1218
01:14:37,439 --> 01:14:42,799
Speaker 1: So marriage isn't about how long have you been with somebody?

1219
01:14:43,000 --> 01:14:45,439
Speaker 1: Marriage is more sore about the feeling you get while

1220
01:14:45,520 --> 01:14:48,800
Speaker 1: you with somebody. Right to convince yourself that I can

1221
01:14:49,360 --> 01:14:53,240
Speaker 1: deal with this feeling for the rest of my life. Right,

1222
01:14:53,520 --> 01:14:56,680
Speaker 1: So some people always equate that, hey, girl, he'd been

1223
01:14:56,720 --> 01:14:58,640
Speaker 1: with you for this many years, he needs to be

1224
01:14:58,800 --> 01:15:04,920
Speaker 1: marrying you. What marriage don't work like that. Men go

1225
01:15:05,080 --> 01:15:09,599
Speaker 1: where they provided peace, right, And so men are gonna

1226
01:15:09,640 --> 01:15:13,719
Speaker 1: find a place where. Men don't get married to the person.

1227
01:15:14,720 --> 01:15:19,760
Speaker 1: Men get married to the circumstances. Men get married to

1228
01:15:19,880 --> 01:15:24,600
Speaker 1: the environment. Men get married to all the things that

1229
01:15:24,760 --> 01:15:30,360
Speaker 1: surround and make that person who they are. And oftentimes

1230
01:15:30,439 --> 01:15:35,800
Speaker 1: we are we look over that. But the more the

1231
01:15:35,920 --> 01:15:37,760
Speaker 1: more I get old, I say, man, you gotta have

1232
01:15:37,920 --> 01:15:42,679
Speaker 1: somebody that understands what it is like I didn't understand

1233
01:15:42,680 --> 01:15:44,680
Speaker 1: when they used to be like yo, a creative man

1234
01:15:44,880 --> 01:15:47,320
Speaker 1: needs or this kind of one. I didn't usually get that.

1235
01:15:47,439 --> 01:15:51,760
Speaker 1: But when you're somebody like me, man, and you weigh

1236
01:15:51,920 --> 01:15:54,120
Speaker 1: down here and you're creating all this stuff, and you're

1237
01:15:54,120 --> 01:15:56,960
Speaker 1: going hard and you're investing, and you're back and forth

1238
01:15:57,040 --> 01:15:59,600
Speaker 1: and you're trying to figure it out and things that

1239
01:15:59,680 --> 01:16:02,400
Speaker 1: happening on the back end where your money is, you know,

1240
01:16:02,800 --> 01:16:05,240
Speaker 1: being spent the end and that, and this is part

1241
01:16:05,320 --> 01:16:09,160
Speaker 1: of the game. You need somebody to understands what it

1242
01:16:09,280 --> 01:16:11,000
Speaker 1: takes for you to get up and go and do that.

1243
01:16:12,640 --> 01:16:15,920
Speaker 1: And also see, I told my home boy I want

1244
01:16:15,920 --> 01:16:18,160
Speaker 1: to be with somebody to make me lower my tone.

1245
01:16:20,160 --> 01:16:22,200
Speaker 1: And I think he took that wrong. He took that

1246
01:16:22,360 --> 01:16:24,400
Speaker 1: like I want some woman telling me what to do.

1247
01:16:25,600 --> 01:16:27,479
Speaker 1: So he asked me, what you mean. I had to

1248
01:16:27,560 --> 01:16:29,720
Speaker 1: tell him, now, I want somebody that I don't want.

1249
01:16:29,800 --> 01:16:32,760
Speaker 1: I don't have to be loud around. I don't have

1250
01:16:32,920 --> 01:16:36,519
Speaker 1: to be mucho. Man, you understand me. I need a

1251
01:16:36,600 --> 01:16:39,160
Speaker 1: woman who ain't gonna make me be ran this savage

1252
01:16:40,400 --> 01:16:42,080
Speaker 1: right when I come in the house. I got to

1253
01:16:42,400 --> 01:16:44,920
Speaker 1: you know, man, I've been fighting the world all day. Man,

1254
01:16:45,120 --> 01:16:48,840
Speaker 1: let me lady rand outside. Yeah, yeah, I'm coming in,

1255
01:16:49,080 --> 01:16:51,479
Speaker 1: as you understand me. Yeah, So I just want to

1256
01:16:51,560 --> 01:16:54,200
Speaker 1: relax and chilling. I don't want to have to defend

1257
01:16:54,360 --> 01:16:57,040
Speaker 1: myself and my ideas and what I've done in my

1258
01:16:57,280 --> 01:17:00,439
Speaker 1: podcast and who likes me and who inboxes? Men? Who

1259
01:17:00,520 --> 01:17:03,400
Speaker 1: this and who that? Because I'm creating at a high

1260
01:17:03,520 --> 01:17:05,880
Speaker 1: level and none of these dudes don't have this type

1261
01:17:05,920 --> 01:17:10,160
Speaker 1: of flavor about them. These dudes is real bland. And

1262
01:17:10,320 --> 01:17:13,120
Speaker 1: then I come through and then it got a little

1263
01:17:13,200 --> 01:17:15,960
Speaker 1: sum about them and people tend to like it, like yo,

1264
01:17:16,160 --> 01:17:18,840
Speaker 1: I can't defend these things. This is how life works.

1265
01:17:19,000 --> 01:17:24,240
Speaker 1: People gravitate to the truth. People gravitate to what it

1266
01:17:24,439 --> 01:17:27,240
Speaker 1: is they can feel and understand and provise them with

1267
01:17:27,400 --> 01:17:32,880
Speaker 1: some sort of solace. And that's what I do. And

1268
01:17:33,000 --> 01:17:37,360
Speaker 1: so just understand, man, whoever you be with and however

1269
01:17:37,479 --> 01:17:40,000
Speaker 1: you choose to interact with them, is very important in

1270
01:17:40,080 --> 01:17:42,800
Speaker 1: your way of being Mentally. A lot of people worry

1271
01:17:42,800 --> 01:17:45,679
Speaker 1: about the physical, but they don't worry about the mental.

1272
01:17:46,120 --> 01:17:48,920
Speaker 1: And sometimes people were about the mental and not the physical.

1273
01:17:49,000 --> 01:17:52,280
Speaker 1: So there's a marriage that has to happen between those two.

1274
01:17:52,360 --> 01:17:54,920
Speaker 1: We gotta worry about both things in order to encounter

1275
01:17:55,400 --> 01:17:59,639
Speaker 1: the best possible version of ourselves. You see what I'm saying.

1276
01:18:00,960 --> 01:18:05,599
Speaker 1: But um, but yeah, man, Just relationships are very very deep, man,

1277
01:18:05,720 --> 01:18:07,880
Speaker 1: They very very deep. We're gonna get into the Kodak

1278
01:18:07,920 --> 01:18:11,280
Speaker 1: Black and Jackboard situation. It's a lot going on with it. Um,

1279
01:18:11,560 --> 01:18:15,639
Speaker 1: I'm gonna play one of the clips. Then we'll get

1280
01:18:15,720 --> 01:18:19,599
Speaker 1: to the boost. All right, So let's talk about Kodak

1281
01:18:19,680 --> 01:18:21,639
Speaker 1: Black and jack Boy. Man, they seem to be going

1282
01:18:21,720 --> 01:18:26,840
Speaker 1: through a very intense situation amongst each other, man that

1283
01:18:27,080 --> 01:18:31,920
Speaker 1: that seems that they could could end not well, you

1284
01:18:32,040 --> 01:18:35,439
Speaker 1: did what I'm saying. Um, And it's always from the

1285
01:18:35,560 --> 01:18:39,800
Speaker 1: inside to do the most damage. It's always from the

1286
01:18:39,880 --> 01:18:42,680
Speaker 1: inside to do the most damage. Man, You see what

1287
01:18:42,720 --> 01:18:48,160
Speaker 1: I'm saying. So, um, one thing I am gonna say,

1288
01:18:48,280 --> 01:18:52,479
Speaker 1: Jackboards seems to be more charismatic h with their phone

1289
01:18:52,520 --> 01:18:55,400
Speaker 1: in his hand than Kodak. He seems to be outshining

1290
01:18:55,439 --> 01:19:00,040
Speaker 1: them just with the energen or the Instagram type of

1291
01:19:00,040 --> 01:19:02,880
Speaker 1: the ship that the rap dudes do nowadays. He seems

1292
01:19:02,920 --> 01:19:06,639
Speaker 1: to be, you know, dancing around that better than Kodak.

1293
01:19:06,720 --> 01:19:09,120
Speaker 1: Kodak seems to be kind of looking at the phone like,

1294
01:19:09,680 --> 01:19:13,040
Speaker 1: you know, almost like he ain't he ain't tapping into that,

1295
01:19:14,040 --> 01:19:17,320
Speaker 1: uh or he may not be. But Jackboard seems to

1296
01:19:17,400 --> 01:19:20,280
Speaker 1: be a but almost like a comedian like he bouncing

1297
01:19:20,360 --> 01:19:23,439
Speaker 1: around and he owned it. You know, he's being very

1298
01:19:23,680 --> 01:19:28,840
Speaker 1: entertaining on these lives. But the words that's being used,

1299
01:19:29,680 --> 01:19:33,000
Speaker 1: it's what's important. So these boys I add each other

1300
01:19:33,120 --> 01:19:34,920
Speaker 1: through and it's a lot being said. We're gonna play

1301
01:19:34,920 --> 01:19:37,920
Speaker 1: a little bit of a video from Kodak Um and

1302
01:19:38,040 --> 01:19:40,920
Speaker 1: then we're gonna get in the Jackboard video. We're gonna

1303
01:19:40,920 --> 01:19:45,439
Speaker 1: get into bootshitum on Breakfast Club and then it might

1304
01:19:45,520 --> 01:19:48,120
Speaker 1: be a rap after that. Not sure, we'll see what

1305
01:19:48,200 --> 01:19:51,240
Speaker 1: else we want to talk about, but um, let's let's

1306
01:19:51,240 --> 01:19:52,720
Speaker 1: play a little bit of this and see what's going on.

1307
01:19:52,760 --> 01:19:55,160
Speaker 1: All right, So we can't find the Kodak Black live

1308
01:19:55,320 --> 01:19:57,320
Speaker 1: that was going on while jack Board was going on.

1309
01:19:57,800 --> 01:20:00,360
Speaker 1: So what happened was Kodak Black was live and hood

1310
01:20:00,400 --> 01:20:03,439
Speaker 1: with a whole bunch of snakes and his homies and

1311
01:20:04,120 --> 01:20:07,760
Speaker 1: speaking about he being Snake Bays homeboy and he no

1312
01:20:08,000 --> 01:20:10,600
Speaker 1: never been. You shouldn't have trust him. You know just

1313
01:20:10,760 --> 01:20:14,400
Speaker 1: on that type vibe, just snake vibe. Jack Boys laughed

1314
01:20:14,400 --> 01:20:16,519
Speaker 1: the whole time talking about it and had a bunch

1315
01:20:16,560 --> 01:20:19,080
Speaker 1: of people. So Kodak Black went off live to join

1316
01:20:19,200 --> 01:20:21,519
Speaker 1: jack Board Live. Here's a clip from jack Boys Live

1317
01:20:21,760 --> 01:20:26,000
Speaker 1: that he want appreciation. Which you want someone? Mary? Oh,

1318
01:20:28,200 --> 01:20:30,640
Speaker 1: you're signing for twenty five hundred wolf, I try to

1319
01:20:30,680 --> 01:20:33,880
Speaker 1: give you three hundred thousand. That ain't good enough for you?

1320
01:20:34,560 --> 01:20:40,720
Speaker 1: Fucking getting rim rif that ain't good enough. So you're

1321
01:20:40,800 --> 01:20:43,840
Speaker 1: talking about this that Oh, now you won't block me.

1322
01:20:44,200 --> 01:20:46,160
Speaker 1: You're talking about chopping up with me right quick? Brother?

1323
01:20:46,400 --> 01:20:50,680
Speaker 1: You lame that's the lame shit. I'm talking why why? Why?

1324
01:20:51,360 --> 01:20:54,360
Speaker 1: Why would I do that? For the one with the

1325
01:20:54,439 --> 01:21:05,679
Speaker 1: laman nigana nigga lambing? Hey, what it is? Don't don't

1326
01:21:05,720 --> 01:21:10,560
Speaker 1: don't hang up, don't hang up that leg. So I

1327
01:21:10,640 --> 01:21:12,800
Speaker 1: had your network, let's let's just run. I had your

1328
01:21:12,840 --> 01:21:21,639
Speaker 1: past I had I had, I had your pawd Did

1329
01:21:21,680 --> 01:21:28,120
Speaker 1: I whoop? You see Kodak trying to talk to him

1330
01:21:28,160 --> 01:21:32,800
Speaker 1: about the specific but Jack Boys instantly hit the A

1331
01:21:33,040 --> 01:21:37,720
Speaker 1: gap on it put him on defense. See this is

1332
01:21:37,800 --> 01:21:40,400
Speaker 1: how it usually start. Both on the offense. Who's gonna

1333
01:21:40,400 --> 01:21:44,200
Speaker 1: be the first to go defense. Sometimes you see people

1334
01:21:44,280 --> 01:21:47,519
Speaker 1: je repeat the same thing each other. Now, let's just talk.

1335
01:21:47,840 --> 01:21:49,800
Speaker 1: Did I whoop you? Let's just talk? Did I whoop you?

1336
01:21:49,920 --> 01:21:51,920
Speaker 1: Let's just talk. Did I ain't even responding to that.

1337
01:21:52,360 --> 01:21:54,200
Speaker 1: I know what you're trying to do. You know what

1338
01:21:54,240 --> 01:22:06,280
Speaker 1: I'm saying, before nigga, nigga, I beat you up. Wrap

1339
01:22:06,400 --> 01:22:10,920
Speaker 1: your old song before nigga. It's sad to see dog.

1340
01:22:12,760 --> 01:22:15,120
Speaker 1: It's sad to see them two boys going at it

1341
01:22:15,240 --> 01:22:19,559
Speaker 1: like that. But the young boys is the young boys

1342
01:22:19,600 --> 01:22:24,280
Speaker 1: outside like that? The young boys outdoors like that. They

1343
01:22:24,280 --> 01:22:27,640
Speaker 1: ain't holding no. Yeah, they're going right up on their

1344
01:22:27,720 --> 01:22:30,080
Speaker 1: graham with it. I haven't seen shootouts on the graham.

1345
01:22:30,160 --> 01:22:32,360
Speaker 1: I have seen dudes go live and handle it on

1346
01:22:32,439 --> 01:22:35,759
Speaker 1: the ground that graham ain't. They ain't playing on that graham.

1347
01:22:35,840 --> 01:22:38,840
Speaker 1: And they choose the graham to do that. All these

1348
01:22:38,960 --> 01:22:42,639
Speaker 1: platform dudes choose the graham to do that every time.

1349
01:22:43,439 --> 01:22:46,840
Speaker 1: You know what I'm saying. But these dudes here, man,

1350
01:22:46,920 --> 01:22:49,240
Speaker 1: they might get back cool at some point. I don't know,

1351
01:22:49,320 --> 01:22:52,120
Speaker 1: because this is a lot of disrespect, you know. But

1352
01:22:52,320 --> 01:22:54,519
Speaker 1: me and I men and will figure it out, you know,

1353
01:22:55,080 --> 01:22:57,880
Speaker 1: or what may happen now if my home boarded I

1354
01:22:58,080 --> 01:23:01,120
Speaker 1: put on talking to me like that, I gotta get

1355
01:23:01,200 --> 01:23:07,599
Speaker 1: him Spain. I gotta get him Spain just because like yo, bro,

1356
01:23:07,800 --> 01:23:10,719
Speaker 1: you can't be serious right now. Everybody out the projects,

1357
01:23:10,760 --> 01:23:15,240
Speaker 1: I could have grabbed like that to me, boy, that

1358
01:23:15,520 --> 01:23:19,880
Speaker 1: that could dep the ring nigga or pay somebody. That's

1359
01:23:19,880 --> 01:23:23,320
Speaker 1: what that's what you do niggas. You talking about set

1360
01:23:23,640 --> 01:23:26,439
Speaker 1: set it all so I can set it off. Nigga.

1361
01:23:27,120 --> 01:23:29,880
Speaker 1: That nigga. Hey listen that look he ready to be

1362
01:23:30,040 --> 01:23:34,080
Speaker 1: so instagram with it. Man, you don't mind? Man, what

1363
01:23:34,280 --> 01:23:35,960
Speaker 1: hole you want me to add on here? You talking

1364
01:23:35,960 --> 01:23:37,840
Speaker 1: about hole? I don't care about. No what hold you

1365
01:23:37,880 --> 01:23:39,559
Speaker 1: want me to add on here? And we're gonna ask

1366
01:23:39,640 --> 01:23:42,960
Speaker 1: any hole if they mind. I bet you they tell

1367
01:23:43,000 --> 01:23:47,240
Speaker 1: me that they still nigga. You talk about nigga. We

1368
01:23:47,520 --> 01:23:54,439
Speaker 1: dug mohit nigga. That's why you're mad. Everybody stop stop it. Man,

1369
01:23:54,600 --> 01:23:57,160
Speaker 1: get a crash, dun me get a crasher. You gotta

1370
01:23:57,200 --> 01:24:00,040
Speaker 1: get a crash with me. You can't do it. You

1371
01:24:00,160 --> 01:24:01,600
Speaker 1: can't do it. And I'm not about to argue with

1372
01:24:01,680 --> 01:24:03,840
Speaker 1: you on here. That's why you can't be no boss,

1373
01:24:03,880 --> 01:24:06,080
Speaker 1: because you're ready. You're ready to hard down. Argue on

1374
01:24:06,200 --> 01:24:08,679
Speaker 1: here on some lap on some goofy or some clock

1375
01:24:09,280 --> 01:24:12,720
Speaker 1: on some fact. Go on your live and live. Oh

1376
01:24:12,800 --> 01:24:14,639
Speaker 1: he didn't do nothing for me while I was in jail.

1377
01:24:15,040 --> 01:24:20,320
Speaker 1: Oh he ain't. Come on, man, come on, it's that's obvious. Man.

1378
01:24:20,400 --> 01:24:23,679
Speaker 1: We can't hide it to them, folks, woll we can't

1379
01:24:23,760 --> 01:24:26,320
Speaker 1: hide it to them. This is why you're hitting. Yeah,

1380
01:24:26,920 --> 01:24:31,240
Speaker 1: you signed me for one album. That one album. So

1381
01:24:31,400 --> 01:24:34,400
Speaker 1: when you if I want to say this for the record,

1382
01:24:34,439 --> 01:24:36,439
Speaker 1: if the dude is sade, you go to jail, you

1383
01:24:36,600 --> 01:24:40,240
Speaker 1: do ship. You should hold him down. However, you can

1384
01:24:40,400 --> 01:24:43,200
Speaker 1: you do what I'm saying if he done right Back

1385
01:24:43,479 --> 01:24:45,960
Speaker 1: to the nigga, you can lead the horse. Hey, this

1386
01:24:46,080 --> 01:24:48,200
Speaker 1: one the nigga first blocked. But the nigga I made you.

1387
01:24:48,600 --> 01:24:50,680
Speaker 1: I told the nigga you can lead the horse to

1388
01:24:50,800 --> 01:24:53,280
Speaker 1: the water, but you can't force the horse to drink.

1389
01:24:53,680 --> 01:24:56,800
Speaker 1: Then nigga blocked me. That's why you blocked me the

1390
01:24:56,880 --> 01:25:00,240
Speaker 1: first time. He said, I made you. No, you you

1391
01:25:00,400 --> 01:25:02,680
Speaker 1: just helped. Look. Look what type of nigga want to

1392
01:25:02,680 --> 01:25:05,639
Speaker 1: be signed to you? What type of nigga would want

1393
01:25:05,640 --> 01:25:09,559
Speaker 1: to be signed to you? You lane? Like he said

1394
01:25:09,720 --> 01:25:13,439
Speaker 1: that nigga land getting reason you go beat him up.

1395
01:25:13,479 --> 01:25:15,840
Speaker 1: Don't eat some food first. I'm telling you because nigga

1396
01:25:15,920 --> 01:25:17,600
Speaker 1: hit her. I don't want to kill you. Well, I

1397
01:25:17,720 --> 01:25:19,639
Speaker 1: still love y'all gotta type of love me or more.

1398
01:25:19,920 --> 01:25:22,559
Speaker 1: I don't care what you say. That's still my godson. Nigga.

1399
01:25:23,120 --> 01:25:25,880
Speaker 1: That's still my godson. Nigga, you gotta beat his daddy

1400
01:25:25,960 --> 01:25:28,640
Speaker 1: or his soul and be like, look, cata get your

1401
01:25:28,720 --> 01:25:31,120
Speaker 1: daddy and then left quick headlock. I still love. That's

1402
01:25:31,120 --> 01:25:33,880
Speaker 1: still my godson. Fuck you talking. I don't want to

1403
01:25:33,920 --> 01:25:35,840
Speaker 1: hurt you. Whoa you my nigga. I'm gonna beat you

1404
01:25:36,360 --> 01:25:38,920
Speaker 1: like I've been doing, like I've been did. You're tripping.

1405
01:25:39,000 --> 01:25:42,680
Speaker 1: You're talking about you made me? How? Whoa bro? When

1406
01:25:42,720 --> 01:25:44,439
Speaker 1: I got out of jail, I had ten thousand dollars

1407
01:25:44,520 --> 01:25:47,519
Speaker 1: to my name. How maybe because you're tagging me on Instagram.

1408
01:25:48,200 --> 01:25:50,800
Speaker 1: You're tagging me on Instagram? I got six hundred case

1409
01:25:50,840 --> 01:25:53,559
Speaker 1: follows with ten bands to my name. How you made

1410
01:25:53,600 --> 01:25:57,200
Speaker 1: me when you went to jail? I made millions? She

1411
01:25:57,479 --> 01:26:00,800
Speaker 1: was the problem talking about. You're talking about pull up?

1412
01:26:00,800 --> 01:26:03,040
Speaker 1: You got a hundred niggas, You got a hunty niggas.

1413
01:26:03,040 --> 01:26:06,439
Speaker 1: That to protect you. You're not there. Listen, tag triller,

1414
01:26:06,840 --> 01:26:09,400
Speaker 1: Tag triller, get in a ring. I'm gonna pull up

1415
01:26:09,560 --> 01:26:11,760
Speaker 1: to trailer ring. I'm gonna get in there and whoop you.

1416
01:26:12,320 --> 01:26:14,240
Speaker 1: I'm gonna whoop you. You got a hundred niggas to

1417
01:26:14,280 --> 01:26:18,120
Speaker 1: protect you. You're not doing it. Oh pull up, You're

1418
01:26:18,200 --> 01:26:22,200
Speaker 1: not doing well. I'm not stupid. I'm smart. That's the

1419
01:26:22,280 --> 01:26:25,400
Speaker 1: difference between me and you. Look at you, man, how

1420
01:26:25,479 --> 01:26:28,040
Speaker 1: much other niggas. I gotta compete with bro Go Pete

1421
01:26:28,439 --> 01:26:30,439
Speaker 1: donna compete with all the other niggas. Alaw would you

1422
01:26:30,439 --> 01:26:32,040
Speaker 1: want to Why you want to compete with niggas? You

1423
01:26:32,120 --> 01:26:34,680
Speaker 1: know that's all you do your old life. You just

1424
01:26:34,800 --> 01:26:37,599
Speaker 1: want to compete with niggas. Why do It's so much

1425
01:26:37,640 --> 01:26:40,640
Speaker 1: of the rappers out done? What you what? You? You

1426
01:26:40,720 --> 01:26:44,720
Speaker 1: feel like? I'm doing the one? Everybody around here knowing

1427
01:26:44,720 --> 01:26:46,960
Speaker 1: about that? No everybody around there. No, you got cloud,

1428
01:26:47,280 --> 01:26:49,799
Speaker 1: everybody around there, No you got money. You're not about

1429
01:26:50,600 --> 01:26:52,960
Speaker 1: your cloud, and money is gonna give you. Nigga gonna

1430
01:26:52,960 --> 01:26:56,240
Speaker 1: give you street credit. Just loud about it, nigga. When

1431
01:26:56,600 --> 01:27:00,519
Speaker 1: you did something you and everybody know there, that dude

1432
01:27:00,640 --> 01:27:03,840
Speaker 1: left somebody else blood in that hook before you know that.

1433
01:27:04,800 --> 01:27:07,920
Speaker 1: You know that, you know that. Come on, man, you're

1434
01:27:07,920 --> 01:27:10,400
Speaker 1: talking about everybody know you have money? You walk. I

1435
01:27:10,479 --> 01:27:12,559
Speaker 1: can't go and get the nigga got got money because

1436
01:27:12,680 --> 01:27:14,519
Speaker 1: nigga's still trying to make it out the hood. So

1437
01:27:14,720 --> 01:27:18,320
Speaker 1: they oh, nigga, you pitching nigga's nipples. You ain't no

1438
01:27:18,439 --> 01:27:22,720
Speaker 1: rid nigga. You ain't no soldier nigga. You pick man,

1439
01:27:22,840 --> 01:27:26,160
Speaker 1: I'm glad I ain't un around for it. Then Donald

1440
01:27:26,200 --> 01:27:28,920
Speaker 1: Trump let you out on some wild party. What he

1441
01:27:29,080 --> 01:27:33,160
Speaker 1: about to sacrifice me? Boy? I ain't hanging early pull up.

1442
01:27:33,439 --> 01:27:35,720
Speaker 1: I don't want to hang out with you. What you

1443
01:27:35,880 --> 01:27:41,519
Speaker 1: funn He ain't about to suck knowledge. I'm not magging. Man,

1444
01:27:42,520 --> 01:27:45,479
Speaker 1: it's my birthday. Walk. I just thinking my little job.

1445
01:27:45,560 --> 01:27:48,360
Speaker 1: What it's his bird ezy day? Put that. Put that

1446
01:27:48,439 --> 01:27:53,000
Speaker 1: little fagga nigga on, He said, I shold DJ how

1447
01:27:53,000 --> 01:27:54,960
Speaker 1: to steal a car. You don't what I was stealing cars?

1448
01:27:55,080 --> 01:27:58,560
Speaker 1: You stay here with a nigga So that that you know,

1449
01:27:58,640 --> 01:28:01,080
Speaker 1: they went back and forth, back and for back and forth. Man,

1450
01:28:01,160 --> 01:28:03,519
Speaker 1: and um like I said, it's just rough to see

1451
01:28:03,600 --> 01:28:06,280
Speaker 1: these two guys get into it. Man, you know from

1452
01:28:06,320 --> 01:28:09,840
Speaker 1: the inside it always looked different, you know when when

1453
01:28:09,960 --> 01:28:12,559
Speaker 1: when when it started coming from the inside, it always

1454
01:28:12,640 --> 01:28:15,080
Speaker 1: looked different, and I think it's received a little different.

1455
01:28:15,560 --> 01:28:18,400
Speaker 1: You know, he's trying to push the NBA young Boy. Um,

1456
01:28:18,760 --> 01:28:21,320
Speaker 1: Kodak Black is pushing the NBA young boy be fro

1457
01:28:21,320 --> 01:28:24,320
Speaker 1: on jack Board basically saying jack Boy he you know,

1458
01:28:24,400 --> 01:28:26,720
Speaker 1: he was in jail. So you said jack Boy had

1459
01:28:27,280 --> 01:28:29,760
Speaker 1: control over what was going on in regards to his

1460
01:28:29,880 --> 01:28:33,920
Speaker 1: Instagram and some things were posted about young Boy being

1461
01:28:34,160 --> 01:28:37,479
Speaker 1: Dude's son and so it kind of started some things.

1462
01:28:37,640 --> 01:28:42,800
Speaker 1: But um, but yeah, man, uh, just just unfortunate to

1463
01:28:42,960 --> 01:28:46,439
Speaker 1: see how this is playing out. Man. At some point, man,

1464
01:28:46,520 --> 01:28:48,680
Speaker 1: we hope these two dudes be able to sit down

1465
01:28:48,720 --> 01:28:51,479
Speaker 1: and wrap. You know, but what what do we do

1466
01:28:51,600 --> 01:28:58,560
Speaker 1: with the disrespect? It always it always places us in

1467
01:28:58,640 --> 01:29:01,080
Speaker 1: an unfortunate situation when we got to do something with

1468
01:29:01,160 --> 01:29:05,559
Speaker 1: the disrespect. But um, but yeah, let's talk about let's

1469
01:29:05,560 --> 01:29:07,920
Speaker 1: talk about boost. A lot of people look at this

1470
01:29:08,040 --> 01:29:13,040
Speaker 1: situation like, you know, Rapper on rapper. You know, I'd

1471
01:29:13,080 --> 01:29:19,440
Speaker 1: be more so examining things like like Homeboy against Homeboy.

1472
01:29:20,520 --> 01:29:22,160
Speaker 1: You know, all the work it took for us to

1473
01:29:23,040 --> 01:29:25,880
Speaker 1: climb out the gutter get out the pool, dry off.

1474
01:29:27,040 --> 01:29:30,080
Speaker 1: You know what I'm saying, for us to get way

1475
01:29:30,200 --> 01:29:32,800
Speaker 1: up he and jack that off. But to me, like

1476
01:29:32,960 --> 01:29:35,120
Speaker 1: I say, it seemed like Kodak Black is coming off.

1477
01:29:35,200 --> 01:29:37,800
Speaker 1: It's hurt, man. And when you hurt, when you feel bad,

1478
01:29:37,920 --> 01:29:41,200
Speaker 1: and when you feel like somebody's not done what you

1479
01:29:41,360 --> 01:29:44,880
Speaker 1: expected them to do when they was called on, even

1480
01:29:44,960 --> 01:29:47,360
Speaker 1: though in your mind you thought they would never be

1481
01:29:47,520 --> 01:29:51,439
Speaker 1: called on, it gets rough. You know what I'm saying.

1482
01:29:51,560 --> 01:29:54,960
Speaker 1: I think, um in Kodak Man, he say, Man, listen,

1483
01:29:56,640 --> 01:29:59,479
Speaker 1: you one of the only ones that I really really

1484
01:30:02,360 --> 01:30:05,280
Speaker 1: that made something that came through my through my you know,

1485
01:30:05,400 --> 01:30:09,640
Speaker 1: through my COUMP. You understand me. And I gonna do

1486
01:30:09,760 --> 01:30:12,160
Speaker 1: that time and and and and and and you blow

1487
01:30:12,280 --> 01:30:14,840
Speaker 1: up and get you some paper and I ain't getting

1488
01:30:14,880 --> 01:30:17,400
Speaker 1: nothing that you know. You know, I don't know. Like

1489
01:30:17,520 --> 01:30:20,439
Speaker 1: I say, I do believe if somebody puts you in

1490
01:30:20,520 --> 01:30:25,160
Speaker 1: the game and they go to prison or some like,

1491
01:30:25,640 --> 01:30:27,840
Speaker 1: you gotta look out for them. You know what I'm saying,

1492
01:30:27,920 --> 01:30:31,720
Speaker 1: You gotta look out for them. Um. I also want

1493
01:30:31,760 --> 01:30:34,840
Speaker 1: to talk about this little bullshit interview on Breakfast Club.

1494
01:30:37,120 --> 01:30:41,000
Speaker 1: There's been an ongoing conversation that needs to be had

1495
01:30:41,080 --> 01:30:46,960
Speaker 1: between the LGBT community and the straight black men. There's

1496
01:30:47,000 --> 01:30:52,160
Speaker 1: been some uncomfortable transitions on both sides that's been force

1497
01:30:52,280 --> 01:30:58,360
Speaker 1: fed one way or another to the type of people

1498
01:30:59,000 --> 01:31:03,639
Speaker 1: that don't really understand what a transition consists of. Now,

1499
01:31:05,000 --> 01:31:07,880
Speaker 1: when we deal with history, we deal with the fact that,

1500
01:31:10,960 --> 01:31:13,280
Speaker 1: based on what we thought was true or what we

1501
01:31:13,439 --> 01:31:17,960
Speaker 1: know to be true, there's two different kind of species

1502
01:31:20,040 --> 01:31:24,839
Speaker 1: in hopes to procreate. There's something that takes place between

1503
01:31:25,680 --> 01:31:31,200
Speaker 1: said people which then keeps this thing going. Right, And

1504
01:31:31,360 --> 01:31:36,719
Speaker 1: I think that some people don't understand where the arrested

1505
01:31:36,840 --> 01:31:40,160
Speaker 1: development comes from. And I think they don't understand that

1506
01:31:40,280 --> 01:31:44,000
Speaker 1: the people on the other side don't have all the information.

1507
01:31:44,160 --> 01:31:48,240
Speaker 1: What they do have is is that two people from

1508
01:31:48,320 --> 01:31:56,240
Speaker 1: the same sex cannot procreate without the interference from some

1509
01:31:56,840 --> 01:32:01,439
Speaker 1: outside source. Right, So that in itself can be scary

1510
01:32:01,560 --> 01:32:04,360
Speaker 1: for some people. Right, what does my family tree go?

1511
01:32:04,560 --> 01:32:07,840
Speaker 1: Where does my bloodline go? Right? Just not understanding and

1512
01:32:08,120 --> 01:32:11,080
Speaker 1: if those options are available, we seek to understand. We

1513
01:32:11,160 --> 01:32:14,719
Speaker 1: don't know these things. So that's why these conversations gotta

1514
01:32:14,760 --> 01:32:16,880
Speaker 1: be had way more than that being had. I just

1515
01:32:17,040 --> 01:32:21,080
Speaker 1: lost my YouTube channel for hosting a conversation in which

1516
01:32:21,120 --> 01:32:25,320
Speaker 1: they talked about transgender bathrooms. I said nothing about any

1517
01:32:25,400 --> 01:32:31,760
Speaker 1: of it. I hosted the conversation. So again, understanding this

1518
01:32:31,960 --> 01:32:39,360
Speaker 1: key again with that transition being placed in front of

1519
01:32:39,479 --> 01:32:42,240
Speaker 1: us right now, right what society is changing what we

1520
01:32:42,400 --> 01:32:46,360
Speaker 1: know to be the case just from a standpoint of

1521
01:32:46,439 --> 01:32:49,600
Speaker 1: black bathrooms and things like that, right, that stuff is

1522
01:32:49,640 --> 01:32:58,120
Speaker 1: being altered, and so some people to have these conversations

1523
01:32:58,200 --> 01:33:01,240
Speaker 1: can't communicate their thoughts really well. Right in regards to

1524
01:33:01,640 --> 01:33:03,640
Speaker 1: what am I trying to say, I'm gonna saying what

1525
01:33:03,760 --> 01:33:06,840
Speaker 1: a hood gonna know exactly what I'm saying. But y'all,

1526
01:33:07,000 --> 01:33:10,840
Speaker 1: y'all taking it wrong what I'm saying because I'm not

1527
01:33:11,080 --> 01:33:14,720
Speaker 1: articulating it the best. But I'm just telling you that

1528
01:33:14,840 --> 01:33:20,519
Speaker 1: the transition, it's some resistance, right, It's some resistance right

1529
01:33:20,600 --> 01:33:23,559
Speaker 1: there in the transitions. As it is with all things,

1530
01:33:24,880 --> 01:33:28,040
Speaker 1: change has to have a learning curve. That has to

1531
01:33:28,120 --> 01:33:31,360
Speaker 1: be a curve when change comes, right, So I think

1532
01:33:31,439 --> 01:33:36,639
Speaker 1: you see people dealing with that. It is crazy, not crazy.

1533
01:33:37,080 --> 01:33:43,960
Speaker 1: It's interesting that a lot of people in WRAP don't

1534
01:33:44,080 --> 01:33:47,639
Speaker 1: really have these conversations. You gotta know how to talk

1535
01:33:47,720 --> 01:33:51,800
Speaker 1: to have these conversations. And somebody like me will probably

1536
01:33:51,880 --> 01:33:54,240
Speaker 1: be dumb enough to have the conversation because he thinks

1537
01:33:54,280 --> 01:33:57,719
Speaker 1: he's smart, and then he says the wrong thing because

1538
01:33:57,760 --> 01:34:01,600
Speaker 1: he's trying to bridge the gap in understand and communicate

1539
01:34:02,120 --> 01:34:05,120
Speaker 1: both sides, and then they try to cancel you. But

1540
01:34:05,280 --> 01:34:08,200
Speaker 1: that's the risch we take, you know, over here, because

1541
01:34:08,240 --> 01:34:10,760
Speaker 1: we we got to provide the content that the people

1542
01:34:10,840 --> 01:34:13,479
Speaker 1: come here for. We're gonna listen to a little bit

1543
01:34:13,560 --> 01:34:16,960
Speaker 1: of a little boost interview right and kind of get

1544
01:34:17,000 --> 01:34:21,479
Speaker 1: a grips as to exactly what's being said. And I thought, Sonic,

1545
01:34:21,600 --> 01:34:23,720
Speaker 1: let's listen to it. I was like, who is trying

1546
01:34:23,720 --> 01:34:29,519
Speaker 1: to you know? I got people, you know, everywhere trying

1547
01:34:29,520 --> 01:34:31,519
Speaker 1: to make me an unsensored app you know, and that's

1548
01:34:31,520 --> 01:34:34,280
Speaker 1: what I'm working on right now. But you drag aloud

1549
01:34:34,280 --> 01:34:35,960
Speaker 1: you know what I'm saying. Eithercate the third you can

1550
01:34:36,040 --> 01:34:41,240
Speaker 1: go over there. Yeah, I talked to h I talk guys, okay,

1551
01:34:43,800 --> 01:34:46,839
Speaker 1: But I ain't made no decision. I won't take everything.

1552
01:34:47,080 --> 01:34:48,960
Speaker 1: You got a bunch of endorsements because even when you

1553
01:34:48,960 --> 01:34:50,240
Speaker 1: sat down, he was like, I don't want to sit

1554
01:34:50,479 --> 01:34:52,120
Speaker 1: sit with Nyvy water because you got your own water.

1555
01:34:54,040 --> 01:35:00,559
Speaker 1: And yeah, man, I got I got water, Cologne, chips, noodles,

1556
01:35:01,600 --> 01:35:03,360
Speaker 1: your name, and I do it. That's what I do.

1557
01:35:03,600 --> 01:35:05,400
Speaker 1: None of them get offended by the stuff you do.

1558
01:35:06,640 --> 01:35:11,280
Speaker 1: Uh well, once it's fifty fifty. Uh hey, what you

1559
01:35:11,479 --> 01:35:15,280
Speaker 1: what can you get offended by? You? You're invested in bullshit.

1560
01:35:16,160 --> 01:35:19,240
Speaker 1: And I mean, we're doing good as I do good

1561
01:35:19,680 --> 01:35:22,200
Speaker 1: good as an independent, I gotta call FI following him

1562
01:35:22,680 --> 01:35:25,400
Speaker 1: like I do real good, you know, like in the Corona,

1563
01:35:25,439 --> 01:35:29,240
Speaker 1: I was check six seven checks that I ain't had

1564
01:35:29,280 --> 01:35:31,680
Speaker 1: nothing to do with Rob. Do you think you do

1565
01:35:31,800 --> 01:35:34,240
Speaker 1: take it too far? Sometimes? Because you said I think

1566
01:35:34,240 --> 01:35:40,479
Speaker 1: I said the wrong way. Sometime I mean everything I

1567
01:35:40,600 --> 01:35:42,600
Speaker 1: say and I say what I mean. But sometimes I

1568
01:35:42,640 --> 01:35:44,760
Speaker 1: feel like I say it the wrong way sometime. But

1569
01:35:45,320 --> 01:35:47,160
Speaker 1: I mean what I say and I say what I mean.

1570
01:35:47,240 --> 01:35:50,559
Speaker 1: And people need to understand that. You know, the world

1571
01:35:50,640 --> 01:35:54,200
Speaker 1: has an opinion, and then I got an opinion, and

1572
01:35:54,520 --> 01:35:57,479
Speaker 1: I'm just one who expressed my opinion. But last time

1573
01:35:57,520 --> 01:35:59,439
Speaker 1: we spoke, you said that your mom even told you

1574
01:35:59,479 --> 01:36:01,960
Speaker 1: stopped byvolunteering your opinion for things that ain't got nothing.

1575
01:36:03,360 --> 01:36:05,519
Speaker 1: And you sat down with Mike Tyson told Mike Tyson

1576
01:36:05,520 --> 01:36:07,679
Speaker 1: you should mind your business sometime too. Why why can't

1577
01:36:07,680 --> 01:36:09,720
Speaker 1: you just mind your business. I'm really, I'm really than

1578
01:36:09,800 --> 01:36:12,479
Speaker 1: what I supposed to do. But you mean, I'm really

1579
01:36:12,600 --> 01:36:14,240
Speaker 1: like I like if it's if it's in my heart.

1580
01:36:15,360 --> 01:36:18,280
Speaker 1: You know, just because I'm the past negotiated with him

1581
01:36:18,439 --> 01:36:21,080
Speaker 1: or like that, that doesn't mean I won't say it

1582
01:36:21,240 --> 01:36:24,160
Speaker 1: because I pay me. You know, you can't blackball me.

1583
01:36:26,640 --> 01:36:29,080
Speaker 1: You know, even even with my music, you know, like

1584
01:36:29,360 --> 01:36:32,880
Speaker 1: my lads at my Drive would connect music. I talked

1585
01:36:32,920 --> 01:36:36,200
Speaker 1: to y'all last time about little Boost's brand. Boost has

1586
01:36:36,240 --> 01:36:39,320
Speaker 1: built something that's different than what everybody else is built

1587
01:36:39,840 --> 01:36:45,479
Speaker 1: or Boost has built has been a brand that's it

1588
01:36:45,720 --> 01:36:49,200
Speaker 1: may can't go much bigger than it already is, although

1589
01:36:49,240 --> 01:36:52,920
Speaker 1: it's a very huge brand, but it also it's gonna

1590
01:36:52,960 --> 01:36:56,840
Speaker 1: be sustained by the ghetto no matter what, you know

1591
01:36:56,960 --> 01:36:59,880
Speaker 1: what I'm saying. So when you talk about Boost's brand

1592
01:37:00,000 --> 01:37:02,600
Speaker 1: and you you want to try to cancel it, a

1593
01:37:02,680 --> 01:37:04,920
Speaker 1: lot of times you're gonna start by wasting your time

1594
01:37:05,000 --> 01:37:08,080
Speaker 1: because you're gonna only promote me because you're gonna gonna

1595
01:37:08,080 --> 01:37:10,320
Speaker 1: see and in and talk to people about me. Those

1596
01:37:10,400 --> 01:37:13,360
Speaker 1: people didn't support me to begin with. Those are not

1597
01:37:13,479 --> 01:37:16,000
Speaker 1: the people that I'm invested or have any interests in

1598
01:37:16,200 --> 01:37:18,880
Speaker 1: So those people that you're telling about these things I'm

1599
01:37:18,960 --> 01:37:21,320
Speaker 1: doing probably are gonna come take a look at it

1600
01:37:21,400 --> 01:37:25,520
Speaker 1: because it's on daytime television, right So I think sometimes

1601
01:37:25,600 --> 01:37:29,040
Speaker 1: it has that it has an adverse reaction, it does

1602
01:37:29,120 --> 01:37:33,439
Speaker 1: the opposite of what they intended to do. Then with

1603
01:37:33,600 --> 01:37:37,200
Speaker 1: the Baby, they right now, I checked the numbers before

1604
01:37:37,240 --> 01:37:39,080
Speaker 1: I start a part, and have got him out of

1605
01:37:39,120 --> 01:37:41,599
Speaker 1: the top thirty most streaming artists, and he was always

1606
01:37:41,640 --> 01:37:44,840
Speaker 1: like number three, four a lot of times number one.

1607
01:37:46,479 --> 01:37:49,240
Speaker 1: He's not even He's not even in the top thirty

1608
01:37:49,400 --> 01:37:54,200
Speaker 1: as of this week. So they're working behind the scenes

1609
01:37:54,240 --> 01:37:57,080
Speaker 1: to try to put something's fire out. But I think

1610
01:37:57,200 --> 01:37:59,519
Speaker 1: his team has already moved the next year and they'll

1611
01:37:59,560 --> 01:38:03,160
Speaker 1: be be ahead of it. Um, Kanye West speaking of

1612
01:38:03,240 --> 01:38:05,960
Speaker 1: the baby, and I'll get back to this little bullshit interview.

1613
01:38:06,560 --> 01:38:09,880
Speaker 1: Kanye West just dropped Don the album literally while I'm

1614
01:38:09,960 --> 01:38:15,200
Speaker 1: doing this today, ahead of the Drake album, and earlier

1615
01:38:15,240 --> 01:38:17,759
Speaker 1: in the part it wasn't out, so it just literally

1616
01:38:17,880 --> 01:38:23,840
Speaker 1: came out. But the baby isn't on the jail song.

1617
01:38:25,600 --> 01:38:28,280
Speaker 1: So this morning Kanye West tweeted, and I'll put a

1618
01:38:28,320 --> 01:38:31,160
Speaker 1: tweet of it on the screen this morning Kanye West

1619
01:38:31,240 --> 01:38:35,840
Speaker 1: tweeted a conversation between him and his manager, saying that, Hey,

1620
01:38:35,960 --> 01:38:41,200
Speaker 1: the Baby's team isn't answering about clearing this record to

1621
01:38:41,320 --> 01:38:44,200
Speaker 1: be on Kanye West album. You know going to jail tonight.

1622
01:38:46,640 --> 01:38:51,720
Speaker 1: And when I first saw that, I said what, But

1623
01:38:51,880 --> 01:38:55,840
Speaker 1: then I should have knew someone right with that. We

1624
01:38:56,000 --> 01:38:58,720
Speaker 1: know that the dude team to be the like on

1625
01:38:58,880 --> 01:39:04,639
Speaker 1: top of everything, and on top of that, he wanted

1626
01:39:04,720 --> 01:39:06,960
Speaker 1: to do the song with jay Z and this puts

1627
01:39:07,040 --> 01:39:08,400
Speaker 1: him in a place to be on the song with

1628
01:39:08,560 --> 01:39:11,840
Speaker 1: jay Z. Now, did jay Z make a call behind

1629
01:39:11,880 --> 01:39:14,800
Speaker 1: the scenes? Did someone from rock Nation? Is there someone

1630
01:39:14,920 --> 01:39:17,120
Speaker 1: trying to block this song? And that's their way of

1631
01:39:17,200 --> 01:39:19,439
Speaker 1: putting it out because shortly after shout out on a

1632
01:39:19,520 --> 01:39:22,800
Speaker 1: Taylor he come out and say, Yo, that's cap of

1633
01:39:22,960 --> 01:39:25,200
Speaker 1: course we want to be on the biggest project or

1634
01:39:25,320 --> 01:39:28,800
Speaker 1: one of these shout out Drake biggest projects that's out

1635
01:39:28,960 --> 01:39:32,000
Speaker 1: or comes out this year or in the next few years.

1636
01:39:32,080 --> 01:39:34,880
Speaker 1: We don't know the impact of these albums that him

1637
01:39:34,920 --> 01:39:38,479
Speaker 1: and Drake is about to drop, but why wouldn't we

1638
01:39:38,560 --> 01:39:40,920
Speaker 1: want him on that when everybody canceling him to have

1639
01:39:41,080 --> 01:39:42,759
Speaker 1: him a part of the one of the biggest moments.

1640
01:39:42,800 --> 01:39:47,000
Speaker 1: What he could come off like though, Kanye West, is

1641
01:39:47,040 --> 01:39:51,200
Speaker 1: that I use you for the look, right, to get

1642
01:39:51,280 --> 01:39:54,240
Speaker 1: some more streams or more people to view it for

1643
01:39:54,360 --> 01:39:57,639
Speaker 1: the moment that's going on. But then I still don't

1644
01:39:57,720 --> 01:40:00,519
Speaker 1: place you on there because of the lord to you

1645
01:40:00,640 --> 01:40:05,400
Speaker 1: to whatever situation with Meg or jail or whatever's being done.

1646
01:40:05,439 --> 01:40:08,280
Speaker 1: I'm not sure. I'm just speculating, but it feels funny

1647
01:40:08,720 --> 01:40:11,479
Speaker 1: that the manager comes out and says, are you serious?

1648
01:40:11,560 --> 01:40:13,880
Speaker 1: I cleared the record in two seconds? Why wouldn't I

1649
01:40:13,920 --> 01:40:20,160
Speaker 1: clear the record? And for me, it just feels it

1650
01:40:20,320 --> 01:40:25,519
Speaker 1: just came off kind of bad. You see them work

1651
01:40:25,600 --> 01:40:28,000
Speaker 1: hard to try to cancel the baby. They're working on

1652
01:40:28,080 --> 01:40:30,160
Speaker 1: the numbers behind the scenes to bring them down. They

1653
01:40:30,280 --> 01:40:32,040
Speaker 1: probably work in the brain is priced down and they

1654
01:40:32,160 --> 01:40:38,160
Speaker 1: probably work in the brain certain stuff down right. So oh,

1655
01:40:39,720 --> 01:40:42,760
Speaker 1: but it's only because you went up there, right. They

1656
01:40:42,840 --> 01:40:46,040
Speaker 1: can't bring you down from being down. So even with

1657
01:40:46,240 --> 01:40:49,240
Speaker 1: them bringing you down says something about where you were

1658
01:40:49,320 --> 01:40:53,120
Speaker 1: at or where you are. But they're gonna try the

1659
01:40:53,200 --> 01:40:54,880
Speaker 1: hardest to bring you down. Let's listen to them a

1660
01:40:54,920 --> 01:41:00,160
Speaker 1: little more. You know that. I'm so you know, like you,

1661
01:41:01,000 --> 01:41:02,840
Speaker 1: it's hard to black ball mean you know, just like

1662
01:41:03,000 --> 01:41:05,439
Speaker 1: they got people like they think they got millions of

1663
01:41:05,520 --> 01:41:08,080
Speaker 1: people love what I'm doing. I'm a boss for people

1664
01:41:08,120 --> 01:41:11,800
Speaker 1: who can't. You know, I'm just the only one you

1665
01:41:11,920 --> 01:41:15,439
Speaker 1: got to speak in this in this industry because everybody

1666
01:41:15,439 --> 01:41:19,439
Speaker 1: else is ran by, you know, the industry. What about

1667
01:41:19,479 --> 01:41:21,640
Speaker 1: even saying like you would beat his ass and I

1668
01:41:21,720 --> 01:41:23,880
Speaker 1: tell a little nas X responded to that. You think

1669
01:41:23,960 --> 01:41:28,599
Speaker 1: that's too far? Oh nah, because I just be feeling

1670
01:41:28,680 --> 01:41:34,639
Speaker 1: like sometimes I gotta speak up because you know, as

1671
01:41:34,720 --> 01:41:36,439
Speaker 1: far as straight people in the world, you don't have

1672
01:41:36,479 --> 01:41:39,719
Speaker 1: an opinion on them, all sex yalities everything is harm

1673
01:41:40,160 --> 01:41:43,479
Speaker 1: if you say anything I'm straight, I like women. It's

1674
01:41:43,600 --> 01:41:49,800
Speaker 1: vulgar too. I don't know that that's yes, yes, you

1675
01:41:49,920 --> 01:41:54,240
Speaker 1: can't brag. You can't brag on I think I think

1676
01:41:56,080 --> 01:42:02,160
Speaker 1: sex yeality by it's rammed by who's rapper been talking

1677
01:42:02,160 --> 01:42:06,000
Speaker 1: about fucking women forever in videos and the songs that

1678
01:42:07,160 --> 01:42:10,680
Speaker 1: I know. It's a different day now. You can't just

1679
01:42:10,840 --> 01:42:13,040
Speaker 1: like the baby like bro like you know, like how

1680
01:42:13,080 --> 01:42:15,719
Speaker 1: many how many times you've been on set all y'all

1681
01:42:15,800 --> 01:42:18,720
Speaker 1: DJ and you heard somebody to say if you ain't

1682
01:42:18,760 --> 01:42:22,120
Speaker 1: got ages, make noise and the whole club. Oh No,

1683
01:42:22,240 --> 01:42:25,040
Speaker 1: you right, that's true, that's true. But it's a different time. No,

1684
01:42:25,240 --> 01:42:28,799
Speaker 1: it's a different time. And because he's one of the biggest,

1685
01:42:30,000 --> 01:42:31,680
Speaker 1: you know, so they you know, they try to make

1686
01:42:31,720 --> 01:42:33,840
Speaker 1: examples of all people. You know, so the next person

1687
01:42:33,880 --> 01:42:36,600
Speaker 1: who blow like this, you're gonna go with this. And

1688
01:42:36,720 --> 01:42:39,640
Speaker 1: I feel you know, they're attacking our children. You know,

1689
01:42:40,040 --> 01:42:42,400
Speaker 1: you make all the up. You make everybody support this,

1690
01:42:43,640 --> 01:42:48,600
Speaker 1: who love these rappers, the kids kids? Yeah, but you

1691
01:42:48,680 --> 01:42:51,800
Speaker 1: know you make it, No, you make every rapper go

1692
01:42:52,000 --> 01:42:57,679
Speaker 1: with it. If every rapper go with it, I grabbed,

1693
01:42:57,720 --> 01:42:59,960
Speaker 1: you grabbed that generation. I know, I love different rapper

1694
01:43:00,040 --> 01:43:04,040
Speaker 1: when I was. And see what he's saying, that is

1695
01:43:04,160 --> 01:43:07,840
Speaker 1: that And if that's not the case, I hope people

1696
01:43:07,920 --> 01:43:13,320
Speaker 1: can understand the logic behind the statements that's being made. Right,

1697
01:43:13,720 --> 01:43:18,360
Speaker 1: the kids love the rappers, the rappers being being the

1698
01:43:18,520 --> 01:43:21,200
Speaker 1: rappers are in a situation where it's being viewed like

1699
01:43:21,320 --> 01:43:24,880
Speaker 1: they're being forced into accepting certain things, right, and so

1700
01:43:25,400 --> 01:43:30,400
Speaker 1: whatever the rapper exhibits, the culture adopts right. Whatever the

1701
01:43:30,520 --> 01:43:33,880
Speaker 1: rapper exhibits, the culture adopts right. So what he's saying is,

1702
01:43:33,960 --> 01:43:36,240
Speaker 1: by default, if I make the baby shut up and

1703
01:43:36,360 --> 01:43:38,760
Speaker 1: him shut up, and them shut up, and them shut up.

1704
01:43:39,080 --> 01:43:42,519
Speaker 1: Then all the kids that listen to them don't view

1705
01:43:42,640 --> 01:43:49,040
Speaker 1: that as being non traditional, you know, and and I'm

1706
01:43:49,080 --> 01:43:51,120
Speaker 1: not sure, you know, we got to have a conversation.

1707
01:43:51,320 --> 01:43:55,720
Speaker 1: Is it wrong to point out that that's not that

1708
01:43:55,880 --> 01:44:01,560
Speaker 1: that's non traditional? You see how I'm a professional podcast

1709
01:44:02,439 --> 01:44:05,439
Speaker 1: You see how I don't use right wrong this dad

1710
01:44:05,560 --> 01:44:09,479
Speaker 1: that I use my words very specifically. I am a

1711
01:44:09,600 --> 01:44:16,400
Speaker 1: professional podcaster. So again, it's just trying to understand what's

1712
01:44:16,479 --> 01:44:19,240
Speaker 1: going on. Some people think, Hey, they're coming for your babies. Man,

1713
01:44:19,240 --> 01:44:21,559
Speaker 1: they're trying to get your babies. I don't I don't

1714
01:44:21,720 --> 01:44:29,599
Speaker 1: understand why in someone please help me understand, maybe maybe

1715
01:44:29,920 --> 01:44:33,600
Speaker 1: one of the companies or someone. It seems like sometimes

1716
01:44:33,720 --> 01:44:37,479
Speaker 1: that it's being promoted in certain areas that are kid friendly,

1717
01:44:37,880 --> 01:44:40,559
Speaker 1: and so that's what's scaring people. Based on what I'm

1718
01:44:40,600 --> 01:44:43,479
Speaker 1: getting from the people out there, right, they're saying, Yo,

1719
01:44:43,840 --> 01:44:47,920
Speaker 1: this is a kid friendly spot, and then lgbt Q

1720
01:44:48,320 --> 01:44:52,200
Speaker 1: is being promoted in this area. I don't know that

1721
01:44:52,360 --> 01:44:55,599
Speaker 1: to be the case, and don't understand what the thought

1722
01:44:55,760 --> 01:44:59,720
Speaker 1: is behind that. If that is the case, UM, not sure.

1723
01:44:59,840 --> 01:45:02,599
Speaker 1: May we can have a conversation with someone and get

1724
01:45:02,640 --> 01:45:07,200
Speaker 1: to the bottom of that. It's another thing, um that

1725
01:45:07,320 --> 01:45:08,880
Speaker 1: I want to point out. But let's listen to a

1726
01:45:08,960 --> 01:45:13,479
Speaker 1: little more. That's a little I love David Rapper, you

1727
01:45:13,560 --> 01:45:16,000
Speaker 1: know what I'm saying. I try to copy what they did.

1728
01:45:16,200 --> 01:45:19,280
Speaker 1: You know what I'm saying, And it's a new day now,

1729
01:45:19,320 --> 01:45:21,320
Speaker 1: and I just feel like, you know, they pushing it

1730
01:45:21,439 --> 01:45:24,960
Speaker 1: on our listen. I love rap, I love hip hop,

1731
01:45:25,040 --> 01:45:27,000
Speaker 1: I love our culture. But you know, I saw you

1732
01:45:27,120 --> 01:45:29,120
Speaker 1: say that. You know you feel like he was as

1733
01:45:29,160 --> 01:45:31,439
Speaker 1: a negative influence. Why were you acting like rappers haven't

1734
01:45:31,439 --> 01:45:34,439
Speaker 1: been negative influences for years? Well, it's talking about murders,

1735
01:45:34,439 --> 01:45:38,240
Speaker 1: celebrating the drug culture, the gang culture, of violence against women. Like,

1736
01:45:38,320 --> 01:45:41,479
Speaker 1: we just as negative. So how is he the person

1737
01:45:41,600 --> 01:45:44,400
Speaker 1: that you decided to point out and say, oh, you're

1738
01:45:44,479 --> 01:45:49,040
Speaker 1: ruining it for the kids? What rappers done to the kids?

1739
01:45:49,080 --> 01:45:53,120
Speaker 1: I really get offended. When when? When? When? When it

1740
01:45:53,320 --> 01:45:54,920
Speaker 1: was like he was saying that he would go up

1741
01:45:55,000 --> 01:45:58,559
Speaker 1: there and perform naked in front you know, all the ship,

1742
01:45:58,840 --> 01:46:01,880
Speaker 1: all the people, and I was like, damn, you know,

1743
01:46:02,000 --> 01:46:06,400
Speaker 1: all these straight people in the world, all these millions

1744
01:46:06,439 --> 01:46:08,519
Speaker 1: of kids are gonna watch this, and no straight rapp.

1745
01:46:08,560 --> 01:46:12,439
Speaker 1: I ain't gonna say, hey, nah nah nigga, You ain't nigga.

1746
01:46:12,439 --> 01:46:15,280
Speaker 1: We don't want you on that TV side. It's not

1747
01:46:15,320 --> 01:46:17,519
Speaker 1: gonna know. Yeah, I don't understand that logic, Bootsy. I

1748
01:46:17,560 --> 01:46:19,599
Speaker 1: saw you say that people be trying to be scrat.

1749
01:46:19,640 --> 01:46:21,920
Speaker 1: How you trying to be scrap? If you're scrap, you

1750
01:46:21,960 --> 01:46:24,519
Speaker 1: ain't gonna try to be I don't get let it

1751
01:46:24,600 --> 01:46:27,360
Speaker 1: back again. On the video you said people trying to

1752
01:46:27,439 --> 01:46:30,920
Speaker 1: be scrap. You said you said little nozzle dance in

1753
01:46:31,000 --> 01:46:33,200
Speaker 1: front of the man and this, you know, these little

1754
01:46:33,200 --> 01:46:35,519
Speaker 1: boys trying to be script. I'm like, how you trying

1755
01:46:35,520 --> 01:46:38,920
Speaker 1: to be script? No, I'm just saying as far as

1756
01:46:40,960 --> 01:46:45,000
Speaker 1: if you got your kids watching TV and let me

1757
01:46:45,400 --> 01:46:48,000
Speaker 1: let me, let me let me help Boots stay out

1758
01:46:48,040 --> 01:46:51,439
Speaker 1: in that instance, Charlemagne's a smart guy. Needs I need

1759
01:46:51,520 --> 01:46:54,720
Speaker 1: to speak with one of these. You're really smart individuals

1760
01:46:54,800 --> 01:46:57,880
Speaker 1: that want to talk to the streets about things, right

1761
01:46:57,920 --> 01:47:01,080
Speaker 1: because I can dance the same way y'all can dance. Nonetheless,

1762
01:47:02,160 --> 01:47:06,040
Speaker 1: he doesn't mean trying to be straight. What he meant

1763
01:47:06,240 --> 01:47:13,360
Speaker 1: to say is trying to be traditional when you want

1764
01:47:13,400 --> 01:47:18,360
Speaker 1: to raise your children with traditional values. Right now, continue,

1765
01:47:19,840 --> 01:47:22,200
Speaker 1: would you want if you're trying to straight raise strong

1766
01:47:22,320 --> 01:47:26,840
Speaker 1: young black men, would you want Would you be cool

1767
01:47:26,880 --> 01:47:29,599
Speaker 1: with your kids sitting there watching it? Strong black men?

1768
01:47:29,720 --> 01:47:32,000
Speaker 1: Not you? Would you be cool and sitting there your

1769
01:47:32,240 --> 01:47:34,040
Speaker 1: if you trying to raise that and you would you

1770
01:47:34,120 --> 01:47:37,680
Speaker 1: be cool and sitting there watching Osax go up Dan

1771
01:47:37,680 --> 01:47:40,880
Speaker 1: and take his clothes off? We're talking about you're part

1772
01:47:40,920 --> 01:47:42,519
Speaker 1: of the problem. What age we're talking about? Because I

1773
01:47:42,520 --> 01:47:44,400
Speaker 1: don't want my kids looking at anything sexual at a

1774
01:47:44,479 --> 01:47:49,960
Speaker 1: certain age that I've said that back episode because by

1775
01:47:50,000 --> 01:47:52,479
Speaker 1: the way he's saying, this is a national stage. This

1776
01:47:52,680 --> 01:47:55,280
Speaker 1: is a national stage. Man, But we grew up seeing

1777
01:47:55,320 --> 01:47:58,120
Speaker 1: worst images on TV. Man, We've seen dudes on TV

1778
01:47:58,280 --> 01:48:03,640
Speaker 1: holding guns. See he he knows what he's saying, but

1779
01:48:03,800 --> 01:48:07,560
Speaker 1: they're poking holes in it from a standpoint, a technical standpoint,

1780
01:48:07,920 --> 01:48:11,599
Speaker 1: So he has to answer these questions more technical, right,

1781
01:48:12,320 --> 01:48:15,280
Speaker 1: and and and it'll take somebody like me that doesn't

1782
01:48:15,320 --> 01:48:16,880
Speaker 1: know at all. I don't want to act like that,

1783
01:48:17,240 --> 01:48:19,360
Speaker 1: right because I don't know it all and I'm very

1784
01:48:20,240 --> 01:48:24,520
Speaker 1: h unaware of a lot of the nuance that's involved

1785
01:48:24,640 --> 01:48:30,280
Speaker 1: with these conversations. But I do understand the technique of

1786
01:48:30,760 --> 01:48:33,480
Speaker 1: what's happening in regards to when we're having a conversation

1787
01:48:33,520 --> 01:48:38,920
Speaker 1: about something. This series this sensitive and this detrimental to

1788
01:48:39,680 --> 01:48:42,880
Speaker 1: people's feelings in regards to if the wrong thing is said.

1789
01:48:43,320 --> 01:48:45,240
Speaker 1: You know, so it's a it's a dance. You gotta

1790
01:48:45,320 --> 01:48:49,519
Speaker 1: dance around, man, Like I said, you know, celebrating violence,

1791
01:48:49,600 --> 01:48:54,080
Speaker 1: celebrating violence against women, the drug and all this leads

1792
01:48:57,960 --> 01:49:00,720
Speaker 1: like like I can I if I feel that way,

1793
01:49:01,000 --> 01:49:04,000
Speaker 1: I must say it. I rest I mean it, you know,

1794
01:49:04,200 --> 01:49:07,479
Speaker 1: like you may not feel that way, they may not

1795
01:49:07,680 --> 01:49:09,960
Speaker 1: feel that way, but I feel that way. Do you

1796
01:49:10,000 --> 01:49:12,679
Speaker 1: feel like you've ever been a negative influence the kids? Yes,

1797
01:49:12,880 --> 01:49:15,840
Speaker 1: I've been a negative influence. But but but at the time,

1798
01:49:15,880 --> 01:49:18,040
Speaker 1: I was, you know, I was so you know, I

1799
01:49:18,160 --> 01:49:20,720
Speaker 1: was just wrapping my life. You know, I'm just you know,

1800
01:49:20,760 --> 01:49:24,200
Speaker 1: I didn't. I didn't. I wasn't a rapper who wrapped

1801
01:49:24,240 --> 01:49:27,080
Speaker 1: the movies. You know. I couldn't go in there and

1802
01:49:27,160 --> 01:49:29,559
Speaker 1: wrap the movies. I went and winning there and wrap

1803
01:49:29,640 --> 01:49:31,560
Speaker 1: bout what happened that day to me, rap bout what

1804
01:49:31,600 --> 01:49:33,760
Speaker 1: what happened that night to me. You know. So I

1805
01:49:33,920 --> 01:49:37,400
Speaker 1: never thought I was affecting the culture until I came

1806
01:49:37,520 --> 01:49:39,320
Speaker 1: home and damn, Now, all my friends was in dead

1807
01:49:39,400 --> 01:49:42,560
Speaker 1: in jail, you know what I'm saying. So you know,

1808
01:49:42,680 --> 01:49:46,599
Speaker 1: I wasn't trying to affect the culture like that as

1809
01:49:46,680 --> 01:49:51,320
Speaker 1: far as negative that. I was just writing my life stories. Question, Now,

1810
01:49:51,320 --> 01:49:53,599
Speaker 1: what about when you see an artist who talked about rappers,

1811
01:49:53,640 --> 01:49:56,000
Speaker 1: like when you see like Birdman a little way and

1812
01:49:56,080 --> 01:50:00,280
Speaker 1: kissing each other, you know, talking about some of the

1813
01:50:00,280 --> 01:50:05,479
Speaker 1: stuff that they did, because it's the same thing. Nah,

1814
01:50:06,560 --> 01:50:12,080
Speaker 1: why not? Uh? How them niggas rocking that city? You know,

1815
01:50:14,240 --> 01:50:17,920
Speaker 1: they really own some like some old mafia shit, you know,

1816
01:50:18,120 --> 01:50:20,240
Speaker 1: like like you know, like them nigga. You know, the

1817
01:50:20,320 --> 01:50:23,120
Speaker 1: nigga get on them them drugs, you know, like them

1818
01:50:23,200 --> 01:50:26,639
Speaker 1: niggas be niggas different out there, you know what I'm saying,

1819
01:50:26,720 --> 01:50:30,880
Speaker 1: Like Baton Rouge, you ain't kissing nobody, you know, they ain't.

1820
01:50:30,920 --> 01:50:32,679
Speaker 1: They ain't never been down there. But I haven't seen

1821
01:50:32,760 --> 01:50:35,640
Speaker 1: niggas don't in the city. They different, New Orleans. They

1822
01:50:35,720 --> 01:50:38,320
Speaker 1: own some they like on some mafia and shit they

1823
01:50:38,400 --> 01:50:42,360
Speaker 1: come from, you know, thanking they mafia made, like the

1824
01:50:42,520 --> 01:50:45,439
Speaker 1: Marcellos and all that shit, you know, like they you know,

1825
01:50:45,560 --> 01:50:48,080
Speaker 1: so I kind of understand that. I don't I don't

1826
01:50:48,160 --> 01:50:50,000
Speaker 1: understand that, you know, because the under the stand thing.

1827
01:50:50,080 --> 01:50:52,160
Speaker 1: But kids see that they might not understand. Didn't see

1828
01:50:52,520 --> 01:50:57,000
Speaker 1: their favorite rappers kissing each other and be like, okay, right,

1829
01:50:57,360 --> 01:50:59,880
Speaker 1: that's a point. I don't want you to leave them

1830
01:51:00,040 --> 01:51:04,760
Speaker 1: the loan bulls even with nobody else I don't have.

1831
01:51:05,680 --> 01:51:09,120
Speaker 1: I don't people a low bullsy I don't have fathering.

1832
01:51:09,720 --> 01:51:13,080
Speaker 1: Hey look, hey, look bro, like the people who so

1833
01:51:13,280 --> 01:51:16,120
Speaker 1: called hate me and the LBGT communic like I don't

1834
01:51:16,200 --> 01:51:19,920
Speaker 1: know them, like everybody who gave who in my life,

1835
01:51:20,000 --> 01:51:24,080
Speaker 1: my other assistant, a family member, like ill gay people.

1836
01:51:24,120 --> 01:51:28,519
Speaker 1: I have good relationships with them. They're great. But you're

1837
01:51:28,520 --> 01:51:30,560
Speaker 1: not gonna I know they tell you to stop, you know,

1838
01:51:30,840 --> 01:51:33,720
Speaker 1: but they tell you, they tell you to stop. Nah

1839
01:51:33,960 --> 01:51:36,680
Speaker 1: you lying? Nah, real shit, they understand all right, So

1840
01:51:36,840 --> 01:51:40,000
Speaker 1: let me ask you this. Real like they understand you

1841
01:51:40,120 --> 01:51:42,960
Speaker 1: do have They'd be like, I wonder, I wish people

1842
01:51:43,040 --> 01:51:46,840
Speaker 1: really knew that you don't you know? Have you know

1843
01:51:47,680 --> 01:51:50,240
Speaker 1: you took the picture with flaming bro who is ye

1844
01:51:50,520 --> 01:51:53,080
Speaker 1: were talking all the don't stand ups? Right? So we

1845
01:51:53,200 --> 01:51:56,360
Speaker 1: built my family is built on legacy. What about women

1846
01:51:56,360 --> 01:51:58,920
Speaker 1: and women? Do you mind that? So he's about to

1847
01:51:58,960 --> 01:52:04,000
Speaker 1: speak about now we allow his son to I don't

1848
01:52:04,040 --> 01:52:08,160
Speaker 1: mind we allow his son to uh marriage someone from

1849
01:52:08,200 --> 01:52:10,800
Speaker 1: the same sex, and he denies this. Let's hear it.

1850
01:52:10,880 --> 01:52:12,960
Speaker 1: Let's hear the thoughts on that. You wouldn't go to

1851
01:52:13,080 --> 01:52:15,320
Speaker 1: the wedding. You wouldn't say I love you anyway. I

1852
01:52:15,360 --> 01:52:17,479
Speaker 1: would tell I love it, but I wouldn't. I wouldn't

1853
01:52:17,520 --> 01:52:22,040
Speaker 1: go to the wedding. But because you know, we built

1854
01:52:22,160 --> 01:52:24,760
Speaker 1: My family is built on legacy. You know, if I

1855
01:52:24,880 --> 01:52:27,240
Speaker 1: let that slide, that shit gonna slide from my son,

1856
01:52:27,760 --> 01:52:30,880
Speaker 1: from my grandson, and I'm gonna lay it down to

1857
01:52:30,960 --> 01:52:35,559
Speaker 1: where they're gonna know that. You know, you know people

1858
01:52:36,200 --> 01:52:38,640
Speaker 1: people don't take you pretty much disowner them. I K

1859
01:52:38,800 --> 01:52:40,880
Speaker 1: you know, hell no, I'm gonna love him the debt,

1860
01:52:40,920 --> 01:52:44,320
Speaker 1: but I won't support marriage. I'm not giving my child

1861
01:52:44,479 --> 01:52:48,320
Speaker 1: away to another woman. You see, this is where it

1862
01:52:48,439 --> 01:52:52,720
Speaker 1: gets interesting, right because number one, I do want to

1863
01:52:52,760 --> 01:52:55,160
Speaker 1: be clear and make no mistake about it. There is

1864
01:52:55,240 --> 01:53:00,519
Speaker 1: a lot of things happening to LGBT community people out

1865
01:53:00,560 --> 01:53:05,200
Speaker 1: in the real world right They get attacked, they are marginalized.

1866
01:53:05,320 --> 01:53:10,040
Speaker 1: There's there's a lot happening that places them in situations

1867
01:53:10,160 --> 01:53:14,840
Speaker 1: to to to feel some of what blacks have been

1868
01:53:14,920 --> 01:53:20,240
Speaker 1: feeling for a long time, you know. Um. With that

1869
01:53:20,439 --> 01:53:24,080
Speaker 1: being said, though, I want you to notice something, right,

1870
01:53:24,439 --> 01:53:28,400
Speaker 1: it's never really it's never really the black woman. It's

1871
01:53:28,439 --> 01:53:35,400
Speaker 1: never really the untie, the sister. It's the black man, right.

1872
01:53:36,800 --> 01:53:39,320
Speaker 1: And I know sometimes it gets rough for people to

1873
01:53:39,439 --> 01:53:43,840
Speaker 1: look can view things from the black man's eyes and

1874
01:53:44,040 --> 01:53:48,200
Speaker 1: why we see dangering things and why we see things

1875
01:53:50,800 --> 01:53:52,880
Speaker 1: to be an attempt to try to ax us out

1876
01:53:52,960 --> 01:53:57,479
Speaker 1: with dealing with a level of of of trauma as well, right,

1877
01:53:58,160 --> 01:54:01,040
Speaker 1: But I think something on the line when when you

1878
01:54:01,160 --> 01:54:04,680
Speaker 1: deal with Black women, you know, they some of the

1879
01:54:04,800 --> 01:54:07,360
Speaker 1: most forgiving, some of the most nurturing, some of the

1880
01:54:07,479 --> 01:54:12,920
Speaker 1: most passionate people, and maybe somewhere along the lines they

1881
01:54:12,960 --> 01:54:19,479
Speaker 1: can feel what the LGBTQ community goes through right in

1882
01:54:19,640 --> 01:54:24,600
Speaker 1: regards to the plight. They can kind of share some

1883
01:54:24,800 --> 01:54:26,960
Speaker 1: of what's happening. Because I hear a lot of people

1884
01:54:27,080 --> 01:54:29,840
Speaker 1: ask me, like a yo, long, why you think black

1885
01:54:29,920 --> 01:54:38,280
Speaker 1: women support the lgbt Q community so much? And you know,

1886
01:54:38,440 --> 01:54:42,240
Speaker 1: we know our sisters and our queens are like they're

1887
01:54:42,280 --> 01:54:48,280
Speaker 1: forgiving their lovers. They're passionate, persistent, you know, so they

1888
01:54:48,440 --> 01:54:56,920
Speaker 1: they have a level of compassion that very few humans

1889
01:54:56,960 --> 01:55:00,280
Speaker 1: have and also it could be from back in they

1890
01:55:00,360 --> 01:55:04,480
Speaker 1: when they've been forced to accept things and look over

1891
01:55:04,640 --> 01:55:08,560
Speaker 1: things and let things go and get through things right.

1892
01:55:08,840 --> 01:55:13,360
Speaker 1: But for some reason people are are viewing that and

1893
01:55:13,600 --> 01:55:16,160
Speaker 1: seeing it and they don't really understand why or what

1894
01:55:16,920 --> 01:55:19,240
Speaker 1: is it. And I would love to have conversation. And

1895
01:55:19,480 --> 01:55:22,240
Speaker 1: you can't do this with one black woman because her

1896
01:55:22,320 --> 01:55:26,080
Speaker 1: saying won't be the end all, be all, But I

1897
01:55:26,160 --> 01:55:28,920
Speaker 1: would love to have a bunch of Black women sitting

1898
01:55:28,960 --> 01:55:32,400
Speaker 1: down and just kind of combe through what that's about

1899
01:55:32,440 --> 01:55:36,720
Speaker 1: and how that presented itself right, because they have support

1900
01:55:36,840 --> 01:55:40,400
Speaker 1: from from our women. Our women support them, our men

1901
01:55:40,560 --> 01:55:44,960
Speaker 1: support them, you know, we support We don't want anyone

1902
01:55:45,120 --> 01:55:47,600
Speaker 1: being harmed, to hurt or attack because of who they

1903
01:55:47,720 --> 01:55:51,600
Speaker 1: choose to lay down with. We also want to protect

1904
01:55:51,720 --> 01:55:56,200
Speaker 1: our families and our children and things like that. So

1905
01:55:56,400 --> 01:55:59,600
Speaker 1: your personal business is always your personal business. We respect

1906
01:55:59,680 --> 01:56:03,960
Speaker 1: it from that standpoint. But some of some of black

1907
01:56:04,040 --> 01:56:08,880
Speaker 1: men are in this place where non traditional, the transition

1908
01:56:09,000 --> 01:56:13,640
Speaker 1: and the transition from the non traditional lifestyle to UM

1909
01:56:14,040 --> 01:56:18,880
Speaker 1: what now is the traditional lifestyle UM is catching some

1910
01:56:19,080 --> 01:56:22,480
Speaker 1: of the black men UM in a state of shock

1911
01:56:22,520 --> 01:56:24,960
Speaker 1: and it has them thinking like, oh, it's danger they're

1912
01:56:24,960 --> 01:56:27,400
Speaker 1: gonna ex us out. We're not gonna you know, next thing.

1913
01:56:27,520 --> 01:56:29,520
Speaker 1: You know, our families and this and that. I mean,

1914
01:56:29,600 --> 01:56:35,000
Speaker 1: I'm telling you what I'm being told, right, So you

1915
01:56:35,000 --> 01:56:36,920
Speaker 1: don't know, I would love her to deaf, you know,

1916
01:56:37,600 --> 01:56:39,680
Speaker 1: but I'm not. I don't. I don't want to start that.

1917
01:56:40,040 --> 01:56:43,560
Speaker 1: You know, as me, I have the right to do that.

1918
01:56:43,800 --> 01:56:46,800
Speaker 1: As parents, we have the right to do that. You know,

1919
01:56:46,960 --> 01:56:50,600
Speaker 1: everybody parent different, but as parents, once that child come out,

1920
01:56:50,720 --> 01:56:54,120
Speaker 1: you you make those decisions. And that's what the world

1921
01:56:54,200 --> 01:56:57,200
Speaker 1: needs to need to know. Like you're You're right, You're

1922
01:56:57,280 --> 01:56:59,000
Speaker 1: entired to your opinion. The only thing I disagree with

1923
01:56:59,120 --> 01:57:01,160
Speaker 1: is the fact that you said, Lord NOSX is a

1924
01:57:01,160 --> 01:57:04,760
Speaker 1: super negative influence on the kids. And you said something earlier,

1925
01:57:04,840 --> 01:57:06,400
Speaker 1: you talked about you know, when you came home, a

1926
01:57:06,480 --> 01:57:09,920
Speaker 1: lot of your fans was in jail, are dead. So

1927
01:57:10,040 --> 01:57:11,760
Speaker 1: when you say things like you know you want to

1928
01:57:11,800 --> 01:57:14,520
Speaker 1: beat up Lord nos X, you could possibly be encouraging

1929
01:57:14,640 --> 01:57:19,480
Speaker 1: violence against gay people. Man, So that's what I would

1930
01:57:19,520 --> 01:57:22,480
Speaker 1: tell you to watch. Yeah, I wouldn't encourage became more

1931
01:57:22,600 --> 01:57:25,320
Speaker 1: likely people, but I was I'm saying, so I just

1932
01:57:25,440 --> 01:57:28,960
Speaker 1: told you like gay people like gay people not after

1933
01:57:29,080 --> 01:57:33,400
Speaker 1: me in the real world. So that suggesting the fact

1934
01:57:33,520 --> 01:57:35,520
Speaker 1: that because he said that if you were at a

1935
01:57:35,600 --> 01:57:38,560
Speaker 1: show and you get naked on stage and I'm there,

1936
01:57:39,160 --> 01:57:41,640
Speaker 1: I'm gonna snatch you off the stage because they're kids,

1937
01:57:41,680 --> 01:57:45,880
Speaker 1: are there's kids watching, they're suggesting just by Boosey's saying

1938
01:57:46,040 --> 01:57:53,760
Speaker 1: that that someone may may going harm little Nosax, which

1939
01:57:54,680 --> 01:57:58,880
Speaker 1: they're explaining the hate crime. So they're basically saying that

1940
01:57:59,680 --> 01:58:02,560
Speaker 1: what Bullsey is doing the response to that could be

1941
01:58:02,600 --> 01:58:05,320
Speaker 1: a hate crime and he could possibly be accountable for

1942
01:58:06,040 --> 01:58:09,400
Speaker 1: like you know, like this is just social media. The

1943
01:58:09,480 --> 01:58:12,960
Speaker 1: world did this. Gay people don't in the real world.

1944
01:58:13,080 --> 01:58:16,320
Speaker 1: You know, they even have gay people in my concerts

1945
01:58:16,360 --> 01:58:19,800
Speaker 1: like all like bro like in the real world, you know,

1946
01:58:19,960 --> 01:58:23,600
Speaker 1: people respect me for you know, standing up and they're

1947
01:58:23,600 --> 01:58:25,480
Speaker 1: gonna and they're gonna take me a long way in life.

1948
01:58:26,040 --> 01:58:28,880
Speaker 1: You know, I'm regardless off Ain't nobody that other rabbits

1949
01:58:28,880 --> 01:58:31,080
Speaker 1: spoke about it, you know, like, but I'm saying, you

1950
01:58:32,160 --> 01:58:34,720
Speaker 1: could be encouraging violence against gay people. He even said,

1951
01:58:35,040 --> 01:58:37,400
Speaker 1: and I never said, I know you wanted to beat

1952
01:58:37,480 --> 01:58:41,080
Speaker 1: him up no for going up there, and and you

1953
01:58:41,160 --> 01:58:42,600
Speaker 1: know you want to say he wanted to get naked.

1954
01:58:42,920 --> 01:58:44,880
Speaker 1: And if I was there at the awards on the

1955
01:58:44,960 --> 01:58:47,840
Speaker 1: front row and he got naked right there, I would

1956
01:58:48,120 --> 01:58:51,800
Speaker 1: I don't think anybody person got on the stage naked.

1957
01:58:51,840 --> 01:58:54,600
Speaker 1: You would do the same thing a straight person. But

1958
01:58:54,880 --> 01:58:56,760
Speaker 1: if he wasn't gay, you're saying the straight person gonna

1959
01:58:56,760 --> 01:58:58,320
Speaker 1: stage you with any more? Yeah, fucking right. If he

1960
01:58:58,360 --> 01:59:00,640
Speaker 1: got nigga, I would fuck him up. It's not about

1961
01:59:00,640 --> 01:59:03,080
Speaker 1: being getting naked on the word. You don't get naked

1962
01:59:03,160 --> 01:59:05,640
Speaker 1: on the what with children? You want your children the

1963
01:59:05,680 --> 01:59:07,920
Speaker 1: seats come on. So you feel like that about the

1964
01:59:07,920 --> 01:59:11,040
Speaker 1: women who go up. Didn't do that to them who

1965
01:59:11,120 --> 01:59:15,200
Speaker 1: getting naked on the up? Who do getting naked, dance sexually,

1966
01:59:15,360 --> 01:59:17,880
Speaker 1: do sexual stuff on stage. You ain't gonna turn this

1967
01:59:18,000 --> 01:59:21,840
Speaker 1: around on those stripples on You don't have all the

1968
01:59:21,920 --> 01:59:30,400
Speaker 1: strips I need. My strippers are really trying to you know,

1969
01:59:30,480 --> 01:59:36,040
Speaker 1: I need my supper. You know, don't talk on like

1970
01:59:36,280 --> 01:59:39,200
Speaker 1: you see what the baby have they tried to with you? Uh? Nah?

1971
01:59:39,560 --> 01:59:43,920
Speaker 1: You know my shoulds are even packing them ever, like

1972
01:59:44,320 --> 01:59:46,720
Speaker 1: you know that you can't bay me like you know

1973
01:59:46,880 --> 01:59:49,320
Speaker 1: like I'm not I'm not part of those festivals that

1974
01:59:49,480 --> 01:59:52,360
Speaker 1: you can take me off. You're not do my own felters.

1975
01:59:52,400 --> 01:59:54,840
Speaker 1: I do a birthday bashing, mississipping. I'm throwing this, y'all.

1976
01:59:54,880 --> 01:59:58,839
Speaker 1: Do my my my buoshy bass. You know that's August

1977
01:59:58,920 --> 02:00:01,680
Speaker 1: twenty eight coming up and out. You know, I make

1978
02:00:01,800 --> 02:00:06,240
Speaker 1: I make crazy. You remember we all remember that cooke

1979
02:00:06,320 --> 02:00:09,000
Speaker 1: can in the video, the coke cane in the shower video.

1980
02:00:09,040 --> 02:00:12,600
Speaker 1: Remember you did that? Yeah? Did the little Nozex video

1981
02:00:12,800 --> 02:00:15,520
Speaker 1: make you think of that situation? Na? Na? No, No,

1982
02:00:15,640 --> 02:00:18,160
Speaker 1: that was just a situation with me, you know, coming

1983
02:00:18,240 --> 02:00:20,880
Speaker 1: to the pen and not knowing the rules. You know,

1984
02:00:21,160 --> 02:00:23,520
Speaker 1: so I got, I got, I got, I got my

1985
02:00:23,600 --> 02:00:25,760
Speaker 1: eyes bus just not knowing the rules. I just don't

1986
02:00:25,800 --> 02:00:28,120
Speaker 1: like to see brothers calling themselves unnecessary scress, and I

1987
02:00:28,120 --> 02:00:30,880
Speaker 1: don't like us calling unnecessary scress to people. That's all, man,

1988
02:00:31,560 --> 02:00:33,800
Speaker 1: you know what I'm saying. Yeah, people are free to

1989
02:00:33,880 --> 02:00:35,680
Speaker 1: be who they are because like, you have people in

1990
02:00:35,760 --> 02:00:37,520
Speaker 1: your life who are gay, people who work with you,

1991
02:00:37,880 --> 02:00:40,960
Speaker 1: You have family members, right, and you have no problem

1992
02:00:41,040 --> 02:00:43,600
Speaker 1: taking pictures with people if they're gay. So what so

1993
02:00:43,720 --> 02:00:47,480
Speaker 1: the thing that bothers you is the representation on television?

1994
02:00:47,600 --> 02:00:50,640
Speaker 1: Is that what it is? Yeah? Television really television balls.

1995
02:00:50,800 --> 02:00:52,920
Speaker 1: When I came from home from jail. It bothered me. You.

1996
02:00:53,040 --> 02:00:56,680
Speaker 1: I was like, God, so it's television like the kid

1997
02:00:57,280 --> 02:01:02,320
Speaker 1: kids eyes, you know, like having the LGBT. You know,

1998
02:01:02,360 --> 02:01:05,520
Speaker 1: they're gonna be stirred the way in this day and age,

1999
02:01:05,600 --> 02:01:07,840
Speaker 1: they're gonna really be stirred the way. You know, if

2000
02:01:08,760 --> 02:01:12,880
Speaker 1: I just feel like we gotta you know, everybody want

2001
02:01:12,880 --> 02:01:15,200
Speaker 1: to be everybody. Everybody got the right to what they

2002
02:01:15,280 --> 02:01:17,760
Speaker 1: want to be. If you want to have your kids gay,

2003
02:01:17,840 --> 02:01:19,800
Speaker 1: you can have your kids gay. If you want to

2004
02:01:19,840 --> 02:01:22,880
Speaker 1: protect your kids from being gay, you have that right. Well,

2005
02:01:22,880 --> 02:01:24,480
Speaker 1: I don't know that you want to have your kids gay.

2006
02:01:24,480 --> 02:01:26,320
Speaker 1: It's just that if your kids are gay, they're just gay.

2007
02:01:26,360 --> 02:01:28,280
Speaker 1: Because I do think life is harder for you if

2008
02:01:28,320 --> 02:01:31,240
Speaker 1: you are gay, because there's a lot of four times

2009
02:01:31,280 --> 02:01:36,680
Speaker 1: a chance of violence. More. I don't know about harder person. Hey, yo,

2010
02:01:36,840 --> 02:01:39,720
Speaker 1: hold on, that's the word we don't have to use.

2011
02:01:39,920 --> 02:01:43,360
Speaker 1: This is not the oppression Olympics. You know, life is

2012
02:01:43,440 --> 02:01:45,920
Speaker 1: harder for you if you're gay. I'm not sure if

2013
02:01:46,000 --> 02:01:50,200
Speaker 1: life is harder for anyone than a black male, right,

2014
02:01:50,440 --> 02:01:53,720
Speaker 1: I don't know. Now, gay black male, that's what they'll

2015
02:01:53,760 --> 02:01:55,800
Speaker 1: probably talk about, But I don't know that to be

2016
02:01:55,920 --> 02:01:59,880
Speaker 1: the case, and let's not immediately draw those type of

2017
02:02:00,520 --> 02:02:04,720
Speaker 1: conclusions without any sort of real evidence. Right when you

2018
02:02:04,840 --> 02:02:09,480
Speaker 1: say four times more likely to be attacked, we gotta

2019
02:02:10,120 --> 02:02:19,360
Speaker 1: ask by who when you see these statistics are done

2020
02:02:19,440 --> 02:02:22,600
Speaker 1: by focused groups, right, So whatever the outcome they want

2021
02:02:22,640 --> 02:02:25,720
Speaker 1: to happen, they look for the information. Excuse me, they

2022
02:02:25,800 --> 02:02:30,800
Speaker 1: look for the information to to to to coexist with

2023
02:02:30,920 --> 02:02:33,840
Speaker 1: the outcome that they want to present to the people.

2024
02:02:34,240 --> 02:02:39,320
Speaker 1: So you gotta understand that about statistics too. Ut communities,

2025
02:02:39,400 --> 02:02:41,120
Speaker 1: I do think you make your life hardest. I don't

2026
02:02:41,120 --> 02:02:43,000
Speaker 1: think anybody's like I just want to be gay because

2027
02:02:43,000 --> 02:02:44,880
Speaker 1: I've seen it on TV. It's how you feel because

2028
02:02:44,920 --> 02:02:48,120
Speaker 1: I've seen I've never kissed a woman, I've never done

2029
02:02:48,160 --> 02:02:50,600
Speaker 1: any of those things, and I see it all the time.

2030
02:02:50,760 --> 02:02:52,320
Speaker 1: But that doesn't mean I want to do it, because

2031
02:02:52,320 --> 02:02:53,880
Speaker 1: I think you have to feel like that's who you

2032
02:02:54,000 --> 02:02:56,120
Speaker 1: are to be able to relate to that. I don't

2033
02:02:56,120 --> 02:02:59,920
Speaker 1: think I wasn't raised anyway, because I've been around. I'm

2034
02:03:00,000 --> 02:03:02,400
Speaker 1: from New York, so I've seen it all and I

2035
02:03:02,520 --> 02:03:05,000
Speaker 1: have friends who are gay, I have friends who are trans.

2036
02:03:05,480 --> 02:03:07,640
Speaker 1: But it's never made me say that's what I want

2037
02:03:07,680 --> 02:03:10,320
Speaker 1: to be Okay, okay, you think people are born gay

2038
02:03:10,400 --> 02:03:12,520
Speaker 1: or you think they I don't know, has no idea.

2039
02:03:12,560 --> 02:03:15,640
Speaker 1: I don't know, y'all don't and it doesn't make you

2040
02:03:15,720 --> 02:03:17,840
Speaker 1: want I'm not a gay spologist or whatever you can.

2041
02:03:18,640 --> 02:03:27,080
Speaker 1: But what about the WeTV show? I heard you had

2042
02:03:27,080 --> 02:03:30,360
Speaker 1: a WeTV show but they pulled. Uh Now, I was

2043
02:03:30,520 --> 02:03:32,800
Speaker 1: I was doing? Um, I was, you know, I was

2044
02:03:32,880 --> 02:03:36,720
Speaker 1: doing a reality show. So that's just some of it,

2045
02:03:36,840 --> 02:03:38,880
Speaker 1: y'all can go check out the rest of it. UM

2046
02:03:39,680 --> 02:03:41,360
Speaker 1: not sure. I don't think we got nothing else we

2047
02:03:41,440 --> 02:03:50,920
Speaker 1: need to speak about today. Let me see not not

2048
02:03:51,200 --> 02:03:54,520
Speaker 1: necessarily that we just have to speak about. We'll see

2049
02:03:54,600 --> 02:04:00,840
Speaker 1: y'all next week. It's up that podcast. Yeah, see y'all

2050
02:04:00,880 --> 02:04:03,920
Speaker 1: next week. It's up that podcast. Subscribe, Go get you

2051
02:04:04,040 --> 02:04:09,160
Speaker 1: your merch Go to Patreon, follow Instagram, FOJFFO TV, the

2052
02:04:09,240 --> 02:04:12,640
Speaker 1: new one on YouTube. It's up that podcasts on YouTube.

2053
02:04:12,680 --> 02:04:15,600
Speaker 1: It's up that podcast on Patreon, It's up that podcast

2054
02:04:15,720 --> 02:04:19,760
Speaker 1: on t spring. Make sure you tap in, show some

2055
02:04:20,080 --> 02:04:24,240
Speaker 1: support appreciated. Everybody's tapped in. It's a hundred and two

2056
02:04:24,360 --> 02:04:28,280
Speaker 1: hundred thousand people that listen to this will appreciate y'all. Y'all.

2057
02:04:28,320 --> 02:04:31,440
Speaker 1: The biggest fans are the biggest supporters. We couldn't do

2058
02:04:31,520 --> 02:04:34,040
Speaker 1: it without y'all. We're building a YouTube back up right

2059
02:04:34,120 --> 02:04:36,600
Speaker 1: now as we speak. Shared with somebody that has shared

2060
02:04:36,680 --> 02:04:40,320
Speaker 1: with somebody, the biggest one. This is not the Joe

2061
02:04:40,400 --> 02:04:44,320
Speaker 1: Button podcast. This is not million dollars worth a game,

2062
02:04:44,680 --> 02:04:48,120
Speaker 1: This is not the Brilliant Idiots DC is each up

2063
02:04:48,200 --> 02:04:54,879
Speaker 1: their podcast with Looney Monco. But it's up there. Podcast