WEBVTT - Sienna Miller

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<v Speaker 1>You are listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 2>Savannah Miller tells a story that when her sisters Sienna

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<v Speaker 2>was born, it was.

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<v Speaker 1>Like the lights came on.

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<v Speaker 2>Our guests on Ruthie's Table four people we all know

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<v Speaker 2>through the movies they make, the companies they run, the

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<v Speaker 2>policies and the values they are defined by. Here we

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<v Speaker 2>get to know them in a different way. How they

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<v Speaker 2>lay a table, what they feed their children, a recipe

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<v Speaker 2>they've kept from their grandmother. Everyone knows Sienna Miller is

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<v Speaker 2>an actress, of fashion designer, and a brave combatant who

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<v Speaker 2>stood up for her rights against a powerful media empire.

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<v Speaker 2>All of us in the River Cafe know her as

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<v Speaker 2>a fabulous eater, coming in on Sundays with her family,

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<v Speaker 2>always a big table, always involving children, always sitting in

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<v Speaker 2>the window. Most of all, it's about sharing. Most of all,

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<v Speaker 2>it's about fun. Just like Sienna. We're here today in

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<v Speaker 2>the River Cafe and the lights have come on. Oh ready,

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<v Speaker 2>So Sienna, would you like to read the recipe that

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<v Speaker 2>you chose to make for this podcast, which.

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<v Speaker 3>Is pizza bianca with tiledio artichokes and time or as

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<v Speaker 3>Giermo del Tourre said on his thame, which I loved

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<v Speaker 3>from now I want to call it time. A pizza

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<v Speaker 3>bianca is a pizza without tomato, but if you want

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<v Speaker 3>to add something salty, you can add artichokes. Ingredients pizza dough,

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<v Speaker 3>double zero flour for dusting, olive oil for drizzling, two

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<v Speaker 3>artichokes baked and sliced, four hundred grams of toilggio sliced. Time,

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<v Speaker 3>preheat the oven to two hundred and thirty degrees centigrade.

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<v Speaker 3>Put a large baking sheet in the oven to heat up,

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<v Speaker 3>and roll your doble on a floured worktop as thinly

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<v Speaker 3>as possible. Place the pizza on a piece of baking paper.

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<v Speaker 3>Top with artichoke slices and to ledgio. Season with salt,

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<v Speaker 3>pepper and thyme. Drizzle with a little olive oil. Transfer

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<v Speaker 3>the baking paper with pizza on to the hot baking sheet.

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<v Speaker 3>Bake for six to eight minutes until the pizza is

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<v Speaker 3>puffed and golden.

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<v Speaker 1>There what easy, Okay?

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<v Speaker 4>So today the pizza on the menu is to led

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<v Speaker 4>you please, are straight out of the fridge. So if

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<v Speaker 4>you just want to try and get them from underneath first,

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<v Speaker 4>we would get a feel for it. And then I

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<v Speaker 4>put them on the tops and on my knuckles a

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<v Speaker 4>little bit, just widen it out. And then once it's

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<v Speaker 4>on your knuckles, you can just very genuinely stretch with

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<v Speaker 4>your thounds and your knuckles. But the most important thing

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<v Speaker 4>is that the middle doesn't stretch too much.

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<v Speaker 2>Yeah, so wreck.

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<v Speaker 4>And then the secret is a rolling pin which actually.

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<v Speaker 3>Has gone missing.

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<v Speaker 4>We are to roll like around the middle parts. That's thinking, great, Okay,

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<v Speaker 4>then this is the this is the fun thing, because

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<v Speaker 4>I feel like you feel like a proper pizza chapherd.

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<v Speaker 4>So you grab the top, just it like very delicately,

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<v Speaker 4>and you gotta you gotta flip it onto your knuckles. Okay,

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<v Speaker 4>so just like that, just go for it. You've got

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<v Speaker 4>to go for it and for it. And then if

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<v Speaker 4>you use this pizza park and just lay it out

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<v Speaker 4>there and pull your fingers out from underneath, I got

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<v Speaker 4>a job. Yeah, I think you're looking bent in the mind.

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<v Speaker 4>And then we've got raw ars chokes. Yeah, and they

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<v Speaker 4>just soaping and lemon water so they don't use the color.

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<v Speaker 4>Then a nice little sprinkle of time, great, some black happer,

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<v Speaker 4>and then just a couple of olives again, not too many.

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<v Speaker 4>I think you should put in the other I agree.

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<v Speaker 4>So the ovens on about four hundred degrees. So just

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<v Speaker 4>with this again. You just want to move the paddle

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<v Speaker 4>like back and then you're done and the paper you're

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<v Speaker 4>going with it just yeah nice? Is it perfect? Real

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<v Speaker 4>good love, you'll bring it you.

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<v Speaker 1>Thanks.

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<v Speaker 2>We were talking about making pizzas and what they involved,

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<v Speaker 2>but it's also involved with how you feed your kids,

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<v Speaker 2>and so I suppose we could talk about before feeding

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<v Speaker 2>your kids, how your parents fed you. What was the

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<v Speaker 2>food like in your household as a child.

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<v Speaker 1>You have memories. I have so many memories.

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<v Speaker 3>My mother is an amazing cook and really a lot

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<v Speaker 3>of her nurturing and her mother incomes through cooking and

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<v Speaker 3>always did. She was born in Yorkshire. She then moved

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<v Speaker 3>to South Africa when she was about four. My grandmother

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<v Speaker 3>was South African and she remarried a Jewish man converted

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<v Speaker 3>to Judaism, so mom kind of grew up with the

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<v Speaker 3>half Yorkshire, half Jewish South African cuisine around her. And

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<v Speaker 3>then when that husband died, my grandmother converted.

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<v Speaker 1>Back to the Church.

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<v Speaker 3>So she was oh, she's not a grade Jew, No,

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<v Speaker 3>she was quite flimsy with it. But as a result

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<v Speaker 3>of that, there's Mum's got a lot of different styles

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<v Speaker 3>of cooking, and Sunday lunch was just a huge I

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<v Speaker 3>was born in New York to an American father, and

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<v Speaker 3>my sister was born in Hong Kong because they lived

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<v Speaker 3>in Hong Kong before, and then we moved to London

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<v Speaker 3>when I was about eighteen months.

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<v Speaker 2>A lot of moving around, a lot of exactly. But

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<v Speaker 2>for you, you were in New York. I was in

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<v Speaker 2>New York, raised in London.

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<v Speaker 3>I mean, I remember teething on Builtong, like she would

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<v Speaker 3>give us sticks of Builtong, and I don't really remember teething,

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<v Speaker 3>but I kind of do. Remember you're back that far,

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<v Speaker 3>running around like Bambam with just dried meat in every hand.

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<v Speaker 1>And how old were you when you came back?

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<v Speaker 3>People are grimacing, but I still love it. I was

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<v Speaker 3>eighteen months.

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<v Speaker 1>Old, Okay, So you are your childhood was British.

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<v Speaker 3>My childhood was British but filled with different from people

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<v Speaker 3>from all over the world. So we'd have you know,

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<v Speaker 3>a brie, a South African barbecue in the summer on Sundays, and.

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<v Speaker 1>It's called a brye.

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<v Speaker 3>It's basically the Afrikaans word for a barbecue, I believe.

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<v Speaker 3>And we'd have burr horse and drew avorce, which is

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<v Speaker 3>different types of sausage.

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<v Speaker 1>I know.

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<v Speaker 3>Well, I grew up with this interesting yeah, and biboerti,

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<v Speaker 3>this South African dish and built onng everywhere, which is

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<v Speaker 3>the dried meat, which I still love.

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<v Speaker 2>So there was your sister and yourself, my sister and

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<v Speaker 2>myself and your mother.

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<v Speaker 1>Were she did, she had, could cook, and she could

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<v Speaker 1>have a job.

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<v Speaker 3>And yeah, well she was a yoga sort of yoga

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<v Speaker 3>Alexander technique exercise teacher. So I grew up in a

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<v Speaker 3>house with women lying all over the floors, I mean,

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<v Speaker 3>and my.

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<v Speaker 5>Friends remember this, especially when I was a teenager.

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<v Speaker 3>Her classes were so popular that they'd spill out of

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<v Speaker 3>the allocated room which was next to my bedroom, into

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<v Speaker 3>the hallways, down the stairs on another landing.

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<v Speaker 1>It wasn't a big house, but this was your yoga lesson.

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<v Speaker 1>I don't know if I signed up for the yoga

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<v Speaker 1>lessons found myself on this serials.

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<v Speaker 3>I know, well, she was so good at it, it

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<v Speaker 3>was She actually started the first exercise base school in

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<v Speaker 3>London in the seventies called Granny's beautiful bodies and it

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<v Speaker 3>was Alexander technique yoga ballet kind of hybrid and Ava

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<v Speaker 3>Gardner went and Albert.

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<v Speaker 5>Finney and she was this really talented was it?

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<v Speaker 3>It was in Knightsbridge.

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<v Speaker 1>Because there was a woman called Lordie Burke. Do you

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<v Speaker 1>remember her? Yes? She was to her that mum just

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<v Speaker 1>like it.

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<v Speaker 2>Yes, I went to Lordi Burke. I can't remember who

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<v Speaker 2>told me about when I first came to London. Yeah,

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<v Speaker 2>I think that was in probably nineteen seventy. Yes, and she.

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<v Speaker 1>Looked totally out of cabaret. You know. Do you remember

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<v Speaker 1>so your mother worked with.

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<v Speaker 3>Her, Yes, they established it together. I don't really have

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<v Speaker 3>many memories of that. But when she started doing it

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<v Speaker 3>again after my parents got divorced, these people would flock

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<v Speaker 3>and there were just women with their legs in the

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<v Speaker 3>air outside the bedroom and I'd be hungover at the

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<v Speaker 3>hoodie on trying to get to the bathroom.

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<v Speaker 1>Just like you know, did she eat in a healthy way? Is?

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<v Speaker 1>And now she was concerned about yoga and Alexander. She's

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<v Speaker 1>never been weight conscious.

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<v Speaker 3>She's never been conscious about calories or everything had butter

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<v Speaker 3>and cream and you know, and I think there is

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<v Speaker 3>something that's so incredible about being nourished by a meal

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<v Speaker 3>cooked with love, which is what you do here every

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<v Speaker 3>single time. You feel the love and the food and

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<v Speaker 3>it's like going home.

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<v Speaker 1>It's an ingredient.

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<v Speaker 2>It is a really strong ingredient. You can taste it

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<v Speaker 2>completely and tasted. Yeah, it is about sharing and about tasting.

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<v Speaker 2>So you with your mother working, did you still sit

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<v Speaker 2>down to a table every night and.

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<v Speaker 1>After school, your sister and you and your mother?

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<v Speaker 3>And I mean I went to boarding school at eight,

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<v Speaker 3>so then it was just weekends.

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<v Speaker 1>Yeah, I did.

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<v Speaker 3>They got divorced when I was six, and then two

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<v Speaker 3>years later I went.

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<v Speaker 1>To boarding school.

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<v Speaker 2>And when you left the comfort of home and food

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<v Speaker 2>and as you say, the ingredient cooking with love, I

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<v Speaker 2>was going to boarding school. Did you feel that ingredient

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<v Speaker 2>was there and the food that you wed a boarding school?

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<v Speaker 3>I mean it was a really My best friend is

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<v Speaker 3>in the room and she's laughing at me with a

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<v Speaker 3>pained expression. No, she didn't go to that school, the man, No,

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<v Speaker 3>not the first one. I mean, I was about as

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<v Speaker 3>high as this table. I was tiny, and it was

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<v Speaker 3>too young, you know, but apparently I really wanted to

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<v Speaker 3>go and it was this It was on paper, a

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<v Speaker 3>really idyllic looking place. It was a manor house. There

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<v Speaker 3>were only fifty two girls. But you know that first

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<v Speaker 3>night you're in a room with ten girls you've never met,

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<v Speaker 3>in kind of metal beds with tweed blankets over the top,

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<v Speaker 3>and its lights out at seven, and it's traumatic. It's

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<v Speaker 3>completely traumatic. Plus they used to feed us on Tuesday's spam,

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<v Speaker 3>which and you'd have to finish your plate, you'd have

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<v Speaker 3>to eat everything. I remember sort of sticking it in

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<v Speaker 3>my pockets and finding dried bits of spam in my pocket,

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<v Speaker 3>which was lovely.

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<v Speaker 1>What are your other food memories of that school?

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<v Speaker 3>Well, sometimes it was great, like big pots of lasagna,

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<v Speaker 3>and every day at four o'clock the baker would deliver

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<v Speaker 3>either ice buns or jam doughnuts, or there'd be some

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<v Speaker 3>kind of delivery, which was the highlight of the entire thing.

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<v Speaker 1>Then when you went home weekends, was it a big deal? Yeah?

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<v Speaker 3>And Mum, you know, she'd make the most out of

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<v Speaker 3>nothing and it was filled with flavor and filled with love.

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<v Speaker 3>And then on Sundays all of her eccentric friends would

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<v Speaker 3>come around for a big boozy Sunday lunch and we'd

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<v Speaker 3>be made to sit at the table, however old or

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<v Speaker 3>young we were. And some of my most I think

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<v Speaker 3>formative moments were around that table because everyone's drinking, there's

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<v Speaker 3>opera blasting, there's no one censoring the conversation, and you

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<v Speaker 3>really learn how to kind of find your way in

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<v Speaker 3>the world through listening to adult conversation and eating food.

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<v Speaker 1>And it was very joyous and jubilant. Did you ever

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<v Speaker 1>come back or did you stay? So it was every weekend,

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<v Speaker 1>Now what I mean for the rest of your education

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<v Speaker 1>that we were border.

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<v Speaker 3>Yeah, so that was a weekly boarding. I was there

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<v Speaker 3>for two years. Then there was a fire or it

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<v Speaker 3>just closed down and I ended up going to senior

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<v Speaker 3>school a year early. So I was ten when I

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<v Speaker 3>went to senior school in seventeen. When I left, even

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<v Speaker 3>though I finished it, I was that was in Berkshire.

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<v Speaker 1>And what was that like? And that was by that

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<v Speaker 1>point I was a season border. I was.

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<v Speaker 3>I was again, you know, about three feet tall, but

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<v Speaker 3>really confident. Really, I'd completely detached from the notion of homesickness.

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<v Speaker 3>I'd gone through it in a really intense way, so

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<v Speaker 3>I was I was quite strong by that point and

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<v Speaker 3>up for it. And my big sister was at the

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<v Speaker 3>same school, which I'm sure helped, and it was school food,

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<v Speaker 3>but I loved I still dream about this chewy toast that.

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<v Speaker 1>They have in the mornings.

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<v Speaker 3>They'd had one of those things where you put the

0:11:31.480 --> 0:11:33.959
<v Speaker 3>bread in and it's cheap bread and it rotates through

0:11:34.000 --> 0:11:37.160
<v Speaker 3>and sort of half toasts, but obviously it's cooked a

0:11:37.200 --> 0:11:39.600
<v Speaker 3>while ago and it becomes kind of bready and chewy.

0:11:40.200 --> 0:11:41.959
<v Speaker 3>And we used to I used to make a butter

0:11:42.040 --> 0:11:44.600
<v Speaker 3>and marmite mix with the cold butter that was thick,

0:11:44.679 --> 0:11:46.160
<v Speaker 3>and spread it on and bend it over.

0:11:46.240 --> 0:11:51.840
<v Speaker 1>And I still everyone's laughing. I'm a real pig. Now.

0:11:51.880 --> 0:11:56.200
<v Speaker 1>It's just because you mix it with the butter. First

0:11:56.840 --> 0:11:58.920
<v Speaker 1>I thought you can free. Yeah, it goes.

0:11:58.960 --> 0:12:00.840
<v Speaker 5>I scrambled my eggs with the dollop of it in.

0:12:00.960 --> 0:12:05.120
<v Speaker 3>They go kind of prey. But it's delicious. Botherel I'm

0:12:05.120 --> 0:12:05.920
<v Speaker 3>a huge.

0:12:05.640 --> 0:12:08.920
<v Speaker 2>Bother, which is you know, I say I've said it before,

0:12:08.960 --> 0:12:11.640
<v Speaker 2>and this because other people praised marmite that when I

0:12:11.679 --> 0:12:15.280
<v Speaker 2>first came to London, I went to a photography school.

0:12:14.920 --> 0:12:16.880
<v Speaker 1>And we had to do a series.

0:12:16.920 --> 0:12:18.360
<v Speaker 2>And I thought, what I'd like to do is get

0:12:18.360 --> 0:12:21.559
<v Speaker 2>a bunch of Americans and give them marmite and butter

0:12:21.640 --> 0:12:25.199
<v Speaker 2>and take a photograph of their face when they tasted it.

0:12:25.360 --> 0:12:28.200
<v Speaker 1>Because for an American it was just like what are

0:12:28.240 --> 0:12:30.280
<v Speaker 1>these people? What is yeast spread?

0:12:30.640 --> 0:12:33.400
<v Speaker 2>And then I never quite got over it because Richard

0:12:33.880 --> 0:12:35.800
<v Speaker 2>used to said marmite in.

0:12:35.880 --> 0:12:39.360
<v Speaker 3>Bed, but the breath, the marmite breath is specific. They

0:12:39.400 --> 0:12:42.920
<v Speaker 3>actually did genius advertising. They did you either love it

0:12:43.040 --> 0:12:45.960
<v Speaker 3>or hate it? I remember this advert where it was

0:12:46.000 --> 0:12:47.360
<v Speaker 3>like a girl and a boy and they were on

0:12:47.400 --> 0:12:49.440
<v Speaker 3>a date and it was going really well. And he

0:12:49.559 --> 0:12:51.520
<v Speaker 3>comes back to hers and she says, you know, do

0:12:51.520 --> 0:12:52.240
<v Speaker 3>you want some coffee?

0:12:52.240 --> 0:12:53.400
<v Speaker 1>And there's a there's an old.

0:12:53.200 --> 0:12:55.240
<v Speaker 3>Piece of toast with marmite on it in the kitchen

0:12:55.600 --> 0:12:57.640
<v Speaker 3>making the coffee. She just takes a bite of the

0:12:57.679 --> 0:12:59.719
<v Speaker 3>thing and goes back in and there and then they

0:12:59.720 --> 0:13:03.480
<v Speaker 3>start kissing and he goes and it said mom, like,

0:13:03.600 --> 0:13:04.920
<v Speaker 3>you either love it or you hate it?

0:13:05.200 --> 0:13:05.920
<v Speaker 1>You have to lean it.

0:13:06.080 --> 0:13:09.080
<v Speaker 3>I think, raw, I wouldn't want to eat it out

0:13:09.080 --> 0:13:11.600
<v Speaker 3>of its jar, go reel, I could, I could?

0:13:11.920 --> 0:13:14.600
<v Speaker 1>I know this is really sounds stupid. What's the difference

0:13:15.480 --> 0:13:19.680
<v Speaker 1>is beef spread? Okay, we're really both baric. It's the

0:13:19.760 --> 0:13:22.000
<v Speaker 1>you as we have many years.

0:13:21.800 --> 0:13:24.480
<v Speaker 2>I've lived here how long fifty years?

0:13:24.480 --> 0:13:30.320
<v Speaker 3>Fifty years used to be, so I put it in

0:13:30.360 --> 0:13:31.920
<v Speaker 3>all sorts of cooking. I sneak it in.

0:13:32.000 --> 0:13:34.160
<v Speaker 1>It's even worse. You still use it, I do.

0:13:34.320 --> 0:13:36.360
<v Speaker 3>Yeah, I'll put it in gravy, a little bit of

0:13:36.360 --> 0:13:37.520
<v Speaker 3>marmite and a bolonnaise.

0:13:37.760 --> 0:13:41.400
<v Speaker 1>You love it. You know that day we head for lunch. Yeah,

0:13:41.440 --> 0:13:42.240
<v Speaker 1>you're canceled.

0:13:42.240 --> 0:13:43.920
<v Speaker 3>You've got to wash your hair that night.

0:13:44.120 --> 0:13:46.679
<v Speaker 1>Right, something really good? Do I want to watch?

0:13:46.920 --> 0:13:49.319
<v Speaker 5>Do you have a favorite a favorite meal?

0:13:49.760 --> 0:13:55.079
<v Speaker 1>What's your curious? My favorite meal? Yeah?

0:13:55.120 --> 0:13:56.760
<v Speaker 2>I think there is a kind of meal that I

0:13:56.840 --> 0:14:01.760
<v Speaker 2>like very much, which is based on having pasta first,

0:14:02.080 --> 0:14:06.800
<v Speaker 2>so it's always tomato pasta, and then having vegetables cooked

0:14:06.840 --> 0:14:09.560
<v Speaker 2>in different ways. So I'll have arti chokes that are

0:14:09.600 --> 0:14:12.840
<v Speaker 2>slow roasted, and then I'll have spinaches that just blant

0:14:12.960 --> 0:14:15.920
<v Speaker 2>with olive oil and their tomatoes. Will put them in

0:14:15.960 --> 0:14:18.520
<v Speaker 2>the oven and get them that there's absolutely not one

0:14:18.600 --> 0:14:20.520
<v Speaker 2>drop of liquid in them, and they've kind of almost

0:14:20.560 --> 0:14:21.360
<v Speaker 2>stuck to the pan.

0:14:21.960 --> 0:14:23.160
<v Speaker 1>I like eating that way.

0:14:23.520 --> 0:14:26.880
<v Speaker 2>I'm much less in my old age, less interested in

0:14:26.880 --> 0:14:30.400
<v Speaker 2>the first course, second course, third course, that formality of it.

0:14:30.600 --> 0:14:32.160
<v Speaker 1>So it kind of breaks some of.

0:14:32.160 --> 0:14:33.920
<v Speaker 2>The rules when you think, what are we having after

0:14:33.960 --> 0:14:36.880
<v Speaker 2>the pasta or maybe nothing, you know, but we are,

0:14:36.960 --> 0:14:39.160
<v Speaker 2>and then you bring out all being so it's quite

0:14:39.200 --> 0:14:40.600
<v Speaker 2>It's a way that I'm quite liked.

0:14:41.040 --> 0:14:44.160
<v Speaker 1>Did your parents take you to restaurants? Yeah, they did,

0:14:45.720 --> 0:14:47.920
<v Speaker 1>they did. They took us. We had a local Italian

0:14:48.000 --> 0:14:49.480
<v Speaker 1>called to Checo. We go there.

0:14:50.120 --> 0:14:52.120
<v Speaker 3>I go to Johnny Rockets with my dad and have

0:14:52.160 --> 0:14:54.920
<v Speaker 3>a foot long hot dog and a coke float Rockets.

0:14:54.960 --> 0:14:57.960
<v Speaker 5>There are I don't know, I don't know coke floats.

0:14:58.000 --> 0:15:00.320
<v Speaker 3>I love the idea of and but they're I always

0:15:00.320 --> 0:15:02.200
<v Speaker 3>found them kind of disgusting, but I get it just

0:15:02.240 --> 0:15:04.440
<v Speaker 3>because it was I was trying to connect to his

0:15:04.520 --> 0:15:08.200
<v Speaker 3>American side. And then we go to fancier places as well.

0:15:08.960 --> 0:15:12.200
<v Speaker 2>And when you became a kind of more independent person

0:15:12.280 --> 0:15:13.960
<v Speaker 2>on your own, well, you always say that you were

0:15:13.960 --> 0:15:16.200
<v Speaker 2>in New York and you were you were taking care

0:15:16.240 --> 0:15:18.360
<v Speaker 2>of your friends, and you were the person that people

0:15:18.400 --> 0:15:20.760
<v Speaker 2>went to for Sunday lunch or you still did that.

0:15:21.120 --> 0:15:23.440
<v Speaker 2>But when you're when you were acting and when you're

0:15:23.480 --> 0:15:25.360
<v Speaker 2>working on a film, what is it like when you're

0:15:25.520 --> 0:15:28.440
<v Speaker 2>when you're working and when you are he's in theater

0:15:28.720 --> 0:15:31.240
<v Speaker 2>or in film and you're trying to work, and do

0:15:31.240 --> 0:15:33.440
<v Speaker 2>you have a special routine for eating.

0:15:34.120 --> 0:15:36.960
<v Speaker 3>No, it all probably gets a bit goes a bit

0:15:37.000 --> 0:15:40.200
<v Speaker 3>wrong in those moments. I mean, well, I'm never I'm

0:15:40.240 --> 0:15:43.000
<v Speaker 3>not someone who's going to cook for themselves. I think

0:15:43.040 --> 0:15:45.760
<v Speaker 3>so much of the joy of it is feeding other people.

0:15:45.880 --> 0:15:47.600
<v Speaker 1>So I will end up.

0:15:49.320 --> 0:15:52.960
<v Speaker 3>I'm a place well, just remote, like Shreveport, Louisiana. We

0:15:53.000 --> 0:15:56.800
<v Speaker 3>lived on the side of the road in a holiday

0:15:56.840 --> 0:15:57.360
<v Speaker 3>in or something.

0:15:57.400 --> 0:15:58.240
<v Speaker 1>What were you filming?

0:15:58.280 --> 0:16:01.440
<v Speaker 3>I was filming a movie about Decgate called Factory Girl,

0:16:01.680 --> 0:16:04.120
<v Speaker 3>and we were all in a Marriotte residence in on

0:16:04.160 --> 0:16:07.320
<v Speaker 3>the side of the freeway in Boje City, which is

0:16:07.440 --> 0:16:10.680
<v Speaker 3>outside of Louisiana. You know, Shreveport. Jimmy Fallon was in

0:16:10.680 --> 0:16:13.920
<v Speaker 3>that movie. Guy Pierce all these Tara Summers was in it.

0:16:14.560 --> 0:16:17.400
<v Speaker 3>Jack Houston, who's just directed a movie that's apparently amazing.

0:16:18.680 --> 0:16:20.960
<v Speaker 3>And I would cook in this tiny like you would.

0:16:21.000 --> 0:16:23.200
<v Speaker 3>Still I would still cook. I would still find a

0:16:23.200 --> 0:16:23.760
<v Speaker 3>way to cook.

0:16:29.200 --> 0:16:33.040
<v Speaker 2>Every year, the River Cafe curates holiday gift boxes filled

0:16:33.040 --> 0:16:34.400
<v Speaker 2>with Italian ingredients.

0:16:34.520 --> 0:16:36.000
<v Speaker 1>Are extra virgin olive.

0:16:35.720 --> 0:16:40.840
<v Speaker 2>Oil bottled exclusively for the River Cafe. Power Petrelli tomatoes

0:16:40.840 --> 0:16:45.320
<v Speaker 2>from Pullia Tuscan chocolates and candied sweets from Genoa. One

0:16:45.320 --> 0:16:48.720
<v Speaker 2>of our best boxes is the International Box, which also

0:16:48.760 --> 0:16:53.760
<v Speaker 2>has River Cafe Limited edition jam Chipriani, Ultra Fine Taglerini,

0:16:53.920 --> 0:16:57.560
<v Speaker 2>pasta River Cafe Cantucci and a Bella Freud candle.

0:16:58.240 --> 0:17:00.200
<v Speaker 1>Order on our website show.

0:17:00.080 --> 0:17:03.680
<v Speaker 2>Up the River Cafe dot co dot uk or call

0:17:03.800 --> 0:17:14.359
<v Speaker 2>me on seven. Sorry, okay, thanks your experience that you

0:17:14.480 --> 0:17:17.840
<v Speaker 2>had as a person who was you know, doing their work,

0:17:18.040 --> 0:17:22.240
<v Speaker 2>raising their children, having your privacy, doing no harm, breaking

0:17:22.280 --> 0:17:27.119
<v Speaker 2>no rules. Had something horrible happened to her and we

0:17:27.119 --> 0:17:28.760
<v Speaker 2>could bring it back to the food. I could say,

0:17:28.760 --> 0:17:31.760
<v Speaker 2>what do you eat when a when a newspaper empire

0:17:32.359 --> 0:17:35.120
<v Speaker 2>goes for you and tries to destroy you and goes.

0:17:34.920 --> 0:17:37.000
<v Speaker 1>Into your phone? Did that? Did you feel hungry? Or

0:17:37.040 --> 0:17:38.119
<v Speaker 1>did you get up eating?

0:17:38.520 --> 0:17:42.200
<v Speaker 2>But it is part of our conversation life and food

0:17:42.320 --> 0:17:46.080
<v Speaker 2>and fairness, and I wondered if you could say how

0:17:46.080 --> 0:17:48.679
<v Speaker 2>you felt when you woke up in the morning and knew.

0:17:48.920 --> 0:17:53.440
<v Speaker 1>Did you have breakfast or did you did real stress?

0:17:53.920 --> 0:17:55.439
<v Speaker 1>I lose my appetite, you lose it.

0:17:55.560 --> 0:17:58.639
<v Speaker 3>Yeah, it's interesting and I'm and I'm such a I

0:17:58.720 --> 0:18:01.680
<v Speaker 3>love to eat more than anything. It's kind of it's

0:18:01.720 --> 0:18:05.120
<v Speaker 3>where I get a huge amount of pleasure, but I, yeah,

0:18:05.160 --> 0:18:07.560
<v Speaker 3>I lose my appetite if I'm under immense stress. So

0:18:07.640 --> 0:18:11.399
<v Speaker 3>well was his life well, the paparazzi attention at a

0:18:11.520 --> 0:18:14.760
<v Speaker 3>very young age was probably the most traumatizing and surreal

0:18:15.400 --> 0:18:17.760
<v Speaker 3>because it happened from one day to the next. Ild

0:18:18.240 --> 0:18:21.760
<v Speaker 3>I was twenty one and I'd fallen in love with

0:18:21.800 --> 0:18:25.200
<v Speaker 3>my co star of my first film, and he was very.

0:18:25.000 --> 0:18:28.840
<v Speaker 1>Famous, and there were pictures of us.

0:18:28.920 --> 0:18:31.199
<v Speaker 3>We'd gone to the National Portrait Gallery or something, the

0:18:31.240 --> 0:18:33.919
<v Speaker 3>Tate Modern, I can't remember. And I remember leaving his

0:18:33.960 --> 0:18:36.440
<v Speaker 3>house the following day and getting in a black taxi

0:18:36.560 --> 0:18:38.040
<v Speaker 3>and the cave.

0:18:38.000 --> 0:18:39.840
<v Speaker 5>Saying have you seen the news of the world today?

0:18:39.880 --> 0:18:41.760
<v Speaker 5>And I was like, what, you know?

0:18:41.840 --> 0:18:42.320
<v Speaker 1>Twenty one?

0:18:42.359 --> 0:18:44.080
<v Speaker 5>And he said have you seen the news of the world

0:18:44.080 --> 0:18:45.359
<v Speaker 5>And I said no, and he said, you're.

0:18:45.200 --> 0:18:47.760
<v Speaker 3>All over it, and he threw a copy of the

0:18:47.840 --> 0:18:50.679
<v Speaker 3>newspaper in the back of the cab and there we

0:18:50.680 --> 0:18:52.640
<v Speaker 3>were on the front. It was so it was honestly

0:18:52.720 --> 0:18:58.359
<v Speaker 3>like normal life to absolute surreal, you know, life after

0:18:58.400 --> 0:18:59.840
<v Speaker 3>that and I got home to my flat and there

0:18:59.880 --> 0:19:03.080
<v Speaker 3>were photographers all outside my flat and that was it.

0:19:03.200 --> 0:19:03.680
<v Speaker 1>That was it.

0:19:03.680 --> 0:19:06.679
<v Speaker 3>It was gloves off at that moment in culture where

0:19:07.320 --> 0:19:10.200
<v Speaker 3>the tabloids had all the power and young women were

0:19:10.200 --> 0:19:11.800
<v Speaker 3>really persecuted and men.

0:19:11.920 --> 0:19:13.840
<v Speaker 1>But it was really crazy.

0:19:13.880 --> 0:19:15.639
<v Speaker 5>And at first it was kind of funny. I felt

0:19:15.640 --> 0:19:16.840
<v Speaker 5>like Lara Croft.

0:19:16.600 --> 0:19:20.520
<v Speaker 3>Or in some virtual experience, and my friends we'd like

0:19:20.640 --> 0:19:22.720
<v Speaker 3>run away and try and hide, and it was giggly.

0:19:22.800 --> 0:19:27.639
<v Speaker 3>But it became very quickly very insidious, because it was

0:19:27.680 --> 0:19:34.399
<v Speaker 3>threatening and aggressive, and it really took over my entire identity.

0:19:34.440 --> 0:19:38.800
<v Speaker 3>I felt like was being written and read by people.

0:19:38.840 --> 0:19:41.680
<v Speaker 3>But I felt so out of control in a really

0:19:41.720 --> 0:19:45.840
<v Speaker 3>formative moment. And this all happened before that film had

0:19:45.840 --> 0:19:47.440
<v Speaker 3>come out, or any film would come out. I was

0:19:47.480 --> 0:19:50.159
<v Speaker 3>at the very beginning of my career, and I do

0:19:51.520 --> 0:19:53.679
<v Speaker 3>look back and wonder how different things would have been

0:19:53.720 --> 0:19:56.600
<v Speaker 3>if I had been known as an actor first. It

0:19:56.720 --> 0:19:59.360
<v Speaker 3>was a lot of a battle to kind of establish

0:19:59.359 --> 0:20:02.480
<v Speaker 3>myself and be taken seriously and not seen as someone

0:20:02.520 --> 0:20:04.800
<v Speaker 3>who wore ice clothes or had a famous boyfriend or

0:20:05.440 --> 0:20:08.639
<v Speaker 3>It was a battle, and I think I definitely ate

0:20:08.760 --> 0:20:09.119
<v Speaker 3>through it.

0:20:09.200 --> 0:20:10.080
<v Speaker 1>I'm sure at.

0:20:09.920 --> 0:20:12.080
<v Speaker 3>That time, but it was. And then of course the

0:20:12.119 --> 0:20:15.320
<v Speaker 3>phone hacking. I knew that was going on at the time.

0:20:15.400 --> 0:20:16.320
<v Speaker 1>It was very.

0:20:16.160 --> 0:20:20.119
<v Speaker 3>Difficult because it would be well, it would be impossible

0:20:20.160 --> 0:20:22.080
<v Speaker 3>for them to know half of what they knew without

0:20:22.119 --> 0:20:25.840
<v Speaker 3>some form of eavesdropping. And I think there were bugs

0:20:26.160 --> 0:20:29.600
<v Speaker 3>put in houses and in cars, and trackers on cars

0:20:29.640 --> 0:20:31.760
<v Speaker 3>and all sorts of it was and you feel like

0:20:31.800 --> 0:20:34.960
<v Speaker 3>you're going mad. But clicks on the line of my

0:20:35.000 --> 0:20:40.760
<v Speaker 3>mother's landline. So it was relieving in a way to

0:20:40.840 --> 0:20:43.560
<v Speaker 3>know that I hadn't gone mad when I found out.

0:20:43.560 --> 0:20:46.920
<v Speaker 3>But to find out was really difficult. I had to

0:20:46.960 --> 0:20:48.920
<v Speaker 3>take the met Police to court to get the evidence

0:20:48.960 --> 0:20:51.720
<v Speaker 3>that they had in order to take the news of

0:20:51.720 --> 0:20:54.720
<v Speaker 3>the world to court, and they wanted twenty one days

0:20:54.720 --> 0:20:56.399
<v Speaker 3>to hand it over the evidence that they had, and

0:20:56.400 --> 0:20:58.320
<v Speaker 3>the judge said, hand it over today in these four

0:20:58.480 --> 0:21:02.840
<v Speaker 3>huge boxes with emails and phone numbers and numbers of

0:21:02.880 --> 0:21:08.240
<v Speaker 3>my friends and anyway, in the end, I didn't settle

0:21:08.240 --> 0:21:10.400
<v Speaker 3>out of court. I took them to court, which meant

0:21:10.400 --> 0:21:12.640
<v Speaker 3>I got far less money than I would have done

0:21:12.720 --> 0:21:15.359
<v Speaker 3>had I been quiet. But actually it's one of the

0:21:15.400 --> 0:21:19.080
<v Speaker 3>proudest things that I did. And now some of the

0:21:19.119 --> 0:21:21.680
<v Speaker 3>friends whose numbers they also had, got some money too,

0:21:21.720 --> 0:21:24.440
<v Speaker 3>so it kind of feels like that's a lovely that's

0:21:24.480 --> 0:21:25.400
<v Speaker 3>a lovely ending.

0:21:25.200 --> 0:21:26.119
<v Speaker 1>To a saga.

0:21:26.320 --> 0:21:29.200
<v Speaker 2>Yeah, I was so comfort you could find in those

0:21:29.320 --> 0:21:32.560
<v Speaker 2>days into cooking or to.

0:21:33.040 --> 0:21:34.520
<v Speaker 1>The cooking was always a grounding.

0:21:34.640 --> 0:21:40.320
<v Speaker 3>I mean, it was a decade really of harassment, but

0:21:40.440 --> 0:21:45.400
<v Speaker 3>as much as possible, it's okay because it sucks in retrospect,

0:21:45.480 --> 0:21:47.920
<v Speaker 3>but it also is a huge part of who.

0:21:47.720 --> 0:21:49.159
<v Speaker 1>I am and why I am.

0:21:49.160 --> 0:21:50.840
<v Speaker 3>The way that I am and what matters to me

0:21:50.960 --> 0:21:53.800
<v Speaker 3>is very clear, and what doesn't matter and what's out

0:21:53.840 --> 0:21:56.600
<v Speaker 3>of your control is also very clear. And I think

0:21:56.640 --> 0:21:58.399
<v Speaker 3>I tried to control it for a long time and

0:21:58.440 --> 0:22:02.200
<v Speaker 3>then gave up. And I know my friends, my family,

0:22:02.280 --> 0:22:04.160
<v Speaker 3>the people I love, the restaurants I love, the food

0:22:04.200 --> 0:22:08.359
<v Speaker 3>I love. The community around me is sacred and respected,

0:22:09.000 --> 0:22:11.840
<v Speaker 3>and the rest I don't care. I feel like everyone

0:22:11.840 --> 0:22:14.080
<v Speaker 3>in the world see my you know, dirty underwear. It's

0:22:14.119 --> 0:22:16.840
<v Speaker 3>like there's nothing more I can. Everyone knows everything, whatever

0:22:17.000 --> 0:22:18.520
<v Speaker 3>it's But I know the power.

0:22:18.640 --> 0:22:21.600
<v Speaker 2>Yeah, that's you're saying that gives you if you have

0:22:21.840 --> 0:22:25.240
<v Speaker 2>been killed, you know there are people who have been destroyed.

0:22:25.440 --> 0:22:27.920
<v Speaker 3>Well, no, I'm proud that I didn't go that far,

0:22:27.960 --> 0:22:31.480
<v Speaker 3>but I understand absolutely why you lose your mind. It

0:22:31.640 --> 0:22:35.880
<v Speaker 3>kind of perpetuates behavior that coping mechanisms that are toxic,

0:22:36.160 --> 0:22:38.800
<v Speaker 3>drinking too much or going out too much, or just

0:22:38.880 --> 0:22:42.560
<v Speaker 3>keeping moving, because it's also crazy and you can see

0:22:42.560 --> 0:22:46.200
<v Speaker 3>why people unravel, and actually it suits them. The more

0:22:46.240 --> 0:22:48.440
<v Speaker 3>you unravel, they're kind of encouraging you to do that

0:22:48.640 --> 0:22:50.480
<v Speaker 3>because that sells mere papers.

0:22:50.200 --> 0:22:53.640
<v Speaker 5>Now, So it's it's wonderful in a way.

0:22:53.720 --> 0:22:56.520
<v Speaker 3>I'm not a fan of social media, but I respect

0:22:56.560 --> 0:22:59.840
<v Speaker 3>that women now have an opportunity to that their voice

0:22:59.840 --> 0:23:02.240
<v Speaker 3>is powerful, that anything anyone could write, or they have

0:23:02.320 --> 0:23:06.000
<v Speaker 3>a means to retaliate. I just got incredibly litigious, and

0:23:06.560 --> 0:23:08.960
<v Speaker 3>then you'd get an apology that's that big, tiny in

0:23:09.000 --> 0:23:12.120
<v Speaker 3>a newspaper that anyone to use. I mean, it's nice

0:23:12.119 --> 0:23:14.639
<v Speaker 3>that it's come full circle and we look back on

0:23:14.680 --> 0:23:17.760
<v Speaker 3>that behavior and can't believe that that was allowed. It

0:23:17.760 --> 0:23:20.679
<v Speaker 3>feels like another person, another world, another life.

0:23:20.800 --> 0:23:22.560
<v Speaker 1>Do you remember the people who helped you through this?

0:23:23.040 --> 0:23:25.840
<v Speaker 3>Yeah, I've been fortunate. I've never had a friend seller

0:23:25.960 --> 0:23:29.040
<v Speaker 3>story in my life. I had a very strong core

0:23:29.080 --> 0:23:31.560
<v Speaker 3>group of friends from a young age, from ten from

0:23:31.600 --> 0:23:34.080
<v Speaker 3>my senior school, one of whom is in this room

0:23:34.160 --> 0:23:36.200
<v Speaker 3>right now, my first and oldest friend.

0:23:36.920 --> 0:23:40.760
<v Speaker 1>Do you remember going through this, Yeah, very much. So, yeah,

0:23:41.000 --> 0:23:42.720
<v Speaker 1>running away from.

0:23:42.520 --> 0:23:44.960
<v Speaker 5>She's six foot tall and im and I'm not.

0:23:45.560 --> 0:23:48.119
<v Speaker 3>She was my security. But also she was sometimes a decoy,

0:23:48.280 --> 0:23:50.280
<v Speaker 3>so we'd put like a jump a jacket over her

0:23:50.280 --> 0:23:51.840
<v Speaker 3>head and she'd run out of the theater. I was

0:23:51.880 --> 0:23:54.800
<v Speaker 3>doing a play, even though I'd suddenly grown six you know,

0:23:55.040 --> 0:23:56.080
<v Speaker 3>however many inches.

0:23:56.240 --> 0:23:57.200
<v Speaker 1>They didn't really notice.

0:23:57.240 --> 0:24:01.880
<v Speaker 3>It's such chaos, but but player doing My first way

0:24:02.000 --> 0:24:06.200
<v Speaker 3>was as you like it, the windoms, Yeah, but I think, yeah,

0:24:06.400 --> 0:24:09.280
<v Speaker 3>having that stability in my family, my mother, my sister,

0:24:10.080 --> 0:24:12.200
<v Speaker 3>it kept it kept me anchored in a way where

0:24:12.200 --> 0:24:14.520
<v Speaker 3>I feel like if I didn't have that, I understand

0:24:14.560 --> 0:24:16.000
<v Speaker 3>how people derail completely.

0:24:20.560 --> 0:24:23.840
<v Speaker 2>If you like listening to Ruthie's Table for would you

0:24:23.960 --> 0:24:27.919
<v Speaker 2>please make sure to rate and review the podcast on

0:24:28.040 --> 0:24:33.159
<v Speaker 2>the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

0:24:33.960 --> 0:24:41.119
<v Speaker 1>Thank you. What did you do during COVID for food?

0:24:41.760 --> 0:24:42.560
<v Speaker 1>It was interesting.

0:24:43.040 --> 0:24:45.960
<v Speaker 3>All I did in COVID was cook We were Where

0:24:45.960 --> 0:24:46.240
<v Speaker 3>were you?

0:24:46.359 --> 0:24:49.320
<v Speaker 1>Upstate New York? Were in North Salem?

0:24:49.400 --> 0:24:53.520
<v Speaker 2>Yeah, I'm from you know, I'm from right, which is

0:24:53.560 --> 0:24:55.200
<v Speaker 2>a bit further, Ye, a bit further.

0:24:55.440 --> 0:24:59.320
<v Speaker 3>Of course, you are Woodstock, so you could take the

0:24:59.400 --> 0:25:01.160
<v Speaker 3>girl out of stuff you made.

0:25:01.160 --> 0:25:04.760
<v Speaker 1>That makes so much sense. I wasn't really like that.

0:25:04.840 --> 0:25:07.119
<v Speaker 2>Did you go to the festival? No, I had my

0:25:07.160 --> 0:25:10.679
<v Speaker 2>tonsils out. I know my parents would let me go.

0:25:10.760 --> 0:25:13.600
<v Speaker 2>I was having They scheduled that, well, nobody knew it

0:25:13.640 --> 0:25:15.480
<v Speaker 2>was gonna be there, and I mean that could be

0:25:15.520 --> 0:25:18.439
<v Speaker 2>like that. Also, it was an inwood stock because at

0:25:18.480 --> 0:25:21.120
<v Speaker 2>the last minute, the town fathers or whatever, we had

0:25:21.119 --> 0:25:23.959
<v Speaker 2>to do it on that guy's farm. Yeah, but I

0:25:24.040 --> 0:25:28.320
<v Speaker 2>was kind of like slightly nerdy about studying. I was

0:25:28.320 --> 0:25:31.760
<v Speaker 2>surrounded by people doing everything wild and I was a

0:25:31.760 --> 0:25:34.359
<v Speaker 2>girl who did her homework for a while. And we

0:25:34.359 --> 0:25:36.000
<v Speaker 2>were in My friend Libby and I had a test.

0:25:36.000 --> 0:25:38.199
<v Speaker 2>So we went to the local cafe and we were

0:25:38.240 --> 0:25:40.760
<v Speaker 2>sitting there studying and Bob Dylan sent a note. We

0:25:40.800 --> 0:25:42.880
<v Speaker 2>saw him and it was just when he was kind

0:25:42.880 --> 0:25:45.439
<v Speaker 2>of starting out, but he was already famous, and he

0:25:45.520 --> 0:25:48.399
<v Speaker 2>sent us a note saying, would you like to come

0:25:48.720 --> 0:25:51.480
<v Speaker 2>come back to my house and watch the band rehearse?

0:25:51.880 --> 0:25:53.480
<v Speaker 1>And we sent back a note saying, no, we have

0:25:53.520 --> 0:25:59.520
<v Speaker 1>a test tomorrow. Oh my god. So there you go. WOWE,

0:26:00.080 --> 0:26:02.879
<v Speaker 1>Well maybe it's better. Probably failed it. I don't know,

0:26:03.040 --> 0:26:03.920
<v Speaker 1>but I don't.

0:26:03.720 --> 0:26:08.720
<v Speaker 3>Wonder if i'd gone back, Yeah, I think gone to

0:26:09.800 --> 0:26:10.879
<v Speaker 3>I would have definitely.

0:26:11.160 --> 0:26:14.359
<v Speaker 1>I know you know that song you'd never regret rim Well,

0:26:14.440 --> 0:26:14.840
<v Speaker 1>there you go.

0:26:15.359 --> 0:26:19.600
<v Speaker 3>Maybe that's when I would have actually instigated you were

0:26:19.640 --> 0:26:25.320
<v Speaker 3>a better woman than I are. There's still time, maybe

0:26:25.320 --> 0:26:26.760
<v Speaker 3>I should get to make it really nice.

0:26:26.840 --> 0:26:31.119
<v Speaker 2>You remember fifty years ago when you invited that one's ready?

0:26:31.760 --> 0:26:32.080
<v Speaker 1>Ready?

0:26:32.160 --> 0:26:36.080
<v Speaker 2>Now I've decided, yeah, you could come back.

0:26:36.840 --> 0:26:41.560
<v Speaker 3>Prize winning poet quite rightly, So yeah, I completely agree.

0:26:41.600 --> 0:26:43.119
<v Speaker 1>He totally deserved it.

0:26:43.240 --> 0:26:47.200
<v Speaker 2>So you filmed in Venice and your Venice Shreveport.

0:26:47.560 --> 0:26:49.840
<v Speaker 3>I filmed in so many places all over the world.

0:26:50.320 --> 0:26:52.320
<v Speaker 3>In Venice, I lived by the fish market.

0:26:53.480 --> 0:26:54.199
<v Speaker 1>What was that like?

0:26:54.320 --> 0:26:56.879
<v Speaker 3>Well, just the produce that you get, and I became

0:26:56.920 --> 0:27:00.600
<v Speaker 3>friends with all the stall kind of the people proprietors

0:27:00.600 --> 0:27:03.160
<v Speaker 3>at the stool, and the quality of tomatoes.

0:27:03.200 --> 0:27:05.639
<v Speaker 5>That's the thing I really lament about living in England.

0:27:05.640 --> 0:27:07.200
<v Speaker 1>But what month were you there?

0:27:07.520 --> 0:27:12.400
<v Speaker 3>I was there from July June till November. So from

0:27:12.440 --> 0:27:15.800
<v Speaker 3>the most kind of glorious boiling hot to it being

0:27:15.920 --> 0:27:20.359
<v Speaker 3>really moody and foggy, but watching the transition of the

0:27:20.359 --> 0:27:23.080
<v Speaker 3>seasons through the produce of the food and the fish

0:27:23.119 --> 0:27:24.600
<v Speaker 3>market was just stunning.

0:27:24.880 --> 0:27:26.720
<v Speaker 1>I don't cook enough fish. I need to get better

0:27:26.760 --> 0:27:29.679
<v Speaker 1>at that. Okay, we can work on that. Yeah, that's easy.

0:27:30.960 --> 0:27:33.199
<v Speaker 2>We just talk about going to a city, going to

0:27:33.280 --> 0:27:35.920
<v Speaker 2>a town, and going to a market. It tells you

0:27:35.960 --> 0:27:38.959
<v Speaker 2>where you are the way the Venetians might shout and

0:27:39.520 --> 0:27:42.119
<v Speaker 2>towards Bologna they might just put everything out wait for

0:27:42.160 --> 0:27:45.000
<v Speaker 2>you to come to them. And then probably in Naples,

0:27:45.080 --> 0:27:49.080
<v Speaker 2>the arrival of the produce, and it does there is

0:27:49.119 --> 0:27:50.040
<v Speaker 2>a dynamic, do you.

0:27:50.040 --> 0:27:50.919
<v Speaker 1>Think, absolutely?

0:27:51.160 --> 0:27:55.479
<v Speaker 3>And then markets in France very intimidating for me. I

0:27:55.480 --> 0:27:57.879
<v Speaker 3>feel like as an english person trying to navigate a

0:27:57.920 --> 0:28:02.359
<v Speaker 3>French market is just it's just intimidating. There is a

0:28:02.359 --> 0:28:05.399
<v Speaker 3>superiority and often rightly so with the French cooking and

0:28:05.440 --> 0:28:08.840
<v Speaker 3>the French produce, and sometimes it's it's charming. And I

0:28:08.880 --> 0:28:11.439
<v Speaker 3>love the I love places in Provence and outside. I

0:28:11.480 --> 0:28:14.480
<v Speaker 3>love going to a market is my favorite pastime.

0:28:15.720 --> 0:28:17.520
<v Speaker 1>Do you find out if there are markets before you

0:28:17.600 --> 0:28:17.960
<v Speaker 1>go there?

0:28:18.040 --> 0:28:18.240
<v Speaker 5>Yeah?

0:28:18.840 --> 0:28:21.439
<v Speaker 3>Yeah, and the days of them. But the Italians are

0:28:21.480 --> 0:28:22.760
<v Speaker 3>just a little bit more gregarious.

0:28:22.760 --> 0:28:24.560
<v Speaker 2>The French are a little bit more Have you ever

0:28:24.600 --> 0:28:26.760
<v Speaker 2>tried to touch a mallan in France?

0:28:28.400 --> 0:28:29.120
<v Speaker 1>Did you get hit.

0:28:30.840 --> 0:28:33.359
<v Speaker 2>That's the worst the disappointment prog all the French people

0:28:33.359 --> 0:28:36.480
<v Speaker 2>who are listening here. We really respect your food culture.

0:28:37.480 --> 0:28:39.920
<v Speaker 2>We think it's amazing. It is abas, it is incredible.

0:28:39.960 --> 0:28:43.000
<v Speaker 2>The way they will, you know, they really understand. But

0:28:43.240 --> 0:28:45.760
<v Speaker 2>it took me. I lived in Paris for six years

0:28:45.800 --> 0:28:49.000
<v Speaker 2>and it took me really a while to understand.

0:28:49.040 --> 0:28:52.760
<v Speaker 1>You do not touch. Oh that's a really good touch.

0:28:53.080 --> 0:28:55.400
<v Speaker 2>And maybe this is different but now but you know,

0:28:55.400 --> 0:28:57.240
<v Speaker 2>if you see a peach and you might want to

0:28:57.280 --> 0:28:59.960
<v Speaker 2>hold it for a minute, No, you don't. Do You

0:29:00.120 --> 0:29:05.200
<v Speaker 2>just trust that they're all perfect? And how do you

0:29:05.280 --> 0:29:07.640
<v Speaker 2>eat apart from cooking your own food? Do you when

0:29:07.640 --> 0:29:10.480
<v Speaker 2>you know you're filming all day, will you eat a breakfast?

0:29:10.520 --> 0:29:11.880
<v Speaker 1>You say you don't eat a lot?

0:29:11.960 --> 0:29:14.800
<v Speaker 3>No, I will if I'm not that early often filming

0:29:14.840 --> 0:29:18.600
<v Speaker 3>Europe at five or earlier. I'll be ravenous by the

0:29:18.640 --> 0:29:20.760
<v Speaker 3>time it's you know, breakfast time, and I will have

0:29:21.440 --> 0:29:24.640
<v Speaker 3>whatever they cook on set. I mean, I'm not too fussy,

0:29:24.680 --> 0:29:27.440
<v Speaker 3>I think because of the boarding school upbringing. If I

0:29:27.480 --> 0:29:29.520
<v Speaker 3>add enough salt to anything, I'll eat it. I don't

0:29:29.560 --> 0:29:31.560
<v Speaker 3>love awful. I wish I did, because I feel like

0:29:31.600 --> 0:29:34.600
<v Speaker 3>such a foodie, but I grew up loving steak and

0:29:34.640 --> 0:29:36.720
<v Speaker 3>kidney pie, and now I don't think. I don't think

0:29:36.720 --> 0:29:38.560
<v Speaker 3>I want too much awful.

0:29:39.000 --> 0:29:43.959
<v Speaker 2>When you acted in Burnt, Yes you played. Tell us

0:29:44.000 --> 0:29:45.160
<v Speaker 2>about playing a chef.

0:29:45.480 --> 0:29:48.680
<v Speaker 3>Well, I love cooking, as you know, and food, and

0:29:48.760 --> 0:29:52.400
<v Speaker 3>so the idea of playing a chef in a two

0:29:52.400 --> 0:29:54.320
<v Speaker 3>Michelin star or a kitchen that was going for Michelin

0:29:54.360 --> 0:29:57.800
<v Speaker 3>Stars was was incredible. We got trained by Marcus Wareing

0:29:58.680 --> 0:30:03.080
<v Speaker 3>and who's lovely, and I actually got to do I

0:30:03.120 --> 0:30:05.920
<v Speaker 3>did a service in his restaurant, The Barkley, which has

0:30:05.920 --> 0:30:07.840
<v Speaker 3>two Michelin Stars, and I was on the fish station.

0:30:08.400 --> 0:30:10.320
<v Speaker 3>He taught me how to fill it a turbot, which

0:30:10.360 --> 0:30:14.760
<v Speaker 3>is really difficult, and then I was on the I

0:30:14.800 --> 0:30:17.480
<v Speaker 3>was essentially on fish and we had a working kitchen

0:30:17.480 --> 0:30:19.880
<v Speaker 3>for the entire duration of that shoot, and Marcus was

0:30:20.000 --> 0:30:23.040
<v Speaker 3>on set, so every burner was on. You know, you

0:30:23.120 --> 0:30:25.920
<v Speaker 3>really were part of a troop of a tribe of

0:30:25.960 --> 0:30:28.240
<v Speaker 3>sort of chefs. And at the end of it, he

0:30:28.320 --> 0:30:30.360
<v Speaker 3>said to me, you're a cook, and you've got a place.

0:30:30.120 --> 0:30:30.720
<v Speaker 1>In my kitchen.

0:30:30.840 --> 0:30:33.720
<v Speaker 3>Ah, And I know, so I've got this backup plan

0:30:35.560 --> 0:30:38.360
<v Speaker 3>calling you Yeah, yeah, Well this is more my style

0:30:38.400 --> 0:30:41.560
<v Speaker 3>of cooking, but his is very He's good, he's amazing,

0:30:41.600 --> 0:30:42.880
<v Speaker 3>and it's but it's forensic.

0:30:43.040 --> 0:30:45.400
<v Speaker 2>Yeah, but that's good as a kind of starter as well,

0:30:45.440 --> 0:30:48.120
<v Speaker 2>that you start with it, you know, loading.

0:30:47.760 --> 0:30:51.240
<v Speaker 3>Your lines exactly. And I went to the library with Brett.

0:30:52.120 --> 0:30:52.800
<v Speaker 1>What did you do that?

0:30:53.040 --> 0:30:54.800
<v Speaker 3>I kind of just sat in the kitchen for a

0:30:54.840 --> 0:30:58.560
<v Speaker 3>service and watched and the differences in people's kitchens. So

0:30:58.760 --> 0:31:03.160
<v Speaker 3>Marcus is very he's got a military background. It's incredibly christine,

0:31:03.200 --> 0:31:07.440
<v Speaker 3>it's incredibly ordered. Brett's is kind of chaotic. Yours is

0:31:07.480 --> 0:31:10.000
<v Speaker 3>like a family kitchen. You know, you so can tell

0:31:10.040 --> 0:31:11.840
<v Speaker 3>the personality of a chef by the way they run

0:31:11.880 --> 0:31:12.400
<v Speaker 3>their kitchen.

0:31:12.800 --> 0:31:17.040
<v Speaker 6>Have you done improvisation the I've sort of I've been

0:31:17.080 --> 0:31:22.360
<v Speaker 6>made to in workshopping a play or playing around with

0:31:22.440 --> 0:31:24.400
<v Speaker 6>something on a set before you start filming.

0:31:25.960 --> 0:31:26.520
<v Speaker 1>It's funny.

0:31:26.560 --> 0:31:28.880
<v Speaker 5>I get quite intimidated by improvising.

0:31:29.440 --> 0:31:33.240
<v Speaker 3>I did this film called American Woman that very few

0:31:33.240 --> 0:31:34.880
<v Speaker 3>people saw, but I was so proud of it. But

0:31:34.960 --> 0:31:38.840
<v Speaker 3>Christina Hendrix played my sister, and Jake Scott directed it,

0:31:38.960 --> 0:31:43.080
<v Speaker 3>whose father is Ridley Scott, the kind of legendary film

0:31:43.160 --> 0:31:47.640
<v Speaker 3>director family, and Jake wanted me and Christina to really

0:31:47.680 --> 0:31:51.040
<v Speaker 3>have that sisterly bond before we started shooting, and he

0:31:51.080 --> 0:31:52.800
<v Speaker 3>said to me, I want you guys to go upstairs.

0:31:52.880 --> 0:31:55.000
<v Speaker 3>It was the day we met and put makeup on

0:31:55.040 --> 0:31:56.920
<v Speaker 3>each other like you might have done as children.

0:31:56.920 --> 0:31:59.680
<v Speaker 5>And we were just like, no, please, God, don't make

0:31:59.720 --> 0:32:00.320
<v Speaker 5>us do that.

0:32:00.400 --> 0:32:01.920
<v Speaker 1>It will be so uncomfortable. You know.

0:32:02.000 --> 0:32:05.200
<v Speaker 3>It's there's such a trust that comes with it, and

0:32:05.440 --> 0:32:07.520
<v Speaker 3>and comedians are amazing at it.

0:32:07.680 --> 0:32:09.479
<v Speaker 1>I like to think of myself as really funny. But

0:32:09.520 --> 0:32:10.840
<v Speaker 1>for some reason, thanks.

0:32:10.600 --> 0:32:13.680
<v Speaker 2>Realthing, you had to improvise with Larry David and Curby

0:32:13.680 --> 0:32:16.800
<v Speaker 2>Your Enthusiasm, one of my favorite programs of all time.

0:32:16.880 --> 0:32:17.520
<v Speaker 1>What was it like?

0:32:17.960 --> 0:32:20.360
<v Speaker 3>Well, I kind of accosted Larry David in the way

0:32:20.360 --> 0:32:24.160
<v Speaker 3>I might Bob Dylan at the Vanity Fair party in Hollywood,

0:32:24.200 --> 0:32:26.600
<v Speaker 3>which sounds so glamorous and it is unless you're me

0:32:26.640 --> 0:32:28.440
<v Speaker 3>and you drink too many martiniz and sort.

0:32:28.240 --> 0:32:29.320
<v Speaker 1>Of over excited.

0:32:29.720 --> 0:32:32.080
<v Speaker 3>And there was Larry David by the bar, and Ollie,

0:32:32.080 --> 0:32:35.880
<v Speaker 3>my boyfriend introduced me really to Cub's. He's sort of

0:32:35.960 --> 0:32:38.600
<v Speaker 3>Larry in training. I think he will end up that way.

0:32:40.680 --> 0:32:42.800
<v Speaker 1>It could be worse. I always say that Larry really

0:32:42.840 --> 0:32:43.800
<v Speaker 1>never does anything wrong.

0:32:44.480 --> 0:32:47.400
<v Speaker 2>He does the greatest humoring. Yehs just you know, he

0:32:47.440 --> 0:32:49.800
<v Speaker 2>gets into trouble and he'd probably get you. But he's

0:32:49.800 --> 0:32:52.719
<v Speaker 2>actually essentially such a good person.

0:32:52.760 --> 0:32:54.240
<v Speaker 1>He's a great with a huge heart.

0:32:54.440 --> 0:32:59.200
<v Speaker 3>And I think I was obviously so enthusiastically kind of

0:32:59.640 --> 0:33:02.880
<v Speaker 3>pouring my praise on him that it got the cogs turning.

0:33:02.920 --> 0:33:04.680
<v Speaker 3>And about six months later he was like, I had

0:33:04.680 --> 0:33:07.960
<v Speaker 3>this idea for Curb and basically you're hitting on me

0:33:08.040 --> 0:33:09.800
<v Speaker 3>and I.

0:33:09.840 --> 0:33:12.280
<v Speaker 5>So obviously I was flirtatious, but Ollie was there.

0:33:12.320 --> 0:33:15.560
<v Speaker 1>I wasn't deliberately anyway.

0:33:15.640 --> 0:33:18.200
<v Speaker 3>I then you get a skeleton script. It looks a

0:33:18.240 --> 0:33:21.000
<v Speaker 3>little bit like this recipe, and it's sort of like

0:33:21.040 --> 0:33:25.040
<v Speaker 3>Siena is converting to guodaism, sees Larry at the at

0:33:25.080 --> 0:33:28.239
<v Speaker 3>the temple and comes up and talks to him.

0:33:28.280 --> 0:33:29.960
<v Speaker 5>So you get an idea of where the scene has

0:33:30.000 --> 0:33:30.239
<v Speaker 5>to go.

0:33:30.360 --> 0:33:32.800
<v Speaker 3>But you're improvising with one of the great if not

0:33:32.880 --> 0:33:33.760
<v Speaker 3>the greatest.

0:33:34.200 --> 0:33:36.960
<v Speaker 1>Ill if you were improvising, you did so well well.

0:33:36.840 --> 0:33:38.960
<v Speaker 5>It was terrifying. I was not comfortable.

0:33:40.240 --> 0:33:44.560
<v Speaker 3>Yeah, but he's wonderful because he finds the whole thing

0:33:44.640 --> 0:33:45.600
<v Speaker 3>incredibly funny.

0:33:45.920 --> 0:33:49.960
<v Speaker 2>The last question I will ask you is that describe

0:33:50.000 --> 0:33:52.520
<v Speaker 2>times in your life or days in your life, or

0:33:52.520 --> 0:33:56.040
<v Speaker 2>maybe places in your life where you had food And

0:33:56.080 --> 0:33:59.320
<v Speaker 2>you actually asked me that question. When it becomes food

0:33:59.320 --> 0:34:01.960
<v Speaker 2>becomes something that is not just to alleviate hunger or

0:34:02.040 --> 0:34:05.840
<v Speaker 2>to share with your children or to experience together or

0:34:05.920 --> 0:34:08.480
<v Speaker 2>to relax with with quickly, but it loss can be comfort.

0:34:09.400 --> 0:34:11.319
<v Speaker 2>Is there something that you would go to in your

0:34:11.320 --> 0:34:11.799
<v Speaker 2>whole life?

0:34:12.760 --> 0:34:16.719
<v Speaker 3>There are several things, but I'm an enormous spaghetti bolonnes

0:34:17.080 --> 0:34:19.200
<v Speaker 3>guy and Tory who's.

0:34:19.000 --> 0:34:19.560
<v Speaker 1>In this room.

0:34:20.000 --> 0:34:22.279
<v Speaker 3>We do lots of work with the International Medical Corps,

0:34:22.280 --> 0:34:23.960
<v Speaker 3>which is an NGO, and as a result of that,

0:34:24.000 --> 0:34:27.480
<v Speaker 3>we've traveled all over the world to really remote places.

0:34:27.560 --> 0:34:31.839
<v Speaker 3>Northern Nigeria in a kind of Boko Haram region and

0:34:31.880 --> 0:34:35.840
<v Speaker 3>it's dangerous, Congo and Haiti and all sorts of places,

0:34:35.840 --> 0:34:37.480
<v Speaker 3>but you can often find a bolonnaise.

0:34:38.160 --> 0:34:39.480
<v Speaker 1>Bizarrely, and one of the.

0:34:39.480 --> 0:34:41.719
<v Speaker 3>Best spaghetti bolonneses we ever had, we were going to

0:34:41.719 --> 0:34:44.200
<v Speaker 3>do a bolonnes tour of the world because we are

0:34:44.239 --> 0:34:47.239
<v Speaker 3>obsessed with it. I think it's so delicious was in

0:34:47.280 --> 0:34:52.760
<v Speaker 3>northern Nigeria in this tiny, very weird hotel. It was amazing,

0:34:52.840 --> 0:34:54.680
<v Speaker 3>wasn't it. You didn't order it the first night, and

0:34:54.680 --> 0:34:56.560
<v Speaker 3>then we both ordered it. I had it twice in

0:34:56.600 --> 0:34:57.920
<v Speaker 3>our own You had it the second night.

0:34:57.960 --> 0:35:00.160
<v Speaker 1>It was that good. Well do you know what made it? So?

0:35:00.320 --> 0:35:00.360
<v Speaker 2>Do?

0:35:00.920 --> 0:35:03.600
<v Speaker 3>I don't, And I'm quite a cheap date. But I

0:35:03.640 --> 0:35:07.399
<v Speaker 3>think it was beef. But I think anything would have been.

0:35:07.760 --> 0:35:10.480
<v Speaker 3>You know, something familiar in that in that environment is

0:35:10.800 --> 0:35:12.880
<v Speaker 3>but I love a bolonnaise. I love chicken soup if

0:35:12.920 --> 0:35:15.080
<v Speaker 3>I'm sick. I guess that's the Jewish influence.

0:35:16.800 --> 0:35:20.399
<v Speaker 1>I love curry. You know. Do we just talk about

0:35:20.400 --> 0:35:22.879
<v Speaker 1>the NGA? Yes, tell us about.

0:35:23.239 --> 0:35:27.200
<v Speaker 3>Well, in twenty ten, I became an ambassador for this

0:35:27.360 --> 0:35:29.560
<v Speaker 3>NGO called the International Medical Core.

0:35:30.680 --> 0:35:33.560
<v Speaker 1>So they basically provide healthcare for displaced people all around

0:35:33.560 --> 0:35:33.960
<v Speaker 1>the world.

0:35:34.000 --> 0:35:40.320
<v Speaker 3>And I visit their programs and they it's water, sanitation, inoculations, feeding,

0:35:40.640 --> 0:35:44.040
<v Speaker 3>and you get assigned different departments to kind of run.

0:35:44.120 --> 0:35:48.440
<v Speaker 3>But they their ethos is really holistic in that they

0:35:48.480 --> 0:35:50.480
<v Speaker 3>don't just go in and administer or band aid and

0:35:50.520 --> 0:35:52.960
<v Speaker 3>provide this service and then leave. They train locals to

0:35:53.000 --> 0:35:56.760
<v Speaker 3>become able to run the program, so it's becomes ultimately

0:35:56.760 --> 0:36:01.480
<v Speaker 3>self sufficient. And it's an extraordinary experience to visit these

0:36:01.520 --> 0:36:06.560
<v Speaker 3>places and meet these survivors of all sorts of terrible famine.

0:36:07.080 --> 0:36:08.759
<v Speaker 3>You know, in the Congo it was rape was a

0:36:08.800 --> 0:36:14.240
<v Speaker 3>method of war and incredibly harrowing places to visit and

0:36:14.440 --> 0:36:18.480
<v Speaker 3>experience is to have. But they're an incredible organization and

0:36:18.760 --> 0:36:21.000
<v Speaker 3>I think ninety eight point six percent of every dollar

0:36:21.080 --> 0:36:23.360
<v Speaker 3>goes straight to the field.

0:36:23.520 --> 0:36:24.680
<v Speaker 1>Are you still working with them?

0:36:24.760 --> 0:36:26.839
<v Speaker 5>Yeah, I am, I am. I haven't done a trip

0:36:26.880 --> 0:36:27.400
<v Speaker 5>for a while.

0:36:28.200 --> 0:36:31.080
<v Speaker 3>The last one was quite intense and dangerous in Nigeria,

0:36:31.160 --> 0:36:34.000
<v Speaker 3>and I then got pregnant and then COVID. You know,

0:36:34.120 --> 0:36:35.280
<v Speaker 3>I need to do another one.

0:36:35.160 --> 0:36:37.360
<v Speaker 1>But you can always do more.

0:36:38.360 --> 0:36:45.400
<v Speaker 2>Thank you, sir, Thanks for one time, what a great play.

0:36:47.040 --> 0:36:50.200
<v Speaker 3>Thank you for listening to Ruthie's Table four in partnership

0:36:50.200 --> 0:36:50.880
<v Speaker 3>with Montclair